Woolley & Wallis Auctioneers

TUESDAY 4TH & WEDNESDAY 5TH APRIL 2023

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

FURNITURE WORKS OF ART

& CLOCKS

TUESDAY 4TH APRIL 2023

10.00AM - LOTS 1-297

WEDNESDAY 5TH APRIL 2023

10.00AM - LOTS 298-671

at our Castle Street Salerooms, SP1 3SU

VIEWING AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

Friday 31st March 10.00am – 4.00pm

Saturday 1st April 10.00am – 1.00pm

Monday 3rd April 10.00am – 4.00pm

Tuesday 4th April 9.00am – 1.00pm

Wednesday 5th April by appointment

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

Neil Grenyer 01722 446974 ng@woolleyandwallis.co.uk

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

Sarah Stone 01722 339161 ss@woolleyandwallis.co.uk

Victoria Elwell 01722 339161 ve@woolleyandwallis.co.uk

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury, SP4 6QX

Client Parking Available

Friday 31st March 10.00am – 4.00pm

Saturday 1st April 10.00am – 1.00pm

Monday 3rd April 10.00am – 4.00pm

Tuesday 4th April 9.00am – 1.00pm

Wednesday 5th April by appointment

THE AUCTION ON 4TH & 5TH APRIL WILL TAKE PLACE AT OUR CITY CENTRE SALEROOM

51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Monday 3rd April

CONDITION OF LOTS

The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

COLLECTIONOF LOTS

Please call 01722 446950 or 01722 424500 to make an appointment to collect from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends

All accounts to be settled prior to collection

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK, please refer to the department for guidance

LIVE ONLINE BIDDING – FREE OF CHARGE

bid.woolleyandwallis.co.uk

Please register by 5pm on Monday 3rd April

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ILLUSTRATIONS

Front cover: Lot 340

Back cover: Lots 130­134

Catalogue £15.00 (£20.00 by post)

OAK, COUNTRY & FOLK ART

DAY ONE

LOTS 1-297

A SMALL OAK CUPBOARD 17TH CENTURY ELEMENTS

the hinged door carved with stylised flowers and leaves, enclosing a shelf

62cm high, 45.5cm wide, 38cm deep £200­300

AN OAK COURT CUPBOARD LATE 17TH CENTURY

carved with foliate lunettes, cartouches and strapwork panels with two pairs of cupboard doors 165.8cm high, 114.3cm wide, 44.7cm deep £400­600

AN OAK AND ELM TWIN PANELLED COFFER 18TH CENTURY

the vacant interior originally with a till £80­120

A CHARLES II OAK COURT CUPBOARD

C.1680

carved with scrolling rondels and flowerheads, with a pair of panelled doors above a gadrooned frieze with a further pair of doors

166.3cm high, 136.5cm wide, 54.4cm deep

Provenance

Purchased from Day Antiques, Tetbury, 20th December 2003 for £8,000

£800­1,200

6 AN OAK MULE CHEST

LATE 17TH / EARLY 18TH CENTURY

the twin panelled front carved with scrolling leaves and flowers above a long drawer

66.7cm high, 119.8cm wide, 47.5cm deep

Provenance

Property of a Collector.

£200­300

AN OAK SPICE CUPBOARD IN CHARLES II STYLE, 18TH CENTURY

the door with geometric moulded decoration enclosing a later arrangement of seven drawers around a central arched recess

37cm high, 38.4cm wide, 22cm deep

£200­300

TWO OAK JOINT STOOLS

17TH CENTURY AND LATER one with an arcaded frieze, each with turned legs united by peripheral stretchers (2)

52.7cm high, 45.5cm wide, 35cm deep (max)

£300­400

8

A SMALL OAK DROP-LEAF TABLE IN 17TH CENTURY STYLE the oval top on turned legs, united by peripheral stretchers 57.8cm high, 66.5cm wide, 32.5cm deep

£200­300

9

AN OAK LONG STOOL IN JACOBEAN STYLE, PROBABLY 19TH CENTURY on turned legs united by peripheral stretchers 48cm high, 91cm wide, 27.5cm deep

£400­600

the seat with a moulded edge, above a moulded frieze within a shallow carved bicuspid edge on turned baluster and urn legs united by peripheral stretchers, the underside of the seat branded twice with initials ‘RP’ 53.8cm high, 46.4cm wide, 30.5cm deep

£500­800

the seat with a moulded edge above a plain frieze with a bicuspid moulding on turned sausage legs 51cm high, 37.8cm wide, 29.8cm deep

£300­500

A CHARLES I OAK JOINT STOOL C.1640­50

A CHARLES I OAK JOINT STOOL C.1620­30

13

AN OAK JOINT STOOL IN ELIZABETH I STYLE, 20TH CENTURY on fluted and cabochon decorated legs

56.2cm high, 45.5.cm wide, 26.7cm deep

£100­150

12

AN OAK JOINT STOOL IN ELIZABETH I STYLE with a zigzag moulded band above a pierced shallow bicuspid frieze on fluted egg and dart carved legs united by peripheral stretchers

51.2cm high, 50cm wide, 28cm deep

£300­500

14

A CHARLES II OAK JOINT STOOL C.1660

the seat with a moulded edge above a bicuspid frieze on turned legs united by peripheral stretchers

55.5cm high, 46.2cm wide, 29.8cm deep

£300­400

A CHARLES II OAK CHAIR C.1685

the scroll carved top rail centred with a flower, above a panelled back carved with a mythical beast, with a ribbed front stretcher £200­300

A CHARLES II OAK PANEL BACK ARMCHAIR YORKSHIRE, C.1680

the scroll crest decorated with leaves, the panel back carved with scrolling foliage on turned and block supports £800­1,200

18

A SMALL BOARDED OAK COFFER MID­17TH CENTURY AND LATER

the later lid above a thumbnail decorated front on cut­out ends

42.5cm high, 68.2cm wide, 37cm deep

£100­150

17

AN OAK CENTRE TABLE 17TH CENTURY

the boarded top with cleated ends above a frieze carved with “S” designs possibly for Salisbury 71cm high, 123cm wide, 58.2cm deep

£200­300

19

A CHARLES II BOARDED OAK COFFER

C.1680

the hinged lid with thumbnail mouldings, the interior originally with a till, the triple panelled front with an arcaded frieze. 69.5cm high, 103cm wide, 42.5cm deep

£150­250

20

C.1520

the hinged top revealing an interior with a till, with a quadruple panelled front with carved linen­fold decoration, with an iron lock plate 62.8cm high, 143.5cm wide, 55.3cm deep

Provenance

Purchased from William H. Stokes, Cirencester 30th September 1988 for £3,250.

£800­1,200

MID­16TH CENTURY

with a quadruple panelled top, the front with a wrought iron lock plate and four carved linenfold panels 79.5cm high, 147cm wide, 60cm deep £300­500

A HENRY VIII OAK COFFER

21 AN OAK COFFER

23

A WILLIAM AND MARY OAK CHEST LATE 17TH CENTURY of four long drawers with geometric moulded fronts and later bracket feet 83.5cm high, 98.2cm wide, 55cm deep

£300­500

22

AN OAK MULE CHEST LATE 17TH CENTURY

with applied split mouldings, with a hinged top above a triple panelled front and two long drawers 99cm high, 98cm wide, 49.5cm deep

£400­600

24

AN OAK SIDE CABINET LATE 17TH CENTURY

the twin hinged top revealing a vacant interior, the front applied with split mouldings and with a pair of panelled doors, decorated with arches enclosing a shelf 98cm high, 89.7cm wide, 48.5cm deep

£200­300

AN ELIZABETH I OAK OVERMANTEL

LATE 16TH / EARLY 17TH CENTURY AND LATER

with triple arched panels carved with angel mask spandrels and centred with strapwork cartouches, with painted coats of arms, flanked by two pairs of caryatid figures, each with a palm tree top, above bearded men with their arms aloft and with two ladies, each with a ruff collar, with lobed mouldings and lion’s head masks

79cm high, 225.3cm wide

Provenance

Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller, lot 10.

£1,500­2,500

26

A PAIR OF OAK TERMS

17TH CENTURY

the male and female busts beneath large flowers, with carved bodies and tapering bases, together with another with a female bust above scrolling foliage (3)

50cm high (max)

£200­300

27

AN ELIZABETH I CARVED OAK DOUBLE-SIDED DOLL

LATE 16TH CENTURY

carved with two double­sided faces on either ends, with a paper label inscribed ‘Brent Collection’

12.9cm long

£100­150

28

A SMALL GEORGE III WELSH OAK DRESSER LATE 18TH / EARLY 19TH CENTURY

the plate rack with iron hooks and two shelves above two frieze drawers and a wavy apron and pot­board base

166cm high, 127.2cm wide, 46.5cm deep

£300­500

29

AN OAK SIDE TABLE LATE 17TH CENTURY AND LATER with applied split mouldings, the arcaded frieze drawer on turned and block legs

69cm high, 83.8cm wide, 59.5cm deep

£300­400

30

A WILLIAM AND MARY OAK AND WALNUT CHEST LATE 17TH / EARLY 18TH CENTURY with four graduated long drawers with boxwood inlay, on bun feet

96.5cm high, 96.5cm wide, 57.5cm deep

£1,000­1,500

A GEORGE III WELSH OAK DRESSER LATE 18TH / EARLY 19TH CENTURY

the plate rack with later brass hooks and three shelves above pair of frieze drawers, a shaped apron and a pot­board base 200cm high, 145.8cm wide, 39cm deep

£300­500

A QUEEN ANNE OAK SIDE TABLE EARLY 18TH CENTURY

the frieze drawer with a moulded front on baluster turned legs 66cm high, 77cm wide, 54.3cm deep

£300­400

A WILLIAM AND MARY WALNUT CHEST LATE 17TH CENTURY

with four long geometric panelled drawers, on later bun feet 98.7cm high, 96.5cm wide, 61cm deep

£300­500

A REGENCY OAK LOWBOY EARLY 19TH CENTURY

with three drawers and parquetry fan spandrels 78cm high, 74.5cm wide, 41.7cm deep

£200­300

A GEORGE III OAK AND ASH CRICKET TABLE LATE 18TH CENTURY

the circular top on turned club legs and pad feet

65cm high, 73cm diameter

£300­400

A LATE GEORGE III OAK CHILD’S DESK LATE 18TH / EARLY 19TH CENTURY

the hinged top enclosing a vacant interior, above a single drawer, with a side flap, on square tapering legs

84.5cm high, 54cm wide, 32cm deep

£200­300

AN OAK STANDING LIVERY CUPBOARD

POSSIBLY YORKSHIRE, MID­17TH CENTURY AND LATER

carved with panels of scrolling leaves and flowers with bog oak and holly parquetry banding, with a central cupboard door flanked by cup and cover supports with a gadroon carved drawer and pot­board base, with branded initials ‘MW’

115.8cm high, 126.5cm wide, 45cm deep

Provenance

George Nicholas Le Gendre Horton­Fawkes, Esq. of Farnley Hall, Farnley, North Yorkshire.

Purchased from Charles Lumb & Sons Ltd., Harrogate 16th June 1979 for £3,450.

£2,000­3,000

38

A JAMES I OAK COFFER

EARLY 17TH CENTURY

the planked top above a frieze with meandering foliage, the triple panelled front inlaid with geometric motifs in bog oak and holly inside arches of scrolls and rosettes, the stiles with foliate brackets 79.3cm high, 145.5cm wide, 60cm deep

Provenance

Purchased from William H. Stokes, Cirencester, 30th September 1988. £800­1,200

39

AN ENGLISH BRONZE MORTAR PROBABLY SOMERSET, 17TH CENTURY of slightly waisted form with two raised bands and a pair of lug handles 12cm high, 16.5cm (max)

£150­200

40

A COLLECTION OF FOUR IRON LOCKS 18TH CENTURY AND LATER

of various forms including one surface mounted with pierced decoration (4)

26.5 x 13.5cm (max)

£800­1,200

41

TWO PEWTER CHAMBER POTS

LATE 18TH / EARLY 19TH CENTURY

one inscribed ‘ITIS APIS POTAN DITIS ABIGO NE’, the other with a band of small arcading, with various touchmarks (2)

13cm high, 16cm wide (max)

£100­200

42

A SMALL COLLECTION OF DANISH PEWTER 18TH CENTURY

comprising: a melon fluted coffee pot, stamped 'AF. Hassold' and dated '1776' with owner's name and twin touchmarks, a small spiral moulded water jug, a pair of candlesticks and a salver, the underside with triad initials 'EDP' and with touchmark (5)

23.3cm (max)

£80­120

43

A GEORGE III WELSH OAK DRESSER LATE 18TH CENTURY

the plate rack with a shaped apron and inscribed ‘E.T. Aged 1 1794’ above three shelves, the base with three frieze drawers, above a pair of fielded panelled doors

203cm high, 148cm wide, 52cm deep

£800­1,200

44

A WILLIAM AND MARY OAK BOX-TOP TABLE EARLY 18TH CENTURY

the hinged demi­lune top revealing a vacant interior, with a single drop­leaf on a gate support, on baluster turned legs and stylised Braganza feet 67.8cm high, 75.5 x 75cm open

Catalogue Note

For similar examples see Ralph Edwards, The Dictionary of English Furniture, vol.iii. , p. 240, fig. 24 and also Victor Chinnery, Oak Furniture: The British Tradition, p. 311, figures 3:325 and 3:326; all dated between c.1680­90.

£400­600

45

A CHARLES II OAK CHEST

C.1680

in two halves of three long geometric panelled drawers with applied split reel decoration

88.7cm high, 93.5cm wide, 55.5cm deep

Provenance

Purchased from William H. Stokes, Cirencester, 27th September 1986 for £1,250.

£300­500

£100­150

17TH CENTURY AND LATER the triple panelled front carved with scrolls and leaves 67.7cm high, 141.5cm wide, 43cm deep

Provenance

Purchased from Key Antiques, Chipping Norton, 3rd March 2002 for £1,350.

£200­300

46

A CAST IRON FIREBACK PROBABLY CHARLESWORTH, 16TH CENTURY cast with two rows of roses beneath crowns on shields either side of a row of lions passant on rectangular fields, with a ropetwist frame 72 x 126cm

£300­400

47 AN IRON POT RACK 18TH / 19TH CENTURY with a ratchet mechanism 115cm long (closed)

48 AN OAK COFFER

49

AN EARLY GEORGE III OAK DRESSER PROBABLY WEST MIDLANDS, C.1760 with mahogany banding, the three frieze drawers inlaid with lattice decoration above a wavy edge and pierced apron on front cabriole legs 90.7cm high, 198cm, 49.5cm deep Provenance

Purchased from Jellinek & Sampson Antiques, 156 Brompton Road, London, 13th December 1972

£1,000­1,500

50

A SMALL PAINTED OAK BOARDED COFFER POSSIBLY WEST COUNTRY, 17TH CENTURY with thumbnail decoration, the front with a bifurcated apron 43.2cm high, 46cm wide, 27.7cm deep £600­800

51

A BOARDED OAK COFFER 17TH CENTURY with a hinged top and cut­out ends 69.8cm high, 124cm wide, 36.5cm deep £500­800

A CHESTNUT STANDING CORNER CUPBOARD POSSIBLY SPANISH, 18TH CENTURY AND LATER with a pair of damask fabric lined doors with wrought iron oak leaf hinges, enclosing an interior with two shelves 150.6cm high, 62cm wide, 29cm deep

£600­800

A SMALL BOARDED WALNUT COFFER SPANISH OR ITALIAN 17TH / 18TH CENTURY

the hinged top revealing an interior with a lidded till, the front carved with cypress trees and flowerheads, the back painted with the date ‘1847’

41.3cm high, 79cm wide, 35.3cm deep

Provenance

Purchased from William Job Ltd., Pimlico Road, London, 14th February 1974.

£200­300

A SMALL SPANISH WALNUT AND CHESTNUT TABLE 17TH / 18TH CENTURY

with a frieze drawer carved with flowerheads 49.6cm high, 78.5cm wide, 51.4cm deep

Provenance

Purchased from Talavera Antiques, Pimlico Road, London, 19th February 1971.

£200­300

A SPANISH WALNUT REFECTORY TABLE

17TH / 18TH CENTURY

the shaped open ends united by an ‘X’ stretcher

73cm high, 126.2cm wide, 55.5cm deep

£300­500

57

A SMALL WALNUT TABLE SPANISH OR ITALIAN, 17TH CENTURY AND LATER

the thick plank top on turned and block legs

51.5cm high, 62.5cm wide, 38.5cm deep

£150­250

56

AN ITALIAN WALNUT SIDE CABINET TUSCAN, 17TH CENTURY

with a pair of architectural pilasters flanking a frieze drawer on front carved lion’s paw feet

91.3cm high, 76cm wide, 38cm deep

£250­350

58

A SPANISH POLYCHROME PAINTED AND GILT FIGURE OF CHRIST LATE 16TH / EARLY 17TH CENTURY

standing, with a red and gilt cloth, his left foot resting on a skull symbolic of Golgotha, on a rocky base 90cm high

Provenance

Woolley and Wallis, Furniture and Works of Art, 30th March 2022, lot 34.

£300­400

59

A PAIR OF ITALIAN GILTWOOD AND EBONISED BAROQUE RELIQUARIES 18TH CENTURY

each with scrolling and foliate decoration around a central oval glass panel, together with a similarly decorated candlestick, with a triangular foot (3) 75cm high (max)

£150­200

60

A SPANISH GILTWOOD RELIQUARY 18TH CENTURY

in the form of an arm, inset with a glass panel and on a scroll decorated base 67.8cm high

Provenance

Christie’s, The Collection of Duarte Pinto Coelho, 21st July 2011. Woolley and Wallis, Furniture, Clocks and Work of Art, 30th March 2022, lot 32

£200­300

61

A SPANISH WROUGHT IRON PANEL PROBABLY SEVILLE, 17TH / 18TH CENTURY

the rectangular plate within a frame of flowerheads, beneath a frieze of a double headed eagle flanked by lions rampant and foliate finials

92cm high, 111cm wide

Provenance

Purchased from Csaky's Antiques, Pimlico Road, London, 14th August 1980.

£200­300

62

A PAIR OF WROUGHT IRON WALL MOUNTED PRICKET CANDLESTICKS IN RENAISSANCE STYLE, 19TH CENTURY

each with a foliate sconce on a scrolling arm decorated with further flowerheads and tendrils issuing from a circular foliate boss (2)

44cm high, 56cm long

£300­400

63

A PAINTED PINE ALTAR PRICKET CANDLESTICK IN RENAISSANCE STYLE, 18TH CENTURY

the iron spike above a baluster turned column, triangular base and turned feet, with ochre painted decoration 108cm high

£150­200

65

A CARVED WOOD RELIQUARY 18TH CENTURY

the central relic surrounded by cherubs and floral swags, beneath a gilt flaming urn finial and a rectangular base 66cm high, 29cm wide, 20cm deep

£150­250

64

AN ITALIAN PAINTED AND GILTWOOD TABERNACLE POSSIBLY TUSCAN, 18TH CENTURY

of architectural form, the arched door with a chalice and wafer in relief, flanked by angel masks, with key 44.2cm high, 32cm wide, 25.2cm deep Provenance

Woolley and Wallis, Furniture, Clocks and Works of Art, 30th March 2022, lot 35.

£100­150

66

A PAIR OF MIRRORED AND GILT CANDLESTICKS IN RENAISSANCE STYLE

the circular tops above mirrored, tapering columns with stepped mirrored bases and scrolling feet (2)

43cm high

£100­200

67

A GILTWOOD SURMOUNT

19TH CENTURY

a central shell surrounded by foliate scrolls, together with a pair of painted and parcel gilt scrolling foliate brackets (3)

85cm wide (max)

£200­300

68

A PAIR OF GILTWOOD SCALLOP SHELL APPLIQUES

18TH CENTURY

together with a carved and gilded cherub’s head applique, 19th century, the face framed by wings, and a gilt gesso surmount, modelled as a pair of cherubs supporting an urn of flowers (4) 34cm high, 67.5cm wide (max)

£150­250

69

A PAIR OF CONTINENTAL GILTWOOD PANELS PROBABLY ITALIAN, EARLY 18TH CENTURY

each panel with scrolling foliage in high relief on a painted ground, inside a rectangular frame (2)

£200­300

A GERMAN POLYCHROME FIGURE OF CHRIST

18TH CENTURY

standing, wearing a silvered knotted cloth around his waist, together with a silvered wood altar candlestick, in Renaissance style, with a triangular base (2) 67.5cm high (max)

£150­200

71

AN ITALIAN BAROQUE CARVED PINE AND LIMEWOOD CHERUB 17TH / 18TH CENTURY

playing a flute, with traces of gilding and gesso 47cm high, 29cm wide

Provenance

Woolley and Wallis, Furniture, Clocks and Works of Art, 20th October 2020, lot 21.

£200­300

72

AN ITALIAN CARVED AND STAINED LIMEWOOD FIGURE OF A CHERUB 18TH CENTURY

standing pointing to their left, on a naturalistic mound base and circular foot 49cm high

£150­250

A PAIR OF ITALIAN CARVED ALABASTER FIGURES OF JUPITER AND SATURN SICILIAN, LATE 17TH CENTURY

the bearded Jupiter probably holding the remainder of a thunderbolt, Saturn with his staff, swallowing one of his children, previously part of an altar piece and now later mounted on naturalistic plaster bases (2) 60.2cm high (max)

Provenance

Walker Barnet and Hill, 14th October 1999, lot 101C. Woolley and Wallis, Furniture, Clocks and Works of Art, 8th January 2020, lot 508. £2,000­3,000

74

TWO ITALIAN GILTWOOD WALL MIRRORS

18TH CENTURY

each of cartouche shape and with etched plates, one depicting a gentleman, the other with drapes, flowers and foliage (2)

80.5cm and 61cm high

£300­500

75

AN ITALIAN TWO HANDLED REPOUSSÉ DECORATED COPPER VASE

18TH CENTURY

of inverted pear form, decorated with a pair of birds flanking a crest beneath wavy shoulders and above a floral and Vandyke foot, together with another with two birds either side of a crest between scrolling and stiff leaf borders, with wrought iron handles (2)

24cm high (max)

£200­300

76

A CONTINENTAL GILTWOOD WALL MIRROR

PROBABLY ITALIAN, 19TH CENTURY

the rectangular bevelled plate inside a mirror and floral frame and beneath a Rococo cartouche flanked by winged beasts

69 x 41.2cm

£150­250

AN ITALIAN LIMED PAINTED AND GILT FIGURE OF CHRIST 18TH CENTURY

standing wearing a cloak and crown of thorns 89cm high

£200­400

78

A LIMEWOOD FIGURE OF A SAINT 18TH CENTURY

carved standing in classical military clothing before a building 61.2cm high

£150­200

A BAROQUE PINE CANDLESTAND ITALIAN OR SPANISH, 17TH / 18TH CENTURY

the column carved

a grapevine with a scroll and leaf capital

140.3cm high, 26.5cm wide, 25.8cm deep

£200­300

78A

with

TWO DANISH CHRISTIAN IV ROYAL CHESTS

Both these rare Danish Royal chests were included in an exhibition titled 'Christian IV and Europe ­ The 19th Council of Europe Exhibition, Denmark’ in 1988. Both are listed in the exhibition catalogue with lot 79 illustrated. A similar related iron bound chest, dated ‘1599’ and lined with green velvet can be found at Rosenborg Castle, Copenhagen. See illustration below.

Christian IV of Denmark

Christian IV (1577­1648) was King of Denmark and Norway and Duke of Holstein and Schleswig from 1588 until his death in 1648. He was the eldest son of Frederik II and Sophie of Mecklenburg. His sister Anne of Denmark (1574­1619) married to the then James VI of Scotland, in 1589 at the age of 14 with whom she had eight children of which only three survived to adulthood, including the later King Charles I. When the Scottish and English crowns were unified in 1603 and James became James I of England and Ireland, Anne also became Queen of England and Ireland. While the marriage remained strong until the early 17th century, it slowly disintegrated, so that by the end the couple where living virtually separate lives, albeit amicable. A note in the exhibition catalogue suggests that the chests may have been given as gifts from Christian IV to James I in 1608. This idea could well have come about due to the use of Tudor style roses in the decoration but no suggestion is given, nor has any subsequently been found, as to what may have precipitated this act of generosity given that the marriage, to all intense and purposes, was over by 1607.

Photograph courtesy of The Royal Danish Collection, Rosenborg.

79

A RARE DANISH CHRISTIAN IV ROYAL BALTIC OAK LEATHER AND IRON BOUND CHEST DATED ‘1608’

the slightly domed hinged cover externally divided into squares containing cut and engraved iron double 'James I' Royal roses above a front with a pair of iron handles and divided into rectangular panels, the top row enclosing the date '1608'

flanking the Royal Cypher, the lower row with the Royal rose motifs, the sides similarly decorated with the Royal rose motifs and cast iron swing carrying handles, the back also similarly decorated, the top hinged to reveal a deep compartment with pink silk quilted lining worked with silvered thread with the Royal Cypher surrounded by flowerhead and strapwork motifs 56cm high, 93cm long, 48cm deep

Literature

Christian IV and Europe, The 19th Council of Europe Exhibition, Denmark 1988, Foundation for Christian IV Year 1988, pp.118­119, ill. 394.

£20,000­30,000

A RARE DANISH CHRISTIAN IV ROYAL BALTIC OAK LEATHER AND IRON BOUND CHEST DATED '1608'

the slightly domed hinged cover externally divided into squares containing cut and engraved iron foliate motifs above a sliding front panel with two iron handles divided into rectangular panels, the top row enclosing the date '1608' flanking the Royal Cypher, the remaining with quatrefoil foliate motifs, the sides similarly decorated with the foliate motifs and cast iron swing carrying handles, the back also similarly decorated, the front panel sliding out to reveal a deep compartment above two long drawers with pink silk quilted lining worked with silvered thread with the Royal Cypher surrounded by flowerhead and strapwork motifs, the drawer fronts with the remains of red or pink staining 57.2cm high, 92cm long, 48.5cm deep

Literature

Christian IV and Europe, The 19th Council of Europe Exhibition, Denmark 1988, Foundation for Christian IV Year 1988, pp.118­119.

£20,000­30,000

A GERMAN SCHOOL PAINTING OF ST. ANTHONY OF PADUA

18TH CENTURY

an interior scene of the Saint with a vision of the Christ Child surrounded by cherubs, oil on panel, together with an oil on canvas of ‘Ecce Homo’ and another of a standing nude (3)

66.3 x 47.8cm (max)

£200­300

82

A RUSSIAN ICON

egg tempera on panel, depicting four saints around an angel, with remains of silvering, together with a portrait of Pope Julius II, oil on board, after Raphael, in a gilt Florentine style frame, a print of a Continental school picture of St Martin of Tours and the beggar in a bone and ebonsied frame, an embossed silvered brass and painted icon titled ‘Adomirea Maici Dominului and a triptych after Correggio of The Adoration ofthe Christ Child flanked by angels (5) 43 x 35cm (max)

Provenance

Icon ­ Christie’s, 23rd March 1994, lot 562.

£200­300

83

A NEAR PAIR OF BAVARIAN PAINTED RONDELS OF SAINTS

GERMAN, 17TH CENTURY STYLE

each depicting a male figure in a rural setting with various animals, one with an inscription, the date ‘1684’ and the name ‘S Wendle’, in ebonised frames (2) 36.2cm diameter (max)

£150­250

A CONTINENTAL WALNUT FIGURE OF AN OSTRICH IN RENAISSANCE STYLE

modelled striding with its head turned to its left, on a naturalistic base 74cm high, 57cm wide, 23cm deep (max)

£1,000­1,500 85

AN OAK PANEL OF ABRAHAM PREPARING TO SACRIFICE ISAAC PROBABLY FLEMISH, 17TH CENTURY

Abraham holding a sword aloft while resting his hand on Isaac’s head, a goat standing to one side and a flaming urn to the other, scrolling smoke and clouds above, on a hardboard backing 76 x 76.5cm (max)

£300­400

A BONE SCRIMSHAW GLOBE decorated with a European Renaissance hunting scene, with a coat of arms to the centre flanked by buildings, signed ‘Abraham Zolnay’ and dated ‘1690’ 7cm high

£200­300

87

A FLEMISH OAK MARRIAGE CUPBOARD

18TH CENTURY

the frieze carved with an inscription ‘Anna Mari Klar Mollers Anno 1789’, with a geometric panelled door 170.6cm high, 132.5cm wide, 55.8cm deep

£300­500

88

A FLEMISH OAK PANEL

LATE 16TH / EARLY 17TH CENTURY

relief carved with the Judgement of Solomon in an arch with an angels mask, term figures and flowers, inscribed ‘K. Salomon Swiss’; together with a 17th century oak panel, carved with a flowering plant issuing from a vase, in a later frame, an Italian walnut carved panel painted with an armorial crest in a foliate cartouche and a carved, painted and parcel gilt limewood panel with a the head of Christ surrounded by drapes on scrolling strapwork and foliage (4) 50 x 43cm (max)

Provenance

Flemish Panel ­ Woolley and Wallis, 10th November 2021, Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller, lot 559.

£300­500

89

A 17TH CENTURY GERMAN OAK PEW END FINIAL DATED ‘1624’

carved with a cone finial above a pair of mermaids flanking a coat of arms and inscribed ‘Henricus Knust 1624’, together with a carved and painted oak crest with a shield inside scrolling foliage and beneath a helmet and lion paw and a carved giltwood cross, of Masonic interest, with a central ‘Eye of Providence’ on a sunburst surrounded by clouds and scrolling knotted arms (3) 43 x 45cm (max)

Provenance

German Pew End ­ Woolley and Wallis, 10th Novemrber 2021. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller, lot 842.

£200­300

90

A DUTCH DELFT BLUE AND WHITE POTTERY TILE DOOR FRAME

PROBABLY LATE 18TH CENTURY

centred with a child’s head mask beneath a basket of flowers and flanked by scrolls, the uprights and bases with foliage and scrollwork, the plinths with manganese and blue decoration, later mounted on a painted wooden board

270 x 158cm

£2,000­3,000

A FLEMISH EBONY TABLE CABINET LATE 17TH / EARLY 18TH CENTURY

the raised top with a sliding cover above a pair of doors enclosing an arrangement of eight drawers around a central architectural cupboard

32.2cm high, 34.5cm wide, 22.7cm deep

£400­600

AN OYSTER VENEERED COFFRE FORT LATE 17TH / EARLY 18TH CENTURY

with brass and strapwork mounts, the hinged top and front revealing a vacant interior above two drawers concealing two secret compartments

18.9cm high, 30.5cm wide, 18.8cm deep

£600­800

A KINGWOOD OYSTER VENEERED COFFRE FORT LATE 17TH / EARLY 18TH CENTURY with brass fleur­de­lis strapwork mounts, the hinged lid and fall front revealing a vacant interior above a pair of drawers, with further secret drawers

21cm high, 36.1cm wide, 23.5cm deep

£1,500­2,000

94

A COLLECTION OF FIVE TOWNSCAPE ENGRAVINGS

MID­18TH CENTURY

including The Hospital of Bethlehem after Maurer and two pairs of hand coloured engravings of views of buildings in Copenhagen and Holland (5)

38 x 39cm (max)

£200­300

95

AN UNBOUND COLLECTION OF LEAVES FROM OVID'S METAMORPHOSES

JOHANNES POSTIUS, PROBABLY 16TH CENTURY

Lib 1 ­ XV, pp. 19 ­ 178 plus Index Tabularum, the plates by Virgil Solis, the text in Latin and German, lacking covers, leader pages and other pages throughout, together with a selection of the plates from an early Bible stuck to loose pages, in vellum bound covers (a lot)

£100­200

96

AN ENGRAVING FROM BRITANNIA ILLUSTRATA

LATE 17TH / EARLY 18TH CENTURY

of ‘Badminton the Seat of the Duke of Beaufort’, after Kip, together with ‘Hammels in the County of Hertford’ by J Harris, ‘Leyton Grange in the County of Essex’ by J Schijnvoet and another titled ‘One of the Seats of the Duke of Dorset & Middlesex’, and two late 17th / early 18th century maps titled ‘Ducatus Luneburgici et Comitatus

Dannebergensis and Circulus Saxoniae Inferioris’ by J.P. Homanni (6) 49 x 58cm (max)

£200­300

97 open

97

A GERMAN MINIATURE IRON ARMADA CHEST OR CASKET

C.1680­1720

painted with a scene of gentlemen dining to the front and flowers to the ends, with an elaborate lock with engraved decoration to the underside of the cover, with hoop side handles and a key 11.5cm high, 22cm wide, 11cm deep

Provenance

Purchased from Moxham’s Antiques, Bradford on Avon.

£600­800

98

A GERMAN MINIATURE IRON ARMADA CHEST OR CASKET 17TH CENTURY

the strapwork body with with a foliate escutcheon, side carrying handles and painted floral decoration, with a later coin slot to one side, on turned feet 12cm high, 19.5cm wide, 12cm deep

£600­800

99

A GERMAN IRON ARMADA CHEST 17TH CENTURY

the strapwork body with a pair of faux padlocks and rope twist side carrying handles, with a vacant interior, with key 43cm high, 77.5cm wide, 46.5cm deep

£200­300

101

A FRENCH PROVINCIAL WALNUT CANDLE BOX LATE 18TH / EARLY 19TH CENTURY

with a sliding cover and carved with heads of corn and another in the form of a serpentine miniature cabinet on cabriole legs (2)

46.5cm high, 27cm wide (max)

£80­120

100

A FRENCH FRUITWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY

the oval drop­leaf top on square tapering legs 77.5cm high, 150.3 x 106cm

£200­300

102

A FRENCH WALNUT FOOD HUTCH 19TH CENTURY ELEMENTS AND LATER

with a hinged top, the classical pediment above a frieze carved with an urn and floral rondels, the hinged door decorated with sheaves of wheat enclosing a later lined interior, the exterior with turned spindles backed with pleated silk 86.8cm high, 102cm wide, 46.8cm deep

£300­400

103

A FRENCH CHERRYWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY

with a frieze drawer to either end, one with a pull­out slide, above a wavy edge frieze on cabriole legs 75cm high, 70cm wide, 189.3cm long

Provenance

Purchased from Peter Bernard, Chelsea, London, 22nd May 1969.

£500­800

104

A FRENCH CHERRYWOOD BUFFET LATE 18TH / EARLY 19TH CENTURY

carved with leaves and flowers, with a pair of frieze drawers above panelled doors 98.5cm high, 110cm wide, 47.5cm deep

Provenance

Purchased from O. F. Wilson Ltd., Queen's Elm Parade, London, 27th June 1967.

£200­300

106

A FRENCH OAK FARMHOUSE KITCHEN TABLE

19TH CENTURY

the boarded top above a pair of frieze drawers on chamfered legs united by an ‘H’ stretcher

73.4cm high, 74.7cm wide, 169.5cm long

£200­300

105

A FRENCH PINE AND FRUITWOOD WINE TASTING OR VENDANGE TABLE

19TH CENTURY

the circular tilt­top on a hinged support

68.6cm high, 101cm diameter

Provenance

Purchased from Talavera Antiques, Pimlico Road, London, 19th February 1971.

£150­250

107

A FRENCH BEECHWOOD SPINDLE BACK SETTEE

LATE 19TH CENTURY

with ring turned decoration, the rush seat above stretchered supports 86.7cm high, 153cm wide, 51.5cm deep

£400­600

108

A FRENCH WALNUT AND FRUITWOOD WINE TASTING OR VENDANGE TABLE

19TH CENTURY

the circular tilt­top on a hinged support 70.5cm high, 85cm diameter

£150­250

110

A SMALL PRIMITIVE ELM TABLE LATE 18TH / EARLY 19TH CENTURY on gnarly rustic supports 48.4cm high, 56.5cm wide, 39.8cm deep £200­300

109

AN ARTS AND CRAFTS OAK REFECTORY DINING TABLE LATE 19TH / EARLY 20TH CENTURY

the planked top on octagonal legs united with an ‘H’ stretcher 70cm high, 172cm long, 79.5cm wide £200­300

111

A GEORGE III BURR ELM TRIPOD TABLE LATE 18TH CENTURY AND LATER the square tilt­top on a stained beech base 76cm high, 84cm square £300­500

112

A YEW BEDSIDE COMMODE

LATE 18TH / EARLY 19TH CENTURY

with a concave front fitted with a frieze drawer flanked by a pair of lopers, above a tambour shutter, with a pull­out base fitted with a zinc liner

75.9cm high, 59.5cm wide, 46.7cm deep

£200­300

113

AN ELM MILKING STOOL EARLY 19TH CENTURY

the seat on three splay legs 42.3cm high, 37cm wide, 42cm deep (max) £150­200

114

A FOLK ART OAK VERNACULAR BENCH 19TH CENTURY with a ‘butcher’s block’ seat on primitive legs 72.4cm high, 94.7cm wide, 38.8cm deep

£600­800

115

A PRIMITIVE ELM DUG-OUT ARMCHAIR PROBABLY WELSH, LATE 18TH / EARLY 19TH CENTURY with a shaped back above a solid seat with thumbnail decoration to the apron, the back legs with later oak buttresses

Provenance

Csaky's Antiques, Pimlico Road, London, 6th August 1985.

£800­1,200

116

FOUR ASH AND ELM HIGH BACK WINDSOR ARMCHAIRS

LATE 19TH CENTURY

three with pierced splat backs one stamped ‘ 5’, together with a stickback example by Glenister, the seat stamped ‘E.W, Glenister maker Wycombe’ all on turned legs united by an ‘H’ stretcher (4)

£300­400

117

A YEW AND ELM WHEELBACK WINDSOR ARMCHAIR

19TH CENTURY

with a hooped stick back and pierced splat, on turned legs united by a crinoline stretcher

£150­200

118

A YEW AND ELM WHEELBACK WINDSOR ARMCHAIR

19TH CENTURY

with a hooped stick back with a pierced splat above a saddle seat on turned legs

£200­300

120

A FRUITWOOD COMB BACK WINDSOR ARMCHAIR

19TH CENTURY

with a pierced vase shape splat with stick supports and scroll arms, above a saddle seat

£500­800

119

A GEORGE III PAINTED ASH AND PINE LAMBING CHAIR POSSIBLY LANCASHIRE OR WESTMORELAND, LATE 18TH / EARLY 19TH CENTURY

the wing panelled back above scroll arms and a box seat fitted with a drawer, on rocker supports

Provenance

Purchased from Csaky's Antiques, Pimlico Road, London, 27th November 1987.

£800­1,200

121

FOUR VICTORIAN WHEELBACK WINDSOR CHAIRS

19TH CENTRUY

comprising: a yew and elm armchair with a crinoline stretcher, an ash and elm armchair and two side chairs (4)

Provenance

One armchair purchased from William Job Ltd., Pimlico Road, London, 14th November 1970.

£300­400

122

A GEORGE III FRUITWOOD AND ELM WINDSOR ARMCHAIR

LATE 18TH / EARLY 19TH CENTURY

the pierced splat back above a saddle seat, on cabriole front legs and pad feet

£200­300

A GEORGE III YEW AND ELM WINDSOR ARMCHAIR

LATE 18TH / EARLY 19TH CENTURY

the comb top rail above a stick back, the saddle seat on front cabriole legs and pad feet

Provenance

Purchased from William Job Ltd., Pimlico Road, London, 15th February 1974.

£300­500 124

A GEORGE III YEW AND ELM WINDSOR ARMCHAIR

LATE 18TH / EARLY 19TH CENTURY

the stick back above a saddle seat, on front cabriole legs on pointed pad feet united by a crinoline stretcher

£300­400

125

A DUTCH TREEN SNUFF SHOE 19TH CENTURY

possibly boxwood, with chip carved decoration and a hinged lid

11.7cm long

£200­300

126

A TREEN SNUFF SHOE 19TH CENTURY

with chip carved and bone inlaid decoration 13cm long

£100­150

127

A CARVED COQUILLA NUT NUTMEG GRATER EARLY 19TH CENTURY

the screw­off cover revealing a steel grater, together with a snuff box in the form of a bug, carved with a profile portrait to its wing case and a shoe sole and heal, with applied glass eyes (2)

6.5cm long (max)

7.5cm high

£200­300

128

A FRENCH COQUILLA NUT BUGBEAR FLASK MID­19TH CENTURY

carved with a cherub riding a dolphin while playing a lyre, with another cherub walking a dog verso, the spout carved as a lion’s mask

6.4cm long

£200­300

129

A CARVED COQUILLA NUT FIGURAL SNUFF BOX

PROBABLY FRENCH, LATE 18TH / EARLY 19TH CENTURY as a seated man wearing a waistcoat and tails

7cm high

£300­400

130

A COQUILLA NUT FIGURAL SNUFF BOX OF A PORTLY GENTLEMAN

PROBABLY FRENCH, LATE 18TH / EARLY 19TH CENTURY with glass eyes and buttons, a hooked nose and with his left hand in his jacket pocket, the hinged lid in the form of his coat tails

9.5cm high

£400­600

131

A COQUILLA NUT FIGURAL SNUFF BOX OF A HUNCHBACK

PROBABLY FRENCH, LATE 18TH / EARLY 19TH CENTURY with glass eyes and buttons and a hooked nose and with his hands deep in his pockets, the hinged lid in the form of his coat tails

8.7cm high

£400­600

132

A COQUILLA NUT FIGURAL SNUFF BOX

PROBABLY FRENCH, LATE 18TH / EARLY 19TH CENTURY his large round face with glass eyes and a flattened, hooked nose and with his hands deep in his pockets, the hinged lid formed from his coat tails

6cm high

£400­600

133

A CARVED COQUILLA NUT FIGURAL SNUFF BOX OF A MONK PROBABLY FRENCH, LATE 18TH / EARLY 19TH CENTURY with glass eyes and a hooked nose, wearing a cassock, with a hinged cover

8.7cm high

£400­600

134

A COQUILLA NUT FIGURAL SNUFF BOX OF A GENTLEMAN

PROBABLY FRENCH, LATE 18TH / EARLY 19TH CENTURY with glass eyes and buttons, a hooked nose on a thin face and wearing tails and striped trousers, the hinged lid formed from his coat tails

8.5cm high

£400­600

136

TWO CARVED TREEN CONCH SHELLS LATE 19TH CENTURY (2) 10cm high, 17.5cm wide, 11cm deep £80­120

135

A TREEN ELM DAIRY BOWL MID­19TH CENTURY of circular form with reeded band decoration to the exterior 14.2cm high, 38.7cm diameter £150­200

137

A LARGE WELSH TREEN ELM BOWL LATE 19TH CENTURY of adzed oval form 11.5cm high, 86.7cm long, 50cm wide £300­400

138

A SCOTTISH ‘BLINDMAN’ TREEN TABLE SNUFF BOX

19TH CENTURY

carved in high relief with three topers in an interior, above dogs and a fox, opening to a vacant interior with the remains of a foil lining 5cm high, 16cm wide, 8.5cm deep £300­400

140

A NOVELTY TREEN ‘PISTOL’ BOOT JACK EARLY 19TH CENTURY

hinged, with chip carved decoration 27.5cm long

£300­400

139

A TREEN SNUFF BOX

17TH CENTURY

of oval form, the cover carved with a central crest of a lion rampant beneath a crown surrounded by roses, the sides with a continuous band of leaves 3.6cm high, 8.6cm long, 4.9cm deep £200­300

141

A TREEN LIGNUM VITAE DOORSTOP MID­19TH CENTURY of mallet form, with a turned handle 30.5cm high £150­200

142

A PAIR OF TREEN URNS ON STANDS LATE 19TH CENTURY on knopped stems, with stepped feet and pedestal bases (2) 17.5cm (max)

£150­200

143

A PAIR OF TREEN LIGNUM VITAE AND BRONZE CANDLESTICKS the waisted nozzles above knopped and baluster turned stems and circular feet (2) 40.5cm high

£150­200

144

A TREEN WASHING BAT / BASTING STICK POSSIBLY WELSH

the main body with chip carved decoration beneath a canted rectangular section handle with a foliate finial, the sides inscribed ‘THIS STAF WAS MADE FOR MEAIDS TO PLAY BUT NOT UPON THE SABATH’ (sic) and ‘SEPTEMBER THE 27 1716 GC’

84.8cm long

£800­1,200

146

A TREEN FLASK SPANISH, 17TH CENTURY of ovoid form, carved with a King and Bishop, with a Royal Crest verso 9.5cm high (excluding stopper), 6.4cm wide, 3.8cm deep

£200­300

145

A TREEN YEW WOOD LOVE SPOON AND FORK WELSH, LATE 18TH CENTURY

each handle carved with scrolling leaves (2) 33cm long

Provenance

Woolley and Wallis, 9th November 2021, Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller, lot 109.

£500­800

λ 147

AN AMERICAN ROSEWOOD WALL CLOCK BY SETH THOMAS, 19TH CENTURY

the brass eight day movement striking on a gong, the painted dial with Roman numerals, the case decorated with gilt columns and verre églomisé panels 82.5cm high

£200­400

148

A PAINTED TIN HORSE-DRAWN STAGE COACH 20TH CENTURY

with leather effect window blinds and springs, on metal rimmed wheels 27.5cm high, 40cm long, 16cm wide

£100­150

149

A FRENCH BREAD GRATER LATE 19TH CENTURY

the bowfront metal plate with square punched holes on an elm backboard stamped with various owner’s initials 48cm high, 23cm wide, 13cm deep

£80­120

150

A FOLK ART PRIMITIVE CARVED OAK PANEL

LATE 19TH CENTURY

depicting a country squire in a rustic bark outer frame, the back with an inscription “This oak from Bush Wood West Herts”

82 x 58.7cm

£300­500

151

A FOLK ART TWIG WORK OCCASIONAL TABLE 19TH CENTURY AND LATER

the rectangular tilt­top applied with sections of wooden twigs in geometric designs on an elm tripod base 74.7cm high, 56.5cm wide, 42.2cm deep

£200­300

152

A FOLK ART CASED MODEL SHIP LATE 19TH / EARLY 20TH CENTURY the steam liner with a pair of funnels and flying the American Stars and Stripes and the Red Ensign, a pilot boat sailing to one side, on a naturalistic wavy base and with two gull in flight, the lit case with four panes, turned corner posts 60 x 84.7 x 31.2cm (max)

£200­300

153

A PAIR OF FRENCH SHIP’S DIVIDERS BY AUX MINES DE SUEDE, LATE 19TH CENTURY with brass tips, stamped to the body 98.5cm long

£100­150

154

A FOLK ART DOUBLE SIDED CHEQUERBOARD LATE 19TH / EARLY 20TH CENTURY each side with a pair of compartments with sliding covers enclosing draught pieces

5cm high, 45cm wide, 35.5cm deep

£150­200

155

155

A FOLK ART MARINE COPPER WEATHER VANE

LATE 19TH CENTURY

modelled as a boat sailing towards a lighthouse 59cm high, 69cm wide

£300­500

156

A FOLK ART NAIVE COPPER COCKEREL WEATHER VANE

EARLY 20TH CENTURY

green painted, on an ebonised wood plinth 72.8cm high, 45cm wide

Provenance

Purchased from Crane Arts Ltd., Kings Road, London, 11th September 1968.

£300­500

157

A FOLK ART CAT WEATHER VANE LATE 19TH / EARLY 20TH CENTURY the cat perched on a ball, mounted on a turned wooden base 53.5cm high, 38cm wide

£200­300

158

158

A MAP OF AFRICA BY JOHN

SPEED, C.1676

‘Africae described the manner sof their Habits and buildings newly done into English by J.S. Are to, to be sold by Thomas Bassett in Fleet Street and Ric. Chiswell in St. Pauls Church Yard’, a hand­coloured engraved ‘carte a figure’ map, with ten costumed figures and eight oval topographical vignettes, unframed

39.5 x 51.5cm

£300­500

160

A FAMILY TREE OF THE WILLIAM GRUFFITH (SIC GRIFFITH)

POSSIBLY 16TH / 17TH CENTURY AND LATER

painted in watercolours on paper with armorial crests and circled names and inscribed ‘William Gruffyth esquier, Justice of the peace and corum of the Cittie and Libertie of Westminster and of the Countie of Middlesex And Sergeant of Arms to the King’, glazed and framed 116 x 33.5cm

£200­300

160

159

159

A MAP OF MIDDLESEX BY JOHN

SPEED AND JOHN NORDEN

‘Midle­Sex described with the most Famous Cities of London and Westminster’, Thomas Bassett and Richartd Chiswell, 1676 edition, a hand­coloured engraved map with inset views of Westminster, London, Saint Peters and Saint Pauls 38.5 x 51cm

£250­350

161

A BIRD’S EYE VIEW MAP OF BRISTOL BY GEORG

BRAUN AND FRANS HOGENBERG, LATE 16TH CENTURY

a hand­coloured engraving, titled ‘Brightstowe’ with three figures in the foreground, taken from ‘Civitates Orbis Terrarum’, Latin text to verso, in a glazed Hogarth type frame

34.5 x 43.5cm

£150­200

162

A MAP OF SURREY BY JOHN

SPEED AND JOHN NORDEN

‘Surrey Described and Divided into Hundreds’, Thomas Bassett & Richard Chiswell, 1676, a hand­coloured engraved map, inset with views of Richmond and Nonsuch Palaces, double­glazed with English text verso 38 x 51cm

Provenance

Bought from Goodall & Co. Ltd, High Road, Chiswick in 1985. A copy of the receipt is available.

£200­300

ENGLISH & IRISH FURNITURE & TAPESTRIES

163

A PAIR OF PAINTED AND SILVERED OPEN ARMCHAIRS ONE C.1700, ONE A LATER COPY each with a padded back and seat upholstered with studded green silk damask, with scroll arms with carved buttress supports, on cabriole legs united by a moulded and scroll decorated ‘H’ stretcher, with traces of gilding (2)

Provenance

Dreweatt’s. Hollycombe House: The Collection of Tim and Virginia Hoare, 15th / 16th June 2021, lot 78. The present lot was supplied by Robert Kime. £1,000­2,000

163

164

A WILLIAM AND MARY WALNUT OPEN ARMCHAIR LATE 17TH / EARLY 18TH CENTURY with a scroll crest above a caned back and seat, on Braganza feet £400­600

165

A WILLIAM AND MARY WALNUT OPEN ARMCHAIR LATE 17TH / EARLY 18TH CENTURY with a scroll crest above a caned back and seat £400­600

166 top

166

A WILLIAM AND MARY WALNUT SIDE TABLE LATE 17TH CENTURY

the oyster veneered top inlaid with scrolling boxwood stringing with leaf terminals, above a frieze drawer on turned legs united by an ‘X’ stretcher

73.4cm high, 90.5cm wide, 60.3cm deep

£600­800

166

167

A WILLIAM AND MARY OYSTER VENEERED LACE BOX LATE 17TH CENTURY

inlaid with holly banding and stringing the divided interior with a later silk lining

12.6cm high, 50.6cm wide, 38cm deep

£300­500

168

AN AUBUSSON TAPESTRY FRENCH, LATE 18TH / EARLY 19TH CENTURY

worked in silks and wool, depicting a rural forest scene, the foreground with two exotic birds and a village scene beyond, enclosed by polychrome

floral borders

165 x 188cm

£2,000­3,000

169

A WALNUT SIDE TABLE LATE 17TH CENTURY ELEMENTS AND LATER

the quarter veneered and crossbanded top above a frieze drawer, on turned legs united by a shaped ‘X’ stretcher

70.9cm high, 92.4cm wide, 62.3cm deep

£500­800

170

A BRASS STUDDED LEATHER CHEST 18TH CENTURY

with a hinged domed lid and an elaborate escutcheon in the form of a basket of fruit and flowers flanked by birds, with wriggle work decoration 61.2cm high, 97.5cm wide, 58cm deep

£200­300

171

A WILLIAM AND MARY WALNUT MARQUETRY CHEST

LATE 17TH CENTURY

inlaid with panels of scrolling leaves and birds with two short and three long drawers on later bun feet

86.3cm high, 98cm wide, 60cm deep £3,000­5,000

172

A GEORGE I BURR WALNUT SECRETAIRE CHEST ON CHEST C.1720 AND LATER

with canted and fluted corners, the upper section with a moulded cornice above three short and three graduated long drawers, the lower section with a secretaire drawer with pigeonholes, drawers and secret drawers, above two short and two graduated long drawers, on ogee bracket feet, the drawers with carved swag and flowerhead handles, gilt brass escutcheons and feather banding 180cm high, 107.3cm, 58cm deep

Provenance

The family collection formed at Well Head House, Halifax, Yorkshire.

Catalogue Note

A chest on chest with slight differences to its brassware and feet, but of otherwise identical form and size, was sold at Christie’s, London, 8th July 1999, lot 64. Related examples, with or without secretaire drawers, are illustrated in S. Whittington and C. Claxton Stevens, 18th Century Furniture: The Norman Adams Collection , London, 1989, p.368 and R. Edwards, The Dictionary of English Furniture, London, 1954, vol.2, pp.42­43, and vol.1, p.140. A secretaire chest on chest with the trade label of Daniel Wild, at the Golden Ball, St. Paul’s Churchyard, London, is illustrated on p.469 of C. Gilbert (ed.), Pictorial Dictionary of Marked London Furniture 1700­1840, London, 1996, p.469.

£4,000­6,000

A GEORGE II BURR WALNUT AND WALNUT SECRETAIRE CABINET ON CHEST C.1730

with cross and feather banding, the moulded cornice above a pair of arched mirrored doors, revealing a fitted interior of ten drawers and three secret drawers, above a pair of candle slides, a secretaire with pigeonholes and drawers above three further long drawers, on bracket feet 194.5cm high, 105.5cm wide, 55.2cm deep £4,000­6,000

174

A FLEMISH VERDURE TAPESTRY

17TH CENTURY

woven in silk and wool, depicting pheasants and wild beasts in a rich rural landscape enclosed by plain narrow borders

200 x 155cm

£400­600

174

175

A GEORGE II MAHOGANY DROP-LEAF DINING TABLE C.1740

the oval top on lappet carved club legs and pad feet

72.8cm high, 105.3 x 121.5cm open

Provenance

Property of a Collector.

£200­300

176

A GEORGE II MAHOGANY DRESSING TABLE MIRROR

MID­18TH CENTURY

with a bevelled plate and gilt slip, the box base with a caddy moulded edge and three drawers 60cm high, 42.5cm wide, 20.5cm deep

£100­200

177

A GEORGE II WALNUT CHEST ON CHEST C.1730

with two short and six long cross and feather banded drawers

172.1cm high, 102cm wide, 55cm deep

£600­800

178

A GEORGE II MAHOGANY TRIPOD TABLE

C.1750

the circular tilt­top revolving on a birdcage, on a stop­fluted stem on leaf capped cabriole legs and claw and ball feet 72.8cm high, 75.5cm diameter

£800­1,200

179

AN EARLY GEORGE III MAHOGANY KNEEHOLE DESK C.1760

with an arrangement of nine drawers around a central cupboard fitted with a shelf

74.5cm high, 88.4cm wide, 44.6cm deep

£200­300

179 180

180

A GEORGE II MAHOGANY TRIPOD TABLE MID­18TH CENTURY

the circular tilt­top revolving on a birdcage, on a turned stem and cabriole legs

71.7cm high, 76.5cm diameter

Provenance

Purchased from R. G. Cave & Sons Antiques, Ludlow, 20th August 2008 for £1,050.

Property of a Private Collector.

£200­300

181

AN EARLY GEORGE III TEA AND GAMES TABLE C.1760

with a triple fold­over top on a single gate support, with a baize lined playing surface, sunken counterwells and protruding candlestands, with a frieze drawer on bracketed legs

73.2cm high, 78cm wide, 38cm deep

C.1740

182

C.1760

the dentil cornice above a pair of fielded panelled doors, enclosing a bank of ten drawers, above a conforming base with eight drawers on ogee bracket feet

185.8cm high, 132cm wide, 61cm deep

£1,200­1,800

Provenance

£500­800

184

C.1760

the

graduated drawers, on castors 75cm high, 86.5cm wide, 53.3cm deep

£300­500

184

182

183

A GEORGE II MAHOGANY SIDE CHAIR

50 the padded back and seat later upholstered with black damask, on cabriole legs and pad feet

Property of a Collector.

A LATE GEORGE II MAHOGANY BACHELOR’S CHEST

rectangular top with a caddy moulded applied edge above a brushing slide and four long

182 open

AN EARLY GEORGE III MAHOGANY CABINET

185

185

A GEORGE II MAHOGANY TEA TABLE

C.1750

of narrow proportions, the fold­over top on a single gate support above a frieze drawer, on cabriole legs and pad feet

71.5cm high, 89.9cm wide, 29.5cm deep

Provenance Property of a Collector.

£800­1,200

186

AN EARLY GEORGE III MAHOGANY OPEN ARMCHAIR

C.1760­70

the frame decorated with bead mouldings, the ladder back pierced with quatrefoils and carved with ‘C’ scrolls, above a stuffed­over seat on flower carved front legs

£150­250

187

AN EARLY GEORGE III MAHOGANY WALL MIRROR C.1760­70

the later bevelled plate within a giltwood slip and a blind fret decorated frame 90 x 65.7cm

£200­300

188

A PAIR OF GILT AND BLACK JAPANNED PIER MIRRORS IN QUEEN ANNE STYLE, 20TH CENTURY each with arched double rectangular bevelled plates within a moulded frame decorated with chinoiserie, the surmount with a stylised shell flanked by eagle heads, flowers and leaves (2)

162.9 x 61cm

£3,000­5,000

189

A GEORGE II MAHOGANY CHEST ON CHEST C.1750­60

with three short and three long drawers, flanked by fluted canted angles, the base with three long drawers 183.5cm high, 108cm wide, 58cm deep £300­400

190

A GEORGE III MAHOGANY PEMBROKE TABLE LATE 18TH CENTURY with a frieze drawer on brass roller castors 75.4cm high, 75 x 101cm (open)

Provenance

Purchased from Brightwells, Hereford, 11th December 2003, lot 355 for £380.

Property of a Private Collector. £100­150

191

A GEORGE III MAHOGANY DUMB WAITER 18TH CENTURY AND LATER with two dished tiers and a turned baluster stem 96.4cm high, 61.3cm wide £100­200

192

A MAHOGANY SERPENTINE SOFA IN GEORGE III STYLE, LATE 19TH / EARLY 20TH CENTURY with tapestry needlework upholstery decorated with flowers, birds and insects, with scroll arms on chamfered and moulded legs 94cm high, 202cm wide, 83.2cm deep

£800­1,200

192

193

AN EARLY GEORGE III MAHOGANY KNEEHOLE DESK IN THE MANNER OF GILLOWS, C.1760­70 the rectangular moulded top with canted front corners, above a frieze drawer with a baize lined cover revealing divisions above six drawers flanking a pull­out architectural cupboard with a door and shallow drawer, with blind fret angles on ogee bracket feet, with a panelled back 80.2cm high, 102cm wide, 58.5cm deep

£800­1,200

195

A GEORGE III MAHOGANY DRESSING TABLE MIRROR

C.1790­1800

inlaid with stringing and bone rondels and escutcheon, with a shield shape plate and a serpentine box base

56.3cm high, 39.5cm wide, 19.5cm deep

£150­250

194

A GEORGE III MAHOGANY CHEST

LATE 18TH CENTURY

of four long graduated drawers

91.5cm high, 94.7cm wide, 53.4cm deep

£300­500

196

A GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER

the later tilt­top with a pie­crust moulded edge on a ring turned stem with a spiral fluted bowl

70.5cm high, 79.5cm diameter

£150­250

197

197

AN EARLY GEORGE III GILTWOOD SIDE TABLE

C.1760 AND LATER

the later ebonised top above a pierced diaper frieze, the apron centred with a shell and carved with rocaille on leaf carved cabriole legs and scroll feet 75.5cm high, 75.5cm wide, 48cm deep Provenance

Property of a Collector.

£2,000­3,000

198

A GEORGE III GILTWOOD APPLIQUE LATE 18TH CENTURY

carved with anthemions, tassels and scrolling foliage around a circular oil on copper portrait of a naval officer

57cm high, 20cm wide

Catalogue Note

A paper label verso states ‘From Jersey / C18th Portrait’.

£100­200

199

A GEORGE II GILTWOOD WALL MIRROR

C.1740­50

the oval plate inside a foliate frame beneath an ogee cartouche and above a ‘C’ scroll terminal 67cm high, 33cm wide

£200­300

200

A GEORGE II OAK LOWBOY

C.1755­60

with three mahogany banded drawers above a wavy edge apron on square section cabriole legs

74.2cm high, 72.8cm wide, 74.2cm deep

£300­500

201

A GEORGE III MAHOGANY STANDING CORNER CUPBOARD

LATE 18TH CENTURY

with an astragal glazed door enclosing a green painted interior with three shelves, the base with a drawer and a cupboard

188.6cm high, 76.5cm wide, 45cm deep

£100­200

202

A GEORGE III MAHOGANY OPEN ARMCHAIR

LATE 18TH CENTURY

with a pierced fan shaped splat, above a drop­in needlework seat

£100­150

203

A GEORGE III OAK STANDING CORNER CUPBOARD

NORTH COUNTRY, C.1770­80

the dentil cornice above a lattice and flowerhead frieze above a pair of panelled doors banded in mahogany enclosing a green painted interior with three shaped shelves with a conforming base 194.5cm high, 111cm wide, 59cm deep

£500­800

204

A GEORGE III OAK BUREAU CABINET NORTH COUNTRY, C.1770­80

possibly a clerk’s desk, estate made, with burr oak banding, the top with a pair of fielded panelled doors enclosing adjustable shelves above a pair of candle slides, the interior with drawers, pigeonholes and a central cupboard and a sliding well cover the base with an arrangement of eight drawers on ogee bracket feet

218.3cm high, 139.4cm wide, 60.5cm deep

Provenance

Property of a Collector.

£800­1,200

205

AN EARLY GEORGE III MAHOGANY LINEN PRESS

C.1760

the dentil cornice above a pair of fielded panelled doors, enclosing three slides pierced with handgrips, above two short and one long drawer on pierced and shaped bracket feet

176.5cm high, 126cm wide, 64.5cm deep

£300­500

206

A GEORGE III SERPENTINE CARD TABLE

C.1770

the fold­over top with a ribbon and floret carved edge, on a single gate support, on ‘Chinese Chippendale’ style blind fret carved legs, baize lacking 73.3cm high, 83.2cm wide, 41.5cm deep

£300­500

207

A GEORGE II MAHOGANY DUMB WAITER

C.1750­60

with three graduated dished tiers, the lower two revolving 108cm high, 58cm diameter

£150­250

the swan neck pediment above a pair of panelled doors with outline mouldings enclosing three sides and four drawers, the base with three long drawers flanked by fluted angles on ogee bracket feet

220.3cm high, 134cm wide, 61cm deep

£1,000­1,500

the crossbanded top above a baize lined brushing slide and four long graduated drawers, flanked by fluted angles

82.8cm high, 105cm wide, 61.5cm deep

£800­1,200

208

AN EARLY GEORGE III MAHOGANY LINEN PRESS C.1770

208

209

209

A GEORGE III MAHOGANY SERPENTINE CHEST C.1780

210

A GEORGE III MAHOGANY SERPENTINE SECRETAIRE CHEST CHIPPENDALE PERIOD, C.1770

the secretaire drawer with outline mouldings, the interior with pigeon holes and drawers and a later leather lined writing surface revealing a hinged compartment, above two short and three long drawers, all with original brass swan neck handles with leaf decoration, flanked by stop fluted pilasters on shaped bracket feet

108.5cm high, 115.2cm wide, 56cm deep

Provenance

Purchased from Mill House Antiques, Halfway Bridge, Nr. Petworth, 10th May 1978, for £3,500.

Property of a Private Collector.

£1,500­2,000 211

A GEORGE III MAHOGANY CYLINDER WRITING DESK

C.1790

the tambour top revealing an interior with pigeonholes, drawers, one with divisions for inkwells, with pull­out candle slides and a later leather lined writing slope on a ratchet, above two frieze drawers with Bramah locks, with pull­out slides on brass castors

98.8cm high, 93.7cm wide, 73.3cm deep

Provenance

Property of a Private Collector.

£800­1,200

212

A GEORGE III MAHOGANY SERPENTINE SERVING TABLE CHIPPENDALE PERIOD, C.1770 on square tapering legs and spade feet 82.8cm high, 212.5cm wide, 80cm deep

Provenance Property from an Irish Country House. £2,000­3,000

213

A PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS IN THE MANNER OF MAYHEW & INCE, C.1775

each with an oval back, with scroll arms and a bowfront seat, on fluted tapering legs and brass castors, with batten holes to the seat rails with traces of original painted decoration (2)

Provenance Property from an Irish Country House. £800­1,200

214

A GEORGE III MAHOGANY ARMCHAIR

LATE 18TH CENTURY

with later upholstery, the front legs carved with leaves and husks

£300­500

215

A GEORGE III MAHOGANY OCTAGONAL WINE COOLER ON STAND

C.1790­1800

brass bound, the hinged lid revealing an interior with nine divisions, the stand with brass roller castors

70.2cm high, 46.6cm wide

£500­800

216

AN EARLY GEORGE III MAHOGANY SIDE CHAIR

C.1760­70

the pierced frame carved with ‘C’ scrolls, upholstered with later black damask on chamfered front legs united by an ‘H’ stretcher, on roller castors

Provenance

Property of a Collector.

£400­600

217

Catalogue Note

A SET OF GEORGE III PADOUK HANGING WALL SHELVES IN CHINESE CHIPPENDALE STYLE, C.1770 with a carved pagoda top hung with bells above three graduated tiers with fretwork galleries and with pierced ends 130.5cm high, 109.5cm wide, 18.5cm deep

For a very similar set of wall shelves from the Jeremy Lever Collection sold in these rooms see Furniture, Works of Art and Clocks, 11th January 2017, lot 83.

£2,000­3,000

218

A MAHOGANY SILVER TABLE IN CHINESE CHIPPENDALE STLYE, 19TH CENTURY with a pierced quatrefoil gallery on cluster column legs with applied scroll brackets 76cm high, 86.5cm wide, 58cm deep £800­1,200

219

A GEORGE III MAHOGANY OPEN ARMCHAIR SCOTTISH OR NORTH COUNTRY, C.1770 the cross shape spindle back above a pair of shepherd’s crook arms, with a drop­in leather seat on moulded front legs united by stretchers Provenance Property of a Collector. £500­800

220

A PAIR OF EARLY GEORGE III GILTWOOD WALL MIRRORS CHIPPENDALE PERIOD, C.1755­60

each with a later plate witihn a leaf, scroll and rocaille carved frame with floral swags, centred on Rococo style scrolling crests and foliate ‘C’ scroll bases (2)

133 x 66cm

Provenance

Purchased from Fernandes & Marche Antiques, London, 27th February 1969 for £1,225. £8,000­12,000

221

A GEORGE III MAHOGANY CHEST ON CHEST

C.1770

of three short and three long drawers flanked by fluted angles inlaid with a parquetry crown and star the base with three long drawers 177.4cm high, 107.2cm wide, 52cm deep

£300­500

222

A GEORGE III MAHOGANY CHEST

C.1770

of four long graduated drawers 79cm high, 80.2cm wide, 45.8cm deep

Provenance

Property of a Collector.

£500­800

223

A MAHOGANY WINDOW SEAT

IN HEPPLEWHITE STYLE, 19TH CENTURY with fan moulded cabriole legs 60cm high, 78.2cm wide, 37.5cm deep

£400­600

A GEORGE III MAHOGANY LINEN PRESS

C.1770­1780 WITH LATER ADAPTATIONS

with a pair of panelled doors with outline mouldings enclosing an interior with four short slides and a brass rail for hanging the base with four short drawers 201cm high, 123.3cm wide, 63cm deep

£500­800

225

AN EARLY GEORGE III MAHOGANY CHEST

C.1760­70

of two short and three long graduated drawers, on bracket feet 95.7cm high, 91.2cm wide, 52.4cm deep

£500­800 226

A GEORGE III MAHOGANY WINDOW SEAT

LATE 18TH CENTURY

with scroll arms on chamfered legs united by an “H” stretcher 66.4cm high, 96.7cm wide, 48cm deep

£300­500

227

A PAIR OF GEORGE II IRISH MAHOGANY SIDE CHAIRS C.1740­1750

each with a curved solid vase shaped splat, with scrolled decoration above a drop­in bell shaped seat, on shell capped cabriole front legs and scroll trefid feet (2)

£500­800

AN IRISH YEW AND MARQUETRY FOLDING GAMES BOARD KILLARNEY, C.1860

inlaid with leaves and oval panels of Ross Castle, the interior with harps and shamrocks and inlaid with a backgammon board, the exterior with a chequerboard

9cm high, 52.5cm wide, 26.2cm deep

Provenance

Woolley and Wallis, 9th November 2021, Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller, lot 163.

£300­500

229

AN EARLY VICTORIAN IRISH MAHOGANY WINE COOLER BY STRAHAN OF DUBLIN, C.1840­50 of sarcophagus form, the interior with five divisions, with the remains of a paper trade label and stamped ‘Strahan 1512’ on lion’s paw feet and sunken brass castors

54cm high, 77cm wide, 57cm deep

£500­800

C.1750

the rectangular marble top above a shell capped frieze on scrolled carved cabriole legs and claw and ball feet

73cm high, 95.5cm wide, 49.5cm deep

Provenance

Acquired in Ireland.

Property of a Collector.

£3,000­5,000

C.1750­

the top with a caddy moulded edge, above three drawers on cabriole legs and pad feet 71.2cm high, 76cm wide, 47.5cm wide

Provenance

Property of a Collector.

£3,000­4,000

231

A GEORGE II IRISH MAHOGANY SIDE TABLE

230 A GEORGE II IRISH MAHOGANY LOWBOY

60

233

A GEORGE II MAHOGANY SIDE TABLE PROBABLY IRISH, C.1750

the top with a caddy moulded edge, about a frieze drawer on lappet carved legs and carved feet, united by a shaped stretcher

71.7cm high, 78.5cm wide, 61.2cm deep

£1,000­1,500

232

A GEORGE III IRISH MAHOGANY SILVER TABLE C.1770

the dished top with cusped corners above a frieze drawer, the reverse with a false front the apron carved with a shell on hocked cabriole legs and lion’s paw feet

73cm high, 69.7cm wide, 39.3cm deep

£1,200­1,800

A GEORGE III IRISH MAHOGANY CENTRE TABLE

C.1760 AND LATER

the rectangular top with a moulded edge, above a pierced and carved frieze decorated with eagles heads and leaves centred with a shell, on cabriole legs and claw and ball feet

75cm high, 144cm wide, 82.2cm deep

Provenance

George Nathaniel, Marquess Curzon of Kedleston (d. 1925) and by descent.

Christie’s London, 22 January 2009, lot 115.

Property of a Collector.

Catalogue Note

See The Knight of Glin and James Peill, Irish Furniture, p.231, cat. No. 109 for a related side table carved with eagles holding acanthus in their beaks.

£8,000­12,000

235

A PAIR OF GEORGE III MAHOGANY AND BOXWOOD LINE INLAID SERPENTINE FRONTED KNIFE BOXES

C.1780

the cover inlaid with a star motif and stringing to the underside and enclosing an original, hinged fitted interior with line inlay, the front with a navette shaped escutcheon (2)

35.5cm high, 23cm wide, 27.5cm deep

£800­1,200

236

TWO GEORGE III MAHOGANY DEMI-LUNE CARD TABLES

LATE 18TH / EARLY 19TH CENTURY

each inlaid with stringing and with a fold­over top revealing a baize lined playing surface (2)

74cm high, 91.5cm wide, 45.3cm deep

£250­350

237

A MAHOGANY HUNT OR DINING TABLE 18TH CENTURY ELEMENTS

the oval drop­leaf top on twin gate supports on moulded legs 73.3cm high, 172 x 191.3cm (open)

£400­600

238

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS

LATE 18TH CENTURY

each with a cartouche shaped back with triple pierced splats, above a serpentine seat with green leather upholstery and moulded square tapering legs (6)

£400­600

239

A GEORGE III IRISH MAHOGANY HALL CHAIR IN THE MANNER OF KATHERINE NAISH AND JOHN RUSSELL, C.1770

with a pierced shield shaped back with a central painted armorial crest for Ponsonby, Earl of Bessborough, County Kilkenny above a dished seat and chamfered square legs, together with a George III oak hall chair, possibly Irish, the circular back with a similar painted armorial, above a solid seat and sabre legs (2)

Catalogue Note

The two painted crests are for Ponsonby, Earl of Bessborough, County Kilkenny.

The form of the first chair is similar to a set in the Royal Collection Trust now found in the porch of Clarence House (RCIN 89). These were originally supplied for the Hall of the Queen’s House between 1766 and 1772­3 together with another set supplied for the Salon Room at Kew by John Russell which were to ‘the same pattern as those in the Hall at the Queen’s House’.

Another set of four chairs, to the same design, were supplied by Robert Campbell to Neiborow Palace, near Warsaw, around 1775 when it was owned by the Radziwillow family. Please see Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700­1840, pp.21 and 133 illus. 184.

£800­1,200

241

A GEORGE III PURPLEHEART BONHEUR DU JOUR ATTRIBUTED TO GILLOWS, C.1800

inlaid with boxwood stringing, the top with shelves above a pair of doors, each enclosing three drawers with turned bone handles, above a frieze drawer fitted with a hinged leather lined writing surface, above a pair of cupboard doors enclosing a shelf

126.7cm high, 87.5cm wide, 46cm deep

£800­1,200

240

A GEORGE III SATINWOOD PEMBROKE TABLE

LATE 18TH / EARLY 19TH CENTURY

inlaid with stringing and kingwood banding, fitted with a frieze drawer, with bone handles and on brass castors

71.3cm high, 52.7cm wide, 76.5cm deep

£800­1,200

242

A GEORGE III SATINWOOD CHEVERET TABLE C.1800

inlaid with ebonised stringing and a marquetry urn, the lift­off top fitted with drawers and pigeonholes above a frieze drawer on brass roller castors

89.5cm high, 42.3cm wide, 56cm deep

£300­400

A PAIR GEORGE III SATINWOOD CARD TABLES

LATE 18TH / EARLY 19TH CENTURY

inlaid with stringing and banding each with a “D” shaped hinged top on a twin gate support revealing a baize lined playing surface on square tapering legs with applied ankles (2)

73.2cm high, 90.8cm wide, 44.5cm deep

£2,000­3,000

λ 244

A GEORGE III SATINWOOD SECRETAIRE SIDE CABINET IN THE MANNER OF GILLOWS C.1800

inlaid with kingwood and rosewood banding and with purpleheart panels, the top with a brass gallery and ring turned columns with a pair of bowfront cupboards enclosing adjustable shelves flanking a pair of glazed doors, the secretaire drawer fitted with pigeonholes and cedar lined drawers with turned bone handles, one drawer with a pair of inkwells and with a leather lined writing surface above a pair of panelled doors revealing two adjustable shelves 151.3cm high, 84.4cm wide, 38cm deep

£1,000­1,500

CLOCKS & SCIENTIFIC INSTRUMENTS

245

A SMALL WALNUT AND SEAWEED MARQUETRY LONGCASE CLOCK

LATE 17TH / EARLY 18TH CENTURY AND LATER

the brass movement with four turned columns with an anchor escapement striking on a bell, the 7in silvered brass dial with black Roman numerals inscribed ‘Thos. Thorp. Colchester’. to the arch, the raised hood with ebonised barleytwist columns, the hood and body with seaweed marquetry and floral and scrolling decoration, the trunk door with a glass lenticle, with a weight and pendulum 183cm high

£1,000­1,500

246

A BLACK JAPANNED AND GILT CHINOISERIE LONGCASE CLOCK

JOSEPH COOKE AYLESBURY, MID­18TH CENTURY

the brass eight day twin train movement striking on a bell, with a brass dial with a 12in dial and a silvered chapter ring with black Roman hour and Arabic five­minute numerals interspersed with fleur­de­lis, the matted centre with a subsidiary seconds dial, date aperture and a plaque, inscribed ‘Joseph Cooke, Aylesbury’, a strike / silent dial to the arch, the hood with a glazed door flanked by three quarter columns, above a trunk with gilt chinoiserie decoration in low relief, on bracket feet, with weights and a pendulum 223.5cm

£800­1,200

247

A WALNUT LONGCASE CLOCK

MID­18TH CENTURY

the brass eight day movement with turned columns and striking on a bell, the brass dial with an 11in silvered dial with black Roman and Arabic numerals, inscribed ‘Smorthwait in Colchester’ to the arch, the hood with an arched door and glazed sides panels, the arched trunk door with feather and crossbanding, with pendulum and weights 214cm high

£300­400

248

A MAHOGANY BARREL ORGAN LONGCASE CLOCK

C.1780­1800

the Dutch eight day movement with wooden organ pipes, stops and levers with leather bellows, the painted wooden dial with black Roman numerals slightly raised above the frame painted and gilded with an early 18th century Royal Crest supported by cherubs and other figures beneath a stage of five carved and painted wooden automaton figures in a chinoiserie setting, in a mahogany case in the manner of Gillows, the arched hood with a broken swan neck pediment above an aperture flanked by gilded organ pipe pilasters and a pair of panelled side doors, the trunk with a triple ogee arched door flanked by cluster columns on a plinth base with canted corners 236cm high, 69.5cm wide, 43.4cm deep

Catalogue Note

The clock had extensive work carried out on it in 1998 including to the drive mechanism, musical mechanism and automata. Once this work was completed, an inventory of work that still needed to be carried out was produced by the workshop. Details of this work can be provided on request.

£4,000­6,000

249

A BRASS LONGCASE CLOCK MOVEMENT

LATE 18TH / EARLY 19TH CENTURY

the brass eight day movement striking on a bell, with a silvered chapter ring with Roman hours and Arabic minutes, subsidiary seconds dial and date aperture with a matted centre, with cherub and crown spandrels, with a pair of weights and a key

30 x 30.4cm

£100­250

250

A MAHOGANY AND INLAID ‘LONGCASE CLOCK’ TABLE TIMEPIECE IN SHERATON REVIVAL STYLE, EARLY 20TH CENTURY

the brass eight day movement stamped ‘EG’L, with an ivorine dial with Arabic numerals between boxwood paterae above an arangement of four drawers

31.5cm high, 10cm wide, 10.6cm deep

£100­150

251

A BRASS SKELETON CLOCK GIBBS OF PIMLICO

the brass eight day single fusee movement striking on a bell, the silvered chapter ring with Roman numerals, under a glass dome and on a stepped oval white marble base, with pendulum

36cm high

£200­300

A GEORGE III JAPANNED BRACKET CLOCK THOMAS GARDNER, LONDON, C. 1760

the brass eight day, twin fusee movement with a repeat mechanism and verge escapement striking on a bell, with a bob pendulum, the backplate engraved with a bird of prey holding a snake in its beak surrounded by scrolling foliage, the 6 1/2in dial with a silvered chapter ring with black Roman hour and Arabic five minute numerals beneath a strike/silent dial to the arch, with scrolling foliate spandrels, the bell top case with gilt figural, floral, landscape and trellis decoration surrounding the arched, glazed front and back doors and shaped side panels, with keys and pendulum 46cm high, 28cm wide, 18.3cm deep

£2,500­3,500

254

AN EBONISED BRACKET CLOCK

IN GEORGE III STYLE, LATE 19TH CENTURY

the brass eight day twin fusee movement striking half hourly on a gong, with a brass dial with a silvered chapter ring with black Roman numerals and inscribed ‘Webster, Queen Victoria Street, London’ beneath a plaque inscribed ‘Tempus Fugit’ to the arch, the domed case with scale pierced grilles to the side,with a brass handle and feet, with its pendulum and a winder

33.5cm high, 24cm wide, 18.5cm deep

£1,000­1,500

253

A VICTORIAN EBONISED CHIMING BRACKET CLOCK

RETAILED BY BY J.W. CLARKE, C.1870­80

the brass three train movement striking on eight bells and five gongs, the silvered arched dial with engraved decoration and Roman numerals, with three subsidiary dials, chime/silent, slow/fast and chime on eight bells/chime on four gongs, signed ‘J. W. Clarke, 55 Long Acre London’ the case with ormolu mounts and pierced side panels

73.4cm high

Provenance

William John Kemp Clark.

£2,000­3,000

A LARGE ENGLISH GILT BRASS CARRIAGE CLOCK

BY JAMES MCCABE, C.1840

the eight day brass chain driven twin fusee repeating movement striking hourly on a bell, with four turned pillars, the lever escapement with a gilt platform, a diamond endstone and blued steel helical spring, the backplate signed ‘James McCabe London 2723’ and with set hands dial, strike/silent lever and slow/fast adjustment, the silvered dial with black Roman numerals, with a subsidiary seconds dial, inscribed ‘James McCabe / Royal Exchange / London / 2723’, the case with four bevelled glass panels, the top with a bevelled glass inspection panel with the repeat button set through a brass ferrule, with a stiff leaf faceted handle, with original numbered key (2)

20.8cm high (handle down)

£6,000­8,000

257

A MAHOGANY BRACKET CLOCK

19TH CENTURY

the brass eight day, chain driven twin fusee movement striking on a bell, the backplate with engraved scrolling foliate decoration on a cream painted dial with black Roman numerals and inscribed ‘VULLAMY / LONDON’, the case with a sarcophagus top with a pineapple finial, with pierced brass panels and gilt metal handles above scale pierced panels, on brass ball feet, with winder and pendulum 49cm high, 29cm wide, 17.5cm deep

£800­1,200

λ 256

A WILLIAM IV ROSEWOOD MANTEL OR TRAVEL CLOCK

C.1835­40

the brass eight day chain driven twin fusee movement, stamped ‘331’, striking on a bell, with a platform lever escapement, on a silvered dial with black Roman numerals and scrolling foliate spandrels, the case with a gilt, octagonalsection handle on foliate scroll supports over a large bevelled glass inspection panel and matching side panels, with a moulded cornice and an ogee moulded and stepped plinth base, with key 25.6cm high, 19cm wide, 13cm deep

£800­1,200

258

AN ENGLISH BRASS CHRONOMETER CARRIAGE CLOCK

BY THOMAS MERCER, 1970S

the brass four pillar eight day chain driven single fusee movement with maintaining power, Earnshaw type detent escapement with freesprung helical balance spring and heavy bi­metallic balance, the silvered dial inscribed `Thomas Mercer`, the chapter ring with black Roman numerals, subsidiary seconds dial and state of wind indicator, the tapering rectangular case with a swing handle and bevelled glass panels, the solid rear plate with start/stop lever, hand setting knob and inscribed `Thomas Mercer, St. Albans, England, Established 1858` above the serial number ‘1184’, with its original tooled black leather case and key

15.2cm high

£2,000­3,000

259

A FRENCH GILT BRASS CARRIAGE CLOCK

POSSIBLY BY DROCOURT, PARIS, C.1860­80

the brass eight day repeating movement with a platform lever escapement, striking half hourly on a bell, the backplate stamped ‘9821’ and stamped ‘D C’, the enamelled dial with black Roman hours and inscribed ‘Grohe, Wigmore Street, London’, inside a foliate engraved frame, with a key (2)

12.6cm high

£400­600

260

A FRENCH GILT BRASS CARRIAGE CLOCK

LATE 19TH CENTURY

the brass eight day repeating movement striking half hourly on a gong and stamped ‘2660’, with a platform escapement, the enamelled dial with black Roman hours, inside a foliate engraved frame, with a key (2)

12.5cm high

£300­500

261

A FRENCH GILT BRASS AND ENAMEL MINIATURE CARRIAGE CLOCK

19TH CENTURY

the brass eight day movement with a platform lever escapement on a blue guilloche enamelled dial with gilt Arabic numerals, with silvered and gilt foliate spandrels, the sides similarly decorated with birds and butterflies each behind bevelled glass panes, with its original red leather, velvet lined case marked for ‘W. Thornhill, 144 New Bond Street, London’ (2)

6.7cm high

£600­800

262

A FRENCH GILT BRASS CARRIAGE CLOCK

LATE 19TH CENTURY

the brass eight day movement with a platform lever escapement, repeat and alarm mechanisms and striking on a gong, stamped ‘4490 434’, with an enamelled dial with black Roman numerals above an alarm dial inside a gilt foliate engraved frame, the gorge case with an oval inspection window and four bevelled glass panes, with a key, and another carriage clock retailed by Searle & Co., London (2)

13.5cm high, 9.3cm wide, 8.3cm deep (max)

£400­600

263

A FRENCH GILT BRASS CARRIAGE CLOCK

LATE 19TH CENTURY

the brass eight day movement with a platform lever escapement, striking on a gong, the circular dial with Arabic numerals on a silvered chapter ring with a pierced gilt centre, in a corniche case, with a key and its leather travel case (2)

13.5cm high

£200­300

λ 264

A FRENCH BOULLE MARQUETRY MANTEL CLOCK

IN LOUIS XV STYLE, LATE 19TH CENTURY

the brass eight day movement striking on a gong, with a gilt metal dial with blue and white enamelled Roman numerals, inside a scrolling case, with a sunburst pendulum

40cm high

£150­250

A FRENCH WHITE MARBLE AND ORMOLU MANTEL CLOCK BY CHARLES BERTRAND, PARIS, LATE

18TH CENTURY

the brass eight day movement inscribed ‘Chles Bertrand Paris’, with an external countwheel striking on a bell, the domed, white enamel dial with black Roman hour and white Arabic five minute numerals inscribed ‘Chles Bertrand/A PARIS’, with pierced gilt metal hands, the cylindrical case surmounted by a fluted urn, flanked by a pair of lion heads holding knotted rope swing handles and above a fruiting laurel swag, on a shaped rectangular stepped base with bands of cast foliate and flowerhead decoration on bun type feet, with key

41.5cm high, 24.5cm wide, 15cm deep

£1,500­2,000

266

A FRENCH GILT BRASS AND PORCELAIN MOUNTED MANTEL CLOCK

LATE 19TH CENTURY

the brass eight day movement striking hourly on a bell stamped ‘A*B 3748 178’, the porcelain dial with black Roman numerals around a central painted coastal scene and on a gilt foliate ground, inscribed ‘Page Keen & Page, Plymouth’ above a coastal village scene, with red enamel jewelling, the sides with poreclain plaques painted with houses inside jewelled frames, the case with a caddy top with five turned finial above turned columns, with a stepped base and turned feet, on a later giltwood base, with key and pendulum

41cm high, 26cm wide, 20.5cm deep

£800­1,200

267

A FRENCH GILT METAL PORTICO CLOCK

MID­19TH CENTURY

the brass eight day movement with an outside countwheel and striking half hourly on a bell, stamped ‘JF Houdin 2172’, the dial with a silvered chapter ring inside a foliate bezel, with a bi­metallic grid iron and flowerhead pendulum, with a key 38.4cm high, 21.2cm high, 10.5cm deep

£250­350

268

A FRENCH ORMOLU MANTEL CLOCK

IN LOUIS XV STYLE, 19TH CENTURY

with a replaced brass eight day movement, the enamelled dial inscribed ‘Perrot A Paris’ inside a black Roman hours and Arabic five minutes, in a scrolling Rococo case with a flower bud finial and silk lined foliate pierced side panels, on a rectangular mahogany stained base 37cm high

£200­300

269

A FRENCH GILT METAL MANTEL CLOCK

IN LOUIS XV STYLE, LATE 19TH CENTURY

the brass eight day movement hourly striking on a gong and stamped ‘Marti & ci’, with an enamelled dial inside a clear paste frame, the top inset with an aneroid barometer

25cm high, 15cm wide, 11.5cm deep

£300­500

A ROYAL LOUIS XV BOULLE AND ORMOLU MOUNTED CLOCK AND STAND C.1730 AND LATER

the brass eight day twin fusee movement hourly striking on a bell, the backplate inscribed ‘Rentzsch, Watch Makers to the King, St James’s Square, London’, the gilt brass dial with enamelled Roman hour and Arabic minutes, the centre inscribed ‘Straubhar A Strasbourg’ beneath a moonphase to the arch inscribed ‘Phases de la lune’, the trefoil shaped case inlaid in brass with scrolling flowering foliage and with scrolling foliate ormolu mounts, the sides with detachable flowerhead grilles, the top with a leather covered opening, on a similarly decorated stand, with a pendulum (2) 84.7cm high, 52cm wide, 37cm deep (max)

Provenance

H.R.H Ernest Augustus, Prince of Hanover and Duke of Cumberland, Windsor Castle, removed from Windsor Castle when the Duke of Cumberland became King of Hanover. Marienburg Castle, Hanover, where acquired directly from the family c.1998. Property of a Collector.

Catalogue Note

The inscription 'Straubhar A Strasbourg' on the dial refers to Johann Jakob Straubhaar, a clockmaker active in Strasbourg between around 1720 and 1750.

Sigismund Rentzsch is listed as working in St James's Square from 1813 to around 1842 and as a maker until 1857, during which time he was appointed as Watchmaker to The King, Queen and Royal Family, a title he expanded upon to include 'their Majesties the Dowager Queen, The King of Hanover, The king of Belgium and the rest of the Royal Family'. It is not entirely certain when this clock came into the collection of H.R.H. Ernest Augustus but if it wasn't already in the Royal Collection it is likely to have been bought from a London based dealer in the early 19th century when the demand for French works of art was on a high. Perhaps on a request for a reliable clock, the earlier case was fitted with the later movement before being sent to Hanover when the Duke ascended to the throne.

The back of the case has two inventory numbers for the Palais Penzing, Vienna from inventories carried out on the collections of Ernst August, 3rd Duke of Hanover, in 1881 and 1901.

£8,000­12,000

271

A SWISS WALNUT ‘BELLS IN VUE’ MUSICAL BOX

LATE 19TH CENTURY

with a 6 1/4in brass cylinder and three bells, with enamelled flowers and butterflies, playing ten airs, with a title card, in a crossbanded and ebonised case, the hinged lid inlaid with a basket of flowers 21.2cm high, 47cm wide, 27.5cm deep

Provenance

Previously retailed through Rita Ford Music Boxes, New York.

£400­600

272

A FRENCH PRESSED HORN MUSICAL BOX

LATE 19TH CENTURY

the cover with a view titled ‘JARDIN DU ROI MENAGERIE’, inside bands of engine turned decoration enclosing a clockwork mechanism, the base with white metal banding and further decoration 3cm high, 9.3cm wide, 5.8cm deep

£100­150

273

A VICTORIAN BRASS FIELD OR TRAVELLING MICROSCOPE BY CARPENTER & WESTLEY, 24 REGENT STREET, LONDON, MID­19TH CENTURY

the gilt brass barrel focusing by rack and pinion, in a fitted mahogany box with a mirror and retaining clip

4.5cm high, 16.5cm wide, 11.5cm deep

£100­200

271 open

A VICTORIAN MAHOGANY AND BRASS LIBRARY TELESCOPE

MID­19TH CENTURY

single draw with a 2 3/4in lens, with a brass tripod stand, the brass barrel inscribed ‘For Day Objects’

129cm long

£200­300

A VICTORIAN BRASS TELESCOPE BY J.H. STEWARD, LONDON

single draw, with a 2 7/8in main lens, with subsidiary spotting scope and three additional eye pieces, with an adjustable tripod stand and its original fitted mahogany case, the body inscribed ‘J.H. STEWARD, 406 ­ 66 ­ 456 Strand & 54 CORNHILL, LONDON, Maker’

107cm long

£500­700

275

274

GARDEN ORNAMENTS, FIREPLACES & DOORSTOPS

276

A SET OF TEN GREEN PAINTED METAL FOLDING GARDEN CHAIRS FROM WINCHESTER COLLEGE, EARLY 20TH CENTURY

each with a wooden slatted back and seat, the backs stamped ‘Win Coll’ (10)

£500­700

277

A PAIR OF LEAD GARDEN PLANTERS LATE 19TH CENTURY

of rectangular form, cast with scrolling foliate cartouches inside square frames (2)

27cm high, 85.5cm long, 28.5cm deep (max)

Provenance

Purchased from Out of the Ark, Newcastle Upon Tyne, 15th June 1988.

£800­1,200

278

A VICTORIAN CAST IRON SERPENT AND GRAPE GARDEN BENCH BY COALBROOKDALE, LATE 19TH CENTURY the scrolling ends with dog head terminals, with diamond registration marks and further rectangular plaques, with later teak slats

76.5cm high, 161cm wide, 68cm depth (max)

Catalogue Note

This design, number 17597 is the second oldest seat design registered and patented by the Coalbrookdale Foundry at the Public Records Office, on 6th April 1844. It appears as seat No. 9 in their 1875 Castings Catalogue, Section III, page 249.

£500­800

279

A RARE GEORGE III LEAD FIGURE OF MINERVA ATTRIBUTED TO JOHN CHEERE (1709­1787), C.1760­70 the classical goddess wearing a helmet decorated with scallop shells, later mounted on a stone plinth 89cm high, 77cm deep, 70cm wide (the figure), 184cm high, 88cm wide (overall)

Catalogue Note

John Cheere produced a selection of large scale public sculptures including William III in St James' Square, London, and George II for St Helier in Jersey. However, he is probably best known for producing a wide range of smaller scale lead figures for use in domestic settings. These are often based on classical Greek and Roman sculptures, as in this lot, or follow rural or pastoral themes.

£6,000­8,000

280

A PAIR OF TERRACOTTA GARDEN URNS AND COVERS POSSIBLY 18TH CENTURY

with cast foliate decoration to the shoulders and cover, with a wrythen finial, above a foliate socle base and stepped square foot, with remains of white painted decoration (2)

82cm high

£300­500

281

A PAIR OF CAST STONE LION’S MASKS 20TH CENTURY

with slightly open mouths and iron suspension hoops to the reverse (2)

71 x 62cm (max)

£2,000­3,000

282

A FRENCH CAST IRON GARDEN BENCH BY VAL D’OSNE, LATE 19TH CENTURY / EARLY 20TH CENTURY

in Gothic revival style with a pierced tracery back and arms above a hexagonal trellis seat

86.4cm high, 141cm wide, 46.5cm deep

£1,500­2,000

283

A CARVED PINE FIRE SURROUND / CHIMNEY PIECE

IN GEORGE III STYLE, EARLY 20TH CENTURY

with reeded decoration and applied with pressed metal appliques of Venus in her chariot surrounded by cherubs, paterae and stiff leaves, above reeded columns

134cm high, 165cm wide, 113.5cm high, 130cm wide (aperture)

£800­1,200

284

A FRENCH SILVERED BRASS STOVE FENDER

EARLY 19TH CENTURY

decorated with a central crowned cartouche

flanked by scrolling, flowering foliage between ropetwist borders and on foliate feet

25cm high, 58cm wide, 42cm deep

£300­500

286

A VICTORIAN CAST IRON BOOT SCRAPER BY KENRICK AND SONS

modelled with a pair of Egyptian sphinxes, with a lappet moulded edge, the underside with impressed marks ‘A Kenrick & Sons No. 614’

21cm high, 36cm wide, 34cm deep

£100­150

285

A PAIR OF VICTORIAN WROUGHT IRON FIREDOGS

C.1870

with twisting baluster stems with scrolling brackets and feet beneath further twisting decoration and turned finials (2)

79cm high, 28cm wide, 58cm deep

£300­500

287

AN OAK AND COPPER BOUND STICKSTAND IN REGENCY STYLE, LATE 19TH / EARLY 20TH CENTURY of semi­circular form with a pierced backplate and spreading foot, with a tin liner

79cm high, 34.4cm wide, 20cm deep

£200­300

288

289

288

A BRONZE DOORSTOP 19TH CENTURY

in the form of a Roman steelyard weight modelled as the bust of Minerva

20.5cm high

£150­250

290

THREE BRASS DOORSTOPS

19TH CENTURY AND LATER

cast as Mr Punch with his dog, a pair of quails beneath foliage and a lion before a column (3) 31cm high (max)

£150­250

292

A BRASS BACCHANALIAN CHERUB DOORSTOP BY PEERAGE, EARLY 20TH CENTURY the leaf scroll handle above a winged putto holding a grapevine, the cast iron weighted base stamped

‘Peerage England 4370’

48.9cm high

£200­300

290

289

A VICTORIAN BRASS DOORSTOP LATE 19TH CENTURY

cast as a stag standing before scrolling foliage 40cm high

£100­150

291

A VICTORIAN BRASS FIGURAL DOORSTOP C.1870

in the form of a classical maiden holding fruit and standing on a plinth hung with drapes and rams heads, together with another doorstop in the form of a half pomegranate beneath a foliate handle (2) 44.5cm high, 13.7cm wide (max)

£100­150

293

A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY with a brass ring handle 20cm high

£100­150

294

A PAIR OF VICTORIAN STYLE PUNCH AND JUDY DOORSTOPS

EARLY 20TH CENTURY with polychrome decoration, together with another cast as a seated frog (3) 30.5cm high, 22.5cm wide (max)

£200­300

295

A PAIR OF VICTORIAN CAST IRON DOOR HANDLES

LATE 19TH CENTURY

each cast as a pair of hands holding a baluster handle (2)

32cm high (max)

£100­150

296

A BRASS DOOR KNOCKER 20TH CENTURY

in the form of a lion’s mask, with a circular plate 24cm high, 13.5cm wide

£100­150

297

A PAIR OF GILT BRASS CURTAIN TIE-BACKS IN REGENCY STYLE, LATE 19TH CENTURY

with lion’s head wall plates and bearded mask terminals, stamped ‘JC 1028’ verso (2) 29cm high, 14cm deep

£150­250

DAY TWO

LOTS 298-671

CONTINENTAL FURNITURE & LIGHTING

299

AN OAK FRAMED WALL MIRROR IN QUEEN ANNE STYLE, 19TH CENTURY the arched plate within a gilt slip

92 x 63.2cm

£100­150

298

A CONTINENTAL WALNUT AND FRUITWOOD COMMODE LATE 18TH CENTURY

with three long drawers flanked by fluted columns on baluster turned legs 88cm high, 107.5cm wide, 52.5cm deep

£300­400

300

A DUTCH MAHOGANY NEO-CLASSICAL BOWFRONT BEDSIDE COMMODE

EARLY 19TH CENTURY

inlaid with a fan patera and a pair of portrait silhouettes and fitted with two drawers and cupboard

82.7cm high, 50cm wide, 43.5cm deep

£200­300

A DUTCH KINGWOOD AND SATINWOOD NEO-CLASSICAL WRITING TABLE LATE 18TH / EARLY 19TH CENTURY with a frieze drawer on square tapering legs 76.5cm high, 105cm wide, 63.5cm deep

£400­600

301

A FLEMISH EBONISED AND MARQUETRY CENTRE TABLE IN BAROQUE STYLE, 19TH CENTURY

inlaid with various fruitwoods and bone with an urn of flowers with scrolling leaves

77.6cm high, 125cm wide, 85.2cm deep

£2,000­3,000

301

302

304

A CHINESE EXPORT REVERSE PAINTED MIRROR

18TH CENTURY

depicting a classical scene of scantily clad maidens and their attendants by a stream surrounded by a floral border with birds perched throughout, in a gilt frame 65 x 83cm

£300­500

303

A CONTINENTAL WALNUT SERPENTINE COMMODE POSSIBLY DANISH, MID­19TH CENTURY

with two short and three long graduated drawers, above a shaped apron and bracket feet

87cm high, 127cm wide, 66cm deep

£250­350

305

A DUTCH FRUITWOOD AND MARQUETRY COIFFEUSE 19TH CENTURY

inlaid with musical instruments and vases of flowers, with a pair of fold­out covers flanking a central cover enclosing an easel mirror, above three short drawers, on tapering fluted legs, together with a painted and parcel gilt stool (2)

75cm high, 77cm wide, 45cm deep

£200­300

306

A DUTCH SATINWOOD AND KINGWOOD NEO-CLASSICAL COMMODE

LATE 18TH / EARLY 19TH CENTURY AND LATER ADAPTED

inset with Japanese lacquer panels and gilt metal mounts, the hinged top revealing shelves and a a hinged serving surface, above a pair of doors enclosing shelves and a baize lined cutlery drawer

91.3cm high, 114.5cm wide, 56cm deep

£3,000­4,000

λ 307

A ROSEWOOD AND MARQUETRY NEO-CLASSICAL COMMODE SPANISH OR ITALIAN, LATE 18TH / EARLY 19TH CENTURY

inlaid with ribbon tied husks with two short and two long drawers 91cm high, 132.5cm wide, 61.3cm deep

£700­1,000

308

AN ITALIAN CARVED AND GILTWOOD CHERUB WALL BRACKET LATE 19TH CENTURY

the cherub with gilt robes and wings holding up a rectangular shelf 62cm high, 64.5cm wide, 36cm deep

£200­300

309

AN ITALIAN WALNUT CASSONE 17TH CENTURY

with a hinged lid above a triple panelled front, marquetry inlaid with scrolling leaves the centre with an armorial crest cartouche, on carved lion’s paw feet 63cm high, 186cm wide, 62cm deep

£800­1,200

310

A CONTINENTAL PAINTED AND PARCEL GILT SERPENTINE SETTEE

POSSIBLY ITALIAN, LATE 18TH / EARLY 19TH CENTURY

the moulded frame, carved with ribbon­tied laurel swags and beading, on cabriole legs, with a plush upholstered back and seat

97cm high, 172cm wide, 68cm deep

£600­800

311

A PAIR OF PAINTED FAUTEUIL LATE 18TH CENTURY

each with a moulded frame, decorated with paterae on fluted legs (2)

£200­300

312

A PAINTED PINE AND PARCEL GILT CONSOLE TABLE IN REGENCY STYLE, 19TH CENTURY the marble top above an anthemion frieze, tapering columns and mirrored back on a plinth base, the back with crowned initials ‘K.F.’ 85cm high, 90cm wide, 41cm deep £300­500

313

AN ITALIAN PAINTED LEATHER FOUR-FOLD SCREEN 19TH CENTURY

decorated with scrolling foliage, flowers and various birds including a cockerel and a kingfisher, the back ebonised 183.1cm high, 63cm wide (each panel), 254cm overall £800­1,200

314

A FRENCH CARVED WALNUT DOUBLE BED FRAME IN LOUIS XIV STYLE, 20TH CENTURY with a female mask surmount and decorated with scrolling leaves, flowers and lattice panels, with a Vi­Spring base 183cm high, 187cm wide, 226cm long £500­800

315

A PAIR OF ITALIAN GILTWOOD FOLDING STOOLS 18TH CENTURY

of “X” shape each with a cushion and later upholstered with green damask silk velvet hung with tassels the frames carved with Rococo motifs (2)

55.5cm high, 62.5cm wide, 42.5cm deep

£3,000­5,000

316

A CARVED WALNUT FIRESCREEN

18TH CENTURY

inset with a needlework panel worked with petit and gros point with Neptune and Bacchic figures, the frame carved with bearded male masks, scrolling leaves and on hoof feet 101.5cm high, 81cm wide, 40.2cm deep

Provenance

Purchased from David Love Antiques, Harrogate, North Yorkshire.

£800­1,200

317 NO LOT

the reversible top marquetry inlaid with a pair of swallows and painted with flowers and ‘Nice’, with thuya banding on a faux bamboo folding base

72.3cm high, 68.8cm wide, 46cm deep

£150­250

with an oval back and moulded frame, on stop­fluted legs £100­200

318

A FRENCH LOUIS XVI WALNUT FAUTEUIL 18TH CENTURY

319

A FRENCH OLIVEWOOD ‘SORRENTO’ BUTLER’S TRAY AND STAND LATE 19TH CENTURY

320

A FRENCH GILTWOOD CANAPÉ IN LOUIS XV STYLE, 19TH CENTURY

the moulded frame carved with flowers and leaves and later upholstered with later grey damask fabric 108cm high, 200cm wide, 83.5cm deep

Provenance

The Earls of Dartmouth, Patshull Hall, Staffordshire. Property of a Collector.

£2,000­3,000

320

321

A PAIR OF FRENCH LOUIS XV BEECHWOOD FAUTEUIL MID­18TH CENTURY

each with a moulded frame carved with leaves and flowers, with a cartouche shaped back, upholstered with later grey damask fabric (2)

Provenance

The Earls of Dartmouth, Patshull Hall, Staffordshire. Property of a Collector.

£1,000­1,500 321

A FRENCH LOUIS XV CHERRYWOOD SERPENTINE BOMBE COMMODE

C.1760­70

the grey and pink mottled marble top above three long drawers with brass escutcheons and handles, on short cabriole legs with scroll feet 87cm high, 133cm wide, 66cm deep

£800­1,200

A PAIR OF FRENCH LOUIS XV FAUTEUIL THIRD QUARTER 18TH CENTURY each upholstered with Aubusson tapestry, with a cartouche shaped back and a serpentine front seat (2)

£400­600

A PAIR OF FRENCH BEECHWOOD FAUTEUIL IN LOUIS XVI STYLE, 19TH CENTURY upholstered with floral needlework, each with a cartouche shaped back, with a moulded frame on stop fluted legs (2)

£300­500

322

323

324

322

A FRENCH RESTAURATION BOULLE MARQUETRY AND EBONY CENTRE TABLE

IN THE MANNER OF LEVASSEUR JEUNE C.1820­30 with ormolu mounts, the rectangular top probably Louis XIV in the manner of Gilles­Marie Oppenordt inlaid with brass and pewter on a red tortoiseshell ground with strapwork, scrolling leaves, flowers and terms in the manner of Jean Berain, the breakfront frieze centred with a tablet flanked by arcaded panels on octagonal facetted tapering legs terminating sabots, the underside stamped “JME” and “Levasseur” 85.5cm high, 120cm wide, 72.2cm deep

Catalogue Note

It is probable that Etienne Levasseur (1721­1798) was apprenticed to one of André­Charles Boulle's sons and specialised in supplying luxury goods to the Parisian marchand-merciers, including 'Boulle' decorated items. On his death, his workshops were taken over by his son, Pierre­Etienne and during the Restauration by his grandson, Pierre­François­Henri Levasseur, who was often referred to as Levasseur jeune. The re­use of earlier elements in contemporary furniture, especially Boulle marquetry was popularised by 18th century ébénistes such as Adam Weisweiler and Etienne Levasseur and the fashion continued into the early 19th century by cabinet makers such as the Bellangé family and Levasseur Jeune.

£4,000­6,000

top

326

A FRENCH LOUIS XV GILTWOOD FAUTEUIL BY BLAISE MAUCUY (1729­1798) C.1760

the padded back, seat and armrests covered in crimson red velvet, the moulded frame carved with leaves and flowers, on cabriole legs, the frame stamped “B. Maucuy”, with detachable bronze joints for travelling

Catalogue Note

This chair has been designed to be dismantled, the seat and the two upholstered armrests can be removed and the frame can be disassembled into four flat parts, suggesting that this chair was either designed for transport or to save space when stored away, as a chair in reserve. Blaise Maucuy was made maître in 1758.

£4,000­6,000

327

A FRENCH LOUIS XV GILTWOOD CONSOLE TABLE

AFTER A DESIGN BY NICHOLAS PINEAU, C.1740 AND LATER

the later breche d’alep serpentine moulded edge top above a pierced frieze carved with scrolling leaves, flowers and a central wreath motif on scrolled and winged tail legs terminating in lion’s masks united by a conforming stretcher centred with a satyr mask, the cross brace stamped ‘7972' 90.5cm high, 161cm wide, 68cm deep

Catalogue Note

Nicolas Pineau (1684­1754) was a renowned French furniture designer and carver best known for his work in the Rococo or rocaille style. He accompanied Alexandre Le Blond where he was commissioned to work in St Petersberg designing and creating a variety of decorative features ­ his piece de resistance being the Grand Cabinet made for Peter the Great. He returned to Paris in 1727 where, despite a general moving on in fashionable styles, he enjoyed a vogue extraordinaire. His designs spread throughout Europe which ensured that elements of his oeuvre were incorporated into interior design until the end of the 18th century.

£5,000­8,000

328

A FRENCH GILTWOOD AND COMPOSITION OVERMANTEL MIRROR

IN LOUIS XV STYLE, 19TH CENTURY

the rectangular bevelled plate within a beaded slip and outer marginal plates, within a cabochon moulded frame, with a shell, scrolling leaf and flower surmount

175.7 x 134cm

Provenance

Property of a Collector.

£600­1,000

A FRENCH KINGWOOD AND MARQUETRY CENTRE TABLE

IN LOUIS XV STYLE, EARLY 20TH CENTURY

with gilt metal mounts and inlaid with scrolling leaves and flowers, with a frieze drawer on cabriole legs

75cm high, 100.6cm wide, 61.5cm deep

£300­500

λ

330

A BIEDERMEIER MAHOGANY WORK TABLE

C.1840­1850

the octagonal flamed veneered hinged top revealing a fitted interior with nine lidded compartments with ivory handles, the base with scroll corbels and a cupboard on flattened bun feet

78cm high, 52cm wide, 51.5cm deep

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£400­600

A FRENCH KINGWOOD AND THUYA BUREAU DE DAME IN LOUIS XV STYLE, LATE 19TH CENTURY of bombe shape with ormolu mounts, the hinged fall revealing a tulipwood veneered interior with three drawers, a sliding well cover and a plush lined writing surface 90cm high, 75.5cm wide, 45cm deep

£600­800

A FRENCH MAHOGANY AND VERNIS MARTIN VITRINE IN LOUIS XV STYLE, EARLY 20TH CENTURY

with ormolu mounts, the marble top above a pair of glazed doors enclosing three plush lined shelves, above painted panels of landscape and figures 158.3cm high, 115cm wide, 38.3cm deep

£500­800

331

332

333

A FRENCH ORMOLU FENDER

IN LOUIS XVI STYLE, 19TH CENTURY

the chenet ends modelled with a boy and a girl warming themselves next to flaming braziers, above drapes and on toupie feet, with pierced and bead decoration 28cm high, 166.5cm wide, 25.8cm deep

£800­1,200

334

A FRENCH ORMOLU FENDER

IN LOUIS XVI STYLE, 19TH CENTURY

with classical urn finials, the front hung with laurel swags

38cm high, 174cm wide, 9.5cm deep

£500­800

335

A FRENCH GILT METAL FIRESCREEN EARLY 20TH CENTURY

the ‘C’ scroll crest above scrolling foliage on tapering fluted supports, the base and feet with further scrolling, with a fine gauze mesh

84.5 x 88cm

£150­200

333

334

333 detail

336

A SCANDINAVIAN BURR BIRCH EXTENDING DINING TABLE DANISH OR SWEDISH, 19TH CENTURY AND LATER the rectangular top with canted corners extending to accommodate two additional leaves on brass fluted square tapering legs and brass castors

76.4cm high, 237cm long, 98.3cm deep

£800­1,200

337

A DANISH MAHOGANY OVAL PEDESTAL CUPBOARD

19TH CENTURY

with carved thistle decoration, the interior with a glass holder and three shelves, the back with the remains of a maker label inscribed ‘Aubsted Odense’

143.8cm high, 62cm wide, 45.5cm deep

£800­1,200

338

λ 338

AN AUSTRIAN SECESSIONIST BURR WALNUT AND ORMOLU MOUNTED MUSIC TABLE

LATE 19TH / EARLY 20TH CENTURY

with thuya banding and inlaid with marquetry mother of pearl and ivory flowerheads each side with a hinged and retractable music rest. the ends with pull­out candle slides above a Vitruvian scroll border 81cm high, 74.7cm wide, 35cm deep

Provenance

Purchased from David Love Antiques, Harrogate. Property of a Collector.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£3,000­4,000

339

A RUSSIAN EMPIRE MAHOGANY AND ORMOLU MOUNTED SOFA IN THE MANNER OF HENRI JACOB, LATE 18TH / EARLY 19TH CENTURY

with ribbed and lozenge decoration, with later upholstery 105cm high, 157cm wide, 72cm deep

£3,000­5,000

340

A RARE PAIR OF RUSSIAN MALACHITE AND GILT BRONZE SIX LIGHT CANDELABRA C.1860

each with a column and central nozzle supporting five scrolling branches, on a domed socle base with a stepped rim, drilled for electricity (2) 39.5cm high

Provenance

By repute purchased in St. Petersburg in the 1860s. Property of a Collector.

£5,000­8,000

341

A BRASS CORINTHIAN COLUMN TABLE LAMP BASE

LATE 19TH CENTURY

on a square, stepped base, stamped ‘1782’ to the iron weight, fitted for electricity

49.2cm high, 16.2cm square

£250­350

342

A VICTORIAN STYLE GILT BRASS HALL LANTERN 20TH CENTURY

of pentagonal form, the foliate corona above scrolling supports and serpentine panes, together with a cut glass plafonnier with gilt brass mounts and a group of five brass ceiling bosses (7) 52cm high (max)

£100­150

343

A CLEAR GLASS TABLE LAMP MID­20TH CENTURY

with cut and faceted decoration and gilt brass mounts, together with a stoneware table lamp with Japanoiserie blue printed and gilt decoration with gilt metal elephant­head handles and tortoise feet (2)

88cm high

£150­200

344

A BOHEMIAN WHITE GLASS TABLE LAMP LATE 19TH CENTURY

of faceted mallet form, with gilt brass mounts 76cm (max)

£150­200

345

FOUR DUTCH DELFT VASE TABLE LAMPS

19TH CENTURY

to include: double gourd, inverted baluster and octagonal examples, together with a Chinese blue and white bottle vase and another with iron red and gilt painted decoration (6)

45cm high (max)

£200­300

347

TWO PAIRS OF DUTCH DELFT VASE

TABLE LAMPS

18TH / 19TH CENTURY

of flattened, inverted baluster form, one blue and white the other polychrome painted, together with another lamp of double gourd form, each fitted for electricity (5)

44cm high (max)

£400­500

346

A COLLECTION OF DUTCH DELFT VASE COVERS

18TH / 19TH CENTURY

blue and white, in various forms, with bird, dog of fo and other finials (22) 16cm high (max)

£200­300

348

A PAIR OF GLASS EIGHT-LIGHT CHANDELIERS

20TH CENTURY

each with a baluster column issuing scrolling brackets hung with swags, together with another similar but smaller example (3)

63cm high, 60cm diameter (max)

£300­400

349

A PAIR OF GILTWOOD WALL LIGHTS

19TH CENTURY

each with a sheep’s head above floral swags supporting a pair of lights on spiral brackets (2)

68.5cm high, 43cm wide

£300­500

350

A BOHEMIAN WHITE GLASS TABLE LAMP

LATE 19TH CENTURY

of faceted mallet form, with brass mounts, fitted for electricity

63.5cm high (max)

£200­300

351

A PAIR OF FRENCH TRANSITIONAL GILT BRONZE FOUR LIGHT CANDELABRA ATTRIBUTED TO JEAN­CHARLES DELAFOSSE (1734­1789), C.1770 the nozzles with bands of scrolling on fluted columnar bodies supported on scrolling foliate branches in urn nozzles, the stems with laurel leaf and beaded banding above fluted bodies and further beading on circular feet with beaded scrolling, stop fluting and ribbon twist bands (2) 41.5cm high, 24.5cm diameter

Provenance

A Country Estate.

Property of a Collector.

£5,000­8,000

352

A PAIR OF FRENCH PORCELAIN AND GILT METAL OIL LAMPS LATE 19TH CENTURY

each with a fluted body with painted oval figural scenes and floral sprays between moulded and gilded decoration, on stands with a gilt metal band of fruiting vines above waisted bases and scrolling foliate feet, with frosted glass globes, fitted for electricity (2)

67cm high (max)

£400­600

353

A PAIR OF FRENCH GILT BRASS CANDLESTICK LAMPS IN LOUIS XVI STYLE, MID­19TH CENTURY

the urn shaped nozzles with beaded rims above columns with laurel leaf bands above fluted stems, the circular feet with stop fluting, engine turned and twisted ribbon decoration, fitted for electrcicity (2)

47.5cm high (max)

Provenance

Sotheby’s, The Sale at Syon Park, 14th, 15th and 16th May 1997. Property of a Collector.

£800­1,200

354

A PAIR OF FRENCH CUT GLASS AND ORMOLU MOUNTED TABLE LAMPS LATE 19TH CENTURY

of thistle form, on a socle base and cylindrical plinth, with engine turned and twisting floral decoration, fitted for electricity (2)

39.2cm (max)

£200­300

355

A PAIR OF GILT BRONZE FIGURAL THREE LIGHT WALL APPLIQUES IN LOUIS XV STYLE, AFTER A DESIGN BY FRANCESCO LADATTE, LATE 19TH CENTURY modelled with Apollo and Daphne each standing on a rocky outcrop with three scrolling leafy branches, stamped ‘DG 21662’ (2) 68.8cm high £3,000­5,000

357

A LARGE DUTCH GREEN GLASS ONION BOTTLE C.1700

painted with an oval portrait of Admiral Piet Pieterszoon Hein above a Dutch­Spanish battle scene, possibly the taking of the Spanish treasure fleet in 1628, the reverse with a painted crest, with a brass lamp fitting 45.5cm high (excluding mount)

£150­200

356

A PAIR OF FRENCH GILT BRONZE AND CHAMPLEVÉ ENAMEL CASSOLETTES IN LOUIS XVI STYLE, LATE 19TH CENTURY each with a reversible cover, with an urn shape sconce and a bud finial, with ram’s head tripod monopodia and a circular foot (2)

24cm high

£300­500

358

A PAIR OF FRENCH ORMOLU AND WHITE MARBLE CASSOLETTES IN LOUIS XVI STYLE, LATE 19TH CENTURY each with a reversible cover, with a flower bud finial and a cylindrical candle holder, on a tripod base with laurel leaf hoop handles and hairy hoof feet (2) 24.5cm high

£300­500

BLACK FOREST

359

A BLACK FOREST LINDEN WOOD AND ANTLER STAG HEAD TROPHY MOUNT

LATE 19TH / EARLY 20TH CENTURY

with glass eyes and real six point antlers

132.6cm high, 77.5cm wide

£3,000­5,000

360

A BLACK FOREST LINDEN WOOD BEAR TOBACCO JAR LATE 19TH CENTURY

the bear seated, with glass eyes and a hinged head lid

20cm high, 14.5cm wide, 15.5cm deep

£150­200

361

A PAIR OF BLACK FOREST LINDEN WOOD WALL BRACKETS

LATE 19TH CENTURY

carved with birds and nests amongst foliage (2)

26.4cm high, 25.5cm wide, 15cm deep

£100­200 359

363

A BLACK FOREST LINDEN WOOD SMOKER’S COMPANION TABLE LATE 19TH CENTURY

carved with a standing bear supporting the column, with a hinged head to accommodate a tobacco jar, supporting a quatrefoil table with a pierced rim and with two lidded compartments with seated bear finials, a music box fitted to one compartment, with a central brass ash tray and a third seated bear, on a tripod base

88cm high, 46cm wide, 35.5cm deep

£2,000­3,000

362

A BLACK FOREST LINDEN WOOD BEAR GONG LATE 19TH CENTURY

modelled standing, mouth open, with a brass gong in one paw and the beater in the other, with glass eyes, standing on a tree stump on a circular plinth with scrolling feet

101.5cm high, 56cm wide

£3,000­4,000

REGENCY

A REGENCY CALAMANDER AND ROSEWOOD BREAKFRONT BOOKCASE

EARLY 19TH CENTURY

with brass galleries and adjustable shelves

113.5cm high, 137.4cm wide, 27.5cm deep

Provenance

Property of a Collector.

£500­800

the top with a nulled moulded edge above a pair of frieze drawers, one stamped ‘Gillows’ and numbered ‘506’ on leaf and scroll carved ends and brass castors

72.4cm high, 63.7cm wide, 44cm deep

£500­800

with four dipped divisions and lappet supports, fitted with a drawer and on brass castors

53.3cm high, 55.5cm wide, 38cm deep

£200­300

λ 365

A WILLIAM IV ROSEWOOD CANTERBURY C.1835

λ 366

A GEORGE IV ROSEWOOD WORK TABLE C.1820

λ 364

367

A REGENCY MAHOGANY BOWFRONT CHEST EARLY 19TH CENTURY

the top with a reeded edge above three graduated long drawers flanked by turned half columns

87.5cm high, 91cm wide, 50cm deep

£500­700

368

A GEORGE IV MAHOGANY DRESSING TABLE

C.1830

the top with a three­quarter gallery, above three frieze drawers, the kneehole with sunburst spandrels

81cm high, 95.5cm wide, 52.8cm deep

£200­300

369

A LATE GEORGE III MAHOGANY LADY’S READING AND WORK

TABLE

C.1800­10

the hinged top on a ratchet with a later red leather surface and a rest, with a rising pleated silk screen, with slides to each side, a frieze drawer and a work bag, on brass castors

78cm high, 48.2cm wide, 37.7cm deep

£150­250

370

A SET OF FOUR REGENCY PAINTED DINING CHAIRS

EARLY 19TH CENTURY

painted to simulate satinwood and decorated with musical instruments and foliage above a central plaque painted engrisailles with cherubs at play, above caned seat and on ring turned front legs, comprising: an open armchair and three side chairs (4)

£200­400

371

A PAIR OF TÔLEWARE JARDINIÈRES

IN REGENCY STYLE, LATE 19TH CENTURY

of oval form with pierced rims painted with floral swags on a green ground, with lion’s head handles and ball feet (2) 14.5cm high, 25.3cm long, 19.5cm wide

£200­300

372

A PAINTED PINE WATERFALL BOOKCASE IN REGENCY STYLE, 19TH CENTURY

with a pair of doors with faux leather book spines above a drawer 106cm high, 47.5cm wide, 27.5cm deep

£300­500

373

A REGENCY MAHOGANY CHEST ON STAND

POSSIBLY IRISH, EARLY 19TH CENTURY

inlaid with ebonised stringing with two short and three long drawers, flanked by ribbed columns, the stand with a further long drawer on fluted and ribbed splay legs, carved with ribbon tied flowers on bronze paw feet

148.7cm high, 132cm wide, 65.5cm deep

£200­300

374

A GEORGE IV MAHOGANY WINE COOLER

C.1825­30

of sarcophagus form, the hinged lid with a leaf carved finial, revealing a lead lined interior, the front with a bronze entwined snake handle

60.5cm high, 75cm wide, 60cm deep

£300­400

375

A GEORGE IV MAHOGANY TEA TABLE

C.1820

with a swivel hinged top, on a panelled stem and brass sabots and castors

75cm high, 91cm wide, 44.7cm deep

£150­250

376

A REGENCY MAHOGANY SCROLL END SOFA FRAME IN THE MANNER OF THOMAS HOPE, EARLY 19TH CENTURY on Grecian fan fluted legs and castors, in need of upholstering 88.8cm high, 228.3cm wide, 87cm deep

£800­1,200

A REGENCY GILTWOOD CONVEX WALL MIRROR

EARLY 19TH CENTURY

the circular plate within an ebonised slip, the deep outer frame applied with stars 57.4cm diameter

£200­300

AN AMBOYNA AND WALNUT FOOTSTOOL IN REGENCY STYLE, 19TH CENTURY of rectangular form on reeded, down curved legs and ball feet 16cm high, 42cm wide, 30cm deep £100­150

377

378

377

376

378

380

A REGENCY MAHOGANY POT CUPBOARD EARLY 19TH CENTURY

with a hinged door, the interior with a slatted base

85.7cm high, 37cm wide, 36.7cm deep

£100­150

379

A REGENCY MAHOGANY SIDE TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the reeded edge top with a three­quarter gallery above three drawers, with later baize lining, on ribbed legs and brass castors

80cm high, 105cm wide, 52cm deep

£500­800

381

A REGENCY MAHOGANY GENTLEMAN’S DRESSING TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with a twin hinged top revealing an interior with divisions and lidded compartments, above four drawers on ribbed legs and brass castors 82.6cm high, 76.4cm wide, 51cm deep

£300­500

382

A SET OF SIX REGENCY GREEN PAINTED AND PARCEL-GILT DINING CHAIRS

EARLY 19TH CENTURY

each with a bar back above a caned seat, on sabre front legs united by a turned ‘X’ stretcher (6)

£300­400

384

A PAIR OF FAUX MARBLE TOPPED OCCASIONAL TABLES IN REGENCY STYLE, EARLY 19TH CENTURY AND LATER each with an octagonal top painted to simulate various marbles, on a turned column and a tripod base (2) 70.5cm high, 38cm wide

£400­600

383

A REGENCY PAPIER-MÂCHÉ TRAY TABLE

EARLY 19TH CENTURY AND LATER

with red and gilt decoration, the tray with a Greek key border, on a later faux bamboo stand 51.3cm high, 55.5cm wide, 42cm deep £150­250

385

A LATE REGENCY MAHOGANY BOWFRONT CHEST

EARLY 19TH CENTURY

inlaid with ebony stringing and with four long crossbanded graduated drawers 94.8cm high, 108.5cm wide, 54.5cm deep

£200­300

386

A GEORGE IV MAHOGANY CARD TABLE

POSSIBLY SCOTTISH, C.1825­30

with ebonised edging, the swivel fold­over top revealing a baize lined playing surface, on a ribbed spiral twist stem and scroll paw feet

74.5cm high, 91cm wide, 45.3cm deep

£100­200

387

A REGENCY MAHOGANY BOWFRONT SIDE TABLE

EARLY 19TH CENTURY

with a frieze drawer above ribbed square tapering front legs

71.8cm high, 91.9cm wide, 50.6cm deep

£150­250

λ 387A

A REGENCY ROSEWOOD SOFA TABLE

EARLY 19TH CENTURY

the drop­leaf top above a pair of frieze drawers on column supports and curved legs on castors

73.5cm high, 101.3cm wide, 71.5cm deep

£300­500

388

A REGENCY MAHOGANY EXTENDING DINING TABLE ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

the reeded edge top with four additional leaves, supported by a telescopic frame and on ribbed tapering legs and brass caps and castors

72cm high, 138cm wide, 318cm long (extended)

Provenance

By repute Langhar Hall, Nottinghamshire.

Catalogue Note

See Susan Stuart, Gillows of Lancaster and London, 1730­1840, vol. 1, pl. 241 for a similar dining table.

£4,000­6,000

389 NO LOT

λ 390

A REGENCY ROSEWOOD PEMBROKE TABLE

EARLY 19TH CENTURY

the drop­leaf top banded in satinwood and kingwood, above a frieze drawer on brass castors

72cm high, 55.2cm wide, 81.5cm deep

£200­300

391

A GEORGE IV SATINWOOD CARD TABLE

C.1820

inlaid with stringing and banding with a hinged and swivel top, revealing a green baize lined playing surface

73.4cm high, 91.5cm wide, 45.3cm deep

£200­300

390

392

A PAIR OF WILLIAM IV HALL CHAIRS

C.1830

each with a scroll carved back and painted with a crest, with a lion holding a banner and the motto Passes Avante (2)

£100­200

393

A BAMBOO WINDOW SEAT

IN REGENCY BRIGHTON PAVILION STYLE, 20TH CENTURY with a cane seat

67.2cm high, 104.8cm wide, 46cm deep

£600­800

395

A LATE REGENCY AND LATER TÔLEWARE TRAY TABLE C.1830

the ebonised rectangular tray with painted and gilt stylised floral decoration to the border, with two pierced handles, on a later faux bamboo base

51cm high, 71cm wide, 52cm deep

£200­300

394

A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY

the rectangular plate in two panes flanked by split turned pilasters beneath a shell and flower frieze

91.6 x 56.2cm

£150­200

397

A WILLIAM IV MAHOGANY LAMP TABLE

C.1835

the fixed top with canted corners on a triform stem and platform base

69.5cm high, 50cm wide, 42.5cm deep

Provenance

Property of a Collector.

£200­300

396

A GEORGE IV MAHOGANY TWIN PEDESTAL DESK

C.1825

the moulded edge top inset with a gilt tooled leather writing surface, above an arrangement of nine drawers, with a single point locking mechanism for each bank, the brass locks stamped ‘Comyn Ching & Co.’

75.5cm high, 121cm wide, 73cm deep

£500­800

398

A REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY

inlaid with ebonised stringing and crossbanding, the dropleaf top above a pair of frieze drawers on four turned column supports and brass castors

71.5cm high, 90cm wide, 61cm deep

£300­500

399

A LATE GEORGE III MAHOGANY LIBRARY BOOKCASE

POSSIBLY SCOTTISH, EARLY 19TH CENTURY AND LATER inlaid with ebonised stringing, the moulded cornice above a frieze decorated with husks and flowerheads, above four pairs of astragal glazed doors enclosing adjustable shelves, the conforming base with panelled doors each enclosing a shelf on shaped bracket feet 224.3cm high, 354.5cm wide, 47.7cm deep

Provenance

William Roughead (1870­1952), Albany, London.

£4,000­6,000

400

A FINE REGENCY BURR OAK AND BRASS MARQUETRY LIBRARY TABLE

ATTRIBUTED TO GEORGE BULLOCK, C.1815

the rectangular top inlaid with an amboyna panel with ebony and brass bands and a wider band of foliate marquetry, on panelled trestle ends with ebony mouldings and scroll supports, on ebonised lions's paw feet and sunken brass castors, united by a baluster turned low stretcher

75cm high, 94cm wide, 80.5cm deep

Catalogue Note

This fine library table with its figured amboyna top, brass foliate marquetry and burr oak base bears all the hallmarks of the cabinetmaker and designer George Bullock (d.1818). The brass inlay of trefoiled sprigs on the top of this table was very much favoured by Bullock and appears on a sofa table commissioned by the 4th Duke of Buccleuch directly from Bullock for Boughton Hall, Northamptonshire. It can also be seen on a pier table and mirror supplied to Robert Ferguson, M.P. (d.1840) for Raith House, Kirkcaldy, Fife, the mirror was sold in these rooms 21st April 2021 for £16,000 (hammer). It also appears on the frieze of a pair of cabinets in the collection of the Duke Abercorn at Barons Court.

£8,000­12,000

401

A WILLIAM IV MAHOGANY EXTENDING DINING TABLE

C. 1830

the moulded edge top above a telescopic action extending to accomodate five additional leaves on turned and ribbed tapering legs and brass caps and castors

73.8cm high, 149cm deep

Provenance

Removed from Stradey Castle, Carmarthenshire, home of the Mansel Lewis family since the middle of the 19th century.

£1,000­1,500

402

A REGENCY MAHOGANY SECRETAIRE COMMODE ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

inlaid with ebonised stringing, the reeded edge top above a secretaire drawer with a hinged front and divisions for pens and ink, above a pair of concave panelled dorrs enclosing a shelf, the corners with ribbed columns on brass caps and castors

88.3cm high, 141cm wide, 69.2cm deep

£2,000­3,000

403

A REGENCY EBONISED GILTWOOD AND PENWORK ‘GRECIAN’ HARP BY SEBASTIAN ERARD, C.1810

with a fluted column, the capital with a band of griffins above ram’s heads, scrolling foliage and figural pilasters, the base with stiff leaves, the sound board with penwork decoration of a classical maiden playing a lyre, another with a floral wreath, beneath a border of birds and beasts amongst scrolling foliage, a brass plaque to one side inscribed ‘Sebastian Erard’s Patent Harp N.1346, 18 Great Marlborough Street, London’ 171cm high, 82cm wide

Provenance

Removed from Stradey Castle, Carmarthenshire, home of the Mansel Lewis family since the middle of the 19th century.

This harp was supplied to a Miss Hibbert of Market Hall Lane, Leyton in October 1810 for £84. See records at the Royal College of Music, London.

£1,000­1,500

404

A VICTORIAN PAPIER-MÂCHÉ TRAY TABLE

C.1850 AND LATER

with ebonised and gilt leaf decoration, the oval top on a later stand 49.2cm high, 79.2cm wide, 63.3cm deep £100­150

405

A REGENCY GILTWOOD PIER MIRROR

EARLY 19TH CENTURY

the rectangular plate flanked by cluster columns, beneath a reverse painting on glass of a basket of flowers 68 x 44cm £300­400

406

A RARE AMERICAN PAINTED WOOD AND ALABASTER CONSOLE TABLE ATTRIBUTED TO DUNCAN PHYFE (1770­1854), EARLY 19TH CENTURY

the marble top above a frieze painted with fruits and leaves, the alabaster column front supports with scroll and foliage capitals, with a platform base and mirrored back on boldly carved leaf and fruit decorated lion's paw feet 95.5cm high, 97.1cm wide, 46cm deep

Catalogue Note

Duncan Phyfe was born near Loch Fannich, Ross­Shire, Scotland in 1768 and then emigrated to America with his parents in 1770, initially settling in Albany, New York. He was apprenticed to a cabinetmaker before moving to New York City in 1791. He established his own premises as a cabinetmaker in 1794 initially on Broad Street before moving to Partition Street, later called Fulton Street, where he remained for the rest of his working life. He initially produced furniture in the popular European Neo­Classical, Regency and Empire styles but later in his career he produced furniture in the Grecian style. A Grecian couch held by the Met Museum in New York, accession number 40.159.1a, b, has similarly carved feet to the present lot and is attributed to the workshop of Duncan Phyfe.

£3,000­5,000

the hinged and folding top revealing a pair of brass candle sconces above and adjustable stem and hinged tripod legs

144.8cm high, 51cm wide

£2,000­3,000

408

EARLY 19TH CENTURY

with brass mounts, the hinged box top opening to reveal three gilt tooled leather writing surfaces, the central one hinged enclosing wash bowl apertures, the front with a hinged fall enclosing drawers and pigeon holes, the outer compartments each fitted with drawers, with sunken brass miltary style handles, on detachable turned legs and castors

94.5cm high, 53.5cm wide, 76.2cm deep (closed)

£3,000­5,000

λ 407

A RARE WILLIAM IV ROSEWOOD CAMPAIGN DUET MUSIC STAND C.1835

A RARE REGENCY MAHOGANY CAMPAIGN DESK / WASHSTAND

409

A VICTORIAN IRISH MAHOGANY CAMPAIGN SECRETAIRE CHEST

BY ROSS & CO., DUBLIN, C.1860­70

in two halves with brass mounts with two short and three long drawers, the top right secretaire drawer fitted with bird’s eye maple veneered drawers with cedar linings, with pigeonholes and a leather inset writing surface, with a bone makers plaque inscribed ‘Ross & Co. Manufacturers 9,10 & 11 Ellis’s Quay, Dublin’, with stencilled maker’s marks to the other drawers

104cm high, 101.5cm wide, 49.5cm deep

£500­800

409

410

A VICTORIAN MAHOGANY CAMPAIGN SECRETAIRE LINEN PRESS

MID­19TH CENTURY

in three sections, the linen press with a pair of panelled doors enclosing three slides above a secretaire drawer fitted with drawers, pigeonholes and a leather writing surface above three long drawers with brass sunken military style handles 180cm high, 99cm wide, 52.5cm deep

£300­500

410

411

A RARE GEORGE IV MAHOGANY CAMPAIGN DINING TABLE

BY CHARLES STEWART, LONDON, C.1820

with brass mounts, the “D” end hinged and swivel top with a reeded edge extending on a concertina action to accommodate five additional leaves, the frieze with outline mouldings and with removable tapering legs with brass caps and castors, with a brass makers plaque inscribed ‘Stewart Inventor and Patentee, 115, St. Martins Lane, Charing Cross, London’ 71.8cm high, 137.2cm deep, 338cm long

Catalogue Note

See Nicholas A. Brawer, British Campaign Furniture ­ Elegance under Canvas, 1740­1914, p.30 illus. 19 and 20 for a very similar dining table by Stewart. Here it is described as having ' the elegance and strength that would have made it ideal for an officers' mess about the time of the Battle of Waterloo'. When fully dismantled with the legs stowed away inside the body of the table, it would measure no more than 6in in height.

£3,000­5,000

412

A VICTORIAN MAHOGANY CAMPAIGN STYLE APOTHECARY

CABINET

C.1860

the fold­out doors enclosing a fitted interior with a hinged surface, drawers, fitted shelves and a near complete set of glass bottles and other accessories, with flush mounted brass handles

32.5cm high, 31cm wide, 22cm deep

£200­300

413

A VICTORIAN MAHOGANY AND BRASS BOUND CAMPAIGN STYLE APOTHECARY BOX

MARKED FOR ‘SAVORY & MOORE, CHEMIST TO THE QUEEN, NEW BOND STREET’, C.1860

the hinged cover enclosing a complete set of glass bottles and stoppers and with an ivorine retailer’s label, above a single drawer fitted with a lift­out tray with a set of scales and weights, glass pestle and mortar, further bottles and stoppers and other accessories

21cm high, 22.8cm wide, 17cm deep

£150­250

414

A VICTORIAN BIRCH MINIATURE CHEST

C.1870

with two short and three graduated long drawers with turned handles on a plinth foot

40.5cm high, 37.6cm wide, 25cm deep

£150­200

415

A VICTORIAN BIRD’S EYE MAPLE MINIATURE CHEST

C.1860

of four graduated long drawers with turned handles, a Victorian walnut table chest, the two doors enclosing a pair of drawers with recessed brass handles, another Victorian bird’s eye maple miniature chest of drawers, a bombe yew wood tea chest with a pair of lidded caddies and a rectangular tea caddy (5) 29cm high, 28cm wide, 22cm deep (max)

£300­400

λ 416

AN EARLY VICTORIAN ROSEWOOD DRESSING CASE RETAILED BY LEUCHARS, LONDON, C.1840

the lid with a brass plaque engraved with a monogram, the underside of the lid with buttoned velvet, above a lift­out tray with divisions, spring­loaded handles and fitted with glass bottles, jars and boxes with silver lids hallmarked for ‘London 1840’, with silver handled utensils, above a base drawer, with a Leuchars retailer’s label

18.8cm high, 34.3cm wide, 24.3cm deep

£400­600

λ 418

A WILLIAM IV ROSEWOOD AND BRASS MARQUETRY TEA CHEST

C.1830

inlaid with scrolling leaves, the interior with a pair of part hinged lift­out caddies, inlaid with initials ‘B’ and ‘G’ flanking a later glass sugar bowl

19cm high, 32cm wide, 17cm deep

£200­300

417

A VICTORIAN WALNUT AND BRASS MOUNTED DRESSING CASE

C.1860

the hinged cover enclosing a fitted interior with a mirror to the cover and a near complete set of accessories and glass containers with metal covers, with a lift­out tray enclosing further compartments

13.5cm high, 30.8cm wide, 23cm deep

£150­200

419

A PAIR OF VICTORIAN OAK TEAPOYS

C.1850­60

with carved leaf decoration, the hinged top with a recumbent lion finial, revealing four lift­out canisters and twin sugar bowl apertures, on a spiral twist stem and sunken wooden castors (2)

106.5cm high, 54.5cm wide, 42cm deep

£500­800

420

A TREEN FRUITWOOD TEA CADDY IN THE FORM OF AN AUBERGINE 20TH CENTURY

with carved decoration, a screw­off calyx and stalk to the inner lid 21cm high

£300­400

421

A GEORGE III BLACK LACQUER TEA CADDY LATE 18TH / EARLY 19TH CENTURY

of cube form, with painted and gilt decorated borders, the hinged lid with a brass loop handle, the interior with twin lidded compartments 9.1cm high, 10cm wide, 7.4cm deep

£100­150

422

A GERMAN KINGWOOD AND BRASS MOUNTED TEA CHEST ATTRIBUTED TO ABRAHAM ROENTGEN, C.1750­60

the sarcophagus top with a brass swing handle, the front with a pierced brass cartouche shape escutcheon, the silk lined interior with three brass canisters, the central one with a domed cover and a twin interior, the circular covers with star decoration in low relief, the base with a spring operated secret drawer to the right hand side released by a button hidden when the cover is closed, on bracket feet, with a key 16.7cm high, 22.2cm wide, 14.1cm deep

Catalogue Note

Abraham Roentgen (1711­1793) was a German ebeniste. He was born in Müllheim, Germany and learned cabinet making in his father's workshop, he then worked as an apprentice in the Hague before settling in London in 1731. He ran the Roentgen firm from 1742 to about 1800 together with his son, David. Abraham's then worked as a was characterised by superb marquetry and innovative designs, often incorporating hidden compartments, secret drawers and mechanical and musical devices and his work was sought after by rulers throughout Europe. One of his most famous pieces is the Walderdorffer bureau, now in the Rijksmuseum, Amsterdam. For similar tea chests, see W. Koeppe, 'Boxes from the Workshop of Abraham Roentgen in American Collections', pp.104­105 and the Met Museum, New York, Accession Number 1999.147 for an example lacking its canisters.

For recent auction sales, see Lempertz Cologne, Decorative Arts, 20th May 2022, lot 1810 for an example with a different escutcheon. Christie's, European Furniture, Works of Art and Carpets, 24th September 2003, lot 287 for a similar example to that being offered but lacking its canisters. Christie's, Furniture, Clocks, Sculptures and Works of Art, 27 September 2001, lot 687 for an almost identical example that included the canisters.

£2,000­3,000

423

A TREEN FRUITWOOD TEA CADDY IN THE FORM OF A PEAR EARLY 19TH CENTURY

with a shaped oval escutcheon, the hinged lid revealing an interior with traces of foil lining 15.5cm high

£200­300

424

AN ITALIAN PAINTED AND PARCEL GILT SALON SUITE IN EGYPTIAN REVIVAL STYLE, LATE 19TH / EARLY 20TH CENTURY each with a padded back and seat covered in printed fabric with Egyptian motifs with obelisks, camels and figures, the moulded frame with carved sphinx supports comprising : two sofas, an armchair and a pair of side chairs (5)

177.4cm high, 62.5cm deep

£2,000­3,000

425

A GILTWOOD AND GESSO PIER MIRROR MID­19TH CENTURY

the rectangular plate flanked by fluted columns, with a frieze of anthemion and palmette decoration and later sphinx finials

217 x 130cm

£600­800

426

A GILTWOOD WALL MIRROR IN THE MANNER OF JAMES WYATT, 20TH CENTURY

the canted rectangular plate above a frieze painted with three lines of different cuniform script in a frame with saw tooth decoration, above pilasters and a bottom rail with rosettes and acanthus plants in relief

91 x 114cm

Catalogue Note

It is believed that the original of this mirror, which was probably designed by James Wyatt, was in Fawley Court, Oxfordshire where it would have been hung in one of the two Persian Bedrooms. The acanthus motifs appear to have been taken from 'Travels Into Muscovy, Persia and Part of the East-Indies' by Cornelis de Bruyn, first published in 1737. The cuneiform inscription, in three different languages, is taken from the Palace of Xerxes at Persepolis which was also illustrated in De Bruyn's book.

£1,000­1,500

427

A PAIR OF FRENCH BRONZE AND PARCEL GILT VASE TABLE LAMPS IN EGYPTIAN REVIVAL STYLE, C.1870­80 each of amphora form with a pair of handles in the form of Sekhmet, cast with stylised floral decoration in low relief, on an ebonised square plinth and ball feet, fitted for electricity (2)

51cm (max)

£600­800

A PRIVATE COLLECTION OF TUNBRIDGE WARE

428

THREE TUNBRIDGE WARE SLANT TOP NEEDLE PACKET BOXES

including two with mosaics with running stags in landscapes, the third with a mosaic of a flower spray, each with two bands of geometric mosaic to the sides (3)

6.2cm high, 3.4cm wide, 2.8cm deep (max)

£200­300

430

A NEAR PAIR OF TUNBRIDGE WARE BOXES

the covers with mosaic panels inscribed ‘NEEDLES’ and ‘PINS’ within mosaic borders, together with a needle book with one cover inscribed ‘NEEDLES’, the reverse with a mosaic of flowers (3)

2cm high, 6.2cm wide, 3.4cm deep (max)

£150­200

λ 429

FOUR TUNBRIDGE WARE STAMP BOXES including one with a mosaic panel inscribed ‘STAMPS’ and another inscribed ‘POSTAGE’, together with a rosewood box applied with a ‘RECEIPT STAMPS’ print and another box with a mosaic portrait of the young Queen Victoria (4)

2cm high, 6.3cm wide, 3.4cm deep (max)

£200­300

λ 431

TWO TUNBRIDGE WARE TANGRAM PUZZLE BOXES including a square rosewood example with a floral mosaic to the cover and its original puzzle and another with a floral mosaic to the cover but lacking its puzzle, together with a rectangular box with a similar floral mosaic to the cover (3) 2.3cm x 6.3cm x 4.2cm (max)

£150­200

432

A TUNBRIDGE WARE MAHOGANY BOX AND COVER BY THOMAS LITTLETON GREEN, EARLY 20TH CENTURY inscribed ‘RYE’ in mosaic inside a chequerboard border 3.3cm high, 7cm wide, 5.8cm deep

£100­150

433

A SET OF SIX TUNBRIDGE WARE WHITEWOOD STACKING BOXES AND COVERS of graduated cylindrical form, the covers with painted concentric circle decoration, the side of the largest applied with a paper label inscribed ‘A Trifle from Tunbridge Wells’, together with a domed nutmeg grater, a sovereign box and cover, a turned match holder and a snuff box and cover, each with geometric decoration (5)

5.7cm diameter (max)

£200­300

λ 434

A TUNBRIDGE WARE ROSEWOOD PEDESTAL TABLE PIN WHEEL with starburst mosaic decoration to the top, together with two disc shaped pin wheels and a disc shaped pin cushion, each with geometric decoration (4)

7cm diameter (max)

£200­300

λ 435

A TUNBRIDGE WARE ROSEWOOD TRAVELLING WATCH STAND the cover with geometric decoration inside a mosaic border, together with an 18ct gold open faced pocket watch, the movement inscribed ‘Richard Hornby & Son, 41 Pool Lane, Liverpool’, the enamelled dial with black Roman numerals and a subsidiary seconds dial, hallmarked ‘Chester 1871’ (2)

7.5cm high, 6cm wide, 2.5cm deep (max)

£400­600

λ

A VICTORIAN TUNBRIDGE WARE ROSEWOOD OCTAGONAL COMBINATION THERMOMETER AND COMPASS

BY HENRY HOLLAMBY, TUNBRIDGE WELLS

the circular top inset with a compass inside a mosaic starburst border above a thermometer on an ivory gauge, flanked by four mosaic panels and backed by three rosewood panels, on a circular foot

13.5cm high, 8.5cm diameter

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

λ 436

A TUNBRIDGE WARE OBELISK FORM DESK THERMOMETER with an ivory gauge, on a plinth base with mosaic floral panels and a stepped foot, together with a rosewood chamberstick on bun feet, an 8in ruler with mosaic floral decoration, a 6in square ruler with 1/8, 1/4, 1/2 and 1” divisions and a cheroot or cigarette case, the cover with a mosaic recumbent spaniel (5)

19cm high (max)

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

437

438

A COLLECTION OF TUNBRIDGE WARE to include: silk winders, glover darners, a brooch, a stick ware barrel, a napkin ring, a cotton reel and a set of three stick ware buttons as a book marker (9)

£150­200

λ

439

A TUNBRIDGE WARE SPINNING TOP AND ROSEWOOD HANDLE with geometric banded decoration, together with a rosewood rouge pot and cover with a glass liner and a ring tree on three bun feet (3)

12cm long (max)

£100­150

440

A COLLECTION OF TUNBRIDGE WARE to include two cuff brushes, two page turners, a ‘mule’ shoe page turner, a bookmark and a small tray, each with mosaic geometric or floral decoration (7)

24.7cm long (max)

£150­200

441

A COLLECTION OF TUNBRIDGE WARE PIN CUSHIONS

to include a combination cushion / tape measure by Barton late Nye, a combination cushion / waxer / tape measure, a rectangular pin cushion, two circular pin cushions, an acorn shaped thimble holder and thimble and a pair of needle protectors, with various mosaic and stickware decoration (8)

4.5cm x 9cm x 5.7cm (max)

£200­300

439

A REGENCY TUNBRIDGE WARE AND ROSEWOOD SEWING BOX

EARLY 19TH CENTURY

of sarcophagus form, the cover with parquetry cube work decoration inside a Vandyke border, the base with conforming decoration, with a vacant, paper lined interior, with gilt brass flowerhead and ring handles

13.5cm high, 31cm wide, 26cm deep

£150­200

A TUNBRIDGE WARE ROSEWOOD LEATHER AND BRASS SET OF BELLOWS with cube decoration, together with a similarly decorated rosewood paperweight with a geometric mosaic border (2)

38.5cm long (max)

£150­200

A TUNBRIDGE WARE ROSEWOOD TRAY

of rectangular form, the centre inlaid with cube decoration inside a wide border of geometric banding, together with a box and hinged cover with a mosaic flaming torch design and two other rectangular boxes and covers with floral and geometric decoration (4)

24.8cm wide, 19.8cm deep (max)

£200­300

λ 442

λ 443

λ 444

446

λ 445

A TUNBRIDGE WARE AND ROSEWOOD SEWING BOX OR PANNIER

the pair of hinged covers with mosaic floral panels inside geometric borders, the swing handle with geometric decoration, together with an octagonal Go To Bed, with a stick ware nozzle and ivory match holder above the octagonal body with mosaic floral panels, the interior with a cylindrical central compartment, and a lozenge shaped sewing box, the central covered compartment with a mosaic floral panel flanked by triangular pin cushions, the sides with a geometric band (3)

6.3cm high, 17cm wide, 12.5cm deep (max)

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£250­350

λ 446

A TUNBRIDGE WARE AND BURR WALNUT TRIPLE SCENT BOTTLE BOX

the cover with a mosaic panel of a rabbit flanked by a pair of geometric bands, the front with a floral escutcheon, enclosing three glass scent bottles and stoppers, together with a rosewood double scent bottle box, the cover with a mosaic scrolling design inside a geometric stick ware border, the sides with two stick ware bands, with a pair of glass scent bottle and stoppers (2)

10.5cm high, 17.3cm wide, 7.5cm deep (max)

£150­200

447

A VICTORIAN TUNBRIDGE WARE EGG with stick ware specimen wood decoration, together with a stick ware miniature chamberstick, a mosaic ‘MATCHES’ box and cover and a Sorrento olive wood egg cup with a green onyx egg (5)

10cm long (max)

Provenance

The Egg ­ Woolley and Wallis, Furniture and Works of Art, 24th September 2013, The Alberto Rava Collection of Tunbridge Ware, lot 433.

£150­200

λ 448

A TUNBRIDGE WARE AND CHALYBEATE SPRING STAINED BIRD’S EYE MAPLE BOX

the cover with a mosaic view of Glena Cottage, Killarney inside a geometric border, together with a rosewood cribbage board box with a floral band, a rosewood money box with geometric banding and a rosewood pencil box with a parquetry decorated cover (4)

7cm high, 18.1cm wide, 11.7cm deep (max)

£150­200

449

A VICTORIAN TUNBRIDGE WARE EBONY TABLE CABINET

BY THOMAS BARTON, C.1870

the slight domed top with a floral mosaic panel inside a floral border above a pair of doors with floral panels and borders enclosing three drawers with floral borders and handles, on flattened bun feet, the base with a paper label for ‘T. Barton Late Nye’

18cm high, 20.5cm wide, 16cm deep

£150­250

λ 451

A VICTORIAN TUNBRIDGE WARE COMBINATION

OCTAGONAL DESK COMPASS / THERMOMETER

BY THOMAS BARTON, TONBRIDGE (SIC) WELLS

the circular compass inside a stick ware frame above a thermometer with an ivory gauge flanked by seven mosaic floral panels, above a stick ware base and squre foot with mosaic floral sides

13.5cm high, 8.5cm square

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£150­200

λ 450

A VICTORIAN TUNBRIDGE WARE AND EBONY BLOTTER

BY THOMAS BARTON

the cover with a central mosaic floral panel inside a geometric frame with ivory jewel corners and a floral border, with a ‘T. Barton Late Nye’ paper label, together with a square rosewood desk stand, the glass and gilt metal inkwell on a base with a broad floral border and flattened disc feet (2)

29.3 x 24.5cm (max)

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£250­350

BY HENRY HOLLAMBY

the slightly domed cover with a mosaic view of Muckross Abbey, Killarney inside a scrolling border enclosing a paper lined lift­out tray with a covered compartment and divisions, above waisted sides with a stick ware escutcheon and mosaic floral band, together with a tesserae block for the window of Muckross Abbey (2)

9cm high, 17.8cm wide, 12.7cm deep (max)

£150­250

the slightly domed cover with a large mosaic floral panel above waited sides with a floral band, with a silk lined interior, an oak box with a mosaic scene of a parrot on a fruiting cherry branch and a rosewood box with a hinged cover inset with a Berlin woolwork design with a distant view of a building inside a scrolling cartouche on an ebonised ground and inside a geometric border (3)

7.5cm high, 15cm wide, 15.2cm deep (max)

£200­300

the slightly domed cover with a mosaic view of Tonbridge Castle inside a geometric border, the waisted sides with a broad oak and acorn border, together with a rosewood box, the domed cover applied with a print of Tunbridge Castle, published by Wises Manufactory Tunbridge Town and a Sorrento jewellery box, the domed cover with a mosaic scrolling design inside a red painted border (3)

8.5cm high, 25cm wide, 9.6cm deep (max)

£150­200

452

A VICTORIAN TUNBRIDGE WARE AND SYCAMORE WORK BOX

λ 454

A TUNBRIDGE WARE AND ROSEWOOD GLOVE BOX

λ 453

A TUNBRIDGE WARE AND ROSEWOOD HANDKERCHIEF BOX

455

A TUNBRIDGE WARE MOSAIC PANEL OF THE PANTILES inside a frame with mosaic bands of scrolling flowers and wavy decoration 18.3 x 22.3cm

£200­300

456

A VICTORIAN TUNBRIDGE WARE FRAMED MOSAIC PANEL OF SHAKESPEARE’S BIRTHPLACE, STRATFORD UPON AVON ATTRIBUTED TO HENRY HOLLAMBY inside a boxwood border and an Oxford style frame with geometric mosaic 24.5 x 27.5cm

£150­200

457

A TUNBRIDGE WARE FLORAL PANEL

possibly the front of a folio, the spray of poppies and daisies on an ebonsied ground inside a marquetry and geometric frame, together with a Sorrento ware olive wood panel with a marquetry image of a young boy inside a mosaic border of scrolling foliage, signed, and a Sorrento ware oval picture frame (3) 33cm x 24.7cm (max)

£150­200

λ 458

A PAIR OF TUNBRIDGE WARE AND ROSEWOOD TOPOGRAPHICAL PANELS

of slightly domed form, with mosaic views of Dover Castle and Penshurst Place inside rosewood mounts and frames, together with a flat panel with a mosaic view of the ruins of the church of St Mary in Castro and The Roman Pharos, Dover Castle inside a rosewood frame (3)

16.3 x 20cm (max)

£200­300

A VICTORIAN TUNBRIDGE WARE AND EBONY STATIONERY OR MAGIC LANTERN SLIDE BOX

ATTRIBUTED TO THOMAS BARTON, C.1870

the slightly domed cover with a mosaic view by Henry Hollamby of Shakespeare’s Birthplace, Stratford on Avon, above sides with a broad floral band, the interior with five divisions

11.5cm high, 21.8cm, wide, 16.7cm deep

£150­200

A VICTORIAN TUNBRIDGE WARE ROSEWOOD TEA CHEST LATE 19TH CENTURY

the cover with a mosaic view of Eridge Castle between two floral panels inside a floral border, enclosing a pair of boxes with hinged covers and a central glass bowl, the sides with floral a floral border, on stick ware bun feet

15.3cm high, 30.6cm wide, 15.3cm deep

£150­200

λ

A VICTORIAN TUNBRIDGE WARE ROSEWOOD DRESSING TABLE COMPANION

C.1850

of rectangular form, the top with an arrangement of five lidded compartments with ivory finials, floral and geometric mosaic decoration, a pair of glass ink wells and two pin cushions above a concave front with a central drawer, with geometric borders and scrolling floral sides, on spinning top feet

7cm high, 32.2cm wide, 20.2cm deep

Catalogue Note

See Pinto, Tunbridge and Scottish Souvenir Woodware, pl. 14 for a similarly shaped companion.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£150­250

459

λ 460

461

462

A VICTORIAN TUNBRIDGE WARE TEA CADDY BY HENRY HOLLAMBY, C.1870

the domed cover with a mosaic view of the ruins of Bayham Abbey inside a geometric border, enclosing a pair of lidded compartments, the concave side with a broad band of roses and other flowers

15cm high, 26cm wide, 16cm deep

£200­300

463

A VICTORIAN TUNBRIDGE WARE CHALYBEATE SPRING STAINED WORK BOX

ATTRIBUTED TO HENRY HOLLAMBY

of bombe form, the cover with a raised panel with a rose flower mosaic inside a rose border, the waisted sides with a broad oak leaf and acorn band and stick ware feet, the silk lined interior with a liftout tray with divisions and lidded compartments, including some contents including mother of pearl cotton reels

13.5cm high, 23.5cm wide, 18.8cm deep

£150­200

464

A VICTORIAN TUNBRIDGE WARE WRITING SLOPE

ATTRIBUTED TO HENRY HOLLAMBY, C.1870 with mosaic decoration of a view of Battle Abbey Gatehouse beneath a floral spray inside scrolling foliage, enclosing a velvet lined slope, a pair of inkwells, pen rest and a lidded compartment, the concave sides with further flowering foliage

8cm high, 31cm wide, 27cm deep

£150­200

466

A VICTORIAN TUNBRIDGE WARE AND EBONY SEWING BOX ATTRIBUTED TO THOMAS BARTON, C.1870

the domed cover with a view of Bayham Abbey inside a broad band of flowers, the inside with Prince Edward with a spaniel and falcon, with a lift­out silk and paper lined tray with divisions and lidded compartments, the brass lock stamped ‘TURNER MAKER, CITY ROAD LONDON’

10.5cm high, 27cm wide, 21.8cm deep

Provenance

Previously sold through these rooms Furniture & Works of Art, 24th September 2013, Lot 477.

£200­300

λ

λ 465

A TUNBRIDGE WARE AND ROSEWOOD BOOK OR MUSIC STAND

with a central panel of cube work inside a broad floral mosaic border, with a ratchet support 24cm high, 30.2cm wide

£150­200

A VICTORIAN TUNBRIDGE WARE AND ROSEWOOD CIRCULAR SEWING BASKET

BY THOMAS BARTON

the circular base with a mosaic floral panel beneath pleated silk sides, a geometric mosaic rim and a plain rosewood swing handle, with a paper label attached for ‘T Barton Late Nye’ 13cm high (with handle up), 15.2cm diameter

£150­200

467

468

A VICTORIAN TUNBRIDGE WARE WALNUT AND BURR MAPLE TABLE CABINET

C.1870

the slightly domed top with a mosaic veiw of Hever Castle inside a floral border, the pair of doors with floral ovals enclosing four drawers with mosaic banding, on a platform with flattened bun feet

16.7cm high, 20.8cm wide, 16.3cm deep

£200­300

λ 469

A VICTORIAN TUNBRIDGE WARE AND ROSEWOOD TABLE CABINET ATTRIBUTED TO HUMPHREY BURROWS

the top with a mosaic panel of a dog inside a geometric border above a single door with a view of Eridge Castle enclosing four graduated drawers with ebonised handles 14.5cm high, 18.4cm wide, 11.6cm deep

Provenance

Purchased from these rooms Furniture and Works of Art, 7th October 2014, lot 298.

£150­200

END OF COLLECTION

469

469 open

468

468 open

470

A COLLECTION OF FIVE POLICE TRUNCHEONS

EARLY / MID­19TH CENTURY

of varying forms, with painted and gilded decoration above turned handles, three with a gilt ‘VR’ monogram, one painted with a castle and another with the inscription ‘LG & HC 11.’ in gilt

(5)

46.2cm long (max)

£250­350

471

A COLLECTION OF FOUR POLICE TRUNCHEONS

MID­19TH CENTURY AND LATER each with turned handles, one ebonised, and a 20th century baton or truncheon, stamped ‘6C/659’ (5) 56cm (max)

£150­250

472

A VICTORIAN MAHOGANY SPECIMEN COLLECTOR’S CABINET

C.1870

the glazed door enclosing eighteen numbered drawers, with a recessed brass handle, together with a collection of specimen microscope slides with plant and animal specimens 31cm high, 24.5cm wide, 24.5cm deep

£300­500

473

AN EARLY VICTORIAN GILT AND PATINATED BRASS DAY’S PATENT FACE SCREEN IN GOTHIC REVIVAL STYLE, C.1840 the screw­off cover revealing a pleated green silk fan, decorated with the Royal Coat of Arms 23.7cm high

£40­60

473A

LITERATURE. A COLLECTION OF BOOKS AND AUCTION CATALOGUES RELATING TO FURNITURE

including: ‘The Gerstenfeld Collection. Masterpieces of English Furniture’, ‘The Chandelier’ by Martin Mortimer, ‘Maitre Ebenistes Francais’ by Jean Nicolay various Christie’s auction catalogues, The Wildenstein Collection, Simon Sainsbury, Longrdige Collection, Rous Lench, Hackwood Park and Houghton House sales (28)

£100­200

473A

474

A VICTORIAN GILT BRASS AND SILVERED ÉPÉRGNE

C.1870

the green and clear glass trumpet on a turned column with engraved and cast decoration, the base with three recumbent camels beneath a rug on a circular foot with bands of beading, with a registration diamond stamped to the foot 54cm high

£300­500

475

A VICTORIAN PIETRA DURA AND GILT METAL PHOTOGRAPH FRAME

C.1870

with a pair of oval frames, the hinged covers inset with floral panels on a reticulated, scrolling foliate frame with an easel back inscribed ‘Sampson, York’ 15cm high, 18.5cm wide

£200­300

476

A FRENCH GILT BRONZE URN AND COVER MID­19TH CENTURY

the cylindrical body with a frieze of cherubs in relief beneath a cover with a bird of prey finial, supported on three doves above a base with floral swags and a scrolling foot 34cm high

£200­300

477

A VICTORIAN OAK AND SILVER PLATED MOUNTED TANTALUS LATE 19TH CENTURY

with Gothic style mounts, fitted with three square section glass decanters and stoppers, with a key 34.5cm high, 36.5cm wide, 13cm deep

£100­150

478

A VICTORIAN WALNUT STATIONERY BOX

C.1880

the hinged sloping front enclosing a fitted interior, above a single drawer, the sides applied with scallop shell handles, on a plinth base 36.4cm high, 43cm wide, 30.5cm deep

£200­300

479

A VICTORIAN MOTHER OF PEARL GLOVE BOX LATE 19TH CENTURY

of rectangular form with canted edges and corners, with a pale blue buttoned silk interior 9cm high, 32cm long, 9.5cm deep

£100­150

480

A LEATHER WASTE PAPER BASKET EARLY 20TH CENTURY in the form of a gilt tooled leather book titled ‘HAKLUYT’S VOYAGES’ 30.5cm high, 25.5cm square

£100­150

λ 481

AN EARLY VICTORIAN ROSEWOOD SEWING TABLE CABINET

C.1840

inlaid with mother of pearl and with nulled mouldings, the hinged top revealing a gilt tooled letter pouch above a silk lined interior with divisions, lidded compartments and various utensils, the hinged front with three drawers, one with trays for jewellery and one with a writing slope and inkwells

29.7cm high, 31cm wide, 22.1cm deep

£200­300

483

A REGENCY SATINWOOD AND EBONY BOOK CARRIER

EARLY 19TH CENTURY

with brass mounts and inlaid with marquetry scrolling foliate decoration, above a single drawer and bun feet

23.8cm high, 38cm wide, 28cm deep

£300­500

482

A VICTORIAN WALNUT TWO TIER LAZY SUSAN

C.1870

of hexafoil form, the rims carved with roses, thistles, holly, oak leaves and fruiting vines

19cm high, 59cm diameter

£100­200

485

λ 484

A RUSSIAN CARVED WOOD KOVSH POSSIBLY TALISHKINO, EARLY 20TH CENTURY

with silver and marine ivory inlay

19.2cm long

£200­300

485

A SILVER PLATED FIGURE OF A POLAR BEAR CUB EARLY 20TH CENTURY climbing on a quartz rock

17.5cm high, 20cm wide, 13cm deep

Provenance Property of a Collector.

£150­200

486

A SHELL AND SILVER MOUNTED SPOON

PROBABLY SCOTTISH, LATE 19TH CENTURY

mounted with a vacant shield shaped cartouche and a red cabochon stone to the finial

17.7cm long

£150­200

487

A COLLECTION OF SEVEN FRENCH PORCELAIN BIRDS

20TH CENTURY

including a hoopoe, wren, thrush, snipe and others (7)

15cm (max)

£200­300

488

A REGENCY NEEDLEWORK PICTURE

EARLY 19TH CENTURY

of a hound resting beside a hare, a gun to one side and surrounded by foliage, glazed and in a gilt frame 51 x 64cm

£400­600

490

A SILK, GILT AND SILVER THREAD GAMING PURSE PROBABLY FRENCH OR ITALIAN, LATE 17TH / EARLY 18TH CENTURY

the four alternating panels woven with a coronet above an initial surrounded by flowering foliage, with a pink silk lining; together with a purse with vertical bands in pink and black silk and gilt thread interspersed with gilt thread lace work, with probably later tassels; and a miser’s purse with cut steel beads worked into the embroidery (3) 41cm (max)

£200­300

489

A GEORGE III SILKWORK PICTURE C.1800

the central oval scene of a lady and her dog with a beggar woman and child, inside a border of scrolling flowers and ribbons in an octagonal frame 42 x 36cm (max)

£100­150

491

A PAIR OF PAINTED PINE AND JADEITE MOUNTED WALL APPLIQUES

LATE 19TH CENTURY

the urn shaped body issuing a sprig with jadeite leaves and flowers (2)

61cm high

£150­250

492

A WATERCOLOUR OF NAPOLEON BONAPARTE’S BARGE INSCRIBED ‘BUONAPARTE’S BARGE, EARLY 19TH CENTURY depicted flying the Union Flag and Tricolor, framed 13.5 x 25.5cm

£200­300

493

A PAIR OF BURR WALNUT URNS AND COVERS

20TH CENTURY

each with bands of lozenge decoration on a stepped and stained foot and square plinth, (2)

34cm high

£300­500

493A

A PAIR OF TREEN BURR WOOD WINE BOTTLE COASTERS

19TH CENTURY

each with a central ebony button and an inlaid band of lozenges to the exterior, (2)

3cm high, 11.1cm diameter

£300­500

494

A PAIR OF AUSTRIAN TERRACOTTA BLACKAMOOR MUSICIANS LATE 19TH CENTURY

he modelled playing a mandolin, she a pair of cymbals, incised ‘437’ to the bases (2)

48.5cm high (max)

£300­500

495

A PAIR OF CORNISH RED SERPENTINE VASES 20TH CENTURY

of urn form with banded decoration to the neck and stem (2) 20.5cm high

£100­150

496

A GRADUATED MATCHED SET OF THREE GLASS FINIALS LATE 19TH / 20TH CENTURY

of faceted teardrop form on a bronze base (3) 32.5cm high (max)

£150­250

498

497

A VICTORIAN BRASS GREYHOUND INKSTAND LATE 19TH CENTURY

the dog seated with a whip in its mouth, flanked by a pair of lidded, rope­bound inkwells with shell finials, on an oval oak base

21cm high, 24.5cm wide, 19.2cm deep

£300­400

498

A BRASS IMPERIAL HALF-GALLON STANDARD MEASURE

BY DE GRAVE & CO LTD LONDON

of banded cylindrical form, engraved ‘WD ER’ around a crown 14.7cm high, 15.6cm diameter

£200­300

λ 499

A TORTOISESHELL AND GOLD SNUFF BOX EARLY 19TH CENTURY

of square form, inlaid with the Barrosa eagle to the lid, together with a French pressed tortoiseshell snuff box, with silver mounts, unmarked, together with a George III tortoiseshell and horn pocket magnifying glass (3)

£100­200

500

A FRENCH BRASS AND MOTHER OF PEARL FIVE DRAWER MONOCULAR 19TH CENTURY

marked ‘Derepas Roi Palais Royale No.23’ to the eye piece, together with a mother of pearl pipe tamper in the form of a lady’s leg, a George III paste mounted steel buckle, an oval brooch with a miniature landscape and a 19th century box of paper quotes (5)

£100­150

501

A GEORGE III MAHOGANY SINGLE WINE BOTTLE HOLDER PROBABLY IRISH AND ATTRIBUTED TO WILLIAM AND GIBTON, C.1790

with a shaped rest and wavy sides, stamped 20584 to the base 9.6cm high, 12.7cm wide, 20.7cm deep

Catalogue Note

Robin Butler, Great British Wine Accessories, p.257, pl. 12/17 for a less elaborate example.

£200­300

502

A VICTORIAN SILVER-GILT AND LEATHER PURSE LATE 19TH CENTURY

unmarked, with pierced chinoserie decoration in 18th century Rococo style, the front inset with a miniature painted view of the Cliff Bridge, Scarborough, with a pink silk lined interior, with an associated leather case (2) 8.5cm wide

£400­600

503

AN EMBOSSED LEATHER BOX AND COVER IN 17TH CENTURY STYLE

of rectangular form, the cover carved with an armorial crest of two birds beneath a coronet surrounded by birds in scrolling foliage issuing from a basket inside a cartouche surrounded by further scrolling foliage, the sides similarly decorated, the interior lined with yellow silk 9.7cm high, 31.5cm wide, 24.2cm deep

Catalogue Note

A Buckingham Palace note card is attached to the underside of the cover and is inscribed ‘From HM the Queen / for the Bazaar’.

£200­300

SPORTING, NATURAL HISTORY & MISCELLANEA

504

A CARVED WOOD MUSHROOM DIORAMA

the naturalistic setting with a tree stump, pine cones and leaves applied with button­type fungi, under a glass dome on an ebonised base

55cm high, 28cm wide, 18.2cm deep

£300­400

505

A TREEN GIANT CLAM SHELL

20TH CENTURY

20cm high, 60.6cm wide, 38cm deep

£200­300

506

A SCULPTURAL BOG OAK SPECIMEN

with flint deposits

86.2cm high, 72.5cm wide

£300­500

507

TAXIDERMY. A GEORGE V PRESERVED TENCH BY W.F.HOMER, DATED ‘1912’

mounted in a naturalistic setting, inscribed in gilt and black ‘Tench, caught at Fryerning by E. Morros. 20th Sept. 1912, Wgt 2lb 3 1/4ozs, in an ebonised, glazed bowfront case, a paper label mounted to the backboard

31.7cm high, 58cm wide, 16.2cm deep

£600­800

507 508

508

TAXIDERMY. A GEORGE V PRESERVED TENCH PROBABLY BY W.F.HOMER, DATED ‘1911’

mounted in a naturalistic setting, inscribed in gilt and black ‘Tench, caught by Edward Morris, “Coronation Day” 1911. Wgt 2lb 6 1/2ozs’, in an ebonised, glazed bowfront case, the signs of a paper label mounted to the backboard

31.5cm high, 52cm wide, 13.4cm deep

£600­800

509

TAXIDERMY. AN EDWARDIAN PRESERVED LARGE PERCH

EARLY 20TH CENTURY

mounted in a naturalistic setting, in a glazed, ebonised and gilt bowfront case, a paper label mounted to the backboard, inscribed ‘A. J. Ponchaud, Ringwood’

38cm high, 54cm wide, 16.5cm deep

509

510

A NAIVE CARVED AND PAINTED WOOD HALF-BLOCK FISHING TROPHY MODEL OF A SALMON IN FOCHABER'S STYLE, C.1880­90 the mouth with carved teeth,with two brass suspension rings and chain for hanging 27cm high, 83.5cm long £2,000­3,000

512

A SILVER PLATED AND GLASS CURLING STONE PRESERVE CRUET EARLY 20TH CENTURY

the two glass dishes with ebonised handles and besom­handled spoons, the frame handle as crossed besoms with a stone atop 16cm high, 21.5cm wide, 13cm deep

£200­300

511

A PAIR OF SILVER PLATED STAG’S HEAD CANDLE HOLDERS

20TH CENTURY

with glass eyes, each with a circular nozzle between a pair of antlers, on a stepped circular base (2) 23.5cm high, 16.5cm wide (max)

£400­600

513

THREE SCOTTISH CURLING STONE DESK WEIGHTS

20TH CENTURY

in various granites, including a pen holder (3) 9.5cm high, 12cm diameter (max)

£200­300

514

A NOVELTY DUTCH HOUSE BIRDCAGE

19TH CENTURY

modelled as an 18th century Dutch three storey mansion with a central portico 58cm high, 80cm wide, 45cm deep £400­600

515

A WIREWORK BIRDCAGE

20TH CENTURY

of domed form, with a single door, swing and perch 46cm high, 40cm diameter £150­250

516

A SHELL ENCRUSTED WALL MIRROR PROBABLY EARLY 20TH CENTURY

the oval bevelled plate within a shaped frame applied with an assortment of shells 83.8 x 52cm £200­300

517

A COLLECTION OF SEASHELLS with a wide variety of specimens including spiney scallop and abalone, together with various quartz and other pebbles, housed in a Victorian oak miniature chest 29cm high, 30.5cm wide, 23cm deep £200­300

518

A MATCHED CROQUET SET AND STAND JAQUES AND OTHERS, EARLY 20TH CENTURY comprising: four mallets and balls, two markers, six Jaques hoops and a stand, some marked £400­600

519

A POND YACHT with canvas sails and a part painted and planked hull, on a stand 119cm high, 115.4cm wide, 17cm deep £150­200

517

517 open

520

A CASED SET OF FIFTY-SIX OPTICIAN’S PROSTHETIC EYES

LATE 19TH / EARLY 20TH CENTURY

the irises in various named shades of blue and grey, most showing blood vessels and including fourteen without irises, in a fitted wooden box

27.4 x 30.9cm

£1,000­1,500

521

A COLLECTION OF FOUR OPTICIAN’S PROSTHETIC EYES

LATE 19TH / EARLY 20TH CENTURY in various sizes, with blue and brown irises, all showing blood vessels (4) £200­300

522

A PHILIPS’ BRITISH EMPIRE GLOBE BY GEORGE PHILIP & SON LTD, C.1900 on a brass axis on a turned and ebonised base 34.5cm high £100­150

524

A VICTORIAN SCOTTISH MAHOGANY CHILD’S HIGHCHAIR

19TH CENTURY

with a table base, the underside with a trade label inscribed ‘John Laird & Son, 1113 Argyle St. Sandyford, Glasgow’

100.2cm high, 46.5cm wide, 46.3cm deep

£300­500

523

A LARGE EARLY VICTORIAN MAHOGANY BLANKET CHEST

C.1840

of sarcophagus shape

64.3cm high, 145.5cm wide, 70.2cm deep

£200­300

525

A VICTORIAN EBONISED BREAKFRONT OPEN BOOKCASE

C.1870

inlaid with brass stringing and with ormolu mounts, with adjustable shelves

110cm high, 152.2cm wide, 38.8cm deep

£500­700

526

A SERPENTINE PAINTED SETTEE IN GEORGE III STYLE, LATE 19TH CENTURY the arched back above scroll arms and a serpentine seat with watered silk upholstery, on slightly flared legs with painted and gilt ribbon and harebell decoration 90.5cm high, 152cm wide, 60cm deep

£400­600

527

527

A MAHOGANY LIBRARY ARMCHAIR IN GEORGE III STYLE, 19TH CENTURY upholstered with plush fabric, the downswept arm supports carved with leaves, on cabriole front legs with stylised foliage square section feet

Provenance

Property of a Collector.

£400­600

526 528

528

A VICTORIAN MAHOGANY OTTOMAN STOOL

19TH CENTURY covered in black silk damask, on bun feet with brass sunken castors

43.5cm high, 94cm wide, 71.2cm deep

Provenance

Property of a Collector.

£200­300

529

A VICTORIAN WATERCOLOUR DESIGN FOR WROUGHT IRON GATES

C.1888

depicting a pair of gates beneath a crest and flanked by a pair of smaller gates and brick gateposts, the mount with applied paper labels giving the artists name as a student called Moore and stating the designs where awarded the National Bronze Medal, dated ‘1888’

56 x 85.5cm

£100­150

530

A LATE VICTORIAN MAHOGANY ARTIST’S EASEL LATE 19TH / EARLY 20TH CENTURY with an adjustable rest 175.4cm high, 56cm wide, 91cm deep

£200­300

531

A VICTORIAN BRONZED CAST IRON PLAQUE OF THE ‘LAST SUPPER’ IN THE MANNER OF COALBROOKDALE, LATE 19TH CENTURY the base with a Latin inscription from Matthew, Chapter 26

36.8 x 66.7cm

£100­150

532

A PAINTED CABINET IN THE FORM OF WELL HEAD HOUSE

LATE 20TH CENTURY

with sliding and hinged covers to reveal storage compartments on a Georgian style stand

184cm high, 150cm wide, 44.8cm deep

Catalogue Note

Well Head House, Halifax was built in 1761 and demolished in 1975

£200­300

533

A MAHOGANY WATERFALL BOOKCASE IN REGENCY STYLE, EARLY 20TH CENTURY

with reeded decoration 107.3cm high, 76.8cm wide, 28cm deep

£200­300

534

A MAHOGANY LIBRARY BERGÈRE ARMCHAIR IN REGENCY STYLE, MID­19TH CENTURY with a reeded frame, caned back, seat and sides, on ribbed supports

£800­1,200

533

534

535

A PAIR OF EDWARDIAN WING ARMCHAIRS IN GEORGE II STYLE BY HOWARD & SONS, EARLY 20TH CENTURY each with scroll arms on walnut cabriole front legs, stamped ‘...7667 Howard & Sons LTD Berners St.’ (2)

£800­1,200

536

A MAHOGANY GAINSBOROUGH ARMCHAIR IN GEORGE III STYLE, LATE 19TH CENTURY with an arched back and a serpentine seat, on blind fret carved legs and pierced stretchers, with floral tapestry upholstery

£200­300

537

AN OAK OPEN ARMCHAIR IN CHARLES II STYLE, 19TH CENTURY carved with scrolling leaves and with a boys and urn surmount, with a caned back and seat and a conforming front stretcher

£150­250

538

A MAHOGANY LIBRARY BERGÈRE ARMCHAIR IN REGENCY STYLE, SECOND HALF OF 19TH CENTURY with a reeded frame and a cane back, seat and sides, with green leatherette armrests and two cushions

£200­300

539

A PAIR OF MAHOGANY OPEN ARMCHAIRS

IN EARLY GEORGE III IRISH STYLE, 19TH CENTURY each with a padded back and seat upholstered with crewel work style fabric, the frames with cabochon decoration, with scroll arms with claw and ball terminals, on moulded fronts legs united by an ‘ H ‘ stretcher (2)

£800­1,200

541

A MAHOGANY BOOK TROUGH EARLY 20TH CENTURY with five divisions

83.8cm high, 92.2cm wide, 39.5cm deep

£300

500

540

A MAHOGANY TWIN PEDESTAL DINING TABLE IN REGENCY STYLE, EARLY 20TH CENTURY the crossbanded top with a reeded edge on a fluted stem and splay legs, comprising: a pair of ‘D’ ends and an additional leaf

72cm high, 237.5cm long, 106.2cm deep

£100­200

543

A GEORGE III GILTWOOD WALL MIRROR

C.1770­80

the later plate within a naturalistically carved frame with branches, leaves and fruit, with scrolls, rockwork and finials

116.1 x 70.5cm

£200­300

542

A VICTORIAN GILTWOOD WALL MIRROR

MID­19TH CENTURY

the bevelled rectangular plate inside a frame with a foliate crest and beaded slip

102.5 x 75.2cm

Provenance Trafalgar Park, nr. Salisbury.

£100­200

544

A VICTORIAN GILTWOOD AND GESSO OVAL WALL MIRROR IN GEORGE III STYLE, MID­19TH CENTURY

with a later central bevelled plate inside a segmented border, with beaded frames

64 x 89cm

£200­300

545

545

A GILTWOOD AND GESSO OVER-DOOR MIRROR

19TH CENTURY

of fan shape with marginal plates, the frame decorated with scrolls, shells and leaves 94 x 187cm

Provenance

Property of a Collector.

£400­600

546

A WALNUT CENTRE TABLE IN GEORGE II STYLE, LATE 19TH CENTURY the quarter veneered top above a frieze drawer on cabriole legs terminating in hoof feet 71cm high, 79.3cm wide, 56.5cm deep £400­600

547

A WALNUT WING ARMCHAIR IN GEORGE II STYLE, LATE 19TH / EARLY 20TH CENTURY on carved front legs with claw and ball feet £250­350

546

547

548

A VICTORIAN MAHOGANY KNEEHOLE DRESSING TABLE

LATE 19TH CENTURY

fitted with an arrangement of seven drawers on brass castors 77.4cm high, 122cm wide, 59.8cm deep

Provenance

The Earls of Lichfield, Shugborough Hall, Staffordshire. Property of a Collector.

£300­400

549

NAVAL INTEREST. A MAHOGANY OCCASIONAL TABLE FROM THE MAURETANIA

EARLY 20TH CENTURY

with a silver plaque inscribed ‘R.M.S. MAURETANIA The grand old lady of the Atlantic 1907 ­ 1934’, with a weighted base 71.3cm high, 55.5cm wide, 54.6cm deep

£150­250

550

A LEATHER EASY ARMCHAIR EARLY 20TH CENTURY with studded decoration on reduced beechwood legs

£100­150

551

A DUTCH BLACK JAPANNED DISPLAY CABINET LATE 19TH CENTURY

with red and gilt decoration with chinoiserie scenes, the top with a pair of astragal glazed doors enclosing three glass shelves, the base with a pair of panelled doors

213cm high, 122cm wide, 30.5cm

£400­600

552

A WALNUT AND GILTWOOD PIER MIRROR IN GEORGE II STYLE, 19TH CENTURY

the rectangular plate inside a gilt slip and scrolling frame beneath a carved and gilt flowering urn crest, inscribed ‘London’ verso

101.5cm high, 54.5cm wide

£150­250

553

AN AESTHETIC MOVEMENT TRIPTYCH MIRROR

C.1880

with a pair of Japanese black and gilt panels depicting two figures and a stork, in gilt metal frames, folding out to reveal the square plates, in a faux bamboo frame

38cm high, 94cm wide (max)

£200­300

554

A PAIR OF VICTORIAN MAHOGANY HALL CHAIRS

C.1850

each with a scroll cartouche shape back above a solid seat and on cabriole front legs (2)

£200­300

555

A WING ARMCHAIR IN GEORGE III STYLE, 19TH CENTURY on ring turned front legs

£200­300

556

A WALNUT DRESSING TABLE MIRROR PROBABLY IRISH, 18TH CENTURY AND LATER

the rectangular plate on an easel style frame, together with two mahogany dressing table mirriors with oval plates on scrolling supports (3) 54cm high, 61cm wide, 21cm deep (max)

Provenance Rahinstown House, Country Meath, Ireland. Property of a Collector.

£300­500

557

AN EASY ARMCHAIR IN HOWARD STYLE, EARLY 20TH CENTURY on mahogany square tapering front legs and brass castors

£150­250

558

A MOORISH HARDWOOD AND CEDAR SIDE CABINET IN ARTS AND CRAFTS LIBERTY STYLE, LATE 19TH / EARLY 20TH CENTURY

the panelled inverted breakfront top with parquetry bands above a central cupboard door with pierced and moulded decoration in the manner of Thomas Jeckyll, enclosing a shelf flanked by a pair of frieze drawers with cupboards below with carved pilasters applied with brass bosses on bracket feet carved with lunettes

103.3cm high, 168.4cm wide, 56.7cm deep

£1,000­1,500

559

A VICTORIAN OAK GOTHIC REVIVAL SIDE TABLE IN THE MANNER OF A.W.N. PUGIN, C.1850­60

the rectangular top above visible pegs and mortice and tenon joints and a frieze drawer with brass ring handles, on chamfered supports united by a low stretcher

75cm high, 106cm wide, 51.2cm deep

£200­300

559

558

561

A VICTORIAN WALNUT AND MARQUETRY SERPENTINE CARD TABLE IN LOUIS XV STYLE, C.1870 with ormolu mounts and inlaid with leaves, birds and flowers, with a hinged and swivel top

73.5cm high, 81.7cm wide, 41cm deep

£500­800

560

A VICTORIAN WALNUT AND ORMOLU MOUNTED DESK CHAIR IN THE MANNER OF HOLLAND & SONS, C.1860 with a curved caned back, above a serpentine front seat, on fluted legs and ceramic castors

£300­500

562

A VICTORIAN WALNUT MINIATURE PIER CABINET C.1870

the glazed door enclosing three shelves, boxwood line inlay and gilt metal foliate mounts, with a key 60.5cm high, 43.2cm wide, 25.3cm deep

£400­600

563

A VICTORIAN WALNUT AND FLORAL MARQUETRY SERPENTNE CREDENZA

C.1870

with ormolu mounts and inlaid with flowers and leaves, with three doors enclosing plush lined shelves

113.6cm high, 191.7cm wide, 45cm deep

£1,000­1,500

564

563

564

A VICTORIAN WALNUT AND MARQUETRY KIDNEY SHAPE WRITING TABLE IN THE MANNER OF HOLLAND & SONS, C.1880

with ormolu mounts, the top inset with a green leather writing surface above a frieze drawer on fluted baluster supports and ceramic castors

73cm high, 96.5cm wide, 45.8cm deep

£400­600

565

A LATE VICTORIAN WALNUT PEDESTAL DESK BY JAMES SHOOLBRED & CO., C.1880­90 with a hinged stationery and writing compartment above a leather lined fall revealing pigeonholes and push button mechanisms to activate the hinged side compartments each revealing six drawers and eight pigeonholes, flanking a cupboard, with enamel trade label inscribed ‘James Shoolbred & Co., Tottenham House, Tottenham Court Road, London’, the drawers also stamped and numbered ‘3513’ 90cm high, 150.2cm wide, 68.5cm deep

£300­500

566

A PAIR OF EDWARDIAN MAHOGANY CURULE ARMCHAIRS EARLY 20TH CENTURY

of ‘ X ‘ shape, with satinwood banding and pierced lattice arm supports (2)

£200­300

567

A PAIR OF EDWARDIAN PAINTED SATINWOOD CANDLESTANDS IN GEORGE III STYLE, EARLY 20TH CENTURY each parcel gilt and polychrome decorated with leaves, the dished circular top above an open scroll frame (2) 123cm high, 54cm wide £1,500­2,000

A NEST OF THREE PAINTED SATINWOOD OCCASIONAL TABLES IN SHERATON STYLE, LATE 19TH / EARLY 20TH CENTURY

the largest painted with an oval medallion after Angelica Kauffman (3)

70.1cm high, 45.5cm wide, 35cm deep (max)

£400­600

AN EDWARDIAN SATINWOOD OVAL OCCASIONAL TABLE BY EDWARDS & ROBERTS, EARLY 20TH CENTURY

the top inlaid with a marquetry conch shell above a frieze drawer with a bone trade label inscribed ‘Edwards & Roberts, Wardour St., 126, Piccadilly, 532, Oxford St., London’

73.4cm high, 74cm wide, 57.5cm deep

£500­700

568

569

570

A SET OF SIX EDWARDIAN SATINWOOD OPEN ARMCHAIRS IN SHERATON STYLE, EARLY 20TH CENTURY each with a shield shape back, carved with drapes above scroll arms, on reeded tapering legs (6)

£1,000­1,500

571

A VICTORIAN GILTWOOD JARDINIÈRE STAND IN ADAM STYLE, LATE 19TH / EARLY 20TH CENTURY in the form of an athénienne with ram’s head monopodia supports 86cm high, 46cm wide £400­600

GRAND TOUR &SCULPTURE

572

AN ITALIAN ALABASTER GRAND TOUR MODEL OF THE LEANING TOWER OF PISA 19TH CENTURY mounted on an ebonised plaster base 23.6cm high

£400­600

574

AN ITALIAN BRONZE GRAND TOUR MODEL OF THE TEMPLE OF SATURN MID­19TH CENTURY with eight Corinthian columns beneath a frieze and on an ashlar plinth and Siena marble base 13cm high, 11.8cm wide (max)

£150­250

573

A PLASTER GRAND TOUR BUST OF SOCRATES AFTER THE ANTIQUE with a buff painted finish 53.8cm high, 32cm wide

£400­600

576

AN ITALIAN BRONZE GRAND TOUR TAZZA LATE 19TH CENTURY with a pair of entwined serpent handles on a veneered giallo antico marble plinth

23.8cm high, 24cm wide

£400­600

575

AN ITALIAN BRONZE GRAND TOUR MODEL OF THE ALBANI VASE

AFTER THE ANTIQUE, LATE 19TH CENTURY decorated with vine leaves above Bacchic masks, numbered ‘1639’ 23.5cm high, 38.5cm wide, £400­600

577

A FRENCH BRONZE GRAND TOUR BRONZE MODEL OF THE ARC DE TRIOMPHE LATE 19TH CENTURY

possibly originally a desk stand or inkwell, with a hinged cover, on an oval base and black marble plinth 22cm high, 24cm wide, 16.8cm deep

£400­600

578

AN ITALIAN BRONZE GRAND TOUR BUST OF APOLLO BELVEDERE AFTER THE ANTIQUE, LATE 19TH CENTURY with a dark brown patination 23cm high

£200­300

579

AN ITALIAN BRONZE GRAND TOUR BUST OF A YOUTH AFTER THE ANTIQUE, EARLY 19TH CENTURY with short wavy hair, on an ebonised, turned plinth 23.5cm high £200­300

580

A PAIR OF ITALIAN BRONZE GRAND TOUR PLAQUES POSSIBLY LATE 17TH / EARLY 18TH CENTURY of Nero and Titus, Nero facing left and inscribed ‘VI NERO.AVG’, Titus facing right inscribed ‘XI T. VEPAS.AVG’ (2) 14cm high, 12.3cm wide (max) £300­500

581

A PAIR OF ITALIAN MARBLE GRAND TOUR OBELISKS

LATE 19TH / EARLY 20TH CENTURY

of six different marbles including red breccia and alicante red, of tapering form on stepped plinths (2)

38.8cm high

£400­600

582

AN ETCHED AND POLISHED BLACK MARBLE GRAND TOUR OBELISK LATE 19TH / EARLY 20TH CENTURY

decorated in low relief to the front with hieroglyphs and other symbols and to the sides with stylised scrolling floral and foliate decoration, on a stepped plinth

41cm high, 11.7cm square

£200­300

583

A PAIR OF FOSSIL MARBLE GRAND TOUR OBELISKS on a plinth base and stepped foot (2)

49cm high

£300­500

584

AN ITALIAN TERRACOTTA GRAND TOUR FIGURE OF SOPHOCLES AFTER CONSTANTIN DAUSCH (GERMAN, 1841­1908), LATE 19TH / EARLY 20TH CENTURY

the ancient philosopher standing wearing a toga, the underside with a printed label for ‘Mason de Cluny Florence’, 33.5cm high

£300­400

585

A PAIR OF GREY MARBLE COLUMNS 19TH CENTURY

of cylindrical form, on white marble plinths (4) 105cm high, 43cm diameter (max)

Provenance

From an Irish Country House.

£800­1,200

586

A PAIR OF ITALIAN ALABASTER GRAND TOUR URNS

LATE 19TH / EARLY 20TH CENTURY

the tapering bodies with a lappet rim above stiff leaves on a socle base, a cylindrical plinth and a square foot; together with an urn and cover, with Greek key style handles and a flower bud finial (3)

32cm high (max)

£400­600

587

AN ITALIAN MARBLE GRAND TOUR CARVING OF A KNOTTED SNAKE

EARLY 19TH CENTURY

with green painted decoration and red glass eyes, on a rectangular black marble base

5cm high, 13.1cm wide, 10.9cm deep

£150­250

588

A PAIR OF FRENCH BRONZE GRAND TOUR VASES

MID­19TH CENTURY

each with parcel­gilt decoration and cast with classical figures in low relief beneath foliate decoration to the necks and a pair of high scrolling handles, on stepped black marble bases (2)

26cm

£150­250

589

A FRENCH BRONZE GRAND TOUR FIGURE OF VENUS DE MILO

AFTER THE ANTIQUE, CAST BY BARBEDIENNE, LATE 19TH CENTURY with a brown patina, the base stamped ‘F. BARBEDIENNE. FONDEUR’

47.5cm high

£200­300

590

A BRONZE GRAND TOUR GROUP OF A CHERUB WRESTLING A GOOSE

AFTER THE ANTIQUE, LATE 19TH CENTURY with a dark brown patina

34cm high

£300­500

591

A FRENCH BRONZE GRAND TOUR FIGURE OF THE MEDICI VENUS

AFTER THE ANTIQUE, MID­19TH CENTURY standing on an oval shaped base

33cm high

£400­600

592

AN ITALIAN BRONZE GRAND TOUR FIGURE OF A BEEKEEPER LATE 19TH CENTURY

the young man in a woven hat resting on a grass skep, on a pedestal decorated with bees and foliage, with a rectangular base 28.5cm high

£300­400

593

AN ELECTROTYPE FIGURE OF A GIRL AFTER THE ANTIQUE, LATE 19TH CENTURY standing bare foot on a naturalistic mound base

13.3cm high

£150­200

594

A FRENCH BRONZE GRAND TOUR FIGURE OF LORENZO DE MEDICI AFTER MICHELANGELO, LATE 19TH CENTURY

depicting the Italian statesman seated on a plinth, inscribed ‘MICHEL­ANGE’ to the side of the foot 38cm high

£300­500

596

A FRENCH MARBLE BUST OF A YOUNG BOY IN THE MANNER OF FRANÇOIS DUQUESNOY (FLEMISH 1597­1643), 18TH CENTURY on a turned socle, damages and repairs

44cm high

Provenance

Property of a Private Collector.

£100­200

595

A WHITE MARBLE ANATOMICAL ÉCORCHÉ BUST

20TH CENTURY

the male head showing veins, arteries, muscles and the top of his rib cage 60cm high

£1,500­2,000

597

A FRENCH BRONZE FIGURE OF ‘ARAB EN MARCHE’ AFTER ÉMILE PINEDO (1840­1916)

brown patinated, on a canted rectangular base with a title, signature and impressed Paris foundry mark, together with a bronze figure of ‘JANISAIRE / PRIX DE ROME’, after Jean Didier Debut, on a rectangular base, titled, signed and with an impressed Paris foundry mark (2)

33.5cm high (max)

£400­600

598

A BRONZE BUST OF MADAME DU BARRY BY GOLDSCHEIDER, AFTER AUGUSTIN PAJOU (1730­1809), LATE 19TH CENTURY on a socle base and ebonised square section plinth, ‘Goldscheider’ and ‘RG’ stamps verso 33.5cm high

£200­300

599

A PAIR OF BRONZE FIGURES OF SHAKESPEARE AND MILTON

ORIGINALLY PUBLISHED BY I & R WARNER, 1827 each leaning on a column, on a rectangular foot and an ebonised wood plinth (2)

15.5cm high (max)

£300­500

‡ 600

AN INDIAN SCHOOL BRONZE FIGURE OF A WRESTLER BY CHINTAMONI KAR (1915­2005)

standing with his fists clenched, on an oval base, with a green patina, signed ‘Chintamoni Kar’ 58cm high

£300­500

601

A BRONZE GROUP OF AN INDIAN ELEPHANT AND MAHOOT AFTER FULBERT PIERRE LARREGIEU (d.1886), LATE 19TH CENTURY

modelled walking, on a naturalistic rectangular base and ebonised plinth, signed to the base 20cm high, 17.3cm wide, 10.5cm deep (max)

£200­300

602

AN INDIAN BRONZE ELEPHANT GROUP EARLY 20TH CENTURY

modelled as an elephant carrying a mahoot and pulling a log, together with another, similar but smaller and a third of an elephant, head down, pushing a log, each on an ebonised wooden plinth (3) 18.5cm high, 28cm long, 10.2cm wide (max)

£200­300

‡

603

A SPANISH BRONZE ANIMALIER GROUP OF TWO BULLS BY LUIS MORENO CUTANDO (b.1948)

modelled running, on a naturalistic oval base with a mahogany plinth, signed to the base, number 2 from an edition of 99, with certificate of authenticity 20.5cm high, 47cm long, 20.5cm wide

£200­300

604

A FRENCH BRONZE ANIMALIER FIGURE OF A STAG AFTER ALFRED DUBUCAND (1828­1894)

standing looking to his left, on a naturalistic base, signed ‘A. Dubucand’ 20cm high

£150­250

605

A FRENCH BRONZE ANIMALIER GROUP OF A COCKEREL AND A HEN EARLY 20TH CENTURY

the cockerel on a branch, the hen pecking from a basket, on a naturalistic base signed ‘P. Bureaud’ 25.5cm high

£200­300

606

A FRENCH BRONZE ANIMALIER GROUP OF TWO HOUNDS BY CHRISTOPHE FRATIN (1790­1864)

with a brown patina, signed ‘FRATIN’ to the base 24cm high, 41.5cm long, 15cm wide

£600­800

606

607

A FRENCH BRONZE EQUESTRIAN GROUP IN THE MANNER OF PIERRE­JULES MENE, LATE 19TH CENTURY

modelled as a horse looking down at a dog, a bucket and tack on the ground, on a naturalistic base and wooden plinth, stamped ‘A*D’ and numbered ‘10901’ 23cm high, 36.5cm long, 12.5cm deep (max)

£500­800

609

608

A COLLECTION OF EIGHT BRONZE FIGURES OF ANIMALS AND BIRDS 20TH CENTURY

to include a bird of prey in the manner of Bergman and stamped ‘GESCHÜTZT’ to its tail, two bears around a tree trunk, a meercat, a mongoose, a beaver, a moose, a wolf and a swan (8) 11cm high (max)

£200­300

A PAIR OF CANADIAN BRONZE EAGLES BY SIGGY PUCHTA, 20TH CENTURY limited edition, one standing on a rock, the other with its wings spread, on marble bases, together with a bronze figure of a swan taking to flight by Juliet Simpson, number 1 of 25 26cm long (max)

£80­120

610

AN AUSTRIAN COLD PAINTED BRONZE FIGURE OF AN ARAB BOY IN THE MANNER OF BERGMAN, LATE 19TH CENTURY modelled lying on his front, stamped ‘GESCHÜTZT’ 14cm long

£100­150

611

AN AUSTRIAN COLD PAINTED BRONZE FIGURE OF A FISHER BOY IN THE MANNER OF BERGMAN, EARLY 20TH CENTURY the base with a crab and two fish, numbered ‘8412’

11.9cm high

£100­150

612

A SET OF FOUR BRONZE FIGURES REPRESENTING ALLEGORIES OF THE FOUR SEASONS IN THE MANNER OF MARINO MARINI, EARLY / MID­20TH CENTURY

each figure standing with elements and features of the seasons, on square bases, unsigned (4)

63.5cm (max)

£1,500­2,000

613

A BRONZE RACE HORSE AND JOCKEY GROUP

20TH CENTURY

modelled at full stretch, on a rectangular base with cast foliage, on an ebonised plinth

21cm high, 33cm wide, 11.5cm deep (max)

£200­300

612

614

A FRENCH BRONZE GROUP OF A DOG TRAPPING A RAT EARLY 20TH CENTURY on an oval base, together with a Japanese bronze of a rat with a nut, three character signature to the underside (2)

10cm high, 16cm long (max)

£150­200

ASIAN FURNITURE WORKS OF ART & CARPETS

615

A PAIR OF CHINESE HARDWOOD CHAIRS LATE 19TH CENTURY

each with a yoke back, above a solid splat, with a panelled seat and stretchered supports (2)

£400­600

617

A PAIR OF CHINESE PADOUK LOW TABLES LATE 19TH / EARLY 20TH CENTURY

each with a square top on stretchered supports (2) 52.5cm high, 44.5cm square £200­300

616

A CHINESE HARDWOOD LOW TABLE LATE 19TH CENTURY

the panelled top above a pierced scrolling frieze on scroll feet 28cm high, 68cm wide 68.5cm deep £100­200

619

A CHINESE ELM MAHJONG OR LOW TABLE

the panelled top above a key­carved frieze 37cm high, 91cm square

£300­400

618

A CHINESE CEDAR SIDE TABLE QING DYNASTY

the panelled top on turned stretchered supports 75.5cm high, 101.3cm wide, 49.2cm deep

£200­300

620

A PAIR OF CHINESE RED VELLUM CASES LATE 19TH / EARLY 20TH CENTURY

gilt decorated with auspicious characters with brass bar locks and side carrying handles on a later teak stands, locked (4)

17.5cm high, 67cm wide, 45cm deep (case), 58.5cm high, 68cm wide, 46.5cm deep (overall)

£300­500

621

A PAIR OF CHINESE BLUE AND WHITE VASE TABLE LAMPS

LATE 19TH / EARLY 20TH CENTURY

the body with continuous scenes of figures in a garden beneath necks with a pair of lion dog handles, with gilt metal rocaille rims and shaped square feet, drilled for electricity (2)

89cm (max)

Provenance

Christie’s London, Interiors, 29th January 2012, lot 150.

£800­1,200

622

A CHINESE PORCELAIN FAMILLE VERTE VASE

19TH CENTURY

of baluster form, painted with a scholar and figures at a table, maidens and children in a pavilion verso, on a powder blue ground with gilt foliage, insects and ornaments beneath a neck with applied lion dogs and a pleated rim

36cm high

£100­200

623

A CHINESE CANTON PORCELAIN FAMILLE ROSE ‘FIGURAL’ VASE

19TH CENTURY

painted with dignitaries, ladies and attendants in interiors with panels of birds and flowers between and interspersed with flowers and insects, applied with chilong to the shoulders, the necks with handles as a pair of lion dogs

61.5cm high

Provenance

Property of a Collector.

£200­300

625

A CHINESE BLACK LACQUER WORKBOX

19TH CENTURY

of canted rectangular form, with gilt and red painted decoration of figures in an extensive garden landscape inside a border of scrolling dragons, birds, insects and flowering foliage, the interior fitted with a lift­out tray, above a single

fitted drawer, on paw feet

15.3cm high, 35.5cm wide, 26cm deep

£200­300

624

AN ANGLO-CHINESE HARDWOOD AND WHITE METAL MOUNTED BOX AND COVER LATE 18TH CENTURY

possibly padouk, of rectangular form, enclosing a vacant interior, with twin swing handles

9.5cm high, 35.5cm wide, 28cm deep

£200­300

626

A CHINESE PADOUK OPEN BOX

19TH CENTURY

of rounded rectangular form with an out­turned rim and foot

10.8cm high, 24.5cm wide, 28cm deep

£150­250

627

A CHINESE EXPORT REVERSE PAINTED MIRROR

LATE 18TH CENTURY

with two figures seated beside a rock, beneath a fruiting vine, inside a gilt gesso frame with scrolling foliate decoration

42 x 33cm

£400­600

628

A CHINESE EXPORT MOTHER OF PEARL TEA CADDY

LATE 18TH / EARLY 19TH CENTURY

the cover and sides with blind fretwork decoration of lotus flowers and birds amongst foliage surrounding reverse paintings on glass of figures reading and landscapes, with a silk lined three division interior

13.5cm high, 24cm wide, 13cm deep

£300­500

627

630

A BRASS FAUX BAMBOO COFFEE TABLE IN THE MANNER OF MALLETT, MID­20TH CENTURY

the rectangular glazed top inset with a Chinese red lacquer panel decorated with birds amidst

flowers and leaves

39.3cm high, 119cm wide, 62.6cm deep

£1,200­1,500

631

A LARGE CHINESE MARTABAN JAR 17TH CENTURY

of shouldered form decorated with vertical ‘strapwork’ bands and four loop handles under a dark brown glaze falling short of the foot

72cm high, 75cm diameter

£300­500

629

A PAIR OF CHINESE SOFTWOOD ARMCHAIRS

LATE 19TH / EARLY 20TH CENTURY

each with a pierced and carved back decorated with auspicious symbols of bats and a shou character with a padded silk seat on moulded legs (2)

£800­1,200

λ 632

A DUTCH-CHINESE EXPORT HUANGHUALI COMMODE

18TH CENTURY

of bombe form, the serpentine moulded edge marble top above three long graduated drawers with later ormolu handles

89.4cm high, 109cm wide, 65cm deep £2,000­3,000

λ 633

A CHINESE HARDWOOD OCCASIONAL TABLE

LATE 19TH / EARLY 20TH CENTURY

inlaid with bone and ivory, with figures in various pursuits, in watery landscapes, with pagodas, animals, birds and trees, the underside inscribed ‘Sing Chong Woodcarver Ningpo’

66.5cm high, 66cm square

Provenance Property of a Collector.

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£400­600

634

A COLLECTION OF EIGHT CHINESE CLOISONNÉ QUAILS AND CHICKS

20TH CENTURY

in various poses (8)

6.5cm high, 8.5cm long (max)

£100­150

635

A CHINESE ARCHAISTIC STYLE BRONZE PEACOCK CENSER

LATE 19TH / 20TH CENTURY

with champlevé enamelled decoration to the crest and wings

35cm high, 19cm long, 14.5cm wide

£300­400

636

A COLLECTION OF CHINESE EXPORT PORCELAIN 19TH CENTURY

including famille rose chargers, plates, teapot and sparrowbeak jugs and blue and white vases and plates (26)

37cm diameter (max)

Provenance

Property of a Collector.

£500­1,000

637

FIVE CHINESE HARDWOOD LOW TABLES 19TH / 20TH CENTURY

each with a panelled top on scrolled feet (5) 114.8cm (max)

£300­500

638

A CHINESE ROOTWOOD AND BONE PIPE LATE 19TH CENTURY

with carved and natural form fungi style decoration and a dragon’s head mouthpiece, and a bamboo pipe with the shoots twisted and plaited along the shaft (2)

85cm long (max)

£150­250

639 641

639

640

A JAPANESE WOOD AND BRASS MOUNTED TEA CHEST

EARLY 20TH CENTURY

terracotta painted with a gilt two character inscription to the top, brass swing handles to the sides and the interior with the remains of an inscribed paper lining 37.7cm high, 43cm wide, 32.5cm deep

£100­150

640

TWO JAPANESE IKEBANA BAMBOO BASKETS

EARLY 20TH CENTURY

the first of square section with a high looping handle, the second of abstract knotted form (2) 53cm high (max)

£150­250

641

A PAIR OF JAPANESE PORCELAIN BLUE AND WHITE OVOID VASES

C.1900

each painted with birds perched amidst flowers and trees and shrubs (2) 31.8cm high

Provenance Property of a Collector.

£400­600

642

A JAPANESE ELM AND IRON MOUNTED SHOP SIGN 18TH / 19TH CENTURY

of circular form, with a black painted inscription to both sides 67.5cm high, 63.5cm wide

Provenance

642

Ciancimino Design Limited, Kings Road, London, 6th July 1972.

£300­500

643

643

A PAIR OF ANGLO-INDIAN CARVED WOOD HERALDIC LIONS

19TH CENTURY

modelled rampant, with scrolling foliate supports, on carved stiff leaf and stepped bases, with the remains of painted decoration (2) 89cm high

Provenance

From the estate of John Crowell, founder of Beaumont and Fletcher Interior Atelier.

£1,000­1,500

644

AN ANGLO-INDIAN HARDWOOD

OCTAGONAL OCCASIONAL TABLE

POSSIBLY LAHORE, EARLY 20TH CENTURY brass and copper inlaid with scrolling leaves and flowers, on a folding base with square arches 52.5cm high, 53.5cm wide

£150­250

645

AN ANGLO-INDIAN HARDWOOD OCTAGONAL OCCASIONAL TABLE LATE 19TH / EARLY 20TH CENTURY the top brass inlaid with scrolling foliage, the folding base with carved and pierced panels 56.9cm high, 59.5cm wide

£300­500

644

645

646

AN INDIAN PAINTED WOOD WINDOW FRAME RAJASTHAN, 19TH CENTURY

pierced and carved with leaves together with an Indian painted wood wall hatch with a pair of doors (2)

171.7 x 121.5cm max

£400­600

647

TWO ANGLO-INDIAN CARVED COCONUT SHELLS

EARLY 20TH CENTURY

one with a central peacock the other with a flower and palm front inside scrolling floral foliage

3.5cm high, 8.3cm long, 6.5cm wide (max)

£150­200

648

AN INDIAN PAINTED WOOD COFFEE TABLE PROBABLY RAJASTHAN

with stylised bird’s head finials above a later glass top supported by turned spindles and hung with pendants 43.3cm high, 89.9cm wide, 66cm deep

£150­250

649

AN ANGLO-INDIAN EBONY OPEN ARMCHAIR COROMANDEL COAST, LATE 18TH / EARLY 19TH CENTURY

all over relief carved with scrolling leaves and flowers, the back with eight vertical splats above a cane seat on ribbed supports

£1,200­1,800

650

AN ANGLO-INDIAN EBONY BOX NAGINA, UTTAR PRADESH, C.1870 of square form, extensively carved with scrolling, flowering foliage around a central octagonal floral panel, the sides similarly decorated, above a scrolling apron and short feet, the front edge inscribed ‘MOORADBU MISTARI NAGINA’ 24cm high, 45cm square

£1,200­1,800

651

AN ANGLO-INDIAN EBONY TRIPOD TABLE NAGINA, UTTAR PRADESH, LATE 19TH CENTURY the circular top carved with bands of arched and scrolling foliate decoration around a central flowerhead, the turned legs with similar floral foliate decoration 61cm high, 40cm diameter

£200­300

652

A PAIR OF INDIAN PAINTED WOOD AND METAL MOUNTED BIRDS LATE 19TH / EARLY 20TH CENTURY

modelled standing with their heads turned, painted green and with pierced brass and copper decoration to their heads, wings and tails (2)

23cm high, 43cm long

£200­300

653

A KASHMIRI LACQUERED PAPIER-MÂCHÉ CHARGER

BY PHLOX ARTS, EARLY 20TH CENTURY

decorated with panels of flowers on a gilt scrolling foliage ground, the base with a printed paper label ‘Hand Made By PHLOX ARTS, Exporters Dalgate Srinagar Kmr (India) Price Rs 160’, together with a collection of similar Kashmiri and papier­mâché trays and chargers in various designs (7)

42.4cm diameter (max)

£200­300

654

A STONE FRAGMENT POSSIBLY 17TH CENTURY

of near quarter circle form, carved with scrolling foliage and flowerheads around a pine cone, the border with demi­lune and stiff leaf decoration 40cm high, 73cm wide, 5.5cm deep

£200­300

λ 655

AN ANGLO-INDIAN CARVED ROSEWOOD POLE SCREEN

PROBABLY BOMBAY, MID­19TH CENTURY

the adjustable oval screen carved with scrolls and with a floral needlework panel, the tripod base decorated with a grapevine 167cm high, 59cm high, 55cm deep

£100­200

652

656

A SYRIAN MOORISH WALNUT AND MOTHER OF PEARL OCTAGONAL CENTRE TABLE DAMASCUS, LATE 19TH CENTURY

inlaid with various woods with geometric designs, with square section legs united by an under tier 81.3cm high, 89.6cm wide £400­600

657

AN IZNIK TERRACOTTA VASE 17TH CENTURY

of ovoid form painted with scrolling foliate decoration beneath a short neck 26cm high

Provenance Barton House Antiques. £150­200

658

A VICTORIAN GILT METAL AND GLASS PENDANT LATE 19TH CENTURY

of bowfront form, inscribed ‘IDOL from the TOMB of RAMASES (sic) the 2ND’ to the reverse, with a suspension hoop, containing a blue faience Egyptian shabti 6.3cm high (max)

Catalogue Note

Although originally entombed in the Valley of the Kings, the mummy of Ramesses II was discovered at Deir el­Bahri in 1881 along with around 50 other mummies.

£1,500­2,000

659

A BESSARABIAN DESIGN KILIM

PROBABLY THRACE, 20TH CENTURY

the wheat field with semi naturalistic boughs enclosed by chestnut brown borders and saw tooth guard stripes, together with a North West Persian Sofreh kilim, 20th century the field of polychrome bands centred by a walnut and brick red serrated panel (2)

284 x 202cm (max)

£150­200

660

A NORTH WEST PERSIAN RUNNER C.1910

the abrashed indigo field with a column of medallions framed by ivory borders and guard stripes

362 x 119cm

£150­250

660

661

A KHAMSEH RUG

SOUTH WEST PERSIA, C.1930

the terracotta field with three indigo stepped hexagons surrounded by fan tailed birds enclosed by ivory borders of angular floral vines and double guard stripes

305 x 217cm

£400­600

662

A MAHAL CARPET WEST PERSIA, C.1930

the strawberry field, with an all­over design of angular vines and flowers, enclosed by indigo borders of serrated leaves and flowerheads, flanked by double guide stripes

455 x 322cm

£500­800

663

A KUBA RUG

NORTH EAST CAUCASUS, C.1890

the ink blue field with polychrome flower heads, stylised birds and tribal motifs enclosed by narrow meandering vine borders flanked by barber poles and guard stripes

223 x 119cm

£200­300

664

AN UNUSUAL UZBEK FLATWOVEN PANEL

NORTH AFGHANISTAN, LATE 20TH CENTURY

the ivory and polychrome field comprised of wide and narrow bands of stellar and geometric devices, the end panels with rondels

376 x 134cm

£300­400

665

A KIRMAN RUG

SOUTH EAST PERSIA, C.1930

the pale raspberry field richly decorated with scrolling floral vines enclosed by sky blue borders of plants flanked by ivory meandering vine guard stripes

258 x 184cm

£300­500

666

AN INDIAN CARPET OF 17TH CENTURY CLASSICAL DESIGN, POSSIBLY AMRITSAR the field of scrolling vines around a central flower head medallion framed by wide borders of interlocking meandering vines flanked by guard stripes

507 x 307cm

Provenance Property of a Collector.

£4,000­6,000

667 AN HERIZ CARPET

AZERBAIJAN, LATE 19TH CENTURY

the

364 x 292cm

Provenance

Property of a Collector.

£2,000­3,000

ivory field with a terracotta panel containing a flower head medallion framed by midnight blue spandrels and terracotta borders of samovar motifs flanked by ivory guard stripes

668

A ZIEGLER MAHAL CARPET

C.1890

the mustard field with columns of large serrated leaves and flower heads enclosed by floral cartouche borders, flanked by guard stripes

554 x 312cm

£1,500­2,500

669

AN ISFAHAN RUG

CENTRAL PERSIA, C.1960

the terracotta field of palmettes and scrolling vines enclosed by ivory spandrels and sky blue borders of meandering vines flanked by double guard stripes, 133 x 230cm, together with a Kashan rug and an Arbadil design rug (3) 143 x 228cm (max)

£300­500

670

A MAHAL CARPET WEST PERSIA, C.1930

the brick red lattice field of floral vines enclosed by ice blue borders of angular vines and plants flanked by carnation guard stripes

454 x 323cm

£400­600

671

A MASHAD CARPET

NORTH EAST KHORASAN, LATE 19TH CENTURY

the raspberry field with flowers and vines enclosed by sky blue borders of meandering vines flanked by ivory guard stripes

402 x 303cm

£400­600

A George III silver­gilt trophy ewer, The Wellington Cup, by John Houle, London 1815 Estimate £2,500 ­ 3,000*

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Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3%€50,000.01 ­ 200,000

1%€200,000.01 ­ 350,000

0.5%€350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs. For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM FURNITURE WORKS OF ART & CLOCKS

4TH & 5TH APRIL 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Signature

AUCTION CALENDAR

MAY 17th Medals & Coins, Arms & Armour

& 24th Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

7th Modern British & 20th Century Art 21st Fine Arts & Crafts (Including Martin Ware) Exhibition Robert Wallace Martin Potter, Sculptor, Artist

to 23rd June

JULY 5th & 6th Furniture, Works of Art & Clocks

& 12th Silver & Objects of Vertu 13th Fine Jewellery Dates may be subject to change