Kinghams Auctions by Jamm Design Ltd

FINE & DECORATIVE ARTS Thursday 7th & Friday 8th March 2024

FINE AND DECORATIVE ARTS To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ THURSDAY 7TH & FRIDAY 8TH MARCH 2024 Viewing Tuesday 5th March – 10.00am to 5.00pm Wednesday 6th March – 10.00am to 5.00pm Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham

John Keightley

Allison White

Adrian Rathbone

Director

Associate Director Senior Valuer and Cataloguer

Auctioneer, Valuer and Photographer

Associate Director

Sarah Powel

Eric Belgrave

Office Administrator

Photographer

Mark Oliver

Steven Bruce

Consultant Decorative Arts Specialist

Consultant Valuer

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue. Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection. Telephone: 01608 695695 Mobile: 07976 919836 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

MAP AND DIRECTIONS Our auction site is based in the market town of Moreton-in-Marsh on the edge of the Cotswolds. By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accomodation www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation. For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 25% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com. Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - following 5 working days clearance. • Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £200 on credit card. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

CONTENTS Day One Jewellery, Watches and Coins

1 – 67

Silve

68 – 115

Metalware and Applied Arts

116 – 178

20th Century Figures

179 – 202

Portrait Miniatures

203 – 239

Works of Art

240 – 330

Militaria

331 – 336

Books and Prints

337 – 370

Paintings

371 – 496

Furniture

497 – 541

Clocks

542 – 552

Day Two Oriental

553 – 634

Glass

635 – 785

Continental Ceramics

786 – 830

Art Pottery and Ceramics

831 – 894

British Ceramics

895 – 1011

Staffordshire

1012 – 1093

DAY ONE

JEWELLERY, WATCHES AND COINS 7. A Scottish silver Gordon Highlanders badge, Thomas Kerr Ebbutt, Edinburgh 1953, modelled in relief with the stag and ducal coronet within ivy wreath and banner embossed Bydand, 6.5cm diameter, 44.5g £50 - £80

14. An early 19th century paste and silver brooch, the central rock crystal cabochon painted to the reverse with the arms of Portugal and inscribed v as armas de Portugal, 3.5cm long, 5.61g £30 - £50 15. A freshwater Tay pearl stick pin, 9ct gold, Birmingham 1982 £100 - £200

1 1. A gold and split pearl brooch, in the form of a crescent and flower, 4.5cm long, 3.7g £40 - £70 2. Links of London, a silver gilt necklace, the geometric block pendant on a gilt chain, 50cm long, 9.6g, in original box £30 - £50

16. An 18 carat gold, diamond and emerald ring, the central green stone flanked by two rose cut diamonds, size O, 2.1g £80 - £120

8. A 15 carat gold and diamond set stick pin, modelled as a foxes head set with diamond chip eyes, 5.5cm long, 2.6g £40 - £60 9. A 19th century gold mounted agate brooch, oval form with plain frame, 3.2cm, long 12.8g £80 - £120 10. Four 9 carat gold bracelets including a peridot set example, heart shaped link examples etc., 12.7g (4) £100 - £150 11. A 19th century oval portrait brooch, bust of a gentleman wearing a ruff, on ivory, in a yellow metal open-scrollwork mount, 2.5cm by 2.3cm.

3 3. An Elizabeth II 9ct gold model of The Flying Horse of Kansu, limited edition No.8/100, London 1973, mounted on a bowenite plinth, 8cm high, with an authentication certificate. Note: commemorates the Chinese Exhibition of Art Treasures at the Royal Academy, London 1973-1974 £700 - £1,000

Note: Ivory Exemption Certificate No. NXNJCF3K £80 - £120 12. An antique circular portrait brooch, 18th Century lady in profile wearing a hat with pink feathers, on ivory, in a yellow metal brooch mount, 3cm diameter.

17 17. An Edwardian diamond and opal ring, on 18 carat gold, pave set with old cut and cabochon stones, size Q, 2.3g £80 - £120 18. A 9 carat gold and ruby locket pendant, oval form, set with pink stone centred flowers, within ropetwist bands, 4.5cm long, 6.8g £60 - £100 19. A Regency garnet brooch, oval form, set with closed back facet cut red stones, 2.5cm, 2.9g £60 - £100

Note: Ivory Exemption Certificate No. YMRRC84D £70 - £90 13. A collection of gem set jewellery including citrine ring and earring set, sapphire and ruby earrings etc £70 - £100

4 4. A 9 carat gold hunting bar brooch, in the form of a riding crop and fox mask, 5.5cm long, 2.9g £40 - £70

20 20. A gold and sapphire brooch, two interlocking rings of facet cut blue gem stones, 3cm long, 6.1g £100 - £150

5. An 18ct gold square-shape diamond single-stone ring, diamond estimated weight 1ct, J-K colour, I1 clarity, hallmarks for Birmingham, ring size O, 3.5g £400 - £600 6. An 18k gold opal and ruby cluster ring, ring size Q 1/2, 5.8g £120 - £180 14

21. Gold jewellery including a William IV mourning pendant, chased foliate frame with engine turned back engraved Alice, the glazed and opalescent backed window with lock of hair embellished with split pearl and gold wire, together with a chain and a cameo brooch, 30.1g (3) £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

29 29. An Arts and Crafts silver and green stone set brooch, the central heart shaped gem within a winged knotted tendril frame, marked sterling, 4cm long, 3.6g £30 - £50

35 35. Alexander Ritchie, a Scottish Arts and Crafts Iona silver brooch, Iona Celtic Art, circa 1930, cast and reticulated as galleon in full sail, within a rope border, stamped marks ICA Iona, Scotland Sterling, 2.5cm diameter £40 - £70

22 22. A silver gilt malachite pendant, with 14ct gold chain, the chain weight 3.7g, pendant 6cm long £80 - £120 23. A 9ct gold rope-twist bracelet, with charm in the form of a Persian slipper, 18cm long, 5.3g £80 - £120 30 30. An Arts and Crafts Ruskin set brooch, the circular plaque set in a shield form frame with knotted ropetwist tendrils and double bars, 3.5cm wide, 7.7g £30 - £50

31. Charles Horner, an Arts and Crafts silver and green gem set brooch, Chester circa 1910, knotted ribbon tendril form with central cut stone, 3cm long, 3g £30 - £50

24. A 9 carat gold aquamarine and pink tourmaline spider brooch, modelled with facet cut gem body and head, 2cm diameter, 1.7g £60 - £80

32. Three Arts and Crafts silver and enamelled brooches and pendant, including Charles Horner and James Fenton, 11g (3) £30 - £50

25. A silver and coral necklace, possibly Central American, the heart shaped pendant of concentric ropetwist and wire design on a beaded and multi stranded necklace, 44cm long £40 - £70

33. An Arts and Crafts silver and enamelled brooch, Smith and Ewen, Birmingham 1909, the central roundel with twin bar wings, in blue, green and orange enamel, 4cm long, 4.2g £40 - £70

26. A Scottish hardstone and silver brooch, H Wright and Son, Edinburgh 1966, set with a carnelian agate cabochon within bloodstone and red hardstone petals, foliate chased border, 3.5cm long, 8.9g £20 - £40 27. A Diamond set gold stick pin, knotted ropetwist head set with single rose cut stone, in fitted velvet lined Morrocan leather case £60 - £100 28. A Victorian Aesthetic Movement white metal locket on chain, incuse embossed with ferns and birds to one side, the other with prunus and swallow, pendant 5.5cm, 40g £40 - £60

36 36. Marius Hammer, a Norwegian silver gilt and enamelled pansy brooch, purple basse taille petals with white and yellow highlights, stamped marks, 3.5cm long, 8.5g £40 - £70

34 34. Two Arts and Crafts brooches, including a silver and abalone shield form example, planished with applied monogram and initial, the other with a blue green enamel plaque, 3.3cm diameter, 18g (2) £40 - £60

37. An Arts and Crafts 15 carat gold and turquoise brooch, oval form with stylised buds, in split pearl and turquoise cabochons, 2.5cm long, 3g £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

41. Archibald Knox for Liberty and Co, an Arts and Crafts gold and blister pearl set brooch, model 1288, circa 1903, the oval plaque set within a knotted tendril frame, 2.5cm long, 2.9g £150 - £250

38 38. A Danish Skonvirke silver and amber brooch, Grann and Laglye, Copenhagen circa 1906, embossed foliate scroll cartouche form with central cabochon within beaded border, with bell form drop, stamped marks, 6.5cm wide £50 - £80

42 42. Jessie M King for Liberty and Co., a Cymric Arts and Crafts silver and enamelled brooch, Birmingham 1901, boss form with stylised radiating foliate seed pods around a central mother of pearl cabochon, blue turquoise enamel ground, 3.2cm diameter, 8.1g £180 - £220 39 39. A Norwegian silver gilt and enamelled butterfly brooch, basse taille and guilloche wings in pale and dark blue, ochre body, stamped 830, 6cm long, 9.8g £80 - £120

45. Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1912, the central shield form plaque with open knotted tendrils, embossed rivet decoration around an oval in blue green enamel, suspended from a triangular plaque, further drop below, 8.5cm long, 8.8g £180 - £220

43. Murrle Bennett, an Arts and Crafts silver and enamelled brooch, lozenge form with coiled and knotted open tendrils between two panels of blue green enamel, 4.8cm long, 3.4g £180 - £220

46. Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1909, the embossed foliate lily pad pendant in blue green enamel, suspended from a triangular plaque, a further drop below, 6.5cm long, 7.6g £180 - £220

44. Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1909, the central pendant with open Celtic knotted tendril and blue green enamel panels, suspended from a triangular plaque, a further drop below, 7cm long, 7.4g £180 - £220

47. Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1909, Aztec buffalo head form with champleve plaques in blue green enamel, suspended from a triangular link, with suspended drop below, 6.5cm long, 7.1g £180 - £220

40 40. Archibald Knox for Liberty and Co. an Arts and Crafts gold and amethyst brooch, model 1287, circa 1903, the central facet cut stone within a Celtic knotted tendril bud form frame, 2cm long, 2.9g Note: the design is illustrated in the Liberty silver sketchbook, p.3 £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

48. Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1908, the bisected branched wing pendant with central purple enamel roundel, cast with flowers, suspended from a triangular link in blue and green, a further drop below, 7cm long, 7.2g £200 - £250

51. James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1910, the foliate cartouche form plaque set with a pear shaped mother of pearl between blue green guilloche enamel panels, suspended from a poppy head link, with further yellow drop below, 6.5cm long, 11.6g £300 - £350 52. Murrle Bennett and Co., an Arts and Crafts silver and enamelled pendant, spear head form with open Celtic knot corners, central oval plaque in purple, green and blue enamel, 5cm long, 10.4g £350 - £450

53. Child and Child, an Arts and Crafts silver gilt and enamelled butterfly pendant, basse taille green enamel wings, set with sapphire eyes, stamped daisy mark, 3.5cm long £400 - £600

56. A 1960s gold plated chronograph wrist watch, dial signed BKN DE LUXE, manual wind movement Landeron 48, fitted to an unsigned black leather strap with gold plated pin buckle, case measures 36mm £150 - £250 57. A 9 carat gold ladies wristwatch, circa 1930, together with a Rotary gold plated watch (2) £50 - £80 58. A Dunhill gold plated rollagas lighter, hobnail decoration, in original case with paperwork £30 - £50

49 49. James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1906, the main shield form plaque cast in relief with a band of waterlily flowers in green enamel on a blue green watery ground, a bisected drop below, 4cm long, 7g £200 - £250 50. Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1908, the heart shaped pierced wing form plaque with rusticated champleve polka dot enamel in pale blue, central amethyst, suspended from a triangular link, a further drop below, 6cm long, 5.4g £200 - £300

59. Elizabeth II, A Proof Gold Sovereign, 1980, with a certificate in a green presentation pouch £250 - £350 60. Elizabeth II, a 1984 gold proof full sovereign, in Royal Mint case of issue with certificate, 8.00g £250 - £350

54 54. Rhoda Wagner (attributed), an Arts and Crafts 9 carat gold and opal pendant, H P, the oval stone within a diamond form ropetwist frame with chased leaves in yellow and white metal, suspended from a triangular plaque, on chain 5cm long, 6.5g £400 - £600

61. Elizabeth II, a 1985 gold proof full sovereign, in Royal Mint case of issue with certificate no 10658, 8.00g £250 - £350 62. Elizabeth II, a 1957 Gillick gold proof full sovereign, in Harrington & Byrne case of issue with certificate £250 - £350 63. Elizabeth II, a 2017 gold proof full sovereign, obverse portrait by Jody Clark, in Royal Mint case of issue with certificate no 01250 £250 - £350 64. Elizabeth II, a 2015 gold proof full sovereign, obverse portrait by Ian RankBroadley FRBS, in Royal Mint case of issue with certificate no 3585 £250 - £350

55 55. A gold and pearl modernist brooch, two paddle flaps flanking a row of graduated claw set pearls with two single cut white stones, 5cm long, 7.1g, in associated Cartier box £100 - £200

65. Elizabeth II, a 2016 gold proof full sovereign, obverse portrait by James Butler MBE RA, in Royal Mint case of issue with certificate no 2471 £250 - £350 66. Two George III 22ct gold half guineas, 1801 and 1804 (2) £500 - £800 67. George III, an 1820 gold full sovereign coin, with Royal Mint sealed coin holder, 7.9g £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

SILVER 68. A suite of George II Rococo silver tea caddies and sugar box, each of bombe form with four cast and applied shell feet, decorated with foliate scrolls, flowerheads and Chinoiserie elements featuring figures and a temple, each detachable cover with figural finials, comprising seated figures and birds, with crest of a ship with motto above, “By Industry We Prosper” identified for Gavin or Gavine, the three pieces fully hallmarked to the underside of the base, London 1751, Samuel Herbert & Co, ensuite with a walnut fitted case, with key and working lock, atop four ball and claw bracket feet, the hinged stepped cover with silver swing handle, escutcheon and hinge-plates all marked with sponsor’s mark and lion passant, possibly slightly earlier in date than the caddies, Gawen Nash c.1745, length of walnut fitted case 31cm, height of sugar box 13.5cm, combined silver weight 792g/25.46ozt approx £5,000 - £6,000 68 69. A Victorian fitted dressing case, of rounded rectangular form in brass bound coromandel, with recessed side carrying handles, the interior with amethyst coloured velvet lining, two cantilever trays containing six round and ten rectangular hobnail cut glass containers all with sterling silver-gilt tops decorated with applied initials in turquoise and seed pearls, ‘MIB’, by William Neal and hallmarked, London 1870, ensuite with a matching hallmarked silver-gilt medicine spoon and double-ended scent bottle, also including a gilt metal manicure set, sewing set, horseshoe-shaped boudoir clock, hand mirror, two smaller dental mirrors, in addition to a dressing table mirror which is recessed into the interior of the hinged cover and accessed by depressing the push-button release, a further two leatherlined drawers are accessed with push-button release, with key, height 23.5cm, length 30.5cm, width 40cm approx £7,000 - £9,000 70. An Austrian novelty silver mounted and boars tusk cigar cutter, Georg Adam Scheid, Vienna circa 1900, the full size tooth mounted with a realistically cast and chased boars head, set with ruby cabochon eyes, mouth open, the snout forming the cutter, 26.5cm long £700 - £900 71. A Victorian silver scent bottle, Sampson Mordan, London 1888, wrythen fluted cylindrical form, hinged lid and glass stopper, 5.3cm high, 1.72ozt £40 - £70 72. A Norwegian Aesthetic Movement silver serving spoon, Marius Hammer, Bergen 1888, the wide oval bowl on an octagonal section stem, the diamond leaf finial with bright cut foliate decoration, 19.5cm long, 1.32ozt £30 - £50 73. A pair of French Aesthetic Movement silver plated candlesticks, Christofle, Paris circa 1880, turned baluster form, incuse engraved with bands of stylised iris and daisy motifs, stamped marks, 16cm high (2) £150 - £200

74 74. Christopher Dresser for Elkington and Co., a silver plated jug, 1903, domed sugarloaf form with conical neck and angled spout, with tapered hollow handle, stamped marks, 19.5cm high See: Victorian and Albert Museum for an example of this jug £1,000 - £1,500 75. After Christopher Dresser, an Aesthetic Movement silver and cut glass claret jug, Heath and Middleton, London 1898, the hobnail cut spherical body with plain cylindrical collar and angled tubular handle, 16.5cm high £120 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

76. Kate Harris for William Hutton, an Arts and Crafts silver box, London 1904, cuboid form with hinged lid, cast in relief with a profile roundel of a woman in a cap, between foliate banners, gilt interior, 11.5cm long, 3.38ozt £200 - £250

79. Kate Harris for Goldsmiths and Silversmiths Company, an Arts and Crafts silver twin handled dish, London 1901, flared cylindrical form with whiplash tendril handles, embossed in relief with a band of stylised flowering trees, 15cm long, 5.15ozt £200 - £300

77. Kate Harris for W G Connell, an Arts and Crafts silver and glass lined centrepiece dish, London 1900, oval form with wide strap handles cast with stylised buttercups, the band of reticulated flowering trees set with two panels of girls with floral bouquets, with green glass liner, on four squat domed feet, 36cm long, 15.29ozt £1,500 - £2,000

78 78. Kate Harris for William Hutton, an Arts and Crafts silver twin handled beaker vase, London 1905, planished conical footed chalice form with fret cut notches to the rim, the bisected coiled tendril handles united at the bowl, 16cm wide, 12cm high, 5.09ozt £200 - £300

80. Kate Harris for W G Connell, an Arts and Crafts silver twin handled pedestal bowl and cover, London 1901, the shallow planished bowl with undulating whiplash tendril strap handles emanating from a slender bowed stem and trumpet foot, the shallow ogee lid embossed with radiating budding tendrils, 24.5cm wide, 18.5cm high, 18.82ozt £1,500 - £2,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

87. Oliver Baker for Liberty and Co., a pair of Arts and Crafts silver salt cellars, Birmingham 1900, planished and wide brimmed twin handled squat urn form, 7cm long, 2.04ozt (2) £160 - £220

81 81. Kate Harris for William Hutton, an Arts and Crafts silver jewellery casket, London 1902, cuboid form, reticulated and embossed with a gallery of stylised flowering trees, the hinged lid with cushion, on pierced and cast foliate bracket feet, 16.5cm long, 9cm high, 9cm deep £250 - £350 82. An Art Nouveau silver plated and glass desk stand, probably American, the rectangular glass platform base with double bar gallery, two cuboid inkwells with hinged and embossed lids with knotted tendril and rose design, flanking a central calendar and pen rest, 33.5cm long £50 - £80

88 88. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled vesta case, William Hair Haseler, Birmingham 1913, applied with an interlocking leaf roundel in blue, green and blue enamel, 4.5cm long, 0.73ozt £140 - £180 Archibald Knox for Liberty and Co., an Arts and Crafts 89. silver and enamelled box, William Hair Haseler, Birmingham 1906, planished and cushioned cuboid form, the hinged lid with applied knotted tendril bud motif in blue, green and orange enamel, gilt interior, 9cm wide, 6cm deep, 4.6ozt £300 - £400 90. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled glass scent bottle, Birmingham 1904, cylindrical form, the domed lid with knotted tendril roundel in blue green enamel set with a turquoise cabochon stone, 6cm high £180 - £220

83 83. Charles Robert Ashbee for The Guild of Handicraft, an Arts and Crafts silver porringer bowl, London 1909, planished form with bisected tendril whiplash handle, set with a green chrysoprase cabochon, 18cm long, 4.56ozt £800 - £1,200 84. C R Ashbee interest, a personal copy of G F Watts book, from the library of C R Ashbee, given in 1905 by Alec Miller, with a letter by Miller Note: Glasgow born Miller worked at the Guild of Handicraft under Charles Robert Ashbee from 1902 until the dissolution in 1908, as head of the woodcarving and modelling division, after which he joined Will Hart in setting up Miller and Hart Architectural Sculptors and Carvers £40 - £70

85. Ashbee, C R, 1909 and 1974, Modern English Silverwork, new edition with facsimile of the original, cloth bound £60 - £100

91. A Scottish Arts and Crafts silver comport, Brook and Son, Edinburgh 1908, the shallow ogee bowl with two bisected whiplash tendril handles united on a knopped and stepped trumpet pedestal foot, 34cm wide, 27.64ozt £300 - £500

86. An Arts and Crafts silver handled copper bowl, William Hutton and Sons, Sheffield circa 1905, planished footed form with fluted channels, three bisected coiled tendril and S scroll handles, stamped marks, 16.5cm diameter £100 - £200

92. A E Jones, an Arts and Crafts silver spoon, Birmingham 1907, triangular planished bowl on a square section twisted stem with seal top set with a turquoise cabochon, 17.5cm long,1.06ozt £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

100

95. Richard Rathbone, an Arts and Crafts silver plated copper inkwell, model 676 circa 1903, planished with a flared drum well, riveted strap decoration and hinged lid, the base with a pen trough, 25cm wide £300 - £500 96. A North American Arts and Crafts silver and wooden molinet, in the style of William Spratling, circa 1950s, the chocolate stirring end with five coiled spirals, on an ebony shaft, stamped mark silver, 34cm long £40 - £60 97. Adrian Harlaar, an Arts and Crafts silver and gem set spoon, planished pear shaped bowl on square section stem with garnet cabochon finial, 13.5cm long, 0.42ozt £20 - £40 93 93. A E Jones, an Arts and Crafts silver three division toast rack, Birmingham 1918, planished wire construction, the square ends with embossed rosette corners, the central dividers united by a bisected scroll handle, on four ball feet, 10cm high, 2.63ozt £300 - £400

98 98. John F Banks for Keswick School of Industrial Arts, an Arts and Crafts silver tea caddy, Birmingham 1889, cuboid form with domed lid, repousse decorated throughout in the Mannerist style with foliate scroll panels of birds and masks, the hinged lid opening to reveal a gilt interior, stamped to the underside JB and inscribed to the inside lid ‘worked by J F Banks 1889’, 12cm wide, 11.5cm high, 9cm deep, 9.41ozt £800 - £1,200

99. Alexander Ritchie, an Arts and Crafts Iona silver caddy spoon, assay marks Shipton and Co., Chester 1945, the pear shaped planished bowl with stylised wave handle and sailing ship finial, 9cm long, 0.88ozt £80 - £120

94. After Jan Eisenloeffel, a pair of Arts and Crafts silver candlesticks, James Ramsay, Sheffield 1910, square section tapered form with embossed rivetted straps to the base section, shallow dished sconces, weighted, 22cm high (2) £1,000 - £1,200

100. Alexander Ritchie, an Iona Arts and Crafts silver letter opener, Glasgow 1929, in the form of a sword, the blade cast in relief with Celtic knot design, 22.5cm long, 2.50ozt £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

101. Alexander Ritchie, a Scottish Arts and Crafts Iona silver napkin ring, circa 1920, demilune form cast with Celtic knot band and central galleon shield, stamped AR Iona, 5cm wide, 0.56ozt £80 - £120

104 104. Keith Murray for Mappin and Webb, an Art Deco silver plated six division toast rack, circa 1934, the pentagonal dividers with central ring, united by stepped geometric bars, stamped marks W28157, 11.5cm long £50 - £100

102 102. An Art Deco silver cocktail shaker, Adie Brothers, Birmingham 1929, shouldered milk churn form with ogee domed lid, beaded borders and internal strainer, 22cm high, 14.58ozt £800 - £1,200

105. Keith Murray for Mappin and Webb, an Art Deco silver plated comport, circa 1933, circular dished form with stepped rim, engraved with a geometric overlapping chevron design, concentric ringed conical foot, W28485, Prince’s Plate, 23.5cm diameter £60 - £100

106 106. Keith Murray for Mappin and Webb, an Art Deco silver plated pedestal bowl, model W29504, circa 1935, the conical bowl with stepped rim engraved with a band of intersecting concentric circles, on a stepped conical base, 13cm diameter £50 - £80 107. Franz Bibus, a large Art Deco silver centrepiece bowl, circa 1935, planished with ogee fluting in the Secessionist style, 27cm diameter, 26.55ozt £300 - £500

103 103. Keith Murray for Mappin and Webb, an Art Deco silver plated cocktail shaker, circa 1933, shouldered conical form with bands of concentric rings, angled and stepped handle, the pouring spout with bayonet stopper and safety chain, slightly domed and stepped lid, stamped marks W27795, 22.5cm high £300 - £500

108. An Art Deco silver and enamelled clock, Charles S Green and Co., Birmingham 1930, square section, turquoise guilloche enamel stripe design with floral corners, 9.5cm £60 - £100 109. An Art Deco silver and enamelled clock, Turner and Simpson, Birmingham 1928, square section, engine turned with blue guilloche enamel ring, 8.5cm £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

110. An Art Deco 9 carat gold compact, Goldsmiths and Silversmiths Company, London 1937, circular, engine turned design, 7cm diameter, 60.8g £200 - £400

113. Henning Koppel for George Jensen, a Danish Modernist silver coffee pot, model no.1017, designed 1952, the pear shaped body with carved whiplash wooden handle, 16cm high, 23.88ozt £2,000 - £2,500 114. A Spanish Modernist silver and walnut three piece cruet, circa 1960s, including mustard pot, salt shaker and pepperette, each of a different conical form with silver lids, 9cm high (3) £60 - £80

111 111. A sterling silver gilt and enamel box, French import marks and makers marks circa 1900, circular form enamelled to all faces in pale blue guilloche, the lid removing to reveal a gilt interior, additionally stamped to the lid interior ‘sterling silver’, 8.5cm diameter, 7.36ozt £400 - £600

115

112. William Thomas Blackband, an Art Deco silver and enamelled box, Birmingham 1940, circular form, the lid with blue granite effect enamel scales and segments, 12.5cm diameter, 9.41ozt

115. Stuart Devlin, a novelty silver gilt and enamelled surprise Easter egg, London 1982, to commemorate the birth of Prince William, opening to reveal a child sitting on a shell holding a bouquet with ostrich feathers, boxed with the certificate, No.56/250, 6cm high £200 - £300

Note: William Blackband worked as head of the Birmingham School of Art 1924-1946 £150 - £200

113

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

METALWARE AND APPLIED ARTS 116. A Gothic Revival ecclesiastical gilt brass and gem set processional cross, 19th century, open and blind Gothic tracery in the style of A.W.N. Pugin, set with lapis, amethyst and other hardstones, 71cm high £150 - £200

124

120

117 117. A pair of Gothic Revival brass and wrought steel fireside companion tools, including shovel and pincers, twisted stems with cut and tooled geometric necks, the handles of diaper moulded brass with lobed and knotted rosette pommels, 75.5cm long (2) £200 - £300

120. W A S Benson, an Arts and Crafts brass and copper chamberstick, model 39a, circa 1900, the back plate repousse decorated with stylised tulips, bras handle and urn form sconce, stamped marks, 21.5cm high £400 - £500

124. Alexandre Bigot, an Art Nouveau pewter mounted art pottery inkwell, squat ovoid form, brown crystalline glaze, reticulated foliate scroll shoulder and blind fret decorated lid, 14cm diameter £500 - £800 125. WMF, a pair of Jugendstil silver plated candlesticks, buttressed square section trumpet form, pierced with honeysuckle motifs and scrolling winged brackets, ribbed sconces, stamped marks, 13cm high (2) £80 - £120

121. An Arts and Crafts brass Pullman type lamp, circa 1900, hexagonal section baluster form on a cabriole legged trefid base, 21cm high £50 - £80 122. Albert Kohler and Cie for WMF, a Jugendstil silver plated tray, circa 1900, twin handled octagonal oval form embossed with geometric diamond corners and whiplash handles, 61cm long £100 - £150

126 126. WMF, a Jugendstil silver plate and enamelled glass vase, the cylindrical beaker with band of rosettes and stripes in green enamel, supported in a reticulated cage of two maidens with sinuous knotted tendril hair, in the Art Nouveau style, on four bracket feet, 12cm high £60 - £100

118 118. Christopher Dresser for Coalbrookdale, an Aesthetic Movement cast iron andiron, circa 1870, the plinth base supporting a geometric open trellis of circles and stylised cornflowers below an angular rest bar, 20.5cm high £100 - £200 119. A pair of Arts and Crafts cast bronze fire dogs, int the form of stylised tulips, on serpentine front legs with hoof pad feet, 41cm high (2) £150 - £250

123

127. WMF, two silver plated figural bottle stoppers, one modelled as a boy in lederhosen, the other as a putto, stamped marks, 7cm high (2) £40 - £70

123. Joseph Reinemann, Munich, a Jugendstil pewter novelty inkwell in the form of a grotesque bird, with green ceramic liner, on three webbed feet, 11cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

138. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter pin dish, model 01263, square form with embossed Celtic knotted tendril handles, 13cm long £40 - £70

128 128. WMF, a Jugendstil silver plated card tray, model 196, oval form relief moulded with boy and girl, within an organic flowing tendril border, cast numbers, 28cm long £60 - £100

133 133. Just Andersen (attributed), a pair of Secessionist bronze candlesticks, circa 1915, hexagonal section and knopped stems on circular dished bases, wide brimmed sconces, 12cm high (2) £100 - £200

139 139. Archibald Knox for Liberty and Co., two Tudric Arts and Crafts pewter napkin rings, one with enamelled berry motifs, model 0919 and 0920, stylised knotted tendril designs, 5cm (2) £50 - £80 140. Archibald Knox for Liberty & Co, a Tudric pewter crumb scoop, circa 1905, half-moon form with integral handle embellished with leaves on sinuous whiplash tendrils, 0532, 25cm wide £60 - £80

134

129 129. WMF, a Jugendstil silver plated and ebonised cedar wood cigar box, cuboid form with hinged lid, open knotted tendril design backed with wooden panels, stamped marks, on bracket feet, 19cm wide, 11cm high, 14.5cm deep £400 - £600 130. WMF, a Jugendstil silver plated card tray, model 210, twin handled oval form relief moulded with a child staring at a snail on scrolling tendrils, stamped marks, 27.5cm long £70 - £100 131. Friedrich Adler for Orivit, a Jugendstil pewter dish, model 2178, circa 1905, ogee boat form, cast and reticulated in relief with sinuous tendrils and poppy flower handles, 27.5cm long £40 - £70 132. Albin Muller for WMF, a pewter bottle coaster, circa 1905, circular form with three stylised bird head handles, the frieze embellished with stylised trees, on three bracket feet, 11cm diameter, 8cm high £40 - £60

134. Antoinette Krasnik for K.K. Kunst Erzgiesserei, Wien, a Secessionist bronze letter opener, circa 1905, tapered form, the handle incised with geometric cube motifs, signed Krasnik and stamped marks 1482d, 22.5cm long Note: Croatian born designer Krasnik moved to Vienna in 1898, joining the workshop of Koloman Moser after studying at the Kunstgewerbeschule. Exhibiting at the 1901 London First International Studio Exhibition, much of her work had been attributed to Moser. Working in the Wiener Werkstatte tradition, she continued to design for companies such as Loetz and Bakalowits, before giving up her occupation in 1910. £100 - £200

141. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter twin handled mug, model 0929, ogee horizontally textured form, with loop handles terminating in bisected stylised leaf motifs, 10.5cm high £80 - £120 142. Birmingham Guild of Handicraft, four Arts and Crafts copper and brass dishes and trays, circular and domed form, possibly A S Dixon, together with another (5) £80 - £120 143. Frederick Shields, an Arts and Crafts patinated copper double inkwell, platform form with two open strap holders, with hinged compartment, the bracket legs of organic tendril and ball form, 34cm wide, 17cm deep, 10cm high £100 - £200

135. A pair of bronze Art Nouveau candlesticks, disc drip-pan on sinuous openwork stem to circular dished base with anthemion decoration and rounded square sconce, 21cm high (2) £100 - £150 136. Oliver Baker for Liberty and Co., a pair of Tudric Arts and Crafts pewter knife rests, model 0491, pierced with foliate scroll motifs, textured and buttressed gate form, stamped marks, 8.5cm long (2) £40 - £60 137. Oliver Baker for Liberty and Co., an Arts and Crafts Tudric pewter vase, model 030, planished waisted form with two wrythen handles, 18cm high £60 - £80

144 144. John Pearson, an Arts and Crafts copper fire curb, repousse embossed with stylised dragons with dogs heads, 125cm long, 33cm deep £350 - £450

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

153. Archibald Knox for Liberty and Co., a Tudric pewter teapot, 0231, squat form with rattan handle and skate feet, impressed marks, 25cm £120 - £140 154. Archibald Knox for Liberty & Co, a Tudric pewter tray, circa 1905, oval form with integral handles and stylised peapod border, impressed No.0311, 36cm x 25cm £150 - £200

145 155 145. Guild of Handicraft, an Arts and Crafts enamelled copper box, cushioned cuboid form, planished, the hinged lid set with a river landscape in polychrome enamel, 13.5cm long, 8.5cm deep £500 - £600

149. An Arts and Crafts copper charger, embossed and reticulated with sunflower design within a leaf border, in the Keswick style, 49.5cm diameter £80 - £120

146. Hugh Wallis, two large Arts and Crafts copper trays, one circular with ropetwist border, the other oval with central galleon, 55.5cm long (2) £40 - £60

156. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter tray, model 0231, planished and cast with knotted tendrils, 48cm long £200 - £300

150

147 147. A E Jones, an Arts and Crafts copper and silver tray, circa 1920, planished twin handled oval form with applied laurel and ribbon border and Tudor rose motifs, stamped marks, 2439, 52cm long £100 - £200

148 148. An Arts and Crafts copper and silver twin handled bowl, planished footed form with mixed metal ropetwist bands and beaded studs, two channelled S scroll handles, 8.5cm high £80 - £120

155. An Arts and Crafts copper lidded ink casket, planished cuboid form with tapered obelisk legs, the sides repousse embossed with motto Say What You Mean and Mean What You Say, the hinged lid with asymmetrical straps, opening to reveal two pewter inkwells and a pen trough, 20.5cm wide, 5cm high, 11cm deep £200 - £300

150. A pair of Arts and Crafts brass candlesticks, in the style of C F A Voysey, 1906, each with three vertical strap legs terminating in triangular feet, supporting circular trays and urn form sconces, stamped design registration numbers 440700, 15cm high (2) £80 - £120

157. Archibald Knox for Liberty and Co., a pair of Tudric Arts and Crafts pewter and turquoise cabochon set trays, model 0163,, bread rimmed circular form, cast in relief with knotted tendril and leaf motifs above an off centre stone, 25.5cm diameter (2) £200 - £300 158. Archibald Knox for Liberty and Co., a Tudric three piece teaset, 0231, squat form with rattan handle and skate feet, impressed marks, comprising teapot, milk jug and twin handled sugar bowl, 25cm (3) £220 - £250

151. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter tray, model 0716, planished circular form relief moulded with Celtic knotted tendril motifs and buds to the rim, 26cm diameter £100 - £150

159. Archibald Knox for Liberty & Co, a Tudric pewter tray, circa 1905, with integral handles, embellished in the corners with entwined entralacs and berries, 0376, 49.5cm wide £220 - £250

152. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter coffee pot, model 0231, tapered cylindrical form, cast with knotted tendril motifs and looped rattan handle, on skate feet, conical domed lid, 22cm high £80 - £100

160. David Veasey for Liberty and Co., an Arts and Crafts Tudric pewter twin handled bowl, model 011, footed drum form, cast with stylised rose trees in the Art Nouveau style, behind a mottoed ribbon band with a verse from Tennyson’s Maud, 32cm wide £250 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

161

164

161. Archibald Knox for Liberty and Co., a pair of Arts and Crafts Tudric pewter bomb vases, 0226, plain form on three buttress handles, 19cm high (2) £300 - £500

164. Walter von Nessen for Chase, an Art Deco chromed Comet teapot, jug and covered sugar pot, circa 1930s, with white plastic handles, spherical form with concentric line decoration, on a mirrored chrome and macassar tray with top handle, teapot 20cm high £200 - £300

165 162 162. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and enamelled dish, model 044, the central triangular plaque in marbled blue green enamel, within a relief moulded fruiting scrolling tendril border, crenellated to the rim, 25.5cm diameter £600 - £800

165. A pair of Art Deco mixed metal vases, in the style of Luc Lanel from his Dinanderie range for Christofle, stepped square section, silvered and enamelled copper with stylised floral and block motifs, 14.5cm high (2) £80 - £120

163

166

163. Archibald Knox for Liberty and Co., a large Tudric Arts and Crafts pewter biscuit barrel, model 0194, bowed cuboid form, relief moulded with chequered stylised leaf design, 14cm high £400 - £600

166. Maison Desny, a French Art Deco nickel plated swing easel mirror, circa 1930, the circular glass hinged within a disc and crescent frame, on trapezoidal foot, stamped marks to the easel support, Desny Paris Made in France Depose, 33cm high £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

167

168

167. An Art Deco nickel plated inkwell, probably Maison Desny, circa 1930, the cuboid well with hinged lid and spherical wooden finial, connected to a troughed pen rest, 13cm wide £80 - £120

171. An Art Deco patinated art metal and granite light fitting, circa 1930, modelled with three stylised pelicans, supporting a milk glass bell shade, 21cm diameter £50 - £80

168. A pair of Art Deco chrome and black glass bookends, circa 1930, the rectangular slabs fin grill uprights, 14.5cm high, 10.5cm wide (2) £40 - £70

172. An Art Nouveau allegorical panel, the watercolour on vellum painting of Ceres depicted as a maiden with a sickle amongst wheat, aided by a putto, the sea and sunbeam in abalone and mother of pearl, within a tooled leather border, E.B monogram to the sickle, 25.5cm x 35cm £350 - £450

169. Jean Picquot after John Gordon Rideout, a Picquot Ware aluminium alloy K3 kettle, designed 1938, domed form with sycamore handle and finial, 23cm diameter Note: American industrial designer John G Rideout was employed by Wagner Manufacturing company in Ohio, USA, to design a range of new homewares using its patented aluminium alloy Magnalite. The kettle he designed in 1936, examples of which are in the Museum of Modern Art, New York and the Brooklyn Museum, became popular and the design was adopted and adapted, with the development of a removable lid, by the Scottish company Burrage and Boyd in 1938, eventually releasing it to the public after the Second World War, in 1946. £50 - £80

169

175 175. Stanley Webb Davies of Windemere, an Arts and Crafts carved chestnut cutlery box, cuboid form, the hinged lid with geometric canted border, two section interior, 38.5cm wide, 24cm deep, 15cm high £200 - £300

An Arts and Crafts copper and 173. oak wall plaque, 1902, of shield form, repousse embossed for Border Regiment Cottage Memorial, H H Prince Christian Victor of Schleswig Holstein, 1902, planished with floral motifs and rosettes within a rivetted border, 58cm wide £200 - £300

176. Stanley Webb Davies, an Arts and Crafts carved walnut tray, 1941, rectangular form with serpentine ribbon border, signed, 53.5cm long £150 - £250 177. Stanley Webb Davies, an Arts and Crafts carved walnut tray, 1945, twin handled oval form, with chainlink border signed, 59.5cm long £150 - £250

174. Workshop of Robert Mouseman Thompson (Kilburn), an English oak wedge of cheese money box, adzed throughout with carved mouse signature, 9cm high, 17cm wide, 15cm deep £300 - £500

178. An Art Deco Synthena bakelite tray, circa 1935, rectangular from with red moulded handles, 47cm x 32cm £30 - £50

170 170. An Art Deco chrome and bakelite desk lamp clock, circa 1930, the octagonal face with applied Arabic numerals, below a tubular arm shade on square section support, 24cm high £100 - £200 173

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

20TH CENTURY FIGURES 184. Otto Poertzel, an Art Deco patinated bronze and ivory figure, circa 1925, modelled as a woman standing on a Champagne cork, signed in the cast Prof O Poertzel, 18cm high. Ivory Act Exemption RZV9LQWU

Certificate No: £400 - £600

185 179

183

179. Antonin Larroux (1859-1937), Le Voeu, a bronze figure of a boy with a pond yacht, 1904, signed and titled in the cast A Larroux, Salon 1904, 46cm high £400 - £600

183. Alexandre Caron, an Art Nouveau gilt bronze and ivory bust, circa 1915, modelled as a Renaissance woman, signed in the cast ‘A Caron’. Ivory Act 9ETJDF42

Exemption

Certificate No: £200 - £300

185. Charles Sykes, Spirit of Ecstacy, two bronze Rolls Royce figural car mascots, one silvered, both cast with Regus Patent marks and signed in the cast Charles Sykes, 13cm high, with bolt fittings £80 - £120 (2) 186. Bruno Zach (1891-1935), an Art Deco bronze figural lamp base, circa 1925, modelled as a Grecian man holding an amphora vase, signed in the cast, Bruno Zach, on grey marble base, 69cm high to fitting £500 - £800

180 180. Emmanuel Villanis (1858-1914), L’Esclave, metamorphic bronze sculpture, modelled as a nude slave girl seated in a granite textured bench, hands shackled with chain, the skirt removable, signed in the cast E Villanis, 25.5cm high £200 - £400 181. Hans Muller (1873-1937), a pair of Art Nouveau bronze figures, modelled as bust length maidens with poppies and roses in their hair, signed in the cast H Muller, 14.5cm high (2) £200 - £400 182. Jean Marie Camus, a gilt and patinated bronze bust of a child, 1913, modelled with head to the side, on integrated slab base, signed in the cast J Camus, foundry mark AG Paris, 11cm high £100 - £150

187 187. Louis Sosson (attributed), a pair of Art Deco bronze and ivory figures, circa 1925, modelled as a Dutch boy and girl, in traditional costume and clogs, on marble slab bases, 16.5cm high (2). Ivory Act Exemption PMTEH5DH

184

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

Certificate No: £300 - £500

188

191

192

188. Josef Lorenzl, an Art Deco silvered bronze and ivory figure, circa 1925, modelled as a dancer in long backed shirt, arms raised, on cuboid green onyx base, signed in the cast Lorenzl, 24.5cm high.

189. Georges Omerth (Henri Tremko), an Art Deco bronze and ivory figure of a hoop girl, circa 1920, modelled as a child holding a hula-hoop, on white onyx base, signed Omerth, 16.5cm high.

191. Josef Lorenzl, an Art Deco silvered bronze and carved ivory figure, circa 1925, modelled as a woman in short dress and gloves, on a green onyx cylindrical base, signed in the cast RLor, 23cm high.

Ivory Act F1FXSL6X

Ivory Act Exemption 87SM3TFE

Ivory Act Exemption 2JAKWYY8

Exemption

Certificate No: £800 - £1,200

Certificate No: £150 - £250

Certificate No: £800 - £1,200

192. Josef Lorenzl, an Art Deo cold painted bronze and carved ivory figure group, circa 1925, modelled as a woman in cropped jumpsuit with a dog, on white onyx oval plinth, signed in the cast Lorenzl, 26.5cm high. Ivory Act Exemption Certificate No: 2FE1HGPW £1,500 - £2,000

190

189

190. An Art Deco patinated art metal figural table lighter, circa 1930, in the style of Josef Lorenzl, modelled as a flapper, with striker column, on marble base, 27cm high £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

193

195

193. Josef Lorenzl, an Art Deco silvered and cold painted bronze and ivory figure, circa 1925, modelled as a dancer in gauntlets and jacket, on a cruciform marble and green onyx base, signed in the cast L’renzl, 22.5cm high.

195. Josef Lorenzl, an Art Deco patinated bronze and ivory figure, circa 1925, modelled as a dancer in leotard, with arm outstretched, on hexagonal green onyx and black marble plinth, signed in the cast Lorenzl, 28cm high.

Ivory Act Exemption Certificate No: 5RTKFCGP

£800 - £1,200

Ivory Act Exemption Certificate No: DA32LRUR

£800 - £1,200

194

196

194. Josef Lorenzl, an Art Deco enamelled gilt bronze and carved ivory figure, circa 1925, modelled as a dancer with leg bent, on cylindrical green onyx base, signed in the cast Lorenzl, 28cm high.

196. Josef Lorenzl, an Art Deco gilt bronze and carved ivory figure, circa 1925, modelled as a dancer, in ruffled skirt, on point, turned cylindrical green onyx base, signed in the cast Lorenzl, 29cm high.

Ivory Act Exemption No: PB9SZKME

£800 - £1,200

Ivory Act Exemption Certificate No: BBTREJKP

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£1,200 - £1,800

197 197. Karl Hagenauer, an Austrian Art Deco brass figure group of Diana with hounds, circa 1930, modelled as a nude woman striding, with chain leads, stamped marks, 41cm long £1,500 - £2,000 198. Richard L. Hubbard (American, 1903-1993), deer cleaning its hoof, circa 1952, signed with initials, limited edition No.2/12, bronze with green patina, 18cm high, 27.5cm wide. Provenance: The Delius Gallery, New York, and purchased by the current vendor from R.A. Exhibition, 1988 £200 - £300 199. J..Betill (Spanish, 20th Century), Extasis, signed and No.2335/3999, bronze and stone, 35cm high, with certificate £60 - £100

200. Willi Soukop RA (1907-1995), Horned Creature, wood and aluminium sculpture bust, 1987, unique, 55cm high Provenance: exhibited at the Royal Academy Summer Exhibition 1987, labelled to underside. Note: born in Vienna, Soukop studied at the Academy of Fine Art before moving to England where he taught at the art colleges in Bromley, Guildford and Chelsea where he taught Elisabeth Frink. He was elected as a Royal Academician in 1969 and taught sculpture there. Examples of his work appear in the Tate. £450 - £550 201. James Butler R.A. (British, 1931-2022), ‘The Cippico Fountain’, signed and dated 1982, No.2/8, bronze with green patina, 20cm high, 30cm wide. £400 - £600

Note: Artist Resale Rights apply

202 202. Camilla Le May (British, 1973), Common European Frog, bronze with green patina, No.5/9, 6 by 10cm, mounted on a polished slate plinth, with certificate. Note: Artist Resale Rights apply

200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£200 - £300

PORTRAIT MINIATURES 203. Staveley (British, circa.1900), two portrait miniatures, likely depicting a husband and wife: a young, blonde women in blue dress and a bearded man, both painted against a cloudy blue sky, signed, on ivory, red velvet reverse, 5.2 by 4.1cm, brass framed. Ivory Act Exemption RNTBL5BM (2).

206. J Mary Scott (20th century), a portrait miniature painted in 1907 to depict a bare-shouldered young woman wearing a lace shawl, signed, on ivory, glazed hair reverse, 7.8cm by 5.8cm, gilt metal framed. Ivory Act Exemption 3J7DB8SB.

Certificate No: £50 - £80

Certificate No: £100 - £150

208. George Patten (British, 18011865), a portrait miniature to memorialise a young man, painted in blue coat and white cravat, circa. 1820, on ivory, glazed hair with pearl encrusted funerary urn on opalescent backing to reverse, 5.4 by 4.3cm, yellow metal, chased foliate scroll framed. Ivory Act Exemption ERU9AFJW.

Certificate No: £250 - £350

209. A portrait miniature, circa 1840, depicting a gentleman in black coat and necktie, on ivory, 7.3 by 5.7cm, gilt metal and black wood framed. Ivory Act Exemption 728A9BUT.

Certificate No: £80 - £120

210. An early 19th century portrait miniature, painted to depict a young woman with cropped hair in empire line dress, on ivory, 5.8 by 4.5cm, gilt metal and black wood framed. Ivory Act Exemption 3BKRBFZ3.

Certificate No: £80 - £120

207 204 204. A 19th century portrait miniature, circa 1810, painted to depict a naval officer in blue uniform with gold braid, on ivory, 7.2 by 5.5cm, framed in yellow metal. Ivory Act Exemption QS1LL8F6.

Certificate No. £100 - £150

205. J. Mary Scott (20th century), a portrait miniature painted in 1907 to depict a young boy wearing a lace collar, signed, on ivory, 7.8 by 5.8cm, gilt metal framed. Ivory Act Exemption Y9WPCUEU.

207. A mid-19th century portrait miniature, painted to depict a young woman wearing a blue bonnet, on ivory, 12.5 by 9.3cm, wood framed. Ivory Act Exemption Certificate No: XFEDV7FJ, together with an early 20th century portrait miniature, depicting a young, blonde child in white broderie anglaise smock, hand-tinted photograph, 8 by 6.7cm, framed in yellow metal (2). £80 - £120

Certificate No. £50 - £80 211 211. William Egley (British, 1798 870), portrait of Mrs Morrell, inscription to reverse: ‘painted 1852, Hyde Park’, on ivory, 5.8 by 4.7cm, black wood and gilt metal framed. Ivory Act Exemption QD7M8GKF.

Certificate No: £300 - £400

212. A portrait miniature of a 19th century gentleman, inscription to reverse identify the sitter as Edward Jerningham, on ivory, 6.2 by 4.9cm, gilt metal framed. 208

Ivory Act Exemption AQFXUYPR.

206

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

Certificate No: £100 - £150

216. An early 19th century portrait miniature depicting a young gentleman in black coat and white waistcoat, on ivory, 7.5 by 5.7cm, gilt metal and black wood framed.

219. A 19th century portrait miniature painted to depict a gentleman in black neckcloth and jacket, on ivory, guilloch metal design to reverse, 5.6 by 4.7cm, gilt metal framed.

Ivory Act Exemption KL2TPQKB.

Ivory Act Exemption 2S6A939U.

Certificate No: £100 - £150

220. Seguin, (French, 19th century), a portrait miniature painted to depict a woman in a white dress accessorised with roses, signed, on ivory, 9.2 by 7.6cm, silver framed with gilding. Ivory Act Exemption Certificate No.NM7616AZ. £100 - £150 221. A portrait miniature depicting a young, seated child, painted on ivory, dated 1806, 8.1cm by 6.5cm, black wood and gilt metal frame.

213 213. A 19th century portrait miniature, depicting a woman in Elizabethan dress, ruff and lace headpiece, signed, on ivory, 8.4 by 6.5cm, brass framed. Ivory Act Exemption PGC9WHLC.

Certificate No: £100 - £200

Ivory Act Exemption 3GYA295T.

Certificate No: £100 - £150

217 217. J.H.W., a portrait miniature painted in 1848 to depict a gentleman, signed, on ivory, glazed hair reverse, 4.8 by 4cm, framed in yellow metal with foliate scroll mounts. Ivory Act Exemption JGKQ4M81.

Certificate No: £100 - £150

218. A late 19th century portrait miniature, painted to depict a young woman with blue flowers, on ivory, glazed hair reverse, 5.5 by 4.3cm, gilt metal framed. Ivory Act Exemption NQFNTJTW.

Certificate No. £40 - £60

222 222. Helen Entwistle (20th century), a portrait miniature of the Reverand Alex Mclaren, on ivory, 8 by 7cm, brass framed. Ivory Act Exemption UQBP8KP4.

223. Attributed to William Charles Ross (British, 1794-1860), portrait of a young lady, half-length seated, wearing an open-neck white dress and holding a pink rose, miniature on ivory, 15 by 11cm, in a Morocco fitted presentation case.

214 214. An early 19th century portrait miniature, painted to depict a gentleman in a dark blue goat and cravat, signed ‘T.H.’, on ivory, glazed woven hair reverse, 7.4 by 6cm, framed in yellow metal. Ivory Act Exemption VJ3798T1.

Note: Ivory Exemption Certificate No. MEQMTZ5S £150 - £250

Certificate No: £100 - £150

215. An early 19th century portrait miniature, painted to depict a young woman, on ivory, mother of pearl reverse, 7.2 by 5.7cm, framed in yellow metal. Ivory Act Exemption MG77EX43.

Certificate No: £100 - £150

219

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

227. John Turmeau (British, 17771846), a side profile portrait miniature painted circa.1810, to depict a gentleman dressed in a white cravat and black coat, impressed signature on card, glazed hair work reverse, 6.9 by 5.7cm, gilt metal framed. £200 - £300

A portrait miniature painted 230. circa. 1800 to depict a man in blue coat and white neck cloth, on ivory, striking blue guilloch enamel reverse, 7.1 by 5.7cm, framed in yellow metal. Ivory Act Exemption YVFUH3LA.

Certificate No: £200 - £300

231. British School, a portrait miniature of Lady Emma St. Aubyn, painted in 1815, on ivory, 7.7 by 6.3cm, black wood framed. Ivory Act Exemption BTZ1NV58.

232. Charles James Turrell (British, 1845-1932), a portrait miniature of Lady Julia Georgina Affleck painted on the occasion of her marriage to Sir Robert Affleck, 7th baronet, signed and dated 1886, on ivory, subject and artist engraved on reverse, 10.1 by 7.5cm, unmarked gold and guilloch enamel framed.

224 224. An early 19th century portrait miniature, depicting a gentleman in black coat and tied neckcloth, painted on ivory, 6.3cm by 5cm, glazed hair to reverse, gilt metal chased foliate scroll frame, adapted to a ‘c’ clasp brooch. Ivory Act Exemption 4XT7MUCP.

Certificate No: £150 - £200

Ivory Act Exemption Certificate No: 8A5X1XNS. £1,500 - £2,000

228 228. A 19th century portrait miniature, painted to depict a white-haired gentleman with blue neckcloth, on ivory, engraved monogram to reverse, 5.4 by 4.3cm, yellow metal framed, with 15ct gold and 18ct white gold bar brooch attachment. Ivory Act Exemption RBBVP2X4.

Certificate No: £150 - £200

229. A 19th century portrait miniature, painted to depict a young woman in medieval dress, on ivory, 3.2 by 2.2cm, 15ct gold framed with seed pearl border. Ivory Act Exemption TCCCU59T.

225. A portrait miniature circa. 1815, painted to depict Lord Byron, after Thomas Phillips on ivory, 7.9 by 6.4cm, black wood and gilt metal framed.

Ivory Act Exemption MCR535QN.

Note: by repute from descendants of the Earls of Cork who owned Marston House, near Frome. Queen Victoria refers to meeting the Duchess of Cork in her journals in 1838 and refers to her as the ‘old Lady Cork’. By this time Lady Cork was 92 and was a great favourite of George III and Queen Charlotte. Note: Ivory Exemption Certificate No. UM3RH3HC £200 - £300

Note: Ivory Exemption certificate No. L9RFFXHD £200 - £300

Certificate No: £200 - £300

226. A late 18th century portrait miniature, depicting a young woman in a powdered wig and fichu, painted on ivory, glazed plaited hair to reverse, 5.5 by 4.3cm, framed in yellow metal.

Certificate No: £200 - £250

233. William Charles Ross (British, 1794-1860), portrait of the Duchess of Cork, half-length seated holding a letter wearing a blue velvet dress with an ermine trim, signed and dated 1834 verso, miniature on ivory, 12 by 8.5cm, in a fitted morocco presentation case.

234. An oval portrait miniature of Paul I of Russia (1754-1801), circa 1790, bust-length wearing a blue sash, on ivory, 5.5 by 4cm, mounted in a gilt metal frame set into a circular tortoiseshell snuff box, 8cm diameter.

225

Ivory Act Exemption 98QJN8LG.

Certificate No: £200 - £300

235. Edward Robertson (British, 1809), a portrait miniature painted to depict a gentleman, on ivory, 3.5 by 2.9 cm, gilt metal framed. Ivory Act Exemption E7DUP796. 230

Certificate No: £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

Certificate No: £200 - £300

232

238

236

237

239

236. A double sided 18th century portrait miniature, painted to depict a young woman in plumed hat and curled grey wig wearing a lace-edged fichu, 6.7 by 5.2cm, to the reverse, a portrait miniature depicting a man in military uniform, 4.8 by 3.5cm, both on ivory, yellow metal framed with seed pearl border.

237. A portrait miniature, circa 1800, depicting a gentleman in powdered wig and blue coat, on ivory, intricate monogram to reverse, likely carved from white wax, ornamented with roses and floral sprays on a deep blue enamel base, 6.2 by 5.1cm, unmarked gold framed.

239. British School, early to mid19th Century, a military portrait miniature of a young Captain of the 20th Regiment of Foot, half-length standing in uniform with dress sword at his side, indistinctly signed l.r., on ivory, 14 by 11cm, unframed.

Ivory Act 2LVHKZEP.

Exemption

Certificate No: £250 - £350

Ivory Act Exemption ZR48TBG3.

Certificate No: £250 - £350

238. Richard Cosway R.A. (British, 1742 821), portrait of Miss Rosewell Preston painted in 1789, signed, on ivory, 7.3 by 5.8cm, black wood and gilt metal framed. Ivory Act Exemption Certificate No: 7PW92Z28. £1,500 - £2,000

Note: Ivory No.V1ZBFRZ9

Exemption

Certificate £400 - £600

239A. E..A..Yates (British, late 19th Century), an oval portrait miniature of Uncle Stickland, titled, signed and dated 1888 verso, on ivory, 8 by 6.5cm, and a mid-9th Century oval portrait miniature of a young lady, watercolour on paper, 10 by 7cm, both framed (2). Note: Ivory Exemption Certificate No. DD4JQXNW £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

WORKS OF ART 240. A George III mahogany and satinwood strung tea caddy, circa 1780, cuboid form with harewood shell motif to the lid in the Sheraton style, bone escutcheon, internal lid, 11.5cm wide, 11.5cm high, 9cm deep £40 - £70 241. A Cambridge University silver athletics medal for Inter University Cross Country Race, 1895, won by W W Gibberd of Trinity College, L and F Cole, together with a bronze George Frederic Handel Centenary Commemoration Medal, Crystal Palace 1859, awarded to T Fisher, Performer, 5.1cm diameter (2) £40 - £70 242. Two Philips’ Planispheres, George Philip & Son Limited, circa 1900, larger planisphere Geographical and Educational Depot and made in Germany, instructions on verso, largest 31cm wide (2) £30 - £50 243. Architectural interest, a J.A. Reynolds case of drawing instruments, circa early 20th century, with lift out top section velvet lined containing electrum and ivory instruments, contained within an oak case and plush-lined lid with engraved plaque ‘H.L. Roberts Birmingham March 19th 1907’, 9cm high, 37cm wide. Ivory Act Exemption Certificate Number 6EHJAZGS £40 - £60 244. Architectural interest, a J. Halden & Co Ltd Manchester presentation case of drawing instruments, circa early 20th century, with lift out top section velvet lined containing twenty-three electrum and ivory instruments, electrum instruments marked E.E. James and ivory marked Halden, the second lift out tray containing measuring tools, contained within a mahogany case and plush-lined lid with engraved plaque ‘E.E. James’, 10.5cm high, 37cm wide.

247. A George III sharkskin draughtsman etui, John Bleuler, London circa 1800, containing compass, brass protractor and boxwood scale rulers, 17cm long £30 - £50 248. Prisoner of War or Tribal interest, a carved bone page turner or letter opener, probably 19th century, formed from an animal leg bone, decorated with stylised stag and deer, 22cm long £50 - £80

252. A William IV rosewood tea caddy, circa 1835, cuboid form with bead moulded edges, two removable hinged lid caddies and central cut glass bowl, 34.5cm wide, 17cm high, 17.5cm deep £50 - £100 253. A scarce T.T. Toys (Italy) children’s electrically operated Porsche 959 Turbo, circa 1989-1990, black plastic livery with red rear view mirrors and interior, handbrake, classic Porsche ‘Fuchs’ wheels, with instructions, 155cm long, 77cm wide £500 - £800

249 249. A Victorian novelty carved wood page turner, ebonised, the handle in the form of a boar’s head with horn tusks and glass eyes, 38cm long £50 - £80 250. A Victorian rosewood and mahogany tea caddy, circa 1870, cuboid form with ebonised moulded edges, the interior with single removable caddy, etched glass bowl and spoon aperture, 26.5cm wide, 16.5cm high, 16cm deep £50 - £100 251. A Regency kingwood and boxwood strung tea caddy, circa 1820, sarcophagus form with two removable hinge lidded caddies and central glass mixing bowl, the interior lid lined in Moroccan leather, gilt brass lions paw bracket feet and shell ring handles, 32cm wide, 19cm high, 16.5cm deep £50 - £100

254 254. An early 19th century gilt brass travelling microscope, in walnut case, various attachments and lenses in a removable tray, with three bone slides, 15cm long £50 - £100 255. A Victorian rosewood tea caddy, circa 1850, bombe sarcophagus form, the interior with two removable hinge lidded caddies and central glass bowl, 38cm wide, 20cm high, 20cm deep £50 - £100

Ivory Act Exemption Certificate Number W796LK5Q £40 - £60 245. An early 20th century Continental fan with mother of pearl sticks, the guards piqu with silver and mother of pearl, leaf hand painted with an 18th century courting couple, surrounded by sequins and floral swags, signed Lucien, cased, 21cm high £40 - £60 246. A pair of George IV gilt bronze ormolu figural candlesticks, circa 1830, modelled as herons with fish in their beaks, supporting foliate sconces, each on a tortoise entwined with serpents, 34cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

253

264 256. A George III stumpwork picture, depicting a boy shepherd and girl companion in a landscape with sheep beyond, oval, inscribed verso, worked by Mary Treadwell.....1814, 23 by 28cm, gilt frame £100 - £150

261. Advertising, a late 19th/early 20th Century pine medicine chest, ‘Day & Sons’ No.12 or Dairy Farmer’s Medicine Chest’, 22cm high, 38cm wide, 28cm deep £50 - £80

266. A pair of George III mahogany candlesticks, circa 1800, slender turned baluster form on dished circular bases, with pewter sconces and drip trays, 30.5cm high (2) £60 - £80

257. A pair of crewelwork panels, early 18th Century, depicting polychrome trailing floral foliage on a cream ground, 100 by 41cm, framed (2) £150 - £250

267. Alfred Dunhill, a veneered wood humidor, cuboid form with adjustable dividers, brass lock, made in Italy, 28cm wide, 11cm high, 22.5cm deep £60 - £100

258. An antique silver bullion work Matador’s jacket, red silk lining £50 - £100

262 262. An 18th century shagreen draughtsman’s etui, English circa 1780, including boxwood folding scale ruler, brass protractor, various brass and steel point dividers and compass with interchangeable fittings, 17cm long £60 - £80

259 259. A Victorian rosewood fretted book slide, circa 1860, the NeoGrec hinged ends with stylised foliate motifs, 33cm long, extending to 57cm £60 - £80

263. Asprey London, a 9ct gold mounted leather cigar case, London 1917, interior marked H.B. Roberts, 13.5m long £60 - £80

260. A set of six lignum vitae turned coasters, in associated cylinder box, each piece set with a predominantly 1945 Jamaica Farthing, coaster diameter 8cm £50 - £80

264. A Jacques of London mahogany and parquetry travelling chess set, circa 1900, double hinged construction with ebony and birch board, stained and natural bone pegged chessmen, 20cm wide £60 - £100 265. Garden Statuary, an alabaster bird bath support, acanthus and fretwork carved flared opening, octagonal plinth, 26cm high, 44cm diameter £80 - £120

261

266

268. An Indian miniature watercolour of the front facade of Akbar’s Tomb, Agra, late 19th century, depicting the Mughal mausoleum, within a foliate carved ebony frame, overall 12cm x 9.5cm Ivory Exemption 5AKB2T6M

Certificate Number £80 - £120

269. A Victorian figured walnut and gilt brass tea caddy, Manning, Worcester, domed form with chased and fretted gilt brass corners and fittings of foliate scroll and fleur de lys design, opening to reveal two lidded compartments, labelled Black and Green, washed silk lining to the lid, 22cm wide, 16.5cm high, 12cm deep £80 - £100 270. An early 19th Century boulle work glove box, domed cover, stylized scrollwork design throughout, crimson silk lined interior, 7cm high, 20cm wide, 9cm deep £80 - £120 271. J & E Stevens, a cast iron Reclining Chinaman mechanical moneybox, modelled as a figure with playing cards, the lever causing both arms to move and a coin to drop into his pocket, cast patent numbers, 22cm long £100 - £200 272. An early 19th century sampler, circa 1800, embroidered with flowers and animals within a floral border, 31cm x 33cm, framed £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

273. An 18th century carved wood figure of a saint or monk, modelled in hooded habit, painted, 33.5cm high £100 - £150 274. Early Motoring Interest, a Brooks of Birmingham vintage car trunk, fall-front, side handles, maker’s plaques, secure fastenings, 54cm high, 88cm wide, 41cm deep £80 - £120 275. Lucas brass backlight lantern circa 1895, and a Welsh miner’s lamp £120 - £180 276. A George III flame mahogany campaign writing slope, circa 1820, brass-bound with a triple strung border, vacant brass cartouche and escutcheon, flush side handles, fitted interior with gilt tooled leather writing surface, pen rest and ink bottle compartments, concealed frieze drawer, 17cm high, 40cm wide, 25cm deep £150 - £200

288 279 279. A 17th century carved wood and gesso figure of Jesus Christ, Man of Sorrows, Southern European, modelled with crossed wrists, wounded with bleeding heart, highlighted in gilt, 48.5cm high £200 - £400 280. Tribal Interest, Dogon Tribe, a copper tobacco jar, figurative feet, 20cm high £50 - £80 281. Tribal Interest, Grebo Tribe, a ‘Kru’ mask, 35cm high £80 - £120 282. Tribal Interest, Baule Tribe, a portrait mask, 33cm high £80 - £120 283. Tribal Interest, a Baule Tribe model of a standing couple, 40cm high, 27cm wide £100 - £150 284. Tribal Interest, Grebo Tribe, a ‘Kru’ bird mask, 46cm high £150 - £250

277 277. A 17th or 18th century carved wooden figure of St Anthony, Southern European, probably Spanish, modelled in the habit of a monk, holding a book (on which a figure of Jesus Christ would have sat), painted, 40.5cm high £150 - £250 278. A 19th century Chinese export Canton black lacquer and gilt brise fan, Qing dynasty, with rounded top and tapering sticks and guards, lacquered in gold on one side with pagodas, buildings and figures, verso similar but with boats too, the tips with gilt birds, butterflies and insects, 19.5cm long, width open 34cm £200 - £300

285. Tribal Interest, Baule Tribe, a ‘Gbekre’ mouse oracle box, 31cm high. Note: used for divination purposes, the inside would hold objects such as sticks that would record the movement of mice. These movements could then be ead as a way of receiving messages or guidance. £150 - £250 286. Tribal Interest, Dan Tribe, a ‘Gagon’ headdress, 68cm long £200 - £300 287. Tribal Interest, Grebo Tribe, a ‘Kru’ mask, 32cm high £200 - £300

288. A pair of Empire bronze and ormolu figural candlesticks, French circa 1815, the caryatid figures supporting campana urn sconces, on drum pedestal bases with applied green mask plaques, 29.5cm high (2) £200 - £400 289. A pair of gilt metal girandoles, late 19th Century, of Rococo design, circular looking glasses, triple light branches, 30cm high, 42cm wide (2) £80 - £120 290. A pair of green-veined marble table lamp bases, of Neo-classical urn design, gilt ormolu mounts comprising mask twin handles and floral garlands, on inverted square plinths, 52cm high excluding electric fittings and shades (2) £300 - £500 291. A pair of pink veined marble table lamp bases, of Neo-classical design, ormolu mounts comprising acanthus scroll twin handles, floral garlands and socles, raised on inverted square plinths, ball feet, 49cm high excluding electric fittings and shades (2) £300 - £500 292. An Edwardian Sorcerers’ mirror, circular with a bronzed metal surround, easel stand, 30cm diameter £200 - £300 293. A 19th Century Tunbridgeware tea caddy, of sarcophagus form, domed cover with a view of Netley Abbey, Hampshire within a geometric border, floral frieze to the concave base, inner twin lidded compartments, (one with a paper label naming the cover view), 16cm high, 25cm wide, 16cm deep. (key) £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

301. A William IV rosewood and gilt brass strung travelling vanity box, the tooled gilt Moroccan leather interior fitted with various silver lidded glass jars marked for Archibald Douglas, London 1835, maroon velvet trays and lids, with flush inset handles, 33cm wide, 18cm high, 23.5cm deep £400 - £600 302. A 19th century Swiss 10 air musical box, with three bells, simulated rosewood case with painted cartouche, 49cm x 20cm x 28cm deep £200 - £300 303. A Nicole Freres Swiss 10 Air musical box, rosewood veneered case with satinwood stringing, L No.1742, G No. 52041, S No. 5339, 57cm wide x 16cm high, 24cm deep £800 - £1,200 294 294. A Victorian Tunbridge Ware sewing box, cushion topped cuboid form, inlaid with a parquetry panel of specimen woods, within graduated concentric borders of geometric and foliate scroll micromosaic, opening to reveal a fully fitted interior of geometric spools, lidded compartments, carved bone tools, barrel form tape measure, marquetry needle book etc, 26.5cm wide, 12.5cm high, 21cm deep £400 - £600 295. A mid-Victorian burr walnut jewel casket, circa 1860, swing handle, Gothic brass strapwork mounts, and fretwork escutcheon, champagne watermarked silk lined interior, 12cm high, 27cm wide, 18cm deep £200 - £300

304. Musical Instruments, a tabletop polyphon, late 19th Century/early 20th Century, wooden case with a painted Jugendstil device within a chevron border to the hinged cover, with six steel discs titled ‘Waiting for the Robert E. Lee’, ‘The Dicky Bird Hop’, ‘Come with me Down Regent Street’, ‘In The Shadows’, ‘Alice Oh Where are You Now’ and ‘Rose-Marie Fox-Trot’,15cm high, 32cm wide, 19cm deep, (key) £150 - £200 305. A Swiss tabletop cylinder musical box, early 20th Century, strung border containing a central floral bouquet, inner cardboard songsheet listing eight airs, 14cm high, 42cm wide, 20cm deep £80 - £120

296. A mid-Victorian burr walnut correspondence casket, circa 1860, domed cover with fretwork Gothic brass mounts and escutcheon, two slit openings labeled ‘Answered’ and ‘Unanswered’, twin division interior with blue watermarked silk lined inner cover, 17cm high, 22.5cm wide, 11.5cm deep, (key) £200 - £300 297. A pair of Black Forest carved wooden and Chamois horn mounted busts, the heads of the alpine goat antelope carved realistically and set with the horns of the animals, within oak leaf and branch wreath border, glass eyes (2) £300 - £500 298. A Black Forest carved wood figure of a boar, 19th century, realistically modelled on a rocky outcrop, 20cm high £300 - £500 299. A large scratch-built pond yacht, late 19th/early 20th Century, with a realistic deck, brass fittings, operational rudder, weighted keel, mast, and sail, 35cm high, (excluding mast), 130cm wide £300 - £500

300

306

300. Two monastic drinking vessels, carved and turned fruitwood, each of handled chalice form, on conical feet, 15cm high

306. A pedal harp by Sebastian & Pierre Erard, 19th Century, gilt wood and birds eye maple in the Gothic revival style with portrait panels of Saints and blind tracery, eight pedals, engraved ‘Sebastian & Pierre Erard’s Patent, No.6049, 175cm high £2,000 - £3,000

Provenance: by repute from Little Malvern Priory, Worcestershire, thence by descent £350 - £450

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

307 307. An early 19th century Chinese export Canton gilt and black lacquer and polychrome painted fan, Qing dynasty, finely painted to both sides, one with figures seated on a rug with attendants presenting them with a roasted pig, the verso with figures in a river landscape, pulling an ox from the water, the tips of the sticks painted with numerous animals , birds, fish, fruits, flowers and vegetables, the guards with stylised bats, 20cm long, width open 35cm £500 - £700

309 309. Taxidermy, an antique African Cape Buffalo, an adult head, hook wall mount, 70cm high £400 - £800 310. Taxidermy, two late 19th Century Scaup or Diving Ducks, mounted in a naturalistic setting in a glazed case, 54cm high, 66cm wide, 21cm deep £50 - £100 311. Taxidermy, a late 19th Century Shelduck, mounted naturalistically on a rock with shells, grid painted background, 66cm high, 66cm wide, 23cm deep £80 - £120 312. Taxidermy, two pairs of Antelope horns, one mounted on an oak shield, largest 100cm high (2) £40 - £60 313. Taxidermy, a 19th century Buzzard, in glass case, 64cm x 55cm £100 - £200 314. Taxidermy, a late 19th Century pair of Seagulls, mounted on stumps in a naturalistic setting, painted cloud background, indistinct taxidermist paper label, possibly G. White, Salisbury, in a glazed display case, 62cm high, 69cm wide, 23cm deep £100 - £200

308 308. Architectural interest, a Stanley magazine presentation case of drawing instruments, circa late 19th century, with lift out top section velvet lined containing twenty-eight electrum and ivory instruments, the second lift out tray containing measuring tools, contained within an oak case with electrum mounts and plush-lined lid with maker label, 17cm high, 37cm wide. Ivory Act Exemption Certificate Number GBAQN9EP £800 - £1,200

315 315. Taxidermy, a 19th Century Blyth’s Hornbill or Papuan Hornbill, (Rhyticeros Plicatus), New Ireland, Papua New Guinea, mounted on a branch in a naturalistic setting with a chick, in a glazed case with a label for ‘National Museum, Victoria’, 93cm high, 55cm wide, 28cm deep £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

316

323

316. Henri Honore Ple (French, 1853-1922), Courtship, signed, bronze, all-over dark brown patina, 66cm high, on a plinth £1,500 - £2,000 317. S..Shire (American, 20th Century), reclining female nude, grey marble, 17 by 38cm, on a wooden plinth £100 - £150 318. After Antonio Gaudi, a pair of Art Bona candlesticks, limited editions, 28cm high, boxed with certificates (2) £50 - £80 319. Pierre H. Varnier (French, 1826-1890), a recumbent Alsatian/German Shepherd, signed, bronze with all-over dark green patina, 27cm high, 45cm wide, 20cm deep £400 - £600 320. Franz Xavier Bergmann (Austrian, 1861-1936), a cold painted bronze figure of a young lady wearing a blue dress, seated cross-legged holding a bouquet of roses, risque underside, stamped marks, 8.5cm high £200 - £300

324 322. After Bertel Thorvaldsen, Venus with the Apple, white composite statue, impressed number 1059, 66cm high £50 - £80 323. Louis Ernest Barrias (1841-1905), a bronze figure group, mother and child, modelled embracing, on a red marble base, signed in the cast E Barrias, foundry mark F Barbedienne, 31.5cm high £800 - £1,200 324. Cesare Lapini (Italian, 1848-c.1910), ‘Volere e Potere’, signed, inscribed ‘Firenze’ and dated 1888, white marble, 71cm high, 28cm wide, 29cm deep £4,000 - £6,000 325. GB QV to QEII, three stamp albums, mint and used; QV, KEVII & QEII, one album, used; KGV & KGVI, one album May 1910 - May 1951; QEII, one album August 1953 - November 1976 £40 - £60 326. GB QEII, six loose leaf stamp albums, mint and used; including two Jan 1977 - Nov 1984, Jan 1985 - Nov 1993; four Martin Mills albums, 1994 - 2013, and box file of covers and stamps (100s) £40 - £60 327. Channel Islands, QEII, group of eleven loose leaf stamp albums, mint and used, Guernsey 4 albums 1969 to 2007, 2008 - 2012, Alderney 1 album 1983 - 2012, Jersey 6 albums 1969 - 2010 (100’s) £50 - £80 328. A London 2012 Team GB Gold Medal winners stamp collection, Olympic panes of six and Paralympic panes of two, 1st class stamps £50 - £80 329. Isle of Man, QEII, group of five loose leaf albums, mint and used, July 1973 to September 1986, January 1987 to November 1996, February 1997 to December 2003, February 2004 to November 2010, February 2011 to February 2012 (5) £50 - £80 330. A world stamp collection, including FDC’s, stock books, a black loose leaf file and a box file, mixed Lot, and some mint.

321

Note: proceeds to the Air Ambulance Service

321. A pair of bronze Black Swans, 20th Century, seated with realistic plumage, all-over dark brown patina, 64cm high, 70cm wide and 39cm high by 85cm wide (2) £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£80 - £120

MILITARIA 331. A French M1886 Lebel modified sword bayonet, cruciform blade, brass grip, quillon removed, housed in steel scabbard, frog stud marks, blade 52cm long £40 - £60

334. A French M1886 Lebel sword bayonet, cruciform blade, white metal grip and quillon, housed in steel scabbard, quillon marked 25927, blade 52cm long £70 - £90

332. An early 20th century Royal Navy Officer’s dirk or small sword, shagreen and wirework grip with lion head pommel, the brass hilt with recurving crossguard with acorn quillons, crowned fouled anchor within a laurel wreath, blade 45cm long, lacks scabbard, together with lion headed leather scabbard and blade (2) £40 - £60

335. Two German bayonets, including a Third Reich bayonet, two piece black chequered grip, housed in black steel scabbard with leather frog, ricasso marked Alcoso Solingen, blade 24.5cm long, together with a K98 bayonet, two piece wood grip housed in black steel scabbard, ricasso marked 42 CUL, scabbard marked Coppel GmbH 1937, blade 25cm long (2) £70 - £90

333

336

333. Second World War Medal group, awarded to 2,614,179 Frank Cox, Grenadier Guards, 1939-1945 Star, Defence Medal, War Medal 1939-1945, Police Long Service and Good Conduct Medal, together with miniature set, Grenadier Guards brass bed plate, with maker stamp . Narborough, Birmingham’ on reverse, ribbon and clasp for Royal Life Saving Society, and ARP whistle by J. Hudson & Co £50 - £80

336. A French Napoleonic AN XI Cuirassier trooper’s sword, 95cm single edge double fullered spear point steel blade, ricasso struck with factory/inspector marks for Borson, Bick and Lobstein, back edge etched fture Imple du Klingenthal mai 1815 triple bar brass hilt with inspector marks, guard numbered 1120, leather-covered grip with brass wire banding, in regulation steel scabbard with two suspender rings, top suspender band numbered 177, overall 116cm £600 - £800

BOOKS AND PRINTS 338. Thames and Hudson, Memorial Lecture publications, including Kenneth Clarke, What is Masterpiece, David Wilson, Forgotten Collector, together with Folio Society editions of Lewis Carroll and Thomas Hardy £30 - £50 339. Betjeman, John and Piper, John, 1954, Poems in the Porch, London: SPCK, together with Eliot, T S, Waste Land and other poems, 1940, seventh impression 1945; Galsworthy, John, 1930, Soames and the Flag, London: William Heinemann, signed and numbered edition 580 od 1025, vellum bound (4) £30 - £50 337 337. Barstow, Stan, 1960, A Kind of Loving, London: MIchael Joseph, 286p, with dustjacket, first edition, signed by the author £30 - £50

340. ‘Hawaiian Fishes’, circa 1907, published by The Honolulu Rapid Transit & Land Co by Permission of The U.S Fish Commission, Honolulu Aquarium introduction, comprising twenty colour plates of indigenous species, string bound grey paper boards £100 - £150

341. Sackville West, Vita, 1945, Another World Than This, London: Michael Joseph, 247p, signed by the author; Mauron, Charles and Fry, Roger, 1927, Nature of Beauty in Art and Literature, London: Hogarth Press, Leonard and Virginia Woolf; Complete Catalogue of Books Published by the Hogarth Press 1917 to 1927 (3) £30 - £50 342. Masefield, John, 1936, Victorious Joy or the Hurrying Angel, London: William Heinemann, signed limited edition number 123 of 125, cloth bound, 309p.; together with Collected Poems of James Elroy Flecker, 1923, London: Martin Secker, number 409 of 500, cloth bound, 261p.; Grahame, Kenneth, 1902, Dream Days, illustrated by Maxfield Parrish, London: John Lane, 228p.(3) £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

343 343. First editions including Tolkien, J R R, 1967, Smith of Wootton Major, London: George Allen and Unwin; Deighton, Len, 1963, Horse Under Water, London: Jonathan Cape; De la Mare, Walter, 1941, Bells and Grass, with dust jacket; Garnett, David, 1959, a Net for Venus, London: Longmans; Lehmann, Rosamond, 1953, Echoing Grove, London: Collins, with dust jacket (5) £30 - £50

347. Hooker, William Jackson, ‘Journal of A Tour In Iceland in The Summer of 1809’, 1811, J. Keymer, Yarmouth, colour frontispiece of an Icelandic Lady in her Bridal dress, two fold-out plates, full leather gilt tooled binding with marbled inner boards, with Moxon, Elizabeth, ‘English Housewifry’, (soops etc), Hargrove, E, ‘The History of the Castle, Town, and Forest of Knaresborough with Harrogate and it’s Medicinal Waters’ third edition, W. Blanchard, York ,1792, P. Ovid II, 1558, remnants of an early book of Herbs, Roots, Syrups etc (5) £60 - £100

346. Rhead, Louis, sixteen volumes of adventures, Harper & Brothers, New York and London, each volume with coloured illustration on the front and repeated as a frontispiece, including 1900 Robinson Crusoe, 1911 Tom Brown School Days, two copies, 1912 Robin Hood, 1913 Gulliver Travels, 1914 Hans Andersen Fairy Tales, 1915 Treasure Island, 1916 The Arabian Nights Entertainments, 1917 Grimm Fairy Tales, 1918 Tales from Shakespeare, 1921 Kidnapped, 1922 The Fairy Book, 1923 King Arthur and his Knights, 1924 Hans Brinker, 1926 The Deerslayer, and 1927 Aesop Fables, together with The Speckled Brook Trout, R.H. Russell New York 1902, The Basses Fresh-water and Marine by William C. Harris, Frederick A. Stokes New York 1905, A Collection of Book Plate Designs, W. Porter Boston 1907, The Psalms of David, Fleming H. Revell 1900, The Burr McIntosh Monthly August 1906 (21) £120 - £180

355. William Powell Frith R.A. (British, 1819-1909), The Race for Wealth - ‘The Spider and the Flies’, ‘The Spider at Home’, ‘Victims’, ‘Judgment’ and ‘Retribution’, signed l.l., set of five photogravures published by H. Blair Ansdell, 1882, bearing PSA stamps, 44 by 55cm, framed (5). Provenance: with The Maas Gallery, London £150 - £200 356. Winston Spencer Churchill (British, 1874-1965), A Study of Boats, facsimilie signature and publisher blind stamp l.r., titled l.c., limited edition colour print No.284/750, 41 by 51cm, gilt frame.

344. History of Art books including, Mrs Lionel Birch, 1906, Stanhope A Forbes and Elizabeth Stanhope Forbes, London: Cassell; Morden, Barbara, 2014, Laura Knight, a Life, McNidder & Grace; Taylor, Tom, 1863, Birket Foster Pictures of English Landscape, London: Routledge (3) £30 - £50 345. Dulac, Edmund (illustrator), ‘Rubaiyat of Omar Khayyam’, rendered into English Verse by Edward Fitzgerald, printed from the second edition, tipped-in illustrations, Hodder and Stoughton, London, cream cloth binding with gilt titles and design, together with a contemporary pencil illustration of a WWI soldier looking toward no-mans-land signed Norman A. Skin (2) £30 - £50

354. Eugene Samuel Grasset (Swiss, 1841-1917), Jeanne D’Arc (1894), lithograph in colours, blind stamp l.r., 35 by 22cm, framed £120 - £180

Note: Artist Resale Rights apply £40 - £60

348 348. The Studio, Volume Sixty, 1914, containing Seven Happy Days by Jessie M King, colour plates with gilt highlights £80 - £120 349. Christopher Saxton and John Speed, Norfolk - A Countie Florishing & Populous Described and Devided with the Armes of such noble families as have borne the titles therof, published by John Sudbury and George Humble, circa 1627, handcoloured engraved map, inset town plan of Norwich and battle scene, 38 by 50cm, framed £80 - £120 350. Utagawa Hiroshige (Japanese 1797-1858), Ryogoku Bridge and the Great Sumida River or bank of the Okawa, woodblock print, 35cm x 23cm, framed £100 - £200 351. Keisai Eisen (Japanese 17901848), Courtesan Sukekumo of the Tamaya, woodblock print, circa 1830, 38cm x 26cm, framed £100 - £200 352. Brookes (British, late 18th century), A View of the Royal Palace of Windsor, colour print, published 1794 by Laurie and Whittle, framed £30 - £50 353. George Baxter (British, 18041867), The Duke of Wellington; Admiral Lord Nelson, a pair, lithographs, 8.5 by 7cm, rosewood cushion frames with bright cut engraved gilt fillets (2) £50 - £100

357 357. S.T.C. Weeks (British, act. 1910), ‘Are you a lover of Opera? There is no Repertoire so Wide yet so Exclusive as that Presented on “His Master’s Voice” Records’, Art Deco colour advertising poster, 30 by 40cm, framed £40 - £60 358. Arthur Pan (Hungarian, 18941983), We Are All of Us Defending...A Cause, facsimilie signature of Winston Churchill l.r., lithograph in colours, 45 by 56cm, gilt frame £50 - £80 359. Alasdair Macfarlane (Scottish, 1902-1960), Glasgow Cathedral interior, three etchings, two coloured, one monochrome, all signed l.r., and a print of the exterior, largest 45 by 32cm, framed (4) £50 - £80 360. Kenneth Rowntree (British, 1915-1997), Chanson D’Automne, signed l.l., screenprint in colours No.25/100, Mid Northumberland Arts Group, Ashington, 1984, printed at Sunderland Arts Centre, 54 by 40cm, framed. Provenance: gifted by the artist to the current vendor’s mother. Note: Artist Resale Rights apply £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

361. Winston Spencer Churchill (British, 1874-1965), View from Chartwell, facsimilie signature and publisher blind stamp l.r., titled l.c., limited edition colour print, No.296/750, 41 by 60cm, framed. £50 - £80

Note: Artist Resale Rights apply

362. Keisai Eisen (Japanese 1790-1848), Flowers and Birds Inside the Fan, from Beauties of the Yoshiwara, woodblock print, circa 1830, 38cm x 26cm, framed £100 - £200 363. Alasdair Macfarlane (Scottish, 1902-1960), four British Railways carriage prints, ‘Gourock and Dundon Car Ferry Firth of Clyde’, ‘Ettrick Bay, Isle of Bute’, ‘Kyles of Bute, Firth of Clyde’ and ‘Ettrick Bay, Island of Bute’, largest 19 by 58cm, framed (4) £150 - £250 364. 20th Century British School, Stonehenge, silk screen, signed in pencil and tilted, numbered 3/3, 45.5cm x 32.5cm, framed £60 - £80 365. Pierre Jourda (French, 1931-2007), ‘Philosophy of Love’ (c.1960), No.697 verso, collage on canvas, 32.5 by 24cm, framed. £80 - £120

Note: Artist Resale Rights apply

368

366

369

366. After Partick Heron (1920-1999), Nude, 1947, printed cotton, signed and dated in the plate, 65 by 67cm, framed £150 - £250 367. After Partick Heron (1920-1999), Nude, 1947, printed cotton, signed and dated in the plate, 65 by 67cm, framed £150 - £250 368. Dame Elizabeth Frink RA, (British, 1930-1993), Agamemnon at the Lion Gate, 1988, etching with aquatint printed in brown, from the series ‘Children of the Gods, edition of 70 from the Kelpra Studio signed and numbered 67/70, 54cm x 37cm Provenance: The Molesley Gallery, Elizabeth Frink Exhibition, June 2000, Cat No.21 Note: Artist Resale Rights apply

£400 - £600

369. Dame Elisabeth Frink, RA, (British, 1930-1933), Man and Horse III, lithograph on J Green woven paper, signed in pencil and numbered 9/70, 59cm x 79cm, framed £500 - £700 370. Dame Elizabeth Frink RA (British, 1930-1993), Laos and Oedipus, etching with aquatint printed in brown on woven paper, from an edition of seventy published by the Kelpra Gallery, signed in pencil and numbered 49/70, 52.5cm x 36.5cm (image size), framed Note: Artist Resale Rights apply

£500 - £700

370

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

PAINTINGS 371. Attributed to John Bulfinch (British, 1680-1720), portrait miniature of King Charles II after Ryley, bust-length, ink and wash, 16.5 by 13cm, gilt frame.

375. William Adolphus Knell (British, 1805-1875), Battle of the Nile, a pair, one signed l.r., titled on mounts below, watercolour, 18 by 26cm, framed (2) £200 - £300

Provenance: inscription verso states that the work was purchased at Sotheby’s from the Collection of Sir Bruce Ingram (1877-1963) and that it has been examined by The British Museum and The National Portrait Gallery in 1965 £300 - £500

376. Edward Duncan R.W.S. (British, 1803-1882), Collecting the Hay, signed and dated 1861 l.r., titled verso, watercolour, 20 by 50cm, framed £300 - £500 377. Wilhelm Trubner (German, 1851-1917), Art Nouveau lady in profile, signed and dated 1900 l.r., titled and dated 1901 u.l., watercolour, 25 by 40cm, framed £100 - £150

372. Daniel Gardner (British, 1750-1805), ‘Portrait of a Young Girl in White....Dress’, bust-length wearing a white lace bonnet with blue ribbon, apparently signed with initials u.r., titled verso, oval, pastel, 18 by 14.5cm, gilt frame £400 - £600

378. Dora Bard, S Eustorgio, Milan, watercolour and pencil, unsigned, 33cm x 43.5cm, framed £50 - £80

373. After Sir Joshua Reynolds, two infant shepherds in an embrace, in a wooded landscape with a lamb, watercolour and pencil, 17.5cm diameter, framed £50 - £80

379. E Oser, Portrait of a Hungarian girl, pastel, signed in pencil lr and dated 1943, 50.5cm x 45cm, framed £60 - £80 380. Follower of Evelyn De Morgan, a female nude, seated in profile, indistinctly signed l.r., pencil and pastel, 36 by 22cm, framed £60 - £100 380A. William Francis Vere Kebbell (Australian, 1888-1963) Portrait of an elderly gentleman, pastel on paper, signed lr, 25cm x 20cm, unframed, together with a similar pastel portrait depicting a young girl in blue dress, unsigned, 38.5cm x 28cm, framed (2) £100 - £200 381. Richard Slater, (British b. 1927), Brittany Shore, oil on board, signed ll, titled verso, 25cm x 30cm, framed, together with a similar example titled Britanny Coastline, signed lr, 19cm x 24cm, framed (2) £80 - £120

374

382. Brian Bradshaw (British, b. 1923), Lakeland Landscape with cottage and trees, pen and pastel, signed l.r, 30cm x 48cm, framed £100 - £200

374. Thomas Bush Hardy (British, 1842-1897), Shields Harbour, signed, titled and dated 1893 l.r., watercolour, 29 by 36cm, framed.

383. Dora Bard, Arts and Crafts wallpaper design, watercolour, 60cm x 44cm, framed

£200 - £300

Note: Dora Bard was married to Amor Fenn who was known to have woked with Lewis F Day £150 - £200

Provenance: with Richard Hagen, Broadway

375

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

393

398

384. Dora Bard, Arts and Crafts wallpaper design, watercolour, 60cm x 44cm, framed Note: Dora Bard was married to Amor Fenn who was known to have woked with Lewis F Day £150 - £200

392. British School, late 19th century, a four panel and tracery stained glass window design depicting scenes with Jesus, dedicated to the Smalldridge family, watercolour, 32 by 20cm, framed £80 - £120

385. C C. Liemann ?, Art and Crafts school, Gnomes and Singing Mushrooms, a pair, watercolours, signed l.l, 29cm x 14cm, framed £200 - £300

393. David Richardson (British, 19th/20th century), a Pre Raphaelite portrait study of a young woman with shawl, signed l.r., watercolour, 43 by 32cm, framed £80 - £120

386. William Francis Vere Kebbell, (1888-1963), Portrait of Joanna Denise Vere Kebbell, half length wearing a blue velvet dress seated before an open window, pastel, signed u.r, 59 x 50cm, framed £200 - £300

394. Tony Georges Roux (French, 1894-1928), A Country Garden Parterre, watercolour, oval, 70 by 56cm, gilt frame £50 - £70

387. John Hassall (British, 1868-1948), portrait of a clown, bust-length wearing a ruff, signed and dated 1923 l.l., watercolour, 25 by 18cm, framed £300 - £500 388. Style of Erte, a fashionable lady, full-length in a red dress, bears signature c.r., gouache and pencil, 30 by 22cm, framed £40 - £60 389. Albert Milton Drinkwater (British, 1862-1923), Cold Harbour, Leith Hill, Surrey; Lowlands, River Ayr, a pair, both signed l.r., watercolour, 30 by 45cm, gilt frames (2) £50 - £80 390. British School, circa 1890, The Bird Bath - two maidens beside a bird bath and pond in the Aesthetic manner, pen and ink, 40 by 20cm, framed £70 - £100

395. Sidney Grant Rowe (British, 1861-1928), Rural Scene with Farmhouse, signed l.r., watercolour, 17 by 25cm, framed £40 - £60 396. Louis Mortimer (British, late 19th/early 20th Century), Newlyn, Nr Penzance, signed l.l., titled and dated 1923 verso, watercolour, 35 by 26cm, framed £40 - £60 397. Mary Elizabeth Duffield (British, 1819-1914), still life with roses, strawberries, and a butterfly on a mossy bank, signed l.r., watercolour, 18 by 36cm, framed £80 - £120 398. Alistair Grant (British, 1925-1997), Le Touquet, June, signed l.r., titled on artist’s label verso, gouache and collage, 28 by 38cm, framed. Note: Artist Resale Rights apply

391. British School, late 19th Century, Civil War - Cavaliers and Roundheads, watercolour, 17 by 26cm, framed £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£100 - £150

399 399. John Hassall (British, 1868-1948), It’s Sternol Does It, promotional illustration for Sternol, signed l.r., gouache, 38 by 49cm, framed £800 - £1,200 400. Leopolodo Mariotti (Italian, 1848-1916), The Fully Loaded Wagon, signed, dated 1883 and inscribed Roma l.l., watercolour, 62 by 98cm, framed £100 - £150 400A. Robert Newton Hurley (British, 1894-1980), Saskatchewan Winter Scene (Canada), signed and dated 1954 l.r., titled verso, watercolour, 21 by 31cm, framed £150 - £200 401. Sidney Currie (British, act.1892-1930), Billesley Hall, Stratford, signed l.l., titled on mount below, watercolour, 25 by 35cm, framed, and a view of a watermill, signed l.r., watercolour, 25 by 33cm, framed (2) £50 - £80 402. Reginald George Haggar (British, 1905-1988), The Old Sawmill, signed l.r., titled verso, watercolour, 56 by 37cm, framed £200 - £250 403. John Worsley (British, 1919-2000), Treasure Island, a set of four illustrations, all signed, numbered, and dated 1972, watercolour and gouache, 48 by 63cm, framed (4). Note: Artist Resale Rights apply

£300 - £500

404 404. William Selby R.W.S. (British, 1933), Knottingley Canal, Cow Lane Bridge, signed l.r., titled verso, gouache, 45 by 53cm, framed. Note: Artist Resale Rights apply

£400 - £600

405. Stanley Jezzard (British, 1911-1983), shipyard workers, set of three illustrations, all signed u.c., pen and ink, largest 20 by 17cm, mounted (3) £100 - £150 406. Stanley McMurty ‘MAC’ (British, 1936), ‘Nearly Finished, Guv...’, ‘I suppose they’re Trying Their Best...’ and hunting trophy dentist, three, signed u.l., two titled below, two circa 1992 and one dated 31.7.15, pen and ink, largest 34 by 48cm, framed (3) £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

407 407.

Dorothea Sharp R.B.A. (British, 1874-1955), Summer Holidays, signed l.r., oil on canvas, 54 by 40cm, gilt frame.

Note: Artist Resale Rights apply

£10,000 - £15,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

408 408. Edward Atkinson Hornel (Scottish, 1864-1933), At Play in the Wood, signed and dated 1917 l.l., titled and signed on W.B. Simpson, Glasgow Gallery label verso, oil on panel, 40 by 50cm, gilt frame. £7,000 - £9,000

Provenance: with Ian MacNicol, Glasgow

409 409. William Marshall Brown R.S.A. (Scottish, 1863-1936), Paddling, signed l.r., titled verso, oil on canvas, 45 by 60cm, framed. £3,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

414. Henry H. Parker (British, 1858-1930), A Cornfield, Evesham, Nr Stratford-on-Avon; The Avon at Stratford, a pair, both signed, titled and signed verso, oil on canvas, 30 by 45cm, gilt frames (2) £300 - £500

410 410. Alfred Augustus Glendening (British, c.1840-c.1910), Hay Gathering, signed and dated 1908 l.r., oil on canvas, 30 by 50cm, gilt frame £800 - £1,200

411

415

411. Alfred Augustus Glendening (British, c.1840-c.1910), The Ferry, Isleworth on Thames, signed and dated 1909 l.l., titled on the fillet below, oil on canvas, 25 by 40cm, gilt frame £500 - £800

415. Alfred de Breanski (British, 1852-1928), A Highland Loch landscape with a shepherd watching his flock; a Highland Loch landscape with cattle, a pair, both signed with monogram and dated 1871, oil on canvas, 30 by 50cm, gilt frames (2) £1,500 - £2,000

412 412. Alfred Augustus Glendening (British, c.1840-c.1910), Near Betws-y-Coed, signed l.l., titled verso, oil on canvas, 30 by 55cm, gilt frame £400 - £600 413. Alfred Augustus Glendening (British, c.1840-c.1910), Sunrise on the River at Windsor; Dusk on the River at Windsor, a pair, both signed with initials, oil on board, 22 by 12cm, gilt frames (2) £200 - £300

416 416. Alfred de Breanski (British, 1852-1928), a Highland Loch landscape with sheep and cattle watering, signed with monogram and dated 1870 l.l., oil on canvas, 30 by 50cm, gilt frame £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

417 417. Alfred de Breanski (British, 1852-1928), Fishing on the Dee, signed l.r., titled verso, oil on canvas, 40 by 60cm, gilt frame £2,000 - £3,000

418. Alfred de Breanski (British, 1852-1928), a Highland Loch landscape with cattle watering and a figure with a dog and cattle on a path to the right, signed l.l., oil on canvas, 50 by 75cm, gilt frame. Provenance: with Haynes Fine Art, Broadway £1,500 - £2,000

418 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

419. Oliver Clare (British, 1853-1927), still life of bird eggs in a nest and flowers on a mossy bank; still life of an apple, strawberries, and plums on a mossy bank, a pair, both signed l.r., oil on canvas, 20 by 30cm, gilt frames (2) £400 - £600 420. Oliver Clare (British, 1853-1927), still life of fruit on a marble slab, signed l.r., oil on board, 40 by 28cm, framed £200 - £300 421. George Goodwin Kilburne (British, 1839-1924), Waiting for the Coach, signed and dated 1901 l.l., titled on the fillet below, oil on board, 15 by 22cm, gilt frame £200 - £300

424 424. Robert William Wright (British, act.1870-1906), The Restrung Violin, signed l.r., titled verso, oil on panel, 30 by 40cm, gilt frame £300 - £500

422 422. Thomas Faed R.S.A. (Scottish, 1826-1900), A Highland Lass with Sticks, oval, oil on board, 19 by 15cm, gilt frame £400 - £600

425 425. Edward Thompson Davis (British, 1833-1867), portrait of a smiling girl holding a posey, signed and inscribed ‘Worcester’ verso, oval. oil on board, 21 by 17cm, gilt frame £300 - £500

426 423 423. Gustave Jean Jacquet (French, 1846-1909), The Easter Bonnet, signed l.r., titled on the plaque below, oil on panel, 25 by 18cm, gilt frame £1,000 - £1,500

426. George Goodwin Kilburne (British, 1839-1924), The Squire’s Letters, signed l.r., titled verso, watercolour, 19 by 28cm, gilt frame. Provenance: with Haynes Fine Art, Broadway

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£250 - £350

427 427. Harry John Johnson (British, 1826-1884), Waterlily Girl, signed l.l., watercolour, 17 by 25cm, gilt frame £400 - £600

429 429. Henry James Johnstone (British, 1835-1907), A Loyal Friend, signed l.l., watercolour, 25 by 17cm gilt frame £500 - £800 430. George Goodwin Kilburne (British, 1839-1924), Feeding the Ducks, signed and dated 1879 l.r., watercolour, 19 by 15cm, gilt frame. Provenance: with Haynes Fine Art, Broadway

£200 - £300

431. Charles Edward Wilson (British, 1854-1941), The Young Musician, signed l.l., watercolour, 21 by 31cm, gilt frame £400 - £600

428 428. Henry James Johnstone (British, 1835-1907), Wood Nymph, signed l.r., titled verso, watercolour, 25 by 17cm, gilt frame £700 - £900 432 432. Charles Edward Wilson (British, 1854-1941), Feeding the Rabbits, signed and dated 1908 l.l., titled verso, watercolour, 20 by 30cm, gilt frame £500 - £800 433. David Bates (British, 1840/41-1921), At the Gate, signed, titled verso, watercolour, 34 by 24cm, gilt frame £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

434. Emily Farmer (British, c.1826-1905), The Spinning Top, signed with initials and dated 1884 l.r., titled below, watercolour, 25 by 16cm, gilt frame. Provenance: with Haynes Fine Art, Broadway

£200 - £300

443. Janet Golphin R.W.S. (British, 1950), Painting Poppies, signed l.r., titled verso, watercolour with bodycolour, 78 by 66cm, framed. Provenance: with Bankside Gallery, London

£600 - £800

435. William Clarkson Stanfield R.A. (British, 1793-1867), Trafalgar, signed l.r., titled below, watercolour, 16 by 23cm, gilt frame £200 - £300 436. Arthur Claude Strachan (Scottish, 1865-c.1938), A Woodland Cottage, signed l.l., titled verso, watercolour, 29 by 45cm, gilt frame £200 - £300 437. Robert Malcolm Lloyd (British, 1855-1945), Gorleston, signed l.r., titled on the mount below, watercolour, 19 by 13cm, and another, Fishing Boats, signed and titled l.r., watercolour, 17 by 12cm, gilt frames (2) £80 - £120 438. William Cruickshank (British, 1848-1922), still life of eggs in bird nests and flowers on a mossy bank, a pair, oval, both signed l.r., watercolour, 7 by 12cm, gilt frames (2) £60 - £100 439. Myles Birket Foster R.W.S. (British, 1825-1899), Herding the Cattle at Dusk, signed with initials l.l., watercolour, 14 by 20.3cm, gilt frame. Provenance: Lot 149, Victorian & British Impressionist Pictures Including Drawings & Watercolours, Christie’s, London £300 - £500 440. James Drummond (British, 1816-1877), portrait of a girl fern gatherer, bust-length wearing a headscarf and blue and white striped dress, oval, signed and indistinctly dated l.r., watercolour, 32 by 25cm, gilt frame £80 - £120 441. John Hut (20th Century), The Ventriloquist, signed and dated 1993 l.r., watercolour heightened with white, 40 by 30cm, framed £150 - £200

444 444. William Lee Hankey (British, 1869-1952), a fashionable young lady, full-length in a white dress holding a staff in a garden landscape, watercolour, 54 by 32cm, gilt frame £300 - £500

442. Rick Lewis (British, 1965), At the Turn, signed l.l., watercolour, 35 by 45cm, framed. Note: with a letter of authenticity from the artist dated 2004 £100 - £150

445 445. Kenneth Rowntree (British, 1915-1997), geometric composition, signed verso, gouache, 13 by 15cm, framed. Provenance: created by the artist as a Christmas card for the vendor’s mother, with season greetings to the recipient from the artist and his wife Diana Rowntree verso, postmark for December 1991. 443

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£800 - £1,200

446. British School, mid 19th Century, a marine scene with cargo sailing vessels, oil on board, 25 by 30cm, in a 19th Century gilt frame £60 - £100 447. After Christian Wilhelm Ernst Dietrich, The Wandering Musicians, a pair, oil on tin, 38 by 30cm, gilt frames (2) £80 - £120

456 456. British School, mid-19th Century, portrait of a gentleman, bust-length wearing a white stock and black tunic, oil on panel, 60 by 48cm, gilt frame £150 - £200

448 448. C..Jones (British, 1836-1895), Terriers Rabbiting, signed l.r., oil on canvas, 20 by 24cm, gilt frame £80 - £120 449. British School, mid-19th Century, a Romantic landscape with figures and cattle amongst ruins, oil on canvas, 29 by 40cm, gilt frame £100 - £150 450. Francis E. Jamieson (British, 1895-1950), Lyndhurst, New Forest, signed l.l., titled verso, oil on canvas, 50 by 40cm, gilt frame £100 - £150

457. James Wyon (British, 1804-1868), A Family Visit, signed and dated 1862 l.r., oil on canvas, 44 by 35cm, gilt frame. Provenance: with Richard Hagen, Broadway

£150 - £250

458. After D. Teniers, Great Expectations; The Stable-Hand, a pair, bears signature, oil on copper, 20 by 17cm, gilt frames (a/f) (2) £150 - £200

451. Italian School, 19th Century, The Madonna, oil on canvas, 62 by 50cm, gilt frame £100 - £150 452. Paul Czainski (British, 1954), ‘What Came Down the Chimney’, signed l.l., oil on board, 10 by 15.5cm, framed. Provenance: with W.H. Patterson, London

£100 - £150

453. British School, late 19th Century, a portrait of a lady, bust-length in profile wearing pearls and a pink silk dress, oil on canvas, 67 by 42cm, unframed £100 - £150 454. Edgar H. Fisher (British, late 19th/early 20th Century), portrait of Lena Bowyer, bust-length wearing a ribbon in her hair, signed l.r., oil on board, 60 by 42cm, framed £100 - £150 455. ....Frith (British, late 19th Century), a marine scene with cargo boats, signed and dated (18)89 l.l., oil on canvas, 25 by 35cm, birds eye maple cushion frame £100 - £150

459 459. After Carlo Dolci, 19th Century, The Penitent Magdalene, oil on canvas, oval, 45 by 35cm, in a gilt Florentine frame. Note: after Dolci’s original in the Uffizi Gallery, Florence £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

466 466. Collender Goldsmith (British, late 19th/early 20th Century), a grey horse in a stable, blue saddle cloth with initials ‘L.E’ to the left, signed l.l., oil on card, 22 by 42cm, gilt frame £300 - £500 460 460. Charles Walter Simpson R.I. (British, 1885-1971), Mallards Rising from the Water, signed l.r., titled verso, oil on canvas, 25 by 35cm, framed. £200 - £300

Note: Artist Resale Rights apply

461. Attributed to Jane Nasmyth (Scottish, 1778/88-1867), a seascape cove with fisherfolk, attribution verso, oil on canvas, 30 by 40cm, gilt frame £200 - £300

466A. J..Browne (British, early 20th Century), Lightning and Thunder, a pair of racing pigeon portraits, both signed and dated 1919 l.r., titled l.c., oil on board, 20 by 22.5cm, framed (2) £400 - £600 467. Friedrich Schaper (German, 1869-1956), figures in a horse-drawn carriage, signed l.r., signed verso, oil on board, 23 by 29cm, framed £300 - £500

468 468. Edwin Hayes R.I. (British, 1819/20-1904), Squally Weather, signed l.l., titled and signed verso, oil on board, 17 by 30cm, gilt frame £400 - £600

462 462. After Anjelica Kauffmann, Portrait of a woman as a Vestal Virgin, oval, oil on canvas, 94 by 75cm, unframed £200 - £300 463. Attributed to Edward Williams (British, 1782-1855), a river landscape with a figure and infant on a path; a wooded landscape with a bridge and a figure and infant on a path, a pair, oil on panel, 28 by 35cm, gilt frames (2) £200 - £300 464. Roger H. Middlebrook (British, 1929), D.H.66 Hercules, signed l.l., titled verso, oil on board, 50 by 75cm, framed £250 - £350 465. Marjorie Sherlock (British, 1897-1973), seated male nude, oil on canvas, 43 by 36cm, framed. Provenance: with Hamet Gallery, London. Note: Artist Resale Rights apply

£250 - £350

469 469. 20th Century School, The Life of Douglas Fairbanks Jnr on a World Stage, as a collage, oil on board, 101.5 by 114.5cm, unframed. Provenance: from The Douglas Fairbanks Jnr Collection, as seen in a personal photograph album hanging behind the idol’s desk £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

470 470. Charles Sillem Lidderdale (British, 1831-1895), portrait of a country girl, half-length wearing a shawl and a scarf, signed with monogram l.l., oil on canvas, 50 by 40cm, gilt frame £1,500 - £2,000

472

471 471. Barbara Mackay (British, late 19th/early 20th Century), portrait of a young lady, bust-length wearing a white dress seated at a table with a letter, flowers, a fan and a cup, signed and dated 1896 u.r., oil on canvas, 95 by 100cm, gilt frame £2,000 - £3,000

472. Edgar Hunt (British, 1876-1953), Hens and Chicks in a Stable; A Goat, Hens, Pigeons, and Doves in a Farmyard, a pair, both signed and dated 194X l.r., oil on canvas, 35 by 30cm, gilt frames, with picture lights (2) £3,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

473 473. Edgar Hunt (British, 1876-1953), Farmyard Friends Donkeys and Hens in a Farmyard, signed and dated 1922 l.l., oil on canvas, 55 by 75cm, gilt frame, with a picture light £4,000 - £6,000

474 474. Pierre de Clausade (French, 1910-1976), Estuary, signed l.l., oil on canvas, 45 by 80cm, framed. £800 - £1,200

Note: Artist Resale Rights apply

475. Norman R. Hepple (British, 1908-1994), Her First Bouquet, signed l.l., titled verso, oil on canvas, 75 by 60cm, framed. Provenance: with Fosse Gallery, Stow on the Wold. Note: Artist Resale Rights apply

£1,000 - £1,500

475

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

476 476. Anthony Gibbs (British, 1951), a tiger in a winter landscape, signed l.l., oil on canvas, 60 by 100cm, framed. £400 - £600

Note: Artist Resale Rights apply

479 479. Gordon King (British, 1939-2022), The Artist’s Studio Model and Cat, signed l.l., oil on canvas, 90 by 60cm, framed £1,000 - £1,500 480. John Smith (British, 1934), still life of fruit on a mossy bank, a pair, both signed l.r., oval, oil on board, 38 by 48cm, framed (2) £80 - £120 477 477. Jake Baddeley (British, 1964), Levitas, signed with monogram twice and dated 2005 u.l., and l.l., oil on panel, 20 by 14cm, framed.

481. Garry Raymond-Pereira (British, 1974), Summer Oak, signed and titled verso, oil on panel, 15 by 15cm, unframed £50 - £80

£150 - £200

Note: Artist Resale Rights apply

478 478. William Selby R.W.S. (British, 1933), Pennine Factory, signed l.r., titled verso, mixed media, 52 by 80cm, framed. Note: Artist Resale Rights apply

£700 - £900

482

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

482. Lawrence Coulson (British, 1962), After the Deluge, signed l.l., also signed and titled verso, oil on board, 90 by 90cm, framed. £500 - £800

Note: Artist Resale Rights apply

483. David Wilde (British, 1918-1974), The Kraken Wakes, signed l.r., titled l.l., artist notes verso, acrylic, 52 by 51cm, mounted. £50 - £80

Note: Artist Resale Rights apply

484. David Wilde (British, 1918-1974), Autumn, signed l.r., titled l.l., acrylic, 57 by 73cm, unframed. £50 - £80

Note: Artist Resale Rights apply

485. David Wilde (British, 1918-1974), Autumn Apocalypse, signed l.r., titled l.l., acrylic, 52 by 70cm, unframed. £50 - £80

Note: Artist Resale Rights apply

486. David Wilde (British, 1918-1974), Ride of the Valkyries, signed l.r., titled l.l., artist notes verso, acrylic, 55 by 67cm, unframed. £70 - £90

Note: Artist Resale Rights apply

490. David Wilde (British, 1918-1974), The Spinney in the Fire of Spring, signed l.r., titled l.l., acrylic, 55 by 70cm, mounted. £70 - £90

Note: Artist Resale Rights apply

491. David Wilde (British, 1918-1974), How Seaweed Lives, signed l.r., titled l.l., artist notes verso, acrylic, 63 by 59cm, unframed. £70 - £90

Note: Artist Resale Rights apply

David Wilde (British, 1918-1974), The Construction of 492. Port Penrhyn, (For Mickey), signed l.r., titled l.l., artist notes verso, acrylic and collage, 63 by 83cm, unframed. £70 - £90

Note: Artist Resale Rights apply

493. David Wilde (British, 1918-1974), In the Aegean, signed l.r., titled l.l., acrylic, 52 by 60cm, mounted. £70 - £100

Note: Artist Resale Rights apply

494. David Wilde (British, 1918-1974), Shipwreck, signed l.r., titled l.l., acrylic, 53 by 72cm, mounted. £70 - £90

Note: Artist Resale Rights apply

487. David Wilde (British, 1918-1974), The Strawberry Picture, signed l.r., titled l.l., artist notes verso, acrylic, 58 by 38cm, mounted. £70 - £90

Note: Artist Resale Rights apply

488

495

488. David Wilde (British, 1918-1974), The Watcher, signed l.r., titled l.l., artist notes verso, acrylic, 59 by 49cm, mounted.

495. David Wilde (British, 1918-1974), Enter the Magician, signed l.r., titled l.l., artist notes verso, acrylic, 75 by 51cm, mounted.

Note: Artist Resale Rights apply

£70 - £90

489. David Wilde (British, 1918-1974), The Night Game is Shining, signed l.r., titled l.l., artist notes verso, 51 by 60cm, mounted. Note: Artist Resale Rights apply

£70 - £90

Note: Artist Resale Rights apply

£70 - £90

496. David Wilde (British, 1918-1974), Saltmarsh, Llanfairfechan, signed l.r., titled l.l., artist notes verso, acrylic, 51 by 67cm, mounted. Note: Artist Resale Rights apply 497

No Lot

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£80 - £120

FURNITURE 498. A Regency stained beech bergere armchair, circa 1810, in the manner of Thomas Hope, gadroon carved and baluster turned top rail, tablet back, scroll arms with beast head terminals, sabre front legs £50 - £80 499. A mahogany framed triple panel room divider screen, early 20th Century, each panel inset with an Aubusson style tapestry depicting figures at leisure in 18th Century costume in Romantic landscapes, green baize backing, 169cm high, 216cm wide £80 - £120 500. An Edwardian mahogany Canterbury, circa 1910, of Sheraton revival design, satinwood crossbanded, strung and marquetry inlaid, five lyre-shaped fretwork divisions, sabre block legs, 56cm high, 55cm wide, 42cm deep £100 - £150

504. An Edwardian mahogany breakfront writing table, circa 1910, crossbanded and marquetry inlaid, triple frieze drawers, a single panelled cupboard to each pedestal, serpentine undertier to the kneehole, baluster turned legs terminating in brass cappings and castors, 74cm high, 145cvm wide, 59cm deep £150 - £200 505. A Regency rosewood library table, circa 1815, gilttooled green leather inset top, stylized brass inlay throughout, triple frieze drawers, raised on block tapered supports, united by an acanthus turned stretcher and acanthus scroll feet concealing metal castors, 73cm high, 152cm wide, 69cm deep. Provenance: with the bill of sale from A.T. Silvester Antiques, Solihull, 1970, cost price £420 £500 - £800 506. An Edwardian mahogany corner standing vitrine, circa 1910, arched pediment, crossbanded, marquetry inlaid and strung, Gothic arch astragal glazing, flanked by fluted pilasters, serpentine base with a cupboard, raised on fleur de lis carved feet, 215cm high, £150 - £250 79cm wide

501 501. A Victorian mahogany framed bergere swinging cradle, ogee arched canopy with acorn finials, baluster turned stand with a double stretcher, 120cm high, 105cm wide, 50cm deep £150 - £200 502. An Edwardian mahogany cheval dressing mirror, circa 1910, swan neck pediment, urn finials, floral marquetry inlaid, bevelled plate, inlaid sabre legs, brass castors, 190cm high, 76cm wide £150 - £200

507 507. An Edwardian mahogany linen press, circa 1910, dentil cornice, twin panelled doors, satinwood crossbanded, strung and marquetry inlaid with classical urns and foliage, two short over three long drawers with gilt metal ring handles, on outswept bracket feet, 206cm high, 120cm wide, 54cm deep £400 - £600

503 503. A late 19th Century cellarette, of drum form, turned cover with finial atop a gadroon craved dome, brass coopered chipcarved body with lion mask ring handles, brass claw and ball feet, lead liner, 43cm high, 38cm diameter £150 - £200

508

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

508. A Regency mahogany sofa table, circa 1820, egg and dart moulded border, double frize drawers, sabre support, quatrefoil plinth, acanthus carved scroll feet concealing castors, 105cm wide, 60cm deep £150 - £250

515 515. A pair of Victorian design gentleman’s library balloon back chairs, brass studded button back red leather upholstery, serpentine seats, baluster turned front legs terminating in brass castors, 94cm high (2) £200 - £300

509 509. An Edwardian mahogany triptych screen, serpentine scroll top with carved shell pediment, the fielded panelled screen with a central carved heraldic device incorporating shells, crosses and Latin motto with banner date ‘1859-1909’, the outer panels with carved initials within cartouches, 135cm high, 122cm wide £150 - £200

516. A George II Irish mahogany Pembroke table, circa 1750, crossbanded and strung top with a central oval marquetry inlay panel of a lady playing the harp and shells to the flaps, gateleg action, cabriole legs terminating in hairy paw feet, 90cm wide £200 - £300

510. A rosewood boudoir fauteuil, of Louis XV design, serpentine top rail with foliate carving, outswept acanthus scroll arms, French cabriole legs, pink lozenge design damask upholstery, 74cm high £150 - £200 511. An Edwardian mahogany kidney-shaped pedestal writing desk in the manner of Edwards & Roberts, circa 1910, of Sheraton revival design, satinwood crossbanded and strung throughout, gilt-tooled green leather inset top, central frieze drawer flanked by a bank of four drawers to each pedestal, on tapered block legs, brass castors, 76cm high, 130cm wide, 60cm deep, (key) £500 - £800 512. A pair of fauteuil and matching stool to form a chaise, of Louis XVI design, carved frames with rams head terminals to the fauteuil, on tapered reeded legs, lozenge design pink damask upholstery, 85cm high, 164cm long when interlocked (3) £150 - £250 513. An oval gilt framed wall mirror, 19th Century, classical urn and garland pediment, bevelled plate, 90 by 90cm £180 - £220 513A. A Regency giltwood pier glass of small proportions, circa 1820, projecting cornice, the frieze with a reverse print on glass of a naive riverside cottage, fluted pilasters, 53 by 35cm. Provenance: the Harry Ryans Collection

£100 - £150

513B. A Regency giltwood pier glass, circa 1820, projecting cornice, basket lattice and verre eglomise frieze, fluted pilasters with acanthus capitals, 113 by 64cm.

517 517. A mid-Victorian burr walnut breakfront credenza, circa 1860, amboyna inlaid, crossbanded, strung and marquetry inlaid throughout, gilt metal mounts, central door inlaid with a classical urn motif, flanked either side by corinthian capital fluted columns, bowfront side doors opening to display shelving, on a plinth raised on toupie feet, 112cm high, 152cm wide, 45cm deep, (two keys) £800 - £1,200 518. A kingwood and floral marquetry inlaid vitrine, of Louis XV design, serpentine fronted with Rococo gilt metal mounts, single glazed door opening to glass shelving and damask lined base, cupboard below, on French cabriole legs, sabots, 195cm high, 110cm wide, 50cm deep (key) £200 - £300

£200 - £300

519. A large oval gilt framed wall mirror, 19th Century, Rococo design with a fretwork scroll pediment, bevelled plate and border, 135 by 95cm £200 - £250

514. A large rectangular gilt framed wall mirror, late 19th Century, arched plate, fillet, Rococo scrollwork frame, 144 by 117cm £200 - £300

520. A Murano Italian glass chandelier, circa 1950s, eight branches, optic moulded with applied blue and pink rigaree decoration £300 - £500

Provenance: the Harry Ryans Collection

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

523. An Edwardian mahogany corner standing vitrine, circa 1910, dentil cornice, marquetry inlaid, crossbanded, and strung throughout, twin astragal glazed doors opening to serpentine shaped shelving, the lower section with a central frieze drawer over twin panelled doors with classical urn marquetry inlay, raised on bracket feet, 222cm high, 97cm wide £250 - £350

521 521. Arthur Simpson of Kendal, an Arts and Crafts carved oak magazine rack, the spade pointed Gothic arch boarded side panels united by a serpentine pegged top handle, labelled to the underside, 43cm long, 43cm high £250 - £350 522. A 19th Century mahogany breakfront sideboard, tubular brass raised back with urn finials, rosewood crossbanded and strung with a central drawer flanked by a bowfront cellarette and drawers either side, gilt metal wreath handles, on ring turned legs, 200cm wide, 75cm deep £250 - £350

524 524. A pair of mid-Victorian rosewood balloon back parlour armchairs, circa 1860, foliate and scroll carved top rails, scroll arms with eagle head terminals, serpentine front rails, claw and ball feet concealing brass castors, gold and blue fabric floral button back upholstery, 102cm high (2) £300 - £500

525 525. An Edwardian mahogany envelope-action games table, circa 1910, marquetry inlaid, satinwood crossbanded and strung throughout, green baize lined top with carved wells, ring turned legs united by a quatrefoil undertier, outswept block legs terminating in metal castors, 91 by 91cm open £300 - £500

523 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

527. An Edwards & Roberts satinwood oval boudoir table, circa 1900. of Louis XVI design, gilt metal fretwork gallery, crossbanded, marquetry inlaid and strung throughout with a central musical trophy to the top, a short over a deep drawer with gilt metal loop handles, stamped maker’s name, on French cabriole legs, 75cm high, 70cm wide, 46cm deep, (key) £300 - £500

528

526 526. A satinwood and specimen wood bureau abatant, 18th Century, possibly Dutch, parquetry and marquetry inlaid, crossbanded and strung throughout, dentil cornice with canted corners, a single long frieze drawer with brass ring handles framing portrait medallions of fashionable ladies, over a fall-front with a black lacquer central panel with chinoiserie landscape scene with figures and horse, opening to a fitted interior with open storage and till drawers, a double door cupboard below with bow and tassel marquetry inlay suspending lacquer panels, on inverted pyramidal feet, 149cm high, 93cm wide, 43cm deep, (key) £800 - £1,200

528. An Edwards & Roberts mahogany bowfront writing table, circa 1900, of Sheraton revival design, marquetry inlaid, crossbanded, and strung throughout, military trophy inlay to the top, central frieze drawer flanked by a bank of short drawers to each pedestal with brass handles and escutcheons, stamped maker’s mark, turned toupie feet, 82cm high, 100cm wide, 53cm deep, (key) £300 - £500

529

527

529. A mid-Victorian mahogany work table, circa 1860, tray top, slender drawers to each end, (lacking the retractable well), acanthus and fluted column supports, carved cabriole legs concealing brass castors, 73cm high, 68cm wide, 48cm deep £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

530. A Victorian mahogany partners’ pedestal desk, circa 1870, gilt-tooled green leather inset writing surface, triple frieze drawers with Bramah locks and a slide to the frieze, over panelled cupboards to both sides opening to storage space and inner drawers, plinth, 82cm high, 140cm wide, 78cm deep £300 - £500 531. An Edwardian mahogany demi-lune vitrine, circa 1910, dentil cornice, blind fretwork frieze, single door and sides with astragal bar glazing, green watermark silk lined inverted inner shelving, moulded acanthus base with an undertier, moulded block legs, 190cm high, 94cm wide, 47cm deep £300 - £500

534 534. An Arts and Crafts oak and tile chair, possibly Leonard Wyburd for Liberty and Co., turned and chamfered front legs, the back set with two dust pressed tiles in the Art Nouveau style, over two plank splats and boarded seat, 94cm high £200 - £300

532 532. An Edwardian mahogany kidney-shaped pedestal writing desk, circa 1910, of Sheraton revival design, birds eye maple crossbanded and strung throughout, central frieze drawer flanked by four drawers to each pedestal with brass drop handles, tapered block legs, brass castors, 74cm high, 126cm wide, 56cvm deep, (key) £300 - £500 533. Attributed to Shapland & Petter, Barnstaple, and Arts and Crafts oak buffet, circa 1905, raised serpentine back with inset repousse copper panel with stylised foliate devices, extended uprights, spindle gallery below, long frieze drawer with brass ring handles on copper backplates, undertier, stiles, 124cm high, 110cm wide, 46cm deep £350 - £550

535 535. Arthur Simpson of Kendal, an Arts and Crafts carved oak and leather stool, rectangular section with saddle seat of lattice straps, on tapered legs terminating in octagonal feet, united by high stretchers, 41cm wide, 31.5cm high £150 - £250

536.Arthur Simpson of Kendal, an Arts and Crafts carved oak wall hanging cupboard shelf, the single door carved with a floral rosette beside an open shelf, below a foliate frieze, 44cm high, 75cm wide £400 - £600

536

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

537

537. Arthur Simpson of Kendal, a set of six Art and Crafts oak dining chairs, each with leather lattice strap seats with bronzed studs, the curved backs with double plank splats below serpentine top rails (6) £800 - £1,200 538. A Starbay Marie-Galante compact vanity unit, in the Art Deco style, faux leather exterior with side handles, rosewood interior, hinged top with internal triptych mirror, short frieze drawer, retractable half-moon front doors opening to a fitted arrangement of storage, and banks of drawers, inset oval bone maker’s plaque, 74cm high, 60cm wide, with a tan leather stool labelled Top Siege International (2) £400 - £600

539. Gordon Russell of Broadway, a 1960s walnut and crossbanded dining suite, comprising a sideboard with a central bank of three drawers flanked by a cupboard on either side, on tapered block legs, 141cm wide, 49cm deep, a matching extending dining table with an extra leaf and a set of four dining chairs, green wool seats, and backs (6) See following page for illustration. £300 - £500 540. Frederik A. Kayser (Norwegian, 1924-1968), teak rocking chair, Model No.599 (1959), cord seat, 75cm high £500 - £800

540 538

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

539

541

541. Peter Rolfe (British, 1942), a birds-eye maple dressing or writing table, in the Art Deco style, of oval form, ebony strung, a retractable looking glass and jewellery compartment to the top activated by the central frieze drawer, flanked by an interspaced bank of four short drawers to each pedestal, one drawer bearing maker’s and Worshipful Company of Furniture maker’s discs, 74cm high, 140cm wide, 82cm deep, with a matching circular stool with upholstered seat, (with fire safety certificate) (2) £4,000 - £6,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CLOCKS

543

544

542. Hour Lavigne, Paris for Garrard, an urn clock of Empire design, lapis lazuli simulated domed lacquer top and base with brushed and gilt brass mounts, rotating white hour and seconds index with black Roman numerals, stepped white marble plinth, 35cm high, in a presentation box with 1993 sale catalogue illustrating the clock £150 - £200 543. Eug Bagues, Paris, a late 19th Century gilt metal bracket clock, of Baroque design with an urn of fruit and vine garland finial, 10cm convex enamel dial with Roman numerals, flanked by fluted pillars, on a breakfront white marble plinth raised on toupee feet, the movement striking on a bell, 34cm high, (key and pendulum) £150 - £200 544. A late 19th Century French boulle work bracket clock, circa 1870, of balloon shape with a cherub finial and Rococo mounts, 12cm brass dial with inset Roman enamel numerals, pendulum window, raised on scroll feet, the movement striking on a gong, 40cm high, (sunburst pendulum) £200 - £400

548

547

546. A Black Forest oak bracket clock, late 19th Century, of Germanic architectural form with finials, domed tiled roof, square silvered dial with Roman numerals, raised on a plinth and turned peg feet, the musical movement striking on two gongs, 61cm high, (key and pendulum) £300 - £500

549. A French porcelain and ormolu mounted clock garniture, circa 1885, the chiming clock movement stamped R & C paris, the clock with urn surmount, over arched porcelain panel, the face with painted roman numerals within gilded cartouche and painted garden scape with seated figures, on swept plinth base and cast bun feet, 40 cm high, the clock flanked by two twin branch ormolu mounted porcelain candelabra, painted with Putti and floral sprays within turquoise ground on circular lapett and mask moulded base and three scroll feet, 24cm high (3) £500 - £800

547. A 19th century tortoiseshell lancet cased timepiece, the 3.5 inch white enamelled dial with Roman numerals within an arched case on bracket feet, with two carrying handles, 23cm high £300 - £500 548. A large European bracket clock, 19th Century, of Baroque design, gilt wood and metal, 19cm enamel convex dial with Roman numerals, urn finial with garland, oak leaf border, raised on an inverted simulated green veined marble plinth with floral garland, on claw feet, 83cm high, (pendulum) £500 - £800

545. Leroy, Paris, a late 19th Century French clock garniture, gilt metal four-glass case with white marble urn finial, extensive gilt ormolu mounts of bows suspending branches of fruit, 11cm white enamel convex dial with Arabic numerals, signed ‘Leroy, H....de La Cour’, raised on a white marble plinth, toupie feet, the movement striking on a bell, 45cm, high, the matching pair of white marble and gilt ormolu mounted candelabra in the form of Corinthian columns with vintner cherubs and trailing vine, toupie feet, 31cm high (3) (key and pendulum) £400 - £600 549

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

551

550. Jaeger Le Coultre, a gilt brass Atmos clock, thirteen jewel Swiss movement, in a cuboid case with five glazed sides, the white enamelled chapter ring with Roman numerals, 22.5cm high £400 - £600 551. Glasgow School, an Arts and Crafts copper and Ruskin cabochon clock, cuboid plinth form with serpentine domes roof, the central white enamelled dial flanked by repousse embossed and pierced stylised tree motifs, reverse set with turquoise plaques, 25cm wide, 14cm high, 8cm deep £1,500 - £2,000 552. An Arts and Crafts Glasgow School carved oak clock, cuboid form with fluted columns flanking a relief carved crescent of swallows in flight, in the style of John Ednie, below a circular white enamelled dial, 32.5cm high £400 - £600

550

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

DAY TWO

ORIENTAL 561. A series of Chinese silk embroidered clothing embellishments, Qing Dynasty, including a shoe cover, insects, panels of vases of foliage/bats, some incorporating gold thread (6). Provenance: Private collection, Janet McCorkindale Scott (1909-2005) thence by descent.

566. Two Japanese brass and mixed metal page turners, the blades engraved with naturalistic floral branches, insects and birds, the handles cast in relief, one with anthropomorphic characterful frogs, the other with monkeys and crab, one signed, 31cm long (2) £70 - £100

553 553. A Chinese famille rose ginger jar, decorated with warriors jousting, with attendants and onlookers, 16cm high £100 - £150

567

554. A 19th century novelty letter opener, realistically modelled as an officers sword, with steel blade, carved horn grip and brass handle and guard, 27cm long £40 - £60

567. A pair of Chinese porcelain plaques, 20th Century, painted with mountain landscapes of figures and blossom, script marks, 30cm x 15cm, framed (2) £70 - £100

555. A Chinese porcelain vase, Guangxu period, (1875-1908), profusely decorated with court scenes and attendants, and warriors to the reverse, 63cm high £600 - £800 556. A Chinese Yixing gourd teapot, lobed melon form with relief moulded leafy tendril and handle, 17cm long £50 - £80 557. A rare Chinese porcelain snuff bottle, 18th Century, decorated in mottled ‘sancai’ glazes of yellow and green with applied lion head handles, underglaze Yongzheng mark to base, (1725-1735), 5.7cm wide, 5cm high £50 - £80 558. A Chinese Canton Famille rose bowl, Qing Dynasty, 19th Century, decorated with panels of narrative figures scenes, and exotic birds amongst foliage, 26cm diameter £50 - £80 559. A Chinese vase, Kangxi period, 1662-1722, of baluster form with yellow ground, decorated in Imperial taste yellow and underglaze blue with trailing lotus motifs, concentric double circle marks to base in underglaze blue, 28cm high £1,000 - £1,500 560. A pair of Chinese silk embroidered sleeves, early 20th Century, depicting fashionable ladies in landscapes with railings, pagodas, and foliage, 53 by 8cm, framed (2) £50 - £80

562

568. A collection of Chinese carved hardwood stands, many with labels for Bluett and Sons, London, some with lotus leaf bracket feet, others reticulated, various sizes and shapes £80 - £120

562. A Chinese blue and white ‘marriage’ ginger jar and ceramic cover, Qing Dynasty, painted characters on a ground of blossoming foliage, 22cm high £60 - £100

569. A Turkish Ottoman pottery ewer, footed baluster form, relief moulded floral roundels within blue and white painted foliate scroll ground, 27cm high £80 - £120

563. A Chinese porcelain narrownecked bottle vase, 19th Century, decorated in underglaze red with writhing dragon and bats and lingzhi fungus, Chenghua mark to base in underglaze blue, 14.5cm high £60 - £80

570. A Chinese qingbai bowl, probably Song dynasty, pale translucent glaze over white painted earthenware, 10.5cm diameter £80 - £120

564. A Chinese Yixing teapot and cover, enamelled with water plants and flowers, swing top handle, 19cm wide £60 - £80 565. Two Oriental carved bamboo page turners, the blades carved with landscapes with pine trees, one inset with mother of pearl insect, pierced handles, 44cm long (2) £70 - £100

571. A Chinese blue and white bowl, Ming Dynasty ‘Transitional Period’, circa 1650, of flared conical form, fluently painted in underglaze blue with the ‘Three Friends of Winter’ pine, bamboo and plum, 17cm diameter £40 - £60 572. A Japanese Meiji satsuma brooch £80 - £120 573. A Chinese carved wood cardcase, modelled in relief with an extensive populated garden landscape of temples and trees, the ends with floral bands, 12cm long, 7.5cm wide, 1.8cm deep £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

574. Two Chinese silk embroidered panels, each with dragons in relief, one a cushion cover, both on a plain cream ground, largest 102 by 54cm (2). Provenance: Private collection, Janet McCorkindale Scott (1909-2005) thence by descent. Note: Janet McCorkindale Scott was a keen embroiderer and was Chairman of the Glasgow Embroiderer’s Guild. She was given the collection of what appeared to be ornate Chinese embroidery and clothing items by a fellow member of the Guild. She gave the collection to her daughter-in-law, who is also a keen embroiderer in the late 1990’s £100 - £150

578. A Chinese blue and white teapot and cover, 18th century probably Kangxi, painted with panels depicting vases, metal spout, 11cm high £100 - £200

583. Three Chinese jade type carvings, including a horse, a sushi dog and a ring handled vase on stand, 21.5cm high £40 - £60

579. A Chinese famille verte vase and cover, inverse baluster form, painted with Oriental figures, 42cm high £100 - £200

584. A Chinese blue and white figural lamp, modelled as two boys climbing a gnarled tree trunk, 40cm high £400 - £600 585. A Chinese famille rose figure of Guanyin, polychrome enamelled and modelled in meditation, on stand, 29cm high £100 - £150

580 580. A Chinese famille rose teapot and cover, of small proportions, painted with a deity riding a shishi, with attendants, £100 - £150 7cm high

575 575. A pair of Chinese ‘Bonsai’ trees, Qing Dynasty, hardstone foliage, and jade leaves, in rectangular cloisonne planters raised on bracket feet, 43cm high (2) £100 - £150 576. A Chinese celadon glazed brush pot, cylindrical form with moulded rings, the central band with archaistic geometric key design, on three scrolling cloud bracket feet, 7cm high £100 - £200

586 586. A Persian white metal and brass ewer, embossed and chased in relief with foliate scroll design £100 - £150

581 581. A Chinese black lacquered and gilt games table, Qing Dynasty, inverted top decorated with gilt figures in traditional costume, detachable mother of pearl chess board and backgammon board below, frieze drawer, bird-cage attachment, baluster support, tripod base with dragon feet, 75 by 87cm £100 - £200

587. A Chinese bronze table lamp base in two sections, late Qing Dynasty, of baluster form, cast in high relief with cranes amongst bamboo, sea creatures and beasts, 92cm high £150 - £250

577 577. A Chinese celadon glazed dish, lobed everted rim, central incised ring, the exterior with tooled lines, 13.5cm diameter £100 - £200

582

578

582. A pair of Japanese Satsuma miniature vases, of cylindrical brush pot form, painted in the round with boys playing, between polychrome enamelled geometric borders, unmarked, 6.2cm high (2) £100 - £200

588 588. A Chinese carved figure of a scholar, modelled holding a scroll, standing on a writhing dragon, 21cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

589 589. A Japanese Satsuma box and cover, probably the mark of Kozan, cuboid form with canted corners, the central image of Geishas and children in a springtime garden landscape , within a rasied gilt geometric border, the sides with millefiori chrysanthemum decoration, seal mark, 3cm high, 8.5cm wide, 6cm deep £150 - £200 598 598. A Chinese silk embroidered skirt and overcoat, Qing Dynasty, 19th Century, the overcoat in red with dragons chasing flaming pearls amongst clouds incorporating gold and silver thread, vibrant chevron border to base, the turquoise pleated skirt embroidered with stylized panels of dragons and exotic birds, overcoat 160cm across shoulder, 98cm high (2). Provenance: Private collection, Janet McCorkindale Scott (19092005) thence by descent.

590 590. Six Oriental earthenware teapots, relief moulded figural and zoomorphic designs in terracotta and other wares (6) £150 - £200 591. A Japanese embossed copper and silver plated easel mirror, cast in relief with chrysanthemums and dragons, bracket feet, 32.5cm high £150 - £200 592. A large Chinese celadon crackle glazed plate, circular with slightly everted rim, ochre rim, 33.5cm diameter £150 - £250

Note: Janet McCorkindale Scott was a keen embroiderer and was Chairman of the Glasgow Embroiderer’s Guild. She was given the collection of what appeared to be ornate Chinese embroidery and clothing items by a fellow member of the Guild. She gave the collection to her daughter-in-law, who is also a keen embroiderer in the late 1990’s £200 - £300 599. A large pair of Japanese satsuma ware vases and covers, Meiji period, 1868-1912, domed covers with pink flower finials, shouldered vases with a variety of moulded fans on a ground of trailing scrollwork, polychrome, and gilt decoration, 40cm high (2) £200 - £300

593. A Chinese porcelain rice grain tea bowl, decorated in iron red with auspicious motifs and translucent rice grains, Qing Dynasty reign mark to base in underglaze blue, 6.9cm diameter £30 - £50 594. A Chinese celadon bowl, probably Northern Song, Yaozhou type, shallow everted rim, moulded ring and spoke decoration, 17.5cm diameter £40 - £60 595. A Chinese blue & white porcelain baluster vase, decorated with oriental figures , probably representing a fable. An old man carrying another person on his back and another in hat and cloak by a pine tree. Rich pigment under glaze blue., 35cm high £150 - £250 596. A Chinese Qianlong tea bowl and saucer, Nanking Cargo, circa 1752, in the Batavia Bamboo pattern, underglaze blue and white with brown oxide exterior, 13.5cm diameter (2) Provenance: Christie’s Amsterdam, 28th April 1986, lot 5649 £150 - £200

600

597. A large Chinese ‘Bonsai’ tree, Qing Dynasty, hardstone flowers, and jade foliage, in a rectangular cloisonne planter raised on bracket feet, 60cm high £150 - £200

600. A Chinese ebonised jardiniere stand, late Qing Dynasty, scroll pierced frieze, gilt metal beast mask and scroll mounts, undertier, paw feet, 77cm high, 46cm diameter £50 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

602

603

604. A Chinese famille rose dish or large saucer, 18th century, painted and enamelled with peony and root design, 16cm diameter £30 - £50

611. A Chinese carved hardwood stand, 19th century or earlier, reticulated with five ogee bracket feet, modelled as clouds, 23cm diameter £50 - £100

605. A Chinese twin handled vase, shouldered rouleau form, white oatmeal textured craquelure glaze with relief moulded dog mask and ring handles, iron black banding to the rim and foot, 42.5cm high £200 - £300

612. A 19th century Chinese sang de boeuf glaze bottle vase, extended neck, 42cm high £300 - £500

606. A 19th century Oriental baluster vase, the body with applied dragon in relief over a seascape with fish, on an iron red ground, gilt detailing, 34cm high £600 - £800 601 601. A Chinese famille verte vase, 18cm high £200 - £300 602. A pair of Japanese Satsuma small vases, ‘zan’ mark, Meiji, shouldered form, painted in the round with birds and insects in flight over wildflowers including peonies, chrysanthemums, irises and prunus,above a border of geometric lappets, the shoulder with rosettes on a foliate scroll ground, gilt marks, 9cm high (2) £200 - £300 603.A twin handled Japanese Satsuma vase, Meiji, shouldered form, painted in the round with figures in a garden landscape, gilt and polychrome jewelled speckled sky and prunus, between bands of geometric motifs, stylised bamboo moulded handles, gilt seal mark, 19m high £200 - £300

607. A Chinese polished jade boulder slab, neolithic axe head form, 39.5cm long, on a carved hardwood stand £300 - £500 608. A Chinese lacquered brise fan, Canton, Qing dynasty, rounded top and tapering guards, decorated in gold and painted to each side with a small landscape oval cartouche within garden landscapes of figures on horses, 19.5cm long £1,000 - £1,500 609. A pair of Chinese hardstone trees, early 20th Century, the leaves in semiprecious translucent stones, rectangular bases, 35cm high (2) £30 - £50 610. A pair of Chinese hardstone trees, early 20th century, hardstone flowering branches, in wooden rectangular jardinieres, 34cm high £300 - £500

613 613. A large Chinese famille rose vase, shouldered form with lizard moulded shoulders and dog handles, the panels painted with a battle scene and court interior with figures, within a floral carpet ground, 64cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

614. A Chinese Canton enamelled box and cover, circular bun form, painted with two boys by a fence in a garden, within foliate scroll and panelled ground, 7.5cm wide £300 - £500

617. A Chinese silk embroidered panel, decorated with dragon amongst clouds, on rust coloured ground, 65cm x 58cm £300 - £500 618. An early Indian Tamil script palm-leaf manuscript, titled in red ink ‘No. 594 Case 21 Medical book written on palm leaves by one of our Native Christians’, script written on both sides of the many pages, (approx 100 pages), Size 24.5cm x 6.5cm (pages only - 5.5cm thickness) £300 - £500

622 622. Ryozan (probably Okamoto), a Japanese Satsuma vase, of cylindrical brush pot form, painted with a band of Samurai warriors in an encampment, between foliate and geometric borders, above a millefiori ring, enamelled and gilded, raised gilt Ryozan mark, 9cm high £200 - £400

615 615. A pair of Japanese Satsuma ware baskets, mark of Hattori (Fuku Bu), Chinzan circa 1860s, inverse baluster form with high loop handles, decorated in the round with seated deities, courtly figures and elders in conversation, highlighted in raised gilt, below relief moulded chain ling borders and bound strap handles, 12.5cm high (2) £300 - £500 619 619. A Chinese carved giltwood figure of Guanyin, modelled in Royal Ease pose, one hand resting on a raised knee, lacquered and gilded, on a later fitted hardwood lotus base, 30cm high £400 - £600

623

616 616. A Chinese cream glazed earthenware vase, probably Tang, the melon form ovoid body with wave crimped neck, on a hollow conical foot, 17.5cm high. Note: auction catalogue description of this vase, dated October 28th 1958, with reference to a similar example exhibited at the Oriental Ceramics Society Exhibition, April 1949 £300 - £500

620 620. A Chinese blue and white ginger jar and cover, painted with prunus blossom, 28cm high £400 - £600 621. A Chinese blue and white relief moulded craquelure vase, shouldered rolo form, applied with sprigged decoration of an elder in a garden landscape with cattle and willow, 43cm high £400 - £600

623. A Japanese Satsuma vase, Meiji, shouldered ovoid form on three legs, painted with two vignettes of woman and child in a landscape and parrot and basket of flowers, within relief moulded cartouches, on a ribbon band of chrysanthemums and winding stream, between plain borders of butterflies, the neck with geometric raised gilt and polychrome bands, apparently unsigned, 12cm high £400 - £600 624. A Chinese sang de boeuf glazed vase, shouldered form, 37cm high £400 - £600 625. A Chinese Qing bronze baluster vase, the body with archaistic script in relief highlighted with silver inlay, four character script mark in relief to the base, 29cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

626. A Chinese famille verte vase, Qing dynasty, Kangxi mark and possibly of the period, Gu form painted in the round with naturalistic foliate arrangements of plants with birds, insects and a frog, including a spider in web, in polychrome enamels, six character underglaze blue mark, 36.5cm high £400 - £600 627. A Chinese porcelain vase, 19th Century, Guangxu period, (1875-1908), blue enamel handles, painted court scenes with flowers and butterflies on each side, 43cm high £400 - £600

631. A Chinese vase, Kangxi period, 1662-1722, of baluster form, boldly decorated in underglaze blue and red, depicting four clawed dragons chasing flaming pearls amongst cloud bands, concentric double circle marks to base, 36cm high £800 - £1,200 632. Two Chinese carved hardwood high jardiniere stands, late Qing Dynasty, circa 1900, each with inset pink veined marble tops, fretwork scroll friezes, X stretchers, 92cm high (2) £400 - £600

633

628

633. Sunqua (Chinese, act.1830-1870), ‘...Mandarins at Exercise...’, ‘A Soiree, Canton’, ‘Winter Costumes, Peking’, ‘Chin Chou Men’, ‘Tin Chou Men’, ‘A Siamese Tribute Bearer of Followers’, ‘Fokien Junk Men’, ‘Fungyan Foo Inhabitants Near Nankin’, ‘Artillery Men’, ‘Buddhist Priests’ and ‘Females of Manchin’, twelve illustrations on rice paper contained in an album, woodblock printed Sunqua label to the inner cover, 19 by 31cm each £1,200 - £1,500

628. A pair of Chinese famille rose vases, Canton 19th century, shouldered form with lizard moulded necks and dragon handles, decorated with panels of court scenes within a foliate ground of chrysanthemums, flowers and birds, 46cm high (2) £500 - £800

629 629. A Chinese altar garniture, Qing, mid 19th century, the central lidded Xian form Ding flanked by two Gu form vases modelled in two sections, all painted in the Qianlong style with turquoise enamelled ground, polychrome foliate scroll decoration of lotus flowers, bats, shou symbols and other good luck emblems, the three legs of the censer painted with dog masks, the lid pierced, 40cm high (3) £500 - £800 630. An Ottoman box, mother of pearl and tortoise shell, 21cm high, 29cm wide, 21cm deep £600 - £800

634 A Japanese shibayama and gilt metal Koro and cover, 634. footed lobed melon form with six panels decorated with Maki-e lacquer and applied carved horn, mother of pearl, shell and stone birds and foliage, the bracket foot pierced and applied with cloisonne enamel flowers, 29cm high £1,000 - £1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

GLASS 635. Perthshire, three medium millefiori glass paperweights, pre 1978, blue grounds, central concentric floral canes within three levels of cogs between radiating coiled bars, 6.5cm diameter (3) £40 - £70

639. Perthshire and Scottish, four medium sized millefiori glass paperweights, pre 1978, three with floral cogs and twisted multistrand radiating bars, 6.5cm diameter (4) £50 - £80 640. Caithness, seven limited edition paperweights, including elements and planets, Air, Water, Air Pressure, Earth, Uranus, Tropicana and Millefiori Reflections, 9cm diameter (7) £60 - £80 641. Perthshire and Peter McDougal, three millefiori glass paperweights, including two miniature concentric and scrambled examples, signed canes, 6.5cm and 4.5cm diameter (3) £40 - £70 642. William Manson for Caithness, a Coral Reef limited edition glass paperweight, depicting an aquatic scene of fish amongst coral, WM cane and incised marks, 38 of 50, 8.5cm diameter £50 - £80

636 636. Perthshire, two millefiori glass paperweights, after 1978, each with floral cane centres, radiating twisted bars and four levels of cogs within helical bars and wreath, central P canes, 8cm diameter (2) £50 - £80 637. Whitefriars, two commemorative glass millefiori paperweights, 1977, for the Silver Jubilee, including crown and monogram examples, lens cut panels, 8.5cm diameter (2) £40 - £70 638. Perthshire, three millefiori glass paperweights, pre 1978, opaque yellow, black and pink grounds, each with concentric cogged centres and four levels of canes between radiating coiled bars, 8cm diameter (3) £50 - £80

643 643. Paul Ysart for Harland, a floral glass paperweight, the five petal pin flower on a cushioned ground of alternating radiating latticinio ribbons, H signature cane, 7cm diameter £50 - £100 644. Three Baccarat commemorative glass paperweights, 1976, including the Prince of Wales, Elizabeth II and Princess Anne, each with a sulphite cameo portrait, etched marks, lens cut panels, boxed, 7.5cm diameter (3) £80 - £120

645 639

645. Baccarat, a small floral and millefiori glass paperweight, 19th century, the central blue and white petal flower with green foliage, within a wreath of alternating cogged and segmented canes, star cut base, 5.5cm diameter £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

649. A Roman style iridescent glass scent bottle, shouldered cylindrical form, marbled lustre stripes, 11.5cm high £30 - £50

646 646. Baccarat, a millefiori garland and latticinio ground glass paperweight, 1971, the central multi cogged rosette and wreath centre within entwined blue and red garlands, on a scrambled opaque lattice ground, etched marks and number 606, 8cm diameter £80 - £120 650 650. A double series opaque twist large wine glass or goblet, circa 1770, the ogee bowl on a double strand spiral and lattice core stem, on conical foot, 16.5cm high, rim 7.9m diameter, foot 7.9cm diameter £70 - £100 651. An 18th century ribbed glass ham stand, circa 1790, trumpet form with multi knopped shaft, domed foot and flared rim, 17cm high £70 - £100

647 647. Clichy, a millefiori garland glass paperweight, the central rosette of multi cogged canes and white petal flowers within a wreath of entwined pink and purple garlands,, on a green opaque ground, 8cm diameter £200 - £300 648. An early 18th century glass wine bottle, squat mallet form, oxidised patination, 21cm high £60 - £80

652. A hollow stemmed pedestal sweetmeat glass, circa 1740, the lipped double ogee bowl on a triple collar, flute moulded inverse baluster stem with internal air bubble, on a further triple collar and domed folded foot, 16.3cm high, rim 9.2cm diameter, foot 8.2cm diameter £100 - £150 653. A composite stem pedestal sweetmeat glass, circa 1760, the double ogee bowl engraved with OXO band and knapped rim, on an air bubble knopped inverse baluster hobnail fluted stem and domed foot, 13.8cm high, rim 9.6cm diameter, foot 7.5cm diameter £70 - £100

653, 65,2 656, 658 & 661

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

654

662

654. A double series opaque twist ale flute, circa 1760, the round funnel bowl etched and engraved with hops and barley, on a double strand corkscrew and double helix core stem, on conical foot, 19cm high £80 - £120

662. A 19th century engraved glass rummer, the bucket form bowl with an image of a bulldog standing on a union flag, above motto What I Gain I Can Hold, on short knopped stem, 15cm high £50 - £80 657 657. A George III gilt glass spirit decanter, circa 1780, tapered form, decorated with a painted bottle label for Rum, the lozenge stopper initialled R, 25cm high £40 - £60 658. A pedestal sweetmeat glass or goblet, circa 1750, the rounded bowl with facet cut rim and cut vertical ribs, on an inverse fluted baluster stem, ring collars, on a domed and ribbed foot with octagonal serpentine petal edge, 16.7cm high, rim 9cm diameter, foot 9.2cm diameter £100 - £150 659. A 19th century Bristol green glass claret jug, onion form with slice and concentric cut neck, colourless handle and silver plated ring and cork stopper, 23cm high £40 - £70

655 655. An opaque twist wine glass, circa 1765, the round funnel bowl engraved with a church and disguised monogram, on a double series multi strand and tubular core stem, on conical foot, 15cm high, rim £40 - £60 656. A pedestal sweetmeat glass, circa 1745, the vertically ribbed bell shaped bowl on a fluted inverse baluster stem with ring collars, on a domed foot, 16.2cm high, rim 9.3cm diameter, foot 8.9cm diameter £80 - £120

660. A diamond moulded sweetmeat glass, circa 1740, the double ogee bowl with optic diaper lattice, on a compressed ring collar, inverse baluster flute moulded stem with internal air bubble tear and triple ring base, on domed and folded foot, 13cm high, rim 8cm diameter, foot 7.6cm diameter £80 - £120 663 A pedestal sweetmeat glass, 661. circa 1780, the ogee bowl with denticulated rim and slice cut lower section, on a facet cut stem and conical foot, polished pontil, 16.5cm high, rim 8.6cm diameter, foot 8.4cm diameter £50 - £80

663. A Baccarat enamelled opaline glass vase, circa 1860, pedestal double gourd form, the central band of painted roses between blue and gilt foliate borders, 33.5cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

667. A pair of French blue opaline glass vases, probably Baccarat, circa 1860s, pedestal double gourd form with everted and crimped rims, 22cm high (2) £70 - £100

671 671. A French crackled ice glass and gilt comport, probably Baccarat circa 1850, the ogee crenelated shallow dish on a knopped trumpet base, 16.5cm high, 16.5cm diameter £40 - £70

664 664. Baccarat (attributed), a blue and white opaline glass perfume bottle, circa 1840, the squat bulbous body with white opaque neck and blue lozenge stopper, highlighted with gilt banding, 19cm high £40 - £70 665. A 19th century French white opaline glass vase, baluster form, painted with convolvulus and banded in gilt and blue, 33cm high £60 - £80

672. Seven Stourbridge threaded Amberina glass plates, possibly Stevens and Williams, circa 1890, including a set of four with concentric graduated spot design on cranberry ground with gold lustre effect threading, three others with crimped and threaded rims, 17cm diameter (7) £50 - £80

668 668. An enamelled opaline glass vase, probably Baccarat circa 1870, ovoid pedestal form, the pale blue body painted with wildflowers, banded in gilt, 16cm high £30 - £50

673. An Edwardian boxed cut glass liqueur set, the rosewood stand of thistle cut decanters and stemmed glasses, within a lockable double hinged ebonised and brass inlaid case £40 - £60

669. An opaline glass sugar bowl and cover, relief moulded with cherries polychrome enamelld, square form, 13cm high £60 - £80

674. Stevens and Williams, an intaglio flash cut glass bowl, circa 1935, cased green over colourless, footed and flared, cut with floral sprigs within a swagged border, between lens cut bands, 34cm diameter £60 - £80

670. Moser, a Bohemian spa glass pedestal vase and cover, circa 1875, wheel engraved intaglio style decoration of a baying stag and three deer in a woodland, emerald green crystal, cut-toclear, petal shaped base and cut and polished knop, 33cm high £200 - £300

666 666. A 19th century candy speckled cased glass scent bottle, probably Stevens and Williams, circa 1860, footed bulbous baluster form with acorn stopper, internal controlled bubble inclusions and star cut foot, 17.5cm high £80 - £120

674

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

675. James Powell and Sons for Hale Thomson, a silvered glass goblet, circa 1850s, green lustre internal decoration, the bell shaped bowl on a knopped baluster stem, button seal to the underside, 19cm high.

683. An Arts and Crafts opalescent glass light shade, probably James Powell and Sons for W A S Benson, squat poppy head form, wrythen opaque stripes, fitting 4.8cm diameter, 7cm high, opening 9.5cm diameter £40 - £60

Note: the Whitefriars glass company produced the blanks for the patented silvered glass vessels produced by E Varnish and Co and Hale Thomson; see Evans W, et al, 1995, Whitefriars Glass, p.28 and 30 for a description and illustration of the process £200 - £300

684. An Arts and Crafts straw opal glass light shade, probably James Powell and Son, Whitefriars, circa 1880, bulbous Campana form with crimped rim, fixing 3.4cm diameter, opening 13cm diameter, 12.5cm high £40 - £60

679 679. Joseph Keller for Stevens and Williams, a Stourbridge engraved glass claret jug or ewer, probably Joseph Schiller circa 1880, spherical footed form with narrow neck, finely engraved with egrets between bamboo and prunus plants, 24.5cm high.

676 676. James Powell and Sons, Whitefriars, an Etruscan Revival cranberry cased wine glass, circa 1860, the rounded bowl etched with Vitruvian scroll border above arcaded corn ear band, 11.5cm high. Note: illustrated in Evans, W et al, 1995, Whitefriars Glass, p.253, showing the wine service in the 1860s catalogue £40 - £70 677. John Northwood, after John Flaxman, a Victorian Etruscan Revival etched glass and silver plate mounted claret jug, circa 1870, bulbous form engraved with images from Flaxman’s illustrated Homer’s Odyssey, 1805, including Mercury Conducting the Souls of the Suitors and Apollo and Diana, between Neoclassical bands, the lid and handle chased with Mannerist and neoclassical bands, 27cm high £70 - £140 678. An Aesthetic Movement gilt metal and straw opal glass double epergne, circa 1880s, in the style of John Walsh Walsh, the naturalistic floral stand with marble base and reticulated cage holders supporting wrythen Jack in the Pulpit trumpet form vases applied with tooled spirals, 26cm high £70 - £100

Note: due to the exceptionally fine quality of the engraving on this piece, including the attention to detail and range of techniques employed in the execution of the design, only a handful of engravers would have had the necessary skills to produce this claret jug, most notably Joseph Schiller and William Fritsche. Similar designs with palm trees, roots and storks appear in the pattern books of designer Joseph Keller who worked for Stevens and Williams. £100 - £200

685 685. An Arts and Crafts opalescent glass vase, circa 1890, possibly Kempton or Stourbridge, bulbous form with tricorn crimped rim, 24cm high £40 - £70

680. A set of seven Lobmeyr enamelled beakers, circa 1880s, conical form, peach lustre with white enamel monograms to each, 14.5cm high £40 - £70 681. An Arts and Crafts type glass light shade, possibly Stevens and Williams, the frosted bell form bowl with applied peacock trails in amber with green prunts, 11cm high £20 - £40 682. An Arts and Crafts straw opal glass light shade, probably James Powell and Son, Whitefriars, circa 1880, bulbous Campana form with crimped rim, fixing 3.3cm diameter, opening 14cm diameter, 13.5cm high £40 - £60

686 686. John Walsh Walsh, an Arts and Crafts opaline brocade glass vase, circa 1897, the crimped handkerchief body with optic moulded foliate pattern, on a leaf textured fix petal foot, 17.5cm high. Note: see Reynolds, E. 1999, Glass of John Walsh Walsh, Richard Dennis, for various examples of this design illustrated, including the cover £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

693. Thomas Webb, an extensive Arts and Crafts part wine and table service, optic diamond moulded stemware including glasses of various sizes, finger bowl, beakers and liqueur tumblers, together with other similar examples, probably including John Walsh Walsh £50 - £80 690

687 687. John Walsh Walsh, an Arts and Crafts straw opal glass vase, circa 1900, the optic ribbed fan shaped body with crimped rim, on a coiled tendril stem and octagonal petal foot, 19cm high £70 - £100

694. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass carafe, circa 1880, leather bottle form with applied rigaree trail and collar, 21cm high £30 - £50

690. Jules Barbe for Thomas Webb, an Arts and Crafts gilt overlay opalescent glass bowl, circa 1910, the optic moulded vaseline body with everted rim decorated in raised and tooled gilt band of knotted poppy and leafy vine, in the Art Nouveau style, 13cm diameter £40 - £70

695. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass flower vase, circa 1885, plain waisted cylindrical form, polished pontil, 16cm high.

691. Thomas Webb, a set of six Edwardian intaglio rock crystal cut wine or port glasses, circa 1910, the bell shaped bowls with bands of foliate scrolls and floral motifs above vertical mitre cuts, on inverse baluster stems and star cut feet, 11.5cm high (6) £40 - £70

Note: in the tradition of Gertrude Jekyll’s Munstead flower glasses, the Whitefriars glassworks continued to embrace the Ruskin and Morris philosophy of simplicity and function above ornamentation, in the late 19th century, pioneering the production of utilitarian yet decorative vases which would accentuate rather than compete with the aesthetics of the contents. Philip Webb and T G Jackson’s table glass of the 1860s and 70s paved the way for this style of domestic glass. The vase shape is also seen in smaller ribbed drinking glasses and as vases for the King of Siam dinner service and the motto engraved vases, cf. Evans, W. et al. 1995, Whitefriars Glass, London: Museum of London, p.80 fig.80; See Jackson, L. 1996, Whitefriars Glass, Richard Dennis, p.109 pl.49 for similar examples of this design pattern 910. £40 - £70

688 688. A Stuart Arts and Crafts green trailed glass bowl, circa 1890, squat hyacinth vase for, conical with broad brim and crimped rim, applied with green wrythen tendrils, 21.5cm diameter £60 - £100

692 692. Thomas Webb, a set of four intaglio engraved and etched glass beakers, circa 1920, wrythen optic moulded footed ogee form, each with a swallow in flight within a dotted and florally punctuated band, etched marks, 11cm high (4) £50 - £80

696. Harry Powell for James Powell and Sons, Whitefriars, a pair of Arts and Crafts glass bowls, Alsatian blue, circa 1890, optic ribbed with crimped rims, 13.5cm diameter (2) £40 - £70

689 689. Jules Barbe for Thomas Webb, an Arts and Crafts glass vase, the optic ribbed trumpet form bowl decorated with raised gilt Rococo scroll cartouche and foliate sprigs, on a hollow triple knopped stem and radiating petal base, 16cm high £30 - £50

696

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

702. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass vase, circa 1890, ribbed spherical form with everted rim, 6.5cm high £30 - £50

697

700

697. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, the rounded tulip bowl with applied Alsatian blue spiral decoration to the lower two thirds, on plain stem and conical foot, 14cm high £60 - £80

700. John Walsh Walsh, a pair of Arts and Crafts glass decanters, circa 1890, double gourd dimpled and wrythen mallet form, with hollow bun stoppers, 25cm high (2) £50 - £80

703 703. Harry Powell for James Powell and Sons, an Arts and Crafts Water Lily or Lotus service etched glass finger bowl, circa 1899, flared form, engraved with sinuous flowering lotus tendrils in the Art Nouveau style, 11.5cm diameter Note: designed for the Prince of Siam who visited London in 1897 for Queen Victoria’s Diamond Jubilee; see Evans, W. et al. 1995, Whitefriars Glass, p.81, fig.82, for an illustrated example of this bowl; two further examples from this service were sold in these rooms in October 2023 and December 2023 £50 - £100

698. Harry Powell for James Powell and Sons, Whitefriars, six Arts and Crafts flint glass wine and port glasses, optic fluted bell form bowls on plain stems and radial moulded conical feet, 11cm and 12cm high (6) £50 - £100

701 701. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Roman cut glass carafe, circa 1880, conical form with facet cuts, 17.5cm high. Note: a similar example from the same service was sold in these rooms in October 2023 £50 - £80

699

704 704. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts liqueur glass, circa 1878, the slightly tapered bucket bowl engraved with a monogram, on plain stem and conical foot, 8cm high.

699. Harry Powell for James Powell and Sons, Whitefriars, a pair of Arts and Crafts sea green glass champagne flutes, circa 1900, optic ribbed slender trumpet form on radial moulded conical feet, 18.5cm high (2) £50 - £100

Note: examples of this service along with glass by T G Jackson, are illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £20 - £40 702

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

705. Thomas Webb, a part suite of Arts and Crafts glass stemware and finger bowls, circa 1910, including six liqueur glasses, a Champagne saucer and three bowls, each with bell form bowls cut with flame bands, etched marks to some (10) £40 - £60

710. Emile Galle for Perrier Jouet, a pair of Belle Epoque enamelled glass Champagne flutes, originally designed circa 1902, each with Art Nouveau style Japanese anemones in pink and green enamel, highlighted in gilt, 19cm high (2) £50 - £80 711. Legras, an Art Nouveau enamelled glass vase, circa 1900, flared cylindrical form with hexagonal rim, decorated with poppies below gilt foliate scroll border, 23cm high £50 - £80 712. Walther and Sohne, an Art Deco glass figural lamp base, modelled as a nude woman holding a bouquet of roses, frosted, with chrome fitting, 28cm high £60 - £80 713. Daum, an Art Nouveau pate de verre glass light shade, pyramidal form, marbled brown, green and orange, incised marks Daum Nancy France, fixing 3cm diameter, 10cm high, together with another similar shade (2) £40 - £70 714. Hilda Jesser and Otto Prutscher (attributed) for Wiener Werkstatte, a Secessionist enamelled and cut glass vase, probably J Oertel circa 1915, flared waisted form, cut with stylised fruit and geometric foliage on a painted blue trellis ground, 19.5cm high.

706 706. An Arts and Crafts glass conical carafe, circa 1880, single ring neck, with flared lip rim, polished pontil, 20cm high £40 - £60

Note: besides Dagobert Peche, a number of artists produced enamelled glass designed for the Viena workshop, including Felice Rix, Mathilde Flogl and Fritzi Low Lazar, often collaborating with the senior designers Josef Hoffmann and Otto Prutscher in embellishing their shapes. £200 - £300 715. A Secessionist trailed glass vase, Haida circa 1910, splayed wrythen fluted with applied red vertical trailing, 17cm high £30 - £50

707 707. John Walsh Walsh, three Arts and Crafts wrythen dimpled wine glasses, circa 1900, including green example and two sherry glasses, 12cm high (3) £30 - £50 708. Thomas Webb and Sons, a set of five Arts and Crafts dimpled wrythen wine glasses, circa 1910, the flared tulip or thistle form bowls on plain stems, etched marks, 12.5cm high (5) £40 - £60 709. A pair of Arts and Crafts green glass Roemer type hock glasses, probably Rheinische Glashutten, Cologne circa 1900, knopped and prunted stems with threaded and optic wrythen moulded trumpet feet, 19.5cm high (2) £40 - £60

716 716. Two Secessionist cut glass liqueur glasses, circa 1915, the found funnel bowls engraved with stylised floral and festoon design, each on a different coloured cut cuboid block stem, in the style of Otto Prutscher, in lime green and blue, 19cm high (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

717

719

717. Loetz, a Secessionist silver overlay Candia Silberiris glass vase, dimpled and shouldered with crimped rim, the Art Nouveau stylised Iris and tendril design stamped Sterling, 12cm high £350 - £450

719. Loetz, a Secessionist silver overlay Candia Papillon iridescent glass vase, conical form with open neck, decorated with a geometric tendril and web apron design, 25.5cm high £600 - £800

718

720

718. Loetz, a Secessionist silver overlay Silberiris iridescent glass vase, dimpled ovoid form with band of stylised daisies below C scroll swags, 9cm high £350 - £450

720. Louis Comfort Tiffany, an Art Nouveau Favrile glass vase, cylindrical double gourd form with white opaque over goldiris interior, decorated with combed iridescent leaves in green and gold, incised marks LCT Favrile, 15.5cm high £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

721. Otto Tham for Fritz Heckert, a Secessionist iridescent glass vase, dimpled sides with inverted triangular rim, green frosted ground with silvered lustre wave design, 10cm high £50 - £80

725 725. Ludwig Kny for Stuart, an Art Deco Waterford pattern bowl, circa 1935, shallow conical form on rounded foot, geometric mitre cut design etched marks, 30.5cm diameter £50 - £80

727 727. Ludwig Kny for Stuart, a pair of Art Deco amber and cut glass cocktail glasses, circa 1935, conical form, decorated with stylised geometric flower stem motifs, on knopped conical feet, 12cm high (2) £30 - £50

722 722. Heinrich Hussmann for Moser, an Art Deco cameo carved dichroic glass aquarium vase, circa 1927, spherical form, etched and carved in relief with fish and seahorse swimming amongst seaweed, above a lens cut arcade, in alexandrite glass, etched marks, 18cm high £200 - £400

728. Ludwig Kny for Stuart, a part suite of Tamara pattern cut glass, circa 1938, including four tumbler beakers, four pedestal bowls and a barrel, etched marks, 15cm high (9) £40 - £70

726

729. Stuart, two Art Deco enamelled glass dessert dishes, circa 1930, Stratford shape, one amber the other colourless with amber foot, each painted with floral motifs including poppy design and tulips and butterfly, etched marks, 11cm diameter (2) £20 - £40

726. Ludwig Kny for Stuart, an Art Deco cut glass bowl, circa 1930, shallow hemispherical form with inverted rim, decorated with a band of stylised mitre cut leaves, the rim with a geometric zigzag border, etched marks, 23.5cm diameter £40 - £60

723 723. Ludwig Kny for Stuart, an Art Deco cut glass biscuit barrel, circa 1930, cylindrical drum form, decorated with stylised wheat ears, 18cm high £30 - £50 724. Ludwig Kny for Stuart and Sons, a pair of Art Deco Waterford pattern glass candlesticks, circa 1930s, the circular bases reverse mitre cut with geometric diamond design, cylindrical lens cut sconces, acid marks, 11cm diameter (2) £30 - £50

729

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

738. Gordon Russell for Stevens and Williams, a Lygon style wine glass, circa 1920, the optic conical bowl on wrythen twist stem and conical foot, acid mark Brierley, 13.5cm high.

733 733. Herbert Webb for Webb Corbett, a set of four Art Deco glass tumblers, circa 1930, cylindrical beaker form cut with stylised fern design and concentric wavy lines, etched marks, 9.5cm high (4) £50 - £80 730 730. Ludwig Kny for Stuart, an Art Deco cut glass vase, pattern 28398, circa 1930s, footed trumpet form, decorated with a trellis and foliate frond design, etched marks, 21cm high. Note: see Benson, N, and Hayhurst, J. 2003, Art Deco to Post Modernism, p.15 fig.55 for an example of this vase £40 - £70 731. Keith Murray for Stevens and Williams, an Art Deco Royal Brierley sherry glass, model 429A, circa 1934, the beaker form bowl with frosted half lens cut border, on a black foot, 7.5cm high £20 - £40

734. An Art Deco cut and gilt glass liqueur set, probably Karl Palda, Czech circa 1930s, frosted and gilt chevron design to the decanter and eight cuboid tumblers, on a mirrored rosewood and brass handled tray, 47cm long £300 - £400

Note: Gordon Russell designed a series of drinking glasses based on traditional 18th and 19th century designs, for the Stourbridge glass factory Stevens and Williams (known as Royal Brierley), retailed through his Broadway showrooms under the Lygon range (named after the Lygon Arms hotel) £40 - £70 739. Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, bucket form, marbled and clouded green and white opaque decoration, signed, 30cm high £60 - £90

735. An Art Deco enamelled glass drinking set, including decanter and four cocktail glasses, circa 1930s, the conical decanter decorated with concentric rings in blue, red, white and black enamel, the glasses with reverse textured conical feet and rounded bowls, 23cm high (5) £30 - £50

740 740. Stevens and Williams, an Art Deco blue glass vase, circa 1930, Campana form, horizontal optic ribbed, 14cm high £30 - £50

736 736. Thomas Webb, an Art Deco glass cocktail shaker, circa 1930s, electric blue tapered form with two pouring lips and hollow stopper, 20cm high £50 - £80

732 732. Keith Murray for Stevens and Williams, an Art Deco Royal Brierley glass decanter, model 384A, designed circa 1934, domed conical form with straight slice cut neck and flat disc stopper, 23cm high £60 - £80

737. Gordon Russell for Stevens and Williams, an Arts and Crafts Lygon wine glass, circa 1922, Writhen pattern, conical form with blade knopped stem, 15.5cm high.

741 741. Thomas Pitchford for Thomas Webb, an Art Deco Venetian Ripple glass posy bowl, circa 1933, in amethyst optic wave design with wide everted rim, 18cm diameter £20 - £30

Note: another example from this service was sold in these rooms in October 2023 £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

742 742. Thomas Pitchford for Thomas Webb, a set of four Art Deco Venetian Ripple glass beakers, circa 1933, in Sunshine Amber, conical footed form with optic wave design, from the Gay Glass range, etched marks, 12.5cm high (4) £50 - £80 743. Tom Hill for James Powell and Sons, Whitefriars, three shallow ribbon trailed glass bowls, model 9031, designed circa 1935, including Sea Green, Ruby Red and Flint, 19cm diameter (3) £40 - £70

747

751

747. William Wilson for James Powell and Sons, Whitefriars, a Sea Green glass footed vase, model 9147, optic swag or wave design,20cm high £30 - £50

751. Miroslav Havel for Waterford, a Modernist cut glass Tralee vase, circa 1960s, conical ovoid form, cut with bands of horizontal mitres, etched mark, 18cm high £30 - £50

744. Tom Hill for James Powell and Sons, Whitefriars, a Sapphire Blue ribbon trailed glass bowl, model 9031, designed circa 1935, 30cm diameter £40 - £60 745. Barnaby Powell for James Powell and Sons, Whitefriars, a large emerald green trailed glass vase, model 9030, open barrel form, 28cm high £100 - £150

748 748. H J Dunne Cooke for Whitefriars, a green spiral threaded glass bowl, circa 1930s, in the Scandinavian style, 13cm diameter £30 - £50 749. William Wilson and Harry Dyer for Whitefriars, an Amethyst and Shadow Green streaky Knobbly range glass bowl, circa 1964, shallow circular form with marbled multicoloured inclusions, 16cm diameter £30 - £50

746 746. James Hogan for James Powell and Sons, Whitefriars, an Art Deco Emerald green glass bowl, model 8872, circa 1932, conical form with applied bosses, 15.5cm £50 - £80

750. Len Green for Webb Corbett, a Modernist Grasses cut glass bowl, circa 1950s, shallow form, decorated with radiating tendrils of mitre cut leaf motifs, 30cm diameter £40 - £70

752 752. Edvard Hald for Orrefors, a Swedish Modernist glass decanter, square section shouldered form with flat stopper, incised marks EH2498, 31cm high £30 - £50 753. Istvan Komaromy, a pair of marbled glass lampwork figures, circa 1950, modelled as nude women dancing, pale blue and amber, on spherical black balls and domed wooden bases, 27.5cm high (2) £250 - £300 754. Istvan Komaromy, a glass lampwork figure group, circa 1950, modelled as two nude women dancing, pink amber marbled bodies, on rose marble base, original sticker, 27.5cm high £250 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

756

763

755. A Venetian Murano glass zanfirico vase, probably Venini, bulbous form with flared and crimped rim, opaque latticinio stripes, 10.5cm high £30 - £50 756. Fulvio Bianconi for Venini, a zanfirico glass fazzoletto or handkerchief vase, circa 1950s, white opaque latticinio stripes, crimped, apparently unmarked, 8cm high.

764

761. David Hammond for Thomas Webb, a commemorative Shakespeare glass vase, 1964, slender barrel form, engraved with the name William Shakespeare, above mitre and line cut dates 1564 1964, etched marks design sponsored by the Shakespeare anniversary council, 15.5cm high £30 - £50

762. David Hammond for Thomas Webb, a commemorative Shakespeare glass tankard or mug, 1964, cylindrical form, engraved with the name William Shakespeare, above mitre and line cut dates 1564 1964, etched marks design sponsored by the Shakespeare anniversary council, 15.5cm high £30 - £50 763. Anne Robertson for Caithness Glass, a commemorative engraved glass Moon Landing vase, 1969, chalice form, etched and engraved with an astronaut and flag, the opposing side with a landing pod, below stylised lettering, signed, CG No.11, Anne Robertson, 14cm high £40 - £70

Note: a marked example of the same vase was sold in these rooms in October 2023 £30 - £50

764. Mary Stevens for Stuart, an engraved Hermes plate, circular form, intaglio engraved in reverse and frosted, etched mark, 21cm diameter £50 - £80 762

757 757. Margaret Casson for Chance Glass, a Night Sky Giraffe carafe, circa 1957, printed zigzag design, 30cm high £20 - £40 758. Michael Harris for Chance Glass, a set of four Calypto wine glasses, circa 1959, white transfer floral design with amber tinted rims, 13.5cm high £20 - £40 759. Chance Glass, a Modernist Swirl pattern wine service, circa 1955, including Giraffe carafe, eight wine glasses and six beakers (15) £30 - £50 760. Geoffrey Baxter for James Powell and Sons, Whitefriars, a cased Tangerine glass controlled bubble door stop, model 9698, circa 1969, teardrop form with pommel terminal, 13cm high £20 - £40

759

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

773. Allister Malcolm, an iridescent studio glass vase, from the Pinstripe range, circa 2015, flattened bell form with opaque fluted stripes, signed, 12cm high £30 - £50

765. William Wilson for Whitefriars, a Commemorative engraved glass goblet, 1972, for the silver wedding anniversary of Elizabeth and Philip, decorated with initials and dates, incensed marks and signature No1038, 19cm high £30 - £50

769 769. Alessandro Mandruzzato, a triple cased Murano glass Sommerso vase, circa 1960s, facet cut geode form, aubergine and amber within colourless casing, 15cm diameter £40 - £70

766 766. Ronald Stennett Willson for Wedgwood, two Kings Lynn cased cameo glass beakers, circa 1970s, conical form, blue over opaque over colourless, one with concentric ring and lens design, the other with stylised seaweed of wildflower pattern, etched marks, 13cm high (2) £50 - £100

770. A Modernist Murano glass Sommerso type vase, spherical form, colourless over green, with internal opaque orange teardrops, on a blue foot, 19.5cm high £80 - £120

774 774. Philip Lawson Johnston for Ede and Ravenscroft, an etched and engraved glass decanter, 1989, hand decorated with a 17th century knight in Garter robes, to commemorate the tercentenary of the London tailor and robemaker, incised marks and signature, 36cm high £50 - £80 771 771. A Daum pate-de-verre glass vase, relief moulded as a bouquet of roses, lilac draining to topaz, engraved mark, Daum, France 125, 16cm high £40 - £60 Sam Herman (attributed), a 772. studio art glass bowl, irregular squat ogee gourd form, cased with streaky blue over marbled green and opaque included glass, apparently unsigned, 12cm diameter £30 - £50

767 767. Per Lutken for Holmegaard, a Modernist glass Danica decanter, circa 1970, smoky green donut form with dimples fo each side, two pouring lips and solid spherical stopper, 23cm high £20 - £40

775 775. A Modernist engraved glass twin handled vase, signed with monogram ID, Campana urn form one side with a salmon above a Highland fishing scene, the other with a horse in landscape, 16cm high £80 - £120

768. John Luxton for Stuart, a cut glass bowl, conical form with vertical window panel cuts, etched mark, 17.5cm high £40 - £70

773

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

776

778

776. Rosenthal, a Studio Line Blockglas glass bowl, designed circa 2006, solid cuboid form with concave hemispherical frosted dished centre, etched marks, in original box, 17.5cm square £50 - £100

777

778. Daniel Whittard for Edinburgh Crystal, a Stratus cut glass bowl, from the Edge range, circa 2000, rounded conical form with graduated panel cuts to four sides, etched marks, 22.5cm diameter £40 - £70

779

777. Jasper Conran for Waterford Crystal, a Strata glass bowl, circa 2005, footed hemispherical form, cut with concentric wave design, etched mark, 25cm diameter £40 - £70

779. Lalique, two Perdrix glass figure, Perdrix Inquiete, model 1241 and Perdrix Couchee, model 1255, designed circa 1939, frosted and polished, incised marks Lallique France, 14cm high (2) £80 - £120

780. Lalique, a Bison glass paperweight, model 1196, designed circa 1931, polished and frosted, incised mark, Lalique France, original foil label, 10cm high £50 - £80 781. Rene Lalique, an Ondines opalescent glass plate, model 3003, designed circa 1921, frosted and polished, engraved mark R Lalique France, 28cm diameter £1,200 - £1,800

781

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

782

784

782. Rene Lalique, an Ondines opalescent glass bowl, model 380, designed circa 1921, frosted and polished, moulded mark R Lalique, 21cm diameter £800 - £1,200

784. Rene Lalique, an Ondines opalescent glass bowl, model 380, designed circa 1921, frosted and polished, moulded mark R Lalique, incised Lalique, 21cm diameter £800 - £1,200

783

785

783. Rene Lalique, a Soucis opalescent glass vase, model 1039, designed circa 1930, polished and frosted with blue staining, etched mark R Lalique France, 17cm high £1,000 - £1,500

785. Rene Lalique, an Ondines opalescent glass plate, model 3003, designed circa 1921, frosted and polished, moulded mark R Lalique, incised R Lalique France, 27.6cm diameter £1,200 - £1,800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CONTINENTAL CERAMICS 793. Jacob Petit, a Paris porcelain scent bottle, circa 1840, cuboid form with reticulated gallery, supported on four relief moulded swan and lions paw feet, each side painted with floral bouquets between Rococo asymetrical blue ground and raised gilt dot foliate scroll cartouches, 21cm high £80 - £120

786. A Dutch Delft blue and white strainer dish, on three legs, ogee rim, foliate scroll panel border around a central rosette, 22cm diameter £80 - £120 787. A set of seventeen Dutch faience tiles, monochrome painted with various landscape and figural scenes, 13cm square (17) £100 - £200

794. A Berlin porcelain figural double salt cellar, 19th century, the central putto between two basket moulded dishes painted with birds and insects, on a Rococo foliate scroll bracket base, underglaze blue sceptre mark, 13cm high £20 - £40 791 791. A German porcelain figure of Mars, 19th century, underglaze blue Meissen style mark, 15cm high £30 - £50

795. A pair of 19th century German porcelain figures, Meissen sword marks, modelled as Bacchus and a muse, 15cm high (2) £60 - £80

788 788. A Dutch Delft toby jug, probably Adrien Kocks, polychrome decorated faience, modelled as a man astride a barrel, painted mark, 28cm high £200 - £300 789. A French faience blue and white plaque, 19th century or earlier, painted with an image of the Virgin and Child within a relief moulded marbled oval frame surmounted by putto and garland pediment, 24cm x 20cm £80 - £120

792 792. Three Berlin porcelain reticulated baskets, each with four cartouches painted with groups of birds in natural habitats, around floral garland centres, underglaze blue marks, 20cm wide (3) £80 - £120

796 796. Jacob Petit, a Paris porcelain ink stand, the ogee bordered platform on scrolled bracket and shell base, with raised gilt foliate scroll decoration, surmounted by a recumbent dog, removable ink and pounce pots, underglaze blue marks, 25cm long £80 - £120 797. Edme Samson, a Chelsea style Continental porcelain figure group after the 1635 Van Dyck portrait of the Three Eldest Children of Charles I, modelled and hand painted on a Rococo scroll base, gilt anchor mark, 12cm high £50 - £80 798. A Vienna style part coffee set, including four small and five large cans, blue ground with gilt foliate sprigs, painted to the cartouches with courting couples in garden scenes, the saucers similarly decorated, underglaze blue beehive marks (18) £100 - £200

790 790. A French Faience shaving shaving bowl, ogee rimmed, painted with Persian lappet cartouches of floral baskets on a blue foliate scroll ground, 27cm wide £80 - £120

793

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

802. A French porcelain toilet set, probably Rue de La Roquette, Courtille, Locre, Paris circa 1785, including two pedestal ewers and two basins of different shapes, each with pink ground roundels of monochrome implements of music art and industry, within a polychrome and gilt foliate scroll and floral garland ground, underglaze blue crossed arrow marks and incised numbers, 29cm high (4) £200 - £300 803. An eight piece Dresden porcelain dessert service, reticulated basket weave borders, painted with courting couples in the eighteenth century style (8) £400 - £600

799

800

804. A pair of bisque figures, 19th century, modelled as a Turkish soldier and woman, 28cm high (2) £300 - £500

799. A Vienna type porcelain plaque, oval form, depicting a girl with bowl and spoon, sitting on a window ledge, 12.5cm x 9.5cm, framed £100 - £200 800. A Berlin type porcelain plaque, oval form, painted with a gypsy boy with earring and pendant, 15.5cm x 11cm, framed £100 - £200

805

801

805. A Meissen figure of a shepherdess, 19th century, 2122, modelled as a woman with a sheep, sitting in a tree, on foliate scroll mounded base, incised numbers and underglaze blue mark, 23cm high £300 - £500

801. A set of twelve French porcelain cabinet plates, late 19th century, 23cm wide (12) £400 - £600

802

806 806. A Meissen figure of a Bolognese dog, model 78528, early 20th century, after J J Kaendler, modelled scratching its chin, incised and painted marks, 20cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

811. Two Meissen florally encrusted tea cups and saucers, one with forget me nots, the other with campanula type flowers, painted with insects and floral sprigs, each on six peg feet, underglaze blue marks (2) £150 - £250

807 807. A Meissen scene painted tray, probably 18th century, the central quatrefoil cartouche decorated with a battle from the 30 Years War, within fluted and coiled rope border with blue ribbon handles, incised No, blue mark, 38cm long £200 - £400

812 812. A Meissen figure of a Bolognese dog, model 78586, early 20th century, after J J Kaendler, modelled sitting upright on hind legs, paws raised, incised and painted marks, 26cm high £300 - £500

808 808. A Meissen porcelain handled and Swedish 18 carat gold mounted malacca cane, the collar dated 1891, the Rococo T form handle of organic form painted with floral bouquets and sprays, 96.5cm long £100 - £200 809. A Meissen figure of a goat on a teacup, model V.107, later 20th century, 14.5cm high £80 - £120

813 813. A Meissen figure group, The Deal with Goose, model 720, late 19th or early 20th century, after J J Kaendler, modelled as a peasant goose seller and fish woman exchanging money, impressed marks and underglaze blue swords, 16.5cm high £200 - £400

810 810. A Meissen figure of a hunter firing a shotgun, model F33, Marcolini mark and period circa 1810, on relief moulded foliate scroll base, 16cm high £200 - £300

814. A Meissen figure group, model D48, three musicians, including harpist, on a reticulated Rococo scroll base, incised marks and underglaze blue swords, 20cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

815

817

815. A Meissen figure group, model G22, after Michel Victor Acier, late 19th century, modelled as a courting couple, the man with a basket of roses, the woman with a bird and cage, incised marks and underglaze blue mark, 19.5cm high £400 - £600

817. A pair of Meissen type figures, probably late 18th century, model 137, modelled as a seated woman with a rose and a man reading a book, on reticulated Rococo scroll bases, underglaze blue marks and incised numbers, 16cm high (2) £500 - £800

816

818

816. A Meissen allegorical figure of Fire, modelled as a putto making hot chocolate, on gilt highlighted Rococo scroll base, incised numbers C97, 11cm high £300 - £500

818. A Meissen group of Bacchic figures, circa 1880, painted in polychrome enamels and modelled as Bacchus seated on a donkey flanked by a man holding his arm, a girl feeding the donkey grapes, and a small boy seated on the ground at the rear, crossed swords in underglaze blue and incised No.2724, 21cm high (s.d) £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

819

821

819. R Wagner for KPM, a Berlin rectangular plaque, late 19th early 20th century, finely painted with two young women, one peeping over a wall, whilst her companion holds the rustic wooden ladder, signed, impressed monogram and sceptre mark Sz and cypher, 237 x 157, 23cm x 15cm, within carved giltwood frame £1,500 - £2,500

821. Bombay School of Arts, an Arts and Crafts vase and stand, circa 1880, the amphora form vessel with relief moulded peacock handles, slip decorated with roundels of Hindu figures within a foliate scroll ground, the waisted conical stand similar decorated with birds in relief, 52cm high £250 - £300

820

822

820. A pair of Aesthetic Movement French porcelain vases, circa 1880, blue ground cloisonne style gilt wire effect detailing, painted with birds and blossom, between tooled gilt geometric bands, 12cm high (2) £200 - £300

822. Bombay School of Art, an art pottery charger, slip decorated with a central Hindu scene within roundels of seated figures, 47.5cm diameter £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

823. An Amphora Secessionist ewer, decorated with Egyptian and shaman type motifs, printed marks, 36cm high £80 - £120 824. Heliosine, an Austrian Secessionist iridescent pottery vase, circa 1900, three handled hexagonal section organic shouldered form, blue green lustre glaze, 16.5cm high £90 - £110 825. Heliosine, an Austrian Secessionist twin handled lustre vase, organic Grecian boat form, bronzed iridescent glaze, impressed and printed marks, 14cm high £50 - £70 826. Carl Luber for Johann von Schwarz, an Art Nouveau dust pressed oval tray, decorated with a maiden and poppies, within a silver plated crimped border, 42cm long £250 - £300

827 827. Paul Schley for KPM, an Art Deco female nude figure, modelled seated with a garland of roses, impressed M15 and blue printed KPM and scepter marks, 33cm high £300 - £500 828. J Bastard for Robj, an Art Deco novelty figural bottle flask, circa 1925, modelled as a Dutch man holding a pipe, blue jacket and green striped trousers, 24cm high £40 - £60 829. Goldscheider, figure of a Dutch woman, highlighted in gilt, impressed marks and numbered 1935 1744 2 86cm high £200 - £300

830 830. Josef Lorenzl for Goldscheider, an Austrian Art Deco figure, Aida, model 5281, designed circa 1923, modelled as an Arabian dancer with painted shawl of exotic birds and flowers, printed and impressed marks, 517 65, 47.5cm high £2,000 - £3,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ART POTTERY AND CERAMICS

831

833

831. William Moorcroft for Tiffany and Co., a Spanish twin handled comport, circa 1910, pedestal form with shallow dish, underglaze green marks and signature, Tiffany and Co New York, 20.5cm high £800 - £1,200

833. William Moorcroft for Townsend and Co, Newcastle, a pair of twin handled Revived Cornflower vases, 1912, inverse baluster form with narrow neck and strap handles, printed MacIntyre marks and underglaze green signature and date, 23cm high (2) £800 - £1,200

832

834

832. William Moorcroft for Spaulding and Co., a Claremont toadstool vase, circa 1902, twin handled amphora form, flambe highlighting, printed marks, underglaze green signature, 20cm high £600 - £800

834. William Moorcroft for James MacIntyre, a Revived Cornflower twin handled bowl, circa 1912, Kantharos form, printed mark and underglaze green signature, 18cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

839

835 835. William Moorcroft for James MacIntyre, a miniature Blue Poppy vase, circa 1903, footed and shouldered ovoid form, printed marks and underglaze green monogram, 8cm high £120 - £180 836. William Moorcroft, a Claremont vase, circa 1925, baluster form, impressed marks and underglaze green signature, M74 shape, 12.5cm high £150 - £250

839. Christopher Dresser et al for Minton, a pair of Aesthetic Movement basket vases, 1869-1870, model 1494, the U shaped twin ended vessel with central loop basket handle, on a circular Chinoiserie plinth base of key motifs, painted with rose garlands and tooled gilt laurel bands, 16cm high (2) £200 - £400 840. A Wedgwood Aesthetic Movement twin handled vase, footed inverse baluster form, cream ground painted with raised and tooled gilt bird in leafy branches, polychrome enamelled blossom in pink and yellow, the handles of coiled and knotted tendril form, impressed mark Wedgwood, 21cm high £80 - £120

837. William Moorcroft, a Landscape or Hazledene biscuit box and cover, circa 1914, cuboid form with strap handles, and square lid, impressed Burslem mark and underglaze green signature, 16cm high £400 - £600

841. James Hadley for Royal Worcester, an Aesthetic Movement vase, circa 1870s, baluster form relief moulded with serpents entwined in ivy, above Oriental foliate border, blue and turquoise majolica glaze, impressed mark, 23.5cm high £100 - £200

838

842

838. William Moorcroft, a Spanish twin handled vase, circa 1915, waisted form, impressed Burslem marks and underglaze green signature, 27cm high £500 - £800

842. Lucien G Boullemier, an Arts and Crafts painted charger, 1914, the central image of Daedelus and Icarus after Lord Leighton, within a foliate frond border, signed and dated, 32.5cm diameter £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

843. Kate Faulkner for Morris and Co., an Arts and Crafts painted charger, 1880, the centre painted with carnations on a green ground, within a millefiori border, painted monogram and date, 41cm diameter £800 - £1,200

843

844. Kate Faulkner for Morris and Co., an Arts and Crafts painted charger, 1880, the centre painted with pink chrysanthemums on a green foliate ground, within a blue fishscale border, the reverse with ochre and blue wave design, painted monogram and date, 41cm diameter £800 - £1,200

844

845. Fred Passenger for William De Morgan, a triple lustre roundel, 1902, decorated in the Moonlight Suite colours, central rosette of tulip flowers around six petal carnation, within a harebell wreath and concentric ring border in turquoise, blue and silvergrey, highlighted in red, painted marks FP, 18cm diameter £1,500 - £2,000

845

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

850 850. Robert Wallace Martin for Martin Brothers, a stoneware musical imp figure, circa 1893, modelled playing the harp, speckled cream glaze, on wooden base, incised marks and original paper label to base, 14cm high £400 - £600 851. Robert Wallace Martin for Martin Brothers, a stoneware musical imp figure, 1906, modelled playing the harp, cream glazed, incised marks -1906, R W Martin & Bros London + Southall, 12cm high £800 - £1,200 846 846. Robert Wallace Martin and Edwin Martin for Martin Brothers, a stoneware Aquatic jug, 1884, ribbed conical form, sgraffito decorated with fish and seaweed on a concentric ribbed ground, incised marks 1-84, R W Martin + Bros, London + Southall, 23cm high £1,200 - £1,800

852. Robert Wallace Martin for Martin Brothers, a stoneware musical imp figure, 1893, modelled playing the tambourine, bisque texture on wooden base, incised mark Martin, London, 1893, 11.5cm high £700 - £1,000

847. Robert Wallace Martin for Martin Brothers, a relief moulded stoneware architectural capital, 1876, modelled in high relief with stiff leaf design, on a sgraffito decorated foliate ground, incised marks R W Martin London 1876, 35cm wide £300 - £500 848. Robert Wallace Martin for Martin Brothers, a stoneware mantle shelf, circa 1890, cornice form, modelled in high relief with trailing and fruiting vine, from a central Bacchus mask, in three sections, incised marks R W Martin London, 172cm long, 25.5cm deep, 13.4cm high £3,000 - £5,000 849. Robert Wallace Martin for Martin Brothers, a large stoneware wall panel, 1879, sgraffito decorated with a vase of cornflowers flanked by entwined serpents and surmounted by an owl with wings spread, in blue salt glaze, incised marks 1879 R W Martin Southall, 83cm x 34.5cm £300 - £500

853 853. Robert Wallace Martin for Martin Brothers, a stoneware musical imp figure, 1892, modelled playing a horn trumpet, salt glazed, on wooden base, incised marks Martin Bros London, Southall 1892, 14.5cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

854

854. Robert Wallace Martin for Martin Brothers, a miniature stoneware Barrister bird sculpture, 1913, modelled in a characterful pose, beak open and wings clasped behind, with short wig, incised marks 2.12.13, R W Martin & Bro Southall, 10.5cm high including base Provenance: Kinghams Richard Dennis Auction, 17th April 2022, lot 135; see Haslam, M . 1978, Martin Brothers Potters, p.154, fig.247 for an illustration of this design £6,000 - £8,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

855

855. Robert Wallace Martin for Martin Brothers, a stoneware characterful Barrister face jug, circa 1910, modelled to each side with a quizzical expression and curled short wig, salt glazed rim, grey body, incised marks R W Martin & Bros, London + Southall, 17cm high £3,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

856

858

856. Frank Butler for Doulton Lambeth, a stoneware and gilt brass candlestick, 1886, sgraffito decorated with quatrefoil rosettes and trefoil leaves, woven design sconce, incised and impressed marks, 13cm high £100 - £150

858. Ada Dennis for Doulton Lambeth, a pair of painted stoneware vases, double gourd form, decorated with roundels of children, within scroll cartouches and foliate grounds highlighted in gilt, the neck and foot with relief moulded lappet and knotted tendril bands, printed and painted marks, 17cm high (2) £400 - £600 859. A Bretby Arts and Crafts metallic strap jug, globe and cone form with tendril strap handle, in the Jugendstil style, impressed marks, 32cm high £40 - £70

857 857. Mark V Marshall for Royal Doulton, a stoneware vase, shouldered ovoid form, carved with seaweed design, the inner rim painted with a foliate band, incised marks, 32cm high £350 - £450

860

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

860. John Chambers for Pilkington, a Persian and Royal Lancastrian tile panel, the central relief moulded double plaque of Iznik foliate design in blue and turquoise, within borders of lustre hobnail and turquoise glazed tiles, 41cm x 29.5cm £200 - £400 861. John Chambers for Pilkington, a Persian and Royal Lancastrian tile panel, the central relief moulded double plaque of Iznik foliate design in blue and turquoise, within borders of lustre hobnail and turquoise glazed tiles, 41cm x 29.5cm £200 - £400

866 866. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre trumpet vase, Firbolgs IV with fish interior rim, 24.5cm high £100 - £200 867. Daisy Makeig Jones for Wedgwood, a Dragon lustre vase and a butterfly octagonal bowl, Z4831, footed trumpet form in mottled green glaze and gilt transfer decoration, 28cm high (2) £100 - £200 868. Daisy Makeig-Jones for Wedgwood, a small Fairyland lustre octagonal bowl, Pixies on Toadstools interior, the exterior in Dana pattern, Z5125, 9.5cm diameter £200 - £300

862 862. John Chambers for Pilkington, a Persian and Royal Lancastrian tile panel, the central relief moulded double plaque of Iznik foliate design in blue and turquoise, within borders of lustre hobnail and turquoise glazed tiles, 40cm x 29cm £200 - £400 863. William S Mycock for Pilkington, a Royal Lancastrian lustre twin handled vase, 1916, squat baluster form, painted with foliate scroll band above rope border, impressed and painted marks 3180, 13cm high £150 - £250 864. A Wedgwood lustre hummingbird bowl, Imperial form, black ground exterior and purple interior with gilt bids and floral sprigs, 15.5cm diameter £60 - £80 865. Daisy Makeig-Jones for Wedgwood, a butterfly lustre bowl, the exterior decorated with oriental symbols, Z4827, 12cm diameter, together with a Siamese lustre cover (2) £60 - £100

869 Daisy Makeig-Jones for Wedgwood, a Fairyland lustre 869. trumpet vase, shape 2810, Butterfly Women pattern, Z4968, 20.5cm high £300 - £500 870. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Imperial bowl, Fairy in a Large Hat interior, the exterior decorated in Woodland Bridge II, Z4968, 16.5cm diameter £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

100

875. Daisy Makeig-Jones for Wedgwood, Fairyland lustre Imperial bowl, Elves and Bell Branch interior with flambe Poplar Trees exterior, Z5360, 23.5cm diameter £1,000 - £1,500 876. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Imperial bowl, Woodland Elves III, Feathered Hat interior, with Poplar Trees exterior, Z4968, 23.5cm diameter £400 - £600

871 871. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre octagonal bowl, Fairy in a Cage interior, the exterior with Castle on a Road design, Z5125, 24.5cm diameter £700 - £1,000 872. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Imperial bowl, the interior decorated in the Jumping Faun pattern around a central fish roundel, Z4968, the exterior with Woodland Elves III, Feather Hat, 23.5cm diameter £800 - £1,200

877 877. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre octagonal bowl, Smoke Ribbons interior, the exterior decorated in the Moorish pattern, Z5125, 22cm diameter £1,000 - £1,500 878. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre octagonal bowl, Running Figures interior, the exterior in the Geisha or Angels design, Z4968, 17.5cm diameter £300 - £500

873 873. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Imperial bowl, Picnic by a River interior, the exterior decorated with Woodland Bridge, Z4968, 20.5cm diameter £1,000 - £1,500 874. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Empire bowl, Leapfrogging Elves, Z4968, with Elves on a Branch interior design, 12.5cm diameter £150 - £250

879 879. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre plate, Imps on a Bridge and Tree House, with vermillion enamelled highlights, within Gnome or Imp border, 27cm diameter £1,000 - £1,500

875

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

101

881

880 880. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre octagonal bowl, Bird in a Hoop interior around a central flaming roundel, the exterior in Castle on a Road, Dana pattern, Z5725, diameter £1,200 - £1,800 882 881. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre octagonal bowl, Ship and Mermaid interior, the exterior with Woodland Elves VI, Fiddler in a Tree, Z4968, 21.5cm diameter £1,500 - £2,500

882. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Lily tray, Garden of Paradise, Variation I design, the reverse with Flight of Birds band on a marbled green ground, 28cm diameter £1,500 - £2,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

102

883. Daisy Makeig-Jones for Wedgwood, a Flame Fairyland lustre vase, shape 2351, Imps on a Bridge and Tree House, Variation with Willow design arcade, Z5360, 23cm high £2,000 - £3,000

883

884

885

884. A set of five Pilkingtons tiles, painted with Dutch Windmills and houses, one pencil marked ‘Artist’s Copy’, 10cm x 10cm, and two similar examples and two floral decorated tiles (9) £40 - £60

885. Leslie Harradine for Royal Doulton, Contentment, HN1323, modelled as a mother and child asleep, pink dress, painted marks, 20cm high £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

103

888. Clarice Cliff for Newport Pottery, a Gibraltar plate, concentric ring border, Bizarre marks, 23cm diameter £200 - £300 889. Harold Bennett for Burleigh Ware, an Art Deco posy bowl, circa 1935, wide brimmed with stepped conical body, painted with stylised leaf and concentric band design, 15.5cm diameter £20 - £40 890. A Sadler At Deco novelty teapot, modelled as a bus, cream glaze, moulded marks £80 - £120 891. A Sylvac revivalist Assyrian twin handled vase, model 1699, footed form, the handles modelled as rams, painted with winged bulls between cypress trees, 13cm high £40 - £60

892 886 886. Charles Noke for Royal Doulton, The Jester, figure HN 71, number 18, modelled on a column, green and black check tunic with yellow bobbins, painted marks, 24cm high £1,000 - £1,500 887. Clarice Cliff for Wilkinson and Newport Pottery, a Crocus pattern coffee set, including coffee pot, six cans and saucers, Bizarre and Crocus marks (13) £400 - £600

892. Carlton ware, a large Wilshaw & Robertson ginger jar and cover, chinoiserie landscape on blue ground, printed marks, 32cm high £150 - £200 893. Birger Kaipiainen (Finnish, 1915-1988), Dish Duetto, oval ceramic dish, Arabia Art, Finland, 1983, facsimile signature, No.128/300, 41cm wide £400 - £600

894

888

894. Simone Killburn for Troika, an art pottery dish, cuboid form with circular concave centre, together with a sgraffito and crystalline glazed plate, painted and printed marks, 21.5cm diameter (2) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

104

BRITISH CERAMICS 895. Milwyn Holloway, a painted porcelain plaque, oval convex form with woman feeding chickens in front of a cottage, signed, printed MH marks, 15cm x 22cm, framed £300 - £500

899. A Minton fruit painted dessert service, various artists, including twelve plates, two comports and a tazza, each with a different fruit specimen, signed and titled, within cream and gilt relief moulded borders, gold marks, 23.5cm diameter (15) £300 - £500 900. A Minton floral painted and raised paste gilt coffee cup and saucer, circa 1850, in the Sevres style, Chartreuse green ground with palm frond and floral cartouches decorated with bouquets of flowers, within saw tooth borders, gilt ermine mark, 13cm diameter £40 - £70 901. A Minton figural and reticulated twin handled basket, 1873, bombe form, the handles modelled in relief as putti united by oak leaf garland swags, central pink ground cartouches painted with bouquets of roses, on a pink ground shell moulded four bracket base, impressed marks, 25cm long £50 - £100 902. Albion Birks for Minton, a pate sur pate plaque, circa 1910, pink ground, with Eros and Aphrodite holding a collar, gilt marks, 18cm diameter £200 - £400 903. Louis Malempre for Copeland, a Parian figure of a child with a dog, made for the Crystal Palace Art Union, 1876, incised marks, 38cm high £80 - £120

896 896. Stefan Nowacki for Lynton Porcelain, a demi-lune bough pot and cover, the lid encrusted with roses, daisies and forget-me-nots above gilded cartouche reserving painted flowers and leaves on a flanked by encrusted rose heads and summer flowers, 15cm high £300 - £500

903A. A Royal Worcester bisque porcelain figure of Mr Bumble, from Oliver Twist, modelled in 18th century costume, impressed marks and initials EAE, 18cm high £200 - £300 904. A pair of Royal Worcester pearlescent lure figural centrepiece vases, each with a nymph type figure on a rocky outcrop, flanked by coral and shell encrusted troughs, 22cm high (2) £400 - £600 905. A pair of Worcester Royal China Works reticulated pedestal vases, urn form on drum bases, pierced with Persian style foliate scroll decoration, and applied coral and turquoise jewelled beads, 25cm high (2) £400 - £600 906.

Three Royal Worcester vases (3)

£30 - £50

907. Kitty Blake for Royal Worcester, a flower painted spill vase, cylindrical form, circa 1940, decorated with orchids to a pale cream/green ground, 12cm high £30 - £50

897 897. Stefan Nowacki for Lynton porcelain, a two handled demi-lune bough pot, circa 1984, painted with Dutch war ships on rough seas within oval beaded panel and gilded pumice and green ground, with gilded rams head handles and stepped base, 14cm high £300 - £500 898. A pair of Minton vases and covers, pedestal twin handled urn form, painted with garlands of roses, printed marks, 35cm high (2) £200 - £400

908 908. George Cole for Royal Worcester, a fruit painted comport, circa 1915, decorated with summer fruits and flowers on a white ground within star form gilded cartouche and cobalt blue border, with gilded shell and foliate scroll salmon pink panels and shaped gilded rim, 23cm diameter, signed, 23cm diameter, 9cm high, together with a similar example, 4cm high, and a dessert plate, 22.5cm diameter, puce printed marks, (3) £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

105

909. Albert Shuck for Royal Worcester, a set of of five fruit painted dessert plates, circular form, circa 1925, decorated with summer fruits and flowers on a white ground within star form gilded cartouche and cobalt blue border, with gilded shell and foliate scroll salmon pink panels and shaped gilded rim, 23cm diameter, signed (5) £400 - £600 910. A Hadley’s Worcester flower painted pedestal vase, circa 1905, lobed form, painted with floral studies within lobed cabochons, within a teal glazed relief moulded ground, on dolphin stem and circular swept base, 14cm high £40 - £60 911.

A Royal Worcester rose painted flat back jug, £40 - £60

912. E Barker for Royal Worcester, a Highland Sheep painted plaque, rectangular form, decorated with two sheep in a misty heather landscape, signed, puce mark on unglazed back, 8.5cm x 11cm, framed £70 - £100 913. Thomas Brock for Royal Worcester, Bather Surprised, a glazed parian figure, modelled as a nude woman resting on a tree stump, puce marks, 39cm high £80 - £120

909

914. Harry Stinton for Royal Worcester, a Highland Cattle painted coffee set, decorated with cows in misty landscapes, signed, in fitted box with silver spoons £1,200 - £1,600

914

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

106

915. E Barker for Royal Worcester, a bird painted coffee set, decorated with English garden birds, including robin, wren, bullfinch, goldfinch, blue tit etc., signed, in fitted box £1,200 - £1,600 916. James Stinton for Royal Worcester, a pheasant painted coffee set, decorated with birds in thicket habitats, signed, boxed £1,200 - £1,600 917. Roberts for Royal Worcester, a miniature fruit painted teapot, signed and printed marks, 6.5cm high £50 - £80 918.

C White for Royal Worcester, a bird painted ewer £80 - £120

919. F Higgins and Cooper for Royal Worcester, two fruit painted cabinet plates, circa 1980, decorated with apples, grapes, plums and cherries within elaborate tooled gilded ground, printed gilt mark, 27cm diameter £100 - £200 920. C Smith for Royal Worcester, a fruit painted jug, decorated in the round with apples and grapes, gilt interior and handle, 10.5cm high £100 - £150 921. Edward Townsend and John Freeman for Royal Worcester, a pair of fruit painted cabinet plates, circular lobed form, circa 1957-59, decorated with apples and blackberries, peaches and grapes, within acid yellow glazed and gilded borders, signed, 22.5cm diameter (2) £100 - £200

926 926. A pair of Royal Crown Derby Imari 2451 candlesticks, knopped baluster form with scroll petal bases, 15cm high (2) £100 - £200 927. A collection of Royal Crown Derby Imari plates and a pedestal twin handled vase and cover, early 20th century, including 2451 and 1128, vase 15cm high (6) £150 - £200

928 922 922. James Stinton for Royal Worcester, a pair of pheasant painted vases, 1904, baluster form, relief moulded lappet bases and reticulated fluted necks, each with a pheasant in thicket landscape, green marks, signed, 13cm high (2) £120 - £180 923. A Worcester Royal Porcelain part dessert service, circa 1860s, painted with various birds in the style of Hopewell, reticulated turquoise enamelled borders, including lidded pedestal bowls, tazzas and comports £300 - £500 924. Charles Baldwyn for Royal Worcester, a cylinder vase, 1904, on integrated Oriental pierced scroll bracket stand, painted with swans in flight over bullrushes, on pale blue ground, puce marks, 15.8cm high £500 - £800 925. A Royal Crown Derby Imari 1128 teapot and jug, 1968, oval section ogee form, 28cm long (2) £80 - £120

928. A Royal Crown Derby Imari 2451 pattern three piece tea set, 1898, of boat or helmet form, including teapot, jug and sugar, 22cm long (3) £120 - £180 929. A pair of Royal Crown Derby Aesthetic Movement twin handled vases, circa 1880, squat bulbous form, the handles in the form of faces with Oriental headdresses, pink ground with raised gilt foliate and bird decoration, underglaze blue marks, 15cm high (2) £50 - £80 930. A large Royal Crown Derby blush ivory vase and cover, 1895, lobed ovoid form, painted with dog roses highlighted in gilt, the onion domed lid pierced and relief moulded with chrysanthemums, 49cm high £300 - £500 931. A pair of Royal Crown Derby pink ground and gilt Derby Ewers, 1886, painted in the Aesthetic style with birds, insects and peonies, coral square bases, 28.5cm high (2) £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

107

932

932. James Rouse Senior for Royal Crown Derby, a pair of twin handled floral and fruit painted vases and covers, circa 1880, pedestal urn form gilt and blue striped ground with jewelled handles and borders, each with two oval vignettes of floral and fruit still lives within feathered star borders, between tooled raised gilt foliate lappets, signed to underside, 40cm high (2) £2,000 - £3,000 933. W E J Dean for Royal Crown Derby, a marine painted vase, shouldered form, decorated with a stormy coastal view within a beaded gilt cartouche, on blue and gold sprigged ground, 20.5cm high £100 - £200

933

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

108

934

936

934. A Royal Crown Derby part dessert service, circa 1905, painted with coastal maritime scenes with Dutch fishing boats, within white glazed scalloped borders heightened with gilt and decorated with green painted gourd and foliate swags, comprising 6 plates, 23 cm diameter, and two shaped strawberry dishes (8) £100 - £200

936. Harris for Royal Crown Derby, a floral painted vase and cover, 1906, twin handled pedestal urn form, decorated with a central oval bouquet within gilt jewelled and folaite scroll cartouche, open acanthus C scroll handles, signed, 31cm high £500 - £800

935

937

935. A pair of Royal Crown Derby exotic bird painted vases and covers, 1909, twin handled pedestal urn form, pink ground with gilt beaded cartouches of birds in landscapes, open foliate scroll handles and high ogee domed lids, 19cm high (2) £400 - £600

937. Cuthbert Gresley for Royal Crown Derby, a flroal painted pedestal vase, 1908, twin handled urn form, pink ground with jewelled gilt foliate scroll cartouches, open foliate scroll handles, signed, 22cm high £400 - £600 938. Cuthbert Gresley for Royal Crown Derby, a fruit painted vase, 1903, twin handled pedestal urn form, decorated with a central oval of apples, oranges and roses, within a yellow ground and gilt jewelled border, open C scroll acanthus handles, on cobalt blue ground, signed, 28cm high £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

109

939

941

939. Cuthbert Gresley for Royal Crown Derby, a pair of floral painted twin handled vases and covers, 1907, pedestal urn form, decorated with bouquets of roses within geometric and foliate scroll raised gilt and jewelled cartouches, the open acanthus handles united at the neck, 32cm high (2) £1,500 - £2,000

941. Albert Gregory for Roal Crown Derby, a pair of twin handled Campana Urn vases, 1920, painted with floral bouquets within raised paste and tooled gilt foliate scroll shield form cartouches, on cobalt blue ground, canted square bases, printed marks, 22cm high (2) £800 - £1,200

940

942

940. W Mosley for Royal Crown Derby, a floral painted twin handled Campana Urn, 1903, decorated with a continuous garland of floral bouquets, above a knotted foliate scroll beaded gilt and blue ground band, relief moulded arcading, 26.5cm high £1,000 - £1,500

942. Albert Gregory for Royal Crown Derby, a pair of floral painted ewers, shouldered urn form, decorated with a band of flowers, bordered in raised gilt jewels, with foliate cartouche straps, blue ground with fluted foot and shoulder, 17.5cm high (2) £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

110

945. Albert Gregory and George Darlington for Royal Crown Derby, a muffin dish and cover from the Judge Gary service, circa 1910, retailed by Tiffany and Co., the broad rimmed bowl painted with floral hanging baskets within raised paste foliate scroll gilding, on cobalt ground, turquoise inner border with swags and festoons, the domed cover similarly decorated, gilt foot rim and marks, 22.5cm diameter £1,200 - £1,800

943 943. Albert Gregory for Royal Crown Derby, two floral painted vases, 1913 and 1914, each with a bouquet of flowers within a raised and tooled gilt cartouche, on a blue ground, decorated with fildlower sprigs in gold, pne of twin handled and lidded form, 15cm high (2) £200 - £400

944

946

944. Albert Gregory and George Darlington for Royal Crown Derby, a muffin dish and cover from the Judge Gary service, circa 1910, retailed by Tiffany and Co., the broad rimmed bowl painted with floral hanging baskets within raised paste foliate scroll gilding, on cobalt ground, turquoise inner border with swags and festoons, the domed cover similarly decorated, gilt footrim and marks, 22.5cm diameter £1,200 - £1,800

946. Albert Gregory for Royal Crown Derby, a twin handled floral painted vase and cover, 1920, pedestal urn form, decorated with falling floral bouquets within raised and tooled gilt borders of foliate scroll and husk swags, the open bisected acanthus handles gilded, on a blue ground, signed, 39cm high £1,200 - £1,800 947. Albert Gregory for Royal Crown Derby, a large floral painted twin handled vase, 1904, shouldered form with two foliate scroll and grape moulded handles, decorated with an extensive floral garland highlighted with raised paste and jewelled bi-colour gilt foliate scroll cartouches, above a panelled border of diaper and floral motifs, below a relief moulded vine and knotted tendril neck, on an acanthus bracket base, signed, printed marks and Roal Warrant, 51cm high £2,000 - £3,000 948. Albert Gregory for Royal Grown Derby, a large floral painted Campana Urn vase, 1904, decorated with four panels of bouquets within raised gilt and beaded arcades between foliate scroll and bi coloured fruiting garland motifs, on green and blue ground, below an extensive millefiori border, the foot similarly decorated, on a moulded square base, signed, printed marks, 42.5cm high £3,000 - £5,000

945

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

111

948

947

949. Desire Leroy for Royal Crown Derby, a pair of floral painted vases, 1901, shouldered pedestal urn form, each with two panels decorated with floral bouquets within raised and tooled gilt foliate scroll cartouches, between blue ground panels of floral baskets and garlands, coral ground ovals and green ground jewelled diaper aprons, the shoulders with musical instruments, the C scroll cartouches highlighted with turquoise and painted garnet cabochons, signed, 20cm high (2) £3,000 - £5,000

949

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

112

953 950. RA Dean for Doulton Burslem, a painted floral plate, within gilt border, signed and printed mark, 23cm diameter £40 - £70

954. A Caughley blue and white egg strainer, circa 1780, transfer printed cormorant pattern, leaf moulded handle, 10cm long £30 - £50

951. Curnock for Royal Doulton, a twin handled vase, tapered form, painted with a ploughing scene as dusk, 22cm high £30 - £50

956. A New Hall porcelain coffee pot, circa 1790, painted en grisaille in the rare 367 pattern, baluster form, 26cm high £30 - £50 957. A Creamware comport, with reticulated cover and flower finial, Leeds, circa 1780, 22.5cm high £30 - £50 958. A New Hall porcelain teapot, circa 1780, pattern 133, of small proportions, silver shape, 20cm long £30 - £50

955

959. A pearlware blue and white pap boat, circa 1800, relief moulded shell handle, decorated with gardeners resting in a landscape, within floral border, 15cm long £30 - £50

955. A Chinese export blue and white porcelain plate, circa 1760, octagonal form painted in the man on bridge pattern, 23cm diameter £30 - £50 952 952. H Boullemier for Royal Doulton, a painted cabinet plate, cherubs at rest, within a raised gilt foliate scroll border, signed and printed mark, 22cm diameter £50 - £80 953. A collection of Wedgwood porcelain, including three boat form potpourri vases and covers with reticulated covers, two painted with roses, one with a landscape vignette, blue and cream ground and gilt floral decoration, a pair of pedestal vases similarly decorated, printed marks (5) £300 - £500

960 960. An English pearlware tankard, circa 1770, cylindrical form, painted with a Chinese fisherman in a river landscape, below a Neoclassical laurel border, 15cm high £30 - £50

956

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

113

961. Moore and Co., a blanc de Chine figural bowl, circa 1860, modelled as three winged putti supporting a flower encaged in magnolia buds and flowers, on a tricorn base, impressed and printed marks, 21cm high £40 - £70

965. A Worcester Dalhousie mug, crescent mark, circa 1785, cylindrical form, painted with a central oval landscape with cottage and river, within turquoise husk and gilt borders, between floral bouquets, 15.5cm high £100 - £200

970. A Swansea porcelain tea cup and saucer, circa 1815, painted with tulips and gilt pineapples, red Swansea mark, saucer 15cm diameter, provenance - part of the Sir Leslie Joseph collection no. 557 and 1216 £60 - £80 971. A collection of Derby porcelain tea ware, including a Chelsea Derby wrythen moulded tea bowl and saucer, foliate moulded fluting and floral wreath design, gold monogram and blue marks, a Derby blue and gilt reeded tea bowl and saucer, pattern 32, puce marks, and a Stevenson and Hancock Imari type dish (5) £50 - £80

962

966

962. A Worcester blue and white miniature teapot, crescent mark, circa 1760, painted in the Canonball pattern, 13cm long £40 - £60

966. A Worcester cos lettuce leaf moulded sauce boat, workman’s mark, circa 1755, realistically modelled and painted with flowers and butterflies, 19cm long £80 - £120

963. A Lowestoft blue and white porcelain tea bowl and saucer, circa 1770, painted in the Peony and Holed Rock pattern, 12cm diameter (2) £40 - £60

972. A Coalport trio, two cups and saucer, circa 1790, painted with gilded floral motif on yellow ground within gilt borders, saucer 13cm diameter (3) £40 - £60 973. A Swansea porcelain Paris shape breakfast cup and saucer, gilded motif and solid gilt bands, fluted and gilt red Swansea mark, saucer 18cm diameter £50 - £80

967. A Worcester blue and white tea bowl and saucer, workman’s marks, circa 1757, in the Feather Mould Floral pattern, 11.5cm diameter £50 - £80

974. A Bristol porcelain trembleuse chocolate cup and saucer, circa 1760, the twin handled ogee cup painted with monochrome green floral bouquet below rosette border, with red rim, the saucer with similar banding, 15cm diameter £50 - £80

968. A Worcester polychrome teapot and cover, circa 1765, painted in the Back to Back Floral pattern, spherical form, 19cm long £100 - £200 A Spode trio, two cups and 969. saucer, circa 1810, painted in Dollar pattern of iron red, blue and gilt, pattern no. 715, saucer 14cm diameter (3) £40 - £70

975. A Caughley tea bowl and saucer, blue S mark, circa 1780, reeded and fluted, with blue and gilt floral sprigs and laurel husk banding, 14cm diameter £50 - £80

964 964. A Lowestoft blue and white porcelain sugar bowl or sucriere base, crescent mark, circa 1770, painted in the Mansfield pattern, 7cm high £40 - £60

965

973

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

114

976. An English porcelain inkstand, circa 1820, drum shape, painted in polychrome with foliage and birds, gilt detailing, on triple paw feet, 6cm high £50 - £80

981. A Doulton and Watts, Lambeth stoneware relief moulded reform flask with Miss Prettyman and Mr and Mrs Caudle, impressed names and makers mark, 19cm high £60 - £80

977. Thomas Wolfe, a Staffordshire part tea set, circa 1800, made by Factory Z (Thomas Wolfe), including teapot, jug, sugar bowl, slop bow, three tea cups and seven saucers, the teapot of New Oval form with bridged spout, painted with silver lustre ermine ground, red and blue foliate sprigs and floral roundels, 26cm long (14) £50 - £80

982. A Continental porcelain painted plaque, decorated with a thrush and nest in blackberry brambles, impressed marks, 31.5cm diameter £60 - £100 983. Dicker and Co, a Sussex slip decorated barrel shaped Costrel, inscribed 1810, HC, made in 1911, realistically modelled, 16.5cm high £60 - £100

978. George Jones, a relief moulded and pianted strawberry set, including tray, bowl and jug, with three various spoons, each with applied strawberry flowers, together with a cyclamen moulded green ground vase, 18.5cm high £50 - £80

984. A Doulton Lambeth sprigged stoneware jug, silver mounted, green and salt glazed with applied hunting and tavern scenes, 19cm high £60 - £80

979. A Coalport scene painted twin handled bowl, lobed boat form with foliate handles and rim, on four scroll bracket feet, blue ground, painted with landscape vignettes within C scroll gilt cartouches, 26.5cm long £50 - £100

985. A Bloor Derby sauce tureen and cover, circa 1835, circular form, domed cover with bud finial, powder blue and moulded gilt borders, printed maker’s mark ‘D’ surmounted by a coronet, 19cm high £70 - £90 986. A Wedgwood Queensware tea set, circa 1870s, painted in the Derby style with Autumnal leaves, Neoclassical form teapot, sugar bowl, jug and conical cups and saucers, impressed marks, 22cm long £80 - £120 987. A Wedgwood drabware jug, circa 1800, shouldered form with lobed lip and banded neck, impressed marks Wedgwood, 16cm high £20 - £40

980 980. A Coalport desk stand, including a pair of inkwells and covers, and candlestick, painted with flowers within gilt and green borders, stand 33cm long, provenance - from The Henry Sandon Collection £60 - £100

988 988. A Wedgwood blue Jasperware chamber stick, circa 1790, fluted trumpet form, with husk garlands and oak leaf wreath, impressed mark Wedgwood, 6cm high £80 - £120 988A. A Wedgwood tri colour Jasperware clock garniture set, yellow ground, domed bracket form with black relief moulded swags, scrolls and Classical borders, flanked by two candlesticks with white banding, on ebonised presentation stand, impressed marks Wedgwood Etruria England, 39cm hig £2,000 - £3,000

981

989. A Coalport dessert dish, circular twin handled form, circa 1900, painted with a Scottish Loch scene within pale lemon and royal blue border with tooled gilded foliate and floral cartouche, titled to reverse Ardlui, 25cm wide, a similar square dish titled Brieddon Hills and two dessert plates, Loch Katrine and Loch Voil, 23cm diameter (4) £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

115

988A

990

991

990. A Perry for Copeland Spode, a bird painted casket, square form, painted with turtle doves in rural landscape within, blue glazed and gilded seaweed borders, the base decorated with floral sprays within raised gilded foliate cartouche, signed, 15cm wide x 7cm high £80 - £120

991. A Wedgwood Capri Ware jar and cover, circa 1810, of Etruscan form, terracotta ground with polychrome enamelled Chinese prunus, peony and pheasants on rocks, impressed marks Wedgwood and moustache mark, 24cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

116

999. A Lowestoft blue and white porcelain teapot and cover, crescent mark, circa 1770, decorated in the Mansfield pattern, ovoid form with floral finial, 18cm long £180 - £220

992

996

992. A Wedgwood Capri Ware jardiniere, circa 1810, black basalt ground enamelled with Chinese prunus, rock and pheasants, impressed marks Wedgwood, moustache mark, 16.5cm high £100 - £150

996. Liverpool Delft puzzle jug, circa 1760, bulbous form with reticulated neck, blue and white painted with polychrome flowers and a verse, 18cm high £250 - £350

1000 1000. A Lambeth, London Delft polychrome charger, circa 1760, painted with a parrot on a peony rock, within a pinecone and foliate scroll border, 34.5cm diameter £200 - £300

993. A Richard Champion Bristol porcelain cup and saucer, circa 1770, painted with central floral bouquet with tulip within floral sprigs and sprays, gilt band and borders, 12.5cm diameter (2) £80 - £120

1001. A Mexborough Toby jug, modelled holding a jug and a beaker, caryatid figural handle, sponge decorated the the interior hat and the base, 26cm high £300 - £500 997 997. A pair of Derby porcelain shepherd and shepherdess figural candlesticks, circa 1770, bocage backed, on Rococo scroll bases, 28cm high (2) £300 - £500

994 994. A Richard Champion, Bristol porcelain jug, circa 1770, painted with floral sprigs and sprays below a foliate scroll and floral border, 9.5cm high £80 - £120

998. A Bloor Derby part dessert service, circa 1820, comprising pair of oval dishes and a pair of plates, each painted with named botanical studies, ‘Carnation’, ‘Rose’, ‘Anemone’ and ‘Carnation’, apple green borders, moulded gilt serpentine rims, circular printed ‘Bloor Derby’ marks, 28cm long (4)£150 - £200

995. A pair of English porcelain cabinet plates in the Minton style, the circular central panel decorated with annotated dog scenes, within turquoise and gilded bands and reticulated basketweave borders, titled to the reverse, Dignity and Impudence and No Place Like Home, with printed retailers stamp, 24.5cm diameter (2) £100 - £200

1002 1002. A Yorkshire Toby jug, circa 1800, modelled holding a frothing jug, pink coat and green breeches, 26.5cm high £200 - £400 999

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

117

1007 1003 1003. A Mexborough Toby jug, modelled holding a jug and a beaker, caryatid figural handle, black hat and sponge decorated base, 25cm high £300 - £500 1004. A set of four London Delft tiles, circa 1750, octagonal blue and white landscape vignettes within manganese sponge borders and carnation corners, 13cm square (4) £250 - £300 1005. A set of four London blue and white Delft tiles, circa 1740, decorated in the Kangxi style with central rosettes and corner floral segments, 12.5cm square (4)

1007. George Jones, a majolica jardiniere, modelled as a woven basket with knotted branch handles, turquoise glazed interior, impressed marks, 24cm high £400 - £600 1008. A pair of spongeware decorated figures of cows against bocage, Staffordshire, Tunstall Group, circa 1820, one modelled with a snake biting its leg, 18cm high (2) £400 - £500 1009. A slipware dish, sgraffito decorated with an image of a peacock and dated 1733, possibly Devon or Somerset. 21.5 cm diameter. £500 - £800

£150 - £200

Provenance: Lipski Collection

1006

1010

1006. A Yorkshire slipware model cradle, 19th century, slab construction, decorated with names Bob and Bet between hares, the ends with winged figures of Death, on skate rockers, 17.5cm long £200 - £300

1010. An English slipware dish, circa 1780 with elaborate slip trail decoration. 38 cm diameter. £1,000 - £1,500 1011. An English Deflt blue and white drainer, London, mid 18th century, circular form with concentric ring and hole decoration of foliate and geometric bands, 23cm diameter £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

118

STAFFORDSHIRE 1012. A Staffordshire figure group of gentleman hunters in confrontation under an arched forest bower with game birds, circa 1850, polychrome enamel painted with applied foliage texture, on a white, naturalistic, gilt-lined ovoid base, 33 cm high. £50 - £80

1017. Three Staffordshire royal figures, circa 1850, modelled as a juvenile Prince of Wales in a sailor suit, on a naturalistic rocky ovoid base, 31cm high, together with a white enamel figure with polychrome details, modelled as a woman on horseback mounted on a naturalistic rocky ovoid base inscribed ‘PRINCESS’, 26cm high, and a figure of Empress Eug nie, consort of Napoleon III, modelled as a woman sitting side-saddle in cobalt blue dress, 29cm high (3). £40 - £60

1013

1018

1013. A Ralph Wood type Staffordshire Toby jug, circa 1770, modelled with frothing jug, barrel and resting pipe, sponged blue jacket, 25cm high £200 - £300

1018. A Staffordshire figure group, circa 1850, modelled as two figures mounted on horseback, likely to be representations of royal children and/or the Prince of Wales, polychrome enamel painted with applied clay textural details, mounted on rocky, naturalistic, gilt-lined ovoid bases, 19cm high, together with a pair of figures after Joshua Reynolds, modelled as seated children, polychrome enamel painted with gilded details, 10.5cm high (4). £40 - £60

1014. A group of Staffordshire dog figures, modelled standing on white bases, in iron brown and white colourway with gilding to one figure, 12cm high (3). £20 - £40 1015. A Staffordshire royal figure group, circa 1850, modelled as the Princess Royal and the Prince of Wales on horseback, polychrome enamel painted with gilded details and applied clay foliage ‘tufts’ on white, ovoid, gilt-lined bases, 14.5cm high, together with a figure modelled as Queen Victoria on horseback, mounted on a white ovoid base with ‘Queen’ in gilt lettering, 21cm high (3). £30 - £50

1019 1019. Two Staffordshire figure groups modelled as courting lovers on naturalistic, irregular bases, heights of 21cm and 26cm, the smaller of the two figures depicts barefoot lovers surrounded by flowers and a running stream, (2) £40 - £60 1016 1016. A Staffordshire figure group, late nineteenth-century, ‘Fisherman and Companion’ figure modelled as a standing fisherman with net and female companion, polychrome enamel painted on a naturalistic, ovoid gilt-lined base, 35cm high together with ‘Shoeshine Boy’, circa.1865, polychrome enamel painted on a white, ovoid base, 25cm (2). £40 - £60

1020. A Staffordshire figure group of cottages, 19th century, polychrome enamel painted with gilded highlights and applied clay textural details, tallest 18.5cm high (4). £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

119

1025. A Staffordshire arboreal figure group, circa 1870, figures glazed white with polychrome enamel and gilt-painted details, the large figure is modelled as a loving couple under a grapevine arched bower, 35cm high, together with a shepherd and shepherdess pair, modelled seated, holding grey lambs beneath arboreal arched boughs, mounted on naturalistic, rocky, gilt-lined, ovoid bases, 25.5cm high (3). £40 - £60

1031 1031. A pair of Staffordshire pastoral figures, circa 1870, standing female figure modelled with a brown and white lamb in her shawl, standing male figure holding a grey and white puppy, both figures polychrome enamel painted in a pink, green and yellow colourway with gilded details, positioned on irregular grassy mounds with textured foliate additions and gilt-lined plinth bases, 23cm high (2). £50 - £80

1021 1021. A Staffordshire figure of William Tell and his son, circa 1860, modelled as a flamboyantly dressed male figure standing beside a young boy holding the infamous apple, polychrome enamel painted with gilded details on a white ovoid titled base, 26.5cm high. £40 - £60 1026 1026. A Staffordshire figure of a seated man and woman on a chaise, circa 1870, female figure is modelled holding an exotic bird, the male figure is recumbent holding a mandolin, on a raised orange chaise or sofa, polychrome enamel painted with gilded details, 26cm high. £40 - £60 1027. Three Staffordshire temperance figures modelled collecting water from fountains, circa 1860, 22cm high (3). Note: Designs were inspired by the subscription fountains installed by various charities and temperance organisations £40 - £60 1022 1022. A Staffordshire portrait figure of Napoleon, circa 1840, modelled in military uniform and bicorn hat, stood on a naturalistic, rocky base with applied clay textural details, 21.5cm high. £40 - £60 1023. A matching pair of Staffordshire pottery poodle groups, circa 1860, modelled as seated mothers guarding puppies, part-shaved with granulated clay applied to their bodies, white glazed with gilt collars, mounted on cobalt blue bases, 20cm (2). £40 - £60 1024. Two Staffordshire pearlware greyhounds, circa 1840, painted in light brown enamel, seated on cobalt blue oval bases with gilt details, largest 20cm high (2). £40 - £60

1028. A collection of Staffordshire dogs, circa 1860, including white and russet spaniels with gilt collars, poodle figure group and a collie dog, 20cm high (4). £40 - £60

1032. Six Staffordshire royal children figure groups, circa 1860, modelled as a seated girl in cobalt blue and ermine red cloak beside a standing boy in kilt and sporran, 15.5cm, together with another figure group modelled as a boy in plumed hat seated on a black and white spaniel, beside a girl seated on white steps, on oval plinth, 18cm high, a matching pair of royal children on horseback, polychrome enamel painted on white, ovoid gilt-lined bases, 14.5cm high, and two spill vases on white, ovoid gilt-lined bases, modelled as a seated boy and girl feeding rabbits and chicks respectively, 10cm high (6). £50 - £80 1033. A Staffordshire pearlware figure group of the Dandies, with a dog, on green base, 18cm high £150 - £200

1029. A Staffordshire figure group of spaniels, circa 1860, two matching pairs of seated Staffordshire spaniels, white enamel painted with russet patches and gilt collars, larger pair are modelled with a relief padlock to the collar and hanging chain, 25cm high, the smaller are modelled with separated forelegs, 17.5cm high (4). £50 - £80 1030. Four Staffordshire figure groups, circa 1850, including shepherd, Highland Gamekeeper and two female figures, 38cm high (4)). £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

1034

120

1034. A Staffordshire figure of Hamlet, mid 19th Century, modelled standing holding the skull of Yorick, polychrome enamelled, on a naturalistic plinth, 17.5cm high £50 - £80 1035. A Staffordshire cow and milkmaid figure, circa 1860, two similar groups, one predominantly white, heightened in flesh tones and gilding on an oval plinth base decorated as a field and stream, 25cm high, together with Staffordshire creamer jug depicting a smiling cow and her milkmaid, 18cm high (2). £50 - £80

1039 1039. A pair of Staffordshire figures of royal children with sheep, circa 1860, modelled as royal portraits of the Prince of Wales (Edward Albert 1841 910) shown in Scottish dress leaning against a ram and the Princess Royal (Victoria Adelaide Mary Louise 1840 901) leaning against a ewe, granulated clay applied to the bodies of both sheep, polychrome enamel painted with gilded details on white, oval, gilt-lined bases, 20cm high (2). £50 - £80

1036

1044 1044. A Staffordshire clock group figure, circa 1860, a central clock modelled on a naturalistic, gilt-lined base, surmounted by a white poodle and flanked by two spaniels, one russet and white, the other white with black patches, 25cm high. £50 - £80 1045. A Staffordshire matching pair of poodles, circa 1860, seated figures modelled as part-shaved poodles with granulated clay applied to their bodies, the figures are white glazed with gilt collars and polychrome enamel details, unmounted, 14.5cm (2). £50 - £80

1036. Three Staffordshire pottery cats, 19th century, including a pair of black and white cats on pink cushions, and a larger Tabby cat on yellow cushion, gilt collars, 19cm high (3) £50 - £80 1037. Staffordshire figures of royal children with goats, circa 1850, modelled as a royal portrait of the Princess Royal (Victoria Adelaide Mary Louise 1840 901) leaning against a pet goat, 26cm high, together with a smaller similar figure, 11cm high, both polychrome enamel painted with gilded details on white, gilt-lined, oval bases, (2). £50 - £80 1038. A pair of Staffordshire figures of royal children with sheep, circa 1860, modelled as royal portraits of the Prince of Wales (Edward Albert 1841 910) shown in Scottish dress leaning against a ram and the Princess Royal (Victoria Adelaide Mary Louise 1840 901) leaning against a ewe, granulated clay applied to the bodies of both sheep, polychrome enamel painted with gilded details on white, oval, gilt-lined bases, 20cm high (2). £50 - £80

1040

1046

1040. A Staffordshire pottery hen on nest, circa 1850, yellow basket dish base with cover modelled as a sitting hen with eggs visible, polychrome enamel, together 18cm high. £50 - £80

1046. A Staffordshire ‘Tythe Pig’ figure group, circa 1820, modelled with three figures beneath flowering bocage, a couple handing a baby and a piglet to the village parson, naturalistic, grassy base with moulded basket of eggs, piglet and sheaves of wheat, polychorme enamel painted, 15.5cm high. £50 - £80

1041. A Staffordshire spill vase modelled as an equestrian figure of Mazeppa, circa 1860, central draped figure tied to a horse being chased by two wolves by a stream, polychrome enamel painted with applied flowers on an oval shaped base with a gilt line, 23cm high. £50 - £80 1042. A Staffordshire boccage figure of a cow and calf, circa 1820, modelled in relief with applied rosettes, 16.5cm high £100 - £150 1043. A pair of Staffordshire greyhounds, circa 1860, painted in light brown enamel, seated on cobalt blue oval bases with gilt details, 13cm high (2). £20 - £40

1047. A Staffordshire figure of ‘Uncle Tom’ and ‘Younge Eva’, circa 1850, white enamel with painted polychrome details on a titled base, 25.5cm high. £50 - £80 1048. A Staffordshire figure pair of royal children on horseback, circa 1850, attributed to Thomas Parr, modelled as the Prince of Wales and Princess Royal on ponies, white enamel painted with polychrome and gilded highlights, mounted on naturalistic, gilt-lined, ovoid bases, 21cm high (2). £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1049

1053

1056

1049. A Staffordshire portrait figure of Sir Henry Havelock on horseback, painted in polychrome enamels with gilded details, mounted on a naturalistic, titled ovoid base with raised gilt capitals, 27cm high.

1053. A Staffordshire figure of Garibaldi, circa 1865, modelled standing beside his horse, wearing an orange jacket, painted in polychrome enamel with gilded details on a titled naturalistic base, 22.5cm high. £50 - £80

1056. Staffordshire figure of Robert Burns and Mary Campbell, circa 1850, modelled as a courting couple in Highland dress below a bough, 32.5cm high.

Note: Major-General Sir Henry Havelock (1795-1857) was a British general who is particularly associated with India and his recapture of Cawnpore during the Indian Rebellion of 1857. £50 - £80

Note Known as Highland Mary, Campbell had an affair with Burns in 1786 until her death, commemorated by his song Highland Mary. £50 - £80 1057. A Staffordshire figure of Sarah Siddons as Lady Macbeth, circa 1850, modelled as a Queen in textured ermine robe and pink glazed crown, polychrome enamel painted on a white ovoid gilt-lined base, 20cm high. Note: similar example in the V&A collections. £50 - £80

1054 1054. A Staffordshire model of Stanfield Hall, circa 1850, 14cm high. Note: The site of the 1848 double murder of Isaac Jermy and his son by James Bloomfield Rush, who’s trial became a sensation at the time. £50 - £80 1050 1050. A seated Staffordshire figure, circa 1850, modelled as a seated figure in cobalt blue coat and tricorn hat, his left hand holds a jug resting atop a table with printed paper, polychrome enamel painted, mounted on a white, circular, gilt-lined base, 19cm high. £20 - £40 1051. A Staffordshire figure of Sir Charles Napier, circa 1870, modelled with his horse, 22cm high. £50 - £80

1055. A pair of large Staffordshire portrait figures of ‘The Queen’ and ‘The Prince of Wales’, circa 1870, modelled as a crowned, standing figure in white enamel with extensive gilding and polychrome painted details, wearing garter sash, gilt inscription Queen of England to the base, 43cm high, together with a figure of the Prince of Wales, standing in military uniform with garter sash and left arm resting on a draped pedestal, gilt inscription Prince of Wales to base, 43cm high (2). £50 - £80

1058. A Staffordshire spill vase, circa 1860, modelled as a seated mustachioed figure in Highland dress, sash, kilt and sporran, holding a flask and gun beside a hollow treetrunk, polychrome enamel painted with gilded highlights and applied clay textural details, mounted on a rocky, naturalistic, gilt-lined ovoid base, 24cm high, together with a larger figure modelled as a dancing Highland hunter, with dead game, dog and rifle, white glaze with polychrome enamel and gilded details on an irregular, white, gilt-lined base, 38cm high (2). £50 - £80 1059. A pair of Staffordshire cows with calves, modelled standing beside a running stream with gilt line to base, 16cm high (2). £60 - £80

1052. A pair of large Staffordshire portrait figures of ‘Moody’ and ‘Sankey’, circa 1870,, modelled standing with their hands resting on bibles atop grey columns, mounted on titled gilt-lined white bases, 44cm high (2). £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1064. A Staffordshire royal portrait figure group, circa 1860, rarely seen portrait figure group of Napoleon III (b.1808), modeled standing, dressed in ermine red clock alongside Empress Eugenie (b.1826), modelled seated holding the Prince Imperial (b.1856), polychrome enamel painted, mounted on a white, giltlined, ovoid base, 21cm high. £50 - £80 1065. A Staffordshire figure group of children with dogs, circa 1860, larger figure modelled as a girl in a plumed hat seated side-saddle atop a large brown and white nanny dog, smaller figure modelled as a child sleeping on a recumbent white dog, both polychrome enamel painted with gilt details on grassy plinth bases, tallest 21cm high, smallest 9.5cm high (2). £80 - £120

1060

1068. A collection of Staffordshire figures, including a figure attributed to Thomas Parr modelled as the Princess Royal on a pony, white enamel painted with polychrome and gilded highlights, mounted on naturalistic base, 21cm high, a white enamelled and gilded figure on horseback, 30.5cm high, a polychrome enamel painted figure modelled as a sailor standing crossed-legged, thought to represent Ben Backstay, 21cm high, a circa 1820 pearlware figure titled ‘The Sportsman’s Companion’, modelled as a female archer, 18.5cm and others (10). £50 - £80

1060. A Staffordshire figure of a Greenwich Pensioner, circa 1850, modelled as a sailor with a wooden leg, 21cm high. Note: Sometimes known as Sailor Safely Moored in Greenwich Hospital. £80 - £120 1061. 1061 A Staffordshire figure of a Greenwich Pensioner, circa 1850, modelled as a sailor with a wooden leg, 21cm high. £80 - £120 1062. A pair of Staffordshire figures of royal children with goats, circa 1850, figures likely modelled as royal portraits of the Princess Royal (Victoria Adelaide Mary Louise 1840 901) and the Prince of Wales (Edward Albert 1841 910) leaning against pet goats, polychrome enamel painted with gilded details on white, gilt-lined, oval bases, 26cm high (2). £80 - £120

1063 1063. A Staffordshire figure pair of street performers, circa 1860, painted in polychrome enamel with gilded details, modelled as an organ grinder, a seated young boy with organ box and chained monkey, alongside a girl with tambourine, both on naturalistic plinth bases with textural clay additions, attributed to Thomas Parr, 17.5cm high (2). £40 - £60

1069 1069. A pair of Staffordshire pottery figures, circa 1860, modelled as ornately dressed male and female figures holding exotic birds on outstretched arms, standing beside balloon/shield back chair with resting game, , polychrome enamel painted with gilded details, on rectangular gilt-lined bases, 26cm high (2). £80 - £120 1066 1066. A pair of Staffordshire shepherd and shepherdess figures in Scottish Highland dress, circa 1850, Scottish shepherd figure holding a crook and pigskin water carrier, modelled with kilt, sporran and tartan sash, together with shepherdess figure, both stand upon naturalistic ovoid gilt-lined bases upon which lie a pair of sheep, 28.5cm high (2). £80 - £120 1067. A pair of Staffordshire shepherd and shepherdess figures in Scottish Highland dress, circa 1850, Scottish shepherd figure holding a crook and pigskin water carrier, modelled with kilt, sporran and tartan sash, together with shepherdess figure, both stand upon naturalistic ovoid gilt-lined bases upon which lie a pair of sheep, 28.5cm high (2). £80 - £120

1070 1070. A large Staffordshire figure The Lion Slayer, circa 1860, modelled as a man in Highland dress holding a lion, 41.5cm high. Note: Modelled as Roualeyn George Gordon Cumming, a Scottish traveler and sportsman known as the Lion Hunter. £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1071. Three Staffordshire figure groups , circa 1865, one modelled as a standing male fruitseller in white enamel painted glaze with polychrome detail, on a naturalistic, gilt-lined ovoid base, with clay textural additions, 28cm high, together with two white glazed male and female figure pairs modelled as fisherman and fish seller, heightened with polychrome painted details, tallest 35cm high (3). £80 - £120 1072. Three Staffordshire spill vases, circa 1830, including two children and a faun in a forest setting, figures are mounted on a naturalistic, ovoid base with spill vase stylised as hollow tree trunk, 24cm high, together with Thomas Parr spill vase, circa 1860, depicting Rebekah and Eliezer at the well, white enamel figures heightened with gilded and polychrome details, 18cm high and a gilded and polychrome enamel painted spill vase modelled as a standing male traveller and a seated female beside a waymarker inscribed ‘London 30 miles’, 27cm high (3) £80 - £120

1080. Six Staffordshire polychrome enamel painted figure groups, circa 1860, including one modelled as a sailor standing against a canon on a white titled base ‘Britains Glory’ 27cm high, a pair of figures with flags, likely depicting a sailor and his sweetheart modelled standing, arms linked, on a sea-bound boat, 21.5cm high, a standing female figure modelled wearing plumed hat and ermine fringed cloak holding an anchor,, 25cm high; three standing figures of sailors, one attrib. Thomas Parr factory is modelled as a young boy with anchor, likely a Prince Alfred portrait figure, mounted on a naturalistic, gilt-scrolled, rococo base, 30.5cm high; a figure modelled as a bearded sailor with barrel on a white gilt-lined base, 29.5cm high, and a sailor modelled as ‘Ben Backstay’, 22.5cm high (6). £100 - £200

1075 1075. A Staffordshire portrait figure of Wellington, circa 1840, modelled standing in his blue dress uniform with ermine cloak, plumed bicorn hat and canon, polychrome enamel painted, mounted on a white gilt-titled base, 26cm high. £80 - £120 1076. A Staffordshire porcelain figure group of two hounds, circa 1835, on oval base with gilt line decoration, 10.5cm long £80 - £120 1077. A Staffordshire pearlware figure group of the Dandies, with side bocage, on rust coloured green and yellow base, 16.5cm high £100 - £150

1073 1073. A Staffordshire figure group of the boxers Heenan and Sayers, circa 1860, 22.5cm high. £80 - £120 1074. An Adams Staffordshire blue and white transfer printed platter, The Regents Quadrant, circa 1830, depicting a view of Regent Street, London, impressed and printed marks, 34cm x 44cm £80 - £120

1078. A pair of Staffordshire pearlware boccage figure groups, Ralph Wood, circa 1800, Tenderness and Friendship, modelled as pairs of figures with dog and sheep, 18.5cm high (2) £100 - £150 1079. Staffordshire figural spill vase, circa 1850, modelled as courting musicians beside a tree, together with a similar figure group, 30cm high (2). Note: Known as The fight of the Century, the boxing match between American John Heenan and Englishman Tom Sayers took place in Farnborough, Hampshire in 1860, resulting in one of the longest and bloodiest fights in history; ending in a draw after a police storming. £40 - £60

1081 1081. A Staffordshire figure of ‘Eliza Cook’, circa 1850, modelled standing female figure holding a book on a titled ovoid base, polychrome enamel painted with gilded details, 25.5cm high. Note: Eliza Cook (1818-1889) was an English author and poet associated with the Chartist movement. She was a proponent of political freedom for women and believed in the ideology of self-improvement through education, something she called ‘levelling up’. £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1082 1082. Five Staffordshire figure groups, circa 1855, including a Crimean War figure ‘Soldiers Dream’ modelled as a sleeping Scottish soldier leaning on a war drum, white enamel with polychrome and gilt details, 27cm high, together with a pair of figures on a white titled ‘The Wounded Soldier’ modelled as a male figure with cane leaning on his comrade, 32cm high, a figure of children modelled holding Crimean flags on a boat at sea, 16.5cm and two figures modelled as Crimean War fortifications flying the Crimean flag, Sebastopol and Malakoff, painted in polychrome enamel with textural clay additions on white titled, gilt-lined bases, 22cm high (5). £100 - £200

1086 1086. A Staffordshire pearlware boccage figure group, Rural, circa 1820, modelled as a man playing the bagpipes, next to a woman and dog, 21cm high £100 - £150

1087 1087. Two Staffordshire pottery rabbits, circa 1855, modelled recumbent eating lettuce leaves, and decorated with black spotted markings, 24cm wide, 20cm high (2). £800 - £1,000

1083 1083. A pair of Staffordshire figures of Tam O’Shanter and Souter Johnnie, circa 1840, figures modelled after Robert Burns’ Tam O’Shanter and Souter Johnnie, seated figures hold mugs of beer, painted in polychrome enamel, set on square white gilt-lined bases, 13.5cm high (2). Note: modelled after the celebrated life-sized figures of Tam and Johnnie sculpted in c.1828 by a self-taught Scottish stonemason, James Thom. Thom statues were first exhibited in Ayr, 1828 before their critically acclaimed transfer to London in 1829. Later copies were produced by Thom for exhibition in America. £50 - £80 1084. Staffordshire figure pair of Scottish musicians and dancers, circa 1850, modelled as a standing male figure with bagpipes, kilt and sporran, alongside a dancing female figure with tartan sash and contribution dish, both are polychrome enamel painted with gilded details, mounted on gilt-lined ovoid plinths, 24.5cm high (2). £80 - £120

1088 1088. A Staffordshire Prattware rhyton, circa 1800, modelled as a rabbits head, sponge decorated, 9cm high £100 - £200

1085. Four Staffordshire royal figure groups, circa 1840, including Queen Victoria, enthroned, the Prince of Wales and Victoria and Albert with children, 19cm high (4). £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1089 1089. A Staffordshire pottery exotic bird, circa 1850, modelled perched on a green and brown mound, on an oval base, 25 cm high. £20 - £40 1090. A 19th century Staffordshire porcelain fox head stirrup cup, circa 1870, modelled in relief and painted, with fruiting grape vines, 12cm long Provenance: Goodfellow Collection

£100 - £150

1091. A Staffordshire pearlware pottery bull baiting figure group, circa 1820, sponge decoration with dog, 13.5cm high £150 - £250 1092. A Staffordshire pearlware figure group of the Dandies, early 19th century, on square platform base, 21.5cm high £200 - £300

1093 1093. A Staffordshire off white salt glazed stoneware bear jar and cover, modelled as a sitting bear holding a mouse, relief moulded studded collar and pierced snout, applied with shredded clay, 33cm high £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS

3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

(e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 25% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. Credit cards – Visa or Mastercard (American Express or Diners Club not accepted). Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present. Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. 13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM