Woolley & Wallis Auctioneers

FINE JEWELLERY

THURSDAY 13TH & FRIDAY 14TH JULY 2023

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

FINE JEWELLERY

THURSDAY 13TH JULY 2023

10.00AM LOTS 1000 - 1309

FRIDAY 14TH JULY 2023

10.00AM LOTS 1310 - 1503

at our Castle Street Salerooms, SP1 3SU

VIEWING AT CASTLE STREET, SP1 3SU

Saturday 8th July 10.00am – 1.00pm

Monday 10th July 10.00am – 4.00pm

Tuesday 11th July 10.00am – 4.00pm

Wednesday 12th July 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Wednesday 12th July

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 1503

Inside front cover: Lot 1498

Page 1: Lot 1502

Back cover: Lot 1499

Catalogue £10.00 (£15.00 by post)

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

Megan Corbett mc@woolleyandwallis.co.uk

LIVE ONLINE BIDDING

LIVE

FREE OF CHARGE bid.woolleyandwallis.co.uk

Please register by 5pm on Wednesday 12th July

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Facebook: @woolleyandwallis

Twitter: @woolleywallis

Pinterest: Woolley and Wallis

JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT

Please note that lots marked † are subject to VATon the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

1000 Nine jewellery reference books, Understanding Jewellery, Bennett and Mascetti. David Bennett and Daniela Mascetti

Jewellery Ancient to Modern, catalogue. Henry Walters Collection. Jewels of the Duchess of Windsor, Collection catalogue, Culme and Rayner. Café Society, Socialites, Patrons and Artists 1920­1960, Thierry Coudert. Imperishable Beauty, Art Nouveau Beauty, Markovitz and Karkin. Castellani and Giuliano, Geoffrey Munn. Spectacular, Gems and Jewelry from the Merriweather Post collection, Paredes The Belle Époque of French Jewellery 1850­1910, Koch and Vonwirthern berg, Munn, Rudoe etc.

Art Nouveau Jewellery, Joseph Sataloff £200­300

To be sold without reserve

1001 Six Jewellery reference books

Bulgari, Daniela Mascetti and Amanda Triossi

Jean Vendome, Crequt­Ledué, with slip case

Schmuck ­ Design der Moderne, Reinhold Ludwig

Floral Jewels, Carol Woolton

Chaumet, Janie Samet

Archives Secretes, Boucheron £200­300

To be sold without reserve

1002 Four Jewellery reference books, Bejewelled by Tiffany, 1857­1987, Clare Phillips Mauboussin, Joaillier de L’Émotion, 1827­2007, Marquerite de Cerval Yard, The life and magnificent Jewellery of Raymond C. Yard, Natasha Kuzmanovic

Mauboussin, Editions du regard, Marquerite de Cerval £200­300

To be sold without reserve

1003 A two volume set of Cartier reference books, The Cartier Collection, Jewellery, Francois Chaille and Éric Nussbaum; and The Cartier Collection, Timepieces, Francois Chaille and Franco Cologni, Flammarion. Both with slip cases £200­300

To be sold without reserve

1004 JAR, ‘JAR Paris I’, London 2002, the hardcover book with original slip case in shrink wrapping, together with tote bag reading ‘Open Sesame’ £100­200

1005 A mixed lot of jewellery boxes, comprising: 71 boxes, including examples by Cartier, Boucheron, Storr & Mortimer, Asprey, Mappin & Webb, Harrods and Hancocks £200­300

1006 A collection of jewellery boxes, the 38 modern boxes and pouches including examples by Cartier, Asprey, Garrard, Chopard and Theo Fennell, and ring cases by Bulgari and Tiffany & Co. £100­150 This lot will be sold without reserve

1007 A large collection of jewellery, comprising: a 19th century bracelet set with various hardstone cabochons, mounted in gold, length 16cm; a collection of twenty seven rings, 19th and 20th centuries, variously set, some hallmarked, including a black opal ring, size K; a ruby and diamond three­stone ring mounted in 18ct gold, size L, British hallmarks; a brilliant­cut diamond ring, mounted in gold, size M, stamped 18CT, diamond weighing approximately 0.13 carats; and an early 20th century diamond five­stone ring, mounted in gold, size Q½, stamped 18CT; a collection of nine pendants, including a Victorian heart­shaped gold locket set with a cushionshaped ruby, length 2.6cm; five stick pins, including one set with a cushion­shaped paste, mounted in gold, length 7.5cm; twenty eight brooches, including one of foliate design set with cabochon opals and cultured pearls, mounted in 9ct gold, length 52cm, British hallmarks; a blue enamel, seed pearl and rose­cut diamond locket brooch in silver and gold, 2.5cm diameter; and an oval chalcedony and turquoise ‘forget me not’ brooch, circa 1830, length 3.7cm; together with a gilt metal comb; a turquoise and carved conch shell negligée locket necklace; and a toothpick and propelling pencil set with a citrine, in a jewellery box lined with green velvet £200­300

λ 1008 Two tortoiseshell bags, 19th century, each constructed from tooled leather, set with panels of tortoiseshell, and steel lock plates, one with floral inlays in mother of pearl, larger bag 18 x 17.2cm £200­300

1009 A collection of cut steel jewels, 19th century, comprising: a long rope tassel necklace, length 250cm; a necklace composed of pierced links, length 36cm; a pair of eye glasses, longest 7.1cm; a bracelet composed of navette­shaped links, length 16.5cm; a multi­strand torsade bracelet, length 19.5cm; a chatelaine suspending two fob seals and a watch key, length 19cm; and two chatelaine pendant necklaces, longest 42cm £200­300

λ 1010 A collection of cut steel jewellery, 19th century, comprising: two hair ornaments, inner curves 18.3 and 19cm; a hairpin modelled as a bird of paradise, with a tortoiseshell comb fitting, length of bird 8.2cm; a chatelaine, length 12.7cm; a floral spray brooch, length 9.5cm; a longchain, length 138cm; a pair of floral bracelets, lengths 18 and 19cm; a pair of bangles, inner circumferences 16.6cm; and an enamelled bracelet, length 18cm £200­300

1011 A collection of cut steel and enamel belt plaques, 19th century, each of cutcornered rectangular design in engraved and studded steel, three conjoined, four loose, each centring on painted and enamelled plaques depicting figures in pastoral scenes, largest individual plaque 7.3 x 4.4cm £200­300

1012 Four pairs of paste shoe buckles, late 18th century, comprising: four pairs of shoe buckles, each set with colourless pastes, each mounted in silver with bicoloured accents, largest pair 8.5 x 4.4cm, one pair with original fitted case £200­300

1013 Two cased sets of paste buttons, circa 1800, comprising: a set of twelve buttons of roundel design, set with colourless paste stones in closed­back settings, mounted in silver, diameter 3cm each, fitted case; and a set of three buttons of openwork lozenge design, set with colourless and green pastes, each measuring 3.2 x 3.6cm, original fitted tooled leather case £200­300

λ 1014 Four tiaras, 19th century, comprising: a tiara set with faceted coral beads, with a grape vine meander in gilt metal; a fine tiara composed of swirl motifs set with cushion­shaped colourless pastes and simulant pearls; a tiara of foliate design set with circular­cut violet pastes; and a tiara of openwork design set with violet and colourless pastes, inner curve of longest 17.5cm £200­300

λ 1015 A gilt metal and tortoiseshell hair ornament, 19th century, composed of graduated tapering pointed gilt metal motifs, entwined in rope twist wire, to a plain gilt metal band and tortoiseshell comb fitting, inner curve 16.5cm £200­300

λ 1016 A pair of gilt metal, tortoiseshell and paste haircombs, and two hair ornaments, 19th century, the pair of tortoiseshell combs decorated with gilt filigree and colourless pastes, length 9cm; together with a simulant pearl and gilt metal hair ornament with tortoiseshell comb, inner curve 18cm; and a gilt metal hairpin of scrolled design with a tortoiseshell fitting, length 12.5cm £200­300

1017 Two gilt metal and hardstone bracelets, mid 19th century, one set with pear­shaped cabochons of carnelian and white chalcedony, mounted in gilt metal cannetille settings, length 18cm; the other set with cabochons of banded agate, to gilt metal mounts accented with bead decoration, to a larger agate cluster clasp, length 17.5cm £200­300

1018 Three early 19th century bracelets, the pierced mesh bracelet set with pink pastes within a foliate surround, length 19cm, with an agate plaque bracelet separated with scroll decorated links, length 19.5cm, and an amethyst bracelet with foliate repoussé links, length 18cm £150­250

1019 Two gilt silver purses,19th century, each constructed from gilt silver filigree, one suspended from a chain, with a fringed base, larger purse 6.6 x 6.7 x 2.3cm £200­300

1016

1017

1019

1018

λ 1020 Two tortoiseshell piqué work cases, 19th century, each of cylindrical form, composed of tortoiseshell inlaid with gold patterns, longest 14cm £200­300

1021 A collection of jewels, 19th century, comprising: a choker necklace, set with colourless pastes, to a black velvet ribbon, length 26cmm French assay marks for silver; a gilt metal chatelaine and a mother of pearl, gilt metal and enamel chatelaine, length of longest 22cm; and a gilt metal and enamel chatelaine clip, length 8cm £200­300

1022 A mid 19th century paste cross pendant, set with blue and colourless pastes in silver settings, length 9.3cm, with an early 19th century paste Portugese Order of Christ pendant set with colourless pastes in closed back silver setting, length 8.3cm £100­200

1023 A gilt metal and half pearl hair ornament, mid 19th century, designed as a crenellated gilt band decorated with spherical motifs, applied with black enamel accented with half pearls, inner curve 14cm, pearls untested £200­300

λ 1024 A gilt metal and tortoiseshell hair ornament, 19th century, the top designed as a curved band with radiating flame­shaped motifs topped with gilt spheres, to a tortoiseshell comb fitting, inner curve 11.5cm £200­300

1025 A gilt metal hair ornament, 19th century, designed as a series of graduated gilt metal spheres, to a later resin hair comb, inner curve 14.4cm £200­300

1026 Three paste cross pendants, 19th century, comprising: one cross pendant set with multicoloured circular­cut pastes; a Maltese cross pavé­set with circular­cut colourless pastes; and a cross set with circular­cut pastes; length of longest 9.5cm £200­300

1027 Christian Dior, two paste brooches, comprising: a brooch designed as a ribbon rosette, set with circularcut pastes and centring on a green cabochon paste, length 6.5cm, signed Christian Dior; and a floral brooch set with marquise­ and pear­shaped colourless, olive green and black pastes, cabochon green pastes and simulant pearls, length 7.5cm, signed Chr.Dior; together with two other unsigned paste brooches, some stones deficient £200­300

λ 1028 A collection of jewels, 19th century, comprising: a gold ring set with an agate intaglio of an elephant, size L½; a gold and ruby necklace and bracelet, each modelled as snakes, bracelet length 18cm, necklace length 61cm; a carnelian fob seal; a gold signet ring with a glazed compartment of hair, size L½; a square brooch set with a painted picture of a man wearing a feathered hat, mounted in gold, measuring 1.7 x 1.6cm; a pair of lapis lazuli studs; a pair of gilt metal and micromosiac pendent earrings depicting Roman ruins, length 8.6cm; a brooch of radiating design set with lava and coral cameos, mounted in gold, 3.1 x 3.6cm, two gold stick pins, one set with a coral bead, the other with an engraved gold bead, longest 7cm; a small gold buckle applied with red and white enamel; length 1.7cm; a rectangular gold pendant set with rose­cut diamonds on a damaged ground of blue enamel, within a border of half seed pearls, length 3.5cm; a 9ct gold carnelian and bloodstone swivel­set fob seal, length 4.3cm, British hallmarks; and a two­part gilt metal and bloodstone belt buckle; together with a later gold ring set with a circular­cut synthetic ruby, size F £600­800

1026

1027

1029 A collection of gold jewels, comprising: a gentleman’s 9ct gold Omega wristwatch, manual winding movement, British hallmarks; a 9ct gold pendant necklace designed as a Hebrew character, British hallmarks; a 9ct gold Manx triskellion charm, British hallmarks; a 9ct gold and circular­cut diamond band, British hallmarks; a heavy 9ct gold curb link bracelet, British hallmarks; an 18ct gold flattened double curb link necklace, British hallmarks; a gold box link chain necklace, stamped 9K; a bicoloured gold fancy link chain bracelet, stamped 375; a 9ct gold belcher link chain necklace, British hallmarks; an additional belcher link gold necklace; a gold chain suspending a filigree Hand of Fatima pendant; a bicoloured watch chain; a fancy link necklace, the pendant swing set with a fluted gold bead, stamped 750; a gold chain necklace suspending a gold Star of David and Hebrew character charm; a gold chain suspending a gilt metal and glass mosaic Star of David charm; four gold signet rings, two with British hallmarks; together with a cultured pearl necklace, clasp with British hallmarks for 9ct gold; a 9ct gold watch, British hallmarks; and a 9ct gold pocket watch, British hallmarks, date letter for 1919, combined gross weight 449 grams £3,000­5,000

1030 A mixed group of jewellery including an Oyster Junior Sport watch, comprising: a gold, garnet and seed pearl stick pink with a Greek key enamel border; a cushion­shaped paste stick pin; a pair of star sapphire stud earrings and a matching ring, mounted in gold; a gold, simulant pearl and paste ring; a gold, synthetic opal and rose­diamond ring, three stones deficient; a lady’s 9ct gold Tissot wristwatch; a silver travelling clock; a silver and paste eternity ring; and an Oyster Junior Sport watch, case width 3cm, manual winding movement, numbered 130627 and 2784 £100­200

1031 A mixed group of jewellery, comprising: five gold bar brooches, late 19th/early 20th century, variously set with pearls, diamonds, sapphires and a green paste stone, longest 5.6cm, pearls untested, three fitted cases; a late 19th century gold and diamond brooch modelled as a flower, diameter 2.3cm; a pair of gold cufflinks; a 19th century rose­cut garnet locket brooch, 4.8 x 4.0cm; a pair of gold, cultured pearl and sapphire ear clips, length 2.2cm each; and a gilt metal brooch/turban ornament set with rubies, length 10.5cm £200­300

1032 A collection of cultured pearl, ruby and diamond jewels, comprising: a necklace, composed of three strands of cultured pearls spaced with ruby beads, to a pavé­set diamond clasp suspending a ruby and diamond trefoil pendant, length 41cm, stamped 18K; a pair of cultured pearl and diamond earrings of similar design, clip and post fittings, length 3.8cm each; a ruby and diamond demi­parure, each set with marquiseshaped rubies and brilliant­cut diamonds, the necklace additionally set with tapered baguette diamonds, British hallmarks for 18ct gold; a ruby and diamond bracelet, British hallmark for 14ct gold; and a diamond necklace, stamped 14K £800­1,200

1033 Paloma Picasso for Tiffany & Co., a silver brooch, and a collection of jewels, comprising: a silver brooch of crosshatch design, length 7.5cm, signed Paloma Picasso and Tiffany & Co.; an amber and cultured pearl brooch by Viviane Debbas, length 6.6cm, signed V.Debbas, 750; a demiparure of earrings and brooch, each set with a shell cameo of the moon and stars, brooch 3.6cm diameter, earrings 3.1cm each, each with maker’s mark GC; a ring set with four cultured pearls, size M½, French assay mark for 18ct gold, French maker’s mark; a gold ring set with a section of onyx and a cross inscribed ‘Jerusalem’, size X, stamped 585; a silver ring of similar design, size V; and a coiled snake bracelet mounted in silver, signed Longmire, British hallmarks for silver £200­300

1033

λ 1034 A collection of jewellery, comprising: a gold ring suspending two turquoise cabochon pendants; a similar gold ring suspending two aventurine quartz beads; a 9ct gold ring set with a cabochon turquoise, British hallmark; a 9ct gold and seed pearl bar brooch, British hallmark; a pair of gold and seed pearl drop earrings, fitted case; a synthetic sapphire and diamond ring; a small sapphire and diamond cluster ring, stamped 18CT; a diamond and hair work mourning ring, dedicatory inscription dated 1884; a seed pearl and hair work mourning ring; a seed pearl and enamel ring; a shall cameo brooch mounted in 9ct gold, British hallmark; an enamel and seed pearl heart pendant; a seed pearl and turquoise necklace; a pearl necklace, pearls untested; an Edwardian gold and seed pearl bangle; a twisted gold bracelet, unidentified assay marks; a gold filigree and pearl rosary necklace, pearls untested; a gold and turquoise scarab ring; a pair of Egyptian revival gold and faience scarab cufflinks; two 9ct gold bracelets; a pearl ring, a pearl and garnet ring and a turquoise ring, pearls untested; three pairs of mid 19th century gold and coral earrings; earrings, one set with coral; a turquoise and seed pearl insect bar brooch; a modern diamond ring; a turquoise bar brooch of trefoil design; a pair of gold hoop earrings; six gold chain necklaces and three gilt metal necklaces; together with a cultured pearl necklace, the clasp engraved with the design of a fly, set with rose­cut diamonds, length 42.5cm £600­800

1032

1035 A mixed group of jewels, comprising: an 18th century paste brooch, later brooch fittings; an attractive early 20th century gold bat and owl brooch, accented with ruby cabochons and joined by a chain, stamped 15, numbered 11953; a garnet cluster ring; a cultured pearl and black enamel brooch; a synthetic ruby and cushion­shaped diamond bar brooch mounted in silver and gold, early 20th century, length 7cm; a calibré­cut ruby full eternity ring in white gold, size O½, a cloisonné enamel fish pendant; and a cultured pearl necklace

£300­400

1036 A group of watches and gold jewels, comprising: a gold signet ring engraved with the crest of clan Stewart, the motto reading Viriscet Vulnere Victus (‘courage grows strong at a wound’), size K, stamped 22CT; a pair of gold and white gold wedding bands, sizes N½ and V respectively, each stamped 18K; a gold bracelet with the words ‘Good Luck’ between strands of chain, the clasp set with a cabochon turquoise, length 18cm, stamped 9ct; a 9ct gold bangle, British hallmarks; a bicoloured platinum and gold watch chain, length 40cm; a bracelet composed of 9ct gold swimming medals, length 21.5cm, British hallmarks; an 18ct gold pocket watch signed Army & Navy Cooperative Ltd, British hallmarks for 18ct gold, date letter for 1890; a lady’s 9ct gold Cyma wristwatch, British hallmarks; a lady’s stainless steel Jaeger LeCoultre wristwatch; and a lady’s stainless steel IWC Schaffhausen wristwatch £1,000­1,500

λ 1037 A group of jewels including a coral necklace, comprising: an Art Deco jadeite plaque brooch, length 3.9cm; a nephrite and cord necklace; three cultured pearl necklaces, to gold clasps, one set with emeralds, each stamped 14K; and a multi­strand coral bead necklace, the beads measuring 5.9­10.4mm diameter, length 33.5cm, necklace weighing 62 grams £200­300

1038 A collection of gold jewellery, comprising: a gold and diamond ring, stamped 18CT, together with a matching pair of 18ct gold and diamond cufflinks and a pin, each with British hallmarks; a pair of mother of pearl, sapphire and diamond cufflinks mounted in 18ct gold, British hallmarks; a 9ct gold ‘Rolls Royce’ keychain, British hallmarks; an 18ct gold ring set initialled HB in brilliant­cut diamonds, British hallmarks; two 9ct gold ‘Mizpah’ rings, each with British hallmarks; a pair of 9ct gold cufflinks, British hallmarks; a 9ct gold SOS talisman, Swiss assay marks; a 9ct gold and diamond ring, British hallmark; a 22ct wedding band and two 18ct gold wedding bands, each with British hallmarks; a broken 9ct gold wedding band, British hallmark; a tricoloured gold and platinum curb chain bracelet, stamped 750; a 9ct St Christopher pendant on an 18ct gold chain, British hallmarks; and a 9ct belcher chain necklace, British hallmarks, combined gross weight 168 grams £2,000­3,000

1036

1039 A collection of jadeite jewels, comprising: two pairs of jadeite earrings, longer pair 3.8cm, a jadeite clip brooch, length 3.8cm stamped 14K; a pair of jadeite cufflinks, stamped 14K; a jadeite full eternity ring, size P; a jadeite and cultured pearl bar brooch modelled as a spider, length 6.1cm, stamped 14K; and a ring set with a jadeite cabochon, size L½, stamped 14K £200­300

1040 A collection of jewellery, comprising: an opal ring, size M, stamped 750; an opal pendant necklace and pair of earrings, chain length 46cm, British hallmarks for 9ct gold;, earrings with post fittings, length 3.2cm each; a smoky quartz ring mounted in 9ct gold, size K, British hallmarks; a citrine ring, size K½, stamped 14K, Germany; a 9ct gold signet ring set with a brilliant­cut diamond, size Q½, British hallmarks; and a diamond threestone ring, size J, stamped 18CT PLAT £100­150

1041 Two Victorian bangles and a garnet brooch, comprising: a hinged gold bangle, the front of scrolled openwork design, the interior with inscribed date ‘9th October 1878’, inner circumference 16.8cm; a plain hinged bangle, the front with a rope twist and beadwork border, inner circumference 16.3cm; and a gold brooch of abstract floral design, suspending a pear­shaped cabochon garnet locket, length 7.1cm, fitted case £400­600

1042 A collection of jewels, comprising: a bracelet set with variously coloured cabochons of jadeite, mounted in gold, length 18cm; a bracelet set with rose­cut almandine garnets, length 17.2 grams; a pair of pendent earrings set with opal triplets, length 3.2cm each, post fittings; and a gold and enamel negligée necklace, length 38.5cm £200­300

1043 A group of jewellery, comprising: a turquoise and diamond brooch, length 3.2cm, circa 1910, one diamond deficient; an Edwardian half pearl and diamond bar brooch, length 5.4cm, stamped 15CT, pearls untested; a heart­shaped locket brooch pavé­set with half pearls, length 1.8cm, later brooch fitting, pearls untested; four plain gold bar brooches; a feather brooch, stamped 750; a gold and amethyst bar brooch; a gold stick pin topped with an insect; a gold, turquoise and seed pearl bar brooch, length 3.6cm, fitted case stamped Gold & Silversmiths Company; and a pair of gold and cultured pearl collar slides, fitted case stamped Gold & Silvermiths Company £200­300

1039

1042

1044 A collection of diamond jewel components, late 19th/early 20th century; comprising: two bar­shaped links set with cushion­shaped diamonds; five millegrain­bordered open work links set with cushion­shaped diamonds, longest 2.7cm, some diamonds deficient; an oval rose­cut diamond push piece; five rose­cut diamond components; two roundels in silver and gold, set with cushionshaped and rose­cut diamonds, an oval rose­cut diamond stud; and a quantity of smaller components, some set with diamonds £200­300

1045 A collection of jewels and findings, 19th century and later, comprising: three topaz stick pins, longest 7cm; a topaz and yellow paste pendant; a rock crystal and rose­cut diamond bar brooch; an orange paste bar brooch; a pair of collets with a pair of pear­shaped diamond simulants; a bow­shaped clasp set with colourless pastes; a pendant fitting set with red and green pastes, a seed pearl and two moonstones; a collection of eight foil­backed pastes; a flat cut garnet in a collet setting; an empty collet setting bordered with rose­cut diamonds, some deficient; a rose­cut diamond in a closed­back collet setting; and a collection of loose rubies and sapphires weighing a total of approximately 11.00 carats £40­60

1046 A collection of carnelian intaglio brooches, comprising three brooches, each set with an oval carnelian intaglio depicting one of the labours of Hercules, hunting the Erymanthian Boar, capturing the Cretan Bull and capturing the Man­Eating Horses of Diomedes, each within a gilt metal frame, largest brooch 4.6 x 4cm, brooches each signed Phoeser £200­300

1047 A collection of carnelian intaglio brooches, comprising two brooches, each set with an oval carnelian intaglio depicting one of the labours of Hercules, including slaying the Lernean Hydra, and capturing the Hind of Ceryneia, each within a gilt metal frame, largest brooch 4.7 x 4.2cm, brooches each signed Phoeser £200­300

1048 A collection of glyptics, comprising: a lapis lazuli cameo depicting a youth leaning against a pillar; a red and black onyx intaglio depicting a chimera; a carnelian intaglio depicting two birds and a ship at sea, with a motto reading ‘PLUS LOIN LE BERRE’; a carnelian cameo depicting Artemis with her bow; a dendritic agate intaglio depicting a standing winged figure; an agate cameo depicting an armoured figure; a shell cameo depicting a classical woman in profile; a red jasper cameo depicting a classical woman; a yellow jasper intaglio depicting a lion pouncing on a horse; an indistinct carnelian intaglio; a white chalcedony intaglio carved with an eagle’s head; a carnelian intaglio depicting a male figure wearing a radiate crown; and a black and white onyx intaglio depicting entwined initials, largest 3.6 x 2.7cm £400­600

1049 A collection of hardstone glyptics and fragments, comprising: an oval banded agate intaglio depicting three classical figures; a small lava cameo depicting a classical woman; and a small carnelian intaglio depicting a hippocamp with the initial A; a carved flower in black onyx; an agate cabochon; a moulded glass cameo of a horse; and seven hardstone fragments, largest intaglio 3.2 x 1.8cm £100­150

1050 A group of glyptics, comprising: two onyx cameos, each depicting a classical woman in profile. mounted as brooches, larger stamped 18CT, numbered; three small amber intaglios depicting a scorpion, an eagle and a figure riding a dolphin; five carnelian intaglios depicting various figures in profile; a banded onyx intaglio depicting an angel; a black hardstone cameo depicting a woman; a lava cameo depicting a youth; a carnelian cameo depicting a saint and the infant Christ; and a sardonyx cameo depicting a classical crowned woman in profile, largest 3.6 x 2.8cm £400­600

1051 A collection of hardstone glyptics, comprising: an agate cameo depicting Athena; a carnelian intaglio depicting a helmeted bearded male, possibly Ajax or Achilles, mounted as a pendant; a rectangular carnelian intaglio depicting a youth; a red jasper cameo depicting Medusa; a rutilated quartz intaglio depicting a female deity; a pale yellow chalcedony intaglio depicting a lyre and other objects; a chalcedony intaglio depicting an enthroned Zeus; and a red jasper intaglio depicting a gryllus, largest 1.9 x 1.5cm £200­300

1052 A collec ti on of hardstone jewels,late Roman and later, comprising: two agate cameos depicting women in profile; a carnelian cameo of a woman, possibly Venus; a lapis lazuli bead carved as a fourlegged animal; a carnelian scarab bead; a carnelian carved with a hieroglyph; a blue glass bead carved with a bull; and a brown hardstone intaglio depicting an animal, largest 1.3 x 1.2cm £600­800

1053 A group of four chalcedony cameo stick pins, 18th and 19th centuries, depicting: a bearded man, possibly Michelangelo, carved in onyx, within a mount of Archaeological inspiration, fitted case; a helmeted man with beard, possibly Ajax or Achilles, carved in banded carnelian; a laureated emperor, carved in onyx (damaged); and a male figure in profile, carved in onyx, largest cameo 1.7 x 1.4cm £400­600

1052

1054 Two cameo jewels, comprising: a 19th century ring set with an agate cameo depicting Cupid, size I; and an onyx cameo depicting Edward VII, fitted case £400­600

1055 A group of eight hardstone intaglios, possibly Sassanian and later, comprising: two carnelian intaglios depicting a standing figure and a pair of rams respectively, one chipped; two drilled black hardstone intaglio beads depicting a running antelope and a standing figure; a drilled carnelian intaglio bead; a rectangular yellow chalcedony intaglio depicting a recumbent lion; and a drilled banded agate intaglio bead depicting a winged creature and cross; largest 2 x 1.4cm £150­250

1056 Two onyx cameos, Luigi Michelini and Filippo Tignani, 19th century, comprising: an oval onyx cameo depicting Nemesis reading aloud the deeds of human beings to a seated Zeus, measuring 3.1 x 2.1cm, reverse signed Michelini; and a rectangular onyx cameo depicting Athena, measuring 1.7 x 1.2cm, reverse signed F. Tignani Roma £200­300

1057 A group of unmounted gemstones; comprising: a cushion­shaped tsavorite garnet weighing 2.09 carats; two tanzanites weighing 1.25 and 2.05 carats respectively; a large amethyst and citrine; total approximate weight 106 carats; and a group of assorted smaller stones including amethysts, citrines and blue topaz, total approximate weight 67 carats £200­300

† 1058 A group of unmounted gemstones, comprising: diamonds, weighing approximately 5.75 carats in total; amethysts, weighing approximately 65.30 carats in total; opals, weighing approximately 18.90 carats in total; emeralds, weighing 22.60 carats in total; rubies, weighing approximately 3.95 carats in total; and sapphires, weighing approximately 18.60 carats in total, some rubies possibly synthetic £600­800

1059 A loose cushion­shaped aquamarine, 16.68cts £700­900

1060 A collection of unmounted topaz, comprising 12 pear­shaped orange and yellow topazes, combined weight 34.45 carats £400­600

1061 A collection of unmounted topaz, comprising 58 pink topazes, variously cut, combined weight 49.55 carats £600­800

1062 A collection of unmounted topaz, comprising 27 orange and yellow topazes, variously cut, combined weight 95.65 carats £1,000­1,500

1063 A collection of unmounted topaz, comprising six oval pink topazes, combined weight 49.30 carats £2,000­3,000

† 1064 A collection of unmounted emeralds, comprising 22 unmounted emeralds, various cuts, total weight approximately 10.30 carats, largest weighing approximately 4.40 carats £200­300

† 1065 A collection of unmounted diamonds, comprising: six cushionshaped diamonds, combined weight 2.75 carats; five pear­shaped diamonds, combined weight 1.78 carats; three baguette diamonds, combined weight 0.42 carats; and a collection of smaller diamonds, combined weight 5.38 carats £100­150

1066 Two hardstone intaglio fob seals and a mourning ring, comprising: a gold fob seal set with a carnelian intaglio of a laureated Roman emperor, to a floral gold mount, intaglio 2.3 x 2.0cm; a fob seal set with a carnelian intaglio of a reclining Venus, mounted in gold, intaglio 2.1 x 1.7cm; and a black enamel mourning ring, reading ‘Alexander Eason OB 27 May 1796 AE 60’, size Q½, British hallmark for 18ct gold, date letter for 1796, indistinct maker’s mark £300­400

1067 A collection of intaglio jewels, comprising: an onyx intaglio ring, set with a cut­cornered rectangular onyx intaglio depicting a foot in a stirrup, mounted in gold, size L, intaglio 1 x 0.8cm; a carnelian intaglio fob seal, 19th century, set with a carnelian intaglio carved with a portrait, possibly Arthur Wellesley, 2nd Duke of Wellington, within a laurel border, mounted in gold, intaglio 1.4 x 1.6cm, fob seal height 2.3cm; and a carnelian intaglio fob seal, 19th century, set with a navetteshaped carnelian intaglio engraved with a leaf surrounded by the inscription ‘Je ne change qu’en mourant’ (I only change in death), mounted as a gold fob seal, intaglio 1.8 x 1.3cm, fob seal height 2.6cm £100­150

Cf.: James Tassie, impression nos. 14909-14915 and 15067, engraved by Barnett

1068 A carnelian and silver fob seal, 19th century, the top modelled in silver as a classical female nude reclining on a collared lioness, its eyes set with rubies, to a carnelian seal initialled RP, height 3.5cm including later 9ct jump ring, British hallmark, carnelian chipped £200­300

1069 A group of jewels including a mourning ring, 19th century, comprising: a mourning ring set with a glazed panel of hairwork within a border of half pearls, to a gold band applied with black and white enamel, size W, British hallmark, dedicatory inscription dated 1812; together with a large ring composed of banded agate, size Z+3; and two moulded paste seals, one reading ‘Time goes on crutches ‘till we meet’, the other ‘Ne m’abondonnez pas’ (‘do not abandon me’) with an image of Cupid in a row boat £200­300

Provenance: from the collection of the late Tony Dove.

1070 A collection of Victorian mourning jewels, 19th century, comprising: four gold rings applied with black enamel and set with half pearls, one with a glazed compartment of hairwork, two mounted in 15ct gold, two in 18ct gold, sizes M½S½, each with British hallmarks; together with two brooches, one applied with black enamel, the inscription ‘In Memory Of’ in reserve, centring on a glazed compartment of hairwork within a half pearl border, reverse with dedicatory inscription to 1841, the other of oval outline with a central glazed panel of hairwork within a border of half pearls, larger measuring 3.3 x 2.7cm, pearls untested £300­500

1071 A collection of four Victorian enamel mourning rings, 19th century, each applied with black enamel and accented with rose

cut or cushion

300

shaped diamonds, one with a glazed panel to the reverse, mounted in 18ct gold, sizes M-S, each with British hallmarks, three with dedicatory inscriptions £200

1073

1072

1072 An Art Deco pearl, onyx and diamond pendant, circa 1920, designed as an elongated open work scroll, set with circular­cut diamonds in openwork platinum, suspending a diamond­capped pearl measuring approximately 8.2 x 6.4 x 8.2mm, within a carved onyx hoop, to a fine platinum chain, pendant length 5cm, necklace length 38cm, pearl untested £300­400

1073 An interchangable diamond and gem­set ring, set with two rows of brilliant­cut diamonds, the centre accommodating one of three interchangeable rings set with a line of circular­cut rubies, emeralds and sapphires respectively, mounted in gold, size O½, stamped 14K £300­500

1074 Two ruby and diamond rings, one set with circular­cut rubies, circular­cut diamonds and half­pearls, mounted in 18ct gold, size M, British hallmarks for Birmingham, 1885, pearls untested; the other set with oval rubies and single­cut diamonds, mounted in 18ct gold, size N½, British hallmarks £200­300

1075 A collection of three rings, comprising: a ring set with six brilliantcut diamonds, mounted in silver, size M; a ring set with a circular­cut synthe ti c colour­ change sapphire within a border of brilliant­ cut diamonds, mounted in gold, size K; and a ring set with a yellow paste, mounted in gold, size N½ £600­800

1075

1074

£200­300

1076 A pair of diamond earrings and a diamond ring, comprising: a pair of earrings, each set with an antique cushion­shaped diamond weighing approximately 0.20­0.30 carats, within a stirrup­shaped surround, mounted in gold, length 1.5cm each, post fittings; and a half eternity ring channel­set with princess­cut diamonds, mounted in white gold, size L (sizing beads)

1077 A collection of three rings, comprising: a five­stone ring set with circular­cut diamonds and step­cut emeralds, mounted in gold, size M½, stamped 18CT; a seven­stone ring set with circular­cut sapphires, mounted in gold, size L½, stamped 18CT, case; and a ring set with a square brilliantcut aquamarine flanked by smaller triangular aquamarines and brilliant­cut diamond shoulders, mounted in white gold, size P, stamped 9CT

£400­600

1078

1077

£200­300

1078 An aquamarine and diamond ring, claw­set with a step­cut aquamarine weighing approximately 6.00 carats, to shoulders set with rose­cut diamonds, mounted in silver and gold, size S

1079 An opal and diamond ring, set with a cabochon opal, within a border of leaves accented with single­cut diamonds, mounted in white gold, size L½, British hallmarks for 18ct gold

£300­500

1080 A paste brooch, 19th century, designed as a stylised bow, set with cushion­shaped colourless pastes, mounted in silver, length 10.5cm £80­120

1081 Three opal rings, comprising: a ring collet­set with a black opal, to shoulders set with trios of brilliant­cut diamonds, mounted in gold, size O, stamped 14CT; a ring set with a cabochon fire opal between brilliant­cut diamond shoulders, mounted in white gold, size M½, stamped 585; and a ring collet­set with an opal doublet, mounted in gold, size N½ £300­500

1082 A group of jewels, comprising: an amethyst and diamond ring, size N½, British hallmark for 18ct gold; an Edwardian opal and diamond pendant, length 3.3cm, one opal deficient; and a pair of Edwardian peridot, seed pearl and diamond earrings, length 3cm, later post fittings £400­600

1083 A pair of cultured pearl and diamond earrings, each of pendent design, suspending a cultured pearl from an articulated line of collet­set brilliant­cut diamonds, mounted in white gold, length 4.5cm each, post fittings, stamped 585 £400­600

1084 A pearl stickpin, set with a baroque pearl measuring approximately 12.8 x 10.4 x 6.4mm, to a gold stick pin, length 7.3cm £400­600

Accompanied by GIA report number 5172855855, stating that the pearl is natural, freshwater

1085 A cultured pearl necklace and brooch, comprising: a cultured pearl necklace, to a gold clasp designed as a hand grasping a ring, length 54cm, clasp stamped 18CT; and an 18ct gold brooch modelled as a seahorse with a cultured pearl at its chest, its eye enamelled red, length 3.5cm, British hallmarks, maker’s mark RHB £100­200

1086

1088

1086 A pair of cultured pearl and diamond earrings, each set with a cultured pearl measuring approximately 10mm diameter, to a brilliant­cut diamond surmount, each weighing approximately 0.30 carats, mounted in white gold, length 2cm each, hook and clip fittings £500­700

1087 An opal ring, circa 1909, set with an opal cabochon, to a 22ct gold mount with stylised foliate shoulders, size P, British hallmarks, case £300­500

1088 A pair of Retro gold and diamond ear clips, circa 1940, each of ribbon scroll design in gold, centring on a panel of pavé­set with single­cut diamonds, length 2.8cm each £600­800

1089 A pair of Retro synthetic ruby and diamond clip brooches, circa 1940, each of abstract scroll design, set with a circular­cut diamond and radiating lines of circular­cut synthetic rubies, mounted in gold, each measuring 3.2 x 2.9cm £400­600

1090 A Retro gold and aquamarine brooch, 1940s, designed as a ribbon bow, claw­set with a step­cut aquamarine, accented with white gold cut to imitate diamonds, length 4.6cm £300­400

1091 A Retro gold, pearl and diamond brooch, circa 1940, designed as a flower, set with a cushion­shaped diamond within a border of pearls, length 5.5cm, pearls untested, case stamped Gieves £200­300

1090

1089

1092 A collection of three rings, comprising: a ring of cluster design, set with a step­cut emerald within a border of brilliant­cut diamonds, mounted in 18 ct gold, size K½, British hallmarks; a brilliant­cut diamond three­stone ring, mounted in 18ct gold, size M½; and a single­cut diamond five­stone ring, mounted in gold and platinum, size O½, stamped 18CT PLAT £400­600

1093 Rosemary Heatherington, a gold brooch/pendant, modelled as a horse head, in 9ct gold, length 3.6cm, signature and sponsor’s mark for Rosemary Heatherington, British hallmarks, edition number 9/250, gross weight 23 grams, case stamped Sculpted to Wear £200­300

1094 Five pairs of gold cufflinks and a signet ring, the five pairs of 9ct gold cufflinks of various designs, one pair set with carnelian, each with British hallmarks; together with a plain 9ct gold signet ring, size N, British hallmark, case, combined weight with cufflinks 31 grams £100­150

1095 Deakin & Francis, an onyx and diamond dress set, circa 1993, comprising cufflinks and studs, set with a central circular­cut diamond on black onyx within a laurel border in 18ct white gold, Birmingham hallmarks for 1993, case £600­800

1096 A collection of jewels, comprising: a large conch shell cameo brooch depicting a domestic scene, mounted in gold, measuring 6.0 x 7.2cm; a mid 19th century garnet brooch mounted in gold, length 5.6cm; a ring set with a cabochon opal, the shoulders accented with tiny circular­cut diamonds, mounted in gold, size L½, stamped 14K; and a Victorian 15ct gold ring modelled as a belt, size M, British hallmarks £300­500

1097 Asprey, a gold vesta case, and a cultured pearl and diamond necklace, the 9ct gold hinged vesta case opening to reveal a dedicatory inscription ‘JM from DM’, to a fancy link gold chain and suspension hoop, case5.9 x 4.4cm, British hallmark, signed Asprey, date letter for 1923; together with a graduated cultured pearl necklace, to a navette­shaped clasp set with cushion­shaped diamonds, necklace length 51cm, unsigned £400­600

1101

1098 A gold and silver parure, comprising: a bracelet, ear clips and brooch, each set with silver medallions modelled from Ancient Greek coins, bracelet length 21cm; brooch 3.9cm diameter, ear clips 2.4cm diameter each £800­1,200

1099 Garrard, a turquoise, aquamarine and cultured pearl necklace, the centre composed of three gold chain festoons suspending fringes of dropshaped turquoise, aquamarine, gold and cultured pearl pendants, to a gold back chain suspending a drop­shaped cultured pearl, length 38.5cm, signed Garrard, British hallmarks for 18ct gold, date letter for 2004 £500­700

1100 A pair of chrysoprase earrings, each claw­set with a chrysoprase cabochon, mounted in white gold, each 2cm diameter, clip and post fittings, French assay marks and maker’s marks £100­150

1101 A jadeite and diamond pendant, the green jadeite carved with a design of birds and flowers amongst rocks, to a bail set with rose­cut diamonds, total length 5cm £200­300

1102 A gem­set brooch, designed as a tortoise, its shell set with cat’s eye chrysoberyls and circular­cut rubies, its head and limbs pavé­set with single­cut diamonds, its eyes set with circular­cut sapphires, length 3.9cm, maker’s mark PARG, stamped 18K £300­400

1103 A turquoise and diamond brooch, set with turquoise carved as a theatrical mask, its forehead set with a diamond, within a gold wire and rope­twist border accented with brilliant­cut diamonds, length 3.7cm, stamped 750, unidentified maker’s mark, turquoise possibly reconstituted £200­300

λ 1104 A coral and diamond brooch, late 19th century, set with a coral cabochon, within a border of circular­cut diamonds, length 2.9cm £1,500­2,000

λ 1105 A carved coral brooch pendant, mid 19th century, assembled from sections of coral carved as a Bacchante among grapevines, measuring approximately 4.1 x 4.5cm £1,000­1,500

1102

1099

1104

1106 A collection of jewels including a diamond necklace, comprising: an Edwardian amethyst and seed pearl necklace mounted in gold, pendant length 4.4cm, necklace length 41.5cm, a pair of amethyst and cultured pearl pendent earrings mounted in 9ct gold, length 3.5cm each, post fittings, British hallmarks, two cultured pearls deficient; and a white gold chain necklace threaded with cube motifs set with brilliant­cut diamonds, length 43.5cm, stamped 585 £200­300

1107 A Victorian lapis lazuli brooch, mid 19th century, set with a cabochon lapis lazuli, within a naturalistic gold border designed as a wreath of convolvulus, oak and dog rose, length 4.2cm £300­400

1108 A collection of three gem­set rings, 18th and 19th centuries, comprising: a ring set with cushion­shaped garnets and emeralds, mounted in 12.5ct gold, British hallmarks; a signet ring set with a green hardstone intaglio of a squirrel, swivelling to reveal engraved initials, to scrolled shoulders, size L; and a ring set with a table­cut garnet, between shoulders set with cushion­shaped colourless pastes, in closed­back settings, size K £200­300

1109 A gold and turquoise cloak pin, mid 19th century, composed of two pins, each topped with a gold sphere accented with rope­twist decoration and turquoise cabochons, connected by gold chain threaded with similar spherical beads, stick pin length 11cm, chain length 17cm £200­300

1110 An amethyst demi­parure, late 19th century, comprising: a brooch and a pair of earrings, each set with a cabochon amethyst within gold scrolled mounts, brooch length 6.5cm, earrings 3.6cm each, later screw fittings £400­600

1111 Two George III diamond rings, early 19th century, comprising: a rare full eternity ring, set with cushion­shaped diamonds in closed­back settings, mounted in silver and gold, size I½; and a half eternity ring set with two rows of cushion­shaped diamonds in closed­back settings, mounted in silver in gold, size L½, both with diamonds deficient £200­300

1112 A pair of Edwardian pearl earrings, early 20th century, designed as a grape vine in gold and silver, suspending a bunch of grapes set with pearls, screw fittings, shortened, together with original removed earring components and fitted case (damaged), pearls untested £300­500

1113 A peridot demi­parure, mid 19th century, composite, comprising: a necklace, designed as a snake link chain suspending four pear­shaped peridot pendants within scrolling gold mounts, length 38cm; and a bar brooch of similar design, possibly later adapted from a matching pair of earrings, length 5.6cm £800­1,200

1114 An Arts and Crafts moonstone, amethyst and chalcedony demi­parure, early 20th century, comprising: a pair of earrings, each designed as a moonstone cabochon suspending a navette­shaped drop, set with a pear­shaped moonstone cabochon within a border with cabochons of amethyst and blue and green chalcedony, mounted in silver, length 4.5cm each; and a brooch of similar design, length 3.6cm, stamped HAL, both in cases stamped Sibyl Dunlop £400­600

1115 An Arts and Crafts gold pearl and opal necklace, early 20th century, designed as a line of abstract gold motifs set with opal beads, spaced by baroque pearls, on a gold neck chain, length 38cm, stamped 9ct, pearls untested, case £150­250

1116 A gold and diamond demi­parure, circa 1965, comprising: a brooch and a pair of earrings, each of swirled design in textured 18ct gold, accented with claw­set single­cut diamonds, brooch 3.2 x 3.5cm, ear clips 2.1cm each, clip and post fittings, each with British import hallmarks for 1965, maker’s marks RHB, each with fitted cases stamped Richard Ogden £1,000­1,500

1117 A gold, tourmaline and diamond brooch, 1970s, set with a polished crystal of deep green tourmaline, within an abstract textured gold mount, topped with sprays of brilliant­cut diamonds, length 4.6cm £600­800

1118 A sapphire and diamond brooch, designed as an abstract cluster, set with circularcut sapphires and brilliant­cut diamonds, mounted in white gold, 3cm diameter, later pendant hoop £400­600

1119 A pair of sapphire and diamond earrings, mid 20th century, each of scrolling design, set with circular­cut sapphires and single­cut diamonds, mounted in platinum, length 2cm each, later post fittings, case stamped Cartier £200­300

1121

1120 A pair of amethyst and diamond ear clips, each set with a cabochon amethyst within a border of single­cut diamonds, mounted in platinum, length 13cm each, post fittings £200­300

1121 An amber bead necklace, composed of elongated amber beads, the largest measuring approximately 24 x 14 x 17mm, total length 96cm £300­500

1122 A gold and sapphire locket bracelet, late 19th century, centring on a gold heart­shaped locket set with a cushion­shaped sapphire, to a curb link bracelet, bracelet length 18.5cm, dedicatory inscription dated 1872 and 1896, initialled MC-C-GCAC beneath a viscount’s coronet £800­1,200

1123 A collection of six gold bangles, comprising: three gold bangles of faceted design, and three of rope twist design, inner circumferences approximately 19cm each, combined weight 87 grams £2,000­3,000

1124 A group of gold sovereigns and 25 yuan coin jewels, comprising: a pair of earrings set with Victorian half sovereigns dated 1890 and 1891, length 38cm each, hook fittings; three Victorian sovereign pendants, dated 1873, 1887 and 1898, longest 4.5cm including bail; a George V sovereign pendant dated 1911, length 3cm; and a Chinese gold 25 yuan coin pendant dated 1988, length 3.2cm, combined gross weight 60 grams £800­1,200

1125 A gold longchain necklace, composed of gold rope twist linking, to a gilt metal clasp, length 225cm, gross weight 68 grams £1,200­1,500

1126 Garrard, a gold necklace, and a gold bracelet, comprising: an 18ct gold necklace composed of fancy linking, length 47cm, British import hallmark for 1993, maker’s mark G&Co., gross weight 39 grams, fitted case stamped Garrard & Co.; together with a bicoloured gold bracelet, length 17.8cm, unsigned, stamped 15CT, gross weight 18 grams £700­900

1127 Longines, a lady’s 9ct gold watch, circa 1970, the rectangular brushed gold dial with baton indicators, to a textured 9ct gold case and integrated bracelet, case width 1.1cm, bracelet length 17.5cm, manual winding movement, dial signed Longines, British hallmarks £200­300

1128 A gold wristwatch, circa 1913, the circular dial in white enamel with blued steel hands, to a gold case bordered with white and pale blue guilloché enamel, an integrated expandable gold link bracelet, case width 2.6cm, bracelet length 14.8cm (expandable), manual winding movement, British import marks for 15ct gold, date letter for 1913, winder possibly later £200

1129 A lady’s Art Deco diamond cocktail watch, 1920s, rectangular white enamelled dial with black Arabic numeral indicators and blued steel hands, within a platinum and palladium case set with circular­ and rose­cut diamonds, to a black cord strap, case width 1cm, bracelet length 17cm, manual winding movement, fitted case £200

1130 Girard Perregaux, a lady’s diamond wristwatch, the circular silvered dial with baton indicators, within a white gold case set with brilliant­cut diamonds, to a black velvet strap, case width 1.5cm, Swiss assay marks, case back numbered 781200011, dial, movement and case back interior signed Girard Perregaux £400

1131 TH Picard et Fils, a gold chronometer wristwatch, ‘La Chaux­de­Fonds’, mid 20th century, the black enamelled dial with subsidiary seconds and half hour dials, with white enamelled hands, to a gold case with winder and two buttons for stopwatch func to a later black leather strap, dial 3.2cm diameter, manual winding movement, dial signed TH Picard et Fils, La Chaux-de-Fonds’, the top inscibed ‘Telemetre’ case and interior of case back with Swiss assay marks for 18ct gold, numbered 224403 £800

1132 Louis Vuitton a gentleman’s stainless steel ‘Tambour Chronograph’ wristwatch, ref. Q1121, the deep brown brushed metallic dial with three subsidiary dials and date wheel aperture, to a plain stainless steel case, the reverse engraved with the LV monogram and pattern, case width 4cm, automatic movement, case back numbered SH7315 and Q1121, dial and clasp signed Louis Vui £500

1133 Omega, a gentleman’s stainless steel wristwatch, ‘Flightmaster’, the grey dial with three subsidiary dials and stopwatch hand, to a plain stainless steel case and fabric ‘Nato’ style strap, case width 4.3cm, manual winding movement, box £300­400

1135

1134 JE Dufour & Co., gold, enamel and diamond pocket watch, 19th century, the white enamelled dial with black and red indicators and gold hands, the reverse applied with red guilloché enamel and the initials BTC set with rose­cut diamonds, to a winder and suspension hoop, case 3.2cm wide, manual winding movement, interior signed JE Dufour & Co., numbered 14926, indistinct assay marks £300­500

1135 A gold half hunting cased small fob watch, white enamel dial with black Roman numerals, front case with blue enamel Roman numerals on a pink enamel chapter ring, enamel fl oral decorati on to back cover with vacant cartouche and stamped 18k, 3.6cm wide, 45 grams total, Garrard box £200­300

λ 1136 A collection of pocket watches, comprising: a pair cased pocket watch, movement signed Alex Hollisone, 6438, pierced balance cock, tortoiseshell outer case, 5cm wide; a 9ct gold hunting cased pocket watch, 4.8cm wide, 80 grams total; and a pair cased pocket watch, the dial painted with an enamel rural scene, movement signed Jon Nothey, 1780, 4.7cm wide. £300­400

1137 Le Roy, an enamelled gold pocket watch, 19th century, and a gold locket, circa 1907, comprising: a pocket watch, the silvered face engraved with floral decoration, with black Roman numeral indicators and blued steel hands, the reverse and pendant hoop with a design of birds and flowers applied with multicoloured enamel, to a later gold chain necklace, pocket watch length 5.2cm including pendant hoop, winding movement with key, back plate signed Le Roys Paris, numbered 2774, necklace length 58cm; together with a gold locket pendant engraved with floral scrollwork, interior with glazed locket compartment and inscription ‘Father from Frances, 1907’, suspended from a black ribbon with gold clasps, locket length 3.2cm including pendant hoop, unsigned, case stamped J C Vickery £500­700

1138 An 18ct gold key wind hunting cased pocket watch, white enamel dial with black Roman numerals, movement signed Hawleys, London marks for 1826 with key, 5.2cm wide, 132 grams total, Garrard box £1,200­1,500

1137

1134

1139 A gold plated half hunti ng cased pocket watch, subsidiary seconds dial, 5cm wide, with a silver gilt curb link watch chain and tow gold key wind small open faced fob watches, both in Garrard boxes £400­600

1140 A 9ct gold hunting cased pocket watch with gold watch chain, white enamel dial signed Rutherford, Hawick, with black Roman numerals, subsidiary seconds dial, London marks for 1927, 4.5cm wide, 98 grams total, the 18ct gold fancy link chain 37.5cm, 19 grams, Garrard box £800­1,200

1141 An 18ct gold hunting cased chronograph, white enamel dial, black roman numerals, signed Russell of Liverpool, swing chronograph hand, London marks for 1922, 5.1cm wide, 130 grams total, with a 9ct gold curb link watch chain, 40cm, 48grams total, Russells box £1,800­2,000

1142 A 9ct gold hunti ng cased pocket watch, white enamel dial with black Roman numerals and subsidiary seconds dial, movement signed Dykes Bros, Glasgow, case 5cm wide, 93 grams total, with a 9ct gold matched curb link watch chain, 42cm, 37 grams, box by Garrard £800­1,200

1143 An 18ct gold half hunti ng cased pocket watch, white enamel dial with black Roman numerals, signed Benson, subsidiary second dial, London marks for 1909, 5cm wide, 122 grams total, Garrard box £1,200­1,500

1144 A 18ct gold key wind hunting cased pocket watch, white enamel dial with black Roman numerals, subsidiary seconds dial missing seconds hand and glass, presentation inscription to inner front case and initials to front case, back case engraved Lund and Blockley, movement signed Viner, London marks for 1865, 4.8cm wide, 93 grams total, Harrods box and key £500­700

1144

1140

1139

1141

1142

1145 An 18ct gold half hunti ng cased pocket watch, white enamel dial with black Roman numerals and signed Sir John Bennett, subsidiary seconds dial, London marks for 1910, 4.6cm wide, 86 grams total, Garrard box £800­1,200

1146 A gold hunting cased minute repeating chronograph, white enamel dial with black Roman numerals, subsidiary seconds dial, slide ac ti on repetiti on, plunge chronograph ac ti vati on, movement signed CH H Meylan Brassus, 5.3cm wide, 150 grams total, box £1,500­2,000

1147 An 18ct gold hunting case pocket watch, white enamel dial with black Roman numerals, signed Mackay and Chisholm, Edinburgh, subsidiary seconds dial, signed plate and numbered 48104, London marks for 1886, case 5cm wide, 118 grams total, box by Garrard £1,000­2,000

1148 An 18ct gold half hunti ng cased pocket watch, white enamel dial with black Roman numerals, subsidiary seconds dial and signed Chas Frodsham London 07504, London marks for 1887, signed plate 84 strand, case 4.8cm, 120 grams total, Garrard box £1,200­1,500

1149 An 18ct gold hunting cased quarter repeating chronograph, white enamel dial, black Roman numerals, swing chronograph hand and plunge activated, slide repetition, Birmingham marks for 1883, worn inscription inside front case, 5cm wide, 118 grams total £1,200­1,500

1150 An 18ct gold half hunti ng cased pocket watch, white enamel dial with black Roman numerals, subsidiary second dial and signed Gabriel 7796, repeated to movement, London marks for 1933, case 4.5cm, 109 grams total, Garrard box £800­1,200

1151 A 9ct gold hunting cased pocket watch, white enamel dial with black Roman numerals, signed Benson and subsidiary seconds dial, Birmingham marks for 1928, 4.8cm wide, 93 grams total, Garrard box £400­600

1152 An 18ct gold half hunting cased pocket watch, white enamel dial with black Roman numerals, subsidiary seconds dial and signed JW Benson, London marks for 1914, signed plate, case 5cm wide, 125 grams total, Garrard box £1,200­1,500

1153 An 18ct gold half hunting cased pocket watch, white enamel dial, black Roman numerals, subsidiary seconds dial, movement signed Haswell, London marks for 1923, 5cm wide, 111 grams total £1,000­1,500

1154 An 18ct gold hunti ng cased chronograph, white enamel dial, black Roman numerals, push button to action chronograph, movement signed William Macabe, The Reliance, London marks for 1896, 5.4cm wide, 172 grams total, Garrard box £1,500­2,000

1155 An 18ct gold half hunting cased pocket watch, white enamel dial with black Roman numerals and signed G.E. Frodsham, 31 Gracechurch street, subsidiary seconds dial, London marks for 1873, 5.1cm wide, 122 grams total, Garrard box £1,200­1,500

1156 An 18ct gold half hunting cased pocket watch, white enamel dial with black Roman numerals, subsidiary seconds dial and signed JW Benson, London marks for 1899, case 5cm wide, 121 grams total, engraved with arms to back case £1,000­1,500

1157 Rolex, a gentleman’s 9ct ‘Precision’ wristwatch, circa 1961, the circular silvered dial with gold Arabic numeral and baton indicators, with blued steel hands, within a plain gold bezel, to an integrated gold bracelet, case width 3.3cm, bracelet length 19cm, dial and movement signed Rolex, clasp with Rolex logo, manual winding movement numbered 80607, watch back interior numbered 15431, British hallmarks, sponsor’s mark DS&S for David Shackman & Sons, bracelet with British hallmarks

£1,000­1,500

1158 Movado, a lady’s 18ct gold and diamond cocktail watch, C1998, signed dial with baton numerals and diamond­set case, on twisted interlocking oval­link band in 18ct yellow gold, London hallmarks for 1998, case width

2.4cm, length 16.2cm

£1,000­1,500

1159 Cartier, a lady’s gold wristwatch, ‘Trinity’, ref. 2357, the circular white enamelled dial with black Roman numeral indicators and blued steel hands, within a swirled tricoloured gold case, and synthetic sapphire cabochon winder, case width 2.7cm, quartz movement, face and case back signed Cartier, numbered CC4 08972 and 2357, Swiss and European assay marks for 18ct gold, later pink leather strap with stainless steel buckle, fitted case stamped Cartier

£800­1,200

1160 Patek Philippe, a gentleman’s gold wristwatch, reference 3978, signed tonneau dial with Roman numerals and subsidiary seconds dial, manual winding, movement numbered 1836376, in plain gold case, on black leather band, case width 2.8cm, Patek Philippe leather pouch and paper

£1,500­2,000

1161 Jaeger LeCoultre, a lady’s steel ‘Reverso’ wristwatch, signed dial with Arabic numerals, plain reverse, manual winding, numbered 261.8.86 and 1748975 to case, on pink leather band with deployant clasp, case width 2cm, with additional grey leather band, case and smaller travel case

£1,000­2,000

1162 Rolex, a rare gold ‘Cellini’ pendant watch, ref 3694, circa 1965, the circular brushed gold dial with quadrant lines, within a textured gold case, case diameter 3.9cm, dial, case back and movement signed Rolex, manual winding movement, no. 1600, case back engraved DD/sd, case back interior numbered 3694, case no. 1220809, struck through numbers 360B J and 3609, Swiss assay marks for 18ct gold, later pendant jump ring, original fitted case stamped Rolex and Benvenuto Cellini

£800­1,200

1163 A lady’s French Art Deco small gold wristwatch, the rectangular dial with Arabic numerals in fluted gold case on brown leather band, deployant clasp, manual winding, French control marks and numbered 2734, case width 6mm

£2,000­3,000

1164 Rolex, a gentleman’s gold Daydate wristwatch, the signed gold dial with date and day aperture, baton numerals and sweep seconds hand, automatic movement, on a gold president bracelet, case width 3.5cm, box £4,000­6,000

1165 Rolex, a lady’s gold and diamond wristwatch, ‘Oyster Perpetual Datejust’, ref. 69178, the circular gold dial with single­cut diamond indicators, within a brilliant­cut diamond bezel, to an 18ct gold case and integrated bracelet with deployant clasp, case width 2.5cm, inner circumference of bracelet 15.7cm, model ref. 69178, case no. 8917437, automatic movement, dial and bracelet signed Rolex, bracelet with Swiss assay mark for 18ct gold £3,000­4,000

1166 An onyx and diamond dress set, early 20th century, comprising: four buttons, two collar studs and a pair of cufflinks, each of circular outline with millegrain borders, set with a polished section of onyx bordered with single­cut diamonds, mounted in white gold, buttons each 1.2cm diameter, fitted case stamped Asprey

£1,000­2,000

1167 Two loose natural freshwater pearls, one undrilled, measuring approximately 14.0 x 14.0 x 11.9mm, the other part drilled, measuring approximately 11.6 x 11.6 x 11.4mm, with a combined weight of 10.90 carats

£400­600

A verbal report from GCS states that the two pearls are natural, freshwater

1168 A gold and enamel toothpick case, France, 19th century, the elongated rectangular hinged box applied to the exterior with black and white enamel in a design of floral scroll work, measuring 6.9 x 1.2 x 0.7cm, French assay mark for 18ct gold, French maker’s mark, possibly JI or JL, incised stock number

£600­800

1169 A mother of pearl dress set, early 20th century, comprising: four buttons, two collar studs and a pair of cufflinks, each of octagonal outline, set with silver and seed pearls, mounted in gold and platinum, buttons 1.2cm diameter each, each stamped 18CT&PLAT, fitted case stamped Asprey £200­300

1170 A collection of mounted sapphires, comprising: twelve variously coloured and shaped sapphires, each mounted within a gold collet, largest approximately 0.8 x 0.6 x 0.4cm including mount £800­1,200 To be sold without reserve

1171 An unmounted topaz, the oval orange topaz weighing 17.25 carats

1172 An unmounted topaz, the cushion­shaped orange topaz weighing 21.80 carats

£400­600

£600­800

1173 Cartier, a gold and ruby pill box, circa 1963, the rectangular hinged box engraved with floral decoration, each flower on the lid set with a circular­cut ruby, mounted in 18ct gold, measuring 2.3 x 3.2 x 0.9cm, signed Cartier England and numbered 13777, with maker’s mark and London hallmarks for 1963, sponsor’s mark JC, weight 23.5g £1,000­1,500

† 1174 An unmounted ruby, the oval ruby weighing 1.25 carats

According to a verbal report from GCS, the ruby is of Thai origin, with no indications of heat treatment

£300­400

1175 Longmire, a pair of 18ct gold and enamel cufflinks, composed of oval ends connected by chain linking, each end applied with deep violet guilloché enamel over a honeycomb pattern, ends measuring 1.8 x 1.3cm, each with British hallmarks, stamped Longmire, fitted case stamped Longmire £400­600

1176 A pair of gold and enamel cufflinks, early 20th century, each end of oval outline, depicting a game bird in painted enamels, including a partridge, a pheasant, a woodcock and a mallard duck, each end 1.7 x 1.3cm, stamped 18CT, fitted case stamped Hancocks & Co. £800­1,200

1177 A pair of French natural pearl and diamond cluster cufflinks, each end designed as a pearl set within a surround of cushion­shaped diamonds, mounted in platinum and gold, length of each end 1.5cm, French assay marks for 18ct gold, French maker’s marks and patent mark ‘Deposé’, £2,000­3,000 A verbal report from GCS states that the pearls are natural, saltwater

Alan Davie, although primarily known as a painter, produced jewellery in the 1940s and 1950s. He was asked to teach design at the Central School of Arts and Crafts with a view to developing the ‘artistic’ approach to jewellery making. Sold through high end retailers including Harrods and Aspreys he also designed and made the jewellery worn by Vivien Leigh as Cleopatra in Anthony and Cleopatra.

Φ 1178 Alan Davie (1920­2014) a pair of silver drop earrings, C1954, of twisted rope design suspending oval discs applied with spheres, scratched Alan Davie 1954 to reverse, screw fittings, length 7.6cm £600­800

Φ 1179 Alan Davie (1920­2014), a rare silver collar necklace, C1954, the collar suspends an abstract three dimensional pendant, the rectangular design suspending articulated stylised floral motifs, with similar designs to each side, etched Alan Davie 1954 to reverse, pendant length 10cm, collar inner circumference 37cm £1,000­2,000 A comparable necklace is held in the Victoria & Albert Museum collection (Circ.374­1961)

Φ 1180 Attributed to Alan Davie (1920­2014) a pair of silver drop earrings, C1950, of square design, set with four spheres to each plaque and one to each corner in silver, screw fittings, length 4.7cm £600­800

Φ 1181 Alan Davie (1920­2014) a silver bombé ring, C1950, of domed design set with a central sphere, the plain silver shank set with two spheres, maker’s mark JAD to inside shank, size M £500­700

Φ 1182 Alan Davie (1920­2014) a pair of silver drop earrings, C1950, of abstract design suspending articulated stylised tulips in silver, maker’s mark JAD to reverse, clip fittings, length 6.5cm £600­800

1183 A sapphire and diamond ring, claw­set with an oval sapphire weighing approximately 3.00 carats, between shoulders set with brilliant­cut diamonds, mounted in gold, size R £600­800

1184 An emerald and diamond ring, collet­set with a step­cut emerald weighing approximately 0.90 carats, to shoulders set with brilliant­cut diamonds, mounted in platinum, size O½, stamped PLAT £600­800

1185 A five­stone diamond ring, claw­set with a graduated sequence of five brilliant­cut diamonds, mounted in 18ct gold, size U, British hallmarks £200­300

1186 A spinel and diamond ring, of cluster design, claw­set with a cabochon red spinel, within a border of brilliant­cut diamonds, mounted in white gold, size O½, spinel damaged £1,000­1,500

1187 A diamond half eternity ring, the front channel­set with brilliant­cut diamonds, mounted in 18ct white gold, size P½, British hallmark £300­500

1188 A diamond cluster ring, pavé­set with circular­cut diamonds in circular setting in white gold, size O £300­400

1189 An emerald and diamond cluster ring, claw­set with a cushion­shaped emerald weighing approximately 1.40 carats, within a border of brilliant­cut diamonds, mounted in gold, size M £400­600

1190 An Art Deco ruby, synthetic ruby and diamond ring, 1930s, of stylised buckle design, set with a step­cut synthetic ruby within a border of circular­cut diamonds, and two lines of calibré­cut rubies, mounted in platinum, size M £600­800

1191 An unusual green beryl ring, claw­set with a cushion­shaped green beryl measuring approximately 21 x 15 x 10mm, to a silver mount, size Q £600­800

1192 A synthetic ruby and diamond ring, early 20th century, of cluster design, claw­set with an oval synthetic ruby, within a rectangular border of circular­cut diamonds, mounted in gold, size O½ £1,500­2,000

1193 An emerald and diamond ring, of cluster design, set with a step­cut emerald, within a border of brilliantcut diamonds, mounted in gold, size V½ £350­450

1194 A diamond cluster ring, early 20th century, millegrain­set with a cluster of six circular­cut diamonds, to shoulders accented with rose­cut diamonds, mounted in in gold and platinum, size Q½ £300­500

1195 A ruby and diamond ring, claw­set with a cushion­shaped ruby, flanked by single­cut diamonds, to a platinum band, size P, stamped PLAT £600­800

1196 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 0.60 carats, to radiating shoulders set with baguette diamonds, mounted in white gold, size O £500­700

1197 An Art Deco emerald, ruby and diamond adjustable ‘day and night’ eternity ring, early 20th century, designed as a full eternity of circular­cut diamonds, with two hinged half bands of calibré­cut emeralds and rubies, mounted in platinum, size M½ £500­700

1198 A diamond full circle eternity ring, the octagonal­shaped shank channel­set with baguette­shaped diamonds in white gold, approximately size J £750­850

1199 A sapphire and diamond ring, early 20th century, of cluster design, millegrain­set with a step­cut sapphire, within a border of cushion­shaped diamonds, mounted in gold, size K, stamped 18CT £150­250

1200 A fire opal and diamond ring, the oval fire opal flanked with triangular diamonds in 18ct yellow gold, London hallmarks for 1987, size N £200­300

1201 No lot

1202 A diamond pendant, claw­set with a princess­cut diamond weighing approximately 1.10 carats, to a bail set with brilliant­cut diamonds, mounted in gold, length 1.3cm including bail, stamped 750 £1,000­1,500

1203 An emerald and diamond pendant, composed of two pear­shaped emeralds, each within a border of brilliant­cut diamonds, suspending a similar pear­shaped emerald and diamond cluster pendant from a brilliant­cut diamond weighing approximately 2.00 carats, the largest emerald weighing approximately 1.80 carats, to a box link chain necklace, mounted in white gold, necklace length 49cm, length of pendant 2.8cm £6,000­8,000

1204 A pair of gold and diamond ear clips, each set with a central round brilliant­cut diamond within gold disc, suspending a diamond­set pendant in 18ct yellow gold, length 3.6cm each, maker’s mark DJH and London hallmarks for 1993 £800­1,200

1205 A sapphire and diamond brooch, of navette outline, centring on a cabochon sapphire, pavé­set with circular­cut sapphries and brilliant­cut diamonds, mounted in gold, length 4.7cm £100­200

1206 A pair of gold and diamond earrings, each of rope twist design, set with brilliant­cut diamonds, length 3.2cm, clip and post fittings, each stamped 750 £600­800

1207 Garrard, a gem­set and diamond parure, ‘Dearest’, comprising: a ring, a pair of stud earrings and a necklace, each designed as a floral motif centring on a cushion­shaped diamond, within a surround of oval gemstones including diamond, emerald, amethyst, ruby, sapphire and topaz, arranged to read ‘DEAREST’ in acrostic, within an outer border of brilliant­cut diamonds, each mounted in white gold, the necklace suspending three rows of cultured pearls, ring size O, earrings with post fittings, each 1.7cm diameter, necklace clasp 2.9cm diameter, detaching via screw fitting, necklace length 45cm, necklace and ring with British hallmarks for 18ct gold, signed G&Co., earrings unsigned, fitted case stamped Garrard & Co. £4,000­6,000

1208 A diamond cluster ring, collet­set with a brilliant­cut diamond weighing approximately 0.75 carats, to a border and shoulders set with smaller brilliant­cut diamonds, mounted in gold, size H £800­1,200

1209 A peridot and diamond ring, claw­set with an oval peridot, between shoulders set with brilliant­cut diamonds, mounted in gold, size P½, stamped 18K £400­600

1210 A sapphire and diamond ring, claw­set with an oval sapphire, within a white gold mount pavé­set to each corner with brilliant­cut diamonds, size K £1,200­1,500

1211 A ruby and diamond ring, of cluster design, centring on a cabochon ruby, within a surround of brilliantcut diamonds, mounted in gold, size M½ (sizing beads) £600­800

1212 A diamond ring, set with a brilliant­cut diamond weighing 2.00cts, between shoulders set with marquiseshaped diamonds, size M½, French assay mark for 18ct gold, French maker’s mark £3,000­4,000

1213 A rubellite and diamond ring, claw­set with a circular­cut rubellite tourmaline, to shoulders set with baguette diamonds, mounted in platinum, size M½, stamped PLAT £800­1,200

1214 An orange sapphire and diamond ring, of cluster design, claw­set with an oval orange sapphire weighing approximately 2.30 carats, within a border of brilliant­cut diamonds, mounted in 18ct white gold, size N½, British hallmark, case stamped Pravins £200­300

1215 A sapphire and diamond ring, France, the wide gold mount centring on a tapering step­cut sapphire, between channel­set sections of carré­cut diamonds and outer borders of brilliant­cut diamonds, size M½, French assay mark for 18ct gold, French maker’s mark £600­800

1216 An emerald and diamond cluster ring, claw­set with a heart­shaped emerald, within a heart­shaped double border of brilliant­cut diamonds, mounted in white gold, size P½, stamped 750 £800­1,200

1217 A diamond ring, designed as a sequence of three clusters of brilliant­cut diamonds, mounted in base metal, size L £400­500

1218 A tanzanite and diamond ring, claw­set with a step­cut tanzanite, to shoulders set with brilliant­cut diamonds, mounted in white gold, size L £500­700

1219 Cartier, a gold pendant, 'Panthère', depicting a collared panther, its eye set with a tsavorite garnet, its nose applied with black enamel, to an integrated gold chain necklace, pendant length 3cm, chain length 44cm, chain signed Cartier, numbered VR0711, stamped 750, French maker's mark

£1,000­2,000

1220 A set of four eternity rings, channel­set with calibré­cut emeralds, rubies, sapphires and diamonds respectively, each mounted in bi­coloured gold, accented by claw­set brilliant­cut diamonds, each size P½

£1,000­1,500

1221 A pair of larimar and tourmaline ear clips, each set with a polished pear­shaped cabochon of larimar and pink tourmaline, mounted in gold, length 2.7cm each, clip fittings, stamped 750, unidentified maker’s mark £600­800

1222 Cartier, a gold and diamond bracelet, ‘Trinity’, centring on three interconnected hoops in tri­coloured gold, one set with brilliant­cut diamond, to a black cord bracelet, bracelet length 26cm, central ring signed Cartier, numbered PH0641, Italian maker’s mark, Swiss assay mark for gold, black cord strap possibly later added £400­600

1223 Chanel, a pair of ceramic and diamond earrings, ‘Ultra’, each of half hoop design, composed of white ceramic, the centre set with lines of brilliant­cut diamonds, length 1.4cm each, each signed Chanel, numbered T 46820, European convention assay marks for 18ct gold, fitted case stamped Chanel £300­500

1224 A pair of diamond earrings, each of cuff design, centring on a double line of channel­set princess­cut diamonds, within borders pavé­set with brilliant­cut diamonds, mounted in gold, length 1.8cm each, clip and post fittings

£1,000­1,500

1225 A pair of paste and diamond ear clips, each of cushion­shaped outline, centring on a collet­set cushionshaped yellow paste, within platinum bombé mounts set with brilliant­cut diamonds, length 2.1cm, stamped Pt950 £600­800

1226 A diamond bracelet, composed of collet­set brilliant­cut diamond links connected by sections of knife wire, mounted in white gold, length 18.5cm £100­200

1227 A diamond bracelet, composed of curb linking set with single­cut diamonds, in white gold, length 19cm, stamped CB750, gross weight 62 grams £3,000­5,000

1228 A diamond bracelet, of garter design, the clasp modelled as a buckle, set with brilliant­cut diamonds, length 16cm (adjustable), stamped 750 £1,200­1,500

1229 A diamond bracelet, composed of undulating links channel­set with brilliant­cut diamonds, mounted in white gold, length 18cm £1,000­1,500

1230 A hardstone cameo 16th century, set with a carved agate cameo of Faustina the Elder, within a later 19th century gold brooch mount, cameo 1.9 x 1.4cm, brooch length 3.9cm £800­1,200

1231 A chalcedony cameo ring, circa 1800 and later, set with an oval cameo of an Amazonian warrior, depicted bare­breasted with an axe over her shoulder, later mounted in a gold ring, cameo 1.5 x 0.9cm, ring size K½, British hallmark for 9ct gold, date letter for 1975 £200­300

1232 An onyx cameo ring, 19th century, set with an oval onyx cameo finely carved with the face of a Persian warrior, to a beaded and rope twist border, mounted in gold, cameo 1.4 x 1.0cm, ring size U £200­300

λ 1233 An Egyptian Revival lava, faience, coral and hardstone necklace, 19th century and earlier, suspending a black lava carved winged scarab pendant mounted in gold, from a multi­strand necklace of coral and faïence beads, length 53cm, pendant width 13cm £1,500­2,000

1234 An agate cameo, Italian, 17th century, the grey and pink agate carved with a reclining figure of Venus, measuring 6.1 x 4.5cm £800­1,200

Cf.: a reclining figure in pink and grey agate attributed to the Prague Imperial Court workshops illustrated in I. Weber, Kostbare Steine, Die Gemmensammlung des Kurfursten Johann Wilhelm von der Pfalz, Munich 1992, no. 113, likely drawing inspiration from contemporary depictions of Venus, such as Titian’s Venus of Urbino in the Uffizi.

1235 A chalcedony cameo pendant, possibly 17th century and later, the oval cameo in grey and red chalcedony depicting Pero breastfeeding her imprisoned and starving father Cimon, a story referred to as ‘Roman Charity’, in a 19th century gold mount with rope twist borders, cameo 4.2 x 3.1cm, pendant length 6cm £400­600

1236 A Roman carnelian intaglio, circa 2nd century BC, the carnelian intaglio carved with a naked satyr holding a wine skin and kantharos, accompanied by a Priapic herm on a pedestal and a krater, later mounted in a gold ring, size M½ £400­600

1237 A chalcedony fob seal, circa 1800, set with an oval chalcedony carved with an intaglio of the goddess Hygeia holding a snake and a tree branch by a flaming altar, mounted in gold, intaglio 2.6 x 2.1cm, seal height 3.6cm £300­500

1238 An agate intaglio ring, circa 3rd­4th century AD and 1830s, set with late Roman agate intaglio depicting a standing figure of Mars with a shield, within a fine 19th century ring mount in three coloured gold, decorated with floral garlands, size O £2,000­3,000

1239 A carnelian intaglio fob seal, circa 1800, set with an oval carnelian intaglio depicting the goddess Ceres, to a gold fob seal suspended from a split ring engraved with floral designs, intaglio 2 x 1.5cm, fob 4.9cm long including ring £200­300

Cf.: an example by Edward Burch, William Tassie no. 632

1240 A Roman carnelian intaglio ring, 1st/2nd century AD and later, set with an oval carnelian intaglio depicting Sol/Helios between two goddesses, later mounted in silver, size S, intaglio measuring 1.5 x 1.8cm

£400­600

1241 A carnelian intaglio ring, set with a carnelian intaglio depicting Cupid driving a chariot led by swans, possibly Roman, mounted in gold, size O £200­300

To be sold without reserve

1242 A carnelian fob seal, circa 1800, set with an oval carnelian intaglio depicting Venus disarming Cupid, to a gold fob seal mount, cameo 2.3 x 1.7cm, fob seal height 3.2cm £300­500

1243 Two carnelian bead necklaces, possibly Western Asiatic, circa 5th century AD, each composed of graduated faceted carnelian beads, later restrung, lengths 63cm each, beads 8-19mm diameter £200­300

1244 A Roman carnelian intaglio ring, 1st century AD and later, set with an oval carnelian intaglio depicting Venus holding a mirror, later mounted in silver, size O½, intaglio measuring 1.5 x 1.1cm £600­800

1245 A chalcedony intaglio brooch, early 19th century, set with an oval chalcedony intaglio depicting Napoleon on horseback, after the 1801 painting Napoleon Crossing the Alps by Jacques­Louis David, to a later gold bar brooch, intaglio 2.4 x 1.8cm, brooch length 6.6cm, stamped 9CT £200­300

1246 A chalcedony cameo pendant, circa 1800, the grey and white chalcedony carved to depict Cupid/Eros, mounted in gold, cameo 2.4 x 1.9cm, pendant with later bail, length 3.1cm £300­500

1247 A carnelian intaglio pendant, 19th century, set with swivelling oval carnelian intaglio carved with a reclining figure of a river god, to a gold surmount of scroll design, intaglio 2.1 x 2.6cm, total length 3.5cm, French assay mark for 18ct gold £200­300

1248 A glass intaglio ring, set with an oval glass intaglio depicting Minerva with a cockerel, mounted in silver, size R½, intaglio 1.9 x 1.4cm £200­300

1249 A chalcedony cameo brooch, 19th century, set with a pink and white chalcedony carved with a cameo of a dancing Tuccia, one of the Vestal Virgins, in a gold mount bordered with rope twist decoration, cameo 2.6 x 1.8cm, brooch length 3cm £200­300

The subject of this cameo is the Vestal Virgin Tuccia, who answered a challenge to prove her chastity by miraculously carrying water from the river Tiber to the temple of Vesta in a sieve, carved after a model by Pichler, no. 15623 in the Catalogue of James Tassie’s collection of impression of engraved gems by E.Raspe, 1791, p. 794

1250 A carnelian intaglio ring, early 19th century, set with an oval carnelian intaglio depicting a woman in a turban, mounted in gold, size P½, intaglio 1.8 x 1.5cm, case

£200­300

1251 An amethyst intaglio ring, 19th century, set with an oval amethyst carved with an intaglio of a bearded warrior in profile, mounted in gold, size Q½ £200­300

1252 A carnelian intaglio ring, 19th century, set with an oval carnelian carved with an intaglio of Hercules wearing the skin of the Nemean lion, in a later gold mount, ring size T, intaglio 1.9 x 1.6cm

£200­300

1253 A sardonyx cameo and diamond ring, 19th century, set with an oval sardonyx cameo of an emperor wearing a headband tied with a ribbon, within a later gold mount set with rose­cut diamonds, size V, cameo 1.6 x 1.1cm £400­600

1254 A carnelian intaglio ring, early 19th century, set with an oval intaglio depicting a laureated Julius Caesar, to a gold mount, size P½ £600­800

1255 A rock crystal and gold necklace, composed of variously shaped polished and faceted rock crystal beads, connected by gold beadwork links, length 56.6cm, beads possibly ancient, assembled with gold mounts in the 1970s £2,000­3,000

1256 A Roman carnelian intaglio ring, 2nd century AD and later, set with an oval carnelian intaglio depicting a winged figure of Victory/Minerva with a shield and trophy, later mounted in gold as a signet ring, size H½ £600­800

1257 A Roman carnelian intaglio ring, 1st/2nd century AD and later, set with an oval carnelian intaglio of a hand grasping a laurel, to a later gold mount in the antique style, size M £400­600

1258 A carnelian intaglio ring, 19th century, the carnelian carved with an intaglio depicting Mercury, to a gold mount, size T, intaglio 1.4 x 1.2cm £600­800

1259 A glass intaglio fob seal, 18th century, set with a brown glass intaglio depicting a Bacchanal, to a fob seal in gold, intaglio 1.5 x 1.2cm, fob seal height 2cm £200­300

1260 An agate cameo ring, 17th century and later, set with an agate cameo depicting a fawn and a goat beneath a tree, to a later plain gold mount, size P½, cameo 1.2 x 0.9cm £400­600

1261 A ruby ring, rubover­set with a cabochon ruby, to a wide­shouldered gold mount, size O £800­1,600

1262 A Roman chalcedony intaglio ring, circa 2nd century BC and later, set with a chalcedony intaglio carved with a figure of a man in profile, within a later flat oval border, to a plain band, mounted in gold, size V £800­1,200

1263 A glass intaglio fob seal, circa 1800, set with a glass oval intaglio depicting Aurora bringing the dawn in her chariot, after an original by Pichler, to a gilt metal fob mount, intaglio 4 x 3.1cm, partial signature for Pichler, height of mount 3.3cm £100­200

To be sold without reserve

1264 A chalcedony intaglio, 18th century, of oval outline, the brown chalcedony carved to depict Persephone with flowers in her hair, measuring 2.6 x 2.0cm, signed Mansueti, intaglio damaged and later backed with glass £200­300

1265 A citrine cameo pendant, set with a citrine carved as a man’s head, mounted in gold, length 3cm £200­300

1266 A hardstone cameo, early 19th century, the white hardstone carved to depict Bacchus, to a gold mount, measuring 2.3 x 2.2cm £100­200

1267 A chalcedony cameo, 19th century, of oval outline, carved to depict a laureated emperor, measuring 3.6 x 3.0cm, case £400­600

1268 A late medieval onyx cameo, of oval outline, the black and white onyx carved to depict Saint Thomas Becket, measuring 0.9 x 0.7cm £400­600

1269 A carnelian cameo ring, circa 16th/17th century and later, the mottled red carnelian carved with a figure of an emperor, possibly Caracalla, with areas of contrasting matte and high polished finishes, within a later gold ring, cameo 1.8 x 1.5cm, ring size T½ £500­700

1270 A hardstone and micromosaic snuff box, circa 1800, the round box in polished granite flecked with green, black and white, the centre of the lid set with a micromosaic panel depicting Hercules lifting the Cretan Bull, the border and box lining in gold, box measuring 78 x 7.8 x 2.9cm, micromosaic 6cm diameter £4,000­6,000

For a similar depiction of Hercules holding the Cretan Bull aloft, possibly the source image, please see an engraving by Antonio Gionvanni da Brescia (active c.1490­1525) from the Rosenwald collection, in the National Gallery of Art, Washington DC, accession no. 1946.21.199

1271 A yellow chalcedony cameo brooch, late 18th/early 19th century, set with yellow chalcedony finely carved with a cameo of Zeus, within a gold cannetille border, cameo 3.1 x 2.3cm, brooch length 4cm £1,000­1,500

The model of this cameo is likely the ancient Roman ‘Zulian Zeus’ cameo, in the collection of the Museo Archaeologico Nazionale in Venice

1272 A carnelian intaglio ring, 19th century, set with an oval carnelian carved with an intaglio of Hercules wearing the skin of the Nemean lion, to a plain gold mount with foliate shoulders, size M, intaglio 2.7 x 2.0cm £400­600

1273 An emerald necklace, composed of emerald beads connected by gold chain, largest bead 17 x 11 x 6.5mm, necklace length 44cm, stamped 585 £2,000­3,000

1274 A late Art Deco synthetic ruby and diamond ring, circa 1940, of abstract buckle design, set with circularand brilliant­cut diamonds and calibré­cut synthetic rubies, mounted in platinum, size L½ £800­1,200

1275 An enamel and diamond ring, of navette outline, set with circular­cut diamonds, accented with black enamel, mounted in gold, size L½ £400­600

1276 A mother of pearl and diamond ring, of bombé design, set with cloud­shaped sections of mother of pearl, accented with brilliant­cut diamonds, mounted in gold, size M, stamped 750 £800­1,200

1277 A ruby and diamond ring, collet­set with a cabochon ruby weighing approximately 5.50 carats, to shoulders set with circular­cut diamonds weighing an approximate total of 1.50 carats, mounted in gold, size P £2,000­3,000

1278 A diamond three­stone ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 1.20 carats, between circular­cut diamonds each weighing approximately 0.50 carats, mounted in white gold, size Q, stamped 18CT £2,000­3,000

1279 A citrine, ruby and diamond ring, collet­set with an oval citrine, to a gold mount of bombé design channelset with calibré­cut rubies and pavé­set with brilliant­cut diamonds, size M, stamped 750, Italian maker’s mark £1,200­1,500

1280 A diamond three­stone ring, claw­set with three brilliant­cut diamonds weighing an approximate total of 1.10 carats, mounted in gold, size Q, case stamped Mappin & Webb £800­1,200

1281 A gold bracelet, composed of thick curb linking of faceted design with an engraved finish, length 20.2cm, stamped 750, unidentified maker’s mark, 71 grams £1,500­2,000

1282 A diamond necklace, composed of rose­cut diamonds in silver collets, to a gold chain necklace, length 39cm £7,000­9,000

To be sold without reserve

1283 A gold chain bracelet, composed of elongated gold links, one functioning as the clasp, length 18cm, Austrian assay mark, 21 grams £200­500

1284 Tiffany & Co., a gold brooch, designed as an S­shaped scroll of pleated ribbon, length 4.1cm, signed Tiffany & Co., stamped 14K, pouch stamped Tiffany & Co. £400­600

1285 Cartier, a gold and paste brooch, mid 20th century, composite, designed as an abstract rosette of gold wire and bead work, the centre with a later added cluster of pastes, 3.5cm diameter, signed Cartier, ‘Paris’ and number worn, French assay marks for 18ct gold and platinum, indistinct French maker’s marks £800­1,200

1286 A pair of amethyst and diamond stud earrings, each composed of a carved amethyst flower, set with a star motif in rose­cut diamonds, mounted in gold, diameter 2cm, post fittings, stamped 750 £200­300

1287 A fine chalcedony and diamond pendant, early 20th century, set with a cabochon chalcedony, to a border and scrolled surmount set with rose

and circular­cut diamonds, suspended from a fine chain, mounted in platinum, length of pendant 4.7cm, chain length 40cm £300­500

1288 An opal and diamond negligée pendant, circa 1919, designed as a cabochon opal suspending two asymmetrical cabochon opal pendants from chains spectacle­set with circular­cut diamonds, mounted in gold and platinum, pendant length 4.5cm, necklace length 36cm, original fitted case stamped John Hall & Co, dedicatory inscription dated 1919 £600­800

1289 An opal bead necklace, early 20th century, composed of graduated opal beads measuring 3.8­8.6mm diameter, spaced by faceted rock crystal rondelles, to a clasp set with a cabochon opal, length 40.5cm £500­700

1290 A pair of diamond studs, each set with an antique cushion­shaped diamond, to collet settings in silver and gold, post fittings, each stud 0.6cm diameter each, post fittings £200­300

1291 An unusual Arts and Crafts amethyst pendant necklace, early 20th century, the pendant of openwork design, set with a radiating arrangement of hexagonal step­cut amethysts, suspended from a square amethyst surmount, to a silver chain necklace, pendant length 6.5cm, necklace length 18.5cm, case stamped RI Christie £200­300

1292 A lady’s Art Deco seed pearl and diamond cocktail watch, circa 1920, the tonneau­shaped silvered dial with black enamel indicators and blued steel hands, within a platinum case set with single­cut diamonds, to scrolled diamond shoulders and a seed pearl bracelet, the clasp set with circular­ and rose­cut diamonds, mounted in platinum, case width 1.3cm, manual winding movement, 16.5cm, case back interior with Swiss assay mark for platinum, numbered 12672 £600­800

1293 A diamond, ruby and sapphire brooch, early 20th century, of geometric plaque design, set with cushion­shaped diamonds, rubies and sapphires, mounted in silver and gold, length 2.8cm £300­500

1294 A sapphire brooch, claw­set with three cushion­shaped sapphires, the central sapphire weighing approximately 11.00 carats, to a gold bar brooch, length 5.7cm £2,000­3,000

A verbal report states that the sapphires are Basaltic, with no indications of heat treatment

1295 A Belle Époque pearl and diamond pendant, circa 1910, the lozenge­shaped openwork pendant within a floral border, set with circular­ and rose­cut diamonds and seed pearls, suspending a pearl pendant, mounted in gold and platinum, total length 5.6cm, retractable pedant hoop, pearls untested £600­800

1296 An opal and diamond brooch/pendant, early 20th century, set with a large opal, within a foliate platinum mount set with rose­cut diamonds, to matching detachable diamond bail fitting and a later white gold figaro link chain necklace, brooch 4.3 x 3.7cm, opal 2.0 x 2.9 x 0.3cm, chain length 46.5cm £1,500­2,000

1297 A sapphire and diamond ring, early 20th century, set with an oval sapphire weighing 9.21 carats, within an openwork setting accented with rosecut diamonds, to a plain gold band, size J, some diamonds deficient £7,000­9,000

Accompanied by GCS report no. 5782­879, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

1298 A ruby and diamond ring, of cluster design, set with a cushion­shaped ruby weighing approximately 0.40 carats, within a border of single­cut diamonds, mounted in gold, size Q½, stamped 18CT £700­900

1299 A three­stone diamond ring, set with three antique cushion­shaped diamonds, the central diamond weighing approximately 1.00 carat, mounted in platinum, size K½, later British hallmark £2,000­3,000

1300 An emerald and diamond ring, early 20th century, of cluster design, set with a step­cut emerald within a floral border set with rose­cut diamonds, mounted in gold, size N £300­500

1301 A sapphire and ruby cocktail ring, mid 20th century, claw­set with a circular­cut sapphire weighing approximately 3.90 carats, within a border of cushion­shaped rubies and sapphires, mounted in silver, size I½ £2,000­3,000

1302 A three­stone diamond ring, early 20th century, set with three circular­cut diamonds weighing an approximate total of 1.00 carat, mounted in platinum, size U, case £800­1,200

1303 A tourmaline and diamond ring, of cluster design, claw­set with an oval green tourmaline weighing approximately 3.60 carats, within a border of brilliant­cut diamonds, mounted in platinum, size M, stamped PLAT, numbered 6765 £1,000­2,000

1304 A star sapphire and diamond ring, set with a cabochon star sapphire weighing approximately 3.50 carats, between shoulders set with pairs of brilliant­cut diamonds, mounted in platinum, size L½ £300­500

1305 A ruby and diamond ring, of cluster design, set with an oval ruby within a border of brilliant­cut diamonds, mounted in white gold, size O £450­550

1306 A yellow sapphire and diamond ring, claw­set with a cushion­shaped yellow sapphire weighing approximately 8.50 carats, to shoulders set with single­cut diamonds, mounted in gold and platinum, size P½, stamped 18CT PLATINUM £2,000­3,000

A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

1307 A diamond brooch, circa 1900, designed as a ribbon bow, set with circular­cut and cushion­shaped diamonds, mounted in silver and gold, length 4.7cm £1,000­1,500

12cm

A verbal report stated that the spinel is of Tajikistan origin, with no indications of heat treatment

£20,000­30,000

1308 A spinel, enamel and diamond huqqa mouthpiece, early 20th century, applied with green guilloché enamel forming stylised leaves, set with diamonds and spinel beads, terminating in a spinel bead mouthpiece, length

END OF DAY ONE

1309 Boucheron, a rare enamel, ruby and diamond desk timepiece, early 20th century, the circular white enamel dial inscribed ‘8 Jours’, with black enamel indicators and gold hands, within a border of rose­cut diamonds to a gilt silver case designed in the Rococo revival style on four cabriole legs, applied to the front and sides with pink guilloché enamel, accented by floral motifs set with cabochon rubies, measuring 8.5 x 5.6 x 2.4cm, reverse signed Boucheron, French sponsor’s mark LK with cockerel, French assay marks for silver, stamped 900, gilt metal winding key, original fitted case stamped Boucheron £1,500­2,000

DAY TWO

FRIDAY 14TH JULY 2023 AT 10.00AM

1310 A ruby and diamond ring, early 20th century, of cluster design, set with an oval ruby within a border of cushion­shaped diamonds, to a gold band, size K, case £500­700

1311 A diamond five­stone ring, early 20th century, set with a sequence of graduated cushion­shaped diamonds, to a gold band, size L, stamped 18CT £800­1,200

1312 A sapphire and diamond five­stone ring, early 20th century, set with a sequence of three circular­cut sapphires and two circular­cut diamonds in alternation, spaced by smaller rose­cut diamonds, to a scrolled gold mount, size Q½, stamped 18CT £600­800

1313 A Victorian ruby ring, late 19th century, set with a sequence of five cushion­shaped rubies, to a scrolled gold mount, size N £4,000­6,000

1314 A Victorian sapphire and diamond pendant, late 19th century and later, designed as a fleur de lis, set with circular­cut sapphires and diamonds, mounted in gold, to a later chain, pendant length 4.5cm, later bail, adapted from a brooch, chain length 50cm £600­800

1315 A gold demi­parure, late 19th century, comprising: a pair of earrings of tapering form, each suspending a fringe of pendants, with floral and rope­twist decoration in bicoloured gold, length 6.6cm each, hook fittings; and a brooch/pendant of similar design, length 6.3cm, fitted case £600­800

1316 A Victorian enamel and diamond pendant, late 19th century and later, the domed pendant applied with blue enamel with a gold fleur de lis border in reserve, centring on a six­rayed star set with cushion­shaped diamonds, later adapted as a pendant, mounted in gold, length 3.9cm £300­400

1317 A sapphire and diamond brooch/pendant, designed as a Maltese cross, set with brilliant­cut diamonds and centring on a circular­cut sapphire, mounted in gold, measuring 5.7 x 5.7cm, stamped PT 750 £800­1,200

1318 A gold necklace, 19th century and later, composed of fancy linking, length 45.5cm, French assay mark for 18ct gold, later clasp, adapted from a watch chain £800­1,200

1319 An enamel and diamond brooch, France, mid 19th century, designed as an oval plaque centring on a scrolled motif set with cushion­shaped diamonds, within a blue enamelled border with a crown motif reserved in gold, further bordered with cushion­shaped diamonds in silver collet settings and suspending three detachable enamel and diamond pendants en pampille, total length 10.1cm, detachable brooch mount, French assay mark for gold and silver £4,000­6,000

1320 A sapphire three­stone ring, the 18ct gold band rubover­set with three cushion­shaped sapphires, size Q½, British hallmarks £800­1,200

1321 A diamond three­stone ring, set with three graduated old circular­cut diamonds in a carved and pierced yellow gold setting, spaced by smaller cushion­shaped diamonds, size M £3,000­5,000

1322 A Victorian diamond ring, circa 1884, the gold band inset with three circular­cut diamonds in lozengeshaped settings, size M½, British hallmarks for 18ct gold, date letter for 1884 £300­500

1323 A ruby and diamond ring, designed as a coiled snake, its head set with a circular­cut ruby, its eyes set with single­cut diamonds, size L, stamped 750 £400­600

1324 A Victorian gold, pearl and diamond bangle, late 19th century, the hinged gold cuff designed in the Archaeological Revival style, the front applied with bands of rope twist and bead work decoration, centring on a line of three lozenge­shaped motifs set with half pearls and rose­cut diamonds, inner circumference approximately 16.2cm, pearls untested, fitted case £800­1,200

1325 A Victorian seed pearl and diamond bangle, late 19th century, the hinged gold bangle set to the front with a line of cushion­shaped diamonds in lozenge­shaped borders, between rows of half seed pearls, inner circumference 16.4cm, French import assay marks, stamped 20, maker’s mark CSD

£1,000­1,500

1326 A topaz and half pearl locket brooch, mid 19th century, centring on a foil­backed oval topaz, within a foliate gold setting accented with half pearls, within a Rococo­style outer border in stamped gold, the reverse with a glazed compartment enclosing a woven lock of hair, length 4.2cm, pearls untested, fitted case £300­400

1327 An emerald and diamond ring, set with a step­cut emerald within a border of single­cut diamonds, mounted in gold, size O½

£1,500­2,000

1328 A pink sapphire five­stone ring, set with circular­cut pink sapphires, mounted in gold, size O, stamped 15CT £500­700

1329 A pearl and diamond ring, early 20th century, claw­set with three half pearls, spaced with circular­ and rose­cut diamonds, in a scrolled gold setting, size M½, pearls untested £300­400

1330 An emerald and diamond five­stone ring, late 19th century, set with circular­cut emeralds and cushionshaped diamonds, mounted in 22ct gold, size N½, British hallmarks £300­500

1331 A ruby and diamond locket pendant necklace, late 19th century, the locket of oval outline, the front with a design of entwined snakes, their heads set with a cushion­shaped ruby and diamond respectively, opening to reveal a glazed interior, to a fluted belcher link chain necklace, mounted in gold, pendant length 6.8cm, chain length 48cm, gross weight 50 grams

£1,500­2,000

1332 An Art Nouveau gold and enamel pendant, circa 1900, the pendant designed as a witches’ heart composed of entwined pansies and columbine, applied with green plique à jour enamel, to a later gold chain necklace, pendant length 3.2cm, French assay mark for 18ct gold, necklace length 40cm

£600­800

1333 An emerald pendant, designed as a cross, engraved naturalistically with woodgrain and branches, set with circular, oval and step­cut emeralds, mounted in gold, length 6cm

£400­600

1334 A sapphire and zircon pendant, designed as a flower, set with cushion­shaped zircons of brown, orange and green tints, and a cushion­shaped sapphire weighing approximately 4.00 carats, mounted in gold, length 4.9cm including bail £1,500­2,000

1335 A Victorian gold, enamel and pearl demi­parure, mid 19th century, comprising: a brooch designed as a roundel in the Archaeological revival style, the centre with a six­rayed star in blue enamel enclosing a half pearl, the reverse with a glazed compartment, 4cm diameter; and a pair of drop earrings of similar design, length 4cm each, hook fittings, fitted case £400­600

1336 A pair of pearl bangles, late 19th century, each set with a series of graduated pearls, to hinged bangles mounted in gold, inner circumference 16.6cm each, fitted case stamped Edward & Sons, Glasgow £800­1,200

1337 A reverse­carved rock crystal intaglio brooch, late 19th century, set with a rock crystal cabochon finely carved and coloured with a reverse intaglio of a hawk with a dead dove, within a gold mount designed in the Archaeological Revival style, the reverse with a locket compartment, 4.7cm diameter, fitted case stamped Longman late Strongitharm, Pall Mall £1,200­1,500

1338 A micromosaic bracelet, late 19th century, composed of oval links each set with a black glass cabochon inset with a micromosaic figure depicting figures in traditional costumes, possibly Swiss, each within gilt metal mounts in the Archaeological Revival style, length 18.5cm, fitted case £800­1,200

1339 A Victorian gold bracelet, late 19th century, composed of woven chain linking, length 15.5cm, gross weight 67 grams, fitted case £1,200­1,500

1340 A tourmaline and diamond ring, the green tourmaline set with circular­cut diamonds in white gold, size N £400­500

1341 A sapphire and diamond ring, claw­set with an oval colour­change sapphire weighing approximately 4.00 carats, between baguette diamond shoulders, mounted in white gold, size M½ £5,000­7,000

1342 A sapphire and diamond ring, claw­set with an oval sapphire weighing approximately 1.50 carats, between brilliant­cut diamonds each weighing approximately 0.40 carats, mounted in platinum, size L (sizing beads), pouch stamped Asprey £1,200­1,500

1343 A diamond ring, the central antique cushion­shaped diamond weighing 1.30 carats, between cushion­shaped diamond shoulders, mounted in white gold, size J½ £1,500­2,000

1344 A diamond three­stone ring, the three graduated French­cut diamonds set with diamond shoulders in platinum, size N £3,000­4,000

1345 A jadeite and diamond ring, the jadeite cabochon flanked with baguette­shaped diamonds in platinum, size M £1,000­2,000

1346 A spinel and diamond ring, claw­set with an oval spinel weighing 2.67 carats, to shoulders set with oval diamonds, mounted in white gold, size M½ £2,000­3,000

Accompanied by report no. 21400 from the Gem and Pearl Laboratory, stating that the spinel is natural, with no indications of heat treatment

1347 An amethyst and diamond ring, circa 1940, the step­cut amethyst flanked with arced diamond shoulders in white gold, size H½ £300­400

1348 An Art Deco sapphire and diamond ring, 1930s, of domed design, centring on a line of calibré­cut sapphires, to stepped shoulders set with single­ and rose­cut diamonds, mounted in white gold, size R

£800­1,200

1349 An Art Deco sapphire and diamond ring, 1920s, designed as a geometric plaque, set with circular­cut diamonds and triangular sapphires, mounted in platinum, size M £1,500­2,000

1350 A lady’s Art Deco diamond cocktail watch, 1920s, the rectangular dial with black enamel indicators and blued steel hands, to a case and bracelet of geometric design set with single­cut diamonds, case width 1.1cm, bracelet length 17cm, manual winding movement

£1,500­2,000

1351 An aquamarine and diamond pendant, early 20th century, set with an oval aquamarine weighing approximately 17.50 carats, to a foliate surmount and bail set with rose­cut and circular­cut diamonds, mounted in gold, length 5.4cm

£800­1,200

1352 An Art Deco sapphire and diamond necklace, 1920s, composite, the pendant collet­set with an oval sapphire weighing approximately 11.27 carats, suspended by a tapering line of channel­set baguette diamonds from a trapezoid diamond, to a necklace and clasp composed of diamond­set sapphire beads and circular­cut diamonds, with a plain platinum back chain, length of necklace 47cm, pendant length 4cm, large sapphire pendant later £5,000­7,000

Accompanied by report no. 20283 from the Gem & Pearl Laboratory, stating that the principal sapphire measuring 13.2 x 9.5 x 9.3mm and weighing approximately 11.27 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, showing a slight colour change

1353 An early 20th century diamond brooch pendant, of openwork tapering design millegrain­set with graduated circular­cut diamonds and an articulated diamond drop in platinum and gold, length 5.4cm, fitted case £600­800

1354 An Art Deco onyx, emerald and diamond brooch, 1920s, composite, composed of four discs set with calibré­cut onyx and emeralds, and rose­cut diamonds, mounted in platinum, length 3.9cm, later brooch fitting, possibly adapted from a pair of cufflinks, one emerald deficient £2,000­3,000

1355 A Victorian zircon and diamond quatrefoil brooch, late 19th century, set with a brown cushion­shaped zircon within diamond border and diamond scroll surround in silver and gold, width 4cm, fitted case £1,500­2,000

1356 An Art Deco sapphire and diamond brooch, 1920s, designed as a pierced plaque centring on a stylised fleur­de­lis, set with circular­cut diamonds and a line of calibré­cut sapphires, suspended from a vertical line of circular­cut diamonds, mounted in platinum, length 6.8cm, one diamond deficient £800­1,200

1357 A diamond necklace, early 20th century, the fine chain composed of fancy linking, interspersed with seven spectacle­set circular­cut diamonds, mounted in white gold, length 43cm £600­800

1358 An early 20th century diamond bar brooch, set with a central marquise­shaped diamond within a diamond border and graduated diamonds with lozenge­shaped diamond terminals, mounted in platinum and gold, French mark to the pin, width 10cm

£1,000­1,500

1359 An Edwardian diamond brooch, early 20th century, set with a circular­cut diamond weighing approximately 1.05 carats, to a bar brooch set with smaller circular­cut diamonds, the sides with scrolled engraving, mounted in gold and platinum, length 5.9cm

£1,500­2,000

1360 A diamond brooch, 19th century, designed as a recumbent cat, pavé­set with rose­cut diamonds, with ruby eyes, mounted in silver and gold, length 2.5cm, later brooch fitting and retractable pendant hoop, one diamond deficient £400­600

1361 A Victorian diamond cluster ring, of navette­shaped outline, pavé­set with cushion­shaped diamonds, mounted in silver and gold, size N £800­1,200

1362 A mid 19th century pearl and diamond heart pendant, set with pearls and diamonds in a chequerboard design in silver and gold closed back setting, pearls untested, length 2.5cm including pendant loop £600­800

1363 A late Victorian diamond scroll brooch, circa 1890, set with circular­cut diamonds in silver and gold, detachable brooch fitting, length 3cm

£1,200­1,500

1364 A natural pearl and diamond brooch, late 19th century, of scrolling crescent design set with cushionshaped diamonds, suspending a pearl measuring approximately 10.2 x 8.7 x 7.5mm, mounted in silver and gold, width 3.2cm, case £400­600

A verbal report from GCS states that the pearl is natural, saltwater

1365 A Victorian diamond brooch, late 19th century, designed as a stylised flower with swirled petals, set with circular­cut diamonds, mounted in silver and gold with later rhodium plating, diameter 2.4cm £1,000­2,000

1366 A Victorian ruby and diamond brooch, late 19th century, designed as a peacock, set with cushion­shaped rubies and rose­cut diamonds, mounted in silver and gold, length 3.5cm, detachable brooch fitting

£1,000­1,500

1367 A cultured pearl and diamond necklace, early 20th century and later, the early 20th century clasp of swirled design, set with a circular­cut diamonds, to a later necklace composed of a single strand of cultured pearls measuring approximately 10mm diameter, clasp diameter 2.5cm, necklace length 74cm £2,000­3,000

1368 A late Victorian diamond trefoil brooch, circa 1890, designed as a three­leaf clover within a circular border, set with rose­cut, pear­ and cushion­shaped diamonds, mounted in silver and gold, length 2.8cm, two small rose-cut diamonds deficient £800­1,200

1369 An amethyst and diamond cluster ring, of cluster design, set with an oval amethyst within a surround of cushion­shaped diamonds, mounted in silver and gold, size L £400­600

1370 A Victorian diamond brooch, circa 1890, designed as a twelve­rayed star, set with circular­cut diamonds, the central diamond weighing approximately 0.60­0.70 carats, mounted in silver and gold later rhodium plated, 4.9cm diameter, later pendant fitting, together with a later box link chain, length 47cm, stamped 750, case stamped Hamilton & Inches £2,500­3,500

1371 A pair of diamond studs, each claw­set with an antique cushion­shaped diamond weighing approximately 0.50­0.60 carats, in later illusion settings in white gold, post fittings £800­1,200

1372 A Victorian pearl and diamond brooch, late 19th century, designed as a crescent moon, composed of floral motifs set with rose­cut diamonds and pearls, mounted in silver on gold, length 4.1cm, pearls untested £1,500­2,000

1373 Fabergé, a pearl and diamond brooch, early 20th century, designed as a pair of wings, set with rose­cut diamonds, centring on a pearl, mounted in silver and gold, length 4.4cm, maker’s mark for Fabergé, indistinct additional mark, Russian assay mark to brooch fitting, case £1,200­1,500

1374 A late Victorian diamond brooch, designed as three swallows in flight, set with rose­cut diamonds, to a bar brooch with a pearl terminal, mounted in silver and gold, length 5.3cm, pearl untested, case £400­600

1375 An emerald and diamond ring, of cluster design, set with an emerald­cut emerald within a border of single­cut diamonds in platinum and gold, size N £400­600

1376 A diamond ring, the front of floral openwork design, set with circular­cut diamonds, to a gold band, size L, partial British hallmarks £400­600

1377 A Victorian diamond brooch, circa 1890, designed as a shallow crescent, set with circular­cut diamonds, mounted in silver and gold, length 5.5cm, fitted case £1,500­2,000

1378 A diamond solitaire pendant, the round brilliant­cut diamond weighs 1.01cts, claw­set in yellow gold on a fine link yellow gold chain, chain length 42cm

Accompanied by an HRD report card stating that the diamond weighs 1.01cts, I colour, SI1 clarity

£2,000­3,000

1379 E.W Wolfe & Co., an aquamarine, sapphire and diamond brooch, set with a cushion­shaped aquamarine weighing approximately 11.00 carats, within a platinum surround designed as melting ice, pavé­set with circular­cut sapphires, aquamarines and diamonds, measuring 5.7 x 7.8cm, signed EW&Co., British hallmarks for platinum

£3,000­4,000

1380 An aquamarine and diamond cluster pendant, the large step­cut aquamarine is set within a surround of diamonds in white gold, 2.6cm wide

£1,500­2,000

1381 A pair of diamond drop earrings, each suspending a brilliant­cut diamond weighing approximately 0.50 carats, connected by knife wire to a smaller brilliant­cut diamond surmount, mounted in platinum, length 2.4cm each, hook fittings

£1,000­1,500

1382 A pair of diamond drop earrings, of twisted design, pavé­set with graduated circular­cut diamonds in white gold, stamped 750, post and clip fittings, length 4.8cm £3,000­4,000

1383 A diamond three­stone ring, set with three brilliant­cut diamonds weighing an approximate total of 1.30 carats, mounted in platinum, size O, stamped PLAT £800­1,200

1384 A diamond three stone ring, set with graduated round brilliant­cut diamonds weighing approximately 1.85cts in total, the centre stone 1.05cts, claw­set in white gold, size Q £4,000­6,000

1385 A diamond solitaire ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 0.85 carats, mounted in gold, size M½ £800­1,200

1386 An aquamarine ‘toi et moi’ ring, set with two circular­cut aquamarines with graduated baguette­shaped diamond shoulders, mounted in platinum, size L, one diamond deficient £1,000­2,000

1387 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.30cts, set in white gold, size N £3,000­4,000

1388 An amethyst and diamond cluster ring, the oval amethyst set within a surround of diamonds in silver and gold, size L £300­500

To be sold without reserve

1389 An emerald and diamond cluster ring, set with a step­cut emerald within a surround of diamonds, mounted in platinum and gold, size V, London hallmarks for 1977 £1,500­2,000

1390 A pair of emerald and diamond earrings, set with two graduated emerald­cut emeralds, each within graduated marquiseshaped diamond borders in gold, length 4cm, post fittings £4,000­5,000

1391 A three­stone diamond ring, early 20th century, claw­set with three cushion­shaped diamonds weighing an approximate total of 1.60 carats, mounted in gold, size O £800­1,200

1392 A diamond engagement ring, set with a brilliant­cut diamond weighing approximately 2.50 carats, to shoulders set with circular­cut diamonds, mounted in white gold and platinum, size O, stamped 18CT PLAT £4,000­6,000

1393 A diamond three stone ring, the princess­cut diamonds weighing approximately 1.00cts in total, claw­set in platinum, size M £800­1,200

Accompanied by an International Gemmological Institute report no. F3J70164 stating the diamonds weigh 1.03ct total with a colour grade of H­1 and a clarity grade of SI1­SI2

1394 A pink tourmaline and diamond ring, the circular­cut tourmaline set with small diamond shoulders in white gold, size K £1,200­1,500

1395 Chaumet, a sapphire and diamond ring, of cluster design, set with a cushion­shaped sapphire weighing approximately 3.50 carats, mounted in platinum, size M½, signed Chaumet, shank resized £1,000­1,500

1396 A pair of fancy coloured and white diamond earrings, designed as three asymmetric clusters set with white, pink and yellow diamonds respectively in white gold, 2cm wide, post fittings £1,500­2,000

1397 A pair of black enamel and diamond earrings, decorated with panels of black enamel in the manner of snake skin, three highlighted with diamonds in yellow gold, length 2.5cm each, folding post and clip fittings, £600­800

1398 A pair of diamond stud earrings, each claw­set with a brilliant­cut diamond weighing approximately 0.40 carats, mounted in gold, post fittings £500­700

1399 A diamond ring, tension­set with a brilliant­cut diamond stated to weigh 0.66 carats, to a gold band, the front pavé­set with brilliant­cut diamonds, stamped 750, inscribed 0.66 HSI, size O £600­800

1400 A pink spinel bracelet, set with graduated cushion­shaped pink spinels claw­set in yellow gold, length 17.5cm £4,000­6,000

1401 An enamel and diamond ring, 17th century, the centre designed as a cross composed of a point­cut diamond surrounded by pear­shaped rose

cut diamonds, to shoulders applied with light blue enamel, mounted in gold, size L £2,000­3,000 To be sold without reserve

1402 A topaz and seed pearl cluster ring, 19th century, centring on an oval yellow topaz in a foiled closed­back setting, within a border of half seed pearls, to a gold band, the reverse of the setting with a later inscription dated 1922, size O½ £200­300

1403 A fine diamond snake ring, mid 19th century, designed as a coiled snake composed of flexible linking, set with rose­cut diamonds, mounted in silver and gold, its eyes accented with rubies, size Q½ £2,000­3,000

1404 A collection of three gold posy rings, 17th and 18th centuries, comprising: a plain gold band, the interior reading ‘rather dy than faith denye’, size N½, misshapen; another plain band, the interior inscribed ‘I live in hope’, size F; and a ring with stamped decoration, the interior reading ‘To light to requite’, size D £2,000­3,000

1405 A late medieval gold posy ring, 15th century, the gold band inscribed to the exterior ‘IE SUIS TOUT VOTRE’ (I am all yours), with traces of white and green enamel, size J, maker’s mark £800­1,200

1406 An unusual gold and sapphire ring, 19th century, set with a cabochon sapphire, within a gold mount elaborately decorated with floral scrolls, and beaded decoration, the shoulders decorated with birds, size M £3,000­5,000

1407 A George III enamel and diamond ring, early 19th century, centring on a giardinetto set with rose­cut diamonds, against a ground of blue guilloché enamel, bordered with black and white enamel, a floral border in gold reserve, to a plain gold band, size P½ £400­600

1408 An unusual sapphire ‘poison’ ring, late 19th century, designed in the Renaissance revival style, collet­set with a shallow cushion­shaped sapphire, the setting opening via a hinge to reveal a blue enamelled compartment, to plain tapering shoulders, mounted in gold, size P½ £3,500­5,500

Accompanied by report no. 23005 from the Gem & Pearl Laboratory, stating that the sapphire measuring approximately 9.5­10 x 6.5 x 1.7mm is of Kashmir origin, with no indications of heat treatment

Cf.: Diana Scarisbrick, Rings: Jewelry of Power, Love and Loyalty, London 2007, pg. 342 no.480, for a similarly mounted emerald poison ring by Marcus & Co., circa 1890

1409 An amethyst and enamel mourning ring, circa 1738, set with a lozenge­shaped amethyst between shoulders set with rose­cut diamonds, to a band composed of scrolls applied with black enamel, the inscription ‘JOHN HAM OB.4.DEC 1738 AE.56’ in reserve, mounted in gold, size N½ £300­500

1410 A pearl, gem­set and diamond ring, mid 19th century, of cluster design, set with a three half pearls, the central half pearl within a border of cushion­shaped rubies, green gemstones and a rose­cut diamond, to scrolled shoulders, mounted in gold, size N½, pearls untested £150­250

LOTS 1411-1413: FROM THE COLLECTION OF THE LATE TONY DOVE

1411 A rare double mourning ring, circa 1812, the gold band applied with black and white enamel, the inscription ‘JOHN.RAYNAR.OB.DEC.1805: ROSAMON.RAYNAR.OB.DEC.1806’ in reserve, the interior with two additional commemorative inscriptions, size N, British hallmarks £100­200

1412 A George III black enamel mourning ring, 1797, the gold band in black enamel, the dedicatory inscription ‘LADY SHUCKBURGH.EVELYN. OB:14.SEP:1797:AE40’ in reserve, size L, British hallmarks £100­200 Lady Julia Annabella Evelyn, who is commemorated by this mourning ring, married the astronomer and scientist Sir George Augustus William Shuckburgh, 6th Baronet, of Shuckburgh Hall in Warwickshire. When Lady Shuckburgh’s father James Evelyn of Felbridge died in 1793, the Shuckburghs added his surname to their own, becoming the Shuckburgh­Evelyn family.

1413 A rare enamel mourning ring, circa 1788, the millegrain­edged gold band applied with white enamel, the inscription ‘GEO.BOUGHEY.ESQ: DIED.15.FEB.1788.AGED.77’ in reserve, size N½, British hallmark £150­250

1414 Three emerald links, 19th century, the three cabochon emeralds each mounted in silver collet settings, largest emerald measuring approximately

12 x 8 x 6mm £3,000­4,000

A verbal report stated that of samples taken the emeralds are Russian, with significant clarity enhancement

To be sold without reserve

1415 A fine pair of blue paste buckles, 18th century, the small buckles each channel­set with calibré­cut blue pastes, mounted in silver, each measuring 2.6 x 2.0cm, fitted case stamped Tessier £300­400

1416 A diamond ring, 19th century, designed as a cluster of rose­cut diamonds, mounted in silver and gold in closed­back settings, to shoulders set with rose­cut diamonds, size Q, case £1,000­1,500

1417 A fine George III chalcedony bracelet, early 19th century, composed of a double row of jasper and agate cabochons in gold collet settings, length 20cm £800­1,200

1418 A pair of diamond drop earrings, 19th century, composite, each of pendent design with floral cluster surmounts, set with antique cushion­shaped and rose­cut diamonds, length 3.7cm, post fittings, case stamped D&J Wellby Ltd £400­600

1419 A cat’s eye chrysoberyl pendant, set with a cabochon cat’s eye chrysoberyl weighing approximately 7.00 carats, mounted in a gold collet setting, length 1.7cm including pendant hoop £800­1,200

To be sold without reserve

1420 A George II gold and turquoise brooch, circa 1850, designed as a dove carrying a forget­me­not in its beak, set with turquoise cabochons, its eyes set with rubies, the forget­me­not with a locket compartment to the reverse, length 3.2cm £200­300

Cf.: Hugh Tait ed. The Art of the Jeweller: A Catalogue of the Anne Hull Grundy Gift to the British Museum, London, 1984, p.155, no.558, for a similar example

1421 A diamond pendant, 18th century, designed as a cross composed of rose­cut diamonds in gold rubover collet settings, length 3.4cm excluding later jump rings £200­300

1422 A topaz and citrine cross pendant, early 19th century, channel­set with square topaz and one citrine, mounted in gold, length 5.6cm £2,000­3,000

1423 A George III garnet bracelet, circa 1800, composed of foliate motifs centring on a flower, set with foil­backed circular­cut and pear­shaped garnets, mounted in gold, length 16cm £300­400

1424 A cat’s eye chrysoberyl ring, set with a cabochon cat’s eye chrysoberyl weighing approximately 4.00 carats, mounted in gold, size M½, stamped 18K £3,000­4,000

To be sold without reserve

1425 A purple star sapphire solitaire ring, the cabochon rub­over­set in polished yellow gold, size K £3,000­4,000

A verbal report stated that the purple star sapphire is unheated, origin: Sri Lanka

To be sold without reserve

1426 Buccellati, a sapphire and diamond ring, claw­set with a cushion­shaped sapphire weighing approximately 5.00 carats, the setting and shoulders finely modelled as acanthus leaves, with an outer border of brilliant­cut diamonds, mounted in gold, size N½, signed M. Buccellati £10,000­15,000

1427 Paloma Picasso for Tiffany & Co., a pink tourmaline ‘Sugar Stack’ ring, claw­set with a cabochon pink tourmaline in gold, size M½, British hallmarks, signed Paloma Picasso and Tiffany & Co. £400­600

1428 A pair of cultured pearl and diamond ear clips, each of circular outline, centring on a half cultured pearl, to gold surrounds of Archaeological Revival inspiration, applied with rope twist borders and set with brilliant­cut diamonds, each 2.6cm diameter, clip fittings

£800­1,200

1429 A cultured pearl and diamond ring, set with one black and one cultured pearl, to shoulders set with marquise­shaped diamonds, mounted in platinum, size Q, case stamped Wolfers

£1,200­1,500

1430 Pomellato, a jet dress ring, ‘Victoria’, collet­set with a faceted jet, to a smoothly contoured mount, size N½, signed Pomellato, stamped 750, Italian maker’s mark £200­300

1431 Buccellati, a gold demi­parure, comprising: a brooch, designed as a spray of grapevine in engraved bicoloured gold, length 3.8cm; and a pair of matching ear clips, each 2.2cm diameter,all signed Buccellati, stamped 18K, cases stamped Gianmaria Buccellati £2,000­3,000

1432 A diamond­set demi parure comprising a brooch and earrings, each set with scrolled rows of tapered baguette­shaped diamonds and circular­cut diamonds in platinum and white gold, brooch length 6.4cm, earring length 2.6cm, clip fittings

£4,000­6,000

1433 A gold necklace, composed of graduated gold beads with an engraved finish, length 53cm, stamped 750, gross weight 108 grams

£2,000­3,000

1434 Susan Astair, a pair of cultured pearl and diamond earrings, circa 1998, the South Sea pearls within black enamel border and domed gold surround quartered with diamonds, clip fittings, London hallmarks for 18ct, 1998, width 2.3cm

£2,000­3,000

1435 Gianmaria Buccellati, a gold bracelet, composed of bicoloured chain linking, length 17.8cm, signed Gianmaria Buccellati, 18K Italy, fitted case stamped Gianmaria Buccellati

£2,000­3,000

1436 A ruby bracelet, designed as a line of cabochon rubies in gold collet settings, length 14.5cm

A verbal report stated that of random samples selected, all rubies were unheated, origin: Burma

To be sold without reserve

£6,000­8,000

1437 A pair of diamond earrings, mid 20th century, each centring on a circular­cut diamond weighing approximately 0.90 carats, to mounts designed as floral rosettes set with brilliant­ and carré­cut diamonds, in platinum and gold, length 2.1cm each, clip and post fittings

£4,000­6,000

Φ 1438 Andrew Grima, a gold and diamond necklace, designed as a hinged collar constructed from sections of textured gold wire, accented to the front with a curved line of brilliant­cut diamonds, inner circumference 34cm, signed Grima, pouch stamped Grima £5,000­7,000

1439 An opal brooch, 1970s, set with a freeform cabochon opal to an abstract geometric mount in white gold, length 6.5cm £200­300

1440 A gold and moldavite necklace, Italy, 1970s, designed as chain composed of abstract gold linking, suspending a similar pendant enclosing a rough piece of moldavite, chain length 68cm, pendant length 4.5cm, pendant stamped 750, Italian maker’s mark 96 VA for Odilio Castelli £1,600­2,000

Φ 1441 Alan Martin Gard, a tourmaline and diamond ring, circa 1970, claw­set with an oval step­cut green tourmaline, within a an 18ct gold mount of abstract design set with brilliant­cut diamonds, size S, British hallmarks, maker’s mark AMG £800­1,200

1442 A star sapphire bombé ring, the pale blue sapphire within yellow gold fluted mount, size J £1,500­2,000

Φ 1443 Andrew Grima, a pair of shell and diamond ear clips, C1972, the shells set with gold wirework decoration, gold pellets and diamonds in yellow gold settings, clip fittings, maker’s mark and London hallmarks for 18ct gold, 1972, width 3.5cm

£1,800­2,200

1444 Kutchinsky, an onyx, gold and diamond ring, circa 1972, designed as a buckle in carved onyx, on a textured gold band pavé­set with brilliant­cut diamonds, size R½, signed Kutchinsky, partial British hallmark, date letter for 1972 £800­1,200

Φ 1445 Alan Martin Gard, a gold and peridot ring, circa 1983, claw­set with an oval peridot, within an abstract floral border in 18ct gold, size S, British hallmark, maker’s mark AMG £800­1,200

1446 A diamond solitaire ring, the rose­cut diamond in a gold collet setting on a textured silver band, size L ½ £600­800

1447 A diamond solitaire ring, the rose­cut diamond in a gold collet setting on a textured silver band, size K ½ £600­800

Φ 1448 Andrew Grima, a cultured pearl ring, the textured octagonal band surmounted with another gold octagon suspending a cultured pearl in textured 18ct gold, marked Grima, with studio mark and London hallmarks for 1970, size H, case stamped Grima

Accompanied by original receipt from Grima dated 18th December 1973

£1,000­1,500

1449 A late Art Deco ruby and diamond ring, circa 1940, designed as a stylised buckle, set with calibré­cut rubies and circular­cut diamonds, mounted in platinum, size L½ £800­1,200

1450 A Retro emerald and diamond cocktail ring, mid 20th century, set with a carved emerald cabochon, enveloped by scalloped borders set with brilliant­cut diamonds, to a fluted gold mount, size N, French assay marks for 18ct gold and platinum, indistinct maker’s mark £3,000­4,000

1451 A carved sapphire pendant, each side carved with a stylised face, on plain gold pendant loop on a finelink white gold neck chain, pendant length 2.5cm (including bale), chain 96cm long £6,000­8,000

A verbal report states that the sapphire is unheated, origin: Burma

1452 A diamond rivière necklace, claw­set with brilliant­cut diamonds connected by conjoined hoop linking, mounted in white gold, length 39cm, total diamond weight approximately 12.00 carats £10,000­20,000

1453 A diamond solitaire ring, early 20th century, claw­set with a cushion­shaped diamond weighing 1.94cts, to shoulders set with circular­cut diamonds, mounted in platinum, size M £5,000­7,000

1454 An Art Deco sapphire and diamond ring, 1920s, claw­set with a cushion­shaped sapphire weighing approximately 4.00 carats, within a border of single­cut diamonds, mounted in platinum, size K½, case stamped A.Feunteun, Brest £2,000­3,000

A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

1455 An Art Deco sapphire and diamond cluster ring, the cushion­shaped sapphire weighing 8.98cts, within diamond surround and shoulders in platinum, numbered 6320 to inside shank, size N £15,000­20,000

A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

1456 An Art Deco ruby and diamond brooch, 1920s, claw­set with a cushion­shaped ruby weighing approximately 1.10 carats, within a brooch of geometric design set with circular­cut and baguette diamonds, mounted in platinum, length 4cm, fitted case £4,000­6,000

1457 An Art Deco emerald and diamond brooch, of geometric design centring on a step cut emerald weighing approximately 4.60cts, within openwork surround millegrain­set with old cushion­shaped diamonds in platinum, length 8.4cm £6,000­8,000

A verbal report states that the emerald is of Russian origin, with significant clarity enhancement

1451

1452

1453

1454

1455

1456

1457

1458 A diamond cluster ring, the Asscher­cut diamond weighs approximately 1.40cts, set within diamond­set octagonal surround and further diamond shoulders in platinum, size M

£4,000­6,000

1459 A ruby and diamond cluster ring, set with a cushion­shaped ruby weighing approximately 0.80 carats, within a double border of brilliant­cut diamonds, mounted in white gold, size K½, case

£2,000­3,000

1460 An Art Deco onyx and diamond ring, 1920s, centring on a circular­cut diamond weighing approximately 0.90 carats, to shoulders millegrain­set with graduated baguette diamonds, the outer border channel­set with buff­topped calibré­cut onyx, mounted in platinum, size M½

£2,500­3,500

1461 An Art Deco star sapphire and diamond ring, 1920s, set with a cabochon star sapphire weighing approximately 14.00 carats, to a geometric mount set with single­cut diamonds, mounted in platinum and iridium, size K½

£1,500­2,000

1462 A star sapphire and diamond ring, the cabochon sapphire flanked with triangular­shaped diamonds, mounted in white gold, size Q

£2,500­3,500

Accompanied by GCS report number 5782­1270 dated 21st March 2022 stating that sapphire weighing 31.78 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

1463 A pair of diamond earrings, 1930s, each of drop design, composed of two concentric oval hoops set with circular­ and single­cut diamonds, mounted in platinum, length 4.1cm each, post fittings, French assay and partial maker’s marks, later surmounts £3,000­4,000

1464 A pearl and diamond ring, early 20th century, set with a bouton­shaped pearl measuring approximately 6.4mm diameter, to an octagonal border pavé­set with single­cut diamonds, mounted in platinum, size N½, pearl untested, later shank

£1,000­2,000

1465 A spinel and diamond brooch, circa 1920, set with an oval red spinel weighing approximately 1.40 carats, to a geometric bar brooch set with circular­ and single­cut diamonds, mounted in platinum, length 5.7cm

£1,200­1,500

1466 A diamond double clip brooch, circa 1950, each side designed as an abstract ribbon scroll, set with circular­cut, single­cut and baguette diamonds, mounted in platinum, a brooch fitting allowing them to be worn together in combination, total length 6.3cm £2,000­3,000

1467 An Art Deco sapphire and diamond bracelet, 1920s, centring on an oval sapphire weighing approximately 9.00 carats, claw­set in a detachable mount, to a bracelet of geometric design set with rose­cut and cushionshaped diamonds, including two cushion­shaped diamonds each weighing approximately 1.00 carat, mounted in platinum, length 17cm £10,000­15,000

Accompanied by GCS report no.57832597 dated 12th May 2023 stating the sapphire weighing 10.30ct approx. is Sri Lankan with no indication of heating.

1468 An Art Deco diamond bracelet, France, 1920s, composed of pierced plaques with millegrain borders, set with single­cut diamonds, centring on larger cushion­shaped diamonds, mounted in platinum and white gold, length 16.5cm, French assay and maker’s marks

£6,000­8,000

1469 Georges Lenfant, a fine Art Deco seed pearl, sapphire and diamond bracelet, 1920s, centring on a circular­cut sapphire within a millegrain­bordered geometric surround set with circular­ and single­cut diamonds and calibré­cut sapphires, to a seed pearl bracelet, the clasp set with rose­cut diamonds, length 16.3cm, French assay mark for platinum, French maker’s mark for Georges Lenfant

£4,000­6,000

1470 A diamond brooch, 1930s, designed as a bow, set with circular­, brilliant­cut and baguette diamonds, to millegrain borders, mounted in platinum, length 6.6cm, case stamped Nathan & Co.

£1,000­1,500

1471 An Art Deco diamond bracelet, 1920s, composed of openwork geometric links set with circular­cut diamonds, mounted in platinum, length 18cm

1472 No lot

£4,000­6,000

lifesize

1473 Bulgari, a sapphire and diamond ring, ‘Trombino’, set with a cabochon sapphire stated to weigh 17.70 carats, to a bombé mount pavé­set with brilliant­cut diamonds and stepped baguette diamond shoulders, mounted in platinum, size M½, signed Bulgari, inscribed cts 7.70 and PT 950, fitted case stamped Bulgari £30,000­40,000 Accompanied by GCS report no. 5783­2045, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

The ‘Trombino’ ring is one of Bulgari’s most enduringly popular designs, chosen by Giorgio Bulgari as the design for his own engagement to his future wife Leonilde in 1932. Originating in the 1930s, the name meaning ‘little trumpet’ was used for the flaring shape of the graduated baguette diamonds set at each shoulder, building up to invariably superb central stones. While in the 1930s Bulgari’s designs largely conformed to Parisian Art Deco models, elements of their later trademark aesthetic can already be seen in the ‘Trombino’ rings, notably the smoothly contoured, threedimensional quality of the mount, and the use of cabochon stones, as seen in the present, modern example, its design largely unchanged from early models. Cf.: Daniela Mascetti and Amanda Triossi, Bulgari, Milan, 2007, p. 73 and 75, for examples of earlier ‘Trombino’ rings.

1474

1475

1474 A diamond necklace, mid 20th century, designed as a central line of baguette diamonds suspended from graduated lines of brilliant­cut diamonds, estimated total diamond weight approximately 18.00 carats, mounted in platinum, length 39cm, case £10,000­15,000

1475 Cusi, an Art Deco sapphire ring, 1930s, set with a cushion­shaped sapphire, to a plain platinum mount, size S½, Italian maker’s mark for Cusi, stamped PT £8,000­10,000 Accompanied by Cisgem report no.20837, stating that the sapphire measuring approximately 9.35 x 11.75 x 4.85mm is natural, with no indications of heat treatment

£6,000­8,000

1476 A diamond cocktail ring, set with a circular­cut diamond weighing approximately 2.10 carats, within a concentric surround of graduated diamonds in platinum, size N

1477 An attractive diamond solitaire ring, early 20th century, claw­set with an antique cushion­shaped diamond weighing 3.74 carats, mounted in platinum, size H½ (sizing beads), stamped platinum

£7,000­9,000

1478 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing 6.10 carats, mounted in platinum, size H (sizing beads, shank split), fitted case stamped Hamilton & Inches

£24,000­34,000

1479 A yellow sapphire and diamond ring, claw­set with an oval yellow sapphire weighing approximately 18.00 carats, to shoulders set with baguette diamonds, mounted in gold, size R½

£5,000­7,000

A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

1480 A jadeite ring, set with a cabochon jadeite weighing 2.81 carats, rubover­set in a plain gold mount, size M, stamped 22K

£3,000­5,000

Accompanied by GIA report no. 6217031524, stating that the jadeite is natural, with no indications of treatment To be sold without reserve

† 1481 A loose sapphire, the cushion­shaped blue sapphire weighing 1.75 carats £2,000­3,000

Accompanied by GCS report no. 5783­1143, stating that the sapphire weighing 1.75 carats is of Kashmir origin, with no indications of heat treatment

1482 A diamond rivière necklace, composed of sixty­six graduated round brilliant­cut diamonds set in articulated white gold collets, length 39cm, approximate total diamond weight 18.50 carats £15,000­20,000 The diamonds are natural as per a verbal report from Anchorcert.

1483 A diamond rivière necklace, composed of graduated brilliant­cut diamonds in millegrained collet settings, mounted in white gold, length 42cm, detaching into two sections, total diamond weight approximately 10.00 carats £10,000­20,000

1484 A ruby bracelet, designed as a line of oval and cushion­shaped rubies, claw­set in gold collets, length 18cm £8,000­12,000

A verbal report states that of samples selected, the rubies were of Burmese (Myanmar) origin, with one of Thai/Cambodian origin, all with no indications of heat treatment

To be sold without reserve

λ 1485 Cartier, a rare pair of diamond and tortoiseshell hair ornaments, early 20th century, each designed an openwork platinum half­hoop set with spiralling rows of circular­cut diamonds in millegrain borders, to undulating tortoiseshell prongs, each length 11cm, each signed Cartier Paris, numbered 0152, French assay mark for platinum and indistinct French maker’s marks, original fitted case stamped Cartier £20,000­30,000

lifesize

1486 A pair of sapphire stud earrings, each set with an oval sapphire weighing 4.30 and 4.03 carats respectively, mounted in platinum, 1.0 x 0.8cm each, length post fittings £25,000­30,000

Accompanied by SSEF report no.29808, stating that the sapphires are of Burmese (Myanmar) origin, with no indications of heat treatment. Please note that this certificate is over five years old and may require updating.

1487 An emerald and diamond ring, early 20th century, collet­set with a step­cut emerald, within a border of cushion­shaped diamonds, mounted in gold, size S £8,000­12,000 Accompanied by Gem Paris report no. 20231976936­2, stating that the emerald measuring 11.0 x 9.6 x 3.6mm is of Colombian origin, with indications of minor clarity enhancement with oil

1488 An Art Deco emerald and diamond ring, circa 1920, set with a cabochon emerald, within an openwork platinum mount of foliate scroll design, set with rose­cut diamonds, size L½ £7,500­8,500

Accompanied by GCS report no. 5783­2599, stating that the emerald measuring approximately 13.5 x 11.0 x 6.5mm is of Colombian origin, with indications of moderate clarity enhancement

1489 An enamel and pearl necklace, mid 19th century, designed as a snake, its head and tail tip applied with blue enamel, accented with half pearls, its eyes set with cabochon rubies, suspending a similar half pearl and enamel pendant from its mouth, to an articulated body composed of gold linking, length 38.5cm, pearls untested, fitted case £1,500­2,000

1490 A Victorian sapphire and diamond brooch, late 19th century, designed as a dragonfly, set with circular­cut diamonds and oval sapphires, its thorax set with a cabochon sapphire, mounted in silver and gold, wingspan 6.9cm £3,000­4,000

1491 An emerald and diamond ring, 19th century, of cluster design, claw­set with a step­cut emerald weighing approximately 2.10 carats, within a border of circular­cut diamonds, mounted in silver and gold, size J, case stamped Garrard £5,000­7,000

A verbal report from GCS states that the emerald is of Colombian origin, with indications of minor clarity enhancement with oil

1492 A diamond ring, early 20th century, of cluster design, set with an antique circular­cut diamond weighing approximately 1.60 carats, within a border of single­cut diamonds, mounted in gold and platinum, size P½, case stamped West & Son, Dublin £4,000­6,000

1493 A cat’s eye alexandrite ring, rubover­set with a cabochon cat’s eye alexandrite weighing 5.53 carats, mounted in gold, size L £4,000­6,000

Accompanied by AGL report no. 1111325, stating that the alexandrite is of Sri Lankan (Ceylon) origin, with no indications of treatment, displaying a strong to moderate colour change To be sold without reserve

1494 A diamond ring, of cluster design, claw­set with a circular­cut diamond weighing approximately 2.30 carats, within a border of brilliant­cut diamonds, mounted in platinum, size M½ £6,000­8,000

1495 A sapphire and diamond ring, collet­set with a sugarloaf cabochon sapphire, within a border of rose­cut diamonds, mounted in gold and silver, size N, French assay and maker’s marks £4,000­6,000

1496 A diamond ring, 19th century, set with a shallow oval diamond, within a border of cushion­shaped diamonds, to shoulders carved with scrollwork, mounted in gold, size K £2,000­3,000

1497 A sapphire and diamond ring, early 20th century, collet­set with an oval cabochon sapphire, within an openwork navette­shaped border set with circular­cut and cushion­shaped diamonds, mounted in platinum, size L½ £10,000­15,000

A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

1498 A sapphire and diamond bracelet, alternately set with pairs of graduated cabochon sapphires and small diamond scrolls, mounted in platinum and gold, with additional yellow gold links to each side of the clasp, length 17.2cm £8,000­12,000

Accompanied by GCS report number 5783­2227 from GCS stating that of the 20 randomly selected sapphires, all were of Burmese (Myanmar) origin, with no indications of heat treatment

1499 Mauboussin, a rare Art Deco gem­set and diamond ring, 1920s, designed in the ‘Tutti Frutti’ style, the wide band claw­set with carved sapphires, rubies and emeralds, punctuated by single­cut, baguette and shield­shaped diamonds, mounted in platinum, size N½, signed Mauboussin France £5,000­7,000

1500 Cartier, a rare Art Deco emerald and diamond ring, 1920s, designed in the ‘Tutti Frutti’ style, set with a carved emerald, to a border and shoulders set with circular­cut diamonds, mounted in platinum, size R, signed Cartier London £2,000­4,000

1501 A Victorian diamond bracelet, late 19th century, composed of cushion­shaped diamonds within box collet settings, flanked by rows of rose­cut diamonds, mounted in silver and gold, length 20.8cm, estimated total diamond weight approximately 10.00 carats £10,000­15,000

A verbal report

lifesize

no indications of heat treatment

1502 A pair of Art Deco sapphire and diamond drop earrings, the articulated earrings millegrain­set with baguette­shaped and graduated circular­cut diamonds in platinum, each suspending an oval sapphire weighing approximately 4.50cts each, in platinum, length 5cm £8,000­12,000

states that the sapphires are of Sri Lankan (Ceylon) origin, with

END OF SALE

1503 A fine Art Deco sapphire and diamond brooch, France, 1920s, designed as an articulated section of ribbon, suspending a fringe of pendants, set with circular­cut diamonds and a cabochon sapphire, mounted in platinum, length 6cm, French assay marks for platinum and 18ct gold, partial French maker’s mark £12,000­15,000

Accompanied by GCS report no. 5783­2598, stating that the sapphire measuring approximately 12.5 x 9.2 x 7.4mm is of Burmese (Myanmar) origin, with no indications of heat treatment

A late 19th century Austrian silver­gilt, rock crystal and enamel tazza, maker's mark of HR conjoined for Hermann Ratzersdorffer, Vienna circa 1870 Estimate £1,000­1,500*

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5pm

Castle Gate Offices

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Post it 4 me+44 (0)1258 920180 www.postit4me.com

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237

newbury@packsend.co.uk

www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3%€50,000.01 ­ 200,000

1%€200,000.01 ­ 350,000

0.5%€350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs. For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM FINE JEWELLERY

13TH & 14TH JULY 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Signature

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number Brief Decription Price Excluding in numerical buyer’s premium order & VAT

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2023 AUCTIONS

AUCTION CALENDAR

JUNE

21st Fine Arts & Crafts (Including Martin Ware)

Exhibition Robert Wallace Martin Potter, Sculptor, Artist 13th to 22nd June

JULY

5th & 6th Furniture, Works of Art & Clocks

11th & 12th Silver & Objects of Vertu

13th & 14th Fine Jewellery

SEPTEMBER

6th Old Masters, British & European Paintings

19th British and Continental Ceramics & Glass

20th Arts of Africa, Oceania and the Americas

OCTOBER

4th & 5th Furniture, Works of Art & Clocks

18th Design

24th Single Owner Collection of Jewellery

25th & 26th Fine Jewellery

31st Silver & Objects of Vertu (Day One)

NOVEMBER

1st Silver & Objects of Vertu (Day Two)

14th & 15th Asian Art, Chinese Paintings & Japanese Works of Art

28th Medals & Coins, Arms & Armour

29th British Art Pottery

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

A fine emerald and diamond bangle, circa 1890 SOLD FOR £625,000*