Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Clarice Cliff Art Deco & 20th Century Design

Wednesday 15th April 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Amanda Lawrence

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424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price (Consultant) — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 Amanda Lawrence — 329477 FURNITURE Mark Richards Jim Gale Anna Brown JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA PAINTINGS Victor Fauvelle Jo Butler

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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411854 339161 411854

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

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SILVER Rupert Slingsby Lucy Chalmers

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TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

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Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

of Fine Art Auctioneers

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

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424599

CLARICE CLIFF ART DECO & 20TH CENTURY DESIGN

Wednesday 15th April 2015 at 10.00am

ENQUIRIES

VIEWING TIMES

Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Saturday 11th April Monday 13th April Tuesday 14th April Wednesday 15th April

Amanda Lawrence 01722 329477 amandalawrence@woolleyandwallis.co.uk

COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street Saleroom to our Salt Lane office on Monday 20th April, the furniture will be removed to our Old Sarum warehouse on Friday 17th April for collection, If you are collecting items after this date please contact the department to arrange in advance.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ CONDITION OF LOTS Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

10.00am – 1.00pm 10.00am – 5.00pm 9.00am – 5.00pm 9.00am – 10.00am

Front cover: Selected items from the sale Back cover: Lot 125 detail Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 5pm on Tuesday 14th April. Please note there is a 3% surcharge for using this service.

INDEX Clarice Cliff

1-163

Louis Wain

164-171

Continental Ceramics

208-246

Glass

247-288

Dodo Burgner Artwork

294-305

Furniture

306-324

Metal ware

325-358

20th Century Design Glass

359-409

Sam Herman Glass

401-409

Ceramics

410-685

Moorcroft Pottery

449-489

Studio Pottery

501-642

Works on Paper

686-708

Furniture

709-721

Sculpture

722-741

Metal ware

744-783

CLARICE CLIFF 1. ‘Original Bizarre’ a Clarice Cliff Bizarre Hereford biscuit barrel and cover, painted with bands of red and green triangles with central red band, the cover green and red bands printed factory mark, red Bizarre mark 17cm. high £100-200 2. ‘Original Bizarre’ a Clarice Cliff Bizarre Single-handled Lotus jug, painted with bands of red diamonds on a blue ground, between broad red bands and green stripes, printed factory marks, 29cm. high £100-200 Literature Louise Meisel & Leonard Griffin The Bizarre Affair, page 20 this design illustrated on the original promotional advert for Bizarre Ware.

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3. A rare Kiddies Ware hot-chocolate service designed by Joan Shorter, for Clarice Cliff, printed and painted with naive animals, in colours, comprising Conical coffee pot and cover, two beakers and a tray printed Joan Shorter Wilkinson mark, tray 29.5cm. wide. (4) £450-500 Literature Leonard Griffin Clarice Cliff The Art of Bizarre, Pavilion, page 21 for a publicity photo of Joan Shorter examining some comparable Kiddies Ware pieces.

4. ‘Double V’ a Clarice Cliff Bizarre Duck egg cruet set, comprising tray with central duck handle, and three egg cups, painted in colours printed factory marks, damages to two egg cups, 14cm. high (4) £100-200 5. ‘Rhodanthe’ a Clarice Cliff Biarritz plate, painted in colours, a Stamford teapot, cover and milk jug, a My Garden Sugar sifter and cruet and a collection of Clarice Cliff and Susie Cooper ceramics, printed factory marks, 26.5cm. wide £200-300

6. ‘Autumn’ a Clarice Cliff Bizarre sugar basin with electroplated cover and tongs, painted in colours, a ‘Canterbury Bells’ Tankard coffee pot and cover, a ‘Ravel’ Odilon tureen and cover and six other Clarice Cliff items printed marks, 9cm. high. (9)£100-150 7. ‘Poplar’ a Clarice Cliff Bizarre Mei Ping lamp base, painted in colours inside orange and black bands, a Crocus teapot and cover, two jugs, cup and saucer and seven other items printed factory marks, lamp restored, 26.5cm. high (12) £200-300

8. ‘Apples’ a Clarice Cliff Bizarre breakfast bowl, painted in colours to the rim, two Crocus breakfast bowls, two other Clarice Cliff Liberty bowls and two blackbird pie funnels, printed factory marks, wear to Liberty paint work,17.5cm. wide (7) £100-200

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9. ‘Melon’ a Clarice Cliff Fantasque Bizarre Conical milk-jug and sugar basin, painted in colours, and a Melon Conical coffee can and saucer printed factory marks, milk-jug 6.5cm. high £200-400 10. ‘Sunspots’ a modern Wedgwood limited edition vase from a design by Clarice Cliff, produced for the Clarice Cliff Collector’s club, in original box, and three other modern Wedgwood pieces printed marks, 21cm. high (4) £100-200

11. ‘Arabesque’ a Clarice Cliff Bizarre Conical tea cup and saucer, painted in colours 7.5cm. high £100-200 12. ‘Orange Roof Cottage’ a Clarice Cliff ashtray, painted in colours, an Oranges and Lemons ashtray and a Berries pepper pot printed factory marks, 12cm. diam. (3) £200-300 13. ‘Applique Avignon’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed and painted marks, restored, 8.5cm. high £200-300

14. ‘Applique Lucerne’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed and painted marks, restored 9cm. high £150-200 15. ‘Secrets’ a Clarice Cliff Bizarre Clog, painted in colours, and a Clarice Cliff Delecia Oranges Clog printed factory marks, 10.5cm. wide (2) £200-400

16. ‘Coral Firs’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours and a Green Erin Daffodil preserve and cover printed factory mark, Coral Firs restored, hairline to rim of Erin cover, 9.5cm. high (2) £150-250

17. ‘Sunray’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13cm. wide £400-600

17 18. ‘Orange Roof Cottage’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 14cm. wide £300-500

19. ‘Pink Roof Cottage’ a Clarice Cliff Bizarre Clog, painted in colours printed factory marks, professionally restored, 13.5cm. wide £300-500

20. ‘Orange Bridgewater’ a Clarice Cliff Bizarre Clog, painted in colours printed factory marks, 11cm. wide £200-300

21. ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory mark, 10.5cm. wide £150-200

22. ‘Luxor’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory mark 13cm. wide £300-500

26 23. ‘Circle Tree’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 9.5cm. high £200-300 24. ‘Tennis’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory mark, professional restoration to the cover 9.5cm. high £200-300 25. ‘Cubist’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 10cm. high £300-400

26. ‘Swirls’ a Clarice Cliff Cylindrical preserve pot and cover, painted in colours printed factory marks, restored rim, 9.5cm. high £200-300 27. ‘Berries’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 9.5cm. high £150-200 28. ‘Orange Roof Cottage’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory mark, 9.5cm. high £200-300

29. ‘Pastel Trees and House’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours, printed factory marks, restored yellow band to rim, 9.5cm. high £150-200 30. ‘Solitude’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory mark, restored, 9.5cm. high £200-300 31. ‘Red Trees and House’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory mark, 9cm. high £100-200 Provenance Clarice Cliff Christie’s South Kensington 13th November 1997 lot 128 32. ‘House and Bridge’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 10cm. high £200-300

33. ‘Branch and Squares’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13.5cm. wide £300-400

34. ‘Berries’ a Clarice Cliff Bizarre Clog, painted in colours, printed factory mark, 13.5cm. wide £200-300

35. ‘Feather and Leaves’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory marks, 13cm. wide £200-300

36. ‘Melon’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory mark, professionally restored 13cm. wide £200-300

37. ‘Red Trees and House’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory marks, professionally restored 10.5cm. wide £200-300

38. ‘Orange Secrets’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory mark, 14cm. wide £200-300 Provenance Christie’s South Kensington 19th October 2006 lot 18.

39. ‘Blue Firs’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, professionally restored, 10.5cm. wide £200-300

40. ‘Blue Autumn’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours, printed factory mark, 13cm. wide £200-300

44 41. ‘Honolulu’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 9.5cm. high £150-250 42. ‘Blue Firs’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory mark, restoration, 9.5cm. high £150-200 43. ‘Blue Japan’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 9.5cm. high £150-200

44. ‘Japan’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, two bruises to top rim 9.5cm. high £150-250 45. ‘Pastel Melon’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, bruise to top rim,10cm. high £100-200 46. ‘Green Chintz’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 10cm. high £100-200

47. ‘Sunrise’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours and a Clarice Cliff Windbells Cylindrical preserve pot and cover, printed factory marks, restored 9cm. high (2) £200-300 48. ‘Castellated Circle’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and cover, painted in colours printed factory mark, restored, 10cm. high £100-200 49. ‘Honolulu’ a Clarice Cliff Conical salt and pepper pot cruet set, painted in colours printed marks, 8cm. high £150-250

50. ‘Butterfly’ a Clarice Cliff Fantasque Bizarre pepper pot, painted in colours, and a Clarice Cliff Crocus Conical cruet set printed factory marks,mustard cover restored, 8cm. high £100-200

51. ‘Red Picasso Flower’ a Clarice Cliff Fantasque Bizarre Conical coffee can and saucer, painted in colours printed factory marks, 7cm. high £150-200 52. ‘Lightning’ a Clarice Cliff Bizarre Tankard coffee can and saucer, painted in colours printed factory mark, 6.5cm. high £150-200 Provenance The Daniel Brodie Hogg Collection, Christie’s South Kensington, 11th February 1999, lot 112 53. ‘Pebbles’ a Clarice Cliff Fantasque Bizarre Tankard coffee can and saucer, painted in colours printed factory marks, 6.5cm. high £150-200

54. ‘Poplar’ a Clarice Cliff Bizarre Conical coffee can and saucer, painted in colours printed factory marks, professionally restored can, 6.5cm. high £100-150 55. ‘Circle and Squares’ a Clarice Cliff Fantasque Bizarre Tankard coffee can and saucer, painted in colours printed factory marks, 6.5cm. high £200-300 56. ‘Mondrian’ a Clarice Cliff Fantasque Bizarre Tankard coffee can and saucer, retailed by Lawleys, painted in colours printed factory marks, 6cm. high £200-300

57. ‘Diamonds’ a Clarice Cliff Bizarre Tankard coffee can and saucer, painted in colours printed factory mark, restored can 6cm. high £100-200 58. ‘Cafe’ a rare Clarice Cliff Bizarre Conical coffee can and saucer, retailed by Lawleys, printed factory marks, restored 7cm. high £400-600 59. ‘Applique Blue Lugano’ a Clarice Cliff Tankard coffee can and saucer, painted in colours printed and painted marks, 6cm. high £300-500

60. ‘Coastal Oak’ a Clarice Cliff Bizarre Daffodil cup and saucer, painted in colours, and a Pastel Melon salt and pepper printed factory marks, cup restored 7cm. high (3) £150-250

61. ‘Shark’s Teeth’ a Clarice Cliff Bizarre Heath fern pot, painted in colours printed factory marks, 7.5cm. high £100-200

62. ‘May Avenue’ a Clarice Cliff salt, painted in colours printed factory mark, 8.5cm. high £200-300

63. ‘Kew’ a Clarice Cliff Beehive honey pot and cover, painted in colours printed factory marks, restored, 8.5cm. high £150-200

64. ‘Honolulu’ a Clarice Cliff Bizarre Clog, painted in colours printed factory marks, professionally restored rim, 13.5cm. wide £300-400

64 65. ‘Orange Erin’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, professionally restored rim, 11cm. wide £150-200

66. ‘Bobbins’ a Clarice Cliff Fantasque Bizarre Clog, painted in colours printed factory mark, restored rim, 13cm. wide £200-300

67. ‘Picasso Flower’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13cm. wide £200-300

68. ‘Lightning’ a rare Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13cm. wide £250-300

70 69 69. ‘Blue Crocus’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13.5cm. wide £200-300

70. ‘Sungleam Crocus’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13cm. wide £250-350

71. ‘Poplar’ a Clarice Cliff Bizarre Clog, painted in colours printed factory marks, 13cm. wide £200-300

72. ‘Orange Autumn’ a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13.5cm. wide £200-300

73. ‘House and Bridge’ a Clarice Cliff Bizarre Clog, painted in colours printed marks, 10.5cm. wide £300-500

74. ‘Honolulu’ a Clarice Cliff Fantasque Bizarre Conical cup and saucer, painted in colours printed factory marks, 7.5cm. high £200-300 75. ‘Swirls’ a Clarice Cliff Fantasque Bizarre Conical tea cup and saucer, painted in colours printed factory marks, 7.5cm. high £250-350 76. ‘Melon’ a Clarice Cliff Fantasque Bizarre 280 vase, painted in colours between orange and black bands printed factory marks, 15.5cm. high £200-400 77. ‘Tennis’ a Clarice Cliff Bizarre Conical tea cup and saucer, painted in colours printed factory marks, professionally restored, 7cm. high £150-200 78. ‘Applique Blue Lucerne’ a Clarice Cliff Conical tea cup and saucer, painted in colours printed factory marks, 7cm. high £500-1,000 79. ‘Windbells’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours printed factory marks, wear to blue, hairline to aperture rim 14cm. high £200-300

80. ‘Bobbins’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours printed factory marks, printed factory marks, restored tip, 14cm. high £300-500

81. ‘Orange Roof Cottage’ a Clarice Cliff Fantasque Bizarre 360 vase, painted in colours between yellow and orange bands printed factory marks, 21cm. high £400-500

82. ‘Newport’ a Clarice Cliff Fantasque Bizarre twin-handled Lotus jug, painted in colours between brown and yellow bands printed factory marks, professional restoration to base, 30cm. high £300-500

83. ‘Autumn’ a Clarice Cliff Fantasque Bizarre Lotus jug, painted in colours between green, yellow and red bands printed factory mark 24.5cm. high £700-1,000

84. ‘Whisper’ a Clarice Cliff Bizarre Isis vase, painted in colours between orange and green bands printed factory marks, restored band to top rim 25cm. high £300-500

85. ‘Windbells’ a Clarice Cliff Fantasque Bizarre 362 vase, painted in colours between green, yellow and orange bands printed factory marks, professionally restored top rim, 20.5cm. high £250-300

86. ‘Orange Chintz’ a Clarice Cliff Bizarre 362 vase, painted in colours between black and orange bands printed factory marks, restored 20cm. high £250-300

87. ‘Umbrellas and Rain’ a Clarice Cliff Fantasque Bizarre beaker, painted in colours printed factory marks, 10.5cm. high £350-400 88. ‘Keyhole’ a Clarice Cliff Bizarre beaker, painted in shades of blue, orange and black printed factory mark, 9.5cm. high £250-350 89. ‘Melon’ a Fantasque Bizarre beaker, painted in colours printed factory marks, professional restoration to top rim, 9.5cm. high £200-300

90. ‘Red Trees and House’ a Clarice Cliff Fantasque Bizarre beaker, painted in colours between red and black bands printed factory mark, professionally restored base, 10.5cm. high £250-300 91. ‘Crocus’ a Clarice Cliff Bizarre beaker, painted in colours between yellow and brown bands printed factory mark, small chip to top rim, 9.5cm. high £100-200 92. ‘Blue Crocus’ a large Clarice Cliff octagonal bowl, painted in colours inside yellow and blue bands, and a Crocus bowl, printed factory marks, wear to interior, 21cm. diam. (2) £100-150

93. ‘Crocus’ a Clarice Cliff Beehive Honey-pot and cover, painted in colours, a Chester fern pot and a jug in the same pattern, printed factory marks, 10cm. high (3) £100-200 94. ‘Crocus’ a Clarice Cliff Bizarre Bachelor tea set for one, comprising Stamford tea pot and cover, milk-jug and sugar basin, one cup, saucer and side plate printed factory marks, wear to cup, saucer and side plate, saucer replacement, 12cm. high (6) £200-300

92 91

95. ‘Sliced Fruit’ a Clarice Cliff miniature vase, shape no.177, painted in colours printed factory mark, 6cm. high £300-500

96. ‘Berries’ a Clarice Cliff Fantasque Bizarre miniature vase, shape no.177, painted in colours printed factory mark, 6cm. high £300-500

97. ‘Liberty’ a rare Clarice Cliff miniature vase, shape no.177, painted with bands printed factory mark, 6cm. high £100-200

98. ‘Floreat’ a Clarice Cliff Fantasque Bizarre vase, shape no.177, painted in colours printed factory marks, 6cm. high £200-400

99. ‘Tennis’ a Clarice Cliff Bizarre miniature vase, shape no.177, painted in colours printed mark, 6cm. high £1,000-2,000 Provenance Clarice Cliff including the Leonard Griffin Collection, Christie’s 4th December 2003, lot 64

100. ‘Vardon’ a Clarice Cliff Bizarre Bon Jour preserve pot and cover, painted in colours printed factory mark, 11cm. high £400-600

101. ‘Green Erin’ a Clarice Cliff Bizarre Bon Jour preserve pot and cover, painted in colours printed factory mark, 11cm. high £250-350

100

102. ‘Honolulu’ a Clarice Cliff Bizarre Cylindrical preserve and cover, painted in colours printed factory marks, professional restoration to top rim 9.5cm. high £250-300

101

103. ‘Honolulu’ a Clarice Cliff Daffodil preserve pot, painted in colours printed factory marks 8cm. high £150-200

104. ‘Sunray’ a Clarice Cliff Bizarre fern pot, painted in colours printed factory mark, 7.5cm. high £500-600

102

105. ‘House and Bridge’ a Clarice Cliff Fantasque Bizarre Heath fern pot, painted in colours printed factory mark, professionally restored, 7.5cm. high £300-500

103

106. ‘Red Tulip’ a Clarice Cliff Fantasque Bizarre Athens jug, painted in colours printed factory marks, restored hairline, 15.5cm. high £150-200

107. ‘Honolulu’ a Clarice Cliff Bizarre Athens jug, painted in colours, and a Clarice Cliff Rudyard Bon Jour coffee pot printed marks, Honolulu restored, Rudjard missing cover, 15cm. high (2) £150-200

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105

106

107

108. ‘Orange Roof Cottage’ a Clarice Cliff Bizarre cigarette and ashtray, shape no.420, painted in colours printed factory marks, 9.5cm. wide £300-400

109. ‘Melon’ a Clarice Cliff Fantasque Bizarre cigarette and ashtray, shape no.420, painted in colours printed factory marks 9.5cm. wide £250-300

109

108 110. ‘Orange House’ a rare Clarice Cliff Fantasque Bizarre cigarette and ashtray, shape no.420, painted in colours printed factory marks, 9.5cm. high £300-400

111. ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre cigarette and ashtray, shape no.420, painted in colours printed factory marks, 9.5cm. wide £200-300

111 112. ‘Sliced Fruit’ a pair of Clarice Cliff Bizarre 206 vases, waisted cylindrical form, painted in colours between orange, yellow and brown bands printed factory marks, 16cm. high. (2) £300-500

110

113. ‘Melon’ a pair of Clarice Cliff Fantasque Bizarre beakers, painted in colours between black and orange bands printed factory marks, 11.5cm. high (2) £100-200

114. ‘Swirls’ a Clarice Cliff Bizarre candlestick, shape no.331, painted in colours, and a pair of Broth 310 candlesticks printed factory marks, wear to paint, 9cm. wide. (3) £100-200

112

115. ‘Melon’ a pair of Clarice Cliff Fantasque Bizarre candlesticks, shape no.331, painted in colours printed factory marks 8.5cm. diam. £250-300

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115

114

116. ‘Moonflower’ a Clarice Cliff Bizarre side plate, painted in colours printed factory mark, 14.5cm. diam. £100-150 117. ‘Inspiration Persian’ a Clarice Cliff Bizarre plate, painted in shades of blue, turquoise, yellow and pink printed and painted mark 23cm. diam. £300-500

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116

118

118. ‘Secrets’ a Clarice Cliff Bizarre trefoil dish, with electroplated handle, a Secrets ashtray, a Peter Pan Crocus cruet a Taormina footed bowl and a flower-brick printed factory marks, 22cm. wide (6) £100-200 119. ‘Sunrise’ a Clarice Cliff Fantasque Bizarre side plate, painted in colours inside orange and yellow bands, and a ‘Secrets’ side plate printed factory marks, light wear to paint, 14.5cm. diam. (2) £100-200 120. ‘Coral Firs’ a Clarice Cliff Bizarre plate, painted in colours inside grey and brown bands, printed factory marks, 23cm. diam. £180-220 121. ‘Blue Mowcop’ a Clarice Cliff plate, painted in colours printed factory mark, 23cm. diam. £100-200

119

120

122. ‘Mowcop’ a Clarice Cliff Lynton sifter, painted in colours, a Mowcop Biarritz plate and a side plate printed factory marks, 13cm. high £100-200 123. ‘Alton’ a Clarice Cliff Bizarre side plate, painted in colours inside brown, red and green bands, a Royal Doulton Bulldog modelled as Winston Churchill, and two pottery birds printed factory marks, plate broken and restuck 17.5cm. diam. (4) £50-100 124. ‘Broth’ a Clarice Cliff plate, painted in colours inside red, black and green bands, an Island conical cup, saucer and side plate and a Blue Ravel Conical cup and saucer impressed date mark for 1929 for plate 22.5cm. diam. £100-200

121 122

123

124

125. ‘Orange Roof Cottage’ a Clarice Cliff Bizarre plate, painted in colours inside green and orange bands, printed factory marks, 20cm. diam. £300-350 This plate has the impressed date mark for 1933.

126. ‘House and Bridge’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside yellow, orange and black bands printed factory mark, minor professional restoration to back of rim 23cm. diam. £200-300

125

126

127

128

129

130

127. ‘Gibraltar’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside yellow, pink and blue bands printed factory marks, wear 18cm. diam. £250-300

128. ‘Luxor’ a Clarice Cliff Bizarre side plate, painted in colours inside orange band printed factory mark, professionally restored 15.5cm. diam. £300-400

129. ‘Orange Bridgewater’ a Clarice Cliff Bizarre plate, painted in colours inside yellow bands, printed factory marks 21.5cm. diam. £300-400

130. ‘Orange Erin’ a Clarice Cliff Bizarre plate, painted in colours inside an orange band printed factory mark, 23cm. diam. £200-300

131. ‘Sunray’ a Clarice Cliff Bizarre side plate, painted in colours inside orange and black bands printed factory marks, overpainted blue14cm. wide £300-400

132. ‘Mondrian’ a Clarice Cliff Bizarre side plate, painted in colours inside blue band, printed factory marks 14.5cm. diam. £300-400

131

132

133 134

133. ‘Pink Pearls’ a Clarice Cliff bowl, painted in colours, a Viscaria large ribbed bowl and a Gayday bowl printed factory marks, 19cm. diam. £100-200

134. ‘Orange Gardenia’ and ‘Melon’ two Clarice Cliff Bizarre octagonal serving bowls, painted in colours printed marks, 23cm. diam. £150-200

135

135. ‘Blue Chintz’ a Clarice Cliff Fantasque Bizarre 205 vase, painted in colours between green and blue bands printed factory marks,professionally repainted bands 21cm. high £300-500

136

136. ‘Blue Chintz’ a Clarice Cliff Bizarre Hiawatha bowl, painted in colours inside green and blue bands, and another Clarice Cliff Blue Chintz bowl, printed factory marks, restored 28cm. diam. (2) £150-200

137. ‘Rhodanthe’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours, and a Canterbury Bells Bon Jour sifter, printed factory marks 14cm. high. (2) £100-200

137

138 138. ‘Aurea’ a Clarice Cliff Bizarre Bon Jour sugar sifter, painted in colours, and a Clarice Cliff My Garden sifter, printed and painted marks, hairline to Aurea, 13cm. high (2) £100-200

139. ‘Marguerite’ a Clarice Cliff Bizarre Conical sugar sifter, modelled in low relief and painted in colours printed and painted marks, 14cm. high £100-200

139

140

140. ‘Mowcop’ a Clarice Cliff Conical sugar sifter, painted in colours printed factory mark, 14.5cm. high £100-200

141

141. ‘Red Autumn’ a Clarice Cliff Fantasque Bizarre sandwich set for six, painted in colours inside red and black bands, printed factory marks, small chip to back of tray 30cm. wide, (7) £250-350

142. ‘Applique Palermo’ a Clarice Cliff Applique Bizarre Hiawatha bowl, painted in colours printed marks 32cm. diam. £2,500-3,000

142

143. ‘May Blossom’ a Clarice Cliff Bizarre bowl, painted in colours, and a Clarice Cliff Crocus bowl printed factory mark, 24cm. diam. (2) £150-250

143

144

144. ‘Tulips’ a Clarice Cliff Chester fern pot, painted in colours, and a Forest Glen pot with electroplated cover, printed factory marks, 9cm. high (2) £100-200

145. ‘Coral Firs’ a Clarice Cliff Bizarre Conical coffee can and saucer, painted in colours printed factory marks, 6.5cm. high £150-200

146. ‘Pastel Melon’ a Clarice Cliff Fantasque Bizarre Conical coffee can and saucer, painted in colours printed factory marks, saucer professionally restored, 6.5cm. high £150-200

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146 147. ‘House and Bridge’ a Clarice Cliff Bizarre Beehive honeypot and cover, painted in colours printed factory mark, 10cm. high £100-200

148. ‘Orange Trees and House’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours, and a ‘Sunrise’ bowl retailed by Lawleys, printed factory marks, 17.5cm. diam. (Orange Trees and House bowl). (2) £100-150

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149. ‘Delecia Pansies’ a Clarice Cliff Bizarre Hiawatha bowl, painted in colours, and another Clarice Cliff bowl, printed factory marks, 19cm. diam. £100-200

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149 150. ‘Autumn’ a Clarice Cliff Bizarre 516 sugar basin with electroplated cover, painted in colours, and a Killarney 230 preserve and cover printed factory marks, 9.5cm. high £100-200

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151. Four Modern Wedgwood Bizarre items after the designs of Clarice Cliff, comprising; Blue Firs YoYo vase, Mountain and Blue Firs chargers and a Honolulu tube vase, in original boxes printed marks, YoYo 23cm. high £50-100

152. ‘Honolulu’ a rare Clarice Cliff Bizarre Bon Jour sugar sifter, painted in colours printed factory mark 12.5cm. high £700-800

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153. ‘Fruit’ a Clarice Cliff Fantasque Bizarre Tolphin jug, retailed by Lawleys, painted in colours between orange, blue and brown bands printed factory marks, 25cm. high £100-200

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154. ‘Nasturtium’ a Clarice Cliff Bizarre Globe vase, shape no.370, painted in colours below an orange band, printed factory marks, 15cm. high £400-500

155. ‘Pink Roof Cottage’ a rare Clarice Cliff original design watercolour on paper, with pencil annotation and Clarice Cliff printed back-stamp to border, 36.5 x 28cm. (sheet) £500-600

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158 156. ‘Red Roofs’ a Clarice Cliff Fantasque Bizarre bowl with inverted rim, painted in colours printed factory marks, light star crack to base, 19cm. diam. £100-200 157. ‘Gay Day’ a Clarice Cliff Bizarre Bowness jardiniere, painted in colours between brown and yellow bands printed and painted marks, hairline to body, 21cm. high £100-200 158. ‘Berries’ a Clarice Cliff Fantasque Bizarre Perth jug, painted in colours printed factory marks, minor oxidisation and wear to paint, 15cm. high £100-200 159. ‘Capri’ a Clarice Cliff Bizarre Lotus jug, painted in colours above brown bands printed factory mark, 29cm. high £250-350 160. ‘Autumn’ a Clarice Cliff single-handled Isis vase, printed in silver on a pale green ground printed factory mark, 20cm. high £100-200

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160 161. A Clarice Cliff Bizarre banded Bon Jour tea for two, painted with brown and red bands, comprising; teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory marks, small chip to underside of one cup, 14cm. high (teapot) £200-400 162. A Clarice Cliff Bizarre plate and soup bowl designed by Billie Waters, designed for the Art in Industry exhibition 1934, painted with a deer running past a stylised tree, in shades of grey printed factory mark, plate 20cm. diam. £100-200 163. A Clarice Cliff Bizarre dinner service designed by Gordon Forsyth, for the 1934 Art in Industry exhibition, painted with a simple dash border in red and silver, the reverse with flower stems; comprising; two graduated platters, tureen and cover, six plates, side plates and soup bowls, and two dessert plates printed factory mark and facsimile signature largest platter 41cm. wide. £200-400

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A PRIVATE COLLECTION OF

LOUIS WAIN ANIMALS 164. The Lucky Bully Bulldog a rare figural spill vase designed by Louis Wain, painted in colours facsimile signature, printed factory marks, restored front leg, 14.5cm. wide £300-500

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165. The Lucky Pig a figural vase designed by Louis Wain, painted in colours facsimile signature and impressed marks to base 12cm. high £300-500

166. The Lucky Black Cat a figural spill vase designed by Louis Wain, painted in colours facsimile signature, impressed and painted factory marks, minor damages and overpainting to side, 14cm. high £300-500

167. The Lucky Haw-Waw Cat a figural cat designed by Louis Wain, painted in colours facsimile signature, printed and painted marks, 13.5cm. high £300-500

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168. The Lucky Futurist Cat a figural vase designed by Louis Wain, painted in colours with black Meow Meow notes, facsimile signature, printed factory marks, original paper label 13cm. high £300-500 Literature Sue Lunt Age of Jazz British Art Deco Ceramics, National Museums of Liverpool Exhibition catalogue, page 30 catalogue number 12 this design illustrated.

169. The Lucky Knight Errant Cat a figural vase designed by Louis Wain, painted in colours, facsimile signature, repaired legs, damages 14.5cm. high £100-200 Literature Sue Lunt Age of Jazz British Art Deco Ceramics, National Museums of Liverpool Exhibition catalogue, page 106 catalogue number 108 for this design illustrated. This design registered 1914.

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170. The Lucky Haw Waw Cat a rare large figural vase by Louis Wain, painted in colours impressed facsimile signature, impressed The Lucky Master Cat and 5123 to base, damages to tail and chin, oxidised colours, 20.5cm. high ÂŁ1,500-2,000

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171. The Lucky Master Cat a rare large figural vase by Louis Wain, painted in colours impressed facsimile signature, printed marks to base, overpainting, 29cm. high ÂŁ2,000-3,000

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172

172. ‘Horse and Jockey’ a Susie Cooper Productions part service, printed in colours, comprising; large punch bowl, tea cup, saucers and side plate, breakfast bowl and three plates printed marks, 31.5cm. diam. £300-400 173. ‘Black Pom and Tango Terrier’ a Susie Cooper Productions side plate, printed and painted in colours, a Susie Cooper Productions Noah’s Ark side plate and two tankards printed factory marks, 17.5cm. diam. (4) £100-200 174. A Susie Cooper Studio vase, dated 1932, tapering cylindrical form, painted with tulip flowers in colours on a mushroom glaze, another Studio vase and a plate, and two rectangular dishes printed and painted marks, main vase professionally restored, minor damages, 19.5cm. high (5) £100-200

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175. ‘Moon and Mountain’ a Gray’s Pottery Paris jug designed by Susie Cooper, painted in colours, and a Gray’s Pottery Cubist jug printed liner mark, damages and wear to paint, 11.5cm. high (2) £150-200 176. A rare Susie Cooper Angel Fish table centrepiece, painted in colours incised Susie Cooper England, minor glaze loss to base rim, 28cm. high £300-500

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177. A pair of Ashtead Pottery Genozo lions designed by Percy Metcalfe, modelled on rectangular plinth, covered in a speckled blue glaze printed marks, restored teeth 18.5cm. high £200-400

178. ‘Eastern Lady’ an Ashtead Pottery figure designed by Phoebe Stabler, model no. M.37, painted in colours printed factory marks,14cm. high £120-180

179. An Ashtead Pottery jug, shape J16, painted with a galleon at full sail, in colours on an ivory ground, another Ashtead J16 jug painted with an oriental sage and a vase decorated with a geometric band printed and painted marks, hairline to galleon jug rim, 19cm. high. (3) £100-200

180. A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern XE, painted with fuchsia flowers, in colours on a white ground, and a Poole Pottery Bluebird vase impressed and painted marks, 22cm. high. (2) £100-200

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181. ‘Buster Girl’ a Carter Stabler Adams Poole Pottery figure designed by Phoebe Stabler, painted in colours impressed marks, 17cm. high £250-300

182. ‘Buster Boy’ a Carter Stabler & Adams Poole Pottery figure designed by Phoebe Stabler, dated 1912, painted in colours impressed factory marks, restored head 17cm. high £200-300

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183. A Carter Stabler & Adams Poole Pottery book end modelled as three wise monkeys, designed by Hugh Llewellyn, covered in a running brown glaze impressed mark, 17cm. high £100-200

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184. The Bull a rare plaster maquette figure designed by Phoebe Stabler, painted in colours annotated in pencil Stabler, minor chips to paint work 33cm. wide £400-600 This figure was designed by Phoebe Stabler and produced both from a kiln in her Hammersmith garden and also at Carter, Stabler & Adams’ Poole Pottery. Literature British Art & Design 1900-1960, V&A Museum, page 78-79 for a stoneware example made by Carter, Stabler & Adams Poole Pottery.

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185. A Carlton Ware Handcraft dish, pattern 4241, painted with geometric radiating designs, in colours, the rim gilt printed and painted marks, 18cm. diam. £100-200

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186. A set of six Royal Chelsea Country Pleasures plates designed by Edward Ardizzone CBE RA, printed to the well with country pursuits; Courting, Fishing, Drinking, Bathing, Boating, and The Picnic, titled to the rim, printed factory marks, facsimile signature Diz to well, crack to Courting 26.5cm. diam. £200-400 187. A rare Shelley Pottery Pomegranate vase, painted in colours printed factory mark, 13.5cm. high £250-300 188. A Royal Stanley Pomegranate vase, baluster form, tubeline decorated and painted in colours, and another smaller printed factory marks, 18cm. high £150-200 189. Two Royal Doulton Series Ware plates, printed and painted with an exotic bird perched amidst foliage, in colours on a white ground, and ten other Royal Doulton plates printed factory marks, 25cm. diam. (12) £100-200

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190. A rare Chinese Jade Cockatoos figure group by Charles Noke, covered in a green and white jade glaze printed and painted marks, minor professional restoration to one plume 11.5cm. high £300-500 191. A rare Shelley Sunray Vogue tea set for one, painted in shades of yellow and black, comprising; tea pot and cover, milk-jug and sugar basin, one cup, saucer and side plate printed factory marks, spout professionally restored 11cm. high £500-800

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Literature Chris Watkins, William Harvey and Robert Senft Shelley Potteries, Barrie & Jenkins, page 106 colour plate X for a comparable set illustrated.

192. A Crown Ducal vase designed by Charlotte Rhead, tubelined and painted with flowers and foliage in colours on a mottled orange ground, a Bursley Ware jug by Charlotte Rhead pattern TL38, and two other Charlotte Rhead vases, printed factory marks, all four with Rhead facsimile signatures 22cm. high (4) £100-200

193. A Crown Ducal Persian Rose charger designed by Charlotte Rhead, pattern 4040, tubeline decorated in colours with flowers and foliage, and another Charlotte Rhead charger pattern 5411 printed and painted marks, facsimile signature to both 33cm. diam. (2) £100-200

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194. A Bursley Ware charger designed by Charlotte Rhead, tubeline decorated with a band of acorns and oak leaves, in shades of green, yellow and brown, between geometric bands, and two Charlotte Rhead vases printed and painted marks, 37cm. diam. (3) £100-200

195. A Crown Ducal Tudor Rose charger designed by Charlotte Rhead, pattern 4318, tubeline painted in colours with geometric flowers and foliage in colours, and a Charlotte Rhead vase printed factory marks, facsimile signatures to both 31.5cm. diam. (2) £100-200

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196. A large Crown Ducal charger designed by Charlotte Rhead, painted with flowerheads in yellow, orange and gold on a mottled orange ground, and a bowl in the same pattern printed factory marks, facsimile signature to both 44.5cm. diam. £100-200

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196 197. A Crown Ducal Manchu charger designed by Charlotte Rhead, tubeline painted in colours on a pale green ground, and another Charlotte Rhead Falling Leaves charger pattern 494, printed and painted factory marks, both with facsimile signature 32cm. diam. (2) £100-200

198. Two Wedgwood earthenware plates, painted with fish swimming in whirlpools, in blue and silver lustre on a white Moonstone glaze, four similar plates decorated in pink and silver with a simple flower spray and two others impressed and painted marks, 23cm. diam. £100-150

199. A Wedgwood Pottery vase by Norman Wilson, ovoid with asymmetric neck, covered in a mushroom brown glaze impressed marks and NM monogram 19cm. high £100-200

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200. A Wedgwood Top Hat bowl designed by Keith Murray, covered in a matt blue glaze, and a Wedgwood flaring vase covered in a matt blue glaze printed factory marks and KM monogram to both 24cm. diam. (2) £100-200 201. A Wedgwood Pottery urn shaped vase designed by Keith Murray, covered in a Celadon and Champagne glaze, and a Wedgwood Pottery bowl covered in a matt blue glaze printed factory marks, KM monogram, 20.5cm. high. (2) £100-200

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202. A Wedgwood flaring bowl designed by Keith Murray, ribbed form, covered in a Matt Straw glaze, and another Wedgwood footed bowl covered in a Matt Straw glaze printed factory marks, KM monogram, star crack to main bowl, 14cm. high (2) £100-200 203. A Wedgwood 1937 Coronation commemorative jug designed by Keith Murray, printed in blue on a white ground, printed factory mark, 21cm. high £100-200

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204. Firbolgs III a Wedgwood Fairyland lustre octagonal bowl designed by Daisy Makeig-Jones, painted in black lustre and gilt on a red lustre ground, the interior with the Thumbelina (flying on a swallow’s back) roundel, printed and painted marks, 21cm., diam. £1,500-2,500

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Literature Una Des Fontaines Wedgwood Fairyland Lustre Sotheby Parke Bernet, page 176 figure 74 this design illustrated.

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205. ‘Candlemas’ a pair of Wedgwood Fairyland lustre vases designed by Daisy Makeig-Jones, printed and painted in colours and gilt on a black ground, printed and painted marks, professional restoration 21.5cm. high £2,000-3,000 Literature Una des Fontaines Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 1168-171 for the Candlemas pattern.

206. ‘Butterfly Woman’ a Wedgwood Fairyland lustre vase designed b Daisy Makeig Jones, printed and painted in colours on a black lustre ground, highlighted in gilt printed and painted marks, 19.5cm. high £1,000-2,000 Literature Una des Fontaines Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 146 plate 30 for an identical vase.

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207. ‘Fairy in a Cage’ a Wedgwood Fairyland lustre octagonal bowl designed by Daisy Makeig Jones, painted in colours to the inside on a pearl lustre ground, the exterior on a black lustre ground with the Woodland Elves VII - Toadstool pattern, highlighted in gilt, printed and painted factory marks, 23cm. diam. £1,500-2,000 LIterature Una Des Fontaines Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 155 figure 62 this design illustrated.

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CONTINENTAL CERAMICS GOLDSCHEIDER POTTERY 208. A Goldscheider Pottery model of a woman in a flowing blue dress cast from a model by Josef Lorenzl, model no.6227, painted in colours impressed and printed factory marks, facsimile signature, minor glaze nicks, 34cm. high £1,200-1,500

209. A Goldscheider Pottery figure of a dancer cast from a model by Stephan Dakon, model no.8127, modelled holding the hem of her pink dress, glazed in colours impressed and printed marks, 38cm. high £1,000-2,000 Literature Ora Pinhas, Goldscheider, Richard Dennis, page 156 for a comparable.

210. ‘Tarantella’ a Goldscheider Pottery figure of a dancer with a tambourine cast from a model by Josef Lorenzl, model no.6753, painted in shades of pink, purple and black impressed and printed marks, original paper label 38cm. high £2,000-3,000

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211. A Goldscheider Pottery model of a girl seated on a bookcase reading a book cast from a model by Josef Lorenzl, model no.7226, wearing green bow and black gingham dress, painted in colours impressed and printed marks, original paper label, minor restoration to tips of shoes 24cm. high ÂŁ3,000-4,000 Literature Ora Pinhas Goldscheider Richard Dennis Publications, page 131 this design illustrated.

212. Bob a Goldscheider Pottery model of a young dancer cast from a model by Stephan Dakon, model no.5815, cast in confident pose wearing shorts and frilled blouse top, in pink and purple impressed and printed marks, impressed Dakon facsimile signature to base 37cm. high ÂŁ4,000-5,000 Literature Ora Pinhas Goldscheider Richard Dennis Publications, page 116 this design illustrated. Robert E Dechant & Filipp Goldscheider Goldscheider Arnoldsche, page 97 this model illustrated.

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This figure is based on the Hollywood actress and dancer Louise Brooks, modelled with bob haircut that she made famous in the 1920s.

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213. A Goldscheider Pottery mask of a woman wearing a blue beret, model no. 6537, painted in shades of turquoise, brown, orange and white impressed and painted marks, 17m. high £150-200 214. A Goldscheider Potter freestanding bust of a woman, model no.7088, painted in shades of black, white and turquoise, impressed and printed marks, minor glaze frits 13cm. high £100-150 215. A Goldscheider Pottery model of the Madonna and Child, glazed in colours printed Goldscheider England mark, 27cm. high £100-150 216. A Goldscheider Pottery wall mask of a girl holding a fan, model 6542, painted in shades of orange, blue and black, impressed and printed marks, 25cm. high £500-800 217. A Goldscheider Pottery mask of a woman with yellow bead necklace, model no.7121, painted in shades of black, white, yellow and turquoise, impressed and printed marks, losses to hair curls, 31cm. high £500-800

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218. ‘Comedy’ a large Goldscheider Pottery wall mask, model no.6280, modelled as a woman holding a mask, glazed black, white, green and orange impressed and printed marks, £700-1,000

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219. A Goldscheider Pottery figure of a woman holding a mask, designed by Claire Herczeg, model no.7691, glazed in colours impressed and printed marks, signed Herczeg to base, 38cm. high ÂŁ1,000-2,000 Literature Ora Pinhas Goldscheider Richard Dennis, page 150 for a comparable example. 220. A Goldscheider Pottery figure of a girl with an ermine muff designed by Claire Herczeg, model no.8241, wearing a long blue ermine lined coat, impressed marks, impressed marks, indistinct signature to base, 39cm. high ÂŁ1,000-2,000 Literature Ora Pinhas Goldscheider, Richard Dennis, page 130 this figure illustrated. 221. A Goldscheider Pottery model of a dancer in flowing dress cast from a model by Stephan Dakon, model no. 7195, painted in colours impressed and printed marks, professional restoration to hands, hairline to base rim, 39cm. high ÂŁ800-1,200 Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 156 for a comparable figure decorated in a green colour variation.

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222. A Boch Freres Keramis vase designed by Charles Catteau, pattern D.1174. shape 844, enamelled with geometric flowers and foliage in shades of blue, yellow and black on a crackled white ground, and another Gres Keramis vase printed factory marks, professionally restored rim, 31.5cm. high (2) £100-200 223. A Boch Freres Keramis vase designed by Charles Catteau, pattern D.1208, painted with stylised crocus flowers in green, yellow and black on a crackled white ground printed and painted marks, 31.5cm. high £100-200 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 633 catalogue number 1327

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224. A Boch Freres Gres Keramis vase designed by Charles Catteau, pattern D.914, decorated with panels of bell flowers in black enamel on a crackled white glaze impressed, printed and painted marks, 24.5cm. high £100-200 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 553 for a comparable vase. 225. A Boch Freres Gres Keramis vase designed by Charles Catteau, pattern D.771, slender, swollen cylindrical form, painted with flowerhead roundels in brown and back on a gun-metal grey ground impressed, printed and painted marks, facsimile signature 27cm. high £100-200 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 424 catalogue number 989 for a comparable vase

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226. A Boch Freres Gres Keramis stoneware vase designed by Charles Catteau, pattern D.820, shouldered ovoid form, decorated with a band of scrolling foliage in brown on a crackled white ground printed marks, Pomone mark 13cm. high £200-300 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 433 catalogue number 1013 for a comparable vase. 227. A Boch Freres Gres Keramis vase designed by Charles Catteau, pattern E.2466, barrel form, decorated with a chevron band in brown on a rust coloured ground impressed, printed and painted marks, hand painted signature 20cm. high £100-200 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 564 for a drawing of this design, the signature is hand painted by Charles Catteau.

228. A rare Boch Freres Keramis vase designed by Charles Catteau, pattern D.2531, ovoid with collar rim, enamelled in white, sand and black on a terracotta ground with exotic cranes wading before trees printed and painted marks, 23cm. high £500-1,000 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 370 catalogue number 794 for this design illustrated.

229. A Boch Freres Keramis vase the design attributed to Charles Catteau, pattern D.2854, shape 909, painted with a band of birds amongst flowering foliage on blue and rust on a white ground printed and painted marks, 31cm. high £150-200

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230. A Boch Freres Keramis vase designed by Charles Catteau, pattern D.750, painted with stylised flowerheads in shades of yellow and orange on a crackled white ground impressed and printed marks, facsimile signature 35cm. high £100-200 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 556 catalogue number

231. A large Boch Freres Keramis vase designed by Charles Catteau, pattern D.2305, shouldered form, painted with a frieze of scrolling flowers and foliage in mushroom on a brown ground printed and painted marks, facsimile signature 35cm. high £300-400 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 316 catalogue number 600 for a comparable design.

232. ‘Perseus and the Gorgons’ a fine Boch Freres Keramis vase designed by Charles Catteau, enamelled in black with warriors fighting the Gorgons, on a red crackled glaze, highlighted in gilt printed and painted marks 36cm. high £800-1,200

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235 233

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233. A Boch Freres Keramis stoneware vase, numbered 73, compressed gourd form with collar neck, painted with flowers and foliage in black, white and pale yellow lustre on a pink lustre ground, A Sevres vase by Paul Milet covered in a streaked yellow and blue glaze, a Sevres Box and cover by Paul Milet, an Aesthetic Movement vase attributed to Edmond Lachenal and a large lamp base covered in a blue glaze, impressed and painted marks, 16cm. high £200-300 234. A tall Amphora earthenware vase, slender swollen form, painted with parrots amidst stylised foliage, on a textured blue ground printed and impressed marks, 49cm. high £50-100 235. An Evolution stoneware vase by Edouard Cazaux, compressed, ovoid form covered in a silver grey glaze, the shoulder with blue circle design printed mark, incised Cazaux, stress crack to body, 16cm. high £50-100

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236. A Quimper vase, ovoid with flaring fluted neck and twin-loop handles, painted with geometric flowers and foliage in colours and a Quimper jug painted marks, 13.5cm. high £100-200 237. A Gouda Pottery Regina vase, shouldered form, painted with Art Nouveau flowers and foliage in colours on a cream ground, a dish, a vase and a circular box and cover similar, and three miniature Gouda items, and six reference books on Gouda printed and painted marks, damages 26cm. wide £50-100 238. An Augarten porcelain Melon mocha set for two, originally designed by Josef Hoffmann, fluted form decorated with gilt, comprising mocha pot and cover, milk-jug, sugar basin and cover, two cups and saucers printed factory marks, pot 18cm. high (6) £350-450

239. A pair of Rosenthal twin-branch candlesticks, model no.635, each modelled with a putti sitting on a golden sphere printed factory marks, impressed number 18.5cm. high (2) £150-200

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240. A Hael Werkstatten pottery tea service designed by Margarete (Grete) Heymann Lobenstein, comprising milk-jug, sugar basin and cover, three cups, five saucers and six side plates, with pastille handles, covered in a pale blue glaze printed Foreign and GHL monogram and 181, plates 19.5cm. diam. £400-600 Literature Sue Lunt Age of Jazz British Art Deco Ceramics, National Museums of Liverpool Exhibition catalogue, page 146 for a later version produced by Ridgways circa 1937-39.

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This design with its round pastille handles influenced Clarice Cliff’s Bon Jour range.

241. An Augarten Ena porcelain service, designed by Ena Rottenberg, the covers modelled with heads in exotic headdress’, comprising teapot and cover, hot-water pot and cover, two sugar basin and covers, milkjug, six cups and saucers printed factory marks, hot-water 17cm. high £250-350

242. ‘Le Prelude’ a large pottery model of a lion and lioness cast from a model by Mozzer?, model no.425, covered in a grey glaze, impressed title, number and facsimile signature, minor chips, 67cm. wide £100-200

243. A pair of Essevi pottery busts by T Sebalin, modelled as two girls in fashionable dress, in colours painted Italia and signature T Sebalin, minor restoration, hairline to base 21cm. high £200-300

244. A Michael Anderson & Son Danish pottery lamp base, modelled as a woman in long coat and scarf holding a muff, painted with geometric patterning impressed and painted marks, paper label 26.5cm. high £100-150

245. A Schwarzburger Werkstatte porcelain model of a pierrot cast from a model by Dorothea Charol, modelled offering up a red rose, painted in colours impressed fox mark, facsimile signature and printed factory mark, 36.5cm. high £200-300

246. A large and impressive stoneware vase, attributed to the Abramtsevo Colony Russia, modelled in low relief with a caped figure riding a rearing black stallion, the reverse with a naked woman riding a stag, before a crescent moon, in impressionist colours unsigned, minor damages 58cm. high £1,000-2,000 Provenance Russian Art, Christie’s King Street, June 8th 2010, lot 259

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GLASS 247. A Monart Stoneware glass vase, shape GA, shouldered form with cylindrical neck, surface decorated with green and blue pulls on a mottled green ground, unsigned 21cm. high £100-200

248. A Stevens & Williams cut glass vase designed by Keith Murray, bucket form, cut with stylised flower stems, acid etched mark and facsimile signature 21cm. high £200-300

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249. A Stevens & Williams cut glass decanter and glasses designed by Keith Murray, faceted form, comprising decanter and stopper, four glasses, four smaller glasses and six shot glasses unsigned 29cm. high (15) £250-350

250. A Stevens & Williams cut glass bowl designed by Keith Murray, flaring, faceted form acid etched mark and facsimile signature to base 19cm. diam. £180-220

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251. A Ladybirds pate de verre glass pendant by Gabriel Argy-Rousseau, oval, cast in low relief with three ladybirds, with silks signed GAR in the cast, 6.5cm. long £600-1,000 Literature Janine Bloch-Dermant G.Argy-Rousseau Glassware as Art Thames & Hudson, page 195 catalogue number 23.32 for this design illustrated.

252. A Papyrus pate de verre glass pendant by Gabriel Argy-Rousseau, oval, cast in low relief with flower and foliage signed GAR in the cast, 6.5cm. long £600-700

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Literature Janine Bloch-Dermant G.Argy-Rousseau Glassware as Art Thames & Hudson, page 202 catalogue number 24.42 for this design illustrated.

253. A Sea Thistle pate de verre glass pendant by Gabriel Argy-Rousseau, oval, cast in low relief with flower and foliage signed GAR in the cast, 6.5cm. long £600-1,000 Literature Janine Bloch-Dermant G.Argy-Rousseau Glassware as Art Thames & Hudson, page 200 catalogue number 24.34 for this design illustrated.

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254. A Le Verre Francais cameo glass vase, flaring cylindrical form, amber glass cased in brown, decorated with beetles and geometric panels, etched Le Verre Francais, cameo Charder 28.5cm. high £400-500

255. A De Latte cameo glass vase, footed, flaring form, mottled white and purple glaze cased in purple, decorated with daisy flowers cameo signature De Latte Nancy 24.5cm. high £300-400

256. A Daum cameo glass vase, shouldered, mottled red glass cased in bright yellow, decorated with stylised chrysanthemum flowers etched Daum & Nancy to foot rim 26cm. high £500-800

257. A Le Verre Francais Schneider cameo glass vase, shouldered form with applied handles, mottled blue glass overlaid with royal blue, decorated with stylised pendulous flowers etched Le Verre Francais to foot rim 22cm. high £300-500

258. A Muller Freres cameo glass table lamp and shade, amber glass cased in red decorated with a butterfly flying past fuchsia flowers, the domed shade with similar butterflies and flowers cameo signature Muller Freres to shade and stem 37cm. high £3,000-4,000

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262 259. A Scailmont amber glass vase designed by Henri Heemskerk, mould blown with geometric floral panels, signed in the cast Scailmont HH 29cm. high £150-200 260. A De Latte enamelled glass table lamp and shade, enamelled in colours with panels fo stylised flowers and foliage signed A De Latte France to base, repaired 53cm. high £300-400

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264

261. A Muller Freres Luneville clear and frosted glass plaffonier, cast in low relief with panels of seahorse, on a geometric radiating design, with metal fittings and chains, signed Muller Freres Luneville in the cast, 35cm. diam. £150-200 262. A Muller Freres clear and frosted glass plaffonier, modelled in low relief with stylised flowerhead, the rim with panels of stylised flowers, with ram head mounts and hanging chains, signed in the cast Muller Freres Luneville 35cm. diam. £150-250 263. A Verart clear and frosted emerald green glass vase, flaring cylindrical form, decorated with a flock of flying birds over a stylised wavy sea etched Verart Paris 21cm. high £300-500 264. An Andre Thuret glass vase, the thick clear glass with tiny air bubble inclusions, applied with panels, etched andre thuret 18.5cm. high £800-1,200

266

265

265. A Baccarat enamelled glass vase, slender, shouldered cylindrical form, textured glass enamelled with chrysanthemum flowers in colours acid-etched Baccarat roundel mark, 20cm. high £250-350 266. An Orrefors glass vase by Vicke Lindstrand, tall, flaring clear glass on black glass foot, cut with a stylised female figure, and a Kosta glass vase by Elis Bergh etched OFLA409/4A 18.5cm. high £150-250 267. A Daum Nancy Jade Mahogany cased glass vase, slender, tapering form with applied handles to the rim, on applied foot etched Daum & Nancy to side 39cm. high £400-600

267

268

268. A Daum Nancy glass vase, pulled mottled red glass with aventurine inclusions on applied foot etched Daum & Nancy France to foot rim 23cm. high £400-600

LALIQUE GLASS 269. Pour Les Blesses a cast patinated metal medal from a design by Rene Lalique, two cruciform badges designed by Rene Lalique and a modern invited to The Jewellery of Rene Lalique exhibition at Goldsmith’s Hall, signed in the cast 3cm. high £50-100

270. ‘ Le Vin Du Clos’ a Rene Lalique clear and frosted glass advertising dish, signed R Lalique in the cast 16cm. diam. £150-200

270 269 271. ‘Houppes’ no. 6451 a Lalique opalescent glass powder box and cover, and a Lalique cellulose lamp shade decorated with Dom Remy thistle flowers, intaglio R Lalique and etched France to rim of cover, small chip to base rim 14cm. diam. (2) £300-500

272. ‘Epins’ a Rene Lalique clear and frosted glass bottle and stopper, with blue staining, cast R Lalique to base 11cm. high £150-200

273. ‘Lys’ No.382 a Lalique clear and opalescent glass footed bowl designed by Rene Lalique, wheel cup R Lalique France No. 382, small chip to top rim edge, 24cm. diam. £200-300

271

272 273

274

275

274. ‘Dindon’ no.287 a Rene Lalique Topaz glass pin tray, etched R Lalique 11cm. diam. £200-300

275. ‘Souris’ no.286 a Rene Lalique yellow glass pin tray etched R Lalique France 11cm. diam. £250-300

276

277

276. ‘Moineau’ no.284 a Rene Lalique yellow glass pin tray, etched R Lalique France 10cm. diam. £250-350

277. ‘Reynard’ no.291 a Rene Lalique yellow glass pin tray, etched R Lalique 11cm. diam. £300-500

278. ‘Coq Nain’ No.1135 a Rene Lalique clear and frosted glass paperweight, stencil R Lalique France mark, 20.5cm. high £300-400

279. ‘Moineau sur Socle’ no.1156 a Rene Lalique clear and frosted glass figure cast R Lalique France to base 11cm. high £200-300

278

279

280. ‘Reine Marguerite’ no.3155 a Lalique glass carafe with silver stopper designed by Rene Lalique, etched Lalique to side, base with felt attached 25.5cm. high (carafe) £1,200-1,800

281. ‘Spirales’ No.1060 a Lalique opalescent glass vase designed by Rene Lalique, moulded in relief, stencil R Lalique France 17cm. high £1,000-1,500

282. ‘Gui’ No. 948 a Rene Lalique opalescent glass vase, with blue staining, etched R Lalique France no.948 to foot rim, 17cm. high £600-800

280

281

282

283

284

286

285

287 283. ‘Moineau - Timide’ a Rene Lalique clear and frosted glass table figure etched R Lalique France 13.5cm. wide £150-200 284. ‘Moineau’ No.1450 a Rene Lalique frosted glass table figure, etched R Lalique no.1450 to base, minor nicks, £150-200 285. A pair of modern Lalique clear and frosted glass swans signed in the cast Lalique France 36cm. wide £1,500-2,000 286. ‘Pouilly’ no.5223 a Rene Lalique clear and frosted glass decanter and stopper and six glasses, with blue staining, stencil R Lalique mark, 29cm. high £800-1,200 287. ‘Argos’ no. Nine Cristal Lalique clear and frosted wine glasses, a decanter, stopper and five glasses, a frosted glass cocktail shaker and six glasses and six blue glass bowl glasses by various makers, acid etched mark, 11cm. high (Lalique Glasses) £200-300 288. ‘Thibet’ No.1083 a Rene Lalique clear and frosted glass vase, the handles with remains of black staining, stencil mark R Lalique France 20cm. high £800-1,200

288

289. A set of four hand coloured pochoir prints by S Chompre, framed, signed S Chompre, image 18 x 18.5cm. (4) £250-300

290. John Hall Thorpe (1874-1947) Pansies in a vase woodblock on paper, framed signed in pencil Hall Thorpe 16.5 x 15cm (image) £100-150

289 part

291. An Art Deco style framed portrait photograph of Noel Coward, with note With Alll Good Wishes Noel Coward, 1933 in common mount 50 x 42cm. £50-100

290

291

292. Barnett Freedman (1901-1958) Theatre a lithographic London Underground poster, published by the Curwen Press, dated 1936, framed signed and dated in the print 36 x 31cm. £150-200 Provenance The Property of a Lady, removed from a cottage on the Stourhead Estate

292

293. ‘Tapis Moderne’ a loose leaf folio presented by M Matet and edited by H Ernst, limited edition, printed in France, illustrating carpet designs by Da Silva Bruhns, J Adnet, Eileen Gray, Jean Lurcat, Pablo Picasso, Fernand Leger and Sonia Delaunay, 39 x 30cm. £500-700

293

DODO BURGNER ‡ 294. Dodo Burgner (1907-1998) Cords - Stoffe (poster design) ink and white on paper, unframed unsigned, losses 67 x 43cm. £500-1,000 ‡ 295. Dodo Burgner (1907-1998) Woman with a hand mirror an early ink on paper, unframed signed DW 24 x 20.5cm. £100-150 ‡ 296. Dodo Burgner (1907-1998) Girl with a Whip ink on paper, unframed signed Dodo 31 x 21.5cm. £100-150

294

295

296

‡ 297. Dodo Burgner (1907-1998) Woman in a Green Cape watercolour and pencil on paper, unframed signed Dodo 17.5 x 15.5cm. £100-150

‡ 298. Dodo Burgner (1907-1998) Woman leaning on a table watercolour and pencil on paper, unframed unsigned 54 x 44cm (sheet) £100-150

297 ‡ 299. Dodo Burgner (1907-1998) Gentleman with a women on either arm, watercolour on paper signed dodo 28 x 19cm. £100-200

‡ 300. Dodo Burgner (1907-1998) Fashion studies three watercolour and pencil on paper studies, unframed unsigned, 55 x 32cm, sheet size (3) £100-200

298

299

300

‡ 301. Dodo Burgner (1907-1998) Nighttime Conversation watercolour on paper, framed signed Dodo in pencil 29 x 26cm. £500-1,000

‡ 302. Dodo Burgner (1907-1998) Oh Pardon - Young Couple Drinking watercolour and pencil on paper, unframed signed Dodo and titled 31 x 21cm. £100-150

‡ 303. Dodo Burgner (1907-1998) Exotic figures on a day bed watercolour on paper, unframed signed Dodo 29 x 22cm. £100-150

‡ 304. Dodo Burgner (1907-1998) Salome watercolour and pencil on paper, unframed signed Dodo 30 x 17cm. £100-150

301

‡ 305. Dodo Burgner (1907-1998) Girl with a Ball an early watercolour and pencil on paper, unframed signed Wolff 21 x 14cm. £100-150

302

303

304

305

306

307

FURNITURE 306. A Heal’s weathered oak wardrobe, with canted top, internally fitted with single shelf and hanging rail, inset ivorine label to door 173cm. high £100-200

309

307. A Heal’s oak chest of drawers, two short drawers above five graduated long drawers, applied metal label to reverse 126cm. high, 77cm. wide £50-100 308. The Waterfall a Rowley Gallery marquetry wall mirror, with central marquetry panel, flanked by glass, in gilded gesso frame original paper label to reverse 83 x 65cm. £200-300

308

309. Diane The Huntress a Rowley Gallery gilt wood panel, on painted wood circular mount, applied Rowley Gallery label to reverse 90cm. diam. £200-400 310. A Rowley Gallery side table, circular section top above shelf, on four curved legs, painted green and golden yellow, applied Rowley Gallery ivorine label, 59cm. high, 60cm. diam. £100-200 311. ‘Bull Finch and Cherry Blossom’ a Rowley Gallery marquetry panel, in original gesso frame, applied Rowley label to reverse 68 x 21cm. £100-150

310

311

312. A giltwood hall mirror, oval with quartered, etched glass, the frame painted with faux rope border and coral red, the top crowned with a floral panel in gilt 107cm. high, 78cm. wide £100-200

313. An Austrian mahogany occasional table, circular top, on tapering square legs with cast bronze capitals, the table top edge set with mother of pearl diamonds, 76cm. high, 76cm diam. £300-500

312

313

314. A pair of Ecole D’Nancy mahogany arm chairs, with carved gilt lotus feet and foliate panels, with pink velvet floral upholstery 94cm. high £300-500

315. A pair of oak bedside cabinets designed by Jules Leleu, each with single drawer, 55cm. high, 50cm. wide £1,200-1,800

314

315

317

316

316. A Leleu Art Deco satinwood, shagreen and ivory dressing table and chair, designed by Jules Leleu, rectangular top inset with diamond shaped panels of shagreen bordered with ivory, on four curved flaring legs with bronze feet, patinated metal fittings, glass cover applied ivorine label to drawer 99 x 49cm top, 75cm high £2,000-3,000 317. A carved wood wall mirror in the manner of Paul Follot, carved with a garland of fruit, with silk hanging rope and tassles terminals 88cm. wide £150-250 318. A mahogany tub chair in the manner of Andre Groult, with green upholstery 75cm. high £100-200

318

319. A pair of mahogany tub chairs the design attributed to Leon Jallot, with reeded, swollen front leg, silk floral upholstery 90cm. high £1,500-2,000 320. A large rosewood dining table, on eight swollen, reeded legs, with silvered bronze feet 199 x 119cm. high £800-1,200

319

320

322 321

323

321. A Modernist Knoll Associates Brno cantilever chair designed by Ludwig Mies van der Rohe, black leather pads on chrome frame, 78cm. high £100-150 322. A parchment occasional table, streamlined form, with two drawers, 97cm. wide. £100-150 323. A birch laminate serving trolley designed by Alvar Aalto, model no.901, rectangular on bentwood frame, with ebonised bar handle, stamped 5 to runners, 92 x 46cm. £1,600-1,800 Literature The Studio Yearbook, 1937 page 134 plate 2 for a comparable Finmar trolley. A New Design for Living Lane Publications, page 20 figure 25 for a comparable trolley (Cat.20) 324. A large French silk carpet, decorated with a Chinese dragon in yellow and red on a black ground 342 x 221cm. £500-1,000

324

METALWARE 325. A bronze mounted enamel vase by A Vilpien, flaring cylindrical form, enamelled with geometric flowers in red, black and white on a blue and grey ground, with loose bronze foot with vertical columns, painted A Vilpien signature 25cm. high £500-600 326. A silver mounted alabaster and lapis desk tidy, streamlined form, with silver hinge, applied bands of lapis, a chrome metal and glass double inkwell with calendar and a frosted glass figure of a woman stamped marks, H G & S London 1937 20cm. wide, (3) £100-200

326 325

327. A streamlined chrome and bakelite illuminating globe, 40cm. high £300-400 328. A silver bucket vase in the manner of Jean Despres, with bead decoration to rim and hammered fixed handle etched signed J Despres 17cm. high £150-200 329. A pair of Christofle electroplated three branch candleabrum, reeded, flaring cylindrical stem with three scroll branches, and central sconce with domed cover/snuffer, the base with hole and ivory insulator for electric cable, stamped factory marks to underside of base rim, 34.5cm. high (2) £600-800

327

328

330. A Bestlite desk lamp base, an early desk mounted anglepoise lamp, a Fase desklamp and two other wall hanging lanterns, and a small collection of metalware cast marks to Bestlite 56cm. high (a lot) £100-150 331. A patinated metal umbrella stand/hall console in the style of Edgar Brandt, with marble shelf and loose drip trays, 71cm. wide, 70cm. high £100-200 332. A lacquered metal lamp base, swollen ovoid form decorated with two carp swimming in turbulent waters, on wooden base, with silk shade, 38cm. high £300-500

329

331

330

332

333. A Szandrik electroplated metal Mocca service, model no. 10996, in the manner of Josef Hoffmann, comprising mocha pot and hinged cover, milk-jug, six cups with white glass liners and a rectangular tray stamped marks, to tray 61cm. wide £200-300

333

334. a silk lined beadwork clutch bag, decorated with geometric flower design 22cm. long £100-200

335. Three inlaid plastic brooches designed by Jean Cocteau, each circular form with geometric face design unsigned, 6cm. diam. (3) £100-150

336. An Art Deco lacquered box and cover by Jean Dunand, circular form, inlaid with mother of pearl and shell decoration, signed Jean Dunand to base, missing silk tassle, 13cm. diam. £800-1,200

335

334

Literature Felix Marcilhac, Jean Dunand His Life and Works, Thames and Hudson, page 103 colour plate 88 for an identical box and cover designed for Madame Dunand, 1925

336 337. A silver-gilt enamelled cigarette case, rectangular, hinged cover, black enamel with geometric Mon to the centre, the rim bordered with egg shell and red lacquer stamped marks to interior 8.5 x 6.5cm. £100-200

338. A pair of Camile Faure Limoges enamel plaques, each rectangular enamelled in bright colours with an exotic long-tailed birds, on a brown ground, framed signed Faure Limoges France, paper label to reverse 16 x 11.5cm (panel) £1,500-2,000

338

337

339. A Dryad Lester polished bronze twinbranch candelabra, on circular base and four fluted feet stamed Dryad Lester No.8 to base 30cm. high £100-150

340. An Edgar Brandt patinated metal table lamp, shallow domed base on clustered ball feet, supporting hexagonal stem and flaring sconce, textured finish stamped E Brandt to foot rim 26cm. high £500-700

339

340

SCULPTURE 341. A gilt patinated bronze model of a dancer cast from a model by Daniel Joseph Bacque, the naked figure wearing a cap, her right leg raised, on circular marble base, cast Bacque to underside of foot 40cm. high, £600-1,000

342. A silvered bronze model of a nude woman in the manner of Josef Lorenzl, modelled standing on tiptoes her arms raised upwards, on white veined red marble base, unsigned, 20.5cm. high £400-600

343. A patinated bronze figure of an old man resting on his shovel cast from a model by Galle, signed Galle in the cast 40cm. high £400-600

342 341

344. An alabaster pierrot lamp designed by Prof. G Viti, modelled in trouser suit with ruff collar, balancing a globe on his back, on alabaster column incised Prof G Viti, damages 58cm. high (figure with globe). £300-500 Provenance Sotheby’s Billingshurst July 1987

345. A Gustave Gillot patinated bronze mantle clock cast from a model by Paul Follot, modelled with a child leaning over the domed floral encrusted frame, with Roman numerals, signed in the cast 27cm. wide £700-1,000

343

344

345

346

347

348 346. William A Lovegrove (1902-1970) Tiger and Gazelles, patinated bronze, signed in the cast and Suisse Fres Paris foundry marks, 103cm wide £1,500-2,000 347. A verdi gris patinated bronze model of a panther on a branch cast from a model by J Rochard, on rectangular black marble base signed J Rochard in the cast 40cm. wide £400-500 348. Whirling (A Dance of Spring) a patinated bronze model of two dancing girls cast from a model by Andre Gilbert, modelled holding hands, wearing swimming costume, on circular base, signed in the cast Andre Gilbert 37cm. high £1,000-1,500 349. A patinated bronze model of a nude dancer cast from a model by Josef Lorenzl, modelled standing on one leg her arms outstretched and holding a billowing scarf, on veined green onyx base signed in the cast Lorenzl 27cm. high £1,500-2,000

349

350

351

352 350. A pair of silvered metal figural book ends, each modelled as a kneeling young girl, hands clasped behind her back, on veined black marble base 14cm. wide £100-150 351. A pair of patinated metal squirrel book ends, on mottled green marble bases 16cm. high £100-150

353

354

352. A patinated bronze model of a hound dog, model 2440, modelled seated beside a large red marble bowl, cast foundry mark possibly Goldscheider, 23cm. wide £100-200 353. A Friedrich Goldscheider alabaster bust of a pierrot, with downcast look, inset Goldscheider seal 11cm. high £100-150 354. A patinated bronze bust of a young boy smoking, cast from a model by V Masella, on stepped marble base, and a desk blotter, signed in the cast 25cm. high £100-200

355

356

355. A patinated metal and peach mirror glass mantle clock, domed glass back with offset dial, set with a resting female figure in the style of Josef Lorenzl, 38cm. wide £250-300 356. A patinated metal figure of a woman, modelled semi-naked, reclining and holding a dish, on marble base with patinated metal and glass screen unsigned 38cm. wide £50-100 357. A patinated bronze figure of a Bachanalian woman cast from a model by Bruno Kruse, on black marble base with red marble panels signed in the cast B Kruse 40cm. high £800-1,200

357

358

358. A patinated metal figural lamp base, modelled as a topless woman balancing on a flaring, square plinth, in her right hand holding up a green striped glass ball shade stamped registered, 47cm. high £200-250

359

360

361

GLASS

362

359. A James Powell Whitefriars wine glass designed by Harry Powell, swollen, flaring cylindrical bowl, collection paper label, 15.5cm. high £100-200 Provenance The J S M Scott Collection. 360. A James Powell Whitefriars Straw Opal glass, swollen, flaring bowl, 12.5cm. high £100-200 361. A James Powell Whitefriars wine glass probably Designed by Harry Powell, with twin embedded gold knopped stem, flaring bowl, stem re-fused 16cm. high £150-250 Literature Lesley Jackson Whitefriars Glass, Manchester Museum & Art Gallery catalogue, page 113 plate 76 for a comparable glass.

363

362. A sea green glass possibly James Powell Whitefriars, the stepped bowl with applied blue threads, 14cm. high £100-200

364

365

363. A Webb’s Bronze bottle vase, with dimpled square body and tapering neck and everted rim, another smaller, and four other vases 21.5cm. high (6) £250-350 364. A James Powell Whitefriars Roman cut finger bowl, a Minerbi Suite finger bowl etched with water-lily design, and a Blue Opal finger bowl 10.5cm. diam. £100-200 365. A Stourbridge straw opal glass vase, ovoid with everted rim, on applied foot, applied with floral prunt, and two other vases unsigned (3) £150-250 366. A pair of Powell Whitefriars glass 18th Century style cut cordial glasses, the bowl cut with simple flower motif, on diamond cut stem 14cm. high (2) £100-200

366

367

367. A Stourbridge cut glass water decanter and glass, and a dimpled,clear glass decanter and stopper 31cm high (decanter) £80-120

368 369

370

368. A small Galle cameo glass dish designed by Emile Galle, pale pink glass overlaid with purple, decorated with violet flowers cameo signature Galle 10cm. diam. £250-300

369. A Legras cameo glass vase, swollen form, acid etched with fern fronds, in green and yellow over salmon pink, cameo signature Legras to foot rim 15.5cm. high £100-200

370. A Daum Nancy Art Nouveau glass vase, rectangular section, acid etched in low relief with poppy flower stems, highlighted in gilt, gilt Daum Nancy to base, small chip to top rim, 19cm. high £100-200

371. A monumental Art Nouveau Galle cameo glass vase by Emile Galle, compressed with tall cylindrical neck, pale amber glass overlaid with purple fuchsia sprays cameo Galle signature, remains of paper label 76cm. high £3,500-4,500

371

372. A Stevens & Williams Acanthus goblet vase, with battuto cut ground, and two smaller graduated goblet vases unsigned 33cm. high (3) £200-300

373. A pair of Baccarat Faux Rock Crystal bottles with silver feet and stoppers, swollen pear-shaped glass bodies etched with swirling foliate panels, the spherical stoppers cast in low relief with scrolling flowers and foliage, with internal stoppers stamped marks to mounts 23cm. high. (2) £800-1,200

372

373

374. An iridescent glass vase in the manner of Loetz, ovoid dimpled body with inverted and pinched rim, streaked white and pink with iridescence 15cm. high £200-250

374

375

375. An Austrian iridescent glass vase, probably Loetz, tapering square section with everted pinched rim, golden splashed iridescence with green irregular stripes 12.5cm. high £200-300

376. An Art Nouveau Loetz glass solifleur vase, compressed body with tall cylindrical neck, covered in golden iridescent splashes, unsigned 20.5cm. high £100-150

377. A Loetz Papillon glass vase, applied twin-handles, covered in a splashed blue, with iridescent finish 17cm. high £350-400

377

376 378. A pair of Legras enamelled glass vases, flaring red glass bodies, enamelled in colours and gilt with blackberry fronds signed in gilt to one Legras 24.5cm. high (2) £200-300

379. An Art Nouveau glass vase, possibly Kralik, tapering green glass with knopped neck, covered in red trailing, unsigned, paper labels to base 41cm. high £100-200

378

379

380. A tall Art Nouveau Van Hauten metal mounted enamelled glass vase, slender, cylindrical form enamelled with stylised flowers in colours and gilt, with gilt metal mount pierced and cast with flag iris, stamped Van Hauten to base 50cm. high £300-400

381. Seven Fritz Heckert hock glasses, enamelled with shamrocks, with gilt rims, 20.5cm. high £200-300

381

382. A Legras cameo glass vase, waisted cylindrical form, cameo etched in low relief with berried foliage, enamelled red, cameo Legras signature 34.5cm. high £150-200

383. An Art Nouveau Val St Lambert glass vase by Van de Velde, swollen cylindrical form pink glass graduating to green, cut with scrolling leaf repeat unsigned, sold with a letter of attribution from Val St Lambert, 26cm. high £800-1,200

380

382

383

384. A Stevens & Williams amber glass vase designed by Keith Murray, ovoid ribbed form with everted top rim, acid etched mark and facsimile signature 25cm. high £250-350

385. A Whitefriars etched glass vase probably by Geoffrey Baxter, flaring cylindrical form, cut with a stylised fish chasing a shoal of smaller fish unsigned 21.5cm. high £100-200

384

Literature Wendy Evans, Catherine Ross and Alex Werner, Whitefriars Glass James Powell & Sons of London Museum of London, page 331 plate 581 from the 1960 catalogue reproduced, this vase illustrated

385

386. A Whitefriars glass Tangerine Hoop vase designed by Geoffrey Baxter, a Whitefriars Tangerine Bamboo vase and a collection of Whitefriars and continental glass 29cm. high £100-200

386

389

388 387 387. A Blenko Cobalt blue glass vase, tall, eliptical form cast in relief, and a Barolac opalescent vase cast in low relief with fish, applied with seahorse handles signed in the cast Barolac Blenko vase 35.5cm. high, (2) £100-200 388. A Daum glass lamp base, thick, tapering clear glass body, and two other glass lamp bases etched Daum France to the foot rim 25cm. high (3) £100-200

390 391

389. ‘Dawamesk’ a Baccarat scent bottle and stopper for Guerlain, blue glass with gilt decoration acid etched roundel mark, small nick to base of stopper, 11cm. wide £50-100 390. A pair of Murano glass poodles, unsigned 26cm. high £100-200 391. A pair of Bimini Werkstatte blown glass Giraffe by Marianne von Allesch, 25.5cm. high, tallest. £100-150 392. A tall Murano Cordonato D’Oro glass lamp probably Barovier & Toso, tapering fluted pink and opaque glass stem on knopped base with four applied feet, the clear glass with gold aventurine inclusions 97cm. high £400-500

393

393. A pair of tall green glass vases probably Scandinavian, on applied foot unsigned 50cm. high £150-200 394. A Venini Murano glass bowl, internally pink latticino, cased in clear with applied white glass rims and heraldic emblem signed Venini Murano 20.5cm. diam. £250-350

392

395. An Italian flaring glass vase possibly Venini, green, blue and gold aventurine swirling columns cased in clear unsigned 27.5cm. high £300-400

394

395

396. An Orrefors glass vase by Edward Hald, faceted tapering clear glass internally decorated with aubergine web design etched Orrefors Edward Hald, minor nicks 33.5cm. high £100-200

397. An Orrefors Aerial glass vase by Edwin Ohstrom, thick cased glass internally decorated with a bird panel flanked with geometric panels, in blue cased in clear incised marks and signature 12cm. high £300-500

397 396

398. A large Murano glass vase in the manner of Barrovier, flaring cylindrical form on applied foot with applied fin handles, thick pale purple glass with drawn air bubble and aventurine inclusions, 37cm. high. £600-1,000

398

399

399. A Sommerso glass bottle and stopper, by S Signoretto, blue, pink and green glass cased in clear etched signature to base 28.5cm. high (2) £100-200

400. An Archimede Seguso glass vase, ribbed, shouldered pale pink glass with gold aventurine inclusions, on applied foot, and two modern I Quadernio di Archimede Seguso catalogues, (no.2 and No.12) etched Archimede Seguso Murano 43cm. high (3) £600-800 Literature I Quadernio di Archimede Seguso No.2, (1994) this model illustrated on the back cover.

400

SAM HERMAN GLASS 401. Sam Herman (born 1936) a clear glass sculptural bottle form, made at the Royal College of Art, irregular form with swollen neck, applied trailing, etched Samuel J Herman 36cm. high £200-300 Catalogue Notes We would like to thank Sam Herman for his help in cataloguing this lot.

401 402. Sam Herman (born 1936) a flaring square section glass vase, opalescent and clear glass with yellow and aubergine internal stripes etched Sam Herman to base 23.5cm. high £150-200

403. Sam Herman (born 1936) a flaring cylindrical vase with irregular top rim, dated 1981, surface decorated with blue, turquoise and lustrous splashes etched Samuel Herman and 1981 date to base 27cm. high £200-300

402

403

404. Sam Herman (born 1936) a large irregular form platter made at Val St Lambert, dated 1971, clear glass, streaked with opaque and lime green etched Samuel J Herman, 1971 46cm. wide £250-350

404

405. Sam Herman (born 1936) a tall bottle vase, flattened form with tall pulled neck with irregular rim, ruby red glass with blue and white splashed surface decoration, etched Samule Herman to base 38.5cm. high £200-300

406. Sam Herman (born 1936) a shouldered glass vase, irregular form, surface decorated with red, blue striations and lustrous finish etched Samuel Herman 25cm. high £150-250

405 406

407. Sam Herman (born 1936) a tall bottle form vase, aubergine glass cased in clear with lustrous finish and green and red trails etched Samuel Herman 35cm. high £150-250

408. Sam Herman (born 1936) an irregular bottle with solifleur aperture, clear glass surface decorated with purple striations and lustrous finish etched signature to side 22cm. high £200-300

407

408

409. Sam Herman (born 1936) a large flat charger made at the Jam Factory South Australia, irregular form, swirling yellow and red cased in clear, etched Samuel Herman 1976 SA1198, 50cm. wide £300-500

409

CERAMICS 410. A Howell & James pottery charger by Mrs G Rothway, dated 1887, painted with flowers and scrolling foliage in colours on a bright orange ground, original paper labels to reverse 39.5cm. diam. £100-200 Exhibited Howell & James Art Pottery Exhibition 1887 Class VII Painting on China, no.37

410

411

412

411. A Copeland Pottery tile depicting winter, painted in colours impressed Copeland mark, 15cm. square £50-100 412. ‘The Collection of Martinware Formed by Mr Frederick John Nettlefold, a reference book by Charles Beard, privately published with Waterlow & Sons Ltd, 1936, and a pair of Harriman Judd Collection catalogues Sotheby’s New York £100-200 413. A Martin Brothers stoneware vase, dated 1-1910, shouldered form covered in a running amber glaze incised 1-1910 Martin Bros London & Southall 19.5cm. high £100-150 414. A large Lauder Barum pottery vase by Alexander Lauder, shouldered cylindrical form, slip decorated with stylised flowers and foliage in colours on a sand coloured ground, and another similar incised Alex Lauder Barum 12/15/189, restored, 49cm. high (2) £200-300

414

413

415. A C.H.Brannam Barum Pottery vase, dated 1896, tapering form with applied twisted handles, incised and painted with Lily flowers in brown and blue on a blue ground, and a C.H.Brannam vase painted with a wading bird, incised marks, incised AB artist monogram, restored 40cm. high £50-100 416. A pair of Lauder Barum dragon vases, shouldered form, each applied with a dragon like reptile, the body incised with scaly fish amongst waterweed in blue, green, yellow and ochre on a pale blue ground impressed Lauder Barum mark, restored, 32cm. high £150-200

416 415

417

418

417. A Baron Barnstaple twin-handled vase, shouldered form, applied with twin dragon handles, painted with a bird perched on flowering foliage, about to catch butterflies flitting innocently, the reverse with a bird flying past stylised Art Nouveau flower stems, and a C H Brannam vase by William Baron dated 1888, painted with birds amongst stylised foliage incised marks, restored 30cm. high £50-100 418. A Royal Doulton stoneware vase, ovoid with a tapering cylindrical neck and everted rim, covered in a streaked purple Hare’s fur glaze, and a collection of Doulton, Moorcroft, Burmantoft’s Faience and other ceramics impressed marks, 25cm. high £100-150

419. A Linthorpe Pottery vase designed by Dr Christopher Dresser, ovoid with twinhandles, cast in low relief with geometric flower design, covered in a streaked brown glaze indistinct marks, chip to top rim, 21.5cm. high £100-200

420. A Linthorpe Pottery vase designed by Dr Christopher Dresser, flattened ovoid twin-handled body, with cast foliate design, covered in a streaked green glaze impressed facsimile mark, small glaze chip to foot rim, 20cm. high Literature Widar Halen Christopher Dresser, Phaidon page 163 figure 185 this design illustrated. £200-400

419

420

421

422

421. An unusual Linthorpe Pottery Aztec vase designed by Dr Christopher Dresser, the ovoid body with incised decoration, angular handle with central spout, covered in a streaked brown and green glaze marks indistinct 19cm. high £500-800 Literature Widar Halen Christopher Dresser, Phaidon page 163 figure 185 this design illustrated.

422. A Linthorpe Pottery ewer designed by Dr Christopher Dresser, the body modelled as an urchin, with twin spouts and bridged handle, glazed ochre impressed mark and facsimile signature, small glaze chip to spout, 18cm. high £500-700 Literature Widar Halen Christopher Dresser, Phaidon page 163 figure 185 this design illustrated.

423. A rare set of four William De Morgan Sand’s End Pottery tiles, each impressed, hand carved and slip decorated with a seated lioness, covered in a green glaze impressed factory mark, minor glaze loss and chips 15.5cm. square £800-1,200 Literature Jon Catleugh William De Morgan Tiles, Trefoil, page 149 figure 237 for a comparable tile decorated with a seated bear like creature.

424. A rare William Dr Morgan Sand’s End Pottery tile, painted with a serpent in black on a blue ground impressed factory mark, tiny glaze chips, 15.5cm. square £1,000-1,500

423

424

426

425 425. Eight Minton’s tiles designed by John Moyr Smith, printed in black and brown with fairy tales and historical scenes and a wall plate painted with orchids impressed marks, printed MS monogram, minor rim chips, 15.5cm. square (9) £100-150 426. A pair of Carter’s Tiles, Poole Pottery architectural tiles, probably modelled by William Unwin, each modelled as a classical dolphin either side of an urn, glazed ochre, chips, 31cm. wide £50-100 427. A small Compton Art Potters wall plaque, modelled in low relief with the Christ Child, glazed in colours impressed mark, small chip to corner, 13.5 x 9.5cm £50-100

427

428

428. A Pilkington’s tile cast in low relief with a portrait of a Robert Baden Powell, in military dress, inside foliate border, glazed blue, another Two Pilkington’s tiles decorated with military leaders Lord Roberts and probably Ferdinand Foch, in blue and two glazed brown, cast P mark 15cm. square £100-200 Provenance Private collection 429. A tall twin handled vase in the style of Zsolnay Pecs, painted with a floral pattern in shades of ruby lustre on a white ground unmarked 45cm. high £200-300 430. A Minton’s Secessionist vase, twinhandled form, decorated with a peacock in colours on a green ground, and a C H Brannam jug decorated with Aesthetic Movement flower panels, printed factory marks, damages 30cm. high £100-200

429 430

431

432

431. A large Ruskin Pottery high-fired stoneware vase, dated 1922, compressed form with tapering neck, covered in a sang de boeuf and speckled lavender glaze on a silver-grey ground, and four Radford items impressed marks, museum restored crack to body 28cm. high (5) £300-350 432. A Foley Intarsio vase designed by Frederick Rhead, model no. 3570, twinhandled urn form, printed and painted with stylised flowers and foliage, in colours printed mark, hairline to top rim, 25cm. wide £100-200

433

434 433. A large collection of Royal Doulton and Doulton Lambeth stoneware, including Natural Foliage and Silicon Ware, various impressed and incised marks, (a lot) £200-300 434. An Asprey silver mounted Royal Doulton stoneware jack, stamped marks, London 1941 16cm. high £100-150 435. A Royal Doulton stoneware model of a goat by Francis Pope, modelled seated on haunches, impressed Doulton mark, damages 51cm. high £200-400 Literature Desmond Eyles and Louise Irvine Doulton Lambeth Wares, Richard Dennis Publications page 194 for a comparable 436. A large Doulton Lambeth stoneware Alhambra vase, dated 1880, shouldered form with tall winged handles, cast in low relief with Persian panel decoration and script bands, glazed blue and buff impressed factory mark and date 1880, repaired neck, 48cm. high £600-1,000

435

436

437 438 439

437. A Royal Doulton stoneware vase by George Tinworth, incised and applied with seaweed design, glazed in shades of blue on a buff ground impressed mark, incised monogram to side 25.5cm. high £100-200

440

438. ‘Queen Victoria - Queen & Empress’ a Doulton Lambeth stoneware commemorative jug, modelled in low relief and glazed in colours, a Doulton Lambeth jug, a Doulton Silicon baluster vase and a bowl impressed and incised marks, main jug restored 18.5cm. high £100-200

439. A Royal Doulton stoneware paperweight designed by Mark V Marshall, modelled as grotesque creature, impressed mark, 8.5cm. wide £100-200 Literature Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, page 258 for an identical paperweight illustrated.

440. A Doulton Burslem Blue Children’s Ware vase, ovoid, printed with a child holding a doll, a frog next to her on the bench printed marks, 17cm. high £80-100

441. A Royal Doulton stoneware Lord Nelson commemorative tea set, modelled in low relief with a roundel of The Victory, and a portrait of Lord Nelson, the neck inscribed England Expects Every Man Will do his Duty, with rope handles, comprising teapot and cover, milk-jug and sugar basin, impressed factory marks, teapot 13cm. high (3) £200-300 Provenance A private collection of Nelson commemorative Royal Doulton ceramics

A PRIVATE COLLECTION OF ROYAL DOULTON LORD NELSON COMMEMORATIVE STONEWARE

Literature Desmond Eyles and Louise Irvine Doulton Lambeth Wares, Richard Dennis Publications, page 280 this design illustrated 442. A Royal Doulton stoneware Lord Nelson commemorative vase, twin-handled waisted cylindrical form, modelled in low relief with a roundel portrait of Lord Nelson, the reverse a roundel inscription England expects every man will do his duty, in green, blue and brown impressed and incised marks, 14.5cm. high £200-300

441

Provenance A private collection of Nelson commemorative Royal Doulton ceramics. 443. A Royal Doulton stoneware Lord Nelson commemorative jug, cylindrical form, modelled in low relief with a portrait roundel of Lord Nelson flanked by the battle of Trafalgar, below inscription England expects everyman will do his duty, inside rope borders, glazed green, ochre and blue impressed and incised marks, 27.5cm. high £200-300

443

442

444

Provenance A private collection of Nelson commemorative Royal Doulton ceramics 444. A pair of Royal Doulton stoneware Lord Nelson commemorative jug, swollen cylindrical form with applied thick rope handle, modelled in low relief with a roundel portrait of Lord Nelson flanked by the Battle of Trafalgar, below inscription England expects every man will do his duty, in shades of blue, green and brown impressed and incised marks, 19.5cm. high (2) £300-500 Provenance A private collection of Nelson commemorative Royal Doulton ceramics 445. A pair of Royal Doulton stoneware Lord Nelson commemorative jug, swollen cylindrical form with applied thick rope handle, modelled in low relief with a roundel portrait of Lord Nelson flanked by the Battle of Trafalgar, below inscription England expects every man will do his duty, in shades of blue, green and brown impressed and incised marks, 19.5cm. high (2) £300-500 Provenance A private collection of Nelson commemorative Royal Doulton ceramics 446. A pair of Royal Doulton Lord Nelson commemorative stoneware tygs, each modelled in low relief with a portrait of Lord Nelson, a coat of arms and a quote England expects every man will do his duty, inside rope borders with three thick rope handles, glazed ochre, blue and green impressed and incised marks, minor damages and repairs 16.5cm. high (2) £300-500 Provenance A private collection of Nelson commemorative Royal Doulton ceramics

445

446

447

448

447. A Royal Doulton stoneware Lord Nelson commemorative teapot and cover, modelled in low relief with roundel portrait of Nelson, the reverse with The Victory, below inscription England expects every man to do his duty, in shades of blue, brown and green, and a Royal Doulton Lord Nelson vase impressed and incised marks, 13.5cm. high (2). £200-300

448. A pair of Royal Doulton stoneware Lord Nelson commemorative tobacco jars and covers, each swollen barrel form, modelled in low relief with roundel portrait of Lord Nelson, The Victory and a coat of arms, below inscription England expects every man will do his duty, in shades of blue, green and brown impressed and incised marks, small chip to blue ground jar 13.5cm. high (2) £200-300

Provenance A private collection of Nelson commemorative Royal Doulton ceramics

Provenance A private collection of Nelson commemorative Royal Doulton ceramics.

449. A Moorcroft Pottery Flamminian Ware biscuit box and cover designed by William Moorcroft, slip decorated with a heart-shape foliate motif, glazed red incised facsimile signature, small nick to cover rim, 16.5cm. high £200-300

450 449

450. A Moorcroft Pottery Florian Ware vase by William Moorcroft, compressed form with flaring neck and everted, fluted rim, painted with stylised flowers in blue, green and yellow on a celadon ground, painted green facsimile signature minor professional restoration to top rim 9cm. high £250-300

451. ‘Bara Ware’ a Moorcroft Pottery bottle vase retailed by Liberty & Co, painted with flower panels in pink and green on a white ground, and a Moorcroft Tobacco jar and cover printed mark, painted green facsimile signature, damages 31cm. high £100-150 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 62 plate 4 for comparable examples. Barbara Morris Liberty Design, Chartwell Books, page 69 for a Bara Ware plate illustrated.

452 451 452. ‘Blue Poppy’ a James Macintyre vase designed by William Moorcroft, painted in shades of blue and green on a white ground printed factory marks, painted green signature, professional restoration to neck, 24cm. high £400-500

453. ‘Waving Corn’ a Moorcroft Pottery vase, footed form, painted in shades of pink and green on a white ground impressed mark, painted blue signature 15.5cm. high £400-500

454. ‘Leaf and Berries’ a Moorcroft Pottery vase, footed, cylindrical form, painted in colours on a blue ground impressed marks, painted blue signature 14.5cm. high £100-200

454 453

455. ‘Anemone’ a Moorcroft Pottery flambe vase, ovoid with cylindrical neck, painted in colours under a flambe glaze impressed marks, painted blue signature 20cm. high £700-800

456. ‘Leaf and Berry’ a Moorcroft Pottery vase, painted in colours under a flambe glaze impressed marks, painted blue signature 24.5cm. high £800-1,000

455

456

457. ‘Eventide’ a Moorcroft Pottery plate designed by William Moorcroft, painted in colours impressed and painted signature 18.5cm. diam. £700-900

457

458. ‘Yellow Poppy’ a James Macintyre dish designed by William Moorcroft, quattrolobed form, painted with Poppy flowers in yellow, green and blue on a celadon ground painted green signature 27cm. diam. £750-850

458

459. ‘Eventide’ a Moorcroft Pottery plate designed by William Moorcroft, painted in colours impressed and painted signature 18.5cm. diam. £700-900

459

460. ‘Clematis’ a Moorcroft Pottery vase, painted in colours under a flambe glaze impressed and painted marks, 20cm. high £500-600

461. ‘Hibiscus’ a Moorcroft Pottery vase, baluster form, painted in colours under a rich flambe glaze impressed mark, painted blue signature 31cm. high £1,000-1,500

460

461

462. ‘Marine’ a Moorcroft Pottery flambe vase, cylindrical form painted in colours undera flambe glaze impressed mark, painted blue signature 18.5cm. high £600-700

462

463. ‘Anemone’ a Moorcroft Pottery dish, painted in colours under a flambe glaze impressed marks, painted blue signature 25cm. diam. £300-350

463

464

464. ‘Springflowers’ a Moorcroft Pottery vase, bucket form, painted in colours on a green ground, impressed marks, painted signature 18cm. high £350-400

465. ‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, baluster form, painted in shades of blue and green impressed marks, painted green signature, professionally restored 13cm. high £600-800

466. ‘Dawn’ a Moorcroft Pottery vase designed by William Moorcroft, ovoid with everted rim, painted in shades of blue and cream, between chevron bands impressed mark, painted blue signature £850-950

465

466

467. ‘Powder Blue Cornflower’ a tall Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue on a mottled powder blue ground painted blue signature, minor professional restoration, 31cm. high £500-800

468. ‘Moonlit Blue Pansy’ a rare Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and green impressed mark, painted green signature, minor professional restoration to top rim, 22cm. high £250-300 Provenance Richard Dennis Gallery Private collection

467 468

470

469

469. ‘Claremont’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a streaked yellow and green ground, painted green signature, printed mark, professional restoration to neck, 18cm. high £500-600

470. ‘Claremont’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, blue and ochre on a white ground impressed mark, painted facsimile signature 10.5cm. high £150-200

471. ‘Big Poppy’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature 20cm. high £1,600-1,800

471

472

473

474

472. ‘Pomegranate’ a Moorcroft Pottery miniature vase designed by William Moorcroft, painted in colours on a mottled green ground painted green monogram 5.5cm. high £700-800 473. ‘Pansy’ a Moorcroft Pottery miniature baluster vase designed by William Moorcroft, painted in colours on a celadon glaze painted green monogram 6.5cm. high £700-900 474. ‘Poppy’ a James Macintyre Pottery miniature vase designed by William Moorcroft, painted in shades of green and blue on a white ground, printed mark, painted green signature 6cm. high £850-950 475. ‘Flambe Hazledene’ a rare Moorcroft Pottery vase, painted in colours under a flambe glaze impressed marks, painted blue signature 13cm. high £2,000-2,500

475

476. ‘Pansy’ a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a white ground impressed mark, painted green signature, restored top rim, 16cm. high £550-650

476

477. ‘Frilled and Slipper Orchids’ a Moorcroft Pottery vase, painted in colours under a flambe glaze impressed marks, paper label 20cm. high £800-1,000

477

478

478. ‘Wisteria’ a Moorcroft Pottery vase, shouldered form with collar rim, painted in colours on a blue ground, impressed marks, painted blue signature, original paper label 16cm. high £150-200

479. ‘Iris’ a Moorcroft Pottery vase designed by William Moorcroft, ovoid with cylindrical neck, painted in colours on a blue/green ground impressed marks, painted blue signature 30.5cm. high £1,800-2,200

480. ‘Iris’ a Moorcroft Pottery vase designed by William Moorcroft, swollen cylindrical form, painted in colours on a pale green/blue ground impressed mark, painted green signature 32cm. high £1,600-2,000

479

480

481

482

483

481. ‘Blue Rooster’ a Moorcroft Pottery vase, painted in colours on a cream ground, in original box, impressed and painted marks, 18cm. high £200-250 482. ‘Maypole’ a Moorcroft Pottery trial vase, painted in colours on a blue ground impressed and painted marks, 37cm. high £400-500 483. ‘William Morris’ a Moorcroft Pottery vase, painted in colours on a white ground impressed marks, painted WM monogram 31.5cm. high £300-400

485 484

484. ‘Dandelion’ a Moorcroft Pottery limited edition vase, painted in colours on a white ground, in original box, impressed and painted marks, 49/200 17cm. high £250-350 485. ‘Badger’s Field’ a modern Moorcroft Pottery limited edition jug, painted in colours, in original box, impressed and painted marks, 20cm. high £400-500 486. ‘Daffodil’ a Moorcroft Pottery limited edition vase, painted in colours on a blue ground, in original box painted marks 36.5cm. high £400-600

487 486

487. ‘Daffodil’ a Moorcroft Pottery limited edition vase, painted in colours on a blue ground, in original box painted marks 36.5cm. high £400-600 488. ‘Blackwell’ a Moorcroft Pottery ginger jar and cover, painted in colours, in original box impressed and painted marks 14cm. high £200-250 489. ‘Swan Lake’ a Moorcroft Pottery limited edition vase, painted in colours, in original box, impressed and painted marks, 42cm. high £700-800

488

489

492 490

491

DENNIS CHINAWORKS 490. ‘Praying Mantis’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2005, painted in colours impressed and painted marks, numbered 3/25, 30cm. high £200-300

491. ‘Grape’ a Dennis Chinaworks Collector’s Day vase designed by Sally Tuffin, dated 2001, painted in colours printed and painted marks, 25cm. high £100-200

494 493

492. A Dennis Chinaworks Yohji Yamamoto figure designed by Roger Michell, dated 1985, painted in colours printed factory marks, 29cm. high £100-200

493. ‘Salmon’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1999, painted in colours impressed and painted marks, 21.5cm. high £150-200

494. ‘Dandelion’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2005, flaring conical form with pierced decoration, painted in colours, and a Gala Day Lilac vase printed and painted marks, no.9 17.5cm. high (2) £120-180

495. ‘Albatross’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2005, painted in colours impressed and painted marks, 32cm. high £150-200

495

496

496. ‘Koi Carp’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in colours impressed and painted marks, 39.5cm. high £200-300

497. ‘Lion’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2000, ovoid form, painted in colours printed and painted marks, 21cm. high £150-200

497

498. A Dennis Chinaworks stepped vase designed by Sally Tuffin, dated 20026, numbered 2, painted with panels of stylised flowers and panels in silver lustre, printed and painted marks, 25cm. high £150-250

499. ‘Polar Bear’ a Dennis Chinaworks jar and cover designed by Sally Tuffin, dated 2003, painted in colours printed and painted marks, no.5, 15cm. high (2) £150-250

498

500. ‘Penguin’ a Dennis Chinaworks candlestick designed by Sally Tuffin, dated 2006, numbered 1, painted in colours printed and painted marks to the base 26cm. high £250-350

499

500

A PRIVATE COLLECTION OF STUDIO POTTERY 501. Edwin Beer Fishley (1832-1911) a tall twin-handled vase, resist decorated with a charioteer, the reverse an axe wielding warrior in yellow on a brown ground unsigned 33cm. high £300-500 502. Edwin Beer Fishley (1832-1911) A Fremington Pottery charger, decorated with a simple brush design in ochre on a green ground, and two bowls incised marks, chip to rim, 29cm. diam. £150-250

501

503. A Ruskin Pottery vase by William Howson Taylor, shouldered form covered in a matt blue glaze, two Owl jugs probably retailed by Liberty and made by Farnham Pottery, and a collection of studio pottery impressed marks, 25cm. high £100-200 504. Reginald Wells (1877-1951) a Coldrum Pottery vase on tripod feet, covered in a pitted blue glaze, another Coldrum pottery vase and an Oxshott Pottery vase impressed marks, 15cm. high £100-200

503

502

505. Reginald Wells (1877-1951) a large Coldrum Pottery vase, covered in a streaked blue and pink glaze, and another smaller Soon vase with lug handles impressed mark, repaired rim, 31cm. high £100-200 506. A C H Brannam Pottery bird jug, dated 1899, modelled as a wading bird, a tall grass rising to form the handle, glazed blue and green, a twin-handled vase in the manner of Blanch Georgian Vuillamy, and incised marks, restored 26.5cm. high (3) £100-200

504

505

506

507. Katharine Pleydell-Bouverie (1895-1985) a small stoneware vase, compressed ovoid form with incised decoration, covered in an ash glaze, another similar, two saucers, a small bowl, two jardinieres impressed marks, 8.5cm. high (7) £150-250

507

508 510 508. Ray Finch (1914-2012) a Winchcombe Pottery stoneware cider jar, with wooden tap and cork bung, painted with combed decoration impressed seal mark, 33cm. high £100-200

509

509. Ray Finch (1914-2012) a Winchcombe Pottery slip decorated plate, and a collection of Winchcombe Pottery impressed seal marks, 22cm. diam. (a lot) £100-200 510. Michael Cardew O.B.E. (1901-1983) a Winchcombe Pottery jug, ovoid form, decorated with simple grass design in ochre and brown glazes impressed seal marks, 24cm. high £150-250

512 511

511. Michael Cardew O.B.E. (1901-1983) a Winchcombe Pottery wall pocket, incised with simple grass design in resist, glazed green, and another smaller impressed seal marks, 22.5cm. high (2) £100-200 512. Michael Cardew O.B.E. (1901-1983), attributed a Winchcombe Pottery tankard, incised with fish, glazed yellow-green, another mug and three jugs impressed Winchcombe seal mark. hairline crack 11.5cm. high (5) £100-200 ‡ 513. Michael Cardew O.B.E. (1901-1983) an Early pottery jug, ovoid with applied handle, painted in resist with geometric band in a treacle brown glaze impressed MC seal to base, minor glaze faults 20.5cm. high £250-300

514 513

‡ 514. Michael Cardew O.B.E. (1901-1983) a Winchcombe Pottery flagon, painted with grass seedheads in brown on an ochre ground impressed seal marks, 30cm. high £200-300 ‡ 515. Michael Cardew O.B.E. (1901-1983) a Winchcombe Pottery slip decorated bowl, in brown on a green ground impressed seal marks 26.5cm. diam. £200-300

Literature Oliver Watson British Studio Ceramics, Victoria & Albert Museum catalogue, page 163 catalogue number 94 for a comparable bowl.

515

516

‡ 516. William Bill Marshall (1923-2007) a Leach Pottery stoneware teapot and cover, painted with a simple brushed grass design in blue and tenmoku spots on a celadon glaze, a Paul Barron bottle vase, a Trevor Corser Leach Pottery tile, a Rosemary Wren owl and three other pots impressed seal marks, chips to spout of pot 13cm. high (7) £250-300 ‡ 517. William Bill Marshall (1923-2007) a St Ives porcelain vase, ovoid with collar rim, with impressed flowerhead design covered in a celadon glaze, impressed seal marks, 21cm. high £300-500

517

518

518. David Leach (1911-2005) a Lowerdown Pottery vase, slender form with swollen neck and collar rim, covered in a running Dolomite glaze impressed seal mark to base, small chip to base rim, 45cm. high £100-200 519. Ray Finch M.B.E (1914-2012) a Winchcombe Pottery stoneware charger, decorated with a simple trailed design to well and rim, under an ash glaze, another Ray Finch charger glazed tenmoku and another charger impressed seal mark, 34cm. diam. £100-200

519

520

520. Ray Finch M.B.E. (1914-2012) a Winchcombe Pottery jug, painted with a simple wavy line design in brown on an ash glaze, a charger and a salt-glazed jug impressed seal marks, 25.5cm. high (3) £100-150 ‡ 521. Charles Vyse (1882-1971) a stoneware censor, modelled in low relief and covered in a pale Sung blue crazed glaze painted Vyse 21cm. diam. £200-300 522. Charles Vyse (1882-1971) an ovoid stoneware vase, dated 1928, covered to the foot with a thick pale blue running glaze, and a Tenmoku glazed pot incised C Vyse 1928 15.5cm. high (2) £100-200

521

522

523. Malcolm Pepper (1937-1980) a stoneware vase, shouldered form with everted rim, covered to the foot with a crazed pale blue glaze, painted with a band of stylised foliage in blue, and a Malcolm Pepper plate, painted with a pagoda in a garden setting impressed seal mark to plate, vase has rim chips, vase 41.5cm. high, plate 29.5cm. diam.(2) £200-300 Provenance The Liliana Epstein Collection, Christie’s South Kensington, 27th April 1998, lot 23 (plate) 524. Malcolm Pepper (1937-1980) a shouldered stoneware vase with everted neck, painted in rust with simple brush design, over tenmoku, impressed seal mark, minor over-painting to the top rim, 27cm. high £100-200

523

525. Phil Rogers (born 1951) a stoneware bottle vase, decorated in resist with fish amongst waterweed, under an ash glaze, a jug and a Ray Finch bottle impressed seal marks 19cm. high £100-150 526. Richard Batterham (born 1936) a stoneware footed bowl, the exterior with incised columns glazed tenmoku, the interior glazed celadon, a tall jug and a covered jug by Richard Batterham unsigned 26cm. diam. (3) £100-200

525

‡ 527. Jim Malone (born 1946) an Ainstable Pottery vase, fluted, bottle form, incised with simple comb decoration, covered in a running white ash glaze to the foot, impressed seal marks, 35cm. high £100-200

524

528. Mike Dodd (born 1943) a stoneware vase with collar rim, painted and incised with panel design under an ash glaze, a bowl and two single-handled vases impressed seal marks, 22cm. high £100-150 529. Mike Dodd (born 1943) a stoneware vase, ovoid form with collar rim, decorated with zigzag motif, under an ash glaze, and another Mike Dodd vase similar impressed seal marks, 20cm. high (2) £100-200

527 526

528

529

531

530

530. Mike Dodd (born 1943) a shouldered stoneware vase, decorated in resist with a simple grass design under a thick celadon glaze, another Mike Dodd vase with loop handle decorated with a willow tree and another vase impressed seal marks, 24cm. high £100-200

532 531. Mike Dodd (born 1943) a cut-sided stoneware vase, covered to the foot in a pale blue glaze, a Mike Dodd teapot and cover and a Peter Swanson vase impressed seal mark, 18.5cm. high (3) £100-200

533

532. Mike Dodd (born 1943) an ovoid stoneware vase, with fluted decoration, covered in a pitted celadon glaze, and another smaller impressed seal marks 23cm. high £100-150 ‡ 533. Mike Dodd (born 1943) a tall, cut-sided stoneware vase, shouldered with collar rim, covered in a running thick ash glaze forming zigzag design impressed seal mark, 32cm. high £100-200

534 535

‡ 534. Mike Dodd (born 1943) a tall stoneware vase, shouldered, faceted form covered in a running tenmoku glaze, the shoulder with running, thick ash glaze impressed seal mark, 42cm. high £100-200 535. Colin Pearson O.B.E (1925-2003) a tall salt-glaze stoneware jug, with incised design, a Michael Casson footed bowl and a jug impressed seal marks, 37cm. high (3) £100-200 ‡ 536. Michael Casson O.B.E. (1925-2003) a tall salt-glazed stoneware vase, painted with stylised figures dancing impressed seal mark, 38cm. high £100-150 ‡ 537. Colin Pearson O.B.E (1925-2003) a large ovoid stoneware vase, with collar rim, covered in a hare’s fur glaze, and ash rim, impressed seal mark, 30cm. high £100-200

536

537

‡ 538. Dame Lucie Rie D.B.E. (1902-1995) a miniature footed vase, covered to the foot with a mustard yellow glaze impressed seal mark, 4.5cm. high £300-500 Provenance A Private Collection of Studio Pottery

‡ 539. John Ward (born 1938) a hand-built stoneware vase, disc form with pulled rim and incised circle design, glazed mottled white and pale turquoise impressed seal mark, 23.5cm. high £350-450

538

‡ 540. Colin Pearson O.B.E. (1901-1983) a stoneware winged pot, rectangular form, applied with entwined handles, covered in a pale blue and pink glaze impressed seal mark, 26cm. high £200-300

‡ 541. Colin Pearson O.B.E (1923-2007) a stoneware teapot and cover, with applied spout and scroll handle, covered in a pitted blue glaze impressed seal to handle 16.5cm. high £100-200

539 ‡ 542. Colin Pearson O.B.E (1923-2007) a stoneware jug, irregular form, with scrolling applied handle, covered in a pitted blue glaze impressed seal mark, 21.5cm. high £100-200

540

541 542

‡ 543. James Campbell (born 1942) a painted stoneware platter, painted with a coastal scene with a crow in the foreground in colours incised Campbell 96 52, 38.5cm. £150-250

‡ 544. Gabriele Koch (born 1948) a tall burnished vase, slender form burnished black with pink patches incised Gabrielle Koch 32cm. high £200-400

543 544

546

545

545. Chris Carter (born 1945) a stoneware vase, elliptical section covered in a volcanic glaze, and another Chris Carter twisted vase impressed seal mark, 24cm. high, (2) £100-200

546. Peter Beard (born 1951) an inlaid porcelain vase, ovoid with blue and turquoise chevron design, and an Alan Wallwork segment vase impressed seal mark, 14cm. high £100-200

‡ 547. Jason Wason (born 1946) a stoneware vase and cover, modelled in low relief with fifteen stud panel decoration, glazed black metallic, and another smaller impressed seal mark 15cm. high £100-200

547 548

549

550

‡ 548. Takeshi Yasuda (born 1943) a footed earthenware bowl, irregular form, covered in a crackled cream glaze, and a Takeshi Yasuda small jug unsigned 17cm. wide £100-200

549. Mike Dodd (born 1943) a stoneware unomi, incised with grasses, covered in a pitted ash glaze, another Mike Dodd Unomi, a Ken Matsuzsaki unomi and another impressed seal marks 12.5cm. diam. £100-150

550. Kevin de Choisy (born 1954) a Whieldon glazed gourd teapot and cover, glazed yellow and green, six other studio teapots and a collection of studio pottery impressed marks, unsigned 29cm. diam. £100-200

JOHN MALTBY

‡ 551. John Maltby (born 1936) an early footed dish, surface decorated and slid decorated with abstract design incised Maltby 68, chips to enamels 23cm. diam. £100-150

551 552

‡ 552. John Maltby (born 1936) a stoneware electric wall clock, modelled with a bird swooping down on three dangling fish signed John Maltby to reverse 26cm. high £150-200

553

‡ 553. John Maltby (born 1936) a stoneware twin-handled vase, enamelled with flowers and a red cross on a buff ground, the interior and reverse glazed back with red enamel splashes painted Maltby signature 17cm. high £300-500

‡ 554. John Maltby (born 1936) a stoneware cup form with applied handle, enamelled with a bird flying past foliage in colours on a buff ground, the interior tenmoku impressed seal mark, 13cm. high £300-500

‡ 555. John Maltby (born 1936) a stoneware cup form vase enamelled with ships at sea, in white and brown on a blue ground, the angled vase on rectangular pottery base painted Maltby 17cm. high £300-500

554

555

556

557

WALTER KEELER ‡ 556. Walter Keeler (born 1942) a salt-glaze stoneware trough vase, elliptical form, covered in a blue glaze, the interior mustard yellow impressed seal mark, 33cm. wide £300-500 ‡ 557. Walter Keeler (born 1942) a salt-glazed stoneware teapot and cover, with looping gun-barrel spout and strap handle, the conical cover with scrolling strap finial glazed grey-blue impressed seal mark to the side 22cm. high, 30cm wide. £300-500

559

‡ 558. Walter Keeler (born 1942) a salt-glazed stoneware jug, tall cylindrical form with angled neck and applied strap handle, impressed seal mark to body, 26cm. high £200-300

558

‡ 559. Walter Keeler (born 1942) a salt-glaze stoneware teapot and cover with gun-barrel spout, on ball feet, glazed blue impressed seal mark, 18cm. high £100-200 ‡ 560. Walter Keeler (born 1942) a small salt-glaze stoneware teapot and cover, covered in a blue glaze impressed seal mark to side 14.5cm. high £100-200

561 560

‡ 561. Walter Keeler (born 1942) a salt-glaze stoneware ovoid teapot and cover with over-slung handle, covered in a blue glaze impressed seal mark to side 20cm. high £150-250 562. Walter Keeler (born 1942) a salt-glaze stoneware storage jar and cover, swollen cylindrical form, glazed blue, and a small Walter Keeler jug impressed seal mark 19cm. high (2) £100-200

562

563

‡ 563. Walter Keeler (born 1942) a salt-glaze stoneware plate with fin rim, covered to the rim with blue glaze, the flat well grey impressed seal mark 30cm. diam. £100-200

‡ 564. Walter Keeler (born 1942) a Whieldon stoneware jug and cover, with rope-twist applied handle and spout, covered in a mottled green and aubergine running glaze impressed seal mark, 18cm. high £150-250

‡ 565. Walter Keeler (born 1942) a Whieldon jug, on offset base, covered in a pale yellow glaze with green and yellow splashes impressed seal mark to side 17cm. high £150-250

564

565

‡ 566. Walter Keeler (born 1942) a Whieldon glaze jug, angled, faceted form, covered in a splashed green and aubergine glaze, the interior cream impressed seal mark to handle 22cm. high £100-200

566

567

‡ 567. Walter Keeler (born 1942) an angled Whieldon jug, covered in a green, yellow and aubergine sponged glaze impressed seal mark, 13cm. high £100-200

‡ 568. Walter Keeler (born 1942) a Whieldon glaze teapot and cover, angled form with over-slung handle and applied thorns, covered in a Whieldon glaze impressed seal mark, 21.5cm. high £300-500 Provenance Sotheby’s Contemporary selling exhibition.

568

569. George Fishley (1771-1865) a rare hand-built pottery watch pocket stand, modelled with a shepherd resting with three sheep, the back modelled in relief with acorns, a mask, shells and geometric leaf motif, glazed in shades of brown and yellow, 23cm. high £1,000-1,500 Literature John Edgeler A Selling Exhibition of 20th Century Slipware, Winchcombe 12-26th November 2011 page 8 for a comparable watch pocket.

569

570

570. Bernard Leach (1887-1979) attributed a Leach Pottery Onion Seller slip decorated dish, painted in shades of brown and white on a marbled ground impressed St Ives mark, 33cm. wide £300-500

‡ 571. David Leach (1911-2005) an early earthenware tankard possibly Leach Pottery, swollen barrel form with applied handle and Cornwall symbol, covered in a rust brown glaze impressed DL monogram 13.5cm. high £100-150

‡ 572. Bernard Leach (1887-1979) a Leach Pottery stoneware vase and cover, covered in a Hare’s fur glaze impressed seal marks, 13cm. high £250-350

571

572 573. Bernard Leach (1887-1979) a Leach Pottery stoneware vase, square section with circular rim, resist decorated in green over brown wit a hatched design, a Janet Leach vase, a Vera Tollow bowl, a Raku figure and a stoneware bowl impressed BL and Leach Pottery seals, firing faults, damages to Janet Leach, 13.5cm. high (5) £200-300

574. Leach Pottery a stoneware plate, painted with a Willow tree design, in shades of tenmoku and blue on a speckled celadon ground impressed Leach Pottery seal mark, 31cm. diam. £100-150

573

574

575 576

‡ 575. Bernard Leach (1887-1979) attributed a Leach Pottery mug, covered to the foot with a pale yellow glaze, incised with proverb As I was going to St Ives, I Met a Man with Seven Wives and figures, impressed St Ives seal mark, minor glaze frits, 11cm. high £300-500

‡ 576. Michael Cardew (1901-1983) a Winchcombe Pottery mug, cylindrical form with strap handle, incised with a drinking motto Brandy and Gin Swell out the Skin..., glazed mustard impressed seal marks, 13.5cm. high £250-350

577

‡ 577. Bernard Leach (1887-1979) a large Leach Pottery stoneware vase, resist decorated to the shoulder with simple scroll design, in a thick tenmoku glaze impressed seal marks to base, small glaze nick to top rim, 25cm. high £600-800

‡ 578. Bernard Leach (1887-1979) a Leach Pottery stoneware vase, waisted cylindrical form, covered to the foot in a speckled blue glaze impressed seal marks, 17cm. high £300-500

578

‡ 579. David Leach (1911-2005) a Lowerdown Pottery earthenware coffee set, fluted form covered to the foot in a tinglaze, comprising; coffee pot and cover, milk-jug and sugar basin, twelve cups and thirteen saucers, impressed marks, minor frits coffee pot 18.5cm. high £350-450

‡ 580. David Leach (1911-2005) a large Lowerdown Pottery teapot and cover, with bamboo handle, painted with simple brush repeat band in blue and tenmoku, two impressed seal marks, 22cm. high £300-350

579

580

581

582

‡ 581. Janet Leach (1918-1997) a Leach Pottery large and impressive stoneware vase, shouldered form, covered in a running ash green glaze impressed seal mark 33cm. high £300-500

582. Lowerdown Pottery a stoneware teapot and cover, painted with a flower motif in brown and blue on an oatmeal ground to the foot, a jug similar, a a beaker enamelled with grasses and three other Lowerdown pieces impressed seal marks, pot 12cm. high £150-200

‡ 583. Jim Malone (born 1946) a flat-sided stoneware vase, incised with a simple weeping tree design, covered in a running ash glaze to the foot, impressed seal mark, 38cm. high £650-750

584

584. Sven Beyer (born 1946) a flaring stoneware bowl with twin-handles, glazed to the interior with ash glaze unsigned 43cm. diam. £100-200

583 585. George J Cox a rare Mortlake Pottery vase, cylindrical form with applied roundel, covered in a pale celadon glaze incised GJC monogram, M 1912, 10.5cm. high £100-150

‡ 586. Charles Vyse (1882-1971) a stoneware vase, covered to the foot in a Chun glaze incised C Vyse Chelsea 12cm. high £200-300

585

100

586

‡ 587. Malcolm Pepper (1937-1980) a tall stoneware vase, covered in a running tenmoku glaze impressed seal mark, 35cm. high £200-300

‡ 588. Malcolm Pepper (1937-1980) a large stoneware vase, fluted ovoid form with everted rim, covered in a pale blue running glaze to the shoulder, over tenmoku, impressed seal mark, 31cm. high £200-300

‡ 589. Malcolm Pepper (1937-1980) a crackle glazed stoneware vase, ovoid, shouldered form with everted rim, painted with a frieze of bamboo stems in blue on a light grey crackled glaze to the foot, unsigned 27cm. high £100-200

587

588

589

590

Provenance Purchased directly from Malcolm Pepper.

590. Ursula Mommens (1908-2010), attributed A stoneware vase, shouldered form, covered in a running tenmoku glaze, impressed mark 25cm. high Provenance Henry Rothschild Associations, Kettle’s Yard, April 1981, purchased by the present vendor as by Ursula Mommens £50-100

591. Malcolm Pepper (1937-1980) attributed a stoneware ovoid vase with everted rim, covered in a running tan glaze over tenmoku, unsigned 35cm. wide £150-200

‡ 592. Michael Casson O.B.E (1925-2003) a Wobage Farm stoneware vase, flaring form, covered to the foot with a trailed tenmoku glaze to the foot, impressed seal mark, 26cm. high Catalogue Notes This specific seal with the Wobage W and MC initials dates this vase to 1977-79. £100-200

591

592

593

594

‡ 593. Jim Malone (born 1946) a stoneware charger, incised with simple stroke design, covered in a tenmoku glaze, impressed seal mark, 34.5cm. diam. £100-200

‡ 594. Michael Cardew (1901-1983) a Winchcombe Pottery wall pocket, incised with simple grass motif, covered in a rich tenmoku glaze impressed seal marks, 22cm. high £100-150

101

595. Nigerian Village pottery a large earthenware vase, ovoid with everted rim, incised with geometric design, with woven string stand, unsigned 38cm. high £100-150 Provenance Pottery From Three Nigerian Villages (Pots From Nigeria collected by Damlami Aliyu & Michael O’Brien) Amalgam Gallery, Barnes, 1990 (in conjunction with Rupert Spira stoneware pots exhibition). Private collection.

595

596

596. Nigerian Village pottery a large earthenware vase, ovoid with everted rim, incised with geometric design, with woven string stand, unsigned 38cm. high £100-150 Provenance Pottery From Three Nigerian Villages Amalgam Gallery, Barnes, 1990 Private collection.

597. Jan Van Der Vaart (1931-2000) a porcelain bowl, covered in a flambe glaze to the foot, incised V D Vaart, 26cm. diam. £100-150

597

598

‡ 598. Alan Caiger-Smith (born 1930) an unusual Aldermaston Pottery vase, painted in copper and ruby lustre with an owl perched in a flowering tree bough, the reverse with a parrot, painted monogram, 29cm. high £500-800

599. Laurence McGowan (born 1942) a stoneware ginger jar and cover, painted with daisy flowers in pink, white and green on a black ground, two jugs and three other various items painted monograms 21cm. high (6) £100-150

599 600. John Verando a large stoneware vase, dated 1969, amorphic form with twin necks, covered with a running ash glaze, and another by the same artist, painted signature and date 44cm. high £100-200 John Verando ran a ceramic gallery and pottery on Richmond Hill, London in the 1960s and 1970s.

600

102

601

‡ 601. Poh Chap Yeap (born 1927) a large flat platter with fluted rim, covered in a rich tenmoku glaze, incised Yeap, 37cm. diam. £150-200

‡ 602. James Tower (1919-1988) Glacier 5, 1980, a rare footed earthenware bowl, painted decoration, incised Tower 30.5cm. diam. £1,000-1,500 Literature Timothy Wilcox The Ceramic Art of James Tower, page 158 catalogue number 151.

602

‡ 603. Ewen Henderson (1934-2000) a stoneware unomi, irregular form, covered in a volcanic glaze and porcelain slip, 13cm. wide. £300-400

603

‡ 604. Alev Siesbye (born 1938) a large open bowl, covered in a rich lapis lazuli glaze with bronze rim, incised Alev, 23cm. high, 30cm. diam. £2,500-3,500 Provenance Private Collection.

604

103

605. Mashiko a large stoneware charger, resist decorated in blue, brown and white glazes on a celadon ground unsigned 41cm. diam. £300-500 Provenance Arts and Crafts Woolley and Wallis 22nd June 2011 lot 23.

‡ 606. Keiko Hasegawa (born 1941) a stoneware bottle, covered in a volcanic purple glaze impressed seal mark, 20cm. high £100-200

605

606 ‡ 607. Derek Emms (born 1929) a porcelain bowl incised with a flower roundel, covered in a celadon glaze impressed seal mark, 32cm. diam. £100-200

‡ 608. Kawase Shinobu (born 1950) a porcelain bowl with pinched rim, covered in a celadon glaze, with original fitted box, signed to the underside of the box lid, restuck chip to rim 23.5cm. diam. £200-300

608 607

‡ 609. Quentin Bell (1910-1996) a Fulham Pottery vase, barrel form, painted with geometric design in blue, yellow and ochre indistinct marks to base 19cm. high £100-150

‡ 610. Waistel Cooper (1921-2003) a stoneware vase, swollen form with flaring neck, rough textured finish, the interior with speckled brown glaze, and a Waistel Cooper beaker vase painted Waistel 19cm. high £100-200

610 ‡ 611. Jason Wason (born 1946) a low, flaring earthenware bowl with everted rim, applied cone decoration, with burnished glaze impressed seal mark, 37.5cm. diam. £100-200

609

‡ 612. Jason Wason (born 1946) a footed stoneware vase, flaring conical form with applied lug handles, glazed with olive green splash impressed seal mark, 19cm. high £100-150

611

104

612

613. Mary Rogers (born 1929) a porcelain footed bowl, irregular section with fluted rim, painted with columns of radiating dots from the well, and another Mary Rogers bowl painted with radiating flower stems, applied paper gallery labels, 14cm. wide. £200-300

613

614. Geoffrey Swindell (born 1945) three porcelain vases, glazed in colours incised S marks, 15cm. high (tallest) (3) £300-500 Literature Lucie Rie, Hans Coper and Their Pupils, Sainsbury Centre for Visual Arts, page 62 catalogue number 110-112 for Swindell vases.

614 ‡ 615. Edmund De Waal (born 1964) a porcelain pouring jug, pale celadon glaze with bleeding blue rim, impressed seal mark, 8.5cm. high £100-200

‡ 616. Edmund De Waal (born 1964) a porcelain vase and cover, impressed panel, glazed flambe on a celadon ground impressed seal mark 13cm. high £150-250

615

616

‡ 617. Ian Godfrey (1942-1992) a stoneware bowl, the rim with pierced rim decoration, covered to the foot in a bronze glaze unsigned, firing cracks to pierced band 24cm. diam. £150-200 Provenance Private Collection.

617

‡ 618. Gwyn Hanssen Pigott (born 1935) a porcelain bowl, covered in a mottled cappuccino glaze impressed seal mark, 24cm. wide £300-500 Provenance Private Collection.

619. Peter Lane (born 1932) an early terracotta footed bowl, decorated in resist with abstract design in the style of the Picassoettes, incised signature 17cm. diam. £50-100

618 619

105

620. Janet Leach (1918-1997) a small Leach Pottery stoneware vase with lug handles, covered to the foot with a red and celadon running glaze, and three Avoncroft Pottery items attributed to Geoffrey Whiting, impressed seal marks, small chip to Janet Leach vase 12cm. high £150-250

620 621. Alan Spencer Green (1932-2003) a solifleur vase, covered in a pale ochre hare’s fur glaze, a pedestal bowl and four matt black box and covers etched monogram, chip to rim of one box 29cm. high £200-300

622. Peter Hayes (born 1946) a raku sack form vase, dated 1993, with solifleur aperture, glazed bronze, an Antonia Salmon burnished bowl and a porcelain bowl by Joanna Howells incised Peter Hayes 93, 19cm. high £100-200

621 ‡ 623. Julia Carter-Preston (1926-2012) an earthenware bowl, covered in a dark bronze glaze incised marks, two fine stress cracks to the rim 32cm. diam. £100-150

‡ 624. Betty Blandino (1927-2011) a hand coiled vase, ovoid with pulled rim, covered in a pitted buff glaze, the interior glazed brown impressed seal mark, 27cm. high £100-150

622

623 ‡ 625. Jon Middlemiss (born 1949) a stoneware pot, streamlined form with rectangular lug handle, resist decorated with blue panels on a grey ground, impressed seal mark, 32cm. wide £100-150

‡ 626. David Garland (born 1941) a large flat earthenware bowl, slip decorated with white under a brushed green glaze 43.5cm. diam. £100-150

625 624

‡ 627. Gabriele Koch (born 1948) Vessel with Groove, a smoke fired ceramic vase, etched signature 31.5cm. high £300-500 Provenance Gabriele Koch New Ceramics, Beaux Arts Bath, 2008 Private collection

106

626

627

628

629

628. John Ward (born 1938) a hand built stoneware vase. covered in a blue glaze with bronze patches, and another covered in a mottled white and pale blue glaze impressed seal mark, 9cm. high £100-200

‡ 629. John Ward (born 1938) a hand built stoneware vase with pinched in rim, covered in a mottled blue-green glaze over white impressed seal mark, 12cm. high £100-200

‡ 630. John Ward (born 1938) a hand built stoneware vase, shouldered form covered in an oatmeal glaze impressed seal mark, 11cm. high £100-200

631

630

‡ 631. John Ward (born 1938) a hand built stoneware bowl, with pinched in rim, glaze to inside and out with black and white bands, impressed seal mark, 9.5cm. high, 14cm. wide. £150-200

‡ 632. John Ward (born 1938) a hand built stoneware vase, slender from with pulled up rim, glazed with broad white stripe to top rim, over black ground impressed seal mark, 19cm. high £200-300

632

107

‡ 633. John Maltby (born 1936) a slab built vase, painted with an abstract harbourscape, in red and black enamels on a muff ground painted Maltby 24cm. high £600-1,000

‡ 634. John Maltby (born 1936) Two Birds and Wall, a large sculpture group, on wooden base signed and titled to base, paper label to base, 36cn, high, 35cm. wide £400-500

633

Provenance Godfrey Watt

‡ 635. Dame Lucie Rie D.B.E (1902-1995) a stoneware pouring vessel, ovoid with pulled rim, covered in a manganese glaze over grey impressed seal mark 9cm. high £500-1,000

634

108

635

‡ 636. Dame Lucie Rie D.B.E (1902-1995) a tea cup and saucer, decorated to the exterior with sgraffito lines in a manganese glaze over off white, impressed seal mark 12.5cm. diam. £400-600

636

‡ 637. Dame Lucie Rie D.B.E (1902-1995) a flaring bowl, decorated with fine sgraffito lines in manganese on a buff ground impressed seal 14.5cm. diam. £1,500-2,000

637

‡ 638. Dame Lucie Rie D.B.E (1902-1995) a flaring conical bowl, covered to the foot in an unusual pitted yellow-green glaze impressed seal mark, 10.5cm. high, 18cm. diam. £3,000-5,000

638

109

â&#x20AC;Ą 639. Dame Lucie Rie D.B.E (1902-1995) a porcelain footed bowl, covered to the foot with a yellow glaze, the rim with running manganese impressed seal mark, 11cm. high, 17cm. diam. ÂŁ4,000-6,000

110

‡ 640. Kate Malone (born 1959) a Garlic Bud vase, 2001, stoneware covered in a yellow crystalline glaze etched Kate Malone 19.5cm. high £500-800

‡ 641. Felicity Aylieff (born 1954) Asymmetric Vessel, 2000, a large white clay and glass terrazzo vase, 35.5cm. high £300-400

‡ 642. Christie Brown (born 1946) Head, 2000, a large brick clay and grog sculpture, 32cm. high £400-500

640

641

642

111

643. A Hancock & Sons Morris Ware vase designed by George Cartlidge, pattern C7727ted in colours on a bright blue ground printed and painted factory marks, facsimile signature 30cm. high £700-900

644. A Hancock & Sons Morris Ware vase designed by George Cartlidge, pattern C24, painted in colours printed and painted marks, facsimile signature 25cm. high £400-500

643

644

645. A Hancock & Sons Morris Ware vase designed by George Cartlidge, pattern C99, painted in colours printed and painted marks, 16cm. high £400-500

646. A Hancock & Sons Morris Ware vase designed by George Cartlidge, pattern C9, painted in colours printed and painted marks 15cm. high £350-450

645

646

647. A Hancock & Sons Morris Ware vase designed by George Cartlidge, pattern C1012, painted in colours printed and painted marks, facsimile signature 22cm. high £400-500

648. A Hancock & Sons Morris Ware vase designed by George Cartlidge, pattern C712, painted in colours printed and painted marks, facsimile signature 20.5cm. high £400-500

647

112

648

649. A Wemyss Pottery tankard, painted in colours with clover, on a white ground impressed mark, small chip to handle, 14.5cm. high £200-300

650. A Wemyss Pottery large tankard, painted with apples, in colours on a white ground impressed and painted Wemyss 14cm. high £200-300

649

650

651

652

651. A Wemyss Pottery Biscuit box and cover, painted with cherries in pink, brown and green on a white ground impresses, printed and painted marks, 12.5cm. diam. £180-220

652. A Wemyss Pottery large mug, painted with hens and cockerels in black, red and green on a white ground impressed Wemyss mark, 14cm. high £200-300

653. A Bernard Moore vase, shouldered baluster form, painted with a crane and finches flying above stylised clouds, covered in a flambe glaze painted Bernard Moore mark, rim frits 24cm. high £100-200

654. A pair of Bursley Ware Seed Poppy vases designed by Frederick Rhead, painted in colours printed factory marks, 28cm. high £500-600

654

653 655. A Royal Worcester ewer, dimpled ovoid form, printed and painted in colours and gilt with apple blossom spray, and another Royal Worcester jug smaller printed factory marks, 22cm. high £50-100

656. A Rosenthal porcelain After Newton plate designed by Sir Eduardo Paolozzi, printed to the well with Newton, the rim printed with geometric panels, printed Thomas Germany 31cm. diam. £100-150

655

656

113

657. ‘Simpkin’, ‘Amiable Guinea Pig’, ‘Simpkin’, ‘Ginger’, and ‘Tommy Brock’ five Beswick Pottery Beatrix Potter figures, painted in colours, various brown and gilt marks, tallest 12cm. high (5) £200-400 658. ‘Pig Wig’, ‘Benjamin Bunny’, ‘Pigling Bland’, ‘Mrs Rabbit’ and ‘Mr Benjamin Bunny and Peter Rabbit’ five Beswick Pottery Beatrix Potter figures, painted in colours printed gilt and brown marks, 11cm. high (5) £200-400

657

658

659. A large collection of Beswick Pottery and Royal Doulton Beatrix Potter figures, painted in colours, printed marks, (a lot) £400-600 660. ‘Peter Rabbit’, ‘Timmy Willie’, ‘Timmy Tiptoes’, ‘Jemima Puddleduck’, Mrs Tiggy Winkle’, ‘Tabitha Twitchit’ and ‘Mrs Rabbit’ seven Beswick Beatrix Potter figures, painted in colours, and a Beswick Tree stump display stand Tabitha silver mark, rest brown factory marks, stand 30cm. wide. (8) £100-150

659 661. ‘Duchess with Pie’ a Beswick Pottery Beatrix Potter figure, painted in colours printed brown mark 9.5cm. high £200-400

660

662. ‘Duchess with Flowers’ a Beswick Pottery Beatrix Potter figure, painted in colours printed gilt mark, 9.5cm. high £400-600 663. A set of Four modern Royal Doulton Art Deco Collection limited edition figures, modelled by Tom Potts, comprising Optimism HN4165, Ecstacy Hn4163, Destiny Hn4164 and Wisdom HN4166, painted in colours, in original boxes, (4) £700-900

661

662

663

114

664. Six Alice in Wonderland porcelain figures, painted in colours, comprising; Alice, Mad Hatter, Rabbit, Frog, Footman and King, printed Made in England, impressed titles, Mad Hatter 12cm. high £100-200

664

665 667 666

665. A Poole Pottery Contemporary Carafe vase designed by Alfred Read, pattern /YCS, painted with columns of stylised foliage in yellow and grey on a white ground, a Poole Pottery Chinese Blue vase and five other Poole Pottery items printed and painted marks, 19.5cm. high. (7) £150-200 666. A Poole Pottery Contemporary Carafe vase designed by Alfred Read, pattern X/PLT, painted with columns in Tropic Turquoise, Purbeck and Smoke grey, printed and painted marks, 38.5cm. high £100-200 Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 103 for a comparable Carafe vase illustrated.

668

667. A Poole Pottery Atlantis stoneware Helmet table lamp by Guy Sydenham, with carved chain-mail decoration to the exterior glazed white and turquoise, the interior carved with a bearded knight glazed orange impressed mark, incised monograms, professionally restored30cm. high £200-300

669

668. Terry Frost ‘Trewellard Blue - variant’ a Poole Pottery blank, painted in blue and black on a white ground, and a Terry Frost wall plate retailed by the Tate Gallery, unmarked, 35cm. diam. £150-250 669. Ron Hitchens, an eighteen tile panel, each cast in low relief with geometric design, glazed copperbronze, framed, signed Ron HItchens to the reverse, 51.5 x 31.5cm. £50-100 670. A large Poole Potter Studio sculpture by Tony Morris, deeply modelled as a tower of scaly fish, glazed in shades of green and blue, sold with the original Poole Pottery receipt minor restoration 38cm. high £800-1,200

670

115

671

672

673 674

CONTINENTAL CERAMICS 671. A Longwy Pottery Aesthetic Movement tile, enamelled with a bird flying past flower stems and a geometric border, in colours on a turquoise ground, mounted in wooden stand and nine English tiles printed with a floral design, Longwy tile 21cm square, stand 29cm. square £100-200

675 672. An Art Nouveau Ernst Wahliss pottery vase designed by Paul Dachsel, ovoid form, the shouldered modelled in relief with lily pad leaves, the stems looped to form handles, painted in pink and ochre, highlighted in gilt impressed marks, 13cm. high £100-200 673. A Jerome Massier Vallauris Pottery vase by Pierre Perret, shouldered form, impasto painted with daisy flowers in colours on a graduated blue ground, and a Pilkington’s Lancastrian twinhandled vase, covered in a golden lustre glaze impressed marks, painted marks, chips to Vallauris, handle missing to Pilkington’s vase 16.5cm. high £100-200 674. A tall French Art Nouveau vase, twin-handled form, printed and painted with garlands of roses in red and gilt on a blue ground, the neck decorated with a band of laurel, painted factory mark, 54cm. high £200-300

676

675. A Zsolnay Pecs model of a woman undressing, covered in a golden green lustre glaze, and an Art Nouveau continental pottery model of a draped nude female covered in a red lustre printed gilt mark, impressed 12, red figure with old restorations, 26cm. high £200-300 676. A large Fischer Hungarian pottery ewer, pierced form, the scrolling spout and handle with grotesque mask terminals, in colours on a cream ground, highlighted in gilt, stamped mark to base 46cm. high £200-250 677. A large Art Nouveau terracotta figural vase from a model by Artistide de Ramieri, modelled with a woman drinking from a waterfall, the tall neck with metal liner signed in the cast, minor chips, 56cm. high £400-500 678. A tall terracotta sculpture of a woman crouching cast from a model by Emil Caver, dated 1903, modelled crouching to pick up a frog, painted grey signed in the cast and dated 60cm. high £400-600

677

116

678

679

680

679. Six Richard Ginori earthenware flower pots, modelled, flaring cylindrical form, covered in sky blue, orange and vivid yellow glazes printed Richard Ginori mark 9.52.6, 11cm. high £400-600 680. A Richard Ginori coffee set for six designed by Gio Ponti, model no.5030, glazed black and white, comprising; coffee pot and cover, milk-jug, sugar basin and cover and six small cups and saucers printed Richard Ginori mark, 28-9-35, painted 5030, 17cm. high (9) £800-1,200 681. A Richard Ginori vase the design attributed to Gio Ponti, shouldered cylindrical form, painted with a patchwork design in shades of blue printed Richard Ginori mark, painted 5002/3427, fine hairline to inside of top rim, 23cm. high £400-600

681

682

682. Al Merito three Fornasetti plates designed by Piero Fornasetti, each printed in colours with medals, printed factory marks, numbers 3,4,5, chip to rim of one, 26cm. diam. £200-300 683. Pablo Picasso (1881-1973) Service Visage Noir, a Madoura pottery charger, designed 1948 in an edition of 100 impressed Madoura Plein Feu and Picasso Editions mark, painted edition Picasso, restored 42cm. diam. £500-800 Literature A.Ramie Picasso Catalogue de l’Oeuvre Ceramique Edite 1947-1971, Madoura, catalogue number 35.

683

684. A Saxbo Danish stoneware vase by Jais Nielsen, shouldered form modelled in low relief with saints and Roman soldiers gathered around the dead Christ figure, glazed green impressed and incised marks, 16cm. high £100-200 685. An Arabia Finland teapot and cover designed by Ulla Procope-Nyman, covered in a matt brown glaze, an Arabia stoneware dish, A Royal Copenhagen Faience tall vase and three other items printed marks, teapot cracked 16cm. high (6) £100-150

684

685

117

686. A collection of reference books on design, including; Liberty Style by Mervyn Levy, The Liberty Style by Victor Arwas, Nanny Still catalogue, Timo Sarpaneva a retrospective , 1994, Finnish Post War Glass (1945-1996) and Schmuck Burg Giebichenstein 1970-1992, and Taschen Decorative Arts Yearbooks (a lot) £100-150

686 687

687. Tom Gentleman (1892-1966) The Grey Horses, SP11 a school print, published by the Baynard Press, framed signed in the print, Studio Designs paper label to reverse 67 x 42cm (image) £100-200 688. ‘Artek 1935-1985’ a colour poster, framed 69 x 72cm. £50-100 689. Edward Rogers (1911-1994) a collection of black and white pattern designs on paper, dated circa 1975, mounted in seven frames 66 x 54cm. £100-200

688

689

690. Raymond Peynet (1908-1999) a lithographic print on paper, framed signed Peynet, numbered 171/175 65 x 49cm. £100-200 691. ‘L’Estampe Moderne’ a lithograph cover by Alphonse Mucha, Juin 1897 signed in the print 41 x 31cm. £200-300 692. ‘Clio’ thirteen lithographs by Alphonse Mucha, 1899, with hand gilding, individually framed signed in the print 12 x 8cm. £1,000-1,500 Literature Ann Bridges Alphonse Mucha The Complete Graphic Works, page 168 catalogue L.25 693. ‘Sitra’ an off-set lithograph by Alphonse Mucha, 1900, framed signed in the print 19 x 7cm (image) £150-200

690

691

692

118

693

694

694. ‘Ilsea’ four colour lithograph prints on paper by Alphonse Mucha, 1897, framed, signed in the print 29 x 20cm (sheet) £800-1,200 695. ‘Monaco - Monte Carlo’ a modern lithographic printed poster after a design by Alphonse Mucha, authorised by Jiri Mucha, framed, signed in pencil and numbered 230/350,, 57 x 39cm (image) £2,000-3,000 Literature Ann Bridges Alphonse Mucha The Complete Graphic Works page 59 catalogue A21 for the original design illustrated. 696. ‘Madonna with Child’ a colour heliogravure on paper by Alphonse Mucha, 1919, framed, 15 x 10.5cm. £300-400

695

697. ‘Slavia’ a colour heliogravure print by Alphonse Mucha, 1919, framed, and ‘The Feast of Svantovit on Rgen Island’ by Alphonse Mucha, 22 x 14cm. £150-200 698. ‘Kapitola III’ a colour lithograph by Alphonse Mucha, 1897, framed, 19.5 x 15cm (image) £300-400

696

697

698

119

699

700

LESLIE GOODAY PAINTINGS 699. Leslie Gooday O.B.E. (1921-2013) The Black Chimney, 1993 watercolour on paper, framed signed and dated lower left 36.5 x 10.5cm. £100-150

700. Leslie Gooday O.B.E. (1921-2013) Aztec 4 acrylic on paper, framed signed lower left 42 x 29.5cm. £100-200

701

701. Leslie Gooday O.B.E. (1921-2013) Cyclamen and Table Flowers acrylic on paper, framed signed lower right 31 x 28.5cm. £100-200

702. Leslie Gooday O.B.E. (1921-2013) Target acrylic on paper and collage, framed signed lower left 51 x 51cm. £100-200

120

702

703

703. Leslie Gooday O.B.E. (1921-2013) The Red Tulip, acrylic on paper, framed signed lower right 51 x 36cm. £100-200

704

705

706 704. Leslie Gooday O.B.E. (1921-2013) Hiram Abim, acrylic on board, framed signed lower right 56.5 x 26.5cm. £100-200

707

705. Leslie Gooday O.B.E. (1921-2013) The White Horse of the Apocalypse acrylic on paper, frame signed lower right 57 x 27cm. £100-200

706. Leslie Gooday O.B.E. (1921-2013) The Frog acrylic on paper, framed signed lower left 35 x 32cm. £100-150

707. Leslie Gooday O.B.E. (1921-2013) Abdo Nagi Pot acrylic on paper, framed signed lower right and monogrammed 45 x 25cm. £100-200

708. Leslie Gooday O.B.E. (1921-2013) Vases in a landscape (untitled) acrylic on paper, framed signed lower left 35 x 38cm. £100-200

708

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FURNITURE 709. A Liberty & Co Anglo Moorish bureau, with arched substructure and mashrabiya panel gallery applied paper label 62cm. wide, 93cm. high £200-300 Literature Daryl Bennett Liberty’s Furniture The Birth of Modern Interior Design, ACC, page 85 plate 3.46 for a sideboard with similar decoration.

709

710. An Arts and Crafts mahogany wallmounted display shelf possibly Shapland & Petter, the back inset with patinated metal fish roundel, stamped R930, 127 to back, , 67cm. high, 76cm wide £100-200

709 label

711. A James Shoolbred mahogany occasional table, possibly designed by H.W. Batley, model 9105, octagonal top over flaring legs and rectangular shelf stamped number 61 x 45cm top, 67cm high. £100-200 712. A Liberty & Co oak and leather firescreen, the rectangular Letho panel decorated with embossed foliate design applied leatho label 77 x 59cm. £150-250 713. A Heal’s oak Fine Feathers dressing table probably designed by Ambrose Heal, inset with pewter bird motif, Fine Feathers Make Fine Birds,107cm. wide, 140cm. high £300-500 Literature John Andrews Arts and Crafts Furniture, Antique Collector’s Club page 141 plate 147 for a comparable piece.

711 710

712

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713

714. A pair of Liberty & Co stoneware jardinieres designed by Archibald Knox, the tapering body with look handles, cast in relief with Celtic entrelac motif, stamped mark, weathered 36cm. high £1,000-2,000

714

715. An Arts and Crafts patinated copper twin-branch ceiling light, the pierced circular section body with pink silk hanging shade, with central rod flanked with three scrolling supports unsigned 53cm. diam. £200-300

716. A pair of Cotswold School oak pedestals or occasional tables, slender octagonal tops on tapering stem and radiating cruciform form foot unsigned 77cm. high £100-200

715 717. An Austrian Secessionist painted wood plant trough, rounded rectangular form, painted in black and white 80cm. high, 81cm wide £250-350

716

718. An Austrian bentwood hallstand in the manner of Thonet, flaring square section, with bentwood hooks, stamped NA & AFI to on leg 201cm high £100-200

719. A Paco Rabanne cream lacquered dining table, the faceted central pedestal supporting octagonal top with single extension leaf, remains of signature Paco Rabanne to side to top, 130cm. wide. £100-200

720. A Venini glass hanging ceiling light, thirty six cylindrical shades on a chrome frame, 44cm high £500-800

717

718

720 719

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721. A rare stag beetle coffee table designed by Francois Melin, brass segmented body, partially gilded and patinated, with rectangular glass top, 101.5 x 64cm. ÂŁ5,000-7,000

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λ 722. A gilt bronze and ivory figural casket cast from a model by Dominique Alonzo, modelled as a Renaissance lady, hinged at the plinth, on alabaster base stamped marks, 18cm. high £400-600 Provenance Christie’s (?) July 1986 lot 1248 Private collection

722 723

723. A gilt bronze candlestick cast from a model by Auguste Rubin, modelled as a female figure, supporting a foliate sconce, signed Rubin in the cast 29cm. high £300-500

724. A patinated bronze figural vide poche cast from a model by Auguste Rubin, hinged, modelled as an Art Nouveau maiden holding an oil lamp signed in the cast Rubin 20cm. high £200-300

724

725. An Art Nouveau patinated bronze figural lamp base cast from a model by M Meliodon, modelled as a female figure, back arched and arms outstretched, on ebonised wood base signed in the cast, 54cm. high £400-600

725

726. Shackled a large patinated and cold painted bronze figure cast from a model by Emmanuel Villanis, modelled as a nubina slave, bare-breasted with red skirt and turban, signed in the bronze E Villanis 59.5cm. high £1,000-2,000

726

125

727. Moe a patinated bronze bust cast from a model by Emmanuel Villanis, on titled socle, signed in the cast E Villanis, 26.5cm. high £400-600

728. A pair of patinated bronze Art Nouveau busts cast from a model by H. Vidal, on red veined marble bases, signed in the bronze cast 20cm. high £400-600

728 727 729. Frinette a patinated bronze bust cast from a model by Emmanuel Villanis, on waisted, titled socle signed in the cast E Villanis, stamped A513, 22cm. high £300-500

730. Diane a patinated bronze bust cast from a model by Emmanuel Villanis, on titled socle signed in the cast E Villanis, impressed foundry roundel 21cm. high £300-500

730 729 731. Dancer with Flowers a patinated bronze bust cast from a model by V Bruymee signed in the bronze, Paris 25cm. high £400-600

732. ‘Silvia’ a patinated bronze cast from a model by Emmanuel Villanis, on titled waisted socle, on red veined marble base signed E Villanis in the cast with foundry mark, and numbered 6438 30cm. high £500-800

731

126

732

733. A patinated bronze figure of Victory, standing on an orb, on waisted socle and square base, unsigned 19cm. high £100-150

734. A silvered bronze model of a woman holding a garland of flowers cast from a model by Helene Grunne, signed in the cast Helen Grunne and foundry mark, 29cm. high £200-300

733

734

735. Reveil a gilt bronze figure cast from a model by Paul Philippe, on veined green onyx base, signed in the cast Philipe, 40cm. high £500-800

736. A pair of Art Nouveau patinated bronze vases cast from a model by Edmond Moreau-Sauve, cast with twinhandles, the rim flower encrusted on sinuous foliate stems, on white marble bases, signed in the case Moreau Sauve 49cm. high £1,000-1,500

737. A Secessionist silver hand-mirror and hairbrush, cast in low relief with geometric design, a Secessionist patinated brass inkwell, a stamp box similar, an enamelled glass vase in the manner of Emile Galle and a glass vase decorated with monkeys, stamped marks, damages, mirror 30cm long; (6) £100-200

735 736

738. ‘Albert Carre’ a bronze plaque cast from a model by Alexandre Charpentier, signed AC in the case 8 x 7cm. £50-100

738

737

127

739

739. Ivor Abrahams (1935-2015) Gymnasts, three patinated bronze figures, signed in the cast 25cm. wide

£1,500-2,000

‡ 740. Terence Coventry (born 1938) Owl (silver), 2006 cast sterling silver in an edition of 10 signed in the cast TC 6/10 and assay marks, 13.5cm. high £800-1,200 Provenance Gallery Pangolin, 2006 Private collection. Literature Terence Coventry, Gallery Pangolin, 2006 exhibition catalogue this actual sculpture illustrated. 741. Richard Cowdy Swimming Pool, 1975 patinated bronze signed and dated 75 in the cast 60 x 34cm.

740

128

£300-400

741

742

743 742. ‘Beethoven’ an Arts and Crafts carved mahogany frame, rectangular, carved with foliate columns and set with patinated copper life masks, incised musical score for Andante Cantabile, with print dated Paris 1901, 90 x 58.5cm. £300-500 743. An Arts and Crafts copper frame, rectangular, stamped in low relief with thistle and Robbie Burns quotes, with Burn’s Grace print by Henry John Dobson ARCA (18581928), 62 x 52cm. £100-200 744. An Art Nouveau Orivit three piece tea set on a tray, model 2173-2175, cast in low relief with flowering foliage sprays, comprising teapot and cover, hot-water pot and cover and milk-jug, on a twin-handled tray stamped marks, tray 43cm. wide. £100-200

744

745

745. A Tiffany Studios bronze desk letter rack, cast in low relief and set with mother of pearl disks stamped Tiffany Studios New York, etched 452, 16cm. wide £200-300 746. A pair of W.M.F pewter and glass decanters, with hinged covers, the cast with flowers, the glass body with cut foliate design stamped marks, 26cm. high £200-250

747 747. A Secessionist copper and brass tray designed by Gustave Serrurier-Bovy, swollen rectangular form the rim and handles with pierced decoration unsigned 53.5cm. wide £350-450

746

748. A patinated copper tray, rectangular, the well cast in low relief with a water nymph pulling a fairy across a pond on a lilypad signed in the cast D R Kuck, 29.5cm. wide £200-300 749. An Elkington & Co Egyptian Revival centrepiece, dated 1881, the pierced lozenge base set with two Sphinx, below scallop shell and lotus flowers, with cut glass bowl, with commemorative inscription, stamped marks, 28cm. wide £300-500

748

749

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750. A Liberty & Co Tudric Pewter three piece tea set, model no.0303, cast in low relief with a stylised foliate panel, comprising teapot and cover, milk-jug and sugar basin stamped marks, 12.5cm. high £100-200 751. A Liberty & Co Tudric Pewter jug designed by Archibald Knox, cast in low relief with Art Nouveau whiplash design, a Liberty tray designed by Archibald Knox and a four piece pewter teaset stamped marks, 20cm. high £200-400

750

752. A Liberty & Co English Pewter three piece coffee set designed by Archibald Knox, model no.0231, cast in low relief with whiplash Honesty, comprising coffee pot and hinged cover, milk-jug and sugar basin, stamped marks, 22cm. high £250-300

751

753. A Liberty & Co Tudric Pewter vase designed by Archibald Knox, bombe form on tripod foot, cast in low relief with Art Nouveau foliate design, another pewter vase model 0821 and a tray designed by Archibald Knox, stamped marks 19cm. high (3) £200-400

752

754. An Arabia Pottery teapot and cover designed by Ulla Procope-Nyman, covered in a matt white glaze, a Royal Copenhagen polished metal desk tidy, a Stelton coffee pot and a collection of items printed factory mark, 15.5cm. high £100-200

753

755. A Best & Lloyd polished aluminium table lamp designed by Gerald Abramovitz, 51cm. high, 72cm. wide £150-250

754 755

Catalogue Notes This lamp won a Design Centre Award in 1966 and was exhibited at the Philadelphia Museum of Art exhibition Design Since 1945, (1983-84) 756. ‘Arundel’ a screen-printed textile designed by John Piper, printed by Arthur Sanderson printed selvedge, 214 x 118cm £100-200 757. A perspex and polished aluminium Lumitron table lamp designed by Robert Welch, 54cm. high £200-300 758. An Olivetti Valentine typewriter designed by Ettore Sottsass, designed 1969, a Tam Tam stool designed by Henry Massonnet and a Secticon desk clock designed by Angelo Mangiarotti, clock 24cm. high (3) £100-200

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756

757

758

759. A Liberty & Co Cymric silver button, cast in low relief with a pomegranate, and another Liberty & Co Cymric silver button cast with a sailing boat, stamped marks, Birmingham 1901 2cm. diam. £50-100 Literature Barbara Morris Liberty Design, Chartwell Books, page 84 for a Cymric rose bowl with similar pomegranate design, attributed to Bernard Cuzner.

759

760. A Charles Horner Art Nouveau silver hatpin, cast and pierced with a simple berry and entwined foliate design, and seven other hatpins stamped marks, 18cm. long (8) £200-250

761. A Liberty & Co 9ct gold enamel and seed pearl brooch designed by Archibald Knox, made by W H Haseler, modelled as an Art Nouveau entwined foliate stem with green enamel leaf, set with three small seed pearls, stamped marks, London 375, 1941 £800-1,200

760

762 762. A set of six Liberty & Co silver and enamel spoons the design attributed to Archibald Knox, the flower terminals enamelled green and blue, in original fitted case, stamped marks, Birmingham 1922 9.5cm. diam. £500-600

761

763. A William H Haseler silver and enamel card case, rectangular, hinged form, cast in and stamped in low relief with a vase of flowers, enamelled black petals, stamped marks, WHH Birmingham 1924, 8.5 x 6.5cm. £200-300

764. John William Bailey (1831-1914) Ch. Brocidlea, 1908 miniature enamel portrait of a bulldog, framed signed, titled and dated lower right 7 x 6cm. (panel) £200-300

764

763

765. A novelty Parasol glass and metal desk clock, with German movement, the dial with Arabic numerals and rose garland decoration 16.5cm. high £150-200

766. A Hermes bronze and tortoiseshell picture frame, rectangular with easel back, stamped Hermes Paris 27 x 21cm. £200-300

765 766

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767. A Novelty Screw electroplated desk tidy unsigned 16cm. high £100-150 768. A Modernist patinated metal sculpture, textured finish with applied cast roundel of musical instruments, on stepped ebonised wood base 41cm. high £100-150 769. a large collection of Novelty cruets, including ceramic, glass and plastic (a lot) £50-100 770. A Novelty aeroplane electroplated teapot and cover, with ebonised wood handle, unsigned 24cm. wide £150-200

767

771. A Georg Jensen silver christening spoon and fork, the flaring stems stamped Hugh, a Bernard Instone silver butter knife with turquoise enamel roundel and two other silver spoons stamped marks 14cm long £100-200

768

772. A Georg Jensen silver coaster, model no.51D, decorated with a simple band of flowering vine, and four smaller coasters stamped marks, 11.5cm. diam. £300-400 773. A set of six Georg Jensen Acorn silver knives and forks, in original fitted box, with silver blades and handles, stamped marks, 17cm. high £400-500

769 770

774. A Georg Jensen silver necklace, modelled as a simple leaf wrapped around a ball chain, stamped mark, facsimile signature 5cm wide (leaf) £250-300 775. A Georg Jensen silver brooch, model no.251, pierced rectangular form cast with twin leaping dolphins stamped marks, 4cm. wide £200-250 776. A Georg Jensen silver brooch, model no.301, modelled as a wreath of tulip flowers stamped marks, 3.5cm. diam. £150-200

771 772

132

773 774

775

776

777. A silver link bracelet, by T E From, two silver neck rings and a collection of jewellery stamped marks, 16.5cm. wide £100-200

778. A Flora Danica silver gilt brooch by Eggert Denmark, by Orla and Grethe Eggert, modelled as a leaf, and another larger stamped marks, largest 6cm. wide £50-100

778 779. A Stratton enamelled metal compact, circular with hinged cover, enamelled with Egyptian panel in black and orange, a Lucien Lelong white enamelled compact and two other enamelled compacts stamped marks 8cm. diam. (4) £100-150

777

780. Two French hand-clasp celluloid cigarette cases, one marbled cream, with yellow sleeved ivorine hand holding a green pebble forming the clasp, the other in a deep chocolate and blue marble, the blue checked sleeve hand curving over the edge as the clasp stamped Foreign, £200-250 Literature The Pursuit of Style John Jesse at Kensington Church Street, Sotheby’s 22nd February 2006 lot 268 for two identical cigarette cases Bevis Hillier The World of Art Deco The Minneapolis Institute of Art, London, page 176 for comparable.

780

779

781. A large Russian samorodok silver and amber compact, circular, the hinged cover set with panels of Amber inset with impurities and a captured fly, the base a textured samorodok silver finish, with original felt pouch unsigned 10cm. diam. £100-150

782. A Tiffany & Co compact, square section, L’Odeon style with radiating sunburst, set with yellow metal geometric clasp with three rubies, in original felt case stamped Tiffany & Co 14K 6cm. square £100-150

783. A Dhassy Brevete enamelled metal compact, canted square section, the hinged cover enamelled with geometric design set with egg shell, a Coty Powder box and cover designed by Rene Lalique, a lipstick case with Peynet figure decoration and thirteen other compacts and containers stamped marks, 5cm. square £100-150

781

782

783

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Asian Art Wednesday 20th & Thursday 21st May 2015

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

A fine and rare pair of Chinese Imperial pale celadon jade models of jardiniĂ¨res, Qianlong 1736-96, 37.5cm overall. Provenance: a distinguished private collection in the UK, purchased from John Sparks Ltd. Estimate: ÂŁ40,000-60,000

Arts & Crafts Wednesday 17th June 2015 Closing date for entries 23rd April

A rare Liberty & Co silver clock, model no. 579, stamped marks, London 1900. Estimate: ÂŁ3,000 - ÂŁ5,000

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Clocks, Watches & Scientific Instruments Friday 17th July 2015 Entries are now being accepted for this sale

ENQUIRIES Richard Price (Consultant) Tel: +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

Part of a collection of fifty carriage clocks, including silver and gold mounted examples. Varying estimates.

Fine Porcelain & Pottery Tuesday 15th September 2015 Entries are now being accepted for this sale

A rare English delftware dry drug jar, dated 1663, inscribed ‘DIASCORDIUM’ for Water Germander, cultivated in Britain for use as an antidote to poisons and as an antiseptic. Estimate: £1,5000 - £2,000

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

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Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

LW AY W ES T IL

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CENTRAL CAR PARK

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MARLBOROUGH & SWINDON

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WILTON & WARMINSTER

Sarum Business Park

Westover Garage

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Old Sarum Park

A36(T) CH URC HIL L

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A3 60

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

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Old Sarum Kia Motors

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

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CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

r Po

A345 Castle Rd

L C ANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

T ST ANN S

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

SOUTHAMPTON CATHEDRAL

UT SO

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

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A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

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ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

A354 DORCHESTER WEYMOUTH & BLANDFORD

SALT LANE

LANE

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A36(T) SO UTHA MPT ON R

BED

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WOO L LE Y & WA L LI S Absentee Bid Form Clarice Cliff, Art Deco & 20th Century Design

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 15th April 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR 2015 20TH CENTURY DESIGN 17th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 21st April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk SILVER 29th April 14th & 15th July 28th October Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 30th April 16th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 20th & 21st May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 3rd June – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 1st July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk