Woolley & Wallis Auctioneers

FINE JEWELLERY WEDNESDAY 9TH & THURSDAY 10TH DECEMBER 2020

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

Michael Jeffery Zoe Smith

424505 446955

ASIAN ART 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

Janice Clift (Office Manager) Sarah Bennie Megan Corbett Pauline Jones Nicola Young

CASTLE GATE RECEPTION Sally Litherland

Sally Trench

ACCOUNTS Clare Durham Hollie Morrison

424507 446964

Ruth Pike Sharon Ringwood

BOARD OF DIRECTORS FURNITURE, WORKS OF ART & CLOCKS 411854 339161 446974

JAPANESE ART Alexandra Aguilar Sarah Lopez­Ferreiro

424583 424591

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non­Executive Director

ASSOCIATE DIRECTORS

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

424500

MARKETING 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Mark Yuan­Richards Jim Gale Suzy Becsy

424598 424509 424509

GENERAL OFFICE

20TH CENTURY DESIGN

John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez­Ferreiro

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence

339752 446980

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

446959

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FINE JEWELLERY WEDNESDAY 9TH & THURSDAY 10TH DECEMBER 2020 10.00AM

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU

VIEWING BY APPOINTMENT ONLY Saturday 5th December Sunday 6th December Monday 7th December Tuesday 8th December

10.00am – 1.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm

There is no viewing on the days of the sale Please contact the department to make an appointment DAY ONE: DAY TWO:

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

Lots 1-337 (pp. 5-59) Lots 338-681 (pp. 60-125)

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

COLLECTION OF LOTS BY APPOINTMENT ONLY Please contact the department to arrange collection of lots.

No Saturday collections

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE

bid.woolleyandwallis.co.uk

Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients.

Please register by 5pm on Tuesday 8th December

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 8th December

Facebook: @woolleyandwallis

ILLUSTRATIONS Front cover: Lot 681 Back cover: Lot 679

Twitter: @woolleywallis Pinterest: Woolley and Wallis

Catalogue £10.00 (£15.00 by post) 3

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained

by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life­sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

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1 LITERATURE: Eighteen books on the subject of jewellery and Objets d’Art: Antiquorum Auctioneers., The Magical History of Cartier (1996) Auction Catalogue Art Deco, (Grange Books: 2001) Boardman, J., Scarisbrick, D., Wagner, C., The Guy Ladriere Collection of Gems and Rings, (Philip Wilson: 2016) Christie’s., Going Once: 250 Years of Culture, Taste and Collecting, (2016) Clais, A., Discovering Van Cleef & Arpels (2001) Day­Lewis, T. Hemmerle: Delicious Jewels (2011) de Guitaut, C., Royal Fabergé (2011) Emerald (Thames & Hudson: 2013) Foulkes, N., Nardi: Venezia (Assouline: 2012) Foulkes. N., Automata, (Editions Xavier Barral / Van Cleef & Arpels: Paris: 2017) Perles: une histoire naturelle (RMN ARTS DECORATIFS EXPOSITIONS: 2007) Pierrat., Collections Collectionneurs (2019) Pierre Berge & Associates., Vente Bijoux, Creations René Boivin, (2005) Auction Catalogue Scarisbrick, D., Rings: Jewelry of Power, Love and Loyalty, (Thames & Hudson: 2007) Sotheby’s., Jewels from the Estate of Betsey Cushing Whitney, (1998) Auction Catalogue Sotheby’s., The Jewels from the Estate of Thora Ronalds McElroy, (1991) Auction Catalogue Stourton. J., Great Collectors of Our Time: Art Collecting since 1945, (Scala Publishers: 2007) Van Cleef & Arpels: The Spirit of Beauty (2009) Exhibition Catalogue £200­300

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2 LITERATURE: Christie’s, The Collection of Elizabeth Taylor, (2011) Vol I ­ V, Auction Catalogue £300­400 3 LITERATURE: Rosenthal, J., The Jewels of Jar, (JAR: Paris: 2002) Sassoon. A., Jewels by JAR, (The Metropolitan Museum of Art: New York: 2013), Exhibition Catalogue £400­600 4 A set of historical diamond replicas, consisting of fifteen faceted paste diamond replicas, including: The Koh­i­noor, The Orloff, The Regent, The Florenteen and The Cullinan etc, in fitted presentation case £1,000­1,500 4 5

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A large quantity of jewellery drawings, for rings, chokers, necklaces and brooches, gouache on tracing paper, two signed ‘Asprey’ £400­600

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6 A collection of twenty­nine jewellery boxes, including boxes by Cartier, Van Cleef & Arpels, Tessier, Tiffany & Co., Cameo Corner, Boucheron, Bulgari etc. £400­600

7 A collection of thirty jewellery boxes, including boxes by Cartier, Carrington, Harvey & Gore, Mauboussin, Tessier, F. J. Newman, Boucheron, Bulgari, Tiffany & Co., etc. £400­600

8 A leather fitted tiara case by Chaumet, the brown leather box with cream velvet interior and silk lining, signed J. Chaumet, 23.5 x 22 x 7.5cm, tiara fitted section 14cm wide £150­250

9 A leather fitted parure case by Cartier, the centre­opening box with fitted sections for a necklace, two bracelets, two brooches and a pair of earrings, navy velvet interior and silk lining signed Cartier, foliate tooled decoration to the pink leather, 35.5cm long £200­300

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10 A collection of jewellery boxes by Cartier and Giuliano, including a green leather centre­ opening clock box by Cartier, 15.5 x 15 x 11cm, a red leather box by Cartier for a pair of Objets d’Art, 23.5 x 12 x 5.5cm, and three boxes boxes

by Giuliano (two for pendants) signed to the silk lining C. Giuliano 115 Piccadilly £200­300

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11 Various items of jewellery, including a paste­set gilt metal buckle, maker’s mark KT, an amethyst and moonstone­set silver brooch, a lapis lazuli­set gold ring, a 19th century diamond­set gold brooch, a silver port label with Birmingham hallmarks for 1981, a chaldecony­ set silver locket pendant, etc, in a brown leather jewellery casket £200­300 12 Various items of jewellery, including a Victorian citrine­set silver bracelet in the form of a buckle, with registration mark for 18 November 1853, a hardstone and amber bead necklace, a silver bead necklace and stud earrings, a pair of coral stud earrings, four loose amethysts etc £300­400

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13 A collection of jewellery items, including a diamond­set bar brooch, a 19th century garnet­set gold scroll necklace, a shell cameo­set gold brooch, a single stud and two vacant earring posts, 24g total £300­400 14 Five jewellery items, including a 19th century amethyst and seed pearl­set brooch, a shell cameo­set gold brooch, a hardstone and seed pearl­set brooch with locket compartment to reverse, an amethyst­set gold brooch and ring, size M½, 88g total £200­300 15 Various jewellery items, including a pair of diamond­set nephrite cufflinks, a 9ct gold money clip with Birmingham hallmarks for 1979, two pairs of gilt metal lorgnettes, a 9ct gold Albertine chain, with a 9ct gold watch key and lapis lazuli mounted gilt metal fob seal, and a Berlin iron work curb­link chain £500­700

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16 16 Various items of gold jewellery, including a bangle, two bracelets, a wristwatch, chains, earrings and two rings, 107g total £500­700

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17 Various items of jewellery, including a gold thimble, 8g, cased. Two 18ct gold watch chains, one with two gold coin pendants, 86g total, and an Edwardian amethyst and seed pearl­ set gold brooch pendant (damaged) £1,000­1,500 18 A collection of jewellery items, including a garnet and diamond cluster ring, size L½. A gold­cased fob seal, the carnelian matrix depicting a bird flying from a cage with motto ‘Qui me negligee me perd’ (He who neglects me, loses me). A gold­cased fob seal with a paste matrix depicting a figure in a boat and motto ‘Si il la perd je suis perdu’ (If he loses I am lost). A green tourmaline­set gold ring, size J½ and a turquoise­set gold cigar ring £200­300

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19 A gold charm bracelet, set with sixteen assorted gold charms, 55g total £500­700 20 A late 19th century pendant, for the Independent Order of Odd Fellows, of shield form with enamel decoration and surmounted with a skull and cross bones in gold, 6.5cm high, together with a gold skull ring, size N½ approximately, 26g total £400­600

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21 A cased set of twelve stick pins, including a rose­cut diamond­set circular pin in silver on gold, a seed pearl­set horseshoe, a green paste­ set spider, an emerald and seed pearl­set stick pin and various other stick pins £400­600

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22 A set of twelve Indian gem­set jade buttons, each button applied with a gold foliate motif set with rose­cut diamonds and cabochon rubies in foil­back settings, 1.7 ­ 2.3cm wide, seven larger and five smaller buttons, with fifteen metal split rings, case £80­120 23 An Indian gold Pertabghar bracelet and brooch, the oval links with green enamel decoration depicting flowers and wild animals, within rope­twist borders in gold, bracelet 18cm long, brooch 3.8cm wide, 75.5g total £1,500­2,000 24 An Indian diamond and enamel pendant, set with seven flat­cut diamonds and suspending a further diamond with counter enamel in red and green, 6cm high including bale £400­600

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25 Three ring mounts, including a cluster setting with an oval surround of circular­cut diamonds in silver on gold, the centre cut­down collet for a cushion­shaped stone, collet dimensions approximately 7.6 x 6.5mm, ring size N½. A cluster ring mount with geometric surround set with calibré­cut emeralds, with old circular­cut diamonds to the shoulders in platinum, the centre collet for a hexagonal­shaped stone, collet dimensions approximately 7.3mm (facet to facet) or 8.1mm (corner to corner), ring size M, together with a crossover ring mount, with two four­ claw settings for round stones on textured yellow gold band, size I £500­700

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26 Two gem­set necklace clasps, a French cultured pearl and diamond­ set clasp, the oval clasp with scroll motif set with graduated old circular­cut diamonds in platinum and white gold, French control marks and rubbed maker’s lozenge, 2.8 x 1.5cm wide, 6.5g, and a rectangular clasp centred with pear­shaped diamond, within a foliate motif surround set with old circular­ cut diamonds and rubies in silver and white gold, 1.6 x 1.4cm, 6g £400­600 27 Three diamond and gem­set clasps, including a navette shaped ruby and diamond clasp, 16mm, a diamond­set barrel clasp 16mm, and an ovoid­ shaped emerald and diamond clasp, 18mm £1,500­2,000

28 A diamond and synthetic sapphire cluster ring, set in platinum and gold, size K½, with a synthetic sapphire and diamond pendant in white gold on snake­link white gold chain, with a pair of diamond and synthetic sapphire drop earrings in white gold, 2.7cm long £1,000­1,500 29 A set of diamond and tanzanite­set jewellery, comprising a pendant and earrings, set with cushion­shaped tanzanites within a surround of round brilliant­cut diamonds in rose gold, earrings 1cm high, post fittings, pendant 2cm high £400­600 30 A collection of ten rings, including an amethyst­set gold ring, size M½, a diamond­set two­colour gold bombé ring, size M, Kutchinsky case. and various other band rings and gem­set rings, 61g total £400­600

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33 31 An 18ct gold collar necklace by Garrard & Co, set with a ruby and diamond flowerhead and diamond terminals to the articulated links, with maker’s mark and London import marks for 1961, 52cm long, 51g, fitted case £1,000­1,500 32 An Italian intaglio­mounted gold bracelet

by Tagliamonte, the paste intaglios and gold oval links depicting various classical scenes, alternately­set with fluted gold links set with cabochon rubies, 19cm long, 26g £600­800 33 A gold cameo bracelet c.1970, each textured gold rectangular link set with a carved cameo of a female in profile in coral, mother­of­ pearl, shell and green stone, 18.7cm long, 58g £1,000­1,500 34 A gold medallion pendant, the square pendant depicting the abstract portrait of a woman in textured gold, signed ‘M’, 5cm high, 61g £1,200­1,500 35 A gold medallion zodiac pendant, the asymmetrical oval medallion depicting the Scales of Justice and reading ‘Libra’ in textured yellow gold, 6cm high, 37g £800­1,200

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36 A gold amuletic necklace by Dima Rashid, the links in the shape of stylised yasmin buds in textured yellow gold, signed DIMA, links 4cm high, necklace 48cm long, 92g £3,000­4,000 37 A fancy­link gold necklace, 58cm long, 120g £1,200­1,500 38 A gold nugget pendant, 3cm high (including bale), 12g £400­600

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39 A gold shell pendant, realistically formed with textured decoration, 18ct London hallmarks for 1972, maker’s mark SL, 4.5cm widest, 20g £400­600 40 Three gold coin pendants, an 1866 Sydney Mint Sovereign, a 1912 sovereign and a Spade Guinea, all mounted as gold pendants, 27g total £400­600 41 A two­row gold longuard chain, the plain gold links with a Regency split ring with foliate engraved decoration, chain 76cm long, 65g £1,000­1,500 42 A gold bracelet watch, the concealed rectangular watch dial signed Paul Ditisheim Solvil, on a fancy­link wide gold bracelet, with black enamel scroll decoration to the buckle clasp and with tassel terminal, stampled 14k, 18cm long, 85g £1,000­1,500 41

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44 43 A collection of hardstone desk seals, the four banded agate seals with carved decoration, each with vacant matrix, ranging from 9.5 ­ 10cm high, together with a pink quartz prism with rounded base £200­300

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λ 44 A Regency ivory desk seal, the carved ivory seal depicting the bust of Pan with fruiting vine, the base with turquoise­set foliate gold swags, the gold base with amethyst matrix carved ‘Garron Tower’, 15cm high, seal 1.6cm wide £800­1,200 45 A 19th century gilt metal desk seal, the figure of a 16th century gentleman mounted on an oval carnelian seal with vacant matrix, 9cm high £200­300

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46 An 18ct gold jewellery loupe, London marks for 1987, with a gold suspension loop, the split ring with rubbed French control marks and maker’s mark, loupe 2.7cm long (closed) £600­800

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47 A Regency gold fob seal, the bloodstone matrix carved with a thistle and ‘Dinna Forget’ with foliate engraved decoration to the seal in gold, matrix 2.2cm widest, 3.5cm high, 19g £300­400 48 A set of six miniature fob seals, including a gold fob seal, the amethyst matrix carved with a crest. A gold fob seal, the chalcedony matrix carved ‘William’, both mounted on a foliate engraved gold split ring, together with four hardstone­mounted gold­cased fob seals, 29g total £600­800

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49 A pair of early 20th century masonic cufflinks, depicting a compass with the letter ‘G’, with black and red enamel decoration in gold, 18ct Chester hallmarks for 1909, 2cm long, 10g total £400­600

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50 A pair of chrysoprase and gold cufflinks, the stylised wood design with chrysoprase cabochon termimals, with an oval link chain joined to an oval chrysoprase cabochon within yellow gold collet, maker SJR, London hallmarks for 18ct, 1968, with a set of gold and enamel circular cufflinks, case £300­400 51 A pair of gold cufflinks by Vivianna Torun Bülow­Hübe for Georg Jensen, post 1945, of abstract design, signed Torun, Georg Jensen maker’s mark, design no. 913, stamped 750, French import marks, unknown mark AD, 2.8cm high, 22g £1,200­1,500 52 A pair of opal bead­mounted gold cufflinks, each opal contained in an 18ct yellow gold cage work mount, French control mark and stamped with with maker's mark MG £400­600 Provenance: previously sold Christie's Paris, Alberto Pinto Collection, September 2017, ex lot 988 53 A pair of 18th century silver cufflinks, the oval links set with moss agate in closed­back silver settings, 1.5cm high £200­300

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54 A pair of Regimental 18ct gold and enamel cufflinks, for the Coldstream Guards, maker JWB and Birmingham hallmarks for 1977, 20g £700­900 55 A circular 9ct gold pill box, with engine turned decoration and hinged lid, 9ct London hallmarks for 1964, maker’s mark C&C, 3.8cm wide, 20g, case £200­300

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59 56 A Regency gold pill box, the circular box with hinged lid, with foliate motif set with turquoise and seed pearls in textured gold., the base set with seed pearls and with engine­ turned decoration, 3.8cm wide, 19g £400­600

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57 A two­colour gold cigarette case, the hinged rectangular case with fluted chequerboard pattern in two­colour gold and with cabochon pink sapphire thumbpiece, 8.5 x 7cm, 138g £4,000­6,000 58 An early 19th century gold vinaigrette, the base and lid set with banded agate and engraved decoration in gold, 3.5cm wide, 22g £200­300 59 A rectangular gold box, with engine­ turned decoration overall and a sapphire thumbpiece, rubbed maker’s mark possibly JE, 8cm long, 79g £1,000­1,500 Provenance Anne Hull Grundy, thence by descent.

60 An early 20th century cat­form silver gilt minaudière, the rectangular box realistically chased with a seated long­haired cat to the hinged cover, with ruby eyes, ruby necklace with ruby bow which extends to the reverse where the ruby necklace can just be seen, the tail and left ear extend past the perimeter of the box with two centred hinged inner compartments to the cover, with a hinged mirror and notepad to the base with a sprung trefoil clasp, cabochon ruby­set thumbpiece and with oval link chain handle, 8.3cm high £2,000­3,000 61 An early 20th century French perfume bottle, the rock crystal cylindrical body with gold mounts, carved garnet push button thumb piece, foliate design with three circular garnet cabochons and rose­cut diamonds to the sprung cover, two French control marks, scratched inventory number 10275, stamped Mac Henay inside the cover, 7cm high £800­1,200

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62 An early 19th century portrait miniature locket pendant, the miniature depicting a portrait of a woman within a seed pearl surround in gold, with blue enamel decoration to the reverse and glazed locket compartment containing hair, 7cm high £1,000­1,500

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λ 63 A Victorian ruby and diamond­set gold comb, the hinged crescent upper section set with circular­cut diamonds, rubies and seed pearls in silver on gold, on a tortoiseshell comb, 9cm high, fitted case by Carrington £200­300 64 An opal bead necklace, the graduated opal beads alternately­ set with cultured pearls and rock crystal rondels, with a diamond­set gold clasp, 90cm long £800­1,200 65 A two­row cultured pearl necklace, the cultured pearls measure approximately 7.5mm, the foliate cluster clasp set with cabochon sapphires and circular­cut diamonds, 53cm shortest £600­800 66 A single­row amber bead necklace, the round beads graduate from 7 ­ 9mm, 60cm long, 34g £200­300

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Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

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67 A pair of diamond­set seahorse earrings, pavè­set with single­cut diamonds and a pink­ stone eye in silver and gold, 4.8cm high £600­800 68 A pair of diamond­set gold blackamoor earrings, set in white gold, 4cm high (including fitting), with a paste­set silver panther’s head brooch, 2.2cm high £200­300 69 A pair of abstract topaz and diamond earrings by Manfredi, set with two square­ shaped blue topaz and two diamonds on two­colour gold, clip fittings, 3.8cm longest £500­700 70 A pair of onyx and diamond drop earrings, set in yellow gold, clip fittings, 4.7cm high £400­600

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71 A gem­set gold scarecrow brooch, set with rose­cut diamonds, calibré­cut synthetic rubies and sapphires, the head formed with a cultured pearl in textured yellow gold, signed EVB, 9ct London hallmarks (possibly for 1957, obscured), 4.7cm high, 7g £400­600 72 An abstract onyx­mounted gold pendant believed to be by Giorgio Facchini, the onyx heart and baton mounted in gold with a chalcedony cabochon, unsigned, 5cm high including bale, 25g £400­600 73 A gem and cultured pearl­set gold bangle, set with heart­shaped citrines, amethysts and blue topaz and two rows of cultured pearls in gold, Italian marks, signed Lo Gi, 6cm internal diameter £300­400

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74 A diamond and hardstone­set ‘Evil Eye’ pendant, the circular pendant with concentric hardstone inlay within a surround of round brilliant­cut diamonds in gold, on a fine­link gold neck chain, pendant 1.8cm high, chain 22cm long £400­600

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75 A diamond­set spray brooch, set with graduated circular­cut diamonds in platinum and white gold, diamonds approximately 3.50cts total, 5.5m widest £600­800 λ 76 A coral and diamond­set bangle by David Morris, of chevron design, set with navette­ shaped coral cabochons and two round brilliant­cut diamonds in gold, 18ct London import for 1972, adjustable, 3.5cm wide £800­1,200 77 A tiger’s eye pendant, the carved tiger’s eye bead suspends from a gold ropetwist necklace, bead 3.5cm high, chain 76cm long, 74g £600­800

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78 A gem­set gold bangle, of mosaic design, inlaid with hardstone panels, mother­of­pearl and paste in gold, signed Jierre VE 78, 7cm wide, 82g £2,000­3,000 79 A diamond­set gold bangle, set with princess­cut and round brilliant­cut diamonds in platinum and yellow gold, 5.8cm inner diameter, 73g £3,000­3,500 80 A white gold bangle by Tiffany & Co., signed, stamped ‘750 Italy’, 6cm internal diameter, 16.5g £800­1,200

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81 A pair of ruby and diamond clip earrings, of flowerhead design, centred with a cluster of circular­cut rubies and diamonds in textured yellow gold, stamped Italy, French import marks, clip fittings and pendant loops, 2.5cm high £1,000­1,500

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82 A ruby and diamond­set convertible gold brooch, the flowerheads set with cushion­ shaped rubies and round brilliant­cut diamonds in two colour gold, the flowers detach to be worn as earrings, brooch 6.5cm high, earrings 1.5cm wide, post fittings, fitted case £800­1,200 83 A pair of ruby and diamond earrings, each set with a pear­shaped ruby and diamond in twisted gold mount, 16mm high £300­400 84 A pair of diamond­set gold earrings, of spiral form, each set with a line of round brilliant­ cut diamonds in matte gold, 5cm high, 12g total £500­700

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85 A pair of mabé pearl and diamond earrings, the mabé pearls set within a cluster of round brilliant­cut diamonds in white gold, post and clip fittings, 2.7cm wide. £300­400 84 86 A pair of sapphire and diamond clip earrings by Cartier, set with cabochon sapphires with gold pellet borders, signed Cartier, inventory number 164367, French import marks, maker’s mark SCA, 1.5cm high £400­600

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87 A pair of sapphire and diamond flowerhead earrings, centred with circular­cut sapphires, the petals set with graduated old circular­cut diamonds in white gold, signed E Ltd, 18ct London hallmarks for 1998, clip fittings, 2.5cm wide, 16.5g total £800­1,200 88 A pair of diamond­set gold earrings, of lattice design and set with round brilliant­cut diamonds in gold, post fittings, 3cm high, 15g £600­800

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89 An emerald and diamond cluster ring, the pear­shaped emerald set within a surround of diamonds, in closed back silver and gold setting, size L £200­300

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90 A diamond cluster ring, set with graduated old circular­cut diamonds in platinum and gold, size M £150­200

90

91 A Victorian ruby and diamond triple cluster ring, set in yellow gold, rubbed date marks probably 1897, size P £150­250

91 92 An opal and diamond ring, the opal millegrain set with old circular­cut diamonds to the shoulders in silver on gold, size L, case £400­600 92

93 A pair of malachite­set gold rings, inlaid with malachite plaques in polished gold, one stamped 750 with maker’s mark CM, the other with obscured maker’s mark, size M & O, 15g total £300­400

94 An enamelled gold ring, the sphere with blue and yellow enamel and gold ropetwist decoration, set in yellow gold, size P £500­700

93

95 A ‘Happy Diamonds’ heart ring by Chopard, set with three diamonds in gold collets which move freely within the heart­shaped compartment, signed Chopard Geneve to the glass, size M £200­300

94

95

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96 A rose­cut diamond ring, the rose­cut diamond set within a surround of smaller rose­ cut diamonds in silver on gold, size N £200­300

96 97

97 An enamel and gem­set ring, of spray design, set with a marquise­shaped ruby and graduated old circular­cut diamonds, with plique­ à­jour enamel decoration in gold, size L½ £300­400

98

99 98 A ruby and diamond cluster ring, the navette­shaped cluster centred with an old circular­cut diamond, with further fancy­cut rubies and old circular­cut diamonds in silver on gold, (damaged), size M £400­600

100

101

99 A diamond triple cluster ring, set with three graduated old circular­cut diamonds within a surround of single­cut diamonds in platinum and gold, size N £400­600

100 A rose­cut diamond ring, the rose­cut diamond is set within a sunburst surround of graduated rose­cut diamonds in closed­back gold settings, size P½ £2,000­3,000

101 A French blue stone and diamond cluster ring, the synthetic blue stone set within a surround of old cushion­shaped diamonds in platinum and gold, maker’s lozenge and French control marks to shank, size P £400­600

102

102 An Edwardian diamond triple cluster ring, millegrain­set with graduated old circular­cut diamonds in silver and gold, maker’s mark and stamped 18ct, size J £150­250

102A A three­row cultured pearl necklace, with an emerald and diamond quatrefoil clasp, set in white gold, 39cm longest £600­800

102A 22

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 103 A mid 19th century silver gilt hair ornament, the graduated spheres set on a tortoiseshell comb, 15cm wide £600­800

λ 104 A mid 19th century silver gilt hair ornament, the graduated seven ovoids alternately­set with spheres set on a tortoiseshell comb, 17cm wide £600­800 103

104

λ 105 A mid 19th century silver gilt hair ornament, the five graduated spheres set on a tortoiseshell comb, 14cm wide £600­800

105

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107 106

109

106 A Victorian diamond pendant, the diamond­set snake pendant in silver on gold, suspending from a gold neck chain with a sliding diamond­set phoenix pendant with a ruby eye, pendants each 2cm high, neck chain 38cm long £1,500­2,000 107 An Edwardian gem­set silver gilt fringe necklace, set with cushion­shaped quartz, sapphires and garnets on a ropetwist gold chain, 38cm long £400­600

108

108 A rose­cut diamond­set bangle, of foliate design, set with rose­cut diamonds in low carat gold, 5.5cm internal diameter £600­800 109 A Victorian garnet­set gold bracelet, set with four cabochon garnets decorated with rose­ cut diamonds in silver on gold engraved articulated bracelet, 16cm long, with another Victorian garnet and gold bracelet, 17.8cm long, 53g total £400­600 110 A Victorian amethyst brooch pendant, of flowerhead form, set with oval­shaped amethysts in silver and gold cut­down collets, 5.5cm wide £400­600 111 An early 19th century amethyst and pearl brooch pendant, the graduated oval­shaped amethysts set within yellow gold cannetille surround decorated with seed pearls, 5.8cm wide £400­600

110 24

111

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112

113

112 An early 19th century pinchbeck chain, the textured circular links with pellet decoration and barrel clasp, 100cm long £200­300 113 An early 19th century gold longuard chain, the repoussé gold links with champlevé ename foliate motifs, 92cm long, 57g £1,800­2,000

115

114 An Edwardian turquoise­mounted gold chain, set with ten turquoise cabochons in gold spectacle mounts with a later bolt ring clasp, 150cm long, 21g £600­800 115 Two amethyst and diamond pendants, including a George III brooch pendant, set with an oval­shaped amethyst within a surround of old cushion­shaped diamonds in silver and gold closed­back setting, 2.5cm wide, together with an early 20th century pendant, set with an oval­ shaped amethyst below rose­cut diamonds and a seed pearl in platinum and gold, later gold bale, 4cm high (including bale) £400­600

114

116 Two Victorian amethyst and seed pearl­ set gold brooches, each set with a circular­cut amethyst within a surround of seed pearls in gold, 2.8 and 3.5cm wide, the largest with pendant loop, each with case by Harvey & Gore £300­400 117 A Victorian amethyst and seed pearl bracelet, the nine amethyst and pearl clusters set in open and closed­back yellow gold mounts, 17.2cm long £400­600

116

117

118 A gem­set acrostic gold bracelet, set with a circular­cut ruby, emerald, garnet, amethyst, ruby and a diamond spelling ‘REGARD’, rubover­ set on a fancy­link gold bracelet in gold, 17cm long, 7.2g £800­1,200 118

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119

120

119 A sapphire and diamond­set long chain, the sapphire cabochons and triangular­shaped diamonds are set in white gold spectacle mounts, 70cm long £1,000­1,500 121 122

120 A large Victorian aquamarine and diamond brooch, set with an oval­shaped aquamarine within marcasite border in open and closed back silver setting, with detachable brooch fitting and pendant conversion with a long gold chain £400­600 121 A French late 19th century diamond and turquoise­set bracelet, the scroll­form links set with turquoise cabochons and old circular­cut diamonds, alternately­set with flowerhead links in silver on gold, French control marks, 18cm long £700­900 122 A diamond­set two colour gold bracelet, alternately set with gold disc links and diamond­ set circular white gold links, London import marks for 1985, 19cm long, 23g £800­1,200

123

124

123 A Victorian citrine and amethyst gold brooch, the central oval­shaped citrine is quartered with smaller citrines with yellow gold surround with pellet decoration, flanked by oval­ shaped amethysts decorated with foliate trefoils in yellow gold, 7.7cm wide £800­1,200 124 A late 19th century gold frame set with diamonds in silver fleur­de­lys settings, set with an enamel portrait of a greyhound to its centre in silver and gold, 3.5cm wide, case £400­600 125 A late 19th century micromosaic­ mounted gold pendant, the oval micromosaic depicting Saint Peter’s Square, set in a later gold pendant mount with scroll engraved decoration and quartered with square amber cabochons, 6.5cm wide £200­300

26

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127

126 128

126 A gem­set gold scroll pendant, set with a ruby and diamond flowerhead and suspending an opal in yellow gold, pendant 6cm long, chain 44cm long £200­300 129

127 An early 20th century peridot and seed pearl gold bracelet, the fluted circular links centred with old circular­cut peridots, with seed pearl spacers in gold, 18cm long £400­600 128 A pair of Victorian gold earrings, the crescent upper sections with ropetwist and pellet decoration, suspending elongated drop sections in gold, shepherd’s hook fittings, 2.5cm high (not including hooks), case £300­400 129 A pair of late 19th century gold pendants, converted to earrings, designed as a pair of Roman oil lamps, with blue and white enamel decoration within ropetwist borders in gold, one depicting chi­rho, glazed locket compartments to reverse, later shepherd’s hook fittings, 5cm high (including hooks) £200­300 λ 130 A pair of coral and onyx drop earrings, set with diamonds (two missing) in white gold, 4.8cm high £200­300

130

131

λ 131 A pair of coral drop earrings, the elongated carved coral drops suspend from gold caps, shepherd’s hook fittings, 4.7cm long including fittings £400­600 132 A citrine, onyx and diamond­set bar brooch, set with two circular­cut citrines with square­shaped onyx and rose­cut diamonds in silver on gold, Austrian marks and initials FK, 5cm wide £200­300

132

133 A Victorian carved hardstone cameo brooch, depicting Dionysus in profile, within seed pearl border set in yellow gold, pendant fitting to reverse, 5cm high £200­300 133

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135 134

134 A Victorian gem­set snake choker necklace, the head set with seed pearls, emerald eyes and a pear­shaped synthetic ruby, the head and tail with blue enamel decoration in gold, on a gold snake link necklace, 34cm long £1,300­1,500

136

137

135 A cultured pearl and diamond­set gold brooch, designed as a posy of flowers, set with three cultured pearls and round brilliant­cut diamonds in textured gold, 6cm high, 18g £300­400 136 Two Regency gem­set brooches, both of foliate design, set with rubies, topaz and turquoise in two­colour textured gold, 3.5 and 4cm high £400­600 137 A Victorian gem­set scroll brooch, set with three rubies within diamond border set with seed pearls in silver on gold, 4.6cm wide £100­150

139 138

138 A 19th century gem­set butterfly brooch pendant, set with old cushion­shaped rubies and sapphires, rose­cut diamonds and seed pearls in silver on gold, detachable brooch fitting, 4.5cm wide £300­400 139 An Edwardian opal and diamond brooch, the oval opal cabochon is set within a surround of rose­cut diamonds and further rectangular surround of diamonds in platinum and gold, 2.5cm wide, case £400­600 140 A pair of opal and diamond heart earrings, the opal and diamond clusters set on gold hearts suspend from a further diamond cluster in silver and gold, 4.2cm high including fittings £800­1,200

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141

141 An Arts & Crafts silver and enamel belt buckle believed to be by Henry Wilson, the centre plaque depicting a swan within green enamel surround, the connecting links with foliate pellet decoration, the outer rectangular plaques with blue enamel waves within ropetwist surround, unsigned, 3.5 x 10cm £1,000­1,500 142 An Arts & Crafts chrysoprase silver ring, the oval­shaped chrysoprase set within an openwork foliate surround with engraved decoration, size O½ £150­250

142

143

143 Two gem­set gold brooches, including a Victorian amethyst and seed­pearl set gold foliate brooch, 4.5cm high, and an early 20th century gold foliate brooch, the leaves with shaded enamel, set with rose­cut diamonds and seed pearls, 4cm wide £400­600 144 A late Victorian diamond­set foliate brooch, designed as a posy of wild violets, with lilac enamel to the petals and a diamond­set knot to the stems in silver on gold, 4.5cm high £200­300 145 A turquoise­set gold heart pendant, pavé­ set with turquoise in gold, 3.2cm high, 9g £300­400

144

145

146 A late Victorian diamond and seed pearl heart brooch pendant, the gold heart pavé­set with seed pearls and centred with an old circular­ cut diamond weighing approximately 0.45cts, folding pendant loop, further loop to accommodate a drop section, 3cm high £1,200­1,500 147 An Edwardian enamel and diamond heart brooch, the pearl and diamond heart­shaped cluster set on blue guilloche enamel with a white enamel border surmounted with diamond­set bow in silver and gold, 2cm wide, fitted case £200­300

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148

149

151

148 An 18ct gold curb­link Albert chain, 40.5cm long, 54g £1,000­1,500

150

149 A Portuguese ‘Order of Christ’ cross pendant, with red and white enamel decoration on gold, 5.5cm high including bale, 7g £200­300 150 An erotic gold watch key, designed as a drunk sailor, the figure hinges at the waist to tilt his head and reveal his arousal, 5cm high, 5g £200­300 151 An 18ct white gold dress pocket watch by Vacheron Constantin, with signed plain dial, the signed cover numbered 467059 and 2031, repeated to the back cover, import marks for 1975, the pocket watch 82g total, with a white gold fancy­ link watch chain, 43cm, 28g £400­600

152

152 A Masonic triangular gold fob watch by Minimax, the signed triangular dial with illustrative numerals, Arabic numerals for 20, 40 and 60 minutes, the case with repoussé motif to the borders and reverse, with initials G J B, 5cm high £200­300 153 A lady’s gold fob watch and châtelaine, the gold pocket watch with foliate decoration to the dial, skeleton back, case 36mm, on a gold châtelaine with foliate pierced and engraved gold plaques, 16cm long, 62g £500­700

30

154

153

154 A Regency gold open­faced pocket watch, the textured dial with Roman numerals and foliate decoration in three­colour gold, foliate chased and engraved decoration to the sides, key winding, Chester hallmarks for 1821, 85g total £400­600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

155 A 9ct gold half hunting­cased pocket watch, white enamel dial, black Roman numerals, subsidiary seconds dial, Birmingham marks for 1945, 4.8cm wide, 95g total, and a Victorian 18ct gold open faced pocket watch, black Roman numerals and foliate chased decoration to the centre section, marked for Chester 1865, 4cm wide, 55g total, with a 9ct fancy­link watch chain, 20.5, 14g £400­600 156 A Victorian 18ct gold hunting­ cased chronograph pocket watch and gold watch chain, the white enamel dial signed H M Emanuel & Sons, Portsea, the plate signed by the maker 12 & 13 Ordinance Row Portsea, numbered 41891, London marks for 1874, the cover engraved with a crest and motto, pocket watch 117g total, chain 24.5cm, 6g, with a carved wood travel and display box £600­800

155

157 A Victorian 18ct gold open faced pocket watch by Arnold, the white enamel dial with black Roman numerals, signed Arnold & Chas Frodsham, numbered 6512, seconds dial (missing seconds hand), repeated signatures to the back plate, 84 Strand London and 6512, London marks for 1865, 4.8cm wide, with a 9ct gold fine­link watch chain, 31.5cm, 15g, with a watch key and fob seal mounted with a carnelian carved with a rose and the word LAMOUA £1,000­1,500

156

158 An 18ct gold half hunting cased chronograph pocket watch with yellow gold fancy­link watch chain, the white enamel dial with sweep seconds recording hand, slide action activated, the three­quarter plain signed Cahoon Ross, 16 & 18 Castle Place, Belfast, numbered 30136, the cases marked for London 1891, inner case with presentation inscription dated 1892, 157g (total weight of pocket watch), the gold watch chain 32cm, 40g £1,500­2,000

157

158 159 A George IV 18ct gold open­faced pocket watch, the gold dial with gold Roman numerals to the textured chapter ring, with engine­turned decoration to the centre, the movement signed FB Adams, St John Square, London, 37511, with diamond end­stone to the balance cock engraved with grotesque marks, heavily chased with foliate shell decoration to the border, London marks for 1822, 110g total weight £600­800 160 A yellow gold wristwatch by Omega, the signed dial with gold baton numerals, Roman numerals at 12, 3, 6, 9, sweep seconds hand, automatic windng, case 33mm, no strap £800­1,200

159

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161 A gentleman’s gold wristwatch by Vacheron Constantin, the signed dial with baton numerals, manual movement, case 35mm including winder, on a leather band with a metal clasp, in leather Vacheron Constantin case £600­800

162

161

162 A gentleman's yellow gold wristwatch by Omega, the signed dial applied with gold Arabic numerals and sweep seconds hand, manual winding, integrated band and Omega deployant clasp, 3.2cm wide £450­500

163 A gold Oyster wristwatch by Rolex, the dial signed ‘Rolex Oyster’ with gold Arabic numerals and subsidiary seconds dial, cushion case, the reverse numbered 39441 ­ 2941, manual winding, 29mm wide, associated leather strap £600­800

164 A gentleman’s gold wristwatch by Omega, the signed circular dial with gold Arabic numerals, outer red 24 hour Arabic numerals, subsidiary seconds dial, in a gold cushion­case, manual winding, case 30mm, monogram and inscription engraved to the case back dated 1929, on a brown leather strap with unsigned buckle, 20cm long £300­400

164 163

165 A gentleman’s steel Oyster Precision wristwatch by Rolex, the dial signed Rolex Oyster Precision with black Arabic numerals, with cushion case, centre seconds hand, manual wind, reverse stamped C at top right lug, case 29mm wide, model 3359, movement 649950, associated leather band, with papers £800­1,200

166 A gentleman’s silver wristwatch by Rolex, the signed white dial with Arabic numerals, enamelled blued steel hands and subsidiary seconds dial, manual winding, case 35mm, on an unsigned black leather strap with white metal buckle clasp, 22cm long £150­250

165

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167 A lady’s Jaeger LeCoultre gold wristwatch, the signed silver dial with diamond­ set bezel on textured white gold band, manual winding, 2.8cm wide, 17.5cm long, with a lady’s gold Omega wristwatch, manual winding, 1.9cm wide, 17cm long £800­1,200 168 A lady's gold wristwatch by Baume & Mercier, the signed white dial with Roman numerals, quartz movement, on a textured gold flexible bracelet, case back numbered 1000270 and 46669, 2.6cm wide, 16cm long £800­1,200 Provenance Anne Hull Grundy, thence by descent.

168

167 (2)

169 A lady’s stainless steel ‘Clipper’ wristwatch by Hermes, 7­jewel quartz ETA movement, the circular white dial with Arabic numerals, to a circular­shaped stainless steel case with openwork shoulders, H crown, stainless steel buckle signed Hermes, light blue leather strap signed Hermes, dial, case and movement signed, with maker’s case, case no.

1714053, Ref no. CL4210, length 20.7cm, case width (including crown): 2.6cm £400­600 170 A lady’s white gold wristwatch by Ebel, the signed circular dial with baton numerals, within textured white gold, on a textured white gold strap bracelet, quartz movement, case 24mm, strap 17cm long £800­1,200 171 A lady’s Art Deco diamond wristwatch by Asprey, the dial signed with black ‘explosion’ Arabic numerals, manual movement by Eberhard & Co, the case with old circular­cut diamond surround in silver on gold, case 14mm, on a diamond­set bracelet strap in silver and gold, 16cm long, case £600­800 172 An early 20th century diamond­set dress watch, the plain dial with Arabic numerals, set with circular and baguette­shaped diamonds in platinum, manual winding, white gold clasp, 15cm long, case £100­150

169

172 170

171

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173 A late Victorian diamond­set convertible necklace, set with graduated old circular­cut diamonds to the foliate scroll mount in silver on gold, on a fine­link white gold neck chain (damaged), the centre section detaches to be worn as a pendant or brooch, detachable brooch fitting and diamond­set bale, diamond necklace front section 8.5cm wide, pendant 5cm high (including bale), case £800­1,200 174 A diamond three­stone ring, set with graduated old circular­cut diamonds in carved and pierced platinum mount, size L½ £3,500­4,500 175 A late 19th century diamond pendant, the foliate scroll pendant set with graduated old circular­cut diamonds, with further circular­cut diamonds to the necklace in silver on gold, on a fine­link gold back chain, pendant 3cm high, 36cm long £2,200­2,500 176 A sapphire and diamond cluster ring, the circular­cut sapphire set within a surround of old circular­cut diamonds in white gold, size M £150­200 177 A ruby and diamond crossover ring, set with a circular­cut ruby and an old cushion­shaped diamond, with further old circular­cut diamonds to the shoulders in white gold, size P £600­800 178 An Edwardian chrysoberyl and diamond cluster ring, centred with a cushion­shaped chrysoberyl within a surround of old circular­cut diamonds, with further diamonds to the bifurcated shoulders in platinum, size N £400­600 179 An Edwardian diamond­set bow brooch pendant, of openwork design and millegrain­set with old circular­ cut diamonds, suspending a further circular­cut diamond weighing approximately 0.85cts, in platinum, on a fine­link platinum neck chain, detachable brooch fitting, pendant 6.8cm high, chain 40cm long £2,200­2,500 180 A tourmaline and diamond crossover ring, set with a circular­cut green tourmaline and a round brilliant­cut diamond in white gold, size U £400­600 181 An Edwardian diamond solitaire ring, the old circular­cut diamond weighs approximately 0.60cts, with further old circular­cut diamonds to the shoulders in platinum, size O½ £400­600 182 A pair of aquamarine and diamond earrings, set with emerald­cut aquamarines below diamond­set foliate upper sections in platinum, aquamarines approximately 20.00cts total, 2.2cm high, case by Garrard £800­1,200 183 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of old circular­cut diamonds in platinum, size J £800­1,200 184 A peridot and diamond cluster ring, the emerald­cut peridot is set within a surround of old cushion­shaped diamonds in silver and gold, size O £1,000­1,500 185 An Edwardian diamond pendant, set with graduated old circular­cut diamonds in foliate cluster and pierced surrounds with diamond scallop edges in platinum, on fine­link platinum neck chain, pendant 6cm long, 40cm long £4,500­5,000 186 An Edwardian diamond crossover ring, set with graduated old cushion­shaped diamonds in platinum and gold, size Q½ £600­800 187 A sapphire and diamond three­stone ring, the oval­shaped sapphire is flanked with demi­lune shaped diamonds in a pierced foliate engraved platinum shank, size L £1,800­2,500 188 A pair of diamond drop earrings, set with graduated old cushion­shaped diamonds in yellow gold, screw fittings, 2.7cm high £1,000­1,500 189 An Art Nouveau diamond brooch, set with graduated diamonds and suspending a seed pearl in platinum, detachable brooch fitting to reverse, 4cm high £400­600 190 An Edwardian gem­set and enamel suffragette pendant, the circular pink tourmaline is set within concentric surrounds of seed pearls and green enamel in closed back yellow gold setting, 2.4cm wide £600­800 191 An Edwardian amethyst, sapphire and diamond pendant, the pear­shaped amethyst is set within overlapping crescents set with diamonds and triangular sapphires in platinum, suspending an old circular­cut diamond weighing approximately 0.20cts, pendant 3.4cm high, fine­link silver chain, 42cm long £1,000­1,500 192 A diamond­set triple cluster ring, each old circular­cut diamond set within a surround of single­cut diamonds in gold, size L½ £150­200 193 An Austrian diamond and pink topaz­set brooch, centred with an oval­shaped pink topaz, within a Greek key surround set with rose­cut diamonds in silver and gold, maker’s initials ZR and Austrian mark to the pin, 3.9cm wide £1,800­2,000 194 An early 20th century natural pearl and diamond brooch, the lozenge­shaped brooch is set with graduated old circular­cut diamonds and two pearls on knife­edge lattice and a surround of rose­cut diamonds in platinum, French control marks, 7.5cm wide, case £600­800 34

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195 An aquamarine and diamond pendant, the emerald­cut aquamarine weighs approximately 95.00cts, bezel set within a surround pavé­set with round brilliant­cut diamonds, with further diamonds to the bale in white gold, 5.3cm high including bale £8,000­12,000 196 An aquamarine and ruby cocktail ring, the emerald­cut aquamarine set with borders of rubies and yellow gold scrolls, M½ £1,500­2,000 197 A sapphire and diamond cluster ring by Geoffrey Rowlandson, centred with an oval­shaped sapphire weighing approximately 4.50cts, set within a surround of round brilliant­cut diamonds, with further diamonds to the shoulders in white gold, signed, maker’s mark, 18ct London hallmarks for 1995, size M £2,000­3,000 198 A ruby and diamond three­row ring, each row centred with a marquise­shaped ruby and pavé­set to the shoulders with graduated round brilliant­cut diamonds in gold, French import mark, size M £800­1,200 199 A yellow sapphire, ruby and diamond ring, the oval­shaped sapphire weighs 11.64cts, claw­set with round brilliant­cut diamonds, cabochon and calibré­cut rubies to the scroll shoulders in platinum and gold, size O £4,000­6,000 200 A tourmaline and diamond cluster ring, the circular pink tourmaline set within a surround of round brilliant­ cut diamonds in gold, size N½ £600­800 201 A sapphire and diamond cluster ring, set with three graduated circular­cut sapphires within a surround of graduated circular­cut diamonds in white gold, size O½ £600­800 202 A sapphire and diamond three­stone ring, the cushion­shaped sapphire weighs 6.81cts, with an old circular­ cut diamond to each shoulder, with further single­cut diamonds to the crossover mount in white gold, size I £1,200­1,500 Accompanied by report number 18427 dated 28th February 2020 from The Gem & Pearl Lab stating that the cushion­shaped sapphire weighs 6.81cts, and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 203 An emerald and diamond cluster ring, the emerald­cut emerald is set within a surround of round brilliant­ cut diamonds in platinum and gold, size P, case £600­800 204 An emerald and diamond cluster ring, the emerald­cut emerald is set within pierced graduated surround of old circular­cut diamonds in platinum and 18ct gold, maker’s mark to inside shank, Birmingham hallmarks, size N½ £300­400 205 A diamond plaque ring, the rectangular plaque centred with two old circular­cut diamonds within a surround of single­cut diamonds in platinum, diamonds approximately 0.80cts total, size O £900­1,200 206 A diamond­set matching necklace and bracelet, each set with round brilliant­cut diamonds in flexible white gold links, diamonds approximately 4.00cts total, necklace 38cm long, bracelet 17.5cm long £2,000­3,000 207 A French diamond line bracelet, set with rose­cut diamonds in silver on gold, French control mark, 19cm long £600­800 208 A sapphire and diamond flexible bracelet, the links alternately­set with French­cut sapphires and circular­cut diamonds in white gold, diamonds approximately 1.90cts, 19.5cm long £1,200­1,500 209 A lapis lazuli and diamond ring by Geoffrey Rowlandson, the abstract carved lapis lazuli mounted with two gold straps set with round brilliant­cut diamonds in 18ct gold, maker’s mark, London hallmarks for 2001, size O £400­600 210 A lapis lazuli and diamond pendant by Geoffrey Rowlandson, the abstract carved lapis lazuli mounted with gold straps set with round brilliant­cut diamonds in 18ct gold, unsigned, diamond set bale, 5.5cm high £400­600 211 An opal and diamond ring by Geoffrey Rowlandson, the abstract carved blue common opal mounted with gold straps set with round brilliant­cut diamonds in 18ct gold, maker’s mark, London hallmarks for 2001, size R £400­600 212 A pair of sapphire and diamond flowerhead earrings, pavé­set with round brilliant­cut diamonds and graduated circular­cut sapphires in white gold, post and clip fittings, 2.8cm high £600­800 213 A pair of opal and diamond drop earrings, each pear­shaped cabochon opal is set within a surround of fifteen round brilliant­cut diamonds, and suspended from a further diamond in silver and gold, 2.4cm long £600­800

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214 A diamond solitaire ring, the old circular­cut diamond weighs 0.63cts, claw set in gold, size M

£300­400

215 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of old circular­cut diamonds, with a diamond to each shoulder in gold, 18ct London hallmarks for 2019, size Q £1,800­2,000 216 A diamond bombé ring, centred with a round brilliant­cut diamond weighing approximately 0.60cts, within a pierced surround millegrain­set with round brilliant­cut diamonds in white gold, size M½ £1,000­1,500 217 A diamond eternity ring, channel­set with French­cut diamonds in platinum, size O

£1,000­1,500

218 An onyx and diamond cluster ring, centred with an old circular­cut diamond weighing approximately 0.75cts, within a circular surround of calibré­cut onyx and round brilliant­cut diamonds in white gold, size N½ £1,300­1,500 219 An aquamarine and diamond cluster ring, the square cushion­shaped aquamarine is set within a surround of old circular­cut diamonds in platinum and gold, size N½ £1,000­1,500 220 A diamond five­stone ring, the graduated round brilliant­cut diamonds are rubover set in platinum, size M £200­300 221 An amethyst and diamond ring, the emerald­cut amethyst set within a surround of round brilliant­cut diamonds in platinum and gold, size T £600­800 222 A sapphire and diamond cluster ring, the cabochon sapphire weighs 2.28cts and is set within a surround of old single­cut diamonds in white gold, size Q £1,000­1,500 223 A sapphire and diamond dress ring, set with an oval­shaped sapphire within geometric border pavé­set with old circular and single­cut diamonds in white gold, size M½ £400­600 224 A diamond cluster ring, centred within an old circular­cut diamond weighing approximately 0.50cts, within a square­shaped surround set with old circular­cut diamonds in platinum, size P £1,200­1,500 225 A diamond solitaire ring by Cartier, the princess­cut diamond weighs 0.46cts, set in white gold, signed Cartier and numbered 36419, size I½ £1,000­1,500 226 An opal and diamond cluster ring, the opal cabochon set within an octagonal surround of round brilliant­cut diamonds in white gold, size Q £600­800 227 A rose­cut diamond solitaire ring, claw­set in yellow gold, size M½

£600­800

228 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.10cts, with tapered baguette­shaped shoulder diamonds in white gold, size N £2,000­3,000 229 An aquamarine and diamond triple cluster ring, the oval­shaped aquamarines set within a surround of graduated round brilliant­cut diamonds in two­colour gold, 18ct London hallmarks for 1982, size P £800­1,200 230 A sapphire and diamond three­stone ring, the oval­shaped sapphire set with an old circular­cut diamond to each shoulder in white gold, size O½ £600­800 231 A sapphire and diamond three­stone ring, the oval­shaped sapphire is flanked with round brilliant­cut diamonds in yellow gold, London hallmarks for 18ct, 1973, size M £1,300­1,500 232 A diamond eternity ring, channel­set with French­cut diamonds in platinum, approximately 2.50cts total, size N £1,000­1,500

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233 A gold and enamel ‘Arlequin’ ring by Mauboussin, c.1970, with red, green and blue enamel decoration within ropetwist borders in gold, signed Mauboussin Paris, numbered 224, size O £600­800 234 A ‘Forma Livre’ rose quartz­set gold brooch pendant by Burle Marx, the carved quartz is rubover set in gold, signed, stamped 18K and Made in Brazil, 6cm high £800­1,200 235 A white gold inverted Cs ring by Cartier, signed and numbered, size M½

£600­800

236 A ‘Panthere’ five­row cultured pearl necklace by Cartier, the cultured pearls measure approximately 4mm, the circlet clasp formed as a silver and gold panther’s head with pear­shaped emerald eyes, signed Cartier, inventory number 276394, French control mark (obscured), 39cm long £2,000­3,000 237 An aquamarine single­stone ring by Cartier, set with a circular­cut aquamarine in heavy four claw white gold setting, signed Cartier 1999 and numbered 177306, French control marks and maker’s lozenge, size K½, case £1,000­1,500 Accompanied by a certificate of authenticity from Cartier dated 2001.

238 A suite of gem­set gold pansy jewellery by Tiffany & Co., c.1980, comprising a brooch and a pair of earrings, the petals inlaid with mother­of­pearl and black jade in gold, all signed, earrings with post and clip fittings, 3.5cm wide, brooch 5cm wide £2,500­3,500 239 A pair of aquamarine­set gold ‘Forma Livre’ earrings by Burle Marx, c.1950, set with abstract carved aquamarines in textured gold, signed Burle Marx, clip fittings, 3cm high £400­600 240 A diamond­set white gold pendant by Bulgari, the round brilliant­cut diamond within heavy­set gold surround signed Bulgari, pendant 1.5cm high (including bale), chain 46cm longest, with the option for four different lengths £500­700 241 An abstract gold ring by Angela Cummings for Tiffany & Co, c.1980, designed as sculptural waves in gold, signed, 1.5cm high (off of finger), size L £1,000­1,500 242 A gold ‘bamboo’ bangle by Gucci, the expanding bracelet with polished gold links in the form of bamboo, 6cm internal diameter smallest, signed Gucci, Italian marks, 20g £1,200­1,500

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243 A moss agate and diamond­set gold brooch pendant by Geoffrey Rowlandson, the oval moss agate with crescent border of diamonds in 18ct gold, maker’s mark, London hallmarks for 2003, 4.5cm high including bale £200­300 244 An amethyst and diamond pendant, the briolette­cut amethyst suspends from a diamond­set cap, with further single­cut diamonds to the bale in platinum, 5.2cm high £600­800 245 A pair of kunzite and diamond drop earrings, the cushion­shaped kunzites suspend from diamond­set articulated upper sections in platinum, post fittings, 5cm high £3,000­4,000 246 A pair of sapphire and diamond cluster earrings, the circular­cut sapphires are set within a surround of round brilliant­cut diamonds in platinum and gold, 11mm wide £800­1,200 247 A diamond­set platinum bracelet, the openwork rectangular links are pavé­set with graduated round brilliant­ cut diamonds, with diamond­set connecting links in platinum, diamonds approximately 3.90cts total, stamped D3.90 and PT950, 18.5cm long £3,000­4,000 248 An aquamarine and diamond necklace, the pear­shaped aquamarine set within a surround of round brilliant­ cut diamonds in white gold, on a fine­link white gold neck chain, aquamarine approximately 2.50cts, diamonds approximately 0.75cts total, pendant 2.3cm high, chain 40cm long £1,000­1,500 249 A diamond solitaire pendant, the round brilliant­cut diamond weighs 0.52cts, claw­set in platinum on fine­ link platinum neck chain, 40cm long £800­1,200 Accompanied by report number 2191264989 dated 9 April 2018 from GIA stating that the round brilliant­cut diamond weighs 0,52cts and is a natural diamond with F colour and VS2 clarity. Fluorescence: none 250 A turquoise and diamond cluster ring, the oval turquoise cabochon is set within a surround of round brilliant­ cut diamonds in yellow gold, with re­sizing balls to inside shank, approximately size N £1,500­2,000 251 An emerald and diamond cluster ring, set with a pear­shaped emerald within a surround of graduated round brilliant­cut diamonds, with pavé­set diamond shoulders in white gold, 18ct London hallmarks, size W½ £1,500­2,000 252 An emerald and diamond heart­shaped cluster ring, the heart­shaped emerald is set within a surround of round brilliant­cut diamonds in yellow gold, London hallmarks for 1995, size N½ £1,000­1,500 253 An emerald and diamond cluster ring, the oval­shaped emerald is set within clusters of marquise and circular­ cut diamonds in white gold, size N £1,200­1,500 254 A ruby and diamond bracelet, the bar links set with French­cut rubies and round brilliant­cut diamonds, with diamond­set spacers in white gold, diamonds approximately 1.90cts total, 19cm long £1,200­1,500 255 An emerald and diamond bracelet, set with pear­shaped emerald and diamond clusters, alternately­set with diamond flowerheads and lozenges in white gold diamond­set border, 18cm long £3,000­4,000 256 A pair of emerald and diamond cluster earrings, each centred with an oval­shaped emerald within a surround of round brilliant­cut diamonds in gold, post fittings, 1.2cm high £1,000­1,500 257 An emerald and diamond target ring, the central rose­cut diamond is set within a surround of French­cut emeralds and round brilliant­cut diamonds in platinum, size N £600­800 258 A topaz and diamond cluster ring, the oval­shaped orange topaz set within a surround of round brilliant­cut diamonds in gold, size J £400­600 259 A diamond­set white gold bangle, half pavé­set with round brilliant­cut diamonds, diamonds 0.50cts total approximately, 5.8cm internal diameter, 9g £300­400 260 A diamond bangle, set overall with round brilliant­cut diamonds in white gold, diamonds approximately 1.90cts total, 18ct London hallmarks for 1991, maker’s mark MW, 7cm internal diameter £800­1,200 261 An emerald and diamond cluster ring, the oval­shaped emerald is set within a surround of round brilliant­ cut diamonds in gold, emerald approximately 0.85cts, diamonds approximately 0.70cts, size M £800­1,200 262 A pair of diamond­set earrings, in the form of stylised wings, set with graduated circular­cut diamonds in yellow gold, 2.6cm wide, post fittings, butterflies missing £400­600 263 No lot

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264 A gem­set natural pearl pendant, the pearl suspends from a diamond­set foliate cap, the bale set with a pink sapphire and old circular­ cut diamonds in gold, 3.3cm high £400­600

273 A single­row natural pearl necklace, the pearls graduate from 3.0 ­ 7.4mm, with seed pearl spacers, with a diamond­set cluster clasp, 48cm long £2,000­3,000

Accompanied by report number 80272­30 dated 26 August 2020 from GCS stating that the grey pearl measures 16.5 x 9.5 x 9.5mm approximately and is natural saltwater with no indications of treatment.

Accompanied by report number 79203­73 dated 11 March 2019 from GCS stating that the cream pearls measure 3.0 ­ 7.4mm and are natural saltwater, with the exception of 1 cultured pearl at position 58.

265 A Victorian natural pearl and diamond brooch, of flowerhead design, the natural pearl set within a surround of rose­cut diamonds, with outer border of old cushion­cut diamond­set petals in silver on gold, 3cm wide £3,000­4,000

274 A single­row natural pearl necklace, the natural pearls graduate from 2.1 ­ 6.6mm, with a diamond­set clasp, 44cm long £1,000­1,500

Accompanied by report number 81278­63 from GCS stating that the pearl is natural saltwater.

266 A pair of natural pearl and diamond drop earrings, the pearls set within a surround of old circular­cut diamonds, suspending from diamond­ set hooks in white gold, shepherd’s hook fittings, 2.5cm high £3,000­4,000 Accompanied by report number 18914 dated 29 August 2020 from The Gem & Pearl Lab, stating that the button­shaped pearls (one part­drilled, one part­drilled and one Chinese drilled), measure 9.4 ­ 9.5 x 7.5 and 9.0 ­ 9.2 x 7.4mm and are natural saltwater.

267 A pair of natural pearl and diamond drop earrings, the three graduated old cushion­shaped diamonds suspend an articulated natural pearl in platinum and white gold, screw fittings, 17mm high £800­1,200 Accompanied by report number 80268­63 dated 3 August 2020 from GCS stating that the cream pearls measure 7.1 x 6.9 x 6.4 and 7.1 x 7.0 x 6.8mm and are natural saltwater, with no indications of treatment.

268 A natural pearl and diamond pendant, the circular centre section set with a natural pearl within a surround of circular­cut diamonds, suspending further diamonds and a natural pearl with a diamond­set cap, diamond­set bale in silver, platinum and white gold, 7.5cm high £5,000­7,000 Accompanied by report number 06056 dated 24 July 2020 from The Gem & Pearl Lab stating that the button­shaped pearl weighs 10.13cts, measures 13.8 – 14.1 x 16.99mm and is natural saltwater.

269 A pair of natural pearl and diamond earrings, the natural pearls suspend from old circular­cut diamonds in gold, post fittings, 1.6cm high

Accompanied by report number 80272­26 dated 15 September 2020 from GCS stating that the cream pearls measure 2.1 ­ 6.6mm and are natural saltwater with no indications of treatment. Comment: the necklace includes pearls under 3mm in size. These ‘seed pearls’ may be either natural or cultured.

275 A single­row natural pearl necklace, the pearls graduate from 2.3 ­ 4.8 mm, with a rose­cut diamond­set barrel clasp, 48cm long £400­600 Accompanied by report number 08409 dated 28 August 2013 from The Gem & Pearl Laboratory stating that the pearls graduate from 2.3 ­ 4.8mm and are natural saltwater.

276 A natural pearl­set gold necklace, the natural pearls graduate from 6.7 ­ 10.1mm widest, alternately­set with circular gold links, 42cm long £1,500­2,000 Accompanied by report number 80275­33 dated 15 September 2020 from GCS stating that the cream pearls are natural saltwater with no indications of treatment.

277 A single­row natural pearl necklace, the pearls graduate from 1.8 ­ 4.9mm approximately, with an oval­shaped diamond and sapphire­set clasp, 48cm long £1,200­1,500 Accompanied by report number 80266­23 dated 7 July 2020 from GCS stating that the cream pearls are natural saltwater with no indications of treatment. Comment: the necklace contains pearls under 3mm, these ‘seed pearls’ may be natural or cultured.

278 A natural pearl bracelet, the pearls graduate from 3.8 ­ 6.3mm, with a white gold clasp, 20cm long £1,200­1,500 Accompanied by report number 80275­56 dated 15 September 2020 from GCS stating that the varicoloured pearls measure 3.8 ­ 6.3mm and are natural saltwater, with no indications of treatment.

Accompanied by report number 80272­31 dated 16 August 2020 from GCS stating that the cream pearls measure 10.2 x 9.8 x 7.2 and 10.2 x 9.4 x 7.9mm and are natural saltwater with no indications of treatment. £1,000­1,500

279 A natural pearl and diamond ring, set with a pinkish­grey natural pearl with old circular­cut diamonds to the shoulders in platinum, size I £800­1,200

270 A three­row natural pearl necklace, the pearls graduate from 3.2 ­ 5.2mm and are set with a diamond three­stone clasp, 50cm shortest £1,800­2,000

Accompanied by report number 80272­07 dated 13 August 2020 from GCS stating that the half­drilled pinkish­grey pearl weighs 4.54cts and is natural saltwater with no indications of treatment. Comment: the pearl presents a small metal insert inside the drilling hole.

Accompanied by report number 80264­80 dated 30 June 2020 from GCS stating that the 298 cream pearls graduate from 3.2 ­ 5.2mm and are natural saltwater with no indications of treatment.

280 A natural pearl solitaire ring, flanked with single­cut diamonds in platinum shank, size Q £600­800

271 A pair of natural pearl and diamond drop earrings, the pearls suspend from foliate upper sections set with graduated round brilliant­cut diamonds white gold, post and clip fittings, French import marks, 4.3cm high £5,000­7,000 Accompanied by report number 79233­36 dated 18 December 2019 from GCS stating that the grey pearls measure 21.3 and 21.7mm long approximately and are natural saltwater with no indications of treatment.

272 A single­row natural pearl necklace, the pearls graduate from 3.9 ­ 9.4mm, with a diamond and garnet­set clasp, 44cm long £3,000­4,000 Accompanied by report number 80275­58 dated 15 September 2020 from GCS stating that the varicoloured pearls measure 3.9 ­ 9.4mm. approximately and are natural saltwater with no indications of heat treatment.

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Accompanied by report number 80272­33 dated 26 August 2020 from GCS stating that the light grey pearl measures 12.2 x 11.3 x 10.1mm and is natural saltwater with no indications of treatment.

281 A natural pearl and diamond cluster ring, centred with a grey natural pearl within a surround of old circular­cut diamonds in silver on gold, size H £600­800 The grey pearl is natural saltwater as per verbal report from GCS.

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282 A pair of sapphire­set gold cufflinks by Tiffany & Co., with knotted ropetwist terminals set to one end with a cabochon sapphire in gold, signed, 2.4cm long £800­1,200 283 An early 20th century bowenite figure of a bear cub, probably by Fabergé, standing and with head forward, with rose­cut ruby eyes, 5.5cm long £8,000­12,000 Provenance: Previously sold Sotheby’s, Imperial & Royal Presents, 24.11.2008, ex lot 93 Exhibited: Munich, Kunsthalle der Hypo­Kulturstiftung, Fabergé Hofjuwelier de Zaren, 5.12.1986 ­ 22.2.1987, cat. no. 303 Munich, Kunsthalle der Hypo­Kulturstiftung, Fabergé­Cartier Rivalen am Zarenhof, 28.11.2003 ­ 12.04.2004, cat. no. 372 Literature: von Habsburg, G., Fabergé Hofjuwelier de Zaren, Munich, 1986, pp. 194­5 von Habsburg, G., Fabergé­Cartier Rivalen am Zarenhof, Munich, 2003, p. 255

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284 A Victorian ruby and diamond­set dog stickpin, the English sheepdog pavé­set with rose­cut diamonds and ruby eyes in silver and gold, 12mm wide, 6.3cm high £800­1,200 285 An early 20th century diamond­set tie pin, designed as a cat’s head with rose­cut diamond eyes in silver on gold, in a gold tie pin, spurious marks for Fabergé, 8.5cm high £600­800 286 An French early 20th century sapphire and diamond stick pin, set with a cushion­shaped sapphire between two old circular­cut diamonds, French control marks, rubbed maker’s mark (possibly for Charles Bréval), 6.5cm high, case £600­800 287 A pair of sapphire­set gold cufflinks, of stirrup form and set with calibré­cut sapphires, with sugarloaf sapphires to the terminals in gold, 2cm high £1,000­1,500 288 A pair of hardstone pasta cufflinks, designed as a piece of farfalle and penne pasta in carved yellow agate, with yellow gold connecting links, 2.8cm longest £300­400 289 A diamond­set Regimental brooch for the Royal Scots Greys, the eagle set with circular­cur diamonds, with ruby eyes and green enamel decoration to the laurels in platinum on gold, 3.5cm high £800­1,200 290 A pair of plain gold disc cufflinks by Hermès, signed and with maker's lozenge and French control marks, 15mm wide, with a pair of silver cufflinks designed as ancient coins £800­1,200 291 A French early 19th century devotional pendant by Jean Dampt, designed as a reliquary, the case with engine­turn decoration with rose­cut diamond­ set bale, the push piece with a ruby­set latin cross, opening to reveal a miniature figure of St Anthony of Padua, the figure base signed J Dampt. Sc, the cross numbered 34, inventory number 1598, rubbed marks to bale (possibly French control mark and maker’s lozenge), 4.5cm high £2,500­3,500 Literature: Cf.: G. von Habsburg, Fabergé ­ Cartier: Rivalen am Zarenhof, Munich, 2004, p. 405, plate 854, for a similar example by Cartier.

292. An unusual French gold knight pendant, the realistically formed articulated knight with engraved decoration, marked France twice, with rubbed London import marks, on a short oval link gold chain, 23g, the knight 4.5cm high £600­800 293 A pair of French gold cufflinks, with fluted and ropetwist decoration in gold, with interchangeable lapis lazuli and onyx baton links, French control mark, rubbed maker’s mark, links 2.2cm longest, case by Marchak £600­800 294 A pair of torpedo­shaped gold cufflinks, each link set with an old circular­cut diamond millegrain set in platinum, 2cm high

£400­600

295 A pair of early 20th century enamel and gold cufflinks by Cartier, of chamfered­edge square form with a red enamel border surrounding a white and gold stylised rose, signed Cartier to reverse, each link 13mm wide £2,000­2,500 296 A pair of French sapphire­set gold cufflinks, each set with cabochon sapphire terminals with folding circular links in gold, French control marks, rubbed maker’s mark, 4.6cm long (extended), each circular link 1.5cm high (folded) £500­700 297 A pair of gem­set gold cufflinks, the gold torpedo links set with an old circular­cut diamond, sapphire, emerald and ruby, stamped 18, each link 11mm high, 9g £400­600 298 A pair of synthetic ruby­set gold cufflinks, the hexagonal gold cabochons set in yellow gold collets, joined with oval link chain, 1cm wide £80­120 299 A pair of coral and black enamel triangular gold cufflinks, c.1940, set with sugarloaf corals and linear black enamel decoration, hinged triangular terminals, 1.4cm wide £600­800 300 Eight silver­gilt and enamel miniature egg pendants, of various designs and decoration colours, graduating from 18 ­ 25mm high

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300A A gold Renaissance­style ribbed and flattened circular link neck chain­of­office, inspired by an early 16th century South German design, 82cm, 254g £12,000­15,000 For a similar example see See Hackenbroch, Y., Renaissance Jewellery, p.127.

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301 An early 19th century sardonyx cameo ring, depicting Hercules wearing the Nemean lion skin, cameo 1.8cm high, ring with internal inscription dated 1928, size P £1,000­1,500 302 A 19th century sardonyx cameo ring, depicting a saint and set in gold, cameo 1.5cm high, ring size N £200­300 303 An early 19th century sardonyx cameo ring, depicting a gryllus, set in gold, size N½ (approximately) £800­1,200 304 A set of three 19th century sardonyx cameos, depicting the heads of Hercules, Omphale and Zeus each in profile, all set in gold mounts, 1.9 ­ 2.6cm high £3,000­5,000 305 An early 19th century bloodstone intaglio­mounted fobseal, the intaglio depicting Asclepius holding a snake, with Latin inscription ‘Labor Ipse Voluptas’ (Labour is a joy in itself), intaglio 2.7cm high, seal 3cm high £800­1,200 306 An Edwardian diamond opal cameo pendant, attributed to Wilhelm Schmidt (1845 ­ 1938), the oval opal cameo depicting Bacchus, suspending from a fine­link platinum necklace set with three old circular­cut diamonds, cameo 2.5cm high, necklace 46cm long £3,000­4,000 307 A 19th century shell cameo brooch, depicting Zeus in profile and set in gold, 3.3cm wide

£300­400

308 An early 19th century sardonyx cameo by Nicolo Morelli (1771­1838), depicting Flora or Venus in profile and wearing a pearl necklace, signed Morelli, 2.8cm high £2,000­3,000 Niccolo Morelli was a Rome­based gem engraver. He was commissioned by Napoleon and members of the Imperial family and it is believed that he tutored Giovanni Pistrucci. Morelli’s gems were used by the jewellers Castellani.

309 An early 18th century sardonyx cameo depicting Mercury, in profile and with winged helmet, set in gold, cameo 2cm high £400­600 310 A late 18th century sardonyx intaglio depicting Meleager, with his hunting dog and a boar’s head on a plinth, 2.5cm high, set in a later gold ring, size S £800­1,200 311 A 19th century hardstone cameo ring, depicting Zeus with the aegis to his shoulder, cameo 3.2cm high, ring size R (approximately) £800­1,200 Carved after the ancient ‘Cammeo Zulian’, National Archaeological Museum Venice 312 A late 18th century sardonyx cameo pendant, depicting the head of a youth, set in silver in a surround of cabochon amethysts, 5.2cm high £800­1,200 313 A French early 19th century sardonyx cameo brooch, the cameo depicting a gentleman in profile, in gold ropetwist surround, French control mark, rubbed maker’s mark, 3.7cm high £600­800 314 An early 19th century rock crystal intaglio­mounted gold ring, depicting Jupiter in profile, intaglio 1.9cm high, ring size P½ (approximately) £1,500­2,000

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315 A gold necklace set with early 17th century hardstone intaglios, formed with three clusters set with nine graduated oval­shaped intaglios, with seven further intaglios to the two­row fine­link neck chain in gold, the largest intaglios depicting Socrates, Apollo and a philosopher, together with a conforming hardstone intaglio cluster brooch, necklace 44cm shortest, largest cameo cluster 5cm high, brooch 3.5cm wide £8,000­10,000 316 An ancient jasper bead­mounted gold ring, the ancient drilled bead mounted in a later Italian brushed gold swivel ring, size R (approximately) £800­1,200 317 A Roman nicolo intaglio depicting Minerva or Roma, c.1st­2nd century AD, the Goddess holding Victory in her palm and being crowned, in an early Byzantine gold ring, c.4th­5th centry AD, intaglio 1.4cm high, ring size K½ £1,500­2,000 318 A Renaissance emerald intaglio depicting Emperor Commodus as Hercules, c.1600, Commodus in profile and wearing the Nemean lion skin, intaglio 1.4cm high, in a later silver ring mount, size N½ £800­1,200 Provenance: from the estate of a descendant of a Major Walter Maxwell Henderson­Scott formerly of Burley Beacon, Burley, Hampshire.

319 A Renaissance sardonyx cameo depicting St Peter, c.1600, St Peter holding the Keys of Heaven to his chest, 2cm high (damaged), in a 19th century gold ring, size N (approximately) £1,500­2,000 320 A Greek gold finger ring depicting a warrior, Classical period, c.late 5th century BC, the warrior striding uphill and holding an unlit torch, 2.1cm high, approximately size L £6,000­8,000 321 A 16th century sardonyx cameo depicting Ariadne, possibly a portrait of a lady as Ariadne, with fruiting vines to her curling hair, cameo 2cm high, in a later gold ring, size M £1,000­1,500 322 An Italic­Roman banded agate intaglio depicting Victory (Nike), c.2nd century BC, 1.4cm high, in a later gold ring, size O½ £1,000­1,500 323 An Ostrogothic gold ring, c.5th­6th century AD, with circular central motif with bifurcated shoulders in gold, size L½ £400­600

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316 323 321 318

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

324 A George III gold open­faced pocket watch by Elizabeth Haworth of Liverpool, key wind, the signed white enamel dial with black Roman numerals and dated March 1st 1803, the side chased with foliate scroll decoration, skeleton back, the pierced back plate finely decorated with snakes and birds and with foliate pierced decoration to the balance cock, 4.3cm wide, with a two­row gold curb link watch chain with gold slide, two split rings supporting a gold watch key and fob seal mounted with a citrine matrix carved with a coat of arms, crest and motto, chain 21cm long, centre­opening fitted case £3,500­4,500

325 reverse 325 An early 19th century enamelled gold pocket watch by Dutertre, c.1800, the white enamel dial signed ‘Dutertre a Paris’, black Arabic numerals and further Arabic numerals for 15, 30, 45 and 60 seconds, gold hands, within a surround of blue and white enamel decoration, with a fine classical enamel scene to the reverse, the verge movement signed Detertre Paris 7469, case 48mm £3,000­5,000 326 A lady’s gold Ellipse wristwatch by Cartier, the signed white dial with black Roman numerals, signed ‘Swiss’ at 6, blue steeled hands, manual movement, case 27mm, signed Cartier Paris to reverse with French control mark, on leather strap with gold deployant clasp signed Cartier £1,200­1,500 327 A gentleman’s gold wristwatch by Patek Philippe, Ref. 543, the rectangular dial signed ‘Patek Philippe & Co. Geneve’, applied gold Roman numerals at 12, 2, 4, 8, and 10, subsidiary seconds dial and gold hands, case 21mm, calibré 9­90, manual winding, movement no. 833.220, case no. 616.883, black leather Patek Philippe band and signed gold buckle £4,000­6,000 Accompanied by Patek Philippe archive extract confirming the case no. 616.883, movement no. 833 220, date of manufacture (1939) and date of sale (24 April 1941).

Accompanied by various receipts relating to service.

328. A lady’s gold Ceinture wristwatch by Cartier, the signed octagonal dial with black Roman numerals, the signed reverse plate with various control marks, Paris and numbered 781 00 09 71, manual winding, 24mm wide, black leather band with with Cartier gold deployant clasp £1,200­1,500 329 A lady’s 18ct gold Oyster Perpetual wristwatch by Rolex, the white enamel dial signed ‘Rolex Oyster Perpetual Datejust Superlative Chronometer’, with centre seconds hand, baton numerals and date aperture, on an 18ct yellow gold Rolex band, model 6517, movement 964189, case 24mm £1,500­2,000 Accompanied by Rolex guarantee booklet dated 1964, several services papers and letters of correspondence with Rolex UK regarding servicing and bracelet repair.

330. A Tank Francais diamond­set gold wristwatch by Cartier, the signed rectangular dial with black Roman numerals, with round brilliant­cut diamonds to the gold case, case 20mm, blued steel hands, cabochon blue­stone winder, quartz movement, case back with maker’s mark, French control mark and signed Cartier, number 2385, on a signed gold bracelet with deployant clasp, 16cm long £4,000­6,000 331 A gentleman’s steel and gold Oyster Perpetual wristwatch by Rolex, the champagne dial signed ‘Rolex Oyster Perpetual Date Superlative Chronometer’, baton numerals, centre seconds and date aperture, automatic winding, case 34mm, Rolex steel and gold band £1,500­2,000 332 A white gold Tank Américaine wristwatch by Cartier, signed cream enamel dial with Roman numerals and secret signature at VII, quartz movement, faceted sapphire winder, case signed and numbered CE540335 1713, blue leather band with white gold Cartier buckle, 19mm wide, Cartier box and guarantee £2,000­3,000 333 A open­faced slim gold dress pocket watch by Cartier, the signed dial with engine turned decoration in a chapter ring with black Roman numerals and outer minutes ring, blue enamel monogram to reverse, movement by European Watch & Clock Co., the back cover with maker’s mark for Edmond Jaeger, numbered 05881 and 29043, French control marks, 44mm wide £1,500­2,000 334 A gentleman’s steel wristwatch by Breitling, the black and white dial signed Breitling Geneve Navitimer, chronograph reference 806, with three subsidiary dials and two plunge action chronograph setting buttons, automatic movement, the reverse signed ‘Breitling’ below logo ‘B’ and 806, case 41mm, black leather band with Breitling steel buckle £1,500­2,000

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335 An early 20th century decorative diamond­set gold presentation box by Cartier, c.1915, the central panel engraved with a Viscount's coronet in diamonds above diamond­set initials C­B­C, on engine­turned ground and decorated with the Browne­Clayton coat of arms, within a diamond­set and border, the end panels are decorated with foliate and latticework set with diamonds, each hinged and opening to reveal a compartment, the central compartment opens to reveal a plaque with the inscription 'You abuse Snuff! Perhaps it is the final cause of the human nose' diamond borders and lattices to each side panel, set in platinum and yellow gold, French control marks and maker's lozenge, signed Cartier Paris Londres New York, 8.5cm long, 201g, in fitted Cartier leather case £10,000­15,000 Provenance Formerly the property of Count Redmond Toler Clayton­Browne­Clayton 1863 ­ 1937 of The Villa La Punta, Cervara Santa Margherita, Liguria, Italy, to his sister Letitia Grace Clayton­Browne (d. 1937) wife of Sir William Henry Hornby (1st Baronet), thence by descent to Sir Henry Russell Hornby (2nd Baronet) and thence by descent to the current owner Count Redmond Toler Clayton­Browne­Clayton was born in Christchurch, New Zealand, the Son of Captain William Browne 7th Royal Fusiliers. Redmond re­ claimed the title which had been awarded to one of his Irish forbears, Lt Gen Robert Browne, 12th Light Dragoons by Pope Pius VI in 1794. A picture of the award ceremony by James Northcote RA hangs in the V&A. It is a Papal title of the Holy Roman Empire. Redmond successfully petitioned Pope Pius X for its restoration.

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336 A lady’s gem­set ‘St Petersburg’ Tank Allongée gold wristwatch, by Cartier, the mini tank allongée wristwatch designed with a rectangular engine­turned dial within buff­top sapphire sides, the square­shaped ruby and circular­ cut emerald and sapphire bracelet with diamond detail and deployant clasp, quartz movement, calibré 028, numbered 280. 002, case 15mm, signed Cartier Paris, French control marks, numbered 663595 £20,000­30,000 Accompanied by an insurance valuation from Cartier dated 2011.

Accompanied by a receipt for servicing from Cartier dated 24 October 2018.

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front

reverse

337 A gentleman’s steel Omega Seamaster 300 Edition wristwatch The round black dial with luminous applied tritium indices, large triangle at 12 position, Arabic 3/6/9, surmounted with an encircled ‘T’, sweep seconds hand Bi­directional rotating bezel, black inlaid luminous 10 minute increments, stainless steel case, 40mm diameter, automatic winding Case back engraved W/10/6645­99­923­7697 A/153/67, assessed as model 165. 024, c.1967 Total weight 61.70g, no strap Accompanied by two army diving log books, the first from the initial qualification (1974­1979) the second enhanced log book issued in line with the new health & safety legislation (1979 ­ 2012), with two fabric MOD service­issued diving badges (supervisor grade). £20,000­30,000 Provenance: owned and submitted for auction by Mr M. Burton who joined the Royal Engineers in May 1970 as a Sapper and left August 1995 as a Warrant Officer class 1 (WO1), Engineer Diver. Amongst his diving achievements were helping to raise the hull of King Henry VIII’s favourite ship, The Mary Rose in 1982, which sank in the Solent in 1545. Regimental Sergeant Major Burton also served in Belize, Hong Kong, Norway, Northern Ireland, Oman, Cyprus, Germany and Kenya where his extraordinary diving skills were deployed throughout.

Omega introduced the Seamaster 300 in 1957 as part of a line of “Professional” watches. A very small quantity were made for military use from 1967 until approximately 1970. These were custom designed by Omega to meet the needs of members of the British Army and Royal Navy.

A number of distinct features set these military­issued watches apart from Omega’s regular production units. Their cases have distinctive curved and beveled lugs and were delivered with fixed spring bars. The dials feature an encircled “T” signifying the use of tritium for the luminous hour markers and hands. Their case backs were engraved by the Ministry of Defence with the military branch code, issue number, and year of issue. The “W10” designation indicates that this Seamaster 300 was one of a small number issued to the British Army.

Sergeant Burton, c.1984, being dropped from a Lynx helicopter on a Staff College demonstration off the coast of the Isle of Portland

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DAY TWO - WEDNESDAY 18TH NOVEMBER 2020 338 A Victorian diamond five­stone ring, set with five graduated old circular­cut diamonds and rose­cut diamond pointers, with scroll pierced and engraved decoration to the gallery in gold, diamonds approximately 1.70cts total, size M £1,000­2,000 339 A pink sapphire and diamond three­stone ring, the oval­shaped pink sapphire set with rose­cut diamonds in carved and pierced yellow gold mount, size P £800­1,200 340 A Victorian closed crescent brooch, set with graduated old cushion­shaped diamonds in gold, with a detachable diamond­set spray section, 5cm wide £2,000­3,000 341 A Regency composite amethyst and gold necklace, the graduated oval­shaped amethysts are set within gold cannetille surrounds on a later fine­link neck chain, 37cm long £1,000­1,500 342 A sapphire and diamond cluster ring, centred with a pear­shaped sapphire within a surround of rose­cut diamonds, with foliate engraved decoration to the gold shoulders, size L £400­600 343 A Victorian diamond cluster ring, set with graduated old cushion­shaped diamonds in silver and gold, size L

£200­300

344 A Victorian diamond three­stone ring, the three graduated old circular­cut diamonds weigh approximately 1.80cts in total, set in scroll pierced yellow gold mount, maker’s mark A&W for Alabaster & Wilson, size P £1,500­2,000 345 A George III ruby and diamond cluster ring, the heart­shaped cluster centred with a pear­shaped ruby within a surround of rose­ cut diamonds, surmounted with a diamond­set bow in closed­back silver and gold mount, with pierced and carved scrolling gold shoulders, size M £400­600 346 A navette­shaped diamond cluster ring, set overall with graduated rose­cut diamonds in silver on gold closed­back setting, size M £300­400 347 A Victorian diamond­set closed crescent brooch, set with graduated old circular­cut diamonds in silver and gold, 3cm wide £1,000­2,000 348 A late 19th century diamond bracelet, set with graduated old circular­cut diamonds, between openwork scroll links set with rose­cut diamond trefoils in silver on gold, 17.5cm long £1,000­1,500 349 A Victorian natural pearl and diamond pendant, of scrolling foliate design set overall with graduated old circular­cut diamonds in silver and gold, suspending an articulated pearl, 5cm high, chain 38cm long £2,000­3,000 Accompanied by report number 18491 dated 10 March 2020 from The Gem & Pearl Lab stating that the part­drilled drop­shaped pearl measures 6.6mm wide and is natural saltwater.

350 A Victorian diamond­set open crescent brooch, the graduated old cushion­shaped diamonds are set in silver and gold, numbered 9448, 3cm £150­250 351 A late 19th century coronet style diamond and enamel brooch, set overall with rose­cut diamonds and black enamel (damaged) borders in yellow gold, maker’s lozenge and French control marks to pin, 5.2cm wide £600­800 352 A Victorian amethyst and gold cruciform pendant, the cross set with square amethysts in yellow gold, 7.5cm long including bale £800­1,200 353 A late Victorian pink sapphire and diamond convertible bangle, the cushion­shaped pink sapphire weighs 1.99cts, set within a circular double surround of old cushion­shaped diamonds in silver on gold, with further graduated old cushion­shaped diamonds to the shoulders, the circular cluster section detaches to be worn as a pendant with folding pendant loop, bangle 6cm internal diameter, pendant 3.5cm high including loop £6,500­7,500 Accompanied by report number 80248­09 dated 18 December 2019 from GCS stating that the cushion­cut pink sapphire weighs 1.99cts and is a natural pink sapphire with no indications of heat treatment, with minor amount of oil in fissures. Origin: Burma (Myanmar) 354 A Victorian amethyst and diamond­set brooch pendant, centred with an oval­shaped amethyst, with graduated circular­cut diamonds to the scroll mount in silver on gold, detachable brooch fitting, 4cm wide, case by Harvey & Gore £1,500­2,000 355 A late Victorian diamond­set convertible bangle, the shamrock centre section set with old circular­cut diamonds, with further graduated old circular­cut diamonds to the bangle shoulders in silver on gold, the shamrock detaches to be worn as a pendant, folding pendant loop, pendant 3cm high, bangle 5.8cm internal diameter £4,000­6,000 356 A Victorian natural pearl and diamond foliate brooch, set overall with graduated old circular­cut diamonds, the detachable flowerhead centred with a natural pearl with further knife­edge sprays set with natural pearls in silver on gold, 7.5cm long £2,000­3,000 Accompanied by report number 80273­49 dated 3 September 2020 from GCS stating that the seven cream pearls graduate from 4.6 ­ 7.8mm and are natural saltwater with no indications of treatment.

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357 A large rose­cut diamond target ring, pavé­set with graduated rose­cut diamonds in silver and gold, engraved underbezel set with two diamonds, size O £2,000­3,000 358 A diamond cluster ring, the octagonal­shaped plaque with pierced decoration, millegrain­set with graduated old circular­cut diamonds in platinum and gold, 18ct London hallmarks for 1996, size M½ £600­800 359 An amethyst­set gold necklace, set with oval and pear­shaped amethyst cabochons in gold mounts, 40cm long, drop section 8cm high £1,800­2,000 360 A sapphire and diamond rectangular cluster ring, the old cushion­shaped diamond is set within tapered calibré­cut sapphires and a border of diamonds in white gold, size N½ £800­1,200 361 An amethyst and diamond ring, the hexagonal­shaped amethyst set with baguette­shaped shoulder diamonds in platinum, size O £1,500­2,000 362 An amethyst and diamond ring, centred with an oval­shaped amethyst with graduated round brilliant­cut diamonds to each shoulder in white gold, size L½ £400­600 363 An emerald and diamond cluster ring, the emerald­cut emerald weighs approximately 4.50cts, set within a surround of round brilliant­cut and pear­shaped diamonds in gold, Sheffield marks for 1997, size V½ £1,800­2,000 364 A pair of emerald and diamond cluster earrings, the oval­shaped emeralds are set within a surround of round brilliant­cut diamonds in platinum and gold, 13mm high, case £1,000­1,500 365 A diamond and gem­set gold butterfly ring by Geoffrey Rowlandson, with carved ametrine wings, a diamond­ set throax and ruby eyes in 18ct gold, maker’s mark, London hallmarks for 2005, size L £600­800 366 A pair of diamond stud earrings, the round brilliant­cut diamonds are rubover­set in white gold, diamonds 0.65cts total approximately, post fittings £600­800 367 A diamond­set heart pendant, set with round brilliant­cut diamonds in white gold, diamonds approximately 0.75cts total, on a fine­link white gold neck chain, pendant 2.3cm high, 42cm long £600­800 368 An amethyst rivière necklace, the oval­shaped amethysts in gold with ropetwist decoration, stamped 750 with Italian marks, 46cm long £1,500­2,000 369 A diamond heart pendant, pavé­set with graduated round brilliant­cut diamonds in platinum, 2.8cm wide £2,000­3,000 370 A peridot and diamond bracelet, set with oval­shaped peridots and rows of round brilliant­cut diamonds in gold, peridots approximately 28.00cts, diamonds approximately 1.75cts, 18cm long £2,500­3,500 371 A peridot and diamond necklace, set with oval­shaped peridots and rows of round brilliant­cut diamonds in gold, peridots approximately 60.00cts, diamonds approximately 4.00cts, 44cm long £4,000­6,000

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372 A pair of Regency gold acrostic dove brooches, each set with a ruby, emerald, garnet, amethyst, ruby and diamond spelling the word ‘Regard’ within gold pellet and cannetille surround forming the dove’s body in yellow gold, 4.8 and 5cm wide £1,500­2,000 373 A Regency gold collar necklace, the lozenge­shaped panel set with pearls, emeralds and diamonds in silver and gold collets on gold cannetille ground, set on a twelve­row fine­link chain choker, lozenge 4.5cm necklace 35.5 ­ 39cm long £1,600­1,800 374 A Regency gold acrostic ring, set with a ruby, emerald, garnet, amethyst, ruby and diamond spelling the word ‘Regard’ within gold cannetille surround, size O £1,000­1,500 375 A George III double heart ring, set with a pear­shaped garnet and rock crystal, within a surround of old cushion­shaped emeralds and rubies in closed­back gold mount, the gem­set coronet in silver on gold, size J £400­600 376 A Regency garnet and seed pearl ring, set in foliate engraved yellow gold mount, size L½

£150­250

377 A mid 19th century blue enamel and diamond bracelet / ring, set with an old cushion­shaped diamond within diamond star border and blue enamel rectangular surround, the ring with engine turned decoration folds out to be worn as a gold bracelet, the diamond forming the clasp, with Registry mark for 1848, ring size M, bracelet 17.2cm long, case £1,200­1,500 378 A Victorian moss agate rivière necklace, set with gradauted oval­shaped moss agate plaques within gold ropetwist mounts, links 2.8cm highest, 36cm long £1,000­1,500 379 A Victorian carnelian­set gold bracelet, the rectangular­shaped carnelians with trefoil terminals, alternately­ set with gold bar links, the clasp with larger oval­shaped carnelian, 18cm long £600­800 380 A Regency gold butterfly bracelet, the rectangular tri­colour gold bangle is decorated with a butterfly set with turquoise, rubies and emeralds within laurel surrounds on an eight­row untested seed pearl bracelet with foliate gold clasp, 2.4cm wide, 20cm long, fitted case £800­1,200 381 A Regency gold musical fob seal, with foliate chased and engraved decoration, depicting a seated infant Cupid with Psyche in gold (with remnants of blue enamel), central winding stem set with turquoise­set globe, oval base with musical mechanism activated by a slide, 4.6cm high, 27g £1,500­2,000 382 A Victorian citrine bracelet, set with cushion­shaped citrines in gold cut­down collets, 19cm long £400­600 383 A diamond foliate cluster ring, set with graduated rose­cut diamonds in silver and gold, size O

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384 A pair of diamond drop earrings, each circular­cut diamond suspends a larger circular­cut diamond on a knife­ edge link in white gold, post fittings, 2.2cm high £600­800 385 A pair of diamond drop earrings, the flowerhead section suspending from an articulated drop, set with round brilliant­cut diamonds in white gold, approximately 2.00cts total, post fittings, 3.2cm high £1,000­1,500 386 A diamond­set 18ct gold bracelet and collar necklace, with woven fabric pattern in textured gold, pavé­set diamond bars and a diamond­set clasp, initials LL and hallmarks for 1997, necklace 41cm long, bracelet 6cm internal diameter, 107g total £4,000­6,000 387 A diamond solitaire ring, the round brilliant­cut diamond weighs 0.98cts, claw­set in white gold, size N £2,200­2,500 388 A diamond cluster ring, the round brilliant­cut diamond set within a surround of circular­cut diamonds, with further diamonds to the shoulders in platinum, diamonds approximately 0.70cts total, size N½ £700­900 389 A demantoid garnet and diamond five­stone ring, the five graduated oval­shaped garnets are separated with diamonds in yellow gold, size O½ £2,000­3,000 390 A diamond full­circle eternity ring, set with two rows of round brilliant­cut diamonds with scalloped border in two­colour gold, size L £600­800 391 A tourmaline and diamond dress ring, the cushion­shaped green tourmaline is flanked with triangular clusters of round brilliant­cut diamonds in white gold, London hallmarks for 2014, size N £600­800 392 A black opal and diamond ring, the oval­shaped solid black opal is set within graduated lines of circular­cut and Asscher­cut shoulder diamonds in platinum and yellow gold, size N½ £4,000­6,000 393 An emerald and diamond cluster ring, centred with an oval­shaped emerald within a surround of round brilliant­cut diamonds in platinum, size O½ £1,500­2,000 394 A fancy­coloured diamond necklace, set with round brilliant­cut and marquise­shaped fancy diamonds and accented with white diamonds in yellow gold, 40cm long £7,000­9,000 395 A suite of Indian diamond­set gold jewellery, comprising a pair of earrings and a pendant, of flowerhead form, the petals set with flat­cut diamonds, with green and white Jaipur enamel to the reverse in gold, each 2.5cm high £1,000­1,500 396 A fluted gold curblink necklace, with matching bracelet, necklace 46cm long, bracelet 20cm long, total weight 76g £2,500­3,000 397 A gem­set gold snake ring, pavé­set with round brilliant­cut diamonds to the head, tail and articulated body, with marquise­shaped ruby eyes in two­colour gold, approximately size N £2,000­3,000 398 A gem­set giardinetto brooch by Boucheron, set with an orange topaz base, the flowers set with sapphires, rubies and diamonds in platinum and gold, signed, 4.6cm high £1,500­2,000 399 A sapphire and diamond­set flower brooch, centred with a cluster of round brilliant­cut diamonds, with petals invisibly­set with calibré­cut sapphires, further diamonds to the stamen in white gold, 2.7cm high £1,000­1,500

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400 A pair of mid 19th century amethyst and gold earrings, the pear­shaped amethysts are set above gold oak leaves and four further amethysts, 4.8cm high including posts £600­800 401 An Art Nouveau gem­set gold pendant, centred with an old cushion­shaped sapphire to the openwork foliate scroll design, with floral swag and bows in gold, suspending an old circular­cut diamond and cultured pearl drop, French export mark, 4cm high, on an anchor­link gold neck chain, 38cm long £800­1,200 402 A 19th century micromoasic brooch, the rectangular micro mosaic depicting two figures near a river, in a plain gold mount, 3cm wide £400­600 403 A Victorian gem­set gold snake necklace, the head set with graduated turquoise cabochons and garnet eyes, suspending a turquoise­set gold drop, on a graduated snake­link necklace, 43cm long £800­1,200 404 An Aesthetic Movement gem­set gold butterfly brooch, set with vari­coloured paste cabochons and seed pearls, with black enamel decoration in two­colour gold, 5.8cm wide, case £1,500­2,000 405 A late 19th century pearl and diamond half­hoop ring, set with five graduated half pearls and rose­cut diamond pointers in carved and pierced scrolling gold mount, size N½ £180­250 406 A rose­cut diamond solitaire ring, bezel­set with engraved and pierced scroll decoration to the gallery in gold, size L1/2 £400­600 407 A pair of Victorian cameo­mounted gold earrings, the drop­shaped sardonyx cameos each depicting a veiled Demeter (Ceres) in profile, set in scroll repoussé gold earrings, screw­back fittings, 4.5cm high, case £600­800 408 A Victorian gold panel bracelet mounted with five painted foliate plaques, each depicting a different flower including carnations, dahlias, tulips, peonies, and iris, 18cm long, with a matching gold brooch painted with a wild rose in yellow gold 3.9cm high, fitted case £3,500­4,500 409 A Victorian aquamarine and enamel brooch, the oval shaped aquamarine is set within twisted white enamel and yellow gold border, the brooch suspending a detachable pendant set with an aquamarine briolette within conforming yellow gold and enamel border, 7cm high, fitted case £1,000­2,000 410 A Victorian fancy­link gold bracelet, the links of tied fluted cylinder form, 18cm long, 49g

£1,800­2,000

411 A Victorian topaz­set gold brooch, the cushion­shaped blue topaz set in a square­shaped Archaeological Revival mount, with pellet and ropetwist decoration in gold, 3cm wide £400­600 412 A late 19th century diamond half­hoop ring, set with five graduated old circular­cut diamonds in a pierced and carved scrolling gold mount, size L½ £400­600 413 A late 19th century Archaological Revival gold scarf ring by Wièse, set with a Roman carnelian intaglio depicting Hercules with the lion skin to his shoulders, c.1st century AD, the gold scarf ring with openwork motif to the shoulders and with ropetwist decoration, French control mark, signed, maker’s mark, 3cm wide, intaglio 1cm high £1,000­1,500 414 A Victorian pearl and diamond bar brooch, the flowerhead centre section set with untested half pearls and graduated old circular­cut diamonds, with pearl terminals in gold, 4.5cm long £600­800 415 A Victorian turquoise and diamond bangle, the central raised oval dome pavé­set with turquoise cabochons and rose­cut diamonds within wirework and pellet­decorated surround set with further turquoise cabochons and a rope twist border overall, in yellow gold. 6.3cm inner diameter £1,000­1,500 416 A Victorian blue enamel and pearl bracelet, set with seed pearls and light blue enamel scrolling decoration on a gold double snake­link bracelet, maker’s mark JL (possibly for John Linnit), 18cm long, 33g £1,500­2,000 417 An early 20th century synthetic ruby and diamond bracelet, the openwork gold links set with lozenge­ shaped synthetic rubies, with diamond­set foliate terminals in platinum on gold, 17cm long £800­1,200 418 A Victorian coral and gold bracelet, set with alternating fancy carved coral and gold links with a coral and gold locket clasp, 17cm long £800­1,200

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419 A Victorian gem­set double snake ring, the serpent heads each set with an old circular­cut diamond and with ruby eyes in gold, size Q½ £400­600 420 A diamond­set snake ring, the coiled snake body set with a line of graduated old cushion­shaped diamonds, with ruby eyes and engraved decoration to the body in two­colour gold, size N approximately £2,000­3,000 421 A diamond­set gold snake ring, set with an old pear­shaped diamond weighing approximately 0.35cts, with ruby eyes in gold, size L £600­800 422 A diamond­set skull ring, the stylised skull with diamond­set eyes and further diamonds to the shoulders in yellow gold, size O £300­400 423 A pair of Victorian sapphire and diamond gold interlocking snake rings, set with a cushion­shaped sapphire or an old circular­cut diamond to the serpent’s head, with ruby eyes in silver and gold, can be worn individually or together as one intertwining snake ring, size M approximately £1,500­2,000 Accompanied by report number 18728 dated 17 July 2020 from The Gem & Pearl Lab stating that the oval­shaped is a natural sapphire with no evidence of heat treatment. Origin: Sri Lanka (Ceylon) 424 A Victorian lapis lazui­set gold gypsy ring, set with graduated lapis lazuli cabochons in gold, 18ct London hallmarks for 1867, maker’s mark IB, size N £200­300 425 A French mid 19th century turquoise­set gold bracelet, the gold snake­link bracelet set with turquoise cabochons, suspending a turquoise­set spherical pendant in silver, French control mark, bracelet 18cm long, pendant 1.8cm long £800­1,200 426 A large Victorian garnet snake necklace, the stylised serpent set with graduated garnet cabochons to its head, garnet eyes and suspending an articulated garnet in scrolling gold surround, on gold snake link necklace, 40cm long £5,000­7,000 427 A pair of French mid 19th century repoussé gold earrings, the turquoise­set circular upper sections suspend foliate repoussé drops with scroll decoration in gold, French control maker’s mark, obscured maker’s lozenge (? M), 8.5cm high, 10g total £800­1,200 428 A Victorian gem­set crescent brooch, set with graduated old circular­cut diamonds, a sapphire and a ruby in silver and gold, 2.8cm wide £600­800 429 A George III diamond snake brooch pendant, the knotted serpent set with graduated old cushion­shaped diamonds and cabochon ruby eyes, suspending a ruby and diamond cluster drop in silver and gold closed­back mount, folding pendant loop, 3.8cm high, case £1,000­1,500 430 A Victorian gem­set snake brooch, the knotted serpent set with a seed pearl and ruby eyes, with engraved decoration in gold, surmounted with turquoise­set leaves in silver on gold, 5.7cm wide £300­400 431 A Victorian ruby­set gold snake ring, the hinged snake set with graduated circular­cut rubies, with rose­cut diamond eyes and blue enamel decoration in gold, with internal latin inscription ‘Amor Aeternus’ (Eternal Love), size P £1,500­2,000 Accompanied by report number 18973 dated 15 September 2020 from GCS stating that the oval­shaped ruby weighs 1.19cts and is a natural ruby with no indications of heat treatment. Origin: Burma 432 A 19th century memento mori silver skull pomander, realistically formed with hinged compartment containing a bone dice, inscription to the reverse ‘In memoriam GGE 1896’ (possibly later), 2.2cm high £200­300 433 A diamond­set memento mori ring, the double headed serpents suspend a spinning skull between them, set overall with rose­cut diamonds, the snakes with ruby eyes in silver and gold closed back setting, the spinning skull with a star with an engraved pentagram to reverse, approximately size N, case £600­800 434 A late 19th century gold serpent bangle, the realistically formed snake with ruby eyes and a ruby suspended from its mouth, on a gold twisted wirework expanding bangle £600­800 435 A Victorian garnet and diamond snake necklace, the stylised serpent’s head formed from a garnet set with diamonds and suspending a garnet and diamond heart from its mouth, on an articulated gold snake­link body, 44cm long £1,000­1,500 436 A Victorian gold coiled snake ring, with rose­cut diamond eyes, stamped 18 and maker’s mark GB, approximately size U, 24g £1,000­1,500 437 A gem­set gold double snake ring, set with an old cushion­shaped diamond and a circular­cut synthetic ruby with engraved decoration to the entwined snakes in gold, approximately size W £800­1,200

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438 A diamond five­stone ring, claw­set with graduated old cushion­shaped diamonds in platinum and gold, centre diamond 0.55cts approximately, size J £1,000­1,500 439 A demantoid garnet and diamond cluster ring, the circular­cut garnet set within a surround of old circular­ cut diamonds in platinum on gold, size O £800­1,200 440 A heart­shaped opal and diamond cluster ring, the solid white opal heart­shaped cabochon is set within a surround of old cushion­shaped diamonds in gold, N½ £400­600 441 A sapphire and diamond half­hoop ring, centred with an old cushion­shaped sapphire, with pairs of graduated old cushion­shaped diamonds to the shoulders in gold, size R½ £1,000­1,500 442 A Victorian diamond­set target brooch, centred with a square cushion­shaped diamond weighing approximately 1.85cts, within an openwork circular surround of cushion­shaped diamonds, with further diamonds to the scalloped border in silver on gold, 3.2cm wide £4,000­6,000 443 A Victorian diamond­set quatrefoil brooch, set with graduated old cushion­shaped and circular­cut diamonds in silver on gold, 3cm high £1,500­2,000 444 An early 20th century diamond choker necklace, set with graduated old circular­cut diamonds, with smaller old circular­cut diamond spacers in platinum cut­down collets, diamonds very approximately 8.50cts total, 30cm long £3,000­5,000 445 A Victorian peridot and diamond cluster ring, set with an emerald­cut peridot within a border of rose­cut diamonds in silver and gold, size J½ £400­600 446 A rose­cut diamond solitaire ring, claw­set with pierced scroll decoration to the gallery in gold, size M½ £2,000­3,000 447 An opal and diamond cluster ring, the solid white opal cabochon is set within a surround of single­cut diamonds in platinum and gold, size M½ £600­800 448 A late 19th century ruby and diamond half­hoop ring, set with graduated cushion­cut rubies and cushion­ cut diamonds, in a scroll pierced yellow gold mount, size O½ £1,500­2,000 449 A Victorian diamond target brooch, the concentric circles set with graduated old circular­cut diamonds in silver and gold, detachable brooch fitting to reverse and folding pendant loop, 3cm wide £1,800­2,000 450 A late 19th century lizard brooch, of realistic gecko form and pavé­set with graduated circular­cut diamonds and a centre line of graduated circular­cut peridots, emerald eyes, mounted in silver and gold, 8cm long, fitted case £2,000­3,000 451 A gem­set dragonfly brooch, the body formed from a cabochon emerald and kite­shaped rubies with diamond and ruby wings and ruby cabochon eyes in silver and gold, wingspan 7cm £1,500­2,000 452 A 19th century diamond hairslide / brooch, set with graduated old cushion­shaped diamonds and rose­cut diamond pointers in silver and gold, detachable brooch fitting to reverse, 4cm wide £2,000­3,000 453 A Victorian diamond­set bee brooch, centred with an old circular­cut diamond weighing approximately 0.40cts, pavé­set overall with further old circular­cut diamonds, cabochon ruby eyes in silver on gold, 5cm wide £2,500­3,500 454 A Victorian sapphire and diamond flowerhead brooch pendant, centred with a cushion­shaped sapphire, the petals set with graduated old cushion­shaped diamonds in silver on gold, folding pendant loop, 3.5cm wide £1,000­1,500 455 A Victorian composite diamond plaque brooch, set with graduated old circular­cut diamonds to the scroll mount in silver on gold, 4.2cm wide £600­800 456 A Victorian gem­set crescent brooch, the open crescent set with gradauted old circular­cut diamonds and rubies in gold, 6.5cm wide, fitted case £1,200­1,500 457 A late Victorian diamond­set bird bar brooch, the three flying storks/cranes set with cushion­shaped diamonds and ruby eyes in silver on gold, on a gold bar brooch with inscription dated 1889 (possibly to commemorate a birth), 5cm wide £400­600 The myth of the stork delivering babies can be traced back to antiquity. In the 19th century, it gained new traction as a symbol of birth when it was popularised by Hans Christian Andersen in his version of the fable, called “The Storks” (1838).

458 A Victorian flowerhead brooch, set overall with graduated old circular­cut diamonds in silver and gold, 4cm wide £1,800­2,000 72

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459 A suite of gem­set gold jewellery by Tiffany & Co., 1980, comprising a brooch and earrings, of lily flowerhead form, inlaid with coral, onyx and agate in gold, each signed Tiffany & Co., earrings 3cm high, post and clip fittings, brooch 4.5cm wide £2,500­3,500 460 A pair of gold flowerhead earrings by Tiffany & Co, signed Tiffany & Co, Italy, clip fittings, missing one stamen, 2.7cm high, 17g £800­1,200 461 A gold ‘Lucea’ necklace by Bulgari, the pendant set with oval and circular links, on a fine­link gold neck chain, the clasp signed Bulgari, pendant 4.2cm high, necklace 44cm long £1,000­1,500 462 A citrine­set gold ‘Tank’ ring by Cartier, the square­shaped cabochon citrine is channel­set in gold, signed Cartier, inventory number 1517, maker’s mark, size J £500­700 463 A pair of turquoise diamond and lapis lazuli cufflinks by Cartier, the stylised flowerheads set in platinum and yellow gold, signed to reverse and with fittings so another section can be hung beneath, clip fittings, 2cm wide £4,500­5,500 464 An 18ct gold long chain necklace by Lalaounis, the oval ropetwist links in gold, signed with initials IL and with maker’s mark, 18ct London hallmarks for 2013, 90cm long, 51g £1,200­1,500 465 A gold ‘scarf’ brooch by Mauboussin, c.1950s, designed as an openwork woven scarf in gold, signed Mauboussin Paris, French control marks, case by Mauboussin £800­1,200 466 A gold charm bracelet by Dolce & Gabbana, the plain and textured gold oval links suspending various charms, including a hardstone carved rose, a black stone cruciform pendant and various votive plaques, clasp signed, with maker’s mark D&G, 18ct hallmark to the chain, 18cm long £1,000­1,500 467 A gold ‘Aztec’ brooch pendant by Cartier, c.1970, the asymmetrical oval medallion with repoussé motif in textured gold, signed Cartier, stamped 18k, 6cm high, 30g £2,000­3,000 468 A ‘Collier de Chien’ gold bangle by Hermès, designed as a dog collar in gold, signed Hermès, numbered 117274, French control mark, 6cm internal diameter, 25g £1,500­2,000

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469 A late 18th century cut­steel and paste parure, comprising a necklace, brooch and earrings, each set with oval red glass cabochons decorated with cut­steel flowers and a further cut­steel surround with mother­of­pearl backs in metal, necklace 35cm long, earrings 2.6cm high with gold screw fittings, brooch 5.7cm high, fitted case £1,000­1,500 470 A George III garnet and rock crystal five­stone ring, the flat garnet with cushion­shaped rock crystal to the shoulders in silver and gold closed­back setting, size O½ £200­300 471 A mid 17th century diamond and enamel ring, the seven graduated rose­cut diamonds in high­domed scallop­ edged settings, with black enamel to the underbezel and gold scrolling shank, size M½ £600­800 472 A George III topaz and diamond cluster ring, set with a cushion­shaped orange topaz in closed­back setting within a surround of rose­cut diamonds in silver on gold, with a fleur­de­lis to each trifurcated shoulder, size O £800­1,200 473 A late 19th century diamond cluster ring, set with graduated old cushion­shaped diamonds totalling approximately 1.90cts in silver and gold collets, size O½ £4,000­6,000 474 A diamond cluster ring, the George III circular section (possibly converted from a button) set with old circular­cut diamonds in silver, claw­set in a later gold ring, size J £1,000­1,500 475 An early 17th century diamond ring, set with a table­cut diamond within a white enamel and yellow gold mount, the shank engraved with foliate motif, size M½ £4,000­6,000 476 A George III sapphire and diamond ring, centred with a cushion­shaped sapphire with rose­cut diamonds to the shoulders in silver and gold closed­back settings, lobed decoration to the reverse, size M½ £800­1,200 477 A George III diamond three­row ring, the old cushion­shaped diamonds are set in closed back silver and gold setting, size L½ £600­800 478 A George III fancy diamond cluster ring, centred with a fancy­coloured old cushion­shaped diamond within a surround of old circular­cut diamonds in closed­back silver and gold mount, foliate engraved decoration to the shoulders in gold, size M½ £2,000­3,000 479 A late 19th century gold enamel and diamond­set memorial locket pendant, the diamond­set urn within diamond laurels on black enamel within a further border of collet­set diamonds and gold laurel decoration on black and white enamel, in yellow gold, glazed locket to interior and inscription ‘In memoriam 6th June 1879’ 7cm high including bale £3,000­4,000 480 A George III diamond­set cruciform brooch, set with old cushion­shaped diamonds in closed­back cut­down collets in silver on gold, later brooch pin, 3.2cm wide £600­800 481 A George III gold Serjeant­at­Law’s ring, the outer band inscribed ‘Ung Roy Ung Loy Ung Foy’ (One King, One Faith, One Law) between reeded borders in gold, with London hallmarks for 1816, 1cm wide, size P, 3.4g £1,000­2,000 This is probably one of a handful of rings given out by The Hon. William Firth upon his call to post as Serjeant­at­Law in 1817. See Bayly­Moore, J., ‘Reports of Cases Argued and Determined in the Courts... etc’, Vol I, (Charles Hunter: 1818), p.1 For similar examples see British Museum exhibits, for example no. AF.1749 482 A sapphire and diamond cluster ring, centred with a cushion­shaped sapphire within a surround of graduated old cushion­shaped diamonds, in foil­back closed setting in silver on gold, with lobed decoration the reverse and scroll decoration to the gold band, size O approximately £3,000­4,000 Accompanied by report number 80273­50 dated 26 August 2020 from GCS stating that the cushion­cut sapphire 15.9 x 12.3 x 5.0mm approximately and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

Comment: the colour has been modified by the setting.

483 A George III diamond flowerhead brooch, set with a central old cushion­shaped diamond and six trifurcated petals pavé­set with graduated old cushion­shaped diamonds in closed­back silver mounts, 3.7cm wide £4,000­6,000 484 A pair of early 19th century diamond hoop earrings, set with graduated old cushion­shaped diamonds in silver cut­down collets on gold fittings, 2.2cm wide, in leather earring stand/box £2,500­3,500 485 A George III topaz cross pendant, set with graduated orange topaz in closed back gold setting, 5.8cm high £1,000­1,500 486 A George III diamond brooch/pendant, the cruciform set with a central old pear­shaped diamond and further graduated old cushion­shaped diamonds in silver and gold closed back setting, later diamond­set bale to enable the brooch to be worn as a pendant, 3.5cm wide £800­1,200 487 A George III diamond brooch, the three principal old mine­cut diamonds with diamond pointers are set within concentric surrounds of graduated old cushion­shaped diamonds in closed back silver and gold setting, 3.5cm wide, fitted case £3,000­5,000 76

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488

488 A George III garnet parure, comprising a necklace, two bracelets, a brooch pendant and a pair of earrings, all set with oval­shaped flat garnets in closed­back gold settings, necklace 40cm long, bracelets 17cm long, earrings 2.8cm high, screw­back fittings, brooch 4.5cm high, fitted case £2,500­3,000 489 A late 18th century amethyst brooch pendant and earrings, of girandole design, each square cushion­shaped amethyst suspends a rock crystal foliate motif in silver closed­back settings, each suspending three open­back pear­ shaped amethyst drops in silver, brooch pendant 6cm high (including loop), later brooch pin, earrings 4.5cm high, later gold screw fittings, original fitted case with gilt tooled decoration £2,000­3,000 490 A George III garnet aigrette/brooch, set with flat­cut garnets in closed­back gold settings, of foliate spray design and mounted ‘en tremblent’, one stone missing, 6cm wide £600­800 491 A George III amethyst brooch pendant, set with oval­shaped amethysts in silver gilt closed­back settings, 5.7cm high £200­300 492 A late 18th century diamond pendant, the circular cluster suspends a diamond­set spray and a further pear­ shaped drop section, set overall with graduated old cushion­shaped diamonds in silver on gold closed back settings, each section is detachable, 6.2cm high, fitted case £4,000­6,000

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493 A diamond nine­stone ring, the three rows each rubover­set with graduated round brilliant­cut diamonds in white gold, 18ct London hallmarks for 2010, size N½ £600­800 494 A sapphire and diamond­set gold ring, centred with a rectangular­shaped sapphire, with circular­cut diamonds to the shoulders in gold, size J½ £600­800 495 A rock crystal and diamond ring by Geoffrey Rowlandson, the lozenge­shaped rock crystal with engraved decoration to the closed­back setting, set within a scalloped surround of round brilliant­cut diamonds in 18ct white gold, maker’s mark, London hallmarks for 2000, size R £600­800 496 A pair of diamond bombé earrings, pavé­set with round brilliant­cut diamonds in platinum, diamonds approximately 4.00cts total, folding posts and clip fittings, signed Sophia D, 2.2cm high £5,000­7,000 497 A gold and diamond collar necklace by Wellendorff, the alternating plain and diamond­set clusters sit within twisted yellow gold borders, suspending a diamond­set ‘W’ for Wellendorff, maker’s mark, 34cm long, 96g £5,000­7,000 498 A diamond bombé ring, set with three principal old circular­cut diamonds within pierced surround millegrain­ set overall with single­cut diamonds in platinum, size M½ £1,500­2,000 499 A diamond full­circle eternity ring, the princess­cut diamonds channel­set in wide yellow gold surround, size T £4,000­6,000 500 A sapphire, ruby and diamond­set gold bangle, set with cabochon sapphires, rubies and pavé­set with round brilliant­cut diamonds in gold, bangle 6cm internal diameter, with a matching ring, size M, 38g total £1,600­1,800 501 A ruby and diamond line bracelet, set with circular­cut diamonds and rubies in gold, diamonds approximately 4.75cts total, 18cm long £8,000­12,000 502 A diamond set gold bangle believed to be by Wander, the terminals set with clusters of gradauted round brilliant­cut diamonds to the ribbed gold bangle, diamonds 1.40cts total approximately, unsigned, 5.2cm internal diameter, 44g total £1,500­2,000 503 A diamond­set textured gold bangle, set with five round brilliant­cut diamonds in hammered gold, 6cm internal diameter, 11.3g £300­400 504 A pair of diamond­set hoop earrings, the hinged hoops with diamond­set egg­shaped tassels in brushed gold, 5.5cm high, 31g £1,000­1,500 505 A pair of diamond flowerhead cluster earrings, set with circular­cut foliate diamond clusters and sprays of baguette­shaped diamonds in platinum and white gold, detachable clip earring and brooch fittings, so that the earrings can be worn as double clips, 2cm widest £1,800­2,000 506 A ruby and diamond cluster ring, the oval­shaped ruby weighs 3.09cts, set within a surround of round brilliant­ cut diamonds in platinum and white gold, diamonds approximately 1.20cts total, 14ct London hallmarks, size T £3,000­4,000

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507 A sapphire and diamond three­stone ring, set with an emerald­cut sapphire weighing approximately 1.25cts, with a baguette­shaped diamond to each shoulder in platinum, size M½ £600­800 508 A ruby and diamond half­hoop ring, alternately channel­set with rectangular­shaped rubies and baguette­ shaped diamonds in platinum, size O £2,000­3,000 509 An early 20th century sapphire and diamond three­stone ring, the square­shaped sapphire is flanked by two old cushion­shaped diamonds, with further old circular­cut diamonds to the shoulders, the pierced scroll mount with engraved decoration to the shank in platinum, size P½ £800­1,200 510 An Art Deco diamond­set travel clock pendant, the rectangular pendant case applied with a diamond­set foliate motif, with scroll engraved border in platinum, the square clock dial with Arabic numerals, manual winding, on a seed­pearl set platinum chain, pendant 4cm high including bale, chain 70cm long £2,000­3,000 511 An Art Deco emerald and diamond brooch, centred with a square­shaped emerald, within a surround of calibré­cut emeralds and set with graduated old circular­cut diamonds in platinum, 5.8cm wide, fitted case by Harvey & Gore £800­1,200 512 An Art Deco diamond solitaire ring, the old circular­cut diamond is set within a square surround with old circular­cut diamonds to the stepped shoulders in platinum, size M½ £1,000­1,500 513 An Edwardian colour­change sapphire and diamond cluster ring, the cushion­shaped sapphire weighs approximately 6.00cts, set within a surround of graduated old circular­cut diamonds, with pierced and carved scroll decoration to the gallery in platinum, size K½ £3,000­4,000 Accompanied by report number 18209 dated 20 December 2019 from The Gem & Pearl Lab London stating that the cushion­shaped sapphire measures 13.50 x 10.80 x 4.10mm and is a natural colour change sapphire, exhibiting purple­ish blue colour in daylight and purple in incandescent light, with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 514 A ruby and diamond cluster ring, centred with an old circular­cut diamond within oval surround of calibré­ cut rubies and old circular­cut diamonds, with further diamonds to the shoulders in silver on gold, size L½ £4,000­5,000 515 A French ruby and synthetic ruby line bracelet, channel­set with thirteen natural and twenty five synthetic calibré­cut rubies in platinum, rubbed French control mark and maker’s mark, 18cm long £600­800 516 A diamond and black onyx line bracelet, alternately­set with French­cut diamonds and black onyx channel­ set in platinum, approximate total diamond weight 7.00cts, 18cm long £10,000­15,000 517 A sapphire and diamond bracelet, set with old circular­cut diamonds in hexagonal collets within smaller millegrain­set graduated old circular­cut diamonds and a border of sapphires in white gold, 16.3cm long £13,000­15,000 518 A diamond line bracelet, set with old circular­cut diamonds in square­shaped platinum mounts, with engraved decoration to the gallery, diamonds approximately 5.50cts total, 17.5cm long £3,000­4,000 519 A diamond bracelet, the pierced geometric design is millegrain­set with graduated old circular­cut diamonds (one missing) in platinum and white gold, 18.3cm long £4,000­6,000 520 An early 20th century diamond­set hair slide, set with a line of graduated old circular­cut diamonds in platinum, 13cm long £2,000­3,000 521 An early 20th century diamond bar brooch, set with graduated old circular­cut diamonds in platinum, 7.5cm wide £500­700

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522 A gold ‘Snake Necklace’ by Elsa Peretti for Tiffany & Co., with a serpent’s head clasp and graduated bead links in gold, signed Peretti and Tiffany & Co., 50cm long £2,500­3,500 523 A diamond­set gold ‘Mascot’ brooch by Cartier, designed as a hand holding a flower, centred with an old cushion­shaped diamond, with further diamonds and black enamel decoration to the hand in gold, signed Cartier Paris (rubbed), stamped Depose, French control mark, 4.5cm high £1,200­1,500 524 A pair of gem­set gold flower earrings by Boucheron, set with circular­cut sapphires and an old circular­cut diamond in gold, each signed Boucheron London, clip fittings, 1.7cm high, Boucheron case £1,000­1,500 525 A demantoid garnet and diamond butterfly brooch, pavé­set with graduated circular­cut diamonds, with garnet eyes, clusters of garnets and outer border of circular­cut garnets to the wings in gold, mounted ‘en tremblant’, diamonds approximately 16.00cts total 7.3cm wide £15,000­20,000 526 A pair of carved ruby bombé earrings by Henri Lavabre, c.1925, the carved ruby leaves are decorated with diamonds in rubover settings and a central ruby cabochon, in platinum and yellow gold, with removable jackets so that the earrings can be worn as double clips, French control marks, maker’s mark for Henri Lavabre, 2.5cm high £5,000­7,000 527 A sapphire and diamond cluster ring, Monture Cartier, set with three round brilliant­cut diamonds weighing approximately 0.57, 1.01 and 0.57cts, within a surround of calibré­cut sapphires and round brilliant­cut diamonds on a wirework band in platinum, signed Monture Cartier, French control mark, size M £12,000­15,000 528 A diamond bombé ring, set overall with graduated round brilliant­cut diamonds in white gold, with remnants of a rubbed signature believed to be Adler, size N½ £2,000­3,000 529 A pair of gem­set gold earrings by Van Cleef & Arpels, of flowerhead design, centred with a cluster of round brilliant­cut diamonds, outer border of circular­cut sapphires and with engraved decoration in gold, signed, inventory number 70048­B, French control mark and maker’s mark for Pery et Fils, 2.3cm wide, pouch £1,500­2,000 The Pery workshop worked extensively for VCA’s Couture collections, including the production of string chains and and the famous zipper which has become an iconic bestseller of the house.

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530 A mid 20th century gem­set gold butterfly brooch, set with calibré­cut sapphires and round brilliant­cut diamonds in platinum on gold, French import marks, 4cm wide £1,000­1,500 531 A large aquamarine and diamond ring in the style of Julius Cohen, the emerald­cut aquamarine weighs approximately 59.90cts, set within textured abstract surround set with diamonds in platinum and yellow gold, size M½ £5,000­7,000 532 A pair of diamond­set gold foliate earrings, each rotating flowerhead centred with a round brilliant­cut diamond in yellow gold, clip fittings, 2.8cm high £700­900 533 A Russian diamond and opal ring, of abstract design, set with round brilliant­cut diamonds and an opal cabochon, with pellet decoration in silver and gold, silver kokoshnik mark, stamped 583 and signed ÃÌÎÖ, 3.5cm long, size S £2,500­3,000 534 A pair of gold hoop earrings by Hermès, of ropetwist form, with maker’s mark, signed Hermès Paris, clip fittings, 2.5cm high £2,000­3,000 535 An aquamarine and diamond ring, the emerald­cut aquamarine weighs approximately 2.00cts, set with baguette­shaped shoulder diamonds in platinum, size N½ £600­800 λ 536 A coral­set gold ring by Charles de Temple, the circular coral cabochon is set within an openwork textured gold abstract mount, 9ct London hallmarks for 1970, signed C de T, size N £100­150 537 A gem­set flowerhead ring by John Donald, the rock crystal flower set with a ruby centre within an abstract 18ct yellow gold birdsnest surround set with diamonds, with maker’s mark and London hallmarks for 1973, size O½ £800­1,200 538 An aquamarine and diamond abstract ring, the rectangular step­cut aquamarine is set within textured yellow gold surround with baguette­shaped diamond shoulders, size M £800­1,200 539 An Odeonesque sapphire and diamond ring, set with an emerald­cut sapphire within scrolling border of diamonds and terminating in a fancy yellow diamond, in platinum, size J £3,000­4,000 540 A pair of diamond­set gold Sputnik earrings by David Thomas, the radiating gold bars with pellet terminations, each set with two old circular­cut diamonds in two­colour gold, signed DAT, 18ct London hallmarks for 1968, clip fittings, 2.5cm wide £800­1,200 541 A diamond and lapis lazuli­set ring, one half set with a round brilliant­cut diamond weighing approximately 1.50cts, the other inlaid with lapis lazuli, with textured decoration to the shank in gold, signed ABL and stamped 18k, size R, 17g £2,500­3,500 542 A pair of citrine­set gold earrings, the emerald­cut citrines are rubover­set in gold, folding posts and clip fittings, 1.5cm high £500­700 λ 543 A coral­set gold ring, of openwork design, the button­shaped coral cabochon set between two gold bands, with pierced heart decoration to the gallery, French import mark, size M £600­800 544 A pair of French diamond­set heart earrings, the centre sections pavé­set with round brilliant­cut diamonds, within fluted gold surround, one stamped T & Co. (possibly Tiffany & Co), French control marks and maker’s lozenge Ste A, 18ct London import marks for 1987, 1.8cm high £2,000­3,000 545 A multi gem­set gold ring, set with fancy­cut citrines, peridots, quartz, tourmalines, topaz and round brilliant­ cut diamonds in gold, size O £1,200­1,500

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546 A ruby and diamond Odeonesque ring, set with an old circular­cut diamond weighing approximately 1.15cts with calibré­cut rubies and an arc of diamonds in platinum and yellow gold, size O £3,000­4,000 547 A diamond Odeonesque ring, set with three square­shaped diamonds weighing approximately 1.50cts total, between rows of graduated old circuluar­cut diamonds in platinum, size O £1,500­2,000 548 A peridot and diamond three­stone ring, the cushion­shaped peridot is claw set, with a round brilliant­cut diamond rubover­set to each shoulder in two­colour gold, inner re­sizing balls, approximately size K½ £3,000­4,000 549 An abstract gold brooch pendant by Tiffany & Co., of sunburst design, the circular pendant with radiating gold bars in polished and textured gold, signed Tiffany & Co, stamped 18k, 7cm wide £3,000­4,000 550 A gem­set gold ring, designed as a snake eating a frog, with green enamel decoration, and ruby and diamond eyes in gold, size M approximately £400­600 551 An abstract gold ‘Sea Snake’ bracelet by René Boivin, c.1960, designed as overlapping scales in textured and polished gold, signed René Boivin, maker’s mark, French control mark, 18.5cm long, 83g £10,000­15,000 552 A pair of diamond and gold scroll earrings, c.1950, the pavé­set diamond semi­spheres set within gold scrolls, post and clip fittings, 2.2cm high £1,500­2,000 553 A diamond­set gold ring and earring set, of abstract design, with diamond­set flowerheads on textured gold oblongs, earrings 2cm high, post fittings, ring size N £800­1,200 554 An abstract gold ring, designed as a swirl in textured yellow gold, size K approximately

£500­700

555 A diamond­set gold dress ring, c.1970, pavé­set with round brilliant­cut diamonds in a textured fluted gold mount, obscured mark to reverse (possibly French control mark) and rubbed maker’s lozenge, size M £1,500­2,000

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556 A pair of diamond shooting star earrings, centred with a cluster of old circular­cut diamonds, with further diamonds to the trails in platinum and gold, clip fittings, 3.8cm high £1,700­2,000 557 A ruby and diamond double clip brooch, c.1940, of scroll form and set with graduated circular­cut diamonds and rubies in yellow gold, 6.5cm wide £1,600­2,000 558 A diamond and ruby­mounted cluster ring, the pear­shaped diamond weighs approximately 1.30cts, the other terminal pavé­set with circular cut diamonds, with circular cut rubies to the shoulders in platinum and gold, size L £1,000­1,500 559 A ruby and diamond ring and earring set, the ring centred with an oval­shaped ruby within a surround of round brilliant­cut and baguette­shaped diamonds in platinum, with a pair of ruby and diamond flowerhead cluster earrings in white gold, earrings 1cm high, post fittings, ring size N½ approximately (with re­sizing balls) £1,000­1,500 560 An emerald­set gypsy ring, the emerald cabochon is set in platinum, size K

£2,500­3,500

Accompanied by report number 80245­22 dated 28 November 2019 from GCS stating that the cabochon­cut emerald weighs approximately 2.20cts, and is a natural emerald with indications of minor clarity enhancement.

Origin: Colombia 561 A gem­set gold fob watch, c.1940, the rectangular dial with blue baton numerals, the case set with circular­ cut diamonds and calibré­cut sapphires in gold and platinum, sliding covers, hinged brooch fitting, numbered 3233, 4.5cm high £1,500­2,000 562 A French gold tank track bracelet, c.1940, with cylindrical and rectangular striated links in yellow gold, French control marks, rubbed maker’s mark, 19cm long, 120g £6,500­7,500 563 A pair of diamond scroll earrings, c.1940, each set with an old circular­cut diamond weighing approximately 1.50cts, with further circular­cut diamonds to the scroll mounts in platinum, post fittings, 1.5cm high £10,000­15,000 564 A pair of diamond­set scroll earrings, c.1940, set with baguette, square and circular­cut diamonds in platinum and white gold, 2cm widest £2,500­3,500 565 A pair of diamond scroll earrings, set with graduated baguette­shaped and circular­cut diamonds in platinum, screw and clip fittings, 2.5cm £2,000­3,000 566 A diamond­set pendant, c.1940, pavé­set with round brilliant­cut diamonds within a spray surround of baguette­shaped diamonds in platinum and white gold, 3.5cm high, on a fine­link neck chain, 42cm long £800­1,200 567 A pair of diamond drop earrings, the stylised bow sections suspend three asymmetrical articulated drops, set with round brilliant­cut and baguette­shaped diamonds in platinum, clip fittings, 5cm high £1,500­2,000 568 A pair of platinum and gold brooches by Mellerio, each stylised horseshoe with chevron engraving and demi­ lune terminals set with diamonds in star­shaped recesses, signed Mellerio Paris, with French control marks and numbered 1460Br (platinum) and 1831Br (gold), each 3cm wide £5,500­6,500

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569 An aquamarine and diamond ring, the rectangular aquamarine is flanked with diamond trefoils in 18ct white gold, London hallmarks for 1985, size N½ £500­700 570 A pair of tourmaline and diamond drop earrings, the upper sections set with graduated circular­cut diamonds, suspending elongated pear­shaped green tourmalines in white gold, post fittings, 4.2cm high £1,000­1,500 571 A reverse­carved crystal intaglio and diamond necklace, depicting a sailing yacht in a surround of round brilliant­cut diamonds, with diamond­set upper section in white gold, 3.8cm high, on a fine­link white gold neck chain, 42cm long £2,000­3,000 572 A pair of Art Deco French diamond double clip earrings, the pierced stylised ribbons millegrain­set with single­cut diamonds in platinum with white gold clip fittings, French control marks, 1.8cm high £600­800 573 An articulated diamond ring, set with round brilliant­cut diamonds in platinum, size R

£1,000­1,500

574 A pair of coral and diamond drop earrings, the coral cabochons suspend articulated diamond­set drops, and carved coral faces with diamond­set eyes in platinum, 8.5cm high, fitted case £8,000­12,000 575 A diamond­set double clip brooch, set with graduated old circular, baguette and square­shaped diamonds in a lozenge­shaped openwork platinum mount, each clip 3.6cm wide, brooch 7.2cm wide £1,000­1,500 576 An early 20th century diamond cluster ring, centred with an old circular­cut diamond weighing approximately 2.00cts, set within a surround of old circular­cut diamonds in platinum, size K £8,000­12,000 577 A diamond solitaire ring, the old circular­cut diamond weighs approximately 0.95cts, claw­set in white gold, size O½ £1,200­1,500 578 An Edwardian rock crystal and diamond bow brooch, centred with an old circular­cut diamond, the rock crystal plaques engraved with foliate scroll motif and each set with a further old circular­cut diamond, with diamond­ set outer border in platinum, principal diamonds approximately 0.65, 1.40 and 0.60cts, 6.3cm wide £5,000­7,000 579 A ruby and diamond cluster ring, centred with an oval­shaped ruby within a surround of round brilliant­cut diamonds and French­cut rubies, with further rubies and diamonds to the shoulders in platinum, size N £1,500­2,000 580 A seed pearl and diamond bar brooch, set with rose­cut diamonds and four seed pearls in platinum and gold, with inventory number 7936, 3.2cm long, in Cartier leather case £200­300 581 A sapphire and diamond rectangular plaque ring, pierced and decorated with pear­shaped sapphires and graduated old circular­cut diamonds in platinum, size O½ £2,000­3,000

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582 A lavender jade and diamond ring, the jadeite cabochon is set with diamond shoulders in white gold, size M½ £1,200­1,500 Accompanied by report number 17262 from The Gem & Pearl Laboratory stating that the cabochon­cut jade measures 15.6 x 12.1 x 8.5mm and is natural lavender jadeite jade with no indications of treatment.

583 A pink spinel and diamond ring, the oval­shaped pink spinel is set with baguette­shaped shoulder diamonds in white gold, size N £1,000­1,500 Accompanied by report number 80272­34 dated 26 August 2020 from GCS stating that the oval pink spinel weighs approximately 3.30cts, is a natural spinel with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 584 An onyx and diamond target cluster ring, signed Cartier, converted, the circular plaque pavé­set with old circular and single­cut diamonds within a surround of calibré­cut onyx in platinum, on a white gold band, the gallery signed Cartier, size M £800­1,200 585 An Art Deco opal and diamond cluster ring, the oval­shaped opal set within a surround of small circualr­cut diamond and two tapered baguette­shaped diamonds to each shoulder in adjustable platinum and white gold mount, size R approx £800­1,200 586 An Art Deco opal and diamond ring, the solid black opal within shoulders set with baguette­shaped and circular­cut diamonds in platinum, size M £4,000­6,000 587 A peridot and diamond ring, set with an emerald­cut peridot with round brilliant­cut shoulder diamonds in platinum, size N½ £400­600 588 A star sapphire and diamond pendant, of geometric form, centred with a circular star sapphire cabochon weighing approximately 30cts, within a surround of graduated circular­cut diamonds in platinum, 5cm high including bale, on a fine­link white gold neck chain, 44cm long £4,000­6,000 589 A jade and diamond ring, the green jadeite jade cabochon is set with single­cut diamonds to the shoulders in white gold, size P½ £400­600 590 An emerald and diamond ring, set with three graduated oval­shaped emeralds, with graduated old circular­ cut diamonds to the shoulders in platinum, size M½ £1,000­1,500 591 An onyx and diamond plaque ring, the rectangular­shaped onyx is centred with an old circular­cut diamond weighing approximately 0.75cts, rubover­set in white gold, size N½ £800­1,200 592 A jade and diamond ring, the green jadeite jade cabochon set with a trefoil of old circular­cut diamonds in white gold, size Q £800­1,200 593 A diamond­set onyx and rock crystal bracelet, the carved openwork rock crystal links alternately­set with carved onyx flowerheads, with diamond­set foliate spacers in platinum, 19cm long £2,500­3,000 594 A diamond and gem­set platinum bracelet, centred with three marquise­shaped diamonds, the rectangular plaque links with pierced scroll decoration, pavé­set with graduated circular­cut diamonds and with emerald and ruby cabochon flowers, with further marquise­shaped diamonds to the clasp in platinum, principal marquise­shaped diamonds approximately 3.50cts total, 18cm long £14,000­16,000 595 A pair of jade and diamond earrings, set with oval jadeite cabochons within scroll surrounds of circular and baguette­shaped diamonds in platinum, clip fittings, 3cm high £2,000­3,000 Accompanied by report number 80264­76 dated 23 June 2020 from GCS stating that the cabochon­cut jades are natural green jadeite jade with no indications of impregnation.

596 A pair of late Art Deco onyx and diamond arrow earrings, the carved black onyx adjacent to pavé­set diamonds and a triangular­shaped diamond terminal in platinum and gold, post and clip fittings, with a loop so that a further section can be suspended beneath, 4.2cm high £6,000­8,000 597 A coral, diamond and enamel ‘Mascot’ brooch by Cartier, c.1940, designed as a hand holding a flower, the carved coral hand set with rose­cut diamonds, the flower centred with a round brilliant­cut diamond and with black enamel decoration in gold, signed Cartier Paris, numbered 9654, French control mark, stamped Depose, 4.5cm high £3,000­5,000 598 A loose spinel bead, 14.28cts

£3,000­4,000

The spinel bead is a natural spinel with no indications of heat treatment, origin: Sri Lanka (Ceylon) as per verbal report from GCS. 599 An Art Deco gem­set white gold stick pin by Ghiso, the seated green glass Buddha set with old circular­cut diamonds around the head and marquise­shaped ruby below, the terminal with old circular­cut diamonds and black enamel decoration in white gold, signed Ghiso, 8.2cm long £1,800­2,000 94

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600 An Edwardian pink topaz and diamond pendant and earrings, the pear­shaped pink topaz suspends from diamond­set flower head clusters and a diamond­set bow in platinum and gold, on fine link platinum neck chain, pendant 5cm long, chain 38cm long, fitted case, with a matching pair of pink topaz and diamond earrings, 4.9cm long including fittings, fitted case £2,000­3,000 601 A sapphire and diamond cluster necklace, set with old oval and cushion­shaped vari­coloured sapphires within surrounds of old circular­cut diamonds, alternately­set with diamond­set foliate links in silver on gold, 45cm long £23,000­30,000 602 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 8.079cts, set within an openwork surround of old circular­cut diamonds and further border of rose­cut diamonds in platinum and gold, size N½ approximately £7,000­9,000 Accompanied by report number 113775 dated 25 June 2020 from SSEF stating that the cushion­shaped sapphire weighs 8.079cts and is a natural sapphire with no indications of treatment. Origin: Sri Lanka (Ceylon) 603 An old cushion­shaped diamond­set three­stone ring mount, set with one old cushion­shaped diamond which weighs 2.25cts cts, with smaller old circular­cut diamonds to the shoulders in silver on gold, two stones missing, size Q½ £8,000­10,000 Accompanied by report number 81278­44 dated 29 September 2020 from GCS stating that the cushion­cut diamond weighs 2.25cts, and is a natural diamond with G colour and VS2 clarity. Fluorescence: none

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604 An Edwardian seed pearl and diamond­set bow brooch, centred with an old circular­cut diamond, the bow formed with rows of seed pearls with diamond­set terminals in platinum, 6cm high £3,000­4,000 605 An Edwardian diamond­set bow brooch, the sylised bow millegrain­set with graduated old cushion­shaped diamonds and an articulated line of graduated diamonds with a further pendant loop in platinum, 4.7cm wide £3,000­4,000 606 A mid 20th century diamond cluster ring, set with an emerald­cut diamond weighing approximately 0.75cts within a border of round brilliant­cut diamonds in platinum, size O½ £2,500­3,000 607 A Victorian diamond­set bow brooch, set overall with graduated old­cut diamonds in silver and gold, 4cm long £1,000­1,500 608 A late 19th century natural pearl and diamond choker necklace, converting to tiara, of scrolling foliate design, set with graduated old circular­cut diamonds and suspending five natural pearls from knife­edge links in silver on gold, on a detachable seed­pearl necklace with a pearl and diamond cluster clasp, the diamond­set front section detaches to be worn as a tiara, diamond section 11.5cm wide, necklace 36cm long, fitted case by Skinner & Co £4,000­6,000 Accompanied by report number 80267­22 dated 29 July 2020 from GCS stating that the cream pearls measure 2.4 ­ 6.2mm and are natural saltwater with no indications of treatment. Comment: contains pearls under 3mm, these ‘seed pearls’ may be natural or cultured.

609 A moonstone and diamond heart ring, the cabochon moonstone set within a surround of old cushion­shaped diamonds in platinum, size N½ £200­300 610 A sapphire and diamond lozenge ring, set with graduated old circular­cut diamonds and square­shaped sapphires in chequerboard pattern, in white gold, size P £600­800 611 An opal and diamond cluster ring, the oval opal cabochon set within a surround of old cushion­shaped diamonds in silver on gold, with detachable ring section in gold, size Q½ £700­900 612 A late Victorian diamond rivière necklace, set with graduated old circular­cut diamonds in silver and gold cut­down collets, 36cm long £2,000­3,000 613 A ruby and diamond cluster ring, set with a cushion­shaped ruby within a surround of old circular­cut diamonds, with further circular­cut diamonds to the shoulders in platinum and gold, size N £3,000­4,000 Accompanied by report number 2175695053 dated 18 July 2016 from GIA stating that the cushion­cut ruby weighs 2.33cts and is a natural ruby with no indications of treatment. Origin: Burma (Myanmar) 614 An Edwardian diamond pendant, of quatrefoil design, centred with an old circular­cut diamond weighing approximately 0.70cts, within a lattice and foliate surround millegrain­set with old circular­cut diamonds in platinum, 4.7cm high including bale, on a fine­link platinum necklace, 41cm long, fitted case £3,000­4,000 615 An Edwardian diamond­set brooch pendant, centred with a cluster of old circular­cut diamonds, within an openwork diamond foliate surround and outer border of old circular­cut diamonds, all millegrain set in platinum, with a diamond­set bale, detachable gold brooch fitting, 4.5cm high £2,000­3,000 616 An Edwardian peridot and diamond brooch, of quatrefoil design, centred with a square­shaped peridot within a foliate scroll surround set with old circular­cut diamonds in platinum on gold, 3cm wide, case £3,000­4,000

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617

617 A demantoid garnet and diamond cluster ring, the oval­shaped demantoid garnet weighs 3.13cts, set within a surround of round brilliant­cut diamonds in gold, size L, case £4,000­6,000 Accompanied by report number 114129 dated 17 August 2020 from SSEF stating that the oval­shaped garnet weighs 3.135cts and is a natural demantoid garnet with no indications of treatment. Origin: Russia

618 A pair of Edwardian sapphire and diamond drop earrings, the upper cluster sections set with cushion­shaped sapphires within a surround of old circular­cut diamonds, suspending larger sapphire and diamond clusters below openwork scroll sections in platinum, principal sapphires approximately 2.00cts each, sapphires approximately 5.00cts total, diamonds approximately 1.00cts total, post fittings, 4.3cm high, fitted case £4,000­6,000 Accompanied by report number 80267 dated 29 July 2020 from GCS stating that the cushion­shaped sapphires are natural sapphires, all with no indications of heating. Origin: x 3 Sri Lanka (Ceylon), x 1 Burma (Myanmar)

618

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619 A set of three graduated Victorian diamond brooches mounted as a tiara, the cinquefoil clusters set overall with graduated old cushion­shaped diamonds in silver on gold cut­down collets, 3.5cm wide, with detachable fittings to reverse so the three sections can be worn as brooches or mounted on a tiara frame £10,000­20,000

620 A ruby and diamond three­stone ring, the cushion­shaped ruby weighs 3.57cts, set with fancy­cut shoulder diamonds in platinum, size M £30,000­40,000 Accompanied by report number 20090056 date 22 September 2020 from Gubelin, Lucerne stating that the oval­ shaped ruby weighs 3.57cts (as stated by the client) and is a natural ruby with no indications of heat treatment.

Origin: Burma (Myanmar) Accompanied by two additional information sheets from Gubelin, detailing the rarity, characteristics and history of unheated rubies and rubies from Mogok, Burma.

620

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621 A pair of French pearl and diamond cluster cufflinks, each pearl is set within a surround of cushion­shaped diamonds in platinum and gold, French control marks and stamped ‘Depose’ each link 1.5cm long £5,000­7,000 622 A pair of ruby and diamond­set gold cufflinks, each link centred with a heart­shaped ruby, with round brilliant­ cut diamonds, marked Mecan £400­600 623 A pair of French orange chalcedony­mounted gold cufflinks, each centred with a cabochon emerald or ruby, French control marks, 1.5cm wide £1,000­1,500 Provenance: Previously sold Christie's Paris, Alberto Pinto Collection, September 2017, ex lot 1005.

624 A pair of diamond­set abstract cufflinks by Larry, each set with a round brilliant­cut diamond and further ‘V’­shaped white gold mounts set with smaller diamonds, signed, 1cm wide £600­800 625 A pair ruby and diamond­set gold cufflinks, set with a line of square­shaped rubies and round brilliant­cut diamond­set stylised chevrons, 2cm wide £8,000­12,000 Accompanied by...

626 A pair of ruby and diamond­set cufflinks by Fred, each link centred with square­shaped rubies and a border of eight circular­cut diamonds, with further rubies and diamonds to the terminals in yellow gold, signed, marked Mecan and maker’s lozenge for Ste D G, 1.8cm long £600­800 627 A pair of sapphire and gold cufflinks by Van Cleef & Arpels, of square form, set with stylised woven fabric in gold to each terminal, one set with a border of calibré­cut sapphires, signed V.C.A and with maker’s mark and French control marks £1,000­1,500 628 A set of diamond and green stone­set cufflinks and studs by Cartier, all of square form with geometric pattern set with circular­cut diamonds and calibré­cut green stones in platinum, each link and stud signed Cartier, JC with crescent and French control marks, each link 1cm wide £2,000­3,000 629 A pair of French diamond­set yellow gold stylised bow cufflinks, set with graduated round brilliant­cut diamonds, numbered 54348, French control marks, maker’s lozenge, 2cm wide £1,000­1,500 630 A pair of garnet­set yellow and white gold cufflinks, c.1900, each dome­shaped link centred with a circular­ cut garnet and chased with foliate decoration, each link 1cm wide, Russian style case by Friedrich Koechli, St Petersburg £600­800 Provenance: Given as a gift to Prince Harold of Denmark (1876 ­ 1949) from his Aunt Tsaritsa Maria Feodorovna of Russia on 18th October 1900. The box is marked 'Tante', meaning 'Aunt'. 'Tante Minny' was the Royal Family nickname for Tsaritsa Maria Feodorovna.

Previously sold Bruun Rasmussen, Russian Art, 15 June 2017, ex lot 1552.

631 A pair of sapphire and diamond­set stylised pansy cufflinks, the graduated emerald­cut sapphires are set with graduated round brilliant­cut diamonds in platinum, 2.8cm long £1,000­1,500 632 A pair of sapphire and diamond chequerboard circular cufflinks, alternately­set with calibré­cut sapphires and round brilliant­cut diamonds in white gold, with smaller conforming terminals, 1.2cm wide £600­800 633 A pair of diamond and rock crystal circular cufflinks, the crystal discs each centred with a round brilliant­cut diamonds and further smaller diamonds to the border in gold, marked with a shamrock and initials LFPA and BJ 60, 2cm wide £600­800

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634 A pair of French sapphire and diamond­set platinum cufflinks, the circular links each centred with a cabochon sapphire within a double surround of rose­cut diamonds, French control marks, numbered 58613, maker’s mark GM £800­1,200 Provenance: Previously sold Christie’s Paris, Alberto Pinto Collection, September 2017, ex lot 1011.

635 A pair of emerald and diamond set cufflinks by Larry, each lozenge­shaped link set with circular­cut diamonds and emeralds, signed, 1.5cm high £600­800 636 A pair of ruby and diamond­set circular sunburst design cufflinks, each circular link is centred with a rose­ cut diamond and pavé­set with further smaller diamonds and graduated calibré­cut rubies, the spherical terminal links pavé­set with circular­cut rubies in silver and gold, French control marks, 1.5cm wide £1,500­2,000 Provenance: Previously sold Christie's Paris, Alberto Pinto Collection, September 2017, ex lot 1013.

637 A pair of gem­set yellow gold cufflinks by Boucheron, of rectangular form and set with a central baguette shaped emerald, ruby and sapphire within a border of round brilliant cut diamonds, French control marks, stamped 33746 and makers lozenge mark A J B, signed Boucheron £1,500­2,000 638 A pair of diamond and ruby­set cufflinks, the four transitional circular­cut diamonds weigh approximately 10.00cts total, the claws are set with cabochon rubies in yellow and white gold, signed Taffin £18,000­25,000 639 A pair of French black onyx and lapis lazuli cufflinks, the rectangular plaques mounted in white gold with rose­cut diamond details to each side, stamped ‘Made in France’ and French control marks, each plaque 1.5cm long £800­1,200 640 A pair of diamond cluster cufflinks, each link centred with an old circular­cut diamond within two borders of graduated smaller cushion­shaped diamonds in silver and gold, the lozenge shaped terminals also set with old circular­cut diamonds, centre diamonds approximately 3.20cts, 1.8cm wide £2,000­3,000 641 A cased set of French lapis lazuli cufflinks and studs, the cufflinks and three larger studs each centred with a lapis lazuli cabochon within a surround if rose­cut diamonds in gold, French control marks, fitted case by Garrard, 24 Albemarle Street, containing the backings for the three studs, studs 1.2cm wide £1,500­2,000

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642 A late Victorian diamond necklace, set with graduated clusters of old cushion­shaped diamonds in cut­down collets, alternately­set with diamond­set foliate links, with a large old cushion­shaped diamond clasp in silver on gold, one diamond missing, the two principal diamonds approximately 2.50cts (clasp) and 2.00cts (centre link), 40cm long, case by Mellerio £30,000­40,000 643 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighs approximately 38.00cts, set within a surround of old circular­cut diamonds in platinum and gold, diamonds approximately 3.00cts total, size X £12,000­15,000 Accompanied by report number 80274­59 dated 4 September 2020 from GCS stating that the cushion­cut sapphire weighs approximately 38.00cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 644 An early 20th century ruby and diamond three­stone ring, the oval­shaped ruby weights 1.82cts, flanked with old circular­cut diamonds in platinum and gold, size P £10,000­15,000 Accompanied by report number 79186­35 dated 9 November 2018 from GCS stating that the cushion­cut ruby weighs 1.82cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 645 A sapphire and diamond cluster ring, the cushion­shaped sapphire is set within a surround of old circular­ cut diamonds in silver on gold, size O £8,000­12,000 Accompanied by report number 80274­46 dated 3 September 2020 from GCS stating that the octagonal­cut sapphire weighs approximately 6.50cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon)

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646 A diamond solitaire pendant, the round brilliant­cut diamond weighs 1.70cts, claw­set in white gold, on a fine­link white gold neck chain, pendant 1.5cm high, necklace 48cm long £8,000­12,000 Accompanied by report number 1162729516 dated 10 November 2014 from GIA stating that the round brilliant­ cut diamond weighs 1.70cts and is a natural diamond with D colour and VVS2 clarity. Fluorescence: none 647 A pair of ruby and diamond cluster earrings, the oval­shaped rubies are set within a surround of old circular­ cut diamonds in platinum and white gold, post fittings, 1.5cm high £12,000­15,000 Accompanied by report number 81278­62 dated 29 September 2020 from GCS stating that the cushion­cut rubies weigh approximately 2.10cts and are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar) 648 A colour change sapphire and diamond ring, the octagonal sapphire weighs 6.48cts and is flanked with triangular shaped diamonds in wide yellow gold mount with pellet borders, size P £10,000­15,000 Accompanied by report number 984222 dated 5 October 2007 from The Precious Stone Laboratory stating that the square­shaped sapphire weighs 6.48cts and is a natural colour­change sapphire exhibiting purplish blue in daylight and purple under incandescent light, with no indications of heat treatment.

649 An emerald and diamond ballerina ring, the emerald­cut emerald weighs approximately 1.90cts, set within a surround of tapered baguette­shaped diamonds in white and yellow gold, size P £6,500­7,000 Accompanied by report number 81278­57 dated 29 September 2020 from GCS stating that the octagonal­cut emerald weighs approximately 1.90cts and is a natural emerald with indications of minor clarity enhancement.

Origin: Colombia 650 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of old circular­cut diamonds, with a diamond to each shoulder in platinum on gold, size R £8,000­12,000 Accompanied by report number 80275­32 dated 15 September 2020 from GCS stating that the cushion­cut ruby weighs approximately 2.50cts, and is a natural ruby with no indications of heat treatment. Origin: Burma 651 An emerald and diamond three­stone ring, the emerald­cut emerald is claw set with an old circular­cut diamond to each shoulder, with scroll pierced decoration to the gallery and trifurcated shoulders in platinum and gold, diamonds approximately 2.00cts total, size N £8,000­12,000 Accompanied by report number 80272­27 dated 26 August 2020 from GCS stating that the octagonal­cut emerald weighs approximately 2.50cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 652 A diamond solitaire ring, the old circular­cut diamond weighs 2.08cts, with baguette­shaped shoulder diamonds in platinum, size M £5,000­7,000

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653 An Art Deco colour­change sapphire and diamond brooch, the oval­shaped sapphire weighs approximately 8.00cts, the openwork brooch of geometric design, set with graduated old circular­cut diamonds in platinum and white gold, 7cm wide £4,000­6,000 Accompanied by report number 80275­55 dated 15 September 2020 from GCS stating that the oval­shaped sapphire weighs approximately 8.00cts, and is a natural colour­change sapphire, exhibiting blue colour in daylight and purple colour in incandescent light, with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 654 An Art Deco diamond diadem, millegrain­set with graduated rose­cut and old cushion­cut diamonds in Greek key pattern design, set in platinum, 16mm high, 14.2cm wide £2,000­3,000 655 An Art Deco diamond brooch, of geometric design, the openwork mount set with graduated round brilliant­ cut diamonds in platinum and white gold, 6.5cm wide £1,500­2,000 656 A pair of diamond drop earrings, each old pear­shaped diamond weighs approximately 1.50cts set in platinum, suspending from lines of old circular­cut diamonds in gold, shepherd’s hook fittings, 2.5cm high including hook £8,000­12,000 657 An Art Deco diamond rectangular plaque ring, set with graduated old circular­cut diamonds, with further circular­cut diamonds to each trifurcated shoulder in platinum and white gold, size N½ £500­700 658 A diamond five­stone ring, centred with a baguette­shaped diamond weighing approximately 1.10cts, set with graduated baguette­shaped diamonds to each shoulder in platinum, size O½, case £1,500­2,000 659 An Art Deco emerald and diamond pendant, of geometric design with foliate motif, pavé­set with circular­ cut and triangular­shaped diamonds and calibré­cut emeralds, suspending from an openwork emerald and diamond­set upper section in platinum, on a fine­link platinum neck chain set with quatrefoils of diamonds and a square­shaped emerald in silver on gold, pendant 6.7cm high, chain 40cm long £4,000­6,000 660 An Art Deco diamond brooch, of oval form, set with old circular­cut diamonds and quartered with baguette­ shaped and French­cut diamonds in platinum, white gold brooch pin, 2.9cm wide, case £600­800 661 A sapphire and diamond cluster ring, centred with a cushion­shaped sapphire weighing 12.97cts, in an openwork double surround set with graduated old circular­cut diamonds in platinum, size M £15,000­20,000 Accompanied by report number 79216­27 dated 21 June 2019 from GCS stating that the cushion­cut sapphire weighs 12.97cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 662 A sapphire and diamond three stone ring, the cushion­shaped sapphire is flanked with baguette­shaped diamonds in platinum, size Q, case £1,500­2,000 Accompanied by report number 80274­55 dated 4 September 2020 from GCS stating that the cushion­cut sapphire weighs approximately 2.50cts, and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 663 An Art Deco slightly graduated diamond line bracelet, c.1925, the square­shaped diamonds channel­set in platinum, 17.5cm long £25,000­30,000 Accompanied by report number 78131­57 dated 20 November 2017 from GCS stating that the square­cut diamonds weigh approximately 19.00cts total and range from G­J colour and VS1 ­ VVS1 clarity.

664 An Art Deco tourmaline and diamond cluster ring, the Asscher­cut tourmaline is set within a surround of single­cut diamonds on bifurcated diamond­set shoulders in platinum, size N, case £600­800 665 An Art Deco emerald and diamond brooch by Cartier, set with a rectangular emerald within tapered diamond border and six futher emeralds to each side separated with emerald beads and with diamond terminals in platinum, signed Cartier London, 3.7cm wide £4,000­6,000 666 An emerald and diamond­set jabot pin, of stylised palmette form, set with six cabochon emeralds within a surround of calibré­cut emeralds and baguette­shaped diamonds, with an undulating outer border of round brilliant­ cut diamonds, the smaller terminal set with an emerald and diamond cluster, in platinum and white gold, 7.5cm long £20,000­25,000 667 An Art Deco emerald and diamond ring by Tiffany & Co, the emerald­cut emerald is flanked by triangular and old cushion­shaped shoulder diamonds in a pierced scrolling surround in platinum, signed Tiffany & Co, size M½ £1,000­1,500 668 A pair of diamond drop earrings, each marquise­shaped diamond suspends a pear­shaped diamond in platinum, diamonds approximately 4.50cts total, post fittings, 2.1cm high £5,000­7,000

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669 A spinel and diamond cluster ring, the cushion­shaped red spinel weighs 5.60cts, set within a surround of old circular­cut diamonds in platinum on gold, size M½ £6,000­8,000 Accompanied by report number110206 dated 8 October 2019 from SSEF stating that the cushion­cut spinel weighs 5.605cts and is a natural red spinel with no indications of treatment. Origin: Burma (Myanmar)

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670 An early 20th century ruby and diamond­set platinum ring, the oval­shaped ruby weighs 6.61cts and is set with circular and baguette­shaped diamonds, with foliate engraved bifurcated shoulders, size L½ £10,000­20,000

671 A pair of diamond and gem­set pansy ear clips by Oscar Heyman & Brothers, c.1940s, set with calibré­cut amethysts, citrines and tourmalines, the lower sections pavé­set with round brilliant­cut diamonds and circular­cut sapphires, with engraved decoration to the reverse in platinum and gold, maker’s mark, numbered 706213, post and clip fittings (one post missing), 3.2cm high, case by Gianmaria Buccellati £10,000­15,000

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672 A gem­set and enamel pendant by Carlo & Arthur Giuliano, the cushion­shaped zircon is set within pierced scrolling surround decorated with black and white enamel and quartered with rubies in yellow gold, suspending a pearl, with maker’s plaque C&AG, with a later fine­link gold chain, in original fitted green leather case by Guichard, pendant 5cm high £3,000­5,000 Accompanied by original purchase receipt dated 1900 from C&A Giuliano Provenance Property of George Corderoy (1860 ­ 1923) of Corderoy & Co and thence by decent to the current owner Ilustrated Mrs Lydie Corderoy nee de Mouilpied (1877 ­ 1953) wearing lot 672 including the original chain.

Lydie Corderoy wearing lot 672

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673 A gold bracelet by Carlo Giuliano, of foliate design with pierced and polished yellow gold links, maker’s plaque CG, in fitted velvet case signed C. Giuliano, 115 Piccadilly, bracelet 18cm long £3,000­5,000 Provenance Property of George Corderoy (1860 ­ 1923) of Corderoy & Co and thence by decent to the current owner

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lifesize

674 An emerald and diamond ring, the emerald­cut emerald weighs 5.03cts, set with a trapeze­shaped and tapered baguette­shaped diamond to each shoulder in platinum and gold, French platinum hallmark, size M½ £20,000­30,000 Accompanied by report number 18050150 dated 28 May 2018 from Gubelin stating that the octagonal­cut emerald weighs 5.03cts, and is a natural emerald with indications of insignificant clarity enhancement. Origin: Colombia

675 A pair of emerald and diamond drop earrings, the foliate sprays set with baguette­shaped and round brilliant­ cut diamonds, suspending three articulated diamond­set tassels and a detachable pear­shaped emerald in platinum and white gold, emeralds 8.55 and 6.96cts, diamonds approximately 4.50cts post and clip fittings, 6.5cm high £15,000­20,000 Accompanied by report number 80259­78 dated 5 March 2020 from GCS stating that the pear­shaped emeralds weigh 8.55 and 6.96cts and are natural emeralds with indications of minor clarity enhancement.

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676 A diamond and cultured freshwater pearl ‘Fire & Ice’ Tiara by Geoffrey Rowlandson, c.2000, set with six cultured freshwater pearls, to a mount pavé­set with round brilliant­cut diamonds in white gold, diamonds approximately 4.50cts total, maker’s mark, 18ct London hallmarks for 2000, 5.2cm high, case £8,000­12,000 Geoffrey Rowlandson was born in 1931 into a family of fashion and jewellery designers. The Rowlandson Company began as a means to create bespoke classic jewellery and twenty years ago the Rowlandson Unique Collection was established to create original and innovative pieces of jewellery. Geoffrey’s talents were recognised by the Worshipful Company of Goldsmith, earning him ‘Jewellery Designer of the Year’ twice, 1998­9 and 2002­3, as well as numerous commended awards including ‘Me and My Shadow’ in 2002 and ‘The Royal Christening’ in 2014.

The Victoria & Albert Museum exhibited this ‘Fire and Ice’ Tiara in 2002. Three of his pieces including ‘Grand Jeté’ were again selected for their 2013 Pearl exhibition.

More recently in 2014 The Royal Christening brooch was awarded a commendation by The Worshipful Company of Goldsmiths.

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677 A late 19th century diamond tiara / necklace, set with a line of graduated old cushion­shaped diamonds in scallop­edged mounts suspending undulating foliate drops set alternately with cushion and pear­shaped diamond terminals, in silver and gold cut­down collets, rhodium plated, with conforming diamond­set back section (three links removed) which can be attached so the tiara can be worn as a fringe necklace, fitted case £8,000­12,000 Illustrated as a necklace and a tiara.

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678 A Belle Époque diamond bow pendant, pavé­set with diamonds, a bow suspends the decoratively pierced articulated platinum drop with an old­cut diamond weighing approximately 2.80cts to its centre, and a further old cut diamond of approximately 2.70ct at the bottom, 7.6cm long, on fine­link platinum neck chain, 42cm long £25,000­30,000

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38 679 A diamond necklace, set with round brilliant­cut, marquise, oval and pear­shaped diamonds on white gold knife­edge links, suspending a pear­shaped diamond drop with folding pendant loop, diamonds approximately 35.50cts total, signed Chatila, 46cm long £60,000­80,000

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18: Marquise­cut 0,78cts, D, VS2, None 19: Round brilliant­cut, 1.04cts, H, VS2, None 20: Pear­cut, 1.00cts, E, VS1, Faint 21: Oval­cut, 0.89cts, F, VVS2, None 22: Marquise­cut, 1.10cts, I, VVS2, None 23: Round brilliant­cut, 1.03cts, D, VS2, None 24: Pear­cut, 1.32cts, H, VS1, Faint 25: Marquise­cut, 1.13cts, G, VVS2. Faint 26: Oval­cut, 0.89cts, F, VVS1, None 27: Pear­cut, 1.00cts, G, VVS1 28: Round brilliant­cut, 1.15cts, G, VVS1, Faint 29: Marquise­cut, 0.84cts, G, VS2, None

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680 A cushion­shaped colour change sapphire and diamond ring, set with graduated circular and baguette­ shaped shoulder diamonds in platinum, size J £15,000­20,000 Accompanied by report number 5776­6737 dated 1st September 2016 from GCS, London stating that the cushion­ cut sapphire weighs approximately 14.50cts and is a natural colour­change sapphire with no indications of heating, and is purplish blue in daylight and purple in incandescent light. Origin: Sri Lanka.

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681 An Art Deco sapphire and diamond bracelet, centred with an oval cabochon sapphire, the bracelet set overall with rows of graduated old circular­cut diamonds in platinum, French import marks, maker’s mark CH, diamonds approximately 17.00cts total, 18cm long £15,000­20,000 Accompanied by report number 80274­53 dated 4 September 2020 from GCS, stating that the cabochon­cut sapphire weighs approximately 32.00cts and is a natural sapphire, with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

Provenance: The bracelet was purchased by Lord Bernard Fitzalan Howard (1885­1972), 3rd Baron Howard of Glossop, for his wife Mona Josephine Tempest Fitzalan Howard (1894­1971), née Stapleton, 11th Baroness Beaumont of Carton Towers, Yorkshire. Thence by descent to the current owner.

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CHRISTMAS GIFTS TIMED ONLINE AUCTION 19TH NOVEMBER TO 2ND DECEMBER 2020 Jewellery, silver, vertu, ceramics and small collectable items just in time for Christmas

ENQUIRIES Charlotte Glyde +44 (0)1722 424586 cg@woolleyandwallis.co.uk

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or½ . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

WW102-662 Listing.qxp_Layout 1 08/10/2020 13:32 Page 136

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FINE JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WEDNESDAY 9TH & THURSDAY 10TH DECEMBER 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

All accounts must be settled within 21 days.

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Faxx: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR OCTOBER 21st

Furniture, Works of Art & Clocks

NOVEMBER 10th & 11th 17th & 18th 24th 25th & 26th

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR JANUARY 2021 AUCTION Closing date: 20th November

Fine Chinese Paintings & Works of Art, Ja­ panese Works of Art Fine Jewellery English & European Ceramics & Glass Silver & Objects of Vertu

DECEMBER 9th 16th

Modern British & 20th Century Art British Art Pottery

JANUARY 13th 26th 28th

Furniture, Works of Art & Clocks Silver & Objects of Vertu Jewellery

Dates may be subject to change

TIMED ONLINE AUCTION 19th November to 2nd December – Christmas Gifts Around 150 lots of jewellery, vertu, ceramics and small collectable items just in time for Christmas, with estimates starting at £300

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

An attractive Art Nouveau enamel butterfly bracelet

by Carreras, c1905, 19cm long SOLD FOR £62,500*

www.woolleyandwallis.co.uk