Woolley & Wallis Auctioneers

FINE JEWELLERY

WEDNESDAY 24TH & THURSDAY 25TH APRIL 2024

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

Marielle

Jonathan Edwards FGAA (Consultant)

Samuel Hug FGA DGA

Megan Corbett

Beth Reardon

Michael

Zoe Smith

Jeremy

Neil Grenyer

Amanda Lawrence

Hannah Farthing (Trainee Valuer)

Ruth

Lynda

Ellie Briant

Freya

Michelle

Mark

Neil

Natalie

Alexandra

Ed

Ned

Clare Durham

Victor Fauvelle

Will Hobbs

Samuel Hug FGA DGA

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

FINE JEWELLERY

WEDNESDAY 24TH APRIL 2024

10.00AM LOTS 1 - 415

THURSDAY 25TH APRIL 2024

10.00AM LOTS 416 - 825

at our City Centre Salerooms, SP1 3SU

Friday 19th April 10.00am – 4.00pm

Saturday 20th April 10.00am – 1.00pm

Monday 22nd April 10.00am – 4.00pm

Tuesday 23rd April 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

Lot 720

A carnelian bird brooch by Cartier

Marielle Whiting FGA 01722 424595 mw@woolleys.live

Jonathan Edwards FGAA 01722 424504 je@woolleys.live

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 825

Inside front cover: Lot 812

Page 1: Lot 821

Back cover: Lot 824

Catalogue £10.00 (£15.00 by post)

Samuel Hug FGA DGA 01722 424586 sh@woolleys.live

Megan Corbett mc@woolleys.live

Beth Reardon br@woolleys.live

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Facebook: @woolleyandwallis

Twitter: @woolleywallis

Pinterest: Woolley and Wallis

JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT

Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

1 Louis Vuitton, a monogram canvas Speedy 25 handbag

1998

25cm wide, 18cm high, 9cm handle drop

£200­300

2 Louis Vuitton, a vintage monogram canvas Monceau satchel bag

1996

27.5cm wide, 23cm high, strap drop: 41cm shortest, 61cm longest, includes keys and box £100­200

3 Fendi, a zucchino canvas navy Roll bag 48cm wide, 28cm high, 17cm handle drop £100

4 Fendi, a zucchino canvas brown tote 32cm wide, 25cm high, 13.5cm handle drop £100

5 Chanel, a red & black 2.55 bag print scarf 84cm by 81cm £80­120

λ 6 Asprey, a raspberry crocodile top handle bag 24cm wide, 26cm high, 9cm handle drop, 42cm strap drop, includes detachable strap, dustbag and box £300­500

λ 7 Asprey, a navy crocodile handbag 28.5cm wide, 20cm high, 10cm handle drop, includes coin purse, mirror, dustbag and box £400­600

8 Gucci, a small metallic pinkish/grey GG Imprime tote 37cm wide, 21cm high, 7.5cm handle drop £100­200

9 Gucci, a small black GG leather Boston duffle 30.5cm wide, 26cm high, 9cm handle drop, includes dustbag £250­350

10 Dior, a black oblique patent leather tote 2008

Silver tone hardware 42.5cm wide (top of bag) 26.5cm high, 17cm handle drop £400­600

11 A collection of auction catalogues and reference books, comprising: The Duke and Duchess of Windsor, three volumes, Sotheby’s, September 1997; The Collection of Elizabeth Taylor, Parts I & II, two volumes, Christie’s, December 2011; Property from HRH Princess Margaret, Countess of Snowden, two volumes, Christie’s, June 2006; The Jewels of the Duchess of Windsor, Sotheby’s, April 1987; The Thurn und Taxis Collection, Sotheby’s, November 1992; Jewels from the Personal Collection of Princess Salimah Aga Khan, Christie’s, November 1995; Property from HRH the Prince Henry, Duke of Gloucester, Christie’s, January 2006; John Culme and Nicholas Rayner, The Jewels of the Duchess of Windsor, Thames & Hudson, 1987; and Timothy B. Schroder, The Gilbert Collection of Gold and Silver, Los Angeles County Museum of Art, 1998, signed copy £100­200

TO

BE SOLD WITHOUT RESERVE

12 A collection of jewellery boxes and pouches, 47 in total, including a modern brooch and bracelet case stamped Cartier; three pouches and a bag stamped Tiffany & Co., a bracelet and cufflink case stamped Harrods; and a brooch case stamped Collingwood & Co. £100­200

13 A late Victorian jewellery box, late 19th century, three tiers, in tooled maroon leather with brass fittings and blue lining, measuring approximately 13.5 x 25.4 x 17.8cm, key deficient £100­200

TO

BE SOLD WITHOUT RESERVE

14 A jewellery box, first half 20th century, briefcase style, in light brown leather, three tiers, brown suede lining, measuring approximately 24.5 x 15.3 x 8.5cm, key deficient £100­200

TO

BE SOLD WITHOUT RESERVE

15 Hermès, a desk tidy, of lyre­shaped outline in gilt metal, each end modelled as a lion’s head, with a removable cup of flared outline, total height 15cm, cup and stand signed Hermès Paris, maker’s mark £100­200

λ 16 A large collection of jewellery, 19th and 20th century, comprising: a ring set with a trefoil of single­cut diamonds, size L, stamped 18CT; a diamond ring with heart motifs, size M, stamped 10K; a gold and diamond half eternity ring, size J½; a 9ct gold and blue zircon bracelet by Cropp & Farr, British hallmarks; a 9ct gold bangle set with red and colourless simulant gemstones, partial British hallmarks; a 9ct gold child’s bangle, British hallmarks; a 9ct gold longboat pendant on a chain, British hallmarks; two carnelian fob seals; an onyx and seed pearl locket pendant; a 9ct gold smoky quartz ring, and a 9ct gold and diamond signet ring, each with British hallmarks; a citrine ring mounted in gold; a gold Maltese cross brooch inscribed ‘Mary’, signed Birks, stamped 10K; a gold and enamel badge, stamped 14K; two pairs of cultured pearl stud earrings, screw fittings; a gold Claddagh ring; a Russian wedding band in three­coloured gold; two gold wedding bands; an emerald and diamond half hoop ring in 9ct gold; an emerald five­stone ring; a sapphire and diamond cluster ring in gold; an amethyst and diamond ring in white gold; a 9ct gold dolphin ring; a gold locket with an enamelled horseshoe; a gold, citrine and turquoise pendant; a loose black opal; an untested black pearl; a loose shell cameo; a loose prasiolite quartz; a Victorian garnet brooch and an aquamarine brooch; a low­carat gold hinged hoop; a gold and carnelian pendant necklace; five propelling pencils, two with British hallmarks for 9ct gold; three stick pins set with seed pearls, coral and ruby and a seed pearl; six gold bar brooches set with seed pearls, zircon and turquoise; a 9ct gold foliate brooch; a gold brooch designed as ivy leaves set with a garnet and seed pearls; a gold brooch set with a seed pearl; a floral seed pearl brooch; a gilt brooch stamped ‘Baby’; a gilt metal, garnet and tiger’s eye insect brooch; a gold chain link bar brooch; and a coral and amazonite necklace; jewellery case £200­300

17 A large collection of jewels, comprising: an opal and diamond ring and pair of opal pendants; an opal and diamond pendant on a gold chain, stamped 375; a zodiac pendant for Scorpio, stamped 750, chain stamped 375; a synthetic colour­change sapphire necklace in gold, stamped 585; three rings and a bracelet set with synthetic colour­change sapphires; two pairs of sapphire and paste earrings; a pair of sapphire and diamond cluster earrings; a 9ct gold ‘screw you’ ring with a screw and letter U, Briti hallmarks; two gold pendants and a pair of stud earrings set with green pastes; a pair of faceted aquamarine earrings; a 9ct gold propelling pencil on a chain, British hallmarks; a Victorian turquoise and diamond ring; a chalcedony bar brooch; a synthetic goldstone ring mounted in gold; a skeletonised coin demi­parure; a cultured pearl necklace; a three silver pendants; a loose paste; three paste earrings; two garnet links; a ring mount; two amethyst rings; one earring and a necklace and pendant set with purple pastes; three cultured pearl rings, one stamped 9ct; a blue topaz ring in 9ct gold, British hallmark; seven gold rings including a 9ct gold puzzle ring, Briti hallmark; a mother of pearl ring in 9ct gold, British hallmark; two rings set with simulant diamonds, one with British hallmark for 18ct gold; three diamond rings in gold, one with British hallmarks; a pair of mother of pearl earrings; a cultured pearl necklace; and a gilt metal chain £1,000­2,000

18 A collection of jewellery including an emerald and diamond ring, comprising: a group of six gold charm pendants including a cat, a globe and a rocking horse, largest 2.7cm, four with British hallmarks for 9ct gold; one gilt metal charm; an emerald and diamond cluster ring mounted in gold, size L½; a high carat gold wedding band, size P, and an 18ct gold wedding band, size O, British hallmarks; a seed pearl and blue enamel brooch; a 9ct gold bangle, British hallmarks; a diamond stickpin designed as a pheasant, length 6.7cm, case stamped Harvey & Gore; and a circular turquoise and seed pearl brooch mounted in gold, 2.1cm diameter; together with a silver swivel fob seal set with carnelian; a silver pendant designed as the letter S in blue enamel, on a silver chain; and a silver bracelet centring on a plaque inscribed ‘Sara’ £600­800

19 A group of buckles and jewels, 18th/19th century and later, comprising: eight pairs of buckles, including five pairs set with pastes and one pair applied with blue and white enamel; two buckles set with pastes; a button and two slides set with pastes; a gilt metal pendant; a colourless paste jewel; and two curved jewel components set with yellow pastes, French assay marks for silver and maker’s marks, largest 9.1cm £100­200

20 A collection of jewels, comprising: a cultured pearl necklace with an amethyst and cultured pearl clasp mounted in 9ct gold, case, British hallmarks; a half hoop ring set with brilliant­cut and baguette diamonds, mounted in platinum, size L, British hallmark, stamped G&CO for Garrard; a hinged gold bangle; an abstract 9ct gold brooch with engraved and polished gold motifs accented with brilliant­cut diamonds, length 3.9cm, British hallmarks, maker’s mark GAM, date letter for 1974; a pair of simulant diamond ear clips and a garnet ring in 9ct gold, size O½, British hallmarks; five cases including two by Carrington and one by Garrard £200­300

21 A collection of jewels, comprising: a gold and citrine bracelet, length 16.5cm, signed Desiree, stamped 750; a gold brooch of Sputnik design set with circular­cut gemstones including tourmalines, garnets and amethysts, diameter 2.7cm; a gilt metal locket pendant; a three­row pearl necklace, to a late 18th/early 19th century mourning clasp set with half pearls around a central glazed compartment, the reverse inscribed ‘W. Hart’, necklace length 34cm, pearls untested, one strand detached; a modernist silver necklace, length 71cm, detaching into two sections, indistinct maker’s mark, British import hallmarks for silver, 1974; and a sapphire and diamond threestone cluster ring, size S, numbered 1375, stamped 14K £200­300

22 A collection of jewels, comprising: a manual winding gold wristwatch by JW Benson, the reverse with the monogram for George VI, dated 1937; fifteen paste brooches, largest 6.2cm; a dyed blue stone bead necklace; a carved bone necklace; a colourless paste necklace; a foliate silver pendant necklace set with an oval citrine; an enamel bangle; a pair of amethyst earrings; a turquoise stick pin; a paste and simulant pearl pendant; a gold propelling pencil, the end set with bloodstone; a brooch made from a large Thaler coin dated 1648; a lead ingot; a paste buckle; a turquoise cabochon, an oval amethyst and an oval blue paste £200­300

23 A collection of jewels including a lapis lazuli scarab ring, early 20th century, comprising: a gold ring set with an oval amethyst, size O; a gold ring set with a step­cut citrine, size L½; an Egyptian Revival style gold ring set with a lapis lazuli scarab in a swivelling mount, size L, case stamped Mappin & Webb; an Art Deco moulded glass bead necklace, length 64cm; a 9ct gold heart link bracelet, length 18cm, British hallmarks; a silver longchain necklace with enamelled links designed as fish, length 74cm, Italian maker’s mark 1AR; a malachite bead necklace, length 82cm; two agate pendants, one with Arabic inscriptions, larger 7.3cm; a blue paste bar brooch; and a paste brooch designed as one monkey sat on a bar, suspending another monkey from a chain, length 7.5cm £200­300

TO BE SOLD WITHOUT RESERVE

24 A collection of jewels including an Art Deco charm bracelet, early­mid 20th century, comprising: a geometric brooch designed as a stylised bow in bicoloured gold, length 6cm, British hallmarks for 18ct gold, date letter for 1937, sponsor’s mark W&B, case stamped Cartier; an early 20th century Art Deco bracelet in gold and platinum, suspending a series of charms including a terrier with a diamond collar, a shou medallion, a cat, a four­leaf clover, a yacht and an elephant, length 16cm, stamped 9ct; a 1920s jadeite and diamond plaque brooch, length 4.6cm; an eternity ring set with a continuous band of single­cut diamonds and calibré­cut sapphires, mounted in platinum, size K; a platinum wedding band, size M, stamped Platinum, maker’s mark WWLtd; a mid­century brooch set with a drusy agate, mounted in low carat gold, length 4.8cm, stamped 333, maker’s mark; and a brooch of foliate design set with oval aquamarines, mounted in white gold, length 5.1cm, case stamped H Stern £200­300

25 A collection of beaded jewels, comprising: a cultured pearl, emerald and ruby bead necklace, length 106cm; an emerald bead rosary suspending a gold tassel set with aventurine quartz, length of rosary 32cm; a sodalite bead rosary suspending a gold tassel pendant, length of rosary 24cm; and a long necklace composed of faceted ruby beads and roundels set with brilliant­cut diamonds, the clasp additionally set with brilliant­cut diamonds, length 280cm, clasped stamped 750 £1,000­2,000 TO BE SOLD WITHOUT RESERVE

† 26 A collection of cultured pearls and loose rubies, comprising: a graduated cultured pearl necklace with a three­stone diamond clasp, length 59.5cm; three parcels of loose faceted rubies totalling approximately 150, 320 and 535 carats respectively; four strands of cultured pearls; and a group of loose cultured pearls £200­300

TO BE SOLD WITHOUT RESERVE

27 A collection of jewels, comprising: a cushion­shaped sapphire and rose­cut diamond bangle mounted in gold; a double­row necklace of cultured pearls, with a diamond clasp; and an Art Nouveau brooch in enamel, set with pearls and an oval ruby, accented with rose­cut diamonds, mounted in gold and platinum, length 3.2cm, stamped 18CT, pearls untested £200­300

λ 28 A collection of jewels, comprising: a coral ring, mounted in gold size O½; a gold ring of abstract scrolled design, size O; a textured gold necklace, length 40cm, Swedish hallmarks for 18ct gold; a 9ct gold and faceted glass charm designed as a lantern, length 3.2cm, British hallmarks; a pair of 9ct gold ear clips of knotted design, length 1.2cm each, British hallmarks; a stainless steel ring watch by Esprit, size J, manual winding movement; a 9ct gold bracelet composed of S­shaped linking, length 18cm, British hallmarks; a 9ct gold necklace of ribbon linking; three gold chains, two broken; three garnet rings; an abstract gold cluster ring set with rubies, size I, stamped 585; a low­carat gold ring; a gold ring with cannetille decoration suspending a chain tassel, size G; and a coral pendant, length 3.9cm £200­300

TO BE SOLD WITHOUT RESERVE

29 A collection of gold and hardstone jewels, comprising: a Victorian 18ct gold swivel pendant set with oval sections of bloodstone and carnelian, length 3.9cm, British hallmarks; a gold ring set with carnelian, size O½; a gold ring set with an oval mixed­cut citrine, size K; a heart­shaped carnelian pendant mounted in gold; an 18ct gold wedding band, size R, British hallmarks; a pair of 9ct gold cufflinks, British hallmarks; a nephrite pendant on a belcher link chain in gold; a gold watch chain; together with a blue enamel and cabochon sapphire ring mounted in gilt silver, size N½ £300­500

30 A collection of jewels, comprising: a late 18th/early 19th century foliate pendant brooch set with rose­cut diamonds, mounted in gold, and a foliate ruby and diamond brooch mounted in silver, longest 3.5cm, case stamped Dibdin & Co.; a floral brooch set with flat­cut garnets, length 2.9cm, one garnet deficient; a floral garnet and diamond brooch, 2.8cm diameter, central stone deficient; a stick pin designed as an elephant set with cabochon rubies, flat­cut emeralds and rosecut diamonds, length 7.1cm, some stones deficient; a Victorian 9ct gold bar brooch, length 4.6cm, British hallmarks, pin deficient; a gold bar brooch set with sapphires and diamonds, length 4.5cm, stamped 15CT, fitted case; a Victorian 9ct gold bar brooch centring on a swallow swooping through a heart, length 4.6cm, British hallmark, fitted case; a fob seal in white chalcedony engraved with a falcon, mounted in gilt metal; a rock crystal figa pendant mounted in gold filigree, length 5.5cm including suspension hoop; an agate drusy pendant set with a cultured pearl, mounted in gold, length 3.4cm, stamped 750, maker’s mark AP; and a copal resin pendant, length 6.8cm including suspension hoop £300­400

λ 32 A collection of Georgian and Victorian jewels, including a fine Georgian mourning brooch, late 18th century, comprising: a mourning brooch of oval outline, the glazed central compartment depicting a funerary monument in ivory set with a pearl, the glass painted with a fringe of weeping willow leaves, within a border of white enamel the reverse with woven hair work, length 3.4cm, pearls untested; a pink topaz and chrysoberyl mourning brooch in a scrolling gold mount, the reverse with a glazed compartment containing hair work, length 4.4cm; a gold brooch set with a panel of hair work within a half pearl border, length 5.7cm, pearls untested; a smoky quartz and enamel brooch, length 4.7cm; a hardstone cameo brooch depicting a woman with long flowing hair in profile, mounted in gold, length 4.6cm, French assay marks for 18ct gold and partial maker’s mark; and a tortoiseshell longchain, length 102cm £300­500

31 A collection of jewels, comprising: a floral micromosaic brooch mounted in gilt silver, diameter 2.6cm, stamped Italy, 800; a floral micromosaic bracelet mounted in gilt metal, length 17.7cm; a silver filigree and enamel necklace, length 40cm; and a blue paste and rose­cut diamond ring, size N½, stamped 750, maker’s mark JG £150­250

33 A collection of garnet jewellery, comprising: a demi­parure of a necklace, bracelet and earrings, each set with rose­cut garnets in gilt metal, necklace length 37.5cm, bracelet length 15.5cm, earrings 5.5cm each; and a garnet cluster ring mounted in 9ct gold, size M, British hallmarks

£150­250

TO BE SOLD WITHOUT RESERVE

λ 34 A collection of gold and gem­set jewels, comprising: three necklaces in high carat gold, two suspending a heart­shaped pendant, one pendant stamped 9999, combined gross weight 56 grams; a reconstituted turquoise and paste pendant, stamped 750; an American gold five dollar coin, dated 1908, later mounted in a gold pendant set with emeralds, rubies, sapphires and diamonds, length 4cm including bail; a carved coral ring and a shell cameo and diamond ring, each mounted in gold, sizes M½ and L; a gold box­link chain necklace suspending two cross pendants set with cultured pearls and diamonds; together with a pair of emerald and diamond cluster stud earrings; and a pair of ruby and diamond pendent earrings, length 2.3cm each, British hallmarks for 18ct gold £2,000­3,000

λ 35 A collection of jewellery, comprising: an amber pendant mounted in gold, length 6.4cm; a citrine, and half pearl ring mounted in gold, size L, pearls untested; an amethyst ring mounted in yellow and white gold, size M; a gold locket engraved with initials; a gold medal from Hamilton College dated 1888, the reverse with a beehive and the motto ‘Perseverando’ in black enamel; a child’s gold ring and bracelet; two gold cross pendant necklaces; a gold chain; two gold stick pins; and a seed pearl and diamond pendant; two silver chains; and a tortoiseshell piqué work brooch £200­300

36 A collection of jewels including a charm bracelet, 19th/early 20th century, comprising: a jasper and gold brooch designed as a Maltese cross, length 4.1cm; an oval mourning brooch set with half pearls, centring on a glazed compartment, mounted in gold, length 3cm, pearls untested; a similar, smaller mourning brooch, length 2.2cm, pearls untested; an oval carnelian brooch, length 2.1cm; a mourning ring reading ‘Eliz. Walker Ob 22 Mar 1778 Ae 72’, applied with black enamel, mounted in gold, size K½, maker’s mark, losses to enamel; an opal and rose­cut diamond half­hoop ring in gold, size O, partial British hallmarks; and a charm bracelet, the gold chain suspending sixteen gold and gilt metal charms including a gold cross inscribed ‘Fight the Good Fight’, a 15ct gold thimble, British hallmarks, a carnelian fob seal inscribed ‘Peace to My Friends’, a gold coin depicting George V, engraved to the reverse with a picture of a ship, bracelet length 19cm, stamped 15 £200­300

37 A collection of jewels, comprising: a garnet and mother of pearl brooch, length 3.5cm, case stamped Cartier; an enamel and ruby bracelet of gold curb linking, length 19cm, stamped 15CT; a synthetic ruby ring mounted in gold, size M; a silver watch by Reid; and a pink and colourless paste necklace, length 43.5cm

£150­250

λ 38 A collection of jewels including an emerald bar brooch, comprising: a low carat gold bar brooch set with a cabochon emerald measuring approximately 11.6 x 10.2 x 5.4mm, length 6.1cm; a low­carat gold bar brooch set with a cabochon moonstone, length 7cm; a garnet and diamond horseshoe brooch in low carat gold, length 2.1cm; an Edwardian gold and seed pearl brooch designed as hearts on a foliate branch, length 4.5cm; another Edwardian seed pearl brooch designed as a bird within an oval frame, stamped 9ct; a heart­shaped gold locket set with an untested pearl, length 2.4cm; a gold, turquoise and seed pearl pendant suspending a heart, stamped 9; a gold and coral ring, size O; an Edwardian green tourmaline and gold brooch of ribbon design with a seed pearl bail, length 4cm; a gold locket pendant on a gold chain necklace, chain length 44cm; a 15ct gold bangle of floral design, inner circumference approximately 16.6cm, British hallmarks, date letter for 1904; a gold bangle set with a heart­shaped moonstone and seed pearls, stamped 9ct; a 20th century 9ct gold naval crown bar brooch, length 5.2cm, British hallmarks; a 20th century gold stick pin depicting a coat of arms, length 5.9cm, stamped 585; and a small jewel component designed as a cat, set with rose­cut diamonds and cabochon rubies, length 1.6cm

£200­300

39 A group of jewels including a gold charm bracelet, comprising: a gold charm bracelet, suspending a series of gold charms including a Pisces pendant, a Victorian half sovereign, a dice and a matador, some with Italian maker’s marks, bracelet with British hallmarks for 9ct gold; a textured cross pendant in gold; a gold bar brooch set with circular­cut synthetic rubies, stamped 15CT; a rolled gold bangle; a conch shell cameo brooch with a snake border; and a garnet bracelet

£600­800

40 A collection of mourning jewellery, 19th century, comprising: a lozenge­shaped pendant set with a panel of hair work within a border of banded onyx, mounted in gold, dedicatory inscription dated 1828, length 4.1cm; three mourning brooches set with seed pearls and hair work, one additionally accented with carved coral, largest 2.7cm; an oval hair work pendant in gilt metal; together with an onyx and seed pearl plaque applied with the letter K, on a brown ribbon; and an emerald and opal ring, size K

£200­300

41 A collection of thirteen gem­set rings, comprising: a diamond cluster ring in 18ct gold, size N½; a cat’s eye chrysoberyl and diamond cluster ring in 18ct gold, size N½; a cabochon sapphire and simulant diamond ring in 9ct gold, size W; a synthetic ruby and diamond ring in 18ct gold, size N½; a synthetic green quartz and diamond ring in 18ct gold, size O; a blue zircon and channel­set diamond ring in 18ct gold, size P; a zircon doublet and diamond ring, mounted in 9ct gold, size T½; a simulant diamond solitaire in 18ct gold, size K, all with British hallmarks; together with a diamond toi et moi ring mounted in gold, size P; an amethyst and diamond cluster ring, size M; two opal rings in gold, each size N; and a pink tourmaline and diamond ring in gold, size N £600­800

42 A collection of twenty rings, comprising: a star ruby and diamond ring, size P; nine star sapphire rings, three with diamond borders, one mounted in silver, sizes J½-O; a navette­shaped cushion­shaped ruby and rose­cut diamond ring, size N½; two aquamarine and diamond rings, each mounted in gold, sizes N½ and O; a green paste cluster ring mounted in gold, size N½, stamped 750; a green and colourless paste cluster ring mounted in silver, size N; a synthetic ruby and diamond cluster ring, size N; a synthetic ruby, brilliant­cut and baguette diamond ring mounted in gold, size M½, stamped 750; a synthetic sapphire ring, size N; and a synthetic star ruby and single­cut diamonds, size K½ £800­1,200

43 A collection of thirteen rings, comprising: a 9ct gold ring set with an oval sapphire, size O; a sapphire and diamond cluster ring in 18ct gold, size O; a sapphire five­stone ring in 9ct gold, size K½; a three­stone cabochon sapphire ring in 9ct gold, size O; a sapphire three­stone ring accented with single­cut diamonds, in 18ct gold, size N; an oval sapphire and single­cut diamond ring in 18ct gold, size N; a synthetic blue and white stone half eternity ring in 9ct gold, size M½; a synthetic sapphire and half pearl ring in 9ct gold, size N, pearls untested; and a synthetic star sapphire ring in 9ct gold, size P, all with British hallmarks; together with a cabochon synthetic sapphire ring in gold, size M½, indistinct assay marks; a cabochon synthetic sapphire and diamond cluster ring in gold, size N½, stamped 18CT; a simulant diamond and sapphire cluster ring in gold, size N½; and an oval sapphire and single­cut diamond cluster ring in gold, size O½ £600­800

44 A group of seven gold and gem­set rings, comprising: an opal and ruby cluster ring, size I; a five stone emerald and opal ring, size M; a tricoloured gold ring set with brilliant­cut diamonds, size N, stamped 750; two diamond solitaire rings in 18ct and 9ct gold respectively, sizes I½ and J, British hallmarks; a half hoop ring with brilliant­cut diamonds, size J; and a ring set with green and colourless synthetic stones, size J½ £200­300

45 Six gem­set rings, comprising: a 9ct wide band designed as entwined snakes, set with rose­cut diamonds, size S, British hallmarks for 1916; a ruby, garnet and diamond ring in 18ct gold, size N½, British hallmark; an emerald and diamond ring mounted in 9ct gold, size N½, British hallmarks; a sapphire and diamond ring in 9ct gold, size P, British hallmarks; a garnet and diamond ring in 18ct gold, size N, British hallmark for 1906; and a ring set with a cabochon garnet, size O½ £200­300

46 A collection of jewels, comprising: three rings set with circular­cut blue zircons, each mounted in gold, sizes K, N½ and P, one with British hallmarks for 9ct gold; a pendant necklace set with circular­cut blue and colourless zircons and circular­cut diamonds, mounted in silver and gold, chain length 42.5cm; two rings set with synthetic rubies, each mounted in gold, sizes O and P½; and two plain gold wedding bands, sizes P½ and W½, British hallmarks for 22ct and 9ct gold £300­500

47 Six gold and gem­set rings, comprising: a 15ct gold ring set with stepcut emeralds and rose­cut diamonds, size P, British hallmarks; a 9ct gold synthetic ruby and diamond cluster ring, size L½, British hallmarks; a sapphire and diamond cluster ring, size K, stamped 18K; a ruby and diamond three­stone ring, size M, stamped 18K; an 18ct gold wedding band, size L½, British hallmarks; and a Victorian 18ct gold ring set with circular­ and rose­cut diamonds, size N, British hallmarks for 1900, one diamond deficient £400­600

48

48 A collection of six gold and gem­set rings, comprising: an eternity ring set with rose­cut diamonds, size M; an eternity ring set with circularcut diamonds, size K½; a gold ring composed of rectangular links, size L; a ruby and diamond half­hoop ring, size M; a varicoloured gold ring of foliate design, size G; and a ruby, sapphire and diamond ring, size P £200­300 TO

BE SOLD WITHOUT RESERVE

49 A collection of seven gold and gem­set rings, comprising: a Victorian 9ct gold and turquoise buckle ring, size Q, British hallmarks; a patterned 18ct gold wedding band, size J, British hallmark; a floral gold ring applied with deep blue enamel, size O; a blue and white paste ring in gold, size O½; a ruby ring, size M½, stamped 585; a child’s ruby ring; and a sapphire and diamond ring in 9ct gold, size M, British hallmark, one stone deficient £400­600

51 Six silver pair and single cased pocket watches, in various states of repair, comprising: Crosthwaite and Hodges, 3115 of Dublin, a silver pocket watch dated 1857, W Dashwood of Liverpool, 9080, a silver pocket watch Birmingham marks for 1819, Jas Hargrove of Bawtoy 434, a silver pocket watch, London hallmarks for 1870, T Strong, London 22210, a silver pocket watch dated 1819, L B Benham London 4810, a silver pocket watch dated 1805 and S Johnson 9363, a silver pocket watch dated 1877 £200­300

50 Ten silver and silver plated pocket watches, comprising: a silver open­faced fob watch by Arnold, an open­faced pocket watch Thomas Russel & Son, an open­faced pocket watch by Waltham, stem wind and subsidiary seconds dial, a silver open­faced pocket watch by The Farringdon, USA, key winding and subsidiary seconds dial, with six other open­faced fob watches and two lorgnettes, a quizzing glass, a vinaigrette and various watch movements £100­200

52 Five gold plated pocket watches, a repeating watch movement by Jas Bannister 4117, London and six silver plated, silver and gold plated watch chains £100­200

53 Two pocket watches, comprising: a 9ct gold half hunter pocket watch by Vertex, length 6.8cm including suspension hoop, signed Vertex, British hallmarks for 9ct gold, date letter for 1934, sponsor’s mark ALD, numbered 29487, gross weight 91 grams; and a gilt metal half hunter pocket watch, length 7.1cm, numbered 1052630

£400­600

54 JW Benson, an 18ct gold pocket watch, circa 1929, half hunter design with aperture to front and enamelled hour indicators, white enamel dial, gold hands, subsidiary seconds dial, cased in 18ct gold, the reverse engraved with initials ENJ, length 6.7cm including suspension hoop, British hallmarks for 18ct gold, date letter for 1929, dial and movement signed JW Benson, case numbered 1186, movement numbered T.1206, gross weight 102 grams, case stamped JW Benson

£600­800

55 An 18ct gold half hunting cased fob watch, Given Brothers, signed white enamel dial and 3/4 plate movement, London makers mark for 1900, 3.3cm, blue enamel cypher to reverse; with a nineteenth century fob seal with foliate decoration and carnelian matrix carved with initials, on black silk

£300­400

56 An 18ct gold pocket watch, circa 1896, open­faced design, white enamelled dial, black Roman numeral indicators, blue steel hands, subsidiary seconds dial, 18ct gold bezel, reverse with inscription dated 1901, addressed to FM Bilby from Haberdasher’s School, dated 1901, length 6.7cm including suspension hoop, interior with British hallmarks for 18ct gold, movement numbered 70464, case interior with British hallmarks for 18ct gold, Birmingham, date letter for 1896, maker’s mark JR, gross weight 75 grams

£400­600

57 Longines, a gold open­faced pocket watch, signed cream dial with Arabic numerals and subsidiary seconds dial and outer minute markers, in a gold case with stem winding, case back engraved for C.E.I.Jones from Colleagues and Friends in the British Ministry of Supply Mission U.S.A 1939 - 1943, case width 4.4cm

£300­400

58 Vacheron, an open face gold pocket watch, early 20th century, white enamelled dial, black Roman numeral indicators, subsidiary seconds dial, engraved reverse with initials ‘NAP’, length 4.9cm, signed Vacheron, numbered 83201, inscribed ‘Ancre Ligne Droite 15 rubis’, stamped 18K, key winding movement

£300­400

59 A 9ct gold open­faced fob watch, plain white dial with Roman numerals and subsidiary seconds dial, blued steel hands, stem winding, width 4.4cm, case

£300­400

60 IWC Schaffhausen, a gold pocket watch, early 20th century, of open­faced design, circular silvered dial with gold Arabic numeral indicators, subsidiary seconds dial, within a gold bezel with foliate scroll decoration, reverse with engraved striped decoration, length 6.1cm including suspension hoop, signed International Watch Co. Schaffhaussen, numbered 207359, movement numbered 893501, Swiss assay marks for 14ct gold

£600­800

55

56

61 A cased pair of chrome steel stopwatches, for 1 minure duration and subsidiary 60 minute recording dials, on black, and the other white dial signed Maserati with trident emblem, wooden Elysée case, Dusseldorf, and a presentation note to the outer box ‘given to partcipants in rally by Masserati club 2008’

£200­300

62 Movado, an Ermetophon gilt metal travel alarm clock, 1950s, manual winding when opened, signed dial, swing seconds hand and alarm indicator, hinged strut support, engraved presentation, 5.0cm to 7.7cm, fitted Movado case

£150­250

63 A mixed group of watches, including: Saint Honoré chronograph, Le Mans chronograph and four presentation wristwatches, two Reverso

£150­250

64 A collection of watches and accessories, comprising: a Maserati Time wrist watch with chronometer, seconds and minutes recording subsidiary dials, day and date apertures and tachymetre, steel and gold plated case, automatic movement, 3.9cm, leather band, case and manual; a chronograph signed Ferrari, with Ferrari racing emblem, three subsidiary dials, steel and gun metal, matching strap with extra links, case and papers; a Maserati wristwatch with steel case, blue signed dial and blue rubber strap; an Air France steel alarm clock, 4.3cm; a Must de Cartier money clip, length 2.8cm, numbered 32739; a Maserati dark red enamel gold plated lighter, damaged, 6.6cm high, cased; and a collection of seven racing­themed stud badges £150­250

65 Frederique Constant, two wristwatches, a circular guilloché signed dial, subsidiary seconds dial, 3.3cm, gold plated and steel case, leather band, case; and a tonneau­shaped gold plated watch, automatic winding, signed guilloché dial, exhibition back, leather band, 4.8cm high, box and manual £400­600

66 A group of three watches including a gold watch by Gubelin; comprising: a lady’s stainless steel watch by Baume & Mercier, numbered 5225.038 and 1387724, quartz movement; a lady’s steel watch by Ebel, numbered 11628716 and 166901, quartz movement; and a gold watch with a rectangular silvered dial, to a gold bezel and link bracelet, case interior, movement and bracelet signed Gubelin, Swiss assay marks for 18ct gold, numbered 120043 manual winding movement £600­800

65

61

62

63

67 Rothschild, a gold wristwatch, of rectangular outline with grey textured signed dial with baton numerals, numbered 2491012 to reverse, quartz movement, leather strap with gold buckle, case width 2.3cm

£400­600

68 Omega, a gentleman’s Art Deco wristwatch, circa 1929, with rectangular brushed silver dial with subsidiary seconds dial, within a bicoloured 18ct gold case, on a later striped fabric strap, case width 2.4cm excluding winder, manual winding movement signed Omega, numbered 8047722, case back interior with British hallmarks for 18ct gold, date letter for 1929, maker’s mark S&S, numbered 2033 £300­500

69 Bedat, a stainless steel and diamond wristwatch, ‘No. 7’, ref.728, signed rectangular dial, sweep seconds dial, diamond set bezel, automatic movement, case 25mm, numbered 2044 reference 728, maroon silk band with deployant clasp, spare orange silk strap, box and papers £1,000­2,000

70 Rolex, a lady’s gold watch, ‘Cellini’, the rectangular watch with a deep orange dial, within a gold bezel, to a black leather strap, case width 2.5cm excluding winder, manual winding movement, signed Rolex, numbered 4149159, Swiss assay mark for gold £1,000­1,500 TO

71 Chaumet, a gentleman’s stainless steel wristwatch, white guilloché enamel dial, dot and Roman numeral indicators in yellow enamel, date aperture, black enamel bezel with seconds, stainless steel case and rubber strap with deployant clasp, case width 3.7cm excluding winder, automatic movement, signed Chaumet, numbered 628-0130 £400­600

72 Hermès, a ‘Tour Auto 2002’ steel wrist watch, chronograph, black signed dial with three subsidiary dials and date aperture, manual winding movement, 3.8cm, steel band, box, spare links £400­600

73 A collection of watches and jewels including a pair of Art Deco cufflinks, comprising: a lady’s gold watch by Omega and another by Ebel, each with British hallmarks for 9ct gold, manual movements; a pair of Art Deco onyx and diamond cufflinks, each end 1.2 x 1.2cm; and a platinum band, size N £150­250

74 Montblanc, two pens and a propelling pencil, comprising: a stainless steel and black enamel ball point pen, length 14.8cm, signed Montblanc, case stamped Montblanc; a gilt metal ballpoint pen, length 13.8cm, signed Montblanc, case stamped Montblanc; and a gilt metal propelling pencil, length 14.1cm, signed Montblanc, case stamped Montblanc £100­200

75 Pelikan, a 14ct gold mechanical pencil, with engine­turned decoration, length 13cm, with a 14ct gold fountain pen by Pelikan, with engine turned decoration, length 12.8cm £300­400

76 Six gold items, including three 9ct gold propelling pencils, one by S.Mordan & Co, a Victorian 15ct gold scarf pin set with a diamond, a 9ct gold cigar cutter and a 19th century gold and enamel pendant, length 4.5cm, total weight 42g £500­700

77 A collection of stick pins and brooches, late 19th/early 20th century, comprising: a gold bar brooch centring on a pheasant applied with coloured enamels, in gold, length 5.7cm; a gold, amethyst and seed pearl bar brooch, length 5.3cm; and four gold stick pins, two capped with baroque pearls, one with a reverse carved rock crystal intaglio depicting a fox hunt, and one topped with a gold bead, longest 6.6cm, two cases; together with a swizzle stick; and two propelling pencils, one with British hallmarks for 9ct gold £200­300

78 A collection of jewels, comprising: two 9ct gold gate bracelets with heart padlock clasps, British hallmarks; a 9ct gold chain necklace, length 70cm, British hallmarks; a 9ct gold bangle, British hallmarks; a 9ct gold wedding band, size J½, British hallmarks; a 22ct gold wedding band, size I, British hallmarks; a gold bangle, stamped K18; and a five­stone diamond ring mounted in gold, size Q, combined gross weight 53 grams

£500­700

79 A collection of gold jewels, comprising: a gold watch chain of anchor linking, suspending a hardstone and gilt metal swivel seal and a hook pendant, length 37.5cm, chain stamped 10C, gilt metal jump rings; a gold brooch modelled as a horse with ruby eyes, length 4cm, Italian maker’s marks; and two articulated 9ct gold and synthetic stone charms, modelled as a clown and a teddy bear, largest 5.7cm, each with British hallmarks; and an articulated 9ct gold charm pendant designed as a crocodile, length 4cm, British hallmarks, combined gross weight 69 grams

£800­1,200

80 A 9ct gold curb­link bracelet, 20cm long, with a 9ct gold articulated horse pendant, a 10ct gold bracelet, length 20.5cm, and an 18ct gold diamond­set ring, size N, total weight 69g

£500­700

81 A group of jewels including a gold mesh purse, comprising: a mother of pearl compass pendant mounted in gold, date 1928, length 3.2cm including bail; a gold half hunter pocket watch, length 4.1cm including suspension hoop, stamped 14K, numbered 194256; a gold mesh purse, early 20th century, length 9.1cm, French export assay marks for 18ct gold, gross weight 28 grams; and a silver thimble, fitted case £600­800

82 Four gold coins, 19th century, comprising: a Victorian sovereign dated 1895; a Victorian half sovereign dated 1887; a French Napoleon I 20 franc coin dated 1810; and a Swiss 20 franc coin dated 1883, combined gross weight 24 grams, pouch £800­1,200

83 Two gold coins and a cross pendant, comprising: a George V gold sovereign coin, dated 1915, 8 grams; a Victorian half sovereign, dated 1898, 3.9 grams; and a cross pendant of foliate design, length 4.5cm, British hallmarks for 9ct gold, date letter for 1978, 4.8 grams £150­250

84 Two gold coins, comprising: a Mexican 50 peso coin dated 1946, 3.6cm diameter, gross weight 41.7 grams; and an American 20 dollar coin dated 1884, mounted in a gold pendant, length 4.4cm including bail, gross weight 39.0 grams including setting £800­1,200

85 A collection of jewels including a George III guinea coin pendant, comprising: a 9ct gold brooch designed as three chicks on a branch, their eyes set with rubies, length 3.5cm, British hallmarks; a pair of gold and paste earrings designed as fox faces, screw fittings, stamped 9ct, one paste deficient, case; a sapphire and diamond bar brooch, length 7.2cm, stamped 9ct; a gold and amethyst bar brooch, stamped 9ct; a ring set with blue pastes and seed pearls, size M½, stamped 18CT; a pendant set with a gold George III guinea, length 4.1cm including bail; a pair of citrine earrings, screw fittings; and a pair of pendent earrings set with polished citrine and faceted rock crystal, case £200­300

86 A collection of jewels, comprising: a brooch set with an amethyst cameo carved with a bust of a woman, within a gold mount topped with a bow set with a cultured pearl, length 4.9cm; and a pair of ear clips of matching design, length 2.4cm; a coral and seed pearl cameo brooch, length 3.6cm, stamped 14K; a coral cameo ring, size J½; and stick pin set with a pear­shaped garnet, length 6.1cm £200­300

87 Two carnelian intaglio brooches, comprising two brooches, each set with an oval carnelian intaglio depicting one of the labours of Hercules, including slaying the Lernean Hydra and capturing the Hind of Ceryneia, each within a gilt metal frame, largest brooch 4.7 x 4.2cm, brooches each signed Phoeser £200­300

88 Two gold bracelets, circa 1900, each of curb linking, one suspending a charm designed as an envelope with hinged opening, the reverse dated ‘April 11th 1901’, bracelet with envelope charm measuring 17cm, stamped 15, the other measuring 18cm, clasp deficient, combined weight 24 grams £400­600

89 Mario Buccellati, a gold demi­parure, Italy, second half 20th century, comprising: a brooch and pair of ear clips, each naturalistically modelled as a rose in polished and matte gold with intricately engraved details, brooch length 6.5cm, ear clips each 2.4cm, all signed M. Buccellati, inscribed 750, Italy, ‘96 £1,700­1,900

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90 A gold long guard chain and pendant, the chain composed of belcher linking, suspending a charm pendant designed as a tortoise and a gold medallion charm designed as a boat at sea, reading ‘Barbados’, chain length 142cm, stamped 9C, tortoise charm length 3cm, British hallmarks for 9ct gold, total gross weight 29 grams £350­500

TO BE SOLD WITHOUT RESERVE

91 A collection of three gold dress rings, India, each of ornate design with engraved and faceted detailing, in high­carat gold, sizes L, M and M½, one with British hallmarks for 22ct gold, combined gross weight 15 grams £450­550

TO BE SOLD WITHOUT RESERVE

92 A signet ring and a rock crystal intaglio ring, late 19th century, comprising: a gold signet ring, engraved with an escutcheon depicting two lions and a tree, beneath a coronet, size J; and a ring set with a rock crystal intaglio with the initials HOF within a garter border inscribed ‘Cor et Manus Concordant’, surmounted by a hand, size K, later adapted as a ring £150­250

92

93 A Victorian gold locket pendant, of oval form set with a central coral cabochon within seed pearl and blue enamel border in yellow gold, glazed locket compartment to interior, length 3.6cm, with a Victorian gold and diamond­set brooch, set with a central old circular­cut diamond within polished gold ground and a ropetwist and pelletwork border, length 4.1cm

£400­600

94 A Victorian agate cameo ring and gold fob seal, late 19th century, comprising: a gold fob seal finely modelled as a pair of harpies, the base engraved with scrolled initials, height 4.2cm, stamped 14K, maker’s mark; and a ring set with an agate cameo depicting a gryllus, to a gold mount of rope twist design, size R½

£400­600

95 A gold, tourmaline and cultured pearl demi­parure, Vienna, 1970s, comprising: a brooch and pair of ear clips, each of abstract foliate design in textured 18ct gold, set with cabochon pink and green tourmalines and cultured pearls, brooch length 4.0cm, ear clips 2.8cm, all stamped 750, Austrian assay marks, case stamped Juwel Wien

£500­700

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96 A turquoise and lapis lazuli pendant and two pairs of earrings, comprising: a necklace, set with a navette­shaped cabochon of turquoise on one side and lapis lazuli on the other, on a foxtail­link chain, mounted in gold, pendant length 4.8cm, necklace length 45cm, chain with Italian maker’s mark, stamped 750; together with two pairs of matching stud earrings in turquoise and lapis lazuli, each length 1.2cm each, post fittings, each with British hallmarks for 9ct gold £300­400

97 A collection of jewels, comprising: a pair of stud earrings, each of cluster design, set with a circular­cut ruby within a border of circular­cut pink and green tourmalines and brilliant­cut diamonds, mounted in white gold, diameter 1cm each, post fittings; a pair of floral sapphire and diamond stud earrings and a matching pendant, chain stamped 750; and a ring set with lines of circular­cut sapphires and brilliant­cut diamonds, size J½ (sizing band) £600­800

98 Vourakis, a mother of pearl and diamond demi­parure, comprising: a pair of earrings and a ring, each set with a carved flower in mother of pearl, set with brilliant­cut diamonds, mounted in gold, ring size K½, earrings 5.5cm, hook fittings, ring signed LV, stamped 750, one earring signed L.Vourakis, the other stamped 750 £500­700

99 Two loose stones and a ring, comprising: a loose oval amethyst weighing approximately 33.00 carats; an oval smoky quartz weighing approximately 70.00 carats; and a half eternity ring set with diamond simulants, mounted in white gold, size N½, stamped 14K £100­200

100 Georg Jensen, a silver brooch and pair of earrings, circa 1994, comprising: a silver brooch modelled as a wreath of flowers, length 5.3cm, signed Georg Jensen 1904-1994, British import hallmark for silver; and a pair of stud earrings of circular design with foliate motifs, diameter 1.8cm each, post fittings, signed Georg Jensen, British import hallmarks for silver, case stamped Georg Jensen £150­250

101 Two cheroot holders and a hardstone carving, comprising: a cheroot holder in gilt metal, applied with green guilloché enamel, length 7cm, stamped Austria Double, handle deficient, fitted case; another cheroot holder in gilt metal with banded enamel decoration, to a resin mouthpiece imitating amber, length 10.4cm; and a bloodstone carving of a crow, height 5.4cm £200­300

£200­300

102 Two pairs of earrings and a pendant, comprising: a pair of cultured mabé pearl earrings, surmounted by hematite beads, length 2.5cm, post fittings; a pair of gold hoops set with pairs of brilliant­cut diamonds, length 2.4cm, post fittings; and a gold cross pendant set with cabochon rubies and emeralds and suspending a cultured pearl, length 4cm, British hallmarks for 18ct gold

103 Two brooches, early 20th century, one designed as a crab, set with mother of pearl, cabochon rubies and rose­cut diamonds, length 2.9cm; the other designed as a spider, set with circular­cut rubies and rose­cut diamonds, length 3.5cm, indistinct assay marks £200­300

104 A pair of earrings and two rings, comprising: a pair of Victorian cluster earrings set with pearls and cushion­shape diamonds, mounted in silver and gold, length 1.5cm each, hook and clip fittings, pearls untested; a ring set with pearls and rose­cut diamonds, mounted in silver and gold, size O, central pearl replaced with a simulant, pearls untested; and a paste eternity ring of hinged ‘Day and Night’ design, size M½ £300­400

TO BE SOLD WITHOUT RESERVE

105 A sapphire and diamond brooch, early 20th century, and pair of diamond earrings, the brooch of bar design set with a circular­cut sapphire and diamond, mounted in gold, length 5cm, case; and a pair of stud earrings of spiral design, set with brilliant­cut diamonds, the centres suspending a drilled brilliant­cut diamond, mounted in 18ct white gold, length 1cm each, post fittings, British hallmarks, case £200­300

106 A collection of jewellery, late 19th/early 20th century, comprising: a ruby and diamond cluster ring, size N, stamped 18ct Pal; a five­stone diamond ring, size N½, stamped 18C; a bar brooch of knife edge design set with five circular­cut diamonds, length 5.3cm; and a gold ring ruboverset with a cushion­shaped diamond weighing approximately 0.50­0.60 carats, size M £400­600

107 A collection of sapphire and diamond jewels, comprising: a pair of diamond stud earrings, each of cluster design, set with brilliant­cut diamonds, diameter 0.8cm, post fittings, case stamped Garrard & Co., a pair of sapphire and simulant diamond earrings, length 1.2cm each, screw fittings; a sapphire and diamond cluster ring, to a wide band of 18ct gold, size P½, British hallmarks; and another sapphire and diamond cluster ring, mounted in 18ct gold, size V, British hallmarks £300­500

108 A Georgian diamond ring, early 19th century, and a synthetic ruby and diamond pendant, early 20th century, the ring designed as a cluster of rose­cut diamonds, to scrolled gold shoulders, size O, case stamped E. Whistler & Co.; the pendant of square outline, set with circular­cut diamonds and synthetic rubies, mounted in gold, length 2.8cm £200

112

109 A group of three rings, comprising: a diamond threestone ring, mounted in gold, size O, stamped 18CT PLAT; a three­stone ring set with a circular­cut sapphire between brilliant­cut diamonds, mounted in gold, size O½, stamped 18CT; and a sapphire and diamond cluster ring, set with an oval sapphire within a border of brilliant­cut diamonds, mounted in 18ct gold, size L, British hallmark £300­500

110 Two gem­set rings, comprising: a navette­shaped ring set with circular­cut and single­cut diamonds, size M, stamped 18CT PLAT; and a ring set with an oval sapphire between brilliant­cut diamond shoulders, mounted in 18ct gold, size M, British hallmarks £400­600

111 A diamond engagement ring, diamond eternity ring and wedding ring, 1930s, the engagement ring set with a circular­cut diamond weighing approximately 0.40 carats, to a platinum band, the shoulders millegrain­set with single­cut diamonds, size O, indistinctly engraved; together with an eternity ring, set with a continuous band of singlecut diamonds, size M½; and a platinum wedding band engraved with foliate scrolls, size M½, indistinctly engraved, dated 22.3.33 £600­800

112 Three rings, late 19th/early 20th century, comprising: a gold mourning ring, rubover­set with a cushion­shaped sapphire, dedicatory inscription dated 1870, size M; a ring set with a step­cut sapphire between brilliant­cut diamonds, size M½, stamped 18CT PLAT; and a synthetic sapphire and diamond ring, size N½, stamped 18CT&Pt £200­300

113 Two gem­set rings, early­mid 19th century, each of half­hoop design, mounted in gold, one set with rubies and half­pearls within beaded borders, size L, pearls untested; the other set with cushion­shaped garnets and chrysoberyls, one replaced with an aquamarine, size N £200­300

114 Two zircon and diamond rings, each set with a brilliant­cut blue zircon and single­cut diamonds, mounted in gold, sizes N and O½, stamped 18CT and PLAT 18CT £200­300

115 Two gem­set rings, each of undulating outline, pavéset with circular­cut green garnets and blue sapphires respectively, mounted in white gold, the fronts with a blackened finish, size O, stamped 750 18K £600­800

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116 A collar and pair of earrings, India, comprising: a necklace, composed of flat­cut pastes in foiled settings, mounted in shellac­filled gold, suspending a fringe of pearl and blue glass pendants, to a cord back section, length adjustable, three detached pendants; and a pair of earrings of similar design, length 4.1cm each, hook fittings

£200­300

117 An enamel, cultured pearl and gem­set necklace, India, the filled gold pendant of horseshoe­shaped design, each end terminating in an animal’s head, applied with multicoloured enamel with designs of flowers and birds, accented with foiled rubies, emeralds and rock crystal, to a cultured pearl and cord necklace, pendant width approximately 7.7cm, necklace length adjustable

£1,000­1,500

118 A pair of gem­set, pearl and diamond earrings, India, each composed of a cluster of a cabochon ruby and three lasqué diamonds in foiled settings, suspending an emerald bead and three pearl pendants, mounted in shellac­filled gold, length 4.3cm, post fittings, pearls untested

£400­600

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119 A pair of gem­set, cultured pearl and diamond earrings, each designed in the Egyptian revival style, composed of stylised lotus and foliate motifs, set with cushion­shaped and cabochon emeralds and rubies, calibré­cut sapphires and rose­cut diamonds, suspending fringes of cultured pearls and ruby beads, mounted in silver and gold, length 8.8cm each, clip and post fittings, Dutch assay mark for gold

£1,200­1,800

120 A gem­set, cultured pearl and diamond choker necklace, centring on confronted Egyptianstyle lotus motifs, set with circular­cut diamonds, circular­cut and cabochon emeralds and rubies, centring on a rose­cut diamonds, mounted in gold, to a twelve­row necklace composed of cultured pearls, length 39.5cm

£1,200­1,400

121 An enamel, and cultured pearl necklace, India, constructed in shellac­filled gold, composed of panels of red and green enamel, set with simulant diamonds, the reverse with floral designs in multicoloured enamel, suspending a fringe of cultured pearl and green paste pendants, to a cord necklace, length adjustable £600­800

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122 Tiffany & Co. and Octava Watch co., a gold travel clock, mid 20th century, the circular dial with luminescent indicators and hour hand, minute hand deficient, movement signed Octava Watch Co. Switzerland; within a gold display case, measuring 8.3 x 7.6 x 1.7cm when closed, signed Tiffany & Co., maker’s mark, stamped 18K, gross weight 213 grams £1,500­2,000

123 A gold cigarette case, circa 1923, of square outline in 9ct gold, the exterior with engraved patterns, opening to reveal a plain interior, engraved and dated ‘M.A.J. L­G 27­426’, dedicated to Margaret Anne Julia Lester­Garland, née Maxwell­Gumbleton on the occasion of her marriage in 1926, measuring 8.7 x 8.4 x 1.1cm, signed Wm Drummond & Co. Melbourne, British hallmarks for 9ct gold, date letter for 1923, gross weight 101 grams £1,000­1,500

124 A gold bracelet, composed of gold coin links, length 16.2cm, gross weight 29 grams £800­1,200

TO BE SOLD WITHOUT RESERVE

125 A gold bracelet, composed of rectangular gold ingots, each stamped with a design of flowers, reading ‘1g Fine Gold 9999’, within floral frames, length 17cm, each ingot signed Ramico, clasp stamped 21Kt, gross weight 26 grams

£750­1,000

TO BE SOLD WITHOUT RESERVE

126 A 22ct gold wedding ring, circa 1926, the plain polished band of “D” section, size O, British hallmark, gross weight 11 grams £300­500

127 A gold and cultured pearl choker necklace, of rope twist design, constructed from engraved gold links threaded with a strand of cultured pearls, length 41.5cm, stamped 750, indistinct assay mark, gross weight 58 grams. case £1,200­1,500

128 A gold bangle, the solid band with engraved decoration, in high­carat gold, inner circumference approximately 18cm, stamped AVO, maker’s mark NEJ, gross weight 11 grams £200­300

TO BE SOLD WITHOUT RESERVE

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129 A gold chain necklace, Italy, composed of fancy linking, to an ‘Evil Eye’ motif near the clasp set with an onyx cabochon, length 59.5cm, stamped 750, Italian maker’s mark, gross weight 45 grams £1,000­1,500 TO BE SOLD WITHOUT RESERVE

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130 A gold bracelet, circa 1966, composed of heavy curb linking in 18ct gold, to a heartshaped padlock clasp, length 17cm, British hallmarks for London, date letter for 1966, gross weight 64 grams

£1,800­2,200

131 A gold chain necklace, late 19th century and later, composed of belcher linking, suspending a T­bar and tassel, and a later charm modelled as a lipstick, chain length 38.8cm, stamped 9CT, lipstick charm with British hallmarks for 9ct gold, gross weight 18 grams

£200­300

132 A gold bracelet, late 19th/early 20th century, of curb linking, length 19.5cm, stamped 15, gross weight 29 grams

£400­600

133 A gold bracelet, Italy, mid 20th century, of rope twist design, composed of engraved gold links entwined with a smaller rope­twist chain, length 22.5cm, stamped 750, Italian maker’s mark 113 TO, gross weight 68 grams

£1,500­2,000

132

£100­200

134 A gold bracelet, circa 1908, composed of gate linking, to a heart­shaped padlock clasp, length 19cm, British hallmarks for 9ct gold, Birmingham, date letter for 1908, gross weight 16 grams

135 A Victorian gold watch chain, late 19th century, composed of fancy linking, suspending a T­bar pendant, length 38cm, stamped 9c, gross weight 32 grams

£600­700

139

136 A gold watch chain and hardstone fob, late 19th century, the watch chain composed of graduated curb linking, suspending a gold T­bar and a swivel fob set with carnelian and bloodstone, chain length 32.5cm, fob length 5cm, British hallmarks for 18ct gold to chain and T-bar, for 15ct gold to fob, date letter for 1888, gross weight 54 grams

£800­1,200

137 A gold watch chain, early 20th century, of curb linking, suspending a T­bar pendant, length 53.5cm, stamped 14K, dated 1914, gross weight 38 grams

£600­800

138 A 9ct gold open bangle, of plain polished design with London hallmarks for 2003, internal width 7cm £600­800

139 A gold chain necklace, 19th century, composed of flat oval links and hoop links with twisted knifewire details, length 45cm, gross weight 15 grams

£500­700

140 Cropp and Farr, a gold bracelet, composed of foliate scroll links in 9ct gold, length 17cm, British hallmarks, sponsor’s mark C&F for Cropp & Farr, gross weight 37 grams

Proceeds from this lot will benefit Wiltshire Sight, registered charity no. 1119462

£400­600

141 A gold necklace, the articulated collar composed of links designed as elephants, length 43.5, assay marks for 14ct gold, gross weight 34 grams

£800­1,200

136

140

137

138

142

143

142 A gold and gem­set pendant necklace, designed as a clown, set with circular­cut gemstones and simulant diamonds, mounted in 9ct gold, to a belcher link chain, pendant length 8.5cm, chain length 63cm, British hallmarks, gross weight 82 grams £700­900

143 A gold and glass bead necklace, the chain composed of wire and rope twist links, suspending a gold pendant modelled as a cat, its body formed of a glass bead, chain length 71cm, stamped 18K, pendant length 2.7cm, gross weight 29 grams £600­800

TO BE SOLD WITHOUT RESERVE

144 A gold long guard chain and propelling pencil, late 19th century, the gold chain of elongated belcher linking in 9ct gold, one end with an 18ct gold T­bar fitting, the other suspending a gold and base metal propelling pencil in a holder carved with birds and flowers, chain length 91cm, T-bar with British hallmarks for 18ct gold chain stamped 9ct, gross weight 20.5 grams, propelling pencil signed S.Mordan £300­500

145 A gold and zircon necklace, of garter design, composed of mesh linking, fastened by a detachable square clip set with a brilliant­cut blue zircon, length 46cm, adjustable, British hallmarks for 9ct gold, gross weight 61 grams £600­800

TO BE SOLD WITHOUT RESERVE

144

146 A diamond necklace, of choker design, the gold wire collar composed of flexible gold linking, set to the front with brilliant­cut diamonds and one baguette diamond, to a gold back chain, length adjustable, Italian maker’s marks, maker’s mark DK, stamped 750 £600­800

147 A gold and demantoid garnet necklace, early 20th century, designed as a snake, its eyes set with demantoid garnets, its body composed of snake links, length 33cm, gross weight 19 grams £400­600

148 A gold guard chain, 19th century, composed of sections of belcher and snake linking, length 153cm, gross weight 32 grams, suspending a modern butterfly pendant in dyed chalcedony £500­700

TO BE SOLD WITHOUT RESERVE

147

145

146

148

151

150

153

152

149 Vourakis, a cultured pearl and diamond necklace, designed as a double row of cultured pearls, connected at each side by geometric link motifs set with brilliant­cut diamonds, mounted in gold, one forming the clasp, length 77.5cm, signed Vourakis, stamped 750, Greek assay marks £1,200­1,500

150 A turquoise and cultured pearl longchain necklace, composed of turquoise and cultured pearl beads, spaced with foliate gold beads, to a bolt ring clasp, length 72cm £800­1,200

151 Vourakis, a cultured pearl, emerald and diamond bracelet, the clasp of floral design, set with cabochon emeralds and brilliant­cut diamonds, to a bracelet composed of four strands of cultured pearls, length 17cm, signed Vourakis, clasp converting into brooch, one emerald deficient £1,200­1,500

152 A single row cultured pearl necklace, the matched white pearls with a 9ct gold spherical clasp, length 45cm £300­400

153 A cultured pearl necklace, composed of a single row of cultured pearls measuring approximately 9.9­10.6mm, to a spherical gold clasp, length 45cm, stamped 750, case stamped Kojis £500­700

TO BE SOLD WITHOUT RESERVE

154 A cultured pearl and diamond bracelet, the four row bracelet set with cultured pearl and gold spacers, the openwork octagonal clasp set with diamonds and a central cultured pearl in yellow gold, length 16.5cm £300­400 154

155 An amber necklace, composed of graduated amber beads measuring approximately 1330mm, length 71.5cm £400­600

156 A group of loose spinels, totalling approximately 105.56cts £200­300

157 A pair of cultured pearl and diamond earrings, each of tassel design, set with cultured pearls and brilliant­cut diamonds, length 8.4cm each, post fittings, stamped 750 £400­600

158 A pair of pink and green tourmaline drop earrings, the white gold post suspending a pink and gold tourmaline bead from a fine­link gold chain, length 6.5cm £100­150

159 A pair of hardstone and diamond ear clips, each of pendent design, designed as a cabochon of green hardstone suspending a green hardstone drop, connected by a line of brilliant­cut brown diamonds, mounted in white gold, length 9.5cm, clip fittings, stamped 750 £800­1,000

160 A hardstone, smoky quartz and diamond bracelet, centring on a plaque of green hardstone, within a border of brilliant­cut brown diamonds, to a multi­strand bracelet composed of smoky quartz beads, the gold bar clasp suspending an additional green hardstone bead pendant, length 16.2cm, stamped 750 £600­800

156

155

157

158

159

163

161 A cased dress set of cufflinks and six studs, each black onyx circular disc is centred with a circular­cut diamond with white gold mounts with tied reeded boarders, fitted case by Collingwood £400­600

162 A cased dress set of cufflinks and six studs, each composed of polished onyx centring on a circular­cut diamond, mounted in white gold and platinum, fitted cased by Nathan £400­600

163 A mother of pearl and seed pearl dress set, early 20th century, comprising: a pair of cufflinks, four buttons and two collar studs, each of rectangular outline, set with mother of pearl and a seed pearl, mounted in white gold, largest 1.3 x 1.1cm, each stamped 9CT, fitted case

£200­300

164 A pair of onyx, gold and diamond cufflinks, circa 1978, each end composed of an oval black onyx disc, centred on a circular­cut diamond, mounted in 18ct gold, 1.9cm (max), British hallmarks, date letter for 1978, pouch stamped Hawkes £600­800

165 Tiffany & Co., a pair of silver cufflinks, each of geometric design in polished silver, length 3cm each, each stamped T&Co., stamped 925 £100­200

166

167

170

168

169

166 Garrard, a 9ct gold swizzle stick, of rectangular form, with engine turned decoration and engraved to one side ‘53 TEN O’ THE BEST ‘63’, length 7.4cm, weight 6g, fitted case £150­250

167 A gold signet ring, the oval front engraved with a lion rampant, in 18ct gold, size S½, British hallmarks, gross weight 22 grams £900­1,200

168 A gold signet ring, carved with the crest of a goat passant, in 9ct gold, size K½, British hallmark for 9ct gold, sponsor’s mark LW&G, gross weight 11 grams £250­350

169 A gold signet ring, the square panel engraved with a crest of a crowned lion, size Q, stamped 18CT, gross weight 13 grams £550­650

171

170 A gold signet ring, the oval centre engraved with a heraldic crest of a deer, size L½, British hallmarks for 18ct gold, date letter for 1973, gross weight 9 grams £400­600

171 A gold and hardstone intaglio fob brooch, late 19th/early 20th century composite, the bar brooch of curb linking suspending a gold pendant set with a swivelling agate fob seal, one side initialled IRH, the other with an intaglio depicting a woman feeding birds and another playing a flute, brooch measuring 4.5 x 4.3cm, bar brooch stamped 15 £200­300

172 HT Lamb & Co., a Masonic badge, circa 1931, designed as a bar brooch reading ‘Loyalty’, suspending a pale blue ribbon applied with badges depicting the Imperial State Crown and the Order of the Garter enclosing the ostrich feathers of the Prince of Wales, to a pendant modelled as a set square, mounted in 15ct gold and applied with variously coloured enamels, the pendant reverse with a dedicatory inscription addressed to W Maliphant from the members of the Lodge of Loyalty No.1507, dated 1931, length 9.1cm, British hallmarks, sponsor’s mark HTLCo, date letter for 1931, case stamped HT Lamb & Co., Masonic Jeweller £600­800

173 A gold and enamel pendant, Venerable Order of St John, late 19th/early 20th century, designed as a Maltese cross, three branches applied with white enamel, the branches spaced by lions and unicorns, mounted in gold, length 6.6cm, stamped 18ct, numbered 12, gross weight 21 grams £800­1,200

173

172

178

174 A mid 19th century gold monocle pendant, the eye glass mounted within gold cases and twisting using a central gold disc which can be pulled down to reveal the eye piece, length 4.4cm £200­300

175 A gold and bloodstone pounce pot charm, 19th century, the cylindrical vessel in polished bloodstone, capped with a hinged gold lid opening to reveal a pierced powder grid, suspended from a gold handle of rope twist design, length 4cm £700­900 ‘Pounce’ is the name of the powder, typically made from cuttlefish bone or dried resin, that was traditionally used in letter writing to smooth rough paper surfaces and to accelerate the drying of the ink.

176 A sapphire pendant, set with a large cabochon sapphire, within a gold mount topped with a lion, length 5.7cm £1,000­1,500

177 A platinum and diamond lorgnette, early 20th century, the handle of openwork design, set with circular­cut diamonds, the top with two glass lenses, opening with a sprung mechanism, mounted in platinum, length 8.9cm when closed £500­700

178 Cartier, a gilt metal lighter, ‘Trinity de Cartier’, circa 1987, engraved with a grid pattern, the hinged lid edged with three interlocking bands with a three­tone finish, in gilt metal, length 6.9cm, signed Cartier, numbered E18917 £200­300

179 A commemorative portrait miniature pendant of Giuseppe Garibaldi, late 19th century, the glazed locket set with a portrait miniature of the Italian revolutionary Giuseppe Garibaldi (1807­1882), the reverse with a lock of hair, length 2.6cm including bail, stamped 18C £200­300

180 A Retro novelty gold and gem­set fob watch brooch, 1940s, designed as a burglar breaking into a safe set with single­cut and baguette diamonds and calibré­cut rubies and sapphires, the safe opening to reveal a rectangular watch face, length 4.7cm £1,500­2,000

176

181 A lava cameo bracelet, mid 19th century, composed of lava roundels carved with cherubs accompanied by various animals, mounted in gold, length 19cm £400­600

λ 182 A cameo brooch, designed as a cluster of seven cameos depicting a girl in profile, carved in conch shell, mother of pearl, coral, reconstituted turquoise and green glass, to a gold mount with ropetwist detailing, diameter 4.7cm, stamped K18 £150­250

183 An onyx cameo brooch, late 19th century, set with an oval onyx cameo depicting a classical woman wearing a tiara, within a gold mount with a scrolled border accented with pearls, total length 5.5cm, French assay marks, pearls untested £200­300

184 A shell cameo and enamel brooch, late 19th century, set with a finely carved shell cameo depicting a Bacchante, within an Archaeological Revival­style gold mount applied with rope twist details and white enamel, length 4.4cm £350­550

185 A gold and micromosaic brooch, 1870s, designed in the Archaeological Revival style, centring on a micromosaic panel designed as two doves in flight, between ram’s heads in gold applied with rope twist and grainti decoration, length 6.4cm, later brooch fitting £300­400

186 A glass and micromosaic brooch, mid 19th century, of oval outline, set with a micromosaic depicting the Colosseum, embedded in blue glass, mounted in gold, length 4.2cm £400­600

187 An amethyst cameo brooch, second half of 19th century, the oval amethyst carved with the profile of a lady, the frame decorated with floral wreath and ribbons, detachable pendant hoop, mounted in gold, amethyst cameo approximately 11.9 x 1.6cm, pendant length 3.8cm £800­1,200

λ 188 An ivory cameo ring, early 19th century, of elongated octagonal outline, the glazed compartment set with an ivory cameo depicting Leda and the Swan, mounted in gold with foliate shoulders, size Q £600­800

184

192

191

189 A platinum bangle, of plain hinged design, inner circumference approximately 17.5cm, stamped Pt, gross weight 51 grams £800­1,200

190 An emerald, ruby and diamond bangle, of hinged design, set to one side with circular­cut emeralds and brilliant­cut diamonds in alternation, the other set with a line of circular­cut rubies, mounted in white gold, inner circumference 17.3cm, diamonds totalling approximately 2.00 carats, rubies totalling approximately 4.00 carats £2,000­3,000

191 A gem­set, enamel and diamond ring, centring on a cabochon ruby, within a border of single­cut diamonds, within an openwork mount set with a cabochon ruby, two circular­cut emeralds and geometric motifs set with multicoloured enamel, to a similar gold band, size K½ £400­600

192 Koch, a cultured pearl and diamond ring, set with a large baroque cultured pearl, to a mount set with marquise­shaped yellow diamonds and brilliant­cut diamonds, mounted in white gold, size H½, stamped 750, maker’s marks for Koch £200­300

193 Hooper Bolton, an amethyst, emerald and diamond ring, circa 1968, set with a pear­shaped amethyst, within a mount of textured 18ct gold set with circular­cut emeralds and brilliant­cut diamonds, size H (sizing band), British hallmarks £1,000­1,500

193

194 A gold, ruby and sapphire brooch, 1960s, in textured gold with circular cut rubies and cabochon sapphire eyes, length 4.2cm, stamped 18K, gross weight 22 grams £500­700

195 Tiffany & Co., a pair of cultured pearl and enamel ear clips, circa 1994, each of oval outline in 18ct gold, engraved with concentric lines and applied with radiating bands of blue enamel, centred on a cultured pearl, length 2.3cm, British hallmarks, stamped T&Co for Tiffany & Co. £1,000­2,000

196 A pair of gold and cultured pearl ear clips, each composed of a gold upper section modelled as a section of sea urchin shell, suspending a square cultured pearl, length 3.5cm each, stamped 750 £200­300

Provenance: formerly in the collection of Robin Hambro

198

197 A ruby and diamond pendant necklace, designed as a butterfly, set with a circular­cut ruby and brilliant­cut diamonds, to a curb chain necklace, mounted in white gold, pendant wingspan 1.9cm, chain length 36cm £150­250

198 A diamond pendant, set with heart and marquise­shaped clusters within a double border of smaller round brilliant­cut diamonds in 18ct gold, pendant length 4.6cm, on a silver chain, length 45cm £400­600

199 A diamond pendant necklace, designed as a dragonfly, set with brilliant­cut diamonds, its eyes set with circular­cut rubies, mounted in silver, to a fine gold chain, pendant wingspan 4.9cm, necklace length 45.5cm, chain stamped 750, Italian maker’s marks £400­600

200 A pair of diamond earrings, each suspending a tapering drop, set with brilliant­cut diamonds totalling approximately 1.50 carats, mounted in silver and gold, length 3.7cm, post fittings £300­600

201 A pair of ruby and diamond earrings, early 20th century composite, each designed as a scroll motif set with circular­cut diamonds and calibré­cut rubies, to later hook fittings and diamond surmounts, mounted in silver and gold, length 4.4cm each, case £2,500­3,500

202 A pair of synthetic sapphire and diamond earrings, mid 20th century, each set with circular­cut and rose­cut diamonds and calibrécut sapphires, diameter 1.4cm each, clip and post fittings, Portuguese assay marks £200­300

203 A pair of circular gold earrings, of tied and bombé design in 18ct yellow gold, London hallmarks for 1996, 2.2cm diameter, 22g total £400­600

204 A garnet and diamond ring, centring on a heart­shaped motif set with a cabochon garnet and rose­cut diamonds, to a gold band with scrolled shoulders, size N £300­600

199

200

202

201

203

205 A peridot and diamond bee pendant, set with graduated diamonds and ruby eyes with an oval peridot body in silver and gold, width 4.6cm, on a fine­link gold neck chain, length 42cm £700­1,100

206 A yellow diamond brooch, designed as a bee in flight, set with brilliant­cut diamonds of yellow tint, mounted in bicoloured gold, wingspan 2.9cm £300­400

207 A diamond brooch, designed as a monkey hanging from a tree branch, set with brilliant­ and singlecut diamonds, its eyes set with circular­cut synthetic rubies, mounted in silver and gold, length 3.6cm £200­400

208 A diamond and ruby pendant, designed as a lion, set with rose­cut diamonds totalling approximately 0.60 carats, its eyes set with circular­cut rubies, mounted in silver and gold, length 2.8cm £200­400

209 A diamond brooch, designed as three hounds chasing a fox, set with rose­cut diamonds totalling approximately 0.70 carats, with ruby eyes, mounted in gold, length 7cm £250­450

210 A diamond pendant, designed as a heart­shaped padlock motif, set with brilliant­cut diamonds, mounted in gold, length 3.7cm, signed European Jewellery £500­700

211 A pair of blue topaz and diamond earrings, each set with a demilune blue topaz, above crossed motifs of pavé­set brilliant­cut diamonds, length 2.5cm each, clip and post fittings, Italian maker’s marks, stamped 750 £400­600

212 A turquoise and ruby­set gold rabbit brooch, of stylised design, the body pavé­set with turquoise cabochons, with circular­cut ruby eyes in yellow gold, stamped 18k, length 3.1cm, 10g £250­300

213 A pair of emerald and diamond stud earrings, each of cluster design, set with a circular­cut emerald within a border of single­cut diamonds, mounted in gold, 0.8cm diameter each, post fittings £200­300

209 212

210

211

213

214 Garrard, an 18ct gold fern leaf brooch, of stylised design tied with a diamond­set ribbon, London import marks for 1954, maker’s mark for Garrard & Co, length 6cm, 12g, fitted case

£200­300

215 A gold, emerald and ruby brooch, Italy, 1970s, designed as four abstract flowers in textured gold, set with circular­cut rubies and emeralds, length 3.7cm, Italian maker’s marks, stamped 750, gross weight 13 grams

£400­600

216 A pair of gold stud earrings, circa 1970, each of circular outline, engraved with a basketweave design, diameter 1.2cm each, post fittings, British import hallmarks for 18ct gold, date letter for 1970, fitted case stamped Goldsmiths & Silversmiths Company

£150­250

217 A pair of emerald and diamond earrings, each of pendent design, composed of a circular­cut emerald suspending a line of foliate links set with brilliant­cut diamonds and a pear­shaped emerald drop, mounted in silver, length 3.6cm each, post fittings

£500­700

218

218 A pair of emerald earrings, each designed as a heart, pavéset with circular­cut emeralds, mounted in white gold, length 1.4cm each, post and clip fittings, stamped 750

£300­500

219 A pair of jadeite and diamond earrings, each suspending a double gourd in carved jadeite, from a quatrefoil and surmount of circular­cut diamonds, length 3.1cm, screw fittings £200­300

220 A jadeite, ruby and diamond brooch, mid 20th century, set with a section of jadeite carved with flowers and fruit, mounted in platinum, set with circular and single­cut diamonds and circular­cut rubies, length 3.8cm £800­1,200

221 An Art Deco jadeite and enamel brooch, 1920s, set with a section of jadeite carved as a boat with a sail, within an radiating openwork gold mount applied with red and black enamel, depicting sun rays, the ocean waves and a seabird in flight, topped with a circular­cut diamond, length 4.2cm £800­1,200

222 An Art Deco jadeite and diamond ring, 1920s, claw­set with a rectangular jadeite carved with fruit motifs, to shoulders set with baguette diamonds, mounted in platinum, size K½, stamped Platinum

£400­600

222

223 A Belle Époque ruby and diamond pendant, set with graduated circular­cut rubies within diamond­set laurels in platinum and gold, length 4cm, chain length 44cm, French import assay mark for 18ct gold £400­600

224 Attributed to Dorrie Nossiter, a citrine and synthetic ruby pendant, early 20th century, set with a heart­shaped citrine, surmounted by a pair of step­cut citrines and cabochon and cushion­shaped rubies and synthetic rubies, on a fancy link chain necklace, mounted in silver, pendant length 6.6cm, necklace length 87cm, unsigned £800­1,200

225 An Arts & Crafts silver and turquoise sautoir, in the manner of Amy Sandheim, with intricate silver links spaced with turquoise matrix beads and suspending a larger turquoise matrix drop, length 74cm £150­250

226 An Arts and Crafts moonstone and enamel brooch, early 20th century, set with a cabochon moonstone, within a foliate open work plaque with leaf motifs applied with iridescent pale blue enamel, length 2.8cm £200­300

227 A star sapphire and diamond brooch, early 20th century, set with a cabochon star sapphire weighing approximately 3.00 carats, within a platinum mount of foliate design with a Greek key border, set with two cushion­shaped diamonds totalling approximately 0.50 carats, length 4.4cm £400­600

228 A Belle Époque mother of pearl, seed pearl and diamond pendant, circa 1900, set with a section of mother of pearl finely carved in shallow relief with a depiction of the Madonna, within an openwork halo set with rose­cut diamonds, to an outer oval frame bordered with seed pearls, suspended from a rose­cut diamond bail, length 5.5cm including bail, pearls untested £800­1,200

229 A synthetic ruby and diamond wings brooch, the oval synthetic ruby within diamond­set wings in gold, width 5.4cm, case £200­300

230 A three rubover­set with three cushion approximately 0.60 carats, mounted in gold, stamped 18CT

231 A late 19th century diamond three stone ring, with graduated old cushion gold, size O

232 A gold ring, gold London 1994, sponsor I & BJ, size Z

233 An onyx and diamond ring, design, set with polished onyx and pavé cut diamonds, moun for 18ct gold, inscribed France

234 An enamel and seed pearl brooch, second half 19th century, with multic head and body set faceted garnets, mounted in gold, excluding pin, pearls untested

235 An unusual gold brooch, designed as a circular medallion with repoussé and engraved decora border, 4.5cm diameter, later brooch

236 A garnet and gold bracelet, mid 19th century composite, composed of circular disc applied with r rose­cut garnets, connected by length 19.5cm

237 A Victorian gold and half pearl bangle, late 19th century, of hinged design, the front centring on two clusters of half pearls within star borders, mounted in gold, inner circumference approximately 15.7cm, converted from earrings, case with note detailing provenance of earrings from Julia Anne Peel, the wife of Sir Robert Peel £400­600

238 A gold and chalcedony pendant, 19th century and later, designed as a heart engraved with foliate scroll decoration, later set with a chalcedony cabochon, length 2.5cm £300­400

239 An onyx cameo ring, circa 1881, set with an oval onyx cameo depicting the philosopher John Locke (1632­1704), mounted in 18ct gold, size M½, British hallmarks for Birmingham, date letter for 1881 £400­600

240 A pearl and portrait miniature mourning pendant brooch, mid 19th century, of rectangular outline, centring on a glazed compartment containing a painted portrait of a bearded man, within an outer border of half pearls, to a similar bail, the reverse with a glazed compartment containing hair work, mounted in gold, length 4.5cm, pearls untested £400­600

241 A pair of emerald and pearl earrings, mid 20th century, of stylised ribbon scroll design, set with half pearls and calibré­cut emeralds, mounted in gold, clip and post fittings, length 2.4cm, pearls untested £200­300

242 A diamond and paste bracelet, early 20th century, of geometric openwork design, set with rose­cut diamonds and calibré­cut green pastes, centring on a step­cut green paste, mounted in silver with engraved galleries, length 18.5cm, indistinct assay marks £600­800

243 A sapphire longchain necklace, composed of links spectacle­set with cabochon sapphires, mounted in gold, length 78cm £200­300

244 A ruby and diamond brooch, circa 1900, of bar design, set with cushion­shaped rubies and diamonds, mounted in gold and platinum, length 5.7cm, stamped 15CT PLAT

£400­600

245 A citrine and diamond brooch, early 20th century, designed in the Art Nouveau style as an abstract ribbon bow suspending two pendants, set with circular­ and rose­cut diamonds, and variously cut citrines and small circular­cut yellow gemstones, mounted in white gold, length 6.8cm

£400­600

246 An Art Deco sapphire double clip brooch, 1930s, each clip centring on a cushion­shaped sapphire, within a geometric surround set with circular­ and calibré­cut pastes and sapphires, mounted in silver, combined length 5.7cm

£900­1,200

247 A pair of sapphire and diamond earrings, early 20th century and later, each centring on a sugarloaf sapphire cabochon, within a border of rose­cut diamonds, mounted in white gold, length 1.1cm each, later post fittings, likely converted from cufflinks

£200­300

248 An enamel and diamond brooch, early 20th century, designed as a hexagonal plaque, applied with blue guilloché enamel, centring on a floral motif millegrain­set with circular­cut diamonds, within an outer border of rose­cut diamonds, mounted in gold and platinum, length 3.9cm £1,600­1,800

249 A pair of diamond drop earrings, set with rose­cut diamonds suspending diamond­set bows and a larger pear­shaped rose­cut diamond in silver and gold closedback setting, length 3.5cm £3,500­5,500

250 A pair of citrine, paste and pearl earrings, 19th century and later, each designed as a cluster, one set with citrine, the other replaced with paste, in foil backed settings within a border of half pearls, mounted in gold, length 2.2cm, later hook fittings £400­600

251 A pair of coral earrings, each set with a coral cabochon, 1.8cm diameter each, clip and post fittings, French assay marks for 18ct gold £600­800

252 A pair of onyx and diamond earrings, each composed of a tapering surmount set with graduated circular­cut and rose­cut diamonds, suspending an onyx bead, mounted in gold and platinum with millegrain borders, length 4.2cm each, post fittings £1,500­2,000

246

245

£150­250

253 A sapphire and diamond cluster ring, the oval­shaped sapphire set within a surround of circular­cut diamonds in platinum and gold, London hallmarks for 18ct gold, 1981, size U

254 A diamond ring, early 20th century, set with a vertical line of circular­cut diamonds totalling approximately 1.10 carats, to an openwork mount in white gold, accented with triangular synthetic sapphires, size K½ £600­800

255 A diamond five­stone ring, set with five brilliant­cut diamonds totalling approximately 0.60 carats, mounted in gold, size U £200­300

256 A diamond cluster ring, set with 2 circular­cut diamonds in white gold, stamped 18ct, size S £300­500

257 An emerald and diamond ring, of cluster design, set with a circular­cut emerald within a border of brilliantcut diamonds, mounted in gold, size P, stamped 585 £200­300

λ 258 Tiffany & Co., an unusual coral ring, set with a cone­shaped coral carved with concentric rings, to shoulders of buckle design, mounted in gold, size K½, signed Tiffany, stamped 14 £1,500­2,000

259 An emerald and diamond ring, of cluster design, set with an oval emerald weighing approximately 0.80 carats, within a border of brilliant­cut diamonds totalling approximately 0.90 carats, size P, stamped PLAT £700­900

TO BE SOLD WITHOUT RESERVE

260 A diamond ring, early 20th century, set with three cushion­shaped diamonds totalling approximately 0.70 carats, mounted in gold and platinum, size N½, stamped 18ct PT £600­800

261 A sapphire and diamond eternity ring, 1930s, set with a continuous band of single­cut diamonds and calibrécut sapphires, mounted in white gold, size N £300­400

262 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.65 carats, mounted in 18ct gold, size K, British hallmarks £400­600

263 A diamond eternity ring, designed as a continuous band of brilliant­cut diamonds totalling approximately 1.50 carats, mounted in platinum, size J½ £400­600

TO BE SOLD WITHOUT RESERVE

264 A black enamel and diamond dress ring, of bombé design, set with a cluster of baguette­shaped diamonds in 18ct white gold, total diamond weight 0.53cts, size H £500­700

265 An opal and diamond cluster ring, set with a central solid white opal within a diamond and opal border in yellow gold, size O £600­800

266 An amethyst and diamond cluster ring, the oval amethyst set within a surround of circular­cut diamonds and diamond­set shoulders in platinum, London hallmarks for 2018, size N £300­400

267 A diamond eternity ring, designed as a continuous band of baguette diamonds spaced by pairs of brilliantcut diamonds, mounted in white gold, size J, case stamped Hirsh £600­800

268 A diamond three­stone ring, early 20th century, set with three circular­cut diamonds totalling approximately 0.50 carats, mounted in platinum, size N½

£150­250

269 A diamond ring, early 20th century, of toi et moi design, set with two circular­cut diamonds spaced by a smaller diamond, totalling approximately 0.40 carats, mounted in gold and platinum, size O

£200­300

270 A diamond ring, of crossover design, set with brilliant­cut and baguette diamonds totalling approximately 1.25 carats, mounted in white gold, size M £300­400

TO BE SOLD WITHOUT RESERVE

271 A cultured pearl and diamond ring, of cluster design, set with a cultured pearl within a border of marquiseshaped and baguette diamonds, mounted in platinum, size L £500­700

272 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of circular­cut diamonds in platinum and gold, London import marks for 1989, size N ½ £400­600

273 A diamond­set gold ring, of stylised twisted rope design set with round brilliant­cut diamonds in 14ct yellow gold, size O £200­300

274 An emerald, ruby and diamond ring, designed as a plaque set with a circular­cut emerald, within a surround of brilliant­cut diamonds, and calibré­cut rubies, mounted in white gold, size P £1,200­1,300

275 A pair of ruby and diamond earrings, each of pendent design, composed of three sections set with oval rubies and brilliant­cut diamonds, mounted in white gold, length 6.6cm each, clip and post fittings, stamped 750 £2,500­3,000

276 Cartier, a gold ‘Trinity’ necklace, formed of three fine link gold chains in yellow, white and rose gold, length 54cm, clasp signed Cartier, stamped 750, case stamped Cartier £800­1,200

277 A ruby and diamond ring, of cluster design, set with an oval ruby measuring approximately 7.7 x 6.1 x 2.7mm, within a border of brilliant­cut diamonds, mounted in gold, size P, stamped 18CT £600­800

A verbal report from GCS states that the ruby is of Thai/Cambodian origin, with no indications of heat treatment.

278 Cartier, a citrine ‘Tank’ ring, set with a buff­top orange citrine in plain white gold shank, marked Cartier 1997 and 750, numbered H72966, size L, case £600­800

Accompanied by Cartier certificate dated 2002.

279 Tiffany & Co, a diamond rivière necklace, designed as a series of brilliant­cut diamonds totalling approximately 4.29 carats, in platinum collet settings, length 41.2cm, signed Tiffany & Co., stamped PT950, gross weight 57 grams, pouch stamped Tiffany & Co. £4,500­6,500

Accompanied by a facsimile of a Tiffany insurance document.

280 A ruby and diamond line bracelet, designed as a line of oval rubies totalling 9.61 carats, spaced with brilliantcut diamonds totalling 0.55 carats, mounted in white gold, length 17.5cm, stamped 750 £1,000­1,500

281 A sapphire and diamond line bracelet, designed as a line of oval sapphires totalling 11.29 carats, spaced with brilliant­cut diamonds totalling 0.55 carats, mounted in white gold, length 17.5cm, stamped 750 £1,000­1,500

282 A collection of eight diamond charm pendants, comprising: a figure playing a lute; a house; a car; a folding fan; a windmill; a yacht; a dog; and a bird on a perch, variously set with brilliant­cut and baguette diamonds, mounted in white gold, largest 2.6cm including jump ring £1,500­2,000

283 A ruby and diamond bangle, of hinged design, the front channel­set with a sequence of square rubies and clusters of princess­cut diamonds, mounted in white gold, inner circumference 16.6cm, stamped 18K and 750 £1,200­1,500

284 A white gold and diamond bangle, the hinged bangle in 9ct white gold, set to the front with a line of brilliantcut diamonds totalling approximately 1.00 carat, inner circumference 16.3cm, British hallmark £200­300

285 Chopard, a diamond bracelet, ‘Happy Diamonds’, set with a brilliant­cut diamond freely moving within a heart­shaped case, to a chain with links in the shape of letters, together with the heart spelling out ‘I (heart) YOU’, mounted in white gold, length 17.5cm, signed Chopard, Swiss assay marks for 18ct gold £400­600

286 A pair of diamond earrings, each of hoop design, set with brilliant­cut diamonds, mounted in white gold, length 5.3cm each £2,000­3,000

282 (8) 283

287 An emerald and diamond ring, of cluster design, claw­set with a step­cut emerald weighing approximately 4.00 carats, within a border of brilliant­cut diamonds, mounted in gold, size L, stamped 18CT £500­700

288 A three row diamond ring, set with graduated old circular­cut diamonds in platinum and 18ct yellow gold, London hallmarks for 1996, size L ½ £800­1,200

289 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of round brilliant­cut diamonds in 18ct white gold, London hallmarks for 2004, size V £600­800

290 A diamond cluster ring, set with a central round brilliant­cut diamond weighing approximately 1.00cts, within concentric diamond surround in platinum and gold, London hallmarks for 1969, size N £600­800

291 An emerald and diamond ring, claw­set with a step­cut emerald weighing approximately 1.60 carats, between shoulders set with radiant­cut diamonds and a band set with brilliant­cut diamonds, mounted in white gold, size P £1,500­2,000

292 An aquamarine and diamond ring, claw­set with a step­cut aquamarine weighing approximately 17.00 carats, within a geometric mount in white gold set with brilliant­cut diamonds, size K½, stamped 750, box stamped Kutchinsky £800­1,200

293 A zircon ring, claw­set with a circular­cut blue zircon, to stepped shoulders in white gold, size L½, stamped 9CT £300­400

294 An aquamarine and diamond ring, collet­set with a step­cut aquamarine weighing approximately 3.20 carats, within a border of brilliant­cut diamonds totalling approximately 0.70 carats, mounted in platinum and white gold, size P £1,200­1,400

295 A diamond three stone ring, set with round brilliant­cut diamonds weighing approximately 0.90cts in total, in yellow gold and platinum, size K £300­500

296 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.50 carats, mounted in gold, size M £300­500

297 An aquamarine and diamond ring, claw­set with a cushion­shaped aquamarine weighing approximately 4.00 carats, to shoulders set with brilliant­cut diamonds totalling approximately 0.70 carats, mounted in platinum, size N, British hallmark £700­900

298 A diamond ring, designed as a floral cluster, centring on a circular­cut diamond weighing approximately 0.70 carats, within an openwork border of brilliant­cut diamonds, mounted in white gold, size N, stamped 750 £600­800

299 A diamond­set gold necklace and bracelet, the front section of the necklace set with round brilliant­cut diamonds separated with yellow gold Xs in 18ct white gold, with a matching diamond­set bracelet, necklace length 41cm, bracelet length 17cm £2,000­3,000

300 A diamond ring, claw­set with a circular­cut diamond weighing approximately 1.20 carats, to shoulders set with baguette diamonds, mounted in yellow gold, size L½, stamped 750, case £800­1,200

301 An aquamarine and diamond ring, of cluster design, set with an oval aquamarine, within a border of brilliantcut diamonds, mounted in gold, size M½, stamped 18CT £300­400

302 An aquamarine and diamond cluster ring, the emerald­cut aquamarine weighs approximately 0.90cts, set within a surround of diamonds weighing approximately 0.40cts total in platinum, size N £600­800

303 A diamond necklace, set with variously­shaped rose­cut diamonds totalling approximately 11.00 carats, in silver collet settings, to a gold chain necklace, length 38.5cm, stamped 750 £5,500­6,500

304 An emerald and diamond cluster ring, the oval­shaped emerald weighing 1.10cts, within a diamond­set border, total approximate diamond weight 0.55cts, in platinum, size O £900­1,200

305 A sapphire and diamond ring, centring on a scroll motif pavé­set with circular­cut sapphires and a brilliantcut diamond, size L £300­400

306 Pandora, an aquamarine and diamond dress ring, the large circular­cut aquamarine weighing approximately 60.00cts within a crescent border of diamonds and sapphire decoration in white gold, size L £2,000­3,000

307 A tanzanite and diamond ring, set with an oval tanzanite within diamond­set shoulders in 14ct gold, size P £400­600

308 A pink sapphire and diamond heart ring, of bombé form, the heart formed of circular­cut diamonds within a surround of pink sapphires in white gold, with inner re-sizing band, size I approx. £600­800

309 Palmiero, a sapphire and diamond flower ring, pavé­set with graduating blue to paler blue sapphires and colourless diamonds to the centre in white gold, marked Palmiero J.D, with inner re-sizing sleeve, size M, one stone deficient £2,000­3,000

310 A pair of cultured pearl and diamond earrings, each composed of a large cultured pearl of grey tint surmounted by a brilliant­cut diamond, each weighing approximately 0.40 carats, mounted in white gold, length 2cm each, post fittings, case £1,000­2,000

311 A tourmaline and diamond brooch, set with a step­cut tourmaline of deep bluish green tint weighing approximately 20.00 carats, to a mount of foliate design set with single­cut and brilliant­cut diamonds, mounted in white gold, length 4.3cm £1,200­1,600

312 A multi­gem­set gold bangle, of scallop­edged design set with gem­set flowers on pierced blackened gold, internal width 5.5cm £3,000­4,000

313 A pair of earrings designed as spiral seashells, set with polished white chalcedony and circular­cut sapphires, mounted in white gold, length 3cm each, clip and retractable post fittings, stamped 18K £300­500

314 E. Wolfe & Co, a gem­set spider brooch, the abdomen formed from a cultured pearl, with diamond­set body, ruby eyes and black diamond­set legs in 18ct textured white gold, maker’s mark and London hallmarks for 2016, length 5.9cm £2,000­3,000

315 A sapphire and diamond brooch, mid 20th century, designed as a flower, set with multicoloured cushionshaped sapphires, accented with brilliant­cut diamonds, mounted in gold, length 6.4cm £2,000­3,000

316 A pair of pink sapphire and diamond flower earrings, set with circular­cut diamonds and pink sapphires in gold, stamped 750, length 3cm £700­1,000

317 P.J.Watson, a gem­set gold brooch, set with a triangular­shaped diamond, a cabochon ruby, with emeralds a brown diamond and tourmalines, in abstract form, all set in gold, London hallmarks for 1990, length 5.2cm £600­800

318 A pair of turquoise and diamond flowerhead earrings, the petals set with reconstituted turquoise petals with a pavé­set diamond centre in white gold, folding post and clip fittings, length 3.2cm £800­1,200

319 A large Victorian gold locket pendant, of oval form, engraved to the exterior with the Bell family crest and initials FCB to reverse, hinged opening and containing two portraits within glazed locket compartments (one chipped), length 7.8cm, 95g £2,600­3,500

320 A gold and glass scent bottle and case, 19th century, the elongated glass scent bottle with a gold cap and glass stopper, length 7.6cm, within a tapering gold case with repoussé designs of faces in profile among floral scrollwork, set with foil­backed cushion­shaped garnets, length 8.4cm, original outer case £900­1,200

321 A late 19th century gold poodle brooch, the stylised dog with a pearl forming its face, with sapphire eyes and a ruby tongue, the gold body with seed pearl legs, French control marks and indistinct maker’s lozenge, length 4.5cm, 55g £4,000­6,000

322 Mario Buccellati, a gold pillbox, mid 20th century, designed as a chestnut, the exterior engraved, opening via a hinge to reveal a plain interior, measuring 3.1 x 3.6 x 1.9cm, stamped K18, signed M. Buccellati £1,500­2,000

323 An oval gold pill box, with engine turned decoration, hinged opening, signed Cartier London and stamped 750, length 4.7cm, 33g £1,300­1,500

324 A Regimental brooch for the Scots Guards, set with single­cut diamonds and green enamel on yellow and white gold, maker B&S, length 3cm £300­400

325 A Regimental pendant, for The Kings Royal Rifle Corps, set with red and green enamel and diamonds in yellow gold and platinum, length 3.9cm £300­400

326 E.Wolfe & Co, a Regimental brooch, for the Iniskilling Dragoon Guards, set with circular­cut diamonds in white gold beneath a yellow gold coronet set with emerald and sapphire cabochons and red enamel, maker’s mark and London hallmarks for 2001, length 3.8cm £1,000­2,000

327 Cartier, a pair of fluted gold cufflinks, of square design, signed Cartier London and numbered 8047, width 13mm, Cartier case £400­600

328 A diamond solitaire stickpin, set with an old cushion­shaped diamond weighing approximately 0.60cts claw­set in yellow gold, length 6cm, case £400­600

329 Cartier, a pair of cufflinks and a stickpin (adapted), each disc set with onyx within a border of diamonds in platinum, signed Cartier with French control marks and numbered 3530 and 2293, disc width 12mm. The three discs form part of a set of cufflinks and have been later converted £800­1,200

330 Cartier, a pair of gold cufflinks, 1970s, of stirrup design in gold, length 3cm each, each signed Cartier Paris, numbered 617087, French assay marks, pouch £800­1,200

331 UTI a pair of gold watch cufflinks, one set with a rectangular watch, manual winding in rectangular gold surround, the other set with small circular­cut diamonds in yellow gold and platinum, signed UTI_Paris with French control marks and numbered 37862, 19 and 13mm, case £600­800

332 A pair of citrine cufflinks, each set with an octagonal citrine, mounted in gold, fitted case by Collingwood £400­600

333 A pair of sapphire cufflinks, of square form, each set with calibré­cut sapphires within a polished platinum surround connected by white gold links, width 11mm each

£800­1,200

334 A pair of chalcedony, ruby and diamond cufflinks, late 19th century, each end of circular outline, set with a cabochon chalcedony in a reflective closed­back setting, within a border of rose­cut diamonds and cabochon rubies, ends 1.0cm diameter each, case stamped Goldsmiths & Silversmiths Company £600­800

335 A pair of mother of pearl and diamond cufflinks, early 20th century, each end of octagonal outline, centring on a star motif in mother of pearl set with a single­cut diamond, connected by chain, each end 1.2cm diameter, stamped PT&18CT £200­300

336 Cartier, a pair of mother of pearl and diamond cufflinks, each disc set with a central mother of pearl panel within single­cut diamond surround, signed Cartier Paris, with French control marks and numbered indistinctly 015027, width 13mm £800­1,200

337 A pair of sapphire and enamel cufflinks, early 20th century, composite, the fronts of circular outline set with cabochon sapphires and accented with borders of white enamel, to tonneau­shaped back links, connected by chain, mounted in 18ct gold, fronts 1.4cm diameter each, French assay marks, French sponsor’s marks and British hallmarks for 18ct gold £400­600

338 Carlo Giuliano, a pair of enamel and diamond cufflinks, late 19th century, each end of bar design, applied with blue enamel and set with circular­cut diamonds, mounted in gold, each end 1.5cm, chain connectors signed CG for Carlo Giuliano £150­250

339 A pair of Edwardian gold cufflinks, each decorated with a green enamel shamrock set with a diamond in yellow gold oval setting, joined with figure of eight links, 2cm longest, case £400­600

322

337

340 De Grisogono a lady’s gold ‘Instrumentino’ dual time wristwatch, ref. 6760, the rectangular pink guilloché enamel face with dual dial, in a plain 18ct gold case, to a galuchat strap with gold clasp, case width 3cm

£2,000­3,000

341 Piaget, a lady’s diamond wristwatch, circa 1970, the brushed oval dial with baton indicators, within a border of brilliant­cut diamonds, to a textured 18ct gold strap, case width 2.2cm, length 16.1cm, manual winding movement, numbered 3867A6 and 192838, British import hallmarks for 18ct gold

£1,500­2,000

342 Cartier, a lady’s Retro gold and diamond wristwatch, mid 20th century, the circular white enamel dial with Roman numeral indicators and blue steel hands, within a border of brilliant­cut diamonds, to an integrated gold bracelet of stylised foliate links in polished gold, set with a central row of brilliant­cut diamonds, case width 1.9cm including diamond border, bracelet length 17.5cm, manual winding movement, signed Cartier, numbered 1873, faint French assay marks for 18ct gold and platinum, fitted case stamped Cartier £3,000­5,000

343 Péry & Fils, a Retro gold and sapphire watch, France, 1950s, the circular brushed gold dial with black enamel indicators and blue steel hands, within a floral gold bezel, to an integrated bracelet of beaded gold linking set with two lines of circular­cut sapphires, case width 2.5cm, length 16.5cm, French assay mark for 18ct gold, partial maker’ mark for Péry & Fils, gross weight 98 grams

£5,000­7,000 Péry & Fils were an important Parisian family jeweller, established in 1875, who manufactured jewels for some of the most prominent French jewellers. Most notable among these was Van Cleef & Arpels, for whom they created many important designed including the ‘Zip’ necklace and the ‘Passepartout’ jewels, as well as the ‘Pélouse’ or ‘Couscous’ bracelets which share very similar construction with the present jewel.

344 An early 20th century sapphire and diamond cocktail wristwatch, the oval white dial with black Arabic numerals within octagonal diamond­set case, manual winding, on a graduated sapphire and diamond bracelet in platinum, case width 15mm, bracelet length 16.4cm, case

£2,000­3,000

345 Chanel, a lady’s diamond wristwatch, the signed black dial set with diamonds within octagonal diamond­set case on signed rubber strap, case numbered 64383, case width 15mm, length 20.6cm

£400­600

346 Cartier, a lady’s 18ct white gold and diamond wristwatch, ‘Pasha de Cartier’, ref. 2400, the circular guilloché dial with white gold indicators and hands, within a plain white gold case, the crystal crossed with a grid of brilliantcut diamonds, the winder cover set with an inverted brilliant­cut diamond, to an integrated bracelet with double deployant clasp, inner circumference 17cm, case width 3.1cm, automatic movement, dial, case back and clasp signed Cartier, numbered 2400, 306053MG, Swiss assay marks for 18ct gold, gross weight 137 grams, Cartier box and papers

£5,000­7,000

347 Tiffany & Co, an Art Deco lady’s diamond wristwatch, early 20th century, signed dial with Arabic numerals, manual movement, within an octagonal platinum case set with circular­cut diamonds on an expanding diamond­set and engraved platinum band, case width 2.1cm, length 17.5cm shortest

£1,200­1,500

348 Cartier, a rare lady’s platinum and diamond wristwatch, ref.3463, the signed square dial with blued steel hands, the case and deployant clasp of Chinese inspiration, set with brilliant­cut diamonds, inverted diamond winder, black leather strap, in platinum, case width 2.3cm, signed Cartier, manual winding movement, numbered 3463 and 81015RX, Swiss assay marks, possibly from the ‘Baiser du Dragon’ series

£6,000­8,000

349 Tiffany & Co, a lady’s gold and diamond wristwatch, signed dial with Arabic hour markers at 12 and 6, 18ct gold case set with circular­cut diamonds, on a black silk strap with a gold and diamond Tiffany clasp, case width 19mm, length 18mm, quartz movement, case numbered 040940220

£800­1,200

340

344

346

347

348

350 Chopard, a gentleman’s stainless steel ‘Monterey Historic’ chronograph wristwatch, ref. 419762, brushed metal dial with 12 hours, 30 minute and 60 seconds recording subsidiary dials, brown leather strap with stainless steel Chopard buckle, case width 3.8cm, quartz movement, case numbered 419762, brown leather strap, boxes with booklet £400­600

351 Chopard, a gentleman’s stainless steel ‘Mille Miglia’ Competitor’s chronograph wristwatch, ref 8331, steel guilloché dial with 30 minute, 60 seconds and 12 hour recording subsidiary dials, date wheel aperture at 4­5, exhibition back, black rubber strap with stainless steel buckle, case width 3.8cm, signed Chopard, case no.698290, Competitor no.168, automatic movement, box and booklet £800­1,200

352 Cartier, a gold ‘Tank Louis Cartier’ wristwatch, 1980s, rectangular white enamel dial with black Roman numeral indicators, and blue steel hands, sapphire winder, black leather strap with gold deployant clasp, case width 2.3cm, manual winding movement, dial, case back and clasp signed Cartier, French and Swiss assay marks, numbered 780862131 £1,000­1,500

353 Breguet, a gold ‘Classique Moonphase’ wristwatch, ref. 3300, silvered guilloché dial with black Roman numerals, offset moon phases, subsidiary seconds dial, black leather strap with gold buckle, mounted in yellow gold, case width 3.3cm, signed Breguet, Swiss assay marks, movement number 779, case number 2000, manual winding movement, case £2,000­3,000

354 Corum, a gold ‘Reverse de Marche’ watch, ref.73.109.56, signed guilloché dial with subsidiary seconds and date dials and power reserve indicating to 48 hours, paired baton indicators, exhibition back, brown leather strap with gilt steel double deployant clasp, case width 3.4cm, automatic movement, case no. 461379, Swiss assay marks, box with guarantee £1,000­1,500

355 Vacheron Constantin, a gold dress watch, ref 6351, 1960s, brushed gold dial, black Roman numeral indicators, gold case, black leather strap with gold buckle, case width 2.2cm, case no.426016, movement no.599918, manual winding movement £800­1,200

356 TAG Heuer , a gentleman’s ‘Carrera Calibre 17’ stainless steel chronograph wristwatch, ref. CV2113­0, black dial, 30 minute, 60 second and 12 hour recording dials, date aperture at 5, case width 3.8cm, signed Tag Heuer, automatic movement, numbered case no.TS2997, presentation inscription, leather band with steel deployant clasp, cylinder case and box £1,000­1,500

357 Piaget, a gold ‘Gouverneur’ wristwatch, ref. 15958, circa 1991, white enamel dial with gold hands, four subsidiary dials for month, date, day and moon phases, case width 3.3cm, automatic movement, case number 482281, leather band with gold Piaget buckle, box and instruction manual £2,000­3,000

358 Cartier, a gold and steel ‘Santos Carrée’ wristwatch, ref. 2961, signed white enamel dial, black Roman numeral indicators, secret signature at VII, blue steel hands, sweep seconds hand, date aperture at 3, bicoloured case and band with deployant clasp, case width 2.9cm, automatic movement, case numbered to reverse 2961 14873 and 26300 to the band, box and some papers, three spare links £1,000­1,500

355

352

356

353

357

358

359 Patek Philippe, a ‘Golden Ellipse’ wristwatch, signed deep blue dial, baton indicators, gold case, leather Patek Philippe strap, case length 3.2cm, manual winding movement £2,000­3,000

360 Patek Philippe, a gentleman’s gold dress watch, mid 20th century, tonneau­shaped gilt dial with black enamel indicators and blue steel hands, to a plain gold case, leather strap and gold Patek Philippe buckle, case width 2.6cm, dial signed Goldsmiths and Silversmiths Company 112 Regent St W., case back signed Patek Philippe & Co. Geneve, numbered 805001, and 603975, British hallmark, manual winding movement £1,500­2,000

361 Baume & Mercier, a lady’s gold ‘Tank’­style wristwatch, ref. 37077, rectangular plain black dial with gold hands, to a plain gold bezel, black leather strap with gilt metal dial, case width 2.3cm, signed Baume & Mercier, case no.479368, manual movement, green leather case £600­800

362 Boucheron, a lady’s gold ‘La Carée’ wristwatch, circa 2000, the square gold dial and bezel with hobnail decoration, plain gold hands, to a black leather strap with sliding clasp, case width 2.2cm, signed Boucheron, made in France, stamped 18K, numbered Bt 1203255 and 8088, green leather Boucheron pouch £600­800

363 Chopard, a gentleman’s stainless steel ‘Mille Miglia’ chronograph wristwatch, ref.8316, white enamel dial with 30 minute, 60 seconds and 12 hour recording subsidiary dials, date wheel aperture at 4­5, brown leather strap with steel Chopard buckle, case width 3.8cm, automatic movement, case no.429643, edition no.042/1000, boxes with booklet £400­600

364 Chopard, a gentleman’s ‘Mille Miglia’ stainless steel wristwatch, ref 8142, white enamel dial with date aperture at 3, 30 seconds recording subsidiary dial, within a bicoloured bezel to a leather strap, case width 3.2cm, quartz movement, case no. 271582 £800­1,200

365 Van Cleef & Arpels, a gold dress watch, ‘La Collection’, ref. 12101, circa 1981, white enamel dial with Roman numeral and baton indicators, blackened hands, plain gold bezel, to a black leather strap with VCA gold buckle, case width 3.0cm, manual movement, signed Van Cleef & Arpels, case no.9321, Swiss assay marks, fabric case with guarantee dated 1981 £400­600

359

363

360

364

361

365

362

366 Chopard, a gentleman’s titanium ‘Mille Miglia’ Competitor’s chronograph wristwatch, ref 8915, chequered black dial with 30 minute, 60 seconds and 12 hour recording subsidiary dials, date wheel aperture at 4­5, exhibition back, black rubber strap with titanium buckle, case width 3.8cm, signed Chopard, case no.796980, Competitor no.252, automatic movement, box and booklet £800­1,200

367 Bulgari, a gentleman’s gold ‘Diagono’ wristwatch, ref. AL38G, black dial with gold baton and Arabic numeral indicators, date wheel aperture at 3, gold case and deployant clasp, titanum back, rubber bezel and strap, case width 3.8cm, automatic movement, signed Bulgari, Swiss assay marks, case no. L1395, box and papers £2,000­3,000

368 Girard Perregaux, a gentleman’s gold ‘Ferrari’ chronograph wristwatch, ref.8020, silvered dial with 60 second, 30 minute and 12 hour recording subsidiary dials, date wheel aperture at 4, with Ferrari logo, to a black leather strap with gold buckle, case width 3.7cm, automatic movement, signed Girard-Perregaux and Ferrari, case no. OJ No 38, Swiss assay marks to case and buckle, box £2,500­3,500

369 Chopard, a gentleman’s stainless steel ‘Mille Miglia’ Competitor’s chronograph wristwatch, ref 8331, black enamel dial with 30 minute, 60 seconds and 12 hour recording subsidiary dials, date wheel aperture at 4­5, exhibition back, black rubber strap with stainless steel buckle, case width 3.8cm, signed Chopard, case no.467250, Competitor no.303, automatic movement, box and booklet £800­1,200

370 Blancpain, a stainless steel 'Villeret' wristwatch, ref.1146, the white dial with day and month apertures, moon phases and swing date hand, case width 3.3cm, automatic movement, numbered 1146 to reverse, gold plated and steel strap £600­800

371 Chopard, a gentleman’s titanium ‘Mille Miglia’ Competitor’s chronograph wristwatch, ref 8407, chequered black dial with 30 minute, 60 seconds and 12 hour recording subsidiary dials, date wheel aperture at 4­5, exhibition back, black rubber strap with titanium buckle, case width 3.8cm, signed Chopard, case no.733055, Competitor no.181, automatic movement, box and booklet £800­1,200

372 Omega, a gentleman’s stainless steel ‘Speedmaster Professional Moonwatch’ chronograph, black enamel dial with 30 minute, 12 hour and small second recording dials, black enamel tachymetre bezel, reverse centred with Omega Speedmaster Hippocamp logo within the words ‘The first watch worn on the moon, Flight­qualified by Nasa for all manned space missions’, stainless steel link bracelet, case width 4.0cm, automatic movement, dial and bracelet signed Omega £2,500­3,000

366

370

367

371

368

372

369

373 Rolex, a gold ‘Oyster Perpetual Day­Date’ wristwatch, ref. 1803, circa 1960s, brushed gold ‘Champagne’ dial with, gold baton indicators and hands, day and date apertures, fluted gold bezel, leather band with gold dial, case width 3.6cm, automatic movement, signed Rolex, case no. 1074868, Swiss assay mark, spare strap £3,000­5,000

374 Jaeger LeCoultre, a gentleman’s 18ct gold wristwatch, ‘Reverso Day and Night DuoFace’, ref. 270.2.54, circa 2003, the reversible rectangular gold case with a black guilloché dial with subsidiary seconds dial on one side, and a similar white guilloché dial on the other, to a leather strap with a gold deployant clasp, case width 2.4cm excluding winder, manual winding movement, dials, clasp and case back signed Jaeger LeCoultre, case back numbered 270.2.54, and 2139522, original guarantee documents £5,000­7,000

375 Audemars Piguet, a gentleman’s 18ct gold ‘Royal Oak’ wristwatch, no. 96, circa 1978, the circular grey dial with a grid pattern and date wheel aperture, within an octagonal bezel decorated with screw motifs, to a case and integrated bracelet with a deployant clasp in brushed gold, case width 3.9cm excluding winder, signed Audemars Piguet Royal Oak, numbered No. 96, ref 5402BA, inscription dated 1978, automatic movement, Swiss assay marks for 18ct gold, case and two spare links with Audemars Piguet letter dated 1978

£8,000­12,000

376 Cartier, a gentleman’s 18ct gold ‘Pasha de Cartier’ chronograph wristwatch, ref. 2111, cream guilloché dial with three subsidiary dials, sapphire cabochon winders, integrated 18ct gold link bracelet with deployant clasp, case width 4cm, signed Cartier, reference 2111, case no. MG277771, Swiss assay marks for 18ct gold, stamped 18K, gross weight 157 grams, Cartier case and instruction booklet £5,000­7,000

373

374

375

376

377 A pearl and diamond brooch, early 20th century, designed as a pair of outstretched wings, their tops outlined with rose­cut diamonds, centring on a pearl measuring approximately 8.5 x 7.5 x 5.9mm, mounted in gold and platinum, length 8.7cm, French import assay mark for 18ct gold, pearl untested £800­1,200

378 An enamel, ruby, emerald and seed pearl brooch, mid 19th century, designed as mythical creature with the head of an eagle and the body of a snake, its head in engraved gold set with cabochon rubies and emeralds and seed pearls, its eyes set with garnets, its body applied with blue and white enamel, mounted in gold, length 7.2cm £2,000­3,000

379 A carved emerald ring, set with an elongated octagonal emerald measuring 15.1 x 9.4 x 4.0mm, its table engraved with an inscription in Sanskrit, mounted in gold, size K, interior inscribed 29.9.00-16.10.00 £800­1,200

380 A turquoise necklace, the front suspending a fringe of turquoise cabochon pendants, to a curb link back chain, mounted in gold, pendant length 4.5cm, chain length 39cm £600­800

381 A Regency gold and chrysoprase brooch, the oval chrysoprase set within repousse gold border, engraved to reverse ‘J. Fisher, Bishop of Salisbury Ob 8 May 1825’, with later brooch fitting, length 3.2 £300­500

382 A gold and reconstituted turquoise ring, designed in the Egyptian revival style, set with a carved scarab in reconstituted turquoise, mounted in gold, size N½

£150­250

383 A glass intaglio depicting Vice­Admiral Horatio Nelson, early 19th century, the moulded glass imitating carnelian, mounted in a plain gilt metal pendant, length 3.1cm

£100­150

384 A Scottish gold and hardstone brooch, set with panels of bloodstone, banded agate, jasper and moss agate, separated with circular­cut cairngorms in yellow gold, inscribed to reverse Mrs Francis J.W.Sutton ­ Falkirk, width 5.8cm

£200­300

385 A Victorian garnet and seed pearl demi­parure, late 19th century, comprising: a pair of lozenge­shaped earrings, the central cabochon garnets set with a seed pearl, within a pearl border, suspending an articulated gold fringe, length 6.1cm, with a matching gold brooch pendant, length 8.8cm, pearls untested, fitted case £1,000­2,000

386 A pair of Victorian gold earrings, mid 19th century, each designed as a tapering gold drop accented with beaded details, length 5.5cm each, hook fittings

£400­600

387 A diamond and enamel bangle, mid 19th century, designed as a stylised ribbon decorated with blue enamel and diamonds within a gold branch, inner circumference 15.7cm, Russian assay mark, maker's mark AL, gross weight 29 grams

£1,500­2,000

388 A diamond three­stone ring, set with graduated circular­cut diamonds totalling approximately 1.60 carats, within star motifs in yellow gold, size V½, stamped 750 £2,200­2,500

389 A gemstone and diamond bracelet, set with twelve cabochons of various stones including moonstone, amethyst, citrine, tourmaline, opal, lapis lazuli, chrysoprase and garnet, spaced by links set with rose­cut diamonds, mounted in gold and silver, length 16.5cm, stamped 18CT

£1,000­1,500

390 A gold and enamel plaque bracelet, each oval plaque depicting Swiss scenes within ropetwist surrounds, joined with elaborate figure of eight links in yellow gold, length 18.5cm, gross weight 31 grams £1,000­1,500

377

381

378

382

379

383

380

384

385

389

386

390

387

388

391 A diamond half hoop ring, set with graduated old circular­cut diamonds and diamond pointers in carved and pierced yellow gold setting, size O £1,000­1,500

392 A sapphire diamond five­stone ring, set with three oval and circular­cut sapphires spaced by two brilliant­cut diamonds, accented with smaller brilliant­cut diamonds, to a scrolled mount in 18ct gold, size P, British hallmarks £1,000­1,500

393 A late 19th century diamond half hoop ring, set with graduated old circular­cut diamonds and diamond pointers in carved and pierced yellow gold mount, stamped 18ct, size O £600­800

394 A five­stone diamond ring, designed as a line of graduated circular­cut diamonds totalling approximately 1.70 carats, mounted in gold, size Q £600­800

395 A cat’s eye chrysoberyl and diamond ring, late 19th century, of cluster design, set with a cabochon cat’s eye chrysoberyl, within a border of cushionshaped diamonds, to scrolled shoulders, mounted in gold, size N½ £1,000­2,000

396 An emerald and diamond ring, early 20th century, set with a step­cut emerald, between shoulders set with circular­cut diamonds, accented with rose­cut diamonds, to a scrolled gallery, mounted in gold, size K½ £4,000­6,000 Accompanied by GCS report no. 77104­16, stating that the emerald measuring approximately 8.9 x 7.3 x 4.1mm is of Colombian origin, with indications of minor clarity enhancement.

397 A sapphire and diamond ring, set with an oval sapphire, between shoulders set with circular­cut and brilliant­cut diamonds, to a scrolled gold mount, size O £1,000­2,000

398 A diamond ring, rubover­set with a circular­cut diamond weighing approximately 1.00 carat, to a plain platinum mount, size I½, British hallmark £1,000­2,000

399 A green tourmaline and diamond ring, of cluster design, claw­set with a cushion­shaped green tourmaline, within a border of brilliant­cut diamonds, mounted in gold, size N £400­600

400 A diamond three­stone ring, early 20th century, set with three cushion­shaped diamonds, mounted in platinum, size S £1,000­1,500

401 A ruby and diamond three­stone ring, centring on a cushion­shaped ruby weighing approximately 1.70 carats, between brilliant­cut diamonds totalling approximately 0.80 carats, to a gold mount of scrolled design accented with rose­cut diamonds, size N½, stamped 18CT £2,000­3,000

402 A sapphire and diamond ring, early 20th century, set with a series of five graduated oval sapphires, accented with single­cut diamonds, mounted in gold, size M½ £5,000­7,000

A verbal report from GCS states that the sapphires are of Burmese (Myanmar) origin, with no indications of heat treatment.

403 A topaz, natural pearl and diamond necklace, late 19th century, set with an oval topaz, within a foliate gold mount set with rose­cut diamonds and suspending a natural pearl, to a later chain necklace, pendant length 4.9cm, necklace 62cm £3,000­5,000

Accompanied by LFG report no.406810, stating that the topaz measuring 21.1 x 14.8 x 9.5mm is natural, with no indications of treatment, and the pearl measuring 7.5 ­ 7.9 x 6.1mm is natural, saltwater.

404 An amethyst rivière necklace, 19th century, composed of graduated oval amethysts in gold collet settings, the central amethyst with a retractable pendant loop, length 41cm £2,000­3,000

405 A star sapphire, enamel and diamond ring, claw­set with a cabochon oval star sapphire of violet tint weighing 12.15 carats, to a border and crown motif set with circular­cut diamonds totalling approximately 2.30 carats, mounted in gold with foliate scroll decoration, size L £3,000­5,000

406 A late 19th century sapphire half hoop ring, set with graduated sapphire cabochons and diamond pointers in carved and pierced yellow gold mount, size R £1,600­1,800

407 A Victorian sapphire and diamond brooch, late 19th century, designed as a foliate spiral, set with cushion­shaped and rose­cut diamonds and oval sapphires, mounted in silver and gold, length 3.3cm £200­300

408 A pair of diamond earrings, circa 1900, each suspending a cluster of cushion­shaped diamonds, mounted in silver and gold, length 1.7cm each, post and clip fittings £600­800

409 An early 20th century amethyst flower brooch / pendant, set with five matched oval amethysts centring on a pearl in yellow gold collets, total length 6cm £1,000­2,000

410 A turquoise and diamond bracelet, early 20th century, composed of navette­shaped links, each centring on a turquoise cabochons and circular­cut diamonds in alternation, connected by curved scroll motifs, mounted in gold, length 18cm, stamped 15CT, numbered 485 £600­800

411 A diamond brooch, late 19th century and later, designed as a bow, set with graduated old cushion­shaped diamonds in silver collets on a later brooch fitting, length 3.5cm, Austrian assay mark £1,000­1,500

412 A pearl and diamond brooch, late 19th century, designed as a flower, centring on a pearl measuring 8.2 x 7.0mm, within a border of circular­cut and cushion­shaped diamonds and pearls, mounted in gold, measuring 4.1 x 3.8cm, detachable brooch fittings and retractable pendant hoop, pearls untested, case stamped Harvey & Gore £2,000­3,000

λ 413 A fine coral demi­parure, mid 19th century, comprising: a necklace, composed of graduated bouton­shaped coral cabochons suspending a fringe of coral drops, mounted in gold, length 44.5cm, French import assay mark for 9ct gold; and a pair of earrings of similar design, length 6.4cm each, screw fittings, fitted case

£8,000­12,000

Accompanied by report number 5784­1799 from GCS dated March 2024 stating

the spinel is natural, with no indications of heating, origin: Burma.

414 A spinel, pearl and emerald necklace, composed of a necklace threaded with pearls measuring 2.6­5.9mm, and polished and fluted emerald beads, suspending a spinel taveez pendant from a link set with lasqué diamonds, length 47cm, pearls untested £30,000­40,000

that

415 A fine ruby, emerald, sapphire and diamond sarpech brooch, third quarter 19th century, modelled as a traditional sarpech turban ornament, with a series of floral palmettes through the centre, intricately set with cushion­shaped diamonds and calibré­cut rubies, sapphires and emeralds, mounted in gold in a closed­back setting, length 6.5cm, later detachable brooch fittings

END OF DAY ONE

£2,000­3,000

DAY TWO

THURSDAY 25TH APRIL 2024 AT 10.00AM

416 A ruby, sapphire and diamond sentimental locket pendant, late 19th century, of heart­shaped outline, depicting two pansies tied with a ribbon, set with circular­cut sapphires and rubies and circular­ and rose­cut diamonds, length 3.1cm, 13 grams £1,200­1,600

417 A gold, enamel and diamond ring/bracelet, mid 19th century and later, the eight scallop­edged engraved links concertina together to be worn as a ring, with a rectangular clasp decorated with polychrome enamel and later applied with a diamond­set ‘H’ in platinum and yellow gold, ring size L, bracelet length 17cm £2,000­3,000

418 A ruby, diamond and enamel pendant necklace, mid 19th century, designed as a bow suspending a cross, set with cushionshaped rubies and a cushion­shaped diamond, applied with blue enamel, to a later gold rope twist chain necklace, pendant length 3.9cm, chain length 45cm £1,500­2,000

419 A Victorian gold snake necklace, set with turquoise cabochons and garnet eyes on snake­link body and suspending a turquoiseset heart locket with glazed locket compartment to reverse, length 41cm, fitted case £2,000­3,000

420 A pair of carnelian earrings, mid 19th century, each of drop design, set with polished carnelian, mounted in gold with floral decoration, suspending a fringe of gold pampille pendants, length 6.5cm each, hook fittings, case £400­600

421 An opal and diamond brooch, late 19th century, designed as a crescent moon, set with graduated opal cabochons and cushionshaped diamonds, mounted in gold, length 4.6cm £2,000­3,000

422 A Victorian amethyst and pearl pendant, second half 19th century, set with a large buff­topped oval amethyst, within a frame of half pearls and roundels accented with calibré­cut amethyst cabochons, mounted in gold, length 7.3cm £1,000­1,500

423 A citrine and pearl pendant, mid 19th century, set with an oval citrine, within a border of half pearls and seed pearls, to a similar bail, mounted in gold, length 4.3cm including bail, pearls untested, case £300­400

424 A ruby and diamond cluster ring, set with a cushion­shaped ruby within a rose­cut diamond surround, mounted in silver and gold, size P £2,000­3,000

A verbal report states that the ruby is unheated, origin: Burma.

425 A gold and shakudō bracelet, late 19th century, of Japanese inspiration, composed of circular links set with shakudō roundels depicting birds and flowers, mounted in gold, length 17.5cm

£1,800­2,200

426 A natural pearl and diamond pendant/brooch, late 19th century, of circular outline, centring on a natural pearl measuring 8.628.70 x 8.20mm, within a border of rose­cut and cushion­shaped diamonds, and an outer edge of smaller natural pearls measuring 3.2­3.5 mm, mounted in gold, diameter 2.5cm excluding bail £2,000­3,000

Accompanied by GCS report no. 81278­23, stating that the central pearl is natural, freshwater, and the outer pearls are natural, saltwater.

427 A diamond five stone ring, 1904 and later, set with graduated round brilliant­cut diamonds in polished yellow gold setting, maker JH and Chester hallmarks for 1904, size N £600­800

428 A diamond ring, rubover­set with a cushion­shaped diamond weighing approximately 0.50 carats, to a plain polished gold band, size Q, stamped 18 £400­600

429 A star sapphire and diamond ring, late 19th century, set with a cabochon star sapphire weighing approximately 8.00 carats, to an engraved gold mount of scrolled design, the shoulders set with circular­cut diamonds, size K½ £850­1,200

430 A Victorian enamel and diamond ring, mid 19th century, designed as a coiled snake applied with deep blue enamel, its head set with an oval diamond, its eyes set with cabochon garnets, mounted in gold, size G £1,000­2,000

431 A Victorian gold and diamond locket pendant, mid 19th century, of oval outline, the front decorated with a cross of cushion­shaped diamonds, opening to reveal an interior with a glazed compartment, to a later rope twist chain, pendant length 3cm, chain length 44cm £500­700

432 A neoclassical intaglio ring, early 19th century, the pale oval agate engraved with a depiction of the goddess Hygieia holding a snake, within a later exhibition­style swivel mount with half­hoop in fluted gold, size P £500­700

433 Carlo & Arthur Giuliano, a rare sapphire, diamond and enamel necklace, circa 1895­1912, designed as a festoon of leaves applied with green basse­taille enamel, set with circular­cut, cushion­shaped and oval sapphires of various hues, and circular­cut diamonds, to a bail suspending a pale pear­shaped sapphire, the chain necklace composed of spectacle­set cabochon sapphires, spaced by pairs of green­enamelled leaves, mounted in gold, pendant length 9.3cm, chain length 43cm, pendant signed C&AG, chain unsigned, two oval sapphires replaced with blue pastes, chain possibly later extended £4,000­6,000

Cf.: Geoffrey Munn, Castellani and Giuliano, Revivalist Jewellers of the 19th Century, Trefoil Books London, 1984, p.170, for a closely related necklace by Giuliano

434 Antonio Berini (1770­1830), a fine carnelian intaglio pendant, early and mid 19th century, set with an oval carnelian intaglio depicting a man in profile, within a later mid­19th century mount, designed in gold in the Archaeological Revival style applied with rope twist and grainti details, the woven wire border decorated with confronted ram’s heads, to a similar bail, intaglio 2.9 x 2.0, signed Berini, pendant length 7.5cm including bail, brooch fittings stamped with Papal assay mark £4,000­6,000

435 A hardstone cameo and peridot necklace, early 19th century composite, the front set with three agate cameos depicting two bacchantes and Achilles/Alexander the Great, one depicting Neptune’s chariot to the reverse, connected to two fine gold chains and three links set with step­cut and pear­shaped peridots, to an engraved gold clasp, length 40cm

£5,000­7,000

436 Attributed to Leon Eguiazu, a gold and damascene steel necklace, Spain, circa 1905, the necklace composed of gold plaques inlaid with damascened steel bearing various devotional inscriptions in Greek, connected by gold bead linking, suspending a lozenge­shaped pendant inscribed ‘Joy’, to a barrel clasp designed as entwined hands, length 45cm, fitted case stamped W&F Terry, Manchester, enclosing a hand-illuminated book explaining the meaning of the necklace, addressed to Joy Winder from her grandfather James R Beard, dated Christmas 1905 £2,000­2,500

437 A Victorian onyx pendant, mid 19th century, designed as a cross, set with cabochons of banded onyx, to a similar bail additionally accented with seed pearls, mounted in gold, length 8.7cm, fitted case stamped Frazer & Haws £1,500­2,000

Illustrated: Nancy Armstong, Victorian Jewellery, Macmillan, New York, 1976, p.75.

438 A 19th century Etruscan Revival gold bangle, set with three circular plaques centring on micromosaic panels depicting scarabs within pelletwork and twisted rope border in yellow gold, on a plain polished gold bangle, internal width 5.5cm, case £1,500­2,500

439 A Renaissance Revival enamel and pearl bracelet, mid 19th century, composed of scrolled links applied with red, blue, green and white cloisonné enamel, each centred on a pearl, engraved to the reverse, to a similarly enamelled bar clasp, mounted in gold, length 19cm, pearls untested £2,000­3,000

431

435

432

436

433

437

434

438

439

440 A star sapphire and diamond ring, of wishbone design, set with a cabochon star sapphire, to a band pavéset with brilliant­cut diamonds, mounted in gold, size J £300­500

441 A star ruby and diamond ring, of wishbone design, set with a cabochon star ruby, to a band pavé­set with brilliant­cut diamonds, mounted in gold, size J £300­500

442 An emerald and diamond ring, of cluster design, claw­set with a pear­shaped emerald weighing approximately 1.00 carat, within a border of brilliant­cut diamonds, mounted in gold, size M½, stamped 18K £600­800

443 A pink sapphire and diamond­set cross pendant, set with an oval­shaped pink sapphire within diamond accents and a further diamond set to each terminal in yellow gold, length 6.4cm £2,000­3,000

444 A ruby necklace, the front composed of links set with oval rubies totalling approximately 30.00 carats, to a cable link back chain, mounted in gold, length 45.5cm £2,000­3,000

445 A citrine ring, set with a fancy cut citrine, mounted in 18ct gold, size M, British hallmarks, sponsor’s mark EME £400­600

446 A ruby and diamond ring, of cluster design, set with a cabochon ruby within a border of brilliant­cut diamonds, mounted in gold, size M½, stamped 750 £600­800

447 An amethyst and diamond ring, claw­set with a circular­cut amethyst, to shoulders set with brilliant­cut diamonds, mounted in gold, size L½, stamped 14K, signed Oscar Caplan £250­350

448 A gold nail ring, with diamonds set to the head and tip, in platinum and gold, size L £400­600

449 An emerald solitaire ring, the sugarloaf emerald in rubover setting on a polished 18ct yellow gold band, maker’s mark and London hallmarks for 2013, size N ½, case £1,000­2,000

450 A citrine and diamond ring, set with a rose­cut citrine, within a border of brilliant­cut diamonds, mounted in gold, size M £200­300

451 An aquamarine and diamond bracelet, composed of heart­shaped and banded links, set with three step­cut aquamarines and four brilliant­cut diamonds, length 18cm, stamped 750, maker’s mark B £1,500­2,000

452 A heart­shaped diamond ring, centring on a glazed heart­shaped compartment containing two free­moving diamonds, within a pavé­set diamond bombé surround in yellow and white gold, London hallmarks for 18ct, 2001, size L ½ £600­800

453 Marina B, a tourmaline ring, set with an oval pink tourmaline, to a gold band inlaid with sections of polished steel, size K½, signed Marina B, maker’s mark MB, numbered C1477, stamped 750 £800­1,200

454 A tanzanite and diamond ring, claw­set with a cushion­shaped tanzanite, to shoulders channel­set with princess­cut diamonds, mounted in gold and platinum, size M, stamped 18K PLAT £400­600

455 An emerald and diamond ring, set with oval emeralds, spaced by small single­cut diamonds, to a scrolled mount in gold, size P½ £400­600

456 A garnet­set gold pendant, set with a central cushion­shaped almandine garnet within a twisted gold border set with four circular­cut garnets in yellow gold, stamped 18k, length 4cm £600­800

457 A yellow sapphire and diamond ring, the cushion­shaped yellow sapphire with graduated diamond­set shoulders in fluted 18ct yellow gold setting, size I approx. £500­700

458 Bulgari, a citrine and diamond ‘Tronchetto’ ring, set with a cabochon citrine within diamond shoulders in 18ct yellow gold, size K, signed Bulgari £2,000­3,000

459 A pair of cultured pearl earrings, each designed as a heart, set with seed pearls, mounted in gold, length 2.2cm each, clip and post fittings, stamped 750 £300­400

460 An emerald and diamond ring, of cluster design, set with a step­cut emerald within a border of brilliant­cut diamonds, mounted in 18ct gold, size O½, British hallmarks £400­600

461 A peridot and diamond cluster ring, of octagonal form, centring on a peridot within a surround of circularcut diamonds in yellow gold, size O £400­600

462 A diamond double clip brooch, mid 20th century, of scrolled design, set with circular­cut, single­cut and baguette diamonds totalling approximately 10.50­11.00 carats, mounted in platinum, combined length 6.2cm, separating into two brooches £4,000­6,000

463 A pair of diamond ‘day and night’ earrings, mid 20th century, each designed as a foliate surmount set with brilliant­cut and marquise­shaped diamonds, suspending a detachable tassel of baguette and marquise­shaped diamonds, total length 6cm each, clip and post fittings, French assay marks for 18ct gold £2,000­3,000

464 A pair of emerald, sapphire and diamond ear clips, each designed as a large openwork cluster, set with a brilliant­cut diamond within a border of pear­shaped sapphires, emeralds and diamonds, mounted in gold, 3.4cm diameter each, £6,500­7,000

465 A pair of diamond cluster earrings, each set with a pair of diamond­set flowerheads set with marquise­shaped diamond petals, within diamond surround in platinum, post and clip fittings, length 2.5cm £3,000­4,000

466 A jadeite and diamond brooch, set with a rectangular plaque of jadeite measuring approximately 3.6 x 2.1 x 3.6mm, within a border of carré­cut, tapered baguette and marquise­shaped diamonds, mounted in gold, length 5.9cm, stamped 50, pendant hoop and slide fittings to reverse

A verbal report from GCS states that the jadeite is natural, with no indications of impregnation.

£3,500­4,500

467 Lalaounis, a pair of gold scroll earrings, with ropetwist and pellet decoration to the two connected swirls, maker’s mark and plaque, stamped K22, length 5.2cm £800­1,200

468 A Retro sapphire and diamond double clip brooch, 1940s, of abstract design in polished gold, set with circular­cut diamonds and sapphires, total length 5.5cm, detaching into two brooches £1,600­1,800

469 Lalaounis, a pair of gold seashell earrings, of stylised gold scrolling design, maker’s mark and stamped 750, clip fittings, length 6.2cm £1,000­1,500

470 A large aquamarine brooch pendant, the oval aquamarine weighing over 100 carats, with triangular claws in a starburst design in a yellow gold coronet setting, length 4.5cm £4,000­6,000

471 Vourakis, a gold and diamond demi­parure, comprising a pair of fluted gold earrings applied with a diamond­set lozenge in 18ct gold, signed, length 3.5cm, clip fittings, with a matching fluted gold and diamond­set ring, unsigned, size J £1,500­2,000

472 A blue zircon and diamond ring, of cluster design, set with a circular­cut blue zircon within a border of cushion­shaped and rosecut diamonds, mounted in gold and silver, size N £300­400

473 An emerald and diamond dress ring, the step­cut emerald measuring 12.3 x 9.6 x 6mm and weighing approximately 4.80 carats, set within bagette­shaped and circular­cut diamond shoulders, mounted in yellow gold, size K £3,000­5,000 A verbal report states that the emerald is of Zambian origin, with indications of moderate clarity enhancement.

474 A diamond ring, the 18ct gold band set to the front with clusters of circular­cut diamonds, size P, British hallmarks, dated 2000 £300­400

475 An aquamarine and diamond dress ring, the step­cut aquamarine set within chevron­shaped diamond shoulders in gold, size L £1,500­1,800

476 An Art Deco diamond ring, 1930s, of stylised buckle design, set with circular­cut and single­cut diamonds, mounted in platinum, size J½ £600­800

477 A citrine mounted gold ring, the step­cut citrine claw­set in 18ct yellow gold, size M £200­300

478 A gold and diamond demi­parure, 1960s, comprising: a pair of ear clips and a ring, each designed as ribbons, set with single­cut diamonds, mounted in bicoloured gold, ear clips each 3.3cm, stamped 18K, ring size I½, case stamped Vourakis £1,500­2,000

479 Birks, a diamond brooch, designed as a floral spray, set with brilliant­cut diamonds, mounted in white gold, length 6cm, signed Birks, stamped K18 £400­600

480 Boucheron, a gold and ruby brooch, mid 20th century, designed as a squirrel on a branch holding a nut, in textured gold, its eye set with a circular­cut ruby, length 2.6cm, signed Boucheron Paris, numbered 15961, French assay marks for 18ct gold, partial French maker’s mark £1,000­1,500

481 An emerald and diamond brooch, centring on a cluster of marquise­shaped diamonds within concentric border of cabochon emeralds and smaller marquise­shaped diamonds in white gold, length 3.5cm £2,500­3,000

482 Sabbadini, a sapphire and diamond ring, of crossover design, set with two heart­shaped sapphires of yellow and blue tints, each within a border of brilliant­cut diamonds, mounted in gold, size G½, partially signed Sabbadini, Italian maker’s mark, stamped 750 £500­700

483 Lalaounis, a gold seashell ring, of stylised design, maker’s mark and stamped 750, size I £300­400

462

466

463

467

464

468

465

469

470

474

471

475

472

476

473

477

478

481

479

480

482

484 A topaz and diamond brooch, mid 19th century, designed as a flower, the head mounted ‘en tremblant’ set on a green enamelled stem tied with a diamond bow, mounted in silver and gold, length 8.7cm £4,000­6,000

λ 485 A George III portrait miniature mourning jewel, early 19th century composite, of oval outline, set with a miniature portrait of a young girl in 17th century attire with lace collar and pearl hair net, earrings and embroidery, the reverse with a glazed compartment containing woven hair, within a gilt metal frame engraved with flowers, length 4.5 x 3.7 including later pendant hoop, later brooch and pendant fittings, portrait miniature possibly later matched to frame £300­500

486 A chalcedony intaglio ring, 19th century, set with a carved chalcedony intaglio depicting a boat at sea, mounted in gold, size F £200­300

λ 487 A late 18th century gold mourning pendant, depicting the portrait of a woman in mourning, on ivory in closed back lozenge­shaped setting, length 5.1cm £400­600

488 An early 19th century cameo ring, set with a banded agate cameo of a grotesque mask with a gold tongue, in closed back yellow gold setting, size M £150­200

489 A late Georgian gold and turquoise longchain, 1830s, of twisted design, composed of gold hoop links with stamped decoration, to a barrel clasp decorated with gold cannetille and turquoise cabochons, length 94cm, gross weight 30 grams £900­1,200

490 A late 18th century moss agate and seed pearl ring, the central moss agate plaque set within a border of seed pearls in yellow gold, inscribed in German to reverse with the passage from Colossians 3:14­15 which translates to ‘And over all these virtues put on love, which binds them all together in perfect unity’, size J £600­800

491 An early Victorian emerald and gold locket, mid 19th century, set with five variously shaped emeralds within a locket of scallop design engraved with scrolled decoration, with a glazed locket compartment to reverse, in yellow gold, length 3cm £500­700

492 A Regency emerald and diamond pendant, set with an emerald­cut emerald weighing approximately 1.90cts, within quatrefoil surround set with diamonds and cannetille surround, plaque for 18ct, length 3.8cm £1,000­1,500

493 A Stuart crystal slide / clasp, depicting two putti holding a heart over initials, under faceted crystal in yellow gold, width 2.2cm, with a similar Stuart crystal button in yellow gold, 9mm, case £600­800

494 An agate and diamond ring, early 19th century, of cluster design, set with a cabochon agate within a border of rose­cut diamonds, to a floral gilt band, size S £300­500

495 An early 19th century gold cross pendant, set with circular­cut topaz in gold collets, later pendant loop, 6.1cm £1,000­2,000

496 A Regency gold locket pendant, in the form of a cube, each square panel is hinged and opens to be worn in the form of a cross, each panel with an oval glazed locket compartment and foliate engraving to reverse, length 5.2cm, each panel 13mm wide £600­800

497 A hardstone cameo ring, depicting cupid, within a gold rubover setting in a pierced gold mount, size H £400­600

498 An early 19th century seed pearl mourning ring, centring on a glazed locket compartment within a surround of seed pearls in 18ct gold, inscribed to reverse for Catherine Waring, died 15th Jan, obscured Birmingham hallmarks for 18ct, size L £200­300

496 open

499 George III and later, a topaz bar brooch, set with four circular­cut topaz in closed­back yellow gold collets, later brooch fitting, length 4.4cm £700­900

500 Two emerald and diamond brooch components, late 18th/early 19th century, each end of foliate scroll design, set with step­cut emeralds and rosecut diamonds, mounted in gold, each end 3.5 x 3.1cm, brooch fittings possibly later added, central component deficient £300­400

501 An early 19th century moss agate bracelet, the graduated oval panels within gold twisted rope border, length 17cm, case £800­1,200

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487

491

492

496

493

493 (2)

494

498

495 499

500 501

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502 A black sapphire and diamond ring, the cushion­shaped sapphire flanked with three circular­cut diamonds to each side in textured 18ct white gold shank, London hallmarks for 1977, size K £1,000­1,500

Accompanied by report number 22194 dated 1st October 2022 from The Gem & Pearl Laboratory stating that the dark blue to black, rectangular cushion­shaped sapphire measures 20.0 x 18.8 x 10.2mm and has no evidence of heat treatment. The geological occurrence is common to Thailand, Australia, East Africa, etc.

503 Simon Benney, an amethyst and diamond brooch, of textured octagonal design, each corner set with a square diamond in 18ct yellow gold, maker’s mark and London hallmarks for 2002, length 4.4cm, case £800­1,200

504 Simon Benney, a citrine and cultured pearl demi parure, comprising a four­row cultured pearl necklace centring on an oval plaque set with a citrine cabochon within green enamel surround, in 18ct yellow gold, with a matching pair of circular earrings, all with maker’s mark and London hallmarks for 2000, necklace length 38cm, earrings with post and clip fittings, width 2.7cm, case £1,200­1,500

505 A sapphire and diamond brooch, designed as a bee in profile, set with sapphires and diamonds, mounted in gold, length 2.7cm £150­250

506 Kutchinsky, a gem­set gold rabbit brooch, formed from an onyx body with emerald eyes and a sapphire nose in 18ct yellow gold, maker’s mark and London hallmarks for 1966, length 4.4cm £600­800

507 A gem­set and gold koala brooch pendant, with emerald eyes and diamond accents in 18ct yellow gold, length 3.6cm £450­600

508 Elizabeth Gage, a gold and bronze bracelet, circa 1998, composed of links set with ancient bronze coins, in gold collet settings, length 18cm, signed GAGE, British hallmarks for 18ct gold £3,000­4,000

509 A sapphire and diamond seven stone ring, set with a cushion­shaped sapphire within diamond­set shoulders in platinum and gold, size L £1,000­2,000

510 A yellow sapphire and diamond ring, the oval yellow sapphire flanked with pairs of circular­cut diamonds in white gold, stamped 18ct, size L £1,000­1,500

Accompanied by report number 22193 from the Gem & Pearl Laboratory, dated 1st October 2022, stating that the yellow oval sapphire measuring 14.5 x 11.4 x 8.3mm is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

511 An amethyst and diamond cocktail ring, set with a large mixed cut amethyst, to shoulders channel­set with baguette diamonds, mounted in gold and palladium, size M½, case £1,000­1,500

512 A sapphire and diamond cluster ring, set with yellow and blue pear­shaped sapphires within clusters of graduated diamonds in yellow gold, size N £600­800

513 An amethyst and diamond cluster ring, the step­cut amethyst set within quatrefoil border of graduated circular­cut diamonds in 18ct white gold, London hallmarks for 1976, size J £300­500

514 A diamond­set gold eye ring, the eye set within a surround of diamonds in gold, size J £200­300

515 Elizabeth Gage, a gold Zodiac ring for Aries, decorated with leaping goats with a rope twist border in 18ct gold gold, maker’s stamp and London hallmarks for 1977, size H £400­600

516 A ruby and diamond ring, set with an oval ruby within diamond­set shoulders in yellow gold, size M £800­1,200

517 Paloma Picasso for Tiffany & Co, a gold ring, of geometric pierced design in 18ct yellow gold, size Q, gross weight 10 grams £400­600

518 A gold and diamond ring, the round brilliant­cut diamond weighing approximately 0.95 carats, within a twisted yellow gold setting, size Q, maker’s mark £1,000­1,500

519 A pair of gold, emerald, ruby and diamond ear clips, each designed as a snake, set with carved and cabochon emeralds, cabochon rubies and single­cut diamonds, mounted in gold, length 3.2cm, clip fittings, stamped 18K £700­1,000

520 A pair of mother of pearl, rubellite and diamond earrings, each of circular outline, centring on a rubellite cabochon, within a surround of polished mother of pearl accented with brilliant­cut diamonds, mounted in 18ct gold, diameter 2.4cm each, clip and post fittings, British hallmarks for 18ct gold £600­800

521 Elizabeth Gage, a pair of gold and bronze earrings, circa 1993, each set with an ancient bronze coin, within a pear­shaped gold mount with abstract engraving, length 3.2cm each, clip and post fittings, signed GAGE, British hallmarks for 18ct gold £1,500­2,000

522 A sapphire and diamond flower brooch, set overall with oval­shaped sapphires within a surround of diamonds in 18ct yellow gold, length 4.2cm £1,400­1,800

506

503

507

504

508

515

523 A sapphire and diamond three­stone ring, set with an oval­shaped sapphire flanked by circular­cut diamonds, mounted in yellow gold, size S £300­500

524 A late 19th century diamond cluster ring, set with graduated old circular­cut diamonds in silver and gold cut­down collets, size O £2,000­3,000

525 An opal and diamond ring, of cluster design, set with a cabochon opal within a border of circular­cut diamonds, mounted in silver and gold, size M½, British hallmarks for 18ct gold £300­400

526 A pearl and diamond ring, late 19th century, centring on a bouton pearl measuring approximately 6.4 x 6.7 x 4.0mm, within a border of cushion­shaped diamonds, mounted in gold, size K, pearl untested £200­300

527 A single row opal bead necklace, the graduated white opals separated with cultured seed pearls, with a pearl and opal cluster clasp in yellow gold, length 42cm £400­600

528 A cat’s eye chrysoberyl and diamond ring, late 19th century, set with a cabochon cat’s eye chrysoberyl, to curved shoulders set with circular­cut diamonds, mounted in gold, size I £400­600

529 A diamond ring, early 20th century, designed as three conjoined clusters of circular­ and single­cut diamonds, mounted in gold, size R, later shank, stamped 18ct £800­1,200

530 A diamond brooch, designed as the Islamic symbol of the crescent moon and star, set with rose­cut diamonds, mounted in gold, length 4.7cm £1,500­2,000

531 A diamond five stone ring, set with graduated old cushion­shaped diamonds in carved and pierced yellow gold setting, size O £300­400

532 A demantoid garnet and diamond brooch, late 19th century, of floral design, set with a cushion­shape demantoid garnet weighing 1.30 carats, and cushion­shaped and rose­cut diamonds, mounted in gold, length 4.5cm £800­1,200

533 A diamond brooch, designed as a crescent moon, set with a line of graduated brilliant­cut diamonds, mounted in 18ct gold, length 2.7cm, British hallmarks £600­800

534 An opal and diamond ring, designed as a flaming heart motif, set with a pear­shaped cabochon opal weighing 2.54 carats, within a border of cushion­shaped diamonds, mounted in silver and gold, size K, numbered 6209, stamped 14K £1,800­2,200

535 A George III diamond pendant/brooch, late 18th/early 19th century, designed as a foliate Maltese cross, set with cushion­shaped diamonds, mounted in gold and silver, length 3.4cm, later brooch fitting £1,500­2,000

536 A Victorian diamond pendant, late 19th century, composite, designed as a five­petalled flower set with cushion­shaped diamonds, suspended from a cluster of cushion­shaped diamonds, mounted in gold and silver, length 3cm, pendant detachable £800­1,200

537 A demantoid garnet and diamond bangle, late 19th century, centring on a floral spray set with a cushionshaped demantoid garnet weighing 1.85 carats, cushion­shaped and rose­cut diamonds, to a plain hinged bangle, mounted in gold, inner circumference 15.8cm £2,000­3,000

538 A Georgian diamond brooch, late 18th/early 19th century and later, of floral design, set with rose­cut diamonds in closed settings, mounted in silver, length 4.1cm, later openwork panel and brooch fitting to reverse £400­600

539 An opal and diamond brooch, early 20th century, of bar design, set with three cabochon opals, spaced with circular­cut and rose­cut diamonds, mounted in millegrain­bordered white gold, length 6cm £600­800

540 An early 20th century horse and jockey jabot pin, designed as a horse and jockey racing towards the finishing post, the jockey decorated with enamel, the horse and post set overall with diamonds (two missing) in white gold, length 6.9cm £2,000­3,000

541 A sapphire and diamond bangle, of hinged design, set to the front with seven graduated oval sapphires, spaced by pairs of brilliant­cut diamonds, to a 9ct gold bangle engraved with foliate scrolls, inner circumference approximately 17cm, British hallmarks £400­600

523

527

524

528

525

529

526

530

533

535

531

536

537

534

538

539

540

541

532

Φ 542 John Donald, an abstract diamond ring, of textured scroll design set with circular­cut diamonds in 18ct yellow gold, maker’s mark and London hallmarks for 1990, size L £400­600

Φ 543 John Donald, a diamond ring, circa 1965, centring on a star motif set with six kite­shaped diamonds, within an abstract radiating mount in 18ct white gold, size M, British hallmarks, sponsor’s mark JAD, date letter for 1965, original case stamped John Donald £2,000­3,000

Φ 544 Charles de Temple, a diamond­set ring, of abstract design, set with three graduated circular­cut diamonds within textured and polished gold surround, marked C de T to interior and London hallmarks for 1979, size O £600­800

545 A tourmaline ring, of abstract design, set with two step­cut tourmalines in polished yellow gold setting, size M £200­300

546 Björn Weckström, and abstract gold ring, set with a tourmaline crystal in 14ct yellow gold, signed Björn to interior, size O £1,500­2,000

547 A tourmaline and diamond cluster ring, set with oval green tourmalines and diamonds all claw­set in yellow gold, maker JA and London hallmarks for 1974, size N, case £500­700

Φ 548 John Donald, a diamond ring, collet­set with a pear­shaped diamond weighing approximately 0.50 carats, to a gold band with abstract openwork shoulders, size O, maker’s mark JAD £800­1,200

549 An aquamarine & diamond ring, 1970s, set with a cushion­shaped aquamarine, within an abstract mount in textured white gold, accented with brilliant­cut diamonds, size O, stamped 18CT £600­800

550 George Weil, an amethyst and diamond ring, 1970s, set with a step­cut amethyst, within a border of brilliant­cut diamonds, to an abstract textured gold mount, size N, signed G Weil, stamped 18CT PLAT £800­1,200

Φ 551 Gilian Packard, a diamond ring of sculptural design, the connecting arcs each set with graduated round brilliant­cut diamonds in 18ct yellow gold, maker’s mark GEP and London hallmarks for 1972, approximate ring size J £1,000­2,000

Reference: For a ring of identical design see V&A exhibit M.24­1985.

552 Ben Rosenfeld, a gold and diamond brooch, London, circa 1970, designed as a ribbon of textured gold set with brilliant­cut diamonds, length 4.1cm, signed BR Ltd, British hallmarks for 18ct gold, gross weight 23 grams £900­1,200

553 A pair of topaz and gold drop earrings, of stylised design set with graduated oval­shaped topaz within pellet­work abstract border in 18ct yellow gold, London import marks for 1977, clip fittings, length 4.5cm £500­700

554 Kutchinsky, a gold, sapphire and diamond bracelet, London, circa 1966, designed as three articulated rows of gold chevron linking, woven through bar links set with circular­cut sapphires and brilliant­cut diamonds, length 18.5cm, signed Kutchinsky, British hallmarks for 18ct gold, date letter l for 1966, maker’s mark Kld £2,000­3,000

555 A multi­gem and diamond acrostic bracelet, 1970s, designed as a series of textured abstract gold plaques set with a diamond, emerald, amethyst, ruby, emerald, sapphire and topaz, their initials spelling out the word ‘DEAREST’, further accented with brilliant­cut diamonds, length 19cm, gross weight 19 grams £2,000­3,000 Accompanied by report no. 22175 from the Gem & Pearl Laboratory, stating that the ruby weighing approximately 1.26 carats is of Burmese (Myanmar) origin, with no indications of heat treatment, the sapphire weighing approximately 1.78 carats is of Sri Lankan origin, also with no indications of heat treatment, the oval emerald is of Zambian origin with minor clarity enhancement, the step­cut emerald is of Colombian origin with indications of moderate clarity enhancement, and the topaz is natural ‘Imperial’ topaz.

556 A gold longchain, France, late 19th century, composed of interlocking oval links in gold wire, length 150cm, French assay mark for 18ct gold, French maker’s mark reading ‘Godin’, gross weight 55 grams £1,500­2,000

557 A gold and diamond brooch, 1970s, designed as a spray of flowers in textured gold, set with circular­cut and cushion­shaped diamonds totalling approximately 2.30­2.50 carats, length 5.3cm, British hallmarks for 18ct gold £1,100­1,500

† 558 A loose sugarloaf cabochon ruby, weighing 3.47cts

A verbal report from GCS states that the ruby is of Burmese (Myanmar) origin, with no indications of heat treatment.

£600­800

† 559 A loose cushion­shaped purple sapphire, weighing 3.69cts £1,200­1,500

A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

560 A loose solid black opal weighing 2.21cts

† 561 A loose purple sapphire, weighing 2.18cts

£200­300

£500­700

A verbal report from GCS states that the cushion­shaped colour changing sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

† 562 A loose cushion­shaped padparadscha sapphire, weighing 2.32cts £600­800

A verbal report from GCS states that the cushion­shaped Padparadscha sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

† 563 Six oval­shaped faceted rubies, weighing 5.86cts total £2,000­3,000

Accompanied by four reports from AGL relating to the stones weighing 1.20cts, 1.03cts, 0.85cts and 0.84cts stating that the stones are unheated, origin Burma.

564 A diamond necklace, designed as a series of links designed as ribbon bows, set with brilliant­cut diamonds totalling approximately 8.50­9.50 carats, mounted in white gold, length 44.5cm, stamped 750, some small diamonds deficient

£6,000­8,000

λ 565 Van Cleef & Arpels, a coral and diamond ‘Philippine’ ring, set with graduated round brilliant­cut diamonds flanked with coral plaques to each shoulder, stamped VCA and numbered 5V 308.193 and 18k, size L £1,200­1,300

566 A spinel and diamond ring, set with a sugarloaf pink spinel weighing 10.71 carats, to a mount set entirely with circular­cut diamonds in white gold, size N, stamped 18K £6,000­8,000

Accompanied by report number CDC23081183 from C. Dunaigre Switzerland, dated 19th August 2023, stating that the purplish­orangy­pink spinel is of Vietnamese origin, with no indications of treatment.

567 A blue zircon and diamond cluster ring, the square step­cut zircon set within a surround of diamonds in platinum and yellow gold, size P £400­600

568 A gold and diamond ring, the centre of raised ridged design, within borders of rose­cut diamonds, mounted in gold, size N, French import assay marks for 18ct gold and platinum £800­1,200

569 A gold and diamond brooch, designed as a rose in gold, the centre petals outlined with brilliant­cut diamonds, measuring 6.2 x 6.1cm, stamped 750, indistinct maker’s mark, gross weight 59 grams £1,800­2,200

570 A matching pair of diamond brooches, of foliate scroll design set with graduated circular­cut diamonds in platinum, length 4cm £5,500­6,500

571 A gold and diamond ring, centring on a square panel set with diamonds within a polished gold surround, on a fancy­link gold band, size G½

£400­600

572 A peridot ring, channel­set with a square step­cut peridot between two demi­lune peridots, mounted in gold, size L½

£800­1,200

573 An amethyst and diamond ring, set with an oval faceted amethyst within diamond surround in 18ct yellow gold, size K

£300­500

574 A green chalcedony ring, France, designed as a flower, the gold petals enclosing a cabochon green chrysoprase, size M½, French assay mark for 18ct gold £800­1,200

575 A diamond bombé ring, pavé­set set overall with graduated old­cut diamonds in platinum, size M £2,500­3,500

576 Vourakis, a gold and diamond demi­parure, comprising a large textured gold and diamond foliate brooch, length 6cm, signed, with a matching pair of textured gold and diamond earrings, length 4.2cm, clip fittings, unsigned £2,500­3,500

577 A star ruby and diamond brooch, mid 20th century, designed as a spray of flowers, set with two cabochon star rubies and brilliant­, single­cut, trapezoid, shield­shaped and baguette diamonds, mounted in platinum, length 4.4cm £2,000­3,000

578 A gold and diamond pendant, designed as a flower, set with circular­cut diamonds totalling approximately 3.50­4.00 carats, length 4.7cm, stamped 18CT £3,000­5,000

579 Lalaounis, a diamond­set gold snake ring, of stylised design set with graduated circular­cut diamonds in platinum and gold, size M £700­1,000

580 A diamond brooch, 1950s, of abstract scroll design, set with single­ and circular­cut diamonds, mounted in platinum, length 5.4cm £200­300

581 A pair of Retro diamond ear clips, mid 20th century, each of stylised foliate design, set with single­cut diamonds, mounted in rose gold, length 3.7cm £1,200­1,400

564

568

565

569

566

570

567

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572

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573

577

574

578

575

579

582 A pair of aquamarine and diamond earrings, each of drop design, composed of a floral surmount suspending a pear­shaped drop, set with brilliantcut diamonds totalling 0.84 carats and pear­shaped aquamarines totalling 4.46 carats, mounted in white gold, length 2.5cm each, post fittings £1,500­2,000

583 A sapphire and diamond cluster ring, set with a cushion­shaped sapphire within a concentric surround of circular­cut diamonds in platinum and gold, size L £800­1,200

584 A garnet and diamond ring, set with a cushion­shaped green garnet weighing approximately 1.50 carats, within a foliate surround set with brilliantcut and tapered baguette diamonds, mounted in white gold, size J £1,000­2,000

585 An aquamarine pendant necklace, designed as a sequence of two circular­cut aquamarines suspending a pear­shaped aquamarine weighing approximately 18.00 carats, connected by knife­wire linking, mounted in silver and gold, to a fine platinum chain, chain length 48cm, pendant length 5.4cm £600­800

586 A diamond pendant necklace, designed as a stylised heart motif suspending a drop pendant, set with brilliant­cut diamonds and a pear­shaped diamond weighing approximately 0.60 carats, mounted in white gold, pendant length 3.6cm, chain length 50cm £500­700

587 An aquamarine and diamond pendant, set with a pear­shaped aquamarine weighing approximately 30.00 carats, to a bail set with single­cut diamonds, length 5.5cm, French assay mark for 18ct gold £3,000­5,000

588 A diamond cluster ring, set with a central circular­cut diamond weighing approximately 0.80cts within a diamond border and further diamond­set shoulders in platinum, total approximate diamond weight 1.10cts, size N £1,400­1,600

589 Bulgari, a diamond solitaire ring, the central round brilliant­cut diamond weighing approximately 0.55cts claw­set in platinum, size L £600­800

590 A diamond solitaire ring, the circular­cut diamond weighing approximately 1.65cts, in plain platinum setting, size M £2,000­3,000

591 A diamond three stone ring, set with graduated round brilliant­cut diamonds weighing approximately 2.40cts, in platinum, size L £2,500­3,500

592 An aquamarine and diamond ring, claw­set with a step­cut aquamarine weighing approximately 15.00 carats, to stepped shoulders set with singlecut diamonds, mounted in white gold and platinum, size M½, stamped 18CT PLAT £1,500­2,000

593 A diamond line bracelet, set with 40 round brilliant­cut diamonds in white gold, total approximate carat weight 9.00cts, stamped 750, length 16.5 £4,500­5,500

594 A diamond line bracelet, designed as an articulated line of brilliant­cut diamonds totalling approximately 8.40 carats, mounted in white gold, length 18cm, stamped 750 £4,000­6,000

595 A pair of aquamarine and diamond earrings, early 20th century, each of pendent design, set with circular­cut and pear­shaped aquamarines and circular­ and rose­cut diamonds, mounted in white gold, length 2.8cm each, post fittings £800­1,200

596 A sapphire and diamond ring, of square outline, set with a cabochon sapphire within a border of brilliant­cut and baguette diamonds, mounted in platinum, size M, stamped PLAT £700­900

597 A pair of diamond cluster earrings, set with graduated circular­cut diamonds in platinum and gold, width 11mm £200­300

598 A pair of emerald and diamond stud earrings, each of cluster design, set with a cabochon emerald within a border of brilliant­cut diamonds, mounted in 18ct white gold, each 0.9cm diameter, post fittings, British hallmarks £200­300

599 A pair of emerald and diamond earrings, of cluster design, set with step­cut emeralds totalling 1.10 carats within borders of brilliant­cut diamonds totalling 0.80 carats, mounted in white gold, length 1.2cm each, post fittings, stamped 750 £850­1,200

600 A pair of diamond stud earrings, each claw­set with a brilliant­cut diamond, total diamond weight approximately 1.03 carats, mounted in white gold, post fittings, case £1,400­1,600

601 Hans D. Krieger, a diamond ring, centring on a circular ‘Crown of Light’ ­cut diamond weighing 2.12 carats, to stepped shoulders set with baguette diamonds, mounted in platinum, size L½, British hallmark, sponsor’s mark HDK £3,000­5,000 Accompanied by a facsimile of GIA report no.5121478528, stating that the diamond weighing 2.12 carats is J colour, SI1 clarity, no fluorescence, with evidence of laser drilling.

602 An amethyst and diamond demi­parure, comprising: a ring and a pair of earrings, each of rectangular outline, set with a step­cut amethyst within a border of cushion­shaped diamonds, mounted in gold and palladium, ring size K½, earring length 1.5cm each, post fittings £600­800

603 A pair of emerald and diamond drops and ring, each set with a pear­shaped emerald within a border of diamonds, the drops set in platinum and gold, length 2cm, the ring set in white gold, size N £1,000­2,000

604 A diamond eternity ring, designed as a continuous band of claw­set brilliant­cut diamonds totalling approximately 4.00 carats, mounted in white gold, size S½ £1,200­1,500

582

586

583

587

584

588

585

589

590

594

591

595

592

596

593

597

599

602

598

603

600

604

601

605 An amethyst and diamond ring, of cluster design, set with an oval amethyst within a border of single­cut diamonds, mounted in white gold, size K½ £500­700

606 An emerald, onyx and diamond ring, designed in the Art Deco style, centring on a with a step­cut emerald, within a mount of flaring outline set with circular­cut diamonds and calibré­cut onyx and emeralds, mounted in platinum, size M½

£1,800­2,200

607 A tanzanite and diamond cluster ring, the oval tanzanite set within a surround of circular­cut diamonds in 18ct white gold, Birmingham hallmarks, size M £1,000­1,500

608 A diamond and gold fancy­link collar necklace, set with polished and twisted links, the front section alternately set with panels of graduated circular­cut diamonds in 18ct gold, length 38cm, 91g £4,000­5,000

609 An opal and diamond ring, collet­set with a cabochon opal weighing 5.37 carats, within an undulating ‘ballerina’ setting of tapered baguette diamonds, mounted in platinum, size K, stamped PT900, numbered £1,500­2,000

610 A diamond line bracelet, set with round brilliant­cut diamonds totalling approximately 7.00 carats, mounted in white gold, length 18.2cm £3,000­5,000

611 A diamond cluster ring, of openwork geometric design, set with diamonds totalling approximately 0.85 carats, in platinum and white gold, size O £800­1,200

612 A tanzanite and diamond three stone ring, set with a cushion­shaped tanzanite flanked with old cushionshaped diamonds in white gold, size N £300­400

613 Birks, a sapphire and diamond ring, of cluster design, set with an oval sapphire within a border of marquiseshaped diamonds, mounted in platinum, size N £600­800

614 A sapphire and diamond cluster ring, the oval sapphire set within a surround of round brilliant­cut diamonds and bifurcated diamond shoulders in platinum, the sapphire weighing approximately 0.50cts, the diamonds weighing approximately 1.00cts in total, size Q £700­1,100

615 A diamond­set bi­colour gold bracelet, twelve of the plaited links set with graduated circular­cut diamonds, length 19cm, 47g £2,000­3,000

616 A ruby and diamond cluster ring, set with circular­cut diamonds within a border of rubies in white gold, stamped 18ct and PLAT, size K £400­600

617 A sapphire and diamond ring, of cluster design, set with a circular­cut sapphire within a border of brilliantcut diamonds, mounted in platinum, size K½

£1,200­1,300

618 A ruby and diamond ring, claw­set with a brilliant­cut diamond weighing approximately 1.00 carat, between shoulders set with circular­cut rubies, mounted in white gold, size O½

£1,500­2,000

619 A tsavorite garnet and diamond ring, the oval green garnet flanked with round brilliant­cut diamonds in 18ct white gold, marked 2.27 to interior and diamond weight 0.16cts, size O

£400­600

620 An emerald and diamond half hoop ring, set with French­cut emeralds within a surround of diamonds in platinum, London hallmarks for 2006, size M

£500­700

621 A diamond ring, set with a brilliant­cut diamond weighing approximately 0.60 carats, to shoulders set with smaller brilliant­cut diamonds, mounted in 18ct white gold, size K½, British hallmark

£300­400

622 A ruby and diamond navette­shaped ring, set with graduated rubies within a diamond border in yellow gold, size L £200­300

609

623 A diamond ring, ‘Happy Spirit’, Chopard, and a pair of diamond earrings, the ring of circular outline with a glazed compartment containing freely moving concentric rings set with brilliant­cut diamonds, mounted in gold, the exterior inscribed ‘HAPPY SPIRIT’, size L, signed Chopard, numbered 82/5425/0-20 and 3010747, stamped 750; and a pair of earrings of similar design, length 2.3cm each, clip and post fittings, unsigned, stamped 18K £800­1,200

624 Cartier, an emerald and diamond cluster ring, the oval emerald set within a surround of brilliant­cut diamonds in platinum, stamped Cartier, size L, case stamped Cartier, Cartier documents

£8,500­9,500

Accompanied by GIA report number 5231068160, dated 11th September 2023, stating that the oval emerald measuring 10.04 x 6.60 x 2.93mm is of Colombian origin, with indications of minor clarity enhancement.

625 Pomellato, an amethyst, garnet and diamond ring, set with a cushion­shaped amethyst, between shoulders pavé­set with brilliant­cut diamonds and circular­cut garnets, to a gold band, size P, signed Pomellato, Italian maker’s mark, stamped 750

£1,500­2,000

626 A sapphire and diamond gold necklace, of graduated fancy linking centring on a hexagonal diamond plaque set with a central cabochon sapphire within diamond surround and links alternately set with diamonds in 18ct yellow gold, length 42cm, 67g

£2,500­3,000

627 Vourakis, a pair of sapphire and diamond ear clips, each of hexagonal outline, set with cabochon sapphires within a triple border of brilliant­cut diamonds, mounted in gold, length 2.6cm each, clip fittings, signed Vourakis, stamped 750, Greek assay marks £2,000­3,000

628 De Grisogono, a gold dress ring, formed of articulated teardrop sections in polished yellow gold, signed to interior and stamped 750, size K approx. £1,000­1,500

629 Cartier, a diamond bombé ring, of hemispherical design, half formed of black jade, the other half pavé­set with diamonds in 18ct yellow gold, marked Cartier and 750, size M, Cartier case

£2,000­3,000

630 Cartier, a diamond 'LOVE' bangle, set with four round brilliant­cut diamonds in yellow gold, inner circumference 15cm, signed Cartier, numbered EOD491, size 16, stamped 750, with screwdriver, case and certificate stamped Cartier £2,000­3,000

631 Elsa Peretti for Tiffany & Co, a gold bangle, designed as a stylised heart in polished yellow gold, maker’s stamp and London hallmarks for 18ct, 1999, internal width 6cm, 42g £1,000­1,500

632 Cartier, a gold bracelet, ‘Maillon Panthère’, 1990s, of gate link design in 18ct gold, to a concealed clasp, length 18.5cm, signed Cartier, numbered 645883 French and Swiss assay marks for 18ct gold, French maker’s mark, gross weight 68 grams £1,500­2,500

633 Georg Jensen, a gold and diamond bangle, of torque design, centring on a section of pavé­set brilliant­cut diamonds of brown tint, to a polished gold band, inner curve 13cm, signed Georg Jensen, stamped 750 £4,000­6,000

634 Vourakis, three gem­set gold bangles, set with ruby, emerald and sapphire cabochon terminals respectively, within a diamond border in a sprung 18ct gold bangle, the ruby bangle signed and stamped 750, the other two bangles unsigned, internal width 5.7cm approx, gross weight 116g £4,000­6,000

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635 A fine enamel, pearl and diamond pendant, circa 1900, designed as a dove in flight, applied with opalescent enamel, its eyes set with circular­cut rubies, holding a circular­cut diamond with its claws, its wings outlined with rose­cut diamonds, suspending a pearl pendant, to a platinum chain set with an additional pearl, dove wingspan 5.3cm, necklace length 42.5cm, stamped 18CT, pearls untested, one rose-cut diamond deficient £400­600

636 An Edwardian ruby and diamond pendant, centring on a step­cut ruby within scrolling diamond surround and suspending an oval­shaped ruby in platinum and gold, length 5.4cm £2,000­3,000

637 Edouard Aimé Arnould, a rare Art Deco chrysoberyl and ruby brooch, 1920s, of geometric design, set with a mixed­cut chrysoberyl weighing approximately 5.00 carats, within a border of calibré­cut rubies, to a bar brooch, mounted in platinum, length 6cm, signed Arnould, French assay marks for platinum, indistinct French maker’s marks, fitted case stamped Arnould £2,500­3,000

Accompanied by report no. CDC2310469 by C.Dunaigre, stating that the chrysoberyl is of Sri Lankan origin.

638 A ruby and diamond ring, mid 20th century, of crossover design, each bombé end pavé­set with brilliant­ and single­cut diamonds, one side clawset with an oval ruby, mounted in white gold, size E½ £800­1,200

639 A diamond pendant/brooch, in the Belle Époque style, the circular pendant of intricately pierced construction, set with brilliant­cut diamonds, mounted in white gold, to a fine link chain in white gold, pendant length 4.4cm, chain length 45cm chain stamped 750 £800­1,200

640 An Edwardian spinel and diamond pendant, early 20th century, of heart­shaped design composed of foliate scroll work in platinum, set with circularcut diamonds and step­cut spinels, suspending a pear­shaped spinel, length 6.6cm £4,000­6,000

641 An Art Deco pearl and diamond ring, set with a pearl flanked with old circular­cut diamonds within pierced diamond­set surround, in platinum and gold, size N £800­1,200

642 A Belle Époque diamond brooch, set with three articulated diamonds diamond drops with a diamond­set wreath surmounted by a diamond­set bow in platinum, length 5.4cm £1,000­1,500

643 An amethyst and seed pearl pendant, early 20th century composite, the pendant composed of a circular­cut amethyst suspending an oval amethyst from two seed pearl chains, set between four circular­cut diamonds in silver collet settings, within a border of half pearls, suspending a further oval amethyst pendant, to a later fine gold chain, necklace length 37cm, pendant length 6.5cm, fitted case £2,500­3,500

644 An Art Nouveau diamond pendant/brooch, early 20th century, of abstract foliate design suspending an articulated lower section, set with circularand single­cut diamonds and a pearl measuring approximately 5mm, mounted in platinum and gold, to a later platinum chain, pendant length 5.2cm, chain length 36cm, pearl untested £600­800

645 An attractive Belle Époque diamond ring, circa 1915, designed as a foliate cluster, centring on a circular­cut diamond weighing approximately 0.70 carats, within a border of cushion­shaped diamonds and larger collet­set cushion­shaped diamonds at each corner, mounted in platinum, size Q £1,000­1,500

646 An Art Nouveau pearl and diamond pendant, circa 1900, of negligée design, set with circular­cut and cushion­shaped diamonds, suspending two asymmetrical knife wire pendants terminating in a circular­cut diamond and a pearl respectively, to a fine link chain, mounted in gold and platinum, chain length 40.5cm, pendant length 4.8cm, French import assay mark for platinum, pearl untested £1,600­2,000

647 A Belle Époque natural pearl and diamond brooch, early 20th century, of stylised foliate design topped by a ribbon bow, set with rose­cut and cushion­shaped diamonds, and two natural pearls, length 6.1cm, French import assay marks for 18ct gold and platinum, detachable brooch fitting £800­1,200

Accompanied by GCS report no. 5776­5171, stating that the pearls measuring 5.7­5.8 x 5.4mm and 4.5­4.6 x 5.6mm are natural, saltwater.

648 A diamond ring, early 20th century, set with a sequence of five circular­cut diamonds totalling approximately 1.00 carat, mounted in gold, size P½ £300­500 TO BE SOLD WITHOUT RESERVE

649 A diamond ring, early 20th century, set with two circular­cut diamonds weighing approximately 1.28 and 0.54 carats, to a band set with circular­cut and single­cut diamonds, size O £2,000­3,000

650 A platinum long guard chain, the small oval links set with seed pearls and separated with foliate links, total length 144cm, 28g £600­800

651 A pair of natural pearl and diamond earrings, early 20th century, each designed as a graduated line of millegrain­set circular­cut diamonds, suspending a natural pearl drop capped in rose­cut diamonds, length 4cm each, later post fittings £1,000­2,000

Accompanied by GCS report no. 5775­2915, stating that the pearls measuring approximately 5.9­6.0mm and 5.9­6.3mm respectively, are natural, saltwater.

652 A diamond ring, early 20th century, set with a circular­cut diamond weighing approximately 0.25 carats, to a mount with pierced spiral decoration set with single­cut diamonds, size R½ £600­800

653 A diamond and ruby ring, early 20th century, of cluster design, set with a circular­cut diamond weighing approximately 1.10 carats, within a floral border of demi­lune rubies and circular­cut diamonds, mounted in gold and platinum, size O £3,000­4,000

654 A diamond three stone ring, set with three graduated circular­cut diamonds weighing approximately 1.05cts in total, set in platinum, size L £500­700

655 A ruby and diamond bracelet, early 20th century, composed of navette­shaped links centring on foliate motifs set with rose­cut diamonds and circular­cut rubies, mounted in gold and platinum, length 17cm, French assay marks for 18ct gold and platinum £1,000­2,000

656 An emerald cabochon and diamond bracelet, set with a central sugarloaf emerald, within articulated diamond border in silver and gold circular setting, on expanding gold bracelet, length 18cm £2,500­3,500

657 A sapphire and diamond bracelet, early 20th century, centring on an oval sapphire between sections of channel­set calibré­cut sapphires and singlecut diamonds, to a link bracelet, mounted in gold and platinum, length 18cm, indistinct assay mark, possibly Austrian early 20th century mixed metal import assay mark £1,500­2,000

658 A sapphire and diamond bangle, early 20th century, centring on a line of five cabochon sapphires spaced by circular­cut diamonds, mounted in gold, to a hinged gold bangle of knife edge design, inner circumference approximately 17cm, Russian assay marks for 14ct gold, St Peterburg marks, and maker’s mark BK £1,000­2,000

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659 A late 19th century natural pearl and diamond brooch, centring on a drop­shaped pearl within a diamond crescent and bow surround, set in silver and gold, later brooch fitting, length 3.8cm

A verbal report from GCS states that the pearl is natural saltwater.

£500­700

660 A pearl and diamond necklace, early 20th century, designed as a double strand of graduated pearls measuring 3.2­7.5mm diameter, to a navette­shaped Art Deco clasp set to both sides with circular­cut diamonds, mounted in platinum, length 57cm

£1,000­1,500

A verbal report from GCS states that the majority of the pearls are cultured, and a minority of varying sizes are natural, saltwater

661 A natural pearl necklace, designed as a single strand of graduated pearls measuring approximately 3.7­7.6mm diameter, to a pearl clasp measuring 6.8 x 8.8mm, necklace length 50.1cm

£1,500­2,000

Accompanied by report no. 24101 from The Gem and Pearl Laboratory, dated 31st December 2023, stating that the pearls are natural, saltwater.

662 A natural pearl necklace, early 20th century, composed of a single row of graduated natural pearls, measuring approximately 1.4­4.8mm diameter, to a clasp set with a seed pearl and rose­cut diamonds, mounted in gold, length 43cm £300­500

A verbal report from GCS states that the pearls are natural saltwater, with one beaded cultured pearl.

663 A pair of natural pearl and diamond earrings, each of pendent design, suspending a natural pearl within a foliate mount set with rose­cut diamonds, accented with another smaller pearl pendant, length 5.2cm each

£12,000­15,000

Accompanied by GIA report number 1186772810, dated 16th October 2017, stating that the four white pearls are natural, saltwater.

664 A pair of natural pearl and diamond drop earrings, set with articulated lines of cushion­shaped diamonds, each suspending a pearl, mounted in silver and gold, length 3.8cm

£3,000­4,000

Accompanied by GCS report no. 5784­1622, dated 21st February 2024, stating that the two cream drop pearls measuring approximately 7.2 x 6.6 x 9.5mm and 8.1 x 7.6 x 9.6mm are natural, saltwater.

665 A natural pearl and diamond ring, early 20th century, of foliate design, set with a natural pearl measuring approximately 9.6­9.9 x 8.4mm, accented with rose­cut diamonds, mounted in gold, size L, case £3,000­4,000

Accompanied by report no. 23079 from the Gem & Pearl Laboratory, stating that the pearl is natural, saltwater.

666 A natural pearl and diamond pendant, 18th century, designed as a ribbon bow suspending a foliate drop, set with rose­cut diamonds and a drop­shaped drilled pearl measuring approximately 16.0 x 11.2 x 9.2mm, mounted in silver, total length 7.5cm, later pendant hoop set with pastes £800­1,200

Accompanied by GCS report no. 5784­0616, stating that the pearl is natural, saltwater.

667 A pearl and diamond brooch, late 19th century, centring on a pearl measuring approximately 8.0 x 8.8 x 7.6mm, to a mount of scrolled design set with cushion­shaped and rose­cut diamonds, mounted in gold and silver, length 5.1cm, pearl untested £1,000­2,000

668 A pair of natural pearl and diamond earrings, each of foliate drop design, suspending a natural pearl within a frame of single­ and rose­cut diamonds, mounted in gold and platinum, length 4cm each, post fittings £5,500­7,500

Accompanied by GCS report no. 5776­5788, stating that the pearls measuring 7.6­7.7 x 9.2mm and 7.4­7.6 x 9.3mm are natural, saltwater.

669 A pair of natural pearl and diamond earrings, each of pendent design, composed of foliate links set with single­cut and baguette diamonds, suspending a natural pearl, mounted in platinum, length 5.1cm, hook fittings £5,000­7,000

Accompanied by report no. 11722 from the Gem and Pearl Laboratory, stating that the pearls measuring approximately 8.1­9.5 x 11­13mm and 9.5­9.8mm x 12­13mm respectively are natural, saltwater.

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670 A ruby and diamond cluster ring, the star ruby cabochon set within a surround of circular­cut diamonds in 18ct yellow gold, size N £400­600

671 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 1.90 carats, mounted in gold, size, V½, British hallmarks for 18ct gold £1,200­1,500

672 A sapphire and diamond necklace, the pendant pavé­set with brilliant­cut diamonds and channel­set with a line of baguette and triangular diamonds, suspending a cabochon sapphire measuring approximately 11.7 x 9.7 x 7.9mm, to a gold curb link chain necklace, pendant length 4.7cm, necklace length 43cm, signed ‘European Jewellery’, stamped 18K and 750, Italian maker’s mark £5,000­7,000

673 A gold and diamond bangle, of twisted design, pavé­set with graduated round brilliant­cut diamonds in 18ct yellow gold, hinged opening, internal width 5.1cm, 56g £2,500­3,000

674 A diamond necklace, composed of briolette diamonds of brown tint totalling approximately 40.00 carats, mounted in gold, length 70cm £6,000­8,000

675 A pink and colourless diamond ring, the pink diamond weighing approximately 0.30cts, within shoulders set with four circular­cut diamonds weighing approximately 0.60cts (total) in platinum, size P £3,000­5,000

Accompanied by report number 5784­1795 for GCS dated March 2024 stating that the diamond is natural, Fancy Purplish Pink, VS1/VS2.

676 A sapphire ring, claw­set with a cushion­shaped sapphire weighing approximately 1.40 carats, to a splitshouldered platinum mount, size L, French maker’s mark £800­1,200

677 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 1.90cts set within tapered baguette­shaped shoulders in platinum and 18ct gold, London hallmarks for 1996, size M £1,500­2,500

678 An emerald and diamond cluster ring, the emerald­cut emerald weighing approximately 9.00cts, set within a surround of circular­cut diamonds in 18ct yellow gold, size N £2,000­3,000

679 A zircon and diamond ring, the step­cut brown zircon set within tapered baguette­shaped diamond shoulders in yellow gold, stamped 14k, size R £800­1,200

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680 Fabergé, a silver gilt cigarette case, circa 1900, of square outline, the lid with a design of interlocking laurel wreaths and ribbons suspending tassels, the push piece set with a cabochon sapphire, opening to reveal a plain interior, measuring 8.0 x 8.0 x 1.7cm, signed Fabergé, Imperial warrant stamp, Russian 87 zolotnik mark £1,500­2,000

681 A carved Blue John bowl, diameter 3.2cm, fitted case

£100­200

682 An early 20th century silver and enamel bell push, of pendulum design decorated with pink guilloche enamel on silver, London import marks for 1939, length 6.2cm

£600­800

λ 683 A late 19th century carved tortoiseshell cane handle, designed as a hare with ruby cabochon eyes and a ruby and diamond­set bow around its neck in silver, width 6.5cm

£300­400

684 Fabergé, an enamel and diamond cigarette case, early 20th century, of cylindrical form with an oval cross section, applied with pink guilloché enamel and laurel leaf borders, with a hinged lid accented with millegrain­set rose­cut diamonds, opening to reveal a plain interior, in gilt silver, measuring 7.7 x 4.1 x 2.8cm, signed Fabergé, workmaster’s initials AH for August Hollming, 88 zolotnik mark, losses to enamel £1,000­1,500

685 A late 19th century stickpin, designed as a coiled snaked beneath an untested pearl the serpent decorated with black enamel and a diamond to its head in yellow gold, length 9.6cm

£300­400

686 A gilt silver etui, 19th century, the cylindrical case of oval cross section, the exterior with three­tone decoration depicting urns within oval frames, opening to reveal a toothpick, a pair of scissors, a folding knife and a pencil, length 10.8cm £400­600

687 Fabergé, a rare bowenite and demantoid carving, early 20th century, modelled as a stylised kingfisher in carved bowenite, its eyes set with circular­cut demantoid garnets, height 4.5cm, unsigned £1,500­2,000 Fabergé’s animal carvings are among their most celebrated creations, adored and collected by some of the most prominent figures of the early 20th century. Russia’s stone carving industry centred on the city of Yekaterinburg, where Fabergé acquired the workshop of lapidary Karl Woerffels around 1884, and it was this workshop that produced the majority of them ­ the carvers Kremlev, Derbyshev and Svetchnikov, managed by the German Alexander Meier. The stones were carefully selected by Carl Fabergé’s son Agathon, and were mostly of Russian origin, taking advantage of the rich mineral resources of the Ural mountains and Siberia. The animal carvings found immense popularity with a number of the firm’s key patrons, most notably the British royal family, whose collection boasts more than 350 animals, and Léopold de Rothschild, who had his racehorses similarly immortalised by Fabergé’s sculptors.

While these studies were often remarkably lifelike and detailed, among Fabergé’s more unusual hardstone carvings are those taking inspiration from Japanese netsuke, particularly their strikingly abbreviated, stylised depictions of birds in a style known as ittōbori (literally ‘one blade carving’). In common with many collectors and artists fascinated by the new influx of Japanese art at the beginning of the 20th century, Carl Fabergé himself had personally put together a collection of these small Japanese carvings in ivory and wood, which were originally designed to suspend pouches or cases from the belts that fastened traditional Japanese dress. Perhaps the best known results of Fabergé’s appreciation of ittōbori netsuke are direct copies of a popular Japanese model known as fukura suzume, depicting exaggerately round sparrows in flight. In this same simplified style but in stark contrast are Fabergé’s still, watchful studies of kingfishers.

The present example, in milky pale green bowenite from the Ural mountains, is among the simplest and most pared back of Fabergé’s kingfisher studies, its green eyes glinting with another one of Russia’s most famous gemmological exports, demantoid garnets. Kingfishers were apparently referred to by Fabergé as ‘icebirds’, and appeared in the ledgers when one was purchased by King Edward VII in November 1907, and another was purchased by his son, the future King Edward VIII in 1913, not long before the London Fabergé branch was forced to close and the firm’s era at forefront of European jewellery design came to an abrupt end.

Illustrated: Geza von Habsburg, Fabergé, Geneva, 1987, no. 307, its eyes miscatalogued as peridot.

For examples of Fabergé’s kingfisher carvings in the Royal Collection, please see collection nos. RCIN 40387 and RCIN 40385.

For further discussion of the influence of netsuke on Fabergé’s hardstone animal carvings, see Geoffrey Munn, Fabergé and Japan, The Antique Collector, January 1987, p.37­45, which also illustrates a kingfisher, fig.5.

688 A Russian emerald and diamond egg pendant, of fluted design set with a stylised shamrock decorated with emerald cabochons and a diamond stem in 18ct yellow gold, stamped 56 and rubbed maker’s mark to bale, total length 18mm

£800­1,200

689 Fabergé, an enamel locket pendant, workmaster Feodor Afanasiev, late 19th/early 290th century, of oval outline, with light blue guilloché enamel decoration to the front, applied with a diamond­set sprig of mistletoe, opening to reveal two lockets, the suspension bail set with small rose­cut diamonds, pendant 4cm high, stamped internally with workmaster’s initials ФА for Feodor Afanasiev and 56 Zolotnik with Kokoshnik, box by Bentley & Co, 8 New Bond Street £1,500­2,000

690 Fabergé, a ruby, seed pearl and diamond brooch, circa 1900, designed as entwined ribbons, one of silver, set with rose­cut diamonds and circular­cut rubies, the other in polished gold tipped with seed pearls, length 3cm, signed Fabergé, workmaster’s mark AH for August Hollming, Russian 56 zolotnik mark for 14ct gold, pearls untested £1,000­1,500

691 Niessing, a blue diamond ‘Spannring’ ring, the brilliant­cut blue diamond weighing approximately 0.25 carats, tension­set in thick brushed platinum mount, size M½, diamond untested for natural colour origin £2,000­3,000

692 A demantoid garnet eternity ring, set with a continuous line of circular­cut demantoid garnets, mounted in blackened platinum, size K £300­500

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693 Cartier, an Art Deco lapis lazuli, enamel and diamond desk timepiece, 1920s, the silvered guilloché enamel dial with black enamel Roman numeral indicators and rose­cut diamond hands, within a white enamel border, mounted in a square frame of polished lapis lazuli, to a gilt metal back and strut, 8.0 x 8.0cm, signed Cartier, manual winding movement, numbered 4325 and HSA 763, lapis lazuli possibly a later replacement £3,000­4,000

694 Cartier, an Art Deco agate and enamel desk timepiece, 1920s, the silvered guilloché enamel dial with black enamel Roman numeral indicators and scrolled gold hands, within a turquoise enamel border, mounted in a lobed frame of polished agate, to a gilt silver back and strut, 9.2cm diameter, signed Cartier, manual winding movement, numbered 0363, French assay mark for silver, French maker’s mark MC with cog for Maurice Couet £2,500­3,000

695 Marchak, a hardstone and enamel bowl, designed as a shallow bowl of polished chalcedony, the rim with a gold leaf and ladybird applied with red and black enamel, bowl 5.7cm diameter, unsigned, French assay mark for 18ct gold, maker’s mark RM with compass for Mazin, fitted cased stamped Marchak £1,500­2,000

696 Cartier, an Art Deco gold, enamel and diamond vanity case, 1920s, the cylindrical case of oval section, applied with stripes of black enamel accented with rose­cut diamonds, each end set with a section of red simulant hardstone and mother of pearl, opening to reveal a lipstick holder and a mirror respectively, the centre with a plain interior, measuring 9.7 x 4.1 x 3.2cm, signed Cartier NY, numbered 2694, 232g, later case £8,000­12,000

697 An Art Deco enamel and sapphire lipstick holder, 1920s, of rectangular outline, applied with black, white, blue and green enamel with a design of grape vines, mounted in gold, set with a cabochon sapphire, length 5.3cm, French assay mark for 18ct gold, French maker’s mark LS Frès with candle holder, possibly for Le Saché Frères, case stamped Van Cleef & Arpels £3,000­4,000

696

693

697

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698 Cartier, a gold and enamel pocket watch and vesta case, circa 1908, composed of a pocket watch with a circular gilt engine­turned dial with black enamel indicators, blue steel hands and a subsidiary seconds dial, connected by a chain of baton linking spaced by seed pearls to a circular vesta case, the hinged lid to the match compartment opening via a rose­cut diamond push piece, one edge with a striking strip, all applied with translucent violet guilloché enamel and bands of white enamel, watch 6.2cm including suspension hoop, watch signed Cartier, French import assay mark for 18ct gold, chain with French assay mark for 18ct gold and French maker’s mark TT, pearls untested; vesta case 6cm including jump ring, signed Cartier Paris, French assay marks for 18ct gold, indistinct maker’s mark, fitted case stamped Cartier £25,000­30,000

Cf.: Olivier Bachet and Alain Cartier, Cartier: Exceptional Objects, Palais Royal, 2019, p.149 and 152 for vesta cases of similar design, by Henri Lavabre for Cartier, circa 1908.

699 An Art Deco sapphire and diamond ring, circa 1930, of stylised buckle design, set with two rectangular step­cut sapphires, bordered with circular­cut and single­cut diamonds, size O, French import assay mark for 18ct gold £1,500­2,000

700 A diamond ring, mid 20th century, the centre of navette­shaped design, set with circular­cut diamonds, the largest weighing 0.99 carats, to asymmetrically curved shoulders set with single­cut diamonds, mounted in platinum, size H½ £1,800­2,200

701 An Art Deco sapphire and diamond ring, 1930s, designed as a stylised buckle, set with circular­cut diamonds, a step­cut diamond and step­cut sapphire, mounted in platinum, size M £1,200­1,300

702 An emerald and diamond ring early 20th century, set with a step­cut emerald weighing approximately 1.00 carat, within a border of circular­cut diamonds, mounted in gold and platinum, size N½ £2,500­3,500

703 An unusual Art Deco carved hardstone, enamel and diamond pendant, 1930s, of circular outline, centring on a spray of leaves and flowers in multicoloured carved chalcedony, rock crystal and opal, accented with circular­cut diamonds, on a ground of translucent blue enamel, the reverse with the same engraved floral design, within a frame of frosted rock crystal, to a stepped bail of stepped design, mounted in platinum, length 5.5cm including bail £800­1,200

704 A pair of Art Deco jadeite, lacquer and diamond earrings, 1920s, each of pendent design, composed of a jadeite cabochon surmount suspending a line of oval black lacquer and diamond links, to a carved jadeite pendant accented with a rose­cut diamond, mounted in platinum, length 7.4cm each, screw fittings

£6,500­7,500

705 A pair of diamond earrings, early 20th century composite, each of pendent design, composed of an articulated line of collet­set circular­cut diamonds suspending a larger circular­cut diamond weighing approximately 1.40 and 1.45 carats respectively, length 4.5cm each, post fittings

£6,000­8,000

706 A diamond, seed pearl and pink sapphire sautoir, 1920s and later, composite, composed of seed pearls suspending a pendant of geometric design, set with circular­cut, baguette and carré­cut diamonds, centring on a cushion­shaped pink sapphire weighing approximately 4.00 carats, the clasp set with circular­cut diamonds and pearls, pendant length 4.1cm, necklace length 59.5cm, pearls untested £2,500­3,500

707 A jadeite and diamond cluster ring, the oval jade cabochon set within a surround of circular­cut diamonds in white gold, stamped 18ct, size R £500­600

708 An Art Deco chrysoprase, onyx and diamond ring, 1920s, set with a chrysoprase cabochon, within a border of calibré­cut onyx, to settings set with rose­cut diamonds, mounted in gold and platinum, size J, stamped 750 BC £300­500

709 An emerald and diamond ring, early 20th century, claw­set with a step­cut emerald weighing approximately 3.00 carats, within a border of single­cut diamonds, mounted in platinum, size Q, numbered 11034 £2,000­3,000

710 An Art Deco ruby and diamond eternity ring, early 20th century, set with a continuous band of calibré­cut rubies and singlecut diamonds, mounted in platinum with an engraved gallery, size M £300­400

711 A diamond eternity ring, set with a continuous band of brilliant­cut diamonds, to an engraved palladium mount, size M £500­700

712 A gem­set, enamel and diamond brooch, designed as a horse’s head, pavé­set with circular­cut diamonds, accented with circularcut rubies and emeralds and applied with black, white and red enamel, mounted in platinum, length 3.1cm, stamped Pt950 £5,500­6,500

713 An Art Deco diamond eternity ring, 1920s, channel­set with a continuous band of carré­cut diamonds, mounted in platinum, size N, case £400­600

714 A diamond full circle eternity ring, set with round brilliant­cut diamonds in platinum, size M £600­800

715 An Art Deco emerald, ruby and diamond jabot pin, France, 1920s, of Indian inspiration, each end set with a carved emerald within a border of single­cut diamonds, accented with black lacquer and circular­cut rubies, mounted in gold and platinum, length 8.3cmFrench assay marks for 18ct gold, partial French maker’s mark, indistinctly numbered £1,000­1,500

716 An Art Deco diamond double clip brooch, 1930s, of geometric design, set with single­cut, circular­cut and baguette diamonds, detaching into two shield­shaped brooches, mounted in white gold, total length 5.1cm £800­1,200

717 An Art Deco diamond clip brooch, 1930s, of scrolled design, set with circular­cut and baguette diamonds, mounted in platinum and gold, length 2.2cm £800­1,200

718 A sapphire and diamond bracelet, set with three French­cut sapphires within geometric diamond­set surround on an extending white gold bracelet, length 15.5cm £800­1,200

719 A pearl and diamond bracelet, late 19th/early 20th century, composed of tapering bar links set with circular­cut diamonds and pearls, mounted in silver and gold, length 17cm, pearls untested, case £3,000­5,000

720 Cartier, a carnelian and emerald brooch, 1950s, designed as a bird in carved carnelian, its eye set with a cabochon emerald, mounted in gold, length 3.2cm, signed Cartier London, numbered K5666, fitted case stamped Cartier, numbered K5666 £1,500­2,000

721 Vhernier, a gold and carnelian ring, collet­set with a cabochon carnelian backed in an articulated closedback collet setting, to a plain band, mounted in gold, size M½, signed Vhernier, stamped 750, Italian maker’s marks, fitted case stamped Vhernier £200­300

722 A diamond­set gold collar necklace, six of the graduated fancy links pavé­set with graduated circular­cut diamonds in 18ct yellow gold, length 37cm, 113g £4,000­5,000

723 Boucheron, a gold and diamond demi­parure, 1970s, comprising: a pair of ear clips and a ring, each composed of textured gold, set with brilliant­cut diamonds, ear clips each 2.2cm, signed Boucheron Paris, numbered 37122, stamped with French assay marks for 18ct gold and platinum, maker’s marks for André Vassort, ring size K½, signed Boucheron Paris, numbered 48861, French import assay marks for 18ct gold and platinum £4,000­6,000

724 Mellerio dits Meller, a pair of gold ‘Day and Night’ ear clips, mid 20th century, each designed as a hoop of woven gold links suspending another detachable hoop, total length 3.1cm, each signed Mellerio Paris, numbered 299 OR, stamped French assay marks for 18ct gold and partial French maker’s marks £500­700

TO BE SOLD WITHOUT RESERVE

λ 725 A ruby and diamond brooch, mid 20th century, designed as a Bird of Paradise, its head and body set with carved and cabochon rubies, its eye a cabochon sapphire, its beak of carved coral, its crest and tail plumes in textured gold accented with brilliant­cut and single­cut diamonds, length 7.7cm, French assay mark for 18ct gold, inscribed ‘France’ £2,000­3,000

726 A pair of ruby and gem­set earrings, each of cluster design, set with a circular­cut ruby within a border of circular­cut tanzanites and pink sapphires and brilliant­cut diamonds, mounted in gold, diameter 1cm each, post fittings £400­600

727 A Retro citrine, pink sapphire and diamond demi­parure, mid 20th century, comprising: a pair of scrolling earrings set with circular­cut rubies, trapezoid and brilliant­and single­cut diamonds, mounted in gold and platinum, length 4.2cm each, clip fittings; together with two brooches of similar scroll design, length 4.2cm each, one with two diamonds deficient £9,000­11,000

728 Van Cleef & Arpels, a gold bracelet, of flattened curb linking in gold, length 18.5cm, signed VCA, numbered B2483RG4, French import assay mark for 18ct gold, French maker’s mark Sté G with ace of spades, gross weight 17 grams £1,500­2,000

729 Cartier, a gold bracelet, designed as an anchor­link chain in 18ct gold, length 18.5cm, signed Cartier Paris, French assay mark for 18ct gold, French maker’s mark for Georges Lenfant, gross weight 13 grams £1,500­2,000

730 A pair of gold and diamond ear clips, France, 1970s, each of foliate design, composed of leaf motifs in gold, set with sections of brilliant­cut diamonds, length 2.3cm each, clip fittings, each with French export assay marks for 18ct gold and platinum, each stamped FRANCE £3,000­4,000

731 A ruby ring, of cluster design, centring on a cushion­shaped ruby weighing approximately 3.80 carats, within a floral border of hexagonal rubies, in a millegrain­edged gold setting, size N

£8,000­12,000

Accompanied by report number CDC 2308910 dated August 18, 2023 from C.Dunaigre Switzerland, stating that the central cushion­shaped ruby weighing approximately 3.80carats is of Burmese (Myanmar) origin, with no indications of heat treatment.

732 Cartier, a pair of gold and diamond earrings, 1970s, each designed as a gold heart engraved with stripes, set with brilliant­cut diamonds, length 2.1cm each, clip and post fittings, signed Cartier London, numbered P6326 £6,500­7,000

733 A pair of diamond ear clips, mid 20th century, each designed as a leaf, pavé­set with brilliant­cut and singlecut diamonds, centring on a channel­set line of baguette diamonds, mounted in platinum, length 3.4cm each, stamped Pt950, French import assay marks for 18ct gold and platinum £7,000­9,000

734 Mellerio dits Meller, a Retro ruby and diamond ring, 1930s, set with an oval ruby, to a gold mount set with circular­cut diamonds and a line of channel­set calibré­cut rubies, size J½, signed Mellero dits Meller, numbered 625.B, indistinct French maker’s mark £1,500­2,500

TO BE SOLD WITHOUT RESERVE

735 A diamond ring, of bombé design, pavé­set with brilliant­cut diamonds, mounted in white gold, size I½, indistinct assay mark, stamped 18K £800­1,200

736 A pair of diamond hoop earrings, set overall with graduated circular­cut diamonds and a baguette­shaped diamond in white gold, stamped 18k, width 2.2cm, post fittings £2,000­3,000

720

724

721

725

722

726

723

727

728

732

729

733

730

734

731

735

736

737 A natural pearl and diamond brooch, circa 1910, designed in the ‘garland style’, composed of a ribbon bow suspending a laurel wreath, set with circular­ and rose­cut diamonds and a natural pearl measuring approximately 16.7 x 10.3 x 8.3mm, mounted in platinum with millegrain edges, length 4.6cm

A verbal report from GCS states that the pearl is natural, saltwater.

£6,000­8,000

738 A pair of natural pearl drops, each set with a cushion­shaped diamond above a diamond­set cap suspending a pearl, mounted in silver, length 2.6cm and 2.5cm, pearls approximately 11.2 x 9.9 x 9.9mm and 12.0 x 10.2 x 9.6mm

£12,000­15,000

A verbal report from The Gem and Pearl Laboratory states that the pearl measuring approximately 12.0 x 10.2 x 9.6mm is natural saltwater, and the other is natural, freshwater.

739 A pair of natural pearl and diamond earrings, each set with a circular­cut diamond suspending a white and a grey pearl respectively, mounted in white gold, length 17mm, post fittings, white pearl 6.20 carats, measuring approximately 8.8 x 11.9mm, grey pearl 6.70 carats, measuring approximately 8.8 x 11.3mm

A verbal report from GCS states that the pearls are natural saltwater.

£4,000­6,000

740 A sapphire and diamond necklace, the front composed of a curved line of brilliant­cut diamonds suspending a large sapphire bead measuring approximately 25.0 x 22.8 x 15.8mm, to a curb link back chain, mounted in white gold, necklace length 37cm, pendant length 3.9cm, stamped 14K £16,000­18,000

741 A natural pearl and diamond three­stone ring, set with a central button­shaped white pearl weighing 3.45 carats, flanked with cushion­shaped diamonds totalling approximately 0.80cts, mounted in gold, size O £2,500­3,500

A verbal report from GCS states that the pearl is natural, saltwater.

742 A natural pearl and diamond ring, set with a central pearl within a surround of old cushion­shaped diamonds in gold, French control marks and indistinct maker’s lozenge, size L £1,000­2,000

743 A natural pearl ring, early 20th century, set with a pearl measuring approximately 11.0­11.2 x 9.4mm, to shoulders set with circular­cut diamonds, mounted in platinum, size N½, case £1,500­2,000

Accompanied by report no. 23078 from the Gem & Pearl Laboratory, stating that the pearl is natural, saltwater.

744 A natural pearl ring, mid 20th century, set with a pearl measuring approximately 10.31 x 9.73 x 8.74mm, mounted in gold, size K £3,000­4,000

Accompanied by GCS report no. 5784­1133, stating that the pearl is natural, saltwater.

745 A natural pearl and diamond necklace, designed as a single strand of natural pearls measuring 2.7­5.8mm, to a diamond cluster clasp, mounted in silver and gold, length 36cm

£800­1,200

Accompanied by Anchor Cert report no. 1/20517­001, dated 1st July 2010, stating that the 87 pearls are natural, saltwater.

746 A natural pearl and diamond necklace, early 20th century, designed as as single row of graduated natural pearls measuring 2.2­6.2mm diameter, to a navette­shaped clasp set with rose­cut diamonds, length 41cm £1,500­2,000

Accompanied by report no. 24102 from the Gem & Pearl Laboratory, stating that the pearls are natural, saltwater.

747 A natural pearl stick pin, France, late 19th/early 20th century, capped with a natural pearl of grey tint measuring approximately 7.7 x 7.0 x 7.0mm and rose­cut diamonds, mounted in gold, length 7.1cm, indistinct French maker's mark, fitted case stamped R.Laurin Bâle £800­1,200

Accompanied by LFG Paris report no. 401090, dated 25th April 2023, stating that the pearl measuring 7.0­7.1 x 7.8mm diameter is natural, saltwater.

748 A pair of natural pearl and diamond drop earrings, early 20th century, each set with a cushion­shaped diamond suspending a series of articulated liks of foliate design set with diamonds, suspending natural pearls measuring approximately 12.0 x 11 x 10.7mm and 12.3 x 11.6 x 9.6mm respectively, length 4.8cm, screw fittings and safety hooks £20,000­30,000

A verbal report from The Gem and Pearl Laboratory states that the pearls are natural, saltwater.

749 A pair of natural pearl and diamond earrings, mid 20th century, each of spiral design, centring on a natural pearl, within a surround of circular­cut and baguette diamonds, mounted in platinum in platinum, length 2.5cm each, post and clip fittings £10,000­20,000

Accompanied by GCS report no. 78175­64, dated 29 August 2018, stating that the cream­coloured pearls measuring 8.5 ­ 8.7 x 7.3 and 8.7 ­ 8.9 x 7.1 mm are natural, saltwater, with no indications of treatment.

737

741

738

742

739

743

740

744

745

749

746

747

748

£16,000­18,000

750 J.E. Caldwell, an Art Deco emerald and diamond necklace, 1920s, the pendant of tassel design, set with circular­cut and cushion­shaped diamonds, suspending a drop­shaped emerald measuring approximately 15.8 x 13.3 x 12.3mm, to a chain necklace spectacle­set with circular­cut and cushion­shaped diamonds, necklace length 48cm, pendant length 6.2cm, signed JEC Co

751 A blue spinel and diamond ring, set with a cushion­shaped blue spinel weighing 6.63 carats, between shoulders set with baguette diamonds, mounted in platinum, size N, case £3,000­5,000 Accompanied by report number 24246 dated 23rd February 2024 from The Gem & Pearl Laboratory, stating that spinel measuring approximately 11.2 x 10.3 x 7.0mm is natural, with no evidence of heat treatment.

752 A pink spinel and diamond ring, the cushion­shaped spinel weighing approximately 6.50 carats, flanked with trillion­shaped diamonds, mounted in gold, size L £6,500­7,500

A verbal report from GCS states that the spinel is from Tajikistan with no indications of heating.

753 A diamond ring, set with a brilliant­cut diamond weighing approximately 2.50 carats, between shoulders set with baguette diamonds, mounted in platinum, size K, stamped platinum

£7,000­10,000

A verbal report from GCS states that the central diamond is natural, K colour, SI2 clarity, strong blue fluorescence

754 An Edwardian diamond cluster ring, with two principal diamonds weighing approximately 1.80 and 1.75cts, within foliate diamond­set shoulders in platinum, size N approx.

£15,000­20,000

755 A sapphire and diamond ring, set with a step­cut sapphire measuring approximately 7.6 x 6.8 x 6.1mm, to a mount pavé­set with brilliant­cut diamonds, the shoulders set with baguette diamonds, to a gold band, size L½, French import assay marks for 18ct gold and platinum

£6,000­8,000

A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

756 A sapphire solitaire ring, the oval­shaped sapphire weighing 11.83 cts, claw­set in platinum and gold, size N ½

£5,000­7,000

Accompanied by report number 24080 from The Gem & Pearl Laboratory, dated 20th December 2023, stating that the colour change sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

757 A sapphire and diamond ring, collet­set with a cushion­shaped sapphire weighing approximately 5.50 carats, within a border of circular­cut diamonds, mounted in platinum, size N½

£8,000­10,000

Accompanied by report no. CDC 23081192 from C.Dunaigre Switzerland, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

758 A diamond ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 2.20 carats, mounted in platinum, size L½ £5,000­7,000

TO BE SOLD WITHOUT RESERVE

759 An Art Deco amethyst, onyx and diamond pendant, 1920s, the pendant composed of a polished amethyst within an intricate platinum openwork mount, set with rose­cut diamonds calibré­cut onyx and two pearls, suspended from a necklace composed of navette­shaped and spectacle­set links set with circular­cut diamonds, necklace length 57cm, pendant length 7.5cm £6,500­7,000

760 A ruby three­stone ring, set with three cushion­shaped rubies totalling approximately 4.00 carats, in gold collet settings, size L½ £4,000­6,000

Accompanied by GIA report no. 5234051602, stating that the rubies measuring 6.8 x 5.5 x 3.1 to 9.2 x 6.5 x 3.3mm are of Burmese (Myanmar) origin, with no indications of heat treatment.

750

754

751

755

752

756

753

757

758

759

760

761 A late 19th century ruby five stone ring, set with graduated cushion­shaped rubies and diamond pointers in carved and pierced yellow gold setting, size N £400­600

762 A ruby and diamond brooch, designed as a bouquet of flowers, set with rose­cut diamonds and oval rubies, mounted in silver and gold, length 7.4cm £3,000­4,000

763 A ruby five­stone ring, set with graduated cushion­shaped rubies spaced with diamonds, in a carved and pierced yellow gold setting, size M £600­800

764 A late 19th century diamond five stone ring, set with graduated old cushion­shaped diamonds and diamond pointers in carved and pierced yellow gold setting, size P £1,000­2,000

765 A ruby and diamond three­stone ring, late 19th century, the cushion­shaped ruby flanked by a pair of circularcut diamonds, mounted in gold, size O £3,000­4,000

A verbal report from the Gem and Pearl Laboratory states that the ruby shows no indications of heat treatment.

766 A diamond rivière necklace, late 19th century and later, the front designed as a series of graduated circularcut diamonds in collet settings, mounted in silver and gold, to a later back chain, length 39.5cm £800­1,200

767 A sapphire and diamond ring, mid 19th century, designed as two conjoined hearts surmounted by a ribbon bow, set with a pear­shaped sapphire and diamond, bordered with rose­cut diamonds, mounted in silver and gold, size N½ £2,000­3,000

768 A diamond brooch, late 19th century, of floral design, set with circular­cut and pear­shaped diamonds in silver on gold, length 5.1cm £600­800

Accompanied by original receipt dated 1954.

769 A pearl and diamond brooch, 19th century, in the form of a stylised snake set with cushion­shaped diamonds and ruby eyes, suspending a grey pearl from its mouth, mounted in silver and gold, length 4cm £2,000­3,000

Accompanied by report number 5784­1796 from GCS dated March 2024 stating that the pearl is natural saltwater, the surface of the pearl has been worked.

770 A pair of diamond earrings, early 19th century and later, each designed as an acorn suspended from a pair of oak leaves and a line of oak leaf links, set with cushion­shaped diamonds, mounted in silver and gold, length 6.7cm each, later post fittings, composite design, acorns detachable, two diamonds deficient £4,000­6,000

771 A Victorian ruby and diamond locket pendant, late 19th century, designed as a heart, set with cushionshaped diamonds and a pear­shaped ruby, the reverse set with polished rock crystal, suspended from a diamond bail, mounted in silver and gold, length 2.7cm including bail £600­800

772 A ruby and diamond brooch, late 19th century, designed as a cross, set with graduated rubies and diamonds in silver and gold, detachable brooch fitting to reverse, length 3cm £4,500­5,500

A verbal report from The Gem and Pearl Laboratory states that the five rubies are of Burmese (Myanmar) origin, with no indications of heat treatment.

773 A diamond pendant/brooch, early 19th century and later, designed as a foliate frame set with cushionshaped diamond, the centre suspending a pear­shaped rose­cut diamond in a foiled setting, length 4.7cm, rose diamond possibly later added, top section with pendant loop interchangeable with a plain gold brooch fitting, fitted case £8,000­12,000

761

765

762

766

763

767

764

768

769

773

770

771

772

774 A demantoid garnet, ruby and diamond brooch, early 20th century, designed as a grasshopper, set with circular­ and rose­cut diamonds and circular­cut demantoid garnets, its eye set with a ruby, mounted in gold, length 3.6cm

£1,600­1,800

775 A Victorian enamel, ruby and diamond brooch, late 19th century, designed as a swallow flying among a branch entwined with a tree orchid, set with cushion­shaped and rose­cut diamonds, the swallow’s eye set with a cabochon ruby, the orchid applied with multicoloured enamel, mounted in silver and gold, length 5.4cm

£600­800

776 Attributed to Fonsèque et Olive, a glass and diamond brooch, France, circa 1890, designed as a branch set with rose­cut diamonds, suspending four grapes in green glass, mounted in silver and gold, length 4.6cm, French assay marks for 18ct gold, unsigned £1,600­1,800

777 A tourmaline, ruby and diamond brooch, circa 1900, designed as a dragonfly, its wings set with calibré­cut green tourmalines, lined with rose­cut diamonds, its body pavé­set with cushion­shaped diamonds, its eyes set with cabochon rubies, mounted in silver and gold, wingspan 7.9cm

£2,000­4,000

778 A gem­set frog brooch, pavé­set with old circular­cut diamonds weighing approximately 2.00cts in total, with ruby eyes in silver and gold, length 2.4cm £1,200­1,500

779 An opal and diamond ring, late 19th century, the oval opals mounted in a carved and pierced yellow gold setting accented with diamonds, size N, stamped 18 to shank £200­300

780 A diamond brooch, designed as a frog, pavé­set with cushion­shaped diamonds totalling approximately 10.00 carats, mounted in silver and gold, length 4.5cm

£5,500­6,500

781 A Victorian gem­set and diamond brooch, late 19th century, designed as a dragonfly, set with cabochon and oval rubies, step­cut emeralds, opal cabochons and circular­ and rose­cut diamonds, mounted in silver and gold, wingspan 5.2cm, detachable brooch fitting

£5,000­7,000

782 A Victorian chrysoprase and diamond brooch, late 19th century, designed as two hearts surmounted by a ribbon bow, set with polished heart­shaped chrysoprase cabochons and bordered with circular­cut diamonds, mounted in silver and gold, length 2.9cm

£600­800

783 A late 19th century owl stickpin, set with rubies and diamond, mounted in silver and gold, width 11mm, length 7cm, case

£400­600

784 A pair of diamond and emerald brooches, designed as frogs, set with circular­cut diamonds totaling approximately 1.60 carats, their eyes set with circular­cut emeralds, mounted in silver and gold, connected by a chain threaded with a pearl, larger frog 2.4cm, each stamped 585, pearl untested £1,200­1,500

785 A diamond and pearl brooch, late 19th century, designed as a butterfly, set with rose­cut diamonds, its eyes set with cabochon rubies, to a bar brooch set to one end with a half pearl, mounted in silver and gold, length 5.2cm, case stamped Dibdin & Co. Ltd, 189 Sloane Street £200­300

786 A sapphire and diamond turtle brooch, set with circular­cut sapphires and diamonds, mounted in silver and gold, length 3.8cm sapphires approximately 3.50 carats in total, diamonds approximately 3.00 carats in total £2,000­3,000

787 A Victorian diamond brooch, late 19th century, designed as a crescent moon, set with circular­cut diamonds, mounted in silver and gold, length 2.6cm £400­600

788 A late Victorian sapphire and diamond five­stone ring, circa 1900, set with three circular­cut diamonds totalling approximately 1.30 carats, spaced by cushion­shaped sapphires, accented with rose­cut diamonds, to a gold mount of scrolled design, size N½, two rose-cut diamonds deficient £1,000­1,500

789 A Victorian mother of pearl and diamond brooch, late 19th century, designed as a pea pod in polished mother of pearl, set with cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 5.7cm £1,900­2,300

790 A Victorian diamond and ruby brooch, late 19th century, designed as a bee, set with cushion­shaped and rose­cut diamonds, its eyes set with cushion­shaped rubies, mounted in silver and gold, wingspan 4.1cm, one foreleg deficient £1,500­2,000

791 A late Victorian moonstone and diamond brooch, circa 1900, designed as a heart surmounted by a bow, set with a heart­shaped cabochon moonstone, within a border of cushion­shaped diamonds, mounted in silver and gold, length 2.6cm £600­800

792 A moonstone and diamond ring, designed as a heart surmounted by a star, set with a polished heart­shaped cabochon moonstone, bordered with rose­cut diamonds, mounted in silver and gold, size M½ £800­1,200

774

778

775

779

776

780

777

781

782

786

783

787

784

788

785

789

790

791

792

£600­800

793 A garnet demi­parure, 19th century and later, comprising: a rivière necklace composed of flat oval garnets in foiled gold settings, length 39cm, one link broken; and a pair of similar drop earrings set with flat pear­shaped garnets, length 2.7cm each, later post fittings

794 A rare ‘Queen Anne’ paste necklace and brooch, second half 18th century and later, comprising: a necklace, composed of oval, and cushion­shaped pastes suspending a pear­shaped pendant, in a pale blue colour imitating aquamarine, in foiled silver settings, to a later clasp set with colourless pastes, length 43cm; and a similar brooch of quatrefoil design, length 4.4cm, later brooch fittings, fitted case

£1,000­1,500

795 A George III diamond brooch, of quatrefoil design set with graduated cushion­shaped and pear­shaped diamonds in closed­back silver and gold settings, length 3cm, case

£800­1,200

796 A George III agate bracelet, early 19th century, composed of two rows of rectangular sections of agate in gold pinched collet settings, to an oval agate clasp, length 16cm

£600­800

λ 797 A superb pearl, enamel and diamond mourning ring, circa 1791, of oval outline, centring on a funerary monument composed of an ivory panel initialled ID, surmounted by a pearl, to a rose­cut diamond base, beneath a three­dimensional weeping willow set with rose­cut diamonds, on a blue enamel ground, covered by a glazed panel, to an outer border of cushion­shaped diamonds, the reverse with a glazed compartment containing hairwork, bordered by the dedicatory inscription ‘Ja.s Duberly Esq died 4 July 1791 Aged 64’, mounted in silver and gold, size

Q½, front measuring 3.5 x 2.1cm, pearl untested

Provenance: the collection of Jean­Louis Chameroy.

TO BE SOLD WITHOUT RESERVE

£1,500­2,000

798 A late 18th century sapphire and diamond ring, set with a cabochon sapphire within diamond foliate shoulders in a closed­back silver and gold setting, size I, case

£4,000­6,000

Accompanied by report number 313853/20064435 dated 31st October 2023 from Anchor Cert stating that the Oval cabochon blue sapphire measuring 12.5 x 9.4mm is of Sri Lankan (Ceylon) origin, with no evidence of heat treatment.

799 A rock crystal and enamel ring, late 17th century, set with three table­cut rock crystals, within a gold mount engraved with foliate motifs applied with green, black and white enamel, mounted in gold, size K, losses to enamel £200­300

800 A rock crystal and enamel mourning ring mid 18th century, set with a cushion­shaped rock crystal, to a scrolling white enamel shank, dated 1739, size L £400­600

793

797

794

798

795

799

796

801 An unusual Art Deco enamel and diamond brooch, 1920s, designed as a hoopoe on a curved branch, set with single­cut diamonds and applied with black enamel, mounted in platinum, length 4.3cm, one diamond deficient, fitted case stamped Goldsmiths & Silversmiths Company £500­700

802 Henri Picq, an Art Deco emerald, sapphire and diamond brooch, 1920s, naturalistically modelled as a ribbon bow, pavé­set with circular­cut diamonds, accented with lines of buff­topped calibré­cut emeralds and sapphires, mounted in platinum, length 4.9cm, French assay marks for platinum and 18ct gold, partial maker’s mark HP with ace of spades for Henri Picq, numbered 88114 £6,000­8,000

803 A fine Art Deco sapphire and diamond brooch, 1920s, centring on a circular­cut diamond weighing approximately 1.20 carats, within a brooch of plaque design with a stepped outline, pierced with a geometric pattern, pavé­set with circular­cut diamonds and outlined with buff­topped calibré­cut sapphires, mounted in platinum, length 5.8cm, French assay mark for platinum and 18ct gold, French maker’s mark AN with jug, case stamped Boucheron £15,000­20,000

804 Henri Lavabre, a fine Art Deco diamond bracelet, 1920s, designed as an articulated ribbon, pavé­set with circular­cut diamonds, length 18cm, maker’s mark HL with flower for Henri Lavabre, numbered LV432, case stamped Cartier, numbered to the interior CL432 £30,000­40,000

805 A star sapphire and diamond ring, the cabochon sapphire set within a surround of baguette­shaped and circular­cut diamonds in platinum, size M £1,500­2,000

806 A sapphire and diamond bombé ring, set with an oval sapphire within graduated baguette­shaped and circular­cut diamonds, mounted in platinum and gold, indistinct maker’s mark, size K £1,500­2,000

807 An Art Deco diamond cluster ring, set with a circular­cut diamond weighing 2.08cts, within a surround of smaller old­cut diamonds in platinum, size K £8,000­12,000

808 An Art Deco sapphire and diamond ring, 1920s, set with a step­cut sapphire weighing approximately 2.50 carats, to shoulders set with single­cut diamonds, mounted in platinum, size L, stamped Platinum £1,200­1,500

A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

809 An impressive sapphire and diamond ring, of toi et moi design, set with a cushion­shaped diamond weighing 4.95cts and a cushion­shaped sapphire weighing 6.67cts, mounted in platinum, size K £20,000­30,000

A verbal report from GCS states that the sapphire is of Basaltic origin with no indications of heat treatment.

804

808

810 Mauboussin, an Art Deco sapphire and diamond double clip brooch, France, circa 1935, designed as a geometrically stylised bow, set with step­cut sapphires, circular­, singlecut, cushion­shaped and baguette diamonds, with sections of polished platinum, combined length 5.4cm, detaching into two separate brooches, each 2.7 x 3.1cm, each clip signed Mauboussin Paris, French assay marks for 18ct gold and platinum, indistinct French maker's marks, each indistinctly numbered £25,000­30,000

Cf.: Marguerite de Cerval, Mauboussin, Editions du Regard, Paris, 1992, p.130 for a double clip brooch of similar 'Papillon' design in platinum and diamonds, with similar accents of polished platinum, circa 1935

lifesize

Accompanied by AGL report no. 1123642,

3rd June 2022,

20,000

Burmese

811 A ruby single­stone ring, rubover­set with an oval ruby weighing 2.09 carats, to a tapering gold band, size M £15,000

dated

stating that the ruby is of

(Myanmar) origin, with no indications of heat treatment.

10.5cm £20,000­30,000

Accompanied by report no. 24267 from the Gem & Pearl Laboratory, dated February 2024, stating that samples of the rubies were found to be of Burmese (Myanmar) origin, with no indications of heat treatment.

812 Trabert & Hoeffer Mauboussin, a pink sapphire and diamond brooch, ‘Reflection’, 1940s, designed as a heart, pavé­set with circular­cut pink sapphires, spaced with single­cut diamonds, length 5.4cm, stamped 14K, signed ‘Reflection’ £20,000­30,000

812

813 An impressive ruby and diamond parure, 1960s, comprising: a necklace, a pair of ear clips, a bracelet and a brooch, each of abstract foliate design, set with baguette and brilliant­cut diamonds totalling approximately 45.00­55.00 carats and marquise­shaped rubies totalling approximately 15.00­18.00 carats, mounted in platinum and white gold, bracelet length 17.5mm, necklace length 41cm, ear clips 6.1cm each, brooch

814 An early 20th century natural pearl and diamond pendant, the pearl drop suspended within borders of graduated old circular­cut diamonds in platinum, French import marks, length 5.8cm

£2,000­3,000

Accompanied by report number 24211 dated 26th January 2024 from The Gem & Pearl Laboratory, stating that the drop shaped pearl measuring 7.9­8.1mm in width and 13­14mm in length is natural, saltwater.

815 A natural pearl and diamond brooch, late 19th century, designed as a three­leaf clover, set with circular­cut diamonds and three natural pearls of white, cream and grey tints, measuring approximately 7.9 ­ 8.3mm diameter, mounted in silver and gold, length 3.4cm

A verbal report from the Gem & Pearl laboratory states that the three pearls are natural, saltwater.

£8,000­12,000

816 A natural pearl ring, first half 20th century, centring on a bouton­shaped natural pearl measuring approximately 12.6­12.8 x 11­12mm, to shoulders set with baguette diamonds, mounted in platinum, size F½ (sizing band), French assay mark

£1,500­2,500

Accompanied by report no. 22182 from the Gem & Pearl Laboratory, stating that the pearl is natural, saltwater.

817 A pair of natural pearl and diamond cluster earrings, set with a button­shaped pearl within radiating surround of graduated circular­cut diamonds in white gold, length 2.2cm

£2,500­3,500

Accompanied by report no. 05201 from the Gem & Pearl Laboratory, dated 7th February 2012, stating that the two pearls measuring 11.3­11.5 x 8.2mm and 11.1­11.3 x 8.3mm are natural, saltwater.

818 A natural pearl, sapphire and diamond necklace, early 20th century, designed as a single strand of natural pearls, to a clasp set with a cabochon sapphire, rose­ and circular­cut diamonds, mounted in gold and platinum, length 43.5cm

£25,000­35,000

Accompanied by GIA report number 2185290326, dated 14th April 2017, stating that the 59 pearls ranging from 4.75mm to 9.21 x 8.90mm diameter are natural, salwater.

819 An Art Deco natural pearl, onyx and diamond necklace, early 20th century, composed of graduated natural pearls measuring approximately 2.5­7.0mm diameter, to a clasp of geometric design set with an Asscher­cut diamond, within a border of single­cut diamonds and calibré­cut onyx, length 52.5cm

£5,000­7,000 A verbal report from the Gem & Pearl laboratory states that the pearls are natural, saltwater.

814

818

815

819

816

817

not lifesize

820 Cartier, a pair of diamond earrings, 1950s, each designed as a five­petalled flower, set with brilliant­cut and baguette diamonds, mounted in platinum, length 2.6cm each, clip and post fittings, each signed Cartier London, stamped Pt950 for platinum, each with sponsor’s mark JC for Cartier London, case stamped Cartier London £30,000­40,000

821 Cartier, a fine ruby and diamond ring, early 20th century, claw­set with an oval ruby weighing 3.30 carats, set with five circular­cut diamonds to each shoulder, mounted in platinum, size J, signed Cartier, numbered 3574 £30,000­40,000

Accompanied by SSEF report number 112584, dated 18 February 2020, stating that the ruby weighing 3.308 carats is of Burmese (Myanmar) origin, with no indications of heat treatment.

lifesize

822 Attributed to Cartier, a fine Belle Époque diamond choker necklace, circa 1907, centring on a ribbon bow suspending two tassels and a navette­shaped pendant, set with circular­cut and rose­cut diamonds, to a black velvet choker necklace bordered in rose­cut diamonds, mounted in millegrained platinum, length of necklace 30.5cm, length of central pendant 4.0cm, unsigned, clasp with French maker's mark GS with a spouted jug for Guillaume Saibène, stamped MD for 'Metaux Divers'

£15,000­20,000

Cf.: Judy Rudoe, Cartier: 1900-1939, British Museum, 1997, catalogue no.11, p.83, for a sautoir produced by Saibène for Cartier Paris in 1907, and Christie's Geneva, May 2018, lot 109, for a Cartier choker necklace of very similar design

823 An impressive sapphire and diamond devant­de­corsage, late 19th century, set with a shallow octagonal sapphire, a cushion­shaped sapphire and a pear­shaped sapphire, within a foliate openwork border set with cushion­shaped diamonds, mounted in silver and gold, length 6.9cm, fitted case £20,000­30,000

Accompanied by report number 81309­87 dated 18th June 2021 from GCS stating that the octagonal sapphire measuring approximately 18.3 x 14.6 x 5.5mm and the pear­shaped sapphire measuring approximately 13.8 x 8.4 x 5.6mm are each of Sri Lankan (Ceylon) origin, with no indications of heat treatment, and the cushion­shaped sapphire measuring approximately 9.7 x 8.9 x 3.9mm is of Burmese (Myanmar) origin, with no indications of heat treatment.

Provenance: formerly in a Noble Family Collection.

Accompanied by report no. 22183 dated 30th September 2022 from the Gem & Pearl Laboratory, stating that the 188 pearls are natural, saltwater.

824 Boucheron, a fine and rare natural pearl and diamond necklace, first half 20th century, composed of two strands of graduated natural pearls measuring approximately 2.6­8.0mm, to a clasp set with an antique marquiseshaped diamond, length 48cm, signed Boucheron Paris, French assay marks for platinum and 18ct gold £10,000­15,000

825 An impressive Art Deco ruby and diamond ring, 1920s, set with a cushion­shaped ruby weighing 5.66cts, between stepped shoulders set with baguette diamonds, mounted in platinum, size L £60,000­80,000

Accompanied by report number 136293 dated 20th February 2024 from SSEF stating that the antique cushion step­cut ruby, measuring 12.37 x 8.87 x 5.35mm, is of Burmese (Myanmar) origin, with no indications of heat treatment. lifesize

END OF SALE

FINE JEWELLERY

THURSDAY 10TH JULY 2024

Andrew Grima, an impressive gold, amethyst and diamond necklace, circa 1969, the hinged gold collar suspending a large oval step­cut amethyst in an abstract setting composed of oval motifs, accented with single­cut diamonds, mounted in 18ct gold, signed Grima, British hallmarks for 18ct gold, London, 1969, sponsor’s mark HJCo, length 50cm, pendant length 6.5cm Estimate £14,000 ­ 18,000*

ENQUIRIES

Marielle Whiting | +44 (0) 1722 424595 | mw@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE ASIAN ART

TUESDAY 21ST MAY 2024

A large and extremely rare Chinese Imperial lacquer ‘Daoist Paradise’ panel, Qianlong period 1736­95, 71cm x 101.5cm Estimate £200,000 ­ 300,000*

Provenance: An English private collection; formerly Spink & Son Ltd. (Advertised in the Connoisseur magazine, December 1950). Formerly the collections of Colonel Rokeby and Lord Nunburnholme.

ENQUIRIES

asianart@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleys.live

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

Sackville­West +44 (0)2080 909988

Moving & Storing office@sackvillewest.co.uk www.sackvillewest.co.uk

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of £1,000 and the maximum royalty payable on any single lot is the sterling equivalent of £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of £1,000 and the maximum royalty payable on any single lot is the sterling equivalent of £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4%

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE

THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence

+44 (0)1722 424500 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

FINE JEWELLERY

24TH & 25TH APRIL 2024

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Lot Number Brief Decription Price Excluding in numerical buyer’s premium order & VAT

Signature

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2024 AUCTIONS

AUCTION CALENDAR

APRIL

16th Fine Furniture and Collections

17th Parker Morris: The Art of Decorating

18th Furniture, Works of Art & Clocks

24th & 25th Fine Jewellery

30th British and Continental Ceramics & Glass

MAY

1st & 2nd Silver & Objects of Vertu

21st & 22nd Asian Art, Chinese Paintings & Japanese Works of Art 30th Medals & Coins, Arms & Armour

JUNE

5th Modern British & 20th Century Art 19th Fine Arts & Crafts

JULY

3rd & 4th Furniture, Works of Art & Clocks 10th & 11th Fine Jewellery

16th & 17th Silver & Objects of Vertu

Dates may be subject to change

+44