Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS WEDNESDAY 13TH & THURSDAY 14TH JANUARY 2021

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974

424598 424509 424509

GENERAL OFFICE

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez­Ferreiro

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence

424506 +44 (0)7812 601098 424571 424591

Janice Clift (Office Manager) Sarah Bennie Pauline Jones Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

MARKETING CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

Sally Trench 424589 424571

Ruth Pike Sharon Ringwood

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

ACCOUNTS

424507

BOARD OF DIRECTORS JAPANESE ART Alexandra Aguilar Sarah Lopez­Ferreiro

424583 424591

Natalie Milsted FCCA Managing Director

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Megan Corbett

424595 424504 424586

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Paul Viney ASFAV Non­Executive Director

ASSOCIATE DIRECTORS

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

John Axford MRICS ASFAV Chairman

339752 446980

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

446959

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FURNITURE WORKS OF ART & CLOCKS Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

WEDNESDAY 13TH & THURSDAY 14TH JANUARY 2021 10.00AM at our Castle Street Salerooms, SP1 3SU

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk VIEWING BY APPOINTMENT ONLY Friday 8th January Saturday 9th January Monday 11th January

10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

Please contact the department to make an appointment There is no viewing on Tuesday 12th January or on the days of the sale

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

COLLECTION OF LOTS BY APPOINTMENT ONLY

LIVE ONLINE BIDDING – FREE OF CHARGE

Collection by appointment from Monday 18th January from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Collection of lots will not be available on Saturdays until further notice.

Please call 01722 446950 or 01722 424500 to make an appointment.

All accounts to be settled prior to collection.

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 12th January

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients.

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms

CONDITION OF LOTS

Facebook: @woolleyandwallis

The condition of lots is not stated in the catalogue descriptions.

Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Twitter: @woolleywallis Pinterest: Woolley and Wallis

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT ILLUSTRATIONS TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 12th January

Front cover: A selection of lots from the sale.

Back cover: Lot 28 Catalogue £10.00 (£15.00 by post) 1

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THE ESTATE OF THE LATE JANE SUMNER Jane Sumner began her long career as an antiques dealer in her early 20s, trading from her then home in Hertfordshire, before taking on a shop in Devizes, Wiltshire. From there she moved to Essex, setting up a shop in the market town of Saffron Walden, with her partner John Braund who also had a shop in Thaxted, Essex. Together they traded for over fifty years as Turpin's Antiques, both through their shops in Essex and, for a while, in Fulham Road, London, and more recently in Hungerford, Berkshire and through prestigious antiques fairs across the country. They also ran fairs in the Midlands (Kenilworth) and London (Café Royal) for many years.

Jane dealt in fine 18th & 19th century furniture, with a particular specialism in Queen Anne and early Georgian fine walnut furniture.

Her particular passion was for miniature furniture.

Poor health meant she spent much of her last years at her much­loved period cottage in Wiltshire, surrounded by her very fine collection of antiques, "squirrelled away" (as she used to put it) over her many years as an antiques dealer.

Jane passed away peacefully on 2nd September 2020, aged 82, at her home. She is survived by her son and two daughters and three grand­daughters.

Jane Sumner with Arthur Negus

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Jane Sumner with Princess Margaret

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1 AN OAK TRIPLE PANELLED COFFER WEST COUNTRY, MID-17TH CENTURY the hinged top revealing a vacant interior, the front with an arcaded frieze above carved flowerheads 67cm high, 127cm wide, 56.5cm deep Provenance The Estate of the late Jane Sumner.

£400­600 2 A WILLIAM AND MARY OAK CHEST C.1690 the top with a moulded edge, above three long drawers with geometric moulded fronts, with split bobbin applied decoration, branded twice to back ‘RC’ 78.8cm high, 90cm wide, 56.7cm deep

2

Provenance The Estate of the late Jane Sumner.

£400­600 3 A CHARLES II BOARDED OAK COFFER C.1660 of six plank construction, the later hinged top with a moulded front edge and crimped ends, revealing a vacant interior, originally with a till, the front with a whorl rondel carved frieze, above triple arch panels 66cm high, 109.5cm wide, 38.7cm deep Provenance The Estate of the late Jane Sumner.

£400­600

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4 A LATE CHARLES II OAK CHILD’S HIGHCHAIR C.1680 the panelled back decorated with flowerhead rondels, on bobbin turned supports united by peripheral stretchers, with traces of a painted finish Provenance The Estate of the late Jane Sumner.

£1,000­1,500

5 A WILLIAM AND MARY OAK CHILD’S HIGHCHAIR C.1690 the panelled back carved with scrolling tulips and leaves, the scroll arms on bobbin turned supports, with a lozenge carved apron and shaped footrest, the back branded twice with initials ‘T S’ Provenance The Estate of the late Jane Sumner.

£1,000­1,500

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6 A SHEET BRASS WALL SCONCE PROBABLY DUTCH, EARLY 18TH CENTURY pierced and repoussé decorated with flowers and love hearts, with a pair of nozzles, together with a sheet brass wall hanging candle box, with a hinged lid and repoussé decorated and a brass wall pocket with a crusie lamp style attachment (3) 31cm high, 36cm wide Provenance The Estate of the late Jane Sumner.

£200­300 7 7 A BRASS STRING BARREL EARLY 19TH CENTURY with a tap cutter, mounted on a mahogany plinth, together with an 18th century brass wall pocket with fret decoration (2) 17cm high (max) Provenance The Estate of the late Jane Sumner.

£100­150 8 A GEORGE III BRASS NUTCRACKER C.1770-80 8

of open cage form with a screw­action and a pierced handle 7.4cm high Provenance The Estate of the late Jane Sumner.

£100­150 9 AN 18TH CENTURY BRASS BURNER OR WARMER POSSIBLY DUTCH, C.1740 the hinged pierced lid decorated with stylised tulips, the interior with a handled liner, with a turned fruitwood handle, on tripod scroll supports 30.5cm long Provenance The Estate of the late Jane Sumner.

£50­100 9 6

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10 A CHARLES I OAK JOINT STOOL C.1630 the top with a moulded edge, above bi­cuspid shaped rails, on ring turned column legs, united by peripheral stretchers, branded initials ‘EP and DP’ 52.1cm high, 46.2cm wide, 28.5cm deep Provenance The Estate of the late Jane Sumner.

£400­600

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11 A 17TH CENTURY OAK JOINT STOOL C.1620-40 the seat with a moulded edge, above a moulded rail and on turned sausage legs united by peripheral stretchers 53.9cm high, 47cm wide, 32cm deep Provenance The Estate of the late Jane Sumner.

£200­300

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12 A QUEEN ANNE OAK JOINT STOOL C.1705 with a later needlework drop­in seat, on ring turned baluster legs united by peripheral stretchers 43cm high, 45.5cm wide, 30cm deep Provenance The Estate of the late Jane Sumner.

£400­600

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13 AN OAK RELIEF CARVED MYTHOLOGICAL PANEL LATE 16TH CENTURY after a woodcut engraving of Ovid’s Metamorphoses by Virgil Solis (German 1514­1562), depicting Orpheus playing his lyre charming the wild beasts, accompanied by a unicorn, a lion, a bull, a squirrel, birds, cherubs, a monkey, a ram, a fox, a bear and a deer in a wooded landscape, with a lozenge and stylised scroll work three­quarter border 40 x 76.8cm Provenance The Estate of the late Jane Sumner.

£1,000­1,500

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14 A BRONZE BUSHEL MEASURE PROBABLY EARLY 18TH CENTURY the moulded body with a pair of angular lug handles 21.6cm high, 49.7cm diameter Provenance The Estate of the late Jane Sumner.

£800­1,200

15 A 17TH CENTURY DUTCH BRASS WARMING PAN DATED 1633 with a turned brass handle and a steel shaft, the pierced hinged lid repoussé decorated with a coat of arms, with a pair of lions and with an outer band inscribed ‘Looft godt onder hovedt syn gebot 1633’ 96cm long Provenance The Estate of the late Jane Sumner.

£300­500

16 A BRASS WARMING PAN 17TH / 18TH CENTURY

15

with a steel handle, above a pierced and hinged cover, engraved with ram’s heads 112cm long Provenance The Estate of the late Jane Sumner.

£100­150

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17 18 17 TWO TREEN CASTERS OR MUFFINEERS LATE 18TH / EARLY 19TH CENTURY of turned urn shape, each with a pierced detachable cover (2) 12.3cm high (max) Provenance The Estate of the late Jane Sumner.

£100­150 18 A TREEN WALNUT PESTLE AND MORTAR EARLY 18TH CENTURY both with remains of a painted finish, the mortar turned with reeded bands 16.8cm high, 17cm diameter the pestle: 25.7cm long Provenance The Estate of the late Jane Sumner.

£300­500 19 AN OAK HANGING SPOON RACK MID-18TH CENTURY the arched back with apertures for twelve spoons, above a box base, with a sloping hinged lid and a drawer, with ten gilt plated spoons and forks (11) 57.5cm high, 33.4cm wide, 11.5cm deep

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Provenance The Estate of the late Jane Sumner.

£100­150 20 A SMALL EARLY VICTORIAN TREEN SAND GLASS C.1840-50 with bobbin turned supports and twin glass bulbs, it runs for approximately three minutes and twenty­five seconds 8cm high Provenance The Estate of the late Jane Sumner.

£100­150 20

11

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21 A WILLIAM AND MARY WALNUT OYSTER VENEERED CHEST C.1690 inlaid with holly banding and stringing, the top with a moulded edge and circular lobed designs, above two short and three long graduated drawers and later bun feet, the backboards inscribed in ink ‘For Mrs Hudson Att Mr Cutler.... Mr in Sproughton to be left at Mr .... Golden Lyon in Ipswich’ 83.2cm high, 83cm wide, 53.2cm deep Provenance The Estate of the late Jane Sumner.

£1,500­2,000

22 A WILLIAM AND MARY YEW CHEST C.1690-1700 with cross and feather banding, the quarter and oyster veneered top above two short and three long graduated drawers, on bun feet 87.8cm high, 97cm wide, 59cm deep Provenance The Estate of the late Jane Sumner.

£800­1,200

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23 A WILLIAM AND MARY OYSTER VENEERED AND MARQUETRY CHEST C.1680 inlaid with tulips, birds, flowers and leaves, the top with a moulded edge and with coromandel banding, above two short and three long graduated holly banded drawers, the sides with further marquetry panels, on later bun feet 87.7cm high, 94.7cm wide, 57.5cm deep Provenance The Estate of the late Jane Sumner.

£4,000­6,000

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24 AN UNUSUAL STUMPWORK AND SILK PICTURE 17TH CENTURY ELEMENTS AND LATER depicting King Charles II fishing in a boat on a river, with Queen Catherine of Braganza on the river bank, accompanied by a stag, a cat and with a parrot in a tree, worked with various materials, including mica water, shells, seed pearls, embroidered needlework and lace, in an 18th century gilt and ebonised glazed frame 23.2 x 32.2cm Provenance The Estate of the late Jane Sumner.

£800­1,200

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A WILLIAM AND MARY OYSTER VENEERED MIRROR FRAME LATE 17TH CENTURY

A WALNUT OPEN ARMCHAIR IN WILLIAM AND MARY STYLE 19TH CENTURY

with a cushion frame and originally with a cresting 75.1 x 65.5cm

carved with crowns, shells and mythical beasts with bird heads and fish bodies, with scrolling leaves, with a caned back and seat, on paw front feet

Provenance The Estate of the late Jane Sumner.

Provenance The Estate of the late Jane Sumner.

£300­500

£200­300

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27 A MARQUETRY LONGCASE CLOCK SIGNED AMBROSE HAWKINS OF WELLS, LATE 17TH CENTURY AND LATER the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the nine inch brass dial with ebonised Roman numerals and fleur­de­lis markers, the matted centre with a date aperture and with pierced hands, signed ‘Ambrose Hawkins de Wells fecit’, with winged cherub mask spandrels, the oyster veneered and marquetry panelled case inlaid with flowers and birds, the trunk door with a glass lenticle, with pendulum, two weights and winding key 201.3cm high Provenance The Estate of the late Jane Sumner.

Catalogue Note Ambrose Hawkins is one of the earliest West Country clockmakers by whom longcases survive and is well known for the complexity and quality of his movements. He was married in 1688 in Bristol and worked in Wells in Somerset until 1692 when he moved to Exeter. He died as a relatively young man in 1705. A rare grande sonnerie longcase of one month duration by Ambrose Hawkins was sold by Bonhams, Fine Clocks, 10th December 2014, lot 104.

£1,500­2,500

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28 A RARE WILLIAM AND MARY BRASS STUDDED LEATHER CHEST ATTRIBUTED TO THE WORKSHOP OF RICHARD PIGG JUNIOR, C.1690-1700 decorated with tulips, flowerheads and scrolls, the hinged lid centred with a shield shape cartouche decorated with arabesques, revealing a vacant interior, the front with a crown handle backplate, with two paper lined drawers, with pierced cartouche shape escutcheons, the carcass with remains of the original marbled paper lining, with brass side carrying handles, on later castors 76.5cm high, 99.3cm wide, 57cm deep Provenance Knightstone, Devon, see Country Life, 15th September 1950, where this piece is illustrated.

The Estate of the late Jane Sumner.

Catalogue Note During the end of the 17th century, chests such as the present lot were indispensable. They were used for the storage and transport of valuable goods as they were lockable, primarily for clothes and bed linen, but others were fitted to accomodate books, medical stores and even musical instruments.

Covered in high quality ‘Russia leather’ it made the chest both lightweight and water resistant, perfect for travelling. The decorative brass studs were used for identification purposes and to show the high status of the owner. See Olivia Fryman, ‘Coffer­Makers to the Late Stuart Court, 1660­1714’, Furniture History Society, 2016., pp.1­16, for a discussion of 17th century coffer makers and their products.

Richard Pigg Junior was ‘trunk maker to the Great Wardrobe’ from the reign of Charles II until his death in c.1706 at which time he was succeeded by William Johnson.

A very similar chest, with the same arrangement of drawers, made for William and Mary, can be found in the V&A Museum, no. 497­1894. A related Royal chest with four drawers belonging to Queen Anne and attributed to the workshops of Richard Pigg Junior or William Johnson was with Thomas Coulborn & Sons Ltd. See also Sworders, ‘The Principal Contents of North Mymms Park, 18th April 2018, lot 419, for a similar George I example with the initials ‘C R’, possibly for the 8th Baron Chandos.

£3,000­5,000

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29 A GEORGE I WALNUT BUREAU C.1715 with cross and feather banding, the hinged fall revealing an interior with an arrangement of pigeonholes, drawers and a central panelled cupboard door flanked by a pair of secret pilaster compartments, with a sliding well cover and a later leather writing surface, above two short and two long drawers and bracket feet 96.8cm high, 88.1cm wide, 50.3cm deep Provenance The Estate of the late Jane Sumner.

£1,000­1,500

30 A GILTWOOD AND GESSO WALL MIRROR IN QUEEN ANNE STYLE EARLY 18TH CENTURY AND LATER the two arched bevelled plates within a moulded frame decorated with strapwork, with a leaf, scroll and flower surmount, on a diaper ground 141.4 x 67cm Provenance The Estate of the late Jane Sumner.

£300­500

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31 A QUEEN ANNE WALNUT CHEST ON STAND C.1710 with two short and three long feather banded drawers, the stand fitted with three frieze drawers and with an arc d’arbalète apron, on turned legs united by shaped peripheral stretchers 148cm high, 102.2cm wide, 55.5cm deep Provenance The Estate of the late Jane Sumner.

£1,500­2,000 19

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32 A GEORGE I WALNUT BUREAU BOOKCASE C.1715-20 with cross and feather banding, the moulded cornice above a pair of bevelled mirror doors, enclosing two shelves and six drawers, above a hinged fall with an applied rest, revealing an interior with pigeonholes and drawers, with a sliding well cover, above two short and two long drawers, on later bun feet 188cm high, 84.5cm wide, 56.8cm deep Provenance The Estate of the late Jane Sumner.

£3,000­5,000

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33 A MAHOGANY MINIATURE CHEST EARLY 19TH CENTURY possibly an apprentice piece, inlaid with stringing and satinwood banding, with two short and three long drawers, with turned wood knob handles, on bun feet 16.3cm high, 13cm wide, 8cm deep Provenance The Estate of the late Jane Sumner.

£200­300

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34 A MAHOGANY MINIATURE FAUX BAMBOO OPEN ARMCHAIR EARLY 19TH CENTURY possibly an apprentice piece, with a rush seat 28.5cm high Provenance The Estate of the late Jane Sumner.

£100­150

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35 A WALNUT MINIATURE CHEST ON STAND IN WILLIAM AND MARY STYLE EARLY 20TH CENTURY inlaid with boxwood stringing, with two short and four long graduated drawers 40.5cm high, 30.8cm wide, 21cm deep Provenance The Estate of the late Jane Sumner.

£150­250

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36 A GEORGE II WALNUT MINIATURE CHEST MID-18TH CENTURY possibly an apprentice piece, inlaid with chequer banding, the caddy moulded edge top inset with an ebony and bone parquetry square, above four long graduated drawers 22.7cm high, 23.5cm wide, 13cm deep Provenance The Estate of the late Jane Sumner.

£800­1,200

37 AN OAK MINIATURE BUREAU 18TH CENTURY with a hinged fall revealing three pigeonholes, above two long drawers 27cm high, 24.9cm wide, 14.3cm deep Provenance The Estate of the late Jane Sumner.

£300­400

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39

40

38

40

A MINIATURE COOPERED SALTING BARREL C.1840-50

A DUTCH FRUITWOOD MINIATURE HANGING SALT / CANDLE BOX LATE 19TH / EARLY 20TH CENTURY

of tapering form and staved construction with brass bands, with a part hinged lid 11.9cm high

of staved construction with alternate timbers, with ebonised mouldings and a hinged lid 12.5cm high

Provenance The Estate of the late Jane Sumner.

£100­150

Provenance The Estate of the late Jane Sumner.

£80­120 39 A VICTORIAN CAST IRON MINIATURE FIREPLACE MID-19TH CENTURY possibly a travelling salesman’s sample, the top with the Royal Coat of Arms flanked by a lion and unicorn and with a pair of chinoiserie figures, the sides with pairs of cherub heads, with a brass miniature grate and fire tongs (3) 43.8cm high, 35.6cm wide Provenance The Estate of the late Jane Sumner.

£150­250

41 24

41 A VICTORIAN WALNUT MINIATURE BREAKFAST TABLE C.1860-70 possibly an apprentice piece, the circular tilt­top on a lobed stem and carved tripod cabriole legs 23.4cm high, 27cm diameter Provenance The Estate of the late Jane Sumner.

£150­200

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42 A GEORGE II BURR ELM AND WALNUT CHEST ON CHEST C.1730-40 with two short and six long cross and feather banded drawers, flanked by slender canted angles, on shaped bracket feet 167.8cm high, 103.3cm wide, 55.2cm deep Provenance The Estate of the late Jane Sumner.

£2,000­3,000

43 A GEORGE I WALNUT WING ARMCHAIR C.1725 later upholstered with 18th century style gros point needlework with urns, scrolling leaves and flowers, with scroll arms, on leaf capped cabriole front legs and hoof feet, with faceted back legs Provenance The Estate of the late Jane Sumner.

£2,000­3,000

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44 A GEORGE II CHERRYWOOD LOWBOY C.1740-50 the top with a moulded edge, above a frieze drawer, on lappet carved legs and pad feet 70.5cm high, 72.5m wide, 51.5cm deep Provenance The Estate of the late Jane Sumner.

£400­600

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45 AN EARLY GEORGE III MAHOGANY CORNER CHAIR C.1760-70 the curved top rail above a twin pierced splat back and a needlework drop­in seat, on moulded and chamfered legs united by an ‘X’ stretcher Provenance The Estate of the late Jane Sumner.

£150­250

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46 A GEORGE II MAHOGANY SILVER TABLE C.1740 the dished top with cusped corners, above a frieze drawer inlaid with ebonised stringing, on cabriole legs and pad feet 72cm high, 78.3cm wide, 51cm deep Provenance The Estate of the late Jane Sumner.

£400­600

46

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47 A GEORGE II MAHOGANY CARD TABLE C.1740-50 the breakfront hinged and fold­over top supported on a concertina action, revealing a baize lined playing surface with sunken counter wells and candlestands, on leaf capped and flower carved cabriole legs, with scroll and cabochon carved feet 72.5cm high, 86cm wide, 42.8cm deeps Provenance The Estate of the late Jane Sumner.

£800­1,200

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48 A GEORGE II WALNUT STOOL C.1730-40 with a later needlework drop­in seat, on cabriole legs and pad feet 47.7cm high, 53.5cm wide, 46.5cm deep Provenance The Estate of the late Jane Sumner.

£300­400

49 A GEORGE II WALNUT STOOL C.1730-40 the later stuffed­over seat, on cabriole legs and trefid feet 47.2cm high, 57cm wide, 45.5cm deep Provenance The Estate of the late Jane Sumner.

£400­600

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50 A GEORGE III MAHOGANY CELLARET IN THE MANNER OF THOMAS CHIPPENDALE, C.1770 the hinged top revealing a lead lined interior with nine divisions, the body with outline mouldings and fluted canted angles, the front with a tap, the sides with brass carrying handles, the stand with a fluted frieze, on moulded and chamfered legs, with applied brackets and brass roller castors 70.2cm high, 46.4cm wide, 46.5cm deep Provenance The Estate of the late Jane Sumner.

Catalogue Note See R. Edwards, The Dictionary of English Furniture, vol. I, p. 222, fig. 4 for a similar example.

£800­1,200

51 A GEORGE III MAHOGANY OPEN ARMCHAIR C.1770 with an arched padded back and seat, covered with chinoiserie damask fabric, the cabochon and leaf scroll arms above a frieze and front legs carved with ‘Chinese Chippendale’ style fret decoration Provenance The Estate of the late Jane Sumner.

£500­800

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52 AN EARLY GEORGE III MAHOGANY CHEST C.1760 the caddy moulded crossbanded top inlaid with stringing and with a central flame veneered oval panel, above a brushing slide and four long graduated drawers, on later bracket feet 79.4cm high, 82.6cm wide, 45.1cm deep Provenance The Estate of the late Jane Sumner.

£500­800

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A MAHOGANY WING ARMCHAIR IN GEORGE III STYLE 19TH CENTURY

A GEORGE III MAHOGANY DUMB WAITER POSSIBLY IRISH, C.1770

upholstered with fringed plush fabric, the fan back above scroll arms and on blind fret carved front legs

with two dished revolving tiers, on a baluster turned stem, with spiral fluted decoration, on leaf capped cabriole legs and trefid pad feet, with brass roller castors 93.8cm high, 59.5cm diameter

Provenance The Estate of the late Jane Sumner.

£400­600

Provenance The Estate of the late Jane Sumner.

£300­500 30

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55

55 A GEORGE III MAHOGANY TABLETOP COLLECTOR’S CABINET C.1800 with kingwood banding, the hinged door revealing fifty­four drawers, with turned bone handles, the right side with a lockable compartment fitted with two long drawers, with brass side carrying handles 27cm high, 34.8cm wide, 26cm deep Provenance The Estate of the late Jane Sumner.

£300­500

56

57

A GEORGE III MAHOGANY AND BURR YEW PORTABLE WRITING CABINET C.1790-1800

A GEORGE III HAREWOOD AND MARQUETRY WRITING SLOPE C.1790-1800

inlaid with stringing, the top with a military style sunken brass handle above a pair of burr veneered hinged swing doors, each fitted with six graduated marble paper lined drawers with satinwood banding and turned bone handles, with a central hinged writing slope, the base inlaid with a conch shell, later lined with rexine 27.5cm high, 36.2cm wide, 25.3cm deep Provenance The Estate of the late Jane Sumner.

with fruitwood feather banding and inlaid with barber’s pole stringing, a wreath of husks and three oval panels with book­matched veneers, the hinged lid revealing a paper lined interior with two drawers, the right side with a long pen and ink drawer 10.2cm high, 35cm wide, 31cm deep Provenance The Estate of the late Jane Sumner.

£200­300

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58

59

A GEORGE III MAHOGANY COLLECTOR’S TABLE TOP CHEST C.1800

A ROSEWOOD AND MARQUETRY OCTAGONAL SEWING BOX POSSIBLY GERMAN OR DUTCH, EARLY 19TH CENTURY

of tapering form, fitted with four short and one long drawer 27.3cm high, 72cm wide, 33.2cm deep

overall decorated with parquetry bands and chevron panels in various woods, the hinged lid inlaid with flowers, revealing a later fabric lined interior 20cm high, 39cm wide, 39.2cm deep

Provenance The Estate of the late Jane Sumner.

£300­400

Provenance The Estate of the late Jane Sumner.

£200­300

60 AN EDWARDIAN MAHOGANY COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY with a brass panel, inscribed ‘Letters’, with a single slot above a door, locked, with two glazed panels, one with a facsimile postal rate card 30.2cm high, 24cm wide, 19.5cm deep Provenance The Estate of the late Jane Sumner.

£300­500

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61 A GEORGE IV TORTOISESHELL OCTAGONAL TEA CADDY C.1820-25 the hinged domed lid inlaid with pewter stringing, with a silver coloured metal acorn finial, the body applied with pressed tortoiseshell Gothic panels, the interior with ivory edging and a single lid, on brass ball feet 15.3cm high Provenance By repute, Ronald Phillips Ltd, 26 Bruton Street, London.

Dreweatts, Furniture, Works of Art & Ceramics, 11th November 2015, lot 50.

The Estate of the late Jane Sumner.

£1,500­2,000

62 A GEORGE III TORTOISESHELL DODECAGONAL TEA CADDY LATE 18TH / EARLY 19TH CENTURY with ivory banding, with silver coloured metal handle, escutcheon and shield shape plaque, inscribed ‘MA to L’, the hinged tent top revealing a foil lined interior 11.2cm high Provenance The Estate of the late Jane Sumner.

£1,000­1,500

33

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63 A WILLIAM IV ROSEWOOD AND CUT­BRASS MARQUETRY TEA CHEST C.1830 of sarcophagus shape, decorated with scrolling leaves and palmettes, the underside of the hinged lid inlaid with an urn, the interior fitted with a pair of pull­out and part hinged lidded canisters flanking a sugar bowl aperture, on disc feet inlaid with brass stringing 22cm high, 32cm wide, 16.6cm deep Provenance The Estate of the late Jane Sumner.

£200­300

64

65

A REGENCY WALNUT MINIATURE WALNUT CADDY EARLY 19TH CENTURY

A LATE REGENCY TORTOISESHELL ÉTUI C.1820-25

of sarcophagus form, with segmented oyster veneers and barber’s pole stringing, the hinged lid revealing a later foiled interior, on parquetry bun feet 12.3cm wide

of sarcophagus form, with pewter stringing, the hinged lid with a vacant plaque revealing a fitted interior with ivory edging, the underside of the lid with a mirror, above a lid fitted with utensils and with divisions for reels and with a needle case, on ball feet 11cm wide

Provenance The Estate of the late Jane Sumner.

£150­250

Provenance The Estate of the late Jane Sumner.

£100­150

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66 A PAIR OF GEORGE II PAKTONG CANDLESTICKS C.1740-50 each with a detachable foliate nozzle, above a turned tapering stem and a shaped stepped foot, the stem with braising lines, with pseudo hallmarks to the nozzle and base, the base also stamped ‘RJB’ (2) 24.2cm high Provenance The Estate of the late Jane Sumner.

Literature Eloy Koldeweij, ‘The English Candlestick 1425­1925’, p.122, cat.98, for probably this pair of candlesticks.

£500­800

67 A GEORGE III MAHOGANY DODECAGONAL TRAY C.1800 brass bound, with two pierced handgrips 13cm high, 38cm wide Provenance The Estate of the late Jane Sumner.

£300­400

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68 A TÔLE NAVETTE SHAPE PEAT BUCKET 19TH CENTURY painted to simulate wood and brass, with a swing handle 32.3cm high, 38cm wide Provenance The Estate of the late Jane Sumner.

£100­150

69 A DUTCH BRASS OVAL JARDINIÈRE 19TH CENTURY applied with female draped masks, with a lobed body, repoussé decorated and with husks, with lion’s mask ring handles and paw feet 25cm high, 63cm wide, 43.5cm deep Provenance The Estate of the late Jane Sumner.

£200­300

70 A DUTCH COPPER AND BRASS DOOFPOT LATE 19TH CENTURY repoussé decorated with a country scene of a farmer with a horse and a cow, with buildings and a windmill, the reverse with a coat of arms and with scrolling leaves, the lift­off cover with a turned urn finial, with a swing handle 42.2cm high Provenance The Estate of the late Jane Sumner.

£100­150

68

69 36

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71 A GEORGE III MAHOGANY PEAT BUCKET PROBABLY IRISH, C.1800-10 of staved construction, with brass bands and swing handle, with a lead lined interior 45.2cm high, 37.5cm diameter Provenance The Estate of the late Jane Sumner.

£800­1,200

72 A BRASS BUCKET OR PAIL EARLY 19TH CENTURY of tapering form, with reeded bands and a swing handle 25.8cm high, 27cm wide Provenance The Estate of the late Jane Sumner.

Catalogue Note For a similar bucket, see Rupert Gentle and Rachel Feild ‘Domestic Metalwork 1640­1820’, p.414, no.3.

£100­150

73 A PAIR OF GEORGE III MAHOGANY AND BRASS PEAT BELLOWS PROBABLY IRISH, C.1790 with a four­spoke winding wheel, an open sided cylinder and a tapering spout 61cm long Provenance The Estate of the late Jane Sumner.

£100­150

71

72

73 37

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74 A YEW AND ELM GOTHIC WINDSOR ARMCHAIR THAMES VALLEY, 18TH CENTURY AND LATER the lancet shape back with three pierced fret ‘window’ splats, with conforming arm supports, the bell shape saddle seat on cabriole front legs and pad feet united by a crionoline stretcher, applied with pierced brackets, the underside with a paper trade label, inscribed ‘Denys Wrey Ltd dealers in XVIII century English furniture No.. Sloane Street S. W. 1’ Provenance The Estate of the late Jane Sumner.

£3,000­5,000

39

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75 A NEAR PAIR OF GEORGE III YEW AND ELM WINDSOR ARMCHAIRS C.1770-80 each with a hoop stick back centred with a pierced vase shape splat, above a saddle seat and front cabriole legs and pad feet united by an ‘H’ stretcher (2) Provenance The Estate of the late Jane Sumner.

£1,000­1,500

76 A NEAR PAIR OF GEORGE III YEW AND ELM WINDSOR ARMCHAIRS C.1770-80 each with a hoop stick back centred with a pierced vase shape splat, above a saddle seat, on front cabriole legs and pad feet united by an ‘H’ stretcher (2) Provenance The Estate of the late Jane Sumner.

£1,000­1,500

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77 A RARE GEORGE III CHERRY AND ELM WINDSOR ARMCHAIR THAMES VALLEY, C.1770 the wing back with an interlaced scroll pierced splat, with bow arm supports, with a bell shaped seat, with an applied ‘bob tail’, on cabriole front legs united by an ‘H’ stretcher Provenance The Estate of the late Jane Sumner.

£1,000­1,500

78 A GEORGE III YEW, ELM AND ASH WINDSOR ARMCHAIR OF GOLDSMITH TYPE THAMES VALLEY, C.1790-1800 the comb top rail above a fan stick back, on bow arm supports, above a saddle seat and a ‘bob tail’, on turned front legs united by an ‘H’ stretcher Provenance The Estate of the late Jane Sumner.

Literature Thomas Crispin ‘The English Windsor Chair’, p.50, pl.2:15, for a similar chair.

£300­400

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79

80 79

81

A SMALL SCOTTISH TREEN QUAICH SECOND HALF 19TH CENTURY

A ROOTWOOD TOBACCO JAR AND COVER 19TH CENTURY

with a silver coloured metal rim, inscribed ‘Miss J. Hay to J. Wilkie’, together with an early 19th century burr birch snuff box and a treen seal (3) 9cm (max) Provenance The Estate of the late Jane Sumner.

12.8cm high, 16.5cm wide Provenance The Estate of the late Jane Sumner.

£100­150

£100­150 80 A TREEN GOOSE WING KNITTING SHEATH EARLY 19TH CENTURY with brass tack decoration and a turned handle, together with a treen pestle (2) 25.8cm long (max)

81

Provenance The Estate of the late Jane Sumner.

82 A REGENCY JAPANNED TÔLE SNUFF SHOE C.1820 gilt decorated with leaf scrolls and palmettes, with a hinged lid 10.3cm long Provenance The Estate of the late Jane Sumner.

£80­120

£100­150 83 A PAIR OF TREEN NOVELTY PIN CUSHIONS MID-19TH CENTURY in the form of boots (2) 7.8cm high Provenance The Estate of the late Jane Sumner.

£80­120

82

83 42

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84

84 detail

84 A BURR BIRCH CAMPANA URN ÉTUI C.1820-30 with ivory mounts, the screw­off cover with a pin cushion top, revealing a mirror to the underside and fitted with various steel sewing utensils, including: a pair of scissors, tweezers, a thimble, a stiletto and a button hook 15.4cm high Provenance The Estate of the late Jane Sumner.

£200­300 85 AN AUSTRIAN COLD PAINTED BRONZE LION PIN CUSHION LATE 19TH / EARLY 20TH CENTURY

85

the beast in a crouching position, the back open with a fabric cushion, stamped ‘GESCHÜTZT’ 17cm long Provenance The Estate of the late Jane Sumner.

£150­250 86 A SALTGLAZE STONEWARE POTTERY MODEL OF A RECUMBENT LION MID-19TH CENTURY the underside with an inscription stating that it was bought in Newcastle­upon­Tyne from a dealer in 1935 who thought it was made by the Corbridge Pottery, together with a smaller treacle glaze pottery model of a lion (2) 10cm long (max) Provenance The Estate of the late Jane Sumner.

£100­150

86

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88 87 A REGENCY COPPER SAMOVAR EARLY 19TH CENTURY modelled with a kneeling Atlas supporting the globe on his neck and shoulders, with a pull­off cover, with a brass tap and a green stained ivory ball handle 32.2cm high Provenance The Estate of the late Jane Sumner.

£100­200

88 A SMALL BRASS DESK MODEL OF A SIGNAL CANNON PROBABLY LATE 19TH / EARLY 20TH CENTURY mounted on a carriage with a pair of wheels 17cm long Provenance The Estate of the late Jane Sumner.

£80­120 87 89 NO LOT

90 A PEWTER POWDER FLASK IN THE FORM OF A FISH 19TH CENTURY with wriggle work decoration and dated ‘1864’, with initials ‘C M O K’ and two screw­off lids 21.8cm long Provenance The Estate of the late Jane Sumner.

£100­150

90

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91 A PAINTED WOOD MODEL OF A GOTHIC CASTLE with seven glass windows and two revolving figures 23.5cm high, 19.3cm wide, 11.5cm deep Provenance The Estate of the late Jane Sumner.

£100­150

91

92 A VICTORIAN PAPIER­MÂCHÉ DESK WATCH HOLDER AND THERMOMETER

BY JENNENS & BETTRIDGE, C.1850-60 modelled as a house, inlaid with mother of pearl, an aperture for a pocket watch, the thermometer with a silvered dial, the underside impressed ‘JENNENS & BETTRIDGE’, together with a pocket watch with a silver plated case (2) 26.7cm high, 26.6cm wide Provenance The Estate of the late Jane Sumner.

£150­200

92

93 A VICTORIAN WALNUT AND PIETRA DURA BETJEMANN’S PATENT BOOK SLIDE C.1860-70 with a pair of brass shield shape supports inlaid with probably Ashford marble and malachite with lilies and flowers, with a brass plaque inscribed ‘J. Sampson, Coney St. York; and with a pair of further brass mounts stamped ‘BETJEMANN’S PATENT 10487, SELF CLOSING BOOK SLIDE’ 40.6cm wide Provenance The Estate of the late Jane Sumner.

£150­200 93

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94 A GEORGE IV BURR YEW LAMP TABLE

BY ROBERT JAMES OF BRISTOL, C.1825 the drop­leaf top above a cedar lined frieze drawer, with a blue paper printed trade label, inscribed ‘Robert James Cabinet Maker & Upholsterer, Royal Polyanthus Wood Manufactory, 35 Broad Mead, Bristol’, on turned pole supports united by a turned twin baluster stretcher and brass castors 73.8cm high, 40.8 x 76.6cm (open) Provenance The Estate of the late Jane Sumner.

Catalogue Note Robert James was working in Bristol between 1784 and 1831. He was recorded as trading as a cabinet maker in Terill Street during the 1790s. In 1818 he was declared bankrupt but by 1821 he was advertising himself as a ‘Manufacturer of the Beautiful Polyanthus Wood’ and in 1822 he received a Royal patent and subsequently described himself as ‘Manufacturer in British Woods to his Majesty’.

94

£400­600 95

96

A GEORGE IV BURR OAK WORK TABLE C.1825

A REGENCY BURR YEW WORK TABLE C.1815

the crossbanded drop­flap top above a divided frieze drawer and a pull­out bag, on scroll applied trestle ends and brass castors 74.8cm high, 51 x 94.5cm (open)

the drop­leaf top above two drawers and a pull­out bag to one end, the other end with three revolving compartments, one with divisions, on square tapering legs 73cm high, 49 x 78cm (open)

Provenance The Estate of the late Jane Sumner.

£300­500

Provenance The Estate of the late Jane Sumner.

£500­700

95

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97

98

A GEORGE III YEW TRIPOD OCCASIONAL TABLE C.1770

A LATE REGENCY BURR ASH PEMBROKE TABLE EARLY 19TH CENTURY

the circular burr yew tilt­top on a vase turned stem and cabriole legs 68.9cm high, 79.5cm diameter

the drop­leaf top crossbanded in mahogany, above a frieze drawer and one false front either side, on brass caps and castors 72.8cm high, 60.5 x 81.2cm (open)

Provenance The Estate of the late Jane Sumner.

£400­600

Provenance The Estate of the late Jane Sumner.

£400­600

99 A GEORGE IV BURR YEW OCCASIONAL TABLE C.1830 the circular burr veneered segmented top on a turned yew stem, a triform base and turned bun feet 73cm high, 56cm diameter Provenance The Estate of the late Jane Sumner.

£500­800

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100 A MOUSEMAN OAK JOINT STOOL

BY ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955), C.1930 with a burr oak dished top, on faceted baluster legs united by peripheral stretchers, with a carved mouse signature, with a long tail and whiskers 37.5cm high, 39.5cm wide, 27cm deep Provenance The Estate of the late Jane Sumner.

£800­1,200

101 A MOUSEMAN OAK JOINT STOOL

BY ROBERT ‘MOUSEMAN’ THOMPSON (1876-1955), C.1930-40 with a burr oak dished top, on faceted baluster legs united by peripheral stretchers, with a carved mouse signature with a long tail 36.8cm high, 39.5cm wide, 27.2cm deep Provenance The Estate of the late Jane Sumner.

£800­1,200

49

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103

102

102 FIVE SMALL REGENCY RED JAPANNED PAPIER­ MÂCHÉ TRAYS C.1820-30 each decorated in gilt with grapevine bands (5) 12.6cm and 10cm wide Provenance The Estate of the late Jane Sumner.

£100­150 103 A PAIR OF GEORGE V TORTOISESHELL AND SILVER TAZZAS

BY MAPPIN & WEBB decorated with scrolls, leaves and birds, hallmarked for London 1913 (2) 7.7cm high, 11.3cm wide

104

Provenance The Estate of the late Jane Sumner.

£100­150 104 A FRENCH KINGWOOD SERPENTINE TABLE JARDINIÈRE LATE 19TH CENTURY with gilt bronze mounts and burr veneered panels 17.6cm high, 39.5cm wide, 26.2cm deep Provenance The Estate of the late Jane Sumner.

£150­250 105 A REGENCY BRONZE CANDLE / TAPERSTICK C.1810-20 in the form of a dolphin supporting an urn shape nozzle, with a pair of pierced lugs 12cm high Provenance The Estate of the late Jane Sumner.

£150­200 50

105

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107

106

106 A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS C.1815 each in the form of a Chinaman holding a pagoda shape parasol hung with cut­glass drops, supporting a spiral fluted nozzle, each figure stands on a cylindrical plinth applied with palmettes and scrolls (2) 32cm high Provenance The Estate of the late Jane Sumner.

£300­500 107 A PAIR OF FRENCH ORMOLU CANDLESTICKS IN LOUIS XVI STYLE LATE 19TH CENTURY each in the form of an athenienne wrapped with a snake, with tripod ram’s head monopodia supports, on marble bases, two toupie feet numbered ‘10433’ (2) 18cm high Provenance The Estate of the late Jane Sumner.

£200­300 108 TWO BRASS CORINTHIAN COLUMN STANDARD LAMPS LATE 19TH CENTURY each with an adjustable light fitting, above a ribbed stem and a wreath decorated stepped base with lion’s paw feet (2) 134.2 ­ 160.6cm high and 124 ­ 178cm high (including fitting) Provenance The Estate of the late Jane Sumner.

£400­600

108 51

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109 A CHINESE EXPORT AUBERGINE LACQUER TRIPOD TABLE EARLY 19TH CENTURY decorated in gilt with a watery landscape, with pagodas, willow trees, figures and boats, the circular tilt­top revolving on a birdcage, on a baluster turned stem, a triform base and giltwood lion’s paw feet 78.5cm high, 90.8cm diameter Provenance The Estate of the late Jane Sumner.

£800­1,200

110 AN ANGLO­INDIAN ROSEWOOD AND SADELI WORKBOX PROBABLY BOMBAY, EARLY 19TH CENTURY the hinged lid with ebony, sandalwood, ivory and sadeli bands, revealing a fitted interior, with a lift­out mirror to the underside, above lidded divisions and compartments, with ivory sewing utensils, including reel barrels, a tape measure, a thimble holder, rulers and boxes with covers, with a pin cushion and other accoutrements, above a sandalwood lined drawer fitted with a velvet hinged writing slope, with compartments for pen and ink and with a large ivory ruler, with silver hinges, handles and rests 14.6cm high, 44cm wide, 30.3cm deep Provenance The Estate of the late Jane Sumner.

£500­800

108

109

52

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111 A LATE GEORGE III MAHOGANY BOWFRONT CHEST C.1800-10 the top with a reeded edge, above a baize lined brushing slide and four graduated drawers, on swept bracket feet 81.5cm high, 80cm wide, 42.8cm deep Provenance The Estate of the late Jane Sumner.

£500­800

112 A REGENCY BEECH AND MAHOGANY KLISMOS SLIPPER CHAIR POSSIBLY IRISH, C.1810 with applied fret decoration of leaves and scrolls, with a ‘Roman’ spoon back above a stuffed over seat, on sabre legs and brass caps and castors Provenance The Estate of the late Jane Sumner.

£300­500

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113 A REGENCY MAHOGANY WATERFALL OPEN BOOKCASE C.1810-15 inlaid with ebonised stringing and with reeded edges, the base with a drawer, on square tapering legs, with brass side carrying handles 133cm high, 89.7cm wide, 44.7cm deep Provenance The Estate of the late Jane Sumner.

£500­700

114 A LANCASHIRE ASH LADDERBACK CHILD’S ARMCHAIR LATE 18TH / EARLY 19TH CENTURY Provenance The Estate of the late Jane Sumner.

£100­150

115 A GEORGE III OAK TRIPOD TABLE C.1770 the circular fixed top with a faceted edge, on a baluster turned stem and cabriole legs 72.5cm high, 44cm wide Provenance The Estate of the late Jane Sumner.

£150­250 113

114

54

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116 A REGENCY ROSEWOOD AND BRASS MARQUETRY WORK TABLE C.1815-20 inlaid with palmettes, the banded drop­leaf top above a cedar lined frieze drawer and a pull­out silk sewing bag, the quatreform base on downswept legs and brass caps and castors 73.8cm high, 48.5 x 88.5cm (open) Provenance The Estate of the late Jane Sumner.

£500­800

117 A SET OF MAHOGANY AND BRASS CAMPAIGN HANGING WALL SHELVES EARLY 19TH CENTURY with three tiers, with reeded edges, the detachable pole supports with globe finials 68.4cm high, 71cm wide, 20cm deep Provenance The Estate of the late Jane Sumner.

£300­500

118 A REGENCY MAHOGANY CANTERBURY C.1810 of slatted form, with four dipped divisions and a central pierced handgrip, above a drawer, on brass caps and castors 50.5cm high, 45cm wide, 33cm deep Provenance The Estate of the late Jane Sumner.

116

£400­600

117

118

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119 A SMALL GEORGE IV MAHOGANY DAVENPORT ATTRIBUTED TO GILLOWS, C.1820-25 the swivel top with a pierced brass gallery centred with a handle, above a leather lined writing slope, revealing a vacant interior with two drawers, the left side with four graduated drawers, the right with a small drawer for pens and ink and a pull­out candleslide above four false fronts, on brass caps and castors 81.5cm high, 38cm wide, 46.2cm deep Provenance The Estate of the late Jane Sumner.

£1,000­1,500

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120 A GEORGE IV BURR OAK WORK TABLE ATTRIBUTED TO GILLOWS, C.1825-30 the tray top with a scroll carved edge, above a cedar lined frieze drawer to either end, with nulled mouldings, the frieze with a sliding frame for a work basket, above leaf and scroll carved lyre shaped supports, united by a dished tray stretcher, on leaf and cabochon carved legs, on pad feet with sunken brass castors 72cm high, 70cm wide, 48cm deep Provenance The Estate of the late Jane Sumner.

Catalogue Note This table follows closely the original design by Gillows which can be found in their Estimate Sketch Book, 23th August 1822, for Sir. T. D. Hesketh. For a virtually identical table, see Susan E. Stuart, Gillows of Lancaster & London, 1730­1840, p.303, pl.332 and a table of the same design appears on the front cover of Volume II. A similar example in mahogany was sold by Christie’s, ‘Parisian Taste in London’, 10th September 2009, lot 343. Interestingly, the three cited examples all have a work bag slide but no evidence of a bag having been fitted and it seems that the clients preferred to make their own bag.

£1,500­2,000

57

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FOLK ART,

OAK &

COUNTRY

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121 AN ITALIAN BAROQUE WALNUT REFECTORY TABLE PROBABLY 17TH / 18TH CENTURY the boarded top above a pair of frieze drawers, on leaf carved shaped open trestle ends united by an arched stretcher with punched decoration 78cm high, 206cm long, 89cm deep

£1,000­1,500

122 A PAIR OF ITALIAN WALNUT OPEN ARMCHAIRS IN RENAISSANCE STYLE, PROBABLY 18TH CENTURY each with carved gargoyle finials, with an upholstered back and seat, the front stretcher carved with a pair of angels flanking a grotesque mask (2)

£600­800 59

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123 AN IRON BOUND WOOD CHEST 18TH CENTURY with studded strapwork mounts, the interior with a till and with side carrying handles 46cm high, 85cm wide, 44.6cm deep

£100­200

124

125

A CARVED WALNUT DRAWER PULL LOW COUNTRIES OR GERMANY, 17TH/ 18TH CENTURY

AN ITALIAN BRONZE BOWL IN 16TH CENTURY STYLE VENETIAN, 19TH CENTURY

the handle carved in the form of a bust of a lady wearing flowers in her hair 12cm high

relief decorated with bands of scrolling leaves, with cartouches with portrait busts and grotesque figures, on lion’s paw tripod feet 17.9cm high, 24cm diameter

£100­150

£200­300

124 60

125

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126 126

127

AN ITALIAN BAROQUE WALNUT CREDENZA TUSCANY, 17TH CENTURY

A SMALL ITALIAN CYPRESS WOOD POKERWORK CASSONE ALTO ALDIGE, LATE 16TH / EARLY 17TH CENTURY

the rectangular moulded top above a pair of lozenge panelled drawers, with knob handles, above a pair of conforming doors enclosing a shelf 105cm high, 130cm wide, 53cm deep

the hinged lid above a panelled front decorated with Renaissance knights in arches, flanking panels of figures with leopards and lions, with penwork decorated sides with scrolling leaves 31.8cm high, 60.5cm wide, 36.5cm deep

£3,000­5,000

£500­800

127

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128

128 A FLEMISH VERDURE TAPESTRY 17TH CENTURY worked with trees and with a castle in the distance 226.8 x 253cm

£2,000­3,000

129 A BRUSSELS TAPESTRY MARRIAGE PANEL 18TH CENTURY depicting a Queen between two coats of arms, titled below ‘V. Plitterbwick’ and ‘D. V. Brockhus’, with scrolling leaves and exotic birds, within a flower and rosette border and a part velvet outer frame 73.7 x 84cm

£500­800

129 62

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130 A FLEMISH MYTHOLOGICAL TAPESTRY OUDENARDE, LATE 17TH / EARLY 18TH CENTURY depicting the Judgement of Paris with Mercury holding an apple before the shepherd Paris and the three goddesses: Hera, Athena and Aphrodite depicted as queens, seated in thrones with peacocks, before a classical palace with formal gardens and water features 238 x 275cm

£4,000­6,000

63

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131 A FRENCH CARVED WALNUT RELIEF PANEL PROBABLY EARLY 18TH CENTURY depicting the angel Gabriel with a young boy 97.7 x 42cm

£200­300 132 A EUROPEAN STAINED GLASS CIRCULAR PANEL PROBABLY FRENCH, 13TH CENTURY AND LATER depicting Joachim and Anna at the Golden Gate, inscribed ‘AUREA PORTA’, with later painted glass replacements, 42.5cm diameter, in a modern grey painted wood frame Catalogue Note This panel depicts Joachim and Anna meeting at the Golden Gate of Jerusalem. In style the panel compares favourably to the stained glass of the great cathedrals of the early 13th century, in particularly to a similar panel of Joachim and Anna at Chartres Cathedral.

£400­600 133 A CARVED WOOD AND POLYCHROME GROUP OF THE VIRGIN AND CHILD POSSIBLY GERMAN, 18TH CENTURY 38.5cm high

£150­200

131

132

64

133

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134 A CARVED OAK AND POLYCHROME FIGURE OF ST. AGNES OF ARRAS FRENCH, 17TH / 18TH CENTURY the robed saint accompanied by three lambs 88.3cm high Provenance The grandfather of the prior owner had, by repute, been in the Royal Flying Corp during World War I and was given special permission to take this from the burning remains of the destruction of Arras Cathedral.

£500­800 135 A SMALL ARTS AND CRAFTS BLUE PAINTED OAK TABLE RELIQUARY CABINET IN GOTHIC STYLE, LATE 19TH / EARLY 20TH CENTURY with traces of gilding, with turreted corners and decorated with lancet arches, grapevines, leaves and flowers, with initials ‘HK’ on one side, with a panelled door and a lift­off cover 40.2cm high, 27.2cm wide, 27.5cm deep

£200­300 136 A CARVED AND STAINED LIMEWOOD FIGURE OF THE CHRIST CHILD 18TH / 19TH CENTURY 61.2cm high

£300­400 134

135

136

65

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137 A DUTCH BRASS HEEMSKERK CANDLESTICK SECOND HALF 17TH CENTURY with a pierced socket, on a turned stem and a dished drip­pan, on a domed foot 20cm high

£150­200

138 A DUTCH BRASS HEEMSKERK CANDLESTICK LATE 17TH / EARLY 18TH CENTURY the gun barrel pierced socket above a baluster turned stem and a dished drip­ pan 22.7cm high

137

£100­150

139 A DUTCH PEWTER COMMEMORATIVE FLASK DATED ‘1797’ the screw­off cover with a double dolphin head handle, the body wriggle work decorated with a coat of arms above the date ‘1797’, the back with a crowned spread eagle, with the initial ‘S II’, the sides with flowers, with maker’s marks 22.3cm high

£200­300

140 A PAIR OF 18TH CENTURY DUTCH PEWTER CANDLESTICKS C.1750 of seamed construction, with an urn shape socket above a faceted baluster stem, on leaf scroll feet and with rosette mark (2) 21.8cm high

138

139 66

£100­150

140

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141

141 A EUROPEAN PAINTED PINE MARRIAGE CHEST PROBABLY TRANSYLVANIAN, 19TH CENTURY decorated with panels of urns of flowers, the hinged top revealing an interior with a lidded till, the front with initials and numbers 60.7cm high, 169.5cm wide, 56.5cm deep

£300­500

142 A NORWEGIAN FOLK ART CARVED AND STAINED PINE BOX MOLDE, LATE 19TH CENTURY of staved construction and with bentwood straps, all over carved with scrolling leaves, the lift­off cover with a scroll­handle, the underside with Gothic initials and with a paper label, inscribed ‘Molde, Norway’, the underside with a further paper label and faint pencil inscriptions 28.8cm high, 29.5cm wide

£200­300

142

143 A NORWEGIAN PAINTED WOOD AND METAL SEAMAN’S CHEST 19TH CENTURY the domed hinged lid revealing an interior with a lidded till, the front decorated with leaves and flowers and inscribed ‘Anders Samuelson Anno 1800’, with iron side carrying handles 61.7cm high, 119.2cm wide, 57cm deep Provenance A Norwegian family of seafarers, Godseth.

£300­400 143

67

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144

145

144 A BELL METAL PRESERVING PAN EARLY 19TH CENTURY with brass handles, the body inscribed ‘Geo. Ware.’

35.5cm wide

£200­300

145 A VICTORIAN GRADUATED SET OF THREE COPPER SAUCEPANS

BY BENHAM AND FROUD each with a lid, the handles stamped with their sizes: ’6 1/2’, ‘8 1/2’ and ‘9’, with orb and sceptre marks (3) 33.5cm high

£200­300

146

146 A CARVED AND POLYCHROME OAK FRAGMENT LATE 16TH / EARLY 17TH CENTURY with traces of gilding and decorated with a Romayne bust of a bearded man within a rondel, above leaves emanating from a stylised urn 42.5cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

147 A LARGE PAIR OF VICTORIAN BRASS CANDLESTICKS C.1890-1900 with ejectors, each with a trumpet socket, above a faceted and beehive turned stem, the bases stamped ‘England RD 223580’ (2) 35.3cm high

£200­300

147 68

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148 A FRENCH CHERRYWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY AND LATER the boarded top on square tapering legs 74.8cm high, 200cm long, 89.3cm deep

£300­500

149

150

A PAIR OF YEW TRIPOD OCCASIONAL TABLES LATE 19TH / EARLY 20TH CENTURY

A LATE GEORGE III ASH AND ELM WINDSOR ARMCHAIR THAMES VALLEY, EARLY 19TH CENTURY

each with a circular fixed top above a turned stem, on arched supports (2) 64.7cm high, 39.8cm diameter

the hoop stick back above a saddle seat, on turned legs united by an ‘H’ stretcher

£300­400

£150­250 69

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151 A GEORGE II OAK HANGING CORNER CUPBOARD C.1740-50 of slender form, with a shaped fret surmount above a panelled door, enclosing three shelves 100.9cm high, 44.5cm wide, 31cm deep

£200­300

152 AN UNUSUAL BURR WOOD WALL MIRROR the shaped plate within a gnarly frame, possibly burr yew, the back with a printed paper label, inscribed ‘James Bourlet & Sons Ltd Fine Art Packers Frame Makers 17 & 18 Nassau Street, Mortimer Street W.’ 55.5 x 42cm

£300­500

153 AN ASH CRICKET TABLE LATE 18TH / EARLY 19TH CENTURY the circular top on a triform base with an undertier 60cm high, 65.5cm diameter

£100­200

151

152

70

153

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154 A GEORGE III SYCAMORE AND PAINTED PINE CRICKET TABLE LATE 18TH / EARLY 19TH CENTURY the circular boarded top above a triform base with an arc d’arbalète frieze, with an undertier 74.3cm high, 77.3cm diameter

£300­500

155 A GEORGE III PINE CRICKET TABLE LATE 18TH / EARLY 19TH CENTURY the boarded circular top above a blue painted triform base with stretchers, one stretcher in ash 71.3cm high, 69.5cm diameter

£300­500

71

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156 A PRIMITIVE ASH AND ELM DAIRY STOOL POSSIBLY WELSH, 19TH CENTURY 39.8cm high, 72.7cm wide, 53cm deep

£150­200

156

157 A WALNUT CENTRE TABLE 19TH CENTURY the boarded top with cleated ends, on faceted tapering legs 73.5cm high, 127cm wide, 74cm deep

£200­300

157

158 A BEECHWOOD SIDE TABLE 19TH CENTURY the boarded top with cleated ends, above a frieze drawer, on ‘Gothic’ chamfered legs united by an ‘H’ stretcher 73.4cm high, 95cm wide, 65.5cm deep

£200­300

158

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159 A TREEN STAINED ELM DAIRY BOWL 19TH CENTURY the exterior with moulded bands 46.5cm diameter

£150­200

159

160 A FRUITWOOD AND MAHOGANY OCCASIONAL TABLE LATE 19TH / EARLY 20TH CENTURY with a circular boarded top, on square section legs united by peripheral stretchers 61.5cm high, 60cm diameter

£200­300

160

161 A TREEN STAINED SYCAMORE DAIRY BOWL 19TH CENTURY the exterior with moulded and incised bands 28.3cm diameter

£100­150

161

73

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162

163

162 A CARVED COQUILLA NUT NUTMEG GRATER EARLY 19TH CENTURY the screw­off cover revealing a steel grater 7.5cm high

£80­120 163 FIVE TREEN JARS AND COVERS 19TH CENTURY comprising: a near pair of globular jars, and three cylindrical examples with reeded and incised bands (5) 15.2cm high (max)

£300­400 164 164 A GEORGE III BONE EGG SHAPE NUTMEG GRATER LATE 18TH CENTURY the screw­off lid revealing a steel grater 4.5cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 165 TWO SNUFF SPOONS LATE 18TH / EARLY 19TH CENTURY one in horn with a hatched handle, the other in bone decorated with a love heart, together with a treen spoon (3) 12cm long (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

165 74

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166 A PRIMITIVE TREEN LEVER ACTION FIGURAL NUTCRACKER IN 17TH CENTURY STYLE BUT PROBABLY 19TH CENTURY carved in the form of a man with a flat face 20.2cm long Catalogue Note See Woolley & Wallis, Furniture and Works of Art, 6th July 2016, lots 51, 54 and 55 and 4th July 2018 lot 66 for similar examples.

£2,000­3,000

167 A VICTORIAN TREEN FOLK ART SMALL STAFF ‘HUNT TALLY’ C.1871 carved with a hunt scene, with horses and huntsmen chasing a fox, dated ‘1871’, with a brass suspension ring 22.2cm long

£100­150 75

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168

168 A SCANDINAVIAN CARVED BIRCH COLLECTION OF MICROSCULPTURE ITEMS POSSIBLY FOR A DOLL'S HOUSE including: barrels, a teapot, plates, two scoops and other items in a birch pot and cover, together with an apothecary's steel corkscrew for opening medicine bottles, a tortoiseshell finger / ring sizer and a walnut (4) 6cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 169 FOUR BONE PIPE TAMPERS / SEALS LATE 18TH / EARLY 19TH CENTURY one in the form of a lady’s leg, one carved with a clenched fist and two horn shape examples, one with a plated end (4) 7.8cm long (max)

169

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

170 SIX POCKET FOLDING KNIVES LATE 18TH CENTURY AND LATER comprising: a bone handled example in a gilt tooled red leather case, a damascened gentleman’s folding fruit knife, the blade stamped ‘Toledo’, three mother of pearl handled knives, two with steel blades, one in silver and a tortoiseshell single blade fleam in a leather case (6) 8cm max Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 170

76

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171

171 AN EARLY VICTORIAN BONE SPELLING ALPHABET C.1840 in a mahogany case with a sliding cover, with a rectangular plaque, inscribed ‘Spelling Alphabet’, the interior with twenty­seven divisions containing one hundred and forty­nine bone letters, the majority double sided, one or two associated and some later paper facsimilies (not included in the total) 15.5 x 26cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

172 A BONE SPELLING ALPHABET EARLY 19TH CENTURY 172

with twenty­six double sided counters contained in a cylindrical box, the turned lid engraved with ‘ABC’ 5.2cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

173 A VICTORIAN COMMEMORATIVE BONE TOKEN C.1868 polychrome dot decorated, with an inscription 'David Page Born March 3 1863 Died Ju 23 1868 Aged 5 Years' 9.8cm long Provenance 'A Lifetime of Collecting' ­ The Property of a Gentleman.

£100­150

173 77

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175

174 174 A FRENCH PRISONER OF WAR BONE SPINNING TOP DICE EARLY 19TH CENTURY polychrome decorated with flowers and numbered one to ten, together with three Prisoner of War bone penknives and a letter opener (5) 11.2cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 175 A FRENCH PRISONER OF WAR BONE GAMES BOX EARLY 19TH CENTURY 176

decorated with rondels with red colouring, the sliding cover pierced for cribbage and revealing thirty­six dominoes (37) 13.4cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 176 A FRENCH PRISONER OF WAR STRAW WORK BOX EARLY 19TH CENTURY of lozenge shape, the lid decorated with a circular panel decorated with a Cupid figure, the underside of the lid with a mirror, together with a French card faux book box, with marbled ends, the interior with a mirror to the underside of the lid (2) 11.3cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 177 A COLLECTION OF FRENCH BONE PRISONER OF WAR DOMINOES EARLY 19TH CENTURY

177

in a turned barrel with cover, together with a Prisoner of War bone sander, the lid with traces of polychrome decoration, the interior pierced and a turned bone sewing stiletto needle case (3) 9.6cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 78

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179

178

178 TWO SAILOR’S SCRIMSHAW WHALE’S TEETH 19TH CENTURY

180

one decorated with a young lady wearing an ermine coat and muff, titled ‘Anna’, the other of a young girl holding a hand mirror (2) 12.8cm high (max)

£300­500 179 A SAILOR’S WHALEBONE WALKING CANE LATE 19TH CENTURY with a walrus ivory pommel handle, above a baleen collar and a tapering shaft 85.5cm long

£150­200 180 A SAILOR’S WHALEBONE WALKING CANE LATE 19TH CENTURY the part marine ivory and walnut handle above a conforming stem, with two baleen collars, above a tapering shaft with a brass ferrule 89.5cm long

£100­150 181 181 A SAILOR’S WHALEBONE SWAGGER STICK LATE 19TH CENTURY with a walrus ivory pommel, with a lattice carved and spiral ribbed tapering shaft 69.6cm long

£150­200

79

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182 A FOLK ART CARVED AND PAINTED WOOD SAILOR’S MARINE PICTURE LATE 19TH CENTURY depicting a five masted sailing ship titled ‘Ilfracombe’ and ‘Elsei’, with cotton rigging, in a moulded wood frame 27.5 x 42.5cm

£150­250

182

183 A FOLK ART CARVED MAHOGANY AND ASH BOAT WALL POCKET LATE 19TH CENTURY mounted on a fish backplate, together with a small half­block model of a ship (2) 40cm wide (max)

£150­250

184 A CARVED AND PAINTED WOOD POND YACHT EARLY 20TH CENTURY 183

titled ‘Britannia’, with a lead weighted rudder 69cm long

£100­150

184 80

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185 A CARVED AND PAINTED WOOD HORSE AND CART GROUP ATTRIBUTED TO FRANK WHITTINGTON (1876-1973) OF FOREST TOYS, EARLY 20TH CENTURY comprising: two shire horses, a cart, an Airdale terrier and a man wearing a cap and waistcoat (4) 51cm long (max) Catalogue Note Frank Whittington (1876­1973) established a toy making firm at the end of World War I in the New Forest, making carved animals and people, inspired by his surroundings and from regular trips to London Zoo and the Natural History Museum. Originally making the toys from home the demand became such that in 1922 he built a factory on the edge of the New Forest (Brockenhurst). The popularity of the figures rose when Queen Mary ordered two dozen Noah`s Arks after seeing them at the British Industries Fairs during the inter war period.

£300­500

186 AN EARLY VICTORIAN GILT BRASS RELIEF PLAQUE OF ‘BLACK EAGLE’ C.1850 depicting the prancing circus horse, with a scrolling leaf and rosette panel, inscribed ‘Black Eagle’, in a moulded rosewood glazed frame 60.5 x 79.4cm

187 A VICTORIAN FOLK ART STOOL C.1850-60 the woolwork seat depicting a recumbent spaniel on a cushion, on bun feet 16.2cm high, 37.4cm square

£100­150

Catalogue Note Black Eagle was a famous American trick horse owned by the circus proprietors, John and George Sanger. He was highly trained and danced to music. In 1858 he appeared in front of Queen Victoria performing the waltz and polka, imitating a camel and standing on his hind legs.

£300­400 81

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189

188 AN AMERICAN CARVED WOOD TRAMP ART SEWING BOX SECOND HALF 19TH CENTURY decorated with zig­zag lozenges, the hinged lid with a plush pin cushion, above a vacant interior, on stylised hoof feet 14.5cm high, 25.4cm wide, 21cm deep

188

£100­150 189 A PAIR OF GLASS SPHERES EARLY TO MID-20TH CENTURY each with splash painted interiors, on a turned ebonised wood stand (4) 21.2cm high

£100­150 190 A FOLK ART WALL HANGING CABINET EARLY 20TH CENTURY decoupage decorated with cigar labels 41.8cm high, 35cm wide, 12.3cm deep

£100­150 191 A CARVED HARDWOOD FIGURAL SHOP SIGN POSSIBLY AMERICAN, 19TH CENTURY in the form of an Afro­American boy wearing a bowler hat and a bow tie, with traces of polychrome decoration 92.5cm high

190

£300­500

191

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192

193

192 A COLLECTION OF GREEN GLASS SPIRIT DECANTERS 19TH CENTURY AND LATER in the form of flagons, with various plated and brass stoppers, one marked ‘sherry’ (9) 25cm high (max)

£200­300 193 A COLLECTION OF BRISTOL BLUE GLASS SPIRIT DECANTERS 19TH CENTURY AND LATER in the form of flagons, with various plated stoppers, one marked ‘whiskey’ (11) 25.7cm high (max)

£300­500 194 194 A COLLECTION OF PAINTED TERRACOTTA MODELS OF FRUIT LATE 19TH / EARLY 20TH CENTURY of apples, pears and an orange, in a painted tôle Monteith style basket (14)

£150­200 195 A COLLECTION OF VENETIAN LARGE COLOURED GLASS TRADE BEADS LATE 18TH / EARLY 19TH CENTURY of various colours, in a 1950’s carved wood bowl, indistinctly signed ‘S. Tropoz’ (21) 47.6cm max

£400­600

195

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196

197

196 A FOLK ART PAINTED WOOD DUCK DECOY POSSIBLY LATE 19TH / EARLY 20TH CENTURY polychrome decorated 13.cm high, 32.5cm long

198

£200­300 197 A FOLK ART CARVED WOOD WHIRLIGIG in the form of a flying duck, with ash propellers, on a turned wood mushroom shaped base 30.1cm high, 30.5cm wide

£80­120 198 A GEORGE III NEEDLEWORK SAMPLER PIN CUSHION DATED ‘1787’ worked in green with birds, a dog, an urn of flowers and with initials ‘E P’ 5cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 199 199

A PAIR OF VICTORIAN WALL MIRRORS C.1870-80 of canted rectangular form, with a bevelled edge and a band of cut mirrored circles, mounted on a velvet backing (2) 34 x 22.5cm

£150­200

84

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200 A PAIR OF FOLK ART REVERSE GLASS OVAL MIRRORS EARLY 20TH CENTURY painted with a tiger and a lion, peering through foliage, each with a bevelled edge and in a later moulded white painted wood frame (2) 67.5 x 59cm

£400­600

201 A PAINTED MAHOGANY DUMMY BOARD 19TH CENTURY of an Elizabethan girl, holding a basket of cherries and offering a biscuit to her faithful dog 95.5 x 63cm

£400­600

85

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203

202 202 A PAINTED METAL HERALDIC SHIELD LATE 19TH / EARLY 20TH CENTURY with the coat of arms of the city of York 50.5cm high, 39cm wide

£100­150

203 A PAIR OF CARVED OAK AND PAINTED HERALDIC SHIELDS MID-20TH CENTURY each with a coat of arms, one for the University of Oxford, the other for Christchurch College, Oxford, the back stamped ‘Rogers 51 High Street Oxford’ (2) 21 x 15.5cm

£80­120

204 A GEORGE IV BELL METAL CASTOR BY DOBBINS & CO. C.1830 with five spokes and stamped ‘S. Dobbins & Co. Patent, Bristol’ 14cm high Catalogue Note According to Grace’s Guide to Industrial History ‘S. Dobbins manufactured Patent Systems of Rollers, for the reduction of Friction in Blocks, Sheaves, Pulleys, Grindstones and Machinery in general. He also invented his own superior Patent Castors, for Bedsteads and other furniture.’

204

86

£100­150

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205 A PAIR OF BLACK JAPANNED TÔLE TEA CANISTERS C.1870-80 decorated in gilt with chinoiserie scenes with figures, buildings, an urn of flowers and with Greek key bands, numbered ‘1’ and ‘3’, each with a lift­off cover (2) 42.2cm high

£200­300

206 A GREEN JAPANNED TÔLE TEA CANISTER LAMP C.1880-90 with a later twin­light fitting, the body painted with the figures of two Chinese theatrical performers, one juggling and standing on a pumpkin, numbered ‘14’ 64.4cm high

£150­250 205 207 A FOLK ART RED PAINTED TÔLE CHANDELIER POSSIBLY FRENCH, 19TH CENTURY with six scroll arms and a spinning­top shape stem 68cm high, 55.5cm wide

£300­500

206

207 87

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SNUFF BOXES

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208 A QUEEN ANNE TORTOISESHELL SNUFF BOX DATED ‘1705’ of oval clam shape, with piqué decoration and silver mounts, unmarked, the hinged lid centred with a plaque, inscribed ‘The other Quart Then’, the base inscribed ‘My Auld Friend 1705’ 9.1cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250

209 A RARE SCOTTISH HORN ELEPHANT SNUFF MULL EARLY 19TH CENTURY

208

with bone eyes and tusks, with silver mounts, unmarked, the hinged cover with a plaque, inscribed ‘G. Phillips’ 8cm high

£300­500

210 A HORN OVAL PARCEL GILT SNUFF BOX 18TH CENTURY engraved with Britannia with war trophies, titled, with a hatched border 6.5cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 209 211 THREE SCOTTISH HORN ZOOMORPHIC SNUFF MULLS LATE 18TH / 19TH CENTURY each with bone eyes and silver mounts, one hallmarked for Birmingham 1894, two with hinged covers, one pull­off, together with a horn boot snuff box, with a tortoiseshell pull­off cover (4) 13.6cm (max)

£300­500

211

210

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212

214

213

212

214

A WILLIAM IV OAK ‘HOUSES OF PARLIAMENT’ SNUFF BOX DATED ‘1834’

AN EARLY VICTORIAN OAK ‘YORK MINSTER’ TOBACCO BOX DATED ‘1840’

of disc form, the lid with a silver plaque, unmarked, inscribed ‘Made From Wood found in the Ruins of the Houses of Parliament destroyed by Fire 16th Octr 1834’ 10.3cm diameter

presumably made from the remains of York Minster after the fire of 1840, with a part hinged lid with a silver plaque engraved with a view of the burning York Minster and dated ‘May 20th 1840’ 15.3cm wide

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note The Palace of Westminster, the medieval Royal palace used as the home of the British parliament, was largely destroyed by fire on the 16th October 1834.

The blaze was caused by the burning of small wooden tally sticks which had been used as part of the accounting procedures of the Exchequer.

Catalogue Note The fire at York Minster on the 20th May 1840 was the second great fire at the Minster, the first was in 1829.

£100­150

£100­150 215

213

A LACQUERED PAPIER­MÂCHÉ QUEEN CAROLINE SNUFF BOX EARLY 19TH CENTURY

A GEORGE IV COMMEMORATIVE LACQUERED PAPIER­MÂCHÉ SNUFF BOX C.1820

the lid with a coloured engraved portrait bust of Caroline of Brunswick after Abraham Wivell, titled ‘Caroline Queen of England’ 9cm diameter

the lid inset with a bronze / copper portrait medallion depicting George IV, inscribed ‘King George IV Ascended The British Throne Jan 29 1820’ 9.3cm diameter

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 216

£100­150

A FRENCH SILVERED BRONZE SNUFF BOX C.1840 depicting French guards at Versailles, inscribed ‘Gardes Francoise Metant Les Armes Bas A Versailles’ and ‘Gardes Francoise Delivre Prisons de Versailles’ 7.5cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

90

215

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217 A TREEN HORSE’S HEAD SNUFF BOX EARLY 19TH CENTURY with brass tack decoration and inlaid with a bone rondel, the underside with a hinged cover 7.5cm long

£200­300 217

218 A RARE TREEN COW SNUFF BOX 19TH CENTURY with a red painted tongue and a double swivel and sliding cover, together with a bird snuff box with a similar style swivel cover (2) 12cm long (max)

£250­350 218

219 A TREEN FROG SNUFF BOX MID-19TH CENTURY with glass eyes, the underside with a sliding cover 7cm long

£150­250

219

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220 A TREEN ‘PINCH OF SNUFF’ SNUFF BOX SECOND HALF 19TH CENTURY carved in the form of a hand, the base with a pull­off cover 11cm high

£200­300

220

221 A TREEN ‘PINCH OF SNUFF’ SNUFF BOX SECOND HALF 19TH CENTURY carved in the form of a hand sporting a brass ring, the base with a hinged cover 7cm high

£200­300

221

222 A TREEN SNUFF SHOE EARLY 19TH CENTURY with brass tack inlay, the hinged lid inlaid with an anchor 13.7cm long

£100­150

222

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223 A SCANDINAVIAN TREEN BIRCH DOG SNUFF BOX PROBABLY SWEDISH, SECOND HALF 19TH CENTURY carved in the recumbent pose, the underside with a hinged cover 12cm long

£200­300 223

224 A SCANDINAVIAN TREEN BIRCH DOG SNUFF BOX PROBABLY SWEDISH, MID-19TH CENTURY carved in the recumbent pose and stained with spots, the underside with a hinged cover, the interior with traces of original lining 14cm long

£200­300

224

225 A SCANDINAVIAN TREEN BIRCH DOG SNUFF BOX PROBABLY SWEDISH, 19TH CENTURY carved in a rare upright pose, the underside with a hinged cover, the interior with traces of foil 12.5cm long

£200­300

225

93

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226 FOUR VICTORIAN WELSH BRASS OVAL WEST COUNTRY MINER’S SNUFF BOXES LATE 19TH CENTURY each stamped with owner’s name, place and date, ‘Jack Gray Carter Shaftesbury Dorset 1892’, ‘James Barnes Sheppard Bowood’ , ‘George Prince, Crewkerne Somerset 1891’ and ‘Jack Foyle Wincanton 1891’, one with maker’s mark ‘John Harvey Maker North Risca’ (4) 7.3cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 226

227 A TREEN HORSE’S HEAD SNUFF BOX C.1840 naively carved with bone inset eyes, the underside with a sliding cover with stop 8.5cm long

£200­300

228 A GEORGE II SHEET IRON BOOT­POWDERER PROBABLY BIRMINGHAM, DATED ‘1741’

227

with a sliding cover, the perforated base with initials ‘I H’ and the date ‘1741’, the base indistinctly stamped with a maker’s mark 11.5cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note For similar examples see Rupert Gentle and Rachael Feild, ‘Domestic Metalwork 1640­1820’, p. 370, pls.1­6.

£100­150

229 A LEATHER BLACKJACK PROBABLY 19TH CENTURY together with a palmwood snuff box, the hinged lid inlaid with gold stringing and a vacant plaque, with a tortoiseshell lined interior (2) 15.5cm (max)

£150­200

228

229 94

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230 TWO TREEN FROG SNUFF BOXES MID-19TH CENTURY the larger one a table snuff box, each with a painted mottled finish and a hinged cover to the underside (2) 12.9cm long (max)

£300­500

230

231 A SMALL TREEN FROG SNUFF BOX C.1860 with ebonised eyes, the underside with a hinged cover 5.7cm long

£150­250

231

232 A TREEN FROG SNUFF BOX 19TH CENTURY with a painted finish and brass eyes, the underside with a sliding cover 8cm long

£200­300

232

95

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235

234

233

233

235

237

A SCOTTISH SYCAMORE MAUCHLINE WARE AND PENWORK SNUFF BOX EARLY 19TH CENTURY

A SCOTTISH SYCAMORE AND PENWORK SNUFF BOX EARLY 19TH CENTURY

A SCOTTISH SYCAMORE MAUCHLINE WARE AND PENWORK SNUFF BOX EARLY 19TH CENTURY

decorated all over with a grapevine, the foil lined interior stamped ‘Buchanan’ 8.1cm wide

of disc form, the lid decorated with a tavern scene after Robbie Burns, inscribed ‘It is the moon Iken her horn’ 8.7cm diameter

all over decorated with a lattice design, the hinged lid with a rectangular panel with two wolves in a landscape, with a foil lined interior, together with a Mauchline ware circular box and cover by Dunkeld McLean & Sons, the lid with a garter, inscribed ‘From the Pass of Killiecrankie, Battle Fought 27th July 1689’ (2) 7.6cm (max)

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 234 A SCOTTISH WILLIAM IV MAUCHLINE TARTAN WARE SNUFF BOX

BY W & A SMITH, C.1835-1840 the ‘hidden hinged’ lid with a gold Rococo thumbpiece and a vacant shield shape plaque, the foil lined interior stamped with the Royal Coat of Arms and ‘Smith Mauchline Manufacturers to His Majesty’ and ‘Warranted Made from the Solid’ 8.5cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

236 A SCOTTISH SYCAMORE MAUCHLINE WARE AND PENWORK SNUFF BOX EARLY 19TH CENTURY

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

all over decorated with a stylised seaweed design, the hinged lid with a rectangular panel, with a lurcher chasing a hare in a landscape setting, with a foil lined interior 11.2cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

£100­150

236

96

237

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FURNITURE & CLOCKS

97

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238 A QUEEN ANNE WALNUT CHEST ON STAND C.1710 with cross and feather banding, the quarter veneered top above two short and three long graduated drawers, with lobed burr veneered panels, the stand with later elements and fitted with a long drawer, on bun feet 121cm high, 108cm wide, 59.5cm deep

£500­700

239 A GEORGE I WALNUT CHEST C.1715 the quarter veneered top with cross and feather banding, above two short and three long graduated drawers and bracket feet 98.8cm high, 101.5cm wide, 54cm deep

£500­800

98

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240 A QUEEN ANNE WALNUT CHEST ON CHEST C.1710 the quarter veneered crossbanded top above two short and three long cross and feather banded drawers, the base with two further long drawers, on later bun feet 134.3cm high, 107cm wide, 58.3cm deep

£800­1,200

241 A WILLIAM AND MARY OYSTER VENEERED AND MARQUETRY CHEST ON STAND C.1690-1700 with holly banding and inlaid all over with scrolling foliage, the rectangular top with a central oval panel and corner spandrels, above two short and two long drawers, the stand with later elements and fitted with a long drawer 92.3cm high, 99cm wide, 59.7cm deep

£2,000­3,000

99

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242 A NEAR PAIR OF WALNUT CABINETS IN QUEEN ANNE STYLE EARLY 18TH CENTURY ELEMENTS each with a moulded cornice above a burr veneered arched panelled door, enclosing two shelves and with brass hanging hooks, one with two short and one long drawers, the other with two long drawers (2) 178.9cm high, 84.5cm wide, 53.7cm deep (max)

£600­1,000

243 A KINGWOOD OYSTER VENEERED CENTRE TABLE LATE 17TH CENTURY AND LATER the rectangular detachable top parquetry inlaid with geometric designs, above a shaped frieze, on spiral twist legs united by an ‘X’ stretcher 78.7cm high, 96.7cm wide, 71.7cm deep

£800­1,200

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244 A WILLIAM AND MARY YEW AND BURR YEW CABINET ON CHEST C.1690-1700 inlaid with chequer and holly banding, the moulded cornice above a cushion drawer and a pair of doors enclosing an arrangement of ten drawers around a central cupboard, enclosing four further drawers, the waist moulding inset with a pull­out brushing slide, above two short and three long graduated drawers and later bracket feet 176.5cm high, 108.2cm wide, 46.5cm deep

£5,000­7,000

101

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245 A WILLIAM AND MARY WALNUT ESCRITOIRE C.1690-1700 cross and feather banded, the moulded cornice above a cushion drawer, the quarter veneered hinged fall revealing a fitted interior with pigeonholes and twelve drawers around a central cupboard, with four further drawers, with secret drawers behind the pigeonholes, with a leather writing surface, above two short and two long graduated drawers on later bun feet 163.4cm high, 113cm wide, 50cm deep

£1,000­1,500

246 A LARGE WILLIAM AND MARY OYSTER VENEERED LACE BOX C.1690-1700 the hinged lid with holly banding and inlaid with boxwood stringing, with curved panels and a central flowerhead, the interior with a tray, with later brass side carrying handles 14cm high, 53cm wide, 41.7cm deep

£400­600

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247 A GEORGE II WALNUT CHEST C.1730-40 the caddy moulded top quarter veneered with cross and feather banding, above a brushing slide and four long graduated drawers, on shaped bracket feet, the top three drawers previously with divisions 76cm high, 76cm wide, 45.5cm deep

£2,000­3,000

248 A GEORGE II WALNUT LOWBOY C.1725-30 the quarter veneered top with cross and feather banding, with a caddy moulded edge with re­entrant front corners, above two short and one long drawer, the apron centred with a shell, on scroll carved cabriole legs and pad feet, one drawer with an ivorine trade label, inscribed ‘Frank Partridge, Works of Art, 26, King St. St James’s and New York’ 68.3cm high, 72.5cm wide, 46cm deep

£1,000­1,500

103

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250

249

249

250

251

A GEORGE II WALNUT CHEST C.1750-60

A GEORGE II MAHOGANY DINING TABLE C.1740

the crossbanded top with a moulded edge, above a later lined brushing slide and four long graduated drawers, on bracket feet 81.3cm high, 79cm wide, 48.6cm deep

the oval drop­leaf top on turned club legs with unusual moulded ankles and pad feet 68.5cm high, 105.2 x 114.2cm (open)

AN EARLY GEORGE III EBONISED OVERMANTEL MIRROR C.1760

£100­200

£500­800

with three rectangular plates, within a carved slip and a moulded frame, the sides carved with tasselled drapes 129.6 x 45.5cm

£400­600

251

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252 A GEORGE I GILTWOOD WALL MIRROR C.1715-20 the arched bevelled plate within a moulded frame carved with leaves, on a punched ground, re­gilt 87.8 x 68.5cm

£1,000­1,500

253 A PAIR OF GEORGE II RED WALNUT SIDE CHAIRS C.1730-40 each with a solid vase shaped splat, above a needlework seat worked with petit and gros point with a shepherd and shepherdess, on front hocked cabriole legs and pad feet united by an ‘H’ stretcher (2)

£1,000­1,500

252

253

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254 A GEORGE III MAHOGANY CHEST C.1770 the top with a moulded edge, above a brushing slide and four long graduated drawers and bracket feet 83.4cm high, 80cm wide, 47cm deep

£500­800

255 A MAHOGANY TORCHÈRE 18TH CENTURY ELEMENTS the circular dished top above a ribbed baluster stem, with a stiff leaf capital, on tripod legs 111.1cm high, 41cm wide

£200­300

256 A MAHOGANY DINING TABLE IN GEORGE II IRISH STYLE 18TH CENTURY ELEMENTS AND LATER 254

the oval drop­leaf top on six scroll carved club gatelegs and claw and ball feet 77cm high, 122 x 182cm (open)

£400­600

256

255

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257 A GEORGE II GILTWOOD WALL MIRROR C.1730 the later rectangular bevelled plate within a baton and bead slip and a leaf and flowerhead carved Kentian frame, with applied scroll, oak leaf and acorn garlands, with a swan neck pediment centred with a cartouche, the base with plumes of feathers and gilt brass candle sconces 132.5 x 64.3cm

£400­600

258 THREE GEORGE II MAHOGANY COMMODE CHAIRS C.1740-50 each with a shaped ladder back, above a dished seat, two hinged, on turned club legs and pad feet (3)

£500­800

257

258

107

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259 A LARGE GILTWOOD WALL MIRROR IN GEORGE II STYLE 19TH CENTURY the later rectangular plate within a moulded slip, within a Kentian frame decorated with scrolls, leaves, rosettes and shells, on a sanded ground, with applied scroll and tassle garlands and a swan neck pediment centred with a cone finial 170 x 89cm

£1,000­1,500

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260 A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS POSSIBLY IRISH, C.1740-50 each with a scroll top rail, above a pierced vase splat, decorated with four flowerhead paterae, above a stuffed­over seat, and a Vitruvian scroll fret carved frieze, on shell capped and acanthus carved front legs and hairy lion’s paw feet (2)

£3,000­5,000

109

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261 A GEORGE III GILTWOOD WALL MIRROR C.1770 the shaped plate within a rocaille, ‘C’ scroll, leaf and flower carved frame 132.3 x 66.6cm

£500­700

262 AN EARLY GEORGE III GILTWOOD WALL MIRROR C.1760 the shaped plate within a ‘C’ scroll, flower and leaf carved frame decorated with rocaille 142.2 x 81.8cm

£600­800

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263 A PAIR OF GILTWOOD AND GESSO GIRANDOLES IN GEORGE III STYLE 19TH CENTURY each with a later oval plate within a guilloche moulded frame, with a ribbon tied drape backplate hung with garlands of flowers, the base with three scroll candle sconces and a laurel and flower base (2) 127.5cm high, 42cm wide

£3,000­5,000

111

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265 264

264 A GEORGE III GILTWOOD WALL MIRROR C.1770 AND LATER the later oval plate within a leaf, flower and ‘C’ scroll carved frame, re­gilt 99.5 x 59.5cm

£800­1,200 265 A PAIR OF GILTWOOD AND GESSO WALL LIGHTS IN 18TH CENTURY STYLE LATE 19TH CENTURY each with a ribbon backplate above musical trophies and with three leaf scroll arms above a leaf base, on an ebonised wood back, with a nulled moulding (2) 79.3cm high, 29cm wide

£400­600 266 A CARVED GILTWOOD AND GESSO WALL LIGHT IN LOUIS XVI STYLE 19TH CENTURY the backplate carved with ribbon tied tassels above a bird feeding its young in a basket, above a quiver of arrows and a flaming torch with three leaf scroll branches 105.5cm high, 37.5cm wide

£300­500 266

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267 A GEORGE III MAHOGANY WING ARMCHAIR C.1780-90 upholstered with damask fabric, with scroll arms, on square tapering legs united by an ‘H’ stretcher, on front brass roller castors Provenance By repute, purchased by the current vendor from Eddy Nowell, Wells.

£500­800

268 A LARGE GEORGE II MAHOGANY DRESSING TABLE MIRROR C.1740 the arched bevelled plate in a moulded frame, with urn finials, the caddy moulded box base fitted with three curved fronted drawers, on bracket feet 85.8cm high, 61cm wide, 33.7cm deep

£300­500

269 A GILTWOOD WALL MIRROR IN GEORGE II STYLE 19TH CENTURY

267

the shaped plate within a ‘C’ scroll, branch, rocaille and leaf carved frame and with a pair of rockwork vase stands 120.5 x 74cm

£500­800

268 269

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270 A GEORGE III MAHOGANY LINEN PRESS C.1770 the detachable dentil cornice above a pair of flame mahogany doors with outline mouldings, enclosing a long slide and two short slides, the base with six short drawers and one long drawer, on bracket feet 199.7cm high, 132cm wide, 58.5cm deep

£800­1,200

271 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS IN THE MANNER OF JOHN LINNELL, C.1770-80 each with a moulded frame carved with a flowerhead patera and husks, with a padded back, seat and armrests, on anthemion decorated stop fluted tapering legs and block feet, the rails stamped with initials ‘W N’ (2)

£600­800

270

271

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272 AN EARLY GEORGE III PADOUK SECRÉTAIRE CHEST ON STAND IN THE MANNER OF THOMAS CHIPPENDALE, C.1765-70 inlaid with satinwood and ebony stringing, with lattice designs, the moulded cornice possibly originally with a cresting, above two short and four long drawers, fitted with original gilt brass Rococo handles, originally enclosed by a pair of doors, the secrétaire drawer fitted with an arrangement of pigeonholes and mahogany lined drawers, with a central cupboard drawer enclosing three further drawers and a later leatherette lined writing surface, the stand with applied scroll brackets, on chamfered legs and inlaid guttae feet 172cm high, 104.7cm wide, 53.6cm deep

£2,000­3,000

273 TWO GEORGE III MAHOGANY OPEN ARMCHAIRS IN ‘FRENCH HEPPLEWHITE’ STYLE, C.1790 each with a padded oval back, seat and armrests covered in damask fabric, with moulded scroll arms, on paterae headed fluted tapering legs (2)

£800­1,200

272

273

115

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274 A RARE LATE GEORGE II MAHOGANY BUREAU IN THE MANNER OF THOMAS CHIPPENDALE, C.1760 in two sections, veneered overall in flame figured mahogany, with a brass escutcheon with a push button mechanism to lift the keyhole cover, the escutcheon plate engraved with a lion and coronet crest above a coat of arms and the motto 'Virtute Non Vi' for the Newdich (Newdick) family of Worcestershire (arms granted in 1580), the hinged fall revealing a fitted interior inlaid with parquetry banding, with curved and stepped mahogany lined drawers and pigeonholes, one drawer fitted for pens and ink and hiding a secret drawer behind, the fall with a baize lined writing surface, above a baize lined brushing slide and three banks of four graduated drawers which pull out as one, possibly for travelling, fitted with bronze handles, each side with two bronze handles for carrying, on later wooden castors 107.5cm high, 115.3cm wide, 62.3cm deep

£3,000­5,000

116

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117

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275 A GEORGE III MAHOGANY OVAL WINE COOLER ON STAND C.1790-1800 of staved construction, brass bound and with brass carrying handles, with a later liner, the stand with square tapering legs on brass castors 63.4cm high, 75cm wide, 50cm deep

£800­1,200

276 A GEORGE III MAHOGANY TEA TABLE C.1790-1800 inlaid with boxwood stringing, the rectangular fold­over top with canted corners, on twin gate supports and square tapering legs 77cm high, 100cm wide, 48.9cm deep

275

£150­250 277 A LATE GEORGE III MAHOGANY CORNER WASHSTAND C.1800-10 the hinged folding top forming a gallery and revealing three bowl apertures, above a frieze drawer, the swept legs supported by an undertier 123.8cm high, 67.8cm wide, 42.5cm deep

£200­300

278 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790-1800 inlaid with barber’s pole stringing, the later oval plate above a serpentine box base fitted with three drawers 61.2cm high, 43.5cm wide, 21cm deep

£200­300 276

277 118

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279

279 A GEORGE III MAHOGANY LIBRARY BREAKFRONT BOOKCASE C.1780 the later moulded cornice above geometric astragal glazed doors enclosing adjustable shelves, the base with cupboard doors, with outline mouldings and turned rondels, enclosing shelves 205.6cm high, 217cm wide, 58cm deep Provenance By repute, purchased by the vendor’s husband c.1999 from Richard Gardner Antiques for £23,000.

£2,000­3,000

280 A GEORGE III SATINWOOD AND PURPLE HEART BONHEUR DU JOUR ATTRIBUTED TO GILLOWS, C.1790-1800 with kingwood banding, the raised lift­off back with a pair of oval panelled cupboard doors (locked), flanking a central shelf, above a hinged front inset with a plush lined writing surface, above a frieze drawer, the right side with a pull­out drawer for pen and ink, on square tapering legs 114.8cm high, 64.2cm wide, 43cm deep Catalogue Note See Susan E. Stuart, ‘Gillows of Lancaster and London, 1730­1840’, volume 1. p. 297, pl.323, for a similar satinwood writing table and bookshelf, also p.298, pl.324, which shows the original design of 1794 for a Mr Briscoe which the present lot derives from.

280

£1,000­1,500 119

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282

281 A GEORGE IV MAHOGANY REGULATOR LONGCASE CLOCK

BY WILLIAM CONWAY OF POOLE, C.1825-30 the brass eight day movement with six turned pillars and shaped plates, with an anchor escapement and brass cylinder, the circular silvered dial with Arabic and Roman numerals, with subsidiary dials for hours and seconds and signed ‘Will Conway Poole’, the flame veneered case with an arched hood and ebonised outline mouldings, with pendulum and one brass cased weight 205.4cm high

£800­1,200

282 A MAHOGANY MARINE STICK BAROMETER

BY G. STEBBING, PORTSMOUTH, EARLY 19TH CENTURY brass mounted, the top with a suspension ring, above a hinged door revealing ivory dials signed ‘G. Stebbing Portsmouth’, with an adjustable vernier scale, the inside of the door a thermometer, with a gimbal with later dolphin mounts, the base with a turned reservoir 96.5cm high

£500­800 281

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

283 A GEORGE III MAHOGANY BRACKET CLOCK

BY SAMUEL HONYCHURCH, C.1770 the brass eight day movement with four turned pillars and a later anchor escapement striking on a bell, with pull­repeat, the backplate engraved with Rococo scrolls and a basket of flowers, the arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a signature panel and date aperture, with a strike / silent dial and scrolling leaf and flower gilt metal spandrels, the bell top case with a brass handle and cone finials, with glazed sides and doors, with pendulum, winding key and case key 52.1cm high

£1,500­2,000

284 A GEORGE IV ROSEWOOD BRACKET CLOCK

BY CUMMINS, LONDON, C.1825-30 the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the backplate signed ‘Cummins London’, the circular silver dial also signed and with Roman numerals and pierced blued steel hands, with a brass bezel, in an architectural case with outline mouldings, with pendulum, winding key and case key 42.2cm high, 35cm wide, 16.5cm deep

£1,500­2,000

121

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285 A REGENCY ORMOLU AND WHITE MARBLE MANTEL CLOCK RETAILED BY EMANUEL, C.1810-20 the brass eight day drum movement striking on a bell, the backplate numbered ‘1058’ and inscribed ‘E & E Emanuel, 3 The Hard, Portsea’, the signed white enamel dial with Roman and Arabic numerals and pierced gilt brass hands, with an engine turned bezel, the case decorated with scrolls and palmettes, with an oak leaf and acorn surmount and an applied flower and fruit swag, with pendulum and winding key 18.5cm

£800­1,200 286 AN EARLY 19TH CENTURY MAHOGANY BRACKET CLOCK

BY HAWLEY, LONDON the brass eight day movement striking on a bell, the circular painted dial with Roman numerals and pierced hands and signed ‘Hawley London’, the arched case inlaid with boxwood stringing, with a panelled front and pierced brass sides and brass feet, with pendulum 38.2cm high

£400­600 287 285

AN UNUSUAL BRASS AND GLASS SHIP’S BELL CLOCK

BY MAPPIN & WEBB, C.1982 the brass eight day movement with four turned pillars and bell shaped plates, with a platform lever escapement, striking the glass bell domed cover, the backplate inscribed ‘Mappin & Webb Ltd London’ and ‘Serial No. 032’, the dial with a visible clock mechanism and a silvered chapter ring with Roman and Arabic numerals and pierced hands, the glass cover with a lattice cut border and a brass carrying handle, on a mahogany base with a rope­twist gilt metal moulding, with a brass plaque inscribed ‘Maritime England 1982’, with winding key 26.8cm high

£300­400

286

122

287

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288 A SMALL WILLIAM IV ROSEWOOD AND PATINATED BRONZE BRACKET CLOCK

BY FRODSHAM & BAKER, C.1830-35 the brass eight day movement striking on a bell, the backplate numbered ‘292’, the circular brass dial with Roman numerals and an engine turned centre, signed ‘Frodsham & Baker Gracechurch St. London’, in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable handle, on leaf scroll feet, with pendulum, winding key and case key 28.5cm high

£1,500­2,500

289 A BURR OAK GOTHIC REVIVAL CHIMING BRACKET CLOCK

BY BARNARD OF LONDON, C.1825-30 the brass three train movement with turned pillars and an anchor escapement chiming on eight bells and striking the hours on a gong, with pull­repeat, the painted arched dial with Roman numerals and strike / silent dial, signed ‘Barnard London’, the oak and burr oak case decorated with quatrefoils, turned columns and leaf carved finials, together with an associated walnut and oak bracket, with pendulum, winding key and case key (2) 68cm high, 36cm wide, 21.9cm deep

£2,000­3,000

123

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290 290

291

292

A GILT BRASS AND WEDGWOOD POTTERY MOUNTED CLOCK GARNITURE C.1870-80

A FRENCH GILT AND PATINATED BRONZE URN CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY

A FRENCH GILT AND PATINATED BRONZE FOUR­GLASS MANTEL CLOCK GARNITURE IN EMPIRE STYLE, C.1870-80

the French brass drum eight day movement striking on a gong, the circular enamelled dial with Arabic numerals and signed ‘J. W. Benson, 25 Old Bond Street, London’, in an architectural case applied with Neo­Classical green jasper plaques and leaf wrapped columns, together with a pair of conforming three­light candelabra and a pair of vases with lids, with pendulum and winding key (5) 44cm high

the brass movement with an annular dial with Roman numerals, within an urn case with swan monopodia support, with a young Cupid holding an arrow, on a fluted base and toupie feet, with two winding keys 26cm high

the brass drum eight day movement striking on a gong, stamped ‘1879411’ and with a pastille ‘Medaille d’argent’, the circular engine turned dial with Roman numerals, the case with bevelled glass panels and decorated with rosettes and anthemion motifs, with pendulum and winding key, and with a pair of conforming candlesticks (3) 33.2cm high (max)

£400­600

£400­600

£2,000­3,000

291 124

292

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293 A FRENCH MAHOGANY AND ORMOLU CARTEL CLOCK AND MATCHING BAROMETER IN LOUIS XV STYLE the wall clock with a brass eight day movement striking on a bell, the backplate stamped 'EM 14258', with a circular enamelled dial with Roman and Arabic numerals, signed 'Passement a Paris', the case with Rococo mounts and with a painted thermometer dial, the companion barometer also signed 'Passement a Paris', with weather observations in French (2) 103.5cm high

£2,500­3,500 125

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FIREPLACE FURNITURE & DOORSTOPS

294

295

294

295

296

A CARVED PINE FIRE SURROUND / CHIMNEY PIECE IN GEORGE II STYLE 19TH CENTURY

A SET OF STEEL FIRE TOOLS MID-19TH CENTURY

TWO SIMILAR BRASS SERPENTINE FENDERS IN GEORGE III STYLE 19TH CENTURY

the breakfront mantel above leaf, ovolo and dentil mouldings, the frieze decorated with ribbon tied oak leaves, with scrolling fruit and flowers, the jambs with conforming decoration 141.4 x 195.8cm external, 105.5 x 119.8cm internal

with brass leaf decorated baluster handles, above a spiral twist stem and with a pierced pan (3) 79cm long

£200­300

£300­400

£1,000­1,500

296

126

with pierced and beaded decoration and engraved oval paterae (2) 17cm high, 142.6cm wide, 41cm deep and 17.3cm high, 132cm wide, 39.3cm deep

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297

298

297

298

299

A CARVED PINE FIRE SURROUND / CHIMNEY PIECE IN ADAM STYLE LATE 19TH CENTURY

A WROUGHT IRON BASKET FIREGRATE

A REGENCY BRASS AND WIREWORK BOWFRONT FENDER C.1820

the breakfront mantel above leaf and dentil mouldings, with a central tablet with a pair of griffins flanking a central urn, with scrolling leaves and husks issuing from ram’s heads 143.2 x 158cm exterior, 113 x 115cm internal

of oval concentric tapering form, with scroll handles 43.3cm high, 62.5cm wide, 31cm deep

£150­250

with turned acorn finials and swag decoration 42cm high, 86cm wide, 38cm deep

£100­150

£800­1,200

299 127

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301

300

300 A PAIR OF STEEL ANDIRONS IN 17TH CENTURY STYLE with brass spiral twist mounts, each with a turned finial, above a faceted baluster stem, on a scroll support and a cruciform base (2) 40.8cm high, 22.5cm wide, 21cm deep

£200­300 301 A SET OF THREE BRASS FIRE IRONS IN GEORGE III STYLE LATE 19TH CENTURY each with an urn handle and with a pierced pan (3) 70.5cm long (max)

£150­250 302 302

A DUTCH BRASS AND COPPER LOGBIN 19TH CENTURY with a riveted body and a swing handle 30.5cm high, 40.5cm wide

£100­150 303 A DUTCH BRASS OVAL JARDINIÈRE 19TH CENTURY with repoussé decoration, lion’s mask ring handles and on hairy paw feet 14.8cm high, 37.5cm wide, 26.8cm deep

£200­300

303 128

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304

305

304 A NEAR PAIR OF DUTCH COPPER LOGBINS 19TH CENTURY each with a riveted body and a brass swing handle (2) 33cm high, 39.9cm wide (max)

£250­350 305 A PAIR OF STEEL AND BRASS ANDIRONS IN GEORGE II STYLE LATE 19TH CENTURY each leaf decorated and of inverted baluster form, with lion’s mask ring handles and paw feet, stamped numerous times with the registration number ‘RD 317032’, together with a set of three brass fire tools (5) the andirons 46.4cm high, 28cm wide, 31cm deep, tools 71.9cm long (max)

£300­400 306 306 AN EARLY VICTORIAN JAPANNED TÔLE COAL WAGON C.1850 the hinged lid gilt decorated with bands of leaves and with a central reverse glass panel depicting a seahorse and cherub sculpture, with a pair of handles, on four cast leaf spoke wheels 37cm high, 62cm wide, 42cm deep

£300­500 307 A DUTCH WALNUT AND FRUITWOOD TEA BUCKET LATE 19TH / EARLY 20TH CENTURY the ribbed body of staved construction, decorated with chevron designs, with a brass swing handle and a lift­out liner 34cm high, 30cm diameter

£300­400

307 129

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308

308

309

A PAINTED CAST METAL BOOT SCRAPER EARLY 20TH CENTURY 25cm high, 50.2cm wide, 26cm deep

£100­150 309 TWO CAST IRON BOOT SCRAPERS 19TH CENTURY with traces of painted decoration (2) 34cm wide (max)

£100­150 310 A BRASS FOX’S HEAD DOORSTOP

BY PEERAGE, EARLY 20TH CENTURY the handle in the form of a riding whip, with a cast iron weighted base, stamped ‘Peerage England 19476’ 45.3cm high

£150­200 311 311 310

A PAINTED CAST IRON FOX TERRIER DOORSTOP C.1930 the seated dog with a red painted finish, with a faint patent registration number to the interior 42cm high, 29cm wide

£100­150 312 A VICTORIAN PAINTED CAST IRON DOORSTOP MID-19TH CENTURY depicting a seated Judy holding a Punch doll, with probably original polychrome painted decoration, the back with an indistinct patent mark 29.9cm high, 21.5cm wide

£100­150 313 A PAIR OF CAST IRON LION’S MASK DOORSTOPS POSSIBLY LATE 19TH / EARLY 20TH CENTURY

312

each silver painted and mounted on a granite base, one with numbered mark ‘No. 275’ (2) 31cm high

£150­200 130

313

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314

315

314 A VICTORIAN SERPENTINE DOORSTOP PROBABLY CORNISH

316

with a brass ring handle 27.8cm high

£100­150 315 A VICTORIAN SERPENTINE DOORSTOP PROBABLY CORNISH with a brass ring handle 23cm high

£100­150 316 A VICTORIAN BRASS DOORSTOP C.1860 the handle decorated with Gothic trefoil arches, above the head of a monk sticking his tongue out 38cm high

£150­250 317 A BRASS BACCHANALIAN CHERUB DOORSTOP

BY PEERAGE, EARLY 20TH CENTURY the leaf scroll handle above a winged putto holding a grapevine, the cast iron weighted base stamped ‘Peerage England 16170’ 48.9cm high

£150­200

317 131

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CONTINENTAL FURNITURE, WORKS OF ART & LIGHTING

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318 A DUTCH MAHOGANY AND MARQUETRY ARMOIRE LATE 18TH / EARLY 19TH CENTURY inlaid with barber’s pole stringing, with ribbon tied baskets of fruit and oval panels of flowers, the shaped cornice centred with a Rococo cartouche of shells and scrolls, above a pair of shaped panelled doors, with applied portrait rondels and urns, enclosing three shelves and five drawers, the bombe base with three long drawers, the sides inlaid with fan paterae, on carved claw and ball front feet 232.5cm high, 180cm wide, 69cm deep

£1,500­2,500

319 A DUTCH MAHOGANY AND KINGWOOD BOMBE COMMODE IN THE MANNER OF MATTHIJS HORRIX, C.1770 with ormolu mounts, the serpentine bleu turquin marble top with a moulded edge above three long graduated drawers and a shaped apron flanked by keeled angles and with quarter veneered sides (old break to marble) 88cm high, 146.8cm wide, 68cm deep

£2,000­3,000

318

319

133

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320 A DUTCH WALNUT AND FLORAL MARQUETRY SIDE TABLE MID-19TH CENTURY the serpentine top with chevron and parquetry banding and inlaid with various fruitwoods, with a central urn of flowers and butterflies, flanked by a pair of Cupid figures, with scrolling leaves, flowers and birds, above a frieze drawer 78cm high, 124.4cm wide, 59.8cm deep

£1,500­2,000

320

321 A DUTCH MAHOGANY TRAY-TOP COMMODE IN 18TH CENTURY STYLE LATE 19TH CENTURY the shaped gallery above a tambour shutter, the sides with pierced handgrips, the right side with a drawer, on cabriole legs and pad feet 71cm high, 51cm wide, 39.5cm deep

£100­200

321 134

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322 A DUTCH EBONISED AND MARQUETRY CENTRE TABLE IN 17TH CENTURY STYLE MID-19TH CENTURY inlaid with various fruitwoods and ivory, the top with rosewood banding and centred with an urn of flowers, a bearded male mask and a bird, within corner panels of scrolling leaves and flowers, above a frieze drawer, the conforming base on spiral twist and faceted legs united by an ‘X’ stretcher 78.8cm high, 113cm wide, 71cm deep

£2,000­3,000

322

323 A PAIR OF DUTCH WALNUT AND MARQUETRY OPEN ARMCHAIRS 19TH CENTURY each inlaid with an urn of flowers and scrolling leaves, the arched back with a solid vase shape splat, above a drop­in seat (2)

£300­400

323

135

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324 A SWEDISH KINGWOOD BOMBE COMMODE 18TH CENTURY with bronze mounts and decorated with parquetry lattice veneers, the possibly associated alabastro fiorito moulded edge top above three long crossbanded drawers 81cm high, 92.5cm wide, 47.5cm deep

£800­1,200

325 A PORTUGUESE ROSEWOOD SIDE TABLE IN 17TH CENTURY STYLE 19TH CENTURY with ripple moulded decoration, the rectangular top above a pair of frieze drawers, on turned spiral twist legs united by a peripheral stretcher 83cm high, 98.7cm wide, 46cm deep

£400­600 324 326 A MINIATURE SERPENTINE COMMODE IN 18TH CENTURY STYLE EARLY 20TH CENTURY decorated with ribbon tied husks and fitted with two drawers 22.2cm high, 26.2cm wide, 16.6cm deep

£100­200

325

136

326

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327 A GILTWOOD AND PAINTED TRUMEAU WALL MIRROR PROBABLY FRENCH OR ITALIAN, LATE 18TH CENTURY with a rectangular plate, within a beaded and moulded frame, surmounted by a painted plaster panel depicting Ganymede feeding Jupiter’s eagle 174 x 106.2cm

£1,000­1,500

328 A NEAR PAIR OF GREY PAINTED PINE LOW CUPBOARDS POSSIBLY SWEDISH, LATE 19TH CENTURY each with a painted top, above a pair of lozenge panelled doors enclosing a shelf (2) 85.8cm high, 109.3cm wide, 51cm deep

£800­1,200

137

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329

330

A PAIR OF FRENCH ROSEWOOD WINDOW SEATS C.1840-50

A FRENCH GILTWOOD FAUTEUIL IN LOUIS XVI STYLE SECOND HALF 19TH CENTURY

each with moulded arm supports, with upholstered armrests and seat, on cabriole legs and horn castors (2) 55.8cm high, 63.5cm wide, 46cm deep

the padded back, seat and armrests covered in damask fabric, the moulded frame carved with ribbons, leaves and flowers, on spiral fluted legs

£400­600

£500­800

331

332

A FRENCH MAHOGANY SERPENTINE BIJOUTERIE TABLE IN LOUIS XV STYLE, LATE 19TH CENTURY

A PAIR OF KIDNEY SHAPED OCCASIONAL TABLES IN LOUIS XVI STYLE FIRST HALF 20TH CENTURY

with bronze mounts, the top with a bevelled glass panel, the front with a pair of hinged doors, revealing a shelf, on cabriole legs 77.7cm high, 60.5cm wide, 40.5cm deep

£200­300

with brass mounts, with a pierced gallery above a red marble top, the frieze decorated with husks and with a drawer, the front with a relief Bacchanalian panel, the base with an undertier (2) 76cm high, 63cm wide, 36.5cm deep

£800­1,200 138

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333 A RÉGENCE KINGWOOD AND PARQUETRY COMMODE EARLY 18TH CENTURY with ormolu mounts, the rouge royal marble top with a moulded edge, above two short and three long drawers, with figural handles and escutcheons 86.5cm high, 133.3cm wide, 65.7cm deep

£2,000­3,000

139

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334 A FRENCH GILTWOOD NEO­CLASSICAL WALL MIRROR 19TH CENTURY with two rectangular plates, within a beaded slip and a moulded frame, the surmount carved with a pair of birds, flanking a central tablet with a ribbon tied wheatsheaf, with scrolling drapes 174.2 x 103.5cm

£1,000­1,500

335 A FRENCH MAHOGANY AND VERNIS MARTIN VITRINE IN LOUIS XV STYLE C.1890-1900 with ormolu mounts, the rouge royal marble top above a glazed door, flanked by glazed concave panels, enclosing a plush lined interior with two shelves, the base with three painted panels depicting a lady and a gentleman in landscapes 160.6cm high, 91.7cm wide, 38.5cm deep

£2,000­3,000

140

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336 A FRENCH ROSEWOOD VERNIS MARTIN VITRINE IN LOUIS XV STYLE C.1880 with ormolu mounts with espagnolettes, Rococo scrolls, leaves and rocaille, of bombe form, with a serpentine glazed door and four further panels enclosing two glass shelves, the base with five painted panels of landscapes, cherubs and an amorous couple 205.5cm high, 125.5cm wide, 52cm deep

£4,000­6,000 141

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337 A FRENCH KINGWOOD AND PORCELAIN MOUNTED JEWEL CASKET IN LOUIS XV STYLE C.1875 with ormolu mounts and Sèvres style plaques painted with flowers, birds and a cherub, the hinged top revealing a tulipwood interior, with a mirror to the underside of the lid, the fall front with a gilt tooled maroon leather writing surface and five drawers with rosette handles, on cabriole legs 107.5cm high, 41cm wide, 37cm deep

£2,000­3,000

338 A FRENCH ROSEWOOD AND KINGWOOD TABLE À ÉCRIRE IN LOUIS XV STYLE MID-19TH CENTURY with bronze mounts, the serpentine crossbanded top inset with a tooled leather writing surface, above a frieze drawer, on cabriole legs 75.5cm high, 81cm wide, 50.5cm deep

£500­800

142

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339 A PAIR OF FRENCH ‘EMPIRE’ GILT AND PATINATED BRONZE CANDELABRA C.1830-40 each with a winged figure of Victory, standing on a sphere, supporting a basket of fruit and flowers, issuing five lights with lappet and rosette decorated scroll arms, each on a plinth base, decorated with a dancing cherub, stamped twice ‘J T’ (2) 58.2cm high

£1,500­2,000

340 A FRENCH ‘EMPIRE’ GILT AND PATINATED BRONZE TABLE MIRROR C.1810-20 modelled with a figure of Atlas or Hercules, the circular plate within an oak and acorn frame, above laurel leaves and rosettes, on a plinth base 30.5cm high

£400­600

143

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341

342

341 A PAIR OF FRENCH GILT AND PATINATED BRONZE ATLAS CANDLESTICKS LATE 19TH CENTURY in Grecian revival style, each with a figure of Atlas supporting a globe engraved with figures and animals, on tripod supports (2) 19.5cm high

£200­300

342 A PAIR OF FRENCH LOUIS PHILIPPE BRONZE TAZZE C.1835 each with a pair of lappets and rosette scroll handles, with a beaded and egg and dart rim, on a red griotte marble plinth (2) 23.3cm high

343

£400­600

343 A PAIR OF LOUIS PHILIPPE GILT AND PATINATED BRONZE TAZZE C.1835 each with a pair of rosette and lappet handles, above a reeded and leaf rim and an acanthus wrapped body, on a Siena marble plinth (2) 27cm high

£250­350

344 A GERMAN GILT BRONZE FURNITURE MOUNT 18TH / 19TH CENTURY in the form of a winged cherub, with his arms out­stretched, with an acanthus scroll support terminating in hoof feet 29.9cm high

£250­350

344 144

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345

346

345 A SET OF FOUR GILT BRASS AND EBONISED TWIN­LIGHT WALL LIGHTS IN 18TH CENTURY STYLE each with a flaming urn backplate and leaf scroll arms (4) 36.5cm high, 26cm wide

£300­500

346 A NEAR PAIR OF FRENCH EMPIRE ORMOLU CANDLESTICKS IN THE MANNER OF JEAN-DÉMOSTHÈNE DUGOURC (FRENCH 1749-1825), EARLY 19TH CENTURY each with a detachable drip­pan, above three female term figures and a tapering stem, with pairs of feet, with bands of lappets and palmettes (2) 27.5cm high (max)

£400­600

347 A FRENCH CUT­GLASS AND ORMOLU MOUNTED VASE LATE 19TH CENTURY the fluted and lobed urn shape glass vase possibly by Baccarat, with twin mermaid style mounts, on a stepped base 27.2cm high

£200­300 347 145

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348 A PAIR OF FRENCH ORMOLU TWIN­LIGHT WALL LIGHTS IN RÉGENCE STYLE decorated with leaves, together with another pair of wall lights and a Dutch brass five­light chandelier (5) 34.6cm high (max)

£200­300

348

349 AN AMERICAN GILT BRONZE EAGLE STANDARD LAMP

BY GUERIN, NEW YORK, LATE 19TH / EARLY 20TH CENTURY the iron weighted base stamped ‘Pat applied for P.E. Geurin N.Y’ 90.9cm high

£200­300

349

350 A WHITE PAINTED COPPER HALL LANTERN LATE 19TH CENTURY with a moulded leaf band above three curved glass tapering panels, with a hinged door, on ball feet, fitted for electricity 68.5cm high

£200­300

350 146

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351 A CARVED GILTWOOD SIX­LIGHT CHANDELIER IN GEORGE II STYLE LATE 19TH / EARLY 20TH CENTURY carved with acanthus leaves, with a fluted baluster stem, with leaf wrapped scroll arms and with a cone pendant 87cm high, 80cm wide

£400­600

351 352 A PAIR OF VICTORIAN BRASS STANDARD LAMPS C.1890-1900 with a lappet scroll arm and a triform base (2) 168.4cm high, 34cm wide

£400­600

352

353 A GILT BRASS CEILING LIGHT IN 18TH CENTURY STYLE C.1910 decorated with shells, ribbons and ram’s heads, with six lights and a silk shade 72.8cm high, 77cm wide

£400­600

353 147

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354 AN ITALIAN MARBLE STANDARD LAMP 20TH CENTURY of Siena and Saint­Laurent black marble, the carved bowl with a twin­light fitting above a baluster and ring turned stem and a domed foot 172.5cm high

£200­300

355 A GLASS HALL LANTERN BY VAUGHAN LATE 20TH CENTURY the bell shape shade with bronze metal mounts with chain supports and with a three­light fitting 86cm high, 40cm diameter

£200­300

148

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356

357

356 A WILLIAM IV GILT AND PATINATED BRONZE TABLE LAMP C.1830 with a lappet decorated capital above a fluted column, the base decorated with griffins, on scroll, shell and rosette decorated lion’s paw feet 54.5cm high (including fitting)

£500­700 357 A SILVER PLATED CORINTHIAN COLUMN TABLE LAMP LATE 19TH / EARLY 20TH CENTURY the stepped base with faux hallmarks 50.9cm high (including fitting)

£200­300 358 A SET OF FIVE ITALIAN GILT BRONZE ALTAR STYLE CANDLESTICKS VENETIAN, LATE 18TH / EARLY 19TH CENTURY each with a cylindrical sconce with a pricket, above a leaf and baluster stem decorated with lions, masks, swags of flowers and angels, the tapering bases with applied lions of St. Mark, on scroll feet (5) 51cm high

£1,000­1,500 358

149

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360

359 359

AN ITALIAN WALNUT AND MARQUETRY HANGING CORNER SET OF SHELVES SORRENTO, LATE 19TH CENTURY with three tiers and foliate fret carved decoration and eight oval marquetry panels of men and women in various pursuits 81cm high, 38cm wide, 26cm deep

£100­200 360 AN ITALIAN OVERMANTEL MIRROR VENETIAN, LATE 19TH / EARLY 20TH CENTURY with a central oval bevelled plate, within a circular cut outer frame etched with flowers and leaves, with a scrolling leaf surmount and applied with flowerheads, the back with a later easel to use as a dressing table mirror 68.9 x 82.5cm

£200­300 361

361 AN ITALIAN PAINTED FAN LATE 18TH / EARLY 19TH CENTURY decorated with a classical river scene, with a king and a sleeping queen accompanied by attendant figures, with tortoiseshell sticks, in a glazed fan shaped case 33.8 x 59.3cm

£100­150 362 A CHINESE STYLE PAINTED FAN LATE 18TH / EARLY 19TH CENTURY the paper leaf pierced with Rococo designs and painted with Chinese figures at a table, with urns of flowers, with black and gilt lacquer sticks and guard, 29 x 15cm, in a card case

362

150

£100­150

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363 AN ITALIAN GILTWOOD BAROQUE WALL MIRROR LATE 17TH / EARLY 18TH CENTURY the later rectangular bevelled plate within a scrolling leaf and flower carved frame, the corners with a stylised shell 95.5 x 84cm

£800­1,200

364 AN 18TH CENTURY ITALIAN WALNUT BUREAU PROBABLY LOMBARDY, C.1760 inlaid with fruitwood leaf scrolls, the hinged fall revealing six drawers, above three serpentine front drawers 102cm high, 121.5cm wide, 53cm deep

£2,000­3,000

363

364

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365 A PAIR OF CARVED AND PAINTED WOOD TRIUMPH RONDELS IN NEO-CLASSICAL STYLE each decorated with war trophies, with a double­headed eagle and a wreath border (2) 75.5cm diameter

£500­800

366 AN ITALIAN MARBLE AND SCAGLIOLA LOW TABLE 20TH CENTURY the moulded edge crossbanded top inlaid with an Arabesque design, on a wrought iron base 39cm high, 130 x 64.5cm

£300­500

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367 AN ITALIAN WALNUT AND IVORY INLAID TWIN PEDESTAL DESK LOMBARDY, 19TH CENTURY with ebonised banding, the top inlaid with a central classical scene of centurions with chariots, flanked by mythical female term figures with wings and horse’s legs, holding urns with scrolling leaves, above three frieze drawers, each pedestal with a hinged cupboard door decorated with a figure of a saint, enclosing a shelf, the sides and back with ebonised outline mouldings and inlaid with further classical figures and grotesques, on later castors 82.4cm high, 118cm wide, 61cm deep

£3,000­5,000

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368 A FRENCH MARBLE CONSOLE TABLE C.1840 the rectangular top with an overlapping rondel carved edge, on scroll and leaf carved corbel supports 90.5cm high, 220.5cm wide, 45.3cm deep

£3,000­5,000

369 A SCAGLIOLA GRAND TOUR COLUMN EARLY 19TH CENTURY imitating Siena marble, with a lappet carved capital above a turned stem and a square plinth 149.3cm high

£600­800

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370 AN ITALIAN CARRARA MARBLE CENTRE TABLE SECOND HALF 19TH CENTURY the circular top with a leaf carved moulded edge, the centre carved with four panels of heraldic devices: an eagle, a rampant lion, a fleur­de­lis and a Venetian winged lion of St. Mark, with a central rosette, on a leaf carved baluster stem and conforming circular foot 85.8cm high, 102cm diameter

£2,000­3,000

155

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BLACK FOREST TERRACOTTAS & COLD PAINTED BRONZES 371 A PAIR OF BLACK FOREST LINDEN WOOD EPERGNES LATE 19TH CENTURY each carved with a central tree, one with a pair of hares, the other with a pair of foxes, with a fluted glass trumpet vase (2) 50.3cm high

£400­600 372 A BLACK FOREST WALNUT JEWELLERY BOX LATE 19TH / EARLY 20TH CENTURY the hinged lid carved with a bird, revealing four hinged and swivel silk lined compartments, above a further compartment to the base, the front carved with leaves and flowers 28cm high, 20cm wide, 10.8cm deep

£300­400 373 A BLACK FOREST CARVED LINDENWOOD EAGLE WALL BRACKET LATE 19TH / EARLY 20TH CENTURY the top supported by carved leaves, the bird of prey perched on a rocky outcrop 29.3cm high, 25.2cm wide

£200­300 374 A CARVED WOOD OWL TOBACCO JAR 371

with glass eyes and a hinged cover 29.5cm high

£200­300

372 156

373

374

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375 A BLACK FOREST CARVED LINDEN WOOD FIGURAL WINE BOTTLE COASTER LATE 19TH / EARLY 20TH CENTURY in the form of a Tyrolian gentleman in 18th century costume, with a pair of wheels, with the capability to hold a full or half bottle of wine 26.9cm high, 40cm long

£300­500 376 A BLACK FOREST CARVED LINDEN WOOD MODEL OF A PROWLING BEAR LATE 19TH CENTURY with glass eyes 17cm high, 27.5cm long

£200­300 377 375

A PAIR OF BLACK FOREST LINDEN WOOD HUNTING TROPHY PLAQUES LATE 19TH CENTURY carved with dead game, one with a fawn, the other with a mountain goat, with a flask, a rifle, game birds and leaves, on a shaped plaque (2) 50 x 83.5cm

£400­600

376

377

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378 A BLACK FOREST CARVED WOOD WINE DECANTER WAGON C.1880 the centre with three frolicking Bacchanalian cherubs, with twin bottle holders, with pierced grapevine galleries, on serpent spoke wheels and bone castors 23.9cm high, 46.8cm wide

£500­800 379 A BLACK FOREST CARVED LINDEN WOOD MODEL OF A SAINT BERNARD LATE 19TH / EARLY 20TH CENTURY 378

the recumbent dog with glass eyes 11.3cm high, 19cm wide

£200­300 380 A BLACK FOREST CARVED LINDEN WOOD MODEL OF A BELLOWING STAG LATE 19TH / EARLY 20TH CENTURY running through undergrowth 38.6cm high, 42cm long

£300­500

379

380 158

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381 AN AUSTRIAN PAINTED TERRACOTTA FIGURE OF A NUBIAN AFTER JEAN RORDORF (AUSTRIAN, FL. 1871 - ?), LATE 19TH CENTURY the scantily clad maiden holding a tray of fruit, with a monkey peering over her left shoulder, signed ‘J. Rordorf’. with an oval mark, inscribed ‘Made in Austria’, numbered ‘3118’, the underside with impressed marks ‘G &ST’ 43.8cm high

£500­700 382 A PAINTED TERRACOTTA STAG TROPHY HEAD MOUNT PROBABLY AUSTRIAN OR GERMAN, LATE 19TH CENTURY with applied real antlers and glass eyes 44cm high

£300­500 383 A BLACK FOREST CARVED LINDEN WOOD MODEL OF A SEATED RETRIEVER LATE 19TH / EARLY 20TH CENTURY the seated dog with glass eyes 17.5cm high, 14cm wide

£200­300

381

382

383 159

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384

385

384

385

386

A LARGE PAINTED TERRACOTTA MODEL OF A CAT PROBABLY AUSTRIAN OR GERMAN, LATE 19TH / EARLY 20TH CENTURY

A PAIR OF PAINTED TERRACOTTA MODELS OF CATS PROBABLY AUSTRIAN, LATE 19TH / EARLY 20TH CENTURY

TWO LEATHER MODELS OF ELEPHANTS IN THE MANNER OF LIBERTY

with glass eyes 37cm high

each with glass eyes and a blue painted ribbon (2) 16.9cm high

£400­600

£300­500

£150­250

386

160

with faux ivory tusks (2) 71cm high, 61cm long (max)

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387

388

387 A COLD PAINTED METAL DOG’S HEAD INKWELL PROBABLY FRENCH, C.1900 modelled as a border terrier, with glass eyes, the hinged cover revealing a pottery lift­out well, on a turned wood base 11cm high

£100­150 388 A FRENCH COLD PAINTED METAL DOG’S HEAD DESK PAPERCLIP C.1890-1900 possibly a dachshund, with glass eyes, marked ‘Deposé’, on a Siena marble plinth 15.4cm wide

£400­600

389

389 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF AN ELEPHANT IN THE MANNER OF BERGMAN, LATE 19TH / EARLY 20TH CENTURY stamped ‘Geschützt’ and numbered ‘895’ 8.1cm high, 17.8cm long

£150­200 390 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A HORSE FIRST HALF 20TH CENTURY mounted on an onyx vide poche 11.5cm high, 20cm wide

£150­250

END OF DAY ONE

390

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DAY TWO 14TH JANUARY 2021 AT 10AM

391 A LATE REGENCY ROSEWOOD BREAKFRONT SIDE CABINET EARLY 19TH CENTURY inlaid with boxwood banding, the raised bookcase back with a pierced quatrefoil brass gallery, above a pair of glazed doors flanked by further doors and pilasters, enclosing a plush lined interior with a shelf, on cast brass hairy paw feet 118.8cm high, 142.5cm wide, 49cm deep

£800­1,200 392 A WILLIAM IV MAHOGANY BERGÈRE C.1835-40 with a curved scroll top rail above a caned back and seat, with lappet carved arms on turned and ribbed tapering legs and ceramic castors

£700­900 393 A REGENCY MAHOGANY CARD TABLE C.1810

391

the ‘D’ shape fold­over top on twin gate supports, with ring turned tapering legs, the underside with a printed paper label, inscribed ‘Rev. Thomas James’ 75.6cm high, 91.5cm wide, 44.7cm deep

£200­300

393 392

162

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394

394 A REGENCY ROSEWOOD BREAKFRONT SIDE CABINET C.1815-20 with parcel gilt decoration and egg and dart and nulled mouldings, with a pair of brass grille and pleated silk doors enclosing a simulated interior with two adjustable shelves, flanked by fluted pilasters, with applied corbels and two further conforming cupboards, on lobed bun feet 91.4cm high, 183cm wide, 37cm deep

£4,000­6,000

395 395 A GEORGE IV MAHOGANY WORK TABLE IN THE MANNER OF GILLOWS, C.1825 the satinwood crossbanded drop­leaf top above two frieze drawers, the top one previously with divisions, above a slide­out tray for a bag, flanked by tablets, on scroll and shell carved lyre supports and brass castors 74.5cm high, 51.5 x 98cm (open)

£400­600 396 A GEORGE IV GONCALO ALVES CARD TABLE IN THE MANNER OF GILLOWS, C.1830 the swivel fold­over top with an egg and dart moulded edge, above a baluster turned stem, on lobed feet and sunken brass castors 74.3cm high, 91.5cm wide, 45.5cm deep

396

£400­600 163

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397 398

397 A FAUX TORTOISESHELL PYROGRAPHY CELLARET EARLY 19TH CENTURY with brass mounts and of sarcophagus shape, the hinged lid inset with a brass plaque, engraved with a rampant leopard crest and the initials ‘C. M. S.’, the later converted baize lined interior with a divided lift­out tray for silver, with side lion’s mask ring handles, on ball feet 46.8cm high, 47.8cm wide, 36.2cm deep

£500­700 398 A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS IN SHERATON STYLE C.1800 each with a bar back, with four vertical splats, above a stuffed­over seat, with stretchered supports, together with an associated armchair (7)

£500­800 399

399 A REGENCY MAHOGANY READING TABLE C.1805-10 the hinged adjustable top with a reeded edge and a removable rest, on a turned stem and tripod legs 78cm high, 41.8cm wide, 33.7cm deep

£300­500 400 A LATE GEORGE III MAHOGANY CARD TABLE C.1800-10 inlaid with boxwood and ebonised stringing, the ‘D’ shaped fold­over top with satinwood and rosewood crossbanding, on twin gate supports and square tapering legs and spade feet 73.9cm high, 91.5cm wide, 45.2cm deep

£400­600

400 164

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401

401 A REGENCY MAHOGANY BREAKFAST TABLE C.1805-10 the rectangular crossbanded flame figured tilt­top with a moulded edge, above a ring turned stem, on four reeded downswept legs terminating in leaf and fan scroll sabot and brass castors 73cm high, 151.5 x 109cm

£1,000­1,500

402 A PAIR OF REGENCY MAHOGANY OPEN ARMCHAIRS C.1815 with a padded leather covered back and drop­in seat, the moulded frames carved with scrolls (2)

£1,200­1,800

402 165

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403 A SET OF TEN REGENCY MAHOGANY ‘GRECIAN STYLE’ DINING CHAIRS IN THE MANNER OF GEORGE SMITH, C.1815-20 each with a curved tablet back carved with scrolls and lappets, with a leaf scroll splat above a drop­in seat, the arms carved with anthemion motifs, with reeded frames and sabre legs, comprising: eight side chairs and a pair of open armchairs, some rails stamped with workman’s initials ‘I M’ (10) Provenance Purchased from John Bly Antiques, 27 Bury Street, St. James’s, London, 15th January 1999 for £38,500. A copy of the receipt is available.

£4,000­6,000

166

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404 A REGENCY MAHOGANY TRIPLE PILLAR DINING TABLE C.1810 the well figured top with two additional later leaves on three turned stems, each above four downswept moulded legs terminating in brass lion's paw sabot and unusual ball castors 74.5cm high, 361.5cm long (extended), 127cm wide Provenance Purchased from John Bly Antiques, 27 Bury Street, St. James's, London, 15th January 1999 for £100,000. A copy of the receipt is available.

£8,000­12,000

167

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405 A LARGE GILTWOOD CONVEX WALL MIRROR IN REGENCY STYLE LATE 20TH CENTURY the circular plate within an ebonised reeded slip and a ball decorated frame, with an ebonised eagle surmount and a leaf pendant base 160 x 98.3cm

£1,000­1,500 406 AN IRISH EBONISED AND GILT OVAL WALL MIRROR SECOND HALF 19TH CENTURY the oval plate within a cabochon decorated moulded frame 74 x 59cm

£400­600 407 A GILTWOOD CONVEX WALL MIRROR IN REGENCY STYLE SECOND HALF 19TH CENTURY the circular plate within a reeded ebonised slip and a ball decorated frame, with an eagle surmount and a leaf pendant base 92 x 56.5cm

£150­250

405

406 168

407

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408 A RARE REGENCY CONVEX WALL MIRROR ATTRIBUTED TO THOMAS FENTHAM, C.1810 with a Chinese reverse glass plate, the circular mirror plate painted with a charming lake scene with figures and deer before a bridge leading to a pagoda, with boats and a country house in the distance, within a reeded ebonised slip and a leaf moulded and wrapped frame, with an ebonised eagle and rockwork surmount above a pair of quiver and scrolling leaf arms with brass urn sconces, the scrolling leaf base with a lion’s mask and a bud pendant 94 x 78cm

£3,000­5,000 169

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409 A REGENCY ROSEWOOD, EBONY AND BRASS MARQUETRY MIRROR

BY GEORGE BULLOCK, C.1815 the rectangular plate within an ebony moulded slip and with a brass foliate inlaid border, originally in a recess 189.3 x 143cm Provenance Supplied to Robert Ferguson, M.P. (d.1840) for Raith House, Kirkcaldy, Fife and by descent.

Christie’s, Important English Furniture and Carpets, 6th July 2000, lot 82, sold for £23,500 (incl. fees).

Sotheby’s, the Christopher Hodsoll Collection, 29th October 2002, lot 171, sold for £26,290 (incl. fees).

Catalogue Note This pier mirror was supplied for the Drawing Room at Raith House

by George Bullock to hang above a matching console cabinet with a Mona marble top as part of a ‘pier­set’. It was listed in the 1895 ‘Inventory of the Mansion House of Raith, Kircaldy’, p.46, by Alexander Dowell as a ‘Rosewood and brass inlaid console cabinet, serpentine marble top, with large mirror above’. Robert Ferguson, M.P. for Fife and his new wife, the former Countess of Elgin, employed Bullock to transform their villa in the most fashionable antique taste. The linked foliate brass pattern on this mirror can be found on other items of Bullock furniture, including on the frieze of a pair of cabinets in the collection of the Duke Abercorn at Barons Court.

£10,000­15,000

170

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410 THREE WILLIAM IV ROSEWOOD SIDE CHAIRS C.1830 each with a curved top rail carved with lappets and rondels, centred with a shell and with scrolls and pendants, above a conforming horizontal splat and carved capital supports, with a drop­in seat, on lappet carved front legs (3)

£200­300

410

411 A PAIR OF WILLIAM IV ROSEWOOD OCCASIONAL TABLES C.1835 each with a circular fixed top, with a nulled edge, on a faceted stem and a triform base (2) 72.3cm high, 53.8cm diameter

£800­1,200

411

412 A GEORGE IV MAHOGANY CONSOLE TABLE C.1820 with nulled mouldings, the grey marble top above a cushion tablet frieze, on leaf capped monopodia legs and stylized lion’s paw feet 82.9cm high, 74.8cm wide, 34.7cm deep

£300­400

412 172

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413 413 A WILLIAM IV ROSEWOOD AND PIETRA DURA GAMES TABLE IN THE MANNER OF GILLOWS, C.1830 the circular inset top inlaid with a black and white marble chequerboard, with panels of specimen marbles and hardstones, including blue john, porphyry, rosso antico and fluorspar, within a lappet edge, on a ribbed baluster stem, a triform base and carved lion’s paw feet 74.7cm high, 64cm diameter

£1,500­2,000

414 A GEORGE IV ROSEWOOD AND MARBLE OCCASIONAL TABLE IN THE MANNER OF GILLOWS, C.1820-25 the rectangular top inset with a panel of seventy­seven specimen marbles and hardstones, including rosso, giallo and verde antico marbles, serpentine and alabastro, with a lobed edge on turned and ribbed legs, on bun feet with sunken brass castors 51.3cm high, 74cm wide, 53.5cm deep

£600­800 414

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415 A REGENCY MAHOGANY CHAMBER TABLE IN THE MANNER OF GILLOWS, C.1815-20 inlaid with boxwood and ebonised stringing, the reeded edge top with a hinged pen and ink compartment, above a frieze drawer, the reverse with a false front, on slender turned and ribbed legs and brass castors 72.2cm high, 67cm wide, 45.4cm deep

£800­1,200 416 A GEORGE IV MAHOGANY BEDSIDE CUPBOARD BY GILLOWS C.1830 with a three­quarter gallery, above a door with a turned coromandel wood knob handle, on turned and ribbed tapering legs, the top of the door stamped ‘Gillow’s Lancaster’ 79.8cm high, 40.5cm wide, 34.6cm deep

£400­600

415

417 A LATE REGENCY MAHOGANY DRESSING TABLE IN THE MANNER OF GILLOWS, C.1815-20 inlaid with ebonised stringing with Greek key designs, the concave front fitted with three drawers, on ribbed tapering legs, together with a companion stool on ribbed tapering legs (2) 80.7cm high, 111.5cm wide, 62.2cm deep and 46.3cm high, 62cm wide, 42cm deep

£600­800

416 detail

417

416 174

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418 A GEORGE IV MAHOGANY CHEVAL MIRROR ATTRIBUTED TO GILLOWS, C.1825 the rectangular plate in a frame with ebonised stringing, supported by ribbed baluster supports, with turned finials, on swept legs with brass caps and castors 159.5cm high, 64.8cm wide, 61cm deep Catalogue Note See Susan E. Stuart, ‘Gillows of Lancaster and London, 1730­1840’, volume 2., p.88, pl.634, for a similar cheval mirror made in 1807 for Lord Montgomerie of Coilsfield House, Ayrshire.

£500­700 419 A GEORGE IV MAHOGANY READING TABLE ATTRIBUTED TO GILLOWS, C.1825 the height adjustable hinged top on a ratchet, with a moulded edge and a removable rest, on panelled trestle ends 74.7cm high, 60.5cm wide, 43cm deep Catalogue Note This reading table relates to a design illustrated in Gillow’s Estimate Sketch Book, 1810, p.51.

£800­1,200 420 A GEORGE IV SATINWOOD WHATNOT ATTRIBUTED TO GILLOWS, C.1820 with three tiers, with lobed mushroom finials and baluster ribbed supports, on brass caps and castors stamped ‘Copes Patent Strong’ 77cm high, 36cm wide, 35cm deep

£200­300 418

419

420

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421 421

422 422

A WILLIAM IV BURR YEW LAMP TABLE C.1830

A GEORGE IV MAHOGANY TEA TABLE POSSIBLY SCOTTISH, C.1820

the octagonal fixed top on a tapering stem and a triform base with scroll feet 72.8cm high, 49.5cm wide

the rosewood crossbanded, hinged and swivel top above a frieze applied with gilt metal beading and decorated with ribbed tablets, on spiral reeded tapering legs and brass castors 75.2cm high, 97.5cm wide, 48.5cm deep

£700­900

£300­500

423

424

423

424

A REGENCY MAHOGANY HANGING DISPLAY CABINET C.1810

A REGENCY MAHOGANY BOWFRONT CHEST IN THE MANNER OF GILLOWS, C.1810-15

with a pair of lancet astragal glazed doors enclosing three adjustable shelves 106.8cm high, 70cm wide, 18.3cm deep

the top with a moulded edge above a brushing slide and three long graduated drawers and shaped bracket feet 85.5cm high, 97cm wide, 57.5cm deep

£300­500

£300­400

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425 A LARGE WILLIAM IV GILTWOOD OVERMANTEL MIRROR C.1835 the rectangular plate within an ebonised reeded slip and a baton decorated frame 177.3 x 159.2cm Provenance Chettle House, Dorset.

£1,000­1,500

425

426

427

A PAIR OF EBONISED AND PARCEL GILT OVAL OCCASIONAL TABLES IN REGENCY PENWORK STYLE

A PAIR OF REGENCY PENWORK POLE FIRESCREENS EARLY 19TH CENTURY

with two tiers, each top decorated with classical maidens, one holding a lyre, the other with a cherub, within floral borders, on turned supports (2) 65.5cm high, 58.5cm wide, 37.2cm deep

the adjustable screen decorated with chinoiserie figures within a leaf and flower border, the backs decorated with palmettes, on a mahogany and ebonised baluster stem, with cast iron paw feet (2) 143.3cm high, 39.6cm wide (max)

£800­1,200

£300­500 177

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428 A PAIR OF REGENCY BURR ELM OCCASIONAL TABLES IN THE MANNER OF GEORGE BULLOCK, C.1815-20 each with a rectangular top with rounded corners, above a lozenge panelled frieze, the square tapering legs with conforming panels and quatrefoil mouldings, with fan spandrel brackets, with an undertier, on nulled block feet (2) 75.5cm high, 61.3cm wide, 45.2cm deep

£3,000­5,000

178

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429 A LATE REGENCY OAK GOTHIC REVIVAL SIDE TABLE IN THE MANNER OF GEORGE SMITH, C.1820 the rectangular top above a trefoil decorated frieze, on cluster column supports, with carved leaf capitals 81.7cm high, 147.2cm wide, 67.2cm deep

£3,000­5,000

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430

431

430 A PAIR OF CUT­GLASS AND GILT BRASS TWIN­LIGHT CANDELABRA C.1820 each with a swirl nozzle and a detachable sconce above an urn shape socket and a dished drip­pan hung with drops and lustres, with rosette and lappet scroll arms, with a flowerhead finial, on a spiral ribbed baluster stem (2) 35.9cm high, 31cm wide

£800­1,200 431 A PAIR OF LATE REGENCY CUT­GLASS DECANTERS C.1820 each with a stopper, with stepped necks and bands of arched hobnail­cut panels (2) 31cm high

£100­150 432 432

A PAIR OF CUT­GLASS LUSTRE CANDLESTICKS C.1820-30 each with a faceted urn shape socket, above a dished drip­pan hung with beads and drops, on a fluted baluster stem and a petal foot (2) 19.9cm high

£300­500

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433 A GEORGE IV ROSEWOOD AND BRASS MOUNTED BOOK CARRIER C.1825 with a pierced arcaded gallery and a pair of leaf scroll handles, above a moulded edge 15cm high, 56cm wide, 23cm deep

£500­700

433

434 A GEORGE III MAHOGANY CHEESE COASTER C.1800 with arc d’arbalète sides and twin baluster lifts, on brass and leather roller castors 17.2cm high, 42.2cm wide, 18cm deep

£200­300

434

435 A LATE REGENCY ROSEWOOD BOOK CARRIER IN THE MANNER OF GILLOWS, C.1820 double­sided, with twin baluster handles and turned spindle supports, with a nulled moulding, on lobed bun feet 22.4cm high, 42.5cm wide, 32.5cm deep

£800­1,200

435

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436 A PAIR OF GEORGE IV BRASS CANDLESTICKS AFTER A DESIGN BY RUNDELL, BRIDGE AND RUNDELL each with a leaf decorated socket above a triform base modelled with three swans, numbered ‘2’ and ‘3’, later drilled for electricity (2) 17.1cm high

£400­600 437 A LATE REGENCY RED LEATHER WORKBOX EARLY 19TH CENTURY with brass mounts, of sarcophagus shape, the hinged lid with a brass plaque engraved with initials, above a vacant paper lined interior, the underside of the lid with a velvet floral decorated panel, with a gilt tooled leather border, inscribed ‘Stammers, 99, Strand, London’, the base with a drawer with a hinged plush lined writing slope and compartments for pen and ink, on cast paw feet and with lion’s mask ring handles 19.3cm high, 30cm wide, 24.4cm deep

436

£150­200 438 A PAIR OF TEAK AND BRASS BOUND WINE BOTTLE HOLDERS / COOLERS IN REGENCY STYLE LATE 19TH / EARLY 20TH CENTURY of staved construction, each with ring handles and a lift­out copper liner (2) 23cm high, 22.5cm diameter (max)

£400­600

437

438

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439 A DERBYSHIRE BLUE JOHN URN EARLY 19TH CENTURY of campana shape, on an Ashford black marble plinth 16.9cm high

£300­500

440 A DERBYSHIRE BLUE JOHN URN 19TH CENTURY of ovoid shape, with a button finial and on a stepped Ashford black marble plinth 20.2cm high

£300­400

183

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PAPIER-MÂCHÉ & LACQUER

184

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441

441 A NEAR PAIR OF EARLY VICTORIAN PAPIER­MÂCHÉ TRAY TABLES C.1850 polychrome decorated with gilt highlights with chinoiserie, with various figures in watery landscapes, with willow trees, buildings and birds, later mounted on ebonised faux bamboo bases (2) 58.3cm high, 76.2cm wide, 55.6cm deep (max)

£400­600 442 A VICTORIAN PAPIER­MÂCHÉ CENTRE TABLE C.1850

442

the top painted with an urn of flowers, exotic birds and leaf scrolls with gilt highlights, above a shaped frieze, on a faceted urn stem and brass castors 71.7cm high, 101.5cm wide, 51.5cm deep

£800­1,200 443 A BLACK JAPANNED WRITING TABLE IN REGENCY STYLE, SECOND HALF 19TH CENTURY decorated in gilt with chinoiserie scenes, the rectangular moulded edge top with a watery landscape of figures, pagodas, willow trees and exotic birds, above three drawers, on Gothic style supports, decorated with quatrefoils and fleur­de­ lis, united by pierced stretchers, on sunken brass castors 73.6cm high, 117.2cm wide, 59.8cm deep

£2,000­3,000

443 185

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445 444 444 A PAIR OF VICTORIAN PAPIER­MÂCHÉ FACE SCREENS C.1850-60 painted with views of Magdalene and Wadham colleges Oxford, each titled and inscribed ‘Spiers & Son, Oxford’ (2) 41 x 29cm

£100­200 445 TWO VICTORIAN PAPIER­MÂCHÉ TRAYS C.1860 each gilt decorated with scrolling tendril designs (2) 26cm wide (max)

£100­150 446 A LATE REGENCY PAPIER­MÂCHÉ BREAD BASKET EARLY 19TH CENTURY 446

decorated in gilt on a scarlet red ground with chinoiserie scenes of pagodas, mountains and trees 8cm high, 35.5cm wide

£150­200 447 A VICTORIAN PAPIER­MÂCHÉ WRITING SLOPE C.1850 inlaid with mother of pearl and decorated with gilt highlights with a chinoiserie watery landscape with pagodas, boats and trees, the twin hinged lid revealing divisions for pen and ink with a lidded compartment and a velvet lined slope 9.2cm high, 35.6cm wide, 25.5cm deep

£150­250

447 186

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448 ‘GEORGE IV’ A RARE LACQUERED PAPIER­ MÂCHÉ SNUFF BOX IN THE MANNER OF SAMUEL RAVEN, C.1825-30 the pull­off cover painted with a portrait of George IV after Sir Thomas Lawrence, the underside titled in red ‘George IV’ and numbered ‘212’ 13cm diameter Catalogue Note See Yvonne Jones, ‘Japanned Papier­Mâché and Tinware, c.1740­1940’, p.264, pl.297 for a very similar box by Samuel Raven which is in the collection of Birmingham Museums & Art Gallery.

£800­1,200 449

448

A VICTORIAN PAPIER­MÂCHÉ SHALLOW BOWL C.1860 painted with four dogs in an interior setting, in the manner of Landseer, titled ‘Ready for the start’ 20.2cm diameter

£100­150 450 A RARE GEORGE III PAPIER­MÂCHÉ KNOTTING SHUTTLE

BY HENRY CLAY, C.1790-1800 each side painted with feathers, with a husk outer border, with a green painted interior, the post stamped ‘CLAY’ 11cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£300­400

449

450

187

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ORIENTAL FURNITURE WORKS OF ART & CARPETS

451

452 451 A QUM SILK RUG CENTRAL PERSIA, 20TH CENTURY with a hunting design and deer and rabbit borders 167 x 109cm

£300­500 452 A KASHMIRI SILK RUG NORTH INDIA, 20TH CENTURY 206.5 x 144cm

£200­300 453 A SENNEH BOTEH RUG NORTH WEST PERSIA, EARLY 20TH CENTURY 196 x 131cm

£200­300

453 188

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454 A ZIEGLER MAHAL CARPET NORTH WEST PERSIA, LATE 19TH CENTURY 405 x 371cm

£2,000­3,000

189

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455

456

455 A MAHAL CARPET NORTH WEST PERSIA, FIRST HALF 20TH CENTURY 338 x 241cm

£300­500 456 A DOROKSH CARPET KHORASAN AREA, EAST PERSIA, EARLY 20TH CENTURY 329 x 240cm

£300­500 457 AN ERIVAN RUG CENTRAL CAUCASUS, FIRST HALF 20TH CENTURY 222 x 126cm

£200­300

457 190

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458 A LARGE ZIEGLER MAHAL CARPET NORTH WEST PERSIA, LATE 19TH CENTURY with a madder red field and an all over design 686 x 401cm

£3,000­5,000

191

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460 459

459 A QASHQAI CARPET SOUTH PERSIA, EARLY 20TH CENTURY 345 x 251cm

£300­500 460 A KAZAK RUG SOUTH WEST CAUCASUS, EARLY 20TH CENTURY with a triple medallion 224 x 160cm

£150­200 461 A SHIRVAN RUG SOUTH EAST CAUCASUS, EARLY 20TH CENTURY with six medallions 234 x 125cm

£500­800

461 192

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462 A LARGE QASHQAI MAHARLU CARPET KHAMSEH AREA, SOUTH WEST PERSIA, LATE 19TH / EARLY 20TH CENTURY 506 x 376cm

£2,000­3,000

193

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463 A NORTH WEST PERSIAN RUNNER SECOND QUARTER 20TH CENTURY with a handwritten label stating that King George VI had stood on this rug at the Town Hall, Ramsay, Isle of Man, in 1945, together with a Caucasian Karabagh rug (2) 324 x 109cm

£150­250

464 AN AFSHAR RUG SOUTH EAST PERSIA, EARLY 20TH CENTURY together with a Turkmen rug and a North West Persian rug (3) 164 x 123cm

£150­200

463 (2)

194

464 (3)

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465 A CHODOR TURKMEN SMALL CARPET TURKMENISTAN, SECOND HALF 19TH CENTURY 244 x 159cm

£500­700

466 A KELIM RUG 20TH CENTURY 203 x 138.3cm

£100­150

195

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467 AN ANGLO­INDIAN IVORY AND PORCUPINE QUILL WORKBOX VIZAGAPATAM, C.1830-50 of sarcophagus form, lac decorated with bands of scrolling flowers and foliage, the hinged lid revealing a lift­out sandalwood lined tray, with lidded compartments and divisions for sewing utensils, on lobed feet 17.5cm high, 24.2cm wide, 18.5cm deep

£500­800 468 AN ANGLO­INDIAN SANDALWOOD AND IVORY BOOKSLIDE BOMBAY, LATE 19TH CENTURY decorated with ebony and sadeli bands and circles, with folding arched ends 15.3cm high, 30.6cm wide, 13.7cm deep

£100­150

467

469 AN ANGLO­CEYLONESE EBONY AND PORCUPINE QUILL BASKET LATE 19TH CENTURY with bone dot inlay 9cm high, 25.8cm wide, 20.5cm deep

£80­120 470 AN INDIAN BRASS MODEL OF A COBRA LATE 19TH CENTURY with glass eyes and punched decoration 32.5cm high

£200­300

468

469

470 196

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471 A DUTCH EAST INDIES AMBOYNA TABLETOP CHEST BATAVIA, 18TH CENTURY with silver hinges, lock and escutcheon, the hinged lid with a moulded edge above an interior with divisions for pens and ink and fitted with three drawers, the base with a long drawer 27.8cm high, 55.3cm wide, 38.2cm deep

£1,000­1,500

472 AN INDO­PORTUGUESE HARDWOOD CASKET EARLY 18TH CENTURY with silver mounts, decorated with urns of flowers and Rococo scrolls, on a diaper ground with flowerheads and a heart shaped faux escutcheon, the hinged lid revealing a vacant interior with conforming hinges and a dragon, with side handles and stylised paw feet 9cm high, 26.5cm wide, 17.5cm deep

£800­1,200

197

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474

473 473 AN INDIAN MAIL AND LAMELLAR SHIRT 17TH CENTURY the front with a pair of convex rectangular plates, with fish shape clasps

£200­300 474 A SMALL ANGLO­INDIAN HARDWOOD AND BRASS OCCASIONAL TABLE POSSIBLY LAHORE OR HOSHIARPUR, LATE 19TH / EARLY 20TH CENTURY inlaid with ebony stringing and scrolling leaves and flowers, the octagonal fixed top above a panelled base with mihrab arches, together with an Indian carved hardwood occasional table, with elephant heads and legs, with bone tusks and eyes (2) 41.3cm high, 44cm wide (max)

£150­250 475

475 AN INDIAN MAIL AND LAMELLAR SHIRT 17TH CENTURY the front with four convex panels with arrow shape clasps, together with a similar mail and lamellar shirt

£200­300

198

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476 AN ANGLO­INDIAN ROSEWOOD PLANTER’S ARMCHAIR C.1850 with a gadrooned and scroll carved top rail, above a tapering caned back and seat, on carved stylised pineapple front supports

£400­600 477 AN ANGLO­INDIAN TEAK CAMEL OCCASIONAL TABLE FIRST HALF 20TH CENTURY the circular top carved with a band of leaves and flowers 71.8cm high, 55cm wide

£400­600 478 AN ANGLO­CEYLONESE EBONY TRIPOD OCCASIONAL TABLE MID-19TH CENTURY the circular fixed top with a moulded edge, on a leaf carved baluster stem and conforming scroll legs 70.2cm high, 67cm diameter

476

£400­600

477

478

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479

479 A BURMESE CARVED HARDWOOD CABINET MID-19TH CENTURY 480

all over carved with scrolling foliage, with panels of animals and birds, the top with a three­quarter gallery and with a hinged door revealing a vacant baize lined compartment, above a pair of panelled doors enclosing a part divided interior 90.8cm high, 79cm wide, 40cm deep

£400­600 480 AN ANGLO­INDIAN EBONY AND MARBLE OCCASIONAL TABLE MID-19TH CENTURY AND LATER the circular peach marble top on a leaf carved baluster stem and scroll legs 63cm high, 60cm diameter

£200­300 481 AN INDIAN CARVED COCONUT CUP AND COVER ON STAND 19TH CENTURY relief decorated with bands, with panels of birds and leaves, with war trophies, flowers and inscribed ‘Julia W Hirsch’, with a conforming cover 18.7cm high

£300­400 481 200

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482 AN ANGLO­INDIAN EBONY FOUR­FOLD TABLE SCREEN LATE 19TH / EARLY 20TH CENTURY carved with scrolling foliage and with turned spindle galleries, inset with twelve oval miniature topographical paintings on ivory of famous Indian monuments, including: the Red Fort, the Taj Mahal, the Qutub Minar tower, the interior of the Red Fort and with four portrait medallions of noble gentlemen and ladies, 96.5 x 23cm each panel, together with later metal feet

£3,000­5,000

201

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484 483 483 NINE OTTOMAN SHERBERT SPOONS TURKISH, 19TH CENTURY all with coral handles, eight with bone / marine ivory stems, a pair with coconut bowls and seven with tortoiseshell bowls (9) 27.8cm long (max)

£800­1,200

486 AN EDWARDIAN RHINOCEROS HORN RIDING CROP C.1900 the antler handle above a gold collar, inscribed ‘C. Douglas Clark Jnr. 22nd June 1903’, with a leather thong 71.3cm long, 199g

£300­500 484 A PAIR OF ISLAMIC BRASS POTS AND COVERS PROBABLY 19TH CENTURY all over engraved with scrolling leaves and geometric panels, with a lift­off cover, with a turned finial (2) 17.4cm high, 14.5cm diameter

£200­300

487 A VICTORIAN RHINOCEROS HORN RIDING CROP LATE 19TH CENTURY the antler handle above an 18ct gold collar, engraved with three crests and inscribed ‘P. L. W. to E. J. M­S­W’, with a leather thong 176cm long, 275g

£300­500 485 A RHINOCEROS HORN SWAGGER STICK LATE 19TH / EARLY 20TH CENTURY with a white metal handle and a barbed faux briar shaft 71.5cm long, 102g

£300­500

485

486

487 202

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488 A CHINESE PADOUK LONG STOOL LATE 19TH CENTURY the panelled top above a scroll carved frieze and a pierced apron carved with peaches and interlocking lappets, on scroll feet 39.5cm high, 210.2cm wide, 48.3cm deep

£2,000­3,000

489 A CHINESE HARDWOOD ALTAR TABLE LATE 19TH / EARLY 20TH CENTURY the panelled top with scroll ends, carved with leaves, the frieze with a pair of lovebirds perched on a prunus branch with flowers, on open trestle ends and scroll feet 81.5cm high, 108cm wide, 35.6cm deep

£600­1,000

203

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490 490

492

TWO SIMILAR CHINESE STAINED PINE CUPBOARDS 20TH CENTURY

A CHINESE HARDWOOD OCCASIONAL TABLE LATE 19TH CENTURY

decorated in ink with panels of birds, vases of flowers and bamboo, one with a pair of panelled doors enclosing an interior with a shelf and two drawers, the other with a pair of drawers above a cupboard (2) 116cm high, 100cm wide, 56cm deep

£500­1,000 491 A CHINESE PORCELAIN VASE EARLY 20TH CENTURY with a crackle glaze and decorated with famille rose enamels with battle scenes of warring figures in mountainous landscapes, applied with chilong 62.4cm high

491

formerly part of a nest of tables, carved with leaves and flowers, with pierced friezes decorated with birds 72cm high, 51.9cm wide, 36.2cm deep

£100­150 493 A CHINESE GREEN SERPENTINE KANG TABLE 20TH CENTURY with pierced brackets and scroll feet 41.8cm high, 91.5cm wide, 91.3cm deep

£400­600

£100­200

493 492 204

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494 A CHINESE ELM FOOD CUPBOARD LATE 19TH CENTURY with four raised panels, ink decorated with figures on horseback, birds perching in prunus trees and other figures, with a pair of open slatted doors enclosing two drawers, above a conforming base 169.5cm high, 93.5cm wide, 47.2cm deep

£200­300 495 A PAIR OF CHINESE STYLE PORCELAIN VASE TABLE LAMPS 20TH CENTURY each of gu shape, each with a yellow ground and painted with dragons chasing a pearl, on a giltwood base, with shades and fitted for electricity (4) 50.5cm high (incl. fitting)

£400­600 496 A CHINESE PADOUK KANG TABLE LATE 19TH CENTURY the panelled top above a plain frieze and a pierced and carved apron of interlocking stylised bird’s heads 45.5cm high, 92.5cm wide, 92cm deep

494

£400­600 497 A CHINESE HARDWOOD LOW OCCASIONAL TABLE LATE 19TH CENTURY the inset marble top above a leaf and flower carved frieze with pierced brackets and stylised claw and ball feet 47.7cm high, 42cm square

£150­250

495

496 497 205

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498 A CHINESE HARDWOOD ALTAR TABLE LATE 19TH CENTURY the rectangular panelled top above a pierced frieze, on open trestle ends and scroll feet 102.3cm high, 153.6cm wide, 44cm deep

£800­1,200 499 A CHINESE HARDWOOD JARDINIÈRE STAND LATE 19TH CENTURY the circular inset marble top above a shaped frieze and cabriole legs united by an ‘X’ stretcher 74.5cm high, 35.5cm wide

£150­250 500 A CHINESE HARDWOOD TWO­TIER STAND LATE 19TH CENTURY 498

the top inset with a marble panel, carved with leaves and flowers and with pierced friezes on stylised paw feet 82cm high, 42.3cm wide, 31.5cm deep

£200­300

499

206

500

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501

501 A PAIR OF CHINESE HARDWOOD THRONE ARMCHAIRS LATE 19TH CENTURY inlaid with mother of pearl, with scrolling leaves and auspicious shou characters with bats, the carved backs decorated with prunus trees and birds, each with a circular marble ‘dreamstone’ panel back and seat, above a pierced frieze, on mythical beast carved legs and claw and ball feet (2)

£2,000­3,000

502 A CHINESE HONGMU DOUBLE SCHOLAR’S CHAIR LATE 19TH CENTURY carved with interlocking circles and symbols for money, of open spindle construction 95.2cm high, 99.5cm wide, 47cm deep

£2,000­3,000 502

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504

503

503 THREE CHINESE EXPORT IVORY BRISÉ FANS 19TH CENTURY each relief carved with figures, buildings and trees, two with oval panels with monograms (3) 17.2cm high, 25cm wide (max)

£150­200 504 SEVEN CHINESE RICE PAPER PAINTINGS 19TH CENTURY depicting various courtly figures, including a man with a ruyi sceptre and a lady playing a lute, all mounted in faux bamboo gilt and glazed frames (7) 21 x 12cm

£200­300 505 A MATCHED SET OF FOUR GRADUATED ANGLO­ CHINESE CAMPHORWOOD TRUNKS 19TH CENTURY each covered in green leather, with brass edging and studded decoration, with side carrying handles (4) 45.4cm high, 91.4cm wide, 53.7cm deep

£1,500­2,000 505

208

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506

506 A PAIR OF ANGLO­CHINESE HUANGHUALI AND PADOUK OPEN ARMCHAIRS IN ‘FRENCH HEPPLEWHITE’ STYLE, LATE 18TH CENTURY each with an oval padded back, seat and armrests, with a moulded frame and scroll arms, on turned legs (2)

£2,000­3,000

507 A CHINESE EXPORT BLACK LACQUER FOUR­FOLD SCREEN EARLY 19TH CENTURY decorated in gilt with red highlights with landscape and bird panels, above a dragon border and landscape scenes with figures in various pursuits, with buildings, boats and trees, the verso decorated with exotic birds, trees, leaves and flowers each panel 239.8cm high, 56.8cm wide

£800­1,200

507 209

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509

508

508 TWO UNUSUAL JAPANESE LACQUERED HANGING OCTOPUS SPIRITS AKKOROKAMUI, EARLY 20TH CENTURY with grotesque faces and octopus like arms (2) 83.5cm high (max)

£150­250 509 TWO LARGE JAPANESE CARVED GILTWOOD MODELS OF KOI CARP EARLY 20TH CENTURY each with glass eyes (2) 20cm high, 62cm long (max)

£200­300 510 A JAPANESE LACQUER CIRCULAR TRAY EARLY 20TH CENTURY 510

decorated with a koi carp 53cm diameter

£100­200 511 AN UNUSUAL PALMWOOD STOOL of barrel shape 40cm high, 45cm diameter

£300­400

210

511

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THE FOLLOWING FOURTEEN LOTS WERE FORMERLY IN THE COLLECTION OF SIR SIDNEY RICHARD WELLS, 1ST BARONET (1879-1957) OF FELMERSHAM GRANGE, BEDFORDSHIRE

512

513

A JAPANESE HIRADO PORCELAIN NETSUKE OF A KARAKO LATE EDO / MEIJI PERIOD, 19TH CENTURY

A PAIR OF JAPANESE WOOD, LACQUER AND IVORY NETSUKE MEIJI PERIOD, 19TH CENTURY

the Chinese boy lying on his belly and smiling whilst holding his head in his hands, wearing blue and hazelnut­brown garments, the himotoshi holes to the side 6.3cm

modelled as two sambaso dancers, the men wearing typical konsaki eboshi mitres with hinomaru red dots, one holding suzu bells whilst the other raises both hands behind his back, both with movable heads and tongues, some details highlighted with mother of pearl and coral inlays (2) 7.3cm (max)

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£300­500

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£300­500

211

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514 A JAPANESE IVORY NETSUKE OF ONO NO KOMACHI EDO PERIOD, 18TH CENTURY The poetess depicted as an elderly woman resting on a decaying post, her straw hat and woven basket by her side, a paper collection label to the back reading ‘G 929’ 6cm

514

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£250­350

515 THREE JAPANESE IVORY NETSUKE MEIJI PERIOD, 19TH CENTURY one a ryusa carved as a lantern with three landscapes to the sides and topped with a chrysanthemum mon; the second depicting a cluster of gingko nuts with miniature landscapes in the shells, signed ‘Gyokuhosai’ and with a paper collection label numbered ‘108’; the third in marine ivory and modelled as three stylised sarubobo monkey dolls (3) 4.6cm (max)

515

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£300­500

516 FIVE JAPANESE IVORY NETSUKE MEIJI PERIOD, 19TH CENTURY three carved as boys: one drawing a large character on the floor, possibly kokoro for ‘heart’, signed ‘Tomochika’; another catching a butterfly underneath his fan and the third in marine ivory with a dog; together with two netsuke of men contorting, one signed ‘Yuho’, some with paper collection labels (5) 4.4cm (max) Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£300­500 516

212

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517 A COLLECTION OF NINE JAPANESE IVORY NETSUKE EDO AND MEIJI PERIODS, 18TH AND 19TH CENTURY variously carved as figures engaged in daily pursuits, one with three fishermen on a boat attacked by a giant octopus, another with a man crawling between the legs of another, signed ‘Masatsugu’ in a red lacquer plaque to the base, another a seated man with a fan signed ‘Hideyama’, some with paper collection labels (9) 8.7cm (max) Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£500­800

518 A COLLECTION OF SEVEN JAPANESE IVORY NETSUKE MEIJI PERIOD, 19TH CENTURY variously depicting groups of travellers and other figures with horses and bovines, one carved as the God Daikoku riding a rat and crossing a bridge while God Ebisu, riding a giant carp, hands him his hammer, signed ‘Ryoji’; some other netsuke also bearing signatures, including: ‘Tomochika’, ‘Masatomo’, ‘Shounsai’, ‘Ichiyusai’ and ‘Kigyoku’, some with paper collection labels (7) 5cm (max) Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£500­1,000

213

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520

519 TWO JAPANESE IVORY NETSUKE OF FRUITING BRANCHES MEIJI PERIOD, 19TH CENTURY

A GOOD JAPANESE IVORY OKIMONO OF RATS MEIJI PERIOD, 19TH CENTURY

both carved as biwa fruits on branches, one with a large wasp above, some details stained, both realistically carved and signed ‘Mitsuhiro’ in an oblong reserve underneath (2) 4cm (max)

three of the rodents depicted on a large ear of corn and the fourth beside it gnawing on a bean, the animals finely carved and with their eyes inlaid, signed ‘Tamao’ underneath and with two paper collection labels, one reading ‘G1358’ and the other for the Tomkinson Collection no.246 8.5cm

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£400­600

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£400­600

521 THREE JAPANESE IVORY NETSUKE MEIJI PERIOD, 19TH CENTURY Two depicting the God of Thunder Raijin with a drum, one with the god dragging it behind him, a paper collection label to the back reading ‘G 1300’, the other with the deity seated on top of his instrument, with remnants of gold lacquer and a label for ‘G 1027’; the third depicting a tall oni, the demon carrying the Goddess of Good Fortune Okame on his shoulders, signed ‘Tomochika’ and with a label for ‘G378’ (3) 4.2cm (max) Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£300­500 214

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522

523

FIVE JAPANESE IVORY NETSUKE OF ANIMALS MEIJI PERIOD, 19TH CENTURY

THREE JAPANESE IVORY NETSUKE OF FELINES EDO AND MEIJI PERIODS, 18TH AND 19TH CENTURY

one carved as many rats on a lion mask, signed ‘Gyokko’ and with a paper collection label for ‘G1514’; another two kappa on a lotus leaf with a namazu catfish hiding underneath, labelled ‘G 1302’; the third depicting the sparrow Suzume covering a sleeping man with a blanket, signed; the fourth a fox disguised as a drunk man, with a movable tongue, and the last in marine ivory depicting the Moon Rabbit pounding rice cakes (5) 6.3cm (max)

one carved as a reclining tiger licking its back, the other two depicting lion dogs standing on bases, one a seal cut with three characters underneath, the other with a paper collection label reading ‘G 232’ (3) 4.2cm (max)

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£800­1,200

£400­600

524 A COLLECTION OF SIX JAPANESE IVORY NETSUKE LATE EDO AND MEIJI PERIODS, LATE 18TH AND 19TH CENTURY variously carved as gods and heroes from famous stories, one depicting two armour­clad samurais on an octagonal base with panels enclosing lion dogs, birds and flowers; two with signatures for ‘Masatada’ and ‘Shomin’, some with paper collection labels (6) 5.2cm (max) Provenance Formerly the collection of Sir Sydney Richard Wells, 1st Baronet, D.L., M.P. for Bedford (1879­1957) of Felmersham Grange, Bedfordshire, and thence by descent.

£500­800

215

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525 A JAPANESE IVORY OKIMONO GROUP OF A CHICKEN CATCHER MEIJI 1868-1912 carved with a man in a full kimono with a sagimono attached to his obi, holding a draped basket above a hen and three chicks, on a naturalistic base, the underside with an inset red oval seal mark, signed 'Munehiro', on a pierced hardwood stand (2) 14.7cm high (without stand)

£200­300 526 A JAPANESE IVORY OKIMONO GROUP OF A FARMER MEIJI 1868-1912 carved with three boys, two clambering over him, one with a toy carp, with a red seal mark to the underside, signed 'Munehide / Soshu', on a naturalistic carved wood base, together with a Chinese ivory figure of a bearded scholar, asleep standing up, possibly 18th century, on a later hardwood stand (2) 17.1cm high (max)

£100­150 525

527 A JAPANESE IVORY OKIMONO GROUP MEIJI 1868-1912 carved with an old man holding a kitten, accompanied by a young boy and a dog 9.7cm high

£100­150

526 216

527

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528 A JAPANESE IVORY OKIMONO FIGURE OF A SAGE LATE MEIJI 1868-1912 OR EARLY TAISHO 1912-1926 well carved, the bearded elder wearing flowing robes and carrying a scroll and a parasol in his left hand, the underside with a red lacquer signature panel, signed 'Mitsuhide' 16.2cm high

£300­400

529 A JAPANESE IVORY OKIMONO FIGURE OF A SAGE MEIJI 1868-1912 OR EARLY TAISHO 1912-1926 well carved, the bearded elder wearing flowing robes, carrying a rui sceptre in his right hand and a scroll in his left, the underside with a red lacquer signature panel, signed 'Kyoko' 16.9cm high

£300­400

217

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530 A JAPANESE IVORY OKIMONO GROUP OF A MOTHER AND CHILD MEIJI 1868-1912 carved with a lady holding sweetcorn and gourds, with a young boy on her back 24cm high

£300­500

531 A JAPANESE IVORY OKIMONO OF AN OLD MAN MEIJI 1868-1912 carved standing and holding a lantern and books, on an oval base 18.7cm high

£150­200

218

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532 A JAPANESE IVORY OKIMONO FIGURE OF A FISHERMAN MEIJI 1868-1912 finely carved and detailed, he holds two fish in his left hand and carries a wicker creel full of shells on his back, standing on a naturalistic base, the underside with a gilt square seal mark, signed 'Shizukalsei' 19.5cm high

£300­500

533 A PAIR OF JAPANESE IVORY SHIBAYAMA VASES MEIJI 1868-1912 each decorated with gilt and red lacquer and onlaid with mother of pearl and coral, the verted rim with a Greek key design, above bands of tendrils, the body with scrolling leaves and gourds, with birds, butterflies and insects (2) 13.5cm high

£300­500

219

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WALKING CANES FROM PRIVATE COLLECTIONS

220

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534 AN INDIAN IVORY KRIS HANDLE WALKING CANE MID-19TH CENTURY AND LATER finely carved with a bird’s head, with leaves and flowers, above an ebonised wood shaft and horn ferrule 91.7cm long

£200­300 535 A JAPANESE IVORY HANDLED WALKING CANE MEIJI 1868-1912 carved with four monkeys clambering on each other, with a brass collar, above an ebonised lacquered wood shaft, with a horn ferrule 91.8cm long

£300­500 536 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1880 carved in the form of an eagle’s claw and ball, mounted on a Malacca shaft, with a horn ferrule 84.3cm long Provenance Purchased from Tennants Auctioneers, Spring Sale, 10th April 2008, lot 667.

£200­300 537 A JAPANESE IVORY HANDLED WALKING CANE MEIJI 1868-1912 carved with two frogs, a skull, carp, a snake, a fly­ whisk and leaves, above a silvered metal collar, an ebonised lacquered hardwood shaft and horn ferrule 91.2cm long

£300­500 538 A JAPANESE IVORY HANDLED WALKING CANE MEIJI 1868-1912 carved with a crocodile devouring a snake, with an ebony shaft and ivory ferrule 90.2cm long Provenance Purchased from Tennants Auctioneers, Spring Sale, 10th April 2008, lot 676.

£200­300 221

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539 A CHINESE WALKING CANE C.1880 the silver handle in the form of a scaly dragon, with a vacant plaque, with an ebonised shaft and horn ferrule 91.3cm long

£200­300 540 A SILVER WALKING CANE PROBABLY INDIAN, C.1940 the shepherd’s crook handle with a horse’s head terminal, the spiral ribbed shaft decorated with scrolls and flowers and screws apart into two sections 99.9cm long

£200­300 541 A SILVERED METAL HANDLED WALKING CANE C.1920 the handle decorated with a tiger and a snake, above a faux bamboo shaft and metal ferrule 90.8cm long

£100­150 542 A DRESS WALKING CANE C.1920 the silver shepherd’s crook handle with a bird’s head terminal, with glass eyes, above an ebonised wood shaft and brass ferrule 89cm long

£80­120 543 A HORN AND IVORY WALKING CANE BURMESE OR INDIAN, C.1920-30 the handle carved with a mythical dragon head above a segmented shaft 88cm long

£100­150

222

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544 A CHINESE SILVER HANDLED SYSTEM WALKING CANE C.1880 decorated with figures seated at a table, in a landscape setting with buildings and trees, with an ivory top which unscrews to reveal a corkscrew, with a Malacca shaft, lacking ferrule 92.5cm long

£200­300 545 A CHINESE SILVER HANDLED WALKING CANE C.1880 decorated with figures, a pavilion, trees, flowers a cray fish, birds and fish, with a flat ivory cap, above a Malacca shaft and a brass ferrule 88.8cm long

£200­300 546 A SILVER HANDLED WALKING CANE BURMESE OR INDIAN, C.1880 the pommel handle repoussé decorated with scrolling leaves and flowers, the top with a monogram ‘D V C’, above a Malacca shaft and a brass ferrule 89.2cm long

£100­150 547 AN ORYX HORN WALKING CANE C.1900 with an ivory ball handle and a tapering shaft 87cm long

£200­300

223

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548

550

A SHEPHERD’S CROOK WALKING CANE C.1900

A CARVED WOOD WALKING CANE C.1920

the handle carved with a snarling bulldog’s head, with bone teeth and glass eyes, with a white metal ferrule 86.5cm long

the handle in the form of a terrier’s head, with glass eyes and pierced with tassel, above a brass collar, Malacca shaft and horn ferrule 92.8cm long

£80­120

£80­120

549

551

A NOVELTY WALKING CANE C.1930

FOUR WALKING CANES

the faux shagreen handle in the form of a parrot’s head, with glass eyes, above an ebonised shaft and a horn ferrule 91.5cm long

£100­150

224

one of faceted form with a silver handle, hallmarked for London 1924, maker Henry Perkins and Son, above an oak shaft and brass ferrule, together with an Edwardian silver handled walking cane, hallmarked Birmingham 1905, maker Boots Pure Drug Company, a walking cane by Swaine & Adeney, the silver handle decorated with horse and riders, hallmarked for London 1872 and a horn pommel handled stiletto weapon cane with a bamboo shaft (4) 84.7cm long (max)

£100­150

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552 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1870-80 carved in the form of a bulldog’s head, with glass eyes, collar lacking, on an ebonised hardwood shaft, ferrule lacking 91cm long

£150­250 553 AN IVORY HANDLED WALKING CANE C.1920-30 in the form of a dog’s head, wearing a collar and with glass eyes, with an ebonised shaft and a horn ferrule 91.7cm long

£80­120 554 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1880 carved in the form of a snarling bulldog’s head, with glass eyes, the brass collar above an ebony shaft and horn ferrule 92.4cm long

£200­300 555 A LATE VICTORIAN IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY carved in the form of a pug dog’s head, with glass eyes, with a silvered metal ring collar, above an ebony shaft and horn ferrule 91.5cm long

£200­300 556 A GEORGE III IVORY HANDLED WALKING CANE C.1780-90 AND LATER the pommel carved with a lion's head, above a later silver collar hallmarked for London 1903, maker '?B' with a Malacca shaft and brass ferrule 90.8cm long Provenance Purchased from Geoffrey Breeze Antique Canes, Bath, 12th July 2010.

£300­400

225

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557 A FISHERMAN’S WALKING CANE C.1900 with a patinated brass pommel, the metamorphic shaft turns into a seat, originally with canvas, with a faux bamboo beechwood shaft 92cm long

£80­120 558 A FOLK ART CARVED WOOD WALKING CANE C.1930 the handle carved in the form of a foal’s head, above a faux tortoiseshell gnarled wood shaft, with a brass ferrule 86.8cm long

£80­120 559 A CARVED WOOD WALKING CANE C.1920 the handle decorated with a double monkey head, with glass eyes, above a palmwood shaft and a later ferrule 88.4cm long

£100­150 560 A HORN HANDLED WALKING CANE C.1900 carved in the form of a sealion’s head, with a silvered metal collar, with a palmwood faux bamboo shaft and horn ferrule 90cm long

£100­150

226

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561 AN EARLY 19TH CENTURY IVORY HANDLED WALKING CANE C.1830 carved with the head of a greyhound, with glass eyes, with a gilt metal collar, with maker’s mark ‘J H’, with an oval cartouche with a monogram and decorated with scrolls, above an ebonised hardwood shaft and brass ferrule 90.5cm long

£500­700 562 A JAPANESE IVORY HANDLED WALKING CANE MEIJI 1868-1912 carved with seven monkeys, with a three character mark, above an English silver collar hallmarked for Chester 1897, decorated with scrolling foliage and with a monogram, above an ebonised shaft and a metal ferrule 86.7cm long

£300­500 563 A LATE VICTORIAN IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY the handle carved in the form of an Airedale terrier dog, with glass eyes, with a silvered metal ring collar, above a Malacca shaft and a horn ferrule 91.3cm long Provenance Purchased from Tennants Auctioneers, Spring Sale, 10th April 2008, lot 657.

£150­250 564 A FINE JAPANESE IVORY HANDLED CANE MEIJI 1868-1912 carved with a kylin head, flowers and leaves, and two doll’s head masks, with a brass collar, an ebonised lacquered hardwood shaft and a horn ferrule 91.7cm long

£300­500

227

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565 AN IVORY HANDLED WALKING CANE EARLY 20TH CENTURY finely carved with the head of a parrot, with glass eyes, above an ebonised shaft and horn ferrule 91.3cm long

£100­150 566 AN IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY in the form of a grotesque mask, with an ebony shaft and horn ferrule 91.5cm long

£100­150 567 AN IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY in Renaissance revival style, the pommel carved with leaves and three trefoil arches, with a portrait bust of a knight, a duke and an Ottoman wearing a fez, above a Malacca shaft and a horn ferrule 108.8cm long

£200­300 568 AN EDWARDIAN IVORY HANDLED WALKING CANE C.1910 carved in the form of a cloaked maiden, above a silvered metal collar and an ebonised shaft 91.6cm long Provenance Purchased from P. F. Windibank Auctioneers, 16th May 2005, lot 673.

£100­150 569 AN IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY carved in the form of a head of an Italian Renaissance knight wearing a helmet, the back with an indistinct inscription, above a gilt brass collar, above an ebony shaft and horn ferrule 89.9cm long

£100­150

228

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570 AN EDWARDIAN IVORY HANDLED WALKING CANE C.1902 carved with an Arab’s head, above a silver collar decorated with scrolls, inscribed ‘G. J. from F J W’, hallmarked for London 1902, above a rosewood shaft and a later brass ferrule 94cm long

£400­600 571 AN EDWARDIAN IVORY HANDLED WALKING CANE C.1910 carved with an Arab’s head, above a silver collar decorated with scrolling leaves and flowers, with a vacant cartouche, hallmarked for Birmingham 1910, above a rosewood shaft and an ivory ferrule 89.5cm long

£400­600 572 A CARVED IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY modelled as the famous jockey, Fred Archer, the back titled, with a gold collar, above a lacquered shaft, pierced for tassel, with gold eyelets and a brass ferrule 96.7cm long

£500­800 573 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1890 the pommel carved with twelve different dog’s heads, above an ivory collar, a Malacca shaft, pierced for tassel, with ivory eyelets and ferrule 91.5cm long

£400­600

229

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574 AN EARLY VICTORIAN IVORY HANDLED CANE C.1850 carved with a retriever dog’s head, with matted hair, a collar and glass eyes, the silvered metal collar repoussé decorated and with a faint inscription, above a Malacca shaft and a later ferrule 79.9cm long

£100­150 575 AN EARLY VICTORIAN IVORY HANDLED CANE C.1850 carved with a retriever dog’s head, with matted hair, a collar and glass eyes, the silvered metal collar repoussé decorated with scrolls and inscribed ‘W. D. Sims Ipswich’, above a Malacca shaft and a brass ferrule 90.8cm long

£200­300 576 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1880 the handle carved with two dog’s heads, with glass eyes, above a silvered and metal collar, with a vacant shield and with scrolls, above an ebony shaft and a horn ferrule 90.5cm long Provenance Purchased from Tennants Auctioneers, Spring Sale, 10th April 2008, lot 673.

£500­700 577 A REGENCY MARINE IVORY HANDLED WALKING CANE C.1800-20 in the form of a dog’s head with glass eyes, above a brass collar repoussé decorated with scrolling leaves and with a garter, above a Malacca shaft and a later ferrule 90.5cm long

£300­400 578 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1870-80 in the form of a greyhound or whippet’s head, with glass eyes, silvered metal collar, decorated with scrolls, with a vacant shield and with a faint registration panel, above a Malacca shaft and a horn ferrule 90.7cm long

230

£300­500

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579 A RARE CHINESE IVORY HANDLED WALKING CANE C.1820 carved as a lady holding a basket of flowers in her left hand and a fly­whisk in her right, the Chinese silver collar repoussé decorated with figures and with an oval panel engraved with initials ‘J G’, above a Malacca shaft and a brass ferrule 85.8cm long Provenance Purchased from Geoffrey Breeze Antique Canes, Bath, 12th July 2010

£400­600 580 A LATE VICTORIAN IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY the handle with a cylindrical section, on one side carved in relief with three dog’s heads, a bulldog, a spaniel and a greyhound, with glass eyes, with a foliate embossed silvered metal collar, with vacant shield, above a Malacca shaft 87.6cm long Provenance Purchased from Tennants Auctioneers, Spring Sale, 10th April 2008, lot 639.

£300­500 581 A VICTORIAN IVORY HANDLED WALKING CANE C.1850-60 carved with a dog and rabbit head, with glass eyes, above a silvered metal collar engraved with a monogram within a shield and with scrolls, with a Malacca shaft and brass ferrule 88.7cm high

£500­700 582 A VICTORIAN IVORY HANDLED WALKING CANE C.1890 carved with a retriever dog's head, wearing a collar and with glass eyes, the silver collar engraved with a monogram 'CH' and hallmarked for Birmingham 1893, maker 'TC', above a Malacca shaft, ferrule lacking 81cm long

£200­300 583 A VICTORIAN IVORY HANDLED WALKING CANE C.1890 in the form of a greyhound’s head, with glass eyes, the repoussé decorated silver collar with a crest engraved with a monogram and hallmarks for Birmingham 1893, with a Malacca shaft and a later ferrule 78.5cm long

£150­250 231

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584 AN EVENING DRESS WALKING CANE C.1900-10 with a gilt metal pommel decorated with scrolls and with a vacant plaque, above a carved ivory handle imitating briar, above a conforming gilt metal collar, an ebonised shaft and a brass ferrule 89.5cm long

£100­150 585 AN EVENING DRESS WALKING CANE C.1899 the gilt metal pommel handle decorated with scrolls, the top with an inscription ‘Presented to A. Craig on the occasion of his marriage by his fellow workers & friends, 29.11.99.’, above a carved ivory handle imitating briar, with a gilt metal collar and an ebony shaft, with a reduced ferrule 85cm long

£100­150 586 AN IVORY HANDLED EVENING DRESS WALKING CANE C.1921 the faceted handle above an emerald coloured paste set ring, above a silver collar engraved with scrolls, hallmarked for Birmigham 1921, above a palm wood shaft and a brass ferrule 85.8cm long

£150­200 232

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589 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1890 carved with a snarling bulldog’s head, with glass eyes, above a silver collar with a faint Chester hallmark, with a mahogany shaft and a bone ferrule 87.2cm long

£500­800 587

590

A VICTORIAN IVORY HANDLED WALKING CANE C.1850

A GEORGE VI IVORY HANDLED WALKING CANE C.1946

carved with a greyhound dog’s head, with glass eyes, with a silver collar, with faint hallmarks, with an ebonised shaft and brass ferrule 88.2cm

carved in the form of a bulldog’s head, possibly after the famous cartoon character ‘Bonzo’, with glass eyes, above a 9ct gold collar hallmarked for London 1946, inscribed ‘Arthur Edwards’, with a walnut shaft and an ivory ferrule 90.9cm long

£600­800 588 A LATE VICTORIAN IVORY HANDLED WALKING CANE C.1897 carved with a running retriever dog, with glass eyes, above a silver collar decorated with scrolls, with a vacant plaque and hallmarked for Birmingham 1897, with an ebonised shaft and white metal ferrule 91cm long

£500­800

£800­1,200 591 AN EDWARDIAN IVORY HANDLED WALKING CANE C.1900 in the form of the White Rabbit from Alice in Wonderland, with glass eyes, above a silvered metal collar, mahogany shaft and a brass ferrule 93.3cm long

£400­600 233

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592

594

A FINE CHARLES II IVORY AND PIQUÉ WORK HANDLED WALKING CANE C.1669

A FINE WILLIAM AND MARY IVORY AND PIQUÉ WORK HANDLED WALKING CANE C.1700

the top of the handle with initials ‘I.B. 69’, within a petal design, above interlocking ‘C’ scrolls, pierced for tassel, with a silver collar, above a Malacca shaft and a bell metal ferrule 88.5cm long

the top of the handle with a petal design, above interlocking ‘C’ scrolls, pierced for tassel, with a silver collar, above a Malacca shaft and a brass ferrule 92cm long

£1,500­2,000

£1,000­1,500

593 A VERY RARE IVORY AND PIQUÉ WORK HANDLED SWORD STICK EARLY 18TH CENTURY with a pull­out steel blade, with a silver collar, above a Malacca shaft and brass ferrule 91.4cm long

£1,000­1,500

595 A FINE WILLIAM AND MARY IVORY AND PIQUÉ WORK HANDLED WALKING CANE C.1700 decorated with interlocking circles, pierced for tassel, above a silver collar, Malacca shaft and brass ferrule 92cm long

£1,000­1,500 234

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596

598

A WILLIAM AND MARY IVORY AND PIQUÉ WORK HANDLED WALKING CANE C.1700

JUDAICA INTEREST. A WILLIAM AND MARY IVORY AND PIQUÉ WORK HANDLED WALKING CANE C.1700

the top of the handle with a nine pointed star, above scrolls and tulip flowers, pierced for tassel, with a silver collar, above a Malacca shaft and a spike ferrule 89.2cm long

the crown with the six pointed star of David, above a torah scroll design, above a silver collar, a Malacca shaft pierced for tassel, with a later horn ferrule 93.8cm long

£1,000­1,500

£800­1,200 597 A WILLIAM AND MARY IVORY AND HALF PIQUÉ WORK HANDLED WALKING CANE C.1700 the crown decorated with a twelve pointed star, pierced for tassle with an engraved silver collar, a Malacca shaft and a conforming collar to base, with a later brass ferrule 86.5cm long

£300­500

599 A WILLIAM AND MARY IVORY AND PIQUÉ WORK POMANDER WALKING CANE C.1700 with a screw­off pierced vinaigrette crown decorated with bands of piqué and silver inlaid flutes, above a silver collar, a Malacca shaft and a brass ferrule 84cm long Provenance Purchased from Geoffrey Breeze Antique Canes, Bath, 30th March 2011.

£1,000­1,500 235

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600

602

A WILLIAM AND MARY IVORY HANDLED WALKING CANE LATE 17TH CENTURY

AN IVORY HANDLED WALKING CANE LATE 17TH / EARLY 18TH CENTURY

the crown with piqué initials and date ‘E.S 98’, pierced for tassel, above a silver collar, the pierced Malacca shaft with a suspension ring, with a brass ferrule 87.5cm long

the crown piqué initialled ‘I.B’, pierced for tassel, above an ebony collar and bird’s eye maple shaft 94.5cm long

£400­600

Provenance Purchased from Geoffrey Breeze Antique Canes, Bath, 26th September 2007.

£300­500 601 A WILLIAM AND MARY IVORY AND PIQUÉ WORK HANDLED WALKING CANE C.1700 the crown with a nine pointed star, above piqué bands and further stars, pierced for tassel, above a Malacca shaft and later ferrule 82cm long

£400­600 236

603 AN IVORY AND PIQUÉ WORK HANDLED WALKING CANE LATE 17TH / EARLY 18TH CENTURY pierced for tassel, above a silver collar, a Malacca shaft and a later ferrule 93.6cm long

£300­500

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604 A FRENCH AUTOMATON IVORY HANDLED WALKING CANE C.1870 carved with a dog’s head with an articulated jaw and glass eyes, above a gilt metal collar and a rosewood shaft with brass ferrule 93cm long

£1,000­1,500

605 A RARE AUTOMATON IVORY HANDLED WALKING CANE LATE 19TH / EARLY 20TH CENTURY carved in the form of a donkey’s head, with a push­button mechanism which articulates the ears and mouth, with glass eyes, above a silver collar with a faint hallmark for London and marked ‘C.C’ for Charles Cooke, Brigg’s Chief Stick Mounter, above a snakewood shaft and brass ferrule 89.6cm long Catalogue Note See Katherine Prior, 'In Good Hands, 250 Years of Craftsmanship at Swaine Adeney Brigg', pp.99­100 for a very similar donkey automaton cane attributed to the Czilinsky family of ivory and wood carvers.

£1,000­1,500

606 A JAPANESE IVORY HANDLED WALKING CANE MEIJI 1868-1912 carved with two rats on a tree stump, with a snail, above a silver collar hallmarked for London 1862, marked ‘Kendall’, above a rosewood shaft and a brass ferrule 98cm long

£800­1,200

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607 FIVE WALKING CANES 19TH CENTURY AND LATER comprising: a white metal mounted example with an incense burner handle with a pierced hinged lid and a coromandel shaft, together with a horn handled shark’s vertebrae cane, a silver handled walking stick with bamboo shaft and a similar white metal handled example, and a carved bone bird’s head handled walking cane with glass eyes and a white metal collar (5) 91.8cm long (max)

£300­400 608 A LATE VICTORIAN CAST IRON STICKSTAND LATE 19TH CENTURY with eight circular divisions, with turned finials, pierced open ends and two lift­out trays 65.3cm high, 51cm wide, 32.2cm deep

£150­200 609 A COOPERED STICKSTAND LATE 19TH / EARLY 20TH CENTURY of staved construction and with brass mounts, the ‘spitoon’ rim above lion’s mask ring handles 56.8cm high, 33.7cm diameter

£200­300

607

608

238

609

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610

610 A BRASS STICKSTAND LATE 19TH / EARLY 20TH CENTURY

611

with six divisions, a cast iron base and a lift­out metal liner 57.5cm high, 32.5cm wide, 20.2cm deep

£150­200 611 A VICTORIAN CAST IRON STICKSTAND IN THE MANNER OF COALBROOKDALE, C.1860-70 ebonised and parcel gilt, the back decorated with a scantilly clad classical maiden, above a lift­out tray, numbered ‘42’ and with a registration lozenge, together with a modern oak stickstand with twenty divisions (2) 72.4cm high, 36cm wide, 18.8cm deep (max)

£100­200 612 A BRASS STICKSTAND LATE 19TH / EARLY 20TH CENTURY with six divisions and a cast iron base 60.5cm high, 42cm wide, 22.2cm deep

£100­200

612

239

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TAXIDERMY, SPORTING, MEDICAL & NAVAL

240

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613 A PAIR OF VICTORIAN SILVER PLATED CARRIAGE LAMPS C.1870-80 with engraved and pierced decoration, with five curved and bevelled glass panels etched with leaves, with a rear hinged door, the internal candle holder stamped ‘J. Knape, Estd. 1851, Burnley’ (2) 73.5cm high

£2,500­3,500

614 A SILVER PLATED COLLAPSIBLE COACHING HORN

BY KÖHLER & SON, LATE 19TH / EARLY 20TH CENTURY inscribed ‘1851/1862 Kohler & Son, Makers, 116 Victoria Street, Westminster (From Covent Garden)’ 91cm long

£300­400

613

615 A COACHING PANEL MID-19TH CENTURY decorated with the City of London coat of arms, and the insignia of the Lord Mayor combined with the three 'seaxes' of Middlesex, with the motto 'Domine Dirige Nos', on an ebonised ground, unframed 34.3 x 36.5cm Catalogue Note It is unusual to have the City of London arms combined with the County of Middlesex.

Possibly this panel was used when the Sheriffs of London and Middlesex travelled together formally for certain events, e.g. the Lord Mayor's show.

£300­400

614

615

241

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616

617

A PAINTED PINE RIDING SCHOOL SIGN LATE 19TH / EARLY 20TH CENTURY

A GEORGE V HORSE’S HOOF DESK WATCH HOLDER C.1930

painted with a jockey on a horse and inscribed ‘Hunting stables Joe. Mulholland. Riding School’ 69.8 x 94cm

£1,000­1,500

with plated mounts, decorated with a pair of rearing horses flanking a lyre shape holder and a pocket watch, with a pair of plaques inscribed ‘F. Brown From’ ‘Captain & Mrs Kingscote Aug 5th 1933’ 24.8cm high, 25cm wide, 17.2cm deep

£300­400 618 A MAHOGANY BOOT JACK with a turned handle and supports, with an applied ivorine plaque, inscribed ‘Alan Mcafee 38 Dover St. London’, the underside with a wooden plaque, inscribed in pencil ‘Mr Wright S... Street Daventry’ 82.3cm high, 40.5cm wide, 50.3cm deep

£400­600 619 TWO HUNTING HORNS SECOND HALF 19TH CENTURY one a plated example by Swaine & Co., London, with two inscriptions, ‘Haileybury Races, a challenge price, presented by Charles Longley Esq. and won May 11th, 1853 by ...’, the other side with a further inscription relating to Stoke College Races, the other a copper plated horn by Köhler & Son, with owner’s inscription ‘James Tinsley’ (2) 26.5cm high (max)

£200­300

619

618 242

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620 A CARVED AND PAINTED WOOD HALF­BLOCK FISHING TROPHY MODEL OF A SALMON

BY ROWLAND WARD, EARLY 20TH CENTURY possibly painted by John Tully at the Russell Studio at Fochabers, the verso with a printed paper trade label, inscribed ‘The Jungle, Trade Mark Rowland Ward 7.Z.S 166 Picadilly London’, applied with two brass suspension rings and chain for hanging 28.5 x 97cm

£5,000­8,000

621 A CARVED AND PAINTED WOOD HALF­BLOCK FISHING TROPHY MODEL OF A SALMON ATTRIBUTED TO JOHN TULLY, EARLY 20TH CENTURY mounted on a stained pine board 32.5 x 114.5cm

£5,000­8,000

243

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622

622

623

A LEATHER POT BELLIED FISHING CREEL 18TH CENTURY

A WROUGHT IRON EEL SPEAR LATE 19TH CENTURY

the hinged and pierced lid with a band of punched rondels, above a brass catch and an applied brass fish 16.2cm high, 28cm wide, 12.2cm deep

with an ash handle 194.7cm long

£200­300

£2,500­3,500

623

624 A WROUGHT IRON SALMON SPEAR PROBABLY 19TH CENTURY with barbed tines, handle lacking 46.8cm high, 32cm wide

£200­300 624 244

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625 TAXIDERMY. A GEORGE VI PRESERVED PIKE

BY HOMER, C.1944 mounted in a naturalistic setting, with a printed trade label inscribed ‘Preserved by Homers, Woodgrange Road, Forest Gate, London, E.17’, in an ebonised and gilt bowfront glazed case, inscribed ‘Taken by ‘G. W. S. Ingram’ from River Stour, Dorset, 22. 2.

44., weight 20 lbs, 4 ozs’ 44.2cm high, 124.3cm wide, 23.3cm deep

£1,000­1,500

626 TAXIDERMY. A PAIR OF GEORGE V PRESERVED ROACH IN THE MANNER OF COOPER, C.1913 mounted in a naturalistic setting, in a glazed, ebonised and gilt decorated bowfront case, inscribed ‘Roach. Caught by J. C. Dennis at Fordingbridge, Sept. 21st. 1913. Weights 2 lbs. & 2 lbs 2ozs.’

44cm high, 78.2cm wide, 18.6cm deep

£800­1,200

627 TAXIDERMY. A GEORGE V PRESERVED TROUT

BY HARDY BROTHERS, C.1921 mounted in a naturalistic setting, with an ivorine trade label, inscribed ‘Hardy Brothes Alnwick Ltd 61. Pall Mall, London, S. W., Edinburgh, Manchester, Manufactury, Alnwick.’, in a glazed and ebonised bowfront case, with gilt lettering, inscribed ‘Weights 4 lbs. Taken with mayfly. May 17th 1921. Avon. Hyam. Nr. Malmesbury.’

37.7cm high, 70.2cm wide, 12.5cm deep

£2,000­3,000

245

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628 A SPECIMEN MINERAL ‘GROTTO’ GROUP containing assorted minerals, including: quartz crystal, amethyst and lapis lazuli, mounted on a bevelled mirror base, with a printed label ‘The Grotto’, on an ebonised stand and with an associated glass dome and further ebonised base 28.6cm high (the Grotto), 44.5cm high (overall)

£800­1,200

629 A COLLECTION OF SEASHELLS in a glazed wooden hanging display cabinet with forty­nine pine divisions, the front door hinged for access, with brass suspension rings 46 x 46cm

£200­300

246

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630 A CAVE BEAR SKULL ‘URSUS SPELAEUS’, PLEISTOCENE PERIOD in two parts 42cm long Catalogue Note The cave bear, Ursus spelaeus was a species of bear that lived in Eastern and Northern Europe, between 50,000 to 100,00 years ago. They were larger than any bear alive today, standing over 10 feet tall. Both the word ‘cave’ and scientific name ‘spelaeus’ are used because fossils were most found in caves.

£1,000­1,500

247

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631

632

631 A COLLECTION OF CAMPAIGN ITEMS 19TH / 20TH CENTURY comprising: folding cutlery sets in brown leather cases, a cased set of of ivory handled razors by Wade & Butcher, Sheffield, six inscribed with the days of the week, the blades inscribed ‘The Celebrated Hollow Ground Razor’ and an EPNS spirit flask (4) 16.5cm wide (max)

£200­300 632 A PAIR OF CAMPAIGN SILVERED BRASS SPRING LOADED CANDLESTICKS LATE 19TH CENTURY

633

each with a glass shade, the bases with ‘anchor and compass’ marks, in a leather fitted travelling case, with initials ‘T. B. H.’ (2) 52cm wide

£500­700 633 THREE BROWN LEATHER CASED CAMPAIGN ITEMS LATE 19TH / EARLY 20TH CENTURY comprising: a copper burner by A. Bassett & Sons, Piccadilly, London, a decanter case containing four bottles, three with plated globe lids and a case containing two sets of folding cutlery, the case with stencilled initials ‘W. H. F. K.’ (3) 13.8cm high (max)

£300­400 634 A BROWN LEATHER CAMPAIGN / HUNTING LUNCH BOX EARLY 20TH CENTURY containing: a plated sandwich tin and a wicker flask 18.5cm high, 19cm wide

£300­400 248

634

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635 635 A MAHOGANY CASED SET OF CAMPAIGN SURGEON’S INSTRUMENTS

BY DOWN BROS., LATE 19TH / EARLY 20TH CENTURY brass bound, the hinged lid with a vacant plaque, the underside with a printed list and a facsimile photograph of contents and fitted with three trays of various medical instruments and utensils, some possibly associated, with two ivory plaques, inscribed ‘Down Bros Makers and opposite Guys Hospital’ 8.3cm high, 45.2cm wide, 17.4cm deep

636

£300­400 636 A MAHOGANY CASED FOLD­OUT CAMPAIGN MIRROR LATE 19TH CENTURY the hinged lid revealing a rectangular plate, on an adjustable ratchet 30.5cm wide, 40.8cm deep (closed)

£200­300 637 A MAHOGANY AND BRASS CAMPAIGN OFFICER’S SHAVING CASE 19TH CENTURY the hinged lid with a shield shape vacant plaque, enclosing an interior fitted with a mirror, a hone, two bone handled steel razors by Leborgne, a pair of scissors, tweezers, brushes and a silver soap box 22.2cm long

£500­700

637

249

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639

638

638 A VICTORIAN BURR WALNUT HUMIDOR LATE 19TH CENTURY with ebonised and kingwood banding, the top with an inlaid brass floral cartouche, above a pair of doors, enclosing three long cedar lined drawers, with sunken brass military style handles, with brass hinges and locks running the full­length of the doors 40cm high, 45.3cm wide, 32.7cm deep

£1,500­2,000 640

639 A PAINTED CAST IRON CIGAR CUTTER LATE 19TH CENTURY in the form of a town crier, wearing a top hat, his left hand holding a book, which articulates to activate the cutting mechanism in his mouth 19cm high

£100­150 640 AN EARLY VICTORIAN MEERSCHAUM PIPE DATED ‘1849’ with an amber coloured bowl and white metal mounts, engraved with a galleon and a coaching scene and with the name ‘J. B Shorthouse’ and date ‘January 1849’, with three differing fittings / mouthpieces, two with deer hoves, one with an agate mouthpiece (4) 99cm long

£400­600 641 AN UNUSUAL GERMAN SILVER NOVELTY CIGAR LIGHTER LATE 19TH / EARLY 20TH CENTURY in the form of a hunting horn with an ivory mouthpiece, with a hammered finish and applied with a crowned monogram and engraved with two signatures, the base with scroll tripod supports, marked ‘A Rusab Hannover 925’ with various crown control marks, one leg releases to reveal a central lighter 40cm high, 15cm wide

£800­1,200 641 250

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642 NINE AMERICAN AMER-FROHSE ANATOMICAL TEACHING WALL CHARTS AFTER FRANK FROHSE, C.1940 each chromolithograph, numbered and titled 'Male and Female Pelvis', 'Skeleton', Head and Neck', 'Chest and Abdomen', 'Ear and Eye', ‘Circulation, Heart­Skin', 'Nervous System', 'Muscles', 'The Endocrine Glands', published by A. J. Nystrom, Chicago, the charts of scroll form, on a retractable mechanism mounted in an oak wall cabinet 161 x 106cm, the cabinet: 54.7 x 127cm

£1,500­2,000 643 A COLLECTION OF BLUE GLAZED APOTHECARY JARS LATE 19TH CENTURY each with a cover and with a gilt title label, with impressed marks (15) 20cm high (max)

£300­500 644 A GEORGE III MAHOGANY APOTHECARY’S CABINET EARLY 19TH CENTURY with satinwood banding and inlaid with a conch shell, urn and flower oval paterae, the hinged lid revealing divisions fitted with an assortment of later glass medicine bottles, the hinged front with push­button release revealing further bottles and a bank of ten satinwood veneered drawers, containing various medical instruments and utensils, on later feet 30cm high, 39cm wide, 25cm deep

£1,200­1,800

642

643

644 251

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645

646

645

646

A SWEDISH BLACK SILK TOP HAT

BY PAUL BERGSTROMS, STOCKHOLM, EARLY 20TH CENTURY

A BLACK SILK TOP HAT

BY SCOTT & CO., EARLY 20TH CENTURY

the interior marked with gilt initials ‘Y H’ and maker’s marks, contained in a brown leather bucket shape hat box, stamped ‘Henry Heath Oxford St. London W.’ (2) the hat: 14.3cm high, interior: 20.5 x 16.5cm

£300­500

the interior marked with initials ‘G L E’ and maker’s mark, inscribed ‘Scott & Co. Hatters to H. M. the King and the Royal Family 1., Old Bond Street, Picadilly. W.’, contained in a brown leather bucket shape hat box, with gilt maker’s mark ‘R. W. Forsyth Ltd. Makers Glasgow & Edinburgh’ (2) the hat: 16cm high, interior: 19.8 x 15.5cm

£200­300 647 A MILLINER’S BRASS HAT STAND LATE 19TH CENTURY with a turned finial and stand and three pairs of adjustable hat holders with scroll arms, on a black glazed pottery base 170.7m high, 61cm wide

£500­700 648 A BROWN LEATHER ICE BUCKET FIRST HALF 20TH CENTURY the lift­off cover revealing a zinc lined interior, with a swing handle 33cm high, 34cm diameter

£300­400

648 647

252

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650

649 A GILT BRASS NELSON’S COLUMN DESK THERMOMETER

BY G. STAIGHT, 19TH CENTURY depicting Admiral Lord Nelson standing holding an anchor on a column, with a Corinthian capital, signed ‘G. Staight, London’, with a mercury thermometer, on a turned and moulded rosewood base, under a glass dome 30cm high (without dome)

£1,000­1,500 650 A VICTORIAN STEVENGRAPH SILK PICTURE depicting ‘The death of Nelson’, with printed maker’s mark and information to verso, mounted and in a gilt and ebonised glazed frame, together with a copper statuette of Admiral Lord Nelson after Edward Hodges Baily (2) 6 x 17.5cm (max)

649

£100­150 651 A PAIR OF GILT BRASS PORTRAIT MEDALLIONS OF LORD NELSON AND CHARLES FOX AFTER PETER WYON, EARLY 19TH CENTURY depicting a bust of Admiral Lord Nelson, within a band of oak leaves and acorns, signed with initials ‘P W F’ (Peter Wyon fecit), the other of Charles James Fox, also with a band of oak leaves and acorns and signed ‘P. Wyon’, with pen inscription to verso ‘Presented to my Grandfather John Watts, who was secretary to Captain Hardy, on board H.M.S. Victory + other .....Lord Nelson ..Admiral of the Fleet 1812­1815’, in moulded ebonised and glazed frames (2) 17cm diameter

£300­400

651

253

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652

652

653

A DUKE OF WELLINGTON BRONZE BRITISH VICTORIES BOX C.1815 the cover with a portrait bust of the Duke of Wellington, containing twelve paper discs listing the British victories in Portugal, Spain and France, with dates, 1808­1815, with two fixed to interior of lid and base, the underside decorated with a wreath and text 4.8cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200 653 A TEAK BRASS MOUNTED SHIP’S WHEEL 19TH CENTURY with eight turned and block spokes 92cm diameter

£200­300 654

654

A WOOLWORK PICTURE OF A BI­PLANE C.1922 worked by driver, W. Waite, at Woodlands Hospital, Southport, 1922, depicting a World War I fighter plane, possibly a Sopwith Camel, in an ebonised glazed frame, together with a silkwork postcard of World War I interest, depicting a French fighter plane with two figures dropping flowers over Paris, dated 9th October 1917, the card printed by Paul Heckscher, Paris (2) 18.6 x 24.5cm

£200­300 655 A GEORGE IV SILVER MEDAL AFTER F. MILLS, C.1827 with the relief profile bust of a Roman Emperor, inscribed ‘Arts and Commerce Promoted’, signed ‘Mills F’, the reverse inscribed ‘To W. Burn MDCCCXXVII’ and with a wreath, the interior inscribed ‘For His Rolling Press For Book­Binders’ and in its original leather case, together with a ‘National Horse Association of Great Britain’ silver medal by Mappin & Webb, 1939, awarded to ‘J. Blackmore Farrier of Best Shod Horse Char Valley 1939’, in its leather case, and a miniature bronze ‘The Lord’s Prayer’ medal (3) 4.3cm diameter (max)

655 254

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

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656 ROYAL NAVY INTEREST. A STAG HORN AND STEEL MULTI TOOL POCKET KNIFE EARLY TO MID-19TH CENTURY applied with two rectangular plaques, one inscribed 'J. W. Burder R. N.', the folding four and a half inch blade stamped 'Wood', with a button mechanism, with boot cleaning hook and spike and one end with a tortoiseshell cased fleam / blood letting tool with a pair of scissors, corkscrew and tweezers, with a suspension ring, together with a silver half­crown dated ‘1818’, said to belong to J. W. Burder with a musket shot dent to the bust of George III (2) 15.5cm long

£800­1,200

656

657

658

657

658

A BLACK LEATHER GENTLEMAN’S DRESSING CASE EARLY 20TH CENTURY

A GEORGE IV ROSEWOOD BOXED WRITING SLOPE C.1820

the hinged lid with initials ‘R. M. C.’, with a fall front revealing a green leather lined interior fitted with silver handled brushes and silver topped bottles, with a slide­out vanity section with a razor, comb, scissors, a mirror and with further bottles, a shaving brush and utensils, the silver hallmarked for London 1916 24cm high, 35cm wide, 12.5cm deep

brass bound, the hinged lid with a vacant plaque revealing an interior with a later baize lined slope, compartments for pen and ink and with two secret drawers 14.4cm high, 40.6cm wide, 23.7cm deep

£200­300

£150­200

255

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GRAND TOUR & SCULPTURE

256

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659 AFTER THE ANTIQUE. AN ITALIAN CARVED WHITE MARBLE GRAND TOUR BUST OF THE VENUS DE MILO 19TH CENTURY mounted on a green serpentine socle, damages 63cm high, 43cm wide

£1,500­2,500 660 AFTER THE ANTIQUE. A FRENCH BRONZE GRAND TOUR FIGURE OF VENUS DE MILO CAST BY BARBEDIENNE, LATE 19TH CENTURY the base signed ‘F. Barbedienne Fondeur’ and with ‘A. Collas’ pastille 65.5cm high

£300­500 661 AFTER THE ANTIQUE. AN ITALIAN ALBASTER GRAND TOUR FIGURE OF SPINARIO LATE 19TH CENTURY 32.5cm high

£200­300

659

660

661 257

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662

663

AFTER THE ANTIQUE. AN ALABASTER GRAND TOUR AMPHORA HELLENISTIC STYLE

A 19TH CENTURY CHAMPLEVÉ ENAMEL AND MICROMOSAIC GRAND TOUR CHAMBERSTICK C.1860-70

with a moulded rim and scroll handles 35.2cm high

£150­200

of leaf shape and decorated with strapwork designs, inset with an Italian micromosaic topographical plaque depicting the Roman Forum 21.1cm long

£200­300

664

665

AN ITALIAN MICROMOSAIC GRAND TOUR PAPERWEIGHT LATE 19TH CENTURY

AN ITALIAN ALABASTER GRAND TOUR URN 19TH CENTURY

of black marble, with a serpentine moulded edge, inset with an oval topographical panel, depicting a view of St Peter’s and the Castel Sant’Angelo, Rome 12.7 x 17cm

the pierced lift­off cover above a turned body, with bronze lion’s mask ring handles 26cm high, 26.5cm diameter

£400­600 258

£200­300

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666 AFTER THE ANTIQUE. A FRENCH WHITE MARBLE GRAND TOUR BUST OF DIANA 19TH CENTURY on an associated socle 65.2cm high, 38.8cm wide

£800­1,200

667 AFTER THE ANTIQUE. A PAIR OF ITALIAN BRONZE GRAND TOUR BUST OF APOLLO AND DIANA LATE 19TH CENTURY each mounted on a white marble plinth (2) 26.7cm high, 17.5cm wide

£400­600

668 AFTER THE ANTIQUE. A PAIR OF BRONZED TERRACOTTA GRAND TOUR BUSTS OF APOLLO AND DIANA LATE 19TH CENTURY on a turned socle with impressed marks ‘N&H 129 & 130’ (2) 29.5cm high, 23cm wide (max)

£300­400

666

667

668 259

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669

670

669 A PAIR OF ITALIAN BRONZE GRAND TOUR CAMPANA URNS IN THE MANNER OF BOSCHETTI, 19TH CENTURY each decorated with Bacchanalian revelry and grapevines, with a stiff leaf rim above a pair of satyr mask handles, on a marble socle (2) 34.3cm high, 12.8cm wide

£400­600 670 AFTER THE ANTIQUE. A BRONZE GRAND TOUR BUST OF PERICLES

BY EUGEN BÖRMEL (GERMAN 1858-1932) signed and dated ‘1893’, together with a gilt bronze figure of a Bacchanalian cherub by Antonin Carles, the base signed, a bronze figure of a Renaissance page boy on an ebonised plinth and a gilt bronze bust of Venus, on an onyx base (4) 21.4cm high

£200­300 671 A TERRACOTTA GRAND TOUR FIGURE OF APOLLO ITALIAN, 19TH CENTURY with impressed mark ‘Nap. Penna’ 37.8cm high

£100­150

671

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672 A NORTH ITALIAN BRONZE GRAND TOUR FIGURE OF MERCURY AFTER GIAMBOLOGNA (FLEMISH 1529-1608), 18TH CENTURY later mounted on a green serpentine plinth 70.7cm high (overall) Catalogue Note The finish of this bronze with precise pegged joints and neat patches suggest it was cast in the 18th century, a time when Giambologna’s Mercury was not reproduced often.

£2,000­3,000

673 A BRONZE GRAND TOUR GROUP OF A SLEEPING NYMPH AND SATYR AFTER GIAMBOLOGNA (FLEMISH 1529-1608), 19TH CENTURY the sleeping maiden being rudely awaken by a lecherous faun 20.2cm high, 30.5cm wide Catalogue Note The composition of the Sleeping Nymph with Satyr is believed to have been first recorded on the 7th April 1584, when Grand Duke Francesco I de Medici gifted his brother Cardinal Ferdinando de Medici ‘una nuda in atto di dormire’.

Giambologna based his reclining nymph on the famous Hellenistic marble of Ariadne in the Vatican.

£800­1,200 261

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674 AN ITALIAN BRONZE GRAND TOUR EQUESTRIAN GROUP OF THE BARTOLOMEO COLLEONI MONUMENT AFTER ANDREA DEL VEROCCHIO (ITALIAN 1435-1488), SECOND HALF 19TH CENTURY mounted on a relief and leaf decorated plinth base 50.9cm high, 41cm wide, 24.2cm deep

£600­800

675 A FRENCH BRONZE GRAND TOUR FIGURE OF A CLASSICAL LADY 19TH CENTURY the robed figure with a menacing look and holding a dagger, the base titled in Greek, stamped ‘A D with a star’ and ‘Delafontaine’, raised on a marble plinth 50.2cm high

£400­600

676

674

A BRONZE GROUP OF JUDITH AND HOLOFERNES SIGNED L. LISO 25.7cm high, 38.5cm wide

£200­300

675 262

676

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677 A FRENCH BRONZE FIGURE OF NARCISSUS AFTER BARTHÉLEMY PRIEUR (FRENCH 1536-1611), LATE 17TH / EARLY 18TH CENTURY the naked youth with a fig leaf hiding his modesty, later mounted on a Sicilian jasper socle 22.7cm high (Narcissus), 31.5cm high (overall) Catalogue Note It is believed that Prieur’s original Narcissus was directly inspired by the Dying Slave by Michelangelo for the unfinished tomb of Pope Julius II, which was brought to France and presented to King François I in 1546.

£3,000­5,000

263

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678 AN ITALIAN WHITE MARBLE GROUP OF CUPID AND PSYCHE AFTER ANTONIO CANOVA (ITALIAN 1757-1822), 19TH CENTURY depicting the amorous Cupid embracing Psyche 47.9cm high, 60.5cm wide, 31cm deep

£600­800 679 A FRENCH BRONZE OF A CLASSICAL MAIDEN MID-19TH CENTURY seated on a fluted column, holding a scroll and a pencil, personifying literature, possibly the muse Calliope 48.4cm high

£200­300 680 A PAIR OF BRONZE GRAND TOUR FIGURES OF ATHENA ITALIAN OR FRENCH, EARLY 19TH CENTURY the female goddess holding a staff (2) 21.5cm high

£200­300 678

680 679

264

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681 A LARGE FRENCH BRONZE FIGURE OF MILO OF CROTON AFTER JACQUES-EDMÉ DUMONT (FRENCH 1722-1775), LAST QUARTER 19TH CENTURY the Greek athlete depicted splitting a tree trunk 77.5cm high, 37.6cm wide, 53cm deep

£2,000­3,000

265

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683

682

682 A BRONZE FIGURE OF DIANA THE HUNTRESS AFTER JEAN-ANTOINE HOUDON (FRENCH 1741-1828), 19TH CENTURY on a rectangular plinth 36cm high

£600­800

683 A BRONZE GROUP ‘THE KISS’ AFTER JEAN-ANTOINE HOUDON (FRENCH 1741-1828), 19TH CENTURY on a brass and bleu turquin pedestal, titled ‘Encore’ 24.7cm high

£300­400

684 A PATINATED BRONZE FIGURE OF PANDORA AFTER JEAN JULES SALMSON (FRENCH 1823-1902) the classical maiden seated on an ivy clad plinth with her open box, with a verdigris finish 42.3cm high

£500­700

684 266

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685 A FRENCH BRONZE FIGURE OF A DRUMMER THIRD QUARTER 19TH CENTURY the bearded figure in 16th century costume, mounted on a black marble and ormolu oval base 39.5cm high, 22.4cm wide

£400­600

686 A FRENCH BRONZE MEDIEVAL REVIVAL EQUESTRIAN GROUP IN THE MANNER OF JEAN-FRANÇOIS-THÉODORE GECHTER (FRENCH 1796-1844) depicting a knight on horseback being attacked, on a naturalistic base 33.5cm high, 30cm wide

£300­400

267

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687

688

AN ITALIAN CARVED WALNUT CHERUB PANEL FLORENCE, C.1880

A BRONZE FIGURE OF CUPID AFTER BENOÎT BÉNÉDICT ROUGELET (FRENCH 1834-1894)

depicting a Bacchanalian putto holding a grapevine, in a moulded ebonised frame, the back with a printed paper trade label for Angiolo Valdinoci 28.6 x 12.7cm

standing holding a bow in his left hand, the naturalistic base with a quiver of arrows, signed ‘Rougelet’, mounted on an onyx plinth 39.2cm high

£500­700

£150­250

689 A PAIR OF FRENCH BRONZE MODELS OF BACCHANALIAN CHERUBS MID-19TH CENTURY together with a bronze model of a baby boy on an ebonised socle (3) 13.8cm high, 13.5cm wide (max)

£200­300

268

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690 A BRONZE BUST OF A YOUNG CHILD ‘BUSTE D’ENFANT’ AFTER AIMÉ-JULES DALOU (FRENCH 1838-1902) cast by the Hebrard foundry, signed ‘Dalou’, numbered ‘9’ and with foundry mark ‘Cire Perdue A. A. Hebrard’, mounted on a verde antico marble plinth 40.8cm high, 30.5cm wide, 16cm deep Catalogue Note This present lot relates to Dalou’s commission to provide a marble monument celebrating Queen Victoria’s children for a private chapel at Windsor Castle. This model served as a preliminary sketch for one of the figures in the monument. Both the terracotta maquette for the monument and the original study for ‘Buste d’Enfant are currently part of the Petiti Palais Collection in Paris. This bronze was cast shortly after Dalou’s death in 1902, no lifetime casts were ever made.

£2,000­3,000

269

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692

691 691

A COLD PAINTED SPELTER ORIENTALIST FIGURE OF A MOOR AFTER LOUIS HOTTOT (FRENCH 1829-1905) the robed man carrying a wicker basket, the naturalistic base signed ‘L Hottot’ 45.5cm high

£200­300 692 A BRONZE MODEL OF A CAMEL on a turned marble plinth, the base with a band of laurel leaves 38cm high

£200­300 693 693 A CARVED ALABASTER PORTRAIT RELIEF PROBABLY 19TH CENTURY depicting an old bearded man 15.7cm high, 11.5cm wide

£150­200 694 A FRENCH BRONZE FIGURAL VESTA HOLDER C.1860-70 together with an American Art Nouveau bust of a young lady, signed ‘Cohon’ and by Henry Bonnard Founders, and a bronze group of a knife sharpener by Charles Menn (3) 19.2cm high (max)

£150­250

694 270

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695 695 AN AUSTRIAN BRONZE AND ONYX EAGLE WATCH STAND EARLY 20TH CENTURY the eagle perched on a rocky outcrop on top of a fluted column, the underside stamped ‘D H’ 31.4cm high

696

£200­300 696 A GERMAN BRONZE BUST OF OTTO VAN BISMARCK

BY FRITZ SCHAPER (GERMAN 1841-1919) signed ‘F. Schaper. 85’ and mounted on a red griotte marble socle 41.3cm high

£200­300 697 A SPINACH GREEN NEPHRITE JADE DESK SEAL POSSIBLY RUSSIAN, 19TH CENTURY in the form of a boot, the matrix engraved with a sea monster issuing from a coronet above a crescent moon or ‘C’ 7.5cm high

697

£200­300 698 A RUSSIAN GILT BRONZE MODEL OF A RECUMBENT BEAR LATE 19TH CENTURY mounted on a black marble plinth, the underside with a printed paper label inscribed in Cyrillic ‘A. 3NMMHB’ 17.7cm wide

£150­200 698

271

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699

699 AN ANIMALIER BRONZE GROUP OF AN ARAB MARE AND STALLION ‘L’ACCOLADE’ AFTER PIERRE-JULES MÊNE (FRENCH 1810-1879) the naturalistic base signed ‘Pierre Jules Mene’ 41cm high, 56.5cm long, 25.5cm deep

£2,000­3,000 700 A BRONZE MODEL OF A RAM’S HEAD 19TH CENTURY 13.7cm high, 20cm wide

£200­300 700

701 AN ANIMALIER BRONZE GROUP OF A HORSE AND JOCKEY AFTER PIERRE-JULES MÊNE (FRENCH 1810-1879) the naturalistic base signed ‘P. J. Mene’, mounted on a green marble plinth 42.2cm high, 42.2cm long, 14cm deep

£1,500­2,000

701 272

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702 AN ANIMALIER BRONZE MODEL OF A STALKING LION ‘LION A L’AFFUT’

BY ISIDOR-JULES BONHEUR (FRENCH 1827-1901) cast by Peyrol, the naturalistic base signed ‘I. Bonheur’ and stamped ‘Peyrol’ 20.8cm high, 46.5cm long, 11.5cm deep Catalogue Note Bonheur was a regular Paris Salon exhibitor and the above bronze was cast by his brother­in­law, Hippolyte Peyrol.

£2,000­3,000

703 AN ANIMALIER EQUESTRIAN BRONZE LATE 19TH CENTURY depicting a prancing Arabian stallion, on a naturalistic base 32.3cm high, 46cm long

£800­1,200 273

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704

705

A JOHN BUCHANAN OF GLASGOW ‘CANDLE BOX’ CONFECTIONARY TIN EARLY 20TH CENTURY

A HENDERSONS OF EDINBURGH ‘MILK CHURN’ BISCUIT TIN C.1900

wall hanging and decorated to simulate mahogany and marquetry, the base with maker’s mark, together with a tin in the form of a knifebox, the underside of the lid with the remains of a paper trade label, decorated to simulate satinwood and marquetry (2) 26.9cm high (max)

with a lift­off cover, the base inscribed ‘S. Henderson & Sons Ltd. Biscuit and Cake Manufacturers Edinburgh & London’, together with a Sharp’s super­ kreem toffee churn tin with a swing handle and a Dunmore & Son barrel biscuit box (3) 21.5cm high

£50­80

£50­80

706 A CADBURY’S GEORGE III STYLE ‘SATINWOOD BOX’ BISCUIT TIN C.1925 in the form of a George III box, the hinged lid with a fan patera, the base with the portraits of three British Queens: Queen Victoria, Queen Mary and Queen Alexandra, together with a similar box decorated with a basket of flowers, a George III style tin, inscribed ‘CWS cream crackers Crumpsall Cardiff’ and a faux wood and silver tin by Huntley and Palmers, decorated with a Chinaman (4) 23.5cm (max)

£80­120

707

708

A MACKINTOSH’S ‘BEEHIVE’ TOFFEE TIN FIRST HALF 20TH CENTURY

A HUNTLEY & PALMERS ‘LOG BOX’ BISCUIT TIN C.1911

together with a Horniman’s Ceylon Tea sample tin painted with a basket of tea and a tin decorated with a grandfather clock (3) 9.3cm (max)

decorated to simulate a chest formed from logs, the hinged lid decorated with birds, the underside inscribed ‘’Huntley & Palmers Biscuits, Reading & London, England’, together with two Georgian style boxes, one by Maison Lyons for toffee, one by Radiance and a Japanese style box decorated with prunus flowers by Macfarlane, Lang & Co. (4) 26cm (max)

£40­60

274

£40­60

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709

710

A HUNTLEY & PALMERS ‘IRON CHEST’ BISCUIT TIN C.1909

A HUNTLEY & PALMERS ‘CABINET’ BISCUIT TIN C.1911

in the form of a 17th century Armada Chest, the hinged top with the Royal Coat of Arms and the date ‘1614’, the underside inscribed ‘Huntley & Palmers Biscuits, Reading & London, England, By Appointment to H. M. The King, ‘Grand Prizes 1878 Paris 1900’ 19.2cm wide

in the form of a Sheraton satinwood display cabinet, with a hinged top, stamped ‘Huntley & Palmers, Biscuits, Reading & London, England’ 18cm high

£80­120

£80­120

711 FIVE ‘TEA CADDY’ BISCUIT TINS EARLY 20TH CENTURY in George III style, including: one by William Crawford & Sons, decorated to simulate satinwood with burr oval panels, a faux burr yew caddy by Huntley & Palmers, with classical panels, one inscribed ‘tea’ by George Bassett & Co. and a Lyon’s tea tin with calendar (5) 15.5cm (max)

£100­150

712

713

A PALMER BROS ‘PICNIC BASKET’ BISCUIT TIN C.1900

A JACOB & CO’S. ‘LOG BOX’ BISCUIT TIN EARLY 20TH CENTURY

with a swing handle, the underside of the lid inscribed ‘Palmer Bros Biscuit Manufacturers Bristol’, together with a Huntley & Palmers wicker basket biscuit tin, a hamper tin with registration number ‘399792’ and wicker flask example, registration numbers ‘423418’ and ‘427831’ (4) 16.3cm high (max)

decorated to simulate oak, the sloping brass lid relief decorated with a country scene with figures and pigs, together with a Huntley & Palmers Regency style double­sided bookcase tin, with a hinged lid, a simulated burr bureau, the interior with pigeonholes and two drawers, with a hinged fall above a drawer, stamped ‘British made regd design’, the fall stamped ‘DB Toys’ and a small revolving bookcase tin (4) 19cm (max)

£80­120

£80­120 275

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714 A GERMAN TIN PLATE MONKEY MONEY BOX PROBABLY BY MAIENTHAU & WOLF, EARLY 20TH CENTURY modelled with a mischievous monkey holding a plate and lithograph decorated with further monkeys in various pursuits, inscribed ‘Place a coin upon my plate, gently press my tail ­ then wait, up will go my hands you see and that coin goes inside me’ 16.2cm high

£100­150

715 714

A TREEN BURR BIRCH URN NORTH EUROPEAN, LATE 19TH / EARLY 20TH CENTURY decorated with bands of diamond lozenges, on an ebonised plinth base 22cm high, 24.5cm diameter

£300­400

716 A VICTORIAN OAK TRAY THIRD QUARTER 19TH CENTURY with a moulded gallery 52.2 x 74.5cm

£100­150

715

716

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717 A PAINTED PINE LETTERBOX EARLY 20TH CENTURY inscribed ‘Letters’, above a single slot, with a hinged panel door and various old labels and an applied metal plaque, inscribed ‘private posting box’ 148.6cm high, 63.7cm wide, 48cm deep

£500­800

718

719

TWO MAHOGANY GALLERY TABLE EASELS 20TH CENTURY

FIVE BRONZED METAL PICTURE LIGHTS 20TH CENTURY

each with a sliding adjustable support, on sleigh supports united by a turned stretcher (2) 82.5cm high, 47.4cm wide

three marked ‘Linolite’ (5) 66cm wide (max)

£100­200

£200­300 277

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720 A VICTORIAN COROMANDEL TEA CADDY C.1860-70 with brass strapwork mounts, the interior with a pair of domed lidded compartments 14cm high, 22.8cm wide

£80­120 721 A MAHOGANY TEA CADDY IN SHERATON REVIVAL STYLE 19TH CENTURY of sarcophagus shape painted with ribbons and swags of flowers, with a band of laurel leaves, with a twin­lidded interior, on bone feet 16.5cm high, 28.2cm wide, 13.8cm deep

720

£150­250 722 A FRENCH ROSEWOOD JEWELLERY BOX C.1850-60 inlaid with brass and ivory, with scrolling leaves and strapwork designs, with a plush lined interior and a lift­out divided tray 12.6cm high, 31.2cm wide, 20cm deep

£100­200 723 A FRENCH STAINED SYCAMORE AND PARQUETRY TEA CADDY C.1860-70 inlaid with brass stringing and kingwood banding and decorated with two panels of mother of pearl cube parquetry, the interior with twin­lidded division 11.8cm high, 23cm wide, 11.6cm deep

£150­250 721

722

723 278

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724 A REGENCY BLONDE TORTOISESHELL TEA CADDY C.1815-20 inlaid with pewter stringing and with silver coloured metal finial and escutcheon, the hinged domed cover revealing a twin­lidded interior, on ball feet 14.7cm high, 14.6cm wide, 8.5cm deep

£200­300

725 A GEORGE III BLONDE TORTOISESHELL TEA CADDY C.1800 of canted form, inlaid with ivory stringing, the hinged cover revealing a foil lined lidded interior 10.6cm high, 11.3cm wide, 8.6cm deep

£300­400 724

726 A SMALL EARLY VICTORIAN TORTOISESHELL BOX C.1840 with a serpentine front, the hinged lid inset with a mother of pearl parquetry panel, the plush lined interior with ivory edging, on bun feet 8.5cm high, 11.5cm wide, 7.8cm deep

£100­150

725

726

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727 A GEORGE II MAHOGANY TEA CADDY C.1750-60 the moulded hinged top with a brass swing handle, revealing an interior with three divisions 15.9cm high, 25.3cm wide, 15.6cm deep

£100­150

728 A FRUITWOOD TEA CADDY POSSIBLY GERMAN OR FRENCH, EARLY 19TH CENTURY the hinged lid decorated with a panel of fabric and cut­ paper flowers under glass, the body with stencil printed landscape scenes 11.5cm high, 12cm diameter

727

£300­500

729 AN ISLAMIC BRASS TEA CADDY LATE 19TH CENTURY decorated with panels of scrolling leaves, with a lift­off cover revealing a metal lined interior 15cm high, 10.5cm square

£80­120

728

729

280

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730 A REGENCY AMBOYNA TEA CHEST C.1815-20 of curved sarcophagus shape, inlaid with kingwood banding and boxwood stringing, the interior with twin part­hinged lidded pull­out canisters flanking a cut­glass sugar bowl 21.9cm high, 31cm wide, 17cm deep

£400­600 731 A VICTORIAN COROMANDEL TEA CHEST C.1860 with brass mounts, the domed hinged lid with a vacant shield shape plaque, revealing an interior fitted with a pair of domed lidded lift­out canisters, flanking an associated glass sugar bowl, with a Brahma lock with key 20cm high, 34cm wide, 16.5cm deep

£400­600 732 730

A WILLIAM IV OAK TEA CHEST C.1830 carved with scrolling leaves, the hinged panelled top revealing a handwritten label to the underside, indistinctly inscribed ‘This box made out of a beam of oak Windsor Castle. Given to Jessie Forbes by Edward Lloyd Gatacre on the occasion of their marriage 1838.’ above a pair of part hinged lidded lift­out canisters, flanking a sugar bowl aperture 18.2cm high, 37.4cm wide, 20.5cm deep Catalogue Note The Gatacre’s were an old Shropshire family. Jessie Forbes was the daughter of Sir William Forbes of Callendar, nr.

Stirling, who made his fortune cladding the hulls of the ships of the Royal Navy in copper to prevent termite attacks. Their youngest son was General Sir William Forbes Gatacre of Boer War fame.

£150­250

731

732

281

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733 A VICTORIAN TUNBRIDGE WARE AND ROSEWOOD TEA CADDY C.1850 of domed sarcophagus shape, and decorated with mosaic bands of geometric parquetry and roses, the hinged cover inlaid with a view of Tonbridge Castle, with a twin­lidded interior, on disc feet 17.2cm high, 26.7cm wide, 16.3cm deep

£300­500

734

735

A VICTORIAN TUNBRIDGE WARE AND ROSEWOOD TRAY IN THE MANNER OF THOMAS BARTON, C.1850

A VICTORIAN TUNBRIDGE WARE MOSAIC PICTURE C.1860-70

inlaid with parquetry bands 5cm high, 19.7cm wide, 14.5cm deep

depicting the Pantiles, Tunbridge Wells, after the engraving by J. Colbran, in a glazed giltwood frame 11.5 x 15.5cm

£100­150

£100­150 282

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736 A REGENCY PAINTED SYCAMORE COTTAGE SEWING BOX POSSIBLY TUNBRIDGE WARE, C.1800-15 naively painted with windows and doors, the hinged roof revealing a lift­out tray, originally with divisions, with a bone tape measure and a thimble, above a pink paper lined compartment, the base with a conforming drawer with six divisions for spools 14.4cm high, 15cm wide, 11cm deep Provenance By family repute, given by the Music Hall star Marie Lloyd to her seamstress for her 21st birthday, later gifted to a close friend and thence by descent.

£800­1,200

737

738

FIVE SMALL REGENCY SYCAMORE BOXES EARLY 19TH CENTURY

FOUR LEATHER NEEDLE CASES EARLY TO MID-19TH CENTURY

comprising: an early Tunbridge white ware cylindrical box with a screw­off cover decorated with a flower, another cylindrical example, the lid with a printed label ‘A Token of Friendship’, a square box painted to simulate tortoiseshell, the sliding cover with a label ‘Tho. Absolut. Not Forgot’, one in the form of a barrel and one decorated with a cottage to the sliding cover (5) 6cm (max)

with gilt tooled decoration, three in the form of books, one with a hinged lid with a printed desert scene, one in the form of purse by ‘H. Milward & Sons, Needles Extra Quality’, decorated with printed scenes (4) 5cm wide (max)

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

£80­120 283

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739 A WILLIAM IV EBONY AND MOTHER OF PEARL INKSTAND C.1835 marquetry inlaid with scrolling leaves and flowers, with pewter stringing and a pair of glass inkwells flanking a lidded compartment and with a dipped divison for pens, on disc feet 10.7cm high, 33.5cm wide, 24.6cm deep

£500­800

740 A NAPOLEON III ORMOLU AND BLUE GLASS JEWELLERY CASKET THIRD QUARTER 19TH CENTURY with engraved scrolling leaf strapwork and guilloche decoration, the hinged sloping lid revealing a watered silk lined interior 8.3cm high, 13.5cm wide. 9.2cm deep

£300­400

284

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741 A LACQUERED WOOD ‘SPA’ COUNTER BOX FRENCH OR BELGIAN, MID-18TH CENTURY decorated en­grisailles with a courting couple in a garden landscape and with a waterfall, within gilt Rococo scrolls, the pink silk lined interior with four divisions containing four boxes similarly decorated with figures in landscapes, with ivory and bone counters 19cm wide Provenance With original receipt from Gerald Kerin Limited, Antiques and Works of Art, 15 Davies Street, Mayfair, 12th June 1957, for £48.00.

‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£300­500

742 AN 18TH CENTURY FRENCH IVORY AND MOTHER OF PEARL GAMING BOX ATTRIBUTED TO MARIAVAL LE JEUNE, C.1730-40 polychrome decorated with figures, a pair of love birds, flowers and foliage, the hinged lid with a dial for scoring, the interior with twenty­two natural, yellow and green counters 8.3cm wide, 6cm deep Provenance The box comes with a receipt from Jane Roberts, 180 New Bond Street, London ‘A French counter box, the lid inset with a dial for scoring, late 17th century. £500’.

£200­300

285

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743

743

744

745

A SET OF TWELVE MAHOGANY DINING CHAIRS IN WILLIAM IV STYLE 20TH CENTURY

A MAHOGANY LIBRARY DRUM TABLE IN REGENCY STYLE FIRST HALF 20TH CENTURY

A MAHOGANY WRITING TABLE IN WILLIAM IV STYLE 20TH CENTURY

each with a curved tablet back, supported by columns with scroll capitals, with a drop­in seat, on ribbed front legs (12)

the circular fixed top with a reeded edge and inset with gilt tooled leather, above four frieze drawers and four false front drawers, on swept legs and brass castors 75.5cm high, 93.6cm diameter

the moulded edge top inset with gilt tooled brown leather, above three frieze drawers, on ribbed tapering legs and ceramic castors 76.8cm high, 152cm wide, 91cm deep

£500­700

£400­600

£300­500

744 286

745

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746

746 A VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR MID-19TH CENTURY with three rectangular bevelled plates flanked by Corinthian cluster columns, the frieze decorated with Aurora leading Apollo’s chariot, with a ball decorated frieze 89.3 x 141.5cm

£400­600

747 A VICTORIAN WALNUT WRITING DESK

BY HINDLEY & SONS, C.1860 the raised back with two banks of three cedar lined drawers, each with a locking pilaster, flanking pigeonholes, above a gilt tooled leather writing surface and a pair of cedar lined frieze drawers, one stamped ‘G. Hindley & Sons 134 Oxford St. London 15502’, on fluted tapering legs and brass castors 102cm high, 122.3cm wide, 81.5cm deep

£500­700

747

287

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749

748

748 AN EARLY VICTORIAN ROSEWOOD WHATNOT C.1840 with a pierced fret three quarter gallery, with turned baluster spindle supports, fitted with a drawer, on lobed feet and brass castors 105.3cm high, 53.8cm wide, 38cm deep

£200­300 749 A SET OF ROSEWOOD SERPENTINE HANGING SHELVES IN REGENCY STYLE LATE 19TH CENTURY inlaid with stringing and marquetry, with a mirrored back and ebonised and parcel gilt spindle columns and urn finials, the base with a drawer 65.8cm high, 83.4cm wide, 20.5cm deep

£200­300 750 A QUARTETTO NEST OF MAHOGANY OCCASIONAL TABLES IN REGENCY STYLE C.1900

750

each with a beaded fiddleback mahogany top, on ring turned legs united by curved stretchers (4) 67.6cm high, 49.5cm wide, 34.5cm deep (max)

£500­800

288

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751 A MAHOGANY SECRÉTAIRE BOOKCASE IN GEORGE III STYLE C.1890 inlaid with stringing and marquetry, with a pierced swan neck pediment, above a pair of astragal glazed doors enclosing three adjustable shelves, the secrétaire fitted with satinwood drawers and pigeonholes, with a gilt tooled leather writing surface, above three long drawers 229cm high, 87.7cm wide, 51cm deep

£600­800

752 A VICTORIAN WALNUT LONG FENDER STOOL C.1880 the padded seat covered in plush fabric, on turned legs 24.2cm high, 138cm wide, 27.5cm deep

£100­200

753 AN EARLY VICTORIAN GILTWOOD SLIPPER CHAIR C.1840-50 upholstered with green velvet, the moulded frame carved with flowers and leaves, on ceramic castors

£100­150

751

752

753 289

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754

755

754 A WING ARMCHAIR IN EARLY 18TH CENTURY STYLE LATE 19TH / EARLY 20TH CENTURY upholstered with fringe plush fabric, the back with a floral tapestry panel, on carved cabriole front legs

£200­300

755 A WING ARMCHAIR IN GEORGE II STYLE FIRST HALF 20TH CENTURY with scroll arms and shell capped cabriole front legs

£400­600

756 A WING ARMCHAIR IN GEORGE II STYLE FIRST HALF 20TH CENTURY with scroll arms, on cabriole front legs and claw and ball feet

£400­600

756

290

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

757 A MAHOGANY LIBRARY ARMCHAIR IN GEORGE II STYLE LATE 19TH CENTURY the arms carved with eagle’s heads with fish in their beaks, above husks and with a Vitruvian scroll frieze, on eagle’s head, leaf and cabochon legs and feathery claw and ball feet

£1,500­2,000 758 TWO MAHOGANY CHILD’S CHAIRS IN 18TH CENTURY STYLE LATE 19TH / EARLY 20TH CENTURY one with a solid seat, the other with a needlework drop­in seat (2)

£150­250 759 A LEATHER TUB CHAIR IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY brass studded, with scroll arms and a serpentine front seat, on cabriole legs

£200­300 757

758

759

291

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761

760

760 A LATE VICTORIAN EBONISED AND MARQUETRY PEDESTAL C.1890-1900 inlaid with ribbon tied urns, scrolling leaves and husks, with a marble top, in three sections 120.2cm high, 30.4cm wide, 26.5cm deep

£150­250 761 A WHITE PAINTED AND GILTWOOD TORCHÈRE IN GEORGE III STYLE EARLY 20TH CENTURY of open scroll from, decorated with leaves, husks and Greek key motifs 121cm high, 50.5cm wide

£100­150 762 A PAINTED OPEN ARMCHAIR IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY the tablet back decorated with a ribbon tied Cupid rondel, above a lattice splat, with a cane seat and a squab cushion, on turned front legs

£100­150 762

292

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

763 A PAIR OF KINGWOOD AND MARQUETRY ÉTAGERES IN LOUIS XVI STYLE C.1880 with gilt brass mounts and pierced galleries, each with two graduated oval tiers, quarter veneered and crossbanded, with leaf and flower inlay, on leaf scroll sabot (2) 59.2cm high, 38.2cm wide, 40cm deep

£2,000­3,000

763

764 A WALNUT AND MARQUETRY CENTRE TABLE IN LOUIS XV STYLE C.1870 with gilt bronze mounts, the shaped top with kingwood banding and inlaid with scrolls and leaves, above a frieze drawer fitted with a pen and ink compartment, on cabriole legs, decorated with espagnolettes 74.5cm high, 137.5cm wide, 83.2cm deep

£600­800

764

293

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765

766

A LATE VICTORIAN WALNUT ‘GOTHIC’ EXTENDING DINING TABLE

BY GILLOWS IN THE MANNER OF PUGIN, C.1880

A SET OF SIX OAK GOTHIC REVIVAL DINING CHAIRS SECOND HALF 19TH CENTURY

the moulded edge top with canted corners, extending on a telescopic frame with six brass clip holders, with two additional leaves, above buttress supports, on chamfered legs and sunken brass castors, one leg stamped twice ‘Gillows. Lancaster’ 73.8cm high, 244.8cm long, 122cm deep (extended)

£500­700

294

each with a crenellated top rail above a leaf carved lancet arch back and arcading, with a leather seat (6)

£500­800

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

767

768

A LATE VICTORIAN OAK EXTENDING DINING TABLE

BY W. WALKER & SONS, C.1880-90

A SET OF THIRTEEN VICTORIAN OAK GOTHIC REVIVAL DINING CHAIRS C.1880

the circular moulded edge top with four brass mounted outer leaves, above a lunette carved frieze, on baluster ribbed legs united by an ‘X’ stretcher, on ceramic castors, the underside with an ivorine trade label, inscribed ‘W. Walker & Sons Manufacturers, Bunhill Row, London, E. O.’, with four brass clips by William Tonks 76.3cm high, 122cm diameter, 151cm diameter (extended)

each with an arched moulded back with Gothic tracery and a central flowerhead patera, above a stuffed­over seat, on fluted front legs (13)

£800­1,200

£2,000­3,000

295

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769

770

A WALNUT AND GILTWOOD OVERMANTEL MIRROR 19TH CENTURY

A PAIR OF EARLY VICTORIAN OAK GOTHIC REVIVAL OPEN ARMCHAIRS AFTER A DESIGN BY WILLIAM SMEE, C.1850

with three arched plates, within a leaf carved frame and cherub terms supporting capitals and shells with fruit, with classical female masks and female term pilasters 66 x 196cm

£800­1,200

296

of ‘X’ shape, each with a shaped leather back, above a leather seat, on stretcherd supports (2)

£300­500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

772 771 771 AN OAK OCCASIONAL TABLE IN ARTS AND CRAFTS STYLE IN THE MANNER OF HEAL’S, EARLY 20TH CENTURY the circular top above a cruciform base 45.7cm high, 45.8cm diameter

£200­300 772 AN OAK ARTS AND CRAFTS STICKSTAND COTSWOLD SCHOOL, LATE 19TH / EARLY 20TH CENTURY of slatted chamfered form, with three divisions and a copper lift­out tray 85cm high, 55.7cm wide, 31.7cm deep

£400­600 773 773

A LIMED OAK OCCASIONAL TABLE IN ARTS AND CRAFTS STYLE

BY HEAL’S, EARLY 20TH CENTURY the circular top on four chamfered legs united by an octagonal undertier, the underside with an ivorine trade label, inscribed ‘Heal’s, Tottenham Court Road, London. W.1.’

61.7cm high, 61cm diameter

£300­400 774 AN OAK OCCASIONAL TABLE IN THE MANNER OF HEAL’S, EARLY 20TH CENTURY the top with canted corners and a rondel decorated frieze, with two tiers and ebonised ball feet 53.4cm high, 61.6cm square

£150­250

774 297

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775 A PAIR OF EASY ARMCHAIRS IN HOWARD STYLE

BY GEORGE SMITH, LATE 20TH CENTURY each with a padded back, seat and armrests covered in kelim, on turned supports and castors, with a bolster cushion, the underside with a trade label inscribed ‘Handmade by Craftsmen, George Smith, Newcastle, England’ (2)

£800­1,200

776

777

AN EASY ARMCHAIR IN HOWARD STYLE

BY GEORGE SMITH, LATE 20TH CENTURY

AN EASY ARMCHAIR IN HOWARD STYLE

BY GEORGE SMITH, LATE 20TH CENTURY

on turned beech front legs with brass caps and castors, the underside with a brass label, inscribed ‘Handmade by Craftsmen, Newcastle, England, George Smith Mfg. Ltd.’

with a padded back, seat and armrests covered in green velvet, on turned front supports and castors, with a bolster cushion, the underside with a trade label inscribed ‘Handmade by Craftsmen, George Smith, Newcastle, England’

£400­600

£300­500

298

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

778

778 A PAIR OF BROWN LEATHER EASY ARMCHAIRS FIRST HALF 20TH CENTURY each with an arched back and scroll arms covered in distressed studded leather, on beechwood supports (2)

£400­600

779 A LATE VICTORIAN EASY ARMCHAIR

BY HOWARD & SONS, C.1900 on walnut square tapering front legs and brass castors, stamped ‘Howard & Sons Ltd. London’, the inside back left leg is stamped ‘3227 8438 Howard & Sons Ltd. Berners St.’

£800­1,200

END OF SALE

779

299

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FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 31ST MARCH 2021

A rare Charles II lignum vitae wassail bowl and cover, retaining its original enamel print, 43.3cm high Estimate £6,000 ­ 8,000* ENQUIRIES Mark Yuan­Richards | +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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SILVER & OBJECTS OF VERTU TUESDAY 26TH & WEDNESDAY 27TH JANUARY 2021 (POSTPONED FROM NOVEMBER 2020)

A selection of items from a private collection of early English silver including a rare Elizabeth I provincial silver communion cup, an Elizabeth I silver pomander and an Elizabeth I silver Chalice Estimates range from £5,000 – 8,000*

ENQUIRIES Rupert Slingsby | +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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JEWELLERY THURSDAY 28TH JANUARY 2021

A collection of 18th century gold­mounted hardstone bonbonnieres & bodkin holders Estimates from £750 ­ 2,000* ENQUIRIES Charlotte Glyde | +44 (0)1722 424586 | cg@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 3RD MARCH 2021 CLOSING DATE FOR ENTRIES 8TH JANUARY

Sir Joshua Reynolds PRA (1723­1792) Girl leaning on a pedestal, 'The Laughing Girl' Oil on canvas 76.4 x 63.5cm; 30 x 25in Estimate £15,000 ­ 20,000*

ENQUIRIES Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Provenance: Painted for the Polygraphic Society, 1787; Their sale, Christie's, London, 14 November 1793, where purchased by John Opie RA (1761­1807); His posthumous sale, Peter Coxe, London, 6 June 1807, lot 108, where purchased by William Lowther, 1st Earl of Lonsdale (1757­1844) (£451.10s); By descent to William Lowther, 2nd Earl of Lonsdale (1787­1872); By descent to Henry Lowther, 3rd Earl of Lonsdale (1818­1876); By descent to St George Lowther, 4th Earl of Lonsdale (1855­1882); His sale, Christie, Manson and Woods, London, 8 March 1879, lot 5 (unsold); By descent to Hugh Lowther, 5th Earl of Lonsdale (1857­1944); His sale, Christie, Manson and Woods, London, 18 June 1887, lot 819, where purchased by Thos. Agnew & Sons; From whom purchased by James Orrock RI, ROI (1829­1913), 23 June 1887; Arthur Sanderson Esq. by c.1900; His sale, Christie, Manson and Woods, London, 6 May 1910, lot 120 (unsold); Christie, Manson and Woods, London, Important Pictures by Old Masters, 2 July 1937, lot 21, where purchased by The Fine Art Society, London (£199); The Fine Art Society, London, November 1937; Private Collection, Berkshire; And by descent

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS WEDNESDAY 13TH & THURSDAY 14TH JANUARY 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

All accounts must be settled within 21 days.

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR JANUARY 13th & 14th 26th & 27th 28th

Furniture, Works of Art & Clocks Silver & Objects of Vertu Jewellery

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2021 AUCTIONS

FEBRUARY 3rd & 4th 16th 17th

Modern British & 20th Century Art Tribal Art & Antiquities Fine Porcelain & Pottery

MARCH 3rd 16th 17th 31st

Old Masters, British & European Paintings British Art Pottery Clarice Cliff, Art Deco & Design Furniture, Works of Art & Clocks

APRIL 21st 22nd 28th

Silver & Objects of Vertu Fine Jewellery English & European Ceramics & Glass

MAY 6th 18th & 19th

Medals & Coins, Arms & Armour Asian Art, Chinese Paintings & Japanese Works of Art

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A large pair of Venetian carved pine and fruitwood devil figures, attributed to Francesco Toso SOLD FOR £87,500*

www.woolleyandwallis.co.uk