Woolley & Wallis by Jamm Design Ltd

JEWELLERY Thursday 23rd January 2020

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

Michael Jeffery Zoe Smith

424505 446955

ASIAN ART

Sally Trench Megan Corbett

Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

Janice Clift (Office Manager)

Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

Matt Hill

CASTLE GATE MANAGER David Jordan 411854 339161 446974

JAPANESE ART

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

CASTLE GATE RECEPTION Sally Litherland

BOARD OF DIRECTORS 424583 424591

446961 446962 446970

John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

339752 446980

424500

GENERAL OFFICE

SALEROOM MANAGER 424507 446964

FURNITURE, WORKS OF ART & CLOCKS

Alexandra Aguilar Sarah Lopez-Ferreiro

446959 446960

ACCOUNTS 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan-Richards Jim Gale Suzy Becsy

424509 424598 424509

MARKETING

20TH CENTURY DESIGN

John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

424500

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JEWELLERY Thursday 23rd January 2020 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 18th January Monday 20th January Tuesday 21st January Wednesday 22nd January Thursday 23rd January

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 22nd January ILLUSTRATIONS Front cover: Lot 1532 Back cover: Lot 1529 Catalogue £12.00 (£15.00 by post)

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 22nd January

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Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley & Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond. CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Saturday collections by appointment. 10.00am to 1.00pm

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1001

1000

1000. A collection of twelve jewellery reference books, including:Becker, V., Antique and Twentieth Century Jewellery: A Guide for Collectors, (Gemmological Association of Great Britain, N.A.G. Press Ltd: 1987), Becker, V., Art Nouveau Jewelry, (London: Thames & Hudson: 2003) (First printed 1985), Benjamin, J., Starting to collect Antique Jewellery, (Suffolk: Antique Collector’s Club: 2005) (First printed 2003), Bennett, D., Mascetti, D., Understanding Jewellery, (Suffolk: Antique Collector’s Club: 1989), Flower, M., Victorian Jewellery, (London: Cassel & Company Ltd, 1967) (First printed 1951), Reddington, G., Collings, O., Georgian Jewellery 1714 1830, (Suffolk: Antique Collector’s Club: 2007), Rowan, M., Nineteenth Century Cameos, (Suffolk: Antique Collector’s Club: 2004), Exhibition Catalogue, ‘Fabergé, The Castle Howard Collection at Tessier, 20 Nov. - 9 Dec. 1995’ £40-60

1002

1001. A large quantity of antique and modern jewellery boxes, including boxes for rings, bracelets, pendants etc. £100-150 1002. A collection of eighteen jewellery boxes, including a large red Cartier case, 47 x 26 x 1.5cm, a cream leather Cartier case with interior oval compartment and embossed ‘Christmas 1939’ to the lid, long leather cases by Marcus & Co and Lacloche Frères, a rectangular case by Boucheron, a fob watch case by Wartski, 138 Regent Street, a leather tiara case and with various other boxes for necklaces, bracelets, brooches and cufflinks etc. £300-400 1003. A fitted tiara case by Collingwood & Co., with red velvet interior and with hidden compartment, inner diameter 16.5cm wide, with a vacant tiara frame with detachable fitting for an aigrette, 13cm wide £200-300

1003

1004

1004. A pink leather tiara case by Cartier, with velvet lining, 22 x 22 x 11cm (outer dimensions) £200-300 1005. A green leather watch case by Cartier, containing a rose quartz stand, 10 x 7cm high, the leather case 13 x 10.5cm high £200-300 1005

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1006 1007

1006. A continental silver rectangular casket, chased with foliate scroll decoration overall on four scroll feet with blue velvet lining, the hinged cover centred with an octagonal-shaped carved smoky quartz depicting Diana, stamped 800 with other marks, 15cm wide £300-400

λ 1007. A quantity of assorted loose gemstones, including sapphires, emeralds, peridots, opals, corals, quartz, garnets and various pastes etc. in two hard cases £800-1,200 λ 1008. A collection of seventeen bead necklaces, including quartz, lapis lazuli and coral, together with ten cultured pearl necklaces, a turquoise and cultured pearl necklace and a cultured pearl bracelet £150-200 1009. A collection of hand-painted original jewellery designs, including rings, pendants and brooches £400-600 1010. No lot 1011. A velvet cylindrical box mounted with ten pertabghars, with polychrome enamel to their reverses, containing a large graduated amethyst bead necklace, suspending torpedo shaped amethysts from gold wirework, with a similar amethyst bead necklace which divides into four sections, and matching earrings £200-300

1008

1009

1011

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1012

λ 1012. A single-row amber bead necklace, the spherical beads graduate from 7-21mm, 61cm long, 47g, together with an amber bead bracelet, 17.5g, and three coral bead necklaces £200-300

1013

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1013. A large group of double-sided polychrome enamel panels, with religious themes (77) £100-200 1014. A collection of synthetic and mixed gemstones, including unset diamonds which weigh approximately 11.47cts, various sections of carved rock crystal and black onyx, a silver circular compact with green enamel decoration, a diamond-set platinum wristwatch and a collection of enamel plaques £400-600 1015. A collection of fifteen gem-set clasps, including a diamond-set gold lobster clasp, 1.5 x 0.8cm, a cushionshaped emerald-set platinum clasp, 1 x 0.8cm, an oval-shaped openwork diamond-set white gold clasp, 3 x 1.8cm, a diamond-set French white gold clasp, French control mark and obscured maker’s lozenge, 1.5 x 0.7cm, a navetteshaped clasp set with an old cushion and rose-cut diamonds in silver on gold, 2.3 x 0.9cm, together with ten other clasps of varying designs set with, emeralds, rubies, sapphires and diamonds £2,000-3,000

1014

1015

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1016

1017 1016. A mixed group of jewellery including two shell cameo brooches, a lady’s gold fob watch, a pair of gold glasses and a gold lorgnette, an amber necklace, a silver napkin ring, a silver bangle, a gold locket, a gold plated pocket watch, a paste necklace and earrings, a sovereign mounted in a pendant, a silver brooch, a diamond seven stone ring, a long gold chain and three brooches £400-600 1017. An Edwardian amethyst and seed pearl-set gold heart and arrows brooch, a Victorian garnet-set gold locket brooch, an Edwardian amethyst and seed pearl gold bangle, a brooch set with white and blue sapphires, an Edwardian seed pearl and turquoise doves brooch and a white stone-set ring, pendant and earrings and a cameo brooch £400-600 1018. A mixed group of jewellery, including a pair of sapphire and diamond cluster earrings, a pair of ruby and diamond cluster earrings, four shell cameo brooches, 13 gem-set gold rings, a silver ring, four pairs of gem-set gold earrings, a pair of cultured pearl and diamond earrings and four Victorian gold brooches £400-600

1018

1019. A mixed group of jewellery including a seed pearl and turquoise gold brooch, fitted case, a pair of paste buckles, fitted case, an Edwardian turquoise and seed pearl bangle, case, an amethyst desk seal and a rock crystal desk seal, two gold fob watches, a diamond bar brooch, a turquoise-mounted necklace and a blue paste brooch, three gold rings, two silver rings and a mourning pendant £300-400 1020. A quantity of jewellery, including a yellow gold twist-link necklace, 81cm, 22g. A yellow gold fine mesh-link necklace, French control mark, 31g. Four assorted gold wedding rings. A gold ring set with two half-pearls and two cushion-shaped diamonds, cased. A silver-gilt cannetille hinged bracelet. A gold brooch mounted with an oval-shaped amethyst within a surround of half pearls. A gold circular brooch set with half pearls. A gold monkey brooch and various items of jewellery etc. £300-400

1019

1020

λ 1021. A pair of opal drop earrings, set in yellow gold, a sapphire and diamond half cluster ring, set in yellow gold, size L, an aquamarine bar brooch, a coral and pearl gold ring, size L½, a sapphire scroll brooch, a seed pearl dove bar brooch, a cultured pearl necklace, three gold bangles, a pearl and amethyst bracelet, a silver brooch set with an opal and another pair of earrings £300-400

1021

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1022 1022. A mixed group of jewellery including a vacant Russian star stickpin, a miniature portrait in gold surround, diamond-set links, a garnet-set gold earring, a gold and enamel pansy watch, a garnet-set clasp, a Georgian clasp with plaited hair within the oval glazed locket, and various other items £400-600

1023

1023. A mixed group of jewellery including eleven gold fob seals, a Victorian garnet-set gold brooch, a gold Tudor watch, two seed pearl brooches, two Edwardian gold and gem-set pendants, a black enamel mourning ring, three other rings and a carnelian intaglio £400-600

λ 1024. A mixed group of jewellery including carved coral, a gold and enamel fob watch, an amethyst briollette, a synthetic ruby and diamond dress ring, set in yellow gold, size R½, an Edwardian seed pearl and diamond lozenge brooch, a diamond-set 8, and various other items £400-600 1025. A mixed group of jewellery including a gold-plated half hunter by Waltham USA, a smokey quartz mounted gold ring, size L, a Victorian gold brooch set with turquoise, three gold stock pins and a gold bar brooch set with a garnet and seed pearls, with a silver compass, silver pendant and two brooches £100-200

1024

1026. A mixed group of jewellery, including fourteen gold rings and various other items of costume jewellery £100-200 1027. A quantity of jewellery, including a diamond cluster-mounted gold stick pin. A dyed blue chalcedony cabochon-mounted white gold stick pin. A masonic stick pin set with a small diamond, case. A pair of diamond-set scroll white gold cufflinks. A pair of yellow gold cylinder cufflinks. A pair of 9ct textured yellow gold rectangular cufflinks. A pair of 9ct yellow gold bark-form cufflinks. A gold coin-mounted single yellow gold cufflink. A single faceted yellow gold cufflink and a pair of damaged engine-turned cufflinks (missing a section), the cufflinks approximately 73g total. £800-1,200

1025

1026

1027

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1028 1029 1028. A mixed group of jewellery, including a 9ct gold Albert chain, 37g, a gold twisted rope neck chain, a long gold chain, a pair of diamondset gold ear studs, a Berlin iron work curb-link bracelet and long chain necklace, a silver grasshopper brooch, two pairs of earrings, a collar necklace, a pair of cufflinks and buttons £500-700 1029. A mixed group of jewellery, including a Victorian gold locket pendant, a diamond three stone ring (one stone loose from mount), two gold necklaces, a gold charm bracelet, a loose diamond, weighing 0.13cts, and an amethyst and prasiolite pendant £400-600 1030

1030. A mixed group of jewellery including seven gem-set gold rings and a gold watch pendant by Bucherer on gold long chain £150-250 1031. A mixed group of jewellery including two cultured pearl necklaces, a silver money clip by Tiffany & Co, a Victorian opal and gold scroll brooch, a garnet bracelet, a propelling pencil on gold chain, a penknife and another pendant £150-250 1032. A mixed group of antique mourning jewellery, including three gold mourning rings, a lapiz lazuli signet ring, a George III garnet ring, three enamel and gold mourning brooches containing lockets of hair, and a woven hair mourning bracelet £300-400 1033. A mixed group of jewellery including a pair of diamond stud earrings, a pair of sapphire and diamond cluster earrings, A Victorian diamond-set gold stickpin, a diamond full circle eternity ring, size N½, a diamond three stone ring in platinum and white gold, size J½, a sapphire and diamond cluster ring, size N, a pink sapphire and diamond ring set in white gold, size N, an emerald and diamond cluster ring set in platinum and yellow gold, size P, with a pair of gold hoop earrings £400-600 1034. A pair of gem-set gold cluster earrings, and two pairs of cultured pearl earrings set in yellow gold £100-150

1031

1033

1032

1034

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1035 1035. A pair of aquamarine, cultured pearl and diamond drop earrings, each set with a circular-cut aquamarine, circular and baguette-shaped diamonds and suspending a cultured pearl in white gold, 3.8cm high, together with an aquamarine and diamond cluster ring, size M £1,200-1,500 1036. A quantity of jewellery, including a yellow gold mesh-link necklace, stamped 585, 39.5cm long, 17g. A yellow gold curb link necklace, 50cm, 39g. A diamond-set yellow gold bracelet. A white stone-set yellow gold bangle. A yellow gold fine link bracelet. A yellow gold wristwatch by Vertex with yellow gold bracelet. An 18ct gold wedding band. A 9ct gold initial 'E' pendant with fine-link gold neck chain. A sapphire and diamond-set gold cluster ring. A gold cruciform pendant and a gold-case heart-shaped pendant £800-1,200

1037 1036

1037. A quantity of gold items, including a 9ct gold rectangular cigarette case with engineturned decoration and 'Asprey' sliding hinge, 13.8cm long, 205g total. A 9ct rectangular match book case, 'Asprey' hinge, 6cm high, 44g total. A 9ct gold vesta match case, 4.3cm high, 24g. A 9ct gold telescopic toothpick with a 9ct gold cigar cutter, both 16g total. £2,500-3,000 1038. A Victorian diamond-set gold brooch, decorated with blue enamel within pellet-decorated surround, 3.8cm wide, with a Victorian shell cameo brooch in foliate surround set with garnets, a 9ct gold brooch mounted with a circular jade and a silver George and the dragon pendant £150-250

1038

1039

1039. A three-row cultured pearl necklace, with a mother-of-pearl-set gold dress set in fitted Asprey box £100-200 1040. Two platinum wedding bands, inner inscriptions, size Q & K, each with leather Asprey pouch, together with a silver bracelet by Tiffany, 16.5cm long, Tiffany pouch and outer box, and a fancy-link silver neck chain, 43cm long £200-300 1041. A Regimental brooch for The Royal Engineers, decorated with enamel and diamonds in yellow gold, with another Regimental brooch for the 7th Queens own Hussars, decorated with enamel in yellow gold, with a 9ct gold fob seal with bloodstone matrix £100-150 1042. A Scottish gold gem-set brooch, the Celtic design set with carved banded agates, and faceted citrines and an amethyst in carved yellow gold surround, 5cm wide, with a base metal fob seal set with a carnelian carved with a coat of arms, 3.2cm high £100-150

1041

1042

1040

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1045

1044

1046

1043

1047 1043. A mixed group of jewellery including a pair of diamond-set insect wings, two vacant two-stone crossover rings set with shoulder diamonds, two three stone diamond-set ring mounts, a vacant solitaire mount set with diamonds, an opal and diamond half-hoop ring (one opal missing) and various other gem-set jewellery components £1,500-2,000

1048

1044. Two diamond-set ring mounts, missing centre stones, one rectangular mount with a ballerina-style border of tapered baguetteshaped diamonds in platinum, size K, the other with stylised coronet set with small diamonds and further shoulder diamonds in platinum, size M½ £800-1,200 1045. Three diamond-set ring mounts, missing centre stones, one rectangular form with a ballerina-style mount set with tapered baguette-shaped diamonds in white gold, size M, another mount for a rectangular-shaped stone set with three graduated baguette-shaped diamonds to each shoulder in platinum, size O, another for a pearshaped stone with a tapered baguette-shaped diamond to each shoulder in platinum, size M £800-1,200

1049

1046. An emerald and diamond-set bombé ring, set with a cabochon emerald and two circular-cut diamonds in yellow gold, size R, together with a Victorian amethyst gold brooch, the lozenge-shaped gold bar brooch with foliate engraved decoration and centred with an oval-shaped amethyst, 5cm wide £200-300 1047. An aquamarine and moonstone long chain, set with faceted aquamarines and moonstone cabochons in yellow gold spectacle mounts, on a fine-link yellow gold neck chain, 63cm long £700-900 1048. A silver oyster brooch by Georg Jensen, post-1945, design no. 328 by Nanna en Jorgen Ditzel, stamped 328, with maker’s mark and signed NJ, 5.3cm wide £80-120 1049. A silver bangle by Sarah Jones, set with a fieldmouse on a wheatsheaf in silver, maker’s mark and London hallmarks for 1982, 6.7cm inner diameter £150-250 1050. A pair of abstract gem-set clips, pavé-set yellow sapphire sections set in white metal within abstract textured border and ebony surround, 8.5cm high £800-1,200

1050

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1051 1052 1051. A quantity of silver rings and pendants, the various pendants and rings with zodiac motifs, together with a silver plaque, four pendants, two rings and the plaque signed C de Temple, the rest unsigned, with Charles de Temple case £100-150 1052. Two metal necklaces and a gilt metal brooch by Charles de Temple, the collar necklaces formed with geometric links with crosshatch decoration, both 12cm internal diameter, one set with cabochon tourmalines, each with Charles de Temple case, together with a gilt metal brooch suspending free-moving elongated drops, 5.7 x 8cm £200-300

1053

1054

1053. Two gold rings, one navette-shaped gold ring with carved decoration and centred with a circular-cut white sapphire, size N, the other ring with deep carved decoration, size O £150-250 1054. A single-row cultured pearl necklace, with a diamond-set Art Deco clasp, 44cm long£200-300 1055. A cultured pearl and black diamond necklace, the black gold chain set with six cultured pearls suspends a cultured pearl and black diamond flower head, 46cm long £600-800 1056. A cultured pearl necklace with gem-set clasp and earrings, the gold cluster clasp set with pear-shaped rubies and circular-cut diamonds, on a four-row cultured pearl necklace, 66cm long, together with a matching pair of ruby and diamond cluster earrings, post and clip fittings, 2.2cm high £800-1,200

1055

1056

1057. An opal bead and cultured pearl necklace, set with graduated opal beads, cultured pearls and rock crystal rondels, 89cm long, together with a sapphire and diamond ring, set in 18ct yellow gold, Birmingham hallmarks for 1987, size J½, and a tourmaline and diamond three-stone ring, set in 18ct gold, London import marks for 1983, size L £200-300

1057

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1059 1058 1058. An 18ct gold open-faced pocket watch, with slide action for repetition and loose seconds and minute hands, 3/4 plate movement, engraved reverse case, a 9ct gold lady’s wristwatch with 9ct gold gate-link bracelet, a silver open-faced fob watch on a silver curb-link watch chain and three further wristwatches £600-800 1059. A lady’s gold fob watch, key wind, Swiss movement with niello decoration to case back, 4.5cm wide, with a gentleman’s steel wristwatch by Bulova, case 4cm wide £200-300 1060. Three gentleman’s gold wristwatches, all manual movements, each on a leather band £100-150

1060

1061. A lady’s Chanel Premiere Wristwatch, with signed rectangular black dial, in 20 micron gold plate with black leather entwined strap, Quartz movement, case 20mm, 15cm long £300-400

1061

1065 1062

1063

1062. A lady’s Art Deco diamond wristwatch, the plain white dial with black Arabic numerals within diamond-set platinum case, on black silk band £150-250 1063. A lady’s silver gilt wristwatch by Must de Cartier, the signed cream dial with black Roman numerals, manual movement, on Must de Cartier strap, case £150-250 1064. A gentleman’s gold wristwatch by Longines, the signed rectangular dial with black Arabic numerals and subsidiary seconds dial, manual movement, inscription to reverse dated 1937, 2.3cm wide £400-600 1065. A gentleman’s steel wristwatch by Rolex, the signed dial with black Arabic numerals and subsidiary seconds dial, manual movement, numbered 021691 and 2356 to reverse, 2.2cm wide £600-800

1064

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1066 1067

1068

1066. An aquamarine, moonstone, sapphire and diamond long chain, set with pairs of aquamarines and moonstones between oval-shaped sapphires and circular-cut diamonds in yellow gold spectacle mounts, on a fine-link yellow gold necklace, 76cm long £900-1,200 1067. A Victorian shell cameo brooch, within Etruscan Revival gold frame, a circular gold portrait brooch within a surround of sapphires and diamonds, a blue and white stone ring and a green stone ring £100-150 1068. A Regency gold fob seal, with foliate decoration overall, suspended from a gold split ring, with vacant end, 5cm high £200-300 1069. A silver and enamel desk seal, the waisted seal decorated with red guilloche enamel with seed pearls (one missing) to the base and a rose-cut diamond terminal, the silver matrix bearing a crest, 8cm high £300-400

1070

1069

1070. A gold-mounted hardstone egg, c1960, the rhodonite body mounted in a gold cagework of fruiting vines, the grapes formed by clusters of seed pearls, the base of stylised branch design, 8.8cm high £1,000-1,500

1072

λ 1071. An Art Nouveau tortoiseshell comb, in the style of Louis Aucoc, the pierced foliate upper section with seed pearl highlights, 11cm wide £600-800 1072. An articulated diamond ring by Maccarini Piero & C, set with graduated circular-cut diamonds in articulated white gold links, signed and with Italian hallmarks, approximately size O½ £200-300 1073. A Victorian amethyst and diamond cluster ring, set in gold, size M½ and an opal and diamond halfhoop ring, set in gold, size J £150-200

1071

1073

1074. Three gem-set gold rings, including a diamond five-stone ring, size G, an emerald and seed pearl halfhoop ring (one stone missing), L½, and an emerald and diamond cluster ring, size O £200-300 1075. A 19th century emerald three stone ring, set in yellow gold, size P½, case, with an emerald-cut emerald pendant set in yellow gold, a ruby and diamond ring, size R and a sapphire and diamond ring, size L½ £400-600

1074

1075

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1076. A jade brooch, the carved oval jadeite jade plaque set within chevron border in white gold, 4.5cm wide, with a jade ring mounted in white gold, size M £200-300

1076

Accompanied by report number 79199-32 dated 20 February 2019 from GCS, London stating that the carved green jade in the brooch is natural jadeite jade with no indications of impregnation. 1077. A carved jade pendant, suspended from a glass bead on green cord, pendant 5.7cm high £200-300 1077

1078. A moonstone-set gold long chain, set with cabochon moonstones in yellow gold spectacle mounts, between pairs of yellow gold fancy links, 47cm long £250-350 1079. A pair of George III paste-set silver earrings, set with cushion-shaped pastes in closed-back silver mounts suspending from pear-shape paste upper sections, shepherd’s hook fittings, 5.5cm high £100-150 1080. A Victorian amethyst and seed pearl brooch, set with two pear-shaped amethysts within seed pearl surround in yellow gold, 4.1cm wide £200-300

1078

1081. A rock crystal and zircon flower brooch, with a diamond-set white gold stem, with a pair of matching carved rock crystal earrings with diamond-set centres, in white gold, brooch 4cm long, earrings 4cm high £500-700 1082. A Victorian diamond and enamel riding crop brooch, set in yellow gold, 6.5cm high £300-400 1083. An opal-set gold brooch by Murrle Bennet & Co., of abstract openwork design and set with oval cabochon opals, maker’s mark to reverse, 3.2cm wide £150-250 1079

1080

1082 1083

1081

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1086

1084

1085

1084. A sapphire and diamond foliate pendant, of abstract design, set with a central sapphire, the leaves set with graduated round brilliant-cut diamonds in platinum and yellow gold, brooch fitting to reverse, 4cm high, chain 34cm long £200-300 1085. A Victorian gold stylised horseshoe brooch pendant, set with turquoise cabochons and seed pearls with cannetille decoration and suspending a gold tassle, 3cm wide, on a fine-link gold neck chain, dilapidated fitted case £300-400

1087

1086. A Victorian seed pearl and diamond-set gold heart locket pendant, pavé-set with seed pearls (one missing) and a diamond, glazed locket compartment to reverse, on twisted bi-colour gold neck chain, 38cm long, heart 16mm wide £300-400

1088

1087. A pair of diamond double clips, of foliate design, set with diamonds in white gold, 5cm wide (as a brooch) £400-600 1088. An early 20th century gold bracelet, set with green scarab beetles in gold closedback collets with oval connecting gold links, 16.5cm long £200-300 1089. An amethyst and freshwater pearl bracelet, set with amethyst cabochons and freshwater pearls in a gold fancy-link bracelet, 20cm long £100-200

λ 1090. A gold duck brooch, the stylised duck set with a moonstone body, coral head, ruby eye and sapphire collar in yellow gold, 3.5cm wide £200-300

1089

1090

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1091

1092

1093

1091. A Victorian turquoise and diamond bar brooch, set with a turquoise and cushion-shaped diamond cluster with further turquoise cabochons to the gold bar brooch, 6cm wide, together with a diamond-set bar brooch depicting a bird with cabochon ruby eye, 5cm wide £200-300 1092. A sapphire and diamond cluster pendant, the oval-shaped sapphire set in a surround of old circular-cut diamonds surmounted by a further old circular-cut diamond in yellow and white gold, 2.2cm high £300-400 1093. A Victorian composite gold bangle, set with seed pearls and a navette-shaped centre section with red and white enamel decoration, surmounted with a rose-cut diamond heart with coronet, 6.2cm internal diameter £300-400

1094

1094. A silver and gold panther’s head bangle, with twisted silver gold bangle and stylised gold panther’s head terminals, 6cm inner diameter £200-300 1095. A late Victorian yellow gold bangle, set with two oval-shaped amethysts, 5.5cm inner diameter £150-250

1095

1096. A Portuguese rock crystal brooch, set with graduated square, marquise, oval and pear-shaped rock crystal in silver and gold collets, 5.5cm wide £500-700 1097. A pair of cultured pearl and diamond earrings, set with a central cultured pearl within diamond and ropetwist gold border, 2.4cm wide, clip fittings £200-300

1096

1097

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1098

1099

1100

1098. A Victorian seed pearl and diamond pendant and matching brooch, the gold star design set with graduated seed pearls and old cushion-shaped diamonds, pendant 3cm high, on a fancy-link neck chain, 50cm long, brooch 3.5cm wide £400-600

λ 1099. A pair of coral and diamond drop earrings, the textured yellow gold fluted hoop suspends two diamond-set links suspending an oval fluted coral and diamond link, 5.5cm long, clip fittings £600-800

1101

1100. A ruby and diamond stick pin, depicting a cricket bat set overall with diamonds, a ruby ball and gold stumps, suspended from yellow gold stick pin, 5.5cm high, case £300-400 1101. A diamond-set butterfly brooch, the rose-cut diamonds are millegrain-set in silver and gold, 4cm wide £1,200-1,500 1102. A Victorian portrait miniature of a gentleman, signed Albert Theer, 1868, within a turquoise and pearl surround decorated with black enamel and a shell cameo to reverse, in yellow gold, 6cm high £400-600

1102

1103

1103. A Victorian pietra dura brooch, the oval plaque depicting a carnation, forget-menots and primroses within gold ropetwist and pellet border and mother-of-pearl backing, 6.6cm high £100-200 1104. A Victorian pietra dura brooch, the rectangular plaque depicting flowers in hardstone within yellow gold scrolling border, 7.2cm high £80-120 1105. A Victorian pietra dura brooch pendant, with floral motif, in gold mount with wirework and beaded decoration, with glazed locket compartment to reverse, 4.8cm high £100-150

1104

1105

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1106A

1106

1107

1106. A 19th century hardstone cameo depicting Flora, in an Etruscan Revival mount set with seed pearls, together with a 19th century shell cameo depicting a young man in profile, mounted in a wood shadowbox £200-300 1106A. A collection of hardstone fragments, some ancient Roman, including a fragment of a large Roman state cameo, depicting a hand holding a sceptre, possibly from a cameo of a seated God/Godess/Emperor, c1st-2nd century AD. A fragment of a Roman three-colour Sardonyx cameo of Minerva, c1st century AD. A fragment of a Roman sardonyx cameo, depicting a hand holding a cornucopia next to the lower part of a statuette of Victoria standing on a globe, Julio-Claudian, c1st century AD, together with a fragment of a sardonyx cameo depicting a peplos-clad figure, possibly Roman. £200-300 1107. A mid 19th century shell cameo brooch by Tommaso Saulini, depicting a woman in profile (possibly Florence Nightingale), within seed pearl border set in silver on gold, signed Saulini F, 5.5cm high £400-600 1108. A group of 21 lava and shell cameos

£200-300

1109. A mixed group of 12 hardstone and glass intaglios and a hardstone cameo £300-400

1108

1110. A Victorian hardstone cameo brooch pendant, depicting a woman in profile, within a seed pearl in border in yellow gold, 3.5cm wide £500-700 1111. A 19th century glass intaglio depicting a sacrificial ceremony, bearing the signature Pichler, in Greek, 2.2cm high, together with a 19th century citrine intaglio of a Zingara in profile, 1.75 x 1.65cm and a late 19th century glass intaglio ring, depicting Sappho in yellow gold surround, size N £200-300 1112. A Victorian hardstone cameo pendant depicting Demeter in profile, within twisted gold wirework border, 6.1cm long £200-300 1113. General Society of Sons of the Revolution, Member’s Badge, 3rd type, by Bailey, Banks & Biddle, gold and enamel, eagle reverse inscribed, ‘2277’, badge reverse inscribed, ‘Desmond Fitzgerald October 26 1896’, 4.5cm high £200-300

1109

1110

1111

1112

1113

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1115

1116

1117

1118

1119

1120

1121

1122

1114

1114. An Indian miniature painting mounted gold stick pin, set within yellow gold ropetwist border, 2.3cm wide, in a stickpin box by Dreicer & Co £200-300 1115. A Victorian carved lava cameo brooch, depicting a cherub (damaged) with a dog, in gold frame, 6cm wide £100-200 1116. A Victorian hardstone cameo brooch, depicting Clytie in profile with hair flowing to her shoulders, the openwork gold brooch with ropetwist decoration, 4.7cm high £300-400 1117. A 19th century agate cameo brooch pendant by Paul Lebas, depicting the nymph Arethusa, set in gold within a border of pearls, the cameo signed PL to the neck, 4.8cm high £1,000-1,500 For a similar example see The Metropolitan Museum of Art, New York exhibit no. 40.20.16. 1118. A Victorian shell cameo brooch, depicting Flora in profile, within twisted rope and pellet yellow gold border, glazed locket to reverse, pendant loop, 5.5cm high £200-300 1119. A 19th century agate cameo pendant, c1870, depicting Ariadne within plain gold border and pendant loop set with a pearl, 6.5cm high £400-500 1120.

A mid 19th century agate cameo brooch, depicting Flora in banded agate and plain silver surround, 4cm high £100-200

1121. A Victorian shell cameo brooch depicting Michelangelo, in a yellow gold frame, 3.7cm high, with a Victorian shell cameo brooch depicting Athena in gilded pellet frame, 5.5cm wide £200-300 1122. A 19th century shell cameo, depicting the Ancient Greek playwright Sophacles, 4.2cm high

£200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1123. A sapphire and diamond three-stone ring, the oval-shaped sapphire is rubover-set with a round brillliant-cut diamond to each shoulder in platinum and yellow gold, size P½ £800-1,200 1124. A diamond cluster ring, of flowerhead design, set with round brilliant-cut diamonds in platinum and yellow gold, size O½ £1,200-1,500 1125. A cultured pearl and diamond crossover ring, set with a cluster of diamonds and a cultured pearl within diamond-set platinum shoulders, size L £600-800 1126. A diamond solitaire ring, set with a round brilliant-cut diamond which weighs approximately 1.05cts, in white gold, size N £950-1,000 1127. A cultured pearl and diamond crossover ring, set with a grey and white cultured pearl with graduated round brilliant-cut diamonds to the shoulders in platinum, size I £400-600 1128. A diamond solitaire ring, the emerald-cut diamond is claw-set in white gold, Birmingham hallmarks for 1998, size L £600-800 1129. An aquamarine and diamond three-stone ring, the rectangular aquamarine flanked with round brilliant-cut diamonds in platinum and gold, size O £200-300 1130. An aquamarine and diamond ring, set with an emerald-cut aquamarine, with rows of circular-cut diamonds to the shoulders in platinum, size M £1,000-1,500 1131. A kunzite and diamond cluster ring, set with a rectangular mixed-cut kunzite within a surround of circular-cut diamonds and kunzites, with further circular-cut diamonds to the shoulders in white gold, size I £600-800 1132. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of round brilliantcut diamonds in white gold, size P £2,500-3,500 Accompanied by report number 79196-83 dated 23 January 2019 from GCS, London stating that the cushion-cut ruby weighs approximately 1.90cts and is a natural ruby with no indications of heat treatment. Comment: Significant amount of oil in fissures. Origin: Burma (Myanmar) 1133. A pink sapphire and diamond cluster ring, centred with an emerald-cut pink sapphire within quatrefoil surround of circular-cut diamonds, with further circular-cut diamonds to the bifurcated shoulders in platinum, size N½ £900-1,200 1134. A peridot and diamond half-hoop ring, set with a circular-cut peridot within diamond shoulders in 9ct white gold, London hallmarks for 2006, size N £250-350 1135. A diamond triple cluster ring, each round brilliant-cut diamond is set within a surround of further circular-cut diamonds, with scroll engraved decoration to the gallery in yellow and white gold, size O £1,000-1,500 1136. A diamond plaque ring, of circular design and set with circular-cut diamonds in 18ct white gold, London import marks for 1974, size P £1,200-1,500 1137. A diamond three-stone ring, the three round brilliant-cut diamonds are set in platinum and gold, size M £200-300 1138. A diamond cluster ring, the round brilliant-cut diamond set within a surround of circular-cut diamonds (two stones missing), with further diamonds to the shoulders in white gold, size M £300-400 1139. An opal single-stone ring, the large solid white opal is claw-set in yellow gold, size L½ £600-800 1140. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of round brilliant-cut diamonds in 18ct white gold, Birmingham hallmarks for 2001, size J½ £100-200

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1123

1124

1125 1126

1129 1127 1130 1128 1134 1131 1135 1132

1136

1133 1137

1139

1138

1140

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1141. A lady’s gold wristwatch by Baume et Mercier, the signed dial with Roman numerals, quartz movement, numbered to reverse 615875 and 37077, on leather strap, case 22mm wide £400-600 1142. A lady’s Cartier Panthere Ronde wristwatch, in steel and gold, the signed dial with Roman numerals, quartz movement, steel and gold bracelet with deployant clasp, case 2.7cm wide, box £800-1,200 1143. A 19th century French gold stickpin in the manner of Fannière Frères, depicting Pan playing the pipes in silver on lapis lazuli, within gold border, 7.5cm high, 2.1cm wide £200-300 1144. A late 19th century carved boulder opal intaglio of Queen Victoria, probably by Wilhelm Schmidt, mounted in a yellow gold stick pin, cameo 12mm high, stickpin 6.3cm wide £150-200 1145. A pair of gem-set ladybird cufflinks, the wings pavé-set with circular-cut diamonds, with cabochon ruby eyes and further circular-cut emeralds to the heads in yellow and white gold, each link 1.4cm high £800-1,200 1146. A pair of early 20th century gold cufflinks, the circular gold links with red, black and white enamel decoration with sun spray motif, each link 1cm high £1,000-1,500 1147. A lilac enamel dress set, the purple guilloche enamel set within a surround of round brilliant-cut diamonds in white gold, with four matching buttons £1,200-1,500 1148. A pair of sapphire-set 18ct gold cufflinks, each oval link centred with a circular-cut sapphire within a border of blue enamel, joined with a gold torpedo link, Birmingham hallmarks for 1987 £400-600 1149. A pair of rock crystal and ruby cufflinks, each octagonal link set with four calibré-cut rubies in white gold £600-800 1150. A pair of amethyst baton and diamond cufflinks, joined with anchor-link gold chains £300-400 1151. A diamond-set gold wristwatch by Royama, the signed octagonal dial with diamond-set bezel, on fluted 18ct yellow gold bracelet, deployant clasp, case 3.5cm wide £1,000-2,000 1152. A pair of amethyst and diamond cufflinks, the fluted amethysts each surmounted with a diamond in platinum and yellow gold £300-400 1153. A set of six late 19th century French enamel gold buttons, each circular gold button with a foliate motif to the centre and with oyster guilloche enamel decoration, all with French control mark and maker’s mark G*D for Germain Desbazeille, each 1.4cm high, fitted case by Boucheron £1,200-1,500

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1141

1143

1144

1145

1146

1142 1147

1148

1149

1150

1153

1151

1152

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1154. An Edwardian seed pearl, diamond and turquoise gold pendant, of openwork foliate design, centred with a circular-cut diamond and suspending an untested pearl, 4.5cm high, on a fine-link gold neck chain, 38cm long, fitted case £800-1,200 1155. A diamond three-stone ring, set with graduated old cushion-shaped diamonds in platinum and gold, size Q½ £200-300 1156. A 19th century fruiting vine ring, set with seed pearls and a cushion-shaped ruby, with glazed locket compartment to the reverse and openwork scroll shoulders in yellow gold, size L £150-250 1157. A diamond three-stone ring, set with three old circular-cut diamonds in platinum and gold, size N £400-600 1158. A George III ruby, turquoise and seed pearl-set gold ring, with a ruby and seed pearl quatrefoil, and turquoise set to the openwork scroll shoulders, with engraved decoration in 15ct gold, with Birmingham hallmarks for 1791, size L £100-200 1159. A Victorian garnet and diamond cluster ring, centred with a rose-cut diamond and circular-cut garnets, with openwork scroll shoulders with engraved decoration in yellow gold, Birmingham hallmarks for 1866, size M½ £150-250 1160. A 19th century opal and emerald cluster ring, set with a trefoil of opal cabochons and circularcut emeralds, with scroll engraved decoration to the shoulders in yellow gold, size K½ £100-200 1161. An Edwardian ruby and diamond half-hoop ring, set with oval-shaped rubies and circular-cut diamonds in yellow gold, stamped SB&S Ltd, size K½ £600-800 1162. A 19th century Russian gem-set bar brooch, centred with a circular cluster set with calibré-cut turquoise and a cushion-shaped diamond, with further cushion-shaped diamonds to the bi-colour gold bar brooch, stamped 56 to the brooch pin, 5.4cm long £200-300 1163. A diamond and pearl three-stone ring, the central pearl set with two rose-cut diamonds in yellow gold, size S £200-300 1164. An Edwardian emerald and diamond brooch, set with a line of graduated old circular-cut diamonds within a border of circular-cut emeralds in platinum and gold, 5cm wide, case £600-800 1165. A 19th century diamond-set jabot pin, designed as a sword, set with rose-cut diamonds to the hilt and tip in silver on gold, 15.5cm long £1,000-1,500 1166. A Victorian seed pearl and amethyst gold brooch, the oval-shaped amethyst set within a surround of seed pearls in yellow gold, 3.2cm wide, fitted case £200-300 1167. A Victorian garnet-set gold bracelet and matching ring, set with cabochon garnets in closedback gold mounts, with ropetwist decoration to the borders, the bracelet suspending a locket pendant with interior glazed locket compartment, ring size M £400-600 1168. A 19th century gem-set gold ring, set with a trefoil of seed pearls and rose-cut diamonds, with further circular-cut rubies to the openwork scroll shoulders in yellow gold, size O £150-250 1169. An Edwardian cultured pearl, ruby and diamond cluster ring, set with circular-cut rubies, rosecut diamonds and centred with a cultured pearl in yellow gold, size P £200-300 1170. An early 20th century lozenge-shaped diamond brooch, set overall with graduated old cushionshaped and rose-cut diamonds in platinum, on platinum bar brooch, 6cm wide, fitted case £400-600 1171. A turquoise-set gold bracelet, the ropetwist gold links alternately set with turquoise cabochonsset spacers, 19.5cm long £1,500-2,000 1172. A 19th century diamond bangle, of scroll form and set overall with graduated rose-cut diamonds in yellow gold, 5.7cm inner diameter £600-800 1173. An Edwardian star sapphire-set gold bracelet, the oval cabochon star sapphire is rubover-set, on an adjustable gold mesh bracelet, 17cm long £2,000-3,000 Accompanied by report number 80237-27 dated 5 November 2019 from GCS, London stating that the cabochon-cut sapphire weighs approximately 13.30cts and is a natural star sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1174. An Edwardian sapphire-set gold longuard chain, set with cushion-shaped blue and yellow sapphires in yellow gold spectacle mounts, on a gold neck chain, 142cm long £800-1,200 1175. An Edwardian pearl mounted gold necklace, the oval-link necklace set with twelve baroque pearls and a pearl clasp in yellow gold, 57cm long £500-700

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1154

1155

1157

1156

1158

1159

1160 1162

1161 1164

1163

1167

1166

1168

1169

1170

1175 1165 1172 1174 1171

25 1173

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1176. A pair of carved topaz and diamond drop earrings, the carved blue topaz clowns suspend from diamond-set stars in white gold, 5.2cm high £600-800 1177. A pink sapphire and diamond cluster ring, the oval-shaped pink sapphire is set within a surround of circular-cut diamonds, with a baguette-cut diamond to each shoulder in white gold, size O £500-700 1178. A black star sapphire and diamond ring, the oval cabochon sapphire weighs approximately 7.50cts and is set with round brilliant-cut diamonds in white gold, size N½ £850-950 1179. A diamond solitaire ring, the Asscher-cut diamond weighs 0.57cts and is claw-set in platinum, London hallmarks for 2007, size J £800-1,200 Accompanied by report number 15978388 dated 18 June 2007 from GIA stating that the square emeraldcut diamond weighs 0.57cts, has E colour, SI1 clarity and no fluorescence. 1180. A diamond half-hoop ring, channel-set with nine baguette-shaped diamonds in platinum, London hallmarks for 2004, size N½ £600-800 1181. An aquamarine and diamond three-stone ring, the cushion-shaped aquamarine is rubover set in yellow gold and flanked with circular-cut diamonds in platinum and 18ct yellow gold, maker’s mark PBH and London hallmarks for 2007, stamped 5.41 (aquamarine) and .71 (diamonds) to inner shank, size M½ £400-600 1182. An opal and diamond pendant, the pear-shaped cabochon opal is set within a border of baguetteshaped diamonds, suspended from a pear-shaped diamond surmount in white gold, pendant 3cm high, white gold chain 45cm long £800-1,200 1183. An aquamarine and diamond pendant, set with a pear-shaped aquamarine within a surround of circular-cut diamonds, suspending from a diamond-set bale, 2.5cm high, on a fine-link white gold neck chain, 40cm long £900-1,200 1184. An aquamarine and diamond-set pendant, the emerald-cut aquamarine weighs approximately 14.00cts, within a diamond-set oval surround, with further pear and marquise-shaped diamonds to the bale in platinum, London hallmarks for 1991, 4cm high £800-1,200 1185. A pair of emerald heart-shaped stud earrings, pavé-set in white gold, 12mm wide

£250-350

1186. A pair of black and white diamond swirl earrings, of bombé design set in white gold, folding post and clip fittings, 16cm wide £1,000-1,500 1187. A diamond-set fine-link platinum chain, set with 22 round brilliant-cut diamonds in spectacle mounts, 65cm long £500-700 1188. A gem-set longuard chain, the circular-cut aquamarines, sapphires and diamonds are alternatelyset in platinum spectacle mounts, on a fine-link platinum neck chain, 71cm long £1,000-2,000 1189. A sapphire and diamond spray brooch, set with graduated circular-cut sapphires and diamonds forming a posy of flowers, tied with baguette-shaped diamond ribbon in white gold, 4.5cm high£400-600 1190. A diamond-set white gold bangle, the upper section pavé-set with circular-cut diamonds, 6cm internal diameter £800-1,200 1191. An aquamarine and diamond cluster ring, the emerald-cut aquamarine is set within a surround of old circular-cut diamonds in a wirework platinum and white gold mount, size M £1,200-1,500 1192. A pair of zircon and diamond drop earrings, the articulated birfurcated lines of round brilliant-cut diamonds suspend an emerald-cut zircon in platinum, post fittings, 5.3cm high £2,000-2,500 1193. A diamond-set frog pendant, the stylised frog pavé-set with diamonds and ruby eyes in silver and gold, 3cm high (including pendant loop £200-300

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1177

1178

1179 1176 1180

1183

1181 1182

1185

1188

1184 1186

1187

1189 1190

1191

1192

1193

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1194. A silver and chalcedony pendant attributed to the Artificer’s Guild, centred with a green chalcedony cabochon within an openwork circular design, with ropetwist and pellet decoration, suspending a chalcedony and seed pearl-set drop, 6.8cm high, on a fancy-link silver neck chain, 48cm long £400-600 1195. A silver and enamel pendant by Charles Horner, centred with an enamel heart and suspending a silver and enamel drop, Chester hallmarks for 1923 and with maker’s mark, on a fine-link silver neckchain, 48cm long £150-250 1196. A gem-set silver pendant by Murrle Bennett & Co, of scrolling abstract design, centred with an oval-shaped boulder opal and suspending a freshwater pearl, stamped 950 and with maker’s mark, on a fancy-link silver neckchain, pendant 4cm high, chain 20cm £300-400 1197. An opal-set silver pendant and matching brooch by Murrle Bennett & Co, both of abstract design, set with oval-shaped opals in hammered silver, suspending further opal drops, each stamped 950 and with maker’s mark to reverse, brooch 2.7cm high, pendant 4cm high, chain 42cm long £800-1,200 1198. An Edwardian sapphire and diamond insect brooch, the stylised fly set with two graduated sapphires, the wings set with rose-cut diamonds in silver and gold, 4.3cm wide £200-300 1199. An aquamarine set ring, the rectangular step-cut aquamarine set within foliate scrolling yellow gold mount, size P £950-1,000 1200. An Art Nouveau opal-set gold ring, the marquise-shape black opal cabochon set within a foliate and thistle gold mount, French control mark and obscured maker’s mark, size O £1,200-1,500 1201. An early 20th century foliate plaque ring, set with old circular and rose-cut diamonds, with black enamel decoration in platinum, size L £1,200-1,500 1202. A gem-set cluster ring, centred with a faceted amethyst within a surround of circular-cut green garnets and sapphires, with foliate carved shoulders in platinum and yellow gold, size O £400-600 1203. An early 20th century long gold chain, set with fancy foliate links and seed pearls in yellow gold, 142cm long, 52g £1,000-1,500 1204. An Art Nouveau gold foliate bracelet, the quatrefoil links with central repoussé leaves in yellow gold, 17.5cm long £1,800-2,500 1205. A silver and enamel belt buckle by Child & Child, formed as interlocking butterflies decorated with green enamel in silver, signed to reverse with maker’s mark and London hallmark for 1903, 8cm high £800-1,200

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1197 (2)

1196

1195 1194

1202

1201

1198

1200

1203

1199

1204 1205

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1206. A pair of gem-set and enamel gold earrings, set with a central cluster of cabochon rubies, sapphires, emeralds and diamonds within red and green enamel and diamond-set ribbon borders, in yellow gold, 3.8cm wide £3,000-4,000 1207. An emerald and diamond necklace, the necklace set with emerald and diamond clusters suspends a pendant set with an emerald-cut emerald within a border of baguette-shaped diamonds and scrolling yellow gold surround set with further diamonds, 46cm long £1,000-1,500 1208. An Indian diamond-set fringe necklace, set with clusters of flat diamonds suspending articulated pear-shaped diamond-set pendants, the reverse engraved with shells in silver and gold, 45cm long £2,500-3,000 1209. A pair of ruby and diamond drop earrings, the tied ribbon design millegrain set with graduated circular-cut diamonds and invisibly-set French-cut rubies in white gold, post and clip fittings, 7cm long £3,000-5,000 1210. Three graduated ladybird brooches, decorated with polychrome guilloche enamel in yellow gold, 3.2cm, 2.5cm and 1.8cm long £800-1,200 1211. A gold frog brooch/pendant, pavé-set with demantoid garnets and diamond eyes in yellow gold, 3cm high £1,000-1,500 1212. A pair of emerald and diamond drop earrings, the pear-shaped emeralds set within a surround of graduated round brilliant and single-cut diamonds in white gold, 2.7cm long £2,800-3,000 1213. No lot

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1206

1207

1208

1211 1209 1210 (3)

1212

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1214. A pair of natural pearl and diamond drop earrings, the drop-shaped pearls with platinum caps suspending from diamond-set open lozenges in platinum and gold, post fittings, Swedish hallmark and obscured platinum standard mark, 3.5cm high £2,000-3,000 Accompanied by report number 80244-15 dated 22 November 2019 from GCS, London stating that the cream pearls measure 11.3 x 8.2 x 8.1mm and 11.0 x 8.7 x 6.8mm and are natural saltwater with no indications of treatment. 1215. A four-row natural pearl necklace, set with a lozenge-shaped diamond cluster clasp in white gold, 46cm longest £4,500-5,500 Accompanied by report number 80239-79 dated 5 November 2019 from GCS, London stating that the cream pearls measure approximately 2.4 - 5.7mm and are natural saltwater. Comment: the necklace also includes pearls under 3mm in size. These ‘seed pearls’ may be either natural or cultured. 1216. A Victorian pearl and diamond brooch, of flowerhead design, centred with a pearl and set with rose-cut diamonds in silver on gold, 3.5cm wide £1,000-1,500 1217.

A single-row natural pearl bracelet, with a barrel clasp pavé-set with single-cut diamonds, 19cm long £600-800

Accompanied by report number 80246-00 dated 5 December 2019 from GCS, London stating that the cream pearls measure 4.9 x 5.4mm and are natural saltwater with no indications of treatment. 1218. A single-row natural and cultured pearl necklace, the cream pearls graduate from approximately 5.1 - 7.4mm and are set with a white stone and cultured pearl clasp, 44cm long £600-800 Accompanied by report number 80241-88 dated 25 November 2019 from GCS, London stating that the cream pearls measure approximately 5.1 - 7.4mm and are natural saltwater. The necklace contains 22 beaded saltwater cultured pearls at positions 5-11, 14, 17, 21, 22, 27, 28, 33, 35, 37, 45, 47, 49, 51, 53 & 54 (from female clasp end). The cultured pearls are marked with black ink. 1219. A single-row natural pearl necklace, the pearls graduate from approximately 3.0 - 4.6mm, set with a cabochon sapphire clasp in yellow gold, 40cm long £1,000-1,500 Accompanied by report number 79226-96 dated 1 August 2019 from GCS, London stating that the cream pearls measure approximately 3.0 - 4.6mm and are natural saltwater. Comment: the necklace also includes pearls under 3mm in size between tested pearls. These ‘seed pearls’ may be either natural or cultured. 1220. A natural pearl and diamond cluster ring, the pearl set within a surround of old cushion-shaped diamonds in platinum and gold closed-back mount, size L½ £400-600 1221. A natural pearl and diamond ring, set with a natural pearl with circular-cut diamonds to the shoulders in platinum, size P £1,200-1,500 Accompanied by report number 80246-53 from GCS, London stating that the grey pearl is natural saltwater. 1222. A natural pearl and diamond cluster ring, centred with a black natural pearl within a quatrefoil of old cushion-shaped diamonds in platinum and gold, size O £400-600 Accompanied by report number 5776-4764 dated 26 February 2016 from GCS, London stating that the black pearl measures 7.3 - 7.4 x 5.5mm approx. and is natural saltwater with no indications of treatment. 1223. A natural pearl and diamond ring, the pearl set within a surround of circular and baguette-shaped diamonds in engraved white gold mount, size M½ £2,000-3,000 Accompanied by report number 80239-11 dated 6 November 2019 from GCS, London stating that the cream pearl measures 12.4 x 10.8 x 8.3mm approx. and is natural saltwater. Comment: the surface of the pearl has been worked.

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1216

1217 1215 1214

1218

1223 1219

1221

1222

1220

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1224. A diamond-set quiver pendant by Theo Fennell, pavé set with diamonds in white gold, maker’s mark and London hallmarks for 2007, on snake-link silver neck chain, pendant 3.8cm high, chain 44cm long £600-800 1225. A ‘Happy Diamonds’ cruciform necklace by Chopard, the glazed cruciform pendant contains three loose rubover-set diamonds in gold, pendant 2.8cm high, signed Chopard to the glass and gold mount, inventory number 222279379/4009, on a gold neck chain, signed, 50cm long £600-800 1226. A pair of yellow and white diamond and cultured pearl drop earrings, the pear-shaped diamonds suspend articulated yellow marquise-shaped diamonds and a cultured pearl in yellow and white gold, 9cm long £4,000-6,000 1227. A pink sapphire, cultured pearl and diamond cluster ring, the cultured pearl set within a surround of circular, marquise and pear-shaped pink sapphires and circular-cut diamonds in gold, size N £800-1,200 1228. A pair of diamond-set earrings, in the form of stylised wings, set with graduated circular-cut diamonds in yellow gold, 2.6cm wide, post fittings £400-600 1229. A ruby and fancy diamond cluster ring, of flowerhead design, centred with a cushion-shaped ruby within a surround of pear-shaped yellow diamonds, within a further surround of circular-cut diamonds in white gold, size N £1,500-2,000 1230. A demantoid garnet and diamond half-hoop ring, set with graduated oval-shaped demantoid garnets between rows of circular-cut diamonds in yellow gold, size O £2,000-3,000 1231. A diamond cluster ring, the round brilliant-cut diamond set within a surround of fancy-coloured diamonds in yellow gold, size P £1,800-2,000 1232. A pink tourmaline pendant, quartered with pairs of diamonds, suspended from a cultured pearl and diamond surmount in yellow gold, 3.9cm high £200-300 1233. A pair of diamond cluster earrings, of flowerhead design, set with round brilliant-cut diamonds in white gold, post fittings, 1cm high £700-900 1234. A pair of diamond earrings by Tiffany & Co, the ropetwist gold hoops suspend articulated and detachable round brilliant-cut diamonds rubover-set in yellow gold, signed T&Co, 2cm high £600-800 1235. A loose diamond weighing 4.90cts, with an unusual natural Maltese cross inclusion within the stone £2,000-3,000 Accompanied by report number 79226-08 dated 5 August 2019 from GCS, London stating that the singlecut diamond weighs 4.90cts and is a natural diamond with fancy dark yellowish-grey colour. Luminescence: faint yellow in LWUV. Comment: Growth zoning and cloud type inclusions are creating a rare Maltese cross shape at the centre of the stone. 1236. A cultured pearl and diamond long chain, each cultured pearl is set between diamond-set rondels, on a fine-link neck chain set with briolette-cut diamonds and circular-cut diamonds in spectacle mounts, 132cm long £3,000-5,000 1237. A diamond line bracelet by Mappin & Webb, centred with a flowerhead cluster of pear, marquise and circular-cut diamonds, on a bracelet rubover-set with round brilliant-cut diamonds in platinum, signed and with Birmingham hallmarks for 2015, 18cm long £400-600 1238. A heart-shaped diamond-set bracelet, each heart-shaped link is set with three round brilliant-cut diamonds in yellow gold, 18.2cm long £750-850 1239. A pair of gold cross earrings by Tiffany & Co, of fluted design, stamped T&Co in yellow gold, 14mm wide £200-300 1240. A diamond-set star pendant, set with graduated round brilliant-cut diamonds, with further circularcut diamonds to the bale in white gold, maker’s mark Ste HS, 4.7cm high £800-1,200 1241. A diamond and demantoid garnet lizard brooch, the stylised lizard set with ruby eyes, a graduated line of diamonds to the body and demantoid garnets, in yellow gold, 6.7cm long £2,000-3,000 1242. A pair of cabochon emerald and pearl earrings, the torpedo upper sections set with a pearl within wirework border and a cabochon emerald beneath in closed back yellow gold, 2.5cm high £950-1,000

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1231 1228 1230

1229

1224 1227 1225 1226

1233 1232 1236

1235

1234

1241

1242

1237

1239 1238

1240

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1243. A diamond-set turquoise and amethyst bead necklace, the gold necklace set with graduated turquoise and amethyst beads, the larger beads accented with circular-cut diamonds, with further circularcut diamonds to the chain, 41cm long, with a pair of matching drop earrings, clip and folding post fittings, 3.5cm high £1,500-1,800 1244. A gold disc pendant by Gerald Benney, depicting a Gorilla within a border of the words ‘MAN HOLDS THE FATE OF THE ANIMAL KINGDOM IN HIS HANDS’ the reverse with two whales and the words ‘WILD LIFE’, with maker’s mark AGB and London hallmarks for 22ct gold, dated 1972, on an oval-link long chain, pendant 5.8cm wide, chain 68cm long. The pendant 133g. The chain 12g. £4,000-6,000 1245. A gem-set gold bracelet, set with vari-coloured sugarloaf quartz and tourmalines in 9ct yellow gold, Birmingham hallmarks with obscured date mark, 18cm long £800-1,200 1246. A gold flat curb-link bracelet, sixteen links set with a round brilliant-cut diamond in yellow gold, 21cm long £2,000-3,000 1247. A ‘Chanel Mademoiselle’ gem-set gold ring, set with spherical faceted quartz and a cultured pearl, within a surround of vari-coloured circular-cut sapphires and a circular-cut diamond in rubover and flowerhead 18ct gold mounts, signed CHANEL and with London hallmark, size K £600-800 1248. A ruby and diamond bombé ring, the calibré-cut rubies invisibly set with shoulder diamonds in yellow gold, size M £1,500-2,000 1249. A ruby and diamond Odeonesque ring, the central dome set with calibré-cut rubies, within diamond-set borders (one missing) on bifurcated yellow gold mount, size I½ £1,000-2,000 1250. A white gold and diamond abstract brooch by Meister, the undulating oval textured panel set with a line of round brilliant-cut diamonds, in white gold, maker’s mark to reverse, 8cm long £800-1,200

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1243 1244

1245

1246 1250

1249 1248 1247

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1251. An early 20th century sapphire and diamond pendant, of quatrefoil design, centred with a Frenchcut sapphire within a surround of circular and rose-cut diamonds, suspended from a further circular-cut diamond on a knife edge-link, 4cm high, on a fine-link platinum neck chain, 46cm long £600-800 1252. A long diamond necklace, set with open square links set with round brilliant-cut diamonds in white gold, with a detatchable diamond-set pendant, necklace 86cm long £5,000-7,000 1253. A diamond-set bow brooch, the stylised bow set with circular-cut and baguette-shaped diamonds in platinum and white gold, 4.8cm wide £800-1,200 1254. A sapphire and diamond cluster ring, the square sapphire set within a surround of round brilliantcut diamonds in platinum, size K½ £300-400 1255. A ruby and diamond three-stone ring, the oval-shaped ruby is set with a cushion-shaped diamond to each shoulder in platinum, size L £2,000-3,000 Accompanied by report number 15174 dated 3 January 2018 from The Gem & Pearl Laboratory stating that the cushion-cut ruby weighs 1.59cts and is a natural ruby with no indications of heat treatment. Origin: Burma 1256. A diamond solitaire ring, the old cushion-shaped diamond weighs approximately 1.45cts, set in platinum and yellow gold mount, size P½ £1,500-2,000 1257. An Art Deco diamond plaque ring, of openwork rectangular design and set with old circular-cut diamonds, with chevron shoulders in platinum, size O £1,200-1,500 1258. A diamond cluster ring, centred with two circular-cut diamonds within a rectangular openwork surround set with further circular-cut diamonds in platinum, size N £800-1,200 1259. A sapphire and diamond three-stone ring, centred with an old circular-cut diamond between square-shaped sapphires in platinum, size L £800-1,200 1260. A pair of square ruby and diamond cluster earrings, invisibly-set with rubies to the centre and concentric surrounds of further circular-cut diamonds and calibré-cut rubies in white gold, folding post and clip fittings, 2.1cm wide £3,500-4,000 1261. A diamond half-hoop ring, channel-set with seven baguette-shaped diamonds in platinum, London hallmarks for 2004, size P½ £600-800 1262. A sapphire full-circle eternity ring, the calibré-cut sapphires are channel-set in platinum, size N £200-300 1263. A diamond eternity ring, set with round brilliant-cut diamonds in platinum, size O

£300-500

1264. An early 20th century fancy-link chain, set with four circular-cut diamonds millegrain-set in platinum, 37cm long £300-500 1265. A diamond-set platinum neck chain, the lozenge and circular-shaped links are set with circularcut diamonds, with diamond-set scroll spacers, 40cm long £1,300-1,500 1266. An early 20th century sapphire and diamond brooch, of openwork design, millegrain-set with old-cut sapphires and diamonds in platinum and white gold, 3.5cm wide £400-600

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1253

1251 1254 1252 (2) 1255

1257 1256

1258

1259

1261

1262 1260 1263

1264

1265

1266

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1267. A Victorian enamel and pearl-set gold brooch, the domed circular brooch centred with a pearl with blue and white enamel and ropetwist gold decoration, 3.3cm wide £200-300 1268. A Regency gold pendant, set with fancy-cut amethysts forming a central cross within gold repoussé foliate border and further flowerhead clusters of amethysts and pearls in yellow gold, 8cm high £600-800 1269. A Victorian amethyst-set gold cruciform pendant, set with graduated circular-cut amethysts and a central square-shaped amethyst in gold border with engine-turned decoration, 4.7cm wide £1,200-1,500

λ 1270. A Victorian coral and diamond locket pendant, of flowerhead design and centred with an old cushion-shaped diamond, the petals formed with drop-shaped coral cabochons within a surround of rosecut diamonds in gold, with glazed locket compartment to the reverse, 3.4cm high £600-800 1271. A gold ring, of abstract design and centred with a mabé pearl, with wirework decoration in gold, size Q £200-300 1272. A 19th century cameo pendant, the cameo depicting a woman in profile within sheild-shaped gold mount with ropetwist decoration, suspending from a gold bale with fleur-de-lys motif, glaze locket compartment to reverse, 6cm high £600-800 1273. A sapphire and diamond half-hoop ring, set with circular-cut diamonds and sapphires in yellow gold, with pierced and carved scroll shoulders, size P½ £200-300 1274. An early 20th century oval-shaped locket pendant, the hinged cover mounted with a diamondset coronet over a pair of inverted R’s, one decorated with white enamel, the other set with small rubies, 3cm high £300-500

λ 1275. An early 19th century coral cameo necklace, the oval cameos depicting Ariadne, Flora, Diana and various other godesses in profile, in yellow gold collets, joined with three circular-link gold chains, 44cm long £2,000-3,000 1276. A Victorian gem-set and diamond bird brooch, the stylised birds each set with carved agate bodies, and pavé-set with diamonds and a ruby eye, surrounding a gold wirework nest filled with pearl eggs, in silver and gold, 5cm wide £800-1,200 1277. A Victorian turquoise and seed pearl-set gold locket pendant, with starburst motif set with turquoise cabochons and seed pearls, 6cm high £800-1,200 1278. A Victorian long guard chain, with alternating fancy and circular-links, 150cm long, 42g £800-1,200

λ 1279. An Etruscan Revival coral-set gold bangle, half-set with coral cabochons, with pellet and ropetwist wirework decoration in yellow gold, 5.8cm inner diameter £800-1,200 1280. A Victorian opal and diamond bangle, the oval-shaped opal set within foliate surround of cushionshaped diamonds in silver on gold, on an openwork gold bangle, 5.6cm internal diameter £1,200-1,500 1281. A Victorian emerald and diamond brooch, the central cluster of emerald, pearls and diamonds is set within repoussé gold foliate surround suspending three diamond and pearl drops in yellow gold, 4.9cm wide £500-700 1282. An Edwardian opal-set gold bar brooch, rubover-set with three opal cabochons in gold, 5cm wide £600-800

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1268 1270 1267

1269

1272

1273 1271

1274

1275 1277

1278 1276

1279

1282 1280

1281

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1283. A French fancy-coloured diamond-set gold necklace, set with circular-cut and marquise-shaped fancy-coloured diamonds in gold, French control mark, 42cm long £15,000-20,000 1284. No lot

λ 1285. A pair of coral and gem-set earrings by Gavello, of stylised insect design, the wings formed with coral cabochons, suspending an articulated line of circular-cut onyx, with further circular-cut diamonds to the body in yellow gold, signed, clip fittings, 7.4cm long £1,500-2,000 1286. An amethyst and diamond gold ring, the cushion-shaped amethyst is set in a fluted gold ring with pavé-set diamond shoulders, size K½ approx. £700-900 1287. A sapphire and diamond bombé ring by Cartier, centred with a cabochon sapphire with squareshaped diamonds to the shoulders in yellow gold, signed Cartier Paris and stamped 117, size N £800-1,200 1288. A pair of aquamarine and diamond scroll earrings, set with an oval-shaped aquamarine within a surround of diamonds and a diamond scroll, within gold spray surround, post and clip fittings, 2.7cm widest £1,000-1,500 1289. An Italian gold necklace, the pendant set with a bronze coin with a cabochon sapphire and rubies to the gold mount, on a tri-colour wheat-link gold neck chain, pendant 3.5cm highest, chain 40cm long £2,000-3,000 1290. A gold and diamond hummingbird brooch by E.Wolfe & Co, the stylised bird pavé-set with diamonds and textured gold wings, with maker’s mark and London hallmarks for 2016, 3.2cm high £800-1,200 1291. A Bulgari gold chain, 68cm, suspending a circular disc pendant by De Vroomen, with maker’s mark and London hallmarks for 1988, 4.2cm wide, with a pair of matching earrings by De Vroomen, of circular design, each set with a round brilliant cut diamond, maker’s mark and London hallmarks for 1989, 2.1cm diameter, clip fittings £4,000-6,000 1292. A fancy-link gold necklace, comprising textured fancy links, 18ct London import marks for 1970, 101cm long, 85g £3,000-4,000 1293. A gold feather brooch by E Pearl, of stylised design, each feather set with a line of circular-cut diamonds in platinum and gold, 4.8cm high £600-800 1294. An Italian diamond-set gold bracelet, of tapered design the textured gold links are rubover-set with graduated circular-cut diamonds in yellow gold, 18.5cm long £2,000-3,000

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1283

1286

1287

1285

1288

1289 1290

1291

1292

1293

1294

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1295. A Victorian gold parure, comprising an articulated gold collar necklace, 44cm long and a diamond-set gold locket pendant with matching diamond-set oval gold earrings, both with engine-turned linear decoration and foliate carving in yellow gold, pendant 6.5cm high, earrings 2.5cm high £6,000-8,000 1296. A 19th century opal cameo depicting Poseidon, probably by Wilhelm Schmidt, in a gold brooch pendant suspending a briolette-cut emerald, 7cm high £1,000-1,500 1297. A 19th century gold and enamel ring, with polychrome enamel decoration depicting a Maltese Cross and HD EH to the shoulders, with inscription to the reverse 'From the Enc: of St Amand, to Com: W. Cobley, 19th Decr 1872', Birmingham hallmarks for 1872, size V £150-250 1298. A Victorian pearl and diamond bangle, the half pearls set with diamond pointers in carved and pierced yellow gold mount. 5.7cm inner diameter, case £800-1,200 1299. A gold hinged snake bangle, with green and yellow enamel decoration set with a line of small cushion-shaped diamonds, the head mounted with a pearl and diamond cluster and with ruby eyes, signed Bvlgari, 115g total £2,800-3,000 1300. A late 19th / early 20th century boulder opal cameo, probably by Wilhelm Schmidt, depicting Nike with a serpent by her feet, in a white gold scarf ring, 2.5cm high £600-900 1301. A Victorian diamond-set snake ring, the stylised snake set with an old cushion-cut diamond to its head with ruby eyes, in yellow gold, size M £1,200-1,500 1302. A diamond half-hoop ring, set with ten graduated old cushion-shaped diamonds in silver and gold, size M £400-600 1303. A 19th century gold mourning ring, set with seed pearls, with black enamel decoration and foliate engraved scroll shoulders in gold, with mourning inscription to reverse dated 1829, maker's mark GMH and with London hallmarks for 1826, size L £150-250 1304. A diamond three-stone ring, set with three graduated cushion-shaped diamonds in platinum and gold, size M £2,000-3,000 1305. An early 20th century ruby and diamond gypsy ring, set with an oval-shaped ruby and rose-cut diamonds in a carved scroll gold mount, Chester hallmarks for 1907, size O £100-200

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1295 (3)

1297

1298

1300 1299

1301

1296

1302

1304 1303

1305

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1306

1306. An unusual mid 19th century fob watch by LeRoy et Fils, the signed white enamel dial with gold Roman numerals and outer Arabic numerals minutes ring, rose-cut diamond bezel and suspension loop, the entire body formed from a circular cabochon garnet, 2.8cm wide, suspended from a chatelaine-style gold and silver brooch pendant formed with three hinged graduated sections, set overall with rose-cut diamonds and a mid-section garnet cabochon incorporating a hinged suspension pin, maker's lozenge JAM with dolphin and stars to reverse, 12cm high, fitted case by A.M.LeRoy et Fils ÂŁ6,000-8,000 Provenance: property of the family Zhivago, and thence by decent to the current owner

1307. A rose-cut diamond-set silver and gold necklace, probably 19th century, designed as open crescents with diamond clusters in closed back silver and gold collets, suspending a conforming diamondset pendant, with two additional diamond cluster brooches with pendant loops, 56cm ÂŁ8,000-12,000

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1307

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1308. A 19th century turquoise and diamond three-stone ring, set with three oval-shaped turquoise cabochons, with diamond pointers in carved and pierced yellow gold, size O £350-450 1309. A diamond target ring, the centre section pavé-set with old circular and cushion-shaped diamonds in silver on gold, with rose-cut diamonds to each trifurcated scroll shoulder, size O £1,000-2,000 1310. A sapphire and diamond cluster ring, the square-shaped sapphire is set within a surround of graduated old cushion-shaped diamonds in silver cut-down collets and closed back gold mount, size N £200-300 1311. A fancy-coloured diamond ring, the old circular-cut brown diamond weighs approximately 1.45cts in carved yellow gold shank, size L½ £1,000-1,500 1312. An Art Nouveau diamond pendant, of openwork foliate scroll design and set with single-cut diamonds, suspending a swag lower section set with graduated old circular-cut diamonds on articulated knife-edge links, 7cm high, on a later white gold neck chain, 44cm long £3,000-4,000 1313. A pair of diamond drop earrings, the graduated old cushion-cut diamonds set in silver and gold cut-down collets, 5cm high £7,500-8,500 1314. A Victorian diamond-set flower brooch pendant, set overall with graduated old circular-cut and rose-cut diamonds in silver on gold, retractable pendant loop, 2.4cm high £300-400 1315. A Victorian diamond-set star brooch pendant, set with old circular and rose-cut diamonds in silver on gold, with detachable pendant loop, 2.8cm wide £400-600 1316. A Victorian diamond star brooch pendant, set with old circular and cushion-shaped diamonds in silver on gold, detachable brooch fitting, 4cm high £900-1,200 1317. A Victorian diamond coronet brooch, set with old cushion-shaped diamonds in silver on gold, 6.5cm wide £800-1,200 1318. A Victorian diamond trefoil brooch, set with graduated old cushion-shaped diamonds in silver and gold, 2.5cm wide £500-700 1319. A Victorian diamond and pearl insect brooch, the wings pavé-set with rose cut diamonds, the body formed from a pearl in silver and gold, 3.8cm wide £400-600 1320. A Victorian diamond crescent brooch, the open crescent set with graduated old circular-cut diamonds beneath a diamond-set starburst in silver and gold, 8.5cm wide, fitted case £800-1,200 1321. A Victorian diamond flowerhead brooch, set with graduated old cushion-shaped diamonds in silver and gold, 3cm wide £1,000-1,500 1322. A Victorian gem-set butterfly brooch, set with a cushion-shaped sapphire, rose-cut diamonds and with ruby eyes in silver on gold, on a gold bar brooch set with a seed pearl, 4.8cm wide, fitted case £300-400 1323. A fox and hounds hunting brooch, the stylised fox being chased by three hounds, all pavé-set with diamonds in silver and yellow gold, 7cm wide £600-800

λ 1324. A Victorian coral and diamond closed crescent brooch, set with graduated coral cabochons and old circular-cut diamonds in yellow gold, detachable brooch fitting to reverse, 3cm wide, case £400-600 1325. A Victorian diamond-set foliate brooch, the principal diamond flower head set with an old cushion-shaped diamond and mounted en tremblant, the leaves pavé-set with old cushion-shaped diamonds in silver and gold, 5.5cm long £800-1,200 1326. A Victorian gem-set butterfly brooch, set with circular-cut diamonds and with oval-shaped rubies to the thorax in silver on gold, detachable brooch fitting, 3cm high £2,000-3,000 1327. A late 19th century enamel and diamond-set brooch, possibly Russian, of rectangular form, centred with a cushion-shaped diamond and with green guilloche enamel decoration, with further rosecut diamond border in silver on gold, maker’s mark A*H and with obscured mark (possibly a Kokoshnik), 2.7cm wide £400-600

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1309 1310

1308

1312

1311

1315

1313

1314

1316

1318 1317

1319

1320

1321

1322

1323

1324

1326 1325 1327

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1328. An Edwardian gold pendant, depicting the Madonna carved in mother-of-pearl, within a stylised halo of diamonds and a border of seed pearls in platinum and gold, on fancy-link long platinum chain set with pearls, chain 34cm long, pendant 5.5cm long including bale £1,600-1,800 1329. An Edwardian amethyst and diamond brooch, the high-domed cabochon amethyst is set within a surround of old circular-cut diamonds millegrain-set in platinum and yellow gold, 3.4cm wide £1,200-1,500 1330. A lozenge-shaped diamond cluster ring, set with graduated old cushion-shaped diamonds in platinum and yellow gold, size O½ £1,500-2,000 1331. A sapphire and diamond cluster ring, of openwork quatrefoil design, centred with an old circularcut diamond within a surround of circular-cut sapphires and rose-cut diamonds, size N½ £600-800 1332. An Edwardian pearl and diamond Harem ring, centred with a pink, white and grey seed pearl between cushion-shaped diamonds, with further rose-cut diamonds to the shoulders in yellow gold, size M½ £400-600 1333. A 19th century sapphire and diamond cluster ring, centred with an old circular-cut sapphire within a surround of old circular-cut diamonds in gold, size Q £2,000-3,000 1334. A diamond cluster ring, set with old circular-cut diamonds in platinum, size N

£4,000-6,000

1335. An aquamarine and diamond cluster ring, the oval-shaped aquamarine is set within a surround of round brilliant-cut diamonds in gold, size N £1,500-2,000 1336. An Edwardian pearl and diamond pendant, the circular pendant of openwork design set with graduated pearls and rose-cut diamonds in platinum, suspended from a platinum chain set with four pearls and two rose-cut diamonds, pendant 4cm wide, chain 52cm long £2,800-3,500 1337. A diamond-set bow brooch, the openwork design bow is pierced and set overall with graduated circular-cut diamonds in platinum, 5cm wide £1,800-2,000 1338. A diamond three stone ring, set with three round brilliant-cut diamonds weighing approximately 1.85cts in total, in platinum and yellow gold, size P £1,000-1,500 1339. A Belle Époque enamel and diamond brooch, the central blue enamel plaque set with a pearl within diamond border, pierced linear surround and a further border of diamonds in platinum and gold, 3.5cm high £600-800 1340. An early 20th century amethyst-set gold necklace, in the suffragette colours, alternately-set with oval-shaped amethysts and scrolling links with white and green enamel decoration in yellow gold, folding pendant loop to the centre link, 40cm long £800-1,200 1341. A Belle Époque diamond bow brooch, the pierced platinum and gold bow set with rose-cut diamonds in lozenge surrounds on black silk, French control marks and maker's lozenge W&F, 5.5cm wide £400-600 1342. A pair of diamond drop earrings, set with central pear shaped diamonds within concentric borders of graduated old circular-cut diamonds, suspending from diamond-set bows in silver and gold, shepherd’s hook fittings, 5.5cm high £3,000-5,000 1343. An Edwardian pearl and diamond bow brooch, pierced and set with graduated pearls and diamonds in platinum and yellow gold, 7cm wide, case £1,200-1,500 1344. An Edwardian lozenge-shaped diamond brooch, set overall with graduated old cushion-shaped diamonds in white gold, 6.4cm wide £300-400 1345. A pair of diamond drop earrings, set with three old circular-cut diamonds in articulated platinum and gold rubover mounts, post fittings, 1.8cm high £800-1,200

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1330

1332

1331 1334 1329

1333

1328 1335 1336

1338

1337

1340

1339

1343

1341

1344

1345 1342

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1346. A Regency gem-set gold tiara, mounted with coated topaz, the three-colour gold mount with granulated and textured foliate scroll decoration with further graduated scroll lines of pellets, set overall with topaz, with pink colour enhancement to the reverse, 12cm wide, the fitted red leather case with gilt tooled decoration £2,000-3,000 1347. A 19th century topaz cross pendant, set with fancy-cut orange topaz in yellow gold collets, on twisted gold chain, pendant 5cm high, chain 46cm long, £800-1,200 1348. A George III enamel and gold mourning ring, with inscription for Alice Henderson dated 1817, London Hallmarks for 1816, size R £200-300 1349. A suite of George III topaz-set jewellery, including a stylised foliate brooch set with vari-cut topaz in closed-back silver setting with engraved gilt decoration, 5cm wide, with a pair of matching circular cluster drop earrings in silver closed-back settings, shepherd’s hook fittings, 3.7cm high £150-250 1350. An early 19th century gold mourning ring, with black enamel decoration (damaged) and inscription for Abbott Kent Ob 1811, London hallmarks for 1811, size O½ £100-150 1351. A George III garnet-set gold parure, the necklace set with graduated oval-shaped garnet cabochons within elaborate scrolling foliate border in closed-back yellow gold, with a matching brooch and earrings (screw fittings), in fitted case, necklace 42cm long, brooch 7.5cm long, earrings 4.2cm long £3,000-4,000 1352. A George III diamond portrait ring, of oval form with diamond-set border in closed-back silver and gold mount, size N, in silver shagreen box £300-400 1353. An early 19th century gold mourning ring, the central glazed locket compartment containing hair is set within a surround of seed pearls and black enamel in 18ct yellow gold trifurcated mount, inscription to reverse dated 1829, London hallmarks for 1829, size S £150-250 1354. A George II paste-set mourning ring, the oval-shaped red paste is set in silver on gold closedback setting with engraved decoration to the reverse, with further engraved decoration and black enamel to the gold scroll shank reading ‘Ann Heath ob 28 Dec 1736 Ae 30’, with further inscription to the interior, size P £150-250 1355. A George III rock crystal-set ring, the cushion-shaped rock crystal is set in silver on gold closedback setting, with foliate decoration to the trifurcated shoulders, size P½ £150-250 1356. A George III seed pearl-set gold mourning ring, the glazed centre section with plaited hair within black enamel and seed pearl surround, with further black enamel decoration to the shoulders in gold, with mourning inscription dated 1820, size J £200-300 1357. An early 19th century garnet and diamond locket brooch, the vacant locket compartment set within a surround of circular-cut garnets and diamonds in silver and gold, 4cm wide £200-300 1358. A George III diamond-set mourning ring, the urn formed with hair and set with rose-cut diamonds within glazed locket compartment, in gold mount with mourning inscription to reverse dated 1784, size P £300-400 1359. A George III gold mourning ring, with gold and enamel urn beneath the words T:Estlin M:Bowles, in glazed compartment with mourning inscription to the reverse dated 1776, size L £150-250 1360. An early 19th century Swedish gold mourning ring, set with gold initials (possibly FW) on plaited hair in closed back yellow gold mount, maker’s mark and Swedish hallmarks for 1834, size N½ £650-750 1361. A Regency gold swivel mourning ring, with black enamel plaque reading ‘Sacred To A Beloved Father’, the reverse with glazed locket compartment containing plaited hair within a surround of seed pearls, with foliate engraved decoration to the shoulders in gold, mourning inscription to the interior dated 1817, size R £200-300 1362. A Victorian secret buckle ring, the front buckle section hinges open to reveal a vacant locket compartment, in yellow gold, size W £150-250 1363. An early 19th century Swedish gold mourning ring, set with gold initials (possibly NW) on plaited hair in closed back yellow gold mount, maker’s mark and crowned G for Gotenberg, size approximately P½ £650-750

1364. A Victorian gold and enamel mourning ring, the central enamel plaque with the letters MR within seed pearl surround, on yellow gold band carved with the words IN MEMORY OF, internal inscription for 1885, size O £150-250

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1346

1347

1352 1349

1348

1350

1353

1354

1351 (3)

1355

1356

1358 1359

1357 1360

1361 1362

1363

1364

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1365. A mid 19th century agate cameo brooch, depicting Psyche, within silver and garnet fruiting vines border, decorated with three parrots, in the manner of Jules Wiese for Froment Meurice, 5.5cm wide £1,000-1,500 1366. A Victorian carved hardstone cameo brooch, depicting Ceres in profile, within gold scallop-edged border, 6.4cm high

£800-1,200

1367. An Archaeological Revival gold and silver tiara by Castellani, c1860, the tubular band of silver threads fitted with a central repoussè flower flanked by a series of gold ornaments styled as laurel leaves and berries, signed with interlaced C’s, 33cm long, 3cm high £2,000-3,000 Provenance: Sotheby’s New York, Castellani & Giuliano: The Judith H. Siegel Collection, 6 December 2006, ex lot 33 1368. An early 19th century hardstone cameo brooch, depicting Jupiter in profile within gold filigree surround, 6cm high

£2,000-3,000

1369. A Renaissance Revival gem-set cruciform pendant in the manner of Giuliano, set with a square-shaped ruby, sapphires and green stones, with enamel and counter enamel decoration and with glazed locket compartment to reverse, 4.3cm high £3,000-4,000 For a similar example, see Munn, G. C., Castellani and Giuliano, Revivalist Jewellers of the 19th Century (London: Trefoil: 1984), plates 167-168. 1370. A Victorian diamond five stone ring, set with graduated old circular-cut diamonds in carved and pierced yellow gold mount, size O½ £400-600 1371. A Victorian ruby and diamond five-stone ring, set with old circular-cut diamonds and rubies in gold, size N½

£600-800

1372. A 19th century sapphire five-stone ring, the graduated oval-shaped sapphires set with diamond pointers in carved and pierced yellow gold mount, size P £400-600 1373. A Victorian sapphire and diamond half hoop ring, set with graduated cushion-shaped sapphires and four diamonds in carved and pierced 18ct yellow gold mount, Birmingham hallmarks for 1893, size Q £300-400 1374. A 19th century gilt metal bracelet mounted with seven carved hardstone cameos and intaglios, including an amethyst cabochon carved with Cupid, a hardstone cameo depicting a gryllus, a hardstone cameo depicting Flora and a hardstone cameo depicting Athena, 17.5cm long £800-1,200 1375. A 19th century Archaeological Revival gold brooch, possibly by Streeter & Co, depicting a ram’s head within circular centre section, flanked by foliate motif, with beaded and wirework decoration within ropetwist border in yellow gold, 4.8cm wide £100-200 1376. An intaglio mounted gold ring, the green chalcedony intaglio depicting a bearded man in profile with laurels, 2.4cm high, size O £150-200 1377. An early 19th century micromosaic brooch, depicting the lamb of god within a border of doves above a foliate demi-lune, suspending three pendants, one set with a floral motif micromosaic, in yellow gold, 6cm wide £3,000-4,000 1378. A 19th century carved sardonyx bust of a Blackamoor, in the 16th century style, hooded and with applied teeth, atop a Convent Siena £800-1,200 columnar plinth above a square lapis lazuli base, 8.2cm high

1367

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1365

1368

1366 1369

1367

1374

1371

1370

1375

1373

1372

1378

1377 1376

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1379. A 20th century cameo depicting President Theodore Roosevelt, in a gold ring with engraved decoration to the shoulder, cameo 2cm high, ring size U½ £400-600 1380. A late 18th / early 19th century banded agate intaglio ring depicting the profile of an athletic man, 1.8cm high, mounted in gold, size N, case £800-1,200 1381. A late 18th / early 19th century two-colour Jasper cameo ring depicting a Roman wearing a cloak, mouth slightly open, in gold, cameo 2.5cm high, size N £1,000-1,500 1382. An early 18th century rhodonite cameo ring depicting a bearded figure (probably Socrates), the gold ring mount with lobed under section, foliate scroll carved shank, with two shoulder diamonds (one damaged), ring size M £600-800 1383. A late 18th century agate cameo ring depicting the profile of a youth, wearing a fillet to her flowing locks, draped in a loosely fitted garment, 3.4cm high, mounted in gold with bifurcated shoulders and pierced foliate decoration, size P £1,200-1,500 1384. A late 18th / early 19th century sardonyx cameo depicting the frontal bust of a Roman with cloak, 2.5cm high, in a 19th century gold ring, size W £1,000-1,500 1385. A sard intaglio depicting the conjoined heads of Jupiter and Juno, in the Roman style, set in a gold ring, intaglio 2cm high, ring size U £400-600 1386. A late 19th century carved agate cameo pendant, depicting Hypnos within gold ropetweist border, 2.5cm wide £800-1,200 1387. A late 18th / early 19th century domed chalcedony intaglio depicting the opposed heads of a bearded Silenus and a youth, separated by their hair, in gold swivel fob and watch key, intaglio swings free from the gold serpent mount by lifting a lever, intaglio 2.2cm high £600-800 1388. A 19th century hardstone cameo-mounted gold brooch, depicting a bearded warrior, 2.7cm high £600-800 1389. A black jasper scarab, probably Ancient, the underside carved with a winged scarab and other creatures, 1.3cm long, in a later gold ring, size N £1,000-1,500 1390. A late 18th / early 19th century lapis lazuli cameo depicting the draped bust of a curly-haired youth, in a gold ring, 2.5cm high, size P £1,000-1,500 1391. A late 18th - early 19th century gold ring mounted with an oval hardstone Gryllus cameo, depicting the conjoined heads of two bearded Zeus Ammons, one young Alexander the Great and one ram’s head, 2.3cm wide, size £800-1,200 From the collection of the late Gertrud Seidmann. Woolley and Wallis, 23rd October 2014, ex lot 1321. 1392. A 19th century French gold stick pin, mounted with an octagonal carved agate cameo depicting a dancing maiden scantily clad and playing castanets, signed (possibly Purdy), cameo 2cm high, French marks to the shaft, fitted case by Thomas £800-1,200 1393. A late 18th / early 19th century sardonyx cameo depicting the head of a woman, the gold ring with foliate decoration to the shoulders and engraved to the interior ‘M E McKay too T M K ? 1819’, size Q £600-800 1394. A late 18th / early 19th century agate cameo ring depicting the head of a gentleman, bearing resemblance to the Duke of Wellington, in gold, 1.5cm high, ring size K £800-1,200 1395. A mid to late 18th century amber intaglio depicting a mourning scene, Faith pointing upwards symbolising the triumph of faith over mortality, in later French yellow gold ring, rubbed maker’s mark and French control marks, size V½ £600-800 Reference literature: Raspe, E., ‘A Descriptive Catalogue of a General Collection of Ancient and Modern Engraved Gems, Cameos and Intaglios, Taken from the Most Celebrated Cabinets in Europe; and Cast in Coloured Pastes, White Enamel, and Sulphur by James Tassie, Modeller.’ gem no. 14805. (1791). 1396. An 18th century chalcedony intaglio depicting the head of a bearded man, possibly Poseidon, gold mount, intaglio 3cm high £800-1,200 1397. A 17th century agate cameo-set cannetille gold brooch, the cameo depicting the head of a woman wearing a shawl, together with an agate cameo-mounted gold stick pin, depicting the head of a woman, her hair tied with a fillet, gold mount with gold pin £1,000-1,500

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1381

1379

1380

1383

1384 1385

1382

1388 1389 1386

1387

1392 1390

1394

1393

1391

1395 1397 (2) 1396

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1398. An early 19th century carnelian intaglio depicting a kneeling warrior, facing upwards and protecting his head with a sheild and holding a spear, 2cm high, in a gold ring, size S½ £200-300 1399. A late 18th / early 19th century chalcedony intaglio depicting a standing Mars, with assorted weapons and armour, in a gold ring, intaglio 2.3cm high, ring size T £2,000-3,000 1400. An impressive late 18th / early 19th century copy of the seal of Nero, the carnelian intaglio depicting a dramatic scene of the God Apollus holding a harp and ignoring the pleas of the kneeling Olympus, observing the flailed satyr Marcius punished for his audacity of winning their musical competition, 4.5cm high, set in a gold pendant £2,000-3,000 The original was carved in Rome by the gem cutter Dioskourides during Augustus’ reign (27 BC - 14 AD), and was one of Lorenzo de Medici’s most highly valued gems. It served as inspiration for many works of art during the Renaissance. 1401. A 17th century sardonyx intaglio depicting a hanging scene, the kneeling figure with a spear pulling the stools from beneath another suspended by a rope from a tree, with statues and a temple, a small single-horse chariot beneath the baseline, in the style of a late classical magical gem, in a 19th century gold pendant, intaglio 3cm high £2,500-3,000 1402. A 19th century carved oval greenstone mounted gold brooch, depicting the Aegis of Peace restraining the horses of war above torches and armour, 3.5cm wide, mounted in a gold Etruscan style brooch £200-300 The subject is after the painting ‘Le Gènie de la Paix arrítant les chevaux de Mars’ by Benigne Gagneraux, 1793. 1403. A mid 19th century carnelian intaglio depicting a copy of the 'Cachet de Michelange' (Michelangelo's seal) within gold border, 5.3cm wide £1,000-1,500 This detailed intaglio depicts two cupids holding a veil over a Bacchanalian scene. Below the base line is a fisherman, possibly a rebus for the carver. Many suggested allegories have been proposed including the birth and education of Alexander the Great, and also that of Bacchus. The original was thought to have been carved by Pier Maria da Pescia, after Michehlangelo. Many copies have been made including examples by James Tassie (1735 - 1799). 1404. A Renaissance hardstone intaglio depicting Egyptians presenting the head of Pompey the Great to Julius Caesar, c16th-17th century, in a later gold ring mount, size R £1,000-1,500 1405. An early 19th century carnelian intaglio depicting Paris, in profile and wearing Phrygian cap, Greek pseudo-signature for Maronos, intaglio 2.1cm high, in a gold swivel ring, size M £600-800 For an impression of a similar gem, see William Tassie no. 3070 (plate 95 of 156). Relevant information and images are available in The Beazley Archive database, The Ashmolean, Oxford. 1406. A 19th century glass intaglio depicting Pluto kidnapping Proserpine in a quadriga, Pluto carrying a bident staff and with a serpent depicted to the lower right corner, intaglio 22mm wide, in a gold ring mount, size K £80-120 A similar example carved in carnelian was in the collection of Prince Stanislas Poniatowski (see Beazley Archive ref 1839-62). It is likely that lot 1406 is a copy of the original and is missing the Greek pseudo-signature. 1407. A carnelian intaglio depicting a gally, in the Roman style, in a gold ring with spiral Etruscan-style wirework decoration, intaglio 1.3cm wide, ring size approximately P £400-600 1408. A George III carnelian intaglio, depicting Homer in a gilt metal fob seal, intaglio 2.2cm high, fob 2.8cm high £100-200 1409. A mid 18th century glass intaglio by Ahron Jacobsen, depicting King Gustavus Adolphus (1717 - 1775) in gold fob, signed Jacobsen, the intaglio 2.5cm high, the seal 2.9cm high £150-200 1410. An early 19th century carnelian intaglio of Zeus Ammon, c1800, depicted in profile with ram’s horns, in a gold fob seal, intaglio 2cm high, seal 2.3cm high £200-300 1411. A late 18th century carnelian intalglio depicting Empress consort Livia as Ceres, in a gold fob seal, 1.8cm high £200-300 For an impression of a similar gem, see Cades no. 478 (plate 56 of 152) in his section for the German Institute in Rome. Relevant information and images are available in The Beazley Archive, The Ashmolean, Oxford.

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1398

1399 1401 1400

1402

1404

1408

1403

1405

1409

1406

1410

1407

1411

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1412. A Roman agate intaglio depicting Fortuna, c2nd century AD, holding a cornucopia and a staff, possibly a spear resembling a military Victory, 1.5cm high, in a later gold ring mount with standing nude male figures at the shoulders supporting the mount, size Q £1,000-1,500 1413. A Roman agate intaglio depicting a standing bull, in a 19th century yellow gold ring, intaglio 1.2cm wide, ring size K½ £1,500-2,000 1414. A Roman sardonyx cameo depicting the head of a cherub (possibly Eros), c1st - 2nd century AD, in a 19th century gold ring chased with entwined foliage to the shoulders, size S £1,000-1,500 1415. A Hellenistic carved garnet intaglio depicting Dionysus, c2nd century BC, 1.4cm high, in a later gold ring mount, size S½ £1,000-1,500 1416. A Roman agate intaglio depicting Faustulus discovering the she-wolf suckling Romulus and Remus, c1st century BC, the figures depicted below a fruiting vine and with a bird perched on the wolf’s back, in a 19th century Archaeological Revival gold ring, the intaglio 1.4cm high, ring size M½ £600-800 1417. A Roman carved three-colour intaglio depicting a standing and aroused Pan, c1st century AD, Pan holding a shepherd’s club and feeding a goat, a parody of a ‘gift of love’, intaglio 1cm high, in a later gold ring, size K½ £600-800 1418. A Hellenistic garnet cameo depicting the head of Omphale, c1st century BC, in an early 19th century gold ring, the cameo 1.6cm high, ring size H £600-800 Reference literature: Raspe, E., ‘A Descriptive Catalogue of a General Collection of Ancient and Modern Engraved Gems, Cameos and Intaglios, Taken from the Most Celebrated Cabinets in Europe; and Cast in Coloured Pastes, White Enamel, and Sulphur by James Tassie, Modeller.’ gem no. 6036. (1791). Relevant information and images are available in The Beazley Archive, The Ashmolean, Oxford. 1419. A Roman sardonyx intaglio depicting Mercury, c2nd century AD, the figure standing with caduceus and purse, in an 18th-19th century gold ring, 1cm high, ring size O £600-800 1420. A Roman sard intaglio depicting Apollo, c1st century BC - 1st centruy AD, Apollo’s head in profile and with laurels, in a 19th century composite gold mount with inner inscription dated 1886, intaglio 1.2cm high, ring size K½ £400-600 For an impression of a similar intaglio, see J. Boardman, C.Wagner, D.Scarisbrick, E. Zwierlein-Diehl, The Marlborough Gems: Formerly at Blenheim Palace, (Oxford University Press), p.80, plate. no. 118. 1421. A Roman carnelian intaglio depicting a horse with head turned back, c2nd century AD, 1cm high, in a later gold ring, size O £2,000-3,000 1422. A Roman nicolo intaglio depicting a laurel tree, c2nd century AD, possibly symbolising Daphne, in a 19th century gold fob seal, intaglio 1.3cm high, seal 1.6cm high £400-600 1423. A Roman domed chalcedony intaglio depicting a seated Jupiter, c1st - 2nd century AD, the enthroned figure depicted holding a lightening bolt and staff, with an eagle at his feet and surrounded by stars, in a later gold fob seal, the intaglio 1.4cm high £400-600

1424 1424. A Roman banded agate intaglio depicting a seated sculptor at work, c2nd - 1st century BC, the sculptor depicted chiselling a bearded Dionysus Herm, in a 19th century Neo-Rococo gold fob seal, intaglio 1.2cm high, seal 1.5cm high £400-600 1425. A carved amethyst bead, depicting a horses head, probably ancient, 1.8cm high

£600-800

1426. A Roman carved bloodstone intaglio depicting a lion, c2nd-3rd century AD, the lion with the head of an animal (possibly a goat) beneath its front paw, with a crescent moon and star indicating the zodiac and representing the astrological star sign Leo, 1.6cm wide £1,000-1,500

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1412

1413 1415 1414

1416 1418

1417 1419 1421 1420

1422

1423 1424

1425

1426

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1427

1427. An 18th century carnelian-mounted gold fob seal, the carnelian intaglio depicting Dionysus, 1.8cm high, in a seal mount with lobed decoration, the handle mounted with a carved agate Blackamoor head, 3.4cm high £800-1,200 1428. A mid 19th century agate cameo depicting Hercules in profile, within yellow gold mount, scratched LM to reverse possibly for Luigi Michelini, size R½ £1,000-1,500 1429. An 18th century sardonyx cameo depicting the naked bust a bearded man, of pseudo-Seneca type, 2.3cm high, in an 18th century silver ring, size M £200-300 1430. A late 17th / early 18th century sardonyx cameo ring depicting a winged Eros riding a chariot pulled by two lions, in a gold ring, cameo 1.9cm wide, ring size O £1,000-1,500 1431. A late 18th / early 19th century agate cameo brooch, depicting Apollo, laureate and with a lyre, within scroll-engraved yellow gold surround, 4.5cm wide £3,000-4,000 1432. A late 19th century banded agate cameo of Alexander the Great, in gold surround, brooch fitting and pendant loop to reverse, 4cm high £200-300 1433. An early 19th century agate cameo depicting a bearded philosopher, with loosely draped cloak, in a gold ring mount stamped ‘A’ (possibly Austro-Hungarian), cameo 2.8cm high, ring size M £2,000-3,000 1434. An early 18th century octagonal carnelian intaglio depicting a seated Saturn, fanning flames with bellows and a star above, an instrument below (possibly a sickle sword) and four initials to the left, gold mount with trifurcated shoulders and fluted shank, 1.8cm high, ring size N½ £2,000-3,000 1435. A 19th century agate cameo brooch, c1820, depicting Antinous as Bacchus in profile, within a border of rose-cut diamonds in silver and gold, French control marks, 2.8cm high £1,500-2,000 1436. A late 18th century micromosaic in the manner of Giacomo Raffaelli, depicting two doves, an allegory of love, in a later yellow gold mount, plaque 3cm high, ring size L (very approximately) £1,000-1,500 1437. An 18th century sapphire cameo depicting the head of Hercules, 1.5cm high, in a gold ring mount set with four seed pearls and alternately-set with four rose-cut diamonds, size N £1,000-1,500

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1427 1428

1429 1430

1432

1431

1433 1435 1434

1436

1437

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1438. A fluted gold ring, separated with rose-cut diamonds, in silver and yellow gold, French import marks, size O £600-800 1439. A citrine half-hoop gold ring, channel-set with six sugarloaf citrines in yellow gold, size K £300-400 1440. A textured gold band ring, probably by Charles de Temple, designed as stylised wood shavings with openwork sections in 18ct yellow gold, London hallmarks for 1965, size L £600-800 1441. An opal set gold bombé ring, the circular opal cabochon is claw set in elaborately decorated gold ring, size O £800-1,200 1442. A diamond-set dress ring by Cartier, set with a round brilliant-cut diamond within a domed openwork stylised foliate gold mount, signed Cartier Paris, French control marks and obscured maker’s mark, size M½ £800-1,200

λ 1443. A coral and diamond-set gold ring, centred with a domed coral cabochon in a chevron motif gold mount set with round brilliant-cut diamonds, size N, brown suede Van Cleef & Arpels pouch £1,200-1,500 1444. An opal and diamond gold ring, centred with a cabochon opal within abstract gold ring mount set with circular-cut diamonds, obscured marks to the shank, size M £400-600

λ 1445. An enamel and diamond blackamoor brooch by Cartier, wearing a cream enamel turban with seed pearl earrings, enhanced by coral and rose-cut diamond detail, signed Cartier, Paris, with French control mark, numbered 5570, 3.4cm high £3,000-4,000 1446. A diamond foliate brooch pendant, the foliate upper section set with circular-cut diamonds above graduated baguette-shaped diamonds, suspending further articulated lines of round brilliant-cut diamonds in platinum and white gold, on a detachable fine-link platinum necklace set with circular and baguetteshaped diamonds, pendant 4.4cm high, necklace 33cm long £3,000-4,000 1447. A pair of diamond flowerhead cluster earrings, set with circular-cut diamond foliate clusters and sprays of baguette-shaped diamonds in platinum and white gold, with detachable clip earring and brooch clip fittings, so that the earrings can be worn as double clips, 2cm widest £2,500-3,000 1448. A fluted and waisted yellow gold necklace, 37.5cm long, suspending a detachable gold pendant set with a bronze coin and diamonds, 124g total £3,500-4,500 1449. A gold zodiac pendant by Cartier, depicting the Gemini twins with zodiac sign to reverse, French control marks, signed Cartier Paris to bale and inventory number 32058, obscured maker’s lozenge (possibly GD), 4.3cm high £3,000-4,000 1450. A gold zodiac pendant by Cartier, depicting Capricorn in profile with zodiac sign to reverse, French control marks, signed Cartier Paris to bale and inventory number 42903, obscured maker’s lozenge, 4.3cm high £3,000-4,000 1451. A gold stack ring by Charles de Temple, with banded decoration, signed C de T and with 9ct London hallmarks for 1963, size approximately M £200-300 1452. Two gold rings by Charles de Temple, of openwork knot design, both signed C de T, one stamped 9ct, size K½ and one with 9ct London hallmarks for 1963, size M £400-600 1453. A gold flat crossover ring by Charles de Temple, set in 9ct yellow gold, signed Charles de Temple, C de T and with London hallmarks for 1963, size approximately H½ £200-300 1454. A diamond-set gold Odeonesque ring, c1940, the domed centre is pavé-set with circular-cut diamonds within a gold fluted surround, size H £500-700 1455. A spinel and diamond buckle ring, set with an emerald-cut pink spinel and old circular-cut diamonds in gold, size J £1,000-1,500 1456. A fancy-link gold bracelet, set with sugarloaf carnelians between lozenge-shape gold links, 19cm long £1,000-1,500

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1444

1439

1447 1443 1438

1442 1445

1441

1446

1440

1448 (2)

1453

1449

1452 (2)

1450 1454

1451 1455

1456

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1457. An emerald and diamond pendant, the step-cut emerald weighs 3.39cts, set within a surround of round brilliant-cut diamonds in white gold, on fine-link white gold neck chain, pendant 15mm wide, chain 40cm long £4,000-6,000 Accompanied by report number 80240-95 dated 4 November 2019 from GCS, London stating that the cushion-cut emerald weighs 3.39cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 1458. A pair of diamond hoop earrings, pavé-set overall with graduated round brilliant cut diamonds weighing approximately 26.00cts in total, set in silver and gold, folding post and clip fittings, 5cm high £6,000-8,000 1459. A French sapphire and diamond bombé ring, the cushion-shaped sapphire weighs 16.88cts, set in raised surround pavé-set with diamonds in platinum, French control marks, size M £18,000-20,000 Accompanied by report number 5777-8906 dated 3 March 2017 from GCS, London stating that the cushioncut sapphire weighs 16.88cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1460. A diamond solitaire ring, set with an emerald-cut diamond weighing 2.00cts, with baguetteshaped shoulder diamonds in platinum, size N £8,000-12,000 Accompanied by report number 80239-10 dated 6 November 2019 from GCS, London stating that the octagonal-cut diamond weighs 2.00cts and is a natural diamond with D colour, VS2 clarity and medium fluorescence. 1461. A French fancy-coloured and white diamond ring, the octagonal-cut fancy diamond displays signs of a colour change and is set in rotating yellow gold mount, with half-moon-shaped shoulder diamonds to the platinum shank, signed EF, with London import marks and French control marks, size M £8,000-10,000 1462. A pink sapphire and diamond ring, set with a pear-shaped pink sapphire, with a tapered baguetteshaped diamond to each shoulder and further circular-cut diamonds to the bifurcated shoulders in yellow and white gold, size L £2,000-3,000 Accompanied by report number 5777-8366 dated 13 January 2017 from GCS, London stating that the pearcut sapphire is a natural pink sapphire with no indications of heat treatment. Origin: Madagascar 1463. A natural freshwater pearl and diamond penguin brooch, decorated with black, orange and white enamel, the large pearl forming the emperor penguin's wing, in platinum and gold, 6.5cm high £2,500-3,500 Accompanied by report number 15215 dated 19 January 2018 from The Gem & Pearl Laboratory stating that the irregular-shaped part-drilled pearl is iridescent grey/yellow and natural freshwater, with no evidence of treatment observed. 1464. A rubelite and diamond suite of jewellery, set with triangular, circular and pear-shaped rose-cut diamonds, suspending pear-shaped cabochon tourmaline drops in yellow and white gold, 44cm long, with a pair of matching drop earrings, post and clip fittings, 4cm high £10,000-15,000 1465. A pair of ruby and diamond earrings, the central leaf design is set with graduated round brilliantcut diamonds in yellow gold within a surround of rubies, 18mm high, clip fittings £1,500-2,000 1466. A flexible diamond bracelet, set overall with round brilliant-cut diamonds in white gold, London hallmarks for 2006, 17cm long £3,500-4,000 1467. A sapphire line bracelet, set with calibré-cut sapphires in white gold, 5mm wide, 18cm long £3,000-4,000 1468. An emerald and diamond bracelet, set with graduated round brilliant-cut diamonds and pearshaped emerald trefoils in white gold, 18cm long £5,000-7,000 1469. An emerald solitaire ring, set with an emerald-cut emerald weighing 6.85cts, with circular-cut diamonds to the foliate shoulders in yellow and white gold, size K½ £3,000-4,000 Accompanied by report number 80242-98 dated 18 November 2019 from GCS, London stating that the octagonal-cut emerald weighs 6.85cts (as stated by the client) and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia

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1460

1461

1462

1457 1458

1459 1463

1465 1464 (2)

1466

1467

1468 1469

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1470. A diamond collar necklace, channel-set with baguette-shaped diamonds, separated to form two concentric rows of baguette-shaped diamonds to the front in white gold, 43cm long £15,000-20,000 1471. A fire opal and diamond cluster ring, the oval-shaped fire opal set within scallop-edged diamondset white gold mount and diamond shoulders, size L £1,800-2,000 1472. A Victorian diamond-set starburst brooch pendant, set overall with graduated old circular-cut diamonds in silver and gold, detachable brooch fitting and hair slide fitting, 5.2cm wide, in original fitted box £1,000-1,500

1470

1473. A late 19th century carved opal cameo pendant, probably by Wilhelm Schmidt, depicting the profile of a woman in opal, within a ruby, diamond and enamel border, suspended from a bale set with an emerald, diamond and ruby in yellow gold, brooch fitting to reverse, 4.4cm high £4,000-6,000 1474. A diamond scroll bracelet, the undulating lines of circular-cut and baguette-shaped diamonds are centred with larger round brilliant-cut diamonds in platinum, 14mm wide, 18.5cm long £12,000-15,000

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1472

1471

1473

1474

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1475. A diamond pendant, the triangular-shaped diamond weighs approximately 1.80cts, set with further baguette-shaped diamonds to the bale (one missing) in platinum, maker's mark for Mappin & Webb and London hallmarks for 2004, 1.7cm high, on a fine-link white gold neck chain, 46cm long £4,000-6,000 1476. A pair of sapphire and diamond-set gold earrings by Kutchinsky, of foliate spray design, centred with a cushion-shaped sapphire within a surround of graduated round brilliant-cut diamonds in 18ct yellow gold, clip fittings, each signed Kutchinsky and with London hallmarks, 3.2cm high £1,000-1,500 1477. A ruby and diamond-set gold flower brooch, c1940, of stylised flower design and set with graduated circular-cut diamonds and invisibly-set with calibré-cut rubies in platinum and gold, 8.3cm high £1,500-2,000 1478. A pair of diamond-set gold earrings, of geometric spray design, the plain and textured gold sections set with round brilliant and single-cut diamonds, clip fittings, 2.8cm high £600-800 1479. A citrine and diamond ring, set with an emerald-cut citrine, with further circular-cut diamonds to the openwork shoulders in platinum and gold, size M £600-800 1480. A gem-set gold bombé ring, set with citrines, garnets, zircons, turquoise, moonstones, synthetic corundum and various gemstones in yellow gold (one stone missing), size approximately J½ £500-700

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1475

1476

1477

1478

1479

1480

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1481. A French citrine-set gold ring, the step-cut citrine set in yellow gold, obscured French control mark, size O½ £400-600 1482. A diamond-set gold necklace and bracelet by Van Cleef & Arpels, c1980, formed with tricolour gold rectangular links, the centre sections set with round brilliant-cut diamonds, each with French control mark, signed and with maker’s mark for Mathon, necklace 35cm long, 11.5cm inner diameter, inventory number B404 A12, bracelet 17.5cm long, inventory number B2313 A15 £6,500-7,500 1483. A tourmaline and diamond ring by Charles de Temple, set with baguette-shaped pink tourmalines and diamonds in 18ct yellow gold, signed C de T and with London hallmarks for 1972, size O £1,000-1500 1484. A gold band ring by Lalaounis, the fluted band with bead decoration in cruciform motif, signed and with maker’s mark, 9mm wide, size Q approx. £400-600 1485. A diamond-set collar necklace by Tiffany & Co., alternately-set with fluted links, the principal five links accented with rows of round brilliant-cut diamonds in platinum and yellow gold, 40cm long, Tiffany case £2,000-3,000 1486. A sapphire and diamond foliate brooch by Kutchinsky, the stylised leaves set with marquiseshaped sapphires tied with a diamond-set ribbon, in yellow gold and platinum, signed, 5.5cm high, Kutchinsky box £1,500-2,000 1487. A French diamond-set gold rose brooch by Merrin, with articulated gold mesh petals opening to reveal diamond-set stamens, with textured gold leaves to the stem, French control marks and signed Merrin France, 5.5cm high £800-1,200 1488. A pair of gold ‘Pan di Zucchero’ drop earrings by Vhernier, set with mother-of-pearl beneath sugarloaf smokey quartz, suspending from a line of square-shaped gold links, signed, post fittings, 9.5cm high £1,500-2,000 1489. A Panthère gold ring by Cartier, terminating in a panther’s head with green-stone eyes in yellow gold, signed Cartier and stamped PF0186, size M £1,000-1,200 1490. A pair of gold earrings by Lalaounis, of ‘boteh’ teardrop form, with geometric openwork design and beaded decoration overall, with maker’s mark, clip fittings, 3.3cm long £800-1,200 1491. A pair of French diamond scroll earrings, set with graduated round brilliant-cut and baguetteshaped diamonds in platinum, maker’s marks Stè C and French control marks, 3.2cm long £2,500-3,500 1492. A Cartier yellow gold strap bracelet, set with torpedo-shaped links in yellow gold, signed and numbered C68569, 19cm long, Cartier box £2,500-3,500

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1483

1484

1481

1485 1482

1486

1489

1490

1491

1488 1487

1492

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1493. A pair of conch pearl and diamond drop earrings, the articulated links millegrain-set with circularcut diamonds and graduated conch pearls in white gold, shepherd’s hook fittings, 6.8cm high £4,000-6,000 1494. An Edwardian emerald and diamond pendant, of openwork circular design, set with old circularcut diamonds and calibré-cut emeralds in platinum and white gold, 3.7cm high £2,000-3,000 1495. An Art Deco emerald and diamond ring, the navette-shaped ring centred with a cabochon-cut emerald and set with old circular-cut diamonds, pierced and carved scroll gallery and with further engraved decoration to the shoulders in platinum, size R £3,500-4,500 1496. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.70cts, set in 18ct yellow gold and platinum, with London hallmarks for 1986, size Q½ £400-600 1497. A diamond five-stone ring, centred with a round brilliant-cut diamond, with baguette-shaped diamonds to each shoulder in platinum and white gold, size M½ £1,500-2,000 1498. An Edwardian emerald and diamond plaque ring, set with a central round brilliant-cut diamond within a waisted lozenge-shaped border, pierced and set with single-cut diamonds and calibré-cut emeralds in platinum, size L½ £1,500-2,000 1499. A diamond and emerald pendant, the circular openwork swirl design pendant, set with circularcut diamonds and centred with an emerald cabochon in white gold, on a fine-link white gold neck chain, pendant 4.8cm high, chain 40cm long £600-800 1500. A Belle Époque diamond collar necklace, the octagonal centre plaque pierced and set overall with diamonds, the velvet collar set with diamond terminals and foliate diamond panels, 32cm long £600-800 1501. An Edwardian circular diamond brooch pendant, set with four articulated circular-cut diamonds in a square surround within a linear border alternately-set with rose-cut diamonds in platinum, 3.4mm diameter £1,500-2,000 1502. A emerald and rock crystal target ring, set with a cabochon emerald within rock crystal and diamond border in platinum, size K½ £1,000-1,500

λ 1503. A coral and diamond bracelet, set with coral beads separated with diamond-set links in white gold, 17cm long £1,500-2,000 1504. An emerald and diamond full circle dress ring, set with a row of seven emerald-cut emeralds within a border of four baguette-shaped diamonds, the band pavé-set overall with round brilliant-cut diamonds in platinum, size P £5,000-7,000 1505. An Art Deco natural pearl and diamond brooch, set with old cushion-cut diamonds separated with black enamel and pearls to each end, within waisted border pierced and set with graduated old circular-cut diamonds in platinum, 7.4cm wide £3,000-5,000 Accompanied by report number 80243-78 dated 22 November 2019 from GCS, London stating that the cream pearls measure 5.9-6.0 x 5.4mm and 6.0 x 5.6 x 5.0mm and are natural saltwater with no indications of treatment.

λ 1506. An Art Deco coral and diamond brooch by Janesich, set overall with graduated old-cut diamonds and a central yellow diamond within coral cabochon border in platinum, signed and with French control mark, 5.7cm wide £2,500-3,500 1507. A diamond cluster ring, the round brilliant-cut diamond weighs approximately 1.80cts and is set within a surround of smaller circular-cut diamonds and tapered baguette-shaped diamond shoulders in white gold, size M £7,000-9,000 1508. A diamond solitaire ring, the old circular-cut diamond weighs approximately 2.20cts, set with three circular-cut diamonds to each shoulder in platinum, size N½ £4,000-5,000 1509. A pair of early 20th century enamel and gold cufflinks by Cartier, of chamfered-edge square form with a red enamel border surrounding a white and gold stylised rose, signed Cartier to reverse, each link 13mm wide £3,000-4,000

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1496

1495

1497

1493

1500

1498

1494

1499

1503 1501 1505

1502

1506

1504

1507

1508

1509

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1510. An emerald and diamond three-stone ring, the emerald-cut emerald is set with a square-shaped diamond to each shoulder in white gold, size L½ £3,500-4,500 Accompanied by report number 80241-23 dated 5 November 2019 from GCS, London stating that the octagonal-cut emerald weighs approximately 1.70cts and is a natural emerald with indications of insignificant clarity enhancement. Origin: Colombia. 1511. A diamond solitaire ring, the old circular-cut diamond weighs 3.24cts and is set with a baguetteshaped diamond to each shoulder in platinum and white gold, size P½ £10,000-12,000 Accompanied by report number 190000093106 dated 12 June 2019 from HRD Antwerp stating that the brilliant-cut diamond weighs 3.24cts and is a natural diamond with L colour, VS1 clarity and no fluorescence. 1512. A jade solitaire ring, the oval-shaped jadeite cabochon is rubover-set in yellow gold, size O£500-700 1513. A jade and diamond bombé ring, set with a cabochon jadeite jade within a surround of graduated circular-cut diamonds in platinum, size L½ £6,000-8,000 Accompanied by report number 80245-99 dated 5 December 2019 from GCS, London stating that the cabochoncut jade measures 11.2 x 9.2 x 5.9mm and is natural green jadeite jade with no indications of impregnation. 1514. A fancy diamond cluster ring, centred with an oval-shaped fancy vivid yellow diamond weighing 1.17cts and set in a surround of old circular-cut diamonds, with trifurcated shoulders in platinum, London hallmarks for 1995, size K £5,000-7,000 Accompanied by report number 80243-82 dated 22 November 2019 from GCS, London stating that the cushion-cut diamond weighs 1.17cts and is a natural diamond with fancy vivid yellow colour, VS2 clarity and faint fluorescence. 1515. A diamond rivière necklace, millegrain-set with graduated round brilliant-cut diamonds in platinum, approximately 12.50cts total, 42cm long £10,000-20,000 1516. A fancy diamond cluster ring by Chaumet, centred with a fancy light yellow round brilliant-cut diamond weighing 1.60cts within a quatrefoil surround of marquise and round brilliant-cut diamonds in yellow gold, French control mark, signed Chaumet Paris and with maker’s mark, size N £4,000-6,000 Accompanied by report number 80243-76 dated 22 November 2019 from GCS, London stating that the round brilliant-cut diamond weighs 1.60cts and is a natural diamond with fancy light yellow colour, SI2 clarity and faint fluorescence. 1517. An Art Deco diamond bracelet, the concentric circles millegrain-set with diamonds on adjustable mesh bracelet in platinum and white gold, 16 - 22cm longest £800-1,200 1518. A pair of jade and diamond drop earrings, the carved jadeite jade panels set within diamond surrounds and suspended from articulated lines of diamonds in white gold, 4.6cm high £2,500-3,500 Accompanied by report number 80239-09 dated 4 November 2019 from GCS, London stating that the cabochon-cut jade is natural green jadeite jade with no indications of impregnation. 1519. A pair of topaz and diamond drop earrings, the kite-shaped orange topaz suspend from a line of baguette and tapered baguette-shaped diamonds in platinum and gold, post fittings, 3.9cm high £1,500-2,000 1520. A jade and diamond cluster ring, the ice jade cabochon is set within a surround of circular-cut diamonds in yellow gold, size L½ £2,500-3,000 Accompanied by report number 79227-28 dated 8 August 2019 from GCS, London stating that the cabochon-cut jade is natural light blue jadeite jade with no indications of impregnation 1521. A diamond three-stone ring, the cushion-shaped diamond weighs 3.02cts, with a triangularshaped diamond to each shoulder, with scroll engraved decoration to the gallery and shoulders in platinum, size L½ £23,000-30,000 Accompanied by report number 5151754305 dated 13 November 2013 from GIA stating that the cushion brilliantcut diamond weighs 3.02cts and is a natural diamond with F colour, SI1 clarity and strong blue fluorescence. 1522. A diamond solitaire ring, centred with a round brilliant-cut diamond with old cushion-shaped diamonds to each shoulder in platinum, size N £2,000-3,000 1523. An Art Deco diamond ring, of tapered rectangular form, millegrain-set with graduated old circularcut and rose-cut diamonds (three missing) in platinum, size M½ £1,000-1,500 1524. A chrysoberyl catseye and diamond cluster ring, the cabochon chrysoberyl weighs 10.08cts, set within baguette-shaped and circular-cut diamond surround in white gold, size M½ £15,000-20,000 Accompanied by report number GRS2018-119542 dated 5 November 2018 from GRS stating that the partially polished cabochon chrysoberyl weighs 10.08cts and is a natural greenish-yellow (GRS type ‘honey’colour’) cat’s eye chrysoberyl with no indications of treatment.

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1511

1510

1515

1512

1514 1513

1516

1522 1517

1521

1520

1518

1524

1523 1519

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1525. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 4.10cts, set within a silver cut-down collet and a surround of old cushion-shaped diamonds in silver and gold, size K½ £3,000-4,000 Accompanied by report number 80246-89 from GCS, London stating that the oval-shaped sapphire is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1526. An aquamarine and diamond cocktail ring, the emerald-cut aquamarine weighs approximately 24.00cts, flanked with baguette-shaped shoulder diamonds in platinum, size M £1,500-2,000 1527. A pair of diamond scroll clip earrings, of stylised cornucopia design set with graduated circular and baguette-shaped diamonds in platinum, scratched inventory number, clip fittings, the earrings can also be worn as a pair of double clips, 3cm long £2,000-3,000 1528. An Art Deco diamond pendant, the geometric fan motif is pierced and millegrain-set with baguette-shaped and circular-cut diamonds in platinum, suspending an articulated old circular-cut diamond weighing approximately 1.35cts in platinum, on fine-link platinum neck chain set with circular-cut diamonds, pendant 4.5cm long, chain 42cm long £4,000-6,000

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1528

1527

1526

1525

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1529. A George III gem-set gold demi-parure, comprising an elaborate gold necklace of foliate quatrefoil and pellet design, suspending pearl-set gold drops, with alternate gem-set and swag links in closed-back yellow gold, the central and largest pendant set with a ruby and suspends a pink topaz, yellow topaz and an amethyst briollette, 43cm long, with conforming seed pearl, emerald and amethyst earrings, 4cm high, and a pink topaz stickpin, in original fitted box ÂŁ3,000-4,000

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1529

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1530

1530. An emerald and diamond pendant, the oval-shaped emerald weighs 16.92cts, suspended from a line of graduated marquise-shaped diamonds in platinum, on fine-link platinum neck chain, pendant 6cm high, chain 41cm long ÂŁ25,000-30,000 Accompanied by report number 17203 dated 30 April 2019 from The Gem & Pearl Laboratory stating that the oval-shaped emerald weighs 16.92cts and is a natural emerald with evidence of minor clarity enhancement. Origin: Colombia. Accompanied by report number 190000054116 dated 4 April 2019 from HRD Antwerp stating that the lowest marquise-shaped diamond weighs 0.77cts and is a natural diamond with G colour, VVS2 clarity and with no fluorescence.

1531. A sapphire and diamond suite of jewellery by Dhamani, comprising a necklace, bracelet, earrings and a ring, set with cabochon sapphires and round brilliant-cut diamonds in white gold, approximately 312.06cts sapphires and 12.75cts diamonds total, the necklace, bracelet and ring signed Dhamani, necklace 43cm long, bracelet 17cm long, earrings 1.5cm widest, ring size MÂ˝ ÂŁ15,000-20,000

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1531

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1532. A diamond bracelet, centred with a pear-shaped diamond weighing 3.90cts and set within a surround of twelve round brilliant-cut diamonds and forty-one graduated marquise-shaped diamonds in platinum and white gold, the diamonds including the centre pear-shaped diamond weigh approximately 48.00cts total, 18.5cm long ÂŁ25,000-30,000

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1532

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JEWELLERY Thursday 30th April 2020

To be included: A gold bracelet mounted with nine hardstone intaglios Estimate ÂŁ20,000 - 30,000* Including: (5th from left) An 18th century intaglio depicting a youth with flowing hair, signed Costanzi. (7th from left) A late 18th / early 19th intaglio depicting a Maenad holding a thyrsus staff and a cup with a butterfly, signed PIX for Pichler.

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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SILVER & OBJECTS OF VERTU Tuesday 21st January 2020

After Paul De Lamerie, a pair of William IV silver Chinoiserie tea caddies, by Michael Starkey, London 1831, height 15.4cm Estimate Â£2,000 - 3,000*

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

01635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally entitled to acquire the lot(s) that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but may not take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction, or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

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12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated. BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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WILTON & WARMINSTER

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500.

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Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd +44 (0)20 7424 7830 jammdesign.co.uk

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ABSENTEE BID FORM

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

JEWELLERY

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 23rd January 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed Billing Name (please print) Address

Postcode Daytime telephone Email All accounts must be settled within 21 days ID is required for all first time bidders

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.wo o lleyan d wallis.co .u k

JEWELLERY Thursday 23rd January 2020

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

Michael Jeffery Zoe Smith

424505 446955

ASIAN ART

Sally Trench Megan Corbett

Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

Janice Clift (Office Manager)

Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

Matt Hill

CASTLE GATE MANAGER David Jordan 411854 339161 446974

JAPANESE ART

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

CASTLE GATE RECEPTION Sally Litherland

BOARD OF DIRECTORS 424583 424591

446961 446962 446970

John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

339752 446980

424500

GENERAL OFFICE

SALEROOM MANAGER 424507 446964

FURNITURE, WORKS OF ART & CLOCKS

Alexandra Aguilar Sarah Lopez-Ferreiro

446959 446960

ACCOUNTS 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan-Richards Jim Gale Suzy Becsy

424509 424598 424509

MARKETING

20TH CENTURY DESIGN

John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

424500

AUCtion CAlendAr JAnUArY 8th 21st 23rd

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

FeBrUArY 4th 19th

the Judith Howard Collection of Sèvres Porcelain tribal Art & Antiquities

First Friday of the month 10am-1pm No appointment necessary

MArCH 4th 18th

old Masters, British & european Paintings Clarice Cliff, Art deco & design

APril 1st 21st 28th & 29th 30th

FREE VALUATION MORNINGS

Furniture, Works of Art & Clocks english & european Ceramics & Glass Silver & objects of Vertu Fine Jewellery

NEXT VALUATION DATES 7th February, 6th March & 3rd April (No valuation day in January)

MAY 6th 19th & 20th

Medals & Coins, Arms & Armour Asian Art, Chinese Paintings & Japanese Works of Art

JUne 3rd

17th

Modern British & 20th Century Art including the estate of dame elisabeth Frink & Jin Jammet Arts & Crafts

JUlY 1st 14th & 15th 16th

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

dates may be subject to change +44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A late Victorian diamond fringe necklace SOLD FOR £23,750*