Woolley & Wallis Auctioneers

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

Michael Jeffery

424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

Molly O’Reilly 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Jacob Carpenter 424586

Sarah Lancaster 424586

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Molly O’Reilly 446980

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon 446970

Heidi Easton 446970

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Becky Tilly­Trickett 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer 446974

Frances Woodhams

Hannah Farthing (Trainee Valuer)

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Sarah Bennie

Julie Langstaff

Gemma Pointer

Riin Rohtla­Szeverenyi

Demi Jueno­Chapman

MARKETING

Chloe Davie 446951

PRESS

Sandie Maylor +44 (0)7976 311172

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS Chairman

Natalie Milsted FCCA Managing Director

Alexandra Aguilar Director

ASSOCIATE DIRECTORS

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

WEDNESDAY 19TH MARCH 2025 | LOTS 1-382 | 10.00AM

ART DECO CENTENARY 1925-2025 (INCLUDING CLARICE CLIFF), & DESIGN

THURSDAY 20TH MARCH 2025 | LOTS 383-611 | 10.00AM

STUDIO POTTERY INCLUDING THE ROSSLYN HILL COLLECTION

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Saturday 15th March 10.00am – 1.00pm

Monday 17th March 10.00am – 4.00pm

Tuesday 18th March 10.00am – 4.00pm

Wednesday 19th March 9.00am – 1.00pm

Thursday 20th March BY APPOINTMENT

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury, SP4 6QX

Client Parking Available

Saturday 15th March 10.00am – 1.00pm

Monday 17th March 10.00am – 4.00pm

Tuesday 18th March 10.00am – 4.00pm

Wednesday 19th March 9.00am – 1.00pm

Thursday 20th March by appointment

THE AUCTION ON 19TH & 20TH MARCH WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS

51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTION OF LOTS BY APPOINTMENT

Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

All accounts to be settled prior to collection

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 135 for full details.

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ILLUSTRATIONS

Front cover: lot 182

Back cover: lot 158

Inside cover: lot 124

Catalogue

£10.00 (£15.00 by post)

DAY ONE

LOTS 1 - 382

CLARICE CLIFF & ART DECO

CLARICE CLIFF

1

‘Original Bizarre’ a Clarice Cliff Bizarre Meiping vase, painted with a band of yellow diamonds, outlined in green on a red ground, between purple, yellow and green bands, printed and painted red Bizarre mark, 22.5cm. high

Provenance

Private collection of Clarice Cliff

£400­600

2

‘Original Bizarre’ a Clarice Cliff low tazza and a plate, the plate dated 1926, each painted with a radiating yellow star, outlined in green inside painted red geometric band and yellow and green bands to the rim, impressed date mark, printed factory mark, painted red Bizarre mark, 17.5cm. diam. (tazza), 21.8cm. (plate) (2)

£150­250

3

A Clarice Cliff wall plaque, circular modelled in low relief with flowers and foliage, in colours on a mushroom ground, Lady with Pearls’ a Goldscheider Pottery wall mask, a Keramos wall mask, a Beswick wall plaque, a small Goldscheider plaque, a Keramos wall plaque, and a large collection of wall pockets and plaques printed factory marks, minor damages 34cm. diam. (a lot)

£200­400

4

A Clarice Cliff ‘My Garden’ Bizarre floral wall plaque, modelled in relief, painted in colours, a Clarice Cliff ‘Secrets’ plate, a ‘Passion flower’ Bon Jour biscuit barrel and cover, an Odilon tureen and cover and a collection of ceramics printed factory marks, barrel cover restored, 42.5cm. long (14)

Literature

Susan Lunt Age of Jazz British Art Deco Ceramics, National Museums of Liverpool, page 43 catalogue number 24 for a comparable wall plaque illustrated.

£150­200

5

‘Crocus’ a Clarice Cliff Bizarre Globe tea set, painted in colours, comprising; teapot and cover, five various cups and saucers, cake plate, teapot stand, Beehive honey pot, two side plates, a preserve pot and cover, coffee can saucer, two egg cups and a mustard pot, Printed factory marks, 13cm. high (a lot)

£250­350

6

‘Sliced Fruit’ a Clarice Cliff Bizarre serving bowl and side bowl, painted in colours, and a small collection of Clarice Cliff ‘Crocus’ table ware, comprising; serving bowl and six side bowls, a Biarritz plate, three graduated bowls, printed factory marks, wear, 22.5cm. diam. (13)

£200­300

‘Applique Orange Lugano’ a rare and early Clarice Cliff Bizarre Stamford tea trio, enamelled in colours, the handles enamelled black and red, comprising teapot and cover, milk­jug and sugar basin, printed and painted marks, small bruise to corner of cover, 12cm. high (4)

Provenance

The Collection of David Latham.

Literature

Leonard Griffin Taking Tea With Clarice Cliff, Pavilion Books, page 34 for a comparable example illustrated.

£3,000­5,000

8

‘Aurea’ a Clarice Cliff Bizarre 362 vase, painted in colours, and a Clarice Cliff ‘Viscaria’ side plate, printed factory marks, 20cm. high (vase), (2)

Provenance

Private collection.

£200­300

9

‘Rhodanthe’ a Clarice Cliff Bizarre vase, shape no. 602, painted in colours printed factory marks, 23cm. high

£150­200

10

‘Delecia Nasturtiums’ a tall Clarice Cliff Bizarre vase, shape no.614, painted in colours printed factory mark, stress cracks to top rim, 47.5cm. high

£150­200

11

‘Latona Tree’ a large Clarice Cliff Bizarre Mei Ping vase, painted in colours on a Latona cream ground, printed and painted factory marks, 30.5cm. high

Provenance

Peter Wentworth­Sheilds and Kay Johnson Collection.

Design, Woolley and Wallis, 17th October 2017 lot 182.

Private collection.

Literature

Peter Wentworth­Sheilds and Kay Johnson Clarice Cliff, L’Odeon London, 1976 page 50 plate 14 this vase illustrated.

£800­1,200

12

‘Oranges’ a Clarice Cliff Fantasque Bizarre 194 vase, painted in colours between orange bands, printed factory marks, professional restoration to rim, 28.5cm. high

£200­300

13

‘Melon’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours between orange and yellow bands, printed factory mark, 9cm. high (2)

Provenance

Private collection of Clarice Cliff

£120­180

14

‘Umbrellas and Rain’ a Clarice Cliff Fantasque Bizarre Conical beaker, painted in colours between blue and orange bands, a Clarice Cliff ‘Nuage’ beaker and a Susie Cooper Productions beaker painted with daisies, printed factory marks, professional restoration, 11cm. high (3)

£150­250

15

‘Sunray’ a Clarice Cliff Bizarre plate, dated 1930, painted with radiating pattern, in colours inside blue, orange and brown bands, impressed date mark, printed Bizarre mark, minor scratches and oxidisation 25.3cm. diam.

Provenance

Private collection of Clarice Cliff

£500­800

16

‘Inspiration Caprice’ a Clarice Cliff Bizarre large ribbed charger, painted in colours with a radial design on a turquoise pattern, blurred factory marks, 46cm. diam.

£1,500­2,000

17

‘Pine Grove’ a large Clarice Cliff Bizarre sample ribbed wall charger, painted in colours inside an orange band, printed factory mark, painted S mark, 46cm. diam.

Provenance

Clarice Cliff, Christie’s, London, 10 November 1999 lot 421. The André Aerne Collection of Clarice Cliff ­ Christie’s 18th August 2017 lot 1045.

Private collection.

£1,500­2,000

18

‘Rudyard’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside pink, green and blue bands, a ‘Double V’ tankard coffee can and saucer and an ‘Aurea’ bowl, printed factory marks, 22.5cm. diam. (4)

£250­350

19

‘Blue Firs’ a Clarice Cliff Bizarre large clog, painted in colours printed factory marks, 14cm. wide

£250­350

20

‘Orange Erin’ a Clarice Cliff Bizarre preserve pot and cover, painted in colours printed factory mark, restored rim,8.5cm. high (2)

£120­180

21

‘Marlow’ a rare Clarice Cliff Conical bowl with pastille feet, printed and painted in colours, unmarked, 23.5cm. diam.

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­200

22

A pair of Clarice Cliff Bizarre House book ends, each modelled in relief and painted in colours printed factory marks, minor restoration, 14cm. high (2)

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­200

23

‘Coral Firs’ a Clarice Cliff Bizarre side plate, painted in colours inside brown bands, ‘Gloria’ a Clarice Cliff Bizarre plate and a Clarice Cliff Marlow plate, printed factory marks, 18cm. diam. (3)

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­200

24

‘Double V’ a Clarice Cliff Bizarre Octagonal plate, painted in colours, inside yellow and black bands, printed factory marks, 24cm. diam.

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£120­180

25

‘Woodland’ six Clarice Cliff tankard coffee cans and saucers, printed and painted in colours printed factory marks, hairline to one can, bruise to rim of one can, 6cm. high (12)

£250­350

26

‘Applique Palermo’ a rare Clarice Cliff Perth jug, painted in colours below red and black banded neck, printed and painted marks, 14.5cm. high

Provenance

Clarice Cliff, Christie’s South Kensington, 13th November 1997, lot 268. Private collection of Clarice Cliff

£1,000­1,500

27

‘Applique Palermo’ a Clarice Cliff Bizarre Hiawatha bowl, painted in colours inside yellow, red and black bands, printed factory mark, professional restoration to rim, 28cm. diam.

Provenance

Clarice Cliff, Woolley and Wallis Auctioneers, 21st March 2018, lot 50. Private collection of Clarice Cliff

£1,000­1,500

28

‘Orange Lucerne’ a Clarice Cliff Applique Bizarre Single­handled Lotus jug, enamelled in colours between red and black bands, printed and painted factory marks, 30cm. high

£1,500­2,000

29

‘Chevaux’ a Clarice Cliff Bizarre platter designed by John Armstrong for the 1934 Art In Industry exhibition, painted with a stylised horse to the well, printed factory mark and facsimile signature 42cm. diam.

Catalogue notes

In 1934 Harrod’s held a selling exhibition, Modern Art for the Table, part of a government campaign to link artists to industrial design of glass and ceramics. Clarice Cliff was appointed as an Artistic director, with twenty eight recognised contemporary artists invited to design for Wilkinson’s, E Brain & Co (Foley) and Stuart glass. The list of artists included Dame Laura Knight, Paul Nash, Ben Nicholson, John Armstrong and Duncan Grant.

£150­250

30 A rare Art In Industry Clarice Cliff Bizarre soup service designed by Vanessa Bell, dated 1934, printed on blue with stylised flowers and foliage, the rim with a border of stylised round flowers and hatching in blue inside a band of brown dots, comprising; small soup tureen, cover and saucer, serving spoon, six covered soup bowls with saucers, printed factory mark, impressed 1934 date mark, one saucer re-stuck, 19.5cm. diam (tureen saucer), (22)

Provenance

Private collection.

£5,000­10,000

POOLE POTTERY

31

Two Poole Pottery Love Birds sculptures designed by Harry Brown, model no.808, each modelled as a pair of love birds perched in a fruiting vine bough, Picotee spray glazed matt blue, mint­green and mushroom, incised Poole England 307 to base, 19.5cm. high (2)

Literature

Leslie Hayward & Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 51 for a comparable example illustrated.

£150­250

32

A Carter Stabler & Adams Poole Pottery vase the design attributed to Truda Carter, painted by Eileen Prangnell, pattern HO, painted with geometric flowers and foliage in mushroom, grey and black on a white ground, impressed factory marks, painted artist cipher, 20.5cm. high

£150­200

33

‘Poole Whaler 1783’ a Poole Pottery dish drawn by Arthur Bradbury and painted by Ruth Pavely, dated 1937, painted in colours, impressed Poole mark, painted inscription, 37.5cm. diam.

Literature

Leslie Hayward & Paul Atterbury, Poole Pottery, Richard Dennis Publication, page 58 and 59 for comparable examples of Ship plates by Arthur Bradbury illustrated.

£300­400

34

A Poole Pottery brooch designed by Truda Carter, pattern B5, square section, pierced and cast with stylised flowers and foliage, painted in colours, in original card box, another smaller, two brooches modelled as blue birds, a brooch modelled as a seagull and a Poole Pottery

Delphis limited edition brooch by Carol Cutler, printed and painted marks, 5.5cm. square (6)

Literature

Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 79 for a comparable B5 brooch illustrated.

£150­200

35

A Poole Pottery seated rabbit the design attributed to Marjorie Drawbell, model M.70, covered in a matt brown spray glaze, a Poole Pottery model of a bear standing with head down, and two Poole Pottery dog head badges depiciting an Alsatian and a Retriever designed by Harry Brown, impressed and painted marks, re-stuck ear of rabbit, 9cm. high (4)

£150­200

An English Stoneware Aztec vase with inverted rim, swollen form, decorated with two broad bands of zigzag motif in brown on a speckled tan ground, signed G in the slip to the side, 25cm. high

£150­200

37

A Crown Devon Mattajade vase, M162, ribbed form with applied loop handles, printed and painted with exotic birds flying past pendulous foliage, in colours, highlighted in gilt on a turquoise ground, a Crown Devon Fairy Castle vase, a Crown Devon Carp vase, two other vases and a Crown Devon Mattajade Fairy Castle dish, printed and painted factory marks, 18.5cm. high (6)

Literature

Susan Lunt Age of Jazz British Art Deco Ceramics, National Museums of Liverpool, page 64­65 catalogue number 51 for a comparable dish illustrated.

£150­250

38

‘Crocus’ a Gray’s Pottery part coffee set designed by Susie Cooper, pattern 8086, painted with purple crocus flowers, in colours, comprising; milk­jug and sugar basin, five cans and saucers, printed Liner Mark, designed by Susie Cooper, minor damages and crazing, 6cm. high (12)

£200­300

39

A large Susie Cooper Productions Kestrel service designed by Susie Cooper, pattern no.479, painted with graduated rust bands, comprising; four tureens and covers, two serving platters, nine dinner plates, eight various entree plates, a Paris jug, two Kestrel teapots and covers, milk­jug and sugar basin, six cups, nine saucers, a Kestrel coffee pot and cover, six egg cups, eight breakfast bowls, seventeen side plates, printed and painted marks, 14.5cm. high (Kestrel teapot), (a lot)

£200­400

40

A Susie Cooper Productions Graduated Bands Kestrel tea set for two, pattern 479, painted mushroom to rust bands, comprising teapot and cover, milk­jug and sugar basin, two cups, saucers and side plates, and two graduated cake plates printed and painted factory marks, 15cm. high (12)

£120­180

KEITH MURRAY

41

A Wedgwood Pottery Matt Green shoulder vase designed by Keith Murray, shape no. 3805, shouldered, flaring, ribbed cylindrical form covered in a matt green glaze, printed factory mark and facsimile signature, 28.5cm. high

Literature

Susan Lunt Age of Jazz British Art Deco Ceramics, National Museums of Liverpool, page 150 catalogue number 162 for a comparable vase illustrated.

£300­500

42

44

A Wedgwood Pottery Matt Straw shoulder vase designed by Keith Murray, shape no. 3805, shouldered, flaring, ribbed cylindrical form covered in a matt yellow glaze, printed factory mark, KM monogram 28.5cm. high

£300­500

43

A Wedgwood Pottery Matt Straw bucket vase designed by Keith Murray, shape no.3842, shouldered, flaring, ribbed cylindrical form covered in a matt yellow glaze, printed factory mark, KM monogram 23.5cm. high

Provenance

Clarice Cliff, Art Deco & Design, Woolley and Wallis, 22nd March 2023 lot 123. Private collection.

£300­400

42

A rare Wedgwood Pottery Black Basalt bucket vase designed by Keith Murray, shape no.4061, flaring cylindrical form, impressed factory marks, small chip to foot rim, 23cm. high

Catalogue notes

This vase design is illustrated in the Wedgwood Catalogue of Bodies Glazes and Shapes 1940-1950 catalogue.

£400­600

45

A Wedgwood Pottery Moonstone bucket vase designed by Keith Murray, shape no.4061, flaring cylindrical form, covered in a matt white glaze, printed factory mark and KM monogram, bruise to foot rim, 23.5cm. high

£300­500

46

A Wedgwood Pottery Matt Straw Ball vase designed by Keith Murray, shape no.3765, ribbed ovoid form with collar neck, covered in a matt yellow glaze, printed factory mark and KM monogram, fine star crack to base, 18.5cm. high

£250­300

47

A Wedgwood Pottery Matt Straw Ball vase designed by Keith Murray, shape no.3765, ribbed ovoid form with collar neck, covered in a matt yellow glaze, printed factory mark and KM monogram, 15.5cm. high

£200­300

48

A Wedgwood Pottery Matt Green Ball vase designed by Keith Murray, shape no.3801, ribbed ovoid form with collar neck, covered in a matt green glaze, printed factory mark and facsimile signature 15.5cm. high

£200­300

49

A Wedgwood Pottery Matt Green fluted bowl designed by Keith Murray, shape no.3819, fluted, conical form, covered in a matt green glaze, impressed and printed factory mark and facsimile signature, 13cm. high, 25cm. diam.

£200­250

50

A Wedgwood Pottery Moonstone Ball vase designed by Keith Murray, shape no.3765, ribbed ovoid form with collar neck, covered in a matt white glaze, printed factory mark and facsimile signature, 18.5cm. high

£250­300

51

A Wedgwood Pottery Moonstone vase designed by Keith Murray, shape no.4315, flaring, ribbed cylindrical form covered in a matt white glaze, printed factory mark, KM monogram 18cm. high

£250­350

52

A Wedgwood Pottery Matt Blue footed vase designed by Keith Murray, shape no.4315, flaring, ribbed cylindrical form covered in a matt blue glaze, printed factory mark, KM monogram, 20cm. high

£400­500

53

A Wedgwood Black Basalt bowl the design attributed to Keith Murray, shape no.3813, circular with simple band to top rim, impressed factory marks, 23cm. diam.

£200­300

55

A Wedgwood Pottery Black Basalt footed bowl designed by Keith Murray, shape no.3813, flaring form with cut band to rim, impressed Wedgwood marks, 15.5cm. diam.

£300­500

54

A rare Wedgwood Brown Basalt vase designed by Keith Murray, shape no.3991, footed, fluted form, impressed factory marks, printed factory mark and facsimile signature, small nick to top rim, 22cm. high

£150­250

56

A Wedgwood Pottery Black Basalt vase designed by Keith Murray, shape no.3816, flaring conical form with cut bands to the neck, impressed and printed factory mark and facsimile signature, 20.5cm. high

£700­900

57

59

An unusual Wedgwood Pottery Moonstone urn shaped vase designed by Keith Murray, footed, flaring form covered in a matt white glaze, printed factory mark and KM monogram, 20.5cm. high

£150­200

58

A Wedgwood Pottery Moonstone Beer set designed by Keith Murray, comprising large jug and six pint tankards, covered in a matt white glaze, printed factory marks, KM monogram, 20.5cm. high (jug), (7)

£150­200

59

A large Wedgwood Pottery Matt Straw footed bowl designed by Keith Murray, shape no.3753, flaring, ribbed cylindrical form covered in a matt yellow glaze, printed factory mark, facsimile signature, minor professional restoration to foot rim, 18cm. high

£200­250

60

A Wedgwood Pottery Matt Straw footed bowl designed by Keith Murray, shape no.3613, flaring conical form with rib to rim, covered in a matt yellow glaze, printed factory mark and KM monogram, 28.5cm. high

£150­200

61

A Wedgwood Pottery Matt Straw footed bowl designed by Keith Murray, shape no. 3753, flaring, ribbed cylindrical form covered in a matt yellow glaze, printed factory mark, facsimile signature, 16cm. high

£200­250

62

A Wedgwood Pottery Celadon garniture of three vases designed by Keith Murray, shape no.4225, flaring, twin­handled form, celadon glaze over white, printed factory mark, KM monogram, 25.5cm. high (tallest vase) (3)

£400­600

63

A Wedgwood Pottery Celadon ‘Slip Ware’ vase designed by Keith Murray, flaring cylindrical form with thin cut bands, covered in Celadon Green glaze over Cream, printed factory mark and KM monogram, 28.5cm. high

Catalogue notes

This vase design is illustrated in the Wedgwood Catalogue of Bodies Glazes and Shapes 1940-1950 catalogue ‘The distinctive shapes and skillful contrasting of the clays, Celadon Green with Cream Colour and Champagne with Ivory make these wares especially attractive.

£200­300

64

A Wedgwood Pottery Zodiac bull designed by Arnold Machin, designed 1946, printed with star sign vignette in colours, impressed marks, printed factory marks, 40cm. long

Literature

Maureen Batkin, Wedgwood Ceramics 18461959, Richard Dennis Publications, page 197 for variations of this figure illustrated. Wedgwood Bicentenary Exhibition 1759-1959, Victoria & Albert Museum, catalogue number 305 for a comparable figure.

£150­200

65

A Wedgwood Pottery Dragon Lustre bowl designed by Daisy Makeig­Jones, printed inside with a large Chinese dragon in blue and gilt on a pearl lustre ground, the exterior a frieze of gilt dragons, printed factory marks, 28cm. diam.

£300­500

66

A Wedgwood Pottery Dragon Lustre vase designed by Daisy Makeig Jones, shouldered form, printed in gilt with Chinese dragons on a mottled blue lustre glaze printed factory mark, 19cm. high

£120­180

67

A rare Wedgwood Pottery Black Basalt box and cover by Norman Wilson, rounded form on ribbed foot, with knop finial, impressed factory marks and NM monogram 13cm. high (2)

£150­200

68

A Wedgwood Pottery bowl by Norman Wilson, footed, fluted form glazed matt mushroom and grey to the exterior, the interior vivid pink, impressed factory marks and printed marks, NW monograms, 27.5cm. diam.

£150­200

69

A small Wedgwood Pottery pedestal bowl by Norman Wilson, the bowl with marbled black and white glaze, rims with raised bead bands, and a larger Wedgwood Pottery bowl by Norman Wilson, glazed matt white, the fluted exterior glazed matt black over white, printed factory mark and NM monogram, 11cm. diam. (2)

£200­300

70

A tall Wedgwood vase by Norman Wilson, slender, shouldered form with collar rim, glazed with an experimental blue­grey design with leaves, impressed Wedgwood NW marks, 42.5cm. high

Provenance

Peter Wilson Auctioneers, 16th February 2011 where stated this vase is a one off experimental piece presented to the Vendor`s father who worked alongside Norman Wilson. The Collection of David Latham.

Literature

Maureen Batkin, Wedgwood, Richard Dennis, page 224 plate LI for a comparable vase in a Moonstone glaze.

Design, Woolley and Wallis, 17th October 2018, lot 1140 for a comparable, smaller vase decorated with a Vorticist design by Norman Wilson.

£300­500

CONTINENTAL CERAMICS

71

A Sevres porcelain vase, covered in a sang de boeuf glaze to the foot, printed factory mark, painted NR, incised WPN, 19.5cm. high

£150­200

72

A Limoges Porcelain La Grande Guerre coffee set with designs by Job (Jacques Marie Gaston Onfroy de Breville), comprising, coffee pot and cover, milk­jug, sugar basin and cover, nine cups and ten saucers, printed with first world war military scenes, in colours printed factory marks, 19cm. high (24)

£150­200

73

A Boch Freres Keramis twin­handled pottery vase, pattern D.5042, enamelled with a panel of two llama in an exotic landscape, in colours on a crackled cream ground, impressed and printed mark, 26cm. high

£200­300

74

A Primavera Pottery model of a young couple, model no.8328, he modelled kneeling and proposing, glazed in colours printed factory marks, 26cm. high

£250­300

75

An Art Deco crackle glazed pottery model of a deer running, covered in a white crackle glaze, a Carlton Ware Glacielle polar bear and two others similar, two pottery models of horses, two crackle glaze models of fish, a resting deer, a duck and a spherical pottery vase, unsigned 28cm. high, 41cm wide (11)

£150­200

76

A large Art Deco Kalakoff pottery model of a running deer by Yerna, modelled running through grasses, covered in a grey and ochre glaze, impressed signature, 69cm. wide

£120­180

77

A Robj Boite a Bonbons box and cover, modelled as a woman in elaborate headdress, enamelled and gilt highlights, and three other Robj box and covers, printed factory marks, 20cm. high (8)

£200­300

78

‘La Marchande D’Oranges’ a Robj porcelain liqueur decanter and stopper, modelled as a woman in long red dress, balancing a large bowl of oranges, in colours highlighted with gilt,’L’Ecuyere’, ‘Guignolet’ and ‘Le Dompteur’ three Robj Paris porcelain decanters and stoppers, and an Aladin porcelain brule-parfums modelled as a kneeling geisha girl, signed Robj Paris, 28.5cm. high (10)

Literature

Vanna Brega Le Ceramiche Robj 1921-1931, catalogue number 259, page 209 for an example of La Marchande D’Oranges illustrated.

£200­300

79

‘Les Trois Matelots’ a Robj porcelain liqueur decanter and stopper, modelled as three sailors, painted in colours with gilt highlights. signed Robj Paris, 29cm. high (2)

Literature

Vanna Brega Le Ceramiche Robj 1921-1931, catalogue number 232 for a comparable example illustrated.

£150­250

80

A Modernist Robj Paris tray and five egg cups, model no.523, covered in a turquoise glaze, with five reversible egg cups, impressed marks, small frit chip to corner of one handle, 28.5cm. wide (6)

£120­180

81

Two Robj Paris Village Counsel porcelain jars and covers, each printed and painted in colours, one modelled as a butcher, the other a bourgeoise, painted in colours, highlighted in gilt printed Robj marks, 12cm. high (4)

£200­400

83

A modern copy of the Dolly Sisters originally designed by Stephan Dakon, model no.5712, modelled as the two sister’s in bat­wing dresses, glazed in colours, on stepped, oval base, impressed and printed marks, 47.5cm. high

Provenance

Billy and Liz Kidd.

Private collection.

Catalogue notes

The Dolly Sisters were twins from Budapest who became famous cabaret dancers in both Europe and America. This double figure group is a modern copy of one of Goldscheider’s most dramatic sculptures.

£500­1,000

82

A Friedrich Goldscheider Pottery model of two young Pierrot lighting a cigarette designed by Jean Adolphe Lavergne, model no.3721, glazed in matt colours, impressed marks and facsimile signature, cigarettes missing, 40cm. high

Provenance

Bonham’s lot 143.

Literature

Ora Pinhas Goldscheider, Richard Dennis, page 40, this example illustrated.

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­250

84

A pair of Katshutte Pottery dancers, modelled dancing, she wearing a green flowing dress, glazed in colours, and a Katshutte model of a Flamenco dancer in pink dress, printed factory marks, 32.5cm. high (2)

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£120­180

85

A stoneware lamp base designed by Jean Besnard, shouldered form, cast in relief with four geometric bands, textured white volcanic glaze, with modern shade, JB monogram, 32cm. high

£400­600

86

A stoneware vase designed by Jean Besnard, shouldered, cylindrical form incised with geometric bands, glazed sky blue, painted monogram to base, 19cm. high

£400­600

87

A pottery vase designed by Jean Besnard, footed, flaring cylindrical ribbed form, matt cream with brown detailing, painted France JB monogram, 25cm. high

£600­800

GLASS

88

A Thomas Webb & Sons Cameo Fleur glass vase, waisted cylindrical vase, green overlay lily flower stems, on a textured ground, cameo Webb signature, 22cm. high

Provenance

Private collection of Mdina and contemporary glass.

Literature

British Glass Between the Wars, Dudley Leisure Services, catalogue no. 265 for a comparable design on a bucket vase.

£120­180

89

A James Powell & Sons Whitefriars Ribbon trailed glass vase, slender, shouldered form, clear glass internally decorated with blue ribbon spiral, on rigaree foot, a flaring clear glass vase with internal blue lines possibly by Geoffrey Baxter, a sapphire blue bowl and three large James Powell glass circular platters with fluted rims, each decorated with thread trails, unsigned, 23cm. high (vase), (6)

£200­300

90

A James Powell & Sons Whitefriars threaded glass vase or lamp base, shouldered, bottle form tinted blue glass decorated with blue threads, a swollen cylindrical glass vase tinted blue graduating to green internally decorated with blue threads, a trailed footed bowl and two large glass platters, unsigned, 30.5cm. high (5)

£300­500

91

A James Powell & Sons Whitefriars threaded glass vase, shouldered, cylindrical form, tinted pink glass internally decorated with graduated red threads, a James Powell & Sons clear glass vase with applied black threads, an amethyst glass footed bowl, a Streaky bowl designed by Marriott Powell, and another bowl, unsigned, 2.5cm. high (5)

£200­300

92

An amber glass vase by SB, flaring cylindrical form, etched with a naked maiden picking grapes from a vine, on facet cut foot, etched SB monogram, 27.5cm. high

£150­200

93

A Stuart & Sons cut glass vase probably designed by John Luxton, flaring conical form, cut with columns of graduated lens and lines, acid etched mark to foot rim, 17.5cm. high

Literature

Charles R Hajdamach, 20th Century British Glass, ACC books, page 287 plates 611 and 612 for two comparable Stuart vases designed by John Luxton.

£150­200

94

A John Walsh Walsh Kendal glass vase designed by Clyne Farquharson, cut columns with engraved arch motif, etched signature, 19.5cm. high

£150­200

95

Three Stevens and Williams Brierley Hill vases in the manner of Keith Murray, footed, flaring cylindrical form, two amethyst the other olive green, all internally decorated with regular air bubbles, unsigned, 38.5cm. high (tallest), (3)

£400­500

96

A Stevens and Williams amethyst glass vase the design attributed to Keith Murray, shape no.1147A, swollen, barrel form internally decorated with air bubbles, unsigned, 21cm. high

Literature

George Perrott Keith Murray Designed, Gemini Publishing, page 55 for a line drawing of this shape illustrated.

£250­300

97

A Stevens and Williams Brierley Hill glass vase designed by Keith Murray, footed, flaring cylindrical form, pale blue glass internally decorated with bubbles, unsigned, 31cm. high

Literature

Charles R Hajdamach 20th Century British Glass, Antique Collector’s Club, page 148 this shape illustrated in a green colourway,

£300­500

98

A Stevens and Williams Brierley Hill amber glass vase designed by Keith Murray, footed, cylindrical form with flaring rim, etched mark and facsimile signature, 29.5cm. high

£400­600

99

A Stevens and Williams Brierley Hill glass vase designed by Keith Murray, ovoid with tapering neck, pale amber glass internally decorated with small bubbles, unsigned 25cm. high

£250­350

100

A Stevens and Williams Brierley Hill decanter and stopper designed by Keith Murray, tapering conical clear glass body with flaring rim and flat disc stopper, acid etched mark and facsimile signature, 25.5cm. high (2)

Literature

The Royal Brierley Collection of English Glass, Sotheby’s 3rd March 1998 lot 253 for a comparable decanter.

£250­350

101

A Stevens and Williams Brierley Hill Streamline cut­glass vase designed by Reginald Williams­Thomas, shaped, flaring conical form, cut with deep wavy bands, unsigned, 20.5cm. high

Literature

The Royal Brierley Collection of English Glass, Sotheby’s 3rd March 1998 lot 263 for a comparable vase.

£300­400

102

A Stevens and Williams Brierley grey­green glass vase designed by Keith Murray, swollen cylindrical form with flaring top rim, cut and frosted with scrolling foliage band, acid etched mark and facsimile signature, 25cm. high

£150­200

103

A Stevens and Williams Brierley Hill cut­glass vase designed by Keith Murray, smoked grey glass, flaring cylindrical form with cut columns, unsigned 15cm. high

Literature

Charles R Hajdamach 20th Century British Glass, Antique Collector’s Club, page 146 plate 299 for a comparable facetted vase.

£300­500

104

A Stevens and Williams Brierley Hill amber glass vase designed by Keith Murray, swollen cylindrical form with flaring top rim, acid etched mark and facsimile signature, 29cm. high

£300­500

105

A tall Stevens and Williams Brierley Hill Cactus glass vase designed by Keith Murray, footed, slender cylindrical form with flaring rim, cut and engraved with a tall cactus plant, unsigned, 39cm. high

Literature

The Royal Brierley Collection of English Glass, Sotheby’s 3rd March 1998 lot 252 for a comparable vase.

£800­1,200

106

107

A Daum Nancy miniature vase, swollen cylindrical form, re­enamelled with red flowers, another Daum Nancy miniature Landscape vase, a Legras Cameo glass vase and a collection of glass gilt Daum Nancy mark, re-enamelled 6.5cm. high (a lot)

£150­250

107

A De Latte enamelled glass vase, swollen orange glaze enamelled with floral roundel, another De Latte red vase and two other vases painted DeLatte France 18cm. high (4)

£120­180

108

A tall De Latte solifleur glass vase, mottled chestnut brown glass, another smaller and two other bottles painted signature 68cm. high (4)

£150­250

109

A tall Orrefors clear glass vase probably by Nils Landberg, flaring, hexagonal form on foot, etched with a naked maiden raising up a bouquet of flowers, in a wild flower meadow, a Leerdam Unica glass vase and a Verlys blue glass bowl with wrought iron mount and two smaller clear glass vases with applied white metal mounts, main vase etched Orrefors, Landberg Expo, 30cm. high (5)

£150­200

110

A Daum Nancy glass vase, fluted, flaring thick pale green glass with air bubble inclusions, etched Daum & Nancy France to side of foot, 19cm. high

£120­180

111

A large Daum clear glass vase with applied handles, the thick, flaring cylindrical glass body internally decorated with air bubbles, with applied handles, etched Daum Nancy France to the foot rim, 28cm. high

£200­400

112

An Amalric Walter pate de verre Moth pendant designed by Henri Berge, oval cast in low relief with a moth, on silk cord, cast AW and B marks, 8.5cm. wide

Provenance

M&D Moir Art Nouveau & Art Deco Glass.

£200­300

113

An Art Deco clear and frosted green glass bowl, footed form, moulded in low relief with panels of frosted aster flowers unsigned, 36cm. diam.

£120­180

114

A Hustadt Bubble clear glass vase or lamp base, large ovoid form, cast with vertical columns of bubbles, unsigned, 28.5cm. high

£150­200

115

‘Ferns’ a Phoenix Consolidated Glass blue stained opalescent glass vase, shouldered form, moulded in relief with fern fronds, applied Phoenix paper label, 18cm. high

£120­180

116

‘Perruches’ a Phoenix Consolidated Glass green cased opalescent glass vase originally designed by Rene Lalique, unsigned, 25cm. high

£500­1,000

113

114

LALIQUE GLASS

117

‘Saverne’ no 5071 a Lalique clear and frosted glass champagne bowl designed by Rene Lalique, and another Lalique champagne bowl etched R Lalique France, 12.8cm. high (2)

£150­200

118

‘Helianthe’ no 3319 a Lalique clear and frosted glass bowl designed by Rene Lalique, moulded in relief, stencil R Lalique France, 34.5cm. diam.

£200­300

119

‘Fougeres’ no 923 a Lalique blue­green stained clear and frosted glass vase designed by Rene Lalique, moulded in relief, signed R Lalique to side, 15.5cm. high

£800­1,200

120

‘Malines’ no 957 a Lalique clear and frosted glass vase designed by Rene Lalique, moulded in relief, stained blue, etched R Lalique France no.957, 12.5cm. high

£300­500

121

‘Malines’ no 957 a Lalique clear and frosted glass vase designed by Rene Lalique, moulded in relief, stained blue­green, intaglio R Lalique, 12.5cm. high

£300­500

122

‘Inseperables’ no 765 a Lalique clear and frosted glass clock case designed by Rene Lalique, moulded R Lalique, 10.8 x 11cm.

£300­500

123

‘Ceylan’ no 905 a Lalique opalescent glass vase designed by Rene Lalique, moulded in relief, with blue staining, wheel-cut R Lalique France no.905, 24.2cm. high

£3,000­4,000

124

‘Perruches’ no.419 a Lalique opalescent glass bowl designed by Rene Lalique, with blue staining, stencilled R Lalique France, 24.5cm. diam.

£1,500­2,000

125

‘Ferrieres’ no 1019 a Lalique blue stained opalescent glass vase designed by Rene Lalique, moulded in relief, etched R Lalique France no 1019, 17cm. high

£500­1,000

126

‘Poissons’ no 3262 a Lalique opalescent glass bowl designed by Rene Lalique, moulded R Lalique to well, 29.5cm. diam.

£300­400

127

‘Chamonix’ no 1090 a Lalique opalescent glass vase designed by Rene Lalique, moulded in relief, stencil R Lalique France 15.5cm. high

Literature

Félix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L’Œuvre et Catalogue Raisonné, cat no. 1090.

£500­1,000

128

‘Avallon’ no 986 a blue stained opalescent glass vase designed by Rene Lalique, moulded in relief, wheel-cut R Lalique France no.986, 14.5cm. high

£1,500­2,000

129

‘Monnaie Du Pape’ no 897 a Lalique blue stained opalescent glass vase designed by Rene Lalique, shouldered form, moulded in relief, etched R Lalique France No.897 to base rim, 23.5cm. high

Provenance

A Private collection of Art Nouveau and Art Deco glass.

£1,500­2,500

130

‘Danaides’ no 972 a Lalique opalescent glass vase designed by Rene Lalique, moulded in relief, stencil R Lalique France, 18cm. high

Catalogue notes

This vase was introduced by Rene Lalique in 1926.

£3,000­4,000

131

‘Marguerites’ no 922 a Lalique clear and frosted glass vase designed by Rene Lalique, moulded in relief, blue staining, stencil R Lalique France, 21cm.high

£1,000­1,500

132

‘Chardons’ no. 929 a Lalique blue­stained clear and frosted glass vase designed by Rene Lalique, moulded in relief, etched R Lalique France no.929, 18.5cm. high

£500­1,000

133

‘Laurier’ no 947 a Lalique opalescent glass vase designed by Rene Lalique, moulded in relief, wheel-cut R Lalique France to side, 17.8cm. high

£500­800

134

‘Soudan’ no 1016 a Lalique cased opalescent glass vase designed by Rene Lalique, moulded in relief, stained blue, stencilled R Lalique France,18cm. high

£2,000­3,000

135

‘Ormeaux’ no 984 a red clear and frosted glass vase designed by Rene Lalique, moulded in relief, stencilled R Lalique France No 984, 16.5cm. high

£1,500­2,500

134

‘Quatre Panneaux’ no 10­920 a rare Lalique clear and frosted glass vase with red enamelling designed by Rene Lalique, moulded in relief, stencilled R Lalique France, 18.5cm. high

£2,000­3,000

137

‘Sauterelle’ no. 888 a Lalique clear and frosted glass vase with blue staining designed by Rene Lalique, wheel cut Lalique mark, 27cm. high

Literature

Victor Arwas Glass - Art Nouveau to Art Deco, Academy, page 187 for a comparable vase illustrated.

£4,000­6,000

138

A modern black glass cabochon ring, originally designed by Rene Lalique in 1931, in fitted case etched Lalique France, size M

£120­180

139

Four modern Lalique clear and frosted glass bird table decorations, etched Lalique France, paper label to one, 10cm. wide (4)

£200­400

140

‘Bengal Tiger’ and ‘Bengal Tiger Seated’ two modern Lalique clear and frosted glass figures, both etched Lalique France, 8.5cm. high (2)

£150­200

141

‘Gregoire’ a modern Lalique clear frosted glass model of a toad, etched Lalique France, 8cm. high, 11cm long

£120­180

142

‘Swan­ Head Down’ a modern Lalique clear and frosted glass swan table centrepiece, originally designed by Rene Lalique 1943, modelled swimming with neck and head down, on a mirrored glass flat stand, etched Lalique France, small bruise to base rim, 6cm wide, 18cm. high (2)

£500­1,000

143

‘Perche’ no 1158 a modern Lalique clear and frosted glass figure, originally designed by Rene Lalique, etched Lalique France, 15.5cm. wide

£150­200

144

‘Parakeet’ a modern Lalique clear and frosted glass figure designed by Marc Lalique, applied Lalique label, etched Lalique France, 15.5cm. high

£120­180

145

‘Bagatelle’ no.12144 a modern Lalique clear and frosted glass vase originally designed by Rene Lalique, in retail fitted box, etched Lalique France and applied Lalique label, 17cm. high

£120­180

146

‘Bacchantes’ a modern Lalique clear and frosted glass vase originally designed by Rene Lalique, originally designed in 1927, etched Lalique France to foot rim, 24.3cm. high

£800­1,200

WORKS ON PAPER

147

Chris Deards

Nudes Bathing, 1937

watercolour on paper, framed signed and dated bottom right

£150­200

148

Edouard Halouze

Portrait of a Young Woman, 1920 conte pencil on paper, framed signed and dated top left 17x 12cm.

£150­250

149

Fred Taylor (1875­1963)

Wells Somerset, Travel by Rail British Railways transport poster printed by Waterlow & Sons, signed in the print bottom left 129.5 x 102.5cm

£200­400

150

Jennie Harbour (1893­1959)

Crinoline Ladies four watercolours on paper, framed signed 13 x 9cm. (images), (4)

£300­500

151

Julius Klinger (1876­1942)

12 Klinger Plakate Januar 1923, eleven lithographs on paper advertising posters with original title page signed and variously dated in the print, 30.4 x 23.4cm (sheet)

£400­500

151A

Frank Vernon Martin (1921­2005)

Biscayne etching with aquatint on paper, signed, titled and numbered 86/100 in pencil 77 x 61cm (sheet)

£150­250

DODO BURGNER ORIGINAL ARTWORK

Φ 152

Dorte Clara Dodo Burgner (1907­1998)

Lady with a Parasol, 1924 pencil on paper, mounted annotated in pencil 25 x 19cm.

£150­200

Φ 153

Dorte Clara Dodo Burgner (1907­1998)

Lady with a Parasol at a Concert, 1924 pencil on paper, mounted signed Wolff 25 x 20cm.

£150­200

Φ 154

Dorte Clara Dodo Burgner (1907­1998)

Dancing Couple, pencil, pen and ink on paper, mounted signed Dodo 33 x 21.5cm.

£150­200

Φ 155

Dorte Clara Dodo Burgner (1907­1998)

Lady in a broad rimmed hat pencil and ink on paper, mounted unsigned 49 x 28.5cm.

£150­250

Φ 156

Dorte Clara Dodo Burgner (1907­1998)

The Fashion Show, pen and ink on paper, mounted unsigned

23.5 x 19cm.

£150­200

Original art work on paper, possibly a design for Ulk magazine signed Dodo 29 bottom right

38.5 x 28.5cm.

£4,000­6,000

Φ 157

Dorte Clara Dodo Burgner (1907­1998)

Palast, 1929

Φ 158

Dorte Clara Dodo Burgner (1907­1998)

Maria Fein a large double sheet gouache and white heightener on paper, signed in pencil Dodo bottom left 65 x 43.5cm. (sheet)

Provenance

Private collection

Catalogue notes

Maria Fein (1892­1965) was born in Vienna, Austria on 7th April. Fein was an actress on both stage and the pioneering cinema, appearing in at least 23 films by producers including Hanna Henning, Rudolf Meinert and Robert Wiene. She married the German actor Theodor Becker, they had two daughters, and one, (Maria Becker) would follow her parents to the big screen.

£6,000­10,000

FURNITURE, TEXTILES & WORKS OF ART

159

An Art Deco English Modernist wool rug, rectangular cream ground with red and pale blue S panels, unsigned, 139 x 68.5cm.

£150­200

160

An Art Deco English Modernist wool rug, rectangular, vivid orange ground with chestnut geometric panels, unsigned, 137 x 69cm.

£200­250

161

An Art Deco English Modernist wool rug, rectangular, green ground with yellow geometric panels, 154 x 75cm.

£200­250

162

An Art Deco printed cotton fabric panel, rectangular printed with panels of fan shaped foliage and berries in blue, red, yellow and mushroom, unsigned, 162 x 119cm.

£150­200

163

An Art Deco mirrored glass cocktail cabinet, rectangular form with drop front, chrome and glass handle, fitted interior, unsigned, 86cm. high

51cm. square

£150­200

164

A walnut occasional table by Fred Foster, circular top on four chamfered, tapering legs, 50cm. high

55cm diam.

Catalogue notes

Fred Francis Foster was a founder member of the Gloucestershire Guild of Craftsmen.

£150­200

165

A Bauhaus chrome metal cantilever chair designed by Mart Stam, with red textured seat, back and arm pads unsigned, 85cm. high

£600­1,000

166

A patinated wrought iron floor lamp, tripod scrolling frame, with modern white shade, unsigned, 147cm. high

£300­500

167

Two Birdseye maple veneer bedside cabinets and a double bed the design attributed to Hille, unsigned, 206cm long

175 x 99cm (bed)

57cm. high (cabinets (3)

Provenance

The Collection of Tony & Bea Porter, Burgh Island.

£200­300

168

An Art Deco oak kidney­shaped desk in the manner of Heal & Sons, with bookshelf, the desk with fitted drawers in both hinged cupboards, the top with inset writing leather, unsigned, 126cm. high, 113cm wide (2)

£300­500

169

A Bowman Brothers birch ply chest of drawers, rectangular, six drawers, pine lining, unsigned, 107cm. high, 61cm wide

£200­300

170

Max Le Verrier (1891­1973)

Bat Lady

green patinated metal, on black slate base, three cast bronze boxes by Mav Le Verrier, a dragon dish, and a collection of sculptures, signed in the cast 18cm. high (a lot)

£150­250

171

Josef Lorenzl (1892­1950)

Resting lady

a patinated metal sculptural table lighter, a pair of green patinated metal bookends by Janle and two modern figures cast Lorenzl mark 19.5cm. high (5)

£200­300

172

Josef Lorenzl (1892­1950)

Dancer

a silvered bronze model of a naked lady dancing, arms raised up, balanced on one leg, on green onyx base

cast Lorenzl to base 27.5cm. high

£600­800

λ

173

Josef Lorenzl (1892­1950)

Bat Dancer

a small verdi gris patinated bronze and ivory sculpture of a dancer in bat suit, on veined green marble base, cast Renz signature to base 20.5cm. high

Please note this item has Ivory Registration no. 5MMDTSY1

£300­500

174

A small patinated metal sculpture of a dancer in the manner of Josef Lorenzl, modelled standing on one leg, holding a scarf, set on ebonised wood base with glass disc and lamp­fitting, 26cm

£80­120

174A

An Art Deco patinated metal, ivorine and alabaster clock garniture, the central panel set with circular clock and seated woman sculpture, flanked with two urn shaped vases, unsigned, 49cm wide (clock section), 20.5cm. high (vases), (3)

£80­120

175

Josef Lorenzl (1892­1950)

Girl With a Floral Towel

patinated bronze, on oval veined marble base

cast Lorenzl to bronze base

34.5cm. high

£600­1,000

176

Josef Lorenzl (1892­1950)

Girl With a Scarf, patinated bronze, on green onyx and polished black slate base cast Lorenzl in bronze, 29.5cm. high

£500­800

175

Φ 177

Mary Syme Boyd (1910-1997)

Javanese Macaque, carved oak, incised monogram, signed and dated to base, 29cm. high

£150­200

Φ 178

Harold Brownsword (1885­1961)

Fish swimming, 1954 carved mahogany on ebonised wood base, carved signature, 40cm. wide

Literature

RBS Modern British Sculpture, Country Life, plate 12­13 for sculptures by Harold Brownsword illustrated.

£200­300

179

A large painted wood bird sculpture, modelled as a stylised long­tailed macaw, painted green unsigned 59cm. long

£150­200

180

Werkstätte Hagenauer

Horse and Rider

patinated bronze on a shaped, cloud base 21cm. high

£1,000­1,500

181

Werkstätte Hagenauer

Borzoi

ebonised wood sculpture of a stylised dog, on a shaped brass base stamped marks 30.5cm. high

£800­1,200

Φ 182

base

30.5cm. high

65cm. wide

Provenance

Private collection.

£3,000­5,000

Maurice Prost (1894­1967) Panthére Marchant (Walking Panther) large patinated bronze sculpture, on polished black marble base signed M Prost to

183

Manetti

Triumphus a Comitato Olimpico Nazionale Italiano silvered bronze medal, in Stabilimenti Artistici Fiorentini, and another silvered bronze medal Victoria, dated 1949, in fitted case signed Manetti in the cast 9.5cm. diam. (2)

£150­250

184

Franz Seifert (1866­1951)

Female Dancer with Flowers, patinated bronze figure of a nude maiden, on veined red marble base, signed in the cast Franz Seifert Wein, 198/115, 45cm. high

£150­200

185

Alexandre Ouline

Bust of a Young Man green patinated terracotta, on shaped base signed in the cast Ouline 35cm. high 43cm. wide

£150­250

186

Harold Brownsword, manner of Bust of a woman.

patinated bronze on a polished slate and onyx base unsigned, 17.5cm. high

£150­200

Φ 187

Gustave Miklos (1888­1967), after Bird

white crackle glazed earthenware unsigned, 38cm. high

Literature

The David Bonsall Collection of Decorative Arts, Bonhams, 14th February 2023 lot 143 for a comparable, signed example.

£200­400

Φ 188

Jan & Joël Martel (1896­1966), after Accordion Player

patinated bronze terracotta sculpture unsigned, chips to base 37.5cm. high

The twins Jan and Joël Martel, born March 5, 1896 in Nantes and died respectively on March 16 and September 25, 1966.

£800­1,200

KEITH MURRAY FOR MAPPIN & WEBB

189

An Elkington electroplated Fire Hydrant novelty cocktail shaker designed by Keith Murray, flaring cylindrical form, stamped marks, 24.5cm. high

£150­200

190

A Mappin and Webb electroplated sugar sifter designed by Keith Murray, shouldered, flaring cylindrical form with pierced cover, stamped marks, 15.5cm. high

£120­180

191

A Mappin & Webb electroplated cruet set designed by Keith Murray, comprising mustard pot with hinged cover, blue glass liner and spoon, salt with blue glass liner and pepper pot, on stepped foot stamped marks, 8.5cm. high (pepper), (7)

£150­200

192

A Mappin & Webb electroplated tea set designed by Keith Murray, model no.29017, comprising coffee pot and hinged cover, hot­water pot and hinged cover, milk­jug and sugar basin, with bakelite handles, stamped marks, 17cm. high (coffee pot), (4)

£250­350

193

A Mappin & Webb electroplated metal tazza designed by Keith Murray, circular on simple stepped foot, the rim engraved with simple chevron design, stamped Mappin & Webb, 24.5cm. diam.

£150­200

194

Two Mappin & Webb electroplated metal low tazza designed by Keith Murray, circular on shallow feet, the bowl with engraved chevron border, stamped marks, 24cm. diam. (2)

£200­300

195

A Mappin & Webb electroplated bowl designed by Keith Murray, footed form, with cast geometric band to top rim, and another similar flaring conical bowl, stamped marks, 10cm. diam. (2)

£150­250

196

A Mappin & Webb electroplated tea set designed by Keith Murray, model 27681, comprising teapot and hinged cover, hot­water pot and hinged cover, milk­jug and sugar basin, with bakelite handles and finials, stamped marks, 20cm. high (4)

£300­400

197

A Mappin & Webb electroplated metal tazza designed by Keith Murray, circular on stepped foot, the bowl with simple thin band decoration, stamped marks, 23.5cm. diam.

£150­200

198

A Mappin & Webb electroplated metal tazza designed by Keith Murray, circular on low foot, the rim with pierced radiating leaf motif, stamped marks, 23cm. diam.

£150­200

199

A Mappin & Webb electroplated metal tazza designed by Keith Murray, circular on low foot, the rim engraved with a chevron border, stamped marks, 23.5cm. diam.

£150­200

200

A pair of Mappin & Webb electroplated metal small tazza designed by Keith Murray, circular on stepped base, the bowl engraved with circular geometric border, stamped marks, 12.8cm. diam. (2)

£150­200

201

A Mappin & Webb electroplated coffee pot and cover designed by Keith Murray, tapering cylindrical form with hinged stepped cover and angular bakelite handle, stamped marks, 19cm. high

£250­350

202

A Mappin & Webb electroplated ice pail designed by Keith Murray, model W28129, footed, flaring conical form with stepped top rim, applied twin­handles, stamped marks, 14cm. high

£150­250

203

A Mappin & Webb electroplated cocktail set designed by Keith Murray, model no, W.28994, comprising fire hydrant cocktail shaker, four glasses and a round tray, stamped marks, 25cm. high (shaker) (7)

Literature

George Perrott, Keith Murray Designer, Gemini Publications, this design illustrated

£600­800

204

An Art Deco English electroplated cocktail shaker set, hydrant style shaker with fitted tray and six goblets, and a continental electroplated coffee set for six, comprising coffee pot and cover, milk­jug, sugar basin and cover, six cups and saucers on a tray, stamped marks, 24.5cm. high (25)

£80­120

205

A Modernist table lamp, circular wooden base supporting chrome fitting and cylindrical pale yellow glass shade, unsigned, 32.5cm. high

£200­250

206

A silvered metal Modernist table lamp, circular base with central rod column and L shaped panel, angled domed shade unsigned, 33cm. high

£200­300

207

A pair of patinated copper wall sconce in the manner of the Birmingham Guild of Handicraft, flaring, fluted form, unsigned, 17.5cm. high (2)

£150­250

208

An Art Deco Japanese lacquer tray, circular, decorated with red circular motif, on a black ground, the rim gilt, unsigned, 31.5cm. diam.

£150­200

206

205

209

A Dryad Leicester Modernist two­branch candelabra the design attributed to Serge Chermayeff, model no.8, the flat, stepped circular base on four feet, supporting central gadrooned stem with two flaring sconces, cast Dryad mark, 30.5cm. high

Literature

Peyton Skipworth, Britain Between the Wars 1918-1939Microcosm of an Age, Fine Art Society, 23 March ­ 29 April 2004, page 70, no.90, pair of Serge Chermayeff chromium plated candlesticks No.6, for a comparable example.

£150­250

210

A Sabino Waterfall frosted glass table lamp shade and patinated metal base, polished and frosted glass shade modelled as a waterfall, the base in the manner of Edgar Brandt square section base with four square section column, unsigned, 45cm. high (2)

£600­800

211

A silvered metal Modernist desk tidy, rectangular with applied bar terminals, internally fitted with compartments and an ashtray, unsigned, stamped number 4, 20cm.

£150­200

212

A pair of Christofle silvered metal three branch candelabra, shallow domed foot with flaring, fluted stem with three foliate scroll arms and central sconce with cover, stamped marks to rim, 34cm. high (4)

£600­800

213

A set of five Art Deco gilt metal ceiling lamps, the tapering frame cast with foliage, set with frosted glass shades also cast in relief with foliate motif, a chrome metal standard lamp and two chromed metal ceiling shades unsigned 41.5cm. wide (a lot)

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­200

214

A Modernist chrome and ebonised wood table lamp, circular ebonised wood base with chrome collar, supporting stepped circular ebonised wood stem, modern shade unsigned 33cm. high (lamp)

£150­200

215

A Modernist perspex and chrome table lamp, stepped square base on chrome feet, supporting central chrome stem and four square section perspex columns, modern shade unsigned, 28cm. high (lamp)

£180­220

216

A Jeka Tiel Dutch Modernist electroplated metal tazza, the shallow bowl with angled wood handle with ebonised wood ball terminal, stamped mark, 26.5cm. diam.

£150­250

217

A Gero silverplate and ebonised wood sugar and cream set designed by George Nillson, on fitted tray, stamped marks, 24cm. wide

£200­300

218

A Christofle electroplated metal tazza, domed foot, four ball feet supporting shallow, wide bowl, stamped marks, 35cm. diam.

£200­300

219

Jean Després (1889­1980)

a Modernist silver plated tray, rectangular twin­handled form, with hammered well, stamped marks, etched J Després, 46.2cm. wide

£200­400

220

Jean Després (1889­1980)

an impressive pair of Modernist silver plated candelabra, square base supporting square section column with raised ball motif, hammered finish, with four scrolling arms with hammered dish sconce, and a central sconce, etched J Després, 32cm. high (2)

Provenance

Jean David Botella. PAD London. Private collection.

Literature

Melissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 149 for a comparable pair of silvered metal candelabra circa 1960 with rope decoration.

£2,000­4,000

221

A white metal bangle in the manner of Jean Despres, circular with interlaced rope design, and two other Modernist link bracelets, unsigned 8.5cm. diam. (3)

£150­250

222

An Art Deco bakelite necklace, three graduated discs with central ball motif, with two hanging turned panels with long silk tassel drops, unsigned, 60cm. drop

£180­220

223

An Art Deco glass pendant necklace in the manner of Jakob Bengal, L’Odeon style fan panel of red glass decorated with silver panels, the chair with alternate red glass panels and beads, unsigned, 23.5cm. drop

£150­200

224

A lacquered silver minaudiere cigarette case, rectangular, hinged case decorated with red, silver, black and bronze hexagonal design, with VE monogram, fitted interior, on hanging chain, unsigned, 9.5 x 7cm.

£200­300

225

A pair of Osoezi London enamelled metal cuff links, shaped rectangular panels, one enamelled in blue and red with geometric design, and two other pairs of Art Deco cuff links, cast marks, 1.5cm. wide (6)

£150­200

226

A Theodore Fahrner silver and green agate ring, oval section, cast and pierced with Greek Key type border and central rectangular green striated agate, stamped 925 size P

£300­400

227

An Art Deco plastic collar necklace, modelled to simulate ivory and shagreen, unsigned, 14.5cm. wide

£250­300

DESIGN

228

A Daum Nancy clear glass vase, square section, flaring to pulled rim with clear glass lug handles, etched Daum France to side of base rim, 25.5cm. high

£150­250

229

A Stevens and Williams glass vase designed by Constance Spry, footed tazza with textured decoration, and a small Lalique Coquilles opalescent glass bowl designed by Rene Lalique acid etched mark, 16.5cm. high (spry), (2)

£150­200

230

A James Couper and Sons Clutha Glass vase designed by Dr Christopher Dresser, tapering cylindrical form with flaring rim, mottled olive green glass with air bubble inclusions, internally decorated with white stripes, and another similar, acid etched Clutha glass mark, small chip to rim of second vase, 7cm. high (2)

Literature

Michael Whiteway Christopher Dresser 18341904, Skira, page 194 figure 238 and 239 for comparable examples illustrated (there is also a comparable example in the Wurttembergisches Landesmuseum, Stuttgart).

£150­200

231

A Legras cameo glass vase, tapering square section, orange glass enamelled with a shepherd with his flock in a landscape, a Peynaud enamelled glass landscape vase and five other glass items cameo Legras signature, minor rim chips, 30cm. high (7)

£150­250

Φ 232

Samuel J Herman (1936­2020)

untitled vase

flattened bottle form with solifleur neck, dark amber glass with air bubbles, surface decorated with blue and red striations

etched Samuel Herman 20cm. high

£200­300

Φ 233

Samuel J Herman (1936­2020) untitled vase

pale pink cylindrical glass vase with purple and blue striations,

etched Best Wishes Sam Herman Studio, 17cm. high

£200­300

Φ 234

Samuel J Herman (1936­2020) untitled vase

flaring opaque glass with orange and yellow threads and air bubble decoration, cased in clear

etched Sam Herman Studio 18cm. high

£200­300

GALLE GLASS

235

An Art Nouveau Galle cameo glass vase designed by Emile Galle, shouldered pink glass cased in purple, decorated in low relief with lily of the valley, cameo signature Galle, 10cm. high

£300­500

236

An Art Nouveau Galle cameo glass vase designed by Emile Galle, shouldered cylindrical form, orange glass cased in amber decorated with berried foliage, cameo signature Galle, 21cm. high

£400­500

237

An Art Nouveau Galle fire polished cameo glass vase designed by Emile Galle, footed, trough form opaque glass cased in purple decorated with flowers on long tendril stems, Cameo Galle signature, 10.5cm. wide.

£300­400

238

An Art Nouveau Galle cameo glass vase designed by Emile Galle, flaring, shouldered form with inverted rim, pale pink glass cased in green, decorated with waterlily flowers and pads in a pond, cameo signature Galle, 11.5cm. high

£400­500

239

An Art Nouveau Galle cameo glass Landscape vase designed by Emile Galle, slender cylindrical opaque and pink glass cased in amber with tall trees in a landscape, etched Galle signature, 16.5cm. high

£400­600

240

An Art Nouveau Galle cameo glass Landscape vase designed by Emile Galle, tapering cylindrical form opaque and orange glass cased in amber, decorated with trees in a lakeside landscape, cameo Galle signature,12.5cm. high

£350­450

241

A large Murano glass dish by Gino Onesto, dated 2000, red and blue bands, and a large Murano glass Lemon dish, etched Gino Onesto, 2000 49cm. diam. (2)

£200­300

242

A pair of Kosta Boda Head vases designed by Ulrica Hydman Vallien, pink and blue mottled blue glass, each painted with a stylised face, a miniature wine glass similar, a Gense flaring glass by Berit Johansson, and a large collection of modern glass mainly Swedish painted marks, applied Kosta label, 10cm. high (a lot)

£200­400

243

A rare Moser Sommerso cut and polished glass vase designed by Vladimir Mika, designed in 1967, with internal glass ‘pebble’, blue, red bands cased in thick clear glass, unsigned, 17.5cm. high

£150­250

244

A Kosta engraved glass bottle vase, ovoid with tapering neck and angled rim, engraved with a spider’s web between grass blades, and a continental blue glass vase internally decorated with white columns, etched Kosta 02384 and paper retail label, 37cm. high (2)

£150­200

245

George Elliott RCA (1933­1988)

a near pair of glass bottles, 1979 square section body with tapering neck and everted circular disc rim, pale blue glass internally decorated with combed aubergine from the foot, each with irregular horizontal band with splashes of colour, etched George Elliott Bewdley 1979 and anchor, 28.5cm. high (tallest), (2)

Provenance

Design, Woolley and Wallis Auctioneers, 19th October 2022, lot 63.

£150­200

246

Michele Oberdieck (born 1966) Yellow Ochre Fields VI, blown glass vessel applied label, 32cm. high

Catalogue notes

Part of a series of six unique pieces each inspired by Mark Rothko’s Abstract Expressionist colour field paintings of the 1950s.

£400­600

Φ

247

Siddy Langley (born 1955)

a lustred glass solifleur flask, dated 2000, tapering ovoid form with flaring rim, applied trailing, and another Siddy Langley ovoid vase with columns of white spots, dated 1999, etched marks, 21.5cm. high (2)

Provenance

Design, Woolley and Wallis 19/20th October lot 66.

£150­200

248

A Whitefriars Tangerine glass TV vase designed by Geoffrey Baxter, shape no. 9637, textured glass, unsigned, 18cm. high

£150­200

249

A Whitefriars Willow glass TV vase designed by Geoffrey Baxter, shape no. 9637, textured glass, unsigned, 17.5cm. high

£150­200

250

A small Whitefriars Tangerine glass Drunken Bricklayer vase designed by Geoffrey Baxter, shape no.9673, textured glass, unsigned, 21cm. high

Literature

Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 140 plate 160 for comparable examples illustrated

£150­200

251

A Whitefriars Kingfisher Blue glass vase designed by Geoffrey Baxter, tapering, shouldered form, with textured finish, unsigned, 24.5cm. high

£250­350

252

A Whitefriars Cinnamon glass shouldered vase designed by Geoffrey Baxter, rectangular with tapering shoulder, textured finish, unsigned, 24.5cm. high

£150­250

253

A Whitefriars Indigo glass shouldered vase designed by Geoffrey Baxter, rectangular with tapering shoulder, textured finish, unsigned, 23.5cm. high

£150­250

Φ 254

A Mdina Glass Fish vase designed by Michael Harris, mottled blue and brown glass cased in clear with texture, unsigned, 21cm. high

Provenance

Private collection of Mdina and contemporary glass.

£300­400

Φ 255

A Mdina Glass Fish vase designed by Michael Harris, streaked brown glass cased in clear unsigned, 22cm. high

Provenance

Private collection of Mdina and contemporary glass.

£300­400

Φ 256

A Mdina Glass Fish vase designed by Michael Harris, dated 1978, streaked ochre and blue, cased in clear, textured glass etched Mdina Glass 1978, 20.5cm. high

Provenance

Private collection of Mdina and contemporary glass.

£200­300

Φ 257

A Contemporary Isle of Wight glass

Crizzle Stone vase by Timothy Harris, dated 2008, blue and white patches cased in clear with pulled solifleur neck, etched marks, 25cm. wide

Provenance

Private collection of Mdina and contemporary glass.

£300­400

258

A Mdina ‘Marbled’ glass vase, ovoid with flaring neck, blue and mushroom panels, cased in clear glass, and a small Isle of Wight glass vase by Timothy Harris, dated 2008, applied Mdina label to main, and etched marks to both, 20cm. high (2)

Provenance

Private collection of Mdina and contemporary glass.

£200­300

Φ 259

An unusual small Mdina Glass Fish vase probably designed by Michael Harris, mushroom, green and blue, cased in thick blue glass, unsigned, 16cm. high

Provenance

Private collection of Mdina and contemporary glass.

£200­300

Φ 260

A Mdina Glass Fish vase designed by Michael Harris, dated 1977, mottled brown glass cased in clear etched Mdina Glass 1977, 20.5cm. high

Provenance

Private collection of Mdina and contemporary glass.

£200­300

Φ 261

A large Mdina Glass Fish vase designed by Michael Harris, streaked blue and green, cased in blue glass all cased in clear unsigned, 28.5cm. high

Provenance

Private collection of Mdina and contemporary glass.

£400­600

Φ 262

A large Mdina Glass Fish vase designed by Michael Harris, amethyst glass with white streaks, cased in clear unsigned, 28.5cm. high

Provenance

Private collection of Mdina and contemporary glass.

£400­600

261

259 260

CERAMICS

263

A rare Gateshead pottery charger designed by John George Sowerby, painted with a flying bird, in green, white and ochre on a yellow ground, painted factory mark and monogram, 36cm. diam.

Catalogue notes

John George Sowerby (1849–1914) from Gateshead was a painter, exhibiting at the Royal Academy, and also a member of the Sowerby family who owned Sowerby Glassworks.

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­250

264

Two large Ewenny Pottery cats, one dated 1905, each modelled seated, one glazed yellow, the other green, a Masonic Cat in the manner of Galle, and a pottery black cat, incised marks, minor glaze loss, 38cm. high (4)

£300­500

265

Stella Crofts (1898­1964)

Calf

a Royal Worcester porcelain sculpture of a lying calf, model no. 2896, painted in colours

Printed factory mark, painted title, impressed Stella Crofts to base

7.8cm. wide

£200­300

266

A stoneware handled vase probably Doulton Lambeth by Frank Reader, incised with a band of goats resting and grazing in a pasture, between bands of applied florets, and scrolling foliage, in green, brown and blue on a buff ground, incised FR monogram and number 1272, 32.5cm. high

£150­200

267

A Doulton Lambeth stoneware Cricket jug, tapering cylindrical form, the handle modelled as cricket bats and a boater hat, the jug with modelled cricket vignette, with silver rim and hinged cover, impressed factory marks, stamped hallmarks, Birmingham 1882, small chip to handle, 27.5cm. high

£300­400

268

A Doulton Lambeth stoneware mug by Hannah Barlow, dated 1874, incised with a frieze of three donkeys and a pony, impressed marks, incised monogram, chips to top rim, 11.5cm. high

£120­180

269

A Royal Doulton Suffragette stoneware inkwell, modelled as an old lady with arms crossed and angry face, her apron stamped Votes for Women, glazed in colours impressed factory marks, hinge broken, cover glued to base, 8.5cm. high

£200­300

269A

A Royal Doulton Morrisian Ware stickstand, model D.1173, swollen form with tapering cylindrical body and flaring rim, printed with a frieze of birds flying past Art Nouveau stylised trees between foliate borders, in red, mustard and brown, printed factory marks, chips to foot rim, 56cm. high

£150­250

270

A Ruskin Pottery stoneware dish, dated 1914, footed, circular form, covered in a light­blue lustre, a Ruskin Pottery crystalline vase and a Cobridge Pottery candlestick, impressed factory marks, 19cm. diam. (3)

£120­180

271

A Wood & Sons Mikado pattern wall charger designed by Frederick Rhead, printed in blue with Aesthetic Movement cranes flying past water lily flowers and foliage, and an Art Nouveau style charger painted with a bat, by Charma, printed factory marks, 36.5cm. diam. (2)

£120­180

272

A Royal Winton Sweet Nancy Breakfast set, printed in colours, comprising; teapot and cover, milk­jug and sugar basin, one cup and a toast rack, on fitted tray, another Royal Winton Sunshine Breakfast set for two, a Royal Winton Sweet Pea cup on saucer tray, two dishes, a teacup, saucer and side plates, and a cruet set printed factory marks, 24cm. wide (tray) (a lot)

£150­250

273

A large Fulham Pottery vase designed by Constance Spry, footed, twin­handled form with fluted body, glazed to interior, impressed factory marks, 64cm. wide

£150­250

274

A Wedgwood Pottery Festival of Britain commemorative mug designed by Norman Makinson, printed in colours with images of the 1851 Crystal Palace and 1951 Skylon, a Paragon china Festival of Britain mug and a Brentleigh Ware Festival of Britain Edinburgh mug, printed factory mark, Festival Britannia logo by Abraham Games, 7.5cm. high (3)

£150­250

275

A Troika Pottery rectangular vase, square section, cast to each side with geometric figures in brown and blue on a buff ground, painted factory marks

£150­200

276

Three Crown Staffordshire Queensberry dishes designed by David Queensberry RCA, each printed with a vortex design, four other dishes similar, a plate and a bowl designed by David Queensberry and a La Porcellana Artplate no,5, printed factory marks, 17cm. wide (dishes), (10)

£150­200

277

Four Poole Pottery wall plaques designed by Robert Jefferson, comprising two knives, a bird and a fish, each glazed in shades of green and blue printed factory marks, 31.5cm. long (4)

Literature

Jennifer Hawkins, The Poole Potteries, Barrie & Jenkins, page 165 for the complete set of four wall plaques designed by Jefferson in 1964, illustrated.

£150­200

278

A Poole Pottery Studio bowl, running turquoise, green and terracotta glaze, another larger and two Poole Pottery Aegean bowls, printed Poole Studio mark, 20.5cm. diam. (4)

£120­180

MOORCROFT POTTERY

279

‘Blue Anemone’ a James Macintyre & Co vase designed by William Moorcroft, slender baluster form, painted in green and blue on a white ground with Art Nouveau flower stems printed factory mark, painted green signature, professional restoration to top rim, 23.5cm. high

£200­300

280

‘Poppy’ a James Macintyre & Co biscuit barrel with electroplated mount and cover, painted with Art Nouveau cartouche in blue, yellow and green on a white ground, printed factory mark, painted monogram, professional restoration to foot rim, 12.5cm. high

£300­400

281

‘Florian Ware’ a James Macintyre & Co solifleur designed by William Moorcroft, tubelined with flowers and foliage in blue on a blue ground printed factory mark, incised signature, 13cm. high

£150­200

282

‘Peacock Feathers’ a James Macintyre & Co Florian Ware twin­handled vase designed by William Moorcroft, painted in shades of green, yellow and blue, printed factory mark, painted signature, professional restoration to base, 12.5cm. high

£300­500

283

‘Poppy’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, waisted cylindrical form, painted in blue on a blue ground with Art Nouveau flower stems printed factory marks, painted green monogram, professional restoration, 16.5cm. high

£200­400

284

‘Poppy’ a pair of James Macintyre & Co Florian Ware vases designed by William Moorcroft, waisted cylindrical form painted in blue on a blue ground, with Art Nouveau flower stems, with silver mounts, printed factory marks, painted green monogram, minor professional restoration, 16.5cm. high (2)

£400­600

285

A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, retailed by Liberty & Co, shouldered form with tall cylindrical neck, tubeline decorated with Art Nouveau foliate roundel, in blue on a red flambe ground, incised signature, printed Liberty mark, restored, 30cm. high

Provenance

from a private collection of Moorcroft Pottery

£120­180

286

‘Fish’ a Moorcroft Pottery circular pot and cover designed by William Moorcroft, painted with scaly fish in yellow, and blue on a celadon ground impressed factory marks, painted blue signature, cover restored, 8.5cm. high (2)

£200­400

287

‘Narcissi’ a rare Moorcroft Pottery vase, shouldered form, tubeline decorated in yellow on a graduated green to blue ground, impressed mark, painted green signature, restored, 27.5cm. high

Literature

Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 133 for a comparable vase.

£400­600

288

‘Eventide’ a pair of Moorcroft Pottery vases designed by William Moorcroft, with Tudric Pewter feet, painted in colours with a landscape design stamped Liberty Tudric marks, professional restoration to top rims, 23cm. high (2)

£1,500­2,000

289

‘Moonlit Blue’ a Moorcroft Pottery bowl designed by William Moorcroft, painted in shades of blue and green impressed factory marks, painted blue signature, 14.5cm. diam.

£200­300

290

‘Flambe Orchid’ a Moorcroft Pottery vase designed by William Moorcroft, swollen form with cylindrical neck, painted with frilled and slipper orchids in colours under a flambe glaze impressed marks, painted blue signature 14.5cm. high

£120­180

291

A pair of Royal Dux porcelain Water Carrier figures, model no.683 and 686, modelled as a standing man and woman, holding urn vases, glazed in matt colours, highlighted in gilt, another smaller modelled as a maiden resting on a large conch shell, and another modelled as a maiden feeding doves, seated by a pond, modelled pink triangular factory marks, 61cm. high (4)

£150­250

292

A Reinhold Hanke Hohr stoneware Jugendstil jug designed by Erica Von Scheel, model no.2114, swollen form, incised with geometric bands in blue on a matt grey ground, impressed marks, 25.5cm. high

£200­300

293

A Royal Copenhagen stoneware bowl by Jorgen Mogensen, model 21388, circular footed form, the rim modelled in low relief with geometric birds, glazed mushroom and brown, a Hyorth Fabrik stoneware model of a horse by Gertrud Kudielka, printed and painted marks, 25cm. diam. (2)

£120­180

294

A set of six Fornasetti Specialita Milanese plates designed by Piero Fornasetti, comprising; Cotolette Alla Milanese, Il Minestrone, Risotto Alla Milanese, Il Panettone, Osso Buco, and La Busecca, printed in black on a white ground, with gilt rim, printed factory marks, 24cm. diam. (6)

£200­400

295

A pair of Procumiva Centenario wall plates after a design by Pablo Picasso, each painted with a stylised king portrait, painted factory marks and facsimile signature, 28cm. diam. (2)

£150­250

296

A pair of polished gilt bronze lanterns probably Maison Bagues, square section cast in relief with bamboo frame and clear glass panels, unsigned, 35cm. high (2)

Literature

Christie’s Interiors, 18th August 2015, lot 82 for a comparable pair attributed to Maison Bagues.

£400­600

297

A chrome and glass ceiling light, the square section chrome frame with four tiers, each set with cut glass rectangular panels, and two wall lights unsigned, 83cm. drop, 32cm wide (wall lights) (3)

£150­250

298

A glass and chrome metal desk set probably Fontana Arte, designed by Pietro Chiesa comprising square glass pen tray with chrome fitting, blotter and ash tray unsigned, 17.5cm. wide (pen tray), (3)

£250­350

299

A Cappellini green glass dish designed by Marc Newson, frosted bottle green glass amorphic shape on three conical feet, unsigned, 49.5cm. long

Provenance

The Tom Watkins collection.

£200­300

300

A gilt metal wall mirror, rectangular, the gilt metal frame with mirror glass panels, with light fittings to reverse unsigned 61 x 76cm.

£120­180

301

Julian Opie (born 1958)

Julian and Suzanne Walking lenticular card, framed unsigned 28 x 22.5cm.

£120­180

302

Julian Opie, (born 1958)

Old Street Walkers

7 lenticular cards: Curly Hair, Leather Bag, Turn Ups, Coffee, Fur Jacket, Long Hair, Fur Jacket, framed unsigned, 29 x 20.5cm. (7)

£300­400

303

Julian Opie (born 1958)

Black white green yellow lenticular card, framed unsigned 26.5 x 27.5cm

£120­180

304

Julian Opie (born 1958)

Walking dancing undressing smoking lenticular card, framed unsigned 27 x 23cm

£120­180

305

Julian Opie (born 1958)

This is Shahnoza, 2008 screen printed tiles, framed unsigned 64 x 33cm.

£150­200

306

Stik, London Pride, 2016 printed in colours on paper, framed signed in the print 79 x 58cm.

£500­600

307 Banksy Peckham Rock print on card, framed unsigned, Pest Control label to reverse 36 x 32.5cm

£300­400

308

Sir Grayson Perry CBE RA (born 1960) Map of England printed textile, framed unsigned 63 x 48.5cm.

£120­180

309

Sir Grayson Perry CBE RA (born 1960) Red Alan Manifesto napkin printed on paper, framed unsigned 36 x 36cm.

£120­180

307

308

306

310

Yayoi Kusama (born 1929)

Love Forever, (red) printed textile, framed signed in the print, 95 x 39.5cm.

£150­250

311

Yayoi Kusama (born 1929)

Love Forever, (blue) printed textile, framed signed in the print 95 x 39cm.

£150­200

312

Yayoi Kusama (born 1929)

Yellow Tree printed textile, framed unsigned 97 x 42cm.

£200­300

313

Yoshitomo Nara (born 1959)

Peace Dog (blue) printed on cotton framed printed marks bottom right 59 x 59cm.

£120­180

314

Yoshitomo Nara (born 1959)

Peace Dog (beige) printed on cotton framed printed marks bottom right 59 x 59cm.

£120­180

315

Yayoi Kusama (born 1929)

Pumpkins, (red) screen print on white cotton, framed signed in the print 92.5 x 35cm.

£200­300

316

Yayoi Kusama (born 1929)

Pumpkins, (orange) screen print on white cotton, framed signed in the print 95 x 37.5cm.

£200­300

317

A set of four David Whitehead Bird Chair roller printed rayon textiles designed by Marian Mahler, originally designed in 1952, abstract design in yellow, white, sage and grey on a red ground, unsigned, 111 x 113.5cm. (4)

£80­120

318

‘Perpetua’ a screen printed rayon taffeta designed by Lucienne Day, atomic design in red, yellow, mushroom and black on a white ground, and a smaller section unsigned 161 x 128cm (2)

£120­180

319

An Edinburgh Weavers Lilliesleaf textile sample, cream ground with six smaller colour swatches, and another panel similar, applied labels, 114 x 124cm. (2)

£200­300

320

A pair of Driade Altantide Collection ‘Toy’ armchairs designed by Philippe Starck, orange moulded polypropylene, with white loose pad cushions, cast factory marks, 77.5cm. high (2)

Provenance

Tom Watkins Collection Clarice Cliff, Art Deco & Design, Woolley and Wallis Auctioneers, 17th March 2022, lot 617.

£80­120

321

A pair of Herman Miller EA 108 desk chairs designed by Charles & Ray Eames, aluminium frame, with red textile pads, on white disc sliders, cast and applied Herman Miller marks, 84cm. high (2)

£250­350

Φ 322

Fraser Taylor (born 1960)

Bicycle Oil on paper

Signed and dated Fraser Taylor 89 (lower right)

57 x 81.7cm

Provenance

The Tom Watkins Collection.

£200­300

Φ 323

Fraser Taylor (born 1960)

Containing Nothing Mixed media and collage on paper

Signed and dated Fraser Taylor 93 (lower left)

83.5 x 113.7cm

Provenance

Jill George Gallery, London.

The Tom Watkins Collectio.n

£500­1,000

Φ 324

Fraser Taylor (born 1960)

Rowing boat in a boathouse Mixed media on card

Signed and dated Fraser Taylor 88 (lower centre)

114.2 x 99.6cm

Provenance

The Tom Watkins Collection.

£400­600

325

An Ercol stained elm coffee table, designed by Lucian Ercolani, model no. 398, rectangular section with flaring legs, unsigned 105cm. wide, 35cm high

Literature

Lesley Jackson Ercol Furniture in the Making Richard Dennis, page 71 this design illustrated.

£150­250

326

A France & Søn gate­leg table designed by Peter Hvidt and Orla Mølgaard, model no.20/59, oval section, with shaped, hinged legs, with six Swedish spindle back dining chairs and a Dalescrafts fitted sideboard, table missing makers label, 163cm wide

72cm high (table)

194.5cm wide

78cm high, 53cm deep (sideboard), (8)

Literature

James France, France & Søn British Pioneer of Danish Furniture, page 60 this model illustrated.

£300­500

327

A pair of bentwood strung armchairs in the manner of Guiseppe Pagano, unsigned, 83cm. high, 61cm wide (2)

£200­400

328

An Arteluce PAO frosted glass table lamp designed by Matteo Thun, model T2 designed 1991 for Flos, frosted glass foot with tapering cherrywood stem, frosted metal fitting supporting flat white frosted glass shade cast Arteluce mark to base, 54cm. high

£300­400

329

A chrome and glass table lamp possibly WMF, tripod chrome metal foot supporting cylindrical clear glass shade painted white band, unsigned, 27.5cm. high

£150­200

330

A set of six bentwood chairs in the manner of Thonet, with cane backs and seats, unsigned 102cm. high (6)

Provenance

Arts and Crafts Woolley and Wallis, 20th June 2012, lot 402.

Private collection.

£150­200

331

An Isokon Penguin Donkey Mark 2 bookcase designed by Ernest Race, originally designed in 1963, cream painted ply, 53.5cm long 40cm wide.

Literature

Leyla Daybelge & Magnus Englund Isokon and the Bauhaus in Britain, Batsford, page 201 for the original advertisement.

£200­400

332

A Rope standard lamp, the metal frame with wound wire casing, unsigned, 154cm. high

£120­180

333

A Merrow Associates chromed metal and glass Preece table designed by Richard Young, the hexagonal section base supporting circular clear glass top, unsigned, 72cm. high (2)

£200­300

Φ 334

Tim Gosling (born 1966)

a large American Walnut extending dining table, circular form, on cruciform pillar base, unsigned 175cm. diam. 74cm. high

£1,500­2,500

λ 334A

An Archie Shine rosewood and mahogany dining suite designed by Robert Heritage, comprising; Hamilton extending dining table, six chairs and two carvers, and a Berkshire sideboard, with inset copper panels, applied label, original receipt

181.5 x 87cm (table top)

229 x 51cm (sideboard)

87cm. high (chairs), (10)

Provenance

Purchased by the vendor from Archie Shine ltd in 1960.

£400­600

Φ 335

A pair of Pot de Fleurs tub armchairs designed by Hubert le Gall, designed in 1996, each modelled as half a flower pot with leaves and cushion, in red and green velvet upholstery, 98cm wide

82cm. high (2)

Provenance

Galerie Patrice Trigano, Paris at TEFAF, 2017. Private collection, London.

Literature

Jean­Louis Gaillemin, Hubert Le Gall, Norma Editions, page 173 for this design illustrated in the catalogue raisonne. the chairs were produced in a limited edition of 99.

£5,000­8,000

334A

334A

336

John William Waterhouse manner of The Kiss, terracotta pastel on paper, possibly Romeo and Juliet, in gilt frame unsigned 25cm diam. (image)

50.5cm square (frame)

£150­200

337

A silk embroidery panel depicting a child feeding a dove, oval panel, embroidered in colours, unsigned, 18.5 x 14cm.

£150­200

338

Robert Anning Bell, manner of Spring

a painted plaster roundel, of a classical maiden holding flowers, in colours, framed unsigned, 45cm. diam. (panel) 60cm. diam (frame)

£150­200

339

An Arts and Crafts oak Grandfather clock, rectangular case with carved Art Nouveau foliate panel, round dial with Arabic numerals, 190cm high, 48cm wide

Provenance

The collection of William Billy Kidd and Elizabeth Kidd.

£150­200

340

A copper and brass extending floor lamp probably WAS Benson, tripod foot with scrolling supports, copper foliate decoration, the central adjustable stem, with copper oil reservoir converted to electricity, apparently unsigned, 174cm. high

Provenance

Russell Hotel, Bloomsbury, by repute.

£150­200

341

A large copper wall mirror, oval, hammered in relief with a frieze of fruiting vine, unsigned, 81 x 66cm.

Provenance

Private collection.

£150­250

342

A Glasgow School brass wall mirror, oval, stamped in low relief, with entrelac, with bevelled oval mirror glass, unsigned, 74cm. wide.

Provenance

Private collection.

£120­180

343

A Keswick School of Industrial Arts brass charger, the well stamped and hammered with a longboat sailing on a rough sea, the rim with a frieze of stylised flower stems, unsigned, 57cm. diam.

Provenance

Private collection.

£150­200

344

A pair of John Hardman & Co Gothic Revival brass candlesticks in the manner of AWN Pugin, stepped, circular base, knopped cylindrical stem with crenulated sconce, stamped marks to side of one sconce, 39.5cm. high (2)

£150­200

345

A set of polished wrought iron fire tools on a stand designed by Ernest Gimson, possibly made by Alfred Bucknell comprising fire shovel, tongs and poker on stand, unsigned 80cm. high

Provenance

Arts and Crafts, Woolley and Wallis Auctioneers, 1st June 2006 lot 795.

Private collection.

Literature

Arts & Crafts Metalware Blackwell House 2003 page 53 catalogue no.52 for a comparable example illustrated.

Annette Carruthers, Mary Greensted and Barley Roscoe, Ernest Gimson, Arts and Crafts Designer and Architect, Yale, page 95 catalogue number 84 for an original photograph (circa 1905­1910) with this design of fire tools illustrated.

£800­1,200

346

A carved oak barometer or clock case, carved with classical angels flanking central circular aperture, below winged­mask terminal, unsigned, 74cm. high

£150­200

347

An Art Nouveau easel back patinated copper picture frame, shaped, rectangular form applied with Art Nouveau maiden and tall flower stem panels, unmarked, 25cm. high

£120­180

348

A WMF Secessionist electroplated metal tray the design attributed to Peter Behrens, model no.84, shaped rectangular form, cast in low relief and pierced with geometric panels, with inset wood well, on ball feet, stamped and cast marks, 52cm. long

£250­350

349

A WMF Ikora patinated metal vase designed by Paul Haustein, shouldered ovoid form, with applied handles, decorated with stylised flowers in gilt on a verdigris patination, stamped mark 19.5cm. high

£150­200

350

Lesueus

A pair of Art Nouveau gilt patinated bronze vases, slender bottle form, cast in low relief with panels of flower and foliage, and a pair of gilt and patinated bronze candelabra, the four sconce cast as a flower stem, on veined marble bases cast Lesueus A to vases 33cm. high (4)

£300­500

351

Guglielmo Pugi (1850­1915)

Art Nouveau bust of a woman alabaster and polished stone, and another similar by Pugi signed Pugi 23.5cm. high (2)

£300­500

352

Sir William Hamo Thornycroft (1850­1925)

Joan, 1896

a large patinated bronze portrait panel of Joan Thornycroft, signed, titled and dated in the cast 51.5 x 35.5cm.

Φ 354

Quintino Sebastio (born 1940)

Woman on a Boat polished and verdi­gris patinated bronze on polished white marble base signed Sebastio and numbered 17/30 to the bronze, 46cm. wide 56cm. high

£250­350

355

A Henry Howell & Co YZ bird ashtray designed by Bernard Charles Howell, possibly retailed by Dunhill, coquilla nut body with boar tusk plume, set with phenolic beak and yellow eyes, on a Macassar ebony base with bamboo match holder, stamped mark, 17.5cm. high

£150­200

356

A carved exotic wood Parrot in the manner of Henry Howell & Co YZ birds, modelled perched inside a ring, on ebonised wood pedestal, with applied yellow eyes, unsigned, pedestal drilled for electric cable, 65cm. high

£150­200

£300­500

353

A I Maslik

Mercy, 1990 patinated bronze, on marble base unsigned 35.5cm. high

£150­200

357

Professor Pappini, Beatrice

an alabaster figure, white and veined alabaster with carved detail to the dress, on marble base

incised Professor Pappini, Gallery Bazzanti, applied title label, finger restuck

79cm. high

Catalogue notes It has been suggested by the Bazzanti Gallery that the sculpture is probably by Giacomo Papini.

£300­500

Φ 358

Carl Payne (1969­2021)

See No Evil and Hear No Evil two patinated bronze sculptures, each depicting an Art Nouveau maiden emerging bronze, on circular polished black marble base, signed in the bronze, foundry mark and numbered 29/49 and 38/49 68cm. high (2)

£800­1,200

Φ 359

Gonzalo Cienfuegos (born 1949)

Bust of a Woman on grey marble base signed in the cast 2/6 47cm. high

£800­1,200

360

An electroplated metal tureen cover after a design by Charles Robert Ashbee, hammered domed form with Art Nouveau wirework handle, unsigned, 28cm. wide, 15cm. high

£200­300

361

A Jesson Birkett & Co copper and enamel hand mirror and hair brush, each hammered, patinated copper with applied white metal strapwork with copper rivets, each set with green and blue enamel roundel, the hand mirror with bevelled glass, unsigned, 26cm. long (hand mirror), (2)

£150­200

362

Twelve David Anderson silver­gilt and enamel spoons and forks, with enamelled green panels, stamped marks, 13cm. long (24)

£300­500

363

A set of ten Georg Jensen silver gilt tea spoons, the handles enamelled in yellow, green, blue and white stamped marks, 9.5cm. long (10)

£150­200

364

A Dunhill Aquatic table lighter designed by Ben Shillingford, rectangular, applied with perspex panels of exotic fish swimming amongst waterweed, chromed metal mechanism, stamped Dunhill marks, panels loose, 7.5cm. high, 10cm wide.

£1,000­1,500

365

An Omar Ramsden silver apostle spoon, with twisted knop stem and faceted terminal, hammered bowl, stamped marks, London 1935, 16cm long

£120­180

366

An Omar Ramsden silver dish, elliptical hammered bowl with foliate terminals, on four scroll feet, engraved 1914­1939 to side, stamped marks OR London 1938, and etched Omar Ramsden Me Fecit, 33cm. wide, 8.5cm. high, 11ozt

£1,000­1,500

367

A Graham Watling silver cup, on pierced cast textured foot, a simple bowl, stamped marks GW London 1976, 7.5cm. high, 5ozt

Provenance

Design, Woolley and Wallis, 16th October 2019, lot 1766.

£200­330

368 Juan Garrido (born 1965) and Paloma Garrido (born 1968)

Trenza, 2009

a large silver centrepiece, angled square section, stamped marks, numbered 1/8 65cm. wide

Provenance

Barry Friedman Ltd, New York, 2009. Private collection.

£800­1,200

366

367 368 365

369

A Jugendstil Firma Erhard and Sohne silver and enamel locket, cast in low relief with flower stems, enamelled yellow, pink and white unsigned, 6cm. long

£200­300

370

A Pforzheim silver brooch by Robert Kraft, circular, cast in low relief with a bird, inside geometric border, stamped Alpacca mark, 4.5cm. diam.

Literature

Decorative Arts Society Journal Number 14 page 34 figure 1 this design illustrated in a Liberty & Co catalogue, 1909.

£200­250

371

A Pforzheim silver pendant necklace by Robert Kraft, teardrop shaped cast in low relief with stylised flower, set to the centre with an oval agate cabochon, unsigned, 4.5cm. drop

£200­250

372

A cast silver pendant necklace in the manner of Amy Sandheim, the diamond shaped pendant cast with flower motif set with central moonstone cabochon, flanked by lapis and chalcedony, on cast floral link chain, and a cut glass pendant similar with silver mount set with small moonstone cabochon, unsigned, 5.5cm. long (2)

£200­400

373

A Bernard Instone silver and enamel clip brooch, enamelled with a band of berried foliage, and a Continental silver brooch, instone unsigned, 3.5cm. diam. (2)

£150­200

374

A silver Cloud pendant necklace, cast in low relief with six articulated drops, stamped 925, 6cm. drop

£150­200

375

A James Fenton silver and enamel bracelet, rectangular sections enamelled sky blue and green stamped marks, 18.cm long

£200­300

376

An Arts and Crafts silver and enamel bracelet, wide rectangular links enamelled green and blue, the backs enamelled blue, with mother of pearl circular spacers, unsigned 18cm. long

£200­300

377

A silver and enamel brooch in the manner of Archibald Knox, shaped rectangular form enamelled in red and black with geometric panels, stamped marks, 4cm. wide

£150­200

378

A Smith and Ewen silver and enamel pendant, cast in low relief enamelled blue pink and green, with small drop enamelled blue and yellow, stamped marks, 3.5cm. drop

£120­180

379

A William H Haseler silver and enamel pendant designed by Archibald Knox, central panel flanked with pierced and cast Celtic knot, central green and blue enamel panel, stamped marks 5cm. drop

£350­450

380

A Smith and Ewen silver and enamel pendant, shield shaped, cast in low relief with flower motif, enamelled blue and green, with small drop stamped marks, 4cm. drop

£150­200

381

A Georg Jensen Aura silver and ebony bangle designed by Anna Ammitzbøll, model no.A33B, stamped marks, 7.5cm. wide

£300­500

382

A Georg Jensen silver Torun neck ring and smoked rock crystal pendant designed by Vivianna Torun BülowHübe, model no.160, in original Georg Jensen presentation box, stamped marks to both pieces, 16cm. wide (necklace), 6.5cm. long (pendant)

£600­1,000

END OF DAY ONE

381

DAY TWO LOTS 383 - 610

THE STUDIO POTTERY & GLASS COLLECTION OF ROSSLYN HILL

ROSSLYN HILL

Rosslyn had a life­long interest in the arts with his extensive travel exploits influencing his eclectic taste, from Kabuki theatre and Indian classical music to contemporary art and Russian icons.

He was a senior lecturer in Graphic Design at Kingston University and an accomplished illustrator, with his drawings used on the covers of his two wellreceived books of short stories. He took up writing later in life and enjoyed it immensely.

His passion for studio pottery began after a visit to the Leach Pottery in the early 1960’s. He particularly liked visiting the potters he collected… having tea with Lucie Rie in her mews studio while flicking through her order book or discussing clay mixing with Richard Batterham would keep him constantly fascinated. He made trips to many potters over the years including Ursula Mommens in East Sussex, Phil Rogers in Rhayader and Emmanuel Cooper in London. The regular kiln openings of Lisa Hammond at Maze Hill Pottery were a particular favourite. He was also a collector and friend of the contemporary glass artist Sam Herman. His mantra was not to buy a ‘name’ but simply a piece that spoke to him. In his Will he left several pieces from his collection to the Fitzwilliam Museum and the Victoria & Albert Museum.

David Bloomfield

383

Peter Layton (born 1937)

Pebble form, 1983

flattened, freeblown glass body with off­set aperture, decorated with red and iridescent blue and opaque lines, and another shell form glass vase by Peter Layton, dated 1984, etched Peter Layton, 1983 to base 16cm. wide 8cm. high (4)

Provenance

The collection of Rosslyn Hill.

£120­180

384

Peter Layton (born 1937)

Bottle, 1984

solifleur glass vase with fluted, flattened body, covered in a golden iridescence, another vase by Peter Layton and a glass paperweight, etched marks

26.5cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­200

385

Anthony Stern (1944­2022)

Vase

shouldered cylindrical form with flaring rim, orange with aubergine veins, cased in clear, a bowl similar, a vase by Norman Stuart Clarke and two other bowls etched signature 26cm. high (5)

Provenance

The collection of Rosslyn Hill.

£150­250

386

Norman Stuart­Clarke (born 1948)

Ovoid vase

ovoid clear glass with small solifleur aperture, surface decorated in colours with a moon motif, another smaller and a small collection of Contemporary glass by Norman StuartClarke, Siddy Langley and others etched signature

15.5cm. high (12)

Provenance

The collection of Rosslyn Hill.

£150­200

Ross Hill resting near Phil Roger’s pottery.

Φ 387

Samuel J Herman (1936­2020)

Untitled vessel, shouldered form with short neck, thick clear glass internally decorated with green pulled columns and yellow/white band, etched Samuel J Herman 15cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 388

Samuel J Herman (1936­2020)

Untitled vessel, 1970

streaked orange and red glass with a band of air bubbles and colour inclusions, cased in clear

etched Samuel J Herman 1970 13cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 389

Samuel J Herman (1936­2020)

Untitled vessel, 1969

flattened, shouldered form, yellow and white streaked glass surface decorated with lustre band

etched Samuel J Herman 1969 15cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 390

Samuel J Herman (1936­2020)

Untitled vessel, 1970 ovoid vase with knopped solifleur neck, opaque glass with green and yellow band to shoulder, cased in clear, etched Samuel J Herman 1970 21cm. high

Provenance

The collection of Rosslyn Hill.

Literature

Rollo Campbell Sam Herman, Lund Humphries, page 18 for a photograph of the Victoria & Albert Museum exhibition 1971, with a very similar vase illustrated.

£200­300

Φ 391

Samuel J Herman (1936­2020)

Vase with angled neck, 1970 large ovoid form, clear and opaque body with purple band with yellow spots, etched Samuel J Herman No.190, 1970 31cm. high

Provenance

The collection of Rosslyn Hill.

Literature

Rollo Campbell Sam Herman, Lund Humphries, page 18 for a photograph of the Victoria & Albert Museum exhibition 1971, with a very similar vase illustrated.

£300­500

Φ 392

Bernard Leach CBE (1887­1979)

Conical bowl

Leach Pottery, porcelain bowl, the well with simple flowerhead motif, pale celadon glaze

impressed seal marks, 18.3cm. diam.

Provenance

The collection of Rosslyn Hill.

£200­400

Φ 393

Janet Leach (1918­1997)

Bottle vase

a Leach Pottery porcelain vase, shouldered form with flaring rim, covered in a pale celadon glaze, impressed seal marks, 18.5cm. high

Provenance

MAAK.

The collection of Rosslyn Hill.

£150­200

394

Janet Leach (1918­1997)

Square dish

a Leach Pottery stoneware dish, resist decorated with cross motif, a Leach Pottery bowl by Janet Leach and a Leach Pottery Domestic ware jug, salt cup and saucer covered in a celadon glaze

impressed seal marks, small chip to cup rim, 15cm. square (6)

Provenance

The collection of Rosslyn Hill.

£150­200

395

Jeremy Leach (born 1941)

Bellied Jug 1999

stoneware, covered in a mottled and pitted grey glaze to the base, a Lowerdown Pottery fluted jar and cover probably Jeremy Leach and three other pieces impressed seal marks

32.5cm. high (6)

Provenance

The collection of Rosslyn Hill.

£150­200

396

David Leach OBE (1911­2005)

Bowl

Lowerdown Pottery, cut­sided porcelain, covered in a rich sang de boeuf glaze, two other Lowerdown bowls and a unomi by David Leach

impressed seal marks, 15.5cm. diam. (4)

Provenance

The collection of Rosslyn Hill.

£150­200

397

David Leach OBE (1911­2005)

Cut-sided bowl

Lowerdown Pottery, porcelain, footed unomi form, covered in a rich ox blood glaze, another covered in a celadon glaze, and two other cut­sided bowls

impressed seal mark 9cm. high (4)

Provenance

Contemporary Ceramics MAAK, 17th November 2016. (main bowl).

The collection of Rosslyn Hill.

£150­200

398

David Leach OBE (1911­2005)

Tea cannister and cover

Lowerdown Pottery, covered in an oatmeal glaze with painted cobalt and iron red panels, another similar and a fluted caddy and cover covered in an ash glaze impressed seal marks 9cm. high (6)

Provenance

The collection of Rosslyn Hill.

£150­250

399

David Leach OBE (1911­2005)

Footed bowl

Lowerdown Pottery, porcelain footed bowl, covered in an off white glaze, with painted chestnut feather band, and four other

Lowerdown bowls and a small collection of Leach related pottery impressed seal mark 13cm. diam. (a lot)

Provenance

The collection of Rosslyn Hill.

£150­200

400

David Leach OBE (1911­2005)

Bottle vase

Lowerdown Pottery, stoneware, covered with a rich tenmoku glaze, painted iron flowers, a stoneware vase with tenmoku and nuka and a teabowl both by Peter Swanson impressed seal marks

20.5cm. high (3)

Provenance

Harlequin Gallery, Peter Swanson squared and beaten bottle and teabowl, 2008. The collection of Rosslyn Hill.

£150­200

401

David Leach OBE (1911­2005)

Cut-sided bowl

a large Lowerdown Pottery bowl, covered in a deep tenmoku glaze, and another smaller impressed seal marks 25cm. diam.

15.5cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­250

402

David Leach OBE (1911­2005)

Cut-sided bowl

Lowerdown Pottery, footed form covered in a celadon glaze, and two Lowerdown Pottery porcelain bowls impressed seal marks 13cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­200

403

David Leach OBE (1911­2005)

Box and cover

Lowerdown Pottery, painted with stylised fish in iron and cobalt blue on an off white ground, another Lowerdown Pottery box and cover with incised flower motif, and five other covered boxes by Emmanuel Cooper, and a collection of studio pottery including a Crowan Pottery coffee service impressed seal marks 9cm. diam. (a lot)

Provenance

The collection of Rosslyn Hill.

£150­250

404

Svend Bayer (born 1946)

Jar and cover

408

Douglas Fitch (born 1964)

stoneware, twin­handled form, painted with a large scaly fish in blue, on an oatmeal ground, unsigned 29cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­200

405

Michael Cardew (1901­1983)

Teapot and cover

Wenford Bridge stoneware, covered in a grey glaze with painted cobalt blue panel band, a stoneware teapot and cover by Michael Casson and four other pots and covers impressed seal marks, 12.5cm. high (12)

Provenance

Paul Rice Gallery (Cardew pot)

The collection of Rosslyn Hill.

£150­200

406

Henry Hammond (1914­1989) footed bowl

stoneware, painted to the exterior with simple grasses in rust, a stoneware vase by Paul Barron, a bowl by David Lloyd Jones, a bowl by Charles Hare and a small collection of studio pottery impressed seal mark, 19cm. diam. (a lot)

Provenance

The collection of Rosslyn Hill.

£150­250

407

Ray Finch (1914­2012)

Plate

a Wenford Bridge stoneware plate, covered in a tenmoku glaze with blue dots and pulled design, three others similar two slipware caddy’s and covers and a collection of slipware impressed seal mark 28cm. diam. (a lot)

Provenance

The collection of Rosslyn Hill.

£150­200

Storage jar and cover earthenware, slip decorated with simple brushed design impressed seal mark 24cm. high (2)

Provenance

Harlequin Gallery, 2008

The collection of Rosslyn Hill.

£120­180

409

Clive Bowen (born 1943)

Storage jar and cover red earthenware, bellied form, covered in a green ash glaze with simple brushed decoration above combed band, unsigned 35cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 410

Malcolm Pepper (1937­1980)

Vase

stoneware, shouldered form, covered in a running tenmoku glaze over iron impressed seal mark, 35cm. high

Provenance

The collection of Rosslyn Hill.

£150­250

411

Ian Godfrey (1942­1992)

Teapot and cover

stoneware, covered in a cream glaze, a pair of stoneware cups and saucers by Rupert Spira, and a cut sided teapot and cover by Mike Dodd, and a William Plumptre small dish, unsigned 13.5cm. high (9)

Provenance

Acquired directly from the artist in the 1970s. The Nicholas Treadwell Collection, Austria. Contemporary Ceramics, MAAK, 30th October 2014, lot 91.

The collection of Rosslyn Hill.

£150­200

412

Mike Dodd (born 1943)

Cut-sided teapot and cover stoneware with over slung handle, covered in an ash glaze, a small stoneware footed dish by Colin Kellem, and a small collection of studio pottery including a salt­glaze stoneware bowl by Michael Casson, a stoneware jug by Jean Nicolas Gerard, a bowl by Fenella Mallalieu, and a stoneware bowl and a platter attributed to Clive Bowen, impressed seal mark, 21cm. high (10)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 413

Mike Dodd (born 1943)

Stoneware jar shouldered form with fluted body covered to the foot with a tenmoku glaze breaking to Kaki, flooded seal mark, 33.5cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

414

Mike Dodd (born 1943)

Vase

stoneware, fluted form with collar rim, covered in a running ash glaze, and four bowls or tea bowls by Mike Dodd impressed seal mark 17.5cm. high (5)

Provenance

The collection of Rosslyn Hill.

£150­250

WILLIAM ‘BILL’ MARSHALL

415

William Bill Marshall (1923­2007)

Unomi

Leach Pottery, stoneware, footed form, covered in a tenmoku glaze to the exterior, the interior celadon, and a bowl similar by William Bill Marshall, impressed seal marks 9cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 416

William Bill Marshall (1923­2007)

Stoneware bowl

a Leach Pottery stoneware bowl, flaring form, covered in a Hakeme brushed glaze with brushed tenmoku grasses, and a small stoneware bowl by Katherine Pleydell­Bouverie, impressed seal marks, minor glaze loss to the rim, 22cm. diam. 11cm. high (2)

Provenance

The collection of Rosslyn Hill.

£100­200

417

William Bill Marshall (1923­2007)

A stoneware tall jar and cover cylindrical form, covered in a thick brushed hakeme glaze, under pale grey transparent glaze, with green spots to the cover, impressed seal mark 21cm. high (2)

Provenance

The Dayabandhu (Michael Evans) Collection, London. Acquired from A M Suddaby, Cornwall, 1994. Unifying Eye The Dayabandhu Collection, MAAK, 14th May 2020, lot 9.

The collection of Rosslyn Hill.

£150­200

Φ 418

William Bill Marshall (1923­2007)

Storage cannister and cover

porcelain, covered in a speckled celadon glaze with cobalt blue brushwork etched monogram, hairlines to top rim, 12.5cm. high (2)

Provenance

Paul Rice Gallery. The collection of Rosslyn Hill.

£120­180

419

William Bill Marshall (1923­2007)

Unomi stoneware, footed form, covered in a translucent hakeme glaze and painted iron grass stem, and a small unomi by Willliam Bill Marshall covered in a tenmoku glaze

impressed seal mark

9.5cm. high (2)

Provenance

Contemporary Ceramics, MAAK, 18th May 2017 (main unomi).

The collection of Rosslyn Hill.

£150­200

Φ 420

William Bill Marshall (1923­2007)

Footed bowl

stoneware, flaring conical form, brushed hakeme glaze, brushed grass motif impressed seal marks, 25.5cm. diam.

13.5cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 421

William Bill Marshall (1923­2007)

Porcelain vase

a Leach Pottery vase, cut­sided, shouldered form, covered in a pale celadon glaze impressed seal marks

25cm. high

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 422

William Bill Marshall (1923­2007)

Stoneware bottle vase

hakeme brushed over ash glaze to the foot, painted simple wooded mountain landscape motif in tenmoku

impressed seal mark to inside of foot rim, 27cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 423

William Bill Marshall (1923­2007)

Bottle with loop handles, stoneware, covered to the foot in a rich tenmoku glaze, impressed seal mark twice 30cm. high

Provenance

The collection of Rosslyn Hill.

£200­400 Φ 424

William Bill Marshall (1923­2007) Vase

Leach Pottery, ovoid vase with collar rim, covered in a pale celadon glaze, with simple brushed grass motif impressed seal marks, 12cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 425

William Bill Marshall (1923­2007) Vase

tall, faceted form with inverted top rim, covered in a green streaked glaze, impressed seal mark to side 37cm. high

Provenance

The collection of Rosslyn Hill.

£150­250

422 421

423

RICHARD BATTERHAM

426

Richard Batterham (1936­2021)

stoneware footed bowl with chatter band the fluted exterior glazed iron, the interior ash, and a larger stoneware footed bowl by Reuben Batterham, unsigned, 27.5cm. diam. 14.5cm. high

Provenance

The collection of Rosslyn Hill.

£120­180

427

Richard Batterham (1936­2021)

Cut-sided bowl

stoneware, covered in an iron glaze to the exterior, the interior ash, two souffle dishes and a covered pot unsigned 18cm. diam. (5)

Provenance

Durweston Pottery, purchased from the potter.

The collection of Rosslyn Hill.

£150­200

Φ 429

Richard Batterham (1936­2021)

Box and cover stoneware, covered in a celadon glaze to the foot with blue, and two graduated butter dish and covers by Richard Batterham unsigned, 9.5cm. diam. (6)

Provenance

Contemporary Applied Arts, 2016.

The collection of Rosslyn Hill.

£150­200

430

Richard Batterham (1936­2021)

Tazza

stoneware, covered to the foot with an ash glaze, a jug and two bowls with chatter bands, one by Reuben Batterham unsigned 14cm. diam (tazza), (4)

Provenance

The collection of Rosslyn Hill.

£150­200

428

Richard Batterham (1936­2021)

Fluted tazza

stoneware, covered in an ash glaze, another smaller footed bowl covered in ash and iron, and a larger bowl by Rueben Batterham unsigned 23cm. diam. (3)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 431

Richard Batterham (1936­2021)

Teapot and cover cut­sided stoneware form, covered in a speckled celadon glaze unsigned 12cm. high (2)

Provenance

David Mellor, London, 2016.

The collection of Rosslyn Hill.

£150­200

Φ 432

Richard Batterham (1936­2021)

Bowl with chatter band, a large, early porcelain bowl with chatter band to interior, unsigned, paper exhibition label no.138 32cm. diam.

Provenance

Contemporary Ceramics MAAK 25th November 2011, lot 289.

The collection of Rosslyn Hill.

£150­250

Φ 433

Richard Batterham (1936­2021)

A stoneware caddy and cover

fluted, cut sides, covered to the foot with an ash glaze, the cover with star motif

unsigned, painted Cobalt no.5 mark 24.5cm. high (2)

Provenance

Joanna Bird Gallery.

The collection of Rosslyn Hill.

£200­300

Φ 434

Richard Batterham (1936­2021)

Jar and cover stoneware, covered with an ash glaze unsigned, painted cobalt S3 18.5cm. high (2)

Provenance

The collection of Rosslyn Hill.

£120­180

Φ 435

Richard Batterham (1936­2021)

Caddy and cover a stoneware caddy and cover, with incised columns, covered to the foot in a speckled ash glaze unsigned, painted BV 20.5cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­250

436

Richard Batterham (1936­2021)

Caddy and cover stoneware, covered in an ash glaze with iron, and another smaller caddy and cover with chatter band by Richard Batterham, unsigned, smaller caddy’s cover chipped 15.5cm. high (4)

Provenance

Joanna Bird Gallery, 2006.

The collection of Rosslyn Hill.

£150­250

Φ 437

Richard Batterham (1936­2021)

A stoneware caddy and cover covered with a running ash glaze unsigned, 13cm. high (2)

Provenance

The collection of Rosslyn Hill.

£120­180

Φ 438

Richard Batterham (1936­2021)

Flower bottle stoneware, shouldered form with beaten sides, covered in a rich tenmoku glaze with iron, unsigned 22cm. high

Provenance

Contemporary Ceramics, MAAK. The collection of Rosslyn Hill.

£150­200

Φ 439

Richard Batterham (1936­2021)

Caddy and cover stoneware, fluted sides, covered to the foot in an ash glaze unsigned, paper collection label 12.5cm. high (2)

Provenance

Durweston Pottery, purchased directly by the vendor from Richard Batterham. The collection of Rosslyn Hill.

£120­180

437

JIM MALONE

Φ 440

Jim Malone (born 1946)

Stoneware bottle

pear shaped body with cylindrical neck, covered in a tenmoku glaze to the foot with iron spots

impressed seal mark and Burnby mark to side, paper collection number 396 29cm. high

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 441

Jim Malone (born 1946)

Korean bottle

stoneware Ainstable Pottery vase with tenmoku glaze, the shoulder running nuka glaze, impressed seal marks, 35.5cm. high

Provenance

Harlequin Gallery, 2009.

The collection of Rosslyn Hill.

£150­200

442

Jim Malone (born 1946)

Fish bowl

a stoneware bowl, footed form, covered in a hakeme brushed glaze, painted with scaly fish swimming, and another larger bowl by Jim Malone painted with simple leaf band to the interior and a taller stoneware jug by Jim Malone, impressed seal marks, 21cm. diam. (fish bowl) 29cm. high (jug), (3)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 443

Jim Malone (born 1946)

Bottle vase

stoneware, slender, swollen form, covered in a pale celadon ground, with painted leaping fish motif

impressed seal marks, 31cm. high

Provenance

Auction Atrium.

The collection of Rosslyn Hill.

£150­200

Φ 444

Jim Malone (born 1946)

Bottle

Ainstable Pottery, stoneware vase, covered in a nuka glaze, painted with a swimming scaly fish in blue and rust, impressed seal marks, 38.5cm. high

Provenance

The collection of Rosslyn Hill.

£150­250

445

Jim Malone (born 1946)

Tall jug

stoneware, covered in a tenmoku glaze breaking to Kaki with green trails impressed seal mark and L seal mark

35cm. high

Provenance

Sylvester Gallery, 2013.

The collection of Rosslyn Hill.

£120­180

446

Jim Malone (born 1946)

Footed bowl

a stoneware bowl, covered to the foot in a cream glaze with painted scaly fish, and three other Chawan by Jim Malone, impressed seal marks 14.5cm. diam. (4)

Provenance

Sylvester Gallery, 2013 (main bowl).

The collection of Rosslyn Hill.

£150­250

447

Jim Malone (born 1946)

Footed bowl

three stoneware footed bowls, each covered in a brushed glaze, painted with simple grass motif in iron and copper blue, impressed seal mark, impressed L 13.5cm. diam. (3)

Provenance

The collection of Rosslyn Hill.

£150­200

448

Geoffrey Whiting (1919­1988)

Unomi

stoneware footed form, covered in a running rust over tenmoku glaze, another larger, a porcelain bowl and a vase by David Lloyd Jones, a plate by Barbara Cass pottery impressed seal mark

9.5cm. high (5)

Provenance

The collection of Rosslyn Hill.

£150­200

449

Mary Rich (1940­2022)

Bottle vase

porcelain, shouldered form with flaring rim, painted with bands in burgundy and black, a bowl by Mary Rich, a footed bowl by Marianne De Trey and five marbled bowls impressed seal mark 11cm. high (8)

Provenance

The collection of Rosslyn Hill.

£150­200

450

Marianne De Trey (1913­2016)

Flaring vase

porcelain, painted with simple foliate design in red and blue on a pale celadon ground, three others similar and two bottles a box and cover and three small bowls impressed seal mark

11.5cm. high (11)

Provenance

The collection of Rosslyn Hill.

£200­300

451

Marianne De Trey (1913­2016)

Stoneware dish

swollen rectangular form, painted with bands in colours, a small Avoncroft Pottery bowl by Geoffrey Whiting, a small Lowerdown Pottery bowl painted with foxgloves, and a large ovoid vase attributed to Malcolm Pepper, impressed seal mark to De Trey dish, 21cm. wide (4)

Provenance

The collection of Rosslyn Hill.

£120­180

Φ 452

Ursula Mommens (1908­2010)

Vase

stoneware, shouldered form with collar rim, covered in a tenmoku glaze with iron, impressed seal mark 27cm. high

Provenance

Harlequin Gallery, 2012.

The collection of Rosslyn Hill.

£150­200

PHIL ROGERS

Φ 453

Phil Rogers (1951­2020)

Stoneware jug

a tall stoneware jug, incised, combed and slip decoration under a tenmoku glaze, the interior ash, impressed seal mark, 30.5cm. high

Provenance

The collection of Rosslyn Hill.

£200­400

Φ 454

Phil Rogers (1951­2020)

Salt-glaze stoneware jug

tall tapering form, surface decorated with fine diagonal lines, covered in an ash salt­glaze impressed seal marks, 38.5cm. high

Provenance

The collection of Rosslyn Hill.

£120­180

455

Phil Rogers (1951­2020)

Footed bowl

a stoneware bowl, flaring form with incised comb decoration, glazed ash, three other bowls and two plates impressed seal marks, 16cm. diam. (6)

Provenance

The collection of Rosslyn Hill.

£150­200

456

Phil Rogers (1951­2020)

Footed bowl

a salt­glaze stoneware footed bowl and four others by Phil Rogers impressed seal mark cm. diam. (5)

Provenance

The collection of Rosslyn Hill.

£150­250

457

Phil Rogers (1951­2020)

Storage jar and cover tapering cylindrical form, covered in a rich tenmoku glaze over ash impressed seal mark 15cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 458

Phil Rogers (1951­2020)

Storage jar and cover stoneware, fluted swollen body, glazed to the foot in a dark tan glaze, and another storage jar and cover glazed ash by Phil Rogers impressed seal mark 32cm. high (4)

Provenance

The collection of Rosslyn Hill.

£150­200

459

Phil Rogers (1951­2020)

Jug

stoneware, with applied decoration, covered to the foot with a cream glaze with iron spots, a stoneware bowl and a plate both covered in an ash glaze by Phil Rogers impressed seal mark, 31.5cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 460

Phil Rogers (1951­2020)

Bottle

stoneware, square section, painted with grassed in iron over a speckled oatmeal glaze, and another bottle by Phil Rogers impressed seal mark 23.5cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­250

461

Phil Rogers (1951­2020)

Square dish

stoneware covered in an ash glaze with four painted olive patches to the rim, and a stoneware jar and cover by Phil Rogers impressed seal mark, 24cm. square (3)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 462

Phil Rogers (1951­2020)

Bottle

stoneware, faceted form, covered in a pale ash glaze, impressed seal mark, 26cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 463

Phil Rogers (1951­2020)

Bottle

stoneware bottle, shouldered form with incised comb bands, covered to the foot in a pale ash glaze with iron spots, 34cm. high

Provenance

Purchased directly from the potter

The collection of Rosslyn Hill.

£150­200

464

Phil Rogers (1951­2020)

Bottle

stoneware, faceted form, covered in an ash glaze, another covered in a grey glaze and another smaller salt­glazed bottle by Phil Rogers

impressed seal marks, 22.5cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 465

Phil Rogers (1951­2020)

Bottle

stoneware, swollen cylindrical form with impressed mon and comb motif, covered to the foot with an ash glaze impressed seal mark, 39cm. high

Provenance

Purchased directly from the potter

The collection of Rosslyn Hill.

£150­200

463

461

462

466

Peter Sparrey (born 1967)

Unomi

cut­sided stoneware unomi, covered to the foot with sang de boeuf glaze, the interior pale lavender, another waisted unomi by Peter Sparrey covered in a chun glaze. a cut­sided bowl by Peter Sparrey, a porcelain unomi in wooden box by Richard Heeley, and a cutsided stoneware vase covered in a blue glaze, impressed seal marks, 10.5cm. diam. 8cm. high (5)

Provenance

The collection of Rosslyn Hill.

£120­180

467

Eric James Mellon (1925­2014)

Plate

stoneware painted with a horse in a landscape in elm ash, two bowls by Mick Casson, a vase by Bernard Charles and a jug by Katherine Pleydell Bouverie

painted signature

21.5cm. diam. (5)

Provenance

Contemporary Ceramics, MAAK, 15th November 2012, lot 147. The collection of Rosslyn Hill.

£150­200

468

Michael Casson (1925­2003)

Footed vase

incised band of geometric decoration in rust, the interior speckled grey, and a tall salt­glazed stoneware jug by Michael Casson impressed seal mark, 15cm. high (2)

Provenance

Paul Rice Gallery (both).

The collection of Rosslyn Hill.

£150­250

469

Nic Collins (born 1958)

Tall bellied jug salt­glazed stoneware, and three vases similar impressed seal mark, incised signature 60cm. high (4)

Provenance

The collection of Rosslyn Hill.

£150­200

470

Jane Hamlyn MBE (born 1940)

Storage jar and cover stoneware, cylindrical form with fumed blue and green glaze, the cover with looped handle impressed seal mark, 21.5cm. high (2)

Provenance

The collection of Rosslyn Hill.

£150­200

471

Lisa Hammond (born 1956)

Bottle vase

stoneware, shouldered square section covered in a soda shino glaze, two graduated jugs and a beaker vase by Lisa Hammond and four other soda glaze items unsigned 24.5cm. high (8)

Provenance

Sylvester Gallery, 2013.

The collection of Rosslyn Hill.

£150­200

Φ 472

Lisa Hammond (born 1956)

Moon Jar

stoneware covered in a textured red shino glaze

unsigned

31cm. high

Provenance

Lisa Hammond Exhibition, Contemporary Ceramics, 2007, (no.11 or 80).

The collection of Rosslyn Hill.

£300­500

Φ 473

Peter Swanson (born 1950)

Vase

stoneware, shouldered form with impressed decoration, covered in a running Roof Thatch over ochre glaze, impressed seal mark, paper exhibition label no.12

34cm. high

Provenance

The collection of Rosslyn Hill.

£120­180

Φ 474

Andrew Crouch (born 1955)

Moon vase

large, ovoid form with vertical ribs, glazed white, impressed seal mark, paper collection label no.221

31cm. high

Provenance

The collection of Rosslyn Hill.

£120­180

Φ 475

William Plumptre (born 1959)

Tall stoneware bottle vase, slender swollen form, pale celadon glaze with iron spots and blue brushed decoration painted monogram, collection number 124 38cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

473

474

472

476

A Ruskin Pottery Souffle bowl, footed form, covered in a plum glaze, with painted foliate band to rim, two Pilkington’s Royal Lancastrian vases by Gladys Rogers, another Pilkington’s vase and a small Royal Doulton Flambe vase unsigned 11cm. diam. (5)

Provenance

The collection of Rosslyn Hill.

£120­180

477

Sandy Brown (born 1946)

Footed bowl

earthenware, cylindrical form, painted in colours, another similar and a collection of tea bowls by various potters including Peter Swanson, Janice Tchalenko and others

painted SM monogram

11.5cm, diam. (a lot)

Provenance

The collection of Rosslyn Hill.

£150­250

478

Chris Carter (born 1945)

Footed bowl

stoneware covered in a textured white glaze with manganese rim, a footed bowl by Jack Doherty, a footed bowl by Gutte Erikson, a larger footed bowl by Gilles Le Corre and a collection of tea bowls and bowls impressed seal mark, 12.5cm. diam. (a lot)

Provenance

Hart Gallery, 2012 (Chris Carter).

The collection of Rosslyn Hill.

£150­250

Φ 479

Sutton Taylor (born 1943)

Conical bowl covered in an orange and red lustre glaze impressed seal mark, 23cm. diam.

10cm. high

Provenance

Contemporary Ceramics, MAAK, 13th May 2011 lot 141. The collection of Rosslyn Hill.

£150­200

Φ 480

Hans Vangso (born 1950)

Squared Jar, 2012 stoneware with pitted crawling white glaze with iron speckles impressed seal mark

16.5cm. high

Provenance

The Scottish Gallery, Edinburgh, 2012 Private Collection, Germany. Contemporary Ceramics, MAAK, 14th November 2019 lot 283. The collection of Rosslyn Hill.

£150­200

481

Inger Rokkjaer (1934­2008)

Raku fired vessel, 2005 stoneware, cylindrical form covered in a yellow glaze with incised vertical lines, and a fluted stoneware vase by Ulla Hansen, impressed IR seal mark and 2005 date, paper label IR182, 12.5cm. diam. (2)

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 482

Abdo Nagi (1941­2001)

Footed bowl

covered in a matt blue and green glaze with metallic bronze manganese rim, impressed seal mark, 17cm. diam.

12.5cm. high

Provenance

The collection of Rosslyn Hill.

£120­180

483

Abdo Nagi (1941­2001)

Footed bowl

a stoneware footed bowl, covered in a pitted green glaze with tan band, the rim with manganese, a Poh Chap Yeap charger, painted with simple brushed lily stems on a blue celadon ground and another charger, impressed seal mark, paper collection label no.255 16.5cm. diam.

8cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 484

Ray Silverman (born 1943)

Footed vase

stoneware, covered in a textured white glaze with blue and red bleeding bands, impressed seal mark

18.5cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 485

Paul Philp (born 1941)

Vase on foot

two stoneware, square section vases, one covered in a pitted and textured cream glaze with green spots, the other glazed cream, impressed seal mark, 15cm. high (2)

Provenance

Contemporary Potters Association, 2013.

The collection of Rosslyn Hill.

£150­250

Φ 486

Joanna Constantinidis (1927­2000) Bowl

porcelain, flaring form covered in a pale celadon glaze

impressed seal mark, 15.3cm. diam.

8.5cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

487

Sasha Wardell (born 1956)

Porcelain vase

flaring elliptical form with incised dash motif, the interior glazed pale blue, a small vase by Delan Cookson, a porcelain bowl by Peter Willis covered in a yellow glaze, a salt­glaze stoneware jug by Jane Hamlyn and a porcelain bowl by Susan Nemeth incised monogram, paper collection label no.41

15cm. high (5)

Provenance

The collection of Rosslyn Hill.

£120­180

488

Peter Willis (born 1955)

Bowl

porcelain, flaring form covered in an orange glaze, with running manganese rim, another smaller covered in a yellow glaze and four other bowls by Peter Willis impressed seal mark, incised signature 18.5cm. diam. (6)

Provenance

The collection of Rosslyn Hill.

£150­200

489

Peter Willis (born 1955)

Conical bowl

footed, conical porcelain bowl glazed white with sgraffito lines, turquoise band to well and foot, and two smaller bowls by Peter Willis incised signature 21.5cm. diam. (3)

Provenance

The collection of Rosslyn Hill.

£120­180

490

Rachel Wood (born 1962)

Vase

hand­built stoneware with apertures, covered in coloured slips, another four smaller by Rachel Wood unsigned 20.5cm. high (5)

Provenance

The collection of Rosslyn Hill.

£150­250

Φ 491

Robin Welch (1936­2019)

Vase

stoneware, cylindrical form with incised and painted decoration, mottled blue, grey and white glaze with red and lapis blue panels, a smaller footed bowl and another larger vase by Robin Welch impressed seal marks, large vase repaired 24cm. high (3)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 492

Robin Welch (1936­2019)

Footed bowl, a stoneware footed bowl, covered in a textured glaze to the foot rim, the top rim glazed manganese with blue band, a smaller footed bowl by Robin Welch impressed marks 18cm. diam. (2)

Provenance

The collection of Rosslyn Hill.

£200­300

493

Ruth King (born 1955)

Vase

square section, covered in a matt green glaze with rust spots impressed RK 28cm. high

Provenance

The collection of Rosslyn Hill. Woolley and Wallis would like to thank Ruth King for confirming the attribution and the date of circa 1985.

£120­180

Φ 494

Dame Lucie Rie (1902­1995)

Bowl

stoneware, footed form, covered in a yellow glaze to the foot impressed seal mark to base, chip to rim, 14cm. diam. 7cm. high

Provenance

The collection of Rosslyn Hill.

£300­500

Φ 495

Peter Beard (born 1951)

Ovoid vessel

ground and polished with glazed red and blue highlights impressed seal marks, paper collection label 17.5cm. high

Provenance

Craft Potters Association, 2014

The collection of Rosslyn Hill.

£200­300

496

Peter Beard (born 1951)

Vessel with inverted rim, shouldered ovoid form, textured blue glaze with thin wavy vertical sky blue lines, and another similar vase by Peter Beard 12.5cm. high (2)

Provenance

Contemporary Potters Association, 2014. The collection of Rosslyn Hill.

£150­250

497

Peter Beard (born 1951)

Ovoid vessel

stoneware, textured blue glaze with thick sky­blue vertical stripes, and another vase by Peter Beard, impressed seal marks 12cm. high (2)

Provenance

Contemporary Potters Association, 2019. The collection of Rosslyn Hill.

£150­200

EMMANUEL COOPER

Φ 498

Emmanuel Cooper OBE (1938­2012)

Flaring bowl covered in a textured silver­grey glaze, manganese rim with pink bleeds, indistinct impressed seal mark, 25cm. diam.

11.5cm. high

Provenance

The collection of Rosslyn Hill. Woolley and Wallis would like to thank The Emmanuel Cooper Estate for their help in confirming authentification of this bowl.

£200­300

Φ 499

Emmanuel Cooper OBE (1938­2012)

Footed bowl, stoneware covered in a streaked sky blue, white and grey glaze with running manganese rim, impressed seal mark 10.5cm. high

Provenance

Contemporary Ceramics, MAAK, 22nd November 2018 lot 195. The collection of Rosslyn Hill.

£200­300

Φ 500

Emmanuel Cooper OBE (1938­2012)

Footed bowl covered in a textured white, pink and sky blue glaze, and another bowl by Emmanuel Cooper flooded seal mark, 10cm. high (2)

Provenance

Purchased directly from the artist (main vase).

The collection of Rosslyn Hill.

£150­250

Φ 501

Emmanuel Cooper OBE (1938­2012)

Plate

a rare and early large plate, painted to the well with a geometric design inspired by American Indian design and the Op Art designs of Bridget Riley, impressed seal mark 32.5cm. diam.

Provenance

The collection of Rosslyn Hill. Exhibited

Emmanuel Cooper retrospective Ruthin Craft Centre, 2013­2014.

Literature

David Horbury Making Emmanuel Cooper, Unicorn, page 189 for two related plates, these plates were thrown by Emmanuel and painted by Mike Vaughan­Jones.

£200­300

Φ 502

Emmanuel Cooper OBE (1938­2012)

Plate

a rare and early large plate, circa 1972, covered in mushroom glaze and painted radiating red geometric design inspired by American Indian design and the Op Art designs of Bridget Riley, inside a red rim, unsigned 32.5cm. diam.

Provenance

The collection of Rosslyn Hill.

Exhibited

Emmanuel Cooper retrospective Ruthin Craft Centre, 2013­2014.

Literature

David Horbury Making Emmanuel Cooper, Unicorn, page 189 for two related plates, these plates were thrown by Emmanuel and painted by Mike Vaughan­Jones.

Woolley and Wallis would like to thank David Horbury for his help in confirming authentification of this platter.

£200­400

Φ 503

Emmanuel Cooper OBE (1938­2012)

Conical bowl

flaring conical form with vivid yellow glaze, the rim running manganese

impressed seal mark

20.65cm. diam.

7.5cm. high

Provenance

The collection of Rosslyn Hill.

Literature

Amanda Game Contemporary British Crafts PWP page 158 cat. no.62 for a comparable bowl.

£200­400

Φ 504

Emmanuel Cooper OBE (1938­2012)

Conical bowl

flaring conical bowl with running, thick white and blue volcanic glaze, over matt black, impressed seal mark, paper exhibition label no. 45, catalogue label number 49

34cm. diam.

12cm. high

Provenance

The collection of Rosslyn Hill.

£300­500

Φ 505

Emmanuel Cooper OBE (1938­2012)

Conical bowl (Smart 1) covered in a thick, running volcanic pink and white glaze over black, impressed seal mark, paper exhibition number 7 label, 10cm. high 16cm. diam.

Provenance

The collection of Rosslyn Hill. Exhibited Emmanuel Cooper retrospective Ruthin Craft Centre, 2013­2014.

£150­250

Φ 506

Emmanuel Cooper OBE (1938­2012)

Conical vase white stoneware with turquoise blue spiral impressed seal mark, paper collection label no.5 15.5cm. high

Provenance

The collection of Rosslyn Hill.

£200­300

Φ 507

Emmanuel Cooper OBE (1938­2012)

Conical bowl

flaring conical bowl, covered in a bronze manganese glaze with bright blue rim and well, impressed seal mark

11.5cm. high

Provenance

The collection of Rosslyn Hill.

£200­400

Emmanuel Cooper OBE (1938­2012)

Conical bowl covered in a matt volcanic blue and green glaze with tan splashes, impressed seal mark, paper exhibition no.39 label

26.5cm. diam.

12.5cm. high

Provenance

The collection of Rosslyn Hill.

£200­400

Φ 508

507

509

Yo Thom (born 1973)

Platter

stoneware, irregular form with incised lines in white and pale blue, two lustre vases by Dan Boyle, and three other pots impressed seal mark 42cm. wide (6)

Provenance

Craft Potters Association, 2019 (Yo Thom).

The collection of Rosslyn Hill.

£150­200

Φ 510

Sotis Filippides (born 1963)

Black footed bowl flaring conical form, another similar and two smaller bowls by Sotis Filippides incised monogram 18.5cm. diam. 10.5cm. high (4)

Provenance

The collection of Rosslyn Hill.

£120­180

511

Antje Ernestus (born 1958)

Platter

porcelain, rectangular footed form, impressed finger marks and painted red circle on a celadon glaze, another smaller, and a large collection of studio pottery included work by Derek Davis, Jonathan Phillips, Vera Tollow, Poh Chap Yeap, and Sarah Walton impressed seal mark 46.5cm.wide (a lot)

Provenance

Crafts Potters Association, 2015 (Antje Ernestus).

The collection of Rosslyn Hill.

£150­250

512

Lara Scobie (born 1967)

Vase with gold interior cylindrical porcelain vase with black lines to exterior, the interior gilded, two others taller, another gilt lined vase by Lara Scobie and three other porcelain vases signed L Scobie, 7.6cm. high (7)

Provenance

Crafts Potters Association, 2016 (main vase).

The collection of Rosslyn Hill.

£150­250

Φ 513

Mandy Cheng

Porcelain Swirl an angled vase, hand built stained porcelain, and another Porcelain Zip vase by Mandy Cheng impressed seal mark, 19.5cm. high (2)

Provenance

Craft Potters Association, 2017. The collection of Rosslyn Hill.

£150­200

514

Duncan Ross (born 1943) Vase

terra­sigillata vase form, incised mark

14cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

515

Duncan Ross (born 1943) Vase

terra­sigillata vase form, incised mark

13cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 516

Gabrielle Koch (born 1948)

Raku vase

low, flaring form covered in a burnished rust glaze incised signature

23cm. diam. 15cm. high

Provenance

Contemporary Potters Association, 2012.

The collection of Rosslyn Hill.

£150­250

Φ 517

John Maltby (1936­2020)

Footed dish

stoneware, painted with geometric flowers and cross motif in iron red, blue and black on a oatmeal ground, painted Maltby 27cm. wide

Provenance

The collection of Rosslyn Hill.

£120­180

Φ 518

Waistel Cooper (1921­2003)

Footed bowl

stoneware, flaring conical form, the exterior matt black with brushed white, the interior glazed speckled pale blue/white, painted Waistel

27cm. diam. 17cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

515

514

518

517

516

519

Jack Doherty (born 1948)

Vase

521

Jack Doherty (born 1948)

Footed bowl

covered in a mottled blue and white soda vapour glaze, and three smaller impressed lead mark

15.5cm. high (4)

Provenance

The collection of Rosslyn Hill.

£150­200

520

Jack Doherty (born 1948)

Footed vase

porcelain with impressed decoration, covered in a soda vapour glaze, and a small jar and cover by Jack Doherty impressed seal mark, 17cm. high (3)

Provenance

Contemporary Potters Association, 2017 (vase).

The collection of Rosslyn Hill.

£150­200

porcelain, flaring, conical form with impressed decoration, with soda vapour glaze, and another square section bowl

impressed seal mark

35cm. diam. (2)

Provenance

The collection of Rosslyn Hill.

£150­200

Φ 522

Elspeth Owen (born 1938)

Shallow bowl

covered in a matt blue and ochre glaze, a vase similar by Elspeth Owen and five other vases

unsigned 23cm. diam. (7)

Provenance

Hart Gallery, 2012 (dish).

The collection of Rosslyn Hill.

£150­200

Φ 523

Ewen Henderson Unomi

stoneware, pinched, irregular form with applied slips and glazes

unsigned 9cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

521

524

Adam Buick (born 1978)

Moon Jar

porcelain glazed white and streaked sang de bouef to shoulder, another similar and three other Moon jars impressed seal mark 8.5cm. high (5)

Provenance

The collection of Rosslyn Hill.

£150­250

525

Adam Buick (born 1978)

Moon Jar

porcelain, glazed blue­grey with textured slip inclusions, and three others by Adam Buick, impressed seal mark, 9cm. high (4)

Provenance

Contemporary Potters Association, 2019 (main vase).

The collection of Rosslyn Hill.

£150­200

526

Adam Buick (born 1978)

Moon Jar

porcelain, glazed white with textured rust bands, and three others similar by Adam Buick impressed seal mark, 9cm. high (4)

Provenance

Contemporary Potters Association (two).

The collection of Rosslyn Hill.

£150­200

524

525

526

527

Tatsuzo Shimaoka (1919­2007)

Two unomi

529

Sho Kato (1927­2001)

Chawan

stoneware, painted with simple leaf roundel in celadon grey on a pale blue ground, in signed and fitted wooden box, impressed seal mark, box signed 8.5cm. high

Provenance

The collection of Rosslyn Hill.

£150­200

528

Tatsuzo Shimaoka (1919­2007), attributed

Four unomi footed form, covered in a rust glaze over ash, with simple mon design, a stoneware unomi by Margarit Curtis and three other tea bowls, unsigned 8.5cm. high (8)

Provenance

The collection of Rosslyn Hill.

£150­200

stoneware with painted decoration, in signed fitted box, a pair of stoneware cups by Suzuki Gord in fitted box and a Seto Bottle, and two other tea bowls

incised signature

12cm. diam. (6)

Provenance

The collection of Rosslyn Hill.

£150­200

530

Kako Katsumi (born 1965)

Chawan

stoneware, with thick running and crazed white glaze over textured grey celadon, in fitted signed box, a stoneware Chawan by Hakusai Yamada and three other Chawan incised mark

13cm. wide (5)

Provenance

Contemporary Ceramics, MAAK, 5th November 2015 lot 113 (Katsumi).

The collection of Rosslyn Hill.

£150­200

531

Kazuya Ishida (born 1986)

Chawan

stoneware, fluted form, covered with a textured white glaze over black, a stoneware chawan by Totaku, a chawan by Seigan Yamane, a bowl by Tsujimura Yui, two unomi by Kazuya Ishida and a bowl, incised mark, 12cm. diam. (7)

Provenance

Harlequin Gallery, 2016 (Ishida).

The collection of Rosslyn Hill.

£150­200

532

Shoji Hamada (1894­1978)

a fine earthenware vase made at the Leach Pottery, St Ives circa 1920­23, ovoid form with collar rim, covered in a cream slip, incised bands of stylised flowers, with iron painted details and bands, impressed Leach Pottery mark and Hamada seal mark, 22cm. high

Provenance

Ernest Marsh collection.

From the collection of Richard Dennis OBE.

Literature

Studio Pottery Ceramics in Society, no.32, Summer 1998, page 46 this vase illustrated in an article by Malcolm Haslam.

The English Arts and Crafts Movement and Hamada Shoji, Mashiko Ceramic Art Center 1997­1998, pages 114 and 115 for two comparable pieces (catalogue number 153 and 154) both dated to 1922.

£5,000­10,000

FROM THE ESTATE OF RICHARD BATTERHAM

533

Richard Batterham (1936­2021)

Caddy and cover salt­glazed stoneware, unsigned, cobalt blue 5 20cm. high (2)

Provenance

The Estate of Richard Batterham.

£200­300

534

Richard Batterham (1936­2021)

Caddy and cover salt­glazed stoneware, unsigned, painted cobalt 8, incised 19 21cm. high (2)

Provenance

The Estate of Richard Batterham.

£200­300

535

Richard Batterham (1936­2021)

Beaten jar and cover stoneware with chatter band to shoulder, covered in an ash glaze unsigned, paper exhibition number 153, 14cm. high (2)

Provenance

The Estate of Richard Batterham. £150­200

536

Richard Batterham (1936­2021)

Beaten jar and cover salt­glazed stoneware, with chatter band to shoulder unsigned 15cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­200

537

Richard Batterham (1936­2021)

Small Beaten jar and cover stoneware with cut decoration, ash with dark iron unsigned 11.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­200

538

Richard Batterham (1936­2021)

Cut sided bowl

salt­glazed stoneware unsigned 16cm. diam.

Provenance

The Estate of Richard Batterham.

£120­180

539

Richard Batterham (1936­2021)

Cut-sided stoneware bowl glazed iron over ash to the interior, and an unusual salt­glaze stoneware bellied jug by Reuben Batterham, unsigned 20cm. diam (2)

Provenance

The Estate of Richard Batterham.

£120­180

540

Richard Batterham (1936­2021)

Cut-sided bowl

salt­glazed stoneware large cut­sided bowl unsigned, paper exhibition number 38 31cm. diam. 18cm. high

Provenance

The Estate of Richard Batterham.

£200­300

541

Richard Batterham (1936­2021)

Cut-sided bowl

salt­glazed stoneware large cut­sided bowl unsigned 30cm. diam. 18cm. high

Provenance

The Estate of Richard Batterham.

£200­300

542

Richard Batterham (1936­2021)

Cut-sided bowl

stoneware, covered to the foot with an ash glaze, and another salt­glazed stoneware cut­sided bowl by Richard Batterham unsigned, 15cm. diam. (2)

Provenance

The Estate of Richard Batterham.

£150­200

543

Richard Batterham (1936­2021)

Pedestal bowl

stoneware with chatter band to well, covered in an ash glaze unsigned 18cm. diam. 11cm. high

Provenance

The Estate of Richard Batterham.

£150­200

544

Richard Batterham (1936­2021)

Small paten

two small stoneware patens, covered in an ash glaze, the exterior black iron, unsigned, chip to rim of one 13.8cm. diam. (2)

Provenance

The Estate of Richard Batterham.

£150­200

539 541

545

Richard Batterham (1936­2021)

Square bottle

salt­glazed stoneware with running ash, the shoulder with incised chevron, and two other early flower bottles unsigned, main drilled, damages 21cm. high (3)

Provenance

The Estate of Richard Batterham.

£150­200

546

Richard Batterham (1936­2021)

Coffee pot and cover stoneware, covered in an ash and dark iron glaze, and two other coffee pots and covers unsigned, damages 18cm. high (6)

Provenance

The Estate of Richard Batterham.

£120­180

547

Richard Batterham (1936­2021)

Casserole and cover two early stoneware casseroles and covers, each glazed to the interior 25cm. diam. (4)

Provenance

The Estate of Richard Batterham.

£120­180

548

Richard Batterham (1936­2021)

Side plate

stoneware, covered in an ash glaze with iron spots, incised comb decoration to well, and another stoneware plate unsigned, painted cobalt 9 15.5cm. diam. (2)

Provenance

The Estate of Richard Batterham.

£150­200

549

Richard Batterham (1936­2021)

Small Beaten jar and cover stoneware covered in an ash glaze with dark iron, a cut­sided stoneware pot and cover and another by Richard Batterham unsigned 9cm. high (6)

Provenance

The Estate of Richard Batterham.

£150­200

550

Richard Batterham (1936­2021)

Circular pot and cover stoneware, the cover with star motif, covered in an ash glaze, and another smaller by Richard Batterham unsigned 12.5cm. diam. (4)

Provenance

The Estate of Richard Batterham.

£150­200

551

Richard Batterham (1936­2021)

Circular pot and cover stoneware with chatter band, glazed ash, and another similar by Richard Batterham unsigned 9.5cm. diam. (4)

Provenance

The Estate of Richard Batterham.

£150­200

552

Richard Batterham (1936­2021)

Circular pot and cover stoneware, covered in a dark iron glaze, and another by Richard Batterham covered in an ash glaze unsigned 9cm. diam. (4)

Provenance

The Estate of Richard Batterham.

£150­200

553

Richard Batterham (1936­2021)

Little Beaten jar and cover a small salt­glazed stoneware jar and cover with ash glaze to the shoulder and cover, and another with cut design by Richard Batterham

unsigned, paper exhibition number 14 10.5cm. high (4)

Provenance

The Estate of Richard Batterham.

£150­200

554

Richard Batterham (1936­2021)

Beaten jar and cover salt­glazed stoneware, shoulder with four chatter bands, unsigned 15.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­200

555

Richard Batterham (1936­2021)

Caddy and cover salt­glazed stoneware, unsigned 11cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­200

556

Richard Batterham (1936­2021)

Large Supper dish stoneware with chatter band, covered in an ash glaze unsigned 37cm. diam.

Provenance

The Estate of Richard Batterham.

£300­400

557

Richard Batterham (1936­2021)

Supper dish with chatter band stoneware, covered in an ash glaze unsigned, 37cm. diam.

Provenance

The Estate of Richard Batterham.

£300­400

556

558

Richard Batterham (1936­2021)

Small jug stoneware, covered in an ash glaze with iron specks and another jug by Richard Batterham covered in a black iron and ash glaze, unsigned 11.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­250

559

Richard Batterham (1936­2021)

Supper plates

six stoneware plates, four with chatter bands, covered in an ash glaze

unsigned, minor damages 23cm. diam. (6)

Provenance

The Estate of Richard Batterham.

£150­200

560

Richard Batterham (1936­2021)

Pedestal bowl stoneware with chatter band, glazed ash with dark iron unsigned 21.5cm. diam. 12.5cm. high

Provenance

The Estate of Richard Batterham.

£150­200

561

Richard Batterham (1936­2021)

Little Beaten jar and cover porcelain with chatter band to shoulder covered in a pale ash glaze unsigned, paper label 10.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­200

562

Richard Batterham (1936­2021)

Fluted jar and cover porcelain, covered in a pale ash glaze, and another smaller by Richard Batterham, unsigned, painted cobalt X, cover restuck 7.5cm. high (4)

Provenance

The Estate of Richard Batterham. £150­200

563

Richard Batterham (1936­2021)

Small plate porcelain, covered in a pale ash glaze, an avocado dish and a small bowl by Richard Batterham unsigned, paper exhibition number 224, bowl hairlines to rim 15.5cm. diam. (3)

Provenance

The Estate of Richard Batterham. £150­200

Φ 564

Bernard Leach CBE (1887­1979), attributed Pilgrim charger a stoneware charger resist decorated with a ghostly figure, in tenmoku, unsigned, small flat chip to rim, 32cm. wide

£200­300

Φ 565

Bernard Leach CBE (1887­1979)

Bird Feeding its Young a Leach Pottery large tile, painted with a bird feeding its young fledglings in the nest, in tenmoku on a buff ground painted Leach Pottery mark, blurred BL monogram, impressed Leach Pottery marks to reverse, glaze loss 23 x 23cm. square

£500­1,000

Φ 566

Janet Leach (1918­1997)

Cylinder vase

Leach Pottery stoneware cylinder with flaring rim, running glaze impressed seal marks

32.5cm. high

£150­200

567

Paul Barron (1917­1983)

Flaring bowl stoneware, flaring to hexagonal form, covered in an ash glaze, and a small stoneware flagon by John Leach impressed seal mark 14cm. diam. (2)

£120­180

Φ 568

David Leach OBE 1911­2005)

a Lowerdown Pottery stoneware jug covered to the foot with a tenmoku glaze, impressed seal mark

32.5cm. high

£150­200

569

David Leach OBE (1911­2005)

Bowl

flaring stoneware bowl painted with a foxglove motif in tenmoku on an ash ground, and a box and cover by David Leach impressed seal mark

24.5cm. diam (3)

£150­200

565

567

566

568

569

570 Clive Bowen (born 1943)

Bellied jug tall slip glazed earthenware jug unsigned 47cm. high

£120­180

Φ 571

Mick Casson OBE (1925­2003)

Bellied jug salt­glaze stoneware impressed seal mark 33cm. high

£120­180

572

Aki Moriuchi (born 1947)

Open Bowl

flaring conical form with volcanic white glaze, and painted gilt panel, impressed seal mark 33cm. diam.

£120­180

Φ 573

Antonia Salmon (born 1959)

Bowl

flaring smoke fired and burnished, incised monogram 22.5cm. diam.

£120­180

574

Edgar Campden (born 1930) an Aldermaston Pottery tin­glazed bowl, painted with foliate band in red, another bowl, a small footed goblet vase and a tin­glaze jug painted marks, 27cm. diam. (4)

£150­250

Φ 575

Alan Caiger­Smith MBE (1930­2020)

Flagon

Aldermaston Pottery tin­glaze with painted rust panels, painted monogram

31cm. high

Provenance

Decorative Arts, Christies South Kensington, July 1992.

£150­200

576

A nine tile panel probably Maw & Co, painted with a large stylised flower with scrolling foliage, in ruby lustre on white ground, framed marks concealed by frame 50.5cm square.

£150­200

571

Φ 577

Walter Keeler (born 1942)

Whieldon jug cylindrical with large spout and applied sprig handle, impressed seal mark 11cm. high

£120­180

Φ 578

Walter Keeler (born 1942)

Jug

salt­glazed stoneware with strap handle impressed seal mark 28cm. high

£300­500

Φ 579

Walter Keeler (born 1942)

Jug salt­glazed stoneware impressed seal mark 27.5cm. high

£200­300

Φ 580

Walter Keeler (born 1942)

Jug

salt­glazed stoneware impressed seal mark 13cm. high

£120­180

578

579

577

581

Phil Rogers (1951­2020)

Unomi

stoneware with incised fish panels, covered to the foot with an ash glaze, a bottle vase by Emily Myers, an ovoid vase by Jack and Joan Doherty and a unomi impressed seal mark 10cm. high (Phil Rogers), (4)

£150­250

582

Richard Wilson (born 1954)

Fish and Abstract

two ceramic wall plates, impressed seal marks

35.5 x 35.5cm (2)

£120­180

Φ 583

Tony Laverick (born 1961)

unomi, 2009

footed black cylindrical form with painted geometric design, and two porcelain pedestal bowls by Tony Laverick, painted monogram and date 9.5cm. high (3)

£120­180

Φ 584

Betty Blandino (1927­2011)

vase

hand­built stoneware, textured tan with rust and olive stripes, impressed seal mark, 36cm. high

£300­500

Φ 585

Jonathan Middlemiss (1949­2021)

a hand­built oxidised­stoneware conical bowl, with pinched rim, speckled blue glaze, inside top rim with chevron band, impressed seal mark, 14cm. high 26cm. diam.

Provenance

Private collection.

£120­180

Φ 586

Carolyn Genders (born 1957) vase E19

flattened disc form, incised and painted with pink, grey and white geometric design, incised signature and E19, 24.5cm. high

Provenance

Ashgate Gallery, Farnham, 2005.

£150­200

587

Peter Lane (born 1932) vase

porcelain, flaring conical form white with running blue from the rim, and a bowl with cut rim by Peter Lane incised Peter Lane

12.5cm. high (2)

£120­180

Φ 588

John Maltby (1936­2020)

a large stoneware dish on foot, rectangular, painted with abstract harbour scape design, in colours painted Maltby signature, paper number 5 exhibition label, 38 x 29cm.

Provenance

Private collection.

£600­800

Φ 589

John Maltby (1936­2020)

Mirror with Bird

Painted wood with stoneware painted bird, pencil John Maltby to reverse, 36cm high

£150­200

Φ 590

Duncan Ross (born 1943) Terra-sigillata vase form incised mark 16cm. high

Provenance

Private collection.

£200­300

Φ 591

Robin Welch Vase

stoneware, flaring conical form, covered in a thick volcanic white glaze to the foot with abstract black circles, impressed Robin Welch mark 27.5cm. high

£200­300

589

590

591

588

Φ 592

Dame Lucie Rie (1902­1995)

Coffee can and saucer glazed manganese the interior pale grey impressed seal mark 13.5cm. diam (saucer), (2)

£500­800

Φ 593

Dame Lucie Rie (1902­1995)

a porcelain vase, ovoid with inverted rim, covered in a white glaze impressed seal mark, collection paper label, 9cm. high

Provenance

Christiaani Collection.

£800­1,200

592 593

Φ 594

John Ward (1938­2023) a hand­built stoneware vase, shouldered rounded form with tapering square neck, glazed matt blue with rust patches impressed seal mark, 26.5cm. high

Provenance

Purchased by the vendor from Amalgam gallery.

£2,000­3,000

PETER BEARD

595

Peter Beard (born 1951)

Shouldered vessel stoneware, shouldered cylindrical vase with inverted rim, wax resist decorated with wavy turquoise and grey columns, impressed seal marks 30.5cm. high

£500­800

596

Peter Beard (born 1951) ribbed vessel stoneware ribbed vase wax resist decorated with grey and turquoise columns, impressed seal marks, 27.5cm. high

£350­450

597

Peter Beard (born 1951) tall bottle stoneware, wax resist decorated with columns of blue linked dots on grey impressed seal marks 41cm. high

£600­1,000

598

Peter Beard (born 1951) octagonal vessel stoneware, wax resist, swollen octagonal body with tall flaring neck, impressed seal marks 28cm. high

£500­800

599

Peter Beard (born 1951) disc form

resist decorated with blue and grey columns, framed unsigned, 25cm. diam.

39 x 39cm (frame)

£500­1,000

600

Peter Beard (born 1951) Monumental vessel, a unique large swollen wax resist vessel, wavy turquoise lines, impressed seal marks 79cm. high

£3,000­5,000

601

Peter Beard (born 1951) Brick Form, 2018

polished and ground porcelain in grey, sand and red, impressed seal marks, 33.5cm.wide 25cm. high

This form was produced as part of a commission of five brick shaped vessels in 2018.

£1,200­1,800

PETER LANE

602

Peter Lane (born 1932)

Torso, stoneware, 1970s, textured and polished finish

incised Peter Lane 52cm. high

Provenance

From the collection of Peter Lane.

£300­500

603

Peter Lane (born 1932)

Moon Explored, hand built stoneware sculpture, ovoid with pierced surface, covered in a Dolomite glaze

incised Peter Lane 27cm. high

Provenance

From the collection of Peter Lane.

£250­350

604

Peter Lane (born 1932)

Stoneware vessel, 1980s hand­built with copper and cobalt glazes, incised Peter Lane 31.5cm. high

Provenance

From the collection of Peter Lane.

£250­350

605

Peter Lane (born 1932)

Large bowl stoneware, footed flaring form, wax resist with a flowerhead, in wood­ash glaze

incised Peter Lane 38cm. diam.

Provenance

From the collection of Peter Lane.

£200­300

606

Peter Lane (born 1932)

Birds, 1980 a pair of hand thrown sculptures, Dolomite glaze with copper and manganese oxides

incised Peter Lane 20cm. high (2)

Provenance

From the collection of Peter Lane.

£300­500

602

603

604

607

Peter Lane (born 1932)

Bottle

porcelain bottle, 1970s, hand thrown glazed blue with incised bands, incised Peter Lane

33cm. high

Provenance

From the collection of Peter Lane.

£300­500

608

Peter Lane (born 1932)

Conical bowl

porcelain, yellow graduating to blue, under broad black rim, incised Peter Lane 24cm. diam.

Provenance

From the collection of Peter Lane.

£150­250

609

Peter Lane (born 1932)

Conical bowl, 1980s, porcelain, graduated blue and transparent glossy glaze, incised Peter Lane

Provenance

From the collection of Peter Lane.

£150­250

610

Peter Lane (born 1932)

Homage to Vincent tin glazed earthenware tray, shaped rectangular section, painted with star motif incised Peter Lane

49cm. wide

Provenance

From the collection of Peter Lane.

£150­250

611

Peter Lane (born 1932)

Porcelain form, 1979 a porcelain shouldered ovoid vase inlaid with blue and black coloured porcelain, and another inlaid with marbled porcelain incised Peter Lane 8cm. high (2)

Provenance

From the collection of Peter Lane.

£150­250

609

608

607

WEDNESDAY 18TH JUNE 2025

CLOSING DATE FOR ENTRIES 25TH APRIL

WEDNESDAY 4TH JUNE 2025

Charles Ginner ARA (1878­1952)

The Game Keepers Cottage, Epping Forest

Signed C.GINNER (lower left)

Oil on canvas

56.1 x 43.3cm

AUCTION INFORMATION

OPENING HOURS

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Monday to Friday 9am – 5pm

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Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

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COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

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BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

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Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bacs, debit and credit cards

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707

Sort code 30­97­41

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BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

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LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR

AUCTION CALENDAR

MARCH

5th Old Masters, British & European Paintings

19th & 20th Art Deco Centenary 1925­2025 & Design

APRIL

9th & 10th Furniture, Works of Art & Clocks

15th & 16th Fine Jewellery

29th British and Continental Ceramics & Glass

30th Silver & Objects of Vertu (Day One)

MAY

1st Silver & Objects of Vertu (Day Two)

20th & 21st Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

3rd June Medals & Coins, Arms & Armour

4th Modern British & 20th Century Art

18th Fine Arts & Crafts

25th & 26th Fine Jewellery

JULY

2nd & 3rd Furniture, Works of Art & Clocks

15th & 16th Silver & Objects of Vertu

Dates may be subject to change

+44 (0) 1722 424500 info@woolleys.live

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium