WW Ceramics by Jamm Design Ltd

Woo l lE y & Wa l li s SA L I S B U R Y SA L E R O O M S

English & EuropEan CEramiCs & glass Tuesday 13th september 2011

Specialist Departments Please dial 01722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

—

424505

ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)

424506 424591 424507

BOOKS & MANUSCRIPTS Liz Merry (Consultant)

—

CLOCKS Will Hobbs — Richard Price (Consultant)

— — — —

GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

424500

—

424500

SALEROOM MANAGER David Jordan

—

424500

PRESS & PUBLICITY Kate Williams

—

424590

339752

339752 411854 339161 339752

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

—

424504 424595

PAINTINGS Victor Fauvelle Jo Butler

— —

424503 424592

SILVER Rupert Slingsby Lucy Grazier

— —

424501 424530

Members of The Society

ACCOUNTS & OFFICE MANAGER Janice Clift —

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424510

of Fine Art Auctioneers

BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

—

424526

English & EuropEan CEramiCs & glass TuEsday 13Th sEpTEmbEr 2011 aT 10.30am Viewing Times Saturday 10th September Monday 12th September Tuesday 13th September

10.00am – 1.00pm 10.00am – 7.00pm 9.00am – 10.30am

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

Sophie Lister 01722 424591 sophielister@woolleyandwallis.co.uk

John Axford 01722 424506 johnaxford@woolleyandwallis.co.uk

Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 13TH SEPTEMBER 2011

1. Eight glass finger bowls, late 18th / early 19th century, five amethyst, two green and one blue, two raised on folded feet, 13.5cm max. (8) £150-200

2. Four Bristol blue glass finger bowls or rinsers, early 19th century, three gilded with the same stylized foliate design, the fourth with flowerhead roundels, and a blue glass plate with a wide gilt border of leafy tendrils, 22cm max. (5) £300-400

3. Two blue glass bowls and covers, late 18th / early 19th century, one moulded with a diamond design, three large goblets or footed bowls, and a smaller glass with a knopped stem, 15.7cm max. (8) £150-200

4. Three amethyst glass jugs, late 18th / early 19th century, a mustard or preserve pot with a silver cover, a footed salt and a spiral moulded bottle with cork stopper, 17.5cm max. (7) £150-200

5. Nine coloured glasses and goblets, 19th century, including four amethyst flutes, three goblets applied with raspberry prunts, and two other small glasses, 13cm max. (9) £100-200

6. A small collection of moulded or hammered Bristol blue glass, 19th century. Comprising: two bowls, three glasses, a small mug and a small bottle and stopper. (8) £100-200

7. A narrow pan-topped wine glass, 2nd half 18th century, the tall bowl raised on an airtwist stem, 19cm. £500-700

8. A Jacobite type goblet, 2nd half 18th century, the bowl engraved with rose and thistle, raised on a double-knopped airtwist stem, 18.5cm. £800-1,200

9. A massive Jacobite type flute, engraved with a six petal rose, a star, oakleaf and ‘FIAT’, raised on a spiral moulded stem, a small chip to the foot, 31cm. £100-200

10. A wine glass, mid 18th century, the flared bowl raised on a beaded knopped stem above a slightly domed foot, 16.5cm. £550-650

11. A baluster wine glass, c.1730, the bell-shaped bowl raised on a bladed and knopped stem, 16.5cm. £500-600 12. A good cider glass, 2nd half 18th century, engraved and cut with fruiting apple branches, raised on a double-knopped airtwist stem, the rim and foot with a band of circles and stars, 20cm. £2,000-2,500 13. A massive wine glass, the flared bowl issuing from a double series opaque twist stem, 30cm. £100-200 14. A wine glass, mid 18th century, the bell-shaped bowl raised on a straight airtwist stem with an annulated knop, above a slightly domed foot, 18.3cm. £450-550 15. Russian interest: an engraved glass, 19th century, decorated with a detailed view of figures before the Pavlovsk Palace near St Petersburg, the reverse titled ‘Pavillon a Pavlovski’ within a floral cartouche, above diamond banding, 13.5cm. £300-500 16. A large glass bucketshaped vase, engraved with an Oriental couple taking tea beneath palms and other trees, 19.7cm. £50-150

17. A set of six ruby-flashed cut wine glasses, the bowls with a graduated chequered design, raised on star cut bases, 11.8cm. (6) £50-150

18. A good Irish glass boat-shaped centrepiece, c.1780, with faceted overhung lip above two bands of cut ovals, raised on a bobbin stem and lemon squeezer base, 31cm. £500-700

19. Two ruby-flashed glass goblets, 19th century, one faceted and gilded with ‘SOUVENIR’, the other decorated with circular panels of woodland creatures, 13.8cm max. (2) £80-120

20. A set of six Whitefriars Coronation glasses, c.1953, the bowls engraved with the monogram for Elizabeth II and the date 2nd June 1953, raised on colour twist stems, and two other engraved glasses, 21cm max. (8) £150-250

21. A Bohemian glass bowl and cover, 19th century, flashed with amber and ruby roundels decorated with small vignettes of birds, flowers and other creatures, and an amber-flashed goblet decorated with stags, 15cm max. (3) £80-120

22. A Prussian decanter and stopper, with three neck rings, a coin tankard and a large glass goblet, the coin dated 1819, minor faults, 26cm max. (4) £150-250

23. A large glass tumbler and goblet, 18th century, the latter engraved with a six petal rose, the former with a sprawling rose stem and a small bird, 17.3cm max. (2) £500-800

24. A spiral moulded jelly glass, 18th century, and a spiral glass candlestick, the sconce ground, 17cm max. (2) £80-120

25. A Prussian decanter and stopper, 2nd half 18th century, engraved with a ribboned band and the initials ‘CTL’, and a large glass goblet engraved ‘God Speed the Plough’ and with various motifs, 28.5cm max. (3) £150-250

Provenance: from the collection of the late John Norie.

26. Three small blue glass decanters, 18th / 19th century, two gilded with oval panels inscribed ‘Brandy’ and ‘Hollands’, the third titled ‘Rum’, the Brandy decanter with a glass stopper, another replacement stopper, 23cm max. (5) £150-250

27. Three cut glass receptacles with silver covers, late 18th / early 19th century, London hallmarks dating between 1792 and 1820, two of the covers engraved with armorial crests, 15cm max. (6) £250-350

28. Five Bristol blue glass jugs, 19th century, of varying form, all with scroll handles, 11cm max. (5) £100-200

29. A pair of glass table lustres, 19th century, ruby-flashed and overlaid in white with gilt detailing, each hung with ten faceted lustres, some replacements, 25cm. (2) £150-250

30. A Bohemian ruby glass bowl, 19th century, overlaid in white and cut with bands of ovals beneath a scalloped rim, 22cm. £150-250

31. A garniture of three Bohemian overlaid glass vases, 19th century, the dusky pink bodies cut with an interlocking double wave design, beneath a band of tall ovals, one broken and riveted, 26.5cm max. (3) £400-600

32. A Bohemian glass scent bottle and stopper, 19th / 20th century, the faceted body a mottled blue and white, and a Japanese Satsuma vase, well painted with blown chrysanthemum blooms, six character mark, 30.5cm max. (3) £100-200

33. Three deceptive glasses, another glass raised on a short knopped stem, a small handled glass cup, and a modern Wedgwood Jasperware rectangular plaque, some faults, 23cm max. (6) £80-120

34. A pair of opaline glass vases, 2nd half 18th century, the slightly ribbed bodies tapering from the shoulders, 13cm. (2) £50-150

Provenance: from the collection of the late John Norie.

35. A sealed English mallet-shaped wine bottle, 2nd half 18th century, the seal for J Watson Esq of Bilton Hall in Knaresborough, Yorkshire, 23cm. £200-300

36. An English mallet wine bottle, mid 18th century, the squat cylindrical body of a good olive green colour, 19cm. £200-300

37. Two onion bottles, 2nd half 18th century, the squat bodies a pale green colour, the necks with a slight lean, 16.5cm. (2) £200-300

38. An English onion wine bottle, early 18th century, the squat green body rising to a tapered neck with a slight lean, 18cm. £300-500

39. A Venetian or façon de Venise glass flask, probably 16th / 17th century, the double gourd shape lightly spiral moulded and spotted with white enamel in vetro a fili, 16.5cm. £800-1,200 38

40. A good Beilby wine glass, c.1760-70, the flared bowl rising from a tapering opaque gauze stem and enamelled with fruiting grapevine, 17.2cm. £2,500-3,500

41. A glass goblet, late 18th century, the bowl decorated with a six petal rose, raised on a faceted stem, 17cm. £400-600

Cf. James Rush, A Beilby Odyssey, p.64, no.22 for an example of the same decoration.

44. Two engraved glasses, 2nd half 18th century, the larger engraved with grapevine and the initials ‘JTE’, the smaller with fruiting vine, both raised on opaque twist stems, 17cm max. (2) £450-650

42. A commemorative wine glass, c.1783, celebrating the Treaty of Paris, engraved with Britannia, the reverse with a single flower, raised on an opaque twist stem, 15cm. £1,200-1,500

43. A cranberry glass hunting goblet, 19th century, decorated with a huntsman and his hound closing in on two rabbits amongst fruiting grapevine, raised on a faceted stem, 18.2cm. £150-200

The Treaty of Paris, signed on 3rd September 1783, formerly ended the American Revolutionary War between the United Kingdom and the United States of America.

45. A good ale glass, 2nd half 18th century, the tall flared bowl engraved with four crossed stems of barley, raised on a double-knopped airtwist stem, 20.5cm. £300-400

46. A Lynn wine glass, 2nd half 18th century, the lightly ribbed bowl raised on a double series opaque twist stem, 12.5cm. £400-500

47. A good balustroid wine glass, c.1730-40, the straight stem knopped near the folded foot, 16.5cm. £450-550

anTiquiTiEs, anCiEnT poTTEry & poTTEry from ThE anTiquE

48. Five Tarentine terracotta appliqués, 4th century BC, each formed as a stylized six petal rosette, traces of ochre pigment and gilding, 4.5cm. (5) £250-350 Rosettes of this type were produced for a relatively short period between 350 and 320 BC and were probably used as decoration on funerary furniture.

51. A limestone relief, in Ptolemaic Period style, the owner standing on the right with raised hands, Osiris in the middle wearing a tall crown flanked by feathers, Isis standing wearing the culture head-dress, sun disc with cow horns and holding the ankh sign, hieroglyphs above and below, wear and damage, 24cm. £100-200

49. A Cypriot bichrome pottery amphora, c.900 BC, two terracotta oil lamps, a Cypriot figure fragment, a terracotta shallow bowl and three miscellaneous gold items, 15.5cm. (8) £250-350

50. Six Romano-British or RomanoCeltic bronze brooches and appliqués, 300 BC - 300 AD, of varying form, one with enamel inlay, one with a band of blue millefiori inlays, 5cm max. (6) £200-300

52. An Egyptian limestone statue of a striding male figure, Old Kingdom or later, some traces of pigment, damages, on an old collection base, 47cm. £500-1,000

53. A small Egyptian limestone relief fragment, Old Kingdom c.2300 BC, carved with the head of a man in profile, traces of red pigment on his face and shoulders, 12.5cm. £100-200

Provenance: from a private Japanese collection; acquired during the 1960s and 1970s.

Provenance: by descent from the Belgian archaeologist Eleonore Bille-de-Mot (1903-87).

54. A European Dark Age gilt bronze brooch, 6th century AD, decorated with gold foil over a bronze core, the head and foot inlaid with garnet, the reverse with an iron pin, and a Roman bronze handle, 9cm max. (2) £200-300

55. A small Roman glass vessel, the thick body rising to a short tapering neck and marbled with blue, yellow and white, 8.8cm. £200-300

56. A Roman black pottery ovoid jar, 1st2nd century AD, decorated with a pattern of applied raised points, raised on a short flared foot, 9.4cm. £250-350

Provenance: from a private UK collection

Provenance: formerly a private New York collection.

58. A small collection of antiquities, c.700 BC and later, including a bronze mirror or speculum, two small pottery wine jars and a pottery lamp, two bowls with incised decoration, and a kantharos, some damages, 17cm max. (7) £150-250

59. A Syrian limestone scaraboid seal, 8th - 7th century BC, carved with a stylized lion with tail curved over his back, an impression of the same, and an Etruscan lapis lazuli scaraboid seal, 5th - 4th century BC, carved in the Egyptian style, 2cm. (3) £200-300

Many with old paper labels relating to A J Burniston RN, who excavated the pieces in the second half of the 19th century, mostly from the Greek islands.

Provenance: the limestone seal from the Leo Mildenberg collection.

Provenance: the brooch from a private UK collection.

57. A Neolithic carved stone axe head, 20.5cm. £100-200

60. Eight small Egyptian faïence amulets, all mounted on card, an Egyptian faïence wedjat eye amulet, 1069-715 BC, painted in black on a turquoise ground, and an Egyptian carved wood handle in the form of a hippo, 7.4cm max. (3) £300-500 Provenance: the eye formerly in the collection of Cyril Aldred (1914-91) and thence by descent.

Literature: the limestone seal illustrated in Alan S Walker, Animals in Ancient Art from the Leo Mildenberg Collection, Part III, p.99, fig. III, 150.

61. Three Greek sheet gold diadems, 8th - 7th century BC and earlier, variously decorated with embossed geometric and figural designs, 37.2cm max. Framed and glazed. £250-350 Cf. F H Marshall, Catalogue of the Jewellery, Greek, Etruscan and Roman in the Department of Antiquities, British Museum, plates 1 and 2 for similar examples. Provenance: from a French private collection. Acquired prior to 1975.

62. A large black-figure kylix, probably 19th century Naples, the exterior decorated with a band of warriors and other figures, the interior with a large winged figure with protruding tongue, the bowl 34cm diameter. £500-1,000

63. A Wedgwood redware jug, 1st half 19th century, with an elaborate silver plate mount with handle and hinged lid, impressed factory mark, 30cm. £150-250

64. An English redware bowl and cover, c.1800, with everted rim, raised on a flared foot, impressed pseudo seal mark, 12.2cm. (2) £80-120

65. A Wedgwood Jasperware plate, c.1800, the well applied with a maiden and two putti within elaborate borders of Classical motifs, floral garlands and stylized flowers, on a black ground, impressed mark, 22.3cm. £400-600

66. A Wedgwood black basalt tea canister and cover, c.1800, enamelled with a border of pink flowerheads between gilt and white bands, and a Wedgwood black basalt jug applied with Classical figures and motifs, impressed marks, 11.5cm max. (3) £300-500

67. Two Wedgwood Rosso Antico coffee pots and covers, early 19th century, one applied with bands of black flowers, the other enamelled with flowers, and a large two-handled vase painted with a phoenix on rockwork, impressed marks, restoration to one coffee pot, 21cm max. (5) £160-200

68. A garniture of three stoneware vases, early 19th century, applied with Classical figures and putti beneath elaborate floral and foliate scrolls, the central vase raised on a cylindrical pedestal, some restoration, 21cm max. (3) £400-600

69. A Wedgwood and Bentley Jasperware plaque, c.1775, of Asclepius, clutching his serpent-entwined staff in his left hand, impressed mark, and two framed white bisque portrait plaques, one perhaps Napoleon, all framed, the plaque 8cm. (3) £100-200 Cf. Robin Reilly, Wedgwood Jasper, col.pl. C1.

71. Six Danish biscuit porcelain oval plaques, 19th / 20th century, two Bing and Grondahl, four Royal Copenhagen, moulded with Classical figures, two framed, 14cm. (6) £150-250

70. An Empire Sarguemines stoneware tête-à-tête tea service, early 19th century, in the Wedgwood Jasperware style, applied in black with figural vignettes and stylized leaves, impressed marks to some. Comprising: a teapot and cover, a sucrière and cover, two cups and two saucers. (8) £100-200

72. A pair of black basalt oval portrait plaques, early 19th century, modelled in high relief with the head and shoulders of a corpulent gentleman and a young dandy, 9.5cm. Framed and glazed. (2) £150-250

73. A fine Adams Jasperware teapot, early 19th century, applied with Classical figures at various pursuits within bands of narcissi flowerheads, the hinged cover surmounted with a swan finial, 25cm. £400-600

74. Two Parian models, 19th century, one of two men wrestling, the other of a bearded man seated on the back of Cerberus, raised on a dragon, 22cm. (2) £80-120

75. A Wedgwood Jasperware chess piece, late 18th century, modelled by John Flaxman as a figure of a Fool, standing with arms crossed and raised on a circular oval lilac base, impressed mark, 7cm. £80-120

76. Two Parian figures, 19th century, one of Dorothea by John Bell, an Art Union figure of Ruth dated 1853, and a similar bust of Napoleon, some damages to Dorothea, 34cm max. (3) £200-300

Provenance: from the collection of the late John Norie.

Cf. David Bindman, John Flaxman, p60 for Flaxman’s drawing of the full chess set, which was produced from 1785. It is possible that the figure of the Fool was produced for a French chess set instead of a bishop.

The Bing and Grondahl plaques purchased from Grosvenor Antiques Ltd., Kensington in 1984. Receipt available.

77. An English dry-bodied stoneware teapot and cover, c.1800, moulded with roundels of children and putti between foliate bands, and a pot pourri basket with pierced cover, painted with a band of flowers, 25cm max. (4) £300-500

78. A Wedgwood Jasperware teapot and cover and milk jug, 19th century, applied with small motifs of Classical figures within ornate foliate scrolls and acanthus leaf bands, on a pale blue ground, impressed marks, 16cm max. (3) £300-500

79. An English dry-bodied stoneware teapot with sliding cover, early 19th century, moulded with Classical figures within leafy borders, a matching milk jug, and a similar jug moulded as a beehive, 23.5cm max. (4) £150-250

80. A pair of Wedgwood Jasperware candlesticks, early 19th century, applied with Classical figures and animals beneath trees, impressed factory marks and ‘BTS’, 15cm. (2) £200-400

81. A rare Ridgway and Abington antislavery stoneware jug, mid 19th century, the sage green body moulded to one side with a scene of a negro auction, the reverse with a scene from Uncle Tom’s Cabin, with a pewter mounted hinged lid, moulded mark, the lid loose, haircrack to one side, 17.8cm. £150-250

82. A pair of Adams jasperware câchepots and stands, 1st half 19th century, applied with Classical figures at various pursuits beneath leaf arches, a chip to the base of one pot, 12cm. (4) £200-400

83. A pair of rectangular Jasperware plaques, probably 19th century, applied in high relief with putti holding weapons and Classical attributes on a sage green ground, framed and glazed, the plaques 20cm. (2) £150-250

84. A Wedgwood tri-colour Jasperware vase and cover, late 18th century, the body decorated with four oval panels of Classical figures in white on a pinkish brown ground, joined by vine garlands in sage green, the shoulder applied with four Bacchus masks, impressed WEDGWOOD, the cover’s finial lacking, the foot loose, 24.5cm. (2) £300-500

85. A pair of Wedgwood tricolour Jasperware vases, c.1900, each flared body applied with four lilac cameos between floral garlands and fluted lion mask columns on a blue ground, impressed marks, 18.5cm. (2) £500-700

86. A pair of Wedgwood Jasperware vases, c.1900, applied with Classical maidens carrying flowers, fruit and receptacles, on a deep blue ground, within acanthus leaf bands, impressed marks, 20.8cm. (2) £500-800

87. A pair of Wedgwood Jasperware vases and covers, c.1800, each side applied with a ribboned oval cartouche of a cherub, within acanthus leaf bands, impressed marks, 27.5cm. (4) £1,500-2,000

88. A Castleford type teapot and cover, early 19th century, moulded with panels of putti and dogs between Classical motifs and oak leaf borders, picked out in coloured enamels, some damages, 26.5cm. (2) £100-200

89. Four pearlware sheep groups, 19th century, one a Walton spill vase, another with a lamb, and two before bocage, some damages and restoration, 18cm max. (4) £80-120

90. Three cow creamers and stoppers, one with a milkmaid and sponge-decorated, another with lustre splashes, damages and restoration, 17.5cm max. (6) £100-200

91. A pair of Staffordshire cow and milkmaid spill vases, 19th century, a cow and calf group and two pearlware models of a cow and a deer before flowering bocage, a little restoration to some, 23cm max. (5) £80-120

92. A pearlware Nightwatchman toby jug, 19th century, seated in a high back chair and holding a lit lantern, a white glazed stoneware toby jug and a similar brown stoneware example, both typically modelled with foaming jugs, some damages and repairs, 24.2cm max. (3) £150-200

93. Two miniature biscuit porcelain groups, 19th century, one of two sheep and the other of swans, both beneath lilac leaves, a Staffordshire porcelain model of a cat and kitten, and another of a standing bull, some restoration, 9cm max. (4) £200-300

94. A pair of Derby cow and calf groups, c.1775, and two Derby models of recumbent deer, all before flowering bocage, incised and painted numbers, some restoration, 15cm max. (4) £280-320

95. A pair of Copenhagen terracotta figures, 19th century, by P. Ipsen, one of Pan seated atop a tree stump, the other of a Classical maiden carrying a jug, impressed ‘P Ipsen Kjobenharn Eneret’, some small damages, 36cm. (2) £100-200

96. A Continental creamware figure of Winter, early 19th century, standing beside a burning brazier and wearing a long cloak draped across his head, 21cm. £80-120

97. A W H Goss terracotta portrait plaque, c.1876, of Benjamin Disraeli, the top pierced with two suspension holes, impressed mark, copyright 1876, 31cm. £80-120

98. A Staffordshire model of a Bolognese terrier, 19th century, after Meissen, his rear paw reaching up to scratch under his chin, restoration to one paw, 23cm. £200-300

99. A good pearlware Hearty Good Fellow jug, 1st half 19th century, standing before a gnarled trunk which forms the jug’s handle, holding a foaming jug of ale against his right side, 27cm. £150-250

100. A good Staffordshire model of a pipe-smoking dog, 19th century, the curly coat decorated with blackberry decoration, raised on a scrolling oval base with turquoise glaze, 22cm. £500-800

101. A good Staffordshire model of a spaniel, 19th century, finely modelled and painted with large black patches, its front legs separate, raised on an oval base with gilt detail, 18cm. £200-300

102. A good pair of Staffordshire porcelain lions, 1st half 19th century, each recumbent with its head turned and its tail flicked across its a back, a lamb tucked beneath each rough textured mane, raised on shaped rectangular bases with gilt foliate highlights, 12cm. (2) £500-1,000

103. A Staffordshire flatback model of Mr Punch and Toby, 19th century, typically attired in comic costume, 29cm. £300-500

104. A large Staffordshire model of a pipe-smoking dog, 19th century, the King Charles Spaniel seated on its haunches, the curly fur painted with Wheels of Fire, some glaze wear, 36cm. £300-500

105. A rare miniature Staffordshire model of a hedgehog, 19th century, the prickly quadruped raised on a cobalt blue oval base with a gilt band, the detailing of his face picked out in black and red enamels, 4.5cm. £300-500

106. Two miniature creamware models of Whieldon type, late 18th century, of a cockerel and a squirrel, decorated in Whieldon type glazes with splashes and streaks of green, ochre, brown and blue, the cockerel’s tail broken and reglued, 7.8cm max. (2) £300-500

107. A Staffordshire Thomas Parr duck tureen and cover, mid 19th century, the mother bird extending her beak to her white duckling, finely enamelled, 25cm. (2) £200-300

108. A Staffordshire dog group, mid 19th century, two whippets seated either side of a King Charles spaniel raised on a blue cushion, the shaped base with a pink marble effect, 17cm. £200-300

109. Eight pearlware models of deer, 19th century, including two pairs, and a similar pottery model, variously modelled standing and recumbent, several before bocage, some damages and restoration, 22.5cm max. (9) £100-200

110. Three pearlware figure groups, 1st half 19th century, one titled ‘Shepherd’ and depicting the protagonist with his lass, another of a Classical maiden warming her hands over a brazier, the other of Cupid in disguise as a cake seller, some restoration, 31cm max. (3) £250-350

111. An unusual pearlware model of a cow being bitten by a snake, 1st half 19th century, her hind hoof being attacked by the serpent, another cow group titled ‘Cup Toyda’, and a Sherratt style bull baiting group, some damages and restoration, 20cm max. (3) £100-200

112. A rare creamware Whieldon type model of a billy goat, mid 18th century, standing four square on a leaf-moulded base, the coat decorated in a running treacle glaze, the eyes enamelled red, some good restoration to the extremities, 13cm. £2,000-3,000

113. A pearlware moulded plaque, early 19th century, decorated with a large bull standing beneath a windswept tree, all picked out in coloured enamels, within a black border, some restoration, 24cm. £200-300

114. A dated Scottish pearlware plaque, 1871, of Portobello type, moulded with a farmer and two cart horses ploughing a field, incised ‘1871’ to the reverse, 32cm. £300-500

115. A pair of pearlware children’s plates, 19th century, printed with scenes titled ‘Castle Building’ and ‘Death of a Dove’, within moulded floral borders, and two pearlware vases slip-decorated with foliate bands and geometric stripes, one vase restored, 14.5cm max. (4) £100-200

116. A Scottish pearlware furniture or window rest, 1st half 19th century, modelled as a basket of flowers decorated in Portobello type enamels, and an octagonal pearlware plate printed in brown with two birds amidst foliage, 14cm max. (2) £150-250

117. Two small pearlware children’s plates, early 19th century, moulded with a roast chicken and a goose, the rims highlighted in green, 10.7cm max. (2) £300-500

118. A set of twelve Wedgwood creamware plates, c.1800, impressed marks, 23.2cm. (12) £100-200

119. Three brown stoneware face mask vessels, 19th century, one jug with an unusual sunburst sprig to each side of the rim, applied with scenes of topers, a smaller jug and two-handled mug moulded as Bacchus, some restoration to one, 20cm max. (3) £100-200

120. A moulded salt-glazed stoneware plate, 2nd half 18th century, with a crisp elaborate design and reticulated rim, and a small jug with ribbed neck, applied with the crowned monogram for King George, the plate with a restored crack, 21cm max. (2) £100-200

121. A Whieldon type plate, 2nd half 18th century, decorated in a mottled grey glaze with green, ochre and umber splashes, and a Sarreguemines vase with a ribbed body, decorated in a marbled brown glaze, minor damages, 37.5cm max. (2) £50-150

122. A large stone china Tamarinds jar, 19th century, the lightly banded body covered in a pale blue glaze, the inscription picked out in gilt and cobalt blue, the cover lacking, cracked, 25.5cm. £150-250

123. An unusual creamware Whieldontype square plate, late 18th century, with chamfered corners, decorated in a mottled brown glaze, 22cm. £20-50

124. A pair of pearlware botanical plates, late 18th century, painted with foxglove and cyclamen, each titled to the reverse, within brown line rims, 22cm. (2) £180-220

125. A blue and white pearlware plate, 19th century, depicting Mary C Henderson’s print The City and the Theatre, showing the Park Theatre in New York, within a wide oak leaf border, printed title to the reverse, 25.2cm. £80-120 The Park Theatre was owned by the Astor family from 1805, but was destroyed by fire in 1848 and never rebuilt.

127. An unusual large pottery tyg and a similar deep dish, decorated in a black lustre glaze, a little restoration to the tyg, 34cm max. (2) £100-200

128. A large pearlware marriage mug, late 18th century, painted with farming implements issuing from a corn sheaf above the inscription ‘John Norie, Margaret Parish Let Love abide Till Death divide’, a moulded pearlware jug decorated in purple and silver lustre, and a tin-glazed mug titled ‘In Memory of Lord Nelson’, 17.5cm max. (3) £50-150

126. Two Wedgwood pearlware candlesticks, late 18th century, modelled as fluted columns, and a large pearlware oval dish with a feathered rim, all highlighted in blue enamels, impressed factory marks to the candlesticks, a little restoration to one sconce, 41cm max. (3) £180-220

129. A small blue and white chamber pot, 19th century, printed with a couple in a sailing vessel before colonnaded buildings, 18cm. £100-200

Provenance: from the collection of the late John Norie.

130. A pearlware blue and white porter mug by John and Richard Riley, 1st half 19th century, printed with ‘The Mausoleum of Sultan Chusero, near Allahabad; and Gate leading to a Musjed, at Chunar Ghur’, from Thomas Daniell’s Oriental Scenery, 13.5cm. £50-150

131. A large Davenport blue and white circular dish, 19th century, printed with three dark-skinned figures in a boat before Eastern-style buildings, impressed mark, traces of an old paper label, 47cm. £100-200

132. A pair of commemorative pearlware blue and white bowls, c.1809, printed with profile busts of George II and Queen Charlotte beneath the inscription ‘A King Revered, A Queen Beloved’, the exteriors printed with Oriental scenes, some damages, 25.5cm. (2) £200-300

133. Napoleonic interest: a rare commemorative Pratt ware jug, c.1802-3, each side with a profile portrait of George III and Napoleon Bonaparte each crowned with laurel leaves, a figure emblematic of Peace applied beneath the spout, all highlighted in typical palette, 22.3cm high. £300-500 Illustrated: John and Griselda Lewis, Pratt Ware, p139. This jug was presumably made to celebrate the Treaty of Amiens, which ended hostilities between the French Republic and the United Kingdom on 25th March 1802. The peace was only temporary, however, and fighting resumed on 13th May 1803. This brief period in history is the only time when Napoleon was depicted in anything other than a thoroughly unfavourable light by English manufacturers.

134. Napoleonic interest: a Spode pearlware mug, c.1804, printed with a satirical print titled ‘John Bull giving Boney a Pull’, after the Ackermann print by Isaac Cruikshank, the rim with a broad russet band, minor faults, 12.5cm. £250-350 The Spode version of Cruikshank’s print is arguably better executed with finer detail, and has only been attributable to the factory following the research of Paul Holdway in the 1980s. Illustrated: David Drakard, Printed English Pottery, p.196, no. 540.

135. A large Herculaneum creamware charger, early 19th century, printed with an oval portrait of Nelson within black band borders, impressed mark, some good restoration, 57cm. £500-800

136. A Liverpool creamware jug, c.17931800, decorated with ‘An East View of Liverpool Light House & Signals on Bidston Hill’, the flags coloured, the reverse with a printed explanation of the signals within a floral garland border, a short rim crack, 17.8cm. £300-500 Cf. 4th June 2008, lot 206 for an identical example sold at these rooms. The first lighthouse on Bidston Hill was built in 1771. The flags were flown to communicate approaching ships to a lookout in Chapel Street, Liverpool; the signals being received at Bidston Hill via semaphore. The advent of the electric telegraph saw the site close in 1858.

137. A Wedgwood creamware jelly mould, c.1790, delicately painted with panels of fruit amongst leaves, impressed mark, some restoration, the cover lacking, 22cm. £800-1,200 Cf. Donald Towner, Creamware, p.71 for a similar example.

138. A large Dixon & Co. Sunderland lustre jug, early 19th century, printed with the ‘West View of the Iron Bridge at Sunderland’, the reverse with a ship titled ‘Northumberland 74’, either side of a poem entitled ‘Forget Me Not’ beneath the name ‘ T J Heath’, signed in the print, some restoration to the rim, 26.5cm. £100-200

139. A good Leeds Pottery creamware chestnut basket and cover, late 18th century, the bowl moulded with strapwork and raised on a pierced foot, the cover reticulated with the same pattern as the bowl and surmounted with a floral finial, impressed mark to the basket, 21.3cm. (2) £300-400

140. A rare dated creamware snuff or tobacco box and cover, the cover painted in blue with a fisherman beside buildings beneath the name ‘Mary Steer 1789’, the reverse inscribed ‘one Pinch of this Deserves a kiss 1789’, the sides with flowers and hatched bands, some good restoration, 7cm. (2) £300-500

141. A pearlware snuff box and cover of Pratt type, early 19th century, the cover inscribed ‘Sarah Eaves’, the base ‘Yardley Hastings Northamptonshire’, within small blue flower sprigs, within brown and green bands, a chip to the cover, 6.6cm. (2) £400-600

142. A good creamware porter mug, c.1800, possibly North Hylton pottery, decorated with an extremely fine print of figures and ships beneath the cast iron bridge over the River Wear at Sunderland, titled beneath the print, 14.5cm high. £200-400 The print is discussed in a letter from the director of Sunderland Museum, dated 1968, which claims to know of only one other similar example, and that uncoloured and from the North Hylton Pottery.

143. A Leeds Pottery creamware tazza and basket, late 18th / early 19th century, the tazza pierced with a geometric border to the rim and foot, the basket finely potted with openwork sides, impressed marks to both, some damage to the basket, 19cm max. (2) £150-250

144. A creamware flower basket and cover, 19th century, modelled with an interior straight-sided receptacle, the sides and reticulated cover glazed with black panels, 28cm. (2) £400-600

145. A pair of creamware printed plates, c.1780, decorated in black with Sadler type birds, and a pair of pearlware three-branch tulipières, brightly painted with flowers, a little damage and restoration, 24cm max. (4) £100-200

146. A rare Cambrian pottery commemorative mug, c.1837, the waisted body printed in purple with a portrait of the young Queen Victoria, her birthdate, proclamation and coronation dates, restored, 7.7cm high. £200-300 Cf. John & Jennifer May, Commemorative Pottery 1780-1900. A similar example illustrated on the back cover.

146

147

147. A creamware teapot and cover, 2nd half 18th century, brightly painted with flowers including rose and heartsease, double strap handle, restoration to the spout and cover finial, 18.5cm. (2) £200-300 148. A pearlware holy water stoup, 1st half 19th century, the back plate moulded with Christ crucified beneath an angel head with outstretched wings, brightly enamelled, broken and restored with two rivets, 27.8cm. £80-120 149. A Scottish pearlware comic mug, 19th century, moulded with a smiley face titled ‘Full Mug’, reversing to a frowning face titled ‘Empty Mug’, painted ‘Roger’ twice to the base, 14cm. £100-200

148

149

150. A pearlware pot pourri vase and cover, late 18th / early 19th century, applied with sprigs of Classical maidens and children on a powder blue ground, the cover pierced with two bands of holes, 19.5cm. (2) £80-120 151. An unusual pearlware square plaque, c.1810-20, painted with a central roundel of two figures fishing before a thatched house, within vignettes of exotic birds and colourful butterflies in the English porcelain tradition, on a pale green ground, 28.5cm. £250-350

150

151

It is possible that this plaque was used as a test piece for porcelain decoration.

152. A good dated creamware jug, c.1787, probably Yorkshire, painted in fine detail with a farmer about to slaughter his prize bull, the reverse inscribed ‘Mr George Timmes Is a Qualified Gentleman. Every year With his Dog & his Gun He needs not to Fear To every one my Jug is free Who likes to drink & smoak with me 1787’, a little restoration to the foot, 20.5cm high. £300-500

153. An unusual pearlware jug, late 18th century, brightly enamelled with a pyramid and other buildings amongst trees, the reverse with trees issuing from rockwork, the handle enamelled with a pink scrolling motif, some good restoration, 24.7cm. £300-500

154. A large creamware mug, late 18th / early 19th century, printed with a sailor and his lass in a village scene above a two line romantic stanza, his ship streaming a long red pennant in the harbour, overpainted with coloured enamels, 14.5cm high. £150-250

155. A good pearlware tall mug, late 18th century, moulded with a wide panel of ribbing and painted in blue with two large arrangements of flowers, the handle and interior with a stylized border, 15cm. £150-250

156. Twelve Don pottery blue and white plates, 19th century, printed with three figures seated on the grass before Italianate buildings, 23.5cm. (12) £200-300

157. A Sunderland lustre jug, 1st half 19th century, printed with a titled view of ‘The Gauntlet Clipper Ship’, the reverse with the ‘New Bridge Over the Wear at Sunderland’ 19cm. £100-200 156

157 158. A creamware teapot and cover, c.1770, probably Leeds, each side painted in iron red with figures and a boat in a landscape scene, some faults, 18cm. (2) £400-600

159. A Leeds Pratt type snuff box, c.178090, modelled as the head of a lady with an elaborate chignon, enamelled in underglaze blue and black, the base perhaps a replacement, 10cm. (2) £300-500 158

159

Cf. Donald Towner, Creamware, p.145, fig.74A for other examples.

160. A creamware charger, c.1790, painted with overgrown ruins in a hilly landscape, within a sepia wash border, 47.5cm. £150-250

161. A Pratt ware charger, late 18th / early 19th century, painted with a large central flower, the rim moulded with flowerhead roundels and decorated with foliate panels in green, ochre and blue, 43.5cm. £200-300 160

161

162. A large Spode stone china part service, c.1815-20, decorated with Oriental flowers in pattern 2886. Comprising: a large jug, a slop bowl, a muffin dish and cover, a small square dish, two footed rectangular dishes, five octagonal chargers in four sizes, two oval tureens, a small rectangular tureen, 26 plates in two sizes, 18 saucer dishes in four sizes, two soup plates, a breakfast cup, eight cups, two coffee cans and a rare two-handled custard cup. Together with a copy of Spode by Leonard Whiter. (74) £500-800

163. An extensive Wedgwood stone china part service, 19th century, printed in blue with iris and other flowers, some pieces highlighted in gilt, impressed marks. Comprising: two ice pails and covers, one with an inner, a soup tureen, cover and stand, an oval tureen and inner, four oval chargers in three sizes, two circular dishes, 43 plates in two sizes, and four soup plates. (63) £200-300

164. A good pair of Ironstone tureens, covers and stands, 19th century, well painted with Oriental flowers and foliage in the Imari palette, 38.2cm. (6) £150-250

165. A Wedgwood creamware part dessert service, late 18th century, printed with shells and seaweed, highlighted in green enamels, impressed marks, two plates with restored cracks. Comprising: an oval tazza, a circular tureen, cover and stand, an oval shaped dish, two reticulated plates and nine plates. (16) £150-250

166. A creamware coffee pot and cover, late 18th century, simply painted with stylized garlands in iron red and small green flowers, a short crack to the cover, 25.5cm. (2) £80-120

167. A large Salopian ware jug, c.1800, printed and coloured, with chinoiserie scenes of figures in a pagoda garden landscape, a small restored chip to the spout, 26cm. £300-500

168. A Pratt ware coffee pot and cover, early 19th century, typically decorated in green, brown, ochre and blue with a stylized floral design, minor restoration to the cover, 29cm. (2) £100-200

169. Six Spode stone china plates, c.1810, decorated in the Imari palette in pattern 2375, painted pattern numbers and black printed factory marks to most, 21cm. (6) £100-200

170. Twelve Spode blue and white plates, 19th century, and a charger, all printed with the Net pattern, impressed marks, 36cm. (13) £100-200 169

170

171. Literature: J C Austin, British Delft at Williamsburg, and a large number of other books and catalogues mostly concerning English pottery and stoneware. (A lot) £150-250

172. A collection of Henriot Quimper, early 20th century, painted with Breton villagers and brightly coloured cockerels. Comprising: two twin-handled vases, eight plates, and another Continental faïence plate. (11) £200-300 171

172 173. A Royal Worcester part service, c.1878, decorated in a variation of the Queen Charlotte pattern with radiating spirals of flowers and foliate scrolls in red, gilt and blue, printed registration marks and Worcester retailer marks for Mortlock’s, 24cm. Comprising: one high and one low tazza and six plates. (8) £50-150

173

174

174. An ironstone hexagonal tureen and cover, 19th century, and two pairs of Mason’s Ironstone plates, decorated in the Imari palette, one plate restored, 26cm max. (6) £100-200

175. A Barr, Flight & Barr Worcester part service, c.1810, decorated in the Imari palette with bands of leaves in blue, gilt and red, impressed and printed marks. Comprising: one square dish, two shaped dishes and seven plates. (10) £400-600

176. Literature: Longton Hall Porcelain by Bernard Watney, Chinese Export Porcelain by Elinor Gordon, and twelve other texts mostly concerning ceramics. (14) £50-80 175

176

177. A micromosaic frame and three porcelain frames, 19th / 20th century, variously decorated with flowers, a Meissen inkwell, painted with figures on a puce ground, and a Limoges square dish, minor faults, 15.5cm max. (6) £150-250

178. A small collection of decorative ceramics, 19th and 20th centuries. Comprising: four Royal Crown Derby paperweights, six Continental porcelain animals, a pair of vintner cherubs with goats, and three dry-bodied stoneware jugs. (15) £200-400

179. Eight English and Continental figures, 18th century and later, of peasants, court figures, entertainers, a cherub and a hunter, and a small cup and saucer decorated as a tulip, some small damages, 18.5cm max. (10) £300-500

180. Four English porcelain models of cottages, 19th century, one with the roof forming a cover, encrusted with varying flowers, and a Staffordshire inkwell formed as a bird’s nest into which creeps a green snake, minor faults, 13cm max. (6) £150-250

181. A pair of Derby candlestick figures, late 18th century, of a young girl and her companion seated with flowers and fruit, a Bow figure of a bagpiper, a Walton pearlware figure of a boy holding flowers, and another pearlware group of children, some damages and restoration, 16.2cm max. (5) £250-350

182. Seven porcelain chambersticks, 19th century, including Swansea and Chamberlain’s Worcester, a pair of small candlesticks and a snuffer, all variously decorated with painted and applied flowers, a view of Worcester Cathedral, and applied shells, damages to some, 10.5cm max. (10) £200-300 Provenance: from the collection of the late John Norie.

183. Fourteen pearlware and creamware plates, late 18th century and later, including eight children’s plates decorated in the Pratt and Portobello palettes, some with lustre splashes, some damages, 25cm max. (14) £50-150

184. A collection of miniature ceramics and glass, 19th century and later. Comprising: two Wedgwood black basalt teapots and covers, a Davenport teapot and cover, two Chinese enamelled Yixing teapots and covers, a gold-glazed tête-à-tête set, an enamel patch box, a Doulton stoneware inkwell, three cups and saucers, three glass scent bottles, a pin tray, two boxes and covers, various miniature glass. (A lot) £50-150

185. Literature: a large collection of reference books and catalogues, mostly concerning 19th century English ceramics including works on New Hall, Swansea, Rockingham, Spode, Wedgwood and Minton. (A lot) £300-400

186. A near pair of Crown Staffordshire models of ducks, 20th century, decorated in bright enamels and rich gilding, printed marks, some damages, 21cm. (2) £40-80

187. A Derby model of a sleeping boy, c.1820, lying on his front on top of a crumpled coverlet, on an oval base, painted crowned mark, 14cm. £80-120

188. A Whitmann & Roth porcelain owl lamp, c.1881, with glass eyes, and a William Brownfield & Sons porcelain model of a kitten, c.1875, lying on its back on a cushion and supporting a bowl between its paws, registration diamonds to both, minor damages, 26.5cm. (2) £200-300 Provenance: from the collection of the late John Norie.

189. A Belleek ewer, late 19th century, applied with flowers encircling the ribbed body, second period black mark, and a Moore sweetmeat dish applied with coloured blackberries, a putto playing the cello to one side, some faults, 18.5cm max. £150-250

190. A pair of Royal Worcester twin moonflask vases, 19th century, heavily gilded with leaf specimens on a rich blue ground, date codes for 1878, and a pair of blush porcelain ewers, with raised gilt foliate decoration, printed marks and date codes for 1896, some damages, 30.5cm max. (4) £100-200

191. Two Belleek shell vases, c.1900, the spiral shapes applied with flowers, black marks for the second period, and a whiteglazed moulded dish, minor faults, 11.5cm max. (3) £100-200

192. Five Royal Worcester vases, 19th and 20th centuries, one painted by James Stinton with a pair of pheasants, one with a cover and painted with roses, the others decorated with birds and cattle, a miniature Royal Worcester ewer, a miniature box and cover, and a pair of Locke & Co blush porcelain candlesticks, printed factory marks, 14cm max. (11) £200-300

193. A Meissen figure of a boy, 19th century, seated on a tasselled stool, a 20th century Meissen figure of a wagtail, and three other Meissen-style models of finches, some damages, 16.5cm max. (5) £80-120

194. A collection of porcelain models of birds and animals, most 20th century, including eight Royal Copenhagen figures, a Royal Worcester rabbit and a mouse, and seven other figures, various marks, 15cm max. (17) £250-350

195. A small collection of mostly English porcelains, 18th century and later, including two Wedgwood Jasperware portrait plaques, a Jasperware bell pull, a box and cover, five lids, three small vases, two door handles, a key escutcheon and three eggshaped casters. (24)

196. An English porcelain egg cruet with five cups and ten other egg cups, most 19th century, variously decorated with Imari designs, cornflower sprigs, armorials and landscapes, three with fluted pink bodies, the cruet lacking one cup, minor faults, 21cm max. (16) £50-150

197. Three items of fruit-painted Coalport bone china, 20th century, a two-handled vase and cover signed ‘B Higham’, a plate signed ‘C Gidman’ and a bell signed ‘N Lear’, and two Coalport models of cottages, 23cm max. (6) £80-120

Provenance: from the collection of the late John Norie. £150-250

Provenance: from the collection of the late John Norie.

198. Three Royal Crown Derby paperweights, modern, including a sitting piglet, the Derby county ram and another ram, all in their original boxes. (3) £150-250

199. A large Royal Crown Derby Savannah Leopard paperweight, c.1999, from the Endangered Species series, gilt stopper, boxed, with a certificate number 363 of 1000, 17cm. £250-350

200. A set of six Royal Crown Derby 21st anniversary paperweights, 2002, comprising a teal, a linnet, a tawny owl, a rock hopper penguin, a red-legged partridge and a snowy rabbit, all in their original boxes and with certificates. (6) £200-300

201. Six Royal Crown Derby paperweights, modern, of a dormouse, a snail, a bank vole, a crested tit, a hedgehog and a baby rabbit, all in their original boxes. (6) £150-250

202. Six Royal Crown Derby paperweights, modern, including a swimming duckling, a platypus, a seahorse, a brown pelican, a sitting duckling and a walrus, all in their original boxes. (6) £200-300

203. Four small Royal Worcester vases, late 19th century, variously painted with English birds including bluetit, bullfinch, wren and chaffinch, printed marks, 9.5cm max. (4) £150-200

204. Four Royal Crown Derby paperweights, modern, including Misty the kitten, a grey kitten, a humming bird and a puppy, all in their original boxes. (4) £100-200

205. A small collection of Royal Crown Derby miniatures, 20th century, variously decorated in the Imari palette, some restoration, 6.8cm max. Comprising: two vases, a tea-kettle and cover, a trefoil dish, a tea canister and cover and a tureen and cover. (9) £50-150

206. A Derby figure of Milton, c.1770, resting on a moulded pillar and holding a scroll with a verse from Paradise Lost, 29.5cm. £150-200

207. A rare Derby figure of Vulcan, early 19th century, personifying Winter from the Antique Seasons, standing before a flaming brazier and clutching his robe about him, a small green snake entwined around one wrist, crowned Derby mark in iron red to the base, 13.8cm. £150-250

209. Twelve porcelain figures, 18th century and later, including Derby and Bow, most of infants or cherubs with flowers or animals, some damages and restoration, 24cm max. (12) £150-250 Provenance: from the collection of the late John Norie.

211. A collection of English porcelain objects, mostly 19th century, including four inkwells, one shaped as a teapot, three spill vases, a miniature teapot, cover and stand, an oval dish and a model of a cottage, some damages, 13cm max. (20) £100-200 Provenance: from the collection of the late John Norie.

208. An English porcelain bust of George III, 1st half 19th century, wearing a purple cloak and raised on a socle base, incised title to the reverse, 14cm. £100-200

210. Eight Staffordshire pottery and porcelain figures, 19th century, two blackamoors, one titled Jim Crow, a cricketer, two of children, presumably the Royal children, and three others, 16.5cm max. (8) £500-1,000

212. Eleven Continental porcelain models of birds, 20th century, including Royal Copenhagen and B&G, and a Royal Copenhagen figure of an old lady in a tasselled shawl, 21.5cm max. (12) £100-200

213. A small collection of Continental floral porcelain, some damages, 32.5cm max. Comprising: a pair of Meissen-style vases painted and encrusted with flowers, a similar centrepiece, a small moulded dish and a Paris porcelain two-handled bowl and cover, finely painted, probably in London, with flowers and butterflies. (6) £150-250

214. Seven porcelain buttons, painted with flowers, another smaller decorated with a bird, and four porcelain thimbles, including Royal Worcester. (12) £50-150 Provenance: from the collection of the late John Norie.

215. Two Meissen cups and a teabowl and saucer, late 18th / 19th century, one cup painted with panels containing harbour scenes on a yellow ground, one with a floral monogram, the teabowl and saucer with flowers in a sepia palette, a Berlin cup and saucer decorated with sepia landscapes, and a pair of Vienna-style candlesticks, 17.5cm max. (8) £200-300 Provenance: from the collection of the late John Norie.

216. Various Continental porcelains, 19th century. Comprising: a pair of Meissen-style yellow ground gourd vases and covers, a moulded Meissen dish, a leaf plate, a Paris porcelain footed bowl, and a Chinese export porcelain helmet ewer, 27.5cm max. (8) £200-300 217. An English porcelain small campana vase, 1st half 19th century, with later gilt metal mounts and a Howell, James & Co light or burner surmount, a Meissen-style tripod salt, a Doccia-style moulded beaker and a Japanese Satsuma miniature teapot and cover, 14.5cm max. (6) £100-200

216

217

218

219

220

221

218. A Royal Worcester blush porcelain model of a pug dog, c.1899, seated with head turned to dexter and wearing a studded collar, printed mark and date code, 15cm. £50-150 219. Various British porcelains, c.1800 and later. Comprising: a small Chamberlain’s Worcester câchepot painted with landscape scenes, a Chamberlain’s plate, a Swansea plate with cornflower sprig, a printed Derby plate, two fluted plates, a shell dish, thirteen saucers, and a Sèvres cup. (21) £150-250 220. An opaline glass tea canister and various other glass, including a tall pale blue bottle, a portrait beaker dated 1914/15, and a flared red vase, together with a Parian figure of a shepherd and a Doulton Lambeth stoneware vase, 34cm max. (6) £50-150 221. Literature: a large collection of books concerning 18th century English porcelain, including Worcester, Lunds Bristol and Lowestoft with a particular focus on blue and white, with a number of trade and auction catalogues including those for the Watney and Zorensky collections. (A lot) £400-600

222. A Majolica centrepiece, 19th century, modelled as two fauns supporting an oval planked bowl applied with grapevine, raised on a base with a diamond leaf pattern, painted 2288 to the base, some damages, 32.3cm. £150-250

223. A pair of Majolica tall tazzae, 19th century, each modelled with a vintner putto supporting a circular dish issuing from bulrushes, unmarked, a few small chips, one hand restored, 29.5cm. (2) £100-200 222

223

224. A Palissy ware dish, 20th century, applied with two lizards, one hiding beneath moss, and a large stag beetle, 18.5cm. £50-150

224

225

225. A George Jones Majolica centrepiece, c.1870, two reclining putti supporting an oval banded basket, dressed in lion skins and wearing wreaths of grapevine, impressed monogram mark to the base, small chips to the toes and fingers, 20cm. £150-250

226. A George Jones Majolica strawberry basket, c.1873, modelled with two large and two small compartments raised on four twig feet, impressed registration diamond, a crack to the handle, 29.5cm. £200-300

226

227

227. A large Italian maiolica centrepiece, 19th century, the fluted shell-shaped dish painted with blue foliage on an ochre ground, a dragon seated in the middle with outstretched wings forming a smaller dish, W and star mark, small damages, 46cm. £100-200

228. Two Minton Majolica nut dishes, c.1868-70, modelled as a blue tit and a robin each perched on an oak leaf, impressed marks, and a Majolica flattened hexagonal teapot and cover in the Aesthetic style, some damages and repairs, 19cm max. (4) £200-300 Cf. Nicholas M Dawes, Majolica, p.138, fig.241 for a similar teapot in the City Museum and Art Gallery, Stoke-on-Trent. 228

229. A large Hugo Lonitz Majolica mirror, c.1900, modelled with three hummingbirds perched amongst berried ivy, a small blue lizard creeping into a nest containing three speckled eggs, impressed twin fish mark, 54cm. £600-800

230. A Majolica jardinière, 19th century, the sides applied with bulrushes and two mer people, the neck reticulated with a band of interlocking circles, some restoration, 39cm. £150-250

231. A Minton Majolica jardinière, 19th century, a putto forming each handle, holding the ends of oak leaf garlands that encircle the body and issue in turn from lion mask handles, faint impressed mark, a few tiny chips to the footrim, 31cm diameter. £200-300

232. A pair of Italian maiolica istoriato plates, late 17th century, probably Urbino, one painted with vintners crushing grapes, inscribed ‘S Chembre’ to the reverse, the other with farmhands sowing seed, inscribed ‘Martio’, minor faults, 24.5cm. (2) £3,000-5,000

233. A small Castelli maiolica oval dish, 18th century, painted with a peasant woman carrying a water vessel, within borders of yellow flowerheads and blue chevrons, cracked and reglued, 18.6cm. £80-120

234. A Castelli maiolica rectangular plaque, c.1720-30, painted with two peasants at repose in the foreground beneath a tree and before a lake, framed, 25cm. £600-1,000

235. A large faïence dish, probably 19th century, decorated with flowers in a limited palette, and a blue and white Delft plate painted with a flower and fence pattern, 35cm max. (2) £50-150

236. A Continental faïence hunting jug, 19th century, painted with a stag grazing from a tree, a hunter placing rabbits in a bag, inscribed ‘CECR 1760 IL’, 27.5cm. £50-150

237. An Italian maiolica crespina or tazza, 17th century, probably Siena, painted in yellow, manganese and ochre with a small bird roundel within a border of stylized flowers, all on a turquoise ground, a reglued chip, rim cracks, 29.5cm. £800-1,200 Cf. Julia Poole, Italian Maiolica in the Fitzwilliam Musem, p.146 for a similar example.

238. Two Porquier-Beau Quimper dishes, late 19th century, one decorated with a botanical specimen of convovulus, the other with a bird above Oriental flowers and foliage, PB monograms to both, small glaze frits, 26cm max. (2) £550-750

239. A Westerwald stoneware jug, 18th century, with the initials ‘GR’ within a flowerhead device, the ribbed neck with a manganese glaze, a smaller jug with an oakleaf design, and a tall jar incised with stylized hearts, the rim with a metal mount, 17cm max. (3) £200-300

240. An Italian maiolica jug, 2nd half 18th century, painted in the Urbino manner with stylized birds and insects amidst foliate scrolls in yellow, ochre and blue, ‘FA’ mark to the base, a repaired crack, 23.5cm. £150-250

241. A two-handled maiolica vase, 18th century, decorated with vertical bands of stylized foliage in blue and manganese, between yellow and ochre stripes, 22cm. £50-150

242. A small Deruta maiolica tazza, mid 17th century, painted in yellow, ochre and blue with five birds perched amidst flowering branches, a small rim chip, 21cm dia. £300-500

243. An Italian maiolica jug, 19th century, painted with two oval portraits amidst mythical creatures and other figures in a typical palette, the handle formed as a snake, some rim damage, 27.5cm. £100-200

Cf. Christie’s, 22 April 2008, lot 49 for a similar tazza.

244. A large pair of delftware polychrome plates, 2nd half 18th century, painted with a symmetrical arrangement of Oriental foliage issuing from a fence, some faults, 34.2cm. (2) £380-420

245. A delftware flower brick, 2nd half 18th century, painted each side with two Chinese figures in a garden, and a delftware small vase with similar decoration, restoration, 18cm max. (2) £100-200

246. An unusual pair of blue and white delftware plates, mid 18th century, painted in blue with a pattern after the Chinese, each with a squirrel amidst grapevine, damages, 22cm. £100-200

247. Nine blue and white delftware plates, 18th century, variously painted with a stag, figures, Oriental landscapes and flowers, some damages and restoration, 30cm max. (9) £200-300

248. A Continental faïence portrait charger, 18th century, probably German, painted with a lady in a striped skirt holding a single flower stem, and a tin-glazed stove tile, painted in blue with a servant girl carrying a bowlful of fruit beneath a tree, damages, 31cm max. (2) £150-250

249. Five delftware polychrome plates, 18th century, painted with birds in branches and Oriental flowers, one with an English landscape scene within a bianco-soprabianco border, some damages and restoration, 31cm max. (5) £150-250

250. An English slipware dish, 19th century, decorated with a bird in pale yellow on a treacle ground, the rim with yellow dots, 30.7cm. £180-220

251. A massive delftware charger, 2nd half 18th century, painted in blue with a bird in flight above tree peony and prunus, the rim with four further floral arrangements, broken and restored, 58cm. £100-200

252. A rare Donyatt slipware thistleshaped cup, 18th century, incised with sunflower motifs on a greenish yellow glaze, damaged, 9cm. £250-350

253. A dated Donyatt slipware marriage jug, incised with various flowers and a three line harvest home stanza above the inscription ‘Mr J Borough Mrs M A Borough July 23 1820’, decorated in a yellow and green mottled glaze, the glaze extensively flaked and lacking, 30cm. £1,000-2,000

254. A delftware fuddling cup, early 18th century, probably Southwark or London, formed of three vessels joined by interlocking handles, painted in blue with sunflowers, one set of handles lacking, 12.5cm. £800-1,200

255. A delftware Adam and Eve charger, c.1750, probably Bristol, the first couple painted in blue either side of the Tree of Knowledge, around which twists the yellow and ochre banded serpent with a fruit plucked from sponged green foliage, some restoration, 33cm. £300-500

256. A good English late medieval floor tile, c.15th century, incised with writing and stylized motifs filled with cream slip, 12cm. £150-250

Cf. Bonhams, London, 9th March 2005, lot 25 for an almost identical example.

Cf. Elizabeth-Eames, Catalogue of Medieval Lead-Glazed Earthenware Tiles, British Museum Vol II, cat. 1467 for a similar example.

257. A rare Liverpool delftware John Sadler woodblock tile, c.1756, printed in blue with ducks swimming before a wharf, 12.7cm. £300-400

258. A lobed delftware dish, c.1690, probably Brislington, the well painted with a flying insect above blue foliage, the rim with a stylized foliate border in blue, manganese and ochre, 21.5cm. £500-700

Cf. Anthony Ray, English Delftware Tiles, p.241 for a similar Sadler woodblock print.

259. Thirteen tin-glazed tiles, probably 19th century, boldly decorated with large blue flowers and green leaves edged in manganese, minor faults, 15cm. (13) £100-200

260. A large polychrome delftware bowl, 2nd half 18th century, painted with flower sprays, the interior with a blue border, cracked, 27.6cm. £50-150

261. Sixty Delft tiles, each painted with a central stylized fruit split to reveal its seeds, within trefoil borders, some chipping, 13.3cm. (60) £250-350

262. A large Cantagalli maiolica vase, 2nd half 19th century, boldly decorated with a continuous floral scroll in shades of yellow, ochre, green and manganese on a rich blue ground, cockerel mark, damages, 31cm. £200-300

263. Two Moustiers faïence plates, 18th century, one decorated in yellow monochrome with an ostrich-like bird and a tribal hunter, the other painted with two dancing dogs in a polychrome palette, painted PF marks, 26cm max. (2) £300-500

264. A large Italian maiolica vase, 18th / 19th century, painted in manganese with figures and birds around buildings and trees, marks for the Levantino workshop, 27cm. £200-300

265. Two Hispano-Moresque lustre dishes, probably 17th century, the smaller decorated with stylized foliage in blue and copper lustre, the larger with concentric foliate bands, damages, 41cm. (2) £150-250

266. A good Cantagalli charger, 2nd half 19th century, painted with large scrolling flowers and leaves in a limited palette on a swirling blue ground, cockerel mark, 32.2cm. £350-500

267. A large Hispano-Moresque lustre dish, 19th century, decorated with a dense stylized foliate design in copper lustre, the rim moulded with blue trefoils and red leaves, the reverse painted with large leaves and a spiral, 39.3cm. £80-120

268. A rare Tophane ware dated jar and cover, 1776, Turkey, decorated with bands of leaves and roundels, the pointed cover with the thugras of Sultan Abdulhamid I, the base with an impressed script mark including the Arabic date 1190 (1776), and a small 19th century Tophane cup with the thugra of Abdulaziz, impressed ‘B.Fuchez Constantinople’ to one side, traces of gilding to both, 13cm max. (3) £1,500-2,000 268

269. A good Kutahya deep flared bowl, c.1740, Turkey, finely potted and decorated with bands of leaves or petals enamelled in a typical palette of green, blue, ochre and red, the interior well with a foliate motif, a few small rim nibbles, 12cm dia. £1,500-2,000 269

270. A rare Chanakkale model of a stylised lion, 19th century, decorated with glaze splashes in brown and cream, a tall green-glazed Chanakkale ewer applied with flower motifs, and a smaller jug with a rope twist handle, decorated in striated glazes, some faults, 33.5cm max. (3) £1,500-2,000 270

271. A delftware polychrome plate, 1st half 18th century, perhaps Bristol, decorated with a simple stylized floral design in green, blue, yellow and red, 22.5cm. £300-500

272. A small delftware dish, 1st half 18th century, perhaps Southwark, painted in cobalt blue with a geometric daisy design, raised on a wide shallow footrim, some restoration to the rim, 22cm. £200-300 271

272

273. A lobed Delft dish, late 17th century, painted in green and manganese with figures at various pursuits in Oriental landscapes, a faint hairline to the well, 34cm. £400-600

273

274

274. An unusual delftware soup plate, mid 18th century, perhaps Lancaster, finely painted with sprays of daisy-like flowers in shades of green, ochre, blue and manganese, hairline crack, 21.8cm. £250-350

275. A large and rare delftware dish, 18th century, probably Bristol, painted with a simple design of geometric flowers, ‘WP3’ mark to the base, hairline crack, 33.8cm. £100-200

276. A delftware deep dish, 2nd half 18th century, with fluted sides, painted to the interior with Oriental flowers in blue, green and iron red, painted 2 mark to the base, small rim faults, 28.5cm. £350-450

277. A Delft dish, late 17th century, painted in blue and yellow with a large stag standing between bushes, the rim decorated with a half mon border, 15cm rim crack, 35cm. £300-500

Cf. John C Austin, British Delft at Williamsburg, p.191 for the same monogrammed mark on a plate with a similar border, said to be that of William Pottery.

278. A small Italian maiolica albarello, 1st half 18th century, painted with four finches in flight amidst leafy scrolls, three blue bands to the neck and foot, some good restoration to the rim, 15.5cm. £200-300 279. A near pair of tall Italian maiolica albarelli, 1st half 17th century, possibly Venice or the Veneto, the narrow waisted forms painted in blue with stylized motifs and foliate bands on a paler blue ground, 30cm. £500-700 280. An Italian maiolica armorial albarello, late 17th century, probably Montelupo, decorated with a shield between the initials ‘PS’ and inscribed ‘TRIFERA P’, on a ground of blue foliate swirls, a little good restoration, 22cm. £400-600

278

279

280

281

Tryphera Persica was an electuary made from, among other things, senna leaves, rhubarb and hops. Its various uses included as a treatment for jaundice and for depression. 281. A Spanish faïence albarello, 2nd half 18th century, the tall waisted body painted in blue with foliate scrolls around the inscription ‘R, Enul, Camp’, 30cm. £200-300 Enula campana or elecampane is better known in the UK as scabwort. The medicinal qualities of this plant were known since Roman times and Pliny advised that the roots were “considered to help digestion and cause mirth”.

282. A tin-glazed tankard, probably 18th century, painted with a bird within a scrolling cartouche on a sponged manganese ground, the hinged metal lid decorated with a roundel of figures around a table and inscribed ‘sic faciunt animo sollicitudines’, 22cm. £150-250

283. A large dated slipware brewing barrel, two strap handles applied to the shoulders, a tap bung near the base, decorated with yellow bands over a mottled brown glaze, inscribed ‘R 1824’, some chipping to the rim, 37cm. £100-200

284. A large stoneware dated Bellarmine or Bartmann type jug, modelled with a roundel bearing the date 1699, beneath the typical bearded face, some chipping, 34cm. £200-300

285. A large brown stoneware jug, 19th century, with pewter mounts, the hinged lid inscribed ‘JRF 1830’, decorated in a lustrous glaze, 35cm. £150-250

286. A set of four delftware wet drug or syrup jars, 18th century, painted in blue, each with two cherubs above a floral cartouche, inscribed ‘S.Violar’, ‘S. Rosar. Sol’, ‘Mel. Rosac’ and ‘Ox. Scillit’, some small damages, 18cm. (4) £1,000-2,000 Syrup of violets has culinary uses as well as being believed to ward off evil spirits and treat insomnia. Rosatus solutivus was an evaporated solution with laxative effects, while Honey of Roses was used in gargles and lotions for treating sores and mouth ulcers. Oxymel scilliticum is a preparation of squill bulbs and clarified honey still used today in cough medicines including Buttercup Syrup. 287. A delftware mustard or ointment jar, c.1790, probably London, naively decorated with a sponged blue design beneath a ribbed neck, 13cm. £100-200 Cf. Frank Britton, London Delftware, p.169.

288. A delftware syrup or wet drug jar, 1st half 18th century, titled ‘S;E;CORT, AUR:’ within a cartouche surmounted by two winged putti, the reverse with a flared spout, some good restoration, 18cm. £500-700

287

288

Syrup of Cortex Aurantium, or extract of orange peel, still has a variety of uses today, but was popularly used in the 18th century to help stimulate the appetite of patients with long-term illnesses.

289. A Continental tin-glazed wet drug or syrup jar, probably 18th century, painted in blue with an allover foliate design, an inscription below the handle, small chips, 22.5cm. £50-150

290. A Continental tin-glazed wet drug jar, 19th century, decorated in the Delft style with a cartouche surmounted with peacocks, titled ‘S INJUBINUS’, 20.5cm. £100-200 The title is probably a misspelling of S Iujubinus, the syrup of the Jujube tree. This was used to ease a sore throat and treat a cough. 289

290

ENGLISH & CONTINENTAL PORCELAINS OF THE

18TH & 19TH CENTURIES

INCLUDING THE COLLECTION OF THE LATE JOHN NORIE

Captain John Norie was an avid and varied collector with interests in many fields, including ceramics. The silver caddy spoon collection, from which he wrote his 1988 reference work ‘Caddy Spoons: An Illustrated Guide’, was sold at these rooms in 2004. Captain Norie had also published several articles on English ceramics, with a particular interest in the Regency period and the artist William Billingsley. He was a regular contributor to Apollo magazine on several subjects, and was sometime President of the Society of Caddy Spoons. His ceramics collection demonstrates a broad interest in both 18th and 19th century British porcelains, with a leaning towards the wares of Derby and Pinxton in the early years of the 1800s.

291. A good Coalport sauce tureen, cover and stand, c.1820, finely painted with bright floral arrangements around a bird’s nest with speckled eggs, on a pink ground, 25cm. (3) £450-650 291

292. A Barr, Flight and Barr Worcester cup and cover, c.1810, painted with a landscape view of figures on a farm track before a thatched cottage, further buildings and mountains in the distance, on a pale peach ground with a bold gilt key fret design, script marks, incised B to the cover, 14cm. (2) £300-400 292

293. An English porcelain câchepot and stand, 19th century, painted with a band of pink, white and purple convolvulus on a rich gold ground, marked ‘752’ and ‘12’, and a similarly decorated Spode plate in pattern 2049, c.1820, 21.5cm max. (3) £250-350 293

294. A pair of Derby heart-shaped dishes, c.1790, each painted with three large naturalistic flower sprays within gilt rims, crowned crossed baton marks and pattern number 80 in puce, 25.5cm. (2 £300-400 Provenance: from the collection of the late John Norie.

295. Two Pinxton heart-shaped dishes, c.1799-1805, each painted with a central panel, one with a river winding before buildings along its bank, the other with a farmer and his dog standing before hills and a lake, within plain gilt bands, crescent and star marks, one restored, some wear to the gilt rims, 25.7cm. (2) £300-500 Provenance: from the collection of the late John Norie.

296. A good Barr, Flight & Barr Worcester bowl, cover and stand, c.1810, the fine porcelain delicately painted with bright sprays of garden flowers on a crisp white ground, the bowl and cover finial applied with a white jewel band, printed factory mark to the stand, 14cm. (3) £300-500 296

297. A rare Pinxton yellow ground bough pot, c.1800, painted with a puce monochrome landscape scene of trees blown before ruins on a hillside, raised on a scrolling foot with a gilt garland border, the cover lacking, 24.5cm. £3,000-4,000 Illustrated: N D Gent, The Patterns and Shapes of the Pinxton China Factory, p.165, fig.254 from the collection of Mr & Mrs G Northage. 297

298. A Minton porcelain basket and cover, 19th century, and an English porcelain box and cover, each applied with flowers and with gilt detailing, the basket with a blue crossed swords mark, tiny chips to the applied flowers, 13.4cm max. (4) £80-120

299. A Spode pot pourri bowl and cover, early 19th century, applied with flowerheads in the schneeballen style, the reticulated cover surmounted with a garland hoop finial, gilt SPODE and 4645 mark, 19cm. (2) £380-450

300. A pair of Minton porcelain vases, 19th century, painted with exotic birds and richly encrusted with flowers between rococo scrolling handles, small chips, 25.5cm. (2) £400-600

301. A set of four Coalport tazzae, 19th century, emblematic of the four seasons, each with a small reticulated dish painted with flowers raised above a biscuit porcelain figure of a putto, printed marks, some small damages and restoration, 30cm. (4) £300-400

302. A Chelsea-Derby plate and four coffee cups, c.1775, the plate painted with a central urn within a blue and gilt rim, the cups variously decorated with flowers and garlands, gold anchor and D marks, one cup with a long crack, 22.8cm max. (5) £200-300

303. An English porcelain two-handled covered chocolate cup and stand, 1st half 19th century, and a cup and saucer, decorated with panels of flowers on a peach ground, and a Rockingham two-handled cup and saucer, painted with landscape reserves on a blue ground, some damages, 15.5cm max. (7) £150-250 Provenance: from the collection of the late John Norie.

304. A pair of Crown Derby vases and covers, 2nd half 19th century, painted with roses and blossom on a turquoise ground, printed marks, and a Royal Copenhagen oval dish with a reticulated rim, painted crowned wave mark, restoration to both covers, 34cm max. (5) £200-300 The vases purchased in 1978 from Majorie Whitworth Antiques in Wilton. Receipt available.

305. A pair of Copeland porcelain tazzae, 19th century, each with a reticulated dish painted with flowers supported on a bisque model of a putto emblematic of the seasons, and a pair of Sèvres-style vases and covers decorated with a mottled blue glaze and raised on gilt metal bases, ‘PM SEVRES’ marks to the lids, some restoration, 31.5cm max. (6) £200-300

306. A Coalport moulded dessert plate, c.1815, the well painted with fruit and flowers, the border with single flowers on a café au lait ground, and an English porcelain fruit basket with a gilt metal vine scroll handle, a little restoration to the plate, 30cm max. (2) £50-150

307. A Minton two-handled cup and a large Minton bowl, c.1900, the cup decorated with panels of birds and roses, the dish with a central cockerel roundel within a fruiting gilt border, both on a pink ground, 31.5cm max. (2) £150-250

308. A Ridgway stone china pot pourri vase with inner and cover, mid 19th century, decorated with peach and gilt vases of flowers on a blue ground, the cover pierced with an arrangement of holes, 26.5cm. (3) £200-400

309. A Flight, Barr & Barr large oval dish, c.1825, painted with large pink roses and smaller buds within a broad gilt rim, impressed factory mark, 45cm. £180-220

310. A small collection of Derby porcelain, late 18th / early 19th century, variously decorated with flowers, blue and salmon pink bands. Comprising: a ChelseaDerby octagonal dish, a dessert plate, a fluted trio in pattern 90, a coffee cup and saucer in pattern 110 and a Bloor Derby cream jug. (8) £150-250

311. A good pair of Derby dessert plates, c.1790, painted in pattern 65 with pink roses within salmon pink and gilt borders, puce marks, and a Worcester small moulded dish painted with various fruits and insects, 22.9cm max. (3) £150-250

312. A Pinxton trio and two Pinxton saucers, early 19th century, the trio decorated with scattered leaves in grey and gilt, one saucer decorated in pattern 284, the other with an unidentified pattern of oval motifs, a pair of teabowls and a coffee can painted with flower garlands, and a teabowl decorated with a wide floral band, 15.7cm max. (7) £150-250

The Derby plates with paper labels for the Lucas Derby collection, nos.80 and, 81, and for the Albert & Rose Laine collection, no. 20.

Provenance: from the collection of the late John Norie.

313. English porcelain landscapedecorated teawares, late 18th / early 19th century, including a Derby trio painted in pattern 230 with Derbyshire views, a Pinxton teabowl and saucer, a fluted cup and saucer marked ‘57’ to the saucer, and a Spode cabinet saucer painted in pattern 1926, some damages and restoration, 14cm max. (8) £150-250 Provenance: from the collection of the late John Norie. Cf. N D Gent, The Patterns and Shapes of the Pinxton China Factory, fig.135 for the landscape pattern on the teabowl and saucer.

314. A Pinxton cup and saucer, c.1800, decorated in pattern 100 with a tartan band, a Minton trio painted in pattern 58 with landscape roundels, and two other teabowls and saucers, various painted pattern numbers, crossed arrows mark to one saucer, minor faults, 14cm. (9) £50-150 Provenance: from the collection of the late John Norie.

315. Two Derby coffee cans and a twohandled cup, late 18th / early 19th century, one can painted with roses in pattern 529, the other with a horse in a snowy landscape, the two-handled cup with scattered butterflies and insects, a Derby small bowl painted with a duck after George Edwards, a cup painted with a view ‘Near Keswick’ on an orange ground, and a beaker painted with flowers, some damages and restoration, 8.5cm max. (6) £150-250 Provenance: from the collection of the late John Norie. 47

316. A Pinxton heart-shaped dish, c.1800, painted with a central oval cartouche with buildings in a rural landscape, within a border of yellow ground half moons above swags in gilt and green enamel, a little wear, 23cm. £1,200-1,500

317. A Pinxton slop bowl, c.1800, painted with two oval panels of figures standing on a bridge or riverbank before farm buildings amidst trees, within gilt husk borders, the sides decorated with two flower sprays, a little wear to the gilding, 16.2cm. £800-1,200

Cf. N D Gent, The Patterns and Shapes of the PInxton China Factory, p.142, fig. 208.

318. A Pinxton coffee can, c.1805, painted with a riverside view titled ‘In Nottingham’, a Flight & Barr Worcester cup painted with a titled view ‘On the River Dove, Derbyshire’, and a cup and saucer painted with sepia landscapes within a floral border, restoration to the Flight cup, 14cm max. (4) £150-250 Provenance: from the collection of the late John Norie.

319. A pair of Pinxton plates and a cup and saucer, c.1800, decorated with pattern 218, painted pattern numbers, some wear and scratching, a hairline to the cup, 19.8cm max. (4) £100-200 Provenance: from the collection of the late John Norie.

320. A good Pinxton yellow ground coffee can, c.1800, painted in sepia with a titled view of the ‘Inside of Bothwell Castle’, the ruins giving way to rambling foliage, within a gold chain border and with gilt rims, faint iron red P223 mark to the base, some gilt wear, 8.5cm. £1,200-1,500 Cf. Bonhams, New Bond Street, 6th June 2007, lot 409. 321. A Barr Worcester inkwell, c.1800, the slightly waisted form painted with a chamfered cartouche of flowers on a peach ground with elaborate gilt foliate scrolls, the top pierced with three holes around a central well, incised B mark, 7cm high. £300-400 322. A pair of Derby vases, c.1770, the flared bodies applied with scroll handles, each painted with a single large pink rose and bud between gilded rims, painted house on stilt marks in purple, minor damages, 16cm. (2) £100-200

320

321

The mark is more commonly seen on pieces with a Chinese influence. Provenance: from the collection of the late John Norie. 323. Two large English porcelain porter mugs, c.1800, one Coalport, painted with an equestrian battle titled ‘The Cossack and Mode of Attack’, the other with a flock of sheep before a stately home beside the river, on a pale peach ground, the latter cracked, 16cm. (2) £250-350 Provenance: from the collection of the late John Norie. 324. A rare Pinxton porter mug, c.1800, painted in the manner of William Billingsley with a large flower spray including pink rose and stock, the body scattered with leaves in gilt and green enamel, between bands of blue and gilt, the handle highlighted in blue, 13cm high. £3,000-4,000 325. No lot

323

322

324

326

327

328

329

330

331

332

333

334

326. Ten English porcelain dessert plates, 1st half 19th century, painted with a small floral posy and single flower stems within elaborate borders in blue, peach and gilt, 22.3cm. (10) £180-220 327. A Minton teapot, cover and stand, c.1810, painted in pattern 306 with oval landscape cartouches reserved on a yellow ground, gilt pattern numbers, a little wear, 27.5cm. (3) £100-200 Provenance: from the collection of the late John Norie. 328. A Chamberlain’s Worcester cream pail, cover and stand, c.1825, painted with fuchsia, rose and schlumbergera on a ground of delicate gilt seaweed tendrils, painted mark and pattern number to the cover, a short faint crack to the cover, 18.5cm. (2) £300-400 329. A pair of Berlin cups and saucers and a shaped dish, 19th century, decorated with cherubs at play amidst clouds, blue sceptre marks, 36.3cm max. (5) £100-200 330. English porcelain teawares, late 18th / early 19th century, including Pinxton pattern numbers 10, 24, 44 and 46, variously decorated with Chantilly and similar sprigs, some damages and restoration. Comprising: a teapot and cover, a teapot stand, a footed bowl, two dishes, two cups, three coffee cans, a teabowl and five saucers. (17) £200-300 Provenance: from the collection of the late John Norie.

331. A Paris porcelain monteith, 19th century, decorated with a cornflower sprig beneath a wave-moulded rim, and two shaped dishes with similar decoration, a few small rim chips, 35cm max. (3) £100-200 332. A Dresden porcelain part dessert service, late 19th / early 20th century, painted with flower sprays within a gilt scroll border. Comprising: a muffin dish and cover, a milk jug, a sugar bowl, two dishes, two large plates, six side plates, six cups and six saucers. (26) £100-200 333. A pair of Continental porcelain vases and covers, 19th century, after Meissen, painted and applied with flowers, the covers with putto finials, blue crossed swords marks, some restoration, 30cm. (4) £100-200 334. Various Continental porcelains, 18th and 19th centuries, painted with flowers in monochrome and polychrome palettes, all with factory marks. Comprising: two Meissen cups and saucers, two Oude Loosdrecht fish plates and a Nymphenburg triangular dish. (7) £200-300

335

336

337

338

339

340

341

342

343

335. A Paris porcelain part service, 19th century, painted in blue with tree peony and other flowers within moulded rims, one plate with an LB mark, 39.7cm max. Comprising: a large serving dish, six soup plates, one plate and two earlier plates. (10) £500-800

340. A pair of English porcelain mugs, early 19th century, probably Pinxton, the straight sides decorated with bands of stylized flowers in orange, black and gilt, beneath a key fret border, unmarked, 10.5cm. £200-300

336. A lobed Nantgarw oval dish, c.1815-20, brightly painted with small floral posies around the shaped rim, 29cm. £200-300

Provenance: from the collection of the late John Norie.

337. A large Meissen moulded dish, 19th century, the well painted with a bright spray of flowers within a broad moulded rim picked out in gilt, cancelled crossed swords mark, and a pair of spiral fluted teabowls and saucers, 32cm max. (5) £50-150 338. A Sèvres-style part coffee service, 19th century, comprising a coffee pot and cover, sucrière and cover and a milk jug, decorated with bold gilt borders on a cobalt blue ground, and a Chamberlain’s Worcester vase and stopper, painted with a view of the city, 18cm max. (7) £150-250 339. Three Continental porcelain covered dishes, 19th century, one Meissen and blue-glazed with gilt moulded floral panels, one Paris porcelain and painted with panels of landscapes and flower urns, red mark for Darte frères, the third a Vienna-style buttertub and cover decorated with cherubs and Classical motifs, some damages and restoration, 21.8cm max. (6) £100-200

341. Two large Pinxton porter mugs, c.1800, one painted with a small floral spray, perhaps by Billingsley, the other with a large cornflower sprig, red arrow mark to the floral mug, and a smaller English porcelain porter mug painted with a wide floral band, some restoration, 17cm max. (3) £300-500 Provenance: from the collection of the late John Norie. 342. A rare Derby eyebath, c.1815, painted in pattern 28 with an allover design of pink roses, and a pair of Stevenson and Hancock Derby wine tasters, decorated with a central pink rose, crowned crossed batons in iron red, some damages, 8.7cm max. (3) £50-150 Provenance: from the collection of the late John Norie. 343. An English porcelain boat-shaped inkwell, 1st half 19th century, with liner and cover, painted with sprays of flowers above a moulded band of stiff leaves, three moths gilded around the well, 11.5cm. (3) £150-250

344. A Meissen rococo clock and stand, 19th century, the ormolu and enamel dial surrounded by applied floral garlands, the base with three figures around, a young vintner seated atop, the rectangular base raised on four scroll feet, blue crossed swords marks, the clock incised ‘No 572’, small chips to the applied flowers, 48cm overall. (2) £600-800 Provenance: from the collection of the late John Norie. 344

345. A large Vienna-style vase, cover and stand, 19th century, decorated with a scene from Alexander and Campaspe, another titled ‘Blumen von Varelst Gamelt’, on a heavily gilded panelled ground, blue shield marks, 43cm. (3) £100-200

346. A pair of Continental porcelain ormolu mounted vases, 19th century, decorated with a bright geometric design, 33.5cm. (2) £100-200

347. A Meissen vase, 19th century, painted and applied with colourful sprays of flowers, rosehips and strawberries, blue crossed swords mark, 26cm. £100-200

348. A Coalport câchepot and stand, 1st half 19th century, painted with foliate scrolls and pink rose garlands above gilt leaf bands on a cobalt blue ground, a few short cracks to the stand, 17cm. (2) £180-220

349. A Derby plate, c.1790, painted in pattern 182 with a named view of Wootton Park in Staffordshire, and a rare Coalport cup painted with a young girl gathering sea shells, signed ‘T Newlett’, 24.3cm max. (2) £200-300

350. A Chamberlain’s Worcester vase, c.1814, of ‘Regent’ shape, painted with a scene presumably from Hamlet, on a bright faux marble ground, applied with satyr mask handles, the cover lacking, some damages, 21cm. £200-300 The shape and subject matter of this vase relate to The Abergavenny Vase (sold Bonhams, 5 December 2007, lot 309) which is illustrated by Geoffrey Godden, Chamberlain’s Worcester, pl 105, p102.

351. A Wedgwood pearlware teapot and cover, 1st half 19th century, painted with panels of flowers in the Imari style, impressed factory marks, 25.5cm max. (4) £300-500

352. A Swansea plate, c.1815-18, painted with six flower stems including rose and convolvulus, impressed mark, 20.5cm. £150-250

353. Twelve Davenport porcelain botanical plates, c.1836, each painted with a large floral specimen within a matt green border, titled to the reverse, printed crowned Davenport Longport marks, one cracked, 25.8cm. (12) £400-600 These plates bear printed marks for the Faversham Horticultural and Floral Society, for whom they were produced as prizes for class winners in the annual shows.

354. An English porcelain bough pot and cover, 1st half 19th century, painted with a panel of fruit within within wide foliate scrolls in blue and gilt, the cover pierced with seven holes, a little restoration to the cover, 20cm. (2) £350-450

355. A large Royal Worcester bowl, 1924, richly enamelled with three large butterflies on a mottled blue ground within a gilt band border, printed factory mark and date code, 31cm. £100-200

356. A Spode vase and cover, c.1820-30, painted in pattern 3614 with a wide band of pink roses and gilt leaves between stylized gilt foliate borders, iron red factory mark, 19cm. (2) £60-100

357. A KPM rectangular porcelain plaque, late 19th / early 20th century, painted with an elegant lady wearing a green suit and holding a furled parasol, standing before stonework and trees, impressed and incised marks, 15.2cm. £150-250

358. A Paris porcelain plate, c.1883, decorated with a portrait of Tsar Alexander III, signed ‘G Bennaru 1883’, within a blue rim, 22.8cm. £150-250

359. A Continental porcelain oval plaque, 19th century, painted with a mother and child, signed ‘Wegner’, impressed numerals to the reverse, 13cm. In a wood and metal frame. £200-300

360. A Berlin porcelain plate, 19th century, painted with three parrots perched on branches within rococo moulded borders, cancelled sceptre mark, 22.2cm. £50-150

361. A Berlin-style portrait plate, 19th century, painted with a young lady wearing an embroidered head scarf and a gold cross, in a large wood frame, traces of an old paper label to the frame, the porcelain 15.5cm. £100-200

362. A massive Loosdrecht dish, c.1782-4, finely painted with a central flower spray including rose and carnation, amidst tiny scattered single blooms, within a lightly moulded rim, blue M.O.L and star mark, 49.5cm. £300-400

363. A rare Chantilly two-handled sauceboat, c.1760, painted with polychrome flowers to the interior and exterior, blue hunting horn and B mark, and a Mennecy knife handle painted in blue with a stylized shell design, one handle broken and reglued, 23.6cm max. (2) £500-800

364. A Continental applied flower plate, probably 19th century, after Meissen, the well applied with numerous large blooms including viola, narcissus, dianthus and chrysanthemum, within a reticulated rim, 24.5cm. £100-200

365. A pair of Niderviller large sauceboats, c.1780, painted each side with a vignette of buildings and trees, the rococo moulding highlighted in puce and gilt, entwined C marks, 24cm. (2) £650-850

366. Two Samson figures, 2nd half 18th century, after Meissen, each of a pastoral couple seated on a rocky stump, one with a lamb, the other a caged bird, minor faults, 23.5cm. (2) £200-300

367. A pair of Meissen figures of children, 19th century, the boy with a basket of grapes, the girl feeding grapes to a songbird, blue crossed swords marks, incised ‘F24’, and a pair of Continental white-glazed figures of dancers, perhaps Fürstenberg, blue F marks, some damages to the white figures, 17.2cm max. (4) £200-300

368. A Bow figure of a flowergirl, c.1754, holding her apron full of flowers and carrying a small basket over one arm, barefoot on a moulded pad base, and a Derby figure of a musician, playing a pipe with his dog seated before him, some restoration, 16cm max. (2) £200-300

369. A Meissen figure of Cupid, 19th century, modelled by Ernst Leuteritz, seated on a brick stove beside a trivet, stirring the contents of a saucepan that rests on his aproned lap, blue crossed swords mark and incised K116, his right leg broken and reglued, 14cm. £150-250

370. A near pair of Bow figures of New Dancers, c.1760, standing on scrolling bases before flowering bocage, damages and restoration, 21.5cm max. (2) £150-250

371. A Meissen group of Cupid playing Blind Man’s Bluff, 19th century, Cupid standing blind-folded amidst four other putti all on a rocky stump, blue crossed swords mark, impressed A66, some damages, 21cm. £150-250

372. A Chantilly-style candlestick figure, 19th century, modelled as a grotesque cherub seated on a mythical beast whose fishy tail rises to form one candle sconce, enamelled in the Kakiemon palette, red hunting horn mark, 15.5cm. £300-500

373. A Jacob Petit pagoda figure, of a bearded Chinaman seated cross-legged and wearing elaborately decorated robes, his head, hands and tongue articulated, blue JP mark, 2nd half 19th century, some damages, 30cm. £1,000-2,000

374. A Bow candlestick bird group, c.1758-60, two songbirds perched on flowering branches above two chicks in a nest, a dog recumbent at the foot of the tree, the candlestick lacking, 17cm. £250-350

375. A large Meissen model of a sheep, 1st half 19th century, standing four square on a base applied with flowers, the curly fleece highlighted with brown, a filled chip to the base and the tip of one ear, 20cm. £500-800

376. A Continental porcelain figure of Asia, 19th century, depicted as a turbanned gentleman holding a long pipe and resting on a cotton bale before a recumbent camel, 14.5cm. £200-300

375

376

377. A Meissen model of a seated boy, mid 18th century, after a model by Kändler, his bare legs outstretched upon the flower encrusted pad base, his left arm draped around the neck of his cockerel, his right hand plucking blooms from a reticulated basket by his side, a faint crossed swords mark to the reverse, a little good restoration, 11cm. £500-800

378. A Meissen model of a partridge, 19th century, standing on a grassy stump with head turned to dexter, its plumage finely enamelled, blue crossed swords mark and incised 423, 9cm. £250-350 Paper label for the Wildish Collection. 377

378

379. A Bow figure of an abbott, c.1765-70, holding a gold cross in his right hand, a canvas bag slung over his left shoulder, raised on a tall scrolling base, anchor and dagger mark, some good restoration, 17.5cm. £280-320

380. A Meissen model from the Four Continents, 1st half 19th century, the figure emblematic of America and wearing a bright feathered costume, an exotic bird perched on his right hand, blue crossed swords mark to the base, some small damages, 15.2cm. £300-500

381. An English porcelain figure, 2nd half 18th century, of a putto carrying a basket of flowers before bocage, raised on a scrolling footed concave base, small damages, 13.5cm. £50-150

382. A Bow figure of a female musician, c.1770, playing a zither which rests on her knee and seated on a flowering bough, raised on a tall footed base, a tiny amount of good restoration, 18cm. £450-550

383. A Meissen model of a parrot, 19th century, its plumage brightly coloured, perched on a rocky stump with head turned, blue crossed swords mark, incised 59, 22cm. £200-300

384. A large Derby figure of a young girl, c.1765, holding a flower in both and wearing a pink satchel over her shoulder, standing before flowering bocage, some good restoration, 26cm. £150-250 This figure is the companion figure to No. 311, the male musician, and would ordinarily be holding a triangle.

385. A rare Bow figure of a sheep, c.1760, grazing on a pad base applied with flowers, the hooves and muzzle highlighted with grey enamel, and a Derby model of a grazing ram, the latter with a paper label for the Grant Davidson collection, 10.3cm max. (2) £900-1,200

386. A large pair of Meissen schneeballen bottle vases and covers, 19th century, each applied with yellow finches perched on leafy tendrils that entwine between globes of blossom,, blue crossed swords marks, the vases lamped, some damages, 50cm. (2) £800-1,200

387. A rare Meissen model of Atlas, mid 18th century, wearing a lion skin and supporting the globe on his shoulders while half sitting on a rocky stump, the globe enamelled with the four continents above the longitudinal lines, raised on a low rococo scrolled base applied with flowers, blue crossed swords mark to the reverse of the figure, 15.5cm. ÂŁ1,000-2,000

388. A Meissen figure of a lottery seller, 1st half 19th century, from the Cris de Paris series, after the original model by Peter Reinicke, carrying a barrel on his back and holding a paper cone in his right hand, raised on a small scroll base, blue crossed swords mark, incised No 18, 15cm. ÂŁ250-350 The model was taken from a 1753 drawing by the French artist, Christophe Huet.

389. A pair of Bow Dismal Hounds, c.1758, each seated on its haunches with its head turned to one side, the coats coloured in patches of brown enamel, raised on pad bases applied with polychrome flowers, one damaged, 8cm. (2) ÂŁ2,000-3,000 Cf. Elizabeth Adams and David Redstone, Bow Porcelain, p.200 for a similar pair with darker colouring. 389

390. A fine pair of Chelsea chinoiserie flower holder figures, c.1762, the Chinaman and his companion wearing Eastern dress and each seated beside a large white vase, the tops of which are pierced with an arrangement of holes, raised on scrolling rococo bases picked out in gilt, gold anchor marks to the reverse, tiny chips to the fingers, 19cm. (2) ÂŁ1,000-2,000 Cf. Frank Stoner, Chelsea, Bow and Derby Porcelain Figures, pl.33.

391. Blue and white English porcelain, 2nd half 18th century, including a Lowestoft tea canister printed with a fence pattern, a Bow pickle leaf dish, a Chaffers Liverpool sauceboat painted with an Oriental landscape, and a New Hall teapot stand, some faults, 19.7cm max. (4) £330-380

391

392

392. Various Worcester and Caughley blue and white porcelains, 2nd half 18th century, printed crescent and C marks, some damages. Comprising: a Worcester butter tub, cover and stand, a similar Caughley, four Worcester stands, a Caughley pinecone basket and a Worcester pinecone dish. (12) £300-500

393. A small collection of Caughley blue and white porcelain, c.1772-85, printed with the Fisherman and Cormorant pattern. Comprising: two pickle leaf dishes, two butterboats, an asparagus server, a strainer and a Chinese porcelain shell dish. (7) £200-400

393

394. Six English porcelain blue and white teabowls, 2nd half 18th century, including Worcester, Christian’s Liverpool and an unusual Caughley fluted example, two saucers and a Caughley coffee cup, variously decorated with flowers and Oriental landscapes, minor faults, 12.6cm max. (9) £100-200

394 395. A Worcester blue and white fluted bowl and plate, c.1765, painted with the Hollow Rock Lily pattern, open crescent marks, 18cm max. (2) £150-250

396. A Caughley teapot, mug and milkjug, c.1780, variously printed with the Parrot Pecking Fruit, the Fisherman and a fruit pattern, S mark to the teapot, C mark to the mug, 16cm max. (4) £200-400 395

396

397. An early Bow white-glazed teabowl and saucer, c.1750-52, applied with prunus sprig motifs, and a similarly decorated coffee cup with an incised cross to the base, 11.5cm max. (3) £250-350

398. A pair of Caughley blue and white pickle leaf dishes, c.1780, printed with the Fisherman pattern, S mark to one, and a pearlware pickle dish printed with cows in a meadow, the latter broken and riveted, 13.4cm max. (3) £80-120

399. A fluted Worcester blue and white trio, c.1756, painted with the Prunus Root pattern, workman’s marks, 11.7cm. (3) £200-300

400. A Berlin blue and white basket, 19th century, the interior painted with a large flower spray and a single butterfly, the exterior with further butterflies and single flower stems, 28cm. £100-150

401. Two English blue and white teabowls and saucers, 2nd half 18th century, one Worcester with a printed fruit pattern, the other painted with a fence and island pattern within a Fitzhugh border, 13.5cm. (4) £150-250

402. A Worcester blue and white cornucopia wall pocket, c.1755-60, painted with prunus in the Cornucopia Floral pattern, workman’s mark to the reverse, 21.8cm. £300-400

403. A small collection of blue and white porcelain, most 18th century, various decorated with flowers, figures, birds and landscapes, 24cm max. Comprising: a large Worcester leaf dish, a Bow small mug, a Bow coffee cup, a Liverpool small mug, two Chinese saucers and a small Chinese box and cover and stand from the Hatcher Cargo. (9) £300-500

404. A small collection of miniature blue and white porcelain, most 2nd half 18th century, including Worcester and Caughley, variously decorated with flowers and Oriental landscapes. Comprising: two teapots and covers, two milk jugs, a tureen and cover, a sugar bowl and cover, a cup and saucer, a teabowl, two chargers, a pearlware meat dish and a lemon squeezer. (17) £50-150

405. A Worcester blue and white part tea service, c.1770, including a trio, slop bowl and milk jug all printed in the Three Flowers pattern, and a moulded cabbage leaf dish printed with the Wispy Chrysanthemum Sprays, various crescent marks, 25.2cm max. (7) £200-400

Provenance: from the collection of the late John Norie.

Most with paper labels for the Wildish Collection.

Paper labels for the Wildish Collection.

406. A small Bow blue and white plate, c.1756, painted with the Koto Player pattern within an unusual shaped rim, a few small rim nibbles, 17.5cm. £360-400

408

407. A small Lowestoft blue and white plate, c.1765, painted with a bird in flight above tree peony, the rim with three further sprays, 17.3cm. £320-380

408. An unusual English porcelain blue and white octagonal charger, 2nd half 18th century, the well finely painted with a European scene of figures on a river lined with buildings, the border printed with a continuous floral design, 34.3cm. £300-500

409. Two Worcester blue and white baskets and a dish, c.1775-80, printed with the Pinecone Group, crescent marks, 20.2cm max. (3) £250-350

410. A Worcester blue and white tureen, cover and stand, c.1780, printed with the Pine Cone and Ripe Pomegranate groups, hatched crescent marks, 27.5cm. £100-200

411. A Bow blue and white sauceboat, c.1754, painted with a landscape scene, the interior with a tied scroll, raised on three paw feet, painted numerals to the base, one foot broken and reglued, 21cm. £200-300

412. A pair of Worcester scallop-edged plates, c.1770, painted in a bright blue with flower sprays within a feathered blue and gilt border, 22.7cm. (2) £250-350

413. A pair of Caughley blue and white scallop-edged plates, c.1780, printed with the Gillyflower pattern within a diaper cell border, impressed ‘Salopian’ marks, one with an S mark, 20.3cm. (2) £100-200

414. An early Worcester feather moulded teabowl and saucer, c.1758, painted with the Feather Mould Floral pattern, workman’s marks to the base, 11.5cm. (2) £100-200 Paper labels for the D S Collection, No. 479.

415. A Worcester Imari sparrowbeak jug, c.1770, richly decorated with a pagoda before water, beneath a weeping willow, painted crescent mark to the base, 8.5cm. £50-150

416. A Liverpool porcelain blue and white sauceboat, c.1760-70, painted with vignettes of figures fishing and rowing within moulded panels, the interior with flowers, 18cm. £150-250

Paper label for the Weiss Collection, no. 201.

417. A pair of English porcelain blue and white spoons, 2nd half 18th century, the bowls moulded as scallop shells with a feathered blue rim, the handles with a simple foliate motif, 11cm. (2) £200-300

418. Five blue and white Worcester and Caughley teabowls, c.1770-80, variously decorated with the Mother and Child pattern, the Fisherman pattern and two with fruit groups, various marks, 12.3cm. (10) £200-400

419. A Worcester blue and white teapot and a miniature coffee pot, c.1755, the teapot painted with the Eloping Bride pattern, the coffee pot with the Prunus Root pattern, both with workmen’s marks, the covers lacking, 16.5cm max. (2) £200-300

420. An English porcelain blue and white basket, 2nd half 18th century, probably Bow, painted with flowers to the interior, the exterior with flowerheads to each basketweave join, stylized Oriental character mark, a 3cm section of the rim broken and reglued, 17cm. £200-300

421. Two English porcelain pickle leaf dishes, 2nd half 18th century, a similar butterboat and a Wedgwood printed leaf dish, variously decorated in blue with grapevine, flowers and a landscape scene, 13cm max. (4) £150-250

422. A Worcester ‘Scratch Cross’ blue and white bowl, c.1754, painted with prunus and chrysanthemum issuing from rockwork before a fence, incised line to the inner footrim, 14.6cm. £300-400

423. An uncommon Worcester large blue and white mug, c.1765, painted with the Gardener pattern, a man seated at a table beneath a willow tree while the protagonist kneels to uproot a weed, open crescent mark, 15.5cm. ÂŁ800-1,200 423

424. A Worcester blue and white mug, c.1760-65, painted with the Dragon pattern, the large beast chasing a flaming pearl, 11.7cm. ÂŁ400-600 424

425. A Continental porcelain box, perhaps late 18th century Fulda, moulded with face masks and painted in a stipple fashion with courting couples, the base with flowers, giltmetal mounted, the cover broken and repaired, 8cm. £100-200

426. A quatrefoil Doccia sugar bowl and cover, 2nd half 18th century, painted with scattered purple flowers within a dentil border, the cover with a rosebud finial, a chip to the finial, 10.2cm. (2) £80-120

427. A Doccia-style box, 19th century, moulded with panels of putti at various pursuits, within borders of victory motifs and grapevine, crowned N mark, gilt metal mounts, 14.5cm. £80-120

428. A Verdier parasol with Continental porcelain handle, 19th century, the handle formed as a head with elaborate attire decorated with flowers, the wooden part impressed ‘Verdier’, the fabric and spokes modern, 66cm overall. £180-250

429. Two Staffordshire enamel candlesticks, c.1770, with removable drip pans, painted with scattered polychrome flower sprays on a white ground, some restoration, 25cm. (4) £300-500

430. A large enamel ewer, probably 19th century, decorated with a panel containing a shepherd and three of his charges, with further floral panels on a blue ground, traces of an old paper label, contained in a fitted case, some damages, 23cm. (2) £200-300

431. Literature: C Barry Shepherd, Pinxton Porcelain, and a large number of other reference books mostly relating to Derby, Pinxton and other English porcelain factories, together with a run of Transactions of the English Ceramic Circle and a number of catalogues for the International Ceramics Fair. (A lot) £200-300

432. A pair of South Staffordshire enamel salts, late 18th / early 19th century, painted with landscape scenes on a blue ground, each raised on three feet, some damages and restoration, 7cm. £100-200

433. Literature: Geneviève Le Duc, Porcelaine tendre de Chantilly; French 18th Century Porcelain at the Wadsworth Atheneum, and various other reference books and catalogues mostly concerning French and other European ceramics. (A lot) £150-250

434. A good French enamel double snuff box, c.1745, perhaps by Antoine Leschandel, richly decorated with a web-like design in raised gilt and green enamels, the silver mounts with a Paris discharge mark for 1744-50, 8cm. £800-1,200

434

435. A French enamel snuff box, c.1740, decorated in raised gilt as a carriage, the hinged cover with an elaborate foliate design, the silver mounts with a Paris discharge mark for 1738-44, 6cm. £600-800 435

436. Three Sèvres-style coffee cans and saucers, 19th century, two jewelled and painted with romantic scenes of pastoral figures and flowers on a pink and bleu de Roi ground respectively, the last painted with bright birds reserved on a bleu celeste ground, interlaced L marks, 14.5cm. (6) £400-600

437. A Worcester miniature tea and coffee service, c.1770, decorated with gilt foliate bands. Comprising: a teapot and cover, a coffee pot and cover, a milk jug, a slop bowl, six saucers, five teabowls and five coffee cups. (22) £300-500

438. A Worcester extensive combined tea service, most c.176575, decorated with a Japan pattern with panels of chrysanthemum and prunus in a Kakiemon palette, blue seal marks. Comprising: a teapot and cover, two stands, a sugar bowl and cover, a slop bowl, a fluted slop bowl, three tea canisters and two covers, a spoon tray, three plates, a milk jug and cover, nine saucers, five fluted or ogee saucers, seven teacups, eight differing coffee cups, four teabowls, two two-handled cups, a small dish, a vase and cover, two similar Barr Worcester plates and two similar Derby plates. (61) £500-800 Provenance: from the collection of the late John Norie.

439. An unusual Bow sweetmeat or pickle stand, c.1752-55, modelled with two tiers of shells painted with famille rose flowers, raised on a pierced rocky base encrusted with smaller shells, coral and seaweed, some damages, 21cm. £300-400 Cf. Begg Taylor, A Treasury of Bow, p.33, no.53 for a similar stand with a third tier.

442. Three teabowls and two saucers, 2nd half 18th century, including Derby and Chelsea-Derby, variously decorated with flowers, and a Continental porcelain teacup and saucer with similar decoration, 13.2cm max. (7) £150-250 Provenance: from the collection of the late John Norie.

440. A large pair of Derby frill vases and covers, c.1765, painted with large colourful moths and insects, applied with flowers around maskhead handles, the shoulders pierced with panels of reticulation, and a pair of smaller Derby frill vases painted with birds, some damages, 30cm max. (6) £250-350

441. A Derby rococo frill vase and cover, c.1760, painted with birds perched on branches, encrusted with flowers, some damages, 24.5cm. (2) £80-120

443. A Bristol porcelain teabowl and a small jug, c.1775, the jug fluted and painted with a berried band, the teabowl with an osier border and painted with scattered flowers, a biscuit porcelain plaque applied with flowers, perhaps Bristol, and a biscuit porcelain brooch, the jug and teabowl with blue cross marks, minor faults, 8.5cm max. (4) £250-350

444. A Worcester coffee cup and saucer, c.1775, decorated in a turquoise glaze, possibly in the Giles atelier, a Worcester blue scale scallop-edged plate and a similar coffee cup, a teabowl and a cup and saucer painted with birds, 19.2cm max. (7) £200-300

The plaque and brooch with labels for H R Marden King, Winchester.

Provenance: from the collection of the late John Norie.

445. A pair of Worcester soup plates, c.1765, painted with panels of polychrome flowers and garlands reserved on a blue scale ground, pseudo seal marks, 22.5cm. (2) £350-450

446. Two Worcester plates, c.1770-75, decorated in the Giles atelier, one with a central urn within a leafy garland border, the other with bright floral sprays, 22.3cm max. (2) £700-900 Cf. Stephen Hanscombe, James Giles China and Glass Painter, no. 86 for a similar plate with a central urn.

447. A good pair of Worcester printed plates, c.1780, decorated in black with figures at repose amongst Classical ruins, the borders printed with sprawling flower sprays, 22.5cm. (2) £650-700

448. A Bow octagonal soup plate, c.1755, painted in the Kakiemon palette with the Two Quail pattern, red 2 mark to the base, and a Bow plate with feather-moulded rim, painted with fruit and butterflies, red anchor and dagger mark, 24cm max. (2) £200-300

449. Three Chelsea lobed dishes, c.1755, painted with sprays of flowers, scattered single blooms, butterflies and insects, red anchor marks, restoration to two, 24cm. (3) £200-300

450. A pair of Worcester plates and a shaped dish, c.1765, decorated with the Dragons in Compartments pattern, unmarked, a short crack to one plate, 22.3cm max. (3) £100-200

Provenance: from the collection of the late John Norie.

451. A Chelsea Derby tureen and cover, c.1775, painted with small Classical emblems beneath garrya swags, a Derby fluted trio in pattern 111, and a cup and saucer in pattern 82, various factory marks, 18cm max. (7) £500-800 The cup and saucer with numeral 2 for gilder Joseph Stables.

452. Seven English and Continental porcelain teabowls, 18th and 19th centuries, including Cozzi and Worcester, two saucers, a Worcester bowl, two Chinese coffee cups and a Worcester cup in the same Stag Hunt pattern, and a bottle vase and stopper, most decorated with Chinese figures at various pursuits in gardens, minor faults, 15.5cm max. (14) £300-500 Provenance: from the collection of the late John Norie.

454. Worcester and Caughley porcelains, late 18th century, including an unusual Caughley straight-sided teabowl painted with the Two Quail in the Kakiemon palette, a Flight Worcester small bowl decorated with the Royal Lily pattern, raised on an associated Chinese hardwood stand, a teabowl, saucer and leaf pickle dish variously decorated in the Imari palette, minor faults, 12cm max. (6) £150-250

453. A rare Worcester trio, c.1770-72, painted in puce with small fruit sprays after a printed design, and a Worcester ogeeshaped cup and saucer decorated with the Marchioness of Huntley pattern, the latter with blue crossed swords and 9 mark, 13cm. (5) £500-800 Cf. Simon Spero and John Sandon, Worcester Porcelain The Zorensky Collection, p.195, no.212 for a puce decorated cup and saucer.

455. English porcelain fluted tea wares, 2nd half 18th century, including a Derby teapot painted with Oriental figures, two Worcester coffee cups, a creamer and a sauceboat painted with flowers, and a coffee cup and saucer decorated with a strawberry border, some faults, 20cm max. (7) £100-200

456. A Chelsea octagonal saucer, c.1755, painted with flowers, a caterpillar and butterfly, a Worcester saucer printed in black with ‘Le Garçon Chinois’, and a Worcester cup decorated in the Kempthorne pattern, small damages, 14cm max. (3) £220-250

458. Two Worcester fluted teabowls and saucers, c.1770, decorated with cobalt blue and gilt sprigs, a Barr Worcester plate painted with a sepia view of Worcester Cathedral, another plate with a peach and gilt border, and a Derby teabowl, 20.7cm max. (7) £200-300

459. Four Chinese export porcelain teapot stands and four spoon trays, 18th century, variously decorated with figures, birds in branches and flowers, 14.5cm max. (8) £300-400

Provenance: from the collection of the late John Norie.

457. English and Continental porcelain teawares, 2nd half 18th century, including Worcester and Copenhagen, variously decorated with Oriental figures, flowers, landscapes and ducks. Comprising: two sauceboats, two coffee cups, three teabowls, two Continental cups, a milk jug and a small vase. (12) £300-500 A Worcester teabowl and vase with paper labels for the Weiss collection, nos. 111 and 162.

460. A Bristol-style teapot and cover, probably 19th century, painted with swags of flowers, a blue and white fluted sauceboat decorated with a wide Fitzhugh border, and a footed Derby creamboat painted with chrysanthemum and peony in puce and gilt, the creamboat’s handle broken off and reglued, 18.5cm max. (4) £200-300

461. An Amstel teapot and cover, c.1785, painted with scattered flowers below a blue line garlanded with green and purple leaves, blue ‘Amstel’ mark, the handle broken and reglued, 19.5cm. (2) £80-120

463. A large Bristol jug, c.1770, painted with large naturalistic flower sprays, the mask formed as the mask of Winter, scratch cross mark, the handle a replacement, and a coffee pot and cover painted with flowers, damages and restoration, 20cm max. (3) £400-600

464. Two Worcester bell-shaped cups, c.1760, one painted with flowers, the other with Oriental figures at various pursuits, both with wishbone handles, a small chip to one cup, 8cm max. (2) £200-300

Provenance: from the collection of the late John Norie. The jug purchased from H Marden King of Winchester.

Provenance: from the collection of the late John Norie.

465. A Worcester printed teapot and cover and a mug, c.1755-60, the teapot of unusually squat form and decorated in black with the Boy on a Buffalo pattern, the mug decorated with a Robert Hancock print of cranes and other birds beside water, restoration, 18cm max. (3) £300-500 Cf. 18th Century English Transfer-Printed Porcelain and Enamels, p.110 for the bird print. Provenance: from the collection of the late John Norie.

Cf. F Severne MacKenna, Champion’s Bristol Porcelain, fig.21 for a jug with the mask of Winter.

466. A large Liverpool blue and white bowl, 2nd half 18th century, painted with peony, bamboo and chrysanthemum before a fence, and a polychrome Liverpool teapot, each side decorated with a peacock on a leafy branch, the cover lacking, the spout repaired, 22.3cm max. (2) £200-400

462. A pair of English porcelain knife handles, probably Chelsea and c.1760, moulded in the rococo fashion and painted with exotic birds, a later porcelain handle and a pipe bowl modelled as a a seated dog, damage to one handle, 10.5cm max. (4) £100-200

467. An oval enamel patch box, 18th century, painted with an equestrian warrior and titled ‘Cossack Mode of Attack’, the base pale pink, and a Derby cylindrical butter tub decorated with birds, some damages, 12cm max. (2) £50-150

468. Literature: Oliver Impey, Japanese Export Porcelain; The Burghley Porcelains, and various other books and trade catalogues (including for S Marchant & Son) on Chinese and Japanese ceramics. (A lot). £150-250

469. Four English porcelain teapots and covers, 2nd half 18th century, two of them Lowestoft painted with flower garlands and diaper bands, a Chinese London-decorated teapot, and a white-glazed bone china teapot, some damages and restoration, 24cm max. (12) £300-500 Provenance: from the collection of the late John Norie.

470. A Bow soup plate and a bell-shaped mug, c.1755, painted with chrysanthemum and other Oriental flowers issuing from rockwork, the mug with a rim chip, 23.2cm max. (2) £250-350

471. A Liverpool fluted teapot and cover, c.1770, and a matching milk jug, painted with flowers beneath a blue cracked ice border, 19.5cm max. (3) £500-800

The soup plate with a paper label for Mary Wise, Forest Hill. Provenance: from the collection of the late John Norie.

472. A miniature Bow teapot and a Worcester teapot, 2nd half 18th century, both painted with bright sprays of flowers, the cover of the Bow teapot lacking, 19cm max. (3) £150-250

473. A rare Bristol printed teabowl and saucer, c.1775, decorated with bold sprays of puce flowers, and a rare Bristol face mask jug painted with garlands of flowers, the jug with a blue X7 mark, some damage to the jug, 14cm max. (3) £700-900

474. A Worcester coffee pot and cover, c.1765, each side painted with a Chinese lady and a child in an interior setting, the spout a metal replacement, associated cover, 18.5cm. (2) £100-200

475. A Chinese porcelain mug relating to the Worcester factory, 18th century, painted with the Valentine pattern in the famille rose palette, 10.2cm. £200-300 Although Worcester copied this pattern from Chinese export porcelain, it was originally an English design by Piercy Brett used on a service for Commodore George Anson in 1743. Brett was a lieutenant aboard The Centurion with Anson, and his drawings provided a narrative of their circumnavigation.

477. A Bow buttertub and cover, c.1760, painted in the Kakiemon palette with the Two Quail pattern, the cover surmounted with a famille rose flower knop, the tub with two shell handles, some restoration to one corner of the cover, 14cm. (2) £300-500

476. A West Pans William Littler coffee pot and cover, c.1765, the six-lobed body painted with a panelled Japan pattern of flowers and chrysanthemum mons in the Kakiemon palette, some restoration, 21cm. (2) £150-250 Cf. Geoffrey Godden, Staffordshire Porcelain, p.23, fig.22 for a similar example. Provenance: from the collection of the late John Norie.

478. A Chelsea shaped dish, c.1765, finely painted with three birds standing before leafy branches in a delicately muted palette, gold anchor mark, 22cm. £700-1,000

479. A good Worcester tea cup and saucer, c.1757-60, the shape after Meissen, finely painted with flowers, the saucer with a fine blown tulip, blue crossed swords and 9 mark, 12.8cm. (2) £1,000-1,500

481. A rare Worcester teabowl and saucer, c.1775, with a panel of fine ribbing beneath purple flower garlands and turquoise shagreen cartouches, 13cm. (2) £700-1,000

480. A Worcester teacup and saucer, c.1770, printed in purple with The Milkmaids pattern, the cup’s interior with a swan, blue crossed swords marks, 13cm. £80-120

482. A Lowestoft sparrow beak jug, c.1775, well painted with a large flower spray, the reverse with three smaller sprigs, 7.5cm. £600-800

Provenance: from the collection of the late John Norie.

Paper label for Albert Amor Ltd., The Sidders Collection of Worcester Porcelain, 1985 Exhibition, No. 76.

484. A good Chelsea-Derby sauce tureen, cover and stand, c.1775, the stand painted with a central Classical urn, the tureen and cover with scattered colourful butterflies, all beneath garrya swags and blue and gilt borders, gilt D and anchor marks, 23cm. (3) £500-800

483. A good Capodimonte or Buen Retiro cup, c.1760, after blanc de Chine, applied with three sprigs of prunus, blue fleur de lys mark, 7.5cm. £400-600

485. An Ansbach teacup and saucer, c.1780, decorated in The Hague with a floral G monogram to one side, the reverse with a vignette of a walnut and bean pods, the saucer inscribed ‘Gurly’, A marks, 13.1cm. (2) £100-200

486. A pair of Derby mugs, c.1760, each painted with a large exotic bird looking back over its shoulder, a smaller bird perched on a branch, some restoration, 11cm. (2) £250-350 Provenance: from the collection of the late John Norie.

487. A Meissen tea cup and saucer, c.1740, finely painted with panels of figures and ships in harbour scenes within black and gilt strapwork panels, on a yellow ground, blue crossed swords marks and gilt ‘36’, 13.5cm. (2) £1,400-1,800 487

488. A rare Cozzi society-group teabowl and saucer, c.1765-70, finely painted in the manner of Giambattista Tiepolo with courtly characters in garden scenes, the cup’s interior with a pear, red anchor marks, a well restored short crack, 12cm. (2) £2,000-3,000 Cf. Arthur Lane, Italian Porcelain, pl.21 for a similar example. 488

489. A Meissen Böttger porcelain teabowl and saucer, c.1720, with hausmaler decoration of chinoiserie figures between arrangements of feathery foliage, within gilt scrolling rim, unmarked, some gilt wear, 13cm. (2) £1,000-2,000 489

490. A good ‘Scratch Cross’ Worcester small mug, c.1754-55, the slightly waisted body delicately painted with the Staghunt pattern, incised line mark, the interior with a ruyi scroll band, 5.9cm. £600-1,000

491. A Longton Hall barrel-shaped mug, c.1760, painted with flowers including a large pink rose, the reverse with a large fly and ladybird, 9.7cm. £900-1,200

Paper label for Albert Amor Ltd, Golden Age Exhibition 1980, no. 19. Cf. Phillips, The Watney Collection Part I, 22nd September 1999, lot 148 for a similar example.

492. A very rare Bow lobed teapot and cover, c.1753, after a Japanese shape, unusually painted in the famille rose palette with a kakiemon design of two quail beneath prunus and chrysanthemum sprays, three blue dots to the base, replacement handle, 16cm. (2) £300-500 Cf. Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, col.pl. III, p.48 for the same shape in a different pattern. Only five other examples of this teapot shape are known at Bow, and this is believed to be the only example decorated in the famille rose palette.

492

493. A good Bow teapot and cover, c.1770, painted with polychrome flower arrangements beneath an iron red border, 18.5cm. (2) £500-800

494. A good Vauxhall vase, c.1760, decorated with polychrome flowers and scattered butterflies in fine detail, 11.8cm. £1,200-1,500

495. A Lowestoft sparrow beak jug, c.1775, the narrow body brightly painted with flowers, brown line rim, tiny chip to the spout, 8.5cm. £900-1,200

496. Four English porcelain coffee cups, 2nd half 18th century, two Lowestoft painted with panels of flowers and scattered red insects, one Bow painted with large flower sprays, the last Liverpool painted with pink peony, minor faults, 8cm. (4) £200-300 Provenance: from the collection of the late John Norie. 497. Three large English porcelain mugs, 2nd half 18th century, one Longton Hall decorated by the ‘Castle’ painter with a church and harbour scene and two large exotic birds, one Chelsea painted with flower sprays, one Worcester painted with large botanical blooms, and a large Derby jug painted with birds perched on branches, damages and restoration, 17cm max. (4) £400-600

496

497

498

499

500

501

502

503

Provenance: from the collection of the late John Norie. 498. A large Bristol bowl and stand, c.1775, decorated with polychrome flower sprays beneath green garlands, ‘X7’ marks to both, and a larger Bristol bowl decorated with flowers beneath an elaborate border, the larger bowl cracked, 15.2cm max. (3) £700-900 499. Two Plymouth moulded creamers, c.1768-70, the sides moulded with fruit and leaves, one painted with a polychrome flower spray, the other with bands in blue and iron red, and a Cookworthy mug decorated with flowers, alchemist’s tin mark to the mug, the mug restored, 11cm. (3) £300-500 Provenance: from the collection of the late John Norie. 500. A Bow sauceboat and a Bow creamboat, c.1760, each brightly painted with a profusion of flowers, the foot highlighted with scattered puce leaves, 18.6cm max. (2) £600-800 501. A Liverpool teapot and a coffee pot, 2nd half 18th century, painted with polychrome flower sprays beneath iron red borders, 26cm max. (4) £150-250 502. Two Worcester slop bowls, c.176070, one printed in blue with the Three Ladies pattern, script W mark, the other decorated with polychrome flower sprays beneath a purple diaper border, minor faults, 12cm. (2) £100-200 503. A Longton Hall cos lettuce sauceboat, c.1755, the large leaves curled to form the sides, painted to the interior and exterior with flowers, the handle and rim picked out in bright green, 17.5cm. £700-900

504. An unusual Chelsea lotus moulded cup and saucer, c.1756, the layered petals finely painted with a large floral arrangement and scattered single blooms, brown line rim, red anchor marks, a short restored crack and associated filled chip, 2.7cm. (2) £300-500

505. A Chelsea strawberry leaf sauceboat, c.1755, the twig handle entwined with small fruits and flowers, painted to the exterior and interior with scattered blooms, brown line rim, red anchor mark, a little good restoration, 17cm. £700-900

Provenance: from the collection of the late John Norie.

506. A good Derby plate, c.1755-60, painted with a large fruiting cherry branch amidst various moths and flying insects, within a feathered brown line rim, red anchor mark, 21.5cm. £600-800 Cf. Sotheby’s, The Collection of the late Francis Egerton and Peter Maitland, lot 749 for a similar pair of plates.

508. A pair of Chelsea fluted teabowls, c.1757, the tall forms painted with sprays of flowers, the scalloped edges with a brown line, faint red anchor marks, one with a few small rim chips, 6.2cm. (2) £200-300 Provenance: from the collection of the late John Norie.

507. A Chelsea finger bowl and stand, c.1756, finely painted with crisp flower arrangements and single scattered blooms including fuchsia, heartsease and iris, red anchor mark to the stand, a little good restoration to the stand’s rim, 16.6cm. (2) £500-800

509. Three Chelsea deep dishes, c.1760, boldly painted with bright floral arrangements and single sprays, brown anchor marks, 24cm. (2) £400-600

510. A Chelsea octagonal moulded soup plate, c.1754, painted in the Kakiemon palette with a Ho Ho bird seated on rockwork, a longtailed red bird in flight above, red anchor mark, a small rim chip, 25cm. £650-750

511. A Worcester Blind Earl plate, c.1770, painted in the Giles atelier with scattered flowers around the bright green lightly moulded leaves, 19cm. £1,400-1,600

512. A fine Worcester Blind Earl dish, c.1760, typically moulded and painted with a floral spray and scattered stems of heartease and pimpernel, 16cm. £1,300-1,500

513. A Chelsea leaf dish, c.1760, painted with a pear and strawberries over the central leaf vein, brown anchor mark, 25cm. £180-220

514. A Worcester deep oval dish, c.1775, painted with four birds with exotic plumage before lakeside buildings, within a gilt dentil rim, 26cm. £280-300

515. A rare Vauxhall shaped dish, c.1757-60, decorated with a central flower spray amidst scattered flying insects, the deep rim with single stems of rose and heartsease, some good restoration, 21.8cm. £1,000-1,500 Remains of a paper label for Albert Amor Ltd.

Paintings Wednesday 7th December Entries are now being accepted for this sale

ENQUIRIES

To be sold in our Paintings sale Wednesday 28th September

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Archibald Thorburn (1860-1935) Shoveler and tufted duck on the water's edge Signed and dated 1928 Watercolour and bodycolour 37 x 56cm Estimate: ÂŁ25,000 - ÂŁ35,000

20th Century Design Wednesday 21st September 2011

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

A Lenci pottery figure. Estimate £400 - £600 An original fashion design artwork by Dodo Burgner. Estimate: £300 - £500

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays VIEWING All our specialist auctions are on view at least two days prior to the sale, and details will be found in the relevant catalogues. BIDDING To bid at the auction, you will need a bidding number. This can be obtained from the office either during the view or on the day of the sale. ABSENTEE BIDDING If you are unable to attend the sale you can leave a written commission bid. This will be executed on your behalf by the auctioneer who will endeavour to purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. On the more expensive lots it is usually possible to bid on the telephone by prior arrangement with the office. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot where practical. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 19.5% + VAT at the appropriate rate. SALE RESULTS Results from this sale are available from our office on 01722 424500 and are posted on our website www.woolleyandwallis.co.uk a few days after the sale. STORAGE CHARGES Storage charges will be levied on all lots in the Furniture and Works of Art and Clock sales not collected within 14 calendar days of the sale. This will include a handling fee of £20 (+VAT) per consignment and a storage charge of £2 (+VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

ARTISTS RESALE RIGHT / DROIT DE SUITE Lots potentially subject to the levy are marked with a ‡ symbol next to the lot description. Works by living artists who are nationals in European Union Countries and certain other countries are subject to the levy if they sell for a hammer price of the sterling equivalent of €1.000 or more. The levy will be added to the purchaser’s invoice and the full amount will be paid by us to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale, or for any further information. Royalty

For the Portion of the resale price - in Euro

4% 3% 1% 0.5% 0.25%

Up to €50,000 €50,000.01 - 200,000 €200,000.01 - 350,000 €350,000.01 - 500,000 In excess of €500,000

Up to a maximum levy of €12,500

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and may require funds to be cleared before purchases can be released. The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a limit of £5,000. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account name Woolley & Wallis Salisbury Salerooms Ltd. Clients Account Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect It is company policy not to accept single or multiple payments in cash equivalents in excess of £5,000 (or the equivalent value in another currency). Where practical, payment can be made and purchases collected during the auction. Please note that lots will remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. PACKING AND SHIPPING All our packing and shipping is arranged through Alban Shipping. Please see details at the back of this catalogue. VAT Lots marked with an asterisk (*) are subject to VAT at the standard rate on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. The colours printed in the catalogue are not necessarily true. All weights and measures given in the catalogue should be regarded as approximate.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424510

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

D OA

LW AY W ES T IL

D SR SE VI DE HU

T) C

WILTON & WARMINSTER

CENTRAL CAR PARK

N SCOTS L SALISBURY S OUT H

A 3 6(

MR HA ND WY

ST WE

F IS

HER TO N

CHIPPER

A36(T) CH URC HIL L

WILTO NR DA

EET STR TLE CAS

A3 60

A36 C HUR CH ILL WA YN OR TH D

R EY

AMESBURY & MARLBOROUGH

E LS

HL AS

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

T WIN S BED L SALT

WINCH ESTER ST

N EW

LL R O AD

L C ANA

NEW STR EET

ST ANN S

SOUTHAMPTON CATHEDRAL

UT SO

Y A36

( T)

L HI

9 N EW

HA R NHA M

RO AD

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A30

RO A

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

A338 BOURNMOUTH & RINGWOOD D

NT O

A33 8

A36(T) SO UTHA MPT ON R

OA D

Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest.

4. THE PURCHASE PRICE

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

5. VALUE ADDED TAX

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

Packing and Despatch We have negotiated competitive rates with Alban Shipping – Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms. Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own. Alban Shipping collect items for our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including – air-post, courier, air and seafreight. They also offer a case making service.

Insurance Full comprehensive Transit Insurance is charged from £2.50 or 1.5% of the hammer price. For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require. Alban Shipping Specialists Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Business Park, Dencora Way, Luton, Bedfordshire LU3 3HP

Quotations Alban Shipping will be pleased to provide a prompt individual quotation for this service. Minimum Charge Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery. Mastercard and Visa are welcome.

Telephone Fax E-mail Web

Delivery Instructions

Woo l lE y & Wa l li s

01582 493 099 01582 490 147 info@albanshipping.co.uk www.albanshipping.co.uk

Please complete and return to: Woolley & Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508 Name

GOODS FOR COLLECTION

Address

Sale Date

Lot No(s)

Description

Postcode Telephone

Fax

Name Delivery address

Postcode Telephone

Fax

Email Mobile Please tick relevant boxes: For collection from

Castle Street

Old Sarum

Accounts

Date

I authorise Alban Shipping to collect the above lots on my behalf and deliver to the address given above. I understand that payment is to be made direct to Alban Shipping.

Carrier

Date

Signed

For Office Use

Date

Woo l lE y & Wa l li s Absentee Bid Form English & European Ceramics & Glass

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Tuesday 13th September 2011 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders. Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

auCTion CalEndar ENGLISH & EUROPEAN CERAMICS & GLASS 13th September 2011 Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st September 2011 – 20th Century Design 30th November 2011 – British Art Pottery, including Studio Pottery Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 28th September 2011 7th December 2011 Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 11th October 2011 Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 25th October 2011 Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk SILVER 26th October 2011 Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Grazier 01722 424530 • lucygrazier@woolleyandwallis.co.uk JEWELLERY 27th October 2011 Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 15th November 2011 – Yixing Zisha Wares 16th November 2011 – Asian Art Part I 17th November 2011 – Asian Art Part II John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424 591 • sophielister@woolleyandwallis.co.uk BOOKS & MANUSCRIPTS 7th December 2011 Liz Merry 01722 424500 • lizmerry@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk