Woolley and Wallis by Jamm Design Ltd

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

Furniture, Works of Art and Tribal Art Tuesday 8th January 2013

www.woolleyandwallis.co.uk

FURNITURE, WORKS OF ART AND TRIBAL ART TUESDAY 8TH JANUARY 2013

Specialist Departments

Auction Calendar 2013

Please dial +44 (0)1722 followed by the number listed below SILVER January 22nd & 23rd Rupert Slingsby 01722 424501

20TH CENTURY DESIGN Michael Jeffery

424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Alex Doméracki Freya Yuan (Consultant) CLOCKS Will Hobbs Richard Price (Consultant) ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham John Axford MRICS ASFAV Sophie Lister FURNITURE Will Hobbs Mark Richards Jim Gale JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424506 424591 424507

ACCOUNTS & OFFICE MANAGER Janice Clift (Office Manager) Ruth Pike

339752

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood

424507 424506 424591

339752 411854 339161

424504 424595

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

Lucy Chalmers 01722 424594

424509 424598

424500

rupertslingsby@woolleyandwallis.co.uk

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lucychalmers@woolleyandwallis.co.uk

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JEWELLERY January 24th jonathanedwards@woolleyandwallis.co.uk

Jonathan Edwards 01722 424504

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Marielle Whiting 01722 424595

mariellewhiting@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS February 12th

424500

Clare Durham 01722 424507

claredurham@woolleyandwallis.co.uk

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20th CENTURY DESIGN February 27th Michael Jeffery 01722 424505

SALEROOM MANAGER David Jordan

PAINTINGS & BOOKS Victor Fauvelle Jo Butler

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

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michaeljeffery@woolleyandwallis.co.uk

PAINTINGS March 13th Victor Fauvelle 01722 424503 Jo Butler 01722 424592

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victorfauvelle@woolleyandwallis.co.uk

jobutler@woolleyandwallis.co.uk

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John Axford MRICS ASFAV Deputy Chairman

FURNITURE, WORKS OF ART, CLOCKS, POCKET WATCHES & SCIENTIFIC INSTRUMENTS March 26th

Clive Stewart-Lockhart Managing Director

Will Hobbs 01722 339752

Willi Verdon-Smith

FRICS FRSA

ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 ● Fax: 01722 424508 ● www.woolleyandwallis.co.uk

willhobbs@woolleyandwallis.co.uk

Mark Richards 01722 411854

FRICS

COMPANY SECRETARY Jim Macarthur CA

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markrichards@woolleyandwallis.co.uk

ASIAN ART May 22nd & 23rd John Axford 01722 424506

424599

Sophie Lister 01722 424591

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johnaxford@woolleyandwallis.co.uk sophielister@woolleyandwallis.co.uk

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Entries can be accepted up to six weeks prior to the auction

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Illustrated catalogues are available about ten days before the sale

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Viewing is normally two days prior to the auction and on Saturday mornings where appropriate

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Catalogue subscriptions are available for all sales

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Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

FURNITURE, WORKS OF ART AND TRIBAL ART Tuesday 8th January at 10.00am

VIEWING TIMES Friday 4th January 10.00am – 4.30pm Saturday 5th January 10.00am – 1.00pm Monday 7th January 10.00am – 4.30pm Tuesday 8th January 8.30am – 10.00am

ENQUIRIES

Will Hobbs 01722 339752 willhobbs@woolleyandwallis.co.uk

Mark Richards 01722 411854 markrichards@woolleyandwallis.co.uk

Live Internet bidding via

There is no surcharge for using this service but please register by 4:00pm Monday 7th January

Catalogue £12.00 (£15.00 by post) Images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

2 1. An Erivan rug, Armenia, central Caucasus, c.1930-50, 64 x 36in (163 x 93cm). £100-150 2. A Kuba sumac, north east Caucasus, 2nd half 19th century, 135 x 83½in (343 x 212cm). £150-250 3. A Kazak ‘three medallion’ rug, south west Caucasus, late 19th century, 82 x 59in (208 x 150cm). £300-400 4. A Karabakh rug, south west Caucasus, late 19th century, 106½ x 55in (270.5 x 140cm). £300-400 5. A Bergama rug, west Anatolia, 2nd half 19th century, 52 x 37in (132 x 94cm). £200-300 3

4 5

6. A good Heriz carpet, north west Persia, late 19th / early 20th century, 142 x 120in (361 x 305cm). £5,000-7,000

7. A Hamadan rug, north west Persia, early 20th century, 69 x 44in (175 x 112cm). £100-150

8. An Ardabil rug, north west Persia, c.1950, 78 x 49in (198 x 125cm). £100-150

9. A carpet by the Kurds of Khorasan, north west Persia, late 19th / early 20th century, 131 x 102½in (333 x 260cm). £300-400

10. A Yomut Turkmen kepse gol carpet, Turkmenistan, mid 19th century, 102 x 67in (259 x 170cm). Worn, damaged with repairs. An unusually small main carpet, with the gols being transitional between ‘C’ and kepse. £400-600

11. A Kurdish kelleh, north west Persia, late 19th century, 199 x 82in (505 x 209cm). £300-400

12. An attractive Senneh ghileem, west Persia, late 19th century, 77 x 51in (196 x 130cm). £250-350

13. A large Doroksh carpet, north east Persia, c.1920-30, 271 x 197in (688 x 500cm). £3,000-5,000

14. A Kazak rug, south west Caucasus, late 19th century, 74 x 55in (188 x 140cm). £200-300

15. A Khamseh rug, Fars, south west Persia, 78 x 67in (198 x 170cm). £80-120

16. A Shiraz rug, south west Persia, modern, 61 x 41½in (155 x 105.5cm). £100-150

17. An Aubusson style carpet, early 20th century, 215 x 141in (546 x 358cm) Provenance: Callaley Castle, Northumberland. £800-1,200 17

18. An unusual Yomut Turkmen dip khali, Turkmenistan, c.1900, 59 x 46in (150 x 117cm). £150-250

19. A Bakhtiari rug, Chahar Mahal valley, south west Persia, inscribed and dated “1315”, 72 x 55in (183 x 140cm). £200-300

20. An Ersari Turkmen tent band, Afghanistan, late 19th / early 20th century, 594 x 24in (1508.7 x 61cm), and two Moroccan flat weaves, 20th century. (3) £100-150

19 18

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21. A good late 17th / early 18th century Aubusson historical tapestry, woven in wools and silks depicting Godefroy de Bouillon wounded by an arrow, accompanied by Baudouin, Sigier and Heritimusis outside the walls of Jerusalem, 112 x 178in (285 x 452cm). Provenance: A German royal family.

£18,000-22,000

23. An Aubusson tapestry panel, late 19th / early 20th century, linen backed, 69 x 69in (175 x 175cm). £250-350

22. A Kashan carpet, central Persia, c.1920, 180 x 124in (458 x 316cm).

£1,000-1,500

24. A Kizilayak Turkmen chuval, Afghanistan, late 19th century, 38 x 61in (97 x 155cm), complete with undyed plain weave back. £200-250

25. An early 18th century oak chest, with a later reversed top, the former front initialled ‘I W’ over ‘1728’, with shaped cut-out ends, 20¾in (52.7cm) high, 38in (96.5cm) wide, 13in (33cm) deep. £100-150

26. A late Victorian ash and fruitwood Windsor armchair, the back of the seat stamped ‘35646’. £150-200

27. An early 18th century oak chest, with a lidded till and later lock plate, 24in (61cm) high, 50½in (127cm) wide, 22½in (37cm) deep. £300-400

28. A pair of late 17th century oak Yorkshire backstools, with carved open slanting backs. (2) £200-300

29. An oak mule chest, with a carved front, 31in (78.8cm) high, 54in (137cm) wide, 22¼in (56.5cm) deep. £250-350

30. A George III oak open armchair, with a drop-in rush seat.

£100-200

31. A 19th century ash and elm Windsor armchair, with a fruitwood splat. £150-200

32. An oak chest, with a lidless till, the front carved with Gothic tracery rose window panels, with cut-out and moulded arch ends, late 16th century and later, 25½in (65cm) high, 41in (104cm) wide, 17¾in (45cm) deep. £400-600

33. A near pair of mid 19th century yew low back Windsor armchairs, each with a pierced splat back above an elm seat, the other in ash, on turned legs united by a crinoline stretcher. (2) £500-700

34. A late 17th century oak six plank chest, with faint incised decoration, 23¼in (59cm) high, 51in (129.5cm) wide, 15¼in (38.6cm) deep. £200-300

35. An oak panelled back armchair in Charles II style, carved with a portrait of Charles II flanked by mythical beasts above an inscription ‘ACTUM EST DE REPUBLICA‘, above a rectangular panel with Hera in her winged chariot with two peacocks, above twin arches relief carved with crowns and inscribed ‘CH REX D G’ and the date ‘1660’, 19th century. £400-600

36. A Charles II oak chest, with a part geometric panelled front, 31½in (80cm) high, 57in (145cm) wide, 23¼in (59cm) deep. £350-450

37. An oak dresser, the raised back with six spice drawers above four crossbanded drawers, with later brass handles, 18th century and later, 36¼in (91.6cm) high, 83in (211cm) wide, 20½in (52cm) deep. Provenance: Purchased from the Wilton House sale, 25th May 1960, conducted by Rawlence & Squarey. With original bill of sale. £300-500

38. An 18th century Dutch oak side table, with a frieze drawer, 28¾in (73cm) high, 28¾in (73cm) wide, 21¼in (54cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £300-400

39. An early 18th century walnut small gate-leg table, with an end frieze drawer, 28¼in (71.7cm) high, 32in (81.3cm) wide open, 29½in (64.8cm) deep. £600-800 39 40. An oak lowboy, with mahogany crossbanding and chequer stringing, 30½in (77.5cm) high, 29¾in (75.5cm) wide, 18¾in (47.5cm) deep. £100-150

41. An oak and fruitwood side table, with a loose boarded chestnut top and a frieze drawer, parts 17th century and later, 29¾in (75.5cm) high, 38in (96.6cm) wide, 22¾in (57.7cm) deep. £100-150

42. A 16th century Flemish carved oak figure of a saint, on a crescent base, 17in (43cm) high, 8¾in (22.1cm) wide. £500-600

43. A 14th century German carved wood figure of Mary Magdalene, probably Münster c. 1310-15, the base with an inventory number and an ink stamp, 27in (68.5cm) high, 7½in (18.9cm) wide. £1,000-1,500

44. A 16th century French carved pine figure of Mary, holding a prayer book in her left hand and with rosary beads hung from her belt, 25¾in (65cm) high, 5½in (13.8cm) wide. £200-300

45. A 16th century relief carved oak panel depicting Esther before King Ahasuerus, possibly Thames Valley, 11 x 10½in (27.9 x 26.5cm). £500-600

46. A 17th century German relief carved oak plaque, depicting Faith, Hope and Charity, possibly Trier, 11½in (29cm) high, 30in (76.1cm) wide. £700-900 44

46 45

47. A 16th century relief carved oak panel of the Annunciation of the Virgin, 11 x 11¼in (28 x 28.6cm). £200-300

48. A Netherlandish carved wood and polychrome decorated zodiac panel of Taurus, possibly Friesland 17th century, 9¾ x 8¾in (24.5 x 22.2cm). £300-400

49. A continental relief cast canvas and gesso polychrome picture of the Virgin and child, 17th century, 17¾ x 12¾in (45 x 32.3cm), in a painted and parcel gilt moulded frame. £800-1,200

50. A 16th / 17th century Flemish relief carved oak and parcel gilt panel, depicting the Judgement of Solomon, 10¾ x 6in (27.2 x 15.5cm). £300-400

52. A late 15th century Netherlandish oak carving of the Virgin Mary and Mary Magdalene, with traces of original polychrome and gilt decoration, 16¾in (42.5cm) high, 9¼in (23.2cm) wide, 4¾in (12cm) deep. £1,200-1,500

51. A pair of early 16th century Flemish carved wood and polychrome decorated figural candlesticks, on later oak bases, 11½in (28.4cm) high, 6in (15cm) wide. (2) £1,500-2,000

53. A 19th century North European carved ivory group of the Virgin and child, holding an apple in her right hand, on an integral octagonal base, 8¾in (21.8cm) high.

54. An early 16th century French carved and polychrome decorated model of the Virgin and child, probably Tours, c.1520, 12¾in (32.3cm) h. £1,200-1,500

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600

55. A continental embroidered figure of St. Nicholas, 20¾in (52.5cm) high, 8½in (21.5cm) wide. £20-30

56. A Russian relief carved wood, gilt and polychrome triptych, the central panel depicting the crucifixion, flanked by saints, 19th century, central panel: 15 x 9in (38 x 22.6cm). (3) £200-300

57. A late 17th / early 18th century continental carved wood and polychrome model of an angel, probably Italian, 9¾in (24.7cm) high, 10¼in (26cm) wide. £200-300

58. An oak dresser, with mahogany banding and parquetry inlay, George III and later, 80in (203cm) high, 69½in (176.5cm) wide, 19¾in (50.2cm) deep. £800-1,200

59. A pine dresser, 90¼in (229.3cm) high, 59¼in (150.5cm) wide, 18¼in (46.4cm) deep. £200-300

60. A 19th century elm dough bin, with a hinged lid on a fixed stand with a frieze drawer fitted later brass handles, 29¼in (74.2cm) high, 38¾in (98.5cm) wide, 19in (48cm) deep. £300-500 61. A late 17th century oak chest, of four long drawers, having geometric panelled fronts, fitted with replaced brass handles, 35in (89cm) high, 37½in (95cm) wide, 22in (56cm) deep. £500-800

62. A painted oak dresser, 80½in (204.3cm) high, 65¾in (167cm) wide, 19¼in (49cm) deep. £100-200 63. A Charles II joined oak armchair, having replaced finials, the front right leg branded ‘E F‘. £400-600

64. An oak dresser, 60¼in (153cm) high, 49¼in (125.1cm) wide, 18¾in (47.5cm) deep. £300-400

65. A late George III oak cricket table, 23¼in (59cm) high, 29¾in (68cm) wide. £300-500

66. A pair of early 18th century Dutch copper alloy candlesticks, each with a faceted baluster stem with lappet corners and with monogram initials ‘ML‘, 5¾in (14.7cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £300-500

67. A pair of 19th century brass Heemskirk type candlesticks, 19½in (24cm) high. (2) £300-400

68. A metal bell, the front cast ‘J. BAILEY AND CO. SALFORD, MANCHESTER‘, clapper missing, 12½in (32cm) high. £200-300

69. A pair of bronze bells, decorated with reeded bands and a crowned cartouche the centre with six balls, the reverse with the initials ‘V G’ flanking a fleur de lys motif, with clappers and suspension holes, possibly Italian 18th century, 6in (15cm) high. (2) £400-500

70. An 18th century pewter charger, with touchmarks for ‘I S‘ and stamped owner’s initials ‘E S‘ and ‘I W‘, 18¼in (46.4cm) diameter, and two other chargers and another with a deeper bowl. (4) £200-300

71. A small collection of pewter to include: a late George III footed chamber pot, in the form of a witches’s hat, touch mark ‘I & H’, 6½in (16.5cm) high, a deep bowl, indistinct touch marks, 13½in (43.3cm) diameter, an 18th century charger, marriage initials ‘G’ over ‘T M’ to the rim, indistinct touch marks, 14¾in (37.5cm) diameter, a continental plate engraved a crest, touch mark for ‘Ionas ..Ovrand’, two smaller plates, a continental tazza with pricket centre, engraved initials and two warming plates. (9) £100-200

72. An Adam & Eve brass alms dish, 19in (48.2cm) diameter, three pewter measures, a pewter tankard with an inscription, the base stamped ‘ROWELL OXFORD, Cornish Pewter’ , and a pair of 19th century silver plated candlesticks. (7) £20-30

73. A Victorian Britannia metal coffee pot, by Phillip Ashberry & Sons, Sheffield, 12in (30.6cm) high, 9in (22.6cm) wide, together with two Victorian travelling medicine glasses in leather cases, one stamped ‘MEDICINE GLASS £30-50 REGNAS‘. (3)

74. An 18th century wrought iron corner standard peerman and candleholder, with traces of original tin finish, 26¼in (66.5cm) high, 7¼in (18.3cm) wide. £200-300

75. An 18th century wrought iron floor standing adjustable candle holder, probably Scottish, with a ‘save all’, 37½in (95cm) high, 11½in (28.8cm) wide. Provenance: Lot 1131, Sotheby’s Nyetimber Manor Sale 27th September 2001. £400-600

77. An 18th century wrought iron peerman, possibly Irish or Scottish, 13in (32.6cm) high, 5in (12.6cm) wide. See John Caspall: Making Fire and Light in the Home, pre-1820, fig 473. £150-200

76. The Rushlight and Related Holders - A Regional View, by Robert Ashley, printed by Ashley publications, limited edition of 1,000, signed by the author. £60-80

78. An 18th century wrought iron peerman, possibly Irish or Scottish, 15in (37.7cm) high, 4½in (11.3cm) wide. £150-200

79. A George III oak box, the later hinged top with fruitwood banding, 6¾in (16.7cm) high, 18¼in (46.1cm) wide, 11in (27.7cm) wide. £100-150

80. An early 19th century oak carpenter’s tool box, with a partitioned top and divided top drawers with brass handles, 9¾in (24.8cm) high, 24¼in (61.5cm) wide, 12in (30.5cm) wide. £100-200

81 81. A Victorian rosewood and brass inlaid cribbage board, 13½in (33.8cm) long. £100-150

82. An early 19th century fruitwood oblong double bottle coaster, 1½in (4cm) high, 8¼in (20.6cm) wide, aperture diameter 3¼in (8.4cm). £200-300

83. A 19th century carved wood architectural frieze fragment, mounted on a pine board, 74½in (188.9cm) long. £40-60

84 85

84. An early George III oak box, with a hinged lid and brass mounts, 7in (18cm) high, 12¾in (32.5cm) wide, 8in (20.3cm) deep. £100-150

85. A 19th century chestnut twin lidded cutlery box, 5½in (13.8cm) high, 14¾in (37.2cm) wide, 10½in (26.6cm) deep. £50-100

86. A turned sycamore dairy bowl, 4¾in (11.7cm) high, 15in (37.7cm) diameter. £100-150

87. A 19th century French treen salt and pepper holder, 6¼in (15.5cm) high, 6in (15cm) wide, together with a brass mounted coconut cup with enamel cabochons. (2) £100-150 86 88. A 17th century carved oak panel, West Country possibly Salisbury, 25½ x 19¼in (64.7 x 48.8cm). £100-150

89. A German or Dutch bronze mortar and pestle, the flared rim to a reeded body and a single handle, 17th century, the mortar: 6¼in (15.8cm) high, the pestle: 10¼in (26cm) long. (2) £350-450

90. An 18th century bronze mortar, cylindrical with five shaped lugs, 2½in (6.4cm) high, with a pestle, 5¼in (13.5cm) long. (2) £100-120

91. Two 19th century marble mortars, 6½in (16cm) high, 12½in (31.9cm) wide. (2) £50-100

92. A continental bronze mortar, with eight vertical ribs alternating with a stylized spreadeagle motif, possibly French or Italian 17th century, 3½in (8.7cm) high, 5in (12.4cm) diameter. £100-200

93. A brass pestle and mortar with side handles, 4½in (11.5cm) high, two brass mortars with open lug handles, together with six other brass and bell metal mortars of flared cylindrical form and four pestles. (13) £100-200

94. A large bell metal pestle and mortar, 5½in (14cm) high, a stoneware pestle and mortar, together with eight other mortars of flared cylindrical form and four various pestles. (16) £100-200

95. A pair of late 19th century tôle peinte ‘Monteith’ jardinières, with side handles and painted oval vignettes of rural landscapes, 4½in (11.4cm) high, 12¾in (32.4cm) wide. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300

96. A late 19th century tôle peinte ‘Monteith’ jardinière, chinoiserie decorated, 4½in (10.9cm) h, 12½in (31.5cm) wide, 7¾in (19.6cm) deep. £80-120

98. A 19th century Royal Exchange cast lead insurance fire mark, 8¾in (22.1cm) high. £80-120

97. A pair of 19th century japanned and parcel gilt bellows, decorated with a basket of fruit, 19¼in (48.5cm) long, 8¼in (21cm) wide. £100-150

99. A 19th century black leather fire bucket, the body emblazoned a now worn civic coat of arms for the city of Worcester with the motto ‘FLOREAT SEMPER FIDELIS CIVITAS‘ and ‘ESTABLISHED 1820‘, 11½in (28.8cm) high, 10¼in (26cm) diameter. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £80-120

100. A 19th century copper prisoner’s wash bowl, the interior inscribed ‘A Relic from Newgate 1780-1902, washing-bowl from prisoner’s cell’, on an associated wrought iron base, 7¾in (19.3cm) high, the bowl: 10¾in (27.3cm) diameter. (2) There was an auction of the contents of Old Newgate prison in 1903 and the building was demolished in 1904. £100-150

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104

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101. A 19th century mahogany chest, with a lidded till and a cast iron safe box bolted in from the outside, 20¼in (51.5cm) high, 49½in (125.7cm) wide, 22½in (57cm) deep. £200-300 102. A pair of mid 19th century American painted side chairs. (2)

£100-150

103. Two early 18th century brass and iron skillets, 28¼in (72cm) and 22½in (57cm) long. (2) £100-150 104. A George I oak kneehole desk, 31¼in (79.4cm) high, 34¾in (88.2cm) wide, 21½in (54.5cm) deep. £1,500-2,000 105. A 19th century saddler’s stool, with a revolving circular seat on a painted faux bamboo base. £80-120 106. An early 19th century painted wood long stool, with a scumbled finish, 8in (20.4cm) high, 30½in (77.5cm) wide, 9½in (24cm) deep. £100-200 103

107. A 17th century and later elm chest, the interior with a later lidded till, to a carved front and cut-out ends with pendants, 20in (51cm) high, 45in (114.5cm) wide, 13in (33cm) deep. £100-150

106 105

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108. A 19th century French life size carved and painted artist’s lay figure, 63in (165cm) high. £3,500-4,000

30 (chair)

109. A pair of George III brass candlesticks, with ejectors, 9¾in (24.7cm) high. (2)

110. A pair of 19th century brass seated greyhounds, on rectangular bases, 5in (13cm) high. (2) £200-300

111. A pair of early 18th century brass candlesticks, 5in (12.6cm) high, 3½in (8.6cm) diameter. (2) £150-200

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £80-120

112. An 18th century continental branding hammer, the iron head with axe blade and initials ‘GG’, with a turned fruitwood handle, 14in (35.5cm) high. £200-300

113. A pair of Spanish carved wood and later gilded columns, each carved with vines leaves, grapes and birds, holes to tops and bases, 16th / 17th century and later, 23in (58cm) high, 8½in (21.4cm) wide, max. (2) £300-400 114. An Indo-Dutch large pierced brass incense ball, hinged and decorated with birds and scrolling foliage, probably 19th century, 12½in (31.7cm) diameter. £400-600

115. An 18th century powder horn, the end pierced with part of a chain, the body inscribed ‘T. ELLIS’ and initials ‘WW’, the end with a hinged wooden base, 15in (38cm) long. £40-60

116. A 19th century copper oblong fish kettle, with strainer, 25¼in (64cm) long, two jelly moulds, one by Benham and Froud and retailed by ‘ADAMS & SONS 56 HAYMARKET LONDON‘, a 19th century copper kettle and a candlestick, previously silver plated. (5) £100-200

117. An ivory handled knife, carved with an exotic bird finial, with a leaf and lobed handle to a short steel blade, probably 18th century or earlier, 6¼in (16cm) long and a latten spoon, the bowl with a Tudor rose touch mark above initials ‘B D W’, with traces of gilt, 6½in (16.5cm) long. (2) £100-150

118. A late 19th century Italian carved wood, polychrome and gilt decorated candlestick, previously fitted for electricity, 17½in (44.3cm) high, 6½in (16.3cm) wide. £80-120

118

119. An 18th century Austrian carved and polychrome wood Corpus Christi, probably Brixen, Tyrol, 23in (58.3cm) high, 12¼in (31.2cm) wide. £350-450

119

120. A 19th century Norwegian painted wood Kasa, the body inscribed with initials and the date ‘1846’, 8in (20.1cm) high, 12½in (31.5cm) wide, 8½in (21.2cm) deep. £150-200

121. A 19th century carved and turned yew ‘squirrel’ nutcracker, 6¾in (17cm) high. £80-120

120

122. An early 19th century carved coquilla nut figural snuff box, modelled as a well dressed monkey, with bone buttons and ruff, 3¼in (7.9cm) high. £400-600

123. A 19th century coquilla nut travelling spice tower, in five sections, 6½in (15.8cm) high, and an ornamentally turned lignum vitae goblet, the base stamped ‘COKER‘, 5½in (13.5cm) high. (2) £80-120 121

122

123

124. A Victorian oak collector’s cabinet, with a panelled door enclosing six graduated drawers with sunken brass handles, 13½in (34.2cm) high, 13½in (34.4cm) wide, 9½in (24.1cm) deep. £100-150

125. A silvered brass wall light, in Arts and Crafts style, with twin branches and a pierced circular back plate of a stylized plant, 8¼in (21cm) high, 10½in (26.5cm) wide. £80-120

126. An 18th century carved wood and polychrome figure of a saint, hands missing, 10¾in (27.5cm) high, on a later stand, and a figure holding a book in his left hand. (2) £250-300

124

127. An early Victorian lacquered coach panel painted the arms of the Milnes-Gaskell family, with the motto ‘SCIO CUI CREDIDI‘, 14¼ x 16½in (36 x 41.7cm). £100-200

125 128 128. A pair of 19th century carved oak lion’s mask mounts, 4in (10.3cm) wide, and a lion’s mask corbel. (3) £30-50

129. An early 19th century tôle peinte twin handled tray, the centre painted a Morlandesque scene, 22 x 30¼in (55.7 x 76.9cm). £200-300

126

127

129

130. A George II burr elm and oak chest on stand, the back inscribed ‘S M 17207’, 66¾in (169.5cm) high, 40½in (103cm) wide, 22in (56cm) deep.

131. A walnut chest on stand, with stringing and fluted and ribbed angles, early 18th century and later, 67½in (171.5cm) high, 40¼in (102.2cm) wide, 23in (58.5cm) deep. £600-800

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £2,500-3,500

134. A laburnum side table in Queen Anne style, the hinged moulded edge top with a further glazed hinged cover and a baize lined interior above a frieze drawer fitted with brass plate drop handles on spiral twist supports, 27¾in (70.5cm) high, 35½in (90cm) wide, 25in (63.5cm) deep. £400-600

132. An oyster veneered and strung side table, with a hinged top with holly banding, to a paper lined interior, late 17th century elements, 31½in (80cm) high, 35½in (90cm) wide, 21¾in (63cm) deep. £400-600

133. A walnut bureau cabinet on stand in Queen Anne style, early 20th century, 74in (188cm) high, 19in (48.2cm) wide, 28½in (72.5cm) deep. £200-300

135. A mid 18th century red walnut kneehole desk, the later raised back to a moulded edge, above a plush lined brushing slide with lopers, above a long drawer and three short drawers to each pedestal all with replaced brass handles, flanking a central cupboard door on ogee bracket feet, 32in (81cm) high, 34¼in (86.9cm) wide, 20in (51cm) deep. £2,000-3,000

135

136. An early George III mahogany tripod table, with a tilt-top and brass roller castors, 28in (71cm) high, 33½in (85cm) diameter. £400-600

137. An early George III mahogany lowboy, 29¼in (74.4cm) high, 32in (81.2cm) wide, 17¾in (45cm) deep. £200-300

138. An early 19th century oak tripod table, with a fixed dished top, 27in (68.5cm) high, 20in (51cm) diameter. £200-300

139. A George II oak bureau, with a fitted interior, replaced brass work and later feet, 40in (101.5cm) high, 37¼in (94.5cm) wide, 20in (50.8cm) deep. £300-400

140. A George III mahogany ‘tray top’ bedside commode, with a converted pull-out base, on roller castors, 32in (81.5cm) high, 18½in (46.5cm) wide, 18¾in (47.7cm) deep. Sold on behalf of the executors of Dr John Birch deceased.

£100-200

143. A mahogany tripod table, the dished tilt-top revolving on a birdcage, early George III and later, 27¼in (69cm) high, 25in (63.5cm) diameter. £300-400 142. A Victorian rosewood and mahogany pole firescreen, with an 18th century needlework panel, the panel: 24 x 19in (61 x 48cm). £100-150

141. A George III mahogany secretaire bookcase, with tulipwood banding, crossbanding and stringing, inlaid marquetry paterae, the fall revealing a satinwood veneered interior with a central cupboard door flanked by secret pilaster drawers, drawers and pigeon holes, the base with adjustable shelves, 98in (249cm) high, 41in (104cm) wide, 22in (56cm) deep. £2,000-3,000

144. A late George III mahogany Pembroke table, with drawers either end, one with a lock and previously with divisions, on guttae feet and brass roller castors, 28in (71cm) high, 20in (51cm) wide, closed, 35¼in (89.5cm) deep. £200-300

145. A mid 18th century mahogany oval drop-leaf table, with replaced frieze drawers, 29¼in (74.3cm) high, 50½in (128cm) wide, 42¼in (107.4cm) deep, open. £500-700

146. A pair of early George III carved mahogany side chairs, with leather drop-in seats. (2) £100-150 145

146

147. A late George III oak side table, with mahogany crossbanding, the frieze drawer above a shaped frieze, 28¼in (71.6cm) high, 30¼in (76.7cm) wide, 17¾in (45cm) deep. £200-300

147

148. A mahogany side table, with a frieze drawer, 18th century and later, 28½in (72.4cm) high, 28in (71cm) wide, 18in (45.6cm) deep. £100-150

148

149. A mahogany serpentine tea table, with double gate supports, 28¾in (73cm) wide, 32½in (82.5cm) wide, 15¾in (40cm) deep. £100-200

149

150. A George III mahogany Pembroke table, with a false front drawer to the reverse, on moulded square chamfered legs, 27in (68.5cm) high, 20¼in (51.5cm) wide closed, 27¾in (70.5cm) deep. £100-200

150

151. An 18th century side chair, on mahogany legs. £100-150

151

152. A late George III mahogany Lancashire commode, with a void recess, 31½in (80cm) high, 21in (51.3cm) wide, 20in (50.6cm) deep. £200-300

152

153. A late George III mahogany secretaire cabinet, with boxwood stringing, the partitioned frieze drawer with a leather lined slide with a hinged and ratcheted slope, the brass lock stamped ‘BARRONS PATENT‘, above a shelf, 32½in (82.5cm) high, 37½in (95cm) wide, 16½in (42cm) deep. £800-1,200

154. A late George III mahogany writing table, with ebonised edging to a replaced inset leather top and on later brass castors, 30in (76.2cm) high, 42¼in (107cm) wide, 25¼in (64cm) deep. £1,200-1,800

155. A set of six late 18th century mahogany shield back side chairs, four with original buttoned red leather covered seats, distressed. (6) £500-700

156. A 19th century teak side table, with rectangular tapering legs united by a ‘V’ tenon ‘H’ stretcher, 28in (71cm) high, 29½in (75cm) wide, 15¾in (40cm) deep. £100-150

157. A late George III mahogany bowfront chest, 34¼in (87cm) high, 41in (104cm) wide, 22in (56cm) deep. £600-800

158. A set of eight walnut side chairs in George II style, each with a padded back and seat upholstered damask fabric on cabochon capped cabriole legs carved with leaf scrolls and husks to hairy paw feet, two back rails numbered in white paint ‘54’, 2nd half 19th century. (8) £8,000-12,000

159. A mahogany and brass studded red leather hall bench, 33¼in (84.5cm) high, 53¾in (136.5cm) wide, 14in (35.5cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £100-200

160. A small mahogany chest, 30¼in (77cm) high, 27½in (70cm) wide, 18in (45.8cm) deep. £200-300 161. Four George III mahogany side chairs, with carved and moulded decoration having differing covers. (4) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £150-200

162. A George III mahogany serpentine commode, with four long graduated drawers the top drawer previously fitted and with a slide, with later brass handles, on replaced bracket feet, 35½in (90cm) high, 44in (111.8cm) wide, 23½in (59.6cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £2,500-3,500

163. A late George III mahogany lady’s writing table, with a ratcheted hinged top released by an inset brass plate button, with a partitioned side frieze drawer, 30½in (77.5cm) high, 24in (61cm) wide, 16in (40.6cm) deep. £300-500

164. A pair of George III mahogany side chairs. (2)

£150-200

165. A set of eight George III mahogany dining chairs, comprising: six side and a pair of open armchairs. (8) £1,000-1,500

166. An early 19th century mahogany bowfront dressing table, 31in (78.7cm) high, 41½in (105.5cm) wide, 23¾in (60cm) deep. £400-600

167. A mahogany and brass bound octagonal planter, with a painted zinc liner, 19½in (49.5cm) high, 15¾in (40cm) wide. £100-200

168. An early 19th century mahogany side table, with later handles, 29¾in (75.5cm) high, 34¼in (87cm) wide, 19¼in (49cm) deep. £200-300

169. A George III oak bureau, with a fitted interior, 39in (99cm) high, 37¼in (94.5cm) wide, 19¼in (49cm) deep. £100-200

170. A George III satinwood Pembroke table, with mahogany crossbanding and boxwood stringing, the drawer with replaced handles, on leather roller castors, 29in (73.5cm) high, 20½in (52cm) wide closed, 33½in (85cm) deep. £100-150

171. A George III mahogany serpentine commode, with crossbanding and stringing, the drawers with gilt brass oval plate ring handles, 34in (86.4cm) high, 43¼in (110cm) wide, 21½in (54.6cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £800-1,200

172. A 19th century giltwood and gesso wall mirror, 59 x 37in (150 x 94cm). £1,000-1,500 173. A walnut and parcel gilt fret-frame wall mirror, early 20th century, 37½ x 20¼in (95.3 x 51.5cm). £100-200 174. A carton pierre and wood oval wall mirror in the manner of John Linnell, ebonised and parcel gilt, 44½ x 17½in (113 x 44.4cm). £300-500 175. A Queen Anne style walnut parcel gilt framed mirror, with a painted still life panel, 44 x 17¼in (112 x 44cm). £150-200

173

174

175

178

176 176. A late Victorian giltwood landscape overmantel mirror, with bevelled plates, 30¼ x 50in (77 x 127cm). £200-300 177. An early 19th century giltwood and gesso pier mirror, with a verre églomisé panel, above a discoloured plate, 44¼ x 24¾in (112.5 x 62.6cm). Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £300-400 178. An oval wall mirror, in an ebonised and parcel giltwood frame, 37½ x 32in (95 x 81.3cm). £200-300 179. A William IV mahogany pier mirror, with an ebonised reeded slip, 31½ x 21¼in (80 x 54cm). £80-120 180. A late Victorian faux bamboo wall mirror, 17¾ x 15¼in (45 x 38.3cm). £40-60

177

179

180

181. A rectangular wall mirror, in a 19th century giltwood and gesso frame, 49½ x 59½in (125.7 x 151cm). £600-800

181

183. A William IV mahogany toilet mirror, with ebonised stringing, 16in (40.6cm) high, 20¼in (51cm) wide, 10in (25cm) deep. £100-150

182. A George III giltwood wall mirror, with a bevelled plate and later plates to the ‘C’ scroll apertures, 39¼ x 21in (99.6 x 53.3cm). £500-700

184. A mahogany toilet mirror, with a serpentine box base with two drawers, early 20th century, 25in (63.5cm) high, 15¼in (38.8cm) wide, 9¼in (23.5cm) deep. £60-100

185. A George III style mahogany and parcel gilt fret-frame wall mirror, 32¼ x 17½in (82 x 44.5cm). £100-150

183

186. A Victorian mahogany and marble swing frame toilet mirror, 29in (73.6cm) high. £100-150

187. An 18th century walnut pier mirror, with a replaced plate and reduced, 26 x 24¾in (66 x 63cm). £100-200

188. A Venetian style wall mirror, with a faceted central plate, 54 x 25¼in (137 x 64cm). £200-300

185

184

186

187

188

189. A 19th century carved giltwood and gesso three seater settee, with a squab cushion, 47in (119.5cm) high, 72in (183cm) wide and a pair of matching open armchairs. (3) £1,500-2,000

190. A pair of continental mahogany and marquetry tables en chiffonniere, with gilt brass mounts, 2nd half 20th century, 28½in (72.4cm) high, 17in (53.2cm) wide, 12¼in (31cm) deep. (2) £300-500

191. A pair of carved Italian sgabello style hall chairs, 20th century. (2) £100-150

192. A marble topped coffee table, on painted faux marble inverted baluster legs, 17½in (44.5cm) high, 36¾in (93.5cm) wide, 21½in (54.5cm) deep.

193. A French carved walnut and marble topped two tier coffee table, 18½in (47.5cm) high, 34¼in (87cm) wide, 18½in (47cm) deep. £200-300

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300

195. A 19th century continental kingwood parquetry table ambulante, with a single frieze drawer and brass sabots, 28¼in (71.7cm) high, 19¾in (50.2cm) diameter. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £300-400

194. A French cream painted and parcel gilt inverted breakfront cupboard, with anthemion surmounts the central section now with a hanging rail enclosed by a pair of later fabric lined doors, the ends with adjustable shelves enclosed by fabric backed and anthemion and palmette quatrefoil panels, the whole with ribbon tied baton framing, 83½in (212cm) high, 79in (201cm) wide, 23½in (60cm) deep. £1,000-1,500

196. A Louis XV style oak fauteuil, the frame carved with rocaille and cabochons, to a damask upholstered back and seat on cabriole legs, 19th century. £200-300

197. A pair of 18th century and later continental giltwood open armchairs, with floral tapestry upholstery. (2) £500-800

198. A white painted three-fold screen, with later gingham fabric panels, 66in (167.5cm) high, 24¼in (61.5cm) wide, each panel. £100-150

199. An Italian walnut and marquetry commodino, with two drawers, 29¼in (74.3cm) high, 21½in (54.6cm) wide, 14in (35.7cm) deep. £200-300

200. An Italian painted centre table, the top decorated with a central flower head, scrolling foliage and branches, on open end trestle supports united by an ‘A’ frame stretcher, 29½in (75cm) high, 79in (200.7cm) wide, 35½in (90cm) deep. £300-500

202. A 19th continental oak stool, 20in (50.8cm) high, 19in (48.2cm) wide. £100-150

201. A late 19th century French carved giltwood and gesso centre table, with a moulded edge breakfront brèche d’alep marble top, 31¼in (79.5cm) high, 36in (91.5cm) diameter. £600-800

203. A late 19th century Italian walnut and bone inlaid hall bench, with a hinged seat, 56½in (143.5cm) high, 47½in (120.6cm) wide, 21in (53.4cm) deep. £600-800

204. An Italian giltwood console table, with a breakfront brèche marble top above a mermaid support and shell base, 33in (84cm) high, 48¼in (122.5cm) wide, 23¾in (60cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £2,000-3,000

205. A pair of 19th century Italian painted fauteuil, with refreshed decoration. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £500-600

206. A late 19th century Venetian carved harlequin acrobat torchère, polychrome and parcel gilt, raised on a cushion base, the figure performing a handstand and supporting a simulated cloth top hung with tassels, 40¾in (103cm) high. Provenance: The Hon. Daisy Fellowes, Donnington Grove and by descent. £3,500-4,000

208. A 19th century Dutch walnut and floral marquetry side table, with a detachable serpentine edge top, decorated a vase of flowers, 33in (84cm) high, 35¼in (89.5cm) wide, 24¾in (63cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £1,500-2,000

207. A 19th century Dutch walnut display cabinet, 77¾in (197.5cm) high, 48½in (123cm) wide, 17in (43cm) deep. £500-700

210. A 19th century Dutch marquetry console table, with a later faux marble top, 34in (86.5cm) high, 34¼in (87cm) wide, 16in (40.5cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

211. A Louis XVI carved oak oval foot stool, with a later machined fabric and brass studded cover, 8in (20.5cm) high, 15¼in £200-250 209. A late 19th century Dutch mahogany and parcel (38.6cm) wide. gilt petit commode, with replaced brass handles, 30½in (77.5cm) high, 27in (68.5cm) wide, 18in (46cm) deep. £200-300

£400-600

213. A walnut and marquetry cabinet on stand, with a frieze drawer above a later glass shelf and a mixing slide, the stand with a frieze drawer, late 17th century and later, 65in (165cm) high, 48in (122cm) wide, 21¼in (54cm) deep. £1,500-2,500

212. An early 19th century Dutch mahogany secrétaire à abattant, with marquetry panels and chevron stringing, the interior now with a later shelf and mirror back, 59in (150cm) high, 39in (99cm) wide, 20¾in (52.7cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300

214. A continental carved limewood console table, with a serpentine faux marble top, 18th century and later, 29¾in (75.5cm) high, 31¾in (80.5cm) wide, 15in (38cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £500-600

215. An Empire style painted pine double sided bookcase, with a green ground and parcel gilt decoration, the sides with faux applied book spines, 33¼in (84.3cm) high, 25¼in (64cm) wide, 17½in (44.5cm) deep. £2,000-3,000 216. A pair of late 19th century giltwood torchères, each with a spiral column and a circular base, 43¼in (110cm) high, 13½in (34.4cm) diameter. (2) £300-400

217. A late 19th century French mahogany and Vernis Martin cabinet, with a marble top and ormolu mounts, the panels painted romantic scenes, with a hinged door enclosing four drawers, 31in (78.7cm) high, 16in (40.5cm) wide, 12½in (31.6cm) deep. £800-1,200

218. A 19th century Italian marquetry and parquetry top centre / work table, tilting to reveal a baize lined hinged surface with pen and ink compartments and a fitted lift-out tray with covers and a secret drawer, on a turned stem with shaped tripod legs, 29¾in (75.6cm) high, 29¼in (74.3cm) diameter. £600-800

219. An 18th century continental carved walnut fauteuil. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £600-800

220. An upholstered pouffe, on roller castors, 15in (38cm) high, 49½in (126cm) wide, 26½in (67.5cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £80-120

221. A 19th century continental walnut Gothic cabinet, with carved and pierced decoration, with an open front and sides with four galleried shelves, 89½in (227.4cm) high, 38in (96.5cm) wide, 20in (50.8cm) deep. £4,000-6,000

222. A pair of painted carved and moulded wall brackets in George III style, of recent manufacture, 37½in (85cm) high, 16in (40.6cm) wide. (2) £400-600

223. A French mahogany adjustable lamp étagère, with twin lights, 47in (119.4cm) high, 18in (45.6cm) wide, 17in (43cm) deep. £200-300

224. A Louis XV kingwood and tulipwood encoignure, stamped ‘DELORME‘, with a shaped and moulded edge brèche d’alep marble top and with ormolu mounts, 35¾in (91cm) high, 29½in (75cm) wide, 24in (61cm) deep. £500-700

225. A George IV rosewood table cabinet, with mother of pearl marquetry and reel and dart mouldings, the interior fitted for sewing, jewellery, writing, with gilt tooled leather mounts, with a hinged pocket to the lid with an inset mirror, 14½in (37cm) high, 13¼in (33.5cm) wide, 9½in (24cm) deep. Provenance: Card states wedding present given by the Duchess of Buckingham to Elizabeth Cave. £500-700

226. A Victorian Tunbridge ware and rosewood tea caddy, the hinged lid inlaid a view of a manor house with a tower, possibly Mabledon house, the divided interior with two lids, 6in (15cm) high, 10¼in (26cm) wide, 6½in (16.5cm) deep. £300-500

227. A Victorian Tunbridge ware and rosewood jewellery box, the hinged lid inlaid a view of Cobham Hall, to a plush lined interior originally with a lift-out tray, 3¾in (9.5cm) high, 8¼in (20.6cm) wide, 5½in (13.8cm) deep. £300-500

229. A Victorian Tunbridge ware and rosewood jewellery box, the hinged lid inlaid a floral spray to a silk lined interior, 2¼in (5.8cm) high, 6in (15cm) wide, 6in (15cm) deep. £200-300

228. A Victorian Tunbridge ware and macassar ebony glove box by Thomas Barton, the hinged dome lid inlaid a central panel of flowers, the silk lined interior with glove stretcher holders, the base with a paper label inscribed ‘T. BARTON, Late NYE, Manufacturer, MOUNT EPHRAIM AND PARADE TUNBRIDGE WELLS‘, 3½in (8.6cm) high, 9½in (24.1cm) wide, 4in (10cm) deep. £200-300

230. A Victorian Tunbridge ware and rosewood writing slope, the lid inlaid with a view of Hever castle, the interior with a plush lined surface, two inkwells, a pen tray and compartments, 3¼in (7.8cm) high, 12in (30.6cm) wide, 10¼in (25.8cm) deep. £300-500

231. A George IV tortoiseshell tea caddy, with pewter stringing and plated ball feet, with a divided lidded interior, 5¾in, 14.5cm high, 7in, 18cm wide. £200-300

232. A 19th century continental burr maple and partridge wood sewing box, with a lift-out tray, contents missing, 3½in (9cm) high, 7½in (19cm) wide, a sycamore needle case, printed ferns, 3¼in (8.4cm) high, and a Persian brass scribe’s case, 8½in (21.5cm) long. (3) £50-150

233. A George III ivory decagonal tea caddy, with tortoiseshell stringing and banding, mother of pearl dot inlay, silver plated loop handle and escutcheon, above a bright cut shield shape plaque engraved with a coat of arms, the interior with a lid, 4½in (11.5cm) high. The arms are for Arkwright and Hurt. A handwritten note states this caddy was given by Sir Richard Arkwright to his daughter, Susannah, who married Charles Hurt in 1780. £400-600

234. A Regency sarcophagus shape tea caddy, with painted and printed decoration, 5¾in (14.6cm) high, 8¾in (22cm) wide, an Anglo-Indian jewellery box, with sadeli decoration, the inside of the lid with a mirror, and a Persian lacquered box and cover. (3) £100-150

236. A Victorian rosewood sarcophagus shape tea caddy, the interior with twin lidded compartments and an aperture for a sugar bowl, missing, 7¼in (18.3cm) high, 12in (30.2cm) wide, 6in (15.4cm) deep, together with a Victorian burr oak folding book stand. (2) £60-80

235. A 19th century fiddle back mahogany tea caddy, inlaid stringing, the hinged lid with a marquetry panel of acorns and oak leaves, to a divided twin lidded interior, 5½in (13.5cm) high, 9in (23cm) wide, 5½in (13.7cm) deep. £100-150

237. An early Victorian tortoiseshell tea caddy, with pewter stringing and white metal cartouche and escutcheon, 4in (10.3cm) high, 5in (12.7cm) wide, 3¼in (8.3cm) deep, together with an early 19th century shagreen and white metal mounted box. (2) £300-400

238. An early 19th century glass footed bowl, 5¾in (14.5cm) high, 5½in (14cm) diameter and four Victorian cut glass footed bowls. (4) £100-150

239. A 19th century French painted earthenware tobacco jar and cover in the form of a sailor, the underside number ‘571/66’ and with a paper label for William Whiteley, 7½in (19.3cm) high, 6in (15cm) wide. £50-100 238 240. Three Dutch Delft vases 18th / 19th century, moulded with rococo panels and painted in blue with ducks swimming before a pagoda, ‘LPK’ marks to the bases, covers lacking, some damages, 8in (20cm) high. (3)

239

Sold on behalf of the executors of Dr John Birch deceased. £50-100

241. A 19th century porcelain jug, painted with flowers and with a gilt monogram ‘VR’, 8in (19.8cm) high, 8¼in (20.8cm) wide. 240

Provenance: By repute this jug came from Windsor Castle. £50-70

241

242. A pair of Arts & Crafts enamel ovoid vases, painted with three maidens dancing and with tambourines, in a wooded landscape setting, late 19th / early 20th century, 4¼in (10.5cm) high, 3¼in (8.1cm) diameter. £100-150

243. A Bohemian faceted ruby glass vase, late 19th / early 20th century, 10¾in (27.3cm) high, 5in (12.5cm) wide. £50-70

242

244. Four Continental green glass goblets, probably 19th century, the wrythen bowls raised on stems applied with raspberry prunts, two flared green glasses and a green glass jug enamelled with starbursts, , 5½in (13.5cm) max. (7)

243

Sold on behalf of the executors of Dr John Birch deceased. £50-100

244

245. A Bohemian marbled red glass rectangular inkwell, with gilt metal mounts, 4.75in, 12cm high, and a brass inkwell with three greyhound supports, 4.5in, 11.5cm high. (2) £50-60

245

247 246 246. An Austrian painted earthenware model of a standing pug dog, with glass eyes, with an oval stamp and the base of one paw painted ‘361’, early 20th century, 12½in (31.5cm) high, 17½in (44.4cm) wide. £300-400

247. A French papier-mâché boston terrier, with a nodding head and glass eyes, with a chain pull growl and on wooden castors, with remains of leather studded and hair collar, 11in (28cm) high, 21in (53.5cm) long. £400-600

248

248. A 19th century continental tôle peinte tobacco box, the hinged cover painted with a hound before colonial style buildings, the sides and base simulated rosewood, 5in (12.5cm) wide. £150-200

249

249. A Victorian walnut mechanical cigar dispenser, the turned finial twists to open six Japonisme painted panel doors with apertures for three cigars, 12¼in (31cm) high, 7¼in (18.3cm) wide. £350-400

250. A Victorian oak spitoon in the form of a tortoise, 6¾in (17.2cm) high, 14½in (36.5cm) wide, 11¾in (29.7cm) deep. £100-150 250

251 251. A novelty humidor modelled as a railway tender, the sides painted ‘G W R 338’, and stamped ‘RD230537’, with brass mounts and a divided interior, 6½in (16.5cm) high, 12½in (31.6cm) long. £400-600

252. Two Meerschaum pipes, one carved as the head of a man wearing a hat, the other of a dog retrieving a game bird, both with amber mouth pieces and in leather cases, 6in (15.2cm) long, max. (2) £50-80

252

253. A Victorian meat cleaver, the turned yew handle to a brass ferrule and a shaped steel blade with initials ‘RH’, 16¼in (41.1cm) long, a treen nutcracker carved a lion, a treen goblet, an ebony ointment box with two glass liners and a boxwood box. (5) £40-60

253

254. A George III ivory and gold mounted toothpick box, the hinged lid inset a Wedgwood jasperware plaque stamped ‘WEDGWOOD‘, 3½in (8.5cm) wide. £50-80

254

255. Eleven ivory gentleman’s toilet items, two hand mirrors, four brushes, a pair of boot-pulls, a button hook, a shoe horn and a leather cased razor strop, ten with the Smyth double crest of a unicorn and stag, ducal coronet and the motto ‘EXALTABIT HONORE‘, late 19th century, 10½in (26.7cm) long, max. (11) £40-60

255

256. A Victorian brass framed table vitrine, the hinged lid to cast winged paw feet, 9in (22.7cm) high, 14¾in (37.2cm) wide, 10½in (26.6cm) deep. £100-200 257. A Victorian walnut and brass mounted oval inkstand, with a cut glass well, 4¼in (10.7cm) high, 13¼in (33.5cm) wide. £150-250

256

258. A set of brass scales, inset with oval micromosaic panels, the base inscribed ‘To Major General P. Maxwell From W. Clark Russell’, with 5 weights, 2¾in (7cm) high, 6½in (16.5cm) wide. £80-120

258

257

259

259. A late Victorian silver and tortoiseshell page turner, the leaf scroll spiral ribbed handle with hall marks for London 1898, 16¾in (42.5cm) long. £100-150 260. Two late 19th century French nickel or maillechort dog collars, one inscribed ‘HURTEL. E. 127, ROUTE NATIONALE, PIERRELAYE, S. ET‘, the other ‘ANDRE. PETIT, FLORA, ST. MARTIN DE RE‘ and ‘EXTRA BLANC METAL‘, 21in (53.3cm) long, and a smaller dog collar. (3) £30-50 260

261

261. A Norwegian mahogany and parcel gilt box, the hinged lid inset an enamel flag with an anchor, the underside of the lid with a silver plaque by J. Tostrup, Oslo, inscribed ‘AUG. H. KOPPANG 15 12 1955’, containing a quantity of military buttons, 2½in (5.9cm) high, 10¼in (25.9cm) wide, 7½in (18.6cm) deep. £50-80 262. A French brass thermometer, with a bright cut engraved cushion base, 5¾in (14.5cm) high. £50-100

262

263. Two 19th century white metal posy holders, one of conical form cast with grapes and vine leaves, the other in the form of a classical urn, 5¼in (13cm) long, max. (2) £40-60

263

264. After Coustou. A bronze Marly horse group, 11½in (29cm) high, a brass casket in medieval style, 6½in (16.5cm) wide and a brass table bell modelled as an Elizabethan lady. (3) £80-120

264

265. A 19th century wax profile of a cherub with a nest of eggs, in a moulded wood oval frame 3¼in (8.5cm) high and a wax profile bust of a late 18th century lady. (2) £50-100

265

266. An early Victorian mahogany side table, with a fiddleback top and a frieze drawer, 30½in (77.5cm) high, 25in (63.5cm) wide, 15½in (39cm) deep. £150-200

267. A Victorian walnut serpentine top card table, with burr veneers, 28in (71cm) high, 36¼in (92cm) wide, 18¼in (46.5cm) deep. £200-300

266

268. A Victorian mahogany easy open armchair. £150-200

267

269. A Victorian oak butler’s tray, on a folding stand, 33½in (85cm) high, 27½in (69.8cm) wide, 18½in (47cm) deep. £80-120

270. A wing armchair, on carved mahogany legs, previously on castors, late 19th century. £300-400

268

271. A Regency mahogany bowfront commode, converted and with two cupboard doors, 28½in (72.5cm) high, 25in (63.5cm) wide, 16½in (42cm) deep. £40-60

269 270

271

272. An early Victorian mahogany breakfront bookcase, with four astragal glazed doors the hinges stamped ‘P. MOORE PATENT‘, with cupboards below all with adjustable shelves, 101in (256cm) h, 100¼in (254.4cm) w, 19¾in (50.2cm) d. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £1,500-2,000

272 273. An early 19th century Scottish mahogany chest, with reeded pilasters, 38¾in (98.5cm) high, 48¾in (124cm) wide, 22¼in (56.5cm) deep. £150-200 274. A late George III mahogany bowfront chest, the top with crossbanding and stringing, the drawers with replaced brass handles, 34¾in (88.3cm) high, 36½in (92.7cm) wide, 19¾in (50cm) deep. £300-500 275. An early 19th century Irish mahogany sofa table, with a crossbanded faded top, 28½in (72.4cm) high, 38½in (98cm) wide, 31in (78.5cm) deep. £400-600

273

274

275

276. A Victorian mahogany washstand, 35½in (90cm) high, 30in (76cm) wide, 20in (50.8cm) deep, together with an associated Sarreguimines pottery bowl and ewer. (3) £200-300

277. An early 19th century mahogany Pembroke table, 29¼in (74.2cm) high, 23¼in (59cm) wide, 36¾in (93cm) deep. £100-150

276

277

278. A mahogany collector’s cabinet, with a pair of doors enclosing a shallow drawer, with grooves for eight more, 20in (50.6cm) high, 18½in (47cm) wide, 12½in (32cm) deep. £50-100

278

279. A Victorian japanned rectangular stool, with a later needlework top, with painted and mother of pearl decoration and gilt highlights, 18½in (47cm) high, 22in (56cm) wide. £100-150

279

280. A mahogany wing armchair in 18th century style, on front cabriole legs to pad feet, late 19th century. £50-100

280

281. A Victorian metal framed easy armchair, on stained wood legs and brass castors. £250-350

281

282. A 19th century stained pine three tier whatnot, 41½in (105.5cm) high, 18in (45.7cm) wide, 16in (40.7cm) deep. £100-150

282

283. A Victorian rosewood three tier whatnot, 42in (106.5cm) high, 23in (58.5cm) wide, 15in (38cm) deep. £150-250

283

284 286. A small mahogany chest, with boxwood stringing and edging, converted from a commode, 27¼in (69cm) high, 25in (63.5cm) wide, 17¼in (43.7cm) deep. £100-150

284. A late Regency Irish mahogany extending dining table in the manner of Wilkinson & Sons, with a reeded edge hinged top, on an accordion action frame with three extra leaves, on spiral ribbed tapering legs to brass castors, 28¾in (73cm) high, 122½in (311cm) long extended, 60in (152cm) wide. £800-1,200

287. A 19th century mahogany butler’s tray, on a folding stand, 30½in (77.5cm) high, 27½in (69.8cm) wide, 17½in (44.4cm) deep. £100-150

285. An early Victorian mahogany hall table, with a pair of frieze drawers, 37½in (95.3cm) high, 40½in (101.5cm) wide, 20½in (52cm) deep. £200-300

288. A set of eight mahogany dining chairs in George III style, with drop-in seats, late 19th century. (8) £600-800

285

286

287

288

289. A mahogany twin pillar dining table in Regency style, with a reeded edge and an extra leaf, 29in (73.6cm) high, 101in (256.5cm) long extended, 44in (111.6cm) wide. £300-500

290. A William IV mahogany side cabinet, with ebonised stringing and mouldings, the interior with a fixed shelf, 51½in (131cm) high, 42½in (108cm) wide, 16¼in (41.3cm) deep. £500-800

291. A Regency mahogany three drawer chest by William Grosvenor Proctor, fitted with original handles, on turned tapering feet, the underside of one drawer with a printed label, 35¾in (90.8cm) high, 36¾in (93.3cm) wide, 19¼in (49cm) deep.

292. A Victorian goncalo alves centre table by Holden & Co., Liverpool, the oval tilt-top on a turned and leaf and berry carved stem on three cabriole legs each with differing carving to the knee and sunken brass castors, the block stamped ‘HOLDEN & CO. LIVERPOOL‘, 28½in (72cm) high, 54 x 39¾in (137 x 101cm). £400-600

William Grosvenor Proctor working at 29 Argyle Street 1820-1826. Previously as Chipchase & Proctor. £250-350

293. A George IV mahogany open bookcase, with a raised superstructure and adjustable shelves, 52in (132cm) high, 79in (200.5cm) wide, 16in (40.5cm) deep. £400-600

294. A George IV mahogany washstand in the manner of Gillows, with a hinged top revealing seven apertures, 39½in (100.5cm) high, 45in (114cm) wide, 23¼in (59cm) deep. £250-350

295. A George IV rosewood centre table, 29in (73.5cm) high, 52¼in (132.5cm) diameter. £200-300

296. A Victorian mahogany waterfall bookcase, with carved and moulded decoration, 51in (129.5cm) high, 42in (106.6cm) wide, 10¾in (27.4cm) deep. £400-600

297. A Victorian satin walnut kneehole desk, with a three-quarter gallery above two frieze drawers both stamped ‘J.P. WHITE, COLLEGE HILL, SHREWSBURY‘, with three graduated drawers to each pedestal flanking a central cupboard door enclosing a shelf, 31½in (80cm) high, 53¾in (136.5cm) wide, 25in (63.7cm) deep. £200-300

298. An early 19th century ebonised and parcel gilt side cabinet, with a pair of fabric backed grille doors enclosing adjustable shelves, flanked by turned columns and concave side shelves, 35½in (90cm) high, 46in (117cm) wide, 15¼in (38.6cm) deep. £400-600

299

301

299. A set of 19th century mahogany open wall shelves, the baluster supports with a turned sycamore knop, 26¼in (66.6cm) high, 18¾in (47.6cm) wide, 8¼in (21cm) deep. £150-200 300. An early Victorian mahogany occasional table, the plum pudding rectangular top with a reeded edge and canted corners, 29½in (75cm) high, 21½in (54.5cm) wide, 16¾in (42.5cm) deep. £50-80 301. A William IV mahogany partner’s pedestal desk, the replaced gilt tooled inset leather top above nine drawers all with brass locks stamped ‘Crowned WR Crowned PATENT‘, the faded reverse with three frieze drawers and a pair of panelled cupboard doors each enclosing a shelf, on castors, 30in (76cm) high, 59½in (151cm) wide, 37in (94cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

£600-800

302. A set of early 19th century bed steps, with a hinged top, 27in (68.5cm) high, 29in (73.5cm) wide, 15in (38cm) deep. £300-400 303. An early Victorian square footstool, with contemporary needlework, and a carved mahogany egg, dart and leaf frieze and feet, 8¾in (22cm) high, 14in (25.5cm) wide. £150-200

300

304. A Victorian carved walnut easy open armchair.

£200-300

303

302

304

305

306

305. A William IV mahogany open armchair, the leaf carved top rail above a padded back, seat and armrests on ribbed tapering legs to brass caps and castors. £100-150 306. A William IV rosewood breakfront side cabinet, with two frieze drawers above adjustable shelves enclosed by a pair of glazed panelled doors with carved petal and shell mouldings, 40in (101.5cm) high, 39¾in (101cm) wide, 17¾in (45cm) deep. £1,000-1,500 307. An early 19th century faded rosewood Canterbury, on gilt brass basket weave and leaf sabots and castors, 21¾in (55.3cm) high, 19¼in (49cm) wide, 14¾in (37.5cm) deep. £100-150 308. A pair of Regency mahogany side chairs, the top rails with carved horizontal leaves. (2) £40-60 309. A mahogany two tier coffee table, with ebonised stringing, 90½in (49.5cm) high, 42¼in (107.3cm) wide, 20in (50.8cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

£100-200

310. A late Regency mahogany open armchair.

£100-150

307

309

308

310

312

311

311. A George IV mahogany writing table in the manner of Gillows, the rectangular re-hinged top on a ratchet support and with a replaced leather inset and detachable book rest, with end frieze drawers, the left divided for ink and pens with a sliding surface, the right with sliding surface, the brass lock stamped ‘BRAMAH PATENT MORDAN & CO MAKER’, with brass flower head knob handles, 30¾in (78cm) high, 33½in (85cm) wide, 19½in (49.5cm) deep. £600-800

313

312. A George IV mahogany sofa table, with two frieze drawers and false to the reverse with later brass handles, 28½in (72.5cm) high, 36½in (92.5cm) wide, 26in (66cm) deep. £800-1,000

314

313. An early Victorian mahogany library armchair, upholstered brass studded blue fabric, with leaf carved arms on turned bun feet to brass caps and ceramic castors. £200-300 314. A 19th century wing armchair, on turned mahogany legs. £300-500 315. A late 19th century oak open bookcase, with three adjustable shelves, 55¾in (141.6cm) high, 41in (104cm) wide, 9½in (24cm) deep. £150-200

315

316. A Victorian mahogany bookcase, with adjustable shelves, 53½in (136cm) high, 48in (122cm) wide, 11½in (29cm) deep. £300-400

316

317

318 317. A George IV mahogany bedside cupboard, with a tambour door, 32in (81.3cm) high, 16in (40.6cm) wide, 14in (35.5cm) deep. £200-300 318. A set of eight Regency mahogany side chairs.

£500-800

319. A wing armchair, button upholstered leather with brass studding, modern.

£500-700

320. A William IV rosewood card table, with a simulated column, 29¼in (74.3cm) high, 37in (94cm) wide, 18in (46cm) deep. £200-250 321. A circular stool, with a brass studded and button upholstered seat, on mahogany legs, 16¾in (42.5cm) high, 31in (78.8cm) diameter. £300-400 319 322. A mahogany waterfall bookcase in Regency style, with adjustable shelves, 66in (168cm) high, 39¾in (101cm) wide, 18¼in (46.5cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

£400-600

321 320 322

323. A George IV mahogany concave side cabinet, the replaced green marble top above two adjustable shelves, one door with a brass trade label for ‘S & H JEWELL 29, 30 & 31 LITTLE QUEEN St. HOLBORN W.C.’, 36½in (92.6cm) high, 48in (132cm) wide, 14¼in (36cm) deep. £1,500-2,000

324. A late Victorian mahogany tub shape desk chair, button upholstered. £100-150

325. A papier-mâché folding tray table, the tray with gilt scrolling foliage and stamped ‘Jennens & Bettridge, Birmm & London’, 19th century and later, 20in (50.8cm) high, 31in (78.6cm) wide. £300-400

323

326. A William IV rosewood three tier étagère, with stylized leaf and palmette carved supports, on brass castors, 35in (89cm) high, 20in (50.5cm) wide, 14¼in (36cm) deep. £400-600 324 327. A giltwood and gesso stand, with a painted faux marble top, 19th century and later, 28¾in (73cm) high, 16in (41cm) diameter. £100-200

328. A set of twelve painted and carved wood dining chairs in Chippendale style, comprising: ten side chairs and a pair of open armchairs. (12) £1,000-1,500

327

325

326

328

329. A Regency mahogany and brass mounted console table, with a repaired verde antico marble top, above veneer panels and reeded legs, 34in (86.3cm) high, 38in (96.8cm) wide, 16in (40.5cm) deep. £2,000-3,000

330. An early Victorian rosewood work table, the interior with a leather lined hinged slope, flanked by compartments, above a pullout bag with partitions and lids, distressed, 30in (76.2cm) high, 23in (58.5cm) wide, 17½in (44.5cm) deep. £400-500

331. An early 19th century mahogany Canterbury, 19in (48.5cm) high, 20in (51cm) wide, 13¼in (33.5cm) deep. £200-300

329

332. A pair of late Regency mahogany side chairs. (2) £150-200

333. A George IV mahogany tea table, with satinwood and rosewood banding with stringing, 29in (73.6cm) high, 38¼in (97cm) wide, 19in (48.2cm) deep. £200-300

334. A Victorian walnut and parcel gilt serpentine side cabinet, with a white marble top, the plush lined interior with a later glass shelf, the brass Chubb lock numbered ‘34887’, 35¾in (91cm) high, 40¼in (102cm) wide, 17½in (44.5cm) deep. £500-700 330

333

331

332

334

335. A mahogany extending dining table, with a replaced top and five additional leaves on a telescopic frame with a central support, on brass castors, 28½in (72.5cm) high, 41in (104cm) wide, 171in (434.5cm) extended. £1,000-1,500

336. A pair of Victorian carved, turned and pierced walnut pole firescreens, each with a floral needlework panel, 56½in (143.5cm) high, 16in (40.6cm) diameter. (2) £400-600

336

337. A Victorian Irish carved walnut pole firescreen, with a feltwork floral still life, 67½in (171cm) high. £300-400

338. An early Victorian mahogany occasional table, with a rectangular fixed top, 29½in (75cm) high, 20in (50.8cm) wide, 15in (38cm) deep. £200-300

339. A Victorian mahogany bedside cupboard, with a plum pudding top, 31½in (80cm) high, 17in (43cm) wide, 14¾in (37.5cm) deep. £150-200

340. A Victorian carved walnut show frame settee, 37¼in (94.5cm) high, 72¾in (185cm) wide. £300-400 338 337

339

340

341. A George IV mahogany hall bench, with carved and moulded decoration, the back with a recessed circular rondel painted with the quartered arms of Farquharson of Invercauld, Aberdeenshire, 43in (109cm) high, 77in (195.5cm) wide, 24in (61cm) deep. ÂŁ3,000-5,000

342. A Victorian mahogany cylinder bureau bookcase, the top with adjustable shelves, above a fitted interior with pull-out writing slope with replaced leather inset, one hinged and ratcheted, with bird’s eye maple drawers, the base with a fixed shelf, 85in (216cm) high, 44¼in (112.5cm) wide, 18¼in (46.2cm) deep. £400-600

343. An American mahogany cabinet on chest, with a pair of serpentine outline glazed doors enclosing adjustable shelves, pilaster compartments and drawers, the base with a block front, previously with a central bureau section, 75½in (192cm) high, 43in (109.5cm) wide, 23½in (60cm) wide. £800-1,200

342

344. A circular stool, with an upholstered seat to a reeded oak frame and carved mahogany legs, 17½in (44.5cm) high. £100-150

343

345. Two Victorian nursing chairs, with mahogany turned legs. (2) £80-120

346. A Victorian giltwood stool, the upholstered seat with a later cover to a moulded and flower and husk carved frame on cabriole legs, 18¾in (47.5cm) h, 22in (55.9cm) w, 20in (50.5cm) d. £40-60

347. A set of six William IV rosewood side chairs in the manner of Gillows, the seat rails stamped ‘E L’, with remains of paper label, ‘R & J NEWTON UPHOLSTERERS‘, with later upholstered seats by John Boyd, Somerset. (6) £1,000-1,200

349

348

348. A harlequin set of 19th century mahogany dining chairs. (8) £100-200 349. A 19th century American walnut extending dining table, with a central divided pillar enclosing a turned support, with five extra leaves in a cradle, all stamped ‘510’, 30in (76.2cm) high, 48in (122cm) wide, 128in (325cm) long. £400-600 350. A set of six 19th century mahogany shield back dining chairs in George III style, with drop-in seats. (6) £200-300 351. A set of six Victorian oak side chairs, with incised decoration. (6) £150-200 352. A Regency mahogany tripod table, with a circular tilt-top, 27¾in (70.5cm) high, 36in (91.5cm) diameter. £100-150 352

350 353. An early Victorian rosewood three tier étagère, 29in (73.6cm) high, 14in (35.5cm) wide, and a Victorian mahogany three tier étagère, 31½in (80cm) high, 15in (38cm) wide. £300-400 354. A modern mahogany twin pillar dining table by Richard Wilson, the crossbanded top with an additional leaf, stamped to the underside ‘RICHARD WILSON‘, 28¼in (71.7cm) high, 54in (137.3cm) wide, 87½in (222cm) long. £300-400

353

351 354

355. A William IV rosewood side cabinet, with two frieze drawers, above a fixed shelf, 53¾in (136.5cm) high, 43in (109.5cm) wide, 14½in (37cm) deep. £400-600

356. A pair of George IV carved mahogany hall chairs. (2) £400-600

357. An early Victorian mahogany adjustable duet table, with two ratcheted slopes, both with book rests, the top slides and with an adjustable stem, on castors, 29¼in (74.3cm) high, 36in (91.5cm) wide, 17¾in (45cm) deep. £200-300

358. A Victorian walnut long stool, with a later floral needlework covered top, the brass and ceramic castors stamped ‘W T & S, PATENT‘, 20½in (52cm) high, 46in (117cm) wide, 18in (45.6cm) deep. £300-400

359. A pair of early Victorian rosewood chairs, with later upholstered seats and on turned and petal carved legs. (2) £400-600

360. A mahogany gout stool by Alfred Carter, 47 Holborn Viaduct, the top with a replaced studded leatherette cover, with an ivorine trade label, 26½in (67.5cm) long. £150-200

361. A wing armchair, with button upholstered stained fawn leather, modern. £300-400

362. A George IV rosewood sofa table, with gilt brass stringing and mounts, the two frieze drawers part divided, with false reverse drawers all with replaced handles, on brass hairy paw sabots with ceramic castors, 30in (76cm) high, 58¼in (148cm) wide open, 28in (71cm) deep. £500-700

363. A Regency mahogany sarcophagus cellaret, with crossbanding and stringing and applied mouldings, with three brass lion’s mask ring handles, 22in (56cm) high, 29¾in (75.5cm) wide, 18in (45.7cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £600-800

364. A set of six Regency simulated rosewood and brass marquetry side chairs. (6) £100-150

365. A satinwood and ormolu mounted cabinet, the friezes with gilt plaster casts after John Henning’s copies of the Parthenon friezes, 78¾in (200cm) high, 47in (229.5cm) wide, 18½in (47cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £4,000-6,000

365A. John Henning (1771-1851). A glass portrait cameo, depicting a gentleman looking right, possibly George IV, signed ‘1804, Henning and F’, 2in (5.2cm) high.

365

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. 200-300

366. A continental enamel on copper box, decorated with Venetian views, with gilt brass mounts, early 20th century, 3½in (8.1cm) high, 6¾in (17.3cm) wide, 5in (12.6cm) deep. £200-300

367. A 19th century Italian micromosaic circular plaque, the centre with St. Mark’s Basilica, Venice, 22½in (57cm) diameter. Damaged. £100-200

368. An Italian oval relief carved portrait plaque of a cardinal, possibly of Scipione Borghese, 17th century, 5¾in (14.7cm) high, 4¾in (12cm) wide. £200-300

369. Two Italian pietra dura plaques, depicting a gentleman and a woman knitting, late 19th century, 9 x 6¼in (22.7 x 15.6cm) and 8¼ x 5½in (20.6 x 13.7cm), each in a carved giltwood and composition frame. (2) £300-400

370. A lapis lazuli specimen, 3½in (8.5cm) wide. £50-70

371. Sixteen hardstone eggs, the largest 3in (7.5cm) long. (16) £50-100

372. Three Italian bronze Grand Tour models of ancient Roman remains, of the Temple of Saturn, the Temple of Vespasian and the Forum of Julius Caesar, each on a marble plinth, 5½in (14.1cm) high, 4in (10cm) wide, max. (3) £50-80

373. A small collection of Italian Grand Tour items, comprising: a 19th century Siena marble model of the Temple of Vespasian, 10½in (26.3cm) high, 5½in (13.8cm) wide, an alabaster model of the Pantheon, an alabaster temple ruin on a marble base, and four alabaster carved portrait profile busts of Renaissance men including Dante. (7) £150-200

374 374. A 19th century Italian siena marble Grand Tour model of Scipio’s tomb, the lift-off cover revealing apertures for two inkwells, on a black marble base, 5¼in (13cm) high, 8½in (21.5cm) wide, 2¾in (6.7cm) deep. £400-600

375. A 19th century Italian bronze athénienne, 37in (94cm) high, 12in (30.5cm) diameter. £700-900

375

376. A 19th century bronze Grand Tour ewer, on an associated mahogany plinth, drilled for electricity, 10½in (26.5cm) high. £30-50 377. After the antique. An Italian patinated bronze model of Silenus, the drunken figure holding a serpent entwined corona aloft, on a domed base with incised decoration, late 19th century, 23½in (59.5cm) high, 10in (25.3cm) wide. £200-300 378. A near pair of 19th century North European serpentine urns, each with a pair of gilt metal open handles to a stiff leaf carved stem and a circular base, 11¼in (28.5cm) high, 12in (30.4cm) wide. (2) £1,000-1,500 379. After the antique. Seated Mercury, bronze, late 19th century, 8in (20.3cm) high. £150-200 376

377 379

378

380

381

382

383 380. Pierre Jules Mêne (1810-1879). Two whippets at play, bronze, signed, 6in (15cm) high, 8¾in (22.3cm) wide. The underside with a hand written note stating that ‘This Bronze which was purchased in Paris in 1855 is given to William Wurr in memory of John Bailey Denton...Dec 25, 1893. The plaster model was exhibited in Salon in 1848. No. 93 in Mêne’s catalogue. The whippets are Jiji and Gisella. £400-600 381. A bronze model of a goat, the naturalistic base indistinctly inscribed, 6¾in (16.8cm) high, 9¾in (24.8cm) wide, 3¾in (9.4cm) deep, on a black marble plinth. £150-250 382. After Pierre Jules Mêne (1810-1879). Vainqueur de Derby, bronze with cold painted highlights, the naturalistic base signed ‘P.J. MÊNE 1866’, titled ‘VAINQUEUER’, and stamped ‘FBL’ for Fonderie de Bronze Lauragaise, 13¾in (34.5cm) high, 16½in (42cm) wide, 8¼in (20.9cm) deep. £400-600

384

383. After Pierre Jules Mêne (French 1810-1879). A bronze model of a mare and foal, light brown patination, the naturalistic base signed ‘P.J. MÊNE‘ and stamped ‘FBL‘ for Fonderie de Bronze Lauragaise and ‘CIRE PERDUE BRONZE‘, 11½in (29cm) high, 18in (45.7cm) wide, 8¾in (23.1cm) deep. £300-400 384. Gaston d’Illiers (French 1876-1952). A bronze model of a horse, brown patination, the based signed and impressed ‘MADE IN FRANCE‘, 8in (20.2cm) high, 9in (22.9cm) wide, including marble plinth. £100-200

385. A pair of Victorian bronze flatback models of dogs, one a pointer the other a setter, each with a registration lozenge for 1883, 4½in (11.5cm) high, 8½in (21.5cm) wide. (2) £150-200

386. An Austrian cold painted bronze model of a pheasant, early 20th century, 10¼in, 26cm long. £150-200

387. An Austrian cold painted bronze naturalistic inkstand, in the form of a leaf and nuts, the largest nut hinged, on a metal foot, early 20th century, 6½in (15.8cm) wide. £80-120

387

388. A 19th century French bronze figure of a boy carrying a basket of fruit and vegetables, 4¾in (11.9cm) high, on a marble socle, 7¼in (18cm) high. £100-150

389. A 19th century continental bronze model of Punch playing a cello, with traces of cold painted and gilt decoration, the coat tails stamped ‘SCH‘ and ‘N‘, 4in (10.2cm) high, 3¼in (8.3cm) wide. £200-300

389

388

‡390. Kathleen Scott (1878-1947). A bronze model of possibly Sir Peter Scott as a young boy, the base signed ‘K. Bruce Scott’, the underside with a clapper and the sculpture used as a table bell, 4½in (11.6cm) high, 3¼in (8.4cm) wide. Provenance: Sold with a typed letter from Seldon’s Ltd, Eastbourne recounting a letter written by Sir James Barrie (Peter Scott’s godfather) in May 1914 with regards a bronze bell he had been given. £100-150

390

391 391. After R. Jefferson (19th century). A Victorian bronze relief panel of the triumphal entry of the Duke of Wellington into Madrid 1812, by Elkington & Co., titled ‘MADRID’ and ‘THE EVENTS OF WAR ARE IN THE HANDS OF PROVIDENCE ALONE‘, signed ‘R. Jefferson’, and inscribed ‘ART UNION‘ and ‘EXECUTED BY ELKINGTON MASON & CO.‘, 13¾ x 33in (35 x 84cm), in a moulded oak frame.

393 392

Jefferson exhibited at the Royal Academy from 1853-1860. In 1853 he won the Art Union prize for the best plaster model in low relief illustrating an event in the military life of the late Duke of Wellington who had died in 1852. The Art Journal in 1853 described the relief: ‘It is a processional composition, full of figures of every degree, from the full round to the lowest relief. It is throughout extremely spirited and extremely successful in national characteristic’. £800-1,200

394

395

392. After E. Loisauy. A bronze model of a female tennis player, signed, on a stepped black marble base, 16¼in (41cm) high. £100-150 393. Emmanuel Villanis (1858-1914). Prise de Corsaire, bronze, signed and titled, with Societe des Bronzes stamp and ‘F. 8672’, on a marble base, 34in, 86.5cm high. £1,000-1,500 394. After E. Ludwig. An Art Nouveau bronze model of a nude lady holding a branch, signed ‘E. Ludwig’, on an octagonal marble plinth base, 10¼in (26cm) high. £100-150 395. A 19th century French bronze model of Cupid, mending his bow, 10¼in, (26cm) high. £300-400

397

396

398

396. Sir Thomas Brock (1847-1922). Victory, bronze, 15¼in (39cm) high, on a green marble plinth, 20in (50.8cm) high together.

397. Sir Charles Thomas Wheeler (1892-1974). Mask, bronze, dark green patination, 5¾in (14.6cm) high. £300-400

Thomas Brock started his career as an apprentice at the Royal Worcester Porcelain Works, later becoming a pupil of the sculptor John Henry Foley. His first major work was to complete the statue of Prince Albert for the Albert Memorial, which lead to the colossal Imperial Memorial to Queen Victoria, standing in front of Buckingham Palace. £1,000-1,500

398. Sir Charles Thomas Wheeler (1892-1874). Bust of the artist’s wife, Muriel Wheeler, plaster, on a stained wood plinth, 15¼in (38.5cm) high. £200-300

399 401

‡399. Richard Garbe (1876-1957). Angel’s head with a dove and a cloud, ivory, signed and dated ‘1947’, on a stepped slate plinth, the reverse with printed number ‘1394’ and the underside with printed label for ‘James Bourlet & Sons Ltd., Fine Art Packers, 17 & 18 Nassau Street’, and numbered ‘E328’, 6¾in (17cm) high. £300-500

400. Three Goan ivory carvings, one of a young boy with traces of gilding to his hair, 3½in (8.7cm) high, one of lion, the other of a ram. (3) £30-50

401. A carved ivory figure of the Virgin Mary, on an 18th century Indo-Portuguese ‘Good Shepherd’ base, 9½in (23.6cm) high. £300-400 400

402. A pair of late 19th century German carved ivory figures of itinerant bandsmen, 4¼in (10.8cm) high, each on an ebonised plinth. (2) £150-250

403. A pair of 19th century carved ivory portrait busts of gentlemen, each on a turned ebonised socle, the busts: 4in (10cm) high, including base: 7¾in (19.4cm) high. (2) £700-900

402

403

404

405

406

407

404. A late 18th century German carved ivory group of a peddler and his son, in the manner of Wilhelm Krüger, on a carved and ebonised base, the figure: 4¾in (11.7cm) high, with base: 9in (23cm) high. £600-800

405. A 19th century French carved ivory figure of a gallant, probably Dieppe, 7¼in (18.1cm) high. £200-300

406. A 19th century turned ivory whistling spinning top, 4¼in (10.7cm) high. £50-80

407. A Victorian turned ivory gavel, with the initials ‘A.F.Q’ 6¼in (15.9cm) long. £100-150

408

409

410

411

412

413

408. A Victorian ornamentally turned ivory ceremonial gavel, with a tortoiseshell band inscribed ‘RUMNEY MEMORIAL HALL‘, the base inset an ebony rondel of Queen Victoria inscribed ‘HER MOST GRACIOUS MAJESTY QUEEN VICTORIA‘, 7½in (18.7cm) high, two other ivory gavels one carved with a bust of Victoria the other with a silver plaque engraved a monogram together with three lignum vitae ceremonial gavels, one with the bust of Victoria, one with Victoria and Albert and one inscribed ‘To BISHOP GROTTY ON LAYING FOUNDATION POST EMMAGOOL 1928‘. (6) £1,500-1,800 409. Three 19th century Masonic engine turned lignum vitae and ivory handled gavels, the base of each with a silver plated Masonic symbol, 8¼in (20.9cm) high. (3) £150-250 410. Two Victorian ornamentally turned boxes, together with a vase and a small hexagonal plinth, 3½in (8.9cm) high. (4) £50-80 411. Four Victorian ornamentally turned ivory boxes, one a vinaigrette, two other ivory turnings and three ebony boxes, one heart shaped the base signed, one with an ivory liner, 3in (7.4cm) diameter, max. (9) £40-60 412. A 19th century ornamental turned ivory box and cover, the oval lid with a tortoiseshell panel, 3in (7.3cm) high, 4½in (11.2cm) wide. £40-60 413. A 19th century ornamental turned ivory tazza, 3½in (8.7cm) high, an ornamental turned ivory sewing clamp, 3in (7.5cm) wide and a gilt metal mounted tortoiseshell box with a hinged lid. (3) £60-100 414

414. An incomplete set of 19th century steel ornamental lathe cutting tools, in a mahogany case with a sloping hinged lid above two drawers, 9in (23cm) high, 9in (22.7cm) wide, 6¾in (17cm) deep. £150-200

416

415 415. Five Victorian ornamentally turned boxes, comprising: an ebony example the body decorated with rondels, 5½in (14cm) high, 4¾in (12cm) diameter, an ebony box containing a gilt bronze medallion inscribed the motto ‘BY FAITH I OBTEIGNE’ and heraldic shield of the Worshipful Company of Turners, replicated on the lid and inscribed to the underside of the lid ‘AMATEUR MECHANIC THOS FORSHAW BOWDON‘, an ivory castellated box and two ebony examples one with ivory edging. (5) £80-120

416. A pair of 19th century Anglo-Indian turned ebony and ivory candlesticks, 8in (20.2cm) high. (2) £50-80

417. A 19th century continental carved ivory model of bear, raised on a rectangular stepped plinth base, 3in (7.3cm) high, 4¾in (12cm) wide. £80-120

417 418. Literature: ‘Les Bronzes du Prince de Liechtenstein’, by J. Kugel, ‘Art of the Middle Ages’, an exhibition catalogue by Sam Fogg, ‘Tafelzier Des Barock’ by Stefan Bursche, ‘Hommage a Nicolas Landau’ by Axel Vervoordt and ‘By Judgement of the Eye - The Varya and Hans Cohn Collection’ edited by Nancy Thomas and Constantina Oldknow. (5) £50-100 419. Literature: ‘Masterpieces of Ivory - From the Walters Art Gallery’, by Richard H. Randall Junior, 1985; ‘Ivories - From the Far Eastern Provinces of Spain and Portugal’; ‘Images in Ivory-Precious Objects of the Gothic Age’, 1997; and ‘ElfenbeinKunstwerk des Barock’ by Carin Annette Moller. (4) £50-100

418

419

420. Literature: ‘Kataloge des Bayerischen National Museums, Dreizehnter Band. IV. Abteilunge’ by Von Rudolph Berliner, 1926. £50-100

420

421. Literature: ‘Tutenag and Paktong’, by Alfred Bonnin, 1924; ‘Pewter of the Western World 16001850’ by Peter R. G. Hornsby; ‘The Book of Costume’ by Millia Davenport; and various other antique related books and catalogues. (A lot) £50-100

421

422 422. A pair of patinated metal circular relief rondels, of dancing maidens, 29in (73.5cm) diameter, and a similar fibreglass rectangular panel, 24¼ x 48in (61.5 x 122cm). (3) £200-300

423. A silver plated relief roundel of the Virgin Mary with child Jesus, by Tairac, mounted in an ivory frame with an open bow, 2in (5.3cm) diameter, an oval miniature of the Virgin and child, inscribed ‘Mary’, in a vellum frame, a circular miniature in a bone frame, a carved ivory figure of Christ standing on a snake by J. Canava, in an Italian leather triptych easel back frame, a pierced silver coloured metal frame with a print of a female saint in a leather triptych frame and a print triptych after Mignard. (6) £200-250

423

424. A 19th century Goanese carved ivory parcel gilt and polychrome figure of a saint holding the Christ child, 10¾in (27cm) high. £100-150

424

425

426

425. A pair of 19th century plaster relief bust rondels, of a young King and Queen, he wearing The Order of the Golden Fleece and she with a pendant initialled ‘AS’, indistinctly signed ‘Gt Belloqary 1859’, 5in (12.6cm) dia, in ebonised frames. (2) £150-200

426. A plaster death mask of Napoleon I (1769-1821), after the original by Franceso Antommarchi, possibly a fourth generation cast by Messrs Brucciani late 19th / early 20th century, 14¼in (36.3cm) high. £300-500

427. A Victorian Parian bust of Clytie after C. Delpech, the socle inscribed ‘C DELPECH REDT‘ and ‘ART UNION OF LONDON 1855‘, 13¾in (34.8cm) high, 9¼in (23.5cm) wide. £100-150

427

428

428. A Johann Maresch pottery reclining gnome, holding a full stein in his left hand, marked ‘JM’ and ‘6370’, 18½in (47cm) long. £450-550

429

430

431 432

429. A pair of 19th century French bronze, ormolu and white marble figural candlesticks, c.1840, 9¾in (24.7cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

£200-300

430. A pair of 19th century bronze and ormolu five light candelabra, each with a leaf capped classical lamp above a reeded column supported by cherubs and dolphins to a black marble base and cast paw feet, later fitted for electricity, 26½in (67.2cm) high, 9¼in (23.5cm) wide. (2) £200-300 431. A pair of Restauration ormolu and bronze candlesticks, with detachable sconces, 4½in (11.5cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

£800-1,200

432. A pair of continental ormolu and bronze candlesticks, each with an eagle with a serpent in its beak and hung with lustres, 8in (20.4cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.

£400-600

433. An early 19th century and later patinated and gilt bronze three light candelabrum, hung with later glass lustres and converted to a twin light lamp, 17¼in (43.7cm) high, excluding fitting, 11in (27.7cm) wide. £200-300

433

434. A pair of 19th century bronze and ormolu three branch ceiling lights, with electric fittings and a central leaf knopped stem, with reeded ring terminal, 14½in (37cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600 435. A 19th century bronze and ormolu six branch ceiling light, later fitted for electricity, with a female figure finial and owl outer finials, to dragon arms and hung with chains from a lion mask applied corona, 33½in (85.3cm) high, 20½in (52cm) wide.

434

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £500-700 436. A 19th century bronze and ormolu six branch ceiling light, with a flaming finial and scroll branches with mask terminals, with chains, 27in (68.5cm) high, 18½in (47cm) wide. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600

435

437. A 19th century bronze and ormolu three branch ceiling light, fitted for electricity, with a link chain and ceiling boss, 21in (53.5cm) high, 10in (25.5cm) wide.

436

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600 437A. A 19th century bronze and ormolu five branch ceiling light, with human mask terminal, with laurel wreath chain and floral boss, 28¾in (73cm) high, 11in (28cm) wide.

437

437A

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £250-350

438 439

438. A brass eight branch chandelier in 18th century Dutch style, later fitted for electricity, with engraved decoration to the bowl, 20in (51cm) high, 28in (71cm) wide. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300 440 439. A 19th century Dutch brass six branch chandelier, with detachable arms, now drilled for electricity, 23in (58.5cm) high, 28in (71cm) wide. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300

440. A 19th century Dutch brass six branch chandelier, with detachable arms, drilled for electricity, with an open ring pendant, 21½in (54.5cm) high and wide. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £150-250

441. A cut and moulded glass electrolier, 19½in (49.5cm) high, 16¾in (42.5cm) wide. £150-200

441

442

443 (one of a pair)

442. A gilt brass and opaque glass nine light chandelier, with leaf scroll arms to a baluster stem supported by three mermaids, with lion masks and shells, fitted for electricity, late 19th / early 20th century, 25½in (64.5cm) high, 19½in (49.5cm) wide. £200-300

443. A pair of glass six light electroliers, with scroll branches and hung with lustres, 22in (56cm) high, 19in (48cm) wide. (2) £400-600

444. A pair of early 19th century Swedish bronze and ormolu three branch wall lights in the manner of Frederik Ludwig Rung, 20in (51cm) high, 12½in (31.5cm) wide. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600

445. A pair of Louis XVI style three branch wall lights early 20th century, 28¼in (71.4cm) high, 15¼in (38.7cm) wide. (2) £200-300 444 446. A pair of Adam style twin branch gilt brass wall lights, the petals drilled for lustres, 14in (35.6cm) high, 10½in (26.5cm) wide. (2) £100-150

447. A pair of Louis XV style ormolu twin branch wall lights, late 19th / early 20th century, 13¼in (33.7cm) high, 9½in (24cm) wide. (2) £200-300

448. A set of five Louis XVI style twin branch gilt brass wall lights, 12¼in (30.9cm) high, 7¾in (19.6cm) wide. (5) £150-250

446 445

449. A pair of late Victorian brass wall brackets, each with a hinged scroll arm decorated with ivy leaves and with an open holder, 27½in (69.7cm) wide. (2). £150-250

449 447 448

450

450. A French triple light gilt brass and frosted glass plafonnier, the corners with cherubs playing flutes, 5¼in (13.3cm) high, 25½in (64.7cm) wide, 19½in (49.5cm) deep. £400-500 451. A Victorian gilt metal and stained glass Gothic lantern, 16½in (42cm) high, 8in (20.3cm) wide, on a pole. (2) £200-300 452. A gilt brass and stained glass hall lantern, hung from chains, 10½in (26.5cm) high, 6in (15cm) square. £100-150 453. A pair of 19th century cast and wrought iron andirons, each with a cherub finial, 33in (84cm) high, 12in (30.5cm) deep. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600

451

452

454. A 19th century French gilt brass fender, the ends with pierced and foliage decorated vases with a shaped base with female masks, with paw and block feet, the breakfront with urn finials, 27½in (70cm) high, 58in (147.5cm) wide. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300 455. A steel and leather club fender, 18¼in (46.1cm) high, 59¾in (151.6cm) wide, 22in (56cm) deep. £300-400 456. A brass and leather club fender, 18¾in (47.6cm) high, 61¾in (157cm) wide, 19in (48.2cm) deep. £300-400

455

454 453

456

457. A Copeland & Garrett earthenware garden seat, decorated in the manner of George Bullock, printed mark to base, 18½in (47cm) high, 13¾in (35cm) diameter. £300-400

458. A cast iron arched fireback, with a coat of arms, 34in (86.4cm) high, 35¼in (89.5cm) wide. Repaired. £10-20 457

458

459. A set of three late 19th century steel fire irons. (3) £200-300

460. A set of three Victorian brass fire irons, with urn handles. (3) £50-70

459

460

461. Two Victorian brass fire irons. (2) Provenance: Royal African Rifle Regiment. £20-40

462. A late 19th century copper log bin, with brass feet and lion’s mask handles, 15in (38cm) high and diameter. £100-150

462 461 463. A Victorian brass and iron fender, with a pierced top, 6in (15.3cm) high, 43½in (110.3cm) wide, 10¾in (27.2cm) deep. £60-100

463

464

464. A 19th century wirework and brass nursery fender, 13in (33cm) high, 34½in (87.6cm) wide, 10½in (26.6cm) deep. £100-200

466. A polished iron and brass firegrate, 26in (66cm) high, 19in (48.3cm) wide, 10½in (26.7cm) deep. £300-500

465. A copper and brass mounted log bin, 16¼in (41.3cm) high, 18½in (47cm) diameter and another copper log bin. (2) £150-200

467. A brass club fender, with leatherette covered seats, 20in (51cm) high, 61in (154.8cm) wide, 18¼in (46.3cm) deep. £200-300

469. A pair of late 19th century French bronze oriental style oil lamps, converted to electricity, 15¾in (40cm) high, 6¼in (15.8cm) wide. (2) £100-150

468. An Edwardian brass and leather club fender, 19¼in (49cm) high, 60in (152.5cm) wide, 16in (40.6cm) deep. £200-300

470. A Chinese blue and white porcelain table lamp, 12¼in (31cm) high excluding fitting, together with a pair of porcelain table lamps and three other lamps. (6) £100-150

471. A brass student’s oil lamp, 24¾in (63cm) high. £40-60

472. A Chinese hardwood panelled cupboard, the interior with shelves above a carved apron, 58¾in (149.3cm) high, 35in (89cm) wide, 16½in (42cm) deep. £100-200

473. A 19th century Chinese export lacquer lady’s writing desk, the with fitted interiors including: a lift-out tray and a drawer, in three parts, 65½in (166.4cm) high, 25in (63.5cm) square. £500-800

472

474. A Japanese gold lacquer table cabinet c.1900, elaborately decorated with two panels of figures, one riding a horse, the other a dragon, the sides, top and reverse with raptors perched on pine branches, the doors opening to reveal an arrangement of six drawers, wear and damages, 22in (56cm) high, 21¾in (55cm) wide.

473

Provenance: Invercauld Castle, Aberdeenshire. £500-1,000

475. A 19th century Japanese black lacquer cabinet, with foliate engraved brass mounts, the lock plate with a pagoda garden landscape, with a pair of doors revelaing an arrangement of eight drawers, two with locks, side carrying handles, on bracket feet, 23¼in (59cm) high, 27¾in (70.5cm) wide, 17¼in (44cm) deep, on a later mahogany veneered and marquetry stand. (2)

474 475

Provenance: Invercauld Castle, Aberdeenshire. £200-300

476. A Chinese carved hardwood two tier jardinière stand, with an inset marble top, early 20th century, 32in (81.2cm) high, 22¾in (57.8cm) wide. £300-500

477 476

477. A Chinese carved hardwood octagonal low stand, with an inset marble top, 18in (45.6cm) high, 21in (53.3cm) wide. £150-200

478 479

480

478. A pair of cloisonné jardinières, 9¼in (23.5cm) high, 9¾in (24.8cm) diameter. (2) With damages. £100-150 479. A 1920s Chinese silk jacket, embroidered with flowers. £20-40 480. Three Chinese reverse glass paintings, depicting two young ladies standing by a tree, a young lady seated at a table and a boy with a cricket on his hand, in moulded frames and brass hanging mounts, approx. 21½ x 15¾in (54.5 x 40cm). (3) £150-200 481. An oriental carved wood box, relief decorated dragons, 10½in (26.6cm) wide, a Persian scribes box, painted with figures and hunting scenes, 10¼in (26cm) wide and a cylindrical jar and cover containing Chinese Fortune Sticks, with a leaflet. (3) £150-200

481

482

482. A Chinese amboyna, ivory and brass mahjong set, the hinged lid to a fall front containing five drawers of ivorine tiles and counters, early 20th century, 7½in (19.1cm) high, 9in (22.6cm) wide, 6½in (16.6cm) deep. £50-70 483. A 19th century set of thirtytwo Chinese pierced ivory counters, natural and stained red, with two carved dice shakers with figures in landscapes, in a fitted silk covered box with printed retailer ‘WOSHING Hong Kong & Canton’, 6in (15cm) wide and a quantity of mother of pearl counters, of three sizes with engraved and pierced decoration and with a crest above ‘NG’, and other plainer examples, in an oak box. £150-250

483

484. A Chinese bamboo and brass opium pipe, with a bone mouthpiece and tip, late 19th / early 20th century, 21¾in (55cm) long, together with a Chinese jade carving of a lion dog. (2) £60-80

485. A Chinese horn bowl, carved with buildings in a rocky landscape, 2in (4.7cm) high, 3½in (8.7cm) diameter, and a Chinese celadon jade vase, relief carved with flowers and foliage. (2) £40-60

484 485

486. A pair of 19th century Chinese bronze and leather stirrups, 19¼in (48.7cm) long. £50-70

486

487

487. A Pakistani turned wood vase, Swat Valley, 7¼in (18cm) high, 6in (15cm) diameter. £60-100

488. Two Japanese ivory boxes, the tops decorated with tigers, late 19th / early 20th century, 1¾in (4.4cm) high, 2½in (6.3cm) diameter. (2) £30-50

489. A Japanese Hirado porcelain teapot, modelled as a boy holding a cat, early 20th century, 8in (20.5cm) high, 7¼in (18.3cm) wide. £50-80 488

489

490. A French carved ivory fan, with a shaped gauze leaf hand painted an owl and other birds, 26in (66cm) wide, open, a carved ivory fan with red gauze leaf and a small ivory brisé fan. (3) £100-200

490

491

491. Three Japanese lacquer bowls, 5in (12.9cm) diameter, a pair of Persian miniatures of figures on horseback, painted on mother of pearl shells, in mosaic decorated frames and an oriental fan, painted with marine scenes. (6) £20-40

492. A 19th century bronze of a seated oriental figure, removing a thorn from his foot on an oval hardwood base, 6¾in, 17cm high. £50-80

493. A Japanese bronze trumpet vase Meiji 1868-1912, applied with cast lilies, the base signed, 15in (38.3cm) high, 9¼in (23.3cm) diameter. £180-200 492

493

494. A plaster copy of an Indian carving, the base with a pastille mark ‘MUSEE DU LOUVRE, ATELIERS DE MOULAGE‘, 17½in (43.9cm) high, 10¼in (26cm) wide. £100-150

495. A large Japanese Imari baluster vase and cover 19th century, brightly decorated with peony in enamels and gilding, together with a Japanese Imari charger, 21¾in (55cm) high, max. (3) £200-300

494

495

496. A 19th century Indian brass footed bowl, engraved with arched panels of urns and flowers, 4¾in (12cm) high, 4¼in (10.5cm) diameter. £40-60 496

497

497. An Egyptian turned alabaster vase, 8¼in (20.6cm) high, 5¾in (14.6cm) diameter. £30-50

498. A relief carved and polychrome decorated hardwood panel, depicting the city of Lhasa and the Potala Palace, with remains of inscription, 11 x 20½in (28 x 51.5cm). Provenance: Ernest Ohly, Berkeley Galleries, London. £100-150

498

499. A Burmese lacquer offering bowl and cover, hsun-ok, with a detachable finial, 30½in (77.5cm). £300-400

500. A Tibetan silver coloured metal ghau box, the suspension ring handle inset a human tooth, 18th / 19th century, 2¼in (5.5cm) long. £50-80

501. Two Indian brass beetlenut cutters, one modelled as an exotic bird the other a horse, 7in (17.8cm) long, and four Indian brass pendants. (6) £30-50

499 502. An Indonesian carved wood mask of Hanuman, carved in the solid with inset bone and ebonised eyes, 9½in (24cm) high. £150-200

500

501

502

503

504

505

503. A late 19th century copper and silver teapot, with a dragon’s head handle and an elephant spout, 11½in (29cm) high, 8½in (21.5cm) wide and an Arabic brass coffee pot. (2) £40-60

504. An Anglo-Indian sandalwood, sadeli and ivory jewellery box, Bombay, the hinged lid carved a view of the Taj Mahal, to a plush lined interior, 3¼in (8.3cm) high, 9½in (24cm) wide, 6¾in (17cm) deep, together with an Indian brass vase and a bronze censer. (3) £30-50

505. An Indian lingam stone, 8½in (21.5cm) high. £40-60

506. A late 19th century Anglo-Indian carved hardwood octagonal occasional table, with a fixed top, 21¾in (55.3cm) high, 21in (53.3cm) wide. £100-150

507. An Indian hardwood and brass marquetry folding armchair, in Savonarola style, 20th century. £500-600

506

507

508. A 19th century Burmese carved hardwood oval table, the tilt-top carved a band of temples and animals amidst foliage and rocks, to a pierced tendril apron on an entwined serpent stem and scaly beast supports, 27¼in (69cm) high, 34¼in (87cm) wide, 28½in (72.5cm) deep. £250-350

509. A late 19th century Ceylonese ebony and specimen wood small table, with three elephant head supports, 13½in (34cm) high, 15½in (39.3cm) wide. £400-600

510. An Indian silver plated brass staff, with screw off top modelled as a horse’s head, early 20th century, 23½in, (59.5cm) long. £20-30 508

509

510

511. A 19th century Anglo-Indian ivory box, Vizigapatam, lac decorated rural buildings and figures with foliage borders, with a lift-off cover, 3¾in (9.5cm) high, 9½in (24cm) wide, 6½in (16.3cm) deep. £300-400

511

512

512. An Anglo-Indian ivory, sandalwood and sadeli box, in distressed condition, 2¾in (6.8cm) high, 11in (27.6cm) wide, 4¼in (11cm) deep, together with an Islamic brass beaker. (2) £40-60

513. An Indian ivory sectional cylindrical ruler, with lac decoration, 14½in (37cm) long. £40-60

513

514. A 19th century Indian painted wood counter box, the sliding cover painted a lady, the sides with running deer, containing nineteen card counters, 5in (12.5cm) wide. £80-120 514

515. An Indian ivory veneered bowl and cover, with a hardwood body and lac filling to the cover, 3¾in (9.5cm) high, 6in (15cm) diameter. £200-300

516. A modern shagreen photograph frame, with bone edging and rosewood back, 13¾ x 11½in (34.5 x 29.3cm). £40-60 515 516

517. A Victorian silver coloured metal and parcel gilt elephant épergne, with detachable engraved glass flue, 5½in (14cm) high, with two other elephants, no epergnes, in a oak box fitted for four. £80-120

518 517

518. A late 19th century Japanese ivory and white metal server in the form of a shovel, the handle carved with monkeys, 10½in (26.3cm) long and a cased pair of gilt metal and mother of pearl fork and shovel servers. (3) £40-60

519. An 18th century Indo-Portuguese tortoiseshell, rosewood and ivory table cabinet, with a pair of panelled doors enclosing one long and five short drawers, all with later ebonised and mother of pearl knob handles, previously with side carrying handles, 9in (23cm) high, 15in (38cm) wide, 10.75 (27.5cm) deep. ÂŁ5,000-8,000

520. An Indian occasional table, the brass lobed and engraved top with Ganesh and other figures, on an antelope horn base, 21in (53.4cm) high, 19¼in (49cm) wide. £150-200

521. An Indo-Dutch hardwood and brass mounted small chest, 19in (48.2cm) high, 27in (68.5cm) wide, 16¼in (41.2cm) deep. £400-600

521

520

522. An early 18th century pressed horn snuff box lid, inscribed ‘Sir Francis Drake’ above his coat of arms and his motto ‘SIC MAGNA PARUIS‘, signed ‘JOHN OBRISSET FECIT 1712‘, 4in (10cm) long, together with a tortoiseshell snuff box and cover with the same decoration and a Victorian tortoiseshell and leather box and cover, the gilt plaque inscribed ‘Eily’. (3) £100-150

523. A pair of late 19th century Indian brass elephants, each front left leg stamped ‘B.M. PATOLE‘, 3¼in (8cm) high, 4½in (11.2cm) wide. (2) £80-120

522

523 524. A leather shadow play group, of three soldiers under an arch, above further geometric arches, damages, possibly Egyptian 14th century, 16 x 18in (40.5 x 45.8cm) later framed and glazed. Provenance: Ernest Ohly, Berkeley Galleries, London. £80-120

524

525

525. Three late 19th century mounted photographs of the British Raj in India, titled ‘Our ‘boys’ off duty Calcutta /94’, ‘A quiet game of ‘nah’ Calcutta /96’ and ‘HARRIS PEARCE ROTHESS? HOLIWELL, Taking things Kusse’ Chummy style in Calcutta’, 7¼ x 8½in (18.7 x 21.7cm), in later glazed frames. (3) £20-30

526. A late 19th century Australian brass and electroplated emu egg centrepiece, the leaf, fern and flower open frame surmounted by a model of an emu and hung with two emu eggs relief carved with a kangaroo and an emu and exotic birds, on an ebonised plinth, 14in (35.5cm) h, 12in (30.1cm) wide. £100-150

527

526

527. Two emu eggs, one carved panels of horses, the other carved an Aborigine hunting, 5½in, 14cm high. (2) £40-50

528. An Edwardian taxidermy bittern, in a naturalistic setting and an ebonised glazed case, 31in (78.3cm) high, 21¾in (55cm) wide, 11¼in (28.3cm) deep. £150-200

529. Two Victorian taxidermy birds of paradise, each in a naturalistic setting and under a glass dome to an ebonised base, 21½in (62.4cm) high, 15¾in (40cm) wide and 22in (56cm) high, 19½in (49.3cm) wide. (2) £150-250 528

530. A taxidermy barn owl, under a glass dome, 14in (35.5cm) high. £40-60

531. A 19th century taxidermy group, with a magpie, a jay, two gulls, a lapwing and a squirrel, 32in (81.3cm) high, 29¼in (74.3cm) wide, 9¼in (23.4cm) deep. £100-150

533. A cased pike, 18in (45.6cm) high, 48in (122cm) wide, 8½in (21.5cm) deep. £400-500

529

532. A Victorian taxidermy group of eight exotic birds, naturalistically mounted and under a glass dome to a walnut base, 18½in (47cm) high, 13½in (34cm) diameter. £80-120

534. A cased tench, from Moat Park, 10½in (26.6cm) high, 18¾in (47.5cm) wide, a cased grouper fish, 10¼in (26cm) high, 24in (61cm) wide and another cased fish. (3) £150-200

535. A mammoth’s tooth sliced into four sections, 6½in (16.3cm) wide, together with a crocodile tooth necklace and a vertebrae necklace. (6) £20-30

536. A medical anatomical human hip and pelvis, 13¼in (33.5cm) wide, two plaster models of a hand, the ends inscribed ‘B.F.W. 1920’ and ‘E.A.F.W. 1920’ and a painted model of hand. (4) £20-40

537. An eland horn and walnut hat rack, 17½in (44.5cm) high, 11in (27.8cm) wide, together with a goat horn hanging pipe rack with brass mounts, 16½in (41.8cm) high. (2) £50-100

538. A Black Forest pair of antlers and part skull mount, on a leaf and branch carved plaque, 25¾in (65cm) span. £100-150

537

538

539. A mounted warthog skull with tusks, the ebonised shield inscribed ‘WARTHOG SHOT BY C. FRY PORTUGUESE EAST AFRICA, MAY 1937‘, 16½in (41.9cm) high, 12in (30.6cm) wide, 12in (30.4cm) deep, together with a wolf skull and a set of shark jaws. (4) £50-100

540. Two petrified wood specimens, 17¾in (45cm) wide max. (2) £200-300

541. A late Victorian mahogany collector’s cabinet, with twenty four graduated drawers containing mainly shell specimens, fossils and minerals, 46½in (118cm) high, 44¼in (112.5cm) wide, 19in (48.5cm) deep. £800-1,200

542

543 542. Two Austrian laboratory preserved dragonfly and bee life cycles, in glass jars, each with labels, 12in (30.6cm) high. (2) £80-120

543. A taxidermy mounted marlin head, on an ebonised shield, 23in (58.4cm) high, 40in (101.5cm) wide, 35¼in (89.5cm) deep. £400-500

544

544. An Austrian laboratory preserved salamander specimen, in a glass jar, titled in German ‘Salamandra maculosa, Feuersalamander’ and ‘Lehrmittel Ernst Henkel, Wien, VI., Linke Wienzeile 118, III., Kegelgasse 43’, 8¾in (21.7cm) high, together with a snake embryo and part lifecycle, preserved by Henkel. (2) £80-120

546

547

545 545. Heal & Son. A Victorian walnut and parcel gilt wardrobe, with a triple door front enclosing sliding shelves, two short and two long drawers stamped ‘HEAL & SON LONDON‘, flanked by a sentry cupboard with pegs and a later hanging rail, 90½in (230cm) high, 75½in (192cm) wide, 25in (63.5cm) deep. £500-1,000

546. A pair of Victorian mahogany side chairs. (2)

547. A pair of late Victorian bamboo stands, with inset green tile tops, 22½in (57.2cm) high, 14¾in (37.5cm) square at the base, the tops 13¾in (35cm) square. (2) £150-200 548. A late Victorian walnut Chesterfield sofa by Maple & Co., the button upholstered back to scroll front supports carved with flowers, leaves, fish and basketwork side panels, the back legs stamped ‘MAPLE & CO.‘, originally on castors, 30½in (77.7cm) high, 82in (208.5cm) wide, 37¼in (94.5cm) deep. £200-300

£100-150

548

100

549. A late Victorian satinwood and painted Carlton House desk, in neo-classical style, with kingwood banding and stringing, the leather inset top on a sliding panel, 40in (101.6cm) high, 53in (134.5cm) wide, 26in (66cm) deep. £2,000-2,500

550. An Edwardian satinwood cabinet, with fine chequer stringing and two drawers between a pair of cupboard doors inlaid oval parquetry panels enclosing shelves, flanked by reeded pilasters, with leaf capitals and ribbon tied bases, 46in (117cm) high, 24¼in (61.5cm) wide, 15¾in (40cm) deep. £600-800

551. An Edwardian mahogany and crossbanded pedestal, inlaid stringing, the underside stamped ‘Bi 384 9 10 8 156‘, 47in (119.4cm) high, 11in (28cm) square. £300-400

550

551

101

552 552. An Edwardian walnut breakfront pedestal desk by Maple & Co., Ltd., the drawers with brass locks stamped ‘HOBBS & CO. LONDON‘, the left kneehole inside edge with an applied ivorine plaque ‘C.N.H.’, 31in (78.8cm) high, 60¼in (153cm) wide, 33¾in (85.8cm) deep. £400-600 553. A late Victorian rosewood, parquetry and marquetry coal purdonium, the top edge stamped ‘68482’, 40in (101.5cm) high, 19in (48.5cm) wide, 15½in (39.5) deep. £200-300 554. A late Victorian mahogany and satinwood banded chest, of seven drawers, 46¼in (117.5cm) high, 20½in (52cm) wide, 15in (38cm) deep. £250-350 555. A pair of Edwardian satinwood side chairs, with stringing and a Regency style mahogany open armchair. (3) £80-120

553

554

555

102

556. A pair of Edwardian mahogany bedroom chairs, together with a 19th century bowfront bedside table, 28¼in (71.6cm) high, 17¼in (44cm) wide, 15½in (29.4cm) deep. £100-200

556

557. An early 20th century mahogany cabinet on stand by Maple & Co., with parquetry stringing, adjustable shelves above drawers and a central cupboard door, with ivorine plaque ‘FROM MAPLE & CO. LIMITED, LONDON & PARIS‘, and one drawer stamped ‘MAPLE & CO LD‘, 81¼in (206.5cm) high, 36in (91.5cm) wide, 19¼in (49cm) deep. £300-500

558. A late Victorian mahogany and satinwood banded display cabinet, inlaid stringing, the serpentine base with two drawers, 81in (205.5cm) high, 36in (91.5cm) wide, 18in (45.5cm) deep. £300-500

559. A mahogany serpentine commode in George III style, with a carved edge, to a brushing slide and cluster columns, late 19th / early 20th century, 32in (81cm) high, 38in (96.5cm) wide, 22¼in (66.5cm) deep. £600-800

560. A late Victorian mahogany tripod table in George II style, the octagonal fixed top on leaf carved legs and hairy paw feet, 29¾in (75.5cm) high, 21¾in (55.4cm) wide. £100-200

103

561. An Edwardian mahogany octagonal marquetry centre table, the rosewood and satinwood banded top with a central panel of two birds in an oak tree, with an oak leaf and acorn border, to a stretchered undertier, 27¼in (69cm) high, 25¾in (65.5cm) wide. £500-800

562. A late Victorian satinwood octagonal lamp table, with a crossbanded and strung top the centre painted a portrait of a lady, with an applied brass trade label ‘CARVILLS LIMITED, FURNISHERS & DECORATORS LEWES‘, 29in (73.5cm) high, 15in (38.2cm) wide, 12¾in (32.5cm) deep. £220-280

563. A late Victorian walnut settee, 29in (73.6cm) high, 41in (104cm) wide, 22½in (57cm) deep. £300-400

564. A Victorian chesterfield settee, on walnut legs, 28¾in (73cm) high, 76in (193cm) wide. £300-400

104

565. A Victorian beechwood luggage stand, 18¼in (46.2cm) high, 23½in (59.5cm) wide, 15in (38cm) deep. £100-150

566. A late Victorian mahogany luggage stand, stamped ‘R1402’ and ‘121’, 19in (48.2cm) high, 24in (61cm) wide, 16in (40.5cm) deep. £100-200

566

565

567. A Victorian mahogany Wellington chest, with twin locking pilasters, 40¾in (103.5cm) high, 17¾in (45cm) wide, 16in (40.5cm) deep. £400-600

568. A late Victorian walnut revolving bookcase, 34in (86.5cm) high, 19¾in (50.2cm) square. £200-300

568

567

569. A late Victorian oak corner cabinet, with adjustable shelves and a pair of panelled cupboard doors, 45¾in (116cm) high, 48in (122cm) wide, 38½in (98cm) deep. £200-300

570. An early 20th century continental mahogany bookcase, with a marquetry frieze and adjustable shelves, 59½in (151cm) high, 60¼in (153cm) wide, 15in (38cm) deep. £100-200

569

570

571. A late 19th century satinwood and painted firescreen, with a printed scene of a river landscape, 41in (104cm) high, 17¾in (45cm) wide. £200-300

572. A late Victorian walnut and marquetry side chair, and a 19th century ebonised nursing chair. (2) £50-80

571

572

105

573 574

575

573. A late Victorian stained beechwood high back chair by James Shoolbred, with an ivorine plaque to the seat rail inscribed ‘FROM JAS SHOOLBRED & CO. TOTTENHAM HOUSE, LONDON‘, the leg stamped ‘W10197’. £100-200

574. A late Victorian oak ‘curule’ open armchair by James Shoolbred & Co., with an oval brass plaque inscribed ‘JAMES SHOOLBRED & CO., TOTTENHAM HOUSE, LONDON‘, one back legs stamped ‘6448’. £300-400

575. An Edwardian painted open armchair in Sheraton Revival style. £100-200

576. A 19th century cork oak torchère, with a rotating top on a later block, 49¾in (126.4cm) high. £100-150

577. An ebonised fluted column, 36in (91.4cm) high, a white marble stand and a mahogany torchère. (3) £50-100

578. A Victorian mahogany artist’s easel, the back of one support inscribed in pen ‘E. F. HILL HOLMLEIGH, 116 Langleys Road, Selly Oak Birmingham’, 60½in (153.5cm) high. £200-300

576

106

577

578

579. Howard & Sons. A late Victorian rosewood occasional table, with a stretchered undertier and the remains of a paper trade label, stamped ‘HOWARD & SONS, BERNERS ST.‘, 24¼in (61.5cm) high, 23¾in (60.4cm) diameter. £300-400

580. A late Victorian mahogany centre table, with a satinwood banded top centred a marquetry patera, 29¾in (75.5cm) high, 29½in (75cm) wide, 19in (48.2cm) deep. £300-400

579

580

581

582

583

584

581. An Edwardian satinwood occasional table, with an oval drop-leaf top, 27¼in (69cm) high, 19in (48cm) wide closed, 19¼in (49cm) deep. £200-300

582. An Edwardian satinwood lamp table, with mahogany banding and stringing and a galleried top with book matched veneers, 28½in (72.5cm) high, 18½in (47cm) square. £300-400

583. An Edwardian satinwood oval two tier occasional table, inlaid stringing and a central fiddleback mahogany panel, 28¼in (71.8cm) high, 22½in (57cm) wide, 14in (35.5cm) deep. £150-200

584. A harewood and marquetry console table, with tulipwood banding and stringing, the satinwood faux fluted frieze above carved legs, constructed using 18th century elements, 33¼in (84.5cm) high, 31in (78.7cm) wide, 15.25 (38.8cm) deep. £600-800

107

585. An Edwardian mahogany and marquetry breakfront card table in George III style, with a baize lined fold-over top, 31in (78.8cm) high, 35in (89cm) wide, 17¾in (45cm) deep. £600-800

586. An Edwardian mahogany and marquetry side table, with satinwood banding and stringing, the top inlaid a seated naked female wearing one shoe within an ornate floral border, 29¾in (75.5cm) high, 29½in (75cm) wide, 18¼in (46.5cm) deep. £400-600

587. A child’s school desk later painted by Sir John Verney (19131993), the top depicting the three (dis)Graces playing croquet being watched by elderly gentlemen, the interior with the same three ladies accosting the onlookers, the rest painted with trailing ivy and flowers, the seat with a pair of male hands, signed ‘Verney’, 35½in (90cm) high, 32in (81.5cm) wide. £400-600

108

589 588

590 591 588. An Edwardian mahogany and marquetry galleried tray, 26¼in (66.6cm) wide. £80-120 589. A pair of Victorian turned amboyna, ebony and rosewood candlesticks, with silver sconces hallmarked for William Hutton & Sons Ltd., London 1894, 10¾in (27cm) high. (2) £100-150 590. An Edwardian fiddleback mahogany and marquetry galleried tray, 25¾in (65.3cm) wide. £150-200 591. An early Victorian papier-mâché vase by Jennens and Bettridge, with a green ground and painted with floral sprays, the underside stamped a ‘crown’ and ‘JENNENS & BETTRIDGE LONDON’, with a painted shallow tin liner, 17¾in (45cm) high. £200-300 592. A blue jasper ware lamp, previously with an oil fitting, now drilled for electricity, the lamp excluding fitting: 12½in (32cm) high, with shade. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £40-60

593

593. A Victorian brass doorstop by William Tonks & Sons, with a bifurcated handle, the iron weight stamped ‘W. T & £60-100 S with a sun’, 9¾in (25cm) high, 5in (12.8cm) wide.

592

109

595

600

596

601

597

602

598

603

599

604

594. A ceremonial staff of office, painted green with a gilt shield and initials ‘ST. B.H’, 67¼in (170.8cm) long.

£30-50

595. An ebonised walking cane, with a moulded parrot head handle, with inset bead eyes, 34¼in (89.5cm) long.

£20-30

596. A 19th century malacca walking cane, with a carved and stained wood dog’s head handle, with a leather and brass collar, 43¼in (110cm) long. £150-200 597. A walking cane with a carved and painted ‘apple’ handle, to an ebonised shaft with a white metal ferrule, 35½in (90cm) long. £40-60 598. A malacca walking cane, with a cherub mount and ivory handle, 36¼in (92cm) long.

£50-80

599. A malacca walking cane, with an 18th century ivory handle, inset a later oval medallion of Queen Victoria, stamped ‘1867’, 35¼in (89.5cm) long. £80-120 600. A bamboo walking cane, with a hand painted porcelain handle, with a female mask terminal, with a 9ct gold band, London 1920, 36¾in (93.4cm) long, and another porcelain handled walking cane, 36in (91.4cm) long. (2) £60-80 601. Two ivory handled walking canes, one with a horn collar, the other with a white metal braided collar, hardwood shafts, 34in (86cm) long, max. (2) £100-150 602. Two Swedish silver handled walking canes, one with a malacca shaft and inscribed ‘G. Johansson Fran kamrater pa 40 arsdagen’, 33¼in (84.4cm) long, the other with a beech shaft, 38in (96.5cm) long. (2) £60-100 603. Three horn handled walking canes, two with plain shafts, the other with a branch shaft, 35¾in (91cm) long. (3)

594

110

£100-150

604. A palmwood swordstick, with a root bowl terminal and an applied silver ferrule, 34½in (87.5cm) long, together with a palmwood cane with a horn crook handle and a gilt ferrule stamped ‘18cgp’ and ‘CS’, 35½in (89.7cm) long. (2) £80-120

605

610

606

607

611

608

612

613

605. An olivewood walking cane, with a rosewood handle and bone collar and tip, 34¾in (88cm) long.

609

614 £40-60

606. An ebonised and silver mounted walking cane, retailed by Brigg, with a spiral ribbed handle and part shaft with wirework decoration, with a plain ebonised shaft, hallmarked 1909, 36½in (92.5cm) long, a bamboo walking cane with a faux tortoiseshell ring and gilt handle and a ceramic handled walking cane. (3) £100-150 607. A walking cane, with a boar’s tusk handle and a silver ferrule, hallmarked Brimingham 1895, to an ebony shaft and brass tip, 32½in (82cm) long. £50-70 608. An ebony walking cane, with ivory spacers and a macassar ebony turned disc handle, 34¾in (88cm) long. 609. Three horn handled walking canes, one with a silver ferrule, 36½in (92.5cm) long. (3)

£40-60 £100-150

610. Two Alpine walking canes, with horn handles and fur ferrules, inscribed ‘Montreux’ and ‘Jnterlaken’, one with a spike terminal, 38½in (98cm) and 32in (81.3cm) long. (2) £60-80 611. A bamboo walking cane, with burr root ‘pacifier’ handle, 34¼in (87cm) long and another walking cane with a curly horn handle, the base stencilled with an inventory number ‘515’ 40¼in (102.3cm) long. (2) £40-60 612. A 19th century sword stick, with a faceted blued steel blade, in a briar cane, 33¼in (84.5cm) long.

£80-120

613. A Victorian ebonised walking cane, with an engraved silver handle, hallmarked for London, 36in (91.5cm) l, a segmented horn walking cane, two black umbrellas one with a gilt metal and tiger’s eye handle, stamped ‘GM‘, two crook handled canes and an ebonised cane with an animal’s head handle. (7) £150-200 614. An Indian walking cane, with a part carved ebony shaft and an ivory ball handle, 38½in (97.6cm) long.

£100-150

111

615. A patent golfer walking stick, with a wood shaft and lever rotating the golfer’s swing, club missing, painted wood and aluminium, the leather bound handle stamped ‘PAT PENDING‘, 36in (91.4cm) long. £60-80

616. A palmwood walking cane, with a trumpet shape horn handle inset a carved ivory floral rondel, 37in (94cm) long. £100-150

615

617 617. A bamboo horse measuring stick, with root handle and marked internal shaft with brass mount, level missing, 37¼in (94.5cm) long. £80-120

616

619

618. A banjo, with mother of pearl inlay to the neck, the underside with an ivorine label inscribed ‘Carl Hynd’s Banjo Studio, Clyde House, Lockhart St. Bow’, 35in (89cm) long. £200-300

618

619. A 19th century French rosewood case flutina by Busson, Paris, with twentythree mother of pearl keys, ripple moulded borders and plated mounts, stamped ‘BUSSON MAKER £80-120 PARIS’, 15¼in (38.5cm) long.

620 621

620. A violin, with a two piece back, LOB 14½in (37cm.) £50-100

621. A silver mounted rosewood flute by Monzant & Co., 28 Regent Street, Piccadilly, London, 2708, hallmarked London 1826, 28in (71cm) long. £300-400

112

622

623

622. A painted wood model of a biplane, 9¼in (23.5cm) high. £50-100

623. A 1950s painted metal and wood model racing car, 6½in (16cm) high, 22in (55.9cm) wide, 9½in (24.1cm) deep. £50-70

624. A yacht diorama, named ‘Olive’, 19 x 24in (48.2 x 61cm). £100-150

624 625. A pond yacht, modern, on a cradle, 42in (106.7cm) high, 29¾in (75.5cm) wide, a clinker built boat and a dinghy with oars, ‘NUTKIN‘. (3) £150-200

625

626. A Victorian sailor’s shellwork diorama, the centre with a port hole with a printed view of ships and a lighthouse, flanked by floral crackers, within a glazed frame with a gilt slip and a simulated burr frame, 15¼ x 15¼in (38.6 x 38.6cm), 3in (7.2cm) deep. £150-250

627. A 19th century Napoleonic French prisoner of war miniature sailing ship on stand, with a pinned and plank hull with one mast with rigging, 6½in (16.5cm) high, 6in (15cm) wide. (2) £250-350

626

627

113

628. A collection of rowing ephemera, comprising: three painted wood shields for Club Challenge Fours, with monogram ‘MRC’ possibly for Maidenhead Rowing Club, with a white horse, dated ‘1898’, ‘1913’ and ‘1914’, together with three painted tin shields, and three caps one dated ‘1919’ by Wilton Woodward & Co, Oxford and one embroidered a boar’s head, late 19th / early 20th century. (9) £50-80

628

629

629. Sixteen carved oak and painted heraldic shields, possibly Cambridge University college club badges, one with a paper trade label for ‘A. W. CRISP & CO. 16, KING’S PARADE, CAMBRIDGE‘, 12½in (31.7cm) high, 9½in (24cm) wide, max. (16) £20-40

630. An iron ship’s anchor, 24½in (62.2cm) high, together with a modern hardwood and brass model of a ship’s wheel. (2) £30-50

630

631

631. A pair of early 19th century carved oak sailor’s farewell figures, each on an associated oak plinth, the figures: 9½in (24cm) high, max. (2) £50-70

632. A 19th century sailor’s bone fid, 7¾in (19.5cm) long, together with a section of ship’s plank inlaid a brass cannon. (2) £40-60 632

633

633. A sailor’ bag, made from sail canvas, with initials ‘L M U’, 45in (114.3cm) long. £20-40

634. Two walrus tusks, one carved with the figure of a naked lady, 13in (33cm) long. (2) £50-100

634

114

635

635. A 19th century sailor’s scrimshaw whale’s tooth, decorated on one side a seminaked maiden, 6½in (16.2cm) high. £500-700

636. Two whaling harpoons, one with a pivoted tip, 64in (162.5cm) long. (2) £80-120 637. A painted school board, with various names and dates between 1897 and 1908, possibly for a naval academy, 57½in (146cm) high, 31¾in (80.5cm) deep. £400-500 638. A 19th century whaler’s flensing spade, with an ash handle and iron blade, 72¼in (183.4cm) long. £100-150 639. A 19th century military jacket, with yellow borders and wirework, with brass buttons for ‘West Indies 2nd Regt’ and a peaked hat from ‘POTTS & MORRIS, 50 PALL MALL LONDON‘, with a badge for ‘2 West India Regt’, with pommel. (2) £650-700 641

640. A 19th century whaler’s long handled flensing knife, with a pine handle and iron blade, 81¾in (207.5cm) long, together with a whaler’s harpoon. (2) £150-200 641. Two 19th century naval jackets, each with gilt brass buttons, one set inscribed ‘WEST INDIA REGIMENT 3‘, the other with a ‘crowned anchor’. (2) £250-350

637

638 636

640

639

115

644

642

642. A late 19th century canvas diver’s suit, together with a copper and brass helmet stamped ‘..... PATENT LONDON‘ 12½in (31.8cm) high and a pair of leather lead weighted boots. £200-300

643. A mannequin, with adjustable centre, detachable hands and articulated arms, wearing a pair of leather shoes, 63½in (161cm) high. £80-120

644. A naval ensign flag, on a varnished wood pole, 33in (84cm) high.

£20-30

645. A Victorian ivory watch stand, 4¾in (11.7cm) high and a 19th century ivory pot, the rim inscribed ‘L. COUPLET A BRUXELLES‘, with a later pierced base, 3¾in (9.3cm) high, 4½in (11.5cm) wide. (2) £50-100

646. A late 19th century Anglo-Indian ivory watch stand, Vizigapatam, with horn inlay and lac foliate decoration, the door with Sarawati riding a peacock, 7¼in (18.3cm) high, 4½in (11.3cm) wide, 3½in (8.5cm) deep. £180-220

643

116

645

646

647 (detail)

648

647

647. A George III 12in (30.5cm) diameter terrestrial globe by Cary’s, with twelve engraved and handcoloured gores, inscribed ‘CARY’S NEW TERRESTRIAL GLOBE, DELINEATED From the best Authorities extant, Exhibiting the different Tracks of CAPTAIN COOK and the New Discoveries made by him and other Circumnavigators, London, Sold by Je Ramsden, No.199 Piccadilly, Jan 1st 1798‘,

with a brass meridian circle and papered horizon graduated in degrees with the months of the year, the points of the compass and the zodiac, the Pacific Ocean with an analemma, on a mahogany tripod base, 25in (63.8cm) high. £3,000-4,000

648. A late George III ebony and brass ship’s octant by Spencer, Browning and Rust, London, with an inlaid ivory scale, with monogram ‘SBR’ and a brass arm, 13¾in (35cm) long, housed in an associated painted stepped box for a Jones, Gray and Keen octant, with two trade labels. £450-550

649. A Smith’s brass cased ship’s bulkhead timepiece, with a white enamel dial with Roman numerals and inscribed ‘SMITH’S CRICKLEWOOD. N.W.E.‘ and ‘MADE IN £150-200 ENGLAND‘, 9¼in (23.5cm) diameter.

649

117

650. Emmanuel Bowen. ‘An Improved map of Wiltshire Divided into its Hundreds...’, a hand coloured engraving, 21½ x 28in (54.5 x 71cm), in a later stained wood and parcel gilt frame. £100-150

651. Emmanuel Bowen. ‘An Improved Map of the County of Somerset Divided into its Hundreds;....’, a hand coloured engraving, 21 x 28in (53.5 x 71cm), in a later stained wood and parcel gilt frame. £100-150

652. Robert Morden. A hand-coloured engraved map of ‘Wiltshire’, 13¾ x 16¼in (34.5 x 41cm), mounted, framed and glazed. £40-60

653. A 19th century needlework picture of a Turkish cavalryman, 14¼ x 12in (36 x 30.5cm), in a later moulded glazed frame. £100-150

654. A Victorian Berlin woolwork picture after Sir Edwin Landseer, ‘Return from Hawking’, 25¾ x 38½in (65.2 x 97.2cm) within a pierced and moulded scroll papier-mâché frame. £150-200

655. A 19th century woolwork picture, of a riverside house and garden, 18½ x 24¾in (47 x 63cm), in a bird’s eye maple veneered frame. £200-300

118

656. Louis Vuitton. An early 20th century gentleman’s leather dressing case or necessaire de voyages, the hinged lid to a drop-down front and fitted with nine glass and silver topped bottles, a silver cylindrical case, tortoiseshell handled brushes and manicure utensils including: a button hook, a penknife and shoe horn, with further compartments, boxes and a pull-out mirror, the brass clasps and lock stamped ‘L.V.‘ ‘LOUIS VUITTON 149 NEW BOND STREET LONDON, 70 CHAMPS ELYSEES PARIS 058633‘, the interior also stamped ‘LOUIS VUITTON 770029 £3,500-4,000 MADE IN FRANCE‘, 8¼in (20.9cm) high, 22in (56cm) wide, 5in (12.7cm) deep.

657. A James Heeley & Sons Ltd ‘A1’ Double Lever corkscrew, with traces of bronzing, marked to the handle; two simple frame corkscrew, one with a swivel top; a pair of steel wire cutters with a brush, marked ‘WINGFIELD & CO SHEFFIELD’; two straight pull corkscrews, with wooden handles; two cellarman corkscrews, 3 and 4 finger; a Plant’s Patent Magic corkscrew, marked ‘12140’ and ‘FARROW JACKSON’. (8) £50-100 658. A 19th century rosewood and brass bound campaign tantalus by John Allen, with a plush lined and leather interior with four glass decanters and stoppers, with inset brass plaque inscribed ‘ALLEN. Maker 37 Strand’, with a brass Bramah lock, 9in (23cm) high, 8½in (21.5cm) wide.

657

John William Allen (c.1831-1913) advertised as a ‘Manufacturer of Officers’ Barrack Furniture and Military Outfitter,’ and was a Royal Warrant holder to H.R.H. the Prince of Wales. £300-400

659 (detail)

659

658

659. A Charles Hull ‘Presto’ corkscrew, working, with a badge under the button marked ‘CHAS HULL’S PATENT PRESTO CORKSCREW,’ brass shaft marked. £450-550 660. A novelty paperweight modelled as a crate of champagne, stamped ‘HEIDSIECK & Co, REIMS’ and inscribed ‘Dry Monopole, DM 1874’, 1¾in (4.5cm) high, 4in (10cm) wide. £50-100

660

119

661. A pair of 19th century bronze bowls, with embossed floral garlands, with detachable gilded linings, 2in (5cm) high, 3in (8cm) diameter. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £300-400

661

662

662. A pair of Régence brass candlesticks, with engraved decoration and later detachable sconces, 2nd quarter 18th century, 9¾in (24.5cm) high, 5¼in (13.3cm) wide. (2) £300-500

663. A 19th century copper and bronze wine cooler, possibly Italian, 12¼in (31cm) high, 23in (58.5cm) wide. £600-800 663

664

664. A French circular book press, with an applied plaque inscribed ‘PRESSES ET MACHINES E. RAVASSE PARIS‘, late 19th / early 20th century, 18¼in (46.5cm) high, 17in (43.1cm) diameter. £300-400

665

665. A mixed lot comprising: various stone plinths, three Chinese wood stands, a mother of pearl matchbox holder, glass stoppers, a seed pearl necklace, a coral bead and shell necklace and a shell mounted gilt metal box, base missing. (A lot) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £80-120

666 666. Three agate bowls, 5in (12.3cm) wide, max. (3) £50-80

120

667. An early 20th century surgeon’s amputation saw by Down Bros. London, 13¼in (33.3cm) long. £100-150

668. A Napoleon III bronze tap, 7¾in (19.7cm) long. £20-40

667 668

669. A 19th century steel model of a gondola, with a central lidded section, plush lined, 8¼in, 21cm high. £200-250

670. A pair of 19th century gilt brass recumbent lions, 9in, 23cm long. (2) £100-150

670 669

671. An 18th century shagreen case, with white metal mounts, 5¾in (14.7cm) high, 3in (7.7cm) deep. £30-40

672. Two 19th century cowrie shell snuff boxes, with brass hinges and mounts, 3in (7.8cm) wide. (2) £100-150

671

672

673

674

673. A ceramic and gilt brass mounted campana shape vase, 20th century, 13in (33cm) high. £200-300

674. A pair of Victorian Cornish red serpentine turned vases, 12¾in (32.2cm) high, 4in (10cm) wide. (2) £200-300

121

675

677

675. A pair of late 19th century Black Forest carved walnut game trophy wall plaques, each with a stag, a partridge and hunting regalia, 21 x 36in (53.5 x 91.5cm). (2) Some damages. £800-1,200

676. An early 20th century Black Forest antler wall timepiece, with a brass dial with traces of silvering, 51½in (131cm) high, 35in (89cm) wide. £300-500

676

677. A Black Forest carved wood trunk in the form of a log pile, with a hinged lid, late 19th / early 20th century, 19½in (49.5cm) high, 23in (58.4cm) wide, 16¾in (42.5cm) deep. £600-800

678

122

678. A 19th century Black Forest carved wood inkstand, naturalistically modelled with a beetle with a hinged body standing on a leaf, the glass inkwells with wooden stoppers, 2½in (6.1cm) high, 11¼in (28.6cm) wide. £150-250

679

680

681

682

683

684

679. A Black Forest letter scales modelled as a seated bear, late 19th / early 20th century, 5¾in (14.2cm) high and a gilt brass scales by T. Cooke and Sons, London. (2) £40-60

680. A 19th century ebony and white metal mounted pipe case, 11¾in (29.7cm) long, a Japanese ivory handle, carved with frogs and a white metal cane handle ‘Squirter’ in the form of a head of a Chinaman. (3) £80-120

681. A Victorian mahogany newspaper rail from a gentleman’s club, with a hinged top, 33½in (84.5cm) high, 12in (30.5cm) wide. £40-60

682. A pair of steel calipers, six pairs of dividers of various sizes and a pair of steel compasses. (8) £50-100

683. Five ivory rulers, by Hudson & Kearns, Heywood, Stanley, Army & Navy, J.P. Hall, 12½in (31.3cm) long, max. an unmarked ivorine example, and two boxwood rulers, by Army & Navy and Winsor & Newton. (7) £250-350

684. An overpainted miniature portrait photograph by Debenham & Gould, signed and dated 1925, in a glazed gilt frame, 6¼in (16cm) high, an oval portrait miniature on ivory of a lady, a painted box lid ‘THE VICTORY PORTSMOUTH‘, a 19th century daguerreotype of a lady, in a leather case. (4) £20-30

685. A pair of early 20th century bone miniature binoculars, with a Stanhope lens and inscribed ‘Barry Island’, 1in (2.4cm) high. £80-120

686. Two Victorian magic lantern slides, one of two rats climbing on a bed with a sleeping man, stamped ‘CARPENTER & WESTLEY 24 REGENT ST LONDON‘, the other of a child skipping. (2) £20-40

687. An early 20th century mallet, with an ash handle inscribed ‘....AVELEY WOOD TURNING‘, the head stamped ‘C & S Ltd 1916’, 34½in (87.5cm) long. £40-60

687

685

686

123

688. A pair of continental plaster wall plaques of angels, the inside of one inscribed in pencil ‘Arige de Bapaume’, 12in (30.3cm) high, 13½in (34cm) wide. (2) £40-60 689. A Victorian leather correspondence box by Leuchars & Son, the twin hinged lid to a plush lined interior and a hinged front inscribed ‘LEUCHARS & SON 38 & 39 PICCADILLY LONDON & 2 RUE DE LA PAIX PARIS‘,

688

689

14in (35.3cm) wide, 10½in (26.7cm) deep, a Victorian leather boxed writing slope by Jenner & Knewstub, with a fitted interior with stationery rack, inkwells, pen tray and with marker’s mark, the sunken brass handle inscribed ‘RICHARDSON‘, together with a mahogany and parcel gilt ‘ENQUIRIES‘ sign. (3) £30-50

690. An opaque glass portrait medallion of Louis XVIII after Bertrand Andrieu, inscribed ‘LOUIS XVIII ROI DE FRANCE ET DE NAVARRE‘, 1½in (4cm) diameter, together with a pair of medallions of Marie Antoinette and Louis XVI and a rectangular plaque of a Greek coin. (4) £80-120 690

691

691. A 19th century turned ivory seal, the conical body with a screwoff cover and with a hatched matrix, 3¾in (9.5cm) high, two ivory sewing shuttles and a carved bone brooch of a recumbent stag. (4) £80-120 692. A pair of leather child’s shoes by Hudson & Cooperpill Ltd., with box. (3) £30-50

692

693

693. A set of four continental silvered brass furniture handles in the form of mermaids, 3½in (8.5cm) high and a bronze sundial, 9¼in (23.5cm) diameter. (5) £40-60 694. A Victorian game, comprising: twelve boards each with a printed top with numbers 1-90 pierced a hole, the underside with a drawer containing bone stakes and hoops, in a pine box. 10in (25cm) high, 19in (48.5cm) wide, 11½in (29cm) deep. £100-150

694

124

695

695. A 19th century bone ‘Spelling Alphabet’, with 146 tiles each with a capital letter engraved and inked, in a mahogany box with sliding cover and inset a titled plaque, the box 6¼in (16cm) long and a box containing bone, ebony and brass pin dominoes. £100-150

696

697

698

700

696. A 19th century ivory chess set, stained green and black, the king: 4in (10.4cm) high, the pawn: 1½in (3.6cm) high in a mahogany box with a sliding cover and blue paper linings. £100-150

698. A late 19th century Chinese lacquer games box, with chequer and backgammon boards, decorated with dragons, 3¼in (8.2cm) high, 16½in (42cm) wide, 8¼in (21cm) deep, together with an associated part chess set and four bone dice. (38) £30-50

700. A table croquet set, with eight mallets, eight balls on a turned alder stand, 14¼in (36cm) high and with ten hoops, two pegs, four clamps with ribbon border in a mahogany box, stencilled ‘CROQUET’, early 20th century. £300-500

699

701

697. A mid 19th century Chinese ivory ‘puzzle ball’ chess set, natural and stained red, the kings and queens carved as Emperors and Empresses, the king: 6in (15cm) high, the pawn: 3in (7.3cm) high, the figures are fixed to a plush lined stepped walnut base and under a glass dome. (34) £800-1,200 699. A mixed lot comprising: a boxwood and ebony Staunton pattern chess set, the king: 3½in (8.8cm) high, the pawn: 1¾in (4.2cm) high, four Meerschaum pipes, modelled as a wild boar, a head of a Moor, the head of an Arab and a carved foliage example, cased, a silver button hook and six bone pins. (43) £40-60 701. A late 19th century Chinese carved ivory part chess set, the king: 3½in (8.8cm) high, the pawn: 1½in (4cm) high. (30) £100-200

125

702. A pair of stone maidens, representing summer and winter, 63½in (161.5cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £500-800

703 703. An hexagonal lead fountain base, cast with the signs of the zodiac, 15¾in (40cm) high, 41¾in (106cm) wide. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £500-700

126

704 704. A Victorian cast iron Gothic weather vane, 56in (142.3cm) high. £30-50

705 705. A pair of cast iron and white painted garden urns, 50½in (128cm) high. (2) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £400-600 706. A reconstituted stone graduated fountain, in three parts, with a terracotta finish. £10-20 707. A white painted cast iron garden bench by Coalbrookdale & Co., cast ‘CBDALE & CO.’ and with a registration lozenge, 28½in (72.5cm) high, 53in (134.5cm) wide. Reconditioned. £300-400 708. A Victorian cast iron and wooden slatted bench, one end cut at an angle, with additional supports, 84½in (214.5cm) long. £40-60

707

706

708

127

709. A pair of reconstituted stone garden urns, on plinths, one broken, 67in (170cm) high. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £200-300

710. A pair of terracotta planters, 21¼in (54cm) high, 17in (43cm) square. (2)

711. A cast iron cannon, 37in (94cm) long, with stone supports. £50-80

128

£150-200

712. A quantity of reconstituted stone balustrading.

£10-20

713

713. A modern conservatory table, with a mosaic top set as a six place settings, with four matching chairs, 30¼in (77cm) high, 64½in (164cm) wide, 38½in (97.6cm) deep. £400-600

714. A faux marble fluted column, 42½in (108m) high, 12in (30.3cm) square. £40-60 713 (detail)

715. A slate meat safe, 22¼in (56.5cm) high. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £40-60

716. Two metal and wood wine racks, to take seventy and sixty three bottles, with doors and another larger metal wine rack with a door. (3) Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £60-100

717. A pair of bronze models of cranes, 21½in (54.6cm) high, 20in (50.8cm) wide. (2) Damages and losses.

715

Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £100-200

714

716

717

129

718. A 19th century powder horn, decorated hare coursing scenes, titled ‘Coursing’ and ‘The Finish of the Course’ and inscribed ‘Engd with a penknife by C. Wood’, 16½in (42cm) long. £800-1,200

718

719. An oak revolver case, the cover with an inset rondel inscribed ‘TULLOCH’, with a fitted interior with a leather label for ‘JOHN DICKSON & SON, 63 PRINCES STREET, EDINBURGH’, 12¾in (32.5cm) wide. £50-80

720. ‘The Audley’ an oak, leather and brass bound cartridge case by James Purdey & Sons, the top with owners name ‘G. G. Petherick, Porthpean House, St. Austell’, the interior with a printed label, leather straps and dividers, 11in (28cm) high, 17in (43cm) wide, 10in (25.5cm) deep. £500-700

719

720

721. Two pairs of leather boots, both with trees. (4) £100-200

722. Literature: ‘Sgt York - His Life, Legend and Legacy’, by John Perry; ‘The Boer War 1899-1902’ by David Smurthwaite; ‘For Distinguished Conduct’ by Phillip Wright; three Peter Finer catalogues and ‘A Short History of the Eagle Troop’. (7) £20-30

721

723

130

722

724

723. A table lighter, mounted on a 1915 shell case, 9¾in (24.8cm) high and a pricket candlestick made from a 1916 shell case, an Army & Navy brass and copper bugle, engraved ‘3rd (DCO) V.B. Hants Rgte Gosport 1901’, two bayonets, a leather and brass mounted whip, a baton, with a collar inscribed ‘IV FD. BDE. R.A 1934‘, a tyre spike, and a leather and fibre three stone bola. (9) £120-150

724. A Chinese carved wood box, the cover centred a circular badge for the Norfolk Regiment, 12in (30.5cm) wide. £60-100

725. Two kukuris, one with a carved wood scabbard, the other with a brass and horn mounted handle, a leather scabbard, two small knives. (2) £100-150

726. A kukuri, with a horn handle and mask terminal, with a leather scabbard and two small knives, and a kukuri, with a wooden handle, leather scabbard and two associated small knives. (2) £100-150

727. A Middle Eastern dagger, with a curved blade and a horn handle, with arrow head terminal and a leather sheath, 15¼in (39.4cm) long, and a dagger with a leather handle and sheath, 12¼in (31cm) long. (2) £80-120

725

726

728. A small kukuri, with an engraved steel handle and a silver coloured metal mounted leather sheath, with a small knife, and two other kukuris, with associated small knives. £100-150

729. An Indo-Persian khanjar, with a curved and fullered steel blade, with a bone, mother of pearl and brass handle, 9¾in (24.8cm) long with a brass covered scabbard, and a dagger with a brass wire and steel handle, with a scabbard, 16½in (42cm) long. (2) £200-250

727

728

729

730

730. A late 19th century Scottish novelty antler handled knife, modelled as a deer with a face and brass tail, with a steel blade stamped ‘ELLIN SHEAR STEEL’, 10¾in (27.4cm) long. £40-60

731. A German penknife, with two blades and a simulated wood scales modelled as a lady’s leg, with cap lifter, another similar advertising ‘Brown’s Shoes Company St. Louis USA’, a penknife, stamped ‘ULSTER KNIFE CO NY‘, a folding knife with bone and simulated tortoiseshell scales, stamped ‘TOLEDO‘, and two knives with a notched blade on lug stands. (6) £100-150

732. A 19th century Norwegian knife, with a Steel blade stamped ‘BLIKSTAD, THORNDHIEM‘, with a marine ivory handle and a lion’s head and foliage terminal, 17in (43cm) long. £200-300

731

732

131

733

735

734

733. A Sinhalese small dagger, pia-kaetta, with a brass mounted blade and a finely carved horn handle with a chased silver coloured metal mount, 9¾in (25cm) long. £100-200

734. An 18th century shagreen fleam case, containing a pair of tortoiseshell and steel fleams, one blade marked ‘1’ and ‘PA with a flower’, 4½in (11cm) high. £80-120 735. A Corsican vendetta knife, the blade etched ‘Vendetta Corsa and Che la mia ferita sia mortale’, (may the wound be fatal) with bone scales, 20½in , 52cm long open. £30-40

736. A bronze knife, in Chinese archaic style, 18in (45.7cm) long. £200-250

737. An Indian katar, with a fullered blade and remains of gilt to the handle, 15½in (39.4cm) long. £80-120

738. An Indonesian kris, with a carved wood handle and a patterned blade, 16½in (42cm) long, with scabbard. £150-200

739. A Malayan kris, with a wavy edge patterned blade and a carved handle as a stylized Garuda bird, 15½in (39.4cm) long, with wood scabbard. £150-250

736

737 740. A Malayan kris, with a 13¾in (34.9cm) shaped blade, to a foliate carved ivory handle and a hardwood scabbard, 18½in (46.9cm) long. £50-100

740 738 and 739

132

741 741. Four Indian talwars, with curved blades and disc mounted handles, with scabbards. (4) £80-120 742. An Indo-Persian khanjar, with a curved blade and koft-gari script and decoration, with a horn handle and coral beads, 26½in (67.3cm) long. £150-200 743 743. A Burmese dha, sword, with a 23¾in (60.5cm) long steel blade with a concave tip and silver and gilt inlay, with a metal and sharkskin handle, with a brass bound wood scabbard, 33½in (85cm) long and another plainer dah, 30¼in (77cm) long. (2) £300-350 744. A Japanese tanto, with a 15inch (38cm) long blade, signed on the tang, with a wood tsuba, handle and sheath, all shibayama decorated with numerous insects and reptiles, in ivory, tortoiseshell, bone, horn and mother of pearl, and with a short knife, 21in (53.4cm) long. £800-1,200 745. A Sudanese sword, with a part fullered blade with crescent armoury marks, with leather scabbard, 39¾in (101cm) long, and another sword with a horn handle, the blade stamped ‘EPIGMENIO...CASTEI‘. (2) £150-200

742

746. A Japanese katana, with a 28in (71cm) long blade, unsigned, with a bronze gilt relief tsuba, a sharkskin and bound handle, in a lacquered spiral effect scabbard. £300-500 746A. A Japanese sword, with a signed 32in (81.4cm) long blade (including tang), with a brass tsuba and sharkskin handle, with a lacquered scabbard and leather outer cover. £150-200

745

744

746

744 (detail)

746A

133

747

748

749

750

752

751

754

134

753

747. An early 19th century walnut and steel stonebow by Evans, Cambridge, with an acorn finial to an engraved plate with a game bird and hunting dog, inscribed ‘EVANS CAMBRIDGE‘ 32in (81cm) long, 31¼in (79.2cm) wide. £400-600 748. A Japanese musket, the 35¾in (91cm) long octagonal cast barrel, signed, with a hardwood stock and brass mounts, 47½in (120.6cm) long. £400-600 749. A flintlock pistol for the Turkish market, with brass mounts and pseudo marks, 17½in (44.5cm) long.

£150-200

750. A percussion rifle, with a part octagonal barrel and with a ramrod, 58in (147.4cm) long.

£200-250

751. Two French longbows, with vellum and leather grips, with horn nocks, 75¾in (192.5cm) long, max. (2)

£100-150

752. An Indian percussion rifle, with engraved calligraphy to the barrel and stamped ‘300’, with a hardwood stock, 51½in (131cm) long.

£150-200

753. A Middle Eastern percussion rifle, with a 53½in (136cm) long barrel, with stylized leafage to the end, 72¾in (185cm) long.

£150-200

754. Two 19th century American Civil War rifle locks, both stamped ‘STARR ARMS CO. YONKERS N.Y.‘, 4¾in (11.8cm) long. (2)

£50-80

755. A Victorian brass handled dagger, cast ‘VR’, 18¼in (46.4cm) long, with a leather mounted scabbard stamped ‘7/99’ and ‘crown B70’. £50-80

756. An 18th century German hunting sword, the 21¼in (53.9cm) long double edge blade to a horn grip and white metal quillon decorated with dogs and deer heads. £100-150

757. A pair of Friendly Society ceremonial pole axes, numbered ‘4455’ with initials ‘SWW‘ and ‘TWW‘, 77in (195.5cm) long. (2) £50-100

758. A pair of Victorian cast iron gauntlets, converted to lamp fittings, 12¼in (31cm) high. (2) £50-80

759. A pair of practice sabres, with disc and open wire guards and wooden grips, 40½in (103cm) long. (2) £100-150

760. An officer’s dress sword, with an etched steel blade for ‘3rd Middlesex ARTY VOLTS’ by ‘Jones Chalk and Dwason, Sackville Street, London W.’, with a sharkskin grip and open guard, with scabbard, 40in (101.5cm) long. £200-300

761. An early 19th century bandsman’s sword, the 27½in (69.7cm) curved blade to a gilt brass hilt and a lion’s head pommel, the quillon cast with musical instruments, together with a Victorian cadet’s sword, with a shagreen grip. (2) £40-60

762. An Indian sabre, with a curved steel blade with a double edged tip, etched with arched scroll decoration and with calligraphy, with scabbard, 38in (96.5cm) long. £100-150

135

763. A pair of carved ivory tusks, Congo/Angola, with low relief panels of native animals and one with a seated male human holding his head, the other with a monkey carrying another on a spoon, all with inset bone eyes, 31¼in and 31¾in (79.5 and 81.6cm) long, mounted on hardwood stands. (4) Collected by Evan & Florence Howells in the 1930’s / 1940’s whilst acting as Welsh Baptist Missionaries in Portuguese Angola. £400-600

764. A 19th century Mangbetu ivory oliphant, with reeded band decoration, 29in (73.5cm) long. £500-700

136

765. A Punu mask, with ribbed crescent coiffure, scarifications to the face, dark patina with red ears and mouth, 13in (33cm) h. £100-150

766. A Chokwe ebonised mask, 12in (30.5cm) high and another mask, with white pigmentation, 12½in (31.6cm) high. (2) £200-300 765

766

767. A Kifwebe mask, with incised striated decoration, 8½in (21.5cm) wide. £150-200

768. A Bobo mask, Burkino Faso, with a twin lobed coiffure with piercings, relief eyes, nose and mouth, with black, red and white decoration, 15½in (39.5cm) h. £100-200

767

768

769

770

769. A Dan mask, with applied vellum and fibre, 10in (25.5cm) high. £150-200

770. An African mask, with horn crest being supported by a figure, 22½in (57cm) h. £150-200

771. A Haida argillite bowl on four legs, North West Coast, 4½in (11.3cm) high, 6in (15cm) diameter, and an Inuit whalebone sled runner, pierced twice for suspension, 11¼in (28.4cm) long. (2) £30-50 771

137

772. A large Baga mask, with incised and polychrome decoration, with applied fibre, 63in (160cm) high. £300-400

773. A Fang seated figure, with remains of black crusty patination, 22in (56cm) high, on a later stand. £400-600

773 772

774

774. A Congo fertility figure, with two horizontal raised scarification to the back of her neck, with a leaf around her waist and thighs, 24¾in (63cm) high. £100-200

775. An Ekoi Janus head crest, vellum covered with painted eyes and teeth, with detachable horns and woven fibre base, 26½in (67.5cm) high. £300-400

775

776. A West African fertility figure, with a fan shape coiffure and a curved back, with white pigment to the hands, with an allover thick black patina, 24½in (62.2cm) high. £200-300 776

138

777. A 19th century rectangular wood prayer board, inscribed in differing hands, with a French inscription to one side, ‘Verses from the Qur’an coming from the Great Mosque of Tlemcen, 10th February 1836’ 11in (28cm) high, 6½in (16.5cm) wide. The Great Mosque of Tlemcen, Algeria was built in 1082 and later reconstructed by Ali Ibn Yusef. £400-600

778. A Ligbi mask, with a hornbill crest and ebonised, white and red stain finish, 8¾in (22cm) high. £200-300

779. A Dan ceremonial spoon, 15¼in (39cm) high. £80-120

780. A Dan mask, with a cloth headdress mounted with horns, cowrie shells and remains of feathers, 21½in (54.5cm) high. £200-300

781. A Punu mask, with horn crest and white, ebonised and red decoration, 12in (30.5cm) high. £150-200

782. A West African group, with a head finial supported on an open jaw with pointed teeth, with a mask to the reverse, 28in (71cm) high. £80-120

783. A Kuba helmet mask, with painted pigment decoration, with applied beads, shells and fibre, 18in (45.6cm) high. £200-300

139

784. An African hardwood staff, with a baluster finial and two prong base, 69in (175.3cm) long, and a carved and ebonised wood three prong staff, 35in (89cm) long. (2) £20-30

785. An African wood club, with an ovoid head, 24¼in (61.5cm) long and an Irish Shillelagh, inscribed A.H. CUTHELL XIV, 26¼in (66.5cm) long. (2) £100-150

786. An African hardwood knobkerrie, with a bulbous head with a nipple, 23in (58.5cm) long. £50-100

787. A South African knobkerrie, with an interlaced copper band, 23in (58.4cm) long, and a hardwood baton, 18¼in (46cm) long. (2) £60-100

784

788

785

789

786

787

790

788. An African ceremonial knife, with a curved steel blade and applied a brass sheet with geometric designs and with a wooden handle, 17¼in (43.6cm) long. £150-200

789. A hippopotamus tail fly whisk, with a silver coloured metal mounted end, 25in (65cm) long, and a giraffe tail fly whisk, with a wooden support. (2) £50-70

790. An African woven basket and cover, possibly Barotse, Zambia, with a lizard handle, 4in (10cm) high, 6in (15cm) wide, together with a Fon bronze staff, Nigeria, the finial formed as a man riding a horse, 10½in (26.3cm) high. (2) £50-100

791. An oil painting of an Askari, signed lower right with initials ‘K M M’ and dated ‘1931’, 27¾ x 17½in (70.5 x 44.4cm), in a glazed carved giltwood frame, together with the Askari’s felt Fez and ceremonial mace inscribed ‘NORTHERN TERRITORIES CONSTABULARY GOLD COAST‘ and ‘HAWKES & SONS £400-600 MAKERS 23937‘, 69in (175.3cm) long. (3)

140

791

792. A Luba staff of office, with a Janus head finial with a slightly flared panel above carved with an interlaced motif and angled ribbed panel, with metal finials, one missing, the base with an elliptical panel with stepped borders and further carved designs, with a metal tip, 60¼in (153cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. £600-800

793 793. An Ashanti wood doll, with a curved disc head slanting backwards with stylised coiffure to the reverse, with a ribbed neck and without arms, white inventory number 2, 13¾in (35cm) high, on a later stand. (2) Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased November 1962. £500-800

792 (detail)

792

141

794

795 794. A Kuba wood cup, with a reeded rim and a head with relief scarifications and an interlaced knot to the reverse, above an open handle and stepped base, paper label inventory number 3304, 7¾in (19.6cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased May 1960. £300-500 795. A Kuba anthropomorphic cup, with a shaped coiffure with interlaced line and dash motif the the reverse, the face and body with scarifications, the toes missing, white inventory number 7, 10in (25.5cm) high, on a later stand. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased June 1960. £800-1,200 796. A Fante wood doll, with a rectangular head with incised triangles and lines to the back and sides and with a lug finial, the back of the body with three raised scarifications, white inventory number 208, 11¼in (28.5cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased July 1966. 796

142

£200-300

797

798 797. An East African carved wood club, with a mask finial and tapering handle with inlaid beads, with a circular pestle base, 14½in (37cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London.

£100-200

798. A heddle pulley, possibly Dan, carved as a standing female figure with a crested coiffure, one side with incised line decoration, with a long neck and with both hands on the abdomen, the legs with an old ‘native’ repair, white inventory number 277, 13in (33cm) high, on a later stand. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased March 1962. £150-250 799. A Ovimbundu wood pipe, of a standing figure with a pointed back coiffure, with a bead necklace above metal bands and studs, with a waisted cylindrical bowl, with a folded metal shaft, white inventory number 6, 20¾in (52.8cm) long. Provenance: Ernest Ohly, Berkeley Galleries, London.

£600-800

799

143

800. A Gabon wood mask, possibly Fang, with a triple crest coiffure, thin elliptical pierced eyes and an open mouth with teeth, with small crescent ears, having ebonised, red and white pigment, paper inventory label 3367, 12½in (31.8cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased 1971. £200-300

801. A Dan female mask, with carved line decoration and applied aluminium, with an ebonised finish with white pigment across the eyes and the central forehead ridges, paper inventory label 3410, 11½in (29.3cm) high. Provenance: William Ohly, Berkeley Galleries, London. Purchased 1944 Ernest Ohly, Berkeley Galleries, London. £400-600

144

802. A Dan mask, with an ebonised patina with white across the coffee bean eyes, above wide nostrils and a lips with small tongue, white inventory number 18, 9in (23cm) high. Provenance: Purchased by William Ohly, Paris Exhibition, 1928. Ernest Ohly, Berkeley Galleries, London. £1,500-2,500

803. A Pende mask, with an applied cloth and fibre headdress, with a carved wood face with check scarifications with an ochre ground with ebonised and white pigment highlight, with a fibre beard, white inventory number 19, 14in (35.6cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased in the 1960’s. £400-600

804. An Ibo mask, with part ribbed horns, thin elliptical eyes and ‘C’ scroll ears above an open mouth with teeth and a small chin, part ebonised with traces of white pigment, Berkeley Galleries label and inventory label 4814A, 11½in (29cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased March 1953. £400-600

145

805. A Hemba standing male figure, with a four part stylised knot to the back coiffure, his chin supported by both hands, raised on a domed circular base, white inventory number 24, 12½in (31.8cm) high.

806. A Songye fetish figure, with a stepped coiffure and previously with an inset horn, with a square chin and scarifications to the body, white inventory number 29, 11in (28cm) high, on a later stand.

Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased April 1962. £300-500

Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased from Dr Saxl, February 1966. £400-500

146

807. A 19th century Angi female figure, with a five crest coiffure, and with rounded breasts and buttocks and with body scarifications, with neck and waist beads, left foot probably later, with inventory number 10, 17in (43cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased from James Keggie, October 1958. £1,000-1,500

808. A Yoruba carved wood standing female figure with child, part ebonised with white pigment, with stylised coiffure with clasp to reverse, with a bar strap supported on her breasts and with a knotted sash around her waist with her hands palm and knuckle side on, her child with a single flat crest coiffure and with a strapped triangular pendant, with bead necklace (loose), with inventory number 16, twice and inscribed SEALY, 23in (58.5cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased from G. Bloch, 1960’s. £400-600

810. A Yoruba kneeling offering figure, with a child on her back and it’s hands on her breasts, with beads, white inventory number 1, 13½in (34.2cm) high. 809. A Yoruba mother and child group, seated with a high crested coiffure, the child suckling whilst holding the other breast and with it’s legs crossed over, and with a bead necklace, red and ebonised staining, white inventory number 22, 16½in (42cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased February 1962 £300-400

Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased June 1953. Notes in stock book state ‘Ayasse, Ilorin, confiscated by E.C. Pickwood, 1922.’ £300-400

147

812

811 811. A Yoruba brass rattle staff, the Janus head with fine cable borders and a pierced finial, the central shaft with interlaced bands to a pierced triangular base with similar decoration, the head and base with ringlets for bells, missing, 17½in (44.5cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London.

£800-1,200

812. A Benin cast bronze belt mask, with a stepped coiffure and ribbed tendril eyebrows and hair, one eye with an iron pupil, the other disfigured (gunshot?), with ring fixings to top and base, possibly 18th century, 7in (17.8cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased December 1964.

£300-400

813. A Yoruba brass edan staff, cast as a seated male holding a pair of rods, his head with tight curl beard and coiffure, with piercing for bells, the rectangular support with similar piercings and inventory number 299, on an iron rod, 12¾in (32.5cm) high, on a later stand. (2) Provenance: Ex Gamage Collection, April 1960. Ernest Ohly, Berkeley Galleries, London.

£300-500 813

148

814. A Yaure mask, with paddle type ears with remains of white pigment, fine grooved coiffure and coffee bean eyes, with a flat beard with incised decoration, right side part missing, as are the lower scroll parts, white inventory number 205, 14in (35.5cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased August 1967. ÂŁ1,500-2,500

149

815. An Idoma wood maternity figure, River Confluence Valley, with allover chip decoration, with a single crest coiffure and pouting lips, her back with a child having two pair of arms, white inventory number 281, remains of a handwritten paper label and black inventory number 34, 12in (30.5cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased from James Keggie, September 1972. £300-400

816. A Fang female wood figure, Tsogo, with her hands over her abdomen, with a red pigment and with ebonised coiffure with white highlight, white inventory number 29a, 12in (30.5cm) high, on a later oak stand

815

Provenance: Ernest Ohly, Berkeley Galleries, London. Bought from Dr Saxl, February 1966. £200-300

816

817. A Bambana Ntomo mask, with a five point headdress above pierced eyes and mouth, white inventory number 20, 13¾in (35cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased from McMullan, 1960’s. £300-400

818. A Baule beauty mask, with a triple crest coiffure and with remains of three horns, with remains of pigment decoration to the forehead, white inventory number 206, 19th century, 9in (23cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. £150-250

817

150

818

819. A Yaure mask, with ribbed horns and narrow ears with white pigment, with a shaped coiffure outline and scarifications either side of the slit eyes, with a pierced and pointed beard, paper label for RATTON, PARIS and white inventory number 15, 15in (38cm) high. Provenance: Ratton, Paris. James Keggie, London. Ernest Ohly, Berkeley Galleries, London.

ÂŁ4,000-6,000

151

820. A Baule mask, with a crescent and serrated edge coiffure, with scarifications and applied metal over the eyelids and mouth, white inventory number 21, 11in (28cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased October 1964. £400-600

821. An Ibo mask, with horn headdress and angled and pierced elliptical eyes and with a pierced mouth with carved teeth, with carved and relief decoration with white, yellow, red and dark pigment, white inventory number 210, 13¾in (35cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased September 1966. £600-800

822. Berkeley Galleries Visitors Book. Recording visitors to the various exhibitions at the gallery from June 1934 to May 1946, though in no particular order or consistency. Names include artists, collectors, a few dealers and others included in the art world; Lucien Freud, Hugh Casson, Carel Weight, Julian Trevelyan, Paul Vezelay, Eileen Agar, Feliks Topolski, H.R. TrevorRoper, Josef Herman, Phoebe Stabler, William Nicholson, Michael Ayrton, Ambrose Heal, Duncan Grant, Henry Moore, Cyril E Power. A few sketches and notes on the entrants. Included is a interesting Nazi Anti-Semitic sticker. Provenance: Ernest Ohly, Berkeley Galleries, London. £200-300

152

823. An Ashanti bronze group, of a chief sitting on a chair and holding a horn, being carried by four men, 11in (28cm) high. Provenance: David Newman, London. £200-300

824. Two carved ivory models of Ashanti stools, 2in (5.2cm) wide, an ivory model of a headrest, indistinctly signed in pencil, and an African ivory bust and a mask, 2nd quarter 20th century. (5) £30-50

825. Three African bronze currency bangles, of crescent shape, the smaller with incised decoration, 11½ and 4½in (29 and 11.5cm) wide, a pair of brass bangles and a Cameroon bronze horse and rider, 14in (35.5cm) high. (7) £100-150

823 826. Literature: ‘Made in West Africa’ by Christine Price, 1976, ‘Nigeria, The Land its Art and People, An Anthology’, ‘Nigeria - A history’ by John Hatch, ‘African Mythology’ by Geoffery Parrinder and ‘Prince Sadruddin Aga Khan, Collection of African Art, Sotheby’s 27th June 1983’. (5) £20-30

827. A Yoruba carved wood group, the main kneeling female figure with an infant on her back with a drummer above, she supporting a chicken with cover, revealing a raised surface, the cover as a bowl, the whole being supported by a figure on forearms and knees, flanked by two kneeling males and female figure, 14½in (37cm) high. £200-300

824

825

828. An African divination set, comprising: an elephant’s kneecap and five bone counters, 4¾in (11.8cm) high, 6¾in (17cm) wide. (6) £180-220

826

827

828

153

829. A Baule mask, with a stylized coiffure, 16in (40.6cm) high, another mask with termite damage, and a painted wood fetish figure, with applied nails. (3) £150-200

830. A Pomu mask, with flared headdress and ebonised, white and red pigment finish, 8¼in (21cm) high. £200-300

830

829

831. A Punu mask, with a five crest coiffure and black and white staining, 12¼in (31cm) high and another mask with twin crest and open mouth, 14½in (37cm) high. (2) £100-150

832. Three Baule masks, with differing coiffures, with dark patination and white highlights, approx 13¼in (33.5cm) h. £300-400 831

832

833. A Punu mask, with triple crest, 12½in (32cm) high and an Eket mask, with bead and brass decoration, 14in (35.5cm) dia. (2) £100-150

833

834. A pair of African carved ebony bookends, 8¼in (21cm) high, seven ebonised carved groups of figures and beasts, a paper knife and a lidded bowl. (10) £10-20

834

835. A pair of West African male and female stylized figures, with a mottled pigment finish, 17½in (44.5cm) high and two other carved African figures. (4) £80-120

835

154

836

836. A Dogon wood group, of four seated figures with a platform above and a further figure, 18in (25.7cm) high. £80-120

837. A Benin carved coconut container, Nigeria, relief decorated with figures one carrying an adze, 5in (12.7cm) high, 4½in (11.3cm) diameter. £30-50

838. A nok pottery vessel, with a relief mask, arms and remains of legs, with genitalia, 12¼in (31cm) high. £80-120

839. A nut shell bowl and cover, the cover with low relief carved panels, with birds and reptiles, 9in (23cm) high. £300-400

840. An African carved wood dispatch box, with a painted and relief decorated interior, the underside inscribed ‘Made in P. M. Mengo K. M. Buganda’, 8¾in (24.8cm) high, 20in (51cm) wide, 14in (35.5cm) deep. Provenance: Presented to Dr. John Phimister Mitchell by the Kabaka of Buganda on his retirement from his role as Medical Superintendent at Mulago Hospital in Kampala, Uganda. This is a copy of the dispatch box housed in the Bugandan Parliament. £100-150

841. A 19th century sailor’s scrimshaw whale’s tooth, one side decorated a three masted frigate, the reverse with an outline of a whale, 7¾in (19.6cm) high. £200-300

842. A 19th century whale’s tooth, 7¾in (19.5cm) long. £100-150

843. Three carved whalebone models of fish, dolphin, tuna and a marlin with glass bead eyes, circa 1900, 12¼in, 31cm the longest. (3) £300-400

155

844. A Pitcairn Island carved wood tortoise, with inlaid eyes and stain decoration, the underside stamped PITCAIRN ISLAND, 9in (23cm) long. £100-150

844

845

845. A Pitcairn Island carved miro wood flying fish by Pervis Young, the wings stamped ‘MADE ON PITCAIRN ISLAND BY PERVIS YOUNG‘, 8¾in (22cm) high, 14¼in (36.2cm) long, including stand. (2) £50-80

846. A painted terracotta mask of Jean-Jaques Dessalines the first Emperor of Haiti, wearing a bicorn hat, 9¼in (23.5cm) high and wide. £200-300

846

847

847. A Sepik River carved wood ancestor figure, with polychrome decoration, 20¾in (52.7cm) high. £100-150

848. A Dyak (167.6cm) high.

848

156

849

shield, 66in £150-200

849. A root club, 20¾in (52.6cm) long and a wood club inlaid mother of pearl, 19in (48cm) long. (2) £150-200

850. A Trobriand Islands carved wood pig, with lime filled incised decoration, 8¾in (22.5cm) high, 22in (56cm) long, on a later stand. (2) Provenance: David Newman, London.

£400-600

851. A Solomon Islands carved wood standing male figure, ebonised with red and white pigments, with a hat and with inset shell eyes and large ear discs, with a circular chest pendant and a shaped pendant to his back, one hand supporting his loin cloth, his legs with shark ‘tattoos,’ white inventory number 30, both feet later drilled for mounts, early 20th century, 22½in (57cm) high. Provenance: Ex collection Sir F. McLean. Ernest Ohly, Berkeley Galleries, London.

£300-400

852. A 19th century Fijian club, ula, with multi lobed head and carved zig-zag designs to the handle with a depressed terminal, 16¼in (41cm) long. £500-600

157

853. Two Javanese carved wood beams, each with a central boss with a metal ring fitting, 100in (254cm) l. £300-400

854. A Papua New Guinea mountain man’s hair headdress, 18in (46cm) diameter. £50-80

855. A Javanese wood drum, no skin, 33in (84cm) diameter. £300-400

856. Three Fijian Tapa cloths, 56 x 43in (142 x 109cm). (3)

857. A Micronesian carved wood elliptical drum, with slotted top, 16in (40.5cm) h, 44in (112cm) w. £100-200

158

£50-70

858. A Samoan hardwood club, of tapering cylindrical form with incised geometric bands, lime filled, 36¾in (93.4cm) long. £150-250

859. A 19th century coquilla nut and bone handled whistling spinning top, 4in (10.2cm) high, a horn and mother of pearl spoon, Santa Ana Island, 9in (22.5cm) long, and a beaded head band. (3) £10-20

860. An Oceanic wood paddle, inscribed ‘L. S &. L‘, 63½in (160.5cm) h, a palm wood bow and another with reed string. (3) £100-200

861. An Oceanic bamboo bow, 52in (132cm) long and a leather quiver with arrows. Provenance: Ernest Ohly, Berkeley Galleries, London.

862. A spear, with ochre and black painted decoration mounted with hair and teeth, with scabbard, 34½in (87.6cm) long, an ebonised pointed end club and a truncheon, incised ‘L B, F P, S W’. (3) £50-80

£50-100

863. Three 19th century Assam Naga spears, with hardwood shafts and differing blades, 76in (193cm), 64¾in (164.5cm) and 50¾in (129cm) long. (3) £80-120

159

864

865

866

867

868

869

864. A South American terracotta seated figure, wearing a headdress, 6¾in (17.3cm) high. £100-150

865. A South American silver coloured metal figural group, of two men, one possibly Jesus and a priest holding an orb in his hand, Jesus missing his right hand, 3in (7.6cm) high, on a later ebonised base. £200-300

866. Cristino Florez, Mexican, 20th century. A kneeling figure by a building with a large dog, in a garden landscape, ink and gouache, signed, 11 x 16in (28 x 40.6cm). £100-150

867. A Zulu pottery beer pot, South Africa, with geometric decoration, 5in (12.5cm) high, 6in (15cm) diameter, together with a Native American beadwork hat. (2) £80-120

868. A North American leather and beadwork belt, with geomtric patterns and initials K I iv, no buckle, 37½in (95.5cm) long. £100-150

869. Two Inuit greenstone sculptures, the head signed ‘BAKARI‘, the figure signed ‘CONDUCTORE KAJ‘, each on a marble plinth base, 11in (28.3cm) high, max. (2) £40-60

870. An Australian Aborigine boomerang, one tip with white paint and a red stripe, 24¾in (63cm) wide. £50-100

160

871. An Australian Aborigine boomerang, decorated a snake with trees, 25in (63.3cm) long and an Oceanic axe shaft, 30¼in (76.3cm) long. (2) £30-50

872. A North American Woodland war club, of gun stock form with gentle faceted surfaces, one side ebonised with dog’s tooth notches to the curved end with red staining and a pierced corner, the reverse with four incised figures and later inscribed in ink War Club belonging to the Chief of the W. Rice Indians / with Fitz’s....., 26¾in (68cm) long, with hand written label (probably Fuller) on a later stand. (2) Provenance: Presented to Lord George Gordon Lennox. Sale at Goodwood House (Duke of Richmond) 5th March 1929. Ex. Captain A W F Fuller. Ernest Ohly, Berkeley Galleries, London. April 1965 £2,000-3,000

873. A Maori carved wood staff, with allover notch and line decoration and with two masks, 38¼in (97cm) long. £50-80

874. A North American carved wood mask, possibly Alaska, with recessed eye sockets and an open mouth, with a dark green patination, white inventory number 38, 9¾in (25cm) high. Provenance: Ernest Ohly, Berkeley Galleries, London. Purchased from G.Bloch, January 1960. £200-300

161

Furniture & Works of Art Tuesday 26th March 2013

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk

A Napoleon III octagonal boulle vitrine, 47in (119.5cm) high. Estimate: £3,000 – £4,000

Silver Tuesday 22nd & Wednesday 23rd January 2013

A Victorian silver trophy bowl, by Frederick Sibray and Job Hall, London 1887, inset with thirteen silver and silver-gilt rowing trophy medallions. Estimate: ÂŁ1,800 - ÂŁ2,500

ENQUIRIES rupertslingsby@woolleyandwallis.co.uk lucychalmers@woolleyandwallis.co.uk Tel: 01722 424501

Jewellery Thursday 24th January 2013

A natural pearl necklace with marquise-shaped diamond clasp. Estimate: ÂŁ15,000 - ÂŁ20,000 To be sold 24th January 2013

Entries are now being accepted for the 25th April sale ENQUIRIES mariellewhiting@woolleyandwallis.co.uk Tel: 01722 424595

Fine Porcelain & Pottery Tuesday 12th February 2013

ENQUIRIES Clare Durham Tel: 01722 424507 claredurham@woolleyandwallis.co.uk

A rare Don Pottery botanical dessert service, c.1810. Finely painted with floral specimens. Estimate: ÂŁ8,000 - ÂŁ12,000

Clarice Cliff & Art Deco Wednesday 27th February 2013 Closing date for entries is 16th January

The Top, a fine cold-painted bronze and ivory figure of a dancer, cast from a model by Professor Otto Poertzel. Estimate: £6,000 – £10,000

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Clocks, Pocket Watches & Scientific Instruments Tuesday 26th March 2013

An 18th century Dutch walnut and marquetry longcase clock,by Lourens Duchesne, Amsterdam, 103in (261.5cm) high. Estimate: £3,000 – £4,000

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk

Asian Art Wednesday 22nd and Thursday 23rd May 2013 We are currently accepting entries for this sale

A fine near pair of Chinese Imperial porcelain altar vases, Qianlong 1736-95, 22.2cm. Provenance: an English private collection. Sold for ÂŁ183,000

ENQUIRIES John Axford MRICS ASFAV Tel: 01722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister Tel: 01722 424591 sophielister@woolleyandwallis.co.uk

WOO L LE Y & WA L LI S

Absentee Bid Form Furniture and Works of Art Absentee Bid Form Tuesday 8th January 2013

Antique AF080113 Silver – SV498 Please bid, on my behalf, for the undermentioned Lots up to Wednesday 29th April 2009 the prices shown which do not include the buyer’s premium

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

or any V.A.T. payable on lots. These bids are to be executed as

Please bid, on my behalf, for the undermentioned lots up to the cheaply as is permitted by other bids, and/or reserves if any, prices shown do not include buyer’s premium or any and subject towhich the Conditions of Salethe printed in this Catalogue. V.A.T. oncannot lots. These bids are be executed as cheaply Pleasepayable note we guarantee thattobids received after 4pm on is the day priorby toother the auction will be executed. as permitted bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Billing Name (please print)

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We do not accept American Express cards

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If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders. Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Decription

Price Excluding buyer’s premium & VAT

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Brief Description of lot

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Auction Information OPENING HOURS

CONDITION REPORTS

Monday to Friday 9.00am to 5.30pm and 10.00am to 1.00pm on Saturdays.

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments for over £1,000 where the card holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Auction Information Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 07736 544 362 sales@apservices.info www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson: 01722 424509

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482

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VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by fax or email. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling. (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

(f)

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named). (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f)

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i)

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j)

Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated. BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a)

Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

(b)

Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Please enquire for the accepted exchange rate on the day of the sale.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

21. English law applies to the interpretation of these Conditions.

Royalties for Droit de Suite are as follows:

Specialist Departments

Auction Calendar 2013

Please dial +44 (0)1722 followed by the number listed below SILVER January 22nd & 23rd Rupert Slingsby 01722 424501

20TH CENTURY DESIGN Michael Jeffery

424505

424506 424591 424507

ACCOUNTS & OFFICE MANAGER Janice Clift (Office Manager) Ruth Pike

339752

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood

424507 424506 424591

339752 411854 339161

424504 424595

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

Lucy Chalmers 01722 424594

424509 424598

424500

rupertslingsby@woolleyandwallis.co.uk

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lucychalmers@woolleyandwallis.co.uk

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JEWELLERY January 24th jonathanedwards@woolleyandwallis.co.uk

Jonathan Edwards 01722 424504

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Marielle Whiting 01722 424595

mariellewhiting@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS February 12th

424500

Clare Durham 01722 424507

claredurham@woolleyandwallis.co.uk

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20th CENTURY DESIGN February 27th Michael Jeffery 01722 424505

SALEROOM MANAGER David Jordan

PAINTINGS & BOOKS Victor Fauvelle Jo Butler

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

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michaeljeffery@woolleyandwallis.co.uk

PAINTINGS March 13th Victor Fauvelle 01722 424503 Jo Butler 01722 424592

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victorfauvelle@woolleyandwallis.co.uk

jobutler@woolleyandwallis.co.uk

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John Axford MRICS ASFAV Deputy Chairman

FURNITURE, WORKS OF ART, CLOCKS, POCKET WATCHES & SCIENTIFIC INSTRUMENTS March 26th

Clive Stewart-Lockhart Managing Director

Will Hobbs 01722 339752

Willi Verdon-Smith

FRICS FRSA

ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 ● Fax: 01722 424508 ● www.woolleyandwallis.co.uk

willhobbs@woolleyandwallis.co.uk

Mark Richards 01722 411854

FRICS

COMPANY SECRETARY Jim Macarthur CA

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markrichards@woolleyandwallis.co.uk

ASIAN ART May 22nd & 23rd John Axford 01722 424506

424599

Sophie Lister 01722 424591

● ●

johnaxford@woolleyandwallis.co.uk sophielister@woolleyandwallis.co.uk

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Entries can be accepted up to six weeks prior to the auction

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Illustrated catalogues are available about ten days before the sale

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Viewing is normally two days prior to the auction and on Saturday mornings where appropriate

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Catalogue subscriptions are available for all sales

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Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

Furniture, Works of Art and Tribal Art Tuesday 8th January 2013

www.woolleyandwallis.co.uk

FURNITURE, WORKS OF ART AND TRIBAL ART TUESDAY 8TH JANUARY 2013