Woolley & Wallis Auctioneers

CLARICE CLIFF ART DECO & DESIGN 20TH & 21ST MARCH 2024

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

Jeremy Lamond MRICS FRSA Neil Grenyer Amanda Lawrence Hannah Farthing (Trainee Valuer)

339752 446980

GENERAL OFFICE

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Georgina Way

ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Olivia Jones Nelson Chui

424506 424583 424589 +44 (0)7812 601098 424571 424591 424591

Ruth Pike (Office Manager) Lynda Cummins Gemma Pointer

Sally Litherland

MARKETING Chloe Davie

ACCOUNTS

BRITISH AND CONTINENTAL CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

BOARD OF DIRECTORS

424589 424571

Natalie Milsted FCCA Managing Director

411854 446974 339161 339161 339161

Alexandra Aguilar Ed Beer Ned Cowell Clare Durham Victor Fauvelle Will Hobbs Samuel Hug FGA DGA Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

Freya Yuan­Richards Michelle Yu

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone Victoria Elwell

JAPANESE ART Alexandra Aguilar

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett Beth Reardon

424595 424504 424586

John Axford MRICS Chairman

ASSOCIATE DIRECTORS

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Georgina Way

341469 446980

SILVER Rupert Slingsby Archie Swann Jacob Carpenter

424501 424594 CBP006075

PAINTINGS Victor Fauvelle Ed Beer Victoria Sturgeon Sarah Bennie

446961 446962 446970

424500

CASTLE GATE RECEPTION

Ania Antkowiak

CHINESE PAINTINGS & CALLIGRAPHY

424502 446974 424509

446951

CLARICE CLIFF ART DECO & DESIGN WEDNESDAY 20TH MARCH 2024 10.30AM - LOTS 1-179 THURSDAY 21ST MARCH 2024 10.30AM - LOTS 180-603

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

AT OUR CITY CENTRE SALEROOMS, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Saturday 16th March Monday 18th March Tuesday 19th March Wednesday 20th March

Zoe Smith 01722 446955 zs@woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 12 noon

DIRECTIONS TO THE OLD SARUM GALLERIES E

WOOLLEY & WALLIS Old Sarum Galleries Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Kia Motors Old Sarum Park

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Westover Garage

W

Sarum Business Park

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AUCTION WOOLLEY & WALLIS City Centre Salerooms

ide &R

Storage Works

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A345 Castle Rd

AMESBURY

SALISBURY

Old Sarum

A36

A3 45

VIEWING WOOLLEY & WALLIS Old Sarum Galleries A36 Ch urchill W ay

MARLBOROUGH & SWINDON

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WOOLLEY & WALLIS City Centre Salerooms 51-61 Castle Street Salisbury SP1 3SU

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THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX Client Parking Available Saturday 16th March Monday 18th March Tuesday 19th March Wednesday 20th March

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 12 noon

THE AUCTION ON 20TH & 21ST MARCH WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS 51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26% plus VAT CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk

COLLECTION OF LOTS BY APPOINTMENT Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

Instagram: @woolleyandwallisdesign @woolleyandwallissalerooms

All accounts to be settled prior to collection

Twitter: @woolleywallis

EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 161 for full details.

Facebook: @woolleyandwallis

Pinterest: Woolley and Wallis

ILLUSTRATIONS Front cover: Lot 121 detail Back cover: Lot 351 Inside cover: Lots 166­178 Catalogue £10.00 (£15.00 by post)

CLARICE CLIFF

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1 ‘Latona Red Roses’ a modern limited edition Wedgwood Clarice Cliff Age of Jazz figure, made for The Clarice Cliff Collector’s Club, and a modern Wedgwood Clarice Cliff Grotesque Wall mask, originally designed by Ron Birks, boxed, printed marks, Jazz figure with certificate number 13 of 50, 21cm. high, (Jazz figure), (2) £120­180

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4 ‘Crocus’ a Clarice Cliff Bizarre Bon Jour preserve pot and cover, painted in colours, a Crocus jug and cruet set, a Poplar cruet set, two pepper pots, an Autumn pin dish, a Marguerite part teaset and a later Crocus part service printed and painted marks, preserve cover restored, 10.5cm. high (a lot) £150­200

2 ‘Original Bizarre’ a Clarice Cliff Hereford shape Biscuit barrel and cover, painted with a band of triangles in red, purple and yellow, outlined in green, between yellow and red bands, with wicker handle, printed factory mark, damages,16cm. high (2)

5 ‘Melon’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours between orange bands, a Clarice Cliff ‘Rhodanthe’ bowl, a ‘Delecia Citrus’ footed bowl shape no.454, a Clarice Cliff Bizarre ‘Crocus’ octagonal side plate and a pair of ceramic servers, printed factory mark, 22cm. diam (6)

£100­200

£400­500

3 ‘Sgraffito’ a Clarice Cliff Bizarre bowl, moulded in relief, painted in shades of black, pink and purple, and two Clarice Cliff wall plaques, modelled in low relief with flowers, printed factory marks, 21cm. diam.

(3)

6 ‘Limberlost’ a Clarice Cliff Fantasque Bizarre Grapefruit bowl, painted in colours to the rim, a small Clarice Cliff Orange ‘Secrets’ dish and a ‘Bamboo’ Conical sugar basin, printed factory marks, 17cm. wide (3)

£150­200

£150­250 7 ‘Secrets’ a Clarice Cliff Bizarre miniature plate, painted in colours printed factory mark, 8.6cm. diam. £150­250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

8 ‘Cafe au Lait Red Gardenia’ a Clarice Cliff Bizarre Stamford tea set for one, painted in colours on a speckled orange ground, comprising; teapot and cover, milk­jug and sugar basin, one cup, saucer and side plate, printed factory marks, 12cm. high (7) Catalogue notes The tea plate has the impressed date of June 1931. £800­1,200

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9 ‘Archaic’ a rare Clarice Cliff Bizarre vase, shape no.375, stepped flaring cylindrical body, painted in shades of red, blue and yellow outlined in black, printed and painted factory marks, 25.5cm. high Provenance Private collection.

Literature Richard Green and Des Jones, The Rich Designs of Clarice Cliff, Rich Designs, page 11 for an identical example illustrated .

Leonard Griffin, Clarice Cliff The Art of Bizarre Pavilion Books, page 50 for an identical example illustrated.

Catalogue notes Clarice copied this design from a capital design seen on a temple in the oasis of Thebes. Clarice saw the design reproduced in a Grammar of Ornament by Owen Jones published in 1856. This vase unusually has a painted Archaic mark and also the printed mark for the Temple at Thebes.

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£1,500­2,000

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

reverse

10 ‘Applique Windmill’ a rare Clarice Cliff Bizarre Archaic vase, shape no.373, painted in colours between red and black bands, printed factory mark, 17.5cm. high Provenance Private collection. £3,000­5,000

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12 11 ‘Red Roofs’ a Clarice Cliff Fantasque Bizarre Apple shape preserve pot and cover, painted in colours, printed factory marks, 8cm. high (2) £120­180 12 ‘Summerhouse’ a Clarice Cliff Bizarre Stamford milk­jug, painted in colours, and a Clarice Cliff banded pin dish printed factory marks, jug broken and repaired, 6.5cm. high (2) £120­180 13 ‘Blue Chintz’ a Clarice Cliff Fantasque Bizarre Beehive Honey pot and cover, painted in colours, printed factory marks, 9.5cm. high (2) £150­200 14 ‘Blue Chintz’ a Clarice Cliff Fantasque Bizarre vase, shape no. 196, painted in colours printed factory marks, 16cm. high

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£150­200 14

15 ‘Broth’ a Clarice Cliff Bizarre Conical jug, painted in colours between orange bands, printed factory marks, small overpaint to outside of spout, 16cm. high £300­400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

reverse

16 ‘Applique Lucerne’ a Clarice Cliff Bizarre vase, shape no. 358, painted in colours between red and black bands, printed and painted factory marks, professional restoration to top rim, 20.5cm. high Provenance Private collection. £2,000­3,000

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17 ‘Applique Avignon’ a Clarice Cliff Bizarre single­ handled Lotus jug, painted in colours between red and black bands, printed and painted factory mark, professional restoration to the top rim, 29.5cm. high Provenance Private collection. £2,000­3,000 17

18 ‘Applique Lugano’ a Clarice Cliff Bizarre plate, painted in colours inside yellow, red and black bands, printed factory marks, 20cm. diam.

Provenance Private collection. £1,200­1,800 18 12

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

cover

19 ‘Applique Palermo’ a unique Clarice Cliff Bizarre Stamford biscuit box and cover, shape no. 422, painted in colours between red and black bands, to both box and cover, printed and painted mark, 13.5cm. high (2) Provenance Clarice Cliff, Christie’s South Kensington.

Private collection.

Literature Sevi Guatelli & Len Griffin, The Best of Clarice Cliff, Best 50 page 177 for a comparable box without lid. This example is the only known example with the pattern painted on the lid. £3,000­5,000

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20 ‘Gloria Flowerheads’ a Clarice Cliff Bizarre vase, shape no 342, painted with flowers in pastel colours, printed and painted marks, 20cm. high £120­180

21 ‘Crocus’ a Clarice Cliff Bizarre miniature part cruet set, comprising salt and pepper pots and a mustard pot, painted in colours, a Blue Firs Conical mustard pot and a Wilkinson’s Tankard milk­jug and sugar basin, printed factory marks, 4cm. high (salt), (6) £120­180

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22 ‘Crocus’ a Clarice Cliff Bizarre part service, painted in colours, comprising; preserve pot and cover, salt, two cake plates, an octagonal sandwich tray, a side plate and Conical cup and saucer, a later Crocus water­jug and a modern Kevin Francis Clarice Cliff toby jug, printed factory marks, 30cm .wide (octagonal tray) (11) £150­200

23 ‘Bowling’ a rare Bizarre Perth jug, shape no.36, painted in colours below orange and black bands to the rim, printed factory mark, 10.5cm. high £350­450 23

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

24 Charles Vyse (1882­1971) a rare pottery figure of a classical maiden on horseback above three leaping scaly fish, glazed white, on a wooden base impressed Charles Vyse Chelsea in the cast 35.5cm. high Literature Terence Cartlidge & David A Lawrence Charles Vyse, Harry Parr & Leslie Harradine, page 258 figure 193 for an example illustrated Catalogue notes This is possibly a variation of ‘Sea Horse’ designed by Charles Vyse and introduced in 1932 (a terracotta version was made in 1939). £2,000­3,000 15

25 A Wedgwood Pottery Dragon lustre vase designed by Daisy Makeig­Jones, ovoid with cylindrical neck, printed in gilt on a mottled orange lustre ground, another similar on streaked blue lustre ground and smaller Wedgwood Dragon lustre baluster vase printed and painted factory marks, 20cm. high (3) £150­250

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26 A Wedgwood Pottery Hummingbird lustre heart­shaped box and cover designed by Daisy Makeig­Jones, printed and painted in colours and gilt on a blue lustre ground, and two Wedgwood Butterfly lustre bowls, printed factory marks, 11cm. wide, (4) £120­180 27 A Wedgwood Pottery Zodiac Bull designed by Arnold Machin, printed with Zodiac motif, printed factory mark, 40cm. wide Provenance Private collection of Wedgwood. £120­180 28 A Wedgwood Pottery Orient Line bowl and saucer designed by Edward Bawden, printed in black and purple on a white ground, two Wedgwood Outlines of Grandeur plates designed by Laurence Whistler, a small ‘Clovelly’ plate designed by Rex Whistler, a Wedgwood Big Top mug, breakfast bowl and plate, and a rare Queens Ware Lady Ursula Grosvenor mug designed by Daisy Makeig­ Jones, printed factory marks, 14.5cm. diam.

(Orient saucer), (9)

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Provenance Private collection of Wedgwood. £200­400 29 A Wedgwood Pottery Monkeys figure designed by John Skeaping, modelled as an adult cuddling a young monkey, covered in a matt white Moonstone glaze, impressed and printed factory marks, 19cm. wide 28

£120­180 30 ‘Bison’ a Wedgwood Pottery sculpture designed by John Skeaping, covered in a matt white Moonstone glaze, impressed and printed factory marks, 26.5cm. wide.

Provenance Private collection of Wedgwood. £150­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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31 A Wedgwood Pottery vase designed by Keith Murray, shape no.3820, compressed shouldered form, covered in a matt green glaze, impressed marks, printed facsimile signature, 17cm. high £150­200 32 A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form with collar rim, covered in a matt white glaze, a Wedgwood fluted vase designed by Keith Murray and a rectangular box and cover with GR monogram for the Coronation of King George VI in 1937, printed factory mark and KM monogram, glaze loss to box, 15.5cm. high (4) 34

£150­200 33 A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form covered in a matt white glaze, a footed, flaring bowl designed by Keith Murray, printed factory mark, KM monogram, professional restoration to foot of vase, 15.5cm. high (2) £120­180 34 A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form with collar rim, covered in a yellow Matt Straw glaze, and a Wedgwood Lemonade jug and tankard designed by Keith Murray, printed factory marks, facsimile signature, 18.5cm. high (3) £150­250 35 A Wedgwood Pottery vase designed by Keith Murray, flaring bucket form, covered in a yellow Matt Straw glaze, printed factory mark KM monogram, 23.5cm. high

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£120­180 36 A Wedgwood pottery vase designed by Keith Murray, footed form, the flaring fluted body glazed matt blue, printed factory mark, KM monogram, small chips to foot, 24cm. high £120­180 37 A Wedgwood Pottery vase designed by Keith Murray, ribbed, ovoid form with collar rim, covered in a matt blue glaze, printed factory mark KM monogram, 18cm. high £150­200

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38 A Wedgwood Pottery Alphabet mug designed

by Eric Ravilious, printed with vignette in black on pale yellow bands, and a ‘Her Majesty Queen Elizabeth II 1953 Coronation’ mug after a design by Eric Ravilious, printed factory marks, 8cm. high (Alphabet), (2) £150­200

39 Coronation of Her Majesty Queen Elizabeth II a Wedgwood Pottery commemorative mug from a design by Eric Ravilious, 1953, printed in black on a pink and yellow ground, and a Wedgwood ‘Queen Elizabeth II coronation commemorative mug designed by Richard Guyatt, printed factory marks, 10cm. high (2) £120­180

40 ‘Queen Elizabeth II’ a Wedgwood Pottery Coronation mug originally designed by Eric Ravilious, printed in black on a pink and white ground, and a Wedgwood Ivy House Works ‘Bicentenary’ mug designed by Robert Godden, printed factory marks and inscription, 10cm. high (2) Provenance Private collection of Wedgwood. £150­250

41 ‘Travel’ a Wedgwood Pottery part dinner service designed by Eric Ravilious, printed with travel vignettes, in blue and black on a grey ground, comprising; one oval platter, jug, cup and saucer, and four graduated plates, printed factory marks, 36.5cm. wide (8)

42 A Wedgwood Pottery Garden part service designed by Eric Ravilious, printed with vignette on yellow and green bands, comprising; tureen and cover, a small platter, two graduated plates, two small jugs, and a Persephone egg cup, printed factory marks, 32.5cm. wide (8)

Provenance Private collection of Wedgwood.

Provenance Private collection of Wedgwood.

£400­600

£200­400

43 ‘Oranges and Lemons’ a Wedgwood Pottery jug and four beakers designed Richard Guyatt, printed with vignettes in black on pink and green bands, printed factory marks, 19cm. high (jug), (5) Provenance Private collection of Wedgwood.

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£500­800

44 A Wedgwood Pottery Garden Instruments jug designed by Eric Ravilious, swollen form, printed in black with a barrel of garden tools, the reverse with garden vignette, highlighted with Sunderland pink lustre, impressed factory marks, 20cm. high £150­250

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44 two sides

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

45 45 A small Wedgwood Pottery Alphabet mug designed by Eric Ravilious, printed in black on blue and white bands, and a Wedgwood Alphabet baby’s bowl, printed in black on a green ground, printed factory marks, 8cm. high (mug), (2) Provenance Private collection of Wedgwood. £300­400 46 ‘King George VI and Queen Elizabeth’ 1937 a rare Wedgwood Pottery Coronation mug designed by Eric Ravilious, printed in blue on a salmon pink ground, printed factory marks and inscription, 10cm. high

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Provenance Private collection of Wedgwood. £400­600 47 ‘King George VI and Queen Elizabeth’ 1937 a rare Wedgwood Pottery Coronation mug designed by Eric Ravilious, printed in black on a blue and white ground, printed factory marks and inscription, 10cm. high Provenance Private collection of Wedgwood. £800­1,200 48 A modern Wedgwood Boat Race bowl designed by Eric Ravilious, originally designed in 1938, this limited edition of 200 produced in 1975, printed in colours, printed factory marks, original laminated certificate, 31cm. diam. £500­800 49 A Wedgwood Pottery Boat Race bowl designed by Eric Ravilious, printed with boating vignette to the exterior, the interior a scene of a busy Piccadilly circus, in colours on a white ground, printed factory marks, stained crazing, 31.5cm. diam. 13.5cm. high

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Provenance Private collection of Wedgwood. £800­1,200

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50 ‘Cubist’ a Susie Cooper coffee can and saucer, painted in colours, a cruet set, a Clarice Cliff small bowl and four other items printed liner mark, 6.5cm. high (11) £120­180 51 A Poole Pottery stoneware Atlantis vase by Catherine Connett, ovoid with cylindrical neck, covered in a streaked blue and glazed with brushed mint­green design, a Poole Pottery footed vase and two Poole Pottery Chinese blue vases, incised marks, 18cm. high (4)

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£150­200 52 A Carter Stabler & Adams Poole Pottery vase, painted by Audrey Miles, pattern UE shape 212, swollen, shouldered form, painted with stylised flower and foliage panels in yellow and black on a white ground, incised and painted marks, firing faults to base rim, 28cm. high £150­200 53 A Carter Stabler & Adams Poole Pottery vase, pattern /XH, shouldered form, painted with columns of yellow spots and blue columns, between blue bands, impressed factory mark, painted mark, 25.5cm. high

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£150­200 54 A Carter Stabler & Adams Poole Pottery Three Wise Monkeys book end designed by Hugh Llewellyn, modelled as an adult monkey flanked by two young, glazed brown, impressed factory mark, 17.5cm. high Literature Leslie Haywood & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 52 for a comparable example illustrated.

Sue Lunt Age of Jazz British Art Deco Ceramics, National Museums, Liverpool, page 117 catalogue number 124 for a comparable figure illustrated. £120­180

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55 A Carter Stabler & Adams Poole Pottery bowl designed by Truda Carter, painted by Mary Brown, pattern MW, painted with geometric flowers in shades of blue, mushroom and black on a white ground, another similar pattern JF by Anne Hatchard and another pattern YC, impressed and painted factory marks, damages, 24cm. diam, (3) £150­250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

56 A large Poole Pottery vase designed by Truda Carter, painted by Ruth Pavely, pattern E, shape 916, shouldered form, painted with geometric flowers and foliage in blue, green, mushroom, grey and black on a white ground, impressed factory marks, painted monogram, stress hairline to top rim, 37cm high Provenance Private collection.

Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 64 for this design in an alternative colourway illustrated. £1,000­2,000 21

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CONTINENTAL CERAMICS 57 A pottery model of a seated monkey probably Dutch in the manner of Joseph Mendes Da Costa, modelled seated on a square plinth, covered in a brown glaze, unsigned 18cm. high £120­180 58 A Rosenthal Pottery figure of a dancer by Dorothea Charol, modelled standing with arms raised, glazed white, a Royal Dux modelled as a lady holding the hem of her dress, a Rosenthal porcelain figure of a dancer and a snake, and another Royal Dux figure, impressed factory marks, restoration to Charol figure, 31cm. high (4) £250­350

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59 A Boch Freres Keramis Gres stoneware vase, model D.622, ovoid with cylindrical neck, painted with a frieze of roses, and another Boch Freres Gres stoneware vase, impressed and printed marks, 30cm. high, (2) £150­200 60 A Boch Freres Keramis vase designed by Charles Catteau, model no.D.1740, shouldered form, painted with an exotic long­tailed bird amongst stylised flowers and foliage, in colours printed and painted factory marks, 31cm. high £200­400 61 A Boch Freres Keramis vase designed by Charles Catteau, model no.D.2504, shouldered form, painted with stylised flowers and foliage, in colours on a brown ground, impressed, printed and painted marks, 29cm. high £150­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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62 A Longwy Pottery Wall plaque by Rolande Rizzi, enamelled in colours with lily and bleeding heart flowers, in colours on a blue ground, printed and painted marks, limited edition 1/50, 37cm. diam. £300­400 63 A large Boch Freres vase designed by Raymond Chevallier, decorated with a band of stylised deer in black on a blue ground, highlighted in gilt, between matt black bands, printed factory marks, 31cm. high Literature Art Deco Keramik, Mettlach Ceramics Museum, 1981, page 25 catalogue no. 28 this design illustrated.

64 A Boch Freres Keramis vase, model no.

D1651, swollen cylindrical form, painted in colours with flowers and foliage on a blue ground, and a La Louviere Keralouve bowl decorated with maiden washing in a classical landscape, printed factory marks, 26.5cm. high (2) £200­300 63

65 A Longwy Pottery plate, shape no.1283, decorated with cranes amidst water­lily flowers, in colours impressed marks, 31cm.diam. £120­180

£300­500

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GLASS 66 A small Powell Whitefriars glass vase by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, collection loan sticker, 15cm. high Literature Lesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.

Provenance Jeanette Hayhurst Fine Glass, 1997.

67 A Stevens & Williams Brierley Hill glass vase designed by Keith Murray, footed, flaring cylindrical form, pale blue glass internally decorated with bubbles, another smaller, a James Powell, Whitefriars trailed ovoid vase and two other glass vases, unsigned, 31cm. high (5) Literature Charles R Hajdamach 20th Century British Glass, Antique Collector’s Club, page 148 this shape illustrated in a green colourway.

Exhibited Whitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).

Provenance David and Theresa Latham

£100­150

68 A James Powell & Sons Whitefriars wave ribbed Sea Green glass vase, footed, swollen form with a Whitefriars Tangerine coffin vase designed by Geoffrey Baxter, a Cinnamon bark vase and three other vases, unsigned, 21cm. high (6)

£120­180

£150­250 69 A James Powell & Sons Whitefriars sky blue glass lamp base probably designed by Barnaby Powell, shouldered form with amethyst spots unsigned 22cm. high Literature Lesley Jackson Whitefriars Glass the Art of James Powell & Sons Richard Dennis Publications, page 124 plate 113 for a comparable lamp base

70 A Moncrieff’s Monart glass lamp base, model no.VI­P, ovoid with collar neck mottled purple graduating to pink, with green splashes and aventurine inclusions, original paper label to base, 19.5cm. high £150­200 71 An engraved glass vase in the manner of Keith Murray for Stevens & Williams, swollen cylindrical form, engraved with an angel fish swimming amongst vertical columns of air bubbles, unsigned, 20cm. high Literature Fine Art Sale, Bearne’s Hampton & Littlewood, 19th April 2016 lot 456 for a comparable fish on a vase by Stevens & Williams. £120­180 72 Coronation of Queen Elizabeth II a glass goblet vase designed by Laurence Whistler, engraved ER II below a band of drapes, engraved LW Des Edinburgh 149, 28cm. high Catalogue notes By repute this design was made in Edinburgh for the BBC who televised the Coronation. £150­250

£200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

74 73 73 A silver mounted lockable glass decanter by Hukin & Heath Ltd, shouldered rectangular decanter with silver neck, facetted stopper, with heart­shaped padlock, stamped marks, Birmingham 1934 30cm. high (2) £300­500 74 An Art Deco White & Hawkins silver mounted glass decanter and stopper, stepped, Odeon form with flaring triangular stopper, and another silver mounted glass decanter possibly Asprey, stamped marks W&H, Birmingham 1937, second worn marks, 22cm. high (4) £300­400 75 An Art Deco amethyst glass decanter and six glasses, the decanter and stopper tapering facetted form with cut decoration, and six en suite glasses, and three Art Deco amber glass pots and covers, unsigned, 18.5cm. high (14)

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76 A Daum Nancy acid etched glass twin­handled vase, heavy smoked glass with square handles and acid etched textured bands, etched Daum & Nancy France, 23cm. wide

77 A Daum Nancy glass vase, fluted, flaring thick pale green glass with air bubble inclusions, etched Daum & Nancy France to side of foot, 19cm. high

£200­300

£150­250

£150­250

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LALIQUE & SABINO GLASS 78 A Sabino opalescent glass scent bottle and stopper, shouldered form cast in low relief with a frieze of semi­naked maidens etched Sabino Paris 9.5cm. high (2) £150­200

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79 ‘Clairefontaine’ a Lalique clear and frosted glass scent bottle and stopper originally designed by Rene Lalique, the stopper modelled as sprays of Lily of the Valley, a Je Reviens Worth scent bottle in fitted case by Lalique, and five other scent bottles, cast marks, 11.5cm. high (14) £250­350 80 A modern Lalique clear and frosted glass owl paperweight, a modern Lalique swan clear and frosted glass cendrier and a dish, etched Lalique France, 7.5cm. high (3) £120­180 81 ‘Naiade’ a modern Lalique clear and frosted cendrier, originally designed by Rene Lalique, stencilled Cristal Lalique France, 9.5cm. high

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Provenance Christie’s Interiors, Christie’s South Kensington, 22nd June 2010 lot 571. £120­180 82 ‘Pissenlit’ No.3240 a Rene Lalique sepia stained glass bowl, two Lalique year plates Owl (1971) and Eagle (1976), a Worth Je Reviens scent bottle, a Lalique Galleon ashtray, two Lalique clear and frosted glasses and a blue stained box and cover, modelled R Lalique to well interior, 13cm. diam. (8) £150­200 83 ‘Honfleur’ a Lalique opalescent glass bowl designed by Rene Lalique, and another larger etched Lalique France, 21.5cm. diam. (main bowl), (2)

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£150­250

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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84 ‘Setubal’ no.3180 a Lalique amber glass beaker designed by Rene Lalique, stencil R Lalique, 12.1cm. high £120­180

85 ‘Roitelets’ a Lalique sepia stained clear and frosted glass vase designed by Rene Lalique, stencil mark R Lalique, 28.5cm. high Provenance M & D Moir Private collection. £500­700

86 ‘Beauvais’ no.1069 a Lalique clear and frosted glass vase designed by Rene Lalique, script Lalique France mark, 19.5cm. high Provenance Christie’s South Kensington, Lalique, 22nd May 2013, lot 123 £300­500 86 27

87 ‘Sparrow’ a Lalique clear and frosted glass table decoration designed by Rene Lalique, and two modern Lalique sparrow table centrepieces first stencil R Lalique mark, 12cm. wide (3) £120­180 88 ‘Coquilles’ no.3201 a Lalique opalescent glass bowl designed by Rene Lalique, wheel-cut R Lalique France, no.3201, 21cm. diam. £120­180 89 ‘Pissenlit’ no.3215 a Lalique clear and frosted glass bowl and six crescent plates designed by Rene Lalique, cast R Lalique France to the well, 24cm. diam. (7) £150­200

87

90 ‘Verneuill’ model no.10­3055 a modern Lalique clear and frosted glass plate, originally designed by Rene Lalique, decorated with barley wheat stems, etched Lalique France, 32cm. diam. £120­180 91 ‘L’Origan’ a Lalique clear and frosted glass box and cover made for Coty designed by Rene Lalique, circular form, cast R Lalique Depose and Coty, 8.5cm. diam. (2) £120­180 88

89

91 28

90

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

92 ‘Bacchantes’ no. 997 a modern Lalique clear and frosted glass vase originally designed by Rene Lalique, cast in relief, etched Lalique France, re-stuck chip to base, minor chips to highpoints, 24.5cm. high £200­400 92

93 ‘Laurier’ no.947 a Lalique opalescent glass vase designed by Rene Lalique, wheel cut R Lalique signature, 17.7cm. high £300­500

93 29

94 ‘Coq Nain’ no.1135 a Lalique clear and frosted glass car mascot designed by Rene Lalique, with remains of staining, moulded R Lalique to side, 20.5cm. high £300­500

94

95 ‘Chrysis’ a modern Lalique frosted glass figure originally designed by Rene Lalique, in original presentation box, etched Lalique France, 13cm. high Provenance Design Woolley and Wallis, 19­20th October 2022, lot 44. £120­180 95 30

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96 ‘Tete D’Aigle’ no.1138 a Lalique clear and frosted glass car mascot designed by Rene Lalique, cast R Lalique France to side, 11.5cm. high £500­800 96

97 ‘Faucon’ no.1124, a Lalique clear and frosted glass car mascot, moulded R Lalique, 16cm. high £800­1,200

97 31

98 ‘Avallon’ no.986 a Lalique opalescent glass vase designed

by Rene Lalique, stencil R Lalique France, 14.7cm. high £800­1,200 98

99 ‘Avallon’ no.986 a Lalique clear and frosted glass vase designed by Rene Lalique, stencil R Lalique France, filled chip to top rim, 14.3cm. high £150­250 99 32

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100

101

SCULPTURE 100 Louis Riche (1877­1949) Hors Concours (Without Equal), patinated bronze model of two Alsatian dogs one seated the other lying down, on veined marble base signed H Riche Hors Concours and stamped bronze in the cast 41cm wide.

37cm high £200­300

Φ 101 Edouard Marcel Sandoz (1881­1971) Rabbit with raised ear, patinated bronze signed E M Sandoz in the cast 6.5cm. wide £250­350

102 Henri Fugere (1872­1944) Woman with a Deer patinated bronze, on veined marble base signed in the base, 41.5cm. wide. £1,000­1,500

102 33

103 104 103 Zoltan Kovats (1883­1952) Diana with a Deer patinated bronze on a red marble base, signed in the cast Zoltan 23.5cm. high £150­250

104 Maurice Guiraud­Riviere (1881­1947) Bust of a Woman, cire perdue verdi gris patinated bronze, on black marble base cast signature and Etling foundry mark, 27cm. high £300­500

105 Franz Seifert (1866­1951) Female Dancer with Flowers, patinated bronze figure of a nude maiden, on veined red marble base, signed in the cast Franz Seifert Wein, 198/115, 45cm. high £300­500

106 Emmanuel Villanis (1858­1914) Prise de Corsaire, (slave girl) patinated bronze, signed E Villanis, titled and impressed foundry seal, 54cm. high £800­1,200 105 34

106

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 107 Georges Duvernet (1870­1955) Oblivion, a patinated bronze model of a crouching lady offering up an onyx urn with gilt cover, on veined marble base etched Duvernet to top of base, stamped 234 to foot, £800­1,200

107

108 Joe Descomps (1869­1950) Model with Venus de Milo patinated bronze, signed Cormiere, Concours de Ciselure and foundry stamp, 46.5cm. high £300­400

108 35

109 110

109 Edvard Eriksen RA (1876­1959) The Little Mermaid, patinated bronze signed in the cast 24.5cm. high £200­300

111

110 Emmanuel Villanis (1858­1914) Rebecca au Puits patinated bronze on veined red marble base signed E Villanis to shoulder, titled in the cast, impressed foundry mark, 22.5cm. high £300­500

111 A pair of Art Deco patinated metal book ends

by Tedd, each modelled as a seagull flying above scrolling waves, on veined black base cast Tedd, 16cm. high (2) £150­200

112 Alberto Saccardi (1883­1956) Lady Kneeling, Feeding a Deer, alabaster and patinated bronze on a black, veined marble base incised A Saccardi 62cm wide. £800­1,200

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113

Φ 113 Cyriel de Brauwer (1914­1989) Grazing Horse and Foal patinated bronze signed in the cast de Brauwer e/a 48cm. wide £800­1,200

114 Hagenauer Fox Lying a rare, miniature patinated bronze figure, and two other Hagenauer figures of a Comical bird and a cat stamped marks, 4cm. wide (fox), (3)

114

£250­350

115 Rena Rosenthal a patinated bronze model of a dancing figure, another similar, an owl perched on a bough, and a squirrel all by Rena Rosenthal, and five other similar figures stamped marks, 11.3cm. high (9) £250­350

115

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λ 116 Demetre Chiparus (1886­1947) Les Amis de Toujours (Friends Forever) patinated bronze and ivory on a veined brown onyx base, incised Chiparus to base, 28.5cm. high 29cm. wide Please note this item has Ivory Registration no. 8N1FWVHS Provenance Private collection.

Literature Alberto Shayo Chiparus, Master of Art Deco, Antique Collector’s Club, page 87 figure 14 for a comparable sculpture illustrated. £7,000­9,000

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DODO BURGNER ARTWORK

117

DODO BURGNER ORIGINAL ARTWORK

118

Φ 117 Dorte Clara Dodo Burgner (1907­1998) Woman With A Parasol watercolour on paper with pencil, signed Dodo in pencil, annotated 33.5 x 26.5cm (image)

Φ 119 Dorte Clara Dodo Burgner (1907­1998) Lady in a Chequered suit, watercolour on paper fashion study unsigned 55 x 32.5cm (sheet)

£300­400

£300­400

Φ 118 Dorte Clara Dodo Burgner (1907­1998) Young lady in a broad rimmed hat watercolour on paper, mounted unsigned 49 x 28.5cm.

Φ 120 Dorte Clara Dodo Burgner (1907­1998) Two ladies watercolour on paper of two young ladies gossiping, annotated in German, mounted unsigned 23.5 x 29cm. (image)

£300­400

119 40

£200­300

120

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Φ 121 Dorte Clara Dodo Burgner (1907­1998) Girls, 1929 watercolour on paper, design of two young, fashionable girls with attitude, possibly for Ulk magazine, signed Dodo and dated 29 top right, stamped Dodo studio mark to reverse 40 x 30.4cm. (image) £4,000­6,000

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Φ 122 Dorte Clara Dodo Burgner (1907­1998) The Skier sepia ink on paper of a young fashionable lady holding her skies, mounted signed in sepia ink, annotated in ink, 31.5 x 21cm. £150­200 Φ 123 Dorte Clara Dodo Burgner (1907­1998) Woman with a Parasol at a Concert pencil on paper, mounted, signed Wolff, annotated 25.IV.24 25 x 20cm. £150­200

122

Φ 124 Dorte Clara Dodo Burgner (1907­1998) Family red ink on paper, depicting a young man with a naked child on his shoulder, a naked woman walking behind, mounted signed in red ink 26 x 20cm. (image) £150­200 Φ 125 Dorte Clara Dodo Burgner (1907­1998) Lady Pointing at a Young Lady in a suit sepia ink on paper, mounted unsigned, annotated in ink 27 x 21.5cm (image) £150­200 Φ 126 Dorte Clara Dodo Burgner (1907­1998) Two Young Ladies in Evening wear sepia ink on paper, annotated, mounted unsigned, annotated bottom right 29.5 x 22.5cm (image) £150­200

123

124 42

125

126

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Burgh Island Hotel

THE GREAT WHITE PALACE THE TONY AND B PORTER COLLECTION Tony Porter had a varied career from selling paintings in West Africa to selling high­fashion for the Kensington Biba store, founded by B’s sister Barbara Hulanicki. Tony eventually started his own fashion PR Business in London, with B they were part of the group that set up the British (later London) Fashion Week. As the company prospered Tony was able to buy a yacht and eventually in 1986 they gave up their business to buy Burgh Island, with its near­derelict hotel designed in 1929. The hotel restoration project enabled Tony & B to purchase Art Deco furniture and effects to lovingly refurbish each individual room.

43

127 An Art Deco Birdseye maple dressing table probably Hille, two bands of graduated drawers flanking central large circular mirror, with ensuite stool, unsigned, 147cm. wide, 137cm high (approx) Provenance The Collection of Tony & Bea Porter, Burgh Island. £800­1,200

127

128 A Birdseye maple veneer double bed and two bedside cabinets the design attributed to Hille, unsigned, 206cm long 175 x 99cm (bed) 57cm. high (cabinets (3) Provenance The Collection of Tony & Bea Porter, Burgh Island. £800­1,200

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129

129 An Art Deco extending dining table, rectangular top with applied gesso panels to the sides, and six matched Lusty Lloyd Loom dining chairs, table unsigned, applied labels to chairs, missing extensions leaves 105 x 97cm. 76cm. high (table), 90cm. high (chairs), (7) Provenance The Collection of Tony & Bea Porter, Burgh Island. £200­400

130 An English Art Deco walnut veneer cabinet, stepped form, two central cupboards below two drawers, flanked by two larger cupboards, chrome furniture, unsigned, 121cm. wide, 109cm. high

130

Provenance The Collection of Tony & Bea Porter, Burgh Island. £150­200

131 An Art Deco walnut veneer display cabinet, oval form with two hinged glass doors, unsigned, 58cm wide Provenance The Collection of Tony & Bea Porter, Burgh Island. £200­400

131 45

132 A pair of Art Deco mirror topped side tables, rounded square section, unsigned, 46cm square (2) Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200 132 133 A pair of Art Deco streamlined armchairs, covered in a mushroom leather, unsigned, 83cm wide, 75cm high (2) Provenance The Collection of Tony & Bea Porter, Burgh Island. £500­1,000

134 An English Art Deco burr walnut cabinet, central bureau flanked by full length wardrobe and curved cupboard, over three cupboards and under open shelf, unsigned 210cm wide, 159cm high, 54cm deep (3)

133

Provenance The Collection of Tony & Bea Porter, Burgh Island. £200­400

134 46

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135 A Rock­Ola DE39 juke box, made by Rock Ola MFG Corporation, bakelite and wood, applied factory labels, Series C Type S1 39, serial number 52809, 140cm. high Provenance The Collection of Tony & Bea Porter, Burgh Island.

Catalogue notes Rock Ola started manufacturing Juke boxes in 1935 with this Deluxe ‘Luxury Lightup’ Multi­Selective Phonograph design introduced in 1939. £1,500­2,000 47

136 137 136 An Art Deco burr walnut nest of tables, shaped round section with four quarter tables, glass top, unsigned, 63cm wide, 53cm high (5) Provenance The Collection of Tony & Bea Porter, Burgh Island. £150­250 137 A modern Knole settee, fabric covers and various en suite cushions, unsigned, 216cm wide 100cm deep, 108cm high Provenance The Collection of Tony & Bea Porter, Burgh Island. £200­400 138 An Art Deco chrome tray table and floor light, the oval tray with two circular ashtrays, unsigned, 176cm. high Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200 139 A William Lusty Lloyd Loom armchair, sprayed mint green, another armchair and side table sprayed green, two armchairs and a side table sprayed white and two chairs and a larger table with glass top, applied label, 105cm high (green armchair), (9) 138

Provenance The Collection of Tony & Bea Porter, Burgh Island. £300­400

139 part 48

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140 140 An Art Deco chrome ceiling light, circular disc construction with hanging glass teardrop reflectors with chrome mounts, unsigned 28cm. wide Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200

141 A chrome and glass Savoy uplighter, believed to have been from The Savoy Hotel, stepped ebonised wood base, tapering chrome column flaring to support clear and frosted glass shade frosted with repeat S motif, with enamelled green inner uplighter shade, unsigned 193cm. high

141

Provenance The Collection of Tony & Bea Porter, Burgh Island This is one of a pair lamps bought by Tony & Bea as from the Savoy Hotel and used to light the Peacock bar on Burgh Island. £300­500

λ 142 An Everstaffe Pianette and stool, ebonised wood with chrome bands, with ivory keyboard, stencil label, 129cm wide, 85cm high (2) Please note this item has Ivory Registration no. NSJVRQC7 Provenance The Collection of Tony & Bea Porter, Burgh Island. £150­200

142 49

143

144 143 Four Art Deco Fiesta Ware jugs, streamlined form two blue, one white and one salmon pink, a watering can jug similar, and six Art Deco spherical vases, impressed factory marks, 18.5cm. high (11) Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200 144 A modern Desna frosted glass Victoire car mascot after the original designed by Rene Lalique, mounted in back glass plinth, 23cm. wide Provenance The Collection of Tony & Bea Porter, Burgh Island. £200­300 145 A collection of twenty nine Art Deco wall pockets, various manufacturers including; Crown Devon, Grays Pottery, Sylvac, Bretby, Spode and Johnson & Sons, various marks, 20.5cm. high (Crown Devon), (29)

145

Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200 146 A Polished pewter model of a streamlined sports car, a modern Hof Bauer glass model of a sports car, two chrome plated Jaguar car mascots originally designed by Frederick Gordon Crosby, two smaller, and a black glass panther, unsigned, 21.5cm. wide (pewter car), (7) Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­150 147 A collection of art reference books on design and fashion, including Art Deco by Victor Arwas, Bauhaus Archiv by Magdalena Droste, The BIBA Years 1963­1975 by Barbara Hulanicki & Martin Pel, Art Deco Jewelry by Sylvie Raulet, Hollywood Continental Frank Martin by Victor Arwas & John Kobal, 2In the Footsteps of Agatha Christie by Francois Riviere, Bizarre Affair ­ Clarice Cliff by Len Griffin and Louis Meisel, Eric Gill the Sculpture by Judith Collins, From A to Biba by Barbara Hulanicki, Jean Muir Beyond Fashion by Sinty Stemp, lloyd Lookby Lee Curtis, a collection of Sotheby’s catalogues, two Twentieth Century Society journals, (a lot) 146 147

Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200

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148

149

150

148 Yuki Torimaru (born 1937) Evening dress, Spring 1975 two pencil fashion designs, both framed signed and dated 24.5 x 19.5cm (image), (2) Provenance The Collection of Tony & Bea Porter, Burgh Island. £120­180 149 Jean Muir CBE (1928­1995) Two Smock Dresses, pencil and coloured pencil on paper fashion design, another two similar, all framed one annotated, all with Jean Muir labels, 25 x 20.5cm (image), (3) Provenance The Collection of Tony & Bea Porter, Burgh Island. £150­250 150 Zandra Rhodes DBE (born 1940) Printed Chiffon evening dress, 1975 an original costume design, another titled Coral ultrasuede gauchos and jacket, 1975, and a dress design by Bill Gibb, dated 1975­76 Autumn­Winter, framed both signed and dated 20 x 20cm (image, Zandra Rhodes), (3) Provenance The Collection of Tony & Bea Porter, Burgh Island. £150­250

151

151 Des Beau a life size advertising figure of a young naked woman, pale green with golf and red highlights, Des Beau title to scroll base, unsigned, 162cm. high Provenance The Collection of Tony & Bea Porter, Burgh Island.

This figure was used to decorate the Peacock Bar at Burgh Island. £200­400 152 Jean Muir CBE (1928­1995) Black leather dress coat, a black smock dress by Yuki and a jacket

by Bill Gibb original label, size 12, 118cm long, (3) Provenance The Collection of Tony & Bea Porter, Burgh Island. £100­200

END OF COLLECTION

152 part

51

Φ 153 Baker Young Girl in Pierrot Outfit, 1928 oil on canvas of a young girl in green dress, lying on a small table, framed signed Baker, 1928 bottom left 75 x 54cm (image) 85 x 65cm (frame) £150­250

Φ 154 Bouchard Jazz Band oil on canvas, framed signed lower left Bouchard 92.5 x 73cm. £150­200 153

155 ‘A Book of Bedroom Furniture’ 1936 and ‘Reasonable Furniture & Furnishings for Small Houses, Cottages & Flats’ 1934 two Heal’s furniture catalogues, (2) £150­200

156 An Art Deco bakelite box and cover, black with silver panels, the domed cover with black silk tassel, the base circular on twelve rectangular feet, unsigned 13.5cm. diam.

8.5cm. high (2) £120­180

154

155 52

156

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

158 157

157 A chromed metal bottle stand after a design by Adnet, with angled cylindrical handle, unsigned, 29cm. wide £150­250

158 A continental electroplated twin­handled tray in the manner of Josef Hoffmann, oval section with fluted rim, stamped mark, 67cm. wide £150­250

λ 159 An Art Deco shagreen and ivory mounted mahogany table mirror, oval with easel back, oval bevelled mirror glass, unsigned, 49cm. high

159

Please note this item has Ivory Registration no. F3AB21MQ £300­450

λ 160 An Art Deco Macassar ebony and ivory cigar cabinet, rectangular footed form internally fitted with six shelves, with ivory handles and feet, unsigned 35cm wide, 21cm high Please note this item has Ivory Registration no. A74JMYTD £400­600

160 53

161

161 An Art Deco bakelite and copper three light electric ceiling light, the tapering, fluted bakelite stem supporting three radiating copper arms with sconce and bakelite finials, another similar and another Art Deco four light electric ceiling light, unsigned, 38cm. high (main), (3) Provenance From an English private collection, Sussex. £200­300 162 A large Kendall Paris eight day desk clock, brass frame with easel back, Kendall Paris to dial, 24cm. square

162

£120­180 163 An Art Deco Modernist frosted perspex dressing table mirror, architectural form, the bevelled U shaped frame on central block plinth with chrome metal sides, bevelled glass rectangular mirror, unsigned, 55 x 40cm.

163

£200­400 164 An Art Deco birch veneer table in the manner of Hille, circular top on drum column with circular foot, unsigned, 61cm diam, 51cm high £150­250 165 ‘George VI Coronation’ a limed oak coronation stool, with blue velvet padded seat, golden thread border, impressed marks Coronation marks, 48cm. high £150­200 164

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165

A PRIVATE COLLECTION OF JEAN DESPRÉS

166 Jean Després (1889­1980) a Modernist pewter vase, bombe shaped with three fins, hammered finish, etched Després 22cm. high £400­600

167 Jean Després (1889­1980) a Modernist tall hammered pewter vase, with twin­ handles and spouts, etched J Després 32cm. high 166

£1,000­1,500

168 Jean Després (1889­1980) a Modernist silver tray, rectangular ­twin­handled form, with hammered well, stamped marks, etched J Després, 46.2cm. wide 79ozt (total) £1,500­2,000

167

168

56

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169 Jean Després (1889­1980) a Modernist silver box and cover, circular section, set with a band of semi­spherical balls, the flat, circular cover with ball finial, etched J Després 10cm. wide.

8.2ozt (total), (2) £800­1,200

170 Jean Després (1889­1980) a Modernist silver box and cover, octagonal section with circular aperture, the circular cover with architectural finial, etched J Després, stamped marks, 7.5cm. wide 7.4 ozt (total), (2)

169

£500­1,000

171 Jean Després (1889­1980) a graduated set of five Modernist silver covered boxes, footed form, the flat cover with four ball finial, hammered finish, stamped mark, etched Després, 5cm diam. (largest), 7.5ozt (total), (10) £800­1,200

170

171

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172 Jean Després (1889­1980) an impressive pair of Modernist silver candelabra, square base supporting square section column with raised ball motif, hammered finish, with four scrolling arms with hammered dish sconce, and a central sconce, etched J Després, 32cm. high (2) Provenance Jean David Botella PAD London Private collection.

Literature Melissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 149 for a comparable pair of silvered metal candelabra circa 1960 with rope decoration. £15,000­20,000 58

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

173 Jean Després (1889­1980) A pair of Modernist silver candlesticks, square section with three raised, hammered ball motif to each side, with hammered bowl sconce, etched J Després, stamped silver mark to sconce side, 24cm. high 89ozt (total) (2) Literature Melissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 179 for a comparable pair of silver candlesticks illustrated.

174 Jean Després (1889­1980) a pair of Modernist silver candlesticks, square section stem with hammered hemi­spherical panels to the base, with hammered square base and drip pan, etched J Després, stamped poincons marks, 18.5cm. high (2) 60ozt (total) £5,000­8,000

£5,000­8,000

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175 Jean Després (1889­1980) a Modernist silver­plated vase, central cylindrical vase with three chain­link bands, inside hammered disc, on disc foot etched J Després, 25cm. high £3,000­5,000

175

176 Jean Després (1889­1980) a silver solifleur vase with wings, central tube solifleur with hammered finish, with disc wings and central straps, on macassar ebony wood base 25cm. high Literature Melissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 138 this design illustrated. £4,000­6,000 176

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177 Jean Després (1889­1980) a Modernist silver­plated solifleur vase, winged form with hammered finish etched J Després 10cm. high 22cm wide.

178 Jean Després (1889­1980) a Modernist silver vase, semi­circular form with small square aperture, with applied geometric arrow panel, etched J Després, stamped silver mark, 22cm. wide 32.7ozt. (total)

Provenance Jean David Botella PAD London Private collection.

£3,000­5,000

Literature Melissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 138 this design illustrated. £2,000­4,000

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179 Juan Garrido (born 1965) and Paloma Garrido (born 1968) Trenza, 2009 a large silver centrepiece, angled square section, stamped marks, numbered 1/8 65cm. wide Provenance Barry Friedman Ltd, New York, 2009.

Private collection. £5,000­8,000.

END OF DAY ONE 63

DAY TWO THURSDAY 21ST MARCH AT 10.30AM

DESIGN

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

180

181

182

CERAMICS 180 A rare Leeds Fireclay (Lefco) ware White Rabbit stoneware garden statue, modelled standing on haunches looking at his pocket watch, glazed off­white, impressed factory marks, looses to base and old restoration, 48.5cm. high Catalogue notes The Alice in Wonderland range of figures were produced with permission of Macmillan & Co from the illustrations

by John Tenniel. Six Garden figures were advertised by Lefco. £500­1,000 181 A large Art Nouveau Royal Doulton stoneware baluster vase by Margaret E Thompson, painted with a band of stylised flowerheads in colours on a pale green ground, between mottled blue­lavender bands, impressed factory marks, painted monogram, 36cm. high Provenance Sylvia Powell Decorative Arts, 2002.

Private collection.

Φ 183 Hannah Barlow (1851­1916) Out in the Snow watercolour on paper of farmyard scene of a sheep lying with two lambs, later framed painted HB monogram, back paper with signature and title 10.5 x 7cm (image) 33 x 28cm (frame) Catalogue notes Hannah Barlow, along with her sister Florence worked at the Doulton Lambeth pottery studio. £200­300

183 184 A large pair of Royal Doulton Flambe vases, ovoid with cylindrical neck, printed with an idyllic rural scene of a thatched cottage amongst trees, on a rich flambe red ground, two Royal Doulton Flambe shouldered vases with similar decoration and another smaller decorated with Gondoliers on the Lagoon in Venice, printed factory mark, impressed mark, small chip to base of one of the pair, 46cm. high (5) Provenance Private collection of Doulton.

£200­400

£200­300 182 A Doulton Lambeth Japoniste stoneware jug in the manner of George Tinworth, shouldered form, the spout modelled as a frog supporting a large lily pad, the handle modelled as a lizard climbing a stem, incised with carp fish swimming amongst waterweed, glazed in colours and highlighted in gilt, impressed and incised marks, professional restoration to handle, 34cm. high £150­200 184

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185

186

187

185 A Linthorpe Pottery urn vase designed

by Dr Christopher Dresser, model no.433, covered in a streaked brown, green and blue glaze, impressed factory marks, facsimile signature, 23.5cm. high £150­200 186 A large Ault Pottery jardiniere designed by Dr Christopher Dresser, shouldered form with pulled handles, moulded in low relief, glazed turquoise, olive and brown, impressed mark, old restoration, 32.5cm. high £120­180 188

189

187 A Linthorpe Pottery vase designed by Dr Christopher Dresser, shouldered, twin­handled form, incised with geometric bands, glazed green and ochre, unsigned, minor chips, 24cm. high £200­400

188 A rare Wood & Sons Pate Sur Pate vase designed by Frederick A Rhead, cylindrical with flaring top rim, painted with tree peony sprays, in blue, white and green highlighted with gilt, printed gilt mark and facsimile signature, 21cm. high £120­180 189 A tall Mintons Secessionist floor vase designed by Leon Solon and John Wadsworth, slip decorated with Art Nouveau flowers in salmon pink and green on a turquoise ground impressed marks, restored, 47.5cm. high £100­200 190 A Minton Secessionist vase designed

by Mark Solon and John Wadsworth, shouldered, flaring cylindrical form, tubeline decorated with flowers in pink, blue and turquoise on a white ground, a Susie Cooper vase, a Pilkington’s Lancastrian vase, two Carlton Ware Guinness Advertising Zoo Keeper figures, a modern Minton monkey teapot and cover and two other items, printed factory marks, 13.5cm. high (9) £120­180 191 A Minton Pottery Secessionist solifleur vase designed by John Wadsworth and Leon Solon, ovoid with tapering solifleur neck, tubeline decorated with columns in green on a red ground, and a modern Moorcroft Pottery ‘Rose’ vase designed by Sally Tuffin, printed factory mark, 19.5cm. high (2)

190

£120­180

191 66

192 An S Hancock & Sons Morrisware vase designed by George Cartlidge, pattern C.79, swollen cylindrical form, tubeline decorated in shades of purple, blue and green on a tan ground, printed factory mark, painted green signature, small chip to foot rim, 27.5cm. high 192

£120­180

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

193 193 A Ruskin Pottery crystalline glaze vase, dated 1931, shouldered form with flaring neck, mottled cream graduating to orange and blue crystalline glaze, and another similar, stamped marks, 15cm. high (2)

195

£50­100 194 A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with tall angled neck and double looped handle, applied with flowers and berries, in shades of brown and blue on a blue and green streaked ground, painted Elton mark, professional restoration, 31cm. high

194

£120­180 195 A Sunflower Pottery tyg by Sir Edmund Elton, swollen, cylindrical form, the handles with mask terminals, crackled gold glaze over blue, painted Elton mark, repainted interior, 20cm. high £200­300 196 A Pilkington’s Royal Lancastrian vase designed

by Lewis F Day, model no.2786, tapering cylindrical form with swollen neck, covered in a matt, curdled glaze and a Kenneth Rowntree pottery platter, impressed marks, 27cm. high (2) £100­200

197 ‘Fish’ a Dennis China Works preserve pot and cover designed by Sally Tuffin, dated 2005, painted in colours, and a Dennis China Works preserve pot and cover decorated with a snake, impressed marks, 10.5cm. high (4) £80­120 196

198 ‘Foxglove’ a pair of Dennis China Works vases designed by Sally Tuffin, dated 1993, cylindrical form, painted in colours on a sky blue ground, impressed and painted marks, 38cm. high (2) £150­200

197

198 67

199

200

MOORCROFT POTTERY

201

202

199 ‘Flambe Frilled Orchids’ a Moorcroft Pottery jardiniere designed by William Moorcroft, flaring cylindrical form, painted in colours on a red flambe ground, ‘Aurelian Ware’ a James Macintyre & Co vase designed by William Moorcroft, a tyg designed by William Moorcroft, a small Moorcroft Pottery pot, and ‘Eastern Lady’ M.37 an Ashtead Pottery figure designed

by Phoebe Stabler, impressed factory marks, tubelined RML mark, repaired, 19.5cm. high (5) £120­180

202 ‘Pomegranate’ a pair of Moorcroft Pottery vases designed by William Moorcroft, shouldered, ovoid form painted in colours on a blue ground, impressed factory marks, 6.8cm. high (2) Provenance From a private collection of Moorcroft Pottery. £120­180 203 ‘Pansy’ a Moorcroft Pottery vase designed

by William Moorcroft, painted in colours on a blue ground, a Moorcroft Pottery Frilled and Slipper Orchids jug and a small Frilled and Slipper Orchids vase, impressed factory marks painted blue signature, applied paper label, 19cm. high (3)

200 ‘Pomegranate’ a pair of Moorcroft Pottery vases designed by William Moorcroft, waisted, cylindrical form, painted in shades of pink, purple, ochre and green on a blue ground, impressed factory marks, painted green signature, professional restoration to one, firing flaws to other, 33cm. high (2)

Provenance From a private collection of Moorcroft Pottery.

£150­250

£150­200

201 ‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a blue ground, and two others similar, impressed factory marks, painted blue signature, 10.5cm. high (3)

204 ‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase designed by William Moorcroft, baluster form, painted in colours, on a graduated green ground, and another smaller, impressed factory marks, painted blue signature, original paper label, 16cm. high, (2)

Provenance From a private collection of Moorcroft Pottery. £150­200

Provenance From the collection of Henry Myles­Tarlton (d.1946), Chief Engineer for Bird & Co Mining in India between 1912 and 1932. £150­200

203 68

204

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

206

205 205 ‘Frilled and Slipper Orchids’ a pair of Moorcroft Pottery table lamps designed

by William Moorcroft, ovoid with tall cylindrical neck, tubeline decorated in colours on a blue ground, with patinated metal mounts, a Moorcroft Pottery Frilled and Slipper orchid vase and a Leaf and Berry vase, impressed marks, painted blue signature, professional restoration to lamps 67.5cm high (0verall), (4)

208 ‘Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, slender, baluster form, tubeline decorated in blue and green on a graduating celadon to blue ground, impressed factory marks, painted blue signature, 22cm. high

£150­200

£120­180

206 ‘Flamminian Ware’ a Moorcroft Pottery biscuit box and cover designed by William Moorcroft, probably retailed by Liberty, dated 1914, tubeline decorated with an Art Nouveau foliate roundel in blue on a green ground, painted signature and date, cover broken and restuck 16.5cm. high (2)

209 ‘Fairy Rings’ a Moorcroft Pottery jardiniere designed by Philip Richardson, ovoid, painted in colours, and a Moorcroft ‘Anemone’ pattern jardiniere printed and painted factory marks, 21cm. high (2)

£150­250

210 ‘Pansy’ a Moorcroft Pottery vase designed by Rachel Bishop ovoid, painted in colours on a burgundy ground, a Moorcroft Pottery Pansy mantel clock, and a Moorcroft Pottery lamp base painted with tulips, impressed and painted marks, 19cm. high (3)

207 ‘Claremont’ a large Moorcroft pottery bowl designed by William Moorcroft, tubeline decorated to the well in shades of yellow, red purple and blue on a green­blue ground, painted green signature, 33cm. diam.

Provenance From a private collection of Moorcroft Pottery.

207

£120­180

Provenance From a private collection of Moorcroft Pottery.

£300­500

208

£120­180

209

210 69

Φ 211 Stella R Crofts (1898­1964) Cheetah Family a rare stoneware sculpture, glazed in colours, incised Stella R Crofts, pencil price and title annotation, 21cm. wide Provenance The collection of Mrs A Fletcher, Woolley and Wallis, 13th April 2010, lot 1055 Private collection. £600­1,000 212 A Fulham Pottery Summer tile designed by John Piper, printed in green, black and blue with a stylised face, impressed factory mark, facsimile signature, 16.5cm. square Catalogue notes This tile, from a set of four Seasons tiles, was commissioned by the Tate Gallery to commemorate their John Piper exhibition, (1983­1984).

211

£150­250 213 A Crown Devon Memphis pottery vase designed by Colin Melbourne, shape CM5, swollen cylindrical form, pale blue matt glaze with gilt bands, and another Crown Devon CM7 vase designed by Colin Melbourne, impressed and printed marks, 21.5cm. high (2) £120­180 214 A large Beswick Pottery Seal designed by Colin Melbourne, model no.180, covered in a matt brown glaze, impressed 180 number, 18.3cm. high 212

213 70

£120­180

214

Image courtesy of Stefan Morris

THE ESTATE OF RICHARD BATTERHAM We will be showing Richard Batterham Independent Potter, a film by Paul Fenwick, Iain Weatherby and George Young on the public view.

Woolley and Wallis would like to thank Paul Fenwick, Iain Weatherby and George Young for allowing us to show this film on the view.

216 215

219

217 215 Isaac Button A Soil Hill Pottery twin­handled bread bin and pierced cover, glazed to the shoulder, and three large Isaac Button bowls, unsigned, 34cm. high (5)

Φ 220 William ‘Bill’ Marshall (1923­2007) a Leach Pottery stoneware jug, tapering cylindrical form, with ash glaze band to the neck, the body a tenmoku glaze impressed seal mark, losses to top rim, 22.5cm.high

Provenance The Estate of Richard Batterham.

Provenance The Estate of Richard Batterham.

£150­250

Catalogue notes This jug has a simple paper label in Richard’s hand stating ‘Bill made 1958’.

216 Atsuya Hamada (1932­1986) a stoneware unomi, footed, tapering cylindrical form, glazed ash to the interior and rim, the body dark iron, impressed seal mark, 8.5cm. high Provenance The Estate of Richard Batterham.

220

217 Svend Bayer (born 1946) a Wenford Bridge salt­glaze jug, bellied form, another similar, a small box and cover, a handled vessel and a collection of studio pottery by various makers impressed seal marks, 28cm. high (a lot)

Woolley and Wallis would like to thank Richard Raffan for his help cataloguing this lot.

218 Leach Pottery a stoneware plate, painted with a willow tree design in cobalt and tenmoku on ash, a Leach Pottery pot and cover by Bernard Leach, a Leach Pottery preserve pot and cover incised with an oak leaf, two Leach Pottery tankards and a collection of Standard Ware, impressed seal marks, 17cm. diam. (a lot) Provenance The Estate of Richard Batterham. £150­250 219 Leach Pottery a stoneware side plate, incised with an oak leaf, covered in an ash glaze, a Leach Pottery dinner plate with similar decoration under a tenmoku glaze, and a Leach Pottery tankard impressed seal mark, damages 16cm. diam. (side plate), (3)

72

223

221 Richard Raffan (born 1943) a large Burmese Teak bowl, made circa 1972­ 73, circular with shallow rim, stamped Richard Raffan, 47cm. diam.

Provenance The Estate of Richard Batterham.

£150­200

222

£150­200

£100­150

Provenance The Estate of Richard Batterham.

221

218

Provenance The Estate of Richard Batterham. £150­200

£120­180 222 Reuben Batterham (born 1967) a stoneware vase made at Durweston, covered to the foot with an ash glaze, and two stoneware bowls with incised decoration, glazed in ash by Reuben Batterham impressed seal mark to vase 14cm. high (3) Provenance The Estate of Richard Batterham. £150­250 223 A nineteenth century Bellarmine style salt­ glaze stoneware flagon, shouldered form, the shoulder and neck with engraved number 4, a large french stoneware flagon and four other pots, unsigned, 44cm. high (6) Provenance The Estate of Richard Batterham. £100­200

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

224

224 Richard Batterham (1936­2021) a salt­glaze stoneware jug, covered to the shoulder in an ash glaze unsigned, 18.5cm. high Provenance The Estate of Richard Batterham. £150­200 225 Richard Batterham (1936­2021) a tall stoneware jug, glazed with ash rim and interior, the exterior body black iron, unsigned 33cm. high Provenance The Estate of Richard Batterham. £200­300 226 Richard Batterham (1936­2021) a pair of large stoneware jugs, covered to the foot in an ash glaze unsigned 38cm. high (2)

225

226

227 Richard Batterham (1936­2021) a salt­glaze stoneware beer jar and cover with chatter bands, covered to the base with a pale ash glaze, unsigned, hairline to top rim, 43cm. high (2) Provenance The Estate of Richard Batterham. £200­300 228 Richard Batterham (1936­2021) a medium cut­sided stoneware lily jar, covered in a light brown salt­glaze unsigned, incised 31 to base 35.5cm. high Provenance The Estate of Richard Batterham.

Literature Tanya Harrod & Sarah Potter Richard Batterham Studio Potter, V&A Publishing, plate 129 for a comparable vase.

227

£300­500

Provenance The Estate of Richard Batterham. £300­500

228 73

229

230 229 Richard Batterham (1936­2021) a small porcelain square jar and cover, covered in an ash glaze unsigned 9cm. high (2) Provenance The Estate of Richard Batterham. £150­200 230 Richard Batterham (1936­2021) a stoneware cut­sided box and cover, covered in a speckled pale blue glaze, unsigned, paper exhibition label no.118 13cm. diam. (2) Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972.

The Estate of Richard Batterham. £150­250

231

231 Richard Batterham (1936­2021) a large porcelain supper dish with chatter band, covered in a pale ash glaze, unsigned, exhibition paper label, no.160 28cm. diam.

Provenance The Estate of Richard Batterham. £200­400

232 Richard Batterham (1936­2021) a porcelain bowl with chatter band, covered to the foot with a pale blue ash glaze, unsigned, paper exhibition label number 221 20cm. diam.

Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972.

The Estate of Richard Batterham. £120­180 233 Richard Batterham (1936­2021) a porcelain bowl with incised bands to interior, covered to the foot with a pale blue ash glaze, unsigned, 16cm. diam.

Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972, catalogue number 119.

The Estate of Richard Batterham. £150­250 234 Richard Batterham (1936­2021) three porcelain footed bowls, two decorated with chatter bands to interior, covered in a pale ash glaze to the base, unsigned, one with exhibition paper label, no. 144 17.5cm. diam. (3) Provenance The Estate of Richard Batterham.

232

£200­400

233 74

234

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

235 235 Richard Batterham (1936­2021) a porcelain footed bowl with chatter band, covered in a pale ash glaze, unsigned, applied exhibition paper label, no.241 14.2cm. diam.

Provenance The Estate of Richard Batterham.

236

£120­180 236 Richard Batterham (1936­2021) a porcelain footed bowl, covered with a pale ash glaze, unsigned, 17cm. diam.

Provenance The Estate of Richard Batterham. £150­200 237 Richard Batterham (1936­2021) a stoneware fluted tazza, covered to the foot with an ash glaze, and another slightly larger, unsigned, paper label number 210, 16cm. diam. (2)

237

Provenance The Estate of Richard Batterham.

Literature Tanya Harrod & Sarah Potter, Richard Batterham Studio Potter, V&A, page 119 catalogue number 104 for a comparable tazza. £200­400 238 Richard Batterham (1936­2021) a salt­glaze stoneware tazza with flutes, unsigned, incised 19 to foot, 17.5cm. diam.

Provenance The Estate of Richard Batterham. £150­200 239 Richard Batterham (1936­2021) a salt­glaze stoneware beaten jar and cover, with chatter band and incised chevrons, glazed to the foot with translucent ash glaze unsigned, incised 28, paper exhibition labels number 6, 22cm. high

238

Provenance The Estate of Richard Batterham. £200­400 239

75

241

240

242

240 Thiebaut Chague (born 1958) a salt­glaze stoneware vinegar jar and cover, covered to the foot with a brown salt­glaze unsigned, 30cm. high (2) Provenance The Estate of Richard Batterham. £150­200 241 Richard Batterham (1936­2021) a salt­glaze stoneware caddy and cover, glazed ash to interior unsigned, incised 30 to base, 12cm. high (2) Provenance The Estate of Richard Batterham. £200­300 242 Richard Batterham (1936­2021) a salt­glaze stoneware tazza, with chatter band to the interior unsigned, 23cm. diam.

Provenance The Estate of Richard Batterham. £150­200 243 Richard Batterham (1936­2021) a cut­sided salt­glaze stoneware Lily vase, covered to the foot with brown salt glaze unsigned 35.5cm. high

243

Provenance The Estate of Richard Batterham. £300­500 244 Richard Batterham (1936­2021) a salt­glaze stoneware fluted tazza, unsigned 16.5cm. diam.

10.5cm. high Provenance The Estate of Richard Batterham. £150­200

76

244

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

246

245 245 Richard Batterham (1936­2021) a salt­glaze cut­sided stoneware caddy and cover, glazed to the foot unsigned, 12cm. high (2)

249 Richard Batterham (1936­2021) a stoneware small square jar and cover, covered to the foot with ash glaze unsigned, painted 9 11cm. high (2)

Provenance The Estate of Richard Batterham.

Provenance The Estate of Richard Batterham

£200­300

£150­200

246 Richard Batterham (1936­2021) a stoneware caddy with ribs and cover, covered to the foot with an ash glaze unsigned, painted cobalt 6 13cm. high (2)

250 Richard Batterham (1936­2021) a cut­sided stoneware jar and cover, incised with chevron panels, the cover with radiating star design, glazed to foot in ash unsigned, glaze drips to foot rim, 21cm. high (2)

Provenance The Estate of Richard Batterham £200­300 247 Richard Batterham (1936­2021) a cut­sided stoneware small caddy and cover, covered in an ash glaze unsigned, painted 9 13cm. high (2) Provenance The Estate of Richard Batterham. £200­300 248 Richard Batterham (1936­2021) a stoneware caddy and cover with chatter band, painted to the foot with an ash glaze, the cover with blue rose roundel, unsigned, paper number 170 label, 19.5cm. high (2)

Provenance The Estate of Richard Batterham. £200­300

247

248

251 Richard Batterham (1936­2021) a stoneware square jar and cover with chatter band, covered to the foot with speckled ash glaze unsigned, painted 279 14cm. high (2) Provenance The Estate of Richard Batterham. £150­200

249

Provenance The Estate of Richard Batterham. £300­500

250

251

77

252 Richard Batterham (1936­2021) a stoneware cut­sided open bowl, covered to the foot with an ash glaze, and a stoneware supper dish by Richard Batterham unsigned 16cm diam (bowl) 23cm. diam. (dish), (2) Provenance The Estate of Richard Batterham.

253 Richard Batterham (1936­2021) a pair of stoneware supper dishes with chatter bands, covered in an ash glaze unsigned, one with paper exhibition number 52 label 22.8cm. diam. (2)

254 Richard Batterham (1936­2021) a set of four stoneware dishes, two with chatter bands to interior, covered in an ash glaze, unsigned, applied paper exhibition labels, 15.5cm. diam. (4)

Provenance The Estate of Richard Batterham.

Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972, catalogue numbers 70,72, 73 and 74.

The Estate of Richard Batterham.

£150­250

£150­200

£150­250

255 Richard Batterham (1936­2021) a salt­glaze stoneware mixing bowl with chatter band to interior, another similar and two smaller salt­glaze stoneware bowls by Richard Batterham unsigned 27.5cm. diam. (4) Provenance The Estate of Richard Batterham.

255

£150­250

256 Richard Batterham (1936­2021) a cut­sided stoneware tazza, internally decorated with ash, the exterior dark iron glaze unsigned, exhibition paper label 18 12.5.cm. diam.

9.5cm. high

256

Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972, catalogue number 18.

The Estate of Richard Batterham. £120­180

257 Richard Batterham (1936­2021) a stoneware tazza, covered with an ash and black iron glaze unsigned 22cm. diam.

Provenance The Estate of Richard Batterham. £150­250 258 Richard Batterham (1936­2021) a stoneware small cut box and cover, covered in an ash glaze unsigned, paper exhibition label no.129 9cm. diam. (2) Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972.

The Estate of Richard Batterham.

Literature Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A, page 84, catalogue number 53 and 54 for comparable boxes. £120­180

257 78

258

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

259

259 Richard Batterham (1936­2021) an early pottery teapot and cover, probably made at Bryanston, slip decorated on a blue­ grey ground, another smaller teapot and cover dated 1950, and a collection of early pottery by Richard Batterham, incised RB 20cm. wide, (a lot) Provenance The Estate of Richard Batterham. £150­250

260 two sides

260 Richard Batterham (1936­2021) a salt­glaze stoneware Melon teapot and cover, covered to the foot with ash glaze unsigned 14.5cm. high (2) Provenance The Estate of Richard Batterham. £200­300 261 Richard Batterham (1936­2021) a salt­glaze stoneware cut­sided teapot and cover, covered in a pale blue­grey glaze with drips, unsigned, 11.5cm. high (2)

261 two sides

Provenance The Estate of Richard Batterham. £150­250 262 Richard Batterham (1936­2021) a salt­glaze stoneware Melon teapot and cover, covered to the base with a speckled ash glaze unsigned, painted 6 14cm.high (2) Provenance The Estate of Richard Batterham. £200­300 262 two sides

79

263

263 Richard Batterham (1936­2021) a small stoneware box and cover, circular, covered in a speckled ash glaze, and two smaller stoneware box and covers by Richard Batterham unsigned, paper exhibition label 141, 7.5cm. diam. (6) Provenance Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972, catalogue number 141, 148 and 149.

The Estate of Richard Batterham.

264

£150­250

265 Richard Batterham (1936­2021) a large cut­sided stoneware tazza, glazed ash to interior, the exterior black iron, unsigned, 41cm. diam.

16cm. high Provenance The Estate of Richard Batterham. £200­400 266 Richard Batterham (1936­2021) a stoneware jug, covered to the foot in an ash glaze, unsigned, paper label, flat glaze chips to top rim, 33.5cm. high Provenance The Estate of Richard Batterham. £200­300 267 Richard Batterham (1936­2021) a small jug, covered in an ash glaze under iron, and another similar, unsigned 9cm. high (2) Provenance The Estate of Richard Batterham. £150­200

265

80

266

264 Richard Batterham (1936­2021) a stoneware small fluted open bowl, glazed to the interior ash, the exterior black iron, unsigned 16cm. diam.

8cm. high

268 Richard Batterham (1936­2021) a salt­glaze cut­sided stoneware tea caddy and cover, the cover with chatter band to the rim, glazed ash to interior, unsigned, 13cm. high (2)

Provenance The Estate of Richard Batterham.

Provenance The Estate of Richard Batterham.

£150­200

£120­180

267

268

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

269

269 Richard Batterham (1936­2021) a salt­glaze stoneware small square jar and cover, with chatter band, and another small salt­glaze stoneware square jar and cover unsigned, incised 28 9.5cm. high (4)

270

Provenance The Estate of Richard Batterham. £200­400

270 Richard Batterham (1936­2021) a salt­glaze stoneware cut­sided stoneware bowl, unsigned 13cm. high 21.5cm. diam.

Provenance The Estate of Richard Batterham. £150­200

271 Richard Batterham (1936­2021) a large salt­glaze caddy and cover with chatter band, covered to the foot with a brown ash salt­glaze unsigned, small bloats to sides, 28cm. high (2) Provenance The Estate of Richard Batterham.

271

£200­400

272 Richard Batterham (1936­2021) a salt­glaze cut­sided stoneware flower bottle, and another smaller by Richard Batterham unsigned, painted 27 to base 15.5cm. high (2) Provenance The Estate of Richard Batterham. £150­250

END OF COLLECTION 272

81

273 William Staite Murray (1881­1962) Fain, a stoneware footed bowl, flaring conical form, covered in a speckled grey and rust glaze to the foot, a stoneware bowl in the manner of Bernard Leach painted with cobalt fish, nine studio pots and a part service by Honiton designed by Maryse Boxer glazed matt black, comprising three square plates, one large circular plate and three side plates with a circular mirror display, impressed pentagon seal mark, 16cm. diam. (19)

273 part

£200­300 274 William Staite Murray (1881­1962) a stoneware footed bowl, covered to the foot with a running mushroom and white speckled glaze, and a stoneware vase by William Staite Murray covered in a rust glaze to the foot impressed pentagon seal mark, 19.5cm. diam. (bowl) 18.5cm. high (vase), (2)

274

£800­1,200 Φ 275 Bernard Leach CBE (1887­1979) a Leach Pottery stoneware vase, ovoid with short, collar rim, covered to the foot with a pitted olive green, impressed seal marks, 18.5cm high £400­500 276 Michael Cardew CBE (1901­1983) an ovoid pottery vase, glazed to the foot with a sand yellow glaze, painted ochre river motif, a Winchcombe Pottery jar and cover by John Forster, a Winchcombe Pottery bowl and four various jugs, impressed MC seal, firing flaws, 13cm. high (8)

275 276 part

£150­200 277 Michael Cardew (1901­1983), attributed five serviette rings, each painted with simple leaf design, in cobalt blue on ash, unsigned 5.5cm. wide (5) Provenance British Crafts Centre, purchased by the vendor, circa 1968­69. £200­300

277

Φ 278 Ray Finch, attributed a large Winchcombe Pottery stoneware bread crock and cover, incised scroll band glazed tenmoku over speckled ash glaze, and a large stoneware charger by David and Margaret Frith with paddled rim, impressed seal marks, two chips to top rim of crock, 33.5cm. high (crock) 62cm. wide (charger) (3) Provenance Susan Maura Buchanan and James Dabell Buchanan.

82

278

£120­180

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 279 Michael Cardew CBE (1901­1983) a Winchcombe Pottery slip­decorated earthenware cider jar, slip decorated with a stylised bird between leaf motif, in sand­yellow on an umber ground, impressed seal marks, paper collection label 39cm. high Provenance From an English private collection, Sussex.

Literature Muriel Rose Artist Potters in England, Faber and Faber, plate 44 for a comparable example dated to 1936. £300­500 Φ 280 Michael Cardew CBE (1901­1983) a Wenford Bridge stoneware Gwari casserole and cover, twin­handled form with pie­crust band, glazed in ochre, impressed factory marks, two small chips to cover 22cm. high (2) Literature Michael Cardew Crafts Advisory Committee, page 70 for a comparable example illustrated. £400­600 281 Michael Cardew CBE (1901­1983) a large Wenford Bridge stoneware pourer, glazed to the interior with a band of circle and hatch motif in blue on a cream ground, impressed seal marks, 34cm. diam.

279

£150­200 282 Michael Cardew CBE (1901­1983) a Wenford Bridge plate, slip decorated with a cross motif with chevron and central spiral, impressed seal marks, personal mark flooded 26.5cm. diam. £150­200

280

281 282 83

283 John Bedding (born 1947) a stoneware unomi, covered to the foot with a grey glaze, under white slip with combed design, and a solifleur vase by Eric James Mellon impressed seal marks to Bedding unomi 10cm. high (2) £150­200 284 David Leach OBE (1911­2005) a Lowerdown Pottery stoneware vase, elliptical form, covered in a tenmoku glaze, with brushed flower stem impressed seal mark, 25cm high

283

£120­180 285 Charles Vyse (1881­1971) a stoneware vase, waisted cylindrical form, painted with grasses, under tenmoku incised C Vyse Chelsea 14cm. high £120­180 286 Jane Hamlyn (born 1940) a salt­glaze stoneware bowl, footed form, glazed blue with green patches, the interior purple and blue, a salt­glaze stoneware mug and jug by Jane Hamlyn and a small Lowerdown dish and cover, impressed seal mark, 22cm. diam. (5) Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­200

284

84

285

286

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

288 287 Φ 287 David Leach OBE (1911­2005) a Lowerdown Pottery tin glaze earthenware vase, waisted cylindrical form, covered in a white tin­glaze over slip stained brown with manganese and iron, impressed seal mark, 24cm. high

Φ 290 David Leach OBE (1911­2005) a large Lowerdown Pottery bowl, the flaring rim with carved radiating comb design, glazed tenmoku, the well Dolomite, impressed DL seal 44.5cm. diam.

18cm. high

Literature Emmanuel Cooper and Kathy Niblett, David Leach, Richard Dennis Publications, page 84 catalogue number 29, this vase illustrated.

£200­400

£200­300 Φ 288 David Leach OBE (1911­2005) a Lowerdown Pottery tea set for four, comprising teapot and cover, four footed cups, each with incised combed column design, pale blue Y­Ching glaze, impressed seal mark, one cup repaired 13cm. high (6) £150­250

Φ 291 David Leach OBE (1911­2005) a Lowerdown Pottery stoneware Willow pattern bottle, resist decorated to one side in Dolomite over tenmoku, impressed DL seal mark, 29cm. high Literature Emmanuel Cooper and Kathy Niblett, David Leach, Richard Dennis Publications, page 97 plate 82 for a comparable porcelain bottle illustrated. £200­400

289

Φ 289 David Leach OBE (1911­2005) a Lowerdown Pottery Willow pattern stoneware charger, decorated in resist in Dolomite over a tenmoku glaze, impressed DL seal mark, paper label DL45, 37.5cm. diam. £200­400

290

291

85

292

293 292 Kawai Kanjiro (1890­1966) a stoneware vase and cover, twin­handled, waisted form, covered in a splitting cream ash glaze, unsigned, 18cm. high (2) £150­250 293 Sun Kim a porcelain unomi, footed form covered in a blue celadon glaze impressed seal mark 7.7cm. high

295

£150­250 294 Takeshi Yasuda (born 1943) a stoneware pot and cover, footed, circular section, slip decorated on a speckled oatmeal ground, under translucent off­ white glaze, unsigned 17.5cm. diam. (2) £300­500 296

295 Takeshi Yasuda (born 1943) a stoneware footed unomi, waisted cylindrical form, brushed with thick slip decoration under an ash glaze, and a footed bowl by Takeshi Yasuda impressed seal mark 10cm. high £150­200

294 296 Takeshi Yasuda (born 1943) a creamware jug flaring cylindrical from covered in a light honey glaze, and three plain creamware side plates by Takeshi Yasuda, impressed seal marks and paper labels, 15cm. high (4) £150­200 297 Takeshi Yasuda (born 1943) a creamware composite part service, covered in a pale honey glaze, comprising, five various bowls, four side plates and five dinner plates, some with slip decoration, impressed seal marks and paper labels to some, minor damages 27cm. wide (dinner plate) 17.5cm diam (largest bowl) £300­500 298 Takeshi Yasuda (born 1943) a stoneware footed bowl, covered in manganese and cream glaze with slip trails, and a footed unomi by Takeshi Yasuda impressed seal mark, unomi repaired 16.5cm. diam. (2) £150­250 299 Takeshi Yasuda (born 1943) a stoneware twin­handled platter, covered in a Sancai glaze, impressed seal mark to handle, 30.5cm. diam.

Provenance The Daryl Fromm Collection. £150­250

297

298 86

299

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

300

301 300 Tsubusa Kato (born 1962) two porcelain footed unomi, painted with simple brushed design in blue on a white glaze incised marks to base, applied paper label TK36 and 37 gallery labels, 10.5cm. high (2) £150­250 301 Tsubusa Kato (born 1962) a porcelain footed bowl, painted with brushed design in blue on a white glaze incised marks to base, applied paper label TK gallery label, 17cm. wide Provenance Michael O’Connor collection. £150­250 302 Tsubusa Kato (born 1962) a porcelain Chawan or tea bowl, painted with simple brushed design in blue on a white glaze incised marks to base, applied paper label TK14 14.5cm. wide

302

Provenance Michael O’Connor collection. £150­250 303 Tsubusa Kato (born 1962) a porcelain Chawan or tea bowl, painted with simple brushed design in blue on a white glaze incised marks to base, applied paper label TK15 14.5cm. wide Provenance Michael O’Connor collection.

Literature Ten Japanese Potters and a Tea Ceremony, Goldmark Gallery, July 2014, for a comparable group of Tsubusa Kato tea bowls. £150­200 303 87

304 Margaret Rey (1911­2010) a stoneware vase, shouldered ovoid form, covered in a streaked tan glaze and another stoneware vase attributed to Margaret Rey impressed seal mark, 12.5cm. high (2)

304

£150­200 305 Michael Casson OBE (1925­2003) a large stoneware jug, covered to the foot with a speckled ash glaze, and a smaller pedestal bowl by Michael Casson with painted cobalt decoration impressed seal mark, 38cm. high (jug) 18cm. diam. (bowl) (2) Provenance Clarice Cliff, Art Deco & Design Woolley and Wallis, 9th March 2011, lot 1092 (jug).

Clarice Cliff, Art Deco & Design Woolley and Wallis, 14th April 2010, lot 1247 (bowl).

Susan Maura Buchanan and James Dabell Buchanan, £150­200 Φ 306 Michael Casson OBE (1925­2003) a large salt­glaze stoneware Gozo bowl, twin­ handled form, with olive green glaze to interior, impressed seal mark, bloats to interior, 43cm. wide.

305

Provenance Purchased from the artist directly. £150­200 Φ 307 Michael Casson OBE (1925­2003) a salt­glaze stoneware jug, waisted cylindrical form with incised, combed wave design, glazed brown painted MC mark, 18.5cm. high

306

£150­200 308 Jennie Gilbert a stoneware pottery vase, dated 1998, slender, shouldered form, with applied rosettes to the body, painted band of foliage in ash green and brown, a large bowl and another jug by Jennie Gilbert, two Bridget Drakeford celadon vases and two other pots, incised signature, 38cm. diam. (7) £150­200 308

88

307

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 309 Katherine Pleydell­Bouverie (1895­1985) a flaring stoneware vase, covered with a green ash glaze, painted mark, unsigned 10cm. high Provenance Private collection. £150­200 309

Φ 310 Katherine Pleydell­Bouverie (1895­1985) a stoneware vase, compressed ovoid form, incised column design, covered to the base with a blue ash glaze, impressed seal mark, 8.5cm. high Provenance Private collection. £200­300 310

Φ 311 Katherine Pleydell­Bouverie (1895­1985) a stoneware vase, shouldered form with broad band of incised decoration, covered to the foot in green ash glaze impressed seal mark 13.5cm. high Provenance Private collection. £300­500

311 89

312

313

314

Φ 312 Reginald Marlow a stoneware vase, shouldered ovoid form, painted with geometric flowerhead design in iron and copper on an off­white ground, impressed seal mark, 20.5cm. high

314 Henry Hammond (1914­1989) an earthenware footed bowl, painted with a frieze of large scaly fish under a streaked green and ochre glaze impressed seal mark 18.5cm. diam.

Exhibited Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018.

Literature Henry Hammond 1914-1989, Bonhams 5th April 1990, lot 139 for an identical bowl.

£200­300 315

Φ 313 Henry Hammond (1914­1989) a stoneware vase, shouldered form, painted with simple foliate stems in iron on a cream ground, impressed seal mark, 16.5cm. high

£200­300 315 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery bowl, covered in a streaked turquoise, blue and green glaze impressed marks 24.5cm. diam. £150­200 316 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery vase, shouldered form, covered in a running pink and white glaze impressed Coldrum mark, 14cm. high

£200­300

£200­300

316 318

317 Richard Batterham (1936­2021) a stoneware bowl with internal radiating cuts, glazed ash to the interior, a Carole Glower slipware jug, an Argyll Pottery vase, an Alsagar slipware mug and another vase, unsigned painted K3 28.5cm. diam. (5) £150­200 Φ 318 Richard Batterham (1936­2021) a cut­sided stoneware bowl, glazed ash to interior, the exterior dark iron unsigned, 18cm. diam. £150­200

90

317

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

320 two sides

319 Φ 319 Richard Batterham (1936­2021) a salt­glaze stoneware caddy and cover, with cut­side decoration, unsigned 17cm. high (2) Provenance The Daryl Fromm Collection. £150­250 Φ 320 Richard Batterham (1936­2021) a small cut sided stoneware teapot and cover, covered in an ash glaze unsigned 11cm. high (2) Provenance The Daryl Fromm Collection. £150­250

321 two sides

Φ 321 Richard Batterham (1936­2021) a cut sided stoneware teapot and cover, covered in a manganese glaze to the body unsigned 14.5cm. high (2)

Φ 323 Richard Batterham (1936­2021) a stoneware flower bottle, covered with a black iron and ash glaze, unsigned, 30.5cm. high

Provenance The Daryl Fromm Collection.

Provenance Private collection.

£150­250

Literature Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A Productions, page 113 for a comparable, smaller bottle.

Φ 322 Richard Batterham (1936­2021) a stoneware teapot and cover with chatter band, covered in an ash glaze unsigned 15.5cm. high (2)

£600­1,000

Provenance The Daryl Fromm Collection. £150­250

322 two sides 323

91

Φ 324 Jack Doherty (born 1948) a tall porcelain jar and cover, with incised horizontal grooves and impressed and combed decoration under a soda vapour glaze, impressed seal mark, 28cm. high (2) £150­200 Φ 325 Phil Rogers (1951­2020) a stoneware vase, resist decorated with geometric design under an ash glaze impressed seal mark, 15cm. high £200­300 Φ 326 Phil Rogers (1951­2020) a salt­glaze stoneware vase, shouldered form, incised with simple grass motif, under a hakeme glaze, impressed seal mark, 20cm. high

324

£200­300 Φ 327 William Bill Marshall (1923­2007) a Leach Pottery stoneware unomi, footed, cylindrical form, covered in a tenmoku and rust glaze, impressed seal marks, 10cm. high

325

Provenance Private collection. £150­200 328 Jim Malone (born 1946) an Ainstable Pottery stoneware footed bowl or chawan, incised with grasses, covered in an ash glaze, and another by Jim Malone, impressed seal marks, 11.5cm. diam, 8cm. high (2) £150­200 329 David Leach OBE (1911­2005) a porcelain footed vase, incised combed decoration, covered in a celadon glaze, and a facetted bowl by John Bedding, impressed seal marks, 10.5cm. high (2)

326

£150­200 330 Jim Malone (born 1946) an Ainstable Pottery stoneware footed bowl or Chawan, painted with a simple flower stem design in manganese on a translucent cream glaze, and another faceted bowl by Jim Malone, impressed seal marks, 13cm. diam, 8.5cm. high (2)

327

£150­200

328 92

329

330

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

331

332

333 331 Jim Malone (born 1946) an Ainstable Pottery stoneware plate, incised combed decoration, painted with fish swimming in turbulent water, in iron and blue on a cream ground, and another Jim Malone plate covered in an ash glaze impressed seal marks, 27cm. diam. (2)

334 Jim Malone (born 1946) an Ainstable Pottery stoneware faceted jug, covered in a dark iron glaze over ash, and two stoneware unomi by Jim Malone impressed seal marks 11cm. high (3)

£150­200

335 Jim Malone (born 1946) an Ainstable Pottery cut­sided stoneware jug, covered in an ash glaze impressed seal marks 22cm. high

334

£150­200

332 Jim Malone (born 1946) an Ainstable Pottery stoneware plate, incised and painted with grassed to the well, in cobalt on an ash glaze, and another plate decorated with fish by Jim Malone, impressed seal marks 23.5cm. diam. (2)

£120­180 336 William Bill Marshall (1923­2007) a stoneware footed bowl or chawan, painted with simple manganese brushed design over ash, a Trevor Corser stoneware unomi and a Jim Malone footed bowl, impressed seal marks 10.5cm. diam (Marshall chawan), (3)

£150­200 333 Phil Rogers (1951­2020) a porcelain unomi, dated 2005, waisted, footed form, covered in a running ash glaze, another smaller and a cut­sided stoneware bowl by Phil Rogers, impressed seal marks to all, paper label to main unomi stating made May 2005 9cm. high, 11.5cm. diam (3)

335

£150­200 Φ 337 Jim Malone (born 1946) an Ainstable Pottery stoneware vase, bottle form, painted with cobalt blue foliate stems on a brushed hakeme ground, impressed seal marks, 34cm. high

Provenance Purchased from the potter directly by the vendor. £150­200

£200­300

336

337

93

338 Alan Caiger­Smith MBE (1930­2020) Gin Flagon an Aldermaston Pottery tin­glaze flagon, with cork bung and wooden tap and an Alan Caiger­Smith Whisky Flagon painted signature 36.5cm. high (2) £200­400 Φ 339 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery tin­glaze bowl, footed form, painted with simple abstract flower design in pink and green on a grey ground, and another smaller decorated in ruby lustre painted marks, 32cm. diam. (2) £150­200 338

340 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery tin­glaze bowl, painted with brown foliate panels on a grey ground, two Aldermaston Pottery beakers, a jug painted with hares by Andrew Hazelden and another small bowl, painted marks, 17.5cm. diam. (5) £150­200 Φ 341 Laurence McGowan (born 1942) a tin­glazed pottery albarello vase, dated 1999, painted with tall wading birds amongst reeds, below a frieze of scaly fish, in blue, painted monograms, paper label, 27.5cm. high £120­180

339

340 94

341

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

343

342 342 Peter Hayes (born 1946) Jomon vessel hand­built porcelain on raku base incised Peter Hayes to base 21cm. high

Φ 345 Peter Hayes (born 1946) Raku sculpture with resin band, 2000 mounted on polished slate base incised Peter Hayes 2000 28cm. high 30cm wide

£250­350

£300­500

Φ 343 Peter Hayes (born 1946) Two figures, canal clay on polished slate base, signed in ink to base, 14cm. high £150­200 Φ 344 Peter Hayes (born 1946) Two figures, patinated bronze, on polished slate base incised Peter Hayes, 13.5cm. high

Φ 346 Peter Hayes (born 1946) Bow form with disc burnished raku Bow with textured surface, applied copper disc, incised Peter Hayes, 2000, gallery paper label 34cm. high, 29cm wide Provenance The Gallery Upstairs, Henley in Arden.

Private collection.

344

£300­500

£500­800

345

346 95

Image courtesy of Lotte Meitner­Graf archive

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 347 Dame Lucie Rie DBE (1902­1995) a pair of stoneware coffee cups and saucers, cylindrical with loop handle, covered in a manganese glaze and silver grey to the interior and underside, impressed seal marks, minor chips to one can and saucer, 11cm. high (cup) 13.5cm. diam. (saucers), (4) Provenance Lotte Meitner­Graf, thence by descent. £500­1,000

347

Φ 348 Dame Lucie Rie DBE (1902­1995) and Hans Coper (1920­1981) a part tea set comprising; sugar basin, milk jug, two cups, one saucer and one side plate, silver­grey glaze with manganese rims. impressed seal marks, minor chips 10.8cm. high (jug) 13.5cm. diam. (bowl) 18.3cm. diam. (plate), (6) Provenance Lotte Meitner­Graf, thence by descent. £600­1,000

348

97

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

349 top view

349 Φ 349 Dame Lucie Rie DBE (1902­1995) a stoneware bowl, covered in a speckled silver­grey glaze impressed seal mark, small glaze chip to rim, 13cm. diam.

Provenance Mrs M Cave, thence by descent. £400­600

Φ 350 Dame Lucie Rie DBE (1902­1995) a stoneware pouring bowl, elliptical, the interior glazed yellow, the exterior grey impressed seal mark, 14.6cm wide 7.5cm. high Provenance Mrs M Cave, thence by descent. £1,000­1,500 350

98

Φ 351 Dame Lucie Rie DBE (1902­1995) a footed porcelain bowl, flaring conical form with radiating sgraffito lines, glazed pink with a thin turquoise band, the rim and foot with bronze manganese band, running to the interior impressed seal mark, small firing flaw to the body, 7.5cm. high 14cm. diam.

Provenance Given directly by Lucie Rie to the vendor’s mother, circa 1979­1981.

Private collection. £5,000­10,000

99

Φ 352 Dame Lucie Rie DBE (1902­1995) a stoneware bowl, flaring elliptical form, covered to the foot with a silver­grey glaze, the top rim with manganese, impressed seal mark 16.5cm. wide 8.5cm. high £1,000­1,500 352

353

Φ 353 Dame Lucie Rie DBE (1902­1995) and Hans Coper (1920­1981) a large stoneware salad bowl with pulled rim, glazed to the interior pale blue, the exterior pitted silver­grey glaze impressed seal marks, 15cm. high 28cm. diam.

Provenance Given as a wedding present to the vendor’s grandparents in 1955.

Private collection. £2,000­3,000

100

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 354 Dame Lucie Rie DBE (1902­1995) a large and impressive stoneware vase, swollen, faceted­cylindrical form, incised with vertical lines, covered with a mint green and manganese glaze impressed seal mark, fine hairline from top rim, 35.5cm. high Provenance Private collection, Surrey, acquired in the mid 1990s.

Literature Tony Birks, Lucie Rie, Marston House, page 129 for a black and white photograph including a comparable vase in the permanent display of pots in Lucie’s workshop.

Lucie Rie The Adventure of Pottery, Kettle’s Yard, page 186 fig.1 for a portrait of Lucie Rie standing before a display of her work at Albion Mews, 1986 with a comparable large vase.

Dame Lucie Rie, Sale of a Lifetime, Bonhams, 17th April 1997, lot 151 for a tall cylindrical vase with comparable sgraffito and glaze, dated to circa 1953. £5,000­8,000 101

JOHN MALTBY Φ 355 John Maltby (1936­2020) King, Queen and Country (King Queen and English Landscape), 2012 stoneware plaque, framed impressed seal mark, ink signature, title and date to mount, applied alternative title to reverse, 30 x 22cm (image) 54.5 x 48cm. (frame) Provenance Private collection. £300­500 Φ 356 John Maltby (1936­2020) Mad King, 2016 stoneware sculpture signed, titled and dated to base, impressed seal, 22.5cm. high Provenance Private collection. £150­250 355

Φ 357 John Maltby (1936­2020) Warrior on a Tiger stoneware sculpture signed in ink J Maltby 21cm. high 15.5cm. wide Provenance Private collection. £150­250

356

102

357

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

358

359

Φ 358 John Maltby (1936­2020) Sentinel stoneware on black painted wood base impressed seal mark, painted signature and title, 31.5cm. high Provenance Private collection. £200­300 Φ 359 John Maltby (1936­2020) King and Raven, 2012 stoneware sculpture on stoneware base, impressed seal mark, painted signature, title and date, small frit to side of base, 37cm. high Provenance Private collection. £400­500 Φ 360 John Maltby (1936­2020) Ancient King, 2013 stoneware on metal stand, signed, titled and dated to base, impressed seal mark to head, 46.5cm. high Provenance Private collection. £800­1,200 360 103

361 Peter Beard (born 1951) a tapering cylindrical vase, covered in a golden lustrous glaze impressed PFB mark 12.5cm. high Provenance British Art Pottery Woolley and Wallis, 11th December 2013, lot 432. £120­180

361

362

362 Peter Beard (born 1951) Wavy form vessel, 2023 press moulded then altered, grey­green wax resist, impressed seal marks, 19cm. high £400­600 363 Peter Beard (born 1951) Block vessel, 2023 blue wax resist, impressed seal marks, 22.5cm. high £800­1,200 364 Peter Beard (born 1951) Ground vessel, 2021 white, yellow and black, impressed seal marks, 26.5cm. high £800­1,200

363

365 Peter Beard (born 1951) Vessel with feet, 2022 grey­green wax resist, impressed seal marks, 27.5cm. diam.

15cm. high £800­1,200

364 104

365

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

366 367

366 Ian Godfrey (1942­1992) Bird whistle, a stoneware whistle, with incised and pierced decoration unsigned, small chip to tail and comb, 12.5cm. wide Provenance Private collection. £150­200

Φ 367 Ian Godfrey (1942­1992) Antelope vase, a stoneware vase with village, and a small bird pot by Ian Godfrey, unsigned, minor repairs 19.5cm. wide (2) Provenance Private collection. £150­250

Φ 368 Joanna Constantinidis (1927­2000) a tall stoneware vase, shouldered ovoid form with narrow cylindrical neck and flaring rim, brushed matt iron bands to neck and top rim, glazed manganese to interior, the body speckled oatmeal, unsigned, paper exhibition label from Peter Dingley Gallery 42.5cm. high Provenance Peter Dingley Gallery, where purchased by Mrs M Cave.

Thence by descent. £500­1,000 368 105

369

370

369 Mike Dodd (born 1943) a cut­sided stoneware lamp base, covered in an ash glaze, a tea caddy and cover similar, a salt­ glaze stoneware teapot and cover by Sarah Walton, a beaker vase by Sarah Walton, a teapot and cover by David Garland two Minton large tiles and a collection of studio pottery, impressed seal mark, 21cm. high (a lot) Provenance The Daryl Fromm Collection. £150­250

370A

Φ 370 Stephen Murfitt (born 1953) flaring raku bowl covered in a crackled lavender and red glaze, and a raku vase by Stephen Murfitt impressed seal mark, hairline crack to rim of bowl, 35cm. diam. (bowl) (2) Provenance Courcoux & Courcoux, Salisbury 1987.

Private collection. £120­180 370A Prue Venables (born 1954) a porcelain bottle vase, tapering, shouldered form with flaring rim, glazed black with white rim, and another smaller bottle by Prue Venables, glazed pale celadon, painted signature and paper labels 23.5cm. high (2)

371

372 106

Φ 371 Alison Kay (born 1953) Wedged form with side opening, terra sigillata and polished, angled with offset aperture, impressed seal mark, 24cm. high 27cm. wide.

Provenance Susan Maura Buchanan and James Dabell Buchanan. £120­180 Φ 372 Rupert Spira (born 1960) a large footed bowl stoneware covered in a speckled glaze, with black band to top rim and a Shelia Casson salt­glaze jug impressed seal mark 30.5cm. diam.

19.5cm. high (2) £200­300 373 Eddie Curtis (born 1953) a porcelain vase, swollen form, covered in a rich copper red flambe glaze, a copper red footed bowl by Eddie Curtis, a jug and two other bowls impressed seal mark, chipped spout to jug, 24.5cm. high (5) £150­200

£200­300

373

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

375 374 Φ 374 Thomas ‘Sam’ Haile (1909­1948) Three Suspended Ones, pen and ink on paper, framed unsigned, paper exhibition label, 16 x 13cm. (image) Exhibited The Surrealist Paintings and Drawings of Sam Haile, Manchester Institute of Contemporary Arts, travelling exhibition, 1967­1968, catalogue number 66. The catalogue entry mentions additional images to the reverse of the sheet.

Provenance Sam Haile, Marianne Haile (Marianne de Trey).

Private collection. £300­500 Φ 375 Colin Pearson (1923­2007) Winged sculpture stoneware, glazed matt blue with green and purple, impressed seal mark, 19cm. high

376

Provenance The Daryl Fromm Collection. £150­250 Φ 376 Ewen Henderson (1934­2000) a hand­built stoneware chawan, irregular form, rust body with green glaze to rim, unsigned 17cm. wide Provenance Private collection. £300­500 Φ 377 Geoffrey Eastop (1921­2014) a stoneware vase, ribbed cylindrical form covered with a mottled oatmeal glaze, the shoulder with ochre band painted monogram 18cm. high £150­200

377 107

WALTER KEELER Φ 378 Walter Keeler (born 1942) a salt­glaze stoneware jug, glazed blue, impressed seal mark, 19cm. wide

378

379

Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­200 Φ 379 Walter Keeler (born 1942) a salt­glaze stoneware Beaky jug, glazed blue, impressed seal mark, 21.5cm. high Provenance Susan Maura Buchanan and James Dabell Buchanan. £200­400 Φ 380 Walter Keeler (born 1942) a tall salt­glaze stoneware pourer covered in a blue glaze impressed seal mark, 24cm. high

380

381

Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­200 Φ 381 Walter Keeler (born 1942) a salt­glaze stoneware storage jar and cover, and two mugs by Walter Keeler, impressed seal marks, 17cm. high (4) Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­250 Φ 382 Walter Keeler (born 1942) a salt­glaze stoneware platter, blue glaze, impressed seal mark, 29.5cm. wide.

Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­200

108

382

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

383 two sides

Φ 383 Walter Keeler (born 1942) a salt­glaze stoneware Ionic teapot and cover, covered in a blue glaze impressed seal mark, 21.5cm. high (2) Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 15th April 2015, lot 557.

Susan Maura Buchanan and James Dabell Buchanan.

Literature Emmanuel Cooper & Amanda Fielding, Walter Keeler, page 60 for a comparable example illustrated. £300­400

Φ 384 Walter Keeler (born 1942) a salt­glaze stoneware storage jar and cover, covered in a blue glaze impressed seal mark, 34cm. high (2)

384

Provenance Susan Maura Buchanan and James Dabell Buchanan. £200­300

Φ 385 Walter Keeler (born 1942) a salt­glaze stoneware Articulated tall jug with strap handle, blue glaze impressed seal mark, 37cm. high Provenance Susan Maura Buchanan and James Dabell Buchanan. £250­350

385 two sides 109

387A 386

388

387 Φ 386 Christy Keeney (born 1958) Bust of a Woman, earthenware, glazed in colours on a slate base, and another Christy Keeney bust on ebonised wood base, incised signature, firing crack 30cm. wide (2)

Φ 388 Julian King Salter (born 1954) vessel a hand built stoneware vase, textured lavender and white glaze with red circle, and another smaller impressed seal mark, 32,5cm. high (2)

Provenance Susan Maura Buchanan and James Dabell Buchanan, by repute the second sculpture was a replacement for the first bust with the firing crack.

£200­300

£300­500 Φ 387 Christy Keeney (born 1958) Two Women earthenware sculpture, glazed in colours signed C Keeney, 2046 36.5cm. high Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­250

389

Φ 387A Ray Silverman (born 1943) a small porcelain bowl, on foot, covered in a mottled buff and ochre glaze, and a raku bowl with gilt well, impressed RS seal mark, raku bowl stamped t 10.5cm. diam. (2) Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­200

Φ 389 Bernard Rooke (born 1938) a stoneware vase, rectangular form, cast in relief with geometric panels, glazed brown, 27.5cm. high £120­180 Φ 390 Antonia Salmon (born 1959) Boat Piece, Part II a raku fired sculpture, and Holding Piece Part II a raku sculpture, and a small dish, elliptical form decorated with geometric design incised AS monogram, dish incised DML 11/63 15cm. high 22.8cm wide (Boat Piece part II) (5) Provenance The Gallery Upstairs, Henley in Arden.

Private collection. £200­300 391 Alan Wallwork (1931­2019) an early Forest Hill vase, shouldered form with incised and inlaid slip design, incised W 36.5cm. high £150­200 392 Eric James Mellon (1925­2014) Persephone, 1999 stoneware tile with ash glazes, signed and titled to edge 19 x 9.6cm. £120­180

390

391 110

392

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

393

Φ 393 Emmanuel Cooper OBE (1938­2012) a stoneware jug, covered in a pitted white glaze with pale pink, impressed seal mark, paper exhibition number 17cm. high.

395 Sotis Filippides (born 1963) a tall vase, swollen, shouldered form with tall swollen cylindrical neck, covered in a textured matt black glaze, incised monogram 67.5cm. high

Provenance Susan Maura Buchanan and James Dabell Buchanan.

£800­1,200

394

Φ 396 Sotis Filippidies (born 1963) a flaring stoneware vase, incised mark, 19cm. high

£300­500 Φ 394 Ashraf Hanna (born 1967) angular vessel with white naked raku burnished band, incised signature 40cm. high

Provenance Susan Maura Buchanan and James Dabell Buchanan. £120­180

Provenance Susan Maura Buchanan and James Dabell Buchanan. £400­600

396

395 111

397 Tony Laverick (born 1961) a porcelain vase, shouldered, swollen form, decorated with geometric design in lustre, with gilt rim, and another smaller by Tony Laverick, painted TL monogram 32.5cm. high (2) £150­200

398

Φ 398 Eileen Lewenstein (1925­2005) Fertility egg stoneware sculpture in three parts impressed seal mark, 10cm. wide (3) Provenance Private collection. £150­200

397

399 Hylton Nel (born 1941) an earthenware solifleur vase, modelled as stylised figure, glazed in colours and highlighted in silver, and a porcelain sculpture

by Wilfred Gibson, Hylton Nel unsigned, 15.5cm. high (2) Provenance Private collection. £150­200

399

400

400 Roger Cockram (born 1947) Salmon Run stoneware vase and cover, modelled and incised with a fish swimming in a stream, the cover with a fish finial incised signature, impressed seal marks, 38cm. high (2) £120­180 401 Eileen Lewenstein (1925­2005) a stoneware cylindrical vase, resist decorated with an ochre glaze, impressed seal mark, 24cm. high £150­200 Φ 402 Chris Carter (born 1945) a stoneware vase, twisted, swollen form, covered in a tenmoku glaze impressed seal mark, 26cm. high £150­200

112

401

402

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

403 404

403 Chuck Schwartz, (born 1935) a stoneware chawan, on shallow foot, covered to the interior and running to the exterior with a translucent white glaze, and two other Chawan similar, incised CS to main, 12.5cm. wide (3) £150­200 404 Eddie Curtis (born 1953) Girder (Blast Series) stoneware, slab built with applied celadon, slips and glaze applied paper label EC22 24cm. high Provenance The Stratford Gallery.

Catalogue notes Eddie Curtis took inspiration from an inland waterway near Seaham, County Durham ­ known locally as the The Blast.

Polluted by the local mining industry The Blast developed an unexpected beauty caused by chemical and organic reactions which would have a lasting effect, inspiring the potter to create a range of vases in response. £120­180 405 Dylan Bowen (born 1967) Totem, a large hand­built pottery sculpture painted Dylan Bowen to base rim 52cm. high

405

Provenance Purchased from the potter directly. £150­200 406 David Garland (born 1941) a large bowl, painted with abstract design in blue on a cream ground, painted Garland 30cm. diam. £150­200 406

113

Φ 407 Gordon Baldwin (born 1932) Ceramic Card, 1972 painted in colours signed, dated and dedicated to the reverse 21.5cm. high £150­200 408 Gordon Baldwin (born 1932) set of six Agate footed bowls, circa 1972 painted monogram to base, hairline to one, 8.5cm. high 11cm. diam. (6) Provenance Michael O’Connor collection of Gordon Baldwin. £150­200

407

409 Gordon Baldwin (born 1932) an Agate jug and four tea bowls, striped agate to the exterior, the interior glazed off white, and a larger Agate bowl, impressed seal mark, minor chips, 16.5cm. high (6) Provenance Michael O’Connor collection of Gordon Baldwin. £150­200 Φ 410 Gordon Baldwin (born 1932) Untitled earthenware bowl with apple to well, glazed white and two loose apples impressed seal mark 22.5cm. diam. (3) Provenance Michael O’Connor collection of Gordon Baldwin. £150­200

408

409 part 114

410

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

411

412

Φ 411 Gordon Baldwin (born 1932) Untitled earthenware bowl with two apples, glazed white with a loose green apple, unsigned 23cm. diam. (2) Provenance Michael O’Connor collection of Gordon Baldwin. £150­200 Φ 412 Gordon Baldwin (born 1932) Untitled an earthenware bowl with apple, glazed white with blue lustre, impressed seal mark, Provenance Michael O’Connor collection of Gordon Baldwin. £150­200 Φ 413 Gordon Baldwin (born 1932) an earthenware stem cup with apple, covered in a white glaze unsigned, 17.5cm. high

413

Provenance Michael O’Connor collection of Gordon Baldwin. £150­200 Φ 414 Gordon Baldwin (born 1932) Untitled an earthenware curved form with rill, glazed with metallic bronze with stripes, remains of paper label, repair to one corner possibly by the artist, 47cm wide.

Provenance Michael O’Connor collection of Gordon Baldwin.

Literature David Whiting, Gordon Baldwin Objects for a Landscape, York Museums Trust, page 78 catalogue number 30 for a related form Curved Wall Form, 1971. £400­600

414 115

415

417

416 Φ 415 Bruce Winn (1959­2012) a porcelain chawan, dated 1992, faceted form with painted decoration and a footed unomi by Bruce Winn incised signature and date 92, 8.5cm. high 13.5cm diam. (2)

Φ 418 Dan Kelly (born 1953) Ovoid Torn Vessel, on three feet, glazed matt black with white highlights, and a large pottery plaque, unsigned, 27cm. high (2)

£120­180

£120­180

416 Ewen Henderson, manner of a stoneware Chawan with painted slip decoration, and another smaller unsigned, 12.5cm. diam. (2)

Φ 419 Dan Kelly (born 1953) Tall Split Vessel, matt black glaze with painted yellow, pale blue and red lines, unsigned 59cm. high

Provenance Michael O’Connor RBS collection.

£120­180

£150­200

418

420 A modern Fang mask, painted wood, and another modern Bobo mask, 70cm. long 92cm long (2)

Φ 417 Dan Kelly (born 1953) a stoneware vase, waisted form glazed bronze, and two other similar vases by Dan Kelly unsigned 14.5cm. high (3)

Provenance Michael O’Connor RBS collection.

£150­200

116

419

£50­100

420

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

422

421

Φ 421 Nancy Baldwin (1934­2021) Two Crows, 1988 pencil on paper, framed signed and dated 1988 76 x 56.5cm £150­200 Φ 422 Nancy Baldwin (1934­2021) untitled, nude figure in a landscape, 1991 acrylic on paper, framed signed and dated 76.5 x 56.5cm. (sheet) £120­180 Φ 423 Henry Pim (born 1947) Pleated Pot, 1985 slab built vase with pierced chevrons, glazed with blue and black stripes, unsigned, losses to top rim, 59.5cm. high Woolley and Wallis would like to thank Henry Pim for his help authenticating and cataloguing this lot. £150­200 Φ 424 Colin Gorry (born 1952) a hand­built stoneware vessel, covered with a pitted white volcanic glaze, impressed seal mark, 56.5cm. high Provenance Michael O’Connor RBS collection. £150­200

423

424 117

426

427

CONTINENTAL CERAMICS 425

425 A large barbotine pottery vase in the manner of Ernest Chaplet, shouldered, baluster form, applied with flower stems, the body painted with a young courting couple in medieval dress, in colours on a mottled blue ground, incised E mark to base, minor losses, and old restoration to neck, 50cm.high

428 An Art Nouveau pottery vase probably Tiffany Studios, swollen cylindrical form, with pinched lugs and squared top rim, covered with a running red lustre over matt celadon green and an Art Nouveau pottery solifleur vase probably Massier, unsigned, small chip to top rim, 11cm. high (2)

£150­200

£200­400

426 A tall Art Nouveau Clement Massier vase, compressed body with tall tapering knopped neck, painted with peacock feathers in golden iridescent glaze over red, An Art Nouveau Clement Massier vase, An Art Nouveau Delphin Massier Vallauris vase and an Art Nouveau ‘Zumbo’ solifleur vase, unsigned, small frits to top rim, 32.5cm. high (4)

429 An Art Nouveau Clement Massier gourd vase, ribbed, shouldered form, painted with stylised flowers in a golden lustre and an Art Nouveau Clement Massier pottery vase, moulded CM to base, 9cm. high (2) £300­500 430 A Sevres porcelain vase, model no.30117, shouldered ribbed form, covered in a pale celadon green glaze with flambe patches, printed factory mark, painted FAB monogram and 30117,18.5cm. high

£500­800 427 An unusual Art Nouveau pottery ewer probably Tiffany Studios, gourd, dimpled form with pinched handle, glazed matt mint green, the shoulder a metallic bronze running glaze, unsigned, 14.5cm. high

£120­180 431 A Dalpayrat high­fired stoneware vase by Pierre­ Adrien Dalpayrat, waisted cylindrical form with flaring top rim, covered in a silver­grey glaze with sang de boeuf and purple, signed Dalpayrat to base, professional restoration to top rim, 8.5cm. high

Literature Edgar Pelichet & Michele Duperrex, La Ceramique Art Nouveau, page 41, catalogue number 42­43 for comparable examples.

Fine Arts and Crafts, Woolley and Wallis Auctioneer’s, 23nd June 2023 lots 248­249 for comparable examples.

118

£120­180

£200­300

428 (2)

429

430

431

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

432 433

432 A Viennese Art Nouveau plate, model D1470, decorated with a portrait of a naked maiden to the well, the rim with blue flag iris, in colours, highlighted in gilt, printed and painted marks, 23cm. diam. £120­180 433 An Art Nouveau pottery plaque, model no.4522, modelled in low relief with a maiden playing two pipes in a woodland setting stamped JM and 4522, 40.5 x 25.5cm.

434

£200­250 434 A Gusso Reuss Pottery vase, shouldered form with collar neck, covered in a crackled purple and white lustre glaze, and another vase similar, a Gouda pottery wall plate and bowl and three other pottery vases, main vase impressed Reuss, chips to second vase, 19cm. high (7) £200­300 435 A TL Delft pottery vase, shouldered ovoid form, with knopped neck, covered in a streaked red and gold glaze, a TL Delft plate with scallop rim, An Art Nouveau Herman Kahler Danish pottery vase and four other Art Nouveau vases, painted marks, 18cm. high (7)

435

£200­400 436 An Art Nouveau Zsolnay Pecs Pottery vase, tapering cylindrical form with swollen neck, covered in a golden iridescent glaze and two other Art Nouveau Zsolnay Pecs pottery vases, unsigned, 10.5cm. high (3) £200­400

436 119

437

438

437 Three Zsolnay Pecs abstract figure sculptures, each modelled seated, covered in a flambe red glaze, a vase similar, two larger Zsolnay Pecs figures glazed blue, three textured vases and a plate printed factory marks, 21cm. high (9) £150­250 438 A pair of Zsolnay Pecs Cubist book ends, each modelled as seated figures, covered in a green iridescent glaze, another Zsolnay Pecs cubist lion, a Zsolnay stylised figure, two geometric cats and three stylised figure groups, printed factory marks 22cm. high (9) £200­400

439

439 A Charles Gruber stoneware vase, shouldered form covered in a running mushroom and pale green glaze to the shoulder over speckled light silver ground and a Charles Gruber twin­ handled stoneware vase, impressed signature, 23cm. high (2) £120­180 440 A Bing & Grondahl stoneware Bacchanalian figure group designed by Kai Nielsen, model no.1912, in an erotic embrace and another Bing & Grondahl stoneware Bacchanalian figure, impressed marks, incised signature, 20cm. high (2) £200­400

120

440

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

441 441 A Royal Copenhagen stoneware figure of a bear by Knud Kyhn, model no.

20206, modelled seated covered in a matt brown and mushroom glaze, a Royal Copenhagen stoneware stoat, model no.

21408 a large Copenhagen stoneware dish by Knud Kyhn decorated with a bird, and a stoneware footed bowl, printed and incised marks, 18.5cm. high (4) £120­180 442 A large Royal Copenhagen porcelain vase, model 1378/142, shouldered form, painted with wild rose flowers in colours, three other Royal Copenhagen vases, and six other vases and a lamp base printed and painted marks, 44.6cm. high (11) £150­250 443 A Royal Copenhagen Calla Lily twin­ handled vase, model 249, slender form, painted with lily stems in colours on a graduated blue ground, a Royal Copenhagen vase painted with roses, another similar with a wild poppy flower, a Royal Copenhagen jar painted with bats, a vase similar and a large collection of Royal Copenhagen porcelain, printed and painted factory marks, 32cm. high (a lot) Provenance The Daryl Fromm collection.

442 444 A Royal Copenhagen blanc de chine porcelain figure of a mermaid designed

by Arno Malinowski, and another Royal Copenhagen blanc de chine figure of a woman collecting flowers in her dress, printed factory mark, 26.5cm. high (2) £120­180 445 A Royal Copenhagen porcelain Boy on a Rock figure designed by Christian Thomsen, model no. 1659, glazed in colours, and a collection of Royal Copenhagen figures, printed and painted factory marks, 32cm. high (a lot) Provenance Continental Decorative Arts, Christie’s South Kensington, 27th June 1997, lot 203 (boy on a rock).

The Daryl Fromm collection. £150­200 446 A Royal Copenhagen faience model of two budgerigars designed by Jeanne Grut, model no.3280, perched, glazed in colours, another budgerigar by Royal Copenhagen and a collection of Royal Copenhagen porcelain figures, printed and painted factory marks, 16cm. high (a lot)

443

£120­180

£150­250

444

445 part

446 part

121

447 Stanislas Raychan (1897­1994) Mask stoneware with applied decoration, glazed mustard yellow with black highlights impressed seal mark 38cm. high £150­200 448 A Rorstrand Pottery stoneware slender ewer

by Gunner Nylund, covered in a streaked chestnut brown and tan glaze, another similar, another with pale yellow glaze by Carl­Harry Stalhane and a Berndt Friberg stoneware solifleur vase by Stig Lindberg, incised marks, chip to rim of one, 20.5cm. high, (4) £120­180 449 A set of six Rosenthal Illy Artists Cups espresso cups and saucers designed by Jeff Koons, printed in colours, dated 2001, comprising six cups and saucers in original packaging, and a set of four Alessi coffee spoons designed by Miriam Mirri, 2005, printed factory marks and facsimile signature, 12cm. diam (saucers) (16)

447

£120­180 450 A large Gustavsburg pottery bowl designed by Stig Lindberg, cylindrical form glazed with simple coloured stripes on a blue ground, the interior pale blue, impressed marks, painted Lindberg hand mark, 29.5cm. diam, 14cm. high £150­200 451 A large Bitossi Pottery model of a horse designed by Aldo Londi, modelled standing, wearing a saddle and reins, glazed Rimini Blue, painted Italy and 315 to one foot, minor glaze loss, 32cm. high £200­300

448

449 122

450

451

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

452 A Guido Gambone pottery vase, ovoid with knopped neck, painted with a geometric face in aubergine and mushroom on blue ground, and a Gambone jug, painted donkey marks 14.5cm. high (2) £200­300

453 A Memphis Pottery Reel vase designed by Ettore Sottsass, shouldered, cylindrical form, screen printed in black and white, painted Sottsass 1986 to base, 45cm. high Provenance The Tom Watkins Collection.

452

£300­500

454 A Fornasetti Owl storage jar and cover designed by Piero Fornasetti, printed with two owls on a perch, titled Rice, in black with gilt highlights, and a Fornasetti Motiv 2 plate made for Themes & Variations, depicting a hot­air balloon, printed factory marks, minor chips to rim of pot, 17.5cm. high (3) £150­200

455 A set of six La Suite Catalan tiles designed by Salvador Dali, for Maurice Duchin, painted with Surreal images, with modern frames, impressed factory marks, facsimile Dali signature, 20cm. square (6) £300­500

453

454

455 123

GLASS 456 A French Art Nouveau glass table lamp and shade by Jean­Simon Peynaud, the base and mushroom shade painted with fruiting orange boughs, signed Peynaud to base and shade, 33cm. high £300­500 457 A small Art Nouveau cameo glass vase possibly Daum, tapering form, frosted glass cased in pink, cameo decorated with inscription Champagne Grand Napoleon, Cognac La Grande Marque, a Daum glass jug and a Moser Oroplastika glass vase, unsigned, 5.8cm. high (3) Provenance Private collection £150­200

456

458 An Art Nouveau silver overlay glass vase probably Loetz, tapering cylindrical form with flaring, fluted top rim, purple iridescent glass, with silver overlay of flower and sinuous foliage, and another Art Nouveau silver overlay glass vase, unsigned, 11cm. high £150­250 459 A Darmstadt Secessionist metal mounted glass vase, the shouldered green iridescent glass vase sitting in cast, patinated metal tripod mount, unmarked, 21cm. high £120­180

457

124

458

459

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

461

460

460 A large iridescent glass lamp base probably American, baluster form, covered in a golden iridescence, unsigned, 27cm. high £150­200

461 A Louis Comfort Tiffany Favrile iridescent glass vase, twisted, tapering body with flaring rim, golden iridescent finish, etched L.C.T to base, 12cm. high £200­300

462 A tall Tiffany & Co green lustre glass vase with silver foot, slender shouldered glass body with flaring top rim, covered in a green iridescence, on flaring silver foot, stamped Tiffany and silver marks to foot, 46.5cm. high £500­1,000

462 125

463

464

465 463 A Loetz glass vase, square section with inverted rim, the surface decorated with trailing, covered in iridescent finish, unsigned, 12cm. high £150­200 464 An Art Nouveau Loetz Papillon glass vase, tapering square form with dimpled sides and fluted top rim, opaque glass with golden red splashed iridescence, unsigned, 9cm. high, 12.5cm wide

466

£200­300 465 An Austrian iridescent glass vase possibly Loetz, shouldered, ribbed form with flaring pulled rim, golden iridescent surface decorated with red, unsigned 20cm. diam. £120­180 466 A Loetz glass vase, shouldered ovoid form with flaring top rim, textured with golden iridescence, and two other iridescent glass vases, unsigned, 12.5cm. high (3)

467

£150­250 467 A Loetz Papillon glass box and cover, circular section, the cover with ball finial, covered in a blue iridescence, unsigned, 10cm. high (2) £150­200 468 A small Art Nouveau Loetz Papillon glass vase with silver overlay, swollen cylindrical form, splashed golden iridescence, with Art Nouveau pierced and chased silver foliate spray overlay, unsigned, 13cm. high £200­300 469 An Art Nouveau Loetz Papillon glass vase, swollen cylindrical form, splashed green glass graduating to blue, with whiplash stems of stylised flowers and foliage, unsigned, 17.5cm. high £300­500

126

468

469

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

470

471

472

470 A Loetz Papillon glass decanter and stopper, ovoid body with cylindrical neck and flaring rim, with tear drop stopper, unsigned, 31.5cm high (2) £150­250 471 A Loetz Papillon glass vase, twisted, tapering cylindrical form with pulled trefoil rim, green and gold iridescence, unsigned, 19cm. high £150­200 472 A Loetz Papillon glass vase, tapering, swollen cylindrical form with flaring solifleur neck, covered in a green iridescence, unsigned, 22.5cm. high £150­200 473 A Loetz silver mounted Papillon glass Propeller vase, the twisted, shouldered body with flaring pinched trefoil rim, splashed golden iridescent glass with Art Nouveau silver cyclamen flower overlay, unsigned, losses to silver stems, 24.5cm. high £400­600

473 127

474

475 476

474 A frosted glass model of a resting hound dog probably Daum, modelled lying with head up and alert, amber glass graduating to clear on a polished clear glass base unsigned, small nick to ear, 30cm wide. £150­250 475 A Whitefriars Cinnamon glass Hoop vase designed by Geoffrey Baxter, moulded, swollen cylindrical form, unsigned, 29cm. high £120­180 476 A Whitefriars glass dish probably designed

by Geoffrey Baxter, clear glass the well with tangerine, unsigned 29.5cm. diam.

Provenance The Tom Watkins Collection. £120­180

477 A Cenedese Murano glass Aquarium wall light, the curved, rectangular glass panel carved in low relief with two exotic fish, in colours with silver aventurine, cased in clear, applied Murano Italy paper label, 23cm. high, 16cm. wide. £500­800 478 Two small Cenedese Murano glass Aquarium sculptures, each modelled with a single exotic fish, swimming amongst waterweed, unsigned 13cm wide (largest) £200­400 479 A Cenedese Murano glass Aquarium sculpture, internally decorated with two fish and jelly fish swimming amongst waterweed, cased in clear unsigned, 19cm. wide £300­500

477

478 128

479

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

reverse

480 An Oriente glass vase designed by Dino Martens probably made by Aureliano Toso, model no.3155, designed in 1952, flaring form with pinched rim, internally decorated with purple and white murrine ‘star’ panel, panels of colour, twists and aventurine, cased in clear, on applied glass foot, unsigned 20cm. high Literature Marc Hieremans Dino Martens Muranese Glass Designer, Arnoldsche,1999, page 161 for a comparable vase.

Quittenbaum, lot 2012.

Provenance Purchased by the vendor in San Francisco, 1988.

Private collection of post­war design. £1,500­2,000 129

482 481

481 A Murano glass vase, swollen form, red stripes cased in amber, an Italian glass faceted glass dish and three other glass items, unsigned, 21.5cm. high (5) £150­200

483

482 A Rosenthal Studio Line glass bowl designed

by Martin Freyer, irregular form, moulded with textured finish to exterior, a Holmegaard blue glass vase, Hadeland olive green glass vase and two others, stencil mark, 37cm. wide. (5) £150­200 483 A Nuutajarvi glass Notsjo vase designed by Harry Moilanen, flaring rectangular form, deep blue glass cased in clear, and two Iittala glass plates designed by Timo Sarpaneva, dated 1956, etched marks, 12.5cm. high (vase), (3) £150­200 484 A large Sommerso vase designed by Flavio Poli, flaring form, purple glass with blue, cased in clear unsigned, 31.5cm. high

484

Literature Quittenbaum 2013 lot 2202 for a comparable form.

Catalogue notes A comparable example attributed to Poli is held in the Murano Glass museum. £400­600 485 A Kosta Boda glass vase by Goran Warff, slender, swollen cylindrical form, blue and green striped glass cased in thick clear glass with lines of fine air bubbles, in original box, etched marks, 30cm. high £150­200 486 A Kosta Boda glass solifleur vase by Kjell Engman, model no.48840, shouldered form with tall solifleur neck and flaring rim, purple, red and amber glass cased in clear, etched marks to base, 44cm. high 130

485

486

£150­200

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

488

487

487 A large Murano glass shade, domed white glass with clear rim, internally decorated with murine, applied Murano label, 43cm. high £80­120 488 A Murano glass vase in the manner of Aureliano and Toso designed by Dino Martens, flaring cylindrical form with pinched rim, red glass inlaid with canes and aventurine, cased in clear, two others similar and a dish, unsigned, 10cm. high (4) £120­180

489

489 A Hotel Okura cast glass and chrome picture frame made as a gift for guests, marking the opening of the hotel’s south wing extension, rectangular, textured clear glass frame with polished metal back plate, in original presentation cardboard box, applied label, 23cm. high Catalogue notes Yoshiro Taniguchi designed the original Hotel Okura in 1962.

When Ian Fleming wrote You Only Live Twice two years after the hotel was opened, and the author had the British spy stay at the Okura. When It was turned into a film starring Sean Connery as James Bond 007 in 1973, the hotel’s lobby was used as one of the sets. £120­180 Φ 490 A Venini Luna vase designed by Ettore Sottsass, 1997, the round, pale green glass body with flaring neck, resting inside a circular white and grey veined marble base, etched Ettore Sottsass 1/29 Venini 97 and retail plastic label to glass, 22cm. high (glass), 27.5cm. high (overall height), (2) Provenance The Tom Watkins Collection.

Literature F. Deboni, I Vetri Venini catalogue 1921-2007, Vol II, Allemandi, figure 353 for a comparable example illustrated.

Barovier, Bischofberger, Carboni, Sottsass Glass Works, Vitrum, page 108 for three examples illustrated. £700­1,000 490

131

491

493

492

491 A Riihimaki Harlekiini (Harlequin) glass tazza and vase designed by Nanny Still McKinney, the blue glass shallow bowl tazza on clear glass stem, the vase of tapering cylindrical form, unsigned, 18.5cm. high (vase) (2) Literature Charlotte & Peter Fiell, Scandinavian Design, Taschen, page 610 this range illustrated. £120­180

492 Siddy Langley (born 1955) a glass vase dated 1999, ovoid with ovoid aperture, covered with a petrol iridescence, another spherical vase with trailed decoration by Siddy Langley, three other vases, three bottles with stoppers and five slender bottled and four stoppers, incised marks, 18cm. high (20) £150­250

493 Samuel J Herman (1936­2020) an early glass vase dated 1967, shouldered ovoid form with swollen solifleur neck, mottled green and blue panels, cased in clear, and another studio glass vase, etched Samuel J Herman 1967 London 269A, second vase unsigned, 20.5cm. high (2) £300­500

494 An Iittala glass vase designed by Tapio Wirkkala, slender, swollen cylindrical form with vertical cut lines etched Tapio Wirkkala Iittala to base, 23cm. high £150­250

494 132

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 495 Peter Collingwood OBE (1922­2008) Macrogauze, M.092 No.3 linen with steel rods, applied metal label with facsimile signature, 178 x 41cm.

Provenance Private collection. £800­1,200 133

496

497

498

499

WORKS ON PAPER & TEXTILES 496 Eric Gill (1882­1940) Clergyman Shocked and Smith with Poker, (The Canterbury Tales), 1928 wood block print on paper, mounted signed Eric G numbered 3/10 22.5 x 15cm (image) £250­350 497 Pierre­Laurent Brenot (1913­1998) Downhill Follie offset­lithographic poster printed in colours, linen backed, signed and dated 50 in the print, 69.5 x 31cm Literature The Ski Sale, Christie’s South Kensington, 26 January 2011, Lot 45, for a comparable poster. £300­400

498 David Hockney OM CH RA (born 1937) Jacques de Bascher de Beaumarchais, 1973 an exhibition poster, lithograph in colours, mounted signed and numbered 67/450 in pencil, with a letter of authentication by 1853 Gallery, 62 x 43cm (image) £200­300 499 David Hockney OM CH RA (born 1937) Louisiana, Humlebaek, Denmark (Swimming Pool) lithographic poster in colours, framed unsigned, 79 x 56cm Provenance Susan Maura Buchanan and James Dabell Buchanan. £150­200 500 A collection of art reference books and catalogues, including Ysart Glass by, Ian Turner, Alison Clarke and Frank Andrews, The Parkington Collection of Glass, parts one and two, Christie’s South Kensington, The Ian Turner Collection of Monart, (a lot)

501 A collection of art reference books and catalogues, including Thirties Art Council exhibition catalogue, 1979, A Century of Chair Design by Russell, Garner and Read and Twentieth Century Furniture by Phillipe Garner, (a lot) £50­100 502 Raoul Dufy (1877­1953) Les Patineurs printed cotton textile, framed signed and tilted in the selvedge, 127 x 67cm (image) Catalogue notes The Victoria & Albert Museum have the original watercolour design for Les Patineurs (The Skaters) listed as a design for printed silk, stamped RD Bianchini­Ferier, the silk makers in Lyon France. £200­300

£50­100

134

500

501

502

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

503 Yayoi Kusama (born 1929) Pumpkins, (orange) screen print on orange cotton, framed signed in the print 89 x 32cm (print) £200­300

503

504 Yayoi Kusama (born 1929) Pumpkins, (red) screen print on white cotton, framed signed in the print 88 x 32cm (print) £200­300

504

505 Yayoi Kusama (born 1929) Untitled (Orange Faces) screen print on orange cotton, framed signed in the print 49.5 x 49.5cm (print)

506 Yayoi Kusama (born 1929) Untitled (Red Faces) screen print on red, framed signed in the print 49.5 x 49.5cm (print)

£150­200

£150­200

505

506

135

507 Philippa Perry (born 1957) Normal Life, earthenware plate made for Grayson Perry’s Art Club, printed in blue and white, framed unsigned 27cm. diam. £150­200

507

508

508 Sir Grayson Perry (born 1960) Lion Queen a plate, printed with heraldic lion and border of portrait busts and ER monograms in black, the rim highlighted in gilt, framed unsigned 21cm. diam. £150­200 509 Sir Grayson Perry (born 1960) The American Dream print on cotton, framed unsigned 87.5 x 41cm £150­250

509

510 Sir Grayson Perry (born 1960) Sacred Tribal Artefact print on linen, framed unsigned 88 x 49cm. £150­250 511 Sir Grayson Perry CBE RA (born 1960) Clare as a Soldier limited edition digital print on linen, framed printed artist cipher, from an edition of 400 57 x 41.5cm (image) £150­200

510

512 Sir Grayson Perry CBE RA (born 1960) Reclining Artist print on linen, framed unsigned 67 x 49cm. image £150­250

136

511

512

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

513 Sir Grayson Perry CBE RA (born 1960) City Break print in black and red on linen, framed printed artist cipher 64 x 44cm £150­200 514 Sir Grayson Perry CBE RA (born 1960) Gentrification limited edition lens cloth, print on textile, framed facsimile signature P bottom left 18.5 x 14cm. (image) Catalogue notes This lens cloth was produced in a limited edition for Cubitts Optical group to raise money for Shelter.

513

514

515

516

£150­200 515 Yoshitomo Nara (born 1959) Peace Dog (blue) printed on cotton framed printed marks bottom right 50 x 50cm (image) £120­180 516 Yoshitomo Nara (born 1959) Peace Dog (red) printed on cotton framed printed marks bottom right 50 x 50cm (image) £120­180 517 Jake and Dinos Chapman All of Our Ideas for the Next Twenty Years, 1997 off­set lithograph on paper 122 x 100cm. £200­400 518 Julian Opie (born 1958) Walking Dancing Undressing Smoking lenticular card, framed unsigned 19.5 x 23.5cm.

Catalogue notes Lenticular postcard invitation to the private view of Julian Opie’s 2006 exhibition Walking Dancing Undressing Smoking at Alan Cristea Gallery. Featuring image of Suzanne walking forwards (cropped) from 2005.

517

£150­200 519 Julian Opie (born 1958) This is Shahnoza in Three Parts, jigsaw pieces, published by Alan Cristea Gallery, 2008, framed unsigned 64.5 x 30.5cm £150­250 518

519

137

521 David Cripps (1938­2013) Jasmine’s Garden - Iris Bred by Cedric Morris, colour print, framed signed, titled and dated to reverse 43 x 29.5cm (image) 71.5 x 53.5cm (frame) Provenance The Estate of David Cripps.

Exhibited Meditations, MAC, Birmingham, 1995.

Catalogue notes Jasmine Rose­Innes (ne Gordon­Forbes), was born in Winscombe, Somerset (1915­1998) A friend of David Cripps, she was a painter, writer, photographer and teacher, and her beautiful garden had a collection of Irises bred by Sir Cedric Morris. £200­300

520 520 David Cripps (1938­2013) Rocks Form (The Burran, Ireland), toned silver bromide print, framed unsigned 46 x 32.5cm (image) 71.5 x 53.5cm (frame)

522 David Cripps (1938­2013) Gladioli VII, 1993 toned silver bromide print, framed unsigned 37 x 30.5cm (image) 64 x 53.5cm (frame) Exhibited Meditations, MAC, Birmingham, 1995.

Provenance The Estate of David Cripps. £200­300

Exhibited Meditations, MAC, Birmingham, 1995.

Provenance The Estate of David Cripps. £200­300

521 138

522

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 523 Brian Duffy (1933­2010) David Bowie - Aladdin Sane contact sheet photograph, framed signed Duffy, Duffy Archive stamp, number 11/100 44 x 42.5cm (sheet) 62.5 x 56.5cm (frame) Provenance Purchased by the vendor from Brian Duffy’s son Chris Duffy in 2011. £3,000­4,000

139

Φ 524 James Doran­Webb (born 1967) On the Run a large driftwood sculpture of a running dog signed to marble base, 90cm. high Exhibited Chelsea Flower Show May 2013.

Eton Fine Art Gallery, 2013. £1,500­2,000

140

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

525

526

FURNITURE 525 An Art Nouveau mahogany display cabinet in the manner of Shapland and Petter, rectangular section on short legs, the cabinet inlaid with marquetry Art Nouveau flower panels, large single leaded glass door with Glasgow Rose motif, unsigned 152cm. high 100 x 36.5cm.

526 A Wilf Squirrelman Hutchinson oak dining table, rectangular, adzed top on two pedestals with stretcher, carved squirrel signature to one pedestal, 154 x 67.5cm (top), 73.5cm high

£200­400

£400­500

Catalogue notes Wilf studied at Robert Mouseman’s workshops with master carver Stan Dodds, before setting up his own workshops in 1957.

527 A Morris & Co mahogany break front bookcase, model no.527, with simple carved border to the top rail, adjustable shelves stamped mark 183cm wide 125cm high 36cm deep Literature Specimens of Furniture and Interior Decoration Morris & Company catalogue, page 10 for a line drawing of this dwarf bookcase design. £3,000­5,000 527 141

528 An Italian eggshell lacquered twin­handled tray in the manner of Piero Fornasetti, rectangular decorated with a Classical temple design, on later limed oak table base, unsigned, 61 x 41cm, 61.5cm. high Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 26th May 2021, lot 810 £200­300

top

529 A Scandinavian EM Bordet mahogany expanding coffee table, shaped rectangular top, on four tapering legs, stamped mark, 129.5 x 56.5cm. £300­350

528 530 A teak veneer side table, triangular top over offset ebonised shelf, on three flaring legs, unsigned, 53cm. high, 57cm. wide £120­180 531 A teak and glass Wave coffee table probably Danish, the curved base, with pierced slat sections, rising to support oval, bevelled glass top, unsigned 121.5 x 61cm. (glass) 41cm. high (2) £150­200

529

530 142

531

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

532 532 A Chaty Vallauris Sunburst wall mirror, gilt patinated metal frame, cast marks, 85.5cm wide.

Catalogue notes Comparable mirrors were exhibited on the Stand de Chaty at the Exposition in Vallauris in 1958. £200­300 533 A Flowers Series standard lamp designed by Oliver Morgue, originally for Ateliers Disderot in 1967, model no.2093, two adjustable enamelled metal flower shades, on chrome stand and base, unsigned, 149cm. high £300­500 534 A teak and cane office armchair designed

by Pierre Jeanneret, model SI­28, originally designed circa 1952, made for the administrative centre, Chandigarh, stained teak frame with cane seat and back panels, unsigned 81cm. high Provenance Katharine House Gallery Private collection purchased from the above 2012.

534

£1,000­1,500

533 143

Φ 535 Carl Freedman Kepler’s Apple, 1999 aluminium, hanging metal mobile sculpture signed J Carl Freedman, dated 1999 DX 90cm wide (largest element) Provenance The Tom Watkins Collection.

Catalogue notes ‘My work reflects the order and harmony that I see in the world of nature around me...’ Johann Kepler was an astronomer and mathematician of the 17th Century. He was the first person to determine the elliptical paths followed by the planets in their rotation around the sun.

J Carl Freedman. £150­200 536 Michael O’Connor RBS (1944­2013) Composition, carved elm, unsigned, 72cm. high

535

Provenance from the estate of the artist Exhibited Alwin Gallery, Wood Sculptures Michael O’Connor, March 5­30th, £150­200 Φ 537 John Huggins (born 1938) untitled, bronze, signed Huggins 6/6 20.5cm. high Provenance Alwyn Gallery. £120­180

537

538 A Fornasetti enamelled metal tray designed by Piero Fornasetti, rounded rectangular form, decorated with Renaissance man’s arm holding a small chalice, in colours applied label, 58.5 x 24.5cm. £300­500

536 144

538

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

540

539

539 A Durlston Designs stainless steel and teak vanity mirror designed by Robert Welch, circular metal adjustable mirror frame on tapering teak stem, with V shaped steel foot, applied label, 39.5cm. high £150­200 540 A Stag Cabinet Company S Range long bench designed by John and Syliva Reid, rectangular teak top with ebonised side, on satin nickel plated legs, with black padded cushion Stag label to cushion, 137cm long, 44cm wide (2) Literature Lesley Jackson Modern British Furniture, V&A, page 122­123 for the range illustrated in the Stag Furniture catalogue, 1960.

541

£300­500 541 A Race Furniture rocking chair designed by Ernest Race, originally designed 1948, white enamelled metal frame with wooden arm pads, red padded cushion unsigned 76cm. high 61cm. wide (2) Literature Austerity to Affuence British Art & Design 1945-1962, The Fine Art Society, page 18, catalogue number F8 for a comparable rocking chair illustrated. £400­600 542 A France and Son oil finished teak Boomerang chair and armchair designed by Hvidt and Molgaard, model no.134 and 135, originally designed in 1954, with padded cushions, applied label, 80cm. high (2) Literature James France, France & Son, British Pioneers of Danish Furniture, page 54 for comparable chairs illustrated. £800­1,200

542

145

543 A Griffin & George Ltd chrome and glass display case, the cube case with hinged door and flaring metal base, set with narrow plastic shelf and latch locking system, applied metal factory label, 33cm. high, 31 x 28cm.

Provenance The Tom Watkins Collection. £120­180 544 A Havana Bench designed by Joseph Massaca, curved plywood seat on painted metal frame 98cm wide, 87cm high, 76cm deep Provenance 20th Century Design, Bonhams, 5th October 1996 lot 282.

The Tom Watkins Collection.

543

£150­200 545 A Ravarini Castoldi & C Fun Skate, blank enamelled metal frame with plastic handles, orange nylon wheels, applied label, 100cm. long Provenance The Tom Watkins Collection. £100­150 546 An Ingo Maurer Bibibibi bird table lamp designed by Ingo Maurer, enamelled metal and plastic on a ceramic base, facsimile signature and title to base, paper label, 38.5cm. high Provenance The Tom Watkins Collection. £200­400

544

545

146

546

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

547

547 A Basix oak sideboard the design attributed to Karel Mintjens, rectangular with raised dovetail joints, central double cupboard, flanked with single cupboards with shelves, unsigned 244cm. wide 45cm. deep, 91cm. high Provenance Susan Maura Buchanan and James Dabell Buchanan £200­300 548 A Trent sideboard retailed by Heal’s, rectangular, two single cupboards flanking bank of four drawers, 150cm wide, 52cm deep, 87cm high Provenance Susan Maura Buchanan and James Dabell Buchanan, purchased in 1993.

548

£150­200

549 A large Benchmark Furniture Buchanan aged oak dining table the design attributed to Sir Terence Conran, model 1195, dated 2007, rectangular top with interlocking legs and stretcher, applied metal Benchmark label, 72cm. high 261 x 109.5cm.

549

Provenance Susan Maura Buchanan and James Dabell Buchanan. £200­300 147

550 An iGuzzini table lamp designed by Harvey Guzzini, chrome base with ebonised woodstem and white perspex shade, applied retail label to shade, 60cm. high £150­250

551 A pair of Makepeace coffee tables designed by John Makepeace, black lacquered frame with glass top, unsigned, 63cm square, 35cm. high (4) £150­250

550

551 552 An English Walnut drum table by James Winby, circular, on four curved legs forming central pedestal, with brass feet, two curved drawers with brass handles, dark stringing to legs and drawers, the top with royal blue leather inset, the drawers lined with Cedar of Lebanon, unsigned, 75.5cm diam, 71.5cm. high £300­500

553 A pair of Alan Peters mahogany and satinwood book ends, shaped rectangular form, stamped to side 16.5cm. high (2) £120­180

552 148

553

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

554

554 A Tendo Mokko Zataku beech plywood and Japanese Elm table designed by Saburo Inui, shaped rectangular section, applied label, 33.5cm. high 106 x 75.5cm Literature Design Japonais 1950-1995, Paris Editions de Centre Pompidou, 1996 page 76 for a comparable table. £500­1,000

555 A pair of Tendo Mokko Beech plywood and Japanese elm veneer occassional tables by Isamu Kenmochi, rounded square section, 45cm. high 60cm square (2)

555

Literature Japanese Modern - Retrospective Kenmochi Isamu, 2004, page 102 cat. no.195 for a comparable example. £500­1,000

556 A Tendo Mokko beech plywood and Japanese elm veneer table designed

by Isamu Kenmochi, rounded, rectangular section, 46cm high 120 x 60cm.

Literature Japanese Modern - Retrospective Kenmochi Isamu, 2004 page 192 for a comparable example. £500­1,000 556 149

558

METAL WARE

557

557 An Art Nouveau WMF pewter tray, model no.290, pierced and cast in low relief with an Art Nouveau young maiden with long flowing hair, beside large flag iris flowers, stamped marks, 31cm. wide £200­300 558 An Art Nouveau WMF pewter card tray, cast in low relief with an Art Nouveau maiden portrait beside flowers, a WMF square, footed vase, a pair of twin­ handled vases with liners and another vase with clear glass liner, stamped marks, 22.5cm. wide (9) £150­250

559

559 An Art Nouveau pewter and glass claret jug, tapering cylindrical clear glass body with pewter neck, handle and hinged cover cast with berried flowers and foliage, and an Art Nouveau electroplated biscuit box and cover with engraved glass liner, unmarked, 34cm. high (4) £150­250 560

560 An Art Nouveau WMF electroplated metal Diana the Huntress tray, model no.250, cast in low relief with a hunting scene, another WMF dish model no.220, cast in low relief with Art Nouveau sprite, and a small Art Nouveau dish stamped and cast marks, 40cm. wide (3)

561 A tall Jugendstil Kayserzinn pewter candlestick, model no.4427, circular base tapering to square section column, flaring foliate sconce, cast in low relief with berried panels, cast factory mark, 41.5cm. high Literature 20th Century Design, Woolley and Wallis, 21st October 2015 lot 564, for a comparable example illustrated. £150­200 562 An Art Nouveau cast brass inkwell with Austrian iridescent glass well, in the manner of Gurschner, cast in low relief with a maiden amidst water­lily pads, and another Jugendstil brass and copper inkwell, cast Geschlitz, mark, 20.5cm. wide (2) £150­200 563 A Liberty Tudric Pewter crumb tray designed by Archibald Knox, model no.0532m cast in low relief with stylised Art Nouveau foliage panels, a Liberty English Pewter tray, a Liberty & Co silver and turquoise brush, and an Arts and Crafts pewter tray with enamel flower panels, stamped marks, 25cm. wide (crumb tray), (4) £150­250

£120­180

562 561 150

563

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

564

564 Firmin Marcellin Michelet (1875­1951) an Art Nouveau patinated bronze vase, tapering form with three cast floriform handles, cast MP Michelet and Goldscheider foundry mark, 18cm. high

565

£150­250

565 Edmond Moreau­Sauve (1881­1914) Art Nouveau bronze vase, twin­handled patinated bronze vase cast in low relief with flower stems, with flowers forming the top rim, on black veined white marble base signed in the cast Moreau Sauve 48.5cm. high £800­1,200

566 Gustav Gurschner (1873­1970), manner of a patinated bronze Art Nouveau table mirror, modelled as a maiden standing in long flowing dress, the oval mirror in calla lily stem frame, unsigned, 30.5cm. high £300­500

566 151

567 A Hukin and Heath silver dish the design attributed to Dr Christopher Dresser, twin compartment with over­slung handle, a Gothic Revival Elkington & Co electroplated flagon and an Elkington & Co electroplated metal cruet, stamped marks, London 1880, 19cm. wide, 13cm. high (8) £150­200 568 William Reid Dick (1879­1961) Venus, 1913 patinated bronze wedding bell, unsigned 22.5cm. high Literature British & Continental Decorative Arts from 1850 to the Present Day, Christie’s King Street, 31st October 1996 for a comparable example. £300­400 569 A Liberty & Co silver footed bowl designed by Archibald Knox, model 2250, circular section, with band of cast Art Nouveau roundels, stamped marks, Birmingham 1907, no.2250703, some enamel remains, 13.8cm. diam, 10.8cm. high

567

568

£150­200 570 A John Grinsell & Sons cut glass and silver plated claret jug after a design by Dr Christopher Dresser, the swollen cut glass body with cylindrical collar, angled handle and spout, with flat cover engraved with monogram, stamped shield mark with cupid to inside cover, 19.5cm. high £150­200 571 A John Pearson copper twin­handled tray, rounded rectangular section with hammered finish, applied twin­handles, a Hugh Wallis mixed metal patinated copper oval tray with silvered fruiting grape vine panel, and a smaller Hugh Wallis circular tray, stamped marks, 65cm. wide (JP tray), (3) 569

£150­250

570

571 152

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

572 573 572 An Austrian cold painted bronze model of a bulldog probably Bergman, modelled standing, stamped bronze, 10cm. wide.

574

£120­180 573 An electroplated metal watering can after a design by Dr Christopher Dresser, possibly Hukin & Heath, with hinged cover, wicker covers to handles stamped and etched marks, 15.5cm. high £150­250 574 A Hukin & Heath electroplated Picnic set in the manner of Dr Christopher Dresser, model no.20092, comprising, teapot and cover, stand, burner smaller kettle and cover, milk­jug, sugar bowl and flat cannister and cover stamped marks, 13.5cm. high (large kettle), (9)

575

£200­300 575 A Jugendstil copper and brass wall mirror, rectangular with stud decoration, set with brass panel and red enamel roundel, and a copper dish with pierced rim, set with mother of pearl roundels, unsigned, 34.5 x 29.5cm. (2) £150­250 576 A Glasgow School brass planter, oval with twin loop handles, on four ball feet, stamped in low relief with Art Nouveau entrelac panels, unsigned, 38cm. wide

576

Provenance Paul Reeves, 2003.

Private collection. £200­300 577 A Tiffany Studios patinated bronze Lioness paperweight, modelled lying stamped marks, 12.5cm. wide. £150­200 578 A Tiffany & Co silver lily vase, model 23425, footed form, and another smaller, stamped marks, 30.5cm. high (2)

577

£200­300 578

153

579

580

579 Charles Pillet (1869­1935) Exposition Franco-Britannique, Londres 1907 a gilt bronze large plaque, cast in low relief, later framed, and two small gilt bronze plaques by Paul Phillipe titled Jean Paul and Suzanne, signed in the cast Ch Pillet, 15 x 12.5cm. (3) £150­250

582

580 A pair of silver and enamel photograph frames, on wooden easel backs, each stamped in low relief with flowers on scrolling Art Nouveau stems, enamelled in blue and green stamped marks, D&D Birmingham 1903, 20cm. high, 15cm wide (2)

£200­400 583 A BMF Modernist polished metal candlestick designed by Fritz Nagel and Ceasar Stoffi, one tripod foot and four circular bases, with twenty­three interlinking panels, unsigned, 6cm. high (circular bases) £200­250

581 A Modernist enamelled metal pedestal dish by David R Carter, dated 1994, the central stem cast as a gnarled tree trunk, with flaring cast and pierced canopy bowl, enamelled bronze and green signed and dated to base 23.5cm. high

584 A Viners Studio stainless steel canteen of cutlery designed by Gerald Benney, comprising; six dinner forks and twelve knives, twelve dessert spoons and forks, twelve soup spoons, twelve teaspoons, twelve coffee spoons, four serving spoons, thirteen various butter knives, twelve various fish knives, six forks, seventeen various forks, six cake forks, six spoons, eleven small spoons, and a cake slice stamped marks, 19cm long (slice), (a lot)

£150­200

£150­200

£150­200

583

581 582 A mirrored glass photograph frame, cut mirrored glass frame with easel back, another similar and seven smaller mirrored glass photo frames, unsigned, 36 x 30cm.

(9)

585 Beryl Turpin (1926­2016) Beach Walking enamelled metal plaque of a black panther in the foreground, a couple walking on the beach behind, in colours, framed monogram BT in enamel, signed and titled to reverse of frame 25 x 22.5cm. (image) £150­250

584 154

585

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

586 An Arts and Crafts Levi & Salaman silver and enamel easel back clock, the shaped, hammered silver front cast in low relief with panels of flower stems, enamelled green and blue, circular dial with Arabic numerals, stamped marks, L&S Birmingham 1903, 16cm. high Provenance Bonhams Auctioneers (27332) lot 481. £200­400 587 A collection of Mont Blanc writing accessories, comprising leather three pen travelling pouch, red velvet pouch bag, three ink bottles (one empty), a box, various refills, and a black Parker 51 fountain pen in box, a Parker red 17 fountain pen, boxed and a Sheaffer blue fountain pen, boxed, (a lot) £150­200 588 A Mont Blanc 163 Classique rollerball, in fitted presentation box, with fibretip refill, a Mont Blanc ballpen and a Mont Blanc Passion and Soul Meisterstuck limited edition box with CD, 13.5cm long (163) (3)

586

£150­200 589 A Mont Blanc Meisterstuck fountain pen, red with gold­ filled cap, in fitted case, and a Mont Blanc Meisterstuck red propelling pencil, in fitted case. 13.5cm. long (2) £150­250 590 A Mont Blanc 145 Meisterstuck fountain pen, in fitted box, and a Mont Blanc Meisterstuck propelling pencil (7mm) in fitted box, 13.5cm. long (2) £150­250 587

588

589

590

155

591

593 592

JEWELLERY 591 A Bernard Instone silver and enamel flower brooch, enamelled in colours, and a Bernard Instone silver and enamel bar brooch, stamped monogram and sterling silver, 5.5cm. wide (2) £150­200 594

592 A James Fenton silver and enamel pendant, circular, pierced and cast in low relief enamelled blue and green, with central abalone shell roundel, with enamelled drop, stamped marks, Birmingham 1908, 4.8cm. drop. £150­200 593 A James Fenton silver and enamel bracelet, thin rectangular links enamelled with geometric panels in green and purple, with two circular links enamelled green, stamped marks, 19cm. long £150­200 594 A Bernard Instone silver and enamel brooch, pierced, square section enamelled with small white flowers and foliage, inside a green border, a Bernard Instone silver and Lapis ring and a silver and pink tourmaline bar brooch in the manner of Dorrie Nossiter brooch stamped Instone silver, 2.3cm. square (brooch) (3)

595 An Iona silver Celtic Cross designed by Alexander Ritchie, on stepped green stone base, and an Iona silver Viking sailing ship by Alexander Ritchie, stamped Iona to cross, stamped marks to brooch, 10.3cm. high (cross), (2) £120­180 596 A James Fenton silver and enamel bracelet, cast circular links enamelled with Art Nouveau flowerhead design, the clasp a circular four­leaf clover, in green and turquoise enamel, stamped marks, 18cm. long £180­200 597 An Art Nouveau hair comb, set with pierced and cast white metal Jugendstil panel with abalone shell roundel, and three other Art Nouveau hair combs unsigned, 12cm. long (4) £150­200

Provenance Didier Antiques, 2004 (brooch). £120­180

597

595 156

596

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

600

599 601

598

598 A silver and citrine necklace possibly Australian, the simple drop with foliate border and central oval citrine, with leaf links and two similar flowerhead panels each set with a citrine, on link chain, unsigned, 2.5cm. wide. £150­200 599 A silver pendant necklace, quattro­ lobe form with robe banding, set with two square section cornelian, two small abalone shell panels and a central larger abalone shell, unsigned 3.5cm. long, Provenance Bonhams May 2007. £100­150 600 A silver and enamel brooch the design attributed to the Guild of Handicraft, rectangular form with scrolling foliate panels to each end, set with rectangular green and blue panel, unmarked, 3.5cm wide £150­200 601 A Charles Horner silver and enamel pendant necklace, pierced and cast with Art Nouveau foliate design enamelled in blue, green and purple, with small drop, stamped marks CH, Chester 1906, 4.5cm. drop £200­300

602 Kenneth William Lessons RCA (born 1933), attributed a patinated silver bird brooch, and another smaller brooch set with pearl by Kenneth William Lessons, with Garrards presentation box, stamped marks, KWL London 1957 7.3cm. wide (3) £150­200 Φ 603 David A Thomas (born 1938) a diamond set 18 carat gold Sputnik brooch and en suite stud earrings, each of atomic form radiating with ball terminals and set with small diamonds to the centres, each earring a similar cluster, stamped DAT mark and London 1968, in original case 7.5cm. wide (3) 42 grammes (total).

Provenance Private collection, purchased from David Thomas directly, circa 1970 by the vendor’s father.

602

Catalogue notes A comparable brooch, designed in 1973, is held in the Victoria & Albert Museum. Thomas exhibited three designs (bracelet, necklace and earrings) in the seminal International Exhibition of Modern Jewellery 1890­1961, held at the Worshipful Company of Goldsmiths in association with the V&A museum in 1961.

Fine Jewellery Woolley and Wallis Auctioneers, 10th December 2020, lot 540 for a comparable pair of 18 carat gold and diamond earrings hallmarked for 1968. £2,000­3,000

END OF SALE

603 157

COLLECTIONS & FINE FURNITURE SELECTED CONTENTS FROM DINTON HALL, BUCKINGHAMSHIRE TUESDAY 16TH APRIL 2024

A Baccarat glass vase Estimate £150 ­ 200* A Regency Gothic revival oak serving table Estimate £4,000 ­ 6,000*

ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE ARTS & CRAFTS WEDNESDAY 19TH JUNE 2024

Two Martin Brothers stoneware bird jars and covers, dated 1891 and 1912 Provenance From a private collection of Martin Ware Estimates £15,000 ­ 20,000* and £7,000 ­ 9,000*

ENQUIRIES Michael Jeffery | +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

160

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+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

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+44 (0)2080 909988 office@sackvillewest.co.uk www.sackvillewest.co.uk

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Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, debit and credit cards.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Please enquire for the accepted exchange rate on the day of the sale.

Where practical, payment can be made and purchases collected during the auction.

Royalties for Droit de Suite are as follows:

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

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ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

Lot Number

CLARICE CLIFF ART DEO & DESIGN

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

20TH & 21ST MARCH 2024 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500

www.woolleyandwallis.co.uk

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2024 AUCTIONS AUCTION CALENDAR MARCH 6th 20th & 21st

Old Masters, British & European Paintings Clarice Cliff, Art Deco & Design

APRIL 16th, 17th & 18th 24th & 25th 30th

Furniture, Works of Art & Clocks Fine Jewellery British and Continental Ceramics & Glass

MAY 1st & 2nd 21st & 22nd 30th

Silver & Objects of Vertu Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour

JUNE 5th 19th

Modern British & 20th Century Art Fine Arts & Crafts

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A fine Martin Brothers stoneware spoon­warmer by Robert Wallace Martin SOLD FOR £63,000*

www.woolleyandwallis.co.uk