Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Jewellery

Thursday 27th October 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

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424500

424599

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JEWELLERY & WATCHES

Thursday 27th October at 11.00am VIEWING TIMES Saturday 22nd October 2016 Monday 24th October 2016 Tuesday 25th October 2016 Wednesday 26th October 2016 Thursday 27th October 2016

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Hannah Galbraith 01722 424586 hg@woolleyandwallis.co.uk

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 26th October.

LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 1861 Back cover: Lot 1860 Inside cover: Lot 1839 Catalogue £10.00 (£13.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 26th October.

Please note there is a 3% +VAT surcharge for using this service.

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1770 detail

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot.

These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life-sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Saturday collections by appointment. 10.00am to 1.00pm

Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1501

1500

1502

1503

1504

1500. A Georg Jensen silver bracelet, designed as lozenge-shaped and oval-shaped links. Signed Georg Jensen and numbered 106. With a Georg Jensen heart-shaped silver bird brooch numbered 239 and a matching pair of earrings numbered 103. A silver deer brooch numbered 311, two pairs of Georg Jensen cufflinks, both numbered 50 and a Georg Jensen tie pin, numbered 79. £500-700 1501. A 9ct gold triple sovereign case, engraved with initials to the hinged cover and with engine-turned decoration to the front and back.

London marks for 2009 and maker’s mark ‘D& F LD’. With a 9ct gold tapering curb link chain with swivel clips and T bar. 107.4g total, the sovereign case 7.2cm wide and the chain 36.5cm long. £1,000-2,000 1502. A 9ct gold fancy-link bracelet, 21.8g, 19.5cm.

1505

£200-300

1503. A circular gold locket pendant, set to the centre with an old circular-cut diamonds on a fine-link gold chain. With an Edwardian turquoise and seed pearl set gold starburst brooch. £400-600 1504. A gold charm bracelet, with assorted gem set gold charms.

41.6g in total. £200-300 1505. A Victorian gold bracelet, designed with rectangular and square links with filigree decoration. With a separate 9ct gold heart shaped clasp. £100-200

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1507 1506 1508

1509

1511

1506. A sapphire solitaire ring, the oval-shaped sapphire is set in platinum and yellow gold. Size Q½. £400-600 1507. A gold curb link bracelet suspending ten charms, including a seal-mounted gold locket, an inscribed gold heart, a gold book locket and various gold coins. 64g. £800-1,200

1510

1508. A 19th century stirrup-form gold fob seal, with bifurcated serpent-form mount and with a blank £300-400 carnelian matrix. 15.2g, 3.5cm wide.

1509. A Regency gold fob seal, with two-colour gold foliate decoration, the carnelian matrix engraved ‘Elizabeth’. With a Regency gold seal ring, with rubbed initials and foliate decoration overall. Size J½. £80-120 1510. A gold curb-link bracelet mounted with four gold-cased fob seals. £300-400 1511. A 19th century gold spinning fob seal, the chalcedony matrix engraved to one side with the head of Julius Caesar and to the other side with a crest.

4.5cm high. £200-300

1512

1512. A bi-colour gold collar necklace, of woven design. With matching bombé-shaped bi-colour gold earrings. 95g. £1,400-1,800 1513. A diamond solitaire pendant by Tiffany & Co, the circular-cut diamond weighs 0.32ct and is set on a fine-link platinum neck chain. Case by Tiffany & Co. £400-600 Accompanied by diamond certificate number 23072939/ I03031308 from Tiffany & Co. stating that the round brilliant-cut diamond weighs 0.32cts with G colour and VS1 clarity, and no fluorescence. With warranty from Tiffany & Co., Hong Kong.

1514. A ruby and diamond cluster ring, the two stylised flower heads opposingly-set with rubies and diamonds in textured platinum and gold striped shank.

Size N. £500-600 1515. An opal and diamond three stone ring, the solid white opal is set with a circular-cut diamond to each side £200-300 in platinum and yellow gold. Size K.

1514 1513

1515

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1521

1518

1516

1520

1519 1517

1522

1523

1516. A 19th century carved coral intaglio mounted gold ring, the intaglio depicting the head of a bearded man. Pierced foliate shoulders. Size M. An unusual gunmetal colour ring mounted with a small gold disc, size M. A George III gold ring, set with three coral and two turquoise cabochons to the closed-back mount. Size K. And a carved agate oval-shaped intaglio mounted gold ring, depicting the profile of a woman in the Classical manner. Size N½. £200-300 1517. A zircon and diamond cluster ring, the cushion-shaped zircon is set within circularcut diamond shoulders in platinum. Size O½. A large emerald-cut amethyst ring, size Q½. An oval-shaped citrine ring, size K. An emerald-cut synthetic corundum ring. Size O½. £200-300 1518. A diamond-set gold gypsy ring, size H½. And another diamond solitaire ring, size G½. £200-300

1524

1519. A lady’s early 20th century diamond wristwatch, the cushion-shaped dial with Arabic numerals is set within a surround of circular-cut diamonds and with diamond-set lugs (one missing). Manual movement and white gold mesh band. With carved insignia to reverse for The Royal Artillery. £200-300 1520. A lady’s diamond-set gold wristwatch, the circular dial with Arabic numerals and diamond bezel. The band partially formed from diamond-set ciphers on a further elasticated gold band. Manual winding. Fitted case. £100-200 1521. A lady’s Art Deco diamond-set cocktail wristwatch, the rectangular silver dial with black Arabic numerals, diamond-set bezel and fancy-link diamond bracelet in platinum. 17.2cm long. £300-400

1525

1522. A gentleman’s gold wristwatch by Verbena, the signed dial with applied gold baton numerals. With push button chronograph activation and further button for stop and return.

Subsidiary seconds dial and 45 seconds recording dial. Leather band. £400-600 1523. A gentleman’s stainless steel British military Omega RAF pilots wristwatch, model ‘49’. The plain matte black dial with luminous Arabic numerals and markers, military “fat” arrow.

Manual movement. The case back marked Y 249 and 10664448, the explanding steel band marked 860662. The case 3.5cm wide excluding winder. £500-700 1524. An 18ct gold hunting cased stem-wind fob watch, the engraved gold dial with black Roman numerals. The movement signed ‘Geo. Edward & Sons, London’ and ‘Royal Bank Build.s, 92 Buchanan St. Glasgow, 37159.’ London marks for 1932. Foliate engraved outer case. 4cm wide, 56.7g. And a 9ct gold half hunting cased stem-wind pocket watch, 40.3g, 4.5cm wide. £200-300 1525. An open faced gold pocket watch, minute repeater and key winding, engraved with an eagle amongst foliage to reverse. Fitted case by R. Webster. With watch key and ivory label. £600-800

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1526

1526. An Art Deco silver travel clock by Dunhill, the square dial with Arabic numerals.

Manual movement. The inner case back bearing an inscription. The outer case decorated with red and black enamel decoration. £500-700

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1527

1528

1529

1530

1527. A Victorian turquoise and diamond brooch, the three turquoise cabochons divided with S-shaped sections pavé-set with diamonds in silver and gold. 3.8cm wide. £300-400

1528. A diamond fish brooch, realistically formed and set overall with rose-cut diamond scales and a ruby eye. Surmounted on white gold bar brooch. 4.5cm wide. £200-300

1531

1529. An early 20th century peridot and diamond brooch, the hexagonal peridot is set within trefoils and singular circular-cut diamonds (two missing) in yellow gold. 2.7cm wide. £200-300

1530. A late 19th century amethyst and seed pearl pendant, the large oval-shaped amethyst is set within a surround of seed pearls in yellow gold. With gold pellet decoration to the surround and bale. 4.5cm long. £300-400

1532

1531. A pair of Indian stud earrings, each earring centred with a cabochon circular-cut emerald in closed back gold mount, within a surround of oval-shaped diamonds, with green enamel decoration to the reverse. £700-900

1532. A pair of sapphire and diamond earrings circa 1970, set with marquise-shaped and circular-cut diamonds in textured yellow gold and platinum. 3.5cm long. £600-800 Believed to have been manufactured by and purchased from Alan Gard.

1533

1533. A pair of gem-set flower head earrings, the stylised flowers are each set with a sapphire and diamond cluster, with further emeralds and diamonds to the petals in platinum and yellow gold. Screw fittings. 2.7cm long. £200-300

1534. A pair of Indian gold drop earrings, each earring centred with an oval-shaped kianite and set in gold within a rose-cut diamond border. Suspending three cabochon kianites and seed pearls. £400-600 1534

1535. A pair of diamond cluster earrings, each earring is set with nine brilliant-cut diamonds set in white gold. 1.2cm wide. £1,800-2,000

1536. A pair of diamond-set foliate scroll stud earrings, set in silver and gold. 1.7cm high.

Case by S.J. Phillips Ltd. £400-600

1535

1536

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1539

1537

1538

1540

1541

1543

1542

1537. An early 20th century gold lorgnette, with diamond-set laurel decoration in platinum. Silk cord. Case. £300-400 1538. A Victorian diamond-set leaf brooch, realistically formed and set with old cushion-shaped diamonds in silver and gold. 3cm wide. £100-200 1539. A gem-set gold brooch by Liberty & Co, designed as two flowers with pink cabochon tourmalines and a green tourmaline leaf, set in 18ct yellow gold. £500-700 1544

1540. A gold hinged bracelet mounted with sugarloaf-shaped dyed chalcedony links, 19cm. £400-600 1541. A Victorian amethyst and seed pearl gold brooch, the large oval-shaped amethyst is set within a surround of seed pearls in yellow gold. 3.5cm long. £200-300 1542. A gold ruby-mounted jabot pin, the stylised rapier set with seven rubies in gold filigree mount. 8cm long. £200-300

1545 1543. An Edwardian diamond and chrysoberyl pendant, the central ovalshaped chrysoberyl is set within scrolling diamond-set surround and suspends a pearl in platinum and gold. 3.2cm long. Case by The Goldsmiths & Silversmiths Company Ltd. £400-600 1544. A 19th century gold micromosaic suite, the brooch pendant with a central circular plaque. The tesserae depicting a scarab, within gold pellet border and scrolling trefoil pendant loop and glazed locket compartment to the reverse. With matching gold earrings. £400-600 1545. A Victorian sapphire and diamond bangle, set with a central cluster set with a sapphire within a surround of diamonds in gold. £200-300

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1546. An Edwardian amethyst and seed pearl bracelet, set with oval-shaped amethysts within lines of fine-link gold chain set with seed pearls. 19cm long. With an amethyst and seed-pearl mounted quartrefoil pendant, in gold. Case by Edwards £400-600 & Sons.

1546

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1547

1548

1549

1550

1551

1547. A seed pearl gold-mounted choker necklace, suspending a line of graduated oval-shaped citrines (one loose) with gold pellet decorated spacers and gold clasp. 36.7cm long. £400-600 1548. A single row graduated opal bead necklace, each spherical bead is separated with a crystal rondel, 79cm. £100-200 1549. A single row coral bead necklace, 88cm long.

£200-300

1550. A single row graduated amber bead necklace, the spherical beads graduate from 6.2mm to 16.4mm. 27.2g, 44cm. And two further amber bead necklaces, 60.5g. £400-600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.

The colour of the amber may vary from the catalogue or online illustration.

1551. A single-row graduated amber bead necklace, the spherical beads graduate from 1.4 to 3.0cm in diameter, the larger beads separated with smaller beads. 226.6g, 102cm. £400-600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.

The colour of the amber may vary from the catalogue or online illustration.

1552. A Japanese tortoiseshell hair comb, with pheasants amongst flowers decoration, and another similar tortoiseshell hair ornament with foliate decoration. £200-300

1552

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1553. A sapphire and diamond cluster ring, set with an oval-shaped diamond to the centre within scrolls of millegrain-set diamonds and smaller fancy-shaped sapphires. Set in white gold with three small circularcut diamonds to each shoulder. Size O½. £600-800 1554. An emerald and diamond five stone ring, set with three emerald-cut emeralds and two baguetteshaped diamonds in yellow gold. The emeralds weigh approximately 1.95cts in total, and the diamonds weigh approximately 0.15cts in total. Size M. £2,600-2,800 1555. A diamond three stone ring, the three graduated circular-cut diamonds are set in platinum and yellow gold. Size N. £800-1,200 1556. A ruby and diamond cluster ring, the circular-shaped ruby is set within a border of twelve round £650-750 brilliant-cut diamonds and two smaller side diamonds and set in white gold. Size O½.

1557. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in platinum and yellow gold. Size M½. £750-1,000 1558. An emerald and diamond cluster ring, the oval-shaped emerald is millegrain-set within a surround of ten brilliant-cut diamonds and two baguette-shaped diamonds in white gold. Size O. £1,600-1,800 1559. A diamond three stone ring, the three graduated, old circular-cut diamonds weigh approximately 2.40cts in total, set with knife-edge spacers and smaller shoulder diamonds in platinum and white gold.

Size P½. £1,500-2,000 1560. A pink sapphire and diamond cluster ring, the emerald-cut sapphire is set within a border of circular-cut diamonds in white gold. Size N½. £750-850 1561. A sapphire and diamond three stone ring, the oval-shaped sapphire is set between two brilliantcut diamonds in platinum. Size O. £2,400-2,600 1562. An emerald and diamond cluster ring, the oval-shaped emerald set within a surround of small round brilliant-cut diamonds in white gold. Size L½. Case. £1,500-2,000 1563. A diamond cluster ring, set with nine old-circular cut diamonds in a pierced flowerhead design in platinum and yellow gold. Size N½. £100-200 1564. An opal and diamond cluster ring, the oval opal cabochon is set within a surround of circular and princess-cut diamonds in white gold. Size N½. £650-750 1565. A ruby and diamond cluster ring, the four brilliant-cut diamonds are set in a quatrefoil design within a surround of calibré-cut rubies and a further surround of small brilliant-cut diamonds in white and yellow gold. Size N½. £1,100-1,500 1566. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of ten round brilliant-cut diamonds with two smaller diamonds to each side. Set in white gold with six small shoulder diamonds. Size P½. £1,000-1,500 1567. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of round brilliant-cut diamonds and two further smaller diamonds to each shoulder. Set in white gold with smaller diamonds. Size R½. £1,800-2,000 1568. A diamond three stone ring, the transitional circular-cut diamonds weigh approximately 1.60cts in total and are set in gold and platinum. Size M½. £800-1,200 1569. An emerald and diamond three stone ring, the oval-shaped emerald is set with two circular-cut £400-600 shoulder diamonds in platinum and gold. Size P½.

1570. A ruby and diamond ring, set with an oval-shaped ruby with three circular-cut diamonds to each shoulder in white gold. Size Q. £800-1,200 1571. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of ten brilliant-cut diamonds and two smaller shoulder diamonds in white gold. Size N½. £1,100-1,500

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1563

1564

1562

1565

1561 1566

1560

1553 1567 1559 1554

1558 1555 1556

1568

1569

1557

1571 1570

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1572. A sapphire and diamond ring, of bombé-form and set with an oval-shaped sapphire within baguetteshaped sapphire shoulders and tapered baguette-shaped diamond surround. Size Q. £800-1,200 1573. An opal and diamond cluster ring, the solid white opal cabochon is set within a surround of old circular-cut diamonds in silver and gold. Size M. £800-1,200 1574. An aquamarine and diamond cluster ring, the oval-shaped aquamarine is set within a surround of circular-cut diamonds in white and yellow gold. Size N½ £400-600 1575. A diamond necklace, mounted with a principal diamond weighing approximately 0.85cts and six smaller diamonds on fine-link white gold neck chain. 42cm long. £1,000-1,500 1576. An oval-shaped jade cabochon mounted gold ring, scroll pierced gold mount, marked in Chinese for Shun Ji. Size P. £2,000-3,000 Accompanied by report number 08970 dated 19th November 2013 from The Gem & Pearl Laboratory, London stating that the oval cabochon-cut mottled green jade weighs 11.13cts and is jadeite jade with no evidence of treatment.

1577. A tutti fruiti style bracelet, set with carved sapphires, rubies and emeralds in white gold diamondset foliage. 17cm long. £2,000-3,000 1578. A gold-mounted jade brooch, the carved and pierced jade depicting a chilong dragon and lingzhi fungus symbolising longevity. 6cm long. A carved jade-mounted white gold pendant depicting the bodhisattva Guanyin, 4.8cm high. Mounted within two rows of round brilliant-cut diamonds and further diamonds to the white gold bale. Foliate engraved decoration to the reverse. £8,000-12,000 Accompanied by report number 1172409654 dated 22nd December 2015 from GIA, New York stating that the translucent green carved and pierced jade measures 59.62 x 12.70 x 7.12mm and is jadeite jade with natural colour and no indications of impregnation.

Accompanied by report number SC56919 dated 23rd December 2014 from Hong Kong Kowloon Jade & Jewellery Laboratory Ltd., Hong Kong stating that the Guanyin-shaped translucent intense green jade measures approximately 47.11 x 29.60mm is a natural jadeite jade (Type A) with no resin detected.

1579. A pair of emerald and diamond cluster earrings, each earring is set with an oval-shaped emerald cabochon within a surround of small round brilliant cut diamonds in white and yellow gold. The emeralds weigh approximately 8.00cts in total, and the diamonds weigh approximately 1.53cts in total. 2.7cm high. £2,800-3,000 1580. An emerald and diamond cluster ring, the cushion-shaped emerald is set within a surround of transitional round brilliant-cut diamonds in platinum and gold. Size P. £1,200-1,500 1581. A tutti fruit style brooch, set overall with carved emeralds, diamonds and sapphires within circularcut diamond sprays in platinum and yellow gold. 6.2cm high. £1,500-2,000 1582. A pair of emerald and diamond cluster earrings, each earring is set with an emerald-cut emerald within a surround of twelve small round brilliant-cut diamonds in white and yellow gold. The emeralds weigh approximately 1.90cts in total. 1.9cm high. £2,800-3,000 1583. A kunzite and diamond cluster ring, the square kunzite is set within a surround of circular-cut £800-1,200 diamonds with a diamond-set shank in white gold. Size P½.

1584. A pair of cultured pearl and diamond drop earrings, set with articulated lines of circular-cut diamonds. One suspending a grey pearl, the other suspending a yellow/cream pearl in white gold. 5.5cm long. £800-1,200 1585. A ruby and diamond bracelet, set with seven graduated rubies within diamond trefoils, on a white gold curb-link chain. £600-800 1586. A pink sapphire and diamond set white gold bracelet, the emerald cut sapphires are each separated with diamond-set foliate links. 18.5cm long. £3,500-4,500

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1574

1573

1575

1572

1578 (2)

1579

1577

1576

1582

1580

1581

1585 1583

1584

1586

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1587. A gold dress pocket watch and chain, the gold-coloured dial applied with black Arabic numerals within plain gold case. Manual winding. The reverse applied with a coat of arms. Suspended from platinum and gold fancy-link watch chain. £400-600 1588. An 18ct gold open-faced stem-wind pocket watch by Cameron Cuss & Co, the gold coloured dial with foliate decoration and signed Inter and Cameron Cuss & Co. Black Arabic numerals and subsidiary seconds dial. The movement signed Inter Genève and 10095. London import marks for 1922 to inner case.

4.2cm wide. £400-600 1589. A lady’s gem-set gold wristwatch, the rectangular dial signed GMT with circular-cut diamonds set to the bezel and further diamonds and sapphires to the lugs. On fancy-link gold band. The case back marked GMT gold collection 700-24 7250 and 750 to the band. 16.5cm long. The case 2.1cm wide. £1,500-2,000 1590. An 18ct gold automatic wristwatch by Audemars Piguet, signed blue dial with diamond set numerals, date at 3 o’clock, calibré 21c, 36 jewel movement numbered 213411, in rope twist integral bracelet with clasp, c. 1970, 35mm diameter, with A.P. suede and leather box. £3,000-4,000 1591. A gentleman’s gold Rolex Day-Date wristwatch, the plain white dial with gold Roman numerals, gilt baton hands with luminous inserts and centre seconds, magnified date aperture at 3, day aperture at 12, brushed and polished tonneau-form case with screw down Oyster back and crown, fluted bezel, fitted polished President link bracelet with signed folding clasp. With box and papers. £3,000-4,000 1592. A yellow gold open-faced stem-wind pocket watch by the International Watch Company, the gold coloured dial signed International Watch Co., Schaffhausen. Black Arabic numerals and subsidiary seconds dial. The movement signed International Watch Co., Schaffhausen and 954638. Geometric engineturned decoration to outer case. 5cm wide. £600-800 1593. A lady’s gold Rolex Datejust wristwatch, the sunburst champagne dial with applied gilt baton hour markers, black outer minute divisions with luminous dot five minute markers, black baton hands with gold centre seconds, magnified date aperture at 3, brushed and polished tonneau form case with screw down back, fluted bezel, fitted President link bracelet with signed folding clasp. The case 2.5cm wide. With box and papers. £2,000-3,000 1594. A lady’s 18ct yellow gold Panthère wristwatch by Cartier, signed textured white dial and black Roman numerals with secret signature at X. The reverse stamped 1070 2. MG273511. Integrated gold band with gold Cartier deployant clasp. Dial 1.4cm wide. Cartier pouch, box and papers. £2,000-3,000

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1588

1587

1589

1591

1593

1590

1592

1594

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1595. A diamond solitaire ring, the old circular-cut diamond weighs approximately 1.05cts and is set in platinum and yellow gold. Size N. £1,000-2,000 1596. A diamond cluster ring, the central circular-cut diamond is set within a surround of eight smaller circular-cut diamonds in platinum. Size J½. Case. £1,000-2,000 1597. A diamond cluster ring, the three principal circular-cut diamonds are set within a surround of £200-300 smaller circular-cut diamonds in platinum and yellow gold. Size K½.

1598. A pair of diamond hoop earrings, designed as a crescent of circular-cut diamonds in yellow gold.

2cm long. £400-600 1599. A pair of ruby and diamond cluster earrings, each earring is set with seven pear and oval-shaped rubies and further circular and marquise-shaped diamonds in yellow and white gold. £1,800-2,000 1600. A ruby and diamond bracelet, of geometric design and set overall with French-cut rubies and circular-cut diamonds in white gold. 18cm long. £3,000-4,000 1601. A sapphire and diamond set white gold bracelet, the ten oval-shaped sapphires are set within circular and baguette-shaped diamond scroll links. 17cm. £4,000-6,000 1602. A pair of sapphire and diamond cluster ear studs, the circular-cut sapphires are set within a surround of circular-cut diamonds in platinum and white gold. Case by Hennell. £600-800 1603. A pair of yellow and white diamond set scroll earrings, each earring set with four yellow diamonds and further graduated circular-cut white diamonds in yellow and white gold. £2,500-3,000 1604. A gem-set bombé-shaped cluster ring, set with a central green diamond within pavé-set diamond £1,500-2,000 surround and pink sapphire shoulders in platinum and gold. Size N. 1605. A pair of emerald and diamond cluster earrings, set with a central rectangular panel of emeralds with stylised fleur-de-lys diamond-set terminals. 2.5cm long. £1,500-2,000 Accompanied by report number 5776-6533 dated 8th August 2016 from GCS, London stating that the two principal octagonal-cut emeralds weigh approximately 1.60cts each and are natural emeralds with moderate clarity enhancement. Origin: Colombia.

1606. A pair of diamond and emerald drop earrings, each earring is mounted with a pear-shaped cabochon emerald and suspended from an articulated line of circular cut diamonds and a diamond cluster in white gold. 3.5cm long. £2,000-3,000

18

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1603 1595

1596 1604

1597

1605 1598

1606

1600 1599 1601

1602

19

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1607. A French late 19th century diamond-set heart pendant, set with a pear-shaped rose-cut diamond within diamond border and black enamel surround. With enamel decoration to the reverse (damaged) and diamond and enamel bale. French control marks to the bale. Locket compartment to interior. 4.6cm long. £5,000-7,000 1608. A Victorian enamel and gold suite, comprised of a snake-link gold necklace suspending an oval pendant with an articulated gold fringe and white an blue enamel decoration, gold ropetwist borders and a seed pearl cluster. With matching gold earrings and bangle in fitted case. £1,500-2,000 1609. A Victorian turquoise mounted gold pendant, the snake-link gold chain suspends a turquoise mounted hand clutching a laurel wreath suspending a heart, with glazed locket compartment to reverse and pavé-set overall with turquoise cabochons. The barrel clasp applied with blue enamel. In fitted case

by Howell James & Co. £600-800 1610. A Victorian gold plaque brooch, of circular form with pellet decoration and a garnet cabochon mounted with a diamond-set star and suspending a line of articulated gold tassels. Case. £600-800 1611. A Victorian nautical gold bracelet, designed as a line of wooden pulleys, and suspending a spherical buoy which opens to reveal two glazed locket compartments with plaited hair and initials. Fitted case by Hunt & Roskell. £2,000-3,000 1612. A pair of Victorian gold stylised chandelier drop earrings, the bodies each set with three turquoise cabochons and further turquoise cabochons. The lower scroll sections suspending further articulated turquoise cabochons and centred with gold tassels. Later screw fittings. 9cm high. £800-1,200

20

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1607

1612

1609

1608 (4)

1610 (2)

1611

21

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1613. A gold snake ring, the coiled snake with fluted sides and cabochon ruby set to the head. Size K. £400-600 1614. A silver brooch pendant, set with a central putti within circular pellet border and scrolling surround set with garnets and seed pearls. 3.6cm wide. Case. £100-200 Similar to the pendant in lot 1617.

1615. A Holbeinesque pendant, the circular plaque with a quartrefoil design incorporating blue, red and green enamel, a garnet cabochon and seed pearls. Suspending a smaller pendant. With foliate carved reverse and glazed locket compartment. 5.5cm long. £400-600 1616. A Holbeinesque gold pendant, with red, green and blue enamel decoration with four diamonds.

Centred with an emerald within four rubies and suspending a further emerald and enamel pendant. With enamel bale (broken) and fine link gold chain. Case. £600-800 1617. A 19th century silver and gold necklace, the larger silver links with scrolling pellet and foliate decoration and mounted with a cabochon garnet, the alternating gold links mounted with a seed pearl.

Joined to a clasp at the front designed as a stylised cherub and suspending a round pendant with a putti set to the centre section with silver and gold border and mounted with seed pearls and garnets. 43cm long (excluding pendant). In Antrobus case. £1,000-1,500 1618. An Edwardian diamond-set portrait pendant, the portrait of a girl is set within millegrain-set diamond border. The reverse surmounted with diamond-set foliate decoration and another diamond border.

4.8cm wide. Suspended from a diamond-set bale on a fine-link platinum neck chain. £1,000-1,500 1619. A ruby and diamond bangle, alternately set with oval shaped rubies and pairs of diamonds in yellow gold. Case by E. Simmonds. £400-600 1620. A Victorian gold target brooch, set with circular-cut diamonds, blue enamel and ropetwist and pellet borders in yellow gold. 3.2cm wide. £400-600 1621. A 19th century Holbeinesque pendant, of oval form, with green, red and blue enamel decoration, surmounted with rubies, seed pearls and a central oval-shaped garnet. Suspending from a matching enamel bale. In yellow gold. Glazed locket compartment to reverse. Fitted case. £2,000-3,000 1622. A pair of Victorian ornate gold drop earrings, the baton-form earrings applied with foliate scroll decoration on a matted ground and suspended from conforming gold top sections. 6.5cm long. £600-800

22

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1613

1614

1618 1615

1616 1617

1619

1622 1620

1621

23

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λ 1623. A 19th century tortoiseshell music box, the rectangular box is set with a decorated gold oval section which opens to reveal a songbird singing a tune above a foliate carved and pierced oval panel.

In fitted leather box with winding key. £600-800

1630. A pair of ruby-set gold cufflinks by Cartier, the circular yellow gold discs engraved with circles and each set with a cabochon ruby in platinum. Two links signed Cartier and two with indistinct inventory numbers but possiby 07263. 1.5cm wide. £1,000-1,500

1624. A gem-set perfume bottle, with a gold tulip applied to each side, set with rose-cut diamonds and alternating ruby and sapphire cabochons. The hammered gold hinge with sapphire cabochon thumbpiece. 7cm long. £400-600

1631. A pair of 18ct gold cufflinks, the oval links engraved with the names ‘Gay George’ and ‘Tommy’ on one cufflink and ‘Gay George’ and ‘Peter’ on the other. £200-300

1625. A hardstone desk seal by Boucheron, formed as a carved jade ram with gold enamel horn, on top of a gold and enamel plinth. With carved lapis lazuli seal. Bearing a crest and motto and signed Boucheron. Paris. £1,000-1,500 1626. An 18th century circular agate box, of waisted form with fluted gold mounts and scroll thumbpiece. 5.2cm wide (max). £1,500-2,000 1627. A pair of Regimental gold cufflinks, of oval form and applied with platinum gold and enamel motif for The Border Regiment. 2cm long. Case. £700-900 1628. A Regimental brooch for the Somerset Light Infantry (Prince Albert’s), set with rose-cut diamonds and decorated with green enamel in yellow and white gold. 2.6cm high. £600-800 In a case realistically designed as a World War I army service cap, the silk lining stamped for Wilson & Gill, Regent’s Street. Marked to the base JO&S Ltd, RE 647657. 6.5cm wide.

1629. A pair of 18ct gold and enamel cufflinks, the disc-shaped links with engine-turned decoration and within white and blue enamel borders. Birmingham marks for 1923. £200-300

Gay George was a favourite racehorse of Andrew, 11th Duke of Devonshire (1920 - 2004). After the horse died in 1983 these commemorative cufflinks were engraved to acknowledge his stable lads Tommy Turley and Peter Payne.

With London marks for 1981, and maker’s mark ‘R&R’ for Ramsden & Roed Ltd, Warwick Street, London W1.

Provenance: From the estate of Deborah, the late Duchess of Devonshire (1920 - 2014).

1632. A pair of gold cufflinks by Boucheron, of striated cuboid form.

Signed Boucheron Paris and numbered 28574. £600-800 1633. A pair of French dress cufflinks, each link formed with an oval section of crosshatch engraved white stone and centred with a line of rose-cut diamonds. Gold mounts. French control marks. Fitted case. £300-400 1634. A French realistically designed gold stickpin, depicting a monkey holding a crab, in yellow gold. 18mm wide. Case by S.J. Phillips Ltd. £600-800 1635. A gold stick pin, mounted with a large blue sugarloaf star sapphire. 7.5cm long. £800-1,200

1623

1628 box

1626 1625

24

not actual size

1624

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1628

1627

1630 1629

1625

1632

1631

1633

1633 1634

1635

25

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1636. A 1970s diamond cluster ring, set with eight circular-cut diamonds in textured gold pierced surround. Size J½. £400-600 1637. A 1970s gem-set cluster ring, the textured gold set with cabochon emeralds, circular-cut diamonds and a cultured pearl. Size J. £400-600 1638. A pair of diamond-set gold leaf earrings, the stylised leaves set with lines of circular-cut diamonds £400-600 in 18ct yellow gold. With London marks for 1995. 3cm long.

1639. A chalcedony and lapis lazuli bracelet, the gold curb-link bracelet mounted alternately with three chalcedony and three lapis lazuli cabochons. 26.0g , 19cm. £1,200-1,500 1640. A gold medallion pendant by Cartier, inscribed ‘St. Antoine de Padoue’ and depicting St. Anthony with the infant Jesus. Signed CARTIER C.A. MADE IN FRANCE 18KTS. In Cartier case. £300-400 1641. An amethyst mounted gold ring, the cabochon amethyst is mounted in a rub-over yellow gold mount. London marks for 2001. Size J½. £200-300 1642. A Lightning Ridge solid black opal mounted platinum ring, size P.

£3,000-4,000

1643. A diamond and three colour gold Fusion ring by Georg Jensen, separating to three component parts including a central section pavé-set with circular cut diamonds in white gold. Signed Georg Jensen to the interior and 750. Size R½. Georg Jensen box. £800-1,200 1644. A gold ring by Elizabeth Gage, the yellow gold Leo Zodiac ring applied with lions heads, each separated with pellets and twisted rope borders. Signed Gage and London marks for 1974. 1.7cm wide.

Size P. £500-700 1645. A gold bracelet, with alternating navette and X-shaped textured gold links. Stamped W and 750. 19cm £500-800 long. 29g.

1646. A ruby and diamond leaf brooch by Tiffany & Co, the stylised gold leaf set with a diamond and two rubies in yellow gold. 5.6cm long. Case by Tiffany & Co. £400-600 1647. A French platinum and gold lattice box, the textured platinum and gold is woven to create a sunburst pattern with diamond-set thumbpiece. 9cm long. 90g. French control marks. £1,200-1,600 1648. A gold owl brooch, realistically formed and set with sapphire eyes. 4cm high.

£700-800

1649. An octagonal gold compact, with foliate decoration and circular-cut diamonds. Diamond-set thumbpiece and engine-turned decoration to reverse. 8cm wide. 130g. £1,200-1,600 1650. A pair of pearl and diamond earrings, designed as two concentric circles of pearls within a scallop£2,500-3,000 edged diamond border (one missing from each earring) in platinum. 2.7cm diameter.

1651. A pair of citrine and gold ear studs, of teardrop form and each set with an oval-shaped citrine.

2.2cm long. £400-600 1652. A pair of French emerald and diamond cluster earrings, of stylised leaf design and set with a pear-shaped Colombian emerald and lines of graduated circular-cut diamonds in white gold. French control £2,000-2,500 marks and maker’s lozenge for G.D. 2.5cm long.

26

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1642

1641 1638 1636

1640

1637

1643

1639

1645

1644 1646

1647 1648

1651

1650

1652 1649

27

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1653. A 19th century portrait miniature pendant, depicting a woman, in octagonal mount, with seed pearl and gold pellet border. 5.7cm high including bale. £400-600 1654. A Victorian turquoise mounted gold brooch, the stylised gold bow with scrolling foliate decoration suspends a gold heart-shaped locket pendant set with a turquoise cabochon. 5.5cm long. Fitted case by R&S. Garrard & Co. £400-600 1655. A Victorian gold target brooch, centred with a large garnet cabochon within filigree surround and smaller oval garnet cabochons in yellow gold. 4.6cm diameter. £400-600 1656. A pair of elaborate foliate and scroll design Victorian gold drop earrings, possibly later tops.

6.5cm long. £600-800 1657. A French 18ct yellow gold long guard chain, the fancy lattice links are spaced with oval-shaped £600-800 amethysts. French marks to the swivel-clip and bolt ring. 60cm.

1658. A green paste rivière necklace, set with graduated emerald-cut pastes in metal cut-down collets.

With a matching bracelet and a matching pair of earrings mounted in gold. £200-300 1659. A pair of Victorian gold drop earrings, the spherical centre sections with cannetille decoration and suspending from a fluted cap. 4cm high. £500-700 1660. An early 20th century carved black onyx flowerhead brooch, naturalistically formed and centred with an old circular-cut diamond and applied with a diamond and ruby set gold bee. Green enamel decoration to the stem. 2.8cm wide. £600-800 1661. A pietra dura gold bird brooch, of rectangular-form and depicting a green woodpecker in hardstone. Within gold filigree border. 5.6cm wide. £400-600 1662. A Victorian amethyst mounted gold brooch, the large oval-shaped amethyst set within a stylised foliate, octagonal-shaped border, in yellow gold. 4.5cm wide. £400-600

28

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1656

1653

1655

1654

1657

1658

1661

1659

1660

1662

29

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1663. A three stone sapphire and diamond ring, the oval-shaped sapphire is set within two smaller cushion-shaped diamonds in white gold. Size S½. £2,000-3,000 1664. A sapphire and diamond cluster ring, the three rows set with a central cushion-shaped sapphire within further graduated cushion-shaped sapphires in platinum and gold. Size M. £400-600 1665. A 19th century opal and diamond pendant, the centre cluster set with six heart-shaped opals within hexafoil border and a further concentric surround of opal hearts and diamond stylised fleur de lys clusters, on an opal and diamond scrolling bale. Set in silver and gold. 4.2cm long. Fitted case. £200-300 1666. A diamond-set Maltese cross brooch, set overall with cushion-shaped diamonds in platinum.

2.8cm wide. Fitted case. £1,200-1,500 1667. A late 19th century diamond brooch, designed as interlocking scrolls set with rose-cut diamonds in silver and gold. 4.1cm wide. £200-300 1668. An amethyst and diamond rectangular plaque brooch, set with a cushion shaped amethyst within scrolling foliate diamond surround. In platinum and gold. 5cm wide. £400-600 1669. A peridot and diamond set gold hinged bangle, set with a line of eleven round peridots each £400-600 separated with two small rose-cut diamond pointers in yellow gold. 6.3cm wide. Case.

1670. An early 20th century ruby and diamond set gold hinged bangle, alternately set with graduated circular-cut rubies and diamonds. £600-800 1671. An early 20th century diamond-set hinged bangle, the graduated cushion-shaped and rose-cut diamonds are set in platinum and gold. £400-600 1672. An Edwardian diamond and untested pearl mounted pendant, the pearl suspends from a diamond-set cap and a line of graduated and articulated millegrain-set diamonds on a fine-link platinum neck chain. The chain 40cm. £400-600 1673. A sapphire and diamond crescent brooch, set with oval-shaped sapphires and circular-cut diamonds in yellow gold. 3.7cm wide. £400-600 1674. A late Victorian amethyst, pearl and diamond pendant, the large oval-shaped amethyst is set within a diamond-set laurel and pearl border. Beneath a diamond-set bow and bale, and suspending a further pearl in silver and gold. 6.2cm long. £600-800 Provenance: From the estate of Deborah, the late Duchess of Devonshire (1920 - 2014) 1675. A late 19th century diamond brooch, set with an old cushion-shaped diamond within scrolling diamond-set surround in silver and gold. With glazed locket compartment to reverse and memorial text for Hugh Norman Bates 1st May 1888. Case. £400-600 1676. A Victorian opal and diamond horseshoe brooch, set with solid opal cabochons and alternatelyset with pairs of circular-cut diamonds in yellow gold carved and pierced mount. 3.1cm high. £800-1,200

30

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1665

1672

1664

1663

1671

1670

1669

1668 1674 1675

1667

1673

1676 1666

31

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1677. An Art Nouveau emerald and diamond pendant, the three graduated emerald-cut emeralds are set within scrolling millegrain-set diamond surround in platinum. On fine-link platinum neck chain. The pendant 4cm long. £1,500-2,000 1678. An Arts and Crafts opal set silver pendant attributed to The Artificers Guild, the large ovalshaped opal is set in a silver closed back mount, the pierced frame with foliate decoration and set with a cabochon emerald suspending chrysoprase, sapphires and seed pearls. Suspending a conforming smaller pendant set with a moonstone. Fine link silver neck chain, 54cm. Fitted case with silk lining marked for ‘The Artificers Guild Ltd. 4 Conduit Street, London W’. £3,000-4,000 1679. An Art Nouveau opal ring, the solid white opal is set within silver and gold scrolling foliate surround. £200-300 Size P½.

1680. A gold brooch by Murrle Bennett, set with a central oval panel of mother of pearl and ruby terminals in gold scrolling surround. 3.8cm wide. Case. £400-600 1681. An Arts and Crafts gem-set bracelet attributed to Dorrie Nossiter. The centre cluster is set with an oval-shaped amethyst, further clusters of amethysts, blue zircons and blue stones and foliate carved emeralds. Further oval-shaped amethysts alternately set with pairs of cultured pearls, set in silver with gold £2,500-3,500 clasp. 18cm long. Scratched inventory number 5011. Fitted Van Den Bosch case.

Dorrie Nossiter was one of the most talented of the later wave of Arts and Crafts jewellers. She was born in Aston near Birmingham in 1893. She attended the Central School of Art in that city, 1910 - 1915. She died in 1977 after a long and highly successful career as a stylish and very fashionable designer.

1682. An early 20th century chalcedony and diamond brooch, set with sugarloaf chalcedony terminals and rose cut diamonds millegrain-set in platinum and gold. 6cm wide. Fitted case by A. Marx & Co. £400-600 1683. An Arts and Crafts gem-set foliate brooch attributed to Dorrie Nossiter, centred with a circular shaped moonstone within a surround of amethysts and turquoise cabochons, further set with jades, amethysts and light blue stones, probably aquamarines. Set in silver. 6cm high. £1,500-2,000 With a coronation box stamped ‘Elizabeth R 1953’ to the outside and ‘Dorrie Nossiter, Marlborough, Gate Cottage, 1a Elms Mems, Lancaster Gate, London, W2. Phone Ambassador 4282’, to the silk lining.

32

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1677

1679

1678

1680

1681

1682

1683

33

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1684. An Art Nouveau gold bird brooch, naturalistically designed as a diving kingfisher, in textured yellow gold with ruby cabochon eyes. 6cm wide. £1,500-2,000 1685. A French Art Nouveau flower head bracelet, naturalistically designed as daisies set with seed pearls in yellow gold. French control mark and maker’s lozenge A B. 17.8cm long. £600-800 1686. A fine Art Nouveau French pearl and diamond-set yellow gold brooch pendant, centred with a natural pearl and with diamond-set stylised chrysanthemums and with further diamond leaves and buds to the foliate and scrolling tendril body. Suspending a smaller natural pearl. French control marks and indistinct maker’s mark. 5.6cm wide. £2,000-3,000 Accompanied by report number 5776-6866 dated 13th September 2016 from GCS, London stating that the two cream coloured pearls measure approximately 9.7 x 9.1 x 8.2mm and 6.2 x 6.0 x 5.0mm and are natural saltwater pearls with no indications of treatment.

1687. An Art Nouveau gold bracelet, of stylised foliate design, each link set with a turquoise cabochon.

21cm long. £800-1,200 1688. No lot 1689. A French Art Nouveau gold bracelet, naturalistically designed as writhing fish, set with seed pearls £1,000-1,500 in yellow gold (broken). French control marks. 18cm long.

34

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1684

1686

1685 1687

1689

35

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1690. A pair of Victorian gold drop earrings, of elongated teardrop shape and decorated with realistically designed laurels in yellow gold. 5.5cm long. £600-800 1691. A French 19th century gem-set acrostic bracelet, set with various coloured stones depicting a cryptic message, and mounted with seven small carved hardstone cameos, each depicting the profile of a cameo in the classical manner, separated with a stone-set scroll carved link. £1,500-2,000 1692. A Victorian hardstone cameo brooch, depicting a gentleman in the classical manner within a horseshoe-shaped diamond surround in silver and gold. 3cm high. Case by Bruford and Heming. £400-600 1693. A part suite of carved shell cameo jewellery, comprising a necklace of nine carved shell cameos mounted in gold, with carved and pierced scroll decoration. The finely carved shell cameos depict various Classical figures, including Hebe and Zeus, Nyx, Aurora, Artemis, Ares and Pliny’s Doves. A matching gold tiara (without mount) with three cameos depicting Antinous and two maenads. Two corresponding gold hat pins mounted with carved shell cameos and a gold earring. £2,000-3,000 1694. A 19th century hardstone cameo pendant, depicting a woman in the classical manner, within gold fillgree surround and suspending from an elaborate gold bale. With hinged compartment to reverse with the word ROMA amongst scroll decoration. Opening to reveal a glazed locket compartment. 8cm long. £400-600

1691

36

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1690

1691 1693 (5)

1692

1694

37

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1695. A pair of diamond drop earrings, of twisted tear drop design and set with lines of circular-cut diamonds in white gold. 6cm long. £1,500-2,000 1696. A pair of diamond and ruby set giardinetto drop earrings, the lower section is set with a trillioncut diamond within a surround of smaller diamonds and rubies. Suspending from the mid-section set with a demilune-shaped diamond with repeated foliate design set with smaller diamonds and rubies. The ear stud centred with an old round brilliant-cut diamond millegrain-set within a surround of smaller diamonds. The three sections joined with lines of circular and baguette-shaped diamonds and set in platinum. 8cm high. £10,000-15,000 1697. A gem-set gold butterfly brooch, the stylised butterfly is set with one green and one yellow diamond to it’s body, the antennae mounted en tremblant and millegrain set with diamonds and ruby terminals. The articulated wings set overall with emeralds, rubies, diamonds and coloured diamonds. 8cm high. £5,000-7,000 1698. A diamond-set steel and gold skull pendant, the realistically formed skull is pavé-set with coloured diamonds and white diamonds to the eyes and teeth. The chain formed as steel bones and gold circular£4,000-6,000 links. The chain 60cm long.

1699. A pair of pearl and diamond earrings, each set with a button-shaped pearl within a surround of four marquise-shaped and four round brilliant-cut diamonds in white gold. The pearls each measure approximately 8.75 x 8.75mm, and the diamonds weigh approximately 2.40cts in total. £2,500-3,000 1700. A sapphire and diamond cluster ring, the oval-cut sapphire weighs approximately 5.60cts and is set within a surround of twelve round brilliant-cut diamonds in white gold. The diamonds weigh approximately 1.20cts in total. Size K½. £8,000-10,000 1701. A heart-shaped diamond ring, the diamond weighs approximately 2.60cts and is set in yellow gold. Size M. £3,000-4,000 1702. A pair of sapphire and diamond earrings, the oval-shaped sapphire cabochons weigh approximately 6.75cts in total and are set within a surround of 16 small round brilliant-cut diamonds in £1,500-2,000 white gold. The diamonds weigh approximately 0.90cts in total. 1.4cm high.

1703. A pink sapphire set 18ct white gold line bracelet with a pair of pink sapphire and diamond stud earrings, the bracelet is set with square-shaped sapphires set in 18ct white gold. Signed for Bentley & £1,500-2,000 Skinner and London marks for 2006, 17.5cm. Case by Bentley & Skinner.

38

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1695

1697

1696

1698

1701

1700 1699 1702 1703

39

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1704. A Victorian amethyst rivière necklace, the graduated amethysts are set in gold cut-down collets.

40cm long. With a pair of matching earrings, each set with a line of three graduated circular, oval and pearshaped amethysts in yellow gold. 4.5cm long. £1,500-2,000 1705. A late George III amethyst-mounted gold full-circle eternity ring, the oval-shaped amethysts are set in closed-back mounts and probably foiled. One replaced stone. Size L. Case. £200-300 1706. A Victorian moss agate panel bracelet, the graduated oval plaques designed set in gold collets.

18.5cm long. Case by Collingwood. £400-600 1707. A 19th century gold ring, with hinged compartment which opens to encase the thirty seven interchangeable cabochon stones within. Including lapis lazuli, carnelian, banded agate, jasper, amazonite and various other polycrystalline quartzes. Within fitted cardboard and velvet lined box, which fits within an outer case in the form of a book. £400-600

1707

40

not actual size

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1704

1705

1706

1707

not actual size

41

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1708. A Russian agate bell push, with stepped edge. The blue chalcedony button within a surround of white enamel in gold mounts. With gold feet, marked 56 zolotnik. 4.5cm diameter. £200-300 1709. A hexafoil design gold brooch, mounted with six oval-shaped garnets, centred with a cushion-shaped diamond and with rose-cut diamond border. 3.5cm wide. £600-800 1710. A sapphire and diamond brooch, the oval-shaped sapphire is set within a surround of circular and single-cut diamonds within pierced diamond-set foliate border in silver and gold. 3.6cm wide. £6,000-8,000 Accompanied by report number 5776-4781 dated 3rd March 2016 from GCS, London stating that the ovalcut sapphire weighs approximately 14.20cts and is a natural sapphire with no indications of heat treatment.

Origin: Sri Lanka.

1711. A gold, nephrite and enamel rectangular box by Fabergé, the body with bevel-edged nephrite base within seed pearl border (one missing). The sides with pink guilloché enamel decoration, with vertical gold bands. The hinged cover mounted with a bevel-edged nephrite plaque with seed pearl border and thumb piece set with rose-cut diamonds. Marked to the cover КФ, 56 and kokoshnik. 5.5cm wide. £3,000-5,000 1712. A naturalistically carved agate goldfish pendant, with rose-cut diamond eyes, a fine rope-link gold band around its girth and with a short length of gold chain. One link marked A·H for August Hollming and 56 zolotnik mark with assay master’s initials ЯП. 3.5 cm wide. Fitted case signed К.ФАБЕРЖЕ beneath the Imperial Eagle. £2,000-3,000 1713. A Russian sapphire and diamond plaque ring by Fabergé, of hexagonal form and set within a calibré-cut sapphire surround and pierced knife-edge decoration, four diamonds and a central rectangularshaped sapphire in yellow gold. With rubbed marks for 56 zolotnik and КФ for Karl Fabergé. £1,000-2,000 1714. A two-section tapered cylindrical amber cigarette holder, the fluted gold terminal marked with 56 zolotnik and indistinct mark containing the letter К and with gold ring with red guilloché enamel decoration. 9.7cm long. In fitted wooden case (damaged), the silk lining marked ФАБЕРЖЕ under the £2,000-3,000 Imperial Eagle.

1715. A Russian gold and enamel pencil holder, decorated with light blue guilloché enamel and carved foliate decoration to the terminal. The suspension ring stamped 56. The pencil gold terminal stamped 56 and with two kokoshniks. 7cm long. £600-800 1716. A Russian sapphire and diamond tie pin, set with a cushion-shaped sapphire below a diamondset Imperial Crown. Marked 56 zolotnik and maker’s mark. Case. £200-300 Provenance: from the collection of John Newall Esq. 1717. A pair of circular gold and enamel cufflinks, each link mounted with a diamond and seed pearl £800-1,200 set crown on a green guilloché enamel ground. Marked 56 with kokoshnik and BA.

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1708

1710

1711

1709

1717 1712

1713

1716

1715

1714

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1718. A lady’s pearl-set gold pendant watch, the oyster-coloured guilloché dial with gold Arabic numerals and seed pearls set to the bezel and reverse. Suspended from a diamond and seed pearl set bow brooch. The dial 1.8cm wide. £600-800 1719. An early 20th century enamel watch pendant, the cream dial signed Bailey Banks & Biddle Co, with black Arabic numerals. within blue guilloché enamel bezel. The case back decorated with further guilloché enamel and diamonds. On a fine-link platinum neck chain with blue and white enamel lozenge links. Case. £1,000-1,500 1720. A French 18th century gold open-faced key-wind pocket watch, the white enamel dial (damaged) with black Arabic numerals and numbered in red ‘981 à Paris’. The bezel set with half pearls and similar pearl-set bezel to the reverse containing a cover with dark orange guilloché decoration with white graduated cruciform design. Unidentified French marks to the inner case with later 9ct gold mounted black silk fob and small fob seal mounted with a carnelian engraved with a small bird. The watch 3.5cm wide. £400-600 1721. A gold open-faced consular cased pocket watch, the reverse pavé-set with graduated seed pearls in swirl design, with circular-cut emerald accents and further emeralds set to the border. Similar front bezel.

The dial with three colour gold decoration, the Roman numerals set with seed pearls and centred with a foliate design. Cylinder movement signed Bautte & Moynier, Geneva. 4cm wide (total). Circa 1840. With repeated enamel and seed-pearl pattern to the gold suspension clip and double-sided gold watch key, and £6,000-8,000 suspending the watch from a fine-link gold chain.

1722. A late 19th century gold enamel and diamond insect-form manual wind pendant watch. The case in the form of a beetle with hinged wings set with rose-cut diamonds on blue guilloché enamel ground. Opening to reveal the plain white enamel circular dial, with cylinder movement. The insect’s head set with further rose-cut diamonds and ruby eyes. Realistically carved body, inscribed heng da li to the inside case. 5.5cm long (not including bale). Suspending from a Victorian stylised gold dragon brooch. £4,000-6,000 Case by L. Vrard & Co, Shanghai.

1723. An early 20th century campana-form fob watch, the bell applied with blue guilloché enamel, surmounted with diamond-set swags, in platinum on yellow gold. The plain white enamel dial with Arabic numerals. Manual winding. Suspended from a diamond-set platinum bow. 4cm long. Fitted case by Wartski. £1,500-2,000

1721 reverse

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1723

1722

1721 front

1718

1719

1720

1721 part

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1724. A George III diamond brooch, centred with a cluster of old cushion-shaped diamonds in cut-down collets, within yellow gold foliate border, and a textured gold stem with rose-cut diamond leaves. Set in silver and yellow gold. 3.5cm long. £600-800 1725. A George III diamond-set target brooch, designed as concentric circles set with old cushion£600-800 shaped diamonds in silver and gold. Closed back mount. 2.3cm diameter.

1726. An antique Iberian ruby and diamond cruciform brooch, the top section designed as a bow surmounted with rubies set in gold, suspending a silver and gold scrolling cross, set with rubies and diamonds. Probably 18th century. 8cm long. £800-1,200 1727. A 19th century topaz crescent brooch, the graduated oval-shaped orange topaz set in closed back gold mounts. 4cm wide. £400-600 1728. A George III garnet mounted gold necklace, designed with three garnet-set foliate clusters joined with articulated lines of garnet trefoils in closed back gold mounts. 45cm long. With a matching bracelet.

Can be worn as a combination of a long necklace or bracelets. 16cm long. £800-1,200 1729. An early 19th century amethyst and diamond brooch, the oval-shaped amethyst is set within a surround of cushion-shaped diamonds in closed-back cut-down collets. Set in silver and gold. 2.8cm long. £600-800 1730. A 19th century gold and diamond-set mourning ring, the oval plaque with an illustration of an urn with a surround of cushion-shaped diamonds within silver and gold. With inscription to the reverse dated 1782 (later shank). Size O. £400-600 1731. A 19th century portait brooch, the glazed pear-shaped front containing a portrait of a lady. £600-800 Surmounted with a diamond-set bow in silver and gold. With pendant loop. 3.6cm high.

1732. A Stuart crystal memento mori slide, converted to a pendant. Centred with gold wirework initials on a plaited hair ground beneath rose cut rock crystal. On a yellow gold circular-link chain. £400-600 1733. A 19th century gold shortened long guard chain, with filigree and turquoise-mounted gold barrel clasp (the chain broken), 39cm long. £400-600 1734. A late 18th century portrait cameo mounted gold ring, depicting Frederick the Great, 1712-1786.

2cm high. Size O. And a late 18th century mourning ring. The long octagonal sepia painting mounted within seed pearl border. German inscription. 2.2cm high. £300-400 1735. An 18th century portrait miniature mounted gold ring, depicting a gentleman wearing a green jacket, with red collar and white cravat. A star order partly visible. Glazed. 1.8cm high. Fluted shank with fleur-de-lys style shoulders. Size J. And a late 18th century miniature painting mounted gold ring. Depicting a young lady with her hair tied up in a band and exposing her right breast. Glazed. Blue and white enamel border. The painting 1.7cm high. Size O. £300-400

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1732 1726

1731

1727

1724

1730

1728

1725

1729

1733

1734

1735

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1736. An early 19th century cased demi-parure. Comprising a necklace, pendant, earrings, and missing a brooch. All set with closed and foil-backed pink topaz and chrysolites in cannetille gold mounts.

Conforming clasp to the two row fine integrated gold chains. 42cm. Fitted case. £1,000-2,000 Provenance: previously owned by the Earl of Minto and thence by family decent to the current owner.

1737. A gold and amethyst stick pin, the plain gold pin with pear-shaped terminal, decorated with ropetwist design, with a faceted amethyst rondel within its centre and a pearl set terminal. 19.6cm long.

Case by Arthur A Everts Co. £300-400 1738. A 19th century garnet-mounted gold cannetille necklace, designed as alternating smaller and larger clusters set with an oval-shaped garnet within gold cannetille surround, on fine link gold neck chain. £800-1,200 39cm long.

1739. A Regency gold brooch, the rectangular locket applied with laurels and stones which spell out the work PEACE beneath Prince of Wales feathers. Suspended from a fine-link gold chain and ropetwist bar brooch. 4cm high. £800-1,200 1740. A 19th century gold cannetille suite, comprising a pair of drop earrings mounted with amethysts and chrysolites within cannetille and repoussé border. With a matching brooch pendant suspending three drops, which can be converted to be worn as the clasp to a necklace. Fitted case. £1,800-2,000 1741. A Regency agate-mounted gold Maltese cross, the square gold cannetille centre mounted with an amethyst and four turquoise cabochons. Suspended from a gold ropetwist bale. 4cm wide. £400-600 1742. A pair of 19th century coral drop earrings, the long coral drops suspend from gold filigree caps and a further coral cabochon. 4.5cm long. £300-400 1743. A pair of Victorian coral-mounted gold drop earrings, the oval coral cabochons are each set in a gold mount with fine pellet and wirework decoration. Fitted case by Phillips. £400-600 1744. A late Victorian amethyst rivière necklace, the graduated oval-shaped amethysts are set in yellow gold coronet mounts with gold pellet border. Each separated with a stylised yellow gold leaf. 40cm. £1,000-2,000

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1736

1739

1737

1738

1740 part

1743 1740 part

1742

1741

1744

not actual size

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1745. A ruby and diamond bombé-shaped ring, the three circular-cut rubies pavé-set within old cut diamonds and a border of baguette-shaped diamonds in platinum. Later shank. Size N. £800-1,200 1746. A French Art Deco onyx and diamond ring, of bombé form, the centre section pavé-set with old circular-cut diamonds within a pierced border of onyx cabochons. Rubbed inventory number and French control mark. Size P½. £2,000-3,000 1747. A French yellow and white diamond cluster ring, the circular-cut yellow diamond is set within octagonal border of baguette-shaped diamonds, two circular-cut diamonds and square-shaped shoulder diamonds in platinum. French control marks. Size P½. £8,000-10,000 Accompanied by report number 5776-6869 dated 13th September 2016 from GCS, London stating that the round brilliant cut diamond weighs 1.15cts and is a natural fancy deep orangey yellow with even colour distribution and faint orange (SW) to medium orange (LW) luminescence. Type IB. ✣1748. A sapphire and diamond cluster ring, the emerald-cut sapphire is set within two bagette-shaped diamonds in carved and pierced scroll mount. In platinum. Size M. £5,000-7,000 Accompanied by report number 5776-6867 dated 13th September 2016 from GCS, London stating that the octagonal cut sapphire weighs approximately 3.60cts and is a natural sapphire with no indications of heating.

Origin: Burma.

1749. An Edwardian flattened briolette-shaped aquamarine and diamond pendant, the aquamarine weighs approximately 149.23cts. The foliate-design suspension cap is millegrain-set with graduated small circular-cut diamonds in white gold. 5.5cm high. With later white gold bale and white gold ropetwist necklace. £8,000-12,000 1750. A diamond and synthetic sapphire bracelet, the central line of French cut synthetic sapphires are millegrain-set within borders of old circular brilliant-cut diamonds in platinum. Scroll-engraved sides.

17.8cm. With a case by Cartier. £3,000-4,000 1751. A diamond-set double clip brooch, of geometric design and set with single, circular-cut and baguette-shaped diamonds in platinum. Separating to be worn and two double clips. 5.2cm wide. £600-800 1752. An Art Deco sapphire and diamond brooch, of rectangular design with chamfer edges and set with lines of diamonds and a central emerald-cut sapphire in platinum and white gold. 4cm long. £3,000-4,000 Accompanied by report number 5776-6529 dated 8th August 2016 from GCS, London stating that the octagonal-cut sapphire weighs approximately 4.80cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka.

1753. An Art Deco diamond brooch, of geometric design, millegrain-set with graduated circular-cut diamonds in platinum. 4.2cm wide. £1,000-1,500 1754. An Art Deco onyx and diamond brooch, of geometric design. Set with an oval-shaped onyx plaque set with a circular-cut diamond within graduated millegrain-set diamond surround, in platinum. 4.7cm wide.

Fitted case. £800-1,200 1755. A French Art Deco diamond clip, of geometric form and pavé-set with circular and baguetteshaped diamonds in platinum. French control marks. 2.9cm long. £1,000-1,500

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1748

1747

1746

1745

1749

1755

1750 1754

1753

1752

1751

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1756

1757

1758

1756. A deeply carved oval carnelian-mounted gold ring, the intaglio second half 18th century and depicting the head of Bacchus. Contemporary mount. Intaglio 1.8cm high, size G. Case. £1,000-1,500 1757. A carved oval-shaped agate intaglio-mounted gold ring, the 18th century intaglio depicting the profile of a bearded man with headdress in the Hellenistic style. 2cm high. Late 18th century gold stirrup£800-1,200 style swivel mount. Size O. Case.

1758. A carved oval-shaped agate intaglio mounted gold swivel ring, in the Etruscan Revival manner.

The 19th century intaglio depicting the profile of a young man of rank, or possibly Apollo. The mount with fine rope and pellet decoration. The intaglio 1.5cm high, the stirrup-form shank size F½. Case. £800-1,200

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backlit detail of lots 1756 (top) and 1758

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1763

1762

1761

1760

1759

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1763

1762

1761

1760

1759 actual size

1759. A small oval carved red jasper intaglio-mounted gold ring, possibly Romano-British, 2nd - 3rd century AD and from a Roman legion in Wales, possibly Anglesey. Depicting a gryllus carved with a ram’s head, and two heads, probably Heracles and Solanus. The intaglio 0.8cm high. 18th century mount. Size J. Case . £600-800 1760. A carved carnelian oval-shaped intaglio mounted gold ring, the early 19th century intaglio depicting Roma. 18th century closed-back mount. Size N. Case. £200-300 1761. A carved oval-shaped garnet intaglio mounted gold ring, the 18th century intaglio possibly French, and depicting Hercules beneath Eros with allegorical reference to love conquering strength. 19th century mount. The intaglio 2cm high. Size I. Case. £600-800 1762. A carved hexagonal amethyst intaglio-mounted gold ring, the 19th century intaglio depicting a seated owl. 19th century mount. The intaglio 1.0cm high. Size J. Case. £200-300 1763. A small carved oval-shaped carnelian mounted gold ring, the 19th century intaglio carved with a seated owl. 19th century closed-back mount. The intaglio 0.8cm high. Size M½. Case. £200-300

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1764

1765

1765

1766

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1764 1765

1765 1766

actual size

1764. A carved oval double eye agate cameo-mounted gold ring, the Renaissance cameo, 16th century, depicting the head of an owl and applied with a gold beak. The cameo 1.6cm wide. The late 18th century mount with fluted shoulders. Size I. Case. £1,000-1,500 1765. A pair of early 19th century romantic micromosaic rings, the octagonal copper-based mosaics depicting butterflies, emblematic of the soul. Both micromosaics 1.4cm high. Gold mounts. Sizes K for a woman and N½ for a man. Case by Wartski. £2,000-3,000 1766. A niccolo cameo mounted gold ring, the first century Roman cameo depicting a theatrical mask with gaping mouth. 18th century mount. The cameo 0.8cm high. Size F. Case. £1,000-1,500

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1769

1768

1767

actual size

1767. A 17th century silver gilt and enamel hinged pomander, of waisted form and typical foliate enamel decoration to each side. Opening to reveal blue enamel lining to the concave interior. Suspension loop. 3.5cm high. £800-1,200 1768. A Renaissance, probably Richard II (1377-1399), sapphire-set gold ring, the pear-shaped cabochon sapphire is set in a plain yellow gold rubover closed back mount, with flat gold shank. Size J. £1,500-2,000 The sapphires found in Medieval jewellery were mined in Sri Lanka, and were brought along the Silk Road - as they had been in Roman times - and through Constantinople to Venice, Genoa and other European port cities.

Accompanied by report number 5776-6738 dated 1st September 2016 from GCS, London stating that the drop cabochon cut sapphire weighs approximately 1.30cts and is a natural sapphire with no indications of heating. Origin: Sri Lanka.

1769. A carved oval two-colour intaglio-mounted gold ring, the Hellenistic intaglio, 2nd century BC, depicting a goose in flight. The mount second half 17th century, with carved decoration to the shank and bezel, and with remnants of light blue enamel. The intaglio 1.0cm wide. Size E½. £1,000-1,500

58

1767 detail

1768 detail

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backlit detail of lot 1769

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actual size

1770. A rare yellow diamond, enamel and yellow gold ring, last quarter 17th century. The cushionshaped old brilliant-cut yellow diamond weighs 3.16 carats and is set within the raised box bezel with engrailed edges above arcading filled with stylised acanthus enamelled white with black details, each shoulder chased with an auricular scroll, formerly enamelled, to the plain hoop, the interior of the plain closed back setting lined with black pitch to heighten the golden tint of the stone. Probably English. £20,000-30,000 Accompanied by report number 2175692368 dated 21st June 2016 from GIA, New York stating that the round-cornered square modified brilliant cut diamond weighs 3.16cts, is a natural, even fancy deep brownish yellow colour with SI2 clarity with strong yellow fluorescence.

COMMENTARY BY DIANA SCARISBRICK This fine and rare ring set with a brilliant-cut diamond marks a milestone in gemmological history, resulting from the discovery of the laws of refraction and analytical geometry during the second half of the seventeenth century.

Until 1664, when the earliest brilliant-cut diamond, the Wittelsbach, is recorded, diamonds were cut as either point, table or rose-cuts 1. This new multi-faceted technique of cutting released so much more fire and light that Robert de Berquen, in Les Merveilles des Indes Orientales (Paris 1669), compared it with “the sun, shining out amongst all other stones”. At the same time, the supply of Golconda diamonds from India increased substantially, encouraged principally by the desire of Louis XIV to make his court at Versailles the most splendid in Europe. Across the Channel, by 1695, London had emerged as the centre of the European trade in diamonds due to the gemmological and financial skills of the resident Portuguese Jewish experts. In addition, as far as cutting and polishing were concerned, although the Dutch lapidaries excelled at rose-cut diamonds, the London workshops were acknowledged as the masters of the new brilliant-cut.

It is highly significant that the 410 carat Pitt Diamond acquired by the Regent of France was brilliant-cut by Joseph Cope in London 1704-1706. This superiority is confirmed by the auction catalogue of the precious stones of the Chevalier de la Rocque (1745): “celle de l’Angleterre est plus regulière, plus nette et plus vive: et par consequént plus estimée” (English cutting is more regular, more precise and more lively and therefore of higher value)2. These words could equally well be applied to this impeccable ring with its wonderful play of light. During this period, before the discovery of the mines in Brazil in 1727, stones of this size were rare and as in most cases jewellers had to make the best of small stones grouped together in clusters, the survival of a solitaire is exceptional.

Not only is the faceting apparently English, but also the setting, which differs from late 17th century French mounts which are more elaborately decorated and richly enamelled3. Furthermore, the simplified design in this example accords with the change of fashion, marking the turn of the century towards minimally enamelled and less massive settings; thus, not detracting from the splendour of the gem but showing it off to best advantage. Since grander social events were now taking place at night due to improvement in candle lighting, the effect of this diamond displayed on the finger of a high ranking lady or gentleman would have been extraordinary, eclipsing all other stones. © DIANA SCARISBRICK: August 2016 1. Tillander, H., Diamond Cuts in Historic Jewellery, 1995 p.155 2. Gersaint, E. F., Catalogue Raisonné des differens effets curieux et rare contenus dans le cabinet de feu M. le Chevalier de la Roque , Paris 1745 3. Scarisbrick, D., Rings, Symbols of Wealth, Power and Affection, 1993, pp.92-93, and p.98 DIANA SCARISBRICK, MA, FSA Diana Scarisbrick is a world-renowned art historian specializing in the history of jewellery and engraved gems. Her extensive research covers jewels from the Renaissance to the present day and she has contributed to numerous exhibitions, catalogues and art journals worldwide.

She is Research Associate at the Beazley Archive, Institute for Classical and Byzantine Studies, Oxford University, and was elected Fellow of the Society of Antiquaries in 1987.

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1771. A ruby and diamond brooch, formed as two stylised flowers with oval-shaped ruby centres and pavé-set diamond petals with baguette-shaped diamond stems and marquise-shaped diamond leaves.

5cm long. £10,000-15,000 Accompanied by report number 5776-6538 dated 8th August 2016 from GCS, London stating that the two oval-cut rubies weigh approximately 3.70 and 4.50cts and are natural rubies with no indications of heat treatment. Origin: Burma 1772. A pair of synthetic sapphire and diamond ear studs, the sugarloaf-shaped synthetic sapphires are set within a surround of circular-cut diamonds in platinum. 1cm wide. £200-300 1773. A diamond full-circle eternity ring by Graff, London, set with sixteen round brilliant-cut diamonds £3,000-4,000 in platinum. The diamonds weigh approximately 4.95cts in total. Size M½. Case by Graff.

1774. A diamond full circle eternity ring, channel-set with baguette-shaped diamonds in platinum. Size N½. £1,500-2,000 1775. A ruby and diamond set ‘ballerina’ cluster ring, the oval-shaped ruby is set with an undulating surround of tapered baguette-shaped diamonds. Set in white gold. Size I½. £1,500-2,000 1776. A sapphire and diamond three-stone ring, the oval-cut sapphire weighs approximately 3.15cts and is set between two emerald-cut emeralds to the shoulders and eight further small round brilliant-cut diamonds to the shank in white gold. The diamonds weigh approximately 0.75cts in total. Size M. £3,000-4,000 1777. An emerald and diamond cluster ring, the oval-shaped emerald weighs approximately 6.20cts and is set within a surround of ten small round brilliant-cut diamonds and two heart-shaped diamonds in yellow gold. The diamonds weigh approximately 1.50cts in total. Size M. £8,500-9,500 1778. A diamond dress ring, set with an old circular-cut diamond which weighs approximately 2.65cts and is set within a millegrain-set spiral of circular-cut diamonds in white gold. Size R½. £5,000-7,000 1779. A heart-shaped diamond pendant by Graff, London, the diamond weighs approximately 1.40cts and is set in white gold. On a fine-link white gold neck chain. Signed. Fitted case by Graff. £3,000-4,000 Accompanied by report number 12073412 dated 12th June 2002 from GIA, New York stating that the heartshaped brilliant-cut diamond weighs 1.40cts with H colour and VS1 clarity and no fluorescence.

1780. A sapphire and diamond line bracelet, alternately set with square-shaped sapphires and squareshaped diamonds in 18ct white gold. Signed for Bentley & Skinner, with London marks for 1999. 17.5cm.

Case by Bentley & Skinner. £2,000-3,000 1781. A single-row cultured South Sea pearl necklace, the pearls of varying shades of grey graduate from 12.0 - 15.5mm. Yellow and white fluted gold barrel-shaped clasp. 47cm. £2,000-3,000 1782. A silver and gold bangle by Tiffany & Co, the hammered silver cuff applied with a naturalistically designed gold frog swimming in the rippling silver water. Stamped 2001 Tiifany & Co 925 and 750. With Tiffany pouch and box. £800-1,200

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1780

1774

1771

1773

1772

1779

1778

1777

1776

1775

1781

1782

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1783. A Victorian pearl and turquoise mounted gold bangle, set with graduated pearls, each within a surround of turquoise cabochons in silver on gold. £1,500-2,000 Accompanied by report number 5775-2386 dated 1st July 2015 from GCS, London stating that the five pearls measure 7.8 - 12.5mm (average) and are natural saltwater pearls with no indications of treatment.

Accompanied by report number 5776-4868 dated 14th March 2016 from GCS, London stating that the white half-drilled central pearl weighs 9.10cts and is a natural saltwater pearl with no indications of treatment.

Accompanied by report number 5776-4869 dated 14th March 2016 from GCS, London stating that the two cream-coloured pearls either side of the central pearl weigh 4.46cts and 5.59cts and are natural saltwater pearls with no indications of treatment.

1784. A pair of natural pearl and diamond drop earrings, the pearls suspend from rose-cut diamond caps, suspended from a knife-edge mount and a further diamond in silver platinum and gold. £1,500-2,000 Accompanied by report number 12887 dated 21st June 2016 from The Gem and Pearl Laboratory, London stating that the two part-drilled flattened drop-shaped pearls measure 6.9 - 8.6 x 9 - 11mm and 6.7 - 9.2 x 9 - 11mm and are natural saltwater pearls.

1785. A natural pearl and diamond ring, the button-shaped pearl ring is set with three circular-cut diamonds to each shoulder in platinum and white gold. Size V. £500-700 Accompanied by report number 5776-6534 dated 9th August 2016 from GCS, London stating that the cream coloured pearl measures approximately 7.4 - 7.5 x 7.1mm and is a natural saltwater pearl with no indications of treatment.

1786. A five-row natural and cultured seed pearl choker-length necklace, with two white gold bar spacers, each set with 11 round brilliant-cut diamonds and with detachable diamond and natural pearl drop brooch pendant. The pendant centred with an old round circular-cut diamond millegrain-set within a surround of smaller graduated diamonds in white gold and with a detachable drop-shaped pearl. The £1,000-2,000 necklace 36cm. With an associated Liberty box and screw driver.

Accompanied by report number 5776-6865 dated 12th September 2016 from GCS, London stating that 599 of the 630 cream coloured and brown pearls measure approximately 2.8 - 3.4mm (necklace) and 8.0 - 8.1 x 10.3mm (drop) are natural saltwater pearls. The remaining 31 pearls are cultured beaded saltwater pearls.

1787. A graduated two-row natural and cultured pearl necklace, the pearls graduate from 3.4 - 8.7mm.

41cm. The clasp set with a pearl within a surround of small diamonds in gold. £1,000-1,500 Accompanied by report number 5776-6044 dated 28th June 2016 from GCS, London stating that 93 of the 158 cream-coloured pearls are natural saltwater pearls which measure 3.2 - 8.7mm in diameter. The remaining 65 pearls are cultured pearls (details on original report).

1788. A single-row natural pearl necklace, set with an emerald and diamond circular clasp. 46cm long.

With a natural pearl-set silver and gold bar brooch. 5.5cm long. £400-600 1789. A three-row slightly graduated natural seed pearl necklace, the gold clasp centred with a small glazed locket containing hair and within a surround of untested seed pearls on blue and white enamel £600-800 ground. 39cm. Case.

Accompanied by report number 5776-4845 dated 14th March 2016 stating that 282 of the 284 cream coloured pearls are natural saltwater pearls. The two remaining pearls are cultured.

1790. A pair of natural pearl and diamond earrings. Suspending from silver and gold mounts set with rose-cut diamonds. £2,000-3,000 Accompanied by report number 5776-5788 dated 26th May 2016 from GCS, London stating that the two cream coloured pearls measure 7.6 - 7.7 x 9.2mm and 7.4 - 7.6 x 9.3mm and are natural saltwater pearls with no indications of treatment.

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1783

1786

1785

1784

1787

1788 (2)

1790 1789

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1791. A Victorian diamond and gem-set insect brooch, the naturalistically formed insect with pavé-set diamonds overall and a cabochon emerald body, with ruby eyes, set in silver and gold. With detachable gold legs and brooch fitting. £800-1,200 Provenance: From the estate of Deborah, the late Duchess of Devonshire (1920 - 2014).

1792. An untested pearl and diamond set late 19th century insect brooch, naturalistically formed and with emerald eyes set in silver and gold. 3.3cm wide. £2,000-3,000 1793. An impressive gem-set and diamond butterfly and flower corsage, circa 1880. The yellow gold butterfly mounted en tremblant and set with topaz, sapphires, emeralds and diamonds with cabochon ruby eyes. The main body of the brooch set with a wild rose mounted en tremblant and pavé-set with diamonds.

Suspending a detachable articulated section of foliage pavé-set with diamonds in silver and gold. 17cm longest. £10,000-15,000 For similar brooch, see plate 204, David Bennett & Daniela Mascetti, Understanding Jewellery.

1794. A 19th century diamond-set openwork scroll brooch, the centre old square cushion-shaped diamond weighs 3.49cts and is set in silver and gold with smaller cushion-shaped and rose cut diamonds.

With detachable pendant loop set with three small graduated diamonds. The brooch 3.5cm wide. £4,000-6,000 1795. A Victorian ruby and diamond foliate brooch, the principal section mounted en tremblant and set with a ruby and diamonds, on further diamond foliate spray brooch, in silver and gold. £800-1,200 1796. A sapphire and diamond five stone ring, alternately-set with oval-shaped sapphires and cushionshaped diamonds within diamond pointers. In carved and pierced yellow gold mount. Size P. £1,000-1,500 1797. An impressive cabochon emerald and diamond cluster ring, the sugarloaf-shaped emerald weighs approximately 34.00cts and is set within a surround of rose-cut diamonds in platinum. Pierced mount. Size M. £12,000-15,000 Accompanied by report number 5776-6535 dated 8th August 2016 from GCS, London stating that the cabochon cut emerald weighs approximately 34.00cts and is a natural emerald with moderate clarity enhancement. Origin: Zambia.

1798. An emerald and diamond three stone ring, the rectangular-shaped emerald is set with a cushionshaped diamond to each side in carved and pierced yellow gold shank. Size O½. £800-1,200

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1791

1792

1794

1793

1796

1795

1797

1798

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1799. An Art Nouveau diamond brooch, set overall with graduated rose-cut diamonds, suspending a triangular diamond and pink conch pearl, and with plique-à-jour enamel decoration (some damage). 3.2cm wide. £3,000-4,000 1800. A diamond solitaire ring, the old circular-cut diamond weighs 2.32cts and is set in platinum. Size Q. £12,000-15,000 Accompanied by report number 20024070 from Anchorcert, Birmingham which states that the old English brilliant-cut diamond weighs 2.32cts and is a natural diamond with H colour and VS1 clarity.

1801. A diamond three stone ring, the central circular-cut diamond weighs approximately 1.50cts, the two smaller diamond weigh approximately 1.50cts in total. Set in platinum and yellow gold. Size R. £4,000-6,000 1802. An early 20th century gem-set and enamel lavalier, the central plaque set with plique-à-jour enamel and a pearl and diamond, suspending two drops, each with a central ruby within plique-à-jour enamel and diamond surround. The fine link neck chain with two sapphires. The chain 38cm. £800-1,200 1803. An Edwardian shell brooch, realistically designed as a Babylon Turrid shell, set overall with graduated old cushion-shaped diamonds and an untested pearl, in platinum. 4.3cm long. Fitted case by Thomas Woolley Ltd. £400-600 1804. A diamond, seed pearl and paste set heart brooch, the green paste heart is set within concentric surrounds, the inner set with circular-cut diamonds, the outer with pearls (one missing) and foliate diamond clusters. With diamond-set bale, in silver and gold. 3cm long. £400-600 1805. A Victorian demantoid garnet and diamond brooch, designed as a stylised dandelion, the seeds alternately millegrain-set with circular-cut diamonds and demantoid garnets in silver and gold. 3cm high. £600-800 1806. An early 20th century seed pearl choker-length necklace, the necklace with platinum links and suspending two pearls. The platinum and gold quatrefoil clasp millegrain-set with small diamonds. 38cm. £1,000-1,500 1807. A diamond and gem-set long guard chain, alternately-set with diamonds , seed pearls and black diamonds with millegrain-set lemniscates in platinum. 136cm long. £500-700 1808. An early 20th century gem-set and enamel necklace, set with graduated gem stones including peridot, aquamarine, pink and blue sapphire, amethyst, zircon, pink topaz, pink tourmaline, and citrine. Each oval-shaped stone is separated with a white enamel foliate-inspired lemniscate. Set in gold. 39cm long. £12,000-15,000 1809. An Edwardian diamond bracelet, the three oval panels pierced and millegrain-set with a line of three old cushion-shaped diamonds within a scallop-edged border of diamonds. With teardrop and flowerhead terminals and each link separated with a pair of cushion-shaped diamonds on a platinum band. £2,000-3,000 1810. An opal and diamond brooch, alternately set with solid white opal cabochons and diamond £1,000-2,000 quatrefoils in white gold. 8cm wide.

1811. A Victorian diamond brooch/pendant, of circular form, set with a central circular-cut diamond within scroll borders of smaller diamonds and suspending three articulated lines of diamonds, millegrainset in silver and gold. With detachable diamond-set bale. 3.2cm wide. £1,000-2,000

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1805

1804

1799

1803

1802

1800

1801

1807

1806

1810 1811 1809 1808

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1812. A pair of Victorian natural pearl and diamond drop earrings, the small button-shaped pearls suspend diamond bows and a drop-shaped natural pearl suspended within the diamond-set pear-shaped wreath. In silver and gold. 5.2cm long. Case by Austin & Williams. £8,000-12,000 Accompanied by report number 5776-6595 dated 8th August 2016 from GCS, London stating that the four light grey and cream pearls measure approximately 6.2 x 5.5 x 4.8mm, 5.5 - 5.6 x 5.7mm, 7.8 - 7.9 x 12.4mm and 7.3 - 7.8 x 12.2mm and are natural saltwater pearls with no indications of treatment. The cream coloured drop-shaped pearl is fully drilled.

1813. A pair of early 20th century pearl and diamond drop earrings, the pearl studs suspend a detachable and articulated knife-edge line of diamonds and a larger natural pearl. In Boucheron box. £2,000-3,000 Accompanied by report number 09646 dated 29th March 2014 from The Gem and Pearl Laboratory, London stating that the four part-drilled button-shaped pearls measure approximately 7.2 - 7.3mm, 7.0 - 7.1mm, 5.1 - 5.2mm and 5.1 - 5.2mm and are natural saltwater pearls.

1814. A natural pearl, the drop-shaped pearl weighs 12.50cts.

£5,000-10,000

Accompanied by a copy of the report from The Gem and Pearl Laboratory, London dated 10th June 2016 stating that the drop-shaped pearl is natural saltwater.

1815. A natural pearl brooch, the button-shaped pearl mounted on a plain yellow gold bar brooch. £5,000-10,000 Accompanied by report number 85999 dated 24th May 2016 from SSEF, Switzerland stating that the white button-shaped half drilled pearl weighs 8.433cts (33.73 grains) and is a natural saltwater pearl.

Accompanied by report number 5776-4847 dated 14th March 2016 from GCS, London stating that the cream coloured pearl is a natural saltwater pearl.

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1812

1814 1813

1815

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1816. A pair of jade and diamond drop earrings, the pierced jade discs carved with cranes. Mounted in gold, each disc suspends from a round brilliant-cut diamond. 2.5cm wide. £2,000-3,000 Accompanied by report number 5776-6740 dated 6th September 2016 from GCS, London stating that the carved jade discs each measure approximately 25.2mm and 25.3mm and are natural green jadeite jade with no indications of impregnation (A-Jade).

1817. A 19th century topaz and diamond pendant, the pear-shaped pink topaz is set within iridescent green enamel foliate scroll surround, set with cushion-shaped diamonds and suspending a pearl in silver and gold. 5cm long. £6,000-8,000 1818. A Victorian emerald-set gold snake necklace, the head set with three emerald-cut emeralds and a further pear-shaped emerald and with three colour gold textured and polished foliate decoration. Cushionshaped diamond eyes and suspending a heart-shaped pendant with similar decoration and set with a pear-shaped emerald. With glazed locket compartment to the reverse. Graduated snake-link gold necklace, £5,000-7,000 35.5cm long. Fitted case.

1819. A sapphire and diamond five stone ring, set with oval-shaped sapphires and cushion-shaped diamonds in carved and pierced yellow gold shank. With an inscription dated 1898 to the inner shank. Size O½. Case by Carrington & Co. £1,000-2,000 1820. A natural pearl mounted ring, set with small diamonds to the shoulders in platinum. Size N½. £200-300 Accompanied by report number 5776-6775 dated 5th September 2016 from GCS, London stating that the cream coloured pearl measures approximately 7.3 – 7.4 x 7.0mm and is a natural saltwater pearl with no indications of treatment.

1821. A diamond set gold duck brooch, remains of enamel decoration and pavé set with rose-cut diamonds.

2cm wide. £400-600 1822. A George III spinel brooch, the cushion-shaped pink spinel in closed back setting is set within a surround of white stones in silver and yellow gold. 2cm widest. £2,000-3,000 Accompanied by report number 5776-5640 dated 24th May 2016 stating that the octagonal-cut spinel weighs 5.92cts and is a natural pink spinel with no indications of heat treatment.

1823. A Victorian topaz and diamond brooch, the oval orange topaz weighs approximately 13.00cts, set within a surround of rose-cut and a surround of cushion-shaped diamonds in silver and gold. 3.1cm long. Case by Harvey & Gore. £8,000-12,000 1824. A 19th century spinel, diamond and pearl brooch, the cushion-shaped red spinel is set within a surround of cushion-shaped diamonds and half pearls, in silver and gold. 2.6cm long. £1,000-1,500 Accompanied by report number 5776-6205 dated 12th July 2016 from GCS, London stating that the cushion cut spinel weighs approximately 3.00cts and is a natural red spinel with no indications of heating.

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1817

1816

1824

1823

1818

1821

1819

1822

1820

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1825. An Egyptian Revival Art Deco pendant, the navette-shaped pendant applied with stylised lotus flowers set with rubies and emeralds (one missing) within a border of old circular-cut diamonds (some missing) in carved and pierced yellow gold mount and suspending a smaller diamond-set pendant (possibly later) and on a gold bale (probably later). 5cm long. £1,000-1,500 1826. An Art Deco gem-set giardinetto brooch, centred with a carved citrine vase with a marquiseshaped diamond set flowerhead. With carved blue stone and carnelian flowerheads, to each side, each centred with a small diamond and with carved dyed chalcedony leaves. The rectangular frame set with circular cut diamonds. 4.2cm wide. £2,000-3,000 1827. A sapphire and diamond circular brooch, designed as eccentric circles of calibré-cut sapphires and cushion-shaped diamonds millegrain-set in platinum. 2.5cm diameter. £600-800 1828. An Art Deco diamond double clip brooch, geometrically designed and set overall with circular and baguette-shaped diamonds (one missing) in platinum and white gold. 5.2cm. The brooch separates to form two identical double clips and another clip. £1,000-1,500 1829. An Art Deco diamond brooch, of geometric design and set with a central old circular-cut diamond within concentric rectangular borders and stylised fleur-de-lys terminals in platinum. 8cm wide. £4,000-6,000 1830. A French Art Deco emerald and diamond clip, of Islamic inspiration, pavé-set with circular-cut diamonds and emerald-cut emeralds in platinum. French control marks and maker’s lozenge with intials T.M. 3.4cm high. £2,000-3,000 1831. An early 20th century emerald and diamond bracelet, the pierced oval-links set with graduated old circular-cut diamonds, the raised demi-lune yellow gold links channel-set with calibré-cut emeralds.

18cm long. Fitted case by Thomas Woolley Ltd. £1,500-2,000 1832. An American Art Deco gold box, of rectangular form, with blue enamel decoration and brick red enamel terminals. Diamond scroll thumb piece and engraved to the plain interior with affectionate £3,500-4,500 inscription dated 1931. 8cm wide. Signed Yard. Leather case.

1833. A French gold Art Deco lipstick holder, of cylindrical form and decorated with black enamel strips, separated with four red pellets. French control marks and numbered 23475. 5.3cm high. £1,200-1,500

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1825

1826

1830 1828

1827

1829

1831

1832

1833

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actual size

1834. A diamond solitaire ring, the old circular-cut diamond weighs 5.71cts and is set in platinum coronet mount with four circular-cut diamonds to each shoulder. In platinum. Size M½. With Chaumet case. £40,000-60,000 Accompanied by report number 6177051222 dated 2nd March 2015 from GIA, New York stating that the old European brilliant cut diamond weighs 5.71cts and is a natural fancy yellow diamond with VVS2 clarity.

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1835. An Art Deco emerald, diamond and ruby jabot pin by Cartier, 1930s. Centred with a carved fluted emerald to the upper section with diamond centred graduated ruby cabochons with red and black enamel highlights. With conforming decoration to the diamond-set removable terminal. The terminal signed Cartier and indistinct inventory number; probably 30161541. 4.3cm long. In buff colour leather case (broken), the silk lining marked for Cartier, London, Paris, 653 5th Avenue, New York. ÂŁ5,000-7,000 1836. A citrine and topaz mounted gold flower brooch by Cartier, circa 1960. The stylised sunflower set with an outer border of oval-shaped topaz petals and an inner row of pear-shaped citrines, the carpels formed from circular-cut diamonds. The stem is set with a citrine leaf and a diamond to the base. Signed ÂŁ10,000-15,000 Cartier London and numbered 01116. 5.5cm high. With Cartier box.

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1835

1836

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1838 detail displaying colour in daylight

1837. A diamond solitaire ring, the old circular-cut diamond weighs 5.17cts and is claw-set in white gold. Size N½. Box. £15,000-20,000 1838. A cushion-shaped colour change sapphire and diamond ring, set with graduated circular and baguette-shaped shoulder diamonds in platinum. Size J. £20,000-25,000 Accompanied by report number 5776-6737 dated 1st September 2016 from GCS, London stating that the cushion-cut sapphire weighs approximately 14.50cts and is a natural colour-change sapphire with no indications of heating, and is purplish blue in daylight and purple in incandescent light. Origin: Sri Lanka.

1839. A diamond bracelet, of symmetrical design and comprised of baguette-shaped and circular-cut diamonds in platinum, circa 1960. The diamonds weigh approximately 30.00cts in total. 16.8cm long. £18,000-25,000 1840. An emerald ring, the emerald-cut emerald in set in carved and pierced yellow gold scroll mount.

Size M½. £15,000-25,000 Accompanied by report number 5776-5715 dated 24th May 2016 from GCS, London stating that the octagonal-cut emerald weighs approximately 4.40cts and is a natural emerald with moderate clarity enhancement. Origin: Colombia.

1841. A large sapphire and diamond cluster ring, the large oval-shaped sapphire weighs approximately 12.00cts and is set with two graduated baguette shaped diamonds and a triangular-shaped diamond to each shoulder. With circular-cut diamonds to the gallery, in platinum. Size S½. In Cartier box. £10,000-15,000 1842. A colour-change sapphire and diamond ring, the emerald-cut sapphire weighs 4.45cts and is set £4,000-6,000 with three graduated baguette-shaped diamonds to each shoulder in gold. Size L. Accompanied by report number 13098 dated 5th August 2016 from The Gem & Pearl Laboratory, London stating that the square-shaped emerald cut sapphire weighs 4.45cts and is a natural sapphire exhibiting a change of colour and no evidence of heat treatment. The sapphire appears blue in daylight and purple in incandescent light. Origin: Sri Lanka.

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1837

1838

1839

1842 1841

1840

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1843. A late Victorian diamond bracelet, designed as three graduated diamond clusters, each joined with diamond set scrolls in gold. The three principal transitional circular-cut diamonds weigh approximately 2.80, 2.01, and 1.85cts. The open curb-link back section set with small diamonds. 16cm. Fitted blue leather case with gold embossed initals MB. £15,000-20,000 Provenance: Property of Lady Mary Baillie Hamilton.

1844. A late Victorian diamond starburst brooch, the central old circular-cut diamond weighs approximately 1.85cts within a scallop-edged surround with diamond-set rays in silver and gold. 6cm diameter. £5,000-7,000 1845. A diamond three stone ring, the graduated circular-cut diamonds weigh approximately 1.05, 1.35 and 0.95cts, set in platinum coronet mount. Size P. £3,000-5,000 1846. A diamond solitaire ring, the circular cut diamond weighs 2.55cts and is set with a baguetteshaped diamond to each shoulder in platinum. Size N. £4,000-5,000 Accompanied by report number 5776-6528 dated 9th August 2016 from GCS, London stating that the old European cut diamond weighs 2.55cts and is a natural diamond with K colour and SI2 clarity and faint fluorescence.

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1846

1845

1884

1843

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actual size

1847. A large, rare and impressive non-nacreous natural pearl, the button-shaped white pearl weighs 49.92cts and is approximately 20.45mm diameter x 15.89 deep. This natural pearl is from the Giant Clam Tridacna Gigas. Its size, symmetrical shape and excellent iridescent flame pattern make it extremely rare and desirable. ÂŁ20,000-30,000 Accompanied by hard-bound report numbered 81480 and dated 25th August 2015 from SSEF, Switzerland stating that the button-shaped undrilled pearl weighs 49.920cts (199.68 grains) is white with fine flame structures and is a non-nacreous natural pearl.

With appendix letter from SSEF (below).

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1848. An early 20th century diamond line bracelet, the centre old round brilliant-cut diamond weighs approximately 1.05cts and is set with a further graduated thirty six similar cut diamonds in articulated rubover platinum mounts, with engraved foliate decoration to the sides. The additional thirty six diamonds weigh approximately 6.80cts in total. Austrian marks to the clasp. 18cm long. £4,000-6,000 1849. An early 20th century diamond-set double clip brooch, of scrolling form and set with circular and baguette-shaped diamonds in platinum. 7.5cm widest. £1,500-2,000 1850. A 19th century ruby and diamond bow brooch, the ribbon set with a line of tapered baguetteshaped rubies and a line of circular-cut diamonds, the knot formed from a single old cushion-shaped £12,000-15,000 diamond weighing approximately 1.30cts set in silver and gold. 6.5cm wide.

1851. A diamond-set crossover ring, the two principal old circular-cut diamonds weigh approximately 1.50 and 1.60cts each. The platinum mount set with baguette-shaped and smaller circular-cut diamonds.

Size M. £6,000-8,000 1852. A diamond solitaire ring, the old cushion-shaped diamond weighs approximately 4.00cts and is £8,000-12,000 set with tapered baguette and trapeze-shaped shoulder diamonds in platinum. Size L½.

1853. A ruby and diamond ring, the emerald-cut ruby is set with baguette-shaped diamonds to the shoulders. Size M. £8,000-12,000 Accompanied by report number 5776-5719 dated 24th May 2016 from GCS, London stating that the octagonal-cut ruby weighs approximately 2.00cts and is a natural ruby with no indications of heat treatment.

Origin: Burma.

1854. An early 20th century sapphire and diamond cluster ring, the oval-shape sapphire is set within a surround of small old cushion-cut diamonds in platinum. Size L½. £8,000-12,000 Accompanied by report number 5776-5722 dated 25th May 2016 from GCS, London stating that the ovalcut sapphire weighs approximately 2.80cts and is a natural sapphire with no indications of heat treatment.

Origin: Burma.

1855. A sapphire and diamond target ring, set with a central old circular-cut diamond within a border of calibré-cut sapphires and circular-cut diamonds in platinum. Size P½. £4,000-6,000

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1855

1854

1853

1852

1851

1850

1849

1848

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1856. A ruby and diamond-set platinum ring, the oval-shaped ruby is rub-over set within a surround of pavé-set round brilliant-cut diamonds. French marks. Size F. £25,000-30,000 Accompanied by report number 12920 dated 1st July 2016 from The Gem & Pearl Laboratory, London stating that the rectangular cushion-shaped ruby measures approximately 10 - 11 x 6 - 7 x 3.2mm and is a natural ruby with no evidence of heat treatment. Origin: Burma.

Accompanied by report number 5776-6537 dated 8th August 2016 from GCS, London stating that the cushion-cut ruby weighs approximately 2.10cts and is a natural ruby with no indications of heat treatment.

Origin: Burma.

1857. A fancy orange diamond and emerald cluster ring, the circular-cut orange diamond is set within a rectangular surround of tapered French-cut emeralds in yellow gold carved and pierced mount. Size N. £6,000-8,000 Accompanied by report number 5172692154 dated 27th June 2016 from GIA, New York stating that the round brilliant-cut diamond weighs 1.53cts and is an even, natural, fancy deep yellowish orange with I3 clarity and no fluorescence.

1858. A pair of emerald and diamond cluster earrings, each emerald set within a surround of thirteen old circular-cut diamonds and set in gold. French control marks, and each numbered 5258. £60,000-80,000 Accompanied by report number CS 84713 A and B dated 3rd June 2015 from American Gemological Laboratories, New York stating that the cushion-shaped step cut emeralds measure approximately 12.72 x 10.68 x 5.66mm and 12.60 x 1073 x 5.42mm and are natural emeralds with minor clarity enhancement.

Origin: Colombia.

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1856

1857

1858

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1859. An impressive late Victorian diamond-set wild rose tiara, the central large wild rose is naturalistically designed and pavĂŠ-set with old cushion-cut and pear-shaped diamonds, set either side with a series of four further graduated diamond-set roses and six graduated diamond-set foliate sprays in silver and gold. Ten of the eleven sections convert to be worn as a substantial necklace, set on yellow gold knifeedge mounts. Each section also converts to be worn separately as a brooch, or a pair of earrings. With eight gold brooch fittings a pair of gold earring fittings, and a screwdriver. ÂŁ30,000-50,000

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actual size

1860. A pair of diamond ear studs by Graff, London, the round brilliant-cut diamonds weigh 3.01cts each and are set in platinum. Case by Graff. ÂŁ50,000-70,000 Accompanied by report number 13656927 dated 15th September 2004 from GIA, New York stating that one of the round brilliant-cut diamonds weighs 3.01cts with F colour and VS2 clarity, and with faint fluorescence.

Accompanied by report number 13552999 dated 3rd August 2004 from GIA, New York stating that the other round brilliant-cut diamond weighs 3.01cts with F colour and VS2 clarity, and with no fluorescence.

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actual size

1861. A sapphire and diamond ring by Graff, the cushion-shaped sapphire weighs 4.58cts and is set with a tapered baguette-shaped diamond to each shoulder in platinum. The inside shank signed Graff. With case by Graff. £150,000-200,000 Accompanied by report number 87222 dated 18th August 2016 from SSEF, Switzerland stating that the antique cushion, brilliant/step cut sapphire weighs 4.585cts and is a natural royal blue sapphire with no indications of heating. Origin: Kashmir.

“Royal blue” is a standardised term used by SSEF and Gübelin Gem Lab to describe sapphires of superior quality and with a saturated blue colour, either pure or with a very slight purplish tint, free of any type of treatment and relatively free of eye-visible or dark inclusions, and exhibiting a homogeneous colour distribution with vivid internal reflections.

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actual size

1862. An impressive diamond ring, the emerald-cut diamond weighs 7.85cts and is set with a baguetteshaped diamond to each shoulder in platinum. Size L. ÂŁ60,000-80,000 Accompanied by report number 6173700401 dated 21st June 2016 from GIA, New York stating that the emerald-cut diamond weighs 7.85cts with J colour and VS1 clarity, and no fluorescence.

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actual size

1863. A sapphire and diamond ring. The cushion shaped sapphire weighs 4.94 cts and is set with six small shoulder diamonds in platinum. Size M. ÂŁ150,000-200,000 Accompanied by report number 87311 dated 30th August 2016 from SSEF, Switzerland stating that the oval, brilliant/step cut sapphire weighs 4.948cts and is a natural sapphire with no indications of heating.

Origin: Kashmir.

Accompanied by report number 5776-6594 dated 8th August 2016 from GCS, London stating that the cushioncut sapphire weighs 4.94cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir.

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FINE SILVER & OBJECTS OF VERTU Wednesday 26th October 2016

A large pair of Victorian silver-gilt ewers by George Fox, London 1861, 45.8cm high.

Estimate: £4,000 - £6,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 15th November 2016

A rare Chinese agate dish, four character Yonzheng mark and of the period 1723-35, 12.5cm.

Provenance: Lt. Col. Edmund Whitehaed (1870-1945), an interpreter for the British Army who served in Beijing, circa 1890.

Estimate: £10,000 - £20,000

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Fine Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 27th October 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

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Auction Calendar 20TH CENTURY DESIGN 18th October – Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk SILVER 25th October – The Arthur Holder Collection (Part I) 26th October – Fine Silver & Objects of Vertu 24th & 25th January 2017 – Silver & Objects of Vertu including The Arthur Holder Collection Part II Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk ASIAN ART 15th & 16th November John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk PAINTINGS 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 11th January 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk JEWELLERY 26th January 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 7th March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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