Kinghams Auctioneers

FINE & DECORATIVE ARTS

Including the Selected Contents of a Cotswold Manor House

Thursday 25th & Friday 26th July 2024

FINE AND DECORATIVE ARTS

Including the Selected Contents of a Cotswold Manor House

To be held at:

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

THURSDAY 25TH & FRIDAY 26TH JULY 2024

Viewing

Tuesday 23rd July – 10.00am to 5.00pm | Wednesday 24th July – 10.00am to 5.00pm

Day of the Sale

Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

Kingham Director

SPECIALISTS

John Keightley Associate Director Senior Valuer and Cataloguer

Adrian Rathbone Associate Director

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com

George

Mark Oliver Consultant Decorative Arts Specialist

Steven Bruce Consultant Valuer

Eric Belgrave Photographer

Sarah Powel Office Administrator

MAP AND DIRECTIONS

Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh

By Car

We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail

Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane

The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accomodation

www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS

We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture:

Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

USEFUL INFORMATION FOR BUYERS

Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidding in Person

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

Commission Bids

Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids

Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding

Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.

Condition

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Buyer’s Premium

There is a buyer’s premium of 25% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Payment

Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by:

• Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - we do not accept cheques.

• Debit cards accepted. We do not accept any credit cards.

• Bank transfer to:

HSBC Bank, 32 Bridge St., Evesham, WR11 4RU

Account No.: 51655345

Account Name: Kinghams Auctioneers Ltd

Sort Code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payments.

CONTENTS

DAY ONE

JEWELLERY, WATCHES AND PENS

1 A gold spider in web pendant, a kangaroo pin and further items £40 - £60

2 A freshwater Scottish pearl stick pin, 9ct gold, Birmingham 1982 £80 - £120

3 Two 9ct gold enamel medallions, one with chain

£80 - £120

15 A 9ct rose gold graduated curb link chain, double Albert form, with suspended George II spade guinea, 46cm long, 52.0g £600 - £800

16 A Chinese silver filigree, enamelled and gem set brooch, in the form of a fan, applied with bands of butterflies and jade cabochons, jade stone tassels below, 7cm wide £80 - £120

4 Two 9ct gold signet rings

£80 - £120

17 A 9ct gold watch chain, together with a sprung expanding chain and a gold bar brooch mount for a coin, 37cm long, 38.4g (3) £300 - £400

£100 - £150

5 A mid 20th century 9ct gold snake-link lariat necklace, 38cm long, 9.4g

6 A pair of gold cricket bat novelty cufflinks, together with another pair of cufflinks and a set of three studs £100 - £200

7 An 18ct gold white gem signet ring

£100 - £150

18 Five 9ct gold medallions, including rifle competition, Ennis Cup etc, of shield and circular forms, together with a silver gilt and enamel brooch with the arms of Middlesborough, gold weight 29.3g (6) £200 - £400

19 Five silver charm bracelet with various charms, together with a large quantity of loose charms, including enamelled souvenir charms, animals, articulated and novelty examples etc, 8.2ozt/255g £100 - £200

£100 - £200

8 Two diamond and gem-set stickpins and a pair of tortoiseshell drop earrings

9 An 18ct gold signet ring

10 Five various 9ct gold rings

£150 - £200

£150 - £200

11 An Art Deco platinum wedding band ring, inscribed Fidelity £40 - £60

12 Two gold half sovereign coins, one mounted as a brooch, the other as a pendant (2) £200 - £300

13 A collection of nine vintage jewellery boxes, including Liberty and Co., Goldsmiths and Silversmiths Co., Ogdens etc., some tooled leather covered (9) £80 - £120

14 A 9ct gold mounted carnelian seal fob, together with intaglio engraved gemstone seals inscribed with various mottos and emblems, and a relief carved coral cameo roundel (7) £50 - £80

20

20 A Victorian 15ct gold star brooch, set with seed pearls, (two missing), together with a Victorian target brooch, set cluster of gemstones (2) £150 - £200

21 A 9ct rose gold trombone link double Albert watch chain, with central T bar, 42.5cm long, 56.3g £500 - £800

22 A 9ct gold fancy double rod and knotted rope link watch chain, with a George V sovereign fob, 1914, 46cm long, 53.5g £600 - £800

23 An Edwardian 9ct rose gold amethyst bracelet, heartshaped padlock, Birmingham 1909, 12g, in a fitted presentation box £200 - £300

24 A Middle Eastern silver and parcel gilt choker necklace, nine chain mesh strands united by tooled gilt bars, engraved with birds and Byzantine type motifs, 42cm long, 97g £100 - £150

25 Peter Nicholas Orr, a late Victorian Indian colonial ‘swami’ design necklace, circa 1870, 22ct gold, comprising nine graduated oval links depicting various Hindu deities and suspending a further seven marquise-shaped similar links joined by three stands of circular links, stamped ‘Orr, 22’ to the clasp, approximately 65.1g.

Note: a bracelet of similar design is held in the Victoria & Albert Museum, London £2,500 - £3,500

26 A Historical revival gold coloured metal, turquoise and opal pendant brooch, the central cabochon between textured oak leaves, above a shell, applied filigree type ring motifs, 4cm long, 8.1g £80 - £120

27 A 15ct gold and pink stone pendant, double concentric ring with central cross, seven cushioned stones, on a chain, 3cm diameter, 9.7g £100 - £150

28 An Arts and Crafts 9ct gold and amethyst pendant, Henry Matthews, Birmingham circa 1910, foliate scroll open heart form, the central facet cut stone above a further drop, 4.5cm long, 2.6g £40 - £70

29 Charles Horner, an Arts and Crafts silver and purple stone brooch, Chester circa 1910, oval form with central facet cut stone, open bar arms and embossed dimples, 2.5cm long £30 - £50

30 An Art Nouveau silver and enamelled brooch, cast and reticulated in the form of an iris, with polychrome enamel, stamped marks Depose DR, 3cm £50 - £80

31 A Victorian gold, diamond and enamel bar brooch, the central eight point star with blue enamel border containing old cut stones, on a sprung safety pin bar, 5cm long, 3.3g £40 - £70

32 Bernard Instone, an Arts and Crafts silver brooch pendant, oval form with bead and pellet border around a central lace embroidered floral motif, stamped marks, 4.5cm long £30 - £50

33 An Arts and Crafts silver and opal bar brooch, Adie and Lovekin, Birmingham 1916, in the form of a heavy link chain set with central cabochon, 5cm long £50 - £80

34 An Arts and Crafts silver and opal cabochon brooch, rectangular form in the Anglo Saxon revival, the ropetwist border around four coiled spirals and three stone centre with bead and ropetwist details, 3cm long £60 - £100

35 Gladys and Charles Mumford, an Arts and Crafts silver brooch, oval wreath form decorated with wire ruyi heart motifs and applied leaves, 4cm long £50 - £100

36 An Iona Arts and Crafts silver brooch, in the style of Alexander Ritchie, modelled as a Viking longboat within a Celtic knotted wreath, stamped sterling silver, 4.5cm diameter £50 - £70

37 Bernard Instone, an Art Deco silver and enamelled lapel clip, geometric block design in various shades of brown enamel, 3.5cm long £50 - £100

38 A Modernist 9ct gold brooch, in the form of a leaf, feathered with textured seedpod edges, 5cm long, 5.1g £50 - £80

39 Coins, Spanish/Mexican Pillar dollar, 1760, in case £100 - £150

40 Coins, Great Britain, Victoria (1837-1901), half sovereign, 1893, and George V (1910-1936), half sovereign, 1914 (2) £200 - £300

41 Coins, Great Britain, George V (1910-1936), sovereign, 1928 £250 - £300

42

42 George IV, Half Sovereign, 1821, very rare, first laureate head facing left, Bernedetto Pistrucci sculptor, signed BP, (S.3802)

Note: because of the similarity in design to the sixpence of the same year, which forgers would gild in order to pass as a half sovereign, the minting was halted at 231,288 pieces until a new reverse design was produced for 1823. £1,000 - £1,500

43 Two 9ct gold ladies wristwatches, square faces, one marked Verity, on leather strap, the other with Roman numerals, 2cm (2) £100 - £150

44 Two silver pocket watches, one in a chased case with blue enamelled Arabic numerals, the other in a Swiss engine turned case (2) £40 - £70

45 Three yellow metal watches

£100 - £200

46 A Victorian silver open-faced pocket watch on silver chain, white enamelled dial and subsidiary seconds dial, 5cm diameter £50 - £80

47 An 18ct gold chased pocket watch, black enamelled Roman numerals, foliate scroll decoration, 3.5cm diameter

£100 - £150

48 Waltham, a gold plated halfhunter pocket watch, blue enamelled chapter ring of Roman numerals, 5cm diameter (boxed) £40 - £60

49

49 An 18ct gold open-faced repeat pocket watch, Moses Cohen, Sheffield, the case dated Chester 1863, white enamelled dial with Roman numerals and seconds hand, 5.2cm diameter £300 - £500

50 Omega, a 9ct gold ladies wristwatch, on lame link bracelet, 18cm long, 19.8g £150 - £250

51

51 Omega, a 9ct gold pocket watch, circa 1923, open faced, white enamelled dial with subsidiary seconds dial, fifteen jewel movement with engine turned plates, signed and numbered 5709402, 5cm diameter £300 - £500

52 Parker, a Vacumatic golden pearl fountain pen, tigers eye stripe design, with 14ct gold Duofold nib, 13cm long £40 - £70

53 Sheaffer, a Lady Sheaffer XVI Moire gold lacquer fountain pen and pencil set, circa 1960, vermilion orange nib section, 14cm long (2) £40 - £60

54 Namiki for Asprey, a pre Dunhill maki-e and aogai lacquer fountain pen and pencil, circa 1925, each barrel decorated with a still life basket of flowers, the cap with butterflies 14ct gold collar and nib marked Namiki 14CT 2, and gilt ring to the pencil, signed artist marks, impressed to the end of the barrel Made in Japan, the lever marked with the Namiki logo, 10.5cm long (2) in fitted Asprey case

£2,000 - £4,000

SILVER

55

55 A pair of George III Old Sheffield silver plate candlesticks, Dixon and Smith circa 1805, of George II style cast form, wrythen fluted gadrooned baluster knopped stems and ogee petal bases, with removable sconces, stamped marks to each D sun S, 23.5cm high (2) £80 - £120

56

56 An 18th century Spanish Colonial ‘coco chocolatero’ white metal mounted chocolate cup, the coconut body with applied pinned rim and cast foliate S scroll handles, on a lappet sconce and pierced double rosette foot with cut ogee petal border,8cm high, 11cm wide

Note: combining the exoticism of the Pacific Islands and the traditional silver craftsmanship of Spain and Portugal, the coco chocolatero or hot chocolate cup became a household object for the Iberian elite in New Spain and the Americas from the 16th century onwards. The pierced and chased silverwork and form of this cup is typical of the pieces made in or exported to the Hispanic provinces from the late 17th and early 18th century. Similar examples appear in museum collections throughout the world. £200 - £300

57 A set of four Aesthetic Movement silver mounted and cut ruby glass salt cellars, Saunders and Shepherd, London 1886, angled squat baluster form, cut with alternating stylised leaf lappets of hobnail and chevron design, with four spoons, in a fitted case

£100 - £150

58 An Arts and Crafts silver plate mounted glass lemonade jug, in the Christopher Dresser style, plain flared body with star cut base, angled handle and spout, 24cm high £50 - £100

59

59 Christopher Dresser for Hukin and Heath, an Aesthetic Movement silver plate and ceramic dish, circa 1880, oval ogee form with cast scallop shell and wave border, the handles mounted with white ceramic toads, modelled in high relief sitting with characterful startled poses and set with glass eyes, the figures probably Minton of Coalport, marked H&H to both the metal and porcelain, 35cm long

Note: reminiscent of Dresser’s famous wardrobe door panel depicting falling toads, designed for Bushole House, Leicester, this Hukin and Heath dish combines the fashion for the novelty and grotesque so popular at the time, with repeat motifs and functionality, for which Dresser was known. £600 - £800

60

60 A pair of Arts and Crafts silver photo frames, Gourdel Vales and Co., Birmingham 1904, each of ogee bracket form embossed with foliate cartouche design with forget me nots and motto Dinna Forget, around a central circular opening, 5.5cm diameter, 10cm x 10cm (2) £100 - £200

61 An Arts and Crafts silver photo frame, Gourdel Vales and Co., Birmingham 1904, ogee bracket form embossed with foliate cartouche design with forget me nots and motto Dinna Forget, around a central circular opening, 8.5cm diameter, 15cm x 14m (2) £80 - £120

62

62 An Arts and Crafts silver jewel casket, J. T. Wordsworth & Co, Birmingham 1905, cuboid form, planished effect with applied strap hinges, fretted fleur de lys motifs and ogee corners, cental raised scroll shield cartouche to the lid, the interior with fitted green velvet lining, Beaver Ltd, Manchester retailer inscription to underside, 14cm wide, 5.5cm high, 10cm deep

£70 - £100

63 Liberty and Co., an Arts and Crafts silver and turquoise match box cover, Birmingham 1907, cuboid form set with a central cabochon, 4.5cm x 3cm, 0.43ozt £120 - £180

64

64 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled tobacco box, Birmingham 1906, oval pebble form, the lid with two bud motifs in blue green enamel, 8cm long, 2.35ozt £200 - £400

65 Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled Coronation spoon, Birmingham 1901, sylised Annointing form the sting ray handle with Celtic knot fins and blue green enamel plaque on lily pad form bowl with raised lettering Anno Coron ERVII within enamelled ground, 20cm long, 2.77ozt £800 - £1,200

66 An Arts and Crafts silver and Ruskin lined quaich or salt cellar, Lindsay and Paisley Ltd., Sheffield 1922, the twin handled footed bowl with chased open knotted tendril handles, blue lustre ceramic liner, impressed marks and date, 11cm long, 1.43ozt £200 - £300

67. A E Jones and Ruskin Pottery, an Arts and Crafts silver and ceramic lined salt cellar, Birmingham 1921, three scroll end strap handles on a planished ogee form body, the liner in lilac lustre glaze, impressed marks, 9cm wide, 1.18ozt £150 - £250

68 A E Jones and Ruskin Pottery, an Arts and Crafts twin handled silver and ceramic lined salt cellar, Birmingham 1912, two scroll end strap handles on a planished ogee form body, the liner in yellow lustre glaze,10cm wide, 1.06ozt £150 - £250

69 An Arts and Crafts silver and shagreen match striker, Louis Willmott, London 1907, footed spherical melon form, inlaid with vertical bands, arched arcading to the rim and foot, inscribed Callow of Mount St W, 8cm high £100 - £200

70

70 John Sidney Reeve for Guild of Handicraft, a pair of Arts and Crafts silver salt cellars, circa 1905, planished rounded cup form on splayed feet, applied with bands of ropetwist and coiled wire decoration, quatrefoil and ribbon borders, the liners in pale green glass, probably by James Powell and Sons, Whitefriars, 6cm diameter, 3.85ozt (2) £100 - £200

71

71 John Sidney Reeve, an Arts and Crafts silver pepper pot, Birmingham 1911, octagonal footed pillar pox or lighthouse form, planished and applied with ropetwist bands below a beaded border, the domed lid pierced with trefoil clusters, 6.5cm high, 1.70ozt £50 - £100

72 John Sidney Reeve, an Arts and Crafts silver two piece cruet set, Birmingham 1912, the pepper pot of tapered cylindrical pillar box form, the mustard of drum cylinder form, each on shallow bracket feet, planished and applied with ropetwist and wire banding, domed lids and strap handle to the pot, glass liner, 7cm high, 4.37ozt (2) £100 - £150 73

73 A German Jugendstil silver dish, Kurz Gottlieb, Schwabisch Gmund circa 1920, elongated octagonal form with embossed stylised beaded border, 25cm long, 4.65ozt £50 - £80

74

74 Harry Warmington for the Guild of Handicraft, an Arts and Crafts silver ladle spoon, London 1962, the hemispherical planished bowl on a plain tapered stem, 16cm long, 1.47ozt £40 - £70

75

75 John Sidney Reeve, an Arts and Crafts silver teapot, Birmingham 1930, squat ovoid form, planished and applied with ropetwist and reeded banding, the foot with incised ribbon border, the finial set with a carnelian cabochon gemstone, carved fruitwood handle, 24.5cm long, 21.18ozt

Note: Sidney Reeve, a native of Worcestershire, worked at the Guild of Handicraft in Chipping Campden before moving to Leicester, in around 1906, to teach at the Leicester School of Art, where he remained until about 1934, at which point he retired back to the Cotswolds. £300 - £500

76 Harry Warmington for the Guild of Handicraft, an Arts and Crafts silver spoon, London 1962, the planished lilypad bowl with rat tail, on a plain stem with pierced and chased floral terminal, 13cm long, 0.77ozt £40 - £60

77

77 John Sidney Reeve, an Arts and Crafts silver spoon, Birmingham 1938, the planished rounded bowl with rat tail on a tapered stem with canted and notched terminal, 16cm long, 1.47ozt £50 - £80

78 John Sidney Reeve, an Arts and Crafts silver napkin ring, Birmingham 1942, planished form with applied ropetwist bands and applied relief monogram panel, 4.8cm diameter, together with two other napkin rings, 3.15ozt (3) £60 - £100

79 John Sidney Reeve, two Arts and Crafts silver ladles, Birmingham 1931, each with angled point and line incised terminals, 17cm long, 2.70ozt (2) £60 - £100

80

80 An Art Deco silver plated twin handled centrepiece dish, John Turton and Co, Sheffield circa 1930, oval form on a stepped foot with reeded disc handles, 30cm long £30 - £50

81

81 Louis Sue and Andre Mare for Christofle, a Gallia Art Deco silver plated beaker, circa 1925, cushioned square section foot with interlocking segmented corners, rising to a flared circular rim, stamped marks, 8.5cm high £70 - £100

METALWARE

82

82 Christopher Dresser for Kenrick, an Aesthetic Movement cast iron door stop, model 485, modelled in relief and pierced symmetrical foliate scroll design with central pillaster and trefoil handle, above an arched lapped frieze, 41cm high £150 - £250

83 An Arts and Crafts Gothic Revival steel casket, cast in relief and tooled as a Medieval coffer with acorn headed strap decoration on a chased foliate scroll ground, with latch lock, 17.5cm wide, 11cm high, 11cm deep £80 - £120

84

84 A pair of Aesthetic Movement mixed metal and straw opal glass trumpet vases, the wrythen moulded and crimped glass inserts held within foliate sconces, on spherical and bladed knop stems, the square base applied with copper overlay friezes of Saxon revival milled foliate scrolls between cast portrait medallions in copper of historical figures, weighted, 29cm high (2) £100 - £200

85 Oliver Baker for Liberty and Co., a Tudric Arts and Crafts pewter bowl, model 067, planished domed form on four fluted cabriole legs with trefid pad feet, stamped marks, 34cm diameter

£100 - £200

86 Oliver Baker for Liberty and Co., a pair of Tudric Arts and Crafts pewter vases, model 029, poppy head form, case with blind fret bands of ovals, two sinuous bisected tendril handles and splayed bases, 25cm high (2)

£200 - £400

90 WMF, a Jugendstil silver plated twin handled soda syphon stand, model 47, circa 1900, footed cylinder form, embossed and pierced with sinuous knotted tendrils and open whiplash handles, stamped marks, 20cm high £120 - £180

87 Liberty and Co., a Tudric Arts and Crafts pewter and enamelled caddy spoon, model 01092, the apple shaped bowl with beaded teardrop handle and centreal turquoise and green enamel cabochon, 7cm long

£50 - £80

88 Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter and Clutha glass comport, model 0276, the double ogee marbled aventurine glass bowl supported in a pierced foliate tendril dish on three buttressed legs and circular base, 17cm high

£600 - £1,000

91

91 WMF, a Jugendstil silver plated three handled centrepiece bowl, shallow dished form with inverted rim, embossed with sets of shield motifs, a central radiating triangular geometrcc shield cluster and diamond points, on three open coiled whiplash tendril supports, stamped marks, 27cm diameter £70 - £100

89 Freidrich Adler for Osiris, a Jugendstil Isis pewter double ink stand, model 772, undulating organic form with pierced floral pediment, the two inkwells with hinged lids cast with foliate lappets and stem handles, 36cm long

£80 - £120

92 WMF, a Jugendstil silver plate and cut glass figural fruit stand or comport, model 569, in the form of a maiden in sinuous flowing gown supporting an organic poppy head sconce and shallow etched glass dish, 36cm high £100 - £200

93 WMF, a Jugendstil silver plated basket, the rounded bow with pierced geometric border and parabolic arched top handle, stamped marks, 13cm high £30 - £50

94

94 WMF, a Jugendstil silver plated and glass egg cruet, circa 1905, the barrel section platform stand with pierced double bars and high rectangular arched handle studded with square hobnail panels, supporting two original spoons, above a glass salt cellar with cut banding, flanked by two egg cups with rectangular pierced borders, gilt interiors, stamped marks, 16.5cm high £150 - £250

95

95 Josef Hoffmann, a Secessionist ‘Aufsatz’ brass centrepiece bowl, Wiener Werkstatte, Vienna, circa 1920, hammered reeded body and foot, of hemispherical form with everted rim and splayed conical foot, 20cm diameter, 10cm high

96

96 Hugo Berger for Goberg, two Jugendstil wrought iron chambersticks, circa 1910, each with tooled and stamped disc bases, twin section columnal stems with textured punch decoration to the lower section, dished trays and flared sconces, with strap handles, 19.5cm high (2)

£100 - £200

97 Osiris Pewter, a Jugendstil plaque set photo frame, Walter Scherf, circa 1910, square form, planished and set with malachite effect green glass square cabochons, circular opening 9.5cm diameter, overall 17cm square £150 - £200

98

£400 - £600

Note: Austrian architect Josef Hoffmann designed a wide range of Aufsatz bowls in planished brass and silver, of this form, from the 1920s, retailed through his company the Wiener Werkstatte. The design, form and quality of craftsmanship is typical of Hoffmann and the Werkstatte. Illustrated examples of similar bowls are in worldwide collections including the MAK, Vienna.

98 J and F Pool, Hayle, a Cornish Arts and Crafts copper clock, pedestal form, embossed with fish and crab amongst seaweed in an aquatic ground, below a lighthouse and sail boats, the ogee pediment with sea gulls in flight amongst clouds, all on a planished ground, 44cm high

£300 - £500

99

99 Keswick School of Industrial Arts, an Arts and Crafts brass dish, circa 1900, broad rimmed Armada form, repousse embossed with a stylised fruiting and flowering vine, stamped KSIA, 20cm diameter £100 - £150

100 Arthur Stansfield Dixon for the Birmingham Guild of Handicraft, an Arts and Crafts copper and brass metamorphic Horn table lamp / wall light, circa 1900, the conical planished shade on a three riveted branch crown, supported on an adjustable hinged socket and a shoe horn arm and domed broad rim base, 57cm high £1,500 - £2,500

101

101 An Arts and Crafts copper and vaseline glass table lamp, the central support with three organic whiplash straps united on rings and at the domed foot with spherical bead rivets, the ogee campana shade in straw opal with vertical opaque stripe decoration, 55cm high £120 - £180

102

102 A pair of Arts and Crafts copper andirons, Omega form front legs with hammered swan neck and repousse embossed spade heads, with foliate scroll, seeded and floral motifs, 35.5cm high (2)

£100 - £200

103 An Art Nouveau wrought iron and copper fire screen, circa 1905, hammered copper panel with repousse stylized foliage, 70cm high, 50cm wide

£50 - £80

104 An Arts and Crafts copper pot and cover, the conical tapered body with riveted strap banding and broad rim, the planished shallow domed lid embossed with motto Commend a Wedded Life but Keep Thyself a Bachelor, with brass boulder finial, 15cm diameter

£80 - £120

105 Manner of Ernest Gimson, a forged iron toasting fork, a set of three Art Nouveau repousse copper twin-handled trays, and an Arts and Crafts oval brass tray by Hugh Wallis (5) £40 - £70

106

106 Richard Llewellyn Rathbone, an Arts and Crafts silver plated copper box and cover, lobed squat melon form, the lid embossed with linear and beaded rosette within a navette and dot border, stamped marks and number 629 1903, 12cm diameter

£300 - £400

107 Richard Llewellyn Rathbone, three Arts and Crafts copper vessels, including a tea caddy of inverse baluster form with conical lid, planished trumpet form vase and a squat cylindrical candle stick, stamped marks and numbers 103 and 631, 16cm high (3)

£400 - £600

108

108 Walter Edwards, an Arts and Crafts copper plaque, circular borad rimmed alms dish form, the central image of Selly Manor embossed in high relief, within applied riveted bands, signed to the reverse, Bourneville and dated 1928, 36.5cm diameter

Having worked under C R Ashbee at the Guild of Handicraft in Chipping Campden from 1901, Edwards continued to practice metalworking in his spare time while working for the Cadbury family in Bourneville.

£80 - £120

109

109 Gordon Russell, an Arts and Crafts copper Lygon dish, planished shallow concave form on three domed feet, stamped marks, 33cm diameter

£100 - £150

110 Cotswold School, a set of four Arts and Crafts wrought iron fire irons, in the Gimson style, hammered and twisted with incised tooling, 47cm long (4)

£80 - £120

111 William Morris for Morris and Co., a roll of Golden Lily wallpaper, block printed in colours, marked Morris & Co., 55.5cm wide £200 - £300

112 Liberty & Co, London, an Arts & Crafts silk embroidery, lady in a voluminous pink dress planting a tree, 26 by 22cm, gilt frame £50 - £80

113 An Arts & Crafts silk embroidery, maiden in medieval dress gathering fruit from a tree, oval, 31 by 23cm, framed £80 - £120

114

114 Edith McDermott for the Irish Art Workers Guild (attributed), an Irish Arts and Crafts Gaelic House Warming bowl, turned walnut, incised with Celtic zoomorphic panels, below a motto The Litte Black Rose shall be red at last, it shall redden the hills when June is nigh, painted in polychrome staining, 13cm diameter £80 - £120

115

115 David Linley (David ArmstrongJones, Viscount Linley) (British, 1961), a custom-made sycamore writing slope, (apparently unmarked),10cm high, 36cm wide, 30cm deep.

Artist Resale Rights apply £60 - £100

WORKS OF ART

116

116 A Carlos II brass alloy socket candlestick, Spanish, circa 1690, octagonal base with tapered barley twist stem, pierced extraction hole to the sconce, 14cm high £150 - £250

117 A pair of French Empire gilt bronze candlesticks, circa 1830, tapered reeded columns with acanthus lower sections, on three whiplash lions paw and foliate legs and tricorn platform bases, 26cm high (2) £250 - £350

118

118 A 19th Century French table lamp, green glazed ceramic stem and knopped bulbous base, gilt ormolu Rococo mounts, 55cm high excluding fittings, (later converted to electricity) £80 - £120

119

119 A French Charles X cut glass and bronze Melissa water flask and stand, circa 1830, the hobnail and band cut cylindrical bottle in a reticulated cast sleeve in the Gothic revival style on quatrefoil platform base, 33cm high £80 - £120

120 An Edwardian oak cigar dispenser, circa 1910, of cube form, nickel mounts, retractable action, 16cm high, 19cm wide £50 - £80

121 A collection of 19th century seals, including brass owl, bone and agate handled examples etc. £40 - £70

122 British Sc hool, early 19th Century, a portrait miniature of Mary, aunt to William Mandy of Calcutta, halflength wearing a red velvet cape and white dress, titled and dated 1820 verso, watercolour, 12 by 9cm, gilt frame

£50 - £80

123 In the style of Charlotte Van Pallandt (1898-1997), Mother and Child, bronzed plaster, unsigned £80 - £120

124 An Edwardian 9ct gold mounted green Moroccan leather bridge card case, Drew and Son, London 1906, wallet form with slide button catch, gold corners, two sets of cards, two propelling pencils and scoring cards, 20cm long

£80 - £120

125 A 19th century Featherie golf ball, feather stuffed stitched hide leather four flap construction, 4.5cm diameter

£80 - £120

126

126 An early Featherie (Feathery) golf ball, feather filled four flap vellum leather construction, indistinct stamped makers marks G**FF, E Y *, probably Scottish mid 19th century, 5cm diameter

£150 - £250

127 British School, late 18th Century, a silhouette profile portrait of Rev John Fulham, titled verso, oval, 7.5 by 5.5cm, ebonised frame, and another Georgian profile silhouette portrait of a young boy, 6 by 5cm, lacquer frame (2) £100 - £150

128

131

131 A pair of Victorian papier mache face screens, the denticulated japanned pannels painted with floral bouquets and gilt foliate scrolls inlaid with abalone fronds, on turned giltwood handles fixed with brass screws and wing nuts, 42cm long (2) £100 - £200

132 A Caucasian Tribal prayer rug, Kasak, 19th century, red field with geometric borders and foliate symbols around a central cream ground opening with blue block centre, 152cm x 109cm £100 - £200

133 A large Indian Kaimuri wool carpet, retailed by Liberty & Co, London, stylized floral devices in blue and pink on a sand-colored ground, approximately 300 by 200cm, fringe ends.

Provenance: purchased by the vendor from Liberty & Co, London, 1986 £200 - £300

134 After an Archibald Knox design for Liberty & Co, a knotted wool carpet, Celtic knot, and stylized floral design, 210 by 117cm £300 - £500

135 A Persian Tabriz silk and wool carpet, Arts & Crafts William Morris-inspired design in muted cream, pink, and green, 200 by 152cm. Note: retailed by Essie, Mayfair, London £800 - £1,200

136 A room-size Persian Qum (Qom) silk carpet, garden box design in earth tones, 350 by 242cm £1,000 - £1,500

137 A Russian icon, 19th Century, a serene mother with an infant surrounded by a border of eight Saints each with a halo, gilt, and polychrome on a wooden panel, 47 by 40cm £150 - £200

£100 - £200

128 A 19th century Boulle work ink casket, cuboid form with gilt brass top handle, double hinged lids opening to reveal a pen trough and two ink wells, a single drawer to the side, foliate scroll brass inlay over tortoiseshell veneer, 26cm wide. 11.5cm high, 14.5cm deep

128A A Victorian brass inkstand, circa 1870, of Gothic Revival design, inset with discs of Ashford marble pietra dura, the bulletshaped ink vessel raised on six fretwork scroll brackets, circular plinth, engraved 'Mechi, 112 Regent St', 14cm high, 23cm diameter

£150 - £250

129 Two cast metal medallion portrait plaques for Marquis Wellington, circa 1813, one with bronze patination, the other gilded, within ebonised frames, 5.5cm diameter

£100 - £200

130 A French ormolu picture frame, cast in high relief as a fabric pennant hanging depicting a reclining woman surrouned by winged putti climbing fruiting and flowering garlands, surmounted by a bow, easel back, opening 13.5cm x 10cm, overall 29cm x 23cm

£70 - £100

138

138 An early 19th century scrimshaw horn, scraffito decorated with figures, animals and a building, inscribed banners Emma Wallace, 33cm long £150 - £250

139 A 19th Century Berlin woolwork embroidery, portrait of Queen Victoria after Sir Charles Edwin Landseer, seated on a throne with an ermine-trimmed robe, the crown to her right, a romantic landscape beyond, 60 by 45cm, in a heavy gilt frame with Royal heraldry and V.R cypher.

Note: with an appraisal from the Victoria & Albert Museum dated 1970 £150 - £200

140

143

143 A Malmuk Revival mixed metal cigar box, Cairoware type overlay in silver and copper on a brass cuboid body, etched and engraved with foliate and caligraphic motifs, cedar lined interior, 18cm wide, 7.5cm high, 9.5cm deep £200 - £300

144 A 19th Century mahogany campaign writing slope, brass-bound and inlaid, flush side handles, fitted interior with a gilttooled leather writing surface, single frieze drawer, 15cm high, 40cm wide, 25cm deep £100 - £150

145 A Regency tortoiseshell tea caddy, circa 1820, of sarcophagus form, ivory strung, twin-lidded inner compartments, on metal ball feet, 14cm high, 18cm wide, 10cm deep.

Ivory Exemption Certificate No.NNXR8M1Q

£250 - £350

140 An 18th century wooden doll, the carved head and body with gesso coating and inset glass eyes, straw stuffed limbs and later dress, 30cm long

£150 - £250

141

146

£600 - £800

141 A George III turned fruitwood tea caddy, circa 1810, in the form of an apple, stalk finial, fretwork metal escutcheon, remnants of foil lining, 13cm high

142 Lachenal & Co, London, a concertina squeeze box, Serial No.43094, fretwork rosewood ends, forty-eight bone buttons, maker’s paper label, leather and paper bellows, 18cm wide, in a fitted mahogany case with a swing handle

146 A 19th century ebony and brass inlaid liqueur glass set, probably Bohemian or French circa 1870s, the removable gilt brass fitted tray with four decanters and 16 glasses, each with gilt concentric banding, the serpentine fronted casket with double hinged lid with side flaps, inset with Mannerist cartouches and chased line borders, 33cm wide, 27cm high, 25cm deep £200 - £400

£100 - £150

147 After Jean Antoine Houdon (1741-1828), Mozart as a Child, terracotta bust on pink marble socle, 34cm high £150 - £250

148 A French bronze figure of a Sphinx, 19th century, modelled in traditional pose, 28cm long £70 - £100

149

149 A Bugatti Owners Club radiator clock, modelled as an early model grille, enamelled logo, the reverse with cast banner and Class Award, signed and numbered, 16cm high £800 - £1,200

150 An Austrian patinated bronze figure of a Scottie dog, circa 1920, modelled standing, 14cm long £100 - £150

151

151 Franz Bergmann, a cold painted bronze figure of a Native American Chief, modelled with headdress and tomahawk, in surveying pose, on a rocky outcrop base, cast marks, 19.5cm high £700 - £1,000

152

152 An Art Deco patinated art metal figure, Jennings Brothers, after Josef Lorenzl, circa 1930, modelled as a woman standing, on hexagonal plinth base, cast marks JB 2725, 33cm high £250 - £350

153

153 Bruno Zach, Epee Fencer with Garters, an Art Deco bronze figure, circa 1925, modelled as a nude woman with sword, wearing high heels, signed in the cast B Zach, 23.5cm high

£800 - £1,200

154 Frederick C Hibbard for A C Rehberger, an Art Deco patinated art metal sculptural bookend, 1927, two boys with a fish, made as a souvenir for the opening of The Stevens hotel in Chicago, stamped marks, 15cm high

Note: Chicago born sculptor F C Hibbard became well known for his monumental civic sculptures commemorating American national figures including Jefferson Davis and Abraham Lincoln, which can still be seen throughout the United States. £80 - £120

155 Frederick C Hibbard for A C Rehberger, Boy on a Dolphin, an Art Deco patinated art metal sculptural dish, 1927, made as a souvenir for the opening of The Stevens hotel in Chicago, stamped marks, 15.5cm high

Note: Chicago born sculptor F C Hibbard became well known for his monumental civic sculptures commemorating American national figures including Jefferson Davis and Abraham Lincoln, which can still be seen throughout the United States.

£80 - £120

156 David Shepherd (British, 19312017), ‘The Old Forge’, signed, bronze, No.5/95, 20cm high, 31cm wide, with the associated print (2).

Artist Resale Rights apply £400 - £600

TAXIDERMY

157 Taxidermy: a Victorian cased display of a Short-Eared Owl (Asio flammeus) by T. E. Gunn (1844-1923), a fill mount specimen on a branched stump, set amongst dried foliage on soil and moss-covered groundwork, enclosed within an ebonised display case with painted taped frame, with ‘T. E. Gunn Naturalist’ label fixed to the back panel, 32.5cm x 42.5cm x 17cm

CITES Article 10 certificate

£80 - £120

158 Taxidermy: a 19th century display of exotic birds, including two purple winged rollers (Coracias temminckii), red-billed scythebill (Campylorhamphus trochilirostris), bearded barbet (Pogonornis dubius), woodpecker, song thrush, yellow faced myna (Mino dumontii) and brahming starling (Sturnia pagodarum), in an ocagonal glazed case, perched on branches with foliage

£200 - £400

159 Taxidermy, a Victorian taxidermy display of eleven exotic birds, including parrot, toucan and various humming birds, under a glass dome, 73cm high

£700 - £1,000

160 Taxidermy Birds of Australasia: a Victorian cased display by Robert Clarke of Snettisham, Kings Lynn, circa 1900, including a very rare male and female pair of extinct New Zealand huia birds (Heteralocha acutirostris), the full mount adults perched on a branched faux tree stump along with other antipodean species; a rose crowned fruit dove (Ptilinopus regina), Regent bower bird (Sericulus chrysocephalus), noisy pitta (Pitta versicolor), nightjar and magpielark (Grallina cyanoleuca), amongst dried foliage, set on a soil textured rocky outcrop of grassy tufts, enclosed within an ebonised display case with painted taped frame, makers label, 83cm x 79.5cm x 34cm

Note: already rare before the Europeans arrived to Australasia, the huia was prized by the Maori for its plumes used as symbols of status and rank (taonga) and also in trade negotiations. The habitat of the bird was confined to the southern half of the North Island (Aotearoa) with the last recorded sighting said to have been in 1907. The fashion for wearing huai feathers in European society, including tail feathers as hat adornments and for the English aristocracy to have examples of the already rare birds in their collections (the Rothschilds being one prominent owner) prompted a decline in population, despite attempts in the late 19th century to prevent the hunting of the birds. As at the date of this catalogue the huia tail feathers hold the record for being the most expensive bird feathers ever sold at auction. Examples of full birds are highly prized by museums and zoological collections as one of the best examples of extreme divergence between male and female beaks within the same species.

£30,000 - £50,000

161 A framed huia tail feather (Heteralocha acutirostris), New Zealand (Aotearoa), circa 1900, from a dismantled bird in the collection of William Hubert Barrow, Leicester, 195mm x 45mm, framed

£2,000 - £5,000

162 Taxidermy: a Victorian cased display of a male and female Ruff Birds with display plumage, Gardner of Oxford Street, London, painted ferns and dried foliage covered ground, enclosed within an ebonised wood display case with painted taped frame, 61cm x 34.5cm x 15cm £200 - £400

163 A collection of Medieval illuminated vellum manuscript pages, mostly French 15th Century or earlier, many with gilt and polychrome lettering, including Biblical and Book of Hours subject, mounted (9)

£1,200 - £1,500

BOOKS AND MANUSCRIPTS

164

166 An archive of WWI primary source ephemera and other memorabilia relating to 8401/718363 Pte H.D. Graham, 17 London Regt, comprising portrait photograph, extensive written correspondence to and from his wife Mabel, including being notified of the death of his father, his time on the front living in 'German concrete dugouts and tunnels behind the front lines', being careful what to say due to censorship, his grateful receipt of '400 cigs', observations such as '..more I see of the war, the more I want to be here with you..', mentions of airmen conquering the Germans, air raids on London, 'taubes' (an early aerial bomber), the capture and interrogation of two German prisoners of war, the various duties he was expected to perform including venturing into the battlefield to 'bury the dead', descriptions of a parcel of gifts form his wife which included fruit which had 'sweated and gone mildewy' with a plea for 'monkey nuts and cake', observations that the French '..drink a good deal of coffee..seldom tea', his battalion going over the top twice, (Graham did not participate), being wounded in October 1918 and being discharged to Bolougne in November 1918, also including his War and Victory medals in a box of issue with ribbons, London Regiment cap badges, his pocket watch, compass. 'Bert' died on 3rd June 1950 with his wife Mabel his sole beneficiary. His son, Herbert served in the RAF during WWII and his archive is also included in this auction as Lot 167 £300 - £500

164 A fragment of a Medieval illuminated manuscript, 15th Century, comprising capital letters of various types and complexity form the remains of two pages of a missal, probably English, on vellum, 9 by 9cm, framed

£100 - £150

165 Two pages from a diurnal in Latin, Paris, circa 1450, Batards script, on both sides, red and blue capitals, 10.5 by 8.5cm each, framed as one £100 - £150

167

167 An archive of WWII memorabilia relating to 1284696 Herbert (Bert) Edward Graham, 21 Squad RAF, (b.7/11/14), Graham was a wireless operator in the RAF. Stationed in Malta in 1942 he undertook a dangerous mission of attacking German transports reported to be loading in Palermo harbour, Sicily. The pilot was Flight Sergeant Jack Ibbottson with Pilot Officer Don Clements as observer. The aircraft encountered thick fog and belly-crashed in snow-filled mountains. Surviving the crash, (Clements was killed on impact), Graham was captured by the Germans and later interrogated in Rome. He was transferred to a prisoner-of-war camp in Sulmona. When the Italians switched sides in 1943, the prisoners left the unguarded camp but were later re-captured and transferred to Stalag IVB near Dresden. Held there until April 1945, preferring not to be liberated by the Russians, Graham decamped and eventually returned home. The archive includes photographs of Bert in uniform, his RAF Service and Release Book, Identity Card, Italian post card for war prisoners, documents from the RAF to Bert's family notifying them of him being missing and subsequently being a prisoner of war, his RAF blue cloth side cap, numerous censored communications between Bert and his family whilst being held prisoner, a 'souvenir' swastika armband, a typed transcript of his experiences.

Graham's father's archive from WWI appears in this auction as Lot 166 £400 - £600

168

176 ‘The Bible in Miniature, or a Concise History of the Old & New Testaments’, 1780, E. Newbery, London, engraved plates, gilt-tooled red leather binding, and a Book of Common Prayer in miniature with a silver hallmarked cherub head repousse cover (2)

£200 - £300

168 An Arts & Crafts illuminated manuscript, ‘Yestreen I Gathered Roses Three.....’, watercolor and ink on vellum with profuse Celtic Entrelac decoration surrounding the text, monogram D.M.W l.r., 25 by 19cm, framed

£100 - £150

169 Music: Johann Strauss, Les Fusees Volantes, Introduction, Allegro Vivace, hand written manuscript copy of a section of music, possibly by the composer, framed

£80 - £120

170 Barnard, Edward, ‘The New, Comprehensive, Impartial and Complete History of England’, c.1790, Alexander Hogg, London, engraved plates

£80 - £100

171 Eliot, George (Mary Ann Evans), Felix Holt - The Radical, 1866 first edition, in three volumes, William Blackwood & Sons, London, brown cloth boards with gilt spine titles (3) £100 - £200

172 Sleigh, Bernard, ‘An Anciente Mappe of Fairyland Newly Discovered and Set Forth’, originally published 1917, published by Sidgwick & Jackson, a large pictorial colour lithographic map laid on linen, 54 by 180cm

£100 - £150

173 Milne, A.A. Winnie-the-Pooh, 1926 first edition, first printing, publisher’s green cloth boards lettered in gilt, map endpapers, top edge gilt, Methuen, London

£100 - £150

174 ‘Early Poems of William Morris’, illustrated by Florence Harrison, 1914, Blackie & Son, sixteen tipped-in plates, blue cloth boards with embossed gilt decoration; with ‘Tennyson’s Guinevere and Other Poems’, 1912, Blackie & Son, twenty-four tipped-in plates, cream cloth boards with embossed gilt decoration (2)

£100 - £150

175 Louis Stevenson, Robert, ‘Fables’, 1914, illustrated by E.R. Herman, deluxe edition, No.58/105, Longmans, Green & Co, London, twenty tissue-guarded plates, rough-cut endpapers, vellum binding, Ex-Library Diana Lenygon

£150 - £200 176

177 ‘Christina Rossetti Poems’, illustrated by Florence Harrison, 1910, Blackie & Sons, thirty-six tipped-in colour plates, cream cloth boards with embossed gilt design

£150 - £200

178 Pogany, Willy, ‘Tannhauser’, ‘Parsifal’ and ‘Lohengrin’, 1911-1913, G.G. Harrap & Co, three volumes, quarto, forty-one tipped-in colour plates and other illustrations, green morroccobacked brown cloth boards, gilt embossed covers, and spines (3)

£150 - £200

179 Wilde, Oscar, ‘A House of Pomegranates’, illustrated by Jessie M. King, sixth ed, 1915, Methuen & Co, London, tipped in colour plates, gilt edges, rough cut endpapers, blue cloth boards with gilt design

£70 - £90

180

180 Tolkien, J.R.R. ‘The Hobbit, or There and Back Again’, first edition, fourth impression, 1946, London, George Allen & Unwin, colour frontispiece, black and white illustrations, (many full page), cartographic endpapers, pictorial green cloth binding

£1,000 - £1,500

181 Tolkien, J.R.R. ‘The Hobbit or There & Back Again’, 1937

1st ed, 1st impression, (of 1,500 copies), pub George Allen & Unwin Ltd, London, ten uncoloured illustrations, map endpapers printed in red and black, original green cloth covers and spine with illustration of mountains, moon and sun at top and Smaug illustration looking left at the bottom.

Provenance: gifted to the current vendor’s great aunt and godmother Rosfirth Murray, (Great Aunt Ros) who was the daughter of Sir James Murray, Editor of the Oxford English Dictionary. The Murrays were friends of the Tolkiens and the vendor was gifted this edition by the author after having taken tea at his home in Oxford in 1957

£10,000 - £15,000

182 John Speed (British, 1552-1629), ‘Rutlandshire with Oukham and Stanford....’, engraving in colours, 38 by 51cm, with ‘Glocestershire.....’, engraving in colours, 38 by 50cm, and John Blaeu (British, 1599-1673), ‘Rutlandia Comitatus’, engraving in colours, all framed (3) £100 - £150

PICTURES

183 William Walcott (Br itish, 1874-1943), a cityscape with classical buildings, signed l.r., etching, 17 by 33cm, framed £100 - £120

184 Osmund Pittman (British, 1874-1958), illustration for ‘A Midsummer Nights Dream’, reverse print on glass, 20 by 30cm, framed £50 - £80

185 John Hooley (British, 20th Century), ‘Hulk and Shed’, signed and dated 1976 l.r., titled l.l., etching in colours, No.1/40, 46 by 30cm, framed £60 - £80

186 Llewellyn Xavier (Bajan, 1945), ‘Free George Jackson’, signed and dated 1971 l.l., lithograph in colours No.31/75, 78 by 57cm, with Moshe Elazar Castel (1909-1991), ‘Girls of Jerusalem’, signed l.r., lithograph, 70 by 83cm, unframed (2) £60 - £100

187 Circle of Frank Brangwyn, man and donkey crossing a stone bridge, indistinctly signed l.r., sepia etching, No.1/200, 48 by 57cm, framed £80 - £120

188 Margaret J. Laing (British, act.c.1925-1940), ‘Summer Evening’, signed and dated 1944 l.r., titled l.l., print in colours, No.1/20, 28 by 35cm, framed £100 - £150

189 Thomas Robert Way (British, 1862-1913), ‘Little Nude after J. McNeil Whistler’, facsimile butterfly signature c.r., titled and inscribed verso with the owner being Mrs J.R. Way, lithograph, 20 by 10cm, framed £100 - £150

190 Leonard Russell Squirrell (British, 1893-1979), ‘Suffolk’, colour poster for British Railways, Waterlow & Sons, 99 by 62cm, framed £100 - £150

191 Charles Sims R.A . (British, 1873-1928), ‘The Offering’, signed l.r., titled verso, aquatint, 28 by 35cm, framed £150 - £200

192 Margaret J. Laing (British, act.c.1925-1940), ‘The Dorcas Society’, signed and dated 1933 l.r., titled l.l., woodblock, 40 by 22cm, framed £150 - £200

193 Laurence Stephen Lowry R.A. (British, 1887-1976), Station Approach, signed l.r., blind stamp l.l., titled l.c., colour print published by Adam Collection, 40cm x 50cm, framed.

Artist Resale Rights apply

£1,500 - £2,500

194

194 Laurence Stephen Lowry (British, 1887-1976), The Level Crossing, signed l.r., print in colours, 45 by 56cm, framed.

Artist Resale Rights apply £2,000 - £2,500

194A John Piper (British, 1903-1992), Ludlow Castle (1972), signed l.r., screenprint in colours, No.32/100, 54 by 79cm, framed with Chrstie's certificate verso. Notes: Levinson 213. Artist Resale Rights apply

£1,500 - £2,000

195 Beryl Cook (British, 1926-2008), ‘Dancing on the QE2’, signed l.r., titled l.c., limited edition Artist Proof colour print No.58/60, 76 by 68cm, framed.

Artist Resale Rights apply

£150 - £200

196 William Scott (British, 1913-1989), Busby, from the Coronation Series, lithograph in colours, 1953, published by the Royal College of Art, signed in pencil and numbered 18 of 50, 56cm x 50cm, framed

£800 - £1,200

197 Chloe Cheese (British, 1952), ‘Buttons’, signed l.r., titled l.c., lithograph No.16/100, 34 by 28cm, framed.

Artist Resale Rights apply

£50 - £80

198 Joseph Fafard (Canadian, 1942-2019), ‘Hi’, signed and dated 1979 l.r., titled l.l., and verso, silkscreen in colours No.70/500, 16 by 16cm, framed

£200 - £400

199 Bridget Riley (British, 1931), Untitled (Elongated Triangles 4) (Schubert 12; Tommasini & Gubay 13), screenprint in colours, 1971, signed in pencil, dated and numbered 62 of 75, on wove paper, printed by Kelpra Studio, London, image 96cm x 28cm, sheet size 102cm x 42cm, framed

Artist Resale Rights apply

£6,000 - £8,000

200 D*Face (Dean Stockton) (British, 1978), ‘Saddo Basquiat’, signed l.r., limited edition screenprint in colours, Ed.79/250, blind stamp l.l., 48 by 70cm, framed.

Artist Resale Rights apply

£400 - £600

201 After Raphael, a pair of winged cherubs, standing reading a scroll, pastel, 78 by 56cm, framed

£150 - £200

202 Francesco Pieraccini (Italian, 18th/early 19th Century), Madonna dell’Impanatta after Raphael, signed and dated 1834 l.r., watercolour, 41 by 33cm, gilt frame

£200 - £300

194A

196

203 Paul Sandby R.A. (British, c.1730-1809), preparatory studies of seated men, both wearing tricorn hats, one signed l.l., and verso, pencil on paper, 14 by 9cm, framed (2)

£300 - £500

203A John Raphael Smith (British, 1752-1812), 'Old Turnham Green Church', titled and inscribed on label verso, watercolour, 13 by 18cm, gilt frame. Provenance: with John Glen, London

£300 - £500

204

204 Thomas Rowlandson (British, 1756-1827), soldiers conversing with women, signed l.l., watercolour, 12 by 13cm, framed

£400 - £600

205

205 Thomas Rowlandson (British, 1756-1827), ‘The Gamesters’, pen, ink, and watercolour on paper with Whatman watermark, titled verso, 14 by 19cm, framed.

Provenance: with Chris Beetles, London.

Exhibited: ‘Bliss Was It In That Dawn To Be Alive, 1750-1850’, October 2008, No.71 and ‘Rowlandson and His Time’, September to October 2009, No.71

£400 - £600

206 Thomas Rowlandson (British, 1756-1827), Boating Parties at the Thames Slipway, Wapping, watercolour, 21 by 28cm, framed

£800 - £1,200

207 Claude-Joseph Vernet (British, 1714-1789), ‘Italian Coast Scene’, pencil on paper, 10 by 17cm, framed.

Provenance: with John Manning, London

£300 - £500

212 Edgard Breyne (Belgian, 1887-?), Artist and Model, signed and inscribed ‘Antwerp’ l.r., charcoal, 66 by 55cm, framed

£100 - £150

213 William John Wainwright (British, 1855-1931), The Lookout, signed and dated 1887 u.l., watercolour, 34 by 24cm, gilt frame

£800 - £1,000

208 E..Moira (British, late 19th Century), a roundel portrait of a young lady, bust-length in profile, signed and dated 1882 verso, watercolour, 15cm diameter, framed

£70 - £90

209 British Sc hool, mid-19th Century, a group of five children, one with a hoop, and a spaniel in a coastal landscape, watercolour, 60 by 45cm, in a 19th Century gilt frame

£100 - £150

210 19th Century School, a fashionable lady, standing wearing a fur-trimmed gown and bonnet, watercolour and pencil, 16 by 9cm, framed £50 - £80

211 Constant Ambroise Roux (French, 1865-1929), Reading Time, signed l.r., pastels on paper, 76 by 65cm, gilt frame

£100 - £150

214

214 Thomas Bush Hardy (British, 1842-1897), a beach scene with fishing boats and traders, signed and dated 1882 l.l., watercolour heightened with white, 25 by 17cm, gilt frame

£80 - £120

215 George Morrow (British, 1870-1955), ‘And Then I Poured The Wine Upon The Grass’, signed with initials l.l., titled below, ink, 22 by 14cm, framed £100 - £150

216 William Black (British, 20th Century), ‘Interlocking’, signed and dated 1967 l.r., titled l.l., ink and watercolour, 11 by 17cm, framed £80 - £120

217 After Edward Coley Burne-Jones, Sibylla Delphica, dated 1911 l.r., watercolour, 28 by 10cm, framed £80 - £120

218

218 Kate Greenaway (British, 1846-1901), ‘A Child, Member of the Peters Family’, a pair, titled verso, pencil, 9 by 6cm, framed (2).

Provenance: with The Manning Galleries, London £500 - £800

219

219 John Hassall (British, 1868-1948), ‘The Rat’, signed and titled l.l., inscribed and dated 1934 l.r., watercolour, 36 by 25cm, framed £150 - £200

220

220 Charles Samuel Keene (British, 1823-1891), Lady Carrying a Basket, ink and wash, 12 by 10cm, framed.

Provenance: with Abbott & Holder, London, Album of Keene sketches belonging to Sir Kenneth Clark £150 - £200

221

221 Charles Sydney Spooner (British, 1862-1938), ‘Design for The Presbytery at Letchworth, Herts’, signed l.r., pen, ink and watercolour, 49 by 58cm, framed.

Note: these plans are for the Presbytery of a church in Letchworth Garden City, St Hugh of Lincoln, 1907-1908. Father Forescue claimed it was the ‘only church worth looking at west of Constantinople’. C.R. Ashbee claimed that Spooner was one of the four great names of the Arts & Crafts Movement, the other three being W.R. Lethaby, Sidney Barnsley, and Ernest Gimson, (see Lot 108, 19th April 2023, Lyon & Turnbull, three designs for the church by Spooner) £200 - £300

222 A..Coleman (British, late 19th Century), a mountainous lake landscape, signed l.l., watercolour, 29 by 45cm, framed £70 - £90

223 Henry Taylor Wyse (Scottish, 1870-1951), a country house beside a river, signed l.r., pastel, 26 by 36cm, framed £100 - £150

224 Eduard Zetsche (Austrian, 1844-1927), Farm Outbuildings, signed l.r., watercolour, 37 by 26cm, framed £100 - £150

225 Walter Stuart Lloyd (Br itish, 1845-1959), ‘Sherbourne Church and River Avon from Barford, Warwickshire’, signed l.r., titled verso, watercolour, 30 by 44cm, framed £80 - £120

226

226 Edmond Delescluze (Belgian, 1905-1993), ‘Girl on a Sofa’, signed l.r., titled verso, watercolour, 27 by 41cm, framed

£80 - £120

227

227 Warwick Goble (British, 1862-1943), Dutch Girl, signed l.r, pastel, 72 by 49cm, framed.

Provenance: Sotheby’s, Billingshurst, Lot 129, 14th May 1991

£200 - £300

228 Donald Birbeck (British, 20th Century), a study of two fish, a cockerel, a bird, and an exotic bird design for porcelain, set of four, two signed, two signed with initials, watercolour, largest 29 by 22cm, framed (4)

£80 - £120

229. Terry Bailey (British, 1941), ‘Dawn Sailing’, signed l.r., titled l.l., watercolour, 33 by 45cm, framed.

Artist Resale Rights apply

£80 - £120

230

230 Brian Bradshaw (British, 1923-2016), ‘Lamp Light’, signed and dated 1958 u.l., titled and Liverpool Academy of Art label verso, pastel, 78 by 55cm, framed.

Artist Resale Rights apply

£150 - £200

231

231 Colin Graeme (British, 1858-1910), a pair of gundogs at the edge of a wood, signed l.l., oil on canvas, 50 by 68cm, framed

£400 - £600

232 Louis William Wain (British, 1860-1939), ‘A Lecture from Mother Cat’, signed l.r., titled verso, watercolour and bodycolour, 17 by 23cm, framed.

Provenance: with Chris Beetles, London

£1,500 - £2,000

233 Robert Bird (British, 1921-2016), The Trumpet Player, signed l.r., watercolour heightened with white, 32 by 22cm, framed £60 - £100

234 American School, mid-20th Century, costume designs for ‘Take a Chance’, set of three, ink and watercolour, 36 by 25cm, framed (3) £150 - £200

235 Arthur Berridge (British, 1902-1957), Untitled, Two Figures, One Seated, coloured pencil on paper, titled verso, 38 by 48cm, framed £100 - £150

236 Arthur Berridge (British, 1902-1957), Untitled, Abstract Figural Studies, charcoal on paper, 38 by 48cm, framed £100 - £150

237

237 Arthur Berridge (British, 1902-1957), Abstract Figural Forms, charcoal on paper, 38 by 54cm, framed £100 - £150

238 Arthur Berridge (British, 1902-1957), Two Abstract Figural Forms, charcoal on paper, 38 by 52cm, framed £100 - £150

239 Gordon King (British, 1939-2022), A Faithfull Friend, signed l.r., watercolour, 38 by 27cm, framed £50 - £80

240 Gordon King (British, 1939-2022), ‘Lynn’, signed, titled and dated 1987 l.r., watercolour, 52 by 36cm, framed £50 - £80

241

241 Gordon King (Br itish, 1939-2022), The Flower Sellers, signed l.r., watercolour, 48.5 by 39cm, framed £60 - £100

242 Gordon King (British, 1939-2022), ‘The Flower Girl’, signed l.r., titled verso, watercolour, 35 by 53cm, framed £80 - £120

243 Gordon King (British, 1939-2022), ‘Three Girls’, signed l.r., titled verso, watercolour, 52 by 72cm, framed £100 - £150

244 Gordon King (British, 1939-2022), The Bicycle Flower Seller, signed l.r, watercolour, 52 by 70cm, framed £100 - £150

245 Gordon King (British, 1939-2022), Young Girl with Flowers, signed l.r., watercolour, 49 by 71cm, framed £100 - £150

246 Gordon King (British, 1939-2022), Flower Sellers, signed l.r., watercolour, 55 by 70cm, framed £150 - £200

247 Jan Coelenbier (Belgian, c.1610-c.1680), a river landscape with a harbour scene with boats and figures, a cathedral and ruins right, oil on panel, label verso and script ‘Jan van Goyen’, 40 by 63cm, in an ebonised frame £5,000 - £8,000

248 Dutch School, 18th Century, portrait of a Pilgrim, standing in a landscape with a staff, oil on panel, 23 by 18cm, framed £100 - £150

249 Mexican School, 19th Century, a portrait of a Saint, halflength in robes wearing a coronet, oil on tin, 17 by 12cm, framed £80 - £120

250 British Sc hool, late 19th Century, a river landscape with a bridge and cattle, oil on panel, 15 by 30cm, gilt frame £80 - £120

251 British School, early 19th Century, a mountainous lake landscape with cattle, oil on panel, 15 by 21cm, framed £70 - £90

252

252 Henry Hadfield Cubley (British, 1858-1934), ‘Grey Morning, Cumbira Coast’, signed l.l., titled, signed and dated 1924 verso, oil on canvas, 36 by 52cm, framed, with ‘The Footbridge, Donnington’, signed l.l., signed and titled verso, oil on canvas, 50 by 75cm, framed (2) £100 - £150

253

253 Charles Richardson (British, 1829-1908), Donkey and Chickens on the South West Coast, signed and dated 1879 l.l., oil on canvas, 70 by 100cm, gilt frame £150 - £250

254 Guilbert (French, 19th Century), At the Well, signed l.r., oil on panel with Muller Fils, Paris stamp verso, 26 by 21cm, gilt frame £80 - £120

255 Mortimer Luddington Menpes (Australian, 1855-1938), Japanese Lady, signed with initials l.l., oil on canvas, 36 by 15cm, framed £100 - £150

256 J.G. (20th Century), a Dutch classroom scene, signed with initials l.l., oil on panel, 15 by 22cm, framed £70 - £90

257

257 Leon Huygens (Belgian, 1876-1918/19), ‘A Marie Cache a l’occasion de les Fiancailles, 1901’, signed l.r., titled, signed and dated verso, oil on canvas, 50 by 75cm, gilt frame £200 - £300

258

258 Nigel Lovett (British, 20th Century), The Berkeley Hunt in the Severn Valley, signed and dated 1934 l.l., oil on canvas, 35 by 45cm, gilt frame £200 - £300

259

259 Bernard Ninnes (British, 1899-1971), Fishing Boats in a Cornish Harbour, signed l.r., oil on canvas, 50 by 60cm, gilt frame. Artist Resale Rights apply £200 - £300

260 Bernard Ninnes (British, 1899-1971), ‘Evening Glow, St Ives’, signed l.l., titled verso, oil on canvas, 50 by 60cm, gilt frame.

Artist Resale Rights apply £200 - £300

261 Brian Bradshaw (British, 1923-2016), The Rise, signed and dated 1989 l.r., oil on board, 60 by 75cm, framed.

Artist Resale Rights apply

£300 - £500

262 Eric Bradbury (British, 1921), ‘Spitfires’, ‘Tempests’ and ‘Messerschmitt ME262’, three, all signed and dated 1992, 1993, and 1994, titled verso, gouache, largest 31 by 50cm, framed (3)

£300 - £500

263

263 Kit Barker (British, 1916-1988), abstract still life in orange, yellow, and black, signed and dated 1978 verso, oil on canvas, 50 by 100cm, framed.

Artist Resale Rights apply

£200 - £300

264 George Alexander (British, 1832-1913), ‘Kirkeneaton, Nr Pontefract’, signed and dated 1855 l.l., titled verso, oil on canvas, 75cm diameter, gilt frame

£200 - £300

265 T..Sardini (20th Century), still life of daffodils and other flowers in a vase, signed and dated 1936 l.r., oil on board, 50 by 50cm, framed £200 - £250

266 Dame Laura Knight R.A. (British, 1877-1970), ‘Hop Picking’, signed l.r., titled on a 1971 Royal Academy label verso, oil on canvas, 75 by 62cm, in the original frame.

Provenance: purchased from the Royal Academy by the current client’s parents-in-law.

Note: Artist Resale Rights apply

Note: Laura Knight's love for the countryside and people of Worcestershire led her to create a series of works depicting the gypsy hop pickers at work in the fields at Callow End, between Malvern and Worcester, which she started in 1939, just at the outbreak of WWII. She returned to the theme as a way of softening the effects of the traumatic and disturbing experiences she suffered while painting the Nuremburg Trials in 1946. In her memoirs, Knight records her nostalgic appreciation for the English countryside, made even more poignant in her mind in light of what she had witnessed in Germany, “How lush and green is our meadowland, how dazzling the pear orchards, then white roofed with blossom, how haphazard is our agriculture oddly shaped, hedged in, dotted with church, cottage, pig-pen and haystack all calm and sweet as if war had never been and sorrow never was.” (Knight, L. 1965, The Magic of Line, p. 302). The impetus to start her studies of hop pickers similarly began with a domestic disturbance as a result of her staff leaving the London home at the outbreak of the war in 1939. “I stayed in Malvern, where to keep myself from going crackers, I painted the nearest thing to hand: the old back garden gate belonging to the hotel, and almost the last rose of summer, anything... no matter what... so long as I didn’t stop to think” (Ibid. p.273). As she had always wanted to paint hop pickers, she was alerted to the fields of Callow Farm where gypsies were employed to pick hops during the harvest. She hired a taxi daily to take her to the fields where she would paint canvases directly en plain air “Like painting anything on the move, such as race-meeting crowds, the constant change taking place during the stripping of the hop-vines is nervy work. An artist has to finish as he goes; you cannot reckon on seeing the same thing twice,” (Ibid. p.273-274). Amongst the works painted before the war, are included Hop Pickers at Malvern, showing a remarkably similar scene to the current painting, a woman in a pink blouse, man in a cap and a child sitting on a hop cradle looking directly at the viewer (see Sotheby ’s, 13th December 2005, lot 77). It is likely this painting was executed at the same time.

9 of the Buyer’s terms at the back of the catalogue.

£15,000 - £20,000

267

267 James Brereton (British, 1954), ‘Boston Harbour, circa 1877’, signed l.r., titled l.c., oil on canvas, 50 by 75cm, gilt frame. Artist Resale Rights apply £300 - £500

268

268 Daniel van der

269 David Shepherd (British, 1931-2017), Elephant, signed l.r, oil on board, 13 by 13cm, gilt frame. Provenance: purchased directly from the artist by the vendor’s parents.

£4,000 - £6,000

Putten (Dutc h, 1960), ‘Autumn Sunset, Eastleach Turville’, signed l.r., titled verso, oil on panel, 42 by 55cm, gilt frame £300 - £500

270 Alan King (Scottish, 1946-2014), ‘The Man Who Ate Fire’, signed l.l., titled and dated 2006 verso, oil on canvas, 62 by 68cm, framed.

Artist Resale Rights apply £1,500 - £2,000

271 Anna Hornby (British, 1914-1996), ‘Evening, Joucas, Provence’, signed with initials l.l., titled verso, oil on board, 25 by 30cm, framed £70 - £90

272. Mr Brainwash (Thierry Guetta) (French, 1966), ‘Popeye’, signed u.r., signed, dated 2020 and No.Z67014798A verso, mixed media on paper, 77 by 56cm, framed.

Provenance: with Maddox Gallery, London.

Artist Resale Rights apply

£1,500 - £2,500

273 Mr Brainwash (Thierry Guetta) (French, 1966), ‘Never Give Up’, signed u.r., mixed media on paper, 55 by 55cm, framed.

Provenance: with Maddox Gallery, London.

Artist Resale Rights apply

£1,500 - £2,500

274 Mr Brainwash (Thierry Guetta) (French, 1966), ‘Love is the Answer’ (Albert Einstein), signed u.l., signed, dated 2020 and No.U11495476H verso, mixed media on paper, 76 by 57cm, framed.

Provenance: with Maddox Gallery, London.

Artist Resale Rights apply

£2,500 - £3,500

275 Mr Brainwash (Thierry Guetta) (Frenc h, 1966), ‘Love is the Answer - Keep it Real’ (Charlie Chaplin), signed u.r., signed, dated 2020 and No.H07186473A’ verso, mixed media on paper, 76 by 56cm, framed.

Provenance: with Maddox Gallery, London.

Artist Resale Rights apply

£2,500 - £3,500

FURNITURE AND CLOCKS

276 A 17th Century oak coaching table, oval top, folding base with ring-turned baluster supports, 72cm wide £100 - £150

277 Adam Beyer, London, a George III mahogany square piano, dated 1777, strung case with shaped brass strap hinges and escutcheon to the fallboard, ivory naturals and ebony accidentals, raised on block legs united by a stretcher, 80cm high, 151cm wide, 51cm deep.

Note: Ivory Exemption Certificate No.8TCKLQPN £1,000 - £1,500

278 A George II mahogany bachelor’s chest of drawers of small proportions, circa 1750, moulded top, two short over three long drawers with brass swing handles, raise don serpentine bracket feet, 83cm high, 76cm wide, 44cm deep £700 - £900

279 A Regency mahogany framed settee, circa 1820, scroll arms, two-tone striped cream upholstery, bolsters and cushions, reeded sabre legs, brass capping, and castors, 85cm high, 230cm wide, 70cm deep £500 - £800

280 An American Empire flame mahogany fold over tea table, probably Joseph Meeks and Sons, New York, circa 1825, the flame cut top with crossbanded edges, on a rounded frieze with gilt painted Neoclassical banding, supported on a heavily carved acanthus baluster with four splayed foliate whiplash lions paw legs and casters beneath, 92.5cm wide, 76cm high, 46cm deep

Note: a centre table by Joseph Meeks in the collection of the Metropolitan Museum of Art in New York, features an almost identical pedestal base and legs, with similar gilt stencilling. £500 - £800

281 A pair of 19th Century Gothic Revival library armchairs, leather button upholstered backs and armrests, dished seats, chamfered X frames, ring turned stretchers, 92cm high, 52cm deep (2) £1,000 - £1,500

282 Charles Bevan (British, act.1865-1882), a Gothic Revival reclining lounge chair, oak with brass mounts, button red leather upholstery, 101cm high £400 - £600

283 Attributed to John Moyr Smith (British, 1839-1912), for Collinson & Lock, London, c.1900, an Aesthetic Movement ebonised occasional table, on outswept ring-turned legs, trefoil, and circle fretwork stretchers, 72 by 70cm £200 - £300 284

284 Liberty and Co., an Aesthetic Movement oak Thebes stool, circa 1885, square section upholstered saddle seat, on truned and bowed legs united by dowel stretchers with angled rods, 43cm square £200 - £400

285

285 Attributed to Ford Madox Brown (British, 1821-1893), for Morris & Co, an Arts & Crafts ebonised beech salon chair, circa 1870, spindle frame with a cross-shaped splat, rounded rush seat, ring turned legs, 84cm high, 43cm wide.

Note: the range of rush-seated ebonised chairs introduced by Morris & Co. from circa 1865 and known as ‘Sussex’ chairs, were enormously popular and emulated by many other firms. The published price of this chair was 10s.6d in the Morris & Co. catalogue of circa 1910. The design for this chair was attributed to Ford Madox Brown in ‘The Furnisher’, 1900-01, p 61-63. (See Parry ‘William Morris’, V&A Exhibition catalogue, 1996, plate J25). A chair of this design can be seen in the drawing room of Windleshaw House, East Sussex, the home of W.A.S Benson and in the drawing room of The Grange, Fulham, the home of Edward Burne-Jones, both illustrated in J. Cooper ‘Victorian and Edwardian Furniture and Interiors’, 1987, Fig 405 and 438. This design also features in the settle NT 1214044. £100 - £150

286

286 Ford Madox Brown (British, 1821-1893), for Morris & Co, an Arts & Crafts ‘Argyll’ ebonised beech corner armchair, ring turned spindle frame, drop-in rush seat, 71cm high, 58cm wide £150 - £200

287 A German Jugendstil cane seated bamboo and rattan corner chair, Ferdinand Althoff, Deutsche Rohrwaren Industrie, Nurnberg, tubular bentwood construction with red and green bound stylised floral decoration, embossed makers label £300 - £500

288

288 Attributed to Josef Hoffmann (Austrian, 1870-1956) for Thonet, a bentwood dining chair, arched back with cube fretwork splat, dished dot fretwork seat, stencilled ‘Thonet 25’ and ‘Cawit’ within a fish, 102cm high £300 - £500

289 An Arts & Crafts oak hall table, circa 1905, in the manner of Liberty & Co, inverted fretwork gallery with extended end posts, chamfered top, single long frieze drawer with copper ring handles, tapered block legs, stretchers, 106cm high, 91cm wide, 38cm deep

£100 - £150

290. Talwin Morris (British, 1865-1911), a ‘Roxborough’ wallmounted bookcase, circa 1905, stained pine/softwood with metal plaques to each corner, 74cm high, 50cm wide, 16cm deep, containing a set of fifteen Talwin Morris designed Peacock cloth bindings

£500 - £800

291

291 Mackay Hugh Baillie Scott (British, 1865-1945), for John Broadwood & Sons, London, an Arts & Crafts 'Manxman' piano, circa 1904, oak with hinged top, extended iron door hinges with trefoil terminals, ivory keys, 120cm high, 143cm wide, 67cm deep.

Note: Upright pianos were generally perceived as ungainly and overcomplicated designs and it wasn’t until the mid-1890s that design reformers attempted to reimagine the form. M.H. Baillie Scott's innovation, thought to derive from the form of an Elizabethan strongbox, was to enclose the keyboard, music stand and candleholders behind broad doors that rationalised the shape of the instrument. The result was a piece of drawing room furniture that is both cleverly functional and aesthetically pleasing. Baillie Scott first exhibited the piano at the Arts & Crafts exhibition of 1896. He moved to the Isle of Man in 1889 and hence this form of the piano is known as the ‘Manxman’.

Ivory Exemption certificate No.LNWPZY85

£1,000 - £1,500

£150 - £250

292 Ambrose Heal, an Arts and Crafts oak bookcase cabinet, three shelves over a two panelled cupboard door, 41cm wide, 121cm high, 15cm deep

293 An Arts and Crafts Cotswold School walnut swing toilet mirror, in the style of Ernest Gimson, the sweepig frame inlaid with boxwood and ebony marquetry, above a single drawer, 46cm high, 32cm wide

£150 - £250

294 Cotswold School, an oak 3ft single bed, five bevelled panels to the head and foot boards, of jointed construction, 99cm high, 93cm wide

£200 - £400

295 Workshop of Robert ‘Mouseman’ Thompson of Kilburn, an oak cow stool, dished and adzed kidney-shaped seat with carved mouse signature, chamfered clock legs, 35cm high, 30cm wide

£150 - £200

295 & 296

296 Workshop of Robert ‘Mouseman’ Thompson of Kilburn, an oak cow stool, dished and adzed kidney-shaped seat with carved mouse signature, triple chamfered block legs, 45cm high, 36cm

£250 - £350

299

299 Cecil Beaton (British, 1904-1980), a circus drum armchair, circa 1935, painted leather, wood and rope, the chair seat of cylindrical form, the arm supports styled as batons, the round back painted with crossed drum sticks, 91cm high

Note: designed for Beaton’s circus themed bedroom at Ashcombe House; see Calloway, S. 1988, Twentieth Century Decoration: The Domestic Interior from 1900 to the Present Day, London: Weidenfeld & Nicolson, pp 280 and 282-283 Calloway, S. 1994, Baroque Baroque: The Culture of Excess, London: Phaidonpp 83 and 90-92 for references to this and similar chairs £500 - £800

300 Hans Wegner (Danish, 1914-2007), for Fritz Hansen, a pair of beech and teak ‘heart’ stacking chairs, with labels (2)

£100 - £200

297 Cotswold School, an oak panelled music cabinet, fielded panel double doors below a hinged top openin, above a fall front and drawer flanked by further cupboard doors, all with ebony or bog wood handles, 124cm high, 82cm wide

£400 - £600

298 Cotswold School, an Arts and Crafts oak sideboard, three central drawers flanked by two panelled cupboards, on H frame and pedestal board supports, 122cm wide, 85cm high

£200 - £400

301

301 John Makepeace (British, 1939), a pair of wooden dining chairs, circa 1970, upholstered shaped back and seat, outswept arms, exposed dovetails, both stamped ‘John Makepeace, C.N. Keep’, 97cm high (2)

£300 - £500

302

302 James Ryan (British, 1972), for the Edward Barnsley Workshop, a set of MKIII library steps, satin birch, triple point base, 147cm high, 50cm wide.

Artist Resale Rights apply

£800 - £1,200

303 David Linley (David Armstrong-Jones, Viscount Linley) (British, 1961), a Classic Writing Desk, in sycamore, lozenge veneered top, crossbanded and strung throughout, triple frieze drawers, each stamped ‘Linley’, on tapered block legs, 75cm high, 150cm wide, 70cm deep.

Artist Resale Rights apply

£1,500 - £2,000

304

304 W..Ham, Marlow, a George III mahogany bracket clock, arched case with brass swing handle and ball finials, 10cm painted dial with Roman numerals, flanked by fluted pillars and a crossbanded and strung front, extended rear, raised on brass bracket feet with a serpentine apron, single fusee movement, 27cm high, (key and pendulum)

£150 - £200

305 A 19th Century round dial wall clock, oak case, 30cm painted dial with Roman numerals, single fusee movement, (key and pendulum)

£300 - £500

306 Military Aviation, an early 20th Century RAF Officer’s mess bracket clock, oak case with arched pediment, 14cm silvered dial with Roman numerals and Royal Air Force insignia, single winding hole, on shallow bracket feet, single fusee movement, 35cm high, 22cm wide, 13.5cm deep, (key and pendulum)

£400 - £600

DAY TWO

ASIAN ART

307 Two Chinese famille rose plates, one painted with a garden landscape of figures beneath a prunus tree, the other with cockerel and peony pattern, within floral and foliate cartouche borders, 22.5cm diameter (2)

£50 - £80

308 A Japanese Sumida Gawa pottery pond bowl, circular form modelled with figures around, 36cm diameter £60 - £100

309

309 A small Chinese blue and white porcelain fish plate, probably 18th century, painted with a still life of precious objects within a cracked ice and carp border, 15.5cm diameter

£80 - £120

310 A Chinese Ming style relief moulded hat stand, cylindrical brush pot form, decorated in the round with wrything dragons and clouds over waves, underglaze blue and green on ochre ground, 28.5cm high £100 - £200

311

311 A pair of Chinese famille rose plate and another, two with ogee petal borders, each painted with a figure in a garden landscape with chickens, 19cm diameter and 22cm diameter (3) £80 - £120

312 A Chinese green glazed reticulated garden seat, hexagonal inverse baluster form with circular top, the panels pierced with foliate motifs £100 - £200

313 Japanese Sc hool, Meiji Period, 1868-1912, a robed Geisha beside a balustrade, supper tray beyond; four Geishas in a domestic interior with a bonsai tree and a string instrument, both titled and signed, woodblock, 37 by 26cm, both framed (2) £150 - £250

314

314 A Chinese provincial blue and white vase, Qing dynasty, domed cover with beast finial, bombe base with beast mask handles, trailing foliage decoration, lappet base, 44cm high (a/f) £200 - £300

315 A Hispano Moresque lustre charger, the central wrythen reeded bosse within a foliate painted dished centre, the wide brim with relief moulded leaves in copper lustre and blue glazes, 50cm diameter £150 - £250

316 A Hispano Moresque lustre twin handled vase, banded baluster form with angled buttress handles, inscribed in underglaze blue with Arabic lettering within a copper lustre foliate scroll ground, 28cm high £200 - £300

317

317 A Chinese fahua garden seat, possibly Ming, barrel form, incised with a band of lotus scroll decoration in ochre and purple on a turquoise ground, between borders of beads in high relief, set with pierced dog mask handles, within ogee cartouches, the top decorated with a central roundel and segmented leaf rosettes, 36cm high £200 - £400 318

318 A Chinese Wucai vase, probably 18th century or earlier, tapered cylindrical form, the lower border incised with a celadon overglazed band of foliate scrolls, painted in the round in underglaze blue with vases of flowers on various tables, enamelled with polychrome and iron red detailing in the Qianlong style, incised concentric rings to the underside, 35cm high £300 - £500

319 Chinese School, late Qing Dynasty, ‘Extering Foreigness and Promoting Righteousness’, and a boy presenting a robed elder with a potted plant, two, titled and one signed ‘Yuan Sanzhong’, eglomise mounts, 20 by 22cm, framed (2) £100 - £150

320

320 A Chinese hardwood table screen, late Qing Dynasty, detachable roundel inset with a two-tone soapstone carving of bamboo and foliage, raised on a dragon-carved fretwork stand, 27cm high £100 - £150

321

321 Two Japanese carved wooden netsuke, Meiji, modelled as a water buffalo and a hare, each set ith glass eyes, signed by the same artist, 5.5cm (2) £100 - £150

322 A Japanese silver plated embossed photograph frame, relief millefiori chrysanthemum design, opening 19.5cm x 14cm, overall 33.5cm x 27.5cm £60 - £100

323 A Japanese Meiji bronze figure, modelled as a man with rope sandals and tunic, 29.5cm high

£100 - £150

324 A Japanese bronze figure of a stork on a dragon turtle (longgui), Meiji, 27.5cm high

£50 - £100

325 A Japanese lacquer novelty sage jubako or picnic box, early 20th century, two hinged wall sections opening to reveal a shelved interior of decorated cuboid boxes, each with a different design or effect, including woodgrain lacquer, maki e, and oxidised finishes, the rattan roof with two further sections below, 28cm high, 24cm wide, 19.5cm deep

£100 - £150

326

326 A Chinese carved bamboo brush pot, decorated in relief with an extensive scene of figures and buildings in a mountainous garden landscape, 14cm high

£100 - £200

327 Toyohara Kunichika (Japanese, 1835-1900), Beauty and Music, a pair, woodblocks in colour, 36 by 24cm, unframed (2)

£50 - £80

328 A Chinese bronze Fu, sixteen character mark for the third year of Yongzheng’s reign, cuboid box form, archaistic style decorated in relief with gemoetric key and demilune motifs with pointed crenellation to the lid, cast dog masks to each side, on bracket footed base, 34cm wide, 27.5cm deep, 22cm high

£200 - £300

£500 - £700

329 A Chinese hardwood and mother of pearl inlaid reticulated garden seat, barrel form of bound quatrefoil tendril lattice, the top set with a marble disc, decorated with foliage and birds throughout, on bracket feet, 50cm high

330 A Chinese stained softwood side table, late Qing dynasty, moulded rectangular top with carved trailing branch and insect design, fretwork frieze and undertier linked by inverted legs, paw feet, 74cm high, 60cm wide, 40cm deep

£150 - £200

331 A Chinese occasional table, late Qing dynasty, shallow galleried oval top with extensive abalone inlay of flying insects amongst trailing foliage, geometric fretwork frieze, X stretcher, paw feet, 80cm high, 90cm wide, 55cm deep

£200 - £300

332 A Chinese scroll print, depicting an extensive river landscape with figures, pagodas, and boats with accompanying script and seal marks in red, on silk laid down on parchment, 390 by 29cm

£100 - £150

333 An early 19th century Chinese carved tortoiseshell brise fan, circa 1830, extensively decorated with figures in a garden landscape, inscribed to a banner in relief within the pierced decoration ‘Cecile de Hogendorp et Charles Hogendorp’, 19cm long, in a fitted box labelled for Luenchun, Mother opearl, Ivory and Tortoiseshell Carver, 6 New China Street [Canton]

£1,000 - £1,500

GLASS

334 Clichy, a spaced cane millefiori glass paperweight, each of a different form including pink opaque rose, 5.5cm diameter

£120 - £180

341 A propeller knop glass ale flute, circa 1700, the conical wrythen moulded bowl on a five bladed knop and plain stem, basally knopped, with folded conical foot, 21cm high, foot 8.7cm diameter, rim 7cm diameter £500 - £800

£120 - £180

335 Clichy, a small spaced cane millefiori glass paperweight, eight floral cogged canes around a central concentric purple and white example, 4.5cm diameter

336 Clichy, a small floral wreath millefiori glass paperweight, the outer ring of alternating pink cogs with pairs of green canes, around white floral and central cerise examples, 4.5cm diameter

£120 - £180

342 A pair of Dutch engraved cordial glasses, circa 1740, the flared trumpet bowls with festoons and foliate garlands, on hollow fluted inverse baluster stems and folded conical feet, 9cm high (2)

£50 - £80

343 An 18th century Dutch or Spanish engraved beaker, decorated with stag hunting scenes to three cartouches, between foliate sprigs and lens cut floral motifs, 12cm high

£120 - £180

337 Paul Ysart, a large millefiori and aventurine glass paperweight, jade ground with random close packed cane centre, within alternating floral canes and candy stripe rods, 8cm diameter, together with another similar (2)

£150 - £250

338 Three French glass millefiori paperweights, including small Clichy wreath and spaced cane example, a dated garland weight in the Bacct style, 1851, and a spaced silhouette cane weight, 7.5cm to 4.5cm diameter (3)

£300 - £500

339 Clic hy, a spaced cane millefiori glass paperweight, various floral cogged examples in two rings around a central pink rose, 6.5cm diameter

£300 - £500

340 Bacct, a close packed millefiori glass paperweight, dated 1847, mixed floral canes including silhouette, signature B1847, 6cm diameter, 4cm high

£600 - £800

344 An engraved glass magnum claret decanter and stopper, circa 1765, mallet form, cut and etched with a bottle ticked inscribed Claret, within ogee foliate cartouche, fruiting grape vines and lens cut simulated lanyard, the stopper of flat faceted lozenge form, 39.5cm high

£200 - £400

345 An air twist wine glass, circa 1755, the flared trumpet bowl on a multi spiral twist stem and folded conical foot, 16.7cm high, rim 7.4cm diameter, foot 8cm diameter

£70 - £100

346 A large air twist wine glass or goblet, circa 1755, the flared trumpet bowl on a multi strand open spiral twist stem and folded conical foot,21.5cm high, rim 10.5cm diameter, foot 10.3cm diameter

£120 - £180

347 A Jacobite engraved Forty Five drinking glass, circa 1745, the large trumpet bowl cut with Roman numeral XLV, for [17]45, on a teardrop included stem and plain conical foot engraved Redi between two oak leaves, 20.2cm high, rim 9.5cm diameter, foot 9.2cm diameter

Note: of the typical Amen glass form and size, the date is a clear reference to the ill-fated, but glorified 1745 Jacobite uprising, known as the Forty Five, which eventually came to an end in 1746 at the battle of Culloden; the more commonly seen inscription ‘Redi’ (remember) within two oak leaves, makes reference to the Old Pretender, Bonnie Prince Charlie’s father and the strong association with the Stuart dynasty and James II. This appears to be a rare example in making explicit reference to the 45 uprising £500 - £800

350 A pair of facet cut glass candlesticks, circa 1770, inverse baluster and knopped stems supporting campana sconces, on wide conical feet with ogee petal edges, rough pontil marks, 25.5cm high, foot 15.5cm diameter £100 - £200

351 A George III ship engraved glass rummer, circa 1800, the ovoid bowl decorated with a ship in full sail on waves, below a swagged and festooned rim, on short blade knopped stem, 12.5cm high £100 - £200

352 A 19th century ship engraved glass goblet, circa 1820, the large bucket form bowl decorated with a tall ship in full sail with ensign, on open water, cup and ball stem, 17cm high £100 - £200

348 A George III gilt glass spirit decanter, circa 1780, tapered form, decorated with a painted bottle label for Rum, the lozenge stopper initialled R, 25cm high £40 - £60 349

349 An Anglo Irish glass turnover bowl, circa 1815, moulded knopped and reeded pedestal foot, the oval bowl with facet cut folded rim, cut with a band of hobnail diamond motifs, 24cm high £100 - £200 350

353 A set of nine 19th century engraved wine glasses, for Eton College, probably French, slice cut rummer bowls on bladed knop stems, engraved with the coat of arms and motto of the school, 15cm high (9) £400 - £600

354

354 An Empire period ormolu mounted opaline glass Campana vase, probably French circa 1810, twin handled and footed urn form, the pale blue tinted opaque body with tooled lambs tongue banded socle and foot, mounted with a foliate chased floral garland and honeysuckle rim, coiled double serpent handles, 24cm high £150 - £250

355 A green Barfatan opaline glass vase, French or Bohemian circa 1830, the imperial Jade coloured octagonal section glared trumpet body on a bronzed socle and splayed cut glass foot, polished pontil base, 33.5cm high £70 - £100

356

356 A pair of Bohemian ruby cased glass portrait vases, 19th century, globe and shaft form, each with three opaque plaques painted with a 17th and 18th century figure, between floral bouquet roundels, within a gilt foliate scroll ground, crimped rims, 33.5cm high (2) £600 - £800

357

357 Bacct, a cased and enamelled pink opaline glass vase, footed inverse baluster form, painted with a band of flowers, between gilt foliate scroll borders, the ogee flared rim with Gothic arcading, 30cm high £200 - £400

358

358 Bacct, a cased cut glass perfume bottle, circa 1850, cylindrical form, ruby over colourless, decorated with a loggia frieze, hollow Gothic traced stopper, 18cm high £250 - £350

359 A French blue opaline glass vase, footed and inverse baluster form applied with raised gilt and jewelled cartouches. £100 - £150

360 A French crackled ice glass and gilt comport, probably Bacct circa 1850, the ogee crenelated shallow dish on a knopped trumpet base, 16.5cm high, 16.5cm diameter £40 - £70

361

361 A 19th century Bohemian cased glass pedestal bowl, foliate denticulated hemispherical ruby bowl with seven opaque roundels painted with floral bouquets, the central plaque with a flower fairy, the knopped sweeping foot with ogee lappets, on a gilt foliate scroll ground, 22.5cm high £300 - £500

£150 - £250

362 A Mary Gregory glass vase and cover, footed urn form, the ruby body painted with a white enamelled scene of a girl in a garden landscape, 41cm high

363 Moser, a Bohemian cased and gilt intaglio etched glass claret jug, with gilded metal mounts, the hexagonal section shouldered body with green oval panels engraved with Rococo foliate scrolls, between fruiting blackberry bramble sprigs, the central cartouche with a Bacchanalian putto, 26cm high £350 - £450

368 James Powell and Sons, Whitefriars, a set of five etched wine and drinking glasses, circa 1855, the conical bowl with slice cut lower section, engraved with a band of fruiting grape vines, on a plain hexagonal stem, the feet of the smaller glasses etched with a similar wreath band of fruiting vines, 13cm high and 9.5cm high (5)

Note: the design appears in the 1855 Powell catalogues, illustrated in Evans, W et Al, 1995, Whitefriars Glass, p.251, pl.338 £70 - £100

369 An Aesthetic Movement Stourbridge engraved glass wine goblet, circa 1860s, the large rounded bowl etched with ferns, on a plain stem and beaded foot, 16.5cm high £50 - £70

£80 - £120

364 A Regency style gilt metal and cut glass vase, probably John Walsh Walsh circa 1860, the thistle or campana bowl with hobnail cutting on a foliate stem with oak lead and cut acorn, on a domed foot, 21.5cm high

365 A Stourbridge pink blushed opaque and amber glass vase, possibly Thomas Webb, enamelled with flowers, with cut and crimped rim, on a thorny open trefoil branch foot, 21cm high

£50 - £100 366

366 A Boulton and Mills, Stourbridge glass strawberry vase, circa 1880s, twin handled, form pink opaline draining to amber, naturalistic thorny and gnarled branch handles, on four bracket feet, applied with a textured strawberry and green glass leaves, crimped rim and polished pontil base, 15.5cm high £100 - £200

367 A set of four early Victorian emerald green wine glasses, Richardson, circa 1840, etched and cut with stylised bullrush design, 12.5cm high (4) £70 - £100

370

370 James Powell and Sons, Whitefriars, a set of four Neoclassical wine glasses, circa 1860, model 1027, the tulip form bowls engraved with star motifs below a laurel wreath border, each on a plain stem and conical foot, 12cm high (4)

Note: illustrated in Evans, W et al, 1995, Whitefriars Glass, p.253, showing a similar if not identical wine service, model 1027, in the 1860s catalogue £70 - £100

371 James Powell and Sons, Whitferiars, an Etruscan Revival glass Champagne saucer, circa 1860, the hemispherical bowl engraved with Vitruvian scroll and beaded border, 10.5cm high

Note: see Evans, W et al. 1995, Whitefriars Glass, p.254, plate 355, for an illustrated example of this design in the 1860s catalogue £40 - £60

372 James Powell and Sons, Whitefriars, an Etruscan Revival cranberry and colourless wine glass, circa 1860, the rounded tulip bowl etched with beaded borders above arcaded corn ear band, on a plain stem with flat foot etched with a beaded band, 12.5cm high

Note: illustrated in Evans, W et al, 1995, Whitefriars Glass, p.253, showing a similar if not identical wine service, model 1047, in the 1860s catalogue £50 - £80

373 Philip Webb (attributed) for James Powell and Sons, Whitefriars, an Arts and Crafts wine or Champagne glass, circa 1870, waisted cylindrical drum form, on plain stem and conical foot, 8.5cm high £40 - £60

374 A Stourbridge engraved glass wine goblet, circa 1880, the large rounded bowl decorated with festoons and foliate C scroll borders, graduated lens cut beaded swags, on an open trumpet stem and foot etched with foliate lappets, 19cm high £70 - £100

(part)

375 Northwood for Thomas Webb and Sons, an Aesthetic Movement / Gothic Revival engraved glass vase, circa 1870, optic wrythen banded bulbous beaker form, engraved and etched with a panel of birds in branches within a rectangular frame, surrounded by prunus blossom and leaves, above a machine engraved Gothic foliate band, polished pontil, 11cm high £80 - £120

376

376 Thomas Webb and Sons, a Belle Epoque engraved glass vase, circa 1880, optic wrythen banded bulbous beaker form, engraved and etched with a bird in Rococo foliate scroll and tendril branch of diaper trellis and prunus, polished pontil, 11cm high £70 - £100

377

377 A pair of Aesthetic Movement cased ruby glass and enamelled portrait vases, possibly Jules Barbe and William Stephen Coleman for Thomas Webb and Sons, Stourbridge, circa 1885, footed and shouldered bulbous form, gilt foliate scroll ground, central plaques with busts of women before blossoming branches, within green enamel wreath and half chrysanthemum cartouches, the borders similarly decorated, annealed rims and polished pontil bases, 27cm high (2) £600 - £800

378

378 Thomas Webb and Sons, an Aesthetic Movement cameo glass vase, circa 1885, shouldered form, the white cased brown amber body acid etched and carved with narcissi and wild grasses below a Japonesque band of opposing wavy thread panels, in the style of George Woodall, polished pontil, 12cm high £500 - £800

379

379 Thomas Webb and Sons, a cameo glass scent bottle, circa 1885, the white cased yellow ground pointed amphora form body carved with hibiscus type flowers, silver coloured metal mount with internal stopper, 11cm long £200 - £400

380

380 Thomas Webb and Sons, a set of four Alexandrite wine glasses, circa 1880, optic martele moulded bowls with indigo rims draining through pink to amber, 11.5cm high (4) £400 - £600

381

381 Stevens and Williams, a cased hobnail cut rainbow candy stripe glass scent bottle, circa 1900, shouldered form, blue over colourless with pink and amber wrythen stripes, the disc stopper with similar hobnail design, 11cm high £200 - £300

382 Stevens and Williams, a cased hobnail cut rainbow candy stripe glass scent bottle, circa 1900, shouldered form, blue over colourless with pink and amber wrythen stripes, the disc stopper intaglio engraved with a rosette, 11.5cm high £200 - £400

383 An Arts and Crafts straw opal glass pedestal bowl, circa 1880, crimped ogee form on inverse baluster stem, 14cm diameter

£40 - £70

384 Three Arts and Crafts straw opal glass light shades, circa 1890, possibly James Powell and Sons, Whitefriars, including gourd form with crimped rim and smaller flared bell form example, 13cm high, fixing openings approx 2.8cm diameter

£60 - £100

385 Thomas Webb and Sons, an Arts and Crafts decanter and stopper, circa 1900, optic ribbed conical form with triple lipped rim, hollow pointed pear form stopper, 37cm high £50 - £100

389 George Walton (attributed) for James Powell and Sons, Whitefriars, an Arts and Crafts green glass vase, tapered conical form with broad rim, 7cm high

Note: comparable examples of this form by Walton were made by James Couper of Glasgow under the Clutha range. Walton is known to have designed for the Whitefriars glass works, with several examples of those pieces in the British Museum £60 - £100

£30 - £50

386 Thomas Webb, an etched rose glass decanter and stopper, optic wave shouldered gourd form with pointed hollow stopper, intaglio cut with a leafy rose to each side, 29cm high

387

387 Jules Barbe for Thomas Webb, a gilded glass vase, optic scaled and dimpled ovoid footed form with crimped rim, decorated in the round with a raised and tooled gilt dog rose, 17.5cm high £150 - £250

390

390 An Arts and Crafts green glass vase, Stuart and Sons, circa 1890, optic wrythen trumpet form with crimped rim and conical foot, 15.5cm high £40 - £60

388 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts green glass roemer, circa 1880, the spherical bowl with rigaree band and applied prunts to the neck, on a splayed and trail applied foot, 12.5cm high £50 - £80 389

391

391 Stuart and Sons, an Arts and Crafts straw opal peacock trailed and footed glass vase, circa 1900, the slender baluster body applied with alternating green centred Caringrom type drops from spiralled trails, 38.5cm high £300 - £500

392 Stuart and Sons, an Arts and Crafts glass Cairngorm vase, circa 1900, hyacinth form with crimped rim, applied with six two-tone green peacock eyes and trails, 18cm high £100 - £150

393 Stuart and Sons, an Arts and Crafts Cairngorm trailed glass vase, in silver plated stand, poppy head amphora form with three blue eyed peacock trails, 22.5cm high £50 - £80

394 Harry Powell for James Powell and Sons, Whitefriars, a set of eight Arts and Crafts amber Champagne glasses, circa 1880s, optic ribbed conical or funnel form, in green amber, from service 1464, 13cm high (8)

Note: although produced until the late 1930s, the burnt amber colour is from the earlier production, before 1912 £150 - £250

395 John Northwood II for Stevens and Williams, a Silveria iridescent glass vase, circa 1900, twisted organic form, pinched and flared to the rim, encased silver foil within pink, blue and amber shot shell, overlaid with random green web trailing, incised mark to the polished pontil SW, 15cm high

Note: probably a collaborative effort with designer Frederick Carder, who later developed a range of iridescent and foilcased glass at Steuben in America, the technique was difficult to perfect at the Stourbridge factory making the production short lived and the pieces quite scarce. £800 - £1,200

396 Military interest, two Edwardian point engraved glass vases, circa 1903, knopped stem cylindrical form, decorated with images of Boer War soldiers and inscribed Won by G Leighton 1903, 16cm high (2) £50 - £80

397

397 Stevens and Williams, a triple cased intaglio cut wine glass, circa 1905, the rounded bowl in indigo over amber decorated with foliate fronds and floral rosettes, probably engraved by John Orchard, on a hollow blown and cut stem on swag cut foot, 20cm high £300 - £400

398 Thomas Webb and Sons, an Edwardian Stourbridge Intaglio engraved rock crystal wine glass, circa 1905, the large bell shaped bowl cut and etched with thorny stemmed roses between scrolling foliate tendrils, above relief carved coiled fern tendrils, on an inverse baluster stem and garland cut foot, 17.5cm high

Note: a similar example from the same series with a different flower design was sold in these rooms in May 2024 £100 - £150

399 An intaglio engraved rock crystal type glass pedestal dish, probably Ludwig Moser, the elongated quatrefoil bowl decorated with clematis flowers and foliate scrolls, on a sweeping hexagonal stem and stepped lozenge foot, 22cm wide £60 - £100

400 Moser, a Bohemian Secessionist intaglio cut glass vase, circa 1900, elongated waisted form, optic ribbed, apple green draining to colourless, decorated with tulips, 35cm high £250 - £350

401 Moser, a Bohemian Secessionist intaglio cut glass vase, circa 1900, waisted form, deep purple draining to colourless, decorated with a flowering lily, 13cm high £100 - £150

402 Daum, Nancy, an Art Nouveau enamelled and gilt cameo glass Iris vase, circa 1890, oval section barrel form, acid carved and painted with green enamel and raised gilt flowers and dragonfly below a rusticated denticulated border, incised marks Nancy, enamelled numeral XIII, 30cm high £300 - £500

403 Theresienthal, a Jugendstil enamelled hock glass, circa 1900, the optic ribbed tulip bowl decorated with petals and floral sprigs, highlighted in gilt, on a bowed green stem and foot, 21.5cm high

£80 - £120

404 Hannah Moore Walton, a set of Glasgow School, Arts and Crafts enamelled glass bowls, circa 1910, including six small bowls and three larger bowls, each with a stylised briar rose garland band and enamel beading, central flower sprig, signed with monogram HMW, 11.5cm diameter (9) See: Moon, K, 1993, George Walton: Designer Architect, pp.2021 and Burkhauser J. 1990, Glasgow Girls: Women in Art and Design 1880-1920, Edinburgh, p. 166, for examples of Hannah Walton's work

Note: Hannah was the sister of Scottish architect George Walton, one of the Glasgow Boys, and along with her sister Helen, Hannah Walton worked in Hillhead, Glasgow, at the studio established in 1881. Both sisters produced domestic glass and ceramics with floral and aquatic scemes, as well as being accomplished fine artists. £500 - £800

405

405 Kralik, a Secessionist Punched Opalescent and enamelled glass bowl, circa 1900, lobed form with inverted wavy rim nd pierced handles, decorated with gilt and enamel floral and scroll motifs, 32cm diameter £180 - £220

406 Fritz Heckert, a Jugendstil silver overlay iridescent glass vase, squat double gourd form, swirling purple green lustre, with geometric knotted tendril decoration, 14.5cm high £800 - £1,200

407 WMF, a Myra iridescent glass vase, footed elongated barrel form, 19cm high £40 - £70

408 Julien Viard for Dubarry, a Blue Lagoon glass perfume bottle, designed circa 1918, polished and frosted, blue stained, enamelled and gilt stopper in the form of two butterflies, made by Depinoix, 11.3cm high £200 - £400

409 Anton Ruc kl, a Bohemian Art Deco green glass decanter, triangular form modelled as a leaf with trefoil stopper, moulded manufacturers registration number 317720, 25cm high £40 - £70

410 Rene Lalique, a Coques et Plumes glass vase, model 1033, designed circa 1928, frosted with blue staining, etched mark R Lalique France, 15.5cm high

£500 - £800

411 Ver lys, an Art Deco Cluthra art glass bowl, model 248, circa 1925, shallow everted form, internally cased opaque crackled ice decoration with red splashes and rim, incised mark Verlys and paper label 248, 25.5cm diameter

£60 - £100

412 Louis Majorelle for Daum, an Art Deco Verrier d’Art pate de verre glass and wrought iron vase, circa 1930s, amphoral form, marbled and mottled orange body encased within a strapwork cage with coiled motif foot, 32cm high

£100 - £200

413 Elizabeth Graydon Stannus, a Graystan glass vase, optic ribbed and threaded fan shaped bowl on a hollow octagonal section ball and socle sten, ribbed folded foot, 25cm high £80 - £120

414 Gerda Stromberg for Strombergshyttan, a Scandinavian Art Deco smoky glass vase, circa 1935, optic flared conical body with wavy rim on a squat knop and splayed foot, 21cm high

£40 - £70

415 Stevens and Williams, an Art Deco amber glass vase, circa 1930, optic ribbed beaker form, 25.5cm high

£30 - £50

416 Monart, a Scottish art glass vase, circa 1930, shape FB, opaque peach neck and aubergine body with blue swirling wave centre, speckled with aventurine inclusions, 25cm high

£300 - £500

417 Ludwig Kny for Stuart, an Art Deco cut glass vase, pattern 28398, circa 1930s, footed trumpet form, decorated with a trellis and foliate frond design, etched marks, 21cm high

Note: see Benson, N, and Hayhurst, J. 2003, Art Deco to Post Modernism, p.15 fig.55 for an example of this vase

£30 - £50

418

418 Ludwig Kny for Stuart and Sons, an Art Deco cut glass vase, circa 1935, large flared trumpet form on stepped foot, decorated with bands of stylised geometric berries, flowers, leaves and wheat, 20cm high

£50 - £80

419 Ludwig Kny for Stuart, an Art Deco cut glass biscuit barrel, circa 1930, cylindrical drum form, decorated with stylised wheat ears, 18cm high £30 - £50 420

420 Herbert Webb for Webb Corbett, an Art Deco glass decanter, circa 1935, conical form, cut with vertical fern fronds intersecting concentric wavy bands, flat disc stopper, etched mark, 31.5cm high

£80 - £120

421 John Walsh Walsh, an Art Deco Aquatic glass beaker, circa 1925, flared form, etched and engraved with a watery scene of fish in a waterlily pond, 10.5cm high £40 - £60

422

422 Barnaby Powell for James Powell and Sons, Whitefriars, an Art Deco amber glass sherry decanter, model M62, designed circa 1935, shouldered mallet form, 22cm high £50 - £70

423 William Wilson for James Powell and Sons, Whitefriars, an Art Deco cut Sapphire blue glass bowl, model 9034, designed circa 1935, cut with dart head motifs, 21.5cm diameter £200 - £400

424 Art Deco glass cocktail wares including a set of six Czech amber glasses, optic ribbed conical form, a craquelure shaker with chrome lid, on an octagonal marbled amber and chrome tray, 36cm wide £100 - £200

425 Henri Quenvit, a harlequin set of four Art Deco enamelled glass fruit bowls, circa 1930s, each with multicoloured berries, fruits and leaves, signed to the feet, 10cm high (4) £100 - £200

426 A Mid Century enamelled glass cocktail decanter, Bohemian circa 1950, spherical form, decorated with crosshatch and dot design in black and white enamel, gilt concentric line design to the rim, 17cm high £30 - £50

427 Century Glass Works Ltd (1941c.1967), a bubbled pink glass ashtray dish, circa 1940s, square lipped with applied plaque for Century Glassworks London N18, 15.5cm diameter £30 - £50

428 Jack Lloyd for Royal Tudor, a Stourbridge cut and etched glass vase, 20th century, waisted form, decorated with a chevron band of intaglio engraved roses and foliate garlands, Art Deco style triangular lappets to the rim, above a trellis and diaper cut body, signed J Lloyd, acid mark Tudor England, 20cm high £40 - £60

429 Stevens and Williams, two Royal Brierley etched glass rummers, Dickens characters, each engraved with a figure, Mr Micawber and Bill Sikes, on Regency style bucket form bowls, etched marks, 17cm high (2) £80 - £120

430

430 Vicke Lindstrand for Kosta Boda, an Art Deco cameo glass vase, footed cylindrical form, dark aubergine over amber, frosted and lens cut with vertical lozenge motifs below a beaded rim, incised marks, LH 8333-8 WK, 16cm high

£150 - £250

431 Edward Hald for Orrefors, a Swedish Modernist glass decanter, square section shouldered form with flat stopper, incised marks EH2498, 31cm high

£30 - £50

432 Vicke Lindstrand for Orrefors, a Modernist glass decanter, shouldered form with square section base and panel sides, tapered pellet stopper, incised marks, 28.5cm high £40 - £60

433

433 A Scandinavian Modernist glass cocktail shaker, shouldered form with heavy dicus form stopper, citrine coloured, 22cm high £40 - £70

434 Gunnar Ander for Lindshammer, a triple cased Sommerso glass vase, circa 1960, ovoid pellet form, colourless over amber and green, incised marks, 1302/145, 15.5cm high £100 - £150

435 Tamara Aladdin for Rihimaki, a Modernist amber glass vase, circa 1970, double baluster gourd form, 20cm high

£30 - £50

436 Ronald Stennett Willson for Kings Lynn, Wedgwood, a Rustic Range Angular glass vase, RSW 10, circa 1968, blue grey bubble inclusions, 17cm high

£50 - £80

437 Ronald Stennett Willson for Wedgwood, two Kings Lynn Helix glass candlesticks, amethyst wrythen twisted form with stepped cup sconces, of different heights, 17.5cm and 14cm high (2)

£50 - £80

438 An Italian Murano glass owl vase, probably Blenko, mid 20th century, gold leaf aventurine inclusions and smoky body with applied eyes and pulled ears, 25.5cm high

£50 - £100

439 Istvan Komaromy (Ger man, 1910-1975), a lampwork glass figure of a nude woman dancing, opalescent with a hollow spherical base, 17cm high

£200 - £300

440

440 Pino Signoretto, an Italian Murano art glass figure of a crouching man, modelled in black glass, incised signature, foil label, 19cm high £150 - £250

436 434

438

441

441 Archimede Seguso, Murano, an Italian glass sculpture of a fish, modelled swimming with serpentine tail, signed, 46cm long £100 - £150

442

442 Helena Gibson, a pair of Swedish studio glass Snaps glasses, the conical bowls on elongated stems, spiralled blue over green, on plain feet, signed, 27.5cm high (2) £50 - £100

443

443 Norman Stuart Clarke, an iridescent studio glass vase, 1989, squat ovoid form, mottled pink with combed blue and opaque striped swags, incised marks, 8.5cm high £70 - £100

444 Chris Thornton, two studio glass vases, organic form with foil, opaques stripe and candy cane inclusions, colourless handles, incised marks, 32cm long (2) £70 - £100

445

445 Daum, a pate de verre glass sculptural dish, modelled in relief as a frog on a lily pad, green, amber and purple, incised marks Daum France, 16cm diameter £200 - £400

446

446 Lalique, an Amber Rose glass vase, polished and frosted with an applied opalescent amber flower, incised marks Lalique France, 22cm high £250 - £350

EUROPEAN CERAMICS

447 A Vienna porcelain covered jug, stand, teacup and saucer, circa 1778, painted with Chantilly sprig design, underglazed blue and gild bands, 12cm high (3) £150 - £200

448

448 A set of four Vienna porcelain floral painted leaf shaped dishes, circa 1744-55, each of asymmetrical denticulated form with naturalistic branch handles and applied and moulded floral detailing, painted floral sprigs, one with incised shield mark, three with underglaze blue, tamped or incised M and C, 23cm long (4)

£200 - £400

449 An Art Nouveau Heubach pate sur pate vase, circa 1890, twin handled shouldered form, the central mauve ground oval with a maiden and dragonfly amongst water lilies and irises, on gilt highlighted blue ground, incised and printed marks, 15.5cm high

£100 - £200

450

451 A Sevres porcelain custard cup (pot a jus), 1770, baluster form with scroll handle, underglaze blue line with gilt detailing, painted with floral sprigs, the finial modelled in relief as a chrysanthemum or dhalia, interlaced L mark with central R and artist mark PR probably for Prisette, 8cm high £200 - £400

452

452 A Sevres porcelain custard cup (pot a jus), circa 1770, baluster form with scroll handle, underglaze blue line with gilt detailing, painted with floral sprigs, the finial modelled in relief as a chrysanthemum or dhalia, interlaced puce L mark, 8cm high £200 - £300

£200 - £400

450 A Sevres style cabaret set, 19th century, including teapot, jug, covered sucriere, tray, cup and saucer, each painted with a portrait of a member of the French Royal Family, including Louis XVI, Marie Antoinette and the Dauphin, within tooled gilt palm frond cartouches on a blue ground, interlaced overglaze L marks, 37cm diameter (5)

453 A Meissen figure group, The Deal with Goose, model 720, late 19th or early 20th century, after J J Kaendler, modelled as a peasant goose seller and fish woman exchanging money, impressed marks and underglaze blue swords, 16.5cm high £100 - £200

454 A pair of Meissen type figures, probably late 18th century, model 137, modelled as a seated woman with a rose and a man reading a book, on reticulated Rococo scroll bases, underglaze blue marks and incised numbers, 16cm high (2) £100 - £200

455

455 Peter Reinicke for Meissen, a Cris de Paris figure of an oyster seller, 19th century, after the 1753 drawing by Christophe Huet and Meissen model of the period, modelled with baskets of shells, in red coat and gilt striped breeches, on Rococo scroll base, underglaze blue marks, impressed 21, incised 9, painted 29, 14cm high

Note: model number 9 of a series of 33 figures depicting the street vendors and characters of 18th century Paris, similar to the Cries of London £150 - £250

456

456 A Meissen figure of a shepherdess, 19th century, 2122, modelled as a woman with a sheep, sitting in a tree, on foliate scroll mounded base, incised numbers and underglaze blue mark, 23cm high £150 - £250

457 Ernst Barlach for Meissen, Floating Godfather (Schwebender Gottvater), boettger stoneware figure, designed 1924, impressed marks and signed E Barlach, incised Meissen marks, Bottger Steinzeug 149 A1070, 53cm high £600 - £800

458

458 Ida Schwetz Lehmann for Augarten, an Art Deco figure of a Pierrot, model 1502, circa 1937, modelled as a clown standing on a pink and purple stripe painted sphere, holding a golden ball and begging, printed and impressed marks, 17cm high £80 - £120

ART POTTERY

459

459 William Moorcroft for James MacIntyre, a Florian Poppy and Tulip vase, circa 1899, long necked squat bulbous form, printed mark and underglaze green signature, 15.5cm high £200 - £300

460 William Moorcroft, a large Moonlit Blue vase, circa 1925, shouldered form, impressed marks and underglaze teal signature, 32cm high £2,800 - £3,200

461

461 A W N Pugin, a Gothic Revival encaustic tile, circa 1850, dust pressed with double monograms of Our Blessed Lady’s Name, on a green ground, between red borders of quatrefoil motifs, 15.5cm square

Note: examples of this tile were used in many of his ecclesiastical projects including St Mary’s Oscott £100 - £200

462 A George Jones Aesthetic Movement jug, circa 1870s, conical baluster form with relief moulded dragon handle, applied with coloured transfer prints of birds and foliage in the William Coleman style, the spout with a bat, highlighted in gilt, 31.5cm high

£80 - £120

463

463 Helen Miles for Wedgwood, a set of twelve Aesthetic Movement blue and white transfer printed plates, circa 1896, allegorical scenes of the months of the year within floral borders, 26.5cm diameter (12) £200 - £400

467 Christopher Dresser for Watcombe, an Aesthetic Movement terracotta and enamelled plate, circa 1885, unglazed circular form painted with blossoming branches, impressed marks, 16,5cm diameter £50 - £80

468

468 Christopher Dresser for Minton, a pair of Moonflask vases, 1875, glazed terracotta painted with ducklings to each side, signed to underside FEC, impressed marks, 16.5cm high (2) £150 - £200

464 An Aesthetic Movement art pottery plaque, circa 1880, monochrome painted in the PreRaphaelite manner with a woman collecting flowers, signed with initials A.A. l.r., 25cm diameter, within a cushioned velvet frame

£100 - £200

465 Christopher Dresser for Old Hall Earthenware Co., an extensive Aesthetic Movement Shanghai pattern dinner service, circa 1884, including dinner plates, tureens, side plates, bowls etc.

Note: examples of this service are in the collections of the Victoria and Albert Museum and the British Museum, amongst other £100 - £200

466

466 After Christopher Dresser for Linthorpe, a Torquay Terracotta Company Stapleton Ware art pottery jug, circa 1890, bulbous gourd for with elongated pulled lip and loop handle, sgraffito decorated with Aesthetic Movement honeysuckle motifs and banding, brown over canary yellow glaze, impressed marks, 25cm high

Note: after purchasing the Linthorpe Pottery moulds of Christopher Dresser’s designs from auction in 1890, Torquay showcased their new production of Dresser’s designs under the Stapleton Ware name at the 1890 Torquay Exhibition. £100 - £200

469

469 Christopher Dresser for Minton, an Aesthetic Movement vase, circa 1870, round cylindrical beaker form, supported on three pierced and knotted angled baluster feet, decorated with Persian style carnation motifs and vines, applied with enamels on blue celeste ground, 12cm high £100 - £200

470

470 Christopher Dresser for Minton, an Aesthetic Movement jug, circa 1866, baluster form, decorated with a gilt band on pink and blue geometric flowers on angled vine, impressed marks, 30.5cm high £80 - £120

471 Christopher Dresser for Minton, an Aesthetic Movement vase, circa 1870, in the form of a Chinese bound scroll brush pot, bleu celeste ground with cloisonne key borders and relief moulded knotted scarf in the Japanese style, gilt rims, 15.5cm high

£200 - £400

472 William De Morgan for Sands End pottery, a red lustre vase, circa 1890, bulbous form, later silver plated rim, impressed marks, 21cm high £100 - £200

473

473 William De Morgan, two Carnation tiles, circa 1898, pink flowers and green foliage, impressed DM98 marks, 15.5cm diameter (2)

£200 - £400

474 William De Morgan, two Carnation tiles, circa 1890s, pink flowers and green foliage, impressed Sands End and DM98 marks, 15.5cm diameter (2) £200 - £300

475

476

476 Edwin and Walter Martin for Martin Brothers, a stoneware gourd vase, 1904, buttressed square section shouldered form, lobed to the lower section, horizontal sgraffito decoration in shades of brown, crystalline glazed mouth, incised marks 6-1904 Martin Bros London + Southall, 18.5cm high

Provenance: exhibited in Richard Dennis Martin Brothers Pottery exhibition, 1978, number 490 £500 - £800

475 Maw and Co, an Arts and Crafts red lustre dish, painted with a central bird and snake design within Persian style lappet border, the reverse with a salamander within foliate scroll border, 26cm diameter

£100 - £200

477

477 Edwin and Walter Martin for Martin Brothers, a stoneware gourd vase, 1901, shouldered form with five brown glazed buttress pilasters, vertical white slip striped over green, incised marks 4-1901 Martin Bros London + Southall, 13cm high

Note: exhibited in Fantasy and the Grotesque; an Exhibition of the Pottery of Robert Wallace and the Martin Brothers, Kinghams Auctioneers, March 2023, number 142 £600 - £800

478 Walter Fraser Martin for Martin Brothers, a hand raised stoneware gourd vase, 1904, shouldered form with for black matt glazed buttress pilasters, square flared mouth, incised marks New 5, WFM 1904, 9.5cm high

£200 - £400

479 Edwin and Walter Martin for Martin Brothers, a stoneware gourd vase, 1907, ovoid form, the rounded opening with pinched buttressing, pooled green dotted vertical stripes on beige ground, incised marks and dedication, 20.5.1907 HMK, Martin Bros London + Southall, 10.5cm high

Note: exhibited in Fantasy and the Grotesque; an Exhibition of the Pottery of Robert Wallace and the Martin Brothers, Kinghams Auctioneers, March 2023, number 120 £400 - £600

480 Edwin and Walter Martin for Martin Brothers, a stoneware gourd vase, circa 1910, square buttressed baluster form on circular foot, horizontal sgraffito decoration in shades of brown, incised marks Martin Bros London+ Southall, 9.5cm high

£400 - £600

478

479 480

481 Robert Wallace Martin for Martin Brothers, a characterful earthenware sculptural jar, modelled as a toad figure, circa 1895, in seated pose, the rotating head with wide grimace and squinting eyes, glazed in brown and blue, incised marks to the head Martin Bros London + Southall, 10cm high £4,000 - £6,000

482 Robert Wallace Martin for Martin Brothers, a stoneware grotesque sculptural inkwell, circa 1880, modelled as an amphibious four legged crab like creature, mouth open and legs bent, incised marks Martin Bros, London + Southall, 8cm high Provenance: Bonhams, London, 22nd Sept 2011, lot 399 £5,000 - £8,000

481

482

483 George Tinworth for Doulton Lambeth, a sprigged stoneware surprise frog jug, circa 1870, shouldered form with relief moulded tavern and hunting scenes to the exterior, the interior with a model of a frog, stamped marks, 14cm high £100 - £200

484 Ada Fimister for Doulton Lambeth, a faience painted biscuit barrel, circa 1882, decorated with three sepia roundels of birds within a monochrome ground of stylised maple leaves, plated mounts and handle, impressed Pinder Bourne marks, printed Doulton marks and painted monogram, 23cm high overall

Note: exhibited in the Richard Dennis Exhibition of Doulton Pottery, Part II, Fine Art Society, London 1975, lot 8; purchased directly by the current owners £100 - £200

485 George Tinworth for Doulton Lambeth, a stoneware seaweed jug, 1879, conical flagon form, sgraffito decorated and relief moulded with foliate tendrils, rosettes and strapped beaded bands, silver mounted, incised monogram, 24.5cm high £200 - £300

486 Mary Butterton for Doulton Lambeth, a faience oil lamp, ovoid urn form, painted with daisies between stylised floral lappet borders, mounted in gilt brass, with cranberry moulded shade, 36cm high to fitting £400 - £600

487 A Royal Doulton vase of foliate design, signed Francis C. Pope, 1915, impressed makers mark and date letter ‘P’ to base, 27cm high £80 - £120

488

488 Ellen Mary Rope, an Arts and Crafts relief moulded plaque, Periwinkle, modelled as a putto amongt the named flower, signed with monogram, 12.5cm x 9cm

Note: Rope previously worked for Della Robbia pottery in Birkenhead, having studied sculpture at the Slade School of Art £180 - £220

489

489 Mary Watts for Compton Pottery, an Arts and Crafts polychrome relief moulded Will o the Wisp plaque, 1912, modelled in relief as a winged putto with lantern, shielding their eyes, 10cm long, inscribed to the reverse with a personal inscription from Mrs G F Watts to her grand daughter £200 - £300

490 Mary Watts for Compton Pottery, a trio pendant, modelled in relief with three winged putti and banners inscribed hear no evil say no evil see no evil, polychrome painted, 5.5cm long £100 - £200

491 Dean for Thomas Forester and Sons, an Art Pottery slip decorated vase, circa 1910, waisted form, decorated with magnolia flowers on a teal blue ground, signed, printed marks, 28.5cm high

£40 - £70

492

492 Evelyn Hope Beardmore for Bernard Moore, an Arts and Crafts lustre bowl, the centre painted with a red deer in iridescent woodland, within foliate leaf border, artist monogram and signed, 26cm diameter £400 - £600

£200 - £300

493 Ruskin Pottery, a lavender lustre lily vase, 1915, flared cylindrical form, impressed marks, 30cm high

494 Ruskin Pottery, a small white glazed reticulated ginger jar and cover, 1911, pierced with heart petalled rosettes to the shoulder, impressed marks, 8.5cm high

£200 - £250

495 Ruskin Pottery, a Souffle glaze and vine painted vase, 1917, shouldered form, blue and green, impressed marks, 18.5cm high

£200 - £300

496

496 William Howson Taylor, Ruskin, a Hares Fur type Souffle glazed silver mounted bowl, 1902, footed form, decorated with stylised waterlily plans in a blue pond, the rim marked for Stainton Brothers, Birmingham 1902, scissor marks, 22cm diameter

£300 - £500

497 Ruskin Pottery, a Kingfisher lustre vase, 1923, footed trumpet form, iridescent fruit skin glaze, impressed marks, 17cm high

£300 - £400

498 Ruskin Pottery, a souffle type glaze vase, 1908, bulbous form with elongated neck, green yellow spotted turquoise, impressed marks, 21cm high

£300 - £400

499 Ruskin Pottery, a Souffle glazed vase, 1907, baluster form, mottled blue, impressed marks, 23cm high

£300 - £400

500 Lewis Foreman Day for Pilkington, a set of four floral tiles, painted with red lilies, on a blue ground, impressed marks, 15.5cm square (4)

£80 - £120

501 Pilkington, three Royal Lancastrian orange vermillion glazed vases, shouldered and ovoid forms, including shape 2369, 23cm high (3)

£100 - £150

502

502 Edith McDermott for the Irish Art Workers Guild, an Irish Arts and Crafts Gaelic House Warming ceramic bowl, enamelled in relief with four knotted zoomorphic roundels on a green ground with yellow banding, below a Celtic script motto in Gaelic, 23cm diameter

£100 - £200

503

503 Frederick Rhead for Foley, an Intarsio jardiniere, squat shouldered form, decorated with a stylised band of geese in a landscape between floral scroll borders, printed marks, 11cm high

£250 - £350

504 George Logan for Foley, a set of Glasgow School Arts and Crafts tea plates, circa 1915, including six side plates and a sandwich plate, each with geometric block design in the Secessionist manner, black and yellow, 23cm diameter (7) £100 - £150

505 Charles Vyse for Chelsea Pottery, Bacchus on a Goat, 1921, modelled as a Classical boy on a leaping mountain goat, encrusted with grapes, the base painted as a flower meadow, painted marks, 28.5cm high £600 - £800

506 Daisy Makeig-Jones for Wedgwood, a butterfly lustre bowl, the exterior decorated with oriental symbols, Z4827, 12cm diameter, together with a Siamese lustre cover (2) £40 - £70

507

507 Daisy Makeig-Jones for Wedgwood, a Fairyland lustre octagonal bowl, Bird in a Hoop interior around a central flaming roundel, the exterior in Castle on a Road, Dana pattern, Z5725, diameter £400 - £600

508

508 Daisy Makeig Jones for Wedgwood, a Fairyland lustre Dana bowl, small octagonal form, decorated with imps and toadstools to the interior, painted and printed mark Z5125, 9cm diameter £200 - £400

509

509 Keith Murray for Wedgwood, an Art Deo vase, footed cylindrical form, decorated with groups of incised concentric bands, grey turquoise over cream, printed marks, 20cm high £80 - £120

510

510 Keith Murray for Wedgwood, an Art Deo vase, footed cylindrical form, decorated with evenly spaced incised concentric bands, grey turquoise over cream, printed marks, 18.5cm high £80 - £120

511 Vanessa Bell for Clarice Cliff, a Harrods Exhibition twin handled bowl, 1934, footed ovoid form with inverted rim, painted with interlocking dotted circles and crosshatch band, below green beaded border, printed Bizarre marks and facsimile signature, 19cm wide £70 - £100

512 Clarice Cliff for Wilkinson, a Citrus Nuages dish, circular form with inverted rim, concentric black banded rim, printed Bizarre marks, 10cm diameter £80 - £120

513

513 Clarice Cliff for Newport Pottery, an Orange Roof Cottage bowl, orange band to the lower half, yellow interior rim, printed Bizarre marks, 18.5cm diameter £150 - £250

514

514 Clarice Cliff for Wilkinson, an Orange Trees and House pin dish, shallow circular form, Famtasque marks, 7.5cm diameter £80 - £120

515 Clarice Cliff for Wilkinson, a small Capri dish, high sided circular form, printed Bizarre marks, 9.5cm diameter £80 - £120

516 Clarice Cliff for Newport Pottery, a small Florette pin dish, shallow circular form, with concentric ring centre, printed Bizarre marks, 7.5cm diameter £80 - £120

517

517 Clarice Cliff for Newport Pottery, a novelty cocoa pot, in the form of a chicken, printed Bizarre marks 16cm high £100 - £150

518

518 Clarice Cliff for Newport Pottery, an Aurea ginger jar and cover, ovoid form, printed Bizarre marks, 21cm high £200 - £300

519 Clarice Cliff, a duck handled and brass egg cup stand, the central ceramic figure painted in yellow, on a German planished brass dish, 16cm diameter £60 - £100

520

520 Clarice Cliff for Wilkinson, a Coral Firs Biarritz plate, rectangular, printed Bizarre marks, 26.5cm wide £100 - £150

521 Clarice Cliff for Wilkinson, a May Blossom tea for Two set, Bonjjour shape, including teapot, jug and bowl, two conical cups and saucers and tea plate, printed Clarice Cliff marks and painted May Blossom, 13.5cm high (8) £600 - £800

522 Clarice Cliff for Newport Pottery and Wilkinson, a Crocus Conical tea for two set, including teapot, jug and bowl two cups, two saucers and a plate, Bizarre marks, teapot 20cm long £100 - £200

523 Clarice Cliff, a collection of Wilkinson and Newport pottery, including Blue Japan pepper pot, Secrets saucer, Melon tea cup, Pansy trio, Coral Firs tea cup, Biarritz, Bizarre and Fantasque marks

£80 - £120

527 Paragon China, Pussys Flying Stunt, a selection of illustrated tableware, comprising tea cup, 7.5cm, coffee can 6.5cm, side plate 15.5cm, saucer 14cm diameter and bowl 18cm diameter, each with verse and signatures for Latham and Mary Irving (5) £80 - £120

524 A John Steventon, Royal Venton Ware novelty three piece circus elephant tea set, comprising elephant teapot and lid with figural finial, milk jug and sugar bowl, makers marks to underside, 20cm long (3)

£80 - £120

525

525 Hilda Cowham for Shelley, an Art Deco three piece nursery tea set, comprising teapot and lid in the form of a tent, milk jug in the form of a sea shell and sugar bowl as a beach bucket, each with seaside illustrations of children at play, artist facsimile signature with makers mark to base, teapot 15.5cm high (2) £120 - £180

526

526 Paragon China, from the Beatrice Mallet series, two circular baby’s plates, with printed child illustrations, 16.5cm diameter, makers marks with facsimile artist signature (2) £80 - £120

528 After Walt Disney for Paragon China, four Disney cups, circa 1934, two marked to the underside A Christmas Gift from HRH the Duchess of York December 25th 1934, each with Mickey and Mini Mouse characters, printed and painted, 7cm high (4) £80 - £120

529 After Walt Disney for Paragon China,a selection of Disney tableware, comprising two cups and saucers featuring Mickey Mouse, the cups 7cm high, one saucer with Thomas Goode retail mark, printed makers marks with Walter E Disney facsimile signatures (4)

£80 - £120

530 Paragon China, from the Beatrice Mallet series, a selection of tea wares, comprising three side dishes and three cups illustrated with child subject matters and verses, printed marks and facsimile signatures (6)

£80 - £120

531 After Walt Disney for Paragon China, a selection of Disney tea wares, comprising two bowls, 14cm diameter, a coffee can and saucer and a coffee can with octagonal side dish 12cm diameter, printed with Mickey Mouse characters, makers marks with facsimile Walter E Disney signature (6) £100 - £150

532 Paragon China, from the Beatrice Mallet series, two baby’s plates, with shooting and golfing subject matters, 21.5cm diameter, makers marks with facsimile artist signature (2) £120 - £150

533 Paragon China, from the Beatrice Mallet series, a harlequin set of six illustrated tea cups and saucers, with child subject matters, orange and blue rims, printed marks with facsimile signature, three cups with printed inscription a Christmas Gift from HRH the Duchess of York December 25th 1934, cups 7cm high, saucers 13.5cm diameter (12) £120 - £180

534

534 Paragon China, from the Beatrice Mallet series, a set of six octagonal side plates, with child illustrations, makers marks with facsimile artist signature, orange rims, 15cm diameter (6) £120 - £180

535 After Walt Disney for Paragon China, a selection of Disney table wares from the Mickey Mouse Series, comprising four octagonal side dishes, 15cm diameter and two sandwich plates 21cm diameter, printed makers marks with facsimile Walter E Disney signature (6) £120 - £180

536 After Walt Disney for Paragon China, a Mickey Mouse babys plate, Three Blind Mice, oval form, facsimile signature for Walter E Disney, blue rim 21cm wide, £120 - £180

537

537 Af ter Walt Disney for Paragon China, a Mickey Mouse baby’s plate, 21cm wide, a bowl 14cm diameter, a saucer 14cm diameter, two side plates 15.5cm diameter and a sandwich dish 21.5cm diameter, printed makers amrsk with Walter E Disney facsimile signature (6) £120 - £180

538 Paragon China, Pussy’s Flying Stunt, two china trios, comprising two cups, two saucers and two side plates, 7cm high, illustrated with verses and signatures after Handley Page, Latham and Mary Irving, coloured rims, makers marks (6) £120 - £180

STUDIO POTTERY

539 Micki Schloessingk, a studio pottery dish, square dished slab form on four feet, incised and salt glazed, impressed seal mark, 17cm square £50 - £100

540

540 Philip Leach (British, 1947), a Springfield studio pottery globular vase, painted crabs against blue rings, signed, 25cm high £100 - £150

541

541 Sarah Walton, a studio pottery flower brick, cuboid form, incised diaper trellis designs to each side, the top pierced with holes, salt glazed, impressed seal mark, 10.5cm high £60 - £100

542 Phil Rogers, a studio pottery celadon glazed dish, circular form with everted rim, sgraffito decorated with combed wave and dot design, impressed seal mark, 27cm diameter £100 - £150

543 Jane Hamlyn, a studio pottery salt glazed twin handled ramakin dish, cylindrical form, foliate moulded handles, impressed seal mark, 13cm long £60 - £100

544 Ono Kotaro (Brazilian, 1953), a three-sided bowl with reticulated sides, white glaze, signed, 26cm wide, boxed with leaflet £80 - £120

545 Phil Rogers, a studio pottery salt glazed stoneware dish, shallow circular form with incised claw print motifs to the centre, impressed seal mark, 24.5cm diameter

£100 - £150

538

£120 - £180

546 Dan Finnegan, a studio pottery stoneware sculptural bird lidded jar, the cylindrical shouldered body with incised decoration, the lid modelled in relief with a grotesque and characterful bird in the MArtin Brothers style, incised Edmond 2015, applied seal marks, 31cm high

547 Sylvia Morris, a studio pottery exhibition sculpture, Pig General, modelled as a characterful animal with medals, 66cm high

£150 - £250

548 Toff Milway, three studio pottery vessels, salt glazed, including a pedestal jug or sauce boat, a bartmannkrug style flagon and a pinched vase, impressed marks, 16cm high (3) £80 - £120

549

549 Phil Rogers, three studio pottery bowls, including a Japanese style banded beaker, a combed saltglazed bowl and celadon bowl, impressed seal marks, 15cm diameter (3)

£80 - £120

550

550 Phil Rogers, a studio pottery vase, shouldered and banded form, celadon glazed, impressed seal mark, 29cm high

£150 - £250

552

552 Michael Cardew for Wenford Bridge, a studio pottery handled dish and cover, circa 1950, squat rounded form, impressed pottery and personal seal marks, 18cm long £80 - £120

553

553 David Leach, an exceptionally large studio pottery vase, shouldered barrel form with everted rim, tenmoku glaze with caligraphic character motif, impressed personal seal mark 54cm high

£60 - £100

551 Ray Finc h for Winchcombe, a studio pottery jug, shouldered form with three moulded tongues to each side, tenmoku glazed, impressed seal mark, 22.5cm high

£1,000 - £1,500

554 Richard Phethean, a studio pottery jug, 1993, elongated barrel form, painted with calligraphic tulip motifs in blue on a brushed monochrome ground, painted marks, 28.5cm high £80 - £120

555 Alex Shimwell, a studio porcelain vase and cover, celadon glazed ovoid form with textured spiral design, the lid with turned elongated point finial, impressed seal mark, 17cm high £40 - £70

556 Carol McNicoll, a studio pottery slab dish, formed of three slip decorated panels on a rectangular base, painted with stripe and textured geometric designs, signed, 29.5cm long £80 - £120

557 Julian King Slater, a studio pottery vase, stone textured sculptural form of twisted baluster form, spot glazed and incised with circular motifs, impressed seal marks, 32cm high £100 - £200

558 Julian King Slater, a studio pottery vase, stone textured squat ovoid form, painted with geometric circle and open rectangle motifs, on a mottled pink and blue brush glazed ground, impressed seal marks, 17cm high £100 - £200

BRITISH CERAMICS

559 James Hadley for Royal Worcester, an Aesthetic Movement cabaret tea set, 1878, including large plank moulded tray, teapot, jug, covered bowl, four cups, slop bowl, three saucers and plate, decorated with Japanese geometric and naturalistic motifs including acer leaves, prunus, scrolls and block designs, highlighted in gilt, impressed and underglaze blue marks, 43cm long £100 - £200

560 William Powell for Royal Worcester, an Oasis painted centrepiece bowl, 1912, twin handled lobed boat form, decorated in the round with an extensive arid scene of pink flamingos watering, mountains in the distance, the handles in the form of winged lions, signed, green marks, 36cm long

See next page for illustration

£2,000 - £3,000

561 William Powell for Royal Worcester, a pair of Swamp painted plates, 1912, decorated with pink flamingos watering in misty lakelands, within relief textured carved sandstone effect foliate scroll borders, signed, puce marks, 23cm diameter (2)

See next page for illustration

£500 - £700

562 William Powell for Royal Worcester, a pair of Swamp painted plates, 1912, decorated with pink flamingos watering in misty lakelands, within relief textured carved sandstone effect foliate scroll borders, signed, puce marks, 23cm diameter (2)

£500 - £700

563

563 A Royal Worcester Mr Punch candle snuffer, circa 1881, modelled with green night cap, gilt tipped, printed green mark 9cm high £300 - £500

564 R Bennett for Royal Crown Derby, a rose painted pedestal bowl, boat form with scroll handles, floral bouquets to each side, within gilt foliate scroll cartouches, flaked by turquoise hexagonal chain link garlands, on a four bracket acanthus socle and splayed and stepped foot, beaded and gilded, signed, 14.5cm wide £100 - £200

565 A late Victorian imari porcelain scent bottle, in the manner of Royal Crown Derby, teardrop shape, bright-cut engraved silver screw top, hallmarked Birmingham 1889, 8cm long £80 - £120

566 A Royal Doulton dessert plate, circa 1905, decorated with raised and tooled gilt oak leaf swags and cartouches, beaded roundels with acorn branches alternating with birds in flight, on a green ground, museum acquisition number to the reverse, signed HB, 22.5cm diameter £120 - £150

567 A Royal Doulton blue children vase, underglaze painted transfer decoration, footed cylindrical form, children peering into a tree trunk, gilt rims, 29cm high

£100 - £150

568 A Royal Doulton figure, Abdulla, HN1410, turquoise seat and green turban, painted and printed marks, 15cm high

£300 - £500

569 A Royal Doulton Tiny character jug, Scott of the Antarctic, printed mark, 4.5cm high £100 - £150

570 A Royal Doulton Tiny character jug, Nancy, in yellow shawl with red hat band, printed mark, 4.5cm high £100 - £150

571 A Royal Doulton Tiny character jug, Gandhi, printed mark, 4cm high £100 - £150

572 A Royal Doulton Tiny character jug, Jesse Owens, printed mark, 4cm high

£100 - £150

573 A Royal Doulton Tiny character jug, Albert Einstein, in green jumper, printed mark, 4.5cm high

£100 - £150

574 A Royal Doulton prototype character jug, Uncle Sam, with Bald Eagle handle, printed Property of Royal Doulton Tableware marks, 17cm high

£500 - £800

575 A Royal Doulton limited edition flambe character jug, Confucius D7003, outside the numbered edition of 1750, 19.5cm high

£600 - £800

576 A Royal Doulton Prestige Tales of the Sea figure, Marina, 2004, modelled as a mermaid with shell, lustre glaze, together with Doulton figure HN2040, 22cm high (2)

£100 - £200

577 A Royal Doulton figure, The Potter, HN1493, modelled on a bracketed platform base, printed and painted marks, 18cm high

£200 - £300

578 Charles Noke for Royal Doulton, an Orange Vendor figure, HN1966, painted marks, moulded signature, 17cm high

£300 - £400

579 A Worcester blue and white teapot and cover, open crescent mark, circa 1770, bullet form painted decorated in the Rock Strata Island pattern

£40 - £60

580

585 A collection of tea ware including four Worcester black printed bowls and saucers, Milkmaids and L’Amour with RH Worcester marks, Country Scenes and Tea Party No 2, together with Derby puce mark coffee cup, Worcester monochrome and gilt coffee cup, late Liverpool fisherman coffee cup and a Caughley tea cup (8) £80 - £120

580 A Worcester blue and white covered butter dish on stand, crescent mark, circa 1770, oval form, printed with the Three Flower and Rose patterns, relief moulded and florally encrusted naturalistic branch handles to each, 19cm long, together with a ribbed tea bowl and saucer circa 1765 (4)

£150 - £200

581 A Worcester Dalhousie mug, crescent mark, circa 1785, cylindrical form, painted with a central oval landscape with cottage and river, within turquoise husk and gilt borders, between floral bouquets, 15.5cm high

£100 - £200

582

582 A Worcester black printed mug, circa 1765, Whitton Anglers to one side, after Robert Hancock, cylindrical form, 12cm high

Provenance: Perry Collection label underside

£300 - £500

583 A Worcester polychrome reeded teapot and a tea caddy, circa 1765, the barrel for pot with floral sprays, ogee handle, the canister of footed ovoid form with floral finial, 17cm high (2)

£100 - £150

584

584 A Worcester polychrome tea cup and saucer, circa1765, Gilt Floral Queens pattern, possibly James Giles decorated with floral garlands above butterflies and moths, pseudo Meissen 9 marks, 8cm high £80 - £120

586

586 A Lowestoft blue and white sucriere and cover, open crescent mark, circa 1775/80, printed with Three Flowers pattern, Klaber and Klaber label, 13cm high £100 - £150

587

587 A Bow porcelain figure of a lion, circa 1750, blanc de chine, modelled with one paw on a tree stump, sitting on a rocky outcrop, 10cm high

Note: see Gabszewicz, A., 2000, Made at New Canton, p.104, fig.93 for an example of this model £200 - £400

588 An 18th century Wedgwood creamware plate, ogee fluted border, printed in Liverpool with the Fancy Birds pattern, 24cm diameter £40 - £70

£400 - £600

589 A large 18th Century creamware Farmers Arms pitcher, named for William Fowler, barrel form, black printed with coat of arms, the reverse with a pastoral Harvest scene of farm folk and hay bails, 29cm high

590 A Leeds Pottery creamware jug and cover, circa 1770, footed baluster form with entwined strap handle and sparrow beak, relief moulded floral finial, impressed marks, together with a Chatilly type barrel form cup, 15cm high (2)

£100 - £150

591 Two 19th Century Jackfield cow creamers and covers, gilt decoration, on oval plinths, 12cm high, a cow creamer and cover with brown glaze and gilt detail, oval plinth, a Delft style cow creamer, a Burleigh Blue Calico cow creamer and a blue transfer printed cow creamer (6)

£50 - £100

592 A late 18th Century Staffordshire creamware mug, circa 1790, ‘Old Women Ground Young’ sepia transfer after Cruickshank, 10cm high (a/f) £50 - £80

593

593 An early 19th Century Prattware cow creamer and cover, milkmaid and pail beneath, the cow with ochre and black sponged decoration, on a shaped plinth with green glazed stripes, the milkmaid with an ochre shawl and blue skirt, 12cm high, 17cm wide

£100 - £200

594

594 A Victorian Staffordshire cow creamer and cover, brown sponged and black details, on an oval plinth, 12cm high, 16cm wide, and an early 19th Century cow creamer and cover, possibly Cambrian or South Wales pottery, pink lustre and iron red patches, on a green plinth, 14cm high, 19cm wide (2) £150 - £200

595

595 An early 19th Century Yorkshire pottery cow creamer, mottled red, brown, and black sponged glaze, on a raised rectangular plinth with sponge red border, 14cm high, 19cm wide £200 - £400

NOTES

NOTES

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Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES

(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.

(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.

(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.

(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

(e) All other terms are self-explanatory.

6. FORGERIES

Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY

Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES

Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS

1. INTERPRETATION

In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.

2. WARRANTY

The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION

Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT.

4. REMOVAL COSTS

Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. LOSS AND DAMAGE OF GOODS

a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.

b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS

The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION

Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

8. RESERVES

a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.

b) A reserve once set cannot be changed except with our consent.

c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS

These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS

The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS

Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS

If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS

These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE

You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST

You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE

We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT

Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS

1.

INTRODUCTION

The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2. AGENCY

As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER

The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION

Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES

There is a buyer’s premium of 25% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX

Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME

This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT

Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

Payment Methods

We accept payment by:

Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques.

Debit cards accepted - we do not accept any credit cards.

Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to:

HSBC Bank, Bridge St, Evesham WR11 4RU

Account no.: 51655345

Account name: Kinghams Auctioneers Ltd

Sort code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING

Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com

We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10. TRANSFER OF RISK

Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS

If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name

Address

Email address

Contact telephone numbers

The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards

Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE

BIDS

Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION

Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION

Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS

These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS

Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH

We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES

A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.

The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.