Woolley & Wallis Auctioneers

FINE JEWELLERY

TUESDAY 15TH & WEDNESDAY 16TH APRIL 2025

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Jacob Carpenter 424586

Freya Miller 424586

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

Molly O’Reilly 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Molly O’Reilly 446980

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon 446970

Heidi Easton 446970

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Becky Tilly­Trickett 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer 446974

Frances Woodhams

Hannah Farthing (Trainee Valuer)

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Sarah Bennie

Julie Langstaff

Gemma Pointer

Riin Rohtla­Szeverenyi

Demi Jueno­Chapman

Sarah Lancaster

MARKETING

Chloe Davie 446951

PRESS

Sandie Maylor +44 (0)7976 311172

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

Alexandra Aguilar Director

ASSOCIATE DIRECTORS

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

FINE JEWELLERY

TUESDAY 15TH APRIL 2025

10.00AM LOTS 1-243

WEDNESDAY 16TH APRIL 2025

10.00AM LOTS 244-495

at our City Centre Salerooms, SP1 3SU

VIEWING AT OUR CITY CENTRE SALEROOMS, SP1 3SU

Thursday 10th April 10.00am – 4.00pm

Friday 11th April 10.00am – 4.00pm

Saturday 12th April 10.00am – 1.00pm

Monday 14th April 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

Marielle Whiting FGA 01722 424595 mw@woolleys.live

Jonathan Edwards FGAA 01722 424504

je@woolleys.live

Jacob Carpenter 01722 424586 jca@woolleys.live Freya Miller 01722 424586 fm@woolleys.live

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 495

Inside front cover: Lot 490

Page 1: Lot 494

Back cover: Lot 493

Catalogue £10.00 (£15.00 by post)

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JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported. VAT

Please note that lots marked † are subject to VAT on the hammer price. The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

1 A large collection of antique and modern jewellery boxes, comprising seventy five boxes, including boxes by Asprey, Mappin & Webb, Tessiers and others of various designs £200­300

2 A collection of jewellery, comprising: a moonstone parure including a pendant necklace, a pair of earrings, a brooch and a ring mounted in silver, earring with screw fittings, ring with London hallmarks, earrings stamped SILVER, pendant length 6.2cm, chain length 41cm, earring length 0.8cm, brooch length 4cm, ring size Q, case; a pair of amethyst and 9ct gold stud earrings, post fittings, London hallmarks, length 1.5cm, case; pair of emerald and 18ct gold stud earrings accented with diamonds, post fittings, Sheffield hallmarks, length 0.8cm, one butterfly missing, case; an opal and 9ct gold pendant to a gold chain, London hallmarks, pendant length 5cm, chain length 48cm; a pair of opal and 9ct gold stud earrings, post fittings, Sheffield hallmarks, length 0.5cm, case; an opal and yellow gold ring, size O½; a half pearl and diamond rubover ring in yellow gold, stamped 18ct, size N; an emerald and diamond half­hoop ring 18ct gold, London hallmarks, size N; a red stone and 9ct gold bracelet, London import marks, length 16.5cm; a garnet and gilt metal demi­parure, comprising a necklace and a pair of stud earrings, screw fittings, necklace length 40cm, earring length 1cm; a pearl and diamond pendant in silver and gold, length 3cm; and a Victorian pearl and green paste cluster ring in yellow gold, stamped 18, pearls untested, size N; blue leather jewellery box £400­600

3 A collection of fob seals and jewellery, comprising: individual gem­set fob seals mounted in gold or gilt metal, one to a gold split ring, longest fob seal 3.3cm; three fob seals set with chalcedony, bloodstone and agate variously mounted in gold and gilt metal, to a gold split ring, longest fob seal 4.6cm including suspension hoop; a gem­set rotating seal, the gilt metal wheel set with an assortment of hardstone seals bearing mottos, to a faceted purple paste handle, length 8.8cm; a fob seal and a watch key variouslyset in gold and gilt metal to a gilt metal split ring, and another smaller fob seal and watch key to a split ring, longest pendant 6.6cm including suspension hoop; two mourning hairwork bracelets, one with a bloodstone fob seal cum watch key, the other with a hairwork and seed pearl pendant mounted in gold, longest bracelet 21cm; a gold stickpin with a masonic emblem, length 7.5cm; an oval­shaped amethyst brooch mounted in gold, length 3cm; and an oval reverse­painted glass and mother­of­pearl plaque decorated with classical ruins, length 5.3cm; leather jewellery box £200­300

The private collection of the late Michael & Margaret Susands.

4 A collection of jewellery, comprising: a two­strand cultured pearl necklace to a gold floral clasp, length 63cm, case; a three­strand cultured pearl necklace to a gold clasp, length 38cm, one pearl strand with section detached; an enamel and seed pearl gold dress set with foliate decoration against a blue ground, French control marks, diameter 0.9cm, fitted case, one seed pearl lacking; a pair of gold torpedo cufflinks, stamped 18ct, maker’s mark TW, terminal length 2.4cm, case; a Rolex lady’s gold wristwatch with a circular dial and integrated textured strap, case width 1cm, strap length 16cm, stamped 750, signed Rolex, numbered 884716; a shell cameo brooch depicting a Bacchante mounted in gold, length 5.4cm; a gold brooch designed as a holly branch and bird, length 3.6cm; a gold and black enamel mourning pendant with a glazed hairwork locket compartment, diameter 2.5cm; a synthetic and gold ring, size P½; and three gold chains, one with an enamel and mabé pearl pendant in the form of a parrot, maximum length 56.5cm; two additional cases £600­800

The private collection of the late Michael & Margaret Susands.

λ 5 A collection of jewellery, comprising: a gilt and garnet hair ornament, 1830s, inner curve 16cm, height at centre 2.6cm excluding comb; two gold longuard chains, one stamped 9c, maximum length 151cm, one with an end detached; an etui with chased foliate scroll decoration, length 6.7cm, implements lacking; two gold chains, one stamped 15ct, maximum length 46cm; a garnet and seed pearl­set gold stick pin, length 6.1cm; a seed pearl and gold mourning pendant with glazed hairwork locket compartment, diameter 2.6cm; a pearl and gold mourning brooch with glazed locket compartment, length 2cm, one pearl missing; a seed pearl and gold brooch, length 3.5cm; two seed pearl necklaces, one with a hairwork pendant, maximum length 66.5cm, one with clasp lacking; a garnet cabochon and seed pearl mourning ring in yellow gold, French control marks, size L; four other gem­set rings, a gold plated chain, a gold plated fob seal, a carnelian and seed pearl heart­shaped pendant in silver, a yellow base metal chain inset with cultured pearls and paste, and a pair of garnet cabochon and yellow base metal cufflinks, a low carat gold and coral clasp, and a portrait miniature of a lady £600­800

The private collection of the late Michael & Margaret Susands.

6 A collection of jewellery, comprising: an emerald, pearl and diamond bar brooch in yellow gold, converted, pearls untested, length 12.5cm; a graduated cultured pearl necklace to a white gold clasp, length 41cm, case; a pair of 19th century earrings of chandelier design set with clear paste in silver, length 6.5cm, case damaged; a garnet cruciform brooch in gold, length 4cm, case; a jade pendant carved as a gourd, length 3cm; an amber, gold and bakelite graduated bead necklace, length 181cm; a jade bead necklace, length 106cm; and a loose oval­cut clear rock crystal £200­300

λ 7 A collection of necklaces, comprising: two Indian necklaces, one with a central section of rubies, cultured pearls and white paste in low carat gold to a double strand of ruby beads and fabric cord, the other with a pendant of rubies, emeralds and white paste in gold suspending a cultured pearl drop to a single pearl strand and fabric cord, pearls untested, the former length 92cm, the latter 80cm; and fifteen assorted necklaces, including a coral three­strand necklace, a graduated jadeite bead necklace, an amethyst bead necklace, a lapis lazuli bead necklace, and other hardstone and semiprecious stone necklaces, maximum length 46.5cm £200­300

8 A collection of jewellery, comprising: a coque de perle gold pendant necklace, pendant length 6.5cm, chain length 39.5cm; an Edwardian gold, turquoise and river pearl fringe necklace, length 37cm; an emerald bead necklace to a gold clasp, length 40cm; a glass bead necklace, length 74cm; a gold bracelet of plaited design, length 17cm; a pair of onyx and white stone drop earrings mounted in platinum and gold, length 4cm; a pair of opal drop earrings mounted in gold, length 3.2cm; a gold amazonite ring, size Q½; a 9ct gold, amethyst and opal brooch of scrollwork design, London hallmarks, length 3.3cm; a 9ct gold, amethyst and cultured pearl brooch designed as a floral sprig, Birmingham hallmarks, length 5cm; a heart­shaped shell cameo brooch mounted in gold, length 2.6cm; a seed pearl and mother­of­pearl brooch to a gold pin, length 4.8cm; a painted enamel portrait miniature brooch mounted in gold, length 4cm; a silver and enamel butterfly­shaped brooch, Birmingham hallmarks, length 3.6cm; an oval chrysoprase brooch mounted in silver, length 4cm; a cameo brooch mounted in base metal, length 6cm £300­400

9 Assorted gem­set jewellery, a wristwatch and a pen, comprising; a ruby and diamond half hoop ring, the cushion­shaped ruby within circularcut diamond shoulders in carved and pierced yellow gold setting, size L, case, a plain gold band ring in a Cartier leather case, size J, a Mont Blanc fountain pen, a 9ct gold gate­link bracelet, 23g, a gold bombé ring decorated with green enamel, 10g, a silver sovereign case, a 9ct gold long chain, 13g, a gold wristwatch by J.W.Benson (not working), a Regimental bar brooch for The Royal Artillery in gold, case, a blue enamel brooch for The Royal Engineers, case, a garnet eternity ring, size L½, a gold crown charm, and three gold stock pins, one cased £800­1,200

10 A collection of jewellery, comprising: a pair of gold and diamond stud earrings, of cruciform design, each centred with a round brilliant­cut diamond, screw-post fittings, length 8mm; a conch shell cameo pendant, mounted in silver, length 5.7cm; Buren, a lady’s 9ct gold wristwatch, the signed dial with Arabic numerals and gilt hands, within a circular case to an integral gold link bracelet, London hallmarks, date letter for 1952, case width 2.1cm, bracelet length 16cm; Mikimoto, a cultured pearl and gold brooch, of curvilinear design set with six cultured pearls measuring approximately 5.3mm, maker’s mark for Mikimoto, stamped K14, length 5cm, case stamped Mikimoto; a gold filigree brooch of floral design, stamped 750, length 4.2cm; and a Victorian silver locket necklace, the broad circular link necklace suspending an oval locket decorated with an engraved bird in flight and foliate scrolls to the reverse, locket length 3.9cm excluding bail, chain length 45cm £200­300

11 A collection of jewellery, comprising: an aquamarine and 9ct gold line bracelet, Sheffield hallmarks, length 18.5cm, case; an aquamarine and seed pearl pendant in yellow gold suspended from a twisted link gold chain, pendant stamped 9ct, pendant length 3.2cm, chain length 49cm, case; a sapphire and diamond pendant in platinum and gold suspended from a platinum chain to a gold and seed pearl clasp accented with diamonds, clasp stamped 15CT & PLAT, pendant length 4cm, chain length 45cm, case; a sapphire pendant in 9ct gold suspended from a gold chain, Sheffield hallmarks, pendant length 2.3cm, chain length 42cm; a similar pair of sapphire earrings in 9ct gold, post fittings, Sheffield hallmarks, length 0.6cm; an amethyst openwork brooch in gold, stamped 15ct, pin stamped 9ct, length 4.3cm, case; a pair of aquamarine and diamond drop earrings in 9ct gold, post fittings, Sheffield hallmarks, length 1.7cm, case; and a sapphire and 9ct gold ring accented with diamonds, Sheffield hallmarks, size S½ £400­600

12 A collection of jewellery, comprising: a gold curb link chain necklace, Italian control marks, stamped 375; a gold rope link chain necklace with a base metal clasp, stamped 750, length 71cm; a gold pendant necklace, the pendant of sun and moon design accented with diamonds, pendant length 2cm, chain length 61cm; a garnet and gold pendant necklace, pendant length 2cm, chain length 46cm; a gold pendant necklace, the 9ct gold pendant designed as a heart­shaped locket, pendant with Birmingham hallmarks, pendant length 1.5cm, chain length 40cm; a gold bangle of hinged design, stamped 9ct; a gold charm bracelet with 9ct gold charms, charms with British hallmarks, length 17cm; a gold bracelet of Greek key design, stamped 750, length 17cm; a garnet and gold cluster ring, stamped 9CT GOLD, size approx N½, case; a pink stone and diamond ring in 9ct gold, Birmingham hallmarks, size P; a diamond and gold stickpin, length 5cm; a stickpin of knotted design, length 6cm, case; a pair of cufflinks of pheasant design, ends 2.4cm; a pair of gold cufflinks designed as classical ruins, stamped K10, ends 2.5cm; an individual 9ct gold cufflink, British hallmarks rubbed, end 1.7cm; two 9ct gold pendants, British hallmarks, largest diameter 2.5cm; and a pendant set with a reproduction obol, diameter 1.6cm £400­600

13 Georg Jensen, four items of silver jewellery, including a silver foliate brooch, signed and numbered 101, length 4.5cm, a moonstone three stone ring, signed and numbered 3, a silver brooch, signed, length 4.3cm, and a silver chain with a stylised leaf pendant, signed, length 55cm £200­300

14 A collection of jewellery, comprising: a pair of gold Etruscan Revival drop earrings, with ropetwist disks above drops with pellet decoration, gross weight 7g, length 4.4cm; a lapis lazuli and gold necklace, the gold beads of pellet design, gross weight 46g, length 47cm; and two silver­gilt Etruscan Revival necklaces, one of fringe design with graduated baton drops, the other suspending a wide mesh decorated with disk motifs, length 43cm and 48cm £1,000­1,500

15

A collection of jewellery, comprising: a green stained quartz bead necklace to a yellow gold clasp, stamped 15ct length, length 52cm; a pair of amethyst earrings, with colletset cabochons below a scrolling surround pavé­set with smaller cabochons in silver, length 3.3cm; and an amethyst brooch with seven cabochons collet­set in silver, width 6.7cm

£150­250

16 A collection of jewellery, comprising: a pair of gold and river pearl earrings dated and signed ©1992 MMA-WAA, stamped 14K, post fittings, length 4.2cm, case and box; a hinged gold bangle of faux bamboo design, inner circumference 15cm; a gold bracelet of curb linking with an inscribed heart­shaped padlock clasp, rubbed British hallmarks, length 13cm; two gold bar brooches, one set with seed pearls and diamonds, one stamped 15ct and 9ct, max length 5.2cm, one lacking three seed pearls; two silver brooches, one set with a row of moonstone cabochons, the other of floral openwork design set with clear paste and suspending three drops, max length 4.3cm, and two gold mounts

£200­300

17 A collection of jewellery and a wristwatch, comprising: a lady’s diamond and 9ct white gold wristwatch by Vertex, the circular dial in a diamond­set bezel to an integral snakelink bracelet, signed Vertex, Birmingham hallmarks, case width 1.6cm, bracelet max length 17cm; a silver gilt Art Nouveau necklace, the central floral drop set with a chrysoprase cabochon suspended from a chain decorated with floral links alternating with further chrysoprase cabochons, French control marks, length 50cm; two further necklaces, one suspending a blue enamel and gold pendant with a seed pearl motif to the centre and a glazed locket compartment to the reverse, the other suspending gold marine­themed charms with mother of pearl and blue beads, pearls untested, length max 52cm; five gem­set yellow gold brooches, the largest of bar design centred with two cultured pearls and set with calibré­cut rubies and single­cut and rose­cut with diamonds, length max 8cm; two mourning rings, one inscribed to the reverse, pearls untested size O½ and P; two three­stone diamond and gold rings, one with London hallmarks for 9ct gold, size I½ and K½; and a pair of ruby and diamond earrings decorated with a ribbon and flower motif in white and yellow gold, stamped 18ct, clip fittings, length 2cm

£400­600

18 A collection of jewellery, 19th century and later, comprising: a gold and blue enamel portrait miniature frame, length including bail 9cm; a citrine and seed pearl pendant mounted in yellow gold, diameter 1.5cm; a garnet five­stone ring in 9ct gold, British hallmarks, date letter for 1887, size K; an enamel, ruby and diamond ring in yellow gold, size L approx; a diamond solitaire ring in yellow gold, size I½; an emerald and diamond five­stone ring in yellow gold, size K½; a garnet and seed pearl cluster ring in yellow gold, size N½, two seed pearls lacking; a diamond ring in yellow gold, size N½, central stone lacking; leather jewellery box £600­800

The private collection of the late Michael & Margaret Susands.

19 A collection of jewellery, comprising: a Victorian shell cameo brooch depicting a Bacchante mounted in gold, stamped 9ct, length 53.3cm; a Victorian turquoise and gold cloak pin decorated with five cabochons spaced by fine linking, length 7.5cm; a Victorian turquoise tennis bracelet with graduated turquoise cabochons mounted in rose gold, length 16cm; a Victorian gold bracelet with circular engraved bosses spaced by fine chain linking and centred with a blue enamel and pearl foliate boss, pearl untested, inner circumference 16cm; an Art Nouveau ruby and opal pendant of trefoil design set with six opal cabochons and accented with rubies, suspending an opal cabochon drop and with rubies to the foliate bail, stamped 9ct, length 5.3cm; an opal and diamond cluster ring mounted in 18ct white gold, Sheffield hallmarks, size U½ £400­600

20 A collection of jewellery, comprising: a 19th­century amethyst and seed pearl fringe necklace, the pear­shaped amethysts suspending individual seed pearls mounted in gold, pearls untested, length 32cm, some seed pearls lacking; a 19th­century turquoise and gold bracelet, the band of curved links in twisted rope borders centred with a knot motif set with turquoise cabochons, length 17cm; a gold chain of twisted linking, length 48cm

£400­600

21 A collection of jewellery, comprising: a Victorian diamond, ruby and pearl bangle, of hinged design in yellow gold, the central roundel with a cruciform decoration of pearls and rubies centred with a diamond, inner circumference 16.5cm, fitted case; a Victorian citrine and gold brooch, centred with an oval­cut citrine framed by openwork foliate C­scrolls, suspending a scrolling oval­cut citrine drop, length including drop 8.5cm; and a Victorian amethyst bar brooch, centred with a circular­cut amethyst and decorated with foliate terminals, stamped 15ct, length 4.5cm £600­800

22 A collection of Victorian jewellery, comprising: a gold bangle of hinged design centring on a locket with a rubbed monogram to the cover and a glazed compartment to the interior, inner circumference 16.5cm; a gold and black onyx pendant opening to reveal hairwork and a glazed compartment, length 4.1cm; a pearl, blue enamel and gold pendant with a glazed hairwork compartment and the initials BMR to the reverse, pearl untested, diameter 1.9cm; a seed pearl, blue enamel and gold ring with a glazed hairwork compartment and the initials BMR to the interior, pearls untested, size K½, some pearls lacking; and a gold Maltese cross brooch, length 3.5cm £400­600

23 Three antique brooches, comprising an Edwardian seed pearl­set gold swallow brooch, length 5cm, an Edwardian seed pearl­set gold foliate brooch, length 4.6cm, and a sapphire and diamond­set gold horseshoe brooch, set in silver and gold, length 4cm £300­400

24 A collection of opal jewellery, comprising: an opal and diamond cluster ring in 18ct yellow gold, London hallmarks, date letter for 1973, stamped EWA, size P; an opal half­hoop ring of wishbone shape accented with diamonds in yellow gold, hallmarks rubbed, stamped 9ct QVC, size approx P; an opal and a gold line bracelet, stamped 9k 375 CG, length 18cm; an opal and diamond pendant in yellow gold, length 1.5cm; and a pair of opal and yellow gold stud earrings, stamped 14k, post fittings, length 8mm

£400­600

25 A collection of jewellery, early 20th century and later, comprising: an Edwardian ruby and gold bar brooch, stamped 15ct, length 4.3cm; a ruby and diamond half­hoop ring in 18ct yellow gold, Birmingham hallmarks, date letter for 1900, maker’s mark D&F, size O; a diamond and cultured pearl navette shaped ring in rose gold, pearls untested, size H½; a 22ct gold ring designed as a band of interlocking hearts, London hallmarks, date letter for 1958, stamped Bravingtons, size J; a ruby and diamond rubover ring in 18ct yellow gold, Birmingham hallmarks, date letter for 1902, size J

£300­500

26 A collection of rings, comprising: a diamond cluster ring in 18ct yellow and white gold, Sheffield hallmarks, stamped 18ct, size N½; a diamond half­hoop ring in platinum, Convention marks, stamped Pt, size N; a diamond half­eternity in 18ct white gold, Sheffield hallmarks, size N; a diamond half hoop ring in yellow and white gold, stamped 18ct, size R½; a sapphire and diamond half­hoop ring in yellow gold, size Q; a garnet cluster ring in yellow gold, stamped 18ct, size O½

£400­600

27 A group of four rings, comprising; an amethyst eight stone ring, in closedback yellow gold setting, size M, two diamond five stone rings, one in platinum and one in white gold, size M½ and O½, and a garnet ring in white gold, size M

£500­700

28 A collection of jewellery, comprising: a sapphire and diamond cluster ring, the cushion­cut sapphire within a surround of old cushion­cut diamonds, mounted in platinum and gold, size M½; a diamond half­hoop ring, set with two rows of round brilliant cut diamonds, mounted in 18ct yellow and platinum, rubbed hallmarks, size approx O½; a blue stone and diamond pendant necklace, the oval­cut blue stone within a surround of round brilliant cut diamonds to a fine link yellow gold chain, pendant stamped DC 14K 585, chain stamped RJ 18KT, pendant length 2.2cm including bail, chain length 45cm; and a diamond pendant, the three round brilliant cut diamonds mounted in white gold, to a silver fine link chain, clasp stamped 925, pendant length 2cm, chain length 44.5cm £500­600

29 Two rings, comprising; an emerald and diamond half­hoop ring in yellow gold, size N; and a ruby and seed pearl half­hoop ring in 15ct yellow gold, Birmingham hallmarks, date letter for 1881, pearls untested, size P £400­600

The private collection of the late Michael & Margaret Susands.

30 A collection of rings, comprising: a late 19th century diamond five­stone ring in yellow gold, stamped 18ct, size N, case; an emerald and diamond cluster ring in 9ct gold, London import marks, size M, case; a sapphire and diamond halfhoop ring in 9ct gold, London import marks, size K½, case; and a sapphire five­stone ring in 9ct gold, Birmingham hallmarks, size P, case £200­300

31 Four paste brooches and seven studs, comprising; three paste bow brooches and a white and green paste scroll brooch, with three studs set with banded agate £100­150

32 A collection of stickpins and a brooch, comprising: a citrine and seed pearl stickpin, the terminal designed as an insect in silver and gold, pearls untested, length 5.6cm; a diamond stickpin, the terminal with a diamond cluster in silver and gold, length 5.6cm; a pearl stickpin in yellow gold, pearl untested, length 4.9cm; an opal and diamond stickpin, the cabochon opal set within four rose­cut diamonds, length 6.4cm; and a gold brooch, designed as a fox above a hunting horn, stamped 15ct, length 4.2cm, case £200­300

33 Two antique brooches and a pendant, comprising: an Edwardian amethyst and seed pearl pendant, in yellow gold, stamped 15ct, length 5.7cm, one seed pearl drop missing, case; an Edwardian seed pearl and peridot brooch in yellow gold, stamped 15ct, width 4.1cm; and an early 19th century foliate brooch set with paste stones in silver, length 3.5cm £150­200

The private collection of the late Michael & Margaret Susands.

34 A fine link platinum necklace, with a Boucheron pendant box and with a letter dated Dec. 30 ‘32, headed ‘Bateman’s Burwash Sussex’, and signed Carrie Kipling, Rudyard’s Kipling’s wife, Caroline, the necklace measuring 46cm. £200­300

In the convivial letter to Mrs Sernior, Carrie mentions that she will be sending a little necklace to a Pamela, possibly Mrs Sernior’s daughter and goddaughter to Carrie.

35 A collection of gold jewellery, comprising: a charm bracelet of curb linking suspending seven charms comprising a sombrero, a clog, a watermill, a heart­shaped locket, the Eiffel Tower, a teapot, and a cat by a dustbin, two with British hallmarks for 9ct, one stamped 18K, bracelet length 16.5cm, gross weight 26.2g, locket cover lacking; a plain bangle, inner circumference 21.5cm, gross weight 19.5g; and a 9ct ‘Russian’ wedding ring in yellow, rose and white gold, Convention hallmarks, size M½ approx, gross weight 4.3g £800­1,200

36 Two gold items, comprising: a gold miniature hunting horn with the insignia of the Woodmen of Arden society, gross weight 9g, length 5.8cm; and a gold brooch designed as an arrow, gross weight 4g, length 6.4cm £400­600

37 A gold mesh coin purse, the frame decorated with floral scrolls and set with a hoop to one side, the mesh purse suspending four gold beads, gross weight 22.1g, length 7.5cm £200­300

The private collection of the late Michael & Margaret Susands.

38 A textured gold bracelet, mid 19th century and later, the clasp formed of two textured panels within gold scroll work on two row textured gold bracelet, length 17cm £500­700

39 A gold charm bracelet, suspending 16 gem­set or plain charms including the number 2 set with turquoise cabochons, a gold spherical charm with filigree decoration and amethysts, a turquoiseset watch key cum seal in gold, all on a curb­link gold bracelet joined with a heart­shaped padlock clasp, London hallmarks for 18ct gold, 1898, with engraved inscription for 1954, 62g £2,000­2,500

40 Two gold box­link chains, length 55cm each, stamped 750, gross weight 12g £300­400

£2,000­3,000

41 A two­colour gold strap bracelet, mid 20th century, the fancy links arranged to form white gold lozenges and chevrons against a yellow gold ground, decorated with fine foliate and geometric engraving, the reverse with a central mount, Italian control marks, stamped 750, gross weight 63g, length 18.5cm

42 Elizabeth Gage, an 18ct gold and shell pendant, circa 1970, the shell set in a wide textured gold border, on an associated twisted circular link chain, pendant signed Gage, British hallmarks, date letter for 1970, chain stamped 375, pendant length 3.2cm, chain length 39cm

£300­400

43 An Indian gold bangle, of hinged design with repoussé and engraved floral scroll decoration, the two ends secured by a screw set with a purple cabochon, inner circumference 15.3cm, 29g

£800­1,200

44 A turquoise and pearl strap bracelet, formed of trefoil links with beaded borders and set with turquoise cabochons and pearls, pearls untested, gross weight 50g, length 17.5cm, one turquoise cabochon and one pearl missing, pouch

£800­1,200

45 A gold chain necklace, the fancy links with a magnetic silver clasp, clasp stamped 925, gross weight 31g, length 50cm

£800­1,200

46 A gold long chain and fob seal, the chain of fancy linking suspends a fob seal set with a smoky quartz, gross weight 27g

£450­550

47 A 9ct gold rectangular box, circa 1947, within engineturned decoration, internal inscription: Anne from Mummie Oct 7th 1947, Birmingham hallmarks for 1947, length 8cm, 95g, case

£2,000­2,500

48 A diamond, enamel and gold necklace, the filigree cruciform links centred with blue enamel roundels decorated with zodiacal signs, suspending a larger filigree pendant set with a blue enamel cross accented with diamonds, chain length 51cm, pendant length 5.5cm, 133g £1,000­2,000

49 A blue and white sapphire parure, comprising: a necklace formed of five clusters in low carat gold, the central cluster suspending an articulated cluster drop, drop length 3.2cm, length including chain 38cm; the bracelet centred with five graduated clusters in low carat gold, length 18cm; a pair of drop earrings each terminating with a cluster in low carat gold, hook fittings, length 3.5cm, one hook detached, one white stone missing; and a cluster ring in low carat gold, size P £800­1,200

λ 50 A coral, hardstone and diamond brooch and a pair of sapphire stud earrings, the brooch designed as a spray of calla lilies in coral and nephrite accented with round brilliant­cut diamonds mounted in yellow gold, stamped 750, length 6.4cm, case; the earrings each composed of interlocking yellow gold hoops centred with a circular­cut sapphire, post fittings, gross weight 8g, diameter 1.7cm £200­300

51 A collection of jewellery, comprising: a pale violet sapphire and diamond bar brooch within star motif in white and yellow gold, stamped 9ct, length 6.2cm, case; a gold, turquoise and bloodstone propelling pencil suspending two charms and an amethyst seal engraved ‘Nina’, pencil length 7.5cm, some turquoise cabochons lacking; and an amethyst and citrine fringe necklace, the gold beaded chain suspending heart­shape pendants, length 39.5cm £400­600

£400­600

52 A late 18th century mother­of­pearl, ruby and diamond brooch, the mother­of­pearl framed by cushion­shaped rubies and rose­cut diamonds, suspending an articulated pear­shaped ruby, within closed back settings in silver and gold, length 3.5cm

53 Two early 19th century garnet and seed pearl mourning brooches, comprising: a brooch of rectangular design centring on a glazed hairwork compartment framed by seed pearls within an openwork frame of oval­shaped garnets in gold, the reverse inscribed ‘Mary Agnes Alderman died 19th Sept. 1834 Aged 24’, pearls untested, length 2.8cm; and another brooch of rectangular design with a central glazed locket compartment within a chased foliate scroll frame in a surround of circular­cut garnets with seed pearl terminals, pearls untested, length 3.4cm

£400­600

54 Two 18th century diamond pendants, comprising: a cruciform pendant set with diamonds in raised silver settings and rose­cut white stones to reverse, to a fine snake link silver chain, chain stamped 925, pendant length 3.8cm, chain length 45cm; and a foliate pendant set with diamonds in raised silver and gold settings with pearl terminals, to a fine link silver chain, chain stamped 925, pearls untested, pendant length 4.2, chain length 44cm £600­800

55 A Renaissance Revival emerald, ruby and pearl pendant, set with a central step­cut emerald surrounded by square­shaped emeralds and cabochon rubies in yellow gold suspending pearl drops and enamelled to the reverse, below a black enamel ribbon motif set with a squareshaped emerald in yellow gold, to a fine chain yellow gold necklace, overall pendant length 4.3cm, chain length 64cm, pearls untested, central emerald and enamel chipped £200­300

56 Two brooches and a pair of earrings, Austria, mid 20th century, comprising: two brooches, each designed as a flower in white gold, one set with carved amethyst and a brilliant­cut diamond, length 4.8cm; one set with carved rock crystal and a cultured pearl, length 5.9cm, each with Austrian assay marks, stamped 585; and a pair of earrings, each designed as a flower in carved rock crystal, centring on a circular­cut peridot, to a white gold stem set with brilliant­cut diamonds, length 3.2cm each, clip and post fittings, signed Ges.Gesch £100­200

λ 57 A coral bead necklace, the beads graduating to 14mm, length 84cm, 89g, with an amber bead necklace, the beads graduating to approximately 7.5mm, length 98cm, 33g

£250­350

58 Two gold coins, comprising a ½ Krugerrand, 1988 and a ½ sovereign 1911 £1,000­1,500

59 A Vatican counsel opening medal, 1962, decorated with the bust of Pope John XXIII facing left, marked 0.917, 35g, case £800­1,200

Provenance: Property of a deceased estate.

60 Two gold propelling pencils, comprising: one with hexagonal grip and engine­turned decoration with the inscription ‘Tarn’, stamped Yard-O-Leo, Made in England and 9.375, patent number 422767, length 12.3cm; and one with circular grip decorated with engraved foliate scrolls and a blank cartouche, length including bail 8.3cm, total weight 38g

£300­400

61 Two gold pens and a pencil, comprising: an 18ct yellow gold Parker fountain pen and a matching ballpoint pen, both with engine turned decoration and initialled ‘R.F.L.G.P’, both signed Parker, both with British hallmarks, fountain pen gross weight 30g, fountain pen length 13.5cm, ballpoint pen gross weight 21g, ballpoint pen length 12.8cm; and a 9ct yellow gold pencil initialled ‘R.F.L.G.P’, signed Yard-o-Led, patent number 422767, London hallmarks, gross weight 22g, length 12.3cm

£600­800

62 A collection of gold items, comprising: a propelling pencil with engine turned decoration, length 7.2cm; another propelling pencil with engraved floral scroll decoration, signed S. Mordan & Co., length including bail 6.1cm; a lorgnette with two glass lenses to the top opening with a sprung mechanism, length 12.2cm; and a watch key with chased floral decoration and an inset chalcedony plaque, length 4.7cm; case

£300­400

The private collection of the late Michael & Margaret Susands.

£300­500

63 A collection of 19th century gold items, comprising: a Victorian thimble set with a band of turquoise cabochons and seed pearls, pearls untested, gross weight 6g, height 2.2cm; a propelling pencil decorated with a row of turquoise cabochons, gross weight 8g, length 9.6cm, one turquoise cabochon lacking; and stick pin with a partridge terminal, gross weight 2g, length 6cm

64 A 19th century French gold and mother of pearl fruit knife, the retractable gold blade to a handle decorated with mother­of­pearl inlaid with a gold latticework centred with paterae, French control marks, rubbed maker’s lozenge, open length 21.4cm

£600­800

65 Two gold rings, comprising: an 18ct gold signet ring, engraved with a cockerel crest, London hallmarks, date letter for 1972, gross weight 25g, size X; and a plain gold band, stamped 18ct, gross weight 5g, size T £1,500­2,000

66 A gold signet ring, engraved with the Westlotorn coat of arms, stamped 18ct, gross weight 16g, size X½, case £800­1,200

67 A substantial octagonal carnelian and gold signet ring, engraved with a general with raised baton, in armour mounted on a horse, with coronet above, possibly the arms of Reuerfeldt, 2.8cm high, size S

£600­800

68 Two pairs of cufflinks, comprising: a pair of amethyst cabochon cufflinks in yellow gold, stamped 18ct, diameter 1.8cm; and a silver pair each with an end designed as a cockerel’s head coupled with a plain oval, London hallmarks, maximum length 2.9cm £200­300

69 A pair of diamond cufflinks, each with a square terminal decorated with a radiating motif set with a round brilliant­cut diamond to one corner, with reeded hinged back sections, in yellow gold, stamped 18ct, gross weight 14g, ends 1.7cm

£600­800

70 A pair of jadeite cufflinks, of oval design, each with an oval jadeite cabochon mounted in gold, 2.2 x 1.7cm, stamped 14K £600­800

71 Two pairs of cufflinks, comprising: one pair in silver and blue enamel, ends 1.3cm diameter each, signed Gucci, stamped 925, Italian maker’s marks, case stamped Asprey; and a pair in gold and lapis lazuli, larger ends each 1.7 x 1.2cm, case £100­150

72 A collection of watches, comprising: Rolex, a gentleman’s steel military ‘Oyster’ wristwatch, c.1946, the circular dial with black enamel Arabic numerals and blued steel hands to a plain bezel, signed Rolex, case numbered 023754 2285, manual winding, case width 2.7cm; Rolex, a gentleman’s steel ‘Oyster Royal’ wristwatch, mid 20th century, the circular dial with gilt Arabic numerals and steel hands to a plain bezel, signed Rolex Oyster, manual winding, case width 3cm; Audemars, a gentleman’s gold wristwatch, the circular dial with black enamel Arabic numerals and blued steel hands with subsidiary seconds dial at 6 o’clock to a cushion­shaped gold bezel, the reverse inscribed ‘Cedric, with Mother’s Love 1935’, signed Audemars, manual winding, case width 2.8cm; a gentleman’s steel wristwatch, the rectangular dial with Arabic numerals and blued steel hands with subsidiary seconds dial at 6 o’clock to a plain bezel, case width 2cm; a gentleman’s silver wristwatch, the circular dial with black and red Roman numerals and gilt hand to a plain bezel, the reverse initialled, case 2cm, crown lacking; a low carat gold pocket watch, length including suspension hoop 4.8cm; and a silver pocket watch, length 4.9cm including crown 3.8cm, suspension hoop lacking and bezel detached with glass cracked

£600­800

73 Baume & Mercier, a stainless steel ‘Hampton Quartz’ wristwatch, ref. 65434, the rectangular white dial square indicators and steel hands, to a plain stainless steel case and leather strap, case width 2.4cm, dial and case signed Baume & Mercier, case back numbered 4472204 and 65434, quartz movement, together with Longines, a gentleman’s gold automatic wristwatch, mid 20th century, the rectangular white enamel dial with black Arabic numeral indicators and blue steel hands, to a plain rectangular gold case and black leather strap, case width 2.4cm, dial signed Longines, case back numbered 4555632, interior with French sponsor’s mark, automatic movement

£100­150

£200­300

74 Jaeger­LeCoultre, a gentleman’s gold ‘Club’ wristwatch, the shaped square dial with gold baton indicators and hands, in a yellow gold case to a black leather strap, dial signed Jaeger-LeCoultre, case stamped 750 and numbered 1150893 200601, case width 3cm

75 A gold hunting cased 1/4 repeating chronograph pocket watch, subsidiary seconds dial and Arabic numerals, 6cm diameter

£800­1,200

76 A mid­19th century 18ct gold open faced key wind pocket watch, white enamel dial with black Roman numerals and gold hands, subsidiary dial at 6 o’clock, to an engine turned case with suspension hoop, plate signed Joseph Jerome Dobbs AD 1866, London hallmarks, date letter for 1864, numbered 21034, gross weight 95g, diameter 4.7cm

£800­1,200

77 A gold pill box, of rectangular form and linear engraved decoration, set with a ruby and a sapphire cabochon, the interior containing two separate compartments for pills, slides out from each end to reveal the individual compartments, length 3.6cm, 14g

£400­600

78 A late 19th century reverse carved rock crystal brooch and similar stickpin, comprising: a brooch decorated with a portrait of a racehorse with jockey up above the inscription ‘Milligramme’ against a mother of pearl ground, within an openwork foliate scroll yellow gold frame, width 3.5cm; and a stickpin with the terminal depicting a greyhound against a mother of pearl ground, in a yellow gold frame, stamped 18, length 7.4cm £200­300

79 Two gem­set pendants, comprising: a diamond and pearl negligée pendant, the bar with a pearl in a diamond surround to each end, suspending two diamond­set drops of circular design, to a fine link chain, pendant length 5.6cm, chain length 37cm, one diamond missing, pearls untested; and a Victorian garnet and diamond pendant, decorated with three cabochon garnets in foliate mounts accented with diamonds, with a cabochon garnet and diamond drop, length 5.3cm, drop detached, pin lacking, case £600­800

The private collection of the late Michael & Margaret Susands.

80 An opal brooch clasp, of cluster design centred with an oval opal cabochon within a foliate surround set with circular opal cabochons, the reverse with a glazed locket compartment, mounted in silver and gold, length 3cm £400­600

81 A carved morganite, apatite and diamond cluster ring, the central oval cabochon morganite carved with a stylised floral motif, within a surround of oval­shaped apatites and single­cut diamonds in silver, size N, case £600­800

82 An opal, sapphire and diamond cluster ring, the central oval cabochon opal within a surround of drop­shaped sapphires and rose­cut diamonds in silver, stamped 925, size P

£450­650

83 A gold, emerald and ruby brooch, Italy, 1970s, designed as four abstract flowers in textured gold, set with circular­cut rubies and emeralds, length 3.7cm, Italian maker’s marks, stamped 750, 2 emeralds missing, gross weight 13 grams

£400­600

84 An Art Deco cultured pearl, sapphire and diamond brooch, the graduated half­pearls set in a tapering circular frame decorated with an openwork geometric pattern set with rose­cut diamonds and cushion­cut sapphires in platinum, diameter 4.5cm

£1,000­2,000

85 A Victorian diamond brooch, circa 1890, the central navette motif with a foliate decoration set with old cushion­cut diamonds, within an openwork radiating frame of alternating diamond­set foliate and circular terminals, in silver and gold, length 3.8cm

£800­1,200

86 A diamond and cultured pearl bracelet, centred with an openwork foliate plaque set with round brilliant­cut diamonds in platinum and framed with two rows of seed pearls, to a six­row bracelet terminating in a diamond­set platinum clasp with a white gold safety chain, length 16cm, a pearl row lacking and another partially detached

£600­800

87 A cultured pearl and diamond necklace, the long matched cultured pearls with a spherical clasp pavé­set with diamonds in white gold, length 96cm

£2,500­3,000

88 Tiffany & Co, a silver and gold cuff bracelet, the silver bracelet with a raised cobweb design detailed with a yellow gold spider motif, signed Tiffany & Co, stamped 925 750, inner circumference 18cm £400­600

89 A diamond­set ring mount, each shoulder with a baguette­shaped diamond measuring approximately 1.00ct in total, set in platinum, size M

£1,500­2,000

90 An eight row grey cultured pearl necklace, with a late­nineteenth century gold clasp, with fine pellet and twisted wire work decoration to the border, applied with initials JB for John Brogden, containing a glazed portrait miniature on shell depicting the Qutab Minar, a remarkable monument in Delhi, not only for its early­13th century structure, but for the continuation of the Mughal and Hindu architecture, the necklace is 33cm long with extra pearls £600­800

91 An unusual Renaissance Revival figural enamel and diamond bodice ornament, 19th century composite, possibly intended to resemble a ship’s figurehead, designed as a bust wearing a foliate headband in green enamel, set with a circular­cut diamond, the reverse later set with a green paste, the figure’s face, shoulders and back applied with pink and white enamel en ronde bosse, with finely painted enamel details to the eyes and hair, the back tied with a ribbon bow applied with blue enamel, the front set with a scaled or feathered breast plate later applied with green enamel, sitting within a foliate mount applied with multicoloured enamel and set with rose­cut diamonds, in silver and gold, length 4.6cm, pin detached £700­1,000

92 A late­17th / early­18th century brass signet ring, bearing a crest within foliate surround and the initials HGJ above, approximate size J. £200­300

93 An early 18th century pinchbeck necklace, formed of twisted linking to a clasp decorated with a trellis pattern, length 43.5cm £200­300

94 Lady Gloria Dale, a carnelian and silver gilt necklace, 1970s, designed as a series of spherical and cylindrical carnelian beads to a chain composed of ropetwist and cylindrical links, the centre suspending a trapezoid carnelian bead pendant, 82.5cm £200­300

Lady Gloria Dale (1922­2013) was a British textile designer, member of Britain’s Contemporary Applied Arts and a long­standing British Crafts Council patron. She amassed an important collection of antique beads on her travels throughout the Middle East, and started designing jewellery around the collection upon her return to England in the early 1970s. The present jewel was featured in an exhibition of necklaces by the noted London­based merchants of antique and ancient jewels, Cameo Corner, founded by the jeweller Mosheh Oved (1885­1958).

95 An Art Deco ruby, sapphire and diamond ‘Day and Night’ ring, early 20th century, centring on a band set with a continuous line of channel­set calibré­cut rubies and sapphires, between hinged half­hoops set with singlecut diamonds in platinum, size K £600­800

96 A sapphire and diamond ring, modelled as a panther, set with circular­cut sapphires and single­cut diamonds, its eyes set with green paste, mounted in gold, size N £200­300

97 A sapphire and diamond half hoop ring, alternately­set with circular sapphires and marquise­shaped diamonds in textured yellow gold within polished 18ct gold borders, London hallmarks for 2000, size W £400­600

98 A topaz and amethyst­set half hoop ring, set with a central amethyst cabochon within blue topaz cabochon shoulders in white gold, marked Italy and stamped 750, size M £350­450

99 An emerald and diamond cluster ring, the step­cut emerald set within a surround of circular­cut diamonds in white gold, stamped 750, size N £800­1,000

100 A diamond full circle eternity ring, set with baguette­shaped diamonds interwoven with circular­cut diamond in fluted platinum setting, inner re-sizing sleeve, size L approx

£600­800

101 A diamond full circle eternity ring, set with round brilliant­cut diamonds in white gold, size L £500­700

102 A diamond solitaire ring, set with a round brilliant­cut diamond weighing 1.01cts, claw set in 18ct white gold, British hallmarks, size J £1,200­1,500

Accompanied by HRD report number 961820701 stating that the diamond is 1.01ct, Si1 clarity, H colour, medium fluorescence.

103 An aquamarine solitaire ring, the oval shaped aquamarine claw­set in white gold, stamped 750 with maker’s mark, size L½ £700­900

104 A ruby and diamond half hoop ring, set with a row of four ruby and diamond flowerhead clusters within diamond borders in 18ct white gold, London hallmarks for 2022, marked to interior D 0.71, R 3.60, size L approx £600­800

105 An amethyst and diamond ring, claw­set with an oval amethyst, within an asymmetrical border pavé­set with brilliant­cut diamonds and scrolls of channel­set baguette diamonds, mounted in silver, size N £400­600

106 Mouawad, a ‘Flower of Eternity’ diamond ring, designed as a stylised three­leaf clover pavé­set with diamonds and centred with a round brilliant­cut diamond in white gold, signed Mouawad, etched 750 and Flower of Eternity, size T

£1,200­1,800

107 An aquamarine and diamond cluster ring, the oval­shaped aquamarine measuring approximately 1.50cts, within a surround of round brilliant­cut diamonds in 18ct white and yellow gold, London hallmarks, date letter for 1987, size N½ £600­800

108 A chrysoberyl catseye and diamond ring, the central chrysoberyl cabochon flanked with small circular­cut diamonds in yellow gold, size N £200­300

109 A diamond five­stone ring, set with five graduated round brilliant­cut diamonds, the central diamond weighing approximately 0.74cts, total approximate diamond weight 1.92cts, size P½ £1,000­1,500

110 An emerald and diamond ring, the emerald­cut emerald to wide openwork shoulders set with round brilliantcut diamonds and a tapering shank chased with foliate scrolls in rose gold, stamped 585, size P £400­600

111 A sapphire and diamond cluster ring, the oval­cut sapphire set within a surround of round brilliant cut diamonds with further diamonds to the shoulders all mounted in 18ct white gold, London hallmarks, date letter for 2013, stamped 18K, size P £600­800

112 A paste and diamond cluster ring, of octagonal form, centring on a green paste within a surround of circularcut diamonds in yellow gold, size O £200­300

113 A diamond five stone ring, set with graduated old circular­cut diamonds in yellow gold, size P £800­1,200

114 Ben Rosenfeld, a diamond ring, 1971, of buckle design, the two white gold disk set with graduating round brilliant­cut diamonds and tied by textured 18ct yellow gold straps to a wide shank, signed BRLd, London hallmarks, date letter for 1971, size approx L £700­1,000

115 A sapphire and diamond ring, the cushion­shaped sapphire set within princess­cut diamond shoulders in yellow gold, stamped 750, size N½ £400­600

116 A ruby and diamond half hoop ring, set with an oval ruby flanked with pear­shaped rubies within a surround of diamonds millegrain­set in white gold, stamped 18k, size N £600­800

117 Rolex, a lady’s stainless steel ‘Oysterdate’ wristwatch, the circular dial with gilt baton indicators and hands with date aperture at 3 o’clock, to a plain stainless steel bezel and link bracelet with deployant clasp, case 2.8cm

£500­700

118 Rolex, a gentleman’s stainless steel ‘Oyster Perpetual Date’ wristwatch, the circular dial with steel baton indicators and hands with date wheel aperture at 3 o’clock, to a plain stainless steel bezel and link bracelet with deployant clasp, case 3.3cm, dilapidated dial

£500­700

119 Omega, a lady’s diamond and white gold wristwatch, the circular silvered dial with baton indicators, within a bezel set with round brilliant­cut diamonds, to an integrated mesh­link bracelet in 18ct white gold, signed Omega, French control marks to case, manual winding movement, case width 2.3cm, bracelet length 17cm, Omega case

£1,500­2,000

120 Patek Philippe, a gentleman’s gold wristwatch, signed silvered dial with baton numerals, manual winding, gold case with Swiss control marks, on a black Patek Phillipe leather strap, case width 3.6cm

£4,000­6,000

121 Cartier, a lady’s yellow gold Baignoire wristwatch, signed oval dial with black Roman numerals, 2.5cm wide with winder, secret signature at X, sapphire under quartz movement, signed to reverse and numbered 1954 and 535398CD, gold bracelet with signed deployant clasp with further French control marks, soft pouch with Cartier red box

£5,000­7,000

122 Gērald Genta, a lady’s gold and diamond wristwatch, the octagonal gold face with diamond­set hour markers and black enamelled hands, to a bezel set with round brilliant­cut diamonds and an integral gold link bracelet with deployant clasp, face, clasp and case signed Gerald Genta Geneve, case numbered G 2460.7 28060, Swiss control marks, gross weight 71g, case width 2.5cm, bracelet inner circumference 16cm

Provenance: The Property of a Lady of Title.

£2,000­3,000

123 Jaeger­LeCoultre, a lady’s mother of pearl and diamond ‘Reverso’ Duoface wristwatch, the case reversible, one side with a circular plain mother of pearl dial with gold hands to a white enamel frame between rows of brilliantcut diamonds, the other side of white enamel with Arabic numeral indicators and blue steel hands between plain fluted borders, to an integrated link bracelet with double deployant clasp, numbered 1954558, dials and case back signed Jaeger-LeCoultre, case 2cm wide, additional blue crocodile strap signed Jaeger-LeCoultre with deployant clasp, box

£3,000­5,000

124 Audermars Piguet for Asprey, a gold fob watch, signed dial with baton numerals in gold case, inscription engraved to reverse: CHP II With all my love, Carol, 12.25.85, length 5cm, 55g

£3,000­4,000

£450­600

125 A pair of diamond cluster earrings, each centred with a round brilliant­cut diamond within a wavy openwork border of single­cut diamonds in 9ct white gold, post fittings, London hallmarks, diameter 3.4cm

126 A sapphire and diamond bracelet, the central line of oval cabochon sapphires claw­set in yellow gold, between borders of single­cut diamonds in white gold square settings, stamped 750, length 20cm

£1,500­2,000

127 A sapphire and diamond line bracelet, with an alternating design of round brilliant­cut diamonds in white gold and circular­cut sapphires in yellow gold, stamped 18K, length 18cm

£2,500­3,000

128 A pair of diamond cluster stud earrings, the round brilliant cut diamonds claw­set in white gold, stamped 750 and D0.75, post fittings, length 8mm, case

£400­600

129 A diamond and 18ct white gold bracelet, the curb links pavé­set with round brilliant­cut diamonds, London hallmarks for 2007, marked FEI, gross weight 33g, length 17.5cm

£2,000­3,000

130 A diamond pendant, of heart­shaped design, pavé­set with round brilliant­cut diamonds in white gold, to a fine link chain, chain stamped 750, pendant width 3.2cm, chain length 39cm

£800­1,200

131 A sapphire and diamond pendant, the oval cabochon sapphire set within a double border of round brilliantcut diamonds in white gold, to a fine link chain, pendant stamped 750, chain stamped 750, pendant length 3cm, chain length 40cm

£600­800

132 A diamond pendant necklace, the pendant designed as a four­leaf clover pavé­set with round brilliant­cut diamonds in white gold, to a fine white gold chain spaced with collet­set round brilliant­cut diamonds and circularcut tsavorite garnets, chain stamped 750, pendant length 3cm, chain length 43cm

£900­1,200

133 A diamond three­stone pendant, the graduated round brilliant cut diamonds weighing approximately 0.85cts in total, claw set in 18ct white gold to a fine link 18ct white gold chain, pendant stamped 18K, chain and clasp stamped 750, pendant length 2cm, chain length 49cm

£400­600

134 A pair of diamond three­stone stud earrings, set with graduated round brilliant cut diamonds claw­set in 18ct white gold, London hallmarks, post fittings, length 1.1cm, case

£400­600

135 A sapphire and diamond clasp, the oval sapphire flanked with step­cut diamonds in white gold, length 1.7cm

£700­900

136 A diamond pendant, designed as a heart set with round brilliant­cut diamonds in white gold, to a fine link white gold chain, pendant stamped 750, chain stamped 585 Italy, pendant length 6.4cm, chain length 46.5cm

£1,500­2,000

137 A ruby and diamond cluster ring, the cushion­shaped ruby weighing approximately 1.80cts, set within a surround of diamonds in white gold, size L

Accompanied by GPL report number 21181 stating that the ruby shows no indications of heat treatment, origin: Burma (Myanmar)

£1,500­2,000

138 A sapphire and diamond cluster ring, the central oval cabochon sapphire set in yellow gold, within a surround of round brilliant­cut diamonds in white gold, stamped Kt18, size Q

£400­600

139 A cultured pearl and diamond ring, set with a cream and a light grey cultured pearl, each approximately 9mm diameter, to shoulders set with brilliant­cut and graduated baguette­shaped diamonds in platinum wirework setting, size L, case £400­600

140 Aletto Brothers, a pair of sapphire, ruby, diamond and rock crystal earrings, of floral design, the naturalistically carved frosted rock crystal petals centred with a cluster of circular­cut sapphires and rubies and round brilliant­cut diamonds in yellow gold and platinum, signed Aletto Bros, stamped 750 and Plat, width 3cm

£1,800­2,500

141 A pair of diamond bangles, each set with round brilliant­cut diamonds to diamond­set heart­shaped terminals in white gold, stamped 750, inner circumference 16cm

£2,500­3,500

142 A diamond bangle, set with small clusters of diamonds, in white gold, internal width 5.6cm £600­800

£600­800

143 An Edwardian diamond and seed pearl bangle, of hinged design, decorated with two bands of graduated seed pearls, each with a stylised flower centred with an old circular­cut diamond, stamped 15ct, inner circumference 16.5cm, case

144 An Edwardian moonstone and seed pearl brooch pendant, designed as a shamrock set with heart­shaped moonstones within seed pearl borders in yellow gold, detachable brooch fitting, width 2.9cm, case £200­300

145 A yellow sapphire pendant, the cushion­shaped yellow sapphire weighing 49.23cts, claw­set in gold, length including bail 3.5cm

£5,000­7,000

Accompanied by GPL report number 25637 dated 2nd February 2025 stating that the yellow sapphire weighs 14.6g, with no evidence of heat treatment, origin: Ceylon (Sri Lanka)

146 A carved opal pendant, the solid white opal carved as a pig’s head within a twisted rope border in yellow gold, length 3.1cm including bail £300­400

147 A half­pearl and diamond cluster ring, late 19th century and later, set with a central half­pearl within a surround of diamonds in a yellow gold collet setting on a later gold band, size G½ £400­600

148 An early 20th century seed pearl and demantoid garnet ring, circa 1921, set with three half seed pearls within a border of demantoid garnets in 18ct yellow gold, Birmingham hallmarks for 1921, size N £200­300

149 A multi­gem gold bracelet, late 19th century, set with graduated peridots, garnets, zircons and a sapphire in yellow gold collets, length 16cm

150 No lot

£400­600

151 An Edwardian opal and diamond brooch pendant, early 20th century, the circular opal cabochon within a geometric frame of old circular­cut diamonds in millegrain settings mounted in gold and silver, detachable brooch fitting, opal crazed, diameter 2.8cm excluding bail

£1,000­2,000

152 An Edwardian seed­pearl and 18ct gold bracelet, formed of two fine chains joined by alphabetical links spelling the name ‘Winifred’, later London hallmarks, stamped 18ct, pearls untested, gross weight 10g, length 18cm

£600­800

153 An Edwardian pearl and diamond necklace, alternately­set with pearls and diamond­set heart­shaped foliate links separated by gold fine link chains, length 39cm

£600­800

Accompanied by GCS report number 5785­1293 dated 19 February 2025 stating that the drilled and half­pearls are natural nacreous pearls, 9 saltwater and four (marked) freshwater.

154 A ruby and diamond bracelet, early 20th century, composed of navette­shaped links centring on foliate motifs set with rose­cut diamonds and circular­cut rubies, mounted in gold and platinum, length 17cm, French assay marks for 18ct gold and platinum

£600­800

155 A pair of jadeite and diamond drop earrings, the carved green jadeite plaques weighing 4.75cts and 4.53cts, carved with an openwork design of lotus leaves and aquatic birds, suspended from a bar set with round brilliantcut and single­cut diamonds in platinum and gold, hook fittings, length 4.5cm

£600­800

Accompanied by GPL report number 11626 dated 5th August 2015 stating that the jadeite plaques weighing 4.75cts and 4.53cts show no indications of treatment.

156 A late 19th century diamond duck brooch, the three graduated ducks with enamel heads and diamond­set bodies in silver and gold, length 3.4cm, case

£400­600

157 A diamond bow brooch, late 19th century, the stylised bow set with graduated old circular cut diamonds in silver and gold, Austrian marks, length 3.4cm

£950­1,200

£300­400

158 A pair of topaz and diamond drop earrings, each with a briolette­cut blue topaz suspended from a fine chain with collet­set round brilliant­cut diamonds in white gold, length 5.7cm

159 An onyx and diamond parure, comprising; a pendant suspending an onyx disc decorated with diamonds in geometric design, on two row fine­link chain set with further diamond arrows in white gold, length 40cm, with a matching onyx and diamond ring (one diamond missing), size N, and earrings, post and clip fittings, length 2.1cm, all in white gold and stamped 750

£2,000­3,000

160 An emerald and diamond pendant necklace, the pear­shaped emerald in a surround of millegrain­set round brilliant­cut diamonds in white and yellow gold, to a fine link silver chain, pendant length 2.5cm, chain length 44cm, case

£2,200­3,200

161 Garrard & Co, an emerald and diamond brooch and earrings, both of foliate design set with circular­cut emeralds within graduated circular and baguette­shaped diamonds in platinum, brooch length 5cm, earrings length 2.5cm, screw post fittings, unsigned, fitted case

£1,500­2,000

162 A pair of emerald and diamond cluster earrings, set with emerald­cut emeralds within a surround of diamonds in white gold, screw post fittings, length 13mm

£1,200­1,500

163 An emerald and diamond ring, the step­cut emerald to shoulders set with graduating baguette­cut diamonds in platinum, size M (sizing band), case

£5,000­7,000

164 Cartier, a moonstone and white gold ‘Tank’ ring, circa 1997, the square bufftop moonstone set to a wide polished white gold shank, signed Cartier, numbered 605 666, French maker’s mark, French control mark, stamped 750, size K½ approx. £600­800

165 A diamond­set gold heart pendant, the white gold heart suspended by a wide bail pavé­set with graduating round brilliant­cut diamonds, bail stamped 750, length including bail 3cm £400­600

166 A pair of peridot and diamond drop earrings, each suspending a pear­shaped period framed by round brilliantcut diamonds in white and yellow gold, post fittings, length 2.5cm, case

£1,800­2,200

167 A pair of rectangular emerald and diamond earrings, the emerald­cut emeralds rubover­set within a surround of diamonds in white gold, post and clip fittings, stamped 18k, length 16mm

£800­1,200

168 A ruby and diamond ring, the oval cabochon ruby weighing 10.01cts, in an entwined surround of baguetteshaped diamonds, to shoulders each set with two graduated round brilliant­cut diamonds in platinum, size M½

£8,000­12,000

Accompanied by GCS report number 5783­2777 dated 16th May 2023 stating that the ruby weighs 10.01cts, with no indications of heat treatment, origin: Burma (Myanmar)

169 A diamond brooch, designed as a safety pin, set with round brilliant­cut diamonds in yellow and white gold, stamped and engraved Sonia B, engraved 18K, length 3.7cm

£400­600

170 Chanel, a white gold ‘Coco Crush’ ring, of flexible latticework design, signed and numbered 201 1218 T52, stamped 750, London hallmarks for 2001, size M½

£600­800

171 A sapphire and diamond cluster ring, the cushion­shaped sapphire framed by circular and cushion­shaped diamonds mounted in white gold, size P

£2,000­3,000

172 A diamond bracelet, set with lines of round brilliant­cut diamonds totalling approximately 6.50cts, claw­set in white gold, length 17cm

£4,000­6,000

173 A diamond cluster ring, set with a central circular­cut diamond weighing 3.00cts within diamond surround and diamond shoulders in white gold, size O

£6,000­8,000

174 Elizabeth Gage, a pair of gem­set gold earrings, each set with a cabochon sapphire, emerald and ruby within diamond surround on yellow gold oval setting, total approximate diamond weight 3.50cts, applied with maker’s plaque and London hallmarks for 18ct, length 3.4cm, clip fittings

£2,000­2,500

175 A multi­gem bracelet, the faceted topaz, amethyst and peridot in yellow gold mounts, each set to a circularlink chain, all secured to a large circular link marked ‘Il Gioiello’ and suspending a further faceted citrine, Italian control marks, stamped Il Gioiello Italy, length 19cm, 16g

£900­1,200

176 Cartier, a diamond­set gold ‘LOVE’ bangle, decorated with polished stylised screw heads within diamond panels in 18ct yellow gold, hinged opening, signed and numbered CRD652137, bangle width 6mm, internal width 5.8cm

£8,000­12,000

λ 177 A pair of coral and diamond drop earrings, the coral drops suspending from a line of graduated diamonds terminating at each end with an oval­shaped emerald in white gold, length 3cm, post fittings

£600­800

178 Paloma Picasso for Tiffany & Co, a gold ‘Paloma’s Graffiti X’ brooch, designed as three ‘X’ letters, signed Paloma Picasso and Tiffany & Co, stamped 18ct and 750, gross weight 11g, length 4.8cm

£500­700

179 A multi­gem long chain, the faceted topaz, citrine, smoky quartz, amethyst and peridot, in yellow gold mounts to a circular­link chain, Italian control marks, stamped Il Gioiello Italy, length 90cm, 22g

£1,300­1,500

180 A 9ct gold and diamond bracelet, the round brilliant­cut diamonds in square settings alternating with broad gold links, Birmingham convention hallmarks, gross weight 9g, length 18cm

£400­600

181 F.O.P.E, an 18ct gold ‘Flex’it’ demi­parure, comprising a necklace and a bracelet composed of fancy linking, the clasps each with a white gold button signed FOPE, both with Italian control marks, stamped FOPE and PATENTED, necklace length 43cm, bracelet length 19.5cm, 78g total

£3,000­5,000

182 A pair of ruby and diamond earrings, designed as flowers, the petals invisibly set with French­cut rubies, centred with a cluster of round brilliant­cut diamonds, mounted in gold and platinum, stamped 750, folding post clip fittings, hoop for suspension to the reverse, length 2.8cm

£3,000­4,000

183 A pair of sapphire and diamond earrings, designed as flowers, the petals invisibly set with French­cut sapphires, centred with a cluster of round brilliant­cut diamonds, mounted in gold and platinum, stamped 750, clip fittings, bracket for suspension to the reverse, length 2.8cm

£3,000­4,000

184 A pair of diamond and gold hoop earrings, each of sculptural twisted design with two pavé­set bands of graduated round brilliant­cut diamonds in yellow gold, Italian control marks, clip and post fittings, length 3.5cm, 21g total

£1,200­1,500

185 Viviane Debbas, a pair of citrine and diamond earrings, the large cabochon citrines set within surround of brown diamonds in gold, clip fittings, length 2.8cm

£2,000­3,000

186 Piaget, a ruby and diamond cluster ring, the sugarloaf ruby within a double border of graduated round brilliant­cut diamonds in yellow gold, signed Piaget, stamped Or 750, size N

£1,000­2,000

187 An emerald and diamond cluster ring, the emerald­cut emerald within a rectangular border of diamonds in yellow gold, size M

£1,000­2,000

188 A diamond ring, the wide yellow gold band formed of a pierced geometric pattern with three panels pavéset with round brilliant­cut diamonds, size approx K½, 10g

£300­400

189 A sapphire solitaire ring, the oval­shaped sapphire weighing 3.57cts collet­set in yellow gold, indistinct marks, gross weight 25g, size Z+3

£2,000­3,000

Accompanied by GPL report number 18139 dated 6th December 2019 stating that the oval­shaped sapphire weighing 3.57cts is natural with no indications of heat treatment, origin: Ceylon (Sri Lanka)

190 A ruby and diamond cluster ring, the oval ruby in raised yellow gold setting, within surround of graduated round brilliant­cut diamonds, size L½

£2,000­3,000

Accompanied by GCS report number 79226­61 dated 21st August 2019 stating that the natural ruby shows no indications of heating, origin: Burma (Myanmar)

191 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 1.00cts, set in platinum and yellow gold, size O

£1,000­1,500

£400­600

192 A Victorian ruby and diamond bangle, of hinged design, set with a row of graduated cushion­cut rubies alternating with old circular­cut diamonds, in yellow gold, inner circumference 17cm, case

193 A 19th century hardstone cameo pendant, depicting a woman in profile in the classical manner, within pellet­work and twisted rope border, later gold bail, width 3.6cm

£1,200­1,800

194 A sapphire and diamond bangle, of hinged design in 9ct gold, set with a row of oval­cut sapphires in a pierced and carved mount accented with diamonds, Sheffield hallmarks, date letter for 1986, inner circumference 17cm

£600­800

195 A late 19th century opal and diamond bangle, of hinged design, decorated with a row of seven graduated circular opal cabochons alternating with waisted bands of old­cut diamonds, mounted in gold, inner circumference 17cm

£1,000­1,500

196 A late 19th century cameo and diamond pendant, centring on a hardstone cameo depicting Cupid and Psyche within a diamond and seed pearl border suspending from a diamond­set bail in silver and gold, pearls untested, French control marks, length 7.5cm, case

£600­800

197 A Victorian rock crystal and diamond pendant, late 19th century, decorated with the monogram ‘ES’ accented with rose­cut diamonds and inset into an oval rock crystal cabochon framed by old circular­cut, single­cut and rose­cut diamonds in alternating collet and square settings mounted in silver and gold, suspended from a fine link silver chain, converted from a brooch, chain stamped 925, pendant length excluding bail 3cm, chain length 44cm

198 A 19th century carnelian intaglio ring, depicting Hercules in profile, mounted in yellow gold, size Q½

£800­1,200

£1,000­1,500

199 A French late 19th century ‘harem’ ring, the seven gold sections each set with rose cut diamonds alternating with sapphires, rubies, emeralds and pearls, each band stamped with French control marks, a bar to keep the shanks together to the reverse, size P½ £600­800

200 An Edwardian sapphire and diamond brooch, early 20th century, the central cushion­shaped sapphire within a surround of ovalshaped sapphires between borders of round brilliant­cut diamonds in yellow gold, length 2.8cm

£5,000­7,000 Accompanied by GPL report number 23195 dated 23rd May 2023 stating that the sapphire samples show no indications of heat treatment, origin: Ceylon (Sri Lanka)

201 An Art Nouveau ruby, diamond and pearl brooch, circa 1900, of openwork design, with yellow gold foliate scrolls interlacing platinum scrolls set with rose­cut diamonds, centred with a cabochon ruby and suspending a river pearl, French import mark for gold, pearl untested, width 5.2cm

£600­800

202 A peridot and diamond cluster ring, 19th century and later, the circular­cut peridot surrounded by graduated old cushion­cut diamonds mounted in silver and gold, size Q

£400­600

203 A late 19th century sapphire and diamond half hoop ring, set with graduated oval­shaped sapphires and cushion­shaped diamonds in carved yellow gold setting, size M

£1,000­1,500

204 An opal and diamond half hoop ring, set with three graduated opals separated with diamonds in yellow gold, size Q £200­300

205 A Victorian opal and diamond pendant, circa 1890, of heart­shaped design, the central cabochon opal within a surround of old circular­cut diamonds in yellow gold, length 2.3cm

£1,000­2,000

206 A Victorian amethyst and diamond brooch, late 19th century, the heart­shaped amethyst surrounded by collet­set rose­cut diamonds below a ribbon tie accented with diamonds mounted in silver and gold, retractable bail, length 2cm, fitted case £300­500

207 A sapphire and diamond half­hoop ring, the three old cushion­cut sapphires alternately set with pairs of old cushion­cut diamonds mounted in 18ct gold, Sheffield hallmarks, size P

£800­1,200

208 A late 19th century sapphire and diamond cluster ring, set with a cushion­shaped sapphire within a surround of old­cut diamonds in scroll­engraved yellow gold setting, size Q

£600­800

209 A late 19th century opal and diamond half­hoop ring, the five graduated oval opal cabochons set in carved scrolling gold mounts accented with diamonds, maker’s mark BS, stamped 18, size approx N inclusive of resizing band

£400­600

210 An opal and diamond three stone ring, the pear­shaped diamond flanked with cabochon opals rubover­set in yellow gold, size P½

211 An old cushion­shaped diamond, weighing approximately 1.95cts, claw­set in a silver and gold collet

£700­900

£1,500­2,000

212 A ruby and diamond flower brooch, circa 1940, the stylised flower set with graduated rubies and diamonds on polished yellow gold leaves and stem, the brooch currently in two parts and not functioning, one ruby missing, gross length 9.5cm,

£2,000­3,000

213 A diamond brooch, designed as a floral spray, set with graduated round brilliant­cut and baguette shaped diamonds in white gold, total approximate diamond weight 4.5cts, length 6.2cm

£2,000­3,000

214 A diamond­set gold scroll brooch, circa 1940, with graduated splayed circles centring on a cluster of diamonds in platinum and yellow gold, length 8cm, 27g

£2,000­3,000

215 A diamond and gold bracelet, the links of abstract foliate design in textured yellow gold, accented with graduated round brilliant­cut diamonds in white gold, gross weight 61g, length 17cm

£4,000­6,000

216 A diamond bracelet, mid­20th century, designed as quatrefoil clusters of diamonds within borders of baguette­shaped diamonds and circular cut diamond accents, total approximate diamond weight 18.00cts, clasp stamped 18k, length 17.5cm

£8,500­10,000

217 A pair of diamond scroll earrings, set with graduated circular, baguette and marquise­shaped diamonds in platinum and palladium, post and clip fittings, length 2.9cm

£1,200­1,500

218 A pair of ruby and diamond ear clips, of chequerboard design set with square rubies encased by diamonds in gold, post and clip fittings, stamped 750, length 3cm

£1,200­1,500

219 Gübelin, a pair of diamond­set gold earrings, of textured and plain gold design accented with round brilliantcut diamonds, stamped 750, with maker’s mark, folding post and clip fittings, length 2.6cm

£800­1,200

220 An aquamarine five­stone ring, the central emerald­cut aquamarine between two baguette­shaped aquamarines, to shoulders set with two triangular­shaped aquamarines in 18ct white gold, London hallmarks, date letter for 2017, maker’s mark W&K, size approx S

£800­1,200

221 An aquamarine and diamond ring, the emerald­cut aquamarine claw set above shoulders set with round brilliant­cut diamonds to a white gold shank, French control mark and maker’s mark, size M½

£3,000­5,000

222 David Webb, a pair of gold and diamond earrings, the spiral design in yellow gold with spot­hammered decoration, centred with a cluster of round brilliant­cut diamonds set in platinum, clip fittings, signed Webb, stamped 18K 900 Plat, gross weight 33g, width 2.5cm

Provenance: The Property of a Lady of Title.

£1,000­1,500

223 A pair of French gold and citrine earrings, centred with circular citrines within gold wirework surround, French control marks for 18ct gold, clip fittings, diameter 2.7cm

£2,000­3,000

224 A French citrine and gold ring, set with a central circular­cut citrine within gold wirework surround in yellow gold, French control mark and maker’s lozenge, size I½ approx

£600­800

225 An opal dress ring, set with an opal cabochon in a wide hammered effect yellow gold setting, stamped 750, size R approx, 14g

£1,000­1,500

226 Chanel, an amethyst, peridot and aquamarine ‘Coco’ ring, of bombé design, the cushion­shaped amethyst within a surround of buff­top peridots and aquamarines in yellow gold, signed Chanel, numbered IM204, French maker’s mark, French control mark, ring size M

Provenance: The Property of a Lady of Title.

£1,000­1,500

227 A pair of diamond ‘Day and Night’ earrings, mid­20th century, the foliate surmounts suspending detachable articulated tassel drops, set with graduated round brilliant­cut and baguette diamonds, mounted in white gold, clip fittings, total length 5cm

£3,000­5,000

228 David Webb, a pair of gold and black enamel earrings, of compressed hoop design decorated with black enamel and detailed with a wrap­around yellow gold band with spot­hammered decoration, clip fittings, signed Webb, stamped 18K, length 2.8cm £800­1,200

Provenance: The Property of a Lady of Title.

£4,000­6,000

229 August Hollming, a ruby, sapphire and diamond brooch pendant, early 20th century, the central monogram ‘XV’ set with old cushion­cut and rose­cut diamonds, within a foliate diamond­set garland set with two ruby and two sapphire cabochons, in gold and platinum, Soviet control mark, maker’s mark AH, retractable bail, length 2.9cm

230 Fabergé, an aventurine quartz model of a pig, circa 1900, carved standing four square, its eyes set with ruby cabochons, apparently unmarked, length 5.1cm, heavily restored from recent breakage

Provenance:

Wartski, London

Sold, Christie’s, New York, Russian Art, 23rd April 2010, Lot 68, $68,500.

231 A ruby solitaire stickpin, set with a cushion­shaped ruby in yellow gold coronet setting, length 5.4cm

£800­1,200

£300­400

Accompanied by GPL report number 25419 dated 24th November 2024 stating that the ruby is natural with no indications of heating, origin: Thai, East Africa

232 August Hollming, an early 20th century Russian gem­set gold brooch, formed as a Caduceus, the serpents set with old circular cut diamonds with ruby eyes, the wings decorated with green enamel and pearls to the terminals, the pin stamped A*H for August Hollming, probably for Fabergé, with 56 and anchor mark for St Petersburg, initals repeated to clasp, 3.7cm high

£1,000­1,500

233 A Russian diamond­set gold stick pin, circa 1912, the circular blue guilloché enamel top section mounted with a tasselled cushion supporting a crown with sword and sceptre, set with graduated diamonds, the dates 1613­1913 written above in gold and are framed in a rose­cut diamond border (one missing), stamped 56 and unidentified initials to reverse, gold pin, the head 2cm wide

£1,500­2,000

The dates denote the tercentenary reign of the Romanov dynasty, which continued until the abdication of Tsar Nicholas II in 1917.

234 August Hollming, an early­20th century Russian gem­set gold locket pendant, the hinged cover set with a cushion shaped diamond above a foliate swag set with rose cut diamonds on pink guilloché enamel ground, the cover stamped A*H for August Hollming, probably for Fabergé and 88 (inset section probably silver gilt), the base with repeated Hollming mark, kokoshnik with 56 and St Petersburg alpha, and separate kokoshnik, rubbed number to suspension loop, possibly 583, bail set with small diamonds, 3.8cm high including bail

£1,000­1,500

235 A late 19th century amethyst and chalcedony desk seal, the waisted faceted amethyst seal with a gold lappeted claw mount, set with a chalcedony seal carved with the monogram ‘WMW’ or ‘MWM’, height 5.3cm

£400­600

236 A Regimental brooch for The Kings Royal Rifle Corps, set with enamel and diamonds in platinum and gold and applied with the motto ‘Celer At Audax’ in enamel, length 2.8cm, in fitted case by Collingwood

£600­800

237 An early­20th century Russian diamond­set lozenge­shaped gold locket pendant, the hinged cover with iridescent oyster guilloché enamel decoration, one glazed interior stamped ΦA, possibly for Fabergé workmaster Fedor Afanasiev with 56, kokoshnik with AP for A. Richter, the other side stamped ΦA and 88 with initials for Jakov Litapunov, presumably for a silver gilt insert, 2.8cm high

£1,500­2,000

238 A pair of garnet cufflinks, France, circa 1880, the ends each set with a circular cabochon garnet in rose gold, indistinct French maker’s mark, French control marks, end diameter 1.8cm

£700­1,000

239 A sapphire, enamel and diamond brooch, early 20th century, designed as the flag of the Royal Thames Yacht Club, channel­set with calibré­cut sapphires and millegrain­set with single­cut diamonds, the central Imperial State Crown motif applied with red enamel, mounted in gold and platinum, length 2.7cm

£800­1,200

240 A pair of Art Deco synthetic sapphire and diamond cufflinks, the corrugated ends set with calibré­cut sapphires and traversed with a band of round brilliant­cut diamonds mounted in platinum, end width 1.3cm, two sapphires damaged

£800­1,200

241 A pair of Art Deco synthetic sapphire and diamond cufflinks, early 20th century, each end of octagonal outline, one end of each pair set to one corner with bands of single­cut diamonds and calibré­cut synthetic sapphires, each end 1.2 x 1.4cm, signed Jackson, 18CT and PLAT, fitted case

£300­400

242 Van Cleef & Arpels, a pair of cufflinks, of stylised geometric design set in yellow and white gold, signed Van Cleef & Arpels numbered 21982 N.Y. stamped 18k, 24g

£1,200­1,500

243 A pair of 18ct gold cufflinks, the oval ends engraved ‘Gay George’ and ‘Tommy’ to one cufflink and ‘Gay George’ and ‘Peter’ to the other, London hallmarks, date letter for 1981, maker’s mark R&R for Ramsden & Roed Ltd, gross weight 11g, end width 1.8cm, case

£600­800

Provenance: From the estate of Deborah, the late Duchess of Devonshire (1920­2014); Woolley & Wallis, 27th October 2016, Lot 1631, where purchased by the vendor.

Gay George was a favourite racehorse of Andrew, 11th Duke of Devonshire (1920­2004). After the horse died in 1983, these commemorative cufflinks were engraved to acknowledge his stable lads Tommy Turley and Peter Payne.

OF DAY ONE

DAY TWO

WEDNESDAY 16TH APRIL 2025 AT 10.00AM

244 Tiffany & Co., an enamel and diamond brooch pendant, circa 1900, designed as a rose in yellow gold with naturalistic iridescent red enamel petals centred with an old circular­cut diamond, signed Tiffany & Co., length 3cm

£1,000­2,000

245 A gold choker necklace, the finely woven mesh necklace to a wide clasp chased with a floral motif, gold tests as 22cts, gross weight 71g, inner circumference 34cm

£3,000­4,000

246 Palstcho, a rare butterfly wing, ruby and diamond brooch, circa 1920, designed as a butterfly, its wings composed of glazed compartments of iridescent butterfly wing, its body set with cushion­shaped diamonds, its eyes set with circular­cut rubies, wingspan 5.8cm, maker’s mark EP for Palstcho, Austro-Hungarian assay mark for 14ct gold, Vienna, and French import assay marks for 14ct gold, French patent inscription

£2,000­3,000

247 A late Victorian enamel and pearl locket pendant, circa 1879, the frame decorated with black and white enamel within a border of pearls mounted in yellow gold, the reverse with the inscription ‘Good Friday 1879’, pearls untested, length including bail 4.7cm, one pearl lacking, fitted case

£600­800

248 Henri Dubret, a French Art Nouveau enamel brooch pendant, depicting stylised dogwood blossom in polychrome enamel and set with a green tourmaline in yellow gold, maker’s mark and French control marks for 18ct gold, detachable brooch fittings, length 5cm

£1,000­1,500

249 An Edwardian opal and diamond shamrock brooch, set with heart­shaped opals within diamond borders in yellow gold, length 4.5cm

£400­600

250 An Art Nouveau enamel and seed pearl brooch, designed as a branch of leaves decorated with shaded iridescent enamel and seed pearls on yellow gold, marked 15C to reverse, width 2.8cm

£250­350

251 A George III opaline glass and gold necklace, with matching bracelet, with graduated oval glass plaques in fluted gold mounts, 38cm, the conforming bracelet 16cm

£600­800

252 A ruby, pearl and diamond insect pendant necklace, designed as beetle, the body set with a pearl below a cushion­cut ruby to the head and rose­cut diamonds to the shoulders in yellow gold, suspended from a half pearl between to circular­cut rubies, to a fine link chain, pendant length 3cm, chain length including ruby and pearl section 39cm

A verbal report from GCS states that the pearl is a natural saltwater blister pearl.

£1,000­2,000

253 A late 19th century reverse carved rock crystal locket, of circular design with a naturalistic depiction of a bee, mounted in yellow gold, with yellow gold pendant loop, diameter 2.8cm

£1,000­1,500

254 Fabergé, a large modern multi­gem and enamel egg pendant necklace, the pendant designed as an egg, formed of three revolving sections with enamelled aquatic scenes of frogs and fish, set with cabochon opal, amethyst and carnelian eyes and detailed with pavé­set diamonds and sapphires, the base and mount in white gold pavé­set with round brilliant­cut diamonds, to a white gold chain set with cabochons in diamond­set borders alternating with round brilliant­cut diamonds between enamelled triangles, signed FABERGE, numbered 238/1, London import marks, French control marks, pendant length 8.3cm, 85cm

£5,000­7,000

255 Vicente Garcia, an emerald and enamel ‘Fountain of Hummingbirds’ ring, of bombé design, the central emerald­cut emerald weighing approximately 2.20cts, raised in an enamelled scrolling surround with applied models of hummingbirds above a border of textured discs, signed V. Garcia, size M½

£4,000­6,000

256 A sapphire and diamond ring, the emerald­cut sapphire weighing 14.10cts, claw set above shoulders, each set with round brilliant­cut diamonds to a white gold shank, stamped 750, size N

£12,000­15,000

257 A tanzanite and diamond three stone ring, the cushion­shaped tanzanite flanked with triangular­shaped diamonds in platinum, size M

£1,200­1,600

258 An alexandrite and diamond ring, the oval­shaped alexandrite weighing 2.82cts within shoulders set with princess­cut diamonds in platinum, stamped Paolo G and HDIPT, engraved Marlene, size N

£2,000­3,000

259 CAST, an onyx, white agate, chrysoprase and diamond ‘Flip Milan’ ring, the central reversable section with a chrysoprase cabochon to one side and pavé­set with diamonds to the other, within a reversable frame set with onyx and white agate, to a yellow gold mount accented with diamonds to the shoulders, signed CAST No.54, stamped 750, size L½, case by CAST

£1,500­2,000

260 A star sapphire and diamond ring, the central cabochon sapphire weighing approximately 9.50cts, flanked by two old circular­cut diamonds in a rub­over yellow gold setting, stamped 585, gross weight 20g, size X

£4,000­6,000

Accompanied by GCS report number 5777­8724 dated 3rd February 2017 stating that the cabochon sapphire weighing approximately 9.50cts is a natural purple star sapphire with no indications of heat treatment, origin: Ceylon (Sri Lanka).

Provenance: Woolley & Wallis, 15th July 2020, Lot 2080.

261 A ruby and diamond eternity ring, circa 1969, alternately­set with pairs of circular­cut rubies and diamonds separated by gold X’s, London hallmarks for 18ct, 1969, size R

£1,500­2,000

262 A garnet and diamond cluster ring, the cushion­cut garnet within a ballerina surround of tapering baguetteshaped and graduated round brilliant­cut diamonds mounted in white gold to a yellow gold shank, stamped 18K and 14K, size L½

£1,200­1,500

263 A multi­coloured sapphire necklace, designed as a series of clusters set with oval­shaped sapphires within surrounds of round brilliant­cut diamonds spaced by white gold bars, stamped 750, length 37cm

£2,000­3,000

264 A diamond solitaire ring, the old oval­shaped diamond weighing approximately 1.10cts, claw­set in white gold, stamped 14k, inner re-sizing bands, approximately size K

£1,500­2,000

265 A diamond eternity ring, the round brilliant­cut diamonds claw­set in white gold, stamped II 18K, size M½ £600­800

266 A diamond five­stone ring, the round brilliant cut diamonds claw­set in 18ct white gold, London hallmarks, date letter for 2013, stamped 18K, size P

£800­1,200

267 A Swedish 19th century cased demi­parure, comprising a gold brooch, set with a central pearl within rosecut diamond surround, foliate scroll decoration, locket compartment to reverse, suspending a tassel with a conforming pair of earrings with later fittings, Swedish marks to pendant catch, pendant 3.5cm wide £800­1,200

268 A mid 19th century agate, enamel and seed pearl mourning brooch, centring on a banded agate cabochon with a seed pearl within star motif, within a black enamel surround with the words IN MEMORY OF in reserve, between seed pearls in quatrefoil surrounds and pellet edges, glazed locket compartment to reverse containing hair, width 5.7cm £300­500

269 A large aquamarine brooch pendant, the oval aquamarine weighing over 100cts, with triangular claws in a starburst design in a yellow gold coronet setting, length 4.5cm

£2,000­3,000

270 A Victorian aquamarine and diamond brooch pendant, circa 1890 and later, the oval­shaped aquamarine within a frame of collet­set rose­cut diamonds between foliate terminals accented with diamonds, in silver and gold, length 6cm

£800­1,200

271 A Victorian half pearl and diamond brooch, mid 19th century, the stylised horseshoe set with half pearls and rose­cut diamond accents in yellow gold, length 3.2cm £600­800

272 A diamond solitaire ring, the old cushion­shaped diamond weighing approximately 2.00cts, within fluted 18ct yellow gold setting, size R, 13g

£2,500­3,500

273 An emerald and pearl cluster ring, set with a step­cut emerald within half­pearl border and trifurcated yellow gold shoulders, size N £500­700

274 A Victorian turquoise, garnet and diamond snake necklace, mid 19th century, the articulated body and head set with turquoise cabochons, garnet eyes beneath diamond brows, in silver and gold, length 42cm, fitted case by Payne & Sons

£3,000­5,000

275 An Edwardian ruby and gold brooch, centred with an openwork quatrefoil motif set with cushion­shaped and circular­cut rubies millegrain­set in platinum within a yellow gold frame, diameter 2.9cm £600­800

276 A five­stone diamond ring, the graduated old cushion­cut diamonds mounted in platinum and yellow gold, size M £800­1,200

277 A 19th century amethyst and gold bangle, mid 19th century and later, the oval amethyst within repoussé gold scroll mount set with smaller amethysts on a later gold gate­link bracelet, length 18.4cm, stamped 15ct, four amethysts missing, case

£1,000­1,500

278 A Victorian turquoise­set gold pendant, mid 19th century, of spherical design pavé­set with turquoise cabochons and suspending from a scroll engraved and turquoise drop in yellow gold, length 5cm, case £600­800

279 A Victorian turquoise­set gold snake bracelet, mid 19th century, the stylised serpent’s head pavé­set with turquoise and garnet eyes, suspending a ruby and turquoise heart within its jaws, on four row snake­link bracelet, glazed locket compartment to reverse of heart, length 16cm, case

£1,500­2,000

280 A turquoise­set gold bird pendant, pavé­set with turquoise cabochons, with a diamond suspending from it’s gold beak, set in silver on closed­back gold setting, length 4cm total, case £400­600

(2)

281 An Edwardian aquamarine and diamond pendant, of elongated quatrilobe design, the openwork frame accented with diamonds suspending a pear­shaped and two oval­cut aquamarines and two marquise­shaped diamonds, mounted in platinum to a fine link platinum chain, pendant length 6.7cm, chain length 39cm

£2,000­3,000

282 An aquamarine and diamond pendant, designed as foliate swags accented with diamonds, suspending a pear­shaped and an oval­cut aquamarine, below two oval­cut aquamarines, mounted in yellow gold and silver, suspended from a platinum chain, pendant length 5cm, chain length 39cm

£800­1,200

283 A pair of Belle Époque aquamarine and diamond drop earrings, early 19th century and later, the millegrainset diamond swags encasing an articulated aquamarine and diamond drop and suspending from a later aquamarine in platinum, length 4.1cm

£2,000­3,000

284 An early 20th century diamond brooch, centring on a rose­cut diamond within pierced and radiating surround millegrain­set with diamonds in platinum, length 5.8cm

£3,000­5,000

285 A single row natural pearl necklace, set on an oval diamond­set clasp in platinum, length 42cm £200­300

A verbal report from GCS states that the pearls are natural saltwater and seed pearls.

286 A seed pearl and platinum necklace, the seed pearls alternating with fine platinum links, pearls untested, length 56.5cm, case

£300­400

287 A single row natural pearl necklace, the pearls graduate from 3.41 to 5.59mm, with a diamond­set cluster clasp in platinum, length 44cm, case £300­400

A verbal report from GCS states that the pearls are natural saltwater.

288 An early 20th century pearl and diamond bracelet, of openwork design, with pearls alternating with links millegrain­set with circular­cut diamonds and each centred with two pearls, to a broad link strap in platinum, French control marks, length 16.5cm

A verbal report from GCS states that the pearls are natural saltwater.

£4,000­6,000

289 A diamond cluster ring, the five old circular­cut diamonds millegrain­set in a pierced mount of quatrefoil design set with four smaller old circular­cut diamonds in white gold, size M½

£1,200­1,800

290 An emerald and diamond ring, the emerald­cut emerald set in yellow gold, within a geometric surround of round brilliant­cut diamonds in white gold, stamped 585, shank inscribed, size N½

£1,000­1,500

291 An emerald and diamond five­stone ring, the central emerald­cut emerald weighing approximately 0.84cts, flanked by two old­cut diamonds and two emerald­cut emeralds in white and yellow gold, stamped 18ct, size O½

£1,500­2,500

A verbal report from GCS states that the central emerald shows indications of minor­moderate clarity enhancement, origin: Colombia

292 A diamond­set bow brooch, of pierced zigzag design millegrain­set with graduated old cushion­shaped diamonds in white gold, width 6.5cm

£2,000­3,000

293 A pair of Belle Époque diamond drop earrings, circa 1900, of openwork foliate design, with millegrain­set round brilliant­cut and single­cut diamonds in platinum, post fittings, length 2.5cm

£400­600

294 A pearl and diamond pendant, set with graduated diamonds and a drop­shaped pearl in silver with later gold pendant loop, length 2.2cm

£400­600

Accompanied by GPL report number 23722 dated 15th September 2023 stating that the pearl is natural saltwater.

295 An Art Deco emerald and diamond brooch, designed as a five­pointed star, centred with a step­cut emerald with radiating baguette­shaped diamonds and pavé­set with graduated circular­cut diamonds, mounted in platinum, stamped BW and PT 950, length 5.4cm

£6,000­8,000

A verbal report from GCS states that the emerald shows moderate indications of clarity enhancement, origin: Colombia

296 A diamond cluster ring, set with rows of graduated oval­shaped diamonds rubover­set in gold, size L

£5,000­8,000

297 A diamond brooch / earrings, of floral design set with round brilliant­cut and baguette­shaped diamonds, the central flowerhead above a spray of leaves suspending articulated drops, below two flowerheads detaching to form earrings in platinum, clip fittings to integral earrings, overall length 8cm, earring length 3cm, case

£3,500­5,000

298 Verney, a diamond and lavender jadeite brooch, designed as a stylised spring of ivy, the vine channel­set with baguette­shaped diamonds, the leaves formed of carved lavender jadeite with diamond accents in white gold, length 11.2cm

£2,500­3,000

299 A mid 20th century ruby and diamond­set flower brooch / double clip, circa 1950, the elaborate flowers centred with an old oval­shaped diamond in ruby surrounds within gold petals and scrolling gold leaves accented with further diamonds, calibré­cut rubies and tied with a diamond­set bow, the two flowers both detaching to be worn separately as clips, length 7.8cm

£15,000­20,000

Accompanied by GCS report number 5784­1588 dated 22nd February 2024 stating that the rubies total approx 10­15cts, with samples showing no indication of heat treatment, origin: Burma (Myanmar)

300 An aquamarine ruby and diamond ring, the large step­cut aquamarine weighing approximately 60.00cts, with shoulders each decorated with an arc of rubies and a diamond in platinum and gold, stamped 14k, size M½

£6,000­8,000

301 A citrine and diamond ring, the step­cut yellow citrine flanked with baguette­shaped diamonds in 18ct yellow gold and platinum, size M½

£800­1,200

λ 302 A pair of coral and diamond ear clips, mid 20th century, each with a circular coral cabochon below three bands of round brilliant­cut diamonds in platinum, clip fittings, length 2.8cm

£5,000­7,000

303 A diamond strap bracelet, circa 1950, centred with a flower motif of round brilliant­cut and marquise­shaped diamonds within a ribbon­tie mount set with baguette­shaped diamonds, to a strap of graduated round brilliantcut and baguette­shaped diamonds in platinum, length 18cm

£8,000­12,000

304 A pair of diamond and citrine­set earrings, of triangular design centring on circular­cut citrines with diamond corners in platinum and yellow gold, stamped 18k, 14k and maker’s mark, clip fittings, length 2.5cm, 24g total

£1,400­1,600

305 Tiffany & Co, an agate­set gold bracelet, circa 2001, designed as five square links each set with bloodstone, carnelian or tiger’s eye, encased in a yellow gold cross and joined with polished gold bar linking, signed Tiffany & Co, Italy, 2001 and stamped 750, length 18cm

£6,000­8,000

306 A sapphire and diamond ring, the oval cabochon sapphire within a frame of round brilliant­cut diamonds, above diamond­set shoulders to a platinum shank, size L½

307 A diamond full circle eternity ring, set with round brilliant­cut diamonds in platinum, size O

£4,000­6,000

£1,000­1,500

308 An emerald and diamond cluster ring, of square outline centred with an emerald­cut emerald surrounded by carré­cut diamonds in platinum, approximately size J, Boucheron case

£3,000­5,000

309 A diamond solitaire ring, the Asscher­cut diamond weighing approximately 0.75cts, within baguette­shaped diamond shoulders in platinum, size L½

£800­1,200

310 An Art Deco diamond and moonstone brooch, circa 1920, the circular moonstone cabochons set in a cartouche­shaped frame pierced with a geometric motif and millegrain­set with old circular­cut diamonds in platinum to a yellow gold pin, length 5.3cm

£2,500­3,500

311 An Art Deco diamond bracelet, early 20th century, set with three round brilliant­cut diamonds alternating with geometric links millegrain­set with single­cut diamonds in platinum, stamped Platinum, length 15.5cm

£2,000­3,000

312 A diamond line bracelet, the step­cut diamonds channel­set in rectangular white gold mounts, stamped 18K, length 18.3cm

£6,000­8,000

313 A diamond strap bracelet, the geometric links set with graduated round brilliant­cut and baguette­shaped diamonds in platinum, length 15cm

£12,000­15,000

314 An Art Deco diamond and pearl brooch, 1920s, of bar design, with an openwork geometric pattern millegrainset with round brilliant­cut and single­cut diamonds in platinum centred with a pearl, to a yellow gold pin, French maker’s mark, GM French control mark, numbered 77993, length 9cm, case marked B Noury, Mauboussin

£2,000­3,000

A verbal report from GCS states that the pearl is natural saltwater.

315 A pair of diamond drop earrings, designed as graduated diamond clusters suspending baguette­shaped and circular­cut articulated diamond drops in platinum, length 5.5cm, screw post fittings

£10,000­15,000

316 A pair of ruby and diamond cluster earrings, the oval­shaped rubies surrounded by brilliant­cut diamonds forming drops suspended from single round brilliant­cut diamonds mounted in white gold, post fittings, length 2cm

£600­800

317 A diamond solitaire ring, in the Art Deco style, the central round brilliant­cut diamond weighing approximately 0.80cts, raised in an elaborate geometric setting in white gold, stamped 18K, size N

£800­1,200

£800­1,200

318 A George III diamond cluster ring, set with graduated rose­cut diamonds in lozenge formation and further diamond shoulders in silver and gold, size M½

319 A Stuart crystal and diamond cluster ring, circa 1700, centring on a faceted rock crystal above gold wirework cipher within a border of rose­cut diamonds in silver and gold, black counter enamel, size N½

£1,000­1,500

320 A late 18th century rock crystal memorial ring, centring on a cushion­shaped rock crystal within black enamel band with the words J.G A TRUE FRIENDS GIFT in reserve, size N½ £500­700

321 A Regency gold and enamel ring, circa 1830, centring on opaline glass, within ruby and diamond shoulders and carved shells decorated with enamel (damaged) on pellet­work band, locket compartment to reverse, size N £600­800

322 An early 19th century hairwork and diamond ring, centring on a hairwork locket beneath diamond coronet, within diamond shoulders in silver and gold, size N½ £500­700

323 A rock crystal, gold and enamel ring, late 17th century, set with a table­cut rock crystal within a square collet setting accented with stripes of black enamel, to shoulders carved with fleur­de­lys designs, constructed in gold, size N £300­500

324 An early 19th century enamel and gold long chain, the cartouche­shaped links decorated with C­scrolls heightened with multi­coloured enamel, gross weight 15g, length 76.5cm

£800­1,200

325 A 19th century ruby, emerald and diamond brooch, designed as a wild rose, the flowerhead pavé­set with old cushion­shaped diamonds and ruby accents, with emerald­set leaves in silver and gold, length 7cm

£2,000­3,000

326 A late 18th century Swedish octagonal ring, with the date 13 Augus 1793, in gold on blue guilloché enamel ground with white enamel border, the shank formed with six gold chains on detachable clasp, Swedish control marks to the reverse, size N approximately

£200­300

327 A Regency pearl and enamel flower ring, circa 1830, the flowers set with seed pearls and sapphire centres with green enamel leaves in yellow gold, size M

£300­500

328 A George III diamond ring, the three rows of old cushion­shaped diamonds in silver and gold closed back collets, size N

£600­800

329 A late 18th century ruby and diamond memorial ring, set with a central stylised urn decorated with rubies and diamonds in silver, hidden hinged compartment to reverse, on a gold and white enamel band with the words NOT LOST GONE BEFORE in reserve, white enamel damaged, size N½

£1,000­1,500

330 A 19th century ruby and enamel ring, set with a cushion­shaped ruby on pale blue enamel ground and diamond­set forget­me­not shoulders in yellow gold, size M½

£500­700

331 An 18th century giardinetto ring, circa 1780, set with emeralds, rubies and rock crystal in silver and gold closed­back setting, size N½

£800­1,200

332 A late 18th century curved rectangular form ring, set with rose­cut diamonds to the border and scroll design on blue enamel ground, engraved with roses to reverse, size K

£300­400

333 A late 18th century garnet and rock crystal ring, set with a central pear­shaped garnet beneath rock crystal coronet and shoulders in silver and gold, size O½

£300­500

334 A George III gold ring, mounted with a bee set with two rose­cut diamonds and blue enamel wings, pierced scroll shoulders, size N1/2

£600­800

335 An early 19th century fedé ring, the two hands clasping a seed pearl and ruby flower in gold, glazed locket compartment to reverse containing hair, size N½

£300­500

336 A George III gem­set silver and gold giardinetto ring, pierced and set with rose­cut diamonds, emeralds and rubies, size K

£300­400

337 An early 18th century mourning ring, circa 1739, set with an amethyst within diamond shoulders and white enamel band, with the words JNg Browne OB 11 Dec 1739 AET: 55, size M½

£400­600

338 A late 18th century fedé gimmel ring, the clasped hands each on a gold band, separating to reveal a plain heart on a third central gold band, with diamond­set cuffs, size L½

£800­1,200

339 A late 19th century dendritic agate ring, the two circular plaques within a surround of garnets and emeralds respectively in closed back yellow gold setting, size O

£400­600

340 A rare diamond and garnet ‘Order of Christ’ pendant brooch, Portugal, late 18th century, the cross set with calibré­cut garnets and rose­cut diamonds, below a foliate surmount set with rose­cut diamonds and an oval­shaped aquamarine, in silver and gold closed back settings, length 5.8cm

£1,500­2,500

341 A Regency aquamarine parure, set with oval­cut aquamarines within repoussé foliate scroll mounts in yellow gold suspending pear­shaped aquamarine drops, comprising: a necklace, length 38.5cm, height at centre 7.7cm; a pair of earrings, screw fittings, length 4.7cm; and a brooch, length 5cm

£8,000­12,000

342 An enamel and gold mourning ring, circa 1829, decorated with a central black enamel band with the words IN MEMORY OF in reserve, within foliate and ropetwist borders, inscription to interior Mrs Charles King died 3rd December 1829 in her 31st year, maker FS and London hallmarks for 18ct, 1829, size L½ approx £500­700

343 An 18th century diamond cluster ring, the oval shaped rose­cut diamond is set within a surround of smaller diamonds in gold, lobed back with pierced foliate shoulders with enamel remnants, size M½ £500­700

344 An early 19th century diamond and enamel brooch pendant, of heart­shaped design, centred with motif of ribbon­tied interlocking hearts set with rose­cut diamonds against a deep red glass background within a diamondset frame in silver and gold, length 2.3cm £600­800

345 A George III diamond cluster ring, centring on a rose­cut diamond within further surround and shoulders set with rose­cut diamonds in silver and gold closed back setting, size K½ £800­1,200

346 A Regency gold long chain, early 19th century, formed of textured foliate links to a barrel clasp, length 53.5cm, 19g £600­800

347 A late 18th century diamond and enamel brooch, of navette design, the central motif with rose­cut diamonds to a blue enamel ground, within iridescent and white enamel borders in silver and gold, probably converted from a ring, with later brooch fitting, length 3cm £400­600

348 A late 18th century paste and enamel portrait brooch, of navette design, decorated en grisaille with a halflength portrait of a lady in profile, within a blue enamel border and a frame of cushion­cut paste, mounted in silver and gold, length 4.3cm, case

£600­800

349 A moss agate and ruby necklace, early 19th century and later, the moss agate plaque within a surround of oval rubies in closed back yellow gold setting, later mounted onto a three row yellow gold neck chain with barrel clasp, length 48cm longest, 23g

£1,200­1,500

350 A seed pearl­set gold memorial pendant, circa 1786, of lozenge design decorated with a border of seed pearls encasing a blue glass ground decorated with white glass beads spelling ER and 1786 and a gold star set with a seed pearl, length 4.5cm, case £200­300

351 An early­18th century devotional necklace, probably Spanish, comprising seven graduated panels with various biblical scenes, mounted in gold Rococo foliate scrolling asymmetrical frames, each containing gold figures with white sections and red painted highlights, two row back chain with plain and striated links, each graduated closed back panel joined with gold Rococo links and mounted under clear faceted glass, with additional conforming brooch, the largest panel 3.2cm wide (not including frame), the necklace 46cm

£5,000­7,000

Each panel depicts, from the left; The Parable of Jesus explaining to the Samaritan women about ‘living water’, John baptising Jesus, Jesus resurrecting Lazarus or perhaps Christ rising from the dead, the central panel possibly Rebekeh meeting Abraham’s servant by the well, Goliath killed by David, Moses’ men returning from Canaan with a massive bunch of grapes, Baby Moses discovered by Pharaohs daughter, the separate brooch, Adoration of the Magi Parable

352 A late 18th century diamond brooch, of foliate design, set with rose­cut diamonds in closed­back silver setting, later brooch fitting, width 2.6cm

£600­800

LOTS 353­369

A PRIVATE COLLECTION OF JEWELLERY

353 A pair of Victorian diamond and blue enamel drop earrings, mid­19th century, formed of two lozenge sections joined by an articulated collet­set old cushion­shaped diamond, each lozenge centred with a cross motif of cushion­shaped diamonds and detailed with diamond­set leaves to the crossing within a blue guilloché enamel border, mounted in yellow gold, hook fittings, one small diamond and collet missing, length 6.4cm

£4,000­6,000

354 A cultured pearl, diamond and gold flower brooch, the four large gold petals with curling edges pavé­set with graduated round brilliant­cut diamonds in platinum, centring on a cultured pearl measuring approximately 10mm within a surround of round brilliant­cut diamonds claw­set in platinum and a gold rope­twist border, stamped 14K, width 5cm

£2,000­3,000

355 A pair of 19th century diamond cluster earrings, set with concentric borders of rose­cut diamonds in closedback gold settings, hook fittings, diameter 1.8cm, case

£1,000­2,000

356 A diamond and enamel necklace, late 19th century, in the manner of Giuliano, the necklace formed of alternating figure­of­eights and quatrefoils centred with a ribbon­tie motif suspending an elaborate openwork pendant, all decorated with white enamel with gold dot­work decoration in reserve, set with cushion­shaped diamonds in yellow gold, unmarked, pendant length 5.2cm, chain length 41.5cm

£6,000­8,000

357 Andrew Clunn, a pair of pearl cufflinks, each cufflink set with a white and a grey pearl in a quilted yellow gold surround, signed A. Clunn, stamped 18K, end width 1.1cm

A verbal report from GCS states that the pearls are natural freshwater.

£800­1,200

358 A gold and diamond ring, centred with three graduated round brilliant­cut diamonds in a raised yellow gold surround decorated with an engraved floral motif detailed in black enamel, stamped 14K, 11g, size M½ £400­600

† 359 A loose yellow sapphire, the cushion­cut sapphire weighing 10.28cts

£2,000­3,000

A verbal report from LFG states that the sapphire weighing 10.28cts shows no indication of heat treatment, origin: Ceylon (Sri Lanka)

360 A pair of diamond, pearl and moonstone drop earrings, the moonstone spheres within wrythen mounts set with rose­cut diamonds, each suspended from a row of diamond­set foliate links centred with pearls, screw fittings, pearls untested, length 6cm £400­600

LOTS 353­369

A PRIVATE COLLECTION OF JEWELLERY

361 A diamond, pearl and ruby brooch, designed as a flamingo, the body set with a mabé pearl, the neck and tail pavé­set with round brilliant­cut diamonds and the legs with baguette­shaped diamonds, with a ruby eye, mounted in platinum, length 6cm, one baguette-shaped diamond lacking

A verbal report from GCS states that the pearl is natural freshwater.

£2,000­3,000

362 Raymond Yard, a diamond, ruby and blue enamel brooch, circa 1930, designed as a marlin, its body pavéset with round brilliant­cut diamonds with a collet­set ruby eye, the fins detailed in shaded blue and black enamel, mounted in platinum, signed Yard, stamped Plat, length 6.3cm

£3,000­4,000

363 A pair of diamond cufflinks, each set with old circular­cut diamonds in platinum, to yellow gold links, rubbed maker’s marks, ends 1.3cm £400­600

364 An Art Deco platinum and diamond bracelet, early 20th century, the circular links detailed with domed sections set with old circular­cut diamonds, gross weight 82g, length 18cm

£5,000­6,000

365 An early 20th century diamond and pearl bracelet, with two rows of pearls alternating with three rows of round brilliant­cut diamonds in square platinum settings, tapering to a ribbon­tie clasp centred with a round brilliantcut diamond, French control mark, pearls untested, length 16cm

£4,000­6,000

366 Oscar Heyman & Brothers, a diamond ring, designed as two interlocking bands set with graduated round brilliant­cut diamonds in platinum, signed with monogram, numbered W3728, stamped Plat, size J £800­1,200

367 Bailey, Banks & Biddle, a diamond and ruby brooch, designed as a leaping fish, pavé­set with graduated round brilliant­cut diamonds with a circular­cut ruby eye in platinum, signed with initials BBB, numbered 68115, pin stamped 18K, length 4.8cm

£3,000­4,000

368 A diamond and sapphire brooch, designed as a leaping fish, its body pavé­set with graduated round brilliantcut diamonds, with a collet­set sapphire eye, mounted in platinum, width 3.2cm

£1,500­2,000

369 Marcus & Co., a pair of Art Deco diamond and black onyx drop earrings, the upper sections each suspending a round brilliant­cut diamond above an articulated trompe­l’oeil hoop, millegrain­set with single­cut and rose­cut diamonds and faceted black onyx in platinum, signed Marcus, post fittings, length 4.4cm

£4,500­5,500

370 An Art Nouveau diamond brooch pendant, of floral design, set with graduated old cushion­shaped diamonds in platinum, with a gold detachable brooch fitting, on a fine­link platinum neck chain, pendant length 4.6cm, chain length 50cm, French control marks to pin, case

£2,500­3,500

371 An Edwardian diamond­set necklace, circa 1910, designed as pierced stylised wings encasing millegrain­set diamond scrolls and swags in platinum, on a fine­link platinum neck chain, pendant width 8cm, necklace length 36.5cm, in fitted case by André Guillaume, Paris

£1,200­1,500

372 A three­stone diamond ring, the three principal diamonds measuring approximately 0.75cts each, to diamondset shoulders in platinum, size R½

£1,800­2,500

373 A Belle Époque ruby and diamond ring, early 20th century, the central cushion­shaped ruby between two old circular­cut diamonds to scrolling diamond­set shoulders in silver and gold, size M½ £900­1,200

374 A sapphire and diamond three stone ring, set with a cushion­shaped sapphire flanked by rose­cut diamonds within further rose­cut diamond shoulders in platinum and gold, size N

£5,000­6,000

Accompanied by an AGL facsimile copy of a report stating that the sapphire shows no indications of heat, origin: Kashmir.

375 An emerald and diamond ring, the oval shaped emerald is millegrain set within sixteen old circular cut diamonds, in platinum, size O½

£8,000­12,000

Accompanied by GCS report number 79229­17 dated 13th August 2019 stating that the emerald shows indications of minor clarity enhancement, origin: Colombia

376 An early 20th century flowerhead brooch, the petals pavé­set with old circular­cut diamonds and ruby and pink sapphire tips, centring on a larger diamond within emerald border in platinum, length 2.5cm £800­1,200

377 An early 20th century diamond necklace, of fringe design suspending a central festoon detailed with Cscrolls, the principal seven old circular­cut diamonds mounted in illusion settings and weighing from left to right approximately 0.40cts, 0.52cts, 0.78cts, 1.22cts (centre), 1.18cts, 0.42cts and 0.44cts, the further diamonds variously in illusion and millegrain settings joined by knife­edge links in platinum, rubbed marks to clasp tongue, total length 41cm, length of central drop 4.6cm, fitted case

£6,000­8,000

378 A diamond solitaire ring, the cushion­shaped diamond weighing approximately 1.20cts, claw­set in platinum and gold, shank stamped 18ct, size S

£1,000­1,500

379 A Belle Époque diamond­set brooch pendant, centring on an old pear­shaped diamond of golden brown tint, weighing approximately 1.30cts, beneath a tied bow and millegrain­set diamond scrolls in platinum, suspending a further pear­shaped diamond of golden brown tint, length 7.8cm

£3,000­5,000

LOTS 380­411

A DECEASED ESTATE OF JEWELLERY

380 A ruby, garnet and diamond­set flower brooch, designed as a stylised orchid, the petals pavé­set with circularcut rubies and highlighted by lines of brilliant­cut diamonds, to circular­cut tsavorite garnet stems, diamonds approximately 1.45cts total, length 11.5cm

£1,000­1,500

381 An Art Nouveau sapphire and diamond pendant brooch, set with a central articulated old circular­cut diamond weighing approximately 1.50cts within foliate surround millegrain­set with further sapphires and diamonds and a sapphire and diamond drop, detachable brooch fitting, length 6cm, case

Provenance: purchased Woolley & Wallis, 29th October 2015, Lot 1328.

£3,000­4,000

382 A late 19th century ivy leaf brooch, pavé­set with rose­cut diamonds and a central pearl in silver and gold pierced setting, pearl untested, length 5cm, case by Wartski

£1,000­1,500

383 An Edwardian diamond­set foliate brooch, millegrain­set with graduated diamonds in platinum and gold, length 5cm

Provenance: purchased Woolley & Wallis, 24th October 2013, Lot 1839.

£1,000­1,500

384 A late 19th century sapphire and diamond buckle, later converted to a brooch, of foliate design, each flower set with a central old circular­cut diamond within a surround of sapphires in silver and gold, length 7.8cm

£1,000­1,500

385 A multi­gem foliate brooch, set with graduated pear­shaped garnets, aquamarines and diamonds on yellow gold wirework mount, length 8.5cm, in a fitted case by Phillips Bro’s & Son

£100­150

386 An Art Nouveau diamond­set brooch, set with graduated circular­cut diamonds in platinum and gold, length 5.5cm, case

£1,500­2,000

387 A late 19th century hummingbird brooch, the body pavé­set with diamonds and decorated with ruby eyes, the wings set with emeralds and diamonds in silver and gold, mounted on a diamond­set arrow, one diamond missing, length 4cm, case by Hassot, Paris

£1,200­1,500

LOTS 380­411

A DECEASED ESTATE OF JEWELLERY

388 A late 18th century garnet aigrette / brooch, the stylised bows with graduated plumage set with foiled garnets in closed back gilded setting and later brooch fitting, width 9cm, one garnet missing

£600­800

389 A gem­set gold bar brooch, circa 1900 and later, set with a cushion­shaped sapphire, ruby and diamond within oblong samorodok setting, later brooch and pendant fittings, length 5.5cm

£800­1,200

390 A Victorian Holbeinesque pendant, circa 1870, set with a central emerald­cut sapphire within a foliate polychrome enamel border set with cushion shaped diamonds in yellow gold, French control marks, length 4cm, case

£800­1,200

Accompanied by a GPL facsimile copy of report number 08260 dated 30th July 2013, stating that the sapphire measures 11­12 x 7­8 x 3.5mm with no evidence of heat treatment, origin: Ceylon (Sri Lanka)

Provenance: purchased Woolley & Wallis, 26th October 2017, Lot 1819.

391 Lange Glashütte, a rare gentleman’s gold hunter pocket watch, circa 1935, manual stem­wind movement, gold Arabic numerals and dial signed Glashütte Lange Uhr, subsidiary seconds dial and outer bezel, foliate engraved gold bezel, movement numbered 501912, case marked .585 and numbered 53592, case width 5.1cm, case and papers

£1,000­1,500

Provenance: purchased Watches of Knightsbridge, November 2023.

392 A Regency turquoise and amethyst spinning fob seal, the gold interlocking oak leaves set with turquoise cabochons and a spinning amethyst seal in bi­colour gold, width 2.2cm

£200­300

393 An elaborate Regency gold and amethyst seal, circa 1820, of stirrup form and finely decorated with fruiting vines in three colour gold, set with an oval amethyst to base, width 3.5cm, case

£800­1,200

394 A Regency amethyst and gold cruciform pendant, the four briolette­shaped amethysts centred with textured foliate gold mount, length 6.5cm

Provenance: purchased Woolley & Wallis, 26th October 2017.

£400­600

395 A mid 19th century amethyst pendant, set with a central oval­shaped amethyst claw­set within a surround of graduated amethysts, aquamarines and seed pearls in yellow gold, length 5.5cm

£400­600

396 A Regency amethyst­set gold brooch, the oval amethyst within cannetille surround in closed back yellow gold setting, later brooch fitting, length 3.5cm

£200­300

λ 397 A 19th century lapis lazuli and gold mounted portrait box, unmarked, probably Italian, the miniature by Ernst von Valentini (1759­1835), of circular form, the lapis lazuli cover inset with a portrait miniature on ivory of Pope Pius VII, within an engraved frame with ribbon­tied decoration, with engraved gold mount and interior, diameter 8.5cm

Ivory registration number GPGXDJ4C.

£800­1,200

398 A George III gold and bloodstone snuff box, late 18th/early 19th century, the hinged box of circular outline and flattened shape, composed of carved bloodstone mounted in engraved gold, centring on a scroll motif set with a cabochon ruby, measuring 4.4 x 4.3 x 2.5cm

£600­800

Provenance: purchased Woolley & Wallis, 24th October 2023, The Collection of Jean Louis Chameroy, Lot 107.

399 A Regency multi­gem brooch, decorated with amethysts and topaz within foliate decorated quatrefoil setting, glazed locket compartment to reverse, width 3.5cm

£300­400

400 A diamond­set enamel and gold box, of circular design set with old cushion­shaped diamonds within polychrome enamel petals and vines on textured gold ground, 3.8g, 24g, case

£800­1,200

LOTS 380­411

A DECEASED ESTATE OF JEWELLERY

401 An Edwardian diamond­set scroll pendant, early 20th century and later, millegrain­set with graduated circular­cut diamonds in platinum, suspending a later opalescent glass drop, in platinum, on a fine­link platinum neck chain, pendant length 5.5cm, chain length 44cm £400­600

402 A late 19th century sapphire and diamond pendant, set with graduated cushion­shaped sapphires within diamond­set hexafoil setting, in silver and gold, later fine link gold chain, pendant length 3.5cm, case £800­1,200

Provenance: purchased Woolley & Wallis, 27th April 2017, Lot 1915.

403 A late 19th century diamond­set scroll brooch pendant, set with a central diamond cluster with diamondset sprays and scrolls in silver and gold, later rhodium plating, folding pendant loop and detachable brooch fitting, length 6cm, case

£2,000­3,000

404 A late Victorian ruby and diamond brooch, designed as two interlocking circles, one set with circular­cut rubies, the other with circular­cut diamonds in silver and gold, width 2.7cm, case £600­800

Provenance: purchased Woolley & Wallis, 28th April 2016, Lot 1341.

405 A Victorian diamond­set quatrefoil brooch pendant, late 19th century, set with graduated circular­cut diamonds in silver and gold, detachable brooch fitting and fine link neck chain, brooch width 3.2cm, case

£1,000­2,000

Provenance: purchased Woolley & Wallis, 27th October 2011, Lot 1966.

406 An opal and diamond cluster ring, the oval opal cabochon set within a surround of old cushion­shaped diamonds in silver and gold, size N

£600­800

407 An Art Deco sapphire, diamond and moonstone brooch, designed as a stylised bow, set in platinum and gold, length 4.6cm

£1,000­1,500

408 An Art Deco emerald and diamond brooch pendant, centred with a circular­cut diamond within a surround of emeralds, in two further borders of smaller diamonds terminating in a stylised Greek key pattern, set with six graduated small circular­cut emeralds in platinum and yellow gold, 4cm wide, case

Provenance: purchased Woolley & Wallis, 15th July 2020, Lot 2184.

£1,200­1,500

409 A late 19th century ruby and diamond­set swag brooch pendant, designed as a stylised giardinetto set with rubies, diamonds and pearls in silver and gold, folding pendant loop and detachable brooch fitting, length 7.7cm, case

£1,500­2,000

A verbal report from GCS states that the ruby shows no indications of heating, origin: Burma (Myanmar)

410 An Art Deco moonstone, sapphire and diamond pendant, circa 1920, centring on a cabochon moonstone within polished platinum surround and ropetwist border and further pierced foliate surround millegrain set with diamonds and sapphire accents in platinum, length 4.4cm, case

£1,000­1,500

411 A late 19th century ruby and diamond flower brooch, set with five graduated oval rubies, within diamond surround set in silver and gold, length 3.5cm, case

Provenance: purchased Woolley & Wallis, 27th April 2017, Lot 1824.

£1,500­2,000

412 An Art Deco sapphire and diamond brooch, centring on a step­cut sapphire within pierced geometric surrounds millegrain­set with diamonds in a rectangular platinum setting with chamfered edges, French control mark, length 5.8cm

£28,000­35,000

Accompanied by SSEF report number 135533 from 23rd January 2024 stating that the sapphire shows no indications of heating, origin: Burma (Myanmar)

Accompanied by report number CDC2401016 dated 8th January 2024 from C. Dunaigre stating that the sapphire weighing approximately 4.00cts shows no indications of heating, origin: Burma (Myanmar)

413 A diamond rivière necklace, designed as a line of graduated round brilliant­cut diamonds, the central diamond weighing approximately 2.60cts, claw­set in platinum illusion settings, stamped Pt950, total approximate diamond weight 26.00cts, length 44cm

£45,000­60,000

414 A diamond long necklace, the 130 graduated diamonds weighing approximately 21.00cts in total, spectacleset in platinum, length 96cm

£30,000­40,000

lifesize

415 An emerald pendant, the pear­shaped emerald weighing 4.46cts, claw­set in a silver collet, on fine link chain, length 1.6cm £15,000­20,000

Accompanied by AGL report number 1140838 dated 18th June 2024 stating that the emerald is 4.46cts, measuring 14.38 x 11.25 x 4.47mm, with minor indications of clarity enhancement, origin: Colombia.

416 An emerald and diamond bracelet, circa 1950, set with a central line of graduated emerald­cut emeralds within graduated borders of baguette­shaped and circular­cut diamonds in platinum, separated by scrolled diamond­set links, length 17.2cm £8,000­12,000

417 A late 19th century diamond brooch, centring on an old cushion­shaped diamond within stylised foliate surround set with diamonds and joined with knife­edge links in silver and gold, detachable brooch fitting, length 6.8cm

£1,000­1,500

418 A late 19th century diamond crescent brooch, the design of crescents set with graduated cushion­shaped diamonds in silver and gold, detachable brooch fitting, length 3.8cm, in heart-shaped case decorated with a silver putto riding a crescent moon and dated 1863 and 1888

£1,000­1,500

419 A late Victorian pearl and diamond brooch, circa 1890, the interlocking crescent moons set with old circularcut diamonds centred with a pearl mounted in silver and gold, pearl untested, length 5.2cm, case £600­800

420 A Victorian diamond crescent brooch, circa 1890, the graduated old circular­cut diamonds mounted in silver and gold, length 4.3cm, case £200­300

421 Giuliano, a circular diamond and ruby brooch, set with small cushion­shaped diamonds and three cabochon rubies in silver and gold, maker’s mark C&AG, width 2.2cm

£800­1,200

422 An Art Nouveau pearl and diamond necklace, early 20th century, composed of asymmetrical foliate scrolls, set with circular­cut diamonds and two pearls, suspending a detachable pendant, mounted in silver and gold, to a later gold chain, length of necklace 40cm, length of pendant 6.6cm, pearls untested, detachable brooch fitting, fitted case stamped Collingwood & Co.

£2,500­3,000

423 A Victorian diamond star brooch pendant, late 19th century, the eight rays alternating with individual colletset diamonds and centred with an old circular­cut diamond weighing approximately 2.10cts, within a floral frame, all set with old circular­cut diamonds and mounted in silver and gold with later rhodium plating, detachable brooch fitting and pendant loop, length 5cm

£4,000­6,000

424 A late Victorian diamond­set brooch pendant, of quatrefoil design set with graduated old circular­cut diamonds in silver and gold, detachable brooch fitting and pendant loop, length 4.5cm, case

£2,000­3,000

425 An Victorian pearl and diamond brooch pendant, late 19th century, the openwork ribbon­tie design set with graduated old­cut diamonds and centred with a pearl in silver and gold, retractable bail, pearl untested, width 2.7cm

£1,000­2,000

426 A late Victorian diamond brooch, circa 1890, of target design, centred with an old cushion­cut diamond within a geometric openwork surround set with rose­cut and circular­cut diamonds and four old cushion­cut diamonds to the outer register, mounted in silver and gold with a detachable bail and brooch fitting, diameter 3.2cm, case

£1,200­1,500

427 A late Victorian emerald and diamond ring, circa 1900, rubover­set with a step­cut emerald between two old cushion­cut diamonds mounted in yellow gold, marks rubbed, size I £300­500

428 A Victorian diamond and ruby five­stone ring, mid 19th century, rubover­set with three graduated cushioncut rubies and two old circular­cut diamonds in yellow gold, the interior inscribed ‘S.G.B to E’ and ‘Decr 24th 1866’, size L £600­800

429 A mid 19th century ruby and diamond cluster ring, the old cushion­cut diamond framed by concentric bands of old cushion­cut rubies and rose­cut diamonds mounted in gold within pellet decorated shoulders, size M £600­800

430 A late Victorian diamond cluster ring, the old circular­cut diamond weighing approximately 0.75cts, within an openwork quatrefoil surround set with graduated circular­cut diamonds, mounted in silver and gold, stamped 18ct, size S, case £800­1,200

431 A late 19th century ruby and diamond half­hoop ring, set with graduated cushion­shaped rubies separated with pairs of old circular­cut diamonds in carved and pierced yellow gold setting, size P½, case £400­600

432 An emerald and diamond half­hoop ring, late 19th century, the two step­cut emeralds alternating with old cushion­cut diamonds mounted in yellow gold, size P½ £1,000­2,000

Accompanied by GCS report number 5785­1028 dated 4th February 2025 stating that the emeralds show minor indications of clarity enhancement, origin: Colombia

433 A diamond­set star tiara, late 19th century and later, designed as a band of graduated 19th century stars set with old circular­cut and cushion­cut diamonds, mounted in silver on gold, the central three stars detachable and converting to pendants, on a later silver tiara frame, tiara inner curve 28cm, height at centre 5.4cm, central star length 4.5cm

£8,000­12,000

SIBYL DUNLOP

434 Sibyl Dunlop, an Arts & Crafts multi­gem brooch, circa 1965, in the ‘carpet of gems’ design, set with amethyst, chrysoprase, carnelian and chalcedony, the geometric cabochons in a repeating pattern around three large heart­shaped blue chalcedony cabochons, set in an openwork foliate silver frame, signed S DUNLOP, London hallmarks, date letter for 1965, diameter 5.6cm

£2,000­3,000

435 Sibyl Dunlop, a rare Arts & Crafts multi­gem and enamel bracelet, 1930s, in the ‘carpet of gems’ design, formed of oval cabochon opals framed in black enamel, alternating with geometric bands of opal, amethyst and blue, green and yellow chalcedony, ending in a large enamel­framed opal within a geometric border of amethyst, opal, and blue and green chalcedony, mounted in silver, the reverse engraved with a foliate design, signed S DUNLOP LONDON W8, length 19cm

£8,000­12,000

The Scottish jewellery designer Sibyl Dunlop (1889­1968) first opened her workshop in Kensington High Street, London, in 1920. Here, she became known for her distinctive style in jewellery, complemented by her bohemian dress of Middle Eastern caftans and Russian boots. Though the acme of the Arts & Crafts movement was waning by this date, Dunlop continued to work in the style, her designs characterised by dense geometric patterns of cabochons known as ‘carpet of gems’. Dunlop typically made use of semi­precious stones such as chalcedony and opal, which she juxtaposed with amethyst and other precious stones, to create the vibrant colour palette for which her pieces are known. Worked by lapidaries in the German gem­cutting centre of Idar­Oberstein, the stones were then set by the craftsmen in Dunlop’s London workshop, who created jewellery out on the shop floor for clients to see, very much in the spirit of the Arts & Crafts movement. Her principal craftsman and manager was W. Nathanson, with whom she collaborated until the outbreak of the Second World War in 1939. Following the war, it was Nathanson who continued the business due to Dunlop’s poor health, and production continued until his retirement in 1971.

436 A Belle Époque diamond bow brooch, early 20th century, designed as a bow, the graduated circular­cut diamonds millegrain­set in platinum, total approximate diamond weight 3.00cts, length 4.6cm, Hancocks case

£1,500­2,500

437 An Art Deco emerald and diamond brooch, designed as a stylised buckle set with onyx and diamonds and cabochon emerald terminals, suspending an articulated ribbon­like drop alternately set with emerald and onyx panels in platinum, with diamond and onyx arrow­shaped drop terminals, one small panel deficient of stones, length 7.8cm

£2,000­3,000

438 Tiffany & Co, an Art Deco sapphire, ruby and diamond bow brooch, of stylised design set with calibré­cut sapphires and rubies, alternately set with circular­cut diamonds in platinum, iridium and a yellow gold pin, marked Tiffany & Co to pin and brooch, pin stamped 14k, length 4cm

£2,500­3,500

439 An Art Deco onyx and diamond brooch, of geometric design, formed of two panels each set with old circularcut diamonds millegrain­set within pierced diamond surround, conjoined by an onyx and diamond panel in platinum, length 4.1cm

£1,000­1,500

440 A lady’s Art Deco diamond wristwatch, 1930s, the silvered dial with black enamel numerals and black hands beneath a hinged cover centred with an old circular­cut diamond, the bezel and integrated bracelet of geometric design set with round brilliant­cut, circular­cut, carré­cut and baguette­shaped diamonds in platinum, stamped Platine, manual winding movement, case length 2.4cm, bracelet length 16.8cm, one diamond missing to bezel, Van Cleef & Arpels pouch

£3,000­5,000

441 An Art Deco diamond­set platinum bracelet, set with graduated circular­cut and baguette shaped diamonds to the geometric links, stamped La Cloche and numbered 5088, 18.5cm

£4,000­6,000

442 A diamond line bracelet, the round brilliant­cut diamonds in square white gold settings, total approximate diamond weight 8.50cts, stamped 14K, length 20.5cm

£6,000­8,000

443 A diamond strap bracelet, of pierced openwork geometric design millegrain­set with graduated round brilliantcut diamonds in platinum, length 18cm

£6,000­8,000

444 A diamond bombé ring, centring on an old circular­cut diamond weighing approximately 3.60cts, within square domed surround millegrain­set with diamonds in platinum and gold, approximately size M

£20,000­25,000

445 An aquamarine and diamond ring, the step­cut aquamarine claw­set above foliate shoulders accented with diamonds in white gold, stamped 750, numbered AA 17518, size K½

£600­800

446 A pair of Edwardian ruby and diamond drop earrings, early 20th century, the circular­cut rubies weighing approximately 1.30cts each, within a frame of single­cut diamonds suspended from a row of old circular­cut diamonds in white gold, post fittings, length 3.6cm, one butterfly lacking

£2,000­3,000

Accompanied by GCS report number 5785­1028 dated 4th February 2025 stating that the rubies show no indications of heat treatment, origin: Burma (Myanmar)

447 A pair of spinel and diamond earrings, the cushion­shaped spinels weighing 20.45cts and 20.70cts, suspended from cushion­shaped diamonds set in yellow gold, stamped SC 750, hook fittings, length 3cm

£20,000­30,000

Accompanied by GIA report number 1433440622 dated 1st June 2022 stating that the spinels are 4.09g and 4.14g, measuring 11.95 x 10.31 x 6.95mm and 11.94 x 10.30 x 7.32mm, with no indications of heat treatment, origin: Burma (Myanmar)

448 A ruby and diamond three­stone ring, the cushion­shaped ruby weighing 3.106cts, between two tapering baguette­shaped diamonds in platinum, London hallmarks, date letter for 2023, size K½

£15,000­20,000

Accompanied by SSEF report number 128605 dated 19th April 2023 stating that the ruby weighs 3.106cts and shows no indications of heat treatment, origin: Burma (Myanmar)

449 Birks, an Art Deco fancy­yellow and white diamond ring, the square step­cut fancy vivid yellow diamond weighing 1.78ct, between two triangular­shaped white diamonds to shoulders each set with a band of calibré­cut sapphires framed by single­cut diamonds in platinum, signed Birks, stamped Plat, size N½

£15,000­20,000

Accompanied by GIA report number 1162559469 dated 8th September 2024 stating that the square step­cut diamond is 1.78cts, fancy vivid yellow colour, VVS1 clarity, no fluorescence.

450 An Art Deco diamond strap bracelet, of geometric design, the central section pavé­set with round brilliantcut diamonds and centred with a domed arrangement of baguette­shaped diamonds, the strap formed of frustum­shaped links pavé­set with round brilliant­cut diamonds and each centred with a step­cut diamond, mounted in platinum, total diamond weight approximately 25.00cts, length 18cm

£30,000­40,000

451 A pair of sapphire and diamond earrings, the circular­cut sapphires weighing 1.80cts and 1.46cts claw set in yellow gold, each to a ribbon­tie surround of round brilliant­cut and calibré­shaped diamonds in white gold, clip and post fittings, stamped 750, width 2.2cm

£45,000­50,000

Accompanied by SSEF report number 106832 dated 13th May 2019 stating that the sapphire weighing 1.465cts shows no indication of heat treatment, origin: Kashmir

Accompanied by SSEF report number 106833 dated 13th May 2019 stating that the sapphire weighing 1.806cts shows no indication of heat treatment, origin: Kashmir

452 Oscar Heyman & Brothers, a pair of yellow and white diamond brooches, each designed as a pansy, pavéset with round brilliant­cut diamonds in yellow gold, iridium and platinum, both signed HB and numbered 200187, one stamped Irid Plat, length 3.8cm

£25,000­30,000

LOTS 453­478

THE PRIVATE COLLECTION OF THE LATE MICHAEL & MARGARET SUSANDS

SOLD TO BENEFIT A CHARITABLE FOUNDATION

453 A pair of turquoise and diamond earrings, 19th century and later, each centred with an old cushion­shaped diamond within concentric borders of buff­top turquoise cabochons and rose­cut diamonds mounted in gold, later screw fittings, diameter 1.6cm

£200­300

454 A cultured pearl and diamond necklace, composed of a single strand of cultured pearls measuring 9mm diameter, centred with a converted late 18th century clasp decorated with old cushion­shaped diamonds set in silver, to a 9ct gold and pearl clasp, British hallmarks to gold and pearl clasp, length 48.5cm

£1,500­2,000

455 A pair of late 19th century multigem­set fly brooches, set with opals, rubies and diamonds in silver and gold, later mounted on two fine­link chains set with seed pearls to a central stock pin, each brooch length 2.1cm, overall length 7.2cm £300­400

456 A Regency multigem­set gold pendant, of heart shaped design, the central forget­me­not motif set with turquoise cabochons, within a border of chrysolites and amethysts in gold filigree surrounds below a conforming bail, glazed locket compartment to the reverse, length 3.8cm £600­800

457 Cartier, a gold and diamond brooch, circa 1950, designed as a four­leaf clover, the fluted leaves centring on a collet­set brilliant­cut diamond, mounted in yellow gold, signed Cartier London, length 4.1cm £1,500­2,000

458 A Victorian turquoise and diamond­set gold bracelet, set with graduated domes of radiating turquoise cabochons and diamonds in ropetwist gold settings, on a snake­link gold chain, gross weight 36.8g, length 18cm £800­1,200

459 A Victorian gold and turquoise bangle, the three bombé panels pavé­set with turquoise cabochons, one with a central diamond, mounted on polished yellow gold bangle with twisted rope borders, glazed locket compartment to the reverse, inner circumference 16cm

£800­1,200

460 A mid 19th century enamel and gem­set brooch, centred with a pearl within a border of interlocking hearts detailed with blue enamel and set with rubies in yellow gold, French control marks and rubbed maker’s lozenge, length 3.8cm, pearl untested, case

£300­400

461 An Etruscan Revival garnet pendant, circa 1900, the oval garnet cabochon set within granulated and twisted rope surrounds, suspended from gold bail with pellet decoration and a waisted yellow gold link, length 4.4cm

£200­300

462 A Regency gold bracelet, with textured circular links and a turquoise and ruby­set floral clasp, gross weight 12g, length 16cm £400­600

463 A late 19th century ruby and diamond cluster ring, of elliptical design, set with three rubies in a diamond surround in yellow gold, size N½ £600­800

464 An Edwardian opal and diamond cluster ring, the heart shaped opals with diamond pointers in bifurcated gold shoulders, stamped 18ct, size L approx £150­200

465 An 18th century gold fedé ring, centring on clasped hands in yellow gold, rubbed marks, gross weight 4.4g, size L½ £200­300

466 Child & Child, an enamel buckle, circa 1904, decorated with blue and green enamel on silver, maker’s mark and London hallmarks, date letter for 1904, length 7.6cm, fitted case

£200­300

LOTS 453­478

THE

PRIVATE COLLECTION OF THE LATE MICHAEL & MARGARET SUSANDS

SOLD TO BENEFIT A CHARITABLE FOUNDATION

467 A late 19th century diamond five stone ring, set with graduated old cushion­shaped diamonds and diamond pointers in carved and pierced yellow gold setting, size Q

£1,000­1,500

468 A late 19th century demantoid garnet and diamond cluster ring, the cushion­shaped demantoid weighing approximately 1.30cts, set within concentric surrounds of diamonds in silver and gold with diamond­set shoulders, size M, case

£1,000­1,500

469 A 19th century emerald and diamond quatrefoil brooch pendant, set with step­cut emeralds and old cushion­shaped diamonds in silver and gold, with detachable diamond­set bail and gold snake­link neck chain, pendant length 4.8cm, chain length 40cm, case by Harvey & Gore

£1,500­2,000

470 A ruby and diamond cluster ring, set with three graduated old cushion­shaped diamonds and five graduated rubies in white gold, size N

£600­800

471 An early 19th century diamond cluster ring, set with a cushion­shaped diamond within a surround of old cushion­shaped diamonds in closed back silver and gold setting, trifurcated scroll engraved shoulders, size M½

£2,000­2,500

472 An early 19th century emerald and diamond cluster ring, the octagonal­cut emerald set within a surround of twelve cushion­shaped diamonds, each shoulder with open work festoons of emeralds and rose­cut diamonds in silver and gold, size P.

£2,000­3,000

Accompanied by GCS report number 5785­1027 dated 17th February 2025 stating that the emerald shows indications of insignificant clarity enhancement, origin: Colombia

473 An early 19th century ruby and diamond target ring, set with a central cushion­shaped diamond within a surround of rubies and further surround of diamonds in silver and gold closed­back setting, size J approx.

£1,000­2,000

474 A late 19th century gem­set bracelet, designed as flowerhead clusters set with rubies and demantoid garnets respectively and diamond centres, within diamond­set circular links in silver and gold, on curb­link gold chain, length 16.5cm

£1,200­1,500

475 A late 19th century ruby and diamond brooch, set with a central cushion­shaped ruby within radiating lines of calibré­cut rubies and cushion­shaped diamonds in silver and gold, glazed locket compartment to reverse, 2.5cm wide

£1,500­1,800

476 A 19th century Saint Esprit brooch, set with graduated old cushion­shaped diamonds in silver and gold, length 5.2cm, pin detached and brooch damaged, case

£1,500­2,000

477 A pair of late 18th century diamond­set buttons later converted to earrings, of circular design, set with concentric borders of graduated cushion­shaped diamonds in silver on gold closed back settings, screw fittings, diameter 2.2cm, case

£3,000­4,000

478 An 18th century diamond­set mourning clasp, the plaited hair panel to front within a surround of old minecut diamonds in silver and yellow gold, inscription to reverse: ‘Sir Griffith Boynton.Bar’ born July 17th: 1769. Francis Boynton born 28. Mar: 1777. Henry Boynton. born 22 Mar: 1778’, length 2.5cm, case

£800­1,200 Sir Griffith Boynton, 7th Baronet (1769­1801), was born and baptised on 17th July 1769, the eldest son of Sir Griffith, 6th Baronet (1743­1778). He was educated at Trinity College, Cambridge, achieving a Master of Arts in 1789. He married Ann Maria, daughter of Capt. Richard Parkhurst, in Winchester on 7th August 1790. Sir Griffith died without issue at Burton Agnes and was buried there on 28th July 1801.

£5,000­6,000

479 A ruby and diamond three­stone ring, the cushion­shaped ruby flanked with circular­cut diamonds in platinum, size N

480 A diamond solitaire ring, set with a round brilliant cut diamond weighing 2.73cts, claw set in white gold, size L, case

£8,000­12,000

A verbal report from GCS states that the diamond weighing 2.73ct is colour I, clarity VS2.

481 A diamond solitaire ring, the round brilliant cut diamond measuring approximately 2.30cts, claw­set in 18ct white gold, Birmingham hallmarks, date letter for 2000, size approx N½

£2,500­3,500

A verbal report from GCS states that the diamond is natural, approx. 2.30ct, colour J/K, clarity SI2/I1.

482 A pink sapphire/ruby and diamond ring, the oval pink sapphire/ruby weighing 7.35cts, flanked with triangular shoulder diamonds in platinum, size M, case

£15,000­18,000

Accompanied by SSEF report number 140167 dated 5th September 2024 stating that the pink sapphire shows no indications of heat treatment, origin: Burma (Myanmar)

Accompanied by GPL report number 24751 dated 18th June 2024 stating that the stone is a natural ruby with no indications of heat treatment, origin: Burma (Myanmar)

483 A natural pearl necklace, early 20th century, designed as a single strand of graduated natural pearls measuring approximately 4.75­9.21mm diameter, to a clasp set with a cabochon sapphire bordered by rose­cut diamonds, length 40cm

£25,000­35,000

Accompanied by GIA report number 2185290326 dated 14th April 2017 stating that the 59 pearls are natural saltwater, weighing 22.33g (gross) and measuring 4.75­9.21 x 8.90mm.

484 A Victorian natural pearl and diamond brooch, late 19th century, of heart­shaped design, centred with a drop­shaped pearl framed by graduated cushion­cut diamonds below a floral spray set with old circular­cut and rose­cut diamonds, in silver and gold, length 3.1cm

£20,000­30,000

Accompanied by GCS report number 5785­1632 dated 7th March 2025 stating that the pearl is natural saltwater.

485 An early 20th century blister pearl and diamond pendant, the pearl suspended within a drop­shaped frame set with graduated old­cut diamonds millegrain­set in silver and gold, length 3.4cm, missing bail

A verbal report from GCS states that the pearl is a natural saltwater blister pearl.

£3,000­5,000

486 A 19th century diamond solitaire ring, the cushion shaped diamond weighs approximately 1.65cts, set in yellow gold with fluted shoulders, size Q.

£2,000­3,000

487 A diamond two­stone ring, set with round brilliant­cut diamonds weighing 2.23 and 2.24cts in platinum and 18ct gold, Birmingham hallmarks, size W

£6,000­8,000

A verbal report from GCS states that the diamond weighs 2.23ct, colour N, clarity VS1, the other is 2.24ct, colour N, clarity VVS2.

488 Rolex, a gentleman's stainless steel Double Red Sea­Dweller wristwatch, ref.1665, circa 1972, the tropicalised brown dial with 'Sea­Dweller Submariner 2000M' in red and date wheel at 3 o'clock, to a calibrated bezel with black insert and stainless steel bracelet, case width 4cm, dial and clasp signed Rolex, automatic movement, reference number 1665, serial number 2930375, case stamped Rolex, with Rolex warranty dated 26th July 1975 and Rolex servicing document dated 8th September 1980

£30,000­50,000

The watch has always been an essential tool for divers. The Rolex Double Red, so called for the dial having both 'Sea­Dweller' and 'Submariner' in red, took the watch to vastly increased depths. The Rolex Submariner model 6204 launched in 1953 was guaranteed to depths of 200 metres. However, the need for diving to greater depths was soon apparent, particularly as some watches were literally exploding on ascension from deep dives. In 1967, Rolex released the Sea­Dweller model with a helium escape valve which coped with depths up to 6100 metres. The Double Red model 1665 was the rarest and most efficient Submariner and has consequently become one of the most desired Rolex models for collectors.

489 An Art Deco ruby and diamond bracelet, 1920s, the oval ruby cabochons alternating with pavé­set diamond rope­twist motifs between borders of baguette­shaped diamonds, in platinum, length 18.4cm £18,000­25,000

Accompanied by GCS report number 14972 dated 13th August 2024 stating that the ruby samples show no indications of heat treatment, origin: Burma (Myanmar).

490 An impressive diamond ring, the central emerald­cut diamond weighing 5.65cts within baguette shaped and tapered baguette shaped shoulders, in platinum, size P½

£80,000­120,000

Accompanied by GIA report number 6234296529 dated June 14th 2024 stating that the central emerald­cut diamond weighs 5.65 carats, has F colour, VS1 clarity and no fluorescence, with lasered GIA inscription number to the girdle: 75607318

491 A pair of fine emerald and diamond drop earrings, the graduated cushion­shaped diamonds each suspend square step­cut emeralds weighing 2.914cts and 2.908cts claw­set in yellow gold, post fittings, length 3.2cm £25,000­30,000

Accompanied by AGL report number 1121304 dated 24th March 2022 stating that the emerald weighs 2.91cts with moderate clarity enhancement, origin: Colombia

Accompanied by AGL report number 1121303 dated 24th March 2022 stating that the emerald weighs 2.90cts with minor clarity enhancement, origin: Colombia

Accompanied by SSEF report number 132290 dated 15th September 2023 stating that the emerald weighs 2.914cts with indications of clarity modification: moderate amounts of artificial resin in fissures, origin: Colombia

Accompanied by SSEF report number 132291 dated 15th September 2023 stating that the emerald weighs 2.908cts with indications of clarity modification: minor amounts of artificial resin in fissures, origin: Colombia

lifesize

492 A pair of George III diamond earrings, circa 1800, the articulated drops set with graduated old circular­cut diamonds, suspended from upper sections each set with old cushion­cut diamonds, in closed­back silver and gold settings, hook fittings, total approximate diamond weight 14.00cts, length 6.3cm, upper sections possibly associated, fitted case £30,000­50,000

493 Van Cleef & Arpels, a pair of natural pearl and diamond earrings, circa 1950, each with a button­shaped pearl within a scrolling surround set with baguette and marquise­shaped diamonds in platinum, signed Van Cleef & Arpels, numbered NY16937, clip fittings, length 2.8cm

£60,000­70,000

Accompanied by SSEF report number 55627 dated 26th February 2010 stating that the pearls are natural saltwater, weighing 10cts and 8.4cts, and measuring 11.80­11.95 x 10.10mm and 11.95­12.00 x 8.40mm.

The elegant design of the present lot closely relates it to a pair of earrings beloved to one of the most iconic couples in history, HSH Prince Rainier III of Monaco and Grace Kelly. Having met in 1954, the year the Hollywood star was on the Côte d’Azure to film Alfred Hitchcock’s film To Catch a Thief, they were engaged in December 1955. For their wedding, Prince Rainier commissioned a lavish parure of diamonds and pearls, chosen with Louis Arpels ‘to match Grace’s delicate beauty’. A famous photograph of Princess Grace immortalises her wearing this set, which is still in The Princess Grace of Monaco Collection at the Palais Rainier, Monaco. There is an important difference between the royal earrings and the piece offered in our sale, however. While the Princess of Monaco’s pair featured cultured pearls, the earrings in our upcoming sale are set with natural pearls, making them exceptional in their materials as much as in their design.

Cf. Van Cleef & Arpels, The Art of High Jewellery (Les Arts Decoratifs, 2012), pp.284­285.

Credit: PHOTOGRAPH BY YOUSUF KARSH, CAMERA PRESS LONDON

lifesize

494 An early 19th century fine emerald and diamond brooch, the step­cut emerald weighing 3.914cts set within a surround of old cushion­shaped diamonds in silver and gold closed­back collets, emerald dimensions 10.77 x 8.79 x 5.59mm, later pendant loop, length 18mm

£20,000­30,000

Accompanied by SSEF report number 144615 dated 14th February 2025 stating that the emerald weighing 3.914cts of medium strong saturation shows no indications of clarity modification, origin: Colombia

Accompanied by GPL report number 24736 dated 14th June 2024 stating that the emerald shows no indications of clarity enhancement, origin: Colombia

Provenance: Alexander Perceval (1787­1858) and thence by descent to the current owner Alexander Perceval was the eldest son of Rev. Philip Perceval, whose seat he inherited at Temple House, Ballymote, Sligo in 1800. After sitting in the House of Commons for County Sligo between 1831 and 1841, he was briefly Junior Lord of the Treasury in 1841, before taking on the role of Usher of the Black Rod for the House of Lords from 1841 until his death in 1858. He married Jane Anne (1791­1847), the daughter of Col. Henry Peisley L’Estrange of Moystown (1760­1824), Cloghan, King’s County, and it was to her that he gave the present lot as a gift

495 A fine Art Deco emerald and diamond ring, the step­cut emerald weighing 8.11cts, claw­set within shoulders of geometric pattern, each set with a kite­shaped and baguette­shaped diamond within diamond border in platinum, inner re­sizing balls to shank, emerald dimensions 11.72 x 11.67 x 7.85mm, size M½ approx, case by Collingwood £70,000­90,000

Accompanied by SSEF report number 139906 dated 29th August 2024 stating that the emerald weighing 8.112cts of medium strong saturation shows no indications of clarity enhancement, origin: Colombia

TUESDAY 29TH APRIL 2025

Estimate £1,000 ­

ENQUIRIES

Clare Durham | +44 (0)1722 424507 | cd@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

A St James (Charles Gouyn) scent bottle, c.1750­59, 8.3cm

1,500*

SILVER & OBJECTS OF VERTU

WEDNESDAY 30TH APRIL & THURSDAY 1ST MAY 2025

Estimate £1,000 ­ 1,500*

ENQUIRIES

Rupert Slingsby | +44 (0)1722 446956 | rs@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

An early­20th century French silver­gilt owl clock, by Paul Frey, Paris circa 1920, possibly for Lacloche Frères

TUESDAY 20TH MAY 2025

A fine and rare Chinese sacrificial­blue glazed double­gourd vase Yongzheng mark and of the period 1723­35

Estimate £80,000 ­ 120,000*

A rare Chinese blue and white ‘nine dragon’ vase Jiaqing mark and of the period 1796­1820

From the collection of Sir Richard Henry Chenevix Trench (1876­1954)

Estimate £5,000 ­ 10,000* ENQUIRIES

John Axford | +44 (0)1722 424506 | asianart@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with client services

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bacs, debit and credit cards

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 ­ 200,000

£200,000.01 ­ 350,000

£350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with client services in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources: From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE

WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

AUCTION CALENDAR

MARCH

19th & 20th Art Deco Centenary 1925­2025 & Design

APRIL

8th, 9th & 10th Furniture, Works of Art & Clocks

15th & 16th Fine Jewellery

29th British and Continental Ceramics & Glass

30th Silver & Objects of Vertu (Day One)

MAY

1st Silver & Objects of Vertu (Day Two)

20th & 21st Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

3rd Medals & Coins, Arms & Armour

4th Modern British & 20th Century Art

18th Fine Arts & Crafts

JULY

2nd & 3rd Furniture, Works of Art & Clocks

9th & 10th Fine Jewellery 15th & 16th Silver & Objects of Vertu

Dates may be subject to change

+44 (0) 1722 424500 info@woolleys.live 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk