Kinghams Auctioneers | 3rd-5th March 2022 by Jamm Design Ltd

FINE & DECORATIVE ARTS Thursday 3rd, Friday 4th & Saturday 5th March 2022

FINE AND DECORATIVE ARTS To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ THURSDAY 3RD MARCH FRIDAY 4TH MARCH SATURDAY 5TH MARCH Day of the Sale Auction scheduled to start at 10am with live bidding on internet bidding platforms; telephone bids and commission bids will also be accepted. You will need to be registered before the sale. FACE MASKS ARE MANDATORY FOR VIEWING AND ROOM BIDDERS

SPECIALISTS

George Kingham

John Keightley

Allison White

Adrian Rathbone

Director

Associate Director Senior Valuer and Cataloguer

Auctioneer, Valuer and Photographer

Associate Director

Mark Oliver

Geoff Shepherd

Steven Bruce

Consultant Decorative Arts Specialist

Associate Director Office Manager

Consultant Valuer

David Pregun Jewellery and Watches

Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue. Catalogue £10.00 (£12.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection. Telephone: 01608 695695 Mobile: 07976 919836 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

MAP AND DIRECTIONS Our auction site is based in the market town of Moreton-in-Marsh on the edge of the Cotswolds. By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accomodation www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation. For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; in person, by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 23% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com. Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchases until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - following 5 working days clearance. • Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £500 on credit card. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kingham & Orme Auctioneers & Valuers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

CONTENTS Day One Silver and Silver Plate

1 – 300

Jewellery & Watches

301 – 341

Furniture & Clocks

342 – 388

Militaria

389 – 426

Day Two Oriental Ceramics

427 – 466

Oriental Works of Art

467 – 545

Carpets

546 – 565

Works of Art & Metalware

566 – 694

Books, Prints and Illustrations 695 – 772 Paintings

773 – 862

Day Three Glass

863 – 903

Continental Ceramics

904 – 911

Moorcroft

912 – 956

Art Pottery

957 – 1006

British Ceramics

1007 – 1126

Roundelwood Collection

1127 - 1179

DAY ONE

SILVER AND SILVER PLATE 1. A Chinese silver pin cushion, circa 1900, of heart form with removable red velvet insert, finely planished with bamboo moulded border, on three squat ball feet, 5.5cm long, silver weight 0.97ozt £20 - £40

13. A Russian silver champleve enamel snuff box, of circular form, the hinged cover with a floral design on a cream and blue ground, struck St Petersburg standard mark, approximate weight all in 2.44 ozt £100 - £150

6 6. A pair of Anglo Indian silver coin set dishes, dated 1878 and 1917, each with a one Rupee coin, Victoria and George V, within a plain dish with beaded borders, 8.2cm diameter, 2.27ozt (2) £30 - £50 2 2. A collection of Japanese silver and white metal novelty boxes and models, in the form of various fruit and vegetables, including aubergine, apple, melon etc, some marked, 10cm long, 3.02ozt (4) £30 - £50 3. A large Indian white metal card case, 19th century, embossed in relief and chased with agricultural scenes of cows and farmers in rural landscapes, hinged lid, 11cm x 8.5cm x 1.3cm, 7.50ozt £200 - £300

4 4. An Oriental silver filigree and niello enamelled compact, circular form, the lid with openwork lappet and foliate scroll bands, with further internal lid, river scene with barge to the reverse, 7.5cm diameter, 3.97ozt £40 - £70 5. A pair of Persian white metal and jewelled ewers, footed baluster form with S scroll handles and scaled spouts, teardrop cartouches of applied deity figures, the body decorated with turquoise and coral coloured cabochons, 23cm high, 27.01ozt (2) £150 - £250

14. A Russian silver champleve enamel snuff box, of oval form with a double headed coronet eagle design on a blue ground to the cover, gilt interior, struck St Petersburg and standard mark, approximate weight all in 1.79 ozt £80 - £120

7. A Russian silver gilt champleve enamel small pipe, floral and beadwork design, phenolic mouthpiece, struck first Kokoshnik mark Yakov Nikolayevich Lyapunov, approximate weight all in 0.20ozt £50 - £80 8. A set of six Russian silver gilt champleve enamel spoons, struck standard and workmaster marks, in a case, approximate weight all in 2.82 ozt (6) £150 - £250 9. A set of six Russian silver salts, late 19th Century, of circular bombe form with beaded borders, gilt interiors and triple ball feet, with stag and coronet heraldry, St. Petersburg .84 standard marks and workmaster’s initials including Nicholls & Plincke, with matching condiment spoons, in the original fitted wooden presentation case also branded Nicholls & Plincke, approximate weight 7.53 ozt all in £80 - £120 10. A set of seven Russian silver gilt champleve enamel spoons, struck first Kokoshnik and workmaster marks, and another similar pair of spoons in a case, approximate weight all in 4.50 ozt (9) £150 - £250 11. A Russian silver champleve enamel napkin ring, scrollwork design within a beaded border, struck standard mark, approximate weight all in 1.61 ozt £70 - £100 12. A Russian silver champleve enamel purse, scrollwork decoration, blue watermark silk lining, struck Moscow second Kokoshnik marks, in a felt pouch, approximate weight all in 3.64 ozt £80 - £120

15 15. A Russian silver champleve enamel snuff box, of circular form, the hinged cover with a double headed eagle with coronets, struck standard mark, (city indistinct), approximate weight all in 3.24 ozt £200 - £300 16. A Russian silver gilt champleve enamel beaker, initialled B.C.X.B, stamped .916 and workmaster’s initials, height 5.5cm, approximate weight 1.96 ozt, together with a Russian silver champleve enamel napkin ring, with struck first Kokoshnik Anton Vasilijevitch Richter assay mark and indistinct workmaster’s mark, approximate weight 1.654 ozt (2) £250 - £400 17. An Imperial Russian silver gilt and cloisonné enamelled page turner, Moscow circa 1890, the handle decorated with foliate and floral motifs in polychrome enamel, wooden blade, 34cm long £800 - £1200 18. A Russian silver champleve enamel scent flask, of shouldered form with floral design on a blue ground, the cross finial struck with St. Petersburg standard mark, approximate weight all in 2.18 ozt £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

19. A Russian silver champleve enamel scent flask, of square section with a floral design within a cartouche, indistinct struck mark, approximate weight all in 3.49 ozt £100 - £150

24. A Russian silver gilt and champleve enamel kovsh, with floral pattern on a green ground, stamped St. Petersburg and .84 standard mark, height 4cm, width 8.5cm, and another smaller Russian silver kovsh with champleve enamel floral details, stamped second Kokoshnik Moscow mark, height 2.5cm, width 6.5cm, approximate weight all in 3.25 ozt (2) £150 - £250 28

20 20. A Russian silver champleve enamel cigarette case, scroll design in blue, turquoise and cream, struck 84 standard mark and workmaster A.K, approximate weight all in 4.69 ozt £250 - £350

25. A Russian silver champleve enamel spoon, the rear bowl with scrollwork design within a beaded border, struck Moscow Kokoshnik mark and workmaster initials H.M, approximate weight all in 1.43 ozt, together with a Russian silver filigree ornamental spoon in the form of a sleigh with three horses to the handle and turquoise type cabochons to the filigree bowl (2) £100 - £200

28. Karl Fabergé, an Imperial Russian silver ashtray, BA, St Petersburg circa 1900, Latvian import marks, square section cuboid form, embossed with foliate scroll decoration, the top rim with resting grooves to each side, on four bracket feet, 12.5cm square, 9.19ozt £200 - £400 29. A Continental silver tray, 19th century, rectangular, ogee fluted border, 29cm x 26cm, 18.39ozt £150 - £180

21. A Russian silver gilt snuff box, of circular form with scroll decoration, struck Kokoshnik mark and workmaster I.X, approximate weight all in 1.29 ozt £80 - £120 22. A Russian silver champleve enamel pill box, of oval form with double headed eagle to the cover on a blue ground, struck St. Petersburg standard mark, with a small Russian silver champleve enamel compact, of circular form with struck marks, approximate weight all in 2.51 ozt (2) £80 - £120

26. A Russian silver engine turned easel travel timepiece, late 19th Century, white enamel dial with Arabic numerals, blue enamel bezel, stamped St Petersburg .84 standard mark and workmaster’s initials, the movement marked ‘Manufactured in Switzerland, Percy Edwards’, height 9cm, in the original leather fitted presentation case also marked for retailer Percy Edwards £250 - £400

30. A Harlequin set of six Norwegian silver gilt and guilloche enamel coffee spoons, David Andersen, circa 1960s, and a cased set of six silver gilt enamel coffee spoons, Adie Brothers Ltd, Birmingham 1960, each with a different floral specimen to the bowl (2) £100 - £150

27. An Imperial Russian silver bowl, ABX, Moscow circa 1870, angled circular form, in the Aesthetic style, engraved with foliate scroll, swing handle, 11.5cm high, 6.49ozt £200 - £250

31. A Dutch silver basket, import marks for London 1896, square section trapezoid form with crimped rims, embossed with playing putti, between shell and foliate scroll borders, ropetwist handle, on ball feet, £30 - £50 8cm high, 1.36ozt

23 23. An Imperial Russian silver and niello spoon, V Ashmarin, Moscow 1895, traditional twisted stem form, the gilded bowl with a scene of the Kremlin to the back in black enamel, 14cm long, 0.79ozt £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

40 37. A Continental white metal miniature of a couple in a horse-drawn carriage, together with a miniature white metal figure group of a couple on skis, rectangular plinth with struck marks (2) £200 - £300

32 32. A Continental silver tea strainer, circa 1900, cast with alternating floral basket and kidney scroll cartouches, around a pierced hemispherical bowl, stamped 830, 13.5cm long, 1.61ozt £30 - £50

41. A cased set of six Norwegian silver gilt and cream enamel coffee spoons, Aksel Holmsen, Sandefjord circa 1940s, with floral detail to the bowls, and a boxed Halcyon Days magnifying glass (2) £50 - £70

38. An early 20th Century continental enamel vanity set, circa 1920’s, including scent flask stamped .935, miniature hand mirror, compact and perfume funnel, in a fitted leather case labelled Balint Es Dan £100 - £200

33. An Austro Hungarian silver dish, STM, Vienna 1830s, lobed rim oval form with cast and chased foliate handles, 22cm long, 6.76ozt £60 - £80 34. A Continental silver enamel snuff box, the cover with an oval enamel cartouche of classical figures on a simulated malachite ground, gilt interior, stamped 72, PFI and 800 E.M, approximate weight all in 3.79 ozt £100 - £200 35. Two Continental silver gilt powder compacts, each with printed enamelled covers depicting courtly couples within a blue panelled border with bright cut engraved leafage scrolls, both stamped 800 and a Swiss silver compact, the cover enamelled with figures conversing and a shepherd boy with his flock, import marks, stamped 925, approximate weight all in 8.31 ozt (3) £80 - £120 36. An Italian silver gilt powder compact, of serpentine form, the cover enamelled with a courtly figure scene in the manner of Watteau, bright cut engraved scroll border, stamped Fallaci, Firenze, 800, approximate weight all in 2.83 ozt £100 - £200

42. A German silver banded oak pepper grinder, Breidstein and Renaud, Frankfurt circa 1900, twin handled milk churn form, applied with straps, 9.5cm high £30 - £50

A Continental silver gilt and blue 39. enamel miniature candlestick, French import marks, splayed conical trumpet form with banded ball knop, basse taille engraved, 6cm high, together with a pair of Soviet Russian silver and cloisonné enamelled scent flasks, stamped .916 (3) £100 - £150 40. A Harlequin set of six silver gilt and enamel coffee spoons, David Andersen, circa 1920s, together with a cased Swedish souvenir silver spoon and fork set with enamel heraldic finials (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

43. A pair of Victorian Continental cast silver ribbon threaders, import marks for London 1893, modelled in the form of a stork, set with red gem eyes, with entwined snake to the neck, standing on rings supported by two lizards, scissor action, opening to reveal a gilt cavity with swaddled baby, 14.5cm long, 1.39ozt £100 - £200

46. A French silver and tortoiseshell combination knife, fork and spoon set, PA, Paris circa 1830, one side separating from the body, including folding spoon, fork, silver and steel knife blades and corkscrew, 14cm long when closed £400 - £500

49. A Dutch silver teapot, J M van Kempen and Sons, Voorschoten 1863, bulbous lobed melon form with etched Greek key collar, banded spout and ebony handle, 15cm long, 8.26ozt £300 - £400

44 44. A pair of French silver fruit or preserve spoons, circa 1890, scallop edged circular bowls, engraved with vine motifs, on cast and chased conical and ball knopped stems, engraved with bright cut foliate stripes, between acanthus lappet ends, 15.5cm long, 1.20ozt £30 - £50

47. A Hanau silver beaker, in the 18th century Augsburg style, import marks Berthold Muller, Chester 1906, embossed in relief with heart motifs, 9.5cm high, 5.66ozt £300 - £350

50. A pair of 18th century Italian silver salt cellars, Giuliano Gabriel Marcello, Turin circa 1770, each of ogee rimmed oval dish form, suspended in a Rococo cast cradle of open foliate scrolls and garlands, gilt interiors, 9cm long, 7.12ozt (2) £500 - £600

48 45 45. A Norwegian silver and enamelled pill box, circular form with domed blue guilloche enamel lid and enamelled body, gilt interior, stamped MV 935S, 2.2cm diameter.0.28ozt £30 - £50

48. A French silver teapot or water jug, EC, Paris circa 1830, baluster form with reeded spout, lid and finial, wooden handle, 13.5cm high, 8.25ozt £200 - £250

51. A pair of French silver candlesticks, Tetard Freres, Paris circa 1905, ogee petal bases and lotus lappet columns, knopped with integrated sconces, weighted, 24.5cm high (2) £600 - £700 52. A Finnish novelty silver egg cup and spoon, Suomen Kultaseppa Oy, Turku 1911, modelled as broken half egg shell supported in a three twig trivet tied with string, matte finish with gilt interior, fiddle pattern spoon, in fitted box, 7cm high, 1.72ozt £60 - £80 53. A Dutch silver box, 19th century, cushioned cuboid form, pinstripe decoration with foliate scroll and gothic arch motifs to the lid, 13cm x 8cm x 2.5cm, 4.53ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

54. An Italian novelty silver smoking set, modelled as a cauliflower, the central spherical lighter realistically modelled in relief, within five removable radiating leaf ashtrays and naturalistic handle, 22cm long, 12.34ozt £300 - £400

55 55. A Victorian Irish silver holy oil stock, John Smyth, Dublin 1866, three compartment tubular form, each section with gilt interior and screw fixing, engraved I B C, 7cm long, 1.60ozt £60 - £100

54 57. An Elizabeth II Irish silver jug, Royal Irish Silver Ltd., Dublin 1967, banded rounded helmet form with ogee rim and stepped pedestal foot, acanthus ear handle, 10.5cm high, 6.24ozt £80 - £120

58 56 56. A George VI Irish silver three handled chalice of tyg cup, West and Son, Dublin 1951, pedestal chalice form, with three Celtic horn bracket handles, the central knop cast with fruiting vine above a splayed foot, engraved presentation inscription Irish Soap and Candle Trade, 10cm high, 4.05ozt £50 - £70

58. A George III Scottish Provincial silver sauce boat, William Craw, Canongate circa 1760s, narrow helmet form, with ogee rim and open acanthus ear handle, on shell and stepped pad feet, stamped WC and three Edinburgh gothic date letters, indistinct, 16.5cm long, 5.22ozt £100 - £200

A George III silver Bougie box 61. or wax jack, IP, possibly Scottish Provincial, John Pringle, Perth circa 1800, circular drum form with moulded borders and crescent cutter, hinged flat loop handle, 5.5cm diameter, 1.42ozt £50 - £80

59. An Elizabeth II Scottish silver quaich, Francis Howard Ltd, Edinburgh 1991, traditional form with cast zoomorphic Celtic knot handles, 14cm long, 4.43ozt £120 - £180 60. A George IV Scottish silver ladle, James and William Marshall, Edinburgh 1826, single struck King’s Pattern, 36cm long, 7.26ozt £160 - £190

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

69 62. A George III Provincial silver sugar basket, Thomas Watson, Newcastle circa 1790, pedestal ogee boat form with reeded band and strap swing handle, on oval foot, 19.5cm high, 7.29ozt £100 - £150

65 65. A George VI silver three piece tea set, Barker Brothers Silver, Birmingham 1936, domed and faceted, 20.5cm long, 15.62ozt (3) £120 - £180

67 67. A set of six George III silver dinner knives, IT, London 1791, reeded point form, with steel blades, 26.5cm long (6) £80 - £120 68. A Victorian silver miniature chair, John Smith, London 1898, modelled as Shakespeare’s armchair, German marks, 6cm high, 1.37ozt £60 - £80

63 63. A William IV silver sugar box, Edward, Edward, John and William Barnard, London 1831, rectangular section shouldered bombe form, embossed with Rococo C scrolls and naturalistic flowers, on a textured ground, on four honeysuckle and foliate scroll bracket feet, hinged lid with cast flower finial, lambs tongue border, 18cm long, 19.73ozt £150 - £250 64. A Victorian silver three piece tea set, Lowe and Sons, Chester 1900, ogee boat form, with fluted straps and reeded lower section, 24.5cm long, 15.91ozt (3) £120 - £180

69. A pair of George III silver sauce tureens and covers, Henry Chawner and John Emes, London 1797, twin handled pedestal urn form, oval section, with ogee domed lids and half reeded acorn finials, reeded borders to the rim and foot, plain angled handles, 23cm long, 28.38ozt (2) £2000 - £3000

66. A pair of George III silver sauce ladles, William Eley and William Fearn, London 1801, Fiddle and Thread pattern, 17.5cm long, 3.90ozt (2) £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

70 70. A collection of George III and later silver teaspoons and condiment spoons, various dates and markers, including Exeter and London, Old English and Hanoverian pattern, 16cm long, 5.32ozt £40 - £60

71 71. A pair of George III silver tablespoons, William Seaman, London 1817, Fiddle pattern, 23cm long, 4.43ozt £40 - £70

73. A gilt metal octagonal enamel powder compact with a river landscape to the hinged cover within a blue and black panel border, together with a silver combination compact with powder recess and lipstick holder, the cover in pale blue guilloche enamel, maker H.C.F. Ltd, import marks for London 1927 (2) £100 - £200 74. A mid Victorian silver gilt snuff box, the cover painted with a Continental harbour scene with sailing vessels, gilt interior, import marks for F.B.R, London 1867, approximate weight all in 2.90 ozt £200 - £400 75. A part canteen of Edwardian silver flatware, James Dixon and Son, Sheffield 1902, Old English pattern, including nine table spoons, eight dinner forks, nine dessert spoons and forks, 72.78ozt £600 - £800

77. A Victorian silver reticulated dish, Fenton Brothers, London 1896, oval form with wrythen beaded fronds between pierced foliate and crosshatch panels, the crimped rim embossed with flowers, 23cm long, 7.27ozt £180 - £220 78. A Victorian silver serving fork, George Adams, London 1847, single struck Queen’s Pattern, 27cm long, 5.05ozt £100 - £150 79. A Queen Anne silver brandy pan, Pierre Platel, London circa 1705, squat baluster form with pinched lip, turned ebony handle stemming from a flaming shield cartouche, makers mark only, 22cm long, 5.93ozt £1200 - £1800

72 72. A George V silver and enamel lady’s evening purse, Royal blue guilloche enamel panel to the cover, on a chain, maker Colen Hewer Cheshire, Chester 1911, approximate weight all in 5.17 ozt, in a fitted leather presentation case for Hamilton & Co £150 - £250

76 76. A Victorian silver bachelor’s teapot, Joseph Gloster, Birmingham 1901, half reeded boat form with ogee domed lid, angled fruitwood handle, 22cm long, 7.83ozt £60 - £80

80. A set of five Victorian silver dinner forks, George Adams, London 1868, Fiddle pattern, 20.5cm long, 12.21ozt (5) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

81 81. A pair of George V silver sauce boats, Adie Brothers, Birmingham 1931, ogee rimed helmet form, with ear scroll handles, on shell moulded and stepped point feet, 15.5cm long, 8.63ozt (2) £60 - £80

82 82. A George V novelty silver stitch holder case, John Price Hunt, Birmingham 1917, each end modelled as an owl, linked by elastic, containing four steel needles, 17cm long £60 - £80

84. A Chinese silver miniature chair, Hung Cheong of Canton and Shanghai, early 20th century, inset stone to back, 5cm high, 0.59ozt £30 - £50 85. A George V silver three piece tea set, F C Richards, Birmingham 1928, Queen Anne baluster form, with ear handles, on stepped feet, domed lid and faceted spout, including teapot, jug and bowl, 20.5cm high, 35.45ozt (3) £300 - £500

87 87. A George III silver travelling inkwell, Henry Tippen, London 1818, cuboid form with incised double line bands, hinged screw fixing lid with cork seal, 3cm x 4cm, 1.29ozt £200 - £300

83. An Edwardian silver and glass match striker ashtray, Walker and Hall, Sheffield 1905, the ribbed spherical vessel with silver collar, supported in a four armed wire cradle, over a denticulated circular dish, 8.5cm high £40 - £60

86. A pair of Edwardian novelty silver salt and pepper pots, Gourdel Vales and Co., Birmingham 1909, modelled as teddy bears, each sitting, with removable and rotating heads, 5cm high, 0.99ozt (2) £150 - £250

88 A George III articulated silver 88. nutmeg grater, Samuel Pemberton, Birmingham 1811, oval tubular form with hinged lid and folding cover, steel grate, 6cm long, 1.15ozt £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

89 89. A Victorian silver jug, Mappin and Webb, Sheffield 1887, helmet form with embossed reeded band above a gadrooned lower section, on four spherical ball feet, angled handle and gadrooned rim, 13cm long, 4.51ozt £40 - £70

90 90. A Victorian silver goblet, Fenton Brothers, London 1877, engraved with foliate and beaded garlands, below a laurel band, beaded knop and foot, 16cm high, 4.91ozt £80 - £120

92 92. Asprey & Co, London, a cased silver and turquoise guilloche enamel sewing set, including scissors, needle case, needle and thimble £40 - £80

95. An Edwardian silver reticulated porringer, Marples and Co., Birmingham 1902, together with a George V silver footed and reticulated bon bon dish, Birmingham 1933, the porringer of flared form with pierced fishscale and lappet body below C scroll fret border, cast mannerist handle, the bowl of fluted ogee form with pierced serpentine rim, 11cm diameter, £40 - £60 4.24ozt (2)

93. A George II silver coffee pot, Richard Burcombe, London 1734, conical form with fluted petal spout and carved fruitwood ear handle, chased Rococo scroll and shell decoration, 23cm high, 23.66ozt £800 - £1200

91 91. An Edwardian silver oil lamp table cigar lighter, Roberts and Belk, Sheffield 1907, of classical boat form with scrolled tendril handle, footed and lidded, 13.5cm long £40 - £60

94. A George V silver sauce boat, H Pidduck and Sons, London 1931, ogee rimmed helmet form with open ear scroll handle, on shell and stepped pad feet, 13cm long, 2.95ozt £30 - £50 96

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

96. An Edwardian silver box, William Comyns, London 1901, heart shaped and embossed with Reynolds Angels, gilt interior, 7cm diameter, 2.39ozt £30 - £50

97 97. An Edwardian novelty silver button hook, Crisford and Norris, Birmingham 1906, the handle in the form of an owl, set with facet cut eyes to each side, 21.5cm long £50 - £80

99 102. A pair of Edwardian silver grape scissors, Mappin and Webb, London 1903, Rococo scroll design, 17cm long, 3.60ozt £50 - £80

98. A collection of George III and later silver forks, various makers and dates, Old English with Shoulders pattern, including five table forks and five dessert forks, 17.06ozt (10) £150 - £250

103. Charles Perry and Co., Chester 1930, a George V silver mustard pot, straight sided ogee fluted rectangular section, with flat lid and acanthus finial, 6cm high, 4.91ozt £30 - £50

99. A George VI silver four piece tea set, F C Richards, Birmingham 1937, banded baluster form with ear handles and ogee stepped lids, including teapot, jug, bowl and water pot, 23.5cm high, 53.46ozt (4) £500 - £800

104. A William IV silver vinaigrette, John Lilly, Birmingham 1833, cuboid form with concentric stepped lid and base, engine turned, with reeded sides, pierced and engraved foliate scroll grill, gilded, with sponge, 3.5cm x 1.7cm, 0.41ozt £80 - £120

101

100 100. A Victorian novelty silver combination vinaigrette spirit flask, James Brownett for Asprey and Co., London 1871, modelled as a bugle horn, suspended on multi link chain, the hinged lid with pierced gilt foliate scroll grill, screw mouthpiece, 11cm long, 1.99ozt £100 - £150

101. A Victorian silver stamp moistener and an Edwardian stamp box, Lawrence Emanuel, Birmingham 1900 and A and J Zimmermann, Birmingham 1903, cuboid trough form with frosted glass wheel, the stamp case glazed and hinged, on four ball feet, 5.5cm wide (2) £70 - £100

105

102

105. A matched pair of Victorian and Edwardian silver candlesticks, Thomas Bradbury, London 1897 and 1903, Neoclassical oval section, embossed with reeded star decoration, removable sconces, weighted, 23.5cm high (2) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

112

106 106. A George III Old Sheffield Plate tea caddy, circa 1780, ogee bombe form with domed hinged lid and carved ivory acorn finial, 9cm high £30 - £50

112. An Elizabeth II silver coin set dish, A E Jones, Birmingham 1960, serpentine rim, set with a 1797 George III Bolton penny, 10.5cm diameter, 3.64ozt £40 - £60

117 117. A matched set of six George IV and Victorian silver dessert spoons, Elizabeth and John Eaton etc., London 1822 to 1858, Fiddle pattern, including four of the same date, 17.5cm long, 9.32ozt (6) £80 - £120

113. A George V silver jug, Henry Clifford Davis, Birmingham 1924, hemispherical and footed form with beaded borders and acanthus C scroll handle, 13cm long, 3.24ozt £30 - £50

107 107. A set of six early Victorian silver dessert forks, John and Henry Lias, London 1841, Fiddle pattern, 18cm long, 8.51ozt (6) £80 - £100 108. A Victorian novelty silver plated four division toast rack, modelled in the form of a branch of ivy, the upturned leaves forming the dividers, on four berry ball feet, 23cm long £30 - £50 109. A pair of George V silver sauce boats, Asprey and Co., Birmingham 1929/30, ogee rimmed helmet form with C S scroll handles, on three stepped pad feet, 15.5cm long, 6.07ozt (2) £50 - £80 110. An early George III silver cream jug, Samuel Meriton, London 1762, ogee baluster form with fret rim, acanthus ear handle, on three C scroll and shell pad feet, embossed Rococo shell and feathered scroll decoration, 11cm high, 3.76ozt £40 - £60 111. An Elizabeth II silver dish, A E Jones, Birmingham 1963, square section with ogee crimped edges, 10.5cm square, 3.32ozt £40 - £60

118

114

118. An Edwardian silver jug, George Nathan and Ridley Hayes, Chester 1904, faceted domed helmet form with ogee C scroll rim and open acanths scroll handle, on three foliate pad feet, 12cm high, 3.44ozt £30 - £50

114. An Edwardian silver jug, John Rose, Birmingham 1907, half reeded boat form with angular handle, 12.5cm long, 3.07ozt £30 - £50 115. An Elizabeth II silver pin dish and a trumpet vase, J B Chatterley and Sons, Birmingham 1964 and 1968, the dish with ogee fluted rim, the vase with weighted foot, dish weight 1.80ozt (2) £30 - £50 116. A Victorian silver teapot, Edward Pairpoint and George Wood, London 1856, baluster form, chased with foliate scrolls and floral sprigs, on four cast mask and scroll feet, applied floral finial, 19cm high, 24.40ozt £150 - £250

119 119. A Victorian silver six division toast rack, James Dixon and Sons, Sheffield 1895, plain wire construction on open frame and four spherical balls feet, 10.5cm high, 3.61ozt £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

124. A collection of George III and later silver teaspoons, condiment spoons, caddy spoon and pickle fork, Fiddle and other patterns, 7.81ozt £50 - £80 125. A pair of Victorian silver salt cellars, Beare Falcke, London 1866, cauldron form, embossed with floral garlands and scroll cartouches, on stepped knee and pad feet, beaded rims, blue glass liners, 5.5cm diameter, 2.42ozt (2) £60 - £80

129. A pair of George VI silver bowls, Gladwin Ltd, Sheffield 1941, pierced decoration and scroll handle on three lions paw feet, with circular frosted glass liners, 11.5cm wide excluding handle (2) £100 - £150

120 120. A George III silver and ivory stilton scoop, James Darquits, London 1800, the chamfered conical handle with plain spade form shaft, 23cm long £80 - £120 121. A pair of George III silver basting spoons, Thomas Wallis II, London 1798/99, Old English pattern, 31cm long, 6.30ozt (2) £60 - £80 122. A George III silver pap boat, possibly Charles Chesterman I, London 1765, 1.83ozt £100 - £200

130

126

130. A George VI silver dish, Mappin and Webb, Sheffield 1938, shallow concave circular form, engraved with cyclamens in the Japonesque style, on conical pedestal foot, 12.5cm diameter, 4.19ozt £30 - £50

126. A George V silver twin handled cup, Thomas Edward Atkins, Birmingham 1914, footed ogee form with S scroll handles, 15cm wide, 5.32ozt £50 - £80

131

127 127. A George V Scottish silver quaich, Brook and Son, Edinburgh 1929, plain form, 15cm long, 4.11ozt £50 - £80

123 123. A Victorian silver salt cellar, Thomas Bradbury and Sons, London 1895, pedestal twin handled boat form, chamfered rectangular base, fluted border, 12.5cm long, 2.00ozt £30 - £50

131. A George VI silver three handled bon bon dish, Horace Woodward, Birmingham 1938, hexafoil lobed with open C scroll and ball feet, 15.5cm diameter, 4.33ozt £40 - £70 132. A Victorian silver match box holder, Henry Matthews, Birmingham 1898, repousse embossed with central cartouche on four bun feet, 7.5cm long, 4cm high, 5cm wide, 1.06ozt £50 - £80 133. An Edwardian silver spectacle case with chain, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Chester 1908, 2.28ozt £80 - £120

128 128. An Edwardian silver gilt twin handled bowl, Pairpoint Brothers, London 1906, rounded with lobed rim and cast beaded C scroll handles, 19.5cm long, 9.90ozt £80 - £120

134. A pair of George III silver sauce ladles, Thomas and William Chawner, London 1768, Old English with shell moulded bowls, 17.5cm long, 3.04ozt (2) £40 - £60

124

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

143 143. A small Victorian silver goblet, H J Lias and Son, London 1875, the rounded bowl on cylinder knopped stem and beaded splayed foot, etched and engraved with fern cartouches, gilt interior, 12.5cm high, 3.44ozt £50 - £80

136 135. A pair of Victorian silver salt and pepper pots, Jesse Earls, London 1881, baluster form, cast bands of floral rosettes to each, the domed lids with pierced foliate scrolls, 11.5cm high, 5.87ozt (2) £150 - £200 136. A Victorian silver bowl, Nathan and Hayes, Birmingham 1893, cauldron form, embossed in relief with various animals, foliate scrolls and flowers, on three cast serpent entwined lions mask and paw legs, 8cm high, 5.11ozt £200 - £300 137. A Victorian reticulated silver mustard pot, Holland, Aldwinckle and Slater, London 1898, oval section bright cut engraved in the Neoclassical style with urn and rosette motifs between pierced borders of acanthus leaves, ear handle and domed lid, blue glass liner and associated spoon, 10cm long, 4.36ozt £120 - £180 138. An Edwardian reticulated silver mustard pot, George Fox, London 1905, oval section, bright cut and pierced fluted galleries, ogee domed lid and side S scroll handle, urn finial, blue glass liner and associated spoon, 8cm long, 4.18ozt £120 - £180

139 139. An Elizabeth II silver commemorative dish for Winston Churchill, A E Jones, Birmingham 1965, circular bowl form with cast portrait medallion to the centre, 12.5cm diameter, 6.33ozt £50 - £80

144 144. A Victorian silver mounted glass mug, John Gough, Birmingham 1878, the footed and rounded beaker form vessel with line incised collar and C handle, 10cm high £50 - £80

140. A Victorian silver novelty menu holder, Grey & Co, London 1901, leaf form, 11cm long, 1.26ozt £80 - £120 141. A large collection of George III and later silver flatware, various makers and dates, including Old English tablespoons, forks, bright cut teaspoons etc., 33.86ozt £300 - £400 142. An Edwardian silver topped cut glass pot, James Deakin & Sons, Chester 1905, lid with art nouveau decoration of three young girls, 8cm high £50 - £80

145 145. Three pairs of George V silver Christening sets, various makers and dates, Sheffield and London, including two spoons and forks and a spoon and pusher, 15cm long, 5.41ozt (6) £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

155 146. A Victorian silver vinaigrette, David Pettifer, Birmingham 1851, castle top form ogee rim with engine turned stripe design, pierced and etched grill, fob ring attachment, 3cm long, 0.29ozt £40 - £60

156 149. A George III white metal wine coaster, circa 1805, flared with large embossed beading and applied egg and dart border, turned wood base, apparently unmarked, 16cm diameter £30 - £50

152. A George III silver wine label for Madeira, John Reily, London 1818, chamfered rectangular form, with fluted border, on rolo chain, 4.5cm, 0.28ozt £50 - £80 153. An Edwardian silver wine label for Sherry, H Bros, Birmingham 1909, oval form, on rolo chain, 4cm wide, 0.16ozt £30 - £50 154. An Elizabeth II silver wine label for Port, C J Vander, London 1969, of sporting interest, heavy gauge, cast with a fish and angler fishing on a river, suspended on a rolo chain, 5.5cm, 1.45ozt£50 - £80

147 147. A Victorian silver and hardstone spoon, Haseler Brothers, Birmingham 1892, the octagonal section shaft with conical octagonal Scottish stone set terminal, in a fitted case, Alfred Stradling, Cirencester retailer, 11.3cm long, 0.33ozt £40 - £70

150 150. A Victorian silver and cut glass claret jug, Plante and Co, Birmingham 1896, shouldered form, hobnail cut and mounted with a silver handle and spouted collar, hinged lid with knotted wire thumbpiece, 23.5cm high £400 - £500

155. A set of six George V silver and enamelled sporting interest teaspoons, Cooper Brothers and Sons, Sheffield 1932, the oval terminal each painted with a different and alternating horse or dog head, including Scottie, Spaniels and race horses, 10cm long, 1.85ozt (6) £150 - £250 156. A set of four Edwardian silver menu holders of sporting interest, Grey & Co, London 1905, circular form with triple feet, each with an inset watercolour study of a game bird - snipe, pheasant, grouse and partridge, Rd No.473072, 4.5cm high (4) £200 - £400

148

151

157

148. A George V silver mounted cut glass decanter, Mappin and Webb, Birmingham 1910, globe and shaft form, hobnail cut, with three spout collar, hollow stopper, 36.5cm high £130 - £180

151. An Edwardian silver mounted glass claret jug, Alexander Clark Manufacturing Co., Birmingham 1909, the optic ribbed shouldered body with silver cylindrical neck, tubular handle and lid, 22cm high £170 - £200

157. An Edwardian silver hunting horn, Chester 1907, with concentric banding and trumpet mouthpiece, 30.5cm long, 1.41ozt £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

158 & 159

168, 169 & 170

158. A George V novelty silver pin cushion, Crisford and Norris, Birmingham 1922, in the form of a duck, realistically modelled and set with red glass eyes, 8cm long £60 - £100

168. A Continental novelty Hanau silver pin cushion, import marks Berthold Muller, Chester 1901, modelled as a swan, 7.5cm long £50 - £80

159. A graduated set of three Edwardian novelty silver pin cushions, Adie and Lovekin, Birmingham 1905 and 1906, each in the form of a pig, with coiled tails and flap ears, 8.5cm to 5.5cm long (3) £150 - £200

169. A Victorian novelty silver pin cushion, Hilliard and Thomason, Chester 1897, modelled as two swans, on oval pedestal base, 7cm long £100 - £150 170. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1901, modelled as a swan, set with turquoise cabochon eyes, together with another example of a swan pincushion, stamped Sterling, 5.5cm long (2) £100 - £150

160, 161, 162 & 163 160. An Edwardian novelty silver pin cushion, Adie and Lovekin, Chester 1909, modelled as a goat, 3cm high£100 - £200 161. An Edwardian novelty Continental silver pin cushion, import marks William Geiger, London 1907, cast as a fox, stamped 930, 9cm long £40 - £70 162. An Edwardian novelty silver pin cushion, Birmingham 1908, modelled as a rhinoceros, 5cm long £200 - £400 163. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1909, modelled as a monkey, with curled tail for suspension, 5cm long £200 - £400

171, 172, 173 & 174 171. An Edwardian novelty silver pin cushion, Saunders and Shepherd, Birmingham 1905, modelled as an elephant, standing, with hanging trunk, 5cm long £70 - £100 172. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1907, modelled as an elephant with hanging trunk, original cloth, 6cm long £80 - £120 173. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1906, modelled as a baby elephant, trunk raised, original cloth, 4.5cm long £60 - £80

164, 165, 166 & 167

174. A George V Continental novelty cast silver pin cushion, import marks Berthold Muller, London 1912, modelled as a giraffe, 8cm high £400 - £600

164. An Edwardian novelty silver pin cushion, George Loveridge and Co., Birmingham 1904, modelled as a porcupine, closed shell body with pierced holes, 7cm long £200 - £300 165. An Edwardian novelty silver pin cushion, W J Myatt and Co., Birmingham 1908, modelled as a kangaroo, resting on a bar, original velvet fabric, 5.5cm high £150 - £250 166. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1906, modelled as a hedgehog or porcupine, closed shell case with pierced holes, 6cm long £100 - £150 167. A Victorian novelty silver pin cushion, Henry William Curry, London 1881, modelled as the head of a cockatoo, set with glass eyes, on a weighted ovoid base, 7cm high £100 - £200

175, 176 & 177 175. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1906, modelled as a clog, together with a George V example of a shoe or boot, Birmingham 1918, 7.5cm long (2) £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

176. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1909, modelled as a boot or shoe, 9cm long £100 - £150 177. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1901, modelled as a shoe, with bow, 8.5cm long £40 - £60

187, 188, 189 & 190 187. A George V novelty silver pin cushion, Adie and Lovekin, Birmingham 1912, modelled as a stag, on oval base, 8cm high £200 - £400 178, 179, 180 & 181 178. An Edwardian novelty silver pin cushion, Cohen and Charles, Birmingham 1906, modelled as a polar bear, standing, with original fabric, 6cm long £400 - £600 179. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1907, modelled as a frog, 5cm long £70 - £100 180. An Edwardian novelty silver pin cushion, Saunders and Shepherd, Birmingham 1906, modelled as a turtle, with original fabric, 5cm long £150 - £250

188. An Edwardian novelty silver pin cushion, Crisford and Norris, Birmingham 1906, modelled as a pug dog, set with red eyes, 7cm long £150 - £200 189. An Elizabeth II novelty silver pin cushion, John Bull Ltd., London 1987, modelled as a hare, seated, 6.5cm long £60 - £80 190. An Edwardian novelty silver pin cushion, Robert Pringle, Birmingham 1906, modelled as a bulldog, standing, 7cm long £150 - £250

181. An Edwardian novelty silver pin cushion, Crisford and Norris, Birmingham 1906, modelled as a lizard, with original fabric back, 11cm long £200 - £400

191, 192 & 193 191. A George V novelty silver pin cushion and thimble dish, Robert Pringle, Birmingham 1910, modelled as a pig, harnessed and pulling a mother of pearl shell cart, with articulated wheels, 9cm long £100 - £200 182, 183, 184, 185 & 186 182. An Edwardian novelty silver pin cushion, Crisford and Norris, Birmingham 1907, in the form of a duck, realistically modelled and set with green turquoise cabochon eyes, 10cm long £70 - £100 183. A Victorian novelty silver pin cushion, M Friedlander and Co, Chester 1900, modelled as a pheasant, on oval tufted base, set with red eyes, 10cm long £80 - £120

192. An Edwardian novelty silver pin cushion, W J Myatt and co., Chester 1909, modelled as a teddy bear, in seated position, original velvet fabric, 4cm high £100 - £150 193. A George V novelty silver pin cushion, Levi and Salaman, Birmingham 1910, modelled as Humpty Dumpty, weighted egg form, 4.5cm high £200 - £400

184. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1908, modelled as a parakeet or parrot, set with glass eyes, 7cm £50 - £80 185. An Edwardian novelty silver pin cushion, Sydney and Co., Birmingham 1909, modelled as a donkey, standing, with original velvet back, 7cm long £200 - £400 186. An Edwardian novelty silver pin cushion, Sampson Mordan, Chester 1905, modelled as a chick emerging from a cracked shell, original green velvet fabric, 3.5cm high £100 - £150

194, 195 & 196 194. A Victorian novelty white metal pin cushion, apparently unmarked, modelled as a woven floral basket, with swing handle, 3.5cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

195. An Edwardian novelty silver ring tree pin cushion, Sydney and Co., Birmingham 1909, modelled as a parrot, set with blue eyes, on a perch with four ball knopped branches, turned ebony base, 7.5cm high £80 - £120 196. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1908, modelled as a wheelbarrow, with articulated wheel, 7cm long £40 - £70 197. An Edwardian novelty silver pin cushion, Sampson Mordan, Chester 1908, modelled as a chick emerging from a shell, together with a smaller Elizabeth II example and an Edwardian miniature chick, Levi and Salaman, Birmingham 1906, 3.5cm to 2cm high £100 - £150 198. A Victorian silver castle top vinaigrette, Edward Smith, Birmingham 1846, ogee bordered, engraved with a romantic view of Tintern Abbey, foliate scroll decoration to the reverse, the pierced grill gilded, 4cm x 3cm, 0.74ozt £180 - £220

201

207

201. A George V silver enamel cigarette case, the cover painted with a terrier dog in a grassy landscape, import marks for London 1928, approximate weight all in 2.52 ozt £80 - £120

207. An Edwardian silver combination vesta chamber stick pen stand, Stuart Clifford, London 1902, cuboid base with spring hinged side and striking edge, plain ring loop handle and cylindrical candle sconce between two bracket rests, 6.5cm long, 1.35ozt £100 - £150

202. An Edward VII set of three enamel items in pink and white guilloche enamel, cigarette case, octagonal powder compact and lighter, together with a Gieves Ltd circular yellow guilloche enamel powder compact with coronet insignia (4) £100 - £200 203. A George VI silver square powder compact, the cover enamelled with Mallard in flight, maker Henry Clifford Davis, Birmingham 1950, approximate weight all in 5.16 ozt £100 - £200

199 199. A Victorian silver card case, George Unite, Birmingham 1867, rectangular form, chased and engraved with ogee cartouches of floral bouquets within quatrefoil borders, hinged lid, 7.5cm x 4.5cm, 1.44ozt £40 - £60

204. An Elizabeth II silver rectangular pill box, the cover enamelled with a view of St Paul’s Cathedral, Birmingham 1976, a silver gilt oval pill box with a view pf the Houses of Parliament to the cover on a deep blue enamel ground, stamped ‘9ct’ and a silver shaped compact with enamelled timbered cottage to the cover, approximate weight all in 4.60 ozt (3) £80 - £120 205. Three silver circular powder compacts, in cream guilloche enamel and painted with various flowers, approximate weight all in 10.40 ozt (3) £80 - £120

200

206

200. An Edwardian silver tray, Walker and Hall, Sheffield 1903, rectangular form embossed with green man masks and foliate fronds, swags and scrolls, 16cm x 11.5cm, 1.64ozt £40 - £60

206. A George VI silver pocket cigarette case, engine turned, the cover enamelled with an image of a streamlined LNER locomotive named Flying Scotsman, gilt interior, maker E&H, London 1946, approximate weight all in 8.52 ozt £200 - £400

208 208. An Elizabeth II silver powder compact with enamelled Beefeater to the cover, Henry Clifford Davis, Birmingham 1952, together with a cream enamelled silver powder compact and lipstick duo in a fitted case (2) £100 - £150 209. A silver octagonal powder compact in cream guilloche enamel with painted cornflowers, a circular cream enamel compact painted with pink, red and yellow flowers and a square guilloche enamel compact with painted apple blossom within a green border, approximate weight all in 9.12 ozt (3) £150 - £250 210. A George V silver and enamel circular powder compact, the cover with a portrait of a dog, the base yellow guilloche enamel, import marks for London 1926, approximate weight all in 2.28 ozt £80 - £120 211. A George VI silver enamel square powder compact, the cover with apple blossom on a cream guilloche ground and another similar circular example, Birmingham 1964, approximate weight all in 7.86 ozt (2) £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

219. Asprey, London, an Elizabeth II silver square powder compact, machine engraved, the cover with an enamelled scene of courtly figures in a landscape in the manner of Watteau, maker Henry Clifford Davis, Birmingham 1952, approximate weight all in 6.19 ozt, (mirror cracked) £300 - £500 215

212 212. Tiffany and Co., a silver pen stand and ballpoint pen, modelled as a scallop shell, with tapered pen, on ball feet, 12cm long £50 - £80

215. A George V silver twin handled table cigar lighter, John Collard Vickery, Birmingham 1916, rounded pan form with two C scroll handles, central wick burner, 10.5cm wide, 3.40ozt £50 - £80 216. A Victorian silver jewellery casket, Martin Hall and Co., Sheffield 1896, rectangular form with ogee serpentine lid, with baluster strap hinges, supported on square section stepped legs with trumpet form terminals, velvet lined interior, 14.5cm wide, 9.5cm high, 9.5cm deep, 16.70ozt £200 - £400

220 220. A George V silver cigarette case, the cover enamelled with a scene of figures on a horse and cart and a flock of sheep, import marks for F.E.R, Birmingham 1929, approximate weight all in 3.02 ozt £200 - £300

213 213. A Victorian silver novelty pepper pot, Thomas Stapleton, London 1889, in the form of a watering can, octagonal section, hinged lid with gilt interior, conical spout and basket handle, 7cm high, 1.91ozt £80 - £120

217 217. A George V silver teddy bear fob, Crisford and Norris, Birmingham 1934, together with a Dutch silver model of a seesaw, silver swizzle stick, plated perfume funnel and snuff or cayenne spoon (5) £40 - £60

221 221. A silver powder compact, octagonal machine engraved with an oval enamelled scene to the cover of courtly figures in a landscape, gilt interior with double division and central lipstick tube, import marks, approximate weight all in 3.92 ozt £200 - £400

214 214. An Edwardian silver pipe stand, George Betjemann and Sons, London 1904, the rectangular tray with scrolled wire and egg dished chariot form support, together with a novelty pepper pot in the form of a jug, Saunders and Shepherd, Chester 1894, pipe stand 8.5cm high, 2.88ozt (2) £60 - £90

222 218 218. An Edwardian silver pen wipe stand, London 1903, wire construction, umbrella stand form with five section gill and removable bush below, on four scrolled feet, 8.5cm wide, 8.5cm high, 5.5cm deep, 2.75ozt £50 - £80

222. A George V silver snuff box, the cover with enamelled Rococo scene of a courtly couple in a landscape within a floral enamelled border, bright cut engraved bombe frieze, gilt interior, import marks for London 1913, approximate weight all in 7.30ozt £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

223. Two silver cigarette cases, the covers with printed female nudes, one marked Sterling, the other Birmingham 1940, approximate weight all in 13.02 ozt (2) £80 - £120

226. A Victorian novelty nut and white metal vinaigrette, made from a walnut, opening to reveal a velvet lined cavity and an enclosed compartment with pierced monogram grill, fob loop attachment, 3.5cm long £40 - £70

230. A late Victorian silver and green enamelled miniature desk/ink stand, the base with green enamel petals and scroll pen rest with a glass and enamel topped inkwell, London 1898 £200 - £400

227. A George V silver circular powder compact, the cover enamelled with a mountainous lake landscape, Birmingham 1929 £60 - £100

231 231. A George V silver jug and bowl, Edward Barnard and Sons, London 1911 and 1912, each of banded rounded beaker form with ogee rims, on heavily cast lions mask and paw feet, 11cm high, 15.40ozt (2) £200 - £300

224 224. A George VI silver gilt and enamelled powder compact, Albert Carter, Birmingham 1937, sun burst design to the cover, (in an Asprey case), together with a continental green guilloche enamel scent flask on chain (2) £150 - £200

228 228. A cased Harlequin set of six George V silver gilt and enamelled spoons, Turner & Simpson Ltd, Birmingham 1928, in various colours, together with a cased set of Norwegian blue enamel salt spoons, David Andersen, the box labelled T.H. Olsens, Bergen (2) £80 - £120 232 232. A continental silver and yellow guilloche enamel retractable powder puff, import marks London 1927, together with an enamelled seal and three enamelled propelling pencils (5) £80 - £120

225 225. A George IV novelty silver vinaigrette, Ledsam and Vale, London 1821, in the form of a basket or handbag, engraved woven detailing and floral border, with ropetwist handles, the gilt interior with pierced foliate scroll grill and sponge, 2.5cm, 0.31ozt £80 - £120

229 229. A George V silver and ivory butt marker set, Padgett and Braham Ltd., London 1933, engine turned vesta form with open frame window, each baton numbered 1 to 8, 4.5cm x 6cm, case weight 1.46ozt £150 - £250

233 233. A silver and enamelled box, Kosca, circa 1950s, circular form with cream guilloche enamel lid, gilt interior, stamped 935, 3.5cm diameter, 0.44ozt £20 - £40

226

230

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

241. A George VI silver sifter, Edward Viner, Sheffield 1937, pedestal urn form, on square foot, the domed lid with turned finial, 15.5cm high, 3.67ozt £40 - £60 242. A pair of Edwardian silver dishes, William Comyns, London 1905, lobed oval flower form, with crimped rims, embossed and chased with scrolling flowers and laurel wreath bordered centres, 14cm long, 6.13ozt (2) £140 - £180 243. Tiffany and Co. after Paul Revere, an American sterling silver facsimile porringer, circa 1917, squat rounded form with foliate scroll fret handle, the original example circa 1760 in the Metropolitan Museum of Art, New York, 19.5cm long, 8.04ozt £250 - £300 244. A William IV silver meat skewer, William Theobalds, London 1831, threaded circular handle, 30.5cm long, 4.20ozt £180 - £220

237

234. A Continental silver pill box, the lid guilloche enamelled floral trellis, stamped .935, a Continental pill box with pink enamel lid with marcasite flower basket, a blue enamel scent flask and a pair of silver gilt framed guilloche enamelled circular mirrors (5) £70 - £100 235. A Victorian silver vinaigrette, Nathaniel Mills, Birmingham circa 1840, cushioned cuboid form with chased floral rim, engraved foliate and bright cut decoration, gilt pierced grill, 3.3cm x 2.3cm, 0.41ozt £80 - £120 236. A silver orange guilloche enamel powder compact, the lid with a river landscape, together with three silver circular pill boxes, with landscape and garden scenes (4) £100 - £150

239 239. A Victorian silver combination vesta whistle, Birmingham 1897, curved tubular form with engraved scratch pad and hinged lid, ring loop fob suspension, 6.5cm long, 0.58ozt £80 - £120

237. An Edwardian silver chatelaine, Reynolds and Westwood, Birmingham 1902, cast and reticulated in the Mannerist style with putti, masks, garlands and foliate scrolls, five fancy panel link chains suspending various tools and objects including folding scissors in tube, aide memoire, mirror, safety pin and propelling pencil, 32cm long £200 - £400 238. Two Sterling silver miniature scent flasks, each with enamelled sprays of pink roses on a pale blue guilloche ground, approximate weight all in 0.72 ozt (2) £80 - £120

245 245. An Edwardian reticulated silver and glass vase, Thomas Bradbury and Sons, Sheffield 1902, the conical basket body pierced with diaper and bright cut design between cast C scroll borders, on four lions paw feet, blue glass liner, 11cm high, 4.23ozt £200 - £250

240 240. A Victorian novelty silver whistle fob, Sampson Mordan, London 1881, cast in the form of a duck’s head, with ring loop attachment, 5.5cm long, 0.59ozt £80 - £120

246. A pair of George V silver sauce boats, William Neale, Birmingham 1932, ogee rimmed helmet form, open C S scroll handle, on three lions paw and acanthus feet, 16.5cm long, 7.79ozt (2) £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

247

248

247. A George V novelty Scottish silver fruit knife holder, George Edward and Sons, Glasgow 1920, modelled as an apple, with six pierced slats for the blades of six marbled plastic handled knives, 8cm diameter, 4.35ozt £250 - £300

253. A Gothic Revival silver plated six division toast rack, circa 1835, the graduated triangular section lancet bars on an oval frame, supported on cast eagle claw and flame bracket feet, central trefoil and foliate handle, 18cm high, 18cm long £20 - £40

248. A George III silver and ivory teapot, John Emes, London 1800, squat shouldered form with lipped rim and hinged lid, engraved with ribbon and seaweed bands, C scroll handle and finial, 23.5cm long, 17.56ozt £250 - £350 249. An Edwardian Britannia silver porringer, London 1905, twin handled 17th century form, footed with applied blind fret flame lappets and ropetwist foot, S scroll handles, 17cm long, 12.31ozt £250 - £350

254. After Christopher Dresser for Watcombe, a silver plated jug in the Aesthetic style, angled baluster form with moulded leaf bands and stepped lip, unmarked, 17.5cm high £50 - £80

251 251. A set of four Victorian silver salt cellars, George Unite, Birmingham 1897, modelled as scallop shells, on three ball feet, in fitted leather case with three matching spoons, 6.5cm, 2.15ozt £50 - £80

255. After Christopher Dresser, a silver plated six division toast rack, James Dixon, circa 1890, ball and baton construction, 10.5cm high £200 - £300

256

250

252

250. An Elizabeth II silver shaker, Henry Clifford Davis, Birmingham 1961, footed baluster form reeded band and pierced dome cover with flame finial, 18.5cm high, 4.36ozt £30 - £50

252. A George III silver cream jug, Crispin Fuller overstruck Samuel Godbehere, London 1795, helmet form with reeded border and angled strap handle, 12cm high, 4.11ozt £30 - £50

256. After Christopher Dresser, a silver plated six division toast rack, Goldsmiths and Silversmiths Company, circa 1890, ball and baton construction, 10.5cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

257

259

257. An Arts and Crafts silver twin handled bowl, Maxfield and Sons, Sheffield 1898, footed ovoid form with everted rim, embossed with anthropomorphic knotted tendril scrolls of winged figures, two wire foliate handles, 22cm wide, 14.31ozt £300 - £400

260 260. Kate Harris for William Hutton and Sons, a pair of Arts and Crafts silver and enamelled dishes, London 1904, oval leaf form with embossed knotted tendril borders in green orange enamel, 15.5cm long, 5.18ozt £300 - £400 261. An Arts and Crafts silver mustard pot, Alexander Clark Manufacturing Co, Birmingham 1902, oval section, embossed and pierced in relief with flowering leafy vine, the lid tendril thumb piece, blue glass liner, 9cm long, 1.59ozt £60 - £80

258 258. An Art Nouveau silver and glass basket, import marks for London 1900, the ogee bowl embossed and pierced with oval cartouches of flowers, within sinuous tendrils, on four cabriole feet, swing handle and gilt interior with blue glass liner, 23cm high, 5.67ozt £300 - £400

262

259. Kate Harris for William Hutton, an Arts and Crafts silver twin handled bowl, London 1901, footed ogee form, embossed with stylised thistles and sinuous knotted tendril leaves, organic ear handles, gilt interior, 17cm wide, 6.64ozt £150 - £250

262. Kate Harris for William Hutton, an Arts and Crafts silver footed bowl, W G Connell retail, London 1899, the circular dish with everted rim, embossed in relied with ogee petal trefoil, Jugendstil style spear headed lappets, on three scroll footed strap legs, 12cm diameter, 4.49ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

269

263

270. A large Arts and Crafts silver caddy spoon, Sandheim Brothers, London 1922, circular planished bowl on a triangular handle, reticulated with knotted hoop design and beaded borders, flanked by three rings to each side, 11cm long, 1.08ozt £100 - £150

263. Archibald Knox for Liberty and Co., an Arts and Crafts silver Decos teaspoon, London 1899, cast and pierced with a stylised leafy tendril terminal, 11cm long, 0.44ozt £200 - £300 264. Charles Horner, a pair of Arts and Crafts silver hat pins, Chester 1909, each in the form of a spherical ended knotted open ribbon, the heads 4cm long (2) £30 - £50 265. Edward Spencer for the Artificers Guild, an Arts and Crafts white metal spoon, circa 1915, the deep planished bowl with rat tail back, on a platted trail stem with cast lily finial, unmarked, 14cm long, 0.65oz, an Arts and Crafts bimetal skimmer or chestnut roaster, in the style of Ernest Gimson, the pierced strainer on a planished wrought steel handle, attached on a trident and scroll ended tongue, the terminal inlaid with a brass cruciform window panel, and bisected scroll ends, 50cm long and John H Green, an Arts and Crafts pewter caddy spoon, Saffron Walden circa 1925, planished ladle form, the terminal carved with a rose, 7cm long (3) £80 - £120

267 267. An Arts and Crafts silver and enamelled buckle, Lawrence Emanuel, Birmingham 1910, reticulated asymmetrical foliate tendril design with blue green enamel leaves, 8cm wide, 1.18ozt £150 - £200

271 271. Omar Ramsden and Alwyn Carr, an Arts and Crafts silver pickle fork, London 1913, planished and tapered hexagonal section with central twisted strand knop, domed final, three prongs, 13cm long, 0.86ozt £150 - £250

268 268. An Arts and Crafts silver and enamelled pill box, Henry Clifford Davis, Birmingham 1925, circular form, the lid set with a plaque of woman in exotic headdress, painted in green and gold aventurine enamel, on peach ground, signed RI, 4cm diameter, 0.79ozt £50 - £100

266 266. Charles Robert Ashbee (attributed), an Arts and Crafts silver spoon, stamped monogram CRA, plain planished form with flat terminal, 18cm long, 1.09ozt £50 - £80

269. Liberty and Co., a pair of Cymric Arts and Crafts silver napkin rings, Birmingham 1901, plain pellet form applied with carnelian cabochons within claw and star burst settings, 6.5cm long, 1.02ozt (2) £150 - £250

272 272. Alwyn Carr, an Arts and Crafts silver spoon, London 1920, planished and cast with a thistle terminal, 16cm long, 1.93ozt £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

273 273. Omar Ramsden, an Arts and Crafts silver footed beaker, London 1922, planished ogee form, with applied twisted band, 6.5cm high, 1.720zt £200 - £300

278

274 274. Omar Ramsden, an Arts and Crafts silver butter knife, London 1935, cast and planished with a knotted rose terminal, 15.5cm long, 1.13ozt £150 - £200

276. A E Jones, an Arts and Crafts silver mustard pot, Birmingham 1912, flare footed conical form, applied with stylised thorn lappets, planished with shallow domed lid, open wire coronet finial and trap loop handle, 8cm high, 2.15ozt £100 - £150

279. A George V silver mazer bowl, D and M Davis, Sheffield 1929, turned wooden base with flared rim, geometric bands and punched beading, 12cm diameter £300 - £400 280. Liberty and Co., an Arts and Crafts silver bowl and spoon, Birmingham 1926, planished and applied with a Celtic knot band, the spoon similarly decorated to the terminal, 11cm diameter, 4.87ozt £150 - £250

277 277. A E Jones, a pair of Arts and Crafts silver pepper pots, Birmingham 1907, planished flared form, applied with stylised leaf tendrils, below rope borders and domed lids, 7cm high, 2.68ozt (2) £120 - £180 275 275. Omar Ramsden and Alwyn Carr, an Arts and Crafts silver napkin ring, London 1899, waisted form, planished and incised with two bands of stylised heart motifs, 5.5cm long, 1.23ozt £200 - £300

278. A pair of Arts and Crafts silver candlesticks, after James Dixon and Sons for Mappin and Webb, Sheffield 1907, tapered square section with embossed rivetted straps, shallow domed bead rimmed sconces, weighted, 22.5cm high (2) £1500 - £1800

281 281. A George VI Iona style three piece silver cruet, Goldsmiths and Silversmiths Company, Birmingham 1951, including salt cellar, mustard pot and pepper pot, each with cast bands of zoomorphic Celtic knots and bosses, with liners and two spoons, 7.5cm high, 3.42ozt £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

285

286

282

288

282. An Arts and Crafts Iona style silver pedestal bowl, W Batty and Sons, London 1938, squat rounded form on splayed foot, applied with cast bands of Celtic knots and boss motifs, 13cm diameter, 6.85ozt, together with a trophy stand, the Birkdale Bowl, 1939 £50 - £80

288. An Art Deco silver tea strainer, Walker and Hall, Birmingham 1936, ogee circular bowl with cast stepped geometric bracket handles, 9.5cm long, 0.99ozt £30 - £50

284 284. Georg Jensen, a Danish silver Louvre bowl, model 180B, designed circa 1914, the planished bowl with everted rim supported on open lappet and berry stem and concentric ogee foot, 11.5cm high, 10.50ozt £200 - £400 285. Johan Rohde for Georg Jensen, a Danish silver Cosmos three piece coffee set, model 45, designed circa 1915, planished ogee ovoid form with moulded lappets to the lower sections, carved ebony handled of organic reeded form with berry tendrils, including jug, coffee pot and bowl, 25cm high, 34.90ozt (3) £800 - £1200 286. A set of twelve Swedish Art Deco silver gilt coffee spoons, Kevin Anderson, Stockholm 1934, each with plain wire stems and three ball finials, 9cm long, 1.91ozt (12) £100 - £150

283 283. A Danish Secessionist silver vase, Grann and Laglye, Copenhagen 1925, planished ogee form with ropetwist and double ogee knop, 19.5cm high, 7.02ozt £150 - £200

287. Just Andersen for Georg Jensen, a pair of Danish Art Deco silver Blok Acadia salt spoons, designed 1934, stamped marks Sterling Denmark, 6cm long, 0.30ozt £30 - £50

289 289. A cased set of Art Deco silver sandwich markers, Adolph Scott, Birmingham 1936, each in the form of a flag, with removable ivorine tags, along with additional labels, six markers and 10 labels, 7.5cm £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

294 290. A George VI Art Deco silver powder compact with guilloche sunburst green and pink enamel cover with trailing leafage border, Birmingham 1938, together with a cream sunburst enamel circular compact with marcasite and citrine type mount, approximate weight all in 6.68 ozt (2) £80 - £120

297 295. A pair of Modernist silver salt and pepper pots, J E Bushell, Birmingham 1944, conical form with octagonal lids, one flat, the other domed, 6cm high, 2.93ozt (2) £80 - £120

298. A Spanish Modernist silver and enamelled vase, Barcelona circa 1970s, ball knopped trumpet or Gu form, decorated in mottled green and brown enamel, 21.5cm high £30 - £50

296. Michael Allen Bolton, a Modernist silver spoon, London 1989, planished, the oval bowl with textured back and bead ended rat tail, on a square section stem with flattened end, incised line band, 18cm long, 1.16ozt £40 - £60

299. Robert Welch, a Modernist silver six branch candelabrum, London 1984, the capstan type splayed foot with six tubular arms and hemispherical sconces, 13.5cm high, 12.49ozt £500 - £800 300. A pair of Modernist silver pricket candlesticks, Baybrook and Britten, Birmingham 2006, dished form with cylindrical bases, 11cm diameter, 5.05ozt (2) £120 - £180

297. A matched pair of Modernist silver dishes, A E Jones, Birmingham 961 and 1970, triangular teardrop form, 10.5cm long, 3.54ozt (2) £50 - £80

291 291. An Art Deco silver and enamelled box, import marks Cohen and Charles, London 1924, circular form, the hinged and slightly domed electric blue guilloche enamel lid with foliate band, gilt interior, 5.6cm diameter, 2.11ozt £100 - £150 292. A George V Art Deco silver cigarette case, sunburst design champagne guilloche enamel cover with central jade type and marcasite mount, gilt interior, maker Adie Brothers Ltd, Birmingham 1922, approximate weight all in 3.09 ozt £80 - £120 293. A pink guilloche enamel circular powder compact together with an Art Deco guilloche pink enamel powder compact of shell design, maker Adie Bros, Birmingham 1931, approximate weight all in 4.01 ozt (2) £80 - £120 294. An Art Deco silver and enamelled mirror and comb set, in suede purse, import marks London 1930, the circular mirror with open diamond form handle, electric blue guilloche enamel, the comb with similar engine turned sheath, silk lined, mirror 6.6cm, comb 9cm long £80 - £120

299

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

JEWELLERY & WATCHES 301. A 9ct gold religious pendant, suspended from two 9ct gold chains, hallmarks for London and Birmingham, length of pendant 2.8cm, lengths of chains 44 and 45cm, total weight 4.6g £50 - £80

307 307. A 22ct gold openwork band ring, of engraved woven design, hallmarks for London, ring size J1/2, 3.2g £80 - £120

302

303. A 9ct gold ruby and tanzanite three-stone dress ring, with single-cut diamond accent shoulders, hallmarks for Birmingham, ring size O, 1.7g £60 - £80

305. A 9ct gold brilliant-cut diamond band ring, estimated total diamond weight 0.30ct, hallmarks for Birmingham, ring size N, 6.6g £150 - £200

308

306. An 18ct gold brilliant-cut diamond cluster dress ring, with textured shoulders and band, estimated total diamond weight 0.30ct, import marks for Birmingham, ring size N, 4.7g £100 - £150

314. Three gold, peridot and diamond rings, to include an 18ct peridot single-stone ring, a 9ct gold diamond dress ring and a 9ct gold peridot five-stone ring, marks to indicate 9ct and 18ct gold, total weight 8.3g £80 - £120

308. A 9ct gold oval-shape aquamarine and single-cut diamond cluster dress ring, with openwork shoulders, total diamond weight 0.35ct, engraved to band, hallmarks for Birmingham, ring size N, 4.8g £50 - £80

315. Three gold gem-set brooches, to include a split pearl harp brooch, an amethyst two-stone bar brooch and a further brooch, one with hallmarks for 9ct gold, lengths 3.1 to 6.2cm, total weight 10.3g £100 - £150

309. Three 9ct gold gem-set rings, to include a garnet floral cluster dress ring, together with two further rings, marks to indicate 9ct gold, 8.5g £80 - £120

316. A gilt metal and enamel locket, painted to depict a bouquet of flowers to the cover, together with a gilt metal oval locket and a blue enamel locket set with seed pearls (3) £150 - £250

310. A 9ct gold hinged bangle and a 9ct gold tri-colour bracelet, clasp to bangle is deficient, one stamped 9ct, one with import marks for London, inner diameter of bangle 5.3cm, length of bracelet 17.8cm, 11g £100 - £150

306

312. A 1970s 9ct gold orange gem signet ring, with floral engraved shoulders, hallmarks for Birmingham 1973, ring size Q1/2, 4.8g £40 - £60 313. Three 9ct gold gem-set rings, to include an amethyst single-stone ring, together with two further rings, marks to indicate 9ct gold, total weight 10.9g £80 - £120

302. A mid 20th century 9ct gold and silver, fox mask and horseshoe riding crop brooch, with safety chain, length 6.3cm, 3.3g £30 - £50

304. Two 9ct gold diamond cluster rings, estimated total diamond weight 0.30ct, bands stamped 375, one with hallmarks for Sheffield, ring sizes K1/2 and O, 3.4g £100 - £150

312

311. Four 9ct gold ruby, sapphire and diamond dress rings, estimated total diamond weight 0.60ct, marks to indicate 9ct gold, 9.2g £100 - £150

317. An Italian silver chain necklace, of bi-colour design, with spring ring clasp, retailed by Liberty London, stamped 925 Italy, length 42cm, 146g, with original sales receipt from 1990 and retailer’s box £80 - £120 318. Two 9ct gold earrings, to include a pair of early 20th century amethyst and diamond drop earrings, and a pair of foliate drop earrings, marks to indicate 9ct gold, lengths 2.2 and 1.7cm, 4.2g £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

323. Six gold, gem-set brooches, to include a dragonfly brooch and a foliate brooch, together with four further brooches, four stamped 9ct, one stamped 15ct, total weight 15.3g £100 - £150 324. A mid 20th century 9ct gold and platinum, opal cabochon and diamond double cluster ring, stamped 9ct and plat, ring size O, 2g £50 - £80 319 319. An early 20th century 9ct gold signet ring, with engraved initials and grooved shoulders, hallmarks for Birmingham 1925, ring size S, 9.9g £100 - £150

325. Five 9ct gold gem-set rings, to include a late Victorian 9ct gold Mizpah ring dated 1891, hallmarks for 9ct gold, 7.9g £80 - £120

329 329. A bakelite bead single-strand necklace, with floral barrel clasp, length 45cm, 67g £40 - £60

326. Ruskin, an Arts and Crafts pewter mounted enamel brooch, circa 1915, the oval plaque in mottled blue enamel, within a repousse frame, length 4.8cm £20 - £40

330 330. Willy Winnaess for David Andersen, a Danish Modernist silver gilt and enamel four leaf brooch, circa 1960s, four red basse taille enamel leaves, maker’s marks for David Andersen, length 6.5cm, 8.6g £50 - £100 320 320. A mid 20th century fancy-link bracelet, with heart-shape padlock clasp, hallmarks for Birmingham 1957, length 18.5cm, 11.6g £100 - £150 327 327. An Arts and Crafts silver and polychrome enamel shamrock pendant, maker’s marks for J A Wylie & Co, hallmarks for Birmingham 1922, the three leaf clover in green enamel, suspended from a silver chain, length of pendant 3.3cm, length of chain 46cm, 6.8g £50 - £80

331 331. A mid 20th century 9ct gold cultured pearl brooch, designed as a flower, hallmarks for 9ct gold, length 4.2cm, 5.3g £50 - £80

321 321. A set of blue gem and turquoise jewels, to include an 18ct gold turquoise and imitation pearl ring, an early 20th century gold, turquoise and agate floral brooch and a blue gem single-strand necklace £50 - £80 322. Two 9ct gold religious pendants, each suspended from a chain, marks to indicate 9ct gold, lengths of pendants 4.2 and 2.5cm, lengths of chains 40cm, total weight 8.1g £80 - £120

328 328. An Arts and Crafts silver and enamel bar brooch, A H Darby (attributed), circa 1920s, designed as a circular panel with four yellow and blue enamel flowers, with green leaves, atop a bar support, length 6.7cm, 5.5g £30 - £50

332 332. A Modernist silver bracelet, designed as a series of vari-shape polished panels, with toggle clasp, hallmarks for Birmingham, length 19.8cm, 61.3g £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

340 333. A Mexican silver hinged bangle, with pink gem cabochon terminals, stamped MEXICO, 925, inner diameter 6.5cm, 55.6g £20 - £30

339 334 334. Alexander Ritchie, an Arts and Crafts Iona silver brooch, maker’s marks for Shipton and Co., hallmarks for Chester 1935, bar form with Celtic knot centre with further knotted terminal arms, length 6.5cm, 7.1g £30 - £50 335. Waltham, a 14ct gold plated pocket watch, keyless manual wind movement signed American Waltham USA Traveler, numbered 17287777, case numbered 407157, length 6.9cm, total weight 110g £100 - £200

339. A George V 9ct gold engine turned vesta case, maker’s marks for Stephen J. Rose, hallmarks for London 1920, total weight 31g £250 - £350 340. An 18k gold Continental snuff box, of rectangular form, the cover with inset enamelled plaque of figures playing a board game in an interior, signed E. Falteri, stamped 18k, approximate weight all in 3.70 ozt £1500 - £2000

336. Everest Watch Co., a silver and enamel fob watch, painted to depict rose sprigs, silvered dial with Arabic numerals, suspended from a black cord, case signed Everest Watch Co., numbered 91604, movement signed Everest Watch Co., length of watch 3.5cm, total weight 22.9g £60 - £100 337. Griffon, a 9ct gold bracelet watch, manual wind movement, fitted to an unsigned gold plated expanding bracelet, diameter (excluding the crown) 30mm, total weight 47.7g £40 - £60 338. Waltham, a gold plated trench style wrist watch, cushion-shape case, manual wind movement signed Waltham, case made by Dennison, fitted to an unsigned green nylon ‘NATO’ style strap, 30mm excluding the crown £40 - £60

341 341. An 18ct gold pill box, of rectangular form with engine engraving, the cover with an inset painted river landscape with figures amongst trees, alternating black and white enamel border, the clasp studded with rose cut diamonds, import marks, stamped ‘18’, approximate weight all in 1.86 ozt £800 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

FURNITURE & CLOCKS 342. A George II country oak dresser, circa 1740 and later, plain cornice, overhanging upper section to the closed plate rack, small central frieze drawer flanked by two long drawers either side with moulded panel fronts, cupboard space below with arched fielded panels on stiles, height 200cm, width 135cm, depth 53cm £400 - £600 343. A Regency rosewood fireside bergere chair, circa 1820, curved back, drop-in upholstered seat, baluster turned front legs terminating in brass cappings and castors, height 73cm £70 - £90 344. An 18th Century country oak standing dresser, circa 1760, raised back, moulded top, triple frieze drawers with later brass handles, serpentine apron, baluster turned legs, chamfered block feet, height 83cm, width 197cm, depth 54cm £250 - £350

345

345. A Regency design rosewood sofa table, 20th Century, twin frieze drawers, gadroon turned stretcher, outswept sabre legs terminating in brass paw cappings and castors, width open 153cm, depth 62cm £80 - £120 346. A Regency design mahogany wine cooler, of sarcophagus form with cast metal scroll side handles, crossbanded and strung throughout and with classical urn marquetry inlay, lead liner, on outswept legs terminating in brass cappings and castors, height 55cm, width 97cm, depth 56cm £150 - £250 347. A William IV rosewood occasional table/plant stand, circa 1830, rectangular top with serpentine edge, lift-out surface revealing a metal grid and plant well, tapered turned column with acanthus carved base, quatrefoil plinth, bun feet, height 75cm, width 50cm £100 - £150 348. A George III mahogany chest on chest, circa 1790, moulded and dentil cornice, Chinese blind fretwork frieze, two short over two long drawers to the upper section flanked by chamfered fluted pilasters, three long drawers below with brass drop handles, shaped bracket feet, height 165cm, width 115cm, depth 55cm £500 - £800 349. A George III mahogany chest of drawers, circa 1770, moulded top, brushing slide over four long drawers with brass handlers, bracket feet, height 81cm, width 96cm, depth 53cm £200 - £300

348

350. A 17th Century country oak plank chest, circa 1660, moulded and chip carved top and sides with chevron and dot borders, wire hinges, thistle carved device to the right hand side, stiles, height 53cm, width 97cm, depth 38cm £80 - £120 351. A George III mahogany cellarette, circa 1780, of octagonal brass bound form, side brass carrying handles, lion mask and ring handle to the hinged cover, (lacking stand), height 34cm, width 48cm £150 - £200

351

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

352

357

352. A Regency mahogany pedestal games table, circa 1820, fold-over top with green baize lined surface, baluster turned support, reeded sabre legs terminating in brass paw cappings and castors, width 92cm £150 - £200

356 356. A Victorian ebonised pier cabinet, circa 1870, brass beadwork trim, amboyna inlaid and strung, single glazed door opening to velvet lined shelves, flanked by gilt fluted pillars, plinth, height 108cm, width 92cm, depth 41cm £200 - £300

353

355

353. A Regency blonde tortoiseshell pedestal work table, circa 1820, hinged cover opening to a fitted interior with recess well, square section support, quatrefoil base on castors, height 62cm, width 34cm £100 - £150

355. A French figured walnut and crossbanded table de toilette , Louis XVI design, 20th Century, of kidney shape, parquetry strung, hinged cover with inner looking glass, retractable side compartments, cupboard below, French cabriole legs terminating in brass sabots, height 84cm, width 48cm, depth 56cm £80 - £120

354. A late 17th Century oak chest, chip carved and moulded top, triple panel front with lozenge carved decoration, serpentine apron, stiles, height 82cm, width 140cm, depth 56cm £100 - £150

357. A Regency mahogany tea table, circa 1820, fold-out top, gadroon border, square section baluster support, quatrefoil plinth, sabre legs terminating in brass cappings and castors, width 91cm £150 - £250 358. An early 19th century gilt Japanned lacquer tilt top pedestal occasional table, circa 1830s, the octagonal top inlaid with abalone or mother of pearl Classical ruin detailing in a painted Romantic scene, on baluster stem with lobed ogee petal base and three scrolling bracket feet, highlighted with gilt foliate and floral scroll motifs, 58cm diameter, 69cm high £200 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

359. A Regency mahogany breakfast table, circa 1820, rectangular moulded tilttop, baluster pedestal, reeded sabre legs, brass cappings and castors, 126 by 100cm £400 - £600 360. A 19th century American chestnut country drop leaf table, circa 1880, demilune flaps, on turned acorn knopped and baluster legs, 91cm wide, 76cm high, 110cm open, 53cm closed £80 - £120

365 365. An Aesthetic Movement upholstered and ebonised chair, in the style of Bruce Talbert and Christopher Dresser, circa 1885, the bobbin galleried and upholstered panel back with incised uprights, united to the side with Segment brackets decorated with bands of zigzag and geometric motifs, 60cm wide, 65cm deep £120 - £180

368 368. An Aesthetic Movement oak chair, circa 1880, turned Egyptian style baluster form legs with curved side stretchers, padded back and over stuffed seat £50 - £80

361 361. An Aesthetic Movement ebonised corner chair, in the style of Christopher Dresser, circa 1880, Moorish style with opposing demilune fan segments, geometrically carved, forming the splats, below bobbin galleried top rails, with ball finials, on Egyptian baluster legs, 77cm high, 49cm square £100 - £200 362. Two Aesthetic Movement ebonised chairs, one by Bruce Talbert, with embossed leather top rail, the other by E W Godwin, with Anglo Japonesque geometric back and open arms (2) £100 - £200 363. E W Godwin (attributed), an Aesthetic Movement Anglo Japonesque ebonised chair, circa 1880, asymmetrical open lattice back, upholstered above, set with an oval roundel, overstuffed seat £80 - £120 364. E W Godwin for William Smee, an Aesthetic Movement walnut and rush seated chair, circa 1885, turned spindle and dowel back, the legs united by shaped stretchers £80 - £120

366 366. H W Batley for Gregory and Co., an Aesthetic Movement rosewood octagonal occasional table, circa 1880, wrythen turned legs, united by a galleried square section shelf, the curved feet with tooled brass casters, 76cm high, 82cm diameter £150 - £250 367. An Aesthetic Movement ebonised chaise longue, circa 1880, Anglo Egyptian style, with angled and spindle back on turned caster legs, 176cm long, 60cm deep £100 - £200

369 369. An Aesthetic Movement walnut mirror backed sideboard buffet, circa 1880, of two bays and four levels, the galleried top supported on a mirror backed open shelf of barley twist columns, over a glazed two door midsection, open cupboards and two drawers below, ogee serpentine skirt to the base, 122cm wide, 170cm high, 40cm deep £200 - £300 370. E W Godwin for James Peddle, an Aesthetic Movement walnut armchair, circa 1881, the shaped back with vertical slats, double rail curved arms and turned baluster front legs, leather overstuffed seat £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

375. Wylie and Lochhead (attributed), three Arts and Crafts Glasgow School mahogany chairs, circa 1905, each with fret pierced foliate top rails, over open slatted splats, the overstuffed seats on turned mushroom pad feet (3) £50 - £80

371 371. A pair of Aesthetic Movement ebonised bedside tables, circa 1880, each with overhanging tops, single frieze drawer over a panelled single cupboard with painted floral motifs on a gilt ground, incised gilt detailing, height 86cm, 50cm wide, 48cm deep(2) £150 - £200 372. Shapland and Petter, Barnstaple, an Arts and Crafts mahogany and copper bookcase cabinet, circa 1905, projecting moulded cornice above a cavetto copper frieze with the repousse motto ‘Reading Maketh a Full Man’, above triple leaded and glazed doors opening to leather trimmed height adjustable shelving, serpentine top over a central display void and drawer, flanked by linenfold cupboards either side with extended copper hinges, each with an internal drawer, one with a revolving and retractable wine rack, raised on square supports, lockplates stamped S&P, height 212cm, width 157cm, depth 56cm £400 - £600

376 376. George Walton (attributed), an Arts and Crafts mahogany and stained glass fire screen, the arched pediment with wide brackets, over a leaded glass panel, on tapered arch trestle legs, 65cm wide, 97cm high £180 - £220 377. A pair of Mission style Arts and Crafts chairs, the slatted backs inlaid with stylised mother of pearl and marquetry poppies in the Art Nouveau style, on tapered pad feet (2) £60 - £80

373

378

373. Philip Webb for William Morris & Co, a near pair of ebonised ash Sussex armchairs, turned bobbin dowel spindles, railed open arms, rush seats, turned legs linked by stretchers, 86cm high, 55cm wide, 41cm deep (2) £400 - £600

378. Arthur Simpson of Kendal (attributed), an Arts and Crafts oak and leather stool, tapered square section legs supporting a bowed seat, studded leather top, 52cm wide, 62cm high, 34cm deep £80 - £120

374. William Birch for Liberty and Co., an Arts and Crafts walnut occasional table, circa 1900, four angled and ribbed legs with mushroom pad feet, united by a low shelf, 40cm square, 65cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

379 379. Adolf Loos and Heinrich Kulka for Friedrich Otto Schmidt, an Arts and Crafts oak fireside or chimney armchair, circa 1931, with leather back and bowed seat, studded with bronzed nails, the geometric incised front stretcher uniting skate square section legs with ogee tongue feet, supporting shaped plank arms, scrolled tongue finials, 67cm high, the seat 31cm high, 58cm wide Note: Austrian architect and designer Adolf Loos (1870-1933) was one of the great pioneers of modernism in Continental Europe, influencing generations of post World War One architects the world over, including the Bauhaus in Germany. His apprentice and collaborator Heinrich Kulka, studied in Vienna and worked under Loos including in the development of the famous Raumplan analysis of spatial design. Designed for the Melena and Hugo Semmler apartment in Pilsen in 1931 and used in the Werkbund housing estate in Vienna in 1932 (where Kulka was Loos’ assistant and collaborative furnisher for houses 49 to 52), the chimney chair combined the craftsmanship and functionality of the Arts and Crafts movement; which Loos pioneered over the Austrian Secessionist movement decades earlier.

380

For examples of this chair see: Vitra Design Museum, catalogue reference MAT-1032 (an identical example); Loos-Pilsen Connections, Gallery of West Bohemia, Pilsen 201, p.154 (illustrated); Werkbundsiedlung Wien 1932, exhibition catalogue Wien Museum, p.207, fig.215; Apartment Semler: Rukschcio, Schachel, Adolf Loos, p. 637 and 646 as well as Adolf Loos, apartments, p.101 £100 - £200 380. Richard Riemerschmid (attributed), a Jugendstil oak fall front bureau cabinet, circa 1905, the three panel slope over two long drawers, on curved inverted cabriole legs, brass handles and fittings, 111cm wide, 151cm high, 49cm deep £400 - £600 381. Peter Waals for Loughborough College, a Cotswold School oak bedroom unit, the four drawer chest, with octagonal handles, below a graduated three tier bookshelf, next to a twin panel single door wardrobe, over single drawer, 148cm wide, 204cm high, 57cm deep Note: designed for the student accommodation of Loughborough College in 1935, now part of Loughborough University, where Waals also taught furniture design £400 - £600 382. An Art Deco sycamore double bed in the manner of Betty Joel, English, 1930’s, comprising parquetry sunburst design arched headboard and matching footboard, headboard height 143cm, width 170cm, (with metal sprung base frame and irons) £100 - £150

381

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

385. A 19th century gilt brass carriage timepiece, rounded glass sides and white enamelled dial with garland wreath, retailers mark Sharman D Neill Ltd., Belfast, 16cm high £50 - £80 386. A French carriage timepiece, early 20th Century, brass corniche case, oval escapement window, white enamel dial with Arabic numerals, height 14.5cm, (key) £50 - £80

383 383. Frank Guille for Kandya, four Program stools, circa 1958, each with black tubular frames and black vinyl seat covers, one labelled, 71cm high (4) £70 - £100 384. Barraud & Lunds, Cornhill, London, a late 19th Century Self Winding wall clock, 30cm white painted dial with Roman numerals, brass bezel, mahogany case, (later battery conversion, pendulum) £200 - £300

387. A 19th Century bracket clock, of Empire design in white, black and red veined marble, gilt metal urn finial, white convex enamel dial with Arabic numerals, flanked by fluted scrolls, the breakfront plinth with inset gilt metal frieze of cherubs, peg feet, bell chiming mechanism, height 36cm, (no key or pendulum) £150 - £200 388. A 19th Century painted black slate bracket clock, of Baroque design with a pineapple urn and floral vase finials, white enamel dial with Roman numerals, supported by fluted pilasters, plinth raised on gilt metal feet, height 41cm, width 24cm (pendulum only, no key) £100 - £150

MILITARIA 392. World War One Military Medal group, Bombardier E.J. Ladd, Royal Artillery, the Military Medal (95152 Bmbr E.J. Ladd 19/ DAC RFA), 1914-15 Star (95152 Gnr E. Ladd RFA), British War Medal (95152 Bmbr E. Ladd RA), Victory Medal (95152 Bmbr E. Ladd RA), and Special Constabulary Long Service Medal (Ernest J Ladd) (5) £400 - £600

393 393. A World War One era set of binoculars, The Imperial Aitchison London, 8x NR28437 FOREIGN £30 - £50

389

394. World War One Royal Tank Regiment embroidered napkin, depicting badge on corner £30 - £50

389. 4th (Royal Irish) Dragoon Guards troopers helmet, 1871 pattern, brass shell with starburst badge to the centre, rosette side bosses with leather backed linked chin chain, cruciform base with fluted spike and white horse hair plume having top rosette £650 - £850

395. World War Two British Royal Electrical & Mechanical Engineers gilt cap badges, one gilt metal and two plastic issue, laurel spray with four shields bearing initials of corps REME surmounted by crown (3) £30 - £50

390. An early 20th century sabre in canvas covered scabbard, the single edged blade engraved with foliate scroll decoration, 97cm long £40 - £60

396. World War One medals; two German ‘Gold for Iron’ campaign medals, together with a Landwehr service award (3) £20 - £40

391. World War Two RAF Officer’s medal group and ephemera, Flight Lieutenant H.H. Howson, 1939-1945 Star, Italy Star, the Defence Medal, the War Medal 1939-1945 with bronze leaf emblem, ribbons, together with photographs, maps of Italy, documents relating to Operation Trigger, letters, postcards and badges £100 - £200

397. Two World War One Imperial German Iron Crosses 2nd Class, silver frame with centre bearing crown, W, and 1914, reverse bearing crown over FW on central oakleaf spray with 1813 below; together with two Veterans Medal (Hindenburg Cross), 1914-1918; a World War Two Eastern Front medal, Winterschlacht im osten 1941/42 (5) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

398 398. World War One Bavarian Military Merit Order Merenti, 4th class, blue enamelled Maltese cross with crossed swords stamped 900, reverse with golden crowned ‘L’, dated 1866 £50 - £80 399. World War One German trench art, an inkwell in the form of a pickelhaube helmet, hinged top with brass ball finial, 6cm high £100 - £200 400. A pair of portraits of German Emperors Wilhelm I and Frederick III, pencil drawings, 26 by 20cm, framed (2) £50 - £80

399

401. Weimar Republic German Navy Officer’s dress sword, housed in brass mounted leather scabbard, gilt brass hilt with fouled anchor to the folding shell, folding inner guard numbered 0836, ivory grip with lion pommel head, blade unmarked, 93cm long £650 - £750 402. Third Reich German miniature Luftwaffe Officer’s dress sword letter opener, blade marked Alcoso, housed in blue leather scabbard, blue leather grip with wire binding, pommel with gilt swastika to centre, mounted on bronze propellor, 26cm long £800 - £1200 403. Third Reich German Enlisted Rank’s dagger, housed in black metal scabbard with hanging strap, white metal mounted hilt with wooden grip and enamel RLB badge, blade marked Paul Weyersberg & Co Solingen, 36cm long £1100 - £1500 404. Third Reich German Police Officer’s shako helmet, flat brown hard leather top, front and back visors, green cloth covered shell with white metal eagle and plume helmet plate, leather backed chin strap with white metal scales, 16cm high Note: worn by rural police (Wachtmeister)

403

£500 - £700

405. World War Two German Kriegsmarine cap insignias, to include three eagle and cockade sets (4) £40 - £60.00 406. Four World War Two German Kriegsmarine NCO radio operator's sleeve trade patches, two for white uniform, a Kriegsmarine electric technician in second grade trade patch for white uniform, a gilt metal radio operator's badge, a gilt metal Coxwain badge, two embroidered celleon uniform breast eagles, and a gilt metal eagle breast badge (10) £40 - £60 407. World War Two German badges, Narvik Shield dated 1940 and Kuban Shield dated 1943, awarded to Wehrmacht forces who fought in both conflicts, together with Infantry Assault Badge (3) £40 - £60

404

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

419. World War Two German Kriegsmarine U-Boat Combat Clasp by Schwerin Berlin, bronze grade with horizontal pin and makers mark for Entwurf Peekhaus Ausf Schwerin Berlin 68, 7.5cm long £200 - £300 420. An English percussion sporting rifle by William Dooley Liverpool, circa 1850’s, octagonal barrel, scroll engraved lock, steel trigger guard and butt plate, with accompanying ramrod, 117cm long £350 - £450

408 408. World War Two German Kriegsmarine U-Boat War Badge by Friedrich Orth, marked F.O. with vertical pin and catch fixing, remains of gilt to front and verso, 5cm long £100 - £200

409 409. World War Two German Kriegsmarine U-Boat War Badge by Friedrich Orth, marked F.O. with vertical pin and catch fixing, remains of gilt to front and verso, 5cm long £100 - £200 410. Two World War Two German Kriegsmarine U-Boat War Badges, unmarked with vertical pin and catch fixing, remains of gilt to front and verso, 5cm long (2) £100 - £200

421 421. An English flintlock tap action pistol by Cox & Weatherhead Derby, circa 1800’s, over and under double barrel, lock engraved, concealed trigger, wooden grip, 14cm long £600 - £800 422. A 19th century flintlock blunderbuss, 13 inch barrel, lock stamped Tower and GR cypher, with steel ramrod, 69cm long £150 - £200

411. Two World War Two German Kriegsmarine U-Boat War Badges, unmarked with vertical pin and catch fixing, 5cm long (2) £100 - £200

423. A Martini-Henry style sporting rifle retailed by George Gibbs, 32 inch blued barrel, barrel engraved George Gibbs, 29 Corn Street, Bristol and stamp marks, adjustable folding ladder rear-sight, butt plate and steel ramrod, iron mounts, 125cm long £400 - £600

412. Two World War Two German Kriegsmarine U-Boat War Badges, unmarked with vertical pin and catch fixing, remains of gilt to verso, 5cm long (2) £100 - £200

424. A 19th century percussion cap musket, 26 inch barrel, lock engraved with possibly Indian marks, butt plate and swivel ram, 107cm long £100 - £200

413. Three World War Two German Kriegsmarine U-Boat War Badges, all unmarked, one with vertical pin and catch fixing, one with vertical pin stamped L/21 and missing catch fixing, one with vertical pin and missing catch fixing, 5cm long (3) £100 - £200

425. A 19th century European .44 calibre five shot percussion revolver, round barrel, scroll engraved metalwork, two piece wooden grip, 24cm long £100 - £150

414. Two World War Two German Kriegsmarine U-Boat War Badges, unmarked with vertical pin and catch fixing, 5cm long (2) £100 - £200 415. World War Two German Kriegsmarine U-Boat Combat Clasp by Schwerin Berlin, bronze grade with horizontal pin and makers mark for Entwurf Peekhaus Ausf Schwerin Berlin 68, 7.5cm long £200 - £300 416. World War Two German Kriegsmarine U-Boat Combat Clasp by Schwerin Berlin, bronze grade with horizontal pin and makers mark for Entwurf Peekhaus Ausf Schwerin Berlin 68, 7.5cm long £200 - £300 417. Three World War Two German Kriegsmarine U-Boat War Badges, all unmarked, one with vertical pin and catch fixing, one with vertical pin stamped L/21 and missing catch fixing, one with vertical pin and missing catch fixing, 5cm long (3) £100 - £200

426

418. World War Two German Kriegsmarine U-Boat Combat Clasp by Schwerin Berlin, bronze grade with horizontal pin and makers mark for Entwurf Peekhaus Ausf Schwerin Berlin 68, 7.5cm long £200 - £300

426. An English .44 calibre six shot transitional percussion revolver, circa 1850, octagonal barrel with stamp marks, scroll engraved metalwork, chequered grip, fitted with butt trap, 30cm long £550 - £650

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

DAY TWO

ORIENTAL CERAMICS

428

427. A Chinese sang de boeuf vase lamp base, with gilt cast brass mounts, shouldered bulbous form, on reticulated square base with lion mask bracket feet, overall 55cm high £70 - £100

428. A pair of Chinese famille rose temple jars and covers, Qing, 19th century, inverse baluster form with domed lids, painted with flowering sectional stemmed plants above lappet borders, 42cm high (2) £1500 - £2500

427

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

439

429 429. A Chinese Yixing enamelled teapot, circa 1830, shouldered square section with gilt wrought iron foliate scroll handle, the body painted with floral specimens below an apron foliate scroll and feathered banding, impressed mark, 26cm high £400 - £600 430. A pair of Chinese blue and white baluster vases, Kangxi, 1662-1722, of rectangular section baluster form, decorated with mountainous river landscapes, foliage and domestic objects to the base rims, height 30cm (2) £300 - £500 431. A 18th century or later Chinese celadon glaze charger, underglaze central petal within a scrolling foliage border, unmarked, diameter 36cm £200 - £300

439. A large 18th Century Chinese circular charger, gilt decoration of insects amongst foliage in the European taste, diameter 44cm £400 - £600 440. A 19th Century oriental baluster vase, the body with applied dragon in relief over a seascape with fish, on an iron red ground, gilt detailing, height 34cm £400 - £600 441. A 19th Century Chinese baluster vase, moulded lion mask and ring handles painted in polychrome in the famille verte palette with vases of prunus blossom, flowing foliage and script marks, height 57cm £300 - £500 442. A pair of 19th Chinese blue and white sleeve vases, decorated with dragons amongst foliage, blue painted four character script marks, height 21cm, and two 19th Century Chinese blue and white bowls of differing sizes (4) £40 - £60

432. A 19th Century Chinese celadon glaze plate, wavy rim, underglaze petal design, blue Qianlong seal mark, diameter 28.5cm £400 - £600 433. A Chinese export tobacco leaf oval porcelain platter, the classic pattern, in vivid famille rose colours, underglaze blue and gilt, 38.5 cm wide £300 - £500 434. An 18th Century Chinese celadon crackle glaze censor, of bombe form, on triple dimple feet, height 14cm, diameter at opening 24cm £800 - £1200 435. A Chinese blue and white vase, shouldered inverse baluster form, painted with prunus on crackled ice, underglaze blue concentric ring mark, 14cm high £30 - £50 436. A 19th Century Chinese baluster vase, decorated in coloured enamels in the famille rose palette with flowering foliage on a geometric grid ground, central green scrollwork frieze, blue painted four character script mark, height 45cm £300 - £500 437. A 19th Century Chinese sang de boeuf glaze bottle vase, extended neck, height 42cm £200 - £300

443

438. A 19th Century Chinese sang de boeuf glaze baluster vase, of shouldered form, height 37cm £200 - £300

443. A Chinese ceramic figure of Hotei, 20th century, seated smiling surrounded by five infants, polychrome and gilt decoration, impressed seal mark, 26cm high £500 - £700

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

444

445

447

452

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

444. A pair of 18th Century Chinese vases and covers, of bombe form, domed covers with finials, decorated in raised enamels in the famille rose palette with a scene of fashionable ladies in a chariot procession, lappet base, height 42cm (2) £1500 - £2500 445. A Chinese blue and white vase, Kangxi, 1662-1722, of cylinder form with a flared opening and bronzed knop stem below, decorated with panels of prunus blossom and domestic objects on a trailing foliage ground, double blue circle mark to base, height 27.5cm £500 - £800 446. A Chinese Ming pottery censor, of bombe form with beast mask handles, triple scroll feet, olive glaze, height 12cm, diameter at opening 12.5cm£150 - £250 447. A Japanese Satsuma vase, Meiji, shouldered form, painted in the round with a lakeside garden scene of figures, below a patchwork border of irregular geometric tiles, 18.5cm high £100 - £150 448. A Chinese bottle vase, 20th Century, famille rose decoration with chrysanthemum and other flowers, printed puce Qianlong seal mark, height 40cm £50 - £80 449. A Chinese blue and white bottle vase, 19th Century, elongated opening, the frieze with wild animals in a landscape, unmarked, height 23cm £40 - £60

454. A pair of Japanese Hirado porcelain models of recumbent horses, Meiji period, 1868-1912, white glazed, height 14.5cm, width 22cm (2) £150 - £200 455. A Japanese Hirado porcelain teapot, Meiji period, 1868-1912, the spout moulded in the form of a dragon’s head, the handle formed from its body, the sides painted in blue with a garden scene of a sennin in the company of a tiger, height 24cm £100 - £150 456. A Japanese Hirado porcelain figure of a dragon, Meiji period, 18681912, blue scales, four claws, modelled roaming, height 16cm, width 22cm £150 - £200 457. A Japanese Hirado porcelain netsuke, Meiji period, 1868-1912, in the form of a clam with internal diorama, width 5.5cm £70 - £90 458. Three items of Japanese Hirado porcelain, Meiji period, 1868-1912, to include a brush stand in the form of a mountain, a weight in the form of triple stacked scrolls surmounted with chrysanthemum and blue and white desk stand in the form of a scroll, width 14cm (3) £150 - £250

462 462. A Japanese Hirado porcelain teapot, Meiji period, 1868-1912, modelled as a small boy wearing a rice hat and holding a puppy its mouth forming the spout, the boy’s robe with blue stylised clouds to the rear, height 21cm. Provenance: Woolley & Wallis, Lot 1118, 13th November 2018. From the collection of Edward and Julia Carter Preston, sold on behalf of The Hope Carter Preston Foundation, Liverpool. Edward Carter Preston (1885-1965) was a renowned Liverpool artist, sculptor and medalist, and his daughter Julia Carter Preston (19262012) was a successful potter. £100 - £150

450. A Chinese blue monochrome baluster vase, late 19th/early 20th Century, unmarked, height 20cm £30 - £50 451. A Chinese table lamp base, 20th Century, of square section, painted with enamelled panels of battle scenes on a blue ground, mounted on a hardwood stand, height 43cm £40 - £60 452. A Chinese blue and white vase, 19th Century, of ovoid form with acanthus and lappet borders containing a frieze of carp amongst foliage, blue seal mark, (obscured by a drill hole), height 25cm £80 - £120 453. A large Chinese punch bowl, Qing Dynasty, Qianlong (1736-1795), famille rose decoration, the frieze with cartouche panels with figures of leisure in river landscapes, gilt scroll borders and decoration, height 17cm, diameter 40cm, two 19th Century Chinese provincial blue and white pots, a saucer and a famille rose plate (5) £200 - £300

459 459. A pair of Japanese Hirado porcelain candlesticks, Meiji period, 1868-1912, in the form of chrysanthemum, height 16.5cm (2) £70 - £90 463 460. A Japanese Hirado porcelain koro, Meiji period, 1868-1912, in the form of a reticulated nobleman’s hat, on a raised stand, height 12cm £100 - £150 461. A pair of Japanese Hirado type Sh-Shi, modelled recumbent, white glaze, height 10cm (2) £80 - £120

463. A Japanese Hirado porcelain teapot, Meiji period, 1868-1912, underglaze blue and copper red floral decoration, underglaze blue six character mark to the underside of the cover, height 9cm £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ORIENTAL WORKS OF ART 467. A Chinese scroll painting, mountainous landscape on a gold ground, script upper right, on a textile brocade ground, 195 by 68cm, and another painted with a seated European woman, script and seal mark upper right (2) £50 - £80

472. A pair of 18th/19th century Korean paintings of a dignitary in navy blue robe and another of a noblewoman, mixed media, signed, with associated script, 19 by 14cm, framed £600 - £800 473. A pair of 18th/19th century Korean paintings of dignitaries, mixed media, signed, with associated script, 46 by 27cm, framed £600 - £800 474. A pair of Japanese gilt metal raised cloisonné covered vases, 20th Century, of ovoid form with gilt beast finials, trailing foliage frieze, lappet border, height 15cm (2) £70 - £90

464 464. A Japanese Hirado porcelain model of a seated cat, 20th Century, impressed Japan mark, height 24cm £50 - £80

468 468. A Chinese pale jade small bowl, gently everted rim, four character incised seal mark to base, height 3cm, diameter 7.5cm £50 - £80

475

469 469. A Chinese black and white jade pendant carving, in the form of large and small shi-shi, diameter 5cm £40 - £60

465. A Japanese Hirado porcelain model of a cockerel, Meiji period, 18681912, mounted on a barrel and raised on four feet, blue decoration to the stand, height 33cm.

466. A Japanese satsuma ware vase, Meiji period, 1868-1912, of multi-faceted form decorated with panels of figures, polychrome and raised gilt decoration, satsuma mark and gilt script signature on a black ground, height 7cm, (unassociated cover) £70 - £90

476. China (20th century), Chinese painting of a mountainous landscape, 5 red seal stamps, 35 by 35cm, framed £150 - £200 477. China (early 20th century), Chinese/Japanese/Korean pen ink watercolour of two women conducting daily chores, red seal stamp associated script, appears to be dated in ink, 39cm x 30cm,

465

Provenance: Christie’s, London £80 - £120

475. A set of seven carved and etched Chinese mother of pearl gaming counters in a carved ivory box, 19th century, the screw topped container of cylindrical form with domed lid, modelled in relief with a populated garden landscape, the counters reticulated and similarly engraved, 3.8cm diameter £50 - £80

Provenance: Wah Cheong Gallery Hong Kong established 1902 £80 - £120

470 470. A Chinese pale jade carving, reticulated with a dog, scroll border, width 6cm £40 - £60

478. China (early 20th century), Chinese/Japanese/Korean pen ink watercolour of a dancing couple, red seal stamp associated script, appears to be dated in ink, 39cm x 30cm, Provenance: Wah Cheong Gallery Hong Kong established 1902 £80 - £120

471. Two Chinese script scrolls, on paper/card, the smaller on a brocade ground (2) £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

488

479. China (19th/20th century), Women Oyster Picking, three red seal stamps, and script in black ink. Old catalogue verso inventory markings 29/9/1971, 31cm x 41cm, unframed £150 - £200 480. China (19th century), Chinese glass painting of warriors and nobleman, housed in a period Chinese wood frame, black Chinese script character marks, 60cm x 43cm,

484. A collection of 19th century Islamic Middle Eastern metalware including a Persian Kashkul begging bowl and an Ottoman/Mamluk revival Koran box. Various Sizes (4) £150 - £200 485. Chinese school (18th/19th century), painting of an immortal, Qing dynasty, ink on paper, 76cm x 56cm, framed £800 - £1200

Provenance: previous old Christie stencil marking, also a previous auction label lot 59, 16 Jan 1973 £150 - £200

486. Northern Indian double edged metal implement of Sikh Origin, 19th century, 33.5cm £200 - £300

481. China (19th/20th century), Chinese Landscape Scene, watercolour, black text and red seals above, 44.5cm x 56.5cm, framed,

487. China (19th century), a woman seated on a mythical beast, gouache on paper with gilt highlights, Chinese character marks bottom centre, 30cm x 25cm, framed £100 - £150

Provenance: Graves Gallery Birmingham which was active in the 19th/early 20th century £150 - £200 482. A large 19th century koftgari tray of Indian or Persian origin, profusely inlaid in floral patterns, 60cm x 45cm £50 - £80 483. China (20th century), Chinese painting of an ox cart amidst a mountainous landscape, 7 red seal stamps, 34 by 32cm, framed £150 - £200

488. A Chinese school painting Qing dynasty (19th century or earlier) of adoration/reverence of Laozi (Lao Zhu), was an ancient Chinese philosopher and writer, according to traditional accounts, Laozi was a scholar who worked for the royal court of Zhou, many clans of the Li family trace their descendants to Laozi, he was also the founder of Taoism, ink on paper, circa 19th century or earlier, framed, 140cm x 60cm Provenance: previously in a collection in the North of France £2000 - £3000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

492

489. An Islamic Ottoman embroidered satin tomb cover, 19th century, inscribed roundels surrounded by a cartouche and roset inscriptions, embroidered tughra, richly embroidered with silver gilt thread, 173cm x 117cm £400 - £600

496. China (early 19th century), a very large Chinese trade painting of a busy village marketplace, watercolour, Qing dynasty, 130cm x 61cm, framed £600 - £800

490. China (19th century), Chinese Scroll painting of an emperor and his entourage conducting daily chores and rituals, Qing dynasty, 123 by 30cm £600 - £800 491. An Anglo-Indian 19th century silver rupee festoon necklace, with double coin push-piece clasp, including two British India One Rupee coins 1884 and sixty plus Indian Princely States rupees, 11.77ozt £120 - £160 492. Anglo Indian company school (circa 1850-1870), Architectural Study of the Sikh Golden Temple, watercolour on ivory, oval form, 32 by 21.5cm, unusually large scale painting compared to smaller versions on ivory, framed £2500 - £3500 493. Indian school (20th century), study of a falcon on its perch, pencil with gilt highlights, old French catalogue inventory annotation verso, 16.5 by 11cm, framed £150 - £200

497

494. Indian school (20th century), ornithological study, pencil in gilt border, French annotations verso, 16cm by 11cm, framed £80 - £120

497. A 19th century Chinese carved ivory puzzle game, Cantonese, square section with sliding lid, two layers of reticulated floral and foliate tiles of different shapes, the top carved with four figures in a garden scene, 5.5cm square £40 - £60

495. Indian school (20th century), ornithological study, pencil in gilt border, French annotations verso, 17cm by 12cm, framed £80 - £120

498. A series of 19th Century Cantonese carved ivory chess playing pieces, natural and red stained, (parcel) £100 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

505. A Japanese ivory netsuke, Meiji period, 1868-1912, carved as a fisherman with boy on his back, signed, height 3.5cm £70 - £90

511. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a figure group of a man on a pony beneath a tree being fed by a mother and infant, signed, height 7cm £250 - £300 512. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a kneeling winged woman and seated man, height 12.5cm £160 - £180 513. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a basket maker and his apprentice, signed, height 11cm £150 - £180

499 499. A Japanese ivory netsuke, 19th Century or earlier, carved as a recumbent beast, width 3cm £250 - £350 500. A Japanese ivory miniature face mask, Meiji period, 1868-1912, as an angry bearded man, signed, height 3.5cm £60 - £80 501. A Japanese ivory tusk carving, Meiji period, 1868-1912, carved as a samurai on a rocky outcrop with a female figure above his head, height 46cm £280 - £320 502. A late 19th Century large Chinese ivory puzzle ball, the outer surface carved with reticulated dragons amongst scrolling clouds, diameter approximately 12cm, with an unassociated hardwood stand £100 - £150 503. A Japanese ivory netsuke, Meiji period, 1868-1912, carved as a seated grinning bearded God, height 3cm £100 - £120 504. A Japanese ivory netsuke, Meiji period, 1868-1912, carved as a fisherman and lady companion taking tea, signed, width 5cm £80 - £120

511

506 506. A Japanese ivory netsuke, Meiji period, 1868-1912, carved as a thatcher with two rats on his back, signed, width 6cm £180 - £220

514. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a street vendor carrying masks, baskets and hats, signed, height 13cm £180 - £220

507. A Japanese ivory netsuke, Meiji period, 1868-1912, carved as a seated man and boy with fruit, signed, width 4cm £70 - £90

515. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a fisherman wearing a rice hat and with rod and a basket of fish at his feet, inset red seal signature, height 22cm £180 - £220

508. Three Japanese ivory netsukes, Meiji period, 1868-1912, one a man holding up a log, one an infant boy with satchel and one a miniature bearded elder, height of largest 5.5cm (3) £50 - £80

516. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a seated street vendor with a fly whisk, signed, width 3.5cm £60 - £80

509. A Japanese ivory small tusk carving, Meiji period, 1868-1912, reticulated dragon amongst scrollwork, height 16cm £50 - £60 510. A Japanese ivory okimono, Meiji period, 1868-1912, carved as a robed bearded immortal standing holding a staff, inset red seal signature, height 11cm £140 - £180

514

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

515

517 517. λ A Chinese Qing dynasty ‘Pien Mien’ fan / screen of ivory, kingfisher feather and embroidered silk, circa 1840, of a type used by the ladies of the Imperial Court during the summer time. Brightly and boldly applied to one side with raised birds of paradise on branches, butterflies and flowers made using principally turquoise Kingfisher feathers all applied to a gold foil ground, verso with delicately embroidered floral designs, all set within an embroidered circular frame with carved ivory handle, the terminal shaped and carved as a stylised bat, 17cm wide £800 - £1200

520. λ A 19th century Chinese carved ivory brisé export fan, Qing Dynasty, carved on the recto only, all tips rounded, the guards carved quite deeply with a dragon, foliage and figures, the remainder of the fan with scenes of people at work or leisure, some carrying fans, amidst stylized buildings, trees and birds, guard 19cm long £150 - £250

518. λ A small Chinese export fan, early 19th century, with carved ivory sticks and plain silk leaf, the guards and sticks intricately carved with birds and floral motifs, possibly made for a child, 20cm long £40 - £60

521. A mid 19th Century Chinese fan, open fretwork and blind carved ivory sticks, the paper fan painted with a continuous scene of figures at leisure with applied ivory faces, height 28cm, in a fitted black lacquer case £150 - £250

519. λ An African tribal ivory bangle bracelet, unusually large and heavy, 255 grams, 12cm widest £40 - £60

522. λ A Qing dynasty Chinese painted ivory brisé export fan, early 18th century and most likely for the European export market. Painted with a scene showing a gathering of figures with distinctly European faces, an atypical feature for this type of fan, of adults and infants seated, at leisure, in contrast the background is distinctly oriental with ancient stylised trees, foliage and rocks, painted in good strong colour with gold highlights and design to the gorge and upper border, the gorge painted with trees and small buildings, the sticks strung, the verso a painted mirror image of the recto, the monture with shaped head, 22cm long £500 - £800

519

523. λ A circa 1660-1670 European fan of ivory and vellum painted with various musicians in a landscape, with exotic flying birds, the ivory guards and sticks carved and pierced, the sticks being threaded through the lower section of the leaf, the verso with flowers contained in rchitectural containers, 31cm long £1500 - £2000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

524 524. Genryusai Seiya, a Japanese bronze jardinière, Meiji, circa 1900, modelled in relief with elephants, ovoid form, supported by elephants, signed, 42cm diameter, 27cm high £2000 - £3000

527

525 525. A 19th century Japanese maki-e lacquer three tier box, meiji, cuboid form, with two graduated stacking sections and lid, decorated with stylised cinq foil rosettes over gilt powder landscapes with birds and trees, 12.5cm wide, 11cm high, 15.5cm deep £400 - £600 526. A Chinese carved hardwood and green stained ivory table screen, Qing, the rectangular panel decorated in relief with Shoulao and bat, on geometric ground between green foliate tiles of birds and animals, in a reticulated foliate scroll bracket stand, 21cm high £500 - £800

527. A 19th century Japanese carved ivory ball, Meiji, modelled in relief with seated figures in conversation, red signature plaque, on reticulated hardwood stand, 6cm diameter £500 - £800 528. A Japanese ebony opium pipe in case, Meiji period, 18681912, white metal mounts, seal signature and scrip marks to the case, case length 22.5cm, brocade covered outer case £700 - £900 529. A rhinoceros horn necklace, circa 1890, graduated beads with knot spacers, length 83cm, approximate weight all in 3.21ozt £900 - £1100 530. A Chinese pale jade carving, in the form of a smiling man with a monkey upon his shoulder, 6.5cm high, on a hardwood stand £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

531. A Japanese bronze study of a prowling tiger, Meiji period, 1868-1912, open mouth, all-over dark brown patina, unsigned, height 21cm, width 43cm, standing on a raised wooden plinth £500 - £700 532. A pair of Chinese cloisonné vases, late 19th Century, of baluster form with gilt metal rims, decorated with birds amongst flowering foliage on a yellow geometric grid ground, height 35cm (2) £200 - £300

541. A bronze figure of Buddha, Thailand, Ayuttahaya period 14th to 17th century, seated in sattvasana, his hands in bhumisparsa and dhyana mudra, wearing a sanghati with long sash, the face with serene expression and downcast eyes, remnants of gilding, 34cm high Provenance: Eileen Power, traveller and historian, fiancee of Reginald Johnston (1928-35), later wife of Sir Michael Postan, the current vendor’s direct predecessor. £500 - £800

533. A 19th Century Chinese cloisonné planter, of circular bombe form, Greek key rim, the frieze with insects amongst foliage on a blue geometric grid ground, height 15.5cm, diameter at opening 21cm £150 - £200 534. An antique Chinese provincial bronze study of a lady, standing wearing a robe, traces of gilding, height 25cm £200 - £300 535. A 19th Century Chinese bronze baluster vase, of square section, zoomorphic and ring handles, lappet and raised geometric frieze, all-over dark brown patina, height 35cm £200 - £300 536. A pair of oriental spinach jade spill vases, in the form of stylized cockerels in two dimensional form, height 16.5cm, on wooden stands (2) £150 - £200 537. An 19th Century Japanese suit of armour, comprising Kabuto with five tier Shikoro, (neck guard), studded lacquer Duo, (chest armour), fabric and lacquer Kusazuri, (hip groin protector) £300 - £500 538. A Japanese bronze model of a stork standing upon a turtle, Meiji period, 1868-1912, realistic plumage and turtle shell, all-over dark brown patina, 62cm high £300 - £500 539. An oriental red lacquer standard lamp, 20th Century, carved in high relief with a dragon amongst foliage, circular plinth, height 153cm £200 - £300 540. A Chinese gilt bronze desk seal, surmounted with a large beast grasping a smaller beast, six character seal, height 8.5cm, width 7.5cm £400 - £600

542 542. A Chinese carved hardwood figure of Guanyin, Qing dynasty, 17th or 18th century, of Imperial quality, 清代御品观音木雕 modelled seated with dog, holding a ruyi sceptre, the hair black stained, on a later, 19th century, stand, the figure 20.5cm high Provenance: acquired by Sir Reginald Johnston, tutor to Puyi, last Emperor of China, between 1919 and 1924 and first Westerner to be given access to the Forbidden City; gifted to Johnston’s fiancee, Eileen Power (engaged 1928-1935), later wife of Sir Michael Postan, the current vendor’s direct predecessor. £800 - £1200 541

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

544

543 543. A Chinese Archaistic bronze tripod ritual food vessel, Ming or Song, 16th century or earlier, of Ding form, the rounded cauldron bowl with twin handles, cast in relief with a band of three taotie motifs on a geometric cloud scroll and ruyi ground, with a later, 18th century, reticulated carved hardwood stand, the censer 29.5cm high, 20cm diameter Provenance: acquired by Sir Reginald Johnston, tutor to Puyi, last Emperor of China, between 1919 and 1924 and first Westerner to be given access to the Forbidden City; gifted to Johnston’s fiancee, Eileen Power (engaged 1928-1935), later wife of Sir Michael Postan, the current vendor’s direct predecessor. £3000 - £5000 545 544. A bronze sculpture of a Buddha head, Thailand, Ayuttahaya period, 15th century or later, modelled with serene expression, elongated earlobes, mounted on a later wooden base, 25.5cm high Provenance: Eileen Power, traveller and historian, fiancee of Reginald Johnston (1928-35), later wife of Sir Michael Postan, the current vendor’s direct predecessor. £500 - £800

545. A South East Asian sandstone carving of a Hindu deity, 17th century, modelled as Parvati, holding flowers or cups and dancing, on a later wooden stand, 41cm high Provenance: Eileen Power, traveller and historian, fiancee of Reginald Johnston (1928-35), later wife of Sir Michael Postan, the current vendor’s direct predecessor. £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CARPETS 546.

A Turkish Kilim, 360 by 148cm £60 - £80

547. A Persian Bakhtiari saddle rug, 180 by 108cm £60 - £80 548. A Caucasian Lesghi rug, 165 by 94cm £200 - £300 549. A Baluch prayer rug, 136 by 83cm £200 - £300

558

563

558. A Persian Qashqai rug, 275 by 147cm £1000 - £1200

563. A pair of Caucasian saddle bags in soumak technique, 56 by 56cm and 57 by 60cm (2) £80 - £120

559. A Sarkoy/Pirot Kilim, 348 by 225cm £60 - £80

550 550. A Persian Khamseh rug, 143 by 193cm £700 - £900 551. A North West Persian carpet, 364 by 268cm £600 - £800 552. A Persian Mishan Malayer rug, 216 by 140cm £150 - £200

564

560 553. A Caucasian or Kurdish yellow ground runner, 318 by 95cm £60 - £80

560. A Turkish carpet of Persian style, 390 by 310cm £500 - £700

554. A Saryk Turkmen chuval, 155 by 78cm £200 - £300

561. A Yomut Turkmen Asmalyk, 19th Century, 127 by 77cm £60 - £80

555. A Yomut Turkmen flat weave chuval, 108 by 83cm £200 - £300

562. A Turkish Karapinar long rug, 375 by 119cm £600 - £800

564.

A Khotan rug, 265 by 162cm £1000 - £1200

556. An Ersari Turkmen chuval, 174 by 90cm £250 - £300 557. A Turkish prayer Kilim, 153 by 92cm £60 - £80

565 565. A Caucasian Kazak rug, 234 by 160cm £1000 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

WORKS OF ART & METALWARE 568. A 17th century and later embroidered beadwork box, circa 1680, cuboid form, the velvet covering decorated with flowers and birds in silver thread and multicoloured glass beads, the hinged lid with side flaps, vacant interior, 36cm wide, 16cm high, 24cm deep £300 - £500 569. A 19th Century Blue John type comport, circular flat based dished top mounted on a separate circular socle and square slate plinth, overall height 15.5cm, diameter 30cm £500 - £800

566 566. A 19th century Anglo Indian satinwood and ivory sewing box, of basket trough form with twin hinged lids, ogee bordered and carved with flowering vine and entwined ribbon bands, 30cm long, 25cm deep £150 - £200

570. Seventeen assorted 19th Century spot inscribed sweetheart bone lace bobbins, Love Will You Marry, Love Give Me Thy Heart, Kiss Me Quick, Love Will U Marry, A Present From Grandmother, My Dear Brother, It’s You My Love that is Gained My heart, Kiss Me Quick, I Will Love You Dear, Selina Smith Whittlesbury 1850, A Present, I Love The Boys, Kiss Me, Come Love and Live Happy With Me My Dear etc (17) £150 - £200 571. Assorted lace bobbin requisites, to include glass and other bead finials, boxed Diadem best white brass and other pins, (parcel) £30 - £50 572. Four limited edition Royal Commemorative silver lace bobbins, to include The Silver Jubilee of Queen Elizabeth II, The Birth of a Son to Her Royal Highness The Princess Anne and Captain Mark Phillips, The Marriage of HRH Prince Charles & Lady Diana Spencer and Birth of a Son Prince William of Wales to Their Royal Highnesses The Prince and Princess of Wales, all with certificates, issued by The Luton Museum and Art Gallery, each No.103/500, with two additional silver hallmarked lace bobbins (6) £70 - £90 573. A collection of assorted 19th Century and later mainly treen lace bobbins, some metal, bead finials, (wooden box) £100 - £150

567 567. A Victorian Tunbridge Ware box, domed cuboid form, the sides decorated with a micromosaic band of flowering vine including roses, the birdseye veneered lid inset with a cottage scene, within geometric border, 27cm wide, 10cm high, 10cm deep £200 - £400

574. An assorted collection of 19th Century bone lace bobbins, predominantly spiral twist, spot marked and stained, bead finials, (approximately 40) £100 - £150 575. Thirteen assorted 19th Century spot inscribed bone lace bobbins, From Lesters, Joel, My Dear Father, Jack A Live, David, W. Worsley Hung 1868, Dear Cusin, Dear Ann, William Hung 18XX, Dear Aunt (x2), William Hung 1868 and Dear Laura, bead finials (13) £100 - £150 576. Fourteen assorted 19th Century spot inscribed sweetheart and related bone lace bobbins, Love is a Torment, Love Don’t List. Dear Mother, My Love Love Me, Forget Me Not, King David, Not For Joseph, Love Don’t Be Falces, Jesus Weept, God Seest Me Now, Thinking of You My Love will Break my Heart, King Soloman etc (14) £150 - £200 577. A large collection of assorted 19th Century spot and spiral bone lace bobbins, bead finials (approximately 100) £300 - £500

568

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

589. A small Victorian pitch pine and ebony two drawer collectors chest, in the style of Charles Bevan, circa 1870, chamfered cuboid form, inlaid with borders of punctured stripes, two graduated cockbeaded drawers with turned handles, on brass ball feet, 39cm wide, 24cm high, 24cm deep £80 - £120

578

590

578. A pair of Victorian cameo carved shells, each with a profile roundel of Maenad and Flora, carved in low relief, 13cm (2) £80 - £120

590. A marquetry inlaid walnut musical jewellery casket, the lid opening to reveal twin side hinged compartments silk cushion lined, with further compartments below, 24.5cm wide, 11cm high, 14cm deep £50 - £80

579. Ten 19th Century spot name inscribed bone lace bobbins, Ellen, Elizabet Wildman, Joseph, Dear William, James Mar, William, John, Lucy Long, Archer and John, bead finials (10) £50 - £80 580. Ten 19th Century spot name inscribed bone lace bobbins, John Bunyan, Robert, Polly Lovery, Dear Thomas, (indistinct), Susan, Ann, Samuel, Ann and Mary, bead finials (10) £50 - £80 581. Seven 19th Century spot name inscribed bone lace bobbins, Lucy, Jane, Susanna, Joshua, Jane, Eliza and Mary, bead finials (10) £40 - £60 582. Ten 19th Century spot name inscribed bone lace bobbins, Ellenor, Charly, Ann, Dear Hannah, Georgi, John Bunyan, Mary, Betsy, Jack and John Robinson, bead finials (10) £50 - £80 583. Six 19th Century bone spiral lace bobbins, bead finials, and a green stained example (7) £30 - £50

591 591. Franz Bergmann, an Austrian cold painted bronze figure of an Arabic man with rifle, on Middle Eastern carpet with table and ewer, marked in cast, 11.5cm high £200 - £250

584. Ten 19th Century spot name inscribed bone lace bobbins, I Love Frostill, Dan, Emma, Lucy, Elizabeth Parker, Dear Jonas, David Bigg June 1 1855, Stephen, James and Levinea, bead finials (10) £50 - £80 585. A large collection of assorted 19th Century treen lace bobbins, bead finials, (approximately 74) £100 - £150 586. Ten 19th Century spot name inscribed bone lace bobbins, William, Lucy Long, Dear Emma, Sarah Ellis, Sally, Alfred, William Sweet, Robert and Lydia, bead finials (10) £50 - £80 587. A George III mahogany miniature apprentice chest of three long drawers, circa 1800, chased gilt brass handles on cabriole bracket feet, 26cm wide, 26cm high, 15cm deep £50 - £80 588. Hunting Interest, a set of three 19th Century Stevens of Coventry woven silk pictures, The Meet, Full Cry and The Death, original named card mounts and gilt frames, 5 by 15cm (3) £150 - £180

592 592. Franz Bergmann, an Austrian cold painted bronze figure of an eagle, modelled with wings spread and head turned, stamped marks Geschutz, 18cm wide £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

593. A Victorian rosewood and brass inlaid writing slope, cuboid form, egg and dart moulded borders to each side with inlaid foliate scroll brasswork, leather inset slope, 41cm wide, 15cm high, 26cm deep £180 - £220 594. A pair of Austrian cold painted bronze figural candlesticks, each modelled as three writhing fish, realistically painted, the central sturgeon type fish supporting a basket sconce, 20cm high (2) £600 - £700

594

595

595. A Napoleonic Imperial French Palais Royal travelling compendium, circa 1805, the brass mounted burr walnut box containing fully fitted tooled leather trayed interior of silver gilt mounted glass jars, gold and vermeil sewing, toilet, manicure, writing and dining implements, together with fitted Dagoty scene painted porcelain coffee can and saucer, the flatware marked for Francois Dominique Naudin, including funnels, pans, brushes, toothbrush, combes, enamelled scissors, mother of pearl folding knives, various handles for pans and tools, retractable shaving brush, ruler, thimbles, the central well of four layers of trays surrounded by the larger items, hidden side drawer and flush carrying handles, labelled Carnesso Palais Royal, 32cm wide, 15cm high, 23cm deep £2500 - £3500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

603. A 19th Century miniature on ivory, painted tavern scene with figures smoking clay pipes, drinking and conversing, 6 by 9.5cm, gilt metal frame £400 - £500

596. A 19th century Black Forest carved wooden novelty tobacco jar, modelled as a Scottie dog with smoking cap and collar, set with glass eyes and open mouth for cigarette, hinged lid, 18cm high £250 - £300 597. A pair of Austrian bronze dogs bookends, cold painted on green onyx bases, 9cm high, together with a similar ashtray (3) £150 - £250

604. A 19th Century Dieppe ivory noix ball diptych, the exterior carved with fleur-de-lis, the interior with an arrest and courtroom scene, diameter 5.5cm £140 - £180 605. A 19th Century carved ivory castle chess playing piece, height 6cm, together with a pair of 19th Century carved bone marrow scoops and an early 20th Century Anglo-Indian ivory lion on plinth (4) £80 - £120 606. Three 19th Century Dieppe carved bone reliquary cases, cupola and finial covers, one engraved St Michel, one St Nicolas, height 7.5cm (3) £80 - £120

596

598. A cased set of enamel lidded glass bottles, circa 1940s, brass lids with guilloche enamels £50 - £80

607. A 19th Century Dieppe ivory triptych, carved with battle scenes and crest finial, height 14cm £450 - £550

599. A 19th century bronze inkwell, realistically modelled as a crab, 24cm wide £350 - £450

608. A 19th Century Dieppe ivory triptych, carved with Royal court scenes and crest finial, height 13cm £400 - £500

600. A reticulated gilt pedestal basket, the rounded bowl pierced with denticulated lattice between Vitruvian scroll borders, beaded swing handle, on a splayed foot, 19.5cm high £30 - £50

609. A 19th Century Dieppe ivory noix ball triptych, the exterior carved with Madonna and child and crucifix, the interior with a nativity scene, diameter 5.5cm £140 - £180

601. A George III ivory toothpick case, ribbed outer panels with a gold framed Souvenir and blue enamel plaque, width 8.5cm, together with a 19th Century ivory snuff box with simulated coin to the cover and a 19th Century ivory bottle stopper in the form of a robed regal gentleman wearing a crown (3) £180 - £220

610. Aubrey (French, 19th Century), Couronnement Se Marie de Medicis, 13 May, 1610, signed l.r., titled on plaque below, painting on ivory, 15 by 25cm, in a gilt metal frame with wreath finial £1000 - £1500

602. J. Duvelleroy, London, a mid 19th Century fan, circa 1845, fretwork and silver foil bone sticks, the paper fan painted on one side with a mother and three children with a skipping rope in a country estate landscape with lake, the verso with three figures conversing in an Italianate landscape, height 22cm, in a silk lined card box with J. Duvelleroy, London label £300 - £500

611. λ A crocodile suitcase by Drew & Sons, the lid with initials ‘L.C.B.’, twin brass mounts stamped Drew & Sons Makers of Piccadilly Circus London, silk interior, 44cm long, 32cm wide, 18cm high £120 - £160

610 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

612 612. L..Vernet (French, 19th Century), Bataille de Fontenoy, signed l.l., titled on plaque below, painting on ivory, 14 by 25cm, in gilt metal frame with wreath finial £800 - £1200

613. A George III satinwood and rosewood Regency striped workbox, circa 1800, cuboid form, applied with cut steel studs and rosette motifs, the interior with fitted tray and compartments, lined in silk and blue paper, 25cm wide, 10.5cm high, 18cm deep £80 - £120

614. A mid 19th Century French amboyna dressing case by Louis Aucoc Aine, Paris, circa 1850, brass bound and strung with bow corners, flush side carrying handles, the hinged cover opening to a fully fitted interior, the inner cover with a Royal blue velvet and matching watermarked silk backed panel concealing a looking glass for wall or easel use, the interior with original frosted and cut glass cosmetic jars and related vessels, with bright cut engraved, (some pierced) covers with raised wreath framed cartouche with E.C. monograms, duty marks and marks of Jean Baptiste-Casimir, multiple blue morocco lined undertiers containing fitted and lift-out compartments for tortoiseshell and other manicure, brushes, writing and other related requisites, two secret drawers concealed within, manufacturer’s engraved mark to the front inner rim, height 16cm, width 37cm, depth 26cm, (key). Note: highly respected ‘Necessaire de Voyage’ manufacturer, Aucoc started life in 1821 by Jean Baptiste-Casimir Aucoc. An accomplished silversmith, he specialised in the production of fine dressing cases leading him to the appointment of King Charles X. Later him and his son gained medals for their dressing cases shown at The Great Exhibition of 1851. This later led to further prestigious appointments such as that by King Louis Philippe I, Napoleon III and other Royalty. In 1876 a sixteen year old Rene Lalique was given a two-year apprenticeship at the firm. £3000 - £4000

614

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

615. A William IV rosewood dressing case, circa 1833, the cover with inlaid brass monogram surmounted by a coronet, shell engraved flush brass side carrying handles, opening to a fully fitted interior with concealed looking glass to the inner cover behind a crimson crushed velvet panel, clear cut glass cosmetic jars with Gothic arched friezes with silver and gilt covers, (some pierced) with matching monograms and hallmarked for Charles Reily & George Storer, London 1833, the lockplate stamped J. Bramah and J.T. Needs, single long base frieze drawer containing antique ivory backed brushes and a letter opener, height 17cm, width 40cm, depth 34cm, (key) £2000 - £3000

615

616. A late Victorian coromandel dressing case, circa 1870, brass bound and strung with a central vacant cartouche with bright cut engraved scrollwork detailing, the hinged cover opening to a fully fitted interior with gilt tooled blue morocco, bright cut engraved hinges and Bramah lockplate, velvet lined, the inner cover with a crushed velvet backed removable looking glass concealing a correspondence slip, the upper section with clear cut glass cosmetic jars and bottles with bright cut engraved plated mounts each with a vacant cartouche, the fall-front fitted for manicure and related steel and mother of pearl accessories, revealing two long drawers, one fitted for a watch and jewellery, watermarked blue silk cushioned base, height 20cm, width 34cm, depth 24cm, (key) £1100 - £1200 617. Four various Bilston enamel patch boxes, late 18th Century, the lids with various inscriptions including ‘Sacred to Friendship’, ‘McKemble in Hamlet’ and ‘How Sweet’s the Love That Meets Return’, together with a later silver oval pill box with woodpecker to the cover (5) £100 - £200 618. Taxidermy, a late Victorian display of birds endemic to New Zealand, mounted on a branch in a naturalistic display, taxidermist paper label for W.E. Dawes, Camberwell, on an oval ebonised plinth under a glass dome, height 52cm, width 38cm £200 - £300 616

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

619

619. A George III 2.75 inch pocket globe, attributed to George Adams junior, after Herman Moll, late 18th century, the sphere applied with twelve hand coloured printed gores and two polar calottes with the equinoctial graduated in degrees and hours and the ecliptic graduated in days, the prime meridian labelled Meridian of London and the principal land masses outlined in colour and annotated with major rivers and mountain ranges, the oceans showing the winds with islands labelled and printed with dotted line for "Cook's Track 1760", the North Pacific region with oblong printed title cartouche A Correct, GLOBE, with the new, Discoveries, the spherical fishskin covered case lined with twelve hand coloured printed gores and two polar calottes labelled A Correct Globe, with y New Constelations of Dr. Halley & c. with stars expressed in six orders of magnitude and allegorical representations of the constellations finely executed, overall diameter 7.6cm

621. A framed display of oval and circular plaster intaglios, classical subjects in the Grand Tour manner, gilt borders, modern frame inner size 40 by 40cm £300 - £400

Note: George Adams junior is recorded as an apprenticed to George Adams senior, before setting up on his own in 1772. See: Lamb, T. and Collins, J (ed.) THE WORLD IN YOUR HANDS (exhibition catalogue), number 5.16, for a similar lot attributed to George Adams junior based on the same type of globe being used in an armillary sphere by Adams. The gores are derived from those used in Herman Moll's pocket globe of 1710, the plates for which passed to John Senex in 1732 and George Adam in 1755; later reengraved to incorporate revisions before publishing. Cook's Track follows the line of his first voyage which took place 1768-71 (incorrectly dated on the globe as 1760), while the presence of New Caledonia indicate that the globe was produced after Cook's second voyage which ended in 1784. £3000 - £5000 620. A 19th Century Alexander Cairns sextant, in the original fitted mahogany box with trade label to the inner cover, width 25cm £50 - £80

622 622. An 18th century gilt metal mounted ivory and tortoiseshell snuff box, the lid glazed and painted with a Romantic landscape after Claude, 8cm diameter £150 - £250 623. A Victorian ivory chess set, Barleycorn style, stained red and plain pieces, the Kings 11cm high (32) £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

624. Erhard and Sohne, a Revivalist gilt brass jewellery casket, cuboid form, heavily embossed in relief with Renaissance style putti in foliate scroll and garland grounds, velvet lined interior, 16cm wide, 6.5cm high, 13.5cm deep £120 - £180

630

625 625. A French Art Nouveau bronze letter opener, L Levee, circa 1900, cast as an eagle’s head, on plain tapered blade, signed, 25.5cm long £40 - £70

630. A Mid Century Modernist pendant light, circa 1950s, the orange painted domed disc above three pierced mesh conical tubes, 54cm diameter, 47cm high £80 - £120 631. An industrial chrome and black lacquer table lamp, circa 1940s, cast iron cleft foot with square section arm, conical shade, 58cm high £50 - £80 632. A Jugendstil bronzed metal and glass table lamp, circa 1920s, the marbled glass domed shade supported on a galleried ring raised on two branched arms, tapered square section stem and chamfered base, 24cm diameter £50 - £80 633. An Art Deco Industrial design gooseneck desk lamp, circa 1935, cast steel stepped base with pen rest and inkwell cavity, bending coiled support and hemispherical shade, 32cm high £40 - £60 634. Robert Welch, a pair of ceramic table lamps, circa 1990s, fluted and footed gourd form, matte glazed in green and beige, 33cm high (2) Note: purchased from Robert Welch, Chipping Campden £50 - £80

626 626. A Bloomsbury style painted lampshade, possibly Quentin Bell, circa 1960s, conical form, decorated with geometric bands in pastel colours, 41cm diameter, 26cm high £40 - £70 627. An Arts & Crafts brass framed firescreen, circa 1905, glazed panel containing an embroidered silk picture of a fruit tree and insects, full height 78cm, width 52cm £50 - £80 628. A pair of vintage nickel and brass library floor lamps, circa 1930s, telescopic height adjustable, stepped circular plinths, triple scroll fleet, (modern conical shades), height fully extended excluding shades 185cm (2) £200 - £300 629. An Art Deco Lux and Wedgwood banker’s desk lamp, of industrial form, the curved tubular steel arm, adjustable at the base, supporting a ceramic ditching bucket form shade, in green, impressed and cast marks, 44cm high £60 - £100

635 635. An Art Deco silver, ivory and satinwood photo cigar box, George Betjemann and Son, London 1933, cuboid form, the hinged lid set with a silver framed and glazed aperture, sandalwood lined, 17cm wide, 11.5cm deep, 6.5cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

636. An Arts & Crafts wrought iron height adjustable library floor lamp, urn finial, overhanging lamp arm, hammered finish, scroll tripod base, height 146cm £80 - £120 637. An Arts and Crafts carved oak wall mirror, 1902, the relief modelled crossed batons with trailing vine and sunflower decoration, with initials TB and date, bevelled glass, 53cm x 72cm £40 - £70

639. WMF, a Neoclassical silver plated twin handled footed bowl, circa 1900, cast in relief and pierced with a band of semi nude Classical women, within acanthus borders, above laurel swags, supported on four fluted cabriole legs with lions paw feet, united by ogee tendrils, green glass liner, stamped marks, 37cm wide £450 - £550 640. A WMF Art Nouveau pewter dish, circa 1905, of cartouche form with openwork tendril border, repousse scrollwork and mounted with two chicks, 32cm wide £100 - £200

641 641. WMF, a Jugendstil silver plated jug and bowl, waisted and flared form with whiplash handles, cast in relief with holly leaves and knotted tendrils, on bracketed bases, in the Art Nouveau style, 11.5cm high (2) £100 - £150

638 638. WMF, a Jugendstil silver plated and cut glass centrepiece epergne, the central female figure holding a mirror, in the Art Nouveau style, flanked by two peacocks on knotted tendrils with poppy flower terminals, each branch supporting an etched and cut glass dish of denticulated shallow form, with strawberry motifs, on bracket base, the central bowl 32cm diameter, 46.5cm high £800 - £1200

642 642. WMF, a Jugendstil silver plated tray, model 290, modelled in relief in the Art Nouveau style with a maiden and iris, entwined open tendril and leaf handle, AK and Cie mark, 34cm £200 - £250

639

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

643

644

646

643. WMF, a Jugendstil silver plated and glass claret jug, model 191, splayed trumpet form, the green glass body within a relief moulded and reticulated cage of sinuous maidens in a lily pond, the open whiplash tendril handle with stylised berries in the Art Nouveau style, open cage stopper, 38cm high £700 - £1000 644. WMF, a Jugendstil silver plated claret jug, splayed form, relief moulded in the Art Nouveau style with stylised knotted tendril and berry design, open whiplash handle, on four bracket feet, 32cm high £240 - £280

649 645 645. WMF, a Jugendstil silver plated and cut glass centrepiece, twin handled oval section, cast in relief and pierced with whiplash berry handles and knotted tendrils, the denticulated blue liner with etched stylised floral design, stamped marks, 40cm long £100 - £150

649. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter jug, model 0958, domed conical form with sparrow beak and lid, relief moulded knotted tendril design, rattan handle, 13.5cm high £120 - £140

646. WMF, a Jugendstil silver plated figural swing toilet mirror, modelled as a maiden in sinuous dress holding a floral garland bracket, supporting a circular glass, suspended on bisected tendrils, stemming from a tricorn bracket foot, marked, 50cm high £1000 - £1500 647. WMF, a Jugendstil silver plated easel back mirror, the bevelled teardrop glass within a bracket footed pointed arch frame, embossed with a laurel and rose swag, 49cm high £80 - £120

650

648. WMF, a Jugendstil silver plated and glass claret jug, the green trumpet form body mounted with open tendril and relief moulded maiden mask cage, whiplash handle, on four bracket feet, 42cm high £800 - £1200

650. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter jug and sugar bowl, model 0231, squat ovoid form, relief moulded with knotted tendril and leaf design, with stepped rims and on skate feet, 14cm long (2) £140 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

651 651. Liberty and Co., a Tudric Arts and Crafts pewter and cabochon set box, model 0126, cornice topped cuboid form, set with three green hardstones, cedar lined, 9.5cm square, 4.5cm high £140 - £180 652. David Veasey for Liberty and Co., a Tudric Arts and Crafts pewter twin handled rose bowl, model 011, footed form, cast in relief with rose trees and banner with a verse from Tennyson’s Maud, 32cm wide £400 - £500

655 655. Keswick School of Industrial Art, an Arts and Crafts copper charger, circular planished form, repousse decorated with stylised thistles, stamped KSIA, 35cm diameter £70 - £100 656. An Arts and Crafts embossed copper warming pan, repousse decorated and pierced in the style of John Pearson, with zoomorphic dolphin headed foliate scrolls and hunting dog, pierced with heart motifs, around a central rosette, on a turned fruitwood handle, 27cm diameter, 111cm long £30 - £50

657 653 653. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter biscuit barrel with swing handle, model 01167, cylindrical form, embossed with stylised knotted brambles with leaves, strap handle and C loop finial, 20cm high £400 - £600

657. Ernest Gimson (attributed), an Arts and Crafts Cotswold School wrought steel toasting fork, with circular counterweighted hand guard, twisted stem and three pronged end, 48cm long £150 - £180

654

658

654. Liberty and Co., a Tudric Arts and Crafts pewter and enamelled cigar box, model 0125, cuboid form with planished lid, set with a rectangular enamel plaque of a galleon in sail, cedar lined interior, 17.5cm x 10.5cm x 5.5cm high £300 - £400

658. Robert Welch, three Campden cast iron candlesticks, circa 1961, each with three disc knops, including a pair of large sticks and a single miniature example, 17.5cm and 9.5cm high (3) £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

659 659. Frank Owen Dobson R.A. (British, 1886-1963), reclining female nude on an angular plinth, signed, No. 1/3, bronze, all-over dark brown patina, height 16cm, width 37cm. £3000 - £5000

Note: Artist Resale Rights apply

660

661

660. Philippe Devriez, an Art Deco silvered bronze figure, Pride, circa 1925, on square section agate plinth base, signed in cast, 27.5cm high £600 - £700

661. Vivian Mallock (British, 20th century), Burrowing Owl, bronze, signed with initials and No.4/12, green patinated domed plinth, 22cm high £1000 - £1500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

662. A 18th century pewter reeded charger, hallmarks to front rim and touch marks to reverse, initialled IE, 46cm wide £100 - £150

675. A group of three pewter sporting trophies, including Corpus Christi and Eton College (3) £40 - £60 676.

A pewter shaving mug, 19th Century

£40 - £60

677. A pewter lidded pint and 1/2 pint measures, with public house names, circa 1830 (2) £60 - £80 678. A set of four Irish pewter haystack measures by Austin of Cork, worked from 1823, 1 quart to noggin, with a reproduction 1/2 noggin measure (5) £120 - £150 679. A group of six 19th Century brass rim measures, 1/4 gill to 1 pint (6) £60 - £80

663

680. A small collection of pewter items, to include two inkwells, a rare lidded 1 gill measure, a squat 1 pint mug, a Scottish 1 gill measure and various other related items, (parcel) £60 - £80

663. A 17th century twin handled bronze mortar, modelled in relief, decorated with four bird and key motifs, 12cm high £100 - £200

681. A pewter teapot by John Ferris of Exeter who worked from 1777 £40 - £60

664. A William & Mary triple reeded pewter dish, Christopher Baldwin of Wigan, circa 1690, hallmarks to front rim and touchmarks to rear, 38cm wide £150 - £250 665. A Charles II triple reeded pewter dish, George Smith of London and Derby, circa 1680, hallmarks to front rim and touchmarks to rear, 38cm wide £150 - £250 666. A Charles II broad-rimmed pewter charger, George Smith of London and Derby, circa 1670, triple reeded rim with hallmarks to front rim and touchmarks to rear, 56cm wide £800 - £1200 667. An Elizabethan pewter hexagonal knop spoon, circa 1550-1600, indistinct touchmark to bowl, 16cm long £120 - £160 668.

Two 17th century bronze pestles, 21cm long (2) £10 - £20

669. A 16th century pewter slip top spoon, touchmark IS and initialled NA to bowl, 16cm long, together with a 17th century pewter slip top spoon, touchmarked II and initialed SR to bowl, 16.5cm long (2) £200 - £300 670. A pewter medieval slip top spoon, circa 1500, touchmark crossed keys to bowl, 17cm long, together with another pewter slip top spoon, touchmark IP 16 and initialled WII to bowl, 17.5cm long (2) £200 - £300 671. Three 16th/17th century English latten seal top spoons, including one with Tudor rose in bowl (3) £200 - £300 672. A medieval pilgrim’s lead ampulla, circa 14th/15th century, side decorated with possible portrait of the Virgin Mary, one suspension hoop intact, 7cm long, together with a medieval pewter badge in the form of a winged phallus (2) £200 - £300 673. A George II five lobed wavy-edged pewter plate, Stynt Duncumbe of Bewdley 1745-67, double reeded rim with reverse marks crowned ‘X’ over London label and hallmarks, 25cm wide, note: ex Douglas collection £30 - £50 674. An Elizabethan pewter maidenhead knop spoon, circa 1550, 16cm long £200 - £300

682.

An English 1 pint pewter lidded bud measure, circa 1750 £60 - £80

683. Six 19th Century spouted quart measures, some with inscriptions and public house names including from The British Museum (6) £40 - £60 684. Four pewter measures, pint and 1/2 pint with extended copper rim, one pint measure and one pint lidless baluster measure (4) £40 - £60 685. A large German pewter tankard, dated 1733, and a German pewter coffee pot (2) £40 - £60 686. A collection of five pewter plates, including a wavy edge example (5) £40 - £60 687. Three pewter chargers, including a 20 inch single reed, circa 1720 (3) £60 - £80 688. Three oval pewter dishes, Watts Harton, 1800, Joseph Spackman, 1785 with crest to front (3) £60 - £80 689.

Four pewter basins, 18th Century (4)

£40 - £60

690.

A pewter dome lid tankard, Bristol, circa 1840£40 - £60

691. Two pewter spoons, trifid spoon and dog nose by W. Eddon worked from 1690, with maker’s marks (2) £40 - £60 692. A group of four 18th and 19th Century pewter plate warmers, examples by John Donne, 1715-1725, Samuel Cocks, 1817, Charles Bray, George Alderson, 1792 (4) £80 - £120 693. A collection of pewter, to include a large Arts & Crafts vase, one quart lidded tankard, a spouted jug, coffee pot and miscellaneous items, (parcel) £40 - £60 694. A collection of small pewter items, to include a salt, circa 1800, two Irish measures with marks, Duck and Hen measure, 1/2 gill and 1/4 gill, one gill lidded measure with ball and bar, two miniature chalice (parcel) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

BOOKS, PRINTS AND ILLUSTRATIONS 695. Howard Carter & A.C. Mace, The Tomb of Tutankhamen, 1926 second impression, two volumes, illustrations from photographs by Harry Burton, Cassell and Company, tan cloth bindings with gilt titles and scarab illustrations (2) £40 - £60 696. A large collection of auction catalogues, including Sotheby’s. Christie’s and Bonhams, 20th century Design and Decorative Arts etc. £20 - £40 697. The Art Journal Illustrated Catalogue, The Industry of All Nations, 1851, published by George Virture, London, red boards and gilt spine £80 - £120 698. ‘Minor Greek Poets’, circa 1624, vellum binding with gilt title, marbled boards £30 - £50

699

701

699. Natural History/Angling/Sporting interest, The Rev. W. Houghton, British Freshwater Fishes, circa 1879, illustrated with colour plates of each species drawn from nature by A.F. Lydon and numerous engravings, London, William Mackenzie, B. Fawcett, Engraver & Printer, Driffield, 204 pages, green cloth boards and leather spine with gilt title £300 - £500

700 700. David Low Esq. F.R.S.E., The Breeds of the Domestic Animal of the British Islands, 1842 first edition, in two volumes bound as one, illustrated with plates from drawings by Mr W. Nicholson R.S.A. reduced from a series of portraits from life, executed for the Agricultural Museum of the University of Edinburgh, by Mr W. Shiels R.S.A., (volume one) The Horse and the Ox, (volume two) The Sheep, The Goat and The Hog, London, Longman, Orme, Brown, Green and Longmans, brown cloth boards, leather spine and corners with gilt title, marbled inner boards £1000 - £1500

702

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

701. Robert Hogg and Henry Graves Bull, The Herefordshire Pomona, 1876-1885, in two volumes, containing coloured figures and descriptions of the most esteemed kinds of Apples and Pears, with illustrations drawn and coloured from nature by Miss Ellis and Miss Bull, Hereford, Jakeman and Carver, London, Journal of Horticulture Office, with Important Corrections insert, bound by Phillipson & Golder, Chester with red cloth boards, leather spine and corners with gilt title, marbled inner boards, with a 1921 letter to the owner from The Royal Horticultural Society with description of ‘Beurre Baltet Pere’ (2) £2000 - £3000 702. The Highgrove Florilegium, watercolours depicting plants grown in the Garden at Highgrove, 2008-09, in two volumes, The Princes’ Charities Foundation/Addison Publications Ltd, 124 fine colour facsimile plates by Anne O’Connor, Beverly Allen, Josephine Elwes, Jenny Phillips, Sally Grosthwaite, Jill Coombs and many others, each signed with embossed blindstamp to lower outer corner giving the copyright, and the plate and edition number in pencil, the plates printed on American Cotton paper, the text on Somerset Bookwove, text decorations and endpaper designs by Richard Shirley Smith, original dark red quarter goatskin gilt, by Stephen Conway, after a design by James Brockman, with gilt hand-tooling by James and Stuart Brockman, dark red goatskin fore-edges, atlas folio, 66.5 by 48cm, limited edition No.69/175, signed in ink by Prince Charles to the preface page of the first volume, each contained in Liz Brown bespoke felt outer covers (2) £4000 - £6000

704. British Sports and Sportsmen Past & Present, Compiled and Edited by The Sportsman, 1908 onwards, in seven large folio volumes, two-tone green and tan gilt cloth bindings with green marbled inner boards, comprising Vols 1 & 2, Shooting and Deerstalking, 1913, No.407/1,000, Big Game Hunting & Angling, No.415/1,000, Hunting, No.134/1,000, Racing and Coursing Part 1, No.178/1,000 and Part 2 (7) £200 - £300 705. Five assorted 19th Century and later study furnishing colour prints, to include Rolfe’s Angling Sketches - Not Long Caught’ after J. West, Vanity Fair Supplement ‘A General Group’, Vanity Fair Winter Number ‘Newmarket - Tattersall’s 1887’, Vanity Fair ‘The Winning Post’ and Vanity Fair ‘The Cabinet Council 1883’, largest 36 by 50cm, all framed (5) £50 - £80 706. Guillaume Gustave Berggren (Swedish, 1835-1920) and others, sepia photographic views in Istanbul, Egypt, topographical, figures. (loose in an album). Provenance: the vendor purchased a house in England before going abroad, which later sold on return to the UK. They discovered the Berggren photo’s and some reference to Captain.A.J.Radcliff at the time of the sale. Capt.R.J.Radcliff D.O.B. 1879, sailed with the Pacific Steam Navigation Company which was formed in 1838, operating to South America from Liverpool. It was sold to the Royal Mail Line in 1938. The Berggren photo’s also depict Suez Canal and also some ship in dry dock. £300 - £400 707. John Keen (British, 1924-2019), harbour scene with sailing ships, signed l.r., aquatint in colours, No.3/50, 29 by 36cm, framed £50 - £80 708. Michael Jackson, a very rare hand signed Thriller album from 1982, with certificate of authenticity £2000 - £3000 709. Autographs, three postcard albums containing signed postcards of actors and stage beauties, early 20th century. Autographs from Constance Collier, Billie Burke, Henry Irving, Lawrence Irving, Dame Ellen Terry, Dame Irene Vanbrugh, Lena Ashwell (Lady Simson OBE), amongst others. £150 - £200 710. A set of three 19th Century monochrome portrait prints, Her Most Gracious Majesty the Queen after W. Fowler, The Duke of Wellington and Lord Nelson after J. Hoppner, 29 by 24cm, in 19th Century birds eye maple frames with gilt fillets (3) £300 - £400 711. Bela Uitz ((Hungarian, 1887-1972), two architectural studies and a kneeling female, three, all signed l.r., monochrome etchings, 43 by 32cm, framed (3). Note: Artist Resale Rights apply

£150 - £250

712. Sandor Bortnyik (Hungarian, 1893-1976), three monochrome woodblock prints and a smaller etching, all signed l.r., largest 19 by 14cm, framed (4). 703

Note: Artist Resale Rights apply

703. Arthur Rackham, (Illustrator), The Tempest, by William Shakespeare, first edition, 1926, tipped in colour plates and black and white illustrations, William Heineman Ltd, London, black cloth boards with gilt title and cover illustration, paper dust jacket £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£200 - £300

713 713. Max Pechstein (German, 1881-1955), Zwiesprache- two standing female nudes, signed and dated 1920 l.r., woodcut in colours, 40 by 32cm, mounted, unframed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£3000 - £5000

714. Bela Uitz (Hungarian, 1887-1972), Nude Bathers, signed and No.916 l.r., monochrome etching, 22 by 35cm, framed. £50 - £80

Note: Artist Resale Rights apply

715. Mike Jackson (British, 1966), three landscape photographs, black and white, all signed with monograms, each from an edition of 100, largest 37.5 by 50.5cm, framed (3) £800 - £1200

720 720. Eileen Soper (British, 1905-1990), fox cubs, two, pencil, each 22 by 15cm and 20 by 15cm, framed. Provenance: the estate of George and Eileen Soper; Chris Beetles, London (2). £200 - £300

Note: Artist Resale Rights apply

716 716. George Sidney Hunt (British, 1856-1917), self portrait of the French artist Elizabeth Louise Vigee Le Brun, signed l.r., blind stamp l.l., Mezzotint, published 1916 by Howell & Co, London, 35 by 28cm, gilt frame £80 - £120

721. Graham Oakley (British, 1929), an original illustration for ‘The Church Mice and the Moon’, signed l.l., pen and ink and watercolour, 14 by 11.7cm, unframed, together with two copies of the book, published by MacMillan, 1974, one signed (3) £100 - £150 722. Frank Adams (British, 1871-1944), ‘Pray Mr Rat, Will You Go with Me?; ‘Pray Mistress Mouse, Will You Give us some Beer’, two, inscribed with title, pen and ink, 33 by 24cm (2). Provenance: Chris Beetles, London. Illustrated: ‘A Frog Who AWooing Go’, Blackie & Sons, 1904 £200 - £300

717 717. Laurence Stephen Lowry R.B.A. R.A. (British, 18871976), The Park, limited edition colour print, No.44/850, blind stamp l.c, 44 by 61cm, framed. Note: Artist Resale Rights apply

£200 - £300

718. Laurence Stephen Lowry R.B.A. R.A. (British, 18871976), Family Discussion, limited edition monochrome print, No.42/850, blind stamp l.c., 35 by 24cm, framed. Note: Artist Resale Rights apply

£150 - £250

719. Bill Titcombe (British, 20th Century), comic strip illustrations for Tom & Jerry, three, all signed, pen, ink and watercolour, 46 by 35cm, and smaller, framed (3) £150 - £200

723 723. Frank Adams (British, 1871-1944), ‘Carrying the Goose’, pen and ink on buff paper, irregular size, 21 by 12.5cm approximately. Exhibited: Chris Beetles, London, ‘The British Art of Illustration 1800-1997’, No.176 and ‘The Illustrators - The British Art of Illustration, 1800-2005’ £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

724 724. Harry Rountree (British, 1878-1950), ‘Our Pets’, signed l.l., pen and ink and pencil, 14 by 20.5cm. Provenance: Chris Beetles, London

726

725

£100 - £150

725. Shirley Hughes (British, 1927), ‘On the Throne Sat and Aged Troll Wearing a Crown on his Ugly Head and Holding a Sceptre in his Hands’, pen and ink, 15.5 by 14cm, framed. Illustrated: E. Jean Robertson (Reteller) and Caroline Peachhey (Translator), Hand Andersen’s Fair Tales, Glasgow, Blackie, 1961, page 214, ‘The Fellow Travellers’. Exhibited: Chris Beetles, ‘The Illustrators - The British Art of Illustration 1786-2003’ £150 - £200

728. Sandy Nightingale (British, 20th/21st Century), ‘When Books of Magic are Left to Themselves’, an illustration for Terry Pratchett’s Discworld Collector’s Edition 2004 Calendar, signed and dated 2003 l.r., watercolour, 32 by 39cm approximately, framed, with a copy of the calendar signed by Terry Pratchett on the page of the picture by Sandy Nightingale appears, together a limited edition print by Josh Kirby of The Librarian, for ‘Discworld Companion’, No.328/500, signed by Terry Pratchett, the artist and Stephen Briggs, Chronicler of the Discowold, 30.3 by 42cm, framed (3) £800 - £1200

726. Eileen Soper (British, 1905-1990), ‘Running, Jumping and Leaping Over One Another’, pencil heightened with white, 17.5 by 15cm, framed. Exhibited: Chris Beetles, London, 2008, illustrated; Eileen Soper, ‘Wild Encounters’, Routledge, Kegan & Paul, London, 1957, page 142. £100 - £150

Note: Artist Resale Rights apply

727. Eileen Soper (British, 1905-1990), ‘Happy Rabbit’, inscribed with titled, ‘endpages’ and noted to the printer below mount, bodycolour on pale green paper, 27 by 42.5cm, framed. Provenance: the estate of George and Eileen Soper; Chris Beetles, London, illustrated: Eileen Soper, ‘Happy Rabbit’, London Macmillan & Co, 1947. £150 - £200

Note: Artist Resale Rights apply

729 729. Graham Oakley (British, 1929), ‘Raffle...Prize...One Ginger Cat...’, an illustration for ‘The Church Mice at Christmas’, signed l.r., pen, ink and watercolour, 13 by 12cm, framed £70 - £90 730. Graham Oakley (British, 1929), an original illustration, a cat and mice in a churchyard, an illustration for ‘The Church Mice & the Ring’, signed l.r., pen, ink and watercolour heightened with white, 16 by 24.5cm, framed £100 - £150 731. Graham Oakley (British, 1929), an original illustration for ‘Humphrey Hits the Jackpot’, signed l.r., pen and ink and watercolour, 10.5 by 7cm, unframed, with a copy of the book, published by Hodder 1998 (2) £40 - £60

728

732. Graham Oakley (British, 1929), an original illustration for ‘Hetty & Harriet’, signed u.l., pen ink and watercolour, 15.5 by 10.5cm, with a copy of the book, signed (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

733. Graham Oakley (British, 1929), an original illustration for ‘Hetty & Harriet’, signed l.l., pen and in and watercolour, 23 by 26cm, unframed, together a copy of the book, signed, published 2016 (2) £200 - £300

737 737. Barbara Walton (British, 20th Century), original artwork for ‘The Eyes Around Me’, a Collins thriller by Gavin Black, 1964, signed l.r., gouache on board, 29.5 by 23cm, unframed £100 - £150

734 734. Graham Oakley (British, 1929), an original illustration for ‘The Church Mice Take a Break’, signed l.r., watercolour heightened with white, 13.5 by 19.5cm, unframed, together with a copy of the book, published by Hodder 2000 (2) £100 - £150

738. Maurice Bernard Sendak (American, 1928-2012), portfolio of coloured prints, No.539 from an edition of 1,000 published by the Bodley Head, and two other portfolios published by Harper & Row, one with additional prints, all in presentation boxes (3) £400 - £600

735. Follower of Fritz Freleng, Pink Panther spaceman, pencil and coloured crayons, 18.5 by 8cm, framed £20 - £30

739. Maurice Bernard Sendak (American, 1928-2012), the elephant portfolio of coloured prints from ‘Higglety Pigglety Pop!’, 1967, ‘Mr Rabbit and the Lovely Present’, 1962, ‘In the Night Kitchen’, 1970, ‘Hector Protector’, 1965, ‘Lullabies and Night Songs’, 1965, ‘Zlateh the Goat’, 1966, ‘A Kiss for Little Bear’, 1968 and ‘Where the Wild Things Are’, 1963, with an introduction by the author dated 1971; with a signed print of Jennie, the Sealyham terrier, No.479 from and edition of 500, published by Harper & Row, in presentation box £300 - £500

736. Molly Bishop (British, 1911-1998), a collection of drawings, comprising portraits, fashion illustrations, still lifes, studies of hands, cats, rugby players, Highland dancer etc, some signed and dated, pencil, pastel, pen & ink and watercolour, various sizes mounted on eleven boards, unframed (55) £200 - £300

740 740. Maurice Bernard Sendak (American, 1928-2012), four coloured prints from ‘Where the Wild Things Are’, all signed, image 16 by 51cm, framed; another from ‘In the Night Kitchen’, signed, image 25.5 by 19.5cm, framed, another of a lion and dog from ‘Higglety Pigglety Pop!’, signed, image 11 by 11.5cm, framed and four other signed prints from ‘In the Night Kitchen’, ‘Mr Rabbit & the Lovely Present’, unframed (10). Provenance: Rosenbach Museum and Battledore Ltd, (Where the Wild Things Are)

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£2000 - £3000

742. William Randell (British, 20th Century), original Crime Club artwork for ‘Operation Piracy’ by Paul Somers, 1958, signed l.r., gouache with pencil annotations to margin and applied Crime Club badge, 19.5 by 15.5cm, framed £150 - £200 743. William Randell (British, 20th Century), original Crime Club artwork for ‘This Little Measure’ by Sara Woods, 1964, gouache and collage, with pencil annotations in margin, with applied Crime Cub badge, 19.5 by 15.5cm, framed £80 - £120 744. William Randell (British, 20th Century), original Collins artwork for ‘Out for the Kill’ by Anthony Gilbert, 1960 for the Crime Club, signed l.r., gouache with applied Crime Club badge and pencil annotations to the margin, 19 by 15cm, framed, with a first edition of the book, published by Collins, 1960 with original dust cover (2) £100 - £150 745. Bill Titcombe (British, 20th Century), comic strip illustrations for ‘Wind in the Willows’, and two others for ‘Willo the Wisp’, four, two signed, pen, ink and watercolour, 42 by 35cm, framed (4) £150 - £200 746. Arthur Rackham R.W.S. (British, 1867-1939), ‘The Bird’, signed with monogram u.l., black and white print, 12.5 by 11.5cm, framed. £30 - £50

Provenance: Chris Beetles, London

747. Eileen Soper (British, 1905-1990), 'Rabbit was in One of his Dreamy Moods', signed and inscribed with title below mount, pen and ink, 9 by 16cm, and another, 'The Wind Blew the Washing', pen and ink, 17 by 12.5cm, framed (2). Provenance: the estate of George and Eileen Soper, drawn for unpublished volume, Eileen Soper, Moles 7 Moonshine, page 1.

741

Note: Artist Resale Rights apply

742

£100 - £150

Exhibited: Chris Beetles, London, 2008.

741. Sir Eduardo Luigi Paolozzi C.B.E. R.A. (Scottish, 19242005), untitled, two, pencil and blue crayon, 20.5 by 29cm and 29 by 20.5cm, framed (2).

748. Cottrell Reville (British, early 20th Century), ‘The Forty Thieves’, signed and dated 1913 l.l., pen and ink and watercolour on card, artist label verso, 19.5 by 22cm, unframed £40 - £60

£500 - £700

743

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

744

754. A collection of various cartoon cels, including a young girl and monster with teddy bear plus a preparatory drawing. 26 by 22cm and smaller, unframed, (9) £20 - £30 755. Randy Emberlin (American, 20th/21st Century), ‘R.I.P.D’, signed and dated 2001 l..r, pen and ink, 40 by 27cm, framed £80 - £120 756. Helen Jacobs (British, 1888-1970), ‘The Frog’, pen and ink, 7 by 18cm, framed. Provenance: the estate of Constance M. Martin. Exhibited: Chris Beetles, ‘The Illustrators - The British Art of Illustration, 1870-2010’ £30 - £50

749 749. Frank Martin (British, 1921-2005), The Brasserie Hoffmann, Paris, signed and inscribed to Jackie Collins l.l., pencil, watercolour and pastel, 30 by 44cm, framed. £250 - £350

Note: Artist Resale Rights apply

757. N..Whitehead (British, 20th Century), ‘Walls Whopper’, two variations of poster design, one signed with monogram l.r., also signed and inscribed verso, gouache and another of similar design, 80 by 54.5cm, both unframed (2) £40 - £60 758. A Dutch fashion poster design, ‘Twee Eeuwen Franse Mode’, dated 1954, 78 by 44cm, framed £40 - £60

750. Claire Alexander (British, 21st Century), Red Chair, signed and dated 2015 l.r., watercolour, 35 by 28cm, framed £40 - £60 751. Iwan Edwin Hugentobler (Swiss, 1886-1972), illustration of a horse head, signed and dated 1945 l.r., pencil on paper, 33 by 24cm, framed £80 - £120

752 752. Axel Scheffler (German, 1957), a promotional illustration featuring The Gruffalo’s child, Stick Man, a ginger cat and robin in a wooded winter landscape, signed and dated 2014, gouache, 15 by 21cm, framed £800 - £1200 753. Ernest Howard Shepard O.B.E. M.C. (British, 18791976), an original printing block featuring Winnie-the-Pooh with a jar of honey, Eeyore and Piglet with a Christmas cracker, ‘Christmas Greetings from Norah & Ernest Shepard’, metal plate mounted on a wooden printing block, 11 by 12cm, with two framed copper printing plates framed as one, it is possible the boy’s head could be that of Christopher Robin and the other a character from a book (2). Note: this illustration is for the only known Christmas card created by E.H. Shepard featuring A.A. Milne characters. Note: Artist Resale Rights apply

£2500 - £3500

759 759. Otto Landolt (Swiss, 1889-1951), poster of Lucerne, Springtime A Delightful Season, printed by Fretz Bros Ltd, Zurich, 90 by 59cm and two posters of St Moritz/Samedan Golf Links and St Moritz Hielbad Im Hohenkalima, all framed (3) £200 - £300 760. See the Guinness Animals at Edinburgh Zoo, advertising poster with artwork designed by John Thomas Young Gilroy, printed by Wickham Displays Ltd, London, 75 by 50cm, framed £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

765. Astrid Zydower (Polish, 1930-2005), The Merry Wives of Windsor, act III, sc iii. Drawn for the Edinburgh version of the Shakespeare Exhibition, 1964, label verso, pencil on paper, 34 by 48cm, framed. £150 - £180

Note: Artist Resale Rights apply

766. Geoff Cook (British, 20th Century) and others, various illustrations for fairy tales and other subjects, pencil, largest 21 by 16cm, five unframed on one sheet (23) £100 - £150 767. George Soper (British, 1870-1942), ‘Correspondence’, two pencil drawings on card, 37.5 by 27cm and two drawings of dolphins by Eileen Soper, inscribed, 13 by 19cm and smaller. Provenance: the estate of George & Eileen Soper; Chris Beetles, London (3) £50 - £80 768. Eileen Soper (British, 1905-1990), terrier lying down; playful terrier, four pencil studies on two sheets, each 25 by 19cm, unframed. Provenance: the estate of George & Eileen Soper; Provenance: Chris Beetles, London (2)

761 761. Guinness Time, Christmas advertising poster with artwork designed by John Thomas Young Gilroy, 1958, 75 by 50cm, framed £300 - £400

£40 - £60

769. Fred Banbery (British, 1913-1999), Paddington Bear in a deck chair, hand coloured etching, No.170/500, 6.8 by 6.5cm, £20 - £30 framed

762. Wayne Anderson (British, 1946), Beowulf, signed and dated 2000 l.l., pencil, 28 by 20cm, framed. £200 - £300

Note: Artist Resale Rights apply

770 770. James Bond film poster, ‘Dr. No’, starring Sean Connery and Ursula Andress, art by Mitchell Hooks, designed by David Chasman, printed by Stafford & Co, Netherfield, Nottingham, 55.5 by 70.5cm, unframed (paper discoloured and losses to all corners) £150 - £200

763 763. Elisabeth Sonrel (French, 1874-1953), Winter, 1901, chromo-lithograph, printed by Brancher Freres, Paris, 60 by 42.5cm, framed, (repairs to tears) £300 - £500 764. Ernest Howard Shepard (British, 1879-1976), ‘Still Unsettled - General Eisenhower contemplating the figures of General De Gaulle and General Giraud in the Villa Des Debats’, two studies for Punch, one pen and ink and brown wash, the other pencil, 26 by 19.5cm, framed (2). Note: Artist Resale Rights apply

771. Polly Dunbar (British, 20th/21st Century), boy and penguin, signed l.l., also signed and No.156 verso, oil on canvas, 20 by 20cm, unframed; with Lawrence Goldsmith (British, 20th Century), Bathtime, signed l.l., oil on canvas 20 by 20cm, unframed (2) £100 - £120 772. Ernest Howard Shepard (British, 1879-1976), ‘The Land of the Lost Toys - Oh That’s You is It’, verso, with the artist’s name and address, inscribed with title, pen and ink, 9.5 by 17.5cm, framed with a separate pencil signature and inscription reproduced as p.170 of ‘The Brownies & Other Stories’, by Mrs J.H. Ewing, 1954. Note: Artist Resale Rights apply

£100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

PAINTINGS 773. E..Roumy (20th Century Poster Artist), maidens in the South Seas, indistinctly signed l.r., gouache, 13 by 28.5cm, framed £100 - £150 774. Mervyn Laurence Peake (British, 1911-1968), man holding a tortoise with another figure, signed l.l., pen and ink, 34 by 24cm, framed. Note: Artist Resale Rights apply

£300 - £500

775. Frederick Edward Joseph Goff (British, 1855-1931), Cromer, Moonlight, signed and titled l.r., watercolour, 12 by 15cm, framed £200 - £300 776. French School, 19th Century, Lavis Theorique - Tore plein - Tore creux, indistinctly signed l.r., watercolour, 43 by 57cm, framed £150 - £200 777. South Kensington School of Art, an Art Nouveau design for a frieze, central female nude flanked by cherubs and tendril scrolls, E.S.K. blind stamp l.l., watercolour, 30 by 51cm, framed £200 - £250 778. Gordon Frederick Browne (British, 1858-1932), Just a Step or Two, monogrammed l.r., watercolour, 32 by 26cm, framed £80 - £120 779. William Gill (fl.1854-1867), Cheshunt, The River Lea Water Meadows’ and St Mary The Virgin Church, monogrammed l.r., watercolour, 38 by 52cm, framed £50 - £80

785 785. William Callow (British, 1812-1908), A Fishing Boat in Rough Seas, signed and dated 1841 l.r., watercolour, 24 by 33cm, framed £300 - £500 786. Reuben Ward Binks (British, 1880-1950), Flushing Out Pheasants, signed l.r., watercolour, gouache, 27 by 35cm, framed £150 - £250 787. Myles Birket Foster R.W.S. (British, 1825-1899), Newhaven, inscribed by artist below mount, studio stamp l.l., watercolour, 14 by 18cm, gilt frame. Provenance: the Artist’s studio. Executor’s stamp

£150 - £250

780. African American interest, a fine portrait drawing of a young man, signed Y. Ravern and dated 1892, 66.5cm by 53cm, framed £60 - £80 781. Hubert Robert (French, 1733-1808), Capriccio of Roman ruins with pyramid, urn, fountain, bas reliefs and figures, Romantic School red chalk drawing on paper, watermarked for Jan Honig and Zoonen, Amsterdam, bearing label and Christie’s stencil verso, 29 by 36.5cm, framed, Provenance: with Hal O’Nians, Fine Art Dealers, St. James, exhibited: No 22, Old Master Drawings, April 1964 £2000 - £3000 782. Mabel Greer (British, 1880-1972), Portrait of Two Beagles, pastel, 33 by 25cm, framed £140 - £160 783. Myles Birket Foster R.W.S. (British, 1825-1899), San Georgio and San Salute, Venice, signed with monogram l.r., 16 by 20cm, framed. Provenance: Lot 167, British Art on Paper, Christie’s London, 5th June 2003 £300 - £500 784. Leonard Lewis (British, 1826-1913), a river landscape with fishing rowing boat and horse and cart on a bridge; a landscape with a lock, figures and cattle, a pair, both signed and dated 1895 l.l., watercolour, 23 by 52cm, gilt frames (2) £150 - £250

788 788. Louise J. Rayner (British, 1832-1924), Ludlow, Shropshire, signed l.r., watercolour heightened with white, 38 by 23cm, framed. Provenance: Bonhams, London, British & European Art, 12th November 2019, Lot 2 £1000 - £1500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

791 789. Myles Birket Foster R.W.S. (British, 1825-1899), Autumn Woodland Scene, signed with monogram l.l., titled on Fine Art Society label verso dated November 1950, 24 by 35cm, framed. Provenance: Sotheby’s Billingshurst, Watercolours...., 28th July 1992, Lot 291 £150 - £200

792 792. David Cox O.W.S. (British, 1783-1859), Figures on a Beach near Rye, titled below, watercolour, 16 by 24cm, gilt frame. Provenance: Christie’s London, British Art on Paper, 21 November 2002, Lot 49 £400 - £600

790 790. Charles Robertson R.W.S. (British, 1844-1891), Drying the Nets - Clovelly, signed with monogram l.r., watercolour, 25 by 21cm, framed £200 - £300 791. Myles Birket Foster R.W.S. (British, 1825-1899), Girl Crossing a Stream, signed with initials l.l., titled below, watercolour, 18 by 26cm, framed. Provenance: Christie’s London, British Art on Paper, 9 June 2005, Lot 130 £800 - £1200

793 793. Myles Birket Foster R.W.S. (British, 1825-1899), Boating on the Lake, signed with initials l.l., titled below, watercolour, 9 by 22cm, framed £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

796. Follower of Walter Langley, The Latest News, watercolour, 39 by 32cm, framed £150 - £200 797. M..Holmes Pickup (Scottish, 20th Century), Scottish Fishing Boats, signed l.r., titled on Mall Galleries label verso, Exhibited at The Royal Glasgow Institute of Painters in Watercolour, London, watercolour, 36 by 53cm, framed £120 - £150 798. Adrian C. Rigby (British, 1962), Titanic - Ship of Dreams, signed l.l., gouache, 46 by 70cm, gilt frame £600 - £800 799. Adrian C. Rigby (British, 1962), Titanic - Sailing Day, signed l.r., gouache, 58 by 95cm, gilt frame £300 - £500

794 794. Walter Langley (British, 1852-1922), Contemplation, signed l.r., watercolour, 20 by 14cm, framed £400 - £600

800 800. Owen Meredith R.C.A. (British, late 19th Century), A Cotswold Village Store, signed l.r., titled on the fillet below, watercolour, 27 by 18cm, in the original gilt frame £100 - £150

795 795. Louise J. Rayner (British, 1832-1924), Fireside Embroidery, signed l.l., watercolour, gouache, 27 by 45cm, framed £200 - £300

801. Frederick James Aldridge (British, 1850-1933), sailing vessels approaching harbour, signed l.r., watercolour, 25 by 34cm, gilt frame £150 - £200 802. Frank Gresley (British, 1855-1936), cattle watering beside a stone bridge, signed l.r., watercolour, 23 by 35cm, framed £100 - £150

803

796

803. Thomas Bush Hardy R.B.A. (British, 1842-1897), shipping in the Channel off Dover, signed and dated 1885 l.l., pencil and watercolour heightened with white, 28 by 43cm, framed £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

804 804. British School, late 19th Century, the steamship Vigilant, watercolour heightened with white, 33 by 51cm, framed £100 - £150 805. Giovanni Barbarao (Arthur Dudley) (Italian, 18641915), still life with a bottle of Chianti amongst fruit, signed A. Dudley l.r., watercolour, 75 by 27cm, gilt frame £100 - £150 810 806. Aurel Bernath (Hungarian, 1895-1982), portrait of a young lady, half length seated in slight profile, signed with initials l.r., pencil on paper, Modern Graphic Art Budapest label verso, 40 by 29cm, unframed. £100 - £150

Note: Artist Resale Rights apply

810. Sir Leslie Matthew Ward ‘Spy’ (British, 1851-1922), portrait of military gentleman, full length standing wearing a monocle, black tunic with medals and holding a dress sword, bicorn hat and white gloves, signed and dated 1910 l.l., gouache, 48 by 32cm, framed £400 - £600

807. Hans Tombrock (German/Swedish, 1895-1966), a vagrant seated on a park bench, signed and dated 1935 l.l., ink and watercolour on paper, 32 by 22cm, framed £100 - £150 808. Miklos Farkashazy (Hungarian, 1895-1964), a sunlit seascape with sailing boats, signed l.l., black ink on paper, 42 by 30cm, framed £80 - £120

811 811. Sir Leslie Matthew Ward ‘Spy’ (British, 1851-1922), portrait of Ian Charles, 8th Earl of Seafield, standing wearing a top hat and holding a cigar and walking cane, signed l.l., inscribed Vanity Fair, Sept 29. 1883 u.l., inscribed below ‘Ian Charles, 8th Earl of Seafield, copied for the Lady Nina Knowles by Leslie Ward Esq from his original portrait in the possession of the Garrick Club, drawn by him as ‘Spy’ for Vanity Fair’, watercolour, 35 by 20cm, framed, with a facsimile copy of the Vanity Fair portrait £300 - £500 809 809. Louis William Wain (British, 1860-1939), grinning cat in profile, signed l.r., black chalk on paper, 73 by 53cm, framed £1000 - £1500

812. Duggie Fields (British, 1945-2021), portrait of Marilyn, nude full length seated beside a floor lamp, pencil on graph paper, 45 by 37cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£40 - £60

815 815. Frank Owen Dobson R.A. (British, 1886-1963), Study for Marble - ‘Reclining Woman’, signed and dated 1954 l.l., titled on Arts Council Frank Dobson Exhibition label and Kettles Yard, Cambridge University labels verso, pastel, 30 by 46cm, framed. Provenance: the Collection of Sir Michael Postan. £200 - £300

Note: Artist Resale Rights apply

813 813. Robert MacGowan (British, 20th Century), Palazzo Vecchio, titled on Redfern Gallery June 6th 1965 Exhibition label verso, gouache, 47 by 32cm, framed. Provenance: the Collection of Sir Michael Postan

£200 - £300

816 816. Conroy Maddox (British, 1912-2005), General Drainpipe, titled and dated 1970 verso, gouache and collage, 34 by 27cm, framed. Note: Artist Resale Rights apply

814 814. Norman Edgar Hubert (British, 1906-1985), geometric abstract in black and white, dated 1955 verso, 62 by 52cm, framed. Note: Artist Resale Rights apply

£800 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£800 - £1200

820. Rev John Thomson of Duddingston H.R.S.A. (Scottish, 1778-1840), Coast Scene with Shipping, titled on labels and inscribed verso, oil on panel, 20 by 29cm, gilt frame. Provenance: The Collection of William W. Telfer F.I.A.L, (Scottish, 1907-1993). No.33 in the exhibition at the Falkirk Arts & Civic Council & Falkirk Art Club Exhibition of Landscape Paintings by John Thomson of Duddingston, 29th May to 7th June 1952. With accompanying Exhibition catalogue and a 1950 Descriptive & Illustrated catalogue of the Pictures by Thomson of Duddingston in the Collection of William W. Telfer, this work again being No.33 (3) £400 - £600 821. David Bates (British, 1840-1921), a shepherd and his flock entering a lane, signed and dated 1904 l.l., oil on canvas, 40 by 48cm, gilt frame £500 - £800

817 817. British School, mid 18th Century, portrait of a Cleric, half length wearing a powdered wig, a black robe and a falling band, oil on canvas, 76 by 63cm, unframed £200 - £300 818. South American School, late 19th Century/early 20th Century, portraits of a South American gentleman and lady companion, a pair, bust length, both wearing hats, one indistinctly signed l.r., oil on board, 21 by 15cm, framed (2) £150 - £200

822 822. William Williams of Plymouth (British, 1808-1895), gathering harvest at sunset, signed l.l., oil on re-lined canvas, 24 by 44cm, gilt frame £200 - £300 823. Paul Astier (French, late 19th/early 20th Century), a figure in a wooded landscape, a pair, one signed l.l., oil on canvas, 53 by 63cm, gilt frames (2) £80 - £120 824. European School, 19th Century, The Holy Family, oil on metal, 21 by 16cm, framed £100 - £150 825. Henryk Dyrdon (Polish, 1860-1894), portrait of a young lady, bust length wearing a pinafore, signed l.l., oil on panel, 12 by 8cm, gilt frame £80 - £120

819 819. J..Rothmann (19th Century), The Grand Canal, Venice, signed and dated 1863 l.l., oil on panel, 28 by 47cm, gilt frame £150 - £200

826

820

826. C..Schonbruhen (European, late 19th Century), portrait of a lady, bust length in slight profile wearing a green wrap, signed m.l and No.853, oil on canvas, 65 by 50cm, framed £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

827. Bertalan Por (1880-1964), a woodland scene with cabin, signed and dated 1933 l.r, oil on board, 31 by 44cm, framed £100 - £150

834. Peter Cosslett (British, 1927-2012), St Michael’s Mount, Cornwall, signed l.l., oil in canvas, 45 by 60cm, gilt frame. £400 - £600

Note: Artist Resale Rights apply

828. Peter Brown N.E.A.C. (British, 1967), Dinghy Mxxxx, Sonning on Thames, signed and dated 2000 l.l., titled, signed and dated verso, oil on board, 19 by 60cm, framed. £1500 - £2000

Provenance: Patterson Gallery

835 835. Peter Cosslett (British, 1927-2012), breaking waves at sunset, signed l.l., oil on canvas, 30 by 90cm, framed. £600 - £800

Note: Artist Resale Rights apply

829 829. Gyula Rudnay (Hungarian, 1878-1957), The Drinking Party, signed l.l., oil on canvas board, 24 by 31cm, framed. £300 - £500

Note: Artist Resale Rights apply

836 836. Basil Jonzen (British, 1913-1967), still life of a bunch of irises on a table, signed and dated 1936 l.l., oil on canvas, 50 by 40cm, framed £100 - £150

830 830. Egmund Gwerk (Czech, 1895-1956), a mountainous landscape with tree to the foreground, signed l.r., artist label verso, oil on board, 30 by 35cm, framed. Note: Artist Resale Rights apply

£200 - £300

831. Ninervitz (European, 20th Century), The Garden of Eden, signed l.r., oil on board, 25 by 45cm, framed £100 - £150

837

832. Karoly Kotasz (Hungarian, 1872-1941), A Village Procession, signed l.l., oil on canvas, 11 by 19cm, framed £100 - £150

837. Colin Sealey (British, 1891-1964), a Cornish harbour scene with fishing boat, oil on canvas, 35 by 45cm, framed£800 £1200

833. Continental School, mid 20th Century, a river landscape with boats, indistinctly signed l.r., oil on canvas board, gilt frame £30 - £50

838. Michel Henry (French, 1928-2016), still life of pink flowers in a glass vase, signed l.r., oil on canvas, 64 by 48cm, gilt frame. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£250 - £350

839. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), still life with a jug, knife, fruit and bottle, signed u.r., oil on board, 20 by 26cm, unframed £50 - £80 840. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), Still Life - Flowers & Fruit, signed l.l., titled and signed verso, oil on board, 30 by 36cm, unframed £150 - £200 841. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), still life with a vase of flowers and fruit on a table, signed l.l., oil on board, 25.5 by 21cm, unframed £100 - £150 842. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), Still Life - Dudson Jug with Flowers & Fruit - Background Picture - StacPoly-Wester Ross, signed l.r., inscribed, titled and signed verso, oil on board, 35 by 28cm, unframed £150 - £200

840

843. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), Still Life - Tulips & Fruit, signed l.l., titled and signed verso, oil on board, 26 by 27cm, unframed £150 - £200 844. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), Fruit & Flowers, signed l.l., titled and signed verso, oil on board, 25 by 20cm, unframed £100 - £150 845. William Walker Telfer F.I.A.L. (Scottish, 1907-1993), Still Life - Flowers & Fruit, signed l.r., titled and signed verso, oil on board, 25 by 20cm, unframed £50 - £80 846. Louis Robert James (Australian, 1920-1996), The OutBuildings, signed l.r., titled on Redfern Gallery, 10th February 1956 Exhibition label verso, also inscribed with title on stretcher and black painted No.208 to the canvas verso, oil on canvas, 26 by 35cm, framed £800 - £1200 847. Edward Wesson (British, 1910-1983), a river landscape with longboats, signed l.r., oil on board, 48 by 70cm, framed £500 - £700

841

848 848. Raymond Campbell (British, 20th Century), still life of grapes in a basket, a copper kettle, a plate of cheese, bread and a glass of wine on a table, signed and dated 1990 verso, oil on canvas, 45 by 60cm, gilt frame. Note: Artist Resale Rights apply

£700 - £900

849. Frederick J Knowles (British, 1874-1931), A Favourite Haunt, signed l.r., oil on canvas, 44 by 60cm, framed £200 - £300

843

850. James Kay R.S.A. R.S.W. (Scottish, 1858-1942), Mending the Nets, signed l.r., titled on plaque below, oil on re-lined canvas, 50 by 60cm, gilt frame £1000 - £1500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

846

850

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

851. David Wilde (British, 1913-1974), Carnedd Sunset, signed l.r., titled l.l., acrylic, 13 by 49cm, mounted, unframed. £50 - £80

Note: Artist Resale Rights apply

858. David Wilde (British, 1913-1974), Alice & Mickey Welcome Summers Swallow, signed l.r., titled l.l., artist notes verso, acrylic, 43 by 69cm, mounted, unframed. £200 - £300

Note: Artist Resale Rights apply 852. David Wilde (British, 1913-1974), Owl-Light, signed l.r., titled l.l., acrylic, 18 by 21cm, framed. £40 - £60

Note: Artist Resale Rights apply

853. David Wilde (British, 1913-1974), Fierce High Tide, Port Isaac, signed l.r., titled l.l., acrylic, 51 by 60cm, mounted, unframed. £150 - £200

Note: Artist Resale Rights apply

854. David Wilde (British, 1913-1974), Coast near Aber, signed l.r., titled l.l., artist notes verso, acrylic, 52 by 65cm, mounted, unframed. £150 - £200

Note: Artist Resale Rights apply

855. David Wilde (British, 1913-1974), Fire at Sea, signed l.r., titled l.l., acrylic, 28 by 28cm, framed. £70 - £90

Note: Artist Resale Rights apply

859 859. David Wilde (British, 1913-1974), Phwellis Sandy Beaches, June (Throw a Six), signed l.r., titled l.l., artist notes verso, mixed media, 61 by 108cm, unframed. £200 - £300

Note: Artist Resale Rights apply

856 856. David Wilde (British, 1913-1974), Thorn Trees by the Sea, signed l.r., titled l.l., artist notes verso, acrylic, 56 by 74cm, mounted, unframed. £200 - £300

Note: Artist Resale Rights apply

857. David Wilde (British, 1913-1974), Foucaults Pendulum, signed l.r., titled l.l., artist notes verso, acrylic, 51 by 71cm, mounted, unframed. £150 - £250

Note: Artist Resale Rights apply

860 860. David Wilde (British, 1913-1974), The Sparkler Kid & the Rocket Girls, signed l.r., titled l.l., artist notes verso, acrylic, 55 by 80cm, mounted, unframed. Note: Artist Resale Rights apply

£150 - £200

861. David Wilde (British, 1913-1974), Port Penrhyn, Autumn, signed l.r., titled l.l., artist notes verso, acrylic, 30 by 41cm, framed. Note: Artist Resale Rights apply

£100 - £150

862. David Wilde (British, 1913-1974), In the Fire of Spring V, signed l.r., titled l.l., artist notes verso, acrylic, 60 by 84cm, unframed. Note: Artist Resale Rights apply

858

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

DAY THREE

GLASS

866

869

868

863. Richardson, a concentric cane paperweight, six rings of cog, quatrefoil and floral canes, in pink, white, blue and green, 8cm diameter £30 - £50 864. A scrambled millefiori glass paperweight, probably New England Glass Company, various latticinio and spiral rods, 6cm diameter £40 - £70 865. Richardson, a concentric millefiori glass paperweight, five rings of star and cog canes in pink, turquoise and white, 9cm diameter £40 - £70 866. A George III Bristol blue glass decanter, Indian Club form, circa 1790, with bevelled lozenge stopper, 28.5cm high £30 - £50 867. A set of five George III Bristol Blue glass finger bowls, rounded tot form, polished pontils, 11.5cm diameter £40 - £70 868. A set of three George III Bristol Blue glass and Old Sheffield Plate spirit decanters in stand, Indian Club form, each painted with bottle tickets in gilt, with Rum, Brandy and Hollands, the bevelled lozenge stoppers with gilt initials, in a wire trefoil stand on ball feet, 32cm high £100 - £150 869. A Nailsea or Wrockwardine glass jug, circa 1800, footed ovoid form, brown with opaque spots, rough snapped pontil, 21cm high £100 - £150

870

871

870. Baccarat, a cut glass fish vase, circa 1867, shouldered rectangular section, rock crystal effect decoration of carp and other fish in an aquatic scene, 24cm high

871. Harrach, a Bohemian Glatt Iris ball footed iridescent glass vase, circa 1880, the conical neck with spherical base on three solid ball feet, 13.5cm £30 - £50

Note: a companion vase was exhibited at the Paris Universal Exhibition in 1867 and is currently in the collection of the Baccarat Museum £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

872 872. Stevens and Williams, a Victorian triple cased controlled bubble glass match holder or spill vase, circa 1880, footed spherical form, cranberry and white opaque with colourless outer shell of graduated wrythen strands of air bubbles, 9cm diameter £40 - £70 876 874 874. Christopher Dresser for James Couper and Sons, Clutha (attributed), an Arts and Crafts Chalcedony streaky glass vase, circa 1890, conical gourd form, marbled and bubbled with multicoloured opaque agate stripes, 16cm high £80 - £120

876. T G Jackson or Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass decanter, circa 1890, squat globe and shaft form, with plain band neck and hollow spherical stopper, 19.5cm high £40 - £70 877. Harry Powell for James Powell and Sons, Whitefriars, an extensive suite of Arts and Crafts Roman cut stem ware and drinking glasses, circa 1900, including 4 white wine, 6 red wine, 5 water, 7 sherry, 16 port and 8 finger bowls, cut with bands of lens and lines (46) £180 - £220

873 873. Christopher Dresser for James Couper and Sons, Clutha, an Arts and Crafts streaky glass vase, circa 1890, double gourd form, bubbled and blue marbled, rough pontil, 18.5cm high £100 - £200

875 875. An Arts and Crafts straw opal glass vase, probably Kempton, circa 1880, spherical form with everted rim, vertical stripes of opaque Vaseline, 13cm high £40 - £70

878 878. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal glass vase, circa 1880, vertically ribbed spherical bulbous form with conical neck, 10cm high £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

884. Loetz (attributed), a pair of Austrian Secessionist Diana Cisele glass vases, circa 1900, double gourd bulbous form with crimped everted rim, iridescent finish with oil spotting to the lower section, 14.5cm high (2) £70 - £100

879. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal glass vase, circa 1890, ribbed spherical form with everted rim, 6.5cm high £30 - £50

880

882

880. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts green glass vase, circa 1880, vertically ribbed spherical form with upturned broad rim, 9cm high £30 - £50

882. Ludwig Sutterlin (attributed) for Fritz Heckert, a Secessionist enamelled glass vase, circa 1910, ribbed conical form with open hemispherical top, enamelled with gilt stylised petals, 16.5cm high £30 - £50

885 885. Kralik, a pair of Secessionist iridescent glass snake vases, circa 1900, wrythen pinched bulbous form with applied serpent trails, green lustre, 21cm high (2) £200 - £250

883 883. Loetz, a Diana Cisele iridescent glass vase, circa 1899, shouldered and optic ribbed with green lustre oil spots, 11cm high £40 - £60

881 881. Koloman Moser for Loetz or Kralik, a Secessionist glass Krokodil jug, circa 1903, barrel form with integrated hollow handle and seams, colourless crackled ice or craquelure texture, polished pontil, 22.5cm high £40 - £70

886

884

886. Legras, an enamelled glass vase, conical bulbous form, frosted and painted with a windmill landscape, signed Leg, 28cm high £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

887. Loetz for Boudon and Klur, a Secessionist iridescent glass and pewter vase, Cobalt Papillon, circa 1900, the conical baluster body within an open knotted tendril cage with whiplash and C scroll handles, in the Art Nouveau style, 27cm high £2000 - £2500

888 888. Kralik, a Secessionist iridescent glass Martele vase, circa 1900, wrythen lobed bulbous form, hammer textured green lustre, 10.5cm high £30 - £50

887 891. Karl Weidmann for WMF, an Art Deco Ikora glass lamp base, shouldered form, jade green craquelure with red claw stripes, chrome fitting, signed, 36cm high to fitting £100 - £150 889 889. Harrach (attributed), a Secessionist enamelled glass vase, circa 1915, shouldered form, decorated with floral sprigs between orange dot motifs, 23cm high £20 - £40

892 892. Heinrich Hoffman, an Art Deco moulded glass dish, circa 1927, model 516, relief moulded oval form with stylised nude figures and foliate tendrils, frosted and polished, butterfly mark, 15cm long £90 - £130

890 890. WMF, a Myra iridescent glass bowl, circa 1915, flared, on squat ovoid base, uranium green lustre with crackled rim, in the style of Frederick Carder for Steuben, 26cm diameter £50 - £80

891

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

894

902

898

893 893. A Czech Art Deco moulded green glass vase, 1930s, of ovoid form with a horse race design, marked Czechoslovakia, height 18cm £50 - £80 894. A set of four Art Deco enamelled glass cocktail glasses, circa 1930, each polychrome decorated with cockerels in various stages of fighting, squat onion domed bowls on inverse baluster stems, 11cm high (4) £30 - £50

898. David Hammond for Thomas Webb, a Modernist Flair glass dish, circa 1960, flared spear headed form, with teal green, controlled bubble base, acid etched mark, 26cm long £40 - £70 899. Len Green for Webb Corbett, a Modernist cut glass vase, circa 1960s, footed trumpet form, decorated with vertical bands of stylised mitre cut leaves, acid mark, 20cm high £30 - £50

895. Eroy, a Volupte glass perfume bottle, circa 1946, cuboid form with frosted and sepia stained stopper, moulded marks Eory Paris France, 10.5cm high £30 - £50

901

896. Nils Landberg for Orrefors, a Swedish Modernist glass decanter, Prelude, circa 1957, teardrop bottle form with mitre cut neck, hollow ovoid stopper, 32cm high £20 - £40 897. John Luxton for Stuart, a Modernist cut glass vase, circa 1954, footed and rounded beaker form with diaper star trellis design, acid mark, 20cm high £40 - £60

901. Luigi Mandruzzato, a Sommerso triple cased glass vase, Murano circa 1960s, facet cut, two layers of royal blue and pale turquoise blue, within colourless body, 20.5cm high £40 - £60 900 900. Tapio Wirkkala for Iittala, a Modernist glass Tatti vase, circa 1957, mushroom form engraved with vertical lines, wheel engraved signature, 13cm diameter £80 - £120

902. Lalique, a Cockerel or Rooster glass pin dish, polished and frosted, incised mark Lalique France, 9.5cm high £30 - £50 903. Alexandre Vieira, a contemporary Studio Glass vessel, irregular bottle form with multi ribbon loop handles, marbled and mottled blue, signed Alex Vieira, 23cm high £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CONTINENTAL CERAMICS

907

904. A Sevres bisque porcelain portrait medallion of Josephine Bonaparte, modelled in profile facing left, circular, mounted on velvet easel support, 6cm diameter £50 - £80 905. A late 19th Century Vienna cabinet plate, painted with a portrait of Elizabeth List, indistinctly signed, raised gilt floral and Greek key border, blue beehive mark, diameter 24cm £250 - £350 906. A large pair of Sitzendorf porcelain figures, modelled as 18th century fruit pickers, modelled with baskets of fruit, floral painted costumes, on gilt Rococo scroll bases, 52cm high (2) £200 - £400

908. Clement Massier, a faience figural centrepiece, late 19th century, modelled as four putti hauling-in a boat on oval wave textured base, turquoise glazed, impressed marks, 45cm long £100 - £200 909. Theodore Deck (attributed), a Chinoiserie blue faience vase, relief moulded in the Persian taste, shouldered form, 44cm high £400 - £600 910. Pair of Art Deco figural candlesticks, modelled as porters carrying bowls, highlighted in gilt, 20.5cm high (2) £50 - £80

907. A set of four Samson, Paris porcelain figures, after Derby, modelled as characters from Commedia Dell’Arte, each in animated poses, wearing masks and 18th century costumes, impressed and painted marks,18cm high (4) £150 - £250

910

908

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

911

911. Louis Wain for Amphora, a large Cubist pottery Lucky Futurist Cat spill vase, circa 1915, modelled with one paw raised, tongue out, painted in black with green and orange highlights, moulded meow meow notes to the body, incuse moulded mark Futurist Cat, printed and impressed mark Amphora and number 637134, 24.5cm high £6000 - £8000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

MOORCROFT 912. A Cobridge stoneware tile panel, painted with an extensive Highland fishing village scene with fishing boat and cottages, moulded border, 62 by 100cm, mounted on a wooden board £500 - £800

919 919. Walter Moorcroft, two small Clematis vases, circa 1970s, baluster and bulbous forms, blue ground, impressed £140 - £180 marks, 10.5cm high (2) 916 916. Walter Moorcroft, a small Flambe Orchid vase, circa 1950, shouldered form, impressed marks and facsimile, 9cm high £100 - £150

913 913. Walter Moorcroft, a Flambe Clematis vase, circa 1960s, inverse baluster form, impressed marks, underglaze green monogram, 15cm high £200 - £250

920

917

920. Walter Moorcroft, a Hibiscus vase, circa 1960, baluster form, smoky blue, late Queen Mary sticker, 14cm high £80 - £120

917. Walter Moorcroft, an Orchid vase, circa 1960, spherical form, impressed marks and underglaze blue monogram, 13cm high £140 - £180

914 914. Walter Moorcroft, a Flambe Clematis vase, circa 1950, inverse baluster form, impressed marks and facsimile, underglaze green signature, 15cm high £100 - £150 915. Walter Moorcroft, a Spring Flowers vase, circa 1960s, spherical form, impressed marks underglaze teal monogram, 16cm high £130 - £160

918

921

918. Walter Moorcroft, an Orchid jug, circa 1960, shouldered form, impressed marks, 13.5cm high £170 - £200

921. Walter Moorcroft, an Orchid vase, circa 1970, trumpet form, impressed marks and underglaze blue monogram, 16cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

927. Walter Moorcroft, Flambe Lustre Orchid vase, circa 1950, bulbous form, iridescent glaze, impressed marks and facsimile, underglaze green signature, 22cm high £200 - £250 928. Walter Moorcroft, a King Protea trial vase, campana footed form, yellow, green and pink on a cream ground, impressed marks and facsimile signature and underglaze blue signature, 25cm high £600 - £800 929. William Moorcroft for James MacIntyre, an Eighteenth Century inkwell, circa 1908, the integrated cuboid vessel on a shaped pen tray, printed marks and incised signature, 23cm long £250 - £300

922

924

922. Walter Moorcroft, a small Orchid vase, circa 1960, bulbous form, green ground, late Queen Mary sticker, 11cm high £70 - £100

924. Walter Moorcroft, an Orchid vase, circa 1948, trumpet form, green teal ground, impressed marks and facsimile, underglaze teal monogram and HM Queen sticker, 15.5cm high £100 - £150

925 925. Walter Moorcroft, a Pansy jug, spherical form, impressed marks, 12cm high £100 - £150 923

930

923. Walter Moorcroft, a Hibiscus vase, circa 1960s, shouldered form, impressed marks and underglaze green monogram, late Queen Mary sticker, 18.5cm high £180 - £220

930. William Moorcroft for James MacIntyre, a Cornflower twin handed vase, circa 1900, conical form with strap handles, green and teal blue colourway, printed marks and underglaze green signature, 20.5cm high £600 - £800

926

931. William Moorcroft for James MacIntyre, an Eighteenth Century vase, circa 1908, triple handled and waisted conical form, printed mark and underglaze green signature, 12.5cm high £200 - £300

926. Walter Moorcroft, a Spring Flowers jug, circa 1960s, shouldered ovoid form, impressed marks and underglaze teal monogram, 16.5cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

932 932. William Moorcroft, a Pomegranate vase, 1918, bulbous form with flared neck, impressed Burslem marks, underglaze green signature and date, 21.5cm high £60 - £100

936

933 933. William Moorcroft, a Pomegranate silver mounted jar and cover, circa 1920, shouldered ovoid form, hallmarks for William Hutton, Sheffield, impressed marks and underglaze green monogram, 15cm high £100 - £150

935

934 934. William Moorcroft for Liberty and Co., a Tudric pewter mounted Pomegranate biscuit barrel, circa 1920, barrel form, planished collar and lid, swing handle, impressed and stamped marks, underglaze teal monogram, 21.5cm high £80 - £120

935. William Moorcroft, a Pomegranate vase, circa 1915, twin handled amphora form, impressed Burslem marks and underglaze green signature, 13.5cm high £40 - £70 936. William Moorcroft, a Cornflower pedestal vase, 1913, footed ovoid form, underglaze green signature and date XII1913, 22cm high £1500 - £1800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

100

939

937 937. William Moorcroft, a Pomegranate on ochre and blue, silver plate mounted biscuit barrel, circa 1914, shouldered form, swing handle, impressed Burslem mark and underglaze green monogram, 23.5cm high £70 - £100

938

940

938. William Moorcroft, a Flambe Leaf and Blackberry plate, circa 1935, circular with everted rim, impressed marks and facsimile, underglaze blue monogram, HM Queen sticker, 19cm diameter £100 - £150

940. William Moorcroft, a Flambe Anemone vase, circa 1935, squat baluster form, impressed mark and facsimile, underglaze green signature, 17cm high £400 - £500

939. William Moorcroft for Liberty and Co., a Hazledene vase, circa 1903, squat ovoid, shouldered form, printed mark and underglaze green signature, 19cm diameter, 12cm high £2000 - £2500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

101

941

943

945

941. William Moorcroft, a Pansy on blue vase, circa 1930, shouldered form, impressed marks and facsimile, underglaze blue monogram, 11.5cm high £180 - £220

943. William Moorcroft, a saltglazed Orchid vase, circa 1935, inverse baluster form, impressed marks and facsimile, underglaze grey monogram, 16cm high £170 - £200

945. William Moorcroft, a Moonlit Blue vase, circa 1925, inverse baluster form, impressed marks and underglaze blue monogram, 16.5cm high £750 - £850

944

946

944. William Moorcroft, a small Moonlit Blue vase, circa 1925, squat ovoid form, impressed marks and underglaze blue monogram, 8.5cm high £450 - £550

946. William Moorcroft, a Moonlit Blue ginger jar, circa 1925, shouldered ovoid form, impressed marks and underglaze green monogram, paper label, 14cm high £250 - £350

942 942. William Moorcroft, a Pomegranate vase, circa 1920, inverse baluster form, impressed marks and underglaze green monogram, 15.5cm high £200 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

102

948

947

947. William Moorcroft, a small Eventide vase, circa 1928, inverse baluster form, impressed marks, 8.5cm high £400 - £500

950

950. William Moorcroft, a Flambe Leaf and Berry vase, circa 1935, shouldered form, impressed marks and facsimile, underglaze green monogram, 11cm high £140 - £180

948. William Moorcroft, a Pomegranate vase, circa 1914, wide inverse baluster form, impressed Burslem marks and underglaze green signature, 14.5cm high £200 - £300

951 951. William Moorcroft, a Pomegranate on celadon bowl, circa 1930, circular dish form with everted rim, impressed marks and facsimile, HM Queen sticker, 25cm diameter £140 - £180 952. William Moorcroft, a saltglazed Leaf and Berry jug, circa 1925, bulbous form with incised concentric banding to the foot, impressed marks and underglaze blue monogram, 18cm high £180 - £220 949 949. William Moorcroft, a Pansy on white vase, 1914, shouldered form, underglaze green signature and date, 13.5cm high £450 - £550

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

103

ART POTTERY 957. A W N Pugin et al for Minton, three relief moulded Gothic Revival majolica tiles, including fleur de lys and two clematis vine tiles, 15.5cm square (3) £40 - £60 958. Minton majolica bread plate, designed by Augustus Pugin, with waste not, want not spare not, written around the outer rim, between ears of wheat moulded relief, 38cm diameter £150 - £200

953 953. William Moorcroft, a Pomegranate vase, circa 1926, inverse shouldered baluster form, impressed marks and underglaze blue monogram, 18.5cm high £180 - £240 954. William Moorcroft, a Pomegranate vase, circa 1918, inverse baluster form, impressed marks, underglaze blue monogram, 16cm high £180 - £250 959 959. Christopher Dresser for Minton, an Aesthetic Movement vase, 1871, conical bulbous form, decorated in the Chinese Cloisonné style with butterflies and stylised foliate sprigs, below a floral fan neck, bleu celeste ground, on a relief moulded gilt knotted bracket foot, impressed marks, 19.5cm high £200 - £400

955

960

955. William Moorcroft, a Pansy on white vase, circa 1930, shouldered form, underglaze blue monogram, 18.5cm high £370 - £420

960. Christopher Dresser for Minton, an Aesthetic Movement fan vase, circa 1870, segmented form with five openings, on an ogee platform, flanked by serpent tongued dolphin brackets, decorated in the Chinese Cloisonné style on bleu celeste ground, five stylised daisies to each side, woven with blue ribbons, highlighted in gilt, the ends with Japanese floral lattice, impressed marks, 16cm high £300 - £500

956. William Moorcroft, a Big Poppy vase, circa 1920, shouldered form, impressed marks and underglaze blue monogram, 16cm high £280 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

104

961

963

961. Christopher Dresser for Minton, an Aesthetic Movement tea caddy, circa 1870, cuboid form, modelled as a Chinese rope bound tea parcel, decorated in the cloisonné style with gilt edged and enamelled key motifs to each section, with faming pearl and half daisies, on a bleu celeste ground, 10.5cm high £300 - £500

963. Christopher Dresser for Minton, an Aesthetic Movement Chinoiserie vase, circa 1870, the U shaped twin ended vessel with central loop basket handle, on a circular plinth base, relief moulded and enamelled in the Chinese Cloisonné style with zoomorphic foliate scrolls and lappet fronds, on a bleu celeste ground, impressed marks, 16cm high £200 - £300

966 966. John Pearson, an Arts and Crafts stoneware jug, shouldered form, painted with characterful stork type birds, with leaves in a gilt scroll ground, painted marks, 21.5cm high £300 - £500

964 964. Christopher Dresser for Minton, an Aesthetic Movement dish and cover, 1870, lozenge form, painted with gilt ground bands of stylised geometric flowers, in pink and blue, between beaded borders, impressed marks, 21cm long £50 - £80 967 967. John Pearson, an Arts and Crafts lustre plate, circular dish form, painted with exotic flowers and foliate fronds on a gold ground, the exterior with foliate scrolls and a stork to the underside, painted marks, 19.5cm diameter £300 - £500

962 962. Christopher Dresser for Minton, an Aesthetic Movement Chinoiserie vase, circa 1870, conical baluster form with flared conical neck, decorated in the Chinese Cloisonné style, enamelled and gilt bordered ogee foliate lappets with key and floral motifs, below a zoomorphic Celtic knotted band, on bleu celeste ground, impressed marks, 15cm high £300 - £500 965 965. John Pearson, an Arts and Crafts double lustre plate, circular dished form, painted with a stag and trees in a cloudy landscape, the reverse with geometric band and birds, signed, 19.5cm diameter £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

105

968 968. John Pearson, an Arts and Crafts lustre jug, baluster form painted with characterful birds, including pelican, cockerel, owl and griffin, within gold roundels, on a ground of marbled circles painted marks, 16cm high £200 - £400 969. John Fogo (attributed) for Della Robbia, an art pottery tazza and another, sgraffito decorated with leaves, in terracotta on a green ground, incised marks, F, the other plain turquoise glazed, 21cm diameter (2) £60 - £80

971

974

971. George Cartlidge for S Hancock and Son, a Morris Ware vase, bulbous bottle form, painted with stylised leaf and lappet design, 23cm high £50 - £80

974. Doulton Lambeth, a stoneware brandy flask, circa 1880, square section shouldered form with angled strap handle, decorated with applied foliate bands, and tubelined B to handle, impressed marks, 21cm high £60 - £80

972 972. George Cartlidge for S Hancock and Son, a Morrisware bowl, rounded ovoid form with inverted rim, tubelined Arts and Crafts chrysanthemum decoration, 24cm diameter £80 - £120

970 970. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, shouldered form, relief moulded with leafy vine, green and red marbled glaze, painted mark, 24cm high £80 - £120

975 973 973. William Baron, a Barnstaple art pottery vase, triple handled shouldered form, sgraffito decorated with an aquatic scene of fish and seaweed, incised marks 353, 21cm high £100 - £150

975. Hannah Barlow for Doulton Lambeth, a stoneware vase, double gourd form, sgraffito decorated with foraging pigs and a tree, between beaded borders on a mottled olive glaze ground, incised and impressed marks and No.664, 31cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

106

979

976 976. Hannah Barlow for Doulton Lambeth, a stoneware jug, sgraffito decorated with goat, kid and geese, between moulded tongue lappets, impressed marks and incised monogram, 21cm high £200 - £300 977. Hannah Barlow for Doulton Lambeth, a pair of stoneware and silver plated salad servers, the handles sgraffito decorated with horses, incised monograms, 30cm long (2) £250 - £350

979. Harry Simeon for Royal Doulton, a stoneware bibelot or ring tree, modelled as a mouse on a noduled stump, impressed marks, 11cm high £100 - £150 980. Eliza Simmance for Royal Doulton, a large stoneware vase, 1903, shouldered inverse baluster form, decorated in the Art Nouveau style with stylised tulips within beaded rectangular panels, before a broad band of spear head motifs, impressed marks, incised monogram, 50cm high £300 - £500 981. Two Royal Doulton stoneware and brass oil lamps, 1884, the squat spherical reservoirs sgraffito decorated and relief moulded with seaweed and lappet designs, on Classical brass candlesticks, impressed and incised marks 33cm high (2) £300 - £500

978

982

978. George Tinworth for Doulton Lambeth, a pair of stoneware vases, 1884, twin handled shouldered form, sgraffito decorated with seaweed design on slip decorated foliate scroll ground, impressed marks, incised monograms, 41cm high (2) £600 - £800

982. Robert Wallace Martin for Martin Brothers, a stoneware jug, 1877, bulbous form, sgraffito decorated and moulded with squirrels foliate fronds, the handle with open mouthed mask, incised marks, RW Martin, London, 3-1877, 18cm high £1000 - £1500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

107

986. Pilkington, three Royal Lancastrian opalescent serpentine and transmutation glazed vases and bowl, circa 1905 to 1920s, including twin handled bulbous vase, 12cm high (3) £120 - £160 987. William S Mycock for Pilkington, a Royal Lancastrian lustre vase, 1907, shouldered and waisted albarello form, painted with a knotted trellis of foliate scroll motifs, below quatrefoil and leafy bands, impressed and painted marks, 20cm high £400 - £600 983 983. Rookwood, Fulper and Van Briggle, three American art pottery vases, early 20th century, including spotted glaze bulbous vase, ewer and sang de boeuf vase, 23cm high (3) £50 - £80

988. William S Mycock for Pilkington, a small Royal Lancastrian lustre vase, 1924, globe and shaft bottle form, painted with a band of leaves between foliate branches, below a geometric and seaweed trail neck, painted marks, 15.5cm high £200 - £300 989. Gwladys Rodgers for Pilkington, a Royal Lancastrian lustre bowl, circa 1920, footed and flared form, painted with a knotted geometric borer to the inner rim, iridescent red green cloudy glaze, painted marks, 10.5cm diameter £70 - £90

984

991 991. Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1920, shouldered form, decorated with various bulls on a millefleur ground between bands of stylised clouds and butterfly motifs, impressed marks, monogram, 27.5cm high £500 - £800 992. Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1920, shouldered ovoid form, painted with a band of polar bears in an icy landscape, between bronzed iridescent borders with wave bands, painted monogram,17cm high

984. Ruskin Pottery, a Crystalline matte glazed bowl, 1932, footed rounded form, blue mottled, impressed marks, 23cm diameter £50 - £80

Provenance: Harriman Judd Collection; Sotheby’s, New York, 22nd January 2001, lot 408 Note: see Cross, A.J. 1980, Pilkington’s Royal Lancastrian Pottery and Tiles, p.62, pl.87 for an illustration of this vase £1000 - £1500

990

985 985. Pilkington, a Royal Lancastrian Orange Vermillion glaze vase, circa 1925, shouldered form, impressed marks, 2909, 20.5cm high £70 - £100

990. William S Mycock for Pilkington, a Royal Lancastrian heraldic lustre vase, 1920, ovoid form, painted with four red shield coats of arms including Edward the Confessor and St Ethelreda, between poplar trees, on blue ground of roses and knotted tendrils, impressed and painted marks, 22.5cm high £800 - £1200

993 993. William S Mycock for Pilkington, a Royal Lancastrian lustre jar and cover, 1912, shouldered ovoid form, painted with heraldic symbols of eagle and fleur de lys, on foliate scroll ground, red over purple, with plain lid, impressed and painted marks, 13cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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996 996. Charles Vyse, a Chelsea pottery figure of a shire horse, modelled standing on rectangular mounded base, brown glazed, incised mark, 28.5cm high £500 - £800

994 994. William S Mycock for Pilkington, a Royal Lancastrian heraldic lustre vase, 1923, twin handled moonflask form, painted coats of arms to each side, shields of fleur de lys and lion rampant, below foliated helmets and crests, within lappet and wheel rosette ribbon borders, red over blue with iridescent bronze decoration, plain rectangular foot, impressed and painted marks, 27cm high £1200 - £1800

997 997. Ernest W Light and Charles Noke for Royal Doulton, a Titanian figure, Digger, circa 1920s, modelled as an Anzac WWI Australian soldier, based on John Shorter, mottled green glaze, printed mark, 29.5cm high £600 - £800 995 995. Stella Crofts, a painted bisque figure, Donkey Stealing Carrots, moulded mark to the plinth, signed to underside rim, 16cm high £200 - £400

998. Daisy Makeig Jones for Wedgwood, a dragon lustre bowl, Imperial shape, together with a Chinese lustre Wedgwood shallow bowl, with turtle interior, 17cm diameter (2) £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1002. Clarice Cliff for Newport Pottery, a Viscaria plate, ogee serpentine square form, Bizarre and Wilkinson marks, 25cm diameter £50 - £80

999 999. Daisy Makeig Jones for Wedgwood, a dragon lustre bowl, rounded form, decorated with Celestial dragons and flaming pearls, the interior with further small dragons and winged animals, 20.5cm diameter £70 - £100

1003 1003. Jane Fitzgerald for Troika, an art pottery wheel vase, relief moulded to each side with abstract tree an geometric designs, in turquoise, green and brown, 11.5cm high £80 - £120

1000 1000. Frederick Rhead for Foley, an Urbato tubelined vase, flare necked bulbous form, decorated with daisies and grass, pink ground, printed marks, 23cm high £120 - £180 1001. Clarice Cliff for Newport Pottery, a Crocus bowl, octagonal form with inverted rim, Bizarre mark, 15cm diameter £50 - £80

1004 1004. Matt Grimmitt and John Foster for Winchcombe, a collection of studio pottery jugs, including a pair by Foster, bulbous form with incised wave design, tenmoku glazed, and a large ribbed example by Grimmitt, 27cm high (4) £40 - £70 1005. Ryoji Hayashi, a studio pottery bowl, Japanese, kyo ware, footed, with incised bands of geometric line and scroll motifs, around a floral centre, signed, 17cm diameter, in wooden box £40 - £70

1002

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1006 1006. John Maltby, a large studio pottery Hopscotch panel, applied relief moulded tiles on a board backing, impressed seal mark, 76cm x 43cm £1000 - £1500

BRITISH CERAMICS 1007. James Stinton (Royal Worcester artist) (British, 18701961), a cock and a hen pheasant in a moorland landscape, a pair, both signed l.r., watercolour, 8 by 13cm, gilt frames (2) £80 - £120 1008. James Stinton (Royal Worcester artist) (British, 1871961), a cock and hen pheasant in a moorland landscape, signed l.l., gouache heightened with white, 14 by 22cm, gilt frame £80 - £120 1009. James Stinton (Royal Worcester artist) (British, 18701961), cock and hen pheasants in a moorland landscape, signed l.r., watercolour, 11 by 16cm, framed £100 - £150 1010. A 19th century English porcelain plaque wall, painted with a still life study of flowering foliage, 17 by 25cm, gilt frame £100 - £200

1012

1011. Milwyn Holloway, a Highland scene painted plaque, oval form, depicting cows in a misty mountain landscape, signed, 20.5cm x 15cm, framed Note: Royal Worcester artist

£300 - £400

1012. Milwyn Holloway, a scene painted plaque, decorated with a rural cottage scene of sheep and lambs, blossoming trees, signed, 13.5cm x 21cm, framed Note: Royal Worcester artist

£300 - £400

1013. Milwyn Holloway, a scene painted tray, oval form, decorated with a Claudian Romantic landscape with sheep, within gilt scalloped border, signed, 18cm x 23cm Note: Royal Worcester artist

£200 - £300

1013

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1014. Milwyn Holloway, a Highland scene painted plaque, oval form, depicting cows in a misty mountain landscape, 20cm x 12cm, framed £300 - £400

Note: Royal Worcester artist

1017. Milwyn Holloway, a scene painted tray, oval form, decorated with swans and cygnets on a lake, within gilt scalloped border, signed, 18cm x 23cm £200 - £300 1018. F H Chivers for Coalport, a pair of fruit painted plates, decorated with plums, within green borders of raised gilt and foliate scroll motifs, signed, 23cm diameter (2) £300 - £500

1019 1019. Albert Gregory for Royal Crown Derby, a floral painted vase, twin handled pedestal urn form, decorated with a band of flowers, above gilt foliate scroll garlands, signed, 12.5cm high £250 - £350

1015 1015. T H Chivers for Coalport, a large twin handled pedestal fruit painted vase and cover, the central cartouche with grapes and peaches, within raised gilt foliate border, on foliate scroll cobalt blue ground, pale yellow foot and neck, with griffin head handles, signed, 44cm high £1000 - £1500 1016. J Keeling for Coalport, a twin handled pedestal vase and cover, 1903, urn form, painted with a girl and child feeding geese in a rural farm landscape, between tooled gilt and green ground borders, rams head handles, 26cm high £400 - £600

1020 1020. A Minton painted ewer, pedestal ovoid form, the central oval decorated with the Muse Terpsichore in a coastal landscape, within a gilt stripe ground, relief moulded faun mask handle, John Mortlock puce mark, 29cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

112

1021. Stefan Nowacki for Lynton Porcelain, a pair of marine painted plates, crimped and jewelled rims, decorated with sailing ships, within pale green and gilt borders, signed, gilt monograms, 20cm diameter (2) £300 - £500

1025 1025. A Minton painted plate, decorated with a putto on a highland sheep, within a reticulated trellis border with floral painted cartouches, gilt scalloped rim, impressed marks, 24.5cm diameter £50 - £80

1022 1022. Stefan Nowacki for Lynton Porcelain, a marine painted platter, oval form, decorated with a coastal scene of boats and ships in sail, within blue ground gilt foliate scroll border, gilt monogram, 27cm x 33cm £500 - £700

1026 1026. Vincent Carter for Minton, an Aesthetic Movement plate, 1877, painted with a girl leaning on a prunus tree, within a reticulated turquoise and gilt border of Greek key and scale bands, impressed marks, printed WP & G Phillips, Art Pottery Studio mark, 24.5cm diameter £100 - £200 1023 1023. Milwyn Holloway, a scene painted plaque, decorated with two women feeding ducks beside a misty rural riverbank, signed, 15cm x 22cm, framed Note: Royal Worcester artist

£300 - £400

1024. T Bayley for Crown Staffordshire, a figure group, modelled as a boy and girl in a florally encrusted alpine rockery, 24cm high £80 - £120

1027 1027. Anton Boullemier (attributed) for Minton, a painted plate, decorated with a Classical woman tending to a flower pot, within a reticulated gilt lappet and ribbon border, impressed marks, 23.5cm diameter £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1028. Milwyn Holloway, a fruit painted tray, oval form, decorated with grapes, apple, pear, plum and other fruits, within a gilt scalloped border, signed, 18cm x 23cm £250 - £350

1029 1029. E Townsend for Royal Worcester, a fruit painted cabinet cup and saucer, circa 1930, ogee form with triform handle, decorated with apples, cherries and grapes, the cup with gilded exterior, signed, puce marks, 6.5cm high £150 - £250

1032 1032. A Royal Worcester fruit painted potpourri vase and cover, lobed baluster form with relief moulded arcading, pierced lids, decorated with peaches and crabapples, signed indistinctly Roberts, black mark, 14cm high £300 - £500

1034 1034. Freeman for Royal Worcester, a pair of fruit painted vases, 1960, footed teardrop baluster form, decorated with peaches and cherries, gilt necks and feet, signed, black marks, 20.5cm high (2) £1000 - £1500 1035. A Royal Worcester circular convex plaque, date cypher for 1912, painted with a grouse in a landscape, signed James Stinton, printed marks, 5cm wide, in a silver hallmarked mount to form a trinket dish £150 - £250

1030 1030. Telford for Royal Worcester, a fruit painted vase, inverse baluster form, decorated in the round with grapes, cherries and peaches, signed, black mark, 20.5cm high £500 - £700 1031. J Smith for Royal Worcester, a fruit painted vase, bulbous based trumpet form, decorated in the round with peaches and grapes, signed, black mark, 16cm high £500 - £700

1033 1033. L H Till for Royal Worcester, a fruit painted potpourri vase and cover, lobed baluster form with relief moulded arcading, pierced lids, decorated in the round with peaches, grapes, apples and blackberries, signed, black mark, 14cm high £300 - £500

1036 1036. J Bowman for Royal Worcester, a fruit painted potpourri vase and cover, lobed ovoid form relief moulded with arcading and pierced foliate cartouches to the lid, decorated in the round with apples, peaches and berries, signed, 12cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1040 1040. Kitty Blake for Royal Worcester, a leaf and berry vase, 1940, inverse baluster form, decorated with blossom, leaves and fruit, signed, shape No. 2491, puce mark, 10cm high £150 - £250 1041. Horace Price for Royal Worcester, a fruit painted bowl, 1923, circular form, decorated with pears and grapes, gilded exterior, Manufactured for H Stephenson, Manchester, puce marks, 13cm diameter, £100 - £200

1037 1037. R Price for Royal Worcester, a fruit painted pedestal vase and cover, circa 1955, tapered ovoid form, domed gilded lid and floral finial, moulded twin Greek Key and laurel wreath handles, decorated in the round with apples, blackberries. and peaches, on gilded flared circular foot, signed, black printed marks, No. 2713/2, 24cm high £800 - £1200 1042 1042. William Bagnall for Royal Worcester, a fruit painted pedestal dish, 1931, circular form, peaches, grapes and daisies within a cobalt blue, Greek key and floral lappet gilded border, angular handles and moulded Greek key border to underside, on flared stem and circular foot with foliate band heightened in gilt, square base, signed, puce mark, 7cm high £300 - £500

1038 1038. A Schuck for Royal Worcester, a fruit painted pin dish, 1937, waisted chamfered oblong form, painted with apples and blackberries, signed, 15cm wide £100 - £200 1039. Kitty Blake for Royal Worcester, a blackberry and autumnal leaf vase, 1930, conical form with crimped gilded rim, signed, shape No.G957, 8cm high £100 - £200 1043

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1043. W H Austin for Royal Worcester, a cabinet cup and saucer, 1913, decorated with fallen apple blossom, gilded exterior, signed, puce marks 3.5cm high (2) £200 - £300 1044. G Moseley and A Schuck for Royal Worcester, a fruit painted coffee can and saucer, 1938 decorated in the round with apples, berries and peaches, gilded interior, signed, puce marks, 5cm high (2) £200 - £300 1045. E Townsend for Royal Worcester, a fruit painted cabinet cup and saucer, circa 1936, decorated in the round with gooseberries, apples and cherries, gilded exterior; together with a similar example, W H Austin, 1913, signed, puce marks, 4cm high (4) £400 - £600 1046. A Royal Worcester fruit painted miniature bowl, circa 1960, decorated in the round with apples, peaches and grapes, indistinctly signed, 5cm diameter; together with two Royal Worcester fruit painted pin dishes, circular form, signed, 10cm diameter (3) £200 - £300

1052

1049

1052. Harry Ayrton for Royal Worcester, a fruit painted powder blue cabinet cup and saucer, 1927, peach, apple, grape and gilt foliate arcaded borders, signed, puce marks, and retail mark, 5 cm high. £200 - £300

1049. Harry Stinton for Royal Worcester, a Highland Cattle vase, inverse baluster form, 1931, landscape vignette verso, shape No. 2491, signed, 10cm high £300 - £500

1047 1047. E Townsend for Royal Worcester, a fruit painted plate, 1935, decorated with apples and grapes, signed, puce marks, 15.5cm diameter £100 - £150 1048. A Royal Worcester fruit painted pin dish, circular form with relief moulded foliate scroll border, circa 1956, decorated with apples and grapes, indistinctly signed, 11cm diameter, together with a similar pin dish (2) £250 - £350

1053 1050 1050. Harry Stinton for Royal Worcester, a Highland Cattle spill vase, 1908, cylindrical form with gilt heightened blush reticulated acanthus and arcaded rim, and floral moulded band, signed, shape No. G689, green printed marks, 9cm high £250 - £350 1051. A Royal Worcester rose painted bowl, 1913, circular form, decorated in the round with floral vignettes, gilded scalloped rim, indistinctly signed, 18cm diameter £100 - £200

1053. Edward Townsend for Royal Worcester, a pair of blush ivory pedestal vases, 1921, ovoid form with flared neck and reeded border, twin gilt acanthus moulded handles on knopped stem, flared foot and square inswept base, each with circular fruit painted medallion within elaborate floral, foliate and gilded borders, signed, shape No. 1969, 17cm high (2) £600 - £800 1054. A Royal Worcester rose painted bowl, 1910, circular form, decorated with dog roses on a matt sky blue ground, with coral and gilt reeded outswept rim, foliate and bud relief quatrefoil high relief border, on circular foot with moulded foliate lappet band, shape No. 1735, green mark, 9.5cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

116

1059

1055. R Austin for Royal Worcester, two rose painted vases, 1909 and 1923, one of shouldered form, the other twin handled bulbous form with relief moulded green gilt neck, 21.5cm high (2) £100 - £150

1059. W A Hawkins for Royal Worcester, a pair of still life painted plates, 1909, each with fruit, ceramics and glass on draped tables, within tooled gilt bands, green ground and relief moulded foliate scroll border, signed, puce marks, 21cm diameter (2) £1000 - £1500

1056. J Allen for Royal Worcester, a sheep painted vase, 1954, tapered form with crimped gilded rim, landscape vignette verso, signed, shape No. G957, 8cm high £200 - £300

1060

1057 1057. John Stinton for Royal Worcester, a scene painted plaque, 1912, circular, decorated with misty lakeside castle scene, signed, 13cm diameter, framed £500 - £700 1058. A pair of Royal Worcester vases, 1901, twin handled, pedestal bottle form, painted with grape vines and floral garlands highlighted in raised gilt, relief moulded neck and rams head handles, green marks, 25.5cm high (2) £800 - £1200

1060. Harry Stinton for Royal Worcester, a Highland painted plate, 1912, decorated with two Highland cows in a misty mountain landscape, within green ground gilt scroll arcaded border, signed, puce marks, 23cm diameter £300 - £500 1061. A pair of Royal Worcester rose painted vases, 1911, reticulated globe and shaft form, footed, relief moulded foliate scroll and pierced trellis shoulders, 18.5cm high (2) £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

117

1062. Harry Davis for Royal Worcester, a Highland scene painted plaque, 1916, circular, decorated with sheep in mountainous landscape, signed, puce mark, 11cm diameter, framed £1800 - £2200 1063. W J Bagnall for Royal Worcester, two fruit painted side plates, 1930, decorated with apples and grapes and pears and berries, puce marks, signed, 15.5cm diameter (2) £200 - £300 1064. Millie Hunt for Royal Worcester, a rose painted bowl, 1938, circular form with gilded scalloped rim, signed, puce mark, 18cm diameter £100 - £200 1065. Arthur Schuck for Royal Worcester, a set of seven fruit painted dessert plates, 1921, square form, pears, cherries, blackberries and apple blossom, with elaborate black enamelled stylised floral rim, with raised red and orange detail and gilt apple green and black beaded borders, signed, puce marks, retailer’s mark, Ovington Brothers, New York, 21cm wide £1000 - £1500 1062

1066 1066. Brian Leaman for Royal Worcester, a fruit painted pedestal vase, circa 1970, decorated in the round with apples, blackberries, grapes and plums, domed gilded cover with flower bud finial, gilded Greek key tasselled handles, on gilded flared foot, signed, shape No. 2713/3, 20cm high £500 - £700 1067. Harry Davis for Royal Worcester, a Highland scene painted ewer, 1908, shouldered pedestal form with relief moulded mask and griffon head handle, decorated with sheep in a mountain landscape, signed, puce marks, 33cm high £2500 - £3500 1067

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

118

1068 1068. Attributed to R Austin for Royal Worcester, a miniature painted Peacock vase, 1908, ovoid and trumpet form, the neck with relief moulded foliate border and reeded collar, painted in the round with birds, rose hips and pine trees, shape No. H286, green mark, 11cm high £80 - £120 1069. A Royal Worcester waste bowl, date cypher for 1909, raised gilt and polychrome decoration of a spider and web amongst brambles, printed mark, height 8.5cm £50 - £80 1070. A Royal Worcester fruit painted pot pourri vase and cover, date cypher for 1954, signed R. Davis, reticulated cover, shape No.169, printed marks, height 16cm £200 - £300

1080 1073. Two Royal Worcester fruit painted small vases, one of ovoid form, date cypher for 1949, shape No.2491, signed by Kitty Blake, height 8cm the other of trumpet form, signed by M. Miller, height 12cm, printed marks (2) £100 - £150 1074. Two Royal Worcester fruit painted trinket dishes, date cyphers for 1939 and 1940, of octagonal form, one signed by Freeman, printed marks, width of largest 12cm (2) £100 - £150 1075. A near pair of Royal Worcester fruit painted trinket dishes, date cyphers for 1936, wavy rims on raised bases, signed H. Ayton and E. Townsend, printed marks, diameter 9.5cm (2) £100 - £150 1076. Two Royal Worcester fruit painted cabinet mugs, date cyphers for 1953 and 1956, signed by Roberts, gilt handles, printed marks, height 7cm (2) £150 - £200

1071 1071. A Royal Worcester fruit painted cabinet cup and saucer, date cypher for 1920, signed A. Shuck, gilt exterior, printed marks, cup diameter 8.5cm £80 - £120 1072. Two Royal Worcester fruit painted cabinet cups and saucers, one with date cypher for 1915, signed Ricketts, gilt exterior, the other matched with cup signed by Ricketts and saucer by Austin, printed marks, diameter of cups 5.5 and 5cm (2) £80 - £120

1077. A pair of Royal Worcester cabinet plates, date cypher for 1911, painted with insects amongst foliage, signed W. Austin, gilt cartouche borders on a green ground, wavy rims, printed marks and retailer James Green & Nephew, London, diameter 22cm (2) £80 - £120 1078. A set of thirteen Royal Worcester cabinet plates, date cyphers for the 1940’s, each painted with various species of British fresh water fishes, signed by H. Ayrton, gilt dot wavy borders, printed marks, diameter 23cm (13) £500 - £800

1079 1079. Joseph Hancock for Royal Doulton, a scene painted vase, ovoid form, decorated in the round with an extensive mountain lake view of flying geese and herons, signed, 19cm high £200 - £300 1080. J P Hewitt for Doulton Burslem, a pair of earthenware vases, shouldered form, painted with semi-nude women, classically draped, between tongue lappet and floral scroll borders, printed and impressed marks, signed, 30.5cm high (2) £800 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1081. J H Plant for Royal Doulton, a set of four castle painted plates, each with views of Chepstow, Warwick, Bothwell and Kenilworth, within raised and tooled gilt garland and foliate borders, signed, 23.5cm diameter (4) £250 - £350

1086. A Royal Doulton Kingsware Dewars whisky flagon, Captain Phillip, ovoid form, open nautical stopper, with tartan ribbon, 23.5cm high £50 - £80

1082 1082. A Royal Doulton figure of a black headed gull, HN211, circa 1930, modelled lying down, 24cm long £100 - £150 1083. A Royal Doulton Flambe figure of a Mountain Goat, 1982, modelled on a rocky outcrop, 25.5cm high £200 - £300 1084. A Royal Doulton Kingsware Dewars whisky flagon, Beefeater, bulbous baluster form, Dewars stopper, 23cm high £50 - £80

1087

1091

1087. A Royal Doulton Kingsware whisky flagon, Master of the Foxhounds, spherical form, relief moulded fox handle and spout, with stopper, 19.5cm high £80 - £120

1091. A Royal Doulton Kingsware Dewars Whisky flagon, the Macnab, ovoid form, relief moulded with a bagpiper, thistle stopper, 25.5cm high £50 - £80

1088. A Royal Doulton Kingsware whisky flagon, Golfers, ovoid form with loop handle, plated stopper, 22cm high £50 - £80

1092. A Royal Doulton Kingsware whisky flagon, Gillie and Fisherman, shouldered form, slip monogram BL to the reverse, with spherical ceramic stopper, 24cm high £50 - £80 1093. Two Royal Doulton Kingsware miniature figural whisky bottles, each modelled as a Coachman, one with silver stopper, 9.5cm high (2) £100 - £150 1094. A Royal Doulton Kingsware Watsons whisky flagon, Tavern meeting scene, shouldered cylindrical form, relief moulded acanthus border, silver stopper, 24cm high £80 - £120

1085 1085. A Royal Doulton Kingsware leather bottle whisky flagon, Tavern scene, stitched bag form, silver stopper and chain, 17cm high £80 - £120

1089 1089. A Royal Doulton Kingsware miniature figural whisky jug, Coachman, modelled as a man with hand in pocket, the arm forming the handle, removable head stopper, 14.5cm high £80 - £120

1086

1090. A Royal Doulton Kingsware whisky flagon, Bill Sykes relief moulded head, transfer printed dog to the back, shouldered form, silver stopper on chain, 20.5cm high £80 - £120

1095 1095. A Royal Doulton Kingsware whisky barrel, Tavern scene, with silver cap and silver bucket, on wooden stand, 23cm long £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1096. A Royal Doulton Commemorative Kingsware Dewars whisky flagon, Sporting Squire, printed Coronation of King George V and Queen Mary 1911, ovoid form, 17cm high £70 - £100

1103. A Minton Eagle Japan Imari charger, decorated with Persian style floral design, impressed and printed marks, 38.5cm diameter £60 - £80

1097. A Royal Doulton Kingsware Dewars whisky flagon, Richard Arkwright, shouldered Meiping form, relief moulded and gilt transfer printed, gilt White Label mark, ceramic stopper, 28cm high £80 - £120

1104. A Coalport florally encrusted Campana urn vase, circa 1830, twin handled, relief moulded with foliate scrolls and floral garlands, painted with exotic birds, and highlighted in gilt, on acanthus bracket pedestal foot, 15cm high £20 - £40 1105. A George Jones majolica water lilies bowl and liner, decorated in relief with waterlilies and leaves on a turquoise ground, pink interior, standing on three leaf feet with model no.3526 in black ink under one foot, the liner pierced for drainage, width 42cm, 13cm high Note: listed in the George Jones pattern catalogue as: model 3526 low footed waterlilies bowl turquoise ground, pink lining £400 - £600 1106. A Japonesque faience teapot, circa 1880, cuboid form, relief moulded bamboo handle and borders, decorated with floral sprigs and Japanese fans, 22cm high £200 - £300

1098 1098. Two Royal Doulton series ware Dewars whisky flagons, Monarch of the Glen and Britannia, green ground, circular moonflask form, one with sealed stopper, 20cm high (2) £200 - £300 1099. Two Royal Doulton series ware Dewars whisky flagons, Monarch of the Glen and Britannia, brown ground, circular moonflask form, one with stopper, 20cm high (2) £200 - £300 1107 1107. A Charles Bourne part tea and coffee service, Staffordshire circa 1820, London shape, painted and gilded in the Imari style with floral sprays and motifs, pattern 236, including twelve teacups, six coffee cups, eleven saucers, sucriere, and two tea plates, painted marks to each CB/236 (32) £80 - £120

1100 1100. A Royal Doulton Kingsware figural whisky bottle, Tony Weller, modelled holding a brass rod, incised verse to the back, silver stopper, 26cm high £100 - £150 1101. A Royal Doulton Kingsware figural whisky jug, Coachman, modelled as a man with hand in pocket, the arm forming the handle, removable head stopper, 26cm high £100 - £150 1102. A set of Minton fire surround tiles, circa 1890, in the revivalist style, painted with five allegorical panels of putti representing the arts, flanked by Renaissance figural pilasters, monochrome on green sage, 15.5cm2 (15) £600 - £800

1108 1108. A Derby Bloor scene painted garniture of three vases, circa 1820, campana urn form, the large vase decorated with central vignette, entrance to York castle, within gilt foliate scroll blue grounds with coiled snake handles, the smaller flanking examples similarly decorated with view of the River Eurotas and Bambro Castle, printed marks, 21.5cm high (3) £800 - £1200 1109. An Ironstone part dinner service, circa 1830, painted and gilded in the Imari style, including dinner plates, tureens, sauce boats and stands, graduated meat platters etc., unmarked (q) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1112

1112. A Wedgwood cabaret set, sprigged with jasper reliefs of scrolling foliage and classical medallions, circa 1790 (7) £3000 - £3500

1110 1110. A 18th century Staffordshire creamware jug, circa 1780, shouldered form with relief moulded banded wicker lower section, painted with an Order of the Garter medallion, below swag and entwined garland borders, 14.5cm high £80 - £120 1113 1111. A transfer printed pearlware commemorative plate, Whitehaven pottery 1827, Lawson & Independence, commemorating the Carlisle election campaign within foliate and floral cartouche, 22.5cm diameter £100 - £200

1113. George Jones, a Victorian majolica cheese dome and dish, relief moulded basket weave and floral decoration, impressed and painted marks, 26.5cm diameter £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1116

1119

1114. T Sheffield for Sandbach and Co., a relief moulded Earl of Derby jug, 1870, cylindrical baluster form, modelled with portrait medallions of Sir Edward Stanley and Homer, below bands of Classical motifs, coat of arms and garlands, puce marks, 26cm high £100 - £150

1120. A Staffordshire white saltglaze butter dish cover and stand, circa 1760, the body of oval form, the reticulated cover with a recumbent cow, moulded with panels of basket weave, diaper and scroll designs, 10cm high £500 - £700

1115. A Staffordshire pottery ram and two white glazed models of a ram and ewe, circa 1800, 13cm high (3) £50 - £80 1116. A Ralph Wood family creamware Toby Jug of ‘Mould 51’ type circa 1780, of traditional form with tricorn black hat, green jacket and yellow breeches, holding his left hand a jug of ale and a foaming glass in his raised right hand, a pipe leaning to his side, on a canted rectangular base, 25cm high £600 - £800

1121. A delft vase circa 1700, painted with insects and butterflies and moths, amongst sprays of prunus, chrysanthemum, peony, carnation, tulip and foliage, 15cm high £150 - £200 1122. A Ralph Wood family creamware Toby jug of ‘Mould 51’ type, circa 1780, of traditional form and crisply modelled, seated and holding a foaming jug of ale in his left hand and a foaming glass in his raised right hand, a pipe leaning at his side, decorated in translucent glazes ,with a brown jacket and pale yellow breeches, 25cm high £600 - £800

1117. A Worcester polychrome cos lettuce moulded sauce boat, circa 1750, relief moulded with leaves, painted with floral bouquets, 22cm long £100 - £200

1123. A Victorian Orange Men pink lustre jug, commemorating King William III, Prince of Orange, 15.5cm high £150 - £250

1118. A 15th century ceramic costrell, circular with twin handles, 22cm high £150 - £250

1124. A Worcester blue and white bowl, circa 1770, crescent mark, Full Moon pattern, cylindrical footed rounded form, 15cm diameter £30 - £50

1119. A pearlware Toby jug, circa 1800 of traditional form, seated and holding a foaming jug in his left hand, his right hand held out in front of the jug, in Prattware colours, wearing a yellow coat with brown speckles, yellow breeches and brown shoes, 26cm high £400 - £600

1125. A Worcester blue and white bowl, circa 1770, crescent mark, Mansfield pattern, together with a tea bowl, unmarked, 15.5cm diameter (2) £30 - £50 1126. A collection of 19th century relief moulded Prattware jugs, including Admiral Nelson and Captain Berry, hunting, tavern and battle scenes, various shapes and sizes, 15.5cm high (6) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ROUNDELWOOD COLLECTION: PART 3

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1127. A Worcester blue and white teapot, circa 1770, workman’s marks, Mansfield pattern, spherical form with ball knop finial, 18cm long £100 - £200

1138. A Worcester Blind Earl leaf moulded plate, circa 1758, polychrome decorated with gilt denticulated rim, 19cm diameter £100 - £150

1128. A Worcester blue and white sauce boat, circa 1755, pseudo Chinese character mark, relief moulded and painted with the Sinking Boat Fisherman pattern, footed with ogee denticulated rim, 16cm long £120 - £180 1129. A Worcester blue and white jug, circa 1765, crescent mark, painted with the Cannonball pattern, baluster sparrow beak form, 9cm high £60 - £80 1130. A Worcester blue and white jug, circa 1760, workman’s mark, ribbed baluster form, decorated with Rococo floral borders and ogee rim, 9.5cm high £60 - £80 1131. A Worcester blue and white relief moulded pickle leaf butter boat, circa 1755, workman’s mark to handle, painted with Mansfield style floral vines, 8.8cm long £40 - £70 1132. A Worcester blue and white mustard pot and cover, circa 1770, crescent mark, Fence pattern, cylindrical form with moulded Rococo handle and floral finial, 10.5cm high £70 - £100 1139 1133. A Worcester blue and white egg cup, circa 1770, crescent mark, painted with the Floral pattern below a Rococo trellis border, 6.5cm high £100 - £200

1139. A Worcester Blind Earl leaf moulded pickle plate, circa 1758, scalloped and painted with floral bouquets and sprigs, rose branch handle, 16cm diameter £100 - £150

1134. A Worcester blue and white sauce boat, circa 1770, crescent mark, painted with the Two Porters Landscape pattern, within relief moulded borders and ogee gadrooned rim, 12.5cm long £80 - £120 1135. A Worcester blue and white jug, circa 1756, painted in the Rock Warbler pattern, baluster sparrow beak form, 8.4cm high £80 - £120 1136. A Worcester blue and white facetted and flared relief moulded cream boat, circa 1758, crescent mark, Early Flowering Plants pattern, Daisy and Peony, with feathered C scroll and tendril moulded cartouches, double C scroll handle, 11cm long £120 - £180 1137. A Worcester blue and white high Chelsea ewer, circa 1770, crescent mark, painted with the Fruit Sprays pattern, geometric cell diaper border to the inside, relief moulded acanthus decoration, £100 - £150 9cm high

1140 1140. A Worcester polychrome cos lettuce leaf moulded plate, circa 1756, modelled as two leaves, painted with floral bouquets and sprigs, 25.5cm long £100 - £150 1141. A Worcester blue and white jug, circa 1770, crescent mark, Fence pattern, sparrow beak baluster form, 11cm high £40 - £70 1142. A Worcester blue and white mug, circa 1765, crescent mark, decorated in the Plantation pattern, cylindrical form, 8.5cm high £70 - £100 1143. A Worcester blue and white mug, circa 1775, crescent mark, Parrot Pecking Fruit pattern, baluster form with double strap handle, 9cm high £60 - £80

1138

1144. A Worcester blue and white coffee can or small mug, circa 1756, W mark, Bamboo Root pattern, with chrysanthemum, cylindrical form, 6.5cm high £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1127, 1128 & 1129

1130, 1131, 1132 & 1133

1134, 1135, 1136 & 1137

1141, 1142, 1143 & 1144

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1145, 1146, 1147 & 1148 1145. A Worcester dry blue coffee cup and saucer, circa 1765, James Giles floral painted over glaze, with gilt denticulated rims, 12.3cm diameter £100 - £200 1146. A Worcester blue and white tea bowl and saucer, circa 1775, crescent mark, decorated in the Fruit and Wreath pattern, 12.5cm diameter £40 - £60 1147. A Worcester blue and white feather moulded tea cup and saucer, circa 1765, workman’s marks, painted in the Feather Mould Floral pattern, 11.5cm diameter £40 - £70 1148. A Worcester blue and white tea bowl and saucer, circa 1765, crescent marks, painted in the Waiting Chinaman pattern, 12.5cm diameter £80 - £120

1149, 1150, 1151 & 1152 1149. A Worcester polychrome coffee cup, circa 1770, painted with peonies between black S scroll cartouches, 6.5cm high £50 - £80 1150. A Worcester polychrome coffee cup, circa 1765, painted with floral sprays in the style of James Giles, gilt rim, 6cm high

£50 - £80

1151. A Worcester polychrome coffee cup, circa 1770, painted with Chinese flowers within a seaweed wreath, in the famille rose style, below diaper and gilt scroll border, 6.5cm high £50 - £80 1152. A Worcester polychrome coffee cup, circa 1770, painted with a floral bouquet within a feathered gilt cartouche, 6cm high £40 - £70

1153, 1154, 1155 & 1156 1153. A Worcester Imari coffee cup, circa 1775, underglaze blue and white panels painted in the Japanese style with floral and geometric motifs, 6.5cm high £50 - £80 1154. A Worcester transfer printed and polychrome decorated coffee cup, circa 1760, decorated with temple ruins in a garden landscape, gilt rim, 6.5cm high Note: an example of this service is currently in the collection of the British Museum with polychrome transfers after engravings of the Ruins of Palmyra by Giovanni Battista Borra £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1155. A Worcester polychrome coffee cup, circa 1770, painted in the Kakiemon or Japan Floral pattern, 6.5cm high

£60 - £80

1156. A Worcester monochrome and gilt coffee cup, circa 1760, painted in black with floral bouquets, highlighted in gilt, 6.5cm high £50 - £80

1157, 1158, 1159 & 1160 1157. A Worcester polychrome bowl, circa 1775, painted in the Dragon in Compartments pattern, Imperial ogee form, 10.5cm diameter £80 - £120 1158. A Worcester polychrome teapot, circa 1770, Mandarin pattern, painted with various figures in rural and domestic scenes, spherical form with relief moulded floral finial, 17cm long £150 - £250 1159. A Worcester polychrome jug, circa 1775, pseudo Meissen crossed sword and 6 mark, painted with fruiting bouquets below a raised gilt Rococo C scroll collar, in green, baluster form with double entwined strap handle, 12cm high £120 - £180 1160. A Worcester polychrome jardinière, circa 1760, painted with floral bouquet and sprig, 9cm high

£80 - £120

1161, 1162 & 1163 1161. A Worcester polychrome jug, circa 1768, painted in the Jabberwocky pattern, turquoise ground Rococo scroll rim, baluster form, highlighted in gilt, 23cm high £100 - £150 1162. A Worcester polychrome bowl and saucer, circa 1775, painted with exotic birds on islands in roundels, gilt and turquoise bordered, with fruiting garlands and raised gilt rims, 15cm diameter £100 - £200 1163. A Worcester polychrome mask jug, circa 1770, crescent mark, painted with a central cartouche of a puce urn within gilt Rococo scroll and floral border, between floral sprays, the spout relief moulded and painted as a man’s head, 20.5cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1164, 1165, 1166 & 1167 1164. A Worcester transfer printed plate, circa 1758, decorated with Hancock’s River Scene, with swans and water birds, ogee moulded rim, 14.5cm diameter £80 - £120 1165. A Worcester transfer printed mug, circa 1757, decorated with the King of Prussia, angels and emblems of war, printed monogram and date, 8.5cm high £100 - £150 1166. A Worcester transfer printed trio, circa 1760, decorated with Hancock’s Tea Party, including tea bowl, coffee cup and saucer, printed RH monogram and Worcester to the saucer, 11.5cm diameter (3) £100 - £150 1167. A Worcester transfer printed coffee cup, circa 1760, decorated with Hancock’s Classical Ruins, 6cm high

£40 - £80

1168, 1169 & 1170 1168. A Worcester blue and white sauce boat, circa 1775, Doughnut Tree pattern, scalloped pear shape, 17.5cm long

£60 - £100

1169. A Worcester blue and white sauce boat, circa 1775, Full Moon pattern, scalloped pear shape, 20.5cm long

£60 - £100

1170. A Worcester blue and white sauce boat, circa 1755, workman’s mark, painted in the Landscape Pattern, twin side handled and double spouted with relief moulded foliate cartouches, 17.5cm long £120 - £180

1171, 1172 & 1173

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1171. A Worcester blue and white relief moulded sauce boat, circa 1775, crescent mark, painted in the Strap Flute Floral pattern, footed ogee helmet form, ear handle, 19.5cm long £50 - £80 1172. A Worcester blue and white relief moulded sauce boat, circa 1775, crescent mark, painted in the Strap Flute Floral pattern, footed ogee helmet form, ear handle, 16cm long £50 - £80 1173. A small Worcester blue and white relief moulded sauce boat, circa 1775, crescent mark, painted in the Strap Flute Floral pattern, footed ogee helmet form, ear handle, 13.5cm long £40 - £60

1174, 1175 & 1176 1174. A Worcester blue and white twin handled butter dish, circa 1770, crescent mark, decorated in the Three Flowers pattern, oval form with relief moulded applied branch and flower handles, 14cm long £50 - £80 1175. A Worcester blue and white relief moulded sauce boat, circa 1755, workman’s mark, painted in the Triangular Platform pattern, pedestal ogee form with C scroll and foliate cartouches, 19.5cm long £100 - £150 1176. A Worcester blue and white relief moulded sauce boat, circa 1760, workman’s mark, painted with the Fisherman and Billboard Island pattern, pedestal helmet form, fluted moulding, 17.5cm long £100 - £150

Provenance: Albert Amor label underside

1177, 1178 & 1179 1177. A Worcester polychrome and blue and white teapot, circa 1760, W mark, painted in the Mandarin salesman pattern, below underglaze blue banding, spherical form with relief moulded floral finial, 18cm long £100 - £150 1178. A Worcester blue and white teapot, circa 1775, crescent mark, decorated with the Fence pattern, barrel form with flat lid and relief moulded floral finial, 20cm long £80 - £120 1179. A Worcester polychrome teapot, circa 1760, painted with floral bouquets below a Rococo C scroll green and gilt apron, ribbed barrel form 21cm long £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS

3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

(e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 23 per cent plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. Credit cards – Visa or Mastercard (American Express or Diners Club not accepted). Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present. Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. 13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM