Woolley & Wallis_Clarice Cliff, Art Deco & 20th Century Design_27Feb2013

Woo l le y & WA l li s SA L I S B U R Y SA L E R O O M S

Clarice Cliff, Art Deco & 20th Century Design Wednesday 27th February 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Alex Doméracki Freya Yuan (Consultant) CLOCKS Will Hobbs Richard Price (Consultant)

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VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA MARKETING Tamzin Corbett

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ACCOUNTS Janice Clift (Office Manager) Ruth Pike

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham 424507 John Axford MRICS ASFAV 424506 Sophie Lister 424591

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood

FURNITURE Will Hobbs Mark Richards Jim Gale

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SALEROOM MANAGER David Jordan

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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PAINTINGS & BOOKS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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20TH CENTURY DESIGN Michael Jeffery

Members of The Society

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Willi Verdon-Smith

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COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0) 1722 424500 • www.woolleyandwallis.co.uk

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ClariCe Cliff, art DeCo & 20th Century Design Wednesday 27th february 2013 at 10.30am Viewing Times Saturday 23rd February 10.00am – 1.00pm Monday 25th February 10.00am – 4.30pm Tuesday 26th February 10.00am – 4.30pm Wednesday 27th February 9.00am – 10.30am

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk Catalogue £10.00 (£12.00 by post)

Please note multiple lot images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please note the changes to Droit de Suite (‡). Please see page 111.

There is no surcharge for using this service.

Please note all items of furniture will be removed to the Old Sarum warehouse on Wednesday 6th March.

ClariCe Cliff, art DeCo & 20th Century Design Clarice Cliff

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art DeCo Ceramics Glass Works on Paper Sculpture Furniture

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Metalware

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20th Century Design Film Works on Paper Glass Design and Furniture Ceramics Studio Pottery Sculpture & Metalware

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ClariCe Cliff

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‘Crocus’ a Clarice Cliff Bizarre Athens teapot and cover, painted in colours printed factory mark, 15cm. high £100-200

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‘Crocus’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours between yellow and brown bands printed factory marks, hairline crack 14cm. high £100-200

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‘Crocus’ a Clarice Cliff Beehive Honeypot and cover, painted in colours printed factory mark 9cm. high £100-200

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‘Crocus’ a Clarice Cliff Bon Jour sugar sifter, painted in colours between yellow and brown bands printed factory mark, light oxidisation to paint, 12.5cm. high £150-200

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‘Crocus’ a Clarice Cliff Bizarre Isis vase, painted in colours between yellow and brown bands printed factory mark 19cm. high £400-450

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‘Crocus’ a Clarice Cliff Bizarre tea set for twelve, painted in colours, comprising twelve cups, saucers and side plates printed factory marks, date mark for 1932, minor damages side plates 18cm. diam. £700-1,000 5

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‘Apples’ a Clarice Cliff Bizarre bowl, painted in colours between orange and yellow bands printed mark 19cm. diam. £200-300

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‘Fruitburst’ a large Clarice Cliff Bizarre bowl, painted in colours between orange bands printed factory marks, 23.5cm. diam. £350-450

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‘Blue Chintz’ a Clarice Cliff Bizarre Hiawatha bowl, shape no.55, painted in colours printed factory mark, 22cm. diam. £100-200 11 12

10. ‘Pine Grove‘ a Clarice Cliff Bizarre Hiawatha bowl, painted in colours printed factory marks, 23cm. diam. £60-100

11. A Clarice Cliff Toby jug, painted in colours, and a pair of smaller Toby salts printed marks, one salt repaired toby 17cm. high £80-120

12. ‘Elizabethan Lady’ a Clarice Cliff wall pocket, modelled in relief and painted in colours printed factory marks 17.5cm. high £50-150

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13. ‘Goldstone’ a Clarice Cliff Bizarre 613 vase, painted in red and back on a mottled brown ground, a Gay Day bowl and a Celtic Harvest preserve and cover printed marks, hairline to preserve cover 21cm. high £100-200

14. ‘House and Bridge’ a Clarice Cliff preserve pot, painted in colours, an Autumn pepper pot and three other modern Clarice Cliff style pieces various marks, hairline to House and Bridge 8.5cm. high £100-200

15. ‘Nasturtium’ a Clarice Cliff Bizarre George jug, painted in colours printed factory marks, 17cm. high £250-350

16. ‘Pastel Melon’ a Clarice Cliff Fantasque Bizarre Athens jug, painted in colours between blue, pink and green bands printed factory mark, restored foot rim, 16.6cm. high £200-300

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17. ‘Pastel Melon’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours between blue, pink and green bands printed mark, restored 14cm. high £300-500

18. ‘Secrets’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours between yellow, green and brown bands printed mark 14cm. high £300-500

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19. ‘Orange Roof Cottage’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours between yellow, orange and black bands printed factory marks, 14cm. high £500-1,000

20. ‘Secrets’ a Clarice Cliff Bizarre cake plate, painted in colours inside yellow and green bands printed marks, 23cm. wide £150-200

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This plate bears the impressed date mark for June 1933.

21. ‘Secrets’ a Clarice Cliff Bizarre cake plate, painted in colours inside yellow and green bands printed marks, 23cm. wide £150-200

22. ‘Elizabethan Cottage’ a large Clarice Cliff wall plaque, painted in colours inside red and green bands printed mark, 44cm. diam. £1,800-2,000

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23. ‘Aurea’ a Clarice Cliff Bizarre Conical cruet, painted in colours printed factory marks, pepper matched 8cm. high £300-400

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24. ‘Delecia’ a Clarice Cliff stepped candlestick, painted in colours printed mark 9cm. high £180-220 25. ‘Melon’ a Clarice Cliff Fantasque Bizarre breakfast bowl, painted in colours printed factory mark 16cm. diam. £80-120 26. ‘Circles and Squares’ a Clarice Cliff Fantasque Bizarre 230 preserve pot, painted in colours printed mark 6cm. high £100-200 27. ‘Ferndale’ a Clarice Cliff Bizarre Stamford milk jug and sugar basin, painted in colours printed factory marks 6.5cm. high £300-400

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28. ‘Coral Firs’ a Clarice Cliff Conical pepper pot, painted in colours, an Autumn pepper pot, an Orange Lily coffee can and a small wall plaque printed marks, can and Coral firs restored, 8.5cm. high £150-250 29. ‘Oranges’ a Clarice Cliff Fantasque Bizarre candlestick, shape no.310, painted in colours printed factory marks 8cm. high £250-300 30. ‘Berries’ a Clarice Cliff Fantasque Bizarre Cauldron, painted in colours printed factory marks 7.5cm. high £300-400

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31. ‘Windbells’ a Clarice Cliff Fantasque Bizarre Hereford biscuit barrel and cover, painted in colours between green bands printed marks, restored 14cm. high £250-300 32. ‘Gibraltar’ a Clarice Cliff Fantasque Bizarre Heath Fern pot, painted in colours printed factory marks 7cm. high £300-500 33. ‘Melon’ a Clarice Cliff Fantasque Bizarre Beehive preserve pot and cover, painted in colours printed marks, flat chip to rim of cover, 7.5cm. high £150-200 34. ‘Rhodanthe’ a Clarice Cliff beehive honeypot and cover, painted in colours printed factory mark 10cm. high £80-120

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35. ‘Rhodanthe’ a Clarice Cliff Bon Jour biscuit barrel and cover, painted in colours printed factory marks, small nick to rim of cover 15.5cm. high £200-400

36. ‘Rhodanthe’ a Clarice Cliff jug, painted in colours printed factory marks, 20cm. high £150-200

37. ‘Rhodanthe’ a Clarice Cliff Lynton coffee set for five, painted in colours printed factory marks, comprising coffee pot and cover, milk-jug and sugar basin, five cans and saucers printed factory marks, 19cm. high £400-500

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38. ‘Honolulu’ a Clarice Cliff Bizarre single-handled Isis vase, painted in colours between green and black bands printed marks, 24.5cm. high £800-1,200 Provenance 20th Century Decorative Arts, Christie’s South Kensington, 12th March 1992 lot 431.

39 39. ‘Xanthic’ A Clarice Cliff Fantasque Bizarre single-handled Lotus jug, painted in colours between yellow and orange bands printed factory mark, 29cm. high £700-1,000

40. ‘Flora’ a large Clarice Cliff Bizarre wall mask, painted in colours printed factory marks, hairline to back plate 38cm. high £600-800

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41. ‘Cafe au Lait Orange Gardenia’ a Clarice Cliff Bizarre Tankard coffee pot and cover, painted in colours on a mottled orange ground printed marks, small glaze nick to top rim 22cm. high £300-400

42. ‘Orange Lily’ a Clarice Cliff Fantasque Bizarre vase, hexagonal form, painted in colours printed mark 11.5cm. wide £250-300

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43. ‘Woodland’ a Clarice Cliff vase, waisted form, printed and painted in colours printed and painted marks, 15.5cm. high £150-200

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44. ‘Yuan/Capri’ a Clarice Cliff Goldstone vase, painted in colours printed and painted marks, professional restoration to rims, 29.5cm. high £150-250

45. ‘Rhodanthe’ a Clarice Cliff Bizarre vase, shape no.602, painted in colours printed factory mark 24cm. high £250-350

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45 46. ‘Original Bizarre’ a Clarice Cliff vase, shape no.196, painted with brown triangle repeat over yellow, brown and green bands printed mark, painted red Bizarre mark, repair to neck 22cm. high £100-200

47. ‘Original Bizarre’ a Clarice Cliff vase, shape no.196, painted with a band of red, yellow and blue triangles outlined in green been between blue and yellow bands printed mark and painted red Bizarre mark, oxidisation 22cm. high £100-200

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48. ‘Autumn’ a Clarice Cliff Fantasque Bizarre vase, shape no.190, painted in colours between orange bands printed factory marks, professional restoration to top rim, 26cm. high £550-650

49. ‘Autumn’ a Fantasque Bizarre vase, shape no.261, cylindrical form painted in colours between orange bands printed factory marks, 16cm. high £200-300 49 48

50. ‘Sliced Fruit’ a Clarice Cliff Bizarre 265 vase, painted in colours between orange and black bands printed factory mark, 15cm. high £180-200

51. ‘Latona Flowerhead’ a Clarice Cliff Bizarre 196 vase, painted in colours on a pink ground printed and painted marks, 16cm. high £200-300

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52. ‘Sunray Leaves’ a Clarice Cliff Fantasque Bizarre 265 vase, painted in colours between green and orange bands printed factory marks 15cm. high £500-800

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53. ‘Umbrellas’ a Clarice Cliff Fantasque Bizarre 186 vase, painted in colours between yellow, orange and green bands printed factory marks, professionally restored top rim 22cm. high £600-1,000

54. ‘Inspiration Caprice’ a Clarice Cliff Bizarre vase, painted in colours on a turquoise ground printed and painted marks, facsimile signature to the side 20cm. high £400-500 54

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55. ‘Orange Trees and House’ a Clarice Cliff Octagonal sandwich tray, shape no.334, painted in colours inside orange and black bands printed marks, fine hairline to rim, wear to paintwork 30cm. wide £120-180

56. ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside orange and black bands printed marks, wear to bands 22cm. diam. £150-200

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57. ‘Cafe au Lait Autumn’ a Clarice Cliff Bizarre plate, painted in colours on a mottled brown ground, inside a green band printed mark, 22.5cm. diam. £150-200

58. ‘Cafe au Lait Summerhouse’ a Clarice Cliff Bizarre plate, painted in colours inside blue and green bands printed factory marks 24cm. diam. £250-300

59. ‘Blue Chintz’ a Clarice Cliff Bizarre plate, painted in colours inside green and blue bands printed factory marks 20cm. diam. £80-120

60. ‘Blue Chintz’ a Clarice Cliff Bizarre plate, painted in colours inside green and blue bands printed marks, 22cm. diam. £150-200

61. ‘Sunshine’ a Clarice Cliff side plate, printed and enamelled in colours printed factory marks 18cm. diam. £50-100

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62. Two Clarice Cliff Bizarre graduated serving platters designed by Michael Wellmer for the 1934 Art in Industry exhibition, decorated to the rim in pink and black printed marks, impressed date code for 1934 largest platter 43cm. wide £80-120

63. ‘Blue Firs’ a Clarice Cliff Bizarre Biarritz bowl, painted in colours to the shoulder printed factory mark 23cm. wide £150-200

64. ‘Green Hydrangea’ a Clarice Cliff Bizarre Biarritz plate, painted in colours printed factory marks, 27cm. wide £150-200

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65. ‘Secrets’ a Clarice Cliff Fantasque Bizarre wall plate, painted with radial design in colours inside yellow and green bands printed factory marks, 25.5cm. diam. £250-350 This plate bears the impressed date code for 1932.

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66. ‘Rudyard’ a Clarice Cliff Bizarre Daffodil vase, painted in colours printed factory marks, restored 32.5cm. wide £600-1,000 68

67. ‘Rudyard’ a Clarice Cliff Bizarre basin, painted in colours printed factory marks 11.5cm. diam. £100-200

68. ‘Rudyard’ a Clarice Cliff Bizarre cylindrical pot, painted in colours printed factory mark 13cm. diam. £150-200

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69. ‘Rudyard’ a Clarice Cliff Bonjour Biscuit barrel, painted in colours printed factory mark,11cm. high £200-400

70. ‘Rudyard’ a Clarice Cliff Bizarre tea cup, saucer and side plate trio, painted in colours printed factory marks, wear 17.5cm. diam. £500-700

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71. A Susie Cooper Kestrel milk-jug, painted with graduated bands, a French Art Deco cup and saucer and two other items various marks, 8.5cm. high £80-120 72. ‘New Mikado’ a Carlton Ware vase, cylindrical form with everted rim, enamelled in colours and highlighted in gilt on a red lustre ground, a Carlton Ware ginger jar and cover and a vase pattern 2936 printed and painted marks, 21cm. high £80-120 73. ‘Crocus’ a Shelley tea cup, saucer and side plate, pattern WR066, printed and painted in colours, another Shelley teacup and saucer and five other banded items printed and painted marks, 18cm. diam. £100-200 79 74. A Thomas Forrester & Son Phoenix Ronda Ware vase and cover, printed and painted in colours on a pale purple ground printed mark to base 23cm. high £80-120 75. ‘Fairy Castle’ a Crown Devon vase, slender footed form, enamelled in colours and highlighted in gilt on a turquoise ground printed and painted marks, professionally restored 25cm. high £100-200 76. A Carter, Stabler & Adams, Poole Pottery vase, by Margaret Atkins, pattern BY, painted with geometric flowers and foliage in colours on a white ground impressed mark, painted marks, 16cm. high £50-100 77. A Carter, Stabler & Adams Poole Pottery vase, by Mary Brown, pattern DR, the design attributed to Truda Adams, the faceted vase painted with geometric floral panels in brown, black and white on a sand ground impressed mark, painted artists cypher 20cm. high £200-300

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78. A Wedgwood Butterfly Lustre dish, square section, printed and painted in colours and gilt on a mottled blue ground printed and painted marks, 21cm. wide £80-120 79. ‘Ferdinand The Bull’ a Wedgwood Pottery bull designed by Arnold Machin, painted in colours printed marks 32cm. wide £300-500 80. ‘Duiker Standing’ a Wedgwood pottery sculpture designed by John Skeaping, glazed matt white, on ebonised wood base impressed Wedgwood John Skeaping 23cm. high £80-120 81. Two Wedgwood Orient Line tea trios designed by Edward Bawden, printed with stylised flowers and foliage in purple and black, comprising two cups, saucers and side plates printed factory marks, side plates 15.5cm. diam. £150-250

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82. ‘Travel’ a Wedgwood Coffee set for six designed by Eric Ravilious, printed with Balloon and autobus vignette, comprising; coffee pot and cover, milk-jug and sugar basin, six cans and saucers printed factory marks, 17cm. high £500-1,000

82A. ‘The Right Hon Stanley Baldwin M.P.’ an Ashtead Pottery limited edition character jug, designed by Percy Metcalfe, model no.J25, glazed blue printed and painted marks to base 19cm. high £80-120

84 83. ‘The Lucky Haw-Waw Cat’ a porcelain cat spill vase designed by Louis Wain, painted in shades of green, red and blue, highlighted in black with meow-meow notes facsimile signature, printed regd marks, hairlines, 13cm. high £1,000-1,500

84. A porcelain model of an Egyptian cat spill vase designed by Louis Wain, painted in shades of yellow, red and green highlighted with black meow-meow notes facsimile signature, regd mark, impressed made in England 15cm. high £1,000-1,500

85. ‘The Luck Knight Errant Cat’ a porcelain cat spill vase designed by Louis Wain, painted in colours with meow-meow notes facsimile signature, small frits to base rim 14.5cm. high £1,000-1,500 85

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86. A Desa Pottery vase and cover, shaped rectangular form printed in colours with a racing car, the reverse with an early car, the cover finial modelled as a saloon car stamped ESA, impressed and printed marks, minor glaze frits 23cm. wide £150-200

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87. A Desa Pottery tray, shaped rectangular section, printed in colours with a mechanic working on a car engine, its owner looking on unsigned, small chip to rim 26.5cm. wide £50-100

88. A Richard Ginori coffee can and saucer, the design attributed to Gio Ponti, printed with a gentleman riding a horse, the saucer with crop and boots, printed factory marks 12cm. diam. £50-100

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89. A pair of Noritake porcelain vases, shouldered form with three looped handles, enamelled with panels of stylised flowers in colours, highlighted in gilt printed mark 19cm. high £100-200

90. A Gustavsberg Argenta Ware bowl designed by Wilhelm Kage, model no.1069, the mottled green, footed bowl decorated with silver Chinese dragon, painted marks and Kage to base 17cm. diam. £200-300 89

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91. A Longwy Pottery vase, model D.357, painted with flowers and foliage in green, white and red on a blue ground impressed and painted marks, 27cm. high £50-100 Provenance The Albert E Wade Collection

92. A Longwy Pottery vase, painted with flowers and foliage in colours on a turquoise ground, and a Longwy pottery dish printed marks, vase restored 17cm. high £100-150

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92A. A large Theodore Haviland duck tureen and cover designed by Edouard-Marcel Sandoz, glazed in shades of white, blue and yellow, another modelled as two ducks and a rabbit mustard pot and cover with spoon printed factory marks, facsimile signature, green base restored, 26cm. wide £500-1,000

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93. A Boch Freres Gres Keramis vase designed by Charles Catteau, Model No.D.2130, enamelled in colours with birds flying in pairs, in lavender, green and brown on a sand ground printed and impressed marks, 29cm. high £600-1,000

94. A Boch Freres pottery vase designed by Charles Catteau, shouldered form, decorated with stylised foliate border in brown and black on a crackled white glaze, unmarked 13cm. high £80-120

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Literature Charles Catteau La Louviere page 896 this design illustrated.

95. A Keralouve La Louviere vase, shouldered form with collar neck, enamelled with a frieze of monkeys, below monkey mask roundels, in colours printed factory mark 29cm. high £100-200 94

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96. A Longwy Atelier Primavera charger, decorated with a radiating design in black on a blue ground impressed marks, 38cm. diam. £50-100 Provenance The Albert E Wade Collection

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97. ‘The Impetuous Bacchantes’ a Rosenthal porcelain figure group, designed by A. Caasmann, model no. K190, modelled as three fleeing classical figures, glazed in blue and green printed and impressed marks, 21cm. high £150-200

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98. A large Rosenthal model of a hawk resting on a plinth, glazed in colours, printed factory mark, 46cm. high £300-500

99. An Art Nouveau Meissen figure of a Loie Fuller dancing, designed by Theodor Eichler, model R.255, glazed in polychrome and highlighted in gilt painted mark, incised marks, 27cm. high £100-200

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100. A Pirkenhammer, Karlsbad porcelain figure designed by Professor W Gerstner, modelled holding a bouquet of flowers, glazed in black and blue, highlighted in gilt impressed marks and artists signature 27cm. high £300-400

101 101. A Le Bertetti, Torino figure of a semi-naked woman, modelled wearing a short towel, pulling her hair back, glazed in colours painted marks, original paper label 38cm. high £200-400

102. A Le Bertetti, Torino pottery model of a sitar player, glazed in colours original paper label, painted marks to base, minor chips and repairs 37cm. high £150-200

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103. A Lenci Pottery bust of the Madonna, designed by Paola Bologna, modelled praying, glazed in colours painted marks, original paper label, minor professional restoration 22cm. high £100-200

104. An Essevi Pottery bust of a woman, probably designed by Sandro Vacchetti, with blonde curly hair, wearing a floral scarf impressed and painted marks, 10-739, 21cm. high £500-800

105 105. ‘Bimba’ a Lenci Pottery figure designed by Abele Jacopi, model no. 722, glazed in colours painted marks, impressed facsimile signature, minor glaze frits 24.5cm. high £200-400 Literature Alfonso Panzetta Le Ceramiche Lenci, Umberto Allemandi & C. page 250 catalogue number 885.

106. ‘Pupo Dado’ an Essevi Pottery figure designed by Sandro Vacchetti, modelled as a baby sat astride a dice, painted in colours impressed and painted marks, leg restuck 27cm. high £400-600

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107. A Goldscheider Pottery model of an eagle, model no.4781, glazed in colours, and a collection of animal sculptures printed and impressed marks, damages 20cm. high £100-200

108. A Goldscheider Pottery model of a lurcher, model no.3895, on rounded rectangular base, another model no.4407 and a Goldscheider model of a Parrot, glazed in colours printed and impressed marks, 27cm. wide £80-120

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109. A pottery figure in the manner of Goldscheider, modelled partially draped in a blue scarf, mounted on ebonised wood base 33cm. high £100-200

109A. A Tigalli, Italian pottery model of a Chinese fisher woman, modelled spilling a basket of live fish, one fish biting her toe, glazed in colours painted signature 43cm. high £250-350

110. A Goldscheider Pottery wall mask, designed by Adolf Prischl, model no. 7831, modelled as a woman wearing headscarf, glazed in colours printed and impressed marks 19cm. high £80-120

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111. A Goldscheider Pottery bust of a woman, designed by Rudolf Knorlein, model no.7546, glazed in colours impressed and printed marks, restored, 21cm. high £150-250

112. A Goldscheider Pottery bust of a woman, designed by Kurt Goebel, modelled with blue curly hair, on ebonised wood base 34cm. high £200-400 Provenance Lalique Glass and 20th Century Bronzes Christies South Kensington, lot 151

113. A Goldscheider Pottery model of a dancer, designed by Stephan Dakon, modelled in long flowing dress, the hem held up behind her, decorated with flowers, in brown, black and blue impressed and printed marks, restored 39.5cm. high £1,000-1,500 Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 156 for a comparable figure in a green dress.

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a Private ColleCtion of golDsCheiDer figures & Masks

114. ‘The Arabian Dancer’ a large Goldscheider Pottery figure cast from a model by Josef Lorenzl, model no.5613, modelled holding floral scarf, glazed in colours impressed and printed marks, 48cm. high £3,000-5,000 Literature Ora Pinhas, Goldscheider, Richard Dennis, page 110 for a colour variation of this figure.

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115. A Goldscheider Pottery figure of a girl with an ermine muff designed by Claire Herczeg (Claire Weiss), model no.8241, wearing a long blue ermine lined coat, impressed marks, indistinct signature to base, 39cm. high ÂŁ2,000-3,000 Literature Ora Pinhas Goldscheider, Richard Dennis, page 130 this figure illustrated.

116. A Goldscheider Pottery figure of a dancer cast from a model

by Stephan Dakon (Claire Weiss), model no.8127, modelled holding the hem of her pink dress, glazed in colours impressed and printed marks, 38cm. high ÂŁ1,500-2,500 Literature Ora Pinhas, Goldscheider, Richard Dennis, page 156 for a comparable.

117. A Goldscheider Pottery figure of a woman holding a mask, designed by Claire Herczeg (Claire Weiss), model no.7691, glazed in colours impressed and printed marks, signed Herczeg to base, 38cm. high ÂŁ2,000-4,000 Literature Ora Pinhas Goldscheider Richard Dennis, page 150 for a comparable example.

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118. A Goldscheider Pottery wall mask, designed by Rudolf Knorlein, modelled as a woman holding a yellow eye mask, in colours printed factory marks, applied paper label, minor glaze nicks to hair 27cm. high £400-600

119. A Goldscheider Pottery wall mask, designed by Rudolf Knorlein, modelled holding an orange eye mask, glazed in colours impressed and printed marks, professional restoration to silver hair, 27cm. high £250-350 Provenance 20th Century Decorative Arts, Bonhams, sale 10063 lot 150

120. ‘Comedy’ a large Goldscheider Pottery wall mask designed

by Ernst Weber, model no.6288, modelled holding a black smiling mask, glazed in colours impressed and printed marks, 35cm. high £500-800

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121. A Goldscheider Pottery wall mask designed by Adolf Prischl, model no.7420, modelled as a girl with flowing blue hair, glazed in colours printed and impressed marks, small chip to neck, 22cm. high £150-200

122. A Goldscheider Pottery wall mask, model no.7816, painted in colours impressed and printed marks, small chip to hair 16cm. high £150-200

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122 123. A Goldscheider Pottery wall mask, model no.8086, modelled smoking a cigarette, glazed in colours impressed and printed marks, restored cigarette 33cm. high £400-600 Literature Ora Pinhas Goldscheider Richard Dennis, page 173 this mask illustrated

124. A Goldscheider Pottery wall mask, model no.6427, glazed in colours impressed marks, 26cm. high £250-300 123

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125. A Goldscheider Pottery wall mask, model no.8041, modelled wearing draped yellow headscarf printed and impressed marks, 25cm. high £250-300

126. A Goldscheider Pottery wall mask, model no.7453, modelled with orange curly hair, glazed in colours impressed and printed marks, original paper label 19cm. high £150-200 Provenance 20th Century Decorative Arts, Phillips Auctioneers, sale 907, lot 330.

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127. A large Goldscheider Pottery head designed by Kurt Goebel, model no.5836, glazed in colours, on ebonised wood base 33cm. high £400-600 Literature Ora Pinhas Goldscheider Richard Dennis, page 164 this model illustrated

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128. A Goldscheider Pottery head, model no.585, glazed in colours impressed and printed marks original paper label, chips 25cm. high £300-500

129. A Goldscheider Pottery wall mask, designed by Rudolf Knorlein, model no.7121, modelled as a stylised woman holding a bead necklace, glazed in colours printed and incised marks, chip to finger, restored 30cm. high £300-400

130. A Goldscheider Pottery wall mask, designed by Adolf Prischl, model no.7784, modelled with flowing blue hair and wearing an orange scarf impressed and printed marks,26cm. high £200-400

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131. A Goldscheider Pottery wall mask, model no.836, glazed in colours impressed and printed marks, 20cm. high £150-250

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132. A Goldscheider Pottery wall mask, designed by Kurt Goebel, model no.7813, modelled as a woman in blue headscarf, impressed marks, 31cm. high £200-400

133. A Goldscheider Pottery wall mask, designed by Rudolf Knorlein, model no.6774, modelled as a girl holding an apple, glazed in colours impressed and printed marks, 20cm. high £200-400

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Literature Ora Pinhas Goldscheider Richard Dennis, page 174 this mask illustrated

134. A Goldscheider Pottery wall mask, designed by Rudolf Knorlein, model no.6774, modelled as a girl holding an apple, glazed in colours impressed and printed marks, restoration to sleeve, 19cm. high £200-400

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137

135. A Goldscheider Pottery figure of a woman cast from a model

by Stephan Dakon, model no.6646, modelled in bonnet wearing flowing blue dress, and another Continental pottery figure of a woman printed factory mark and facsimile signature, professionally restored bonnet, 19cm. high £200-400

136. Three Continental porcelain figures of dancers, each wearing blue and silver exotic costume printed marks tallest 21cm. high £200-400 138

137. A Royal Dux model of a dancer, model no.3235, modelled wearing an exotic gold costume, factory marks, 30cm. high £100-200

138. A Continental pottery figure of a dancer, modelled wearing flowing pink dress printed and impressed marks, 26cm. high £150-250

139

139. A Katshutte Pottery figure of a woman with a Borzoi, glazed in colours, and a Katshutte figure of a woman walking a Borzoi, printed marks, 25cm. high £300-400 Provenance 20th Century Decorative Arts, 1st October 1992, Christie’s South Kensington, lot 576.

140

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140. A Continental pottery model of a woman, wearing pink dress and broad brimmed hat, and another similar impressed marks, 30cm. high £200-400

141. A small Goldscheider-Myott Pottery figure of a woman, model no.611, modelled wearing baggy pantaloons, glazed in colours impressed and printed marks, 16cm. high £150-200 Provenance 20th Century Decorative Arts, Christie’s South Kensington 16th September 1993, lot 556.

141

142. A Wiener Werkstatte pottery head, the design attributed to Vally Wieselthier or Charlotte Calm-Wierink, model no.960, modelled wearing flower and a ribbon in her hair, glazed in colours impressed WW marks and VW mark, restored leaves, 22cm. high £200-400 Literature Waltraud Neuwirth Wiener Werkstatte, page 210-211 catalogue number 167 for a comparable bust.

Charlotte Benton, Art Deco 1910-1935, V&A exhibition catalogue, 2003, page 181 plate 15.8 for a comparable bust.

142

143. A Wiener Werkstatte pottery head, the design attributed to Vally Wieselthier or Charlotte Calm-Wierink, model no.960, modelled wearing flower and a ribbon in her hair, glazed in colours impressed WW marks, restored leaves 23cm. high £200-400

143

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glass 144. ‘Schmetterling (Butterfly)’ a Walther & Sohne Uranium Green glass vase, modelled with a butterfly girl, in low relief unsigned 22cm. high £80-120 145. A Davidson’s of Gateshead Jadeite glass vase, cylindrical form with everted rim, a Nazing glass posy bowl, a dish and a pair of Continental silvered black glass vases unsigned 20cm. high £80-120

144

145

146

146. A Whitefriars Cloudy glass vase designed by Marriott Powell, flaring cylindrical form, mottled blue graduating to green cased in clear unsigned 22.5cm. high £100-200 Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 118 for comparable examples 147. A James Powell & Sons, Whitefriars glass vase designed by Edward Spencer, flaring cylindrical purple glass with bubble inclusions, applied with prunts and rigoree band unsigned 12.5cm. high £300-500 148. A Whitefriars M60 amber glass Sherry decanter designed by Barnaby Powell, a pale blue decanter and stopper, etched with geometric bands, and two other glass items unsigned 20cm. high £100-200

147

Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons Richard Dennis Publications, page 130 plate 131 for comparable decanters.

148

149. A James Powell & Sons, Whitefriars clear glass ribbon trailed vase on applied foot, designed by William Butler, and four other glass vases 15cm. high £80-120

149

150

150. A green glass possibly designed by Keith Murray, flaring, fluted form on applied foot, and a pink glass vase similar with air bubble inclusions unsigned 12cm. high £100-150 Literature Charles J Hajdamach 20th Century British Glass, Antiques Collector’s Club, page 147 and 149 for designs by Keith Murray for Stevens & Williams.

151. A Val St Lambert yellow glass decanter and stopper, faceted form, etched mark 23cm. high £80-120 152. An amethyst glass decanter and six glasses, faceted form, unsigned decanter 21.5cm. high £100-200 153. A frosted glass and patinated metal wall light, the glass moulded in relief with a wild boar glass signed G Sc R Pec 37cm. wide £200-400 154. A frosted glass ceiling light with patinated metal mount, the glass moulded in relief with spiny fish and waves unsigned 33 x 23cm. £300-500

151

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152

153

154

lalique

155

156

155. A modern Lalique clear and frosted glass paperweight modelled as an owl, and a collection of ceramics and glass etched Lalique France 9cm. high £50-100

156. ‘Perche’ model no.1158, a modern Lalique clear and frosted glass paperweight/car mascot, originally designed by Rene Lalique, and a modern Lalique clear and frosted glass owl etched Lalique France 15.5cm. wide £50-100

157

157. ‘Perche’ No.1158 a Lalique clear and frosted glass car mascot designed by Rene Lalique, with sepia staining, moulded R Lalique 15.5cm. wide £1,000-1,500

158. ‘Sirene’ no. 831 a Lalique clear and frosted glass car mascot designed by Rene Lalique intaglio moulded R Lalique 10.5cm. high £2,000-2,500 158

27

159. A modern Lalique glass cendrier, modelled in low relief to the well with a galleon at full sail, etched Lalique France 18cm. diam. £80-120

159

160. ‘Ondes’ no.2, 3294, a Lalique opalescent glass bowl designed

by Rene Lalique, stencilled R Lalique France 25.3cm. diam. £400-500

160

161. ‘Poisson’ No.2 an opalescent glass plate designed by Rene Lalique, intaglio moulded R Lalique 27.5cm. diam. £400-600

161

162. ‘Gazelles’ no. 390 a Lalique clear, frosted and opalescent glass bowl, designed by Rene Lalique intaglio R Lalique, France 29.5cm. diam. £400-600

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162

163

164

163. ‘Albert’ No.958, a Lalique topaz glass vase designed by Rene Lalique wheel cut R Lalique France 17cm. high £1,200-1,800

164. ‘Fougere’ no.923 a grey stained Lalique glass vase designed

by Rene Lalique, intaglio moulded R Lalique to side 15cm. high £1,200-1,500

165

165. ‘Nemours’ no.404 a Lalique clear and frosted glass bowl designed by Rene Lalique, with black enamel and sepia staining, intaglio moulded R Lalique France, etched No.404 25.3cm. diam. £1,200-1,500

166. ‘Muguet’ no.417 a Lalique opalescent glass bowl designed by Rene Lalique, stencil R Lalique France 23.5cm. diam. £2,000-2,500 166

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167

168

171

169

172

170

173

173A

167. Leonard Richmond (1889-1965) Pavilion by the Sea, Worthing, lithographic print on paper and another poster St Ives by Herbert Truman framed signed in the print 78 x 59cm.

£50-150

This design was originally produced as a poster for Worthing by Southern Electric.

168. ‘Thirties’ an Arts Council 1979 exhibition catalogue, three Penrose annuals (1936, 1937 and 1952), Die Kunst 1911-1912 and Interior Decorating

by Duncan Miller, six books £50-100 169. ‘Cunard’ a menu card for R.M.S Lancastria, Wednesday April 11 1934, the cover painting by Frank Brangwyn, 22 x 17cm. £50-100

174

175

170. Six Champagne postcards designed by Franz Kudena, framed, and a collection of Champagne related ephemera £50-150 Provenance The Albert E Wade Collection 171. S Chumpre Lady with a Fan, a pochoir print on paper and three others by the same hand framed signed in the print and in pencil, numbered 425/500 image 41 x 30cm.

174 detail

£100-200

172. Three pen and ink designs by Evelyn Smith, dated 1930, framed one signed and dated image 44 x 34cm. £250-350 173. ‘Reclining woman before a mirror’ a dry-point etching by Max Brunning, framed signed in pencil image 34 x 22cm. £150-200 173A. Chinese Musician with Exotic Bird’ a gouache on paper, framed, image 31cm. high £150-200 174. Romain de Tirtoff (Erte), attributed Les Nouvelles, from La Nouvelle Orleans, gouache on paper, framed facsimile signature, annotated to reverse, titled and Erte stamp sheet size 37 x 27cm. £300-500 175. Romain de Tirtoff (Erte), attributed Le Point de Venise, Le Gondolier gouache on paper, framed facsimile signature, annotated to reverse, titled and back stamp sheet size 27 x 24cm £300-500 176. ‘Kitten’s (Petits Chat) a dry-point and aquatint print by Louis Icart, printed by Les Graveurs Modernes, Paris, framed signed in pencil, image 47cm wide £500-600

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176

DoDo Burgner Berlin 1907-1998 lonDon

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177. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman in a Purple Shawl pencil and wash on paper unframed image 48 x 23cm.

£100-200

178. Dörte Clara ‘Dodo’ Burgner (1907-1998) Kostum Hexe (Witch Costume) pencil and wash on paper unframed image 23 x 18cm.

£100-200

This image was probably a fashion study for a theatre costume.

Literature Renate Krummer Dodo, page 62-65 for comparable designs for fantasy costumes.

179. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman with Exotic Fan wash and silver highlight on paper, unframed image 36 x 25cm.

177

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178

179

£150-200

180‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Two Women on a Balcony, a pen and ink fashion study on board, Vogue pattern for Michels Weaving Company unframed image 29 x 20.5cm £200-400

181‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman at her Dressing Table, pen and ink fashion study on board, Vogue pattern for Michels Weaving Company signed Dodo unframed image 30 x 20cm.

£200-400

182‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Figures in a Lobby, pen and ink on paper, Vogue pattern for Michels Weaving Company signed Dodo 47.5 x 36cm

£400-600

Literature Renate Krummer Dodo, page 76 this board illustrated 180

182

181

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183‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Street Scene, watercolour on paper, signed Dodo unframed image 40 x 31cm. £400-600

34

184‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Study of two Women, a rare pastel on paper, image 40 x 32cm £1,500-2,000

35

185‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman with a dog, watercolour on paper, painted Dodo signature 33 x 25.5cm

£300-500

186‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Glenk a bodycolour on paper poster design 64 x 48cm

£200-400

187‡. Dörte Clara ‘Dodo’ Burgner (1907-1998) Hute Hanna Haars a poster design on card signed Dodo 64 x 49cm.

£300-500

185

186

Literature Renate Krummer Dodo, page 59 this board illustrated

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187

sCulPture

188

189

188. A Hagenauer silvered bronze bust, modelled as mask and arms, stamped marks, 15cm. high £300-500

189. A Hagenauer polished bronze mirror cast from a model by Franz Hagenauer, rectangular with stylised greyhound stamped Hagenauer marks and Made in Austria 41 x 31cm. £600-900

190

190. A Hagenauer silvered bronze mirror cast from a model by Franz Hagenauer, modelled as a stylised kneeling figure, holding circular mirror aloft stamped Hagenauer mark, Made in Austria 46.5cm. high £1,000-1,500

191. A pair of Hagenauer silvered metal candlesticks cast from a model by Franz Hagenauer, each with four angular branch, with four loose sconce stamped marks, 48cm. high £1,500-2,000 191

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193

192

194

197

195

196

198 192. An Art Deco polished bronze model of a leaping springbok, on shaped base unsigned 11.5cm. wide £80-120 193. A Hagenauer walnut figure of a woman designed by Laszlo Hoenig, the stylised reclining figure on copper base stamped marks, 64cm. wide £200-400 194. A Hagenauer walnut model of a charging ram, by Laszlo Hoenig, on polished bronze base, stamped marks, 28cm. wide £100-200

199

200

195. A patinated metal sculpture of a greyhound chasing a hare, on layered veined marble base unsigned 53cm. wide £80-120 196. A patinated metal sculpture of a prowling panther, on rounded, rectangular marble base unsigned 49cm. wide £100-200 197. A Patinated metal sculpture of a woman holding a dove, on a stepped marble base, and a patinated metal sculpture of two dogs, unsigned 32cm. wide £100-200 198. A large patinated spelter figure group cast from a model by Limousin, modelled as a female figure with two reined birds, on stepped, rectangular alabaster and black marble base, signed Limousin in base 77cm. wide £300-500 199. A verdi gris patinated metal model of a petanque player, modelled about to release, on veined black marble base unsigned 34.5cm. wide £80-120

201

200. A patinated metal figure of a jester, cast from a model by Roland Paris, on rotating base, the alabaster base with card pack emblems cast signature R Paris 21cm. high £300-500 201. A patinated bronze model of a young boy, cast from a model

by Josef Lorenzl, modelled lifting his nightgown signed Lorenzl in the cast 11cm. high £100-150 202. A bronze and ivory figure of a woman with her borzoi, cast from a model by Josef Lorenzl, on rounded onyx base stamped R Lor 26cm. high £3,000-4,000

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202

203. A gilt bronze and ivory figure cast from a model by Joseph D’Aste, modelled as a girl holding a jester stick, on circular marble base etched D’Aste to marble 21.5cm. high £700-1,000 Literature Bryan Catley Art Deco and other Figures Antique Collector’s Club, page 127 for a variation of this figure entitled Young Girl with Hoop.

203

204. ‘Torch Girl’ a gilt bronze and ivory figure, cast and carved from a model by Ferdinand Preiss, on black, veined marble base cast signature in the bronze F Preiss 29cm. high £3,000-4,000

205. Dirk Wolbers (1890-1957) Mother and Child, a patinated bronze, dated 1934 signed and dated in the cast

204

£500-1,000 205

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209

207 208 206

210

211

212

213

206. A patinated metal figure of a Spanish dancer, modelled holding a tambourine, on alabaster base unsigned 26cm. high £80-120 207. A silvered metal bull car mascot, modelled with head bowed down, and a silvered metal car mascot modelled as a squirrel holding a nut unsigned 9cm. wide £50-100 208. A silvered metal car mascot, modelled as a female figure, holding her dress hem, with downcast gaze unsigned 17cm. high £150-200 209. A polished bronze hanging plaque, pierced and cast with a winged figure, stamped W A Pavitt, London 23.5cm. high £100-200

214

215

210. A patinated spelter model of a panther, cast from a model by M Leducq, on rectangular base signed in the cast 60cm. wide £250-300 211. A patinated spelter sculpture of a hound on the scent, cast from a model by Clovis Edmond Masson (1838-1913), on stepped base signed in the base 41cm. wide £250-300 212. A patinated spelter model of a dog with a pheasant, cast from a model by Jules Moigniez (1835-1894), on rectangular base signed in the base 45cm. wide £250-300 213. A patinated spelter model of a pheasant, cast from a model by M Font, on rectangular base signed in the base 50cm. wide £150-200 214. A large gilt metal sculptural double inkwell, two gilt metal lurchers, on shaped onyx base with onyx inkwells, and a smaller lurcher figure, unsigned 51cm. wide £200-300 215. A pottery bust of Zeus, after the antique, covered in a verdi-gris bronze finish, on rectangular black base applied label 50cm. high £100-200 216. A patinated bronze model of a nude woman carrying an urn, cast from a model by Janos Pasztor, on rounded marble base signed in the bronze Pasztor J 56cm. high £500-800

216

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217. A patinated bronze bust of a young Greek square section wooden plinth unsigned 31cm. high 217

warrior on £100-200

219 218

220 218. A Hakudo bronze model of a long-tailed bird, silvered finish, the beak and neck highlighted in gilt, mounted on lacquered wood stand with cast signature to underside of bird 39.5cm. wide £200-400

219. A pair of Hakudo bronze birds, each silvered with gilt beak and feet, on lacquered wood base, cast signature to underside of larger bird 46cm. wide £200-400

221 220. A patinated bronze model of an owl, cast from a model by Edouard Marcel Sandoz, on rectangular wood base signed in the bronze Ed M Sandoz, Susse Fes Ed Paris, Cire perdue 37cm. high £1,500-2,000

221. A large patinated bronze and ivory figure of a dancer, cast and carved from a model by Josef Lorenzl, modelled arms outstretched one hand holding the hem of her exotic dress cast Lorenzl made in Austria to base 36cm. high £600-1,000

222. A patinated bronze and ivory figure of a masked man, cast and carved from a model by Roland Paris, on stepped black marble base, etched Roland Paris to base 35cm. high £1,500-2,000 222

41

223. ‘The Top’ a cold painted bronze and ivory figure cast and carved from a model by Professor Otto Poertzel, on flaring cylindrical onyx base incised Prof O Poertzel to base 31cm. high £6,000-10,000 Provenance 20th Century Decorative Arts, Christie’s South Kensington 28th April 1994 lot 271.

42

224. ‘Actress’ a bronze and ivory figure cast and carved from a model by Demetre Chiparus, on veined marble base, incised Chiparus to marble, cast 16 to foot, 29cm. high £8,000-12,000 Provenance Christie’s South Kensington, 26th April 2005 lot 144.

Private collection.

Literature Bryan Catley Art Deco and Other Figures, ACC page 96 for a comparable example.

43

225‡. Antonio Huberti (1907-2000) Cubist Figure, a painted wood sculpture, signed 108cm. high £500-1,000

225

226. Boleslas Biegas (1877-1954) Le Reptiles de la Vie a large patinated bronze figure, dated 1917 signed in the bronze, Blanchet Fondeur 84cm. high £15,000-20,000

44

226

furniture

227. A large and impressive palm wood and shagreen chair in the manner of Pierre Legrain, African form, the back inset with shagreen chevron design, the seat quartered shagreen, the thick square section legs with bronze ankles and rectangular palm wood feet, pierced and carved undercarriage 101cm. high ÂŁ4,000-6,000 Literature Musee des Arts Decoratifs, for a comparable example with parchment seat and back Yvonne Brunhammer Art Deco Style, Academy Editions page 90 for a comparable chair

45

229

228

230

228. A Bowman Brothers oak cabinet, with inlaid rosewood handles, applied label 130cm wide, 40cm deep £100-200

229. A satinwood bedside cabinet, and another similar 70cm. high £80-100 Provenance The Albert E Wade Collection 231 232

230. A pair of Morris, Glasgow oak bedside cabinets, with carved wood feet and inlaid formica top, applied label 69cm. high, 38cm wide £200-300

231. A circular coffee table, with circular under-shelf, with four plank legs unsigned 51cm. high £100-200

232. A nest of three walnut veneer occasional tables, each with shaped cloud top, largest 48 x 33cm. £100-200

233

233. A laminated wood Modernist table, originally designed by Gerald Summers for Makers of Simple Furniture, circular top on three fin legs unsigned 69cm. diam. £200-400

234. A Guy inlaid macassar occasional table, the tapering, fluted legs supporting shaped rectangular top, inlaid with marquetry and mother of pearl flower panels, marquetry signature Guy to top 57 x 35cm. £300-500

234

234 detail

46

235

235. An English cloud back settee, two arm chairs and a foot stool, white leather and walnut veneer, settee 183cm wide, chairs 93cm wide £1,500-2,500

236. A gilt-wood armchair designed by Paul Follot, the chair carved with fluted decoration, the back with carved flowers, 95cm. high £500-1,000

237. A Token Works Quilted Maple veneer dressing mirror designed by Betty Joel, made by L Pillinger and H W Lawley, large circular mirror on low support sweeping up to three drawer cabinet with graduated chrome handles, and three graduated shelves applied paper label 173cm. wide £1,000-1,500

236

237

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238. A giltwood hall mirror in the manner of Sue et Mare, oval with quartered etched glass, the frame with painted coral red frame faux rope border, the top crowned with a floral panel in gilt 107cm high, 78cm wide ÂŁ500-800

238

239

239. A red lacquer table and four chairs designed by Leon Jallot, hexagonal pedestal table, the chairs with slender, tapering backs and velvet pads, table 100cm, diam., chairs 103cm. high ÂŁ1,000-2,000

240. A Dominique polished mahogany cabinet, the drawers fitted for a canteen of cutlery, brass beading and furniture 164cm. high, 75cm wide ÂŁ1,000-2,000

240

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241. A satin birch card table designed by Paul Follot, the circular frame with inset concealed drawers and reversible top inset with brass star decoration, on slender tapering legs and cast bronze feet 91cm. diam. ÂŁ500-800

241

242. A satinwood secretaire designed by Rene Prou, with dropfront bureau above drawers, with brass furniture and inset mirrored glass top 145cm. high, 75cm wide ÂŁ800-1,200

242

243. A large Thuya wood pedestal desk, the tapering pedestals with two drawers, red writing leather pad, with patinated bronze furniture, 159 x 90cm. ÂŁ1,000-2,000

243

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244

245

246

248

249

247

250

251

244. A carved oak panel by Henry Rey, rectangular form on plinth, carved with two sisters embracing in a garden setting incised H Rey 67.5 x 52cm. £250-350 245. A Rowley Gallery marquetry wall mirror, rectangular mirror below marquetry decorative panel of a cottage in a forest setting applied paper label 90 x 33cm. £50-100 246. An English 8 day clock, in alabaster frame with lapis stone terminals and chrome feet, stamped marks, 18cm. wide £100-200 252

247. A L’Odeon style picture frame, rectangular with carved stylised flowerhead decoration painted in silver, and another similar unsigned 47x 37cm. £20-50 248. A Bert Nienhuis inlaid verdi gris metal plate, decorated to the well with a stylised bird, and a patinated copper Arts and Crafts plate signed N 30.5cm. diam. £50-150 249. A Rainaud patinated metal table lamp, octagonal domed shade with opaque glass lining, on swollen cylindrical stem unsigned 58cm. high £80-120 250. A Karl Poul Petersen silver footed bowl, the flaring bowl applied with three simple flower motif stamped marks to base 10.5cm. diam. £100-200

253

254 detail

Karl Poul Petersen the Canadian silversmith apprenticed under Georg Jensen between 1908 and 1913. He married Jensen’s daughter, Inger, in 1922 moving to Canada in 1929.

251. A Wahl Eversharp lever-fill Black and pearl desk pen and stand, with Wahl Eversharp number 2 nib, on black and grey alabaster base impressed marks, pen 19.5cm. long £60-100 252. A shagreen covered box and cover, rectangular cedar wood box with hinged cover, with ivory detail unsigned 17 x 11cm. £50-100 253. An enamelled chromed metal dressing table set, comprising two hair brushes, hand mirror and two other brushes unsigned 28.5cm. long £100-200 254.

A Callow shagreen mounted gilt metal double inkwell, dedicated from Nancy, Lady Astor the eight-sided body raised on bun feet, with two hinged cover, each well with gilt metal inkwell tops, stamped Callow 22.5cm. wide £500-700 Provenance Given by Nancy, Lady Astor to Jakie on his 25th Birthday.

254

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Nancy, Lady Astor (1879-1964) was the first woman to sit as a Conservative Member of Parliament in the House of Commons taking her seat in December 1919.

257 255

256

255. A Limoges enamel portrait panel by Pierre Bonnaud, in wooden frame, signed P Ponnaud Limoges to the enamel 8cm. high £200-300

256. A Limoges enamelled vase by Camille Faure, enamelled with lily stems in colours on a black ground signed in gilt Faure Limoges France 17cm. high £500-1,000

258

257. A pair of cast bronze wall appliques, each twin-branch, reeded form unsigned 37cm. high £300-500

258. A pair of wrought iron fire dogs cast after a model by Edgar Brandt, each terminating with a peacock head, with scrolling tail feathers, unsigned 48cm. high £1,500-2,000

259. A wrought iron and frosted glass table lamp in the manner of Edgar Brandt, the central flaring stem with scrolling vine foliage, supporting flaring frosted glass shades, moulded in low relied with geometric panels, 75cm. high £600-800 259

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filM

260

The Regal Cinema, West Norwood

260. A large patinated gilt metal Sun ceiling light manufactured for a Cinema lobby, circular gilt metal frame with yellow glass panels, unsigned 80cm. diam. £100-200 Provenance The Regal Cinema, West Norwood.

261 261 film poster

261. A woollen balaclava and goggles film prop used on Scott of the Antarctic, starring John Mills, 1948, wardrobe item 23, with paper wardrobe label stating worn by Robert Falcon Scott 38cm. high £100-200

262. Marilyn, a limited edition book by Andre De Dienes, in presentation box £300-500

262

263. ‘The Personal Property of Marilyn Monroe’ a Christie’s New York hard backed catalogue, 27-28 October 1999 £100-200

264. ‘Worth Exposing Hollywood’ a book of Frank Worth’s photographs of Hollywood stars, in blue slip case £80-120

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263

264

original artWork By MiChael stringer

265

Michael Stringer (1924-2004)

265. Michael Stringer (1924-2004) 633 Squadron - Bar Parlour of the Black Swan (Set Design) pen and ink on paper with wash, signed 58 x 30cm. £150-200

266

Provenance Michael Stringer, thence by descent

266. Michael Stringer (1924-2004) Wyndham’s Way - Outside Mount Eye pastel and wash on paper 72 x 47cm

£100-200

Provenance Michael Stringer, thence by descent

267. Michael Stringer (1924-2004) In Search of the Castaways - Melbourne Dock, 1961 pen and ink and wash on paper signed and dated 57 x 33.5cm £100-200

267

Provenance Michael Stringer, thence by descent In Search of the Castaways, the Walt Disney film, 1961 was produced by Robert Stevenson and starred Maurice Chevallier, Hayley Mills and George Sanders.

268. Michael Stringer (1924-2004) Superman - City of Krypton 1976 pen and wash on board signed in ink 71 x 51cm

£100-200

Provenance Michael Stringer, thence by descent 268

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269 269. Michael Stringer (1924-2004) The Tempest - three designs for the Michael Powell film project 1972 pencil and wash on rice paper 58 x 15cm £100-200 Provenance Michael Stringer, thence by descent

270

271

270. Michael Stringer (1924-2004) Prince and the Pauper - Exit Pub, 1960 pen and ink on paper signed in pen 54 x 33cm. £100-200 Provenance Michael Stringer, thence by descent 271. Michael Stringer (1924-2004) Hound of the Baskervilles, - Hotel Restaurant, 1982 pen and ink on board signed, titled and dated 49 x 28.5cm. £100-200 Provenance Michael Stringer, thence by descent 272. Michael Stringer (1924-2004) Alice in Wonderland acrylic on board under acetate 65 x 34cm £100-200

272

Provenance Michael Stringer, thence by descent 273. Michael Stringer (1924-2004) Alice in Wonderland - The Walrus & The Carpenter and the 12 Oysters pen and ink and pencil on paper signed and titled 53 x 33cm. £100-200 273

274

Provenance Michael Stringer, thence by descent 274. Michael Stringer (1924-2004) Alice in Wonderland, The Cook, The Cheshire Cat, The Duchess 1971 pencil on paper signed and dated 59 x 42cm. £100-200 Provenance Michael Stringer, thence by descent 275. Michael Stringer (1924-2004) Antiques Roadshow - 2002 pen and ink on board with wash, signed and dated 52 x 35cm. £100-150 Provenance Michael Stringer, thence by descent

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275

filM Posters 276. ‘My Brother’s Keeper’ a film poster, artwork by Pulford, printed by W.E. Berry Ltd, Bradford, folded, 102 x 78.5cm £80-120

277. ‘Saraband for Dead Lovers’ a British film poster, printed by W.E.Berry Ltd Bradford, linen backed, 100 x 68cm £100-150

278. ‘Die Rote Lola (Stagefright) an Italian film poster, an Alfred Hitchock film, printed by F P Druck Fotopress, linen backed 76 x 59cm. £100-150 276

277

279. ‘Que Vienne La Nuit’ a film poster, printed by Atelier Lalande, folded 79.5 x 58.5cm £100-150

280. ‘Ulysses’ an American film poster, folded 103 x 68.5cm £80-120

281. ‘Satyricon’ a film Lobby Card, for the Federico Fellini film 51 x 32.5cm £80-120 278

279

282. ‘The Jungle Book’ a British Quad film poster for Walt Disney, printed by S & D S Ltd, England folded 101 x 76cm. £100-200

283. ‘Hell Below Zero’ a British Film poster, printed by Stafford & Co Ltd folded, losses 101 x 76cm. £80-120

284. ‘Gloria’ a British Quad film poster, printed by W.E.Berry Bradford Ltd, folded 101 x 76cm. £80-120 280

282

283

281

284

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285. ‘Jaws’ a British Quad film poster, printed by W.E. Berry Ltd, Bradford folded, 101.5 x 76cm. £60-100

286. ‘The Mirror Crack’d’ a British Quad film poster, printed by Lonsdale & Bartholomew, folded 102 x 76cm. £60-100 285

286

287. ‘Raise the Titanic’ a British Quad film poster, printed by W.E.Berry Ltd, Bradford 101 x 76cm. £60-100

287

288

288. ‘The Sea Wolves’ a British Quad film poster, printed by W.E.Berry Ltd, Bradford folded 101.5 x 76cm. £60-100

289. ‘Saturday Night Fever’ a British Quad film poster, printed by Leonard Ripley & Co Ltd, folded 101.5 x 76cm. £60-100

290. ‘Flash Gordon’ a British Quad film poster, a printed by W.E.Berry Ltd, Bradford folded 101 x 76cm. £100-200

291. ‘The Humanoid’ a British Quad film poster, printed by Lonsdale & Bartholomew Ltd folded 101 x 76cm. £80-120

289

292. ‘Battle Beyond The Stars’ a British Quad film poster, printed

by W.E.Berry Ltd,Bradford, folded 101 x 76cm. £80-120

293. ‘Battlestar Galactica’ a British Quad film poster, printed by Leonard Ripley & Co, London folded, 102 x 76.5cm. £80-120

294. ‘Buck Rogers in the 25th Century’ a British Quad film poster, artwork by Gadino, printed by W.E.Berry Ltd, Bradford folded 101 x 76cm. £60-100

290

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294

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295. ‘Out Fishin’, ‘The Old Oaken Bucket’, ‘Carry Me Back to Old Virginny’, and ‘The Barefoot Boy’ four modern limited edition prints after the originals by Norman Rockwell, by Coca Cola numbered in pencil 1/1000, image 61 x 38cm £500-600 296. ‘Le Cardinal Mercier Protege La Belgique’ a lithographic poster by D Charles (Dominique) Fouqueray, dated 1916, printed by Lapina, Paris signed and dated in the print, folded, sheet 120.5 x 80cm £50-100 297. ‘Studies of Women’ a lithograph on paper by Alphonse Mucha, and another similar, framed one signed Mucha, 31 x 24cm £150-200 298. ‘Hearst’s International January 1922, a cover designed by Alphonse Mucha, framed, signed in the print Mucha image 34 x 26cm. £100-200 299. ‘Studies of Women’ a lithograph on paper by Alphonse Mucha, and another similar, framed, one signed Mucha 35 x 24cm. £150-200 300. ‘Cocorico’ a lithographic cover designed by Alphonse Mucha, 15th February 1899, framed, signed in the print 48 x 30cm. £150-250 301. ‘Otcenas’ a lithographic cover design by Alphonse Mucha, framed, from a limited edition of 120 Czech copies, image 41 x 29cm. £300-500

302

Literature Alphonse Mucha The Complete Graphic Works, Harmony Books, page 167 catalogue number L24 for a comparable plate with Czech text 302. ‘Otcenas - Le Pater (The Lord’s Prayer)’ a set of 22 lithographic images by Alphonse Mucha, individually framed from a limited edition of 120 Czech copies, image 41 x 29cm. £2,000-4,000 Literature Alphonse Mucha The Complete Graphic Works, Harmony Books, page 167 catalogue number L24 for a comparable plate with Czech text Otcenas, a transformation of Le Pater, 303. ‘Blanc et Noir - 4eme Exposition’ a lithographic poster by Jules Cheret (1836-1932), printed by Chaix, Paris, framed signed in the print 123 x 83cm. £200-300 303

57

304

305

308

306

309

307

309A

304. ‘Cotes D’Azur’ a lithographic poster designed by Pablo Picasso, printed by Henri Deschamps Lith, framed signed in the print, 96 x 62.5cm. £300-500 305. ‘The Bird’ a School Print by Georges Braque, printed by W Cowell Ltd for School Prints Ltd, framed monogrammed GB in the print image 67 x 47cm. £100-200 306. ‘Dawn on the Pontine Marshes’ a colour print by Enrique Serra y Auque (1859-1918), and ‘Sunset over Marshland’ by the same artist, ebonised wood frames £50-150 307. ‘Dunhill’ a colour print designed by Romain de Tirtoff (Erte), framed facsimile signature Erte image 90 x 34cm. £150-200 310

308. ‘Tartitius’ a photograph by Bernard Faucon, framed, annotated to backing board in pencil image 30 x 30cm. £80-120 309. Lightning Strike a Vorticist style painting on board, framed, unsigned 50 x 35cm.

£100-200

309A. ‘In The Heat of the Summer..’ a lithographic map poster by Macdonald Gill, dated 1922 printed

by Waterlow & Sons, signed and dated in the print the reverse with British Society of Poster Designers exhibition label to reverse 125 x 98cm. £800-1200 310. H Morgan Portrait of a Woman, acrylic on canvas, framed, signed Morgan indistinct date image 60 x 42cm. £50-100 Provenance Albert E Wade collection.

311 311. G R Harris Spit and Polish, oil on canvas-board framed signed to front, paper label with title to reverse 60 x 50cm.

312. Martin Battersby (1914-1982) Brando, oil on canvas framed signed with monogram, paper gallery label to reverse 65 x 45cm Provenance Grovsenor Gallery, Private Collection

58

312

£80-120

£150-200

315 314 313

316

313. Bronzes Sculptors and Founders 1800-1930, Volumes, 1 to 4, published by Abage, and Les Animaliers by Jane Horswell £50-100 Provenance The Albert E Wade Collection

314. A Collection of books on 20th Century Design and fine art £50-100 Provenance The Albert E Wade Collection

317

318

315. Ten books on design, including Contemporary Color Design by daab £50-100

316. ‘Charles Rennie Mackintosh - The Complete Furniture, Furniture Drawings and Interior Designs’ by Roger Bilcliffe, and a collection of books on the Glasgow School £50-150 Provenance The Albert E Wade Collection

317. ‘Deutsche Kunst und Dekoration’ 1899-1902 and 1905-1906, seven volumes £100-200 Provenance The Albert E Wade Collection

318. ‘Artistic Japan’ four volumes of the monthly journal compiled by S Bing, The Grammar of Japanese Ornament, 1880 by Thomas Cutler, and a collection of modern books on Japanese art and design £50-100 Provenance The Albert E Wade Collection

319. ‘The Studio’ a long composite run of bound volumes from volume 1 £400-600 Volume 1 of The Studio, published in 1893 had a cover designed by C F A Voysey

319

Provenance The Albert E Wade Collection

320. ‘The Studio Yearbook’ thirteen volumes from 1907-1931 £100-200 Provenance The Albert E Wade Collection

321. ‘The Studio General Index Volumes 1-21’ an index book £100-150 320

321

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glass

322

323

324

325

322. A Val St Lambert overlay glass vase, cylindrical form, the clear glass cast in low relief with columns overlaid in ruby glass unsigned 23cm. high £150-200

323. A vaseline glass shade, teardrop form with spiraling internal decoration, a pair of ovoid shades similar and four other glass shades 23cm. high £100-200

327 324. Five clear glass bowls, probably James Powell & Sons, a decanted with trailed decoration and two bowls unsigned bowls 13.5cm. diam. £100-200

326

325. A Loetz style painted silver overlay glass vase, ovoid with knopped neck, pink graduating to pale green with golden iridescence, unsigned 16.5cm. high £300-500

326. A Loetz glass vase, dimpled square section with flaring rim, with iridescent finish unsigned 17cm. high £50-100

328

327. A Loetz glass vase, compressed form with everted rim, covered in a splashed iridescent glaze unsigned 8.5cm. high £100-200

328. A Loetz Cytisus glass vase, shouldered form with everted rim, yellow glass with pulled green, surface decorated with golden iridescent spots, 12cm. high £1,200-1,800 Literature Hatje Cantz Loetz Bohemian Glass 1880-1940, Neue Gallery, page 291 plate B.23 for a comparable vase Wolfgang Bauer Bel Etage 2007 catalogue, cat. no.49 for a comparable vase

329. A Tiffany Favrile glass vase designed by Louis Comfort Tiffany, model no.1345, shouldered form with knopped neck, covered in a green-blue iridescent finish etched L.C.T No.1345, 12cm. high £1,000-1,500

60

329

331 330 332 330. An Art Nouveau Tiffany Favrile glass vase, floriform opaque glass with pulled green decoration and golden iridescence etched L.C.T W2542 12.5cm. high £500-700

331. An Art Nouveau Galle cameo glass vase designed by Emile Galle, ovoid with cylindrical neck, purple overlay berried foliage on a mottled pink body cameo signature Galle 8.5cm. high £300-400

333 332. An Art Nouveau Galle cameo glass Landscape vase designed by Emile Galle, shouldered form, mottled orange glass cased in yellow and brown with trees beside a lake, cameo Galle signature 13.5cm. high £1,000-1,500

333. An Art Nouveau Galle cameo glass landscape vase designed by Emile Galle, tapering cylindrical form, decorated with a lakeside landscape in brown over ochre cameo Galle signature 20.5cm. high £1,500-2,500

334. A Daum Nancy enamelled glass solifleur vase, slender, footed form, enamelled with flower sprays in pink and green acid etched Daum Nancy mark 23cm. high £1,000-1,500 334

61

335

336

337

338

335. An Orrefors Kraka vase designed by Sven Palmquist, model no.220, fine white linear design with air bubble inclusions, cased in clear incised marks and signature 18.5cm. high £100-200 336. A set of four glass dishes, probably Murano, each modelled as a card suite, red and blue glass cased in clear unsigned, minor nicks, 12.5cm. long £50-150

339

340

341

342

337. A Holmegaard Gul vase designed by Per Lutkin or Otto Brauer, white glass cased in red, two smaller Gul vases and a blue vase similar unsigned 29.5cm. high £150-250 338. A Murano glass figure of a long-tailed bird, pale green glass with aventurine inclusions, cased in clear unsigned 46cm. high £50-100 Provenance The Albert E Wade Collection 339. A Murano glass vase, in the manner of Flavio Poli, elliptical blue glass cased in clear unsigned 24.5cm. high £200-300

343

344

340. A Kosta glass lamp base by Vicki Lindstrand, the flattened pear-shaped body with pierced aperture, graduated blue glass with purple streaks, with brass terminal, etched Kosta UL 21558 25cm. high £250-350 341. A Kosta glass vase by Vicki Lindstrand, thick clear glass internally decorated with green etched Kosta LH 1803 19cm. high £80-120 342. A Mdina glass sculpture by Michael Harris, amorphic form, green and blue swirling glass cased in clear incised Michael Harris, Mdina Glass Malta 28cm. high £200-300 343. A set of six glass tumblers, in the manner of Venini, Italy, yellow glass internally decorated with white swirling lines unsigned 13.5cm. high £100-200

345

346

344. A Murano glass vase, flaring form with pinched rim, the red glass with inclusions and aventurine, cased in clear unsigned 25cm. high £80-120 345. A Murano glass table lamp modelled as a classical dolphin, red glass with applied clear decoration and yellow glass eyes, with pink silk shade unsigned 28cm. high £80-120 346. A Venini, Murano glass bottle of Autunno perfume in original card presentation case applied Venini label 18cm. high £60-100 347. John Hutton (1906-1978) an engraved, mirror-glass panel of a female nude, framed etched John Hutton 75 x 49cm. £250-350

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347

Born in New Zealand, Hutton worked in England on architectural projects including the rebuilding of Coventry Cathedral, consecrated in 1962. He developed an engraving technique which displayed depth of field with a graininess and shading more in keeping with chalk or pastel drawing. His works often concentrated on historical, classical or literature subjects.

348

349

350

348. An Arzberg Fantasia tea for one set designed by Matteo Thun, in original presentation box printed marks, teapot 11cm. high £50-100 349. A Memphis Zambia long sleeve cotton shirt designed by Nathalie du Pasquier, small size, slim fit Memphis label £50-100 Literature Barbara Radice Memphis, Thames and Hudson, page 93 for this design illustrated

351

352

353

350. An unusual Cenedese Aquarium lamp, the glass panel mounted on chrome metal frame unsigned 20 cm. wide, 18cm. high £500-700 351. A Piero Fornasetti jar and cover, cylindrical form, printed with goblets, in colours printed factory mark 25cm. high £200-400

354

352. A Piero Fornasetti jar and cover, cylindrical form, printed in colours with a frieze of book spines printed factory mark 25cm. high £200-400 353. A Giotto Memphis dressing table mirror, designed by Ettore Sottsass, applied Giotto label 66cm. high £1,000-1,500 354. A twenty-two section leather sofa unit system designed by Da Gede, each section of kid leather with zip and bolt connections unsigned each section 71cm high, 100cm deep £6,000-8,000 355. A white fibreglass Felt chair, designed by Marc Newson, probably made by Cappellini, with polished aluminium leg unsigned 84cm. high £800-1,200

355

63

356

357 356. ‘Cyclades’ a David Whitehead printed textile panel designed by Donald Hamilton-Fraser, and a collection of artist designed textiles including ‘Pansies’ designed by Howard Carter for Heal’s, ‘Stones of Bath’

by John Piper and ‘Age of Kings by Tibor Reich, signed to selvedge Cyclades125 x 110cm. £100-200 357. ‘Chiesa Della Salute’ a Sanderson’s screenprinted textile designed by John Piper, 1959printed in colours, framed, image 59 x 44cm £100-200

358 358. A pair of red stained pine chairs designed by Vico Magistretti, with rush seat unsigned 79cm high £50-150

359

359. A Barcelona two seat settee, originally designed

by Ludwig Mies van der Rohe, chrome steel frame with white leather cushions, 151cm. wide £500-800 360. A set of twelve Fritz Hansen Ant chairs, designed

by Arne Jacobsen, designed by, bentwood seats on chrome frame, cast marks 77cm. high £600-1,000

360

Provenance These chairs were originally ordered for the IBM offices 361. A set of six Fritz Hansen bentwood Series 7 chairs, designed by Arne Jacobsen, with chrome frame cast marks, 77cm. high £300-400 362. A Heal’s veneered mahogany bedroom suite, comprising; dressing table and mirror, stool, a pair of bedside cabinets and a wardrobe, with brass feet applied label desk 109cm wide £400-700 361

362

64

363

364

365

363. A Gordon Russell mahogany coffee table designed by Trevor Chinn, rectangular form on tapering legs, applied label, 121 x 44cm. £100-200 Literature Austerity to Affluence Fine Art Society, catalogue number F.48 for a comparable piece, designed in 1957.

364. An early table designed by Robert Heritage, shaped rectangular top covered in leather, signed in pencil by Robert Heritage for the vendor 107 x 83cm £150-250 Designed by Robert Heritage shortly after graduating from the Royal College of Art.

366

Provenance Robert Heritage Private collection

365. A veneer and chrome serving table designed by Robert Heritage,183cm. wide, 46cm. deep £200-400

366. A Mines & West rosewood armchair designed by Andrew J. Milne, retailed by Heals, with leather pads 92cm. high £300-500 Literature Austerity to Affluence British Art & Design 1945-1962, Fine Art Society exhibition, page 29 catalogue number F50A for a comparable example

367

Charlotte & Peter Fiell 1000 Chairs Taschen, page 206 for a comparable example.

367. A Johannes Hansen PP505 Cowhorn chair designed by Hans J. Wegner, mahogany with leather seat, applied label 73cm. high £200-400 Provenance From the estate of the managing director (UK) of Finmar, by repute.

Literature Charlotte & Peter Fiell, 1000 Chairs Taschen, page 241 for a comparable example.

368. A Liberty & co light oak dressing chest, four drawers, applied label to drawer 83cm. high, 74cm wide £250-350

368

65

371

370

369

369. A J & J Kohn bentwood rocking chair, with cane seat and back, remains of paper label 82cm. deep £80-120 370. A modern Japanese lacquer pedestal, hexagonal form, decorated with fan-tailed gold fish amongst lily pads, and a collection of boxes and tins, including Japanese lacquer and a Huntley & Palmer Art Nouveau case unsigned 91cm. high £50-100

372

Provenance The Albert E Wade Collection

373

371. A pair of carved wood book ends modelled as Russian soldiers, painted in colours unsigned 15cm. high £50-100 372. A Gustav Stickley oak side table, square top with square section legs, pegged joints stamped red mark 70cm. high, 36cm. square top. £300-400 373. An oak occasional table probably manufactured by Gustav Stickley, the galleried square top on four square section legs and pegged joints stamped 172, 53cm. high £100-200 373A. A mahogany display cabinet, with leaded glazed doors, inset with marquetry flower sprays unsigned 170cm. high, 82cm. wide £300-500 373A

374

374. A stained pine cabinet, the doors carved with Art Nouveau tulip flowers 122cm. high, 122cm wide £300-500 375. A pair of oak Speisezimmer chairs designed by Richard Riemerschmid, designed by 1902, with leather seats and shaped, pierced back panel on tapering square section legs with in-turned feet, 81cm. high £1,500-2,000 Literature Richard Riemerschmid Vom Jugendstil Zum Werkbund Munchner Stadtmuseum exhibition catalogue, 1982, colour plate 23 page 121 for a comparable example.

Page 162 plate 90 for this design illustrated in a contemporary photograph

66

375

375 side

376

378

377

376. An Aesthetic Movement oak coal purdonium, with brass decoration, in the manner of Benham & Froud 47cm. high £50-100

379

377. An oak card table, the hinged square top on turned wood legs 70cm high, 76cm square top £50-100

378. An oak drop leaf table, possibly retailed

by Liberty & Co, with carved flower roundel, 47cm. high £50-100

380

379. A Day & Co coat and umbrella stand, tapering square section applied label, 178cm. high £50-100

380. A light oak Spanish suite of furniture, applied with embroidered leather panels and painted decoration, comprising, cupboard on stand, dining table and six chairs, cupboard on stand 144cm. high, dining table 151 x 83cm. £300-500

381. A large oak settee, probably retailed by Liberty & Co, with turned spindle back splats 190cm. wide £400-600

381

67

383 382 382. A Robert ‘Mouseman’ Thompson oak bowl, circular with carved mouse to the well 31.5cm. diam. £50-100

383. A pair of leather topped stools, with hinged padded seat, 38cm. wide £50-100

384 385 384. A mahogany firescreen with embroidered panel by B F Dyson, the embroidered panel with rose and thistle design applied paper label 69cm. high £50-100

386

385. An Arts and Crafts silk embroidered panel, in the manner of Morris & Co, the square panel depicting a apple tree laden with fruit, inside a tulip flower border, framed and another embroidered panel remains of paper label 63 x 59cm. £100-200

386. ‘Yeoman of the Guard’ a Gilbert & Sullivan poster, printed

by Stafford & Co Ltd, and ‘The Pirates of Penzance’ a poster, framed 75 x 51cm. £80-120

387 387. An Arts and Crafts silk embroidered panel, depicting an angel blowing two horns, framed by the Rowley Gallery unsigned image 103 x 71cm. £100-200

388. ‘Clos Physallis’ an Atelier Tapisserie D’Aubusson tapestry, designed by Gaston Thiery, signed in the weave and A&D monogram, paper label to reverse 141 x 101cm. £100-200

68

388

CeraMiCs

390 389

391 392

393 394

389. A Jerome Massier plaque, by J B Gaziello, rectangular decorated with figures by a riverside landscape, covered in a lustre glaze signed bottom right corner 38 x 23cm. £200-400 Provenance Applied Arts Sotheby’s Olympia 25th November 2004 lot 381 The Albert E Wade Collection 390. An Art Nouveau continental pottery jardiniere by Eugene Emile Moulin, possibly Goldscheider, elliptical form, cast in relief with a maiden bust, inside whiplash foliage, stamped 840 to interior, facsimile signature Moulin 54cm. wide £300-400 391. An Art Nouveau Amphora Pottery vase, pierced ovoid form with over-slung handles, cast in low relief with stylised flowerhead roundels, painted with grapes and vine leaf panels in colours, highlighted in gilt impressed factory marks, 19cm. high £80-120

395

392. A Royal Bonn Art Nouveau earthenware solifleur vase, painted with carnation flowers, in colours on a deep blue ground painted marks, 28cm. high £200-300 393. A Zsolnay Pecs vase and cover, covered in a metalic lustre glaze impressed Zsolnay mark, small chip to foot rim 11cm. high £100-200 Provenance The Albert E Wade Collection 394. A Haviland high-fired porcelain vase, shouldered form with applied foliate twin-handles, the body cast in low relief with foliate motif, glazed sang de boeuf and mint green, with applied metal foot, marks concealed 29cm.high £150-250 395. A Wiener Werkstatte figure of a woman, probably designed by Michael Powolny, modelled in long dress, a shawl around her neck and holding a fan, glazed in shades of green impressed marks, 23cm. high £80-120 396. A Theodore Deck Iznik tile, painted with a band of scrolling foliage between borders, in shades of blue, turquoise, pink and black on a white ground impressed Deck to reverse, chips,25cm. square £150-250

396

Literature Theodore Deck ou Peclat des Emaux, Musees de Marseille, page 45 plates 7 & 8 for comparable tiles 397. A lustre figural sculpture, in the manner of Zsolnay Pecs, modelled as a reclining nude figure, covered in a ruby lustre glaze indistinct mark 26cm. wide £100-200

397

69

398

402

399

403

398. A vase by Emile Diffloth, shouldered form, slip decorated with flower sprays, in pink and yellow, below a band of foliage to the neck painted 135, painted signature to side of vase, minor frits 19.5cm. high £150-200 399. A large Art Nouveau floor vase by Johann Maresch, modelled with pan playing his pipes before semi-naked maiden, the rim of the vase modelled as two masks impressed JM mark, repaired rim, 69cm. high £250-350

400

401

404 405 400. A Fulper Pottery baluster vase, covered in a streaked blue glaze impressed mark, 30cm. high £150-200 401. An Upsala Ekeby stoneware vase by Ingrid Atterberg, ovoid, painted with blue vertical stripes, a large stoneware bowl, another vase and a collection of glass vases incised marks 30cm. high £50-150 402. A Gustavsberg vase with pierced top by Stig Lindberg, cylindrical banded in yellow, and another banded in red and a Stig Lindberg tray painted with birds amongst flowers painted marks, artist hand cypher 14cm. high £100-200 403. A Bitossi pottery horse head sculpture, incised decoration, glazed blue and green, a Bitossi cat and a Desimone, Italian pottery bowl painted marks 25cm. high £80-120 404. A Bing & Grondahl model of a boy holding a goat, model no.2336, a Continental pottery figure of a boy playing a pipe and six other Royal Copenhagen and Bing & Grondahl pieces various marks, 13cm. high £100-200

406

407

405. A Lyngby, Denmark white porcelain coffee set, comprising slender, tapering coffee pot and cover, milk-jug, four cups and saucers, two Arzberg vases a Royal Dux monkey and six other items printed marks £50-100 406. A Stavangerflint, Norway eathenware bowl, painted to the interior with radiating foliate panels, and two other platters printed marks 32cm. diam. £50-150 407. A small collection of Communist collectables and ephemera, including white glazed pottery busts of Lenin and Mao Tse Tung, a full length pottery figure of Mao a Chinese Communist alarm clock, and a small collection of books Mao bust 28cm. high £80-120

408

409

408. Two Upsala-Ekeby plaques by Mari Simmulson, each painted with a flower stem in colours and another rounded rectangular plaque painted with a woman with flowers in her hair impressed marks, painted signature 46 x 15cm. £150-200 409. Two Limoges plates printed with designs after Jean Cocteau, printed and painted marks, facsimile signature £100-200 410. A Royal Copenhagen Aluminia vase, model 182/3101, decorated with columns of geometric eye motif, in red and blue on a pale blue ground, another Royal Copenhagen bottle vase and another Faience square section vase printed and painted marks, 36.5cm. high £150-250

70

410

411

411. A Royal Copenhagen stoneware dish by Jorgen Mogensen , model no.21941, modelled in low relief with a bird, glazed brown printed and painted marks, incised monogram 29.5cm. wide £100-200

412

413

416

414

417

415

418

419

412. A pottery wall mask, modelled in elaborate headdress, in shades of green, yellow and blue on a bronze ground impressed RE mark.22cm. high £80-120

421. A Royal Doulton Series Ware wall charger, model D.5339, printed in colours with chrysanthemum flower sprays, on a cream ground printed and painted marks, 38.5cm. diam. £80-120

413. An Old Hall Shang Hai pattern jug designed by Dr Christopher Dresser, with pewter hinged cover, with hand-tinted foliate transfer design and Greek Key Anthemion design to cover painted marks to base 21cm. high £80-120

422. A pair of Doulton Lambeth stoneware vases by Hannah Barlow, twin handled form, incised with panels of grazing and resting sheep, inside foliate borders, in ochre, blue and green impressed and incised marks, restored 24cm. high £300-400

414. Agnette Hoy (1914-2000) a Bullers porcelain vase, painted with simple brush border, in brown on a sand ground, and a stoneware drinking verse tankard incised marks, monogram £50-150 415. A pair of Minton & Hollins Astra Ware vases, shouldered form, covered in a streaked purple and lavender glaze cast mark to base 20cm. high £80-120 Literature John A Bartlett British Ceramic Art 1870-1940 Schiffer Publishing, page 9 this pair of vases illustrated.

416. A pair of Doulton Lambeth stoneware vases, modelled in low relief and painted in colours, highlighted in gilt, the necks painted with foliage impressed marks, 36cm. high £100-200

420

421

417. A Doulton Lambeth Faience baluster vase by Josephine Durtnall, dated 1882, painted with blossom,. in shades of green, yellow and white on an ochre ground impressed and painted marks 22.5cm. high £100-200 418. A Doulton Lambeth Faience vase by Martha Adams, dated 1878, painted with autumnal foliage in shades of brown and green on a deep blue ground, and a Doulton Lambeth vase by Helen Arding, impressed and painted marks, 22cm. high £100-200 419. A Doulton Lambeth Faience vase, shouldered form, painted with panels of Narcissi and daisy flowers in colours on a painted green flowerhead ground impressed marks, artist cipher 25.5cm. high £100-200 420. A Minton Secessionist Pottery vase, designed by Leon Solon and John Wadsworth, painted with stylised flower stems, in colours, and a Royal Doulton stoneware vase printed mark, 17.5cm. high £100-200 422

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423

424

427

428

425

428A

426

429

423. ‘Windflower’ HN1763, a Royal Doulton figure, designed by L Harradine, painted in colours, and ‘To Bed’, ‘Dinky Do’, ‘Bess’ and ‘Top O’The Hill’ four other Royal Doulton figures, printed and painted marks, damages 18cm. high £100-200 424. ‘The Shepherd’ HN.1975 and ‘The Orange Lady’ HN.1759 two Royal Doulton figures, painted in colours, and three Royal Worcester figures printed marks, 22cm. high £150-250 425. A Pilkington’s tile, screen printed and painted with a tiger, in shades of silver-blue and coral red impressed P mark 15.5cm. square £50-100 426. ‘Farming’ a Wedgwood New England Industries plate from a wood engraving by Clare Leighton, printed in black on a white ground printed marks, inscription and facsimile signature 27cm. diam. £50-100 430

427. A Moorland Pottery vase, dated 2000, made as a sample, decorated with dragonflies in blue on a white ground painted marks, 26cm. high £80-120 428. A Cobridge Stoneware limited edition vase, dated 1999, decorated with a map of the world, in colours impressed and painted marks, 27/100 25cm. high £80-120 428A. A pair of Old Hall vases the design attributed to Dr Christopher Dresser, tapering, waisted square section body with flaring neck applied with elephant mask handles, printed with flying crane mon amidst fan panels and foliage sprays, and two Old Hall Eureka pattern vases printed marks, damages 23cm. high £50-100 429. A Wemyss Pottery Biscuit box and cover, painted with strawberries, a Wemyss Pottery Biscuit box decorated with cherries and a small plate similar impressed and painted marks, damages 12.5cm. diam. £300-400

431

430. A rare Wemyss Pottery plate designed by Karel Nekola, painted with two young deer standing in a pasture, in shades of green, brown and pink on a pale yellow ground, with green painted rim impressed Wemyss mark, printed T Goode & Co mark 25.5cm. diam. £800-1,200 431. A rare Wemyss Pottery plate designed by Karel Nekola, painted with an alert stag standing at twilight, in shades of green, brown and pink on a pale yellow ground, with green painted rim impressed Wemyss mark, printed T Goode & Co mark 25.5cm. diam. £1,200-1,500 432. A pair of Compton Pottery book ends, circular form, each cast in low relief with an archer, unsigned, minor damages 19cm. high £150-200

72

432

433

434

437 438 439 433. A porcelain model of a seated monkey, in the manner of Bernard Moore, covered in a deep blue glaze unsigned 10.5cm. high £50-100 434. A Bernard Moore bowl, internally decorated with a scaly fish inside stylised wave border, in a flambé glaze, the exterior a rich flambé glaze incised Bernard Moore mark, remains of paper label 20.5cm. diam. £80-120 435. A Bernard Moore bottle vase, decorated to the body with a band of Chinese cloud motif, the neck Greek Key border, in a rich flambé glaze signed Bernard Moore, paper label 24cm. high £80-120 436. A Bernard Moore solifleur vase, waisted cylindrical form, painted with a band of scrolling foliage below Greek Key border, in a flambé glaze painted Bernard Moore, paper retail label 15cm. high £80-120

435

436

440 444. A Poole Pottery Delphis charger by Angela Wyburgh, shape 5, painted in colours, and another similar, printed and painted marks 36cm. diam. £100-200 445. A Poole Pottery modern Studio six tile panel designed by Tony Morris, painted with a dragonfly in colours on a black ground, two Highland Stoneware items and two studio glass items various marks, the tile panel with exhibition label 82 tiles 46 x 31cm. £50-100 Provenance Poole Pottery, Richard Dennis Gallery 1999, cat no.88 The Albert E Wade Collection

437. A Bernard Moore cylindrical vase, painted with a ferocious Chinese dragon, in flambé painted Bernard Moore and Dutch retail label 23cm. high £80-120 438. A Bernard Moore gourd vase, painted with floral sprays, in a rich flambé glaze painted BM monogram, Dutch retail paper label 13.5cm. high £80-120 439. A modern Poole Pottery Studio Corfe Castle Athens vase, date 1998, shouldered form painted with men riding horses before Corfe Castle, a Poole Pottery charger and a small c £50-100

441

442

Provenance The Albert E Wade Collection of Poole various marks, 20.5cm. high 440. A Poole Pottery Atlantis vase by Guy Sydenham, ovoid form with running turquoise and brown glaze, a Twin-tone tea set, a modern Delphis pot and a small collection of pottery impressed and incised marks 10cm. wide £80-120 441. A Poole Pottery Contemporary vase, pattern X/PLC, waisted cylindrical form, painted with columns in mushroom, and grey printed and painted marks, 20cm. high £80-120

443

444

442. A Poole Pottery Contemporary vase, designed by Alfred Read, pattern PV, elliptical form with pulled rim, painted with red and blue elliptical decoration, and another glazed lime yellow and magnolia printed and painted marks 35cm. wide £50-100 443. A modern Poole Pottery Delphis vase by Anita Harris, painted in colours, another similar and a ginger jar and cover printed and painted marks 35cm. high £80-120 Provenance The Albert E Wade Collection

445

73

Beatrix Potter figurines

446

447

448

449 446. ‘Amiable Guinea-Pig’ and ‘Mr Benjamin Bunny’ two Beswick Beatrix Potter figure, painted in colours, and thirteen other Beatrix Potter figures various marks 11cm. high £150-200

450

447. ‘Pig-Wig’ a Beswick Beatrix Potter figure, painted in colours, and fifteen Beatrix Potter figures Pig-Wig printed brown mark 10cm. high £150-200

448. ‘Mrs Rabbit’ and ‘Mr Benjamin Bunny and Peter Rabbit’ two Beswick Beatrix Potter figures, painted in colours, and twelve other Beatrix Potter figures various marks, 11cm. high £150-200

449. Twenty-nine various Beatrix Potter figures, manufactured by Beswick and Royal Albert various marks £150-200

451 450. ‘Mr Benjamin Bunny’ a Beswick Beatrix Potter figure, painted in colours, and eighteen other Beatrix Potter figures main printed silver mark 10cm. high £150-200

451. ‘Duchess With Pie’, ‘Pigling Bland’, ‘Tommy Brock’ and ‘Little Pig Robinson’, four Beswick Beatrix Potter figures printed silver marks, Duchess printed brown mark 9.5cm. high £150-200

452

74

452. ‘Simpkin’ a Beswick Beatrix Potter figure, painted in colours and fifteen other Beatrix Potter figures, various marks, damages 10cm. high £150-200

455

454

453

456 457 453. Twelve Royal Worcester dog and cat figures, painted in colours printed factory marks £100-200

454. Seven large Beswick birds, comprising Green Woodpecker 1218, Bald Eagle 1018, Pheasant 849, Barnacle Goose 1052, Jay 1219, Pigeon 1383, and Red Cardinal 927, painted in colours printed and impressed marks, some paper labels Jay 24cm wide £300-500

455. Four Royal Doulton dogs, comprising, Red Setter, Airedale, Cocker Spaniel and Scottie dog, glazed in colours printed and painted marks, Scottie smashed £80-120

458

456. Ten Royal Worcester porcelain small dogs, glazed in colours printed factory marks, Scottie dog 8.5cm. wide £100-200

457. ‘The Huntsman’ HN.1815 a Royal Doulton mounted figure, and a collection of five Royal Worcester fox figures and two dishes printed and painted marks, 24cm. high £100-200

458. ‘Bull Terrier’ 2931, a Royal Worcester figure by Doris Lindner, two Sealyham Terrier figures and another mounted on a dish by Doris Lindner printed and painted marks, Bull Terrier 21cm. high £80-120

459

459. ‘Fox Hound’ a Royal Worcester figure, another similar and six other Royal Worcester Hounds printed marks, 17cm. high £100-200

460. ‘Greyhounds’ and ‘Cat Eating’ two Royal Worcester figure groups by Stella Crofts, painted in colours printed and painted marks, 15.5cm. wide £100-150 460

75

Dennis ChinaWorks

462

461

466

465

464

463

467

468

461. ‘Butterfly’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1999, painted in colours on an ivory ground impressed and painted marks, no.9, 15.5cm. high £80-120 462. ‘Butterfly’ a Dennis Chinaworks tazza designed by Sally Tuffin, dated 2006, painted in colours on a cream ground impressed and painted marks, no.4 15.5cm. diam. £80-120 463. ‘Strawberry’ a Dennis Chinaworks tazza designed by Sally Tuffin, dated 1997, painted in colours on a cream ground impressed and painted marks, no.5, 16cm. diam. £100-200 464. ‘Dragonfly’ a Dennis Chinaworks tazza designed by Sally Tuffin, dated 1997, painted in colours impressed and painted marks, no.22, 16cm. diam. £100-200 465. ‘Bee’ a Dennis Chinaworks pot and cover designed by Sally Tuffin, dated 2003, painted in colours impressed and painted marks, No.1, 14cm. high £100-150

469

466. ‘Bee’ a Dennis Chinaworks biscuit barrel and cover designed by Sally Tuffin, dated 2001, painted in shades of yellow and brown impressed and painted marks, no.9, 12cm. high £100-150 467. ‘De Morgan Fish’ a Dennis Chinaworks jar and cover designed by Sally Tuffin, dated 2006, painted in shades of red impressed and painted marks, 15cm. high £150-250 468. ‘Stag Beetle’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1998, painted in blue on a purple ground impressed and painted marks, no.14, 14.5cm. high £80-120 469. Pelican’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2000, painted in colours on a pale blue ground impressed and painted marks, 27cm. high £200-300 470. ‘Penguins’ a Dennis Chinaworks pot and cover designed by Sally Tuffin, dated 2007, painted with drifting ice flow, the cover applied with three standing penguins modelled by Alan Pepper, impressed and painted marks, numbered 32, 11.5cm. high £150-250

76

470

472

473

474

471

475

476

477

471. ‘Polar Bear’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1998, slip decorated in white on a black ground impressed and painted marks, 16.5cm. high £100-200 472. ‘Buttercup’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2005, painted in colours on a deep blue ground impressed and painted marks, 17cm. high £100-200 473. ‘Aboriginal Kangaroo’ a Dennis China works limited edition vase designed

by Sally Tuffin, dated 2000, on a red-terracotta ground impressed marks, no.14 19cm. high £150-200 474. Llama’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 1998, slip decorated in white and black on a sand ground impressed and painted marks 24cm. high £150-200 475. ‘Dorking Cockerel’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 2005, painted in colours impressed and painted marks, 9/25 25cm. high £150-250

478

476. ‘Bullerswood’ a modern limited edition Dennis Chinaworks vase made for retail at The Victoria & Albert Museum, designed by Sally Tuffin, painted in colours impressed marks, 32/100 35.5cm. high £80-120 Provenance The Albert E Wade Collection 477. ‘Butterfly’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2001, painted in colours on a pale blue ground impressed and painted marks, 32cm. high £250-350 478. ‘Dogwood’ a Dennis Chinaworks limited edition vase, designed by Sally Tuffin, dated 2006, applied with bees, painted in shades of yellow and green printed and painted marks, 10/25 30.5cm. high £300-400 479. ‘Peacock’ a Dennis Chinaworks limited edition Flask vase and cover designed by Sally Tuffin, dated 2007, painted in colours printed and painted marks, 16/40 31cm. high £350-450 479

77

MoorCroft Pottery

483 481

480

482 480. ‘Florian Ware’ a James Macintyre & Co twin-handled vase designed by William Moorcroft, painted with blue flower sprays on a pale blue ground, printed mark, painted green signature 21.5cm. high £550-650 481. ‘Iris’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, painted in shades of blue on a pale blue ground printed mark, painted green signature, minor over painting to foot rim 22cm. high £450-550

485

484

482. ‘Poppy’ a James Macintyre & Co Ltd solifleur vase designed

by William Moorcroft, painted in blue and green on a white ground impressed mark and painted green signature, professional restoration 19cm. high £300-400 483. ‘Alhambra’ a James Macintyre & Co coupe designed by William Moorcroft, painted in shades of red and blue on a salmon pink ground, highlighted in gilt printed mark, 17.5cm. high £400-600 484. ‘Poppy’ a James Macintyre & Co tobacco jar and cover designed by William Moorcroft, painted in blue on a pale blue ground printed mark, painted green signature, chips to threads 10cm. high £400-600

487

485. A rare James Macintyre & Co tobacco jar and cover, designed by William Moorcroft, painted with Art Nouveau floral cartouche in red, purple and green on a pale celadon ground printed mark, painted green monogram, professional restoration to threads 11cm. high £400-600 486. ‘Iris’ a James Macintyre & Co Florian Ware solifleur vase designed by William Moorcroft, painted in shades of pink and green on a salmon pink ground printed mark, painted green monogram 20cm. high £800-1,200

486

487. A James Macintyre & Co jug designed by William Moorcroft, painted with flower stem cartouche in green on a salmon pink ground printed mark, hairline to base 16cmn. high £150-200 488. ‘Peacock Feathers’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, painted in shades of pink and green on a salmon pink ground printed factory mark, 14cm. high £700-900 489. ‘Peacock Feather’ a James Macintyre & Co Florian Ware vase, designed by William Moorcroft, painted in shades of yellow, blue and green on a blue ground printed mark, painted green signature, professional restoration to top rim 25.5cm. high £1,200-1,800

78

488

489

490. ‘Pomegranate’ a Moorcroft Pottery footed bowl, designed by William Moorcroft, retailed by Liberty & Co, painted in colours on a mottled green ground printed Liberty mark, painted green signature, indistinct date 26cm. diam. £1,500-2,000

490

491. ‘Pomegranate’ a Moorcroft Pottery bowl designed by William Moorcroft, possibly retailed by Liberty & Co, painted in colours on a pale celadon ground, painted green signature, impressed 165, underglaze chip to foot rim, 19.5cm. diam. £1,000-1,500

491

492. ‘Poppy’ a Moorcroft Pottery bowl, designed by William Moorcroft, with flouted rim, painted in shades of yellow, blue and green on a celadon ground painted green signature 23cm. diam. £800-1,200

492

493. Green and Gold Florian Ware’ a James Macintyre & Co vase designed by William Moorcroft, painted in green and blue highlighted in gilt painted WM monogram £400-500

494. ‘Revived Cornflower/Chrysanthemum’ a Moorcroft Pottery Tobacco jar and cover, designed by William Moorcroft, painted in shades of green, ochre and red on a mottled green ground painted green monogram, chips to teeth 10cm. high £1,000-1,500

494 493

79

495. ‘Late Florian’ a Moorcroft Pottery vase designed by William Moorcroft, dated 1918, painted in shades of green, yellow and blue impressed mark, painted green signature, minor overpainting to side of vase 12cm. high £700-1,000

496. ‘Green and Gold Florian Ware’ a James Macintyre & Co solifleur vase designed by William Moorcroft, painted in shades of green and blue, highlighted in gilt printed mark, painted green monogram, professionally restored top rim, 22.5cm. high £600-1,000

495

496

497. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase designed

by William Moorcroft, shouldered form, painted in colours under a flambe glaze impressed marks, painted blue signature 20.5cm. high £600-900 497

498 498. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase, designed

by William Moorcroft, ovoid with everted rim, painted in colours painted blue signature 15.5cm. high £300-500

499 499. ‘Flambe Chrysanthemum’ a rare Moorcroft Pottery vase, designed by William Moorcroft, covered in a rich flambe glaze, with gilt metal mounts, mars concealed, lamped 40cm. high £2,000-3,000

500. ‘Flambe Anemone’ a large Moorcroft Pottery vase designed

by Walter Moorcroft, painted in colours under a flambe glaze impressed marks, painted blue signature 32cm. high £3,000-4,000

80

500

501

502

503

504

501. ‘Dawn’ a Moorcroft Pottery bowl and cover, designed by William Moorcroft painted in shades of blue and cream either side of a chevron band painted signature 12.5cm. diam. £600-1,000

502. ‘Dawn’ a Moorcroft Pottery twin-handled bowl, designed by William Moorcroft, below a chevron border, painted in shades of blue, highlighted pink sky, painted blue signature, restored top rim, 28cm. diam. £700-1,000

503. ‘Salt-glaze Honesty’ a Moorcroft Pottery vase, designed by William Moorcroft, glazed in shades of blue on a white ground painted blue signature, restored neck 25cm. high £400-600

505

504. ‘Moonlit Blue’ a Moorcroft Pottery bowl with pewter handles, designed by William Moorcroft, probably retailed by Liberty & Co, painted in shades of blue and green on a blue ground painted green signature 14cm. wide £800-1,200

505. ‘Waving Corn’ a Moorcroft Pottery vase designed by William Moorcroft, flaring cylindrical form on foot, glazed in yellow on a graduated green to blue ground impressed marks, painted signature 22.5cm. high £1,000-1,500

506. ‘Claremont’ a Moorcroft Pottery solifleur vase, designed by William Moorcroft, painted in colours on a blue-green ground impressed marks, painted green signature 26cm. high £1,200-1,800 506

81

507

508

512

513

509

511

510

514

515

516

507. ‘Frilled and Slipper Orchid’ a Moorcroft Pottery vase, originally designed by William Moorcroft, produced for the 100th Anniversary of his birth, painted in colours on a yellow ground printed mark 26.5cm. high £350-450 508. ‘Frilled and Slipper Orchids’ a Moorcroft Pottery lampbase, designed by Walter Moorcroft, painted in colours on a yellow ground impressed marks, paper label 33cm. high £350-450 509. ‘Hibiscus’ a Moorcroft Pottery solifleur vase designed by Walter Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature, restored to neck 26cm. high £150-200 510. ‘Clematis’ a large Moorcroft Pottery vase, designed by Walter Moorcroft, painted in colours on a blue ground impressed marks, painted signature 31cm. high £400-600 511. ‘Frilled Orchids’ a Moorcroft Pottery vase, originally designed by William Moorcroft , painted in colours on a blue ground impressed marks, painted blue signature 18cm. high £300-400 517

512. ‘Anemone’ a Moorcroft Pottery vase designed by Walter Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature, restored foot rim, 31cm. high £500-800 513. ‘Clematis’ a Moorcroft Pottery vase designed by Walter Moorcroft, painted in colours on a graduated green to blue ground impressed marks, painted blue monogram 13.5cm. high £50-100 514. ‘Cornflower’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, green and blue on a blue ground painted blue signature 15cm. high £350-450 515. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours under a rich flambe glaze painted blue signature 18.5cm. high £600-900 516. ‘Leaf and Berry’ a tall Moorcroft Pottery vase, designed by William Moorcroft, painted in colours on a graduated green to blue ground impressed marks and painted blue signature 32cm. high £800-1,200 517. ‘Leaf and Berry’ a large Moorcroft Pottery twin-handled vase, designed by William Moorcroft, painted in colours on a graduated green to blue ground painted blue signature, professional restoration to top rim 23cm. high £800-1,200

82

518

518. ‘Banded Pomegranate’ a tall Moorcroft Pottery vase, designed by William Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature, professional restoration to top rim 31cm. high £600-800

519

520 521

519. ‘Lions’ a Moorcroft Pottery limited edition ginger jar and cover designed by Sian Leeper, dated 1999, painted in colours, impressed and painted marks, 16cm. high £150-200

520. ‘Puffins’ a Moorcroft Pottery vase designed by Carol Lovatt, painted in colours, impressed and painted marks 24cm. high £300-400

522

521. ‘Blue Oberon’ a modern Moorcroft Pottery trial vase designed by Rachel Bishop, dated 1998, baluster form, painted in shades of blue on a pale blue ground painted marks, 43cm. high £700-1,000

522. ‘King Protea’ a Moorcroft Pottery limited edition vase designed by Emma Bossons, painted in colours, painted signature 39/100 39cm. high £1,000-2,000

523. ‘After The Storm’ a large limited edition Moorcroft Pottery vase designed by Walter Moorcroft, dated 1999, painted in colours, painted blue signature, 53cm. high £800-1,200 523

83

troika Pottery

524

525

524. A Troika Pottery Wheel vase by Penny Black, modelled in low relief with a stylised building inside a four-leaf clover, painted in shades of blue, green and brown on an ochre ground painted marks, 20cm. high £150-200

525. A Troika Pottery Double Base lamp base by Alison Brigden, modelled in low relief with geometric panels, in blue, green and brown on an ochre ground painted marks, 36cm. high £300-400

526

526. A Troika Pottery Wheel vase by Avril Bennett, modelled in low relief with geometric panels, glazed ochre and blue painted Troika Cornwall and monogram 16cm. high £200-300

527

527. A Troika Pottery Wheel vase by Avril Bennett, cast in low relief with geometric motif, glazed ochre and blue painted Troika Cornwall and monogram 16cm. high £200-300

528. A Troika Pottery Chimney vase by Avril Bennet, cast in low relief with geometric design in shades of blue, ochre and green on a white ground painted marks 20cm. high £200-400

528

84

Literature Ben Harris & Lawrence Illsley Troika 63-83 page 110 plate 16 for two comparable vases

529. A Troika Pottery Celtic Cross vase by Simone Kilburn, modelled in low relief and glazed blue painted Troika and monogram 26cm. high £250-300

529

530. A Troika Pottery Celtic Cross vase by Simone Kilburn, modelled in low relief and glazed ochre and green painted Troika and monogram 26cm. high £250-300

530

531. A Troika Pottery Anvil vase by Teo Bernatowitz, modelled in low relief and glazed in ochre, brown and blue painted marks, 21.5cm. high £300-500 Provenance 20trh Century Decorative Arts, 29th May 1998, Christie’s South Kensington, lot 488 Private collection

531

532. A Troika Pottery Aztec mask, modelled in low relief and painted in shades of brown, green and ochre painted Troika and blurred monogram 35cm. high £500-800 Literature Ben Harris & Lawrence Illsley Troika 63-83 page 97 plate 1 for two comparable masks

532

85

533

534

535 536 533. A Troika Pottery Wheel vase by Louise Jinks, modelled in low relief and glazed in blue and green, and a Troika Pottery Spice jar painted marks 12cm. high £150-200 534. A Troika Pottery smooth footed cube vase, stencil decorated with a blue roundel on white ground, and a Troika Pottery Coffin vase painted marks, 11cm. high £100-200

537

538

535. A Troika Pottery Marmalade pot by Louise Jinks, modelled in low relief and glazed in shades of blue and brown, and another Troika Marmalade pot painted marks 9cm., high £100-200 536. A Troika Pottery Rectangle vase by Simone Kilburn, modelled in low relief with figures and masks, in brown on a blue ground painted marks 22cm. high £80-120 537. A Troika Pottery footed Cube vase by Alison Brigden, modelled in low relief with geometric panels, in shades of brown, blue and green painted marks 17.5cm. high £100-200

539 540

538. A Troika Pottery Coffin vase by Sue Lowe, modelled in low relief and glazed in shades of brown and blue painted marks 17.5cm. high £80-120 539. A Troika Pottery Cube vase by Linda Hazel, modelled in low relief with a mask and geometric design, in brown and blue on a ochre ground painted marks, 14.5cm. high £100-200 540. A Troika Pottery Wheel lamp base, by Annette Walters modelled in low relief with geometric panels, in shades of ochre and brown on a green-blue ground painted marks 27.5cm. high £150-200 541. A Troika Pottery smooth Cylinder vase, painted with a band of keyhole motif in ochre and black between blue bands, and another Troika smooth Cylinder vase painted marks, 36.5cm. high £150-250

541

542

542. A Troika Pottery Urn vase, painted with a keyhole frieze in brown on a blue ground painted Troika St Ives to base 26cm. high £100-200 543. A Troika Pottery Cylinder vase, stencil decorated with circle panels, in ochre and blue, and another Troika Pottery Cylinder vase painted marks 19cm. high £100-200

86

543

544

544. A Troika Pottery Slab vase by Anne Lewis, decorated with a wheel motif, in blue and black, and two Troika Pottery Pencil Jars painted marks, hairline to one pencil jar 11.5cm. high £100-200

547

546 545 545. A Troika Pottery Cube lamp base by Louise Jinks, modelled in low relief with geometric panels to two sides, in shades of green, ochre and brown on a blue ground painted marks, 16cm. high £80-120 Provenance 20th Century Decorative Arts, 14th September 1996, Christie’s South Kensington, lot 1374 Private Collection 548 546. A Troika Pottery Wheel vase, by Louise Jinks, modelled in low relief with an abstract mask design, in ochre, brown and blue, and two other Troika Pottery Wheel vases painted marks, hairline to rim of one, 12cm. high £100-200

547. A Troika Pottery wheel vase by Honor Curtis, modelled in low relief and painted with stylised figures and owls in a landscape, in the manner of Paul Klee, in shades of green, blue and brown painted marks, hairline to top rim 20cm. high £100-200 549 548. A Troika Pottery slab vase by Sylvia Valence, modelled in low relief with a key pad design, glazed in ochre, blue and bronze painted Troika St Ives England and monogram 17cm. high £200-300

549. A Troika Pottery Chimney vase by Honor Curtis, cast in low relief with a archway motif, stamped with Troika backstamps, glazed ochre, brown and blue, with white highlights painted Troika St Ives England and monogram 20cm. high £250-300 550 550. A Troika Pottery Slab vase by Louise Jinks, cast in low relief with a female torso in a panel, the reverse a river, in blue and brown on an ochre ground painted marks 17.5cm. high £100-200

551. A Troika Pottery Rectangular vase by Alison Brigden, modelled in low relief with geometric panels, in blue painted marks, hairline to top rim 21cm. high £100-200

552. A Troika Pottery Rectangular vase by Shirley Wharf, modelled in low relief and incised with geometric panels, in shades of blue, green and brown on an ochre ground painted marks, small chip to rim, 32cm. high £100-200 551

552

87

stuDio Pottery 553. Reginald Wells (1877-1951) A Coldrum Pottery vase, ovoid covered in a mottled and speckled green glaze, and a Ravenscourt vase by Dora Lunn impressed marks, Coldrum 14cm. high £80-120

553

554

554. Nora Billington (1890-1968) a stoneware vase, dated 1921, shouldered form with everted rim, covered in a streaked brown glaze incised marks, 27cm. high £150-200

555. Bernard Leach (1887-1979) a Leach Pottery stoneware vase, ovoid form, glazed with mottled ash glaze decorated with painted chevron repeat impressed seal marks, 9cm. high £200-300

556. David Leach (1911-2005) a Lowerdown Pottery vase, square section, painted with flower stem in red, blue and brown on a celadon ground impressed seal marks, 21cm. high £100-200

555 556

557. David Leach (1911-2005) a Lowerdown Pottery vase, painted with a willow tree in brown on a green ground impressed DL mark 22cm. high £300-500

558 558. David Leach (1911-2005) a Lowerdown Pottery cut-sided porcelain bowl, covered in a rich reduced copper glaze, and another stoneware bowl by David Leach covered in a celadon glaze impressed DL mark 11.5cm. diam. £150-250 Literature Kathy Niblett David Leach Richard Dennis Publications, page 94, plate 69 for a comparable piece.

557

559

88

559. David Leach (1911-2005) a Lowerdown Pottery teapot and cover and cover, painted with a Foxglove design in red iron enamel and brown on a speckled buff ground, and a Lowerdown Pottery tea canister by David Leach impressed Lowerdown mark, painted DL mark 11cm. high £300-500

560

561

563 562

567 564

565

560. David Leach (1911-2005) a large Lowerdown Pottery bowl, glazed to the interior with tin-glaze impressed seal mark, 35cm. diam. £200-300

566

561. David Leach (1911-2005) a cut-sided stoneware teapot and cover, covered with a celadon glaze, applied bamboo handle impressed Lowerdown seal mark 19cm. high (total) £50-150 Provenance Marianne de Trey 562. David Leach (1911-2005) a Lowerdown Pottery cut-sided porcelain vase, covered in a celadon glaze impressed DL seal 13cm. high £150-250

568

563. David Leach (1911-2005) a Lowerdown Pottery vase, compressed ovoid form, resist decorated with foxglove motif, in tenmoku, impressed seal mark, 22cm. high £300-500 564. Trevor Corser (born 1938) a Leach Pottery tall, cut-sided stoneware jug, covered to the foot in an ash glaze impressed seal marks, 26.5cm. high £80-120 565. Jim Malone (born 1946) a stoneware teapot and cover, incised with chevron motif, under an ash glaze, with bamboo handle impressed seal mark 19cm. high £80-120 566. Poh Chap Yeap (born 1927) a stoneware plate, rich tenmoku ground painted with simple blue brush design painted Yeap 24cm. diam. £100-200

569

570

567. John Leach (born 1939) a Muchelney Pottery vase, the pinched vase with black smoked glaze impressed seal marks 15.5cm. high £100-200 568. Jim Malone (born 1946) a stoneware charger, incised to the rim with simple motif, under a rich tenmoku glaze impressed seal mark 34.5cm. diam. £80-120 569. Jim Malone (born 1946) a tall stoneware bottle vase, incised with willow tree design under a running ochre glaze impressed seal mark, paper exhibition label 38cm. high £100-200

571

570. Hassan Lapai an Abuja Pottery jar and screw cover, glazed to the foot in ash with a simple painted foliate design in blue impressed seal mark, cover cracked 15cm. high £50-100 571. Michael Cardew (1901-1983) a Wenford Bridge bowl, painted with abstract brush design on a celadon ground, and another smaller impressed seal marks, 24cm. diam. £300-500

89

572. Thomas ‘Sam’ Haile (1909-1948) Life Study, charcoal on paper, unsigned, image 38 x 21cm. £80-120 Provenance Sam Haile, Marianne Haile (Marianne de Trey) - sold with a letter of authentication by Sam Haile’s daughter.

573. Thomas ‘Sam’ Haile (1909-1948) The children which has turned to cheese, 1943, pen and ink on paper, framed signed and dated image 23 x 13cm. £100-200 572

Provenance Sam Haile, Marianne Haile (Marianne de Trey)

573

574. John Maltby (born 1936) a stoneware box and cover, painted with flowerhead incised Maltby 1973, 6.5cm. high pen and ink on paper, framed signed, titled and dated in ink, paper exhibition label, image 16 x 13cm. £60-120 Provenance Marianne Haile (Marianne de Trey)

574

575

575. Richard Batterham (born 1936) a stoneware fluted bowl, covered to the foot with a celadon glaze, a miniature Leach Pottery bowl, a Colin Kellam footed bowl and a small collection of ceramics various marks, Batterham bowl 11cm. diam. £80-120 Provenance Sam and Marianne Haile (Marianne de Trey) 576. Reginald Wells (1877-1951) a Coldrum Pottery vase, inverted rim, covered in a running strawberry glaze impressed Coldrum Chelsea mark, small chip to top rim 15cm. wide, 9cm. high £50-100 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

576 577

577. A 19th Century Dutch Delft charger, painted with a vase to the well, the rim with swag border, a tin-glazed tile decorated with a windmill, another with a shepherdess and four other tiles, chips and damages 35cm. diam. £50-150 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

578

578. Thomas ‘Sam’ Haile (1909-1948) a small terracotta vase, covered to the foot with a silver-grey glaze, painted in blue with abstract repeat, an egg cup sgraffito decorated with a Minotaur repeat by Sam Haile and a small plate by the same artist painted monogram and SB5 £80-120 Provenance Sam Haile, Marianne Haile (Marianne de Trey) 579. Thomas ‘Sam’ Haile (1909-1948) a surrealist sculpture, modelled as four figures eating and drinking around a table, inside the neck of a larger figure unsigned 21.5cm. wide £50-100 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

90

579

580. Thomas ‘Sam’ Haile (1909-1948) Spinster’s Rock, a slip ware charger, impressed seal marks, exhibition label no.9, repaired 39cm. diam. £300-400 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

580

581. Thomas ‘Sam’ Haile (1909-1948) a stoneware plate, the well painted with simple brush stroke motif, in ochre on a silver-grey ground incised SH monogram and A/B 24.5cm. diam. £100-200 Provenance Sam Haile, Marianne Haile (Marianne de Trey) 581

582. Thomas ‘Sam’ Haile (1909-1948) Snowdon Landscape, watercolour on paper, 1937, framed signed and dated in pen, later title to mount image 59 x 49cm. £200-400 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

582

583. Thomas ‘Sam’ Haile (1909-1948) French Alps (untitled), watercolour on paper, 1938, framed signed and dated in pen, image 59 x 49cm. £200-400 Provenance Sam Haile, Marianne Haile (Marianne de Trey) 583

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584. Thomas ‘Sam’ Haile (1909-1948) Leda, 1939, pen, ink and wash on paper, framed signed and dated, image 41 x 33cm. £200-400 Provenance Sam Haile, Marianne Haile (Marianne de Trey) 585. Thomas ‘Sam’ Haile (1909-1948) Portrait of a Collarmaker, 1938, pen and ink on paper, framed, signed, dated and titled, image 15 x 12.5cm. £100-200

584

585

Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 23.

Provenance Sam Haile, Marianne Haile (Marianne de Trey) 586. Thomas ‘Sam’ Haile (1909-1948) Six Figurines, 1943, pen, wash and ink on paper, framed dated 43, applied label 41 to reverse, image 42 x 36cm. £100-200

586

587

Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 51.

Sam Haile Birch and Conran, London 1987, catalogue number 41.

Provenance Sam Haile, Marianne Haile (Marianne de Trey) 587. Thomas ‘Sam’ Haile (1909-1948) Three Sleepers, 1938, pen and ink on paper, framed signed, dated and titled 25.5 x 19cm. £100-200

588

589

Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 17.

Provenance Sam Haile, Marianne Haile (Marianne de Trey) 588. Thomas ‘Sam’ Haile (1909-1948) Floating Objects, 1939, pen and ink on paper, framed signed, titled and dated in ink, paper exhibition label, image 16 x 13cm. £100-200 Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 32.

590

Provenance Sam Haile, Marianne Haile (Marianne de Trey) 589. Thomas ‘Sam ‘ Haile (1909-1948) Figures Studies, 1943, pen and ink on paper, framed dated image 53 x 37cm. £100-200 Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 50.

Provenance Sam Haile, Marianne Haile (Marianne de Trey)

92

591

590. Thomas ‘Sam’ Haile (1909-1948) Three Suspended Ones, pen and ink on paper, framed unsigned, paper exhibition label, image 16 x 13cm. £100-200 Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 66. The catalogue entry mentions additional images to the reverse of the sheet.

Provenance Sam Haile, Marianne Haile (Marianne de Trey)

591. Thomas ‘Sam’ Haile (1909-1948) O Grande Fragilite du Sexe Feminin, 1939, pen and ink on paper, framed signed, dated and titled in ink, exhibition label to reverse image 20 x 9.5cm. £100-200 Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967-1968, catalogue number 30.

592

Provenance Sam Haile, Marianne Haile (Marianne de Trey)

592. Thomas ‘Sam’ Haile (1909-1948) Saloon Bar, a wood engraving on paper, dated 1931, two other identical prints unsigned, and Saturday Night, 1929, another print by Sam Haile, main print signed Haile, 31 numbered 7/50 in pencil, image 15 x 10.5cm. £200-300 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

593

593. Thomas ‘Sam’ Haile (1909-1948) The Bad Tooth, an etching on paper, dated 1931, signed Haile, 31 and numbered 7/50 in pencil image 15 x 12.5cm. £80-120 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

594. Thomas ‘Sam’ Haile (1909-1948) The Saloon Bar an engraving on paper, dated 1931, signed Haile, dated 31 and numbered 6/50 in pencil, image 15.5 x 10.5cm. £50-100 Provenance Sam Haile, Marianne Haile (Marianne de Trey)

594

595. Thomas ‘Sam’ Haile (1909-1948) Maida Vale, 1932, a wood engraving on paper, in original paper sleeve, unsigned image 13 x 10.5cm. £50-100 Literature Sam Haile Potter and Painter Paul Rice Marianne Hale, Victor Margrie and Eugene Dana, Bellew, page 15 for this image illustrated and dated 1932 Provenance Sam Haile, Marianne Haile (Marianne de Trey) 595

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596. William Staite Murray (1881-1962) Humoreske a rare stoneware vase, glazed in bands of brown and silver grey impressed seam mark, incised marks, original paper label 26cm. high £300-500

597. William ‘Bill’ Marshall (1923-2007) a stoneware bottle vase, shouldered slab form, combed tenmoku grass design under mottled green glaze impressed seal mark, paper exhibition label 32.5cm. high £300-500

598. William ‘Bill’ Marshall (1923-2007) a Leach Pottery porcelain jar and cover, cylindrical form, the cover with impressed flowerhead motif, covered in a hakeme glaze impressed seal marks, paper exhibition label 14.5cm. high £150-200

597 596

599. William ‘Bill’ Marshall (1923-2007) a stoneware unomi, hakeme glazed to the foot and painted with simple flower stem motif in iron impressed seal mark, 11cm. high £100-200

600. Abuja Pottery a teapot and cover, with incised decoration glazed in blue over rust and tenmoku, a small tureen and cover, a large tureen and a collection of Abuja Pottery various marks teapot 13cm. high £100-200

599

598

601. Mary Rich (born 1940) a porcelain vase, shouldered form with everted rim, glazed with purple bands under applied gilt decoration, and a box and cover by Mary Rich impressed seal mark, 12cm. high £100-150

600

602. Edgar Campden an Aldermaston Pottery vase, painted with abstract design in mustard and ochre on a tin-glaze ground painted AC monogram 18cm. high £80-120

603. Alan Caiger-Smith (born 1930) an Aldermaston Pottery bowl, flaring footed form painted with geometric design in yellow and ochre on a tin-glaze , a jug and two goblets painted marks, hairline crack to bowl 35cm. diam. £100-200

602

601

604. Alan Caiger-Smith (born 1930) an Aldermaston Pottery vase, decorated in ruby and copper lustre on a tin-glaze painted monogram 27cm. high £150-200 603 604

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Provenance Amalgam Gallery, Barnes circa 1994-1995

605. John Maltby (born 1936) a stoneware cup form, painted with a cup form, painted Maltby signature 10.5cm high £250-350

605

606. John Maltby (born 1936) a stoneware plate, painted with fish above waterweed in colours signed Maltby 20.5cm. diam. £200-300

606

607‡. John Ward (born 1938) a stoneware vase, shouldered form, covered in a black and brown glaze impressed seal mark 29cm. high £700-900 607

608‡. Kate Malone (born 1959) a Garlic Bud vase, 2002, stoneware, covered in a sandy coloured crystalline glaze, incised signature 20cm. high £700-900 608

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609. Rodney Lawrence The Visit a stoneware vase, 1989 impressed seal marks, 28.5cm. high £150-250 Provenance Courcoux & Courcoux 610

609

610. Rodney Lawrence ‘Theatre Box’ 1989, a stoneware plate and a jug by Paul Jackson, impressed seal marks, 22cm. diam. £50-120 Provenance Courcoux & Courcoux

612

611. Tessa Fuchs (1936-2012) Sailing boat at Sea, an earthenware sculpture, impressed seal mark, chip to mast top 43cm. high £60-100

611

612. Tessa Fuchs (1936-2012) a pair of earthenware busts, impressed seal marks, repaired damages tallest 43cm. high £80-120

613

613. Janice Tchalenko (born 1942) a pottery deep-sided bowl, covered with a running blue and green glaze, a David Garland jug painted with figures, an Aldermaston Pottery bowl, an Eeles Pottery bowl, and an Ian Pirie plate various marks, bowl 24cm. diam. £100-200

614. Eric James Melon (born 1925) Lovers and Woman/Mermaid two plaques, painted in colours, signed and titled to the rim, 19.5 x 10cm. £100-200

615 614

615. Gordon Cooke (born 1949) a porcelain bottle form, resist decorated in colours impressed seal mark 20.5cm. high £50-100

616. Janice Tchalenko (born 1942) a stoneware bowl, glazed in colours, a Jack Doherty Unomi and a collection of studio pottery various marks, bowl 21cm. diam. £200-400

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616

617

617‡. Lucie Rie (1902-1995) a fine, early earthenware bowl, circa 1950, elliptical, footed form with internal tin-glaze decorated with yellow band and painted iron oxide sgraffito lines impressed seal mark £2,000-4,000 Literature Lucie Rie John Houston and David Cripps, Crafts Council, page 34 plate 3 for a comparable footed bowl form dated 1946-47.

Lucie Rie, Tony Birks, Alphabooks, page 88 for a comparable footed bowl Provenance Tom Lupton, Royal College of Art (1964-65 and 1969-70) Thence by Descent

618‡. Lucie Rie (1902-1995) a stoneware teapot and cover, with applied bamboo handle, covered in a pale grey glaze, the cover with bronzed rim, impressed seal mark, teapot 11.5cm. high £700-1,000

618

619‡. Lucie Rie (1902-1995) a stoneware salad bowl, covered to the interior and exterior with a black glaze impressed seal mark, 12.5cm. high, 24cm wide. £1,000-2,000 619

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Metal Ware 620. ‘Lady with a Cane’ a patinated bronze figure cast from a model attributed to Fernand Clostre, signed in the bronze Clostre 30cm. high £100-200

621‡. Sir Eduardo Paolozzi RA (1924-2005) Richard Rogers (unsmiling) a plaster bust, signed EP 21cm. high £350-450 Provenance Given to the present vendor by the artist

620

622‡. Sir Eduardo Paolozzi RA (1924-2005) Head of a Man, a plaster sculpture painted yellow, signed to reverse 22cm. high £200-300 Provenance Given to the present vendor by the artist

621 622 623‡. Sir Eduardo Paolozzi RA (1924-2005) Horse, a verdi-gris bronze finish sculpture unsigned 22cm. high £1,000-2,000 Provenance Given to the present vendor by the artist

624

523

624. Sir Eduardo Paolozzi RA (1924-2005) a print, dated 1993, mounted on card, signed and dated in pencil 33 x 23.5cm. £80-120 Provenance Given to the present vendor by the artist

625. A Design Simon, Danish rosewood sculpture modelled as two embracing figures, and a wooden bust of a woman stamped mark, 43cm. high £80-120 625

626. ‘Phoenix’ a verdi gris patinated bronze figure, by Mosheh Oved, modelled looking at its reflection, 22cm, high £300-500 Mosheh Oved (alias Edward Good) founded Cameo Corner which was to become the principle centre for the sale of jewellery in London in the first half of the 20th Century. Located at 1 New Oxford Street, moving to Museum Street after the war, it close to the British Museum and also the busy shopping streets of London. Oved was a trained watch maker who had emigrated from Poland, he later cofounded the Jewish Museum in London (the Ben Uri Museum).

626

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627

628

629

630

627. An Arts and Crafts Burr Maple mounted mazer bowl, the foot with simple raised beadwork borders unsigned 12cm. diam. £80-120

628. A Birmingham Guild of Handicraft copper tray, elliptical form with applied, turned brass handles, stamped BGH 53cm. wide £200-300

631

629. A pair of Connell pewter mounted wood candlesticks, the twisted wooden stem with hammered pewter foot and sconce, stamped marks, 23cm. high £100-200

630. An electroplated glass claret jug the design attributed to Dr Christopher Dresser, with ebonised wood bar handle, the collar with hinged cover unmarked 25.5cm. high £300-400

632

631. A Liberty English Pewter jar and cover, cylindrical form the cover set with round enamelled panel of a young girl herding ducks, stamped marks, 13cm. high £150-200

632. A Kayserzinn pewter inkwell and cover designed by Hugo Leven, cast in low relief with foliage, the cover modelled as a frog, stamped mark 21.5cm. wide £300-500

633. A Wiener Werkstatte silver mirror designed by Josef Hoffman, elliptical hammered frame, stamped WW mark, rose mark and JH mark 45cm. high £1,200-1,800

633

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634. An Art Nouveau hammered brass ceiling light, with three purple bell shades with applied tear drops, unsigned 32cm. wide £400-600

635. A Glasgow School brass mirror, rectangular, stamped in low relief with butterflies flying before scrolling foliage, unsigned 57 x 45cm. £300-400

634

635

Literature Laura Euler The Glasgow Style, Schiffer, preface page for this design illustrated

636. An electroplate metal chamberstick, the cast fleur de lys body on three dragon feet, the top set with amethyst stones unsigned 19cm. diam. £100-200

636

637

637. An Aesthetic Movement silvered metal table gong, probably American, decorated with three frogs in a boat, one rowing whilst two play music unsigned 21cm. high £80-120 638

639

638. A Kayserzinn pewter footed dish, model no.4362, cast in low relief, cast mark 24cm. wide £50-100

639. An Arts and Crafts style copper box with enamelled panel, the hinged cover set with enamelled panel under Art Nouveau berried foliage spray stamped marks to base 17cm. wide £150-250

640. A Walker & Hall electroplated table mirror, easel back, cast in relief with a maiden picking flowers, the mirror flanked with tall flower stems and whiplash foliage stamped marks, 49cm. high £200-400

100

640

641

642

645

646

643

647

644

648

641. An Art Nouveau pewter brooch, pierced and cast with two dragonfly flanking an Art Nouveau maiden unsigned 9cm. wide £100-150 642. A set of six Art Nouveau silver buttons, by W H W, each round, cast and pierced with an Art Nouveau maiden inside flowers and foliage, in fitted case, and four silver buttons, each cast as a rotund face stamped marks Birmingham 1902, 2.5cm. diam. £100-120 643. A Charles Horner silver and enamel pendant necklace, the shield shaped panel enamelled with roses, set with mother of pearl stone, stamped Chester marks 1918, 4cm long £100-200 649 644. A moonstone set yellow metal stick-pin, in Goldsmiths and Silversmiths fitted box, the circular moonstone panel carved with a smiling face 5.5cm. high £200-300 645. A Dunhill lighter and paperknife, with reeded handle/body, and a Ronson Crown tablelighter stamped marks 20.5cm. long £80-120 646. A pair of Tiffany silver servers, each inscribed MRF stamped marks, 29cm. long

£150-200

647. A Viner’s Studio stainless steel set of cutlery designed by Gerald Benney, cast handles, comprising two serving spoons, six knives, forks and spoons, six fish knives and forks, six, soup spoons, dessert forks, six cake forks, butter knives and teaspoons, stamped marks, £80-120 Literature Graham Hughes Gerald Benney Goldsmith, Starcity, page 157 for a comparable example

650

648. A Nils From, Copenhagen silver ring, modernist form set with lapis stone and two others similar with green chrysoprase stamped From 925S £150-200 649. A G. Dahlgren & Co, Malmo, Sweden silver bracelet hammered finish, stamped G D & Co 7cm. wide £80-120 650. A Nils From, Copenhagen torque necklace with hanging pendant, the pendant cast square design stamped marks 4.5cm. high £80-120 651. A Randers Solvvarefabrik, wirework necklace, with circular pendant, set with three green stones stamped marks pendant 6.5cm. high £80-120 651

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652

653

652. A Pilot Little Maestro bakelite radio, and a KB Transistor Super 8 radio cast marks 29cm. wide £50-100 Provenance The Albert E Wade Collection 654

653. A modern Parker Duofold fountain pen, purple marbled finish, a Parker 61, a Pelikan fountain pen, a Waterman pencil and three other pens £80-120

655

656

654. A Troika pair of novelty pewter hip flasks modelled as a cricket bat and a cricket ball, stamped marks, bat 21cm. high £80-120

655. A Guild of Handicraft silver porringer, after a design by Charles Robert Ashbee, the hammered bowl with wirework handle, stamped marks GofH London 1925, Hart & Huyshe, Campden 17cm. wide £1,200-1,500

656. A Dunhill Aquarium desk lighter, circa 1950, shaped rectangular section, the lucite panels intaglio decorated with a tropical fish amongst waterweed and rocks to either side, cast marks, plated metal mounts, Dunhill, registration number 737416, 10cm. wide £500-800

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An Exhibition of Art Deco Limoges enamel jewellery

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

VIEWING Saturday 23rd February Monday 25th February Tuesday 26th February Wednesday 27th February

10.00-1.00pm 10.00-4.30pm 10.00-4.30pm 9.00-10.30am

Arts and Crafts Wednesday 19th June 2013 Closing date for entries 3rd April

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

A fine Martin Brothers stoneware Aquatic vase, dated 1898.

From a private collection of Martin Ware.

Estimate: £4,000 – £6,000

Paintings Wednesday 13th March 2013

Martin Lewis (American 1881-1962) Chance Meeting Signed Drypoint 26.75 x 19cm (plate size) Estimate: £3,000 – £5,000 One of two prints by this artist from a collection of American prints in this sale

ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

Clocks, Pocket Watches & Scientific Instruments Tuesday 26th March 2013

An 18th century Dutch walnut and marquetry longcase clock, by Lourens Duchesne, Amsterdam, 103in (261.5cm) high.

Estimate: £3,000 – £4,000

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

Jewellery Thursday 18th April 2013 Closing date for entries Monday 25th February

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 marinellewhiting@woolleyandwallis.co.uk

An Art Deco diamond brooch incorporating a large carved emerald.

Estimate: £5,000 – £6,000

English and European Ceramics and Glass Tuesday 30th April 2013 Closing date for entries Friday 15th March ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

A large and rare English delftware monteith, c.1680-90.

Sold for ÂŁ17,600

Asian Art Wednesday 22nd and Thursday 23rd May 2013 We are currently accepting entries for this sale

A rare Chinese blue and white bowl, early Ming Dynasty, six character Xuande mark and of the period 1426-35, 29cm dia.

Exhibited: Mittens Rike, Boras Art Museum, Boras, Sweden, 1985, cat. no. 202.

Estimate: £100,000 – £150,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

Woo l le y & Wa l li s Absentee Bid Form Clarice Cliff, Art Deco & 20th Century Design

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Wednesday 27th February 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

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Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AuCtion CAlenDAr 20TH CENTURY DESIGN 19th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS & BOOKS 13th March 5th June Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 26th March 2nd July Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 16th & 17th April 16th & 17th July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 18th April 25th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk ASIAN ART 22nd & 23rd May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 24th July Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price +44 (0) 1722 339752 • richardprice@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk