Woolley & Wallis by Jamm Design Ltd

FINE SILVER & OBJECTS OF VERTU Tuesday 29th October 2019

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

424509 424598 424509

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424506 +44 (0)7812 601098 424571 424591

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

Janice Clift (Office Manager) 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER Matt Hill

CASTLE GATE MANAGER JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

David Jordan 424583 424591

CASTLE GATE RECEPTION Sally Litherland

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

339752 446980

424500

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

424500

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FINE SILVER & OBJECTS OF VERTU INCLUDING THE JEREMY HEBBLETHWAITE COLLECTION OF WINE TASTERS

Tuesday 29th October 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Friday 25th October Saturday 26th October Monday 28th October Tuesday 29th October

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Monday 28th October 2019 BUYER’S PREMIUM

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 28th October 2019 COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street Saleroom to our new Castle Gate Office on Monday 4th November. Collections on this day should be made after 12noon If you are collecting items on or after this date, please contact the department on 01722 424594 All accounts to be settled prior to collection. Payments are still to be made at Castle Street The Silver Department is now based at our new premises at Unit 1B Castle Gate Business Park Old Sarum, Salisbury SP4 6QX The Castle Gate details and map are at the back of this catalogue

ILLUSTRATIONS Front cover: Lot 600 detail Back cover: Lot 405 Catalogue £12.00 (£15.00 by post) Silver weights are in Troy ounces

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TUESDAY 29TH OCTOBER 2019 AT 10.00AM LOTS 1-11 ARE FROM THE JUDITH HOWARD COLLECTION

λ 1. A collection of 19th and early 20th century bone and ivory items, all pre-1930, comprising: two paper knives, two magnifying gavels, two mother-of-pearl aide memoires of fan form, a carved aide memoire, four miniature domino sets, a mythical dolphin, various fish counters and other items. (qty) £150-200 Provenance: The Judith Howard Collection.

λ 3. A collection of 19th century ivory items, comprising: two snuff boxes of circular form, the covers set with scenes under glass of a warrior’s head and figural scene, plus a scent bottle case with a scent bottle, another scent bottle case, two carved boxes, a carved and pierced barrel and pear, and two large walnut cases, the interiors with carved ivory scenes. (10) £150-200 Provenance: The Judith Howard Collection.

λ 2. A collection of 19th century carved bone and ivory miniatures, comprising: an officer on horse-back, probably a depiction of Napoleon, a chess table and chess set, two spinning wheels, a dressing table with mirror (a.f), a chamber stick, inscribed ‘Dieppe’, a table, a parasol, a figure and a parasol handle. (10) £150-200 Provenance: The Judith Howard Collection.

λ 4. A collection of ten late 18th and 19th century bone and ivory counter boxes, circular form, the covers with various decoration including two with ‘WHIST’, four with scenes under glass, one with ‘a token of respect’, and three others. (10) £200-300 Provenance: The Judith Howard Collection.

λ 5. A collection of six 19th century carved ivory scenes under glass, comprising: five with stags and deer in landscape settings, one with replacement glass, plus one depicting a lady in front of a castle and town scene, length of largest 24cm. (6) £150-200

λ 6. A collection of nine late 18th and 19th century bone and ivory counter boxes, circular form, the covers with various decoration including two with ‘WHIST’, one enamelled with doves on a dark blue ground, four with scenes under glass, and two others. (9) £200-300

Provenance: The Judith Howard Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

λ 7. A collection of three George III ivory toothpick boxes, comprising: a gold-mounted one of oblong form, the hinged cover with a scene of a lady with her lyre, set under glass, the interior of the cover set with a mirror, plus another, the cover with plaited hair under glass, and one of oval navette form, the hinged cover with a boy with an arrow, lengths 8.9cm, 9.2cm and 9.2cm. (3) £250-300 Provenance: The Judith Howard Collection.

λ 8. An early 19th century ivory and tortoiseshell snuff box, circular form, tortoiseshell banding and lining, the cover applied with seven gold-mounted circular plaques with various scenes, plus a similar box, the cover set with a scene of a bird under glass, gold mount, and another box, the cover with a landscape scene under glass, diameters 8cm, 7.5cm and 7.9cm. (3) £250-300 Provenance: The Judith Howard Collection.

λ 9. An early 19th century goldmounted ivory portrait aide memoire, unmarked, tapering oblong form, the front set with an oval portrait of a gentleman wearing a green coat, under glass, bright-cut borders, with a pull-out aide memoire, toothpick and gold-mounted pencil, length 6.8cm. £150-200 Provenance: The Judith Howard Collection.

open

λ 10. A late 19th century French ivory and silver-gilt sewing case, rectangular form, the hinged cover opens to reveal a needle case, a pair of scissors, a thimble, a pencil and a spike, length 11.2cm, plus a 19th century ivory pin cushion and cased thimble and a 19th century red leather sewing box, the cover with a scene under glass, the interior fitted with ivory boxes, two glass scent bottles and implements, also with tools. (4) £150-200 Provenance: The Judith Howard Collection.

λ 11. A collection of six George III ivory toothpick boxes, oblong, rectangular and oval navette form, comprising: one with enamelled decoration and plaited hair, plus four further ones with plaited hair and one with a plain rectangular cartouche. (6) £200-300 Provenance: The Judith Howard Collection.

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OTHER PROPERTIES

λ 12. A silver-mounted tortoiseshell dressing table set, by Albert Carter, Birmingham 1927-1929, comprising: a hand mirror, four brushes, four silver-mounted toilet jars, a powder bowl, the bowl later, possibly Indian, and a fivepiece manicure set, plus another silver-mounted tortoiseshell hand mirror, a silver and wood hand mirror, a shoe horn, a brush, a comb and a comb mount. (Qty) £200-300

λ 13. A collection of ten 18th and 19th century silver-mounted and inlaid tortoiseshell boxes, comprising: a snuff box of cartouche form, inlaid with figures and foliate decoration, an oval snuff box, the hinged cover with an initialled shield cartouche, plus four etui cases, a sealing wax case and three other cases, some with implements. (10) £500-800

14. A collection of silver-mounted dressing table jars and items, comprising: a Victorian silver-mounted scent bottle, by S. Mordan, London 1889, with gilt and enamel flowers, one with the pull-off cover with an ‘Essex crystal’ of a St Bernard dog, by S. Blanckensee and Sons Limited, Chester 1913, a silver and enamel compact, with import marks for London 1930, importer’s mark of George Stockwell, the hinged cover with a courting couple, dark blue base, plus a box with an oriental scene, two silver-mounted prayer books, embossed with cherub heads, three silver-mounted glass scent bottles, and twenty-three various silver-mounted jars, and two base metal mounted toilet jars, one with a Dutch boy and girl. (qty) £500-700

λ 15. A collection of silver miniatures, comprising: a German figure, modelled as an oriental man seated on a large cushion, circa 1900, carved ivory nodding head, on three tassel supports (one missing), length 4cm, plus a cherub playing the harp, a wheelbarrow, a colander, a rose bowl, a windmill, a filigree table, a pierced dish, a fisherman, a rickshaw, and a figural group of a man lighting a lantern. (11) £600-800

16. A George IV silver vinaigrette, by John Shaw, Birmingham 1820, rectangular form, the hinged cover and base with engraved decoration, the cover initialled, the interior with a pierced and engraved grille with a basket of fruit and foliate decoration, length 2.6cm, plus a Dutch silver box, the cover later pierced and a late 19th century continental box, with import marks for London 1891, importer’s mark of Thomas Glaser, approx. weight 3oz. (3) £150-200

λ 17. A late 19th century French silver and niello-work purse, maker’s mark C? in a lozenge, cartouche form, with a scene of a gentleman and lady with polka dot decoration, silk lined, plus a silver box by Nathan and Hayes, Chester 1906, domed cover, embossed figural decoration and a German box of oval form, approx. total weight 4.5oz. (3) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

λ 18. A gem-set blonde tortoiseshell parasol handle, tapering form, gilt-metal mounted, applied with a diamond initial ‘J’, black silk parasol, total length 96.8cm, plus a French silver-gilt mounted walking cane, retailed by Leuchars Paris, spothammered decoration, length 93cm. (2) £200-300

19. A gem set gold-mounted and enamelled amber handled parasol, unmarked, possibly Russian, the amber carved as a fruit, green enamel border, set with small diamonds and a central green stone, the blue silk parasol has perished, total length 91cm. £300-400

20. A 19th century Chinese silver-mounted jadeite walking cane, Canton 1886, tapering Malacca shaft, the handle chased with Chinese figural scenes and with a jadeite finial, inscribed ‘Cut at Singapore, Mounted at Canton 1886’ and also ‘From Lewis Wingfield to J. Ashby Stenny March 1887’, total length 101.8cm. £300-400

21. An 18th century gold-mounted amber walking cane handle, later converted to a parasol, the gold mounts with foliate decoration, repairs to amber, later engraved with a ‘Zoe to Ida’ below a coronet, also later engraved ‘Weather May Change, True Affection Never’, silk parasol, total length 95.5cm. £200-300

22. A continental silver-gilt parasol handle, retailed by G. Retrou, Paris, tapering form, applied with cabochons of amethysts and citrines, in a fitted case, length 11.8cm. £200-300

23. A novelty silver-mounted parasol, by Charles Cooke, London 1911, retailed by Brigg, London, the handle modelled as a chick, textured feathers, glass eyes, total length 25.8cm. £400-600

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24. A set of four Edwardian novelty silver chick menu card holders, by S. Mordan and Co, Chester 1907 and 1908, modelled as chicks emerging from shells, on circular bases, in a fitted case, height 2.6cm, approx. weight 2.7oz. (4) £300-400

25. A silver model of a Sphinx, maker’s mark of DRT, Birmingham, date letter worn, mounted on a black wooden plinth, total length 12.8cm. £100-150

26. A set of six silver and enamel menu card holders, by Stuart Clifford & Co, London 1910, circular form, enamelled with blue and white Willow pattern scene, on raised circular bases, in a fitted case, height 3.5cm. (6) £300-400

27. A Victorian silver-mounted glass dressing table tray, by Favell, Elliott & Co, London 1888, rectangular form, cast pierced foliate scroll border with figures and masks, the centre etched with a monogram below a crest, on four pierced bracket feet, length 35.6cm. £200-300

28. A set of four Edwardian novelty silver owl menu card holders, by S. Mordan and Co, Chester 1907, modelled as an owl’s head, set with glass eyes, on a circular disc back, circular bases, in a fitted case, height 2.7cm, approx. weight 3.2oz. (4) £500-700

29. A continental silver-mounted watch evening bag, apparently unmarked, circa 1920, shaped rectangular form, leather bag, the clasp formed by a cocktail watch set with marcasite and with engraved decoration, and with a blue stone winder, the interior of the bag silk lined, length 22.5cm. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

30. A pair of silver napkin rings, by Elkington and Co, Birmingham 1927, circular form, engraved ‘Liverpool Motor Club’, and also engraved with the club emblem, diameter 4.4cm, approx. weight 1.9oz. (2) £100-150 The Liverpool Motor Club was founded in 1902 and is still in existence today.

31. A pair of 19th century American novelty silver knife rests, by Gorham and Co, 1873, the supports modelled as sailors holding a bow saw, on circular bases, length 10.8cm, approx. weight 2.6oz. (2) £150-200

λ 32. An Edwardian novelty silver and tortoiseshell hoof table cigar lighter, by Grey and Co, London 1902, modelled as a horse’s hoof, textured fur decoration, the underside with a horseshoe, height 10cm. £150-200

33. A late 18th century gold mounted agate bonbonniere / scent bottle, unmarked circa 1770, tapering oval form, foliate scroll cage-work mounts, the hinged mount with an enamelled border, ‘Le Present Seul Est A Nous’, mount loose, the tapering scent bottle lacking stopper, severe damage to mounts, height 8.8cm. £200-300

34. A silver money box, by Robert Pringle, London 1927, modelled as a pillar letter box, the hinged cover with a slot and hinged clasp, on a circular base, height 10.5cm. £150-200

35. A silver cigar box, by S. Green and Co, Birmingham 1932, rectangular form, the hinged cover with engine-turned decoration, foliate and shell borders, central vacant cartouche, wood lined, on four shell bracket feet, length 24.5cm. £600-800

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36. A novelty silver-gilt and enamel propelling pencil, unmarked, modelled as an Egyptian Mummy, with a ring attachment, length closed 6.2cm. £100-150

36 37. A Victorian novelty silver pig propelling pencil, by S. Mordan and Co, circa 1880, also marked with a Victorian lozenge registration mark, modelled in a standing position, with a ring attachment, length closed 3.8cm, approx. weight 0.3oz. £250-300

37 38. A Victorian novelty silver sliding pencil, by S. Mordan and Co., with a registration lozenge for 1878, modelled as a real tennis racquet, with a ring attachment, length closed 6.5cm. £100-150

38 39. A late-Victorian novelty gilded metalware propelling pencil, by Perry and Co, circa 1890, modelled as a locket, foliate decoration, with a ring attachment, length closed 4.5cm. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

40. A Victorian novelty silver figural propelling pencil, John Bull or Mr Pickwick, unmarked, but probably by S. Mordan and Co, circa 1880, modelled in a standing position, wearing a top hat, with a ring attachment, length closed 5cm, approx. weight 0.3oz. £300-500

40 41. A Victorian silver propelling pencil, by S. Mordan and Co, circa 1880, modelled as an obelisk, engraved hieroglyphs, with a ring attachment, length closed 5.7cm. £150-200 The London obelisk, known as Cleopatra’s Needle is in the City of Westminster, on the Victoria Embankment near the Golden Jubilee Bridges. It was originally erected in the Egyptian city of Heliopolis on the orders of Thutmose III, around 1450 BC. In 1819, Muhammad Ali Pasha gave Britain the obelisk as a gift. However, Britain’s Prime Minister at the time, Robert Jenkinson, hesitated on having it brought to the country due to shipping expenses. It remained in Alexandria until October 1877 when its transport to London was funded by William James Erasmus Wilson. This obelisk was probably the inspiration behind this pencil.

42. A Victorian novelty silver detachable “Sheath” pencil and seal, by S. Mordan and Co., circa 1900, the finial modelled as an owl, glass eyes, plain cylindrical sheath, the base with a seal matrix engraved with a monogram, length closed 9.5cm. £300-400

42 43. A Victorian gem set two-colour gold sliding propelling pencil, by S. Mordan, circa 1825, engraved decoration, set with garnets, the seal terminal engraved ‘Clara’, length closed 4.6cm. £150-200

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44. A late-Victorian novelty silver propelling pencil, unmarked, circa 1890, modelled as a golden pheasant, set with red eyes, and with a ring attachment, mechanism not working, length 4.8cm. £100-150

45. An Edwardian novelty silver pig pen wipe, by S. Mordan, Chester 1909, modelled in a standing position, mounted on a clover shaped green baize base, length of pig 3.2cm. £100-150

46. A Victorian novelty silver owl paper knife, by S. Mordan and Co, London 1895, the handle modelled as an owl, textured feathers, glass eyes, length 21.5cm, approx. weight 1.9oz. £400-600

47. A silver-mounted red glass ruler, by Haseler & Bill, Birmingham 1923, plain cylindrical form, plain mounts with bracket feet, length 31.2cm. £100-150

48. A late-Victorian novelty silver whistle, by H W Ashford, Birmingham 1897, modelled as a dog’s head, with a ring attachment, length 4.3cm, approx. weight 0.1oz. £150-200

49. A silver mounted rock crystal crucifix, unmarked, probably late 19th century, the cross with foliate mounts to the ends and mounted with Christ, at the base of the cross two figures, on a raised tapering square base with canted corners, on four ball feet, height 11.5cm. £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

λ 50. A William IV silver tipstaff, by William King, London 1832, cylindrical form, mounted with a purple velvet lined crown, turned baluster ivory handle, length 17.5cm. £400-600

λ 51. A Victorian presentation silver trowel, by William King, London 1840, the triangular blade inscribed ‘This Trowel was used by the Right Honorable Lord Ravensworth to lay the Foundation Stone of the Butcher Alms Houses, Walham Green, A.D 1840’ the underside with a later inscription ‘This Trowel was used again in June 1970 by Dudley S. Game Esq. C.C. President of the Butchers Charitable Institution to lay the foundation stone of the new homes at Smoothfield Hounslow’, turned ivory baluster handle, in the original fitted case, length 40.2cm. £150-200 Provenance: The trowel is being sold on behalf of The Butchers and Drovers Charitable Institution.

52. A late 18th century Dutch matched, silver miniature fire irons set, the brush with Amsterdam marks, partially worn, the tongs marked W in the bowl, and with later Dutch tax marks, comprising: a brush, a shovel and a pair of tongs, twisted stems, with ring attachments, length of tongs 11.5cm, approx. weight 0.9oz. (3) £300-400

53. An 18th century Dutch miniature silver linen press, by Arnoldus Geffen, Amsterdam 1757, on four turned baluster legs, height 7cm, approx. weight 1.5oz. £300-400

54. A Victorian novelty silver urn pepper pot, maker’s mark worn, London 1884, slender vase form, with straight side handles, pierced cover, on a circular base, the base corroded shut, height 7cm. £100-150

55. A pair of Scottish Edwardian novelty silver and enamel dice pepper pots, by Hamilton and Inches, Edinburgh 1902, square form, with black and red numbered pips, pierced pull-off covers, height 2.6cm, approx. weight 2.2oz. (2) £600-800

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56. A silver model of a Pekingese dog, by S. Mordan and Co, Chester 1910, modelled in a standing position, on a green hardstone base, length of dog 2.4cm. £150-200

57. A silver model of an elephant, by S. Mordan and Co, Chester 1910, modelled in a standing position, with trunk raised, on a green hardstone base, length of elephant 4.2cm. £150-200

58. An Edwardian novelty silver bear pin cushion, by H. V. Pithey and Co, Birmingham 1909, modelled as a muzzled teddy bear, with movable arms and legs, length 7.5cm. £800-900

59. An Edwardian novelty silver pin cushion, by Crisford and Norris, Birmingham 1908, modelled as a roller skate, length 6.8cm.

£300-350

60. An Edwardian novelty silver pug dog pin cushion, by Robert Pringle, Birmingham 1909, modelled in a standing position wearing a harness for pulling a cart, (cart lacking), height 3cm. £200-300

61. An Edwardian novelty silver duck pin cushion, by S. Mordan and Co, Chester 1905, modelled in a swimming position, length 8.5cm.

£350-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

62. A rare Edwardian novelty silver biplane pin cushion, by Crisford and Norris, Birmingham 1909, possibly modelled as The Farman III 1909 biplane, length 15.2cm. £800-1,200

63. A rare novelty silver military bell tent hat pin stand and pin cushion, maker’s mark partially worn, Birmingham 1914, also with Reg no. 641854, conical form, on a raised circular base with a velvet cushion, height 7cm. £600-800

63 64. A novelty silver Humpty-Dumpty pin cushion, by Levi and Salaman, Birmingham 1910, the reverse embossed ‘HUMPTY DUMPTY’, height 4.2cm. £250-300

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65. A small collection of three Edwardian novelty chick pin cushions, two by S. Mordan and Co, Chester 1907 and 1908, and one by W. Haseler, Birmingham 1905, two modelled emerging from eggs, height of largest 3.8cm. (3) £250-300

66. An Edwardian novelty silver boot pin cushion, by Levi and Salaman, Birmingham 1905, the boot with a ribbon bow, length 5.5cm.

67. A novelty silver swan pin cushion, by Adie and Lovekin, Birmingham 1910, modelled in a swimming position, length 5.8cm.

£200-300

68. An Edwardian novelty silver pig pin cushion, probably by Sydney and Co, Birmingham 1907, modelled in a standing position, plus an Edwardian novelty chick pin cushion, by The Boots Pure Drug Company, Chester 1908, modelled in a sitting position. (2) £200-300

69. An Edwardian novelty silver elephant pin cushion, by Adie and Lovekin, Birmingham 1907, modelled in a standing position, length 5.2cm. £200-300

70. A large novelty silver pig pin cushion, probably for hat pins, by Grey and Co, Birmingham 1906, modelled in a standing position, length 11cm. £350-400

£100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

71. An Edwardian novelty silver fox pin cushion, by Levi and Salaman, Birmingham 1905, modelled in a standing position, length 6.3cm.

73. An Edwardian novelty silver duck pin cushion, by Levi and Salaman, Birmingham 1906, modelled in a swimming position, length 6cm.

£300-400

£200-300

75. An Edwardian novelty silver camel pin cushion, by Sydney & Co, Birmingham 1907 modelled in a standing position, velvet cushion, height 5cm. £400-450

72. A novelty silver golf bag pin cushion, ring tree and hat pin stand, by Sydney and Co., Birmingham 1909, the golf bag supported by the ring tree, on a raised circular base with a velvet cushion, height 11.8cm. £250-300

74. An Edwardian novelty silver porcupine pin cushion, maker’s mark worn, London 1903, modelled in a standing position, length 7cm. £200-300

76. An Edwardian silver novelty rabbit pin cushion, by Adie and Lovekin, Birmingham 1908, modelled in a lying position, length 5.8cm. £300-400

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THE JEREMY HEBBLETHWAITE COLLECTION OF WINE TASTERS This collection of wine tasters was assembled over a number of years. The majority were purchased in the late 1990’s and early 2000’s, mainly at antique fairs, through dealers and at auction, both in the United Kingdom and in Europe. The collection of over eighty lots comprises a variety of materials: the majority are in silver or ceramic, but there are also glass, pewter and treen examples. They also cover the world in their origin, from London to Europe to South America, this collection is truly a worldwide one. The collection also spans a long period of time, from the antique to the present day. Jeremy Hebbletwaite mentions in his research papers that wine tasters have three roles. ‘Firstly, they are for tasting wine from the barrel to see if it is ready to be bottled. Secondly, for the Sommalier or host to taste the wine to see that it is as it should be before offering it to the diner, and for the King or Queen’s taster to see that the wine is not poisoned. The third role is largely decorative and for presentation. Many of the fragile ones in the collection come into this category.’ Jeremy Hebblethwaite writes on his collection: ‘The objective has been to assemble a representative collection of wine tasters, in all possible media, from all over the world, concentrating on quality and variety.’

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

77. Mazenot, R., Le Tastevin - A Travers Les Siécles, Editions De 4 Seigneurs, 1973. £30-40

78. Eight various wine tasters, various materials, including one with enamelled decoration on brass, circular form, lug handles, one with painted decoration, five ceramic examples and one other. (8) £200-300

79. Twelve glass wine tasters, 19th and 20th centuries, most of shallow circular form, two engraved with flower panels, one gilded with continuous grapevine, five of coloured glass with loop handles and two Swedish glass examples, signed beneath, 15.5cm max. (12) £300-500

80. A collection of eight pewter wine tasters, including an early 19th century French one, maker’s mark of F.D, of circular form, ring handle and kidney-shaped thumb-piece, initialled ‘C.P’, length 10.9cm, plus three further of conventional circular form, one fluted and three others. (8) Provenance: the French one was purchased from Michael Kasden, 18 May 2004. £200-300

81. A Swedish silver wine taster, maker’s mark of MGAB, Uppsala 1954, circular form, the handle set with a green hardstone, gilded bowl, length 12cm, plus a Greek silver wine taster, by Zoarta, circular form, spot-hammered decoration, the scroll handles with animal heads, approx. total weight 6oz. (2) £150-200

82. A small collection of three silver wine tasters, comprising: a German one with chased trailing grapevines, plus two of circular form, fluted decoration, the centres set with a coin, ring and scroll handles, both with plain thumb-pieces, approx. total weight 4.4oz. (3) £100-150

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83. A pair of silver wine tasters, by D and J Wellby, London 1928, circular form, embossed trailing grapevine decoration, double snake ring handle, the centres set with a coin, length 11.5cm, approx. weight 7.6oz. (2) £200-300

84. A modern silver wine taster, by Michael Bolton, London 1998, circular bowl, spot-hammered decoration, with a central oxidised ball motif, with a trailing vine leaf handle, length 14.2cm, approx. weight 4.8oz. £200-300

Provenance: Dreweatt Neate, 5 November 1997.

Provenance: purchased from the Finelot, St. James’s, London 19 January 2001.

85. A pair of late-Victorian silver wine tasters, by J and J Maxfield, Sheffield 1896, circular form, swirl fluted decoration, ring handle with an oval thumb-piece, engraved with a crest, length 11.5cm, approx. weight 5.2oz. (2) £200-300

86. A silver and plique-à-jour enamel two handled quaich / dish, by Synyer & Beddoes, Birmingham 1913, lobed circular form, with red, yellow and green enamel decoration, beaded borders, length 11.5cm, approx. weight 1.6oz. £200-300

The crest is that of Constable, Gooch, Gordon, Graham, Greenhaugh and other families.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

87. A late 18th century French silver wine taster, marks worn, also with a later mark, circular form, fluted decoration, fluted ring handle, inscribed ‘J.P DELAYE’, length 9.4cm, approx. weight 3.8oz. £300-400 Provenance: Kenneth Davies Works of Art, St. James’s, London, 5 June 2002.

89. A late 18th century French silver wine taster, Paris 1750-56, maker’s mark worn, circular form, fluted decoration, double snake ring handle, inscribed ‘NICHOLAS GRISON’, length 11.8cm, approx. weight 3.7oz. £300-400 Provenance: Payne’s of Oxford, 20 June 2002.

88. A pair of South American silver wine tasters, unmarked, Ecuador, circa 1900, circular form, double snake ring handles, the centres set with an Ecuadorian coin dated 1891, length 10.3cm, approx. weight 6oz. (2) £150-200 Provenance: Christie’s Rome, 3 June 1999, lot 507.

90. A small 19th century French silver wine taster, maker’s mark of R.D in a lozenge, circular form, fluted and beaded decoration, pierced handle, length 7.5cm, plus a 19th century French silver wine taster, plain circular form, ring handle and oval thumb-piece, inscribed ‘BRUN de LATOUR’, length 10.5cm, approx. total weight 3.9oz. (2) £150-200 Provenance: one purchased from Le Mevel, Lille, 12 March 1999.

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91. A Bow blue and white wine taster, c.1760-65, of deep ogee form, painted to the interior with a small peony spray within a hatched trellis border, applied with a short foliate handle, minor chipping, 7.2cm. £100-200

92. An English porcelain wine taster, c.1760, possibly Vauxhall, of ogee form, painted with a central flowerhead and a cell diaper border to the interior, applied with a short foliate handle, 7.2cm. £200-300

93. Four German porcelain wine tasters, 19th century, the two smaller Meissen and painted with small sprigs of deutscheBlumen, another Meissen and painted in underglaze blue with the Onion pattern or Zweibelmuster, the last Berlin and painted with polychrome flower sprays on an osier-moulded ground, blue crossed swords and sceptre marks, 13.2cm max. (4) £400-600

94. Two Derby wine tasters, c.1765-75, of shallow circular form, one with gadroon fluting to the exterior and painted in blue with a flowerhead within a dentil rim, the other with a gilt sprig to the interior and a gilt dentil rim around the outside, and a Chinese porcelain wine taster in the Derby style, 7.6cm. (3) £200-300

Provenance: two from Bonhams, 13 December 2006, lot 148.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

95. A rare creamware wine cup or taster of Whieldon-type, c.1760-70, the circular form with deep sides washed in running blue, green and manganese glazes, applied with a twig handle, and raised on a low circular foot, some good restoration, 10.2cm. £500-800

96. A Worcester wine taster, c.1768, of peach shape, moulded to the exterior with a fine osier design and a flowering branch forming the foot and handle, painted in underglaze blue to the interior with a lambrequin border and an Oriental flower spray, 10.3cm across. £2,000-3,000

Provenance: Albert Amor, 16 June 2000.

Provenance: Bonhams, The Zorensky Collection of Worcester Porcelain, Part III, lot 328.

97. A rare creamware wine taster, c.1770, the circular ogee bowl moulded to the exterior with narrow reeding, rising to a scalloped rim, applied with a scallop shell handle, a chip to the handle, 8cm across. £150-200

98. A Chinese porcelain wine cup or taster, late 18th/19th century, probably made for the European market, of deep cinquefoil form, applied to the exterior with an enamelled spray of flowering prunus extending to the short twig handle, minor faults, traces of gilding to the rim, 10.5cm. £150-200

Provenance: Fine English and Welsh Ceramics and Glass, Bonhams, New Bond Street, 13 December 2006, lot 149.

Provenance: Albert Amor, 18 June 2001.

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99. A glass wine taster, c.1800, the generous circular form, applied with a loop handle, 11.5cm. £200-300

100. A façon de Venise tastevin or wine taster, 17th century, the glass of a pink hue, the circular body with ‘nipt diamond waies’, the wide loop handle with a scroll terminal, crizzled, 12cm across. £600-800 Provenance, Christies’s Amsterdam, 30 May 2001, lot 42.

101. Five Worcester and Caughley blue and white wine tasters, c.1760-80, of varying circular form, printed to the interiors with the Fisherman and Cormorant pattern, applied with a formal foliate handle, 7.1cm max. (5) £500-700

102. Three Derby blue and white wine tasters, c.1765-75, of shallow circular form, the exteriors with gadroon moulding, each painted to the interior with a large flowerhead within dentil and cell diaper borders, each applied with a short foliate handle, 7.5cm. (3) £250-350

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

103. A Worcester wine taster, c.1765, of peach form, moulded to the exterior with a fine osier design, an applied flowering branch forming the foot and handle, painted in polychrome enamels with a continuous floral border to the interior, the flowering branch enamelled to the exterior, 9.8cm across. £800-1,200

104. A rare Doccia wine taster, c.1765-75, of shell shape, enamelled to the exterior with different colours denoting different shells, the exterior with rose sprigs in puce and green, the handle formed as a twig, 10.5cm. £200-300

Provenance: Brian Haughton, 1 December 1998. Cf. Bonhams, The Billie Pain Collection of British Porcelain, 26th November 2003, lot 106 for an identical example.

105. A Longton Hall cup or wine taster, c.1755, the peachshaped body applied to the exterior with a flowering branch, its stem forming the twig handle, decorated in famille rose enamels with further flower sprays to the exterior and interior well, a filled £1,500-2,000 rim chip, 13.8cm across.

106. A Worcester wine taster, c.1765, of peach form, moulded to the exterior with a fine osier design, an applied flowering branch forming the foot and handle, painted in polychrome enamels with a continuous floral border to the interior, the flowering branch £800-1,200 enamelled to the exterior, 9.4cm across.

Provenance: Brian Haughton, Olympia Antiques Fair, 10 June 2004.

Provenance: Albert Amor, St. James’s, London 25 November 2000.

Cf. Bernard Watney, Longton Hall Porcelain, pl.67A for a similar example.

Cf. Bonhams, The Billie Pain Collection of British Porcelain, 26th November 2003, lot 106 for an identical example.

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107. Two Derby blue and white wine tasters, c.1765-75, one with gadroon moulding to the exterior, the other of ogee form, each painted to the interior with a large flowerhead, one with a dentil rim, the other with a cell diaper border, each with a short foliate handle, 8cm. (2) £200-300

108. Two Derby blue and white wine tasters, c.1765, the circular forms moulded with gadroon flutes to the exterior, the interiors painted with an Oriental flower spray within a blue dentil rim, each with a pierced scroll handle, the handles broken and restuck, 7.5cm. (2) £150-250

Provenance: Sotheby’s, 22 June 2000, lot 884.

Provenance: The Susi and Ian Sutherland Collection. Bonhams, lot 291.

109. An English porcelain blue and white cup or wine taster, c.1755 or later, of peach shape, painted with a loose leaf spray, a smaller sprig to the interior with flying insects about, raised on a twig foot extending to a short handle, two small filled rim chips, 15.6cm across. £1,000-1,500

110. Two Derby blue and white wine tasters, c.1760-65, the shallow circular forms moulded with gadroons to the exterior, each painted to the interior with a small flower sprig within a narrow foliate border, applied with a pierced scroll handle, 8.1cm max. (2) £200-300

Provenance: Phillips, The Watney Collection, 1st November, 2000, lot 85A. This was catalogued tentatively as Longton Hall, but lacks the moulding of other similar cups produced by the factory at this time. There are decoratively some similarities with Limehouse porcelain of the same period.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

111. A rare Derby wine taster, c.1756-60, the circular form with lobed moulding to the exterior, decorated with stylized puce leaf sprays, the interior well painted with a flowering peony plant in a simple palette of polychrome enamels within a double line border, the pierced scroll handle picked out in puce, a fine short rim crack, 7.1cm. £600-800

112. An enamelled glass wine taster, 19th century, probably Russian, the squat circular form finely enamelled in the Islamic manner with formal flowerheads within shaped panels edged in blue and white, with a curved handle, 10.6cm. £500-800

Provenance: Bonhams, 8th September 2004, lot 212.

113. A Russian silver-gilt and plique-à-jour enamel kovsch, maker’s mark ?P, 1908-1917, circular form, with vari-coloured enamel decoration, shaped fleurde-lys handle, rope-work borders, on four ball feet, length 10cm. £500-800

114. A silver and enamel Kovsch, unmarked, probably Russian, the circular bowl with vari-coloured enamel decoration, the handle with a wavy-edge border and enamel decoration, on three wirework ball feet, length 8.5cm, approx. weight 2.4oz. £200-300

Provenance: Iconastas, Piccadilly Arcade, London, 14 March 2002.

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115. A metalware wine taster, unmarked, possibly Indian, circular form, the base set with a silver 8 Reales coin, the handle formed by a coypu tooth, with stylised snake supports, length 12.5cm. £100-150

116. A Mexican silver wine taster, unmarked, possibly late 18th century, circular form, scroll handles, part-fluted decoration, the centre engraved with a bird, on a raised fluted circular foot, length handle to handle 11.7cm, plus a Mexican silver wine taster, bearing marks BTON, for Cayetano Buitron, length handle to handle 14.8cm, approx. weight 9.5oz. (2) £300-500 Provenance: the first one purchased from Kenneth Davies Works of Art, St. James’s, London, 13 August 2002.

117. A South American silver wine taster, unmarked, circular form, with stylised bird scroll handles, the centre embossed with a fish, length handle to handle 11.3cm, plus another South American silver wine taster, of circular form, bird scroll handles, engraved border, length handle to handle 9.8cm, approx. total weight 3.2oz. (2) £200-300

118. A South American silver wine taster, unmarked, possibly late 18th century, circular form, the centre embossed with a sun motif, embossed foliate and scroll decoration, scroll handles mounted with birds, length handle to handle 12.8cm, approx. weight 2.2oz. £200-300 Provenance: Ted Few, London, 19 January 2006.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

119. An American silver wine taster / dish, by Tiffany, circular form, chased foliate scroll decoration in the Indian manner, on a matted background, shaped lug handle, on three paw feet, length 8.2cm, approx. weight 2.3oz. £200-300 Provenance: N. Bloom and Sons, London, 6 June 2002.

120. A 19th century Portuguese silver wine taster, maker's mark AF? script, Oporto 1843-53, tapering circular form, the raised and dipped centre engraved with an armorial, diameter 11.5cm, approx. weight 2.7oz. £800-1,200 Provenance: The Hadad Collection, Christie's South Kensington, 5 December 2000, lot 212. The arms are that of Kent quartering Cotter.

121. A French silver wine taster, post 1838 mark, tapering shallow circular form, raised centre, on a circular foot, inscribed ‘B. Lavale’, diameter 12cm, plus a French silver wine taster of circular form, fluted decoration, the base set with a coin, ring handle with an oval thumb-piece, length 10cm, approx. weight 5.3oz. (2) £200-300

122. Two French silver wine tasters, one retailed by F. Nicoud, Paris, circular form, part-fluted and punch bead decoration, ring handles with oval thumb-pieces, lengths 11cm and 10.8cm, approx. weight 5.3oz. (2) £150-250

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123. An early 18th century French silver provincial wine taster, maker’s mark of G.L, Les Sables D’Olonne, (jurisdiction of Poitiers), 1727-8, circular form with a ring handle and a kidney shaped thumb-piece, the bowl chased with curved sprays of foliage and floral motifs, length 11.2cm, approx. weight 2.6oz. £300-400 Provenance: Silver and Plate, Christie’s South Kensington, 13 July 1999, lot 148.

125. A late 18th / early 19th century French provincial silver wine taster, 1798-1809, plain shallow circular form, scroll handle, length 9cm, approx. weight 1.9oz. £100-150

124. A late 18th century French provincial silver wine taster, probably Vitre, (jurisdiction of Rennes), 1798, circular form, fluted decoration, snake ring handle, inscribed ‘SOMMET LE JEUNE’, length 11cm, approx. weight 3.1oz £300-400 Provenance: B. Silverman, Olympia Antiques Fair, London, 13 November 2005.

126. A late 18th / early 19th century French silver wine taster, maker’s mark of JP with an anchor between, circular form, punch bead and grape decoration, fluted scroll handle, with a worn inscription, length 10.2cm, approx. weight 2.7oz. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

127. An 18th Century French Provincial wine taster, by Jean Roffay, Angers, 1785, plain circular form, snake ring handle, completely plain except for a serpent ring handle, inscribed ‘ESPRJT * BOUSSJON’, length 9.5cm, approx. weight 1.6oz. £200-300

128. A late 18th century French provincial silver wine taster, by Guillaume Nicolas Giroud, Lyon circa 1770, circular form, chased with naive grapevines, stylised double snake ring handle, inscribed ‘PERRVCEL 1779’, length 10.3cm, approx. weight 3.1oz. £300-400

Provenance: Fine Silver and Collector’s Items, Bonhams, New Bond Street, 21 November 2003, lot 65.

Provenance: Kenneth Davies Works of Art, St. James’s, London, 5 June 2002.

129. An early 19th century French provincial silver wine taster, maker’s mark of GB, 1819-1838, circular form, chased vine decoration, double snake ring handle, inscribed ‘J GESSAT DE MASAGE’, length 11.4cm, approx. weight 3.7oz. £200-300

130. A late 18th century French provincial silver wine taster, maker’s mark A.P, crowned, also with a crowned M, circular form, ring handle with a shell shaped thumb-piece, inscribed ‘P. GATARD’, length 10.7cm, approx. weight 2oz. £300-400

Provenance: B. Silverman, Olympia Antiques Fair, London, 13 November 2005.

Provenance: Kenneth Davies Works of Art, St. James’s, London, 13 August 2002.

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131. A small collection of three treen and one horn wine tasters, comprising: one of oval form, carved with grape decoration, pierced lug handle, length 11.5cm, plus one of tapering circular form, carved decoration, plus one other and a horn one, of plain circular form, plain handle. (4) £150-250 Provenance: the one with grape decoration was purchased from David Levi, Olympia Antiques Fair, London, 11 June 2005.

133. An early 18th century treen wine taster, circular form, carved tapering handle, the body with carved decoration, the inside of the bowl with remnants of gesso, length 9.7cm. £300-400 Provenance: David Levi, Olympia Antiques Fair, London, 10 June 2004. This taster is illustrated in Levi, J., Treen for the Table, Antique Collector’s Club, 1998, page 178, Plate 15/8.

132. An 18th century English sycamore wine taster, circular form, lug handle, the body with a band of turned decoration, length 10.2cm. £300-400 Provenance: David Levi, Olympia Antiques Fair, London, 10 June 2004. This taster is illustrated in Levi, J., Treen for the Table, Antique Collector’s Club, 1998, page 178, Plate 15/8.

134. A late 18th / early 19th century Burwood wine taster, circular form, ring handle, with two lugs, on a small circular foot, length 9.5cm. £300-400 Provenance; Ted Few, 12 November 2003.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

135. A 19th century root wood dipper cup, shaped form, the bowl with red lacquer decoration, with a brass ring handle, length 8cm. £100-150

136. A late 18th century French treen wine taster, circular form, ring handle, with stylised supports, length 10.2cm. £300-400

Provenance: Ted Few, Olympia Antiques Fair, London 17 November 2002.

Provenance: Ted Few, 25 January 2003.

137. An early 19th century French boxwood wine taster, circular form, with a ring handle and plain oval thumb-piece, the body engraved with trailing grapevines, also inscribed ‘O.CANCY. PR’, length 11.3cm. £300-400

138. A Swedish silver-mounted treen wine taster, by A. F. Rheborg, 1907, pierced tapering handle with engraved decoration, length 11.5cm. £100-150

Provenance: Ted Few, 25 January 2003.

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139. A late 17th / early 18th century Swedish parcel-gilt silver wine taster, unmarked, circa 1700, circular gilded bowl and with a gilded border, pierced trefoil handle with a spike, length 7.4cm, approx. weight 1oz. £500-700

140. A 19th century Russian silver-gilt vodka cup, St. Petersburg, date worn, assay master A?, tapering circular form, with classical panels and foliate borders, snake scroll handle, height 4.2cm, approx. weight 1.3oz. £250-300

Provenance: Kurt Ribbhagen, Stockholm, Sweden, 25 January 2000. The spike on the handle is for holding the cork during decanting.

141. A late 19th century Russian silver-gilt and enamel kovsch, by Khebikov, Moscow 1878, circular form, with two colour blue, red, and white enamel decoration, rope-work borders, length 8.8cm, approx. weight 1.8oz. £400-600

142. A late-19th century silver-gilt and enamel vodka cup, by Ivan Saltykov, Moscow 1888, lobed oval form, with vari-coloured foliate enamelled decoration on a matted background, scroll handle, on an oval foot, length 7.5cm, approx. weight 1.3oz. £300-400

Provenance: Payne and Son, Oxford, 19 October 2004.

Provenance: Iconastas, Piccadilly Arcade, London, 6 November 2001.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

143. An 18th century Russian provincial parcel-gilt and niello silver vodka cup, unmarked, probably Tobolsk, circa 1775, modelled as half a peach with leafy stalk handle pinned to the sides, sides with hunting scenes, the base with the arms of the governor of Siberia, Denis Ivanovich Chicherin, length 9cm, approx. weight 2.3oz. £1,500-2,000 Provenance: Fine Silver, Bonhams, New Bond Street, 25 November 2004, lot 59. For a similar example see Plate 99 and page 92, “Russian Gold & Silver” by Alexander von Solodkoff.

143

144

144. A late 17th century Continental silver wine taster, possibly Dutch or Belgian, circa 1681, with later Dutch tax marks, tapering circular form, with a raised centre, engraved with initials ‘B.R’ below ‘1681’, on a circular foot, diameter 9.9cm, approx. weight 3.2oz. £800-1,200 Provenance: The Hadad Collection, then Wine related Silver and Plate, Christie’s South Kensington, 6 November 2001, lot 103.

145. An 18th century French provincial silver wine taster, by Jean Francoise Jouet, Bordeaux 1765-66, tapering circular form, raised centre, on a raised circular foot, diameter 9.9cm, approx. weight 2.2oz. £400-600 Provenance: Peter Szuhay, Olympia Antiques Fair, London, 6 June 2002.

145

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146. A late 17th century German parcel-gilt silver two-handled wine taster, maker’s mark probably HPG conjoined, Augsburg, circa 1690, lobed oval form, the centre embossed with houses in a landscape setting, the bowl with traces of gilding, length 8.6cm, approx. weight 1oz. £300-500 Provenance: Kenneth Davis Works of Art Ltd, King Street, St. James, London 5 June 2002.

146

147. A 17th century German parcel-gilt silver two-handled wine taster, maker’s mark PH conjoined, also marked with a W in a heart shaped punch with a pellet below, lobed circular form, embossed with foliate decoration, scroll handles, gilded bowl and border, scratch initialled ‘S.W’, length handle to handle 15.8cm, approx. weight 2.2oz. £600-800 Provenance: Paul Bennett, Olympia Antiques Fair, London, 3 March 2005.

147

148. A 17th century German parcel-gilt silver two-handled wine taster, maker’s mark HB conjoined, Augsburg, circa 1680, lobed oval form, the centre embossed with a seated dog, gilded bowl and border, length 11cm, approx. weight 1.9oz. £300-500 Provenance: Paul Bennett, Olympia Antiques Fair, London, 17 November 2002.

148

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

149. A 17th century German parcel-gilt silver two-handled wine taster, maker’s mark partially worn, Augsburg circa 1680, lobed oval form, embossed with a hunting scene in a landscape setting, scroll handles, length 12.8cm, approx. weight 2.6oz. £800-1,200 Provenance: Fine Silver, Christie’s King Street, 13 June 2000, lot 90.

149

150. A 17th century German parcel-gilt silver two-handled wine taster, maker’s mark unidentified, Augsburg, circa 1680, lobed oval form, the centre embossed with a seated cat, gilded bowl and border, scroll handles, length 11.4cm, approx. weight 2.4oz. £300-500 Provenance: Paul Bennett, Olympia Antiques Fair, London, 17 November 2002.

150

151. A 17th century German parcel-gilt silver two-handled wine taster, maker’s mark HB conjoined, Augsburg, circa 1680, lobed oval form, the centre embossed with a swan, gilded bowl and border, length 11cm, approx. weight 2oz. £400-600 Provenance: Paul Bennett, Olympia Antiques Fair, London, 12 November 2003.

151

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152. An 18th century German silver two-handled wine taster, maker’s mark I.I.S, Augsburg 1785-1787, circular form, gilded bowl, plain lug handles, reeded border, length handle to handle 10cm, approx. weight 1.6oz. £250-300 Provenance: Silver, Christie’s South Kensington, 23 March 1999, lot 108.

154. An 18th century Italian silver two-handled wine taster / drinking bowl, marked G.S.M and N.C over D.A?, Naples possibly 171?, lobed circular form, caryatid scroll handles, punched decoration, the centre with a raised foliate motif, length handle to handle 10.8cm, approx. weight 1.8oz. £200-300 Provenance: Paul Bennett, Olympia Antiques Fair, London, 14 November 2001.

153. A 19th century Norwegian silver wine taster, assay master Christen Hoff, maker’s mark SH, Bergen 1821, circular form, scroll handles, gilded bowl, engraved border and with traces of gilding to the rim, length handle to handle 7.8cm, approx. weight 0.6oz. £200-300 Provenance: Paul Bennett, Olympia Antiques Fair, London, 6 June 2002.

155. A late 18th century German silver wine taster, maker’s mark A.W, also marked 13, circular tapering form, raised centre, the border inscribed ‘N2 FJL’, diameter 11.5cm, approx. weight 4oz. £300-500 Provenance: Silver, Christie’s South Kensington, 6 November 2001, lot 104.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

156. A silver wine taster, unmarked, probably 17th century, circular form, scroll handles, the centre with punched foliate decoration, and beaded borders, with scratch initials ‘M.R’, length handle to handle 11.3cm, approx. weight 1.5oz. £300-500

157. A George IV silver wine taster, possibly by John Holmes, London 1828, tapering circular form, part-fluted decoration, inscribed ‘S C’ over ‘K D’, ‘V A’ and ‘No1’, diameter 11.5cm, approx. weight 2.1oz. £600-800

Provenance: Reginald Davis, Oxford, 15 January 2002.

158. A pewter wine taster, possibly 16th century, circular form, the centre raised with a scene of a lady and a gentleman, on a circular foot, diameter 7.2cm. £200-300 Provenance: Hilary Kashden, 12 March 2003. By repute this was found on the fore-shore of the Thames.

159. A George III silver wine taster, maker’s mark worn, London 1762, tapering circular form, the raised centre inscribed, ‘JOHN WHITE No. 135 UPPER THAMES STREET’, diameter 11cm, approx. weight 2.9oz. £600-800 Provenance: Wine Related Silver, Christie’s South Kensington, 5 December 2000, lot 338.

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160. A Charles II silver wine taster, probably by John Gibbs, London 1669, circular form, scroll handles, the centre with punched foliate decoration, and beaded borders, length handle to handle 8.2cm, approx. weight 0.6oz. £1,000-1,500 Provenance: The Hadad Collection, Christie’s South Kensington, 5 December 2000, lot 186.

160

161. A Charles II silver wine taster, probably by Robert Strickland, London 1684 plain circular form, scroll handles, length handle to handle 8.5cm, approx. weight 0.7oz. £800-1,200 Provenance: Nicholas Shaw Antiques, Olympia Antiques Fair, London, 6 April 2006.

161

162. A Charles II silver wine taster, maker’s mark R.L, London 1661, circular form, scroll handles, the centre with punched foliate decoration, and beaded borders, length handle to handle 10.2cm, approx. weight 1.5oz. £1,000-1,500 Provenance: Silver, Christie’s King Street, 23 June 1999, lot 260.

162

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

163. A Commonwealth silver wine taster, maker’s mark ?B, London 1654, circular form, scroll handles, the centre with punched foliate decoration, and beaded borders, scratch initialled ‘M*M’, length handle to handle 12.8cm, approx. weight 2.2oz. £2,000-3,000 Provenance: Nicholas Shaw Antiques, Olympia Antiques Fair, 14 June 2006.

163

164. A Queen Anne silver wine taster, by John Cole, London probably 1706, plain tapering circular form, raised centre, reeded borders, scratch initialled ‘R.B’, on a circular foot, diameter 9.5cm, approx. weight 2.7oz. £2,000-3,000

164

Provenance: The Hadad Collection, then Wine related Silver and Plate, Christie’s South Kensington, 6 November 2001, lot 105.

165. A Charles I silver wine taster, maker’s mark E.S, possibly for Edward South, London 1641, circular form, scroll handles, the centre with punched foliate decoration, and beaded borders, scratch initialled ‘MD’, length handle to handle 12cm, approx. weight 2oz. £2,000-3,000 Provenance: Nicholas Shaw Antiques, Olympia Antiques Fair, 9 November 2006.

165

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OTHER PROPERTIES

166. A collection of silver sugar tongs, comprising: a Scottish provincial pair by James Cornfute, Perth, bright-cut decoration, repaired, plus a King’s pattern pair, a Beaded pair, six pairs of Fiddle pattern, five pairs with bright-cut and engraved decoration, plus four other pairs, and a sugar sifting spoon and dessert spoon, approx. weight 22oz. (20) £200-300

167. A set of twelve silver King’s pattern fish knives and forks, by Mappin and Webb, Sheffield 1963 and 1968, hollow handles, approx. weight 45oz. (24) £300-500

168. A set of six George III provincial silver Old English pattern table forks, by Christian Ker Reid, Newcastle 1800, plain terminals, approx. weight 10.5oz. (6) £100-150

169. A set of four George III provincial silver Fiddle pattern tablespoons, by Barber and Whitwell, York 1817, the terminals initialled, plus a Fiddle pattern teaspoon, by Barber and North York 1838, approx. weight 8.5oz. (5) £100-150

170. A set of twelve Dutch silver three-pronged dessert forks and spoons, makers mark V.K C, 1929/30, with pointed terminals, initialled, in a non-matching fitted case, approx. weight 30oz. (24) £200-300

171. A set of eight silver-handled table and dessert knives, by Argentum Ltd, London 1998, tapering handles with canted corners, plain blades, handles filled. (16) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

172. A set of twelve silver asparagus eaters and a pair of a serving tongs, by Walker and Hall, Sheffield 1913, plain tong form, the terminals crested, the serving tongs with pierced and engraved blades, plus an American silver condiment ladle by Bower and Rusher, New York circa 1840, approx. weight 15.5oz. (14) £400-600

173. A set of twelve 19th century Maltese silver Fiddle pattern tablespoons, by Gaetano Offennaghel, Capt. Sir Alexander Ball period, 18001809, the terminals with initials, approx. weight 26.5oz. (12) £400-600

174. A mixed collection of twelve George II/ III silver Hanoverian pattern tablespoons, comprising: a set of four, by William Soame, London 1736, a set of four, London 1754/55, and four others, some with crests or initials, approx. weight 24.9oz. (12) £300-400

175. A set of six George II silver Hanoverian pattern tablespoons, by Edward Lambe, London 1743, the reverse of the terminals with the crest of an anchor, and scratch initials ‘P’ over ‘IG’ ‘1745’, length 19.8cm, approx. weight 13.5oz. (6) £200-300 The crest is possibly that of Goadefroy, Goodreed and Goodrood.

176. A set of ten 19th century American silver ‘Coffin-end’ tablespoons, by A and G Welles, Boston circa 1810, the terminals with script initials, approx. weight 20oz. (10) £200-300

177. A set of six Victorian silver Fiddle and Thread pattern dessert spoons, by Hayne and Cater, London 1850, the terminals with a crest initial, approx. weight 1.5oz. £100-150 The crest is that of Alison, Blackett, Cotton, Halkett and others.

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178. A pair of Victorian silver King’s Hourglass pattern fish servers, by Hayne and Cater, London 1860, the terminals with a crest and initial, approx. weight 10.5oz. (2) £150-200 The crest is that of Dance, Dancey, Darley and others.

179. A pair of George III silver ‘Bright-cut’ sauce ladles, marked only with a lion passant to the reverse of the bowls, circular bowls, the terminals with initials, approx. weight 3.2oz. (2) £100-150

180. Retailed by Tiffany and Co., a pair of Italian silver-handled Elsa Peretti Padova nutcrackers, marked Peretti, T & Co. Sterling Italy 1984, pierced handles, length 16.7cm. £100-150

181. A pair of early-Victorian silver grape scissors, by Reily and Storer, London 1838, with trailing vine and grape decoration and chased with jovial heads, length 17.8cm, approx. weight 3.3oz. £150-200

182. A set of six George III small / toy Old English pattern teaspoons, by Smith and Fearn, London 1789, oval bowls, the terminals initialled ‘D.G’, approx. weight 0.7oz. (6) £100-150

183. A George III silver meat skewer, by Hester Bateman, London 1783, tapering circular form, plain ring terminal, length 17.8cm, approx. weight 2.2oz. £150-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

184. A silver canon handled basting spoon, by R. Comyns, London 1936, tapering circular handle, with a knop finial, the reverse of the oval bowl with two crests and inscribed ‘Copy of The Salisbury Ladle 1684, given to The Fish Mongers Livery on the Coronation of King George VI, 12 May 1937’, length 38.2cm, approx. weight 4.9oz. £250-300

185. A Victorian silver-gilt Stag Hunt pattern fruit serving spoon, by Messrs. Lias, London 1876, the bowl with engraved foliate decoration, gilding worn in places, length 22.8cm, approx. weight 3.4oz. £100-150

λ 186. A Victorian silver stilton scoop, by John Gilbert, Birmingham 1868, tapering ivory handle, crested, plain bowl, length 23.7cm. £80-120

187. A George II silver spoon, probably by Charles Jackson, London 1729, (main marks to bowl, the handle part marked), in the French manner, oval bowl, diamond shaped stem, with a stylised fleurs-de-lis terminal, plus a similar William IV spoon, by William Traies, London 1830, lengths 19.3cm and 19cm, approx. weight 4.4oz. (2) £300-400

188. A pair of Edwardian silver egg cutters, by Hilliard and Thomason, Birmingham 1906, scissor form, plain ring handles, length 10cm, approx. weight 1.7oz. £200-300

189. A Norwegian silver-gilt and plique-à-jour enamel caddy spoon, maker’s mark J.T, probably for Jacob Tostrup, Oslo, circa 1900, also marked with an Austrian import mark, slender fig-shaped bowl, scroll handle with vari-coloured enamel decoration, rope-work borders, length 8.2cm, approx. weight 0.6oz. £150-200

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190. A collection of silver flatware, various dates and makers, comprising: a three-piece Victorian Canova pattern christening set, by George Adams, London 1753/4, a pair of Fiddle pattern serving tongs by the same maker, London 1873, a set of five Victorian silver-gilt figural spoons in the Dutch manner, London 1863, an 18th century Dutch figural spoon, three pairs of sugar tongs, a pair of knife rests, a fish knife, a George II marrow scoop, two caddy spoons, a cased set of teaspoons, various mustard and salt spoons, various teaspoons and a toothpick, page marker, fruit knife and pencil, approx. weighable 38oz. (qty) £300-400

191. A collection of silver flatware, comprising: three George III Scottish Hanoverian pattern tablespoons, by Milne and Campbell, Glasgow circa 1760, initialled, a set of six Old English pattern dessert spoons, by J. Round, Sheffield 1898, six Fiddle and Thread pattern teaspoons and four salt spoons, London 1845, a matched pair of George III silver-gilt salt spoons, by Eley, Fearn and Chawner, London 1811/12, and a Dutch fish slice, pierced blade, baluster handle, approx. weight 26oz. (qty) £300-400

192. A small collection of silver flatware, comprising: a pair of Victorian King’s pattern toddy/sauce ladles, by Elizabeth Eaton, retailed by Cameron, Liverpool, plus a pair of Exeter Old English pattern ladles, by R. Ferris, a Fiddle pattern fish slice, London 1835, two other ladles and a sifting spoon, approx. weight 14.8oz. (8) £300-400

193. A small collection of continental silver flatware, French, German, Austrian and Italian, comprising: a modern ninepiece set, tapering handles applied with galleons, fish and starfish, and applied with Green cabochons, plus a French silvergilt caddy spoon, and four French sugar sifting spoons, a seven-piece German silver-gilt set, and three other items, plus an electroplated sugar sifting spoon, approx. weight 23oz. (qty) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

194. A set of twelve Edwardian silver fish knives and forks and a pair of fish servers, by The Harrison Brothers, Sheffield 1903, the tapering handles with a rope-work motif, plain blades, in a fitted wooden box. (26) £200-300

195. A set of eighteen George III silver King’s pattern dessert knives and forks, by Aaron Hadfield, Sheffield 1817, plain silver blades, one blade replaced (London 1834), in a fitted wooden case. £200-300

196. A set of twelve Victorian silver Venetian pattern teaspoons with a caddy spoon and pair of sugar tongs, by Martin, Hall and Co, Sheffield 1873, the terminals initialled, the caddy spoon with a lozenge registration mark, in a fitted case, approx. weight 10oz. £150-200

197. A set of six 19th century Russian parcel-gilt silver and enamel teaspoons, Moscow 1876, maker’s mark CC, the reverse of the fig-shaped bowls enamelled with various flowers, twisted stems, in a later fitted case, length 10.2cm, approx. weight 3.5oz. (6) £400-600

198. A pair of Victorian silver grape scissors, by The Harrison Brothers, Sheffield 1895, the tapering handles pierced and engraved with foliate scroll decoration, in fitted case, length 18.2cm, approx. weight 2.9oz. £100-150

199. A collection of silver berry table spoons, including: a matched set of six, the bowls with later decoration and gilded, the terminals with a crest, plus a cased pair of Scottish spoons, Edinburgh 1785, later decoration, and a single spoon, approx. weight 17.8oz. (9) £200-300

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in case 200. A silver-gilt and mother-of-pearl dessert service for twelve, by the Goldsmiths and Silversmiths Company, London 1913, comprising: dessert forks, dessert spoons and dessert knives, the tapering handles with alternate panels of mother-of-pearl and reeded decoration, scroll terminals, in a fitted brass bound wooden case. (12) ÂŁ600-800

in case

201. A modern extended electroplated canteen of Ribbon and Reed pattern flatware for twelve, by Carrs, comprising: twelve table forks, twelve table knives, twenty-one dessert forks, twenty-four dessert knives, twenty-three teaspoons, twelve dessert spoons, twelve steak knives, twelve coffee spoons, in a fitted box, plus a French electroplated part-canteen for twelve, by Christofle, scroll terminals, comprising: eleven table forks, twelve table knives, eleven fish knives, ten dessert knives, twelve tablespoons, nine fish forks, eight dessert forks, four dessert spoons, eleven ice cream spoons, six teaspoons, nine coffee spoons, a soup ladle, twenty serving pieces and other items including ten Christofle Ribbon and Reed pattern table forks and nine knives. (qty) ÂŁ300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

in case 202. A silver Lace-back Trefid pattern canteen for twelve, by Mappin and Webb, Sheffield 1915, the reverse of the bowls with a raised rat-tail and scroll decoration, the terminals also with scroll decoration, comprising: eighteen threepronged table forks, twelve three-pronged dessert forks, twelve dessert spoons, twelve soup spoons, eight tablespoons, twelve teaspoons, six smaller teaspoons, twelve fish knives, twelve fish forks, twelve fruit knives, twelve fruit forks, (hollow handles), a pair of sauce ladles, a soup ladle, a basting spoon, a pair of fish servers, a five-piece carving set, a pair of sugar tongs, twelve coffee spoons, four salt spoons, a pair of butter knives, a sugar sifting spoon, plus eighteen table knives, (twelve re-bladed), and eighteen dessert knives, (twelve re-bladed), plus six plain lobster picks, Sheffield 1936, in a fitted wooden case, with two drawers and a hinged cover on four legs, approx. weighable 279oz. £1,500-2,000 in case

203. A French silver and silver-gilt canteen for twelve, maker’s mark HS with a sun above and star below, for Henri Soufflot, Paris, also with later import marks for London 1942, importer’s mark of The London Assay Office, the handles with foliate decoration, the reverse of the terminals with a monogram, comprising: thirty table forks, eighteen table knives, fifteen tablespoons, twelve fish knives and forks, and a pair of fish servers, with mother-of-pearl handles, twelve ice cream spoons, twelve coffee spoons, an ice cream spade, a pair of grape scissors, two pairs of sugar tongs, two sifting spoons, a slice, a fruit serving spoon, twelve silver-gilt dessert forks, knives and twelve dessert spoons, two serving spoons, an asparagus server, a soup ladle, a pair of basting spoons, two serving forks, a pair of sauce ladles, three pickle forks, a pair of salad servers, a butter knife, a butter spade and a sugar spoon, in a five drawer wooden cabinet with a hinged cover, the drawers with a brass plaque numbered and with list of the pieces, approx. weighable 280oz. £4,000-6,000

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part

204. A collection of George IV-Victorian silver Fiddle pattern flatware, various dates and makers including Hayne and Cater, London 1839, the terminals with initials, comprising: seven table forks, eight dessert forks, four tablespoons, eight dessert spoons, and a sauce ladle, plus a pair of Old English pattern sauce ladles, Exeter 1837, and fourteen teaspoons, plus a pair of electroplated sugar tongs, approx. weight 62oz. (qty) £500-700

205. A matched George IV / Victorian and modern silver part canteen of Fiddle and Thread pattern flatware for twelve, all London, various dates and makers including Mary Chawner 1837, William Smily , 1857, G. Adams, 1856, and The Goldsmiths and Silversmiths Company, London 1834, the terminals with initials or armorials, comprising: twelve table forks, twelve dessert forks, and eleven dessert spoons, and four tablespoons, approx. weight 88oz. (qty) £600-800

part

206. A matched canteen of silver Fiddle pattern flatware for six, various dates and makers, including Dublin, comprising: six table forks, ten dessert forks, twelve dessert spoons and two electroplated dessert forks, some pieces with crests or initials, approx. weighable 47.5oz. (qty) £300-400

207. A William IV silver Fiddle and Thread canteen for twelve, by Mary Chawner, London 1833/34, the reverse of the terminals with an armorial, comprising: twelve table forks, twelve dessert forks, (one by Elizabeth Eaton, London 1856, the terminal initialled), twelve dessert spoons, eight table spoons, a basting spoon, a pair of sugar tongs and a pair of salt spoons, approx. weight 107oz. (qty) £1,000-1,500 The armorial is that of Worsley impaling another.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

part

208. A collection of George III silver King’s Hourglass pattern flatware, by Paul Storr, London 1809-1820, crested and some initialled, comprising: six tablespoons, (1820), ten table forks, (seven 1820, three 1815), six table knives, (1819), re-bladed, nine teaspoons, (five 1820, three 1816, one 1817), four dessert spoons, (1813,15, 17, and 1820), a dessert fork (1817), two fruit knives, one silver-gilt, (1809 and 1819) and a William IV dessert fork, by William Chawner, London 1831, approx. weighable 69oz. (39) £1,000-1,500

part

210. A matched George IV/William IV silver King’s pattern canteen for twelve, the majority by Edward Farrell, London 1828, comprising: twelve table forks, twelve tablespoons, twelve dessert spoons, (four by William Chawner London 1830), twelve dessert forks, (eight by William Chawner, London 1830), twelve teaspoons, twelve smaller teaspoons, London 1829, plus twelve modern silver-handled table knives and twelve dessert knives, Sheffield 1969, maker’s mark of NHV, approx. weighable 150oz. (96) £2,000-3,000

209. A set of twelve George III silver-gilt King’s Hour-glass pattern fruit knives, by Paul Storr, London 1809, the blades with engraved decoration, the handles crested. (12) £1,000-1,500

part

211. A matched William IV, Victorian and modern silver Fiddle, Thread and Shell pattern canteen for twelve, all London, comprising: twelve table forks, by F. Higgins,1877, twelve tablespoons, (nine M. Chawner, London 1837, three W. Eaton 1842), twelve dessert forks, (six G. Jackson,1895, three E. Eaton,1854, two J.S. Hunt, 1863 and one M. Chawner 1837), twelve dessert spoons, (seven by G. Jackson,1895, two by W. Eaton 1842, and four by G. Adams 1851), twelve teaspoons, by F. Higgins 1877/78, six further teaspoons, G. Adams,1873, a pair of sugar tongs and three salt spoons by G. Adams 1880/81, plus twelve table knives, by G. Adams,1855, re-bladed, and twelve dessert knives, London 1978, one piece crested, approx. weighable 148oz. (qty) £2,000-3,000

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

A PRIVATE COLLECTION OF EARLY SPOONS

212. A Charles I West Country silver Lion sejant spoon, by John Ivie, Salisbury circa 1625, the fig-shaped bowl with traces of gilding, tapering faceted stem, gilded lion finial, length 17.5cm, approx. weight 1.2oz. £1,500-2,000 Provenance: Woolley and Wallis, Early Spoons, 28 July 2004, lot 825. For maker’s mark see Kent, T., West Country Silver Spoons and Their Makers, J.H. Bourdon-Smith, 1992, page 103, illustration M.75.

213. A Charles II West Country engraved Puritan spoon, maker’s mark three times, WH conjoined, probably Barnstable area, circa 1675, oval bowl, the tapering stem engraved with a flower motif, length 16.4cm, approx. weight 1.1oz. £800-1,200 Provenance: Woolley and Wallis, Early Spoons, 28 July 2004, lot 606.

214. A Charles II silver Puritan spoon, by Jeremy Johnson, London 1664, oval bowl, tapering stem, the reverse of the terminal scratch initialled ‘F’ over ‘W.M’, length 17.5cm, approx. weight 1.3oz. £1,000-1,500 Provenance: Phillip’s Silver Sale, New Bond Street, London 2001.

215. A James I silver Seal-top spoon, by William Cawdell, date letter worn, London circa 1603, fig-shaped bowl, tapering faceted stem, the seal-top finial with traces of gilding and prick-dot initialled ‘E.H’ over ‘1603’, length 15.3cm, approx. weight 1.1oz. £800-1,200

216. A Charles I silver Seal-top spoon, by Edward Hole, London 1635, fig-shaped bowl, faceted stem, the seal-top finial scratch initialled ‘IT’, length 17.4cm, approx. weight 1.6oz. £1,000-1,500 Provenance: Fine Silver, Bonhams, New Bond Street, London, 4 July 2007, lot 46.

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213

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217. A Charles I silver Seal-top spoon, by William Carey, London 1631, fig-shaped bowl, faceted stem, the seal-top finial with traces of gilding and prick-dot initialled ‘AH’ over ‘A.A’, length 17.2cm, approx. weight 1.6oz. £800-1,200 Provenance: Colin Ticktum, Norwich 1996.

218. A Charles I silver Seal-top spoon, by Daniel Cary, London 1639, fig-shaped bowl, faceted tapering stem punched with an unidentified mark, the seal-top finial with traces of gilding and prick-dot initialled ‘R.W’, length 15.7cm, approx. weight 1oz. £800-1,200 Provenance: The Britton Smith collection of Early Spoons, (part II), Fine Silver, Bonhams, New Bond Street, London, 19 November 2007, lot 70 (Part).

219. An Elizabeth I provincial silver Seal-top spoon, marked in the bowl with a pelleted five petal mark, possibly East Anglian, also incuse stamped on stem ‘MC’, fig-shaped bowl, tapering faceted stem, the seal-top finial with traces of gilding, length 15.2cm, approx. weight 1.3oz. £1,500-2,000

220. A Charles II silver Trefid spoon, by Edward Anthony, Exeter circa 1667, the oval bowl with an engraved rat-tail, the reverse of the terminal scratch initialled ‘A*F’ over ‘M’ ‘1667’, length 18.6cm, approx. weight 1.5oz. £500-700 Provenance: Fine Silver, Sotheby’s London 1998.

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217

218

219

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221. A William and Mary silver Lace-back Trefid spoon, by William Scarlett, London probably 1691, the reverse of the oval bowl with a plain rat-tail and foliate scroll decoration, the terminal also with foliate scroll decoration, the reverse of the terminal prick-dot initialled ‘T.S’, length 19.2cm, approx. weight 1.3oz. £500-700 Provenance: Colin Ticktum, 1999.

222. A James II West-Country silver Lace-back Trefid spoon, by Samuel Dell, Taunton circa 1685, the reverse of the oval bowl with a plain rat-tail and foliate scroll decoration, the terminal also with foliate scroll decoration, the reverse of the terminal later prick-dot initialled ‘I.G’ over ‘1690’ over ‘M.B’, also with a later crest, length 18.8cm, approx. weight 1.7oz. £1,000-1,500 Provenance: Colin Ticktum, 2000. For maker’s mark see Kent, T., West Country Silver Spoons and Their Makers, J.H. Bourdon-Smith, 1992, page 85, illustration M.40.

223. A Charles II silver Trefid spoon, by John Smith, London 1669, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘IH’ over ‘S’ over ‘T*M’, length 18.3cm, approx. weight 1.2oz. £400-600 Provenance: Colin Ticktum, Norwich, 1997.

224. A William and Mary silver Trefid spoon, by William Scarlett, London 1694, the spoon with traces of gilding, the oval bowl with a beaded rat-tail and engraved flame decoration, the reverse of the terminal scratch initialled ‘A. H’ over ‘E’, the front of the terminal with engraved decoration, length 19.7cm, approx. weight 1.8oz. £500-700

225. A Charles II silver Trefid spoon, by Lawrence Coles, London 1679, the oval bowl with a plain rat-tail, the reverse of the finial prick-dot initialled ‘P’ over ‘B.S’, ‘1693’, over ‘6’, the front of the terminal scratch initialled ‘E.P’, length 19.3cm, approx. weight 1.8oz. £400-600 Provenance: Fine Silver, Sotheby’s London 1998.

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221 222

224

223

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OTHER PROPERTIES

226. A Charles I Sussex silver Seal-top spoon, by William Dobson I, Lewes circa 1630, fig-shaped bowl, tapering faceted stem, the seal-top with traces of gilding, length 16.7cm, approx. weight 1.4oz. £1,000-1,500 A similar example from The David Constable Collection was sold in these rooms 30 October 2018, lot 886. For the marks see Kent,T., Sussex Silver and its Makers, J. H. Bourdon-Smith Ltd, 2002, page 27, fig. 51.

227. A Charles I silver Seal-top spoon, by Jeremy Johnson, London 1641, fig-shaped bowl, tapering faceted handle, the terminal with traces of a later crest and initials, length 16.7cm, approx. weight 1.5oz. £800-1,200 Provenance: A Private Collection.

228. An Elizabeth I silver Seal-top spoon, by William Cawdell, London 1598, fig-shaped bowl, tapering faceted handle, the terminal scratch initialled ‘IL’, length 17.1cm, approx. weight 1.4oz. £1,500-2,000 Provenance: A Private Collection. Matthew Barton Ltd., Olympia, London 23 November 2016, lot 296. Charles Oman, (1901-1982), Author and Keeper of the Department of Metalwork at the Victoria and Albert Museum. Biggs of Maidenhead. Oman wrote on this spoon which was one of two he purchased ‘After the 1951 exhibition at Goldsmiths Hall the Wardens voted me £100 to buy a piece of silver. I had enough silver and had no ambition to become a collector, so I bought these seal-tops. On later occasions I always arranged that I should be rewarded with a travel grant’.

229. A Charles I silver Seal-top spoon, by Edward Hole, London probably 1634, fig-shaped bowl, faceted stem, plain seal-top finial, length 17.5cm, approx. weight 1.5oz. £800-1,200

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A PRIVATE COLLECTION OF EARLY SPOONS

230. A James II silver Trefid spoon, by William Swadling, London circa 1685, the reverse of the bowl with a beaded rat-tail, the reverse of the terminal scratch initialled ‘M*B’, length 19cm, approx. weight 1.1oz. £200-300

231. A James II silver Trefid spoon, by William Swadling, London circa 1685, the reverse of the bowl with a plain rat-tail, length 18.8cm, approx. weight 1.5oz.

£200-300

232. A William and Mary silver Trefid spoon, by William Swadling, London 1691, the reverse of the bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘E*B’, length 18.9cm, approx. weight 1.7oz. £150-200

233. A William and Mary silver Trefid spoon, by William Penstone, London 1698, the reverse of the oval bowl with a beaded rat-tail, the reverse of the terminal scratch initialled ‘I’ over ‘I .S’, length 18.9cm, approx. weight 1.4oz. £250-300

234. A Charles II silver Trefid spoon, by John Smith, London circa 1680, the reverse of the oval bowl with a plain rat-tail, the terminal scratch initialled ‘TB’, the reverse of the terminal scratch initialled ‘C’ over ‘W*B’, length 19.2cm, approx. weight 1.5oz. £200-300

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235. A William III West Country silver Trefid spoon, by Thomas Foote, Exeter circa 1700, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal prick-dot initialled ‘A.B’, over scratch initials ‘S.N’, length 19.6cm, approx. weight 1.1oz. £200-300

236. A James II silver Trefid spoon, by John King, London 1685, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘B’ over ‘I.A’, length 19.9cm, approx. weight 1.8oz. £300-400

237. A Charles II silver Trefid spoon, by Benedict Prosser Lawrence Coles, London 1668, the reverse of the oval bowl with a plain rat-tail, and engraved with an armorial, the reverse of the terminal scratch initialled ‘A, length 18cm, approx. weight 1.5oz. £150-200

238. A Charles II silver Trefid spoon, by Lawrence Coles, London 1668, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘A.D’, length 18.5cm, approx. weight 1.4oz. £250-300

239. A Charles II silver Trefid spoon, by Jeremy Johnson, London circa 1675, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘E.L’, length 19.7cm, approx. weight 1.7oz. £300-400

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240. A Queen Anne silver Dog-nose spoon, by Isaac LIger, London 1712, th oval bowl with a plain rat-tail, the reverse of the terminal script initialled ‘H’ over ‘C.E’, length 20.5cm, approx. weight 1.9oz. £150-200

241. A Queen Anne silver Dog-nose spoon, by Isaac Davenport, London 1706, the oval bowl with a plain rat-tail, the reverse of the terminal script initialled ‘P’ over ‘W.D’, length 20.2cm, approx. weight 2.2oz. £150-200

242. A William III silver Dog-nose spoon, by Thomas Allen, London 1699, oval bowl with a plain rat-tail, the terminal scratch initialled ‘A.H’ over ‘M.H’, length 19.8cm, approx. weight 1.8oz. £150-250

243. An early 18th century continental silver Dog-nose spoon, maker’s mark H.L, with a unidentified town mark, possibly German, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal stamped ‘R.G.G’, length 19.2cm, approx. weight 1.8oz. £200-300

244. A Queen Anne Sussex silver Dog-nose spoon, by Anthony Dobson, Lewes circa 1710, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘W’ over ‘I.S’ , also with later initials ‘MAS’ to ‘SH’, length 19.5cm, approx. weight 1.2oz. £250-300

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240

241

242

243

244

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OTHER PROPERTIES

245. An early 18th century Dutch silver spoon, marked with a double headed eagle and maker’s mark of a monogram, probably Middelburg or possibly Nijmegen, also marked with a later Dutch tax mark, trefid style terminal, the reverse of the bowl with a plain rat-tail, the terminal later crested, the reverse with a scratch initial ‘E’, length 18.5cm, approx. weight 1.6oz. £300-400

246. A 17th century silver Seal-top spoon, with a trace of mark to the bowl, fig-shaped bowl, tapering faceted stem, with a seal-top finial, with prick-dot initials ‘B’ over ‘IS’, length 16.5cm, approx. weight 1.2oz. £300-400

247. An early 17th century Norwegian silver ‘Cherub-head’ spoon, marked to reverse of stem, mark worn, circa 1600-1620, fig-shaped bowl with a gilded border inscribed ‘TORGIR TORKILSON’, the reverse of the bowl scratch initialled ‘H.K’, length 15.3cm, approx. weight 1.1oz. £600-800 248. A mid-17th century Continental silver spoon, unmarked, probably Swiss, circa 1648’ fig-shaped bowl with a plain raised ‘rat-tail’ and engraved with an armorial, the terminal dated ‘1648’, length 15.3cm, approx. weight 1.2oz. £400-600

249. A William III / Queen Anne pewter Dog-nose spoon, maker’s mark of IH with a hand and cuff below, circa 1700-1710, possibly for John Hawkinson, the oval bowl with a plain rat-tail, the reverse of the terminal with punched initials ‘A’ ‘B’ and ‘C’, all below an anchor, length 20.6cm. £200-300

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245

246 247

248

249

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250. An early 18th century silver Dog-nose spoon, mark’s worn, circa 1717, the reverse of the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘M*T’ over ‘’1717’, plus a dessert spoon by David Willaume, and a continental spoon with maker’s mark of IDP, approx. total weight 4.7oz. (3) £200-300

reverse

251. A small collection of four pewter spoons, 17th century and later, comprising: one of notched Puritan form, length 17.5cm, two with tapering handles and a later one of Fiddle shape the reverse of the terminal with the Royal Coat of Arms. (4) £150-200

front

252. A set of five George III silver ‘Picture-back and Front’ teaspoons, maker’s mark WC, London circa 1760, the reverse of the bowls with a chicken/turkey, the front of the terminals with an eagle with spread wings, length 11.3cm, approx. weight 2.3oz. (5) £250-300

in box

λ 253. A Victorian silver and ivory campaign set, by William Hutton and Son, Sheffield 1857, comprising a folding knife, fork and spoon, ivory handles, the knife with a steel blade and with a hinged corkscrew in the handle, in a fitted case, (case a.f), length of spoon 19.5cm. £150-200

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254. A silver two-handled apple corer and divider, by J. Vickery, Birmingham 1925, circular form, plain scroll handles, length 13.8cm, approx. weight 3.4oz. £200-300

255. A pair of Edwardian silver egg cutters, over-stamped with maker’s mark of Edwards & Sons, London 1904, scissor form, ring handles, steel spikes, length 10.8cm, approx. weight 2oz. £200-300

256. A matched pair of Edwardian novelty silver lobster claw sugar tongs, by Henry Stuart Brown, London 1906, one date letter worn, the hinged claws lacking springs, length 8.3cm, approx. weight 1.5oz. (2) £300-400

257. A set of six early 19th century colonial silver Fiddle, Thread and Shell pattern teaspoons, four marked GB and with another unidentified mark, circa 1820, approx. weight 6.2oz. (6) £120-180

258. A set of six late-19th century Russian silver-gilt and enamel teaspoons, Moscow 1886, assay master Ivan Konstantinov, with vari-coloured enamel decoration on a matted background, twisted stems, white enamel finials, length 14.5cm, approx. weight 6.5oz. (6) £200-300

259. A small collection of silver items, comprising: an Art Deco tazza, by Walker and Hall, Sheffield 1940, circular form, with geometric decoration, plus a Fiddle pattern basting spoon, by Elizabeth Eaton, London 1847, a sauce boat, a toast rack and a circular dish, approx. weight 29.9oz. (5) £300-400

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detail

260. Brighton Pavilion interest, a rare George IV silver caddy spoon, by Robert Mitchell, Birmingham 1825, shovel form, the bowl embossed with a panel depicting The Brighton Pavilion, foliate tapering handle, length 6.5cm, approx. weight 0.2oz. £800-1,200

261. A 19th century Canadian silver caddy spoon, by James Smellie, Quebec circa 1825, plain form, the terminal initialled, length 6.9cm, approx. weight 0.3oz. £100-150

262. A small collection of four silver caddy spoons, comprising: a George III one by Josiah Snatt, London 1803, oval gilded bowl, the handle with bright-cut decoration, plus one with a heart-shaped bowl and bifurcated handle, by A. King, London 1805, one with a bright-cut border, Sheffield 1925 and one other, approx. weight 1.5oz. (4) £150-200

263. A small collection of eight silver caddy spoons, comprising: a Danish silver Georg Jensen Cactus pattern caddy spoon, with import marks for London 1947, importer’s mark of Georg Jensen Limited, plus one with a shovel bowl, by Joseph Taylor, Birmingham 1802, one by Peter and William Bateman, London 1814, one of Kings Hour-glass pattern, and four various others, approx. weight 3oz. (8) £300-400

264. A Victorian cast silver caddy spoon, by Francis Higgins, London 1849, gilded shell shaped bowl, stylised handle, with two vacant cartouches, length 11cm, plus a parcel-gilt silver shovel caddy spoon, by Joseph Willmore, embossed decoration, tapering mother-of-pearl handle, and a Victorian sifting spoon, Birmingham 1899, approx. total weight 1.9oz. (3) £200-300

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265. A modern commemorative silver caddy spoon, by Garrard and Co, London 1968, celebrating the investiture of Prince Charles, the bowl formed by Prince of Wales Feathers, the handle with a crown a dragon and ‘ICH DIEN’, length 7.4cm, approx. weight 1.1oz. £100-150

266. By A. E. Jones, an Arts and Crafts silver caddy spoon, Birmingham 1915, spot-hammered circular bowl, wire-work handle with a circular disc and ball finial, length 8cm, approx. weight 0.7oz. £200-250

267. A modern Irish silver commemorative caddy spoon, by Thomas O’Connor, Dublin 1973, rounded square bowl, the handle modelled as the Gleninsheen Collar, celebrating Ireland’s entry into the European community, length 7.8cm, plus a modern silver caddy spoon, by Levi and Salaman, Birmingham 1911, leaf form, pierced border, wire-work handle, length 8.5cm, approx. weight 1.3oz. (2) £150-200

268. A modern cast silver caddy spoon, by C and Co, London 2001, oyster bowl, the reverse with seaweed decoration, the handle modelled as a shell, length 7.2cm, approx. weight 1.9oz. £150-200

269. Designed by A. G. Styles for Garrard, a modern commemorative silver caddy spoon, London 1968, also signed ‘Des: A.G. Styles’, celebrating the investiture of Prince Charles, tapering bowl and handle, chased stylised Prince of Wales feathers and engraved ‘ICH DIEN’, length 9cm, approx. weight 1.1oz. £100-150

270. Designed by Gundorph Albertus for Georg Jensen, a Danish silver Cactus pattern caddy spoon, oval bowl, the reverse of the stem stamped Georg Jensen and Wendel A/S, length 10.2cm, plus a Danish silver Georg Jensen Continental pattern caddy spoon, with import marks for London 1923, importer’s mark of George Stockwell, length 10.5cm, approx. weight 1.7oz. (2) £150-200

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in box 271. By Malcolm Appleby, a modern silver caddy spoon, Edinburgh 2013, also signed M. Appleby ‘19’, oval form, with both sides engraved with a modern interpretation of an eagle’s wing caddy spoon, made to commemorate the 60th anniversary of the Society of Caddy Spoon Collectors, in a case, length 8cm, approx. weight 0.8oz. £300-400

272. By Tiffany and Co, an American silver slice / bonbon spoon, Charles Cook period, 1902-7, heart-shaped bowl, initialled, the handle with banana tree and palm decoration, with a green Tiffany baize bag, length 15.8cm, approx. weight 3.5oz. (2) £180-220

273. An American silver caddy spoon, by Gorham, Rhode Island, heart-shaped bowl, the tapering handle cast with a fish within scroll decoration, length 8.8cm, approx. weight 0.4oz. £100-150

A similar one is illustrated in Hood, W., Tiffany Silver Flatware, The Antique Collector’s Club, 1999, page 283, illustration 427.

274. By A. E. Jones, an Arts and Crafts silver spoon, Birmingham 1918, spot-hammered heart shaped bowl with scroll rib supports, faceted stem with a bun knop with a rope-work border, and a tapering circular seal finial with a rope-work border, length 18.8cm, approx. weight 1.6oz. £200-300

275. Designed by Georg Jensen, a Danish silver serving fork and spoon, with import marks for London 1931, importer’s mark of George Stockwell, design no. 42, spot-hammered decoration, pierced terminals, length 15.2cm, approx. weight 2.4oz. (2) £100-150

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in case

276. By Georg Jensen, a Danish silver Bead pattern canteen for twelve, comprising: eight large table forks, eight large table knives, four medium table forks, four medium table knives, twelve dessert forks, twelve dessert knives, twelve fish forks, twelve fish knives, twelve fruit forks and twelve fruit knives, twelve dessert spoons, twelve soup spoons, eight ice cream spoons, four large teaspoons, twelve coffee spoons, twelve coffee spoons, two large serving forks, four large serving spoons, a smaller serving fork and spoon, and a butter knife, plus two silver handled spoons with stainless bowls, in a fitted two drawer case with a hinged lid, approx. weighable 174oz. (qty) £2,000-3,000

277. Designed by Johan Rohde for Georg Jensen, a Danish silver sauce boat, design no. 321B, also with import marks for London 1926, importer’s mark of George Stockwell, oval form, the scroll handle with a disc motif, spot-hammered decoration, on a raised oval foot, length 14.2cm, approx. weight 6oz. £200-300

278. Designed by Harald Nielson for Georg Jensen, a Danish silver bowl, design no. 580, also with import marks for London 1922, importer’s mark of George Stockwell, circular tapering form, spot-hammered decoration, on a raised circular foot, diameter 12.2cm, approx. weight 6.5oz. £150-200

279. Designed by Georg Jensen, a Danish silver serving spoon and fork, with import marks for 1931, importer’s mark of George Stockwell, design no. 42, oval spot-hammered bowls, the stems crudely engraved, length 15.2cm, approx. weight 2.4oz. (2) £150-200

280. Designed by Harald Nielson for Georg Jensen, a Danish silver porringer, design no. 456, also with import marks for London 1929, importer’s mark of George Stockwell, shallow circular tapering form, spot-hammered decoration, fluted and beaded scroll handles, inscribed ‘Imelda’, length handle to handle 16cm, approx. weight 6.5oz. £150-200

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281. Designed by Georg Jensen, a pair of Danish silver Grape pattern water pitchers / ewers, design no. 407A, baluster form, spot-hammered decoration, wooden handles, with a bunch of grapes, on raised circular bases with trailing grapevines, height 23.3cm, approx. weight 72oz. (2) ÂŁ6,000-8,000

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282. Designed by Georg Jensen, a large Danish silver tazza, design number 264A, Grape pattern, the circular pedestal foot with spiral twist decoration, the circular bowl with hanging bunches of grapes, height 26.8cm, approx. weight 41oz. ÂŁ3,000-4,000

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283. By Garrard and Co, a modern silver-mounted hardstone mazer bowl, London 1981, circular form, green hardstone bowl, the tapering mount with beaded and rope-work decoration, diameter 14.5cm. £150-200

284. By A. E. Jones, an Arts and Crafts silver box, Birmingham 1936, rectangular form, spot hammered decoration the slightly domed hinged cover with a foliate border and central foliate motif, on four bun feet, length 11cm, approx. weight 6.3oz. £200-300

285. An Edwardian Art Nouveau silver cigarette box, by John William Barrett, Birmingham 1903, rectangular form, textured decoration, with large strap hinges and applied vacant cartouche, the front with a hinged clasp and peg catch, wooden lining and base, length 13.8cm. £400-450

286. Designed by Archibald Knox for Liberty, an Edwardian silver and enamel napkin ring, Birmingham 1903, circular form, with purple, green, blue and orange enamel decoration, later initialled and dated, diameter 5cm, approx. weight 1.4oz. £200-300

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287. By William Haseler, a silver and enamel hand mirror, Birmingham 1908, oval form, with garlands of flowers and blue/green enamel decoration, plus a Liberty and Co clothes brush, Birmingham 1906 with similar decoration, lengths 27.3cm and 19.7cm. (2) £300-400

288. Designed by Kate Harris for William Hutton and Sons Ltd, an Edwardian silver hand mirror and pair of hair brushes, Birmingham 1901/02, shaped arched form, the reverse embossed with a maiden’s head and stylised decoration, length of mirror 28.5cm. (3) £500-700

289. By Liberty and Co, an Arts and Crafts silver tea strainer, maker’s mark over-striking another, Birmingham 1939, circular bowl, stamped border, the handle with a Celtic motif, length 11.4cm, approx. weight 1.5oz. £150-200

290. An Arts and Crafts silver-mounted shagreen box, attributed to John Paul Cooper, circa 1920, oval form, plain silver hinge and mounts, the hinged cover applied with a pierced foliate motif set with four large and five smaller garnet cabochons, the interior velvet lined, length 11.3cm. £800-900

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291. A set of eighteen Danish silver lobster picks, maker’s mark of KBS for Kay Bojesen Solvsmedie, Copenhagen 1916, assay master C.F. Heise, tapering form, spot-hammered decoration, beaded and scroll decoration with a scroll shell terminal, pierced with initials ‘HT’, and set with two green cabochons, in two fitted cases, length 23.4cm, approx. weight 32oz. £800-1,200 Kay Bojesen (1886-1958) graduated as a silversmith in 1910 after completing his apprenticeship with silversmith Georg Jensen. As one of the first Danish artisans to do so, he embraced functionalism. He was among the pioneers who organised Den Permanente association - a cooperative of artists that included a shop and exhibition space which over the decades came to represent the best in Danish and Scandinavian design.

292. A set of six silver and enamel Art Nouveau tot cups, by Mappin and Webb, Birmingham 1907 and 1908, circular bowls on twisted wire-work stems, on raised circular bases with an enamelled Tudor rose motif, in a fitted case, height 8.3cm. (6) £300-400

294. An Edwardian silver Art Nouveau vase, by William Hutton and Sons, Limited, London 1905, tapering circular form, central girdle, on three stylised Art Nouveau legs with paw feet, height 14.7cm, approx. weight 7.5oz. £150-200

293. A German three-light silver candelabrum, by M. Wilkens and Son, with a central light and two faceted scroll arms each supporting another light, on a raised oval base, length 26cm, approx. weight 7oz. £100-150

295. An Art Deco silver sugar caster, by Hicklenton and Phillips, London 1937, plain cylindrical form, pull-off stepped pierced cover, on a circular foot, height 14.5cm. £150-200

296. A silver-mounted glass jam pot and spoon, by Hukin and Heath, Birmingham 1913, date letter on spoon worn, plain cylindrical form, the push-down handle opens the slightly domed cover, height 15.5cm. (2) £150-200

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297. By Millicent Sutherland for The Duchess of Sutherland Cripple Guild, an Arts and Crafts silver two handled porringer, Birmingham 1914, the circular body embossed with flowers, pierced foliate side handles, length 24cm, approx. weight 8.9oz. £300-400

297

298. By George Hart for The Guild of Handicraft, a three-piece silver Arts and Crafts tea set, London 1938, possibly from a design by John Sidney Reeve, tapering circular form, spot-hammered decoration, with stylised geometric motifs, scroll handles, on a raised circular base, length handle to spout 26cm, approx. weight 36oz. (3) £800-1,200

298

John Sidney Reeve (1875-1943) joined the workshops of The Guild of Handicraft in Chipping Campden in 1902 and two years later he took up a teaching position at Leicester School of Art. He also went on to design the Leicester firm Dryad. When he retired in 1934, he moved back to Chipping Campden, and he still went in to work in the Hart’s workshop in Sheep Street.

299. By C. R. Ashbee, an Edwardian Arts and Crafts silver two handled bowl, London 1900, circular form, with elongated wire-work scroll handles, spot-hammered decoration, engraved with a crest, on a raised circular foot with a punch-beaded border, length handle to handle 21.8cm, approx. weight 5.6oz. £1,000-1,500 The crest is that of Courtauld.

299

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300. By Leslie Durbin, a modern silver rose bowl, London 1985, circular tapering form, spot-hammered decoration, gilded interior, the lift-off grille with cast scroll work and with a finial modelled as a child sitting on a scroll motif, on a circular foot, diameter 19.5cm, approx. weight 29.9oz. £1,500-2,000

300

301. By Gilbert Marks, a late-Victorian Arts and Crafts silver two-handled tazza, London 1897/8, also signed to base ‘Gilbert Marks’, ‘98’, circular form, embossed and chased with poppies and foliate decoration on a spot-hammered background, cast scroll handles, on a baluster stem on a raised circular foot, with rose hip decoration, height 34.5cm, diameter 25cm, approx. weight 61oz, in a fitted wooden case. £6,000-8,000 A similar tazza was sold in these rooms 21 July 2010, lot 644. A similar bowl by Marks was sold by Bonhams London, April 2018, where Ellis Finch writes: ‘Gilbert Leigh Marks (1861 - 1905) was born into a family with artistic and commercial traditions. The artists were his two uncles, Henry Stacey Marks R. A. and Frederick Walker, along with his great-grandfather, William Walker. The commercial influence came from his grandfather, jeweller W. H. Walker. On leaving school, Marks worked for a period (1878 - 1885) in a manufacturing silversmiths’ workshop, possibly the firm of Johnson, Walker & Tolhurst, although another firm could be considered: Holland, Aldwinckle and Slater, suppliers of silver to Johnson, Walker & Tolhurst. Between 1885 and 1895, Marks was employed by Masurel & Fils and, when he married Florence Elizabeth Ford in 1888, his profession was recorded as ‘wool broker’s manager.’ However, in 1896, the Art Journal refers to Marks as ‘something in the city’ and points out that he already has two assistants. The Magazine of Art reviewed Marks’ work in January 1897 at an exhibition of his work at 80 Aldersgate Street: “Going direct to nature, he skilfully transfers the blossoms of wild flowers to his graceful cups and other cups.” A further glowing review came in The Morning Post for an exhibition of Marks’ work in 1898: “Mr Marks is one of those who by their persevering efforts during the last few years have succeeded in reviving interest in silver decoration worked after the manner of the craftsmen of the past. Machinery plays no part in the production of the beautiful objects; they are all the result of pure handcraft... It is impossible to overstate the individuality of Mr Mark’s designs, which are original and often highly pleasing.” In the initial period of collaboration with Johnson, Walker & Tolhurst, the objects bore their sponsor’s mark and had Marks’ facsimile signature. Gilbert Marks registered his own maker’s mark of ‘GM’ at Goldsmiths’ Hall in 1896 and he continued the practice of the facsimile. It is clear that some association with Johnson, Walker & Tolhurst continued after Marks had left the firm as they continued to hold his exhibitions at their showrooms. The earliest recorded piece bearing Marks’ signature dates from 1895/6 and the latest from 1902. Gilbert Marks’ death in 1905 was recorded with an obituary in The Burlington Magazine (Vol 7, No 27): “an artist of delicate grace and charm, whose name will probably take high rank in the estimation of the collector and connoisseur.” Literature: F. Miller, ‘Some Gold, Silver, and Coppersmiths,’ Art Journal, November 1896, p.347ff. ‘Gilbert Marks: An Artist in Silver,’ The Magazine of Art, January 1897, p.158ff. Obituary, The Burlington Magazine, Vol 7, no 27, June 1905, p.243ff. Culme, ‘The Directory of Gold & Silversmiths’ (London 1987), page 312-313.’

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301

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302. By Leslie Durbin, a modern two-handled silver tureen and cover, London 1979, fluted oval tapering form, spot-hammered decoration, gilded interior, scroll handles, the lift off cover with a gilded water-lily finial, on a raised oval foot, length 33cm, approx. weight 40oz. £800-1,200

302

303. By Leslie Durbin, a modern twelve-piece silver condiment set, London 1971, circular tapering form, comprising: four pepper pots, and eight salt cellars / open mustard pots, gilded bowls, plus eight condiment spoons, height of pepper pot 5cm, approx. weight 22oz. (20) £600-800

303

304. By Leslie Durbin, a modern silver tray, London 1949, oval form, raised reeded sides, the centre engraved with three fish amongst seaweed, length 32.8cm, approx. weight 21oz. £500-800

304

For another example of this fish decoration by Durbin see: Andrew, J., and Styles D., Designer British Silver, The Antique Collector’s Club, 2015, page 188, a fishing Trophy he entered into a competition in 1938, while he was studying at The Central School of Arts.

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305. By Omar Ramsden and Alwyn Carr, an Edwardian Arts and Crafts silver salt cellar, London 1908, tall capstan form, spot-hammered decoration, applied with four wire-work and ball motifs, twisted wire-work girdle, with a later blue glass liner, height 10cm, approx. weight 5.6oz. £400-600

305

306. By Ramsden and Carr, an Arts and Crafts silver and enamel dressing table box, London 1909, circular form, spot-hammered decoration, the hinged cover set with a circular blue green enamel plaque, twisted rope-work borders, on three pierced wire-work scroll bracket feet, the underside with a loose brass circular plate, diameter 5.7cm £600-800

306

307. By Omar Ramsden, an Arts and Crafts silver dish, London 1926, also engraved ‘OMAR RAMSDEN ME FECIT’, elongated oval navette form, spot-hammered decoration, the ends with pierced flower finials, on four pierced scroll feet, length 32.9cm, approx. weight 8.8oz. £1,500-2,000

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308. By Omar Ramsden, an Arts and Crafts silver wine coaster, London 1926, the underside inscribed ‘Omar Ramsden Me Fecit’, circular form, spot-hammered decoration, castellated border, the wooden base set with a Tudor rose motif, diameter 11cm, height 4.5cm. £1,000-1,500

309. By George Hart for the Guild of Handicraft, an Arts and Crafts silver tea caddy, London 1930, plain cylindrical form, spot-hammered decoration, height 11.8cm, approx. weight 9.5oz. £200-300

310. By Hayes & Finch Ltd, an Arts and Crafts silver sanctuary lamp, Birmingham 1913, circular form, pierced with trailing vine and grape decoration, with four stylised supports, with scroll mounts supported by four twisted wrought chains, with a pierced crown canopy, later converted to electricity, with a clear glass shade with a band of trailing grapevines, total length 110cm, approx. weight 100oz. £1,500-2,000

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311. By John M Willmin for Aurum, a modern commemorative parcel-gilt chalice, London 1974, tapering circular bowl applied with a mermaid holding keys, on a raised octagonal foot with textured decoration, the underside inscribed ‘Number 611 of a Limited Edition of 673 Made by order of The Dean and Chapter of Ely to Commemorate the Thirteenth Centenary of the Foundation in 673AD’, with the original paperwork in a cardboard box, height 16.8cm, approx. weight 16.5oz. £150-200

312. An Edwardian Art Nouveau silver mirror, by William Neale, Chester 1903, upright rectangular form, with stylised sinuous decoration, on two bracket feet, with an easel back, height 34cm. £300-400

313. By Hector Miller for Aurum, a parcel-gilt dish, London 1979, circular bowl, the handle with three saints, the underside engraved ‘Number 210 of a limited edition of 900 made by Order of The Dean and Chapter to Commemorate Ninth Century of Winchester Cathedral in 1979’, with the original paperwork, length 16.8cm, plus a goblet by Hector Miller, London 1983, celebrating 500 years of Kings College Chapel, and a goblet by Jocelyn Burton for Aurum, London 1975, celebrating the 300th Anniversary of St, Pauls, in a fitted case, approx. total weight 22.9oz. (3) £300-400

314. Designed by Anthony Elson for Garrard, a modern silvermounted glass claret jug, London 1986, tapering circular form, ribbed and etched body, with a domed hinged cover decorated with two race horses and with a crown finial, scroll handle with matted decoration, height 33.5cm. £400-500

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315

‡ 315. Designed by Guy Taplin, a modern silver model of a woodcock, made by P.E, Birmingham 2000, the underside of base signed ‘Woodcock, Guy Taplin,1999, the side also signed and numbered 2/10’, length 29.6cm, approx. weight 68oz. £1,500-2,000

‡ 316. By David Wynne a limited edition silver sculpture ‘The Leaping Salmon’, maker’s mark of JM over MG, London 1980, also signed with his device DW and edition number 20/25H, modelled as three conjoined salmon, on a hexagonal hardstone base, with a loose plaque inscribed ‘The Leaping Salmon, David Wynne’, in a wooden carrying case, with the original certificate height on plinth 31cm. £3,000-4,000 Provenance: Mr Alan Mann, and thence by descent to the current owner. As the certificate is in an original House of Hardy envelope it is possible that the sculpture was purchased through House of Hardy, Pall Mall, London. David Wynne (1926-2014) began his professional career as a sculptor in 1950. one of his most famous sculptures is the ‘Boy with Dolphin’, which stands in Cheyne Walk, London.

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316

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317. A late-Victorian silver two-handled naturalistic tray, by Plante & Co, Birmingham 1896, shaped rectangular form, textured decoration, wavy-edge border, scroll handles, length 54cm, approx. weight 29oz. £1,000-1,500

318. By Adrian Hope, a modern silver bowl, Edinburgh, no date letter, circular form, textured decoration and border, on a circular foot, diameter 9.2cm, approx. weight 2.9oz. £200-300

319. By Simon Beer, a modern Sussex silver wine coaster, Sheffield 2002, also with the Lewes town mark, and stamped LEWES, circular form, on a wooden base, with a central button inscribed and dated, diameter 11.5cm. £150-200

320. By Elizabeth Peers, a modern silver sugar bowl and spoon, London 2009, shaped circular form, textured decoration, the spoon with a shovel bowl, diameter 9cm, approx. weight 6oz. £300-400

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321. By Gerald Benney, a modern silver paper weight, London 1999, rectangular form, textured decoration, stamped ‘OAPIO’, in the original fitted case, length 10cm, approx. weight 8oz. £150-200

322. By Gerald Benney, a modern silver and silver-gilt box, London 1963, rectangular form, the hinged cover applied with six textured and gilded feather designs, the interior black leather lined and the interior cover gilded, length 17.8cm, approx. total weight 21oz. £1,000-1,500

323. By Gerald Benney, a modern silver knife and fork, London 1969, the handles with textured decoration, the knife with a stainless steel blade, approx. weighable 3oz. (2) £150-200

324. By Stuart Devlin, a set of six modern silver-gilt and parcel-gilt silver eggs, London 1983-85, each with a different design and textured finish, two pierced, in a fitted case, approx. weight 4.9oz. (6) £600-800

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325. By Christopher Lawrence, a modern silver tazza, London 1994, circular form, engraved with a countryside scene with two figures with animals and a church and mountains behind, on a raised textured base, the underside inscribed ‘To be a free spirit! June ‘94’, diameter 15cm, approx. weight 9.1oz. £250-350

326. By Anthony Hawksley, a modern silver candle snuffer, London 1969, tapering conical form, the finial set with a citrine coloured stone, the base with castellated and matted decoration, height 12.8cm, approx. weight 2.4oz. £150-200

327. By Geoffrey Bellamy, a modern silver beaker, London 1958, tapering cylindrical form, engraved with characters from Alice in Wonderland, including Alice, the White Rabbit, the Mad Hatter, the Knave of Hearts and a Fish Footman, also engraved with initials ‘P.E.L.B’, height 10cm, approx. weight 5.8oz. £300-500

328. By Graham Watling, a modern silver jug, London 1979, tapering circular form, with a plain part cover, textured decoration, height 14.5cm, approx. weight 11.8oz. £700-900

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

329. By Grant MacDonald, a pair of modern parcel-gilt silver candlesticks, London 1978, circular tapering form the base with a heavy gilded and matted double scroll border, height 7cm, approx. weight 8.8oz. (2) £200-300

330. By Grant MacDonald, a modern parcel-gilt silver table bell, London 1978, circular tapering form with a square finial, the base with a heavy gilded double scroll border, height 14.8cm, approx. weight 4.3oz. £150-200

331. Designed by Anthony Hawksley for Payne and Sons of Oxford, a modern silver jug, London 1968, tapering spot-hammered decoration, textured scroll handle, height 11.2cm, approx. weight 6oz. £150-200

332. By Jocelyn Burton, a pair of modern cast silver menu card holders, London 1991, modelled as lion leads, on shaped triangular bases, height 3.5cm, approx. weight 3.8oz. (2) £150-200

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333. By John Miller, a pair of modern Irish silver candlesticks, Dublin 1966, also marked with 50th Anniversary mark of The Easter Rising, 1916/1966, concentric circular disc form, plain circular capitals on raised spread circular bases, height 14.6cm, approx. weight 23.9oz. (2) £400-600

334. A three-piece Edwardian Irish silver tea set, by West and Son, Dublin 1906, circular bellied form, pierced Celtic gallery, the spouts of mythical beast form, scroll handles, on raised circular bases, length of teapot 18.8cm, approx. weight 20oz. (3) £350-400

reverse

335. An 18th century Irish silver two-handled cup, by William Williamson III, Dublin circa 1760, circular form, central girdle, leaf capped scroll handles, engraved with a later crest, on a circular foot, height 11.4cm, approx. weight 13oz. £300-400

336. A George IV Irish silver beaker, by William Nowlan, Dublin 1825, tapering circular form, embossed with a hunting scene with a horse and dogs chasing a hare, within foliate decoration, engraved with a crest, height 9.6cm, approx. weight 6oz. £200-300

The crest is that of Kayle or Parker.

The crest is that of Harbord.

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337. A large George III Irish silver salver, by John Laughlin, Dublin circa 1775, circular form, gadroon border, the centre with a large later armorial within foliate scroll mantling, on four claw and ball feet, diameter 46cm, approx. weight 83oz. £1,000-1,500

337

λ 338. A matched pair of Victorian Irish presentation silver regimental ewers, one by Robert Smith, Dublin 1852, one by J. Smith, Dublin 1845, baluster form, leaf capped scroll handles, one with ivory insulators, the hinged covers with foliate finials, the bodies with acanthus leaf decoration, on a raised circular foot, engraved with the badge of the 9th East Norfolk regiment, and inscribed ‘Presented to the Mess of the 9th Regiment of Foot on promotion’ also inscribed with various officers names below ‘Lieut. Colonel Brownlow Villiers Layard 8th June 1852’, height 28.3cm, approx. weight 65oz. (2) £2,000-3,000 ‘Captain Brownlow Villiers Layard (1804-53), a career officer, joined the British army in India in 1823. Three years later he distinguished himself at the siege of Bhurtpore by planting his regiment’s colours on the ramparts of the city. After purchasing a captaincy in 1834 he married an Irishwoman and settled in county Dublin.

338

He went on to sit as a Liberal for Carlow between 1841 and 1847 and campaigned tirelessly to improve the common soldier’s lot. An advocate of ‘civil and religious liberty’ and a keen supporter of the Irish temperance movement, Layard consistently supported the Whigs, but also favoured more radical policies such as the secret ballot, and, having witnessed its effects in China and Singapore, the suppression of the opium trade. Although he was opposed to a repeal of the Union, he demanded that Ireland be governed ‘with justice and impartiality’ and offered an enthusiastic welcome to Daniel O’Connell when he returned to the Commons after his state trial in 1844. Layard’s chief concern was army reform, and he frequently called for better equipment, transport, pensions and education to be provided. A critic of the system by which officers could purchase rank, he also wanted to improve the welfare of families of married soldiers, recommending that their wives and children receive treatment in regimental hospitals and be allowed to accompany them on foreign service. Above all, Layard wished to see the practice of life-time recruitment ended, arguing that Britain was the only country to require such long periods of service. He raised the issue on several occasions between 1842 and 1845, and generated favourable publicity for his cause when he moved unsuccessfully for an inquiry into enlistment in August 1846.

339. A pair of George III Irish silver waiters, by John Laughlin, Dublin circa 1770, circular form, foliate and beaded borders, the centres with an armorial shield within foliate mantling, on three hoof feet, the reverse of the waiter engraved with a horse, the undersides with scratch weight ‘Pr. 26-6’, diameter 20.3cm, approx. weight 25.1oz. (2) £400-600

339

The armorial is that of McClintock or Norham impaling another.

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340. An extremely rare George I Irish provincial silver Hanoverian Rat-tail pattern basting spoon, by Edward Gillett, Youghal circa 1720, marked once EG and twice with the ship mark, the oval bowl with a plain rat-tail, plain terminal, length 33.8cm, approx. weight 4.4oz. ÂŁ6,000-8,000 Silver from Youghal is very scarce, and the last early piece to be sold in these rooms was on 25 January 2006 and was an extremely rare Charles II Irish provincial trefid spoon lot 322, which fetched a hammer price of ÂŁ7500.

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front

340

reverse

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341. A set of six early 19th century Scottish provincial silver Fiddle pattern tablespoons, by Robert Keay, Perth circa 1800, the terminal with a script initial ‘G’, length 22cm, approx. weight 13.4oz. (6) £100-150

342. A set of six early 19th century Scottish provincial silver Fiddle pattern dessert spoons, by Robert Keay, Perth circa 1800, the terminal with a script initial ‘G’, length 17.8cm, approx. weight 6.5oz. (6) £100-150

343. A set of six Victorian Scottish silver Bright-cut tablespoons, by William Marshall, Edinburgh 1867 and 1868, the terminals with initials, approx. weight 14.5oz. (6)

344. A set of six George III Scottish provincial silver Old English pattern dessert spoons, maker’s mark only, I.D, possibly for John Davidson, Aberdeen circa 1780, plain terminals, approx. weight 8.7oz. (6) £200-300

£100-150

345. A set of six George III Scottish silver Hanoverian pattern dessert spoons, by Daniel Ker, Edinburgh 1768, the reverse of the terminals with a crest and motto, approx. weight 6.5oz. (6) £300-400 The crest is that of Ferguson of Londonderry.

346. A set of six early 19th century Scottish provincial silver Oar pattern tablespoons, by David Manson, Dundee circa 1810, the terminals initialled, length 22.8cm, approx. weight 11.8oz. (6) £300-400

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347. An early 19th century Scottish provincial silver Fiddle pattern dessert spoon, by Robert Stuart, Forres circa 1840, the terminal with an initial, length 17.2cm, approx. weight 1.1oz. £800-1,200

348. A rare matched set of six early 19th century Scottish provincial silver Fiddle pattern teaspoons, by Robert Robertson, Cupar circa 1820, the terminals initialled, length 14.2cm and 14cm, approx. weight 3.2oz. (6) £2,000-3,000

349. An early 19th century Scottish provincial silver Fiddle pattern soup ladle, by Andrew Davidson, Arbroath circa 1835, the terminal with initials, length 35.5cm, approx. weight 7oz. £400-600

350. An early 19th century Scottish provincial silver Old English pattern tablespoon, by Alexander Stewart, Tain circa 1820, the terminal with initials, length 22.4cm, approx. weight 2oz. £400-600

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351. A set of four early 19th century Scottish provincial silver Fiddle pattern tablespoons, by David Gray, Dumfries circa 1820, plain terminals, plus a set of four George III Scottish silver Old English pattern tablespoons, by Robert Gray, Glasgow circa 1780, also marked with an ‘I’, the terminals numbered, approx. total weight 16oz. (8) £200-300

352. A small collection of early 19th century Scottish provincial silver Fiddle pattern flatware, comprising: a dessert spoon, retailed by John Hay of Leith, Edinburgh marks for 1827, plus a set of three teaspoons by Cameron of Dundee, with Edinburgh marks for 1823, a pair by Robert Keay, Perth, a pair by James Erskine, Aberdeen, and a salt spoon possibly by Pozzi and Stewart of Elgin, approx. weight 5.4oz. (9) £150-200

353. A collection of four pairs of 19th century Scottish provincial silver sugar tongs, comprising: a pair by John MacRae, Inverness circa 1830, a pair by George Sangster, Aberdeen circa 1840, a pair by Thomas Davie, Greenock circa 1820, and one possibly by John McLean, Dumfries circa 1850, approx. total weight 5.5oz. (4) £150-200

354. A small collection of three 19th century Scottish provincial silver Fiddle pattern toddy ladles, comprising: one by Peter Ross, Aberdeen circa 1820, one by R and R Keay, Perth circa 1830 and one marked with four urns of flowers, probably Dundee, approx. total weight 3oz. (3) £100-150

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355. A 19th century silver clan badge, Adam family, unmarked, modelled as a cross and fist, with a strap-work border, with the motto ‘CRUX MIHI GRATA QUIES’ the reverse inscribed ‘The Silver of this Brooch was taken from The King of Delhi’s Bed, During the Indian Mutiny of 1857 when the Palace was sacked’, in a case, length 7.8cm, approx. weight 1.5oz. £150-200

356. A late 19th century silver tobacco box, marked RN twice, possibly for Robert Naughten Junior, Inverness circa 1890 or possibly colonial, rounded rectangular form, gilded interior, the hinged cover engraved with a crest and motto, length 8.4cm, approx. weight 3.8oz. £100-150

357. A pair of Scottish silver scoops / cream skimmers, by Hamilton and Inches, Edinburgh 1898, with wooden baluster handles, length 28cm, approx. total weight 12oz. £400-600

358. A George III Scottish silver sauce boat, by Adam Graham, Glasgow circa 1770, oval form, leaf capped scroll handle, on a raised oval foot, length 17.3cm, approx. weight 6.9oz. £300-400

359. A rare Scottish provincial silver marrow scoop, by John Steven, Dundee circa 1760-1770, plain conventional form, length 22.6cm, approx. weight 1.6oz. £200-300

360. An early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by John Sid, Perth circa 1810, the terminal with a crest, length 15cm, approx. weight 0.9oz. £100-150 The crest is that of Yule.

The crest is that of Innes.

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361. A Scottish parcel-gilt silver model of a three-masted galleon, by Brook and Son, Edinburgh 1912, the hull with forty-two canons, a gilded figure head and gilded stern, on a wooden base, length 66cm, height on plinth 69cm, approx. weight 192oz. ÂŁ4,000-6,000 Provenance: John Entwistle (1944-2002) and then via descent to the current owner. Purchased from Harrods, Knightsbridge in the 1970s. John Entwistle was the original bass guitarist for the rock band The Who. He died on the 27 June 2002, one day before the first scheduled show of the Whoâ&#x20AC;&#x2122;s 2002 United States Tour.

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361

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

362. A George III Scottish silver punch bowl, by Milne and Campbell, Glasgow 1770-80, circular form, engraved with six large armorials, on a raised circular foot with a beaded border, diameter 31.3cm, height 16.5cm, approx. weight 71.5oz. ÂŁ3,000-5,000 The arms are those of: 1). Variant of Wood of Largo 2) Earl of Dundonald (Cochrane family) 3) Bogle 4) Elliot 5) Mackirdy 6) Scott The six families that appear on the bowl were connected through marriage. Firstly, William Wood of Largo, who had three sons, including William and one daughter, Mary. William married Lady Catherine Cochrane, daughter of 6th Earl of Dundonald and they had one daughter, Anne, who was thrice married (lastly to Capt. Dottin) and died without issue in 1827. Mary Wood married Robert Bogle of Lanarkshire. Their daughter, Susannah, who inherited the bowl from her cousin Anne Dottin on her death, married David Elliot of Liddesdale, and had several daughters and two sons. In 1802, one of their daughters, Mary, married John Lawford Mackirdy, who purchased the Birkwood Estate, Lanarkshire. The Scott name entered the family when their daughter, Susan, married Andrew Scott. The bowl has passed through the family and then by descent to the present owner.

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363. A George III Scottish silver sugar bowl, by James Gilsand, Edinburgh 1766, inverted pear form, chased foliate decoration, gilded interior, on a raised circular foot, height 9cm, approx. weight 7oz. £500-700

365. An 18th century Danish silver beaker, by Lorens Stabeus, Stockholm 1778, tapering circular form, gilded interior, engraved foliate scroll decoration, on a raised shaped circular foot, height 17.4cm, approx. weight 12oz. £500-700

366. An 18th century French silver mustard pot, maker’s mark partially worn, M.J, Paris 1781-89, cylindrical form, pierced with garlands of foliate decoration, leaf capped scroll handle, beaded borders, on three claw and ball feet, the underside inscribed ’D.F.B’, with a later blue glass liner, height 10.5cm, plus a similar 19th century mustard pot, on three hoof feet, blue liner a.f, a pair of similar salt cellars, by Odiot, and a spoon, approx. weight 10oz. (5) £150-200

367. A pair of late-19th century Dutch silver baskets, with import marks for London 1890/91, importer’s mark of Samuel Landeck, oval form, pierced and engraved foliate decoration, pierced foliate handles, on four scroll feet, length 18.8cm, approx. weight 14.2oz. (2) £200-300

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364. A late 17th / early 18th century Scandinavian silver beaker, maker’s mark possibly JJ, possibly Swedish, tapering circular form, engraved foliate decoration, punch bead borders, with two vacant cartouches, height 4.3cm, approx. weight 0.9oz. £400-600

368. A pair of 19th century South American silver two handled dishes, unmarked, probably made form coins, tapering circular form, scroll handles, engraved with a crest, length handle to handle 7.2cm, approx. weight 1.9oz. £200-300

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369. An early 19th century Italian silver coffee pot, Naples 1809-1824, maker’s mark partially worn, PJ?, slender baluster form, acanthus leaf border, the spout with a bird head terminal, scroll handle, the hinged cover with an acorn finial, (finial detached), on three mask capped tapering legs with paw feet, engraved with a crowned cipher, height 27.7cm, approx. weight 25oz. £500-700

371. A late 19th century German silver-gilt standing cup and cover, with import marks for London 1900, importer’s mark of William Moering, double lobed baluster form, embossed foliate decoration, the pulloff cover with a standing female finial, the knopped baluster stem with caryatid figures, on a raised circular foot, height 46cm, approx. weight 35oz. £500-700

370. A pair of large French silver vases, by The Tetard Brothers, circa 1900, urn form, foliate side handles, beaded and acanthus leaf borders, on raised circular bases, height 31.5cm, approx. weight 64oz. (2) £1,500-2,000

372. A Spanish silver mirror, marks worn, possibly Cordoba, maker’ mark LA?, probably 18th century, arched rectangular form, embossed foliate scroll and fruit decoration, with a central urn, some distress to mirror, wooden easel back, height 47.5cm. £2,000-3,000 Provenance:Bismark Collection Capri, Michel Dumez-Onof, Mount Street, London.

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373. A Japanese parcel-gilt silver ewer, marked to underside of base, tapering baluster form, with engraved and gilded flower decoration, height 18cm, approx. weight 9oz. £300-400

374. A Chinese silver photograph frame, marked with Chinese characters, oval form, embossed with flowers and foliate decoration on a spot-hammered background, simulated bamboo border and easel back, height 24cm, approx. weight 11.2oz. £200-300

375. A Chinese silver rose bowl, maker’s mark of KMS, circular form, embossed with birds and cherry blossom decoration, on a circular foot, with vacant circular cartouche, diameter 15.8cm, approx. weight 11.2oz. £200-300

376. A Japanese silver dressing table / playing cards box, retailed by J. Kuhn and Co, Kobe, rectangular form, the hinged cover and sides with foliate decoration on a matted background, push button clasp, velvet lining, length 19.8cm. £400-600

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open

377. An Ottoman provincial parcel-gilt silver dish, unmarked, probably 18th century, circular form, gilded bowl, the raised centre embossed with a double headed eagle below a crown, and with arms and foliate decoration, diameter 10.8cm, approx. weight 1.9oz. £200-300

378. An Islamic metalware pen box, possible traces of marks to underside of base, rectangular form, chased foliate decoration, the hinged cover opens to reveal a pull-out pen tray and two compartments for inkwells, length 25.3cm. £300-400

interior

379. A two-handled metalware tray, unmarked, possibly middle Eastern, rectangular form, canted corners, engraved foliate and scroll decoration, length handle to handle 40.5cm. £250-300

380. An Ottoman provincial silver dish, unmarked, probably 18th century, circular form, gilded bowl, the raised centre embossed with an image of Christ holding a staff, the sides embossed with various Apostles, and foliate scroll decoration on a matted background, diameter 13.8cm, approx. weight 13.1oz. £300-500 For a similar example see: Sotheby’s, London, Art of The Islamic and Indian Worlds, 20 October 2016, lot 161.

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381. A mixed lot of Indian silver items, comprising: a cream jug of circular bellied form, chased with figures and foliate scroll decoration, a pair of pepper pots with raised covers, chased foliate decoration, and a basket, the underside inscribed ‘From Khimji Poonja and Co.’, approx. weight 19oz. (4) £200-300

382. A South-east Asian silver cigarette / cigar box, marked to underside of base, rectangular form, embossed with deities and foliate scroll decoration, on a matted background, stylised borders, cedar lined, length 21cm. £300-400

383. Three Burmese silver betel nut boxes, comprising: two of circular form, one with chased animal decoration, the other fluted, both with pull-off covers with animal finials, on spread circular bases, diameters 10.5cm, plus one of semi-circular form, the underside of the base signed, decorated with chased animals and foliate motifs, length 9.5cm, approx. weight 23oz. (3) £300-400

384. A collection of six Indian and South-east Asian silver finger bowls, unmarked, two sizes, circular form, the larger with fluted and foliate decoration, the smaller ones with chased foliate decoration, diameters 11.8cm and 10.5cm, approx. weight 10oz. (6) £250-300

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385. A pair of late-19th century Indian silver pepper pots, unmarked, campana form, chased foliate decoration above part-fluting, screw-off pierced covers, on raised circular bases, height 9.2cm, approx. weight 9oz. (2) £100-150

λ 386. A three-piece Indian silver tea set, unmarked circa 1920, circular form, embossed with village scenes in landscape surroundings, simulated bamboo handles, the teapot with ivory insulators, the hinged cover with a deity finial, on circular bases, length handle to spout 23.8cm, approx. weight 36oz. (3) £450-500

387. An Indian silver bowl, Grish, Chunder Dutt, of Bhowanipore, Calcutta, circa 1900, octagonal and circular form, embossed with village scenes on a matted background, on a raised circular foot, diameter 13.8cm, approx. weight 9.8oz. £300-400

388. An Indian silver ewer, probably Kashmir, late 19th century, baluster form, chased foliate decoration, scroll handle, the body and raised circular foot with fluted motifs, height 31.5cm, approx. weight 26.8oz. £400-600

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389. A mid-19th century Indian Colonial silver presentation tankard, by Hamilton & Co, Calcutta c.1854, tapering circular form, with an upper and lower reeded girdle, scroll handle, the domed hinged cover with a flower finial, on a spread circular foot, the front inscribed ‘Presented to Captain I F Atkinson in token of the sincere regard of some friends who accompanied him on his first voyage in command of the Blenheim January 1854’, height 19cm, approx. weight 23.7oz. £1,000-1,500 Blenheim was a sailing ship built by T.& W. Smith at St Peter’s Yard, Shields. In 1867 a cyclone dismasted her as she sailed from Madras to Calcutta.

389

390. A Burmese silver hockey trophy cup and cover, circa 1903, circular form, leaf capped scroll handles, the body embossed with hockey players both local and European, below a chased border of foliate scroll decoration, leaf capped scroll handles, inscribed ‘THE UPPER BURMA ATHLETIC ASSOCIATION HOCKEY CUP 1903’, the pull-off cover with chased foliate decoration and with a plain finial, on a raised circular foot, inscribed ‘INTER COMPANY HOCKEY KNOCK-OUT’, height 25cm, approx. weight 30oz. £800-1,200

390

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391. An Indian presentation silver freedom casket, unmarked, circa 1948, rectangular form, canted corners, foliate borders, drop ring handles in the Art Deco manner, the hinged cover mounted with the Colonial Arms of Bombay, the reverse with two panels of a bus and a tram, and with a vacant cartouche, the hinged cover and front with panels of buildings and inscribed ‘Presented to Mr. A. L. Guildford, Bsc. M.I.E.E., by The Officers and Staff of The Bombay Electrical Supply and Transport, Undertaking as a Memento on his Retirement, 22 April 1948’, velvet lined, length 39.8cm, approx. weight 100oz. £1,500-2,000

reverse panels

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λ 392. A matched three-piece 19th century Cape silver tea and coffee set, the teapot with maker’s mark of a square and compass and JG, possibly for James or John Thomas Gaugain, the sugar bowl by Johannes Combrink, circa 1860-70, the coffee pot no maker’s mark, all pieces also marked with a late 19th century French import mark, lobed baluster form, scroll handles with ivory insulators, foliate decoration, on four raised shell bracket feet, the sugar bowl with a pulloff cover, on a raised circular foot, height of coffee pot 21.5cm, approx. weight 94oz. (3) £2,000-3,000

393. A 19th century American silver tureen and cover, by Gorham, possibly 1893, in the Moorish manner, oval form, the pull-off cover with drapes, scrolls, foliate and beaded decoration and with an elongated finial, the base with similar decoration, on a raised oval foot, length 30cm, approx. weight 49oz. £600-800 Provenance: Mary Jane Morgan 1823-1885, and then by family descent to the current owner. Mary Jane Morgan was a fine and decorative arts collector. She was the second wife of Charles Morgan, a shipping, railroad and iron magnate, and was the cousin of J. Pierpoint Morgan.

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394. By Gorham, an American Art Nouveau parcel-gilt silver Martelé bowl, circa 1900, shaped circular form, with three handles modelled as female figures, applied and chased foliate decoration, with a vacant cartouche, on a raised shaped circular foot, diameter 50cm, approx. weight 126oz. £10,000-15,000 Martelé work derives its name from the French verb marteler, “to hammer”. This work, a departure from machine-made commercial cutlery and hollowware and was made from 1896 through the 1930s by the Gorham Manufacturing Company of Providence, Rhode Island under the direction of Gorham’s chief executive, Edward Holbrook, and his chief designer, William Christmas Codman who was brought over from England in 1891.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

395. An 18th century Russian silver sugar box and cover, maker’s mark possibly that of V. Kunkin, Assay Master B.A, Moscow 1760-1794, also incused stamped ‘76’, lobed oval bellied form, hinged cover with a ball finial, the body with chased decoration, on four gnarl feet, length 13.5cm, approx. weight 7oz. £400-600

395

396. An early 18th century German silver dish, by Peter Rams, Augsburg circa 1720, also with later Austro-Hungarian mark, oval form, embossed with fruit and foliate scroll decoration, on a matted background, the centre with a putto holding a scythe, with a country landscape behind, with old repairs and traces of gilding, length 31cm, approx. weight 9.4oz. £400-600

396

397. A 19th century Russian silver kovsch, by Pavel Sazikov, Moscow 1855, assay master Andrey Kovalskiy, oval bowl, the centre with a chased foliate scroll motif, the tapering handle and border with Russian writing on a matted background, length 16.8cm, approx. weight 5.9oz. £400-600

397

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398. A fine Russian silver and silver-gilt casket, possibly for cigars, by I. Gubkin, Moscow 1859, assay master I. Avdeyev, cylindrical form, with panels of gilded motifs on a matted background, domed hinged cover with a hinged clasp, pierced hinged side handles, cut-card hinges, on four bracket feet, length 22.5cm, height 14cm, approx. weight 54oz. ÂŁ1,500-2,000

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A SMALL PRIVATE COLLECTION OF JUDAICA

399. An 18th century German silver Yad, maker’s mark of NS or SN, Nürnberg, tapering swirl fluted form, with a fluted knop, the terminal with pierced decoration and with a ring attachment, and chain, length 27cm, approx. weight 2.7oz. £400-600 Provenance: A Private Collection.

399

400. A 19th century silver filigree Torah scroll holder, unmarked, probably German, cylindrical form, with scroll decoration, tapering turning handle, with a crown finial, length 16.3cm, approx. weight 3oz. £500-700 Provenance: A Private Collection.

400

401

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401. A George III silver Yad, the body unmarked, the ring with maker’s mark of R.G, and possibly London 1816, plain tapering form with two ring knops, the terminal with a ring attachment, and chain, length 20.8cm, approx. weight 1oz. £300-500 Provenance: A Private Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

402. An 18th century Italian silver-mounted Jewish prayer book, maker’s mark of a foliate motif, Rome, rectangular form, with pierced and chased foliate scroll decoration, beaded borders, one side with the initials ‘B’ and ‘R’ with a rampant lion between, the other side with ‘S’ ‘I’ with a rampant lion between and over ‘R’, the interior with a prayer book, the final page inscribed ‘Nella stampar. Bragadina con licenza de superiori’, length 11.2cm. £800-1,200 Provenance: A Private Collection. Christie’s, Fine Old English and Foreign Silver, King Street, London 19 December 1966, lot 54.

402

403. A pair of late-18th century German silver Kiddish cups, maker’s mark possibly that of G.N. Bierfreund, Nürnberg 1777-1781, tapering octagonal bowls with foliate and fluted decoration, and with an inscription, on knopped stems on raised shaped circular bases with fluted decoration, height 12.4cm, approx. weight 7oz. (2) £1,000-1,500 Provenance: A Private Collection.

403

404. An 18th century German silver-mounted Jewish prayer book, unmarked, rectangular form, the front and back with a vacant scroll cartouche mounted with a crown, with foliate scroll and shell decoration, the spine with a Hebrew inscription and the initial ‘J’, with two hinged clasps, the interior with a prayer book in Hebrew and German, length 18.6cm. £500-700

404

Provenance: A Private Collection.

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OTHER PROPERTIES

405. An early 17th century German silver-gilt tankard, by Peter Wiber, Nürnberg, circa 1620, circular form, the body with engraved decoration and engraved with three interpretations of Peter Iselberg prints after Albrecht Dürer (1471-1528), titled ‘Festina Lente’ (more haste less speed), ‘Sic Orbis Iter’ (two steps forward one step back), and ‘Sic Cedere iuvat’, (so give assists), above old German inscriptions, the scroll handle with scroll motifs and a torso, (lacking head), the hinge with some repair, the cover with engraved decoration and with a later cone finial, on a spread circular foot, height 14cm, approx. weight 10.7oz. (335grams). £4,000-6,000 Provenance: A Private Collection. Emblemata Poilitica was published in 1617, with engravings by Peter Iselberg (1580-1630) and with text by George Rem(us). This work would have influenced the decoration on this tankard. Mara R. Wade writes about this in Emblems in Early Modern Nürnberg: ‘When the space (The Great Hall, Nürnberg), was renovated again beginning in 1613, a series of thirty-two emblems was painted into the window niches opposite the portrayal of the imperial triumphal chariot, augmenting Pirckheimer and Dürer’s existing allegorical program with a new genre, which offered modern expressions of good government and social justice in compact form. The emblematic epigrams were written by the Augsburg patrician Georg Rem (Remus) and soon thereafter, in 1617, they were engraved and published as Emblemata Politica by Peter Iselburg (1580-1630). In the introduction to the printed book, Iselburg writes that he had been so inspired by the political emblems in the Great Hall that he had immediately engraved and published them to make their civic message available to a wider audience . Published in book form, however, the emblems from the Great Hall were divorced from their context. Clearly, Georg Rem understood that this two-dimensional expression diminished his work and deprived it of its rich contextualization within Pirckheimer and Dürer’s sophisticated decorative program. The Rem manuscript preserved today at the Newberry Library represents an attempt to rectify this situation by positioning the emblems within the greater rhetorical framework of the decorative program and extending the interpretive framework to include civic monuments in Nürnberg from the previous century. Moreover, the manuscript confirms that Rem saw his emblems in a much wider context than that of the Great Hall. He consciously places his emblems in a century-old tradition of articulating both real and ideal concepts of justice and good government in the relations between the empire and the Free Imperial City of Nürnberg’ Reference: Wade, Mara R., Emblems in Early Modern Nürnberg, https://publications.newberry.org/digital/emblemata-politica/historyand-background.

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406. A Victorian silver teapot, by Aldewinckle and Slater, London 1882, circular form, acanthus leaf decoration, straight spout and scroll handle, initialled, plus a 19th century Russian silver-gilt salt cellar, maker’s mark CP, Moscow, rectangular fluted form, foliate border, length 8.8cm, and a continental metalware compact, with a lipstick and two compartments, approx. weighable 12.4oz. (3) £300-400

407. An 18th century Dutch silver two-handled bowl, maker’s mark IT, for Johannes Van Tonningen or Johannes Tiddens, Delft 1728, circular form, the side handles with intertwined scroll decoration and heart motifs, on a circular foot, the underside of the foot scratch initialled ‘M.P’, length handle to handle 22.2cm, approx. weight 5.4oz. £500-700

408. Retailed by Hamilton and Co, Calcutta, a matched silver eight-piece condiment set, the pepper pots Sheffield 1911 and Birmingham 1914, two overstamped with maker’s mark of Hamilton and Co, the salts by Hamilton and Co, comprising four salt cellars and four pepper pots, tapering faceted circular form, with four salt spoons, in a fitted case, approx. weight 13oz. £100-150

409. A cased pair of Edwardian silver bonbon dishes, probably by Charles Horner, Birmingham 1902, oval form, embossed foliate scroll and pierced decoration, in a velvet lined case, length 24.5cm, approx. weight 13.5oz. (2) £250-300

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410. A Victorian silver-gilt mounted blue glass scent bottle of binocular form, retailed by Thomas and Son, London, faceted blue glass bodies, hinged centre, with a screw-off cover and push-button cover, engraved foliate decoration, in a leather case, length extended 13.2cm. £200-300

411. A late-Victorian silver-mounted speckled red glass scent bottle, by Charles May, London 1884, icicle form, speckled gold and silver coloured decoration, screwoff cover, length 12.3cm, plus another Victorian silver-mounted scent bottle of similar form, by D and L Spiers, with red and yellow cut-glass body, length 13cm. (2) £150-200

412. An early-Victorian silver-mounted horn spirit flask and drinking cup, by John Turill, London 1837, tapering circular form, pull-off circular drinking cup, the screw-off cover with a chain, height 32.5cm, approx. weighable 3.2oz. £200-300

413. A Victorian silver-mounted horn mug, by Henry Bourne, Birmingham 1880, tapering circular form, glass bottom, plain silver mounts, brass screws, scroll handle, height 13.8cm. £200-300

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414. A pair of modern novelty silver owl salt and pepper pots, by J A Campbell, London 1993, modelled in standing positions, textured feather decoration, pulloff pierced heads set with glass eyes, height 7.5cm, approx. weight 6.4oz. (2) £400-600

415. A pair of Norwegian silver pepper/salt pots, by David Andersen, modelled as standing penguins, pull-out twist bases, height 6.8cm, approx. weight 1.6oz. (2) £200-300

416. A large Edwardian silver jewellery box, by J. Vickery, London 1907, rectangular form, engine-turned decoration, with a slide action hinged cover, with a lock, the inside velvet lined, length 25.4cm, height 14cm. £800-1,200

417. An Edwardian novelty silver pig salt pot, by Adie and Lovekin, Birmingham 1907, modelled in a standing position, the underside of the belly with a screw-out plug, length 7cm, approx. weight 0.5oz. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

418. A modern silver model of a Dachshund, by B S E Products, London 1975, modelled in a standing position, length 12cm, approx. weight 8oz. £200-300

419. A modern silver model of a pig, by C.F. Hancock and Co, London 1997, modelled as a sow in a standing position, length 10.5cm, approx. weight 5.4oz. £300-400

420. A modern silver model of a donkey, by E. Barnard and Sons, London 1974, modelled in a walking position, length 12.5cm, approx. weight 6.7oz. £150-200

421. A late-Victorian novelty silver pepper pot, by Thomas Johnson, London 1888, modelled as a running hound, pull-off pierced head, length 7.8cm, approx. weight 1.4oz. £300-400

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422. A novelty silver Imp table cigar lighter, by Henry Williamson Ltd, Birmingham 1911, modelled in a seated position, pull-off head, height 7cm, approx. weight 0.9oz. £250-300

423. A late-Victorian silver novelty figural cruet set, by E. C. Brown, London 1880, with a central pull-out pepper pot probably modelled as Mr Jorrocks, on a rectangular base, with two flush hinged compartments, on four bracket feet, length 12.5cm, height 13.5cm, approx. weight 14oz. £500-700 John Jorrocks Esq. was a comic sporting cockney grocer created by Robert Smith Surtees in 1838 who appeared in Jorrocks’ Jaunts and Jollities in the New Sporting Magazine. Surtees was a passionate devotee of hunting and shooting, and wrote extensively about the subject. He created many other comic sporting personalities, but John Jorrocks was his most popular. The character Stalky in Rudyard Kipling’s Stalky & Co, is considered to have been influenced by Surtees’ work. A similar pair were offered in these Salerooms on the 29 April 2015, lot 594. They were inscribed ‘John Jorrocks Esq. M.F.H,’ ‘He lectures on ‘unting’ , the other inscribed ‘Thinks he will shoot doleful’.

424. A modern silver model of a greyhound, by C F Hancock & Co, London 1972, modelled in a standing position, length 13cm, approx. weight 20oz. £200-300

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425. A novelty Victorian silver owl mustard pot, by Charles and George Fox, London 1842, modelled in a standing position, hinged cover, silver eyes, with a green glass liner, height 9cm, approx. weight 5.8oz. £800-1,200

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426. A continental silver-mounted enamel miniature clock, unmarked, probably French or Austrian, Swiss movement, shaped upright rectangular form, ivory coloured enamel decoration, with gilt highlights, plain back, some traces of gilding, height 4.5cm. £800-1,200

427. By Cartier, Paris, a metal mounted enamel travelling clock, square form, with a band of light blue enamel decoration, with white enamel borders, in a fitted red Cartier case, with an easel back support, height of clock 7.2cm. £1,500-2,000

428. A collection of 19th century ceramic bin labels, some by Charles Farrow, Farrow and Jackson, and Wedgwood, arched rectangular form, titled ‘DUKE’, ‘SPARKLING BURGUNDY’, ‘CHAMPAGNE’, ‘1815 MADEIRA’, ‘CLARET’ (x2), and two blank, plus two bin numbers ‘8’ and ‘43’, and a pair of enamelled wine labels ‘KUMMEL’ and ‘GIN’ and five other enamelled labels ‘BRANDY’, ‘RUM’, ‘GIN’, ‘PORT’, and ‘CLARET’. (17) £500-700

429. A set of six metalware wine labels, unmarked, probably Colonial, modelled as bats with out-stretched wings, with textured fur, titled ‘PORT’, ‘BRANDY’, ‘LISBON’, ’CLARET’, ‘HOCK’ and ‘SHERRY’, length 11cm. (6) £600-800

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A PRIVATE COLLECTION OF IRISH SILVER WINE LABELS

430. A George IV Irish silver wine label, by Phineas Garde, Dublin 1825, retailed by Matthew West and Sons, rectangular form, reeded border, incised ‘PORT’, plus two unmarked labels, incised ‘CURRANT-WINE’ and ‘MADEIRA’, approx. weight 1oz. (3) £150-200

431. A set of four George III Irish provincial silver wine labels, by Joseph Gibson, Cork circa 1800, rectangular form, incised ‘SHERRY’, ‘CLARET’, ‘TENERIFFE’ and ‘PORT’, approx. weight 0.9oz. (4) £700-900

432. A George III Irish provincial silver wine label, by John Toleken, Cork circa 1800, arched rectangular form, pierced pediment, bright-cut border, incised ‘SHERRY’ plus another similar incised ‘PORT’, length 5cm, approx. weight 0.5oz. (2) £300-400

433. A pair of George III Irish provincial silver wine labels, by John Warner, Cork circa 1800, banner form, bright-cut borders, pierced with Prince of Wales feathers, incised ‘SHERRY’ and ‘PORT’, length 5.2cm, approx. weight 0.6oz. (2) £500-700

434. A George III Irish provincial silver wine label, by William Reynolds, Cork circa 1780, kidney form, feather-edge border, incised ‘W.WINE’, length 5cm, approx. weight 0.3oz. £200-300

435. A George III Irish provincial silver wine label, by John Toleken, Cork circa 1820, shaped oval form, reeded scroll and shell border, incised ‘CLARET’, length 5.5cm, approx. weight 0.4oz. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

436. A George III Irish provincial silver wine label, by John Warner, Cork circa 1800, goblet form, with pierced festooned borders, bright-cut decoration, incised ‘SHERRY’, length 4.3cm, approx. weight 0.2oz. £400-600

437. A George III Irish provincial silver wine label, by Carden Terry and Jane Williams, Cork circa 1806, goblet form, with pierced ribbon-tied festooned borders, brightcut decoration, and later titled ‘BENEDICTINE’, length 4.7m, approx. weight 0.3oz. £400-600

438. A pair of George III Irish provincial silver wine labels, maker’s mark J.T twice, probably for John Toleken, Cork circa 1810, plain crescent form, incised ‘RUM’ and ‘BRANDY’, length 4.3cm, approx. weight 0.5oz. (2) £300-400

439. A pair of George III Irish silver wine labels, by William Hamy, Dublin circa 1810, shell form, incised ‘HOCK’ and ‘PORT’, length 5.4cm, approx. weight 0.8oz. (2) £300-400

OTHER PROPERTIES

440. A George III Irish provincial silver wine label, by John Toleken, Cork circa 1800, shaped crescent form, bright-cut borders, later incised ‘SHRUB’, length 5cm, approx. weight 0.2oz. £200-300

441. An early Victorian silver armorial wine label, unmarked circa 1840, in the form of an ostrich on a cap of maintenance, pierced ‘MADEIRA’, height 6.5cm, approx. weight 0.6oz. £600-800 The crest is that of Viscount Coke, Earl of Leicester. See: Salter, J., Wine Labels 1730-2003, The antique Collectors Club, 2004, pages 95, 98 & 158 for similar labels.

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442. A modern silver-mounted sea urchin vesta match striker, makers mark RRPA, London 1998, plain circular mount set with a red stone cabochon, height 8cm. £100-150

443. A Norwegian silver-gilt and enamel cigarette case, by David Andersen, Oslo circa 1900, rectangular form, the hinged cover enamelled with purple pansies on a white ground, the base with white enamel, length 8.3cm, approx. weight 2.8oz. £100-150

444. A Victorian silver and enamel vesta case, by L. Emmanuel, Birmingham 1887, rectangular form, the front enamelled with two matches and ‘I’ll find (match) if you’ll find baccy’, hinged cover, also marked with a registration number, length 4cm, approx. weight 0.6oz. £150-200

445. A silver and enamel vesta case, by John Rose, Birmingham 1913, rectangular form, hinged cover, the side enamelled with a union jack with 851 on it, with a ring attachment, length 5cm, approx. weight 1oz. £100-150

446. An Austrian silver and enamel snuff box, marked 800, rectangular form, the hinged cover with a enamelled Borzoi dog in a lying position, length 7.5cm, approx. weight 1.8oz. £150-200

447. A silver cigarette box, by S. Mordan and Co, London 1928, patent no. 281515, cylindrical form, engine-turned decoration, hinged cover, on four scroll legs, length 9.3cm. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

448. An Edwardian silver stamp dispenser, by Charles and George Asprey, London 1902, upright rectangular form, slanted cover with two fluted turners, on a raised base, height 6cm, plus a late-Victorian silver stamp moistener, by J. Grinsell and Sons, London 1899, raised rectangular form, glass roller, length 8cm. (2) £200-300

449. An Edwardian novelty silver pillar box stamp dispenser, by William Hornby, London 1905, plain cylindrical form, hinged cover, height 6.8cm, approx. weight 2.3oz. £300-400

450. A silver triple stamp box, part marked only, Birmingham 1918, also with French import marks, rectangular form, slanted hinged cover, inscribed ‘Stamps’, the interior with three gilded sections, length 8.5cm, approx. weight 1.9oz. £200-250

451. An Edwardian silver stamp dispenser, by William Hornby, London 1902, also marked Pat. App. For, rectangular form, with a push-down baluster handle applied with a monogram, height 8cm, approx. weight 1.3oz. The original device for carrying and affixing stamps was by B. F. Lantz and this was patented August 5 1890. £200-300

452. A late-Victorian novelty silver box, with import marks for London 1898, importer’s mark of John Smith, modelled as a piano, probably for stamps or vestas, embossed with figures and foliate decoration, two hinged covers, one leg damaged, length 9.3cm, plus an Edwardian silver table bell, maker’s mark worn, London 1902, circular form, pierced and embossed with masks, and foliate scroll decoration, on a circular base, approx. weighable 3.8oz. (2) £200-300

453. A novelty silver port light table vesta case, by L. Emmanuel, Birmingham 1922, the light with a hinged cover and hinged loop, gilded interior, the front inscribed ‘CETONIA’, height 9.5cm, approx. weight 3.3oz. £400-600

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454. A late-19th century continental silver model of a duck, with a French import mark, modelled in a standing position, the pull-off head set with blue eyes and with a bow tie, textured feathers, height 22.2cm, approx. weight 5.9oz. £500-700

454

455. A three-piece modern silver frog cruet set, by Richard Comyns, London 1970, modelled in a sitting position, the mustard pot with a hinged cover and glass set eyes, the spoon with a fork tongued terminal, the salt and pepper pot also with glass eyes, height of mustard pot 5cm, approx. weight 10.9oz. (4) £600-800

455

456. A 19th century Continental silver model of a parrot, probably German, with a later French control mark, modelled in a standing position, pull-off head, textured feathers, with traces of gilding, height 18.3cm, approx. weight 11.4oz. £700-900

456

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457. A silver model of a hippopotamus, by E. Barnard and Sons, London 1973, modelled in a standing and roaring position, length 17.8cm, approx. weight 20oz. £300-500

457

458. A modern novelty silver snail salt cellar, by Mappin and Webb, Birmingham 1972, with textured decoration, and with a blue glass liner, length 12cm, approx. weight 10.5oz. £500-700

458

459. A Victorian silver model of a bull, by William Leuchars, London 1888, modelled in a standing position with head and neck raised, length 17.5cm, approx. weight 7.3oz. £500-700

459

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460. A Victorian silver-mounted glass scent bottle and vinaigrette, by S. Mordan, London 1875, oval cylindrical form, the hinged cover with a push-button clasp, engraved foliate scroll decoration, the hinged base opens to reveal a pierced silver-gilt foliate scroll grille, length 9cm. £400-600

460 461. A Victorian silver ‘castle-top’ vinaigrette, Windsor Castle, by John Tongue, Birmingham 1846, bag form, chased foliate scroll decoration, the hinged cover with a view of the castle and round tower, the interior with a pierced and engraved foliate scroll grille, with a chain and ring attachment, length 4.5cm, approx. weight 0.5oz. £400-600

461 462. A Victorian novelty silver scent bottle and vinaigrette, by Thomas Johnson, London 1873, retailed by W. Thornhill, 144, New Bond Street, also marked with a registration lozenge, horn form, screw-off mouth-piece cover, the main hinged cover opens to reveal a silver-gilt pierced and engraved foliate grille, with a chain and ring attachment, length 10.5cm, approx. weight 1.8oz. £350-400

462 463. A George IV silver-gilt vinaigrette, by Nathaniel Mills, Birmingham 1827, rectangular form, engine-turned decoration, with a heavy foliate border and vacant cartouche, the interior with a hinged pierced foliate scroll grille, length 4.3cm, approx. weight 1.1oz. £200-300

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464. A Victorian silver engraved ‘castletop’ vinaigrette, the Port of Beirut, by Nathaniel Mills, Birmingham 1846, shaped rectangular form, the hinged cover with a scene of the port with a dhow to the left, radiating sky, engine-turned sides and base, the base with an initialled cartouche, the interior with a pierced silver-gilt foliate scroll grille, length 4.5cm, approx. weight 0.9oz. £800-1,200

464 465. A Victorian novelty silver vinaigrette, by S. Mordan and Co., with a registration lozenge for 29 February 1876, modelled as a mussel shell, textured decoration, the hinged cover opens to reveal a pierced and engraved foliate scroll grille, with a ring attachment, length 4.8cm, approx. weight 0.5oz. £1,000-1,500

466. Nelson interest, a George III silver vinaigrette, by Matthew Linwood, Birmingham 1806, rectangular form, the hinged cover engraved with a portrait of Lord Nelson and engraved ‘England Expects Everyman Will Do His Duty’, the interior with a hinged grille embossed and pierced with H.M.S Victory and ‘Victory Trafalgar OCR 21 1805’, length 2.9cm, approx. weight 0.5oz. £1,500-2,000

467. A Victorian silver novelty shell scent bottle / vinaigrette, the cover stamped Cooper, modelled as a whelk shell, screw-off cover, with a hinged compartment, which opens to reveal a recess for a vinaigrette, pierced grille lacking, with a chain and ring attachment, length 7.2cm, approx. weight 1.4oz. £300-400

465

466

467

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468. A Victorian silver vinaigrette, by Edward Smith, Birmingham 1846, shaped rectangular form, engraved foliate scroll decoration, the hinged cover initialled, the interior with a hinged pierced and engraved grille, length 3.8cm, approx. weight 0.6oz. £100-150

468 469. A George III Irish silver nutmeg grater, possibly by Daniel Mason, Dublin circa 1810, oval form, hinged cover and base, the hinged cover with a crest, the interior with a steel grater, the underside of the base scratch initialled ‘M.G’, length 4.3cm, approx. weight 1oz. £800-1,200 The crest is that of Gambier, Garshore, Gasselyn, Gilbert, Glascott and Godfrey.

469 470. A George III silver nutmeg grater, by Samuel Meriton, London 1790, egg form, the screw-off cover opens to reveal a steel grater, approx. weight 0.6oz. £350-400

470 471. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1816, cylindrical form, domed pull-off cover and pull-off base, the interior with a grater, height 3cm, approx. weight 0.3oz. £200-250

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472. An Edwardian novelty silver table vesta case, by Peter Henderson Deere, London 1906, modelled as a sack truck/porter’s trolley, mounted with a trunk, hinged cover, gilded interior, the truck with a striker, length 13.5cm, approx. weight 4.7oz. £800-1,200

473. An Edwardian silver Barker’s Pathfinder patent butt marker, by Albert Barker, London 1909, rectangular form, the hinged cover opens to reveal a fan of eight numbered pegs, one a replacement, gilded interior, length 5.2cm, approx. weight 1.7oz. £600-800

λ 474. An early 19th century French gold mounted and tortoiseshell lined ‘scagliola’ snuff box, unmarked, circular form, plain mounts, the pull-off cover with an enamelled scene under glass of two men carrying a dead deer below the banner ‘contenter tout le monde eft.chose difficile’, diameter 4.8cm. £800-1,200

475. An Austrian silver and enamel cigarette case, circa 1920, square form, the front enamelled with a lady in the Sessionist manner, engine-turned base, length 8cm, approx. weight 4.7oz. £400-600

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476. An 18th century silver-gilt mounted aventurine snuff box, with later French control marks, cartouche form, chased decoration with two panels of brown aventurine, plain thumb-piece, length 5.2cm. £200-300

477. An 18th century silver-mounted Cornish Goethite ore specimen snuff box, unmarked circa 1730, plain hinged mounts and clasp, length 8.7cm. £600-800 Goethite was found at the Restormel Mine at Lanlivery, Cornwall. Situated between St. Austell and Bodmin moor granite masses, Restormel was Cornwall’s most productive iron mine.

478. A 19th century Persian silver snuff box, with a trace of a mark to the underside of the thumb-piece, rounded rectangular form, engraved with animals and figural decoration, foliate borders, length 8.3cm, approx. weight 3.8oz. £150-200

479. A George IV silver snuff box, possibly by Benjamin Stephens, London 1828, rectangular form, engine-turned decoration, the hinged cover with a vacant cartouche, the interior gilded, length 8.4cm, approx. weight 5oz. £250-300

480. A Victorian silver card case, by Yapp & Woodward, Birmingham 1853, rectangular form, wavy-edge border, engraved foliate scroll and engine-turned decoration, length 9.8cm, approx. weight 2.1oz. £100-150

481. A Victorian silver card case, by Harry Hayes, Birmingham 1896, rectangular form, engraved scroll and engine turned decoration and with a foliate motif, length 10cm, approx. weight 2.4oz. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

482. A Victorian silver ‘castle-top’ card case, Lancaster Castle, by Nathaniel Mills, Birmingham 1843, rectangular form, the front with a scene of the castle within foliate scroll decoration, on a matted background, hinged cover, the reverse with a vacant cartouche, in a fitted case, (case a.f), length 10.1cm, approx. weight 2.5oz. £2,000-3,000

482 483. An early 18th century silver ‘Boscobel Oak’ snuff box, unmarked circa 1710, oval form, the hinged cover set with oak and applied with an engraved tree with Charles II peering out and a cherub bringing three crowns, at the base of the tree are two equestrian soldiers, gilded interior, the inside of the cover inscribed ‘The Viscount Tredegar, Tredegar Park, Newport, Mon.’, the underside of the base with an oval cartouche, length 7.7cm. £1,000-1,500 A similar box is illustrated in Butler, R. The Albert Collection, Broadway Publishing 2004, page 27, entry 221, and Culme, J., British Silver Boxes, The Lion Collection, The Antique Collector’ Club 2015, pages 98/99, entry number 85.

483

Snuff boxes of this form are reputed to have been made from timber from the ‘Boscobel Oak’. After defeat at Worcester, Prince Charles took refuge at Boscobel, near Donnington in Shropshire at the home of Colonel Pendril, and for the first night they successfully hid him in a tree while Parliamentary soldiers searched for him.

484. A Victorian silver snuff box, The Royal Old Wells Cheltenham, by Nathaniel Mills, Birmingham 1838, rectangular form, engine turned decoration, the hinged cover inset with an oval medallion depicting The Royal Old Wells in Cheltenham made to celebrate its centenary in 1838, signed by J. Richard and T. W. Ingram, the underside of the base with a rectangular cartouche initialled, length 6.8cm, approx. weight 4.5oz. £800-1,200

484

open

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485. A George I silver snuff box, by John Lefebure, London 1716, rectangular book form, flush-hinged cover, engraved foliate decoration, the edge of the pages and interior gilded, length 7cm, approx. weight 2.1oz. £1,000-1,500

486. A Dutch silver box modelled as a miniature book, probably Schoonhoven, possibly 19th century, the book with a raised spine, and engraved with tulip decoration, engraved borders, hinged cover, with a hanging chain, length 3.5cm, approx. weight 0.5oz. £200-300

487. A George III silver inkstand, by William Plummer, London 1778, shaped rounded rectangular form, beaded borders, with two pierced ink bottle holders and a central taperstick, on four claw and ball feet, with two unmarked cut glass inkwells, length 17.5cm, approx. weight 6.5oz. £200-300

488. An 18th century Channel islands silver two-handled cup, by I (J) H, unknown maker, Guernsey circa 1770, tapering circular form, beaded scroll handles, scratch initialled ‘S.F.L’, on a circular foot, height 6.3cm, approx. weight 2.3oz. £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

489. A George I silver two-handled lemon strainer, by John Albright, London 1719, circular form, pierced bowl, pierced scroll side handles, engraved with a crest and armorial, length 17.2cm, approx. weight 2.7oz. £500-700 The armorial is for Pix, Turges, Hungerford, Strutt, Worthington/Writtington, Denver and Peckham. The crest is possibly that of Vaughan.

490. A George I silver two-handled lemon strainer, by John Albright, London 1722, circular form, pierced bowl, pierced foliate scroll side handles, length 17.2cm, approx. weight 2.6oz. £500-700

491. A set of six George III parcel-gilt silver salt dishes, by John Emes, London 1799, oval form, engraved with a crest, reeded borders, length 12cm, approx. weight 10oz. (6) £200-300

492. A George I silver two-handled lemon strainer, by William Fleming, London 1725, the handles with maker’s mark of Joseph Stewart, circular form, pierced bowl, pierced scroll side handles, with two plain circular cartouches, length 13.8cm, approx. weight 2.1oz. £400-600

The crest is possibly that of William Lewis Hughes, 1st Baron Dinorben

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493. A Victorian silver chalice, by Thomas Peard, London 1882, plain circular bowl, gilded interior, on a knopped and pierced stem, on a raised hexafoil base, height 18.8cm, approx. weight 17.9oz. £200-300

494. A Queen Anne silver sugar caster, by Robert Cooper, London 1713, octagonal baluster form, bayonet fitting pierced cover with an octagonal knop finial, on a raised octagonal foot, engraved with initials within foliate scroll mantling, height 17cm, approx. weight 7.9oz. £700-900

495. A silver salver, by E. Viner, Sheffield 1957, square form, moulded border, on four gnarl feet, length 26.5cm, approx. weight 22.5oz. £150-200

496. A William IV provincial silver seven bar toast rack, by Joseph Hicks, Exeter 1831, rounded rectangular form, wire-work bars, central ring handle, on four ball feet, length 16.5cm, approx. weight 7.3oz. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

497. An Art Deco silver muffin dish and cover, by Fattorini & Sons Ltd, Sheffield 1937, circular form, shaped moulded handles, domed pull-off cover with a tapering black finial, with a liner, length 21.8cm, approx. weight 26oz. £350-400

498. A Victorian provincial silver toast / letter rack, by William Smith, (of Liverpool), Chester 1871, with eight pierced hinged bars with castellated edges, the base of domed shaped form with pierced and engraved decoration, central carrying handle, on four club shaped feet, length 22.5cm, approx. weight 9.7oz. £400-600

499. A pair of silver sauce boats, by Williams Limited, Birmingham 1912, oval form, leaf-capped scroll handles, gadroon borders, on three shell capped hoof feet, length 21cm, approx. weight 9oz. (2) £100-150 Provenance: Sold by the Executors of the late Pamela Spater (d.2018), Amersham, Buckinghamshire.

500. A pair of Edwardian silver chamber sticks, by James Dixons and Sons, Sheffield 1903, plain circular form, scroll handle, moulded borders, with conical snuffers, diameter 15.5cm, approx. weight 17.5oz. (2) £400-600

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501. A George II silver cream jug, by Samuel Meriton, London 1759, baluster form, embossed foliate scroll decoration, leaf capped scroll handle, on three scroll legs with pad feet, engraved with a later crest, height 11cm, approx. weight 3.6oz. £100-150 The crest is that of Sweetland of Exmouth.

502. A George III silver cream jug, maker’s mark partially worn, London 1807, oblong bellied form, engraved with a band of Egyptian revival decoration with a crocodile, birds, animals and a sphinx, scroll handle, gadroon border, gilded bowl, on four ball feet, length 13.3cm, approx. weight 6oz. £150-200

503. A George II silver cream boat, by Henry Hayens, London 1753, oval bellied form, embossed with goats with buildings behind, leaf capped scroll handle, on a raised shaped shell and scroll foot, length 13cm, approx. weight 5.4oz. £600-800

504. A Victorian novelty silver cream jug, by E. Hutton, London 1887, modelled as a black jack, textured ‘leather’ finish and stitching, gilded interior, the underside engraved ‘Mr. Glanville, 1892’, height 9.3cm, approx. weight 4.3oz. £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

505. An early 18th century cast silver cream jug, unmarked, attributed to David Willaume II, London circa 1725-30, shell form, the scroll handle with scales and a grotesque mask, the front with a cherub mask below the spout, the body supported by a reclining mythical animal on a raised oval foot with a foliate border, engraved with a crest, height 10cm, approx. weight 7.1oz. £1,000-1,500 The crest is that of Bridges. Provenance: Dreweatts London, Iconic Jewels and Treasures, 3 December 2015, lot 7. From the collection of Lord Fitzwalter, Goodnestone Park, Kent. See Hartop, Christopher The Huguenot Legacy: English Silver 1680-1760: from the Alan and Simone Hartman Collection London 1996, p. 288 for a silver gilt example marked by David Willaume II, London 1721-22. A number of similar cream jugs are recorded, most of which are unmarked, but all those which are bear the maker s mark of David Willaume II.

505

506. A Victorian silver kettle stand / brazier, by John Mortimer and Samuel Hunt, London 1841, tapering circular form, pierced and chased foliate scroll decoration, applied with the armorial of the Earl of Grosvenor, on four foliate scroll feet, with a later pull-out electroplated liner, diameter 21.3cm, approx. weight 39.5oz. £1,000-1,500 In 1831 Robert 2nd Earl Grosvenor (1767-1845) was created 1st Marquess of Westminster, he got the Order of the Garter in 1841.

506

507. A pair of Victorian silver taper sticks, by Henry Hyde Aston, Birmingham 1863, baluster columns, quilted decoration, on raised circular bases with chased foliate decoration, detachable drip pans, height 11cm, approx. weight 4.5oz. (2) £150-200

507

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λ 508. A George III silver globe inkstand, by John Robins, London 1791, globe form, foliate and shell apron, the two hinged sections open to reveal a silver-mounted glass inkwell and sander, with a pencil cover and ivory note pad, on four cabriole legs, height 14.5cm, approx. weight 7.5oz. £700-900

509. A set of six George III silver egg cups, by William Bruce, London 1815, circular form, engraved foliate decoration, on raised circular bases, reeded borders, height 5.3cm, approx. weight 4.5oz. (6) £200-300

510. A George II cast silver harlequin taper stick, maker’s mark possibly that of Richard Thomas, London 1755, the standing harlequin with raised arms holding a foliate capital, on a raised circular base, height 12cm, approx. weight 5.3oz. £800-1,000

511. A George III silver chamber stick, by Paul Storr, London 1817, circular form, gadroon borders, urn shaped capital, leaf capped scroll handle, with a conical snuffer and chain, engraved with a crest, diameter 16cm, approx. weight 14oz. £800-1,200 Engraved with an episcopal mitre and the badge of a Royal Duke, probably for Frederick, Duke of York and Albany and Bishop of Osnabrück.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

512. A matched pair of George II silver sauce boats, by George Hindmarsh circa 1750, oval form, leaf capped scroll handle, on three shell capped pad feet, length 19.5cm and 19.3cm, approx. weight 19oz. (2) £200-300

513. A Victorian silver double cream and sugar bowl, by Gibson and Langman, Sheffield 1881, double oval form, in the Dresser manner, central wooden carrying handle, part-fluted decoration, with a cream ladle and sifting spoon, length 18.8cm, approx. weight 16oz. (3) £400-600

514. A George IV silver seven-bar toast rack, by Joseph Angell, London 1822, reeded bars, central carrying handle, on a shaped rectangular base with foliate, shell and gadroon decoration, on four paw feet, length 16.8cm, approx. weight 13.5oz. £250-300

515. An Edwardian silver flour shaker, by Thomas Bradbury, London 1903, cylindrical form, scroll handle, domed pierced cover, on a spread circular foot, height 10.5cm, approx. weight 5.8oz. £150-200

The crest is probably that of Hill.

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516. An Edwardian silver two-handled porringer and cover, by The Goldsmiths and Silversmiths Company, London 1906, in the Charles II manner, circular bellied form, embossed with a lion and unicorn in foliate decoration, caryatid scroll handle, the pull-off cover with similar decoration and with a knop finial, length handle to handle 17.5cm, approx. weight 16.5oz. £500-700

516

517. An Edwardian silver-gilt two handled replica cup and cover, The Exeter Gold Cup, 1660, by Mappin and Webb, London 1909, lobed circular form, scroll handles, chased foliate decoration, initialled, the underside of the base with a later inscription, pull-off lobed cover with a baluster finial, on a raised circular foot, in a fitted wooden case, height 22.5cm, approx. weight 35oz. £800-1,200

517

518. An Edwardian Britannia standard silver two-handled porringer and cover, by Henry Lambert, London 1906, circular baluster form, caryatid scroll handles, embossed with a billy goat and a swan with a mythical beast head, and with foliate decoration, the pull-off cover with a foliate finial, height 13.5cm, approx. weight 14.8oz. (2) £250-300 The arms are that of Bellesby quartering Drayton, Wilton, Braithwaite or Studley.

518

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519. A Victorian silver ewer, by Alexander Macrae, London 1862, circular bellied form, the scroll handle with a mythical beast devouring a human head, and with a mask motif to the base, the reverse of the jug engraved with the arms of the Marquess of Bristol, on a circular foot, height 18.4cm, approx. weight 22.5oz. £1,200-1,500 Frederick Hervey (1800-1864). The 2nd Marquess was a Tory politician and was Treasurer of the Household under Sir Robert Peel from 1841 to 1846. When he died, the marquessate passed to his eldest son, also named Frederick.

519

520. A Victorian silver tazza, by D and C Houle, London 1870, the central column modelled as a classical maiden with arms aloft holding a circular bowl support, on a raised circular foot with chased decoration and three circular knop finial motifs, with a cut glass dish with trailing grapevine decoration, total height 27.4cm, diameter of dish 24.5cm, approx. weight 23.5oz. £800-1,200

520

521. A George II silver hot water pot, by Paul Crespin, London 1752, slender baluster form, domed hinged cover with a scroll thumbpiece, scroll handle, the spout with an unmarked hinged cover, the body erased, on a raised oval foot, height 18.8cm, approx. weight 15oz. £1,000-1,500 Provenance: Sold in these rooms, Silver and Collectors’ items, 22 October 2013, lot 1248. Purchased from the Gowland Brothers Ltd, 48, Cornhill, London, on the 17th February 1955.

521

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522. A George III silver swing-handled sugar basket and cream ladle, by Abraham Peterson, London 1790, the ladle by Smith and Hayter, London 1792, shaped oval form, reeded border and swing-handle, on a raised shaped oval foot, engraved with an armorial shield, the bowl with traces of gilding, the ladle initialled, length 15.7cm, approx. weight 8oz. (2) £150-200

523. A George III provincial silver mug, by Langlands and Robertson, Newcastle 1784, plain baluster form, scroll handle, on a raised circular foot, initialled, height 12.8cm, approx. weight 11oz. £300-400

The arms are that of Hertford, Hutton or Bradford impaling Scrope.

524. A set of three Edwardian silver-mounted whisky tots and labels, by Heath and Middleton, Birmingham and London 1905, tapering circular form, scroll handles, plain hinged covers, the kidneyshaped labels inscribed ‘WHISKEY’, height 9.8cm. (6) £250-300

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525. A late-Victorian silver-mounted glass vase, by William Hutton and Sons, Sheffield 1900, baluster form, clear glass body, the base and mount with pierced foliate decoration, height 23.2cm. £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

526. An Edwardian silver revivalist silver cup from the Antique, over-stamped with maker’s mark of Joseph Heming, London 1901, in the Egyptian manner, tapering circular bowl with fluted and sphinx head decoration, the tall handle with a figure, on a raised circular foot, height 16cm, approx. weight 11oz. £100-150

527. A Victorian silver swing-handled sugar basket, by George Fox, London 1862, tapering circular form, pierced foliate scroll decoration and embossed with swags, scroll border, with a pierced swing-handle and vacant cartouche, blue glass liner, on a raised circular foot, height 20cm, approx. weight 9.4oz. £150-200

528. A late-Victorian silver bonbon dish, by Charles Stuart Harris, London 1892, leaf form, in the 18th century English ceramic form, the centre embossed with a swallow and foliate scroll decoration, length 12.7cm, approx. weight 2.9oz. £100-150

529. An Edwardian silver tazza, by James Dixon and Sons, Sheffield 1904, circular form, spot-hammered decoration, baluster stem, on a raised circular foot, height 14.8cm, approx. weight 11.5oz. £150-200

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530. A Victorian silver-mounted cut-glass claret jug, by Heath and Middleton, London 1891, tapering circular form, the body with cut foliate decoration, the mounts with engraved decoration and with a leaf capped scroll handle, domed hinged cover with a beaded knop finial, the mount engraved ‘H.A.C Corporal E.J. West-2nd Prize, No. 5 Co. September 1892’, height 27cm. £300-400

530 531. A Victorian silver-mounted cut glass claret jug, by James Charles Edington, London 1857, tapering hexagonal neck, faceted baluster body, etched with flowers, the mount with a squeeze-action scroll handle, hinged cover with a pierced finial, the front with a Bacchus mask, height 29.5cm. £600-800

531

532. An early 19th century old Sheffield plated ewer, unmarked, circa 1830, lobed baluster form, leaf capped scroll handle, applied vine border, leaf capped scroll handle, domed hinged cover with a grape finial, on a raised lobed circular foot, height 33cm. £100-150

532

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533. An Edwardian silver-mounted glass claret jug, by Heath and Middleton, London 1902, tapering baluster body, hobnail cut decoration, the plain mounts with an angular scroll handle and plain hinged cover, height 20cm. £300-400

533

534. A Victorian silver seven-bottle cruet frame, by William Evans, London 1864, circular form, pierced scroll decoration, central carrying handle on four bracket feet, with three silver-mounted glass bottles and four further glass bottles, one stopper a.f, plus a mustard spoon, height 28.5cm. £500-700

534

535. A George III silver ewer, by Butty and Dumee, London 1772, vase form, embossed with rosettes and drapes, part-fluted decoration, beaded border, scroll handle, fluted domed cover with a cone finial, on a raised square foot, height 34cm, approx. weight 31.5oz. £1,000-1,500

535

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536. A large late-Victorian silver kitchen pepper pot, by Nathan and Hayes, Chester 1896, cylindrical form, scroll handle, pierced domed cover, on a spread circular form, height 10cm, approx. weight 5oz. £150-200

537. A George I silver kitchen pepper pot, by James Goodwin, London 1713, cylindrical form, reeded scroll handle, domed pierced cover, on a spread circular foot, engraved with a crest, height 8.3cm, approx. weight 2.2oz. £500-700

538. A pair of George III silver muffineers, by Samuel Whitford, London 1808, urn form, the pull-off covers pierced with a star shaped decoration, on raised circular foot, engraved with an armorial, height 7cm, approx. weight 5oz. (2) £200-300

539. A George IV provincial silver mustard pot, by Barber and Whitwell, York, probably 1821, plain circular form, reeded scroll handle, domed cover with a ball finial and plain thumb-piece, later blue glass liner, height 7.5cm, approx. weight 3.1oz. £250-300

The arms are that of Floyd/Fludd/Flood, Lloyd or Middleton.

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540. A pair of George IV silver salt cellars, by Charles Fox, London 1827, circular form, cast foliate borders, gilded bowls, on a shaped rocaille circular foot, diameter 9.5cm, approx. weight 11.5oz. (2) £200-300

541. A pair of George III silver salt cellars, by Andrew Fogelberg, London 1776, oval form, with rams’ heads and medallion and swag decoration, with later foliate decoration, on a foot formed by four hooves, on triangular bases, crested and initialled, length 10.7cm, approx. weight 11.5oz. (2) £200-300 The crest is that of Walton of Clifton, Gloucestershire.

542. A modern silver shell dish, by Heming and Co Ltd, London 1960, the bowl of shell form, the stem modelled as a mythical dolphin, height 10.5cm, length 12.2cm, approx. weight 13.4oz. £250-300

543. A pair of George III silver salt cellars, maker’s mark of RE over-stamping another, possibly that of Hester Bateman, London 1787, in the early 18th century manner, circular bowls, on raised circular bases with cut-card Acanthus leaf decoration, engraved with a crest, diameter 8.8cm, approx. weight 13.5oz. (2) £800-1,200 The crest is that of Adderbury, Clemsby, Devereux, Hoblyn and other families.

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544. A Victorian silver cruet frame, by Gibson and Langman, London 1893, oval navette form, central carrying handle, wire-work frame, pierced gallery, on four claw and ball feet, with two silver-mounted oil and vinegar bottles, by T. Brabury, London 1893, and a mustard pot (1891) and pepper pot, octagonal form, plus a later sugar caster and pepper pot of similar form, by T. Bradbury and Son, Sheffield 1923 and 1929, length 35.2cm, approx. weight 33.8oz. £600-800

544

545. A George III silver four-bottle sauce cruet frame, by Peter and Ann Bateman, London 1792, oval navette form, pierced and engraved foliate decoration, reeded borders, central carrying handle, on four fluted bracket feet, with four cut-glass engraved sauce bottles, height 22.5cm. £300-400

545

546. A George III silver five-bottle cruet frame, by George Ashforth and Co ,Sheffield 1782/84, oval navette form, beaded borders, with five raised beaded wire-work frames with fluted columns, on four fluted bracket feet, with three silver-mounted cut glass jars, one with a pierced cover and a pair of silver-mounted oil and vinegar bottles, length 39.5cm, approx. weight 36oz. £1,200-1,500

546

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547. A silver kettle-on-stand, by James Dixon and Sons, Sheffield 1928, oblong bellied form, part-fluted decoration, gadroon borders, on four scroll legs with pad feet, with a burner, height 31cm, approx. weight 50oz. £400-600

548. A matched four-piece silver tea set, by Henry Atkins, Sheffield 1945 and 1947, in the Art Deco manner, tapering circular form, scroll handles, on raised rectangular bases with canted corners, length handle to spout 25.5cm, approx. weight 50.8oz. (4) £300-500

549. A late-Victorian silver photograph frame, by H. Matthews, Birmingham 1894, upright rectangular form, pierced and embossed foliate scroll decoration, with a central raised vacant cartouche, red leather easel back, height 36.4cm. £200-250

550. A four-piece silver tea set, by Stower & Wragg Ltd, Sheffield 1945, in the Art Deco manner, tapering rectangular form, scroll handles, gadroon borders, on shaped rectangular bases, length handle to spout 28cm, approx. weight 57.5oz. (4) £400-600

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λ 551. A George III silver tea pot, by John Wakefield, London 1814, oblong bellied form, part-fluted decoration, reeded border, scroll handle with ivory insulators, on four scroll capped paw feet, length handle to spout 26cm, approx. weight 20.4oz. £250-300

λ 552. A George III silver teapot on stand, by Peter and Ann Bateman, London 1791, shaped oval form, engraved decoration, scroll handle with wooden insulators, flush-hinged domed cover with a pineapple finial, tapering spout, engraved with two cartouches with initials, the stand on four fluted bracket feet, both with scratch weights and inscribed ‘Feb. 29th 1792’. length handle to spout 29cm, approx. weight 26.5oz. (2) £800-1,200

λ 553. A George III silver teapot, by Philip Rundell, London 1819, tapering circular form, leaf capped scroll handle with ivory insulators, unmarked hinged cover with an unmarked finial, on four foliate shell bracket feet, length handle to spout 26.5cm, approx. weight 23oz. £250-300

λ 554. A George III silver teapot, by John Emes, London 1805, oval form, scroll handle with ivory insulators, engraved decoration, flush-hinged domed cover with an oval finial, engraved with a crest, length 28cm, approx. weight 17.3oz. £150-200

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555. Maritime interest, a George III silver two-handled cup, by James Sutton and James Bult, London 1783, urn form, leaf capped scroll handles, inscribed ‘Presented as a testimony of appreciation by the Owners of the Three Brothers to Capt Joseph Tickell, of Workington 1784’, the reverse with his initials, within foliate garlands, height 20.3cm, approx. weight 26oz. £700-900

556. Maritime interest, a George III silver two-handled cup, maker’s mark partially worn, possibly by the Batemans, London 1806, urn form, leaf capped ribbon and reed scroll handles, engraved foliate border, inscribed ‘A Gift from the Owners of the Integrity to Capt William Mordy, Jan 1807’, the reverse side with his initials, height 21.5cm, approx. weight 19oz. £700-900

557. A silver salver, by C. J. Vander, Sheffield 1964, shaped square form, moulded border, on four gnarl feet, length 25.8cm, approx. weight 23oz. £150-200

558. A George III silver salver, by Ebenezer Coker, London 1765, circular form, shell and scroll border, the centre with later chased decoration, the centre with a crest and later inscription, on four claw and ball feet, diameter 35.5cm, approx. weight 34.7oz. £400-600 The crest is that of Gardner.

Custom records show that the Integrity was 170 tons, and on 2 June 1809 the ship came in with cargo from the Canadian province of Prince Edward Island to Whitehaven, under the captaincy of Capy. Morday of Whitehaven.

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λ 559. A four-piece Victorian silver tea and coffee set, by Thomas Smily, London 1864, baluster form, embossed foliate scroll decoration on a matted background, leaf capped scroll handles with ivory insulators, the hinged covers with bird finials, initialled, on four mask capped scroll feet, height 25.5cm, approx. weight 97oz. (4) £1,500-2,000

560. A silver two-handled tray, by Mappin and Webb, Sheffield 1941, rounded rectangular form, stylised shell border, fluted handles, length handle to handle 61.8cm, approx. weight 85oz. £800-1,200

560

λ 561. A matched three-piece Victorian silver tea set, the tea pot by The Barnards, the cream jug and sugar basin by Joseph & Albert Savory, London 1839, lobed baluster form, the sugar basin and cream jug with embossed foliate scroll decoration, leaf capped scroll handles with ivory insulators, on four foliate scroll bracket feet, engraved with a crest, length of the tea pot handle to spout 28.4cm, approx. weight 47.4oz. (3) £400-600

561

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

λ 562. A matched four-piece Victorian silver tea and coffee set, by Henry Holland and Robert Harper, London 1859, retailed by Rait and Sons, Glasgow, baluster form, engraved decoration, scroll handles with ivory insulators, domed hinged covers with beaded finials, the coffee pot with a straining bag, on raised circular bases, height of coffee pot 25cm, approx. weight 59oz. (4) £1,000-1,500

562

563. An Edwardian silver two-handled tray, by H. Atkins, Sheffield 1902, rectangular form, gadroon and shell border and scroll handles, the centre with engraved foliate scroll decoration and with a crest, length handle to handle 67.5cm, approx. weight 110oz. £1,300-1,500 The crest is that of Hutchinson.

563

564. A three-piece silver tea set, by Charles Stuart Harris, London 1911, oblong bellied form, part-fluted decoration, the teapot with a fluted scroll handle, and fluted wooden finial, foliate borders, on four scroll mounted bracket paw feet, length of teapot 26.2cm, approx. weight 39oz. (3) £300-400

564

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

565. A pair of modern cast silver candlesticks, by D and J Wellby, London 1968, in the William III manner, knopped fluted stems, spool-shaped capitals, on raised square bases with canted corners, height 15cm, approx. weight 29oz. (2) £600-800

565 (2)

566 (2)

566. A pair of early Victorian silver entrée dishes and covers, by Paul Storr, London 1838, shaped lobed circular form, shell side handles, the pull-off covers with detachable foliate handles, the bases stamped ‘STORR and MORTIMER’, some damage, length 32.5cm, approx. weight 115oz. (2) £2,000-3,000

567. A pair of late-Victorian silver lyre candlesticks, by Hawksworth, Eyre & Co, Sheffield 1889 and 1891, on raised fluted oval bases, detachable drip pans, height 21cm. (2) £300-400

567 (2)

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568. A pair of Victorian silver four-light candelabra, by Robert Garrard, London 1851, the drip pans later, fluted knopped stems with a central fluted urn capital, with three leaf capped scroll arms each supporting an urn capital, on raised circular bases, inscribed ‘R and S Garrard, Panton Street, London’, engraved with a crest, height 49cm, approx. weight 183oz. (2) £5,000-7,000 The crest is that of Dalrymple.

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569. A late-Victorian silver rose bowl, by George Jackson, London 1896, circular form, embossed and pierced foliate scroll decoration with two vacant cartouches, on a raised circular foot, diameter 21cm, approx. weight 24.5oz. £300-400

570. A Victorian silver rose bowl, by Gibson and Langman, London 1894, retailed by The Goldsmiths and Silversmiths Company, circular form, embossed foliate scroll decoration, pierced foliate scroll border, on a raised foliate scroll foot, height 14.8cm, approx. weight 22.5oz. £250-300

571. A George III silver swing-handled basket, by Thomas Fox and Company, Sheffield 1784, oval form, pierced and engraved foliate and garland decoration, beaded outer border and engraved swing-handle, on a raised oval foot, length 33.7cm, approx. weight 20.8oz. £1,000-1,500

572. A William IV silver entrée dish and cover, by James Charles Edington, London 1835, shaped rectangular form, moulded border, detachable handle, engraved with two armorials, length 31.7cm, approx. weight 45.5oz. £600-800 The armorials are that of Macbraire impaling Gott quartering another for John Joseph McBraire (1801-1840) who married Caroline Abigail Gott.

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573. A matched five-piece Victorian silver tea and coffee set, by Holland, Aldwinckle & Slater, London 1894-99, comprising a kettle-on-stand, a coffee pot, a teapot, a hot water jug, a cream jug and sugar bowl, circular bellied form, applied cut-card decoration, scroll handles, the hinged covers with knop finial, the kettle with a central carrying handle, the stand on three scroll legs terminating on pad feet, the teapot handle a.f, with two electroplated basket peculators, height of kettle 39cm, approx. weight 164oz. (6) ÂŁ2,000-2,500

574. A Victorian silver two-handled tray, by Holland, Aldwinckle & Slater, London 1899, oval form, inset handles, applied cut-card decoration, reeded border, length handle to handle 62.3cm, approx. weight 118oz.

ÂŁ1,500-2,000

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575 575. A late-Victorian silver rose bowl, maker’s mark worn, London 1893, circular form, embossed foliate scroll decoration, with two scroll cartouches, initialled, on a raised circular foot, diameter 28.5cm, approx. weight 32.8oz. £400-600 576. An Edwardian silver epergne, by Horace Woodward & Co Ltd, London 1902, central tapering circular vase, with four scroll arms, each supporting a further tapering vase, on a shaped circular foot, the underside with a detachable lead weight, height 37.3cm, approx. weight 26oz. £400-600

576

577 part 577. An Edwardian silver epergne, by Walker and Hall, Sheffield 1903, central tapering and baluster column with embossed foliate and scroll decoration, on a raised shaped square base on four scroll feet, with six foliate scroll arms, each supporting a pierced shaped oval basket with mask decoration, and with a central basket, the epergne has the option to replace the baskets with six tapering pierced vases (only two blue glass liners, or six candle holders), height 58.8cm, approx. weight 121oz. £3,000-4,000

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577

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578. A Victorian silver three section serving dish, by Boardman, Glossop & Co Ltd, Sheffield 1899, shaped oval form, fluted decoration, the centre with a vacant cartouche, central carrying handle with a foliate shell motif, on four ball feet, length 33.5cm, approx. weight 21oz. £250-300

578

579. A pair of modern silver candlesticks, by Albert Sydenham, Birmingham 1955, Corinthian column form, detachable drip pans, on raised stepped and beaded borders, height 30.5cm. (2) £200-300

579 (2)

580. A Victorian silver serving dish, by John Tapley, London 1847, retailed by Green and Co, oval form, foliate scroll border, engraved with two armorials, length 35cm, approx. weight 30oz. £300-400

580

164

The armorials are that of Crawshay (branches in Norfolk, Kent, Berkshire and Wales).

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

581. A pair of George III silver meat platters, by William Frisbee, London 1804, oval form, gadroon borders, engraved with a crest, length 36.7cm, approx. weight 71.5oz. (2) £800-1,200 The crest is that of Pleydell-Bouverie.

581 (2)

582. A pair of silver candlesticks, by William Hutton and Sons, Sheffield 1925, tapering square form, with rams’ heads, ribbon tied swags, and foliate decoration, urn shaped capitals, detachable drip pans, on raised square bases with canted corners, decorated with urns and acanthus leaves, height 30.8cm. (2) £200-300

582 (2)

583. A George III silver salver, by Daniel Smith and Robert Sharp, London 1769, circular form, the unmarked cast and pierced border with birds, masks and trailing vines with grapes, and with scroll decoration, the centre engraved with an armorial within foliate scroll mantling, on four pierced vine and shell bracket feet, diameter 38.5cm, approx. weight 58.8oz. £1,000-1,500 The arms are that of Hyde quartering Denton, Stockwith, Eastfield or Lefevre.

583

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584. A set of four George III silver candlesticks, by John Roberts and Co., Sheffield 1808, tapering circular form, part-fluted decoration, detachable drip pans engraved with a crest, on raised circular bases, height 28.8cm, approx. weight 72oz. (4) £2,000-3,000

584

λ 585. A George III provincial silver tankard, by John Langlands I, Newcastle 1772, tapering circular form, domed fluted cover with a scroll thumbpiece, the scroll handle with ivory insulators, the front with a vacant cartouche with foliate mantling, on a spread fluted circular foot, height 20cm, approx. weight 31oz. £1,500-2,000

585

586. A matched four-piece silver tea and coffee set, by Charles Stuart Harris, London 1919, the coffee pot over-stamped with maker’s marks of C. F. Hancock and Co., London 1907, circular cape form, part-fluted decoration, foliate scroll and gadroon borders, leaf capped scroll handles, height of coffee pot 19.5cm, approx. weight 63.9oz. £500-700

586

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587. A pair of modern silver wine coolers, by John Franks, London 1995, tapering circular form, drop ring handles, with upper and lower stylised borders, detachable liners, the front engraved with of arms of The Prudential, height 21.8cm, approx. weight 146oz. (2) ÂŁ2,000-3,000

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588. A William III silver two-handled porringer and cover, by Alexander Roode, London 1697, circular form, part-fluted swirl decoration, scroll handles with chased matted foliate decoration, the pull-off cover with a fluted finial, the interior of the cover and underside of base with scratch initials ‘A’ over ‘WM’, height 19cm, length handle to handle 25cm, approx. weight 30oz. £6,000-8,000

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

589. A pair of Queen Anne silver-gilt candlesticks, by Pierre Platel, London 1711, octagonal baluster stems, chased foliate decoration, circular spool shaped capitals, on raised circular bases with chased decoration, engraved with armorials, height 17.2cm, approx. weight 26.5oz. (2) ÂŁ10,000-15,000 The arms are that of Thomas Thynne 3rd Viscount Weymouth, first Marquess of Bath from 1789, (1735-1825), married Lady Elizabeth Bentinck daughter of 2nd Duke of Portland.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

590. A pair of late-Victorian silver twohandled sauce tureens and covers, by Charles Stuart Harris, London 1898, oval form, part-fluted decoration, reeded scroll handles, the pull-off covers with fluted decoration and urn finials, beaded borders, on raised oval bases, length handle to handle 25cm, approx. weight 43oz. (2) £500-700

590 (2)

591. A pair of George II silver candlesticks, by John Cafe, London 1754, knopped baluster columns, shell shoulders, spool shaped capitals with detachable drip pans, on raised shaped square bases with anthemion corners, initialled, height approx. 33.4cm, approx. weight 37.9cm. (2) £1,000-1,500

591 (2)

592. A pair of George III two-handled silver sauce tureens and covers, by Joseph Dodds, London 1802, oval form, scroll handles, gadroon borders, on raised oval bases engraved with a crest, the pull-off covers with reeded ring handles, length handle to handle 23.8cm, approx. weight 45.9oz. (2) £1,200-1,500

592 (2)

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593. A pair of Queen Anne silver candlesticks, by John Barnard, London 1705, slight tapering fluted columns, rope-work borders, on raised square bases with canted corners and fluted decoration, engraved with oval armorials, later bright lacquer, height 27cm, approx. weight 34.6oz. (2) ÂŁ10,000-15,000 The arms are those of Wrathe (Wroth) and another. Provenance: purchased from How (Of Edinburgh), 41 St. Jamesâ&#x20AC;&#x2122;s Place, London 12 December 1995. Illustrated in How of Edinburgh 1992 Exhibition catalogue, plate 19, number 30.

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594. A matched pair of George III silver two-light candelabra, by John Scofield London 1784 and 1889, one candlestick by John Edwards, London 1795, one sconce by John Green and Co, Sheffield, one sconce London 1896, tapering circular form, fluted decoration, reeded borders, the scroll arms supporting an urn capital, and with a central urn finial, on raised circular bases, engraved crests, height 41.7cm, approx. weight 84oz. (2) £2,000-3,000

595. A modern silver coffee pot/chocolate pot, maker’s mark of R.P, London 1979, in the William III manner, baluster form, beaded spout with a hinged cover, scroll handle applied with cut-card decoration and engraved with an armorial, the hinged cover with cut-card decoration and with a ball finial, on a circular foot, height 16.5cm, approx. weight 21oz. £250-300 The arms are that of Smith (Irish and Yorkshire branches).

The crest is probably that of Wodehouse.

596. A Britannia standard silver tankard, by The Goldsmiths and Silversmiths Company, London 1921, in the late 17th century manner, tapering circular form, central cutcard girdle, scroll handle the hinged cover with cut-card decoration, a fluted finial and a fluted border and thumb-piece, the front engraved with an armorial within foliate scroll mantling, on a spread fluted circular foot, height 16.5cm, approx. weight 40oz. £700-900

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597. A silver tankard, by A and F Parsons for Tessiers, London 1933, in the Charles II manner, tapering circular form, flat-hinged cover with a scroll thumb-piece, scroll handle, height 17cm, approx. weight 31oz. £500-700

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

598. A silver-gilt Monteith bowl, by D and J Wellby, London 1913, in the James II manner, circular form, drop-ring lion mask handles, with alternate panels of engraved Chinoiserie figures in landscape settings and matted decoration, detachable castellated collars with bird and foliate decoration, engraved with an armorial, on a raised circular foot, diameter 27.7cm, height 16cm, approx. weight 67.5oz. ÂŁ1,000-1,500

599. A silver-gilt Monteith bowl, by D and J Wellby, London 1913, in the James II manner, circular form, drop-ring lion mask handles, with alternate panels of engraved Chinoiserie figures in landscape settings and matted decoration, detachable castellated collars with bird and foliate decoration, engraved with an armorial, on a raised circular foot, diameter 27cm, height 16.5cm, approx. weight 66.7oz. ÂŁ1,000-1,500

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600. A George III silver-gilt ewer, probably by Thomas Robins, London date letter worn, with later additions attributed to Edward Farrell, London 1823, baluster form, on a raised Rococo scroll foot, the body chased with battle scenes, and with a male caryatid scroll handle, the spout with a garland of flowers and a mask motif, the top of the ewer with a trailing vine border, height 34.5cm, approx. weight 83.2oz. £10,000-15,000 Provenance: From the Collection of Sir Framjee Dinshaw Maneckji Petit, 3rd Baronet (1901-1983) and Lady Sylla Dinshaw Petit (nee Tata), and then by descent to the current owner. The 1st Petit Baronetcy was created on the 1st September 1890 for the Indian entrepreneur Dinshaw Maneckji Petit (1823-1901), of Petit Hall, Bombay. Lady Sylla Dinshaw Petit was the daughter of Ratanji Dadabhoy Tata. A similar ewer by Thomas Holland II also with addition marks for 1823, was sold in Christie’s New York, The C. Ruxton and Audrey B. Love Collection, 19 October 2004, lot 204. The Christie’s ewer was engraved with the Royal arms of H.R.H. Prince Frederick Augustus, Duke of York. This ewer and its companion was sold in the Duke of York sale in 1820 lot 73 and 74. There are at least seven known examples of this type of ewer by Holland.

END OF SALE 174

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600

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FINE JEWELLERY Wednesday 30th October 2019

A George IV 22ct gold Staff of Office handle, John Northam, 1820 Estimate Â£4,000 - 6,000*

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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MEDALS & COINS, ARMS & ARMOUR Wednesday 20th November 2019

Turkey: Sultan’s Medal for Egypt 1801, 1st Class Estimate £4,500 - 5,500*

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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BRITISH ART POTTERY INCLUDING TWO PRIVATE COLLECTIONS OF MARTIN BROTHERS POTTERY

Wednesday 27th November 2019

A fine Martin Brothers stoneware bird by Robert Wallace Martin Estimate Â£30,000 - 50,000*

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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THE JUDITH HOWARD COLLECTION OF SÃ&#x2C6;VRES PORCELAIN Tuesday 4th and Wednesday 5th February 2020

A large Vincennes circular platter from the Blue Service of Louis XV, c.1753

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

01635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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WILTON & WARMINSTER

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk

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ABSENTEE BID FORM FINE SILVER & OBJECTS OF VERTU

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 29th October 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed Billing Name (please print) Address

Postcode Daytime telephone Email All accounts must be settled within 21 days ID is required for all first time bidders

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.wo o lleyan d wallis.co .u k

FINE SILVER & OBJECTS OF VERTU Tuesday 29th October 2019

AUCtion CAlendAr oCtober 15th 16th 29th 30th

english & european Ceramics & Glass design Fine Silver & objects of Vertu Fine Jewellery

noVember 12th & 13th 20th 27th

FREE VALUATION MORNINGS First Friday of the month 10am-1pm. No appointment necessary.

NEXT VALUATION DATES 1st November, 6th December & 7th February (No valuation day in January)

Asian Art, Chinese Paintings & Japanese Works of Art medals & Coins, Arms & Armour british Art Pottery

deCember 11th

modern british & 20th Century Art

JAnUArY 8th 21st & 22nd 23rd

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

FebrUArY 4th & 5th 19th

the Judith Howard Collection of Sèvres Porcelain tribal Art & Antiquities

mArCH 4th 18th

old masters, british & european Paintings Clarice Cliff, Art deco & design

dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

By Tiffany & Co, a 19th century silver and mixed metals Mokume tea caddy SOLD FOR £26,250*