Peter Wilson Auctioneers

WEDNESDAY 4 & THURSDAY 5 JULY 2018

Peter Wilson FINE ART AUC TIONEERS • EST 1955

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Peter Wilson FINE ART AUC TIONEERS • EST 1955 WeDnesDaY 4th JulY 2018 at 6Pm thursDaY 5th JulY 2018 at 11am

on VieW: Sunday 1st July Monday 2nd July Tuesday 3rd July Wednesday 4th July Thursday 5th July

2.00pm 10.00am 10.00am 10.00am 9.00am

-

4.00pm 5.00pm 5.00pm 4.00pm 11.00am

Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 22% plus VAT (26.4% inclusive of VAT)

Please note: We cannot provide condition reports on the morning of the auction.

Colours in photography may vary from actual items.

All measurements are approximate.

For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

roBert stones Managing Partner robstones@peterwilson.co.uk

nick allsoPP Saleroom Manager nick@peterwilson.co.uk

chris large Ceramics & Glass, Firearms, Weapons, Musical Instruments, Tribal Art chris@peterwilson.co.uk

stePhen sParroW Pictures, Maps & Medals stephen@peterwilson.co.uk

mimi thomPson Wine & Spirits Clocks & Works of Art mimi@peterwilson.co.uk

helena WauDBY Silver, Jewellery & Watches helena@peterwilson.co.uk

DaViD BYrne Silver, Jewellery & Watches Consultant auctions@peterwilson.co.uk

alan shaW Coins, Stamps & Cigarette Cards auctions@peterwilson.co.uk

JaYne tatler Accounts jayne@peterwilson.co.uk

sharon sParroW Administrator auctions@peterwilson.co.uk

aDrian smith Gallery Sale Team adrian@peterwilson.co.uk

Cover illustrations: Front & back: lot 181 Inside Front: lot 184 Inside Back: lot 334 2

Paul JerVis Gallery Sale Team paul@peterwilson.co.uk

romana Bloor Receptionist marnie@peterwilson.co.uk

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INDEX

Day One at 6pm Silver & Plated Ware

1 - 36

Jewellery

37-80

Watches

81-92

Day Two at 11am Collectors Items Pens

93 - 106 107

Weapons, Medals & Militaria

108 - 119

Stamps, Postcards & Ephemera

120 - 129

Cameras

130

Glass

131 - 132

Ceramics

133 - 208

Asian Art

209 - 214

Prints & Posters Oil Paintings (Modern/Contemporary) Watercolours, Pastels & Inks (Modern/Contemporary) Oil Paintings (18th/19th Century) Watercolours, Pastels & Inks (18th/19th Century)

215 - 226 227 - 280 281 - 296 297 - 309 310 - 328

Bronzes & Sculptures

329 - 333

Clocks & Barometers

334 - 364

Furniture

365 - 457

3

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1

silVer & PlateD Ware 1 Pair of cased silver bon-bon dishes, chippendale border surrounds with pierced scrolling decoration, pedestal feet, weighing approx. 3.8ozt, approx. 5.4cm high, marks for Henry Matthews, Birmingham, 1924, together with a pair cased silver salts and spoons, grooved decoration to oval bodies, height approx. 5cm, marks for Atkin Brothers, Sheffeild, 1891, two spoons accompanying salts with marks for London, 1822, total weight of set weighing approx. 4.4ozt. £70 - £100 2 Boxed set shell-form silver salts, each resting on 3 ball feet, marks for Minshull & Latimer, Birmingham, 1892, total weight approx. 2.14ozt. £60 - £80

2

3 Silver plated candelabra table centrepiece in the form of an oak tree, plain polished base on three feet in the form of branches, decoration in the form of leaves and acorns, central column in the form of a tree trunk with three detachable stems in the form of twisted branches, height approx. 59cm. £200 - £400 4 6 Persian silver filigree cup holders, wrought silver bodies decorated with lotus flowers and elaborate scrollwork, each with plain polished pedestal base, rectangular handles, total weight approx. 14ozt, diameter of base approx. 6.5cm. £125 - £175

4 3 4

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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7 5 George I silver sugar sifter, octagonal baluster body on pedestal foot, pierced decoration lid with cast finial, height approx. 17cm, marks for Thomas Bamford, London 1722, weight approx. 7.08ozt. £100 - £150 6 Silver rectangular serving tray, two handled form, plain polished body with monogrammed initial 'A' inscribed to centre, fluted curved border and scrolling handles, measuring approx.

62cm x 38cm, marks for Birmingham, 1911, approx. weight 90ozt. £700 - £800 7 Victorian silver lidded jug, embossed fluted decoration to body, plain polished neck, black scroll handle and finial, pedestal foot, marks for Atkin Brothers, Sheffield, 1892, height approx. 25.5cm, weight approx. 16.3ozt. £125 - £150

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8 8 Victorian silver dish, pierced and repousee decoration, applied floral border, plain polished centre inscribed with ‘JJJ, 4th April 1866, 4th April 1891’, waved pedestal foot, marks for Charles Stuart Harris, London, 1890, height approx. 13cm, width approx. 22.5cm, weight approximately 16.35ozt. £200 - £400 9 A Georgian silver nutmeg grater and late Victorian stamp box, egg-shaped grater with detachable lid, measuring approx. 35mm, marks for Samuel Pemberton, Birmingham, stamp box on 4 ball feet measuring approx. 30mm x 33mm, marks for Levi and Salaman, Birmingham, 1901. £100 - £150 9

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10 Continental silver and enamel cigarette case, rectangular form with truncated corners, hand-painted scene to lid depicting deers in a meadow, blue enamel chevron decorated border, silver gilt interior, measuring approx.

10.5cm x 9cm,weight approx. 4.85ozt. £150 - £200 11 11 Silver spherical cigar/cigarette table lighter, height approx. 13cm, inscribed 'E.J.B from E.W.M.', the spherical bomb shaped lighter comprising central wick burner with 3 seperate parafin lighters, on wooden plinth base, marks Edward H Stockwell, London, 1878. £200 - £300

12 5-piece silver cruet set, comprising a salt and pepper shaker, a pair of salts with spoons and silver mustard pot with hinged lid, of plain polished faceted octagonal form, rope twist decoration to pedestal feet, complete in leather bound box, marks for William Neale, Birmingham, 1927, total weight of set (excluding liners) 6.79 ozt. £150 - £250

13 3 piece silver tea set by S Blanckensee & Son Ltd, consisting teapot, milk jug and sugar bowl, each with faceted baluster form, gadroon borders, on pad feet, teapot with black umbrella shaped finial and C-scroll handle, marks for Chester, 1933, milk jug with marks for Birmingham, 1929, sugar bowl with marks for Chester, 1932, gross weight approx. 34.6ozt. £250 - £350

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

14 A silver serving dish, rounded rectangular form on four pierced feet in the form of vines, plain polished body, pierced grapevine decoraration to border, marks for Harry Atkin, Sheffield 1929, width approx. 20cm x 16cm, weight approx. 14.24ozt. £150 - £250 14

15

15 Small Persian silver teapot, round squat body, spout and handle chased with floral and foliate decoration, lid and cartouches to body depicting scenes of figures and wild animals, scrolling handle, finial in the form of a flower, single spreading foot, height approx. 10cm, width from handle to spout approx.

17.5cm, weight approx. 9.4ozt. £100 - £150

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16 Silver coffee jug, baluster body on pedestal foot, black C-scroll handle and finial to hinged lid, marks for S Blanckensee & Son Ltd, Chester, 1932, weight approx. 12.9ozt, height approx. 22.5cm. £100 - £150

17 Asian silver bucket, decorated with elaborate floral and foliate repousse work, decorative panels depicting dragons, animals, deities etc height approx.

13.5cm, width approx. 16cm, weight approx. 12.3ozt. £100 - £150 17

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18 44 piece plain polished silver cutlery set with stag head crest, comprising 12 table spoons, 12 table forks, 12 dessert forks, 6 serving spoons and 2 non-matching ladles, one with stag head crest and banner reading 'est nulla fallacia' and one with pheasant crest, total weight of set 84.57ozt. £850 - £1,250

19 Silver presentation table lighter in the form of a lighthouse of sailing interest, 20cm high, square stepped base with presentation inscription and applied enamel flag “Caernarvon Sailing Club Regatta, 1938, Handicap Race for yachts exceeding 3 tonnes, presented to E. Lynton Vicars, ESQ”, hallmarked Birmingham, 1938, the realistically modelled lighthouse with hinged finial cover to top, engraved pattern number 373219. £300 - £500

19

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

20 Two Victorian matched silver dishes, ornate floral and scrolling repousee decoration, plain polished centre with inscription ‘JJJ, 4th April 1866 and 4th April 1891’ marks for Charles Stuart Harris, London, 1890, weight approximately 17.43ozt. £200 - £400

20

21 21 12 piece set of silver dessert knives and forks, filled silver handles chased with foliate and scrollwork, knives 21cm long, forks 17cm long, marks for Harrison Brothers & Howson, Sheffield, 1873. £250 - £300

22 22 Asian silver bowl, elaborate floral and scrollwork decoration, six cartouches to body depicting high relief figures of deities, width approx. 12cm, height approx. 8.5cm, weight approx. 5.6ozt. £75 - £125

23 23 Victorian silver bon-bon dish, with pierced and repousee scrolling decoration, on oval pedestal foot, heigh approx. 11.5cm, width approx.

16cm, weight approximately 7.97ozt. £100 - £150

24 24 Two Georgian silver serving spoons

by Hester Bateman, London, 1787, length approx. 29.5cm, weight approx. 6.58 ozt. £150 - £250

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25 Silver sugar sifter, hexagonal baluster form on pedestal foot, pierced decoration to lid with cast finial, marks for Collingwood & Sons Ltd, Birmingham, 1916, weight approx.

3.2ozt. £50 - £100 26 Victorian silver teapot, oval form with fluted lower body, with finely chased floral and garland decoration to body and hinged lid, black umbrella finial and handle, marks for John Aldwinckle & Thomas Slater, London, 1891, weight approx. 9.26ozt. £150 - £250 27 Two silver gilt presentation keys in cases dated 1937 and 1938, the former inscribed ‘Frecheville Community Hall’ and ‘Presented to Sir Enoch Hill J.P. President of the Halifax Building Society who formally opened the hall 21st June 1937’, marks for Walker and Hall, Sheffeild, the later inscribed ‘Presented to Councillor Arthur Swarbrick, November 16th 1938’ and ‘On the occasion of with opening of the Lecture Hall Thornton’ marks for Lloyd, Paine and Amiel, Birmingham. £120 - £180

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28 28 Persian silver two-handled vase, cylindrical body on single spread foot, chased scrollwork and floral design to body, foot and neck, height approx.

36cm, total weight approx. 26.9ozt. £250 - £300

For condition reports please go to www.peterwilson.co.uk

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29 29 Six Irish silver George III forks, shell decoration to handles, marks for Samuel Neville, Dublin, 1801, length of each approx. 20.5cm, total weight approx. 20ozt. £170 - £200

30

30 Edwardian silver epergne, plain faceted tapered body with flared rim onto pedestal base with chippendale style border, pierced decoration to upper rim, four plain scrolling arms holding four detachable tapered flutes of matched design, marks for Goldsmiths & Silversmiths Co Ltd, London, 1903, weight approx. 32.6ozt, height approx. 33cm. £500 - £700

31

32 31 Silver sauce-boat, traditional three legged form, scroll handle with acanthus leaf decoration, rope twist border, hallmarked Birmingham, 1930, weight approximately 7ozt, together with a small silver sauce-boat, traditional form on pedestal base, Sheffield, 1924, 2.75ozt. £80 - £120 32 A 3-piece silver tea set, rounded rectangular forms with scalloped corners, hinged lid, faceted spout, black umbrella finial and handle to teapot, height approx. 15cm, weight approx. 16.9ozt, together with a matched sugar bowl and milk jug, angular silver handles, gold finish to interiors, weight of sugar bowl approx. 7.7ozt, weight of milk jug approx. 5.4ozt, marks for Joseph Gloster, Birmingham, 1933. £200 - £400

33

33 Silver baby rattle in the form of Peter Rabbit, hollow carved body with loop fitting to ears on mother of of pearl handle, makers mark W.H.C. (W.H. Collins & Co), 1942, length approx. 11cm. £80 - £120 11

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34 A set of silver and mother of pearl knives and forks, comprising 6 forks, 6 knives, polished mother-of-pearl handles inscribed with 'JWW', silver blades and tines engraved with scrolling foliate design, also including a serving fork and knife with carved handles, complete in black leather box. £100 - £150 34 35 3-piece silver tea-set, teapot with octagonal baluster form stepped border to body and hinged lid, hardwood handle and knop, height approx. 21cm, weight approx. 28.7ozt, together with a matched sugar bowl, height approx. 17.5cm, weight approx. 16.1ozt, and a matched milk jug, height approx. 13m, weight approx. 13.7ozt, marked ‘925.’ £400 - £600 35

36 36 A Victorian silver four-piece tea and coffee set, teapot of squat baluster form on four scrolling feet, plain polished with floral repousse decoration, bird of prey finial to hinged lid, fluted spout and scroll handle, height approx. 17.5cm, weight approx. 25.4ozt, together with a matching coffee pot, height approx. 27cm, weight approx. 27.4ozt, also with a two-handled sugar bowl, height approx. 12.5cm, weight approx. 12.2ozt, and a milk jug, height approx. 16cm, weight approx. 9.1ozt, marks for William Robert Smily, London, 1851, a total gross weight of approx. 74.1ozt.

Inscription to each piece 'Presented to Mr John Bailey by the colliers and workmen employed by Joseph Barnes Esq. as a token for their esteem for his honest and fair dealing with them during the five years of his management, 1855.' £800 - £1,200

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JeWellerY

37 Pair of yellow gold and ivory dentures, possibly early 19th century, the yellow gold plates with teeth and ivory backed sections, yellow gold coiled joining wires. £300 - £500

37 38

39 Victorian diamond and ruby Etruscan style gold bangle, 9ct gold oval hinged bangle, central panel set with 3 mixed cut diamonds in star-shaped settings, and four mixed cut rubies in diamondshaped settings, panel flanked by two gold spheres either side, scrollwork and beaded decoration to outside, tongue snap clasp with safety chain, in box. £300 - £500

40 Victorian seed pearl and blue enamelled elliptical yellow gold brooch, front curved D-shaped section, fluer-de-lis design each side, rope twist border, reverse with glazed keepsake compartment, loop and pin fastening, safety chain attached, length approx.

4.8cm, weight approx. 18.8g. £300 - £500

38 Diamond 18ct white gold tennis bracelet, total diamond weight stamped to clasp of 1.21ct, tongue and box safety snap clasp, length approx. 18cm. £600 - £800

41 Diamond two stone yellow gold brooch in the form of a wish bone, plain polished body measuring approx. 28mm, the two old cut diamonds weighing a total of approx.

0.66ct, roll safety clasp, safety chain attached, gross weight approx. 3.7g. £200 - £400

39 41

40

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43 42

44

42 Victorian diamond circular floral brooch, central old cut diamond with a surround of five stylized petals set with diamonds, halo of 14 small old cut diamonds, approx. total diamond weight 1.50cts, approx. 24mm wide, detachable loop and pin fastening, gross weight approx. 9.3g. £700 - £1,000

43 Pair of diamond cluster white gold stud earrings, the two central brilliant cut diamond weighing approx. 0.50ct each, with a surround of 10 small diamonds, total overall diamond weight approx. 2.5ct, latch back fittings, weight approx. 6.2g. £2,000 - £3,000

44 Pair of 18ct white gold diamond cluster drop earrings, the round clusters suspended from diamond set hoops, the two central round brilliant cut diamonds weighing approx.

0.36ct each with a halo surround of 9 round brilliant cut diamonds to each, approx. total overall diamond weight 2.00cts, cluster diameter approx.

10mm, latch back fittings, stamped 750, gross weight approx. 7.8g. £1,500 - £2,500

46 45 45 Pair of diamond set 18ct white and yellow gold curved earrings, total of 16 round brilliant cut diamonds, 8 channel set to each earring, post and sprung clip pierced ear fittings, calculated total diamond weight approx. 1ct, gross weight 13.4g. £2,000 - £3,000

46 Pair of diamond solitaire 18ct white gold stud earrings, two brilliant cut diamonds weighing a total of approx. 0.50ct (0.25ct each), 18ct white gold bezel surround, complete with comfort stopper backs, gross weight approx. 1.9g. £500 - £800

47 Pair of large 18ct gold hoop earrings, pierced ear clip fittings, twisted rope pattern design, 5cm diameter, gross weight 5.3g. £120 - £180

47

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For condition reports please go to www.peterwilson.co.uk

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48 50

48 Pair of cultured pearl and diamond set 18ct white gold cluster earrings, the stylized flower head design comprising a central golden colour cultured pearl to each approx. 9mm, openwork petal form surround pave set with small diamonds, post and butterfly pierced ear fittings, 20mm diameter. £500 - £800

49 Piqué ware crucifix pendant and brooch, black tortoiseshell crucifix measuring approx. 65mm x 42mm, inlayed with gold foliate decoration, simple loop fitting to top, together with a circular tortoiseshell brooch measuring approx. 28mm, inlayed with mother of pearl and gold in grapevine decoration, simple loop and pin fastening. £80 - £120

49

50 Diamond set suite of 3 18ct white gold items of jewellery, comprising a necklace with diamond set bar drop, and diamond set chain by Messika, stamped total diamond weight of 0.38ct, tennis bracelet with a total diamond weight of approx. 0.30ct, and a pair of small diamond set hoop earrings with a total diamond weight of approx. 0.20ct. £1,000 - £1,500

51 Victorian sovereign pendant on 18ct yellow gold chain, each loop on graduated curb-link chain stamped with '18' and Sheffield hallmarks, length approx. 42cm, the full sovereign coin dated 1900, total gross weight approx. 55.5g.. £1,200 - £1,500

51

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52 An 18ct white gold diamond flower head cluster drop pendant on a diamond set scroll link collaret, Flower head cluster claw set with a total of 9 round brilliant cut diamonds suspended from a curved scroll link collaret, claws set with a further 35 small round brilliant cut diamonds. £1,000 - £1,500

53 2-row cultured pearl choker necklace, with cross over figure-of-eight 18ct yellow gold clasp pave set with small diamonds, stamped 750, box snap clasp fastening, length approx. 38cm. £250 - £400

54 Tahitian pearl and diamond 18ct yellow gold pendant on rope twist cord chain, the grey-black pearl measuring approx. 18mm x 14mm, pave set to 18ct yellow gold detachable hinged clasp inset with 15 small diamonds, weight of pendant approx. 7.9g, complete with black rope necklace measuring approx. 37.5cm, yellow gold lobster claw fastening. £400 - £600 53

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

55

55 Edwardian peridot and seed pearl 9ct brooch pendant on chain, central oval peridot measuring approx. 8mm x 5mm, with a cluster surround of seed pearls, fine gold frame comprising floral motifs inset with seed pearls with pear shaped peridot dropper, pendant measuring approx. 30mm x 44mm, simple loop and pin fastening to reverse, 9ct gold chain with box and snap clasp fastening, chain measuring approx.

23.8cm, gross weight approx. 8.5g. £250 - £350 56 18ct white and yellow gold collarette necklace, alternating white and yellow gold curved bar and scroll links with tongue snap clasp fastener, 42cm long and 1cm wide, 18ct goldBirmingham import hallmark, stamped ITALY, weighing approx. 59.6g. £1,250 - £1,500

56

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57 Georg Jensen Vivianna Torun silver and rutilated quartz pendant, stamped design number ‘133’ circa 1970, the oval cabachon cut rutilated quartz 45mm x 30mm, spectacle set to solid suspension bar with hook-end, together with a solid wire collarette double hook fastener, unmarked. £200 - £400

58 58 Emerald and diamond oval cluster 18ct white gold ring, central emerald cut emerald in 4-claw setting, measuring approx. 7mm x 5mm, approx. weight 1.25ct with a cluster surround of 8 round brilliant cut diamonds, total diamond weight approx. 2.0ct, 18ct white gold split shank, weight approx. 4.3g, ring size N. £1,500 - £2,500 17

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59 59 Sapphire and Diamond 3-stone 18ct white gold ring, central oval brilliant cut sapphire measuring approx.

9mm x 6mm, one small brilliant cut diamond to each side, claw set to 18ct white gold shank, gross weight approx. 4.5g, ring size L½. £300 - £500

60 60 Emerald single stone 18ct white gold ring with diamond set shoulders, emerald weighing approx.

2.25ct, 3 small round brilliant cut diamonds to each shoulder, gross weight 3.6g, ring size L. £1,500 - £2,500

61 61 Diamond 18ct white gold cluster ring, central cushion cut diamond weighing approx. 0.50ct, assessed colour G, assessed clarity VVS2, diamond set double halo surround with split diamond set shoulders, plain polished 18ct white gold shank, gross weight approx. 3.6g, ring size J½. £1,000 - £2,000

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62 62 Diamond 3-stone platinum ring, 3 old cut diamonds, centre diamond weighing approx. 1.50ct, two outer diamonds weighing approx. 0.66ct each, ring size M, assessed clarities I1, assessed colours J-K. £2,000 - £2,500

63 63 Diamond and ruby 18ct white gold 3-tiered floral cluster ring with diamond set shoulders, central round brilliant cut diamond weighing approx. 0.75ct with surround of 10 smaller diamonds, lower tier comprising 21 small marquise cut rubies, two small diamonds to each shoulder, total diamond weight to cluster and shoulders approx. 0.75ct, plain polished 18ct white gold shank, total weight approx. 6.6g, ring size K. £2,000 - £3,000

64 64 A fancy natural intense yellow diamond and white diamond 3-stone platinum ring, central round cornered rectangular modified brilliant cut fancy intense yellow diamond accompanied by a copy of GIA coloured diamond grading report no. 6185478103, stating 'natural diamond fancy intense yellow even distribution, weight 0.50ct, clarity grade VS1' (verified report number laser inscribed to girdle of diamond), two pear shaped brilliant cut white diamonds with a combined diamond weight of approx. 0.30ct, plain polished platinum shank, gross weight approx.

3.7g, ring size M½. £2,000 - £3,000

65 65 Diamond 3-stone ring, 3 round old cut diamonds weighing a total of 1ct, 18ct yellow gold shank, platinum claw settings, weight 3.8g, ring size S. £400 - £600

66 66 Sapphire and Diamond large fancy cluster platinum ring, the central oval mixed cut blue sapphire with a weighed weight of 3.19ct, the cluster surround with waved border, comprising baguette and round brilliant cut diamonds, with a total diamond weight approx. 4.0ct, ring unmakred but tested as platinum, ring size O. £3,200 - £3,700

67 67 Diamond solitaire platinum ring, with diamond set shoulders, the round brilliant cut tinted yellow diamond 1.24ct weighed weight, 6claw set, 2 baguette cut diamonds, one to each shoulder, weighing a total of approx. 0.30ct, ring size M½. £2,600 - £3,100

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

70 Diamond solitaire 18ct white gold ring, brilliant cut diamond weighing approx. 3.60ct, four-claw set to 18ct white gold plain polished shank, weight approx. 4.1g, size M. £8,000 - £12,000

70

68 68 Diamond 4-row platinum bubble ring, a mixture of round brilliant and square princess cut diamonds, a total diamond weight of approx. 3.50 carat, rub over and flush bead settings to front section, ring size L½, gross weight 22.6g, hallmarked platinum. £3,000 - £5,000

69 69 Diamond 3-row 18ct white gold half eternity ring, a total of 27 round brilliant cut diamonds, total diamond weight stamped to inside shank 2.70 carat, shank 9mm wide, weight 10g, ring size N. £2,000 - £3,000

71 71 Tanzanite single stone 18ct yellow gold ring with diamond set shoulders, the cushion shaped mixed cut tanzanite weighing approx. 4ct, shoulders comprising 6 round brilliant cut and 4 tapered baguette cut diamonds, plain polished 18ct yellow gold shank, ring size O. £400 - £600

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72 72 Diamond 3-stone platinum ring, central emerald cut diamond supplied with GIA diamond report stating 0.72 carat, colour D, clarity VS1, two outer diamonds also supplied with GIA diamond reports, stating weights 0.37 and 0.39 carat, colours D, clarities VS1 and VS2, plain polished platinum shank, gross weight approx.

4.2g, ring size J½. £2,500 - £3,000

73 73 Diamond cluster 18ct gold ring, the flower head cluster comprising a total of 9 round brilliant cut diamonds with approx. total diamond weight of 1.50 carat (centre diamond approx. 0.50 carat) claw settings, coronet mount with 18ct yellow gold shank, finger grip beads to inside shank, weight approx. 4.3g. £1,000 - £1,500

74 74 Diamond solitaire 14ct yellow gold ring with diamond set shoulders, the cushion shaped brilliant cut diamond of tinted colour with a weighed weight of 1.06ct, shoulders comprising 14 small round brilliant cut diamonds, with a total diamond weight of 0.30ct, ring size L. £2,600 - £3,100 20

75 75 Diamond marquise shaped cluster 18ct white gold ring, a total of 15 round old cut diamonds, weighing a total of approx. 1.50ct, ring size L. £750 - £1,000

76 76 Diamond and 18ct white gold ring, 5 channel set brilliant cut diamonds weighing a total of approx. 1.00ct, to plain polished 18ct white gold shank, stamped 18K, gross weight approx.

5.3g, right size N. £600 - £800

77 77 18ct yellow gold and enamel Georgian mourning ring, foliate carved border decoration, inset with black enamel channel printed with ‘in memory of’, inside engraved with ‘Alice Anne Newton, 22 Sept 1823 age 25’, weight 7.2g, ring size P. £300 - £500

78 78 Blue topaz and diamond 18ct white gold ring, two mixed cut heart shaped topaz, claw set to white gold surround pave set with diamonds, white gold band of tapered twist design, ring size M½, weight approx.

7.5g. £300 - £500

79 79 Diamond solitaire 18ct white gold ring with diamond set shoulders, the round brilliant cut diamond accompanied by a copy of a HRD diamond report, stating ‘carat weight 1.01ct, colour G, clarity SI2’, shoulders comprising 4 round brilliant cut diamonds with a total approx. weight of 0.40ct, claw settings, ring size M. £2,800 - £3,300

80 80 Emerald and diamond geometric design rectangular cluster 14ct white gold ring, four round brilliant cut diamonds and four mixed cut emeralds, white gold channels carre set with small round 8-cut diamonds, ring size Q½, weight approx. 6.3g. £400 - £600

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

Watches PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery.

Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

81 Gent’s vintage art deco design International Watch Co. Schaffhausen steel wristwatch, classic design, oblong steel dial, subsidiary seconds dial to 6 ‘o’ clock, Arabic numerals, watch back stamped 1152253, mechanical winding swiss-jewelled lever movement, case size 28mm x 36mm, black leather non IWC strap. £400 - £600

82

82 An Art Deco Gent’s 9ct gold wristwatch, the 15 jewelled lever movement marked ‘CUT & COMP-BAL A1’ and ‘Swiss made’ and ‘210’, the engine turned front with two apertures and two dials, one for hours and one for minutes, 9ct gold Glasgow import marks for 1932, case numbered 504925, 40mm x 23mm. £200 - £300 83 Gent’s Breitling Superocean Heritage 42 stainless steel wristwatch, round black face with luminous silver tone hands and markers, case size 42mm, date window to 3 'o' clock, model number A17321, automatic movement, 200m, complete with box and paperwork. £2,000 - £2,250

81

84 Gent's Breitling Navitimer 01 Chronograph stainless steel wristwatch, black dial with luminous silver tone hands and indices, date window to 4 'o' clock, subsidiary dials to 3, 6 and 9 'o' clock, model number/serial number AB0120 and 3059477, case size approx. 43mm, complete with box and paperwork. £2,250 - £2,750

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85 86

85 Longines le Grand Classique gold plated bracelet watch, champagne dial with plain polished gold case, measuring approx. 34mm, on gold plated bracelet with safety clasp, quartz battery movement, model/serial reference L47092 and 31608966, complete with box and paperwork. £300 - £500

86 Gent's Tudor Geneve wristwatch, black face with luminous hands and indices, brown leather strap, serial no. I323149 and model no. 79910, case size approx. 40mm, complete with additional strap, box and paperwork. £1,000 - £1,200

87

88

87 Gent’s vintage 1970’s Omega De Ville 9ct gold wristwatch, round white metal dial with date window, automatic Swiss jewelled lever movement, 36mm case size, on a later plated expanding bracelet, complete in original box. £200 - £300

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88 Rolex Cellini 18ct carat gold strap watch, round mother-of-pearl dial, 18ct yellow gold round case, 32mm case size, mechanical winding Swiss-jewelled lever movement, stamp to back 5116 and serial no.

K662045, complete in Rolex Cellini box. £1,800 - £2,300

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

89

89 Gent's Tag Heuer Carrera automatic stainless steel wristwatch, black engine turned dial, silver toned hands and indices, day date windows to 3 'o' clock, model and serial numbers WAR201A and WES5435, glazed window to watch back revealing automatic calibre 5 Swiss lever movement, complete with box and paperwork. £1,000 - £1,200

90

90 Lady’s Oyster Perpetual Datejust stainless steel and yellow gold Rolex bracelet watch, champagne dial with diamond dot batons, date window to 3 'o' clock, steel and yellow gold jubilee bracelet, case size 26mm, model number 69173, serial number R532202, complete with box and paperwork. £2,000 - £3,000

91 92

91 Lady's vintage 9ct rose gold Rolex, round 'telephone dial' to spiral grooved bezel surround and rose gold case, 26mm diameter, mechanical winding Rolex 15 jewels movement, inner case stamped 'Rolex' 'W & D' numbered '573373', 9ct London import mark for 1914, black material strap. £200 - £300

92 Lady’s Rolex 18ct gold bracelet watch, champagne dial to cushion shaped head, case size 20mm, mechanical winding swiss-jeweled Rolex movement to integral milanese flexible gold bracelet with crown logo fold-over ladder snap-clasp, complete with box and paperwork. £1,300 - £1,400

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DaY tWo at 11am collectors items

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93 A 19th century viameter. Iron and brass with mahogany handle. An early form of odometer used to measure distance travelled for example in the construction of roads. Stamped ‘The Viameter Patent No. 4396’. 93 x 59cm (height x diameter of wheel). £200 - £400 94 An Irish marching bell. With five graduated hemispherical brass bells and ebony handle and brass hook.

Height 49cm. £180 - £220

96 French rouge marble and brass table lamp. Embellished with foliate design and acanthus leaves. 43 x 16cm. £150 - £250 97 A pair of 19th century art nouveau design lamps. Acid etched glass bowl and shade with floral pattern and whiplash tails.

Mounted on brass and copper stands, with foliate design and cherubs. 43 x 13cm approx. £150 - £200

95 A Native American figure head carved in amber resin. 10.5cm height. £150 - £200 93

95

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97 For condition reports please go to www.peterwilson.co.uk

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98

98 Victorian walnut spittoon. Bearing label ‘John Day, 7 Kensington High Street’. With cushioned fabric lid, Tonbridge inlay and glazed ceramic interior pot with daisy-chain detail.

28cm diameter. £75 - £140

101

100

99

99 A 19th century terrestrial pocket globe and inkwell. Hand-coloured printed paper panels show the major countries and waterways of the world.

Opening to reveal the brass and glass inkwell, with click-closure to prevent the spill of ink during travel. 4cm diameter. £300 - £400

100 A 19th century brass and copper jewellery casket stamped T & E Paris.

The lid and four sides of the casket have cast brass panels depicting revellers in a rural landscape. The lid opens to reveal cushioned lid and velvet lined interior. 7.2 x 15 x 8.5cm. £100 - £200

102

101 Archibold Knox For Liberty Tudric pewter biscuit barrel. With embossed goemetric foliate design. The base is stamped: 0194. 12 x 14cm. £250 - £350 102 An early 19th century satinwood tea caddy, with inlaid shell motif, ivory escutcheon and mahogany crossbanding, with two section interior and later leather lining. 12 x 18.5 x 10.5cm. £100 - £200 103 Victorian oil lamp, the brass base embossed with stylised flowers, fitted with pink glass shade, late 19th early 20th century, 70cm high. £100 - £200 103 25

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104

104 Rippingilles patent oil lamp, with pierced brass base, cut glass sit in reservoir and cut glass shade, late 19th century, 75cm high £150 - £250

105

106

105 Raleigh bicycle shop sign, double sided shield shape with frosted mirror effect, 64cm high including fittings. £300 - £500

106 “Beware of Trains” cast alloy sign, 34cm x 51cm £150 - £250

Pens

107 107 Montblanc, Patron of the Arts Series, Nicolaus Copernicus, a limited edition fountain pen, no. 1002/4810, issued in 2003, the ridged case with polished rings, the nib stamped 18K, in a Montblanc lacquer box, service guide, outer printed box. £500 - £700

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For condition reports please go to www.peterwilson.co.uk

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WeaPons, meDals & militaria

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109 110 Lang and Hussey Imperial Ejector 12 bore shotgun, side by side, sidelock with fine scroll engraved action, saftey catch, serial number 10879, with a pair of Nitro proofed barrels and a pair of Damascus black powder proof barrels both sets serial numbered to the gun and measuring 28 inches, with figured chequered stock with slight cast for right handed person, fitted with gilt monogrammed escutcheon, the barrel marked with london address and gilt ‘2’ length of pull from the rear trigger 13.3/4 inches £500 - £800

108 18th century Court sword, with brass guard and wire bound grip, engraved flower and scroll blade, 96cm overall length, also a short sword and scabbard, possibly for a child or drummer of 1822 pattern and rifle brigade crest 71cm overall length also an A.W. Wills no. 1005 machete with horn grips, 73cm overall length. £150 - £250 109 Japanese WW2 era Katana, with curved 69cm blade, bronze blossom decorated tsuba, leather bound wood scabbard. 99cm overall length £300 - £400

111 G.H. Daw percussion target rifle, with four grooved.500 or 32bore barrel with London address and ladder sight stamped twice ‘32’ beside the proof marks, chequered stock stamped 3853, fitted with provision for an aperture sight (now missing) 62cm 24.5” barrel. £300 - £400

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112 William Powell and Sons leather shotgun case of local interest, the lid stamped with owners name; ‘Lt. Col. Cotton Jodrell M.P. Reaseheath Nantwich’ the interior with makers label and recommended charges for 12 bore black powder shotgun, red baize lining, 32cm x 84cm £100 - £200

112

113

113 Thomas Boss and Co. pin fire double barrelled 12bore shotgun with case, with Damascus barrels engraved with London address, scroll engraved metalwork, chequered horn capped forend and grip, serial number 1707, with leather and green un-named baize case, including canvas cartridge magazine. 76cm 30 inch barrel length. £400 - £600 114 Leather cartridge magazine, with brass corners and fittings, the interior revealing five oak and brown baize interiors, 42cm x 26cm £200 - £300

114

115

115 Tower percussion mounted police carbine,.650 calibre, the lock dated 1859 and stamped with a crown above VR, the trigger guard stamped 4-25, 93.5cm long £150 - £250

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For condition reports please go to www.peterwilson.co.uk

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117

116 Percussion double barrel 15 bore shotgun in case, Damascus barrels marked simply ‘London’ with scroll engraved metalwork, chequered stock carved with cheek rest and fitted with silver dog escutcheon, the un-named canvas case containing a brass and copper powder flask stamped Hawksley, and a shot flask. Barrels measure 75cm 29.5 inches £200 - £300

117 Army and Navy leather and brass cartridge magazine, with blue baize interior bearing five compartments and address label to lid, 27cm x 40cm also an E. Anson & Co. canvas cartridge magazine, 32.5cm x 16.5cm £200 - £300

118 118 Eley’s Sporting Ammunition display, marketing ‘Central Fire Gas-Tight Cartridge Cases’ in original black frame, 79.5cm x 64cm £500 - £800

119 119 Victorian Royal Welsh Fusiliers bear skin hat in case, retailed by Cater and Co. London, with label to inside reading ‘Lt A. E Lewis 4th Rl W. Fus. In to alter own shape’ together with original Japanned tin and a note from Geoff Partfitt Curator of the Regimental Museum Shrewsbury regarding A.E. Lewis. The tin case measures 41cm high £250 - £350 29

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STAMPS, POSTCARDS & EPHEMERA

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121

120 GB QV 1883-84 used selection of high values1 to 10/- (six stamps in all). £100 - £200 121 GB QV selection of three 1d blacks, including one four margin example with black Maltese cross. £100 - £200 122 GB QV mint selection of 1873-83 surface printed issues to 1/- (six stamps in all). £100 - £200

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123

123 Large stock book containing mainly Commonwealth stamp collection including 1935 Silver Jubilee set (appears complete) and 1937 Coronation set both mint, also much mint GB with KGVI high values. £500 - £700 124 GB QV 1883 2/6d lilac mint and used, also 5/- rose with Picadilly CDS. £100 - £200

124

125 No lot 126 QV £5 orange stamp, letters DC with 1897 registered cancel. £800 - £1,200

126

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128

127 GB QV mint selection including imperf 1d reds, 2d blue, 1/2d bantam and 1870 1 1/2d rose-red (seven stamps in all). £100 - £200 128 QV 1891 £1 green, pair of used stamps both with hinge marks and some staining. £200 - £400 129 Large stock book with mainly GB stamp collection of all periods including several covers and other Commonwealth issues at back of book. £500 - £700

129

cameras 130 J. Lancaster Instantograph mahogany half plate camera, with Thornton Pickard time and instantaneous shutter and three double darkside plate holders bearing J.L&S Opticians escutcheons. Also a Lancaster and Sons Magic Lantern / Enlarger together with spare lens. The Lantern is 45cm overall length. £200 - £400

130

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glass

131

132

131 Georgian glass tazza, with folded foot, moulded fluted stem 25.5cm diameter £70 - £100

132 Loetz style chamber stick, with iridescent green trailed glass globe fitted on bronze owl base, early 20th century, 18.5cm high £150 - £250

ceramics

133 133 Bow good coffee cup circa 1755, painted in famille rose style with chrysanthemum and holed rocks, 5.5cm high £180 - £220

134 134 Bow porcelain figure circa 1762, modelled as a female a grape vendor, modelled on scrolled base, 13cm high £100 - £150

135 135 Bow fluted sauce boat circa 1760, painted with polychrome flowers, 18.5cm long £180 - £220

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137

136 136 Derby dolphin ewer circa 1770, with shell moulded body painted in under-glaze blue, 8cm high £220 - £260

137 Liverpool Christian’s cream boat circa 1765 painted with flowers on a moulded body, 12.5cm long £80 - £120

138 Liverpool Pennington tea-bowl and saucer circa 1780 painted with under-glaze blue flowers, also a similar slop bowl and a James Pennington cream-boat with Chinese landscape on a moulded body, (4) the bowl measures 15.5cm diameter £80 - £120 138

139 139 Liverpool Pennington sparrow beak jug circa 1775 - 1780, painted with flowers, ex-Watney collection with label to base, 9cm high £50 - £100

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140 140 Rare Liverpool pedestal sauce-boat circa 1780, printed in blue with the Fisherman and Cormorant pattern, exhibited Liverpool exhibition, ex-Watney collection, 18cm wide. £50 - £100

For condition reports please go to www.peterwilson.co.uk

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143 142

141 Liverpool Pennington coffee cup circa 1775 - 1780, painted with flowers, ex-Watney collection with paper label and Liverpool 1997 Exhibition stickers to base. 6.5cm high £50 - £100

142 Rare Lowestoft leaf shaped dish circa 1768, painted with polychrome enamels, 10.5cm high £120 - £180

145

144 144 Lowestoft tea-bowl and saucer circa 1775, painted with a rare under-glaze blue flower and rock pattern, (2) £140 - £180

145 Lowestoft shell moulded ewer circa 1770, painted in blue with flowers, 7.5cm high £70 - £100

143 Lowestoft sauce-boat circa 1765, the moulded strap fluted body with acanthus moulded cartouhes painted in blue with Chinese fishing scenes, large painters numeral 5 for Allen.

17.5cm long £250 - £350

146 146 Worcester ewer circa 1780, with shell moulded body and lamprey handle painted with poly-chrome flowers 8cm high £100 - £150

147 Worcester sucrier and cover circa 1770 painted with hop trellis pattern with over-glaze blue borders probably indicating decoration in the workshop of James Giles (2) 11.5cm high £100 - £150

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149

148 Vienna type vase signed Wagner, painted with a portrait of a lady within raised paste gilt work on a maroon ground, also an enamel on copper vase painted with a lady within a garden together with an oval plaque painted in pink with a lady blowing bubbles, indistinctly signed, late 19th century, early 20th century, the vase stands 21cm high £100 - £200

149 Sunderland Lustre jug, printed with ‘Sailor’s Farewell’ within a pink lustre ground, also another jug printed with ‘The Iron Bridge’ as well as ‘The Sailors Tear’ verse (2) mid 19th century, the largest jug measures 23.5cm high £100 - £200

151

150 150 F. Bridges Pottery inkwell phrenology head, heightened in gilt with impressed mark to front of base, mid 19th century, 13.5cm high £120 - £170

151 Pair of Minton plaques signed Ellen Welby, painted with classical figures within garden scenes, fitted within cushioned black turned frames. 23cm diameter. £200 - £300

152 Spode part tea service circa 1820, painted with imari pattern 1220, comprising of eight teacups and saucers, slop bowl and pair of saucer dishes (19) £300 - £400

152

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153

155

154

153 Copeland Parian figure of Beatrice, the base marked ‘Pub. March 1 1860, Edgar Papworth Jun. SC’, mid to late 19th century, 54cm high £130 - £180 154 Copeland Parian figure of Beatrice, with picked out gilt details, the base marked ‘Pub. March 1 1860, Edgar Papworth Jun. SC’, mid to late 19th century, 54cm high £130 - £160

155 Royal Worcester Aesthetic period teapot, designed by James Hadley, modelled with double sided figures representing Oscar Wilde and a female follower, applied with flowers, green printed mark and 1883 date code to base, 14.5cm high £1,200 - £1,500

157 156 Large Paris porcelain vase, signed G. Lemossnier, finely painted with leaves and berries, incised 242 shape number to base, late 19th early 20th century, 53cm high £100 - £200

157 Two Meissen figures of Tailor of Count Bruehl and his wife riding goats, after Kändler, model numbers 171 and 155, crossed swords marks, late 19 th century, 23cm high £500 - £800

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158 Pair of Meissen biscuit porcelain figures, modelled as a Shepherd and Shepherdess, with dog and lambs at their bases, model numbers 2722 and 2723 and crossed swords marks to bases, late 18th / early 19th century, (2) 16.5cm high £100 - £200 159 Sevres style oval plaque, painted by Leber after JeanBaptiste Greuze with in interior scene with figures playing cards titled ‘Les amants Curieux’ crossed LL mark to reverse, 39.5cm wide £800 - £1,200

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160 Victorian art pottery grotesque vase, modelled with two gargoyle type creatures crawling over the green glazed surface, no marks, 24cm high £50 - £100 161 English porcelain plaque finely decorated with raised paste gilding and enamel work, 27cm diameter £80 - £120 162 Royal Copenhagan owl, model number 2999, also a Danish pottery ashtray modelled with owls and a Czech figure of a lady with a basket of carrots, the tallest item measures 16cm high £70 - £100

162

For condition reports please go to www.peterwilson.co.uk

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163 Capodimonte Musketeer signed Tyche, modelled riding on horseback with a cockerel at the base, fitted on elaborate brass base, Capo Di Monte mark to base, 35cm high £100 - £200 164 Capodimonte Hunts man, Hunts lady, and hounds group, signed Falchi, modelled on oval base, 58cm wide £120 - £200 165 Goldscheider bust of a girl, modelled wearing Dutch costume, the base decorated with windmills, model number 2398, impressed and moulded marks, 24cm high £70 - £100 166 Bullers calf and three vases, one vase decorated by Michael Leach, the other two by Agnete Hoy, impressed marks, (3) the tallest vase stands 21cm high £100 - £150

167 167 Two Bullers vases and a foal, the large unmarked vase painted with stylised flowers, (3) the tallest vase measures 21.5cm high £80 - £120

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168 Bullers Mother and Child, designed by Moira Forsyth modelled by William Ruscoe, unmarked, 29cm high Similar example exhibited at the Gladstone Pottery Museum ‘Art among the Insulators, The Bullers Studio’ exhibition, 1977 see catalogue reference E8. £300 - £500 169 Bullers calf and three vases, all decorated with celadon type glazes with exception to one early vase, unmarked and decoraed with a blue glaze, (4) the tallest vase stands 23cm high £100 - £150

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170 Bullers panther, two vases and a lidded pot, decorated with pale yellow and brown glazes, two vases bearing Agnete Hoy’s monogram, (4) the tallest vase stands 22cm high £100 - £150 171 Wemyss pig, painted with a bumblebee flying amongst blue flowers, impressed mark and painted ‘Wemyss Exon 2616 B.Adams’ to base, 12cm long £80 - £120 172 172 Bernard Moore vase, decorated with leaves and flowers within a purple / blue metallic lustre glaze, also an unmarked flambe vase decorated with dragons and a Golden Spectria vase, (3) the largest measures 15.5cm high £150 - £250

For condition reports please go to www.peterwilson.co.uk

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173 Coalport twin handled lidded vase circa 1900, painted with a scene of Inverlochy Castle, within a raised gilt cartouche on maroon and yellow ground, printed marks to base, (2) 22cm high £100 - £150 174 Coalport twin handled dish signed A. Perry, painted with a scene of San Remo within yellow and blue border heightened with raised gilt, printed and painted marks to base, circa 1900, 31.5cm wide £200 - £300 175 Pair of Coalport vases circa 1900 signed E.O.Ball, painted with a scenes of Loch Earn and Loch Tay within gilt cartouches on blue and yellow ground, also a similar vase painted with an exotic bird, printed marks to base, (3) the largest vase measures 18cm high £200 - £300 176 Coalport twin handled dish signed F.H. Chivers, painted with fallen fruit on a mossy bank within in green ground heightened with raised gilt, printed and painted marks to base, circa 1900, 34cm wide £200 - £300

177 177 Coalport potpourri lidded vase circa 1900 signed E.O. Ball, with interior cover, painted with a scene of Loch Katrine within gilt cartouche on blue and yellow ground, printed marks to base, (3) 16cm high £250 - £350

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178 Pair of Coalport twin handled lidded vases circa 1900 signed P.Simpson, painted with a Scottish loch scenes within gilt cartouches on blue and yellow ground, printed marks to bases, (4) 37cm high £400 - £500

179 Two Coalport twin handled lidded vases, decorated with landscapes within gilt cartouches on blue and yellow grounds, printed marks to bases, (4) the tallest vase measures 19cm high £70 - £100

180 Coalport twin handled lidded vase circa 1900, painted with a scene of Ben Lomond within a gilt cartouche on blue and yellow ground, printed marks to base, (2) 24cm high £80 - £120

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181 181 Della Robbia charger, incised by Cassandra Annie Walker with a portrait of a lady within floral border with art nouveau curves, base dated 1900, 35cm diameter £700 - £1,000

For condition reports please go to www.peterwilson.co.uk

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182 182 Renaissance revival plate possibly Cantagalli or Della Robbia, decorated with sgraffito and slip decoration surrounding a central sun and mask, no marks, late 19th century, 22.5cm diameter £50 - £100

183 183 Royal Crown Derby octagonal bowl, decorated with imari pattern 1128, 21cm wide £80 - £120

184 184 Rare Royal Doulton ‘Chinese Jade’ Buddha, signed Noke, impressed, painted and printed marks to base, 9cm high £1,500 - £2,500

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185 Leslie Johnson (Royal Doulton artist) porcelain plaque, of heart shape painted with a portrait of a lady, within pierced wood frame, 31cm high £80 - £120 186 Pottery figure of Friar Tuck, possibly unique potted by an unknown Royal Doulton sculptor, 21.5cm high Provenance: The vendors father supplied decorating products to the potteries business and acquired this piece as part of his trade. Sadly the information regarding the name of the sculptor has now been lost but it has always been believed to have had a Royal Doulton connection. The clay, glazing style and decoration do share remarkable similarities to the products of Royal Doulton. £50 - £100

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187 Minton pate-sur-pate plaque by Albion Birks, decorated with a cherub on a black background, monogrammed A.B. impressed marks to reverse, date code for 1884, with frame, the plaque measures 10cm diameter £150 - £250 188 Foley Intarsio teapot, in the form of a caricature of Joseph Chamberlain, 12cm high £100 - £200 189 Pate-sur-pate plaque by Arthur Morgan circa 1900, decorated with an Epimeliad nymph, signed lower right, no marks to reverse, with frame, the plaque measures 20.5cm x 13.5cm £300 - £500

189

For condition reports please go to www.peterwilson.co.uk

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191

190 190 Porcelain plaque monogrammed TST, painted with a Sikh leader and his wife, the reverse reading “Christmas 1936 from Aida” in German, the plaque measures 10.5cm high £50 - £100

191 Royal Staffordshire WW1 Bruce Bairnsfather character jug, titled ‘Who told ye that one?’ printed and painted marks to base, Soane and Smith retailer mark to base, 12cm high £100 - £150

193 192 Art Deco design tiger, modelled stalking on a rectangular base, marked Emaux De Lowiede, 67cm long £100 - £150

192 194

193 Schauer Vienna Faience Rudolf Podany design lamp, with glass shade, modelled as a Harlequin and Columbine, shape number 862, / 798 incised and impressed marks to base, the figures measure 41cm high, overall height 70cm. £250 - £350 194 D. Bailey enamelled plaque, painted with a cherub within raised gilt scrollwork on a blue ground, framed, the plaque measures 27cm diameter £80 - £120

195 195 Little Acorn’s Pottery coffee set signed M.Woodhouse, painted with fallen fruit within gilt bands, (12) £100 - £150

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196 197 196 Birks and Co. plaque by Lawrence Albion Birks circa 1900, decorated with a winged cherub on a blue ground within green border, with frame, 19.2cm x 12.5cm. £300 - £500 197 Peter Weldon Majolica elephant samovar “Loxodonta Africana”, the elaborate vessel with winged elephant finial surrounded by four candle sconces, sat on a saddle supported by an elephant on scrolled, encrusted and egg and dart architectural base mounted with a further four candle sconces, the base marked with impressed stamps as well as signed and dated 1989, marked Tettenhall College, 92cm high

198

Peter Weldon is a specialist in design and manufacture of period architectural ironwork. His initial training was in the ceramics industry when this piece was produced as part of his degree show. In 1994 Weldon founded his own ceramic business and went on to produce such feats as replicating the famous ‘Tulipieres’ from Chatsworth House, as well as developing Sevres-style copies with lost-wax bronze mounts and raised paste gilding. In 2001 Peter Weldon sold his ceramic business in order to focus on Ironwork. This current Elephant Samovar is thought to be one of only two produced by Peter Weldon, the technical proficiency to fire such a piece successfully is quite astounding. £600 - £1,000 198 Pate-sur-pate plaque signed D. Bowen dated 05, decorated with an angel and nude lady flying in the clouds with rejoicing figures in the background, with frame. The plaque measures 28.5cm x 18cm. £100 - £200

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199 199 Moorcroft vase, decorated with pomegranate pattern, 15.5cm high £100 - £150

201 201 Large Moorcroft vase made for Liberty & Co., decorated with pomegranate pattern on a green ground, indistinct date and painted signature to base, 30.5cm high. £250 - £350

203 203 Large Moorcroft vase made for Liberty & Co., dated 1912, decorated with pomegranate pattern on a green ground, painted signature to base, 31.5cm high. £300 - £500

200 200 Large Black Ryden trial vase, decorated with quail, impressed and painted marks to base, signed C.A. Lovatt dated 14.04.03, 32cm high £150 - £250

202 202 Moorcroft vase, decorated with brambles pattern after Sally Tuffin, impressed and painted marks and silver 2nd line to base, 25cm high £80 - £120

204 204 Large Moorcroft vase made for Liberty & Co., dated 1912, decorated with pomegranate pattern on a green ground, painted signature to base, 31.5cm high. £500 - £800

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205

206

205 Two Moorcroft vases decorated with Clematis and Anemone pattern on a blue ground, impressed marks to base, the Anemone vase has a silver line, 13.5cm high £100 - £150 206 Ruskin vase, decorated with a turquoise blue lustre glaze, impressed 1923 date to base, 18cm high £80 - £120

208 208 ARR Alan Desjardin vase, decorated with lustre arabesques on a red lustre ground, monogram and ‘98 to base, 28cm high £80 - £120

207 207 ARR David Leach (b.1911 - d.2005), Lowerdown Pottery teapot, with cut faceted sides decorated with a tenmoku glaze, bamboo handle, impressed seal mark, 25cm high £80 - £120 209 209 Persian Iznik vase, painted with flowers within fish scales, 19th / early 20th century 29cm high £100 - £150

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asian art

212 212 Japanese enamel dish, decorated with Mount Fuji, Meiji period, 25.5cm wide £100 - £150

210 210 Large Chinese Republic period (1912 - 1949) vase, with twin dog mask handles painted with vases of flowers as well as script, 60cm high £500 - £800

211 211 Japanese Satsuma circular dish, painted with warriors within fan shaped panel, Meiji period, no marks, 15.5cm diameter £80 - £120

213 213 Japanese Imari charger, decorated with a central vase of flowers, late 19th early 20th century 47cm diameter £200 - £300

214 214 Japanese Cloisonné vase, decorated with cockerel on a yellow ground, late 19th early 20th century, 21cm high £300 - £500

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PRINTS & POSTERS 215 After Jack Cardiff (1914-2009), “Angelic Marilyn Flyaway”, with facsimile signature, titled and numbered 46/50 in the margin, published in 2010 by Chartfords Inc., with certificate of authenticity on verso, unframed, limited edition giclee print, image size 56 x 45cm, 22 x 17.75in. £200 - £400 216 Colin Smithson, 20th century, “Deep Thought” and “Curious Beasts”, both signed, titled and numbered 45/100 and 21/150 in pencil in the margin, etchings with aquatint, plate size 24.5 x 24.5cm, 9.5 x 9.5in (2). £100 - £200

215

217 217 Charles Maurice Detmold (1883-1908) and Edward Julius Detmold (1883-1957), A series of eight coloured lithographs for Rudyard Kipling’s “The Jungle Book” published in 1903 to include “Akela the Lone Wolf”, “Rikki-Tikki”, “Mowgli and the Lone Wolf”, “The Village Club”, “The Return of the Buffalo Herd”, “Mowgli and Bagheera”, “Kaa the Python” and “Mowgli Leaving the Jungle”, from a set of 16, signed and dated 1901 and 1902 in the plates, titled in many cases on the original mounts, coloured lithographs, various sizes 24.5 x 30.5cm, 9.75 x 12in (8). £200 - £400 218 No lot

216

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219 After Jack Cardiff (1914-2009), “Audrey Hepburn”, with facsimile signature, titled and numbered 46/50 in the margin, published in 2010 by Chartfords Inc., with certificate of authenticity on verso, unframed, limited edition giclee print, image size 55 x 46cm, 21.75 x 18in. £200 - £400

220 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “View of a Town”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 43 x 54.5cm.; 17 x 21.5in. £2,000 - £3,000

219

220

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221 222 After Laurence Stephen Lowry R.A. (1887-1976), “The Auction”, numbered 437/850 in pencil in the margin, published by Michael Stewart Fine Art, with publisher’s blindstamp, colour reproduction print, image size 42 x 53cm, 16.5 x 21in. £200 - £400

221 ARR After Laurence Stephen Lowry R.A. (British,1887-1976), “Our Town”, signed and numbered 329/850 in pencil in the margin, published by Grove Galleries Ltd, Manchester, colour reproduction print, image size 42.5 x 61.5cm.; 16.75 x 24.25in. £2,000 - £3,000

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223 ARR After Laurence Stephen Lowry R.A. (1887-1976), “The Pond”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 850, printed by Beric Press, London, published in 1974 by Mainstone Publications, Norwich, colour reproduction print, image size 43 x 57.5cm, 17 x 22.5in. £2,000 - £3,000

224 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Burford Church”, signed and numbered 492/850 in pencil in the margin, published by Grove Galleries Ltd., Manchester, colour reproduction print, image size 60.5 x 46cm.; 23.75 x 18in. £1,000 - £1,500

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225 225 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “His Family”, signed in pencil, with Fine Art Trade Guild blindstamp, from an edition of 500, colour reproduction print, image size 34 x 51.5cm.; 13.5 x 20.25in. £800 - £1,000

226 ARR After Laurence Stephen Lowry R.A. (1887-1976), “St. Simon’s Church”, signed and numbered 181/300 in pencil in the margin, reproduction print, image size 38 x 28cm.; 15 x 11in. £800 - £1,200

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oil Paintings (moDern/contemPorarY)

229 229 ARR Judith A. Donaghy, 20th century, Highland landscape, signed, oil on canvas, 49.5 x 60cm, 1 9.5 x 23.5in. £200 - £400

227 227 A. Mondino, 20th century, Italian, River scene, signed, oil on canvas, 34 x 26cm.; 13.5 x 10.25in. £100 - £200

230 230 ARR Russell Howarth (1927-), “Top ‘O’ The Meadow, Strinesdale”, signed, titled on verso, oil on board, 59 x 74.5cm, 23.25 x 29.25in. £200 - £400 228 228 ARR Janus Viski (1891-1961), “Huntsmen and Hounds”, signed, oil on canvas, 58.5 x 75cm, 23 x 29.5in. £200 - £400

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231 231 ARR David Alderman, 20th/21st century, “Changing A Wheel, Friday Rush Hour, Oxford Road Station, Manchester”, signed, titled and dated Nov. 2012 on verso, acrylic on board, 28.5 x 29cm, 11.25 x 11.5in. £200 - £400 233 233 Pasini, 20th century, “The Bay of Naples”, both signed, a pair, oil on canvas, each 28 x 43.5cm, 11 x 17in (2). £100 - £200

232 232 ARR Leonard Richmond (1889-1965), “A Country Lane, Shropshire”, signed, titled on artist’s label verso, oil on board, 50 x 60cm.; 19.75 x 23.75in.

Leonard Richmond was born in Somerset, and studied at Taunton and Chelsea Polytechnic. In WWI he was the Canadian Government war artist and in 1925 was commissioned to promote rail and hotel facilities through poster art in western Canada, by the Canadian Pacific Railway. His large colourful posters advertising the region and the Canadian Rockies were much admired, and he worked for the English railways as well. He was a prolific exhibitor at the Fine Art Society, R.A., Cooling and Walker’s Galleries. Also showed widely overseas winning a number of awards. These included the Tuthill Prize at Chicago International Watercolour Exhibition in 1928 and in 1947 silver medal at Paris Salon. Member of PS, RBA, RI and ROI. His work is represented in many public galleries. £400 - £600 56

234 234 ARR Mike Weeden (1957-), “The Wick Harbour Master”, signed, titled on verso, oil on canvas, 38.5 x 48.5cm, 15.25 x 19.25in. £300 - £500

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235 235 ARR Tessa Newcomb (British, b.1955), “Tilly”, initialled and dated ‘06, titled on verso, oil on board, 22 x 22cm, 8.75 x 8.75in. £300 - £500

236 236 ARR Ken Howard R.A. (1932-), “Manikarnika Ghat from the Ganges, Evening”, signed, titled and dated Feb 2006 on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £500 - £700

238 238 Rachel Jeffery, 20th century, “Still Life With Yellow Pepper”, signed and titled on verso, oil on canvas, 55 x 55cm, 21.75 x 21.75in. £200 - £400

239 239 ARR John Ambrose (British, 1931-2010), “River Severn”, signed and dated ‘79, titled on verso, oil on canvas, 49 x 64.5cm, 19.25 x 25.25in. £150 - £200

237 237 Rachel Jeffery, 20th century, “Reflective Space, Perranuthnoe”, signed, titled on verso, oil on canvas, 27 x 60.5cm, 10.5 x 23.75in. £300 - £500 57

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242 242 ARR Neil Faulkner (b.1952), Still life with bread, cheese, fruit and a glass of wine, signed, oil on board, 26.5 x 31.5cm, 10.5 x 12.5in. £100 - £200 240 240 ARR Tessa Newcomb (British, b.1955), Still life with vase of flowers, initialled and dated ‘05, oil on board, 25 x 20cm, 10 x 8in. £300 - £500

243 243 Anthony Forster, 20th century, Potteries scene with bottle kilns, signed and dated ‘74, oil on board, 44.5 x 59.5cm, 17.5 x 23.5in. £100 - £200

241 241 ARR Russell Howarth (1927-), “Saddleworth Church”, signed, titled on verso, oil on board, 37 x 44.5cm, 14.5 x 17.5in. £100 - £200

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244 ARR Ken Howard R.A. (1932-), “Daffodils at Mousehole”, signed, oil on canvas, 50 x 59.5cm, 19.75 x 23.5in. £2,000 - £3,000

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245 245 Robert Nixon, 20th century, “Manchester Trams”, signed, oil on board, 44 x 59.5cm, 17.5 x 23.5in. £150 - £200

246 246 Leroux, 20th century, Portrait of a lady, signed, oil on canvas, 26 x 21cm, 10.25 x 8.25in. £100 - £200

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247 247 D.T. Richard, 20th century, Washerwoman by a stream, signed, oil on canvas, 61.5 x 88.5cm, 24.25 x 34.75in. £500 - £700

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250 250 ARR Neville Fleetwood (b.1932), “Two Red Apples”, signed, titled on verso, acrylic on board, 62.5 x 65.5cm, 24.75 x 25.75in. £350 - £450

248 248 ARR Linda Weir (b.1951), "Stuart McClary - St. Ives Fishermen, A Good Catch", initialled and dated August '11, titled on verso, oil on board, 40 x 50cm, 15.75 x 19.75in. £700 - £900

251 251 ARR Sheila Turner (1941-), “Liverpool Town Hall”, signed and dated ‘75, oil on canvas, 49.5 x 75.5cm, 19.5 x 29.75in. £100 - £200

249 249 ARR Michael Gutteridge, 20th century, “Manchester Cityscape - Sunset”, signed and dated 2001, acrylic on board, 39 x 49cm, 15.25 x 19.25in. £100 - £200

252 252 Mike Weeden (1957-), “The Salmon Netters, Berriedale”, signed, titled on verso, oil on canvas, 44 x 54.5cm, 17.25 x 21.5in. £300 - £500

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253 253 English School, early 20th century, Study of a corgi and a yorkshire terrier, unsigned, oil on canvas, 31.5 x 50cm.; 12.5 x 19.75in. £300 - £500

254 254 ARR Malcolm Croft (1964-), “Crimson Carnations in a Glass Vase”, signed, titled on verso, oil on canvas, 49.5 x 39.5cm, 19.5 x 15.5in. £300 - £500

255 255 ARR Neil Faulkner (b.1952), A horse in a rural landscape, signed, oil on canvas, 49 x 59cm, 19.25 x 23.25in. £200 - £400

256 256 Rachel Jeffery, 20th century, “Bessie’s Cove Series, No.2”, signed and dated August 2010 on verso, oil on board, 23.5 x 30.5cm, 9.25 x 12in. £200 - £400

257 257 Russian School, 20th century, Figures seated on a porch, signed and dated 1951, titled in Cyrillic script on verso, oil on canvas, 58.5 x 68.5cm, 23 x 27in. £300 - £500

258 258 Rachel Jeffery, 20th century, “Still Life With Small Lime Green Pot”, signed and titled on verso, oil on canvas, 55 x 55cm, 21.75 x 21.75in. £200 - £400

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259 259 ARR Andrew Vicari (1932-2016), “Harlequin & Gipsy Children”, signed and titled on verso, oil on board, 121 x 176cm, 47.75 x 69.25in.

Andrew Vicari was a Welsh painter working in France, who established a career painting portraits of prominent people.

Despite being largely unknown in his own country, as of 2004 Vicari was Britain’s richest living painter and at one time Britain’s 18th richest person. Between 1950 and 1952 he studied painting at the Slade School of Fine Art at University College London (UCL) under William Coldstream and occasionally Lucian Freud as teachers. After only two years, in 1952, Vicari left the Slade without completing his diploma course and went to Florence. He stayed there and in Rome for two years before returning ‘penniless’ to the UK. In 1974, Vicari was appointed as the official painter to the King and Government of Saudi Arabia. In the following decades, he painted many portraits of the Saudi royal family as well as scenes of Riyadh and Bedouin life. It is largely due to this patronage that Vicari owed his financial success and in 2011 earned him the title “The Rembrandt of Riyadh” from The New York Times. In 2001, he sold a collection of 125 paintings of the First Gulf War to Prince Khaled for £17 million. In 2006 his fortune was valued at £92 million by the Sunday Times Rich List. In October 2014, however, it was reported that Vicari had filed for bankruptcy and had been in poor health. Vicari died at Morriston Hospital, Swansea on 3 October 2016 at the age of 84. £300 - £500

260 260 ARR David Barnes (1943-), “Near South Stack”, signed and titled on verso, oil on board, 60 x 60cm, 23.5 x 23.5in. £600 - £800

261 261 ARR David Barnes (1943-), “A Jug of Flowers with Apples”, signed on verso, oil on board, 39.5 x 29.5cm, 15.5 x 11.5in. £350 - £450

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262 262 ARR David Barnes (1943-), “Blue and White Flowers”, signed on verso, oil on board, 39.5 x 29.5cm, 15.5 x 11.5in. £350 - £400

264 264 ARR David Barnes (1943-), “Near Aber”, signed and titled on verso, oil on board, 29.5 x 24cm, 11.5 x 9.5in. £350 - £450

263 263 ARR David Barnes (1943-), “Across the Sound of Sleat”, signed and titled on verso, oil on board, 60 x 75cm, 23.5 x 29.5in. £600 - £800

265 265 ARR David Barnes (1943-), “Through the Pass”, signed and titled on verso, oil on board, 39.5 x 29.5cm, 15.5 x 11.5in. £350 - £400 63

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266 266 ARR David Barnes (1943-), “Cwm Pennant”, signed and titled on verso, oil on board, 30 x 40cm, 11.75 x 15.75in. £350 - £450

267 267 ARR David Wilde (1918-1978), “Workers Flee the Consuming Flames of Industry”, signed and titled, acrylic on board, 48 x 61.5cm, 18.75 x 24.25in. £300 - £500

268 268 ARR David Wilde (1918-1978), “Blasting Day, Bethesda Quarry”, signed and titled, acrylic on board, 50 x 60cm, 19.5 x 23.5in. £300 - £500 64

269 269 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Village by a Stream”, initialled, titled on artist’s label verso, acrylic on board, 16.5 x 22.5cm, 6.5 x 9in. £600 - £800

270 270 Frederick J. England (1939-), “Old Longton, Stoke-on-Trent”, signed, titled on verso, oil on board, 79 x 59cm, 31 x 23.25in. £300 - £500

271 271 ARR Frederick J. England (1939-), “The Shift End”, signed and dated ‘06, titled on verso, acrylic on board, 48.5 x 75cm, 19 x 29.5in. £100 - £200 For condition reports please go to www.peterwilson.co.uk

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272 Frederick J. England (1939-), “Smoke City”, signed, titled and dated 2018 on verso, oil on board, 79 x 59cm, 31 x 23.25in. £300 - £500

273 ARR Geoffrey Key (1941-), “Blue Flower”, signed and dated ‘04, titled on verso, oil on canvas, 60 x 50cm, 23.5 x 19.5in. £3,000 - £5,000

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274 274 ARR Ivan Taylor (1946-), “Lichfield Cathedral”, signed and dated ‘82, oil on board, 65.5 x 81cm, 25.75 x 32in. £200 - £400

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277 277 ARR Olivia Pilling (1985-), “Bridgewater Canal, Manchester”, initialled, titled on verso, acrylic on canvas, 59 x 89.5cm, 23.25 x 35.25in. £300 - £500

275 275 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Water Carrier, Tangiers”, signed, titled on verso, oil on board, unframed, 40 x 51cm, 15.75 x 20in. £200 - £400

278 278 ARR Tadeusz Was (1912-2005), Figure, signed, mixed media, 35 x 26cm, 13.75 x 10.25in. £100 - £200

276 276 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “The Bay Of Naples”, signed, titled and dated 1976 on verso, oil on canvas, 48.5 x 73.5cm, 19.25 x 29in. £1,000 - £1,500

279 279 ARR William Selwyn (1933-), “View from Bron Eryri”, signed and dated ‘89, titled on verso, acrylic, 35.5 x 52.5cm, 14 x 20.75in. £700 - £900

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280 280 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Henley Boat Race”, signed, titled on artist’s label verso, oil on canvas, 40.5 x 50cm, 16 x 19.75in. £5,000 - £7,000

Watercolours, Pastels & inks (moDern/contemPorarY) 281 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Pit Brow Lasses”, signed and titled, with certificate of authenticity on verso, watercolour and pen, 29.5 x 29.5cm, 11.5 x 11.5in.

Provenance - sold on behalf of the Isherwood family, with certificate. £200 - £400

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282 282 English School, 20th century, Female portrait, unsigned, watercolour, 36 x 19.5cm, 14.25 x 7.75in set in Arts and Crafts style metal frame. £100 - £200

283 283 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Red Sea, Wales”, titled, with certificate of authenticity on verso, watercolour, 15.5 x 20.5cm, 6 x 8in. Provenance - sold on behalf of the Isherwood family, with certificate. £150 - £200

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284 284 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Stephanie”, signed, titled and dated ‘72, with certificate of authenticity on verso, watercolour, 49.5 x 39.5cm, 19.5 x 15.5in. Provenance - sold on behalf of the Isherwood family, with certificate. £200 - £400

285 285 ARR Neil Faulkner (b.1952), Portrait of a Miniature Schnauzer, signed, watercolour, 30.5 x 22.5cm, 12 x 8.75in. £100 - £200

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287

286 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “The Houses of Parliament”, unsigned, with certificate of authenticity on verso, watercolour, 19.5 x 30cm, 7.75 x 11.75in. Provenance - sold on behalf of the Isherwood family, with certificate. £200 - £400 287 ARR Harry Hudson Rodmell R.S.M.A. (1896-1964), “Dock Scene, Hull”, signed and annotated ‘Demonstration Sketch’, watercolour and charcoal, 35 x 50cm, 13.75 x 19.75in. £100 - £200

289 289 ARR Jonathan Walker (1966-), “Bill waits silently for Bufo”, signed and titled, watercolour and ink, 29.5 x 44.5cm.; 11.75 x 17.5in. £100 - £200

288 288 ARR Robert Leslie Howey (1900-1981), A view in the Lake District, signed, watercolour, 42.5 x 56.5cm, 16.75 x 22.25in.

Robert Leslie Howey was the son of Staithes Group painter John William Howey. Robert was noted for his watercolours of the Lake District and his linocuts and woodcuts were published in London and New York. £100 - £200

290 290 ARR Caroline Bailey (1953-), “Struan Fields”, signed, titled on verso, mixed media, 31 x 35cm.; 12.25 x 13.75in. £300 - £500

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291 291 ARR Bohuslav Barlow (1947-), “By the Wall”, signed and dated ‘98, titled on verso, pastel, 34.5 x 51.5cm, 13.5 x 20.25in. £100 - £200

294 294 ARR Sarah Clegg (1962-), Portrait studies of Cheshire Hounds, signed and dated ‘09, annotated with the name of each dog, pastel, 33 x 44cm, 13 x 17.25in. £200 - £400

292 292 ARR John Mould (1958-), “Cleo & Jane” - portraits of two spaniels, signed and dated 1985, pastel, 39.5 x 49.5cm, 15.5 x 19.5in. £200 - £400

295 295 ARR Marc Grimshaw (1957-), “Castlefield, Manchester”, signed, pastel, 34 x 32.5cm, 13.25 x 12.75in. £100 - £150

293 293 ARR Andrew Macara (1944-), “Emscote Lawn School, Warwick”, signed, titled and dated May ‘92, crayon drawing, 29 x 40.5cm, 11.5 x 16in. £100 - £200 70

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296 296 ARR Trevor Grimshaw (1947-2001), House and telegraph pole with industrial cityscape beyond, signed and dated ‘71, graphite, 26.5 x 25.5cm, 10.5 x 10in. £600 - £800

oil Paintings (18th/19th centurY)

297 297 English School, early 20th century, Portrait of a spaniel and a Norfolk Terrier, indistinctly signed, oil on canvas, 29 x 34.5cm, 11.5 x 13.5in. £300 - £500

298 298 Frank Hider (1861-1933), “Near Dawlish, Devon” and “Whitsand, near Plymouth”, both signed, titled on verso, a pair, oil on canvas, each 29.5 x 50cm, 11.5 x 19.5in (2). £150 - £250

299 299 Attributed to Anton Mauve (1838-1888), Study of sheep, unsigned, oil on canvas, 20 x 30cm, 7.75 x 11.75in. £250 - £350

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300 300 Dutch School, 19th century, River townscape with boats and figures, unsigned, oil on canvas, 76 x 112.5cm, 30 x 44.25in. £300 - £500

301 301 George Hall Neale (British, 1863-1940), Portrait of Mrs J. Watson Hughes, signed, titled on label verso, oil on canvas, 100 x 75cm, 39.5 x 29.5in. £500 - £700

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302 302 Alfred Steinacker (1838-1914), Horses and cart on a rural lane, signed, oil on canvas, 17 x 30cm, 6.75 x 11.75in. £200 - £400

303 303 Cornelis Jan Mension (Dutch, 1882-1950), River view with cathedral, signed, oil on canvas, 28 x 20cm.; 11 x 8in. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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305

304 Stephen Frank Wasley (1848-1934), Harbour scene, signed, indistinctly titled on verso, oil on canvas, 75 x 126cm, 29.5 x 49.5in. £500 - £700 305 Style of Thomas Faed (1826-1900), Pastoral scene with children and a dog in the foreground, a harvesting scene in the distance, bears signature, oil on canvas, 46.5 x 64.5cm, 18.25 x 25.5in. £100 - £200

307 307 William Joseph J.C. Bond (1833-1926), River scene with boats, signed, oil on board, 27 x 20.5cm, 10.5 x 8in. £300 - £500

306 306 Herbert St. John Jones (1872-1939), “The Cheshire - A Kill near Bath Wood” and another similar, one signed, titled and dated 1932 on verso, a pair, oil on board, each 29 x 49.5cm, 11.5 x 19.5in (2). £200 - £400

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Watercolours, Pastels & inks (18th/19th centurY)

308 308 William Joseph J.C. Bond (1833-1926), Beach scene with figures, signed, oil on board, 22 x 31cm, 8.75 x 12.25in.

Liverpool landscape painter. Exhibited at Society of British Artists - Suffolk Street, but only twice at the Royal Academy 1856, member 1859. Subjects: landscapes, coastal and harbour scenes, mainly in Cheshire, Wales and Anglesey. £300 - £500

310 310 Rob Hilton, 19th/20th century, Rural scene with trees and cottages, signed and dated 1886, watercolour, 43.5 x 34cm, 17.25 x 13.5in. £100 - £200

309 309 William Joseph J.C. Bond (1833-1926), River scene with boats, signed, oil on board, 29.5 x 24.5cm, 11.75 x 9.75in. £300 - £500

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311 311 English School, late 18th century, “A River in North Wales” with fishermen, unsigned, titled and dated 1797 on verso, watercolour and pencil, 26.5 x 36.5cm, 10.5 x 14.5in. £100 - £150

For condition reports please go to www.peterwilson.co.uk

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312 312 Hercules Brabazon Brabazon (British, 1821-1906), Egypt, initialled, watercolour over pencil, unframed, 19 x 27.5cm, 7.5 x 10.75in. £300 - £500

313 313 Joseph Hughes Clayton (exh.1891-1929), “Cemaes Bay, Anglesey”, signed, watercolour, 34.5 x 53.5cm, 13.5 x 21in. £200 - £400

314 314 John Faed R.S.A. (Scottish, 1819-1902), Portrait of a seated lady, signed, watercolour, 43 x 33cm, 17 x 13in. £200 - £400

315 315 Hercules Brabazon Brabazon (British, 1821-1906), Venice after Turner, watercolour over pencil, unframed, 14 x 22cm, 5.5 x 8.75in. £300 - £500

316 316 William Minshall Birchall (1884-1941), “Guarding the Mail Boat” and “Under Escort”, both signed and dated 1918, a pair, watercolour over pencil, 11 x 25cm, 4.25 x 10in (2). £200 - £400

317 317 Joseph Hughes Clayton (exh.1891-1929), Coastal view with cottages, signed, watercolour, 31.5 x 48cm, 12.25 x 18.75in. £200 - £400 75

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318 318 John McDougal (British, 1877-1941), Rural lane with cottages and chickens, signed and dated 1890.1, watercolour, 34 x 48.5cm, 13.5 x 19in. £100 - £200

319 319 Bonomi Edward Warren (British, fl.1860-1900), “Box Hill, Surrey”, signed and dated 1871, watercolour, 72.5 x 125.5cm.; 28.5 x 49.5in. £100 - £200

320 320 Hercules Brabazon Brabazon (British, 1821-1906), Venice, initialled, watercolour and pastel, unframed, 23 x 21cm, 9 x 8.25in. £300 - £500 76

321 321 Thomas Miles Richardson Jnr. R.W.S. (1813-1890), Village by an alpine lake, signed and dated 1852, watercolour, 25.5 x 43.5cm.; 10 x 17in. £100 - £200

322 322 Walter John Burroughs-Fowler R.B.A. (British, 1860-1930), “Driving the Herd”, signed, watercolour, 31.5 x 49.5cm, 12.5 x 19.5in. £200 - £400

323 323 J.W. Booth (Staithes Group, 1867-1953), “Runswick Bay”, signed, titled on mount, watercolour, 25.5 x 36cm, 10 x 14.25in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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324 324 Hercules Brabazon Brabazon (British, 1821-1906), Karnak, initialled and titled, watercolour and pencil, 19 x 25.5cm, 7.5 x 10in. £300 - £500

325 325 Henry Edward Spernon Tozer (1864-c.1938), “The Pipe Smokers”, signed and dated 1931, watercolour, 24.5 x 32cm, 9.5 x 12.5in. £500 - £700

326 326 Henry John Sylvester Stannard R.B.A (1870-1951), Rural view with cottages, signed, watercolour, 26.5 x 36.5cm, 10.5 x 14.25in. £100 - £200

327 327 Hercules Brabazon Brabazon (British, 1821-1906), Venice after Muller, initialled and inscribed, chalk drawing, unframed, 14 x 20cm, 5.5 x 8in. £300 - £500

328 328 Hercules Brabazon Brabazon (British, 1821-1906), Venice, initialled and titled, crayon and pastel drawing, unframed, 17 x 24.5cm, 6.75 x 9.5in. £250 - £350

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BronZes & sculPture

329

331

329 A 19th century bronze of an exotic dancer by Franz Bergman, the cold painted figure stands on a marble base which is draped in a bronze rug. The dancer’s skirt is hinged and lifts to reveal her nude form. Signed ‘Nam Greb’ on the reverse of the skirt, which is the name Bergman went by to hide his identity on these erotic bronzes. Height 19cm. £300 - £400

332 332 Reproduction of Klara Sever’s surrealist sculpture ‘Portrait of a Woman’, reproduced by Austin. Prod 1979 in bronzed resin. Depicting the abstract face of a female, on wooden base. Signed ‘Sever’ and ‘Austin Prod.’. 56 x 28cm (inc. base). £200 - £300

330 330 A 19th century bronze figure group of camel and herder

by Franz Bergman, showing man and beast reclining. Cold painted bronze. Length of group is 9cm. £100 - £200 331 A large bronze sculpture entitled ‘Sheridan’s Ride 1878’.

Depicting General Sheridan on a galloping steed raising his cap in salute. Mounted on marble base. 62 x 35cm (inc. base). £200 - £400

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333 333 A single gesso angel’s wing. 75 x 16cm. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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clocks & Barometers

PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery.

Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

334

334 A late 19th century mahogany bracket clock by Kenneth Maclenan, London. With single pad top, brass carry handle, brass fish-scale side frets, brass ogee bracket feet and rounded arched pediment framing the dial. Brass spandrels frame a round enamel face with Roman numeral chapter ring. Subsidiary dial for the months and a strike/silent adjuster. The backplate is engraved with an intricate foliate design. Double fusee movement with anchor escapement, striking on a six bell carillon and a single hemispherical bell. With pull chord quarter repeater. 36 x 26cm. £4,000 - £5,000

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335 A mid 18th century mahogany bracket clock by Christopher Moon of London. With three pad top and brass carry handle, brass fish-scale side frets and brass bracket feet. The semi-circular arched dial has brass spandrels, silvered chapter ring with Roman and Arabic numerals, two subsidiary dials one for strike/silent, one for months of the year. A cutaway in the centre of the dial reveals the maker’s name. The back-plate is engraved with the central motif of a phoenix surrounded by swirling foliate design. Double fusee movement with verge escapement striking on a single bell, with quarter repeater pull chord. 42 x 28cm. £3,000 - £4,000

335

336 336 A late 19th century French champleve carriage clock.

Fluted brass columns frame an enamel dial with Arabic numerals which is set into a champleve panel of a floral, mosaic design. Single-train movement. 10 x 7cm. £200 - £300

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337 337 A 19th century brass and cloisonné carriage clock. The brass frame and Corinthian columns are set with geometric cloisonné patterns reminiscent of Moorish architecture. The enamel dial has Roman and Arabic numerals, with subsidiary alarm dial and seconds sweep hand. Eight day movement striking on single bell with quarter repeater. 16.6 x 10.2cm. £80 - £120

For condition reports please go to www.peterwilson.co.uk

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338 338 A 20th carriage clock with brass case. Corinthian piers and foliate fretwork frame an enamel dial with Roman numerals.

Single-train eight day movement. 14.5 x 8 x 6cm. £300 - £500

339 339 A mid 19th century brass carriage by Charles J Klaftenberger (Regent Street, London). The brass frame has bevelled glass panels covering an enamel dial with Roman numerals and a subsidiary alarm dial with Arabic numerals. The back-plate is also stamped with the maker’s name. Grand-sonniere movement, two-train, striking on a double gong with three striking arms. With original leather carry case. 14 x 9.8cm. £2,000 - £3,000

340 340 A brass frame Jaeger-LeCoultre carriage clock. With suspended Roman numeral chapter ring framing the visible swiss-made movement. With original presentation case.

14.2 x 9.5 x 5cm. £500 - £700

341 341 A mid 19th century brass framed carriage clock by Adams, Lombard Street, London. The case has intricately cast brass metalwork in a design of swags and bowers of flowers, with acanthus leaves snaking up the columns. The side panels are engraved with vases of flowers. The enamel face has roman numerals and the makers name. Eight-day, two-train movement striking on a single bell. 11 x 8cm. £400 - £600

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342 342 A late 18th century mahogany longcase clock by Snelling, Alton.

With stepped caddy top pediment, engaged ‘Doric’ pilasters, long door with brass escutcheon on box base with blind plinth. The cream dial is painted with posies of wildflowers and a golden urn. With painted Roman and Arabic numerals and subsidiary seconds dial. Eightday, two-train movement, striking on single bell. 200 x 50cm. £500 - £700

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343 343 An 18th century mahogany longcase clock by William Musgrave of Leeds. With broken arched pediment and orb finial and long cross-banded door on box base with ogee arched feet. The brass dial has brass spandrels, engraved boss with makers name, chapter ring with Roman and Arabic numerals and subsidiary seconds dial. Two-train, eight-day movement. 229 x 56cm. £400 - £500

344 344 An 18th century oak longcase clock

by John Stanyer of Nantwich. With straight stepped pediment, fluted columns with brass mounts, engaged pilasters to long door, with tall box base on bracket arched feet. The brass face has brass spandrels, silvered chapter ring with both Roman and Arabic numerals and seconds subsidiary dial. Eight-day, two-train movement, striking on single bell. 217 x 58cm. £600 - £800

For condition reports please go to www.peterwilson.co.uk

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345

345 An 18th century mahogany bracket clock by Edmund Poole*, Limehouse, London. The case with arched pediment with brass carry-handle, brass ogee bracket feet and brass fish-scale side frets. Framing a silvered dial with both Roman and Arabic numerals and the maker’s name. The back A-plate is intricately etched with floral detail, swags and vase. Single fusee movement with verge escapement. 23 x 17cm. *Circa 1720-30. Part of the clockmaker’s guild 1722 - 27. £2,000 - £3,000 83

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346

346 A 19th century French ormolu mantel clock and garnitures.

Topped with painted ceramic loving cup, swags of flowers frame a painted ceramic dial with bird motif and Roman numerals. The pair of garnitures have cherubs holding twin branch candelabra topped with flaming sconce. The clock has a two-train movement striking on a single bell, with brocket escapement. Stamped Japy Freres. Clock: 33 x 24cm.

Garnitures: 37 x 20cm. £1,300 - £2,000 347 A late 19th century French marble mantel clock. With curved arched pediment mounted with brass crown, mounted either side of the dial are two brass angels holding laurel wreaths aloft, with brass rosette in the centre. The dial with open escapement, encircled by an enamel chapter ring with Arabic numerals.

Single-train movement. Clock mounted on wooden base with glass dome (damaged). 36 x 23cm (not including glass dome or wooden base). £150 - £250 348 No lot 347

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349 349 A late 19th century French ormolu and ceramic mantel clock and garnitures. The central clock is mounted with ormolu swags and lion’s heads framing a ceramic painted dial with Roman numerals and floral bower motif. The clock is topped with a central ceramic bowl with raised gilded decoration, the pair of egg shaped garnitures are similarly embellished. Eight-day, twotrain movement with brocket escapement. Clock: 38 x 28cm.

Garnitures: 36 x 14cm. £100 - £150

350

350 A Regency period mahogany mantel clock by Thomas Richards of London.

With stepped quadripartite top, brass pineapple finial, inlaid brass motifs and brass ring handles in the shape of swags.The circular enamel face has Roman numerals and brass bevel with domed glass. Single train movement.

22 x 33cm (excluding finial). £300 - £400

351 A 19th century French spelter mantel clock. The figure of a lady feeding sparrows is perched above the dial, mounted on a polished slate base with Rococo style details. The slate face has gilded Roman numerals.

Eight-day, two-train movement striking on a single bell. 57 x 36cm. £150 - £250

351

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352

353 352 A 20th century mahogany mantel clock with French made movement. Pagoda top, bevelled glass panels, brass finials and feet. The rounded arched dial is silvered with etched floral detail and Roman numerals. Stamped with the retailers name ‘Edward & Sons, Glasgow’. Two-train movement. Striking on a single gong. 28 x 16cm. £200 - £300 353 A late 19th century oak drop dial wall clock by Swindon & Sons, Birmingham. Pierced, carved wings to either side with carved shield emblem to centre. Cream painted dial with Roman numerals and maker’s name and brass bevel.

Double fusee movement striking on a single hemispherical bell. 67 x 43cm. £250 - £400 354 A rare early 19th century mahogany tavern clock by Israel Smyth of Woodbridge, Suffolk.

The case has cushion foot and scroll detail to the sides. The wooden dial has painted Roman and Arabic numerals, brass ‘pierced heart’ hands, with counter-balanced minute hand. Set into a turned mahogany surround with glass door and brass lock inset to the bezel. Eight-day, single train movement, driven by square lead weight. Six pillars to back and front A-plates. Anti-clockwise winding mechanism. Height: 90cm. Dial diameter: 40cm. £2,500 - £3,000

354

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355

356

355 An early 19th century mahogany drop-dial wall clock by Gill & Son, Aberdeen, carved scroll brackets to the side, brass inlay and window to view pendulum. The enamel dial has Roman numerals, maker’s name, with domed glass door in brass bevel. Single fusee movement. 56 x 38cm. £500 - £700 356 3 Volumes on clocks and watches to include: ‘The Tavern Clock’ by Micheal Gatto, 2010, Tavernicus Publishing, ‘ The Antique Collectors Club Edition of Old Clocks and Watches & their Makers’, F.J Britten, circa 1977, Baron Publishing and ‘Wristwatches’ by Gisbert L. Brunner and Christian PfeifferBelli, 1999, Konemann. £100 - £200 357 A Victorian ‘clock’ oil lamp. With white glass shade, acid etched with Roman numerals to denote a clock face. Brass case for clock movement and stand mounted on an ebonized wood base. Height 43cm. £150 - £250

357

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358 A rare last quarter of the 18th century mahogany regulator

by John Holmes, The Strand, London*. The shallow arched hood has concave mouldings to the curved pediment, the sides are flanked by canted reeded angles. The shape of the trunk door mirrors that of the hood, with flame veneer. The box base has straight edged cornicing and double stepped plinth. The one-piece silvered dial is 3.99mm thick, with maker’s name signed across the centre, Arabic numerals in the minute track encircling a subsidiary dial for running seconds and a date aperture with Roman numerals for the months. With original blue steeled hands. Fully latched, singleweight driven 8-day movement with deadbeat escapement, beat adjustment and Bolton shutter. Eight pillars connect front and back plates (the latter is 4.76mm thick) which encase the entire movement. With heavy brass and iron pendulum, with engraved regulation nut. 181 x 41cm. £50,000 - £70,000

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*John Holmes was regarded as one of the fine clockmakers and horologists of his time, “...he seems to have been one among the leading mechanicians, and when the turret clock at Greenwich hospital was destroyed in a fire in 1779 was given the order for a new one.” He also has a gold pocket watch in the Fitzwilliam collection at Cambridge and two mahogany longcases of his making can be found in the Wetherfield Collections. (‘The Antiques Collector’s Club Edition of Old Clocks and Watches’, F. J Britten, 1977, Baron Publishing, pg 461).

For condition reports please go to www.peterwilson.co.uk

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359

360

361

359 A 19th century triple weight Vienna regulator by Ludwig Hainz, Prague.

The walnut case with satinwood stringing to the case and backboard and is mounted with cast iron gilded mounts, including a crown to the top of the pediment which can be seen to represent the crown of the Virgin Mary. This echoes the cast iron depiction of the Ascension found in the bottom recess of the clock. The white enamel face has Roman numerals, maker’s name and gilt bevel. The three-train movement strikes on a double gong with quarter repeater pull-chord. 116 x 31cm (not including cast-iron pediment mount). £2,000 - £3,000

360 A 19th century Vienna regulator with rosewood case, carved ebonized mounts and satinwood beading. The white enamel dial has half-moon hands, Roman numerals and gilt bevel. Brass weight and pendulum, single-train movement.

105 x 32cm (excluding carved pediment mount). £800 - £1,000

361 Vienna regulator with oak case.

Mounted with gilt wreaths of wildflowers and fruit. The pointed arched pediment has further gilt mounts in the architrave and is topped with acorn finial. The pendulum depicts the face of a deity surrounded by foliate wreath and pair of cherubs. The white enamel dial has has gilt bevel and Roman numerals. Single train movement, with brass weight. 220 x 35cm. £200 - £300

For condition reports please go to www.peterwilson.co.uk

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362 A mid 20th century brass ships bulkhead clock on mahogany backboard by F. W Elliott, Croydon. With cream painted steel face with Roman numerals, subsidiary seconds dial and slow/fast aperture. 27cm (backboard diameter), 15cm (dial diameter). £100 - £150

362

363 363 An early 20th century brass ships stick barometer by F. Darton & Co (Watford, England). With weighted bottom and brass gimble bracket. 90cm length. £200 - £300

364 364 An early 19th century rosewood ships stick barometer by Spencer, Browning & Co. The rosewood case has mother of pearl inlay in a foliate design. With ivorine forecasting dial and vernier above mercury thermometer. With brass cistern and brass gimble bracket. 91cm length. £600 - £800 91

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Furniture

365

366

365 Edwardian Arts & Crafts stained oak fireplace surround with central hammered copper panel of trumpet form flanked by sunflower circular rosettes, top panel with stylised carved flower heads and leaves, overall size height 183cm (72”), width 150cm (59”), fireplace opening height 84cm (33”), width 100cm (39”). £1,000 - £1,500

366 Late 18th century Dutch mahogany glazed display cabinet on Bombay base, smothered in floral marquetry shaded white woods with coloured flower heads and cornucopia, arched and shaped canopy with carved central pediment (probably of a later date), two six pane glazed doors with original hand drawn glass, flanked by two counted three pain glazed panels, interior with shaped pine shelves, base fitted three graduated drawers with cast brass handles and escutcheons, all standing on two animal paw carved feet, height 225cm (89”), width 170cm (67”), depth 52cm (21”). £800 - £1,200

367 Victorian ebonised pier cabinet, rectangular top above two glazed doors, original velvet lined interior, two fixed shelves, bracket feet, cabinet decorated overall with white wood stringing and cast brass embellishments, width 106cm (42”), height 104cm (41”), depth 33cm (13”). £100 - £200

367

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For condition reports please go to www.peterwilson.co.uk

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368

369

368 George III mahogany bookcase on bureau, upper section of architectural form with two doors, each with fluted pilasters reaching up to similarly shaped cornice, doors with parliament hinges, interiors with two adjustable shelves, base with flap opening to reveal inverted fitted interior, six drawers, six stationery compartments with central cupboard, flap with book rest, base with three short drawers and three long graduated drawers, original pierced brass handles, bracket feet, width 104cm (41”), hight 214cm (84”), depth 51cm (20”). £300 - £500 370 369 20th century Jacobean design side cabinet, rectangular top supported on turned columns with central cupboard, wrought metal hinges, lower section with long single drawer, turned wooden handles, platform shelf to base, the whole piece decorated with geometric panels, barbers pole string and chevron panels, width 96cm (38”), height 130cm (51”), depth 50cm (20”). £300 - £500

370 Victorian copy of a 17th century oak buffet cabinet, rectangular three plank top with carved frieze depicting Scottish thistles, central cupboard flanked by two matching panels, each with marquetry floral decoration, on lower stage with cup and cover carved baluster pillars, central drawer carved with oak leaves and acorns, lower platform shelf width 130cm (51”), height 110cm (43”), depth 43cm (17”). £400 - £600

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371

371 George III mahogany bureau, flap opening to reveal fitted interior with eight stationery compartments, four short and two long drawers, flanking central recess, base with four graduated long drawers, each with original pierced brass plate handles, cock-beading, oak drawer linings, bracket feet, width 94cm (37”), height 104cm (41”), depth 52cm (21”). £300 - £500

373

372

374 Edwardian mahogany lady’s writing desk with fiddled veneers and mock Adam coloured inlays, swags of flowers and urns, galleried top above two short and two long central drawers flanked by two cupboards, each with stationery compartments, flap opening to reveal maroon leather writing surface, single frieze drawer, all standing on four square section tapering legs with shaped stretcher, width 83cm (33”), height 107cm ( 42”), depth 40cm (16”). £250 - £450

372 George III oak bureau bookcase, top section with moulded dentil cornice above two raised and fielded panelled doors, cross banded in mahogany with central petera, interior green painted with three adjustable shelves, base with flap opening to reveal fitted interior with central door and six small drawers, four long cross banded drawers with replacement brass handles, enclosed by chamfered corners, all standing on bracket feet, width 107cm (42”), depth 56cm (22”), height 221cm (87”). £200 - £400 373 Late 19th century French rosewood veneered lady’s bureau, galleried top with flap opening to reveal fitted interior with three drawers and well, all standing on scrolling lets with brass mounts to shoulders, inlaid all over with floral marquetry, width 71cm (28”), depth 48cm (19”), height 94cm (37”). £100 - £200

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For condition reports please go to www.peterwilson.co.uk

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375

375 A matched group of eight yew and elm late 19th century low-back Windsor chairs, each with pierced splat of near identical design, saddle seats, turned legs united by crinoline stretcher. £1,500 - £2,000

376 376 A pair of 19th century continental walnut framed open arm chairs, each with upholstered back and sprung seat, scrolling arms carved with acanthus leaves, matching legs united by “H” stretchers. £200 - £400

377 377 Late 19th century Georgian style window seat, upholstered back and seat with mahogany cabriole foreleg supports, shoulders decorated with leaves, animal paw feet, width 103cm (41”), depth 65cm (26”), height 88cm (35”). £200 - £400

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378

381 378 A set of six Hepplewhite design, 19th century oak framed single chairs, each with arched crest rail, pierced central splat, flanked by sticks seagrass seat, square section tapering legs, united by “H” shaped stretchers. £100 - £200

380 17th century design Wainscot chair, constructed from timber of various ages, cresting rail carved with acanthus leaves, central panel with diamond carving, three plank seat, open arms, turned foreleg supports. £300 - £500

379 Victorian copy of a 17th century oak Wainscot chair, the stained frame with traditional carved arched back panel, open arms, solid seat, turned foreleg supports united by stretchers. £150 - £250

381 A matched group of 19th century ash and elm Macclesfield ladder-back chairs, comprising one open armchair and ten single chairs, each with turned top rail, some stamped by maker Leicester, seagrass seats, turned front stretchers. £500 - £700

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380

382 For condition reports please go to www.peterwilson.co.uk

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383 382 A pair of yew and elm low-back Windsor chairs, pierced splat back, saddle seat, turned legs united by crinolin stretcher. £300 - £500 383 A matched group of 19th century Billinge design ladder-back chairs, comprising nine single and two armchair carver chairs, each with traditional shaped top rail, cupids bow ladder, rush seats, turned foreleg supports, turned stretchers, pad feet. £400 - £600 384 A set of six late 19th century Hepplewhite style mahogany framed dining chairs, each with shield shape back, pierced splat, upholstered drop-in seat, moulded foreleg supports united by “H” stretcher. £200 - £400 385 Set of six Victorian rosewood balloon-back single dining chairs, each with carved and pierced back rail, upholstered seats with serpentine front French leg. £200 - £400 386 Set of twelve mid 19th century mahogany dining chairs, comprising ten singles and two open arm carvers, all of Irish Chippendale design, pierced splats with moulded acanthus leaf decoration, upholstered loose seats cabriole foreleg supports with carved shoulders, ball-and-claw feet, retailers mark “Greenlands Limited, Hereford”. £4,000 - £6,000

384

385

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387

388

389

390

391

390 Victorian walnut framed footstool, upholstered seat covered in later brown velvet, four French swept and moulded legs, width 59cm (23”), depth 63cm (25”), height 46cm (18”). £150 - £250

392 Edwardian mahogany framed double cane three-piece bergere suite, comprising two single and three seater sofa, all with moulded frame, decorated with acanthus leaves, ball-and-claw feet, loose cushions, width sofa 182cm (72”), height 90cm (36”). £400 - £600

387 20th century Jacobean design oak box stool, rectangular top with moulded edge, sides with geometric moulded decoration, turned legs united by stretchers, width 43cm (17”), depth 28cm (11”), height 43cm (17”). £50 - £80 388 20th century oak boarded stool of continental design, top hinged with strap hinges, boards to two sides, carved with fruiting vines, width 46cm (18”), height 48cm (19”), depth 30cm (12”). £100 - £200 389 17th century re-constructed joint stool, rectangular chip carved two plank top, base with four carved and turned legs united by rectangular section stretchers, width top 53cm (21”), depth 28cm (11”), height 46cm (18”). £100 - £150

391 Early 19th century footstool in the style of William Kent, rectangular upholstered seat supported on four substantial cabriole legs with Lion mask shoulders, animal paw feet, rails to seat with scrolls, shells and masks, width 70cm (26”), depth 52cm (21”), height 48cm (19”). £300 - £500

392

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393

394

393 Victorian walnut framed nursing chair, spoon-back with pierced and carved cresting rail, upholstered back and seat, cabriole foreleg supports, each leg with brown pot casters. £50 - £80 394 Early 20th century walnut and mahogany library table, rectangular top with cut corners and moulded edge, fitted tooled leather inset, shallow frieze, four cabriole leg supports with moulded shell to shoulder, pad foot, width 167 (66”), width 107cm (42”), height 74cm (29”). £100 - £200

397 Mid 19th century mahogany work table, rectangular top with two drop leaves, frieze with two true and two false drawers, each with cock beading and turned handles, all standing on square section tapering column, platform base with animal paw feet, brass castors, width 83cm (32”), depth 61cm (24”), height 74cm (29”). £300 - £400

395 Late 18th century oak cricket table, three plank circular top standing on triform pegged base with three plank platform shelf, diameter 66cm (26”), height 70cm (28”). £300 - £500 396 18th century and later oak oval drop-leaf table, planked top supported on gate-leg base with bobbin turned legs and stretchers, top 171cm (67”) x 145cm (57”), height 74cm (29”). £200 - £400

396

395

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399

398 Late 19th century continental kitchen table, four plank top with cleated ends, base with two frieze drawers to one side with turned handles, all standing on four square section tapering legs, width 190cm (75”), depth 91cm (36”), height 77cm (30”). £400 - £600 399 Victorian walnut veneered oval loo table, hinged top on block base with turned pedestal, four out-swept legs with carved shoulders and articulated casters, top 126cm (50”), 93cm (37”), height 74cm (29”). £200 - £400

400

400 Early 19th century mahogany extending dining table, two D-ends each with four legs extending to support four leaves, top with three reed edge, 4” frieze, gun barrel turned supports with articulated brass castors, width 387cm (152”) (fully extended), depth 137cm (54”), height 74cm (29”). £1,000 - £1,500 401 Late 18th century oak farmhouse table, four plank cleated top supported on four square section tapering legs with two stretchers uniting the supports at opposing ends of the table, length 182cm (72”), width 85cm (34”), height 74cm (29”). £1,000 - £1,500

401

100

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

402

402 George III mahogany three pedestal regency design dining table, comprising to D-ends, central rectangular shape table united by two further leaves, four reed edge, ring turned columns with out-swept legs, decorated with brass string, brass casters, original brass leave clips, length 305cm (120”), width 120cm (47”), height 74cm (29”). £2,000 - £3,000

403

403 Pair of mid 19th century Burmese or Chinese rosewood occasional tables, each with square top inset with soapstone panel, base to each moulded with flower heads and scrolls, legs united by fretwork brackets, each width 36cm (14”), depth 36cm (14”), height 47cm (18”). £400 - £600

404 George III mahogany occasional table, the circular one-piece dish top with original snap top, turned baluster column with three out-swept legs, top diameter 53cm (21”), height 68cm (27”). £150 - £250

404

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405

405 Gnome Man occasional tables, rectangular top on trestle support, carved with trademark gnome, width 60cm (24”), depth 30cm (12”), height 36cm (14”) and one other. £100 - £200 406 Late 19th century nest of four rosewood occasional tables, each of graduated size, rectangular tops, ring-turned legs, sledge feet, largest table width 48cm (19”), depth 34cm (13”), height 64cm (25”). £350 - £550 407 George III mahogany fold-over tea table, the demi-lune top supported on square section legs, two swinging decorated overall with white wood stringing, width 99cm (39”), height 74cm (29”), depth 49cm (19”). £150 - £250

406

407

409 George III mahogany cupboard on chest, moulded cornice above two single panel doors, each which matched flame mahogany panels, opening to reveal four fixed shelves, base with four graduated drawers with matched veneers, original turned handles, standing on bun feet, width 115cm (45in), height 106cm (77cm), depth 60cm (24in). £200 - £400 410 19th century mahogany press, dentil moulded cornice and a frieze or arches and split-turned pendants above three oval floral marquetry panels, interior converted to hanging space fronted by solid flame mahogany doors over two short and two long drawers with original swan neck handles, bobbin escutcheons and sitting on bracket feet, height 209cm, width 125cm, depth 60cm. £200 - £400

408 Early 19th century French carved oak armoire, heavily carved all over with swags of flowers, fitted two doors with shaped panels, brass hinges and lock plates, width 168cm (66”), depth 63cm (25”), height 120cm (90”). £200 - £300

408

102

409

410

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

411

412

411 17th century oak panelled marriage chest, two plank top with chip carving, original wire hinges and lock, base with three panel front carved with arches, flower heads, marriage initials T & M, interior with candle box and planked base, width 132cm (52”), height 79cm (31”), depth 54cm (21”). £200 - £400

413 George III mahogany two door bow-front corner cupboard, 4” moulded frieze above doors, fitted brass “H” shaped hinges, bone shield shaped escutcheons, interior painted with three fixed shelves, height 107cm ( 42”), width 72cm (28”), depth 46cm (18”). £100 - £200

412 Early 18th century oak jointed chest, three plank top with strap hinges, front with four raised and fielded panels, top rail scratch marked “RW 1728”, base with two drawers, turned handles (two missing), shaped cupids bow frieze, interior with candle box, width 120cm (50”), height 74cm (29”), depth 53cm (21”). £100 - £200

414 17th century North Wales oak jointed press cupboard, canopy with pendants punched with initials R.G.I.G., central heart and stars, middle section with central arched panel flanked by two doors, fitted pegged hinges, lower section with double doors, each with three panels covering single shelf, width 140cm (55”), height 150cm (59”), depth 55cm (22”). £300 - £500

413

414

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415

416

417

415 Late 18th century oak floor standing corner cupboard, top section with two double panelled raised and fielded doors, base with two matching single panel doors, all with brass “H” hinges, original green paint interior, blind base, width 84cm (33”), height 103cm (80”). £200 - £300

417 Victorian copy of a 16th century continental standing cupboard, oak construction with Gothic tracery panels, central cupboard with steel lock and strap hinges, carved central panel with heraldic designs, open base with single drawer, platform shelf, width 87cm (34”), height 160cm (63”), depth 46cm (18”). £300 - £500

419 George III mahogany bow-front chest of two short and three long graduated drawers, top with ebony stringing, drawers all with cockbeading and figured flame mahogany veneers, replacement brass ring handles, out-swept bracket feet, width 104cm (41”), height 104cm (41”), depth 52cm (21”). £200 - £400

416 George III mahogany bow-front two door corner cupboard, moulded cornice, fluted columns flanking doors supported by brass “H” shaped hinges, interior with three fixed shelves, one altered, height 107cm (42”), width 71cm (28”), depth 46cm (18”). £100 - £200

418 17th century oak chest of four graduated drawers, six plank top with moulded edge, drawers with applied geometric ogee moulding contained in pegged carcass, bun feet, width 92cm (36”), height 81cm (32”), depth 55cm (21”). £300 - £500

420 George III mahogany chest of four long graduated drawers, rectangular top with ogee mould, drawers with brass bail handles, matching escutcheons, cock beading, steel locks all standing on bracket feet with fretted decoration, width 82cm (32”), depth 48cm (19”), height 79cm (31”). £300 - £400

418

419

420

For condition reports please go to www.peterwilson.co.uk

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421

422

421 George III mahogany chest of two short and three long graduated drawers, rectangular top with ogee mould, drawers with cock-beading, pine drawer linings, steel locks, replacement brass handles all standing on ogee moulded bracket feet, width 79cm (31”), height 76cm (30”), depth 48cm (19”). £200 - £300 422 George III oak chest of two short and three long graduated drawers, rectangular top above frieze with blind fretwork, drawers with cast brass bail handles, all enclosed by quartered fluted columns, shaped apron, bracket feet, width 117cm (46”), depth 56cm (22”), height 96cm (38”). £50 - £100

424 Edwardian mahogany sideboard, two pedestals supporting bow front, drop centre with back board incorporating three drawers, each pedestal with single deep drawer with false two drawer fronts, single cupboard below, decorative quartered veneers, each covering fixed shelf, all standing on reeded block foreleg supports, width 200cm (79”), depth 53cm (21”), height 106cm (42”). £200 - £400

423

425 Victorian oak mahogany crossbanded North West regional dresser, inverted plate rack, dentil cornice, two cupboards above two spice drawers, cross-banded in mahogany with chequered stringing, flanking three central shelves, tonge-and-groove oak back boards, base crossbanded fitted four short drawers with brass plate and bale handles, steel locks, central cupboard with two raised and fielded panels, all standing on cabriole foreleg supports with wavy fretwork apron, height 185cm (73”), depth 205cm (80”), width 48cm (19”). £400 - £600

423 George III mahogany chest of two short and three long graduated drawers, rectangular top with ogee mould above drawers, each fitted with original brass bale handles, cockbeading steel locks, pine drawer linings, bracket feet, width 104cm (41”), height 92cm (36”), depth 52cm (20”). £200 - £400

424

425

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426

427

428

426 Victorian wall mirror, rectangular gesso frame, decorated with Rococo scrolls, pediment with vase of flowers, height 80cm (31”), width 59cm (23”). £100 - £200

427 Pair of Victorian wall mirrors, each with oval gesso frames decorated with flower and shell motifs, one mirror with replacement glass, height 83cm (33”), width 50cm (20”). £200 - £400

428 Victorian rectangular bevelled glass wall mirror with gesso frame, scroll pediment with central cabochon, height 140cm (55”), width 82cm (32”). £400 - £600

429

430

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429 A good mid 19th century rectangular cushion mirror, highly decorative gesso frame, with egg and dart mouldings, Rococo and flower head pediment, height 163cm (64”), width 114cm (45”). £1,000 - £1,500

430 20th century re-constructed oak bible box of 17th century design, hinged top opening to reveal fitted interior with three drawers, front panel with stylised flowers, initialled “A.K.”, width 83cm (33”), height 19cm (7”), depth 52cm (20”). £100 - £150

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

431

433

432

431 George III mahogany corner wash stand, shaped back boards, top shelf cut to accommodate bowl and soap trays, platform shelf with one true central drawer and two false drawers, out-swept legs united by scroll shaped stretchers, height 110cm (43”), width 59cm (23”), depth 39cm (15”). £80 - £120

433 19th century mahogany washstand of unusual construction, square section hinged lid with tin cistern and draining tap, above base fitted two cupboards and single drawer, top width 40cm (16”), depth 40cm (16”), height 83cm (32”). £150 - £250

432 Victorian burr walnut what-not, three shelves of rectangular shape supported by turned columns, brass gallery, box base with single drawer, turned handles, brass articulated casters, width 56cm (22”), height 94cm (37”), depth 40cm (16”). £300 - £500

434 20th century yellow sandstone fire place inset Gothic design, fluted columns and hearth, width 158cm (62”), height 109cm (43”), opening width 120cm (47”), height 86cm (34”). £300 - £500 435 Late 18th century oak Delft rack, blind fretwork to cornice with moulded edge, three central shelves flanked by five smaller shelves to each side, width 145cm (57”), height 109cm (43”). £100 - £200

434

435

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436 437

438

439

436 Robert “Mouseman” Thompson dressing table mirror, the oak frame supporting rectangular glass on twin pillar and trestle base, height 46cm (18”), width 40cm (16”), depth 16cm (6”). £80 - £120

439 Robert “Mouseman” Thompson occasional table, rectangular adzed top standing on two substantial columns with trestle base, width 92cm (36”), width 46cm (18”), height 74cm (29”). £600 - £800

437 In the style of “Mouseman”, octagonal pedestal dining table adzed top on support with four brackets, top diameter 124cm (49€ù), height 73cm (29€ù). £500 - £800

440 Three Robert “Mouseman” Thompson light oak napkin rings, diameter 5cm (2”). £100 - £200

438 Robert “Mouseman” Thompson two matching occasional tables or stools, each with adzed rectangular top on turned legs united by stretchers, width 40cm (16”), depth 28cm (11”), height 38cm (15”). £500 - £800 440

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

441 441 Robert “Mouseman” Thompson set of eight dining chairs comprising of six single and two open-arm carvers, each with tradition lattice splat back, close nailed leather seats, turned legs united by “H” form stretchers. £3,000 - £4,000 442 Robert “Mouseman” Thompson bedside locker, adzed top above single four panel door with wrought metal hinges and latch, interior with single shelf, width 48cm (19”), height 68cm (27”), depth 38cm (15”). £400 - £600

443 Robert “Mouseman” Thompson corner cupboard, eight panel single door with traditional wrought metal hinges and latch opening to reveal three fixed shelves, height 97cm (36”), width 70cm (28”), depth 48cm (19”). Included with this lot the original manufacturer supplied wall bracket to support the cupboard. £600 - £800 444 Robert “Mouseman” Thompson oval cheese board with single handle decorated with trademark mouse, 38cm (15”) x 20cm (8”). £150 - £250 445 Robert “Mouseman” Thompson bookcase, two fixed and four adjustable shelves, width 83cm (33”), height 122cm (48”), depth 26cm (10”). £800 - £1,200

442

444

445 443

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447 446

448 446 Robert “Mouseman” Thompson single bed, with eight panel foot and head board, united by side rails and mulitple laths, headboard length 103cm (40”), width 91cm (36”). £500 - £800 447 Robert “Mouseman” Thompson table lamp of pillar form with trademark mouse, height 26cm (10”). Now fitted with Laura Ashley shade. £50 - £80 448 Robert “Mouseman” Thompson nest of three tables, each table with adzed finished top, standing on octagonal legs united by stretchers, largest table width 61cm (24”), depth 38cm (15”), height 47cm (18”). £400 - £600

449

110

449 Robert “Mouseman” Thompson two door wardrobe, each door with twenty panels, opposing ends with twenty one panels, wrought metal latch and hinges, interior with three storage shelves, width 121cm (48”), height 107cm (66”), depth 57cm (22”). £2,500 - £3,500 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

450 Robert “Mouseman” Thompson bread board, rectangular shape with cut corners, traditional trademark mouse, 31cm (12”) x 25cm (10”). £150 - £250

451 Robert “Mouseman” Thompson “X” framed dressing table stool with stitched leather seat, width 56cm (22”), height 53cm (21”), depth 45cm (18”). £300 - £500

450

452 Robert “Mouseman” Thompson sideboard, rectangular adzed finished top with two six panel doors, fitted wrought metal hinges and latch, flanking three central drawers with turned handles, width 180cm (72”), height 77cm (30”). £2,000 - £3,000 451

452

453 Robert “Mouseman” Thompson chest of two short and three long graduated drawers, rectangular adzed top, turned wooden handles, width 91cm (36”), height 91cm (36”), depth 46cm (18”). £2,000 - £3,000

453

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454 Robert “Mouseman”Thompson floor standing bookcase, fitted four adjustable shelves with fixed shelf to base, width 83cm (32”), height 183cm (72”), depth 32cm (13”). £1,000 - £2,000

455 Robert “Mouseman” Thompson dining table, the rectangular top with adzed finish, standing on two substantial columns with trestle base, width 183cm (72”), height 36cm (29”). £2,000 - £3,000

454

455

112

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

456

456 Robert “Mouseman” Thompson four single dining chairs, lattice splat back, leather close nailed seat, turned foreleg supports. £1,000 - £1,500

457 In the style of “Mouseman” there being no trademark mouse, floor standing corner cabinet, three open shelves above single door with wrought metal fittings, interior with two fixed shelves, width 76cm (30”), depth 48cm (19”), height 164cm (64”). £400 - £600

457

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GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C .

The first name of names and surname of the artist - in our opinion a work by the artist.

‘Attributed to...’

- in our opinion probably a work by the artist in whole or in part.

‘Circle of...’

- in our opinion a work of the period of the artist and showing his/her influence.

‘Style of...’ / ‘Follower of...’

- in our opinion a work executed in the artist’s style, of a similar period, but not necessarily a pupil.

‘Manner of...’

- in our opinion a work in the artist’s style, but of a later date.

‘School...’

- Accompanied by place name or country, and date - in our opinion a work executed at that location and period.

‘After...’

- in our opinion a copy (of any date) of a work by the artist.

‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand.

‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscription are by another hand.

Dimensions are given height before width.

notes

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For condition reports please go to www.peterwilson.co.uk

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

FINE ART & SPECIALIST AUCTION DATES 4 & 5 JULY

Summer Fine Art

19 JuLy

Wine & Spirits

16 AuGuST

20th Century Design

12 & 13 SEPTEMBER

Autumn Fine Art

27 SEPTEMBER

Books & Maps

25 OCTOBER

Musical Instruments

8 NOVEMBER

Toys

21 & 22 NOVEMBER

Winter Fine Art

6 DECEMBER

Wines & Spirits

Hours of Business Monday to Friday 09.00 - 17.30 Saturday 09:30 - 12.00 Valuation Days Wednesdays 10.00 -12.00 14.00 - 16.00 Saturdays 09.30 - 12.00

Sold for £28,000

Sold for £10,000

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich CW5 5DG Telephone: 01270 623878 Fax: 01270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk

Sold for £17,000

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notes

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

entries are noW inViteD For our neXt auction oF Fine art & antiQues WeDnesDaY 12 & thursDaY 13 sePtemBer 2018 Entries close 10th August 2018 ENQuIRIES Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk

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conDitions oF sale Peter Wilson Fine Art Auctioneers LLP carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers LLP or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers LLP accepts instructions from sellers or their agents;

6. PAyMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

7. TITLE AND COLLECTION OF PuRCHASES

(f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges.

(g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2.

(3) No purchase can be claimed or removed until it has been paid for.

(h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender.

2. BIDDING PROCEEDuRES AND THE BuyER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

4. THE PuRCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 26.4% which shall include VAT on the premium at the rate imposed by law.

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5. VALuE ADDED TAX Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

(1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due.

8. REMEDIES FOR NON-PAyMENT OR FAILuRE TO COLLECT PuRCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due;

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(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions.

9. THIRD PARTy LIABILITy All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted.

11. WARRANTy OF TITLE AND AVAILABILITy The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCy The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot..

14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot.

Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters

of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.

This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers”.

Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information.

The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions of any person.

17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate.

(2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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inFormation For BuYers 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 22% +VAT (26.4% inclusive).

VAT will be at the rate imposed by law.

5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

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9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). Debit and Credit card payments where the card holder is not present will only be accepted for transactions up to £500. Credit Card payments may only be made using chip and pin up to £2,000.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day.

13. Postage and Shipping. Peter Wilson Fine Art Auctioneers LLP do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5Sy. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2PX. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%.

Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium).

For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk