Woolley & Wallis Auctioneers

FINE JEWELLERY

WEDNESDAY 10TH & THURSDAY 11TH JULY 2024

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586

Megan Corbett

Beth Reardon

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

Georgina Way 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Georgina Way 446980

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Jacob Carpenter 424594

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon

Heidi Easton

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer MRICS 446974

Hannah Farthing (Trainee Valuer)

GENERAL OFFICE

Ruth Pike (Office Manager) 424500

Sarah Bennie

Ellie Briant

Gemma Pointer

MARKETING

Chloe Davie 446951

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Samuel Hug FGA DGA

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

FINE JEWELLERY

WEDNESDAY 10TH JULY 2024

10.00AM LOTS 1 - 353

THURSDAY 11TH JULY 2024

10.00AM LOTS 354 - 711

at our City Centre Salerooms, SP1 3SU

VIEWING AT OUR CITY CENTRE SALEROOMS, SP1 3SU

Friday 5th July 10.00am – 4.00pm

Saturday 6th July 10.00am – 1.00pm

Monday 8th July 10.00am – 4.00pm

Tuesday 9th July 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 711

Inside front cover: Lot 676

Page 1: Lot 658

Back cover: Lot 708

Catalogue £10.00 (£15.00 by post)

Marielle Whiting FGA 01722 424595 mw@woolleys.live

Jonathan Edwards FGAA 01722 424504 je@woolleys.live

Samuel Hug FGA DGA 01722 424586 sh@woolleys.live

Megan Corbett mc@woolleys.live

Beth Reardon br@woolleys.live

bid.woolleyandwallis.co.uk

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Facebook: @woolleyandwallis

Twitter: @woolleywallis

Pinterest: Woolley and Wallis

JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported. VAT

Please note that lots marked † are subject to VAT on the hammer price. The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

DESIGNER HANDBAGS & FASHION

1 Louis Vuitton, a vintage monogram canvas Pégase 60 suitcase

36m wide, 53cm high, includes padlock, keys, nametag and removable garment cover

£300­500

2 Louis Vuitton, a vintage monogram canvas Stratos suitcase

54cm wide, 35cm high, includes nametag, padlock and keys

TO BE SOLD WITHOUT RESERVE

£100­200

3 Louis Vuitton, a monogram canvas Bisten 75 suitcase

unpolished brass tone hardware, 75cm wide, 50cm high, includes nametag and key

£2,000­3,000

4 Louis Vuitton, a monogram canvas Bisten 70 suitcase

unpolished brass tone hardware, 70cm wide, 46cm high, includes nametag and key

£2,000­3,000

2011

30cm

1994

30cm

7 Louis Vuitton, a monogram canvas Speedy 30

wide, 21cm high, 9cm handle drop, includes padlock, key and dustbag £200­300

8 Louis Vuitton, a monogram canvas Saint Cloud PM crossbody bag

17cm wide, 16cm high, 55cm full strap drop, includes dustbag £100­200 TO BE SOLD WITHOUT RESERVE

9 Louis Vuitton, a monogram canvas Tousse Demi Ronde cosmetic pouch MM

24cm wide, 17cm high, includes dustbag £80­120

5 Louis Vuitton, a monogram canvas Beauty case 35cm wide, 26cm high, 21cm depth, includes key £600­800

6 Louis Vuitton, a monogram canvas Speedy 30

wide, 21cm high, 9cm handle drop, includes padlock, keys and dustbag £200­300

10 Louis Vuitton, a black epi leather Pochette 1998

21cm wide, 11cm high

TO BE SOLD WITHOUT RESERVE

11 Louis Vuitton, a monogram canvas Pochette 1996

21cm wide, 13cm high, includes dustbag

TO BE SOLD WITHOUT RESERVE

12 Louis Vuitton, a damier canvas Brera handbag 2002 24cm wide, 20cm high, includes padlock, keys and dustbag

TO BE SOLD WITHOUT RESERVE

13 Louis Vuitton, a damier Belem PM handbag

2007

25cm wide, 18cm high, includes padlock, keys and dustbag

TO BE SOLD WITHOUT RESERVE

14 Louis Vuitton, a toledo blue epi leather Sablon handbag

1998

26.5cm wide, 20.5cm high, includes padlock, keys and dustbag

35cm

£150­200

15 Gucci, a medium brown Bamboo 1947 top handle bag

27cm wide, 18.5cm high, 11cm handle drop, includes dustbag £400­500

17

TO BE SOLD WITHOUT RESERVE

£80­100

£60­80 TO BE SOLD WITHOUT RESERVE

19 Louis Vuitton, two passport holders, green taiga leather and damier canvas and a black taiga leather travel organiser

£60­80 TO BE SOLD WITHOUT RESERVE

16 Mulberry, a Freya Hobo tote Rose Petal

wide, 34cm high, includes dustbag

Celine, a vintage brown trio full flap crossbody 21cm wide, 13cm high, 39cm full strap drop, includes plain dustbag

18 Gucci, a vintage Ophidia leather purse 17cm wide, 13.5cm high, includes dustbag

20 Gucci, a vintage monogram leather and canvas purse

22cm wide, 16cm high, includes dustbag

TO BE SOLD WITHOUT RESERVE

£60­80

21 Gucci, a vintage monogram suede and canvas purse

29cm wide, 13cm high, includes dustbag

TO BE SOLD WITHOUT RESERVE

22 Hermès, two belts

Black and brown epsom and box calf leather, buckle 6 x 3.8cm, Brown and green box calf leather, buckle 8.1 x 5cm, includes box

TO BE SOLD WITHOUT RESERVE

£80­120

£60­80

23 Hermès, four Hermès gilded buckles, each designed as the letter H, all in a brushed finish, larger 8.1 x 5.0cm, smaller 6.0 x 3.8cm, signed Hermès, two Hermès belts without buckles, one vintage Gucci buckle and one navy Celine belt, includes box

TO BE SOLD WITHOUT RESERVE

£80­120

24 Hermès, a collection of belt buckles, comprising: five buckles, each designed as the letter H, in brushed and fluted finishes, two with gilding, larger 8.1 x 5.0cm, smaller 6.0 x 3.8cm, each signed Hermès, six Hermès pouches

25 Hermès, two belts

Both black and brown box calf leather, buckles 8.1 x 5cm and 6 x 3.8cm, includes box

£80­120

£200­300

TO BE SOLD WITHOUT RESERVE

TO BE SOLD WITHOUT RESERVE

BE SOLD WITHOUT RESERVE

TO BE SOLD WITHOUT RESERVE

BE SOLD WITHOUT RESERVE

BE SOLD WITHOUT RESERVE

26 Hermès, two silk scarves

Les Voitures a Transformation, black, gold and cream

Cliquetis, brown and cream

£100

120

27 Hermès, two silk scarves

Etriers, Blue, gold, brown and cream

Grand Apparat, red, gold, blue and cream

£100

120

28 Hermès, two silk scarves

Selles a housse, pink, gold and cream

Tsubas, green, blue and cream

£100

120

29 Hermès, two silk scarves

Brides de Gala, Brown, cream and gold Springs, Pink, white and gold

£100­120 TO

30 Hermès, two silk scarves

Rose des Sables, orange, gold, cream and green

Frontaux et Cocardes, Pink, gold, black, brown and cream £100­120

TO BE SOLD WITHOUT RESERVE

31 Hermès, two silk scarves

Feux De Route, Black and gold

Cliquetis, black, white and gold

£100­120

32 Chanel, a black vintage square quilted round flap bag

21.5cm wide, 17cm high, 43cm full strap drop, includes authentication card and booklet, dustbag and red book cover with authentication card

£800­1,000

25.5cm wide, 15cm high, 20cm shoulder strap drop, 36cm full

25.5cm

£800­1,000

18cm wide, 14.5cm high, 22cm half strap drop, 44cm full strap drop, includes dustbag

£6,000­8,000

λ 34 Hermès, a vintage black crocodile piano handbag 1957 Gold tone hardware

wide, 19cm high, 14cm handle drop, includes dustbag

λ 35 Hermès, a vintage black crocodile Constance 18 Gold tone hardware

λ 33 Hermès, a vintage black crocodile ring bag Gold tone hardware

strap drop

£500

Gold tone hardware

32cm wide, 23cm high, 39cm detachable crossbody strap drop (dated 1990), includes padlock, keys and dustbag

£1,000­2,000

25.5cm wide, 15cm high, 20cm shoulder strap drop, 36cm full

£400­500

24cm wide, 19cm high, 21cm shoulder strap drop, 37cm full strap drop, includes dustbag

£600­800

Gold tone hardware

32cm wide, 23cm high, 39cm detachable crossbody strap drop (dated 1990), includes padlock, keys and dustbag

£1,000­2,000

36 Hermès, a vintage cream ring bag

Gold tone hardware

strap drop

37 Hermès, a vintage brown box calf leather retourne Kelly 32 1974

38 Hermès, a vintage black box calf leather retourne Kelly 32 1978

39 Hermès, a black box calf leather Constance 24

Gold tone hardware

40 A collection of jewellery boxes and pouches, comprising: a group of 15 boxes and one pouch by Hermès including three necklace boxes, three ring boxes, a cufflink box and others; six jewellery pouches by Boucheron; six pouches and one bracelet box by De Beers; three ring boxes by Tiffany & Co.; eight 19th and early 20th century jewellery boxes including one by Mrs Newman; and three wooden jewellery boxes £200­300

TO BE SOLD WITHOUT RESERVE

41 A collection of fifty jewellery boxes, modern and antique, including boxes by Bulgari, Cameo Corner and Hancock & Co and others £200­300 TO BE SOLD WITHOUT RESERVE

42 A collection of nine jewellery reference books, comprising: Geoffrey Munn, Tiaras Past and Present; Alexander von Solodkoff, Russian Gold and Silver and Masterpieces from the House of Fabergé; Geza von Habsburg, Fabergé; David Bennett & Daniela Mascetti, Understanding Jewellery; A. Kenneth Snowman, Fabergé: Lost and Found and The Master Jewelers; Paul Greenhalgh ed., Art Nouveau 1890-1914; and an auction catalogue for Imperial and Royal Presents, Sotheby’s London, 24th November 2008

TO BE SOLD WITHOUT RESERVE

£100­200

43 A collection of five jewellery reference books, comprising: Stefano Papi, The Jewels of the Romanovs; Terence Camerer Cuss, The English Watch 1585-1970; Fritz Falk, Serpentina: Snake Jewellery from Around the World; Diana Scarisbrick, Portrait Jewels: Opulence & Intimacy from the Medici to the Romanovs; and an auction catalogue of Jewels, Christie’s South Kensington, 9th October 2012 £100­200

TO BE SOLD WITHOUT RESERVE

44 A collection of fifteen jewellery reference books, comprising: Schumann, Gemstones of the World; Janet Coles and Robert Budwig, Beads; George E. Harlow, The Nature of Diamonds; Leslie Fields, The Queen’s Jewels; Suzy Menkes, The Royal Jewels; Ian Balfour, Famous Diamonds; Eduard Josef Gubelin & Franz ­Xavier Erni, Gemstones: Symbols of Beauty and Power; Mouawad, Diamonds; Jane Roberts ed. Royal Treasures; Elizabeth Taylor, My Love Affair with Jewelry; Hugh Roberts, The Queen’s Diamonds; together with three auction catalogues including The Ceres Collection and Fine Jewellery, Bonhams New Bond Street, 17th September 2014 and 24 September 2015; The Lauren Bacall Collection: International Exhibition of Highlights, Bonhams; and an Exhibition catalogue for Masters of Design, Sotheby’s London £100­200

TO BE SOLD WITHOUT RESERVE

45 A large collection of jewels, 19th and 20th century, including a 9ct gold gate bracelet set with turquoise and half pearls, British hallmarks, pearls untested; a gold bracelet designed as grape leaves, spaced with nephrite beads, to a gilt metal clasp, length 19cm; a gold and seed pearl mourning brooch, length 2.4cm, inscription dated 1829; an amethyst and seed pearl bar brooch mounted in gold, length 4.7cm; a gold bar brooch set with a cluster of circular­cut diamonds, length 5.7cm; a gold and 18ct gold diamond five­stone ring, size N½, British hallmarks; a cabochon garnet and rose­cut diamond cluster ring, size L; a gold, enamel and cabochon garnet stickpin, length 5.2cm; and a seed pearl, ruby and diamond ring in gold, size N, partial British hallmarks; together with a large group of gilt and base metal jewels, red leather jewellery case £400­600

46 A large collection of intaglios, cameos and hardstones, including pietra dura, shell cameo portraits, micro mosaics, hardstone seals, banded agate cabochons, carnelian intaglios and various other hardstones

£150­250

47 A collection of cameos and intaglios, late 19th­early 20th century, including examples in shell, lava, glass and hardstone, depicting various mythical figures and classical scenes, longest 4.6cm £100­200

48 Six lava cameos, two hardstone intaglios, a Wedgwood jasperware intaglio depicting Hercules and the cretan bull, twenty three glass intaglios, a single glass cameo, and a ‘bulls­eye’ hardstone intaglio. £200­300

50 A collection of jewels, 19th and 20th century, comprising: a mid 19th century brooch of oval outline set with polished chalcedony with a floral spray in gold set with turquoise and coral, in a gold scrollwork frame, length 6.8cm; a gold brooch designed as conjoined rings of turquoise cabochons and pearls, length 3.3cm, stamped 15CT, pearls untested; an enamel and pearl mourning pendant mounted in gold suspending a fringe of gold pendants, the reverse with a glazed compartment of hairwork and dedicatory inscription dated 1865, length 4.4cm, pearl untested; a gold locket pendant, length 4.7cm; a carnelian and 9ct gold carnelian fob seal pendant, length 2.2cm, British hallmarks; a pair of gold drop earrings, one surmount deficient; a pair of cultured pearl and peridot earrings; a pair of cultured pearl tassel earrings in silver; a pair of mother of pearl cross pendants; a pair of peridot drop earrings in gold, post fittings; a cultured pearl bracelet with a floral clasp in 9ct gold set with turquoise cabochons, length 16cm, British hallmarks; and five cultured pearl necklaces, the clasps variously set with diamonds, half pearls, aquamarine and turquoise, longest 47cm, four with British hallmarks for 9ct gold, half pearls untested £400­600

λ 49 A large collection of gemstones, coral, untested pearls, jewels and hardstone intaglios, comprising: five rings including two diamond rings, an emerald and diamond ring, a gold signet ring and a platinum wedding band, one ring with two diamonds deficient; two gold padlock clasps, one with British hallmarks for 9ct gold; an Art Deco sapphire and diamond bar brooch, length 3.7cm, Austro-Hungarian assay marks; a carnelian fob seal engraved with a horn and word ‘Onwards’ to a gold mount and 9ct gold chain necklace, chain with British hallmarks; a pair of gold, platinum, onyx and diamond cufflinks, each stamped 18, case stamped Hamilton & Inches; a single cufflink in white gold, mother of pearl and synthetic sapphire; an English medieval silver coin; a fossilised tooth pendant; a pair of tortoiseshell piqué work buttons; together with a collection of loose gemstones including three boulder opal cabochons, sapphires, emeralds, aquamarine, tourmaline, paste and synthetic corundum; a collection of bloodstone, citrine and chalcedony intaglios engraved with various heraldic motifs and mottoes; an agate cameo of a classical lady in profile; coral beads and jewel components, and loose and partially strung cultured and synthetic pearls £400­600

51 A group of gold jewels, comprising: three 9ct gold chain necklaces, each with British hallmarks, combined gross weight 48 grams; two 9ct gold chain bracelets, each with British hallmarks, combined gross weight 6 grams; together with a gold bangle, stamped 9KT; a pair of gold hoop earrings, each stamped 375, Italian maker’s marks, post fittings; a bicoloured gold ring, stamped 9CT & Pall; a gold necklace of beaded fringe design, stamped 585; and a shell cameo mounted in gold, length 2.8cm, combined gross weight 63 grams

£800­1,200

52 A collection of jewellery, comprising: a gold ring set with an articulated fringe of turquoise beads, size H, stamped 750, maker’s mark Fq, one turquoise deficient; an opaque moulded intaglio depicting Poseidon, mounted in gold, length 4.9cm, stamped 9ct, maker’s mark LH; a garnet, enamel and seed pearl pendant mounted in silver, length 5.6cm; a blue paste and gold Coastguard Academy ring, size I½, stamped 14K; a peridot and garnet bracelet of gold curb linking, length 19cm, Italian maker’s mark, stamped 750; a gold pendant watch by Rodania on a gold chain necklace, watch length 2.8cm; chain length 37cm, stamped 750, B+S; a gold and turquoise bead bracelet, length 20cm; a gold and cultured pearl brooch, length 2.7cm; a cultured pearl necklace and a cultured pearl and sapphire bracelet, necklace 57cm, bracelet 15.5cm, stamped 14K; a silver coin pendant depicting a youth, possibly ancient Greece, length 2.7cm, drilled; a lady’s white gold and diamond cocktail watch by Omega, case width 1.4cm; a pair of cultured pearl and diamond earrings, length 2.4cm, screw fittings, stamped 750; a carved nephrite medallion pendant, length 7.7cm; and a gold stickpin, length 5.8cm, stone deficient, fitted case, green leather jewellery box £600­800

53 A collection of gold jewels, comprising: three 9ct gold bracelets with heart padlock clasps; two 9ct gold wedding rings; a 9ct gold ring set with onyx; a cultured pearl and 9ct gold brooch; a pair of 9ct gold earrings; a 9ct gold buckle ring; a 9ct gold signet ring; a threecoloured gold bracelet; and a 9ct gold wishbone pendant, all with British hallmarks, combined gross weight 96 grams; a 9ct gold pendant set with an 1891 sovereign coin, pendant with British hallmarks, gross weight 11 grams; a 9ct gold ring set with a 1/10 krugerrand coin, ring with British hallmarks, gross weight 6.9 grams; a 22ct gold wedding band, British hallmarks, gross weight 8.5 grams; a gold chain, clasp broken, stamped 375, gross weight 16.3 grams; a gold bracelet with a heart padlock clasp, gross weight 6 grams; a garnet and cultured pearl ring in gold, stamped 9ct, gross weight 4 grams; a sapphire and diamond ring, stamped 18CT & PLAT, 2 grams; together with a gilt metal chain and a pair of 9ct gold and simulant diamond earrings, earrings with British hallmarks £1,500­2,000

54 A mixed group of jewellery, including five gold bangles, a pair of Georg Jensen silver earrings, a Paloma Picasso silver brooch, a silver bangle, a synthetic ruby ring, a gold signet ring, a synthetic sapphire ring, two diamond rings, five gold pendants, a gold brooch and a pair of earrings

£800­1,200

55 A collection of thirty­seven gem­set rings, variously set with natural and synthetic stones including peridot, blue zircon, malachite and rutilated quartz, paste, cubic zirconia and synthetic corundum, variously mounted in silver, 9ct gold and base metal, eight with British hallmarks for 9ct gold, display case

£300­500

56 A collection of thirty­four gem­set rings, variously set with natural and synthetic stones including emerald, blue topaz, citrine, garnet, tourmalinated quartz, tourmaline, cubic zirconia and coated topaz, variously mounted in silver and gold, twenty six with British hallmarks for 9ct gold, one with British hallmarks for 18ct gold, display case

£300­500

57 A collection of thirty­four gem­set rings, variously set with natural and synthetic stones including tanzanite, blue topaz, citrine, garnet, lapis lazuli, cubic zirconia and coated topaz, mounted in silver and gold, seventeen with British hallmarks for 9ct gold, display case

£300­500

58 A collection of sixteen gem­set rings, comprising: a sapphire and diamond cluster ring in 9ct gold, size P½, British hallmarks; a ruby and diamond cluster ring in 18ct gold, size P½, British hallmarks; a pink sapphire and baguette diamond ring, size M½, stamped 750; a star ruby and diamond ring in 9ct gold, size Q, British hallmarks; a three­stone pink sapphire ring spaced with brilliant­cut diamonds in 18ct gold, size P½; a ruby and diamond three­stone ring, size P; two garnet cluster rings, one with British hallmarks for 9ct gold, sizes Q and R½; two garnet and diamond rings and a garnet and cultured pearl cluster ring, sizes P½-Q; a pinkish red zircon and diamond ring, size P½; a circular­cut green tourmaline and diamond ring in 18ct gold, size T, British hallmarks; an andesine feldspar and diamond ring, size P½, British hallmarks for 9ct gold; an aquamarine and simulant diamond ring in 9ct gold, size Q, British hallmarks; and a green and colourless paste ring, size M (sizing band), stamped 9ct PLAT £800­1,200

59 A collection of seven rings, comprising: two diamond cluster rings in 9ct gold, sizes L½ and O½ (shank split), each with British hallmarks; a diamond solitaire in 18ct gold, size L, British hallmarks; a sapphire and diamond seven­stone ring in 18ct gold, size O, British hallmarks; an amethyst and diamond cluster ring in 9ct gold, size P, British hallmarks; a sapphire and diamond cluster ring and four­stone sapphire ring, sizes N and N½

£300­500

60 A group of jewels, 19th and early 20th century, moulded glass intaglio of Emma Hamilton, after an original by 3.9cm, signed Rega; a smaller glass intaglio depicting a classical woman in profile; a pair of enamel and rose­cut diamond cufflinks, mounted in gold, stamped 750, fitted case by Garrard; a pair of rock crystal pendants mounted in gold length 3.7cm; a pair of enamel cufflinks depicting horses, case; two Scottish silver brooches set with agate; a Celtic revival­style cloak pin applied with blue enamel; a seal surmounted by a wooden carving of a dog, set with an amethyst carved with a flower, inscribed ‘DINNA’, length 5.5cm, head broken

£150­250

61 A group of jewels, comprising: a malachite bead necklace; a gold and seed pearl stick pin, length 4.8cm, pearls untested, fitted case stamped Goldsmiths & Silversmiths Company; a 9ct gold twisted wire bangle, inner circumference 18.4cm, British hallmarks, gross weight 8.4 grams; an agate and gold fob seal engraved with MAG beneath a crest of an arm holding a wheat sheaf, seal matrix 2.0 x 1.4cm, height 1.6cm; a pearl and smoky quartz necklace, to a gold clasp set with two brilliant­cut diamonds, length 50cm. stamped 750; a pair of 9ct gold studs of knotted design, 1.1cm diameter each, post fittings, British hallmarks; a silver and smoky quartz button; a silver and paste bracelet; and a silver and garnet ring £200­300

62 A group of jewellery including a diamond wristwatch, comprising: a platinum ring and pendant necklace, each set with a circular­cut sapphire, ring size O, British hallmarks, necklace length 43cm, stamped PT950; a matching pair of sapphire stud earrings, post fittings; a cultured pearl necklace to a white gold clasp, length 50cm, clasp stamped 750; a pair of cultured pearl stud earrings, post fittings; a cultured pearl and diamond pendant on a white gold wire collar, length 40cm, clasp stamped 750; and a silver, mother of pearl and diamond wristwatch by Links of London, case width 3.1cm, quartz movement, British hallmarks, numbered 6020.0208 and 6020.02.4115.A, together with a pouch stamped David Morris £150­250

63 A collection of jewels including a pair of gold cufflinks, 19th and early 20th century, comprising: a pair of 18ct gold cufflinks, each end of oval outline engraved with floral designs, length of each end 1.7cm, British hallmarks for 18ct gold, date letter for 1909; four paste brooches, early 19th century, largest 4.3cm; a circular brooch set with a painted landscape, mounted in gold, diameter 3.8cm; and a set of three gold and synthetic ruby studs, diameter 0.8cm, fitted case

£400­600

64 A collection of jewels, 19th and 20th century, comprising: a citrine brooch in a gold scrolled mount, length 6.7cm; a pair of pear­shaped topaz drop earrings in gold, screw fittings; a gold ruby and diamond bangle; a yellow paste and seed pearl brooch; a gold and diamond locket pendant, length 3.5cm; a silver and rose gold cuff bracelet, case; a garnet bead necklace, length 90cm; and a garnet and diamond ring mounted in 9ct gold, size L, British hallmark

£100­200

65 Mont Blanc and Cartier, a collection of writing accessories and a travel clock, comprising: three pens and one pencil by Montblanc, each in black lacquer and gilt metal, two fitted case stamped Montblanc; and a stainless steel and leather alarm clock by Montblanc, case diameter 4.5cm, numbered 7056 and AL1694137; together with a gilt metal pen in a rose gold finish by Cartier, length 12.5cm, signed Cartier, case and guarantees stamped Cartier

£200­300 TO BE SOLD WITHOUT RESERVE

66 Cartier, Mont Blanc and Cross, a collection of three pens and a mechanical pencil, comprising: a gilt metal ‘Must de Cartier’ fountain pen, length 13.8cm, signed Cartier, numbered A7193, fitted case, booklet, one nib adjusting wheel; a mechanical pencil and ballpoint pen by Montblanc, each with a black lacquer finish, each with fitted case, one with a booklet; and a gilt metal ballpoint pen by Cross, fitted case

£200­300

67 Cartier, three pens, comprising: a gilt and black enamel ball point pen, length 13.5cm, signed Cartier, numbered 316433; a pink enamel ball point pen, length 10.6cm, signed Cartier, numbered B116673; and a ‘Trinity de Cartier’ ballpoint pen, length 13.4cm, signed Cartier, numbered C98684, each with a case stamped Cartier

£200­300

68 Parker, a silver fountain pen and ballpoint pen, ‘Sonnet’, each with a grid design in silver and silver gilt, length 13.5 and 13.4cm each, each signed Parker, Swiss assay marks for silver

£100­150

69 Cartier and Montblanc, two pens, comprising: a gilt metal ball point pen of fluted design by Cartier, length 12.5cm, signed Must de Cartier, numbered 248276, case; and a gilt metal fountain pen by Montblanc with a gold nib, length 13.7cm, signed Montblanc, nib stamped 585, case

£100­200

70 A group of jewels including a watch by Beuche Girod, comprising: a 9ct gold lady’s watch by Beuche Girod, case width 2.2cm, British hallmarks; a 9ct gold garter bracelet, length adjustable, British hallmark; a diamond bar brooch in 15ct gold, length 4.3cm; two shell cameo brooches and pendant, each in gold; a gold, diamond and paste ring designed as crossed snakes, size K; a jadeite and cultured pearl necklace with a paste clasp, necklace length 42.8cm; and an opaline glass and gilt metal brooch

£600­800

71 Tag Heuer, a gentleman’s stainless steel watch and a collection of gold rings, comprising: a Tag Heuer watch in bicoloured stainless steel, case width 3.5cm, quartz movement, numbered WE1222-2 and 503413; and a collection of rings including three onyx rings, a smoky quartz ring, hematite intaglio ring, a three­stone diamond ring, one diamond deficient, a blue paste ring, and a gold ring of foliate design sizes L½-V½, five with British hallmarks for 9ct gold

£150­250

72 A group of jewellery, comprising, a gold bracelet with heart­shaped padlock clasp, a pair of peridot earrings and a signet ring, bracelet length 17cm, earrings 1.7cm each, ring size F, each with British hallmarks; a step­cut sapphire ring, size H½, stamped 18CT PLAT; a gold and seed pearl floral bar brooch, length 4.2cm, later brooch fitting; a floral gold bar brooch, length 4.9cm; a shell cameo brooch/pendant, mounted in gold, length 4.7cm; and a gold locket set with seed pearls, length 5cm, combined gross weight 55 grams £200­300

73 A collection of jewellery, comprising: two turquoise brooches, largest 5.9cm; two pairs of hoop earrings suspending tassels; a child’s synthetic ruby ring; an untested pearl, emerald and ruby ring; a turquoise, citrine and black enamel mourning brooch dated 1847; a pair of stud earrings; and a synthetic ruby ring with tassel shoulders, all mounted in gold, combined gross weight 33 grams; together with a gilt metal and turquoise mourning brooch and pendant, brooch length 5cm, pendant length 3.7cm; and two pairs of earrings in gilt metal and faceted glass £200­300

74 A collection of gem­set jewellery, comprising: a giardinetto brooch set with various gemstones including garnets, peridots, a purple sapphire, zircon and citrine, mounted in gold, length 6cm; an opal and diamond pendant mounted in 9ct gold, length 2.2cm; a pair of cultured pearl drop earrings; a pair of gold and synthetic ruby earrings; a pair of synthetic stone earrings; and two pairs of gilt metal earrings set with rubies and diamonds and sapphires and diamonds respectively and a multigem­set spectacle­link necklace

£400­600

75 A collection of jewels, comprising: an opal and rock crystal bead necklace, with a diamond cluster clasp, early 20th century, length 41cm, fitted case; an 18ct gold and turquoise bracelet with a heart padlock clasp, length 20cm, British hallmarks, gross weight 20 grams; a lady’s gold and diamond watch by Omega; a turquoise and half pearl cluster ring in 18ct gold, size M, British hallmarks; a gold bar brooch, length 4.6cm, stamped 18CT; a gold ‘MIZPAH’ ring, size L; a 9ct gold cross pendant, British hallmarks; two pairs of knotted gold ear studs; and three gold coins including a George V 1913 half sovereign; an Edward VII 1908 half sovereign; and a late Victorian 1899 sovereign coin

£800­1,200

76 A collection of jewels and accessories, 19th and 20th century, comprising: a smoky quartz fob seal engraved with the letter K beneath a viscount’s coronet for Viscount Kilcoursie, mounted in gold, height 3.2cm; a set of six mother of pearl and sapphire buttons, diameter 1.3cm each, case stamped Tessier; a gold and lapis lazuli scarab pendant, length 2.1cm; a gold astrological pendant for Virgo, on a gold chain, pendant length 2.6cm including bail, British import hallmarks for 18ct gold, chain length 38cm; and five studs, three in gold, set with cultured pearls, the other pair in plain gilt metal

£80­120

77 A citrine pendant and a seed pearl and diamond brooch/hair ornament, late 19th century, comprising: a pendant set with a large oval citrine, mounted in gold, length 6.9cm including bail; and a brooch/pendant designed as a star set with half seed pearls and a cushion­shaped diamond, mounted in gold, length 3.3cm, pearls untested, detachable gilt hair fitting, fitted case stamped A. Wagstaff

£200­300

78 A collection of gold jewels, comprising: a lady’s gold watch by LeCoultre, numbered 28968, winder deficient, Swiss assay mark for 18ct gold, later bracelet with French assay marks for 18ct gold; a 9ct gold watch, the reverse initialled PGC, dated 22nd March 1935, interior numbered 511293, British hallmarks; an 18ct gold lady’s watch on a gold expanding bracelet, watch numbered 350149, British hallmarks, bracelet stamped 9ct; a full eternity ring set with a continuous band of half pearls, mounted in gold, size T, pearls untested; a synthetic ruby and seed pearl ring, mounted in gold, size M½; and a Victorian citrine and half pearl brooch, mounted in gold, length 3.1cm, pearls untested

£200­300

79 A collection of jewels, late 19th/early 20th century, comprising: an oval gold and half pearl pendant set with a doublesided glazed compartment set with hand coloured photographs of a young girl and boy, to a gold chain necklace, pendant length 5.1cm, chain length 55cm, pearls untested; another gold and half­pearl pendant of circular outline set with glazed photograph of a lady, length 4cm including bail, pearls untested; a white gold and black enamel sliding locket accented with rose­cut diamonds, of elongated octagonal outline enclosing photographs, the reverse with an engraving dated 1923, length 4.1cm; a garnet and seed pearl cluster brooch and a half pearl wreath brooch, longest 2.1cm, pearls untested

£400­600

80 A collection of jewels, comprising: an articulated cluster ring set with circular­cut rubies and sapphires and brilliant­cut diamonds, mounted in white gold, size M½, stamped 750, case; a gold and silver bar brooch set with a pearl, length 3.6cm, pearl untested; a fine 22ct gold wedding band, size J½, British hallmark; a Victorian blue enamel and cushion­shaped diamond locket in gold, later brooch fitting, pin deficient; a bicoloured gold flower pendant applied with green enamel, set with a ruby, length 2.3cm

£400­600

81 A collection of seven gold brooches and a gold propelling pencil, 19th and 20th century, comprising: four gold bar brooches, one set with garnets and seed pearls, another set with a rose­cut diamond, longest 4.7cm, one with British hallmarks for 15ct gold; two gold and enamel regimental brooches for the Indian Army Corps of Electronic and Mechanical Engineers (IEME), 2.8cm each; a gold and agate brooch, length 4.8cm; and a gold propelling pencil, dated 8.5.15, length 7.1cm

£200­300

82 A group of amethyst jewels, comprising: an amethyst and seed pearl bangle in 9ct gold, inner circumference 18cm, British hallmark, pearls untested; an amethyst and diamond ring, size L½, stamped 750, case; and a necklace composed of spectacle­set oval amethyst links in 18ct gold, length 44.5cm, Italian maker’s mark, British hallmarks

£300­500

83 A collection of jewels including an amethyst bangle, comprising: a sapphire, cultured pearl and diamond pendant, mounted in gold on a 9ct gold chain, pendant length 2.6cm, chain with British hallmarks for 9ct gold; a gold expanding bracelet, the centre initialled, enclosing a lock of hair, length 15cm, stamped 9ct; and an amethyst and rose­cut diamond bangle mounted in gold, inner circumference 16.8cm

£300­500

84 A group of jewels including a late Georgian brooch, circa 1830, comprising: three garnet pendants in gilt metal; a diamond and cultured pearl wreath brooch in 9ct white gold, diameter 2.9cm, British hallmarks; and a late Georgian brooch of gold cannetille work with a border of seashell motifs alternating with oval amethysts, the centre with a glazed compartment for hairwork, length 2.7cm

£200­300

85 A collection of jewels including a pair of diamond earrings, comprising: a pair of early 20th century pendent diamond cluster earrings, mounted in gold, length 2cm each; a gold and diamond bar brooch, length 2.4cm, French assay mark; a seed pearl necklace, broken; a silver plaque brooch by Georg Jensen, length 4.6cm, numbered 216A; and a silver and enamel bracelet designed as butterfly links, length 15cm, stamped Sterling Denmark

£200­300

86 A ruby, emerald and diamond demi­parure and an enamel and diamond ring, India, comprising: a pendant necklace and a pair of earrings, each designed as a cluster suspending a fringe of pendants, set with circular­cut emeralds and rubies and rose­cut diamonds, mounted in gold, pendant length 3.5cm, chain length 39cm, chain stamped 750, earrings 4cm, post fittings; and a child’s ring set with a rose­cut demi­lune diamond, accented with two further rose­cut diamonds and a pearl surmount, the setting applied with translucent green enamel, the reverse depicting a bird among foliage in red, green and white enamel, to an engraved gold band

£1,000­1,500

87 A diamond tiara frame and a coronet frame, circa 1900, the tiara frame centring on two arched motifs set with rose­cut diamonds, mounted in silver and gold, likely intended to be fitted with a brooch, inner curve 21.5cm, height at front 2cm excluding adjustable fittings; and a coronet, likely intended for a diamond necklace, with spiked and screw fittings in alternation, inner circumference 41cm £200­300

88 A gold bangle probably 19th century in an early style, plain design with single central cheveron row, approximately 34g, inner diameter 7.5cm, tests as 21ct gold

£2,000­3,000

89 A gold charm necklace and collection of gold charms, mid 20th century, the necklace of curb linking, suspending eleven charms including a pistol, a bird in a cage, a newborn baby on a scale, a pram, a dachshund, a horse, a bag of golf clubs, a harmonica, a bicycle, a rocking chair and a pair of scissors, necklace length 60.5cm, all with British hallmarks for 9ct gold; and a collection of seven gold charms including a grouper fish with a cultured pearl in its mouth, a shoe, a trumpet, a lantern, a car set with synthetic rubies, a horse­drawn carriage and a bell, together with a heart­shaped padlock clasp, six with British hallmarks for 9ct gold, five mounted as earrings, combined gross weight 116 grams £1,200­1,500

90 A pair of gold earrings, India, each of pendant design in high­carat gold with beaded detailing, length 5.2cm, post fittings, stamped 22K, combined weight 13.5 grams £200­300

91 A collection of gold jewels, comprising: a Georgian 18ct gold and enamel mourning ring reading ‘In Memory Of’, size N½, British hallmark for 1823; a gold and banded onyx signet ring, size N; an Edwardian gold, rose­cut diamond and seed pearl brooch, length 4.4cm; a foilate 18ct gold and ruby brooch by Cropp & Farr, length 4.4cm, British hallmarks; and a foliate gold and cultured pearl brooch, length 5.6cm, stamped 14K, combined gross weight 32 grams £200­300

92 Kutchinsky, a gold box, circa 1972, of cylindrical form, possibly intended for lipstick, the exterior engraved with sinuous patterns, length 5.2cm, British hallmarks for 9ct gold, sponsor’s mark for Kutchinsky, date letter for 1972, gross weight 21 grams £500­700

93 A fancy­link yellow gold bracelet, Austrian marks and maker’s mark J.K, 18.5cm, 48g £800­1,200

94 A gold charm bracelet, mid 20th century, the 9ct gold curb bracelet with heart padlock clasp suspending eleven gold charms including two fish on a grill, an acorn, a locket of buckle design, a vinyl record reading ‘Loving Waltz’, a jug, a gold padlock enclosing hair, a castanet, a George III gold coin, a horseshoe, a bust of Nefertiti, and an imp sat on a toadstool, bracelet length 16cm, padlock and two charms with British hallmarks, gross weight 53 grams

£1,000­1,500

95 A collection of gold charms, mid 20th century, including: an abacus, stamped 14K; a boat, stamped 14K; an amphora, stamped 18K; a pig, an anchor and an enamelled British flag, each stamped 9ct; a guitar, and a guitar and hat upon a chair, largest 2.2cm, combined gross weight 10 grams

£100­150

96 A gold and demantoid garnet necklace, early 20th century, designed as a snake, its eyes set with demantoid garnets, its body composed of snake links, length 33cm, gross weight 19 grams

£400­600

£800­1,200

97 A gold bracelet, early 20th century, composed of curb linking, length 19cm, stamped 18CT, gross weight 33 grams

98 A group of gold jewels, comprising: a 9ct gold bracelet of chevron linking, British hallmarks; a gold chain of fancy curb linking, stamped 585; a gold rope twist chain, clasp broken; and a hinged bangle in three­coloured gold, inner circumference 18cm, stamped 375, combined gross weight 49 grams

£500­700

99 A gold necklace, Italy, circa 1994, composed of fluted 18ct gold links inspired by Ionic columns, length 43.5cm, British import hallmarks, stamped 18K Italy, gross weight 50 grams

£1,000­2,000

100 Cropp & Farr, a 9ct gold bracelet, composed of brick linking, length 17.5cm, British hallmarks, maker’s mark C&F, gross weight 76 grams

£800­1,200

101 A Victorian 9ct gold watch chain, late 19th century, composed of graduated curb linking, to a T­bar and lobster clasp, in 9ct rose gold, length 50cm, British hallmarks, maker’s mark JM, gross weight 59 grams

£800­1,200

102 Two gold charms and a gold coin, comprising: an American gold Liberty head five dollar coin, dated 1897, gross weight 8 grams; a gold charm designed as a musician playing a guitar, sat on a chair, length 2.4cm; and a gold and enamel charm depicting a figure in a top hat with a rope and a ladder, length 2.8cm

£200­300

103 A gold bracelet, composed of brink linking, length 18cm, stamped 10CT, gross weight 24 grams

£800­1,200

104 Three gold jewels, comprising: a gold mesh purse; a 9ct gold brooch modelled as a teddy bear; and a gold wreath brooch set with cultured pearls and circular­cut rubies, purse length 9cm

£250­350

105 A mother of pearl and ruby dress set, and a gold bangle, the dress set comprising four buttons and three studs, each of octagonal outline, set with circular­cut rubies and mother of pearl, mounted in 9ct gold, each with British hallmarks for 9ct gold, maker’s mark C&F for Cropp & Farr, case by Rood; and a gold bangle of knife wire construction, inner curve 15.5cm, central element deficient

£200­300

106 Two Victorian silver lockets and chains, late 19th century, each locket of oval outline, one engraved with floral scrollwork, each opening to reveal glazed interiors, each on fancy link silver watch chains, lockets 6.1cm and 6.7cm, chains 41.5 and 45cm

£200­300

£100­200

107 Elsa Peretti for Tiffany & Co., a silver ‘Bone’ cuff bangle; and pair of silver earrings by Georg Jensen, comprising: a silver cuff of abstract design, inner curve 12cm, signed Elsa Peretti and Tiffany & Co., British hallmarks for silver, pouch and box stamped Tiffany & Co.; and a pair of silver circular earrings, the hammered centres within openwork wire borders, 2.4cm diameter each, screw fittings, signed Georg Jensen

108 A suite of garnet jewels, 19th century, each set with rose­cut garnets, comprising: two hinged bangles, larger inner circumference 16cm; a brooch, length 5cm; a ring, size P; and a pair of earrings, length 4cm, post fittings, later surmounts

£150­200

109 A pair of diamond­set gold earrings, set with graduated circular­cut diamonds in fluted yellow gold surround, post and clip fittings, length 2.3cm

£800­1,200

110 An Arts & Crafts carnelian and silver parure and carnelian pair of carnelian earrings, comprising: a pendant necklace, bar brooch and ring, each set with cabochons of carnelian within silver mounts designed as leaves and berries, pendant length 7cm, brooch length 6.3cm, ring size Q½, fitted case; and a later pair of carnelian and silver earrings, length 5.9cm each, screw fittings

£100­150

111 A group of four diamond­set pendants, depicting various motifs in diamonds and gold

£1,000­2,000

112 A group of gold jewels, comprising: a gold cannetille and seed pearl pendant centring on a moulded medallion, possibly Southern Italy, length 6.3cm, seed pearls untested, some deficient; a 9ct gold brooch with a scrolled edge, set with a cabochon amethyst within a border of seed pearls, length 4.5cm, British hallmarks, pearls untested; and a nephrite and gold pendant centring on a Chinese character meaning ‘good fortune’, length 3.1cm

£200­300

113 Three gold brooches, late 19th/early 20th century, comprising: a gold brooch of oval outline, applied with beaded and rope twist decoration, the reverse with a glazed compartment, length 4.8cm; a navette­shaped gold brooch set with five circular­cut diamonds, the reverse with a glazed panel, length 4.5cm, stamped 15CT; and a shell and seed pearl brooch, length 3.4cm, pearls untested

£500­700

114 A ruby and citrine pendant and a Victorian mid 19th century rock crystal brooch, the pendant of oval design, set with cabochon rubies and circular­cut citrines, mounted in gold, length 4cm; and a Victorian brooch of foliate design, set with pink foil­backed rock crystal, mounted in gold, length 4.1cm

£200­300

λ 115 A Victorian brooch and pendant, late 19th century, comprising: a brooch of scrolled design set with an oval citrine, mounted in low carat gold, length 3.3cm; and a coral and gold pendant, string broken

£200­300

λ 116 Two opal jewels, early 20th century, comprising: an Edwardian pendant necklace of laurel wreath design, set with cabochon opals, seed pearls and rose­cut diamonds, mounted in platinum and gold, chain length 38.5cm, pendant length 5.7cm, pearls untested; and a bar brooch of trefoil design, set with cabochon opals and a circular­cut aquamarine, mounted in gold, length 3.8cm, one stone deficient, case stamped Gieves

£300­500

λ 117 Two brooches and a fob watch, late 19th/early 20th century, comprising: a brooch designed as a bee, set with rose­cut diamonds, coral cabochons and pearls, mounted in silver and gold, length 5.7cm, pearls untested; a brooch designed as a duck in flight, applied with enamel, set with mother of pearl and cushion­shaped diamonds, length 4.1cm; and a fob watch with a portrait of a lady in painted enamels, suspended from a gold bar brooch set with rose­cut diamonds, total length 4.8cm £80­120

118 A pink stone and gold demi­parure, comprising a necklace set with faceted pink stones in polished white gold links, length 41.5cm and a pair of pinkstone and diamond cluster ear studs, post fittings

£300­500

119 A group of diamond jewels, comprising: an articulated floral pendant set with brilliant­cut diamonds, in 18ct white gold, pendant length 2.3cm, chain length 44cm, chain with British assay marks for 18ct gold; a white gold ring channel­set with seven brilliant­cut diamonds, size L½; and a platinum band set with brilliantcut diamonds, size L½, British hallmarks

£200­300

120 Cartier, a gold and enamel brooch, mid 20th century, and a pearl stickpin, comprising: a brooch, designed as a ladybird applied with red and black enamel, on an openwork gold leaf, length 2.5cm, signed Cartier, numbered 0172C7, French assay mark for 18ct gold, partial maker’s mark, case stamped Cartier; and gold stickpin capped with a pearl, length 6.3cm, pearl untested, fitted case stamped Collingwood £300­400

121 A ruby and diamond necklace and gem­set and diamond bracelet, comprising: a gold chain necklace composing a ruby, yellow sapphire and diamond cluster pendant, pendant length 1.2cm, necklace length 385cm; and a gold chain bracelet set with clusters of circular­cut ruby, sapphire, and emerald, each within a border of brilliant­cut diamonds, length 15cm £300­500

122 A garnet and diamond­set leaf ring, set with graduated rose­cut diamonds (two missing) and green garnets (four missing) in gold, size H approx, with a pair of pink and green tourmaline drop earrings, the white gold post suspending a pink and gold tourmaline bead from a fine­link gold chain, length 6.5cm, and a pair of pink and green tourmaline drop earrings, the white gold post suspending a pink and gold tourmaline bead from a fine-link gold chain, length 6.5cm £200­300

123 Two pairs of stud earrings, comprising: a pair of circular­cut zircon stud earrings, diameter 1cm each, post fittings; and a pair of studs set with medallions depicting elephants, within a gold ropetwist mount, diameter 1.6cm each, post fittings, stamped 14ct £400­600

124 A collection of four gold and gem­set rings, 19th century, comprising: a turquoise and seed pearl cluster ring, size M½; a turquoise ring of floral design suspending a pendant, size H½; a blue enamel and diamond ring, size P, British hallmarks; and a garnet and seed pearl cluster ring, size P, pearls untested

£200­300

125 Four rings, comprising: a sapphire and diamond cluster ring in 18ct white gold, size M½, British hallmarks; a sapphire and diamond five­stone ring in 18ct gold, size M, British hallmarks, one sapphire deficient; a diamond threestone ring, size N, stamped 18CT PLAT; and a diamond solitaire ring in 18ct gold, size M, British hallmarks

£200­300

126 Three diamond­set rings, including a diamond plaque ring, set in platinum and gold, size M, a diamond full circle eternity ring, size Q, a small diamond square­shaped ring, size R

£500­700

127 Two gold signet rings, early 20th century, one set with bloodstone engraved with a crest of a lion rampant holding a cross in its claws, mounted in gold, size R, stamped 18; and a plain 18ct gold signet ring engraved with the same crest, size R½, British hallmarks, date letter for 1902, maker’s mark D&F for Deakin & Francis

£800­1,200

128 A 9ct gold signet ring, engraved with a coat of arms within engraved shoulders, Birmingham hallmarks for 1920, size S, 11.5g

£400­600

129 A gold signet ring, depicting a Welsh dragon, size M, gross weight approximately 13 grams

£700­900

130 A 9ct gold signet ring, engraved with the crest of a dragon, to shoulders engraved with foliate designs, size U, British hallmarks, gross weight 8 grams

£350­450

131 A pair of amethyst­set gold cufflinks, with cylindrical and square terminals in white gold with chain links, with another pair of silver cufflinks, signed Bulgari

£100­200

λ 132 An Art Deco enamel and coral cigarette case, Dunhill, circa 1936, a pocket watch and a cigarette holder, early 20th century, comprising: a gilt silver cigarette case of rectangular outline, applied with black, cream and red enamel, the lid set with a carved coral panel between rows of marcasites, opening to reveal a plain interior, measuring 8.2 x 5.7 x 1.5cm, signed Dunhill London, British import hallmarks for silver, date letter for 1936, slip case; a blue guilloché enamel and marcasite pocket watch mounted in silver, length 4.1cm including suspension hoop, British hallmark for silver; pouch stamped Carrington & Co.; and a 9ct gold and mother of pearl cheroot holder, length 7.8cm, British hallmarks, fitted case

£100­200

133 A group of jewels, 19th and early 20th century, comprising: a carved lava cameo bracelet, length 18.5cm; an oval gilt metal locket, length 7.4cm; and an Art Nouveau silver pendant set with mother of pearl, green and pink tourmalines, length 3.7cm, German patent marks

£200­300

134 Two gem­set rings, comprising: a half eternity ring set with carré­cut diamonds and calibré­cut rubies, mounted in platinum, size L½, British hallmarks; and a black opal ring mounted in gold, size G½, stamped 750, opal doublet, case

£200­300

135 Three pairs of gold cufflinks, including a pair of hexagonal gold cufflinks decorated with mother of pearl and enamel, a pair of lapis lazuli and gold cufflinks and a pair of hexagonal mother of pearl cufflinks in gold

£700­900

136 A cultured pearl ring, mid 20th century, set with a cultured pearl within an abstract gold mount, size O, fitted case stamped Ciro

£200­300

137 A turquoise and cultured pearl longchain necklace, composed of turquoise and cultured pearl beads, spaced with foliate gold beads, to a bolt ring clasp, length 72cm £600­800

138 A jadeite necklace and two loose synthetic gemstones, comprising: a jadeite bead necklace length 45.5cm; an oval synthetic sapphire and a cabochon synthetic ruby £100­200

TO BE SOLD WITHOUT RESERVE

139 A cultured pearl demi­parure and a ruby and diamond ring, comprising: a necklace and bracelet composed of elongated gold wire links and cultured pearls, lengths 17cm and 47.5cm, each stamped 375; and a ring set with oval rubies and brilliant­cut diamonds, size R £200­300

140 A gem­set necklace, late 19th/early 20th century, the front of fringe design, set with circular­cut, oval and cushion­shaped stones including citrine, zircon, aquamarine, rock crystal, pink sapphire, amethyst and garnet, in gold spectacle settings, to a gold chain, length 41.5cm, case £400­600

λ 141 Three bead necklaces, early 20th century, comprising: a coral bead necklace, length 33.5cm; a necklace of graduated carnelian beads spaced with faceted rock crystal rondelles, length 40cm; and a similar necklace of graduated opal beads and faceted rock crystal rondelles, to a clasp set with circular­cut diamonds, length 39cm £300­400

λ 142 A coral necklace, composed of three strands of coral beads measuring 4.6­6.9mm, to a gold clasp set with a coral cabochon, length 57.5cm, stamped 750, gross weight 86 grams

£1,000­1,500

λ 143 A coral and gold necklace, mid 19th century, composed of two rows of faceted coral beads, connected by three links and a clasp, each of circular outline in gold cannetille, set with a coral cabochon, length 41cm £600­800

144 A black cultured pearl necklace, composed of Tahitian cultured pearls measuring approximately 11.0­13.4mm, to a gold trigger clasp, length 45.5cm, clasp stamped 375, case £600­800

145 A two row cultured pearl necklace, set with a graduated row of silver cultured pearls and golden cultured pearls respectively, with a diamond­set rectangular clasp is white gold, length 48.5cm longest £3,000­5,000

146 Vourakis, a cultured pearl and diamond necklace, designed as a double row of cultured pearls, connected at each side by geometric link motifs set with brilliant­cut diamonds, mounted in gold, one forming the clasp, length 77.5cm, signed Vourakis, stamped 750, Greek assay marks £800­1,200

147 Vourakis, a cultured pearl, emerald and diamond bracelet, the clasp of floral design, set with cabochon emeralds and brilliant­cut diamonds, to a bracelet composed of four strands of cultured pearls, length 17cm, signed Vourakis, clasp converting into brooch, one emerald deficient £800­1,200

148 A collection of jewels and pocket watches, comprising: a gold half hunter pocket watch, blue and white enamelled dial, gold case with initials KIU, length 5.1cm including suspension hoop, Swiss assay mark for 18ct gold, numbered 57300, gross weight 47 grams; a 9ct gold half hunter pocket watch by Benson, white enamel dial with subsidiary seconds dial, length 6.8cm including suspension hoop, British hallmark for 9ct gold, date letter for 1931, numbered 4840, gross weight 86 grams, a silver half hunter pocket watch, British hallmarks; two shell cameo brooches mounted in gilt metal, larger 5.6cm; a diamond and seed pearl wreath brooch, length 2.5cm, pearls untested; a gilt metal and cultured pearl pendant; a pair of 9ct gold cufflinks, British hallmarks, gross weight 4.4 grams; an amethyst brooch designed as turtle; a set of three gold studs, gross weight 2.8 grams, fitted case; and a silver buckle of foliate design £600­1,000

149 A silver open faced pocket watch, the white enamel dial with subsidiary seconds dial signed Kendal and Dent, damaged, an open faced Goliath silver plated cased desk watch, damaged, and a cased plated stop watch with outer 10seconds recording and subsidiary 300 seconds recording dial.

£200­300

150 A group of watches and accessories, comprising: a Movado travel watch, gold chain and silver toothpick, the watch within a sliding rectangular case in white base metal with an engraved exterior, signed Movado, length 7.3cm when opened, to a white gold watch chain, length 38.5cm, stamped 750, gross weight 17.9 grams; and a silver toothpick, British hallmarks; two open­faced silver pocket watches, one by IWC Schaffhausen, largest 7.6cm, a gilt silver ‘Must de Cartier’ watch on a leather strap, case width 2.3cm, numbered 6 073002, Swiss assay marks for silver, quartz movement, Cartier case and papers; and a stainless steel watch with an expanding bracelet imitating malachite

£150­250

151 A collection of four pocket watches, comprising: an 18ct gold open­faced pocket watch of foliate design with a subsidiary seconds dial, length 5.8cm including suspension hoop, British hallmarks for 18ct gold, date letter for 1855; a smaller fob watch cased in gun metal, length 3.1cm; a gilt pendant watch with domed crystals to the front and back, suspended from a chain, length 8.4cm including chain, case; and an open­faced gun metal pocket watch on a chain with a belt clip, watch 4.3cm diameter

£100­150

152 A 9ct gold 1/2 hunting cased pocket watch, 4.4cm wide, and a damaged half hunting cased pocket watch with a 9ct gold fancy link watch chain, 17grams, 37cm, and a fob seal.

£300­500

153 An 18ct gold open faced key wind pocket watch by Lusman of Wolverhampton, white enamel dial with subsidiary seconds dial, movement signed and numbered 66074, case marked Chester 1873, 5cm wide. £500­700

154 An 18ct gold key wind pocket watch chronograph by T.R. Russell, white enamel dial with black Roman numerals and signed 18 Church Street, Liverpool, slide action for sweep hand chronograph, 3/4 plate movement signed and numbered 86041 and royal crowns for maker to the Admiralty and the Queen, case initials TRR and Chester marks for 1886, inner case engraved with inscription dated 1888, with key, 5cm wide.

£1,000­1,500

155 Robert Melly, a gold hunter pocket watch, Geneva, 19th century, with a white enamelled face with baton indicators and subsidiary seconds dial, cased in gold, on a later gilt metal bar brooch, watch length 5.6cm including suspension hoop, signed Robert Melly, stamped 18K, numbered 1487 £400­600

156 An 18ct gold hunting cased pocket watch signed Rolex with Dennison case, subsidiary seconds dial, case marked for Birmingham 1922, 4.8cm wide, with an 18ct gold watch chain with T­bar, 41grams, length 44cm, and an amethyst mounted gold fob seal

£1,500­2,000

157 Longines, a gentleman’s gold watch, mid 20th century, silvered dial, gold baton indicators and hands, subsidiary seconds dial, plain bezel, to a later 9ct gold bracelet with deployant clasp, case width 3.2cm, case back interior with British hallmarks for 9ct gold, sponsor’s mark DS&S, date letter for 1956, signed Baume, numbered 3124, manual winding movement signed Longines, numbered 10115556

£400­600

158 Bulova, a gentleman’s 9ct gold wristwatch, ‘Accutron’, circa 1959, brushed gold dial with baton indicators and date wheel aperture, to a plain gold bezel and integrated bracelet, case width 3.3cm, numbered 3-211847, electronic movement, bracelet with British import hallmarks for 9ct gold, date letter for 1959, gross weight 68 grams

£600­800

159 Clarté, an Art Deco lacquer and silver travel clock, 1920s, the silvered dial with Arabic numeral indicators and blue steel hands, within a rectangular base metal case applied with black lacquer, with a hinged lid opening to reveal a winder, measuring 4.6 x 3.5 x 0.9cm, British import hallmarks for silver, manual winding movement, numbered 598

160 No lot

£200­250

161 A ladies Art Deco diamond wristwatch, the plain dial with Arabic numerals and diamond­set case, manual winding, on platinum mesh band, case width 14mm, adjustable length, case

£300­400

162 Longines, a lady’s white gold and diamond wristwatch, mid 20th century, the square silvered dial with baton indicators, within a border of circular­cut diamonds, to an integrated mesh link bracelet in white gold, case width 1.6cm, manual winding movement, case back interior numbered 12884409, numbered 1398, assay marks, stamped 18K and 750

£800­1,200

163 A lady’s diamond cocktail watch, mid 20th century, silvered dial, Arabic and baton indicators, within a brilliant­cut diamond border, to a chain link mesh bracelet, length 17.5cm, mechanical movement, case back with initials, stamped 750

£300­500

164 Two Victorian gold stickpins, comprising a carved banded agate scallop­shell stickpin set with a diamond in yellow gold, 7.3cm, case, with a Victorian seed pearl and enamel lozenge­shaped stickpin, with registry mark for 1858, 7.2cm

£150­250

165 A ruby­set gold stickpin, designed as a skull in yellow gold, 6.3cm, case £100­150

166 Five small hardstone cameos, depicting assorted profiles, two intaglios depicting Britannia and a bearded philosopher, two green stone scaraboids with stylised hydrolyphs, and a larger hardstone cameo depicting a woman’s profile, 5.2cm high.

£200­300

167 A 19th century lava cameo, depicting Medusa, 5.4cm high, A 19th century chalcedony cameo depicting the profile of a Greek woman with hair tied and wearing girandole earrings, 3m high, and a 19th century carnelian intaglio depicting a standing woman holding a birds nest next to an urn and plynth, a trophy of war behind, 2.8cm high.

£200­300

168 An ancient bronze seal ring, depicting the profile of a man’s head with a star, possibly hellenistic 2nd century BC. size O, the ring head 1.5cm.

£100­150

169 A small carnelian cameo depicting a dolphin, probably Roman, 1.8cm wide. And a Persian intaglio with Islamic writing and stars within a border, 1.7cm wide.

£100­150

170 Probably a Plantagenet shield shaped bronze seal bearing the royal arms, probably for Henry IV (1399­1413) or Edward IV (1461­1483), mounted in a lead surround, probably used as a weight, 6cm high

£400­600

171 A shell cameo depicting Pan attacking a centaur carrying a maiden, 19th century, 3.2cm wide.

£300­400 167

172 A collection of intaglio seal jewels, 19th century and 20th century, comprising: a carnelian intaglio depicting a coat of arms with a lion passant with a lion passant crest, mounted in 9ct gold, size R½, British hallmarks; a bloodstone signet ring in 18ct gold and an agate fob seal mounted in gold, with a crest and coat of arms respectively, each with the Clark family motto ‘Free For a Blast’, ring size J½, British hallmarks; seal height 3.4cm; and a watch key set with a citrine engraved with the crest of a hippocamp within a garter border reading ‘Possunt qui Posse Videntur’ for the But or Butts family, mounted in gold, length 2.8cm

£200­300

173 A gold swivel ring set with a lapis lazuli scarab, size R, with a gold ring set with a carnelian intaglio engraved with a bust in profile, size R

174 An agate cameo, depicting a woman in profile, length 3.2cm

£400­600

£150­250 TO BE SOLD WITHOUT RESERVE

175 Luigi Saulini (1819­1883), a fine Victorian conch shell cameo pendant, mid 19th century, carved with a portrait of a bearded man in profile, to a plain gold mount with a pendant bail, length 7.7cm, cameo signed L. Saulini F. £300­400

176 A hardstone cameo brooch, early 19th century, set with an agate cameo depicting a classical woman in profile, mounted in gold, measuring 2.9 x 2.4cm

300

177 Two gem­set rings, early 19th century, and a ‘Stuart crystal’ clasp, late 17th century, comprising: a ring set with a flat oval garnet in a closed­back setting, between shoulders set with rose­cut diamonds, mounted in gold, size L½; a cluster ring set with rose­cut diamonds, mounted in gold, size M; and a rock crystal clasp enclosing a gold wire monogram on a ground of woven hairwork, length 1.5cm

£600­800

178 A collection of gold jewels, late 19th century, comprising: a gold brooch/pendant in the archeaological revival style, designed as an oil lamp decorated with a scarab and ropetwist scrollwork, the reverse with a glazed panel for hairwork, length 3.1cm, later brooch fitting, fitted case stamped Goldsmiths & Silversmiths Company; an oval brooch centring on a glass and pietra dura panel of geometric design, in a gold mount applied with a Greek key border in gold ropework, length 2.7cm; and a gold lozenge­shaped pendant of openwork design suspending pearl pendants, to a later 9ct gold chain, pendant length 5.3cm, stamped 9CT, pearls untested, necklace length 45cm, British hallmarks

£200­300

179 A group of early 19th century hardstone jewellery, comprising two hardstone mounted gold brooches and two hardstone mounted gold bracelets

£2,500­2,700

180 A pearl and lapis lazuli brooch, mid 19th century, in the Archaeological Revival style, of rectangular outline, composed of floral panels set with lapis lazuli beads and pearls in alternation, mounted in gold with a rope twist and beaded border, length 4.6cm, pearls untested, case

£200­300

181 A turquoise, pearl and diamond pendant/brooch, France, late 19th century, designed as a ribbon bow suspending a foliate pendant, channel­set with two lines of sugarloaf turquoise cabochons, rose­cut diamonds and pearls, mounted in silver and gold, length 7.4cm, French assay mark for 18ct gold, bow surmount detachable, pearls untested

£400­600

182 A pair of garnet and diamond girondole earrings, each set with a cabochon garnet suspending diamond­set swags and three further garnet drops, set in silver on gold, length 5.2cm

£900­1,300

183 A mid 19th century garnet­set bracelet, designed as a stylised coronet set with garnet cabochons and engraved foliate decoration in silver gilt, maker’s lozenge SH, length 18.5cm

£300­500

184 A diamond­set gold jaguar pendant, of stylised design, the panther hanging from a hoop in its mouth, set with black and colourless diamonds and emerald eyes in white gold, pendant length 4.5cm, chain length 45cm

£300­400

185 A diamond­set gold jaguar pendant, pavé­set with circular­cut diamonds and black diamonds, gripping the pendant bail in its mouth, mounted in rose gold, pendant length 5.7cm, necklace length 45cm, stamped 14K

£300­400

186 A diamond­set hare brooch, pavé­set with rose­cut diamonds and ruby eyes in silver and gold, length 4.1cm

£300­400

187 A diamond­set crocodile brooch, pavé­set with rose­cut diamonds and ruby eyes in silver and gold, length 4.5cm

£300­500

188 A ruby and diamond­set lizard brooch, pavé­set with rubies and diamonds in silver and gold, length 5.7cm £400­600

189 A gold horse charm, set with circular and baguette­shaped diamonds in yellow gold, length 1.5cm £250­350

£400­600

190 A sapphire and cultured seed pearl necklace, the clasp set with a central oval sapphire within a surround of cultured seed pearls, flanked with clusters of three sapphires on a four row necklace, length 35cm

191 A pink tourmaline pendant necklace, set with a step­cut pink tourmaline weighing approximately 17.00 carats, within a frame of gold, to a curb chain necklace, pendant length 4.9cm, chain length 49cm

£600­800

192 A pearl and enamel necklace, composed of pearls, spaced by twisted links applied with green enamel, mounted in gold, length 42.5cm, pearls untested

£600­800

193 A diamond­set white gold collar necklace, set with circularcut diamonds in flexible white gold setting, stamped 750, length 34.5 longest

£500­700

194 A sapphire and diamond bracelet, centring on a sapphire and diamond cluster within bifurcated sapphire and diamond shoulders on textured link white gold bracelet, stamped 750, length 18.2cm

£1,000­2,000

195 An Art deco diamond bracelet (converted from a wristwatch), set with a central synthetic yellow stone within diamond surround on cord band, length 16cm

£800­1,200 193

196 An ivory portrait miniature pendant, late 19th century, of oval outline, set with a painted ivory miniature of a gentleman, the reverse with an escutcheon bearing the initial B, between feather motifs of hairwork, set with simulant seed pearls, on an opaline guilloché enamel background, mounted in gold, length 11.2cm

£300­500

197 An enamel locket, possibly Switzerland, late 19th century, centring on an oval painted enamel portrait of a lady, within an enamelled laurel wreath border, surmounted by a bow, the reverse with two glazed locket compartments, dated August 3rd 1874, mounted in gold, length 6.2cm

£200­300

Φ 198 Alan Martin Gard, a gold and sodalite pendant, circa 1972, designed as a medallion of polished sodalite within a twisted 9ct gold border, length 6.3cm, British hallmarks, date letter r for 1972, sponsor’s mark AMG for Alan Martin Gard

£200­300

λ 199 A coral slide, designed as a section of coral carved as a stylised chrysanthemum, mounted in gold, length 6.5cm

£400­600

200 A realistically carved labradorite model of a vulture, with rhodonite head and neck with an orange stone beak, slight damage to one eye and gold talons, 8.5cm high.

£600­800

201 A diamond­set gold cross necklace, set with graduated round brilliant­cut diamonds in articulated stylised cruciform, in rose gold, length 9.6cm, on a five­strand fine­link gold chain, length 41cm

£700­900

£250­450

202 A sapphire and ruby heart necklace, set with an oval­shaped sapphire and ruby within diamond surround beneath a diamond­set bow in silver and gold, pendant length 1.5cm, chain 40cm

203 A pair of gold cufflinks, early 20th century, each end of oval design, engraved with the ostrich feathers and crown of the Prince of Wales with the motto ‘Ich Dien’ (‘I serve’) and the Order of the Garter with the motto ‘Honi Soit Qui Mal Y Pense’ (‘Shame on those who think evil of it’), enclosing the initial ‘E’, possibly for the later King Edward VII or VIII, connected by chain links, each end 1.9 x 1.5cm, stamped 18ct, fitted case with gilded Prince of Wales crest stamped Collingwood & Co.

£400­600

204 A pair of gold cufflinks, each end of dumbbell design, connected by sections of oval chain linking, length of each end 2.6cm, gross weight 7.7 grams

£300­400

£800­1,200

205 An opal pendant, 1970s, set with a freeform opal cabochon, within an abstract textured gold mount, length 6.7cm, stamped 9CT, gross weight 24.4 grams

206 Alabaster & Wilson, an enamel trout brooch, the stylised enamel trout leaping over a fishing rod in silver and 9ct gold, length 6.1cm

£100­150

207 A rock crystal, sapphire and diamond bracelet, early 20th century, composed of frosted rock crystal links centring on circular­cut diamonds and French­cut sapphires, mounted in platinum and gold, length 16cm

£400­600

208 A pair of diamond stud earrings, each designed as a cluster of pavé­set brilliant­cut diamonds, mounted in gold, length 1.5cm, post fittings, case £200­300

209 A pair of sapphire and diamond earrings, each of quatrefoil design, set with cushion­shaped sapphires and diamonds in gold claw settings, length 1.3cm each, post fittings £300­400

210 A pair of sapphire and diamond scroll earrings, set with square sapphires and circular­cut diamonds in white gold scroll settings, screw fittings, length 2.2cm £300­400

211 A diamond three stone ring, set with three graduated old circular­cut diamonds in platinum and gold, size P £200­300

212 A black enamel and diamond dress ring, of bombé design, set with a cluster of baguette­shaped diamonds in 18ct white gold, total diamond weight 0.53cts, size H £300­500

213 A star sapphire and diamond ring, of wishbone design, set with a cabochon star sapphire, to a band pavé­set with brilliant­cut diamonds, mounted in gold, size J £200­300

214 A star ruby and diamond ring, of wishbone design, set with a cabochon star ruby, to a band pavé­set with brilliant­cut diamonds, mounted in gold, size J £200­300

215 A kyanite, sapphire and diamond ring, claw­set with an oval kyanite weighing 10.70 carats, to a silver mount set with multicoloured sapphires and circular­cut diamonds, size N½, stamped 925 £300­500

216 A pair of enamel and diamond flower earrings, set with a central diamond within pink enamel leaves and cultured pearls in yellow gold, stamped 750, post and clip fittings, length 18mm £400­600

217 A gem­set, enamel and diamond ring, centring on a cabochon ruby, within a border of single­cut diamonds, within an openwork mount set with a cabochon ruby, two circular­cut emeralds and geometric motifs set with multicoloured enamel, to a similar gold band, size K½ £300­400

218 A gold and diamond ring, centring on a square panel set with diamonds within a polished gold surround, on a fancy­link gold band, size G½ £200­400

219 A diamond fringe necklace, of floral design set with graduated circular and pear­shaped diamonds in white gold, centring on a larger flower suspening five articulated diamonds in 18ct white gold, total approximate diamond weight 11.00cts, length 34cm

£4,500­5,500

220 A citrine ring, early 20th century, claw­set with a large oval citrine, mounted in gold, size R, stamped 9ct

£200­300

221 A synthetic ruby and diamond three stone ring, the circular­cut synthetic ruby flanked with circular­cut diamonds in yellow gold, size N

£200­300

222 A diamond eternity ring, set with a continuous band of brilliant­cut diamonds, mounted in platinum, size J, one diamond deficient

£600­800

£200­300

223 A ruby eternity ring, mid 20th century, channel­set with a continuous band of calibrécut rubies, in white gold, size O

224 A diamond solitaire ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 0.35 carats, mounted in gold, size J½

£200­300

225 Hooper Bolton, an amethyst, emerald and diamond ring, circa 1968, set with a pearshaped amethyst, within a mount of textured 18ct gold set with circular­cut emeralds and brilliant­cut diamonds, size H (sizing band), British hallmarks

£600­800

226 A pair of multigem­set gold earrings, of stylised flowerhead design set with rhodochrosite, amethysts and tsavoriate garnets in white gold, clip fittings, length 3cm

£600­800

£550­750

227 A ruby and diamond cluster ring, the oval ruby set within a surround of graduated circular­cut diamonds in fluted yellow gold shank, size N

228 A diamond solitaire ring, the old circular­cut diamond weighing approximately 3.90cts, claw­set in white gold, size L £10,000­12,000

229 A ruby and diamond cluster ring, set with marquise­shaped rubies and graduated circular­cut diamonds in platinum, size M

£800­1,200

230 An aquamarine ring, mid 20th century, claw­set with a step­cut aquamarine weighing approximately 7.00 carats, to pierced shoulders of foliate design, mounted in gold, size O½

£150­200

231 A diamond solitaire, claw­set with a brilliant­cut diamond weighing approximately 0.40 carats, mounted in platinum, size L, partial British hallmarks

£200­300

232 A moonstone and diamond ring, claw­set with a cabochon moonstone, to an openwork band set with cushionshaped diamonds, mounted in platinum, size J £300­500

233 A diamond plaque ring, set with graduated old circular­cut diamonds and diamond shoulders in white gold, size L £800­1,200

234 A five­stone sapphire and diamond ring, claw­set with three oval sapphires and two brilliant­cut diamonds, mounted in 18ct white gold, size N½, British hallmarks

£800­1,200

235 An opal and diamond cluster ring, set with a central solid white opal within a surround of cushion­shaped diamonds in gold, size P

£400­600

236 An Art Deco ruby, sapphire and diamond ‘Day and Night’ ring, early 20th century, designed as a band of calibré­cut rubies and sapphires between hinged half­hoops of single­cut diamonds, in an engraved platinum setting, size P½ £700­900

237 A sapphire and diamond cluster ring, set with three step­cut sapphires within diamond surround, in iridium and platinum, size O £250­350

238 A diamond three stone ring, set with three graduated old­cut diamonds in 18ct yellow gold, hallmarks for 2000, size I £400­600

239 An emerald and diamond ring, early 20th century, of saddle design, set with circular­cut diamonds and calibrécut emeralds, mounted in platinum, size N½, one emerald possibly synthetic £300­400

240 An emerald and diamond cluster ring, the circular­cut diamond set within a diamond surround, with further diamond shoulders in yellow gold, size N½ £600­800

241 A sapphire and diamond cluster ring, set with graduated circular­cut sapphires and diamonds in white gold, size P £300­400

242 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.35 carats, to a bicoloured 18ct gold mount, size O, British hallmarks

£200­300

243 A sapphire and diamond cluster ring, set with an oval­shaped sapphire within a surround of diamonds in platinum and gold, size M

£500­700

244 An early 20th century sapphire and diamond ring, set with two oval sapphires within a surround of cushionshaped diamonds in platinum, size O £1,000­2,000

245 A tourmaline and diamond ring, the pink French­cut tourmaline with diamond­set shoulders to 18ct yellow gold mount, Birmingham hallmarks for 2001, size T, £300­400

246 An aquamarine and diamond ring, set with an oval aquamarine weighing approximately 2.90cts, within diamond shoulders weighing approxmateyl 0.18ct, in platinum, size O

£600­800

247 Tag Heuer, a lady’s stainless steel, mother of pearl and diamond wristwatch, ‘Aquaracer’, ref. WAF1312, the circular mother of pearl dial with brilliant­cut diamond indicators and date wheel aperture, to a white gold case and integrated bracelet, case width 3.4cm, quartz movement, signed Tag Heuer, reference number WAF1312, case number EBV0986 £200­300

248 A ruby and diamond watch, mid 20th century, of padlock design, set with circular­cut diamonds, the central panel of calibré­cut rubies opening to reveal a square silvered dial with black enamel indicators and blued steel hands, to a brick link strap, mounted in platinum and white gold, case width 2.2cm, bracelet length 17cm, manual winding movement £2,000­3,000

249 A gold pocket watch, early 20th century, white enamel dial with black Roman and Arabic numeral indicators with gold hands, the reverse with foliate embossed initials, length 4.6cm, interior signed Ch.Bourdier, numbered 7672, French assay mark for 18ct gold £300­400

250 Omega, a gentleman’s gold watch, circa 1956, the white enamelled dial engraved with a grid pattern, with Arabic numeral and baton indicators and gold hands, with a subsidiary seconds dial, to a plain 9ct gold case with dedicatory inscription dated 1921­1945, case width 3.3cm, dial and movement signed Omega, case and interior with British hallmark for 1956, interior numbered 13322 and 722369, case back interior signed Dennison £200­300

251 Breguet, a gold ‘Classique Moonphase’ wristwatch, ref. 3300, silvered guilloché dial with black Roman numerals, offset moon phases, subsidiary seconds dial, black leather strap with gold buckle, mounted in yellow gold, case width 3.3cm, signed Breguet, Swiss assay marks, movement number 779, case number 2000, manual winding movement, case

£2,000­3,000

252 De Grisogono a lady’s gold ‘Instrumentino’ dual time wristwatch, ref. 6760, the rectangular pink guilloché enamel face with dual dial, in a plain 18ct gold case, to a galuchat strap with gold clasp, case width 3cm

£2,000­3,000

253 Longines, an Art Deco stainless steel pocketwatch, 1930s, the brushed silvered dial with Arabic and baton indicators with blued steel hands and subsidiary seconds dial, within a stepped stainless steel bezel, the reverse engraved CP, length 5.3cm including suspension hoop, signed Longines, numbered 5289617 £100­150 TO BE SOLD WITHOUT RESERVE

254 A gold and diamond pocket watch, early 20th century, the circular white enamel dial with 24 hour Arabic numeral indicators, foliate blue steel hands and subsidiary dial, within a foliate gold case in the Belle Époque style, the reverse with circular­ and rose­cut diamonds, the top with a winder and suspension hoop, length 4.2cm, provincial French 1838-1919 assay marks for 18ct gold, interior numbered 50326

255 A ladies gold fobwatch, Arabic numerals on foliate engraved gold dial, stem­wind, length 4.2cm, 23g

£400­600

£200­300

256 Cartier, a gentleman’s stainless steel watch, ‘Tank Solo’, ref. 3169, rectangular signed white dial, Roman numeral indicators, secret signature at VII, synthetic sapphire winder, stainless steel case and integrated link bracelet with double deployant clasp, case width 2.6cm, signed Cartier, quartz movement, ref. 3169, case no. 771697UX

£2,200­3,000

257 An amber and garnet cigarette case, circa 1896, of rectangular outline with rounded corners in polished amber, mounted in gold, the push­piece set with a cushion­shaped garnet, opening to reveal a plain interior, measuring 7.9 x 5.1 x 1.9cm, stamped 18CT, maker’s mark HA

£300­500

Accompanied by a calling card from Lord Hylton stating that the cigarette was given to Hylton George Hylton Jolliffe, 3rd Baron Hylton (1862­1945), by his father in law Frederick Hervey, 3rd Marquess of Bristol (1834­1907) on the occasion of Lord Hylton’s marriage to his daughter Lady Alice Adeliza Hervey in 1896

258 Freidrich Köchli, A Russian gunmetal and diamond cigarette case, early 20th century, with rose­cut diamonds set in a lattice pattern, ruby thumbpiece to gold fittings, marked 56 Zolotnik and St Petersburg, maker FK, length 8.5cm £2,000­3,000

259 A pair of amethyst earrings, each composed of a cabochon amethyst suspending another from a section of chain linking, mounted in gold, length 4cm each, post fittings, converted from cufflinks

£400­600

260 A carnelian and sapphire box, 20th century, of circular form in polished carnelian, the clasp set with a cabochon sapphire, mounted in gold, measuring 5.2 x 4.8 x 2.8cm, stamped 18K

£200­300

261 A gold and carnelian fob seal, 19th century, set with a carnelian intaglio bearing a coat of arms with the motto ‘Vertié Soyet Ma Garde’ (‘Truth be my guard’), possibly that of the Brewster family, to an openwork gold mount and floral gold hoop, seal matrix 1.7 x 1.2cm, seal height 4.5cm

£600­800

262 A gold and bloodstone fob seal, circa 1911, set with a polished bloodstone intaglio inscribed ‘Che Sara Sara’ (‘what will be, will be’), to an 18ct gold mount, seal 1.9 x 1.4cm, seal height 2.9cm, British hallmarks for 18ct gold, sponsor’s mark WJH, date letter for 1911

£600­800

263 Cartier, a pair of gold cufflinks, the flat curb­link cufflinks in 18ct yellow gold, signed Cartier Paris and numbered 09797 with maker’s mark and French control marks, width 2.2cm

£800­1,200

λ 264 A gold, tortoiseshell and gem­set pen, late 19th century, the hinged nib holder fastened by a slider designed as a bee set with cushion­shaped diamonds, to a tortoiseshell handle, the end accented with cabochon rubies and capped with a banded onyx cabochon, mounted in gold engraved with floral designs, length 13.2cm, bee motif possibly later added, case

£700­900

265 A pair of gold cufflinks, with twisted baton terminals on oval­link chain, with detachable gold discs which can be attached to be worn behind the batons, 14g total

£500­700

266 A late 19th century diamond­set stickpin, in the form of a woodcock pavé­set with diamonds and a ruby eye in silver and gold, 2cm x 6.5cm, case

£500­700

267 A Victorian enamel and opal stick pin, mid 19th century, claw­set with a cabochon opal, the surround designed as a coiled snake applied with deep blue enamel, its eyes applied with red enamel, length 8.1cm

£600­800

268 A late 19th century French enamel stickpin, depicting a row boat in polychrome enamel on gold, French maker’s mark and French control marks, width 3.1cm, length 9.2cm, case with gold lettering for Au Carnaval Devenise, Paris

£1,800­2,200

269 Lacloche, a racing post stick pin, channel­set with emeralds and diamond in platinum and gold, signed Lacloche Fres Paris, with a French assay mark, 7.6cm

£500­700

270 A gold and diamond stickpin, circa 1900, designed as an amphiptere dragon, holding a circular­cut diamond in its jaw, length 6.3cm, partial, indistinct French maker’s mark

£200­300

271 An opal and diamond stickpin, early 20th century, capped with a polished opal drop, above a circular­cut diamond, mounted in gold, length 5.6cm

£200­300

272 Deakin & Francis, a pair of gold and enamel cufflinks, each designed as a skull applied with multicoloured enamel, to hinged bar fitting designed as crossed bones, in 18ct gold, skulls 1.7cm each, British hallmarks, stamped D&F for Deakin & Francis

£800­1,200

273 A pair of gold and enamel cufflinks, early 20th century, each end of oval outline, engraved with the stylised initials MWCA, within white enamel borders, connected by chain linking, each end 1.6 x 1.2cm, stamped 18CT, fitted case stamped R.Stewart

£400­600

274 A morganite, aquamarine and diamond pendant necklace, the pear­shaped aquamarine suspending a brilliantcut diamond and a pear­shaped morganite weighing 21.06 carats, mounted in gold and platinum, to a platinum chain, chain length 45.5cm, British hallmarks for platinum, pendant length 4.4cm

£2,000­3,000

275 A morganite and diamond demi­parure, comprising: a necklace, set with an oval morganite weighing approximately 26.00 carats, and brilliant­cut diamonds totalling approximately 5.30 carats, pendant length 3.8cm, stamped 750, necklace length 45.5cm, stamped 14K; and a pair of earrings, each set with a circular­cut morganite and brilliant­cut diamonds, mounted in rose gold, length 2.7cm, post fittings, fitted case

Accompanied by an appraisal document

£3,000­5,000

276 A diamond fringe necklace, set with graduated circular­cut diamonds, the front section suspending foliate drops terminating in larger circular­cut diamonds in white gold, stamped 750, length 41.5cm, 28g

£2,000­3,000

277 A multicoloured sapphire and diamond brooch, designed as a butterfly, its wings set with circular­cut and oval pink, yellow and blue sapphires, its body pavé­set with single­cut diamonds, mounted in gold, wingspan 4.6cm, stamped 9K, case

£200­300

278 A pink sapphire and diamond cluster ring, set with an oval­shaped pink sapphire within a surround of small diamonds in platinum, size L

£1,500­2,500

Accompanied by a report from GPL stating that the sapphire is from Mozambique with evidence of heat treatment observed

279 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 0.77cts, with pear­shaped diamond shoulder in yellow gold, size K

This diamond has been lasered to improve the clarity

£400­600

280 A tourmaline and diamond cluster ring, the pear­shaped tourmaline set within square­shaped diamond surround and diamond shoulders in white gold, size O

£200­300

281 A peridot and diamond ring, set with four French­cut peridots, separated with circular­cut diamonds in platinum and gold, size O

£550­750

282 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of circular and baguette­shaped diamonds in platinum and gold, engraved 3.31 to inside shank, size L

A verbal report from GPL states that the ruby is mozambique no evidence of heat treatment observed

£1,000­1,500

283 A morganite and diamond ring, of cluster design, set with a circular­cut morganite, to a border and shoulders set with brilliant­cut diamonds, mounted in rose gold, size N½

£600­800

284 An aquamarine and diamond necklace, the pear­shaped aquamarine weighing approximately 4.00cts, within diamond surround and two further graduated circular­cut diamonds, total approximate diamond weight 1.60cts, in platinum and gold, pendant length 3cm, chain length 40cm

£1,600­1,800

285 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing 0.62 carats, to a plain platinum band, size M½, British hallmarks, case stamped Burrells

£1,000­2,000

Accompanied by GIA report no. 16024762, dated July 2nd 2007, stating that the diamond is D colour, IF clarity, no fluorescence

286 An opal, emerald and diamond brooch/pendant, designed as a butterfly, set with oval and circular­cut emeralds totalling 4.21 carats, and cabochon opals, its body and wings pavé­set with circular­cut diamonds totalling 5.87 carats, its eyes set with circular­cut rubies, mounted in silver, wingspan 6.5cm, stamped 925 £800­1,200

287 A ruby solitaire ring, set with a step­cut ruby within plain platinum mount, size H £600­800

288 A diamond ring, designed as a gently curving band pavé­set with brilliant­cut diamonds, with two claws vertically gripping a brilliant­cut diamond weighing approximately 0.66 carats, mounted in gold and platinum, size O, stamped 750/PT950 0.66HSI £600­800

289 A diamond­set gold butterfly brooch, of stylised design pierced and set with circular­cut diamonds in white gold, stamped 18K, width 6.2cm £400­600

290 A diamond half hoop ring, set with graduated circular­cut diamonds in foliate design, set in white gold, size K ½ £400­600

291 A diamond ring, set with three rows of circular­cut and brilliant­cut diamonds totalling approximately 1.60 carats, mounted in white gold and platinum, size M, stamped 18CT PLAT £300­500

292 An emerald and diamond ring, claw­set with a step­cut emerald weighing 6.51 carats, within a double border of brilliant­cut diamonds, mounted in gold, size N, stamped 14K, case

£600­800

Accompanied by GIA report no. 2201975768, stating that the emerald is natural, with indications of moderate clarity enhancement, together with an appraisal document

293 A diamond necklace, of negligée design, composed of navette­shaped links set with marquise­shaped and brilliant­cut diamonds, suspending two asymmetrical pendants culminating in pear­shaped and brilliant­cut diamond drops, mounted in white gold, length 43cm, pendant length 9cm, case

£1,500­2,000

294 A diamond strap bracelet, set with round brilliant­cut diamonds in white gold, stamped 14KT, length 18.4cm

£2,500­3,000

295 A green diamond and diamond ring, designed as a flower, centring on a brilliant­cut diamond of green tint weighing approximately 0.30 carats, among petals pavé­set with brilliant­cut diamonds, mounted in gold, size Q, green diamond not tested for natural colour origin £400­600

296 A diamond eternity ring, designed as a continuous band of marquise­shaped and baguette diamonds, set in alternation, mounted in white gold, size P½, stamped 750

£800­1,200

297 A diamond pendant, designed as a cross, set with brilliant­cut diamonds, mounted in platinum, length 4.1cm including bail £600­800

298 A sapphire and diamond ring, set with a cushion­shaped sapphire weighing approximately 9.00 carats, between brilliant­cut diamonds, to shoulders of coiled wire, mounted in silver, size O

£1,500­2,000

299 A pair of ruby and diamond earrings, each of pendent design, set with circular­cut and pear­shaped diamonds, suspending a hexagonal pendant set with circular­cut diamonds and calibré­cut synthetic rubies, mounted in white gold, length 3.6cm each, post fittings

300 A diamond cluster ring, set with graduated circular­cut diamonds in platinum, size I

£800­1,200

£300­400

301 A diamond ring, of crossover design, set with brilliant­cut and baguette diamonds totalling approximately 1.25 carats, mounted in white gold, size M

£300­400 TO BE SOLD WITHOUT RESERVE

302 A diamond cluster ring, set with a central round brilliant­cut diamond within a surround of smaller diamonds and diamond shoulders in white gold, size K

£600­800

303 A pair of diamond­set heart earrings, pavé­set with round brilliant­cut diamonds in white gold, length 11mm, clip fittings

£400­600

304 A diamond brooch, of Edwardian inspiration, designed as one openwork ribbon bow suspending a smaller detachable ribbon bow pendant, set with brilliant­cut diamonds, length 3.1cm, stamped 18K

£200­300

305 Stephen Webster, a gem­set gold pendant, the pear­shaped citrine on mother of pearl ground, within a surround of diamonds in yellow gold, maker’s mark and numbered 14799, London hallmarks for 18ct gold, 2007, length 6.5cm

£600­800

306 An onyx and diamond jabot pin, early 20th century, designed as a flower with a curving stem, set with cushionshaped and rose­cut diamonds and cabochon and calibré­cut onyx, mounted in gold, length 5.5cm, fitted case £200­300

307 A gold, turquoise and diamond brooch, mid 19th century, designed as two domes of pavé­set turquoise cabochons, each centring on a circular­cut diamond, wrapped in twists of gold chain linking, suspending four gold chain tassels and pavé­set turquoise cabochon beads, length 6.8cm £600­800

308 A pietra dura and gold brooch, late 19th century, composed of an oval panel inlaid with shell and hardstone with a design of flowers, within a gold frame applied with wirework, within a twisted border, length 6.1cm, fitted case stamped J&W Marshall £800­1,200

309 A rare enamel and silver suffragette ‘Holloway Prison’ brooch, circa 1909, designed as the portcullis gate of the House of Commons, set to the centre with a broad arrow symbol applied with enamel in the suffragette colours of purple, white and green, the corners of the portcullis each suspending a length of chain, length 2.7cm, signed Toye & Co. London £1,000­1,500

Designed by Sylvia Pankhurst, this brooch was awarded to suffragettes who had been imprisoned for their protests in Holloway Prison, presented to them upon their release. The subversive design combined the iconography of prisoner’s uniforms with the suffragette colours, making it a potent symbol of the struggle for women’s suffrage, described by the WSPU newspaper Votes for Women in April 1909 as ‘The Victoria Cross of the Union’.

310 A late Victorian gold and turquoise locket pendant, late 19th century, designed as a heart­shaped padlock, with stamped scrollwork in the Rococo style, set with three turquoise cabochons, the reverse with a glazed compartment, mounted in gold, length 3.2cm £200­300

311 A sapphire and diamond pendant, set with a circular­cut sapphire weighing approximately 2.50 carats, and three brilliant­cut diamonds, mounted in platinum, to a fine faceted link platinum chain, pendant length 2cm, chain length 42cm, chain and pendant with British hallmarks

£3,000­4,000

312 An attractive Victorian turquoise and diamond brooch/pendant, late 19th century, designed as a wild rose set with circular­cut diamonds, its petals set with heart­shaped cabochons of polished turquoise, mounted in silver and gold, length 2.7cm, detachable brooch fittings

£800­1,200

313 A pearl and diamond clip brooch, early 20th century, of foliate scroll design, set with cushion­shaped diamonds and pearls, mounted in silver and white gold, length 2.8cm, pearls untested £400­600

314 A rose­cut diamond bracelet, set with graduated rose­cut diamonds in silver collets and a gold bracelet, length 18cm £600­800

315 A Victorian sapphire and diamond bracelet, late 19th century, the centre of cluster design, set with an oval sapphire weighing approximately 1.10 carats, within a border of cushion­shaped diamonds, to a fancy link gold bracelet, length 17.5cm £800­1,200

Accompanied by report no. 24463 from the Gem & Pearl Laboratory, dated 5th April 2024, stating that the Sapphire measuring 8.1x5.3x3.5mm is of Basaltic origin, with no indications of heat treatment.

316 A pair of amethyst and diamond drop earrings, of Art Nouveau inspiration, millegrain­set with graduated circular­cut diamonds suspending amethyst cabochons in platinum and gold, post fittings, length 3.4cm £800­1,200

317 A Victorian gold and turquoise buckle, with foliate decoration and turquoise cabochons in yellow gold, length 5.2cm £200­300

318 An aquamarine and paste ring, early 20th century, of cluster design, set with a tapering cushion­shaped aquamarine within a border of circular­cut pastes, mounted in silver, size M £300­400

319 An early 20th century diamond cluster ring, set with a central old circular­cut diamond within diamond surround in pierced platinum mount, size M

£700­900

320 Alabaster & Wilson, a sapphire and diamond cluster ring, the step­cut sapphire set within a surround of diamonds in platinum, size K

£500­700

321 An amethyst and diamond ring, the oval amethyst set within diamond shoulders in platinum and palladium, size M £250­350

322 A sapphire and diamond cluster ring, set with an oval­shaped sapphire within a surround of diamonds in platinum and 18ct yellow gold, size O

£500­700

323 A ruby and diamond cluster ring, the cushion­shaped ruby set within a surround of single­cut diamonds in white gold, size J £1,500­2,000

324 A diamond ring, 1920s, of navette­shaped outline, set with circular­ and rose­cut diamonds, mounted in white gold and platinum, size P½

£600­800

325 An aquamarine and diamond pendant, early 20th century, designed as a lozenge of knife wire construction, claw­set with oval aquamarines and circular­cut diamonds, suspending a pear­shaped aquamarine pendant, mounted in gold, length 7.4cm

£1,000­1,500

326 A pair of enamel, pearl and diamond earrings, early 20th century and later, each of navette­shaped outline, each applied with green guilloché and white enamel, centred on a half pearl within a heart­shaped border of rose­cut diamonds, to an outer border of seed pearls, mounted in gold, length 2.5cm each, later screw fittings

£800­1,200

327 An Edwardian seed pearl and turquoise necklace, early 20th century, the front of festoon design, composed of flowers and foliate pendants set with turquoise cabochons and seed pearls, to a back chain of disc­shaped links, mounted in gold, length 41.5cm, length at front 2.9cm, stamped 15ct, fitted case stamped Jay’s, Oxford Street

£400­600

328 A sapphire and diamond flower pendant, set with graduated oval sapphires and a central diamond in yellow gold, total length 2.2cm

£200­300

329 An amethyst, ruby and seed pearl brooch, designed as a bee, set with a pear­shaped and circular­cut amethyst, its eyes set with circular­cut rubies, its eyes set with seed pearls, mounted in 9ct gold, wingspan 2.8cm, British hallmarks for 9ct gold, date letter N for 1987

£150­200

330 A diamond ring, early 20th century, of cluster design, set with a circular­cut diamond weighing approximately 0.50 carats, within a border of single­cut diamonds, size K½, stamped 18ct PLAT

£800­1,200

331 A tourmaline, enamel and diamond bar brooch, designed as a line of three circular­cut green tourmalines, within scrolled borders applied with white enamel and set with circular­cut diamonds, each end terminating in a hoop, length 6.6cm, case

£600­800

332 A mid 19th century reverse carved crystal pendant, in the shape of a heart and depicting white heather, in closed back yellow gold setting, stamped 18, length 2cm total £300­400

333 A Victorian amethyst, pearl and ruby brooch, mid 19th century, set with an oval amethyst within a border of half pearls and cushion­shaped rubies, mounted in gilt metal, length 3.8cm, pearls untested

£400­600

334 A Victorian ruby and diamond brooch, late 19th century, designed as two interlocking hearts, each enclosing a pendant, set with circular­cut and cushion­shaped rubies and diamonds, mounted in gold, length 3.5cm

£1,200­1,800

Accompanied by report no. 24332 from the Gem & Pearl Laboratory, dated March 2024, stating that samples of the rubies are of Burmese (Myanmar) origin, with no indications of heat treatment

335 A late Victorian pearl ruby and seed pearl brooch, circa 1900, designed as a crescent moon, set with circularcut rubies and half seed pearls, mounted in gold, length 2.4cm, pearls untested

£500­600

336 A citrine, emerald, pearl and diamond pendant, France, late 19th century, designed as an oval citrine within a border of rose­cut diamonds and outer edge of pearls, accented to the top and base with calibré­cut emeralds, to a bail set with rose­cut diamonds and a pearl, to a later gold snake link chain necklace, chain length 42.5cm, pendant length 5.2cm, pendant with French assay mark for 18ct gold, pearls untested

£2,000­3,000

337 A garnet and diamond ring, early 19th century and later, set with a large cabochon garnet, within a border of cushion­shaped diamonds, mounted in silver and gold, size L½, later converted to a ring

£800­1,200

338 A three­stone diamond ring, claw­set with three brilliant­cut diamonds totalling approximately 0.35 carats, mounted in 18ct gold, size M½, British hallmarks

339 A Victorian diamond cluster ring, set with seven old cushion­shaped diamond in yellow gold, size M

£150­200

£600­800

340 An unusual ruby, sapphire and diamond jubilee ring, late 19th century, possibly intended to celebrate Queen Victoria's 50th jubilee in 1887, set with three bands of cushion­shaped rubies and sapphires and circular­cut diamonds, mounted in gold, size N½, stamped 18CT

£3,500­4,500

341 A three­stone diamond ring, late 19th century, claw­set with three circular­cut diamonds totalling approximately 1.60 carats, mounted in gold, size I

£1,700­1,900

342 A gem­set gold flower study, the stylised chrysanthemum set with spinel petals and a central cultured pearl on polished gold­stem with leaves pavé­set with chrome diopside, removable from a rock crystal vase, total weight of spinels approximately 6.50cts, chrome diopsides approximately 9.00cts, 91.4g of gold, height 22cm £8,000­12,000

LOTS 343-352

THE ESTATE OF THE LATE LADY KATHERINE LAMBART

λ 343 A Georgian ivory miniature mourning brooch, circa 1820, set with an ivory miniature depicting King George III, within a border of black enamel, mounted in gold, the reverse inscribed ‘George III Obt. 29th Jan 1920 Aet. 81’, length 2.9cm £400­600

344 An early 19th Century 18ct gold open faced key wind pocket watch by R & H Molyneux London, signed white enamel dial with subsidiary seconds dial, the inner plate signed and numbered 2015 and 30 Southampton Row, back case marked for London 1836 and makers initials L C, 5.3cm wide

£1,000­1,500

345 A large early 19th century gold key wind open faced quarter repeating pocket watch by Frederick Fatton, London, the silvered dial with subsidiary seconds dial at 3 o’clock, cylinder escapement with signed inner plate engraved Eleve de Brequet, London No 142, the back cover with French makers lozenge FM between four pellets and numbered 2039, plunge action striking on two gongs, 5.5cm wide

£1,500­2,000

Fredrick Louise Fatton first worked for Abraham Louis Brequet in Russia between 1801­1807. By 1814 he was Brequets independent agent in London, and was one of several men who signed their work Eleve de Brequet

346 A rare gold and hairwork bracelet, mid 19th century, composed of gold panel links decorated with Rococo scrollwork, each set with a glazed panel containing a lock of hair, the reverse engraved with a baronial coronet above the letter D and the names of five children and their dates of birth, length 19.8cm, gross weight 82 grams

£1,500­2,000

Provenance: Henry Cholmondeley, 1st Baron Delamere, (1767­1855), MP for Cheshire, of Vale Royal Abbey in Whitegate, thence by descent within the family

347 A Swiss 19th century decorative gold key wind pocket watch with quarter repetition by Vacheron, the silvered off­centred dial with subsidiary seconds dial, date apeture, and intricate and scalloped enamel plume and floral decoration, plunge action repetition repeating on two gongs, signed plate, 4.2cm wide

£1,500­2,000

λ 348 Circle of John Miers (1756­1821), a superb ivory mourning locket pendant, late 18th century, of oval outline, set with a section of ivory painted in sepia and accented with hairwork, gold wire and seed pearls, depicting a grieving mother witnessing two of her children’s souls breaking free from its memorial, guided towards heaven by angels, mounted in gold with a white enamel border, the reverse with a lock of hair and marked twice with the initial K beneath a viscount’s coronet, also appearing on the child’s memorial, length 9cm including suspension hoop, original red leather case with maker’s stamp for Miers ‘Profile Painter and Jeweller, No.111 Strand, Miniatures Set and Framed, Hair-work &c executed peculiarly Neat’

£400­600

A handwritten label on the case reading ‘Sophia d of 7th Earl by 1st wife, died as child’ identifies the subject as Lady Sophia Augusta Lambart (1787­1798), daughter of the 7th Earl of Cavan and his first wife Honora. However, the inclusion of the two monograms of K beneath a viscount’s coronet could possibly instead refer to Sophia’s two brothers, both named Richard (1883­85 and 1788­88 respectively) who also died in infancy, each in turn holding the Earl’s courtesy title, Viscount Kilcoursie.

349 A Papal sapphire, gold and enamel ring, early 19th century, designed as a cushion­shaped sapphire in a gold collet of scrolled design, the reverse of the setting engraved with a papal tiara and enamelled with the coat of arms of Pope Pius VII (1742­1823), to a gold band, size S½, case with ‘Ecclesiastial Art Exhibition’ sticker, numbered 83 £2,000­3,000

Provenance:

By repute, owned by Pope Pius VII (1742­1823), gifted to Napoleon Bonaparte while Pius VII was held at Fontainebleau, and later in the possession of the Borghese family.

Purchased from Giorgio Sangiorgi in Rome by the Countess of Cavan circa 1893/4

Thence by descent

Accompanied by a handwritten receipt from G.Sangiorgi, Rome, a handwritten letter detailing the ring’s history, a handwritten card bequeathing it ‘to my son Edward if he is a faithful priest to his faith in Jesus Christ’, dated 1893, and a further handwritten letter explaining the iconography of Pius VII’s coat of arms.

350 A labradorite and agate stickpin, 19th century, designed as a monkey’s head in carved labradorite, its eyes set with banded agate cabochons, its teeth in carved chalcedony, mounted in gold, length 8.3cm

£200­300

351 A William IV peridot and enamel mourning ring, circa 1837, set with a rectangular cabochon peridot, within an 18ct gold mount, the band inscribed with cartouches reading ‘In Memory Of’, the reverse inscribed ‘Richard 7th Earl of Cavan Ob 24 ov 1837 Aet 74’, size O½, British hallmarks for 18ct gold, date letter for 1837

£200­300

352 A Georgian enamel, hairwork and seed pearl mourning ring, circa 1803, centring on a navette­shaped glazed panel of hairwork within a sinuous border applied with black enamel outlined in seed pearls, to a band similarly applied with black enamel with foliate scroll motifs in reserve at each shoulder, mounted in gold, the interior with the inscription ‘D..., Lady Sykes, died 27 July 1803 Aged 55’, possibly for Elizabeth Egerton, Lady Sykes (1748­1803), size O½

£200­300

353 Thomas Wordley Ltd, a gentleman's 18ct gold half hunter pocket watch, C1905, signed white dial with Roman numerals, blued steel hands, outer minute marker and subsidiary seconds dial, signed movement, stem wind, casemaker JR and Birmingham hallmarks for 1905, engraved with inscription to interior: 'Presented to the Revd C.S.Ward by the Parishioners of Wootton St Lawrence Nov 1907' and engraved to the inside case ' To his Grandson Rex Whistler' 'To his brother Laurence Whistler', outer case engraved with initials CSW, width 5cm, on a metal chain £1,000­2,000

Provenance:

Reverend Charles Slegg Ward, given to his grandson, Rex Whistler, given to his brother, Laurence Whistler, and thence by direct descent to the current owners. The Reverend Charles Slegg Ward (1840 ­ 1913), vicar of Wootton St Lawrence, near Basingstoke for 30 years, was presented with the watch by his grateful parishioners when he retired in 1907. His wife, Jessy Storr, was the granddaughter of the silversmith, Paul Storr. Their daughter, Helen, married a local builder and estate agent, Harry Whistler, and together they had four children, Jessy, Denis (who died young) Rex and Laurence.

Rex Whistler (1905 ­ 1944) was a precocious draftsman who trained at The Slade, well­known for his murals and society portraits, he was a diverse and popular artist of the interwar years in England, creating theatre designs, illustrations and comic advertisements playing on his wit and humour. His patrons included Edith Sitwell, Cecil Beaton and Edwina Mountbatten. He designed entire rooms full of murals as well as creating architectural improvements and book illustrations. He was killed on the battlefield in Normandy on his first day in action in 1944. The Times received more letters about Rex than about any other victim of that War.

Laurence Whistler (1912 ­ 2000) was devoted to Rex, who taught him much about drawing and architecture. They shared a passion for neo­classical buildings. Having intended to be an architect, Laurence became instead a celebrated glass­engraver, architectural historian, biographer, poet and designer. He was knighted for services to the Arts shortly before his death.

Salisbury played a special part in both Rex and Laurence’s lives. Before the war, Rex took lease of the Walton Canonry in the Cathedral Close as a peaceful home for his elderly parents, hoping to join them in a few years. From there, Laurence married the actress, Jill Furse, in the Cathedral just after war was declared in 1939. Salisbury Cathedral’s spire appears in a number of Laurence’s engraved works, including the glass prism in the Cathedral that acknowledges his lifelong debt to his much­loved elder brother.

Salisbury Museum is currently hosting the exhibition: Rex Whistler: The Artist and His Patrons (27th May ­ 29th September 2024) and this watch will be included in the exhibition until 5th July 2024.

END OF DAY ONE

Background image: ‘Ulysees’ Farewell to Penelope’, 1932­33, oil on canvas. Rex Whistler. On loan to Salisbury Museum from a Private Collection.

DAY TWO

THURSDAY 11TH JULY 2024 AT 10.00AM

354 Séverin Ronga (1857­1931), an Art Nouveau gold, sapphire and diamond pendant/brooch, circa 1900, of triangular outline, composed of three stylised floral sprays, the centre set with circular­cut diamonds and an oval sapphire, suspending a pear­shaped rosecut diamond pendant, to a chain necklace, mounted in gold and silver, pendant 5.0 x 4.6cm, signed Ronga, French assay and partial maker’s mark, chain length 42cm, unsigned, French assay mark for gold

£2,000­3,000

355 An Art Nouveau pearl, enamel and diamond brooch, circa 1905, designed as a hemlock flower in gold and pearls, its leaves of green plique à jour enamel, between foliate scrolls set with rose­cut diamonds, mounted in gold and platinum, length 3.9cm, French assay marks for gold, maker’s mark HM with jug, MD mark for mixed metals, brooch fitting deficient, pearls untested, fitted case embossed with the initials SD, stamped Maison Robert-Degeresme - J. Lanier-Robert

£1,500­2,000

356 A Victorian amethyst, diamond and pearl pendant, late 19th century, of heart­shaped outline, set with a heart­shaped amethyst within a border of cushion­shaped diamonds and pearls, mounted in silver an gold, on a later white gold chain set with pearls and box links set with brilliant­cut diamonds, pendant length 3.7cm, chain length 40cm, chain stamped 750, Italian maker’s marks, pearls untested

£2,000­3,000

357 An Art Nouveau peridot and diamond brooch, circa 1900, of stylised foliate design, set with rose­cut diamonds and a pear­shaped peridot, mounted in gold and platinum, length 4.5cm, French assay marks for 18ct gold and partial maker’s mark

£1,000­1,500

358 An Art Nouveau diamond and emerald brooch, circa 1900, of scrolled design suspending a pendant, set with circular­ and rosecut diamonds, each end accented with a step­cut emerald, mounted in silver and gold, length 4.7cm

£1,750­2,000

359 A gold and enamel pocket watch, circa 1900, the circular dial with pale blue and white enamel with Roman numeral indicators accented with gold enamel, with gold hour and minute hands, within a gold case, the reverse depicting a pansy in painted enamels, set to the centre with a rose­cut diamond, to a winder and suspension hoop, length 4cm including suspension hoop, stamped 14K, Swiss assay mark and numbered 123950 to interior, movement cover and suspension hoop in gilt metal

£500­700

λ 360 A Victorian coral and gold brooch, late 19th century, depicting a butterfly with engraved wings on a coral branch, mounted in gold, length 4.2cm

£700­900

361 An enamel and diamond butterfly brooch, late 19th century and later, the articulated wings decorated with yellow and black enamel wing set with rose­cut diamonds and cushion­shaped rubies in yellow gold, engraved decoration to reverse, one wing later reattached to body, width 3.5cm

£3,500­4,500

362 Wilka, a gold and enamel pocket watch, Switzerland, circa 1916, white enamelled dial, black enamel Roman numeral indicators, subsidiary seconds wheel, mounted in gold, the reverse depicting a tiger in painted enamel among engraved bamboo, length 4cm including suspension hoop, dial signed Wilka, interior marked 14K, Swiss assay mark to winder stem, interior numbered 8820, gilt movement cover with inscription dated 1916

£400­600

363 A gold chain necklace, Italy, mid 20th century, composed of navette­shaped links enclosing openwork acanthus leaf scrolls, length 82cm, Italian maker’s mark 18 AR, gross weight 35 grams

£1,500­2,000

364 An Art Nouveau diamond brooch, circa 1905, designed as a stylised sapling, set with circular­cut and rose­cut diamonds, mounted in gold and platinum, length 5.5cm, stamped 750

£800­1,200

365 A ruby and diamond bracelet, early 20th century, composed of navette­shaped links centring on foliate motifs set with rose­cut diamonds and circular­cut rubies, mounted in gold and platinum, length 17cm, French assay marks for 18ct gold and platinum

£800­1,200

366 An amethyst and diamond ring, early 20th century and later, designed as a cluster of circular outline, set with four fancy­cut amethysts and circular­cut diamonds, mounted in silver and gold, size P, possibly converted from a button £750­950

367 A diamond­set platinum ring, with three graduated circular­cut diamonds millegrain­set within pierced and graduated foliate shoulders, total approximate diamond weight 1.40cts, size O

£1,400­1,600

368 A Renaissance revival demantoid garnet, pearl and enamel bracelet, late 19th century, composed of stylised floral links set with cushion­shaped demantoid garnets, within surrounds of green and white enamel, spaced by pearls, mounted in gold, length 16.5cm, French import assay mark for 18ct gold

£4,000­6,000

£600­800

369 A sapphire and diamond pendant, claw­set with a pear­shaped sapphire weighing 1.57 carats, within a pendant of knotted design set with brilliant­cut diamonds, mounted in white gold, to a double stranded white gold chain, length 39cm, British hallmarks for 18ct gold, case

370 An opal, ruby and diamond pendant, set with a central solid black opal (crazed) within lozenge border of rubies and diamonds in white gold, stamped 14K, length 4.5cm

£300­400

371 A diamond pendant, set with heart and marquise­shaped clusters within a double border of smaller round brilliant­cut diamonds in 18ct gold, pendant length 4.6cm, on a silver chain, length 45cm

£400­600

372 A diamond full eternity ring, of openwork construction, set with a continuous band of marquise­shaped diamonds between borders of brilliant­cut diamonds, mounted in white gold, size O½

£2,000­2,500

373 An opal and diamond cluster ring, set with a solid white opal within a surround of diamonds in platinum, size P

£800­1,200

374 A diamond­set gold plaque ring, of lozenge design set with round brilliant­cut diamonds in carved yellow gold setting, size K

£700­900

375 An opal and diamond cluster ring, the solid white opal weighing 5.22cts within a diamond border and diamond shoulders, total diamond weight 0.53cts, in white gold, stamped 750, size N

£1,500­2,500

376 A sapphire solitaire ring, set with a step­cut sapphire in fluted platinum setting, size L £300­400

377 A diamond half hoop ring, of pierced design set with graduated circular­cut diamonds in white gold, 10g, size M £500­700

378 An emerald and diamond ring, of cluster design, set with a step­cut emerald weighing approximately 0.80 carats, within a border of brilliant­cut diamonds, mounted in 18ct gold, size O½, British hallmarks £300­500

379 A pair of ruby and diamond earrings, early 20th century composite, each designed as a scroll motif set with circular­cut diamonds and calibré­cut rubies, to later hook fittings and diamond surmounts, mounted in silver and gold, length 4.4cm each, case

£800­1,200

380 A diamond bangle, set with round brilliant­cut diamonds in white gold, inside width 5.7cm, 11g £500­700

381 An amethyst and diamond ring, the cushion­shaped amethyst set within diamond borders in 18ct white gold, size O £850­1,250

382 A pair of old­cut diamond stud earrings, totalling approximate 0.70cts, claw­set in gold, post fittings £600­800

383 An enamel and diamond brooch, designed as a flower, its petals applied with green enamel with a grid design, set with a brilliant­cut diamonds, mounted in gold, length 5cm £700­900

384 A synthetic sapphire and diamond three stone ring, set with a cushion­shaped synthetic sapphire flanked with old cushion­shaped diamonds in white gold, size N £200­300

385 A diamond­set demi­parure, comprising a brown and colourless diamond bombé ring, size K approx, with a matching pair of brown and colourless diamond earrings set in white gold, clip fittings, width 3.1cm £2,000­3,000

386 A diamond half hoop ring, alternately­set with pairs of baguette­shaped diamonds in 18ct white gold, London hallmarks for 1977, size J £200­300

387 Birks, and emerald and diamond crossover ring, set with a circular­cut emerald and diamond in foliate white gold scroll mount, signed Birks, size L £200­300

387A A fancy coloured diamond brooch, designed as a giardinetto and set with colourless and blue, orange, yellow diamonds in white gold, length 5.5cm, diamonds not tested for treatment £5,000­6,000

£3,000­4,000

388 A tanzanite and diamond demi­parure, comprising: a pendant, set with an elongated cushion­shaped tanzanite, its bail set with brilliant­cut and baguette diamonds, to an articulated collar of polished linking, mounted in white gold, pendant length 3cm, collar length 40cm, stamped 14K; and a pair of earring set with triangular tanzanites and brilliantcut diamonds, mounted in white gold, length 1.2cm each, post fittings, case

389 A sapphire and diamond ring, set with a step­cut sapphire weighing approximately 14.00cts, in platinum and 18ct yellow gold, size Q

£3,000­5,000

390 A diamond bombé eternity ring, set overall with graduated circular­cut diamonds in white gold, size P

£2,500­3,000

391 A diamond brooch, of abstract design, pavé­set with circular­cut diamonds in white gold, stamped 18K, length 6.7cm

£400­600

392 A diamond cross pendant, 1930s, designed as a Celtic cross in white gold, set with circular­cut diamonds, to a fancy link platinum chain, cross 4.8cm, chain 21cm

£600­800

393 A tanzanite and diamond pendant, claw­set with a pear­shaped tanzanite weighing approximately 10.00 carats, surmounted by a brilliant­cut and a triangular diamond, mounted in white gold, on a white gold chain of foxtail linking, pendant length 3.1cm, chain length 45cm, British hallmarks for 18ct gold, case

£3,000­4,000

394 A diamond­set half eternity ring, set with old circular­cut diamonds in platinum, size L £300­500

395 A diamond full circle eternity ring, set with circular­cut diamonds in white gold, total approximate diamond weight 1.60cts, size E

£500­700

396 A diamond line bracelet, designed as an articulated line of brilliant­cut diamonds totalling approximately 5.50 carats, mounted in 18ct white gold, length 17.8cm, British hallmarks

£3,000­5,000

397 A pair of diamond stud earrings, the circular­cut diamonds weighing approximately 1.55cts, claw­set in white gold, post fittings

£1,400­1,800

398 A diamond­set gold bangle, of waisted design and pavé­set with round brilliant­cut diamonds in white gold, internal width 5.8cm, 54g

£4,500­5,500

399 A diamond bangle, of hinged design, the front channel­set with baguette diamonds, between borders of brilliantcut diamonds, totalling approximately 3.50­4.00 carats, mounted in white gold, inner circumference 16.4cm, stamped 18K and 750, gross weight 17 grams

£1,000­2,000

400 A pair of peridot and diamond cluster earrings, the oval­shaped peridots weiging approximately 3.50cts, the diamonds weighing approximately 2.0cts, set in platinum and gold, post fittings, length 16mm

£1,200­1,400

401 A pair of Retro ruby and diamond earrings, 1940s, each designed as a scroll of polished gold with a foliate spray of brilliant­, circular­ and rose­cut diamonds and circular­cut rubies, length 2.6cm each, French import assay marks for 18ct gold

£1,000­1,500

402 A pair of diamond earrings, mid 20th century, of ‘Day & Night’ design, each composed of a scrolled surmount suspending a detachable articulated tassel drop, set with circular­, single­cut and baguette diamonds, mounted in white gold, length 6.5cm, post fittings

£3,000­5,000

403 A pink tourmaline, enamel and diamond ring, India, set with a shallow oval pink tourmaline in a foil­backed setting, the mount applied with multicoloured enamels in floral patterns, the exterior of the band set with a sequence of rose­cut diamonds, mounted in gold, tourmaline 4.1 x 2.9cm, ring size N

£1,500­2,000

404 An aquamarine and diamond ring, the step­cut aquamarine set within diamond trefoil shoulders in white gold, size H £400­600

405 A pair of ruby and diamond earrings, 1940s and later, of abstract scrolled design, pavé­set with circular­ and single­cut diamonds, channel­set with a line of calibré­cut rubies, mounted in platinum, length 2.7cm, later post fittings

£1,500­2,000

406 A pair of diamond, enamel and tsavorite garnet earrings, India, late 20th century, each of pendent design, set with lasqué diamonds in foiled settings and mixed­cut tsavorite garnets, in shellac­filled gold settings, length 3.4cm each, post fittings

£2,000­3,000

407 A diamond solitaire ring, rubover­set with a circular­cut diamond weighing approximately 1.00 carat, to a plain platinum mount, size I½, British hallmark

£1,000­2,000

408 A purple star sapphire solitaire ring, the cabochon sapphire weighing 4.82cts, rub­over­set in polished yellow gold, size K

A verbal report from GCS stated that the purple star sapphire is unheated, origin: Sri Lanka

£4,000­6,000

409 A sapphire and diamond ring, of cluster design, claw­set with a cushion­shaped sapphire weighing approximately 11.50 carats, within a border of circular­cut diamonds, mounted in white gold, size K

£4,000­6,000

A verbal report from GCS states that the sapphire is of Madagascar origin, with no indications of heat treatment

410 A pair of diamond earrings, mid 20th century, each centring on a circular­cut diamond weighing approximately 0.90 carats, to mounts designed as floral rosettes set with brilliant­ and carré­cut diamonds, in platinum and gold, length 2.1cm each, clip and post fittings

£3,000­4,000

411 A sapphire solitaire ring, the oval­shaped sapphire weighing 11.83 cts, claw­set in platinum and gold, size N ½

£4,000­6,000

Accompanied by report number 24080 from The Gem & Pearl Laboratory, dated 20th December 2023, stating that the colour change sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

412 A ruby solitaire ring, rubover­set with an oval ruby weighing 2.68 carats, in a plain mount of polished gold, size R

£1,000­1,500

Accompanied by report no. 24612 from the Gem & Pearl Laboratory, stating that the ruby weighing 2.68 carats is of East African origin, with no indications of heat treatment

413 Edmond­Henri Becker (1871­1971), an Art Deco gold pendant necklace, early 20th century and later, the medallion pendant depicting a classical youth pouring water against a sunburst backdrop, inscribed ‘Amphora’, the reverse with the symbol for Aquarius, length 4cm including pendant hoop, signed Becker, French export maker’s mark BB 18K, to a later gold chain composed of anchor motifs, length 72cm, stamped K18, unsigned, combined gross weight 87 grams

£3,500­4,500

414 A pair of diamond flower cluster earrings, each set with a cluster of round brilliant­cut diamonds within pierced yellow gold petals, post fittings, length 14mm

£800­1,200

415 A pair of diamond earrings, mid 20th century, each of scroll design in white gold knife wire, set with circularcut diamonds, length 1.6cm, post fittings

£300­500

416 A pink sapphire and gold pendant, set with an oval pink sapphire within a brushed gold mount, length 2.6cm

£4,000­6,000

A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

† 417 A loose cushion­shaped orange sapphire, weighing 4.44 carats

£400­600

A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

418 A ruby and diamond brooch, mid 20th century, designed as a sprig of flowers, set with brilliant­cut diamond and circular­cut rubies, mounted in platinum, length 6.3cm

£3,000­4,000

£3,000­4,000

419 A gold serpent bangle, the stylised double­headed snake wit a textured body, ruby eyes and an aventurine quartz bead in each mouth, 5.4cm internal width, 85g

420 Capello, a pair of gem­set gold flower earrings, set with a ruby and sapphire respectively, within a diamondset surround and further onyx petals, stamped Capello, 750, yellow gold clip fittings, 3cm

£1,500­1,700

421 An emerald and diamond pendant, collet­set with a cabochon emerald weighing approximately 11.00 carats, within a bombé mount pavé­set with circular­cut emeralds and brilliant­cut diamonds, to a gold chain pendant length 2.6cm, chain length 43cm, Italian maker’s mark, stamped 750

£3,000­5,000

422 An emerald and diamond ring, claw­set with a step­cut emerald, within a border of brilliant­cut diamonds, the shoulders set with baguette diamonds, mounted in gold, size P

£800­1,200

423 An emerald and diamond ring, claw­set with a step­cut emerald weighing 5.41 carats, to a mount channel­set with baguette diamonds, the shoulders and sides pavé­set with brilliant­cut diamonds, mounted in platinum, size M½, French import assay mark for platinum

£3,500­5,500

424 A yellow sapphire and diamond cluster ring, the oval­shaped sapphire set within a surround of circular­cut diamonds in platinum and yellow gold, size O

425 A jadeite cabochon ring, claw­set with diamond shoulders in plain platinum ring, size M

426 A jadeite ring, claw­set with a jadeite cabochon, mounted in 18ct gold, size M½

£1,100­1,300

£1,800­2,000

£800­1,200

427 An emerald and diamond ring, collet­set with a cabochon emerald weighing approximately 17.00 carats, within a bombé mount pavé­set with circular­cut emeralds and brilliant­cut diamonds, size S, Italian maker’s mark, stamped 750

£4,000­6,000

Accompanied by GCS report no.5782­1936, dated May 25 2022, stating that the Cabochon­cut emerald is of Colombian origin, weighing approximately 17.00 carats with indications of moderate to significant clarity enhancement.

428 A multi­gem­set cross pendant, set with a synthetic spinel, a citrine a synthetic corundum and an amethyst in yellow gold, length 7.5cm

£600­800

429 A jadeite and diamond ring, of cluster design, set with a cabochon jadeite, within a border of brilliant­cut and tapered baguette diamonds, mounted in platinum, size K½ £1,000­1,500

430 A tourmaline ring, set with an oval pink tourmaline, mounted in 18ct gold, size M½, British hallmarks, gross weight 10 grams £300­500

431 Ilias Lalaounis, a pair of gold ‘Mycenaean’ earrings, each of archaeological inspiration, designed as stepped domes with a hammered finish, in gold, each 2cm diameter, clip and post fittings, maker’s mark for Lalaounis, Greek assay mark, stamped 750 £1,000­1,500

432 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.70 carats, mounted in gold, size N½, stamped 14K, indistinct maker’s marks £400­600

£400­600

433 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 1.00 carat, mounted in white gold, size L½, indistinct assay marks

434 A yellow sapphire and diamond ring, set with a step­cut yellow sapphire within diamond cluster surround, the sapphire weighing approximately 1.70cts, the diamonds weighing approximately 0.60cts, in platinum, size N £700­900

435 A natural pearl and diamond ring, mid 20th century, set with a bouton­shaped natural pearl measuring 6.5mm diameter, inset with a single­cut diamond, to a geometric gold mount, size N½, stamped 750 £200­300

Accompanied by report number 24171 from GPL London dated 19th January 2024 stating that the pearl is natural saltwater

436 An Art Deco diamond and emerald dress ring, circa 1930, centring on a circular­cut diamond weighing approximately 0.85 carats, within an elaborate openwork mount set with circular­cut diamonds, accented with channelset stripes of calibré­cut emeralds, mounted in platinum, size M, later shank with British hallmarks

£2,000­3,000

437 A star sapphire and diamond ring, set with a cabochon sapphire within a diamond­set white gold setting, size H

£4,000­6,000

438 A cabochon sapphire and diamond ring, the pale blue sapphire set within diamond surround in white gold, size N

£1,000­2,000

439 An Art Deco synthetic sapphire and diamond ring, early 20th century, set with a step­cut sapphire, to stepped shoulders millegrain­set with single­cut diamonds, mounted in platinum and gold, size M½, stamped PLAT 18CT

£150­250

440 A diamond ring, mid 20th century, of bombé design, pavé­set with circular­ and single­cut diamonds, mounted in platinum, size H

£800­1,200

441 A demantoid garnet and diamond ring, set with a central demantoid garnet weighing 1.50cts, flanked with old circular­cut diamonds in platinum, size R

£2,000­3,000

442 A pair of natural pearl, ruby and diamond bracelets, the eight row bracelet centring on a ruby and diamond plaque with emerald accents, separated with ruby and diamond bar links and matching clasp in silver and gold, length 16.5cm each

£3,000­4,000

Accompanied by report numbers 24563 and 24564 dated 7th May 2024 from GPL London both stating that the pearls are natural saltwater

443 A diamond line bracelet, early 20th century, composed of box links set with circular­cut diamonds totalling approximately 3.80 carats, mounted in platinum, length 17.7cm

£3,000­4,000

444 An Art Deco half pearl and diamond bracelet, 1920s, composed of platinum gate linking set with half pearls and circular­cut diamonds in alternation, length 16cm

£400­600

445 An Art Deco diamond brooch, circa 1925, designed as a geometric buckle, set with circular­cut and cushionshaped diamonds, mounted in platinum, length 5.6cm

£1,500­2,000

446 A three­stone diamond ring, early 20th century, claw­set with three circular­cut diamonds totalling approximately 2.20 carats, the central diamond weighing approximately 1.10 carats, mounted in platinum, size Q½

£2,000­3,000

447 A diamond eternity ring, early 20th century, set with a continuous line of circular­cut diamonds, mounted in platinum, size P

£800­1,200

448 A pair of diamond earrings, early 20th century composite, each of pendent design, composed of an articulated line of collet­set circular­cut diamonds suspending a larger circular­cut diamond weighing approximately 1.40 and 1.45 carats respectively, length 4.5cm each, post fittings

£4,000­6,000

449 An Art Deco jadeite and diamond brooch, 1920s, centring on a carved jadeite plaque between geometric motifs of laurel wreath design set with single­cut diamonds, the reverse with an openwork design of fruiting branches, mounted in platinum, length 4.4cm

£400­600

450 An early 20th century aquamarine and diamond clasp, set with an oval aquamarine within borders of rose­cut diamonds in platinum and gold, length 3.2cm

£2,000­3,000

451 A gold bangle, France, late 19th century, of hinged construction, decorated with floral motifs in three­coloured gold, inner circumference 17cm, French assay marks for gold, indistinct maker’s mark, numbered 3089, gross weight 35.9 grams

£1,000­2,000

452 An enamel, ruby and diamond bracelet, designed as a coiled snake, of hinged construction applied with deep blue enamel, its head set with cushion­shaped diamonds, its eyes set with cabochon rubies, mounted in gold and silver, inner circumference 14.5cm, flexible, gross weight 56 grams

£6,000­8,000

453 A five­stone diamond ring, early 20th century, claw­set with a sequence of five cushion­shaped diamonds, in a gold mount of scrolled design, size R

£150­250

454 A ruby and diamond ring, early 20th century, set with a cushion­shaped ruby weighing approximately 1.30 carats, between shoulders set with trios of circular­cut diamonds, mounted in 18ct gold, size L½, British hallmarks

£1,500­2,500

455 A five­stone diamond ring, late 19th century, set with a sequence of five cushion­shaped diamonds totalling approximately 1.40 carats, mounted in gold, size L £600­800

456 A ruby and diamond ring, set with an oval ruby weighing 2.51 carats, between shoulders set with brilliant­cut diamonds totalling approximately 1.00 carat, mounted in gold, size O½, stamped 18CT

£3,000­5,000

Accompanied by GCS report no. 5784­1692, stating that the ruby is of Thai/Cambodian origin, with no indications of heat treatment

457 A Victorian enamel and diamond ring, mid 19th century, designed as a coiled snake applied with deep blue enamel, its head set with an oval diamond, its eyes set with cabochon garnets, mounted in gold, size G

£2,000­3,000

458 A gold and diamond brooch, early 20th century, designed as a classical guitar, set with rose­cut diamonds, length 6.2cm

£800­1,200

459 A moonstone and pearl brooch, late 19th century, set with an oval moonstone cameo depicting a woman in Tudor dress, possibly Mary, Queen of Scots, within a gold border set with half pearls, length 3cm, moonstone possibly a later replacement, pearls untested

£1,000­1,500

460 A late Victorian gold and pearl necklace, circa 1900, composed of gold links set with half pearls, the front with three floral motifs suspending a fringe of knife wire pendants similarly set with half pearls, length 42cm, pearls untested £700­900

461 A gold, enamel, ruby and diamond pendant, mid 19th century, designed as a heart­shaped gold padlock stamped with foliate designs, accented with blue, green and red enamel, surmounted by a coiled snake suspending a ruby and rose­cut diamond pendant from its mouth, the reverse with a hinged glazed compartment, length 4.7cm

£800­1,200

462 A diamond ring, designed as a cluster of rose­cut diamonds in silver collet settings, accented with blue enamel, to a gold band with engraved foliate designs, size K½ £150­250

463 A pair of gold earrings, each of hoop design, with engraved floral motifs in rose and green gold, length 2.6cm each, post fittings, combined gross weight 7.9 grams

£100­150

464 A Victorian amethyst brooch, set with two hexagonal amethysts in plain gold settings, 4.7cm £200­300

465 A citrine and pearl brooch, circa 1900, designed as a pair of hearts surmounted by a crown, set with heartshaped citrines and half pearls, mounted in gold, length 3.5cm, pearls untested

£1,000­1,500

466 A pair of Victorian gold earrings, second half 19th century and later, designed in the Archaeological Revival style, each composed of a gold drop applied with rope twist decoration, to a later gilt metal surmount, length 3.1cm each, screw fittings

£200­300

467 A Victorian gold and garnet bracelet, circa 1859, designed as an articulated band of tesselating lozenge­ and triangular­shaped links, engraved with floral designs and collet­set with seven cabochon garnets, mounted in gold, length 17.7cm, English design registration mark for circa 1859

£1,500­2,000

£8,000­12,000

468 Assil, a kunzite and diamond demi­parure, comprising: a necklace of festoon design, the front composed of three rows of linking set with oval kunzites and brilliant­cut diamonds, converging into a single row towards the clasp, mounted in white gold, length 40cm, signed Assil NY, stamped 750; and a pair of earrings of similar design, length 1.5cm each, clip and post fittings, each signed Assil NY, stamped 750, one numbered 124 1182

469 A sapphire and diamond cluster ring, the oval­shaped sapphire weighing approximately 1.25cts, within a diamond surround weighing approximately 0.95cts in platinum and gold, size O

£1,100­1,200

470 An aquamarine and diamond ring, the oval­shaped aquamarine weighing approximately 4.10cts, set within a surround of circular­cut diamonds weighing approximately 0.8cts, in platinum and gold, size O

£1,100­1,200

471 A diamond eternity ring, set with a continuous band of oval diamonds totalling approximately 3.80 carats, mounted in platinum, size K, British hallmarks

£1,500­2,000

472 An emerald and diamond half hoop ring, set with a square emerald­cut emerald within stepped diamond shoulders in white gold, size O £600­800

473 A diamond three stone ring, set with graduated circular­cut diamonds weighing approximately 1.20cts in total, millegrain­set in platinum, size N

£1,100­1,200

474 An emerald and diamond ring, claw­set with a step­cut emerald weighing approximately 1.14 carats, to a border, gallery and shoulders set with brilliant­cut diamonds, mounted in white gold, size I (sizing beads), stamped 750

£1,000­2,000

475 A diamond cluster ring, set with nine round brilliant­cut diamonds in white gold, size O £500­1,000

476 An emerald and diamond cluster ring, the step­cut emerald set within a surround of circular­cut diamonds in white gold and platinum, size M

£1,200­1,400

477 A moonstone and diamond ring, of cluster design, set with a cabochon cat’s eye moonstone within a border of brilliant­cut diamonds, mounted in gold and platinum, size M½ £800­1,200

478 A diamond ring and gold wedding band, the diamond ring of hexagonal cluster design, set with a circular­cut diamond weighing approximately 0.60 carats, within a border of baguette and brilliant­cut diamonds, mounted in 18ct white gold, size I½, British hallmark, sponsor’s mark RB for Rachel Boston; together with a plain wedding band in 18ct gold, size I½, British hallmarks, case stamped Rachel Boston

£1,200­1,500

479 A pair of opal and diamond earrings, mid 20th century, each of cluster design, collet­set with an opal cabochon within a border of single­cut diamonds, mounted in palladium and white gold, diameter 1.4cm, screw fittings, stamped 9ct £600­800

480 A pair of diamond stud earrings, each collet­set with a brilliant­cut diamond weighing approximately 0.40 carats, mounted in platinum, each 0.7cm diameter, post fittings

£500­700

481 A diamond strap bracelet, set with graduated round brilliant­cut diamonds in openwork white gold setting, total approximate diamond weight 10.00cts, length 18.4cm

£4,000­5,000

482 A pair of cultured pearl, turquoise and diamond earrings, of pendent design, each suspending a large black cultured pearl, to stylised floral settings set with brilliant­cut diamonds and polished turquoise, mounted in white gold, length of longest 6.1cm, post fittings, stamped 18K, fitted case stamped Kentshire

£1,200­1,500

483 Repossi, a Constellation Astrum ring, for the Zodiac sign Taurus, set with graduated round brilliant­cut diamonds in white gold, stamped 750 and REPOSSI, size M, case

£800­1,200

484 Bulgari, a cultured pearl, aquamarine and diamond necklace, designed as a single row of cultured pearls with gold spacer beads, suspending a gold pendant of geometric design set with a step­cut aquamarine and lines of channelset carré­cut diamonds, necklace length 38cm, pendant length 2cm, signed Bulgari, French assay mark for 18ct gold, French sponsor’s mark

£1,200­1,500

485 An emerald and diamond three stone ring, set with an emerald­cut emerald flanked with circular­cut diamonds in 18ct yellow gold, modern London hallmarks, size Q

£600­800

486 A diamond­set gold Zodiac brooch for Sagittarius, set with a yellow diamond in platinum within a diamond­set yellow gold surround, maker’s mark P&P and London hallmarks for 2000, length 4.1cm £400­600

487 A heart­shaped demantoid garnet pendant, the demantoid garnet weighing 2.79cts, in silver and gold collet, length 1.7cm £1,000­1,500

488 A tiger’s eye­set gold ring, the cabochon tiger’s eye set in polished white gold mount, stamped 750 and maker’s mark, size P, 25g

£200­300

489 A diamond dress ring, of waisted design, pavé­set with circular­cut diamonds in platinum and white gold, stamped 18k, 15g, size L ½ £800­1,200

490 A pair of mabé cultured pearl, gold and diamond earrings, each centring on a cultured mabé pearl, within a circular 18ct gold surround accented with rope twist borders and brilliant­cut diamonds, 2.6cm diameter each, clip and post fittings, British hallmarks for 18ct gold

£400­600

491 An emerald and diamond bracelet, composed of links collet­set with cabochon emeralds, connected by lines of brilliant­cut diamonds, mounted in 18ct gold, length 16.6cm, British hallmark, date letter for 1996, gross weight 55 grams

£2,000­3,000

492 A diamond­set gold bracelet, alternately­set with plain polished links and diamond­set links separated with yellow gold crosses, stamped 750, length 17.5cm

£1,200­1,500

493 A sapphire line bracelet, set with calibré­cut sapphires in yellow gold setting, stamped 18k, length 18.6cm

£1,000­2,000

494 A cultured pearl ring, set with a black cultured pearl measuring 9.3mm, to a gold mount of scrolled design, size L½, signed Linneys, stamped 18CT £200­300

495 A star sapphire and diamond ring, set with a pale blue cabochon sapphire in cushion­shaped and rose­cut diamond yellow gold setting, size I £1,000­2,000

496 A yellow sapphire and diamond ring, designed as a butterfly, pavé­set with circular­cut yellow sapphires and brilliant­cut diamonds of brown tint, to a flexible spiral band set with brilliant­cut diamonds and circular­cut yellow sapphires, mounted in gold, approximately size N £200­300

497 A princess­cut diamond solitaire ring, weighing 1.16cts, set in a wide gold band ring, approximately size N, 13g

£2,000­3,000

Accompanied by report number 150310865/102109 from EGL South Africa stating that the diamond is H colour, VVS2 clarity

498 A cultured pearl and diamond ring, of cluster design, set with a cultured pearl measuring 11.6mm diameter, within a border of brilliant­cut diamonds, mounted in white gold, size M½, stamped 750 £300­500

£600­800

499 A Victorian diamond brooch/pendant, late 19th century, designed as a star, set with circular­cut diamonds, mounted in silver and gold, length 2.7cm, detachable brooch fitting, on a later 9ct white gold chain necklace, length 46cm, British hallmarks

500 An early 20th century pearl necklace, the natural saltwater pearl suspending from a yellow enamel and seed pearl fine­link yellow gold chain, length 53cm

£8,000­12,000

Accompanied by report number 5784­1454 dated 12th February 2024 from GCS stating that the silver pearl is natural saltwater

501 A pearl and diamond brooch, late 19th century, designed as a pair of hearts beneath a ribbon bow, set with circular­cut diamonds and grey pearls, mounted in silver and gold, length 3.8cm, brooch fittings detachable, pearls untested

£5,000­6,000

502 A diamond and pearl brooch, late 19th century, centring on a cluster of cushion­shaped diamonds, within a foliate scroll border surmounted by a bow and suspending a pendant, set with rose­cut diamonds and two pearls, mounted in silver and gold, length 4.1cm, detachable brooch fitting, retractable pendant hoop, pearls untested

£1,000­2,000

503 A natural pearl, seed pearl and diamond necklace, early 20th century, the necklace composed of three strands of seed pearls, centring on a pansy motif set with cushion­shaped diamonds, suspending a detachable pendant set with a natural pearl measuring approximately 12.3 x 11.0mm, within a border of circular­cut diamonds, mounted in silver and gold, necklace length 43cm, detachable section of pendant length 3.5cm, pearls in necklace and clasp untested, fitted case stamped Collingwood & Co

A verbal report from GCS states that the pearl in the pendant is natural saltwater

£3,000­4,000

504 A natural pearl and diamond ring, early 20th century, of foliate design, set with a natural pearl measuring approximately 9.6­9.9 x 8.4mm, accented with rose­cut diamonds, mounted in gold, size L, case

£2,000­3,000

Accompanied by report no. 23079 from the Gem & Pearl Laboratory, stating that the pearl is natural saltwater

505 A natural pearl and diamond ring, early 20th century, designed as a cluster, set with a natural pearl measuring approximately 6.8mm diameter, within a border of cushion­shaped diamonds, mounted in in platinum, size N ½, case £600­800

A verbal report from GCS states that the pearl is natural saltwater

506 Hunt & Roskell, a pearl and diamond brooch, late 19th century, designed as a crescent moon, set with circularcut and rose­cut diamonds and half pearls, mounted in gold, length 3.3cm, unsigned, fitted case stamped Hunt & Roskell, pearls untested £1,500­2,000

507 A topaz and diamond tie pin, early 20th century, set with a triangular topaz, within a border of rose­cut diamonds, mounted in silver and gold, length 5.7cm £150­250

507A A single row natural pearl necklace, the pearls graduating to 5.8mm, with a diamond­set barrel clasp, length 48cm £800­1,200

Accompanied by report number 5784­2500 dated 22nd May 2024 stating that the pearls graduate from 3.0 to 5.8mm and are natural saltwater

508 A single row natural pearl necklace, set with seed pearls and natural saltwater pearls, length 35cm, with a singlerow cultured pearl necklace with an emerald and diamond clasp (one emerald missing)

A verbal report from GCS states that the small row are natural saltwater

£200­300

509 A pair of diamond drop earrings, each designed as a scolled surmount suspending three pendants, set with rose­cut and circular­cut diamonds, mounted in silver and gold, length 5.1cm each, hook fittings

£2,000­3,000

510 A pair of natural pearl and diamond earrings, set with graduated old­cut diamonds suspending natural pearls in platinum and gold, hook fittings, length 2.7cm

A verbal report from GCS states that the pearls are natural saltwater

£1,000­1,500

511 A pair of diamond earrings, early 20th century, each of pendent design, suspending a cluster of cushion­shaped diamonds, mounted in gold, length 2.5cm, hook and clip fittings, case

£600­800

512 A diamond bangle, of hinged design, the front set with brilliant­cut diamonds totalling approximately 2.70 carats, mounted in gold, inner circumference 17.5cm, gross weight 28 grams

£2,000­3,000

513 A pearl and diamond ring, late 19th century, of half­hoop design, set with rose­cut diamonds and half pearls, mounted in gold, size O½, pearls untested, case, facsimile of receipt and insurance document dated 1975 £200­300

514 A five­stone diamond ring, early 20th century, set with a sequence of cushion­shaped diamonds totalling approximately 0.45 carats, mounted in gold, size M½

£250­450

515 Three gem­set gold bangles, set with emeralds, rubies and sapphires respectively channel­set in carved yellow gold settings, hinged opening, approximately 6cm inside width

£5,000­7,000

516 An Art Deco emerald and diamond ring, 1930s, centring on a step­cut emerald weighing approximately 1.00 carat, between circular­cut diamonds each weighing approximately 0.25 carats, to a fluted white gold mount set with smaller single­cut diamonds, length T, stamped 585

£2,400­2,800

517 A catseye alexandrite gold ring, the cabochon alexandrite weighing 3.97cts, rubover­set in plain yellow gold setting, stamped 20K, size N

518 An emerald­set gold ring, the step­cut emerald set in plain yellow gold setting, size I

£3,000­5,000

£1,500­2,000

A verbal report from GCS states that the emerald is Colombian with indications of moderate clarity enhancement.

519 An emerald and diamond dress ring, set with a pear­shaped emerald within a surround of diamonds in white gold, size M

£5,000­6,000

520 A multigem­set gold brooch, of oval form, set with a ruby, amethyst, emerald, synthetic sapphire and aquamarine in yellow gold, length 4.5cm

£1,000­1,500

521 A diamond­set gold pendant (converted), of conical design set with graduated scallop­shaped segments with diamond­set edges in yellow gold, probably converted from a cheroot holder, length 9.9cm, 33g £2,000­3,000

522 Chimento, a fancy­link gold necklace, maker’s mark and stamped 750, length 43cm, 60g

£1,200­1,500

523 An emerald and amber­set gold brooch, the carved amber (damaged) set within two graduated step­cut emeralds in 14ct yellow gold, length 5.4cm

£3,000­5,000

524 A gold and diamond pendant, designed as a flower, set with circular­cut diamonds totalling approximately 3.504.00 carats, length 4.7cm, stamped 18CT

£2,000­3,000

525 A ruby bracelet, composed of graduated ruby beads with gold spacers, to a clasp set with a step­cut ruby and single­cut diamonds, length 18.5cm

£7,000­9,000

Accompanied by report number 2221798354 dated 8th February 2023 from GIA stating that of the three rubies tested they show no indications of heating, origin: Burma. An orange foreign material is present in surface reaching fractures.

526 A gold bracelet, Italy, mid 20th century, composed of large mariner links, length 17cm, stamped Italy, 18K, signed KAN, gross weight 72.9 grams

527 Three ruby cabochons in silver and gold collets, 5.7g total

A verbal report from GCS states that the rubies are unheated, origin: Burma.

£4,000­6,000

£1,600­1,800

528 A natural pearl and diamond ring, late 19th/early 20th century, of cluster design, centring on a natural pearl, within a border of circular­cut diamonds, to shoulders set with smaller circular­cut diamonds, mounted in silver and gold, size Q, Russian 56 zolotnik mark for 14ct gold

£1,300­1,500

Accompanied by GCS report no. 5783­1445, stating that the pearl measuring 7.7 x 7.8 x 5.2mm is natural saltwater

529 A Victorian five­stone diamond ring, late 19th century, set with a sequence of five graduated circular­cut diamonds totalling approximately 0.60 carats, spaced by rose­cut diamonds, in a gold mount of scrolled design, size L, stamped 18CT

£850­1,000

530 A diamond brooch, late 19th century, depicting a kitten about to pounce, pavé­set with circular­ and rose­cut diamonds, its eye set with a cabochon ruby, mounted in silver and gold, length 2.8cm

£300­400

531 A diamond locket pendant, early 20th century, designed as a heart surmounted by a bow, set with circular­cut and rose­cut diamonds, mounted in silver and gold, the reverse with a hinged glazed locket compartment, length 3cm, on a later silver chain necklace, length 46cm

£1,000­1,500

532 A diamond brooch, designed as a stem of wild rose, the flower mounted en tremblant, set with cushion­shaped diamonds, mounted in silver and gold, length 6.5cm

£600­800

533 A Victorian ruby and diamond brooch, late 19th century, designed as a star suspending three pampille pendants, set with cushion­shaped and rose­cut diamonds and cushion­shaped rubies, the largest diamond weighing approximately 1.00 carat, mounted in silver and gold, length 7cm, later brooch fitting

£1,000­2,000

534 A gem­set and diamond brooch, late 19th century, designed as two bees, each set with rose­cut diamonds and cushion­shaped rubies and sapphires, to a gold double bar brooch set with two pearls and a cushion­shaped diamond, length 5.8cm

£600­800

535 A diamond brooch, late 19th century, designed as a swallow in flight, set with cushion­shaped and rose­cut diamonds, its eye set with a ruby, mounted in silver and gold, length 2.7cm

£200­300

536 A diamond bracelet, late 19th century composite, centring on a flower enclosed by a crescent moon, to an articulated bracelet composed of openwork links decorated with X­shaped motifs, set throughout with cushion­shaped and rose­cut diamonds, mounted in silver and gold, bracelet length 17.3cm, central motif adapted from brooches, later rhodium plating

£3,500­4,500

537 A ruby and diamond bee brooch, set overall with graduated old cushion­shaped diamonds and rubies, in silver and gold, detachable brooch fitting, length 3cm

£4,000­6,000

538 A pearl and diamond bee brooch, late 19th century and later, set with cabochon ruby eyes, an untested pearl body and pavé­set overall with rose­cut diamonds in silver and gold, width 3.7cm

£1,200­1,500

539 A late 19th century giardinetto brooch, set with a demantoid garnet, rubies and diamonds in silver and gold, later brooch fitting, width 3.2cm

£1,000­2,000

540 A moonstone and diamond brooch, circa 1900, designed as a winged cherub, its face in carved moonstone, its wings set with rose­cut diamonds, mounted in silver and gold, wingspan 2.9cm, moonstone possibly a later replacement

£2,000­3,000

541 A Victorian amethyst and diamond brooch, late 19th century, centring on a cushion­shaped amethyst within an intertwined border of cushion­shaped diamonds, mounted in silver and gold, length 3.4cm, later rhodium platining

£1,700­2,000

542 A diamond pendant/brooch, circa 1900, of cluster design, composed of concentric rings of circular­cut diamonds, mounted in silver and gold with later rhodium plating, to a similar retractable bail, length 3.6 including bail, detachable brooch fittings

£2,500­3,000

543 A late 19th century pansy brooch, set with carved moonstone and diamond accents in silver and gold, length 2.2cm

£5,000­7,000

544 An emerald and diamond bee brooch, set with circular­cut diamonds and square­shaped emeralds in silver and gold, width 5cm

£2,000­3,000

£3,000­5,000

545 A Renaissance gold and enamel crucifix pendant, circa 1600, depicting Christ on the cross, a banner reading ‘INRI’ (‘Iesus Nazarenum, Rex Iudaeorum’, ‘Jesus of Nazareth, King of the Jews’) above him, the skull symbolising Golgotha at his feet, applied with white enamel en ronde bosse and green basse taille enamel, the reverse with a foliate design in green enamel, length 4.8cm, indistinct assay marks

546 A shell cameo, probably depicting the profile of Dionysus, with flowing vines to his hair, backed, 5.5cm high £300­400

547 An emerald and diamond ring, 1830s and later, of cluster design, set with oval and cushion­shaped emeralds and cushion­shaped diamonds with grainti decoration, to a later gold band of Rococo inspiration, size L½ £200­400

548 A jasper intaglio ring, engraved with the head of Ares in profile, in plain yellow gold setting, approximately size L

£1,600­1,800

549 A ‘Stuart Crystal’ ring, late 17th/early 18th century, set with a pear­shaped rock crystal covering a monogram in gold wire, mounted in silver and gold, size K £300­500

550 A rock crystal, gold and enamel ring, late 17th century, set with a table­cut rock crystal within a square collet setting accented with stripes of black enamel, to shoulders carved with floral designs, constructed in gold, size H½ £300­500

551 An amethyst and ruby ring, circa 1800, designed as a floral cluster, set with a cabochon amethyst within a border of flat­cut rubies, the reverse applied with black and white enamel, to a band incised with floral scrollwork accented with black enamel, mounted in gold, size O, one ruby replaced with an onyx, amethyst possibly a later replacement, possibly converted from a button, case £400­600

552 A large shell cameo circa 1800, depicting the laureate profile of a Roman Emperor, probably Titus, on an oval slate type backing, damaged and missing two border sections, 6cm high £400­600

553 An early 19th century gold ring mounted with a faceted rock crystal, with point uppermost, and applied with pellets to the bezel and shank, in the style of an ancient design, size I, the gold tests as 18ct £400­600

λ 554 An ivory cameo ring, early 19th century, of elongated octagonal outline, the glazed compartment set with an ivory cameo depicting Leda and the Swan, mounted in gold with foliate shoulders, size Q £600­800

555 A ruby ring, the gold wire band with coiled shoulders, threaded with a ruby bead, size K

£2,500­3,500

A verbal report states that the ruby is of Burmese (Myanmar) origin, with no indications of heat treatment.

556 A pair of gold earrings, possibly Roman, 1st­2nd century CE, each composed of a convex gold disc surmounted by another, applied with conical gold motifs, length 3.1 and 2.9cm respectively, post fittings

£1,000­1,500

Cf.: a pair of earrings of similar construction in plain polished gold in the collection of the Metropolitan Museum of Art, New York, accession no. 74.51.4001.

557 A Sasanian Chalcedony D shaped seal, 4th­6th century AD, depicting a male lion attacking a cow, centred with suspension hole, 3.2cm wide

£200­300

558 A shell cameo, depicting a dog attempting to wake his sleeping master, backed on slate, signed C. Pestrini, white border, possibly Cephalus and his dog Laelaps who was later cast by Zeus to become the constellation Canis Major, 4.5cm high. possibly carved by Clemente Pestrini of Rome, first half 19th century £400­600

559 A carnelian intaglio ring, early 19th century and later, collet­set with a carnelian intaglio of Antinous, in a later plain gold ring mount, intaglio measuring 2.7 x 2.1cm, ring size U £600­800

560 A Roman carnelian intaglio ring, circa 2nd­3rd century AD, set with an oval carnelian intaglio depicting a standing figure, possibly Ceres, within a wide­shouldered gold mount, size I½, mount possibly later £1,000­1,500

561 A cornelian cameo, depicting a young man butchering an animal, hanging from a branch conforming with the shape of the carving, a bowl beneath, late 18th­ early 19th century, mounted as a gold pendant, 1.9cm high £400­600

562 A small micromosaic plaque, depicting a paint brush and palette within closed­back yellow gold setting, length 8mm £100­200

563 A shell cameo depicting a procession of three winged Putti, two playing instruments, the centre figure riding a lion, early 19th century, mounted in a contempory gold closed back brooch with a border of rosettes, cameo 3cm wide £200­300

564 A glass intaglio ring, early 19th century, set with an oval glass intaglio depicting the goddess Hygeia, in a gold swivel ring mount, size M £600­800 TO BE SOLD WITHOUT RESERVE

565 A cornelian cameo depicting profile of Herakles in the Farnese style, late 18th ­ early 19th century, finely carved with curling hair and beard, 2.8cm high £400­600

566 A carnelian necklace, 19th century, composed of links set with cabochon carnelians, mounted in gilt metal, length 54cm, fitted case £300­400

567 A late Georgian gem­set ring, 1830s, designed as a pansy, its petals set with pear­shaped amethysts, garnets and chrysoberyls, its centre set with a cushion­shaped emerald, bordered with grainti decoration, a compartment to the reverse, between Rococo­style shoulders composed of shells, foliate scrolls and flowers, mounted in gold, size N £300­500

λ 568 An unusual Georgian ivory and hairwork ring, late 18th/early 19th century, of oval outline, the glazed setting containing an ivory plaque intricately applied with a pastoral scene in hairwork, mounted in gold, size M £150­250

λ 569 An early 19th century portrait miniature pendant, depicting a woman in profile on ivory, within a plain gold border, glazed compartment to reverse containing plaited hair within a blue glass surround, length 8.2cm £300­500

570 A rare early 19th century Acts of Union ring circa 1801, the navette­shaped ring decorated with a Union Flag in red white and blue guilloche enamel within seed border in closed back yellow gold setting, size N £3,000­5,000

The Acts of Union which joined Ireland to the United Kingdom were passed on 2 July 1800 and 1 August 1800 and came into force on 1 January 1801. They ratified eight articles which had been previously agreed by the British and Irish parliaments and created a united parliament. A new flag for the United Kingdom emerged from this new Union, known as the Union Jack. It is likely that this ring is one of the earliest depictions of the Union Flag in jewellery.

571 A late 18th century enamel mourning ring, with the inscription John Hall OB 9 Oct 1797 AET 76, maker’s mark WH and rubbed hallmarks, size W £300­400

572 A Georgian pearl and hairwork mourning ring, early 19th century, centring on a glazed panel of woven hairwork, to a border and shoulders set with half pearls, mounted in gold, size N½ £200­300

573 A diamond­set black enamel mourning ring, set with a central old oval­shaped diamond within black enamel border and black band with the words IN MEMORY OF in gold, with inscription to interior dated 1819 for Sir Walter Farquhar Bart (sic), size Q

£600­800

574 A rare George II mourning ring, circa 1741, composed of scrolled banner motifs applied with white enamel, the commemorative inscription ‘MARY FISHER OB: 26 JULY. 1741 AE:14’ in reserve, mounted in gold, size Q½, maker’s mark JP £200­300

575 A garnet­set gold mourning ring, within white and black enamel surround on enamel band with the words Robt Young OB:3 Nov 1803 AET54, size R £400­600

λ 576 An early 19th century portrait miniature pendant (converted), set with a portrait of a small boy on ivory within seed pearl border in closed­back yellow gold setting, later converted to a pendant from a clasp, length 5.7cm, case £200­300

577 An early 19th century memorial brooch, the stylised padlock set with seed pearls and turquoise surrounding a glazed locket compartment containing hair, suspending a key and a pear­shaped turqoise drop (or stylised heart) in yellow gold, width 2cm £400­600

578 A George III diamond heart brooch, with rose­cut diamond border surround blue glass applied with intertwined diamond hearts beneath a diamond bow, in silver and gold, length 2.2cm, later pendant loop £1,500­2,000

579 A gold and enamel locket pendant, France, circa 1819­1838, designed as a book, its front and back covers applied with red, white, blue and green enamel, opening to reveal a hinged seies of rectangular locket compartments containing photographs, pendant length 4cm including suspension hoop, early 19th century Parisian assay mark for 18ct gold, maker’s mark GRM with ear symbol, hinged photo frames possibly a later addition £1,500­2,000

580 A Georgian seed pearl mourning brooch, early 19th century, of rectangular outline, centring on a glazed panel of woven hairwork, within a border of half pearls, mounted in gold, length 2.4cm, engraved GS to JP £150­200

581 A Regency gold mourning brooch, set with amethysts surrounding a glazed locket compartment in yellow gold, engraved to reverse Rich Flower ob July 12th 1825 oet 15, later brooch fitting, width 2.6cm £200­300

582 A Georgian gold chain bracelet (converted), early 19th century and later, composed of stamped gold belcher links, to a later bolt ring clasp, length 21.5cm, gross weight 11 grams £400­600

583 A Russian Royal presentation brooch pendant, early 19th century, the circular brooch pendant with diamondset ‘A’ beneath a crown, referring to Tsar Alexander I of Russia (1777­1825) on a ground of blue enamel, with gold foliate border, the outer edge set cushion­shaped diamonds, mounted in silver on gold, to a hinged enamelled gold pendant bail, inscription to reverse ‘This Locket and a pair of Earrings were made from a box presented by The Emperor Alexander of Russia in 1812 to R. Adm’l Thomas Byam Martin for the defence of Riga, and other services in the Baltic’, length 6.5cm including bail, fitted case by Sheppard, Goldsmith & Jeweller to the Queen, 63 Brook Street, Hanover Square, London

£12,000­15,000

Literature: illustrated Scarisbrick, D., Jewellery in Britain 1066 ­ 1837: A documentary, social, literary and artistic survey, pl. XLIX

584 A pair of diamond­set earrings, late 18th century and later, the diamonds (some missing) set in scroll pierced silver and gold setting, modern clip fittings, length 7.2cm

£1,000­2,000

585 A Georgian diamond ring, early 19th century, of half­hoop design, set with two rows of cushion­shaped diamonds, mounted in silver and gold, size L

£1,500­1,700

586 A Georgian garnet rivière, early 19th century, composed of graduated flat­cut oval garnets in foiled gold collet settings, length 42.5cm

£400­600

587 An 18th century Spanish brooch formed as a double headed eagle, mounted with coloured stones to a closed back silver mount, the eyes set with stones to the front and reverse, later pin added, 4.5cm high. and a pair of 18th century Spanish drop earrings set with coloured stones to the closed back silver mounts, missing one stone, later fitting added, 4.5cm high

£2,000­3,000

588 An early 19th century opal and diamond pendant, of quatrefoil design set with graduated solid white opals, old cushion­shaped diamonds and ruby accents in open and closed­back silver and gold setting, length 5cm, with remnants of brooch fittings

£2,000­3,000

589 A white sapphire and diamond brooch, mid 19th century, centring on an oval white sapphire, within a radiating border of half pearls and trios of cushion­shaped diamonds, mounted in silver and gold, length 2.7cm £300­400

590 A Georgian moss agate and amethyst brooch, circa 1800, of oval outline, set with a cabochon moss agate, within a border of cushion­shaped amethysts, in an engraved closed back gold setting, length 1.7cm, later pin £150­250

591 A Georgian ruby and diamond ring, early 19th century, of cluster design, centring on a cushion­shaped ruby, within concentric borders of cushion­shaped diamonds and rubies, in a closed­back setting, on a gold band with carved floral decoration to the shoulders, size X £1,000­1,500

592 A ruby and diamond five­stone mourning ring, late 19th century, set with a sequence of cushion­shaped rubies and diamonds set in alternation, to a gold mount of scrolled design with a glazed compartment, size O £350­550

593 A Georgian dentritic agate and ruby ring, 18th century, centring on a dendritic agate cabochon between openwork shoulders set with oval rubies, each within a closed­back cut­down collet setting, mounted in gold, size J½ £300­500

594 A gem­set and diamond stickpin, late 18th century and later, the top of giardinetto design, set with rose­cut diamonds and cushion­shaped rubies, emeralds and amethysts in closed­back silver settings, later mounted on a gold stick pin, length 6.4cm, one ruby replaced with red paste £200­300

595 Amoro, an emerald and diamond cluster pendant, the step­cut emerald set within a surround of circular­cut diamonds and a diamond set bail in white gold, on a fine­link gold chain, pendant length 2.2cm, chain 48cm

£2,000­3,000

596 A diamond­set gold bangle, of fluted yellow gold design with diamond­set terminals, internal width 5cm, 38g

£1,200­1,500

597 Bulgari, a gold and diamond ring, ‘Doppio Cuore’, centring on two interlocking heart motifs in polished gold, to a wide band pavé­set to the front with brilliant­cut diamonds, size N, signed Bulgari, French assay marks and sponsor’s mark

£1,500­1,700

598 An aquamarine and diamond pendant, the step­cut aquamarine weighing approximately 20.00cts, set within a surround of diamonds in white gold, length 3.1cm

£3,000­4,000

599 Asprey & Co., a ruby and diamond demi­parure, circa 1977, comprising: a necklace and bracelet, each composed of oval linking, set with oval rubies and brilliant­cut diamonds, mounted in 18ct gold, necklace length 36.5cm, bracelet length 17.5cm, each with French assay marks and British import hallmarks for 18ct gold, sponsor’s mark A&Co. Ltd for Asprey & Co., date letter for 1977, French maker’s marks for Pierre Brun, combined gross weight 99 grams, case

£6,000­8,000

The workshop of Pierre Brun was established in 1935 and for much of the 20th century was one of the leading manufacturers of high jewellery in Paris, who made for Cartier, Van Cleef & Arpels and Boucheron amongst others, before being bought by Cartier in 2000.

600 A pair of diamond ear clips, each designed as an elongated hoop in bicoloured gold, pavé­set with brilliant­cut diamonds, length 3.2cm each, stamped 750

£1,000­1,500

601 A pair of ruby and diamond drop earrings, the four oval ruby and diamond clusters joined with single diamond on articulated links in white gold, length 4.5cm, post fittings

£2,000­3,500

Accompanied by report number 24580 dated 11th May 2024 from GPL London stating that of samples taken the rubies showed no evidence of heat treatment, origin: Burma.

602 An emerald and diamond cluster ring, set with a square emerald within a surround of circular­cut diamonds in platinum, size Q

£3,000­4,000

603 An emerald and diamond cluster ring, the step­cut emerald weighing 3.57cts within diamond border and baguette­shaped diamond shoulders in white gold, total diamond weight 0.40cts, size O

£2,500­3,500

604 A pair of ruby and diamond cluster earrings, set with oval rubies weighing 3.15cts within circular­cut diamond surrounds weighing 2.15cts, claw­set in white gold, length 13mm

£2,200­2,500

Φ 605 Alan Gard, an amethyst, gold and diamond brooch, circa 1967, set with rough amethyst crystals, within an abstract textured gold design accented with brilliant­cut diamonds, length 4.9cm, British hallmarks for 18ct gold, sponsor’s mark AMG, date letter for 1967

£800­1,200

606 A diamond necklace, designed as a gold chain composed of brick linking, centring on a pear­shaped diamond pendant weighing approximately 1.50 carats, length 44cm, stamped 14KT, Italian maker’s mark, gross weight 14 grams

£1,500­2,000

607 A sapphire and diamond­set gold brooch, set with circular and calibré­cut sapphires and diamonds within abstract textured yellow gold surround, length 6cm

£300­400

608 A diamond and sodalite gold necklace, set with textured openwork yellow gold links, joined with diamonds and suspending an abstract diamond and sodalite drop, necklace length 46cm, 165g

£6,000­8,000

Φ 609 Andrew Grima, a gold and shell ring, circa 1972, set with a seashell, mounted in textured gold, size N, signed Grima, British hallmarks for 18ct gold, sponsor’s marks AGLtd, case

£1,000­1,500

610 A modernist amethyst ring, of open U­shaped design, each end set with a step­cut amethyst, in a bicoloured silver mount with a brushed finish, size V½, British hallmarks

£200­300

611 A synthetic spinel and diamond brooch, of starburst design centring on a large oval synthetic spinel within a surround of diamonds and white gold rays, length 6.5cm

£1,200­1,500

612 A pair of shell, citrine and diamond ear clips, each composed of a seashell set with a circular­cut citrine and brilliant­cut diamonds, mounted in gold, length 3.2cm each, clip fittings, stamped 14K, numbered T-10512, one diamond deficient

£500­1,000

Φ 613 Alan Gard, a 9ct gold bracelet, of textured and pierced oval­link in yellow gold, maker’s mark and London hallmarks for 1974, length 21.2cm £500­700

Φ 614 Alan Gard, a gold bracelet, circa 1969, composed of textured gold links, length 18.8cm, British hallmarks for 18ct gold, date letter O for 1969, sponsor’s mark AMG for Alan Martin Gard, gross weight 81.4 grams

£1,500­2,000

615 A ruby and diamond brooch, designed as fruiting vines set with graduated circular­cut rubies, on marquise and baguette­shaped diamond vines in white gold, length 6cm

£2,000­3,000

A verbal report states that of samples taken the rubies are Burmese with no indications of heat treatment.

616 A diamond line bracelet, set with round brilliant­cut diamonds weighing approximately 8.00cts in total, set in 18ct white gold with London hallmarks for 2015, length 18.7cm

£4,500­5,500

617 A brown diamond necklace, composed of briolette diamonds of brown tints, mounted with gold wire, length 70cm

£5,000­7,000

618 A ruby and diamond necklace, composed of links designed as clusters of circular­cut rubies totalling 20.65 carats and brilliant­cut diamonds totalling 15.87 carats, mounted in 18ct white gold, length 41cm, British hallmarks for 18ct gold, sponsor’s mark CFTM

£25,000­30,000

619 A diamond ring, set with a brilliant­cut diamond weighing 2.39cts, between shoulders set with baguette diamonds, mounted in platinum, size K, stamped platinum

£5,000­7,000

A verbal report from GCS states that the central diamond is natural, K colour, SI2 clarity, strong blue fluorescence.

620 A ruby and diamond ring, set with an oval ruby weighing 2.72 carats, between shoulders set with pear­shaped diamonds, each weighing approximately 0.50 carats, mounted in 18ct gold, size R½, British hallmark

£3,000­5,000

A verbal report from GCS states that the ruby is of Thai/Cambodian origin, with indications of heat treatment.

621 A ruby and diamond ring, of cluster design, set with an oval ruby within a border of brilliant­cut diamonds, mounted in gold, size M½, stamped 18ct

£1,000­1,500

622 A ruby and diamond three stone ring, set with an oval­shaped ruby flanked with round brilliant­cut diamonds in platinum, size M

A verbal report from GCS states that the ruby is Thai/Cambodian with no indication of heat treatment.

£2,000­3,000

623 A diamond and yellow diamond ring, of cluster design, set with a brilliant­cut diamond weighing approximately 2.50 carats, within concentric borders of brilliant­cut diamonds and yellow diamonds, mounted in platinum and gold, size L½

£10,000­15,000

624 A diamond cluster ring, set with a central circular­cut diamond weighing 3.00cts within diamond surround and diamond shoulders in white gold, size O

£10,000­12,000

625 A ruby and diamond cluster ring, set with a central oval­shaped ruby within a surround of round brilliant­cut diamonds in platinum and 18ct yellow gold, London hallmarks for 1979, size M

£800­1,200

626 Van Cleef & Arpels, an emerald and diamond necklace, the necklace composed of polished circular gold links, the front section pavé­ and collet­set with brilliant­cut diamonds, centring on a cabochon emerald link suspending a detachable pendant collet­set with a larger cabochon emerald weighing approximately 11.00 carats, necklace length 41cm, length at front 2.9cm, signed VCA, numbered 14431, stamped CS for ‘commission speciale’, French assay mark for 18ct gold, French maker’s mark for André Vassort

£4,000­6,000

627 Cartier, a gold collar necklace, c1993, of geometric design. formed with graduated semi­circular links in 18ct yellow gold, signed Cartier and stamped C2630, length 41cm, 83g, Cartier box

£6,000­8,000

628 Tiffany & Co, a diamond solitaire ring, the emerald­cut diamond weighing 1.06cts, set within tapered baguetteshaped shoulder diamonds in platinum, British import marks for 1987, size J, Tiffany case and outer box

£3,000­5,000

Accompanied by IGL report no. 150010493, dated 20th August 2014, stating that the emerald­cut diamond weighing 1.06 carats is natural with E colour and VVS2 clarity. Fluorescence: none.

629 Tiffany & Co, a diamond cluster ring, the oval­shaped diamond weighing 1.10cts, within a diamond surround and further diamonds to the shoulders in platinum, stamped Tiffany & Co and numbered 70457830, size K, with Tiffany box (with lettering V&C applied)

£5,500­6,500

Accompanied by a facsimile copy of Tiffany paperwork stating that the diamond is E colour, VVS1 clarity with Medium blue fluorescence.

630 Cartier, a gold ring, ‘Trinity de Cartier’, 1990s, composed of three gold bands with a tricoloured finish, size M, signed Cartier, numbered E10240, Italian maker’s marks, Swiss assay marks for 18ct gold and stamped 750, copyright mark, dated 1995, accompanied by Cartier certificate of authenticity dated 1999

£1,000­1,500

631 Cartier, a pair of gold ear clips, circa 1993, each designed as a tapering fluted gold hoop, length 3cm, clip fittings, signed Cartier, numbered D11312, copyright mark and date 1993, Italian maker’s mark, Swiss assay mark for 18ct gold, combined gross weight 34 grams

£2,000­3,000

632 Hermès, a gold and diamond necklace, ‘Collier Double Tour Kelly’, designed as a longchain composed of graduated elongated links, to a a gold twist­action ‘Kelly’ clasp set with brilliant­cut diamonds, length 92.5cm, signed Hermès, numbered 18V009210, French assay marks for 18ct gold, French maker’s mark FM with palm tree, gross weight 41.5 grams, fitted case and outer box stamped Hermès, certificate of authenticity and facsimile of original invoice dated 2021

£5,000­7,000

633 Bulgari, a chain necklace, ‘Bulgari Bulgari’, the cable link necklace terminating in two hoop motifs, length 41.5cm, signed Bulgari, Italian maker’s marks, stamped 750, gross weight 7 grams

£300­400

634 Cartier, a pair of diamond ear clips, ‘C de Cartier’, each hoop composed of ‘C’­shaped motifs in white gold, one set with brilliant­cut diamonds, length 2.8cm, signed Cartier, numbered 810826, French assay marks for 18ct gold, maker’s mark for Pierre Brun

£4,000­6,000

635 Georg Jensen, a three­piece fusion ring, set in 18ct yellow and white gold, each piece signed, size N

£800­1,200

636 Aldo Cipullo for Cartier, a gold ‘LOVE’ bangle, circa 1970, designed as a manacle, fastened at each end with a screw, decorated with screw motifs, inner circumference 16cm, signed Aldo Cipullo and Cartier, stamped 18K, copyright mark, date 1970, base metal screwdriver

£1,000­1,500

637 Cartier, a pair of earrings, ‘Trinity de Cartier’, 1990s, each designed as a fluted gold hoop with a tricoloured finish, length 2.3cm, clip and post fittings, signed Cartier, numbered D37859, copyright mark, dated 1995, Italian maker’s marks, Swiss assay marks, pouch stamped Cartier

£1,800­2,500

638 A diamond cluster ring, the early 20th century cluster set with a central old circular­cut diamond weighing approximately 1.10cts within a surround of graduated old circular­cut diamonds in silver, on a later 18ct yellow gold shank, size M

£800­1,200

639 A late 19th century emerald and diamond cluster ring, set with a step­cut emerald within a surround of diamonds in silver and gold, size J ½

£5,000­7,000

640 A diamond cluster ring, set with a central old cushion­shaped diamond weighing 4.95cts within a border of diamonds in platinum, size L

£12,000­15,000

641 An Edwardian sapphire, seed pearl and diamond necklace, circa 1910, the pendant of lyre­shaped outline in openwork platinum and gold, suspended from a sequence of links, centring on a pear­shaped sapphire, accented with seed pearls, variously shaped sapphires and rose­cut diamonds, to a platinum chain necklace, pendant length 7.1cm, chain length 39cm, pearls untested

£1,000­1,500

642 Koch, an Art Deco amethyst, moonstone, pearl and diamond sautoir, 1920s, the fancy­link platinum chain threaded with pearls and carved amethyst and moonstone links accented with rose­cut diamond roundels, suspending a fluted amethyst drop with a rose­cut diamond and calibré­cut amethyst surmount, chain length 62cm, pendant length 4.5cm, signed Koch

£8,000­12,000

643 A blue spinel and diamond ring, set with a cushion­shaped blue spinel weighing 6.63 carats, between shoulders set with baguette diamonds, mounted in platinum, size N, case

£3,000­5,000

Accompanied by report number 24246 dated 23rd February 2024 from The Gem & Pearl Laboratory, stating that spinel measuring approximately 11.2 x 10.3 x 7.0mm is natural, with no evidence of heat treatment.

644 A pearl and diamond brooch/pendant, early 20th century, of circular outline, with a radiating design in openwork knife wire, set with circular­cut diamonds and pearls, mounted in silver and gold, diameter 4.6cm, detachable brooch fitting, pearls untested

£600­800

645 An Art Deco diamond lorgnette, millegrain­set overall with old cushion­shaped and rose­cut diamonds in platinum, with amphora shaped handle, diamond­set to both sides, length 8.6cm

£3,000­4,000

646 An Art Deco natural pearl and diamond brooch, early 20th century, designed as an elongated openwork bow, set with circular­cut and single­cut diamonds and a drop­shaped natural pearl measuring approximately 11 x 6 x 6.mm, mounted in millgrain­bordered platinum, length 6.7cm, fitted case stamped Goldsmiths & Silversmiths Company

£2,000­3,000

A verbal report states that the pearl is natural saltwater

647 A diamond pendant, early 20th century, designed as a radiating openwork cluster of circular­cut diamonds, mounted in platinum, to a detachable circular­cut diamond bail, to a later silver chain necklace, pendant length 3.4cm, necklace length 39cm

£1,000­1,500

648 Costas Kessaris, a pair of ruby and diamond ear clips, of waisted lozenge design set with circular­cut diamonds and cabochon rubies in yellow gold, maker’s mark and stamped 750, length 5cm, clip fittings

£1,800­2,200

649 Bulgari, a pair of ‘Doppio Cuore’ gold and diamond earrings, the yellow gold heart suspending a larger stylised heart pavé­set with diamonds in 18ct yellow gold, signed, with maker’s mark and French control marks, length 3.1cm, clip fittings

£4,000­6,000

650 Biffi, a ruby and diamond­set gold collar necklace, centring on a cabochon ruby and diamond­set plaque of interwoven design, on a brick­link gold collar necklace, 108g, length 46cm

£4,000­6,000

651 Monture Cartier, a diamond cluster ring, set with old circular­cut diamonds within twisted rope border on a fluted gold mount, signed Monture Cartier with a rubbed French mark, size P

£1,500­2,000

652 Cartier, an Art Deco gold and jadeite brooch, 1930s and later, of geometric design, centring on three panels of jadeite, between hoop motifs in polished gold, length 5.8cm, signed Cartier London, later brooch fitting

£1,500­2,000

653 A diamond and synthetic ruby cocktail ring, 1940s, of Odeonesque design, set with a circular­cut diamond weighing approximately 0.15 carats, between bands of channel­set calibré­cut synthetic rubies, mounted in 18ct gold, size L½, later British hallmark

£400­600

654 Cartier, a coral, onyx, chalcedony and diamond brooch, circa 1960, designed as a bust of a Beefeater in traditional garb, his head and shoulders of carved coral, his hat of carved onyx set with brilliant­cut diamonds, his ruff collar of white chalcedony, holding a spear, mounted in gold, length 4.5cm, signed Cartier Paris, numbered 011646, maker’s mark for Cartier

£3,000­5,000

655 Cartier, a turquoise, sapphire and diamond brooch, circa 1960, designed as an owl, its eyes set with cabochon sapphires, its chest set with turquoise cabochons, its tail set with four brilliant­cut diamonds, length 3.7cm, signed Cartier, numbered 2030, initialled MRI, pouch stamped Cartier

£1,500­2,000

656 A Retro gold, synthetic ruby and diamond brooch, late 1930s, designed as a stylised bird on a branch in polished gold, accented with single­cut diamonds in platinum settings, its eyes set with cabochon synthetic rubies, length 3.1cm, French import assay marks for gold and platinum

£800­1,200

657 Cartier, a gold and lapis lazuli bracelet, 1960s, composed of articulated links designed as a knotted rope in textured gold, set with pairs of lapis lazuli cabochons, length 18cm, signed Cartier Paris, numbered 012585, French assay marks for 18ct gold, gross weight 51 grams

£7,500­9,500

658 A fine emerald and diamond ring, claw­set with a cushion­shaped emerald weighing 1.73 carats, between shoulders set with trapezoid diamonds, mounted in 18ct gold, size L½, British hallmark £13,000­18,000 Accompanied by SSEF report no. 136464, stating that the emerald measuring 8.39 x 8.37 x 6.30mm and weighing 1.73 carats is of Colombian origin, with no indications of clarity enhancement.

659 Adler, a cultured pearl and diamond necklace, the pendant of geometric design, set with an emerald­cut diamond weighing 4.06 carats, to a double border and bail channel­set with step­cut and trapezoid diamonds, suspended from a necklace composed of cultured pearls spaced with brilliant­cut diamond roundels, the barrel clasp set with brilliant­cut and baguette diamonds, mounted in gold, pendant length 4cm, detachable, necklace length 50.5cm, partially signed Adler, stamped 750 £35,000­40,000

Accompanied by GIA report no. 7235155687, dated December 20th 2023, stating that the central emerald­cut diamond weighing 4.06 carats is I colour, VS2 clarity, with no fluorescence.

£2,000­3,000

660 A diamond brooch/pendant, mid 19th century, designed as an openwork Maltese cross, set with cushionshaped diamonds, mounted in silver and gold, length 4.9cm, detachable brooch fittings, later hook fitting, retractable pendant hoop, fitted case stamped Harvey & Gore

661 A Victorian diamond brooch, late 19th century, of target design, composed of concentric rings of circular­cut diamonds, mounted in silver and gold, diameter 2.8cm

£2,500­3,000

662 A diamond brooch, designed as a star, set with brilliant­cut diamonds, mounted in silver and gold, length 3.8cm, case £500­700

663 A Victorian diamond brooch, late 19th century, designed as a floral cluster, set with circular­cut diamonds, mounted in silver and gold, diameter 2.5cm

£1,000­2,000

664 A late 19th century diamond sunburst brooch, set with a central old circular­cut diamond and radiating rays of old cushion­shaped and rose­cut diamonds in silver and gold, length 9.6cm

£3,000­5,000

665 A Victorian ruby and diamond pendant, mid 19th century, designed as a cross in an oval frame, set with cushion­shaped rubies and diamonds, mounted in gold, length 3.5cm including bail, bail possibly later

£3,000­4,000

666 An opal and diamond brooch, late 19th century, of cluster design, set with a cabochon opal, within a border of cushion­shaped diamonds, mounted in silver and gold, length 2.3cm

£2,000­3,000

667 A late 19th century opal and diamond­set gold bangle, set with a central oval solid white opal within a cushionshaped diamond surround, on trifurcated shoulders set with further old cushion­shaped diamonds in silver and gold, the central oval section detaches from the bangle to be worn as a brooch, length of opal and diamond cluster 3cm, internal bangle width 5.4cm, with gold brooch fitting, case

£3,000­5,000

668 An opal and diamond brooch, late 19th century, of cluster design, set with a cabochon opal, within a border of cushion­shaped diamonds, mounted in silver and gold, length 3.1cm

£3,000­4,000

669 A ruby and diamond ring, of cluster design, claw­set with an elongated cushion­shaped ruby weighing 2.74 carats, within a border of circular­cut diamonds totalling approximately 1.50 carats, mounted in gold, size O, stamped 18CT

£3,500­4,500

Accompanied by report no. 22495 from the Gem & Pearl Laboratory, stating that the ruby is of East African origin, with no indications of heat treatment.

670 A Victorian diamond brooch, late 19th century, designed as a crescent moon, set with cushion­shaped and rose­cut diamonds, the largest weighing approximately 1.00 carat, mounted in silver and gold, length 4.5cm

£3,000­5,000

671 An emerald and diamond ring, France, early 20th century, of cluster design, set with a step­cut emerald weighing 1.29 carats, within a border of circular­cut diamonds, size N, French maker’s mark AH with omega symbol

£6,000­8,000

Accompanied by AGL report no. 1138069, stating that the emerald measuring 8.1 x 6.3 x 3.2mm and weighing 1.29 carats is of Colombian origin, with indications of insignificant clarity enhancement.

672 A ruby and diamond ring, claw­set with an oval ruby weighing 0.76 carats, within a border of brilliant­cut diamonds, mounted in 18ct gold, size N½, British hallmarks

£600­800

A verbal report from the Gem & Pearl Laboratory states that the ruby is of Thai/East African origin, with indications of heat treatment.

673 An emerald and diamond half hoop ring, circa 1901, set with three step­cut emeralds spaced by pairs of circularcut diamonds, size O½

£1,700­1,900

674 A Victorian diamond brooch/hair ornament, late 19th century, designed as a crescent moon, set with circularcut diamonds, mounted in silver and gold, length 4.4cm, detachable brooch fitting and gilt metal hairpin fitting, one fitted case stamped Goldsmiths and Silversmiths Company

£2,000­3,000

Φ 675 Andrew Grima, an impressive gold, amethyst and diamond necklace, circa 1969, the hinged gold collar suspending a large oval step­cut amethyst in an abstract setting composed of oval motifs, accented with single­cut diamonds, mounted in 18ct gold, signed Grima, British hallmarks for 18ct gold, London, 1969, sponsor’s mark HJCo, length 50cm, pendant length 6.5cm, pouch by Grima £14,000­18,000

£12,000­15,000

676 Trabert & Hoeffer Mauboussin, a fine Retro emerald and diamond brooch, ‘Reflection’, 1940s, designed as a spray of flowers and fruit in polished emerald beads accented with single­cut diamonds, among gold ribbon rosettes, length 8.6cm, signed Trabert & Hoeffer Mauboussin, stamped ‘Reflection’

tiara frame wrapped in ribbon, height at front 6.3cm £35,000­40,000

677 A diamond tiara, late 19th century, composed of five graduated sunburst motifs, set with cushion

shaped and rose

cut diamonds, mounted in silver and gold, on a base metal

677

not lifesize

£35,000­45,000

678 An impressive diamond pendant necklace, early 20th century, the pendant composed of two cushion­shaped diamonds weighing approximately 6.00 and 1.50 carats, connected by a knife wire link, to a to a later white gold chain necklace, pendant length 3.6cm, chain length 38cm, stamped 750

679 A diamond solitaire ring, claw­set with an Asscher­cut diamond weighing 5.34 carats, between shoulders set with tapered baguette diamonds, mounted in platinum, size P½, British hallmarks, maker’s mark CG&S

£20,000­30,000

678

679

680 An attractive Art Deco diamond and emerald ring, circa 1913, centring on four French­cut diamonds, the shoulders channel­set with calibré­cut emeralds, between lines of cushion­shaped diamonds, mounted in millegrained platinum, size L½, inscribed date Sept 30th 1913, one emerald deficient

£1,000­2,000

681 An Art Deco emerald and diamond ring, set with a central marquise­shaped diamond within calibré­cut emerald surround and diamond shoulders, in platinum, French control marks, size N

£2,000­3,000

682 An Art Deco diamond double­clip brooch, 1930s, each of abstract swirled design, set with circular­ and singlecut diamonds, mounted in platinum and white gold, combining into a single brooch, total length 4.1cm £1,000­1,500

683 An Art Deco diamond clip brooch, 1930s, of shield­shaped design, pavé­set with brilliant­cut diamonds and collet­set with geometric arrangements of baguette and triangular diamonds, mounted in platinum and white gold, length 3.9cm, fitted case stamped PG Dodd & Son

£2,000­3,000

684 A demantoid garnet and diamond pendant, set with three graduated old circular­cut diamonds suspending a pear­shaped demantoid weighing 2.79cts, on fine­link platinum neck chain

£2,000­3,000

685 A pair of diamond ear clips, mid 20th century, each designed as a cornucopia, set with single­cut and antique cushion­shaped diamonds, mounted in platinum and silver, length 2.9cm each

£1,000­1,500

686 A sapphire and diamond bracelet, alternately­set with octagonal panels millegrain­set with diamonds, and square sapphires in white gold, length 16.5cm

£6,000­8,000

687 An Art Deco diamond and synthetic sapphire brooch, circa 1920, designed as a wreath tied with a bow, suspending a length of ribbon, set with circular­cut diamonds and calibré­cut synthetic sapphires, mounted in platinum, length 7.8cm, one synthetic sapphire deficient

£1,000­2,000

688 An Art Deco ruby and diamond kingfisher brooch, the stylised bird with a cabochon ruby head and diamond eyes, the body pavé­set with diamonds and buff­top ruby accents to the wings, in platinum, width 4.7cm

£4,000­6,000

689 A sugarloaf sapphire and diamond ring, the central sapphire cabochon flanked with square­shaped diamonds in platinum, size J (sizing beads)

£6,000­8,000

Accompanied by GCS report number 5784­0183 dated 18th October 2023 stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

690 An Art Deco emerald and diamond ring, the step­cut emerald set within triangular shoulders millegrain­set with diamonds on a later platinum shank, size K ½

£7,000­9,000

691 An emerald and diamond ring, early 20th century, set with a step­cut emerald weighing approximately 1.05 carats, between circular­cut diamonds totalling approximately 1.40 carats, mounted in gold and platinum, size M, case stamped Goldsmiths & Silversmiths Company

£2,000­3,000

A verbal report from GCS states that the emerald is of Colombian origin, with indications of minor clarity enhancement.

692 lifesize

693 lifesize

692 A ruby five stone ring, set with graduated emerald­cut rubies weighing 3.10cts total, claw­set in plain yellow gold setting, size M

£12,000­15,000

Accompanied by report number 23082141 dated 11th September 2023 from Gübelin stating that the rubies show no indications of heating. Origin: Burma.

693 A ruby and diamond ring, early 20th century, of cluster design, set with a cushion­shaped ruby, within a border of circular­cut diamonds with an openwork scrolled gallery, mounted in platinum, size O ½, numbered 3215, French import assay mark for platinum

£15,000­20,000

Accompanied by report number 137005 dated 14th March 2024 from SSEF stating that the ruby showed no indications of heating. Minor amounts of oil in fissures at the time of testing. Origin: Burma.

692

693

694 A ruby and diamond ring, claw­set with an oval ruby weighing 1.89 carats, between shoulders set with baguette diamonds, mounted in white gold, size M

£5,000­7,000

Accompanied by GIA report no. 5233878023 dated October 2016, stating that the ruby is of Myanmar (Burma) origin, with no indications of heat treatment.

695 A pair of ruby and diamond earrings, mid 20th century, of ‘day and night’ design, composed of a scrolled earring set with brilliant­cut and baguette diamonds, suspending an articulated drop set with baguette diamonds and oval rubies, mounted in platinum, total length 5.6cm each, clip and post fittings

£15,000­20,000

Accompanied by report number 17630 from CISGEM dated 11th December 2020 stating that the two rubies tested show no indications of heating. Origin: Burma

696 A ruby cabochon in gold collet, 1.6g total

A verbal report from GCS states that the ruby shows no signs of heating. Origin: Burma.

£1,600­1,800

697 A pair of ruby and diamond ear clips, mid 20th century, of pentagonal outline, each centring on a circular­cut ruby, within concentric bands of tapered baguette and brilliant­cut diamonds and smaller circular­cut rubies, mounted in platinum, length 2.9cm each, clip fittings stamped Mecan Elde

£10,000­12,000

Accompanied by report number 26993 dated 15th February 2024 from CISGEM stating that the two rubies tested show no indications of heat treatment. Origin: Burma.

698 A diamond bracelet, 1950s, the centre of scrolled design, on an articulated bracelet, set with baguette, marquiseshaped, circular­, single­ and brilliant­cut diamonds, mounted in platinum, length 17.5cm, case

£6,000­10,000

699 A diamond ring, of cluster design, set with a step­cut diamond weighing approximately 1.85 carats, within a border of pear­shaped diamonds, mounted in platinum, size O½, stamped PLAT

£4,000­6,000

700 A pair of diamond earrings, early 20th century composite, each designed as a pair of asymmetrical drops, set with cushion­shaped and circular­cut diamonds, the principal diamonds weighing approximately 1.00, 1.70, 1.80, 0.95, 1.90 and 1.40 carats respectively, mounted in platinum, length 4.1cm each, post fittings

£10,000­12,000

701 A diamond ring, of cluster design, claw­set with a brilliant­cut diamond weighing 3.02 carats, to a border and shoulders set with smaller brilliant­cut diamonds, mounted in platinum, size M½, British hallmarks

£10,000­15,000

702 A sapphire, emerald and diamond ring, of toi et moi design, set with a step­cut sapphire weighing 8.21 carats and a step­cut emerald weighing 1.83 carats, within a foliate border of circular­cut, baguette and marquise­shaped diamonds, mounted in platinum, size P, stamped PLAT, sponsor’s mark WB

£10,000­15,000

Accompanied by report nos. 20765 and 20783 from the Gem & Pearl laboratory, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, and the emerald is of Colombian origin, with indications of moderate clarity enhancement, a verbal report from GCS additionally stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

703 A sapphire and diamond ring, the oval sapphire weighing 2.39cts flanked with tapered baguette­shaped diamonds in platinum, size L

£5,000­7,000

Accompanied by report number 5784­2567 dated 22nd May 2024 from GCS stating that the sapphire shows no indications of heating, origin: Burma.

704 An Art Deco diamond ring, 1920s, claw­set with a circular­cut diamond weighing 2.38 carats, between geometric shoulders set with single­cut and baguette diamonds, mounted in platinum, size K½, stamped 900 PLAT 100 IRID

£8,000­12,000

705 A diamond solitaire ring, set with a round brilliant­cut diamond weighing 3.75cts, with further smaller diamonds set to the white gold band, inner re-sizing balls, size F approx

£5,500­6,500

706 An Art Deco diamond cluster ring, set with a circular­cut diamond weighing 2.08cts, within a surround of smaller old­cut diamonds in platinum, size K

£6,000­8,000

707 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of square­shaped diamonds in platinum and gold, size N

£7,000­9,000

Accompanied by report number 103980 dated 19th December 2018 from SSEF stating that the ruby showed no indications of heating, origin: Burma.

708 An impressive diamond brooch, designed as a bouquet of flowers, pavé­set with brilliant­cut diamonds, the four flowers each centring on a larger brilliant­cut diamond weighing approximately 1.19, 1.50, 1.10 and 1.90 carats respectively, mounted in platinum, length 8.2cm £14,000­16,000

709 A natural pearl and diamond necklace, early 20th century, designed as a single graduated strand of natural pearls measuring 3.4 ­ 9.5mm diameter, to a barrel clasp set with circular­cut diamonds, length 43cm £4,000­6,000 Accompanied by GCS report no. 5784­2093 dated 17th April 2024, stating that the pearls are natural saltwater

710 A fine Belle Époque diamond pendant, circa 1910, designed as sinuous ribbon bows accented with sprays of laurel leaves, set with circular­cut and rose­cut diamonds, suspending five circular­cut diamond pendants, the largest two weighing approximately 1.50 and 1.20 carats respectively, mounted in platinum with millegrain borders, to a fine link platinum chain, pendant length 6.3cm, chain length 52cm, detachable brooch fitting, fitted case £6,000­8,000

lifesize

£20,000­50,000

711 A pair of natural pearl and diamond drop earrings, each pearl suspending a lozenge shaped border of baguetteshaped and circular­cut diamonds set in alternation, with an articulated drop set with a pair of trillion­cut and triangular rose­cut diamonds within, in 18ct white gold, hook fittings to diamond­set hoops, length 7.1cm, trillioncut diamonds approximately 4.40cts and 3.90cts, triangular rose-cut diamonds approximately 2.80cts and 2.80cts, total approximate weight of diamonds 17.00cts

Accompanied by report number 5784­2497 dated 22nd May 2024 from GCS stating that the two pearls are natural saltwater

not lifesize

WEDNESDAY 30TH & THURSDAY 31ST OCTOBER 2024

TUESDAY 16TH & WEDNESDAY 17TH JULY 2024

A modern silver ‘Aqua Poesy’ beaker, by Hiroshi Suzuki Estimate £2,500 ­ 3,500* A modern silver ‘Aqua Poesy III (V­7)’ vase, by Hiroshi Suzuki Estimate £10,000 ­ 15,000* ENQUIRIES

BRITISH AND CONTINENTAL CERAMICS & GLASS

TUESDAY 3RD SEPTEMBER 2024

CLOSING DATE FOR ENTRIES, 5TH JULY

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

Sackville­West +44 (0)2080 909988 Moving & Storing office@sackvillewest.co.uk www.sackvillewest.co.uk

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources: From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

ABSENTEE BID FORM

FINE JEWELLERY

10TH & 11TH JULY 2024

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Signature

AUCTION CALENDAR

JUNE

19th Fine Arts & Crafts

JULY

3rd & 4th Furniture, Works of Art & Clocks

10th & 11th Fine Jewellery

16th & 17th Silver & Objects of Vertu

SEPTEMBER

3rd British and Continental Ceramics & Glass

4th Old Masters, British & European Paintings 17th Arts of Africa, Oceania & the Americas

OCTOBER

2nd & 3rd Furniture Works of Art & Clocks

16th & 17th Design

22nd & 23rd Silver & Objects of Vertu 30th & 31st Fine Jewellery

NOVEMBER

12th & 13th Asian Art, Chinese Paintings & Japanese Works of Art 27th Medals & Coins, Arms & Armour

DECEMBER

3rd & 4th British Art Pottery 5th Modern British & 20th Century Art

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk