Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

20th Century Design

Wednesday 9th October 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

—

ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Alex Doméracki Freya Yuan

424505

424506 424591

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 ENGLISH & EUROPEAN CERAMICS & GLASS John Axford MRICS ASFAV — 424506 FURNITURE Will Hobbs Gemma Bush Mark Richards Jim Gale

— — — —

339752 339752 411854 339161

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

—

424504 424595

MODERN BRITISH ART Michael Jeffery Victor Fauvelle

— —

424505 424503

PAINTINGS Victor Fauvelle Jo Butler

— —

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

— —

424501 424594

Tribal Art Will Hobbs

—

339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS & OFFICE MANAGER Janice Clift — Ruth Pike MARKETING Tamzin Corbett GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

424500

—

424590

—

424500

—

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

—

424599

20TH CENTURY DESIGN

INCLUDING THE COLLECTION OF LESLIE GOODAY OBE

Wednesday 9th October 2013 at 10.00am Viewing Times Saturday 5th October Monday 7th October Tuesday 8th October Wednesday 9th October

10.00am – 1.00pm 10.00am – 6.00pm 9.00am – 4.30pm 9.00am – 10.00am

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm on Tuesday 8th October. There is no surcharge for using this service.

Front cover: Lot 1704 Back cover: Lot 1096 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please note all items of furniture will be removed to the Old Sarum warehouse on Monday 14th October.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

CONDITION OF LOTS Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

INDEX Glass Lalique Glass Ceramics Dennis Chinaworks Clarice Cliff Troika Continental Ceramics Design Works on Paper Dodo Burgner Furniture and Textiles Sculpture Metal Ware Liberty & Co The Leslie Gooday Collection

1001-1215 1119-1149 1216-1518 1347-1363 1364-1406 1407-1433 1434-1518 1519-1591 1592-1654 1601-1620 1655-1703 1704-1739 1740-1891 1877-1891 1892-1967

1001 1004

1003

1002

1005 1006

GLASS 1001.

Eight various Victorian soda glass weights, largest 14cm. high

£50-100

1002. A pair of Legras enamelled glass vases, slender cylindrical form with everted fluted rim, blue glass enamelled with carnation flowers, highlighted in gilt unsigned 34cm. high £250-350 1003. A Moser Karlsbad amethyst glass vase, shouldered faceted body with everted rim, decorated with a band of acid-etched Classical warrior figures, highlighted in gilt etched mark to base 19.5cm. high £250-350

1007

1004. A Moser Karlsbad amethyst glass vase, the faceted body with everted rim, decorated with a band of classical warriors, in gilt acid etched mark to base 29cm. high £200-300

1005. A Moser Karlsbad blue glass vase, ovoid with acid etched band of warrior figures, highlighted in gilt etched marks to base 10cm. high £100-150

1006. A pair of Webb purple overlay flash cut vases, cut with stylised flowers and geometric panels, on clear glass foot, acid-etched Webb mark, 25cm. high £80-120

1007. A pair of Art Nouveau enamelled glass panels, painted with flag iris and anemone flower stems in shades of pink, yellow and green, framed unsigned 75.5 x 15cm. £200-300 1008. A large Baccarat engraved glass vase, flaring, rectangular section, engraved to both sides with a school of chimpanzees acid etched mark to base, 35cm. high £1,200-1,800 1008

1011

1012

1010

1009

1014 1016

1013

1015 1009. A Continental Secessionist pewter and iridescent glass vase, in the style of Loetz, unsigned 26cm. high £100-200 1010. A Loetz glass vase, shouldered form with pulled fluted rim, covered in a green lustrous glaze unsigned 22cm. high £150-200 1011. A Loetz glass vase, tapering form with pulled rim, covered in a veined golden iridescence unsigned 9cm. high £80-120 1012. A set of four Theresienthal hock glasses, the ribbed green bowls supporting clear, faceted bowl enamelled with green and black vine frieze 19cm. high £80-120 1013. A Loetz glass vase, ovoid form, the dimpled glass covered in a golden iridescent finish unsigned 9.5cm. high £200-300 1014. A novelty desk lamp modelled as a stylised dragonfly, the iridescent glass body probably Austrian, unsigned 29cm. long £300-400 1015. An Austrian iridescent glass vase, possibly Loetz, shouldered form with square section neck and four circular prunts, covered in a lustrous green glaze unsigned 15cm. high £100-150 1016. A collection of reference books on design, mainly glass, including Glass Art Nouveau to Art Deco by Victor Arwas £50-100 Provenance Albert E Wade Collection

1017

1017. A Wiener Werkstatte enamelled glass goblet, the shape designed by Josef Hoffman, the design by Reeke the bowl painted with bell flowers, the foot a chevron design in blue and red enamels enamelled WW mark to side 20cm. high £400-500 1018. A pair of Loetz Melusina glass flower stands designed by Leopold Bauer, cylindrical textured form, each applied with three medallion prunts with gilt surface decoration 21cm. high £1,000-1,500 Literature Studio Yearbook 1907, for comparable vases illustrated 1019. An Austrian iridescent glass Propellor vase probably Loetz, surface decorated glass with iridescent finish, unsigned 16.5cm. high £100-200

1018

1019

1020

1021

1022

1023

1024

1025

1020. A tall Loetz glass vase, ovoid body with swollen bottle neck and everted rim, pale yellow golden glass with iridescent splashes and pulls 30.5cm. high £500-800

1021. A Loetz glass vase the design attributed to Marie Kirschner, diamond section, the slender vase flanked with two handles to the base, iridescent finish highlighted in yellow unsigned 40.5cm. high £600-800

1022. An Austrian green glass vase the design attributed to Marie Kirschner for Loetz, the slightly tapering square section body supported on four loop stems and one central slender column, on square base unsigned 15.5cm. high £100-200

1023. A Loetz Carrageen green glass vase, dimpled and waisted form with pinched top rim, striated silver cased in pale green unsigned 25cm. high £1,200-1,500 Literature Hatje Cantz Loetz Bohemian Glass 1880-1940 Neue Galerie, page129 catalogue number 84 for a comparable vase in blue.

1024. ‘American Art Nouveau Glass by Albert Christian Revi’ and a collection of books and reference material on glass and design £50-100

1025. A Steuben glass shade, fluted rim, with pulled lustrous design 12cm. high £100-200

1026. A Tiffany Favrile solifleur glass vase, compressed form with cylindrical neck and everted rim, surface decorated with waterlily leaves on sinuous stems, on a golden iridescent ground etched 4071J L C Tiffany Favrile 15cm. high £1,300-1,500 1026

1029

1028 1027

1030

1033 1032

1031

1027. A La Verre Francais cameo glass vase, slender, waisted form decorated with flower stems in blue on an orange ground, etched Le Verre Francais to the foot, remains of a paper label to base 18cm. high £150-200 1028. A Legras internally decorated glass plaffonier, internally decorated with chestnut leaves in brown on a mottled green ground, cased in clear enamel signature to rim, 34cm. diam. £150-250 1029. A Daum Nancy cameo glass lamp shade, tapering square section, acid etched with a lakeside landscape in green over pale yellow, with metal mount cameo Daum Nancy mark, 15.5cm. high £500-800 1030. A La Verre Francais cameo glass ewer, slender form with applied loop handle, purple glass acid etched with stylised flower design etched La Verre Francais 37.5cm. high £300-500 1034

1031. A Daum Nancy miniature bowl, enamelled with red flowers enamelled Daum Nancy France to side 5.5cm. diam. £1,000-1,500 1032. A Daum Nancy Winter Landscape miniature bowl, enamelled with snow laden trees enamelled Daum Nancy France 5.5cm.diam. £1,000-1,500 1033. A Pair of Daum Nancy enamelled glass miniature bowls, each painted with fuchsia in colours acid etched Daum Nancy 5.5cm. wide £800-1,200 1034. A Daum Nancy Winter Landscape enamelled glass vase, slightly swollen cylindrical form, decorated with snow laden trees enamelled Daum Nancy mark 12cm. high £1,500-2,000

1035. A Daum Nancy acid etched and enamelled glass vase, the ovoid body decorated with violets painted Daum Nancy in gilt to base 8.5cm. high £1,500-2,000 1035

1037

1036

1036. A Daum Nancy enamelled glass box and cover, circular section, painted with aquilegia flowers in pink and green painted Daum Nancy mark to side 10cm. diam. £1,500-2,000

1038 1037. A Daum Nancy acid-etched glass bowl, quatre-lobed section, decorated with rosehips, acid etched signature 12.5cm. diam. £1,200-1,800

1038. A Daum Nancy acid-etched glass vase, diamond section, decorated with a lakeside landscape acid-etched Daum Nancy mark 11cm. high £1,500-2,000

1039. A good Art Nouveau Galle cameo glass Honeysuckle table lamp by Emile Galle, the tapering conical shade and body overlaid with coral red flowers and foliage, on an amber glass ground, with gilt bronze mount cameo signature Galle to shade and base, remains of paper label to base 30cm. high £1,000-2,000 Provenance Albert E Wade Collection 1039

1040

1041

1042

1043

1044

1040. A collection of books on 20th Century design, including glass £50-100 1041. A Stevens & Williams glass vase, ovoid with everted rim and applied handles, aubergine glass with silver inclusions, cased in clear unsigned 11.5cm. high £100-200 1042. A Stevens & Williams faux rock crystal decanter and stopper, the square section body cut with simple flower stem panels, with tear drop stopper unsigned 31cm. high £500-600 1043. A Stevens & Williams faux rock crystal bottle with silver cover, body with cut flower decoration, hinged cover stamped marks to collar, marks rubbed 15cm. high £150-250 1044. A collection of thirty-four Morris & Co glass quarries, square, painted with simple wild flower sprays 15.5cm. square £800-1,200 Literature These identical designs are used as the background glass for the Morris & Co Angels with Harp and Horn panel held in the Montreal Museum of Fine Art. 1045. A Large James Couper & Sons Clutha glass vase designed by Dr Christopher Dresser, ovoid with tall cylindrical neck and everted rim, mottled green glass with air bubble inclusions and white and aventurine swirls unsigned 55.5cm. high £600-800 Literature Widar Halen Christopher Dresser, A Pioneer of Modern Design, Phaidon, page 172 and 173 for comparable Clutha shapes 20th Century Design 14th October 2009, Woolley and Wallis Auctioneers lot 617 for an identical vase.

1045

1047

1046

1050

1051

1048

1052

1049

1046. A James Powell & Sons Whitefriars Blue Opal glass vase, probably designed by Harry Powell, gently fluted, waisted cylindrical form, another similar and a footed vase unsigned 23cm. high £250-350 Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 101 plate 22 for comparable pieces 1047. A James Powell & Sons Whitefriars straw opal glass vase, waisted cylindrical form, engraved with blackberry fruiting stems, and two other straw opal vases unsigned 8.5cm. high £200-300 1048. A James Powell & Sons Whitefriars sea green glass vase, with applied strap handles, with applied rigoree bands to the neck unsigned 20cm. high £200-300 1049. A James Powell & Sons Whitefriars glass decanter and stopper, ovoid, footed form with flaring pinched rim and ball stopper, engraved with peacock feathers unsigned 26cm. high £500-800 1050. A pair of Stuart glass vases, footed form the flaring body with swollen neck and applied green teardrop prunts, and another Stuart amber glass vase unsigned 15cm. high £80-120

1053

1051. A pair of James Powell & Sons Whitefriars Roman cut glasses designed by Harry Powell, eight other tables glasses and five tot glasses unsigned 11cm. high £150-250 Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 103 plate 28 for identical glasses. 1052. A pair of James Powell & Sons Whitefriars amber glass goblets, with applied prunt and rigoree band decoration, another similar and a pedestal bowl unsigned 12cm. high £150-250 1053. A James Powell & Sons Whitefriars solifleur vase, tapering, waisted body with everted rim, pale blue-green glass streaked with red and white, with aventurine inclusions, unsigned 10.5cm high £500-800 Literature Wendy Evans, Catherine Ross and Alex Werner Whitefriars Glass James Powell & Sons of London, Museum of London, page 98 plate 104 for a comparable vase. 1054. A James Powell & Sons Whitefriars Water Lily goblet, originally designed for the Prince of Siam, the tapering stem with gold aventurine knop and flaring bowl, engraved with a band of Art Nouveau flowers on sinuous stems unsigned 14.5cm. high £400-600 Literature Wendy Evans, Catherine Ross and Alex Werner Whitefriars Glass James Powell & Sons of London, Museum of London, page 81 plate 82 for comparable decanters, a finger bowl and a vase. 1054

1059

1055

1056

1057

1058

1060

1055. A James Powell & Sons Whitefriars sea green glass decanter, the flattened body with applied handles, on applied foot, engraved with geometric decoration, unsigned 26.5cm. high £150-200 1056. A James Powell & Sons, Whitefriars shallow cut clock face decanter and stopper, designed by Harry Powell, on applied foot, cut with stylised flower design unsigned 31cm. high £200-300

1061

1057. A rare James Powell & Sons, Whitefriars amber glass decanter, ovoid form with cylindrical neck, with silver mount and cover surmounted with Japanese ivory netsuke finial stamped marks JATS London 1885 20cm. high £400-600 1058. A James Powell & Sons, Whitefriars Amber glass Serpent vase designed by Harry Powell, circa 1910, the slightly swollen cylindrical body applied with three spiral serpent bands with shell terminals, 23.5cm. high £200-300 Literature Evans, Ross & Werner Whitefriars Glass, Museum of London, page 126 plate 132 for an identical vase. Also page 276 plate 426 for the design dimensions and reference to the inspiration from a painting by Hubert van Ravesteyn.

1062

Lesley Jackson Whitefriars Glass, The Art of James Powell, Richard Dennis, page 112 plate 71 for a comparable vase. Provenance Applied Arts, Sotheby’s 28th October 1997 lot 135. 1059. A James Powell & Sons Whitefriars amethyst glass vase, flaring cylindrical form with applied spiral ribbon trail, and a Sea Green glass bowl designed by Barnaby Powell unsigned vase 20.5cm. high £80-120 Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 122 plate 105 for an identical bowl. 1060. Two James Powell & Sons Whitefriars amber glass Lotus bowls, modelled in stages of the flower opening, a Webb Bowl and a collection of glass including Whitefriars and Stuart, 28cm. diam. £150-250 1061. A James Powell & Sons Whitefriars streaky glass bowl, the shape designed by William Butler, streaked green glass on applied foot, and a ruby red bowl with applied amber ribbon trailing unsigned 17cm. high £150-250

1063

Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 118 plate 93 for examples of this shape. 1062. A James Powell & Sons Whitefriars ruby glass ribbon trailed bowl, probably designed by Barnaby Powell, on applied foot, 29cm. diam. £50-100 Literature Lesley Jackson, Whitefriars Glass, The Art of James Powell & Sons Richard Dennis Publications page 123 for comparable forms 1063. A Webb amber glass vase, flaring cylindrical form, cut and frosted with a band of stylised waterlily acid-etched mark, 25cm. high £150-200 1064. A James Powell & Sons Whitefriars glass vase by William Wilson, gold amber glass, cut with geometric panels and arched column design, unsigned 22.5cm. high £300-500 Literature Lesley Jackson Whitefriars Glass the Art of James Powell & Sons Richard Dennis Publications, page 128 plate 124 for a comparable form,

1064

1065. A James Powell & Sons Whitefriars Cloudy vase, swollen cylindrical body mottled white and green, cased in clear and a pink footed bowl similar unsigned 23.5cm. high £120-180 Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons Richard Dennis Publications, page 118 plate 94 for comparable forms.

1066. A Gray-Stan glass vase designed by Mrs GraydonStannus, blue and white swirling glass cased in clear, on applied clear glass foot acid-etched signature to base 16.5cm. high £80-120

1065

1066

1067. A James Powell & Sons Whitefriars Cloudy Lattice glass pot and cover, circular section, white trailed glass cased in clear unsigned 12.5cm. diam. £150-250

1068. A James Powell & Sons Whitefriars glass lamp base/vase, shape 8942, white threaded glass combed into herringbone pattern, cased in clear unsigned 30cm. high £300-400

1067

1068

Literature British Glass Between the Wars, Broadfield House, page 84 catalogue number 255 for an identical piece

1069. A James Powell & Sons Whitefriars sapphire glass vase designed by William Wilson, swollen cylindrical form, cut with geometric circle panels, unsigned, small nick to top rim 20.5cm. high £250-300

1070. A James Powell & Sons Whitefriars cut glass Comets vase by William Wilson, emerald blue glass, flaring cylindrical form, cut with star and lens design unsigned 21.5cm. high £80-120 Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons Richard Dennis Publications, page 128 plate 123 for comparable forms

1069

1070

1071. A James Powell & Sons Whitefriars glass vase designed by James Hogan, sky blue glass with amethyst bubbled ribbon trailed decoration unsigned 24cm. high £200-300 Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 125 plate 115 for an identical vase.

1072. A James Powell & Sons Whitefriars glass vase by James Hogan, the sky blue body with amethyst bubbled ribbon trail, unsigned 24cm. high £150-200 Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 125 plate 115 for an identical vase. 1071

1072

1073

1074

1077

1075

1078

1076

1079

1080

1073. A James Powell & Sons Whitefriars threaded glass bowl, flaring form internally decorated with red threading, and two vases similar unsigned 23.5cm. diam. £100-200 1074. A John Walsh Walsh Leaf vase designed by Clyne Farquharson, the flaring cylindrical vase with polished design, on applied foot, a pink flashed vase, possibly Val St Lambert and a lamp base, leaf vase 20cm. high £100-150 Literature Roger Dodsworth British Glass Between the Wars, Dudley Leisure Services, page 68 catalogue numbers 118 and 121 for this shape and design illustrated Charles R Hajdamach 20th Century British Glass Antique Collectors’ Club page 165 plate 344 for the original design for this vase. 1075. A Stevens & Williams Royal Brierley flaring glass vase, the slightly fluted clear body with blue wavy thread, and another flaring glass vase applied with black thread, possibly Stuart 25cm. high £150-200 1081

1076. A James Powell & Sons Whitefriars ruby glass bowl, flaring, faceted form, a Whitefriars Knobbly vase, two vases and a Webb Bullseye vase unsigned 24.5cm. diam. £80-120 1077. A James Powell & Sons Whitefriars sapphire blue glass vase, thin swollen cylindrical glass body with everted rim, and a James Powell & Sons blue sapphire Lotus bowl unsigned 25cm. high £80-120 1078. A James Powell & Sons, Whitefriars glass vase designed by Edward Spencer, flaring cylindrical purple glass with bubble inclusions, applied with prunts and rigoree band unsigned 12.5cm. high £200-300 1079. A James Powell & Sons Whitefriars glass vase, made for the Artificers Guild, mottled brown graduating to white cased in clear unsigned 19.5cm. high £200-300 1080. A Stevens & Williams Royal Brierley glass cocktail shaker made for Harrods, the clear glass body with dark blue wavy threaded decoration, with Hukin & Heath electroplated cover, the cover stamped H&H Harrods, the glass with etched regd number rd no.718885 22.5cm. high £100-150 1081. A James Powell & Sons Whitefriars glass vase designed by Gertrude Jekyll, model no. 25, waisted cylindrical form, and another model no.26 designed by Gertrude Jekyll, unsigned tallest 23.5cm. high £300-400 Literature Wendy Evans, Catherine Ross and Alex Werner Whitefriars Glass James Powell & Sons of London,Museum of London, page 265 the original range illustrated in line drawing.

1082

1082. A Stevens & Williams Chunky Crystal glass vase designed by Constance Spry, urn shape on applied foot, the body with moulded ripple decoration unsigned 22cm. high £100-200 Literature Charles Hajdamach British Glass of the 20th Century, ACC page 154 plate 312 for a comparable vase

1083 1084

1085 1083. A Monart glass vase, shouldered form with cylindrical neck, mottled blue glass graduating to pink with whorls, and another Monart glass vase unsigned 33cm. high £100-200

1084. A large Strathearn glass bowl, mottled green graduating to blue rim with aventurine inclusions, another bowl and six other items unsigned 41cm. diam. £100-200

1085. A Vasart glass tulip lamp, mottled brown graduating to pale lemon glass with coloured inclusions unsigned 26cm. high £100-150

1086. A Stuart & Sons engraved glass flower vase designed by Graham Sutherland, for the 1934 Art in Industry Exhibition, Harrods, engraved with five spiral columns acid etched mark, facsimile signature 15cm. high £800-1,200 Literature Roger Dodsworth British Glass Between the Wars, Dudley Leisure Services, page 31 for a contemporary photograph of the glass designs by Graham Sutherland. Ronald Alley Graham Sutherland Tate Gallery 1982, page 68 catalogue number 31 the original design illustrated. 1086

1087

1088

1091

1092

1089

1093

1090

1094

1087. An Art Deco frosted glass plaffonier, cast in relief with rose flowers cats reg’d marks 34.5cm. diam. £80-120 Provenance Private collection, Wiltshire

1088. A large Arress opalescent glass bowl, cast in relief with chrysanthemum flowers and foliage, signed Arress France 35cm. diam. £200-300

1089. A Verlys opalescent glass bowl, low open form, cast in relief with three birds catching flying insects on the wing unsigned 29.5cm. diam. £150-200

1090. An Art Deco opalescent bowl, probably Sabino, cast in low relief with stylised flowers and foliage cast Made in France to well 31cm. diam. £80-120 Provenance Private collection, Wiltshire

1095

1091. A smoked clear and frosted glass decanter, probably Czechoslovakian, cast in low relief with an allegorical scene of cherubs hunting a deer, the stopper a bird amongst foliage unsigned 26cm. high £150-200

1092. A set of twelve clear and frosted glass knife rests, probably Verlys, each modelled as an animal, insect or bird cast Ver France 10cm. wide £150-250

1093. A continental glass vase, octagonal section, moulded in relief with a frieze of angels, below mask border unsigned 19.5cm. high £100-200

1094. A Pierre D’Avesn opalescent glass bowl, modelled as flaring leaves, and an opalescent glass vase moulded with tulips cast marks D’Avesn Made in France 24.5cm. diam. £120-180

1095. A large Gilles opalescent glass bowl, cast in relief with two scaly carp fish, cast mark Gilles 33cm. diam. £250-350

1096

1096. A Pierre D’Avesn clear and frosted glass charger, modelled in relief with six swallows amongst flowerheads cast P D’Avesn made in France 36cm. diam. £100-150

1097

1100

1098

1101

1099

1102

1103

1097. A Sabino opalescent glass bowl, cast in low relief with stylised flowerheads and stems, and an opalescent glass plate decorated with fir cones, cast Sabino France to well 26cm. diam. £150-200 Provenance Private collection, Wiltshire 1098. ‘Parfum Gemey Richard Hudnut Paris’ a clear and frosted glass shop display sign, 11cm. wide £120-180 1099. An Arrers opalescent glass bowl, cast in relief with foliage design and three clusters of nuts forming feet, a Ferjac opalescent glass chick and two Barolac opalescent glass bowls cast marks, 24cm. diam. £200-300 1100. A pair of Art Deco opalescent glass bowls, each cast in relief with three birds around central flowerhead etched and cast reg’d marks to one 18.5cm. diam. £80-120 Provenance Private collection, Wiltshire 1101. A Sabino opalescent glass model of an angel fish, etched Sabino France to base 11cm. high £100-200 1102. A modern Lalique frosted glass pintray modelled with a frosted glass dove, in presentation box, a Sabino opalescent glass scent bottle, two animals, two other animals and a porcelain half-doll scent bottle and stopper various marks 10cm. high £50-100 Provenance Albert E Wade Collection 1103. A Sabino opalescent glass model of a chick, another smaller, a squirrel modelled eating a nut and a cockerel, various marks, chick 11.7cm. wide £150-200 Provenance Private collection, Wiltshire 1104. An Etling frosted glass figure, cast as a bare breasted woman holding her skirt hem, on chrome illuminating base cast Etling France to base rim figure 27cm. high £800-1,200 1104

1105

1106

1107

1108

1105. An Art Deco green clear and frosted glass bowl, cast in relief with birds flying around a central flower cast reg’d mark 34cm. diam. £80-120 Provenance Private collection, Wiltshire

1106. A Muller Fres Luneville glass plaffonier, mottled orange graduating to opaque glass, and two others similar acid etched mark, 39cm. diam. £100-200

1109

1110

1107. A green glass Malachite dressing table set, cast with a portrait of young lovers, comprising scent bottle and stopper, atomiser, box and cover and a tray unsigned scent bottle 21cm. high £250-350

1108. An Art Deco press moulded black glass vase, ovoid, cast with Hydrangea flowerheads unsigned, minor chip to inside top rim 16cm. high £80-120

1109. An Art Deco frosted glass scent bottle and stopper, the stopper cast with a leaping gazelle unsigned 16cm. high £50-100 1111

1112 1110. A George De Feure amethyst glass vase, cast in low relief with Egyptian musician figures cast signature to base 14cm. high £100-200

1111. A Leerdam Unica glass vase designed by A D Copier, shouldered ovoid form with everted rim, clear glass internally decorated with black and white veined design etched Leerdam Unica AD Copier 24.5cm. high £700-900

1112. A Leerdam frosted glass sculpture of the Madonna cast Leerdam mark 24cm. high £50-100

1113. A De Latte glass table lamp with patinated metal base, the base modelled as a tree trunk, the etched and modelled glass shade with a band of flowers and foliage, remains of brown staining, signed De Latte France in the cast 34cm. high £400-500

1113

1114

1115

1114. An Art Deco Schneider electric blue glass bowl, flaring form on applied foot, acid etched with geometric pattern acid-etched Schneider signature 34cm. diam. £200-300 1115. A Daum acid etched amethyst glass vase, flaring cylindrical form with geometric panels engraved Daum Nancy France to foot rim 22cm. high £400-500 1116 1116. A tall Schneider smoked glass vase, swollen, ribbed form on applied foot acid etched signature Schneider 55.5cm. high £300-500 1117. A rare Andre Thuret glass scent bottle and stopper, the dimpled clear glass with pink and aventurine inclusions, with clear glass flame stopper, etched Andre Thuret 15cm. high £300-500 Literature Victor Arwas Glass Art Nouveau to Art Deco, Academy, page for a comparable bottle and stopper 1118. A Gabriel Argy-Rousseau pate de verre glass bowl, cast with a frieze of blackberry to the interior cast G Argy-Rousseau to side 10.3cm. wide £1,000-1,500 Literature Janine Bloch-Dermant G Argy-Rousseau Glassware as Art, Thames & Hudson, page 178 figure 14.03 this design illustrated.

1117

1118

1119

1120

1123

1121

1124

1122

LALIQUE GLASS

1125

1119. ‘Theodora Theatre - Sarah Bernhardt’ a pamphlet designed by Rene Lalique, the hand coloured cover with portrait of Sarah Bernhardt, inside with engravings of posters, costumes and stage designs facsimile signature to cover 32.5 x 24.5cm. £100-150 1120. ‘Soucis’ No.1039 a Lalique opalescent glass vase designed by Rene Lalique, with blue staining engraved R Lalique France to rim, damages 18cm. high £50-100 1121. A Lalique blue stained opalescent glass vase, designed by Rene Lalique, stencil mark R Lalique France, damages 15cm. high £50-150 1122. A Lalique clear and frosted glass bird table centrepiece, etched R Lalique France, chips 11cm. wide £50-150 1123. ‘Ondes’ no.2, no.3294 a Lalique opalescent glass plate designed by Rene Lalique, stencil R Lalique France mark, 27.4cm. diam. £300-400 1126

1124. A modern Lalique clear and frosted glass bowl, flaring conical form, cast and etched with stylised foliate repeat etched Lalique France, chipped rim 25.5cm. diam. £50-100 1125. ‘Nonettes’ no.398 a Lalique opalescent glass bowl, moulded R Lalique to well 22cm. diam. £400-600 1126. ‘Coquilles’ no. 3009 a Lalique opalescent glass plate, designed by Rene Lalique, wheel cut R Lalique France no.3009 30cm. diam. £300-500 Provenance Private collection, Wiltshire 1127. ‘Coquilles’ no.3200 a Lalique opalescent glass bowl and six smaller bowls, designed by Rene Lalique, wheel cut R Lalique France no.3200, large bowl 24cm. diam, smaller bowls 13.3cm. diam. £400-600 Provenance Private collection, Wiltshire

1127

1129

1128

1130

1128. ‘Ormeaux’ no.984 a Lalique cased opalescent glass vase designed by Rene Lalique, with blue staining, etched R Lalique France No.984, 17cm. high £700-1,000

1129. ‘Laurier’ No.947, a Lalique opalescent glass vase, designed by Rene Lalique wheel cut R Lalique France to side, minor nicks 17.7cm. high £300-400

1130. ‘Raisins’ no.1032 a Lalique clear and frosted glass vase designed by Rene Lalique, with blue staining, stencil R Lalique mark 15.5cm. high £600-900

1131. ‘Domremy’ no.979 a Lalique cased opalescent glass vase designed by Rene Lalique, with remains of staining, engraved R Lalique France no.979, 21.5cm. high £1,200-1,500 1131

1132

1133

1134 1132. ‘Prunes’ no. 3509 & ‘Cassis’ no.3512 a pair of Lalique clear and frosted glass menu holders, designed by Rene Lalique, one with remains of sepia staining, etched R Lalique France no.3509 & 3512, tiny nicks, 5.5cm. wide £200-300 1133. ‘Deux Figurines’ no.3500, two Lalique clear and frosted glass menu holders, designed by Rene Lalique 1924, with remains of sepia staining etched R Lalique France no.3500 5.5cm. wide £150-200

1135

1136 1134. ‘Cerises’ no.3508 and ‘Poires’ no. 3507 two Lalique clear and frosted glass menu holders designed by Rene Lalique, with remains of sepia staining, etched R Lalique, Cerises with number, minor nicks, 5.3cm. wide £100-200 1135. ‘Reims’ No.3426 six clear and frosted glasses, designed by Rene Lalique, with remains of blue staining, stencil R Lalique 12.5cm. high £400-600 1136. ‘Eidelweiss’ No. 10-913 a Lalique clear and frosted glass vase, designed by Rene Lalique, stencil R Lalique France 16cm. high £350-450

1137

1138 1137. ‘Dahlia’ no.384 a Lalique frosted opalescent glass bowl designed by Rene Lalique, cast R Lalique France to the well 24cm. diam. £400-500 1138. ‘Poissons no.1’ no.3263 a Lalique opalescent glass open bowl, moulded R Lalique to well 29.8cm. diam. £500-600 1139. ‘Autumn’ and ‘Winter’ a pair of Lalique frosted glass figures, etched Lalique to base 21cm. high £700-900 1140. ‘Acacia’ no.949 a Lalique frosted glass vase designed by Rene Lalique, etched R Lalique France 21cm. high £500-800

Provenance Private collection, Wiltshire 1139

1140

1141

1142

1143

1141. ‘Biches’ No5406 a Lalique electric blue glass vase, originally designed by Rene Lalique, etched Lalique France 17cm. high £400-600

1142. ‘Rampillon’ no.991 a Lalique opalescent glass vase designed by Rene Lalique, with sepia staining, wheel cut R Lalique France no.991, 13cm. high £500-800 Provenance Private collection, Wiltshire

1143. ‘Monnaie De Pape’ No.897, a Lalique cased opalescent glass vase designed by Rene Lalique, designed 1914, with remains of blue staining engraved R Lalique to the foot rim, 23cm. high £800-1,200 Provenance Private collection, Wiltshire

1144

1144. ‘Piriac’ no.2903 a Lalique clear frosted and opalescent glass lamp designed by Rene Lalique stencil R Lalique France 17.7cm. high £1,200-1,500

1145. ‘Dahlia’ no. 2459 a Lalique clear and frosted glass plaffonier, wheel cup R Lalique France No.384, 30.5cm. diam. £500-800 Provenance Private collection, Wiltshire 1145

1146

1147 1146. ‘Tete De Coq’ no.1137, a Lalique clear and frosted glass car mascot designed by Rene Lalique, cast Lalique France to the neck, 17.5cm. high £1,200-1,800

1147. ‘Perche’ no. 1158, a Lalique clear and frosted glass car mascot designed by Rene Lalique, with blue staining Moulded R Lalique and intaglio cut R Lalique France marks, 16cm. wide £1,000-1,500

1148. ‘Naiades’ No.764 a rare Lalique opalscent glass clock designed by Rene Lalique, designed 1926, with painted dial intaglio cast R Lalique 11.5cm. square £1,000-2,000

1149. ‘Madagascar’ No.2481 a Lalique frosted opalescent glass bowl designed by Rene Lalique, cast R Lalique to rim, minor pin head nicks, wear to base rim 33cm, diam. £2,000-3,000 Provenance Private collection, Wiltshire 1148

1149

1150

1154

1151

1152

1155

1153

1156

1157

1150. A Murano Cenedese vase, with pulled rim, pink glass with simple blue lines, cased in clear unsigned 27cm. high £80-120 1151. A Murano glass vase, square section, pale blue and yellow, cased in clear, another two similar and three other glass items unsigned 21cm. high £80-120 1152. A Murano glass bottle vase, flattened, shouldered form, red glass with blue band, cased in clear, a Murano glass vase decorated with red and aventurine swirls, and two dishes unsigned 23cm. high £100-200 1153. A Murano Glass vase, brown and yellow glass cased in thick, clear faceted body, another V Mason & C Murano glass vase and another vase applied paper labels 27.5cm. high £100-200 1154. A Murano glass figure of a long-tailed bird, pale green glass with aventurine inclusions, cased in clear unsigned 46cm. high £50-100

1158

Provenance The Albert E Wade Collection 1155. A Seguso style Murano Italy, glass model of a bird, pink glass with gold aventurine inclusion, cased in clear, with applied black glass eyes, on a domed glass base unsigned 32cm. high £50-100 1156. A Murano Glass table lamp base possibly designed by Ercole Barovier, with applied green glass tears and foot, the opaque glass with aventurine inclusions, another similar and two other glass lamp bases unsigned 27cm. high £150-200 1157. A Murano glass table lamp modelled as a classical dolphin, red glass with applied clear decoration and yellow glass eyes, with pink silk shade unsigned 28cm. high £80-120 1158. A Schneider glass pedestal bowl, the shallow yellow glass bowl on applied striped glass foot etched Schneider signature 34cm. diam. £200-300 1159. A tall Laguna Gemmata glass vase after a design by Ercole Barovier, flaring fan shaped mottled azure cased in clear, the edges with pinched column decoration, on applied clear glass foot unsigned, 32cm. high £300-500 Literature Marina Barovier Art of the Barovier, Arsenale Editrice, page 130 catalogue number 103 for a comparable vase circa 1935-36.

1159

1161

1160

1162

1163

1160. A Venini glass Quadrato obelisk lamp base, internally decorated with twisted coloured glass canes, cased in clear acid etched Venini Murano Italia to base 47cm. high £250-350 Literature Venini Catalogue Raisonne 1921-1986, Skira, page 292 plate 21 the original 1969 catalogue page for this model reproduced.

1161. A Murano glass Aquarium probably Cenedese & Co internally decorated with an exotic fish amongst waterweed, cased in clear unsigned 16.5cm. wide £100-200

1164

1162. A Murano glass Aquarium probably Cenedese & Co, the thick rectangular glass block internally decorated with a large tropical fish amongst weed, in colours with silver aventurine 19cm. wide £150-200

1163. A Iatos desk clock with glass frame in the manner of Venini, the textured pale green glass with bronze mounts and frosted glass panel, on easel back, signed to clock face, stamped 110, 27cm. diam. £300-500

1165

1164. An Italian glass hanging light, possibly Barovier or Cenedese, circular section, the white glass with air bubble inclusions, cased in clear with textured finish, with applied, textured ball finial the clear glass with gold flecks, with three light fitting, 32.5cm. diam. £300-500

1165. An Italian glass uplighter, in the manner of Napoleone Martinuzzi, bubbled white glass cased in clear with applied handles, the handles and foot rim with aventurine inclusions, unsigned 31cm. high £300-500

1166. A Venini glass hanging ceiling light, thirty six cylindrical shades on a chrome frame, 44cm. high £800-1,200

1166

1167

1168

1169

1167. A glass ewer designed by Dino Martens, model no. A100, white and ruby striped glass, cased in clear, with aventurine stripes unsigned 37.5cm. high £800-1,200 Literature Marc Hiermans Dino Martens Arnoldsche, page 167 this design illustrated

1168. A Venini Murano Inciso glass bottle and stopper, amber glass cased in clear, with textured finish acid etched mark, paper label 21.5cm. high £300-500

1169. A green glass twin-branch candlestick in the manner of Venini, two scrolling, entwined stems, on flaring base 38cm. wide £100-200

1170

Literature Venini Catalogue Raisonne 1921-1986, Skira, page 204 plate 73 for a comparable candlestick

1170. A reverse painted glass fish painting by Felix Pissarro, three goldfish swimming down into the darker water, foil backed, framed signed in the painting 30 x 23cm. £1,800-2,200

1171. A pair of Venini Lattimo glass birds designed by Fulvio Bianconi, modelled as a Cockerel and a Hen, streaked and coloured threads on a white body, acid etched Venini mark £4,500-5,000 Literature Venini Catalogue Raisonne 1921-1986, Skira, page 218-219 catalogue number 171, and illustrated page 162. 1171

1173

1172

1176

1174

1177

1175

1178

1172. A Flygsfors glass vase, waisted cylindrical form with pulled rim, purple graduating to blue rim, cased in clear, a low flaring vase and a triangular dish with pulled rim etched marks, 21cm. high £60-100 1173. A Murano glass centrepiece, pale blue glass with fine pulled rim, cased in clear, and another similar unsigned 32cm. wide £50-100

1179

1174. A Flygsfors Coquille cased glass vase, flaring form, purple and opaque glass cased in clear, a Daum, France clear glass vase and another vase etched marks Flygsfors 46cm. wide £80-120 1175. Two glass sculptures by Zanetti, one modelled as a diving shark, the other a wading heron, signed Zanetti to base 30cm. high £80-120 1176. An amber glass Gul vase designed by Otto Brauer and Per Lutken, probably Holmegaard, another smaller and two other glass items, unsigned, tallest 30cm. high £80-120

1180 1177. A Kosta glass vase by Vicki Lindstrand, model 1412, swollen cylinder form, black glass cased in clear with a simple black swirl motif etched marks to base 24.5cm. high £80-120 1178. A Riihimaki olive green glass vase, cylindrical with knopped neck and everted rim, and five others unsigned 20cm. high £100-200 1179. A Humppila amethyst glass vase, knopped stem supporting flaring neck, on clear glass foot, a Humpilla bowl and three other glass vases applied label 20cm. high £80-120 1180. A WMF Ikora glass vase, shouldered form mottled yellow and ochre decoration, cased in clear, with air bubble inclusions, and a WMF Ikora bowl unsigned vase 15cm. high £60-100 1181

Literature Carlo Burschel & Heinz Scheiffele, WMF Ikora & Myra Glass, Arnoldsche, a comparable vase illustrated on the back cover 1181. A W.M.F Ikora glass bowl, flaring form, crackled and veined green graduating to yellow, cased in clear unsigned 37cm. wide £80-120

1182

1182. A Monart glass vase, waisted, flaring cylindrical form, mottled orange glass with copper aventurine inclusions, another vase and a Vasart bowl unsigned 18cm. high £100-150

1183

1184

1186

1185

1188

1187

1183. ‘Tapio Wirkkala Venini’ a catalogue, ‘Scandinavian Domestic Design’ edited by Erik Zahle published by Methuen & Co1963 and a collection of books on design and decorative arts £100-200 1184. A Iittalia smoked glass vase designed by Tapio Wirkkala, model no.3307, elliptical section, cast in low relief applied label, etched signature 18cm. high £80-120 1185. A pair of Iittalia glass vases designed by Tapio Wirkkala, model no.3425, irregular cylindrical form, and a pair of Arabia clear glass candlesticks etched marks 17cm. high £80-120 1186. A pair of Iittalia clear glass Festivo candlesticks designed by Timo Sarpaneva, six ring form, three smaller, two glass lion sculptures by and three other items etched TS 25cmn. high £100-150 1187. A Iittala Kantarelli (Chanterelle) vase designed by Tapio Wirkkala, model no. 3280, flaring form with etched veins, engraved signature and number 12.5cm. high £250-350 Literature Jennifer Opie, Scandinavian Ceramics and Glass in the Twentieth Century, V&A Exhibition catalogue page 71 catalogue number 196 for a comparable vase 1188. An unusual Orrefors Graal glass bowl designed by Edward Hald, the thick clear glass internally decorated with fish and waterweed in aubergine etched etched Edward Hald Graal Orrefors to base 21.5cm. diam. £200-300 1189. A tall Orrefors Graal vase by Edward Hald, No.160-E7, thick glass vase internally decorated with fish amongst waterweed etched marks to base 21.5cm. high £400-600 1189

1190

1191

1194

1192

1193

1195

1190. An Orrefors glass bowl by Vicki Lindstrand, the thick clear glass with martele hammered finish etched Orrefors 24cm. wide £200-300 1191. A Kosta glass engraved vase designed by Vicki Lindstrand, engraved and etched with a fishing boat, on land, its nets hanging to dry etched marks 32cm. high £150-200 1192. A Stevens & Williams glass vase by H Cook, flaring cylindrical form, cut and etched with an otter swimming amongst a shoal of fish etched H Cook No.79 23cm. high £200-300 Literature Charles Hajdamach 20th Century British Glass ACC, page 151 plate 305 for similar 1193. A pair of Schneider glass candlesticks, amorphic form with polished metal sconces etched Schneider to side 28cm. high £100-150 1194. A Baccarat Remy Martin glass brandy decanter and stopper, a spare stopper, a Daum clear glass vase and two Orrefors glass vases various marks, decanter 26.5cm. high £100-150 1195. A large Orrefors glass vase engraved by Nils Landberg, cylindrical form, engraved with John The Baptist in the wilderness etched Orrefors Landberg 21.5cm. high £200-300 1196. A Leerdam glass vase designed by A D Copier, shouldered clear glass with white inclusions, acid-etched Leerdam A D Copier 16cm. high £100-200 1196

1197

1198

1201

1202

1199

1200

1203

1204

1197. A James Powell & Sons Whitefriars Kingfisher Blue glass vase designed by Geoffrey Baxter, the flaring cylindrical body applied with green ribbon trails, and two others applied with tangerine trails unsigned 21cm. high £100-200 Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 142 plate 166 for an identical vase. 1198. A pair of Whitefriars Contemporary cut glass bowls designed by Geoffrey Baxter, circular cut with ribs and elliptical patterning, a Webb Corbett decanter and stopper designed by Herbert Webb and a bowl unsigned 15cm. diam. £100-200 Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 133 plate 139 for a similar bowl 1199. A Whitefriars glass Studio vase by Geoffrey Baxter, cylindrical, square section, thick blue glass internally decorated with white, and two other vases unsigned 27cm. high £150-250

1205

1200. A rare Whitefriars Studio glass vase by Geoffrey Baxter, flaring conical form blue glass with white striations, cased in clear unsigned 16cm. high £80-120 1201. A pair of Whitefriars amethyst glass vases designed by Geoffrey Baxter, slender form, cased in clear, and two Whitefriars Millifiore faceted paperweights, in fitted cases applied paper labels 23cm. high £100-200 1202. A large Dartington green glass FT35 Floor vase designed by Frank Thrower, square section, the waisted body cast in low relief with a daisy flower stem design 39cm. high £50-100 1203. A Devon Guild glass bowl, shallow form red, blue and black stripe design unsigned 26cm. diam. £50-100 1204. A Dartington studio glass bowl, pale blue glass with deep blue column and yellow spots to rim, unsigned £50-150 1205. A Glasshouse winged-glass form drinking glass by Steven Newell, dated 1978, on twisted stem, two other Glasshouse wine glasses by Jane Bruce, an Annette Meech vase, a David Taylor bowl and a Fleur Tockey scent bottle and stopper engraved marks 19.5cm. high £150-250

1206

1206. A purple glass three disk Sheringham candleholder designed by Ronald Stennett-Willson, probably made by Wedgwood, a two disk candlestick, a one disk Wedgwood amber glass candlestick, a vase, a Sandringham candleholder and a Moon Vase candleholder, paper Wedgwood labels tallest 20.5cm. high £100-200 Literature Lesley Jackson The Sixties, Phaidon page 58 for comparable candleholders.

1207

1208

1209

1210

1207. A pair of Skruf glass vases, designed by Bengt Edenfalk, tapering cylindrical form, blue glass with applied trailed finish, etched Edenfalk Skruf 33cm. high £300-500 1208. A Frantisek Vizner glass vase, electric blue glass cased in clear with air bubble decoration etched Vizner 31cm. high £300-500 Literature Judith Miller 20th Century Glass DK publishing, page 220 for a biography of the artist. 1211

1212 1209. A small glass sculpture by Andrew Lawson Johnston, a piece of cullet cut with a leaping salmon or trout, the cullet probably originally from the Whitefriars factory, and a tall glass fishing trophy of obelisk form, with an angler on a goblet, some damages, 30.5cm max. £50-150 Provenance The Emanuel Collection.

1210. A Kosta Boda glass by B Vallien, the flaring conical bowl decorated in multi-coloured splashes on green, cased in clear and another similar applied labels, etched marks, 17.5cm. high £60-100 1213

1214 1211. A M’dina glass fish vase designed by Michael Harris, dated 1977, flattened, shouldered form with tapering solifleur neck, mottled brown, cased in clear with textured finish, etched Mdina Glass 1977 22cm. high £80-120 Provenance Private collection, Wiltshire

1212. Eight pieces of M’dina glass, comprising; five various paperweights, a solifleur vase, a bowl and a basket etched marks, vase 19.5cm. high £60-100

1213. A Sam Herman glass vase dated 1982, shouldered rectangular form, internally decorated with purple and yellow streaks, irregular surface etched Herman and date 18cm. high £250-300

1214. A Glasshouse glass bowl by Steven Newell, dated 1978, internally decorated with two figures in purple cameo over mottled blue body, etched Steve 78 12.5cm. high £200-300

1215. A glass apple bowl, designed by Philippe Starck for the Peninsular Premiere Hotel, December 1st 1994 factory marks to rim 25cm. diam. £500-1,000

1215

1216

1218

1217

1220

CERAMICS

1219

1221 1223

1222

1216. A Doulton Lambeth stoneware jug by Hannah Barlow, dated 1874, the ovoid body incised with donkeys resting, glazed ochre and brown, the handle brown and blue impressed and incised marks, restored top rim 26cm. high £150-200 1217. A Doulton Lambeth stoneware vase, by Francis Pope, slender, swollen form with everted rim, incised with stylised foliage in shades of blue, green and ochre, and another Royal Doulton stoneware vase impressed and incised marks, damages 39cm, high £50-100 1218. A tall Doulton Faience vase by Beatrice Durtnall, baluster form, painted with wild blackberry flowers and fruit in colours on a mottled blue ground printed and painted marks 55cm. high £250-300 1219. A pair of Doulton Lambeth vases by Ada Dennis, baluster form, painted with panels of Vicotiran children in the countryside, one watching a butterfly, the other collecting wild flowers, in colours on a cream ground, impressed and painted marks, damages to both 24.5cm. high £80-120

1225

1224

1220. Ninety-four Royal Doulton and other figures, painted in colours printed marks, damages £300-500 1221. A Royal Doulton model of a cat playing with a newspaper, painted in colours, printed factory marks, 8cm. wide £80-120 1222. A pair of Doulton Lambeth stoneware vases by Florence Barlow, tubeline and pate sur pate decorated with panels of finches in green and white on an ochre ground, impressed numbers, incised monogram 27cm. high £600-800 1223. A Royal Doulton stoneware Toby vesta, modelled standing next to a barrel, smoking a pipe, glazed pale green impressed marks, 11cm. high £150-200 1224. ‘The Perfect Pair’ HN.581 a Royal Douton figure, designed by Leslie Harradine, painted in colours, printed and painted marks, fine hairline £300-500 1225. ‘Sketch Girl’ H.N.444 a Royal Doulton figure, designed by Leslie Harradine, painted in colours printed factory mark, repairs to handle and neck 18cm. high £400-600 1226. ‘Charlie Chaplin’ a rare Royal Doulton toby jug and cover, painted in colours printed factory marks, 29cm. high £1,500-2,000 1226

1230 1227

1228

1229

1234 1233

1231

1227. ‘Town Crier’ HN.2119, ‘Pickwick’ HN.2099 and ‘Lady Charmain’ HN.1949 three Royal Doulton figure printed marks £300-500 1232

1228. ‘The Parson’s Daughter’ HN.564 a Royal Doulton figure, painted in colours printed and painted marks, 24.5cm. high £150-250 1229. ‘Flower Seller’s Daughter’ HN.1342, a Royal Doulton figure, painted in colours printed factory marks, 20cm. high £100-200 1230. ‘Greta’ HN.1485 and ‘Cerise’ Hn.1607 two Royal Doulton figures, painted in colours, and a Slater’s Patent teapot milk-jug and sugar basin printed and painted marks Cerise head re-stuck £50-100 1231. ‘Reynard The Fox’ a Royal Doulton coffee set, modelled in low relief with a seated fox, the handles modelled as a riding crop, in colours, comprising; coffee pot and cover, milk-jug and sugar basin, six cans and saucers printed factory marks, damages 21cm. high £250-350

1235

1232. ‘Duchess with Flowers’ a rare Beswick Beatrix Potter figure, painted in colours, printed silver-gilt marks 10cm. high £500-1,000 1236

1233. A collection of sixty-nine Beswick Beatrix Potter figures, painted in colours, printed factory marks £500-1,000 1234. ‘Huntswoman’ a Beswick mounted horse group, painted in colours printed factory marks, 21cm. high £100-150 1235. ‘Bulldog with Union Jack’ a Royal Doulton figure, modelled wearing top hat, glazed in colours printed factory marks, 9cm. wide £100-200 1236. Two Royal Doulton Butterfly clips, one glazed blue the other yellow with black printed detailing, printed Doulton mark 10.5cm. wide £100-200 1237. A pair of Royal Doulton flambe vases, shouldered baluster form, decorated with a smoked lavender and orange glaze to the shoulder printed factory mark, 14.5cm. high £200-300 1238. A Royal Doulton Kingsware tobacco jar and cover modelled as a pipe, the design attributed to Charles Noke, decorated in low relied with medieval drinking scene in colours, with silver rims printed factory mark, London 1909 31cm. high £300-500

1237

1238

1241 1239

1242

1240

1243

1244

1245 1246

1239. A large terracotta Hispano Moresque charger by P Lienard, cast in low relief with geometric panels, glazed blue, yellow and white signed to the well 49cm. diam. £350-450 1240. A rare Mintons Secessionist vase designed by Leon Solon and John Wadsworth, shouldered cylindrical form tubeline decorated with wave repeat in green and black on a turquoise and pink streaked ground, a pair of plates by Spencer Edge and a Mintons bowl by John Wadsworth impressed and printed marks, 20cm. high £100-200 1241. An unusual pair of Minton Secessionist chargers designed by John Wadsworth and Leon Solon, each painted in black slip with flowers and foliage on a celadon ground with blue rim impressed marks, hairline to rim of one 40cm. diam. £200-300 1242. A set of eight Ruskin Pottery buttons, each glazed in colours, and four other buttons, impressed marks, 3cm. diam. £50-100

1247

1248

1243. Twenty Art Nouveau tiles, slip decorated with a poppy stem design in blue, green and yellow on a pale yellow ground unsigned 15.5cm. square £100-200 1244. A Pilkington’s Lancastrian vase, shouldered form, modelled in low relief with two ibex, covered in a ruby lustre glaze indistinct marks, 20cm. high £100-200 1245. A plaster panel of a winged cherub in the manner of Ellen Mary Rope, coloured red and ochre, framed unsigned 29 x 31cm. £200-400 1246. A Ruskin Pottery stoneware vase, shouldered form with everted rim, covered in a streaked and running blue and green souffle glaze feint Taylor mark to base 22cm. high £500-600 1247. A Ruskin high-fired stoneware ginger jar and cover, dated 1927, covered in a Dove Grey glaze impressed mark, paper label 9cm. high £150-200 Provenance Albert E Wade Collection, Sotheby’s 2002 1248. A Ruskin high-fired stoneware ginger jar and cover, dated 1927, covered in a Dove Grey glaze impressed marks, paper label 9cm. high £150-250 Literature Ferneyhough Collection, 1249. A Bernard Moore solifleur vase, painted with a long boat rowing across the waves, in flambe on a yellow ground, highlighted in gilt, the waves enamelled in blue printed mark, 24cm. high £1,000-1,500 Literature Bernard Moore Master Potter 1850-1935, Victoria & Albert Museum, this shape with the simple wave design illustrated page 11 catalogue number 38. Aileen Dawson Bernard Moore Richard Dennis, this design illustrated on 4 comparable pieces page 72 plate XII. 1249

1250 1251 1252

1253

1257 1256 1255

1254

1250. A large C H Brannam, Barnstaple jug, dated 1904, painted with scaly fish, amongst waterweed, in colours on a green ground, and another smaller made for the Hungarian Millennial exhibition, 1986 incised marks, glaze loss 20cm. high £80-120 1251. A George Clews & Co The Cube teapot and cover, covered in a silver lustre glaze, a Crown Devon lustre ginger jar and cover, a Carlton Ware table centrepiece and a Honiton vase various marks, damages 10cm. high £50-100 1252. A Minton & Co plate designed by W S Coleman, printed with a cockerel and chick design, painted in colours on a mint green ground, and a Wemyss chamber pot printed marks, Wemyss damaged, 29cm. diam. £50-100 1253. A Wood’s Shan Tung charger designed by Frederick Rhead, printed in blue with an oriental pagoda scene printed factory mark, 37cm. diam. £100-200

1258

1254. A large Lauder, Barum floor vase, the tapering body with everted, fluted rim, applied with three scroll handles, painted and incised with large scaly fish in shades of yellow, blue and brown incised marks, lamped, repair to top rim 49cm. high £100-150 1255. A large Bretby pottery floor vase in brass tripod stand, the vase glazed from red to streaked blue 81cm. high £120-180 1256. A Bretby Pottery vase in the manner of Dr Christopher Dresser, model no. 15580, compressed form with tall, flaring neck and four looped handles, covered in a streaked green and brown glaze, a double gourd vase and three other vases impressed marks, 43cm. high £80-120 1257. A pair of Old Hall pottery ewers in the manner of Dr Christopher Dresser, ovoid with tall cylindrical neck and spout, printed and painted with apple blossom in colours. highlighted in gilt impressed number, painted marks, minor damages 42cm. high £100-200 1258. A Wemyss Pottery mug, cylindrical form, painted with daffodil stems, in yellow and green on a white ground, and a perspex cased crab paperweight impressed marks, printed T Goode mark, hairlines, 14cm. high £100-200

1259

1259. A Wemyss Pottery Biscuit box and cover, painted with strawberries, a Wemyss Pottery Biscuit box decorated with cherries and a small plate similar impressed and painted marks, damages 12.5cm. diam. £200-400

1260

1264

1261

1265

1262

1263

1267

1266

1260. A pair of Ault Pottery Clam shell flower vases, glazed yellow and brown, an Ault jardiniere modelled with a Dragon and a pair of Bretby vases impressed marks, 16.5cm. high £50-100 1261. A Linthorpe Pottery coffee set for six designed by Dr Christopher Dresser, pattern no.646, printed with a prunus design on mustard ground, comprising coffee pot and cover, milk-jug and sugar basin, six cans and saucers impressed marks, facsimile signature 24.5cm. high £150-200 1262. A Torquay terracotta vase, slender urn form, with simple blue glazed bands, and a decanter with impressed banding, impressed and printed marks, 27cm. high £80-120 1263. A Linthorpe Pottery vase designed by Dr Christopher Dresser, compressed body with slender neck and everted rim, sand glaze with brown spider’s web design, a Liberty pottery oil lamp and a Ruskin vase impressed mark, facsimile signature, professionally restored neck, 23cm. high £100-200

1268

1264. A Linthorpe Pottery plate, the design attributed to Dr Christopher Dresser, model no.1576, the pierced rim modelled in low relief with flowers and foliage, glazed in colours and four other Linthorpe items impressed marks, damages, 24cm. diam. £100-200 1265. A Linthorpe Pottery vase, probably designed by Dr Christopher Dresser, model no.2216, twinhandled form, covered in a running green and blue glaze, a Linthorpe teapot and cover and four other items impressed marks, 11.5cm. high £150-200 1266. A Linthorpe Pottery footed bowl designed by Dr Christopher Dresser, model no.623, cast in low relief with flowers to the well, on faux wood stand, glazed ochre and green, and two Linthorpe Pottery jugs impressed marks, facsimile signature 25cm. diam. £150-200

1269

1267. A Linthorpe Pottery vase designed by Dr Christopher Dresser, compressed form, with impressed geometric decoration, glazed green and olive feint impressed marks, 12cm. diam. £100-150 1268. A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.140, double gourd form covered in a streaked green and brown glaze impressed marks, facsimile signature 16cm. high £100-200 1269. A Linthorpe Pottery vase designed by Dr Christopher Dresser, shape no. 957, compressed body with cylindrical neck and everted rim, applied angular handles, covered in a running ochre and green glaze impressed marks, restored top rim, 14cm. high £100-200 1270. A Linthorpe Pottery vase designed by Dr Christopher Dresser, compressed, twin-handled form, cast in low relief with geometric panel, glazed ochre and brown on a streaked green ground impressed marks, facsimile signature 21cm. high £200-300

1270

1273

1272

1274

1271

1276

1275

1277

1278

1271. A Crown Ducal Palermo vase designed by Charlotte Rhead, painted in shades of green and blue printed factory mark, facsimile signature 26cm. high £80-120

1279

1272. A collection of twenty-one pieces of Chintz pottery, mainly Royal Winton, printed marks, tallest 12cm. high £250-350 1273. A continental pottery model of a young child, designed by Agnes Richardson, seated playing twin-pipes, a teddy bear playing the side drum, another similar and a pottery model of a child with a duck printed marks 13cm. high £100-200 1274. Five Royal Crown Derby paperweights, each modelled as an animal, in colours and gilt, and an advertising sign printed marks, tallest 11cm. high £80-120 1275. ‘Horse and Jockey’ a large Susie Cooper Productions bowl, printed and painted in colours printed factory mark 31cm. diam. £150-200 1276. ‘Dresden Spray’ a Susie Cooper Productions Kestrel part coffee set for four, pattern 1017, comprising Kestrel coffee pot and cover, Rex shape milk jug, sugar basin, four cans and saucers printed and painted marks 19cm. high £80-120

1280

1277. ‘King George V and Queen Mary - Silver Jubilee’ a Burleigh Ware commemorative wall plaque, circular modelled in low relief, glazed yellow with silver highlights printed mark, 33cm. diam. £150-200 1278. An Ashtead Pottery plate, pattern P5, stencil decorated with radiating alpine figures and fir trees, inside green and yellow chevron bands printed and painted marks, 19.5cm. diam. £50-100 1279. A large Fulham Pottery flower vase the design attributed to Constance Spry, with cast loop handles, and another Fulham Pottery vase glazed to interior impressed marks, impressed C 49cm. wide £50-100 1280. A pottery twin handled vase by Constance Spry, twin-handled form, covered in a pale grey glaze impressed marks, 42cm. wide £50-100 1281. A Fulham Pottery pedestal flower bowl designed by Constance Spry, covered in a grey glaze printed mark, 15.5cm. high £60-100

1281

1282 1283

1286

1284

1285

1282. A Radford Pottery vase, painted with ducks flying past bull rush leaves, and three other Radford items, printed marks, 20cm. high £60-100

1283. A Royal Worcester Sabrina Ware vase, designed by Walter Sedgley and Albert Shuck, shape no.1527, baluster form, painted with flowers before a silhouetted moon, in white and blue between brown foot and everted top rim, printed marks 18cm. high £200-300

1284. ‘Crocus’ a Shelley Pottery dinner service for six, pattern 119652, printed and painted in colours, comprising; three graduated platters two tureens and covers, sauce boat, six dinner, entree and side plates, printed and painted marks, largest platter 41cm. wide £300-500 1287 1285. ‘Garland of Fruit’ a Shelley Queen Anne tea set for six, pattern no.11705, printed and painted with floral garlands, comprising; sugar basin, sic cups, saucers and side plates and a sandwich plate, printed and painted marks, sugar basin 12.5cm. wide £100-200

1286. A porcelain model of an Egyptian cat designed by Louis Wain, painted in colours, printed marks, facsimile signature, damages and re-stuck leg 15cm. high £300-400

1287. ‘Boy on a Goat’ a Charles Vyse pottery figure, dated 1921, painted in colours painted mark, re-struck headdress to goat 27cm. high £300-500

1288. ‘Si Wang Mu - Thumbelina’ a rare Wedgwood Fairyland lustre Lincoln plate designed by Daisy Makeig-Jones, printed and painted in colours and gilt on a flame lustre ground, the rim with flaming pearls on a blue ground printed factory mark, 27cm. diam. £2,000-4,000 Literature Una des Fontaines, Wedgwood Fairyland Lustre, page 208 figure 92 for a drawing of this design. 1288

1289

1290

1293

1291

1294

1292

1295

1296

1289. A pair of Wedgwood black basalt Stag and Tree book ends designed by Erling B Olsen, modelled in relief stamped marks, losses to antlers, 16cm. high £100-200 Literature Maureen Batkin,Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 199 plate 494 for a comparable pair 1290. ‘Ferdinand The Bull’ a Wedgwood Pottery bull designed by Arnold Machin, painted in colours printed marks 32cm. wide £200-300 1291. Two Wedgwood Garden plates designed by Eric Ravilious, printed in yellow and black with a vignette, and two Persephone pattern plates printed factory marks, wear 23.5cm. diam. £80-120 1297

1292. ‘Tiger and Buck’ a Wedgwood Pottery figure group designed by John Skeaping, covered in a matt white glaze printed mark, impressed artist mark 34cm. wide £80-120 1293. A Wedgwood bowl by Norman Wilson, footed form, fluted exterior in mottled ochre and pale blue, the interior glazed speckled blue impressed marks, NW monogram, glaze chip to top rim, 27.5cm. diam. £50-100 1294. A Wedgwood earthenware footed bowl designed by Keith Murray, flaring form on narrow foot, the rim with incised band, covered in a matt white glaze printed marks, KM monogram 16.5cm. diam. £80-120 1298

1295. A Wedgwood earthenware vase designed by Keith Murray, footed cylindrical form, the white body covered in a Champagne glaze, cut back with horizontal banding to the white printed mark and facsimile signature 18.5cm. high £100-200 1296. A Wedgwood Moonstone vase designed by Keith Murray, shouldered, ribbed cylindrical form, glazed matt white printed factory mark, facsimile signature 29cm. high £150-250 1297. Two Wedgwood Orient Line tea trios designed by Edward Bawden, printed in purple and black with geometric flowers and foliage printed marks, side plates 15.5cm. diam. £100-150 1298. Four Wedgwood Orient Line bowls and saucers designed by Edward Bawden, printed in purple and black with geometric bands, the saucers with a stylised flower stem printed factory marks, saucers 14.5cm. diam. £200-300

1299

1299. ‘King George VI Queen Elizabeth 1937’ a Wedgwood commemorative mug designed by Eric Ravilious, printed in colours impressed and printed factory marks, museum restoration 10cm. high £150-200

1301

1302 1303

1300

1306 1305 1300. A Wedgwood lustre bowl designed by Daisy Makeig Jones, printed in gilt to the well and rim with hummingbirds, on a mottled blue ground, the exterior decorated with hummingbirds in terracotta printed factory marks, James Powell & Sons Whitefriars retail mark, 33cm. diam. £150-250 1304

1307

1301. A Wedgwood Dragon lustre bowl designed by Daisy Makeig-Jones, octagonal form, printed in gilt on a pale blue lustre ground, another larger and a smaller pedestal bowl printed marks, star-crack to body of largest bowl 18cm. diam. £300-500 1302. A Wedgwood pottery vase by Louise Powell, painted in silver lustre with a simple abstract design on a black ground, and a Wedgwood covered pot impressed and painted marks, wear to lustre 10.5cm. high £80-120 1303. An Art Deco Carlton Ware Bell pattern footed bowl, pattern 3774, painted with stylised flowers and foliage in colours on a pale lemon ground, highlighted in gilt printed and painted marks, crazed 23cm. diam. £200-300 1304. A Carter, Stabler & Adams Poole Pottery Cocky Ollie Bird plate, designed by Truda Carter, painted by Anne Hatchard, pattern BG, painted in colours inside chevron border, and a Poole tall vase spray decorated with green and grey bands impressed and painted marks, plate 20.5cm. diam. £80-120 1305. A Carter Stabler & Adams Poole Pottery table lamp, pattern EW made for retail by B Altman & Co, painted with a band of flowers and foliage in colours impressed marks, 28cm. high £100-200

1308

1306. A Poole Pottery Picotee vase, stepped, rectangular form, spray glazed in mint green on a white ground, and a Poole Pottery Sylvan Ware vase and cover, spray glazed mint green impressed marks, 20cm. high £80-120 1307. A Carter Stabler & Adams Poole Pottery model of a bird on a rocky outcrop by Harold Stabler, covered in a cream glaze impressed mark, 19cm. high £250-350 1308. A Carter, Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern AB, painted with geometric flowers and bands in ochre and rust on a brown ground impressed and painted marks, minor damages 34cm. high £200-300 1309. A Poole Pottery vase by Eileen Prangnell, pattern CU designed by Truda Carter, twin-handled form painted in colours impressed and painted marks, 19cm. high £100-200 1309

1310

1312

1311

1315

1313

1316

1314 1317 1310. A Carter’s tiles Poole Pottery Farmyard Series four tile panel designed by E E Stickland, stencilled and painted with a windmill on a hill, in colours, later frame 30cm. square £150-200 Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications page 172 for a comparable tile example illustrated 1311. A Carter’s tiles Poole Pottery Farmyard Series four tile panel designed by E E Stickland, stencilled and painted with a haystack in a gated field, in colours, later frame 30cm. square £150-200 Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications page 172 for comparable tiles from this series 1312. A Poole Pottery charger, painted to the well with fruit and foliage in pink, mushroom and black, and another similar, impressed, printed and painted marks, 32cm. diam. £150-200

1318

1313. A Poole Pottery vase, pattern OL, painted with flowers and foliage in colours on a white ground, a Poole Pottery Contemporary bowl and a preserve pot impressed and painted marks, 10cm. high £50-100 1314. ‘The Ocean Liner’ a Poole Pottery charger by Karen Brown, painted in colours, and a book on The Queen Mary and Transatlantic style painted marks, 41cm. diam. £50-100 Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 202 for a comparable charger. 1315. A Poole Pottery Freeform vase, model no. X/FSU painted with purple and red butterfly motif, a beaker in the same pattern and two other Poole Freeform vases printed and painted marks, 27cm. wide £100-200 1316. A Poole Pottery Ionian charger by Carolyn Wills, resist decorated with a floral abstract, and a Poole Pottery Aegean charger impressed and painted marks, painted S mark for possible sample piece, 32cm. diam. £80-120 1317. Four Poole Pottery modern Studio trial plates by Nicola Masserella, decorated with abstract design in blue and black, with the original sketches on paper painted marks, 24.5cm. diam. £80-120 1318. A large Poole Pottery modern Studio vase by Anita Harris, painted in colours on a lime green ground, and another Poole Pottery vase painted marks, 43cm. high £100-150

1319. A large Poole Pottery modern Studio vase by Janice Tchalenko, dated 2000, flaring cylindrical form, painted with foliate columns in turquoise on a yellow ground printed and painted marks, 45cm. high £100-150 1319

1320 1321

1324

1322 1323 1320. A Poole Pottery modern studio vase by Alan White and Nicola Masserella, ovoid painted with green fronds, and another modern studio vase, impressed and painted marks, 23cm. high £80-120

1321. ‘Norse Star’ a modern plate by Karen Brown, dated 2007, painted in colours painted marks 35cm. diam. £80-120

1322. A Poole Pottery Delphis bowl, shape no.57, painted with flowers to the well in colours, a plate and five other Delphis items printed and painted marks 27cm. diam. £120-150

1323. A Poole Pottery modern Studio charger by Nicola Masserella, painted in shades of orange and blue with an abstract design, and two other plates printed and painted marks, 41cm. diam. £100-200

1325

1324. A Guy Sydenham stoneware Mermaid sculpture, covered in a pitted grey glaze impressed marks and cypher, repair to arm and loss to hair 23cm. wide £50-150

1325. A Poole Pottery Atlantis stoneware Helmet table lamp by Guy Sydenham, with carved chain-mail decoration to the exterior glazed white and turquoise, the interior carved with a bearded knight glazed orange impressed mark, incised monograms 30cm. high £500-800

1326. A Green Man tile by John Piper, square section, painted in colours, framed 9.5cm. square £300-500 1326

1327

1328 1329

1332

1330

1333

1334 1327. ‘Moorcroft Pottery’ an advertising display dish, painted in green on a cream glaze, a Palissy Art Deco service and three other items impressed marks, 21cm. wide £50-100 Provenance Albert E Wade Collection 1331

1328. Four Moorcroft Pottery miniature salt and pepper pots, glazed cream, three tinglaze miniature mugs and a miniature stoneware jug probably Doulton unmarked 3cm. high £50-100 1329. ‘Clematis’ a Moorcroft Pottery large box and cover, painted in colours, and a Coral Hibiscus box and cover, pair of candlesticks, two small trinket boxes and covers and a rectangular box and cover impressed marks, painted blue signature 17cm. diam. £200-400 1330. ‘Rainforest’ a Moorcroft Pottery vase designed by Sally Tuffin, painted in colours impressed and painted marks, 21cm. high £80-120 1331. ‘Peacock Feather’ a Moorcroft vase designed by Sally Tuffin, made For Liberty, tall flaring cylindrical vase with inverted rim, painted in colours on a green ground, impressed marks, 32cm. high £100-200 1335

Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 177 plate 3 for a comparable vase 1332. A Moorcroft Pottery vase, compressed form, tubeline decorated with flowers and foliage in colours on a pale green ground impressed marks, 20cm. high £100-200 1333. ‘Hibiscus’ a Moorcroft Pottery bowl designed by Walter Moorcroft, painted in colours on a green ground, a pair of large continental tubelined wall chargers and ‘Queen Victoria ‘ D.6788 a Royal Doulton character jug impressed marks, painted signature 16cm. diam. £50-100 1334. ‘Plum’ a Moorcroft Pottery vase designed by Sally Tuffin, 1988, shouldered form, painted in colours on a pale lemon ground painted green monogram 25cm. high £100-200 1335. ‘Leaf and Berry’ a Moorcroft Pottery bowl designed by William Moorcroft, painted in shades of blue and green on a mottled celadon green and blue ground impressed marks, painted blue signature, small hairline to top rim, 21.5cm. diam. £300-500

1336

1336. ‘Columbine’ a Moorcroft Pottery flambe bowl designed by Walter Moorcroft, painted in colours on a flambe ground painted blue signature 24cm. diam. £250-300

1339 1337

1341

1340

1338

1342

1344

1343

1337. ‘Springflowers’ a Moorcroft Pottery vase designed by Walter Moorcroft, painted in colours on a graduated blue ground impressed marks, 19.5cm. high £150-200 1338. ‘Pomegranate’ a Moorcroft Pottery baluster vase designed by William Moorcroft, painted in colours on a blue ground painted blue monogram, professionally restored top rim 18cm. high £200-300 1339. Lowerdown Pottery a stoneware vase, square section painted with an abstracted ear of corn design, and another Lowerdown Pottery vase impressed seal marks 12.5cm. high £80-120 1340. A Rye Pottery model of a pig, modelled standing, its head detachable, the neck incised ‘Want to be Druv’ painted in shades of black, yellow and blue, a twin-handled cup, two other Rye vases and a Rye model of a Robin printed marks, impressed marks, re-stuck ear 21cm. wide £100-200 1341. Svend Beyer (born 1946) a salt-glaze stoneware jug, the swollen body and handle with incised design, partially covered in an ash glaze, a large stoneware bowl and three other items by various potters impressed SB seal to jug 31cm. high £80-120

1345

1342. Leach Pottery a stoneware preserve and cover, the cover incised with a leaf motif, covered to the foot in an ash glaze, two Leach pottery jugs and two bowls impressed seal marks, damages 9cm. high £150-250 1343. A collection of ten Peggie Foy figures, painted in colours, including; two workers resting beside baskets of fruit painted Foy, damages tallest 12.5cm. high £80-120 1344. Edgar Campden an Aldermaston Pottery tray, painted in shades of pink and black on a silver-grey ground painted artist cipher 52cm. wide £80-120 1345. ‘Tigris’ a large Moorcroft Pottery limited edition vase designed by Sally Tuffin, dated 1993, painted in colours on a blue ground painted marks, dated 22.9.93, 75/150, with paper certificate 39cm. high £700-1,000 1346. ‘Rain Forest’ a modern Moorcroft Pottery limited edition vase designed by Sally Tuffin, dated 1993, painted in colours painted marks, 6.4.93, 119/150 42cm. high £700-1,000 1346

1348 1347

1350 1349

1351

1352

1353

1354

DENNIS CHINAWORKS 1347. ‘Buttercup’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2005, painted in colours on a deep blue ground impressed and painted marks, 17cm. high £80-120 1348. ‘Daylight Hare’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2005, painted in colours, and a ‘Daylight Hare’ preserve pot and cover impressed and painted marks, 17cm. high £100-200 1349. A Dennis Chinaworks Yohji Yamamoto figure designed by Roger Michell, dated 1985, painted in colours printed factory marks, 29cm. high £100-200 1355

1350. ‘Bat’ a Dennis Chinaworks trial cylinder vase designed by Sally Tuffin, dated 2001, painted in colours impressed marks, 22cm. high £100-200 1351. ‘Wisteria’ a Pair of Dennis Chinaworks candlesticks designed by Sally Tuffin, dated 2006, painted in shades of blue and green on a pale blue ground impressed and painted marks, No.1, 16cm. high £150-200 1352. ‘Primrose’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2001, painted in colours, another smaller and a preserve jar and cover impressed and painted marks, 24cm. high £150-250 1353. ‘Lion’ a Dennis Chinaworks miniature Mr.T vase, designed by Sally Tuffin, dated 2003, painted in colours, and a miniature elephant vase impressed and painted marks, 8.5cm. high £100-200 1354. ‘Fly Fishing’ a Limited Edition Dennis Chinaworks mug designed by Sally Tuffin, dated 2003, made for Southfield, painted in colours on a cream ground, and a matching Dennis Chinaworks sign impressed and painted marks, 20/50 14cm. high £100-200 1355. ‘Penguin’ a Dennis Chinaworks stepped candlestick designed by Sally Tuffin, dated 2007, painted with a procession of penguins, the cover with a modelled penguin finial impressed marks, 26cm. high £150-200 1356. ‘Magnolia’ a tall limited edition Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in shades of blue, green and white impressed and painted marks, 5/25, 48cm. high £400-600

1356

1357 1358 1359 1360

1357. ‘Bluebell’ a Dennis Chinaworks tazza designed by Sally Tuffin, dated 1997, painted in colours impressed and painted marks, numbered 17, 16cm. diam. £80-120

1358. ‘Seagarden’ a Dennis Chinaworks Trial box and cover designed by Sally Tuffin, dated 2006, painted in colours impressed and painted marks, 21cm. high £100-200

1359. ‘Poppy’ a Dennis Chinaworks trial vase designed by Sally Tuffin, dated 1997, painted in shades of blue, black and red on a celadon ground inscribed ‘Here is the flower of dreams for thee Then will you sometimes dream of me’ impressed and painted marks, 18.5cm. high £80-100

1361

1362

1360. ‘De Morgan Fish’ a Dennis Chinaworks medium baluster vase designed by Sally Tuffin, dated 2004, painted in colours impressed and painted marks, numbered 13, 21cm. high £150-200

1361. ‘Apple’ a Head trial vase designed by Sally Tuffin, dated 2008, painted in colours impressed marks, 20cm. high £150-200

1362. ‘Scarab’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 2004, painted in colours impressed and painted marks, 3/25, 30cm. high £300-500

1363. ‘Elephant’ a large and impressive Dennis Chinaworks vase designed by Sally Tuffin, dated 2004, painted in black and brown, highlighted in red and white impressed and painted marks, No.10 37cm. high £300-500 1363

1366 1367 1365

1364

1368

1369

1370

CLARICE CLIFF

1371

1364. ‘L’Odeon’ a Clarice Cliff poster, advertising the exhibition, printed in colours 59 x 42cm. £50-100 1365. ‘Flora’ a Clarice Cliff Bizarre plate, printed and painted in colours printed factory mark, 14.5cm. diam. £80-120 1372

1366. ‘Blue Chintz’ a Clarice Cliff Bizarre Conical milk-jug, painted in colours, and an Original Bizarre milk jug printed marks, restored, 6.5cm. high £150-250 1367. ‘Lodore’ a Clarice Cliff side plate, painted in colours, printed factory mark, 14cm. diam. £80-120 1368. ‘Pastel Melon’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in colours between blue, pink and green bands printed mark, restored 14cm. high £200-300 1369. ‘Fragrance’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours printed factory mark, small chip to base rim, 14cm. high £200-300 1372A

1370. ‘Agave’ a Clarice Cliff Conical sugar sifter, painted in colours printed factory marks, minor chips to base rim, 14cm. high £50-100 1371. ‘Crocus’ a Clarice Cliff Bizarre Conical sugar sifter painted in colours printed factory marks, restored tip 14cm. high £100-200 1372. ‘Crocus’ a Clarice Cliff Bizarre bowl, painted in colours above a brown band, and a Clarice Cliff Aurea bowl printed marks, 20.5cm. diam. £120-180 1372A. ‘Orange Bridgewater’ a Clarice Cliff Bizarre Bon Jour preserve pot and cover, painted in colours printed factory mark, small nick to cover rim, 11cm. high £200-300 1373. ‘Rhodanthe’ a Clarice Cliff Bizarre Lotus jug, painted in colours printed factory mark, 29cm. high £300-500

1373

1373A

1373A. ‘Viscaria’ a Clarice Cliff Athens jug, painted in colours printed factory mark, 15.5cm. high £100-200

1374

1375

1376

1377

1379 1378

1381

1380 1374. ‘Delecia Pansies’ a Clarice Cliff Bizarre Bon Jour sugar sifter, painted in colours printed and painted marks, hairline to vents 12.5cm. high £150-200 1375. ‘Viscaria’ A Clarice Cliff Bon Jour sugar sifter, painted in colours printed factory mark, 12.5cm. high £150-200 1376. ‘Sandon’ a Clarice Cliff Bon Jour sugar sifter, painted in colours printed factory mark 12.5cm. high £200-300 1382

1377. ‘Stile and Tree’ a Clarice Cliff Bon Jour sugar sifter, painted in colours 12.5cm. high £300-400 1378. ‘Gibraltar’ a Clarice Cliff Fantasque Bizarre Heath fern pot, painted in colours printed factory mark, 7cm. high £200-300 1379. ‘Crocus’ a large Clarice Cliff Bizarre clog, painted in colours printed factory mark, 14cm. wide £120-180 1380. ‘Fragrance’ a Clarice Cliff Bizarre plate, painted in colours, and a Conical cruet set, printed factory marks, 21.5cm. diam. £150-200 1381. ‘Aurea’ a Clarice Cliff Bizarre Conical cruet set, painted in colours, printed mark to mustard 8cm. high £200-300 1382. ‘Fragrance’ a Clarice Cliff Bizarre Bon Jour tea for two, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate, painted in colours printed factory marks, cover restored 13.5cm. high £800-1,200

1383

1383. ‘Triangle Flower’ a Clarice Cliff Fantasque Bizarre 342 vase, painted in colours between red and green bands printed factory marks, 19cm. high £700-1,000 1384. ‘Coral Firs’ a Clarice Cliff Bizarre Mei Ping vase, painted in colours inside yellow and brown bands printed factory marks, 23cm. high £600-800 1384

1385

1386

1387

1388

1392

1390 1391

1385. ‘House and Bridge’ a Clarice Cliff Bizarre plate, painted in colours in colours inside yellow, orange and brown printed factory mark, 20cm. diam. £300-500

1389

1386. ‘Floreat’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside an orange band printed factory mark, 23cm. diam. £200-300 1387. ‘Bridgewater’ a Clarice Cliff Bizarre plate, painted in colours inside yellow bands printed factory mark 23cm. wide £250-350 1388. ‘Mowcop’ a Clarice Cliff plate, painted in colours on a mushroom ground printed mark, 25cm. diam. £100-200 1393

1394

1389. ‘Orange Capri-Yuan’ a Clarice Cliff vase, painted in colours on a Goldstone ground under pale green printed and painted mark, restoration, 29.5cm. high £100-200 1390. A Clarice Cliff Toby jug, painted in colours, and a pair of smaller Toby salts printed marks, one salt repaired toby 17cm. high £50-100 1391. ‘Blue Chintz’ a set of six Clarice Cliff Bizarre breakfast bowls, painted in colours printed factory marks, 15cm. diam. £100-200 1392. ‘Orange Lily’ a Clarice Cliff Fantasque Bizarre Eve bowl, painted in colours printed factory marks, 12cm. diam. £150-200 1393. ‘Brookfields’ a Clarice Cliff Bizarre single-handled vase, shape no.634, painted in colours printed factory marks, 18cm. high £80-120

1395

1394. A Clarice Cliff Isis vase, painted with a simple floral pattern in silver-grey and pink on a cream ground printed factory mark, 20cm. high £80-120 1395. ‘Rudyard’ a Clarice Cliff part tea set, painted in colours, comprising two cups, one saucer and two side plates, printed factory marks, side plates 17.5cm. diam. £500-800 1396. ‘Rudyard’ a Clarice Cliff Bizarre Cylindrical pot, painted in colours, and a Rudyard pattern preserve pot printed factory marks, 12.5cm. diam. £200-300

1396

1399

1398 1397

1400

1401

1402

1404

1403

1397. ‘Tralee’ a Clarice Cliff Bizarre vase, shape no.565, painted in colours printed factory marks, 14cm. high £200-300 1398. ‘Delecia’ a Clarice Cliff Bizarre stepped candlestick, painted in running green, blue and red printed factory mark, 9cm. high £150-200 1399. ‘Inspiration’ a Clarice Cliff Bizarre stepped bowl, square section, painted in shades of blue, pink and yellow on a turquoise ground printed and painted marks, 20cm. wide £250-300 Provenance Clarice Cliff, Christie’s South Kensington 25th May 2000 lot 217 Private collection 1400. ‘Inspiration Lily’ a Clarice Cliff Bizarre plate, painted in shades of blue, pink and yellow on a turquoise ground printed and painted marks, 23cm. diam. £200-300 Provenance The Barry Jones Collection of Clarice Cliff, Christie’s South Kensington, lot 318.

1405

1401. ‘Fruit’ a Clarice Cliff side plate, painted in colours printed factory mark, 15cm. diam. £50-100 1402. ‘Umbrellas’ a Clarice Cliff Fantasque Bizarre vase, painted in colours between yellow, orange and green bands printed factory mark, professional restoration to top rim, 22cm. high £500-700 1403. ‘Autumn’ a Clarice Cliff Fantasque Bizarre vase, painted in colours between orange bands printed factory marks, restored top rim 26cm. high £300-500 1404. ‘Bridgewater’ a Clarice Cliff Bizarre Bon Jour preserve and cover, painted in colours printed factory mark, restored cover, 11cm. high £250-350 1405. ‘Elizabethan Cottage’ a large Clarice Cliff wall plaque, painted in colours inside red and black bands printed factory mark, 44cm. diam. £1,200-1,800 1406. ‘Floreat’ a Clarice Cliff Fantasque Bizarre twin-handled Lotus jug, painted in colours between yellow and black bands printed factory marks, 28.5cm. high £600-1,000 1406

1408

1407

1409

1411

1412

1413

1410

TROIKA

1414

1407. A Troika Pottery Wheel vase, cast in low relief in shades of brown and blue painted marks, 17cm. high £80-120 1408. A Troika Pottery Wheel lamp, cast in low relief and painted in shades of blue and ochre painted marks, 20cm. high £100-200 1409. A Troika Pottery Coffin vase cast in low relief, glazed blue and ochre painted marks, 17cm. high £80-120 1410. A Troika Pottery smooth Cylinder vase, painted with a band of keyhole motif in ochre and black between blue bands, and another Troika smooth Cylinder vase painted marks, 36.5cm. high £100-200 1415

1411. Two Troika Pottery Coffin vases by Avril Bennet and Annette Walters, cast in low relief with geometric design painted in shades of green and blue painted marks, 17.5cm. high £100-200 1412. A Troika Pottery Urn vase, painted in shades of brown and black painted marks 25cm. high £100-200 1413. A Troika Pottery Urn vase by Penny Black, painted in shades of green and ochre on a blue ground painted marks, 25cm. high £100-200 1414. A Troika Pottery Urn vase, painted with a keyhole frieze in brown on a blue ground painted Troika St Ives to base 26cm. high £80-120 1415. A Troika Pottery Tin Mine lamp base by Alison Brigden, glazed in brown and ochre, painted marks, 21.5cm. high £150-250 1416. A large Troika Pottery Pillar vase by Anne Lewis, totem form with cast and incised decoration, glazed ochre painted marks, 55cm. high £800-1,200

1416

1418

1418 detail 1417

1417. An early Troika Pottery Handled Vase, painted with abstract scarab design in blue on white, with black panels, cast Troika 14cm. high £500-700 1418. A rare large Troika Pottery bowl, square section glazed black the circular well glazed blue, painted marks, 23cm. square £500-1,000

1419

1420

1421

1422

1419. A Troika Pottery Double Base vase by Teo Bernatowitz, cast in low relief with geometric panels, glazed in blue, ochre and green on a blue ground painted marks, 35.5cm. high £350-450 1420. A Troika Pottery Double Base lamp base by Alison Brigden, modelled in low relief with geometric panels, in blue, green and brown on an ochre ground painted marks, 36cm. high £200-300 1421. A Troika Pottery Chimney vase by Avril Bennet, cast in low relief with geometric design in shades of blue, ochre and green on a white ground painted marks 20cm. high £100-200 1422. A Troika Pottery Anvil vase by Louise Jenks, modelled in low relief, glazed in brown and buff painted marks to base 23cm. wide £300-500 1423. A Troika Pottery Perfume flask, resist decorated with flowerhead roundel in blue on a white ground, the reverse a black and blue roundel painted marks, 17cm. high £300-400 1424. A Troika Pottery Perfume flask painted with abstract geometric design in pale blue/green on a bronze ground, a small Wheel vase and a studio pottery vase moulded marks to base 16.5cm. high £150-250 1423

1424

1426

1425

1427

1428

1431 1430 1429

1425. A Troika Pottery Spice Jar painted in shades of blue and green, and a Marmalade pot painted marks 15cm. high £100-200 1426. A Troika Pottery Slab vase by Anne Lewis, decorated with a wheel motif, in blue and black, and two Troika Pottery Pencil Jars painted marks, hairline to one pencil jar 11.5cm. high £80-120 1427. Troika Pottery Wheel vase and a Spice Jar, cast in low relief and painted in shades of blue and ochre painted marks spice jar 15cm. high £100-200 1428. A Troika Pottery Cube vase by Linda Hazel, modelled in low relief with a mask and geometric design, in brown and blue on a ochre ground, and a Kayserzinn pewter dish, painted marks, 14.5cm. high £80-120

1432

1429. A Troika Pottery Double Base lamp base by Anne Jones, modelled in low relief, painted in shades of ochre and green painted marks, 36cm. high £250-350 1430. An unusual Troika Pottery St Ives Rectangular vase, probably by Leslie Illsley, shouldered rectangular form, painted with alternate black and white circles, over brown between bronze borders painted marks, trident mark, artist cipher 31cm. high £300-500 1431. A Troika Pottery Rectangular vase by Alison Brigden, cast in low relief and painted in shades of green, ochre and buff on a blue ground painted marks, 22.5cm. high £100-200 1432. A Troika Pottery Aztec mask, modelled in low relief and painted in shades of brown, green and ochre painted Troika and blurred monogram 35cm. high £300-400

1433

1433. A Troika Pottery mask by Avril Bennet, cast in relief and painted in shades of blue on an ochre ground painted marks, 25.5cm. high £500-800

1435

1434

1436 1437

1441

1438

1439

CONTINENTAL CERAMICS

1440

1434. A Van Briggle pottery vase, footed cylindrical form, cast in relief with three native American Indian heads, glazed matt blue incised marks, professional restoration to top rim, 27.5cm. high £250-350 1435. A Rookwood Pottery vase, ovoid, cast in low relief with a frieze of swans, glazed matt green to pink impressed marks, 9.5cm. high £50-100 1436. A Pierrefonds stoneware twin-handled vase, shape no.476, covered in a blue and sand crystalline glaze, impressed marks, 34.5cm. high £150-200 1437. A Royal Bonn Art Nouveau earthenware solifleur vase, painted with carnation flowers, in colours on a deep blue ground painted marks, 28cm. high £150-200 1438. A Zsolnay Pecs Eosin vase, shouldered, baluster form covered in a golden green lustre glaze, and a pierced box and cover printed marks 25.5cm. high £100-200 1442 1439. A large Art Nouveau jardiniere by Pinon Heuze, cast with maiden handle, the ovoid body printed in gilt with flag iris stems signed to the body 30cm. high £250-350 1440. An Aardewerk Dutch Modernist earthenware vase designed by Willem Brouwer, ovoid with modelled stylised insect handles, glazed blue, green and ochre impressed marks, chips 13cm. high £80-120 Literature Dutch Modernism The Schiller-David Collection Sotheby’s Amsterdam 5th February 2008, lot 215 for an identical vase. 1441. A Galle tin-glazed earthenware model of a cat by Emile Galle, modelled seated on its haunches, dressed in yellow floral shirt with green collars and detailing, with black and white polka dot tie, applied glass eyes painted E Galle Nancy to foot 32cm. high £500-1,000 1442. A Galle tin-glazed earthenware model of a cat by Emile Galle, modelled seated on its haunches, dressed with burnt umber blanket with white floral repeat and green tassles, and red cuffs, applied glass eyes painted E Galle Nancy to the foot 32cm. high £500-1,000 1443. A Galle tin-glazed earthenware model of a cat by Emile Galle, modelled seated on its haunches, decorated with playing cards in red and black on a sponged yellow ground, its tail decorated with the card suites, applied glass eyes, painted E Galle Nancy to foot, 32cm. high. £500-1,000 Literature Jessica Rutherford & Stella Beddoe Art Nouveau, Art Deco and The Thirties, Brighton Museum Collection page 18 catalogue number 25 for a comparable cat, circa 1880

1443

1444

1445

1448

1449

1446

1447

1450

1451

1444. A Jerome Massier Pierre Perret Vallauris vase, flaring, shouldered form, painted in impasto with daisy flowers impressed and painted marks, small chip to top rim, 16cm. high £100-200 1445. An Art Nouveau silver overlay ceramic jug, the green glazed jug decroated with flower stem design unmarked 17cm. high £80-120 1446. A large continental pottery baluster vase, glazed blue with Art Nouveau silver inlay decoration unsigned, damages 48cm. high £80-120 1447. A pair of Mettlach Pottery vases, model no.1870, swollen cylindrical form with applied elephant mask handles, painted with aesthetic, formal foliage panels, in colours on a matt blue ground impressed factory marks, 34cm. high £100-200 1448. A Meissen porcelain Art Nouveau dessert plate designed by Henry van de Velde, with pierced rim, painted in blue with a whiplash foliage design, painted mark, impressed artist cipher, 1705, restored rim 22.5cm. diam. £80-120

1452

1453 signature

Literature Judy Rudoe Decorative Arts 1850-1950 A Catalogue of the British Museum Collection, British Museum Press, page 117 catalogue number 295, illustrated page 226 for a comparable example. The British Museum example is stated as being early (designed 1903-4) with its pierced rim something deemed, by designer and factory together, too expensive to produce commercially. 1449. A Rozenburg egg shell porcelain cup and saucer, model no.292, painted with a yellow bird perched on a flower stem printed and painted marks, 12cm. diam. £300-400 1450. A Rozenburg egg shell porcelain cup and saucer, model no.285, painted with purple chrysanthemum flowers printed and painted marks, 12cm. diam. £300-400 1451. A Cantagalli tin-glazed earthenware ewer and cover, painted in puce with a medieval figure in a wooded landscape approaching an Italian castle with campanile, painted marks, 19cm. high £120-150 1452. A Rorstrand Iris porcelain sandwich set designed by Alf Wallander, comprising footed tazza and six side plates, each cast in low relief with pink and blue flag iris impressed and printed factory marks, tazza 23.5cm. diam. £300-500 1453. A Zsolnay Pecs model of a standing Arab man, cast from a model by Benzicoley covered in a purple and green lustre glaze printed marks, cast signature to base, restored neck, 24cm. high £500-800

1453

1454

1455

1456

1458 1459 1460 1454. A near pair of Primavera earthenware candlesticks, waisted form, painted with dot and line motif, in green, cream and brown impressed Primavera mark, minor glaze loss and professional restoration, 19cm. high £300-500

1457

1461

1455. A Primavera Pottery figural jug, the body modelled as a stout gentleman with moustache, his ponytail forming the handle, glazed in colours impressed Primavera £150-250 1456. An Art Deco pottery plaque by Jean Luce, cast in low relief and glazed in pink and brown with an Amazonian warrior on horseback, printed monogram to reverse, incised Marx to front, small glaze nick, 29.5cm. diam. £300-400 1457. An Evolution stoneware vase by Edouard Cazaux, compressed, ovoid form covered in a silver grey glaze, the shoulder with blue circle design printed mark, incised Cazaux 16cm. high £100-200 1458. A Boch Freres Keramis bottle vase designed by Charles Catteau, D.5062, shouldered, octagonal form, decorated with panels of stylised flowers in enamels on a crackled white ground impressed and printed marks, 18.5cm. high £50-100 1459. A Boch Freres vase designed by Charles Catteau, D.746, ovoid with knopped neck, enamelled with fruit and foliage in shades of yellow, orange and black on a white ground printed marks, and Catteau 19cm. high £100-200 1462 1460. ‘Hercules et la Biche’ a Longwy Pottery limited edition charger by R Rizzi, enamelled in colours printed and painted marks, numbered 18 of 60, 37cm. diam. £150-200 1461. A Lenci Pottery vase, model no.75, painted with flowers and foliage in colours, impressed number, painted marks, PM monogram 1939 27cm. high £200-300 1462. ‘Damina Con Colombo’ a Lenci Pottery figure by Nillo Beltrami, model no.126, painted in colours, painted marks, original paper label, damages and old restoration 32cm. high £500-800 Literature Alfonso Panzetta Le Ceramiche Lenci Umberto Allemandi & C. page 135 plate 124 for a comparable example. 1463. A Richard Ginori earthenware vase designed by Gio Ponti, painted with Italian propellor planes flying amongst clouds painted Ginori 36 mark to base 17.5cm. high £500-800 Literature Gio Ponti Una Collezione Sotheby’s Milan 18th April 2005 lot 27 for an earthenware vase comparable Gio Ponti Ugo La Pietra, Rizzoli, page 24 for a comparable vase 1463

1464

1465

1468

1466

1469

1467

1470

1471

1464. A St Clement earthenware vase, the ribbed, shouldered body covered in a matt black spray glaze inicsed marks to base 26cm. high £80-120 1465. An Amphora Pottery vase, model no.3160, swollen cylindrical form with inverted rim, enamelled with a pair of exotic swallows resting amidst geometric flowerheads, between mottled blue ground borders printed marks, 31cm. high £80-120 1466. A Jean Luce pottery dish, modelled as a cog with serrated edge, glazed blue and white impressed mark, small chip to underside, 11cm. diam. £60-100 1467. A continental terracotta coffee set in the manner of Otto Lindig, comprising coffee pot and cover, five cups, saucers and side plates, all covered in a streaked brown glaze incised monogram, chips 21cm. high £100-200 1468. A large Roger Guerin floor vase, shouldered form with applied handles, incised with a band of Greek soldiers, glazed in ochre and browns and another smaller decorated with figures impressed and incised marks 64cm. high £50-100 1469. A pair of Italian book ends modelled as owls, glazed white printed factory mark 21cm. high £50-100 1472

1470. An Art Deco porcelain night-light in the manner of Robj Paris, domed cylindrical form on domed foot, printed with stylised deer running through a forest, and a collection of continental ceramics unsigned 15cm. high £60-100 1471. A set of Robj ceramic knife rests, each modelled as a stylised duck, glazed white, highlighted in gilt, in fitted presentation case, printed factory marks 10.5cm. wide £150-250 1472. A large Amphora Pottery vase, modelled as a large woven basket, to the side a young girl discards her doll to lift up a young boy to see two birds, the basket with swirling grape vine, glazed in colours impressed marks, minor losses 45cm. high £150-200

1473. A Royal Copenhagen model of two Mandarin Ducks designed by Peter Herold, model no.1863, a mermaid model no.1212, and eight other figures printed and painted marks, ducks 19cm. high £250-350 1473

1474

1475

1478

1476

1479

1477

1480

1481

1474. A Robj pottery pipe holder, modelled as a seated Chinaman, his arms raised up, glazed in colours printed marks, professional restoration to base 13.5cm. high £120-180 1475. ‘La Marchande D’Oranges - The Orange Seller’ a large Robj decanter and stopper, modelled in relief and painted in colours printed factory marks to base, professional restoration, 28cm. high £600-800 Literature Vanna Brega Led Ceramiche Robj page 209 catalogue number 259 1476. An Art Deco Primavera Pottery vase and cover, cast in relief with a stylised female face, covered in a cream glaze printed Prmavera mark, minor damages 23cm. high £300-400

1482

1477. A large Theodore Haviland duck tureen and cover designed by Edouard-Marcel Sandoz, glazed in shades of white, blue and yellow, another modelled as two ducks and a rabbit mustard pot and cover with spoon printed factory marks, facsimile signature, green base restored, 26cm. wide £300-500 1478. A pair of continental pottery book ends by Maria H. Rahmer, each modelled as a seated figure wearing yellow top and blue trousers incised marks, 17cm. high £100-200 1479. A terracotta bust of a woman by Cloed, glazed in yellow and white incised marks 25cm. high £150-250 1480. A terracotta bust of the Madonna by Cleod, glazed in colours, highlighted in gilt incised signature 30cm. high £150-200 1481. A pottery model of two nudes, cast from a model by Fanny Roset, modelled one kneeling and kissing the others hand, partially draped in a white cloth, glazed in colours, painted signature to base 34cm. high £250-350 1482. ‘Girl with a Borzoi’ a pottery sculpture cast from a model by Andre Fau, glazed in colours, impressed marks, minor restoration to base rim, 40.5cm. wide £250-350 1483. A Primavera Pottery box and cover, modelled as a stylised figure, holding a fan, glazed white printed mark to base, restored 21cm. high £80-120 1483

1485

1486

1484

1489 1488

1487

1490 1491

1484. An English Goldscheider Pottery model of a figure on a horse, glazed in colours printed factory marks, 21cm. high £80-120 1485. A pair of Walter Goldscheider Everlast Corp Mongal busts, designed by H Lindhall, model no.839, painted in colours, and a Goebel wall mask impressed and painted marks, 19cm. high £100-200 Literature Ora Pinhas Goldscheider Richard Dennis Publications, page 185 for the female version illustrated. 1486. A German pottery figure of a woman, modelled seated on her suitcase waiting, glazed in colours impressed and printed marks, restored ankles, 23cm. high £50-100 1487. A Katshutte Pottery figure of a girl, modelled in a green short suit with white polka dots, and a continental pottery figure of a woman with a Borzoi dog printed marks, 25cm. high £80-120

1492

1493

1488. A Goldscheider Pottery wall mask, model no.7784, modelled with flowing blue hair and wearing an orange scarf impressed and printed marks,26cm. high £150-250 1489. A Goldscheider Pottery wall mask, model no.6774, modelled as a girl holding an apple, glazed in colours impressed and printed marks, restoration to sleeve, 19cm. high £150-250

1494

1490. A Goldscheider Pottery wall mask, model no.7813, modelled as a woman in blue headscarf, impressed marks, 31cm. high £150-200 1491. A Goldscheider Pottery head, model no.585, glazed in colours impressed and printed marks original paper label, chips 25cm. high £200-300 1492. A pottery figure in the manner of Goldscheider, modelled partially draped in a blue scarf, mounted on ebonised wood base 33cm. high £80-120 1493. A Goldscheider Pottery lamp base, modelled with figures holding up a column of flowers, glazed in colours, with pierced metal bowl lower shade printed mark, indistinct artist signature cast in base rim, 49cm. high £500-1,000 1494. An Austrian terracotta model of a boy seated, in the manner of Goldscheider, modelled clasping a bunch of flowers, stamped made in Austria 22cm. high £50-100

1495

1495. A Continental pottery model of a woman, wearing pink dress and broad rimmed hat, and another similar impressed marks, 30cm. high £100-200

1497 1496

1498

1496. A large Goldscheider Pottery terracotta bust of a maiden, cast from a model by Josef Wind, model no.1849, on shaped base cast in low relief with panels signed Wind in the cast 55cm. high £250-350 Literature Ora Pinhas, Goldscheider Pottery Richard Dennis Publications, page 89 plate 511 the original Goldscheider catalogue circa 1900 reproduced.

1497. A Goldscheider Pottery figure of a dancer cast from a model by Stephan Dakon, model no.8127, modelled holding the hem of her pink dress, glazed in colours impressed and printed marks, 38cm. high £1,000-2,000 Literature Ora Pinhas, Goldscheider, Richard Dennis, page 156 for a comparable. 1499 1498. A Goldscheider Pottery figure of a woman holding a mask, designed by Claire Herczeg, model no.7691, glazed in colours impressed and printed marks, signed Herczeg to base, 38cm. high £1,000-2,000 Literature Ora Pinhas Goldscheider Richard Dennis, page 150 for a comparable example.

1499. A rare Goldscheider Pottery figure of two tennis players, cast from a model by Stephan Dakon, model no. 7778, glazed in colours impressed marks, facsimile signature, losses 32cm. high £1,000-1,500

1500. A Goldscheider Pottery figure of a girl with an ermine muff designed by Claire Herczeg, model no.8241, wearing a long blue ermine lined coat, impressed marks, impressed marks, indistinct signature to base, 39cm. high £1,000-2,000 Literature Ora Pinhas Goldscheider, Richard Dennis, page 130 this figure illustrated. 1500

1501

1502

1505

1503

1506

1504

1507

1508

1501. A pair of Royal Copenhagen Faience pottery candlesticks, by Grethe Helland-Hansen, cylindrical form, painted with columns of abstract design in blue on a pale blue ground printed and painted marks to base 19.5cm. high £80-120 1502. A large Royal Copenhagen vase, model no.1983, painted with a steam boat and two sailing boats in a harbour entrance, in colours printed and painted marks, 30cm. high £100-150 1503. A Danish Copenhagen pottery bowl and cover, the cover surmounted with a fawn, painted in colours, and a Selb vase and cover designed by Professor Fritz Klee printed marks, 14cm. high £80-120 1509

1510

1504. A Royal Copenhagen solifleur vase, slender, swollen form, covered in a crackled celadon glaze, a box and cover similar, a Faience mug and four other items printed and painted marks, minor damages, 19cm. high £50-100 1505. A Fantoni vase, painted with a courting couple, in colours on a red ground painted Fantoni Italy, hairline to top rim 17cm. high £80-120 1506. A Rosenthal Pottery vase designed by Tapio Wirkkala, flaring, faceted form, printed with flowers, and two others similar printed marks, facsimile signature 25cm. high £100-200 1507. A Vallauris pottery jug designed by Roger Capron, the matt black body enamelled with a face amongst geometric panels, in colours, and a Roger Capron bottle painted marks, jug 16.5cm. high £100-200 1508. A set of twelve Nymolle Denmark months of the year wall plaques, designed by Bjorn Wiinblad, printed factory marks, facsimile signature 15cm. diam. £50-100

1511

1509. A Gustavsberg stoneware vase by Stig Lindberg, the slender tapering body with swollen neck, glazed blue and ochre, incised with simple linear face incised Stig L and hand cipher 24.5cm. high £100-200 Literature Jennifer Opie Scandinavian Ceramics and Glass in the 20th Century, V&A, page 111 catalogue number 363 for a comparable. 1510. A Vallauris Pottery solifleur vase, by J Innocenti, painted with a simple bird design in black on a blue ground painted marks, 18.5cm. high £80-120 1511. A Rosenthal Pottery vase designed by Bjorn Wiinblad, decorated in low relief with dancing figures amongst flowers and foliage printed mark and inscription to base 30cm. high £50-100

1512. A Saxbo Danmark vase, shouldered form with everted solifleur rim, with simple incised linear decoration, covered in a streaked pale blue and cream glaze impressed marks, 18cm. high £80-120 1512

1513

1514

1515

1516

1513. An Upsala Ekeby stoneware bowl by Mari Simmulson, white and green glaze with incised design impressed marks, 30cm. diam. £50-80

1514. A Rorstrand Pottery Studio vase, cylindrical form with everted foot and rim, painted with blue and yellow bands, on mottled white ground painted marks, 30cm. high £50-100

1515. An Arabia Pottery teapot and cover, designed by Ulla Procope-Nyman, with whicker handle, covered in a matt black glaze, and two other Arabia teapots printed marks 16cm. high £80-120

1516. A Rosenthal Pottery vase designed by Jean Cocteau, the swollen body printed with a portrait printed factory mark, facsimile signature and date 1952, applied paper label 22cm. high £200-300

1517

1517. A large Fornasetti Foot ceramic umbrella stand designed by Pierro Fornasetti, modelled as a right lower leg and foot in Roman sandal, highlighted in gilt, printed Fornasetti mark, minor professional restoration to the top rim, 57.5cm. high £600-800 Literature Patrick Mauries Fornasetti Designer of Dreams, page 184 for a comparable form.

1518. ‘Yan Soleil’ no.516 a Vallauris Pottery limited edition jug designed by Pablo Picasso, terracotta decorated in resist with a sun motif impressed and incised marks, 131/300 27cm. high £700-900 Literature A Ramie Picasso Catalogue de l’oeuvre Ceramique edite 1947-1971, Vallauris, 1988, page 257 catalogue number 257 for a comparable example. Conceived 30th August 1963 in an edition of 300. 1518

1520

1519

1521

1524

DESIGN

1523

1525

1519. A Mael block printed wall hanging designed by Michael O’Connell, bold abstract form with a central farmyard scene in vibrant colours on a blue ground, signed Mael 110 x 102cm £500-1,000 Michael O’Connell developed special textile printing techniques used for the Festival of Britain wall hangings. 1522 1520. A Mael block printed wall hanging designed by Michael O’Connell, bold abstract form with a cockerel amidst farm buildings in vibrant colours on a blue ground, signed Mael 169 x 133cm. £500-1,000

1526

1521. A silk embroidered wall hanging backed on linen, rectangular form, the abstract design in the manner of Wassily Kandinsky 177cm x 118cm £400-500 1522. An Italian brass three branch floor lamp, the three adjustable lamps with yellow, red and blue enamel shades, 191cm. high £300-500 1523. An Everest beech and walnut sideboard, with carved helix design to doors 138cm. wide £150-250 1524. An early table designed by Robert Heritage, shaped rectangular top covered in leather, signed in pencil by Robert Heritage for the vendor 107 x 83cm £100-200 Designed by Robert Heritage for the Junior Common Room at the Royal College of Art, shortly after graduating from the Royal College of Art. Provenance Robert Heritage Private collection

1527

1525. A Gordon Russell mahogany and walnut sideboard designed by W R Curly Russell and David Booth, 1950, with routed linen-fold decoration to the doors with Bombay rosewood handles, applied label 114 x 43cm. £500-600 1526. A set of six Robert Heritage teak chairs, curved back with tripod legs, padded seats 69cm. high £300-500

1527. A limited edition moulded plastic elephant designed by Edouardo Paolozzi R.A, for Nairn Floors ltd 1973, the geometric case and cover holding advertising pamphlets signed to the leg, numbered 35.5cm. wide £700-1,000

1528

1529

1530

1528. A Lumitron lamp designed by Robert Welch and retailed by Habitat, the polished metal base with opaque and blue perspex shade, with original Lumitron cardboard box 69cm. high £200-300 1529. A Race Furniture bent ply Roebuck chair designed by Ernest Race enamelled metal frame, stamped marks to seat 74cm. high £100-200 1530. A Race Furniture Ltd enamelled metal rocking chair designed by Ernest Race, with fabric cushions designed by Marion Mahler 77cm. high £300-500 Literature Austerity to Affluence British Art & Design 1945-1962, Fine Art Society, page 18 catalogue number F8 for a comparable chair. This design (1948) is recorded as being exhibited at the Festival of Britain in 1951 page 122 section K753.

1531

1532

λ 1531. A Mines & West rosewood armchair designed by Andrew J. Milne, retailed by Heals, with leather pads 92cm. high £300-500 Literature Austerity to Affluence British Art & Design 1945-1962, Fine Art Society exhibition, page 29 catalogue number F50A for a comparable example Charlotte & Peter Fiell 1000 Chairs Taschen, page 206 for a comparable example. 1532. A Bestlite BL6 wall mounted anglepoise lamp, designed by Robert Best, brass frame with polished aluminium shade cast marks, 50cm. high £60-100 1533. A Gordon Russell Ltd mahogany, birch and Bombay Rosewood Helix sideboard, designed by David Booth, 1950, two door form with routed groove decoration exposing white birch, with internal cutlery drawer, applied Heal’s ivorine label, Gordon Russell label missing, 122cm. wide, 84cm. high £300-500

1533

Literature British Art & Design 1900-1960, V&A Museum, page 184 a version illustrated. A version of this sideboard was exhibited at the Festival of Britain in the Homes and Gardens Building. 1533A. A Gordon Russell Ltd mahogany, birch and Bombay Rosewood Helix sideboard, designed by David Booth, 1950, two door form with routed groove decoration exposing white birch, with internal cutlery drawer, with a Gordon Russell extending table and four chair, designed 1949, applied Gordon Russell labels, 122cm. wide, 84cm . high, chairs 84cm. high £300-500

1533A

Literature Annette Carruthers and Mary Greensted Good Citizen’s Furniture, page 152 figure 197 catalogune number 102 for a comparable sideboard. 1534. A Gordon Russell mahogany coffee table designed by Trevor Chinn, rectangular form on tapering legs, applied label, 121 x 44cm. £80-120 Literature Austerity to Affluence Fine Art Society, catalogue number F.48 for a comparable piece, designed in 1957.

1534

1538 1535

1539

1536

1537

1540

1541

1535. A Gordon Russell Limited teak sideboard, three central drawers flanked by two cupboards, with turned wood handles and brass fittings, applied label to back, 153cm. wide, 43.5cm. deep, 86cm. high £50-150 1536. A Gordon Russell oak two drawer desk/hall table, rectangular top with H stretcher, turned wood handles, stamped marks, WD and 1955 to underside 99cm wide, 50cm deep, 82cm. high £100-200

λ 1537. A rosewood veneer and chrome servery designed by Robert Heritage,183cm. wide, 46cm. deep £200-400 1542 1538. A mosaic tile topped occasional table, the rectangular top with multicoloured tesserae, ebonised wood legs with brass feet 93 x 40cm. £80-120 1539. An Ercol teak wall mounted plate rack designed by Lucian Ercolani, applied label, 97cm. wide £50-150 1540. An Ercol elm wall plate rack designed by Lucian Ercolani, applied label, 97cm. wide

£80-120

1541. Ron Hitchens a large patinated fibreglass panel, mounted and framed signed in the cast, annotated to reverse 109 x 48cm. £200-400 1542. An ash chair designed by Lord Snowdon for the Investiture of Prince Charles, with painted red with Prince of Wales feathers and ‘Ich Dien’ in gilt and remains of sticker, red padded seat 77cm. high £80-120 1543 1543. ‘The Enchanted Domain’ a Surrealist exhibition poster designed by Conroy Maddox, printed in colours and two other posters ‘Surrealism ‘ and ‘The Labyrinth’ both by Conroy Maddox, 76 x 51cm £100-150 1544. Rib Bloomfield (born 1948) Landscape 4, 1974 acrylic on canvas on plywood, applied paper label and pen signature to reverse Provenance Susan Loppert gallery Lockwell House Sale, Sotheby’s, 15th March 1995 lot 188 Private collection

1544

A similar panel, Landscape 19 is held in the Leicester Arts and Museums Service collection.

£200-300

1545

1546

1547

1545. A Waring & Gillow limed oak dining suite, comprising sideboard, extending table and eight chairs applied label to table and sideboard chairs 85cm. high, sideboard 138cm wide, table 183 x 84cm. £250-350 1546. A Jason Mobler Danish teak drop leaf table designed by Kurt Ostervig, with hinged legs 195 x 120cm £1,500-2,000 1548 1547. A Gordon Russell Ltd teak occasional table, elliptical top with four tapering legs applied label, 122 x 46cm. £50-150 1548. An Isokon bent-ply nest of tables designed by Marcel Breuer, bent ply with tapering legs stamped Made in Estonia largest table 61.5 x 45cm. £1,500-2,000 1549. An Isokon bent-ply Long Chair designed by Marcel Breuer, with padded cushion seat applied Isokon label, regd number 812856, 130cm long £1,200-1,800 Literature Christopher Wilk, Marcel Breuer Furniture & Interiors, Architectural Press, page 128-133

1549

1550 1551 1552

1553

1554

1555

1556

1550. An Artek birch laminate Fan leg table designed by Alvar Aalto, square top on bent-wood reeded legs, two benches and two stools similar stamped marks, £300-500 1551. A teak ice bucket and tongs possibly designed by Jens Quistgaard, with aluminium liner unsigned 22cm. high £60-100 1552. An Arkana Tulip table designed by Eero Saarinen, cast marks to base 51cm. high £80-120 1557

1553. A Fritz Hansen bent ply office chair designed by Arne Jacobsen, with painted black chair 83cm. high £150-250 1554. A pair of Herman Miller office chairs designed by Charles & Ray Eames, burnished aluminum frames, mustard seats applied labels 100cm. high £100-200 1555. A collection of reference books on design, including The Work of Charles & Ray Eames published by Abrams and Eames Design £100-200 1556. Two Fritz Hansen Series 7 chairs designed by Arne Jacobsen, bent-ply seats on chrome legs, and an Ant chair cast marks £150-200 1557. A Fritz Hansen Swan chair designed by Arne Jacobsen, designed 1957-1958, 74cm. high £80-120 Literature Charlotte & Peter Fiell 1000 Chairs, Taschen page 130 for a comparable chair

1558

1558. An E Kold PK22 chair designed by Poul Kjaerholm, black leather and polished steel stamped mark 70cm. high £500-1,000 Literature Charlotte & Peter Fiell 1000 Chairs Taschen, page 281 for a comparable chair

1560

1559

1560 detail

1563

1562

1561

1559. An MDA chrome occasional table designed by Howard Miller, rectangular section with drop in glass top and wood shelf, 64 x 42cm. £50-150

1564

1560. A laminated occasional table in the manner of Pierro Fornasetti, the rectangular top printed with a galleon at full sail, on enamelled metal base unsigned 77 x 41cm. £80-120

1561. ‘Pierre Chareau’ a monograph by Marc Vellay and Kenneth Frampton, published by Thames & Hudson, and another book on Pierre Chareau £50-100

1562. An E Gomme G-Plan ebonised wood and teak occasional table, with brass feet, stamped mark 168 x 49cm. £80-120

1563. A Knoll lacquered wood bench designed by Harry Bertoia, designed in 1952, on chrome frame, 184 x 49cm. £200-400 Literature

1564. A Cassina Basculant B301 (LC1) chair designed by Le Corbusier, with brown and white hide seat and back cast marks £200-250 Literature Charlotte & Peter Fiell 1000 Chairs, Taschen page 130 for a comparable chair.

1565. ‘Jack of Clubs’ a limited edition wall hanging by Jean Picart le Doux, signed and numbered 1/6, 154 x 102cm. £1,300-1,600 1565

1567

1566

1568 1569

1570

1566. ‘Decouvres les Curiosities de Suisse’ a three sheet Swatch poster, and another Swatch poster printed by Fotografia Ragazzi, 1992 on fujicolour paper, 270 x 128cm £50-100 This poster illustrated the complete Swatch range of watches from 1983 to 1991

1567. A Ferrari Old Timer Italian plastic lamp designed by Design Verona, modelled as a bird with big red beak, cast marks, 23cm. high £50-100

1568. An A. Younger Limited teak coffee table, rectangular top on four tapering legs, 121 x 41cm. £50-100 1571 1569. A Sika Mobler, Danish, teak occasional table on castors, circular lift off top and shelf, unsigned 52cm. diam. £80-120

1570. A Knoll Bastiano ebonised wood and sofa designed by Tobia Scarpa, with black leather loose cushions, 185cm. wide £400-600

1571. A Barcelona two seat settee, originally designed by Ludwig Mies van der Rohe, chrome steel frame with white leather cushions, 151cm. wide £250-300

1572

1572. A coffee table, circular section with central hammered copper panel, on tapering central drum and angled feet, each with applied copper panel 90cm. diam. £300-500

1575

1575 top 1574

1576 1573

1577 1573. A Cado teak hanging bureau and shelf unit designed by Poul Cardovius, height 241cm, bureau 80cm wide £100-200

1574. A Schroder Lobenstein enamelled metal and wood table lamp designed by Max Schumacher, model V451, flaring wooden column with white enamelled terminal, olive green base and shade applied label 40cm. high £100-200 1578 1575. A tile-topped table, square section on metal frame, the tiles with painted abstract design 78cm. square £200-400 1576. A pair of Trylon torcheres wall lamps designed by Giles Derain, slender, tapering form, enamelled cream metal 76cm. long £300-500

1579

1577. A pair of enamelled metal wall lights, the slender, tapering form on angled supports, unmarked 76cm. high £250-350 1578. ‘Adventure’ an enamelled plaque by Marit Aschan, on white marble mount and another ‘Roi Soleil’ by Marit Aschan etched signature, applied labels 28 x 16cm. £60-80 Provenance Roy Miles Gallery

1579. A Roger Capron tile top table, decorated with figures in a landscape 117 x 49cm. £400-600 1580 1580. A Roger Capron tile topped table, elliptical section the tiles impressed with leaf design, impressed signature £200-300

1581 1582

1583 1581. A French enamelled metal wall panel by Curtis Jere, wirework frame with abstract scratched enamel panels unsigned 81cm. wide £200-400

1584 1582. A large Crystal Arte floor mirror, oval glass with cut radial design, in brass frame, 203cm. high £600-1,000

1583. A K Series Oba-Q lamp designed by Shiro Kuramata, moulded sheet of opalescent methacrylate, electrical fitting and perspex safety disk, applied stickers 52cm. high £300-500 Literature Charlotte & Peter Fiell 1000 Lights volume II, Taschen, page 258-259 for comparable lamps.

1584. A twenty-two section leather sofa unit system designed by Da Gede, each section of kid leather with zip and bolt connections unsigned each section 71cm high, 100cm deep £3,500-4,000

1585. An Alchimia Ollo cabinet designed by Alessandro Mendini, designed 1989 from an edition of three, lacquered and inlaid wood, applied Atelier Zav paper label 210cm. high £1,000-2,000

1585

1585 open

1586 1587

1589

1588

1586. A set of four Driade bent ply and chromed steel chairs, designed by Phillipe Starck, impressed marks, stamped 28F 90cm. high £150-200

1587. An Alessi mantle clock designed by Michael Graves, 1986, ebonised wood and maple veneer finish facsimile signature to dial 25cm. high £150-250

1588. A pair of lacquered wood Lyre chairs designed by Elizabeth Garouste and Mattia Bonetti, designed 1989, 88cm. high £400-600 Literature Elizabeth Garouste & Mattia Bonetti 1981-2001, Vedrenne, page 10 for comparable chairs

1590 1589. A Giotto Memphis dressing table mirror, designed by Ettore Sottsass, applied Giotto label 66cm. high £700-1,000

1590. A Tree standard lamp designed by Ron Arad, manufactured by Barton, painted metal and concrete construction, cast marks, 168cm. high £1,000-1,500 Literature Charlotte & Peter Fiell 1000 Lights volume II, Taschen, page 338 for comparable lamps circa 1983-84.

1591 1591. A Memphis cocktail cabinet designed by Ettore Sottsass, rectangular with veneered finish, 110 x100cm. £2,500-3,000

1592

1593

1594

WORKS ON PAPER

1595

1592. ‘The Annunciation’ a sepia tinted printed from the painting by Dante Gabriel Rossetti, oak frame, signed in the print DGR 44 x 26cm. £80-120

1593. ‘The Cornfield’ a print in colour after the painting by John Nash, framed, and two other prints after the paintings by John Nash signed in the print 52 x 48cm. £100-200

1596

1597

1594. ‘The Pick of the Garden’ and ‘A Cottage Posy’ two prints by Hall Thorpe, framed 31 x 26cm. £50-100

1595. ‘The Caravan’ a woodcut on paper by John Hall Thorpe, framed, and another woodcut of primulas in a vase signed in pencil 33 x 25.5cm. £80-120

1596. ‘Blanc et Noir - 4eme Exposition’ a lithographic poster by Jules Cheret (1836-1932), printed by Chaix, Paris,framed signed in the print 123 x 83cm. £200-300

1598

1599

1597. ‘Might Small but Mighty’ an American lithographic poster, printed by Mather & Company, framed, image 102 x 84.5cm. £400-500

1598. ‘Right of Way’ an American lithographic poster, printed by Mather & Company, framed, image 102.5 x 84cm. £400-500

1599. ‘Malo Les Bains’ a lithographic poster designed by A Herpin, 1898, printed in colours by L Geisler, mounted on board, framed signed in the print image 103 x 84cm. £250-350

1600. ‘Elixir de Spa’ an Art Nouveau lithographic poster designed by Raff Eagye, Bruxelles 1897, printed by D’Art O.De Rycker, Brussells, framed signed in the print image 104 x 77cm. £300-500

1600

DODO

1601

1602

1603

‡ 1601. Dörte Clara ‘Dodo’ Burgner (1907-1998) Masken an original artwork design, ink on paper, unsigned 33 x 22cm.

£150-200

‡ 1602. Dörte Clara ‘Dodo’ Burgner (1907-1998) Dancer with a Black Cat an original artwork design, watercolour on paper signed Dodo 24 x 18cm (image)

£80-120

‡ 1603. Dörte Clara ‘Dodo’ Burgner (1907-1998) figures sunbathing on the beach an original artwork design, watercolour on paper, and three other figure studies signed Wolff 24.5 x 15.5cm (image) £150-200

‡ 1604. Dörte Clara ‘Dodo’ Burgner (1907-1998) Am Busen der Mutter Natur an original artwork design, ink and watercolour on paper signed Dodo 28.5 x 19cm (image)

£80-120

‡ 1605. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman asleep in a Hammock an original artwork design, watercolour on paper, signed Dodo 33 x 26.5cm.

1604

1605

£300-500

‡ 1606. Dörte Clara ‘Dodo’ Burgner (1907-1998) Dancer with two admirers an original artwork design, watercolour and pencil on paper signed in red ink 24 x 18.5cm (image)

£80-120

‡ 1607. Dörte Clara ‘Dodo’ Burgner (1907-1998) Women at the Cafe an original artwork design, watercolour on paper signed Dodo in pencil 36 x 28cm (image)

£150-250

1606

‡ 1608. Dörte Clara ‘Dodo’ Burgner (1907-1998) Cocktail Party an original artwork design, watercolour on paper, unsigned 30 x 15cm.

£200-300

‡ 1609. Dörte Clara ‘Dodo’ Burgner (1907-1998) Dancer seated on a stool, an original artwork design, watercolour on paper, highlighted in silver, and three other designs one signed 31.5 x 17.5cm (image) £150-250

1608

1607

1609

‡ 1610. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman in a red dress an original artwork design, watercolour and pencil on paper unsigned 55 x 32cm (image) £80-120

1610

‡ 1611. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman in a red Shawl’ an original artwork design, watercolour, ink and pencil on paper unsigned 45.5 x 33cm (image) £80-120

1611

‡ 1612. Dörte Clara ‘Dodo’ Burgner (1907-1998) Two women dancing an original artwork design, watercolour on paper, unsigned 43 x 24cm.

1612

£300-500

‡ 1613. Dörte Clara ‘Dodo’ Burgner (1907-1998) Woman in a red hat, 1926 an original artwork design, watercolour and pencil on paper dated 1926 in pencil 36 x 25cm (image) £300-500

1613

‡ 1614. Dörte Clara ‘Dodo’ Burgner (1907-1998) portrait of a woman an original artwork design, watercolour on paper, unsigned 145 x 36cm.

£80-120

1614

‡ 1615. Dörte Clara ‘Dodo’ Burgner (1907-1998) Dancer an original artwork design, ink on paper highlighted in gold paint unsigned 17.5 x 13cm (image) £80-120

1615

‡ 1616. Dörte Clara ‘Dodo’ Burgner (1907-1998) Two figures a black and white fashion study, watercolour on paper signed Dodo 44 x 30cm (image) £200-400

‡ 1617. Dörte Clara ‘Dodo’ Burgner (1907-1998) Fashion Study - probably Vogue pattern for Michels Weaving Company an original artwork design, black ink with white, on card signed Dodo, annotated in pencil, 25cm square (image) £200-300 1616

1617

‡ 1618. Dörte Clara ‘Dodo’

Burgner (1907-1998) Women in an Art Deco Interior an original artwork design, watercolour on paper, unsigned 35 x 30cm. £300-500 1618

‡ 1619. Dörte Clara ‘Dodo’ Burgner (1907-1998) Summertime, an original artwork design, watercolour on paper unsigned 33 x 31cm (image)

£800-1,200 1619

‡ 1620. Dörte Clara ‘Dodo’ Burgner (1907-1998) Diving an original artwork design, watercolour on paper, signed in pencil Dörte Wolff 33 x 23cm.

£300-500 1620

1621

1622

1623

1627

1624

1628

1625

1629

1630

1621. ‘Christmas and Other Feasts and Festivals’ by Claude Flight, a first edition book, published by George Routledge, 1936, 26 x 19cm. £100-200 1626

1622. ‘The Art & Craft of Lino Cutting and Printing’ by Claude Flight, a first edition book, printed by B T Batsford Ltd, 1934, 21.5 x 14cm. £100-200 This first edition is signed by Lill Tschudi whose work, including Fixing the Wires is illustrated in the book. 1623. ‘Jude the Obscure’ by Thomas Hardy, published by The Limited Editions Club, New York, 1969, with wood engravings by Agnes Miller Parker £80-120 1624. ‘Pinokkio (Pinocchio)’ a book with illustrations by Alberto Longoni, published by Vallardi Industrie Grafiche, 1970, 49cm. high £50-100 1625. ‘La Ferronnerie Moderne’ a folio book, presented by H Clouzot and printed by Ch. Moreau 46 x 33cm. £50-100 1626. ‘Deutsche Kunst Und Dekoration’ forty nine volumes, published by Darmstadt Alexander Koch £1,200-1,500

1631

1627. ‘The Modern House in England’ and ‘The Modern Flat’ two books by F.R.S Yorke, and seven other contemporary design books £50-100 1628. A collection of reference books on art and design, including Pugin by Paul Atterbury and Clive Wainwright and ‘A W N Pugin Master of Gothic Revival £50-100 Provenance Albert E Wade Collection 1629. ‘The Connoisseur’ twenty bound volumes, circa 1910-1920

£50-100

1630. ‘Lohengrin’ by Richard Wagner, published by Harrap & Co, with illustrations by Willy Pogany £80-120 1631. A collection of photographic reproduction and book plates of nude studies

£80-120

Provenance David Cripps

1632. A lithographic poster by Buhe, printed by Robert Muller, framed signed in the print 72 x 48cm. £80-120 1632

1633

1634

1633. ‘Booth Line 1000 Miles Up The Amazon’ an original artwork design on board by Charles Birchall Ltd, probably for a poster paper label 38 x 26cm. £300-500

1634. ‘1000 Miles Up The Amazon - Cruises’ an original artwork design by Charles Birchall Ltd, and an original artwork design for a Booth Line brochure by the same hand applied paper label main image 14 x 9cm. £150-200

1635. George Barbier fashion study, dated 1921 watercolour, pen and ink on paper signed and dated, frame 48 x 31cm (image)

1635

1636

£500-700

1636. A lithograph of a ‘Pin Up’ skier by Rene Ranson, somewhat underdressed for the slopes, printed in colours, signed Ranson in the print image 36 x 21cm. £300-400 1637

1638

1637. Barnett Freedman (1901-1958) Theatre, Go by Underground,1936, lithograph in colours printed by Curwen Press, framed printers marks, signed and dated in the lithograph 36.5 x 31cm. £120-180

1638. Shoichi Hasegawa (born 1929) Le Temps, lithograph on paper, signed, titled and number 5/25 in pencil 62 x 52cm. £50-100

1639. ‘Picasso le 3.11.59’ a poster, printed in colours after a design by Pablo Picasso, framed, image 38 x 26cm. £300-500

1640. ‘Polperro’ an original goucahe poster design on paper, framed unsigned, titled 45 x 32cm. £150-200 1639

1640

1641

1644

1645

1642

1646

1643

1647

1641. Laughton (Charles), Photograph of the actor as Rembrandt, signed, 258 x 204mm; Typed letter signed, August 24, 1939, 2pp, addressed to Hope [Chennhalls], referring to his hard work on the film ‘Hunchback’; a crumpled and torn signature on tissue paper, a signed programme for the Gala Premiere of Laughton in ‘Vessel of Wrath’; 6 unsigned photographs of Laughton (one a postcard), a photograph of Elsa Lanchester, Laughton’s wife, and a telegram from Laughton - with 4 others mostly relating to the Ustinovs (15) £100-200

1642. A painting on board by Vera Willoughby, depicting Egyptian dancers painted red monogram bottom left 67 x 74cm £100-200

1643. ‘Child playing with a Kitten’ a pastel on paper by Muriel Dawson, framed, and ‘The Blue Butterfly’ and ‘The Rainbow’ two prints from paintings by Muriel Dawson main signed in pencil 39 x 36.5cm. £100-200

1644. ‘Flower Studies’ engraving on paper from the Edition Graphiques series, the design attributed to Alphonse Mucha, framed unsigned image 35 x 23cm. £50-100

1645. ‘The Bullfight’ a plaster panel, rectangular with the matadors surrounding the charging bull, painted colour, framed, 50 x 50cm. £120-180 1648 1646. ‘The Garden of Allah’ and ‘Daybreak’ two House of Art, New York colour prints by Maxfield Parrish, circa 1925, framed signed in the prints images 75.5 x 38cm. £100-200

1647. ‘Dawn on the Pontine Marshes’ a colour print by Enrique Serra y Auque (1859-1918), and ‘Sunset over Marshland’ by the same artist, ebonised wood frames, image 79 x 45cm £50-100

1648. John Tandy The Church, a wood engraving on paper, framed signed and numbered in pencil, Colnaghi label to reverse image 14 x 8.5cm. £150-200

1649. Orlando Greenwood (1892-1989) Esther Signed Oil on canvas, unframed 33 x 28cm 1649

£100-200

1650

1651

1652

1655

1656 1653

1654

1650. U Kolkapek four soft-ground etchings on paper, signed, numbered and dated 1987 and 1988, 16.5cm. square

£150-200

Provenance David Cripps 1651. Lesley Wilson Daily Mail Overseas Edition and The Over-seas Daily Mail, two gouache on paper designs, dated 1914, framed in common mount initial LW 14 largest 16.5 x 14.5cm. £120-180 1652. Henry William Adams R.B.A, R.B.S.A pastel on paper landscape sketch, framed pencil H W A monogram image 30 x 22.5cm.

£50-100

1653. Peter Heard Sea Breeze, a limited edition print on paper, signed, titled and numbered 165/300 51 x 43.5cm. £200-300 1654. Peter Heard Chocks Away, a limited edition print on paper, signed, titled and numbered 156/ 300, 51 x 45cm. £200-300

1657

1655. A Glasgow School silk embroidered panel, decorated with an Art Nouveau women collecting roses in a garden, framed unsigned 29 x 30cm. £200-300 1656. A Morris & Co silk embroidered fire screen, the mahogany frame set with rectangular silk embroidered floral panel unsigned 82cm. high £300-400 1657. A mahogany firescreen with William Morris silk embroidered panel, unsigned 100cm. high £100-150 1658. A modernist carpet probably English rectangular with simple geometric design in blue and black on a cream ground unsigned 366 x 267cm. £300-500 Provenance The Emanuel Collection. 1658

1659

1662

1660

1661 1659. An ebonised wood chair in the manner of E W Godwin, the back with triangular decorative design 74cm. high £150-250

1660. An ebonised wood chair in the manner of E W Godwin, the back with geometric decorative design 75cm. high £150-250 1663 1664

1661. An ebonised wood two seat Sussex settee, possibly retailed by Liberty or Heal’s, with bobbin back and arms, and rush seat, 119cm wide £600-1,000

1662. A three fold screen decorated in William Morris Bird fabric, each panel 173 x 60cm. high £100-200

1663. An Arts and Crafts gate-leg oak table, the rectangular top with inlaid marquetry chevron border, above flaring legs with pierced decorative panels, the hinged legs on castors, and a wrought iron firescreen, table top 68 x 64cm, 67cm. high £100-200

1665

1666

1664. A set of eight Neville Neal ash Pass High Back chairs, comprising six chairs and two carvers, with rush seat stamped marks 109cm. high £600-800

1665. A pair of Aesthetic Movement occasional tables, after a design by E.W.Godwin, square top on turned legs, and an ebonised wood version unsigned 66cm. high £100-200

1667

1666. An Aesthetic Movement table in the manner of E.W. Godwin, the square top on turned wood legs 65cm. high £100-150

1667. A large Arts and Crafts oak dining table, the rectangular top with flaring plank legs unsigned 197 x 82cm. £300-400

1668 1670

1669

1668. A walnut low chair designed by Bruce Talbert, with carved, stylised foliate back plate, padded seat and back rest 76cm. high £200-300 1669. A Cotswold School oak occasional table, the circular top on four legs with carved decoration, on sleigh feet unsigned 21cm. high £150-200 1670. An Arts and Crafts Cotswold School walnut child’s chair the design attributed to Edward Barnsley, on sleigh feet, with drop in rush set unsigned 82cm. high £300-500 1671. A Cotswold School oak dressing table mirror, the rectangular base on sleigh feet, flaring chamfered supports with acorn terminals supporting arched adjustable mirror unsigned 87cm. high £300-500 1672. A large Arts and Crafts Cotswold School oak refectory table, the rectangular plank top on four sets of chamfered legs on sleigh feet £5,000-8,000

1671

1672

1674

1675 1673

1673. An Aesthetic Movement ebonised wood overmantle mirror, with painted foliate panel and mirror back panels, 126cm wide, 117cm. high £100-200

1674. An Aesthetic Movement towel rail, in the manner of Bruce Talbert, turned wood construction, 77cm. wide £50-100 Provenance Albert E Wade Collection 1676

1678 1677 1675. A Gordon Russell oak refectory table, rectangular top with carved octagonal legs and H stretcher, applied label, 183 x 83cm. £650-750

1676. A Bowman Brothers oak tub chair, in the manner of E.A. Taylor, with pierced spade motif to back splat, leather seat, applied label 70cm. high £150-200

1679

1677. An Arts and Crafts oak corner cabinet, the small cupboard with hinged door, set with patinated copper panel, and shelf top unsigned 55cm. high £80-120

1678. An oak chair, the shaped seat with hay-rake back unsigned 92cm. high £100-200

1679. Four oak chairs, probably retailed by Liberty & Co, 95cm. high £50-100 Provenance The Albert E Wade Collection

1680

1680. A Gimson ash rocking chair by Neville Neal, stamped to back leg 108cm. high £400-500

1681

1681. An Aesthetic Movement ebonised wood sideboard, with mirrored back and carved foliate panels, brass door furniture 206cm. high, 172cm wide £100-200 Provenance Decorative Arts, Phillips, sale 620 lot 177 The Albert E Wade Collection 1682. A Galle marquetry table, the square top inlaid with narcissi flower stems, on curved legs marquetry Galle signature 63cm. high £300-500 Literature Alastair Duncan Galle Furniture, ACC, page 218 this design illustrated plate 211. 1683. A large Art Nouveau gilt mirror, designed by George De Feure, 201 x 118cm. £12,000-18,000 Literature Gabriel P Weisberg Art Nouveau Bing, Abrams page 215 plate 56 for a comparable display cabinet.

1683

1682 1682 detail

1684

1686 1685

1684. A Hilary & James mahogany glazed shop display cabinet, applied label, £200-300 116 45cm.

1685. A set of six Gordon Russell oak chairs, four slat back with sprung seats £250-350 applied labels, 86cm. high

1686. Three Giovanni Battista Ravenna Campanino chairs, lightweight construction with cane seats applied paper labels £100-200 84cm. high 1687

1688

This chair inspired Gio Ponti’s Superleggera chair designed in the 1950s

1687. A Heal’s limed oak dressing table, long rectangular mirror on low structure with four drawers, and a chair applied £300-500 ivorine roundels 149cm. high Literature Better Furniture for Better Times Heal’s catalogue 1934 for a comparable example illustrated page 3 1690 1689

1688. An Art Deco walnut chest of drawers, with stepped top and brass £100-200 furniture 91cm. high

1689. An oak wall clock probably retailed by Heal’s, circular, slightly domed form, applied with painted gilt metal numerals and Engstrom plaque, Zenith £200-300 movement 33cm. diam.

1691

1690. An Art Deco nest of three graduated tables, the curved bentwood frame with satin wood veneer finish, inset £150-250 glass tops largest 56cm. wide

1691. A Bath Cabinet Makers mahogany chest on stand, stepped top, turned wood handles unsigned 138cm. wide £300-400

1692

1693

1695

1694

1692. A nest of three Art Deco walnut veneer side tables, graduated rectangular tops, largest 48 x 33cm. £60-100

1693. A Dutch stained pine box and cover, rectangular section, carved in low relief with facing £50-100 panels of stylised monkeys 59 x 40cm.

1694. An Art Deco walnut and ebonised wood occasional table, the square walnut top on swollen ebonised wood legs, unsigned 65cm. square £100-200

1695. An Amsterdam School occasional table, the circular section top on four shaped legs and ebonised £50-100 ball feet 50cm. high

1696

1696. A C.W.S Ltd Art Deco walnut display cabinet, central shelved display with sliding glass doors, flanked with side access shelves applied label £500-800 168cm. wide

1697. A Continental oak floor lamp in the manner of Dagobert Peche, the flaring fluted foot and terminal with gilded decoration unsigned 150cm. high £80-120

1698. A French painted wood display stand, semicircular section, painted with faux stone design £300-500

1699. A pair of Art Deco gilt metal gates, with £150-250 hinged section, 183 x 167cm. 1697

1698

1699

1701 1700

1700. An Art Deco marble topped table, designed by Paul Follot, oval section, white and red veined marble top, the wooden base with carved and reeded legs, highlighted in gilt £1,500-2,000

1701. An Art Deco parchment occasional table, streamlined form, with drawer unsigned 97cm. wide £400-600

1702

1702. A continental gilt-wood armchair, the chair carved with fluted decoration, the back with carved flowers, 95cm. high £300-500

1703. A giltwood hall mirror, oval with quartered etched glass, the frame with painted coral red frame faux rope border, the top crowned with a floral panel in gilt 107cm high, 78cm wide £300-500

1703

SCULPTURE

λ 1704. ‘Autumn Dancer, a cold painted bronze and ivory figure, cast and carved from a model by Ferdinand Preiss, on square onyx base with black marble panels and octagonal plinth cast foundry mark, 37cm. high £6,000-10,000 Provenance Private Collection, Norfolk. This actual figure was used on the title sequence of Craven's Collectables Literature Alberto Shayo Ferdinand Preiss, Art Deco Sculptor, The Fire and the Flame, ACC publishing page 173 for a comparable figure 20th Century Design Christie’s King Street, 30th April 2008 lot 55 for a comparable figure

1708

1706

1707

1705

1709

1710

1705. A patinated bronze model of a dancer, in the style of Hagenauer, on square base unsigned 29cm. high £50-100 1706. A Hagenauer style patinated bronze bust of a woman and child, mounted on rectangular oak base unsigned 30cm. high £200-300 1707. A patinated metal bust of a woman in the manner of Hagenauer, mounted over wood, unsigned 37cm. high £150-200 1708. An Art Deco polished bronze model of a leaping springbok, on shaped base unsigned 11.5cm. wide £50-80 1709. A Hagenauer ebonised wood sculpture of a woman, the reclining nude figure, on shaped ebonised wood base stamped Hagenauer marks to base 42cm. wide £800-1,200 1710. A patinated bronze model of a greyhound, from a model by Rivierre, on a wooden base stamped bronze, signed Rivierre 46.5cm. wide £50-100 1711

1712 1711. A Hagenauer silvered bronze model of a hound, modelled seated, alert with snout raised, on circular base stamped marks 14cm. high £300-400 1712. A Hagenauer silvered bronze model of a hound, modelled seated, alert with snout raised, on circular base stamped marks 14cm. high £300-400 1713

1713. A Hagenauer patinated bronze model of a speed-boat, the streamlined boat racing through the polished metal waves, on shaped base stamped marks, 32cm. wide £450-500

1715 1714

1714. A Hagenauer ebonised wood and brass model of a stylised falcon, modelled perched on a rock amongst long grasses stamped marks, 36cm. high ÂŁ400-600

1715. An ebonised wood and silvered metal model of a skier probably by Hagenauer, modelled racing across the snow, on stepped geometric ebonised wood base surmounted with silvered metal ball unsigned 33.5cm. high ÂŁ400-600

1716. A tall Hagenauer patinated brass figure of a man, modelled leaning slightly back, arms raised stamped marks to base 116cm. high ÂŁ2,000-3,000 1716

1720

1717

1718

1719

1721 1722 1723

1724

1717. A pair of gilt bronze sculptural vases on onyx base cast from a model by Ren, modelled with two Art Nouveau maiden holding hands before large flat iris, one signed Ren in the cast and dated 1901, 32.5cm. high £350-450

1725

1718. A pair of patinated metal figures, each modelled carrying a wine decanter, in medieval dress, on waisted ebonised wood bases unsigned 24cm. high £50-100 1719. A patinated bronze comical sculpture of monkeys goading a camel unsigned 34cm. high £100-200 1720. ‘Leda & The Swan’ an erotic pottery group, a patinated metal bird cast from a model by Ludwig Fuchs, and a patinated bronze figure Fuchs signed in the bronze 14cm. high £100-200 1721. An Art Nouveau gilded bronze vide poche cast from a model by Leon Dusouchet (1876-1936), modelled with a maiden before buttercup flowers, signed in the cast L Dusouchet, 18cm wide £300-500 1722. An Art Nouveau patinated bronze dish, cast in relief with a maiden emerging from waterlily pads, cast marks, 645, 22cm. wide. £200-250 1723. A patinated bronze bust of a young boy smoking, cast from a model by V Masella, on stepped marble base signed in the cast 25cm. high £200-300 1724. A large bronze crucifix cast from a model by Varnier, cast with Christ in thorns portrait before Glasgow rose wreath signed in the cast Varnier 65cm. high £250-350 1725. A patinated bronze model of a stretching nude woman, on veined marble base, a gilt bronze model of a bird feeding her chicks, and two paperknives unsigned 18cm. high £80-120 1726. An Art Nouveau gilt bronze figural chandelier, the central robed maiden raising up a flower stem, below a foliate painted glass shade, above a green glass flower-head pendant and two light fittings, 110cm. high £800-1,200

1726

Literature Decorative Arts and Design from 1870 Sotheby’s Olympia 25th November 2004, lot 344 for a comparable example.

1727

1729 1728

1731 1730 1727. ‘Bonzo’ a patinated metal car mascot cast from a model by George Studdy, mounted on marble base signed in the cast 10cm. high £100-200

1728. A pair of Art Deco patinated metal book ends cast from a model by Raoul Benard, and a cast iron door stop of Mr Punch signed to the base 22cm. high £50-100 Provenance Albert E Wade Collection 1732 1729. A gilt bronze figure of a young boy lighting a cigarette, cast from a model by A. Bofill, modelled hunched holding his hat as a break from the wind as he lights his cigarette from another cigarette signed in the bronze 28.5cm. high £200-300

1730. A large terracotta figure of a female nude, cast from a model by J Ortes, modelled crouching with one arm raised to her face, on rectangular base signed to the base, impressed marks, minor restorations to base 61cm. wide £150-250 Provenance The Albert E Wade Collection.

1731. A Patinated metal sculpture of a woman holding a dove, on a stepped marble base, and a patinated metal sculpture of two dogs, unsigned 32cm. wide £50-100

1732. ‘Hibou’ a small patinted bronze model of an owl cast from a model by Eduard Sandoz, mounted on red marble base signed in the cast Ed M Sandoz 17cm. high £1,000-1,500

1733. ‘L’Accordioniste’ a patinated terracotta model of an accordion player, cast from a model by Jan & Joel Martel, modelled seated on a stepped base, unsigned, chips to base rim, 38cm. high £2,000-3,000 1733

1737

1734

1735

1736 1734. A French carved wood sculpture by Dan Karmer, on stepped wood base stamped mark to base 20cm. high £150-200

1735. A patinated metal figure of a jester cast from a model by Roland Paris, on rotating base, the alabaster base with card emblems cast signature R Paris, 21cm. high £100-200

1736. A small gilt bronze sculpture of a dancer cast from a model by Josef Lorenzl, modelled balanced one leg raised and arms outstretched, on onyx base, signed in the bronze Lorenzl 20.5cm. high £300-500 1738

1737. Ludovico De Luigi (born 1933, Venice) a verdi-gris bronze model of a prancing horse, dated 1979, signed and numbered in the cast 188/1000, dated 1979 46cm. wide £500-700

1738. A patinated bronze group of two brothers holding hands cast from a model by George Ehrlich ARA signed in the bronze, numbered 4/7 35cm. high £700-1,000

λ 1739. A patinated bronze and ivory figure of a masked man, cast and carved from a model by Roland Paris, on stepped black marble base, etched Roland Paris to base 35cm. high £800-1,200 1739

1740

1741

METALWARE

1742

1740. A pair of Art Nouveau pewter vases probably WMF, each cast in low relief with a Symbolist maiden portrait inside poppy flower border unsigned, stamped 30cm. high £800-1,200

1741. A large Art Nouveau WMF pewter vase and glass liner, cast in relief with a maiden picking flowers, with clear glass liner, stamped marks 36cm. high £500-800

1742. A pair of Art Nouveau patinated bronze candlesticks, each cast as a maiden supporting flower bud sconce, on foliate base 21cm. high £400-500

1743

1745

1744

1743. An Art Nouveau continental pewter mounted glass decanter probably Urania, the tapering glass body enamelled with flower sprays unsigned 31cm. high £80-120

1744. An Art Nouveau WMF jug, the handle cast as a mermaid, the body in low relief with flag iris stamped marks, 38cm. high £200-300

1745. A pair of patinated metal vases cast from a model by Melle Sibeud, each cast with Art Nouveau maidens portraits, signed in the cast 45cm. high £300-500

1746. A pair of Art Nouveau W.M.F pewter vases with clear glass liners, each cast in relief with an Art Nouveau maiden, pickling flowers stamped marks, 36cm. high £1,000-1,500

1746

1749

1748

1747

1750

1751

1752

1753

1747. A W.M.F silvered metal model of a putti working as a blacksmith’s anvil, on ebonised wood, stamped marks, 13cm. high £80-120 1748. A W.M.F Art Nouveau pewter jewellery casket, shaped rectangular form, cast in low relief with rose panels, the slightly domed cover with cast, floral finial stamped marks, 24cm. wide £100-200 1754

1749. A W.M.F electroplated metal vase with pink glass liner, pierced and cast in low relief with Secessionist motif stamped marks, 12cm. high £50-100 1750. An electroplated metal vase the design attributed to W.M.F, footed form with loop handles, cast in low relief with scrolling heart columns, and a pair of brass candlesticks unsigned 23.5cm. high £50-100 1751. A W.M.F pewter inkwell and pen tray, shaped rectangular section, cast in low relief with secessionist knot motif stamped marks, 32.5cm. wide £100-200

1755

1752. A large Art Nouveau W.M.F pewter wall plaque, oval section, cast in relief with four sea maidens rising up before berried foliage and a sun rising in the distance stamped marks, 59cm. wide £1,200-1,800 1753. An Art Nouveau Orivit pewter inkwell, cast in low relief with maple leaves and seed helicopters, an Art Nouveau pewter vase and an inkwell etched marks, 27.5cm. wide £150-250 1754. An Art Nouveau pewter tray, possibly Kayserzinn, elliptical form, cast in relief with two young deer eating foliage unsigned 56cm. wide £150-200 1755. A Kayserzinn pewter tray, elliptical form, cast in low relief with fish swimming in a pool, the rim with waterlily pads and flowers cast marks, 55cm. wide £100-200

1756. An Austrian marble and gilt patinated metal tazza, applied with cherubs arranging rose garland frieze stamped mark to base 24cm. high £200-300 1756

1757 1758

1759

1762 1760

1763

1761

1757. A near pair of Goburg patinated metal three branch candlesticks, and a pedestal bowl similar stamped marks to one 24.5cm. high £80-120 1758. A continental white metal and glass basket in the manner of Josef Hoffman, probably Agentor, the regularly pierced oval bowl with loop handle, clear glass liner unsigned 27cm. wide £200-300 1759. An electroplated metal four piece service, comprising coffee pot and hinged cover, tea pot and hinged cover, milk-jug and sugar basin with cover, on tray, cast in low relief with panels of fruit and foliage stamped with numbers tray 44cm. wide £80-100

1764

1760. A tall Continental brass vase, shouldered cylindrical form with three applied handles, the handles with knot motif, decorated with a frieze of oak leaf and acorn in low relief unsigned 50cm. high £50-100 1761. An Amsterdam School brass large vase, twin-handled form, cast in relief with geometric design unsigned 28cm. high £50-100 1762. A polished brass SNCF limited edition box and cover, cast from a model by M Forgeois, cast with a racing electric passenger train, cast signature, stamped SNCF 244/250 17cm. wide £100-150 1763. ‘Woman Gathering Wood in a Forest’ a woodblock print by Emil Orlik, catalogue Sohn 63601, framed, image 14 x 12cm. £250-350 Literature Ver Sacrum 1898-1903, Rizzolli, page 206 for a discussion on Emil Orlik’s woodcuts 1764. ‘Ringelreihen’ and ‘Hofzuckerbackerei’ two printed card boxes by the Wiener Werkstatte, printed in colours, Ringelreihen designed by Josef Diveky in 1911, printed signatures 14.5 x 10cm. £120-180 1765. A pair of Secessionist copper and brass candlesticks designed by Albin Muller, tapering square section, the base applied with opaque glass stones, unsigned 27cm. high £800-1,200

1765

Literature Darmstadt 1901-1976, page 155 plate 441 for a comparable example. Judy Rudoe Decorative Arts 1850-1950, British Museum catalogue, page 238 catalogue number 211 for a comparable pair.

1766 1768

1767

1769

1771 1770 1766. A gilt bronze desk blotter cast from a model by Alonzo, cast with ears of corn, the finial a stack of corn signed in the cast 14cm. wide £80-120

1767. An Art Nouveau marquetry book stand, inlaid with a female portrait, inlaid with metal and mother of pearl, unsigned 30cm. high £150-200

1772

1768. A set of twelve Art Deco electroplated metal knife rests, each modelled as a bird or animal, in fitted case unsigned 8cm. wide £200-250

1769. A Lenci felt doll, dressed in national costume, 40cm. high £150-200

1770. A pair of Art Deco wood candlesticks, three branch form on circular base unsigned 16cm. high £80-120

1771. A French electroplated Modernist four piece tea set, angular form with hinged covers and wood handles, comprising tea pot and cover, hot water pot and cover, milk-jug and sugar basin stamped marks Plasait hot-water 19cm. high £100-200

1772. A Wiener Werkstatte enamelled copper bowl, flaring form on low foot, the well enamelled with geometric design, painted gilt WW mark 16.5cm. diam. £500-800

1773. A Mofem polished metal bedside lamp and clock, with reticulated dome shade, on alabaster stepped base signed Mofem to dial 29cm. high £100-200

100

1773

1774

1775

1774. A Duban Christel Limoges enamel footed bowl, decorated with thick applied enamel sunburst design in pink and black on a red ground highlighted in gilt, gilt marks, 22cm. diam. £150-200

1776

1775. A Jean Puiforcat silver and ebonised wood miniature bowl, the stepped foot supporting ribbed wood stem and flaring silver bowl, stamped marks, 7.5cm. diam. £700-900

1776. A Claude Linossier dinanderie vase, the hammered, patinated copper vase silver geometric panels, stamped Cl Linossier 14cm. high £1,000-1,500

1777. A pair of patinated iron stands in the manner of Edgar Brandt, square stepped base, supporting textured square stem and flat square top unsigned 125cm. high £1,500-2,000 1777

101

1780 1778 1779 1781

1784 1783 1782 1778. A Christofle Gallia electroplated metal tea set, the design attributed to Lino Sabattini, comprising teapot and cover, sugar basin and cover and a milk jug stamped marks to teapot and sugar basin teapot 19cm wide £600-800

1779. A Viners Studio canteen of stainless steel cutlery for six, designed by Gerald Benney, in teak case, comprising 69 pieces stamped marks, £250-350

1780. An Elkington electroplated metal teapot, with ebonised wood handles, two Viners electroplated beakers designed by Stuart Devlin, and a collection of metalware stamped marks, 16cm. high £80-120 1785

1781. A Pilot Little Maestro bakelite radio, and a KB Transistor Super 8 radio cast marks 29cm. wide £50-100 Provenance The Albert E Wade Collection

1782. An electroplated Cardinal variation vase designed by Lino Sabattini, on clear glass base stamped Sabattini, made in Italy 26cm. high £150-200

1783. A Christofle Gallia swan sauce boat and ladle designed by Christian Fjerdingstad, stamped marks, to ladle 20cm. wide £100-200

1784. A Georg Jensen silver dish designed by Allan Scharff, model no.1333, the central bowl flanked with radiating streamlined winged feet, stamped marks, 20cm. wide £600-800

1785. A silk scarf after a painting by Pablo Picasso, decorated with a cubist female figure, in colours on a purple ground facsimile signature 88cm. square £120-180

1786. A Sabattini polished metal mask sculpture designed by Gio Ponti, stamped Sabbattini Italia 37cm. high £400-600

102

1786

1787

1788

1789

1790

1791

1787. ‘The Savoy Cocktail Book’ published by Constable & Company 1930 £50-100 Provenance Albert E Wade Collection 1788. A The Master Incolour bakelite and chrome cocktail shaker, the neck with twist cocktail recipes cast marks to base 28cm. high £100-200 1789. A rare Mappin & Webb jazz age electroplated metal cocktail shaker designed by Keith Murray, flaring cylindrical form, the exterior with cocktail recipe decoration, stamped marks to base 24cm. high £300-400

1792

1790. A polished steel and enamel Thermos flask, tapering cylindrical form, stamped marks and indistinct facsimile signature 27.5cm. high £100-200 1793

λ 1791. An English shagreen mounted ivory dressing table set, comprising hand mirror, two hair brushes and two clothes brushes stamped marks, hand mirror 28cm. long £200-300 1792. A set of six enamelled glass markers, each modelled as a British wild flower, in Sermon Torquay retail case, and a continental enamel bar brooch modelled as a long boat at full sail stamped marks brooch 6cm. wide £100-200 1794

1793. A Kaweco blue veined plastic desk set in original fitted case, comprising knife, paper-knife, propelling-pencil, seal and clutch-pencil case signed Kaweco clutch-pencil 16cm. long £80-120 1794. A Parker 51 fountain pen, the blue case with polished steel cap, an en suite propelling pencil with rolled gold section, both with Parker chalk marks to barrel, a Parker Sonnet with red lacquered barrel, a Cross yellow metal ball pen and rollerball pen, a Waterman 88 fountain pen, a matt black Sheaffer Targa ball pen and a Blue lacquered Parker fountain pen and ballpen, all in presentation boxes £100-200 1795. A Pelikan 400 fountain pen and propelling pencil set, two Parker propelling pencils, three Dunhill lighters and a collection of pens and pencils £80-120

1795

1796

1796. A Mont Blanc Masterpiece fountain pen and propelling pencil set, in presentation case, a Waterman silver ballpen and three other pens £150-200 1797. A modern four drawer pen display box, with brass pulls, three drawers and a viewing slide, unsigned 31cm. wide £50-100

1797

103

1798

1802

1799

1800

1801

1804 1798. ‘Mack’ a silvered metal car mascot of a boxer dog, stamped regd marks, 10cm. high

£80-120

1799. An Art Nouveau silver belt by William Comyns, the panels and buckle cast in relief with violet flowers, stamped marks WC London 1905 65cm. long £200-300

1800. An Art Deco Gorham enamelled travel watch, the rectangular case enamelled in black with geometric red and egg shell lines, signed to face 4.5cm. long £400-500

1805

λ 1801. A white metal and ivory dish in the manner of Josef Hoffman, the hammered white metal bowl formed as a leaf, the ivory handle its stem, and a collection of various metalware unsigned 22cm. wide £80-120 1802. A Gallia novelty cruet modelled as a sailing ship, model no.5981, with glass salts, in Gallia presentation case, stamped marks, 10cm. high £200-300

1803. No lot

1804. A Danish Jorgen Jensen pewter necklace, model no.578, circular form with textured finish, and another model no.988, 5cm. diam. £100-200

1805. ‘La Porteuse des Fleurs’ a silver brooch by Pierre Turin, octagonal, cast in low relief with a woman before flowering rose bush, stamped poincons to rim, signed P Turin in cast, 4cm. wide £200-300 1806

Literature Art Nouveau, Art Deco and Thirties Brighton Museum, page 77 cat. No.186.

1806. A Bernard Instone silver and enamel brooch, modelled as a circular floral wreath, enamelled pink, green and blue stamped BI silver 3.5cm. diam. £100-200

1807. A rare pair of Falcon Workshops gold and enamel cuff links designed by H.G. Murphy, each with rectangular plates, enamelled with geometric chevron motif and initials GFK, stamped HGM falcon mark and 18ct 1.7cm . high £700-900

104

Literature John Benjamin and Paul Atterbury The Jewellery and Silver of H. G. Murphy, ACC books, page 175 for this design illustrated. 1807

1808

1809

1810

1811

1808. A Georg Jensen silver brooch, model no.256, rounded rectangular form cast in low relief with a deer before stylised flowers stamped marks, 4.5cm. wide £150-200

1809. A Georg Jensen silver bangle bracelet, model no.38, with simple cast geometric design stamped marks 6.5cm. wide £200-300

1810. A Georg Jensen silver brooch, model no.320, modelled as a bird in flight, stamped marks 4.5cm. wide £80-120

1811. A Georg Jensen silver brooch designed by Henning Koppel, model no.316, abstract form stamped marks 7cm. wide £100-150

1812

1813

1812. A John Hugh and John Talbot silver necklace, the linked collar with three pendants, the central oval pendant with circular glass medallion stamped marks, London 1970 18cm. wide £200-300 By repute the necklace was designed by the architect of the Sydney Opera House.

1813. A silver necklace in the manner of Georg Jensen, cast in relief a s a stylised tulip flower, in wirework frame, stamped marks to mount GK Chester 4.5cm. high £80-120

1814

1814. A Hans Hansen Danish silver and Lapis Lazuli ring, stamped marks, 3.5cm deep, size L £150-200

1815. A Hans Hansen Danish silver and amethyst ring, stamped marks, 3.5cm deep, size K to L £150-200

1815

1816

1816. A Le Collier enamelled metal necklace, the rectangular plate enamelled with abstract panels, with wirework links and drops on collar necklace unsigned panel 10cm long £80-120 Literature Soraya Feder Le Collier, Paragon, page 86 for an identical necklace illustrated £80-120

1817. A Dunhill Aquarium lighter, the lucite panels decorated with fish amongst waterweed, cast marks 10cm. wide £700-1,000 1817

105

1821 1818

1820

1819

1823

1822

1824 1818. A Guild of Handicraft silver spoon, the hammered bowl with tapering stem and flaring finial, and a G Payne & Sons silver and turquoise spoon stamped London marks,18cm. long £80-120 1819. A silver mounted wood mantle clock, stamped Birmingham hallmarks 30cm. high £50-150 Provenance Albert E Wade Collection 1820. A Barker Brothers silver bowl, the hammered bowl with three wirework foliage feet rising to form handles, stamped marks, Chester 1911 12.5cm. wide £150-200

1825

1821. A William Hutton & Sons silver dish, footed low form with three loop handles, stamped marks, Birmingham 1938 14cm. wide £200-300 1822. An enamel mounted electroplated metal box and cover, possibly Guild of Handicrafts, rectangular section with hinged cover and cedar wood lining, the cover set with enamel picture of a goat unsigned 10.5cm high £300-500 1823. A large Walker & Hall electroplated metal dressing table mirror, cast in relief with an Art Nouveau maiden picking flowers, with easel back stamped marks, 49cm. high £500-800 1824. A set of six brass door plates designed by A.W.N Pugin, each rectangular cast with fleur de lys terminal and pierced quattrofoil panels unsigned 41cm high £100-200 1825. A pair of wrought iron and brass fire dogs, in the manner of the Artificers Guild, the flattened, curved arms set with pierced foliate roundel unsigned 66cm. high £150-200 1826. A pair of tall patinated copper and brass candlesticks designed by Edward Spencer, probably for the Artificer’s Guild, the domed base with punched decoration, the cylindrical stem with cast castellated base and hammered geometric band, supporting flaring bowl and drip pan one stamped with Edward Spencer mark, both stamped with numbers 35cm. high £700-1,000

106

1826

1827

1828 1829

1827. A Compton Pottery plaque, rectangular, cast in low relief with two angels in prayer, flanking a golden cross impressed Compton Potter Guild roundel mark 18.5 x 15.5cm. £80-120

1828. An Elkington patinated bronze casket and cover, footed, rectangular section, cast with panels of stylised flowers and foliage, the hinged cover with figural final cast mark Elkington Department of Science & Art 17cm. wide £80-120

1829. An Aesthetic Movement J W Benson enamel faced clock, the design attributed to Lewis F Day, the dial border enamelled with zodiac signs signed to dial 40cm. high £500-800

1830

1830. A pair of cast iron cresset fire dogs designed by Ernest Gimson, made at Sapperton Forge, the tripod foot with slightly swollen, square section stems with four flaring twisted branches and circular terminal, unmarked 56cm. high £1,200-1,800 Literature Lionel Lambourne Utopian Craftsmen, page 165 for a drawing illustrating the firedogs Mary Comino, Gimson & The Barnsleys, Evans, page 138 for the same drawing reproduced. Provenance Lea Cottage, Ulverscroft designed by Ernest Gimson for his brother Mentor Gimson (1851-1925), thence by descent.

1831. A large pair of silver mounted bronze candlesticks designed by Henry Wilson and made by H.G.Murphy, the stepped octagonal base on bun feet, supporting slightly tapering octagonal stem and circular sconce with drip pan, set with a frieze of silver roundels unsigned 35cm. high £1,500-2,000 Literature John Benjamin and Paul Atterbury The Jewellery and Silver of H. G. Murphy, ACC books, page 19 for the original drawing and an illustration of the candlesticks. the drawing listed as sent from Wilson to Murphy in 1913 from Venice.

1831

107

1835 1833

1832

1834

1837

1836

1838

1839

1832. A Keswick School of Industrial Arts copper dish, circular with fluted rim, hammered in low relief with a dragon creature to the well, stamped KSIA 29.5cm. diam. £120-180 1833. A stamped copper advertising wall mirror, shaped rectangular form, stamped with inscription Wilfred H Sugden Iron & Steel Merchant 32cm. high £80-120 1834. A pair of W.A.S Benson copper and brass candlesticks, the low tripod foot supporting tapering hexagonal stem and flaring floral drip pan, stamped WAS Benson 27cm. high £400-600

1840

1835. A pair of Aesthetic Movement copper and brass candlesticks, stepped square bases supporting scrolling stems with applied flowerhead motif, twin branch with central carrying loop unmarked 30cm. high £200-300 1836. An Arts and Crafts large patinated copper vase, tapering cylindrical form with applied strap handles, stamped in low relief with flowers and foliage unsigned 43.5cm. high £100-150 1837. A large Hugh Wallis patinated copper and white metal tray, oval, the well inset with a galleon at full sail, inisde chevron border to the rim, and two other Hugh Wallis trays stamped HW mark 55cm. wide £50-100 1838. A single handled copper vase in the manner of Newlyn, hammered in relief with four sailing ships sailing on the horizon before a setting sun, with stylised waves and a border clam shells unsigned 20cm. high £50-100 1839. A patinated copper grille panel, rectangular, stamped in low relief and pierced with a flower motif, 65 x 53cm. £50-100

1841

1840. An Arts and Crafts brass wall sconce, probably Scottish, the back-plate stamped in low relief with grape and vine panel, the twin-branches wired for electricity unsigned 64cm. high £150-200 1841. A large Arts and Crafts brass wall mirror, oval, stamped with fruiting grape vine panels and studded brace panels, unsigned 85cm. wide £150-250 1842. An Arts and Crafts plaster panel, rectangular, cast in low relief with wild rose frieze unsigned 92 x 27cm. £100-200

108

1842

1843

1847

1844

1848

1845

1846

1850 1849

1843. A Newlyn patinated copper tray, rectangular, hammered in low relief with a frieze of fruit and foliage stamped Newlyn mark 59cm. wide £200-250 1844. A Keswick School of Industrial Arts copper wall mirror by Mrs Williams, repousse hammered with briar rose pattern, mounted on wood unsigned 39cm. high £400-600 Provenance Sold with a copy of a receipt stating the mirror was made in 1921 by Mrs Williams, purchased from her niece. This piece was produced at the KSIA night school. 1845. A Newlyn copper dish, hammered to the well with a lugger at sail, stamped Newlyn 27.5cm. diam. £250-350 1846. A Newlyn copper coffee pot and cover, hammered in relief with a scaly fish diving beside waterweed stamped Newlyn 23cm. high £250-350

1851

1847. An Arts and Crafts copper wall sconce, the domed rectangular back decorated in low relief with a fruiting vine unsigned 24cm. high £100-150 1848. A Keswick School of Industrial Arts copper post box, the rectangular box hammered in low relief and pierced, with simple floral design, the back plate inscribed post, stamped KSIA 24cm. wide £150-250 1849. A Newlyn School of Industrial Classes copper charger, dated 1904, repousse hammered with a frieze of fish, waterweed and scallop shells, stamped Newlyn, incised date October 1904 51cm. diam. £200-300

1852

1850. A Newlyn patinated copper rose bowl and cover, hammered in relief with scaly fish stamped Newlyn mark 14cm. diam. £150-200 1851. An Arts and Crafts copper wall mirror, hexagonal form with central circular mirror, the frame stamped in low relief with intertwined heart entrelac unsigned 38cm. wide £80-120 1852. A Newlyn copper tea caddy and cover, hammered in low relief with three galleons at full sail, the cover with loop handle hammered with scallop shells stamped Newlyn 15cm. high £350-450 1853. A John Pearson copper wall mirror, oval, repousse hammered with dragon creatures, unsigned 58cm. wide £600-1,000 1853

109

1855

1854

1858

1857

1856

1859

1860

1854. A brass charger, decorated to the well with a stylised flowerhead motif, the rim a border of scrolling foliage unsigned 48cm. diam. £50-100 1855. A large Aesthetic Movement embossed linen table cloth, possibly designed by Lewis F Day, decorated with panels of birds unsigned 532 x 220cm £50-100 1856. A Keswick School of Industrial Arts copper plate, repousse hammered with panels of a bird and fish, amongst foliage borders stamped KSIA mark 26cm. diam. £100-150 1857. A Hayle copper single-handled vase, hammered in low relief with an exotic bird perched on a bough, a Connell oak twist candlestick and three dishes stamped marks to candlestick vase 23cm. high £80-120 1858. A Duchess of Sutherland Cripples Guild electroplated copper pedestal bowl, incised with a frieze of fruiting grape vine above inscription ‘ A Souvenir 19111912’ stamped marks, 15cm. high £150-200

1861

1859. A Duchess of Sutherland Cripples Guild electroplated metal bowl, deep rimmed form, stamped to the well with a band of fruiting vine stamped mark, 31.5cm. £100-200 1860. A Duchess of Sutherland Cripples Guild electroplated metal bowl, stamped to the well with a band of pomegranate fruit, stamped marks, £100-200 1861. A brass charger possibly Guild of Handicrafts, repousse hammered with a frieze of stylised flowers and foliage to the well and rim, unsigned 43cm. diam. £300-500 Literature Studio Yearbook 1906, page for a comparable brass charger. 1862. A pastel on Whatman board design for an enamel panel by Alexander Fisher, dated 1911, depicting a weeping woman at the base of a cross, in a sunset landscape, framed signed and dated lower right corner panel 33 x 24.5cm. £700-1,000

110

1862

1863

1864

1865

1863. A W.A.S. Benson brass table/wall lamp, the heart shaped foot supporting curved, reticulated stem and vaseline glass shade stamped Benson mark 30cm. high £300-500

1864. A W.A.S Benson brass table/wall lamp, the heart-shaped base with angled, pivoting stem and ball counterweight, with vaseline glass shade stamped shield mark, 26cm. high £700-900

1866

1865. A W.A.S. Benson copper and brass inkwell, model no.553A the brass urnshaped inkwell with hinged cover, on foliate copper pen tray unsigned 18cm. diam. £300-350 Literature Ian Hamerton WAS Benson Arts and Crafts Luminary and Pioneer of Modern Design, ACC page 255 plate 30 this design reproduced

1866. A rare W.A.S Benson copper and brass chamberstick, designed by George Heywood Sumner, the curved copper back plate stamped in relief with simple heartshaped foliate design unmarked 22.5cm. high £400-600

1867

Provenance The Best of British Paul Reeves/Sothebys selling exhibition, page116 PR96 Exhibited WAS Benson Genius of the Arts and Crafts Lakeland Arts Trust, Blackwell, Cumbria 2007 Literature Ian Hamerton WAS Benson Arts and Crafts Luminary and Pioneer of Modern Design, ACC page 255 plate 30 this design reproduced

1867. A W.A.S Benson patinated copper jardiniere, floriform, flaring bowl, unsigned 21.5cm. high £300-500 Literature Ian Hamerton WAS Benson, ACC, page 89 plate 62 for comparable jardinieres

1868. A rare W.A.S Benson copper and brass wall/desk light, the adjustable brass body with copper flower head shade stamped marks, 38cm. high £800-1,200 Provenance Paul Reeves Exhibited Blackwell House, Cumbria Literature Arts and Crafts Metalwork, Blackwell, page 117 catalogue number 11 for a table lamp with a comparable copper shade

1868

111

1869

1870

1871

1872

1869. ‘Studies in Design’ plates IV and LIX, two prints by Dr Christopher Dresser, published by Cassell, Petter and Galpin, framed, image 38 x 26cm £50-100

1870. A pair of Aesthetic Movement brass candlesticks, tripod feet supporting knopped stem and tapering column, a Japanned tin jug in the manner of Dr Christopher Dresser and a brass chamberstick 25cm. high £50-100

1874

1873

1871. A Hukin & Heath electroplated tureen with articulated cover, model no.2292, on four crows feet stamped marks, 27cm. wide £50-100

1872. A Benham & Froud brass chamberstick, in the manner of Dr Christopher Dresser, the square tray with central cylindrical stem and square sconce and drip pan, with applied loop handle, stamped mark, 12.5cm. wide £150-200

1873. A Hukin & Heath electroplated metal bottle holder designed by Dr Christopher Dresser, model no.2723, with central rod handle and D finial stamped marks, 22cm. high £100-150 1875 1874. A Hukin & Heath electroplated metal oil and vinegar cruet designed by Dr Christopher Dresser, model no. 2592, the two circular compartments on rod feet, with central rod handle and D finial, with two cut glass bottles and stoppers, stamped marks, 16..5cm. high £300-500 Literature Christopher Dresser Metalwork The Andrew McIntosh Patrick Collection, Lyon & Turnbull, 19th April 2005 lot 15 for a four compartment version, model no.2592.

1875. A Hukin & Heath electroplated double basket designed by Dr Christopher Dresser, model no.2223 stamped marks, designed by Dr C Dresser 20cm. wide £400-600 Literature Michael Whiteway Christopher Dresser A Design Revolution, V&A page 142 for the single version

1876. A Hukin & Heath silver mounted glass lidded decanter designed by Dr Christopher Dresser, the cylindrical collar neck with angled spout and hinged flat cover, set with rod and ebonised wood bar handle stamped marks, London 1884, regd diamond 21.5cm. high £1,200-1,800 Literature Christopher Dresser Metalwork The Andrew McIntosh Patrick Collection, Lyon & Turnbull 19th April 2005, lot 6 page 16 for an identical decanter

112

1876

1878

1877

LIBERTY & CO.

1879

1877. A Carter’s Poole Pottery terracotta jardiniere made for Liberty & Co, designed by Archibald Knox, compressed form with twin-handles, cast in relief with Celtic knot design impressed Carters for Liberty mark 45cm wide, 23cm. high £300-500 Literature Stephen A Martin Archibald Knox, ARTMEDIA, page 276 for a full page illustration of a comparable jardiniere

1881 1880

1878. Three Anglo-Moorish tables probably retailed by Liberty & Co, each hexagonal form inlaid with mother of pearl and marquetry decoration, losses 48cm. high £100-200 1879. A Turkish table probably retailed by Liberty & Co, hexagonal top, inlaid with mother of pearl, sandal satin and cedar wood, 51cm. high £100-200 Literature Daryl Bennett Liberty’s Furniture 1875-1915, Antique Collector’s Club, page 30 for a comparable table. 1880. A Kayserzinn pewter inkwell and cover designed by Hugo Leven, cast in low relief with foliage, the cover modelled as a frog, stamped mark 21.5cm. wide £200-300

1883

1882

1881. A Liberty & Co silver bowl and spoon, model no.2309, the hammered bowl inscribed Mireile, the spoon with cast foliate terminal stamped marks to bowl Birmingham 1907, the spoon 1906, bowl 14cm. diam. £200-250 Provenance Ernest Yarrow-Jones, (1872-1951) artist, thence by descent 1882. A Collection of reference books on design and art, including Archibald Knox by Stephen A Martin £100-200 1883. A Liberty & Co Tudric Pewter inkwell the design attributed to David Veazey, square section, cast in low relief with stylised flower head, with hinged cover, and an English Pewter tankard designed by Archibald Knox stamped marks, 14cm. wide £220-280 1884. A Liberty Tudric pewter and green glass decanter, model no.0332, the design attributed to Archibald Knox, cast in low relief with stylised Art Nouveau poppy seedheads, a William Hutton pewter vase, three Kayserzinn pewter mugs and a beaker stamped marks, 18cm. high £150-250

1884

113

1885. A Liberty Tudric pewter twin handled vase designed by David Veasey, model no.010, the tapering cylindrical body cast in low relief with flower stems, inscribed ‘For Old Times Sake’, stamped marks 20cm. high £80-120

1885

1886. A Liberty Tudric pewter twin-handled bowl with green glass liner designed by Archibald Knox, model no.0320, cast in low relief with stylised honesty stems stamped marks, 214cm. wide £200-300

1886

1887. A Liberty Solkets English Pewter and glass preserve pot and cover designed by Archibald Knox, model no.01031, and a preserve pot stamped marks, 12.5cm. high £100-200 1887

1888

1888. A Liberty English Pewter tray designed by Archibald Knox, model no. 0359, cast and pierced with berried foliage fronds stamped marks, 24cm. wide £80-120

1889 1889. ‘Thanks’ a pen and watercolour calligraphic design by Archibald Knox, on paper signed AK, 25 x 9.5cm. £800-1,200 Literature Stephen A Martin Archibald Knox, ARTMEDIA, page 170 and 171 for comparable examples of Archibald Knox’s book illumination including The Book of Remembrance.

1890. ‘Kewaige’ a watercolour on paper by Archibald Knox, framed titled, Manx Museum paper label to reverse image 55 x 41cm £1,200-1,800 Literature Watercolours by Archibald Knox March 3rd-28th 1926, Ontario, Canada exhibited 9 watercolours of Kewaige by Knox (cat no.1,9,16,17,19,34, 57,58,79)

114

1890

1891. A rare Liberty & Co Tudric pewter mantle clock designed by Archibald Knox, model no.095, the rectangular body cast in low relief with geometric recess, applied with abelone shell rectangular panels, the hands with applied abelone heart-shaped panels, with Art Nouveau arabic numerals stamped marks, 34cm. high ÂŁ25,000-30,000 Literature Stephen A Martin Archibald Knox, ARTMEDIA, page 236 for a full page illustration of an identical clock The Maurice & Margo Cohen Collection of Decorative Arts, Christieâ&#x20AC;&#x2122;s New York,. 11th June 1999 lot 370 page 108 for an identical clock. Adrian J Tilbrook & Gordon House, The Designs of Archibald Knox for Liberty & Co. page 113 figure 95 for an identical clock.

115

Design for the British Pavilion Expo 1970, Osaka

LESLIE GOODAY

OBE RI FRIBA FCSD FRSA (1921-2013)

ARCHITECT, ARTIST, COLLECTOR Following service in the RAF from 1939-1945 Leslie Gooday was a Staff Architect engaged on the 1951 Festival of Britain, South Bank Exhibition before commencing private practice for Chartered Architects and Industrial Designers. He designed many major exhibitions for the United Kingdom Atomic Energy Authority and was Exhibition Design Consultant to British Nuclear Fuels plc, Ideal Standard Limited, Vauxhall Motors Limited and Reed Corrugated Cases. Other exhibitions were designed for the governments of Great Britain, Northern Ireland and Nigeria, Shell International Petroleum, The Nuclear Power Company, British Telecommunications, ICI and ICL and the Civil Aviation Authority. He received an award from the American Museum of Modern Art for the best designed exhibition stand at the British Exhibition in New York and a Civic Trust award for the National Swimming Baths at Richmond Surrey, (1964-66) which are now listed by English Heritage together with his private house in Surrey. He was awarded the OBE for his design services to this country in designing the Progress of Mankind section of the British Pavilion at the Expoâ&#x20AC;&#x2122;70, Osaka, Japan and in the last years of his architectural and design practice designed the new Sellafield Visitors centre for British Nuclear Fuels, Cumbria and the British Golf Museum at the R&A Golf Club of St Andrews, Scotland. His paintings have been exhibited in annual one man exhibitions and in many art galleries including the RI and the RBA at the Mall Galleries, Waterman Gallery and Alresford Gallery. Michael Jeffery

116

1892 1892. Leslie Gooday OBE (1921-2013) Orange, Pear and Lemon three mixed media on board, framed signed L Gooday 20cm. square £200-400

1893. Leslie Gooday OBE (1921-2013) Alchemy I mixed media on board, framed signed L Gooday 61 x 30cm. £150-200

1894. Leslie Gooday OBE (1921-2013) Mexican Concept acrylic on board, framed signed L Gooday 58 x 29cm. £150-250

1895. Leslie Gooday OBE (1921-2013) untitled (Hans Coper pot) mixed media, framed signed L Gooday 57 x 33cm. £150-200

1893

1894

1895

1896. Leslie Gooday OBE (1921-2013) Concept 40 mixed media on board, framed signed L Gooday 48 x 28cm. £150-200

1897. Leslie Gooday OBE (1921-2013) Concept 30 (Nagi Pot) mixed media on board, framed signed L Gooday 66 x 25cm. £150-200

1896

1898. Leslie Gooday OBE (1921-2013) India IV, mixed media on board, framed signed L Gooday 52 x 24.5cm. £150-200 1897

1898

117

1899. A five geological stones, including amethyst and smoky quartz, and an onyx egg, amethyst 36cm. high £50-100

1900

1899

1902

1900. Two artists lay figures, articulated, two articulated wooden hands, a shoe, a Brian Willsher sculpture and two carved wood crouching figures, Willsher broken tallest figure 37cm. high £80-120

1901. A painted alabaster model of a Buddha lying on her side, an amphora pot with snake handles, a Horse’s jaw bone and two other skeletal pieces and seven wooden items, £100-200 These items appear in Leslie Gooday’s paintings (lot 1893).

1901

1902. A ceramic sculpture of a horse’s head, glazed in colours, and a collection of sixteen ceramic and glass items various marks 38cm. wide £80-120

1903. An alabaster floor lamp, carved with geometric panels, domed shade 178cm. high £100-200

1903

1904

1904. A Chinese Pagoda cabinet, painted decoration with applied bells, early 20th century, 172cm. high £100-200

1905. A large painted wood figure of a buddha, on stepped wooden base and a Thai wooden articulated puppet 117cm. high £80-120

1906. A large continental painted wood figure of a priest, possibly Portuguese 95cm. high £100-200

118

1905

1906

1907

1908

1909

1907. An Italian ebonised wood daybed, with carved gilt decoration to headboard and under-carriage, early 20th century, 187cm. long £100-200 1908. An Art Nouveau Goldscheider Pottery wall plaque, cast from a model by Montenave model no. 0799, cast in low relief with two Symbolist maiden portraits looking at a lyre amidst berried foliage, in colours on an ochre ground impressed marks to side, facsimile signature in the cast, minor damages, 90 x 45cm. £400-600 Literature Ora Pinhas Goldscheider Richard Dennis Publications, page 50 for 5 comparable plaques 1909. A Liberty & Co Sigurd terracotta jardiniere designed by Archibald Knox, cast in low relief with a band of entrelac, four loop handles, impressed Liberty mark, chips 64cm. diam. £500-1,000

1910

1911

Provenance Garden Statuary & Architectural Items Sotheby's 20th May 1998 lot 903. Literature Stephen A Martin Archibald Knox ARTMEDIA, page 276 for a comparable example Veronica Franklin-Gould Archibald Knox & Mary Seton Watts, Arrow Press, page 20 for an original photograph from Yuletide Gifts catalogue reproduced. 1910. A stone garden sculpture modelled as a seated lion, 66cm. high £80-120

1912

1913

1911. A pair of Leeds Fireclay stoneware jardiniere, cast low relief decoration covered in an oatmeal glaze unsigned, minor damages 81cm. high £200-300 1912. A Heal’s oak gate-leg table, with shaped rectangular top inset roundel 137cm. wide £150-250 1913. An oak occasional table in the manner of Heal’s, octagonal top with book shelf under-tier, and a pair of modern occasional tables probably retailed by Heal’s unsigned 51cm. diam. £80-120 1914. A Heal's limed oak Simple Bedroom cupboard on chest of drawers designed by Sir Ambrose Heal, twin door compartment with wooden lock handles, above two small and three long drawers, with cut-out heart-shaped handles inset roundel 151cm. high, 106cm wide £800-1,200 Provenance Applied Arts Phillips, 7th November 1995 lot 188 Literature At The Sign of the Four Poster A History of Heals, page 25 this design illustrated 1914

119

1916

1915

1922

1915. An Arts and Crafts oak hallstand, with mirror back, drawer compartment and patinated metal fittings, 212cm. high £100-200 1916. An Arts and Crafts repousse copper fireplace by John Pearson, hammered in replief with four sailing ships before the rising sun, the sides a column of scaly fish leaping from the water signature probably concealed 178cm wide, 160cm. high £1,000-2,000 1917. A Rosenthal white glaze dinner service, modelled in low relief, comprising two graduated platters, tureen and cover, two smaller tureens and covers, ten dinner, eight entree and twelve side plates, seven covered soup bowls and two saucers, sugar basin and cover, milk-jug and cover and a large bowl printed marks, damages, largest platter 38cm. £80-120

1917

1918. A Judith Gilmour stoneware vase, pierced decoration, a Leach Pottery vase and three others painted Gilmour 16cm. high £100-200 1919. A large Amphora Pottery vase, ovoid with knopped neck, enamelled with a vulture perched on berried foliage, in colours on an ochre ground impressed marks,49cm. high £80-120 1920. Norah Braden (1901-2001) a stoneware jar and cover, decorated with rust coloured bands and spots painted mark to base 16cm. diam £80-120 1918

1919

Provenance Contemporary Ceramics Bonhams, 19th June 1996 lot 33 1921. Alan Wallwork (born 1931) a stoneware vase, compressed ovoid form with three aperture, glazed brown and ochre, and another smaller incised W 14cm. wide £60-100 1922. A rare Bugatti copper and vellum hall chair designed by Carlo Bugatti, angulr construction with patinated copper medallion and fan motif unsigned 90cm. high £1,000-2,000

1921

120

1920

Provenance Applied Arts from 1880, Sotheby's, London 29th March 1996 lot 242

1923 1925 1924

1926

1923. A polished steel and tan leather Wassily chair designed by Marcel Breuer, 78cm. wide £80-120

1927

1924. A chrome framed three fold Circus screen painted by Eduard Andersson, painted with performing harlequins, the reverse figures in a room EA monogram each panel 171 x 50cm. £100-200 Literature Gerald Schurr 1820-1920 Les Petits Maitres de la Peinture Valeur de Demain, page 157

1925. Frank Sherwin (1896-1985) an original artwork on paper for an advertising poster, showing figures at a Lido, signed 128 x 110cm. £300-500

1926. A modern metal and glass E1027 table originally designed by Eileen Gray, circular glass top suspended on enamelled metal frame, 70cm. high £50-100

1928

1927. A La Verre Francais frosted glass ceiling shade, the bowl and stem panels, with frosted geometric flower design acid etched mark 60cm. high £200-300 Literature Art Nouveau, Art Deco and Thirties, Brighton Museum Collection, page 80 catalogue number 196.

1928. ‘Calypso’ No. 10-381 a Lalique opalescent glass ceiling shade designed by Rene Lalique, with metal mount and frosted glass Saturn shade stencil R Lalique France, light 33cm. wide £1,500-2,000 Provenance Applied Arts Phillips, 7th November 1995 lot 15.

1929. ‘Dahlia’ No. 3210 a Lalique clear and frosted glass bowl/shade designed by Rene Lalique, sepia stained, with patinated iron stand in the manner of Edgar Brandt intaglio moulded R Lalique, 40cm. high £600-1,000 Provenance Applied Arts Phillips, 7th November 1995 lot 2. 1929

121

1932 1930 1931

1930. A modern ebonised wood occasional table, after a design by Charles Rennie Mackintosh, with single drawer, 44cm. high £50-100 1933 1931. A pair of patinated bronze elephants, a large carved wooden elephant and a soapstone figure unsigned bronze elephants 37cm. high £50-100

1934

1932. A Modernist chrome and black leather ottoman stamped HK mark 88cm. wide £100-200 1933. An Italian chrome and leather architects chair, applied label 105cm. high £50-100 1934. A Pirelli chrome framed chair, with brown leather seat £80-120

1935 1936

1935. A pair of Herman Miller Time Life aluminium chairs designed by Charles & Ray Eames, with brown leather seats applied label 80cm. high £300-500 1936. A pair of Herman Miller Aluminium Group armchairs designed by Charles & Ray Eames, with tan leather seats, cast marks, 84cm. high £150-250 1937. Two wooden seated enamelled metal bar stools 77cm. high £50-100 1938. A Knoll Wirework and glass table designed by Warren Platner 46cm. high, 61cm. diam. £100-200

1937

1938

Provenance Modern Design Christie's South Kensington, 13th April 1996 lot 242 1939. A pair of white enamelled Diamond chairs designed by Harry Bertoia, probably made by Knoll Associates, model 421LU, 77cm. high £100-200 Provenance Modern Design Christie's South Kensington 3rd July 1997, lot 131

1939

122

1940

1940. A chrome metal 420C chair designed by Harry Bertoia, probably Knoll Associates 74cm. high £50-100

1941 1942

λ 1941. A rosewood veneer and chrome sideboard designed by Robert Heritage, and a similar cabinet on casters retailed by Heal’s, 183cm. wide £200-400 1944

Provenance 20th Century Design, Bonham's Knightsbridge, 3rd February 1996 lot 125

1943

1942. A Memphis style laminated wood and glass dining table, and four white leather and chrome chairs, table 180 x 80cm, chairs 89cm. high £600-1,000 Provenance Applied Arts Sotheby's South, 22nd March 2000 lot 56 1943. A Harlow aluminium and glass coffee table designed by Ettore Sottsass, rounded rectangular top, cast marks, 98cm. wide £200-300 Provenance Applied Arts Bonhams, 3rd February 1996 lot 287

1946

1945

1944. Two Poltronova polished steel Harlow chairs designed by Ettore Sottsass, with cream leather seats cast marks, 80cm. high £300-500 Provenance Italian Design, Christie's South Kensington, June 1999 lot 181 1945. A Bitossi Yantra vase designed by Ettore Sottsass, moulded, star shaped body with wide aperture, glazed rust red painted Sottsass 39cm. high £500-1,000 Literature Bruno Bischofberger Ettore Sottsass Ceramics, Thames & Hudson, page 111 for a version of this vase. 1946. A Bitossi spool vase designed by Ettore Sottsass, disk foot, central stem and disk rim, glazed sky blue, white and black painted Bitossi Sottsass to base 31cm. diam. £500-1,000 1947. A Bitossi Yantra vase designed by Ettore Sottsass, moulded, ribbed body with off-set aperture, glazed white painted Sottsass 36cm. high £500-1,000 Literature Bruno Bischofberger Ettore Sottsass Ceramics, Thames & Hudson, page 119 for a version of this vase glazed blue. 1947

123

1949

1948

1950

1951

1948. A Boby trolley designed by Joe Columbo, brown plastic tidy with hinged drawers, a white plastic Boby and a Habitat TomTom stool cast marks and signature 74cm. high £80-120 1949. A Cado cantilever plastic chair designed by Steen Ostergaard, and a Magistretti white plastic occasional table cast marks, £50-100

1952

1950. A Kartell plastic magazine rack designed by Giotto Stoppino, a Guzzini spherical picnic container, a Sony 110UK portable television and a wooden sculpture cast marks, 178cm. high £50-100 Provenance 20th Century Design, Bonhams 3rd February 1996 lot 208 1951. A Raak Fuga aluminium desk lamp designed by Maija Liisa Komulainen, cylindrical form, and a polished steel ceiling shade paper label 40cm. high £100-200

1953 1954

1952. A chrome and glass dining table, in the manner of Marcel Breuer, and a set of six chrome chairs with woven seats, chairs 83cm. high, table 161 x 84cm £200-400 1953. A Murano purple glass table lamp, and an inlaid wooden table lamp applied label 43cm. high £80-120

1955

1956

1954. A Murano glass vase in the manner of Cenedese, blue with lime green band, cased in clear, with split rim unmarked 34cm. high £60-100 1955. A chrome frame occasional table, with rounded, smoked glass top 72cm. square £50-100 1956. A pair of Artifact 780 chairs designed by Pierre Paulin, on enamelled metal frames, 93cm. high £100-200 Provenance 20th Century Design, Bonhams, Knightsbridge, 3rd February 1996 lot 184

1957

124

1957. A pair of metal framed brushed velvet chairs, amorphic form, 69cm. high £100-200

1961

1959 1958 1960 1958. An Aluminium Boxkite ceiling shade designed by Bruno Munari, and a Flos Taraxacum shade designed by Castiglione, 37cm. high £80-120 Provenance 20th Century Design, Bonhams Knightsbridge, 1st June 1996 lot 155, Boxkite Modern Design, Christie's South Kensington, 26th March 1997 lot 293, Taraxacum

1959. A Moon Rock fibreglass floor lamp designed by Andre Cazenave, probably manufactured by Singleton, 41cm. wide £80-120

1962

Provenance Modern Design Christie's South Kensington, 18th March 1996, lot 259 1963

1960. A chrome metal Butterfly chair, designed by Antonio Bonet, Jorge Ferrari Hardoy and Juan Kurchan with tan suede leather seat 92cm. high £100-200 Provenance Modern Design Christie's South Kensington, 18th March 1998, lot 113

1961. A Luci P414 chrome standard lamp, cylindrical body with adjustable ball shade applied label 155cm. high £50-100

1962. A modernist sprayed wood chair, the ribbed wooden construction sprayed silver-grey unsigned 71cm. high £50-100 1965

1963. A Swedish pine chair, with rope strung seat, and an Askel Kjerssaard Danish teak mirror stamped mark, 76cm. high £50-100

1964. A satinwood and exotic wood cheval mirror by Andrew Varah, 171cm. high £200-300

1964

Provenance Christies South Kensington, 20th September 1995 lot 280

1965. A satinwood and exotic wood toilet mirror by Andrew Varah, 56.cm. high £200-300 Provenance Christies South Kensington, 20th September 1995 lot 281

1966. A fiberglass and laminated wood Tulip table designed by Eero Saarinen £100-200 Literature Brian Lutz Eero Saarinen Furniture for Everyman Pointed Leaf Press, page 184-185 for the original adverts for the Tulip range of tables 1966

125

1967. A Sam Herman glass and chrome metal floor lamp, dated 1971, with twelve irregular glass panels forming the shade signed to one panel 164cm. high ÂŁ400-600 Provenance Modern Design Christie's South Kensington, 26th March 1997 lot 368

126

NEXT SALE BRITISH ART POTTERY WEDNESDAY 11TH DECEMBER

Silver Tuesday 22nd & Wednesday 23rd October 2013

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Jewellery Thursday 24th October 2013

A Russian influenced gold and enamel pendant by René Lalique. Estimate: £60,000 - £70,000

ENQUIRIES Jonathan Edwards FGAA Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

Modern British Art Including paintings from the collection of Leslie Gooday OBE Tuesday 26th November 2013 Closing date for entries 26th September

Blair Rowland Hughes-Stanton, Figures in a Boat (detail) Estimate: ÂŁ2,000 - ÂŁ3,000 From the collection of Leslie Gooday OBE

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

130

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

131

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

D OA

LW AY W ES T IL

D SR SE VI DE HU

T) C

WILTON & WARMINSTER

CENTRAL CAR PARK

N SCOTS L SALISBURY S OUT H

A 3 6(

MR HA ND WY

ST WE

F IS

HER TO N

CHIPPER

A36(T) CH URC HIL L

WILTO NR DA

EET STR TLE CAS

A3 60

A36 C HUR CH ILL WA YN OR TH D

R EY

AMESBURY & MARLBOROUGH

E LS

HL AS

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

T WIN S BED L SALT

WINCH ESTER ST

N EW

LL R O AD

L C ANA

NEW STR EET

ST ANN S

SOUTHAMPTON CATHEDRAL

UT SO

Y A36

( T)

L HI

A3 09 4 NEW H

ARNH AM

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD O

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

A338 BOURNMOUTH & RINGWOOD D

NT O

A33 8

A36(T) SO UTHA MPT ON R

OA D

Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

20th Century Design

Brief Decription

Wednesday 9th October 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AUCTION CALENDAR SILVER 22nd & 23rd October Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 24th October Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 30th October Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ASIAN ART 13th & 14th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk MODERN BRITISH ART 26th November Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk PAINTINGS 4th December Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20TH CENTURY DESIGN 11th December – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk FURNITURE, WORKS OF ART 7th January 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.ukz