DESIGN
WEDNESDAY 16TH & THURSDAY 17TH OCTOBER 2024
SPECIALIST DEPARTMENTS
Please dial +44 (0)1722 followed by the number listed below
20TH CENTURY DESIGN
Michael Jeffery 424505
Zoe Smith 446955
AFRICAN & OCEANIC ART ANTIQUITIES
Will Hobbs 339752
Georgina Way 446980
ASIAN ART
John Axford MRICS 424506
Alexandra Aguilar 424583
Freya YuanRichards 424589
Jeremy Morgan +44 (0)7812 601098
Michelle Yu 424571
Olivia Jones 424591
Nelson Chui 424591
BRITISH AND CONTINENTAL CERAMICS & GLASS
Clare Durham 424507
Hollie Morrison 446964
CHINESE PAINTINGS & CALLIGRAPHY
Freya YuanRichards 424589
Michelle Yu 424571
FURNITURE, WORKS OF ART & CLOCKS
Mark YuanRichards 411854
Neil Grenyer 446974
Jim Gale 339161
Sarah Stone 339161
Victoria Elwell 339161
JAPANESE ART
Alexandra Aguilar 424583
Olivia Jones 424591
JEWELLERY
Marielle Whiting FGA 424595
Jonathan Edwards FGAA (Consultant) 424504
Samuel Hug FGA DGA 424586
Megan Corbett
MEDALS & COINS, ARMS & ARMOUR
Ned Cowell 341469
Georgina Way 446980
SILVER
Rupert Slingsby 424501
Archie Swann 424594
Jacob Carpenter
PAINTINGS
Victor Fauvelle 446961
Ed Beer 446962
VALUATIONS FOR INSURANCE & PROBATE
Jeremy Lamond MRICS FRSA 424502
Neil Grenyer 446974
Frances Woodhams
Hannah Farthing (Trainee Valuer)
CLIENT SERVICES
Ruth Pike (Client Services Manager) 424500
Sarah Bennie
Julie Langstaff
Gemma Pointer
MARKETING
Chloe Davie 446951
ACCOUNTS
Ania Antkowiak
BOARD OF DIRECTORS
John Axford MRICS
Chairman
Natalie Milsted FCCA
Managing Director
ASSOCIATE DIRECTORS
Alexandra Aguilar
Ed Beer
Ned Cowell
Clare Durham
Victor Fauvelle
Will Hobbs
Samuel Hug FGA DGA
Michael Jeffery
Jeremy Lamond MRICS FRSA
Rupert Slingsby
Marielle Whiting FGA
Freya YuanRichards
Mark YuanRichards
Victoria Sturgeon
Heidi Easton
DESIGN
WEDNESDAY 16TH OCTOBER 2024
10.00AM - LOTS 1-351
THURSDAY 17TH OCTOBER 2024
10.00AM - LOTS 352-716
AT OUR CITY CENTRE SALEROOMS, SP1 3SU
VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES
Saturday 12th October 10.00am – 1.00pm
Monday 14th October 10.00am – 4.00pm
Tuesday 15th October 10.00am – 4.00pm
Wednesday 16th October 9.00am – 12 noon Michael
THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES
Unit 1B, Castle Gate Business Park
Old Sarum, Salisbury, SP4 6QX
Client Parking Available
Saturday 12th October 10.00am – 1.00pm
Monday 14th October 10.00am – 4.00pm
Tuesday 15th October 10.00am – 4.00pm
Wednesday 16th October 9.00am – 12 noon
THE AUCTION ON 16TH & 17TH OCTOBER WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS
5161 Castle Street, Salisbury, SP1 3SU
BUYER’S PREMIUM
Each lot is subject to a Buyer’s Premium of 26% plus VAT
CONDITION OF LOTS
Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.
COLLECTION OF LOTS BY APPOINTMENT
Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready
All accounts to be settled prior to collection
EXPORT AND CITES LICENCES
Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 189 for full details.
bid.woolleyandwallis.co.uk
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ILLUSTRATIONS
Front cover: Lots 101 & 102
Back cover: Lot 485
Inside cover: Lot 639
Catalogue £10.00 (£15.00 by post)
DAY ONE
WEDNESDAY 16TH OCTOBER 2024 10.00AM - LOTS 1-351
THE COLLECTION OF BILLY & LIZ KIDD
CLARICE
CLIFF
1
‘Do Scratch my Back’ a Wilkinson’s Pottery vesta, modelled as a seated dog, decorated with purple, black and yellow patches, printed factory mark, Sloane & Smith Oxford Street retail mark, 12.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
2
A pair of Clarice Cliff Bizarre Girl candlesticks, each modelled as a woman offering up a floral sconce, painted in colours printed factory marks, 18.5cm. high (2)
Literature
Sue Lunt, Age of Jazz Art Deco Ceramics, page 52 catalogue number 36 for a comparable candlestick.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
3
‘Original Bizarre’ a Clarice Cliff Bizarre Dover jardiniere, painted with a band of triangles and diamonds in blue, orange, purple and brown, outlined in green printed factory marks, 16.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
4
‘Original Bizarre’ a Clarice Cliff Bizarre ginger jar, painted with a band of triangles and diamonds in blue, purple, yellow and red, outlined in green between blue and red bands, and a Clarice Cliff ‘Original Bizarre’ octagonal bowl, printed factory marks, 18.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
5
‘Original Bizarre’ a Clarice Cliff Cylindrical preserve pot and cover, painted with blue and orange triangles outlined in green, and a Clarice Cliff ‘Original Bizarre’ bowl, a Clarice Cliff ‘Brookfields’ small Beehive preserve pot and a small collection of ceramics including Carlton Ware and modern Clarice Cliff, printed factory marks, cover restored, 21cm. diam. (a lot)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
6
‘Original Bizarre’ a Clarice Cliff Bizarre Globe tea for two, painted with a band of red, purple and blue triangles, outlined in green, comprising; teapot and cover, milkjug and sugar basin, two cups, saucers and a side plate painted red Bizarre mark, 10.5cm. high (9)
Catalogue notes
The side plate and saucers have an impressed date mark for 1927.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
7
‘Crocus’ a pair of Clarice Cliff Bizarre Conical candlesticks, shape no. 384, painted in colours printed factory marks, oxidisation to colours, 11.5cm. diam. (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
8
‘Oranges and Lemons’ a pair of Clarice Cliff Bizarre salt and pepper pots, painted in colours, and another pair of Clarice Cliff Corcus salt and pepper pots printed factory marks, both salt tops restored, 8cm. high, (4)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
9
‘Melon’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory marks, 11cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
10
‘House and Bridge’ a Clarice Cliff Fantasque Bizarre Conical sugar basin, painted in colours printed factory marks, 7cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
11
‘Original Bizarre’ a Clarice Cliff Bizarre Duck cruet tray and five egg cups, painted in colours inside yellow band, the cups with banded decoration, and a Clarice Cliff Crocus egg tray and four cups, printed factory marks, restored handle, 12.5cm. high, (11)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
12
‘Sunrise’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours between yellow and orange bands, and a Clarice Cliff Original Bizarre bowl, printed factory marks, 18.5cm. diam. (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
13
‘Double V’ a set of six Clarice Cliff Bizarre Octagonal sandwich plates, painted in colours, printed factory marks, chip to back of rim to one, 14.5cm. diam., (6)
Catalogue notes
The plates have the impressed date code for 1928.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
14
‘Original Bizarre’ a rare Clarice Cliff Bizarre twinhandled Lotus jug, painted with a band of red, green and blue triangles outlined in purple, between red bands, printed gilt mark, professional restoration, 28.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
15
‘Double V’ a Clarice Cliff Fantasque Bizarre Octagonal candlestick, painted in colours, and a Clarice Cliff ‘Original Bizarre’ candlestick, printed factory marks, professional restoration, 20cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
16
‘Honolulu’ a pair of Clarice Cliff Bizarre candlesticks, painted in colours between green and black bands, printed factory mark, flat glaze chip to side of base to one, 20.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
17
‘Original Bizarre’ a Clarice Cliff Bizarre vase, shape no. 265, painted with a band of purple and yellow triangles, outlined in green, between yellow and green bands, printed factory marks, professional restoration, 15.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
18
‘Double V’ a large Clarice Cliff Bizarre bowl, painted in colours between orange and green bands, and a Clarice Cliff Nasturtium bowl on three fin feet, printed factory marks, overpainting to green well, 24cm. diam. (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
19
‘Double V’ a Clarice Cliff Bizarre vase, model no. 268, painted in colours between green, orange and black bands, printed factory mark, wear to top rim, 20cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
20
‘Lydiat’ a Clarice Cliff Bizarre part table centrepiece, comprising; two curved 659 troughs, one 657 rectangular trough and two 658 Cube candlesticks, printed and painted in colours printed factory marks, 25cm. wide (curved troughs), (5)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
21
‘Bobbins’ a Clarice Cliff Fantasque Bizarre Viking Longboat, painted in colours, printed factory marks, minor professional restoration, 40cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
22
‘Sunrise’ a Clarice Cliff Fantasque Bizarre vase, shape no. 342, painted in colours between yellow, orange and blue bands, printed factory marks, 20cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
23
‘Sunrise’ a Clarice Cliff Fantasque Bizarre singlehandled Lotus jug, painted in colours between yellow, red and black bands, printed factory mark, 29.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
24
‘Sunray Leaves’ a Clarice Cliff Fantasque Bizarre singlehandled Lotus jug, painted in colours between orange and blue bands, printed factory mark, oxidised blue band with some overpainting, 29cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
25
‘Umbrellas’ a Clarice Cliff Fantasque Bizarre vase, shouldered form, painted in colours between yellow, orange and black bands, the neck with moulded thread, printed factory marks, 14cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
26
‘Delecia Citrus’ a Clarice Cliff Bizarre George jug, painted in colours, and a Clarice Cliff wall plaque modelled in low relief with flowers, printed factory marks, 17cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
27
A Clarice Cliff Wall pocket, model no.809, modelled as a lady holding up a bouquet, glazed in colours, a Clarice Cliff Marlene wall pocket and two Beswick Lady with Beads wall plaques, printed factory marks, 26cm. high (4)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£250350
28
‘Nasturtium’ a Clarice Cliff Bizarre vase, shape no.613, painted in colours, printed factory marks, 21cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
29
‘Sunrise’ a Clarice Cliff Fantasque Bizarre
Hiawatha bowl, painted in colours between green and yellow bands, printed factory marks, 22cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
30
‘Castellated Circle’ a Clarice Cliff Bizarre
Hiawatha bowl, painted in shades of black, yellow and orange, and a Clarice Cliff ‘Red Tulip’ bowl similar, printed factory marks, professional restoration to top rim, 21.5cm. diam. (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
‘The Tambourine Dancer’ a unique Bizarre Clarice Cliff circular wall plaque, hand painted with a female dancer, modelled in exotic Ballet Russe style outfit, dancing with two tambourines, enamelled in colours on a Latona cream ground, painted Clarice Cliff signature and Wilkinson mark 44cm. diam.
Provenance
The Clarice Cliff Collector’s Club Sale no.2, Fieldings Auctioneers, 25th October 2008, lot 214. The collection of William Billy Kidd and Elizabeth Kidd.
£1,0002,000
32
‘Gibraltar’ a Clarice Cliff Fantasque Bizarre large Beehive preserve pot and a cover, painted in colours printed factory marks, 10.5cm. high (2)
35
‘Gibraltar’ a Clarice Cliff Fantasque Bizarre
Daffodil bowl, painted in colours with pink, purple and green flanges, printed factory marks, overpainted blue to well, 32cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
33
‘Sunrise’ a Clarice Cliff Fantasque Bizarre Dover jardiniere, painted in colours between orange bands, printed factory marks, 17cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
34
‘Melon’ a large Clarice Cliff Fantasque Bizarre Dover jardiniere, painted in colours between orange and black bands, printed factory marks, 19cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
Provenance
Christie’s South Kensington
Literature
Howard & Pat Watson, The Clarice Cliff Colour
Price Guide, Francis Joseph, page 59 this dish illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
36
‘Sunrise’ a Clarice Cliff Fantasque Bizarre small tazza, painted in colours with a radiating design, printed factory marks, professional restoration, 13.5cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
37
‘Gloria’ a Clarice Cliff Bizarre plate, octagonal, painted with trees by a riverscape, in colours inside orange bands, and a Clarice Cliff Marlow plate, printed factory marks, 19cm. diam. (2)
Provenance
The Barry Jones Collection, Christie’s South Kensington, lot 178 (part)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd. £150200
38
‘Marlow’ a rare Clarice Cliff Conical bowl with pastille feet, printed and painted in colours, unmarked, 23.5cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
39
‘Rudyard’ a Clarice Cliff Bizarre Conical bowl, painted in colours to inside and out, inside graduated green bands and a black rim, printed factory marks, professional restoration to rim, 15.5cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd. £150200
40
‘Cafe au Lait Apples’ a Clarice Cliff Bizarre Conical bowl, painted in colours on a mottled brown ground, printed factory marks, professional restoration to rim, 23cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd. £200300
41
‘Melon’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside red bands, printed factory marks, 25cm. diam.
Provenance
The Barry Jones Collection, Christie’s South Kensington, lot 262
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
42
‘Double V’ a Clarice Cliff Bizarre Octagonal plate, painted in colours, inside yellow and black bands, printed factory marks, 24cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
43
‘Sunrise’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside yellow and orange bands, printed factory marks, 22.5cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
44
‘Blue Chintz’ a Clarice Cliff Bizarre plate, painted in colours inside green and blue bands, and a Clarice Cliff ‘Autumn’ tazza, printed factory marks, 25.5cm. diam.
Catalogue notes
This plate has the date mark for 1931.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
45
‘Blue Chintz’ six Clarice Cliff Bizarre Grapefruit bowls, painted in colours, and two Clarice Cliff ‘Orange Trees and House’ ashtrays, printed factory marks, 17cm. wide (8)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
46
‘Blue Luxor’ a Clarice Cliff Bizarre plate, painted in colours inside green, black and yellow bands, printed factory marks, 23cm. diam.
Catalogue notes
This plate has the date code for 1930.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
47
‘Gibraltar’ a Clarice Cliff Bizarre plate, painted in colours, printed factory mark, minor scratches, 23cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
48
‘Honolulu’ a Clarice Cliff Bizarre wall plate, painted in colours inside black and green bands, printed factory marks, overpainting and light wear, 23cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
49
‘Coral Firs’ a Clarice Cliff Bizarre side plate, painted in colours inside brown bands, printed factory marks, 18cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
51
50
‘Inspiration Persian’ a Clarice Cliff Bizarre plate, painted in colours, printed and painted factory marks, 23cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
51
‘Inspiration Hollyhocks’ a Clarice Cliff Bizarre plate, painted with flower stems in colours on a turquoise ground, printed factory marks, 25cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
52
‘Inspiration Tresco’ a Clarice Cliff Mei Ping vase, painted in shades of turquoise, mauve, blue and orange, painted Inspiration mark, 22.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
53
‘Inspiration Caprice’ a Clarice Cliff vase, shape no.342, painted in shades of blue, pink and orange on a turquoise Inspiration ground, printed factory mark and painted Inspiration mark, 20cm. high
Provenance
Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 54.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
54
‘Inspiration Lily’ a tall Clarice Cliff Bizarre vase, cylindrical with flaring neck, painted in shades of turquoise, orange and blue printed and painted marks, minor professional restoration to top rim, 29cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300400
55
‘Lei’ (variant) a rare and early Clarice Cliff Bizarre singlehandled Isis vase, painted with a variant pattern on a blue ground, printed factory mark, 24.8cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
55 both sides
56
‘Trees and House’ a Clarice Cliff Fantasque Bizarre octagonal plate, painted in colours inside green and purple bands, printed factory marks, restored, 21.5cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
57
‘Autumn’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside orange and black bands, and a Clarice Cliff ‘House and Bridge’ plate, printed factory marks, overpainted black band, scratches, 23.5cm. diam. (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
58
‘Orange House’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside green and black bands, printed factory marks, paint flakes, 25cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
59
‘Red Roofs’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside orange and green bands, printed factory marks 23cm. diam.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
60
‘Orange Roof Cottage’ a Clarice Cliff Fantasque Bizarre plate, painted in colours printed factory marks, 22.5cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
61
‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre Conical jug, painted in colours, and a Clarice Cliff ‘Red Trees and House’ breakfast bowl, printed Factory marks, 15cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
62
‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre singlehandled Lotus jug, painted in colours between orange and black bands, printed factory marks, 30cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
63
‘Honolulu’ a Clarice Cliff Bizarre vase, shape no.566, cylindrical, ribbed form, painted in colours printed factory marks, 16cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
64
‘Orange House’ a Clarice Cliff Fantasque Bizarre vase, shape no. 342, painted in colours between orange and black bands, printed factory marks, 19.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£1,0001,500
65
‘Green House’ a Clarice Cliff Fantasque Bizarre vase, shape no. 342, painted in colours between green and black bands, printed factory marks, 20cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£1,0001,500
66
‘Sunray’ a Clarice Cliff Bizarre 358 vase, painted in colours between yellow and orange bands, printed factory marks, 20.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£1,0002,000
67
A Clarice Cliff Bizarre Fish pen holder, shape no.424, modelled as two angel fish, painted in colours, printed factory mark, burst air bubble in foot rim, 18.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
68
A matched pair of Clarice Cliff My Garden floral wall plaques, circular, cast in low relief with flowers, painted in colours printed factory marks, 33.5cm. diam. (2)
Literature
Sue Lunt, Age of Jazz Art Deco Ceramics, page 43 catalogue number 24 for a comparable plaque.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
69
A pair of Clarice Cliff Bizarre wall plaques, rectangular, cast in relief with flowers and foliage, in shades of black, red, orange and yellow, printed factory marks, 42.5 x 12.5cm., (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
70
A pair of Clarice Cliff Novelty Pixie book ends, each modelled as a pixie with shell hat, seated on a mushroom. glazed in colours, and a Clarice Cliff Elf resting beside a mushroom, model no.412, a novelty Chick hotchocolate pot and cover, and two small boxes with pierced covers, printed factory marks, restoration, 17.5cm. high (9)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
71
A Clarice Cliff Reynard the Fox figure, covered in a streaked blue and mushroom glaze, printed Clarice Cliff mark, incised marks, 22.5cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
72
A pair of Clarice Cliff Bizarre House book ends, each modelled in relief and painted in colours printed factory marks, minor restoration, 14cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£250350
73
A pair of Clarice Cliff House book ends, shape no.410, each modelled in relief and painted in colours printed factory marks, 14cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
74
A pair of Clarice Cliff Nursery book ends, each modelled as a seated teddy bear, painted in green, orange and brown, printed factory marks, professional restoration to legs of one, 14.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
76
75
‘Blue Crocus’ a Clarice Cliff Bizarre Bon Jour coffee set for six, painted in colours; comprising Bon Jour coffee pot and cover, milkjug and sugar basin, six Conical cups and saucers, printed factory marks, 19cm. high (16)
Catalogue notes
The saucers have a date code for 1935.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
76
‘Berries’ a Clarice Cliff Bizarre Tankard coffee pot and cover, painted in colours printed factory marks, 19cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
77
‘Secrets’ a Clarice Cliff Fantasque Bizarre vase, shape no.195, painted in colours between green, yellow and brown bands, printed factory marks, 22cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
78
‘Patina Tree’ a Clarice Cliff Bizarre goblet vase, shape no.363, painted in colours, printed factory marks, 16cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
79
‘Summerhouse’ a Clarice Cliff Fantasque Bizarre Coronet jug, shape no.24, painted in colours between orange bands, printed factory marks, 20cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
80
‘Forest Glen’ a Clarice Cliff Bizarre vase, ribbed, flaring cylindrical form, painted in colours, printed factory marks, 17cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
81
‘Farmhouse’ a Clarice Cliff Fantasque Bizarre vase, shape no.371, painted in colours printed factory marks, 11cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
82
‘Latona Bouquet’ a Clarice Cliff vase, shape no.356, painted in colours on a Latona cream ground, printed and painted marks, 17cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
83
‘Kew’ a Clarice Cliff Bizarre vase, shape no.264, painted in colours between orange and green bands, printed factory marks, 20cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300400
84
‘Idyll’ a Clarice Cliff Bizarre vase, shape no.264, painted in colours inside orange and black bands, printed factory marks, 20cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
85
‘Spire’ a Clarice Cliff Bon Jour sugar sifter, painted in colours, unmarked, 13cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
86
‘Fragrance’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours printed factory marks, 14cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
87
‘Secrets’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours printed factory marks, 14cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
88
‘Windbells’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours between green, yellow and orange bands, printed factory marks, flat chip to foot rim, 14cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
89
‘Rudyard’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours between green, pink and blue bands, printed factory marks, 14cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300400
90
‘Delecia Nasturtium’ a Clarice Cliff Bizarre Lynton coffee set for six, painted in colours, comprising, coffee pot and cover, milkjug and sugar basin, six cans and saucers, printed factory marks, 18.5cm. high, (16)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
91
‘Orange Chintz’ a Clarice Cliff Fantasque Bizarre biscuit barrel and cover, painted in colours with electroplated rim, handle and cover, printed factory marks, 14.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
GOLDSCHEIDER POTTERY
92
An Art Nouveau Goldscheider Pottery bust of a Woman, designed by Simon, model no.1340, modelled with down cast gaze, wearing a headscarf, glazed in matt colours, highlighted in gilt, impressed marks, 48cm. high
Literature
Ora Pinhas Goldscheider, Richard Dennis, page 67 for this model reproduced in the original Goldscheider catalogue, circa 1900.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
93
An Art Nouveau Friedrich Goldscheider Pottery model of two young pierrot lighting a cigarette designed by Jean Adolphe Lavergne, model no.3721, glazed in matt colours, impressed marks and facsimile signature, cigarettes missing, 40cm. high
Provenance
Bonham’s lot 143.
Literature
Ora Pinhas Goldscheider, Richard Dennis, page 40, this example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300400
94
A large Art Nouveau Goldscheider illuminating fish pond designed by Otto Petri, model no.3531, modelled as two young children standing on a rocky outcrop, looking down into clear glass fish bowl, impressed marks, damages, 62cm. high, (2)
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 46 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
95
An Art Nouveau Goldscheider Pottery figural lamp by F Gross, model no.2770, modelled standing holding an Austrian iridescent glass urn shade, glazed in colours, inset with opal cabochon, impressed factory marks and facsimile signature, 82cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400500
96
‘Rebecca’ a tall Art Nouveau Goldscheider Pottery model of a woman resting on a water urn by Cherc, model no. 1903, in colours, impressed factory marks and facsimile signature, chips to base rim, 93cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
97
A tall Art Nouveau Goldscheider Pottery Porteuse d’Eau figure probably designed by Haniroff, model no.3407, modelled as a classical maiden holding a water urn, glazed in colours, impressed Goldscheider marks, minor damages, 114cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
98
A Goldscheider Pottery model of a dancer designed by Josef Lorenzl, model no.5900, modelled standing with arched back and arms raised, wearing a butterfly wing costume, glazed in colours impressed and printed factory marks, professionally restored, 42cm. high
Provenance
Design, Woolley and Wallis Auctioneers, 13th October 2010, lot 983
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£600800
99
The Captured Bird a Goldscheider Pottery figure designed by Josef Lorenzl, model no. 5230, modelled as a dancer with arms outstretched wearing a cape with butterfly wings, glazed in colours, impressed and printed factory marks, professional restoration, 46cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 118 and 119 for comparable figures.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
100
A Goldscheider Pottery Butterfly Girl designed by Josef Lorenzl, model no.5267, modelled standing holding a long flowing Butterfly dress, impressed and printed factory marks, 44.5cm. high
Literature
Ora Pinhas Goldscheider, Richard Dennis, page 146 for a comparable figure.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
101
A rare Goldscheider Pottery model of a woman holding a fan designed by Josef Lorenzl, model no.7544, modelled standing, naked holding a blue fan to her body, on domed base, glazed in colours, impressed and printed factory marks, facsimile signature, professional restoration to base and ankles, 36cm. high
Literature
Ora Pinhas Goldscheider, Richard Dennis Publications, page142 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
102
A Goldscheider Pottery model of a woman with a fan designed by Stephan Dakon, model no.6214, the elegant lady modelled holding a large green ostrich feather fan and a patterned drape trailing behind, glazed in colours, impressed and printed factory marks, small frit chip to base rim, 33cm. high
Literature
Ora Pinhas Goldscheider Richard Dennis Publications, page152 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
103
A Goldscheider Pottery model of a Flamenco dancer designed by Claire Weiss, model no.7511, modelled standing in long, flowing polka dot dress with black lace shawl, holding a red fan, in colours printed factory marks, impressed marks, 40.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
104
A Goldscheider Pottery model of a lady designed by Stephan Dakon, model no.7581, modelled as a lady in long flowing blue dress and broad brimmed hat, glazed in colours printed factory marks and Dakon facsimile signature, impressed marks, 37cm. high
Literature
Ora Pinhas Goldscheider Richard Dennis, page 145 for an identical figure in a pink dress attributed to Lorenzl,
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300400
105
A late Goldscheider Pottery model of a dancer, modelled standing holding the hem of her long green dress, printed and impressed marks, 30.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
106
A Goldscheider Pottery model of a woman designed by Josef Lorenzl, model no. 6330, modelled holding her long flowing green dress, printed and impressed factory marks, 31cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 160 for a comparable figure illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd. £200400
107
A Goldscheider Pottery model a woman designed by Stephan Dakon, model no.6606, modelled standing holding the hem of her floral dress, and broad brimmed hat, in colours, impressed and printed marks, 34cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
108
A Goldscheider Pottery model of a lady in a green costume by Stephan Dakon, model no. 8302, modelled walking in long ruffled green skirt and top, pulling a scarf around her neck, impressed and printed factory marks, facsimile signature, small glaze nicks to base rim, 31.5cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 158 this model illustrated
Provenance
The collection of William Billy Kidd and Elizabeth Kidd. £300500
109
A Goldscheider Pottery model of a lady with a hound designed by Stephan Dakon, model no.6756, glazed in colours, printed factory marks, restored tail, 31cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 132 where the figure is suggested to be Marlene Dietrich.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
110
A Goldscheider Pottery model of a lady with a Borzoi by Josef Lorenzl, model no. 7722, modelled as a naked lady standing before her borzoi dog in broad brimmed hat and holding a large lace fan, printed and impressed marks, facsimile signature, professionally restored, 36cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
111
A large Goldscheider Pottery model of a lady walking a Borzoi dog designed by Claire Weiss, model no.7367, modelled in long floral blue dress and broad brimmed hat, glazed in colours, printed and impressed factory marks, facsimile signature to base, minor professional restoration to dog, 41cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 132 for a comparable figure illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
112
A Goldscheider Pottery figure of a dancer designed by Stephan Dakon, model no. 7053, modelled standing on one leg with long flowing blue floral dress, in colours, on a diamond shaped base, printed and impressed factory marks, professional restoration to one hand, 40cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
113
A Goldscheider Pottery model of a dancer designed by Josef Lorenzl, model no.7582, modelled standing with arms outstretched, holding her dress hem, in colours, on triangular base, printed and impressed factory marks, 34cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
114
A Goldscheider Pottery model of a Skier designed by Stephan Dakon, model no.7149, the young woman modelled standing, glazed in colours printed and impressed factory marks, 30cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 128 for a comparable example in a blue colourway.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
115
A Goldscheider Pottery model of a Woman and Dog in a Skiff designed by Stephan Dakon, model no.7256, she modelled in a onepiece trouser suit and broad brimmed hat, painted in colours, impressed and printed factory marks and facsimile signature, professional restoration, 38cm. wide.
Literature
Ora Pinhas Goldscheider, Richard Dennis Publications, page 137 for two comparable examples.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
MASKS & BUSTS
116
A Goldscheider Pottery wall mask, model no.6775, modelled as a woman with orange ringlets, glazed in colours, another Goldscheider mask of a lady raising her hand to her neck, model no.8033, and a small, modern patinated metal wall mask, printed and impressed marks, minor professional restoration to tip of black hair, 27cm. high (3)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£350450
117
A Goldscheider Pottery bust, model no.7379, modelled as a female with stylised features and blue ringlets, on blue base, and another Goldscheider Pottery mask of a woman with a white headscarf, model no.7883, printed and impressed factory marks, 20.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
118
A Goldscheider Pottery bust, model no. 6427, modelled as a stylised woman with black curly hair, glazed in colours, mounted on ebonised wood base, impressed and printed factory marks, professional restoration to eyelids, 31cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
119
A Goldscheider Pottery bust, modelled with stylised features, glazed turquoise and orange, on wooden drum base, printed and impressed marks, minor professional restoration, 24cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
120
A large Goldscheider Pottery bust, modelled with stylised featured, glazed in orange and pale blue, on ebonised wood base, applied metal label to base, 32.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
121
A Goldscheider Pottery wall mask, model no.6774, modelled as a woman with stylised features holding an apple to her face, glazed in colours, printed and impressed marks, 33.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
122
A Goldscheider Pottery Comedy wall mask, model no.6288, modelled as a woman with stylised features and blue hair, holding a mask to her face, glazed in colours printed and impressed factory marks, 35cm. long
Literature
Ora Pinhas, Goldscheider Pottery, Richard Dennis, page 171 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
123
A Goldscheider Pottery Comedy wall mask, model no.6288, modelled as a woman with stylised features and orange hair, holding a mask to her face, glazed in colours printed and impressed factory marks, 35cm. long
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
122
121
124
A large Keramos Pottery wall mask, modelled as a woman with a halo glazed in colours, another smaller wall mask and an Art Nouveau Ernst Wahliss wall plaque, modelled as a maiden amongst iris flowers printed factory marks, minor restoration to mask, 29.5cm. high (3)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
125
A pair of Wiener Kunst Keramic Keramos book ends, model no.879, each modelled as two Art Deco ladies, impressed and printed factory marks, artist facsimile signature, 14cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£80120
126
A Goldscheider Pottery wall mask, model no.7695, stylised features, glazed in red, offwhite and turquoise, another Goldscheider Pottery mask with flowing black hair and another German wall mask, printed and impressed factory marks, original paper label, 24cm. long (3)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
127
A large Goldscheider Pottery model of two Borzoi dogs, no.6011, one standing the other lying down, glazed in colours, another Goldscheider Pottery model of a lying Borzoi no.4535, a pair of Staffordshire flat back hounds, and four other pottery models of hounds, impressed and printed marks, 44cm. wide (8)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
128
A Goldscheider Pottery wall mask, model no.6335, modelled as a woman with stylised features wearing a blue beret, in blue and orange, printed and impressed factory marks, 29cm. high
Literature
Ora Pinhas, Goldscheider Pottery, Richard Dennis, page 171 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
129
A Goldscheider Pottery wall mask, model no.6542, model as a woman with stylised features, holding a fan to her face, glazed in turquoise orange and black, printed and impressed factory marks, minor professional restoration to ringlets, 25cm. high
Literature
Ora Pinhas, Goldscheider Pottery, Richard Dennis, page 168 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£250350
130
A Goldscheider Pottery wall mask, model no.6542, model as a woman with stylised features and orange hair, holding a fan to her face, glazed in turquoise, orange and black, printed and impressed factory marks, 26cm. high
Literature
Ora Pinhas, Goldscheider Pottery, Richard Dennis, page 168 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£250300
131
A Goldscheider Pottery wall mask, model no. 7081, modelled as a woman with stylised features, holding an orange mask, in colours impressed and printed factory marks, 28cm. high
Literature
Ora Pinhas, Goldscheider Pottery, Richard Dennis, page 175 for a comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£350450
130
132
A Goldscheider Pottery Butterfly Dancer lamp base probably designed by Josef Lorenzl, model no.5775, modelled as a young lady holding the hem of her ‘butterfly wing’ dress’ on domed base, with shade, impressed and printed factory marks, small glaze chip to back, 41cm. high (figure)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
133
A Goldscheider Pottery model of a dancer lamp base designed by Stephan Dakon, model no.6757, modelled holding the hem of her black and green floral skirt, impressed and painted marks, crack to lamp pillar, 32.5cm. high (figure)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
134
A Goldscheider Pottery The Captured Bird lamp base designed by Josef Lorenzl, model no.5230, with original silk shade, modelled as a female dancer with arms outstretched, her cape painted with butterfly wing decoration, on stepped domed base, impressed factory marks, facsimile signature, professional restoration to her left hand,
39cm. high (figure)
65cm. high (lamp)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
Literature
Ora Pinhas Goldscheider, Richard Dennis, page 118 for various versions illustrated.
£5001,000
135
A Goldscheider Pottery The Captured Bird figure designed by Josef Lorenzl, model no. 5434, modelled as a female dancer with arms outstretched, her cape with blue butterfly wing design, impressed and printed factory marks, facsimile signature, restored hands, 45cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 119 for an identical figure illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
136
A Goldscheider Pottery model of a woman designed by Josef Lorenzl, model no. 6746, modelled standing, naked, holding a blue drape, painted in colours printed and impressed marks, facsimile signature, 43.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£6001,000
137
A Goldscheider Pottery Lady with a Shawl figure designed by Josef Lorenzl, model no.5822, modelled standing draped in a shawl, on domed base, glazed in colours impressed and painted marks, 45.5cm. high
Literature
Ora Pinhas, Goldscheider, Richard Dennis, page 118 for comparable example illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£8001,200
138
A Goldscheider Pottery model of a female dancer designed by Josef Lorenzl, model 5822, modelled standing draped in a floral patterned shawl, on domed base, glazed in colours, impressed and printed factory marks and facsimile signature, 47cm. high
Literature
Ora Pinhas Goldscheider, Richard Dennis Publications, page 118 and 152 for two comparable examples illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
139
A pottery model of a dancer in the manner of Goldscheider, modelled standing with outstretched arms, the cape modelled in low relief with peacock feathers, in colours, indistinct printed mark to base, professional restoration to hands, 28cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
140
A modern model of woman in the manner of Goldscheider Pottery after a design by Thomasch, modelled, seminaked wearing stockings, a red cape over her shoulders and exotic headdress, painted in colours, printed gilt Goldscheider mark, 47cm. high
Literature
Ora Pinhas Goldscheider, Richard Dennis Publications, page 111 for two examples of this figure illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
141
Ann Miller
The Blue Fan
watercolour of a Goldscheider Pottery figure, framed signed bottom left, signed and titled to reverse label, 38 x 27.5cm.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£80120
142
A Continental pottery model of a dancer designed by Hessel, modelled standing on one leg, wearing a blue costume, and a large plaster lamp base modelled as a dancer holding up a pink glass ball shade, impressed marks to base, impressed F Kessel signature, losses, 42cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
143
An Art Nouveau patinated spelter Stella figural lamp by Anton Nelson, modelled standing, holding a billowing scarf with opaque glass stars, on red marble base signed in the cast, 66cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
144
A Patinated metal figure in the manner of Josef Lorenzl, modelled striding forward holding a scarf, an Art Deco style chromed metal figural table lamp with green glass ball shade, two other patinated metal Art Deco style figure, a WMF Art Nouveau dish cast in low relief with a maiden, a WMF Secessionist biscuit barrel and cover, a set of Arts & Crafts windchimes and various other items unmarked, WMF stamped marks, 27cm. high (a lot)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
145
An Austrian pottery model of a Gnome, model no.6359, modelled lying on his side holding a book, glazed in colours impressed factory marks, chips, 72cm. wide, 42cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
146
A tall Katshutte Pottery Fan Dancer, modelled standing wearing a flowing green dress and holding a fan, glazed in colours printed factory marks, restored 51cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
147
A pair of Katshutte Pottery dancers, modelled dancing, she wearing a green flowing dress, glazed in colours, and a Katshutte model of a Flamenco dancer in pink dress, printed factory marks, 32.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd. £150250
148
A tall Katshutte Pottery model of a dancer, modelled wearing long flowing dress and broad brimmed hat in purple and blue, and another Katshutte model of a dancer, printed factory marks, 42cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
148
147
149
A spongeware cow creamer, modelled standing with pink and brown sponged decoration, and another similar, with painted brown patches, unsigned, covers missing, minor losses, 14.5cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
150
A rare Gateshead pottery charger designed by John George Sowerby, painted with a flying bird, in green, white and ochre on a yellow ground, painted factory mark and monogram, 36cm. diam.
Catalogue notes
John George Sowerby (1849–1914) from Gateshead was a painter, exhibiting at the Royal Academy, and also a member of the Sowerby family who owned Sowerby Glassworks.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300400
151
A pair of modern Wedgwood Pottery creamware dolphin candlesticks, each modelled, on rectangular base, covered in a cream glaze impressed and printed marks, 24cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£80120
152
A Wedgwood Pottery Kangaroo designed by John Skeaping, covered in a straw glaze, and a Wedgwood Pottery Monkey Group designed by John Skeaping, impressed J Skeaping Wedgwood, restored, 22.5cm. high (2)
Literature
Sue Lunt, Age of Jazz Art Deco Ceramics, page 120 catalogue no.128 for a comparable figure illustrated.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
153
A large Continental pottery kingfisher lamp base possibly Amphora, modelled seated on a domed base with foliage, glazed in matt colours, with applied glass eyes, impressed factory marks, 43cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£80120
154
A large modern Royal Dux figure of a woman, modelled dancing, stepping forward with her long dress billowing, glazed in colours, impressed factory marks, 58.5cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
155
A pottery jardiniere and stand in the manner of Thomas Forester & Sons Phoenix Ware, the ovoid bowl painted with fruit and foliage, the base with wild flowers and trees in a landscape, in ochre and cream on a green ground, and a copper jardiniere and stand, unsigned, restored top rim 101cm. high (4)
Provenance
Decorative Arts, Gardiner Houlgate, 20th February 2002, lot 276.
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
156
Louis Icart (18881950)
Paresse (Laziness), dry point etching on paper, copyright 1925, printed by Les Graveurs Modernes, of a woman lying back on a bearskin, printed by framed, signed and numbered 139/500 in pencil, 47.5 x 38cm. (image)
Provenance
Decades of Design & Clarice Cliff, Fieldings, 27th April 2013 lot 577.
The collection of William Billy Kidd and Elizabeth Kidd.
Literature
Michael Schnessell Icart, Schiffer Books, page 55 figure 57 for a comparable example illustrated.
£200400
157
Louis Icart (18881950)
Vitesse (Speed), dry point etching on paper of a woman with hounds, framed signed in pencil Louis Icart 63 x 37cm. (image)
Provenance
Editions Graphiques (Victor Arwas), paper label to back.
The collection of William Billy Kidd and Elizabeth Kidd.
Literature
Michael Schnessell Icart, Schiffer, page 94 figure 117 for a comparable etching illustrated
£5001,000
158
Louis Icart (18881950)
Levriers de Course II, (Woman with Hounds), drypoint etching on paper, copyright 1929, framed signed in pencil Louis Icart, 446/500, 63 x 37cm. (image)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000 157
159
A German Limbach bisque headed doll, with sleeping eyes, in contemporary red velvet dress and hat, with parasol, a modern Steiff black teddy bear and a Steiff seated dog, and a silk parasol stamped marks to head, both Steiff teddies with button in ear, 62cm. long (doll), (4)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
160
A collection of Art and Design reference books and catalogues, including; Erte Graphics, Erte Sculpture, Erte at 95 the Complete New Graphics Mary Seton Watts Unsung Heroine of the Art Nouveau, Icart by Michael Schnessel, The Designs of William De Morgan, The Designs of CFA Voysey by Stuart Durrant, Arts and Crafts and Art Deco by Judith Miller, The Best of Clarice Cliff, The Bizarre Affair, Clarice Cliff L’Odeon catalogue, and Erte by Charles Spencer, (a lot)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£50100
161
Georges Barbiere (18821932)
L’Eau, 1925
a handcoloured pochoir print of a man diving from the riverside, a woman in bathing costume resting in a boat in the foreground, for other pochoir prints by Barbier and a small collection of prints by various hands, signed and dated in the print 23.5 x 16.5cm. (image), (22)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
162
A Betel Motor Company brass novelty car desk organiser, modelled as a streamlined Art Deco car, the hinged cover revealing five various trays, stamped mark to boot, 24cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£80120
163
A large copper and enamel twin inkwell, rectangular, stamped in low relief with large central Art Nouveau flower bud motif enamelled green and blue, the pen tray with similar smaller flower buds, with two applied, pierced handles, with two clear glass square inkwells with hinged copper and brass covers enamelled with blue/green roundel, unsigned, 45cm. wide (3)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
164
An Arts and Crafts copper mantel clock in the manner of George Walton, the rectangular clock with domed overmantel, raised on four square feet, cast with laurel swags, circular dial with Roman numerals, unsigned 39cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
165
A BSMY Westerns Sunderland stone birdbath, applied label, 74cm. high, 47cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
166
A Miller patinated metal and glass table lamp, model no. 1024, square section shade cast with an ornamental scene, set with marbled glass panels, on central knopped base, cast marks to base, minor losses, 64cm. high (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£150250
167
An Arts and Crafts oak Grandfather clock, rectangular case with carved art nouveau foliate panel, round dial with Arabic numerals, 190cm. high, 48cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200400
168
An Aesthetic Movement faux Bamboo plant stand, possibly retailed by Liberty & co, modelled as heartshaped leaves on tripod bamboo base, unsigned,100cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
169
A Shapland and Petter oak book case, with central glazed cabinet with hinged door, pierced copper Art Nouveau panel above drawer, lock stamped S&P, 155.5cm. high, 122cm. wide, 38cm. deep
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
170
A Shapland and Petter oak hallstand, inlaid Art Nouveau ceramic foliate panels, shaped mirror back with bevelled glass, tin drip trays and key box draw, unmarked, 196cm. high, 86.5cm. wide
Provenance
Anderson & Garland, 20th June 2006, lot 1235. The collection of William Billy Kidd and Elizabeth Kidd.
£400600
170
171
An Art Nouveau Shapland and Petter Peacock mahogany bureau, fall front desk with marquetry peacock panel, the back with brass and glass
filigree panel, unsigned, S&P locks, 134cm. high, 66cm. wide, 35cm. deep
£400600
172
A Shapland and Petter mahogany revolving bookcase, pierced legs, with marquetry foliate panels and square revolving cabinet on table, stamped marks R1572 601, 101cm. high, 55cm. square
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
173
A Scottish Art Nouveau mahogany display cabinet possibly Wylie & Lochhead, central leaded glazed panel with Art Nouveau tulip flower above marquetry and mother of pearl female portrait, flanked by two glazed panels, fitted shelves, unmarked, 198cm. high, 117cm. wide, 40cm. deep
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£400600
174
A fine Shapland and Petter Art Nouveau mahogany wood display cabinet, central glazed cabinet with leaded scrolling flower decoration flanked by two cabinets, inlaid with mother of pearl fruitwood moths flying past lily flowers, below mirror backed compartments, top rail with heart shaped cut outs, Shapland and Petter locks, stamped marks 87, 195cm. high, 136cm. wide, 47.5cm. deep
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
173
173 detail
175
An Arts and Crafts oak sideboard probably Scottish, twindrawers flanked by single cabinets, below pierced Art Nouveau tulip back, the two with two angled cabinets the doors set with leaded glass and copper Art Nouveau panels, patinated copper furniture, unsigned
195cm. high
156cm. wide
56cm. deep
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
176
An Arts and Crafts oak bed in the manner of Sir Robert Lorimer, the head and footboard with urn shaped finials, carved with a panel of classical fruit on scrolling foliage inside lattice border, unsigned,
202cm. long
169cm. high
112cm. wide
Provenance
Anderson & Garland, 8th June 2010, lot 851.
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
177
A Shapland and Petter oak dressing chest, one long drawer below two short drawers, the back with adjustable mirror with pierced heart panels and applied Art Nouveau patinated copper panels, and a Shapland & Petter single wardrobe set with patinated copper panels, locks stamped S&P 159cm. high, 106cm. wide, 50cm. deep (2)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
178
‘Saint George and the Dragon’ a silk embroidered panel by Clara Nelson Smith, embroidered on red damask ground, framed applied paper label to reverse, 26cm. square (panel)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£200300
179
A Quayle & Tranter Hunting machine woven rug designed by George Bain, decorated with a deer hunting scene inside Celtic border, in colours on a mushroom ground, unsigned, 196 x 120cm.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£500800
180
A Quayle & Tranter Hunting machine woven rug designed by George Bain, decorated with a deer hunting scene inside Celtic border, in colours on a mushroom ground, unsigned, 369cm. x 268cm.
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£8001,200
179
178
181
An Art Deco ebonised wood mahogany and burr veneer occasional table, 60cm. diam., 61cm. high
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
182
A set of seven Art Deco gilt metal ceiling lamps, the tapering frame cast with foliage, set with frosted glass shades also cast in relief with foliate motif, a chrome metal standard lamp and two chromed metal ceiling shades unsigned 41.5cm. wide (a lot)
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£300500
183
An Art Deco burr maple veneer dining table and six chairs in the manner of Hille, with cream leather upholstery, glass top and a burr walnut fitted sideboard with bakelite handles, unmarked, table 182cm. x 90.5cm., chairs 93cm. high, sideboard 167cm. wide, 95cm. high, 63cm. deep
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£5001,000
184
An Art Deco patinated spelter sculpture of a woman with two Borzoi, on polished black slate base, unsigned, 66cm. wide
Provenance
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
185
An Arts and Crafts oak kneehole desk possibly Irish, the rectangular top above a carved frieze drawer decorated with sea horses, flanked by four further drawers with carved decoration, on spiral turned moulded column legs joined by stretchers unsigned 122cm. wide, 60cm. deep, 77cm. high
Provenance
Design 1860-1945, Bonhams New Bond Street, 21st November 2005, lot 7
The collection of William Billy Kidd and Elizabeth Kidd.
£150200
CLARICE CLIFF
186
‘Umbrellas and Rain’ a Clarice Cliff Fantasque Bizarre vase, shape no. 365, painted in colours between orange, yellow, green and blue bands, printed factory marks, professionally restoration to orange band, 21cm. high
Provenance
Clarice Cliff, Art Deco & Design, Woolley and Wallis, 21st March 2018, lot 36.
Private collection.
£400600
187
‘Circles and Squares’ a Clarice Cliff Fantasque Bizarre vase, shape no.358, painted in colours between orange, purple, green and blue bands, printed factory marks, professional restoration to blue band, 20cm. high
Provenance
Clarice Cliff, Art Deco & Design, Woolley and Wallis, 21st March 2018, lot 35.
Private collection.
£250350
188
‘Oranges Trees and House’ a Clarice Cliff Bizarre vase, shape no.386, painted in colours between orange and black bands, printed factory mark, small paint flake to top rim, 31cm. high
Provenance
Fieldings, 23rd April 2016, lot 199.
£300500
189
‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre Stamford tea for two, painted in colours, comprising teapot and cover, milkjug and sugar basin, two cups, saucers and a side plate printed factory marks, 11.5cm. high (teapot) (9)
Provenance
The Collection of David Latham.
Catalogue notes
The plate has an impressed date code for 1930.
Literature
Leonard Griffin, Taking Tea With Clarice Cliff, Pavilion, page 24 for a comparable tea set illustrated.
£1,5002,000
190
‘Crocus’ a Clarice Cliff Bizarre Chester fern pot, painted in colours above brown and green bands, a Conical sugar sifter, an Ashtead Pottery Bather figure by Allan Wyon and an Ashtead box and cover and a saucer, printed factory marks, 9.5cm. high (6)
£150250
191
‘Crocus’ a pair of Clarice Cliff Octagonal candlesticks, painted in colours between yellow, brown and green bands, printed factory marks, professional restoration to sconce of one, 20cm. high (2)
£200300
192
‘Solomon’s Seal’ a Clarice Cliff Bizarre Stamford tea for two, printed and painted in colours, comprising; teapot and cover, milkjug and sugar basin, two cups and saucers, printed factory marks, small chip to teapot cover, 12cm. high (8)
£200400
193
‘Crocus’ a Clarice Cliff Bizarre Isis vase, painted in colours between yellow, brown and green bands, printed factory marks, 24.5cm. high
Provenance
Fieldings, 26th October 2013, lot 283.
£200300
194
‘Rhodanthe’ a Clarice Cliff Bizarre vase, ovoid with flaring cylindrical neck, painted in colours, and a Clarice Cliff ‘Delecia Citrus’ cigarette and match holder, shape no. 463, printed factory marks, 9cm. high (2)
£150250
195
‘Pink Pearls’ a Clarice Cliff biscuit barrel and cover, shape no.355, painted in colours on a honey glaze ground, printed factory mark, 14.5cm. high (2)
£100200
196
‘Original Bizarre’ a Clarice Cliff vase, shape no.269, painted with green, blue and orange triangles, outlined in black between orange bands, printed factory mark, 15cm. high
Provenance
Fieldings, 26th April 2014, lot 458.
£150250
197
‘Forest Glen’ a Clarice Cliff waisted cylindrical vase, shape no. 602, painted in colours, printed factory marks, 17cm. high
Provenance
Decorative Art and Design, Bonham’s London, 27th September 2017, lot 137 where incorrectly catalogued as decorated in the Newlyn pattern.
Private collection.
£250350
198
‘Rudyard’ a Clarice Cliff Bizarre vase, shape no.120, painted in colours between blue, pink and green bands, printed factory marks, professional restoration to top rim, 26.5cm. high
Provenance
Clarice Cliff, Art Deco & Design, Woolley and Wallis, 21st March 2018, lot 38.
Private collection.
£350450
196 197
WEDGWOOD FAIRYLAND LUSTRE
199
A large Wedgwood Pottery Dragon lustre bowl designed by Daisy MakeigJones, printed in gilt to the exterior with a Chinese Dragon on orange lustre, the interior with butterflies on a blue lustre ground, printed and painted factory marks, 27cm. diam.
£150250
200
A Wedgwood Dragon lustre small bowl designed by Daisy MakeigJones, decorated in gilt on a pale blue lustre ground, another similar and two other Wedgwood lustre bowls, printed factory marks, 11.5cm. diam. (4)
£300400
201
‘Leapfrogging Elves’ a Wedgwood Fairyland lustre bowl designed by Daisy MakeigJones, printed and painted in colours and gilt on a midnight black ground, and a Wedgwood Fairyland Lustre ‘Woodland Bridge’ K’ang Hsi bowl, printed and painted factory marks, Woodland Bridge bowl repaired, 10cm. diam. (main bowl), (2)
£300500
202
‘Willow’ a Wedgwood Fairyland lustre vase designed by Daisy MakeigJones, printed and painted in colours and gilt on a midnight blue ground, printed and painted factory marks, 19cm. high
Provenance
Michael Kayne,
£300500
203
‘Leapfrogging Elves’ a Wedgwood Fairyland lustre bowl designed by Daisy MakeigJones, pattern Z4968, printed and painted in colours, highlighted in gilt on a midnight black ground, printed and painted marks, 12.8cm. diam.
£500800
204
‘Rainbow’ a Wedgwood Fairyland lustre vase designed by Daisy MakeigJones, printed and painted in colours, highlighted in gilt printed and painted factory marks, 21.5cm. high
£8001,200
205
A Wedgwood Fairyland lustre Imperial bowl designed by Daisy MakeigJones, decorated in the ‘Woodland Bridge’ pattern, the interior in the ‘Picnic by a River’ pattern, in colours, highlighted in gilt on a midnight black ground, printed and painted factory marks, small chip to foot rim, 20cm. diam.
£8001,200
206
‘Butterfly Woman’ a Wedgwood Fairyland lustre trumpet vase designed by Daisy MakeigJones, pattern Z4968, printed and painted in colours on a midnight black lustre ground, printed and painted factory marks, 24cm. high
£2,0003,000
204
203
207
Two Wedgwood Alphabet breakfast bowls designed by Eric Ravilious, each printed with vignette in black over a pale blue band, impressed and printed factory marks, 15cm. diam. (2)
£350450
208
A Wedgwood Pottery Queen Elizabeth II Coronation mug designed by Eric Ravilious, for the 1953 Coronation, printed in colours with heraldic motif below a band of fireworks, printed factory marks, 10.5cm. high
£150200
209
A Wedgwood Pottery Garden Implements lemonade jug designed by Eric Ravilious, printed with a barrel of garden tools, the reverse with gardening vignette, in black and ruby lustre on white, printed factory marks, 20cm. high
£150200
210
A Wedgwood Pottery Garden platter designed by Eric Ravilious, printed with a boy diving into a swimming pool vignette, in yellow and black on a white ground, and a Wedgwood Pottery Garden sauce boat saucer, printed factory marks, 32.5cm. wide (2)
£150200
211
A Wedgwood Pottery bowl designed by Keith Murray, with facetted rim, covered in a matt white glaze, a Wedgwood small ball vase lamp base designed by Keith Murray, a Wedgwood Lemonade jug and three tankards covered in a matt green glaze, a tall lemonade jug glazed matt yellow, two white jugs and two beakers, a Matt Green rectangular box and cover and a Matt White box, all designed by Keith Murray, printed factory mark, KM monogram 24cm. diam. (14)
£300500
212
A Pilkington’s Royal Lancastrian charger by William Mycock, decorated with a frieze of stylised birds in blue and turquoise on a grey ground, an Omega Workshops style large cup and saucer, a Wedgwood Pottery plate, a Moorcroft Pottery Flambe Leaf and Berry’ bowl, and a collection of pottery including Susie Cooper Studio pots impressed and incised marks, 35.5cm. diam. (a lot)
Provenance
The Collection of the Late Howard Duckworth.
£200300
213
A Carter Stabler and Adams Poole Pottery Fuchsia twinhandled vase by Ann Hatchard, ovoid, twinhandled form, painted in colours impressed factory marks, 23.5cm. high
£120180
214
A pair of Carter Stabler and Adams Poole Pottery Cherub candlesticks, model no. 986, painted in colours on a cream ground, impressed factory marks, 12.5cm. high (2)
£150250
215
A pair of Ashtead Pottery Genozo Lions designed by Percy Metcalfe, covered in a blue glaze printed factory marks, impressed artist signature, 18cm. high (2)
Provenance
The Collection of the Late Howard Duckworth.
£150200
216
A rare Wedgwood Brown Basalt vase designed by Keith Murray, cylindrical form with inverted top rim, the body with six turned, horizontal bands, impressed factory marks, printed facsimile signature, 23cm. high
Provenance
The Collection of David Latham.
£400800
217
A tall Wedgwood vase by Norman Wilson, slender, shouldered form with collar rim, glazed with an experimental bluegrey design with leaves, impressed Wedgwood NW marks, 42.5cm. high
Provenance
Peter Wilson Auctioneers, 16th February 2011 where stated this vase is one off experimental piece presented to the Vendor`s father who worked alongside Norman Wilson.
The Collection of David Latham.
Literature
Maureen Batkin, Wedgwood, Richard Dennis, page 224 plate LI for a comparable vase in a Moonstone glaze.
Design, Woolley and Wallis, 17th October 2018, lot 1140 for a comparable, smaller vase decorated with a Vorticist design by Norman Wilson.
£500800
218
A Wedgwood Tazza by Norman Wilson, footed form, the flaring bowl with cut horizontal bands, glazed black over white, impressed and printed factory marks and NW monogram, 25cm. diam. 17cm. high
Provenance
The Collection of David Latham.
£300500
217
216
219
A large Susie Cooper Productions Kestrel service designed by Susie Cooper, pattern no.479, painted with graduated rust bands, comprising; four tureens and covers, two serving platters, nine dinner plates, eight various entree plates, a Paris jug, two Kestrel teapots and covers, milkjug and sugar basin, six cups, nine saucers, a Kestrel coffee pot and cover, six egg cups, eight breakfast bowls, seventeen side plates, printed and painted marks, 14.5cm. high (Kestrel teapot), (a lot)
£400600
220
A Royal Doulton Pottery Pansy Series Ware service, pattern D.4069, printed and painted with pansy flowers, comprising; two teapots and covers, rectangular tray, nineteen teacups, twenty saucers, thirteen side plates, two graduated sugar basins, two graduated jugs, three various plates, two various serving bowls, two square large saucers, seventeen sandwich plates, and a centrepiece bowl printed and painted marks, 13.5cm. high (a lot)
£200300
221
A Royal Doulton Sung vase by Charles Noke, shouldered form covered in a running blue and purple glaze over flambe, and another smaller, printed and painted factory 15cm. high (2)
£200300
CARLTON WARE
222
‘Feathertailed Bird and Flower’ A Wiltshaw & Robinson Carlton Ware twinhandled footed dish, pattern no.3354, printed and painted in colours and gilt on a matt blue ground, another similar in the ‘Crested Bird and Waterlily’ pattern, a Carlton Ware ‘Sketching Bird’ footed bowl, pattern 3891 and a collection of Carlton Ware small coffee milkjug and sugar basins, printed and painted factory marks, damages, 30.5cm. wide (a lot)
Provenance
The Michael Burningham Collection.
£150200
223
‘Chinaland’ a Wiltshaw and Robinson Carlton Ware vase probably designed by Violet Elmer, pattern no. 3105, flaring cylindrical form, printed and painted in colours and gilt on a red lustre ground, a similar Carlton Ware ‘Cubist Butterfly’ vase pattern 3195, a pair of Carlton Ware ‘Stork and Bamboo’ vases pattern 2932, and twelve other Carlton Ware vases, printed and painted factory marks, hairline to Chinaland vase, damages, 21cm. high (16)
Provenance
The Michael Burningham Collection.
£150200
224
‘Bell’ a Wiltshaw & Robinson Carlton Ware pedestal bowl, pattern no.3788, printed and painted in colours and gilt on a red lustre, another Carlton Ware ‘Hollyhocks’ pedestal bowl, a Carlton Ware ‘Floral Comets’ and a large collection of Carlton Ware printed and painted in colours and gilt, 18cm. diam. (a lot)
Provenance
The Michael Burningham Collection.
£200300
225
‘Foxes Curled’ HN117 a Royal Doulton model of two foxes designed by Charles Noke, glazed in colours, a Royal Doulton Polar Bear flask and a modern Royal Dux model of a hound, printed and painted colours, professional restoration to ears, 12.5cm. wide (3)
£150200
226
A Royal Winton Sweet Nancy Breakfast set, printed in colours, comprising; teapot and cover, milkjug and sugar basin, one cup and a toast rack, on fitted tray, another Royal Winton Sunshine Breakfast set for two, a Royal Winton Sweet Pea cup on saucer tray, two dishes, a teacup, saucer and side plates, and a cruet set printed factory marks, 24cm. wide (tray), (a lot)
£250350
227
A large collection of ceramic dogs, including Royal Doulton, Beswick and Sylvac dogs printed and impressed marks, 27.4cm. high (largest), (a lot)
£300500
228
A Longwy Pottery solifleur vase, model D5047, enamelled with flowers and foliage in colours, a Yardley Old English Lavender advertising figure, a Royal Doulton The Mask Seller HN2103, and The Organ Grinder HN2173, a Rosenthal porcelain figural inkwell designed by Ferdinand Liebermann, and a collection of ceramic birds and figures including Royal Copenhagen, Lladro and Herend figures printed factory marks, Longwy vase restored, 22cm. high (a lot)
£300500
A set of Copeland Months of the Year tiles mounted in oak twofold screen, the corners set with Season’s tiles, printed in blue on a white ground, marks concealed in frame, 15cm. square (tiles)
74cm. wide, 81cm. high (frame)
Provenance
Michael Blood
The David Sheard collection.
Literature
Terence Lockett Collecting Victorian Tiles, ACC Books, page 170 figure 250 for the original design for May illustrated.
£500800
230
A Gothic Revival oak cabinet set with Mintons Art Pottery Cricket and Boating tiles, from the Old English Sports and Games Series, the rectangular cabinet with two hinged doors, each set with a tile, inside geometric borders ebonised and gilded, below pierced rail, on castors, with adjustable shelf, unsigned, tiles backs concealed,
82cm. wide
63cm. high
35cm. deep
Provenance
The David Sheard collection.
£200300
231
William Gladstone a Sherwin & Cotton tile designed by George Cartlidge, dated 1898, rectangular, sepia glazed, framed, two Grecian Water Carrier tiles designed by George Cartlidge and two other tile plaques of a young lady with a staff, impressed factory marks, monogram and date to Gladstone tile, 28 x 20.5cm. frame (5)
Literature
Tony Johnson, The Morris Ware, Tiles and Art of George Cartlidge, private press, page 52 catalogue number 111 for a comparable example of Gladstone.
Provenance
The David Sheard collection.
£120180
232
A large Minton & Hollins Aesthetic Movement tile by J Brooke, painted with a classical woman playing a lyre, inside a prunus tree border, with stylised flowers and foliage frame, in colours, framed impressed factory marks, painted signature, 30.5cm. square
Provenance
The David Sheard collection.
£150200
233
A set of Wedgwood Months of the Year tiles designed by Helen Miles, each printed with Victorian figures in shades of blue, framed in two panels, marks concealed, 15cm. square (tiles), 94 x 20cm. (panels), (2)
Provenance
The David Sheard collection.
£150200
234
A Minton’s Pottery Secessionist vase designed by Leon Solon and John Wadsworth, shouldered, swollen, cylindrical form, slip decorated with swags in yellow and green on a blue ground, printed factory marks, 32cm. high
£150200
235
A Martin Brothers stoneware jardiniere by Robert Wallace Martin, dated 1880, swollen, shouldered form, incised with scrolling foliage band in black and brown on a buff ground, incised Martin, London 28.12.80, crack to top rim, 24cm. high
Provenance
The Redstone collection.
£100200
236
A pair of Bursley Ware Seed Poppy vases designed by Charlotte Rhead, shouldered form, tubeline decorated with flowers and foliage in pink, purple and green on a blue ground, printed factory mark, minor glaze loss to foot of one, 19.5cm. high (2)
Provenance
From the collection of Ian and Rita Smythe.
£120180
237
A William De Morgan Persian twin handled vase , ovoid with cylindrical neck, painted with a serpent and winged dragon in blue, turquoise, green and aubergine on a white ground, unsigned, small chips to foot, 22cm. high
Provenance
The David Sheard collection.
£1,2001,800
238
A Minton’s Secessionist solifleur vase designed by Leon Solon and John Wadsworth, model no.28, ovoid with tapering cylindrical neck, tubeline decorated with columns of circles in green and cream on a red ground, a Minton’s Secessionist cylindrical vase and a Minton’s Secessionist plate, printed factory marks, professional restoration, 18.5cm. high (3)
£150200
239
A Mintons Pottery Secessionist floor vase designed by Leon Solon and John Wadsworth, model no.3573, shouldered cylindrical form with tapering collar neck, cast in low relief, printed and painted with Art Nouveau flowers and foliage in salmon pink, red and green on a turquoise blue ground, impressed factory marks, minor glaze loss, 48cm. high
£150200
240
A Wemyss Pottery Cabbage Rose wash basin and ewer, painted in shades of green, pink and brown on a white ground, and a Wemyss heartshaped inkwell, impressed and painted marks, inkwell missing covers and stained, 39cm. diam (basin), 28cm. high (ewer) (3)
Provenance
Glen House, Bruton.
£150200 241
A Sunflower Pottery vase by Sir Edmund Elton, shouldered, ovoid form with flaring neck with pinched rim, applied fish decoration in brown on a streaked green and blue glaze, a Sunflower Pottery vase and a smaller Sunflower Pottery vase, painted Elton mark, chip to top rim, hairline to vase, 14.5cm. high (3)
Provenance
The Collection of the Late Howard Duckworth.
£150200
242
‘Datura’ a Dennis China Works vase designed by Sally Tuffin, dated 2003, shouldered form, painted in colours, impressed and painted marks, 41.5cm. high
£150200
243
‘Hummingbird’ a Dennis China Works miniature vase designed by Sally Tuffin, dated 2003, painted in colours, a Kingfisher vase and another similar, impressed marks, 8cm. high (3)
£120180
244
A Phoenix Ware wall charger, tubeline decorated with a peacock, in colours, and another similar decorated with a bird perched in a flowering tree printed factory marks, 34.5cm. diam., (2)
£150200
245
‘Tulip Tree’ a Dennis China Works sample vase designed by Sally Tuffin, dated 2001, painted in colours impressed and painted marks, 20.5cm. high
£120180
246
‘Blue Carp’ a Dennis China Works vase designed by Sally Tuffin, dated 1995, painted in colours impressed and painted marks, 23cm. high
£120180
247
‘Serpent’ a Dennis China Works trial vase designed by Sally Dennis, dated 2002, painted in green and blue on a purple ground, impressed and painted marks, 31.5cm. high
£150200
248
Roger Cockram (born 1947)
Fish a hardpaste porcelain vase, elliptical form with pierced columns, painted with a large tropical fish, in colours, highlighted in gilt, impressed seal marks and incised signature, 36.5cm. high
Provenance
Roger Cockram Tropical Gold, an exhibition of ten pieces at Bonhams, 2010.
£120180
249
‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase designed by William Moorcroft, baluster form, painted in colours, on a graduated green ground, and another smaller, impressed factory marks, painted blue signature, original paper label, 16cm. high, (2)
Provenance
From the collection of Henry MylesTarlton (d.1946), Chief Engineer for Bird & Co Mining in India between 1912 and 1932.
£120180 244
250
‘Pansy’ a Moorcroft Pottery vase designed by Rachel Bishop ovoid, painted in colours on a burgundy ground, a Moorcroft Pottery
Pansy mantel clock, and a Moorcroft Pottery lamp base painted with tulips, impressed and painted marks, 19cm. high (3)
Provenance
From a private collection of Moorcroft Pottery.
£120180
251
‘Grape Vine’ a tall lustre vase designed by William Moorcroft, slender baluster form, tubeline decorated with bands of grape vine, in shades of purple, green and blue on a mottled lustre ground, painted Moorcroft signature, base drilled, 40cm. high
Catalogue notes
The base is signed W Moorcroft New York suggesting the vase was made for export to Tiffany’s New York.
Literature
Paul Atterbury Moorcroft, Richard Dennis Publications, page 62 figure 1 for a comparable lustre vase and also a lustre rose vase made for Tiffany’s New York.
£150250
252
‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered ovoid body with waisted cylindrical neck, tubeline decorated with trees in green and blue on a blue ground, impressed factory marks, painted blue signature, small glaze flake to foot rim, 24.5cm. high
£6001,000
253
A Poole Pottery Atlantis platter by Guy Sydenham, circular form, slip decorated with a stylised flowerhead motif, in brown, turquoise and tan on a white ground, impressed factory marks, incised GS monogram, 37.5cm. diam.
£120180
254
A pair of Richard Parkinson Pottery Lion and Unicorn figures designed by Susan Parkinson, produced for the 1953 Coronation of Queen Elizabeth II, painted in bluegrey on a white ground, impressed marks, painted Parkinson Brabourne, England, 22cm. wide (2)
Literature
Carol Cashmore & Tim SmithVincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 17 for a contemporary photograph of a comparable pair of Lion and Unicorn.
£150200
255
A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, pattern X/HZT, the pattern designed by Ruth Pavely and Ann Read, painted with scroll and panel design in red and grey on a cream ground, a large Poole Pottery Contemporary vase pattern X/GBA painted with basketweave design and a Poole Pottery Contemporary bottle vase pattern X/PJB, printed and painted factory marks, 19.5cm. high (3)
£300500
256
A Poole Pottery Studio vase designed by Robert Jefferson, ovoid, onion shaped with solifleur neck, glazed with columns of squares in salmon pink and buff on a spotted green ground, impressed Poole Studio mark, 12.5cm. hjgh
Literature
Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications page 111 for some original shape designs by Robert Jefferson.
£150200
FROM THE ESTATE OF RICHARD BATTERHAM
257
Richard Batterham (19362021)
a cutsided saltglaze stoneware teapot and cover, covered in a rust glaze unsigned 11cm. high (2)
Provenance
The Estate of Richard Batterham. £150200
258
Richard Batterham (19362021)
a cutsided stoneware bowl, covered in a black iron glaze, the interior ash unsigned, paper price label 16cm. diam.
Provenance
The Estate of Richard Batterham.
£120180
259
Richard Batterham (19362021)
a saltglaze stoneware bowl with chatter band to interior, the interior glazed ash, and another smaller bowl with chatter band unsigned, 27cm. diam (2)
Provenance
The Estate of Richard Batterham.
£120180
260
Richard Batterham (19362021)
a stoneware batter bowl, covered in an ash glaze, and another stoneware bowl, unsigned 24cm. high (2)
Provenance
The Estate of Richard Batterham.
£120180
261
Richard Batterham (19362021) four porcelain avocado bowls, covered in a pale celadon glaze
unsigned 12.5cm. diam. (4)
Provenance
The Estate of Richard Batterham.
£150200
262
Richard Batterham (19362021)
a small cutsided porcelain vase, shouldered form, covered in a pale white ash glaze, 10.5cm. high
Provenance
The Estate of Richard Batterham.
£150200
263
Richard Batterham (19362021)
a cutsided stoneware vase, shouldered form with flaring neck, covered in a blackiron glaze
unsigned 15.5cm. high
Provenance
The Estate of Richard Batterham.
£150200
264
Richard Batterham (19362021)
a stoneware jug, covered to the neck in ash, the body black iron unsigned, 22.5cm. high
Provenance
The Estate of Richard Batterham.
£120180
265
Richard Batterham (19362021)
a tall stoneware jar covered with an ash glaze to the shoulder, the body black iron, unsigned 38.5cm. high
Provenance
The Estate of Richard Batterham.
£150250
266
Richard Batterham (19362021)
a large stoneware box and cover with chatter band, covered in an ash glaze, and two graduated stoneware souffle dishes unsigned, painted 19 12.5cm. diam. (4)
Provenance
The Estate of Richard Batterham.
£150200
267
Richard Batterham (19362021)
a stoneware circular box and cover with chatter band, and another box and cover larger, unsigned, painted cobalt 19 9.5cm. diam. (4)
Provenance
The Estate of Richard Batterham.
£150250
268
Richard Batterham (19362021)
a saltglazed stoneware box and cover, covered in a rust coloured glaze, and another saltglazed stoneware box and cover, unsigned, incised 23 9.5cm. diam. (4)
Provenance
The Estate of Richard Batterham.
£150200
269
Richard Batterham (19362021)
a stoneware beaten jar and cover, covered with an ash glaze, unsigned, painted number 17, cover repaired by Richard, firing fault to side of jar 19.5cm. high (2)
Provenance
The Estate of Richard Batterham.
£150200
270
Reuben Batterham (19362021)
an unusual saltglaze stoneware bellied jug, unsigned, incised 19, small chip to top rim, 23cm. high
Provenance
The Estate of Richard Batterham.
£120180
271
Richard Batterham (19362021)
275
Richard Batterham (19362021)
a saltglazed stoneware jug, covered to the shoulder with ash unsigned, incised RC mark 17.5cm. high
Provenance
The Estate of Richard Batterham.
£120180
272
Richard Batterham (19362021)
a small saltglaze stoneware cutsided bowl unsigned 18cm. diam.
Provenance
The Estate of Richard Batterham.
£120180
273
Richard Batterham (19362021)
a cutsided stoneware bowl, covered in an ash glaze unsigned 21.5cm. diam.
Provenance
The Estate of Richard Batterham.
£150200
274
Richard Batterham (19362021)
a small, saltglazed stoneware cut sided bowl unsigned, 16cm. diam.
Provenance
The Estate of Richard Batterham.
£120180
a cutsided stoneware bowl, covered in an ash glaze, unsigned 16.5cm. diam.
Provenance
The Estate of Richard Batterham.
£120180
276
Richard Batterham (19362021)
a large stoneware bowl with chatter band covered in an ash glaze, and another smaller, unsigned, paper exhibition label, no.165 27.5cm. diam. (2)
Provenance
The Estate of Richard Batterham.
£150200
277
Richard Batterham (19362021)
a cutsided stoneware bowl, glazed iron over ash to the interior, unsigned 20cm. diam
Provenance
The Estate of Richard Batterham.
£150200 274
VARIOUS PROPERTIES
Φ 278
Richard Batterham (19362021)
a stoneware jar and cover, covered to the foot in a manganese glaze
unsigned, 13.5cm. high
£150200
Φ 279
Richard Batterham (19362021)
a stoneware cutsided sugar jar and cover, covered to the foot in a manganese glaze
unsigned 12cm. high (2)
£150200
Φ 280
Richard Batterham (19362021)
two stoneware jars and covers with chevrons, covered to the foot with an ash glaze
unsigned 17.5cm. high (4)
£200300
Φ 281
Richard Batterham (19362021)
a stoneware jar and cover with chevron design, covered in an ash glaze
unsigned, 14.5cm. high (2)
£150200
Φ 282
Richard Batterham (19362021)
a stoneware cutsided bowl, covered to the foot in an ash glaze unsigned, cobalt painted 4 13cm. high 22.5cm. wide
£150250
Φ 283
Richard Batterham (19362021)
a stoneware batter bowl, covered to the foot with an ash glaze, a twinhandled bowl, a supper dish and a shallow bowl, unsigned, minor chips, 20cm. wide (4)
£150250
Φ 284
Richard Batterham (19362021) a tall stoneware storage jar and cover with chatter bands, covered to the foot in an ash glaze, unsigned 30cm. high (2)
£300500
Φ 285
Richard Batterham (19362021) a tall storage jar and cover, covered to the foot in an ash glaze unsigned 31cm. high (2)
£400600
Φ 286
Richard Batterham (19362021) a porcelain cutsided vase with chatter band to neck, covered in a pale celadon glaze, and another smaller unsigned, 14.5cm. high (2)
£200300
Φ 287
Richard Batterham (19362021) a stoneware teapot and cover, covered to the foot in an ash glaze, unsigned 15cm. high (2)
£200300
Φ 288
Richard Batterham (19362021) a stoneware Melon teapot and cover, covered to the foot in an ash glaze, unsigned 16cm. high (2)
£200300
Φ 289
Michael Cardew CBE (19011983) a Wenford Bridge stoneware Gwari casserole and cover, twinhandled form with piecrust band, glazed in ochre, five serviette rings attributed to Michael Cardew and a Fertility egg stoneware sculpture in three parts by Eileen Lewenstein impressed factory marks, two small chips to cover 22cm. high (10)
Literature
Michael Cardew Crafts Advisory Committee, page 70 for a comparable example illustrated.
£400500
Φ 290
Michael Casson OBE (19252003)
a large saltglaze stoneware Gozo bowl, twinhandled form, with olive green glaze to interior, impressed seal mark, bloats to interior, 43cm. wide.
Provenance
Purchased from the artist directly
£120180
291
Jim Malone (born 1946)
an Ainstable Pottery stoneware footed bowl or chawan, incised with grasses, covered in an ash glaze, another two similar by Jim Malone, and a faceted bowl by Jim Malone impressed seal marks, 11.5cm. diam, 8cm. high (4)
£120180
Φ 292
Stella R Crofts (18981964)
Cheetah Family
a rare stoneware sculpture, glazed in colours, incised Stella R Crofts, pencil price and title annotation, 21cm. wide
Provenance
The collection of Mrs A Fletcher, Woolley and Wallis, 13th April 2010, lot 1055.
Private collection.
£400600
Φ 293
Waistel Cooper (19212003)
a stoneware vase, ovoid with collar rim, drilled for use as a lamp, covered with a running organic white glaze over matt brown, painted Waistel signature, 15.5cm. high
£200300
294
A Fulham Pottery vase designed by Constance Spry, model no.35, footed, flaring twinhandled form, glazed to interior, impressed and incised marks, facsimile signature, 21cm. high, 45cm. wide.
Literature
Brighton Museum & Art Gallery, for a comparable example.
£150250
295
A Fulham Pottery wall pocket designed by Constance Spry, flaring fluted form, impressed marks, 41cm. wide
£120180
Φ 296
Bruce Winn (19592012)
a porcelain chawan, dated 1992, faceted form with painted decoration and a footed unomi by Bruce Winn and three Chuck Schwartz chawans incised signature and date 92, 8.5cm. high
13.5cm. diam. (5)
£120180
297
Tsubusa Kato (born 1962)
a porcelain Chawan or tea bowl, painted with simple brushed design in blue on a white glaze another Tsubusa Kato porcelain chawan or tea bowl and two porcelain footed unomi incised marks to base, applied paper label TK15
14.5cm. wide (4)
Provenance
Michael O’Connor collection.
Literature
Ten Japanese Potters and a Tea Ceremony, Goldmark Gallery, July 2014, for a comparable group of Tsubusa Kato tea bowls.
£150250
298
Takeshi Yasuda (born 1943)
296 part 298
297 part
a creamware jug flaring cylindrical form covered in a light honey glaze, and three plain creamware side plates by Takeshi Yasuda, impressed seal marks and paper labels, 15cm. high (4)
£120180
299
Antonia Salmon (born 1959)
Boat Piece, Part II
a raku fired sculpture, incised AS monogram, blade repaired 13cm. high (2)
Provenance
The Gallery Upstairs, Henley in Arden. Private collection.
£5080
Φ 300
Antonia Salmon (born 1959)
Holding Piece Part II
a raku sculpture, and a small dish, elliptical form decorated with geometric design incised AS monogram, dish incised DML 11/63 12cm. high (3)
Provenance
The Gallery Upstairs, Henley in Arden. Private collection.
£150200
300
299
Takeshi Yasuda (born 1943)
a stoneware pot and cover, footed, circular section, slip decorated on a speckled oatmeal ground, under translucent offwhite glaze, unsigned 17.5cm. diam. (2)
£150200
302
Takeshi Yasuda (born 1943)
a creamware composite part service, covered in a pale honey glaze, comprising, five various bowls, four side plates and five dinner plates, some with slip decoration, impressed seal marks and paper labels to some, minor damages
27cm. wide (dinner plate)
17.5cm. diam (largest bowl) (14)
£150200
Φ 303
Dan Kelly (born 1953)
a stoneware vase, waisted form glazed bronze, and two other similar vases by Dan Kelly another Dan Kelly Ovoid Torn Vessel and a large pottery plaque unsigned 14.5cm. high (5)
£120180
Φ 304
Gordon Baldwin (born 1932) Ceramic Card, 1972 painted in colours signed, dated and dedicated to the reverse 21.5cm. high
£120180
Φ 305
Nancy Baldwin (19342021)
untitled, nude figure in a landscape, 1991 acrylic on paper, framed signed and dated 76.5 x 56.5cm. (sheet)
£120180
306
Colin Pearson (19232007)
an early stoneware vase, shouldered form, covered in a dark chestnut brown and blue glaze, and two other early vases by Colin Pearson, impressed seal marks, 31cm. high (3)
£120180
307
Peter Beard (born 1951)
Hexagonal vase with wavy lines wax resist in turquoise impressed seal mark, 22cm. high
£400500
308
Peter Beard (born 1951)
Vessel with neck blue wax resist impressed seal mark
19.5cm. high
£300400
Φ 309
Carolyn Genders (born 1957)
Block Print, 2004
a large earthenware vase, dated 2004, disc form, with terra sigillata and sgraffito geometric design, with shell pink brush marks on a mushroom ground, incised signature and date 2004, no.53 55cm. high
Provenance
The Tom Watkins Collection.
£200300
Φ 310
Peter Wright (19112003)
Large Couple,
stoneware interlocking figures, matt white glaze with highlights incised Wright 18.100 33.5cm. high (2)
Provenance
Beaux Arts, Bath 1996. Private collection.
£150200
Φ 311
Louise Block
Burnished Form, 1990
raku pottery
etched signature and date 40cm. high
Provenance
Beaux Arts, Bath 1996. Private collection.
£150200
CONTINENTAL CERAMICS
312
A tall Art Nouveau Clement Massier vase, compressed body with tall tapering knopped neck, painted with peacock feathers in golden iridescent glaze over red, An Art Nouveau Clement Massier vase, An Art Nouveau Delphin Massier Vallauris vase and an Art Nouveau ‘Zumbo’ solifleur vase, unsigned, small frits to top rim, 32.5cm. high (4)
£300500
313
An Art Nouveau pottery vase probably Tiffany Studios, swollen cylindrical form, with pinched lugs and squared top rim, covered with a running red lustre over matt celadon green and an Art Nouveau pottery solifleur vase probably Massier, unsigned, small chip to top rim, 11cm. high (2)
£200300
314
An Art Nouveau Clement Massier gourd vase, ribbed, shouldered form, painted with stylised flowers in a golden lustre and an Art Nouveau Clement Massier pottery vase, moulded CM to base, 9cm. high (2)
£200300
315
An Art Nouveau Zsolnay Pecs Pottery vase, tapering cylindrical form with swollen neck, covered in a golden iridescent glaze and two other Art Nouveau Zsolnay Pecs pottery vases, unsigned, 10.5cm. high (3)
£150200
316
A TL Delft pottery vase, shouldered ovoid form, with knopped neck, covered in a streaked red and gold glaze, a TL Delft plate with scallop rim, An Art Nouveau Herman Kahler Danish pottery vase and four other Art Nouveau vases, painted marks, 18cm. high (7)
£150200
317
A Limoges Porcelain La Grande Guerre coffee set with designs by Job (Jacques Marie Gaston Onfroy de Breville), comprising, coffee pot and cover, milkjug, sugar basin and cover, nine cups and ten saucers, printed with first world war military scenes, in colours printed factory marks, 19cm. high (24)
£300500
318
A Simon Gerz stoneware ewer designed by Peter Behrens, model no.1146, incised geometric decoration glazed blue on a grey ground, impressed factory marks, flat chip to spout, 24.5cm. high
Literature
Peter Greenhalgh, Art Nouveau, Victoria & Albert Museum, page 198 plate 12.6 for a comparable ewer illustrated.
£150200
319
An Art Nouveau Gouda Pottery vase, shouldered baluster form, painted with flower and foliage in colours, an Art Nouveau Gouda Regina vase and a Gouda pot and cover, painted marks, 30.5cm. high (4)
£150250
320
An Art Nouveau Rozenburg footed vase, pattern 1058, painted with flowers and foliage in colours, printed and painted marks, 17.5cm. diam.
£150200
321
An Art Nouveau Amphora jug, tapering form modelled in low relief with lily pads, glazed in matt colours and another Art Nouveau Turn jug similar, impressed marks, 30cm. high (2)
£200300
322
An Art Nouveau Zsolnay Pecs vase, model no.6015, shouldered form with modelled lug handles, painted with stylised grasses in green lustre impressed marks, 15.5cm. high
£300500
323
Ferdinand Liebermann (18831941)
The Philosophical Dispute a Rosenthal porcelain figure group, model no.1520 signed in the cast, restored finger 29cm. wide
£120180
324
A Doulton Lambeth Majolica Ware planter, rectangular on four scroll feet, modelled in low relief with panels of stylised flowers and foliage in green and mushroom, impressed factory marks, repaired finial, minor chips, 32.5cm. wide, 23cm. high
Literature
Desmond Eyles & Louise Irvine, Doulton Lambeth Wares, Richard Dennis, page for a comparable clock garniture in the Majolica Ware range.
£100200
325
325
A Royal Copenhagen porcelain Boy on a Rock figure designed by Christian Thomsen, model no. 1659, glazed in colours, and a collection of Royal Copenhagen figures, printed and painted factory marks, 32cm. high (a lot)
Provenance
Continental Decorative Arts, Christie’s South Kensington, 27th June 1997, lot 203 (boy on a rock).
The Daryl Fromm collection.
£50100
326
A Royal Copenhagen porcelain Ali & Peribanu figure group designed by Gerhard Henning, model no.2274, dated 31st October 1925, glazed in colours, and a Royal Copenhagen figure group of Adam and Eve by Hans Henrik Hansen, printed and painted factory marks, 23cm. diam. (2)
£300500
327
A Royal Copenhagen stoneware figure of a woman designed by Johannes Hedegaard, model no.21639, modelled standing holding a blue towel, signed and factory marks, to base, 53.5cm. high
£120180
328
A pottery model of a seated monkey probably Dutch in the manner of Joseph Mendes Da Costa, modelled seated on a square plinth, covered in a brown glaze, unsigned 18cm. high
£120180
329
A Royal Copenhagen stoneware model of a seated monkey by Knud Kyhn, model no.20187, four other stoneware monkeys, and two stoneware dishes, printed and painted marks, 8.5cm. high (7)
£50100
330
A small Goldscheider Pottery mask, model no.6086, stylised features painted in turquoise and orange printed and incised marks, 14cm. high
£120180
331
A Goldscheider Pottery model of Pantalone and Colombina designed by Josef Kostial, model no. 5517, painted in colours printed and impressed factory marks, restored base, 36cm. high
£250350
332
The Captured Bird a Goldscheider Pottery model of a bat girl dancer designed by Josef Lorenzl, model no.5230, modelled standing with arms outstretched, her cape decorated with a butterfly wing design, glazed in colours impressed and painted marks, professional restoration to hand, 47cm. high
Provenance
Private collection.
Literature
Ora Pinhas Goldscheider, Richard Dennis Publications, this actual figure illustrated on the front cover.
£1,0001,500
333
A Goldscheider Pottery model of a young girl reading by Claire Weiss, model no.6769, the young student modelled seated reading from a book, glazed in colours impressed and printed factory marks, signed to base, professional restoration to leg, 20cm. high
Literature
Ora Pinhas Goldscheider, Richard Dennis, page 133 for a comparable example illustrated.
£8001,200
336
334
A large crackle glaze model of a fish, covered in a cream crackle glaze, another smaller designed by A Fontinelle, and a spherical pottery vase modelled in low relief with fish, main unsigned, flat chips to main fish and one to vase rim, 29cm. high (3)
£150200
335
A Carlton Ware Glacielle Polar Bear, modelled standing, covered in a textured white glaze, a model of a resting deer similar, a French Glacielle model of a duck and two models of Polar Bears, applied label to main, 20cm. wide (5)
£150200
336
A Gouda Pottery model of a fencer, the male figure modelled standing holding his sword, covered in a cream glaze, a Gouda Pottery model of three stylised owls perched on a plinth, a smaller pottery model of a skier, and two other pieces, printed factory mark, chip to owls, 29cm. high (5)
£150200
337
A Primavera Pottery model of a lying rabbit, covered in a cream glaze, an Art Deco Lemanceau model of a Deer, a Langley model of a seated fox and seven other pottery figures printed factory marks, minor damages, 20.5cm. wide (rabbit), (10)
Literature
Patrick Malaureille Craqueles, Massin, page 35 deer illustrated.
£150200
338
A crackle glazed model of an eagle by Vallon, modelled perched on a plinth, covered in a cream glaze, a Belgium model of a pigeon and two other pottery birds indistinct impressed mark, damages, 25cm. high (4)
£150200
339
A Jacques Adnet Pottery model of a Mandarin Duck, covered in a cream glaze, another Pigeon Tete Penchee designed by Jacques Adnet and two other cream glazed doves designed by Adnet cast Adnet mark, 19cm. wide (duck), (4)
Literature
Patrick Malaureille Craqueles, Massin, page 24 pigeon illustrated.
£150200
340
An Art Deco crackle glazed pottery model of a deer running, covered in a white crackle glaze, unsigned 28cm. high, 41cm. wide
£150200
341
A large Art Deco Kalakoff pottery model of a running deer by Yerna, modelled running through grasses, covered in a grey and ochre glaze, impressed signature, 69cm. wide
£120180
342
A Pottery model of a Horse in the manner of Primavera, modelled standing with head down grazing, covered in a white glaze and another similar covered in a crackled white glaze incised France to one foot, glaze loss, 26cm. wide (2)
£150200
343
A large Atelier Primavera pottery model of a Toy Poodle, the design attributed to Madeleine Sougez, modelled seated, wearing green collar, painted rust spots and brown details, on a cream ground, impressed factory mark, minor chips, 43cm. high
£150250
344
A Lenci Pottery model of a comical young elephant designed by Elena Scavini, model no. 1024, modelled sitting on a cactus, in colours, impressed and painted marks, 28cm. high
£300500
345
A pair of Longwy Pottery tiles, each painted with exotic birds in a garden landscape, in colours on a cream ground, framed, marks concealed 23.5cm. square (2)
£150250
346
A Robj Paris Pottery brule parfums, modelled as a kneeling Egyptian, glazed in colours with gilt highlights, and a Clarice Cliff Pixie mug, signed Robj Paris, 19.5cm. high (2)
£150200
347
Two Robj Paris Village Counsel porcelain jars and covers, each printed and painted in colours, one modelled as a bourgeois, the other a military man, highlighted in gilt, painted factory marks, 11.5cm. high (4)
£200400
348
A Bitossi Pottery model of a horse designed by Aldo Londi, modelled standing, impressed decoration, covered in a yellow glaze, painted marks, 26cm. high, 26cm. wide
£150250
349
A large Vallauris Pottery plaque designed by Roger Capron, painted with two classical Greek soldiers, in colours, a small Vallauris footed dish, a small porcelain vase by Geoffrey Swindell a David Leach fluted porcelain bowl and two other items painted marks, bruise to rim, 52.5cm. long (6)
£150250
350
Yasin Gelik
a large Iznik wall charger, painted with flowers and foliage panels in blue, black, turquoise and green on a white ground, painted marks, 55cm. diam.
£150200
351
Eight Fornasetti Le Oceandi plates designed by Pierro Fornasetti, each printed in black and white with a surrealist image of a woman in a shell set in a landscape, printed factory mark, 26cm. diam. (8)
£400600
DAY TWO
THURSDAY 17TH OCTOBER 2024
10.00AM - LOTS 352-721
GLASS
352
A James Couper and Sons Clutha Glass vase designed by Dr Christopher Dresser, tapering cylindrical form with flaring rim, mottled olive green glass with air bubble inclusions, internally decorated with white stripes, and another similar, acid etched Clutha glass mark, small chip to rim of second vase, 7cm. high (2)
Literature
Michael Whiteway Christopher Dresser 18341904, Skira, page 194 figure 238 and 239 for comparable examples illustrated (there is also a comparable example in the Wurttembergisches Landesmuseum, Stuttgart).
£200400
353
A Moncrieff’s Monart glass vase, footed, flaring blue glass cased in clear, with air bubble inclusions, and another Monart glass vase red graduating to brown with whorls, unsigned, 22cm. high (2)
£150250
354
An etched glass vase in the manner Rodrigo Moynihan, flaring form on three applied feet, etched with a simple waving leaf design, a James Powell Whitefriars trailed footed bowl, three John Walsh Walsh Leaf vases designed by Clyne Farquarhason, an etched jug and a vase, and two Newlyn copper pen trays, unsigned, 10cm. high (9)
Provenance
The Collection of the Late Howard Duckworth.
Literature
British Artists in Crystal, 1954, for a comparable example made by Steuben.
£100200
355
A large James Powell & Sons Whitefriars Sea Green glass ribbon trailed vase designed by Barnaby Powell, ovoid form, unsigned, 22cm. high
Literature
Lesley Jackson, Whitefriars Glass, Richard Dennis, page 122 plate 107 for a comparable vase illustrated.
£120180
356
An olive green glass vase probably Whitefriars,, footed, flaring cylindrical form, cut with bands of disc and panel decoration, unsigned, 24.5cm. high
£150250
357
A James Powell & Sons Whitefriars Streaky glass vase designed by Marriott Powell, flaring cylindrical form blue glass internally streaked in blue and purple, unsigned, 22.8cm. high
£120180
358
A James Powell & Sons Whitefriars glass vase probably designed by Barnaby Powell, swollen cylindrical sky blue glass with amethyst tears, and a footed bowl in the same range, unsigned, 19.5cm. high (2)
Literature
Lesley Jackson, Whitefriars Glass, Richard Dennis, page 124 plate 113 for comparable examples illustrated.
£150250
359
A Whitefriars gold amber glass footed bowl by Barnaby Powell, pattern no.8736, the drum foot supporting shallow bowl, cut with panels of geometric design, and a Whitefriars footed amber glass bowl probably with simple cut bands, unsigned, 22cm. diam, 11cm. high, (2)
Literature
Lesley Jackson, Whitefriars Glass, Richard Dennis, page 127 plate 122 this design illustrated.
£150250
360
Anthony Stern (19442022)
a glass vase, patchwork design with aventurine, cased in clear, and another similar, etched signature to base 21cm. high (2)
£150200
361
A Whitefriars striped Studio glass vase designed by Peter Wheeler, cylindrical form with inverted rim, opaque glass cased in Orange with streaks, another smaller and two Old Gold vases similar, unsigned, one with label, 25.5cm. high (4)
Literature
Lesley Jackson, Whitefriars Glass, Richard Dennis, page 142 plate 167 this range illustrated. Geoffrey Baxter’s assistant Peter Wheeler designed this range in 1969.
£150250
362
A Whitefriars glass Kingfisher Blue Hoop vase designed by Geoffrey Baxter, textured glass unsigned 28.5cm. high
£150250
363
A Whitefriars Willow glass shouldered vase designed by Geoffrey Baxter, unsigned, applied paper label, 23cm. high
£150250
364
A Whitefriars Willow glass Banjo vase designed by Geoffrey Baxter, shape no.9681, textured finish, unsigned, 31.5cm. high
£300500
362
365
A Whitefriars Cinnamon glass Drunken Bricklayer vase designed by Geoffrey Baxter, pattern no.9672, textured finish, unsigned, remains of Design Centre, London retail label to base, 33cm. high
£300500
366
A Whitefriars Tangerine glass Drunken Bricklayer vase designed by Geoffrey Baxter, pattern no.9672, textured finish, unsigned, 33.5cm. high
£300500
367
A Whitefriars Indigo glass Drunken Bricklayer vase designed by Geoffrey Baxter, pattern no.9672, textured finish, unsigned, 33.5cm. high
£300500
368
A Loetz glass vase designed by Michael Powolny, swollen, fluted form with flaring neck, pale green with veined blue, applied blue rim, on three blue glass feet, unsigned, 15.5cm. high
£200300
369
A Loetz Creta Rusticana glass vase, flaring textured form with knopped neck, unsigned, 17.5cm. high
£150200
370
An Art Nouveau Galle cameo glass Landscape vase designed by Emile Galle, shouldered opaque glass with pink blush to shoulder, cased in yellow and brown, acidetched with a treelined lakeside vista, cameo signature Galle to side, 14.5cm. high
Provenance
Roger Harris Glass
Private collection.
£500800
371
A Baccarat glass fish centrepiece the design attributed to Georges Chevalier, the clear glass fish with cut scale decoration on stylised wave base, unsigned, 29cm. wide
Literature
Art of the Table Drouot 18th November 2021, lot 192 for a comparable example.
£400600
372
A Val St Lambert red cased glass vase in the manner of Charles Graffart, footed, form with cut decoration, with red cased diamond band, unsigned, 30.5cm. high
£300500
370 two sides
373
An Art Deco Daum Nancy and Majorelle blown glass vase, pink and blue mottled glass with silver aventurine inclusions, blown through patinated wrought iron mount, the mount with twin strap handles, etched Daum Nancy France and Majorelle to base, 19cm. high
£300500
374
A large Daum clear glass vase with applied handles, the thick, flaring cylindrical glass body internally decorated with air bubbles, with applied handles, etched Daum Nancy France to the foot rim, 28cm. high
£300500
375
An MVM Cappellin & Co amethyst glass footed bowl, the flaring foot with knopped stem, supporting gadrooned bowl, etched MVM mark and signature, 15.5cm. high, 24cm. diam.
£150200
376
A Daum Nancy green glass vase, the thick flaring glass body with applied handles, etched Daum Nancy France mark, applied paper retail label for Pierre Cretin, Dijon, 19cm. high
£150200
377
An Art Deco amethyst glass decanter and six glasses, the decanter and stopper tapering facetted form with cut decoration, and six en suite glasses, and three Art Deco amber glass pots and covers, unsigned, 18.5cm. high (14)
£120180
378
A Leerdam Unica glass vase the design attributed to A D Copier, thick, flaring cylindrical glass body with inverted rim, and a Verlys blue glass bowl with wrought iron mount in the manner of Edgar Brandt, acidetched LD mark, moulded Verlys mark, 18cm. high (Leerdam), (2)
£150200
379
A Modernist mirrored glass tray the designed attributed to Jean Luce, oval section with acid etched band, unsigned, 54.5cm. wide
£80120
380
A tall Orrefors clear glass vase probably by Nils Landberg, flaring, hexagonal form on foot, etched with a naked maiden raising up a bouquet of flowers, in a wild flower meadow, and two smaller clear glass vases with applied white metal mounts, main vase etched Orrefors, Landberg Expo, 30cm. high (3)
£150250
381
Primeveres’ no.77 a Lalique opalescent glass box designed by Rene Lalique, and another opalescent glass Sultane box by Rene Lalique, impressed R Lalique, and etched France No.77, covers missing, chips to second box, 16cm. diam (2)
£150250
382
A modern Lalique glass Caroline model of a turtle, clear and frosted glass with amber glass shell, etched Lalique France, 14.5cm. long
£80120
383
‘Volubilis’ no.383 a Lalique amber glass dish designed by Rene Lalique, wheel cut R Lalique France, 21.5cm. diam.
£150250
384
‘Ondines’ No. 380 a Lalique opalescent glass bowl designed by Rene Lalique, cast R Lalique to side of base, etched Lalique to base, 20.6cm. diam.
Provenance
Private collection.
£8001,200
385
‘Ondines’ No. 3003 a Lalique opalescent glass plate designed by Rene Lalique, etched R Lalique France marks, 27.3cm. diam
Provenance
Private collection.
£8001,200
386
‘Ondines’ no.3003 a Lalique opalescent glass plate designed by Rene Lalique, stencil R Lalique France 27.5cm. diam.
£200300
386A
An Etling opalescent glass Nue au Bras Tendu figure designed by Lucille Sevin, modelled as a standing naked female figure draped with a long flowing cape, on stepped base, cast Etling France to base, 20.5cm. high
Provenance
Private collection.
Literature
Victor Arwas, Art Deco Academy Editions, back cover (and page 252) for an example of this figure illustrated.
£8001,200
‘Les 5 Forvil Chypre’, a set of three Lalique clear and frosted glass scent bottles designed by Rene Lalique, in original card presentation case with pink silk lining, cast R Lalique Made in France, etched 932 to base, 9.3cm. high (4)
Literature
Mary Lou & Glenn Utt Lalique Perfume Bottles, Thames & Hudson, page 80 figure 147 for a comparable set of Les 5 Forvil bottles in presentation box illustrated.
£6001,000
388
‘Le Corail Rouge’ 3 a rare Lalique glass scent bottle designed by Rene Lalique, for Forvil, designed 1922, clear and frosted glass with coral red enamel, in original card presentation case, cast R Lalique France mark, 10.2cm. high
Literature
Lalique - A Private Collection of Scent Bottles, 17th February 2022, Lyon & Turnbull, lot 87for a comparable scent bottle. Mary Lou & Glenn Utt Lalique Perfume Bottles, Thames & Hudson, page 79 figure 144 for an example of this bottle illustrated.
£4,0006,000
PERFUME BOTTLES
389
‘Sleeping’ a Baccarat glass scent bottle and stopper for Schiaparelli, clear glass body with red glass flame stopper, highlighted in gilt, moulded factory marks, 20.5cm. high (2)
£150200
390
‘Le Frefle’ a clear glass scent bottle and stopper for Piver, in printed card and silk presentation box, paper labels, 10cm. high (4)
£150250
391
‘Liu’ a black glass scent bottle and stopper for Guerlain, in presentation card box, cast mark to stopper, paper labels, 6cm. high (3)
£150200
392
‘Aveu’ a clear glass perfume bottle for Roger & Gallet, in original card presentation box, paper labels 8cm. high
£150250
393
‘Kobako’ a small clear and frosted glass perfume bottle and stopper for Bourjois, in bakelite presentation case cast marks to case 5.5cm. high (4)
£120180
394
‘Dragonfly’ a glass, perspex and chrome perfume bottle and stopper for Delavelle, in original card box, the bottle modelled as a dragonfly, paper label, 6.5cm. long
£150250
395
‘Xanadu’ a black glass perfume bottle and stopper for Fragrance ltd, in original card presentation box, paper labels, 10.5cm. high
£300400
396
‘Hirondelle’ no.1143 a Lalique clear and frosted glass book end originally designed by Rene Lalique, a modern Lalique lion ashtray, a small Lalique amber glass puffer fish, and a set of three Les Mascottes Lalique clear and glass scent bottles, and a Cristal Lalique Amethyst scent bottle in fitted case, stencil Lalique France mark, 15.5cm. high (7)
£150200
397
‘Prestige’ a clear and frosted glass perfume bottle and stopper designed by Julien Viard for Gueldy, with sepia staining, cast Prestige Gueldy, etched 98, 15.5cm. high (2)
Literature
Christie Mayer Lefkowith, Masterpieces of the Perfume Industry, Editions Stylissimo, page 116 this design illustrated.
£600900
398
A Baccarat Le Parfum D’Antan perfume bottle and stopper, clear and frosted glass scent bottle and stopper, the stopper modelled as a butterfly, in original presentation card box for Parfums D’Orsay, unsigned, 9.5cm. wide
Literature
Christie Mayer Lefkowith, Masterpieces of the Perfume Industry, Editions Stylissimo, page 79 plate 121 for a comparable bottle illustrated. Baccarat-Les Flacons de ParfumsHenri Addor & Associes, page 83 for a comparable example.
£400500
399
‘Feerie’ a clear and frosted glass perfume bottle for Rigaud, in original card presentation box, applied paper label 10cm. diam.
£250350
400
A Sabino opalescent glass scent bottle and stopper, shouldered form cast in low relief with a frieze of seminaked maidens etched Sabino Paris 9.5cm. high (2)
£100150
401
‘Worth’ three graduated blue glass perfume bottles and stoppers designed by Rene Lalique for Worth, cast R Lalique mark, 12.5cm. high (tallest), (6)
£200300
398
402
Tina Cooper (born 1963)
a glass vase with applied flower stems, incised signature, 2004, chips 50cm. high
Provenance
Glen House, Bruton.
£80120
403
An Orrefors faceted glass Graal dish designed by Edward Hald, faceted glass internally decorated with fish and water weed in green etched Orrefors marks, small chip to edge, 16.5cm. wide
£150250
404
A Daum Nancy clear glass vase, square section, flaring to pulled rim with clear glass lug handles, etched Daum France to side of base rim, 25.5cm. high
£150250
405
A Murano glass vase in the manner of Aureliano and Toso designed by Dino Martens, flaring cylindrical form with pinched rim, red glass inlaid with canes and aventurine, cased in clear, two others similar and a dish, unsigned, 10cm. high (4)
£120180
406
A large Murano glass dish by Gino Onesto, dated 2000, red and blue bands, etched Gino Onesto, 2000 49cm. diam.
£300500
407
A Large Murano glass Lemon dish, low, roundedtriangular section yellow glass with small bubble inclusions, unsigned, 52.5cm. diam.
£150250
408
A Salviati Murano glass dish, the flat flaring ruby glass with aventurine band inclusions, unsigned, 36cm. diam.
£150200
409
A Venini glass Handkerchief vase, internally decorated with columns of green and white latticino columns, acid etched Venini Murano Italia mark, 8.5cm. high
£120180
410
A large Venini glass vase, swollen amethyst glass body with four applied clear glass lugs running from base to top rim, applied Venini label etched marks to base, 30.5cm. high
£200400
411
A Murano glass Sommerso vase in the manner of Flavio Poli, flaring cylindrical form, purple, and red glass cased in clear, unsigned, 47.8cm. high
£200300
412
Ermanno Nason (19282013)
Reclining Female, after Henry Moore, a glass sculpture, olive green glass etched signature, 53cm. wide.
£300500
413
A large Murano glass fish sculpture in the manner of Ermanno Nason, green glass with applied clear glass fins, unsigned, 41cm. long
£200300
A PRIVATE COLLECTION OF IITTALA VASES BY TAPIO WIRKKALA & TIMO SARPANEVA
414
A small Iittala Kantarelli vase designed by Tapio Wirkkala, flaring clear glass with engraved cut lines, and two smaller designed by Tapio Wirkkala, etched marks, 14cm. high (main), (3)
£250350
415
An Iittala glass vase designed by Tapio Wirkkala, ovoid, mould blown with engraved lines, another similar and a leaf dish with inverted rim designed by Tapio Wirkkala, etched Tapio Wirkkala Iittala to base, 16.5cm. high (3)
£250350
416
An Iittala glass small Foal’s Foot vase designed by Tapio Wirkkala, swollen cylindrical form engraved with lines, and three other small Iittala vases designed by Tapio Wirkkala, etched marks, 15.5cm. high (main), (4)
£250350
417
An Iittala glass dish designed by Tapio Wirkkala, dated 1952, leaf form, cut with thin veins to the exterior, etched Tapio Wirkkala Iittala 52 to the rim, 31.8cm. wide
£300500
418
An Iittala glass vase designed by Tapio Wirkkala, dated 1958, tall cylindrical vase, the swollen bowl with pinched rim, clear glass with engraved lines, etched Tapio Wirkkala Iittala 58 to base, 26.5cm. high
£250350
419
An Iittala glass vase designed by Tapio Wirkkala, flaring form with etched veins to the exterior, etched Tapio Wirkkala Iittala to base rim, 12cm. high, 23.5cm. diam.
£300500
420
An Iittala glass vase designed by Tapio Wirkkala, flaring form with etched veins to the exterior etched marks, Tapio Wirkkala Iittala 59, 23cm. wide, 15.3cm. high
£300500
421
An Iittala Kantarelli glass vase designed by Tapio Wirkkala, flaring clear glass with etched veins to the exterior, incised Tapio Wirkkala Iittala, 21.5cm. high
£400600
422
An Iittala glass Leaf dish designed by Tapio Wirkkala, dated 1955, oval section thick clear glass with engraved lines, etched Tapio Wirkkala Iittala, 55 to top rim, 28.3cm. wide
£250350
423
An Iittala glass Tuonelan Virta vase designed by Tapio Wirkkala, slender, swollen cylindrical clear glass with engraved lines, and another vase by Tapio Wirkkala, etched Tapio Wirkkala Iittala, 37cm. high (2)
Literature
Iittala 125 Years of Finnish Glass, Arnoldsche, page 131 for comparable vases.
Catalogue notes
This design was illustrated at the Milan Triennale in 1951.
£400600
424
An Iittala glass Tatti designed by Tapio Wirkkala, mould blown with engraved lines, and two Iittala Avenna vases designed by Tapio Wirkkala, etched Tapio Wirkkala Iittala 55 to main vase, 10cm. high (main vase), (3)
Literature
Iittala 125 Years of Finnish Glass, Arnoldsche, page 130 for a comparable vase.
£250350
425
An Iittala glass vase designed by Tapio Wirkkala, model no.3534, mould blown cylindrical form with fine comb cut decoration, and a small crescent shaped dish designed by Tapio Wirkkala, etched Tapio Wirkkala Iittala, 12.5cm. high (2)
£250350
426
An Iittala Jäkälä glass vase designed by Tapio Wirkkala, mould blown cylindrical vase with acid matted finish, and two other Ittala Jäkälä vases designed by Tapio Wirkkala, etched Tapio Wirkkala to base, 24.5cm. high
Literature
Iittala 125 Years of Finnish Glass, Arnoldsche, 132 for three comparable vases illustrated. This vase design was exhibited at the 1951 Milan Triennale.
£300500
427
An Iittala Hiiden Kehto (Devil’s Cradle) glass vase designed by Timo Sarpaneva, palette shaped thick glass dish with two aperture, chair worked, sandblasted and acid matted, etched Timo Sarpaneva Iittala to rim, 23.5cm. wide
Literature
Iittala 125 Years of Finnish Glass, Arnoldsche, page 121 for a comparable example illustrated, this design is dated to 1951.
£200400
428
An Iittala Tulip glass vase designed by Timo Sarpaneva, tapering cylindrical form with split neck, an Iittala Pot Hole vase designed by Timo Sarpaneva and another smaller, etched Timo Sarpaneva Iittala 56, 22.5cm. high (3)
Literature
Finnish Post War Glass, University of Sunderland, plate 16 for a Pot Hole vase illustrated.
£250350
429
An Iittala Devil’s Fist glass vase designed by Timo Sarpaneva, swollen cylindrical form with pierced neck, frosted glass, faint signature to foot rim, 30.5cm. high
£700900
430
430
An Iittala Orkidea (Orchid) glass vase designed by Timo Sarpaneva, model no.3568, designed in 1954, slender, swollen form with aperture to middle, etched Timo Sarpaneva 3568, 26.5cm. high
Literature
Finnish Post War Glass, University of Sunderland, plate 19 for a comparable vase illustrated.
R. Stennett Willson The Beauty of Modern Glass Studio, page 56 for a comparable vase.
£300500
431
An Iittala Orkidea (Orchid) glass vase designed by Timo Sarpaneva, model no.2868, swollen cylindrical, clear glass body with small aperture, applied paper label, etched marks including erroneous Tapio Wirkkala signature, and 2868, 34.5cm. high
Provenance
Design Since 1935, Sotheby’s 29th October 1997, lot 653.
Private collection of Finnish glass.
Catalogue notes
This vase was incorrectly signed Tapio Wirkkala in the factory, a genuine and interesting mistake as Iittala were producing designs by both Sarpaneva and Wirkkala at the time. This vase is the rarer, taller example produced with the sharper, ridged edge. Sotheby’s suggests this version would have been exhibited at the Triennnales of the period.
£300500
432
An Iittala glass Jäävuori (Iceberg) vase designed by Tapio Wirkkala, heavy facetted glass form, etched Tapio Wirkkala Iittala 3525, 20.5cm. high
£8001,200
433
A large Iittala glass Kalvolan kanto (tree stump) vase designed by Tapio Wirkkala, model no.3241, rounded, irregular cylindrical vase, and another Iittala glass Kalvolan kanto (tree stump) vase designed by Tapio Wirkkala, etched Tapio Wirkkala Iittala 3241 to base, 18cm. high (2)
£300500
A PRIVATE COLLECTION OF ARTS & CRAFTS & DESIGN
Φ 434
Annie French (18721965)
Ex Libris, design for a bookplate pen and ink on paper, of a young Art Nouveau lady, framed signed in ink Annie French, 16.5 x 10.5cm.
Provenance
Private collection.
£300500
435
Glasgow School
Fair Dove, Fair Dove, Dove with the White White Breast, design for a stained glass window, watercolour with highlighted with gum arabic, on paper, depicting an Art Nouveau maiden feeding a dove from her hand, inscribed Fair Dove, Fair Dove Dove with the White White Breast, framed, 24 x 12.5cm. (stained glass design)
Provenance
Private collection.
£120180
436
A collection of Art reference and Design books, including; Mackintosh Watercolours by Roger Billcliffe, The Glasgow Style by Laura Euler, Phoebe Anna Traquair by Elizabeth Cumming, Charles Rennie Mackintosh Furniture, Baillie Scott The Artistic House, Art Deco Architecture by Patricia Bayer, (a lot)
£100200
Provenance
Private collection.
437
Frank Brangwyn, manner of Two women harvesting, oil on paper, framed, a pen and ink sketch of a woodland attributed to William Payne, and an Indian painting highlighted in gilt of Krishna and Rahda on synthetic bone, unsigned 21.5cm. square (3)
Provenance
Derek Clifford collection (Payne woodland sketch).
Private collection.
£150250
438
A Shapland & Petter oak wardrobe, the single, hinged door inset with large copper panel stamped in low relief with two birds flying past a central stylised tree in the manner of CFA Voysey, stamped S&P to lock, stamped R1176 and 83 to back, 198cm. high 104cm. wide
43.5cm. deep
Literature
Daryl Bennett Shapland & Petter of Barnstaple, Arts and Crafts Furniture, Museum of Barnstaple, page 50 this design illustrated.
£200400
439
A Heal and Son oak sideboard, twin door cupboard under two drawers, with turned wood handles, the back with plate rack and cup pegs, applied ivorine label to drawer, 131cm. high, 122cm. wide, 50cm. deep
£200300
440
A patinated brass ceiling light attributed to The Scottish Guild of Handicraft designed by Robert MacLaurin, circular body set with ceramic panel decoration, with four flaring arms supporting opaque white glass shades, the light on four rod supports set with Ruskin pottery roundels, unsigned, 73cm. high
Provenance
Private collection
£6001,000
441
A Glasgow School brass wall sconce designed by Agnes BanksHarvey, the pierced, rectangular backplate hammered in low relief with an Art Nouveau maiden with long flowing hair, with opium poppy seedheads, unsigned, 30.5cm. high
Provenance
Private collection.
£150200
442
A Glasgow School patinated copper wall clock, the shield shaped body stamped in low relief with two owls, inscribed Improve Time in Time While Time Lasts, For Sometimes No Time When Times Past, set with blue roundel, the circular dial with arabic numerals painted black, with two side panels stamped in low relief, stamped To wit and To woo with pendulum and two weights, unsigned, 45.5cm. high (3)
Provenance
Private collection.
£400600
443
A William Birch oak armchair the design attributed to E G Punnett, the plank sides with pierced art nouveau foliage roundel, the back splats with leaf motif, on castors, unsigned, 93cm. high, 57cm. wide
£300500
441
442 detail
444
A large copper wall mirror, oval, hammered in relief with a frieze of fruiting vine, unsigned, 81 x 66cm.
£200400
445
A Glasgow School brass wall mirror, oval, stamped in low relief, with entrelac, with bevelled oval mirror glass, unsigned, 74cm. wide.
£150250
446
An arts and crafts oak octagonal occasional table, flaring square section legs with inlaid marquetry chevron, unmarked, 69cm. high, 50cm. wide
£100200
447
A Shapland and Petter mahogany hall chair, the tall back splat inlaid with simple Art Nouveau flower stem motif in pewter and ebony, with drop in green velvet seat unsigned, 106cm. high
£120180
448
A pair of arts and crafts oak thrown armchairs, with drop in seat and pad to back, unsigned, 145cm. high (2)
£100200
449
A large Parian bust of Handel probably Robinson & Leadbetter, on socle base, unsigned, 54cm. high
£100200
450
An unusual Continental
Secessionist brass and glass ceiling light in the manner of Koloman Moser, brass disc with central hanging frosted glass ball shade with green prunts, flanked by three chains with small glass ball terminal, unsigned, 40cm. diam, 85cm, drop
£5001,000
451
A Modern brass table lamp after a design by Marcel Breuer, circular base supporting six rod legs and semicircular shade, stamped Marcel Breuer Exposition Paris 1925, 49cm. high
£150200
452
A set of polished wrought iron fire tools on a stand designed by Ernest Gimson, possibly made by Alfred Bucknell comprising fire shovel, tongs and poker on stand, unsigned 80cm. high
Provenance
Arts and Crafts, Woolley and Wallis Auctioneers, 1st June 2006 lot 795.
Private collection.
Literature
Arts & Crafts Metalware Blackwell House 2003 page 53 catalogue no.52 for a comparable example illustrated
Annette Carruthers, Mary Greensted and Barley Roscoe, Ernest Gimson, Arts and Crafts Designer and Architect, Yale, page 95 catalogue number 84 for an original photograph (circa 19051910) with this design of fire tools illustrated.
£1,0001,500
453
A William Birch oak rush seat two seated armchair, and a William Birch oak rush seated chair, unsigned,146cm. high, 126cm. wide, 63cm. deep (2)
£200400
454
A Continental brass mantel clock, rectangular base supporting four columns and shaped body, the circular dial with Arabic numerals, unsigned, 24cm. high
£100200
455
A Continental Secessionist wood barometer case, pierced and carved design, set with thermometer and barometer, unsigned, 47cm. long
Provenance
Private collection.
£100200
456
A stained mahogany wall mirror in the manner of Liberty & Co, rectangular, with simple dowel decorative joints, unsigned, 93 x 60cm.
£100200
457
A Liberty & Co Tudric pewter crumb tray designed by Archibald Knox, model no.0532, cast in low relief with Art Nouveau foliage panels, a pair of James Dixon & Sons English Pewter candlesticks decorated with hammered finish and strapwork, an electroplated metal tureen and cover in the manner of Dr Christpher Dresser, a continental electroplated candlestick, a modern reproduction pewter clock after a design by Archibald Knox and a modern copy of a clock designed by CFA Voysey, and seven other items, stamped marks, 25cm. wide (15)
Provenance
Private collection.
£150200
456
458
A patinated copper box in the manner Jesson Birkett and Co, tapering, rectangular form, the hinged cover with three ‘Ruskin’ pottery roundels, set in riveted panel borders, with latch to one end, one side pierced with three holes, and a pewter box set with enamel landscape panel, unsigned, 25.5cm. wide (2)
Provenance
Private collection.
£100200
459
A William Birch rush seat oak hall chair, the tapering back splat with cut out heart motif and another hall chair with leather seat, unsigned, 106cm. high (2)
£150200
460
A pair of Arts and Crafts stained glass roundels, each painted with a maiden portrait before flowers, in colours, unsigned, 18cm. diam. (2)
£100200
461
An Art Nouveau enamel panel probably Scottish, rectangular, enamelled with a single flag iris stem, in original oak frame, and another small copper box and cover enamelled with a sailing vessel panel, unsigned, 16.5 x 5cm. (2)
Provenance
Private collection.
£100150
462
A Shapland & Petter oak dressing chest, inlaid with diaper bands and simple flower panels, three drawer chest below central mirror over two small drawers, unsigned, 167cm. high
91cm. wide
£400600
463
A fine Wylie and Lochhead walnut bureau the design attributed to E A Tayor or George Logan, on slender legs with carved foliate capitals and cutout heart motif, the bureau front inlaid with marquetry and mother of pearl foliate panel, below a small cupboard, the door set with enamelled butterfly panel over green glass, unsigned 132cm. high
85cm. wide
49.5cm. deep
Provenance
Purchased from Chenil Galleries, London private collection.
Literature
Elizabeth Cumming and Wendy Kaplan The Arts and Crafts Movement, Thames & Hudson, page 91 plate 70 for a photograph of George Logan’s library design for the Wylie & Lochhead Pavilion at the 1901 Glasgow Internation Exhibition, reproduced.
£5,00010,000
462
461
464
An oak bed the design attributed to Sir Robert Lorimer, the head and foot boards inset with silvered metal animal roundels, flanking a Ruskin turquoise pottery heart, with irons, unsigned 125cm. high
140cm. wide (4)
£300400
465
An art deco Heals oak occasional table, with two pull out sides, unsigned, 80cm. wide, 60.5cm. high
£150250
466
A Savoy uplighter, two black enamelled columns on upper circular base, the glass shade acid etched with S motif, unsigned, 178cm. high
£150250
TEXTILES & WORKS ON PAPER
467
A Morris & Co Hammersmith handknotted Black Tree rug designed by
on a black ground, unsigned, 181 x 127cm.
Provenance
Anna Ricardo (daughter of the architect Halsey Ricardo). The original design by Dearle was exhibited at the 1889 Arts and Crafts exhibition.
Literature
Malcolm Haslam Arts & Crafts Carpets, Sasaby, page 73 figure 46 for a comparable carpet illustrated.
£3,0005,000
Henry Dearle, probably made at Wilton, decorated with Persian flower and foliage in colours
468
A pair of Morris and Co printed cotton Tulip curtains originally designed by William Morris, printed in green, and some offcuts, printed Morris and Co to selvedge, losses, 272 x 137cm. (2)
£150250
469
‘Clovelly’ a printed fine linen panel designed by Rex Whistler, originally designed in 1932, printed in blue, unsigned, 73 x 85cm. (image)
Catalogue notes
It is believed this panel is a proof.
£150250
470
Eric Ravilious (19031942)
Child’s Handkerchief
lithograph printed on Rivoli Blanc Paper, originally designed in 1941, printed in 1989 in a limited edition of 500, in original folder numbered 347/500
45 x 45.3cm.
Provenance:
The Collection of the Late Howard Duckworth
£100200
471
Patrick Heron CBE (19201999)
Nude, 1947 (Variation)
an early design for a silk scarf, for Tom Heron at Cresta Silks, two screen print on cotton panels, printed in different colour schemes, one framed, signed in reverse in the print, 65 x 67cm. (image)
£200300
472
John Piper CH (19031992)
Cotswold
a large David Whitehead ltd screen printed cotton panel, framed unsigned 114 x 106cm.
Literature
Brian Webb & Peyton Skipworth, John Piper Design, ACC Books, page 7071 for a comparable example illustrated.
£1,0001,200
473
John Piper CH (19031992)
Stones of Bath a Sanderson printed textile designed by John Piper, and four other textiles including Donald Hamilton for David Whitehead, printed selvedge
133 x 117cm. (Piper), (5)
£150250
472 473
474
Robert Adams (19171984)
Table Mat printed linen, produced by Stanley Dorfman for retail by Heal’s, framed signed in the print bottom right 42 x 30cm. (image)
£150250
475
Alan Reynolds (19262014)
Crystalline Image, jacquard woven cotton and Rayon by Edinburgh Weavers, designed 1961, unsigned 65 x 61cm.
Exhibition
Material:Textile, Messums Wiltshire, 2019.
£200300
476
‘Perpetua’ a screen printed rayon taffeta designed by Lucienne Day, atomic design in red, yellow, mushroom and black on a white ground, and a smaller section unsigned 161 x 128cm. (2)
£150200
477
A set of four David Whitehead Bird Chair roller printed rayon textiles designed by Marian Mahler, originally designed in 1952, abstract design in yellow, white, sage and grey on a red ground, unsigned, 111 x 113.5cm. (4)
£150250
478
Marian Mahler (19111983)
Mobiles, (yellow), printed rayon produced by David Whitehead Ltd, designed in 1950, framed unsigned 107 x 69cm. (image)
Exhibited
Textiles : Women Designers of the 20th Century, Messums Wiltshire & London.
£300500
479
A large screenprint on canvas, depicting stylised masked head repeat in fuchsia, framed, 87 x 100cm.
£150200
Φ
480
Alice Kettle (born 1961)
A Happy Family with Goose embroidered wall piece, framed, applied label to back with title, 16 x 10cm.
Provenance
Private collection.
£150250
481
David Hockney (born 1937)
David Hockney Posters 19831984, a photographic poster for an exhibition at the GLC Festival Hall, framed, and seven books on David Hockney, (8)
71 x 45cm.
£120180
482
David Hockney (born 1937)
Glyndebourne, 1975
lithographic programme cover, and ‘Glyndebourne Touring Opera’ 1975 a poster designed by David Hockney printed by Hunt Barnard & Co, and ‘Travels with Pen, Pencil and Ink’ 1978 poster designed by David Hockney, framed unsigned 26 x 19.5cm. (main) (3)
£150200
483
David Hockney (born 1937)
David’s Evening Wheels a poster designed by David Hockney, printed in colours, framed and an Artcurial poster designed by David Hockney, 72 x 50cm. (2)
£150200
484
Chloe Cheese (born 1952)
Trainers - Clarke’s Shoes
lithographic poster, framed signed in the print, 99 x 75.5cm. (image)
£200300
485
Leonetto Cappiello (18751942)
Mossant lithograph on paper printed by Les Editions Nouvelles Cappiello, framed signed in the print, 170 x 130cm. (frame)
£300500
482
484
485
486
Aubrey Beardsley (18721898)
The Studio, 1895 a lithographic poster, 74 x 49.5cm.
£200300
488
487
Henry Van de Velde (18631957) Tropon
lithograph in colours, framed signed in the print, 28.5 x 19cm. (image)
£250350
488
Gustav Klimt (18621918), designer Ver Sacrum, 1900 (Heft 1) woodblock print, and three other Ver Sacrum woodblock volumes Heft 3, 6 and 21, with designs by Otto Friedrich, Franz Hancke and Ferdinand Andri, 25.5 x 24.5cm. (4)
£400600
489
The Musical Schäfers
lithographic two sheet poster, printed in colours, music hall poster, framed unsigned 142 x 45cm.
Catalogue notes
An example of this poster is held in the Victoria & Albert Museum collection.
£150200
490
The Great Chang presents Fak-Hong’s Japanese Review
lithographic poster, printed in Spain by E Mirabet, framed, and The Fast Mail advertising poster printed by David Allen & Sons, linen backed unsigned, 64 x 43.5cm. (2)
£120180
491
Plaquet
Air France - Reseau Aerien Mondial, lithograph in colours, printed by Perceval, Paris, framed signed top left, printers details lower margin, 267/P/9/48, 97.5 x 62cm. (image)
£200300
492
David Klein (19182005)
London Fly TWA, lithographic travel poster for Trans World Airlines, depicting a guardsman in bearskin, linen backed unsigned 102 x 62.5cm.
£300400
493
Thor BøgelundJensen (18901959)
Kunstner Festen I Tivoli, 1918 lithographic poster, printed in colours by Andreasen & Lachmann, linen backed, framed signed in the print Bøgelund 1918, 79.5 x 107.5cm.
£250350
494
Work Progress Administration (USA) Circus,
hand block printed linen, circa 19351942, framed, At The Zoo
A Book of Block Prints by Kendrick Bell, Milwaukee Handicraft Project, six loose mounted prints, and Applied Designs Block printed Textiles by Milwaukee Handicraft Project, unsigned 31 x 31cm. (circus image) (3)
Provenance
Milwaukee WPA Handicraft Project.
£150250
495
Barnet Freedman
15inch Gun Turret HMS Repulse, August 1941
A School print lithographic poster, printed by the Baynard Press signed in the print 102 x 76.5cm.
£150250
491
492
493
496
The Prince and the Showgirl an original USA mini lobby card, 1957, framed, 20 x 25cm. (image)
£300400
497
Breakfast at Tiffany’s USA Lobby card number 7, 1961, framed 27 x 35cm. (image)
£7001,000
498
Roman Holiday an original USA photographic production still, 1953, framed, 19 x 24cm. (image)
£300500
499
Butch Cassidy and the Sundance Kid an original USA photographic production still, 1969, framed, 20 x 25cm. (image)
£300400
500
The Hustler an original USA photographic production still, 1961, framed, 20 x 25cm. (image)
£300400
496
498
497
501
The Man In The White Suit an original British film poster designed by S John Woods, 1951, linen backed, unframed 76 x 51cm.
Catalogue Notes
John S Woods (a graphic designer) headed the Ealing Studios who had an ambitious and inventive approach to poster design in the 40s and 50s.
£2,0003,000
502
Vertigo an original USA film poster designed by Saul Bass, 1958, framed 91 x 36cm. (image)
£2,5003,500
503 North by Northwest an original USA film advertising poster, starring Cary Grant, 1959, mounted on card, unframed 56 x 72cm.
£7001,000
504 North by Northwest an original USA Lobby card number 2 starring Cary Grant, 1959, framed 28 x 35cm. (image)
£6001,000
505
Mean Streets an original USA film advertising poster, 1973, mounted on card, unframed 91 x 36cm.
£600800
506
2001 A Space Odyssey an original British colour Cinerama production still, 1968, framed 20 x 25cm. (image)
£250350
507
One Flew Over The Cuckoo’s Nest an original USA film advertising poster starring Jack Nicholson, 1975, unframed 92 x 35cm.
£300500
508
Manhattan an original USA photographic production still, 1979, framed, 20 x 25cm. (image)
£200300
509
The Godfather an original USA double weight glossy photographic production still, starring Marlon Brando as Vito Corleone, 1972, framed 23.5 x 20cm. (image)
£400600
506
510
Raiders of the Lost Ark
an original USA film advertising poster with artwork by Amsell, 1981, mounted on card, unframed
56 x 72.5cm.
£500700
511
Cool Hand Luke
an original USA film advertising poster featuring Paul Newman, 1967, unframed
55.5 x 35.5cm.
£8001,200
512
Return of the Jedi an original USA style B by Kazuhiko Sano, 1983, mounted on card, unframed
93 x 35.5cm.
£700900
513
Top Gun
an original USA photographic production still, starring Tom Cruise, 1986, framed, 25 x 20cm. (image)
£250350
514
The Endless Summer an original USA film advertising poster by John Van Hamersveld, 1966, unframed, 44 x 28cm.
Catalogue Notes
This special size poster was used to advertise the film when it was showing in small venues prior to it’s national release.
£9001,200
511
515
Cabaret / Kabaret
First Czech release 1989 by Bartosova, 1972, mounted on card, unframed, 39.5 x 28cm.
£200300
516
High Society an original USA photographic production still, 1956, framed, 23 x 19cm. (image)
£300400
517
The Millionairess an original Japanese press sheet poster, 1960, framed, 74 x 25cm. (image)
£7001,000
518
Cat on a Hot Tin Roof an original USA photographic production still, 1958, framed 25 x 20cm. (image)
£250350
519
The Seven Year Itch an original USA photographic production still, starring Marilyn Monroe, 1955, framed, 25x20cm. (image)
£400600
520
Lawrence of Arabia
an original USA photographic production still, 1962, framed 24 x 19cm. (image)
£300400
521
The Third Man an original USA photographic production still, 1949, framed 25 x 20cm. (image)
£300400
522
Ghostbusters an original USA photographic production still, 1984, framed 20 x 25cm. (image)
£200300
523
Ferris Bueller’s Day Off an original USA photographic production still, 1986, framed, 20 x 25cm. (image)
£250350
524
Live and Let Die a British signed studio letterhead, 1973, framed signed by Roger Moore, David Hedison and Madeline Smith ‘Miss Caruso’ 28 x 21cm. (image)
£8001,200
525
Tonari no Totoro / My Neighbor Totoro an original Japanese mini flyer, 1988, framed 28 x 20cm. (image)
£300400
526
Pinocchio a USA jumbo lobby card, 1940, rerelease 1955, framed 33 x 41cm.
£600900
527
The Jungle Book an original USA lobby card, 1967, framed, 27 x 34cm. (image)
£250350
528
Snow White and the Seven Dwarfs a British front of house still, 1937, rerelease 1940, framed, 20 x 23cm. (image)
£300400
529
Mickey Mouse
a large collection of artwork soft toys and merchandise featuring Walt Disney’s Mickey Mouse, including;
Hey Mickey a one off art work by Mike Bliss commissioned by Ashley HargreavesSmith for Tom Watkins, a large Schott Mickey Mouse leather jacket, Minnie Mouse two Beswick figures, and Wadeheath Ring a Ring of Roses tea set four, printed with Mickey, Donald and Minnie, comprising teapot and cover, milkjug and sugar basin, four cups, saucers and side plates, a Moller Designs Mickey salt and pepper cruet set for Disney designed by Michael Graves, a modern Mickey 80 Years PEZ set of three dispensers in original tin, small bisque figures, a small rug, and a small library of books on Mickey Mouse and Disney, (a lot)
Provenance
The Tom Watkins Collection
£200400
530
A collection of twenty seven Mickey Mouse and Minnie Mouse watches, including; Jaz, Timex, Lorus, Bradley Time Divison, American Cheese, and exclusive for Disney examples, a Fantasia holographic digital watch, a Quartz stainless steel small clock modelled as a stylised Mickey Mouse, two alarm clocks, and a large Walt Disney Productions electric wall clock modelled as a watch with plastic strap, 89cm. long (wall clock) (31)
£200300
531
A rare Walt Disney Mickey Mouse glass figure, later painted, cast Walt Disney Productions to the base, 12.5cm. high
Catalogue notes
This figure and the following lots 532 to 534 date from the 1960s.
£200400
532
A rare Walt Disney Minnie Mouse glass figure, later painted, cast Walt Disney Productions to the base, 13.5cm. high
£200400
533
A pair of Popeye and Olive Oil glass figures, later painted, cast KFS mark to base, 14cm. high (2)
£400600
534
A pair of Walt Disney Donald Duck and Daisy Duck glass figures, later painted, cast Walt Disney Productions to base, 12cm. high (2)
£400600
535
A rare Walt Disney Donald Duck’s nephews glass figure, depicting Huey, Dewie and Louis, later painted, cast Walt Disney Productions to base, 13cm. wide
£300500
531
536
Angela Williams (born 1941)
Audrey Hepburn - The Ritz, 1964 platinum print photograph, framed, and a roll of wallpaper designed by Cecil Beaton for the film My Fair Lady signed and A/P in pencil, 33.5 x 23cm. (2)
Catalogue notes
Cecil Beaton designed the wallpaper which was used in Mrs Higgins Drawing Room in the 1964 movie My Fair Lady.
£150200
Φ 537
David Ross (born 1965)
Kate Moss, First Sitting bromoil gelatin silver print photograph, framed signed and numbered 8/10 60 x 50cm.
£8001,200
Φ 538
Brian Duffy (19332010)
David Bowie - Aladdin Sane contact sheet photograph, framed signed Duffy, Duffy Archive stamp, number 11/100
44 x 42.5cm. (sheet)
62.5 x 56.5cm. (frame)
Provenance
Purchased by the vendor from Brian Duffy’s son Chris Duffy in 2011.
£2,0003,000
539
Eric Ravilious (19031942), after Lombardy Poplars
a modern limited edition glicee print published by The New Towner Trust, framed, and another modern print of a snowy rural landscape by James Mckintosh Patrick signed in the print, pencil 66/500 54.5 x 45cm. (image), (2)
£120180
540
Felix Topolski (19071989)
Woman in a Bikini holding a Bird lithograph on paper, framed signed bottom right and numbered 224/300 in pencil, 57 x 37cm. (image)
£120180
541
A folio of twelve Art Deco furniture designs, loose, each pencil with watercolour, some titled and annotated, 50.5 x 34cm. (12)
£100150
542
‘The Studio’ a large run of bound volumes, including Studio yearbooks and special issues, various bindings, (207)
Provenance
The Collection of the Late Howard Duckworth.
£200400
543
A large collection of art reference books on Furniture and Design, including; Modern English Furniture by John Rogers, Gordon Russell, EW Godwin, C R Ashbee by Andrew Crawford, Eames Design, Fitted Furniture, Tubular Steel Furniture, Marcel Breuer, (a lot)
Provenance
The Collection of the Late Howard Duckworth.
£150250
544
An archive of books and catalogues on sculpture, including; RBS Modern Sculpture, Modern Architectural Sculpture by W Aumonier, Sculpture in Holland Park, 1975, Patronage & Practise Sculpture in Merseyside, Sculpture Battersea Park, 1951, Sculpture in the Open Air, 1966, A silver Jubilee Exhibition of Contemporary British Sculpture, Eyes on the Wall, Paul Manship by Edwin Murtha, British Sculpture in the 20th Century (Whitechapel), Sculpture Theme and Variation by E H Ramsden, Sculpture of Today, Gilbert Bayes, True & Pure Sculpture Frank Dobson 18861963, and Modelling and Sculpture in the Making by Sargeant Jagger, The Sculpture of David Wynne (19491967) and (19681974), The Sculpture of Eric Kennington, The Sculpture of Leon Underwood, (75)
Provenance
The Collection of the Late Howard Duckworth.
£150250
545
An archive of books on Charles Rennie Mackintosh and the Glasgow School, including; Charles Rennie Mackintosh The Complete Furniture Drawings and Interiors Designs by Roger Billcliffe, Charles Rennie Mackintosh and the Modern Movement by Thomas Howarth, Mackintosh Watercolours by Roger Bilcliffe, Charles Rennie Mackintosh as a Designer of Chairs by Filippo Alison, Charles Rennie Mackintosh Glasgow School of Art collection (four volumes), Mackintosh Textile Designs, Part Seen, Part Imagined by Timothy Neat, (32)
£150200
541
542
543
546
Henry Koehler (born 1927)
Men’s Fashion II, Sports Illustrated Graphite and wash fashion design of a young man, framed signed Henry Koehler, 37 x 27cm.
£100200
547
Portrait of a Fashion Designer ink on paper, framed unsigned 40 x 30.5cm.
£120180
548
548
Helen Jeanette Noel (19121989), American
Beauty Parlour, no.2 lithograph on paper, signed signed HN in the print, signed, titled and numbered in pencil, 28 x 29.5cm.
£100200
549
Ernst Dryden (18871938)
Two Women in a Street, fashion design, watercolour on paper, with pencil, framed unsigned 34 x 30cm. (image)
£150250
550
Ernst Dryden (18871938)
Art Deco Gentleman with Three Ladies, fashion design, chalk and white body colour on paper, framed unsigned, 40.5 x 30.5cm.
£150200
551
Jacques Fath (19121954)
Fashion Design, Woman with a Dog graphite on paper, mounted 64 x 47cm. (image)
Provenance
Private Californian collection.
£150250
552
Eva Aldbrook (19252019)
Woman in Orange Skirt a fashion design, gouache on paper, framed, and three other fashion designs by Eva Aldbrook, framed main signed EA the other three signed Eva 54 x 36cm. (4)
£150250
DODO BURGNER
Φ 553
Dorte Clara Dodo Burgner (19071998)
Woman with a dog pencil, pen and wash on paper, mounted signed Dodo in ink 23 x 26cm.
£120180
Φ 554
Dorte Clara Dodo Burgner (19071998)
Model with Red Hair pencil and watercolour sketch of a young woman leaning on a pillar, mounted unsigned 43 x 23cm. (image)
£200400
Φ 555
Dorte Clara Dodo Burgner (19071998)
Brautschau, (looking for a bride) pencil with watercolour on paper, of a young man with a cane eyeing a naked lady, mounted signed in ink Dodo, titled 30 x 23.5cm. (image)
£120180
Φ 556
Dorte Clara Dodo Burgner (19071998)
Die Menschenkennerin, (The Connoisseur), April 1928
Original artwork for Ulk magazine, watercolour and heightener on paper of a stylish couple meeting on a street corner before a streamlined car signed, annotated and dated in pencil
40 x 28.5cm. (image)
£4,0006,000
Φ 557
Dorte Clara Dodo Burgner (19071998)
Evening Dress pen and ink on paper, of two Art Deco women, mounted signed Dodo Burgner in pencil to mount board
24 x 18cm.
£150200
Φ 558
Dorte Clara Dodo Burgner (19071998)
Twin Girls
pen and ink on paper of two young girls in identical costume, mounted annotated in pencil, unsigned 22 x 15.5cm.
£150200
Φ 559
Dorte Clara Dodo Burgner (19071998)
Woman in an Exotic Costume pen and ink on paper unsigned 36 x 28cm. (sheet)
£120180
557
559
FURNITURE
Φ 560
Richard La TrobeBateman (born 1938)
a clear oak dining table and six sawn brown chairs, commissioned 2013
stamped La Trobe-Bateman table 203 x 102cm. (top)
70.5cm. high
99cm. high (chairs), (7)
Provenance
Glen House, Bruton, purchased directly from the artist.
£3,0005,000
THE DEANERY GARDEN FURNITURE
Deanery Garden in Sonning , Berkshire is one of Sir Edwin Lutyens most famous commissions and admired by architectural commentators such as Nikolaus Pevsner in the 1950’s and John Betjeman and John Piper in the decade before where they describe it as ‘a brick house of genius’. It was built for Edward Hudson between 1899 and 1901. Hudson was the founder, owner and editor of Country Life magazine where he promoted Lutyens work endlessly and is generally considered to have put the young architect on the map. Hudson known as ‘Huddy; was introduced to Lutyens in 1898 by Gertrude Jekyll the great garden designer who worked many times with Lutyens including at Deanery Garden. Built within existing ancient garden walls the house was essentially a mix of Elizabethan and the local vernacular style like so much of Lutyens early work and as was Munstead Wood (recently acquired by the National Trust) the house he built for Jekyll near Godalming in 1896 to 1897. Hudson liked early Dutch painting in particular the work of Vermeer and so the exterior barrel vaulted entrance porch and corridor were lined in alternate bands of brick and chalk to reflect Dutch architecture of the period. The interior ground floor was dominated by a vast timber framed two storey great hall with a giant bay window of 48 lights and the first floor by a ‘long gallery’ like great corridor. Hudson’s father was an early collector of antique furniture and so the house was furnished with old oak and walnut and was augmented by the Lutyens designed rush seated ladder back seat furniture and the pegged table offered here . The interiors of the house were published by Country Life in 1903 and views of the great hall include some of Lutyens seat furniture as does the dining room beyond and the first floor great corridor which also shows the end of the table on the right hand side beneath the windows.
Hudson used Deanery Garden as a weekend retreat but sold it shortly after the Country Life article in 1903 though Lutyens also built two other country retreats for him – Lindisfarne Castle just off the Northumberland coast (now National Trust) and Plumpton Place in Sussex. Architect and patron remained life long friends with Lutyens inviting Hudson to the opening of his Viceregal lodge in New Delhi in 1931. Lutyens returned to the Deanery Garden before 1912 when he built on extra accommodation for the then owner C. W. Christie – Miller who had acquired the furniture offered here with the house and which has stayed with the family since. Deanery Garden is now owned by Jimmy Page the guitarist from Led Zeppelin.
Lutyens used the same country ladder back seat furniture design for furniture at Little Thakeham near Storrington, West Sussex where again it is illustrated in a Country Life article in 1909 in the great hall and first floor corridor. In the latter is also shown a triple chair back matching settee . The three almost ‘chaise longue’ like settees or settles offered in this sale from Deanery Garden are not known elsewhere and appear to be unique.
Original designs for the Lutyens furniture offered in this sale appear to have been included in the Hayward Gallery exhibition on Lutyens in 1982 and listed in the catalogue on page 105 under item 132 nos 3, 4, 6 and 7.
JEREMY RYE
561
A large oak refectory table the design attributed to Sir Edwin Lutyens, for Deanery Garden, Sonning, rectangular top on plank legs and stretchers, pegged joints, unsigned
213.5 x 83cm. (top)
76.5cm. high
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£2,0003,000
562
An ash ladder backed three seat settle designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seating, unsigned 179cm. long 97cm. high 56cm. wide
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£1,5002,000
561
563
A pair of ash ladderback armchairs designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seats
unsigned 100cm. high (2)
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
Literature
Roy Strong Country Life 1897-1997, The English Arcadia, page 56 for a comparable armchair illustrated.
£2,0003,000
564
A pair of ash ladderback armchairs designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seat
unsigned 100cm. high (2)
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£2,0003,000
565
An ash ladderback armchair designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seat
unsigned 100cm. high
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£1,0002,000
566
A pair of ash ladderback chairs designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seat
unsigned 100cm. high (2)
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£1,5002,000
567
An ash ladder backed three seat settle designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seating, unsigned 179cm. long
97cm. high
56cm. wide
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£1,5002,000
568
An ash ladder backed three seat settle designed by Sir Edwin Lutyens, for Deanery Garden, Sonning, with rush seating, unsigned 180cm. long
98cm. high
56cm. wide
Provenance
Deanery Garden, Sonning for Edward Hudson editor of Country Life magazine.
£1,5002,000
566
567
568
An AngloMoorish mahogany wall shelf possibly retailed by Liberty & Co, inlaid with mother of pearl and ivory, set with mushrabeyeh panels, unsigned, losses 76cm. wide
Please note this item has Ivory Registration no. UXYM97WN.
£150250
570
A small brass hall lantern, octagonal form decorated with rivets, with textured clear glass panels, with ceiling rose, unsigned, 28cm. high
£120180
571
An Aesthetic Movement ebonised wood and enamel mantel clock in the manner of Lewis F Day, rectangular, footed form with applied ceramic panels of prunus in blue and white, the circular diam decorated in blue, with Arabic numerals, unsigned, 24.5cm. high
£150200
572
A mahogany occasional table probably retailed by Liberty & Co, circular top on flaring tripod base, the legs with pierced heart motif, unsigned, 65.5cm. high, 40cm. diam.
£150200
573
An inlaid walnut easel backed table mirror by Augustus H Mason, dated 1913, rectangular, with inlaid marquetry band and mother of pearl panels to the corners, bevelled glass, stamped Augustus H Mason 1913 to back, one mother of pearl panel missing, 44.5 x 37cm.
£5001,000
573A
Yuki Torimaru (born 1937) Evening Dress, Spring 1975 two pencil fashion designs, both framed signed and dated 24.5 x 19.5cm. (image), (2)
Provenance
The Collection of Tony & Bea Porter, Burgh Island.
£120180
574
An English Art Deco burr walnut cabinet, central bureau flanked by full length wardrobe and curved cupboard, over three cupboards and under open shelf, unsigned 210cm. wide, 159cm. high, 54cm. deep (3)
Provenance
The Collection of Tony & Bea Porter, Burgh Island.
£150200
575
An Art Deco Birdseye maple dressing table probably Hille, two bands of graduated drawers flanking central large circular mirror, with ensuite stool, unsigned, 147cm. wide, 137cm. high (approx) (2)
Provenance
The Collection of Tony & Bea Porter, Burgh Island.
£500800
576
A Birdseye maple veneer double bed and two bedside cabinets the design attributed to Hille, unsigned, 206cm. long
175 x 99cm. (bed) 57cm. high (cabinets (3)
Provenance
The Collection of Tony & Bea Porter, Burgh Island.
£500800
574
575
573A
577
A William Lusty Lloyd Loom armchair, sprayed mint green, another armchair and side table sprayed green, two armchairs and a side table sprayed white and two chairs and a larger table with glass top, applied label, 105cm. high (green armchair), (9)
Provenance
The Collection of Tony & Bea Porter, Burgh Island.
£150200
578
An Art Deco extending dining table, rectangular top with applied gesso panels to the sides, and six matched Lusty Lloyd Loom dining chairs, table unsigned, applied labels to chairs, missing extensions leaves 105 x 97cm. 76cm. high (table), 90cm. high (chairs), (7)
Provenance
The Collection of Tony & Bea Porter, Burgh Island.
£150200
579
A modern chromed metal and black leather L4 chaise longue after the original design by Le Corbusier, and a modern chrome and glass occasional table in the manner of Le Corbusier, unsigned, 152cm long 65cm. high (table) (2)
Provenance
The Collection of the Late Howard Duckworth.
£150200
580
An Art Deco blue tinted mirrored glass occasional table, square section, bevelled electric blue glass panels, a L’Odeon style mirror similar, and a peach tinted glass mirror, unsigned, 51cm. square, 54cm. high (table), 107 x 46cm. (mirror), (3)
Provenance
The Collection of the Late Howard Duckworth.
£100200
579
581
An Art Deco mirrored glass cocktail cabinet, rectangular form with drop front, chrome and glass handle, fitted interior, unsigned, 86cm. high
51cm. square
£150250
582
A pair of Biba ebonised wood mirror display stands, each double sided L’Odeon form on stepped circular base, with tinted glass panels, unsigned, 83cm. high, 59cm. wide. (2)
£300500
583
An Isokon bent ply chair designed by Alvar Aalto, and two modern bent ply side tables, 77.5cm. high (3)
Provenance
The Collection of the Late Howard Duckworth.
£150200
582
583
581
581 open
584
Joseph Hill (18881947)
Surbiton, 1932
painted plaster model of The Surbiton Improvement Commissioners winged lion, mounted on wood, incised signature and date to reverse, paper label, 61cm. high
65.5cm. wide
Provenance
The Collection of the Late Howard Duckworth.
Catalogue notes
Joseph Hill qualified as an architect in 1913 and set up his independent practice as an architect in London the same year. He was elected an Associate of the Royal Institute of British Architects (ARIBA) in 1913 and a Fellow of the Royal Institute of British Architects (FRIBA) in 1921. He was Architect to Hodgson’s Kingston Brewery Co., Ltd. in the 1920s and Supervising Architect to the Surbiton Housing Scheme and the Odeon cinema Surbiton, 1934.
£200300
λ 585
An Art Deco Macassar ebony and ivory cigar cabinet, rectangular footed form, internally fitted with six shelves, with ivory handles and feet, unsigned 35cm. wide, 21cm. high
Please note this item has Ivory Registration no. A74JMYTD
£150250
586
A Betty Joel Token Works walnut table mirror designed by Betty Joel, dated 1929, made by G E Ashley, tapering rectangular frame, with rectangular bevelled glass, applied Token Workshop paper label to reverse, 76cm. high, 49cm. wide.
£150250
587
An Art Deco Modernist frosted perspex dressing table mirror, architectural form, the bevelled U shaped frame on central block plinth with chrome metal sides, bevelled glass rectangular mirror, unsigned, 55 x 40cm.
£120180
585
Φ 588
Tim Gosling
a large American Walnut extending dining table, circular form, on cruciform pillar base, unsigned 175cm. diam.
74cm. high
£3,0005,000
Φ 589
Tim Gosling
a set of twelve walnut tub chairs, upholstered with red pads, the back with red and gold floral fabric, 82cm. high (12)
£3,0005,000
588
589
589
590
An Isokon Penguin Donkey Mark 2 bookcase designed by Ernest Race, originally designed in 1963, cream painted ply, 53.5cm. long 40cm. wide.
Provenance
The Collection of the Late Howard Duckworth.
Literature
Leyla Daybelge & Magnus Englund Isokon and the Bauhaus in Britain, Batsford, page 201 for the original advertisement.
£200300
591
A Race Furniture rocking chair designed by Ernest Race, originally designed 1948, white enamelled metal frame with wooden arm pads, red padded cushion unsigned
76cm. high
61cm. wide (2)
Literature
Austerity to Affluence British Art & Design 1945-1962, The Fine Art Society, page 18, catalogue number F8 for a comparable rocking chair illustrated.
£300500
592
A Bestlite chrome and black enamel anglepoise desk lamp, a standard lamp similar and two other adjustable desk lamps, cast Bestlite 74cm. high (4)
Provenance
The Collection of the Late Howard Duckworth.
£100200
593
A Scandinavian EM Bordet mahogany expanding coffee table, shaped rectangular top, on four tapering legs, stamped mark, 129.5 x 56.5cm.
£200300
594
A pair of John Makepeace laminate table lamps, drum form, another lamp base by John Makepeace, and two pairs of book ends by John Makepeace, applied paper labels to one lamp base, 12.5cm. high (7)
Provenance
Purchased by the vendor from the British Craft Centre, Earlham Street in the 1970s.
£200300
595
A chromed metal and glass chandelier designed by Gaetano Sciolari, six curved arms with glass ball terminals, with nineteen hanging glass teardrops, unsigned, 102cm. long
£150250
596
A Gordon Russell teak and Indian rosewood sideboard, three central drawers flanked by single cupboards on turned legs, turned wood handles, applied label, 152.5cm. wide, 86cm. high, 43.5cm. deep
£300400
597
A Gordon Russell Helix mahogany and Bombay Rosewood veneer sideboard designed by David Booth and Judith Ledeboer, model no. R407, the two doors with routed Helix design, applied Gordon Russell label, 122cm. wide, 84cm. high 46cm. deep
Literature
Lesley Jackson, Modern British Furniture, Design Since 1945, V&A, page 113 figure 117 for a comparable piece illustrated.
£500800
598
Three graduated occasional tables, rectangular with tapering legs with brass cap feet, and a shaped rectangular occasional table, possibly retailed by Liberty & Co, unsigned, 61cm. high, 69 x 45cm. (largest), (4)
£150250
596
597
598
595
599
Scott Irvine (born 1970)
a large Burr Elm bowl form signed to base rim, paper label, no.7 48cm. wide
£120180
Φ 600
Mike Scott (born 1943)
a scorched oak burr plinth/stool, with old nails and steel ball feet unsigned 40cm. high
Provenance
Purchased from the maker March 2010.
£200300
601
The Bedroom Collection designed by Phillipe Starck, comprising headboard with two hung lanterns, and three headboard textiles and bed cover sets, eye, faux fur and grey, with plastic corner clips, cast Starck, 199cm. long
£100200
602
A Fish Designs vase designed by Gaetano Pesce, soft resin, green, red and orange, printed mark Fish Designs 800, 35.5cm. high
Provenance
The Tom Watkins Collection.
£200400
601 detail
603
A Cappellini green glass dish designed by Marc Newson, frosted bottle green glass amorphic shape on three conical feet, unsigned, 49.5cm. long
Provenance
The Tom Watkins Collection.
£300400
604
A Cappellini blue glass dish designed by Marc Newson, frosted electric blue glass amorphic shape on three conical feet, unsigned, 49.5cm. long
Provenance
The Tom Watkins Collection.
£300400
605
A Flos Ara desk lamp designed by Phillipe Starck, chrome applied Flos label 55cm. high
£150200
606
Petite Etrangete Contre Un Mur a Daum limited edition vase designed by Philippe Starck, clear rectangular glass with clear cornucopia, etched Daum Starck 7/50 , 70 x 40cm.
Provenance
Tom Watkins Collection.
£300500
604 606
603
603 side view
607
A pair of Driade Altantide Collection ‘Toy’ armchairs designed by Philippe Starck, orange moulded polypropylene, with white loose pad cushions, cast factory marks, 77.5cm. high (2)
Provenance
Tom Watkins Collection Clarice Cliff, Art Deco & Design, Woolley and Wallis Auctioneers, 17th March 2022, lot 617.
£120180
608
A pair of Optima chrome adjustable lounger chairs designed by Ingmar Relling, probably manufactured by Westnofa, with red leather upholstery, unsigned, 109cm. high, 96cm. wide (2)
£300500
609
A pair of Castelli Alky chairs designed by Giancarlo Piretti, covered in vivid red, unsigned 68cm. high, 64cm. wide. (2)
Literature
£150250
λ 610
A Brazillian rosewood lounger chair originally designed by Charles and Ray Eames, rosewood shell with black leather pads, unsigned 75cm. high 80cm. wide
Please note this item is sold with Cites Certificate number 24GBA104Q04F5.
£500800
611
A pair of Dux Mirja armchairs designed by Bruno Mathsson, cognac leather, on chromed metal frame, Printed Dux to lining material, 82cm. high (2)
£400600
612
A Karuselli Lounge chair designed by Yrjö Kukkapuro, designed in 1965. white fibreglass and steel shell with black leather seat unsigned 87cm. high
Provenance
The Tom Watkins Collection.
£6001,000
613
A Simone seating unit designed by Cesare Casati and Enzo Hybsch, probably manufactured by Comfort, three seat, black leather and lacquered wood, 276cm. long, 112cm. wide, 66cm. high
Literature
Domus, number 441 August 1966 page D.347.
£8001,200
611
612
613
614
A chrome and glass ceiling light, the square section chrome frame with four tiers, each set with cut glass rectangular panels, and two wall lights unsigned, 83cm. drop, 32cm. wide (wall lights) (3)
£300500
615
A pair of polished gilt bronze lanterns probably Maison Bagues, square section cast in relief with bamboo frame and clear glass panels, unsigned, 35cm. high (2)
Literature
Christie’s Interiors, 18th August 2015, lot 82 for a comparable pair attributed to Maison Bagues.
£8001,200
616
A pair of Plaztique perspex occasional tables, rectangular base with angled legs supporting pink silk padded cushion and loose perspex top, unsigned, 70.5cm. high, 45 x 35.5cm. (top), (2)
£150200
617
An Artemide Tizio Tavolo Classic Task table lamp designed by Richard Sapper, a Tizio Terra 35 table lamp and a Tizio Micro lamp designed by Richard Sapper, 106cm. long (3)
Provenance
The Tom Watkins Collection.
£200300
615 614 616
617
618
An Orchid wall lamp designed by Serge Mouille, black enamelled metal, unsigned 73m wide
£5001,000
619
A pair of Ria & Yiouri Augousti shagreen and exotic wood veneer tables, curved rectangular form with two drawers, unsigned 71cm. wide
46cm. high
49cm. deep (2)
£300500
620
A large Art Deco wrought iron overmantel mirror in the manner of Edgar Brandt, with pierced geometric panels to sides and top, rectangular bevelled glass unsigned 108cm. wide, 108cm. high
£250350
618
619
Φ 621
A pair of Pot de Fleurs tub armchairs designed by Hubert le Gall, designed in 1996, each modelled as half a flower pot with leaves and cushion, in red and green velvet upholstery, 98cm. wide
82cm. high (2)
Provenance
Galerie Patrice Trigano, Paris at TEFAF, 2017. Private collection, London.
Literature
JeanLouis Gaillemin, Hubert Le Gall, Norma Editions, page 173 for this design illustrated in the catalogue raisonne, the chairs were produced in a limited edition of 99.
£6,00010,000
Φ 622
A pair of Pot de Fleurs tub armchairs designed by Hubert le Gall, designed in 1996, each modelled as half a flower pot with leaves and cushion, in red and green velvet upholstery,
98cm. wide
82cm. high (2)
Provenance
Galerie Patrice Trigano, Paris at TEFAF, 2017. Private collection, London.
Literature
JeanLouis Gaillemin, Hubert Le Gall, Norma Editions, page 173 for this design illustrated in the catalogue raisonne. the chairs were produced in a limited edition of 99.
£6,00010,000
623
Sir Grayson Perry CBE RA (born 1960)
Gentrification limited edition lens cloth, print on textile, framed and City Break print in black and red on linen facsimile signature P bottom left (on Gentrification textile)
18.5 x 14cm. (image) (2)
Catalogue notes
This lens cloth was produced in a limited edition for Cubitts Optical group to raise money for Shelter.
£50100
624
Yoshitomo Nara (born 1960) inkjet portraits on tin, framed, 32.5 x 30cm.
£120180
625
Yayoi Kusama (born 1929) ceramic plate framed 26cm. diam.
£150250
Φ 626
Sir Grayson Perry CBE RA (born 1960) Sacred Tribal Artefact print on linen, framed unsigned 88 x 49cm.
£150250
a large patinated bronze sculpture of a naked lady resting on a large conch shell signed E Villanis in the cast 40cm. high 40cm. wide
£2,5003,000
627
Emmanuel Villanis (18581914)
The Echo
628
A Sabino opalescent glass car mascot modelled as a leaping gazelle, a silvered bronze car mascot of a monkey holding a lantern by E Boulcald, a patinated bronze seated dog and three other silvered bronze mascots, signed in the cast Sabino Paris 15cm. wide (6)
£150250
629
Ruffony
Indian Chief silvered metal car mascot on veined marble base, a silvered metal vulture car mascot by Max Le Verrier, a Bulldog car mascot and seven other car mascots
signed Ruffony in the cast 12.5cm. high (10)
£150250
630
AndreaVincent Bequerel (18931981)
Rearing Horse, a silvered bronze car mascot, a silvered bronze seated cat, a bear standing on a ball by Perrin and three other animal car mascots
signed in the bronze, 15.5cm. high (7)
£150250
631
Charles Paillet
Dancer with Cymbals, patinated bronze on onyx base, two bronze Egyptian dancers, a chromed metal bronze and a patinated spelter bust of Nymphe, signed in the cast 18cm. high (5)
£150250
632
AntoineLouis Barye (French 17951875)
Seated Cat
patinated bronze, on oval black base signed in the cast Barye 11cm. high
£150250
λ 633
Albert Ernest Carrier Belleuse (18241887)
Liseuse
patinated bronze and ivory figure, signed in the bronze, title plaque to the base, finger missing to both hands, 25cm. high
Literature
Bryan Catley Art Deco and Other Figures, ACC, page 60 this figure illustrated.
Please note this item has Ivory Registration no. LRFUU1QM.
£300500
634
Julien Causse (18691909)
La Fée des Glaces (The Ice Fairy)
Art Nouveau patinated bronze sculpture on opalescent glass ice block base, the glass attributed to Eugene Rousseau, with ebonised wood plinth, signed in the case J Causse
58cm. high (3)
Provenance
The Purple Shop.
Literature
Victor Arwas, Art Nouveau The French Aesthetic, page 263 for a comparable example illustrated.
£1,5002,500
633
635
Hans Keck
The Archer patinated bronze of a naked female archer, on green veined marble base signed in the cast 31.5cm. high
£150200
636
Paul Silvestre (18841976)
Woman with Fawn a painted terracotta sculpture signed Silvestre and foundry marks 78cm. wide, 24.5cm. high
£200300
637
Franz Seifert (18661951)
Female Dancer with Flowers, patinated bronze figure of a nude maiden, on veined red marble base, signed in the cast Franz Seifert Wein, 198/115, 45cm. high
£150200
638
Claire Colinet, manner of Dancer
gilt patinated bronze figure, on stepped green marble base unsigned 25.5cm. high
£150200
635
637
638
636
λ 639
Professor Otto Poertzel (18761963)
The Aristocrats
patinated and cold painted bronze and ivory figure of a woman walking two borzoi, on veined onyx base signed in the cast Prof Poertzel and foundry mark,
40.5cm. high
40cm. wide
Please note this item has Ivory Registration no. R1TYGU4F
Provenance
Hickmet Fine Arts, Olympia Fine Art Fair, November 2012. The collection of David Pike.
£5,0008,000
Amedeo Gennarrelli (18811943)
The Carrier Pigeon (Le Messager) gilt bronze model of a seated, naked woman offering up a pigeon, on brown veined marble base etched Gennarrelli signature to base 54.5cm. high (2)
Literature Alberto Shayo Statuettes of the Art Deco Period, ACC, page 276 this design illustrated.
£1,5002,000
641
Josef Lorenzl (18921950)
Scarf Dancer
a tall green patinated bronze sculpture of a naked woman standing on one foot, on veined black marble drum base signed Lorenzl in the cast 49cm. high
£3,0005,000
642
A patinated spelter model of a Pierrot kissing the hand of a naked model, on onyx base, and a pair of Art Deco style onyx and marble book ends unsigned 20cm. high (3)
£120180
643
Max Le Verrier Starsigns, eight cast bronze dishes, each cast in low relief, made for G Friedrichs, Annecy, cast signature to back, 11cm. diam. (8)
£150200
644
A small patinated metal sculpture of a dancer in the manner of Josef Lorenzl, modelled standing on one leg, holding a scarf, set on ebonised wood base with glass disc and lampfitting
£120180
645
Frederick Weinberg a pair of graduated, patinated bronze charioteers, unsigned 27cm. high
£150200
646
An Art Deco patinated metal, ivorine and alabaster clock garniture, the central panel set with circular clock and seated woman sculpture, flanked with two urn shaped vases, unsigned, 49cm. wide (clock section), 20.5cm. high (vases), (3)
£120180
643
644 645
647
A Viennese cold painted bronze erotic box and cover attributed to Bruno Zach, the cover cast with a monkey seated on a cushioned strewn bed, a tassel concealing a lock, opening to expose a couple partially dressed and in amorous pursuit, unsigned, 9.5cm. high, 19cm. wide.
£8001,200
648
Franz Xavier Bergman (18611936) Arab on a Camel, coldpainted bronze cast marks to underside of camel 13cm. high
Literature Fine Arts and Crafts, Woolley and Wallis, 19th June 2024, lot 315 for a comparable example illustrated.
£300400
λ 649
Roland Paris (18941945)
Mephistopheles
patinated bronze and ivory figure, on a naturalistic rock base, incised to base Roland Paris 24cm. high
Please note this item has Ivory Registration no. 3FB2LBDT.
£300500
λ 650
Roland Paris (18941945)
Mephistopheles, a patinated bronze and ivory sculpture, on veined marble base incised Roland Paris, 44cm. high
Please note this has Ivory Registration no. RREJ4S4L.
Literature
Alberto Shayo Roland Paris The Art Deco Jester King, ACC Books, page 158 for a comparable example illustrated.
£5001,000
648
651
Werkstätte Hagenauer
Bust of a woman wood with brass earrings, necklace and disc base, stamped mark, 51cm. high
£6001,000
652
Nesbert Mukomberanwa (born 1969)
Flame Head springstone, mounted on Portland stone cube plinth. monogram to base of sculpture 58cm. high
Provenance
Private collection.
Catalogue notes
Nesbert Mukomberanwa was born in 1969 in Buhera, central Zimbabwe. In 1987, he began to study sculpture with his uncle Nicholas Mukomberanwa, one of the most famous and internationally respected artists of the Shona sculpture movement.
By 1989, Nesbert had gained enough experience to begin working alone. He left his apprenticeship and worked from home in the town of Chitungwiza. There he worked for nearly a decade, developing a distinctive style and gaining international recognition.
Later, Nesbert relocated to the tranquillity of the countryside, where he is finally free to concentrate fully on his art.
£150250
653
Roberto Santo (born 1953)
Arum Lily silvered bronze, signed in the bronze, numbered 10/50 98cm. high
£1,5002,500
METAL WARE
654
A copper and brass ceiling light in the manner of WAS Benson with James Powell vaseline glass shade, unsigned, 29cm. long
Provenance
J S M Scott Collection.
The John Scott Collection A Christmas Spectacular, volume 6, The Fine Art Society, catalogue number 218. Private collection.
£150200
655
A rare Johnson Durban & Co Ltd silver Picnic tea set after a design by Dr Christopher Dresser, retailed by Kendall & Co, Paris, comprising teapot and cover, tea cannister, hotwater pot and cover, milkjug and sugar basin, tripod, burner and flask, two teaspoons and a pair of tongs, inscribed with MA monogram and two Royal Worcester porcelain cups and saucers, in fitted carry case, stamped marks, Birmingham 1909, 15cm. wide (teapot), (14)
£2,0003,000
Φ 656
Ernestine Mills (18711959)
The Annunciation an enamel of a kneeling angel offering up a white lily, framed signed EM monogram bottom right 13.5 x 11.5cm.
Literature
Irene Cockroft New Dawn Women, Watts Gallery, page 2, plate 2 for a comparable enamel of an angel.
£1,0002,000
656 655
654
657
A pair of Art Nouveau patinated metal wall gaslights, each with articulated wall fitting, the scroll arm flanked with flower and foliage spray, with etched glass shades, and one clear glass chimneyflume, unsigned, flume broken, 41cm. long (5)
£150200
658
A Continental Secessionist brass desk lamp, counterbalanced circular base with scroll stem cast with stylised flower stems, supporting drum stem with glass jewel set domed shade and glass flume unsigned 30cm. wide (3)
£50100
659
An A E Jones hammered copper tray, model no. 2439, oval, twinhandled form applied with white metal foliate rim and Tudor rose panels, stamped marks, 38.5cm. wide.
£150250
660
A Keswick School of Industrial Arts brass charger, the well stamped and hammered with a longboat sailing on a rough sea, the rim with a frieze of stylised flower stems, unsigned, 57cm. diam.
Provenance
Private collection.
£200300
661
A patinated copper and silver bowl by Harry Charles Hall with enamel panels, the footed bowl with raised and silvered foliate stems, set with red enamel flowers, stamped HCH to base, 10.8cm. high, 26cm. diam.
Catalogue notes
Born in 1882, Harry Charles Hall was awarded the 2nd prize in The Studio competition to produce a design for a rose bowl, published in 1900.
£300500
662
A Liberty & Co patinated copper wall mirror, rectangular form, set with four ‘Ruskin’ pottery turquoise roundel, set in rivetted frame, unsigned, 61 x 45.5cm.
Provenance
Christie’s Interiors, CSK, 9th September 2008, lot 134.
Private collection.
Literature
Design Sworders Auctioneers 17th May 2022, lot 45 for an identical, smaller mirror with Liberty & Co label.
£300500
663
A Jesson Birkett & Co copper and enamel hand mirror and hair brush, each hammered, patinated copper with applied white metal strapwork with copper rivets, each set with green and blue enamel roundel, the hand mirror with bevelled glass, unsigned, 26cm. long (hand mirror), (2)
£200300
664
An Arts and Crafts copper pot pourri vase and cover in the manner of the Artificers Guild, the pedestal bowl with hammered finish and band of scrolling berry motif, the cover pierced with a frieze of stylised flower panels, and a copper charger decorated with panels of fruiting vine inscribed Forget not to do good and to disperse, unsigned, 16cm. high (pot and cover), (3)
£150250
665
An Art Nouveau patinated copper wall mirror, rectangular, stamped in relief with heartshaped flower stem panels to each side, with rivet bands, bevelled mirror, unsigned 46 x 38cm.
Provenance
Private collection.
£300500
666
A Newlyn Industrial Class repousse copper mantel clock, tapering, rectangular form, repousse decorated with scaly fish flanking a scallop shell, with applied loop handles, stamped Newlyn, 27.5cm. high
£200400
667
A Newlyn Industrial Class repousse copper tray designed by J D Mackenzie, worked by P Hodder, rounded, rectangular form, hammered in low relief with a frieze of fruiting pomegranate, the well with FD monogram inside scroll border, two Newlyn trays decorated with fish and another Newlyn tray decorated with a frieze of apples, main tray etched marks to main tray two stamped Newlyn, 59 x 42cm. (4)
£150250
664
665
668
A Kayserzinn pewter tea set designed by Hugo Leven, model no. 4402, cast in low relief with Art Nouveau flower design, comprising, teapot and hinged cover, with leather insulators, milkjug and sugar basin on shaped, twinhandled tray stamped marks, 54cm. wide (5)
Literature
Paul Carter Robinson, 20th Century PewterArt Nouveau to Modernism, ACC Books, page 54 catalogue number 1.103 for a comparable set.
£250350
669
An Art Deco English electroplated cocktail shaker set, hydrant style shaker with fitted tray and six goblets, and a continental electroplated coffee set for six, comprising coffee pot and cover, milkjug, sugar basin and cover, six cups and saucers on a tray, stamped marks, 24.5cm. high (25)
£120180
670
An Omersa style leather model of an elephant, modelled standing with applied white plastic tusks and glass eyes, unsigned, 43cm. high
£150200
671
An etched glass panel, possibly Ceres, irregular form with lead frame, unsigned 44.5 x 32.5cm.
£100200
672
A chromed metal bottle stand after a design by Adnet, with angled cylindrical handle, unsigned, 29cm. wide
£120180
673
A Nayler Brothers silver four piece tea set, footed, streamline form, comprising teapot and hinged cover, milkjug and sugar basin and a hotwater pot with hinged cover, stamped marks, London 1955, 15.5cm. high (4)
£200400
674
A French Bugatti radiator flask, with screw cap, stamped factory marks, 19.5cm. high
£150250
675
A Classic Stable Ltd Jaguar SS radiator grill flask, with screw cap, blue enamelled badge, applied label to base, 19cm. high
£8001,200
676
A Bugatti radiator flask probably Ruddspeed, chromed metal with enamelled badge, unsigned, 19.5cm. high
£400600
λ 677
An Art Deco Hukin & Heath silver and ivory footed dish, octagonal footed form, applied with ivory handles, stamped marks, Birmingham 1937, 27cm. wide
Please note this item has Ivory Registration no. WMELAPBC.
£150250
678
An Art Deco Camille Faure Limoges enamelled vase, pearshaped form enamelled with geometric panels in shades of blue, and black on a pale pink ground, painted signature Camille Faure Limoges, 15.5cm. high
£8001,200
675
676
674
677
678
679
A Liberty English Pewter Bollellin dish designed by Archibald Knox, model no.044, circular with inverted rim, cast in low relief with Art Nouveau scrolling stems, with presentation inscription to the rim, stamped marks, 26cm. diam.
£120180
680
A Liberty Tudric pewter and enamel inkwell designed by Archibald Knox, model 0141, square section tray with tapering cylindrical well and hinged square cover, set with enamel rectangular panel in blue and green, the tray with four blue and green enamel roundels, engraved to tray with initials and 1915, stamped marks, 15.5cm. wide, 8.5cm. high
Provenance
Private collection.
£150200
681
A Liberty & Co pewter and enamel pot and cover in the manner of Archibald Knox, model no.021, the cylindrical base cast in low relief and enamelled with bluegreen heart panels, stamped marks, 10cm high (2)
£120180
682
A rare Liberty Tudric pewter four piece coffee set designed by Archibald Knox, model no.0375, comprising coffee pot and hinged cover, hotwater pot and hinged cover, milkjug and sugar basin, cast in low relief with Art Nouveau stylised honesty sprays, pots with ebonised wood handles, stamped marks, 14.5cm. high (coffee pot), (4)
Provenance
Private collection.
£500800
683
A Liberty Cymric silver cup designed by Archibald Knox, flaring cylindrical form, cast in low relief with Art Nouveau whiplash entrelac foliage, stamped marks, Birmingham 1902, etched number to base, 9cm. high
Provenance
Private collection.
Literature
Stephen A Martin Archibald Knox, ARTMEDIA, page 195 for a comparable mug illustrated.
£1,0002,000
684
A Liberty Cymric silver chalice designed by Archibald Knox, model no.278, flat circular base supporting twisted stem and flaring bowl, worn stamped marks to base, Birmingham, 20cm. high
Provenance
Private collection.
Literature
Stephen A Martin Archibald Knox, ARTMEDIA, page 180 for an identical coupe illustrated.
£8001,200
685
A Liberty Cymric silver tankard designed by Archibald Knox, model no.2188, cylindrical form with cast Art Nouveau foliate handle, stamped marks, Birmingham 1904, 15.5cm. high
Provenance
Private collection.
Literature
Stephen A Martin Archibald Knox, ARTMEDIA, page 193 for a comparable jug form illustrated.
£1,0002,000
685
684
683
686
A chromed metal warship’s gun paperweight, with two cannons, unsigned 12cm. wide
£150200
687
A set of four Cohr Atla silverplate and plastic salt and pepper pots, compressed silver body with black and cream plastic necks, stamped marks HH monogram, 5.5cm. high (4)
£150250
Φ 688
Joan SouterRobertson (19031994)
Aquarius glass picture, titled and dedicated to Timothy with birth date 4 II 26, framed unsigned, 40 x 34.5cm.
Provenance
Commissioned directly from the artist.
£400600
689
A Limoges enamel mounted metal dish by Lebrun, the circular bowl surmounted with cast foliate handles, set to the well with a circular enamel of a lady in colours and gilt, signed with monogram and Lebrun Limoges, 16.5cm. wide
£150200
690
A set of five buttons designed by Piero Fornasetti, each ceramic button printed in black with a sun face design in black, unsigned, 2.5cm. diam. (5)
Provenance
Didier Antiques. Private collection.
£150250
691
An Omar Ramsden silver spoon, the stem cast with entwined foliage, and a larger silver spoon by Omar Ramsden with cast foliate terminal, stamped marks, London 1917 and 1919, 13cm. long (main spoon), (2)
£150250
692
A large Omar Ramsden silver mounted walnut Mazer bowl, the silver rim with crenulated and quatrefoil bands, the stepped silver foot with rope bands, stamped marks, OR, London 1934, and Omar Ramsden Me Fecit to base, 22cm. wide, 10.5cm. high
£2,0003,000
693
An Omar Ramsden silver dish, elliptical hammered bowl with foliate terminals, on four scroll feet, engraved 19141939 to side, stamped marks OR London 1938, and etched Omar Ramsden Me Fecit, 33cm. wide, 8.5cm. high, 11ozt
£1,5002,500
694
A silverplated bust of a Bacchanalian Fawn by Omar Ramsden, modelled leaning forward, on oak plinth, signed Omar Ramsden Me Fecit, 15cm. high (including base)
Catalogue notes
This fawn head was used by Ramsden on candlesticks and winejugs.
£300500
692
691
694
693
695
Jean Després (18891980)
a pair of Modernist silver plated candlesticks, square section stem with hammered hemispherical panels to the base, with hammered square base and drip pan, etched J Després, stamped poinçons marks, 18.5cm. high (2)
£3,0005,000
696
Jean Després (18891980)
a Modernist silver plated tray, rectangular twinhandled form, with hammered well, stamped marks, etched J Després, 46.2cm. wide
£8001,200
697
Jean Després (18891980)
an impressive pair of Modernist silver plated candelabra, square base supporting square section column with raised ball motif, hammered finish, with four scrolling arms with hammered dish sconce, and a central sconce,
etched J Després, 32cm. high (2)
Provenance
Jean David Botella. PAD London.
Private collection.
Literature
Melissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 149 for a comparable pair of silvered metal candelabra circa 1960 with rope decoration.
£8,00012,000
698
A set of eight bakelite bird napkin rings, in shades of orange and green, two sets of Bakelite ball cruet pots and four sets of cylindrical cruets unmarked, 6.5cm. high (20)
£150250
699
An Art Nouveau silver and enamel cigarette case by Ferdinand von Reznicek, rounded rectangular case, the enamel panel depicting an affectionate couple in a study, stamped marks, signed in the enamel, 9cm. long
£400600
700
A Tiffany & Co silver belt buckle, model no.1565 rectangular cast in low relief with leaves, with gilt detailing, on hammered ground, stamped marks, 8.5cm. long
£150250
a large silver centrepiece, angled square section, stamped marks, numbered 1/8 65cm. wide
Provenance
Barry Friedman Ltd, New York, 2009.
Private collection.
£3,0005,000
701
Juan Garrido (born 1965) and Paloma Garrido (born 1968) Trenza, 2009
702
A Georg Jensen Ornamental pattern silver spoon, no.21 the stem curved with foliate terminal, stamped marks, 13cm. long
£150200
703
A collection of Danish silver including Georg Jensen and Hans Hansen, including; a Georg Jensen, a Hans Hansen silver serving spoon, pattern no.18, an I Holm silver part service, comprising ladle, slice, sauce spoon, four large serving spoons, five dessert spoons, three dessert forks, four dinner forks, six various teaspoons, four herring forks, six matched Cogh silver dinner knives and a collection of silver and plate cutlery stamped marks, (a lot)
£400500
704
A Georg Jensen Blue Shark (Bla Haj) stainless steel cutlery service designed by Svend Siune, model no.325, comprising, eight dinner knives, forks and six spoons, four serving spoons, eight teaspoons, five coffee spoons and eight pastry forks, stamped marks, 20.7cm. long (serving spoons), (47)
Provenance
Purchased from Georg Jensen New Bond Street. £200300
705
A Georg Jensen silver Bernadotte part service designed by Sigvard Bernadotte, comprising; serving spoon, pair of servers, caddy spoon, sardine server and a pickle fork, stamped marks, 20.7cm. long (serving spoon), (6)
£200300
706
A set of ten Georg Jensen silver gilt tea spoons, the handles enamelled in yellow, green, blue and white stamped marks, 9.5cm. long (10)
£200300
707
A Georg Jensen silver and Guaiacan wood three piece coffee set designed by Henning Koppel, model no.1017, designed in 1952, comprising coffee pot and hinged cover, creamer and large bowl stamped marks, HK monogram, 16cm. high (teapot), (3)
Provenance
Purchased by the vendor’s family From Georg Jensen, 15 New Bond Street in 1979.
Literature
Alison Fisher, Georg Jensen Scandinavian Design for Living, Yale, page 172173 plate 87 for a six piece service illustrated.
£1,5002,000
708
A Georg Jensen silver and stainless steel ladies watch designed by Edvald KindtLarsen, model no.2376, designed in 1955, rectangular face with link strap, stamped marks, 3.5 x 1cm. (watch)
£200300
708
707
706
709
A Murrle Bennett silver and enamel pendant necklace, diamond shaped, enamelled with red and green panels, applied central mother of pearl cabochon, and drop, stamped marks, 5cm. drop
£180220
710
A silver and citrine necklace possibly Australian, the simple drop with foliate border and central oval citrine, with leaf links and two similar flowerhead panels each set with a citrine, on link chain, unsigned, 2.5cm. wide.
£80120
711
Gourdel Vales and Co silver and enamel pendant necklace, trefoil form enamelled in blue, with pearl drop, marks flooded with enamel, 4.5cm. long.
£150200
712
A set of six Art Nouveau Joseph & Richard Griffin silver buttons, cast in low relief with a maiden with flowers in her hair, a set of six Art Nouveau silver buttons by Robert Friedrich, and a set of twelve silver dress buttons in fitted case, stamped marks.
£200300
713
A set of Liberty & Co silver teaspoons in fitted case, each decorated with simple foliate design to stem, and a set of silver shield shaped place markers, stamped marks, Birmingham 1935 10cm. long
£150250
714
A Liberty silver and enamel pendant necklace designed by Archibald Knox, made by William H. Haseler, cast in low relief with Celtic knot motif, two tear drop shaped panels enamelled blue and green, stamped marks WHH Birmingham, 1904, 4cm. long.
£400600
715
A yellow metal and mother of pearl brooch the design in the manner of Archibald Knox, cast with leaves flanking central polished mother of pearl cabochon, unmarked, 3cm. wide
£150200
716
A Child and Child silver and green enamel buckle, in original presentation case, stamped marks, London 1901, 7.3cm. long
£200300
714
715
716
TUESDAY 3RD & WEDNESDAY 4TH DECEMBER 2024
Lucie Rie DBE
John Ward
BRITISH ART POTTERY
TUESDAY 3RD & WEDNESDAY 4TH
DECEMBER 2024
MODERN BRITISH & 20TH CENTURY ART
THURSDAY 5TH DECEMBER 2024
ENQUIRIES
Michael Jeffery | +44 (0)1722 424505 | mj@woolleys.live
Victor Fauvelle | +44 (0)1722 446961 | vf@woolleys.live
*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price
Dame Lucie Rie (19021995)
Estimate £2,0004,000*
Dame Elisabeth Frink RA (19301993)
Estimate £100,000150,000*
Mary Fedden RA (19152012)
Estimate £5,0007,000*
TUESDAY 22ND & WEDNESDAY 23RD OCTOBER 2024
By Omar Ramsden, an Arts and Cra
cigare
WEDNESDAY 30TH & THURSDAY 31ST OCTOBER 2024
A Victorian sentimental gold collar necklace, created by Lord John Winston SpencerChurchill, 7th Duke of Marlborough for his wife Lady Frances Anne Vane, the Duchess of Marlborough, set with eight lockets, seven of which are decorated with the initials of their children in enamel with forgetmenots in a floral wreath surround, the other with a Ducal coronet, the reverse with oval glazed locket compartments engraved with the full name of each child and their date of birth
Estimate £30,000 50,000*
ENQUIRIES
Marielle Whiting | +44 (0) 1722 424595 | mw@woolleys.live
*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price
AUCTION INFORMATION
OPENING HOURS
City Centre Salerooms
Monday to Friday 9am – 5pm
Old Sarum Galleries
Monday to Friday 9am – 5pm
VIEWING
All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.
REGISTERING WITH US
All first time buyers need to register with us.
To register, you will need to provide two forms of identification:
1. a passport or photographic driving licence
2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.
PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.
BIDDING AT AUCTION
See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.
BIDDING IN THE ROOM
To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.
COMMISSION BIDDING
If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
TELEPHONE BIDDING
It is usually possible to bid on the telephone by prior arrangement with client services
LIVE ONLINE BIDDING
Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.
BUYER’S PREMIUM
The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.
CONDITION REPORTS
The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.
SALE RESULTS
These will be posted on our website shortly after the sale.
PACKING AND SHIPPING
Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.
Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk
Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk
Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester
ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
EXPORTING YOUR PROPERTY FROM THE UK
If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.
Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for handcarried exports.
In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.
PAYMENT AND CLEARANCE
Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.
The following methods of payment may be made:
Bankers draft, cashiers cheque, personal cheque, debit and credit cards.
Wire transfers should be sent to:
Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.
Account no. 00957707
Sort code 309741
IBAN no. GB20LOYD30974100957707
BIC code LOYDGB21063
Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.
Where practical, payment can be made and purchases collected during the auction.
We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
LOT SYMBOLS
VAT
Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.
CITES REGULATIONS
Please note that lots marked λ may be subject to CITES Regulations when exported.
The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/importsexports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Lots marked with a Φ symbol are potentially subject to a levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.
Royalties for Droit de Suite are as follows:
4% Up to £50,000
3% £50,000.01 200,000
1% £200,000.01 350,000
0.5% £350,000.01 500,000
0.25% In excess of £500,000
Up to a maximum levy of £12,500
FIREARMS
Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.
INFORMATION FOR BUYERS
1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.
3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.
4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.
5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.
6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.
9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.
10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.
11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with client services in advance of the sale if other methods of payment are envisaged.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS
1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.
2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.
3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower presale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.
5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.
7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.
Reserves.
(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).
(b) A reserve once set cannot be changed except with our consent.
(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.
10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.
12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.
13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
14. Authority to deduct commission and expenses and retain premium and interest.
(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.
(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.
15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.
16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE
Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.
1. DEFINITIONS
In these Conditions:
(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;
(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;
(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;
(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;
(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;
(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.
(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.
(h) The singular includes the plural and vice versa as appropriate.
2.
BIDDING PROCEDURES AND THE BUYER
(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;
(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.
(c) Bidders shall be deemed to act as principals.
(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.
3. INCREMENTS
Bidding increments shall be at the auctioneer’s sole discretion.
4. THE PURCHASE PRICE
The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.
5. VALUE ADDED TAX
Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).
6. PAYMENT
(a) Immediately a lot is sold you will:
(i) give to us, if requested, proof of identity, and
(ii) pay to us the total amount due in pounds sterling
(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.
(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.
7. TITLE AND COLLECTION OF PURCHASES
(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.
(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.
(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.
8. REMEDIES FOR NONPAYMENT OR FAILURE TO COLLECT PURCHASES
(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:
(i) to proceed against you for damages for breach of contract;
(ii) to rescind the sale of that lot and/or any other lots sold by us to you;
(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;
(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;
(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;
(vi) to retain that or any other lot sold to you until you pay the total amount due;
(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;
(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.
(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions
9. THIRD PARTY LIABILITY
All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS
Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.
11. WARRANTY OF TITLE AND AVAILABILITY
The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.
12. AGENCY
The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.
13. TERMS OF SALE
The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.
14. DESCRIPTIONS AND CONDITION
(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.
(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.
15. FORGERIES
Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
GENERAL
16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.
19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.
20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
21. English law applies to the interpretation of these Conditions.
22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS
In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.
GLOSSARY
Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.
(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.
(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.
(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.
(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.
(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.
(g) After Edward Lear: In our opinion a copy of a known work of the artist.
(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.
(j) Dimensions are given height before width.
(k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS
If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.
Royalties for Droit de Suite are as follows:
4% Up to £50,000
3% £50,000.01 200,000
1% £200,000.01 350,000
0.5% £350,000.01 500,000
0.25% In excess of £500,000
Up to a maximum levy of £12,500
Lots marked with a Φ symbol are potentially subject to the levy
PRIVACY NOTICE FOR CUSTOMERS
WHAT THIS PRIVACY NOTICE DOES
This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.
This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.
DATA CONTROLLER AND CONTACT DETAILS
Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).
If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:
• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 5161 Castle Street, Salisbury, SP1 3SU.
• By email – privacyofficer@woolleys.live
• By telephone – +44 (0)1722 424599
HOW WE COLLECT YOUR PERSONAL DATA
We collect your personal data from the following sources: From you when you:
• interact with us before entering into a contract with us, for example when you express your interest in our Services;
• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;
• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;
• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.
From third parties such as:
• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;
• thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider);
• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);
• shipping companies whom you hire to collect items you purchased from us.
THE CATEGORIES OF PERSONAL DATA WE COLLECT
We may collect the following personal data about you:
• your name and contact details including address, telephone and email address;
• your image, as captured by CCTV, if you attend our premises;
• personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);
• account details and other information relating to your transactions/dealings with us and your use of our Services;
• payment details such as credit card and bank account details;
• credit and payment history (where you open an account with us as a buyer or bidder);
• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and
• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.
We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.
THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA
WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU
We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:
• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);
• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.
In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.
LEGITIMATE INTERESTS
We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:
• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;
• to deal with any concerns or feedback you may have in the performance of the Services;
• for our internal business record keeping and processes;
• to seek advice on our rights and obligations, including obtaining legal advice;
• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;
• to customise our website and marketing communications in line with your particular interests or preferences;
• to collect money owed to us or our consignors;
• to carry out background and credit checks in relation to bidders and buyers.
In this respect we will provide your data to the following:
• our professional advisors;
• thesaleroom.com;
• debt collection agencies;
• third parties who assist us with our marketing;
• our website and email management software provider.
LEGAL OBLIGATIONS
We may also process your Personal Data for our compliance with our legal obligations.
In this respect, we may use your Personal Data for the following:
• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;
• in order to assist with investigations (including criminal investigations) carried out by competent authorities;
In this respect we will provide your data to the following:
• external auditors;
• the police and other competent authorities, including HMRC;
CONSENT
We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.
Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.
SPECIAL CATEGORIES OF PERSONAL DATA
We process special categories of personal data for the following reasons:
• if it is necessary to protect your or another person’s vital interests (for example, where you have a lifethreatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);
• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);
We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).
INTERNATIONAL TRANSFERS OF DATA
We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company
We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.
PROFILING
We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.
HOW LONG YOUR INFORMATION IS KEPT
We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.
In particular:
• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;
• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;
• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;
• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.
YOUR LEGAL RIGHTS
Under the DPA you have the following rights:
• to obtain access to, and copies of, the personal data that we hold about you;
• to require that we cease processing your personal data if the processing is causing you damage or distress;
• to require us not to send you marketing communications.
• to require us to correct the personal data we hold about you if it is incorrect;
• to require us to erase your personal data;
• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);
• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;
• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.
Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply
If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk
VALUATIONS
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
INSURANCE VALUATIONS
Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
Woolley & Wallis valuations are accepted by all leading insurance companies.
PROBATE VALUATIONS
We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.
Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live
FREE AUCTION VALUATIONS
Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500
ABSENTEE BID FORM
DESIGN
16TH & 17TH OCTOBER 2024
Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.
Billing Name (please print)
Address Postcode Daytime telephone
ID may be required even if you have bid with us before.
Signature
ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2025 AUCTIONS
AUCTION CALENDAR
2024
OCTOBER
2nd & 3rd Furniture Works of Art & Clocks
16th & 17th Design
22nd & 23rd Silver & Objects of Vertu
30th & 31st Fine Jewellery
NOVEMBER
12th & 13th Asian Art, Chinese Paintings & Japanese Works of Art
27th Medals & Coins, Arms & Armour
DECEMBER
3rd & 4th British Art Pottery
5th Modern British & 20th Century Art
2025
JANUARY
15th & 16th Furniture Works of Art & Clocks
29th & 30th Fine Jewellery
FEBRUARY
4th British & Continental Ceramics & Glass
5th & 6th Silver & Objects of Vertu 19th Arts of Africa, Oceania & the Americas
Dates may be subject to change
+44 (0) 1722 424500 info@woolleys.live
5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk
*Price includes buyer’s premium
