Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS

WEDNESDAY 3RD & THURSDAY 4TH JULY 2024

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

Georgina Way 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

Michelle Yu 424571

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586

Megan Corbett

Beth Reardon

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Georgina Way 446980

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Jacob Carpenter 424594

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon

Heidi Easton

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer MRICS 446974

Hannah Farthing (Trainee Valuer)

GENERAL OFFICE

Ruth Pike (Office Manager) 424500

Sarah Bennie

Ellie Briant

Gemma Pointer

MARKETING

Chloe Davie 446951

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Samuel Hug FGA DGA

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

CBP006075

FURNITURE WORKS OF ART & CLOCKS

DAY ONE

WEDNESDAY 3RD JULY 2024

10AM - LOTS 1-304

DAY TWO

THURSDAY 4TH JULY 2024

10AM - LOTS 305-679

at our City Centre Salerooms, SP1 3SU

Head of Department

Mark Yuan­Richards 01722 411854 myr@woolleys.live

Neil Grenyer 01722 446974 ng@woolleys.live

Jim Gale 01722 339161 jg@woolleys.live

VIEWING AT OUR OLD SARUM

GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

VIEWING

Saturday 29th June 10am – 1pm

Monday 1st July 10am – 4pm

Tuesday 2nd July 10am – 4pm

Wednesday 3rd July 9am – 1pm

Thursday 4th July No Viewing

Sarah Stone 01722 339161 ss@woolleys.live

Victoria Elwell 01722 339161 ve@woolleys.live

IMPORTANT NOTICE TO ALL PURCHASERS REGARDING STORAGE AND COLLECTION OF LOTS WE ARE PLEASED TO OFFER TWO WEEKS (10 WORKING DAYS) FREE STORAGE FOR ALL LOTS PURCHASED FROM THIS SALE. HOWEVER, OWING TO A BUSY SALE SCHEDULE, ALL LOTS NOT COLLECTED BY 4PM ON THURSDAY 18TH JULY 2024 WILL BE TRANSFERRED TO SACKVILLE­WEST MOVING & STORING IN ANDOVER, WHERE THEY WILL BE AVAILABLE FOR COLLECTION FROM TUESDAY 23RD JULY 2024. PLEASE NOTE, HANDLING AND STORAGE CHARGES WILL BE APPLIED FROM 8AM ON TUESDAY 23RD JULY 2024. FOR FULL DETAILS, PLEASE REFER TO ‘AUCTION INFORMATION’ IN THE ‘PAYMENT AND CLEARANCE’ SECTION AT THE BACK OF THE CATALOGUE OR ON OUR WEBSITE.

VIEWING AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX

Client Parking Available

THE AUCTION WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS ON 3RD & 4TH JULY

51­61 Castle Street, Salisbury, SP1 3SU

DIRECTIONS TO THE OLD SARUM GALLERIES

AUCTION INFORMATION

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

COLLECTION OF LOTS

We are pleased to offer two weeks (10 working days) free storage for all lots purchased from this sale. However, owing to a busy sale schedule, all lots not collected by 4pm on the Thursday 18th July 2024 will be transferred to Sackville­West Moving & Storing in Andover, where they will be available for collection from Tuesday 23rd July 2024.

Please note, handling and storage charges will be applied from 8am on Tuesday 23rd July 2024.

For full details, please refer to ‘Auction Information’ in the ‘Payment and Clearance’ Section at the back of the Catalogue or on our website. Please call 01722 446950 or 01722 424500 to make an appointment to collect from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 02080 909988, email: office@sackvillewest.co.uk, to make an appointment to collect from Sackville­West Moving & Storing. All accounts to be settled prior to collection.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK, please refer to the department for guidance

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ILLUSTRATIONS

Front cover: Lots 588, 592 & 602

Back cover: Lots from Grand Tour & Sculpture section, lots 519­574

ONE

1-304

AN OAK COFFER POSSIBLY WEST COUNTRY, LATE 17TH CENTURY

the triple panelled front carved with scrolling leaves and flowers

63cm high, 125.5cm wide, 54cm deep

£200­300

AN OAK BOARDED COFFER LATE 17TH CENTURY

the interior with a lidded till, the front with incised foliate decoration on cut­out ends

61.5cm high, 106.6cm wide, 41cm deep

£300­400

£300­400 2

3

A GEORGE II OAK COFFER DATED ‘1743’

with a vacant interior, the front with an arcaded frieze centred with the date and initials ‘MB’ above quadruple panels interspersed with foliate and fish scale tablets

83.5cm high, 150cm wide, 58.5cm deep

4

A GEORGE III WELSH OAK DRESSER SWANSEA VALLEY, GLAMORGAN, LATE 18TH CENTURY

the plate rack applied with hooks above shelves and false drawer fronts, the base with a bank of six drawers above a pierced apron and turned supports and a potboard undertier 206.8cm high, 161cm wide, 44.6cm deep

Literature

See Richard Bebb, Welsh Furniture 1250­1950­A Cultural History of Craftsmanship and Design, p.134 pl.893 for a very similar example.

£800­1,200

5

AN OAK COFFER

MID­17TH CENTURY AND LATER

the quadruple panelled hinged top revealing an open till above an arcaded frieze with punched star decoration and further quadruple panels inlaid with bog oak and holly geometric decoration above a later moulded plinth

56cm high, 154cm wide, 49.5cm deep

£300­500

6 A CHARLES II OAK COURT CUPBOARD

PROBABLY WEST COUNTRY, DATED ‘1676’

the carved frieze above a pair of panelled doors one with the date and the other with owner’s triad initials ‘A R A ‘ flanked by leaf motifs, the base with a further pair of cupboard doors

carved with foliate lunettes, with branded initials ‘I W’

126.5cm high, 165.5cm wide, 54cm deep

£500­800

7 A GEORGE III MAHOGANY STAINED CANDLEBOX LATE 18TH CENTURY

together with a brass warming pan with a pierced cover and a chestnut roaster (3)

65cm long (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­200

8 A SET OF BRONZE CUP WEIGHTS

MID­19TH CENTURY

from 32 ounces to 1/4 oz 6cm high, 10.3cm wide (max) (8)

£200­300

9 A RUSSIAN IRON KEY 17TH CENTURY

with a rustic ‘C’ shaped bow, hollow shank and single piece bit 14.5cm long

£80­120

A CHARLES II OAK CHEST

C.1680

with three geometric moulded long drawers on later bracket feet

93cm high, 98cm wide, 56.5cm deep

£400­600

11

A FLEMISH CARVED OAK PANEL EARLY 17TH CENTURY

decorated with a cherub in a circular frame with ‘C’ scroll spandrels, on a later watered silk mount

18 x 24.4cm

£80­120

A SPANISH CHESTNUT REFECTORY TABLE 18TH CENTURY AND LATER

the rectangular top on open scroll legs united by a wrought iron stretcher

79.2cm high, 148cm wide, 87.7cm deep

£400­600

13

AN OAK DRESSER

18TH CENTURY ELEMENTS AND LATER

the raised plate rack with two shelves above three frieze drawers and a potboard base

182.2cm high, 150.5cm wide, 44.5cm deep

£300­400

14

A PAIR OF QUEEN ANNE BRASS CANDLESTICKS

C.1700­14

each with a cylindrical socket above an inverted baluster stem with a basal knop and a faceted octagonal foot (2)

18.5cm high

£150­250

15

A HARLEQUIN SET OF SEVEN GEORGE III ASH LADDERBACK DINING CHAIRS

LANCASHIRE, LATE 18TH / EARLY 19TH CENTURY AND LATER

each with a rush seat, comprising: two armchairs and five side chairs (7)

£200­300

16

A GEORGE III WELSH OAK AND PINE FOOD CUPBOARD CAERNARFONSHIRE, LATE 18TH / EARLY 19TH CENTURY

with a pair of panelled doors inset with pierced air vents enclosing shelves, the base with a pair of frieze drawers and further panelled doors

195.5cm high, 112cm wide, 49cm deep

Literature

See Richard Bebb, Welsh Furniture 1250­1950­A Cultural History of Craftsmanship and Design, p.253 pl.1120 for a very similar example.

£400­600

17

A GEORGE II OAK SETTLE

C.1740­50

the back with quadruple fielded panels, above a squab cushion and an archer’s bow apron on cabriole legs united by a turned stretcher

113.5cm wide, 190cm wide, 55.5cm deep

£300­500

18

AN OAK ORKNEY ISLAND ARMCHAIR

LATE 19TH / EARLY 20TH CENTURY

with a wicker wrap­around back above a drop­in seat

102cm high, 55cm wide

£300­500

19

A LATE GEORGE III MAHOGANY STOOL

LATE 18TH / EARLY 19TH CENTURY

with a dipped seat, with cushion, together with an oak dairy stool with a dished seat on bobbin turned legs (2)

48cm high, 35cm wide (max)

£100­150

20

A PRIMITIVE ASH STICKBACK WINDSOR ARMCHAIR

19TH CENTURY AND LATER

with a solid seat on splay legs

£400­600

A RARE GEORGE III YEW AND MAHOGANY WINDSOR ARMCHAIR OF 'WEBB' TYPE, C.1775 with a stickback and a carved and pierced splat decorated with scrolls, rosettes and anthemion motifs above a saddle seat and cabriole front legs united by a crinoline stretcher

Catalogue Note

For a similar chair see the catalogue of the 'The Windsor Chair Exhibition at West Wycombe Park', May 2012, p.10.

£3,000­4,000

22

A VICTORIAN RED LEATHER FIRE BUCKET MID­19TH CENTURY

the riveted body painted and gilded with the Royal Coat of Arms on a scarlet red ground, with its probably original leather handle

24.5cm high, 24.5cm diameter

£200­300

23

A GEORGE III CREAMWARE BOWL DATED ‘1796’

titled ‘THE FARMERS ARMS’, with various printed scenes, together with five polychrome painted pottery models of fruit (6)

28.5cm diameter (max)

Provenance

‘A Lifetime of Collecting’ ­The Property of a Gentleman.

£80­120

24

A GEORGE III PAINTED AND GILDED LEATHER EWER C.1790

of helmet form, with gilt leaves and painted flowers on a black ground, with a metal hoop handle

24.3cm high

£200­300

25 A RARE ELIZABETH I STUDDED LEATHER TRAVELLING TRUNK IN THE MANNER OF WILLIAM GREEN, LONDON, C.1550­1580

with iron strapwork mounts and escutcheons, the hinged domed lid revealing a part linen lined interior above a gilt tooled leather fall front decorated with elaborate lozenges, crowned Tudor rosettes and lions and unicorns enclosing five drawers, with side carrying handles 66.5cm high, 80cm wide, 48cm deep

Provenance

From an English private collection, Sussex.

Catalogue Note

A related Royal trunk with a similar fall front and almost identical handles which was made for Edward VI can be found in the Victoria & Albert Museum, accession no. w.18:1 to 6­1958.

£1,500­2,500

A CHARLES II OAK AND WALNUT SPICE CUPBOARD

LATE 17TH CENTURY

A PAIR OF GEORGE III ELM COUNTRY SIDE CHAIRS

the arched, panelled door enclosing an arrangement of drawers and shelves

43.7cm high, 34cm wide, 21.4cm deep

£200­300

each with a pierced vase splat, together with three mahogany side chairs, each with a drop­in leather seat (5)

£100­200 28

A GEORGE II OAK LOWBOY

29

FOUR GEORGE III COUNTRY ARMCHAIRS

LATE 18TH CENTURY

the top with a moulded edge above three drawers on turned legs and pad feet

70.2cm high, 75.3cm wide, 54.5cm deep

£200­400

in ash, elm and fruitwood, three with pierced splat backs and one with a ladder back, all with needlework drop­in seats (4)

£150­250

C.1770

C.1740

A NAIVE REVERSE GLASS PAINTING OF A KING

LATE 17TH / EARLY 18TH CENTURY

possibly of William III, standing before a landscape, in a carved pine frame with traces of gilding and polychrome decoration 22.2 x 16cm

Catalogue Note

For a similar picture sold in these rooms see Furniture, Works of Art & Clocks, 22nd September 2021, lot 150.

£150­250

32

A PAIR OF FOLK ART PIN­PRICK AND WATERCOLOUR PICTURES

LATE 18TH / EARLY 19TH CENTURY

depicting pilgrims holding staffs and one begging, in later glazed bird’s eye maple frames (2) 30.5 x 26.2cm (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note

See James Ayres, ‘English Naive Painting’, pls.134 & 135 for similar examples.

£100­150

31

A VICTORIAN FOLK ART FIREPLACE DIORAMA

LATE 19TH CENTURY

the steel and brass fire surround and grate with gilt and painted details, brass fire irons, andirons and fender in a mahogany and glass fronted case, with a shell surmount

37cm high, 29.2cm wide, 12.9cm deep

£250­350

A COOPERED OAK AND BRASS BOUND STICKSTAND

LATE 19TH CENTURY

of barrel form

68cm high, 35cm wide, 30cm deep

£100­150

A LATE VICTORIAN TURNED BRASS AND CAST IRON STICKSTAND

LATE 19TH CENTURY

with five divisions and ball finials

57.1cm high, 43.2cm wide, 16.5cm deep

£200­300 35

A FOLK ART CARVED HARDWOOD WALKING STICK

POSSIBLY SAILOR’S OR COLONIAL, 19TH CENTURY

carved in the Zulu fashion with a variety of objects

including: knives, shearers, birds, shepherd’s crook, jugs, drinking glasses, fish, spades, bill hooks, saws, fire tongs and bellows and inscribed with the initials ‘TG’

89.5cm long

£150­200 36

A LATE VICTORIAN WALKING STICK

C.1890­1900

the ebony finial in the form of a male blackamoor’s head with glass eyes and bone teeth, above a white metal collar initialled ‘EB’ and a yew shaft

93.4cm long

£150­200

37

A COLLECTION OF WALKING STICKS

19TH CENTURY AND LATER

including: examples with silver and white metal mounts, antler handles, gilt wirework mounts, faux tortoiseshell painted decoration and one with a Japanese handle with gilt metal dragons (15)

93.7cm (max)

£150­250

38

AN INDO­PORTUGUESE HARDWOOD AND BONE SAILOR’S CHEST 18TH CENTURY

with a domed cover, iron strap hinges, lock and side carrying handles, with a vacant interior and a single long drawer, inlaid with bone stringing and heart­shaped, rectangular and lozenge panels engraved with scrolling foliate decoration 43cm high, 67.5cm wide, 39cm deep

£500­700

39

A SAILOR’S WHALEBONE WALKING CANE 19TH CENTURY

with a disc finial above a fluted handle and spiral twist shaft 80.7cm long.

Provenance

Gertrude Powis, the wife of a gold prospecter in West Africa, and thence by descent.

£500­800

λ 40

A SAILOR’S WHALEBONE AND MARINE IVORY MAGNIFYING GLASS 19TH CENTURY

the finial carved as a clenched first, on an octagonal shaft with a cross­hatched grip and brass framed glass, adapted from a walking stick 36.8cm long

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£200­300

A RUSSIAN WALRUS TUSK AND BONE CASKET KHOLMOGORY, ARKHANGELSK, C.1870

the hinged cover enclosing a three section interior, with fretwork panels surrounded by green and red stained and engraved foliate decoration 12.6cm high, 22.7cm wide, 51.1cm deep

Provenance

Christie's Geneva, 12th November 1994, lot 322.

£150­250

A COLLECTION OF BONE ITEMS 19TH CENTURY

to include pipe tampers, a stilleto, a barrel­shaped pot and cover containing miniature dominoes, a pounce pot & cover and a lace bobbin with a punch decorated and coloured ‘in memorium’ inscription (8) 9.5cm long (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 43

A COLLECTION OF HORN ITEMS EARLY 19TH CENTURY AND LATER

including: a French snuff box, the hinged lid pressed with a view of the Apostolic Palace in the Vatican, titled ‘Palais Pontifical’, a faceted goblet, a whistle, two folk art horn beakers with etched decoration and a Scottish pony hoof and silver mounted snuff mull (6) 10.4cm (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

A NAPOLEONIC BONE PRISONER OF WAR GAMES BOX EARLY 19TH CENTURY

of sarcophagus form, the sliding cover and sides with painted watercolour scenes of figures, vases of flowers and buildings, containing fifty­four double ended dominoes, twenty­seven bone playing ‘cards’, three bone dice and a marker (A lot) 5.3cm high, 25.5cm long, 9.4cm wide

£400­600

A BAROQUE EBONY AND IVORY INLAID TABLE CABINET

NORTH ITALIAN OR SOUTH GERMAN, LATE 17TH / EARLY 18TH CENTURY AND LATER

decorated with strapwork marquetry panels, the hinged fall with palmwood banding revealing an arrangement of nine drawers around an architectural cupboard door decorated with a hunting figure revealing parquetry ash panels and six secret drawers, on a later ebonised base, with iron side carrying handles

47.2cm high, 62.5cm wide, 37cm deep

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£1,500­2,000

A

DUTCH EBONY

AND CHINOISERIE CASKET LATE 17TH CENTURY

the hinged cover, with a central painted chinoiserie panel, enclosing a mirror and a void interior, above a base with four further painted panels, the panel to the right hand side lifting to reveal a secret drawer, above a moulded rim and ball feet

17cm high, 23.3cm wide, 13.7cm deep

£2,000­3,000 46

47 A COCO DE MER LODOICEA MALDIVICA with a white metal suspension hoop 25 x 23cm

£400­600

λ 48

A RED CORAL FRAGMENT 19TH CENTURY of branching form, together with three other fragments 14cm high, 17cm wide

Provenance

Parker & Morris: The Art of Decorating.

£100­150

λ 49

A COLLECTION OF CORALS of various types including: brain, finger and mushroom, together with two slices from agate geodes (12) 17 x 12cm (max)

£100­200

49

λ 50

A COLLECTION OF SEASHELLS with various specimens including: nautilus, clam, spiny conch and others and a coral specimen (A lot) 25cm (max)

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£150­250

THE GEOFFREY CHESTERS COLLECTION OF TREEN

51

A REGENCY TREEN LIGNUM VITAE POUNCE POT

EARLY 19TH CENTURY

the flaring bowl on a short banded stem and conical foot, together with a boxwood pounce pot, of barrel form, and another probably also in lignum vitae (3) 10.6cm high, 10.1cm diameter (max)

£100­150

52

A VICTORIAN TREEN OAK TOBACCO BOX AND COVER 19TH CENTURY

with an acorn finial, turned body and a lead lined, lidded interior, together with three further boxes and covers in a variety of woods (4) 21cm high, 19cm diameter (max)

£100­150

THREE TREEN FOOTED BOWLS

EARLY 20TH CENTURY

in rosewood, elm and burr maple, each on a banded or stepped foot, together with a mahogany footed dish with a rounded body and short foot (4) 13cm high, 24.6cm diameter (max)

£100­150

54

A COLLECTION OF TWELVE TREEN BOXWOOD SCENT OR MEDICINE BOTTLE HOLDERS

LATE 19TH / EARLY 20TH CENTURY

in a variety of forms including acorn, barrel and cylindrical with printed or applied labels (12)

9cm high (max)

£100­150

A COLLECTION OF TREEN 19TH / EARLY 20TH CENTURY

in a variety of woods, comprising: three Graham’s Patent type inkwells including two in lignum vitae, two medicine or scent bottle holders including one in ebony, four go­to­beds including one with a bone finial, and a grater (9) 11.5cm high (max)

£100­150

£100­150 55

λ 56

A COLLECTION OF TREEN LATE 19TH / 20TH CENTURY

comprising: a pair of ebonised dice shakers, another dice shaker, a rosewood pounce pot and four goblets (8)

9.8cm high (max)

λ 57

A COLLECTION OF TREEN

LATE 19TH / 20TH CENTURY

comprising: an ebony Graham’s Patent style inkwell, a fruitwood pounce pot, a lignum vitae egg cup, a rosewood goblet, a turned barrel, a salt and a small cup and cover (7) 8.3cm high (max)

£100­150

58

A GEORGE III TREEN MULBERRY GOBLET

LATE 18TH CENTURY

the rounded bowl above a stem with a central knop and spreading foot with a moulded rim 15.7cm high

Provenance

Formerly part of the Evan Thomas Collection (498) and the Shepherd Collection offered at Sotheby's, 30th November 1983, The W. J. Shepherd Collection of Treen, Lot 534, where it was described as 'An 18th / 19th Century Mahogany Goblet'.

Catalogue Note

The remains of a paper label to the base refer to this goblet being turned from a mulberry tree.

£100­150

59

A PAIR OF TREEN ELM SALTS

19TH CENTURY

60

A PAIR OF TREEN SPILL VASES PROBABLY OAK, 19TH CENTURY

each with a shallow, waisted bowl with turned, banded decoration, on a short stem and stepped foot (2)

6cm high, 6.7cm diameter

£100­150

the body with turned, banded decoration on a short stem and circular foot, together with an ash beaker and a beech dice shaker (4) 14cm high, 9.1cm diameter (max)

£100­150

61

A COLLECTION OF FOUR TREEN CUPS AND COVERS LATE 19TH AND 20TH CENTURY

in a variety of woods including: oak, boxwood, maple and fruitwood, together with a large walnut cup of cylindrical form with a two knopped stem and another in fruitwood (6) 25cm high (max)

£100­150

λ 62

A TREEN YEW GOBLET

C.1800

the tall bowl on a knopped stem and banded, spreading foot, together with a fruitwood chalice with a flared rim and stepped, spreading foot, an oak goblet, a rosewood salt with a disc knopped stem and a fruitwood salt with a folded over rim (5) 16.5cm high (max)

£100­150

λ 63

A COLLECTION OF TREEN 19TH / 20TH CENTURY

comprising: an ebony pawn shaped seal, two lignum vitae pots and covers, a lignum vitae powderer, a rosewood egg shaped cup and cover, a boxwood goblet and three other items (9)

7.8cm high (max)

£100­150

64

A COLLECTION OF TREEN 18TH / 19TH CENTURY

comprising: an ebony goblet, a rosewood goblet, a boxwood and ebony cup and cover, an ash go­to­bed, a pot and cover possibly in olivewood, and another cup and cover (6) 8.7cm high (max)

£100­150

65

A COLLECTION OF TREEN CUPS AND BEAKERS

MAINLY 19TH CENTURY

comprising: two mahogany beakers, a walnut goblet, a fruitwood cup and cover and two footed salts (6) 15cm high (max)

£100­150

66

A COLLECTION OF EIGHT TREEN GOBLETS

MAINLY 19TH CENTURY

in a variety of woods including: oak, boxwood, elm, beech and possibly lignum vitae (8) 17cm high (max)

£100­150

67

A COLLECTION OF TREEN ITEMS LATE 19TH / 20TH CENTURY

comprising: a boxwood bottle flask, two cups and covers, a cylindrical oak box and cover, another pot and cover, a boxwood beaker and a birch and ebonised locking butter box and cover (7) 18.5cm high (max)

£100­150

68

A COLLECTION OF TREEN 19TH CENTURY AND LATER

comprising: a set of four egg cups, possibly laburnum, four footed salts including one with guilloche decoration to the rim, and a lignum vitae double­ended measure (9)

7.7cm high (max)

£100­150

69

A COLLECTION OF TREEN SALTS 19TH CENTURY

in a variety of woods including: lignum vitae, boxwood, fruitwood and one with a band of carved flowerheds to the bowl (8)

6.6cm high (max)

£100­150

70

A COLLECTION OF BOXWOOD MEDICINE BOTTLE CASES AND COVERS EARLY 20TH CENTURY

with printed labels for ‘Croyden Chemist, Cavendish Square’, ‘Unwin & Albert, Court Head Dressers & Perfumers T.G. Aris, Perfumer, Clumber Street, Nottingham’, one by Low Son & Benbow, another unmarked, together with a coromandel wood cylindrical box and cover, another in boxwood with a mother of pearl button and a wax applicator, some with glass bottles and stoppers (8)

£100­150

71

A TREEN FRUITWOOD MORTAR GRINDER 18TH CENTURY

with banded decoration. together with a lignum vitae weight, a coromandel string barrel and a pepper grinder (4)

16.3m high (max)

£100­150

TWO TREEN NOVELTY DICE POTS

LATE 19TH CENTURY

in the form of wine bottles, each with two bone dice, together with two boxwood dice shakers, a lignum vitae pounce pot and a boxwood taperstick in the form of a 17th century candlestick (6)

8cm tall (max)

£100­150

73

A COLLECTION OF TREEN CUPS

19TH CENTURY AND LATER

in a variety of woods including: lignum vitae, walnut and fruitwood, one with a cover (5) 15.1cm high (max)

£100­150

A COLLECTION TREEN UTENSILS

19TH CENTURY AND LATER

comprising: a set of five bobbins, salt spoons, fid, needle case and other items (13)

14.8cm long (max)

£100­150

75

A SCANDINAVIAN TREEN BURR BIRCH PEG TANKARD PROBABLY NORWEGIAN, 18TH CENTURY

the well­figured body with a moulded footrim beneath a domed, hinged cover, carved with a flowerhead amongst foliage, the handle with a scrolling thumbpiece and foliate detail, on four carved flowerhead feet 22.5cm high, 21.5cm wide

Provenance

Purchased from Blue and White Antiques, Connaught Street, London W2 c.1968.

£300­500

76

A COLLECTION OF TREEN 19TH CENTURY AND LATER

comprising: a lignum vitae bottle, two lignum vitae string boxes, a pair of trumpet vases, a fruitwood tobacco jar and cover, a fruitwood tobacco jar carved with lappets and a ring turned stem, a miniature tazza, two boxwood pots and covers, a boxwood barrel shaped pounce pot, an ebonised stand and baluster vase and cover from staves of a variety of woods (13)

30cm high (max)

£200­300

A PAIR OF TREEN SILVER MOUNTED LIGNUM VITAE LOVING CUPS

18TH CENTURY

each with a plain bowl with a scalloped and beaded silver rim, above a turned, knopped stem and stepped, domed foot (2) 36cm high (max)

Catalogue Note

For a similar single loving cup, see Christie’s, 22nd November 2016, the Tony Robinson Collection of Treen Drinking Vessels, lot 291.

£2,000­3,000

78

A COCONUT AND SILVER MOUNTED CUP AND COVER POSSIBLY COLONIAL PORTUGUESE, LATE 18TH CENTURY

carved with a crest monogrammed ‘DM’ flanked by figures and horses to one side and a shipwrecked sailor with the remains of his ship and its load to the other, beneath a zigzag rim, the cover with a crest, game and flaming hearts, on a dolphin stem and a circular stepped and gadrooned base on ball feet, with a spoon

25.5cm high

£300­500

79

A COCONUT AND WHITE METAL MOUNTED CUP AND COVER UNMARKED, 20TH CENTURY

with a hinged cover, on a ball stem and stepped circular foot 17cm high

£100­150

FURNITURE & RUGS

81

A QUEEN ANNE WALNUT CUSHION FRAME WALL MIRROR EARLY 18TH CENTURY AND LATER

the later rectangular plate within a moulded slip, within a burr outer frame

68.5 x 61cm

£200­300

80

A PAIR OF QUEEN ANNE WALNUT SIDE CHAIRS IN CHINESE STYLE, EARLY 18TH CENTURY AND LATER

each with yoke top, above a curved solid vase shaped splat on cabriole front legs united by a turned and block stretcher (2)

£400­600

82

A BURR WALNUT KNEEHOLE DESK 18TH CENTURY ELEMENTS

with an arrangement of seven drawers around a central cupboard 78cm high, 76.3cm wide, 47cm deep

£600­800

A WALNUT ESCRITOIRE

LATE 17TH / EARLY 18TH CENTURY AND LATER

with a cushion drawer above a burr veneered hinged fall revealing a bank of pigeonholes concealing secret drawers above an arrangement of eleven drawers around a central cupboard, revealing three futher drawers, above three long drawers, on later bun feet

166.5cm high, 111cm wide, 48.5cm deep

£800­1,200

A WALNUT WING ARMCHAIR IN QUEEN ANNE STYLE, LATE 19TH CENTURY

the high arched back above scrolling arms with turned finials, on orb and block feet, united by a scrolling ‘X’ stretcher 136cm high

£600­800

85

A GEORGE II WALNUT STOOL C.1735­40

with a later needlework serpentine drop­in seat on shell capped cabriole legs and pad feet

48.8cm high, 55cm wide, 37cm deep

£600­800

86

A WALNUT HIGHBACK ARMCHAIR IN WILLIAM AND MARY STYLE, 19TH CENTURY

the padded back and seat covered in velvet damask, with scroll arms above turned and faceted supports united by an ‘H’ stretcher Provenance

From a Private Collection, West Yorkshire, formed in the 1970s and 1980s.

£80­120

A GEORGE II WALNUT WING ARMCHAIR

18TH CENTURY AND LATER

with scroll arms on lappet carved cabriole front legs and pad feet

£800­1,200

88

A GEORGE II WALNUT WING ARMCHAIR

18TH CENTURY AND LATER

with scroll arms on cartouche and leaf carved cabriole front legs and hairy paw feet

Provenance

Purchased from Spink & Son Ltd, 5, 6 & 7 King Street, St James's, London SW1 on 20th May 1969.

£800­1,200

90

A GEORGE II GILTWOOD WALL MIRROR

C.1735­40

the later arched plate in a carved slip, the frame decorated in relief with leaves and scrolls

76.5 x 42.7cm

£100­150

89

A GEORGE II WALNUT LOWBOY

C.1735­40

inlaid with boxwood and ebonised stringing, the quarter veneered caddy moulded top above three drawers, on cabriole legs and pad feet

74.5cm high, 76.5cm wide, 50.7cm deep

£400­600

91

A WALNUT CORNER CARD TABLE IN GEORGE II STYLE, 19TH CENTURY

the fold­over top revealing a baize lined playing surface with sunken counterwells, on acanthus carved cabriole legs

72cm high, 82cm wide, 40.5cm deep

£300­500

A FINE FLEMISH ALLEGORICAL TAPESTRY

LATE 16TH / EARLY 17TH CENTURY

woven in wool and silks, the field depicting figures in a rural scene, in traditional costume preparing a feast with baskets of bread and ewers of wine, merchants approaching with three camels, a wooded and mountainous landscape beyond with soldiers on the march, enclosed by borders of urns issuing flowers, cherubs and further figures, with a ‘Chevalier Conservation, Paris’, label attached to the reverse

301 x 263cm

£6,000­8,000

94

A GEORGE II MAHOGANY BACHELOR’S SUPPER TABLE

C.1740­50

with a single drop­leaf top on turned legs and pad feet

71.2cm high, 86.5 x 77.8cm

£100­150

A GEORGE II WALNUT ARMCHAIR

C.1735­40

with a pierced vase shaped splat and out­scrolling arms, above a drop­in seat

£400­600

95

A GEORGE II MAHOGANY DEMI­LUNE COMBINED TEA AND CARD

TABLE C. 1740

the hinged triple top revealing a baize lined playing surface, a surface for tea and a vacant compartment, on cabriole legs and pointed pad feet

74.4cm high, 76cm wide, 36.5cm deep

£400­600

A GEORGE II BURR WALNUT AND WALNUT SECRETAIRE CABINET ON CHEST ATTRIBUTED TO WILLIAM OLD AND JOHN ODY, C.1730

with cross and feather banding, the moulded cornice above a pair of arched mirrored doors, revealing a fitted interior of ten drawers and three secret drawers, above a pair of candle slides, a secretaire with pigeonholes and drawers above three further long drawers, on bracket feet

194.5cm high, 105.5cm wide, 55.2cm deep

Catalogue Note

William Old, a chair maker and wood turner, and John Ody, a cabinet maker, were both living on the south side of St Paul’s Churchyard, London and went into partnership around 1717, quite probably after John Ody had married Old’s daughter a year or so earlier. Despite William Old’s death in 1728, the partnership continued until 1733, probably with William’s son, Henry, in William's place.

See Christopher Gilbert, Pictorial Dictionary of Marked London Furniture, 1700­1840, pp.358­359, pls. 699 and 700 for very similar examples.

£2,000­3,000

98

A GEORGE II WALNUT FRET­FRAME WALL MIRROR

C.1730­40

the later arched plate within a carved gilt slip, with a moulded outer frame, with a pierced giltwood ho­ho bird surmount and a shell base

82 x 47.3cm

£200­300

A GEORGE II MAHOGANY LOWBOY

C.1740­50

the top with a caddy moulded edge above three frieze drawers and an archer’s bow apron

68cm high, 75.5cm wide, 44.3cm deep

£200­300

99

AN UNUSUAL GEORGE II MAHOGANY CHEST

C.1750­60

with a caddy moulded hinged top, with cusped corners above two short and one deep drawer with a false front and two further long drawers

80cm high, 89cm wide, 41cm deep

£300­500

100

A GEORGE II VIRGINIAN WALNUT GATELEG TABLE

C.1730

the oval drop­leaf top above a frieze drawer on turned and block legs and stylised Braganza feet

71.5cm high, 107.2 x 127.5cm

£200­300

A GEORGE II WALNUT AND GILTWOOD FRET­FRAME WALL MIRROR

C.1735­40

the arched plate within a carved slip flanked by leaf drapes and with a basket of flowers surmount

120.8 x 56.5cm

£500­700

102

A GEORGE II VIRGINIAN WALNUT SIDE CHAIR

C.1735­40

with a vase shaped splat above a later needlework drop­in seat, on leaf carved cabriole front legs

£100­200

101

103

A GEORGE II WALNUT LOWBOY

C.1730­35

with cross and feather banding, the quarter veneered top with a caddy moulded edge above an arrangement of four drawers

71.5cm high, 82cm wide, 52.2cm deep

104

A GEORGE II WALNUT FRET­FRAME WALL MIRROR

C.1735­40

the later plate within a carved giltwood slip and with a ho­ho bird surmount

78.5 x 43.5cm

£150­200

£600­800 105

A GEORGE II VIRGINIAN WALNUT DEMI­LUNE TEA TABLE

C.1740

the circular top with a single drop­leaf on turned legs and pad feet

71.1cm high, 75cm diameter

£200­300

106

A GEORGE II MAHOGANY SOFA POSSIBLY IRISH, MID­18TH CENTURY

the shaped padded back above a pair of scroll arms carved with lion’s head terminals, above a drop­in serpentine seat, on cabriole front legs carved with greenman masks on claw and ball feet and castors 115.4cm high, 153cm wide, 64cm deep

£800­1,200

107 A GILTWOOD WALL MIRROR IN GEORGE II STYLE

with a later bevelled arched plate, within a frame decorated in relief with scrolls and leaves on a punched ground, the cornice with eagle’s heads, the base originally with sconces 99 x 56.5cm

£1,000­1,500

108

A GEORGE II MAHOGANY DINING TABLE

C.1750

the octagonal drop­leaf top above an archer’s bow frieze on cabriole legs and pad feet

74.5cm high, 135.5cm wide, 134cm deep (open)

£600­800

109

TWO GEORGE III MAHOGANY SIDECHAIRS

LATE 18TH CENTURY

each with a pierced vase shaped splat, above a needlework drop­in seat (2)

£100­200

109

110

FOUR GEORGE III MAHOGANY ARMCHAIRS

LATE 18TH CENTURY

each with a pierced vase shaped splat, one finely carved with leaves in the Chippendale manner, three with tapestry drop­in seats (4)

£200­300

A GEORGE II MAHOGANY COMBINED TEA AND CARD TABLE

C.1740­50

the triple hinged top revealing a baize lined playing surface, with candlestands and dished counterwells on acanthus carved cabriole legs and claw and ball front feet

75.5cm high, 81cm wide, 39.5cm deep

£400­600

113

A GEORGE III MAHOGANY STOOL

C.1780

the later drop­in seat on moulded and chamfered legs

50.5cm high, 46.7cm wide, 35.8cm deep

£150­200

112

AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760

the circular tilt­top above a turned stem and spiral fluted bowl

69.5cm high, 68cm diameter

£200­300

115

A MAHOGANY SERPENTINE SIDE TABLE IN CHINESE CHIPPENDALE STYLE, LATE 19TH CENTURY

carved with ribbons, leaves and husks

77.7cm high, 108.5cm wide, 51.5cm deep

£200­300

114

A SET OF ANGLO­CHINESE PADOUK WALL SHELVES IN CHINESE CHIPPENDALE STYLE, PROBABLY 19TH CENTURY

with three shelves above two drawers

73.5cm high, 48.8cm wide, 17.8cm deep

£150­200

116

A GEORGE III MAHOGANY TRAY ON STAND IN CHINESE CHIPPENDALE STYLE, 18TH CENTURY AND LATER

the gallery with pierced fretwork decoration and with four handgrips, on later conforming legs

50.3cm high, 60cm wide, 43.5cm deep

£800­1,200

A GEORGE II MAHOGANY TRIPOD TABLE

C.1750­60

the circular tilt­top with a moulded pie­crust edge and revolving on a birdcage above a spiral ribbed stem, acanthus carved legs and claw and ball feet

71cm high, 62.7cm diameter

£2,500­3,500

118

A GEORGE III MAHOGANY LINEN PRESS LATE 18TH CENTURY

with a pair of doors with outline mouldings enclosing four slides, the base with two short and one long drawer 146cm high, 123.5cm wide, 55.2cm deep

£500­800

119

A GEORGE III MAHOGANY TRAY­TOP BEDSIDE COMMODE

LATE 18TH CENTURY

the serpentine gallery pierced with two handgrips above a pair of inlaid doors and a converted pull­out base 78.7cm wide, 55cm wide, 46cm deep

£300­400

120

A GEORGE III GILTWOOD AND GESSO OVAL WALL MIRROR

LATE 18TH CENTURY AND LATER

the oval central plate within marginal plates, with a beaded frame and foliate surmount

93 x 56.8cm

£300­500

A GILTWOOD CONSOLE TABLE IN THE MANNER OF MATTHIAS LOCK

the serpentine white marble top above a pierced frieze, carved with scrolls, flowers and rocaille on cabriole legs headed by ho­ho birds

96cm high, 158.5cm wide, 52.5cm deep

Provenance

Purchased from W.G.Dugdale, 4 School Gardens, Shrewsbury on 8th November 1960.

£800­1,200

122

A GEORGE III MAHOGANY CHEST LANCASHIRE, C.1770

with two short and three long graduated drawers flanked by quarter pilasters on ogee bracket feet

83.3cm high, 97.5cm wide, 55.8cm deep

£500­800

123

A GEORGE III MAHOGANY TRAY­TOP BEDSIDE COMMODE

LATE 18TH CENTURY

the gallery pierced with two handgrips, above a pair of panelled doors and a converted pull­out base

76.5cm high, 53.3.cm wide, 46.5cm deep

£200­300

124

A GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY

with a frieze drawer

71.5cm high, 77.3cm wide, 42.7cm deep

£200­300

£5,000­7,000

125

A HERIZ CARPET

NORTH WEST PERSIA, C.1900

the brick red field of angular floral vines around an unusual sky blue and olive green medallion framed by ivory spandrels and wide indigo borders of serrated leaves and polychrome flowers flanked by ivory meandering vine guard stripes

377 x 293cm

127

A GEORGE III MAHOGANY AND BRASS BOUND COUNTRY HOUSE WINE BOTTLE CARRIER

LAST QUARTER 18TH CENTURY

with six divisions and a central pierced handgrip 21cm high, 45.7cm wide, 33.7cm deep

£400­600

A PAIR OF GEORGE III MAHOGANY AND BOXWOOD LINE INLAID SERPENTINE FRONTED KNIFE BOXES

LATE 18TH CENTURY

the cover inlaid with a star motif and stringing to the underside and enclosing an original, hinged fitted interior with line inlay, the front with a navette shaped escutcheon (2)

35.5cm high, 23cm wide, 27.5cm deep

£600­1,000

128

A GEORGE III MAHOGANY SERPENTINE SIDEBOARD

LATE 18TH CENTURY

fitted with four drawers, the right hand deep drawer with divisions for bottles, on fluted tapering legs and on spade feet

93.8cm high, 185cm wide, 71.5cm deep

£600­800

A GEORGE III BRASS BOUND OAK WINE COOLER ON STAND IN THE MANNER OF GILLOWS, LATE 18TH CENTURY

with a later lift­out metal liner and with lion’s mask carrying handles, on a mahogany stand with brass castors

61cm high, 70cm wide, 48cm deep

£1,500­2,000

A GEORGE III MAHOGANY BOOK TROUGH C.1780

with two divisions and brass carrying handles 20.5cm high, 77.1cm long, 20.8cm deep

£300­400 131

A REGENCY MAHOGANY PLATE AND CUTLERY STAND ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

with two divisions and a spindle gallery

71.8cm high, 58cm wide, 33.5cm deep

£400­600

130

A REGENCY MAHOGANY FOUR PILLAR DINING TABLE

C.1815­20 AND LATER the top with a moulded edge and three additional leaves above turned pedestals and moulded legs terminating in brass lion’s paw feet and castors, the frame stamped in various places ‘Claremont’

72.3cm high, 152.3cm wide, 581cm long

Provenance

Purchased from Sotheby’s London, 12th February 1988, lot 117.

£8,000­12,000

133

A GEORGE III MAHOGANY CARD TABLE LATE 18TH CENTURY

inlaid with stringing and satinwood banding the ‘D’ shaped fold­over top with a fan patera on square tapering legs

75.3cm high, 91.5cm wide, 44.7cm deep

£200­300

134

TWO MAHOGANY ARMCHAIRS IN THE MANNER OF GILLOWS, 18TH CENTURY AND LATER

each with a padded back, seat and armrests, one carved with sprays of flowers and leaves, the other with garrya elliptica and anthemion (2)

Provenance

From a Private Collection, West Yorkshire, formed in the 1970s and 1980s.

£200­300

135

A REGENCY MAHOGANY OVAL WRITING TABLE EARLY 19TH CENTURY

the top inset with a later gilt tooled leather writing surface, above a frieze drawer, the sides with pull­out candleslides

74.5cm high, 92.5cm wide, 64.5cm deep

£300­500

136

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS

AFTER A DESIGN BY THOMAS CHIPPENDALE, C.1770

each with a scroll toprail, above a pierced Gothic splat and a stuffedover seat, on chamfered legs, together with an associated pair of George III mahogany dining chairs (8)

£1,500­2,500

137

A GEORGE III GILTWOOD OVERMANTEL MIRROR LATE 18TH CENTURY AND LATER

the later, shaped plate within a carved frame decorated with drapes, flowers and swags with a basket of fruit surmount

129 x 123cm

£400­600

138 A GEORGE III MAHOGANY MULE CHEST LANCASHIRE, LATE 18TH CENTURY

with a hinged top, the front with six false drawer fronts and four drawers on ogee bracket feet

107.8cm high, 174cm wide, 57cm deep

£300­500

A GEORGE III MAHOGANY SERPENTINE SERVING TABLE C.1770­80

the top with a moulded edge on fluted tapering legs terminating in guttae feet, the underside with an old printed paper label inscribed ‘VV9358’ 88.5cm high, 188.2cm wide, 66.2cm deep

£3,000­4,000

140

A GEORGE III MAHOGANY GENTLEMAN’S WASHSTAND LATE 18TH CENTURY

in the form of a chest, the hinged lid revealing a fitted interior with lidded compartments, wash bowl apertures and a pull­out mirror on a ratchet, the front with false drawers above two long mahogany lined drawers, with side carrying handles

81.5cm high, 94cm wide, 52.3cm deep

£600­800

141

A GEORGE III MAHOGANY GENTLEMAN’S DRESSING TABLE LATE 18TH CENTURY

the hinged top revealing a fitted interior with lidded compartments, lift­out trays, divisions and a mirror on a ratchet, the front with two drawers

82cm high, 91cm wide, 55.5cm deep

£300­500

142

A GEORGE III MAHOGANY ‘BREAKFAST TABLE’

AFTER A DESIGN BY THOMAS CHIPPENDALE, C.1770­80

the drop­leaf top above a concave frieze drawer, fitted with a velvet lined writing surface, hinged and on a ratchet and with divisions for pens and ink, above a compartment with grille doors on stop­fluted tapering legs and brass castors

75cm high, 50cm wide, 68cm deep

£1,000­1,500

A TEKKE MAIN CARPET

EMIRATE OF BUKHARA, C.1900

the madder ground with five rows of quartered guls enclosed by borders of octagons containing latch hook devices

flanked by guard stripes and barber poles

305 x 220cm

£2,000­3,000

144

A GILTWOOD SIDE TABLE IN GEORGE II STYLE, PROBABLY 19TH CENTURY

the grey marble top with a moulded edge above a Vitruvian scroll frieze and applied leaf scrolls, on acanthus and harebell decorated legs 81cm high, 141cm wide, 64.5cm deep

£2,000­3,000

146

A GEORGE III MAHOGANY KNIFE BOX

C.1780

of serpentine form, the cover inlaid with a shell motif and a bone escutcheon, with a fitted interior, together with another of concave serpentine form with a partial fitted interior (2)

38.5cm high, 22.2cm wide, 29.2cm deep (max)

£300­500

145

A LATE GEORGE III MAHOGANY CYLINDER BUREAU

C. 1800­10

inlaid with ebonised stringing, the tambour shutter revealing satinwood veneered drawers, pigeonholes and a sliding writing surface, inset with a later green tooled leather, above four drawers, the side with pull­out candleslides

99.7cm high, 115cm wide, 69cm deep

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£300­500

146

147

A GEORGE III MAHOGANY DEMI­LUNE TEA

TABLE LATE 18TH CENTURY

inlaid with boxwood stringing and with a frieze drawer

74cm high, 102.2cm wide, 47.8cm deep

£300­400

148

A GEORGE III SATINWOOD SECRETAIRE CHEST IN THE MANNER OF GILLOWS, LATE 18TH CENTURY

inlaid with stringing and kingwood banding, the top inset with an oval mahogany panel above a secretaire drawer fitted with drawers and pigeonholes around a central cupboard with two further drawers with bone handles, above three long drawers

98cm high, 107.5cm wide, 57.5cm deep

£600­1,000

149

A SATINWOOD SECRETAIRE CABINET IN SHERATON STYLE, 19TH CENTURY

with brass mounts and inlaid with kingwood stringing, the white marble top above a pair of glazed doors and with a cylinder bureau fitted with pigeonholes, drawers and a leather writing surface, flanked by mirrored panels, the base with an arrangement of drawers and cupboards, on brass caps and castors

149.4cm high, 120cm wide, 40.5cm deep

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£600­1,000

148

151

A PAIR OF GEORGE III MAHOGANY KNIFE BOXES LATE 18TH CENTURY

each of serpentine form, with satinwood and kingwood inlay to the edges, with white metal mounts and part fitted interiors (2)

38.5cm high, 22.3cm wide, 31cm deep

£400­600

150

A GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY

with boxwood edging and fitted with a frieze drawer

71.3cm high, 76.7cm wide, 47cm deep

£100­150

151

152

A GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER

the circular tilt­top with a pie­crust edge carved with scrolls, rocaille and swags of flowers, on a part ribbed stem and acanthus carved legs

73.6cm high, 80.2cm diameter

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£500­800

153

A GEORGE III MAHOGANY SIDE TABLE

LATE 18TH CENTURY

fitted with a frieze drawer with divisions on square legs united by an ‘H’ stretcher and brass castors

74.7cm high, 71cm wide, 43.5cm deep

£200­300

154

154

A GEORGE III PAINTED ARMCHAIR

C.1800­05

later decorated with a lyre shaped back, above a stuffed­over seat on fluted front legs

£100­150

155

A GEORGE III GILT CARTON PIERRE WALL MIRROR

C.1775 AND LATER

the later oval plate within an interlaced leaf, scroll and husk frame, with an urn surmount, mounted on a board

151 x 82cm

£300­500

157

A GEORGE III MAHOGANY AND SATINWOOD DRESSING TABLE MIRROR LATE 18TH CENTURY

with an oval plate and applied with bone rondels, the serpentine box base inlaid with barber’s pole stringing, with three satinwood drawers fitted with bone handles and an escutcheon

56.7cm high, 46.5cm wide, 24.4cm deep

£200­300

156

A GEORGE III MAHOGANY TEA TABLE POSSIBLY SCOTTISH, LATE 18TH CENTURY

of canted form, inlaid with stringing and satinwood banding the frieze decorated with marquetry conch shells 74.3cm high, 94.7cm wide, 47cm deep

£200­300

158

A LATE GEORGE III MAHOGANY BOWFRONT SIDE TABLE LATE 18TH CENTURY

the top with a moulded edge above a frieze drawer 76cm high, 91.5cm wide, 49cm deep

£200­300

159

AN USHAK CARPET

CENTRAL / WEST ANATOLIA, C.1900

the terracotta field with an all over design of flowerhead and cruciform medallions enclosed by mustard borders of angular plants

flanked by meandering vine guard stripes

350 x 314cm

£200­300

160

A GEORGE III MAHOGANY TEA CHEST

C.1780

the caddy moulded hinged cover enclosing a four section interior, with a brass swing handle and escutcheon, on short bracket feet

14.3cm high, 24cm wide, 14.8cm deep

£100­150

161

A VICTORIAN COROMANDEL AND BRASS TEA CHEST

C.1870

with Gothic pierced rondels and Greek key decoration to the borders, enclosing a pair of lidded satinwood canisters with gilt metal shields each engraved with a ‘G’

15.4cm high, 25.5cm wide, 15.2cm deep

£200­300

λ 162

A REGENCY ROSEWOOD TEA CHEST

C.1820

of bombé form, with boxwood line inlay, the hinged cover enclosing a pair of part hinged lidded canisters flanking a sugar bowl aperture, with brass lion head hoop swing handles and ball feet

19.5cm high, 32cm wide, 51.7cm deep

£200­300

λ

163

A REGENCY KINGWOOD SARCOPHAGUS TEA CHEST EARLY 19TH CENTURY

with boxwood edging, the caddy top enclosing a pair of hinged lift­out caddies flanking a later glass sugar bowl, above concave sides and later bracket feet, with an ivory escutcheon

20.5cm high, 33.5cm wide, 17.1cm wide

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£100­150

164

A REGENCY MAHOGANY OVAL ‘QUILL’ BUCKET EARLY 19TH CENTURY

with a brass swing handle and liner

33.7cm high, 37.5cm wide, 31.8cm deep

£1,000­1,500

165

A VICTORIAN OAK LAZY SUSAN LATE 19TH CENTURY

with eight rondels with flowerheads between, on a fretwork base 10.2cm high, 60cm diameter

£250­350 164

166

A VICTORIAN WALNUT HUMIDOR LATE 19TH CENTURY

the domed cover and two doors enclosing a fitted interior with a lidded tobacco compartment and a cigar rack above a single drawer, together with a George III mahogany and inlaid serpentine knife box, with a fitted interior (2)

37.5cm high, 22.3cm wide, 28cm deep (max)

£100­200

167

A GEORGE III MAHOGANY TEA CHEST

C.1790

the caddy top enclosing a pair of lidded tin canisters, flanking a central covered container, with stringing to the moulded edges

16.5cm high, 24.6cm wide, 13.7cm deep

£200­300

λ

168

A WILLIAM IV ROSEWOOD AND BRASS MARQUETRY TEA CHEST

C.1830

inlaid with scrolling leaves, the interior with a pair of part hinged lift­out caddies flanking a glass sugar bowl, probably later, on bun feet

22cm high, 31.7cm wide, 16.7cm deep

£300­400

169

AN ITALIAN SORRENTO WARE MACASSAR EBONY AND MARQUETRY CUBE TEA CADDY

MID­19TH CENTURY

inlaid with a pair of dancing figures inside banded edges, together with a mahogany and line inlaid tea caddy, of canted rectangular form, with a twin section interior (2)

12.8cm high, 15cm wide, 13.1cm deep

£150­250

170

A GEORGE III MAHOGANY TEA CHEST

C.1780

of rectangular form, the twin canisters with hinged covers flanking a glass sugar bowl

19cm high, 36cm wide, 18.5cm deep

£100­150

171

ANTI­SLAVERY INTEREST. A GEORGE III PAPIER­MÂCHÉ TEA CADDY

ATTRIBUTED TO HENRY CLAY, C.1787 of cuboid form, painted with green and yellow stripes inside berry and leaf borders, the front inset with a jasperware plaque, probably Wedgwood, with an image of a kneeling black slave in profile beneath the legend ‘Am I Not a Man and a Brother’ 10.5cm high, 10.3cm wide, 8.9cm deep

Catalogue Note

These plaques were modelled by Wedgwood modellers William Hackwood or Henry Webber, under the supervision of Josiah Wedgwood, for the Society of the Abolition of the Slave Trade. These were distributed throughout both the UK and the US and became high fashion statements been mounted in jewellery and small decorative objects.

£800­1,200

172

A GEORGE III EBONISED AND GILT PAPIER­MÂCHÉ OVAL TEA CADDY

C.1790­1800

with a single lidded interior, the front decorated with a floral spray and vermicular borders 11.5cm high, 12.6cm wide

Catalogue Note

See Yvonne Jones, Japanned Papier­Mâché and Tinware c.1740­1940, p.69, pl. 59 for a similar tea caddy.

£150­200

174

A GEORGE III SATINWOOD TEA CADDY LATE 18TH CENTURY

of canted rectangular shape, inlaid with stringing and with a bone escutcheon, the hinged lid revealing a single lidded interior with a bone handle 11.9cm high, 12.3cm wide

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

A REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURY

of tapering sarcophagus shape, the hinged lid with a vacant silvered cartouche, revealing a twin lidded interior, with ebony edging and ivory banding, on ball feet 14.1cm high, 16.5cm wide, 10.8cm deep

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

174 λ 173

175

A GEORGE III MAHOGANY TEA CADDY IN CHIPPENDALE STYLE, C.1770

the cover with a brass swing handle and enclosing a pair of lidded tin canisters, flanking a central container 13.8cm high, 23.5cm wide, 13.3cm deep

£200­300

A GEORGE III HAREWOOD AND MARQUETRY OVAL TEA CADDY LATE 18TH CENTURY

inlaid with a shell motif to the cover which encloses a twin­section interior, the body with a bone escutcheon and inlaid with a ribbon­tied floral spray

11.9cm high, 14.5cm wide

Provenance

Purchased from the Estate of Vera Stanhope Palmer, Cranmer Street, London, SW3, c.1982.

£150­250

A WILLIAM IV ROSEWOOD AND CUT­BRASS MARQUETRY TEA CHEST C.1830

of sarcophagus shape, decorated ‘premiere partie’ with a cartouche of birds amongst scrolling foliage, the underside of the lid with the same image ‘contre partie’, the interior fitted with a pair of pullout and hinged lidded canisters flanking a sugar bowl aperture, inlaid with brass stringing and further foliate panels, on lion’s paw feet

22.5cm high, 32.5cm wide, 17.6cm deep

£400­600 178

A REGENCY SATINWOOD AND INLAID TEA CHEST POSSIBLY IRISH, EARLY 19TH CENTURY of sarcophagus shape, inlaid with floral panels, the underside of the cover inlaid with a scene of buildings, with a pair of lidded canisters and a central glass sugar bowl 17cm high, 27.5cm wide, 15cm deep

£250­350

GARDEN & FIREPLACE

180

A GOTHIC STYLE CAST STONE GARDEN URN 20TH CENTURY

of flaring octagonal form, with lancet panels, together with another garden urn, the body cast with scrolling tendrils, on a socle base and square foot (2) 52cm high, 55cm wide (max)

£150­250

181

A CAST IRON GARDEN ARMCHAIR AFTER A VAL D’OSNE DESIGN

decorated with Gothic panels

91.8cm high, 67cm wide, 53cm deep

£200­300

A VICTORIAN CAST IRON ‘FERN AND BLACKBERRY’ PATTERN GARDEN BENCH AFTER A DESIGN BY COALBROOKDALE, LATE 19TH CENTURY

lacking its wooden slatted seat

91cm high, 151cm wide, 56.5cm deep

£300­500

182

A COALBROOKDALE CAST IRON CONSOLE TABLE LATE 19TH CENTURY

the simulated marble painted top above pierced scrolling legs tied by a foliate stretcher, with a cast mark

78cm high, 123cm wide, 54cm deep

£400­600

183

A FRENCH CAST IRON GARDEN URN 19TH CENTURY

the rolled over lappet rim above a gadrooned body, fluted socle base and square foot

48cm high, 50cm diameter

£200­300

184

A PAIR OF FRENCH CAST IRON GARDEN URNS

IN THE MANNER OF ALFRED CORNEAU, 19TH CENTURY

each with a scrolled over lappet rim above a gadroned body with a pair of scrolled handles, on a square foot (2)

42cm high, 46cm wide

£300­500

185

AN ITALIAN BRONZE GARDEN FIGURE OF THE APOLLO BELVEDERE AFTER THE ANTIQUE, 20TH CENTURY

with a verdigris patination 102.5cm high, 72cm wide

£800­1,200

186

A FRENCH CAST IRON ‘MEDICI’ GARDEN URN 19TH CENTURY

with an egg and dart rim above a body cast with figures above scrolling foliage and between a pair of handles, a gadrooned knopped stem and fluted foot 72cm high, 60cm diameter

£400­600

187

A REGENCY WROUGHT IRON GAMES BENCH EARLY 19TH CENTURY

the navette and arched openwork triple back, above scroll arms and a fold­down foot­rest, a pair of wheels at one end and pad feet at the other 108cm high, 156cm wide, 56cm deep

£800­1,200

188

A LARGE PAIR OF VICTORIAN CAST IRON GARDEN URNS

ATTRIBUTED TO HANDYSIDE & CO, DERBY, LATE 19TH CENTURY

each with a flaring, egg and dart rim above a fluted body with a gadrooned base, knopped spreading foot and square plinth (2)

76cm high, 64cm diameter

£600­800

189

A PAIR OF FRENCH CAST IRON GARDEN URNS 19TH CENTURY

each with a broad rim with arched foliate decoration above a shallow bowl with a gadrooned base, a pair of large scrolling foliate handles, reeded foot and square plinth, with a bronzed finish (2)

47cm high, 80cm wide

£400­600

190

A BRASS AND IRON FIRE GRATE

IN GEORGE III STYLE, LATE 19TH CENTURY

with an arched back cast with a blacksmith, the basket with a serpentine railed front, flanked by floral embossed panels and above a pierced and engraved frieze decorated with scrolling leaves and centred with an urn, with urn finials and square section column supports 70cm high, 78cm wide, 46cm deep

£250­350

191

A BRASS SERPENTINE FENDER

IN GEORGE III STYLE, 19TH CENTURY

with pierced decoration with a central lyre, scrolling leaves and birds 22.4cm high, 133.5cm wide, 32.2cm deep

Provenance

Purchased from Michael Brett English Antique Furniture, Porcelain and Plate, Picton House, Broadway, Worcs. on 18th February 1960.

£200­300

193

A PAIR OF FRENCH ORMOLU CHENETS

IN LOUIS XV STYLE, 19TH CENTURY

modelled as a man with a hammer and anvil, with a classical maiden on Rococo foliate scrolls (2)

29cm high, 27cm wide

Provenance

Redlynch House, Salisbury, Wiltshire.

£150­200

192

A CAST IRON FIRE GRATE IN REGENCY STYLE, LATE 19TH CENTURY

with an open back with a foliate frame, with canted front rails supported on lion’s head monopodia, together with a cast iron back (2)

77cm high, 60cm wide, 38cm deep

£200­300

194

A DUTCH BRASS LOG BIN LATE 19TH CENTURY

repoussé decorated with a coat of arms

38.5 x 41cm diameter

£100­150

195

A SET OF THREE FRENCH ORMOLU DOOR HANDLES

20TH CENTURY

cast with harebells and foliage, two further handles pierced with harebells, a set of four sunburst and mask furniture appliqués and a collection of gilt metal hooks (A lot)

12.8 x 12cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­200

196

A PAIR OF FRENCH ORMOLU CURTAIN TIE­BACKS

19TH CENTURY

each cast with a ram’s head and serpent amongst scrolling foliage and a cornucopia of fruit (2)

31.5cm long

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£200­300

197

A SET OF SEVEN FRENCH ORMOLU DOOR HANDLES

20TH CENTURY

each cast as a feather, together with six escutcheons and covers each cast as a feather (13) 14cm (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­200

198

A RIBBED BRASS CURTAIN POLE

20TH CENTURY

in two sections, with a pair of scrolling brackets and some rings (13) 348cm long (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­150

199

A ‘HENLEY REGATTA’ COAT STAND 20TH CENTURY

in the form of two painted pine oars joined by a shield inscribed ‘The London 1901 Henley Regatta Rowing Club’

215cm high, 91.5cm wide

£100­150

200

A FOLK ART FRET­CARVED WOODEN KEY HOOK

20TH CENTURY

in the form of a large key surrounded by smaller keys and padlocks, with metal hooks 56.3cm long

£50­80

201

A VICTORIAN HORSE’S HOOF DOORSTOP

DATED ‘1867’

the hoop handle on a twisting stem, inscribed ‘BILLY died Dec.r 27 1867 AGED 24’

30cm high

£150­200

202

A VICTORIAN BRASS LION’S PAW DOORSTOP

MID­19TH CENTURY

with a hoop handle and turned stem

41.2cm high

£100­150

203

A VICTORIAN BRASS DOORSTOP

MID­19TH CENTURY

with a scroll handle and a weighted base 24.5cm high

£100­150

204

A REGENCY TREEN PEAR LOVE TOKEN PIN CUSHION

EARLY 19TH CENTURY

naturalistically painted and with an applied label inscribed ‘Though absent not forgotten’, a similar tape holder, a Tunbridge ware white wood needle case, the cover painted as a cottage, and a white ware cylindrical pot and cover (4)

7.3cm high (max)

Provenance

‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

205

A GEORGE III NEEDLEWORK SILK BAG

C.1790­1800

embroidered with colourful flowers and leaves, with a drawstring and ribbons, two silk pin cushions with metal bead decoration, and three beadwork boxes and covers (6)

22 x 17.5cm (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

206

A VELVET AND EMBROIDERED SILVER METAL THREAD PURSE

MID­17TH CENTURY

decorated with scrolls and leaves, with a leather lined interior, with three flap compartments

9.5 x 6.5cm.

Provenance

‘A Lifetime of Collecting’­The Property of a Gentleman.

Catalogue Note

See Bonham’s, The Oak Interior, 21st January 2014, lot 417 for a similar example

£100­150

207

A COLLECTION OF NEEDLEWORK PURSES

MAINLY 19TH CENTURY

to include beaded, silk, sequinned, embroidered, miser and other styles (19)

9 x 15cm (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

208

A GEORGE III NEEDLEWORK SAMPLER BY

JANNET FOSTER,

LATE 18TH / EARLY 19TH CENTURY

finely worked in coloured and gilt silks with a religious rhyme in a rectangular panel beneath ribbon swags and surrounded by flowering foliage, above a large country house, two smaller houses, trees, birds and a dog, inside a strawberry border, in a gilt slip and a moulded frame

32 x 54.5cm

£400­600

209

A GEORGE III NEEDLEWORK SAMPLER BY ELIZABETH MARSHALL, DATED '1770'

worked in colours with a lion passant guardant flanked by two armorial shields above lines of alphabets and numerals, a stag and two other deers on hillocks between trees, in a later frame and glazed

32.7 x 23.7cm

Catalogue Note

The right hand shield is possibly for the Hatfield family of Twickenham.

£300­500

211

A REGENCY NEEDLEWORK SAMPLER

BY ESTHER PHILLIPS, EARLY 19TH CENTURY

worked in colours with a rhyme titled ‘Poverty’ above plants, birds, insects and sheep, outside a farmhouse, inscribed ‘Esther Phillips aged nine years’, inside a meandering flowerhead border, in a Hogarth style frame

42.3 x 31cm

£200­300

210

A WILLIAM IV NEEDLEWORK SCHOOL SAMPLER BY ALICE SMART, DATED ‘1830’

worked in colours with lines of alphabets and numerals above a rhyme, vases issuing flowers and birds and a large country house flanked by flowers and inscribed ‘Alice Smart, ......... School, Boston, 28, April, 1830.’, in a ‘mulberry’ frame with a silvered slip

36.7 x 32.5cm

£300­500

211

212

A REGENCY NEEDLEWORK SAMPLER BY SARAH LEDAMUN, DATED ‘1816’

worked in colours with an alphabet, numerals and rhymes interspersed with flowers, birds and plants above a garden pavilion and inscribed ‘Sarah Ledamun Finished This Work in the Year 1816’, inside a scrolling floral border, in a later glazed rosewood frame with a gilt slip

43.5 x 32.8cm

£200­400

213

A GEORGE III MAHOGANY POLE FIRESCREEN

LATE 18TH CENTURY

with an adjustable oval panel with a needlework sampler by Susannah Engledow, dated ‘December 1793’, worked with a shepherdess with her flock in a landscape setting with alphabet, numbers and a short verse 143.8cm high, 38.7 x 31cm (the sampler)

£200­300

214

AN EARLY VICTORIAN NEEDLEWORK SAMPLER BY SARAH DORE VEATER, DATED ‘1851’

worked with coloured wool on a linen ground, with alphabets, numerals, a rhyme, animals, birds and foliage, inscribed ‘Sarah Dore Veater Aged 9 Years November 27 1851’, in a later glazed Hogarth style frame

41.1 x 42cm

£100­150

215

A REGENCY NEEDLEWORK SAMPLER BY ELIZABETH HUNT, DATED ‘1816’

worked in tones of blue and grey with alphabets, numbers, birds, animals and foliage, inscribed ‘ELIZABETH HUNT AGED 9 1816’, in a gilt frame

55.2 x 26.6cm

£150­200

216

A VICTORIAN NEEDLEWORK SAMPLER BY ELIZA MARTHA THOMAS, DATED ‘1839’

worked in colours with flowers, a rhyme and inscribed ‘Eliza Martha Thomas Aged 12 Years 1839’, a William IV sampler by Sarah Ann Dalston dated ‘April 1837’, and a George III sampler by Susan Ling, dated ‘1787’, with moral prose and flowers, glazed and framed (3)

41.3 x 33cm (max)

£250­350

217

217

THREE GEORGE V NEEDLEWORK SAMPLERS BY JOANNA SAUNT, EARLY 20TH CENTURY

demonstrating different stitches and crochet techniques and another by Dorothy Bryant, aged 9, Old Palace School Croydon, dated ‘1892’ (4) 30 x 19.5cm (max)

£150­250

218

A REGENCY NEEDLEWORK SAMPLER BY MARY ELIZABETH FULLER, DATED ‘1813’

worked in colours with a rhyme and proverb above flowers, birds and a pair of deer flanking a vase, inscribed ‘1813 Mary Eliz.bth Fuller’, inside a meandering floral border, another by Elizabeth Fuller, dated ‘1816’, worked with alphabets, numbers and rhyme, and a third by Jane Fuller, dated ‘1814’, all glazed and framed (3)

39 x 30.5cm (max)

£150­250

219

A GEORGE III NEEDLEWORK MAP SAMPLER BY

SARAH GODWIN, LATE 18TH CENTURY

titled ‘A Map of England and Wales’, worked in colours, the counties outlined and named in black, with a compass in black, inscribed ‘Sarah Godwin Work’d This in the Eleventh Year of her Age’, inside a meandering foliate border, in an oval glazed giltwood frame

51 x 45.7cm

£300­500

220

A GEORGE III NEEDLEWORK MAP SAMPLER BY S. MUSGROVE, LATE 18TH CENTURY

worked with coloured silks on a linen ground depicting the counties of England and Wales, with a compass, signed ‘S. Musgrove’ in an oval glazed simulated oak frame

56 x 48.5cm

£200­300

221

TWO VICTORIAN BEADWORK ARMORIAL PICTURES

C.1850­70

of the Christie­Miller family formerly of Clarendon Park, Salisbury, one with an oak tree crest with a motto ‘Sic Biresco’ signed with initials numbered ‘C.A.J. 1088’, the other with a shield and the same motto, signed with initials and numbered ‘C.I.A. 15128.a’ each in a later glazed gilt frame (2)

62.5 x 52cm (max)

£80­120

222

222

A RARE PAIR OF EMBROIDERED SILK WATCH POCKETS

18TH CENTURY

each worked with a pair of quiver of arrows with ribbon tied scrolling leaves, later mounted in a glazed gilt box frame, the back with a handwritten label, inscribed ‘Pair of watch pockets about 150 years old once belonged to my grand Aunt, June 1909’ 19.5 x 8cm

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250

223

A SILK NEEDLEWORK PANEL EARLY 19TH CENTURY

worked with meandering floral foliage inside a wavy border, together with three Chinese silk figural panels and a pair of floral panels (6)

95 x 12cm (max)

£50­100

224

A PAIR OF REGENCY GRAND TOUR SILKWORK PICTURES

C.1820

titled ‘Rome in its Splendor’ and ‘Ruins of Rome’, each showing capriccio views of the city, in black and gilt verre églomisé borders and giltwood frames (2)

30.5 x 43cm

£400­600

225

A SILKWORK PICTURE OF A PEACOCK 18TH / 19TH CENTURY

depicted perched on a small plant looking at a butterfly

40 x 29.2cm

£80­120

226

TWO SUZANI FRAGMENTS

UZBEKISTAN, 18TH / 19TH CENTURY

embroidered with flowerheads and foliage on a linen ground, later mounted as cushions (2)

22.5 x 49cm (max)

£150­200

CLOCKS & BAROMETERS

227

A GEORGE III EBONY BRACKET CLOCK

BY JOHN SKINNER, EXETER, C.1780­1800

the brass eight day twin fusee movement with repeat mechanism and anchor escapement and striking on a bell, the backplate with engraved foliate decoration, the silvered dial with black Roman hours and Arabic five minutes, subsidiary seconds dial and inscribed ‘John Skinner EXETER’, a ‘Strike Silent’ dial to the arch, with gilt spandrels, the domed case with a brass swing handle, pinecone finials and silk backed sound frets, with a pendulum 44.2cm high, 25cm wide, 17.5cm deep

£1,500­2,000

228

A GEORGE III EBONISED BRACKET CLOCK BY ANDREW MARCHANT, LONDON, MID­18TH CENTURY

the brass eight day, twin fusee movement with a verge escapement and repeat mechanism, chiming on a nest of six bells and striking on a single bell, with a scrolling foliate engraved backplate and bob pendulum, with a brass dial with a silvered chapter ring, black Roman hours and Arabic five minutes, the matted centre with a false pendulum aperture, date aperture and applied plaque inscribed ‘And. Marchant London’, inside scrolling foliate spandrels and beneath a silvered ‘Strike Silent’ dial to the arch, the case with an ogee caddy top, brass carry handle, glazed doors and brass fishscale side panels 40.5cm high, 25.7cm wide, 18cm deep

£1,500­2,000

A WALNUT MUSICAL BRACKET OR TABLE CLOCK

18TH CENTURY AND LATER

the brass eight day triple fusee movement with an anchor escapement chiming on a nest of eight bells and striking on a further single bell, the backplate inscribed ‘Jam. Atfield ould Brentford’ inside engraved scrolling foliate decoration, the brass dial with a silvered chapter ring with black Roman hours and Arabic five minutes, the silvered centre with scrolling foliate decoration, inside mask spandrels, the case with a caddy top

35.5cm high, 29.1cm wide, 16.8cm deep

Provenance

Purchased from The Estate of John Thursby in 1991.

Catalogue Note Britten’s ‘Old Clocks and Watches and their Makers’ lists a James Atfield as working in Brentford in 1712.

£800­1,200

A GEORGE III MAHOGANY BRACKET CLOCK

LATE 18TH CENTURY

the brass eight day, twin fusee movement with a verge escapement and striking on a bell, the backplate engraved with a basket of fruit beneath swags and foliage, the brass dial with a silvered chapter ring with black Roman hours and Arabic minutes, with date aperture and a shaped panel inscribed ‘Richd. Clarke London’, beneath a ‘Strike Silent’ dial to the arch, the arched triple pad case with glazed front and back doors and gilt metal, silk lined fishscale grilles and on bracket feet, with a bob pendulum

40.5cm high, 29.8cm wide, 21.2cm deep

£400­600

A GEORGE II EBONISED AUTOMATON BRACKET CLOCK BY

THOMAS MORTON, LONDON,

C.1745

the brass eight day twin fusee movement with an anchor escapement and repeat mechanism, striking on a bell, the backplate with engraved scrolling foliage, the brass dial with a silvered chapter ring and black Roman hours and Arabic five minutes, the matted centre with a date aperture and silvered cartouche inscribed ‘Thos Morton LONDON’, inside foliate spandrels and beneath the arch with an automaton of a young couple riding a see­saw before a harbour scene, the ebonised case with a caddy top, brass swing handle with an arched glazed front and back doors, with glass side panels, with a brass pendulum

46cm high, 28.3cm wide, 18cm deep

£1,500­2,500

232

A GEORGE I EBONISED BRACKET CLOCK

BY SIMON DE CHARMES, LONDON,

C.1720

the brass eight day single fusee repeating movement with a verge escapement, striking on one bell and repeating on two bells, the backplate with extensive engraved scrolling foliate decoration around a basket of fruit, on a brass dial with a silvered chapter ring with black Roman hours, fleur­de­lys half hours and Arabic five minutes, the matted centre with a silvered flowerhead false pendulum, the back of the aperture inscribed ‘S. de Charmes, London’, and a date aperture, beneath a silvered regulator dial to the arch, inside scrolling foliate and mask spandrels, the case with a bell top, brass handle and silk backed sound frets, with a pendulum 41.5cm high

Catalogue Note

Simon De Charmes was a French Huguenot who arrived in London after the revocation of the Edicts of Nantes in 1685. He quickly established himself as a clock and watch maker at the ‘Sign of the Clock’ in Charing Cross. He was first recorded in 1688 and was granted freedom from the Clockmakers’ Company in 1691, working closely with other makers including Claude Du Chesne.

For examples of Simon De Charmes work being sold at auction, see Bonhams, 12th December 2006, Fine Clocks, lot 94, and 14 December 2016, Fine Clocks, lot 98. For published examples see Cescinsky & Webster, English Domestic Clocks, p.279 Figs. 299, and 300 that shows a similarly engraved backplate and border. Others are illustrated in Richard C.R. Barder, The Georgian Bracket Clock, pls. I/3, VII/17 and colour pl. 3.

£1,500­2,000

A GEORGE III MAHOGANY BRACKET CLOCK

BY JAMES TREGENT, LONDON, C.1770­80

the brass five pillar, eight day twin fusee movement with a verge escapement and repeat mechanism striking on a bell, with a bob pendulum, with a foliate engraved backplate, the brass dial with a silvered chapter ring, with black Roman hours and Arabic minutes, with a date aperture and inscribed ‘James Tregent / London’ to a silvered plaque in the matted centre, beneath a strike/silent dial to the arch, the caddy top case with a brass handle and pine cone finials, with pendulum

45.5cm high

£2,000­3,000

λ 234

A TORTOISESHELL LONGCASE CLOCK

BY JOHN MILLER, LONDON, LATE 17TH / EARLY 18TH CENTURY AND LATER

the brass eight day movement with six knopped pillars, with an outside countwheel and an anchor escapement, striking on a bell, the backplate with an anchor­shaped cut­out, the brass dial with a silvered chapter ring with black Roman hours and fleurs­de­lys half hour markers and a narrow minute chapter ring with Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture, inside winged cherub head spandrels and an engraved border, the lower edge inscribed ‘John Miller Londini Fecit’, the hood with a square glazed door flanked by barley twist columns, the trunk with a rectangular door with a circular lenticle, on a panelled base with shaped feet, with two weights and a pendulum, the movement and case possibly associated 210cm high

Catalogue Note

John Miller was apprenticed to Samuel Knibb in 1667 and, on Knibb’s death, to Knibb’s cousin Joseph being declared Free of the Clockmakers’ Company in 1674. The present movement shows a number of similarities to movements by Joseph Knibb including the thin plates, form of the turned pillars and the anchor escapement cut­out in the back plate.

See Sotheby’s London, 17th May 2022, Furniture, Silver, Clocks and Ceramics, lot 13 for a related longcase clock by John Miller with a similar dial and movement features including the numerals and markers and anchor escapement cut­out in the backplate.

£4,000­6,000

A SCOTTISH MAHOGANY LONGCASE CLOCK

BY F. SHARPE DUMFRIES, 19TH CENTURY

the brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with black Roman hours and Arabic five minutes, with subsidiary seconds and date dials, beneath an arch inscribed ‘F. Sharpe, Dumfries’, the case with an arched hood with reeded columns, a shaped trunk door with an ivory escutcheon, flanked by quarter columns, with two weights and a pendulum 222cm high

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£150­200

236

A

GEORGE III OAK LONGCASE CLOCK BY WILLIAM WISE, WANTAGE, LATE 18TH CENTURY

the brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with a silvered chapter ring with black Roman hours and Arabic numerals, the silvered centre with a subsidiary seconds dial, date aperture and engraved scrolling foliage, the hood with a glazed door on a trunk with a rectangular door and plinth base, with two weights and a pendulum

204cm high

£150­200

237

AN OAK LONGCASE IN DUTCH STYLE, 19TH CENTURY

the lift­off hood with an arched door beneath 'C' scroll fretwork, on a tapering trunk with a 'rococo' lenticle, on a bombe base and claw feet, with carved, Rococo scroll, foliage and rocaille

249cm high

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­200

238

A MAHOGANY LONGCASE CLOCK

BY JOSEPH TABRAHAM, WALTHAM ABBEY, MID­18TH CENTURY

the brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with a silvered chapter ring with black Roman hours and Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture, beneath an arch with a moonphase inscribed ‘at London Bridge when the moon is ... Dayes Olde / high water...minutes / Past...a clock’, the arched hood with canted corners above a trunk with an arched door and panel base, with two brass cased weights and a pendulum

213cm high

£300­500

239

A WILLIAM III WALNUT LONGCASE CLOCK

BY PHILIP VICK, LONDON, C.1700

the brass eight day five knopped pillar movement with an anchor escapement and striking on a bell, the brass dial with a silvered chapter ring, black Roman hours, half hour markers and Arabic five minutes around a matted centre with a subsidiary seconds dial, date aperture and inscribed ‘PHIL VICK LONDON’ in an engraved foliate cartouche, inside gilt cherub and crown spandrels, the caddy top with turned and gilt finials, a blind fretwork panel above a square glazed door flanked by slightly swollen pillars, the trunk door with boxwood and ebony line inlay and a circular blue glass lenticle, plinth base and moulded foot, with two weights

240cm high

£800­1,200

240

A GEORGE III MAHOGANY LONGCASE CLOCK

BY WILLIAM UPJOHN, EXETER, LATE 18TH CENTURY

the brass eight day four pillar movement with an anchor escapement and striking on a bell, on a silvered dial with black Roman hours and Arabic five minutes, subsidiary seconds dial and date aperture, inscribed ‘Will Upjohn EXETON’ and engraved with a ship and headland, inside spandrels engraved with a tower, windmill and scrolling foliage, beneath an arch with a moonphase and inscribed ‘HIGH WATER TOPSHAM’, the hood with brass finials and a glazed arched door, the trunk with a shaped door and panelled base, with two weights and a pendulum 238cm high

£800­1,200

241

A GEORGE III MAHOGANY LONGCASE CLOCK BY JOHN WYKE, LIVERPOOL, C.1770­80

the brass eight day four pillar movement with an anchor escapement and striking on a bell, on a brass dial with a silvered chapter ring with black Roman hours and Arabic five minutes, the matted centre with a subsidiary seconds dial and date aperture inside angel head and scrolling foliate spandrels, beneath an arch inscribed ‘JOHN WYKE LIVERPOOL’ above a painted moonphase with the age of the moon, the Gillows style case with an arched hood with blue and gilt glass panels and fluted columns, on a trunk with a shaped door flanked by quarter columns above a panelled base, with two weights and a pendulum 221cm high

£500­800

242

A GEORGE III OAK LONGCASE CLOCK BY THOMAS RADFORD, LEEDS, LATE 18TH CENTURY

the brass eight day four pillar movement with an anchor escapement and striking on a bell, the brass dial with black Roman hours, Arabic five minutes and date ring, the centre engraved with scrolling foliage, beneath the arch inscribed ‘THOMAS RADFORD LEEDS’ above a panel painted with figures by a river, the hood with an arched door on a trunk with a shaped and crossbanded door and panelled base, with two weights and a pendulum 231cm high

£200­300

λ 243

A ROSEWOOD STICK BAROMETER

BY THOMAS HARRIS, LONDON, C.1820­40

with an ivory thermometer and vernier scale inscribed ‘Thos Harris Opticians to the Royal Family, Opposite the British Museum, LONDON’, with a bone adjuster and turned reservoir cover 91.8cm high

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£150­200

244

A GEORGE IIII SATINWOOD WHEEL BAROMETER BY GEORGE GOODALL, TADCASTER, C.1800

with a silvered thermometer, hygrometer and main dial with a central star inscribed ‘GEO. GOODALL, TADCASTER’ 101cm high

£300­400

245

A LARGE MAHOGANY WHEEL BAROMETER BY D. GUGGIARI, NOTTINGHAM, C.1820­40

with a silvered thermometer and main dial with a central star burst and inscribed ‘G. GUGGIARI NOTTINGHAM’, with a bone adjuster

134.5cm high

£150­250

λ

246

A GEORGE III MAHOGANY BOWFRONT STICK BAROMETER C.1800

the silvered gauge inscribed ‘Fraser & Son London’ above an ebony urn reservoir cover with an ivory finial 98cm high

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£300­500

248

A BRASS LANTERN CLOCK

BY JOHN WALKER, LONDON, IN 17TH CENTURY STYLE, 19TH CENTURY

the brass eight day chain driven twin fusee movement with an anchor escapement, striking on two bells, the backplate inscribed ‘JNo. WALKER 230 Regent Street & 77 Cornhill LONDON’, on a brass dial with a silvered chapter ring with black Roman hours and half hour markers, inscribed ‘Jno.Walker London’, with a foliate engraved centre, the case with turned columns, finials and feet, foliate fret panels and brass side and back doors

38.8cm high, 16cm wide, 14.4cm deep

£300­500

247

A VICTORIAN GILT BRASS STRUT TIMEPIECE

IN THE MANNER OF THOMAS COLE, C.1860­80

the movement stamped ‘GUINAND & CO, GENEVA’, with a silvered oval dial with black Roman hours around an engraved scrolling foliate centre, the pierced and engraved frame with an easel back and shuttered winding and adjustment apertures, in a leather bound and silk lined case (2)

13.8cm high, 10.5cm wide

£300­500

248

249

A VICTORIAN BRASS SKELETON CLOCK

BY ALEXANDER MOWAT OF BATH, C.1845

the chain driven single fusee movement, with a horizontal platform escapement on a dial with black Roman hours and inscribed ‘Alex Mowat Bath’, on a scrolling frame and oval base with spinning top feet, beneath a glass dome (2)

23cm high, 16.5cm wide, 6.3cm deep (excluding base and dome)

£300­500

250

A GEORGE IV TURRET CLOCK MOVEMENT

BY VULLIAMY, C.1828

the brass and green painted iron four pillar movement with substantial plates connected by slightly swollen pillars, a brass plaque inscribed ‘Vulliamy London 1002’

29.2cm high, 24.9cm wide, 13.5cm deep

Provenance

Bonhams, 19 September 2006, Clocks, Watches and Barometers, lot 344.

Catalogue Note

By repute, supplied to University College of London, in 1828.

£400­600

251

λ

251

A VICTORIAN MAHOGANY AND BRASS BOUND EIGHT DAY MARINE CHRONOMETER BY FRENCH, LONDON, MID­19TH CENTURY

the brass movement with a 4 1/2 inch silvered dial with Roman numerals, subsidiary seconds and eight day Down / Up dial, inscribed ‘French Royal Exchange, LONDON: No. 6794’, in a brass bound twin hinged case with a glazed upper section and side carry handles, with an ivory plaque to the front, the underside of the cover with a paper trade label inscribed ‘F.M. MOORE Limited Chronometer Makers to the Admiralty, 102 High Street, Belfast and 23 Eden Quay, Dublin’

20.2cm high, 18.9cm wide, 18.7cm deep

Provenance

Purchased from the Estate of F.L.Oliver, Haslemere in 1931.

Catalogue Note

A paper label in the box gives details of when the clock was bought and cleaned including by Chas. Frodsham Brompton Road SW1, 1962

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£800­1,200

252

A FRENCH BRASS MANTEL CLOCK

LATE 19TH CENTURY

the brass eight day movement striking on a gong, the brass dial with black Roman numerals around a silvered centre, the case with a tiled, pitched roof above a crest and Bacchanalian cupid, the sides pierced with winged masks

32cm high, 20.4cm wide, 18cm deep

£200­300

253

A WALNUT AND GILT METAL MANTEL CLOCK

RETAILED BY J.J. DURRANT, LONDON, LATE 19TH CENTURY

the brass eight day, chain driven fusee movement striking on a gong, with a gilt metal dial with a silvered chapter ring with black Roman hours and Arabic minutes, the foliate engraved centre inscribed ‘J.J. DURRANT & SON, 40 CHEAPSIDE, LONDON’, in a caddy top case with urn finials and tassel border, above square glazed doors and silk­lined fretwork sides, on gilt metal feet, with a brass pendulum

41cm high, 23.3cm wide, 16.5cm deep

£200­300

254

A FRENCH CHAMPEVÉ ENAMEL AND GREEN ONYX MANTEL CLOCK

RETAILED BY ELKINGTON & CO LTD., PARIS, LATE 19TH CENTURY

the brass eight day movement striking on a gong, the backplate stamped ‘L Marti Medaille D’Argent’ and ‘31064’, with an enamelled pendulum, the gilt dial with black Arabic numerals in rondels with an enamelled centre and bezel, the case with a brass and enamelled urn above hinged front and back doors and curved side panes

38cm high, 21.5cm wide, 13.5cm deep

£200­300

255

A VICTORIAN GILT BRASS AND ENAMEL MANTEL CLOCK

RETAILED BY HOWELL JAMES & CO, LATE 19TH CENTURY

the brass eight day drum movement by Marti and stamped ‘HJ, 110’, striking on a gong, the enamelled dial with gilt Roman hours beneath a ‘SF’ adjuster and inscribed ‘Howell James & Co, To the Queen, London, Paris’, the gilt case with turned finials and columns, with enamel and gilt rondels and engraved scrolling foliage, on turned feet

35cm high, 18.3cm wide, 14.5cm deep

£250­350

256

A FRENCH GILT AND PATINATED BRONZE GOTHIC REVIVAL MANTEL CLOCK

MID­19TH CENTURY

the brass eight day movement with silk supension, an outside countwheel striking and on a bell, the backplate stamped ‘STEVENARD BOULOGNE’, the dial in the form of a rose window flanked by a pair of columns, beneath a bell tower, on a stepped base, with gilt Gothic tracery and decoration, with a pendulum 54cm high

£300­500

257

A BRASS GRAVITY CLOCK BY THWAITES & REED, 1973

number ‘046’ of a limited edition of 500, the movement in a brass case with a white dial inscribed ‘Thwaites & Reed CLERKENWELL LONDON’, on a brass and ebonised column, with a marble, gilt brass and mahogany base with an inscription plaque verso 54cm high

£150­200

258

A BRASS EPICYCLIC TIMEPIECE BY W. WIGSTON AND W STRUTT, DERBY, C.1820­30

the brass eight day chain driven single fusee movement on a 6 3/8inch skeletonised dial with black painted Arabic hours and ‘dot’ minutes, on a scrolling frame with chamfered edges and bifurcated brackets, the wheels with five crossings, on an oval base applied with a signature plaque, beneath a glass dome on a later marble base with bun feet, with pendulum 22cm high

Catalogue Note

The design of the movement makes use of the the epicyclic gearing used in some steam engines allowing for the simultaneous gearing up of the escape wheel and gearing down of the hour wheel. Because of the complexity of the design, it is believed that only 20 or so were originally made. For a near identical clock see Bonhams, 28th June 2011, Fine Clocks and Barometers, lot 107.

£1,500­2,000

259

A FRENCH GILT BRASS MANTEL CLOCK GARNITURE

IN LOUIS XV STYLE MID­19TH CENTURY

the brass eight day movement with an outside countwheel and striking on a bell, the backplate stamped ‘2364’, the gilt dial with blue and enamel numerals and foliate decoration in relief, the case with a flaming urn finial above a reeded body supported by scrolls and swags flanking an oval plaque with a rose, together with a pair of brass two handled shallow urns and covers (3)

38cm high, 27.5cm wide (max)

£200­300

260

A FRENCH ROUGE GRIOTTE MARBLE AND GILT BRONZE PLINTH

TIMEPIECE

LATE 19TH CENTURY

of square form, the fluted top above a French timepiece with a brass eight day drum movement on an enamelled dial with black Arabic numerals and floral swags, between ribbons and laurel leaves, inset with wavy foliate panels, on toupie feet 12.3cm high, 33.3cm wide, 33cm deep

Provenance

Sotheby’s New York, 14th April 2008, The Private Collection of Lionel Hastings19th & 20th Century Sculpture & Furniture, lot 8.

£200­300

261

A FRENCH ORMOLU CARRIAGE CLOCK BY RAIT, PARIS, LATE 19TH CENTURY

the brass eight day movement with an alarm mechanism, a platform lever escapement and striking on a bell, the backplate inscribed ‘D C Rait, Paris’ and stamped ‘220’, the enamelled dial with black Roman hours and a subsidiary alarm dial, the case with rectangular bevelled glass top panel and cast with entwined convolvulus foliage, with a swing handle and twig feet

15cm high

£150­200

262

A NOVELTY PETRIFIED WOOD MANTEL TIMEPIECE

EARLY 20TH CENTURY

the French brass drum movement by J. Marti, with a platform lever escapement, the backplate stamped ‘12587’ and with a bronze medaille pastille 19.4cm high, 26cm wide, 9cm deep

£150­200

A FRENCH BRASS AND PORCELAIN MANTEL CLOCK

LATE 19TH CENTURY

the brass eight day drum movement stamped ‘8120’ and ‘LP’ and striking on a gong, the porcelain dial painted with black Roman hours on a white chapter ring above a scene of a man being served in a tavern, the side panels painted with further tavern scenes, the brass case with a presentation inscription, with a pendulum

32.8cm high, 19.5cm wide, 16.2cm deep

£200­300

A FRENCH ROSEWOOD MANTEL CLOCK BY BERTHET & BAZELAIRE, FIRST HALF 19TH CENTURY

A VIENNA WALNUT REGULATOR

BY MILLER & SOHN, WIEN, 19TH CENTURY

the brass four pillar, three train, eight day, quarterly repeating movement with a dead beat escapement, striking and chiming on two graduated gongs, on a ‘Y’ shaped mount stamped ‘MILLER & SOHN, IN WIEN’, regulated by a brass pendulum on a chromed shaft, the case with a temple pediment above a twopane front door and sides and a tapering terminal, with brass side adjusters, with a winder and brass weight

65cm high, 19cm wide, 11.4cm deep

£800­1,200

the brass eight day movement with a silk suspension, an outside countwheel and striking on a bell, the backplate inscribed ‘Berthet & Bazelaire a Paris’, on a silvered dial with black Roman hours and subsidiary seconds dial inside a gilt guilloche bezel, the rectangular case with fine boxwood line inlay

36.7cm high, 21.5cm wide, 15.5cm deep

£300­500

266

A FRENCH GILT BRASS CARRIAGE CLOCK BY DROCOURT AND RETAILED BY CHEMINANT, PARIS, LATE 19TH CENTURY

the brass, eight day movement with a silvered platform ecapement, with alarm and repeat mechanisms and striking on a bell, the backplate stamped ‘DC’ and with serial number ‘7225’, the enamel dial with black Roman hours and subsidiary alarm dial with Arabic hours, inscribed ‘CHEMINANT, PARIS’, the five pane gorge case stamped ‘7225’ and ‘36184’ to the underside 12.5cm high

£500­800

267

AN EDWARDIAN SILVER CASED CARRIAGE CLOCK HALLMARKED WILLIAM COMYNS, LONDON, ‘1904’ with a French brass movement, the white enamelled dial with black Roman hours, in a rectangular case with a scrolling handle and bun feet 6.8cm high, 4.9cm wide, 4.6cm deep

£100­150

268

A RARE FRENCH GILT BRASS KEYLESS PETITE SONNERIE CARRIAGE CLOCK BY LE ROY & FILS, LATE 19TH CENTURY

the brass eight day movement with repeat and alarm mechanisms, the silvered platform lever escapement wound via a handle to the underside, stamped ‘Le Roy & Fils, Patent No.9501, chiming the quarters on two gongs and the hours on one gong, the backplate and underside stamped with the serial number ‘11223’, the enamelled dial with black Roman hours above an ivorine subsidiary alarm dial, the serpentine gorge case with Corinthian column corners, with bevelled glass enclosing fretwork panels and a hinged handle, a ‘Silence Sonnerie’ lever to the underside, with its original burgundy leather bound travelling case inscribed under the cover ‘Le Roy & Fils, 57 New Bond Street, London, Made in France’, the underside gilt stamped ‘11223’ (2) 11cm high

Catalogue Note

Keyless or bottom winding clock movements were an innovation patented by Le Roy et Fils. The going and striking trains are wound alternately by winding the fixed key first in one direction and then the other. This avoids the need for a separate key and also enables both winding functions to take place at once. For a full discussion, see Alix and Bonnert, Carriage Clocks, their History and Development, pp.219­221, they state that ‘examples with bottom­winding seem without exception to have been prior to the year 1900. Perhaps significantly, the 57 New Bond St. address, with or without the Palais Royal, will usually if not always be found on bottom­winding clocks.’

£700­1,000

269

A FRENCH ART DECO DESK COMPENDIUM FOR HERMÈS, EARLY 20TH CENTURY

of cube form, with a clock, barometer, thermometer, compass and perpetual calendar, rotating on a stepped square base 10cm high, 10.7cm square

£800­1,200

λ 270

A SWISS ROSEWOOD MUSICAL BOX BY NICOLE FRERES, MID­19TH CENTURY

with boxwood stringing, one end hinged to reveal ‘Repeat/Change’, ‘Start/Stop/ and ‘Instant Stop’ levers, the 10 3/4” brass cylinder playing six airs, with a one­piece comb stamped ‘Nicole Freres’, the key­wound mechanism stamped ‘Nicole Freres A Geneve’ and the serial number ‘28014’, with a card label inscribed ‘Gamme No. 826’ 13cm high, 45.1cm wide, 16.5cm deep

£250­350

271

A GEORGE III BRONZE SUNDIAL INSCRIBED DOLLOND, LONDON, DATED ‘1797’

latitude ‘50=35=30’, with scrolling foliate decoration and a plain gnomon 18.5cm high, 37.8cm diameter

£300­500

272

A VICTORIAN OAK BAROGRAPH BY PASTORELLI AND RAPKIN, LATE 19TH CENTURY

with six silvered bellows, above a single drawer, with an ivorine plaque, beneath a five pane case 20cm high, 37cm wide, 22cm deep

£100­200

273

A VICTORIAN BRASS TRAVEL CLOCK BY THOMAS WHIPP, ROCHDALE, MID / LATE 19TH CENTURY

the brass eight day movement with a vertical balance wheel and stamped ‘VAP BREVETE SCDG’ enclosed by a pierced back, the white enamel dial with black Roman hours and inscribed ‘Thos Whipp & Son, 48 Yorkshire St., Rochdale’, in its original leather case, together with a compensated barometer by ‘T Wheeler, London, No. 1203’, with its original leather case (4) 10cm high (max)

£150­250

274

A VICTORIAN CASED BRASS HIGHLEY’S EDUCATIONAL MONOCULAR MICROSCOPE BY HIGHLEY OF LONDON, LATE 19TH CENTURY

in its original case, with various accessories and unused slides

25.8cm high, 36.8cm wide, 17cm deep

£200­300

275

FOUR WATERCOLOUR AND FEATHER BIRD PICTURES LATE 19TH / EARLY 20TH CENTURY

depicting various birds each perched on a branch comprising: two pairs, one pair in glazed gilt frames the other in ebonised frames (4)

47.5 x 32.5cm (max)

£200­300

276

AN ENGRAVING TITLED ‘THE SPANISH POINTER’ AFTER GEORGE STUBBS (1724­1806), LATE 20TH CENTURY

engraved by William Woollett (1735­1835), published by ‘R.H.Laurie 53 Fleet Street, London’, together with another engraving after George Stubbs ‘Tygers at Play’, each in a glazed gilt frame (2)

44.2 x 56cm (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

277

A FOLK ART NAIVE PAINTING OF A FLYING FISH EARLY 20TH CENTURY

oil on canvas, painted flying before a wave, signed possibly ‘B. Pown 37’, in a maple frame

23.4 x 43.8cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­200

278

A SET OF FOUR COLOURED BOTANICAL ENGRAVINGS AFTER JOHANN WEINMANN, MID­18TH CENTURY

from his Phytanthoza Iconographia published 1737­45, to include sheet numbers 659 Lilium Martagon Imperiale, 700 Malus Aurantia, 703 Malus sive Poma Adami and 929 Solanum capsicum, in giltwood frames, together with four further botanical prints mounted as one (5) 36 x 24.2cm

Provenance

From the collection of Harriet Wynter.

£150­200

279

279

TWO PAIRS OF PORTRAIT ENGRAVINGS

LATE 18TH CENTURY

to include ‘His Grace Charles Spencer’ after Joshua Reynolds, ‘The Rt Hon.ble George Lord Anson’ after Joshua Reynolds, ‘Robert Lord Henley’ after Thomas Hudson and ‘The Right Hon.ble William Pulteney’ after Allan Ramsey, each in a glazed Hogarth style frame (4)

41 x 30cm (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­200

280

A SET OF FOUR FRENCH ENGRAVINGS OF AFRICAN NATIVES AFTER JACQUES GRASSET DE SAINT SAUVEUR (FRENCH, 17571810), LATE 18TH CENTURY

including ‘Roi de Loango’, ‘Dansseuse de Loango’, ‘Guerrier de Loango’ and ‘Negresse Manaquas’, together with ‘Marabou et Negre’, hand coloured, framed and glazed (5)

20 x 13.7cm (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£80­120

A VICTORIAN CARVED OAK COAT OF ARMS LATE 19TH CENTURY

for the Ben / Benne family of Newport­Cranley, Surrey, of three dragons heads divided by a chevron and beneath a heraldic tiger ermine, ducally gorged on a linen mount inside a gilt slip and rosewood frame

41 x 31cm

£150­200

282

A CAST METAL SHIP’S BADGE FOR HMS IMPLACABLE EARLY 20TH CENTURY

cast as a roaring tiger’s head, on a walnut shield mount

29 x 24.5cm

Catalogue Note

HMS Implacable was a Formidable Class battleship that was launched in 1899, and that fought in and survived World War I. She was scrapped in 1921.

£100­150

283

COACHING INTEREST. A GEORGE III BRONZE EAGLE CARRIAGE MOUNT

DATED ‘1810’

cast as a spread eagle and ribbon­tied laurel wreath, inscribed ‘’Published as the act Directs by Thos. Burton & Co No. 60 Great Russell St Bloomsbury London Sept 14 1810’

36cm wide

£100­150

284

A FRENCH THREE DIMENSIONAL TOPOGRAPHICAL RELIEF MAP OF ANCIENT JERUSALEM

LATE 19TH / EARLY 20TH CENTURY

of hand­coloured plaster showing a plan of the city, annotated showing the key features and contours of the surrounding landscape, with a compass and scale lower right

10.5cm high, 43.2cm wide, 58cm deep

£400­600

A VICTORIAN ROSEWOOD TABLE TOP BIJOUTERIE CABINET

MID­19TH CENTURY

the hinged, four pane cover with turned ogee finials, enclosing a velvet

lined interior, on flattened bun feet

17.5cm high, 33cm wide, 27.9cm deep

£150­200

286

TWO CROCODILE SUITCASES BY THE NORTH WEST TANNERY CO. LTD. CAWNPORE, C.1900

each with a vacant interior and with a manufacturer’s label to the underside of the lid (2)

26cm x 76.5cm x 46cm (max)

£150­250

287

A NELSON CENTENARY MEDALLION DATED ‘1905’

inscribed ‘From B.F.S.S. Nelson Centenary Containing Victory Copper E.R. VII’, together with a George III copper love token dated ‘1790’, a rolled gold bracelet padlock and four bone stilettos carved with clenched fists, possibly sailor’s, and a carved wood set of miniature cutlery in a seed pod shaped container (8)

4.5cm long (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

288

AN ALMANACK FOR THE YEAR 1786 CALCULATED BY JOHN GOLDSMITH

published by the Company of Stationers, London, in tooled and gilt white leather covers with a central red and gilt rondel, contained in a matching tooled and gilt white leather sleeve 10.2 x 5.3cm

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

289

A GEORGE II BRASS DOG COLLAR

C.1740­44

engraved with ‘Mr *James Greive*Berwick, 1744’, together with three other brass dog collars, 19th century, of various sizes (4) 13cm diameter (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note

There is a painting of James Grieve Senior by Robert Harvie in Berwick Museum & Art Gallery.

£150­250

290

AN ITALIAN MARBLE GRAND TOUR BOOK EARLY 19TH CENTURY

another miniature marble book, two bronze keys, possibly 17th century, a brass Prince of Wales feathers paper clip, a brass travelling corkscrew, a small bronze plaque, two tweezers or ear wax removers and a piece of shrapnel (10) 12cm long (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

292

A PAIR OF FRENCH SPELTER CANDLESTICKS

LATE 19TH CENTURY

modelled as bearded soldiers resting on their rifles (2)

32.5cm high

£100­150

291

A VICTORIAN GILT BRASS PROFILE BUST OF LORD BYRON LATE 19TH CENTURY

with his scarf flying, together with another of Oliver Cromwell, each on a black velvet ground, inside a gilt slip and rosewood cushion frame (2) 10.5 x 9cm

£100­150

293

AN AESTHETIC MOVEMENT TRIPTYCH MIRROR

C.1880

with a pair of Japanese black and gilt panels depicting two figures and a stork, in gilt metal frames, folding out to reveal the square plates, in a faux bamboo frame

33.5cm high, 56cm wide (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£80­120

A WILLIAM IV ROSEWOOD TABLE CABINET

C.1835

inlaid with mother of pearl and with egg and dart mouldings, the hinged top enclosing a gilt tooled leather and silk pouch above a silk lined fitted interior with divisions, open and lidded compartments, above a pair of hinged, tooled and gilt leather lined doors revealing three drawers, one with trays for jewellery and another with a writing slope and inkwells, with hoop swing handles and spinning top feet

35.6cm high, 32.5cm wide, 26cm deep

£500­800

295

A VICTORIAN COROMANDEL AND BRASS DRESSING CHEST

C.1870

the hinged cover with a central, monogrammed plaque, enclosing a fitted interior with silver mounted glass containers and accessories above a lower drawer with a push button release fitted for a watch and jewellery, the silver hallmarked London 1870

17.8cm high, 30.7cm wide, 22.9cm deep

£300­400

£100­150 294

296

A VICTORIAN BURR OAK WRITING SLOPE DATED ‘1880’

the cover with a brass flowerhead plaque with a presentation inscription, enclosing a tooled and gilded leather lined fitted interior with a pair of glass and brass inkwells, with a secret compartment 14.7cm high, 35.5cm wide, 24cm deep

297

A VICTORIAN BURGUNDY LEATHER BOUND WRITING BOX

C.1870

with tooled decoration, the hinged cover enclosing a writing slope and three lidded compartments with pen holders, pocket and fittings for an inkwell and pen rest

10.4cm high, 35.7cm wide, 27.7cm deep

£100­150

λ 298

A VICTORIAN ROSEWOOD DRESSING CASE

C.1860

with a vacant brass plaque and escutcheon and a silk lined interior with a stationery pocket and a lift­out tray fitted with covered and open compartments and glass containers

12.2cm high, 28.3cm wide, 21.7cm deep

£80­120

A GEORGE IV PAINTED WOOD POLICEMAN’S TRUNCHEON

C.1820

polychrome decorated on an ebonised ground with the Royal Coat of Arms with the Scottish Thistle and the English Rose with intitals ‘GR IIII’ and with a crescent moon and star motif, together with a policeman’s whistle (2) 43.6cm long

£80­120

299

A REGENCY LEATHER SEWING BOX EARLY 19TH CENTURY

of sarcophagus shape, with brass handles and mounts, the compartmented interior fitted with various utensils, including: two silver thimbles, a miniature pair of scissors and a pen knife, a tape measure and other items

8.3cm high, 21.2cm wide, 12.8cm deep

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

λ 301

A TORTOISESHELL AND GOLD PIQUÉ SNUFF BOX

LATE 18TH / EARLY 19TH CENTURY

the cover with a scene painted ‘en grisaille’ on ivory of Cupid and Psyche inside navette borders on a ground of dots 2.4cm high, 7.9cm diameter

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

303

A COLLECTION OF FOUR PAPIER­MÂCHÉ SNUFF BOXES

EARLY 19TH CENTURY

with painted faux marble decoration, two with gilt metal mounts, together with a similar cigar case and cover (5) 12.2cm long (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

304

PRINCESS ALICE STEAMER INTEREST. A RARE SET OF THREE VICTORIAN TREEN SNUFF SHOES

DATED ‘1878’ AND ‘1879’

each with brass tack inlay and buttons, two of double snuff box form with hinged tops and heels, the sole of one inlaid with initials ‘I.M.O.P. A. 3. 9. 78’, in memory of the Princess Alice Steamer tragedy, one heel dated ‘1878’, one other ‘1879’, one of the snuff shoes containing a newspaper cutting, inscribed ‘The Last Survivor Mrs Emma Webb, buried to­day at Manor Park is believed to be the sole survivor of the Princess Alice steamer disaster in the Thames 1878....’ (3)

8.5cm high, 10.7cm long (max)

Provenance

302

A TREEN CHIP CARVED SNUFF BOX

PROBABLY DUTCH, EARLY / MID­19TH CENTURY

the sliding cover inset with a mirror, the base carved with a sunburst, together with a William IV oak circular snuff box of disc form with a handwritten note, stating ‘This box is made of a piece of oak found underneath the new Bridewell May 1834 being in the city wall which was 13 feet thick and built in the time of William Rufus about 740 years since’ (2) 8cm wide (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note

By the late 19th century the river Thames had become increasingly busy with hundreds of vessels vying for space with no precise ‘rules of the road’. Such confusion inevitably led to tragedy. On the 3rd September 1878 the paddle steamer Princess Alice sank after a needless collision in Galleons Reach, more than 600 people lost their lives in what is still the worst ever disaster on a British waterway. The present lot was presumably made to commemorate the disaster and were possibly acquired by the Webb family.

£200­300

A BIEDERMEIER SATIN BIRCH SECRETAIRE CHEST

PROBABLY SWEDISH, 19TH CENTURY

the hinged fall revealing thirteen drawers with ivory handles above three long drawers

106.8cm high, 109.5cm wide, 49.2cm deep

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£400­600

306

307

A SET OF FOUR SCANDINAVIAN GREY PAINTED DINING CHAIRS

IN LOUIS XV STYLE, 20TH CENTURY

each with a pierced vase shaped splat and a drop­in seat, comprising: a pair of side chairs and a pair of armchairs (4)

£150­250

306

A BIEDERMEIER KARELIAN BIRCH BERGÈRE

POSSIBLY RUSSIAN OR SWEDISH, FIRST HALF 19TH CENTURY with ebonised rondels and block feet

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£300­500

308

A CONTINENTAL GONCALO ALVES AND PARCEL GILT

PIER MIRROR AND CONSOLE

IN EMPIRE STYLE, 19TH CENTURY

with two rectangular plates flanked by a pair of split columns and with an architectural surmount, the table with a later green marble top (2)

169.4 x 96.2cm (the mirror) 85cm high, 85.2cm wide, 37.5cm deep (the table)

£400­600

309

309

A DUTCH WALNUT BURGOMASTER CHAIR

LATE 17TH / EARLY 18TH CENTURY

with a caned back and seat, with turned baluster supports and cabriole legs

£150­250

310

A SOUTH AFRICAN STINKWOOD AND HARDWOOD BOMBÉ COMMODE

CAPE DUTCH, 19TH CENTURY

with two short and three long drawers above a carved apron and stylised paw feet

75.2cm high, 99cm wide, 52.5cm deep

£200­300

311

A NORTH EUROPEAN FIELD MAPLE AND WALNUT BUREAU BOOKCASE

POSSIBLY SWEDISH, 18TH CENTURY AND LATER

inlaid with banding, the double domed top with a pair of arched doors enclosing pigeonholes, adjustable shelves and an arrangement of fourteen drawers above a pull­out hinged slide inset with a leather writing surface with hinged supports and two inkwells, above a smaller hinged slide and three shallow drawers and a pair of candle slides, the hinged fall revealing a pull­out interior with a leather writing surface, drawers, pigeonholes and inkwell compartments, above an inverted breakfront base with an arrangement of short and long drawers on bun feet

202cm high, 106cm wide, 61cm deep

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£3,000­5,000

312

A DUTCH BURR WALNUT COMMODE

18TH CENTURY

the archer’s bow moulded edge top above four long ripple moulded drawers, the lowest one with a palm motif

84.5cm high, 83cm wide, 54cm wide

£1,000­1,500

313

A SMALL DUTCH WALNUT AND OAK DISPLAY CABINET ON STAND IN BAROQUE STYLE, EARLY 19TH CENTURY AND LATER

with a pair of glazed doors enclosing two shelves above a bombé base with two drawers, the top stamped ‘IMG 1802’

138.8cm high, 61.5cm wide, 23cm deep

£100­150

314

A DUTCH WALNUT BOMBÉ COMMODE

LATE 18TH / EARLY 19TH CENTURY

the quarter veneered top with a shaped archer’s bow edge, above four long curved fronted drawers

81.7cm high, 102cm wide, 57.5cm deep

£200­300

315

A RUSSIAN EMBROIDERED SILK PANEL

LATE 19TH CENTURY

worked in coloured silks with a central monogram ‘MO’ beneath an Imperial crown inside borders of flowering foliage, on a mauve ground, professionally mounted, glazed and framed 63 x 59cm

Provenance

The current vendor inherited this panel from her Great Aunt, Maheela Bell, who was Governess to Princess Sonia Orbeliany(i) and who, in turn, was Maid of Honour to Tsarina Alexandra Feodorovna.

Catalogue Note

A note from the Victoria & Albert Museum dated the panel to the second half of the 19th century and suggests that it was possibly a cushion cover. They also suggest that the ‘MO’ monogram could belong to the Orbeliani Family.

£400­600

316

316

A RUSSIAN BRONZE AND ENAMEL ICON 19TH CENTURY

cast with the eleven faithful disciples beneath a bust of Christ in clouds 13.4 x 9.8cm

£40­60

317

A RUSSIAN PAINTED BIRCH BERGÈRE EARLY 19TH CENTURY

the frame with applied flowerhead rondels on fluted and leaf carved front legs, with the remains of green paint

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£800­1,200

319

A DUTCH MAHOGANY AND MARQUETRY ARMCHAIR

EARLY 19TH CENTURY

inlaid with flowers and leaves with a carved and pierced splat back, together with a Dutch marquetry side chair and a stool (3)

£100­200

318

A BRASS SIX LIGHT CHANDELIER IN DUTCH BAROQUE STYLE, EARLY 20TH CENTURY

with a turned stem issuing scroll branches and a ring pendant 80cm high, 82cm wide

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£300­500

319

320

A DUTCH BRASS TWELVE LIGHT CHANDELIER

LATE 19TH / EARLY 20TH CENTURY

the turned, knopped column supporting twelve scrolling branches each with an urn nozzle beneath two tiers of stylised flowerheads

68.5cm high, 66cm wide

£200­300

321

A FRENCH PROVINCIAL CHERRYWOOD ARMOIRE

BY CHARLES ALLORY (1783­1853), RENNES, BRITANNY, EARLY 19TH CENTURY

the double domed top with a central, scalloped surmount, above a pair of doors each with two scrolling panels and floral carved decoration closing on a central panel signed and dated ‘FAIT PAR CHARLES ALLORY 1833’, above a scrolling apron and short legs, with brass door furniture 241cm high, 154cm wide, 62cm deep

Provenance

A Private Collection, an apartment on Cadogan Square, London.

Catalogue Note

Charles Allory (1783­1853) worked in Rennes, Britanny, in north west France. Country furniture from this area is often signed and dated by the makers and is characterised by the use of cherrywood and featuring double domed or arched cornices.

£500­800

322

A FRENCH PROVINCIAL CHERRYWOOD CHILD’S CHAIR

19TH CENTURY

with a vase shaped splat above a rush seat

£100­150

323

A FRENCH LOUIS XVI PROVINCIAL GREY PAINTED WALL MIRROR

LATE 18TH CENTURY

the rectangular plate in a frame carved with leaves and flowers with a classical urn surmount

78.3 x 46cm

£200­300

325

A CONTINENTAL WALNUT CHEST 19TH CENTURY

of two long drawers on square tapering legs

90cm high, 86.8cm wide, 41.3cm deep

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£100­150

324

A SET OF FOUR FRENCH RESTAURATION MAHOGANY FAUTEUIL

EARLY 19TH CENTURY

each with a padded back and seat with anthemion and lapped carved decoration (4)

£600­800

325

326

A PAIR OF FRENCH RESTAURATION MAHOGANY FAUTEUIL

EARLY 19TH CENTURY

each with a padded back and seat and lappet carved decoration (2)

£250­350

327

A FRENCH GILTWOOD CONSOLE TABLE IN LOUIS XV STYLE, 19TH CENTURY

with a serpentine scagliola top with a band of leaves, berries and birds, with a porphyry style moulded edge, above a pierced frieze decorated with scrolls and flowers, on scroll cabriole legs united by a stretcher centred by a rocaille cartouche

79.9cm high, 85.4cm wide, 49.3cm deep

£600­800

328

A MATCH PAIR OF FRENCH KINGWOOD AND MARQUETRY OVAL OCCASIONAL TABLES IN LOUIS XV STYLE, LATE 19TH CENTURY

each with a pierced brass gallery above a crossbanded top inlaid with a basket of flowers flanked by books and an inkwell, above a frieze drawer and a conforming undertier (2)

77cm high, 62cm wide, 43cm deep (max)

£2,000­3,000

330

A FRENCH GILTWOOD WALL MIRROR

IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY

the circular plate in a ribbon tied fruit and flower wreath frame

81 x 61cm

£100­150

329

A FRENCH MAHOGANY BUREAU PLAT

IN THE MANNER OF FRANÇOIS LINKE, IN LOUIS XVI STYLE, LATE 19TH CENTURY

with ormolu mounts, the rectangular top inset with a gilt tooled green leather writing surface above three frieze drawers

74.3cm high, 110cm wide, 63cm deep

£700­1,000

λ 331

A FRENCH ROSEWOOD BUREAU PLAT IN LOUIS XV STYLE, LATE 19TH CENTURY with ormolu mounts, the serpentine top inset with gilt tooled tan leather above three drawers

76.7cm high, 127cm wide, 77cm deep

£300­500

A FRENCH ROSEWOOD AND VERNIS MARTIN VITRINE

IN LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY

with ormolu mounts and serpentine glazed panels, the interior with a pair of glass shelves above three painted panels, the central panel with an amorous couple

184.5cm high, 82.5cm wide, 41cm deep

£300­500

A FRENCH KINGWOOD BIJOUTERIE TABLE IN LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY

with ormolu mounts and bevelled glass panels, the hinged lid revealing a velvet lined interior

75cm high, 80cm wide, 49.5cm deep

£400­600

A PAIR OF MINIATURE FRENCH WALNUT COMMODES IN LOUIS XV STYLE, LATE 19TH / EARLY 20TH CENTURY

each of serpentine form, with a crossbanded top above three long drawers with porcelain plaques and gilt metal handles and escutcheons (2)

22.8cm high, 25.5cm wide, 16.4cm deep

£500­800

A MINIATURE FRENCH PAINTED WOOD SEDAN CHAIR VITRINE

SIGNED WITH A MONOGRAM AND DATED ‘1895’

painted with figures and cherubs amongst gilt scrolling foliage on a green ground, with a lift­out front panel and pair of carrying poles

32.5cm high, 19cm wide, 16.3cm deep excluding poles

£150­250

A MINIATURE FRENCH ROSEWOOD COMMODE IN LOUIS XV STYLE, 19TH CENTURY

with a brushing slide above one false and one true drawer to the front, the top drawer opening to one side, beneath a pink and grey veined marble top

31.4cm high, 47cm wide, 30.5cm deep

Provenance

Purchased from Eldon's, Grosvenor Square, London W1, c.1930.

£200­300

λ 336

337

A FRENCH GILTWOOD AND GESSO WALL MIRROR

IN LOUIS XV STYLE, 19TH CENTURY

with an arched bevelled plate, within a moulded frame applied with scrolling leaves 176 x 112.5cm

£400­600

338

A PAIR OF FRENCH LOUIS XV FAUTEUIL 18TH CENTURY

each with a cartouche shaped back, the moulded frame carved with leaves, scrolls and flowers, the tapestry upholstery dated ‘1979’ (2)

£400­600

339

A PAIR OF FRENCH ORMOLU AND WHITE MARBLE FOUR LIGHT CANDELABRA

IN LOUIS XVI STYLE, LATE 19TH CENTURY

each with urn nozzles on foliate branches, on a gadrooned white marble body, goat head monopodia and a circular base with foliate swags and feet, drilled for electricity (2)

52.7cm high

Provenance

Formerly the Property of the late Sir David and Lady Carina Frost, Michelmersh Court, Romsey.

£300­500

340

A FRENCH GILT BRASS SIX LIGHT CHANDELIER IN REGENCY STYLE, EARLY 20TH CENTURY

the fluted column supporting six foliate branches above a pineapple pendant, with a ceiling rose and chain, fitted for electricity 66cm high, 60cm wide

£150­250

341

A FRENCH ORMOLU URN IN LOUIS XVI STYLE, MID­19TH CENTURY

of oval form with a pair of female winged busts flanking scrolling foliage, on a socle base with ‘S’ scroll feet 18.5cm high, 23.4cm wide, 14.4cm deep

£150­250

342

A PAIR OF ITALIAN GILTWOOD WALL MIRRORS IN ROCOCO STYLE, EARLY 20TH CENTURY

each of cartouche shape, the frame carved with scrolls, flowers and rocaille (2)

104 x 76.5cm

£300­500

343

A SET OF FOUR GILT BRASS ‘AUX CORS DE CHASSE’ WALL LIGHTS

IN LOUIS XVI STYLE, AFTER GALLIEN AND BUREAUX, LATE 20TH CENTURY

each with ribbon tied and tassel oak leaf backplate, issuing three hunting horn lights, fitted for electricity (4) 81cm high

£800­1,200

344

A PAIR OF FRENCH PATINATED BRONZE CANDELABRA AFTER CLAUDE MICHEL, KNOWN AS CLODION (FLEMISH 1738­1812), 19TH CENTURY

one modelled as a dancing infant Bacchus, the other as a seated child, supporting a pair of cornucopiae with spiralling fruiting vines, the baluster nozzles with the remains of gilding, standing on a naturalistic base signed ‘Clodion’, each on a rouge marble plinth (2) 43.5cm high

£800­1,200

345

A PAIR OF GILT BRASS THREE LIGHT CHANDELIERS LATE 19TH CENTURY

each with a ropetwist stem, supporting three scrolling branches with foliate drip­pans, fitted for electricity (2)

59cm high, 41cm wide

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£150­200

346

A FRENCH GILTWOOD WALL MIRROR EARLY 19TH CENTURY

the rectangular plate in a moulded frame with a laurel and wheatsheaf surmount

87.7 x 54cm

£200­300

347

A PAIR OF FRENCH LOUIS­PHILIPPE BRONZE CANDLESTICKS

C.1830­40

each with a fluted nozzle above a foliate drip­pan, the fluted and acanthus leaf column, on a lion’s paw tripod base and concave triangular Siena marble foot (2)

33.3cm high

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£200­300

348

A PAIR OF FRENCH GILT BRONZE CANDLESTICKS IN LOUIS XV STYLE, 19TH CENTURY

each with a removable drip­pan and an urn nozzle on a wrythen inverted baluster stem and domed foot with a shaped circular and foliate rim (2)

17.5cm high

£150­250

350

A PAIR OF FRENCH BRASS CANDLESTICKS EARLY 18TH CENTURY

349

A PAIR OF FRENCH GILT AND PATINATED BRONZE CANDLESTICKS IN LOUIS XVI STYLE, 19TH CENTURY

each with an urn nozzle above a tapering stem, with a scrolling foliate base and foot, on a concave triangular plinth, fitted for electricity (2)

42cm high

£200­300

each of octagonal form with a knopped stem and stamped floral decoration, silvered to the underside (2)

24cm high

£200­300

351

A PAIR OF FRENCH MILK GLASS AND GILT METAL LUSTRE CANDLESTICKS

LATE 19TH CENTURY

each with an urn nozzle above arching lustres on an ovoid and cylindrical stem with gilt metal mounts, fitted for electricity (2)

39.5cm high (max)

£150­250

353

A PAIR OF FRENCH LOUIS­PHILIPPE BRONZE AND SIENA MARBLE CANDLESTICKS

C.1830­40

each with a foliate nozzle above a tapering marble column, a scrolling foliate tripod base and a concave triangular plinth (2) 25cm high

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£100­200

352

A PAIR OF FRENCH GILT AND PATINATED BRONZE CANDELABRA IN LOUIS XVI STYLE, 19TH CENTURY

each with a central urn shaped nozzle on a floral support above three further nozzles on scrolling branches, a reeded stem with a foliate base, lion’s paw tripod foot and stepped triangular plinth (2)

48.4cm high

£300­500

354

A PAIR OF EMPIRE ORMOLU CANDLESTICKS EARLY 19TH CENTURY

each with a removable drip­pan above an urn sconce and a foliate collar, with a tapering fluted column (2)

27cm high

£300­500

355

A FRENCH GILT BRASS AND GLASS EIGHT LIGHT CHANDELIER

EARLY 20TH CENTURY

of open scroll form and hung with pear and lozenge shaped drops and swags and applied with flowerheads

81cm high, 60cm wide

£300­500

356

A PAIR OF PATINATED BRASS AND GLASS WALL LIGHTS

IN EMPIRE STYLE, 20TH CENTURY

each with a circular wall plate with a gilt star motif, supporting a pair of tapering branches with faceted glass collars (2)

28.5cm high, 22.5cm wide

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­250

355

357

A PAIR OF FRENCH ORMOLU FLAMBEAU WALL LIGHTS

19TH CENTURY

each with a ribbon wall plate supporting a pair of crossed torches, fitted for electricity (2)

60.2cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£250­350

358

AN AMETHYST GLASS DECANTER AND STOPPER

DUTCH OR BOHEMIAN, SECOND HALF 19TH CENTURY

of rectangular form, with engraved and gilt floral decoration 25.5cm high

£200­300

359

THREE FRENCH GREEN GLASS APOTHECARY BOTTLES

EARLY 20TH CENTURY

each with a red tôle peinte lid and a cork stopper, titled in gilt ‘Eau Oxyg: 20V:’, ‘Teint: Colombo’, and ‘Ammoniaq’, moulded mark ‘HH 1000’ to base (3)

23.7cm high

£100­150

360

A GERMAN GREEN GLASS AND PAINTED CASKET

19TH CENTURY

of canted rectangular form, painted with armorials and flowerheads

10.6cm high, 13.3cm wide, 10cm deep

£100­150

361

SIX GLASS PERFUME BOTTLES AND STOPPERS

20TH CENTURY

five of flattened cylindrical form and one of cylindrical form, with faceted stoppers, on circular feet (6)

38.3cm high (max)

£150­200

362

A COLLECTION OF SEVENTEEN GLASS GEOMETRIC FORMS 20TH CENTURY

in a variety of shapes including: pyramidal, octagonal and obelisk, some with etched marks (17) 29.7cm high (max)

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£300­500

363

A FRENCH EMPIRE GLASS PUNCH BOWL AND GILT BRONZE STAND EARLY 19TH CENTURY

the circular bowl with a scalloped rim above graduated diamond cutting, on a gilt bronze stand with fine leaf and berry and rope twist decoration and three winged eagle­head and lion paw feet 21cm high, 27.5cm diameter (max)

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£200­300

364

A FRENCH CUT GLASS CASKET IN PALAIS ROYAL STYLE, 19TH CENTURY

of cuboid form, with diamond cut decoration and ormolu mounts 11.2 x 9.6 x 9cm

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£400­600

362

365

A FRENCH GLASS CASKET IN PALAIS ROYAL STYLE, 19TH CENTURY

of cylindrical form, with diamond and star cut decoration and ormolu mounts, the hinged cover enclosing a void interior, together with another similar but smaller (2)

11.2cm high, 10.5cm diameter (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£200­300

366

366

A FRENCH NOVELTY GLASS AND ORMOLU TABLE LIGHTER IN PALAIS ROYAL STYLE, 20TH CENTURY

in the form of a hot air balloon, together with another in the form of a bee skep (2)

13.4cm high (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­200

367

A PAIR OF GILT METAL CANDLESTICK TABLE LAMPS IN ROCOCO STYLE, LATE 19TH CENTURY

of scrolling form with foliate decoration, fitted for electricity (2)

33.8cm high

£100­150

368

A FRENCH GILT AND EBONISED METAL TWELVE LIGHT CHANDELIER

IN THE MANNER OF MAISON JANSEN, C.1940

of open form, with scrolling leaves and flowers hung with glass drops, with a central basket and ball pendant 110cm high, 77cm wide

£500­800

369

AN ITALIAN TÔLE PEINTE LANTERN 20TH CENTURY

of tapering hexagonal form, with a scrolling foliate crown and base, with light green painted decoration 71cm high, 37cm wide

£200­300

370

A FRENCH GILT BRASS PALM STANDARD LAMP

IN THE MANNER OF MAISON JANSEN, MID­20TH CENTURY

naturalistically moulded 146.3cm high

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£200­300

371

A CONTINENTAL GILT AND PAINTED PIER MIRROR

FRENCH OR ITALIAN, LATE 18TH / EARLY 19TH CENTURY

with two rectangular plates within a ribbon and bead frame, the base with scrolling foliage centred with an urn

133 x 75.2cm

£300­500

372

372

AN ITALIAN GILTWOOD WALL MIRROR

FLORENTINE, 19TH CENTURY

of cartouche shape, the shaped and bevelled later plate, within a carved frame decorated with ‘C’ scrolls, leaves and rocaille

94.5 x 62.5cm

£200­300

373

A PAIR OF PAINTED WOOD PEDESTALS

20TH CENTURY

of tapering form, decorated to simulate marble (2)

117.7cm high, 30cm square

£200­300

374

A FOUR­FOLD LEATHER SCREEN INCORPORATING LATE 17TH / 18TH CENTURY ELEMENTS AND LATER MOUNTED

with four arched ebonised wood panels, each inset with three sections of embossed leather decorated with eagles, monkeys, cherubs, flowers and foliage

182.5 x 53.5cm (each panel)

£300­500

375

A LARGE CONTINENTAL CARVED PINE HERALDIC CREST IN BAROQUE STYLE, POSSIBLY SPANISH OR ITALIAN, 18TH / 19TH CENTURY

carved with a crown above elaborate leaf scrolls, the base with a coat of arms relief carved with a Maltese Cross 105cm high, 95cm wide

£800­1,200

376

AN ITALIAN GILTWOOD PIER MIRROR LATE 19TH CENTURY

the bevelled rectangular plate within a leaf and reel frame with a cartouche surmount

162 x 68.7cm

£300­500

377

377

AN ITALIAN MAHOGANY BOMBÉ PETITE COMMODE IN LOUIS XV STYLE, 19TH CENTURY

the grey serpentine marble top above a pair of drawers inlaid with a burr walnut oval panel, on ormolu sabots

70.7cm high, 78.5cm wide, 40cm deep

£200­300

378

AN ITALIAN WALNUT COMMODE IN BAROQUE STYLE, 19TH CENTURY

the top inlaid with ebonised banding above three long drawers with panelled fronts flanked by columns, on flattened bun feet

97.3cm high, 131.5cm wide, 63cm deep

£300­500

379

A LARGE PAIR OF ITALIAN GILTWOOD WALL MIRRORS IN ROCOCO STYLE, 19TH CENTURY

each with an arched plate within a moulded frame, with an applied carved leaf crest centred with a cartouche with initials ‘I S’ (2)

218.5 x 145cm

£500­800

380

AN ITALIAN GILTWOOD WALL MIRROR IN BAROQUE STYLE, FLORENTINE, 19TH CENTURY

the rectangular plate in a pierced scrolling leaf carved frame

78.2 x 92.5cm

£400­600

383

A PAIR OF ITALIAN WAX FIGURES OF BEGGARS

NEAPOLITAN, 19TH CENTURY

382

381

A SET OF FOUR ITALIAN PAINTINGS

NEAPOLITAN, IN THE MANNER OF MICHELANGELO MAESTRI, LATE 19TH CENTURY

oil on canvas, depicting classical maidens wearing diaphanous gowns, in gilt frames, together with a coloured engraving of the Three Graces, after Pellegrini (5)

37 x 28.5cm (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­200

382

A PAIR OF ITALIAN PAINTINGS

NEAPOLITAN, IN THE MANNER OF MICHELANGELO MAESTRI, LATE 19TH CENTURY

oil on board, depicting Putti riding swan drawn chariots, in gilt frames 20 x 29cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­200

384

A PAIR OF DANISH PAINTED TERRACOTTA PLAQUES

COPENHAGEN, LATE 19TH CENTURY

he standing carrying a basket, she wrapped in a shawl, on wooden bases and beneath glass domes (4)

16.5cm high (max, excluding domes)

Provenance

From an English private collection, London.

£200­300

after a design by Bertel Thorvaldsen, depicting Cupid and Psyche and a classical maiden with a basket of cherubs, inside gilt Greek key borders, stamped ‘P. Ipsen, Kjøbenhavn, Eneret’, in ebony frames (2)

23.4 x 22.1cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­200

381

385

AN ITALIAN WALNUT GROTTO CHAIR

IN ROCOCO STYLE, PROBABLY VENETIAN, 19TH CENTURY

with scroll and leaf decoration 94.4cm high, 48cm wide, 38cm deep

£600­800

386

AN ITALIAN GILTWOOD AND POLYCHROME FIGURAL TORCHÈRE VENETIAN, LATE 19TH CENTURY

the stem in the form of a blackamoor 91.5cm high, 37cm wide

£250­350

387

TWO ITALIAN PINE FIGURAL TORCHÈRES

VENETIAN, LATE 19TH CENTURY

each stem carved with a figure of a child (2) 96cm high, 42cm wide (max)

£600­800

388

THREE CONTINENTAL PAINTED AND PARCEL GILT CHAIRS

IN EGYPTIAN REVIVAL STYLE, 19TH CENTURY

each with a padded back and seat covered in Pierre Frey ‘Mounument d’Egypte’ printed fabric with Egyptian motifs with obelisks, camels and figures, the moulded frame with carved sphinx supports comprising: an armchair and a pair of side chairs (3) 61cm wide, 62.5cm deep (max)

£200­300

389

389

TWO CONTINENTAL PAINTED AND PARCEL GILT SOFAS IN EGYPTIAN REVIVAL STYLE, 19TH CENTURY

each with a padded back and seat covered in Pierre Frey ‘Mounument d’Egypte’ printed fabric with Egyptian motifs with obelisks, camels and figures, the moulded frame with carved sphinx supports (2)

177.4cm wide, 62.5cm deep (max)

Provenance: WIDE

£400­600

390

A CONTINENTAL GILTWOOD AND PAINTED TRUMEAU MIRROR FRENCH OR ITALIAN, FIRST HALF 19TH CENTURY

the arched plate within a frame decorated with ribbon tied husks, below an oval painting of a young lady with a bird

160.3 x 50cm

£200­300

REGENCY

A WILLIAM IV ROSEWOOD BREAKFAST TABLE C.1830

the circular tilt­top with a broad moulded edge, above a lappet carved stem and a triform base with sunken castors

72.4cm high, 128cm diameter

£500­800

392 A MAHOGANY LAMP TABLE EARLY 19TH CENTURY AND LATER

fitted with a frieze drawer

74.4cm high, 44.5cm wide, 39.5cm deep

£200­300

392

λ 393

A WILLIAM IV ROSEWOOD CANTERBURY BY W. H. BISHOP, AFTER A DESIGN BY LOUDON, C.1835

with three divisions and turned lifts, the front decorated with a carved laurel wreath, the frieze drawer with a printed trade label ‘W. H. Bishop, Maker, Ann Street, Birmingham’

52.3cm high, 49.5cm wide, 35.7cm deep

£200­300

391

λ 391

394

A REGENCY MAHOGANY BREAKFAST TABLE

PROBABLY SCOTTISH, EARLY 19TH CENTURY

the circular crossbanded tilt­top on a spiral ribbed stem and foliate brass cast feet and castors

75.5cm high, 127cm diameter

£600­800

A PAIR OF REGENCY ROSEWOOD LAMP TABLES

POSSIBLY SCOTTISH, EARLY 19TH CENTURY

each with a rectangular canted fixed top, with brass edging on a spiral twist stem and brass ball feet (2)

75.3cm high, 45.5cm wide

£400­600

396

A REGENCY MAHOGANY TEA TABLE

POSSIBLY SCOTTISH, EARLY 19TH CENTURY

the swivel and fold­over hinged top with canted corners and a reeded edge on a spiral ribbed stem and lion’s paw feet and castors

76.6cm high, 91cm wide, 45.5cm deep

£200­300

A REGENCY MAHOGANY BOWFRONT SIDE TABLE EARLY 19TH CENTURY

fitted with a frieze drawer on turned legs

78cm high, 76.3cm wide, 50cm deep

£200­300

398 AN EARLY VICTORIAN MAHOGANY DRESSING TABLE MIRROR C.1850

with an arched plate and a flame figured base

64.7cm high, 61cm wide, 25.7cm deep

£100­150

A LATE REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY

inlaid with stringing and satinwood banding, the drop­leaf top with canted corners above a pair of frieze drawers

70cm high, 89.8cm wide, 65.7cm deep

£150­250

400 A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY

with four divisions, with a base drawer and on brass castors

51cm high, 47cm wide, 35.5cm deep

£200­300

402

A REGENCY ROSEWOOD BREAKFRONT SIDE CABINET

IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY AND LATER

with gilt brass mounts, the fixed black marble top above a pair of pleated silk panelled doors enclosing two shelves flanked by open shelves, with simulated rosewood ends

88.3cm high, 138.5cm wide, 39.5cm deep

£2,000­3,000

A GEORGE IV MAHOGANY WINDOW SEAT C.1825­30

with later brown leather button upholstery and baluster turned lifts

74cm high, 92cm wide, 46cm deep

£500­800

403

A WILLIAM IV MAHOGANY LIBRARY ARMCHAIR

C.1830

button upholstered with brown leather, the fluted frame decorated with rondels on ribbed front legs and brass castors

£2,000­3,000

404 A REGENCY MAHOGANY SOFA

EARLY 19TH CENTURY

upholstered with silk damask with a squab cushion on six turned turned front legs and brass castors 93cm high, 169cm wide, 77cm deep

£400­600

405 A LATE GEORGE III EBONISED AND GILTWOOD WALL MIRROR

EARLY 19TH CENTURY

the oval plate within a moulded frame

51.5 x 37.4cm

Provenance

From the collection of Harriet Wynter.

£100­150

406 A REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE

EARLY 19TH CENTURY

the top with a reeded edge and an additional leaf, with turned stems and brass leaf decorated caps and castors

73.7cm high, 129cm wide, 245cm long

£600­800

407

A TURKISH CARPET

OF SERAPI DESIGN, LATE 20TH CENTURY

the ivory field centred by a madder and indigo stepped octagon enclosed by spandrels and mid indigo borders of angular vines flanked by guard stripes

430 x 410cm

£4,000­6,000

408

A REGENCY MAHOGANY BREAKFRONT SIDE CABINET

EARLY 19TH CENTURY

inlaid with ebonised stringing, with two frieze drawers and a pair of doors with gilt brass and pleated silk panel doors enclosing an adjustable shelf 86cm high, 102.7cm wide, 40.2cm deep

Provenance

From an English private collection, Sussex.

A REGENCY MAHOGANY SOFA TABLE

EARLY 19TH CENTURY

inlaid with ebonised stringing, the drop­leaf top with rosewood crossbanding above a pair of frieze drawers on brass lion’s paw caps and castors

71.5cm high, 93.5cm wide, 71.2cm deep

£300­500

£500­1,000 410

409

A REGENCY MAHOGANY CHEST

EARLY 19TH CENTURY

with ebonised edging and four long graduated drawers fitted with turned ebony knob handles 85.3cm high, 99cm wide, 48.8cm deep

£200­300

λ 411

A REGENCY ROSEWOOD AND BRASS MARQUETRY CENTRE TABLE

EARLY 19TH CENTURY

inlaid with leaves, lappets and palmettes, the circular tilt­top on a tapering pedestal with nulled and loped decoration, on leaf carved feet and castors

73.6cm high, 147cm diameter

£1,000­1,500

412

A SET OF TEN REGENCY SIMULATED ROSEWOOD AND BRASS MARQUETRY DINING CHAIRS

EARLY 19TH CENTURY

each with a tablet toprail carved with rosettes above a silk drop­in seat and sabre legs, comprising: a pair of armchairs and eight side chairs (10)

£800­1,200

413

A WILLIAM IV GILTWOOD AND GESSO OVERMANTEL MIRROR C.1835

with three plates flanked by leaf decorated batons, the frieze relief decorated with Aurora in her chariot on an ebonised ground and with a ball decorated cornice

86 x 125.3cm

£300­500

414

A PAIR OF GEORGE IV BURR OAK POLE FIRESCREENS

IN THE MANNER OF GEORGE BULLOCK, C.1825

each with a papier­mâché screen by ‘Jennens & Bettridge’ painted with young girls in landscape settings, the backs stamped, on a triform base with carved lion’s paw feet and tassels (2)

141cm high

£100­200

415

A REGENCY IRISH MAHOGANY SOFA TABLE EARLY 19TH CENTURY

inlaid with stringing and with gilt brass mounts, the drop­leaf top above twin cedar lined frieze drawers on scroll and hipped supports terminating in recumbent lion caps and castors

72.3cm high, 91cm wide, 76cm deep

£500­800

416

A REGENCY ROSEWOOD SIDE CABINET

EARLY 19TH CENTURY

inlaid with boxwood stringing with giltwood urn finials, above a pair of glazed doors enclosing a silk lined interior, with a single adjustable shelf above six shallow drawers with bone handles above a pair of frieze drawers and cupboards below flanked by giltwood fluted columns

178cm high, 95cm wide, 69cm deep

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£600­1,000

416

λ 418

λ 417

A REGENCY ROSEWOOD AND PARCEL GILT BONHEUR DU JOUR

IN THE MANNER OF JOHN MCLEAN, EARLY 19TH CENTURY AND LATER

the lift­off upper section with gilt brass galleries and fitted with two cedar lined drawers with a hinged writing surface, above a brass mounted frieze drawer with a side pen and ink drawer with a bone handle on turned tapering legs

114.7cm high, 77cm wide, 45cm deep

£400­600

A REGENCY ROSEWOOD AND SIMULATED CHAISE LONGUE IN GRECIAN STYLE, EARLY 19TH CENTURY

line decorated with palmettes and with gilt brass rosette mounts, upholstered with striped silk and on carved giltwood paw feet

84.2cm high, 201cm wide, 69cm deep

Literature

For a similar chaise longue, see Margaret Jourdain, Regency Furniture 17951820, pl.57.

£1,000­1,500

420

A SET OF SIX GEORGE IV ROSEWOOD DINING CHAIRS

ATTRIBUTED TO GILLOWS, C.1825­30 each with a scroll and palmette carved cartouche shaped back, above a stuffed­over seat on lappet carved front legs (6)

£400­600

A REGENCY MAHOGANY PEMBROKE

TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

inlaid with boxwood stringing and fitted with a frieze drawer, with a bone escutcheon on reeded tapering legs, the underside branded with initials ‘FW’ in several places

72.3cm high, 42.7cm wide, 61cm deep

£200­300

421 A WILLIAM IV MAHOGANY DRESSING

TABLE MIRROR

ATTRIBUTED TO GILLOWS, C.1835

the rectangular plate with scroll supports on a platform base with bun feet

74cm high, 66cm wide, 27.7cm deep

£200­300

422

A REGENCY MAHOGANY EXTENDING DINING TABLE ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

the reeded edge top with four additional leaves, supported by a telescopic frame and on ribbed tapering legs and brass caps and castors 72cm high, 138cm wide, 318cm long (extended)

Provenance

By repute Langhar Hall, Nottinghamshire.

Catalogue Note

See Susan Stuart, Gillows of Lancaster and London, 1730­1840, vol. 1, pl. 241 for a similar dining table.

£2,000­3,000

423

AN EARLY VICTORIAN PAPIER­MÂCHÉ TRAY

C.1850

of rectangular form, painted and gilded with a variety of garden flowers and foliage, interspersed with butterflies on a black ground

59.4 x 78cm

£1,200­1,500

424

A GRADUATED SET OF THREE EARLY VICTORIAN BLACK PAPIER­MÂCHÉ TRAYS

C.1850

each inlaid with mother of pearl and decorated in gilt and polychrome with flowers, scrolls and a parrot (3)

60.3 x 78.5cm (max)

£200­300

425

A REGENCY BLACK TÔLE PEINTE TRAY EARLY 19TH CENTURY

polychrome and gilt decorated with flowers and leaves, the border pierced with a pair of handgrips 57 x 78cm

£100­150

426

TWO VICTORIAN RED JAPANNED TÔLE PEINTE TEA

CANISTERS

BY JOHN A GILBERT, LATE 19TH CENTURY

gilt decorated with chinoiserie scenes of figures in landscapes and numbered ‘5’ and ‘8’ (2)

41.3cm high (max)

£200­300

427

A VICTORIAN GREEN JAPANNED TÔLE PEINTE TEA CANISTER AND COVER LATE 19TH CENTURY

gilt decorated on a green ground, with a figure above the number ‘6’ flanked by Chinese characters, with a domed cover (2)

42.5cm high

£200­300

428

A VICTORIAN BLACK JAPANNED TÔLE PEINTE TEA

CANISTER AND COVER THIRD QUARTER 19TH CENTURY

of oval form, decorated with a lake scene inside a gilt border, with a domed cover (2)

44cm high

£200­300

429

A VICTORIAN GREEN JAPANNED TÔLE PEINTE TEA CANISTER LAMP C.1880­90

with a later light fitting, the body painted with the figures of two Chinese theatrical performers, one juggling and standing on a pumpkin, numbered ‘14’ 61cm high

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­200

431

A PAIR OF VICTORIAN TÔLE AND BRONZED CARRIAGE LAMPS

LATE 19TH CENTURY

each of hexagonal form, the glass panes with stylised foliate decoration beneath urn finials, fitted for electricity (2) 86cm high

£200­300

430

A VICTORIAN GREEN JAPANNED TÔLE PEINTE TEA CANISTER BY JOHN A GILBERT, LONDON, LATE 19TH CENTURY

gilt decorated with a chinoiserie scene and numbered ‘2’, together with another green japanned canister with gilt chinoiserie figural scenes (2)

40.5cm high (max)

£150­250

432

A TÔLE PEINTE WALL LANTERN IN REGENCY STYLE, 20TH CENTURY

of tapering form with gilt highlights, together with a pair of brass carriage lamps and brackets, with red glass rear lenses (3)

48cm high (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£150­250

A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS

EARLY 19TH CENTURY

each in the form of classical maiden supporting an urn on her head, with ram’s head lifts and holding scrolling leaf branches, with twin lights, on a white marble pedestal (2)

36.5cm high

£800­1,200

435

A PAIR OF LATE REGENCY CUT GLASS LUSTRE CANDLESTICKS

C.1820

with hobnail decoration, the drip­pan hung with faceted drops and lustres above a star cut foot (2)

20cm high

£150­250

A PAIR OF REGENCY GLASS AND BRASS STORM LANTERNS

EARLY 19TH CENTURY

each with a baluster shade above a scroll collar with leaf tips above a nulled stem (2)

29cm high

£400­600

436

A PAIR OF REGENCY GILT AND PATINATED BRONZE CANDLESTICKS

EARLY 19TH CENTURY

each with a single sconce and a flowerhead canopy hung with cut glass lustres (2)

23cm high

£150­250

437

A PAIR OF GEORGE III GILT BRONZE AND GLASS LUSTRE CANDLESTICKS

LATE 18TH CENTURY

each with an urn nozzle above a Van Dyke style drip­pan hung with lustres, with a faceted ovoid stem and gilt bronze and blue glass plinth on ball feet (2)

29cm high

£500­800

438

A RARE PAIR OF REGENCY GILT AND PATINATED BRONZE HORSE CANDLESTICKS

EARLY 19TH CENTURY

each modelled as a horse jumping a fence supporting an urn with an eagle finial, issuing a pair of scrolling foliate branches and flowerhead nozzles, a rectangular plinth with a basket of fruit and flowerhead appliqués, on scrolling lion’s paw feet (2)

37cm high, 26cm wide, 10.5cm deep

£800­1,200

437

439

A REGENCY BRONZE DESK PAPERWEIGHT BY THOMAS WEEKS, EARLY 19TH CENTURY

modelled as a lion walking, carrying a saddle and looking to his left, the edge stamped ‘WEEKS’S. R. MUSEUM. TICHBORNE ST.’, on a canted rectangular white marble and gilt bronze mounted base

8cm high, 13.1cm wide, 7.7cm deep

Catalogue Note

A paper label to the base is inscribed ‘Beauchamp’.

£200­300

440

A REGENCY BRASS CORINTHIAN COLUMN

TABLE LAMP

EARLY 19TH CENTURY

with a rectangular base with classical figures in relief, on winged lion’s paw feet

49cm high

£200­300

441 AN EDWARDIAN SILVER PLATED CORINTHIAN COLUMN TABLE LAMP

EARLY 20TH CENTURY

with a gilded capital, above a tapering fluted column and on a rectangular plinth applied with wreaths, fitted for electricity

66.3cm high

£150­200

442

A GEORGE III DERBYSHIRE FLUORSPAR CAMPANA URN

LATE 18TH CENTURY

the turned bowl on a socle and a black marble foot

23.3cm high, 25.5cm diameter

£300­500

443

A COLLECTION OF TWENTY­TWO HARDSTONE EGGS 19TH AND 20TH CENTURY

including: blue john, lapis lazuli, tiger’s eye and onyx (22) 7.5cm long (max)

£200­300

444

λ

444

A LARGE VICTORIAN GALLERY GLASS

PROBABLY ROSEWOOD, MID­19TH CENTURY

with a turned handle 41cm long, 25.4cm wide

£150­250

445

A VICTORIAN OAK ‘YORK MINSTER’ OBELISK

MID­19TH CENTURY

with a silvered finial and a brass plaque inscribed ‘Oak & Bell Metal of York Minster burnt May 20 1840’ 56.8cm high

Catalogue Note

The fire in 1840 was the third of the four fires in York Minster, the others being in 1753, 1829 and 1984. The obelisk was made from wood and metal recovered after the 1840 fire and was sold to raise funds to help towards the Cathedral’s restoration.

£300­500

446

A REGENCY MAHOGANY DINING ROOM PEDESTAL CABINET

IN THE MANNER OF THOMAS HOPE, EARLY 19TH CENTURY

the serpentine scroll, anthemion and leaf carved hinged serving top above a panelled cupboard door with an applied laurel wreath revealing an interior of two adjustable slatted shelves above a metal liner for heating plates, the sides with carved rams head masks 104cm high, 84cm wide, 39.2cm deep Provenance

A Private Collection, an apartment on Cadogan Square, London.

£1,500­2,500

447

A LARGE VICTORIAN GILTWOOD AND GESSO CONVEX WALL MIRROR MID­19TH CENTURY

the circular plate within an ebonised reeded slip and a laurel wreath frame

107cm diameter

£1,000­1,500

λ 448

A GEORGE IV ROSEWOOD BREAKFAST TABLE

C.1825­30

the circular tilt­top with a nulled edge on a triform base with sunken castors

74cm high, 122.5cm diameter

£400­600

λ 450

A REGENCY ROSEWOOD AND BRASS MOUNTED GAMES TABLE IN THE MANNER LOUIS LE GAIGNEUR, EARLY 19TH CENTURY

the octagonal fixed top inlaid with bird’s eye maple, with a chequer board

71.3cm high, 54cm wide

£200­300

λ 449

A WILLIAM IV ROSEWOOD FIRESCREEN C.1835

with a needlework panel depicting Elizabethan figures, with leaf carved and spiral twist decoration 114.3cm high, 74cm wide, 52cm deep

£100­150

451

A REGENCY MAHOGANY BOWFRONT CHEST EARLY 19TH CENTURY

with a brushing slide and fitted with four long graduated drawers 85cm high, 93.5cm wide, 47.5cm deep

£400­600

ivory field with an all over design of large flowers and palmettes enclosed by borders of meandering vines flanked by triple guard stripes

£5,000­7,000

452

A LARGE TABRIZ CARPET

NORTH WEST PERSIA, 20TH CENTURY

the

488 x 353cm

453

A REGENCY MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

with a rectangular plate, the frame carved with lappets and with spiral reeded decoration 160.5cm high, 69cm wide, 52.5cm deep

£300­500

454

A REGENCY MAHOGANY TEA TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

with a ‘D’ shaped fold­over top on ribbed tapering legs 74.4cm high, 91cm wide, 43.3cm deep

£200­300 455

A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY

with three dipped divisions above a frieze drawer and on brass castors 48.4cm high, 45.2cm wide, 34.5cm deep

£200­300

456

A GEORGE IV PAINTED PINE AND PARCEL GILT SIDE CABINET

C.1825­30

decorated with a faux rosewood grained finish, the top with scroll supports above a pair of panelled doors enclosing two shelves, flanked by ribbed columns

142.9cm high, 105cm wide, 39cm deep

£400­600

457

A REGENCY PAINTED PINE CHEST

POSSIBLY WEST COUNTRY, EARLY 19TH CENTURY

with a faux mahogany flame figured finish, fitted with two short and three long drawers with blue paper lining , on turned feet

106.5cm high, 108cm wide, 54cm deep

£300­500

458

A REGENCY PAINTED AND GILT WALL MIRROR EARLY 19TH CENTURY AND LATER

the later bevelled circular plate within a moulded frame

81cm diameter

£100­150

456

A WILLIAM IV ROSEWOOD SOFA C.1830

with a leaf and leopard head cresting above scroll ends, upholstered with yellow silk with a squab cushion and a pair of bolsters, on ribbed legs and brass castors

105.5cm high, 213.5cm wide, 59cm deep

Provenance

Purchased by the current vendor from T. G. Wilkinson Antqiues Ltd. Petworth, 18th June 2012.

£300­500

A SET OF REGENCY MAHOGANY LIBRARY STEPS

EARLY 19TH CENTURY

with three treads inset with maroon leather, the top one hinged revealing a vacant compartment with turned column decoration

68.3cm high, 48cm wide, 73cm deep

£400­600

A REGENCY MAHOGANY CELLARET

EARLY 19TH CENTURY

of sarcophagus shape, the interior with five divisions for wine bottles on turned legs and brass castors

65cm high, 56cm wide, 36.5cm deep

£200­300

A RARE REGENCY GONCALO ALVES BREAKFRONT SIDE CABINET

BY GEORGE BULLOCK, EARLY 19TH CENTURY

with parcel gilt decoration, the white marble top above seven cedar lined drawers each stamped ‘G. Bullock’ the top drawer with a paper exhibition label ‘The BADA Art Treasures Exhibition, Bath, 1958 EXH NO. 170’, flanked by a pair of hinged doors inset with gilt brass ebony framed and silk backed panels enclosing shelves on giltwood lobed feet

85cm high, 100cm wide, 39.3cm deep

Catalogue Note

George Bullock (1777/78 – 1818) was renowned for using unusual and exotic woods alongside indigenous woods in many of the pieces of furniture he designed. He was also known for being ahead of the game in the forms of furniture he designed. Indeed, when he moved back to London and he sold the contents of his Liverpool premises, they were described as ‘Fashionable Modern Furniture’ and at the sale of his remaining stock after his death, Bullock was referred to as ‘that highly ingenious artist’.

The cabinet that features in this lot comfortably fits both criteria, being both progressive in design and incorporating a variety of woods into its decoration. It also features the same design of grille as a pair of bookcases made for Napoleon and that appear in the ‘Plans and elevations for St Helena’, dated November 1815. To further add to its appeal, it is one of only a handful of items of furniture that have been stamped by Bullock – in this instance to each of the seven drawers.

Exhibited

BADA, Art Treasures Exhibition, 29th May to 7th June 1958, Ilustrated in the Exhibition Catalogue, pl. 25, item 170 where exhibited by Boswell & Ward.

Literature

Clive Wainwright, George Bullock Cabinet­Maker, London 1988, p.104. In the description of the Napoleon bookcases (op.cit. pp. 101­104) there is a tantalising reference to a ‘small cabinet of similar form, without the upper part and fitted with small drawers’ which could very easily be referring to our cabinet.

£4,000­6,000

463

A LATE REGENCY PAINTED OVERMANTEL MIRROR BY THOMAS FENTHAM, C.1820 AND LATER

with three rectangular plates flanking a central circular plate within a fan moulded frame, with a Greek key frieze, the verso with a printed paper trade label inscribed ‘Thomas Fentham, No. 136 Strand, Manufacturer of Looking­Glasses, Convex and Concave Mirrors....’

132 x 152cm

£300­400

464

A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY

the rectangular plate flanked by fluted columns and with a verre églomisé frieze decorated with figures and a cottage

52.5 x 29.5cm

£150­250

465

A PAINTED PINE SERPENTINE CHEST

PROBABLY CONTINENTAL, 18TH CENTURY

with four long ripple moulded drawers, flanked by fluted quarter columns, in two halves

120.2cm high, 130cm wide, 65.3cm deep

Provenance

By repute Maureen Constance Guinness, Marchioness of Dufferin and Ava. The interiors of her home in Hans Crescent, London were decorated by Felix Harbord.

£500­800

466

A REGENCY MAHOGANY BOOKCASE CABINET

EARLY 19TH CENTURY

the architectural cornice above a pair of lancet arch astragal glazed doors enclosing three adjustable shelves above a pair of panelled doors enclosing a shelf 198.5cm high, 108.5cm wide, 45.7cm deep

£500­800

467

A GEORGE IV MAHOGANY PIER MIRROR C.1820

the rectangular plate flanked by cluster columns, the frieze with ebonised arrow inlay and with a ball decorated cornice 75 x 47.5cm

Provenance

Purchased from Gerald Deacon Antiques, Queen Square, Bath, 6th October 1981.

£150­250

468

A PAIR OF REGENCY MAHOGANY HALL CHAIRS

EARLY 19TH CENTURY

each with a gorget back above a bell­shaped seat on turned front legs (2)

£200­300

466

469

A REGENCY BRIGHTON PAVILION PAINTED SYCAMORE WORK BOX

EARLY 19TH CENTURY

with two compartments with hinged covers, printed with a view of the seafront, pier and a choppy sea, the front with a pair of rondels, one titled ‘PAVILION’, on a sky blue foliate ground, with lion head and hoop handles, on gilt ball feet

9cm high, 21cm wide, 16.4cm deep

£100­150

470

A RARE GEORGE III JAPANNED CARD CASE C.1800

decorated in gilt and polycrome with chinoiserie on a blue ground

11.7 x 8cm

Catalogue Note

This card case was probably made by an English cabinet maker.

£150­250

471

A REGENCY PAPIER­MÂCHÉ GAMES BOX

19TH CENTURY

gilt decorated with buildings in a landscape inside a foliate border, enclosing five smaller boxes and covers similarly decorated, together with a pair of black lacquered plates with chinoiserie figural and garden scenes (3)

6cm x 33.2 x 18.5cm (max)

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£200­300

472

A BELGIAN SPA SYCAMORE GAMING COUNTER BOX

EARLY 19TH CENTURY

painted en grisaille with an abbey, a man and a horse, the interior with four boxes with hinged lids decorated with figures in landscapes, containing stained bone counters

21 x 15.3cm

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

473

A WILLIAM IV SILHOUETTE BY AUGUSTIN AMANT EDOUART (1789­1861), DATED ‘1832’

of a gentlemen seated, reading a letter in an interior, in a maple frame, with a paper trade label verso

26 x 17.5cm

£100­150

A REGENCY PORTRAIT MINIATURE IN THE MANNER OF ANDREW ROBERTSON M.A. (1777­1845)

on ivory, possibly of Robert Galby, initialled ‘RA’, dated ‘1807’, inscribed verso, together with another portrait of a young lady, and a collection of silhouettes, 19th and 20th century, framed and glazed (14)

25.5 x 16cm (max)

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

475

FOUR REGENCY CUT PAPER SILHOUETTE PICTURES

TWO DATED ‘1827’

to include: one of a lady working with bobbins, one of two ladies in bonnets seated beneath a tree, and two with groups of children at various activities, all within embossed floral borders, some with inscriptions and signatures verso (4)

9.2 x 13.2cm (max)

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

473

λ 474

474

477

A WATERCOLOUR OF A BEADLE ENGLISH SCHOOL, C.1830­40

heightened with white, unsigned, in a glazed bird’s eye maple frame, the verso with a paper label inscribed ‘Georgian Beadle, Robert Jackson, Henley­on­Thames 1834, H. Thornton’

34.5 x 26cm

£100­150

476

A BLACK FOREST CARVED LINDENWOOD LYNX INKWELL LATE 19TH CENTURY

with green glass eyes and a brass inkwell 15cm high

£200­300

477

478

A SET OF TEN BOTANICAL AND MYCOLOGICAL WATERCOLOURS BY THOMAS HAWKES RUSSELL, (1851­1913)

painted ‘en grisaille’, titled, dated and signed with initials verso, in card mounts (10)

18.4 x 12.7cm

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note

Thomas Hawkes Russell (1851­1913) was a solicitor, author and artist, a member of the Moss Exchange Club and British Bryological Society who wrote ‘Mosses and Liverworts, An Introduction to Their Study, with Hints as to Their Collection and Preservation’, published in 1908.

Titles include willow, Mountain Ash, Campylopus setifolius, liverworts Scapania nemorosa and sphacelate, sallow salixcaprea, moss capsule peristome and lesser dodder cuscuta epithymum.

£100­150

479

AN ENGLISH MOSAIC OVAL PANEL BY SAMUEL COOPER, C.1865­70

depicting a Roman style female head looking to her right, in tones of brown and black on a green ground, inscribed in pencil verso

‘Executed by Samuel Cooper Mosacist 2 Waterford Terrace Fulham London’, in an ebonised frame and moulded, stained pine frame 47 x 36.8cm

Catalogue Note

The Victoria & Albert Museum, London, holds a fragmentary mosaic by Samuel Cooper of ‘the head of a female saint in adoration ’

£800­1,200

A VICTORIAN MAHOGANY AND BRASS MOUNTED GAMES COMPENDIUM

LATE 19TH CENTURY

the cover enclosing a chequers/chess board and escalado board, above a fitted interior with boxwood and ebony chess and draughts pieces, lead race horses, cribbage and whist markers and dominoes, above a drawer with a solitaire and buccaneer board and accessories for other games 18.5cm high, 44.4cm wide, 24.3cm deep

£150­250

481

SIX GERMAN HAND­COLOURED FORTUNE­TELLING CARDS

LATE 18TH CENTURY

depicting figures and scenes beneath playing card designs, framed, together with a French pen and ink design for a ‘transformation’ Ten of Hearts card, mid­19th century, framed (2) 27 x 27cm frame size (max)

Provenance

German Fortune Telling Cards ­ a note verso states ‘Bought Stanley Gibbons 7.79 £40’. Transformation ’ design ­ paperwork accompanying this items states ‘Sothebys, 28 July 1981, lot 189 (part), bought by Stanley Gibbons £450’, from whom purchased by the current vendor.

£100­200

482

A PART SET OF REGENCY METASTASIS TRANSFORMATION PLAYING CARDS DESIGNED AND ETCHED BY I.L.S. COWELL, PROBABLY PRINTED BY J. AND S. FULLER, C.1811 with hand­colouring, including: a full set of Diamonds, missing the Ace of Hearts, the King of Spades, and the six and seven of Clubs 9.2 x 6.1cm

Catalogue Note

See British Museum, Museum number 1896,0501.937 for a similar set of uncut, hand­coloured cards and number 1896,0501.1353.1­6, for a set of five uncut sheets of similar playing cards. Two related sets of cards were sold in these rooms, Furniture, Works of Art & Clocks, 15th September 2009, lot 554 which sold for £7,200 (hammer). £300­400

483

A REGENCY CHINOISERIE PENWORK CHESS OR GAMES BOARD

C.1820­30

with alternating panels of figures and floral foliage 37 x 36.5cm

£100­150

484 A VICTORIAN BOXWOOD AND EBONY STAUNTON PATTERN CHESS SET

POSSIBLY BY JAQUES, C.1870

the weighted pieces in an ebonised carton pierre box, with a plush lined interior, the original Jaques ‘The Staunton Chess­men’ label attached underneath the king: 9.3cm high, the pawn: 4.7cm high (33)

£400­600

483

484

485

A VICTORIAN CARTON PIERRE MOUNTED CHESS OR GAMES BOARD

RETAILED BY LEUCHARS OF PICCADILLY, C.1870

with a tooled, gilded and coloured leather playing surface, inside a tooled gilt border inscribed ‘Leuchars Piccadilly’, the exterior with gothic style decora

53 x 51.5cm

£400­600

485 open chess pieces from lot 484 (not offered with this lot)

λ 486

A LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE C.1800

inlaid with satinwood and rosewood banding, with a pair of astragal glazed doors enclosing three shelves, the secretaire drawer fitted with drawers, pigeonholes and a central cupboard, stamped ‘From W. Williamson & Sons, Guildford’, above three long drawers

213.3cm high, 102.7cm wide, 55cm deep

£300­500

487

487

A GEORGE IV MAHOGANY CHEST

IN THE MANNER OF GILLOWS, C.1825

the crossbanded breakfront top above three long drawers flanked by tablet pilasters, on mushroom feet

86cm high, 102cm wide, 52.5cm deep

£300­400 488

A REGENCY MAHOGANY DRESSING TABLE MIRROR EARLY 19TH CENTURY

the rectangular plate with scroll supports, the flamed figured base with a pair of cushion front drawers

56.cm high, 52.4cm wide, 30.8cm deep

£200­300

A REGENCY ROSEWOOD AND BRASS MARQUETRY

WRITING TABLE

IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

the top decorated with bands of foliate marquetry with hinged compartments to either end, above a frieze drawer on panelled trestle ends and lion’s paw feet and brass castors

74cm high, 94.7cm wide, 46cm deep

£2,000­3,000

491

AN EARLY VICTORIAN GILTWOOD CONVEX MIRROR MID­19TH CENTURY

the circular plate within an ebonised reeded slip and a ball decorated moulded frame

57cm diameter

£200­300

490

A REGENCY MAHOGANY BERGÈRE ARMCHAIR EARLY 19TH CENTURY

with a cane back, seat and sides and later upholstered armrests and cushions, with turned supports and brass castors

£300­500

489

492

A GEORGE IV MAHOGANY WATERFALL BOOKCASE CABINET C.1825

the top with graduated open shelves, above a pair of frieze drawers with bone escutcheons, the base with a pair of panelled doors enclosing a shelf

166.5cm high, 113cm wide, 28cm deep

£300­500

493

A HAMADAN RUNNER KURDISTAN, C.1960

the raspberry field of stylised flower heads around four cruciform medallions framed by narrow borders of geometric motifs flanked by carnation guard stripes, together with another Hamadan rug, c.1930, the coral pink field of stylised flowers and plants enclosed by narrow meandering vine borders flanked by guard stripes (2)

278 x 89cm (max)

£100­150

494

A REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY

inlaid with boxwood stringing, the drop­leaf top with canted corners above two frieze drawers

72.5cm high, 98.8cm wide, 66.5cm deep

£300­500

492

493

495

A REGENCY MAHOGANY LINEN PRESS CHANNEL ISLANDS, EARLY 19TH CENTURY

inlaid with stringing with a pair of oval panelled doors with bone escutcheons enclosing two slides above four long graduated drawers, flanked by spiral ribbed pilasters on part ebonised and lobed feet and a shaped apron 213cm high, 130cm wide, 55cm deep

£300­500

496

A KURDISH RUG WEST PERSIA, C.1930

the deep indigo field with central ivory serrated lozenge framed by spandrels and mid­blue borders of angular vines, together with a Hamadan Rug, Kurdistan, c.1930, the camel ground with central serrated indigo lozenge framed by madder borders of angular devices (2)

177 x 120cm (max)

£150­200 λ 497

A REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY

inlaid with brass marquetry and stringing, the drop­leaf top above a pair of frieze drawers, on lyre­shaped supports united by a low ribbed stretcher on foliate brass caps and castors

72.5cm high, 93.2cm wide, 61.2cm deep

£400­600

495

496

A REGENCY MAHOGANY CARD TABLE EARLY 19TH CENTURY

the canted swivel and hinged top with a reeded edge revealing a baize lined playing surface on four baluster turned supports on ribbed scroll legs, terminating in foliate cast brass caps and castors

77.5cm high, 91.5cm wide, 45.5cm deep

£300­500

499 498

499

A MAHOGANY OCCASIONAL TABLE POSSIBLY COLONIAL, 19TH CENTURY

the tilt­top on a ribbed and faceted stem with stiff­leaf decoration on bun feet

74.3cm high, 81.3cm wide, 49.5cm deep

£300­400

500

A TURKISH CARPET OF SERAPI DESIGN, C.1980

the ivory field of large serated leaves and angular vines centred by a pale terracotta and mint medallion enclosed by spandrels and terracotta borders of samovar motifs flanked by carnation guard stripes

386 x 296cm

£200­300

501

A REGENCY MAHOGANY BREAKFAST TABLE

C.1805­10

the rectangular crossbanded flame mahogany tilt­top with a moulded edge, above a ring turned stem, on four reeded downswept legs terminating in leaf and fan scroll caps and brass castors

73cm high, 151.5 x 109cm

£300­500

502

A REGENCY GILTWOOD CONVEX WALL MIRROR EARLY 19TH CENTURY

the circular plate within an ebonised reeded slip and a baton decorated frame, with an eagle surmount

87 x 69cm

£300­500

503 AN USHAK CARPET CENTRAL / WEST ANATOLIA, C.1900

the faded terracotta field with a one way design of trees and plants enclosed by wide borders of stylised plants flanked by guard stripes

420 x 243cm

£200­300

λ 505

A WILLIAM IV ROSEWOOD WHATNOT C.1835

with four tiers and spiral twist supports and brass castors

91.2cm high, 71.5cm wide, 25.8cm deep

£150­250

λ 504

AN EARLY VICTORIAN MAHOGANY CHEST BY GILLOWS, C.1840­50

the top with a gallery and a moulded edge, above two short and three long drawers, fitted with rosewood handles, the top right drawer stamped ‘GILLOW’

92.2cm high, 106cm wide, 56.2cm deep

£400­600

506

A GEORGE III MAHOGANY SIDE TABLE 18TH CENTURY AND LATER

fitted with a frieze drawer on chamfered legs and block feet

81.2cm high, 122.3cm wide, 59.2cm deep

£150­250

NORTH WEST PERSIA, SECOND HALF 20TH CENTURY

405 x 314cm

£2,000­3,000

507

A TABRIZ CARPET

the ivory terracotta field of Shah Abbas design with large flowerheads palmettes and vines enclosed by blood red borders of angular vines and flowers flanked by meandering vine guard stripes

508

A REGENCY GILTWOOD CONVEX MIRROR

EARLY 19TH CENTURY

the circular plate in an ebonised slip and a beaded gilt metal outer border, beneath an eagle surmount and above a foliate and pineapple pendant base 94.5 x 52.5cm

£200­300

509

A REGENCY MAHOGANY DRESSING

TABLE MIRROR

EARLY 19TH CENTURY

the rectangular plate on turned and baluster supports 55cm high, 35.5cm wide, 20cm deep

£100­150

510

A NORTH WEST PERSIAN RUNNER C.1940

the deep indigo field with four polychrome cruciform medallions surrounded by tribal and zoomorphic devices framed by double narrow borders and barber poles, together with a Hamadan runner, c.1950, the raspberry field of geometric flowers and plants enclosed by narrow borders of arrowhead devices (2)

308 x 78cm (max)

£100­150

λ 511

A LATE REGENCY ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY

the crossbanded circular tilt­top with a nulled frieze above a brass mounted turned stem and a triform base on brass castors

72.5cm wide, 127cm diameter

Provenance

Table with a typed label stating that it orignally belonged to a Robert and Esther Breese of Saxthorpe.

£600­1,000

A REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY

inlaid with ebonised stringing, the top inset with a leather writing surface flanked by secret pull out pen drawers, the back with hinged compartments with pierced brass galleries above a pair of frieze drawers, the sides with pull­out slides on trestle end supports decorated with brass volutes, on brass castors

82.5cm high, 106.2cm wide, 59cm deep

Provenance

Purchased from the Estate of Capt. T.C. Meyrick, Norton, near Chichester in 2014.

£600­800

514

A REGENCY GILTWOOD AND GESSO PIER MIRROR

EARLY 19TH CENTURY

the rectangular plate flanked by cluster columns, the frieze decorated with leaves 103 x 62.8cm

£150­250

λ 513

A PAIR OF REGENCY ROSEWOOD DECANTER BOXES

EARLY 19TH CENTURY

each with a hinged cover with a moulded and rope twist edge and a fall front enclosing a lined, two decanter fitted interior, the corners of slender ‘tulip’ columns with foliate ball feet on a plinth (2)

32.5cm high, 31.4cm wide, 20.2cm deep

£800­1,200

with a caned back, sides and seat, with scroll arms and ribbed front legs and brass castors

£400­600

514

515

A GEORGE IV MAHOGANY BERGÈRE ARMCHAIR

C.1820

516

A REGENCY GILTWOOD AND GESSO PIER MIRROR BY H GRAHAM OF BRIGHTON, EARLY 19TH CENTURY

with two rectangular plates, flanked by cluster columns, the frieze with scrolling leaves, the back with a printed trade label for ‘H. Graham, Carver & Gilder Glass Picture Frame Maker 16 Market Street, East Street, Brighton’ 149 x 76.3cm

£600­800

517

A REGENCY GILTWOOD CONVEX GIRANDOLE MIRROR EARLY 19TH CENTURY

the circular plate within a moulded frame, with a pair of lappet decorated sconces with brass holders and drip­trays, with an entwined dolphin surmount 78 x 53.5cm

£300­400

518

A REGENCY TUNBRIDGE WARE SEWING TABLE EARLY 19TH CENTURY

with a hinged parquetry top inlaid with specimen wood veneers, revealing a pink paper lined interior with a lift­out tray above a silk bag

74.8cm high, 50.5cm wide, 39.5cm deep

£200­300

516

517

GRAND TOUR & SCULPTURE

519

AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY with verdigris patination, the circular base with bands of stiff leaf decoration 37.8cm high

£100­150

520

AN ITALIAN WHITE MARBLE GRAND TOUR RELIEF BUST 19TH CENTURY

possibly of Napoleon as a Roman Emperor 33 x 29cm

Provenance

A paper label attached verso is inscribed ‘A and M Coleridge Collection. SC.4.’. Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£400­600

521

AN ITALIAN BRONZE GRAND TOUR FIGURE OF A SATYR AFTER THE ANTIQUE, MID­19TH CENTURY the Bacchanalian figure with a wine skin, on a white marble base 23.2cm high, 17.2cm wide

£150­200

521

519

522

A LARGE POLISHED BRONZE GRAND TOUR MODEL OF THE WARWICK VASE

AFTER THE ANTIQUE, LATE 19TH CENTURY

the body cast with masks between entwined handles

26.5cm high, 46cm wide

£500­800

523

ANTIQUITIES. A GREEK MARBLE HEAD OF A LADY

1ST ­ 3RD CENTURY BC

with well carved hair and wearing a diadem, on a green onyx plinth, together with a terracotta face mask (2)

7.2cm high

£100­200

524

THREE FRAGMENTS OF EGYPTIAN RED PORPHYRY

PROBABLY 19TH CENTURY in various shapes (3)

13.2 x 6.2cm (max)

£100­200

525

AN ITALIAN BRONZE FIGURE OF VENUS AT HER BATH

AFTER THE ANTIQUE, POSSIBLY 17TH CENTURY

modelled standing with her left foot slightly raised, on a later wooden plinth 17.7cm high (max)

£500­800

526

A SET OF THREE BRONZE GRAND TOUR RELIEF PLAQUES ITALIAN OR FRENCH, EARLY 19TH CENTURY

each with a profile bust portrait of Roman Emperors to include: Julius Caesar, Titus and Galba, in a gilt bronze oval frame (3)

8.2cm high, 5.4cm wide

£150­250

527

AN ITALIAN BRONZE GRAND TOUR ETRUSCAN EWER AFTER THE ANTIQUE, 19TH CENTURY

the handle in the form of a man flanked by a pair of recumbent lions, with a lobed body on a rouge griotte marble foot, together with a bronze figure of a recumbent lion, 19th century, on a black marble plinth (2) 19.3cm high (max)

528

AN ITALIAN ALABASTER GRAND TOUR FIGURE OF SOPHOCLES

20TH CENTURY

together with a resin marble bust of Antinous as Dionysus (2)

34.8cm high (max)

£100­150

£300­500 529

THREE ITALIAN MARBLE ‘GRAND TOUR’ BOOKS

19TH CENTURY

in a variety of marbles, with carved spines (3) 12.3cm high, 9.1cm wide, 4.2cm deep (max)

£150­200

AN ITALIAN GILT BRONZE GRAND TOUR

FIGURE OF APOLLO IN THE MANNER OF MASSIMILIANO SOLDANI

BENZI (ITALIAN, 1656­1740), 18TH CENTURY / EARLY 19TH CENTURY

the figure standing adlocutio, on a pink and grey veined marble plinth, with white marble bands

68.3cm high

£3,000­5,000

531

A PAIR OF ITALIAN MARBLE GRAND TOUR OBELISKS LATE 19TH / EARLY 20TH CENTURY

in veined red and black marble, of tapering form on stepped plinths (2)

42.5cm high

£250­350

A REGENCY TORTOISESHELL OBELISK EARLY 19TH CENTURY

together with an Italian yellow and grey marble obelisk, late 19th century (2)

43.5cm high (max)

£200­300

531

532

λ 532

AN ITALIAN WHITE MARBLE GRAND TOUR FIGURE OF A PANTHER IN THE MANNER OF FRANCESCO ANTONIO FRANZONI (1734 ­ 1818), ROMAN, LATE 18TH CENTURY

modelled seated and looking to sinister, on a rectangular foot and stepped black marble base

22.5cm high, 20.5cm wide, 11.8cm deep

Catalogue Note

Throughout the latter half of the 18th century, Franzoni was one of the leading restorers of ancient sculptures in Rome. Seen as a favourite of the Popes, he created a series of marble animals either copying originals from antiquity or composed of fragments of ancient originals. Franzoni, other artists and Grand Tourists frequently visited the Sala degli Animali, the Vatican’s zoo of stone animals, and it is likely that this zoo provided the inspiration for the lot being offered.

See Sotheby’s, 9th July 2008, European Sculpture and Works of Art, lot 165 for a closely related panther and goat group attributed to Franzoni now held at the Cleveland Museum of Art, accession reference “Dudley P Allen Fund, 2008.109”.

£3,000­5,000

535 A FRENCH TERRACOTTA MODEL OF A SPHINX EARLY 20TH CENTURY

64.5cm high, 60cm wide, 29.5cm deep

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£200­300

536

A PAIR OF BRONZED COMPOSITE FIGURES OF LIONS AFTER ANTONIO CANOVA, LATE 19TH CENTURY

534

AN ITALIAN BRONZE GRAND TOUR FIGURE OF ZEUS MID­19TH CENTURY

the crowned god seated on an eagle and throwing a flaming arrow, on a bronzed oval socle base with gilt metal masks

36.5cm high

£300­500

each modelled recumbent on rectangular bases (2)

15.5cm high, 37.3cm long, 12.5cm deep (max)

Catalogue Note

The original versions of these lions by Canova are part of the Rezzonico Monument in St Peter’s Basilica in Vatican City. Marble copies, by Rinaldo Rinaldi and Fransesco Benaglia, are held as part of the Chatsworth Collection.

£300­400

534

536

535

AN ITALIAN BRONZE FIGURE OF DAVID AFTER GIAN LORENZO BERNINI (1598­1680), ROMAN, 19TH CENTURY

the figure standing above his armour and shield, the base inscribed ‘VICTOR LUDORUM 1933, CLARENCE HOUSE, PRSENTED BY LEONARD H BENTALL, JP’, together with a bronzed Corinthian column pedestal (2)

161.5cm (overall), 58cm high (figure)

£500­800

AN ITALIAN GREEN MARBLE GRAND TOUR MODEL OF A ROMAN BATH

FIRST HALF 19TH CENTURY

with an egg and dart rim and lion’s paw feet on a rouge griotte and black marble plinth

12cm high, 27.2cm wide, 11.3cm deep

£800­1,200

539

AN ITALIAN MARBLE GRAND TOUR MODEL OF A ROMAN BATH FIRST HALF 19TH CENTURY on lion’s paw feet and a portor marble base

6.2cm high, 25.2cm wide, 8cm deep

£400­600

538

539

AN ITALIAN ROSSO ANTICO, BLACK AND SIENA MARBLE GRAND TOUR TAZZA IN THE MANNER OF BENEDETTO BOSCHETTI, MID­19TH CENTURY

the square tazza with an egg and dart rim and gadrooned base on a tall, flaring, fluted stem and square foot, a black marble base and Siena marble plinth

35.6cm high, 14.5cm square

£1,500­2,000

541

AN ITALIAN SPECIMEN MARBLE GRAND TOUR TABLE TOP PROBABLY ROMAN, LATE 19TH CENTURY

inlaid with various marbles and alabasters inside a black marble border, on an associated base

58.5cm high, 43.5cm diameter

£300­500

542

AN ITALIAN MICROMOSAIC AND MALACHITE GRAND TOUR SNUFF BOX

ROMAN, LATE 19TH CENTURY

the rectangular panel depicting a view of St Peter’s Basilica, Rome, set into a white metal frame, on a malachite and white metal mounted box and cover, with impressed hallmarks and other incised marks

2.5cm high, 8.8cm wide, 4.7cm deep

£800­1,200

541

543

AN ITALIAN PIETRA DURA AND GILTWOOD CENTRE TABLE IN THE MANNER OF BOSI, FLORENTINE, LATE 19TH CENTURY

the circular inset top inlaid with various hardstones including: lapis lazuli, with floral sprays

77cm high, 62cm diameter

£2,000­3,000

544

AN ITALIAN MICROMOSAIC GRAND TOUR PAPERWEIGHT

ROMAN, C.1860­80

inlaid with five topographical panels depicting the Pantheon, the Temple of Vesta, the Colosseum, St Peter’s Square and the Temple of Vespasian, on a black slate ground

10.8 x 14.5cm

£300­500

543

545

A FRENCH BRONZE, ROUGE GRIOTTE AND INLAID MARBLE GRAND TOUR TAZZA BY TAHAN, PARIS, MID­19TH CENTURY

the marble with classical scrolling foliate decoration inlaid in a variety of stones and with gilt highlights around a central bust of a maiden’s head, mounted with bronze handles and fluted, spreading foot inscribed ‘Tahan a Paris’ to the rim 14.7cm high, 41.2cm wide

£200­300

546

A PAIR OF FRENCH BRONZE

GRAND TOUR URNS

LATE 19TH CENTURY

547 A PAIR OF FRENCH BRONZE GRAND TOUR URNS

LATE 19TH CENTURY

each decorated with classical figures on a part slate base with female masks (2)

54.3cm high

£800­1,200

of amphora shape, each decorated with a band of classical figures and mounted on an engraved slate plinth base (2)

38.6cm high

£500­800

548

A PAIR OF FRENCH BRONZE MARLY HORSE GROUPS

AFTER GUILLAUME COUSTOU (FRENCH 1677­1746), MID­19TH CENTURY

each on a nauturalistic base and an ebonised Boulle marquetry plinth (4)

73.5cm high, 57cm wide, 28.8cm deep (max)

Provenance

Bought by Mrs Lacy (Lacey), of Claremont, Northwood, whose family were partners in the banking firm Pocklington & Lacy, Smithfield, London, and thence by descent.

£3,000­5,000

550 A BRONZED IRON ‘TEMPERANCE’ BASIN

AFTER FRANÇOIS BRIOT (1545­1620), IN RENAISSANCE STYLE, LATE 19TH CENTURY

the well with a central classical figure of Temperance inside a border of four cartouches interspersed with carytids, the rim with further classical cartouches of Minerva and the Arts

42.3cm diameter

£150­200

549

A PAIR OF PATINATED BRONZE GRAND TOUR CIRCULAR PLAQUES

LATE 19TH CENTURY

depicting Samson and the lion and a classical youth with a lion, inside a foliate border and faux porphyry frames (2)

36.5cm diameter (max)

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£250­350

550

551

A FRENCH BRONZE EQUESTRIAN GROUP OF HENRY IV ON HORSEBACK

AFTER GUILLAUME DUPRÉ (FRENCH, 1570S­1643)

the figure wearing a suit of armour, on a rectangular plinth 26.5cm high, 20.1cm wide, 10cm deep

Catalogue Note

The original bronze can be found at the Pont Neuf, Paris.

£100­150

552

A PAIR OF FRENCH POLISHED BRONZE MARLY HORSE GROUPS AFTER GUILLAUME COUSTOU (FRENCH 1677­1746), LATE 19TH / EARLY 20TH CENTURY

each on a naturalistic base, signed ‘Costou’ (2) 59cm high, 56cm long

£1,200­1,800

553

A PAIR OF FRENCH BRONZE FIGURES AFTER JEAN­CLAUDE­JOSEPH ROSSET (1706­1786), MID­19TH CENTURY of Voltaire and Rousseau, on stepped red marble plinths (2)

22.5cm high (max)

£400­600

554

A FRENCH BRONZE GRAND TOUR MODEL OF THE VENDÔME COLUMN 19TH CENTURY

on a Siena marble plinth 27.5cm high

£100­150

555

A PAIR OF REGENCY GILT BRONZE BUSTS

EARLY 19TH CENTURY

of Sir Walter Scott and Robert Burns each attired in classical clothing on a green marble cylindrical plinth and on a white marble foot (2)

17.3cm high (max)

£300­500

556

556

A REGENCY BRONZE FIGURE OF THE DUKE OF SUSSEX EARLY 19TH CENTURY

standing resting on a pedestal, titled ‘SUSSEX’ to the foot, on a black marble plinth, together with Fulford (R), Royal Dukes, published 2000, Penguin Books, London (2)

19.8cm high

£100­150

557

A VICTORIAN CREAM MARBLE BUST OF LT. GEN. THOMAS WILSON CB MID­19TH CENTURY

in dress uniform, on a socle base, square foot and a white marble plinth inscribed ‘Lt.Genl. Thos Wilson C.B., Born March 13th 1779. Died April 2nd 1856.’

43.4cm high

£200­300

558

A WILLIAM IV MARBLE

NEO­CLASSICAL MEMORIAL PLAQUE BY WILLIAM OSMOND (1793­1875), SALISBURY, DATED ‘1833’

carved with a classical maiden kneeling beside and urn on a plinth above the inscription ‘To the Memory of MATILDA, Wife of George Mill. Gent. who was suddenly removed from her a Husband & sorrowing family within a month of her Marriage on the 24th of July 1833, Aged 26 Years.’ 98 x 73cm

Provenance

Holy Trinity, Shaftesbury (made redundant in 1977 and deconsecrated in 2010).

Catalogue Note

William Osmond (1793­1875), sculptor and mason, was appointed Mason to Salisbury Cathedral in about 1818 at the age of 27, employing twelve men and one boy; his first undertaking in the following two years was to make two new pinnacles for the cathedral’s tower. In 1843 he made “columns and capitals” for the south walk within the cloisters, continuing for decades to restore the cathedral itself, as well as supplying monuments for the cathedral and other churches. He was a close friend of the influential Gothic revival architect A.W.N. Pugin, adopting the latter’s Gothic style. He died on 10 July 1875 at home at 113 Exeter Street, Salisbury, and is buried in the Cloister Green of Salisbury Cathedral, where there is a memorial sculpted by his son. It has been suggested that the Osmonds are descended from Bishop Osmond (whose remains are interred in Salisbury Cathedral) who came over with William the Conqueror and was made a Saint.

Literature

See Rupert Gunnis, Dictionary of British Sculptors 1660–1851, page 285.

£800­1,200

559

AN AUSTRIAN TERRACOTTA BUST OF AN ARAB BY RIESSNER STELLMACHER & KESSEL, AMPHORA, C.1900

cold painted, signature to one side and factory stamp and model number ‘1525’ verso

44cm high

£1,000­1,500

561

AN AUSTRIAN COLD PAINTED BRONZE DUCK DESK STAND IN THE MANNER OF FRANZ BERGMAN, LATE 19TH CENTURY

the pair of birds modelled standing on an onyx dished circular stand

7.5cm high, 19.3cm diameter

£200­300

560

AN AUSTRIAN PAINTED TERRACOTTA MOORISH FIGURE BY JOHANN MARESCH, LATE 19TH / EARLY 20TH CENTURY

of an Arab man holding a basket and vase, impressed marks ‘J. M.’ and numbered ‘6429’

59cm high

£400­600

562

AN AUSTRIAN COLD PAINTED BRONZE FIGURE OF AN ARAB MUSICIAN IN THE MANNER OF FRANZ BERGMAN, LATE 19TH CENTURY the bearded man squatting on a rug and playing a tambourine 8.7cm high

£150­200

563

AN AUSTRIAN ENAMEL AND SILVER RENAISSANCE REVIVAL FIGURE OF A QUEEN VIENNA, LATE 19TH CENTURY

possibly Mary, Queen of Scots, modelled standing, wearing a French hood, an elaborate dress with a high collar and holding a bible, on an ebonised plinth with a stepped foot 25.5cm high

Catalogue Note

For a similar style figure of St George and the Dragon, see Christie’s, 6th April 2023, The Orange Blossom Collection, lot 243.

£2,000­3,000

565

AN ITALIAN WHITE ALABASTER FIGURE OF A MAIDEN IN THE MANNER OF CIPRIANI, 20TH CENTURY

modelled as a nude young lady standing on a tiled floor, on an alabaster base, signed to the reverse 77.5cm high

£600­800

564

A FRENCH BRONZE FIGURE OF ANDROMEDA BY PIERRE­ALEXANDRE SCHONEWERK (1820­85), LATE 19TH CENTURY

the figure sat chained to a rock, on a bowfront base, with an applied label 55cm high

£1,200­1,800

566

A BRONZE BUST OF AN AFRO­CARIBBEAN WOMAN BY CHARLES LEONARD HARTWELL RA (1873­1951)

signed, on an ebonised square section pedestal 18cm high

Provenance

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

564

565

567

A FRENCH WHITE MARBLE PORTRAIT BUST OF FLORA BY ALBERT­ERNEST CARRIER­BELLEUSE (1824­1887)

possibly Sophie­Alexandrine Croizette or Marguerite Bellanger, signed 'Carrier­Belleuse', on a turned socle 66cm high

Catalogue Note

Albert­Ernest Carrier­Belleuse was one of the most talented and prolific French artists of the 19th century He reacted against the static poses of the neo­classical art and drew inspiration from the opulence and excess of Rococo portraiture from the 18th century. This bust resembles both Sophie Croizette and Marguerite Bellanger. Sophie Croizette (1847­1901) was a Russian born actress and considered the main rival to Sarah Bernhardt. Marguerite Bellanger (1838­1886) was also an actress and one of the leading figures of the demi­monde of the Second Empire. She was Napoleon III's mistress between 1863 and 1865. She inspired Carrier­Belleuse to create a number of fantasy busts including the Four Seasons.

For an identical bust descrbed as 'Sophie Croizette' see Sotheby's, Ninetheenth Century European Paintings, Drawings and Sculpture, 22nd November 1988, lot 46.

£3,000­5,000

568

A FRENCH BRONZE ANIMALIER FIGURE OF A GREYHOUND AFTER PAUL JOSEPH RAYMOND GAYRARD (1807­1855), LATE 19TH / EARLY 20TH CENTURY

modelled with a dead hare on a naturalistic base, signed ‘Gayrard’ 21.5cm high, 23cm wide

£200­300

569

A GERMAN BRONZE ANIMALIER OF A GOITERED GAZELLE BY JOSEPH FRANZ PALLENBERG (GERMAN 1882­1946)

grazing, on an oval base, signed to the top and inscribed ‘Düsseldf. Bronce Bildgiesserei G.M.B.H.’ to the reverse, on a green marble plinth with a white metal presentation plaque 27cm high, 28.5cm wide, 20cm deep

£400­600

570

A FRENCH BRONZE ANIMALIER FIGURE OF A BULL AFTER MILO, 20TH CENTURY

standing facing to the right, on a black marble plinth, signed and with foundry marks 'J.B. Depossé' 15cm high, 23cm wide, 9.1cm deep

£100­150

569

571

AN ITALIAN MARBLE FIGURE OF A CLASSICAL MAIDEN C.1870­80

wearing a toga, her left hand holding her necklace 99.3cm high

£3,000­4,000

572

A LIFE SIZE BRONZE SCULPTURE OF A LURCHER

20TH CENTURY

modelled standing with his head turned to the right, with a gilt collar

79cm high, 90cm wide

£2,000­3,000

573

A FRENCH TERRACOTTA OVAL RELIEF PLAQUE

IN THE MANNER OF CLAUDE MICHEL, CALLED CLODION (1738­1814), PROBABLY LATE 18TH / EARLY 19TH CENTURY

depicting two winged cherubs holding a garland of flowers amidst billowing clouds, in a glazed ebonised frame

23 x 17.2cm

£300­400

574

A GEORGE IV WAX RELIEF PORTRAIT BUST OF JOHN BURNET ESQUIRE BY PETER ROUW (1771­1852), DATED ‘1821’ in a gilt slip and ebonised circular frame beneath a domed glass, with a paper label verso inscribed ‘Portrait of John Burnet Esqr. Peter Rouw Sculptor ­ Modeller of Gems and Cameos to His Majesty. New Road Opposite Cleveland London 1821’. 7cm high, 18.8cm diameter (case)

£200­300

ORIENTAL FURNITURE & WORKS OF ART

576

AN ANGLO­CHINESE PADOUK PEMBROKE TABLE

LATE 18TH / EARLY 19TH CENTURY

the oval drop­leaf top above a frieze drawer, on fluted tapering legs

70.7cm high, 46cm wide, 77.3cm deep

Provenance

From an English private collection, Sussex.

£500­800

575

A PAIR OF CHINESE HUALI ARMCHAIRS IN MING STYLE, 20TH CENTURY

each decorated with scrolls and with a solid panelled seat (2)

£600­1,000

577

A CHINESE HARDWOOD LOW TABLE LATE 19TH / EARLY 20TH CENTURY

the circular panelled top above a frieze carved with key and auspicious symbols

38.5cm high, 81.5cm diameter

£1,000­1,500

576

578

A CHINESE HARDWOOD ALTAR TABLE

20TH CENTURY

the panelled top above a pierced fret frieze and on carved legs

103cm high, 154.5cm wide, 45cm deep

£1,000­1,500

579

A MATCH PAIR OF CHINESE HARDWOOD GARDEN SEATS

EARLY 20TH CENTURY

each of open barrel form, the top inset with a grey marble panel (2)

53.5cm high, 43cm diameter

£2,000­3,000

580

A NEAR PAIR OF CHINESE HARDWOOD OCCASIONAL TABLES

LATE 19TH CENTURY

each all over carved with scrolling leaves, flowers and dragons, with an hexagonal top inset with marble on a tripod base (2)

78.8cm high, 65cm wide (max)

£400­600

578 579

581

A LARGE PAIR OF CHINESE PORTRAITS OF AN EMPEROR AND EMPRESS

20TH CENTURY

painted and printed with silk borders and moulded gilt frames (2)

121 x 85.2cm (the image)

£1,500­2,000

582

A CHINESE PAINTED PANEL LATE 19TH / 20TH CENTURY AND LATER MOUNTED

painted with three ladies painting a scroll in a pavillion, with other figures at various activities in a walled garden, in a painted faux bamboo frame

134 x 131.5cm (max)

£300­500

581

A PAIR OF CHINESE BLACK LACQUER AND HARDSTONE MOUNTED CABINETS

LATE 19TH / EARLY 20TH CENTURY

each decorated in gilt and polychrome and inlaid with mother of pearl and inlaid with various hardstones depicting ladies and boys playing in a courtyard before pavilions and trees, with a pair of doors enclosing a shelf with a vacant compartment below (2)

129cm high, 76.8cm wide, 41cm deep

£4,000­6,000

584

A SET OF THREE CHINESE PORCELAIN FAMILLE ROSE SANXING FIGURES

20TH CENTURY

of Fu, Lu and Shou, impressed seal marks (3) 58cm high (max)

£400­600

585

TWO CHINESE PORCELAIN FAMILLE ROSE OCTAGONAL SERVING DISHES

18TH CENTURY

each decorated with a vase issuing flowers inside a floral border, together with an octagonal blue and white platter (3)

29.5 x 39.5cm (max)

586

A CHINESE PORCELAIN BLUE AND WHITE ROSE WATER BOTTLE POSSIBLY KANGXI

painted with flowering foliage, with white metal mount, together with a Chinese carved coconut bowl with a silvered metal liner (2) 22.3cm high (max)

£100­200

£200­300

587

A CHINESE PORCELAIN BLUE AND WHITE EWER FOR THE PERSIAN MARKET, 16TH CENTURY with teardrop shaped cartouches, painted with flowering foliage inside further scrolling foliage, beneath a neck painted with stiff leaves and on a spreading foot

20.8cm high

£800­1,200

A CHINESE RED LACQUER ALTAR TABLE 18TH / 19TH CENTURY

polychrome and gilt decorated with dragons scrolling leaves and flowers, with Greek key borders, the rectangular top above a pierced frieze on cabriole legs, terminating in carved feet

79cm high, 119.5cm wide, 53.5cm deep

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£2,000­3,000

A CHINESE PADOUK AND MARQUETRY CENTRE TABLE PROBABLY SINGAPORE, LATE 19TH / EARLY 20TH CENTURY

inlaid with bone and fruitwoods, with figures in various pursuits, pagodas, dragons and other animals, bats and birds, the lobed top on carved supports and castors

73cm high, 91.5cm wide

£400­600

590

A PAINTED AND PARCEL GILT COFFEE TABLE POSSIBLY BY MALLETT, 19TH CENTURY AND LATER

the top inset with a Chinese lacquer and hardstone panel, decorated with various vases incense burners and scholarly objects, with four Chinese characters

40.7cm high, 44.5cm wide,117cm long

£1,500­2,000

AN ANGLO­CHINESE SATINWOOD TWIN PEDESTAL DESK 19TH CENTURY

the crossbanded top above a pair of slides to either end, the front with seven drawers and a pair of panelled cupboards, with brass side carrying handles

77.2cm high, 117.2cm wide, 54.5cm deep

£500­800

591

592

A SET OF FOUR CHINESE EXPORT PAINTINGS

19TH CENTURY

gouache, each depicting a pair of court figures on a verandah, glazed in gilt frames (4)

44 x 60cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£800­1,200

592

593

A SET OF TEN CHINESE RICE PAPER PAINTINGS

19TH CENTURY

showing figures in a procession including musicians, flag bearers, shrine and palanquin bearers, glazed and framed (10)

19.5 x 31cm

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£200­300

594

A CHINESE SILK PICTURE

19TH CENTURY

worked in colours with Magu carrying a ruyi sceptre and a basket of fruit before a deer carrying a ruyi in its mouth, between woven silk borders, glazed and framed

46 x 32.2cm

£150­250

595

A CHINESE TERRACOTTA FIGURE OF A BOAR standing four square 22cm high, 34cm long

Provenance

A Private Collection, an apartment on Cadogan Square, London.

£100­150

596

A PAIR OF CHINESE SANCAI LION DOGS IN KANGXI STYLE, 18TH OR 19TH CENTURY

seated, facing to left and right (2)

18cm high

£150­200

597A

A CHINESE PORCELAIN WUCAI BALUSTER VASE TRANSITIONAL, C.1640

painted with a scene of ladies at leisure in a garden pavilion, with a later hardwood cover and stand

43.5cm high (max)

£200­300

597

A PAIR OF CHINESE PORCELAIN FAMILLE VERTE FIGURES IN KANGXI STYLE, LATE 19TH / 20TH CENTURY

each modelled as a boy holding a vase with a lotus flower (2) 27.5cm high

£200­300

598

A SET OF FIVE CHINESE PORCELAIN FAMILLE ROSE ‘WU SHUANG PU’ CYLINDRICAL BOXES AND COVERS 19TH CENTURY

painted and gilded with figures and panels of script (5) 12.3cm high (max)

£150­200

599 A CHINESE PORCELAIN BLUE AND WHITE FRUIT BOWL 19TH CENTURY

the exterior painted with a continuous landscape scene, the interior with a landscape rondel, with a Xuande style four character mark, together with two Chinese export famille rose fruit bowls, one painted with figural cartouches, the other with floral sprays (3) 29.9cm diameter (max)

£250­350

600 A CHINESE PORCELAIN FAMILLE ROSE FIGURE OF A PHEASANT 19TH CENTURY

modelled perched on a rock issuing fungi 23cm high

£150­250

λ 601 A CHINESE EXPORT TORTOISESHELL SNUFF BOX

MID­19TH CENTURY

of curved form, carved in relief with figures amongst trees and buildings, the front with an oval monogrammed panel 2.5cm high, 8.1cm wide, 6cm deep

£300­400

A PAIR OF CHINESE STONEWARE NODDING HEAD FIGURES EARLY 19TH CENTURY

modelled as a young Chinese official and his wife in traditional costume, with painted floral designs (2)

31cm high (max)

£500­800

λ 603

A RHINOCEROS HORN RIDING CROP

EARLY 20TH CENTURY

the handle carved as interlinked rings, with a leather popper

98g approx total weight 59.6cm long

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£300­500

λ 604

A GEORGE V RHINOCEROS HORN AND SILVER MOUNTED RIDING CROP BY SWAINE & ADENEY, HALLMARKED LONDON 1922

with an antler handle, monogrammed silver collar and button and a leather popper 105g approx total weight 67cm long

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£300­500

λ 605

A RHINOCEROS HORN RIDING CROP

LATE 19TH / EARLY 20TH CENTURY

with a rounded finial, together with another with woven silver thread finial and collar (2) 195g approx total weight 78.7cm long (max)

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£300­500

λ 606

A RHINOCEROS HORN RIDING CROP

EARLY 20TH CENTURY

the finial carved as a bull dog’s head with glass eye, with a leather popper

92g approx total weight 52.8cm long

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£200­300

λ 607

A RHINOCEROS HORN RIDING CROP

LATE 19TH / EARLY 20TH CENTURY

the yellow gold coloured finial with scrolling foliate decoration, together with another, similar, with a woven silver thread finial and gold coloured button and sleeve, and two horn handled whips in the form of horses legs and hooves (4)

55g approx total weight of rhinoceros horn

65.4cm long (max)

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£200­300

λ 608

A RHINOCEROS HORN AND GOLD MOUNTED RIDING CROP

EARLY 20TH CENTURY

with an antler handle above a 15ct gold collar, hallmarks rubbed, together with another similar with a rose gold coloured button inscribed ‘Swaine & Adeney’ and collar with a presentation inscription dated ‘1869’, both with a leather popper (2)

400g approx total weight

77.5cm long (max)

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£600­800

λ 609

A TURNED RHINOCEROS HORN DRINKING CUP

GERMAN OR SUDANESE, 18TH / 19TH CENTURY

with rounded sides and slightly flaring rim

4.1cm high

Provenance

Field Marshal Earl Kitchener of Khartoum (1850­1916) and thence by descent.

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£200­300

λ 610

A TURNED RHINOCEROS HORN DRINKING CUP

GERMAN OR SUDANESE, 18TH / 19TH CENTURY with rounded sides and slightly flaring rim 5cm high

Provenance

Field Marshal Earl Kitchener of Khartoum (1850­1916) and thence by descent.

Please note that an export licence will only be granted for rhinoceros horn pieces should the hammer price meet or exceed the value of 100 USD per gram of the item’s weight.

£500­800

611

A PAIR OF CHINESE CELADON VASE TABLE LAMPS

19TH CENTURY

each with a pair of scroll handles with ruyi terminals, on hardwood stands, fitted for electricity (2)

59.4cm high (max)

£800­1,200

612

612

A NEAR PAIR OF CHINESE PORCELAIN JAR TABLE LAMPS

LATE 19TH / EARLY 20TH CENTURY

each decorated in the famille rose palette with young ladies and boys, the backs with Chinese inscriptions, with a lid, later mounted (2)

34.2cm high (max)

£500­800

613

A JAPANESE BRONZE OKIMONO OF AN ARCHER MEIJI OR LATER

modelled kneeling ready to fire and wearing samurai armour, with a signature to verso

40.5cm high, 27cm wide

£400­600

614

TWO SOUTH EAST ASIAN POTTERY STORAGE JARS

LATE 17TH CENTURY AND LATER

each with lugs and decorated with dragons (2)

67cm high, 45cm diameter (max)

£500­800

615

TWO SOUTH EAST ASIAN POTTERY STORAGE JARS

LATE 17TH CENTURY AND LATER

each with lugs, one decorated with dragons (2) 70cm high, 46cm diameter (max)

£500­800

616

A LARGE INDIAN CARVED HARDWOOD AND POLYCHROME DECORATED MODEL OF A HORSE RAJASTHAN, FIRST HALF 20TH CENTURY

modelled standing on a platform trolley with wheels 168cm high, 150cm long

£600­1,000

616

614

615

617

A MOORISH WALNUT WINDOW SEAT LATE 19TH / EARLY 20TH CENTURY

inlaid with mother of pearl and with turned spindle decoration, together with a similar stool (2)

61.4cm high, 104.5cm wide, 41.5cm deep

£300­500

618

A MUGHAL BRASS EWER

INDIAN, 18TH CENTURY

of pyriform, with teardrop shaped panels on a trefoil ground, beneath a domed cover and with a scrolling handle with animal head terminals, together with another similar but lacking its cover (2)

23.5cm high (max)

£150­200

AN INDIAN MARBLE AND INLAID BOX AND COVER AGRA, 20TH CENTURY

of octagonal form, inlaid with a floral design in a variety of semi­precious stones, in a velvet lined presentation box (2)

4.8cm high, 17cm wide (max)

£100­150

617

618

619

620 A COLONIAL HARDWOOD CHEST ON STAND POSSIBLY DUTCH EAST INDIES, 19TH CENTURY

with brass mounts and inlaid with ebony flower heads and star motifs, with side carrying handles, the stand fitted with two drawers

82.7cm high, 89cm wide, 48.5cm deep

£1,000­1,500

621

A MAMLUK REVIVAL COPPER AND SILVER BOWL

LATE 19TH CENTURY

of compressed ovoid form, inlaid with panels of script and scrolling foliage

9.5cm high, 21cm diameter

£200­300

622

TWO MOORISH WALNUT AND MARQUETRY OCCASIONAL TABLES

LATE 19TH / EARLY 20TH CENTURY

inlaid with mother of pearl and panels of Islamic script (2)

53cm high, 38.2cm wide, 39cm deep (max)

£300­500

FURNITURE & RUGS

623

A VICTORIAN MAHOGANY CAMPAIGN SECRETAIRE CHEST

C.1850­60

in two halves and with brass mounts, the secretaire fitted with four drawers and pigeonholes, flanked by four short drawers above three long drawers, all fitted with sunken brass handles, on detachable bun feet

118.8cm high, 112cm wide, 50.5cm deep

£600­1,000

624

A MAHOGANY AND BRASS OFFICER’S CAMPAIGN SHAVING CASE

19TH CENTURY

of rectangular form, the hinged cover with a brass plaque engraved with the initials ‘AB’, enclosing a baize lined interior, a brass lock to one end, lacking original fittings and accessories

13cm high, 32.4cm long, 15.5cm wide

£100­150

625

TWO MAHOGANY AND BRASS CAMPAIGN SHAVING CASES

19TH CENTURY

each of barrel form, the hinged covers with brass shields, lacking original fittings and accessories (2)

15.8cm high, 9.1cm diameter (max)

£100­150

623

626

A VICTORIAN WALNUT BREAKFRONT CREDENZA

C.1860­70

with ormolu mounts, the top with a parquetry band, above three open shelves, flanked by a pair of glazed doors, interspersed with female masks and leaf corbels

118cm high, 219.5cm wide, 42cm deep

£500­800

627

A DOSEMEALTI RUG WEST ANATOLIA, C.1960

the brick red field with two ewers and tribal motifs beneath a stepped latch hook Mihrab enclosed by polychrome borders of stellar devices, together with two other Dosemealti rugs (3)

124 x 74cm (max)

£100­150

628

AN EDWARDIAN PAINTED SATINWOOD OVAL BIJOUTERIE TABLE IN SHERATON STYLE, EARLY 20TH CENTURY

decorated with flowers and ribbons

74.5cm high, 42cm wide, 31cm deep

£50­100

626

629 A VICTORIAN WALNUT AND MARQUETRY CREDENZA

C.1860­70

with brass mounts and inlaid with flowers, birds and leaves, the central panelled door with an urn of flowers enclosing a velvet lined interior with two shelves, flanked by serpentine glazed compartments

111.6cm high, 156cm wide, 39.8cm deep

£300­500

630

A LATE VICTORIAN PAINTED SATINWOOD BIJOUTERIE TABLE IN SHERATON REVIVAL STYLE, LATE 19TH / EARLY 20TH CENTURY

painted with floral sprays, with an hexagonal hinged top 73.3cm high, 37.5cm wide

£100­150

631

AN ANATOLIAN RUG OF GENDJE DESIGN, 20TH CENTURY

the field comprised of polychrome bands containing geometric motifs, enclosed by ivory borders of stepped guls and arrowhead guard stripes, 201x 107cm, together with a Fars rug, south west Persia, c.1950, the field with stepped medallions surrounded by stylised birds and borders of hooked guls, and an Anatolian rug of ‘keyhole’ design (3) 201 x 107cm (max)

£80­120

629

632

A PAIR OF GILT BRASS THREE­LIGHT CHANDELIERS OF KNOLE TYPE, IN THE MANNER OF LENYGON & CO., EARLY 20TH CENTURY

with lemon and rose gilding, the turned stem decorated with cherub masks and strapwork, with scroll branches and a pine cone pendant, with ceiling bosses (2) 48cm high, 52cm wide

£500­800

632A

A FRENCH LOUIS XVI GILTWOOD WALL MIRROR LATE 18TH CENTURY

the later rectangular bevelled plate within a moulded frame and with a classical urn surmount hung with laurel swags

94.5 x 61cm

£200­300

633

A PAIR OF ITALIAN GILT METAL WHEATSHEAF WALL LIGHTS 20TH CENTURY

each with a flowerhead wall plate supporting the wheat stalks and foliage and a pair of foliate branches with flowerhead drip­pans, fitted for electricity (2)

63.5 x 46.5cm

£150­200

632A

634

A VICTORIAN BRASS AND ENAMELLED ALTAR CROSS

IN THE MANNER OF A.W.N. PUGIN, LATE 19TH CENTURY

cast with foliage, a central crown on a blue ground surrounded by four pink rose heads applied with cut clear glass stones, flanked by a pair of spires with amethyst glass finials, on an octagonal base inscribed ‘In Memorium Edith Rose Barcley 27.5.85’, on winged lion feet

29.8 x 36cm

£400­600

635

A PAIR OF VICTORIAN GILT BRASS GOTHIC PRICKET CANDLESTICKS

IN THE MANNER OF A.W.N. PUGIN, MID­19TH CENTURY

each with an hexagonal crenellated drip­pan above triangular, lancet and arched decorated columns (2) 48.5cm high

£200­300

636

A VICTORIAN SATIN BIRCH AND HARDSTONE MOUNTED PHOTOGRAPH FRAME LATE 19TH CENTURY

in the form of a garden gate decorated with flowers and shells, with two oval frames and a later plaque with the dates ‘1854­1904’, together with a Victorian gilt brass and hardstone photograph frame by Howell & James, Regent Street, London, the easel back stamped (2) 28.5cm high (2)

£250­350

636A

A REGENCY BRASS AND STEEL FENDER

C.1820

with a Gothic style turret to each corner 22cm high, 165cm wide, 33cm deep

Provenance

Duke of Westminster, Eaton Hall. Lady Ursula Vernon, Ireland.

Christopher Gibbs Ltd, 118 New Bond Street, London, from whom bought 30th June 1988.

£200­300

634

635

637

A SET OF FOUR FRENCH ORMOLU WALL LIGHTS IN LOUIS XVI STYLE, 20TH CENTURY

each with an urn and fluted tapering column backplate and a scroll arm, the drip­pan stamped ‘Bronze Veritable’ (4)

29cm high

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£100­200

A COWRIE SHELL LIGHT FITTING PAPUA NEW GUINEA, 20TH CENTURY

on a metal wire frame

70 x 41cm approx

Provenance

Kenneth Neame: An Enduring Legacy.

TO BE SOLD WITHOUT RESERVE.

£80­120

639

A PAIR OF GILT BRASS WALL LIGHTS IN GEORGE III STYLE, LATE 19TH CENTURY

each with an oval patera and ram’s head wall plate supporting a pair of reeded branches with beaded drip­pans and tulip shaped nozzles, fitted for electricity, together with a brass and glass oil lamp fitted for electricity (3)

53cm high (max)

£100­200

638

638

AN ALFA­ROMEO P2 CLOCKWORK TINPLATE TOY MODEL BY CIJ (COMPAGNIE INDUSTRIELLE DU JOUET), 1930S

in white with clover leaves and racing number ‘2’, rack and pinion steering, wire wheels, knobbly tyres, the remains of bonnet straps, two caps and start/stop lever 53cm long

£3,000­5,000

641

A LATE VICTORIAN MAHOGANY TWIN PEDESTAL PARTNER’S DESK RETAILED BY SPILLMAN, LATE 19TH CENTURY

the top inset with a tooled tan leather writing surface, above nine drawers, one with an ivorine trade label inscribed ‘Spillman & Co. Furnishers, St. Martins Lane, London, W.C.2.’, the back with a pair of cupbards on castors

76.3cm high, 152.5cm wide, 109cm deep

£300­500

643 AN AFGHAN RUG OF CAUCASIAN DESIGN, C.1890

the ink blue field with an ‘eagle’ medallion surrounded by anthropomorphic and zoomorphic devices enclosed by triple narrow borders and a ‘running dog’ outer guard stripe

183 x 172cm

£100­150

642

A WALNUT FRET­FRAME WALL MIRROR IN GEORGE II STYLE, 19TH CENTURY

the arched plate within a moulded slip 99.5 x 58cm

Provenance

Kenneth Neame: An Enduring Legacy. TO BE SOLD WITHOUT RESERVE.

£100­150

643A

A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY

with three divisions and a base drawer, on brass castors

52.4cm high, 51.5cm wide, 36.8cm deep

£200­300

644

A SET OF TWELVE MAHOGANY DINING CHAIRS

IN CHIPPENDALE STYLE, LATE 19TH / EARLY 20TH CENTURY AND LATER

each with a leaf and rocaille carved back and a pierced splat above a drop­in seat, comprising: a pair of armchairs and ten side chairs, one armchair and one side chair of a later date (12)

£500­1,000

A MAHOGANY TRIPLE PILLAR DINING TABLE IN REGENCY STYLE, EARLY 20TH CENTURY the top with a reeded edge and with two additional leaves on lion’s paw brass castors 75cm high, 111cmwide, 364.5cm long

£1,000­1,500

644

645

646

A MAHOGANY CHEST ON CHEST 18TH CENTURY AND LATER

with two short and six long drawers on bracket feet

171.7cm high, 109.5cm wide, 52cm deep

£300­500

647

AN OVAL GILTWOOD AND COMPOSITION MIRROR IN GEORGE III ADAM STYLE, LATE 19TH / EARLY 20TH CENTURY

the oval bevelled central plate within blue tinted marginal plates and a beaded frame

63.8 x 84.2cm

£300­400

648 A KIRMAN RUG SOUTH EAST PERSIA, C.1930

the pale raspberry field richly decorated with scrolling floral vines enclosed by sky blue borders of plants flanked by ivory meandering vine guard stripes, old cuts and damages

258 x 184cm

£200­300

646

647

649 AN EARLY VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR MID­19TH CENTURY

the arched mercury plate in a Rococo frame decorated with scrolls, flowers and rocaille

83 x 115cm

£200­300

649

650

A WHITE PAINTED AND GILT SERPENTINE SOFA IN GEORGE III STYLE, LATE 19TH / EARLY 20TH CENTURY with a moulded and bead scroll frame, upholstered with silk damask on tapering front legs

100cm high, 219cm wide, 85cm deep

£600­1,000

652 AN UNUSUAL AZERI RUG NORTH WEST PERSIA, C.1890

the ivory field centred by a stepped madder and indigo lozenge medallion enclosed by madder and sky blue borders of angular meandering vines and carnations, together with a Hamadan rug, having an ink blue floral field and ice blue borders (2)

198 x 104cm

£100­200

651

A PAIR OF SOFAS IN GEORGE III STYLE, 20TH CENTURY

each with a serpentine back above outscrolled arms, stuffed­over seat, moulded, mahogany stained legs and ‘H’ stretchers, in cream silk damask upholstery (2) 90cm high, 190cm wide, 70cm deep

£700­1,000

652

λ 653

AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE

C. 1840­50

the circular tilt­top above a faceted baluster stem and a triform platform base, on ceramic castors 76.2cm high, 132cm diameter

£300­500

651

654

A CREAM LACQUER LINEN PRESS LATE 19TH / EARLY 20TH CENTURY

decorated in gilt and polychrome on a cream ground with chinoiserie scenes with Chinese figures, pagodas, birds, trees and flowers, with a pair of panelled doors enclosing four slides above two short and two long drawers

205.5cm high, 130cm wide, 57cm deep

£2,000­3,000 655

A RED LACQUER BOOKCASE LATE 18TH CENTURY ELEMENTS AND LATER

decorated with chinoiserie scenes with Chinese figures and buildings in watery landscapes, with a pair of lancet astragal glazed doors enclosing adjustable shelves on cabriole legs

204.5cm high, 135cm wide, 33.3cm deep

£1,500­2,000

654

656

A LATE GEORGE III MAHOGANY COLLECTOR’S CABINET

LATE 18TH / EARLY 19TH CENTURY

of eight short and two long drawers, each fitted with a sunken brass ring handle, the sides with carrying handles

45.3cm high, 47cm wide, 28cm deep

£300­400

658

AN EARLY VICTORIAN WALNUT NURSING CHAIR

C.1850­60

the padded back and seat with probably its origianl needle and beadwork upholstery, decorated with urns and baskets of flowers, on ceramic castors

Provenance

From an English private collection, Sussex.

£80­120

657

A CHROME SIX LIGHT CHANDELIER IN ART DECO STYLE, 20TH CENTURY

the arched and scrolling frame supporting six frosted shades, with a chain, fitted for electricity

57.5cm high, 53cm wide

£150­250

659

A CAST BRASS STOOL

LATE19TH / EARLY 20TH CENTURY

with a studded leather seat above pierced ‘X’ framed supports 49cm high, 51.2cm wide, 42cm deep

£100­150

660

A VICTORIAN WALNUT DUET MUSIC STAND

LATE 19TH CENTURY

with a pair of hinged lyre­shaped rests and brass candle sconces, with an adjustable stem and tripod base

154.2cm high, 44cm wide

£300­400

661

A HAMADAN RUG KURDISTAN, C.1900

the madder field with plants in flower enclosed by borders of serrated angular vines and rosettes flanked by mustard guard stripes, together with another Hamadan, the field of semi naturalistic floral design and meandering vine borders (2)

195 x 105cm (max)

£80­120

662

A PAIR OF EARLY VICTORIAN GILTWOOD AND GESSO GIRANDOLE MIRRORS BY FREDERICK HALL OF PLYMOUTH, C.1850

each with an oval plate in a rope twist frame and with four sconces, with a printed paper trade label inscribed ‘Frederick Hall, Carver, Gilder, Print Seller, Looking Glass Manufacturer, 27 Bedford St. Plymouth’ (2)

57.5 x 49cm

£500­800

661 662

663

A VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR C.1860­70

the rectangular plate in a moulded frame applied with grapevines

187 x 114.5cm

£300­500

663A

A WALNUT TRUMEAU PIER MIRROR IN GEORGE II STYLE, LATE 19TH / EARLY 20TH CENTURY

the rectangular plate below a painted panel of flowers and with a cockerel surmount

120.2 x 40.5cm

£150­200

664

A LATE VICTORIAN WALNUT STOOL IN QUEEN ANNE STYLE, LATE 19TH CENTURY

the needlework seat above turned legs united by an ‘X’ stretcher

44.9cm high, 41.5cm square

£100­150

665

A LATE VICTORIAN MAHOGANY AND MARQUETRY OVAL DRINKS TRAY

IN SHERATON STYLE, LATE 19TH CENTURY

inlaid with a fan patera and ribbon tied swags with a pair of brass handles

66.5cm wide

£100­150

663A

663

£1,500­2,000

A HERIZ CARPET

NORTH WEST PERSIA, C.1930

the madder field of angular vines centred by an indigo and terracotta flowerhead medallion framed by ivory spandrels and midnight blue borders of serrated leaf and vine borders flanked by mustard guard stripes of carnations

357 x 237cm

668

A LATE VICTORIAN WALNUT BOOKCASE CABINET BY TRAPNELL & GANE, LATE 19TH / EARLY 20TH CENTURY

the top with a glazed door above a drawer, applied with an ivorine trade label inscribed ‘ Trapnell & Gane, 38­40, College Green, Bristol’, above open adjustable shelves

122cm high, 123.5cm wide, 27.5cm deep

£200­300

667

A LATE VICTORIAN WALNUT DESK BY MAPLE & CO., LATE 19TH / EARLY 20TH CENTURY

the breakfront top inset with a red leather writing surface, above an arrangement of seven drawers, the centre drawer stamped ‘MAPLE & CO. LTD.’, with ‘Hobbs & Co.’ locks on brass castors

78.5cm high, 152.8cm wide, 86cm deep

£600­800

669

A LATE VICTORIAN WALNUT OPEN BOOKCASE

LATE 19TH / EARLY 20TH CENTURY

with a turned spindle gallery above three adjustable shelves 153cm high, 122cm wide, 28cm deep

£300­500

668

670

AN EDWARDIAN OAK ARTIST’S PEDESTAL CABINET

BY C. ROBERSON & CO., C. 1901

with a panelled twin hinged top revealing metal lift­out compartments and trays together with brushes and untensils, with an ivorine trade plaque inscribed ‘C. Roberson & Co., 99 Longacre, London & 154 Piccadilly’, the front with an Art Nouveau style copper plaque inscribed ‘Presented to Rex Powell on his resignation, from His Friends and Colleagues in the employ of Evered & Co. Ltd. Jany 31.1902’ above three drawers on castors

73.5cm high, 55.2cm wide, 44.5cm deep

£200­300

671

A VICTORIAN OAK ARMCHAIR IN THE MANNER OF HOLLAND & SONS, LATE 19TH CENTURY

with green leather upholstery, on castors

£200­300

672

A SET OF VICTORIAN MAHOGANY METAMORPHIC LIBRARY STEPS

LATE 19TH CENTURY

in the form of a library table with a hinged leather top transforming into six leather lined treads, with fluted column supports on brass castors

81.4cm high, 76cm wide, 43.8cm wide, 133.8cm high (open)

£500­800

672

670 open

671

673

A LARGE SOFA

PROBABLY IRISH, LATE 19TH / EARLY 20TH CENTURY with a button upholstered back and scroll arms on bun front feet, with five loose cushions (6)

68cm high, 267cm wide, 115.3cm deep

£200­300

674

AN EARLY VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR

C.1850

the shaped plate within a Rococo style frame, decorated with scrolls, leaves and flowers

131.7 x 138cm

£400­600

675 A LATE VICTORIAN WALNUT TWO TIER TROLLEY IN THE MANNER OF HOWARD & SONS, LATE 19TH CENTURY

with column supports and on ceramic castors

57.2cm high, 60.7wide, 45.5cm deep

£100­150

676

A LARGE MATCHED PAIR OF EDWARDIAN EASY ‘IVOR’ ARMCHAIRS BY HOWARD & SONS, EARLY 20TH CENTURY

each with square tapering front legs and brass castors stamped ‘Howard & Sons Ltd., London’, the inside of the left back leg of one stamped ‘10272 3691 Howard & Sons Ltd., Berners St.’ and the other ‘3399637 Howard & Sons Ltd., Berners Street’ (2)

84.2cm high, 87.5cm wide, 109cm deep (max)

£3,000­5,000

AN OAK WING ARMCHAIR IN GEORGE III STYLE BY HOWARD & SONS, LATE 19TH / EARLY 20TH CENTURY

with scroll arms above column front legs and later brass castors, the inside of the back left stamped ‘730 9961 Howard & Sons Ltd Berners St. ‘

£500­800

AN EDWARDIAN WALNUT STOOL BY HOWARD & SONS, EARLY 20TH CENTURY

with square tapering legs, the brass castors stamped ‘Howard & Sons Ltd. London’, one leg stamped ‘11014’

43.5cm high, 57cm square

£400­600

677 678

677

678

679 A LATE VICTORIAN EASY ‘TITCHFIELD’ ARMCHAIR BY HOWARD & SONS, LATE 19TH / EARLY 20TH CENTURY with turned walnut front legs, the inside of the back left leg stamped ‘18394 2388, Howard & Sons Ltd., Berners St.’, lacking castors Provenance

Bought from Keeble Ltd, 4 Audley Square, South Audley Street, London W1 on 16th December 1953.

£200­300

WEDNESDAY 2ND & THURSDAY 3RD OCTOBER 2024

WEDNESDAY 10TH & THURSDAY 11TH JULY 2024

An impressive diamond brooch, designed as a bouquet of flowers Estimate £14,000 ­ 16,000* ENQUIRIES

Marielle Whiting | +44 (0)1722 424595 | jewellery@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

TUESDAY 16TH & WEDNESDAY 17TH JULY 2024 A modern silver ‘Aqua Poesy’ beaker, by Hiroshi Suzuki

timate £2,500 ­ 3,500*

modern silver ‘Aqua Poesy III (V­7)’ vase, by Hiroshi Suzuki

15,000*

TUESDAY 17TH SEPTEMBER 2024

Oyelami Nigerian, b.1940

Untitled oil on board signed and dated '84

122cm x 144cm

Provenance

Zbyszek Plocki Collection, London

Estimate £1,000 ­ 1,500*

Muriana

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

Sackville­West +44 (0)2080 909988 Moving & Storing office@sackvillewest.co.uk www.sackvillewest.co.uk

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

IMPORTANT NOTICE TO ALL PURCHASERS

We are pleased to offer two weeks (10 working days) free storage for all lots purchased from this sale. However, owing to a busy sale schedule, all lots not collected by 4pm on the Thursday 18th July 2024 will be transferred to Sackville­West Moving & Storing in Andover. The items are subject to a handling charge of £20 (plus VAT) per lot and to a further storage charge of £3 (plus VAT) per lot per part or full day thereafter. Please note for large consignments there may be additional charges. These charges will be the sole liability of the purchaser and will be billed direct to them by Sackville­West Moving & Storing – the new sister company of Vangaroo Ltd. On payment of all sales and storage costs, items will be available for collection from 8am on Tuesday 23rd July 2024 by appointment from Sackville­West Moving & Storing (Andover SP10 3SA): tel: + 44 (0) 2080 909988, email: office@sackvillewest.co.uk. These charges are set by Sackville­West Moving & Storing; we recommend that you contact them directly regarding queries relating to these charges and other questions relating to storage. Staff at the saleroom will unfortunately be unable to answer questions relating to items that have been removed from the saleroom.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of £1,000 and the maximum royalty payable on any single lot is the sterling equivalent of £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

£50,000.01 ­ 200,000

£200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources: From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

ABSENTEE BID FORM

FURNITURE WORKS OF ART & CLOCKS

3RD & 4TH JULY 2024

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

may be required even if you have bid with us before.

Signature

AUCTION CALENDAR

JUNE

19th Fine Arts & Crafts

JULY

3rd & 4th Furniture, Works of Art & Clocks

10th & 11th Fine Jewellery

16th & 17th Silver & Objects of Vertu

SEPTEMBER

3rd British and Continental Ceramics & Glass

4th Old Masters, British & European Paintings

17th Arts of Africa, Oceania & the Americas

OCTOBER

2nd & 3rd Furniture Works of Art & Clocks

16th & 17th Design

22nd & 23rd Silver & Objects of Vertu

30th & 31st Fine Jewellery

NOVEMBER

12th & 13th Asian Art, Chinese Paintings & Japanese Works of Art

27th Medals & Coins, Arms & Armour

DECEMBER

3rd & 4th British Art Pottery

5th Modern British & 20th Century Art

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

Parker & Morris: The Art of Decorating Collection Sold for over £400,000*