Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 24th January 2019

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424751

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro

424583 424751

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

424509 424598

MARKETING Sally Trench

446959

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424595 424504 424586

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Madeleine White

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE MANAGER Matt Hill CASTLE GATE RECEPTION Megan Corbett BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 â&#x20AC;¢ www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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JEWELLERY

Thursday 24th January 2019 at 10.00am

At our Castle Street Salerooms, SP1 3SU VIEWING TIMES Friday 18th January Saturday 19th January Monday 21st January Tuesday 22nd January Wednesday 23rd January Thursday 24th January

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 23rd January, LIVE BIDDING

ILLUSTRATIONS

www.the-saleroom.com

Front cover: Back cover:

Please register by 5pm on Wednesday 23rd January,

Lot 1914 Lot 1900

Catalogue £12.00 (£15.00 by post)

Please note there is a 4.95% +VAT surcharge for using this service.

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Saturday collections by appointment. 10.00am to 1.00pm

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1501 1500. A wooden specimen cabinet, containing a variety of cased gemstones, including a large rough ruby and other smaller rough rubies, a box of rough garnets, tiger's eye, lapis lazuli, banded agates, spessartite garnets, rough orange topaz, rough sapphires, rough tourmalines, rough aquamarines, faceted heliodor a faceted yellow sapphire, 11.70cts, rough quartz, a faceted amethyst, two faceted pink/red spinels weighing 3.19cts and 4.55cts and a grey star sapphire cabochon £200-300 1501. A collection of seventeen antique jewellery boxes, including a circular case by Cartier, a fitted brooch case by Carrington & Co, an ear clips case by Chaumet, and various other cases by Sakes & Co, Finnigans Ltd New Bond Street, £150-250 Austin & Williams, Charles Frodsham, etc

1500

1502. A large quantity of antique jewellery boxes, including a fitted medal case by Mappin & Webb and various other boxes for rings, brooches, stick pins, dress studs etc. £200-300 1503. A red jewellery casket and a wooden jewellery casket containing various items of jewellery, costume jewellery etc, including an Edwardian seed pearl and rose-cut diamond-set gold open work foliate brooch with light blue enamel decoration, a diamond and black enamel-set gold mourning ring, a gilt-lined continental silver box with diamond and green-stone set centrepiece to the hinged lid and with blue enamel decoration, two silver boxes, the gold half hunting-cased fob watch with orange and blue enamel decoration, a 9ct gold half hunting-cased pocket watch, a cabochon garnet and diamond-set gold bar brooch, a 9ct gold gatelink bracelet, assorted diamond simulant-set rings, a gold mizpah ring, a silver-mounted hairbrush and tortoiseshell-mounted silver mirror, an Edwardian £400-600 seed-pearl set gold hinged bangle in case, assorted gold chains, etc.

1504. A jewellery casket with lift-out draw containing various items of jewellery, including an 18th century silver and gold ring set with an emerald and diamonds, a cabochon ruby-set gold ring, a carved hardstone antique cameo depicting Alexander in gold mount, a pendant with double-sided enamel centrepiece painted with a prayer in latin within rose-cut diamond and seed pearl surround, various items of gold jewellery, a desk seal with thistle matrix, an Edwardian gold hinged £300-400 bangle set with opals, seed pearls and a ruby, etc.

1502

1503

1504

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1506

1507

1505 1505. A jewellery casket containing various items of jewellery etc, including a large clasp containing an oval painting of two birds in rural scene in gilt metal mount, etc. £200-300

1506. A jewellery casket with two lift-out trays containing various items of jewellery etc, including a ten-row ornate gilt metal bracelet in fitted case, a 9ct gold pen knife with steel corkscrew blade and scissors, a 9ct gold folding three-section pipe implement, a hardstone miniature egg pendant with ruby-set enamel terminal, three hair combs with rose-cut diamondset mistletoe decoration, a George III seed pearl-set floral brooch, etc. £300-400 1507. A jewellery casket with lift-out tray containing various items of jewellery etc, including a pair of articulated pearl and diamond drop earrings in case by Mappin & Webb, a 22ct gypsy ring set with an old circular-cut diamond, a diamond five-stone gold half-hoop ring, a diamond-set trefoil ring in platinum, eight assorted gold bar brooches, a turquoise-set gold propelling pencil, etc. £600-800

1508

1508. A leather jewellery casket containing assorted items of jewellery, including a string of faceted ruby beads, a cultured pearl necklace, a spinning gold fob seal, a Scottish banded agate silver tank track bracelet, a multicoloured paste bracelet set in gilt metal, two gold lockets, a pair of gilt metal serpent earrings, each snake suspending a lapis lazuli cabochon, two pairs of gold earrings and a gold and green glass heart pendant £100-200 1509. A small jewellery casket with lift-out tray containing various items of jewellery etc, including an oval-shaped diamond and seven fancy-cut ruby-set gold foliate ring, size I, a faceted amethyst-mounted gold acorn pendant with remnants of white enamel decoration, a two-colour gold flying duck brooch with enamel decoration to the head, a diamond and rubyset cluster ring, a diamond-set gold fob watch, a graduated short amber bead necklace, a cameo-mounted bracelet, Victorian brooches, assorted rings, etc. £300-400 1510. Seven assorted gold rings, 17g total, two gold bangles, approx. 16g, an oval-shaped amethyst-mounted gold ring, ten assorted gold charms, an Egyptian sarcophagus charm containing a metal embalmed mummy, a moonstone and sapphire-mounted gold bar brooch, seven assorted gold stock pins, a gold crossed pennant brooch dated 1932, a seed pearl-set shamrock gold brooch, a moonstone-mounted pendant and moonstone-mounted necklace £400-600 and various items of jewellery etc.

1509

1510 part

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1511

1511. A gold short and long flat curb-link necklace, a 9ct curb-link bracelet, a gold long and short oval-link watch chain, a broken 22ct gold wedding ring, approx. 80g total, a ruby and diamond-mounted five-stone gold ring, a cultured pearl-mounted gold floral brooch, various stick pins, five wristwatches and assorted jewellery, etc. £400-600 1512. A mixed group of jewellery, including a three-colour gold strap bracelet, a gold curb-link bracelet, a damaged gold bangle, a jade and gold ring, a gold reliquary pendant, a turquoise-mounted brooch, a 9ct gold bangle, a gem-set spider stud, a fine-link gold chain, a gilded metal bangle set with sapphires and a base metal pendant £600-800

1512

1513. A collection of gold propelling pencils and fob seals, including a ruby and diamond-set gold pencil, a gold pencil by S Mordan & Co with a ruby and diamond thumbpiece, four gold and gem-set watch keys, three further gold pencils and thirteen gold and metal gem-set fob seals £150-250 1514. Various items of jewellery, including a diamond half-hoop ring, set with seven circular-cut diamonds in yellow gold, size N, with a diamond solitaire ring, size I½ and a gold ring set with a diamond-set pelican, size M½, case, a 19th century closed-back topaz and seed pearl-set gold cluster ring, four further rings, a silver hinged bangle, two coral necklaces, various items of silver jewellery, gold brooches, paste-set jewellery, a gold-cased sovereign case and a Regency locket pendant £400-600 1515. A quantity of jewellery, including an amethyst-set gold ring, an Edwardian amethyst and seed pearl-set gold pendant, a coral and seed pearl-set gold ring with matching earrings, a three-row cultured pearl necklace with a diamond and cultured pearl-set gold clasp, 35cm long, an amethyst-set foliate silver gilt bracelet, a gold curb link bracelet, 27g, an amethyst and seed pearl-mounted gold bracelet, a cultured pearl-mounted yellow gold swirl brooch, an Edwardian seed pearl and turquoise-set gold circular floral brooch, a pair of blue zircon-mounted gold earrings, a sterling silver fish bracelet with London marks and maker’s mark BP, a silver cruciform pendant set with a cabochon green stone with London marks for 2000 and maker GL on an ovallink silver neck chain and a pair of imitation pearl earrings £400-600

1513

1515 1514

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1517

1516

1516. A lady’s diamond-set cocktail wristwatch by Tudor, a lady’s Art Deco cocktail wristwatch, a lady’s 9ct gold wristwatch by Baume, a gold fob watch, a shell cameo, a 22ct gold wedding band, a gold locket, a shell bar brooch, a Regency gold filigree brooch, an Edwardian seed pearl and opal pendant, a blue enamel pendant a gold cross pendant on chain and three £400-600 other base metal items 1517. A nine-row ruby bead necklace, separated with diamond-set spacers with white gold clasp, 50cm longest, a graduated three row cultured pearl necklace, strung to sit in a Vshape, with plain gold clasp, 55cm longest, and a cultured pearl bracelet with a paste-set silver clasp, 18cm long £200-300 1518. A mixed quantity of twenty-six rings, including twelve plain gold rings, and eleven gem-set and paste rings, with three other rings £400-600 1519. A faceted red stone-mounted gold ring in the classical manner, with case, and various gold items and remnants, possibly Hellenistic, approx. 23g total £200-300

1518

1520. A ruby emerald and diamond carved half hoop ring, size M½, a ruby and diamond quatrefoil ring in white gold size M½, a citrine and seed pearl-set gold ring, size R½, a gold and silver portrait brooch set with a surround of white stones, 4cm high, a briolette citrine-set gold brooch pendant, 4.2cm high £800-1,200

1519

1520

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1521

1521. A mixed group of jewellery including a fancy link silver necklace, a ruby and diamond-set gold ring, an eliptical silver pendant by Tiffany & Co, a gold and silver fancy-link bracelet, a silver chain necklace suspending a square gold link with silver tassels and four other pendants £300-400 1522. Various items of jewellery etc, including a cased set of three gold dress studs mounted with cabochon garnets, a pair of red and white stone cluster ear studs, a rectangular pierced and carved jade plaque, a gold needle case containing a gold bodkin with a gold handle bodkin, a gold ring set with two rubies and two diamonds (one diamond missing), etc £400-600

1522

1523. An amethyst and seed pearl-set gold bangle, case, a carved shell cameo in gold frame, a carved coral brooch, a gold bracelet set with assorted charms, a coral bead necklace and earrings, a gold long guard chain, a fob seal engraved with Elizabeth to the amethyst seal, and a gold and gem-set shamrock bar brooch £150-250 1524. A diamond five-stone ring, size P, a diamond threestone ring, size M, a diamond solitaire ring, size M½, a diamond nine-stone ring, size P, a garnet-set gold gypsy ring, size S, a diamond bar brooch set in gold, a cultured pearl brooch and a carved hardstone foliate brooch £600-800

1525. A sapphire and diamond cluster ring, size M½, a sapphire and diamond three-stone ring, size M½, a diamond bar brooch, an Edwardian seed pearl pendant, and a gold chain £200-300

1523

1524 1525

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1526 1527

1526. A group of six gold and gem-set rings, including a diamond two stone cross-over ring, size P, a diamond solitaire ring, size N½, a diamond three stone gypsy ring, size P½, a Victorian twisted snake, diamond-set gold ring, size O½, a plain gold signet ring, size S½ and a garnet and seed pearl ring, size O½ £300-400 1527. A carved shell cameo brooch in gold frame, a 9ct gold gate-link bracelet mounted with six emerald-cut smoky quartz and a large white circular-cut stone-set gold ring, size M £200-300 1528. An early 19th century jasper rivière, the graduated stones set in gilt-metal cut down collets, 40cm long, with a Russian circular malachite brooch set with a gold star, Russian marks to reverse, 2.6cm wide, and a malachite-mounted articulated gold brooch, 5.9cm high £100-150 1529. Twenty-four assorted stick pins, one set with an old circular-cut yellow diamond, a star sapphire, an emerald, a white diamond, a demantoid garnet, a watermelon tourmaline, a pearl, a star ruby, an oval-shaped heliodore, an andalusite and two with figures including an Art Nouveau woman’s head set with a diamond and a carved lava cameo man’s head in the classical manner £100-200 From the collection of Bernard Watney.

1528 1530. Twenty-three assorted stick pins, of various designs including an owl, a dogs mask and some set with assorted gemstones including a topaz £100-200 From the collection of Bernard Watney. 1531. Twenty-two assorted stick pins, set with stones including a garnet, opal, ruby and turquoise £100-200 From the collection of Bernard Watney.

1529

1532. A gold stick pin, set with a circularcut yellow diamond and suspending a pendant with a briolette yellow diamond within a surround of four rose-cut diamonds, with another stick pin of well modelled rabbits in flagrante delicto, a stud mounted with a section of gold-bearing quartz and an untested grey pearl-mounted stud £100-150 From the collection of Bernard Watney.

1530

1531

1532

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1533 1533. A mixed quantity of jewellery including a pair of Victorian diamond hoop earrings converted into a brooch, suspending a garnet in the centre (one missing), a cultured pearl necklace, a fancy link gold necklace, a pair of gold stud earrings, two gold crucifix pendants, an oval locket pendant, a gold signet ring with masonic decoration and a green stone necklace £400-600 with gold links and matching drop earrings 1534. A single-stone diamond pendant on a fine-link white gold neck chain, a pair of diamond quatrefoil drop earrings set in white gold and a cultured pearl and malachite bead necklace with an egg-form pendant £200-300

1534

1535. An early 19th century pink stone and seed pearl cluster ring, the long oval-shaped pink stone is set within two borders of graduated seed pearls with closed-back curved mount and with foliate bifurcated shoulders and reeded shank, size N½, a George III mourning ring centred with an oval-glazed locket applied with gold initials on plaited hair with five black enamel borders, memorial inscription to the reverse dated 1793, size S, and a revolving late 18th century mourning ring, the rectangular plaque with a black and white enamel inscription reading ‘not lost but gone before’, revolves to reveal an oval-shaped glazed locket containing plaited hair, with a three-section gold shank, size L £300-400 1536. An Art Nouveau gold foliate ring, set with three circular-cut diamonds, size N, an 18ct gold tie slide by Georg Jensen, a Russian gold bar brooch set with three peridots and a £200-300 gold ring set with three cultured pearls and six small diamonds

1535

1537. A pair of cultured pearl and diamond drop earrings, the modern cultured pearl studs suspend detachable late 19th century scrolling diamond drops set in silver and gold and a further modern cultured pearl drop, 7cm long, post fittings £600-800 1538. An early 18th century gold ring set with a foil-back cushion-shaped pink topaz, gadroons to the reverse and with bifurcated shoulders set with rose-cut diamonds, fluted shanks, size K, a George III diamond flower head ring set with six cushion-shaped diamonds (one missing) with bifuracted shoulders, size L, an early 19th century diamond cluster ring, set with nine diamonds and foliate pierced gold shank, size O and a paste-set regency flower head gold ring (damaged), size O½ £100-150 1539. An emerald and two diamond-set 18th century gold ring, size M½, an eight squareshaped garnet-set 18th century gold ring, size L, a George III gold cluster ring set with a diamond and emeralds (some damaged), Birmingham marks for 1788, size N½ and a George III red stone and half pearl-mounted gold cluster ring with pierced shoulders, size P £100-150

1538 1537

1536

1539

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1541

1540. A diamond solitaire ring, the cushion-shaped diamond is set within gold scroll mount with black enamel decoration, size P, an amethyst ring, size P½, a shell cameo ring, size R, a synthetic ruby ring and a green and white stone ring, with a 9ct gold open faced pocket watch by Waltham, subsidiary seconds dial, stem wind, 5cm wide £600-800

1540

1541. An Edwardian amethyst and diamond-set foliate pendant on fine link gold chain, a diamond-set gold flower head pendant, a single row cultured pearl necklace, a sapphire and diamond ring and a pair of cultured pearl and gold mesh earrings £200-300 1542. A gold ring set with seed pearls and garnets, (some missing), with hinged locket revealing a vinaigrette, size L, two gem-set gold bar brooches, a seed pearl-set £100-200 gold lover’s knot stick pin

1542

1543. A diamond quatrefoil ring, set with graduated circular-cut diamonds weighing approximately 0.55cts in total, in yellow gold, maker MB and London hallmarks for 2003, size N, with a matching diamond-set pendant in yellow and white gold, 2.8cm high £100-150 1544. A gold pendant set with graduated rose-cut diamonds, on a fine-link gold neck chain, pendant 3cm wide £100-150 1545. An early 18th century flat garnet (cracked) mounted gold ring, with interwoven shank, size L, a damaged 18th century garnet-mounted ring, a carnelian-mounted 9ct gold signet ring and a green-stone mounted gold solitaire ring £200-300 1546. An oval-shaped garnet-mounted gold pendant, suspending from a bow with remnants of green enamel decoration centred with a diamond, a clasp centred with an enamel plaque painted with a basket of flowers within flat garnet surround and a pear-shaped cabochon emerald pendant mounted in gold with seed pearls £100-150

1543 1547. A ruby and diamond cluster ring, set with circular-cut rubies and diamonds in yellow gold, size M½, with an emerald and diamond half hoop ring, alternately-set with circular-cut emeralds and diamonds in yellow gold, size L½ £200-300

1546

1544

1545

1547

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1548 1549

1550 1548. A gem-set abstract silver ring, the abstract silver and gold ring set with a circular-cut garnet and rose-cut fancy diamond in rubover gold mounts, size N £200-300

1551

1549. An oval-shaped jade plaque brooch, with pierced and foliate carved decoration mounted in white gold, 4.2cm wide £150-200

1552

1550. An Arts & Crafts brooch by Bernard Hertz, centred with a seed pearl-mounted blue enamel heart within a gold cannetille surround and suspending a small pendant, 3cm high £150-250 1551. A foliate pendant mounted with two pearls and rose-cut diamond-set leaves, 2.5cm high £150-200 1552. An 18th century reliquary pendant, depicting The Virgin Mary to one side and St Francis to the other, within gold mount with ropetwist and pellet border, on gold chain, pendant 4cm high, chain 60cm long, case £300-400 1553. An Arts & Crafts amethyst-set silver and gold pendant, the oval-shaped amethyst within scrolling silver border with gold decoration, on fine-link silver neckchain, pendant 2.7cm high, chain 48cm long £80-120 1554. A silver brooch set by Georg Jensen, design no. 100 & 100A, c1945-1951, formed as large and small blossoming tulips connected by two extension chains, each stamped Sterling Denmark and with maker’s mark for Georg Jensen & Wendel A/S, 4.5 & 3.5cm wide £60-80

1553

For a similar brooch, see DRUCKER, J., Georg Jensen: A Tradition of Splendid Silver, p.125 1555. An opal and 18ct gold pendant, the carved opal cabochon is claw set in a yellow gold abstract mount, on a fancy-link yellow gold chain, with French control marks to the chain, 46cm long, the pendant with London hallmarks for 18ct 1997 and with maker’s initials JMW, 4cm high £400-600 1556. A micromosaic witches heart pendant, the tesserae depicting a giardinetto within plain gold frame, 3cm high, on a fine-link neck chain, in S.J.Phillips case £200-300 1557. An early 20th century crescent-shaped brooch, with enamel decoration painted with eight small birds seated on a branch, on silver with gilt border, 4cm wide £250-350 1558. A gem-set gold wheatsheaf brooch, the stylised gold brooch set with diamonds, turquoise cabochons, rubies and citrines in yellow gold, 6cm long, fitted case by Hennell £200-300

1554

1555

1556

1557

1558

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1560

1561

1559. A Victorian blue enamel fob watch, the plain white dial with blue Arabic numerals, within turquoise blue enamel case and suspended from a blue enamel bow in yellow gold, 5.5cm long, fitted case £80-120

1559 1560. A mid 19th century 18ct yellow gold small half hunting-cased fob watch, stem winding, the outer pink guilloche chapter ring with blue Roman numerals, Swiss Movement, case inscribed Bäume & Cie, white enamel dial with black Roman numerals, 3.3cm diameter, fitted case £200-300 1561. A half-hunter pocket watch with import hallmarks for London 1910, unsigned keyless-wind movement with straight line lever escapement, silver dial with Arabic numerals, 9ct gold case with Shaw family crest and motto ‘Vincit que Patitur’ to the rear, 45mm, weight 45g, together with a £80-120 yellow and white gold albert chain, 35cm, 6g with fitted box 1562. A 19th century gold and enamel fob watch, Vacheron Freres, decorated with blue guilloche enamel and diamonds in yellow gold, case numbered 63859, key-wind, 5cm high £400-600

1562

1563. A lady’s 18ct gold pocket watch by Muir & Son, the case with foliate engraved decorated and a central cipher, the signed white dial with black Roman numerals, manual stem-wind, inside case engraved with £200-300 inscription, 4.2cm wide 1564. A lady’s gold fob watch, the plain white dial with black Roman numerals, foliate engraved case numbered 26221, keywind movement, 4.5cm high, with another metal pocket watch, plain dial with black Roman numerals and subsidiary seconds dial, movement signed Waltham, 15 jewels and case numbered 90619, stem wind £300-400 1565. A gentleman’s 9ct gold half hunter pocket watch by J.W.Benson, London, blue enamel Roman numerals to outer case, the signed white dial with black Roman numerals and subsidiary seconds dial, manual stem winding, lever escapement, 7.5cm high £300-400

1563

1564

1566. A gold open faced pocket watch by T. Ganter, London, signed white dial with Roman numerals and subsidiary seconds dial, stem wind, on 9ct gold watch chain £500-700

1565

1566

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1567

1568

1567. A silver travel clock by Movado, the rectangular signed cream dial with Arabic numerals, maker’s mark GS to case and London import marks for 1929, in leather sliding case, 4.2cm wide, £150-250

1569

1568. A diamond solitaire ring, the round brilliant-cut diamond is set in gold and platinum with two small diamonds to each shoulder, size N, with a sterling silver-cased travel watch with square dial and luminous Arabic numerals to the guilloche square-dial and subsidiary seconds dial, case marked for SSM and Birmingham marks for 1932, 3.5cm wide £150-200 1569. A lady’s 18ct gold wristwatch by Omega, the signed plain dial with Arabic and baton numerals in yellow gold case and fancy-link 18ct gold band, inscription to case back, in Omega case £300-400

1570

1570. A lady’s diamond-set cocktail wristwatch by Benson, the silver dial with black Arabic numerals. The oval-shaped case set overall with circular-cut diamonds and with quarterfoil fleur-de-lys pattern. The movement signed Vogt & Co. The case with inscription to revere for ‘Sept 8th 1950’. On extending link white gold band. £200-300 1571. A gentleman’s gold wristwatch by Omega, the signed white dial with Arabic and baton numerals, subsidiary seconds dial, manual movement, gold case and on gold bangle strap inscribed with presentation inscription for Sir Frederick Rowland 1949-1950, with a gold wristwatch by Audex on metal strap (broken) and a gold wristwatch by Genie, on leather strap £300-400 1572. A lady’s 9ct gold wristwatch by Omega, signed gold dial, baton numerals, manual movement, on fancy-link gold band, Omega case, with a gentleman’s steel Seiko wristwatch, automatic movement, date aperture at 3, on articulated steel band, with another gentleman’s steel wristwatch by Seiko, automatic movement, date aperture at 3.00 and day aperture at 9, on leather band £200-300 1573. A white gold Cosmo wristwatch by Longines, signed silver dial with diamond markers, automatic movement, leather band, with another Longines wristwatch, the signed dial with subsidiary seconds dial, and baton numerals, diamonds-set to the white gold case, on leather band £600-800

1571

1574. A gold wristwatch by Universal, signed gold dial, with hour markers to the case, manual movement, case numbered 106525-1 and 1868103, leather band, with a gold wristwatch by Record, signed dial with baton and Arabic numerals, subsidiary seconds dial, manual movement, leather band £600-800 1575. Aa gentleman’s 9ct wrist watch by Omega, silvered cross-hair dial with gold hour markers. Signed automatic calibré 501, numbered 16343829, case back hallmarked Birmingham 1959, serial 962790. Fitted to an unsigned brown leather strap with pin buckle. 34mm £200-300

1572

1573

1574

1575

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1577

1578

1576

LOTS 1576-1586 ARE A SINGLE OWNER PRIVATE COLLECTION 1576. A collection of eighteen steel wristwatches by Longines, quartz, automatic and manual movements, on steel leather or fabric bands £100-150

1579. Eight silver wristwatches by Longines, manual movements, on silver, leather or fabric bands £100-150

1577. A collection of eight steel wristwatches by Longines, two with automatic movements, six with manual movements on leather or fabric bands £100-150

1580. A collection of twenty gold plated wristwatches by Longines £100-150

1578. Eight silver wristwatches by Longines, manual movements, on leather and fabric bands £100-150

1581. Four gold wristwatches by Longines, three manual movements, one with quartz movement in gold cases on leather bands £200-300

1580

1579

1581

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1582

1582. Four gold wristwatches by Longines, manual movements, gold cases, on leather bands, two Longines cases £400-600 1583. Eleven gold-plated wristwatches by Longines, automatic and manual movements, on leather and faux leather bands, two Longines cases £100-150 1584. Three gold wristwatches by Longines, including a 9ct gold wristwatch, subsidiary seconds hand and the case signed Baume, London marks for 1965, manual winding, leather band, 3.3cm wide, an 18ct gold square dial wristwatch by Longines, automatic movement, signed silvered dial with baton numerals, 3cm wide, a rectangular 14ct gold wristwatch by Longines, the dial with applied gold Arabic numerals and subsidiary seconds dial, 3cm wide, leather strap £200-300 1585. Three gold wristwatches by Longines, including a 9ct gold wristwatch, the tonneau-shaped case with circular face and subsidiary seconds dial, London marks for 1942, manual winding, 2.8cm wide, leather band, together with a 9ct gold circular wristwatch by Longines with alternate Arabic and baton numerals with sweep seconds hand, manual winding, the case signed Baume and engraved to the reverse with a name, 3.2cm wide, leather band, and a gold wristwatch by Longines, with alternate Arabic and baton numerals, presentation engraving to the £200-300 reverse, 3.3cm wide, leather band 1586. Two gold wristwatches by Longines, including a gentleman’s gold wristwatch, signed black dial with baton and Arabic numerals, automatic movement, gold case with inscription to reverse dated 1964, leather band, with another gentleman’s gold wristwatch by Longines, the signed dial with baton numerals, gold case, manual movement, fitted £200-300 Longines box

1583 1584

1585

1586

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1587 1587. Various items of jewellery etc, including a damaged gold circular brooch, set with small diamonds and suspending a drop-shaped pearl, a gold brooch mounted with three graduated oval-shaped amethysts in closed-back cut-down collets, a pink stone-set gold mount set with seed pearls, five rings, three brooches and six assorted charms £600-800 1588. Articulated gold sections of a George III-style part necklace, mounted with flat oval-cut garnets in gold cut-down collets, with matching garnet-set cluster earrings £600-800 1589. Four portrait miniatures, including an oval miniature portrait of a rural scene, probably Swiss, with a Shepherd and three sheep in the foreground, village buildings in the centre and snow-capped mountains in the distance, in gilt metal frame, 8.5cm wide, an 18th century miniature portrait of a lady with pink dress, probably painted on ivory, a miniature painting of a woman in the Renaissance style wearing a red dress and head dress, painted on ivory, two-colour gold frame with foliate chased border within blue enamel surround, 5.5cm high, a circular miniature painting depicting a scene of revelers in the 18th century style, £1,500-2,000 painted in enamel on porcelain within an ornate gold frame, 3.5cm high

1588

1590. Various items of jewellery etc, including a French 18ct gold cylindrical container with black enamel decoration and both terminals set with a rose-cut diamond, a large gold scroll brooch with diamond-set green enamel foliate decoration, a French gold tied fluted frame containing an oval section of shell, a gold circular pendant with two rows of seed pearls and vacant centre, a gold chatelaine top with blue enamel decoration suspending a small gold fob seal and a small gold watch key, both with seed pearl and black enamel decoration, a gold retracting tooth pick with bloodstone terminal and signed S Mordan & Co, three assorted gold stick pins, a gold foliate brooch mounted with an oval-shaped cabochon garnet, a 9ct gold mounted cigar holder by Alfred Dunhill, a miniature gold box mounted with two hardstones, a pair of blue and white paste drop £400-600 earrings (cased) and nine other items

1589

1590

1591. A collection of various mixed jewellery items, including a steel bodkin with diamond and gem-set two colour gold foliate handle, a gold hair clip set with two lines of graduated seed pearls, two gold circle brooches set with seed pearls and turquoise cabochons, a seed pearl and turquoise cabochon-set gold E brooch, eleven shoe charms with enamel decoration, a gold adjustable pincher, a miniature gold fob seal with damaged green enamel decoration and bloodstone matrix carved with initials, two gold bar brooches with pink enamel decoration and one set with seed pearls, a lozenge-shaped sapphiremounted gold bar brooch with white enamel decoration, fourteen assorted links with enamel decoration, a gold cruciform locket containing a Christ figure, two gold fruiting vines mounted with seed pearls and with red enamel decoration, a diamond-set gold brooch mount, a cultured pearl pendant with a yellow and white diamond, three stick pins, an unset £800-1,200 gold butterfly mount and a broken necklace mounted with steel beads

1591

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1592 1592. A curved gilt-lined silver-coloured metal cigarette case, the hinged cover painted scene in enamel depicting ‘Leda and the Swan’, 9cm high, fitted case £500-700

1593

1593. Various items of jewellery etc, including an early 19th century section of gold chain with fine pellet decoration, an early 19th century gold clasp with remnants of five chains to each side with fine pellet decoration, a gold-plated fine-link necklace and a continental silver triptych-style travelling hinged looking glass, double-hinged and folding into a single rectangular section with fluted decoration to both sides, set with square-shaped sapphires to the metal clasp £800-1,200 1594. A silver-gilt gem-set compact, with foliate engraved decoration set with rubies and sapphires, hinged opening with ruby thumbpiece, 7.5cm wide £300-400 1595. Various jewellery items, including three diamond-set frames, a diamond-set 1933 brooch, fifteen diamond or gem-set ciphers, a diamond and gem-set musical score with low register A, C and D and surmounted with a letter A, a sapphire and diamond-set horseshoe, a cut-out metal musician, a diamond-set chatelaine top, a diamond-set pair of scrolls, a blue enamel scroll set with three diamonds and a trefoil £400-600 of half pearls and diamonds

1594

1596. A George III pearl-mounted open work brooch, set on mother-of-pearl and suspending a larger oval-shaped drilled pearl £600-800 Accompanied by report number 16601 dated 1 December 2018 from The Gem & Pearl Laboratory stating that the largest drop-shaped drilled pearl measures 7.5 x 9.6mm and is natural saltwater 1597. A diamond and sapphire cruciform pendant, centred with twelve squareshaped diamonds within a border of calibré-cut sapphires in white gold, 4.5cm high £3,000-4,000

1596

1597

1595

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1598

1599

1598. A collection of assorted hardstone mounts and seventeen carved hardstone intaglios £60-80 1599. Forty-seven assorted intaglios and cameos etc, including a carved hardstone intaglio carved with heads in the classical manner, a carved hardstone intaglio depicting Hope, two bees and two carved scarabs, together with a collection of miniature paintings, probably Indian and painted on ivory, including five landscapes and groups, four butterflies, the interior of a palatial building and ten portraits £150-250

1600. Nine assorted carved hardstone cameos, the tallest 4.5cm high, the smallest 2.5cm high £500-700 1601. Nine assorted carved hardstone portrait cameos, the largest 4.5cm high, the smallest 2cm high £800-1,200 1602. A carved shell cameo pendant, depicting Nyx in profile, within carved gold border set with turquoise cabochons and suspended from foliate scroll surmount, 9cm long £200-300

1600

1601

1602A. An onyx, pearl and diamond pendant, the onyx drop with pearl terminal is set with an emerald and diamond surmount (stones missing) and suspended from a diamond-set bale in platinum, on fine-link platinum neck chain, pendant 6.5cm long £600-800

1602

1602A

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1603

1604

1605 1603. A cushion-shaped rubelite, the red tourmaline weighs 25.64cts

£600-800

1604. An oval-shaped pink topaz, 10.66cts

£600-800

1605. Twenty-three assorted gold and gold-mounted charms, including a merrygo-round, fairtytale cottage, traffic light and folding looking glass, two gold-plated charms, a gold-plated miniature ring and a gold-cased amphora fob seal £800-1,200 1606. A gold charm bracelet, the curb-link bracelet suspends assorted charms including three gold coins, ten gold fob seals, two carved Buddhas and various other charms, 21cm long, 208g £2,500-3,000 1607. A gold charm bracelet, the fancy-link bracelet set with assorted charms including a double-sided swivel fob seal, a gold cross, a rectangular locket, two gold keys, a gold cased fob seal and various other charms, 21cm long, 50g £300-400 1608. A gold charm bracelet, the curb-link gold bracelet suspending assorted charms including coins and fob seals, 17cm long, 232g £3,000-4,000 1609. A gold charm bracelet, the curb-link bracelet suspends assorted gold and gem-set charms, 18cm long, 49g £400-600 1610. A gold US $20 coin pendant, in gold curb-link surround, 38g

1606

£800-1,200

1607

1608

1609

1610

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1611

1612

1611. An early 20th century cased brooch and earring set, each circular round piece is set with a circular carved hardstone cameo depicting the profile of a woman, the brooch 3.5cm wide, fitted case £600-800

1613

1612. A 9ct gold bangle, set with three small circular-cut rubies and two small circular-cut diamonds, a 9ct gold Albert chain with Birmingham hallmarks, stamped G.F.E, 21cm long, and an Italian three£400-600 colour gold collar necklace, 11.5cm internal diameter 1613. An Italian two-colour gold fancy-link necklace and matching bracelet, necklace 46cm long, bracelet 16cm long £300-400 1614. A textured gold bracelet attributed to A.J. Hedges & Co., the square links with chequerboard decoration, the central panel set with a sapphire, with an obscured maker’s mark, 18cm long £600-800

1614

For a similar bracelet by A.J. Hedges & Co., see The Metropolitan Museum of Art, exhibit no. 2005.449. 1615. An Italian brick-link collar necklace, the central section set with round brilliant-cut diamonds in yellow and white gold, 42cm long £600-800 1616. A gold twisted rope necklace, 80cm long, 35g, with a gold tassel pendant on a twisted rope-link fine neck chain, 69cm long, 26g, £600-800 both stamped 750

1615

1617. A gold Dachshund brooch, the stylised dog with an enamel jacket set in textured 18ct yellow gold, with articulated ear, maker A & Co Ltd and London hallmarks for 1973, 6cm wide £500-700 1618. A sugarloaf-shaped chalcedony ring, set within a surround of rose-cut diamonds in white gold, size K £200-300

1616

1617

1618

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1620

1619 1619. An early 20th century gold necklace, centred with a peacock motif, set overall with seed pearls, rubies and emeralds, the peacock sitting on a coronet and bow which suspends a small diamond and pink pearl, 33cm, 33g, fitted case £800-1,200 1620. A seed pearl fringe necklace, suspending tassels set with white stones, turquoise, emeralds, opals, sapphires, garnets, £600-800 chrysoprase and mabé pearls in gold collets, 40cm long 1621. A suite of diamond-set gold jewellery, comprising a necklace, bracelet, a ring and earrings, each mounted with diamondset lozenges in yellow gold, 32g total, the ring size O, the necklace 41cm, fitted case £800-1,200

1621

1622. A carved crystal foliate brooch, centred with a diamond within a surround of of six rubies and mounted in white gold with £400-600 diamond-set stem, 6.5cm long 1623. A pair of diamond-set white gold bangles, each set with a full circle of round brilliant-cut diamonds, 6.3cm internal diameter £400-600

1622

1624. A jade bangle, the green and lavender bangle weighs approximately 30.66g, internal diameter 6cm £400-600 Accompanied by report number 16600 dated 1 December 2018 from The Gem & Pearl Laboratory, London stating that the solid round bangle is natural green/lavender jadeite jade with no indications of treatment. 1625. A Regimental badge for the Royal Regiment of Artillery, set in gold with diamond-set wheel and blue and red enamel decoration, fitted case, together with a Royal Artillery flaming bomb bar gold brooch with blue enamel decoration, fitted case £100-150

1623

1626. A set of four graduated gold brooches, each centred with a seed pearl, two with a pair of rubies and two with demantoid garnets, the largest pin 3cm wide, fitted case £100-150

1624

1627. An elaborate paste-set gilt metal buckle, of oval form and set with different coloured pastes, 10.3cm wide £400-600

1625 1626

1627

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FINE JEWELLERY

Thursday 18th April 2019 Entries are now being accepted for this sale

Two single-row natural pearl necklaces Estimated £10,000 - £20,000 each

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A giardinetto brooch with fancy-shaped diamond urn Estimate: £5,000 - £10,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1628. A gold Rolex wristwatch, the circular dial signed ‘Rolex Oyster Date’ and ‘Precision’, sweep seconds hand and date aperture, manual winding, 3.2cm wide £800-1,200 1629. A lady’s diamond-set Omega wristwatch, the signed dial with baton numerals, circular-cut diamonds to the bezel on 18ct white gold brick-link band, 2.2cm wide (including winder) 17cm long, case £600-800 1630. A gold tank wristwatch by Cartier, sapphire winder, steel-back, quartz movement and leather £1,000-2,000 band, 3.4cm high, 2.5cm wide 1631. A gentleman’s Patek Philippe gold Calatrava wristwatch, the signed blue dial with baton numerals, manual movement, movement number 1220236, reference number 3468, case 3.5cm wide including winder, on an 18ct gold mesh band, in Patek Philippe case and paperwork from 1973 £2,000-3,000 Provenance: From the collection of Rupert Everett 1632. An 18ct gold open faced pocket watch, the white dial signed Paul Ditisheim, with black Arabic numerals and subsidiary seconds dial, Swiss movement, stem-wind, engraved with MC to case back, 5cm wide £300-400

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1628

1629 1631

1630 1632

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1633. Two white metal bangles, each mounted with a line of rose-cut diamonds on a ground pavé-set with a ground of small rose-cut diamonds £400-600 1633A. A pearl and diamond jabot pin, the circular and lozenge-shaped terminals set with diamonds, suspending a grey pearl in platinum and white gold, 6cm wide £4,000-6,000 Accompanied by report number 78144-28 dated 22 February 2018 from GCS, London, stating that the grey pearl measures 17.0 x 13.1 x 9.4mm and is natural saltwater with no indications of treatment. 1634. An Indian ruby and diamond-set gold necklace, the seven spherical pendants are each centred with a rose-cut diamond within a surround of cabochon rubies and gold pellet border and suspend from a necklace of similar ruby and gold beads, 43cm, 133g total £2,500-3,000 1635. An Indian three-row seed pearl and gem-set necklace, each row centred with an openwork gold pendant set with rose-cut diamonds, green stones and an emerald pendant with further smaller pendants each set with a ruby, diamond or emerald on a strand of seed pearls, the tapered gold clasps further set with diamonds, rubies and pearls, with foliate engraved decoration to the reverse, 34cm £1,500-2,000

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1635

1634

1633

1633A

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1636. An aquamarine and diamond cluster ring, the oval-shaped aquamarine is set within a surround of twelve round brilliant-cut diamonds in yellow and white gold, with three smaller round brilliant-cut diamonds to each shoulder, size O½ £800-1,200 1637. A sapphire and diamond ring, the emerald-cut sapphire is set within channel-set diamond shoulders in white gold, size M £600-800 1638. An emerald solitaire ring, the emerald-cut emerald is set in 18ct yellow gold, size Q

£600-800

1639. An emerald and diamond cluster ring, the emerald-cut emerald set within a surround of circularcut diamonds in platinum and yellow gold, hallmarks for 18ct, 1990, size N £200-300 1640. A ruby and diamond cluster ring, the oval-shaped ruby set within an openwork surround set with £500-700 round brilliant-cut diamonds in yellow and white gold, size M 1641. A yellow sapphire and diamond cluster ring, the emerald-cut yellow sapphire set within a surround of eight round brilliant-cut diamonds in yellow gold, with three smaller graduated circular-cut diamonds set to each scrolling shoulder, size O £1,000-1,500 1642. A yellow sapphire and diamond cluster ring, the pear-shaped sapphire set within a surround of round brilliant-cut diamonds and a baguette-shaped diamond to each shoulder in 18ct white gold, London hallmarks for 2014, size M½ £500-700 1643. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.70cts, set in platinum and yellow gold, size K, with a diamond half hoop ring, the circular-cut diamonds channel-set in yellow gold, size J½ £600-800 1644. A synthetic sapphire and diamond ring, the emerald-cut synthetic sapphire is set within fluted yellow gold surround set with diamonds, size P £100-200 1645. A diamond seven stone ring, set with circular brilliant-cut diamonds in yellow gold, size S £500-700 1646. A ruby and diamond cluster ring, the circular-cut ruby set within a surround of eight circular-cut diamonds in platinum and 18ct yellow gold, size M, case £300-400 1647. A tanzanite and diamond cluster ring, the emerald-cut tanzanite is rubover-set within a surround of fourteen round brilliant-cut diamonds in white gold, size N £2,500-3,000 1648. An amethyst and diamond cluster ring, set in white gold, stamped 4.11, size M

£200-300

1649. A diamond solitaire ring, the cushion-shaped diamond weighs approximately 1.30cts, set in yellow gold, size P½ £600-800 1650. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of baguette-shaped and circular-cut diamonds in white gold, size O £600-800 1651. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of circularcut diamonds in platinum, size J½ £200-300 1652. A pink sapphire and diamond cluster ring, the oval-shaped pink sapphire set within a surround £500-700 of ten round brilliant-cut diamonds in yellow and white gold, size M½

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1636

1637

1638

1639

1641

1642

1640

1645 1643

1646

1649

1644

1647

1650

1648

1651

1652

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1653. A diamond pendant and matching earrings, the principal round brilliant-cut diamond weighs approximately 0.65cts, suspended from pear-shaped diamonds and alternately-set textured yellow gold and diamond-set white gold links, maker MB and London hallmarks for 9ct, 2003, with a pair of textured leaf and diamond-set 9ct gold ear studs, 15mm long £300-500 1654. A pair of aquamarine and diamond drop earrings, the emerald-cut aquamarines are set within a surround of circular-cut diamonds in yellow and white gold, suspending from a further circular-cut diamond in yellow gold, 2.1cm high £500-700 1655. A pair of cultured pearl and diamond-set yellow gold ear studs, the pearls are mounted within a closed crescent design £200-300 1656. An emerald and diamond cluster ring, the architectural ring set with marquise-shaped diamonds, graduated circular-cut emeralds within baguette-shaped diamond borders in 18ct white gold, maker CPM and Birmingham hallmarks for 2005, size Q £800-1,200 1657. A diamond solitaire ring, the circular diamond weighs approximately 1.10cts, set in white gold, size M½ £600-800 1658. A ruby and diamond running rabbit brooch, each rabbit set with rose-cut diamonds and a ruby eye in silver and gold £200-300 1659. A three-row cultured pearl necklace, set with a detachable Victorian diamond cluster clasp in silver and gold, the necklace 41cm longest, clasp 2.8cm wide £600-800 1660. A cultured pearl and diamond necklace, the three-row cultured pearl necklace with diamond set bow clasp in platinum, necklace 56cm longest £800-1,200 1661. A pair of ruby and diamond earrings, set with marquise-shaped rubies and circular-cut diamonds within diamond border in white gold, post and clip fittings, 18mm high, with a matching ruby and diamond ring set in white gold, maker RJM, size O½ £600-800 1662. A pair of diamond hoop earrings, set with circular-cut diamonds in white gold, 2.2cm inner diameter £400-600 1663. A cabochon emerald and diamond gold brooch, the cabochon emerald weighs approximately 29.00cts and is set within yellow gold scroll surround set with diamonds, suspended from a twisted ropelink chain with articulated gold tassel set with diamonds, stamped DEPOSE and 750, 8.3cm long £1,000-1,500 1664. A pair of sapphire and diamond cluster earrings, the square-shaped sapphires are set within a surround of single-cut diamonds within square-shaped white gold mounts, post fittings, each 0.7cm wide £400-600

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1653 (2)

1654

1655

1656

1657

1659

1658

1660

1662 1663

1661 1664

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1665. A pair of cultured pearl and diamond cluster earrings, the cultured pearls set within a surround of graduated circular-cut diamonds (one missing) in white gold, clip fittings, French control marks, 2cm diameter £1,500-2,000 1665A. A natural pearl and diamond cluster ring, the grey pearl is set within a surround of cushionshaped diamonds in white gold, size R £4,000-6,000 Accompanied by report number 78151-57 dated 16 April 2018 from GCS, London stating that the grey pearl measures 14.1 x 15.0 x 12.0mm and weighs 19.97cts (as stated by the client) and is natural saltwater. Comment: the base of the pearl has been worked. 1666. A diamond solitaire pendant, the circular-cut diamond weighs approximately 0.45cts, set in yellow gold, on fine-link yellow gold neck chain, 40cm long £500-700 1667. A pair of diamond flowerhead earrings by David Morris, set with graduated marquise-shaped diamonds forming a cluster of flowers in platinum and white gold, with maker’s mark, post and clip fittings. With a matching diamond-set ring in platinum, maker’s mark and Birmingham hallmarks for 2003, size N £600-800 1668. A pair of diamond stud earrings, the round brilliant-cut diamonds each weigh approximately £1,000-1,500 0.75cts and are claw set in platinum, with London platinum hallmarks for 2010, post fittings 1669. A yellow gold branch-form torque necklet, set with graduated round brilliant-cut diamonds, marked SHAW, 13cm internal diameter, 58g £600-800 1670. A fancy yellow diamond ring, the cushion-shaped diamond weighs 1.01cts, within tapered £4,000-6,000 baguette and circular-cut shoulder diamonds in white gold, size M½ Accompanied by report number 971758 dated 11 October 2002 from The Precious Stone Laboratory, London stating that the square-cut diamond weighs 1.01cts and is a natural diamond of fancy greenish-yellow colour and SI1 clarity. 1671. A diamond cluster ring, the central cushion-shaped diamond weighs 0.70cts and is set within a surround of circular-cut diamonds and diamond-set shoulders in white gold, with laser inscription to the girdle corresponding to the GIA certificate, size M½, case £1,500-2,000 Accompanied by report number 6127409012 from GIA stating that the diamond weighs 0.70cts, with G colour, SI1 clarity, 1672. A diamond cluster ring, the centre round brilliant-cut diamond weighs approximately 0.50cts and is set within a surround of ten round brilliant-cut diamonds in yellow and white gold, size P½ £1,500-2,000 1673. An aquamarine and diamond cluster ring, the emerald-cut aquamarine is set within a surround of eighteen round brilliant-cut diamonds in yellow and white gold, size P £1,000-1,500 1674. An Italian fancy-link three-colour gold necklace and expanding bracelet by FOPE, the necklace with a yellow and white gold cylindrical centre-section pavé-set with graduated circular-cut diamonds, the bracelet with a yellow, white and rose-gold circular link, each stamped ‘FOPE, FLEX. IT’, necklace 42.5cm long £1,000-1,500 1675. A pair of ruby and diamond cluster ear studs, the circular-cut rubies are set within a surround of circular-cut diamonds in yellow gold, 12mm diameter £300-400

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1666

1665A

1665

1667

1668

1669

1670 1673

1672 1671 1674

1675

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1676. A pair of aquamarine and diamond drop earrings, each pear-shaped aquamarine is set below a diamond-set chevron and suspends from an articulated line of round brilliant-cut diamonds in 18ct white gold, London hallmarks for 2015, post fittings, 3.8cm high £800-1,200 1677. A pair of cultured pearl and diamond drop earrings, each round brilliant-cut diamond is set in yellow gold rubover setting suspending a white cultured pearl, post fittings, stamped 750, 3cm long £800-1,200 1678. A yellow sapphire and diamond cluster ring, the emerald-cut sapphire is set within a surround of round brilliant and baguette-shaped diamonds in platinum, size N½ £500-700 1679. A gem-set gold lizard brooch, pavé-set with rubies and with emerald eyes in white gold, 5cm long £200-300 1680. A diamond pendant, the round brilliant-cut diamond weighs approximately 0.45cts and is clawset in white gold, on a white gold oval-link neck chain £200-300 1681. An amethyst and diamond ring, the rectangular step-cut amethyst is set within a surround of round brilliant-cut diamonds in 18ct white gold, London hallmarks for 2015, size N½ £600-800 1682. A pair of amethyst and diamond drop earrings, the briolette-shaped amethysts suspend from an articulated line of round brilliant-cut diamonds in 18ct white gold, London hallmarks for 2018, post fittings, 5.2cm high £800-1,200 1683. A diamond line bracelet, the circular-cut diamonds (one missing) weigh approximately 1.00cts in total and are set within rub-over white gold mounts, 19.6cm long £400-600 1684. A two row cultured pearl necklace, set with a sapphire and diamond cluster clasp, the central diamond set within calibré-cut sapphire border and a further surround of cushion-shaped diamonds in platinum and gold, necklace 46cm longest £400-600 1685. A long sapphire diamond and moonstone chain, alternately-set with cabochon moonstones, diamonds and sapphires in platinum spectacle mounts, 78cm long £1,500-2,000 1686. A cultured pearl and diamond bracelet, the four row bracelet terminating with an Art Deco £600-800 cultured pearl and diamond clasp, set in platinum, 17cm long 1687. A pair of ruby and diamond ear studs, the circular-cut diamonds are set within a surround of tapered French-cut rubies in white gold, 7mm diameter £150-250 1688. A sapphire and diamond three stone ring, the oval shaped sapphire is set with two half-moonshaped shoulder diamonds, set in white gold and platinum, size K, with a matching pair of oval-shaped sapphire and half-moon-shaped diamond earrings set in platinum, each 1cm high £2,000-3,000 1689. A diamond-set orchid brooch, realistically designed and pavé-set with graduated circular-cut diamonds and two ruby cabochons in white gold, 6cm high £800-1,200

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1677

1676

1678

1680

1687 1679

1681

1688

1682

1683

1689

1686 1684

1685

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1690. A pair of blackberry style cufflinks, set with cabochon sapphires in white gold, together with another pair of cufflinks designed as white gold circular discs with borders of brilliant-cut diamonds, 28g total £400-600 1691. A Regimental brooch for the The Royal Engineers, set with diamonds above a blue enamel swag in platinum and gold, 2.6cm high £100-200 1692. A Regimental brooch for the XIII - XVIII Royal Hussars, set with graduated circular-cut diamonds and blue and red enamel in platinum and yellow gold, 3.2cm high, fitted case, with another Regimental brooch for the XIII - XVIII Royal Hussars set in 9ct yellow and white gold, 3.2cm high £100-150 1693. A Regimental brooch for the Warwickshire Yeomanry, by Garrard, pavé-set with circular-cut diamonds in 18ct yellow and white gold, maker’s mark and Birmingham hallmarks for 1989, 3cm high, with a similar silver brooch for the Warwickshire Yeomanry, set in silver, maker JMB and Birmingham hallmarks for 1994, 3.2cm high £400-600 1694. A late 19th century gold pill box, decorated with red guilloche enamel and applied with intertwined diamond-set cipher EE, hinged opening, in yellow gold, 3.1cm long £300-400 1695. A pair of Japanese shell cameo cufflinks, the carved shell depicting flowers within a lozenge£300-500 shaped and a circular gold collet, 2.1cm widest, case 1696. A pair of diamond cufflinks, each disc set with two French-cut diamonds within pierced circular disc set with graduated circular-cut diamonds in platinum £1,500-2,000 1697. A carved hardstone frog, the sylised jasper frog with ruby cabochon eyes (one finger and two toes £150-250 missing), 6cm long, in fitted hollywood case by Wartski 1698. A pair of gold horse cufflinks, each oval link painted with an enamel horse head, including a chestnut, bay, gray and dark bay, stamped 9ct and maker’s mark A&W for Alabaster & Wilson, links 1.5cm high, fitted case by Collingwood £400-600 1699. A pair of gold fox mask cufflinks by Alabaster & Wilson, realistically formed in 9ct yellow gold, makers mark, case £100-200 1700. A gold vesta case by Asprey, of rectangular form with rounded edges and engine-turned decoration overall, signed Asprey London, with maker’s mark F.B and London hallmarks for 18ct, 1921, 4.5cm long, 44g £300-400 1701. A Russian enamel stick pin attributed to Fabergé, decorated with a V-shaped yellow guilloche enamel section with rose-cut diamonds set to the interior in yellow gold, stamped 56 Zolotnik to the pin and scratched inventory number 82122, in hollywood Fabergé case £400-600 From the collection of Bernard Watney. 1702. A sapphire and diamond cluster stickpin, the cushion-shaped sapphire is set within a surround of cushion-shaped diamonds in yellow gold, 11mm diameter, with a gold fitting to be worn as a stud or stickpin, case £300-400 1703. A sapphire and diamond stick pin, the circular-cut sapphire is set within a surround of diamonds in silver and gold, 8mm diameter, with a fitting to be worn as a stud or stickpin, case £200-300 1704. A sapphire and diamond-set Art Nouveau floral brooch by Fabergé, set with a pear-shaped sapphire and diamond-set flower head and gold scrolling foliate mount, signed to the reverse КФ 56, 2.5cm wide, in fitted Hollywood box, the silk lining marked K. ФАБЕРЖЕ beneath the imperial eagle, with £1,500-2,000 МОСКВА and С.ПЕТЕРБУРГЪ beneath, the box 6cm wide 1705. A pair of French early 19th century diamond and shell-form circular cufflinks, stamped SGDG, BREVETÉ and with French control marks with obscure maker’s lozenge, 1cm diameter £1,000-1,500

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1692 1691

1693

1690

1695 1694

1698

1697 1696

1700 1699

1704

1705 1701

1703 1702

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1706. A gold revivalist brooch in the form of a stylised sphinx, wearing an elaborate head dress with her paws together beneath her, her wings meeting at her chest, within an elaborate scroll border with a pair of beasts, detachable brooch fitting to the reverse, with polychrome enamel decoration, 5cm high, 56g £1,500-2,000 1707. A Scottish pearl and diamond brooch, set with five graduated freshwater pearls on yellow gold Maltese cross with engraved decoration and black enamel borders, pendant fitting, 5.1cm diameter £400-600 1708. An Edwardian topaz fringe necklace, set with graduated oval-shaped orange topaz joined with fine-link neck chain to create a chequerboard fringe, suspended on a chain set with circular, pear-shaped £2,000-3,000 and oval topaz in yellow gold, the fringe 9.5cm long, the necklace 37cm long, fitted case 1709. A carved coral cameo depicting Bacchus, c1800, bearded and wearing fruiting vines, and with a soporific expression, 3.3cm high £200-300 1710. A 17th/18th century carved coral cameo, depicting the full face of a bearded man, probably a philosopher, 5cm high £1,000-1,500 1711. A Victorian coral seed pearl and black onyx bead suite of jewellery, comprising a pendant and matching drop earrings (fittings missing), each mounted in gold with graduated coral beads and suspending coral pendants, the pendant 6.5cm high £500-700

1712. A Scottish agate bracelet, set with six agate panels joined with carved gold terminals and agate padlock locket clasp, 21cm long £300-400 1713. A tank track gold bracelet, set with chevron and semi-spherical links engraved with foliate decoration in yellow gold, 17cm long, Garrard case £700-900 1714. A 19th century carved shell cameo brooch, depicting Apollo driving the sun chariot, engraved in profile, set within yellow gold collet, 8.5cm wide, case £800-1,200

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1706

1708

1710

1709

1707

1712

1711

1713 1714

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1715. A pair of silver and enamel buckles by Child & Child, one set with pale green enamel with flamingo motifs, signed to reverse, the other with darker green enamel on engine turned ground, signed to reverse, 4.9cm high, fitted Child & Child case £400-600 1716. An Art Nouveau silver pendant by Murrle Bennett & Co, signed to the reverse with monogram and stamped 950, 4cm high £100-200 1717. A silver and enamel pendant by Murrle Bennett & Co, of hammered silver trefoil design, decorated with red, green and blue enamel and suspending a silver and enamel plaque, on fine-link neck chain conjoined with two further silver and enamel plaques, pendant 4cm long, chain 52cm long £300-400 1718. An Art Nouveau plique-à-jour enamel pendant, the oval pendant depicting a maiden with flowing £600-800 ribbons on blue plique-à-jour ground within a gold and seed pearl border, 3.2cm high 1719. A silver, enamel and mabé pearl pendant by James Fenton, of pierced teardrop shape, set with a mabé pearl and decorated with blue and green enamel (damaged), suspending a blue enamel plaque in silver, maker’s mark and Birmingham hallmarks for 1908, 5.7cm long. With another Arts and Crafts blue enamel and silver pendant, 4cm high £100-200 1720. A silver and enamel butterfly pendant by Child & Child, the butterfly realistically designed with closed wings decorated with shaded blue enamel, maker’s mark to reverse, 3cm long, fine link silver neck chain, 44cm long £400-600 1721. An Arts and Crafts amethyst and gold pendant by Barnet Henry Joseph, set with an oval-shaped amethyst within twisted yellow gold setting, suspending a pearl, on fine-link yellow gold neck chain conjoined with an oval-shaped amethyst, stamped 9ct, with maker’s mark, pendant 3.5cm wide, chain £200-300 34cm long 1722. A green enamel and gold zodiac pendant, the two gold fish representing Pisces on green enamel ground and decorated with diamonds in yellow gold, 3cm high £150-250 1723. A 9ct gold and enamel Kingfisher brooch by Alabaster & Wilson, maker’s mark and Birmingham hallmarks for 1990, 2.5cm high £100-200 1724. An Art Nouveau floral brooch, the realistically formed iris decorated with iridescent enamel and a seed pearl in yellow gold, 3.8cm high £250-350 1725. A gold and amazonite bracelet by Georg Jensen, c1909-1914, formed as alternating folaite links each set with an amazonite cabochon, with box clasp and safety catch, with maker’s monogram and £1,500-2,000 stamped 765, 18K, 19cm long 1726. An Art Nouveau enamel and diamond swallow brooch, decorated with iridescent enamel and diamonds, pendant loops to the reverse of the wings and a suspension loop, 4.5cm wide £200-300 1727. An Arts & Crafts silver and enamel bracelet by Murrle Bennett & Co, each panel decorated with £200-300 blue and green enamel within silver border, signed to reverse, 17.2cm long 1728. An enamel and ruby dove brooch by Child & Child, decorated with green enamel (damaged) and rubies set to the tail in silver, suspending an articulated pear-shaped ruby (chipped) from the dove’s mouth, 3.5cm high £200-300 1729. An early 20th century Egyptian revival hair pin, the horn two-prong pin is surmounted with a gold hinged palmette design handle, 12cm £300-400 1730. A pink tourmaline and gold hat pin by Murrle Bennett & Co, of circular design, mounted with a pear-shaped pink tourmaline in yellow gold, signed £150-250 1731. An early 20th century carved and pierced jade stylised arrow brooch, the tapered jade is mounted with three small diamonds to the head and set in white gold, 6cm long, fitted case by Liberty £1,000-1,500

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1715

1717 1716

1718

1720 1719

1721

1722

1723 1724

1725

1726 1729

1730

1727

1731 1728

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1732. A George III garnet and pearl-mounted gold flower head brooch, suspending a pear-shaped garnet, 5.5cm high £200-300 1733. A late 19th century replica of the ‘Alfred Jewel` in silver-gilt; the upper face a polychrome enamelled image of a standing male with a rock crystal cover; the edge of the cell with the text ‘+AELFRED MEC HEH GEWYRCAN` (Alfred ordered me to be made) with pelletted border above, textured band below; the finial a beast-head with socket emerging from the mouth, with pelletted rim and attachment pin; to the reverse an incised acanthus motif and two suspension rings, 52g, 63mm (2½”) £200-300 This piece is one of a number of replicas of the Alfred Jewel (original jewel in the Ashmolean Museum, Oxford) produced during the reign of Queen Victoria, commissioned and distributed by Elliot Stock, a London bookseller and publisher. They were made in silver-gilt (with a few in gold) and were on sale until circa 1903. The Victoria and Albert Museum bought at least three examples to be used by art students for drawing practice. J. Charles Wall wrote in 1900 that ‘in commemoration of the millenary of Alfred, Mr. Elliot Stock has reproduced this jewel so that it may be better known than hitherto, and by it to recall the Christian labours of that king’. 1734. An 18th century pearl and diamond brooch, of pierced foliate design suspending two pearls in silver and gold, 5.3cm long £300-400 1735. An early 19th century butterfly brooch, the wings and tail formed from teeth, the body set with a turquoise and white stone within cannetille decoration in yellow gold, 2.7cm wide £150-200 1736. A late 19th century gold brooch, a realistically formed turquoise-set gold forget-me-not applied to the glazed locket containing hair, the reverse engraved with initials, 2.5cm high £100-150 1737. A Victorian moss agate bracelet, each panel set with a moss agate cabochon within rose-cut diamond border in closed back yellow gold setting on pierced gold links, 16.7cm long £400-600 1738. A late Victorian diamond-set crescent brooch, the closed crescent is set with a line of graduated cushion-shaped diamonds on blue enamel ground and within borders of rose-cut diamonds on silver and gold, engraved with Hebrew inscription dated 10.1.59 and translates to Yevarechecha Adonai v’yishmarecha (May the Eternal one bless you and watch over you), 2.3cm wide £600-800 The inscription is the first line of the priestly blessing found in the Book of Numbers, Chapter 6, verses 24-26. 1739. An 18th century miniature pendant, the oval enamel portrait depicting a young boy, within rose-cut diamond-set laurel border in silver and gold closed back setting, 5.8cm high £200-300 1740. An 18th century paste flowerhead brooch, pavé-set with graduated cushion-shaped pastes in closed-back silver setting, 3.5cm wide £100-200 1741. A George III memorial ring, mounted with a glazed oval section with hair depicting a covered urn, the shank with black enamel presentation to Ann Heming and dated 1777, size I £150-200 1742. A George III garnet and seed pearl cluster ring, centred with an oval-shaped garnet set within a surround of seed £200-300 pearls in closed-back gold mount and further pearls to the shoulders with a fluted open shank, size P 1743. A George III paste Maltese cross brooch, set with graduated white pastes in silver and gold, 4cm wide, fitted case £400-600 1744. A George IV memorial ring, centred with a small diamond mounted on a rectangular black enamel plaque, within a border of half pearls, the bifurcated foliate shoulders centred with black enamel sections and fluted shank, London marks for £150-250 1827 and engraved with a memorial inscription to Richd Baker and dated 1827, size Q 1745. A George III mourning ring, the glazed oval plaque depicting a covered urn painted in sepia, the shank with black enamel decoration with memorial inscription to Edwd Francis, dated 1782, size Q £150-200 1746. A 19th century topaz and seed pearl ring, the oval-shaped topaz set within a surround of seed pearls in closed back setting, with foliate carved shoulders, inscription engraved to reverse for Elizabeth 1834, size P £400-600 1747. An early Victorian rectangular and faceted stone-set gold ring, c1840, believed to have been a gold-testing touch stone, with oval hoop shank, the stone 1.3cm long, size P £200-300 1748. A Victorian enamel and diamond mourning ring, set with a central old cushion-shaped diamond within scrolling borders of black enamel in 18ct yellow gold, maker’s mark F&S and Chester hallmarks for 1895, size J½ £100-200 1749. A 19th century gold ring, set with a trefoil of circular-cut garnets and with intertwining shank, size M

£100-150

1750. A George III mourning ring, the oval glazed locket displays a plant (possibly rose) with a drooping bud painted in sepia, probably on ivory and mounted in gold, 1.3cm high, the gold shank with white enamel decoration carved with the £200-300 inscription ‘Jane Cheale. ob. 25.Mar:1779. AE 19’, size K

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1733 1732

1734

1735

1737

1736

1738

1742

1739

1741 1740

1746 1745

1744

1743

1749

1748 1747

1750

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1751. A pair of early 20th century tiger’s eye cameo earrings, carved with two faces in profile within eliptical border, within gold collets with pellet decoration, 2.2cm diameter £200-300 1752. A Victorian diamond and blue enamel heart pendant locket, set with an old cushion-shaped diamond on blue guilloche enamel ground, opening to reveal a glazed locket compartment in closed-back yellow gold setting, 12mm wide £300-400 1753. An Edwardian diamond pendant, the three graduated old cushion shaped diamonds suspend two larger old circular-cut diamonds in pierced platinum surround on knife-edge diamond-set links, 4.5cm long, chain 45cm long £400-600 1754. An Australian sapphire three stone ring by R H Parker, retailed by H Newman (1824 - 1913), the central oval white sapphire is flanked with oval-shaped blue sapphires in yellow gold, signed, with maker’s mark for R H Parker, and stamped H Newman, 84 Elizabeth St, Melbourne, hallmarks for 18ct, size O £200-300 1755. A pair of green stone and pearl drop earrings, the graduated oval-shaped green stones set within twisted gold borders with seed pearls in yellow gold, 3.7cm long £200-300 1756. An Edwardian navette-shaped ring, pierced and millegrain-set with graduated old circular-cut £400-600 diamonds in platinum and white gold, size R 1757. An Edwardian amethyst, diamond and enamel pendant, the figure of eight white enamel links are set with a line of graduated diamonds and suspending two amethyst briolettes, on fine-link yellow gold neck chain, 40cm long £400-600 1758. A ruby and diamond cluster ring, the navette-shaped ring set with a line of graduated cushionshaped rubies within a border of cushion-shaped diamonds in yellow gold, size N £200-300 1759. An early 20th century silver and enamel cruciform pendant, decorated with polychrome enamel and white and red paste stones, suspending three silver caps, suspended from a matching bale with foliate engraving to reverse in silver, 7.2cm high £600-800 1760. An early 20th century gold brooch, designed as three birds and a nest with eggs, two birds with carved brown-stone bodies and pavé-set with diamonds and rubies, surmounted with a long-tailed bird with carved green-stone body and set with emeralds, all with ruby eyes, the fine gold wirework nest with six pearl eggs, 4cm wide £1,000-1,500 1761. A Victorian sapphire and diamond bangle, set with a central panel of sapphire and diamond £300-400 laurels in silver and gold, with rose-cut diamonds to each terminal, 5.7cm inner diameter 1762. A gold heart brooch by Tiffany & Co, with engine-turned decoration and set with a ruby in yellow gold, signed to reverse, 3.5cm high £450-600 1763. An Edwardian ruby and pearl bangle, of chequerboard design alternately-set with seed pearls and rubies in yellow gold, 5.5cm inner diameter, case £200-300 1764. A gold pendant mounted with assorted gemstones and a cultured pearl, clockwise from top right: an oval-shaped sapphire, an oval-shaped sapphire, an oval-shaped garnet, a circular-shaped sapphire, an oval-shaped garnet, an oval-shaped zircon and an oval-shaped colour-change sapphire, a chrysoberyl catseye and cultured pearl, 3.5cm wide £1,500-2,000 1765. An opal and diamond-set gold brooch, the oval-shaped opal set with two circular-cut diamonds to each shoulder in the lozenge-shaped gold mount, 5cm wide £200-300 1766. An early 20th century diamond and black onyx brooch, set with three principal old circular-cut diamonds within pierced millegrain-set surround of black onyx and diamonds, set in platinum and yellow gold, 7.8cm wide £600-800 1767. An Edwardian opal and diamond cluster brooch, designed as a flower head, with carved opal petals centred with a circular-cut diamond and with rose-cut diamond border and seed pearl terminals in gold, 3cm wide £100-200 1768. An Edwardian multi-gem-set gold bracelet, set with eleven graduated gem stones including tourmaline, garnet, sapphire and amethyst in yellow gold collets on curb-link neck chain, 16.7cm long, case £500-700

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1752

1753 1754 1751

1755

1759

1758

1756 1757

1760 1761

1763 1764

1762

1766 1767

1765

1768

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1769. A 19th century turquoise and diamond snake brooch, the writhing serpent pavé-set with graduated turquoise cabochons, set amongst ruby and diamond-set laurels in silver and gold, later brooch conversion, 4.2cm wide £400-600 1770. A late 19th century opal and diamond cluster ring, the oval opal cabochon set within diamond surround (one missing) in silver and yellow gold collet, size N½, case £1,000-2,000 1771. An Edwardian open crescent gold brooch, alternately-set with oval-shaped opals and old circularcut diamonds in yellow gold, fitted case by Pearce of Leeds £400-600 1772. An Edwardian citrine and pearl pendant, the oval-shaped citrine is set within a surround of half pearls in yellow gold and suspending two gold knife-edge articulated drops set with two pear-shaped citrines and two pearls, suspending from a fine-link yellow and white gold chain, 6cm high, fitted case, and £600-800 a pair of pear-shaped citrines in finely worked gold mounts 1773. A gold oval locket pendant by Edwin Streeter, the oval locket applied with an archery trophy, the glazed internal locket compartment mounted with a photograph of a woman possibly wearing the locket and engraved with initials, Dabenham Hall 28th July 1869, applied with a cartouche bearing the initials £300-400 EWS 18, 3.5cm high 1774. A pair of natural pearl drop earrings, the pearls suspend from diamond-set caps in white gold, 3.5cm high £600-800 Accompanied by report number 78168-75 dated 19 July 2018 from GCS, London stating that the two cream pearls measure 12.5 x 8.8 x 7.2 and 12.2 x 8.6 x 7.2mm and each weigh approximately 5.80 and 5.66cts as stated by the client, and are both natural saltwater with no indications of treatment. Comment: the surface of one of the pearls has been worked. 1775. A gold locket pendant, mounted with an oval-shaped monochrome enamel plaque painted with a putto in the limoges style, the locket 3.5cm high £150-200 1776. A sapphire and diamond bar brooch, the cushion-shaped sapphire set within a surround of £800-1,200 cushion-shaped diamonds on platinum bar brooch, 5cm wide 1777. A pair of grey natural pearl earrings, the baroque pearls mounted on white gold studs, post fittings £2,500-3,500 Accompanied by report number 78171-31 dated 22 August 2018 from GCS, London stating that the grey/black pearls measure 13.3 x 11.7 x 10.5 and 12.9 x 12.5 x 10.3mm and are natural saltwater. Comment: the surface of the pearls have been worked. 1778. A Victorian opal and diamond ring, set with three graduated oval-shaped opals and diamond pointers in carved and pierced yellow gold mount, size O½ £200-300 1779. A 19th century amethyst and pearl brooch, the oval-shaped amethyst surmounted with a diamond giardinetto within border of pearls in closed-back yellow gold mount, 3cm wide £300-400 1780. A sapphire and diamond cluster ring, the step-cut sapphire is set within a surround of rose-cut diamonds in silver and gold, size P £200-300 1781. A Victorian sapphire and diamond half-hoop ring, set with three graduated oval-shaped sapphires and four cushion-shaped diamonds in carved and pierced yellow gold mount, size O½ £400-600 1782. A late 19th century garnet and diamond four stone ring, the four garnets set with diamond £200-300 pointers in carved and pierced yellow gold mount, size M½ 1783. An opal and diamond seven-stone half-hoop ring, in yellow gold with scroll pierced shoulders, size N £200-300 1784. An early Victorian turquoise suite, including a gold expanding bracelet with S-form links, a pair of spherical earrings, a three-section hemispherical gold bar brooch and a gold scallop form brooch with pendant loop and small pearl pendant, all pavé-set with graduated turquoise cabochons, the ring set with four oval turquoise cabochons and rose-cut diamonds with scroll pierced shoulders, cased £2,000-3,000

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1770

1772 (2)

1769 1772 (2)

1771

1774

1775

1773

1777

1776

1780 1778 1779 1784 (5)

1781

1782

1784 (5)

1783

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1785. A Victorian yellow gold mourning ring, centred with a diamond on a quatrefoil agate mount, foliate carved shoulders with fluted shank and inscription dated 1880, with glazed locket compartment to the reverse, size N £300-400 1786. A garnet and gold religious pendant, centred with an oval cabochon hessonite garnet carved with the Virgin Mary standing on a snake within a border of stars, the gold mount surrounding the cameo with the words ‘macula non est in te’ with heavy scroll surround, hinged open locket compartment to the reverse, 54g total, 6.5cm high £400-600 1787. An early 19th century gold necklace, mounted with graduated oval-shaped tassie glass intaglios, with matching brooch and drop earrings, each with an interesting classical or mythlogical scene, the necklace with seventeen, the drop earrings each mounted with two intaglios joined with a pair of fine-link gold chains and a single intaglio to the brooch, all mounted in cut-down gold collets, all emulating a nicolo intaglio, the necklace centre intaglio 2cm wide, the brooch 2.5cm wide, necklace 36cm long, fitted case by T & J Perry, Regent Street £3,000-4,000 1788. An oval carved agate intaglio depicting Zeus Ammon, bearded and with horns, possibly £200-300 Hellenistic, 1.5cm high, in later gold ring mount, size J 1789. A Roman nicolo intaglio ring, depicting Oedipus and the Sphinx, in later yellow gold mount, size R £600-800 1790. A George III topaz and diamond ring, the oval-shaped topaz is set within acentric surround of graduated cushion-shaped diamonds in silver and gold closed back setting, size N½ £800-1,200 1791. A Regency gold three-section fedé ring, the outer rings terminating with hands which clasp when the ring is closed, chased with foliate scroll decoration, size S £200-300 1792. A gold ring comprising seven circular discs, each chased with a mythological-inspired design and centred with a shield-shaped plaque engraved with a heraldic dragon, size U½ £100-150 1793. A 19th century cameo ring, the carved agate depicting a monkey’s face in closed-back yellow gold £200-300 setting, size M

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1785

1786

1787 (3) 1790

1791 1789

1792

1788

1793

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1794. An emerald and diamond-set pendant, the emerald-cut emerald is set in a closed-back mount with small diamonds £400-600 1795. A George III diamond and enamel brooch, set with a pear-shaped diamond within diamond-set laurel border and surmounted by a bow on blue enamel ground, within a border of cushion-shaped diamonds in silver and gold closed-back setting, 3.4cm wide £800-1,200 1796. A George III diamond-set circular brooch, pavé-set with rose-cut diamonds in silver on gold, probably converted from a ring, 1.8cm wide £400-600 1797. A 17th century diamond and garnet quatrefoil ring, set with two rose-cut diamonds and oval-shaped garnets in raised scallop mount decorated with black enamel in carved black enamel shoulders, closed-back gold mount, size O £100-150 1798. A religious ring c1680, possibly Low Countries, the hexagonal crystal covers a faded painted religious scene, in silver rubover mount and with polychrome foliate enamel painted to the reverse and with remnants of further dark blue enamel decoration to the gadrooned pattern to the sides, hinged and fluted shank, size L £600-800 1799. A Stuart crystal-mounted gold ring, the octagonal-shaped crystal covers the gold wire letters AB, lobed decoration to the reverse, open stylised fleur-de-lys shoulders with fluted shank, size O £200-300 1800. A late George III emerald and diamond cluster ring, set with three emeralds in closed-back mounts and a cluster of cushion-shaped diamonds, foliate shoulders and reeded shank, size N £200-300 1801. An early 19th century gold snake ring, the head set with an oval-shaped garnet and with rose-cut diamond eyes, heavily engraved with foliate decoration to the shank and pierced with D-form sections revealing hair, size O £200-300 1802. An early 18th century gold poison ring, c1830, the quatrefoil cover is detached but would originally have been hinged, centred with a flower head decorated with white and pink enamel remnants and further blue and white enamel decoration to the outer petals within fine pellet borders, with raised and stylised fleur-de-lys shoulders and chased with foliate decoration to the back of the shank, all with remnants of black, white and blue enamel, size Q (approx.) £100-200 1803. A mid 17th century emerald-set gold ring, possibly Spanish, set in a square collet with traces of white enamel to the scroll carved reverse and scroll decorated shoulders, size H £600-800 1804. A late 16th century gold ring, set with an oval-shaped pink stone (probably later) to the rectangular closed-back collet and open scrolling shoulders, blue enamel decoration to the reverse and an internal inscription decoration with the same colour enamel ‘Ex dono?Wadeson’ (having been partially erased during a resize), size P £400-600 The inscription indicates that the ring was a gift. 1805. A gold and crystal romantic ring, possibly French, late 17th century, the faceted crystal covers two winged putti, both clasping a heart with red enamel decoration and the putti in white, gold wire scrolling border on finely plaited hair ground, undulating decoration to the border and with blue enamel decoration to the carved border, lobed to the reverse and matching enamel decoration to the carved shoulders, size M £600-800 1806. An early 18th century English gold memorial ring, set with a flat oval garnet and two pear-shaped rose-cut shoulder diamonds, the back of the bezel carved with gadroons radiating upwards from a small oval-shaped centre, cut-down collet with small claws and bifurcated shoulders, engraved to the shank interior ‘To Remember my Father’s help in taking Guardalope (sic) £200-300 1759’, size L In 1759, as part of Prime Minister William Pitt’s (1708-1778) ongoing operations to divert French troops from Germany by attacking them wherever he could, a British expedition was sent to the West Indes with the intention of seizing French possession after the 6 month long battle to capture Guadeloupe, they finally received the formal surrender of the Island just days before a large French relief force arrived. For a similar ring mounted with an Intaglio portrait, see BOARDMAN, J., & SCARISBRICK, D., The Ralph Harari Collection of Finger Rings, item 154. 1807. An early Victorian diamond-set cluster ring, pavé-set with rose-cut diamonds in gold with further rose-cut diamonds set to the shoulders, London marks (possibly for 1847), size M £400-600 1808. An 18th century diamond-set open foliate gold ring, set with rose-cut diamonds in silver and gold with open scrolling shoulders to the gold shank, size M £200-300 1809. A George III garnet and diamond ring, the rose-cut garnet set with graduated rose-cut diamond shoulders in silver and gold closed back setting, size O½, case £200-300 1810. A George III garnet and diamond ring, the flat garnet flanked with cushion-shaped diamonds in silver and gold closed back setting, size I½ £300-400 1811. A Regency gold longuard chain, the small circular links decorated with pellets and scrolls, the barrel clasp set with three turquoise (one missing) and cannetille decoration, 100cm £600-800

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1794

1795

1796 1797

1798

1799

1800

1805 1801

1806

1802 1807

1808

1809

1810

1803

1804

1811

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1812. A Victorian sapphire and diamond brooch pendant, set with a central circular-cut sapphire within scrolling diamond-set border and further border of smaller circular-cut sapphires in silver and gold, 2.7cm wide. With a Victorian sapphire and diamond shamrock bar brooch, 3.8cm wide £600-800 1813. A Victorian double heart brooch, set with two chrysoprase heart-shaped cabochons with a surround of rose-cut diamonds beneath an abstract diamond bow, in silver and gold, 2.5cm wide, case £600-800 1814. A Victorian diamond-set insect brooch, the realistically formed bee is pavé-set with rose-cut diamonds with a quartz cat’s-eye body and ruby eyes, in silver and gold, 4.5cm wide £2,000-2,500 1815. A late 19th century diamond foliate brooch, the largest flowerhead mounted ‘en tremblant’, pavé£1,500-2,000 set with graduated cushion-shaped diamonds in silver and gold, 7.5cm long 1816. A late 19th century diamond Maltese cross brooch, set with graduated old circular-cut diamonds in silver and gold, 3cm wide, case £800-1,200 1817. A late 19th century diamond starburst brooch, set overall with graduated old cushion-shaped diamonds in silver and gold, detachable brooch fitting to reverse, 2.8cm wide £400-600 1818. A Victorian peridot and diamond pendant, set with a cushion-shaped peridot within scrolling diamond surround and suspending two pear-shaped peridots in silver and gold, on fine-link silver neck chain, pendant 4cm long, chain 36cm long £600-800 1819. A Victorian diamond-set floral brooch, centred with an old circular-cut diamond within a surround of similar, smaller diamonds and further graduated diamonds to the leaves in silver on gold, 3.5cm high £600-800 1820. A late 19th century diamond foliate brooch, set overall with graduated cushion-shaped and ovalshaped diamonds in silver and gold, 6.5cm wide £800-1,200 1821. An Edwardian opal and diamond circular brooch pendant, centred with a circular-cut diamond within a heart-shaped opal surround and further similar opals and diamonds to the openwork silver and gold mount, detachable brooch fitting and with further opal and diamond-set gold pendant loop and finelink gold neck chain, case £800-1,200 1822. A French 19th century sapphire, diamond and enamel duck brooch, the realistically designed flying ducks set with cabochon sapphire bodies, enamel heads and diamond-set wings in silver and gold, £800-1,200 French control marks, inventory number 14327, 5.5cm wide, case 1823. An opal and diamond cluster ring, the solid white opal cabochon is set within a surround of circular-cut diamonds in platinum and yellow gold, size O £1,500-2,000 1824. A French 19th century turquoise and diamond brooch, the three turquoise cabochons are conjoined with diamond-set scrolls in silver and gold, French control marks, 4cm wide, case £200-300 1825. A Victorian moonstone and diamond pendant, set with two heart-shaped moonstone cabochons within a surround of rose-cut diamonds with a diamond-set bow surmount, in silver and gold, with inscription to reverse for ‘Patrick & Alice’ 2.5cm high (excluding pendant loop), case £400-600 1826. An Edwardian sapphire and diamond-set open crescent brooch, set with graduated oval-shaped £300-400 sapphires each separated with a pair of circular-cut diamonds in gold, 5.1cm 1827. A late 19th century reverse carved crystal brooch, realistically depicting a swan within rose-cut diamond border in closed-back yellow gold setting, Austrian marks, 2.7cm wide £600-800 1828. A late 19th century diamond starburst brooch pendant, set with graduated old cushion-shaped £800-1,200 diamonds in silver and gold, detachable brooch fitting, 3.8cm wide

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1812 (2)

1814

1813

1818

1815

1816

1817 1820 1819

1821 1823

1822 1827

1826

1824

1825

1828

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1829. A pair of 19th century amethyst girondole earrings, formed from oval and pear-shaped amethysts in yellow gold collets, 6cm long, with another pair of amethyst stud earrings £800-1,200 1830. A late 19th century sapphire and diamond three-stone ring, the cushion-shaped sapphire flanked with old circular-cut diamonds in carved and pierced yellow gold mount, size N½ £1,500-2,000 1831. A Victorian sapphire and diamond five-stone ring, alternately-set with graduated sapphires and diamonds in carved and pierced 18ct yellow gold mount, Chester hallmarks for 1895, size O½ £400-600 1832. A diamond five-stone ring, the graduated old circular-cut diamonds weigh approximately 1.00cts in total, set in yellow gold, Chester hallmarks for 18ct, 1895, size P, case £600-800 1833. A Regency emerald and diamond cluster ring, c1830, the emerald-cut emerald is set within a surround of old circular-cut diamonds in silver and gold, with foliate shoulders and fluted shank, size K½ £1,000-1,500 1834. A ruby five-stone ring, the graduated cushion-shaped rubies set with diamond pointers in carved and pierced yellow gold mount, size P £1,500-2,000 Accompanied by certificate no. 79187-88 dated 27 November 2018 from GCS, London stating that the five cushion-cut rubies weigh approximately 2.70cts total and are natural rubies with no indications of heat treatment. Origin: Burma 1835. A Victorian ruby and diamond chequerboard ring, alternately-set with rubies and diamonds in carved and pierced yellow gold mount, size N½ £600-800 1836. A topaz pendant, the orange briollette-shaped topaz set in yellow gold collet, 3.3cm high £500-700 Accompanied by report number 16465 dated 3 November 2018 from The Gem & Pearl Laboratory stating that the pear-shaped topaz measures 21-22 x 12-13 x 8.2mm and is a natural imperial topaz. 1837. A Victorian diamond-set snake ring, the coiled serpent with a diamond-set head in yellow gold, Chester hallmarks for 18ct, 1901, size P £300-400 1838. A sapphire-mounted flower head gold brooch by Carlo Giuliano, c1870, centred with a small diamond and shaded guilloche pink enamel decoration to the petals, which are each separated with a cabochon sapphire, signed CG under the clasp, 2.5cm wide £800-1,200 1839. A late 19th century Etruscan revival gold brooch, set with a ram’s head within gold wirework and pellet border on yellow gold bar brooch, 4.3cm wide £150-250 1840. A large mid 19th century crucifrom pendant in the style of Robert Phillips, each terminal set with a red enamel and pearl trefoil, the body of the cross formed from concentric gold lines, suspended from a red enamel pendant loop, 12cm high £1,000-1,500 1841. A Victorian diamond-set heart pendant brooch, set with graduated circular cut diamonds weighing approximately 3.70cts (total) in yellow gold, detachable diamond-set pendant loop and folding and removable brooch fitting, 2.1cm wide, fitted case £1,500-2,000 1842. A Victorian gold collar necklace and locket, the fancy-link gold neck chain suspends an oval locket pendant decorated with diamond-set ginkgo leaves, hinged and opening to reveal a glazed locket compartment to interior, foliate engraved decoration to reverse, necklace 36cm long, pendant 6cm long £2,000-3,000 1843. A French yellow gold curb-link bracelet, alternately-set with circular-cut rubies and diamonds in rubover mounts, French control marks, 18cm £700-900 1844. A 19th century pearl and diamond bangle, centred with a natural pearl within a border of old cushion-shaped diamonds and graduated diamond-set shoulders in platinum and gold, French control marks, 5.7cm inner diameter £2,500-3,500 1845. A Victorian sapphire and diamond bangle, alternately set with cushion-shaped sapphires and £2,000-3,000 diamonds in yellow gold, 5.5cm inner diameter

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1830

1831

1832

1833

1834 1829 part 1835

1836 1837 1838

1839

1843

1842

1844

1840

1841

1845

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1846. A sapphire-set dragon ring, the realistically formed dragons are clasping a cabochon sapphire between their jaws in yellow gold, size P £800-1,200 1847. A sapphire bar brooch, the sugarloaf sapphire cabochon is set within twisted yellow gold bar brooch, 7cm wide £800-1,200 1848. A sapphire and diamond cluster ring, the emerald-cut sapphire is set within a surround of singlecut diamonds in platinum and gold, size N £1,000-1,500 Accompanied by report number 16579 dated 1 December 2018 from The Gem & Pearl Laboratory, London stating that the emerald-cut sapphire is a natural sapphire with no indications of heat treatment. 1849. An emerald and diamond gypsy ring, set with an emerald cabochon and three graduated round brilliant-cut diamonds to each shoulder in yellow gold, size M½ £1,000-1,500 1850. A yellow and white gold bangle, of abstract design, 5.3cm inner diameter, 108g

£2,500-3,000

1851. A pair of gem-set shell earrings, the shells with gold wirework decoration and sapphire and ruby and cabochons in yellow gold collets, 2.7cm high, hinged post and clip fittings £400-600 1852. An 18ct yellow gold tank track bracelet, Birmingham hallmarks for 1975, 18cm long, 55g £1,000-1,500 1853. A gold cameo bracelet c1970, each textured gold rectangular link set with a carved cameo of a female in profile in coral, mother of pearl, shell and green stone, 18.7cm long, 58g £1,500-2,000

Family tradition holds that the cameos were carved by Giovanni Apa. 1854. A tourmaline and diamond ring, set with a pink and green tourmaline cabochon conjoined with a £1,500-2,000 swirl of graduated circular-cut diamonds in double fluted yellow gold setting, size K 1855. A gold cello brooch, of stylised design, set with five graduated circular-cut diamonds in yellow and white gold, Dutch marks, 12.2cm high £600-800 1856. A diamond-set gold spray brooch, made from intertwining engraved gold crescents set with four circular-cut diamonds in yellow gold, maker’s mark de M and London hallmarks for 18ct, 1963, 8cm long, 20g £500-700 1857. An abstract diamond-set gold brooch pendant, c1970, the textured gold set with four circularcut diamonds, 7.2cm long £500-700 1858. A pink tourmaline ring, the large tourmaline bead spins in a yellow gold hammered effect mount, French import marks, approximately size M £1,500-2,000

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1846

1847

1848

1849 1852

1853

1850

1851

1854

1858 1855

1856

1857

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1859. A diamond full circle eternity ring, set with old cushion-shaped diamonds in platinum, size O £600-800 1860. A diamond three-stone ring, the three old circular-cut diamonds weigh approximately 1.60cts in total, set in platinum and white gold, size P £1,500-2,000 1861. An early 20th century diamond bar brooch, the graduated old circular-cut diamonds millegrain£300-400 set in stepped square-shaped platinum mount, 5.5cm long 1862. An Art Deco diamond brooch, set with a central circular-cut diamond within geometric rectangular surround, pierced and set with baguette-shaped and circular-cut diamonds in platinum and white gold, 4.7cm wide £1,500-2,000 1863. A Belle Époque diamond-set cocktail watch, the unsigned movement with an elliptical silvered dial, Arabic numerals and blued steel hands in a white metal case set all over with single-cut diamonds, cabochon sapphire winding button, on an adjustable white gold mesh strap, 16mm wide £600-800 1864. A diamond-set stick pin by Lacloche, of abstract design, set with old-cushion-shaped diamonds in platinum and gold, signed Lacloche F Paris, with French control mark and inventory number 33216, case £400-600 1865. A lady’s diamond cocktail wristwatch, the lozenge-shaped dial with black Arabic numerals within £200-300 diamond bezel in platinum case, on black silk band, 2.1cm wide 1866. A lady’s Art Deco cocktail wristwatch, the hexagonal dial with black Arabic numerals with diamond and sapphire border, and diamond lugs in platinum, on black cord band, 17mm wide £400-600 1867. An Art Deco diamond-set brooch, of rectangular form, pierced and millegrain-set overall with £1,500-2,000 graduated cushion-shaped and rose-cut diamonds in platinum, 4.9cm wide, Carrington box 1868. A diamond and ruby bracelet, set overall with graduated circular and baguette shaped diamonds and with four square-shaped rubies, set in platinum, numbered T2881 and 33590, 17.7cm long £6,500-8,000 1869. An Art Deco style bracelet, each link set with a central line of baguette-shaped diamonds within circular-cut pierced diamond borders, each joined by a diamond in white gold, 18cm long £2,500-3,000 1870. A pink sapphire and diamond cluster ring, the step-cut pink sapphire is set within a surround of round brilliant-cut diamonds and a baguette-shaped diamond to each shoulder in platinum, size O £600-800 1871. A spinel and diamond cluster ring, the cushion-shaped red spinel is set within a surround of £1,000-1,500 circular-cut diamonds in yellow and white gold, size N½ Accompanied by report number 79190-49 from GCS, London stating that the cushion-shaped spinel is a natural spinel with no indications of heat treatment. 1872. An aquamarine and diamond ring, the baguette-shaped aquamarine is set in 18ct white gold, with London marks, size P £800-1,200 1873. A French Art Deco onyx and diamond ring, the central bombé section pavé-set with diamonds within pierced border of onyx cabochons and further diamonds to the shank in white gold, French control marks, size P½ £1,500-2,000 1874. A sapphire and diamond cluster ring, the cushion-shaped sapphire weighs 8.10cts and is set within a surround of old circular-cut diamonds in platinum, with three smaller diamonds to each shoulder, £3,000-4,000 size O, case Accompanied by report number 16580 dated 1 December 2018 from The Gem & Pearl Laboratory, London stating that the rectangular cushion-shaped sapphire weighs 8.10cts and is a natural sapphire with no indications of heat treatment. Origin: Ceylon (Sri Lanka) 1875. A ruby and diamond cluster ring, the ruby cabochon set within a surround of circular-cut diamonds and baguette-shaped shoulder diamonds in white gold, size N £1,000-2,000 Accompanied by report number 79187-82 dated 27 November 2018 from GCS, London stating that the cabochon-cut ruby weighs approximately 2.5cts and is a natural ruby with no indications of heat treatment. Origin: Burma 1876. A sapphire and diamond ring, the oval-shaped sapphire weighs approximately 5.00cts within pierced geometric diamond-set shoulders in white gold, size M½ £1,500-2,000

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1859

1861

1860

1862

1867

1865 1866

1864

1863

1868

1869 1874

1873 1872 1871 1870

1876

1875

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1877

1877. A Louis XV gold, hardstone, shell and silver gilt-mounted snuff box, by Antoine Daroux, Paris 1747, the rectangular box with hinged cover decorated with girl offering a drink from a nearby barrel to a soldier with gun and sword, gold highlights to the ground and tree trunks and all on a carved shell ground, depicting tents, with confirming scenes and decoration to the four sides and base, 8cm wide, the cover and internal base with the mark of Antoine Daroux, the silver borders with wavy decoration £5,000-10,000 A box with similar military camp iconography was sold by the late Baron Maximilien de Goldschmidt-Rothschild, Sotheby’s Monaco, 29th November 1975, ex lot 136. 1878. A diamond-set double clip brooch, set with two principal diamonds weighing approximately 0.45ct each, set within pierced scrolling border of graduated circular-cut diamonds in white gold, 9.5cm high £3,000-4,000 1879. An Art Deco diamond-set double clip brooch, of scroll design, set with graduated circular-cut and baguette-shaped diamonds in platinum, 4.8cm wide £1,000-2,000 1880. A diamond bombé ring, the central princess-cut diamond weighs approximately 1.60cts, set within an elliptical surround of triangularshaped diamonds and concentric borders of tapered baguette-shaped diamonds in white gold, size O £5,000-7,000 1881. A pair of diamond cluster earrings, each set with a circular-cut diamond within borders of baguette-shaped and circular-cut diamonds in platinum and white gold, clip fittings, 2cm diameter £2,000-3,000 1882. An Art Deco ruby and gold compact by Dunhill, with geometric engine-turned decoration set with calibré-cut rubies to the centre and thumbpiece, signed Dunhill London, 4.8cm long, 39g £300-400 1883. A mid 20th Century Odeonesque emerald and diamond ring, set with two central emeralds within scrolling border set with graduated circular-cut diamonds in white gold, size P £1,500-2,000 1884. An emerald and diamond ring, the rectangular cushion-shaped emerald is flanked with baguette-shaped diamonds in white gold, size P £1,200-1,500 1885. A pair of gem-set gold shell earrings, the shells set with wirework decoration and chrysoprase cabochons in yellow gold, hinged post and clip fittings, 2.5cm high £400-600 1886. A sapphire and diamond ring, the cushion-shaped sapphire is flanked with tapered baguette-shaped diamonds in platinum, size O½ £6,000-8,000 Accompanied by report number 103699 dated 26 November 2018 from SSEF, Basel stating that the antique cushion-shaped sapphire weighs 6.744cts and is a natural sapphire with no indications of heat treatment. Origin: Ceylon (Sri Lanka) 1886A. A diamond solitaire ring, the round brilliant-cut diamond weighs 1.48cts and set in 18ct yellow gold, hallmarks for 2001, size P £5,000-7,000 Accompanied by report number 0011900 dated 30 October 2003 from Gem-A, London stating that the round brilliant-cut diamond weighs 1.48cts and has G colour and VS1 clarity. 1887. A diamond scroll brooch, set overall with graduated circular-cut diamonds weighing approximately 5.80cts in total, in white gold, 5cm wide £1,500-2,000

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1880

1879 1878

1883

1881 1884

1882

1885

1886

1887

1886A

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1888. A diamond bombé ring by Bulgari, pavé-set with circular-cut diamonds in yellow and white gold, signed to inner shank, size N½ £2,000-3,000 1889. A diamond-set gold scroll ring by Sterlé, designed as textured interwoven stylised ribbons, the central section set with graduated diamonds in platinum and yellow gold, signed to interior, size N £2,000-3,000 1890. A diamond three-stone ring by Grima, the three graduated old circular-cut diamonds are rubover£2,000-3,000 set in white gold, signed GRIMA to inner shank, size L½, Grima case 1891. A yellow gold and diamond bombé ring, the two interwoven sections set with a line of graduated circular-cut diamonds with fluted decoration in platinum and gold, size M½, unsigned but believed to have been purchased from Cartier and re-shanked, Cartier box. £800-1,200 1892. A yellow gold flower head brooch by Cartier, of stylised form, signed to reverse and stamped 14ct, 4cm high £1,000-2,000 1893. A French Odeonesque diamond ring, possibly by Cartier, c1940, the cushion-shaped diamond is set within platinum and gold concentric square border and striated platinum and gold cylinder to one side, rubbed signature and makers lozenge to reverse, possibly CARTIER , French control marks, size L £600-800 1894. A diamond-set twisted rope ring, the central link pavé-set with graduated single-cut diamonds and joined with two scrolling fluted links, in platinum and yellow gold, size K½ £1,000-1,500 1895. A French diamond floral spray brooch, c1950, of stylised design and set overall with graduated circular and baguette-shaped diamonds in white gold, the diamonds weigh approximately 6.00 cts in total. French control marks, 5.5cm long £1,500-2,000 Previously sold Sotheby’s London, 19th June 1997, lot 310 1896. A gold and diamond-set feather brooch by Cartier, c1970, realistically formed and set with graduated circular-cut diamonds in yellow gold, signed S Cartier, with inventory number 1191, 6.5cm high, fitted Cartier box £2,000-3,000 Accompanied by handwritten note stating that the brooch was a gift from Mr George Livanos, shipowner in 1968 1897. A tiger’s eye long guard chain by Tiffany & Co, the circular gold links divided by tiger’s eye cylindrical sections, 84cm long £1,000-1,500 1898. A French ruby and diamond compact, decorated with interwoven lines of rubies, diamonds and gold on engine-turned ground, hinged opening to reveal a mirror and inner compartment, French control marks and maker’s lozenge ZL, 7cm long, 160g £4,000-6,000

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1889 1888

1891 1890

1893

1892

1894 1895

1896

1897

1898

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1899. An early 20th century carved flower brooch, in the manner of Ernst Paltscho, the oval border decorated with black enamel and diamonds surrounding carved hardstone flowerheads with fancy yellow diamond centres, set in platinum, Austrian marks, 3.6cm wide £2,000-3,000 1900. A pair of Art Deco emerald and diamond-set clip brooches, each clip set with a line of graduated tapered baguette-shaped emeralds with a border of square-shaped diamonds to one side and a scrolling design to the other set with graduated circular-cut diamonds in platinum and white gold, detaching from a white gold frame, 7cm wide £4,000-6,000 1901. A French Belle Époque brooch pendant, the carved black onyx campagna-shaped centre section surmounted with two zig-zag sections millegrain-set with rose-cut diamonds, suspended from a diamondset triangular upper section centred with a diamond flower head and with a tassle of seed pearls suspended from a line of rose-cut diamonds and lapis lazuli border, the platinum mount marked to the reverse with French control marks, maker’s lozenge E.B. and scratched with inventory number 2056, possibly detached from a larger piece of jewellery and with later brooch fitting, 10cm high £2,000-3,000 1902. An early 20th century peridot and diamond brooch, the oval-shaped peridot set within rose-cut diamond border and suspending three articulated lines of square-shaped peridots in platinum and gold, 6cm long £1,000-1,500 1903. A pair of diamond-set drop earrings, each mounted with a pear-shaped pendant set with graduated rose-cut diamonds and suspending a briolette-cut diamond, two cushion-shaped diamonds £2,000-2500 above, all set in silver and gold, 3cm high 1904. An Edwardian star sapphire and diamond brooch, the high-domed cabochon sapphire is set within surround of old circular-cut diamonds millegrain-set in platinum and yellow gold, 3.4cm wide £3,000-5,000 Accompanied by report number 79187-87 dated 27 November 2018 from GCS, London stating that the cabochon-cut sapphire weighs approximately 60cts and is a natural star sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1905. A pair of natural pearl drop earrings, the pearls suspend from diamond-set caps on articulated diamond chains, in white gold, 4.7cm high, screw post fittings £4,000-6,000 Accompanied by report number 78171-32 dated 22 August 2018 from GCS, London stating that the two cream pearls measure 12.1 x 11.1 x 9.9 and 12.4 x 11.7 x 8.4mm and each weigh 9.12 and 8.87cts as stated by the client, and are natural saltwater. Comment: the surface of the pearls have been worked. Accompanied by report number 105828 dated 8 October 2018 from DANAT, Bahrain, stating that the neardrop-shaped light gret pearls measure 11.73 x 11.69 x 8.3 and 11.13 x 11.01 x 9.79mm and are natural saltwater. Pearl origin: Pinctada sp. 1906. A sapphire and diamond three-stone ring, the old circular-cut diamond weighs approximately 1.08cts and is set either side with a circular-cut sapphire, each weighing 0.97 and 1.08cts each, in platinum, size L½, cased £2,000-3,000 Accompanied by report number 78162-82 dated 28 November 2018 from GCS, London stating that the two round-cut sapphires weigh 0.97 and 1.08cts and are natural sapphires with no indications of heat treatment. Origin: Burma Accompanied by report number GRS2018-099047 dated 20th September 2018 from GRS, Switzerland stating that the two natural sapphires weigh 2.05cts total (as stated by the client) and are natural sapphires with ‘royal blue’ colour and no indication of thermal treatment. Origin: Burma

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1899

1900

1903

1902

1901

1905

1904

1906

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1907. A George III diamond-set Maltese cross pendant c1800, set overall with graduated cushionshaped diamonds in silver and gold in open and closed-back settings, 6.3cm long, later fitted case £2,000-3,000 1908. A late George III diamond-set brooch, c1820, the lozenge-shaped brooch centred with three larger cushion-shaped diamonds within a scroll surround set with smaller cushion-shaped diamonds in silver and £1,500-2,000 gold, 4cm wide 1909. A 19th century gem-set bird brooch, realistically designed and pavé-set with graduated circularcut diamonds, with emeralds, sapphires and rubies to the wings and head, in silver and gold, 5.7cm long £2,000-3,000 1910. A late 19th century diamond swallow brooch, realistically formed and pavé-set with graduated £1,000-1,500 circular-cut diamonds in silver and gold, 6.2cm high 1911. A Victorian moonstone and diamond brooch, the heart-shaped moonstone cabochon is set within a surround of cushion-shaped diamonds in silver and gold, detachable brooch fitting to reverse, 3cm wide £600-800 1912. A diamond-set double clip brooch, each detachable clip is set with a pear-shaped diamond within a graduated cushion-shaped diamond surround and further larger cushion-shaped diamonds to the centre section in silver, gold and platinum, 6.5cm wide £4,000-6,000 1913. A star sapphire and diamond clip, the cabochon sapphire weighs approximately 40.00cts, within acentric graduated diamond border in silver and gold, 2.2cm high £2,000-3,000

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1908 1907

1910

1909

1911

1913

1912

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1914. A George III diamond-set flower head brooch pendant, c1790, centred with a cluster of cushionshaped diamonds, the six petals set with cushion and old marquise-shaped diamonds in silver closed-back mount, with later hinged suspension loop and brooch pin £5,000-7,000 This brooch was probably originally sewn on to a dress. 1915. A late George III diamond-set foliate and crescent brooch, the upper leaf section suspending a flower head set with a square-shaped diamond and two-row crescent beneath, set overall with cushionshaped diamonds in silver and gold, 4.5cm wide £1,000-1,500 1916. A late George III diamond-set foliate and crescent brooch, the upper leaf section suspending a flower head set with a pear-shaped diamond and two-row crescent beneath, set overall with cushion£2,000-3,000 shaped diamonds in silver and gold, 5cm wide 1917. A Victorian diamond-set scroll brooch, the centre flower head section is set with a large rosecut diamond within a surround of cushion-shaped diamonds, the scroll surround set with further graduated cushion-shaped diamonds in silver and gold, 4.3cm widest £1,500-2,000 1918. A George III diamond and emerald cluster ring, centred with a cushion-shaped diamond within a surround of eight smaller cushion-shaped diamonds and eight small emeralds in silver and gold, the open work scroll shoulders set with further diamonds and joining the gold shank with inverted heart shapes, engraved to the interior with Hebrew inscription translating to Yevarechecha Adonai v’yishmarecha (May the Eternal one bless you and watch over you), size O½ £1,500-2,000 The inscription is the first line of the priestly blessing found in the Book of Numbers, Chapter 6, verses 24-26.

END OF SALE

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1916

1915

1914

1918 1917

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THE KB COLLECTION OF PENCILS Tuesday 22nd January 2019

A collection of over 450 pencils. Estimates from £100-£2,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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SILVER & OBJECTS OF VERTU Wednesday 23rd January 2019

A modern parcel-gilt silver centre-piece, by Christopher Lawrence London 1973 20cm high. Estimate: £1,000 - £1,500

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 4.95% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk

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WOO L LE Y & WA L LI S Each lot is subject to a Buyer’s Premium of 25% plus VAT

Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 24th January 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 9th January 2019 3rd April 2019 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk SILVER 22nd January 2019 – The KB Collection of Pencils 23rd January 2019 – Silver & Objects of Vertu 16th & 17th April 2019 – Fine Silver & Objects of Vertu 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 24th January 2019 – Jewellery 18th April 2019 – Fine Jewellery 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 19th February 2019 – Fine Porcelain & Pottery 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th February 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk PAINTINGS 6th March 2019 – Old Masters, British & European Paintings 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 446962 • jb@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th March 2019 – Clarice Cliff, Art Deco & Design 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk