Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS TUESDAY 6TH & WEDNESDAY 7TH JULY 2021

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV (Consultant) Amanda Lawrence

424598 424509 424509

GENERAL OFFICE

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

339752

CASTLE GATE RECEPTION ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

Sally Litherland 424506 +44 (0)7812 601098 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

424583

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS 424507 446964

JAPANESE ART Alexandra Aguilar

Sally Trench

ACCOUNTS 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Sarah Stone

MARKETING

424501 424594

Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

446959

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FURNITURE WORKS OF ART & CLOCKS TUESDAY 6TH & WEDNESDAY 7TH JULY 2021 10.00AM Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU DAY 1: TUESDAY 6TH JULY, 10.00AM, LOTS 1–367 DAY 2: WEDNESDAY 7TH JULY, 10:00AM, LOTS 368-738

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

VIEWING BY APPOINTMENT ONLY Friday 2nd July Saturday 3rd July Sunday 4th July

10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 1.00pm

There is no viewing on Monday 5th July or on the sale days.

Please contact the department to make an appointment

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE BUYER’S PREMIUM

LIVE ONLINE BIDDING – FREE OF CHARGE

Each lot is subject to a Buyer’s Premium of 25% plus VAT

LIVE

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Monday 5th July

bid.woolleyandwallis.co.uk Please register by 5pm on Monday 5th July

CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions.

Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms

COLLECTION OF LOTS BY APPOINTMENT ONLY

Facebook: @woolleyandwallis

Collection by appointment from Monday 12th July from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 to make an appointment. All accounts to be settled prior to collection

Twitter: @woolleywallis Pinterest: Woolley and Wallis

All accounts to be settled prior to collection EXPORT AND CITES LICENSES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS Front cover: Lot 252 detail Back cover: Lot 257 detail Catalogue £10.00 (£15.00 by post)

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OAK, COUNTRY & FOLK ART DAY ONE LOTS 1-367

6TH JULY 2021

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1 A GEORGE III OAK DRESSER LATE 18TH CENTURY the rectangular top above a pair of frieze drawers, on chamfered legs applied with corner brackets 80.4cm high, 158.2cm wide, 33.8cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£800­1,200

2 A CHARLES II OAK TURNER’S CHILD’S CHAIR LATE 17TH CENTURY AND LATER the turned spindle and bobbin back above a later rope seat, with a later squab cushion

£200­300

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3 A PAIR OF JAMES II OAK SLAT BACK CHAIRS C.1685 each with a leaf carved and scroll surmount, with punched star decoration, with turned uprights and a panelled seat with a conforming carved front stretcher (2) Provenance By repute, purchased from Avon Antiques, Bradford-on-Avon.

Literature See Tobias Jellinek, Early British Chairs and Seats, 1500-1700, pp.307-311 for similar examples.

£300­400

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4 4 A GEORGE II OAK SETTLE MID­18TH CENTURY the back with quadruple fielded arched panels, with walnut banding, the seat with a later squab cushion, on cabriole front legs and pad feet 107.3cm high, 184.3cm wide, 54.8cm deep

£500­800

5 A CHARLES II WALNUT OPEN ARMCHAIR LATE 17TH CENTURY with a caned back and seat, the top rail carved with scrolling leaves and centred with a shell, with cone finials and spiral twist and block supports

£200­300

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6 A MATCHED SET OF SIX OAK SIDE CHAIRS LATE 17TH CENTURY AND LATER the top rail carved with scrolling leaves and centred with a budding flower, above a panelled back and scrolling flowers, the solid seat with a spiral twist front stretcher (6)

£300­500

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7 A GEORGE II OAK DRESSER C.1740­50 the boarded top with a moulded edge, above three frieze drawers, above a shaped fret apron, on baluster and block front legs 78.2cm high, 189cm wide, 55cm deep

£500­800

8 A WILLIAM AND MARY OAK SIDE TABLE C.1690 the boarded top with a moulded edge, above a frieze drawer, on bobbin turned legs united by conforming peripheral stretchers 69cm high, 65cm wide, 47.2cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

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£200­300

9 A HARLEQUIN SET OF TEN LANCASHIRE ASH LADDER BACK DINING CHAIRS LATE 18TH / EARLY 19TH CENTURY each with a rush seat, comprising: a pair of open armchairs and eight side chairs (10)

£600­1,000

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10 A FOLK ART CARVED OAK PANEL POSSIBLY WEST COUNTRY, 17TH CENTURY decorated with a pair of stylised birds perched on thistles and leaves, within a lozenge border, formerly a panel from a box or coffer 21 x 67.5cm

£150­200 11 A RELIEF CARVED OAK PANEL OF A GRIFFIN 17TH CENTURY the rampant beast within a beaded border and with leaf spandrels 38.2 x 35.7cm

£150­250 11

12 A RELIEF CARVED OAK ROMAYNE BUST PANEL 17TH CENTURY of a bearded man, with scrolling leaf spandrels 38 x 31cm

£200­300 13 A FOLK ART CARVED OAK PANEL POSSIBLY WEST COUNTRY, 17TH CENTURY decorated with a pair of stylised birds, formerly a panel from a box or coffer 20 x 60.5cm

£100­150

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14 AN OAK MURAL CUPBOARD WELSH BORDERS, LATE 17TH / EARLY 18TH CENTURY of arched bentwood construction, the front carved with three rosette lozenges, above the date ‘1735’ and initials ‘I T’, with incised zigzag borders around the cupboard door, with a conforming lozenge, with a vacant interior 53.8cm high, 61.7cm wide, 22.5cm deep Catalogue Note See Victor Chinnery, Oak Furniture: The British Tradition, p.330, figs. 3:290, 3:291 and 3: 292 for related examples.

Also Bonham’s, The Oak Interior, 22nd October 2020, lot 82 for a similar cupboard.

£800­1,200

15 A GEORGE II WELSH OAK COFFER BACH MID­18TH CENTURY the boarded hinged lid with a moulded edge revealing a vacant interior, the front with fielded arc d’arbalète panels above a drawer 43cm high, 68.2cm wide, 33cm deep

£200­300

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16 A BRONZE CAULDRON 17TH CENTURY with a flared rim and angular lug handles, the tripod feet with zigzag decoration 27.6cm high, 37cm wide

£200­300 17

18

A WROUGHT IRON POT HANGER 17TH CENTURY of open form, with four prongs 49cm high, 43.5cm wide

£100­150 18 TWO SIMILAR TRIVETS EARLY 18TH CENTURY one in brass, the other bell metal, each with pierced and engraved decoration with an eagle perched on scrolling leaves, with a turned wood handle and on an iron base (2) 30cm high, 27.9cm wide, 40cm deep (max)

£200­300 19 A BRONZE HANGING COOKING POT OR CAULDRON LATE 17TH CENTURY with angular lugs and a swing handle 17cm high, 28cm wide

£150­250 19

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20 A PAIR OF OAK JOINT STOOLS ATTRIBUTED TO SALISBURY, MID­17TH CENTURY each with a moulded edge seat, above thumbnail carved and punched decorated friezes, on turned sausage and column legs united by peripheral stretchers, the underside with branded owner’s initials ‘T C’ (2) 56.2cm high, 46cm wide, 27.5cm deep

£2,000­3,000

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21 A WILLIAM AND MARY OAK SIDE TABLE C.1690 the boarded top with a moulded edge, above a frieze drawer, on bobbin turned and block legs united by front and back stretchers and a low ‘H’ stretcher 72.5cm high, 78.5cm wide, 49cm deep

£400­600 21

22 A WILLIAM AND MARY OAK GATELEG TABLE C.1690 the oval drop­leaf top on bobbin turned supports 76.7cm high, 116 x 152cm (open)

£400­600

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A PAIR OF OAK GOTHIC REVIVAL ALTAR GATES 19TH CENTURY one carved with a bird feeding her chicks within a grapevine border, the other with a pair of birds and an urn with fruit and flowers (2) 69cm high, 67cm wide, 18.5cm deep (max)

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£200­300 24 THREE DOMESTIC UTENSILS LATE 17TH / EARLY 18TH CENTURY

A LARGE IRON BELL CLAPPER

PROBABLY 17TH / 18TH CENTURY 79.5cm long

£80­120 26 A WROUGHT IRON PIPE KILN 17TH / 18TH CENTURY with three rings, on scroll feet, the top with a suspension ring 26cm high, 36.3cm long

£200­300

comprising: a brass skimmer with a wrought iron handle, a copper skimmer and a brass ladle with a steel handle (3) 70cm long (max) Provenance By repute, acquired from Phillip Andrade, Plymouth.

£100­150

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A BAROQUE CARVED GILTWOOD BUST OF AN ANGEL PROBABLY ITALIAN, LATE 17TH / EARLY 18TH CENTURY

A GREEN GLASS LINEN SMOOTHER OR SLICKSTONE PROBABLY DUTCH, 17TH / 18TH CENTURY

together with an 18th century Rococo painted pine carving of Old Father Time (2) 25.7cm wide (max) Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

of bun form, the underside with a pontil mark 8cm diameter Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

£150­250 28 A TREEN SAND GLASS 18TH CENTURY with hourglass bulbs, together with a similar sand glass in need of a little restoration (2) 17.6cm high (max)

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£200­300 29 A PAIR OF POWDER HORNS PROBABLY SCOTTISH, 19TH CENTURY possibly Jacobite, each scrimshaw decorated with a crowned female bust, banners, a Scotsman in his kilt, sailing ships, a square and compass, laurel leaves and other symbols (2) 46cm long (max)

£300­400 29

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32 31

34

TWO LEAD FIRE MARKS 18TH CENTURY

TWO PEWTER COMMUNION GOBLETS 19TH CENTURY

both for Sun Alliance, one painted blue and numbered ‘609573’, the other with a gilt finish ‘636046’ (2) 17.5 x 16.5cm (max)

£150­250 32 A SCOTTISH TREEN SALT BOX 19TH CENTURY of staved construction, with alternating bands of alder and sycamore, with a hinged lid 22.7cm high

of bell shape, with a turned stem and domed foot, each inscribed ‘West U. P. Cong. Coldstream 1848.’ (2) 21.8cm (max) Provenance By repute, these communion goblets were used in the West United Presbitarian Congregational Church of Coldstream.

There were two churches, one in east and one in west Coldstream and at one stage they combined and hence these goblets became surplus.

£100­150

£80­120 35 33 33

A LEAD ROYAL COAT OF ARMS RELIEF SECOND HALF 19TH CENTURY wall hanging 21 x 19.8cm

A BRASS BARBER’S BOWL 18TH CENTURY with a deep well 22cm wide

£100­150

£100­150

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36 A BRONZE BUSHEL MEASURE 18TH CENTURY the moulded body with a pair of angular lug handles, the rim stamped ‘GRIII’ and with hatched marks 21.6cm high, 49.7cm diameter Provenance The Estate of the late Jane Sumner.

£400­600 37 A WILLIAM IV BRONZE IMPERIAL MEASURE DATED ‘1835’ the turned body inscribed ‘Imperial half gallon County of Derby 1835’, stamped ‘701’, the rim with ‘crowned GR and WR’ and portcullis marks 16cm high, 16cm diameter

£200­300 38 A PAIR OF BRASS CANDLESTICKS PROBABLY LATE 18TH / EARLY 19TH CENTURY each with an urn shape socket, above a spiral twist stem and a dished circular foot (2) 22.7cm high, 14.5cm diameter

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Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£100­150 39 A PAIR OF BELL METAL TRUMPET CANDLESTICKS LATE 17TH CENTURY each with a ring turned stem on a domed foot (2) 12.8cm high

£100­150

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40 A FRENCH GILT COPPER HELMET SHAPED EWER 18TH CENTURY 24.5cm high

£150­200 41 AN ITALIAN COPPER WINE COOLER LATE 17TH CENTURY

42

with a gadrooned body, on ball feet 10.7cm high, 41cm diameter

£150­250 42 A 17TH CENTURY COPPER ROSE WATER BOWL POSSIBLY FLEMISH the base stamped with initials ‘C.M.M.’ 36.5cm diameter

£150­200 43 A 17TH CENTURY BRASS ROSE WATER BOWL POSSIBLY FLEMISH with a raised central boss 41.1cm diameter

£200­300

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44 A NETHERLANDISH BRONZE CANDLESTICK PROBABLY FLANDERS, 16TH CENTURY OR POSSIBLY EARLIER with a central faceted pricket and a pair of scroll arms with cylindrical nozzles, above a dished base on tripod zoomorphic feet 30cm high Literature See Ronald Michaelis, ‘Old Domestic Base-Metal Candlesticks’, p.32, fig.11, for a similar candlestick.

£800­1,200

44 45 AN ITALIAN VENETIAN BRONZE CANDLESTICK IN RENAISSANCE STYLE 19TH CENTURY the urn shape socket with a pair of handles with bearded male masks, with engraved decoration and a domed base with a Greek key border 14.8cm high

£200­300

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46 A GILT BRONZE SITULA OR HOLY WATER BUCKET IN GOTHIC STYLE 18TH / 19TH CENTURY with a swing handle, the body pierced and decorated with scrolling leaves above a band of Latin script, inscribed ‘Asperges Me Domine Isopoes Mundabor’ 20.5cm high, 17.3cm wide

£200­300

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A WHITE METAL INCENSE BURNER

THREE STAINED GLASS PANELS

IN GOTHIC STYLE

comprising: an oval leaded example bearing the arms of the city of Salisbury, titled ‘Sarum’, with a shield supported by a pair of double headed eagles, together with an European heraldic circular panel with a central shield coat of arms supported by a pair of semi­naked bearded male classical figures, with initials ‘FR’ and the motto ‘Suum Cuique’ and a leaded Elizabeth II Coronation example with crowned ‘ER’ and the date ‘1953’ (3) 30.5cm diameter (max)

with a pierced hinged lid 24cm high

£100­150 50 A BRASS ALMS DISH DUTCH OR GERMAN repoussé decorated with four mermaid type figures, within a scalloped border, the rim with punched decoration 39.2cm diameter

£300­500 48 48

£150­250

A BRONZE HOLY WATER STOUP ITALIAN OR SPANISH the Corpus Christi backplate with two attendant kneeling angels 31.5cm high, 16.2cm wide

£100­150

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51 A DUTCH BRASS WARMING PAN LATE 17TH / EARLY 18TH CENTURY with a baluster and ring turned brass handle, with a pierced cover, the centre with a repoussé star 116.cm long

£300­400

52 51 52 A GERMAN BRASS ALMS DISH NUREMBERG, 17TH CENTURY with a central repoussé whorl boss and a Gothic script border with punched decoration 41.2cm diameter

£200­300

53 A GERMAN BRASS ALMS DISH NUREMBERG, 17TH CENTURY with a central repoussé whorl boss and a Gothic script border with punched decoration 46cm diameter

£300­400

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54 A FRENCH PROVINCIAL CHESTNUT ARMOIRE 18TH CENTURY of arched form, with moulded scroll decoration, with a pair of panelled doors enclosing a shelf, on flattened bun feet 187cm high, 124.6cm wide, 47.6cm deep

£400­600

55 A FRENCH PROVINCIAL WALNUT CANDLE BOX LATE 18TH / EARLY 19TH CENTURY the sliding cover carved with an urn of flowers 43.5cm high, 23.5cm wide, 10.5cm deep

£200­300

56 A FRENCH PROVINCIAL CHERRYWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY the planked oval drop­leaf top above a frieze drawer to one end, on square tapering legs 77.5cm high,137.4 x 183.5cm (open)

£500­800 18

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57 A LARGE FRENCH PROVINCIAL CHERRYWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY the boarded top with cleated ends, one end with a frieze drawer and one with a slide, above an arc d’arbalète shape frieze and cabriole legs 77.3cm high, 300cm long, 89cm deep

£800­1,200

58 A FRENCH PROVINCIAL CHERRYWOOD FOOD CUPBOARD LATE 18TH / EARLY 19TH CENTURY with two panelled doors, each enclosing a shelf, above a drawer and an open recess, above a slatted base 197.3cm high, 86cm wide, 88.5cm deep

£400­600

59 A EUROPEAN PINE CUTLERY BOX EARLY 19TH CENTURY decorated with lozenges and with a pierced handle, with twin hinged lidded compartments containing flatware and cutlery 20.5cm high, 42.3cm long

£150­250 59 19

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60 A PAIR OF FLEMISH CARVED OAK FRAGMENTS LATE 17TH CENTURY of urns issuing leaves, fruit and flowers (2) 35 x 20.3cm (max)

£150­200 61 A CARVED AND PAINTED WOOD CROWN FINIAL POSSIBLY 18TH CENTURY the central bud flanked by acanthus leaves 24.2cm high, 19cm wide

£80­120 62 A PAIR OF FRENCH CARVED OAK PANELS OF URNS OF FLOWERS 19TH CENTURY decorated with musical trophies, scrolling leaves and with a female mask in moulded frames (2) 103.7cm high, 40.5cm wide

£200­300 63 A FLEMISH CARVED OAK PANEL FRAGMENT DATED ‘1667’ depicting a pair of cherubs riding hippocampi 14.5 x 90cm

£200­300 62

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64

65

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A SPANISH CHESTNUT AND WALNUT REFECTORY TABLE 18TH CENTURY AND LATER

A PAIR OF CARVED WALNUT FIGURES OF SAINTS PROBABLY ITALIAN, 17TH / 18TH CENTURY

A NETHERLANDISH RELIEF CARVED OAK PANEL EARLY 17TH CENTURY

the rectangular top on open trestle ends united by a wrought iron stretcher 76.5cm high, 209.6cm wide, 69.3cm deep

each raised on a later plinth (2) 14cm (max)

depicting the Annunciation of the Virgin with the visit of Zechariah and Elizabeth (St. John the Baptist’s parents) 33.6 x 30.4cm

£600­1,000

£150­250

£300­500

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67 A DUTCH PAINTED BOWFRONT HANGING CORNER CUPBOARD 18TH CENTURY the raised top with two shelves, above a pair of doors naively decorated with Italianate scenes with figures, animals, buildings and panels of flowers, enclosing two shaped shelves 131.1cm high, 55.7cm wide, 32.5cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­400 68 TWO DUTCH TÔLE PEINTE WALL SCONCES LATE 19TH / EARLY 20TH CENTURY each with a mirrored back and with three candle holders (2) 47.1cm high, 21.5cm wide (max)

£200­300 69 A EUROPEAN PAINTED PINE SMALL CHEST SCANDINAVIAN OR ROMANIAN, LATE 18TH CENTURY the hinged lid with lattice designs, the front with scrolling leaves and fruit, the interior with a lidded till, the back inscribed ‘EE 995’ and an indistinct signature 29.3cm high, 58.5cm wide, 33cm deep

£200­300 70 A SCANDINAVIAN GREEN PAINTED PINE BENTWOOD BOX LATE 19TH CENTURY the lid pierced with a handgrip, with a vacant interior 32.5cm high, 42.2cm wide

£150­200

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71 A NORWEGIAN CARVED WOOD KASA LATE 19TH CENTURY in the form of a dragon boat, the handles its snarling head and scrolled tail, the body decorated with scrolling leaves, the underside inscribed in pencil ‘Viking Bowl purchased in Trondheim in 1902, Value 17.00 Ka’ 18.1cm high, 26.5cm long Provenance By repute, acquired by the vendor from Koos Limburg Jnr Antiques.

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£200­300 72 A SCANDINAVIAN CHIP CARVED TANKARD NORWEGIAN OR DANISH, 19TH CENTURY of staved construction with bentwood bands, with a hinged lid, the body decorated with rondels of differing designs, the underside carved with a cross 24.5cm high

£300­500 73 A SCANDINAVIAN PAINTED PLANE WOOD MANGLE BOARD POSSIBLY DANISH, DATED ‘1799’ with chip carved decoration, inscribed ‘MMD ANO 1799’ 66.7cm long

£200­300

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74 A SCANDINAVIAN PAINTED PINE MANGLE BOARD NORWEGIAN, LATE 18TH / EARLY 19TH CENTURY with a stylised horse handle and carved with polychrome decorated scrolling leaves 72.2cm long

£150­250 23

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77

FOUR PAINTED ASH COUNTRY SIDE CHAIRS 19TH CENTURY

AN OAK OVAL OCCASIONAL TABLE LATE 17TH / EARLY 18TH CENTURY

comprising: two similar pairs, the top rails of one decorated with a trellis design, the other with trellis and painted with flowers, all with a spindle back and a rush seat (4)

£100­200

on ring turned column supports united by peripheral stretchers 63.7cm high, 64.2cm wide, 49.2cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£200­300 76 A TRIPOD OCCASIONAL TABLE 19TH CENTURY

76

the circular faux specimen wood tilt­top on an associated oak base with a turned stem and cabriole legs 71.8cm high, 44.5cm diameter

£150­200

78 A GEORGE III PINE CRICKET TABLE PROBABLY WEST COUNTRY, LATE 18TH / EARLY 19TH CENTURY with a scumbled painted finish, the circular boarded top on chamfered legs united by an undertier 72cm high, 45.5cm diameter Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£200­300

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79 A PRIMITIVE ELM AND ASH WINDSOR STYLE ARMCHAIR POSSIBLY WELSH, LATE 18TH / EARLY 19TH CENTURY the stylised comb top rail above a stick back and a slab seat, the scroll arms branded with initials ‘L D’, on rustic branch type legs, with traces of red painted decoration

£500­800

80 A GEORGE III OAK AND PINE CRICKET TABLE LATE 18TH / EARLY 19TH CENTURY the circular boarded top on chamfered legs united by an undertier 69cm high, 67.7cm diameter Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­500

81 AN IRISH PRIMITIVE ASH AND SYCAMORE ‘GIBSON’ ARMCHAIR 19TH CENTURY the curved comb top rail above a stick back, with outscrolling arms, above a solid seat and rustic legs, with traces of green painted decoration

£500­800

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82 THREE FOLK ART CARVED AND PAINTED PINE DECOY PIGEONS LATE 19TH / EARLY 20TH CENTURY one mounted on a pole, with a wooden plinth (3) 28cm long (max)

£200­300

82

83 A PAIR OF FOLK ART CARVED AND PAINTED PINE DECOY DUCKS LATE 19TH / EARLY 20TH CENTURY 36cm long (max) (2)

£150­250

83

84 TWO CARVED AND PAINTED WOOD DECOY DUCKS

BY FRANCIS HOUDE, C.1999 of a male and female hooded merganser, the bases signed, titled and dated (2) 13.8cm high, 31.5cm long (max)

£150­200

84

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85 A FRENCH FOLK ART NAIVE COPPER COCKEREL WEATHER VANE EARLY 20TH CENTURY painted green, later mounted on an ebonised wood stepped plinth 98cm high, 103.5cm wide

£400­600

86 A FOLK ART PAINTED SHEET METAL AND IRON HUNTING WEATHER VANE EARLY 20TH CENTURY with a huntsman on horseback, accompanied by his hound, followed by a fox, the wrought iron base with the four points of the compass 161.4cm high, 101cm wide

£200­300

87 A FRENCH FOLK ART NAIVE COPPER WEATHER VANE LATE 19TH CENTURY in the form of a cockerel, later mounted on a blue plinth 52.3cm high, 47.5cm long

£200­300

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88 A POTTERY DAIRY PAIL LATE 19TH CENTURY with a brass part hinged lid and lift handles, the moulded body inscribed ‘New Milk’, the underside with a printed mark ‘Dairy Supply Co. Limited, Museum St. London’ 37.5cm high, 38cm wide Catalogue Note See Canterbury Auction Galleries, The Annie Marchant Collection of Kitchenalia, 12th April 2021, lots 1002, 1009, 1011 for related examples.

£800­1,200 89 AN ELM MILKING STOOL LATE 19TH / EARLY 20TH CENTURY with a dished seat and ring turned legs 38.5cm high, 34.5cm wide

£100­150 88 90 A TREEN DAIRY WHEY BOWL EARLY 19TH CENTURY on four turned legs 16.5cm high, 26.2cm wide Catalogue Note See Edward H. Pinto, ‘Treen and other Wood Bygones’, pl.95 M. for a related example.

£150­250

90

89

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91

91 A LARGE PINE BUTCHER’S BLOCK PROBABLY FRENCH, LATE 19TH CENTURY the slab top with iron bound corners, the base with a pair of drawers which open each side 78.2cm high, 167cm wide, 61cm deep

£500­800

92

92

93

A PAINTED WOOD BUTTER CHURN 19TH CENTURY

AN ELM DUG-OUT MORTAR PROBABLY 18TH CENTURY

of staved construction, with iron bands and side carrying handles, the lid pierced with a hole, together with a pole 77.7cm high, 52.5cm diameter

with a pair of cut­out handles, iron bound, on faceted tripod supports 63.2cm high, 37cm diameter

£300­500

£200­300 93 29

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94 A VICTORIAN STAFFORDSHIRE SLIPWARE POTTERY BAKING DISH DATED ‘1893’ decorated with white slip leaves on a brown glaze 10.8cm high, 65.7cm wide, 40cm deep

£150­250

95 A TREEN WALNUT PESTLE AND MORTAR EARLY 18TH CENTURY both with remains of a painted finish, the mortar turned with reeded bands (2) the mortar: 16.8cm high, 17cm diameter the pestle: 25.7cm long Provenance The Estate of the late Jane Sumner.

£100­200

96 A SMALL COLLECTION OF DOMESTIC TREEN 19TH CENTURY comprising: a spiked oat roller, three small oak plates and a ladle (5) 42cm (max)

£100­150

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97 A LARGE SYCAMORE DOUGH BOWL 19TH CENTURY with integral handles and an adzed finish to exterior 15.8cm high, 65.7cm wide, 44.5cm deep

£200­300

98 A TREEN PIPE TAMPER LATE 18TH / EARLY 19TH CENTURY in the form of an arm, with a clenched fist and a hatched base 6.8cm long Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

99 SEVEN TREEN GINGER BREAD BISCUIT MOULDS 19TH CENTURY with various designs, including: figures, sailing ships, fish, houses and love hearts, two stamped with initials (7) 73cm long (max)

£300­500

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100 A FINE CHARLES II LIGNUM VITAE WASSAIL BOWL AND COVER C.1660­70 the lid with a turned cup and baluster finial, the underside inset with a brass and Surrey enamel type circular ‘print’ depicting the Royal Coat of Arms of Charles II, the ring turned body with an upper quadruple reeded band above two moulded bands, supported by a slightly flaring stem on a conforming foot 43.6cm high, 22.5cm diameter Provenance Peter Mactaggart (1931 - 2020). Peter’s family ran an antiques shop in Welwyn, Hertfordshire, UK, from the late 1940’s to the early 1970’s.

Literature See Apollo, December 1936, vol. XXIV, no.144, pp.348-352, fig.VII, for an article by Owen Evan Thomas, ‘The Wassail Bowl and the Custom of Wassailing at Christmas Time’ in which the present lot features. Evan-Thomas writes ‘This is the only Wassail Bowl I have ever seen containing under the lid its original ‘print’ ‘.

Catalogue Note The word Wassail means 'Good health' and is an expression of well­wishing equivalent to the word 'cheers', offered in the context of convivial drinking. Recent examples of wassail bowls sold in these rooms include a very large example, Furniture & Works of Art, 4th October 2017, lot 14 with an applied plaque and dated ‘1694’, which fetched £14,000 hammer and also lot 43, 3rd April 2019 for a dated example ‘1681’ with inscription, which made £6,500 hammer.

£6,000­8,000

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101

102

101 A FOLK ART NAIVE SILKWORK THEOREM PICTURE EARLY 19TH CENTURY depicting a bird resting on a vase of roses, in a glazed bird’s eye maple frame, together with a reverse glass picture of an urn of flowers (2) 41.7 x 30.8cm (max)

£150­250 102 A FOLK ART NAIVE WATERCOLOUR PAINTING OF BIRDS MID­19TH CENTURY depicted perched on trees, in a glazed burr veneered frame 20 x 32cm

103

£100­150 103 AN EARLY VICTORIAN FOLK ART NAIVE WOOLWORK OF A CAT DATED ‘1853’ the striped feline lying on a tasselled cushion, with initials ‘W. J. S.’ and inscribed ‘ANNO. 1853’, in a glazed mahogany frame 27.5 x 40.2cm

£100­150 104 AN EARLY VICTORIAN FOLK ART NAIVE WOOLWORK OF A DOG C.1840­50 the spaniel lying on a cushion, in a later ebonised frame 42.5 x 55.5cm

£100­150

34

104

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105 A FOLK ART NAIVE PAINTING SECOND HALF 19TH CENTURY depicting two spaniels with a magpie, before a lake with mountains in the distance, oil on canvas, in a gilt and ebonised moulded frame 58 x 72cm

£400­600

106 A PAINTED WOOD DUMMY BOARD 19TH CENTURY of a young boy in 17th century costume 95.7cm high, 44cm wide

£400­600

107 A FOLK ART CARVED AND PAINTED PINE MODEL OF A DOG SECOND HALF 19TH CENTURY 29cm high, 65cm long

£300­500

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108

109

108

110

A FOLK ART TREEN ASH WALKING STICK 19TH CENTURY

A BAMBOO SWORD STICK 19TH CENTURY

naively engraved with a hunting scene with horse, riders and hounds, inscribed ‘If I should lose and you find, I pray you be so good and kind, This stick again return to me, Then well rewarded you shall be’ 70.4cm long

110

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150 109 A FOLK ART HORN WALKING CANE LATE 19TH CENTURY the shepherd’s crook handle with a horse’s head terminal, with a part spiral twist and fluted stem 78.8cm long Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£80­120

111

36

the horn handle in the form of a clenched fist holding a baton, with a steel 44cm blade 91cm long Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150 111 ‘WATERLOO INTEREST’ AN EBONISED WALKING CANE 19TH CENTURY with a silver cap handle and a silver collar, inscribed with intitials and ‘Brought from the field of Waterloo July 1883’, unmarked 83.5cm long Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

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112 A FOLK ART TREEN OAK CANDLE BOX 19TH CENTURY in the form of a Northumberland fisherman’s cottage, the hinged pitched roof revealing a vacant interior, with a divided base drawer, on brass ball feet 21.1cm high, 18cm wide, 11cm deep

£1,000­1,500

112

113 A SMALL GEORGE III FOLK ART REVERSE GLASS PRINT LATE 18TH / EARLY 19TH CENTURY depicting a fisherman, in an ebonised reeded frame 9.2 x 6.7cm Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£40­60 113

114 A PAIR OF PATINATED BRASS CHIMNEY ORNAMENTS 19TH CENTURY in the form of a flat back lion and an elephant with traces of gilding, together with an Arts & Crafts hammered copper vase (3) 17cm high (max) Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£150­250

115

115 A VICTORIAN MAHOGANY AND PARCEL GILT DOLL’S CRADLE DATED ‘1863’ with initials ‘M.B.’ 26.7cm high, 41.3cm long

£100­150 114 37

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117

116

116 A WROUGHT IRON TABLE RUSHNIP AND CANDLE HOLDER 18TH CENTURY on a tripod base 33.4cm high

£200­300 117 AN IRON HANGING CANDLEHOLDER 19TH CENTURY one end with a hook, with an adjustable sconce and with a twist handle ejector 34.3cm high

118

£80­120 118 A WROUGHT IRON HANGING LIGHT 17TH CENTURY with three candleholders 49cm high, 41.5cm wide

£150­250 119 A SHEET IRON MINER’S HANGING LANTERN

BY HINKS & SON, EARLY 20TH CENTURY of rectangular form, with glass panels and a hinged door, applied with two brass plaques, one inscribed ‘Use 1/2 candles only’, the other ‘Jas Hinks & Sons, 1916, Birmingham’ 39.5cm high, 15cm wide

£100­150

38

119

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120 A GEORGE III STEEL FLOOR STANDING ADJUSTABLE CANDLEHOLDER 18TH CENTURY with a brass ball finial, with a cylindrical nozzle and a nip with scroll decoration and a tripod base 99.7cm high, 27cm wide

£400­600

120

121

121 A WROUGHT IRON FLOOR STANDING RUSHNIP HOLDER IRISH, 18TH CENTURY on a circular base 81.7cm high

£250­350

122 A GEORGE III WROUGHT IRON ADJUSTABLE FLOOR STANDING CANDLEHOLDER LATE 18TH CENTURY with twin arms, one side with a cylindrical nozzle and dished drip­ pan, the other with three prongs, on a tripod base and disc feet 95.8cm high, 44cm wide

£300­400

122 39

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123 A PAIR OF STEEL EMBER TONGS 18TH CENTURY the handle with a brass pipe tamper finial and a loop for suspension 47.6cm long

123

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­250

124 A GEORGE III STEEL COMBINATION TOASTING FORK LATE 18TH CENTURY 124

with a turned fruitwood handle, with a pair of tongs and a pair of prongs 39cm long

£150­250

125 A PAIR OF GEORGE III STEEL EMBER TONGS LATE 18TH / EARLY 19TH CENTURY of eight section concertina action 13cm closed extending to 66cm long Literature See Rupert Gentle and Racheal Field, Domestic Metalwork, 1640-1820, p.331, fig. 6 for a similar example.

125

40

£80­120

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126 A SCOTTISH IRON AND PINE FLOOR STANDING CANDLE HOLDER LATE 18TH / EARLY 19TH CENTURY the rotating top above a ratcheted adjustable stem and an elm base 109.9cm high, 23cm wide

£200­300

127

127 A PAIR OF PAINTED SHEET IRON HOG SCRAPER CANDLESTICKS 18TH CENTURY

126

each with a brass wedding band ring, the stems with adjusters, above octagonal bases (2) 19.7cm high

£150­250

128 A FOLK ART PAINTED ASH AND WROUGHT IRON DOWN HEARTH SPIT DOG MID­18TH CENTURY the spit of shield shape, with five pairs of prongs, mounted on a turned wood stand with traces of green and red paint 45.5cm high, 55.3cm long

£200­300

128

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129 A WROUGHT IRON ADJUSTABLE FLOOR STANDING CANDLEHOLDER 18TH CENTURY on tripod supports 74.2cm high

£200­300

130 A GEORGE III WROUGHT IRON ADJUSTABLE FLOOR STANDING CANDLEHOLDER LATE 18TH CENTURY with a shepherd’s crook top above twin arms, one side with an open nozzle and a dished drip­pan, the other with three prongs, on a tripod base and disc feet 118.8cm high, 47cm wide

129

£200­300

131 A WROUGHT IRON FLOOR STANDING ADJUSTABLE CANDLE HOLDER 18TH CENTURY STYLE with a hammered finish, the top with a cockerel finial above an adjustable twin arm with a crown nozzle with hexagonal drip­pan and a rushnip, on a tripod base 143.9cm high, 35cm wide

130

£300­400

132 A WROUGHT IRON FLOOR STANDING RUSHNIP / CANDLEHOLDER 18TH CENTURY with spiral twist decoration, on tripod legs and pad feet 74.8cm high

£100­200

131 42

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133 A PAIR OF WROUGHT IRON ANDIRONS 18TH CENTURY each with bottle holder tops, the stems with adjustable hooks, the curved front supports with hatched decoration (2) 106cm high, 34.2cm wide, 60.5cm deep

£300­400

134 No lot

135

133

135 A PAIR OF DUTCH BRASS ANDIRONS LATE 17TH / EARLY 18TH CENTURY each decorated with a portrait bust of Queen Anne, wearing a crown, with turned finials, on curved iron supports (2) 26.9cm high, 18.2cm wide, 39cm deep

£150­250

136 A FOLK ART ELM AND WROUGHT IRON DOWN HEARTH SPIT DOG MID­18TH CENTURY with two prongs above a circular holder, mounted on a wooden body, with curved iron supports 50cm high, 62cm long

£150­200 136

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SNUFF BOXES

138 λ 137 A QUEEN ANNE TORTOISESHELL SNUFF BOX EARLY 18TH CENTURY 137

of ribbed form, with brass/copper mounts 10.3cm wide Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­200 138 A HORN SNUFF BOX EARLY 19TH CENTURY the lift­off lid with a central rondel press decorated with Cupid, a pair of love birds and the rising sun 8.5cm diameter Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150 139 A DUTCH BRASS AND COPPER TOBACCO BOX 18TH CENTURY

139

engraved with scrolling leaf borders, the hinged lid and base with harvest scenes with inscriptions 12cm wide

£100­150 140 A VICTORIAN BRASS SMOKER’S TOBACCO BOX 19TH CENTURY the hinged lid revealing a compartment for tobacco, each end with a hinged lid one revealing a clay pipe, the other with a compartment for vestas and with a strike 12cm long Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£80­120 140

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141

142

λ 141 THREE CIRCULAR SNUFF BOXES EARLY 19TH CENTURY comprising: a papier­mâché example, the lid with an ivory naive portrait miniature of a young lady and two burr wood examples, the lids inset with floral rondels, all tortoiseshell lined (3) 7cm diameter (max) Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150 143

142

143

λ 144

TWO FRENCH PAPIER-MÂCHÉ SNUFF BOXES LATE 18TH / EARLY 19TH CENTURY

A LACQUERED PAPIER-MÂCHÉ SNUFF BOX EARLY 19TH CENTURY

A FRENCH GILT BRASS MONOCULAR OPERA OR SPY GLASS EARLY 19TH CENTURY

one painted to imitate tortoiseshell with jewelled bands, the other simulating guilloche enamel (2) 8cm diameter (max) Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

painted to simulate marble, the hinged lid applied with gilt bronze ribbons and leaves 9.2cm wide Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­200

£100­150

with a six draw telescopic action, decorated in enamel with a grapevine, in a red leather case, together with an early 19th century French pressed burr maple snuff box, the lid with a farmyard scene, with a tortoiseshell lined interior and a papier­mâché snuff box in the manner of Stobwasser, painted with a mythological scene with semi­naked figures (3) 10.7cm (max)

£200­300

144 45

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λ 145 FIFTEEN SNUFF BOXES 19TH CENTURY in horn, tortoiseshell, lacquered papier­mâché and gilt brass and porcelain, one painted with a landscape scene, one inscribed ‘Will you take a pinch?’ and one of curved form with gold mounts and initials ‘FB’, together with a tortoiseshell card case (16) 10cm (max)

£200­300

146 ‘GEORGE IV’ A LACQUERED PAPIER-MÂCHÉ SNUFF BOX IN THE MANNER OF SAMUEL RAVEN, C.1825­30 the pull­off cover painted with a portrait of George IV after Sir Thomas Lawrence, together with an oval horn snuff box, the lid with a faceted jewel cabochon, a birch snuff box with initials ‘A M J’ possibly Swedish and a continental porcelain scent bottle (4) 10.3cm (max) Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£100­200

147 A TREEN SNUFF BOX POSSIBLY OTTOMAN, TURKISH, 19TH CENTURY the hinged lid relief carved with war trophies and banners, the front edge with leaves and Arabic script 10.2cm wide Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

Catalogue Note There are similar cigarette boxes made by Turkish Prisoners of War, c.1918, in the Imperial War Museum, London. However, the present example appears earlier in date.

£150­250

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148 A TREEN FOLK ART DUCK’S HEAD SNUFF BOX SECOND HALF 19TH CENTURY with remains of green painted decoration and carved with a rosette and with a hinged lid, the underside inscribed with the initial ‘G’ 11.7cm long

£200­300

149 A TREEN SNUFF BOX IN THE FORM OF A PAIR OF BELLOWS 19TH CENTURY with brass tack decoration, the sliding cover decorated with a crown 11.7cm long Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

150 TWO TREEN SNUFF SHOES 19TH CENTURY each with brass tack inlay and sliding covers, one decorated with a love hearts, the other with ‘V R Crowned’, leaves, thistles and the sole with an anchor (2) 9.8cm long (max) Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

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152

151

151

152

‘WINCHESTER INTEREST’ A WILLIAM IV BOG OAK SNUFF BOX C.1834

A BURR MAPLE NOVELTY SNUFF BOX MID­19TH CENTURY

of disc form, together with a handwritten note, stating ‘This box is made of a piece of oak found underneath the new Bridewell May 1834 being in the city wall which was 13 feet thick and built in the time of William Rufus about 740 years since’ 7.8cm diameter

of faceted form, the body with a faux lid, the box opens by twisting one end and the snuff compartment pulls out 8.1cm long

£100­150

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150 153

153

154

155

A SCOTTISH SYCAMORE MAUCHLINE WARE SNUFF BOX C.1830

TWO SCOTTISH SYCAMORE MAUCHLINE WARE SNUFF BOXES 19TH CENTURY

TWO SCOTTISH SNUFF MULLS 19TH CENTURY

the hinged lid decorated with a scene of Napoleon on horseback ‘Apres Vous Sire’ after Toussaint 8.5cm wide

one of disc form, the lid printed with a young lady and titled ‘Forget Me Not’ with a verse, together with a curved penwork example decorated with seaweed (2) 8cm (max)

one a whale’s tooth, with a silver hinged lid engraved with ‘C Blake’ and leaves and a horse, unmarked, the other in the form of a bird, with a hinged brass lid inscribed ‘F. H. Hopson, Hochton’ (2) 7.5cm (max)

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

£150­250

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

155

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156 156 A SCOTTISH HORN AND SILVER MOUNTED ZOOMORPHIC SNUFF MULL EARLY 19TH CENTURY with a hinged cover 6.5cm high Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

157

£100­150 157 A SCOTTISH HORN ZOOMORPHIC SNUFF MULL EARLY 19TH CENTURY in the form of a penguin, with a moveable beak dispenser, the lift­ off cover applied with a silver cartouche, inscribed ‘J. Rhynd PHD’, unmarked 7.1cm high Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­200 158 A SCOTTISH HORN AND BRASS MOUNTED ZOOMORPHIC SNUFF MULL EARLY 19TH CENTURY in the form of a dog’s head, with a hinged cover, together with a bone snuff spoon (2) 5.9cm high

158

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­200 159 A SCOTTISH PONY HOOF AND SILVER MOUNTED SNUFF MULL EARLY 19TH CENTURY the hinged cork lined cover applied with a thistle and a plaque engraved with a crest, the motto ‘Non Sibi Sed Secuntis’ and initials ‘W M’, possibly for McLellan of Kirkcudbright, unmarked 6.3cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­250 159 49

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EARLY NEEDLEWORKS SAMPLERS & TAPESTRIES

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160 TWO ELIZABETHAN NEEDLEWORK SLIPS

C.1590 embroidered on canvas in gros and petit point in colourful silks and wool, one depicting a caped courtier holding a falcon in a formal Renaissance garden, with dogs chasing a rabbit, the other showing a courtly lady embroidering her canvas in a garden landscape setting, later mounted on a velvet panel and later moulded frames (2) 31 x 25.5cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 11th March 1986 for £1,000.

£1,000­1,500

161 AN ELIZABETHAN TAPESTRY CUSHION ATTRIBUTED TO THE SHELDON LOOMS, C.1600 worked with wool and silks, depicting ‘Tobias and the Angel’, accompanied by a dog and with a large fish, sailing boats and castles in the distance, mounted on a later red velvet panel 21 x 28.7cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 8 Duke Street, St James’s, London, 25th March 1997.

£800­1,200

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162 AN ELIZABETHAN NEEDLEWORK PANEL C.1600 depicting ‘Abraham and the Angels’, in a rural landscape setting with trees, animals, castles and buildings and various flowers, mounted on a later board 36.3 x 107.5cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 3rd September 1973 for £550.

£1,000­1,500

163 A CHARLES II NEEDLEWORK PICTURE C.1665 embroidered in fine petit point in polychrome wool and silks, depicting the fall of Icarus, with a lakeland scene, with a castle, a farmer plowing, a man fishing and a shepherd and shepherdess with their flock and Icarus falling from the sky while Daedalus is watching on in horror, in a cartouche border, later mounted on silk and applied with contemporary butterflies and snails, in a later glazed frame 30.5 x 27.5cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 3rd October 1978 for £850.

£2,000­3,000

163 52

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164 TWO CHARLES II NEEDLEWORK PICTURES C.1665 canvas work, in fine tent stitch with polychrome wools and silks, depicting the seasons summer and autumn with a corn and grape harvest, with figures in various pursuits, later mounted with velvet borders, in later walnut and gilt frames (2) 12.5 x 23 (max) Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 14th May 1971 for £400.

£2,000­3,000

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165 A BRUSSELS TAPESTRY PANEL EARLY 17TH CENTURY depicting one of the Muses: Terpsichore, flanked by music playing putti, one with a tambourine the other playing a flute, mounted on a stretcher 54.3 x 150cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 31st August 1976 for £750.

£1,000­1,500

166 A SILKWORK AND METAL THREAD PICTURE PROBABLY GERMAN OR DUTCH, 18TH CENTURY worked in coloured silks, depicting a courting couple dancing, with a young lady playing a mandolin, on a silk backing 46.5 x 51.5cm Provenance A Private European Collection. Acquired from Sotheby’s Amsterdam, European Collections, 16th December 2003, lot 979 for €947 incl. premium.

£400­600

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167 A GEORGE II NEEDLEWORK PANEL C.1740 worked with figures, dogs and houses in a woodland setting with swans swimming in ponds, within a border of lozenges and stylised flowerheads on a red ground, with a later backing and bar for hanging 126 x 76cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 19th September 1973 for £750.

£3,000­5,000

168 A PAIR OF WALNUT AND NEEDLEWORK WALL SCONCES IN GEORGE I STYLE THE NEEDLEWORK FIRST HALF 18TH CENTURY, THE FRAMES 20TH CENTURY each depicting a courting lady and gentleman in a landscape scene, accompanied by a dog, with a house in the distance, with silver metal thread details, in moulded fret­frames with a pair of candle holders (2) 56.7 x 35.5cm Provenance A Private European Collection. Acquired in 2003.

£800­1,200 167

168

168 55

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169 A VERDURE TAPESTRY OF A LANDSCAPE FLEMISH, 19TH CENTURY woven with coloured wools, within a foliate border 327 x 287cm Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£2,000­3,000

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170 A FLEMISH HISTORICAL TAPESTRY

LATE 17TH CENTURY woven in silk and wool, depicting the 'Abduction of Helen', with Helen accompanied by Paris surrounded by soldiers, pirates with their booty and other figures, with Troy to the left with ships to the right, the border with oval medallions of classical figures, helmets, armour and military trophies 319 x 483cm Provenance Christies’ 26th July 1972, lot 98.

The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

Catalogue Note In 1972 it was catalogued as pre­Gobelin by Jean Lefèvre and as the 'Abduction of Helen' but the booty and the burning of the city could well suggest that it depicts the rescue of Helen by Menelaus and ‘The Sack of Troy’.

£4,000­6,000

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171 THREE FRENCH AUBUSSON TAPESTRIES OF ROYAL PALACES MID­19TH CENTURY after the famous Louis XIV Gobelins series of tapestries designed by Charles Le Brun known as 'The Months' or 'The Royal Households', finely woven with wool and silk, September with a monkey, eagle and a lnyx with a balustrade in the foreground with marble columns, a young boy with a carpet and a page with a gilt ewer sat on a cushion with a procession of coaches beyond with the Chateau of Chambord, with an oval ribbon tied floral medallion with a crowned monogram, December depicts a Royal boar hunt in the park of Monceaux, two pages are lifting a Persian carpet across a balustrade, May depicts a gazelle jumping a balustrade, in the distance the Chateau of St. Germain and with Louis XIV riding along the banks of the River Seine with his wife and entourage (3) 240 x 203cm, 240 x 206cm and 245 x 350cm Provenance Easton Neston House, Northamptonshire Hon. Louise Fermor­Hesketh daughter of Sir Thomas Fermor­Hesketh, Baron Hesketh who married Sir Edmund Villiers Minshull Stockdale, 1st Baronet (632nd Lord Mayor of London from 1959­1960) in 1937.

Hoddington House, Basingstoke and by descent.

The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£4,000­6,000 58

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172 A FLEMISH VERDURE TAPESTRY LATE 17TH / EARLY 18TH CENTURY worked with a château before a lake, with birds and a woodland setting, within a floral border 247 x 352cm

£2,000­3,000

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173 inscription 173 TWO GEORGE III SILK AND WOOLWORK PICTURES

BY MARTHA BLAKEY, 1791 depicting ‘Marcella’ and the ‘Shepherdess of the Alps’, each with a paper label to the verso, titled and inscribed ‘Done by Martha Blakey at Mrs Baldwin’s Boarding School Knaresbrough 1791’, each in an oval glazed giltwood frame (2) 29.5 x 35.3cm (max)

£150­250 174 TWO GEORGE III SILKWORK PICTURES LATE 18TH / EARLY 19TH CENTURY one of a basket of fruit with peaches and grapes, the other with three young ladies in a wood with a basket, each in a glazed giltwood oval frame (2) 31.3 x 23cm (max)

£150­250 175 A PAIR OF MINIATURE EMBROIDERED SILKWORK PICTURES 18TH CENTURY depicting two female figures beside a well and a saint like figure with two birds, each in a glazed moulded mahogany circular frame (2) 5cm diameter

173

£100­150

175

174

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176 177

176

178

A GEORGE IV NEEDLEWORK SAMPLER

BY ELIZA KING

AN EARLY VICTORIAN NEEDLEWORK SAMPLER

BY HELEN HILL

worked with a cottage, figures, trees, urns of flowers, baskets of fruit, shepherds and sheep, dogs and birds and a verse ‘This not enough to say…’, signed ‘Eliza King aged nine years 1825’, in a glazed bird’s eye maple frame 37 x 27.7cm

178

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­250

£100­150

177

179

A NEEDLEWORK SAMPLER

BY MARGARET DANIELL, FIRST HALF 19TH CENTURY

A GEORGE IV NEEDLEWORK SAMPLER

BY MARY MANVELL

worked with birds, tress, baskets of fruits and urns of flowers, inscribed with ‘The Lark A Hymn’ and signed ‘Margaret Daniell Aged 9 years’, in a glazed (cracked) bird’s eye maple frame 42.4 x 31.5cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

179 62

worked with alphabets, numbers and a verse ‘What is Life’, with urns of flowers and dogs, signed ‘Helen Hill aged 7 years 1844’, in a glazed bird’s eye maple frame 31.8 x 20.6cm

worked with alphabets, numbers, the hymn ‘Beset with snares on every hand’, birds and trees, signed ‘Mary Manvell aged twelve years 1823’, in a glazed bird’s eye maple frame 40.7 x 29.7cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150

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180 A GEORGE I NEEDLEWORK BAND SAMPLER

BY SOPHIA POULSEN worked with coloured silks and cotton on a linen ground with alphabets, the date ‘1711’ with crowns, urns of flowers flanked by dogs, the Lord’s Prayer, a verse and ‘Sophia Poulsen is my name and England is my Nation, Stepney is my dwelling place and Christ is my salvation, 1715 Aged 10’, in a later glazed bird’s eye maple frame 46.7 x 20.2cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£500­800

181 A JAMES II NEEDLEWORK SAMPLER DATED ‘1686’ embroidered with coloured silks with the alphabet and with initials ‘MP’, above whitework bands of geometric decoration and cut­work details and further silk embroidered bands of flowers, in a later glazed bird’s eye maple frame 58.3 x 15.7cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£800­1,200

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182 A GEORGE IV NEEDLEWORK SAMPLER

BY ALICE MERCER worked with a country house, a shepherdess with her flock, a cow, deer, a dog, peacocks, trees, urns of flowers, birds and a religious verse ‘Lord thous hast searchd and seen me through...’ signed ‘Alice Mercers Work 1829’, in later glazed ebonised frame 39.2 x 47.2cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£200­300

183 A GEORGE III NEEDLEWORK SAMPLER

BY MARY ANN HIGGINS worked with a castle, a crown, a pair of dogs, birds, squirrels, snails, peacocks and a central vase of flowers within a scrolling leaf and flower border, signed ‘Mary Ann Higgins 1799’, in a glazed stained pine frame 35.6 x 34.2cm Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£100­150

184 A GEORGE III NEEDLEWORK DARNING SAMPLER

BY MARY HOWES worked with a blue and white Chinese vase of flowers, the corners with chequer panels of various designs, in a glazed Hogarth type frame, the back applied with a cut­out signature panel ‘Mary Howes 1775’ 33 x 28cm Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£150­250

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185 A WILLIAM IV SCOTTISH NEEDLEWORK SAMPLER

BY JEAN GRIGOR worked with a house with a figure between elaborate gates, birds in trees, urns of flowers, with three crowns, with family initials, lovehearts and with a signed panel dated ‘1835’, in a glazed ebonised frame 41.5 x 31.6cm Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­400

186 A REGENCY NEEDLEWORK SAMPLER

BY SARAH PRATT worked with an alphabet, numbers, birds, flowers, stars, a verse, with the temple of fame above a stag flanked by trees, signed ‘Sarah Pratt Aged 10 1813’, in a glazed bird’s eye maple frame 42.5 x 32.5cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­250

187 A RARE NEEDLEWORK MAP SAMPLER LATE 18TH CENTURY depicting ‘A Plan of Kites Nest Farm in the Parish of Ore in the County of Sussex’, with the meadows and fields delineated and listed ‘The Contents from Stem to Stem’ with individual and total acreages, with neighbouring lands listed and titled ‘Late Mrs Beals Land’, ‘Mr Christopher Thorpes Land’, ‘Edward Milward Esquire DQ’ and varous foothpaths including ‘Lane to fighting cocks’, in a glazed bird’s eye maple frame 50 x 47cm Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£500­800 65

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ENGLISH & IRISH FURNITURE MIRRORS & WORKS OF ART

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188 A BLACK JAPANNED CABINET ON A GILTWOOD STAND EARLY 18TH CENTURY AND LATER with gilt raised decoration depicting chinoiserie scenes of figures, buildings and trees, the watery landscapes with engraved gilt brass mounts, strapwork hinges and lock plates, the interior fitted with ten drawers, on a later giltwood stand, carved with cherubs, leaves and flowers 163.8cm high, 119cm wide, 62cm deep Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£2,000­3,000

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189 A WILLIAM AND MARY WALNUT CABINET ON CHEST LATE 17TH / EARLY 18TH CENTURY AND LATER with a cushion frieze drawer above a pair of feather banded doors, enclosing an arrangement of eleven drawers surrounding a central cupboard, with secret drawers behind, the base fitted with two short and two long drawers, on a later plinth base, originally on bun feet 164cm high, 106cm wide, 48cm deep

£800­1,200

190 A GEORGE I WALNUT CHEST ON STAND EARLY 18TH CENTURY with two short and three long laburnum banded drawers, the stand with a conforming long drawer, on later square section cabriole legs and pad feet 150.2cm high, 106cm wide, 61cm deep

£300­500

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191 A QUEEN ANNE WALNUT CHEST ON STAND EARLY 18TH CENTURY the crossbanded top above three short and three long graduated feather banded drawers, the stand with two concave central drawers flanked by further drawers, on later turned cup and cover legs united by a shaped stretcher, on later bun feet 165.5cm high, 108.5wide, 59.5cm deep

£800­1,200

192 A GEORGE II FRUITWOOD LOWBOY C.1740­50 possibly cherrywood, the crossbanded top above three elm lined drawers, on square section cabriole legs 74.8cm high, 78cm wide, 44.4cm deep

£300­500

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detail 193 A SET OF FOUR WALNUT AND MARQUETRY SIDE CHAIRS EARLY 18TH CENTURY (4) each inlaid with cherubs, masks, scrolling leaves and flowers and baskets of fruit after designs by Jean Berain the Elder (1640­1711), each with a vase shaped splat above a later drop­in seat (one missing) on cabriole legs (4) Provenance Sold on behalf of the Executors of Julian Bream CBE dec'd'.

The proceeds of this lot will go to The Julian Bream Charitable Trust.

£300­500

194 A SET OF SIX DUTCH WALNUT AND MARQUETRY SIDE CHAIRS 18TH CENTURY inlaid with urns of flowers, each with a vase shape splat above a drop-in seat, on cabriole front legs united by turned and moulded stretchers (6) Provenance Sold on behalf of the Executors of Julian Bream CBE dec’d’.

The proceeds of this lot will go to The Julian Bream Charitable Trust.

£400­600

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195 A WILLIAM AND MARY OYSTER VENEERED AND MARQUETRY ESCRITOIRE C.1690 inlaid with various fruitwoods and green stained bone, with panels of tulips, birds, leaves, flowers and with a central urn, the moulded cornice above a cushion drawer, the hinged fall with a later plush lined writing surface, revealing pigeonholes with secret compartments behind, above an arrangement of ten drawers, one for pen and ink, around a central cupboard, with three further drawers, the base fitted with two short and two long drawers, on later bun feet 155.2cm high, 108.5cm wide, 46.9cm deep Provenance Sold on behalf of the Executors of Julian Bream CBE dec’d’.

The proceeds of this lot will go to The Julian Bream Charitable Trust.

£3,000­5,000

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196 A GEORGE I WALNUT AND BURR ELM BUREAU EARLY 18TH CENTURY cross and feather banded with burr elm panels, the hinged fall with a later leather lined writing surface with an arrangement of pigeonholes and drawers, one fitted with divisions for pen and ink, with a sliding well cover, above two short and two long drawers, on later bracket feet 105.7cm high, 89cm wide, 52cm deep Provenance Sold on behalf of the Executors of Julian Bream CBE dec’d’.

The proceeds of this lot will go to The Julian Bream Charitable Trust.

£600­800

197 A SMALL GEORGE I OAK BUREAU EARLY 18TH CENTURY with burr oak panels, the hinged fall revealing an interior fitted with five drawers and pigeonholes, with a worn writing surface, above four banded drawers, on bun feet 95.8cm high, 57.8cm wide, 46cm deep

£400­600

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198 A WILLIAM AND MARY WALNUT AND MARQUETRY CHEST C.1690­1700 inlaid with fruitwood with panels of tulips, flowers and leaves, birds and butterflies on an ebonised ground, the sides with conforming panels with parrots, fitted with two short and two long drawers, on later bracket feet 87cm high, 101cm wide, 63.3cm deep

£2,000­3,000

73

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199

200

199 A GEORGE II MAHOGANY TEA TABLE C.1740 the hinged fold­over top with protruding corners, on a single gate support, the concave front with a frieze drawer, on lappet carved turned legs and pad feet 72.3cm high, 76.5cm wide, 37.3cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£500­700 200 A GEORGE II OAK LOWBOY C.1740­50 the boarded top with a moulded edge, above three fruitwood banded frieze drawers and a shaped apron, on cabriole legs and pad feet 72.9cm high, 77cm wide, 52.5cm deep

£400­600 201 AN AMERICAN MAHOGANY TRIPOD OCCASIONAL TABLE POSSIBLY BY GILBERT ASH, 18TH CENTURY the dished top on a turned stem and lappet decorated cabriole legs, stamped 'G. Ash N. Y.' 58cm high, 41cm wide

201

Catalogue Note Gilbert Ash was a New York chair­maker active from 1756­70.

£200­300

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202 AN EARLY GEORGE III MAHOGANY COMBINED GAMES AND TEA TABLE C.1760 the triple fold­over top with a floret carved edge, hinged for tea, baize lined for cards and inlaid with boxwood and ebony with chequer and backgammon boards, with a side drawer, later baize lined for counters and the folding backgammon frame, on moulded chamfered supports, the back legs stamped with owner’s initials ‘E S’ 76.2cm high, 78.2cm wide, 38.5cm deep Provenance Sold on behalf of the Executors of Julian Bream CBE dec’d’.

The proceeds of this lot will go to The Julian Bream Charitable Trust.

£500­800

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203 A GEORGE III MAHOGANY CARD TABLE C.1760 the fold­over top with a moulded edge revealing a baize lined playing surface supported by twin gates, with a frieze drawer, on square tapering legs and block feet 74cm high, 87.5cm wide, 42.6cm deep

£500­800

204 A GEORGE III MAHOGANY BACHELOR’S CHEST C.1770­80 the top with a moulded edge above a brushing slide and four long graduated drawers with original brass handles 84.1cm high, 80cm wide, 51cm deep Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£500­700

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205 A GEORGE II RED WALNUT CONCERTINA ACTION CARD TABLE C.1740­50 the fold­over top revealing a later baize lined playing surface, the concertina action with sliding support and an iron latch, on leaf capped cabriole legs and pad feet 71.8cm high, 89.8cm wide

£500­800

206 AN EARLY GEORGE III MAHOGANY BACHELOR’S CHEST C.1760 the rectangular top with a moulded edge, above a brushing slide and four long graduated drawers, on shaped bracket feet 78.3cm high, 77cm wide, 47cm deep

£500­800

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208

207

207

209

A GEORGE II MAHOGANY TRIPOD TABLE MID­18TH CENTURY

A GEORGE II WALNUT ARMCHAIR C.1730­40 AND LATER

the circular tilt­top revolving on a birdcage, on a turned baluster stem and cabriole legs 74.9cm high, 84cm diameter

later upholstered with damask fabric, with scroll arms, on leaf capped cabriole front legs and claw and ball feet

£200­300

£400­600 210

208 A GEORGE II MAHOGANY DROP-LEAF DINING TABLE MID­18TH CENTURY AND LATER the rectangular top with later applied leaf carving, on turned legs and pad feet 72.4cm high, 134 x 157.3cm

£300­500

A SET OF SIX GEORGE III FRUITWOOD DINING CHAIRS C.1770­80 each with a serpentine top rail above a pierced scroll vase shape splat, above a drop­in seat, on chamfered supports united by an ‘H’ stretcher (6) Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£400­600

209 210 78

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211 AN EARLY GEORGE III MAHOGANY READING TABLE C.1760 the hinged sloping top with an integral rest and previously on a ratchet, the interior with divisions for pen and ink, the front with a pull­out support for the top and a shelf for books, the sides and back pierced with arc d’arbalète motifs, with bracketed chamfered legs united by an undertier, on leather roller castors 82.4cm high, 57.7cm wide, 39.3cm deep

£500­700

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212 AN EARLY GEORGE II GILTWOOD PIER MIRROR C.1725­30 the later rectangular plate with arched top corners, within a leaf moulded slip, flanked by tasselled drapes, the broken arch surmount centred with plumes of feathers 153 x 64cm

£800­1,200 213 A GEORGE III GILTWOOD WALL MIRROR C.1760­70 AND LATER the later oval plate in a 'C' scroll, rocaille, leaf and flower carved frame, the leaf and cabochon surmount flanked by a pair of ho­ho birds, re­gilt 104 x 61.5cm Provenance Acquired by the present owner from Ossowski, Pimlico, London.

£800­1,200

212

213 80

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214 A GEORGE II CARVED GILTWOOD WALL BRACKET C.1740­50 in the form of a winged and bearded satyr mask, with scrolling leaves, re­gilt 37.2cm high, 34.2cm wide, 17.5cm deep Provenance Acquired by the vendor from Charles Lumb & Sons, Harrogate.

£1,000­1,500

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215

216

215 A GEORGE III BURR YEW SHIELD SHAPE DRESSING TABLE MIRROR C.1790 the later plate within a mahogany frame and scroll supports, the crossbanded serpentine box base with three drawers, on bracket feet 55.5cm high, 41cm wide, 20.2cm deep

£300­400 216 A GEORGE III MAHOGANY SHIELD SHAPE DRESSING TABLE MIRROR C.1790 with a later plate, on scroll supports, the kingwood banded serpentine box base with three drawers, on bracket feet 62.5cm high, 47cm wide, 21cm deep

£150­250 217 A GEORGE III MAHOGANY AND BRASS BOUND PLATE BUCKET C.1790­1800 of staved construction, with a brass swing handle and a later lift­out zinc lining 44.2cm high, 40cm wide

£300­400

217

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218 A GEORGE III GILTWOOD WALL MIRROR IN ADAM STYLE, C.1790 the rectangular plate within a beaded slip and a fluted outer frame, the urn and leaf surmount with husk drapes, the base carved with leaves, a flowerhead, berries and a palmette, re­gilt 101.5 x 44.3cm

£800­1,200

219 A GEORGE III GILTWOOD WALL MIRROR C.1790 the later central rectangular plate within a beaded slip, surrounded by marginal plates and carved leaves and husks, with a moulded leaf carved outer frame 76.5 x 121cm Provenance From the Estate of the late Barbara Humble, Bradford­on­Avon.

£500­700

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220 A GEORGE III MAHOGANY OPEN ARMCHAIR C.1770 the serpentine top rail carved with leaves and scrolls, the pierced back with three flowerhead paterae and further acanthus carved scrolls, the conforming arms above a later green leather covered seat, the frieze with blind fret decoration, on cluster column front legs

£1,000­1,500

221 A GEORGE III MAHOGANY CARD TABLE IN CHINESE CHIPPENDALE STYLE, C.1770 with blind fret carved decoration, the fold­over top with a baize lined playing surface, on twin gate supports and chamfered legs 73cm high, 83.5cm wide, 41.3cm deep

£300­500

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λ 222 AN EARLY GEORGE III MAHOGANY BUREAU BOOKCASE ATTRIBUTED TO THOMAS BRADSHAW, C.1760­70 the pierced and leaf carved swan neck pediment above a conforming cavetto frieze and a pair of Gothic lancet astragal glazed doors with cluster columns, enclosing two adjustable shelves, the hinged fall with a later baize lined writing surface, revealing an arrangement of pigeonholes and drawers with ivory knob handles, and a central cupboard flanked by cluster column secret pilasters, above two short and three long drawers, on gadrooned ogee bracket feet 263cm high, 118cm wide, 62.5cm deep Catalogue Note Thomas Bradshaw was an upholder and cabinet­maker based at 10 St. Paul's Church Yard and he subscribed to Chippendale's Director (1754) and was declared bankrupt in 1772. A bureau bookcase with a similar cornice to the present lot is illustrated in Christopher Gilbert, 'Pictorial Dictionary of Marked London Furniture 1700­1840', p.119. pl.150. See also Christopher Claxton Stevens & S. Whittington, '18th century English Furniture, The Norman Adams Collection, pp. 192 & 197, for comparable examples one with a similar wreathed moulding, both with ogee bracket feet.

£4,000­6,000

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223 A GEORGE III MAHOGANY CHEST ON CHEST C.1770­80 with two short and six long oak lined drawers and a brushing slide 184.8cm high, 112cm wide, 58.3cm deep Provenance From the family collections of Captain George Lionel Jameson OBE (18801961) and by descent.

£500­800

223

224 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE C.1800 the galleried top pierced with two handgrips, above a cupboard, the pull­out base with a lidded pot aperture 76.3cm high, 45.7cm wide, 50.4cm deep

£200­300

225 A GEORGE III MAHOGANY WING ARMCHAIR C.1770­80 AND LATER later upholstered with damask fabric, on moulded and chamfered supports, united by stretchers

£800­1,200 225 86

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226 AN EARLY GEORGE III MAHOGANY SECRÉTAIRE CHEST ON CHEST NORTH COUNTRY, C.1760 the moulded cornice above an arched frieze, with guttae pendants, above two short and six long drawers, with Rococo brass handles, the upper section with blind fretwork canted angles, with ash banded plinths, the base with fluted split pilasters and architectural quoin detailing, on ogee bracket feet, the secrétaire fitted with an arrangement of pigeonholes and eight drawers, flanking an ash banded cupboard with a pair of secret pilaster compartments 178.3cm high, 118.9cm wide, 57cm deep Provenance By family repute, this chest has been in the vendor’s family based in Cumberland since 1815 when it was gifted as a wedding present.

£1,000­1,500

226

227 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE EARLY 19TH CENTURY inlaid with ebonised stringing, the galleried top pierced with three handgrips, above a pair of cupboard doors, a pull­out base with later knob handles and fitted with a ceramic pot 78.3cm high, 55.2cm wide, 50.5cm deep

£200­300

228 A GEORGE III MAHOGANY WING ARMCHAIR LAST QUARTER 18TH CENTURY AND LATER upholstered with damask fabric, with scroll arms, on square tapering front legs and brass caps and castors

£400­600 228 87

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229

230

A PAIR OF MAHOGANY SIDE CHAIRS IN HEPPLEWHITE STYLE PROBABLY 19TH CENTURY

A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LAST QUARTER 18TH CENTURY

each with a cartouche shaped back, with triple vertical pierced splats, centred with flowerhead paterae, above a stuffed over seat, on stop fluted and stiff leaf carved front legs, with guilloche ankles, the back left leg stamped ‘7496’ (2)

the shaped gallery with three pierced handgrips, above a hinged retractable cupboard door and a converted pull­out base with a baize lined interior 78.8cm high, 47.7cm wide, 45.5cm deep

£300­500

Provenance By repute, the Earl of Yarborough, Arlington Street, London W1.

£400­600

231

232

A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH CENTURY

A LATE GEORGE III MAHOGANY SIDE TABLE C.1800

the shaped gallery pierced with three handgrips, above a pair of panelled cupboard doors and a converted pull­out base 82.8cm high, 56cm wide, 45.5cm deep

the bowfront top above a frieze drawer, on square tapering legs 77cm high, 86cm wide, 48.3cm deep

£300­400 88

£150­250

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233 A GEORGE III MAHOGANY SOFA LATE 18TH CENTURY upholstered in striped fabric, with a serpentine back, above scroll arms, on chamfered supports united by stretchers 90cm high, 168.5cm wide, 71cm deep

£400­600

234 A GEORGE III MAHOGANY HALL CHAIR

BY GILLOWS, C.1790 the pierced oval spoke back with leaf and reeded decoration, with a satinwood veneered oval panel painted with a dolphin crest, above a panelled solid seat, on turned front legs united by an ‘X’ stretcher Catalogue Note See Lindsay Boynton, Gillow Furniture Designs 1760­1800, pl.255, for the actual design for the present lot.

£200­300

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235

235 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS IN FRENCH HEPPLEWHITE STYLE, C.1780 each covered in brass studded blue leather, with a cartouche back and serpentine front seats, with moulded scroll arms and conforming cabriole legs (2)

£1,000­1,500

236 A GEORGE III MAHOGANY SIDE CABINET C.1790 inlaid with boxwood stringing, the crossbanded top inset with a flame mahogany oval panel, above a pair of cedar lined frieze drawers and a pair of conforming doors enclosing a shelf, on square tapering legs and spade feet 86.2cm high, 72cm wide, 40.5cm deep

£500­800

236

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237 A GEORGE III MAHOGANY SECRÉTAIRE BOOKCASE C.1790 inlaid with boxwood stringing, the detachable cornice with a broken swan neck pediment and a central turned mahogany urn, above a banded frieze inlaid with three paterae, above a pair of astragal glazed doors decorated with penwork Prince of Wales plumes of feathers, enclosing a later silk lined interior with adjustable shelves, the crossbanded fall with later brass handles, the satinwood interior with drawers and pigeonholes with chequered stringing, the base with a pair of rectangular doors with circular panels, enclosing two short and one long drawer on bracket feet 284.5cmhigh, 137cm wide, 63cm deep Provenance: Acquired from Denys Wrey Antiques, Sloane Street, London 1970.

Woolley and Wallis Salisbury Salerooms, English and Continental Furniture, 15th May 2007, lot 493.

£4,000­6,000

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238 A GEORGE III MAHOGANY CHEVERET TABLE IN THE MANNER OF GILLOWS, C.1790­1800 inlaid with boxwood stringing, the lift­off galleried top fitted with four cedar lined drawers, originally with a handle, above a hinged baize lined writing slope and a further drawer with a pen and ink side compartment, on part ribbed tapering legs united by a line inlaid ‘X’ stretcher 92.8cm high, 51.5cm wide, 40cm deep

£800­1,200 λ 239 A GEORGE III SATINWOOD PEMBROKE TABLE C.1790 inlaid with oval fan paterae, the drop­leaf top with rosewood banding above a frieze drawer, on square tapering legs and brass castors 72.3cm high, 53.2cm wide, 63.5cm deep

£500­800 240 A LATE GEORGE III MAHOGANY WORK TABLE C.1790­1800 inlaid with boxwood stringing, the rectangular top with canted drawers, above a frieze drawer and a silk lined bag 73.4cm high, 50.8cm wide, 34.6cm deep

£300­400 238

239

92

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241 A GEORGE III SATINWOOD SERPENTINE COMMODE C.1770­80 inlaid with boxwood and ebonised stringing and with kingwood crossbanding, the top with a moulded edge above three long drawers, the top drawer with a well fitted interior, with a later gilt tooled green leather sliding writing surface with a hinged central section revealing divisions and boxed compartments, with a hinged dressing mirror on a ratchet which slides to reveal a drawer, the second drawer with further divisions, with gilt brass lion's mask handles, with keeled angles above a shaped apron on cabriole legs 81cm high, 110.3cm wide 58cm deep Provenance Sotheby's, Monaco, 5th December 1988, lot 1605.

With Asprey Ltd. July 1989.

£4,000­6,000

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242

242 A LARGE GILTWOOD SOFA LATE 18TH CENTURY the moulded frame carved with husks, leaves and flowers, upholstered with damask fabric, with a cushion, on square tapering legs and brass caps and castors 99.8cm high, 227.5cm wide, 73cm deep

£800­1,200 243 A GEORGE III SATINWOOD CYLINDER BUREAU BOOKCASE C.1790­1800 the pendant moulded cornice above an astragal glazed door enclosing two adjustable shelves, the interior with three drawers and pigeonholes, with a pull­out baize lined writing slide, above three long drawers and cupboards below 197.6cm high, 63cm wide, 44cm deep Provenance Daphne Fielding, 6th Marchioness of Bath (1904-1997) and by descent.

£400­600 244 A CARVED GILTWOOD WALL MIRROR IN GEORGE III STYLE AFTER JOHN LINNELL, 19TH CENTURY with a bevelled oval plate within a ribbon tied palm frond carved frame 120.5 x 90.2cm

243

Provenance Property of a lady, acquired from Colefax and Fowler.

£800­1,200 94

244

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245 A MATCHED PAIR OF GEORGE III GILTWOOD OPEN ARMCHAIRS IN THE MANNER OF JOHN COBB, C.1775 each with a padded oval back and seat, button upholstered with green silk, the moulded frames with fluted leaf and ribbon decoration, the outswept arms terminating in flowerhead paterae, on fluted tapering legs with lotus and stiff leaf decoration, re-gilt, with slight differences to construction and details (2)

£2,000­3,000

95

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246 A REGENCY MAHOGANY TWIN PEDESTAL DINING TABLE POSSIBLY IRISH, EARLY 19TH CENTURY the rectangular top with a reeded edge and rounded corners, with two additional leaves, on ring and baluster turned stems, on rondel headed ribbed downswept legs and lion’s paw sabot and castors 71.3cm high, 261.3cm long, 132cm wide (max)

£2,500­3,500

247 A WALNUT STOOL IN GEORGE II STYLE 18TH CENTURY ELEMENTS on leaf capped cabriole legs and claw and ball feet 45cm high, 58.5cm wide, 52.5cm deep

£300­500

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248 A RARE PAIR OF GEORGE II IRISH RED WALNUT CONSOLE TABLES C.1730 each with a moulded brèche violet marble top, above a shaped frieze centred with a carved scallop shell, on scroll shell, leaf and husk capped legs and lion’s paw feet (2) 74.7cm high, 125cm wide, 54cm deep

£8,000­12,000

97

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THE EDWARD CROFT-MURRAY

COLLECTION LOTS 249-345 EDWARD “TEDDY” CROFT-MURRAY CBE (1907–1980) Edward Croft­Murray (EC­M) former keeper of Prints and Drawings at the British Museum was an antiquarian and an internationally acknowledged expert on early European Art and Music.

How to describe this man?

On the one hand he was a serious and dedicated academic and on the other a creative, irreverent, and humorous sensualist who delighted in people, food, and wine. He adored his second wife, Jill Croft­Murray (Née Whitford­Hawkey) who survived him by 41 years and who never married again. He composed and arranged several musical works in different styles, as well as keeping illustrated journals written in his distinctive, illegible, and beautiful Carolingian Uncial script. He was an accomplished player of the kettle drums, violin and other early instruments including the serpent.

‘Teddy’ lost his father at a young age – he had been killed by a rhinoceros in British East Africa in 1915. As a result, he learned to amuse himself. Inspired by an uncle who had an interest in archaeology, his playtime involved exploring early Roman rubbish tips around his home. He was descended from the Croft baronets of Croft Castle, Herefordshire and was related to a cousin of Empress Josephine of France. The combination of this early loss, the inspiration of this uncle and this family inheritance must have stirred his lifelong interest in the past.

After an education at Lancing College and then Magdalen College, Oxford he had a long career at the British Museum lasting from the 1930’s to his death in 1980. EC­M just refused to accept retirement!

During this time, he published several works. His writing demonstrated an exemplary thoroughness only possible through painstaking research from original archival material coupled with the information from his notebooks.

His published books included a long overdue catalogue of the ‘British prints and drawings’ in the British Museum collection and also with Anthony Blunt ‘Venetian drawings at Windsor Castle .‘ In addition there were many separate articles such as; Isaac Fuller, John Devoto and Venetian Operatic Caricatures which are invariably the only printed sources on their subject. His ‘magnum opus’ which is unlikely to ever be succeeded is the definitive twin volumes on ‘Decorative Painting in England 1537 to 1837’ which was published in 1962 and 1971. His interest in this area had undoubtedly been stimulated by the lovely wall paintings by Antonio Joli which graced the front entrance hall of his house No. 4 Maids of Honour Row, Richmond (right) where he and his family lived for nearly fifty years.

One of his ‘proudest memories’ was of these books being ‘pinched’ from the National Library!

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The drawing and dining room at No. 4 Maids of Honour Row, Richmond.

In 1980 EC­M died unexpectedly at the age of 73 travelling on the tube between Kew Gardens and Gunnersbury stations.

He was on his way to an Appointments Board meeting at his beloved British Museum. He left unfinished on his desk a detailed catalogue of the musical instruments owned by the National Trust and a major study of the music of London’s Pleasure Gardens.

Until 2005 his second wife and widow Jill Croft­Murray (Née Whitford – Hawkey) carried on living at No. 4 Maids of Honour Row. Even after she moved to West Wales to be nearer to her daughter, she surrounded herself with her husband’s wonderful collections.

Much of the furniture that features in this sale EC­M inherited from the uncle that first inspired ‘Teddy’ to start digging as a young boy.

Jeremy Rye and Rosalind Sharples (Née Croft­Murray), May 2021.

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249

250

249 A RARE GEORGE II RED WALNUT CHILD’S HIGHCHAIR MID­18TH CENTURY the vase shaped splat above a drop-in seat, with outscrolling arms, on cabriole front legs and pad feet, with turned stretchers, together with an early Victorian simulated rosewood child’s correction chair (2) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500 250 A GEORGE II DRESSING TABLE MIRROR C.1730­40 the later plate in a gilt slip and a moulded frame, the box base fitted with three curved fronted drawers 57cm high, 36cm wide, 18.8cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£100­150 251 A GEORGE II MAHOGANY FRET-FRAME WALL MIRROR C.1740 the later rectangular plate with arched top corners in a carved gilt slip and moulded frame, the fret carvings with incised detailing of leaves and ho­ho birds 110.3 x 62cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

251 100

£100­150

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252 A GEORGE II IRISH MAHOGANY DINING TABLE C.1740­50 the oval drop­leaf top above a plain frieze, on boldly carved acanthus and floret cabriole legs, with hairy fetlocks and lion’s paw and ball feet 72.2cm high, 137 x 173cm Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

Catalogue Note A very similar table with almost identical carving to the legs was sold by Adams, Droghda, Co. Louth, 10th October 2017 for 19,000 Euro hammer.

£4,000­6,000

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253 254

253 A MAHOGANY SIDE TABLE IN GEORGE III STYLE with a brèche violet marble top, above a plain frieze, on square tapering legs and block feet 78cm high, 80cm wide, 47cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500 254 A GEORGE II MAHOGANY TRIPOD OCCASIONAL TABLE MID­18TH CENTURY the circular tilt­top on a ring turned stem with a fluted bowl 70.2cm high, 73cm diameter Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£150­250 255 A GEORGE II MAHOGANY WIG OR BASIN STAND MID­18TH CENTURY the moulded circular top above scroll supports, with two drawers, on tripod cabriole legs 79.7cm high, 47cm wide Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

255 102

£100­150

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256 A SET OF EIGHT GEORGE II MAHOGANY DINING CHAIRS C.1740 each with a scroll carved top rail above a vase shape splat and a needlework bell shape dropin seat, on shell carved and hocked cabriole front legs terminating in claw and ball feet, united by moulded ‘H’ stretchers, with minor differences to carving and feet (8) Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£4,000­6,000

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257 AN EARLY GEORGE III MAHOGANY CHINA TABLE OR CABINET IN THE MANNER OF INCE AND MAYHEW, C.1755­60 in 'Chinese Chippendale' style, the rectangular top with a moulded edge and a bowed centre, with four cockpen compartments, each with a hinged door, flanking two concave shelves, the top one with the remains of a pierced gallery, on fret bracketed legs 83cm high, 92.2cm wide, 45.5cm deep Provenance Major Edward Croft­Murray, purchased in 1884 in Northampton for £10 and listed in an inventory as 'Cabinet, mahogany, 'Ince & Mayhew' open work Chinese taste, shaped front 2 shelves, lock & key on 6 legs' thence at Perivale, Ryde, Isle of Wight where listed in an inventory in 1926.

From the collection of Edward Croft­Murray CBE (1907­1980).

Catalogue Note See Ince and Mayhew, The Universal System of Household Furniture, 1762, pl. XLVI. For a very similar 'China Table' from the Collection of the Earls of Dysart at Ham House, illustrated in 'The Dictionary of English Furniture by Percy McQuoid and Ralph Edwards, vol. 1, p.167, fig. 35. This cabinet was sold by Sotheby's, A Collection of English Furniture, Barometers & Clocks, formed by a Gentleman residing in New York', 27th and 28th June 1974, lot 26.

A similar japanned cabinet attributed to William Linnell and probably commissioned by Sir Hugh Smithson, 1st Earl of Northumberland, was sold by Sotheby's, Syon House, 14th May 1997.

£4,000­6,000

104

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258

259

258

259

260

A MAHOGANY TRAY-TOP BEDSIDE CUPBOARD IN CHINESE CHIPPENDALE STYLE

A GEORGE III MAHOGANY OPEN ARMCHAIR C.1760­70

A GEORGE III MAHOGANY OVAL URN STAND C.1790

the shaped gallery pierced with four handgrips and Gothic quatrefoil designs, above an open recess, originally with a door, with a pierced apron and conforming legs 76cm high, 49.2cm wide, 38cm deep

the serpentine top rail carved with leaves and scrolls, above an interlaced Gothic style pierced splat, the scroll arms above a drop-in seat, on chamfered legs united by stretchers

inlaid with boxwood stringing, the wavy edge gallery with boxwood and ebonised inlay, above a pull­out slide on square tapering legs with ebonised block feet united by an ‘X’ stretcher 63.5cm high, 38cm wide, 32cm wide

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£500­800

106

260

260 detail

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261 A GEORGE III MAHOGANY FOUR POSTER BED ATTRIBUTED TO GILLOWS, C.1790 with a pair of turned, ribbed and leaf carved front posts supporting a carved and painted pine serpentine pelmet, pierced and decorated with leaves, with a slatted base and a later mattress 262.5cm high, 182cm wide, 207cm deep Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

Catalogue Note See Susan E. Stuart, Gillows of Lancaster and London 1730­1840, Volume 1, p.342, pl. 397 for similar carving on a footpost made for Jarrard Strickland in 1785.

£1,500­2,000

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262 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE CUPBOARD LATE 18TH / EARLY 19TH CENTURY the gallery pierced with two handgrips, above a pull­out slide, on moulded chamfered legs, together with a similar bedside cupboard (2) 76cm high, 43.3cm wide, 35.5cm deep (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 263 A MAHOGANY BOOKCASE GEORGE III AND LATER the detachable cornice inlaid with a band of ebonised acorns, above a pair of inlaid lattice astragal glazed doors, enclosing four adjustable shelves, on later bracket feet, formerly the top of a bookcase cabinet 149.7cm high, 112.7cm wide, 27.7cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 262

264 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE C.1790­1800 the galleried top pierced with a pair of handgrips, the pull­out base with a vacant interior 81cm high, 55.7cm wide, 45.7cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£300­400

263 108

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265 A GEORGE III MAHOGANY SERPENTINE SIDEBOARD C.1790 with kingwood banding and marquetry spandrels, with a frieze drawer flanked by deep drawers, the right size with divisions for bottles, with tapering legs and on spade feet 92.5cm high, 183cm wide, 74cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£500­800

266 TWO GEORGE III MAHOGANY RECTANGULAR STOOLS THIRD QUARTER 18TH CENTURY one with a drop­in needlework seat, the other with a plush stuffed­ over seat, on chamfered and moulded legs united by an ‘H’ stretcher (2) 44cm high, 56.5cm wide, 41.6cm deep (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500

267 A GEORGE III MAHOGANY SERPENTINE SIDE TABLE IN THE MANNER OF GILLOWS, C.1790­1800 the top with satinwood banding, above a frieze drawer, inlaid with ebonised and boxwood banding, the square tapering legs with canted corners 77.8cm high, 107cm wide, 55cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£200­300 109

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268 A CARVED AND POLYCHROME DECORATED COAT OF ARMS 19TH CENTURY for Charles Paulet Camborne Paynter (d.1947) and his wife Mary Josephine Yonge of Kilmington Manor, the shield surmounted by a helm, with the motto 'Nonum premature in annum', with an escutcheon of pretence the supposed arms of Drew, with scrolling leaves and tassels, broad arrow crest missing, mounted on an oak plaque, together with a carved oak and polychrome decorated shield bearing the arms of the Drew family of St. Columb Major, Cornwall (2) 66 x 63.3cm (max) Provenance Probably Kilmington Manor, Wiltshire.

From the collection of Edward Croft­Murray CBE (1907­1980).

£200­300 269 A LEADED POLYCHROME STAINED GLASS ARMORIAL FRAGMENT POSSIBLY SWISS OR GERMAN, 17TH CENTURY decorated with a central cartouche with a figure holding his hands aloft, surmounted by a helm and with drapes, flanked by marble columns with ribbon tied garlands 32.2 x 22.4cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

268

£200­300 270 AN ITALIAN PAINTED HERALDIC PANEL DEPICTING THE ARMS OF THE CORNARO FAMILY VENETIAN SCHOOL, 17TH CENTURY with bodycolour and gold leaf on vellum, depicting the lion of St. Mark holding the arms of the Doge of Francesco Erizzo (reigned 1631­1645) above a double headed eagle, a helm and a shield, with the arms of Jerusalem, Lusignan, Armenia and Luxemburg, impaling: Per Pale Or and Azure for Corner/Cornaro and a scrolling leaf outer border, in a later glazed frame 20 x 15cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

269

110

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Photo of lot 271 in situ at 4 Maids of Honour Row, Richmond.

271

271 A PAINTED PINE DUMMY BOARD AFTER KNELLER OR DAHL, EARLY 18TH CENTURY AND LATER depicting a well dressed maid, holding a broom 184cm high, 68.5cm wide Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£1,500­2,500

272 A GEORGE III PAINTED PINE PRAYER BOARD LATE 18TH CENTURY / EARLY 19TH CENTURY inscribed ‘Exodus’ and with four chapters, in three sections 167 x 66.2cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 272 111

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273 AN EARLY GEORGE III MAHOGANY LIBRARY BOOKCASE C.1770 the detachable cornice with a dentil moulding and a ‘Chinese Chippendale’ style pierced fret frieze, above a pair of geometric astragal glazed doors enclosing adjustable shelves, the base with a pair of cupboard doors, with false fronts, with outline mouldings, enclosing to one side a bank of nine drawers, the left side with two adjustable pull­out slides 275.5cm high, 176.5cm wide, 61.7cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£800­1,200 112

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274 A GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE ALMOST CERTAINLY BY GILLOWS, C.1775­85 with a broken arch pediment centred with a leaf carved pedestal or truss, the frieze with a dentil moulding and applied laurel swags, above four astragal glazed doors enclosing adjustable shelves, the base with three frieze drawers with later turned knob handles, the central drawer fitted with a baize lined writing slide revealing six plum pudding mahogany and ebony banded lidded compartments, inlaid with satinwood oval panels with ebonised letters, above panelled doors inlaid with rondels, the central cupboard enclosing three slides, the right side fitted with three drawers, the left side with three slides 274cm high, 250cm wide, 51cm deep Provenance William Rawlinson, a wealthy Manchester merchant of Ancoats Hall. He was an ancestor of Edward Croft­Murray's mother, Amy (née James).

From the collection of Edward Croft­Murray CBE (1907­1980).

Catalogue Note The leaf carved pedestal on the pediment is a very characteristic feature found on Gillows bookcases of this period. It was intended to support a bust or carved ornament. Susan Stuart discusses the truss and quotes Richard Gillow, explaining the feature to Sir Fleetwood Hesketh in 1766: 'In the opens or aprons of the pediment you may have a Busto, carved shield or your arms carved which (ever) you choose but a Busto is the most used at present'. See Susan E. Stuart, 'Gillows of Lancaster and London 1730­1840', vol. II, pp.22­23, pls. 552­554 for a satinwood office cabinet designed by Richard Gillow for Mrs Strickland with a very similar pedestal and vol.I, p.361. pls. 428­429 for a library bookcase with a similar truss.

The lettered 'alphabet' compartments are also a very characteristic feature of Gillows and can be found on a library desk made for Thomas Gibbons in 1785.

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275 A GEORGE III GONCALO ALVES BOOKCASE CABINET C.1780­90 the swan neck pediment with carved rosettes, above a pair of astragal glazed doors enclosing adjustable drawers, the base with a frieze drawer above a pair of cupboard doors with outline mouldings enclosing a shelf on shaped bracket feet 236cm high, 111cm wide, 51cm deep Provenance From the collection of Edward Croft-Murray CBE (19071980).

£500­800

276 A MAHOGANY TWIN PEDESTAL DESK EARLY 19TH CENTURY the moulded edge top inset with a later red and gilt tooled leather surface, above an arrangement of nine drawers, on castors, all in one 78cm high, 135cm wide, 62.4cm deep Provenance From the collection of Edward Croft-Murray CBE (19071980).

£400­600

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277 A GEORGE III MAHOGANY BREAKFRONT WARDROBE ATTRIBUTED TO GILLOWS, C.1800 inlaid with kingwood and purple­heart banding, the detachable moulded cornice above a pair of panelled doors revealing six oak lined slides, above two short and two long drawers, flanked by further conforming cupboards, fitted with adjustable shelves and later brass rails 205.1cm high, 180cm wide, 60.5cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£500­800

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278 A DOCUMENTARY GEORGE III MAHOGANY SERPENTINE CHEST BY GILLOWS SIGNED AND DATED 'WILLIAM BECKETT 1789' inlaid with boxwood edging and fitted with four long graduated drawers, the top with a baize lined slide, the underside inscribed in pen 'James Austin', each drawer signed in pencil, the top drawer 'Wm Beckett Maker Lancaster 1789', with original gilt brass leaf and flower handles each with an oval paterae boss, on slender French bracket feet 83.8cm high, 115cm wide, 58.5cm deep Provenance Almost certainly William Rawlinson, a wealthy Manchester merchant of Ancoats Hall. He was an ancestor of Edward Croft­Murray's mother, Amy (née James).

From the collection of Edward Croft­Murray CBE (1907­1980).

Catalogue Note William Beckett was a cabinet maker and joiner, son of James Beckett of Wray, near Lancaster. He was apprenticed to William Blackburn in 1771 and admitted freeman c.1779­80. He is named in the Gillows archives between 1786­1800 for 'moulding claws' and signed the Gillows' journeymen's price agreement in 1785. Lindsay Boynton states that he was involved in 'designing' furniture for the Lancaster branch. The Dictionary of English Furniture also states that he was 'Possibly the maker of the large chest of drawers, mahogany veneer, oak carcase, bowfronted, belonging to the late Edward Croft­Murray and traced to William Rawlinson of Ancoats Hall, which he rented from the Mosley’s in the later 18th century. Inscriptions in black lead on underside of the bottom of third drawer and on outside of back of third drawer: 'William Becket Maker 1789''. We believe the current lot is the said chest, although it is serpentine rather than bowfronted. It is in fact signed on every drawer, the back edge and underside.

William Rawlinson is recorded in the Gillow’s Estimate Sketch Book having ordered ‘two cases’ in 1786 (93/380) and a dining table in 1795 (97/1204). See Lindsay Boynton, 'Gillow Furniture Designs 1760­1800', p. 215.

£2,000­3,000

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279

280

A GEORGE III MAHOGANY SERPENTINE CHEST IN THE MANNER OF GILLOWS, C.1790

A LATE REGENCY MAHOGANY BREAKFAST TABLE POSSIBLY IRISH, C.1815­20

the crossbanded top with a moulded edge above four long graduated drawers, on unusual French bracket feet 81.3cm high, 94cm wide, 56.2cm deep

the rectangular top with rounded corners and moulded edge, on a melon lobed stem, on leaf carved hipped and moulded legs terminating in stylised lion’s paw feet, with brass castors 74.9cm high, 120cm wide, 73cm deep

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£500­700

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

281 A REGENCY MAHOGANY CHEST IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY of three long graduated drawers, on French bracket feet 85.5cm high, 100.5cm wide, 47cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

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282 A REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY the hinged top on a ratchet with a rest, above three dished tiers, the base with an ash lined drawer with an original brass handle, on brass castors 113cm high, 46cm wide, 35.7cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£400­600 283 A REGENCY MAHOGANY OVAL WINE COOLER IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with gilt brass lion’s mask ring handles, on ring turned tapering legs and brass castors, with a later zinc lift­out liner 45.5cm high, 66cm wide, 46.5cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£400­600 284 A GEORGE IV MAHOGANY SARCOPHAGUS SHAPE WINE COOLER C.1820 veneered with an unusual cut of timber, the interior with curved divisions for four bottles, on nulled bun feet and brass castors 44.8cm high, 66.5cm wide, 41cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£400­600

282

283

284

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285 A REGENCY MAHOGANY BOWFRONT PEDESTAL DRESSING TABLE C.1805­15 inlaid with ebonised stringing, the top drawer with divisions and lift­out compartments, the right side with further drawers, the left with a drawer above a cupboard with a false front enclosing a shelf, on bun feet 80cm high, 100cm wide, 53cm deep Provenance From the collection of Edward Croft-Murray CBE (19071980).

£300­500 286 A REGENCY MAHOGANY OCCASIONAL TABLE IN THE MANNER OF WILLIAM TROTTER, C.1810­20 with calamander banding and ribbed corners, the cedar lined frieze drawer with seven divisions, on a turned stem and scroll tripod supports terminating in stylised lion’s paw feet 78.7cm high, 48.2cm wide, 51.5cm deep

285

Provenance From the collection of Edward Croft-Murray CBE (19071980).

£200­300 287 A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with four divisions and a central handgrip, above a frieze drawer with original gilt brass handles, with turned supports, on castors 50.3cm high, 47.6cm wide, 35.3cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­ 1980).

£200­300

286 287

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open

288 A REGENCY MAHOGANY METAMORPHIC LIBRARY ARMCHAIR AFTER A DESIGN BY MORGAN & SANDERS, EARLY 19TH CENTURY with reeded decoration, the curved top rail above a bar back, with scroll arms and a hinged cane seat, with a push-button mechanism transforming into a four tread library steps, on sabre legs Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

Catalogue Note The design for the present lot was published by Morgan & Sanders, c.1811.

See P. Agius, 'Ackermann's Regency Furniture & Interiors', pl. 29, p. 60.

According to Ackermann, the chair was a 'truly novel and useful article....considered the best and handsomest article ever yet invented'.

£2,000­3,000

289 A REGENCY MAHOGANY BERGÈRE ARMCHAIR EARLY 19TH CENTURY of tub shape, with reeded decoration, the ribbed scroll top rail above a cane back and seat, on rondel headed sabre legs and brass caps and castors, the back seat rail stamped with a leaf design and the left rail stamped with an ‘H’ Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

Catalogue Note For a very similar example see Sotheby's Hadspen House Sale, 29th­31st May 1996, lot 138.

£500­800

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λ 290 A GEORGE IV ROSEWOOD OR PADOUK PEMBROKE TABLE C.1825 the drop­leaf top with satinwood banding above a cedar lined frieze drawer, with a false front to the reverse, on a ring turned and lobed pillar stem and four swept legs, with foliate brass sabot and castors 75cm high, 91cm wide, 100cm deep (open) Provenance From the collection of Edward Croft-Murray CBE (19071980).

£200­300 291 A LATE REGENCY SYCAMORE OCCASIONAL TABLE POSSIBLY SCOTTISH, IN THE MANNER OF WILLIAM TROTTER, C.1820 inlaid with boxwood stringing, the rectangular top veneered in sections, with a nulled edge, above a cedar wood lined frieze drawer, originally with divisions, with ribbed corner mouldings and false drawer fronts, on a tapering stem and scroll legs and ball feet 72.4cm high, 50.6cm wide, 37.1cm deep

290

Provenance From the collection of Edward Croft-Murray CBE (19071980).

£300­500 292 A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with four dipped divisions and a central handgrip, with a frieze drawer on ring turned legs and brass castors 54.7cm high, 47cm wide, 31.8cm deep Provenance From the collection of Edward Croft-Murray CBE (19071980).

£200­300

291

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293 A REGENCY MAHOGANY DAYBED EARLY 19TH CENTURY of sleigh form, later upholstered with laurel leaf damask silk fabric, with downswept arms, on a lattice base, with turned column and cup and cover supports 105cm high, 155.5cm long, 60.8cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£400­600

294 A REGENCY MAHOGANY FOLIO STAND IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the slatted supports with turned baluster lifts, each on a ratchet, with reeded scroll legs terminating in lion’s paw sabot and castors 109.2cm high, 68.5cm wide, 68.5 deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£500­800

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295 A SMALL LATE GEORGE III MAHOGANY SOFA TABLE C.1800 the drop­leaf top with a reeded edge above a single frieze drawer with original brass handles, the reverse with a false front, on trestle ends and swept legs terminating in brass caps and castors 72.7cm high, 61 x 120.4cm (open) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500 296 A GEORGE IV MAHOGANY COUNTRY HOUSE ADJUSTABLE READING TABLE IN THE MANNER OF GILLOWS, C.1830 the rectangular top with twin hinged and ratcheted opposing reading stands, on a baluster turned stem, with a brass collar and handle, with a platform base, on flattened bun feet with sunken brass castors 88.2cm high (max), 84cm wide, 51cm deep

295

Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£300­500 297 A GEORGE IV MAHOGANY SOFA TABLE C.1820 the drop­leaf top with satinwood banding two panelled frieze drawers, with false fronts to the reverse, on reeded lyre shape supports united by a turned stretcher, and brass lion’s paw sabot and castors 72.3cm high, 68.8 x 150.6cm (open) Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£300­500

296

297

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298 A REGENCY MAHOGANY BERGÈRE ARMCHAIR

IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with reeded decoration, with a caned back, sides and seat and later silk padded armrests and cushions, with ribbed supports on brass spoke castors Provenance From the collection of Edward Croft-Murray CBE (19071980).

£500­800

299 A REGENCY MAHOGANY BERGÈRE ARMCHAIR EARLY 19TH CENTURY with a caned back seat and sides, on ring turned front supports and brass caps and castors, with two cushions (3) Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£400­600

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300 A WILLIAM IV GILTWOOD AND GESSO LANDSCAPE OVERMANTEL MIRROR C.1830 with three rectangular plates within an ebonised reeded slip, the baton frame carved with leaves and scrolls, with moulded bun feet 56.3 x 119.9cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 300

301 A GILTWOOD AND COMPOSITION BED CORONA covered in plush fabric, the bud surmount above a frieze of stiff leaves, with pleated silk interior 66.7cm high, 168.2cm wide, 62cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 301

302 A REGENCY GILTWOOD AND GESSO LANDSCAPE OVERMANTEL MIRROR EALY 19TH CENTURY the triple rectangular plates flanked by Egyptian sphinx pilasters, the frieze decorated with scrolling leaves 80 x 148cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£400­600

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303 A SET OF FIVE REGENCY MAHOGANY DINING CHAIRS IN GOTHIC REVIVAL STYLE ATTRIBUTED TO GEORGE SMITH, EARLY 19TH CENTURY each with a curved and panelled top rail above a triple lancet arched back, with a conforming front frieze and quatrefoil headed tapering front legs (5) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

Catalogue Note These chairs relate closely to a design by George Smith in 'A Collection of Designs for Household Furniture, 1808' and a similar chair is illustrated in Frances Collard, 'Regency Furniture', p.190.

£800­1,200

304 A PAINTED AND GILT DISPLAY CABINET IN GOTHIC STYLE EARLY 19TH CENTURY ELEMENTS AND LATER with a pendant frieze, above rosette motifs and a pair of lancet astragal glazed doors flanked by fleur­de­lis headed columns, the base with quatrefoil panels decorated with shields and portcullis motifs, with an open back 132.7cm high, 143.5cm wide, 30.5cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

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305 A REGENCY MAHOGANY CHEST ON CHEST EARLY 19TH CENTURY AND LATER the dentil and pendant frieze above two short and three long graduated drawers, flanked by stop fluted canted corners, the base with three long drawers, on French bracket feet 191.6cm high, 109.3cm wide, 55.2cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£400­600 306 A MAHOGANY CHEVERET TABLE IN GEORGE III STYLE EARLY 20TH CENTURY the raised top with divisions for stationery, above five drawers 104.5cm high, 61.4cm wide, 27.3cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­150 307 A LATE REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with three dipped divisions, with a frieze drawer, on turned and block supports, on brass castors 51cm high, 50.5cm wide, 35.6cm deep

305

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

307 306

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308 A PAIR OF GEORGE III MAHOGANY AND BRASS CANDLESTICKS IN THE MANNER OF GILLOWS, C.1790­1800 with urn shape nozzles, above a ring and disc turning and a ribbed baluster stem, the weighted circular foot with a reeded edge (2) 35.2cm high Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500

λ 309 A LATE REGENCY ROSEWOOD BOOK CARRIER IN THE MANNER OF GILLOWS, C.1830 double sided, with twin baluster handles and turned spindle supports, with a mahogany lined base drawer and a nulled moulding 24.5cm high, 41.6cm wide, 31.4cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£500­800

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310 A PAIR OF VICTORIAN BRASS CIRCULAR STICKSTANDS

BY WILLIAM TONKS & SONS, LATE 19TH CENTURY / EARLY 20TH CENTURY each with ball finials and turned supports, on paw feet, with a cast iron lift­out tray, stamped ‘W. T & S’ with a sun motif (2) 63.9cm high, 26.5cm wide Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£500­700 λ 311 A PAIR OF VICTORIAN ROSEWOOD AND PAPIER-MÂCHÉ POLE FIRE SCREENS C.1840­50

310

the adjustable screens inlaid with mother of pearl, with gilt highlights and painted with flowers on a part spiral twist stem and a tripod base (2) 155.5cm high, 44.5cm wide Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£150­250 312 A PAIR OF EARLY VICTORIAN PAPIER-MÂCHÉ SIDE CHAIRS C.1840 gilt decorated with fern tendrils and panels of classical figures and motifs, each with a vase shaped splat, above a drop-in seat, on faceted front legs and one front rail stamped with workman’s initials ‘S M’ (2) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­150

311

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313 A REGENCY GILTWOOD CONVEX WALL MIRROR EARLY 19TH CENTURY the circular plate within an ebonised reeded slip and a lappet carved baton frame, with a scrolling leaf and eagle surmount and a bud pendant 100cm high, 56cm diameter Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£400­600 314 A VICTORIAN GILT BRONZE GOTHIC REVIVAL TABLE LAMP MID­19TH CENTURY with a glass reservoir for oil and decorated with quatrefoils and pinnacles, above a reeded stem, on a conforming base, on tripod feet decorated with lions, later fitted for electricity, together with a pair of gilt brass Gothic style bottle holders, each marked with a Royal Coat of Arms and inscribed ‘Patent’, each containing a cut­glass bottle (one damaged) (3) 52.5cm high (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£150­250 315 FOUR CERAMIC TABLE LAMPS

19TH CENTURY including: two similar in the form of Gothic cylindrical castles, one with a shade (4) 36cm high (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­200

313

314

315

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317

316 316

A FRENCH POLYORAMA PANOPTIQUE VIEWER LATE 19TH CENTURY with printed paper label ‘Polyorama Panoptique Brevet de Invention S G tie du Gouvt’, with twenty­four hand­coloured engraved plates, with printed titles, including: Palermo, Edinburgh, Champs­Élysées, the Tower of London and Napoleon’s Tomb, contained in a mahogany case (26) 27cm high, 36.2cm wide Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 317 A REGENCY PENWORK ‘BRIGHTON’ BOX EARLY 19TH CENTURY decorated with panels of views of Brighton, including the Pavilion, within bands of leaves, the pink paper lined interior with an aquatint view of the Suspension Chain Pier 10cm high, 25.2cm wide, 19cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£80­120 318 A NEEDLEWORK BAND SAMPLER PROBABLY EARLY 18TH CENTURY 318

worked with coloured silks on a linen ground with alphabets, numbers and a number of crowns and trees, in a later glazed ebonised frame 50.6 x 19.7cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£80­120 λ 319 AN ITALIAN PAINTED FAN 18TH CENTURY decorated in watercolour with Bacchus and Ariadne, accompanied by cherubs, within a woodland setting, with gilt Rococo scrolls, butterflies, flowers and shells, with carved tortoiseshell, mother of pearl, sticks and guards with parcel gilt decoration, in a glazed gilt fan shape case 53.5cm wide Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­150 319 132

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320 A STAFFORDSHIRE SLIPWARE POTTERY BOWL 18TH CENTURY with a crimped rim and decorated with a lattice design 28.6cm diameter Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­200 321 A CHINESE PORCELAIN POWDER BLUE VASE TABLE LAMP 19TH CENTURY with a French gilt bronze laurel leaf base 34cm high Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500 322 A NEAR PAIR OF CUT-GLASS DECANTERS AND STOPPERS IN GEORGIAN STYLE PROBABLY LATE 19TH / EARLY 20TH CENTURY with a faceted neck and a fluted foot, each with an oval panel engraved with a monogram ‘L W H’ with flattened stoppers (2) 29.2cm high

320

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

Catalogue Note The initials on these decanters relate to the Whitford-Hawkey family. Edward Croft-Murray's wife Jill's maiden name was Whitford-Hawkey and the family is based in Cornwall.

£100­150

321

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323

324

A COLLECTION OF SEASHELLS

A WOODEN POND YACHT EARLY TO MID­20TH CENTURY

contained in two wicker baskets, together with a fossil stone / marble bowl (A lot) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­200

with a lead keel and cotton sails, on teak supports, together with a South Sea Islands model boat (2) 113.2cm high, 91cm long (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£150­250

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325 A FINE FRENCH PRISONER OF WAR BONE SHIP MODEL EARLY 19TH CENTURY of a forty­eight gun frigate of the Royal Navy, with a planked and pinned hull with horn strakes, with three masts with standing and running rigging, the stern carved with a coat of arms flanked by a lion and a unicorn above balustrading and windows, with a polychrome decorated winged female figurehead, the deck with capstan, water barrels, a bell, two longboats and metal cannon on bone carriages, gratings, with gilt metal details, mounted on a parquetry base inlaid with a bone and ebony chequer board with fan ends and an outer gallery on stained red bone feet, with a glazed display case (2) the model: 43.5cm high, 50cm long, the display case: 50.4cm high, 62cm wide Provenance Major Edward Croft­Murray, purchased on the 2nd December 1908 from Lisle Court, Wootton, Isle of Wight for £4 and 12 shillings and listed in an inventory as 'Model of Frigate, in bone in glass case, on a mahogany bracket, made by French prisoners of war at Portchester Castle about 1810' thence at Perivale, Ryde, Isle of Wight where listed in an inventory in 1926.

From the collection of Edward Croft­Murray CBE (1907­1980).

Catalogue Note Portchester Castle is a medieval fortress based at Portchester to the east of Fareham, Hampshire.

It was used as a prison from the 17th century and in the 19th century it was a gaol for over 7,000 French prisoners of the Napoleonic wars.

£4,000­6,000

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326

328

AN EGYPTIAN COTTON APPLIQUÉ HANGING OTTOMAN, LATE 19TH / EARLY 20TH CENTURY

AN ITALIAN GILTWOOD ALTAR CANDLESTICK IN BAROQUE STYLE 18TH CENTURY

decorated with scrolling leaves and panels of Islamic script 158 x 82.5cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£80­120

later mounted on a lead base, together with a silver Corinthian column table lamp, with a weighted base and hallmarked for Sheffield 1898 (2) 62.7cm high Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£150­250 327 A SMALL FRENCH BEECHWOOD FOOTSTOOL IN LOUIS XVI STYLE 19TH CENTURY with a Bargello type needlework seat, above a ribbon carved frieze and fluted legs 24.3cm high, 34.5cm wide, 30.5cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£80­120

329 A PAIR OF FRENCH PINK OPALINE GLASS TABLE LAMPS LATE 19TH CENTURY with cylindrical stems above baluster bases, with brass mounts, (damages) (2) 45.2cm high Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­200

326

327

328 136

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330 A FRENCH LOUIS XIV GILTWOOD WALL MIRROR EARLY 18TH CENTURY the later oval plate within a leaf and floret lattice carved frame, with a pierced cartouche surmount, flanked by scrolls, leaves and husks 108 x 70cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£800­1,200

331 A PAIR OF FRENCH GILTWOOD WALL APPLIQUÉS IN RÉGENCE STYLE 19TH CENTURY the leaf and scroll carved back plate with ribbon tied flaming torches and quiver of arrows, with a female mask issuing twin lights with scroll branches (2) 72cm high, 46.8cm wide Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£400­600

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332 A PAIR OF ITALIAN GILTWOOD WALL LIGHTS EARLY 20TH CENTURY the backplate in the form of a flaming torch with twin­leaf scroll arms, together with a pair of giltwood three­light chandeliers, each carved with leaves and with bud pendants (4) 38.5cm high, 47cm wide (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300

333 A FRENCH KINGWOOD AND MARQUETRY SECRÉTAIRE À ABATTANT IN LOUIS XV STYLE MID­19TH CENTURY the marble top with a moulded edge, with ormolu mounts and inlaid with scrolling leaves and flowers, the fall with swags above an ewer of flowers, with four drawers, the interior with a leather lined writing surface and with three further drawers 140.4cm high, 73cm wide, 36.6cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£500­800

334 A 19TH CENTURY EBONISED OPEN BOOKCASE C.1860­70 with ormolu mounts and three adjustable shelves 111.7cm high, 153cm wide, 30.8cm deep Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500

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335 AN ITALIAN VENETIAN GLASS CHANDELIER MURANO, LATE 19TH / EARLY 20TH CENTURY with six lights and two tiers, the globe and baluster stem decorated with blue glass frills, leaves and flowers, the scroll arms hung with flowers and with a conforming pendant 82.5cm high, 90cm wide Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£800­1,200

λ 336 AN ITALIAN WATERCOLOUR AND CUT-PAPER DEVOTIONAL PICTURE 18TH CENTURY with a central oval portrait of St Augustine of Hippo, with elaborate Rococo decoration, with an eagle on a table, with an oval panel, inscribed ‘St Augustinus’, in a glazed wood frame (cracked), together with an Italian lacca povera snuff box, painted with figures, with a tortoiseshell lining (2) 17cm (max)

335

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£100­150

337 A PAINTED GILTWOOD HANGING WATCHSTAND PROBABLY ITALIAN OR FRENCH, 18TH CENTURY in the form of a lyre, decorated with scrolls, rocaille and a leaf finial, above a watch with an enamelled dial, applied with hand coloured engravings of a palazzo and the view of Venice and ‘Veue des dissept fontains de Lioncourt’, the back with further engravings 65.3 x 28cm Provenance From the collection of Edward CroftMurray CBE (1907-1980).

337

£100­150

338 A MATCHED PAIR OF FRENCH GREEN OPALINE GLASS URNS IN EMPIRE STYLE, 19TH CENTURY of Campana shape, decorated in gilt with ribbon tied swags of flowers and drapes, with eagles and urns, mounted on a white marble square plinth, with size differences (damages) (2) 41.8cm high, 26.5cm diameter (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£200­300 139

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339 AN ITALIAN ALABASTER GRAND TOUR FIGURE OF VENUS DE MEDICI AFTER THE ANTIQUE, 19TH CENTURY the naked classical godess standing beside a cherub riding a dolphin 46.5cm high Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£150­250 340 A PAIR OF MARBLE GARDEN COLUMNS PROBABLY 19TH CENTURY of cylindrical form, each on a detachable circular stepped base (4) 111.8cm high Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£300­500 341 A PAIR OF ITALIAN BLACK MARBLE AND GILT BRASS GRAND TOUR TABLE LAMPS 19TH CENTURY each with a classical maiden standing in a temple, with five Doric columns, on a stepped plinth (2) 12.8cm high

339

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£150­200

340 341 140

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342 AN ITALIAN MARBLE GRAND TOUR BUST OF A ROMAN EMPEROR PROBABLY LATE 17TH / EARLY 18TH CENTURY possibly of a young Nero, the carved white marble bust on a polychrome alabastro fiorito and grey marble veneered chest and shoulders (losses) and with a later white painted wood tapering column (2) the bust: 42.5cm high, the chest: 58.5cm high, 75cm wide, the pedestal 150cm high (approx) Provenance From the collection of Edward Croft­ Murray CBE (1907­1980).

Catalogue Note See Guido Mansuelli, Galleria degli Uffizi.

Le Sculture. Part 2, pp. 137­38, no 178 for a related bust.

Photograph of lot 342 in situ in the garden of 4 Maids of Honour Row, Richmond.

£2,000­3,000

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343 ‘CORNWALL’ AN ENGRAVED MAP BY JOHN SPEED (1552­1629) a hand­coloured engraved map with an inset view of Launceston, inscribed ‘Are to be sold by Thomas Bassett in Fleet Street and Richard Chiswell in St. Paul’s Churchyard’, dated ‘1610’ but probably later, c.1676, English text to verso, in a later glazed oak frame 39.5 x 52cm Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

£400­600

345 A LATE GEORGE III CORNISH MAHOGANY LONGCASE CLOCK

BY WILLIAM WEST OF HELSTON, CORNWALL the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the arched silvered twelve and a half inch dial engraved with figures in various country pursuits, with Roman and Arabic numerals and a date aperture, with pierced and scroll blued steel hands and seconds hand, signed ‘William West, Helstone’, the arch with a moonphase painted with a sailing ship, moon faces and a coastal scene and inscribed ‘High Water At Hayle’, with two demi­lune maritime vignettes and further numerals, the case inlaid with marquetry fan paterae, the arched hood with fluted columns 229cm high

344 ‘HEREFORDSHIRE’

BY JOHN SPEED (1552­1629) a black and white engraved map, with an inset map of Hereford, inscribed ‘Performed by John Speed and to be solde by Henry Overton at the White Horse without Newgate London, in a later glazed bird’s eye maple frame, together with a hand­coloured engraved map of Cornwall by Blaueu, titled ‘Cornubia’, with Latin text to verso, in a later glazed oak frame (2) 43.8 x 55cm (max)

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

Provenance From the collection of Edward Croft-Murray CBE (1907-1980).

Catalogue Note William West (1751­1831) of St. Blazey was a Cornish engineer and brother­ in­law to Richard Trevithick. In 1797 he married Joanna Harvey the daughter of John Harvey of Hayle, He had a 20% share of Trevithick's 'Patent of High Pressure Steam Engines' but in 1815 disappointed by the return on his investment he became a clock and watch maker and he is famous for his 'West's Chronometers'.

£200­300

£800­1,200

142

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CLOCKS & BAROMETERS

346

347

AN EARLY 18TH CENTURY BURR WALNUT LONGCASE CLOCK

BY WILLIAM WRIGHT & HENRY FELTON, LONDON

AN EARLY GEORGE III GREEN JAPANNED LONGCASE CLOCK

BY RICHARD SMITH, DUNSTABLE

the brass eight day movement with four turned and finned pillars and an anchor escapement striking on a bell, the brass twelve inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and date aperture, with pierced scroll hands and gilt brass cherub mask and dolphin spandrels, the arch with signature rondel inscribed 'Willm Wright & Hry Felton London', the case with a moulded arched hood with fret carved decoration and turned columns, with a conforming trunk door and crossbanded plinth base 232.2cm high

the brass eight day movement with four turned pillars and an anchor escapement, striking on a bell, the arched twelve inch dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a date aperture and subsidiary seconds dial, with gilt female mask spandrels, the arch with a signed rondel ‘Richard Smith Dunstable’, the case gilt decorated with chinoiserie scenes, with pagodas, animals and figures on horseback, the hood with fret spandrels 215.4cm high

£3,000­5,000

Provenance Acquired by Mac Humble in the 1980s from a Mrs De Vere Chamberlain of Camden Crescent Bath. By repute, it once belonged to the former Prime Minister Neville Chamberlain.

From the Estate of the late Barbara Humble, Bradford­on­Avon.

£1,000­1,500

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348

349

λ 350

A SCOTTISH MAHOGANY AND MARQUETRY LONGCASE CLOCK 19TH CENTURY

A GEORGE III OAK LONGCASE CLOCK

BY M. WORCESTER OF WEDNESBURY

AN EARLY VICTORIAN ROSEWOOD STICK BAROMETER

BY ALEXEXANDER ALEXANDER EXETER

the brass eight day movement with an anchor escapement and an outside countwheel striking on a bell, the painted twelve inch dial with Roman numerals, the spandrels decorated with flowers, signed ‘W. Neineger’, the case inlaid with an urn and fan spandrels 203.5cm high

£300­500

the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the painted arched fourteen inch dial with Roman numerals and decorated with a hunting scene, cottages and pheasants, with date aperture and subsidiary seconds dial, signed ‘M Worcester, Wednesbury’, the case with mahogany panels and banding, the hood with a broken swan neck pediment and turned columns, the shaped trunk door inlaid with a marquetry conch shell and flanked by quarter split pilasters 229cm high Provenance Caverswall Castle., Staffordshire.

£300­500 144

the arched ivory dial with thermometer and vernier scale signed ‘Alex’r Alexander Optician to her Majesty’, with a circular moulded reservoir cover 93cm high Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­500

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351 A GEORGE III MAHOGANY BRACKET CLOCK

BY THOMAS CHAPPELL LONDON, C.1760 the brass eight day movement with four turned pillars and a verge escapement and originally with a pull repeat, striking on a bell, the backplate engraved with scrolling leaves and signed, the silvered arched dial with Roman and Arabic numerals, with date and pendulum apertures and strike/silent dial, with blued steel scroll and pierced hands, signed ‘Thoms Chappell London’, the case with a bell top with a brass handle and mounts and pierced and engraved side panels 50cm high, 29.2cm wide

£2,000­3,000

352 A BRASS CLOCK DIAL AND MOVEMENT

BY NATHANIEL PINE LONDON, LATE 17TH / EARLY 18TH CENTURY the eight day movement with four turned and finned pillars, with an anchor escapement striking on a bell, the eleven inch dial with a silvered chapter ring with Roman and Arabic numerals, with date aperture, signed ‘Nat Pine London’, with boy and crown spandrels, with winding key, no weights

£300­500

353 A GEORGE III MAHOGANY ‘SALT BOX’ DIAL CLOCK

BY EDWARD MAUD LONDON, C. 1790 the brass single fusee eight day movement, with a verge escapement and tapering plates, the twelve inch brass circular dial with Roman and Arabic numerals, with pierced hands, signed ‘Edw Maud, St. Pauls Church Yard, London’, the glazed door with a moulded brass bezel and in a moulded outer case 40.3cm high, 40cm diameter Catalogue Note Baillie states that an Edward Maude was working in London between 1784-1795.

£500­800

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354 AN EARLY VICTORIAN MAHOGANY CHIMING BRACKET CLOCK

BY GEORGE WADHAM BATH, C.1850 the brass three train movement with four turned pillars and an anchor escapement striking on eight bells and a gong, the arched silvered dial with Roman numerals and slow / fast and chime / silent dials, engraved with scrolling leaves, with blued steel fleur­de­lis hands and signed 'G. Wadham Bath', the Gothic revival case with carved leaf finials, turned columns and decorated with quatrefoils, on carved flattened bun feet, with a mahogany bracket (2) 75.7cm high, 46cm wide

£1,500­2,000

355 A LARGE VICTORIAN OAK WESTMINSTER CHIMING BRACKET CLOCK LATE 19TH CENTURY the brass eight day three train movement striking the Westminster chimes on eight bells and five gongs, the arched dial with a silvered chapter ring with Roman and Arabic numerals and three subsidiary dials, with cast gilt brass spandrels decorated with leaves and flowers, the substantial case all over carved with leaves, the front with Jacobean style caryatids and masks 65.7cm high, 41.8cm wide, 30.6cm deep

£1,000­1,500

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λ 356 A 19TH CENTURY ROSEWOOD TWO DAY MARINE CHRONOMETER

BY CHARLES SHEPHERD, C.1855­60 the brass fusee movement with a split bi­metallic balance to the Earnshaw type escapement, with machined decoration to the backplate, the circular three and a half inch silvered dial with Roman numerals, subsidiary seconds and fifty­six hour Down/Up dials, inscribed ‘Charles Shepherd, Maker to the Royal Navy, 53 Leadenhall St. London’ and numbered ‘1131’, with spade hands, the brass bound twin hinged case with a glaze upper section, with side carrying handles, with an ivory maker’s plaque, the interior with a trade label for ‘G. E. Hicks Optician, Adjustor of Iron Ship’s Compasses, 16 & 17 Southside Street, Plymouth’ 18cm high, 17cm wide Catalogue Note Charles Shepherd is recorded as working at 53 Leadenhall Street from c.1851 until 1884.

£1,500­2,000

λ 357 A 19TH CENTURY MAHOGANY TWO DAY MARINE CHRONOMETER

BY T.L. AINSLEY, C.1870­80 the brass fusee movement with a split bi­metallic balance to the Earnshaw type escapement, with machine decoration to the backplate, numbered ‘6038’, the circular four and a quarter inch silvered dial with Roman numerals, subsidiary seconds and fifty­six hour Down / Up dials, inscribed ‘T. L. Ainsley, Bute Docks, Cardiff’ with spade hands, the brass bound twin hinged case with a glazed upper section with side carrying handles, with an ivory maker’s plaque, numbered ‘6038’ 19cm high, 18.2cm wide

£800­1,200

358 A SMALL REGENCY FRUITWOOD BRACKET CLOCK

BY DESBOIS & WHEELER, LONDON, EARLY 19TH CENTURY the brass eight­day repeating movement with a lever escapement and striking on a bell, the circular white enamel dial with Roman numerals, the case with brass mounts, the pad top with a swing handle 24.2cm high, 16.5cm wide

£500­800

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359

360

359 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH / EARLY 20TH CENTURY the brass eight day repeating movement with a platform lever escapement and striking on a gong, with alarm, the white enamel dial with Roman numerals and a subsidiary alarm dial, in a corniche case, the back with presentation inscription ‘To G.M.E. from L.W.C. & M.M. May 1924’ 14.5cm high

£150­250 360 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH CENTURY

361

the brass eight day repeating movement with a platform lever escapement striking on a gong, the backplate numbered ‘2246’, the circular white enamel dial with Roman numerals within a silvered engine turned surround, in a corniche case, together with its leather travel case 13.5cm high

£200­300 361 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH / EARLY 20TH CENTURY the brass eight day movement with a platform lever escapement, the circular dial with Arabic numerals, within a scrolling foliage surround, the case with fluted columns and bevelled glass panels 14cm high

£150­200 362 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day movement with a platform lever escapement, striking on a gong, the backplate stamped ‘V. R. Brevete Paris’, the circular white enamel dial with Roman numerals and Arabic seconds, the centre painted with colourful flowers, in a corniche case 14cm high

362 148

£200­300

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363 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with a platform lever escapement striking on a bell, the backplate stamped ‘2377’, the circular white enamel dial with Roman numerals, the scroll and leaf engraved corniche case with agate cabochons to each side, the back door with shuttered winding holes 12cm high

£500­800

364 A FRENCH BRONZE NOVELTY GRAND TOUR CLASSICAL RUINS MANTEL CLOCK SECOND HALF 19TH CENTURY the brass eight day drum movement stamped ‘104’, the circular dial with Roman numerals the centre decorated with leaves and flowers, the case in the form of a capriccio of temple ruins with classical sculptures and columns, stamped ‘2492’ 53.8cm high, 33cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (18801961) and by descent.

£800­1,200

365 A MIRRORED CUT-GLASS WALL CLOCK EARLY 20TH CENTURY the French brass eight day drum movement with a circular dial with Roman numerals, the Italian Venetian case comprised of mirrored glass panels, with etched foliate decoration and applied with flowerheads 30.5cm high

£150­250

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366 A FRENCH ‘EMPIRE’ ORMOLU MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement with an outside countwheel striking on a bell, the circular white enamel dial with Roman numerals and blued steel hands, the case surmounted by a bust of a Roman warrior, with applied war trophies, palmettes and scrolls 43.2cm high

£800­1,200

367 A FRENCH ‘EMPIRE’ ORMOLU MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement, stamped ‘262’, the circular dial with Roman numerals and an engine turned guilloche centre, the case modelled with a classical maiden holding a wreath above a bust of a Roman emperor, the front decorated with a rosette and scrolling leaves 24.2cm high, 18.2cm wide

£400­600

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DAY TWO LOTS 368-734

7TH JULY 2021

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THE COLLECTION OF THE LATE GORDON QUANCE

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368 A FRENCH GILT AND PATINATED BRONZE SLEIGH CLOCK IN 18TH CENTURY STYLE LATE 19TH CENTURY the brass eight day drum movement striking on a bell, the backplate stamped ‘2669’ and with a pastille, inscribed ‘Medaille d’Argent Vincent et Cies 1855’, the circular enamel dial with Arabic numerals and arrow hands indistinctly signed, the case modelled with Cupid, with a pair of lovebirds, on a Rococo style chariot 31.2cm high, 37cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£500­800 369 A FRENCH ORMOLU AND MARBLE GLOBE CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY the brass eight day drum movement, with outside countwheel striking on a bell , stamped ‘9434’ and a pastille, inscribed ‘Medaille d’Argent Vincent et Cie 1855’, the patinated bronze globe with Roman numerals, arrow hands and applied with stars supported by three winged cherubs, the cylindrical plinth decorated with ribbon tied swags of flowers 37.8cm high Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

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370 370 A FRENCH ONYX AND ORMOLU CLOCK GARNITURE LATE 19TH / EARLY 20TH CENTURY the brass eight day drum movement with an outside countwheel striking on a bell, with a mercury pendulum, the backplate stamped ‘A la Gerbe d’or rue de Rivoli A chapus Paris’ and numbered ‘31339’, the circular dial with Arabic numerals and painted with floral swags and signed indistinctly, the four glass case with a bowfront front door flanked by faceted columns surmounted by an urn and finials, together with a pair of conforming five­light candelabra, each with a flaming urn snuffer (3) the clock: 43cm high, 29cm wide the candelabra: 51cm high Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£300­500 371 371

A FRENCH ONYX TEMPLE CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY the brass eight day drum movement, with an outside countwheel striking on a bell, the backplate stamped ‘3542’ and ‘P. Bonnet & R. Pottier Paris’, the circular white enamel dial with Arabic numerals and painted with floral swags and indistinctly signed, the case with four turned columns 37.7cm high Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£100­200 372 A FRENCH ONYX AND ORMOLU MANTEL CLOCK LATE 19TH / EARLY 20TH CENTURY the brass eight day drum movement striking on a bell, with a mercury pendulum, the backplate stamped ‘2590’ and with a pastille, inscribed ‘Medaille d'Argent Marti et Cie 1889’, the circular dial with Arabic numerals and painted with floral swags, the four glass case flanked by columns surmounted by an urn and flaming finials 44.7cm high, 31cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

372 154

£150­250

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373 A GILT BRASS ATMOS CLOCK

BY JAEGER­LECOULTRE, C.1970 the open five hundred and forty calibre movement with torsion pendulum, the white enamel circular dial with Roman numerals and pierced hands, in a gilt brass case, numbered ‘254 703’ 22cm high, 18cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£300­500

374 A MARINA MANTEL CLOCK

BY JAEGER­LECOULTRE, 1960­70 the brass eight day visible movement within a circular dial with pierced dagger hands, the lucite case decorated with chinoiserie and an exotic bird, with gilt metal mounts and feet, numbered ‘350’, with original case 16.2cm high, 22cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£300­500 155

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375

376

λ 375 A FRENCH ROSEWOOD AND BRASS INLAID COIFFEUSE TABLE IN LOUIS XV STYLE, MID­19TH CENTURY with ormolu mounts, the hinged serpentine top inlaid with engraved strapwork marquetry and mother of pearl leaves, the interior with a mirror and a divided lift­out tray, above a sliding bag, on cabriole legs 72.8cm high, 59cm wide, 37.7cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£500­800 376 A FRENCH KINGWOOD SERPENTINE CENTRE TABLE IN LOUIS XV STYLE LATE 19TH CENTURY the crossbanded top inlaid with floral marquetry, on cabriole legs 75.2cm high, 99.8cm wide, 58.6cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£400­600 377 A FRENCH THUYA AND EBONISED GUÉRIDON LATE 19TH CENTURY with ormolu mounts, the shaped legs united by an undertier 77.5cm high, 52.2cm diameter

377

156

Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£400­600

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378 A FRENCH KINGWOOD AND MARQUETRY SERPENTINE CARD TABLE IN LOUIS XV STYLE C.1870 with ormolu mounts, the top inlaid with musical instruments, birds, urns, leaves and flowers in various fruitwoods, the swivel fold­over top revealing a baize lined and marquetry banded interior, the frieze with conforming panels, on cabriole legs 74.8cm high, 83.5cm wide, 44cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£1,000­1,500

379 A FRENCH WALNUT AND MARQUETRY CENTRE TABLE IN LOUIS XVI STYLE LATE 19TH CENTURY with ormolu mounts, the top with an oval panel marquetry inlaid with musical trophies, with outer bands of anthemion motifs, above a frieze drawer, on fluted tapering legs united by an ‘X’ stretcher centred with an urn 75.3cm high, 126cm wide, 77.5cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200 157

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380 A FRENCH KINGWOOD AND MARQUTRY BOMBE COMMODE IN LOUIS XV STYLE LATE 19TH CENTURY with ormolu Rococo handles and mounts, inlaid with scrolls, leaves, flowers and birds, the quarter veneered crossbanded top above two long drawers 85.5cm high, 112.5cm wide, 55.2cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£400­600

381 A FRENCH KINGWOOD AND MARQUETRY DEMI-LUNE COMMODE IN TRANSITIONAL STYLE, SECOND HALF 19TH CENTURY with ormolu mounts and inlaid with musical trophies, flaming torches and quivers of arrows, the brèche d’Alep marble top with a moulded edge, above three drawers 85.7cm high, 72cm wide, 37cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£300­500

158

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λ 382 A FRENCH KINGWOOD AND ROSEWOOD SECRÉTAIRE À ABATTANT IN LOUIS XVI STYLE IN THE MANNER OF FRANÇOIS LINKE, LATE 19TH CENTURY with ormolu mounts of satyrs, laurel leaves and urns of flowers, with parquetry lattice panels, the top with a pierced gallery above a frieze drawer, the hinged fall revealing a leather and plush lined writing surface, above a further drawer, on cabriole legs united by an undertier 137.5cm high, 64.5cm wide, 41cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£2,000­3,000

159

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383 A FRENCH KINGWOOD BONHEUR DU JOUR IN LOUIS XV STYLE LATE 19TH / EARLY 20TH CENTURY with ormolu mounts, the raised shaped back fitted with five lattice parquetry veneered drawers, flanked by twin­light leaf and flower sconces, the serpentine front with a conforming frieze drawer on cabriole legs 125.7cm high, 126.5cm wide, 65cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£1,000­1,500

384 A FRENCH BRÈCHE VIOLET MARBLE AND ORMOLU MOUNTED COLUMN LATE 19TH CENTURY the square top supported by four Corinthian columns, the tapering stem decorated by cherubs and oval cabochons, on a stepped base 109.2cm high, 27.2cm square Provenance Acquired from Great Brampton House Antiques, 30th April 1982, for £2,300.

By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£400­600

160

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385 A FRENCH KINGWOOD BUREAU DE DAME IN LOUIS XV STYLE IN THE MANNER OF FRANÇOIS LINKE, LATE 19TH / EARLY 20TH CENTURY with ormolu mounts, of bombe shape, applied with a pair of cherub candle holders, the hinged fall inset with a gilt tooled leather writing surface, with a pair of drawers and pigeonholes, above three frieze drawers, on cabriole legs 112.5cm high, 75cm wide, 53cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

386 A FRENCH KINGWOOD AND MARQUETRY PEDESTAL IN LOUIS XV STYLE IN THE MANNNER OF FRANÇOIS LINKE, LATE 19TH CENTURY with ormolu mounts, the brèche d’alep marble top with a moulded edge, above cube parquetry panels and inlaid with ribbon tied flowers 107.4cm high, 36cm wide, 36cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

161

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387 A VICTORIAN BURR WALNUT AND MARQUETRY KIDNEY SHAPE TABLE C.1860­70 with gilt bronze mounts, the crossbanded top inlaid with scrolling leaves, above a frieze drawer and cabriole legs 73.5cm high, 133.5cm wide, 65.5cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£500­800

λ 388 A SATINWOOD AND MARQUETRY DEMI-LUNE COMMODE IN GEORGE III STYLE SECOND HALF 20TH CENTURY with rosewood crossbanding and inlaid with swags, urns, husks and with a classical figure holding a lyre within a ribbon tied wreath, with a frieze drawer above a door enclosing a shelf 93.7cm high, 91cm wide, 42.7cm deep Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£500­700

162

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

389 A FRENCH SÈVRES STYLE PORCELAIN AND ORMOLU MOUNTED CENTREPIECE IN LOUIS XVI STYLE, LATE 19TH CENTURY the elliptical bowl painted with a panel of 18th century young lovers with a chaperone in a classical setting, signed ‘Vautain’, on a bleu du roi ground, the reverse with a temple before a lake, with a pierced scrolling leaf rim with winged female figurehead handles, with painted blue Sèvres interlaced ‘Ls’ mark 36.7cm high, 45cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

390 A FRENCH ORMOLU CANDELABRUM IN LOUIS XV STYLE IN THE MANNER OF RAINGO FRERES, C.1860­70 modelled with a patinated bronze figure of Cupid supporting a cornucopia issuing leaves and flowers, with seven lights, on a Rococo scroll base, stamped ‘620’ 75cm high, 43cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

163

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391 A PAIR OF FRENCH ORMOLU CANDELABRA IN LOUIS XVI STYLE, LATE 19TH CENTURY each modelled with a Bacchanalian cherub supporting three leaf branches issuing four lights, with urn nozzles, on a fluted marble plinth hung with ribbon tied swags of flowers and an octagonal base and toupie feet, later fitted for electricity (2) 55.5cm high, 24.5cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200 392 A PAIR OF FRENCH ORMOLU AND ALABASTER TABLE LAMPS IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY each decorated with a seated cherub, with quivers of arrows and dead game, with shades (2) 39cm high, 19cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£400­600 393 A MATCHED PAIR OF FRENCH ORMOLU TABLE LAMPS LATE 19TH / EARLY 20TH CENTURY each modelled with a Bacchanalian cherub, the onyx bases decorated with laurel swags (2) 32.2cm high

391

Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£150­250

392 164

393

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

394 A PAIR OF FRENCH MAURIN GREEN MARBLE AND ORMOLU MOUNTED URN TABLE LAMPS IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY decorated with laurel leaves, with classical female mask handles, with stop fluted tapering bodies, on square plinths with concave corners, later converted (2) 47.5cm high, 26cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

395 THREE FRENCH MARBLE AND ORMOLU TABLE LAMPS IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY each in the form of an urn, including: a violet marble example, two with ram’s head mounts (3) 45cm high (max) Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

165

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397

396 A PAIR OF FRENCH ORMOLU AND ROUGE MARBLE TABLE LAMPS IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY

396

each modelled with a cherub supporting a cornucopia, on a stepped plinth, with panels of scrolling leaves and roses, on toupie feet (2) 36cm high Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£300­500 397 A FRENCH ORMOLU AND GLASS OVAL JEWELLERY CASKET

BY PROSPER ROUSSEL, LATE 19TH CENTURY the hinged lid with a floral finial, the engraved rim with signature, the glass body with silvered fret internal decoration, on scroll feet 21.3cm high, 18cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£200­300 398 THREE EBONISED AND GILT BRASS CORINTHIAN COLUMN TABLE LAMPS SECOND HALF 20TH CENTURY 50cm high (3) Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£200­300 399 No lot

398 166

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

400 A SILVERED BRASS TWO-TIER CHANDELIER OF MAZARIN TYPE, BY DERNIER AND HAMLYN, C.1960­70 of twelve lights, the fluted urn upper stem decorated with three Bacchanalian cherubs, with husk and patera scroll branches, with turned urn nozzles and gadroon edge drip­ pans, the lower tier decorated with satyr masks, on lion’s paw monopodia, with a cone pendant 53.8cm high, 62cm wide (max) Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (19312017).

£500­800

401 A SILVERED BRASS TWO-TIER CHANDELIER OF KNOLE TYPE, ATTRIBUTED TO LENYGON & CO., EARLY 20TH CENTURY of twelve lights, the turned baluster stem decorated with three Bacchanalian cherubs, the engraved base issuing scroll branches, with urn shape nozzles and dished drip­ pans, with a cone pendant 80cm high, 76cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (19312017).

£800­1,200

167

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402 A SET OF FIVE GILT BRONZE AND METAL WALL APPLIQUÉS OF KNOLE TYPE

BY DERNIER AND HAMLYN, C.1960­70 decorated with Bacchanalian cherubs, with three lights, scrolling branches and a cone pendant (5) 40.7cm high, 51.5cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£500­800 403

A SET OF THREE GILT BRONZE AND METAL WALL APPLIQUÉS OF KNOLE TYPE

BY DERNIER AND HAMLYN, C.1960­70 decorated with Bacchanalian cherubs, with three lights, scrolling branches and a cone pendant (3) 39.7cm high, 45cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£300­500 404

A PAIR OF GILT BRONZE AND METAL WALL APPLIQUÉS OF KNOLE TYPE

BY DERNIER AND HAMLYN, C.1960­70

402

decorated with Bacchanalian cherubs, with twin lights, scrolling branches and a cone pendant (2) 31.2cm high, 34cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017).

£150­250

403 168

404

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

405 TWO SIMILAR GILT BRONZE AND METAL CHANDELIERS OF KNOLE TYPE, BY DERNIER AND HAMLYN, C.1960­70 each with eight lights, the turned baluster stem decorated with three Bacchanalian cherubs, the engraved base issuing scroll branches, with urn shape nozzles and dished drip­pans, with a cone pendant (2) 60.9cm high, 77cm wide 59.7cm, 75.5cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020).

From the collection of Gordon W Quance LLM (1931-2017).

£800­1,200

END OF COLLECTION 169

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CONTINENTAL

FURNITURE, WORKS OF ART & LIGHTING

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 406 A FRENCH LOUIS XV ROSEWOOD AND KINGWOOD COIFFEUSE 18TH CENTURY decorated with panels of lattice parquetry and with ormolu mounts, the top with a pair of hinged silk lined compartments, flanking a hinged dressing mirror, above a leather lined slide and a drawer 78.3cm high, 88cm wide, 52cm deep

£1,000­1,500

407 A FRENCH CHARLES X MAHOGANY WRITING DESK EARLY 19TH CENTURY the raised back with a pair of gilt leather cartonnier compartments, above three mahogany lined drawers, flanked by split columns, with ormolu mounts, with a tooled leather writing surface, above a frieze drawer with a lift­out divided tray, above further columns and a concave platform base, on brass castors 95.5cm high, 72.3cm wide, 52.3cm deep

£500­800

171

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408 AN 18TH CENTURY CARVED PINE CONSOLE TABLE C.1740 the later green marble serpentine top with a moulded edge, above a leaf draped frieze and a central Rococo cartouche, on carved ‘C’ scroll legs united by a platform 88cm high, 125.7cm wide, 50.3cm deep

£800­1,200

λ 409

410

A FRENCH ROSEWOOD AND MARQUETRY BOMBE COMMODE IN LOUIS XV STYLE LATE 19TH CENTURY

A THUYA WOOD TABLE CABINET LATE 19TH CENTURY

with gilt bronze mounts, inlaid with panels of scrolling flowers and foliage, the marble top above three drawers, the top drawer with an ivorine label, inscribed ‘R. E. Cadogan’ Provenance Daphne Fielding, 6th Marchioness of Bath (1904­1997) and by descent.

£300­500 172

inlaid with fan paterae and spandrels, with six short drawers above a pair of hinged doors, revealing a lift­out tray and two long drawers 31.8cm high, 30.6cm wide, 19.5cm deep

£200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

411 A FRENCH LOUIS XV GILTWOOD CONSOLE TABLE MID­18TH CENTURY the later marble top with a serpentine moulded edge, above a pierced frieze carved with scrolls, rocaille, leaves and flowers, on ‘C’ scroll legs united by a conforming stretcher 81.6cm high, 95cm wide, 49.2cm deep

£800­1,200

412

λ 413

A FRENCH KINGWOOD MINIATURE SECRÉTAIRE CHEST IN LOUIS XVI STYLE LATE 19TH CENTURY

A FRENCH ROSEWOOD AND MARQUETRY BOMBE COMMODE IN LOUIS XV STYLE LATE 19TH CENTURY

with gilt metal mounts and five drawers, the central drawer with a hinged front, a velvet writing surface and two further drawers 41cm high, 25cm wide, 15cm deep

with gilt bronze mounts, inlaid with panels of scrolling flowers and foliage, the marble top above three drawers

£300­400

Provenance Daphne Fielding, 6th Marchioness of Bath (1904­1997) and by descent.

£600­800 173

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414 A FRENCH MAHOGANY AND BRASS MOUNTED VITRINE OR BIJOUTERIE TABLE C.1870 with a hinged top, above fluted tapering legs and brass castors 76.8cm high, 91cm wide, 60.2cm deep

£300­500

λ 415 TWO NAPOLEON III EBONISED AND BOULLE MARQUETRY DISPLAY CABINETS C.1870 with ormolu mounts and panels of cut­brass marquetry on a red tortoiseshell ground, each with a glazed door enclosing a plush lined interior with a shelf (2) 112cm high, 81cm wide, 34.8cm deep and 108.2cm high, 69cm wide, 34.5cm deep Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£500­800

416 A SET OF FOUR FRENCH GILTWOOD FAUTEUIL IN LOUIS XVI STYLE 19TH CENTURY each with a padded back, seat and armrests, covered in floral wreath needlework, the ribbon and beaded frames carved with leaves and flowers, on fluted tapering legs and later brass castors (4) Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£600­1,000

174

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

417 A FRENCH WHITE PAINTED AND GILTWOOD CANAPÉ IN LOUIS XV STYLE 19TH CENTURY covered in gold silk damask fabric, the moulded frame decorated with leaves, scrolls and flowers 103.9cm high, 139cm wide, 70cm deep

£500­800

418 A SET OF FOUR PAINTED AND PARCEL GILT SIDE CHAIRS IN LOUIS XVI STYLE LATE 19TH / EARLY 20TH CENTURY the moulded frames carved with ribbons and flowers, on fluted tapering legs (4)

£200­300

419 A PAIR OF FRENCH PAINTED FAUTEUILS IN LOUIS XV STYLE LATE 19TH / EARLY 20TH CENTURY each with a cartouche shaped back, with a moulded frame carved with leaves and flowers, upholstered with damask fabric, with cabriole legs (2)

£400­600

175

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420 A FRENCH MAHOGANY BUREAU PLAT IN DIRECTOIRE STYLE LATE 19TH CENTURY the rectangular top inset with a blue gilt tooled leather writing surface, above an arrangement of five drawers, with false fronts to the reverse, the sides with pull­out leather lined slides, on square tapering legs 78.4cm high, 159.2cm wide, 79.8cm deep

£600­1,000

421 A FRENCH BERGÈRE ARMCHAIR IN LOUIS PHILIPPE STYLE EARLY 20TH CENTURY the moulded frame painted white, with parcel gilt decoration of lappets, rosettes and anthemion motifs

£300­500

422 A FRENCH WALNUT COMMODE 19TH CENTURY with four long drawers 94.8cm high, 112cm wide, 55.5cm deep

£300­500

176

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423 A FRENCH KINGWOOD BUREAU PLAT IN LOUIS XV STYLE LATE 19TH CENTURY with ormolu mounts and parquetry trellis panels, the top inset with a green writing surface above three frieze drawers, with false fronts to the reverse, on cabriole legs 78.7cm high, 157.5cm wide, 91.5cm deep Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£800­1,200

424 A FRENCH PAINTED GILTWOOD CONSOLE TABLE IN LOUIS XVI STYLE LATE 19TH CENTURY the breakfront white marble top above a frieze centred with cartouche flanked by laurel leaves, on acanthus carved and fluted tapering legs, united by an ‘X’ stretcher, with a carved urn 85cm high, 99cm wide, 48.7cm deep Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­ 2018) and Adele Stockdale, Eastwood Farm, East Sussex.

£300­500

425 A FRENCH GILT COMPOSITION OVERMANTEL MIRROR LATE 19TH CENTURY the arched plate within a moulded frame, the lion mask surmount issuing floral swags supported by winged cherubs 174.5 x 120.5cm

£500­700 177

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426 A NEEDLEPOINT TAPESTRY CARPET IN AUBUSSON STYLE worked with a central floral spray and with panels of roses and a further leaf and flower border 397 x 295cm

£300­500

427 A TAPESTRY CARPET IN AUBUSSON STYLE LOUIS XVI STYLE, 20TH CENTURY with a central oval floral medallions, decorated with scrolling leaves 367.5 x 265.5cm

£300­500

178

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428 A FRENCH AUBUSSON CARPET 19TH CENTURY the ivory field with scrolling foliate designs, border cut 460 x 381cm

£800­1,200

429 A CARVED GILTWOOD AND PAINTED BALDAQUIN FRENCH OR ITALIAN, PROBABLY 19TH CENTURY the frieze decorated with scrolls, leaves and flowers 32cm high, 85.7cm wide

£400­600

179

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430

431

430 A PAIR OF GILT METAL AND GLASS COLUMN TABLE LAMPS 20TH CENTURY 49cm high (2)

£200­300 431 A PAIR OF GILT BRONZE FOUR-LIGHT CANDELABRA C.1870­80 432

each with detachable drip­pans and hung with tasselled chains, above a naturalistic leaf stem and tripod monopodia hoof feet (2) 54cm high, 20cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£400­600 432 A FRENCH PINK OPALINE GLASS VASE TABLE LAMP 19TH CENTURY AND LATER decorated in gilt with a peacock amidst flowers, later mounted on a giltwood base together with a silvered faceted candlestick lamp by Auguste Mourier, stamped ‘A. Mourier’ (2) 29.3cm high (max)

£150­200 433 A FRENCH ORMOLU TABLE LAMP IN LOUIS XV STYLE modelled with a young girl feeding a goat, on a classical sarcophagus base, with a silk shade 29.8cm high

433 180

£300­400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

434 A FRENCH ‘EMPIRE’ GILT AND PATINATED BRONZE CHANDELIER EARLY 19TH CENTURY with three lights, the turned body decorated with palmettes issuing rosette and scroll branches, with urn shape nozzles and dished drip­pans, with a bud finial and cone pendant 52cm high, 59.5cm wide

£800­1,200

435 A PAIR OF FRENCH ORMOLU CANDELABRA IN EMPIRE STYLE 19TH CENTURY each with three lights, with scrolling lappet branches, above a reeded tapering stem and a triform base, later converted into table lamps (2) 57.3cm high

£400­600

436 A PAIR OF GRECIAN REVIVAL GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS EARLY 19TH CENTURY each with a classical maiden supporting a bud and leaf decorated sconce, on stiff leaf cylindrical stems and circular bases with engine milled borders (2) 30.3cm high Provenance From the family collections of Captain George Lionel Jameson OBE (18801961) and by descent.

£500­800

181

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438

437 437

A PAIR OF FRENCH ORMOLU WALL LIGHTS IN LOUIS XVI STYLE 19TH CENTURY with three lights, the fluted backplate issuing flowers and leaves, with leaf scroll arms and urn shape nozzles (2) 65.6cm high, 32cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£400­600 438 A SET OF FOUR GILT BRONZE WALL LIGHTS IN LOUIS XVI STYLE, 20TH CENTURY each with an urn and fluted tapering column backplate and a scroll arm, the drip­pan stamped ‘Bronze Veritable’ (4) 29cm high

£150­200 439 A PAIR OF GILT BRASS WALL LIGHTS IN 19TH CENTURY STYLE POSSIBLY BY VAUGHAN, LATE 20TH CENTURY each in the form of a torch with a globular opaline glass shade, stamped ‘MV’(2) 26.5cm high, 18cm deep

£150­200 439

182

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

440 A FRENCH BLUE OPALINE GLASS AND ORMOLU OIL LAMP LATE 19TH CENTURY with its cut­glass reservoir, stamped ‘No.1 Hinks Patent’, above a baluster body applied with satyr masks, on hairy paw feet, later fitted for electricity 65.3cm high (overall)

£400­600

441 A BLUE GLASS AND SILVER PLATED COLUMN TABLE LAMP 19TH CENTURY the capital with Greek key, swag and star bands, on a stepped base and winged paw feet 51.7cm high

£300­500

442 A FRENCH WHITE OPALINE GLASS TABLE LAMP EARLY 20TH CENTURY with gilt brass mounts, of faceted baluster form 47.2cm high

£200­300

183

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443 A PAIR OF FRENCH GILT BRONZE AND CHAMPLEVÉ ENAMEL CASSOLETTES IN LOUIS XVI STYLE, LATE 19TH CENTURY each with a reversible top, with an urn shape sconce and a bud finial (both off), with ram’s head tripod monopodia hung with chains and an onyx base (2) 22.7cm high

£400­600

444 A FRENCH ART NOUVEAU BRONZE TABLE LAMP LATE 19TH / EARLY 20TH CENTURY decorated with playful children amongst branches and reeds, signed ‘L. Coustaury’, on a rouge marble base 42.7cm high (excluding fitting)

£300­400

445 A FRENCH CRYSTAL GLASS AND GILT METAL STANDARD LAMP ATTRIBUTED TO MAISON JANSEN, PARIS, 20TH CENTURY the baluster spiral fluted stem on tripod wrought iron supports 152.7cm high, 44.5cm wide

£400­600

184

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

446 A SET OF THREE GILT BRASS AND BRONZE CEILING LIGHTS 19TH CENTURY STYLE each with a fluted and part frosted shade with a moulded band and classical female mask terminals hung with chains, with three lights (3) 84cm high, 44cm diameter

£800­1,200

part

447 A PAIR OF FRENCH RESTAURATION ORMOLU ADJUSTABLE WALL LIGHTS EARLY 19TH CENTURY with twin lights, with leaf decorated urn nozzles, on an articulated branch and a clenched fist backplate (2) 13.1cm high, 13.3cm wide, 19cm deep

£500­700

185

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448 A PAIR OF FRENCH GILT BRASS AND CUT-GLASS CHANDELIERS IN EMPIRE STYLE, LATE 19TH CENTURY each of basket form, with six lights, hung with faceted lustres and drops, the arcaded corona decorated with fleur­de­lis, the body with scrolling leaves and cabochons, with scroll arms and dished drip­pans and a ball pendant (2) 104cm high, 68cm wide

£800­1,200

186

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449 A NAPOLEONIC PRISONER OF WAR BONE WATCH HOLDER EARLY 19TH CENTURY of pierced arched form with a pair of Roman centurions, the centre decorated with urns, flowers and leaves and containing a watch with a white enamel dial, contained in an ebonised and tulipwood banded glazed case (2) 26cm high, 15.2cm wide, the case: 36.2cm high, 23.6cm wide

£800­1,200

450 A 19TH CENTURY FRENCH WALNUT OVAL INKSTAND C.1860­70 with gilt brass strapwork mounts and oval porcelain plaques painted with portraits, with a cut­glass inkwell 31.5cm wide

£300­500

451 A GERMAN FRUITWOOD TEA CADDY EARLY 19TH CENTURY with a brass ball finial, the turned body with ebonised decoration, the hinged lid revealing a foil lined interior 13.5cm high

£150­250

187

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452

453

452 A BLACK FOREST CARVED LINDEN WOOD OWL INKSTAND LATE 19TH CENTURY the bird perched on a tree stump reading a book, his hinged head with glass eyes, with a hinged basket revealing a glass inkwell and with a pen holder, together with two smaller owl inkwells, one in Irish bog oak (3) 21.3cm high, 21cm wide (max)

£200­300 453 A BLACK FOREST LINDEN WOOD TABLE LAMP LATE 19TH CENTURY carved with two game birds before a tree, later fitted for electricity 27.7cm high

£150­250 454 A CONTINENTAL FLAME MAHOGANY PIER MIRROR POSSIBLY GERMAN OR DANISH, MID­19TH CENTURY with nulled and ripple mouldings, the rectangular plate flanked by turned columns 160.8 x 78.8cm

£300­500

454 188

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455 A SOUTH GERMAN WALNUT AND INLAID BUREAU CABINET 18TH CENTURY with ebonised mouldings and burr veneered panels, the arched serpentine top section fitted with ten drawers, around a central cupboard marquetry inlaid with fruitwoods, with a parrot perched on a tree branch, enclosing four further drawers, the base with a hinged fall revealing an ebonised interior with seven pigeonholes, above three long concave fronted drawers, inlaid with parquetry stars, on later bun feet 189.2cm high, 135.5cm wide, 74cm deep

£1,500­2,000

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456 A SOUTH GERMAN WALNUT AND MARQUETRY TABLE CABINET 17TH CENTURY AND LATER inlaid with various fruitwoods some stained green, the top with strapwork panels above a pair of doors decorated with parrots perched on branches, the insides with Swiss Guard type figures, the interior fitted with seven ripple moulded drawers inlaid with various animals: squirrels, dogs and hares, before cityscapes, around a central cupboard decorated with a huntsman, revealing two small drawers with a secret drawer behind, the base with a later long drawer 41.3cm high, 44cm wide, 28.7cm deep

£800­1,200

457 A NORTH EUROPEAN FRUITWOOD AND BRASS MOUNTED TRIPOD TABLE 19TH CENTURY the circular tilt­top with a moulded edge, on a baluster turned stem, on scroll legs and ebonised ball feet 71.5cm high, 74cm diameter

£200­300

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458 A GILTWOOD ROCOCO WALL MIRROR POSSIBLY GERMAN OR ITALIAN, 18TH CENTURY the shaped plate in a 'C' scroll, leaf and rocaille carved frame, with a pierced angled surmount 137.5 x 80cm Provenance From the family collections of Captain George Lionel Jameson OBE (1880­1961) and by descent.

£800­1,200

459 A PAINTED LEATHER TWO-FOLD SCREEN 19TH CENTURY decorated with scrolling leaves, flowers, birds and fruit, the reverse with panels of flowers 194 x 128cm

£300­400

460 AN ITALIAN PAINTED OAK COMMODE LATE 18TH / EARLY 19TH CENTURY decorated to simulate rosewood, with three long panelled drawers, on flattened bun feet 82.5cm high, 128cm wide, 64cm deep

£600­1,000

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461

462 461 AN EBONY AND EBONISED RIPPLE MOULDED WALL MIRROR IN BAROQUE STYLE ITALIAN OR DUTCH, 19TH CENTURY with a rectangular bevelled plate, within a moulded frame with various differing ripple borders 92.4 x 76.5cm

£300­500 462 AN ITALIAN OLIVEWOOD AND MARQUETRY BUTLER’S TRAY ON STAND SORRENTO, LATE 19TH CENTURY the reversable top with hinged handles, the top inlaid with a pair of swallows and inscribed ‘Ritornerina’, the other side with a baize lined panel, on a folding faux bamboo stand 71cm high, 62.8cm wide, 46cm deep

£300­400 463 AN ITALIAN CARVED AND STAINED PINE TORCHÈRE VENETIAN, LATE 19TH CENTURY with a griffin stem on tripod supports 91cm high, 40cm wide

£100­200 463 192

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464 AN ITALIAN CARVED WALNUT MONKEY DUMBWAITER VENETIAN, LATE 19TH CENTURY the monkey standing on a rockwork base wearing Renaissance style clothes and holding a platter relief carved with script 136.6cm high

£2,000­3,000

465 TWO ITALIAN GLASS MIRRORS VENETIAN, LATE 19TH CENTURY each with etched decoration, one of Rococo cartouche shape with an oval plate and an easel back, the other oval for wall hanging (2) 42.5 x 29.2cm (max)

£200­300

466 A SMALL ITALIAN GILTWOOD WALL MIRROR FLORENTINE, 19TH CENTURY with a rectangular plate and a pierced outer frame 30.5 x 21.2cm

£150­250

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λ 467 AN ITALIAN PAINTED GRAND TOUR FAN LATE 18TH / EARLY 19TH CENTURY

detail

the chicken skin leaf painted with Roman views of the Colosseum and the Forum, the tomb of Caecilia Metella and the pyramid of Cestius, with ribbon tied garlands and gilt foil edging, with plain ivory sticks, mounted in a later glazed and gilt fan shape box frame 46cm wide

£300­500

λ 468 A COLLECTION OF FANS EARLY 19TH CENTURY AND LATER in tortoiseshell, ivory, mother of pearl and lace, including a Chinese ivory brisé fan, an ostrich feather example, some in boxes one marked ‘Duvelleroy’ (damages) (17) 49cm (max)

£150­250

λ 469

TWO CONTINENTAL FANS

18TH CENTURY Comprising: a Rococo example, the leaf painted with courting couples in a landscape setting with a windmill, with pierced, carved and polychrome decorated sticks, the guard applied with pierced and carved mother of pearl, possibly Flemish, together with a Neo­classical fan, the chicken skin leaf painted en­grisaille with laurel swags hung with war trophies and a central figure of Victory, with gilt foil edging, and plain ivory sticks and guards, probably Italian, each in a later glazed and gilt fan shape box display case (2) 45cm wide

£200­300 194

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470 A COLLECTION OF DENDRITIC AGATE PLAQUES PROBABLY ITALIAN, 18TH CENTURY comprising: twenty­seven individual plaques, the majority oval shape, but three rectangular with canted corners, some reverse painted, one with a lady beside a well, one with a river scene and one with a house in a landscape scene, later mounted and framed the largest plaque: 5.5 x 4.7cm, the frame: 29.5cm square

£300­400

471 AN ITALIAN MEMENTO MORI 19TH CENTURY with a pair of carved wood crossed bones supporting a section of bone applied with a patinated brass eye, mounted in a glazed box frame decorated in gilt with scrolling leaves and flowers on an ebonised ground, with a brass suspension ring 30.5cm square

£400­600

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472 TWO ITALIAN NEAPOLITAN PAINTED TERRACOTTA CRIB FIGURES C.1760­70 one probably depicting Joseph, the other of a lady, with yarn bodies and limbs (2) 52.8cm high (max) Provenance Acquired from Elliott & Snowdon Ltd, London, 30th May 1986.

£500­800

473 A FRENCH CUT-GLASS SULPHIDE PENDANT PROBABLY BACCARAT, EARLY 19TH CENTURY with a portrait of Jesus Christ, with a gilt metal mount 12cm high

£100­150

474 AN ALABASTER FIORITO AND SILVER MOUNTED BOWL PROBABLY ITALIAN OR MALTESE, 19TH CENTURY the rim decorated with swags of flowers, with a floral filigree base and ball feet, unmarked 7.5cm high, 15.3cm diameter

£300­500

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λ 475 A PORTUGUESE ROSEWOOD CABINET ON STAND CONTADOR IN BAROQUE STYLE, PROBABLY EARLY 18TH CENTURY with ripple moulded decoration and fitted with twelve drawers, with gilt brass handles and escutcheons, the sides with carrying handles, the stand with a pierced and carved apron, on bulbous cup and spiral twist supports united by stretchers 159.8cm high, 119.5cm wide, 58.5cm deep Catalogue Note Comparable contadors are to be found in the Museu Nacional De Arte Antiga , Lisbon. In particular, inventory nos. 66 and 979.

£2,000­3,000 197

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476 TWO SIMILAR DUTCH WALNUT AND FLORAL MARQUETRY CORNER DISPLAY CABINETS 19TH CENTURY inlaid with urns of flowers, birds, cherubs and female term figures, each with a glazed door enclosing shelves, above a panelled cupboard door enclosing a further shelf, on bracket feet (2) 183.6cm high, 81.2cm wide, 49cm deep (max)

£800­1,200

477 A DUTCH MAHOGANY AND MARQUETRY TRAY-TOP BEDSIDE TABLE 19TH CENTURY inlaid with flowers, birds and leaves, the galleried top above a frieze drawer, on cabriole legs, with gilt bronze sabot 66.3cm high, 52.5cm wide, 37.5cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£200­300

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REGENCY 199

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478 A REGENCY MAHOGANY BOWFRONT CHEST EARLY 19TH CENTURY inlaid with boxwood stringing and fitted with three long graduated drawers, on swept bracket feet 90.7cm high, 107cm wide, 51cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­500

479 A SMALL REGENCY MAHOGANY PEMBROKE TABLE EARLY 19H CENTURY the drop­leaf top above a deep frieze drawer with three divisions, on square tapering legs and brass castors 75.3cm high, 46.5x 68.3cm (open)

£150­250

480 A REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the rectangular tilt­top with rounded corners and a reeded edge, on a ring turned stem and four ribbed downswept legs and brass caps and castors 70.4cm high, 136.5 x 97.9cm Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£400­600

200

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481 A SET OF EIGHT LATE REGENCY SATINWOOD DINING CHAIRS EARLY 19TH CENTURY each with a curved and panelled top rail, above a lappet carved triple splat back, above a cane seat, on turned tapering front legs with moulded decoration to the sides, comprising: a pair of open armchairs and six side chairs (8)

£800­1,200

λ 482 A REGENCY SATINWOOD BREAKFRONT CARD TABLE EARLY 19TH CENTURY inlaid with ebonised stringing, the hinged swivel crossbanded top inlaid with wide rosewood banding, revealing a baize lined playing surface, on square tapering legs 72.8cm high, 91.5cm wide, 44.9cm deep

£500­800 201

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483

484

483 A REGENCY MAHOGANY COMMODE CHEST EARLY 19TH CENTURY AND LATER CONVERTED the reeded edge top above a pair of hinged doors with false drawer fronts, on bracket feet 75cm high, 60cm wide, 38.5cm deep

£100­150 484 A GEORGE IV MAHOGANY SIDE TABLE C.1830 with two tiers and turned supports fitted with a drawer 79.3cm high, 77.8cm wide, 44cm deep

£150­200 λ 485 485

A REGENCY MAHOGANY HANGING CORNER CUPBOARD EARLY 19TH CENTURY inlaid with rosewood banding and panels, with nulled and ribbed decoration, the broken arch cornice decorated with rondels above an astragal glazed door enclosing three fixed shelves 106.4cm high, 78.4cm wide, 50.5cm deep

£200­300 486 A WILLIAM IV MAHOGANY SIDE CABINET EARLY 19TH CENTURY AND LATER with nulled mouldings, fitted with a panelled frieze drawer, above a pair of gilt brass trellis and pleated silk doors, on lobed mushroom feet and sunken wooden castors 75cm high, 88.8cm wide, 45.5cm deep

£400­600

202

486

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487 A GEORGE IV POLLARDED OAK BREAKFRONT BOOKCASE C.1830 the moulded cornice above four glazed doors, enclosing adjustable shelves, the base with panelled doors, also enclosing adjustable shelves 237.8cm high, 201cm wide, 53.2cm deep

£1,500­2,500

488 A REGENCY BURR ASH DINING TABLE EARLY 19TH CENTURY the boarded oval top above a divided frieze drawer, on ring turned tapering legs 76.4cm high, 89.8 x 124.2cm (open)

£400­600

203

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489 A SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each with a curved top rail and a horizontal tablet splat back, the stuffed-over seat on turned tapering front legs, the rails applied with ivorine trade labels for ‘Spillman & Co., St. Martin’s Lane London’, comprising: a pair of open armchairs and four side chairs (6)

£300­500

490 A LATE GEORGE III MAHOGANY OPEN ARMCHAIR EARLY 19TH CENTURY the moulded back with triple pierced vertical splats carved with ears of wheat, above a drop-in seat, together with a modern stool, on sabre legs (2)

£80­120

491 A MAHOGANY OVAL WINE COOLER ON STAND EARLY 19TH CENTURY AND LATER of staved construction, with brass bands, with a lead lining, the later stand on moulded legs 60.8cm high, 57cm wide, 44.6cm deep

£400­600

204

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λ 492 A WILLIAM IV ROSEWOOD BREAKFRONT SIDE CABINET IN THE MANNER OF GILLOWS, SECOND QUARTER 19TH CENTURY the raised back with a wavy edge gallery above ‘S’ scroll supports, the base with three pleated silk covered doors enclosing shelves, flanked by turned columns with leaf capitals, on brass caps and castors 126.5cm high, 119cm wide, 39.7cm deep

£500­700

493 A GEORGE IV MAHOGANY SARCOPHAGUS WINE COOLER C.1825 the cross banded hinged lid with a ratcheted brass rest, revealing a lead lined interior, with eight divisions, the front edge stamped ‘James Winter 101 Wardour St’, the panelled body with ribbed front corners, on lion’s paw feet and sunken brass castors 49.5cm high, 86cm wide, 52.5cm deep

£300­500

494 A GEORGE IV GONCALO ALVES JARDINIÈRE TABLE ATTRIBUTED TO GILLOWS, C.1825­30 the top with a nulled edge and with a maroon leather lined cover, revealing a lift­out painted metal liner with a mesh cover, the ends with turned triple columns united by turned stretchers, on brass sabot and castors 75.7cm high, 61.5cm wide, 41.7cm deep

£500­800

205

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λ 495 A GEORGE IV MAHOGANY WARDROBE ATTRIBUTED TO GILLOWS, C.1830 the moulded detachable cornice above a pair of crossbanded and panelled doors, fitted with a rosewood ribbed mushroom handle, the interior with a brass hanging rail, the base with a pair of drawers fitted with original gilt brass handles 196.4cm high, 157cm wide, 54.5cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£400­600

496 A LATE REGENCY SIMULATED ROSEWOOD DESK CHAIR EARLY 19TH CENTURY later upholstered in brown suede, on turned front legs and brass castors

£500­800

497 A SET OF FOUR REGENCY OAK SIDE CHAIRS IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY each boldly carved with scrolls and leaves and anthemion motifs, with a stuffed over seat covered in silk damask, on leaf carved tapering front legs (4)

£600­1,000

206

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498 A PAIR OF GEORGE IV MAHOGANY BERGÈRE LIBRARY ARMCHAIRS C.1830 each with a cane back, sides and seat, with scroll arms and downswept supports terminating in a tablet panel, above rondel headed turned tapering front legs and brass caps and castors, each with two brown leather cushions, one rail stamped ‘E’ (2)

£3,000­5,000

207

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499 A LATE REGENCY MAHOGANY SOFA TABLE C.1815­20 the drop­leaf top with satinwood banding, above a pair of frieze drawers with false fronts to the reverse, on trestle ends and brass caps and castors 71.4cm high, 71 x 188.5cm (open)

£300­500

λ 500 A REGENCY ROSEWOOD AND BRASS INLAID WORK TABLE EARLY 19TH CENTURY inlaid with stringing, the hinged lid revealing a vacant silk lined interior, on hipped tripod supports and brass lion’s paw sabot and castors 72.5cm high, 49cm wide Provenance By repute, the Earl of Yarborough, Brocklesby Park.

£600­800

501 TWO SIMILAR SMALL MAHOGANY PEMBROKE TABLES EARLY 19TH CENTURY each with a drop­leaf top, above a frieze drawer, on turned legs, one with brass castors, the other with a false front to reverse (2) 73.5cm high, 44.2cm wide, 54.6cm deep

£300­500

208

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502 A REGENCY EBONISED AND PARCEL GILT OCCASIONAL TABLE EARLY 19TH CENTURY the octagonal mottled marble top with a gilt brass pierced Gothic style gallery, on a lappet carved stem and triform base, with ribbed scroll feet 71.5cm high, 49cm wide Provenance Christie’s, The Edwards James Collection, West Dean Park, 2nd, 3rd and 6th June 1986, lot 393.

£2,000­3,000

λ 503 A REGENCY ROSEWOOD TRIPOD OCCASIONAL TABLE EARLY 19TH CENTURY with brass mounts and stringing, the octagonal crossbanded top with goncalo alves banding, above a fluted stem, with stiff leaf decoration, on scroll feet 74.5cm high, 56.5cm wide

£500­700

209

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504 A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY the later rectangular plate flanked by a pair of fluted Corinthian capitals and with a verre églomisé frieze painted with a basket of flowers 94 x 54cm Provenance From the Estate of the late Barbara Humble, Bradford­on­Avon.

£300­500 505 A GILTWOOD AND COMPOSITION WALL MIRROR IN REGENCY STYLE, LATE 19TH / EARLY 20TH CENTURY the rectangular bevelled plate within a beaded slip, flanked by reeded columns with stiff leaf capitals, the frieze with an ebonised ground applied with laurel leaves 107.4 x 82.8cm Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£300­400 506 A GEORGE IV GILTWOOD OVERMANTEL MIRROR C.1825­30 504

the rectangular plate flanked by a pair of stylised cluster columns with leaves, with later ebonised ball frieze 69.7 x 112cm

£200­300

505

210

506

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507 A SET OF FOUR REGENCY GILTWOOD AND BRASS WALL APPLIQUÉS EARLY 19TH CENTURY each with three lights and scroll branches applied with paterae, with a ribbed and leaf carved backplate and an eagle surmount, hung with chains and balls (4) 92cm high, 40.3cm wide

£3,000­5,000

508 A LARGE REGENCY GILTOOD CONVEX MIRROR EARLY 19TH CENTURY AND LATER the circular plate within an ebonised reeded slip, with a ball decorated frame, re­gilt 87.5cm diameter

£1,000­1,500

211

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509

510 511 509 A NEAR PAIR OF JAPANNED PAPIER-MÂCHÉ WINE COASTERS FIRST HALF 19TH CENTURY gilt decorated with flowers and leaves 14cm diameter (max) (2)

£100­150 510 THREE REGENCY BLACK JAPANNED TÔLE TRAYS EARLY 19TH CENTURY each pierced with handgrips, one decorated with leaves and flowers, one with a shepherd and two sheep the third of a man shooting game in undergrowth (3) 55 x75.8cm (max) Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£200­300 511 A REGENCY BLACK JAPANNED GAMES BOX EARLY 19TH CENTURY of canted rectangular form, gilt decorated with raised chinoiserie, the interior with divisions for playing cards and other games 27cm wide, 22.7cm deep Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£100­150 512 A BLACK LACQUER AND PARCEL GILT TORCHÈRE IN REGENCY STYLE the shaped top painted with a leaf patera, on a turned baluster and ribbed stem, on a tripod base 87.7cm high, 43.5cm wide

£300­400 212

512

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513 A REGENCY PAINTED AND EBONISED OCCASIONAL TABLE EARLY 19TH CENTURY the circular fixed top painted with a fan, on an ivy ground, within a flower leaf outer border, above a baluster turned stem decorated with jewelled swags of flowers, on a conforming tripod base, the block stamped ‘05778’ 69.3cm high, 40cm diameter

£200­300

514 A REGENCY PAPIER-MÂCHÉ TRAY TABLE EARLY 19TH CENTURY AND LATER black japanned, painted in red, gilt and green, with a central urn, ho­ho birds, scrolling leaves and butterflies, later mounted on a faux­bamboo base, with a plate glass top 47.3cm high, 62.5cm wide, 51.5cm deep

£400­600

515 A REGENCY BLACK LACQUER PAPIER-MÂCHÉ TRAY EARLY 19TH CENTURY decorated in gilt and red with a chinoiserie scene of figures, pagodas and trees in a watery landscape within a grapevine border, the gallery pierced with a pair of handgrips 51 x 76cm

£200­300

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516 A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA C.1810 each with an Egyptian style female figure supporting scrolling branches with three lights, on a black marble cylindrical plinth hung with chains (2) 51.7cm high, 20cm wide

£800­1,200 517 A PAIR OF REGENCY GILT AND PATINATED BRONZE CANDLESTICKS IN THE MANNER OF GEORGE SMITH, EARLY 19TH CENTURY each with detachable drip­pans above a Roman style flaming oil lamp and a baluster stem applied with masks and leaves, on lion’s paw feet (2) 21.7cm high Literature See George Smith, A Collection of Designs for Household Furniture and Interior Decoration, 1808 pp.321 & 323 for designs that possibly inspired the present lot.

£400­600 518 A REGENCY GILT AND PATINATED BRONZE INKSTAND EARLY 19TH CENTURY

516

decorated with applied classical masks, with a pair of vases as inkwells with screw­off covers, a lidded sarcophagus and two pen holders, on paw feet 12.9cm high, 21cm wide

£400­600

517

214

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519 A PAIR OF REGENCY PLASTER TORCHÈRE FIGURES OF BACCHUS AND FLORA IN THE MANNER OF HUMPHREY HOPPER, EARLY 19TH CENTURY AND LATER possibly after the bronze model by Pierre Garnier Bacchus, draped with a lion’s pelt and holding a gilt brass wine cup, Flora standing beside a tree stump holding an ewer, each supporting a frosted glass storm lantern shade, mounted in gilt bronze bases, on modern painted wood plinths (8) the figures: 92.3cm high, overall: 218cm high

£2,000­3,000

520 A PAIR OF REGENCY EBONISED PLASTER FIGURAL CANDLESTICKS IN THE MANNER OF HUMPHREY HOPPER, EARLY 19TH CENTURY modelled as classical maidens, one with a cornucopia of fruit, the other a bunch of tied staffs with an axe head, each holding an ormolu torch shape candle sconce, mounted on circular marble bases (2) 26.3cm high

£500­800

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521 A PAIR OF WILLIAM IV GILT BRASS CANDLESTICKS C.1830­40 in French Rococo style, decorated with leaves, scrolls and rocaille (2) 18.5cm high

£150­250 522 A PAIR OF POLISHED BRONZE CANDLESTICKS 19TH CENTURY 521

each decorated with ram’s heads, above a grapevine stem, the base with three lions (2) 31.8cm high, 12.3cm wide

£100­150 523 A REGENCY SPODE PORCELAIN URN SHAPED VASE TABLE LAMP EARLY 19TH CENTURY AND LATER the body painted with Egyptian motifs and a band of oak leaves and acorns, later mounted on a giltwood base, with shade 19.5cm high

£150­250 524 A PAIR OF CUT GLASS TABLE LUSTRES 19TH CENTURY each with two tiers hung with faceted pear shapes, with gilt brass nozzles and a baluster stem and scalloped edge bases, together with a large cut glass twin­light table lustre (3) the pair: 25.4cm high, single: 42.3cm high Provenance From the family collections of Captain George Lionel Jameson OBE (1880­1961) and by descent.

£300­500 522

216

523

524

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525

526

525 A REGENCY GILT BRONZE TABLE LAMP IN THE MANNER OF GEORGE BULLOCK, EARLY 19TH CENTURY with a cluster column stem above a triform base applied with bearded male masks, with scrolled volutes and hairy paw feet 36.4cm high, 19cm wide

£200­300 526 A REGENCY PATINATED BRONZE GOTHIC REVIVAL LAMP BASE IN THE MANNER OF JEFFRY WYATVILLE, EARLY 19TH CENTURY each side with a niche with a classical maiden figure 48.3cm high, 16.2cm wide

£200­300 527 A WILLIAM IV GILT AND PATINATED BRONZE COLUMN TABLE LAMP C.1830 with an Ionic capital above a fluted tapering stem, on a stepped plinth base decorated with lappet scrolls 52.7cm high

£500­700

527 217

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528 A SET OF FOUR GILTWOOD AND MIRRORED WALL APPLIQUÉS IN GEORGE III STYLE, EARLY TO MID­20TH CENTURY each with an urn surmount, above husks and a faceted glass stem, with twin lights and a foliate pendant base, the back with a printed trade label, inscribed ‘J.W. Morris 17 Berners Street London W.’ with inscriptions in pencil, together with two watercolours depicting the present lot in situ at Raheny Park, Raheny, Dublin, Ireland (4) 118.3cm high, 27.3cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£500­800

218

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529 A LARGE IRISH CUT-GLASS AND ORMOLU FLUSH CEILING LIGHT FITTING with a grapevine collar above a fluted and cut­glass shade, with a leaf and cone pendant, with eight lights 22cm high, 64cm diameter

£1,500­2,000

530 A FROSTED GLASS HALL LANTERN IN REGENCY STYLE with gilt brass bird head mounts and leaf collar, with a ‘U’ shape body etched with a grapevine, the clear glass top hung with chains, above a single light fitting 95cm high (approx.), 30.5cm diameter

£300­500

219

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531 A PAIR OF REGENCY PAINTED TÔLE GLASS COOLERS EARLY 19TH CENTURY each parcel gilt on a blue ground, with ‘Chinese Chippendale’ style lattice decoration, with a pair of open handles (2) 10.3cm high, 31cm wide

£400­600

532 A REGENCY RED JAPANNED TÔLE TEA CANISTER LAMP EARLY 19TH CENTURY decorated in gilt with chinoiserie scenes, with figures, birds and buildings, on a later giltwood base 43.8cm high

£400­600

533 A REGENCY PAPIER-MÂCHÉ BUCKET EARLY 19TH CENTURY painted to simulate wood, with an iron swing handle, the underside stamped indistinctly together with a similar tub, with iron loop handles (2) 37.6cm high, 44.5cm wide (max)

£150­250

220

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534 A REGENCY PAINTED PINE CHEST EARLY 19TH CENTURY with faux bamboo mouldings and feet, fitted with two short and two long drawers 93.5cm high, 92.7cm wide, 45.5cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£500­800

535 A SET OF SIX REGENCY PAINTED ASH FAUX BAMBOO SIDE CHAIRS EARLY 19TH CENTURY the top rails painted in blue with scrolling leaves, above a spindle back and a rush seat (6) Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­500

221

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536 A PAINTED TERRACOTTA TOBACCO BOX AND COVER IN REGENCY STYLE with gilt highlights, the lid decorated with rosettes, the body with a classical urn and with Venus riding a dolphin, with lion masks, on scroll feet 25.5cm high, 16cm wide

£150­200

537 A LATE REGENCY BIRD’S EYE MAPLE AND GILT BRASS MUSIC STAND C.1820­30 the adjustable rest in the form of a stylised bow, supported by an arrow stem, with a pair of candle sconces, on a painted cast iron triform base 160.5cm high (max), 83.5cm wide

£400­600

538 A REGENCY WHITE WOOD TUNBRIDGE WARE BASKET EARLY 19TH CENTURY of cylindrical form, painted with leaves and flowers, the lid with a turned finial and with a bentwood handle 13cm high, 15cm wide Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£150­200

222

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539 A REGENCY EMBROIDERED FELTWORK PICTURE EARLY 19TH CENTURY depicting a basket of fruit and nuts, including strawberries, grapes and walnuts, in an oval glazed giltwood box frame 41.5 x 33cm

£400­600

539

540 A REGENCY EMBROIDERED FELTWORK PICTURE EARLY 19TH CENTURY depicting a basket of fruit, including a pineapple, peaches and strawberries, in a glazed giltwood box frame 50.8 x 59.8cm

£400­600

541 A REGENCY FELTWORK PICTURE EARLY 19TH CENTURY depicting a basket of strawberries, in a glazed oval giltwood frame 35.7 x 29cm

£400­600

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542 543

542 A PAINTED WOOD CASKET SECOND HALF 19TH CENTURY decorated to simulate malachite, with brass strapwork mounts, the domed lid revealing a vacant interior 10.9cm high, 16.1cm wide

£100­150 543 A SMALL REGENCY PAINTED CAST IRON TOBACCO BOX EARLY 19TH CENTURY of canted rectangular form, the lift­off lid cast with a lion’s head mask, with traces of parcel­gilt decoration 9.3cm high, 9.4cm wide

£100­150 544 544

A PAIR OF EARLY VICTORIAN PAPIER-MÂCHÉ FACE SCREENS MID­19TH CENTURY each painted with a peacock, cockatoo and flowers, with gilt highlights, with turned and carved handles (2) 39.5 x 24.5cm

£100­150 545 A REGENCY PENWORK WORK BOX EARLY 19TH CENTURY the domed lid decorated with an abbey, with bands of leaves and flowers, the paper lined vacant interior above a base drawer (locked) 16.9cm high, 18.8cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£200­300

545 224

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546 A REGENCY PENWORK GAMES TABLE TOP EARLY 19TH CENTURY the chequerboard decorated with portraits, birds, animals, chinoiserie scenes and other motifs, within a leaf and flower border, later mounted in an ebonised low coffee table with a glass top 46.3cm high, 60.5cm square

£400­600

547 A REGENCY PENWORK STATIONERY STAND / COASTER EARLY 19TH CENTURY with twin divisions, decorated with scrolling leaves and flowers, with panels of chinoiserie with a pagoda and a boat, either end with shields inscribed with initials, on brass claw and ball feet 15.7cm high, 25.2cm wide

£150­250

λ 548 A GEORGE IV ROSEWOOD AND GILT BRASS BOOK CARRIER SECOND QUARTER 19TH CENTURY with a pierced ‘C’ scroll gallery, on leaf scroll paw cast brass feet 18.4cm high, 55.2cm wide, 23.2cm deep

£500­700

225

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549 TWO THEATRICAL TINSEL PRINT PICTURES EARLY 19TH CENTURY ‘Mr Potter as the ghost in Hamlet’ and ‘Mr Anderson as Macbeth’, both published by J. Redington, hand­coloured engravings with cut tinfoil and felt, sequins and feathers, each in a glazed bird’s eye maple frame (2) 29 x 21.6cm (max)

£200­300

λ 550 TWO TINSEL PRINT PICTURES EARLY 19TH CENTURY one of St George and the dragon and the other of St Andrew and the winged serpent, hand­ coloured engravings with cut tinfoil, sequins and coloured silks, cut and re­mounted, each in a glazed rosewood frame (2) 27.2 x 23cm (max)

£200­300

551 A PAIR OF CUT-PAPER PICTURES LATE 19TH CENTURY depicting birds in a landscape and two poachers and a dog, the verso of one with a signature ‘G. Rosati’, in later glazed satinwood frames (2) 25 x 18.5cm

£100­200

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552 A SHELLWORK PICTURE LATE 19TH CENTURY in sailor’s valentine style, depicting an urn of flowers, in a mahogany oval glazed display case, with a hinged door and a suspension ring for hanging 26.5 x 39.5cm

£150­250

λ 553 A PAIR OF EARLY VICTORIAN SHELLWORK VALENTINES C.1840 the centres of each with a needlework inscription, commemorating the marriage between Angus Livingston and Isabella Lang and the births of their four children, the box rosewood frames with silver foil divisions containing various shells and seed pods (2) 29.2 x 34.4cm

£150­250

227

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554

555

ELEVEN 'POMONA' HAND-COLOURED ENGRAVINGS OF FRUIT AFTER GEORGE BROOKSHAW (1751­1823)

FOUR 'TEMPLE OF FLORA' BOTANICAL ENGRAVINGS AFTER PHILIP REINAGLE, EARLY 19TH CENTURY

depicting, peaches, cherries, strawberries, melon, apples, figs and a pineapple, eight with tablets, inscribed 'Painted & Published as the Act directs by the Author G. Brookshaw May 1805', plates: IX, XV, XXIV, LII, LXXIV, LXXX, LXXXVII, LXXXIX and three without tablets and plate numbers, in glazed faux green tortoiseshell frames (11) 41.3 x 31cm

by Thomas Sutherland, William Stadler and James Caldwell, hand­coloured aquatints, comprising: a 'Group of Auriculas', the 'Queen Flower', 'Large Flowering Sensitive Plants', 'The Narrow­leaved Kalmia', mounted in glazed gilt frames (4) 50 x 39cm (max)

Provenance Daphne Fielding, 6th Marchioness of Bath (1904­1997) and by descent.

£800­1,200

Provenance By repute, Sharrow Hall, Ripon.

Literature Dr Robert John Thornton, 'The Temple of Flora', or 'Garden of Nature' (London, 1810­1812) These two works were published as part of Sir Robert Thornton's famous 'The Temple of Flora', described as 'the most strikingly beautiful set of flower plates ever to be printed in England' (Alan Thomas, Great Books and Book Collectors, p.144).

£800­1,200

556

557

A SET OF SIX FRENCH HERBIER SPECIMEN PICTURES LATE 19TH CENTURY

FIVE BIRD FEATHER PICTURES 19TH CENTURY

of various pressed plants, each annotated in pen with their Latin genus and date, in later glazed ebonised frames (6) 40.8 x 24.7cm

depicting various colourful birds, each in a glazed gilt frame (5) 23.5 x 19 (max)

£200­300 228

£100­200

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558 ‘THE PORTABLE DIORAMA’

BY JOHN HEAVISDE CLARK (1771­1863), C.1827 with a penwork box, the lid decorated with three figures on a terrace before an Italianate landscape, with a plaque inscribed ‘The Portable Diorama by I. Clark, Published by Samuel Leigh, 18 Strand, London, the underside with a printed label ‘Directions for Displaying the Views in the Portable Diorama’ and a Milliken Bookseller’s Dublin label, containing a volume of ‘Clark’s Amateur’s Assistant or Instructions in Sketching from Nature, Drawing, Tinting, Transparent Painting & c. & c.’ and twelve hand­coloured aquatint prints of skies, Italianate lake and Grand Tour views (13) 13.5cm high, 33.3cm wide, 25.7cm deep

£400­600

558

559 SEVEN HAND COLOURED ENGRAVINGS LATE 18TH / EARLY 19TH CENTURY comprising: two stipple engravings after Barker of Bath, ‘Labour and Health’

by Francesco Bartolozzi and ‘The Woodman’ by Thomas Gaugain, ‘The Furze Cutter’ after Joseph Barney, a coloured mezzotint ‘Mr Bannister Jnr and Mr Parsons’ after Samuel de Wilde, a farmyard scene after George Morland, laid down on canvas, ‘A View of Trajan’s Pillar at Rome’ after Piranesi and ‘The Southwark Iron Bridge’ published by Whittle & Laurie, all in glazed frames, six giltwood and gesso, one Hogarth style (7) 56.5 x 59cm (max)

£300­500

559 part

560

561

A VICTORIAN ALABASTER OPTICAL ‘PEEP EGG’ VIEWER C.1850­60

TWO WHITE GLASS PASTE PORTRAIT RELIEF BUSTS IN THE MANNER OF JAMES TASSIE (SCOTTISH 1735­1799)

with painted floral decoration, the top with a glass lense with rotating views of the Crystal Palace, ‘Dover from the Deal Road’ and possibly the Houses of Parliament, together with a similar example (lacking lense) (2) 10.6cm high (max)

probably depicting Baron Kreeft and another member of his family, possibly his son, each signed with a ‘T’, in glazed ebonised pearwood moulded oval frames, the back inscribed with family notes on ancestry (2) 9x 5.5cm

Provenance ‘A Lifetime of Collecting’ - The Property of a Gentleman.

£200­300

£80­120

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562 A GEORGE III MAHOGANY KNIFE BOX C.1800­10 with kingwood banding, the hinged sloping lid revealing a matrix with thirty­seven divisions, inlaid with stringing and a parquetry star 36.7cm high, 22.7cm wide, 27.3cm deep

£100­200

563 A GEORGE III TEA CHEST C.1800 with kingwood banding and possibly partridgewood veneers, the hinged lid with a gilt brass handle, the interior fitted with a pair of part hinged lidded canisters flanking a sugar bowl aperture 15.5cm high. 30.7cm wide, 15.5cm deep

£100­150

564 A REGENCY BURR YEW BOOK CARRIER EARLY 19TH CENTURY inlaid with boxwood stringing and fitted with two short and one long drawers, with pink paper lining and turned bone handles 33.7cm high, 39.2cm wide, 24.5cm deep Provenance The Chute Family, The Vyne, Sherborne St. John, Basingstoke.

£300­500

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565 A GERMAN FRUITWOOD NOVELTY BARREL TEA CADDY C.1800 with reeded ebonised strap bands, with a carved tap and on an integral stand, with traces of green painted decoration, with a steel escutcheon, the hinged lid revealing a foil lined interior 13.9cm high, 17.2cm wide

£600­800

566 A BIRD’S EYE MAPLE WRITING SLOPE 19TH CENTURY decorated with parquetry stars and with kingwood and stained fruitwood feather banding, with ebony corners, the interior with a later lined slope, with five conforming lidded compartments with bone handles 13.8cm high, 40.3cm wide, 23.3cm deep

£150­250

567 A GEORGE IV BURR ELM TEA CADDY C.1825 of sarcophagus shape, the interior with twin divisions and with a printed paper label, inscribed ‘62. Windsor Castle, the East Terrace’, on disc feet 24.6cm high, 22.5cm wide, 16cm deep

£400­600

231

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568 FIVE BRASS AND BRONZE GOTHIC REVIVAL SPILL VASES / BOTTLE HOLDERS FIRST HALF 19TH CENTURY gilt and patinated, with pierced decoration, one with a cut­glass bottle and stopper (6) 15cm high, 12.8cm diameter (max)

£200­300

569 A NOVELTY GILT BRONZE INKSTAND LATE 19TH / EARLY 20TH CENTURY naturalistically modelled as a nest, with two birds feeding their chicks, with a pen rest, the lid revealing a lift­out glass inkwell 15.5cm high, 15cm wide

£250­350

570 A VICTORIAN GILT BRONZE POSY HOLDER C.1860 modelled with a monkey sat on the back of a crocodile, supporting a cranberry glass trumpet vase (2) 22.7cm high, 20.7cm long

£250­350

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GRAND TOUR & SCULPTURE

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571 AN ITALIAN GIALLO ANTICO GRAND TOUR MODEL OF A ROMAN BATH EARLY TO MID 19TH CENTURY on lion’s paw feet and a black marble base 6.6cm high, 20.8cm wide

£300­500

572 AN ITALIAN GRAND TOUR MODEL OF AN OBELISK 19TH CENTURY of mottled amber and white alabaster, with a stepped base 44.4cm high

£200­300

573 A COLLECTION OF TEN MARBLE SPHERES 10cm diameter (10)

£150­200

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574 A FRENCH BRONZE GRAND TOUR FIGURE OF ARROTINO AFTER THE ANTIQUE, MID­19TH CENTURY the Scythian knife sharpener depicted kneeling before his stone, the base signed ‘Sauvage’ and inscribed ‘r tion’ 22.8cm high, 21cm wide

£300­400

575 AN ITALIAN BRONZE GRAND TOUR FIGURE OF ADONIS AFTER THE ANTIQUE, 19TH CENTURY on a circular base 35.8cm high

£300­500

576 A BRONZE GRAND TOUR MODEL OF THE ALBANI VASE AFTER THE ANTIQUE, MID­19TH CENTURY 19.4cm high, 32cm wide

£300­500

235

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577 A PAIR OF BRONZED ELECTROTYPE GRAND TOUR FIGURES LATE 19TH CENTURY of the Calypigian Venus and Ganymede with the eagle, each raised on a marble base (2) 35.2cm high (max)

£200­400

578 A DANISH TERRACOTTA GRAND TOUR FIGURE OF VENUS WITH THE APPLE AFTER BERTEL THORWALDSEN (DANISH 1770­1844),

BY IPSEN OF COPENHAGEN, 19TH CENTURY the base with impressed marks ‘F. Ipsen, Kjobenhavn Eneret 371’ 37.5cm high

£150­200

579 A FRENCH BRONZE GRAND TOUR FIGURE OF CHRONOS FIRST HALF 19TH CENTURY the bearded and winged classical figure holding a scythe, mounted on a rosso antico marble base 21cm high, 16cm wide

£200­400

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580 AN ITALIAN BRONZE GRAND TOUR LAMP IN THE MANNER OF CHIURAZZI, NAPOLI, 19TH CENTURY in the form of an athenienne, with green patination, decorated with palmettes and ram’s masks, with a triform base 79.9cm high

£500­800

581 AN ITALIAN BRONZE GRAND TOUR LAMP IN THE MANNER OF CHIURAZZI, NAPOLI, 19TH CENTURY in the form of an athenienne, the top with three storks with serpents in their beaks, supporting a detachable bowl relief decorated with Bacchanalian cherubs and satyrs, with Roman style oil lamps hung from chains, the monopodia fluted supports decorated with stag heads, garlands of fruit and flowers and with hoof feet, the centre with a classical youth, on tripod feet 68.2cm high, 28.5cm wide

£400­600

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582 A DERBYSHIRE PIETRA DURA AND ASHFORD BLACK MARBLE TABLE TOP 19TH CENTURY inlaid with various marbles and stones including: blue john, malachite and fossil stones, on a cast iron base and brass castors 71.5cm high, 53.8cm diameter

£400­600

583 A PAIR OF FRENCH GILT AND PATINATED BRONZE FIGURES OF A SATYR AND NYMPH AFTER CLODION, 19TH CENTURY each holding a cornucopia, originally bases for candelabra (2) 45cm high (max)

£300­400

584 A GILT BRONZE CLASSICAL COLUMN LAMP BASE AFTER THOMAS HOPE, 19TH CENTURY with an egg and dart rim above a reeded and leaf decorated stem and tripod feet 125.4cm high

£400­600

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585 TWO FRENCH BRONZE GRAND TOUR FIGURES OF NAKED CLASSICAL MAIDENS LATE 18TH CENTURY each seated holding a bird, on a fluted and moulded oval grey plinth base (2) 20.6cm high, 17cm wide

£1,500­2,000

586

587

A FRENCH BRONZE GRAND TOUR MODEL OF THE ARC DE TRIOMPHE LATE 19TH CENTURY

A PAIR OF ITALIAN BRONZE GRAND TOUR COUPES IN RENAISSANCE STYLE, MID­19TH CENTURY

mounted on a stone base 11.8cm high, 12.2cm wide

£150­200

each depicting the triumph of Neptune, decorated with satyrs, sea creatures, snails and lion’s masks, on an octagonal alabaster base and a conforming black marble separate plinth (2) 37.5cm high

£500­800 239

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588 A CARVED ALABASTER GROUP 'THE LOVERS'

BY ERNST SEGER (POLISH 1868­1939) with a young lady seated on a rocky outcrop with her lover kneeling before her, signed 'Prof Ernst Seger F. P.', together with a grey serpentine plinth (2) 48.6cm high, 44.5cm wide, on plinth: 53cm high, 55cm wide

£500­800

589 AN ITALIAN ALABASTER GROUP OF CUPID AND PSYCHE AFTER ANTONIO CANOVA (ITALIAN 1757­1822), 19TH CENTURY depicting the amorous Cupid embracing Psyche 29cm high, 32.5cm wide

£300­500

590 TWO ITALIAN BRONZE MODELS OF LIONS AFTER ANTONIO CANOVA (ITALIAN 1757­1822), LATE 19TH CENTURY depicting sleeping lions, on a rectangular plinth (2) 13.7cm high, 24cm wide (max)

£150­250

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591 AN ITALIAN MARBLE FIGURE OF A YOUNG GIRL WITH A BIRD’S NEST

BY NICCOLO BAZZANTI (ITALIAN 1802­1869) after ‘La filette au nid vide’ by Charles Antoine Bridan (French 1730­1805), the base signed ‘N Bazzanti Fire…’

77.2cm high Catalogue Note Niccolo Bazzanti was the son of Pietro Bazzanti who opened his art gallery on the Lungarno Corsini in 1815. Niccolo won an award in 1822 for two sketches at the Academy of Fine Arts. In 1834 he was commissioned to sculpt along with other artists a series of the ‘Illustrious Tuscan Men’ for the Uffizi Lodge.

£5,000­8,000

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592 A PATINATED PLASTER GROUP OF THE ‘LION AU SERPENT’ AFTER ANTOINE­LOUIS BARYE (FRENCH 1795­1875) signed ‘Barye’ 25.5cm high, 34.7cm wide

£400­600

593 A TERRACOTTA MODEL OF A RECUMBENT LION

BY JOHN MARRIOTT BLASHFIELD (1811­1882), MID­19TH CENTURY stamped ‘J.M. BLASHFIELD MILL ....PADDINGTON...DON’ 15.5cm high, 33.5cm long

£200­300

594 A CAST LEAD MODEL OF A PANTHER OR LIONESS POSSIBLY 18TH CENTURY the beast recumbent, on a rectangular plinth 11.5cm high, 18.6cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£100­150

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595 A FRENCH BRONZE EQUESTRIAN GROUP OF NAPOLEON AFTER COUNT ALFRED EMILIEN O’HARA VAN NIEUWERKERKE (FRENCH 1811­1892), SECOND HALF 19TH CENTURY the base inscribed ‘Nieuwerkerke.1850.’ and ‘Susse edit’ 26cm high, 22.5cm long

£1,000­1,500

596 A FRENCH BRONZE GRAND TOUR EQUESTRIAN GROUP OF NAPOLEON IN THE MANNER OF VAN NIEUWERKERKE, SECOND HALF 19TH CENTURY mounted on a rosso antico and black marble plinth 30.6cm high, 21cm wide

£300­500

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597

598

597 A FRENCH BRONZE ANIMALIER FIGURE OF A RECUMBENT ALSATIAN DOG

BY LOUIS RICHÉ (FRENCH 1877­1949) signed ‘L. Riche’, mounted on a marble base 9.2cm high, 28.2cm long

£400­600 598 A FRENCH BRONZE ANIMALIER GROUP OF BIRDS IN THE MANNER OF JULES MOIGNIEZ (FRENCH 1835­1894) naturalistically modelled, mounted on a later giltwood base 12.7cm high, 20.8cm long

£150­250 599 599 A FRENCH BRONZED ELECTROTYPE EQUESTRIAN GROUP LATE 19TH CENTURY of a horse and jockey 20.6cm high, 18.5cm wide

£200­300 600 A FRENCH BRONZE FIGURE OF A YOUNG HUNTER 19TH CENTURY possibly the infant Hercules, wearing a lion’s pelt and accompanied by his dog, raised on a marble plinth 21.5cm high

£150­200

244

600

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601 A LARGE ORIENTALIST EQUESTRIAN BRONZE OF AN ARAB AFTER ÉMILE GUILLEMIN (FRENCH 1842­1907), CAST BY BARYE FILS, EARLY 20TH CENTURY modelled with a Moorish hunter on horseback, holding a rifle, returning from the hunt with his game, the naturalistic base signed ‘Barye Fils’ 108.5cm high, 84cm long

£2,000­3,000 602 A FRENCH BRONZE FIGURE OF ‘MIREILLE’

BY HIPPOLYTE MOREAU (FRENCH 1832­ 1927) signed ‘Hip Moreau’, the base with a titled plaque, inscribed and dated ‘Salon 1894’ 45cm high

£300­500 603 A SCOTTISH PATINATED PLASTER FIGURE OF A MUSICIAN

BY DAVID WATSON STEVENSON (1842 ­1904) depicting a young lady playing the mandolin accompanied by her trusted dog, the base inscribed ‘D. W. Stevenson Sc A. R. S. A. 1880’ 101cm high, 33cm diameter

£300­500

601

602

603

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ORIENTAL FURNITURE WORKS OF ART & RUGS

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604 AN ANGLO-CHINESE HUANGHUALI DOCUMENT BOX 18TH CENTURY the hinged lid revealing a vacant interior, above a base drawer, with paktong hinges, lock and handles 23.8cm high, 56cm wide, 37.3cm deep

£400­600

605 AN ANGLO-CHINESE CAMPHORWOOD TRUNK 19TH CENTURY covered in leather, with brass edging and studded decoration, with side carrying handles, the interior with a paper label, inscribed ‘Anhoe n.5’ 32.5cm high, 77.6cm wide, 39.4cm deep

£300­500

606 A CHINESE PAINTED VELLUM TRUNK EARLY 20TH CENTURY decorated with courtly ladies in pavilions, taking tea, with pine and prunus trees, the interior with a blue silk lining, with brass handles and a lock plate 25.9cm high, 56cm wide, 38cm deep

£200­300

247

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607 A CHINESE ELM CUPBOARD LATE QING DYNASTY of panelled construction, with a pair of doors with a brass locking bar, enclosing shelves and two drawers 194.5cm high, 109cm wide, 53cm deep

£500­800

608

A CHINESE STYLE GREEN SERPENTINE KANG TABLE

BY MAITLAND­SMITH, 20TH CENTURY with pierced brackets and scroll feet 41.8cm high, 91.5cm wide, 91.3cm deep

£200­300

609 A PAIR OF JAPANESE CLOISONNÉ VASE TABLE LAMPS 19TH CENTURY each decorated with a dragon and birds amidst flowers and leaves, each mounted on a gilt brass stand (2) 37cm high

£300­500

248

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610 A CHINESE ELM CUPBOARD QING DYNASTY, LATE 18TH / EARLY 19TH CENTURY of panelled construction, with a pair of doors with a locking bar enclosing shelves and two drawers 170cm high, 91cm wide, 47cm deep

£2,000­3,000

611 A CHINESE PADOUK KANG TABLE QING DYNASTY with applied brass mounts, the panelled top above a shaped frieze, on scroll legs 20cm high, 81.5 x 81.5cm

£400­600

612 A PAIR OF CHINESE PORCELAIN SANG DE BOEUF VASE TABLE LAMPS LATE 19TH CENTURY with twin lights, each with a silk shade and a carved hardwood base (2) the vases: 21cm high

£800­1,200

249

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613 TWO CHINESE BLACK LACQUER SCREENS IN COROMANDEL STYLE, FIRST HALF 20TH CENTURY each gilt and polychrome decorated with courtly ladies in various pursuits, in watery landscapes with pavilions, animals and birds, with auspicious scholarly symbols, the back decorated with water birds and foliage, on brass feet, one of six panels, the other of eight panels, originally folding, hinges present but majority of pins missing (2) 213.7 x 40.3cm each panel for the six fold and 213.2 x 40.5 each panel for the eight fold

£500­1,000

614 A CHINESE EMROIDERED SILKWORK PICTURE LATE 19TH CENTURY worked in various colours with birds amidst flowers and foliage, comprising: three panels which have been mounted on later frames, signed (3) 226.3 x 51.7cm for the two end panels and 226.3 x 70.7cm for the central panel

£500­700

250

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615 A PAIR OF CHINESE LACQUER CABINETS 17TH / 18TH CENTURY decorated in raised gilt, with panels of scaly dragons chasing pearls, with mountainous watery landscapes, with immortals, with a pair of hinged doors with an engraved bronze lock plate, revealing an interior fitted with two shelves, the sides painted with panels of stylised lotus and dragons (2) 141.8cm high, 95.8cm wide, 41.8cm deep

£5,000­8,000

251

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616 A CHINESE BLACK LACQUER DRAGON BOAT TIME KEEPER 19TH CENTURY gilt decorated, the interior with metal cradles for incense, on disc castors 17cm high, 63.5cm long

£150­200

617

618

A BAMBOO AND RATTAN TEA BASKET POSSIBLY CHINESE OR INDIAN, 19TH CENTURY

TWO SIMILAR CHINESE STAINED PINE CUPBOARDS 20TH CENTURY

of trumpet form, mounted on a later stand 94cm high, 53.5cm diameter

£200­300

decorated in ink with panels of birds, vases of flowers and bamboo, one with a pair of panelled doors enclosing an interior with a shelf and two drawers, the other with a pair of drawers above a cupboard (2) 116cm high, 100cm wide, 56cm deep

£250­350

252

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619 A CHINESE SCHOOL GOUACHE PAINTING LATE 18TH / EARLY 19TH CENTURY depicting a courtier seated on a bench with a jar and scroll in a pavilion, waiting for his female companion, with a pair of exotic birds, in a later glazed silvered frame 48 x 37.2cm Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£200­300

620 A CHINESE EXPORT BLACK LACQUER TABLE CABINET EARLY 19TH CENTURY decorated in gilt with panels of figures and buildings, with a pair of doors with raised oval panels enclosing five drawers with turned bone handles, on bracket feet 40.5cm high, 32.7cm wide, 17.5cm deep

£300­500

621 TWO CHINESE PORCELAIN VASES 19TH CENTURY one with a tea dust glaze, the other with a yellow monochrome glaze, each with a wooden base and drilled for use as lamps (4) 35cm high (max)

£400­600

253

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622 A CHINESE PORCELAIN CELADON GLAZED VASE TABLE LAMP PROBABLY LATE 19TH CENTURY with moulded decoration, the neck with stiff leaves, the body with scrolling leaves and flowers, with bird’s head handles with rings, on a hardwood base 37cm high

£400­600 623 A CHINESE CLOISONNÉ VASE TABLE LAMP with fish scale decoration and later mounted on a giltwood base, with a silk shade 28cm high

£150­250 624 A CHINESE PORCELAIN WHITE GLAZED VASE TABLE LAMP LATE 19TH CENTURY with gilt brass mounts and base, together with a green glazed pottery vase table lamp (2) 37cm high (max)

622

623

254

£100­200

624

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625

A PAIR OF REPOUSSÉ PARCEL-GILT SILVER DOOR FRAGMENTS

POSSIBLY LUCKNOW, NORTH INDIA, 18TH / 19TH CENTURY the decoration consisting of a fish with a curved body and raised tail in the centre and lush floral sprays in the background, each mounted on a fossil marble slab, with Perspex bases (4) 28.5 x 46cm, with stand and slabs: 44.5 x 48.5cm (max)

£500­800

626 A PAIR OF TURKISH BRASS CANDLESTICKS OTTOMAN, LATE 18TH / EARLY 19TH CENTURY each with a turned stem, a drip­pan and a domed foot (2) 54.8cm high, 22.7cm diameter

£400­600

627

λ 628

THREE EGYPTIAN GRAND TOUR GILT METAL MODELS OF PYRAMIDS EARLY 20TH CENTURY

A 19TH CENTURY ANGLO-INDIAN ROSEWOOD DAVENPORT BOMBAY, C.1870­80

graduated and decorated with typical motifs, including: sphinx, figures and various gods (3) 5cm (max)

all over relief carved with scrolling leaves and flowers, with birds and beasts, the pierced and shaped raised back fitted with four drawers flanking a pigeonhole, above a hinged sloping writing surface enclosing two drawers, the right side with a pen and ink compartment, above a hinged door enclosing four drawers with sunken brass handles, with bird front supports and elephant head feet 124cm high, 75cm wide, 69.5cm deep

£100­200

£300­500

255

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629

630

AN ISFAHAN RUG CENTRAL PERSIA, EARLY 20TH CENTURY

A NORTH WEST PERSIAN RUG POSSIBLY SENNEH, FIRST HALF OF 20TH CENTURY

193.5 x 141cm

205.5 x 138.5cm

£150­250

£150­250

631 TWO MODERN CAUCASIAN STYLE RUGS 20TH CENTURY one with a perepedil design, together with a Senneh rug (3) 213 x 133cm, 164.5 x 107.5cm and 203 x 144cm

£100­150 256

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632 A KARABAGH KELLEH SOUTH CAUCASUS, LATE 19TH CENTURY with an all over minakhani design 513 x 220cm

£500­800

632 633 A KHAMSEH RUG SOUTH WEST PERSIA, LATE 19TH / EARLY 20TH CENTURY 277 x 189cm

£400­600 257

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634 634

635

A PAIR OF NORTH WEST PERSIAN RUGS 20TH CENTURY

A MODERN AFGHAN RUNNER 422 x 83cm

one Turkish and one Persian (2) 180 x 126cm and 151 x 98cm

£80­120

each finely woven with a herati field, one probably chemically washed (2) 195 x 151.5cm

£80­120

£200­300

635 258

636 TWO KELIM RUGS 20TH CENTURY

636

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GARDEN FURNITURE NATURAL HISTORY & MARITIME

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637

637 A BRASS ADJUSTABLE CLUB FENDER FIRST HALF 20TH CENTURY with maroon leather seats and with railed supports 47.2cm high, 172cm wide, 42.5cm deep

£300­500

638 A PAIR OF BLACK PAINTED WROUGHT IRON WALL BRACKETS PROBABLY SOUTH GERMAN, 18TH / 19TH CENTURY

638

with scroll, leaf and flowerhead decoration, with a dragon head terminal (2) 180cm high, 73.5cm wide Provenance By repute, Sotheby’s Hadspen House Sale, 29th-31st May 1996.

£300­500

639 A GEORGE III BRASS SERPENTINE FENDER LATE 18TH CENTURY with pierced and engraved scrolling leaf decoration 17.3cm high, 106.8cm wide, 20.7cm deep

£400­600

639

260

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640 A VICTORIAN CAST IRON FERN AND BLACKBERRY GARDEN BENCH ATTRIBUTED TO COALBROOKDALE, C.1870­75 with a later wooden slatted seat 92.2cm high, 150.5cm wide, 56cm deep

£800­1,200

641 A PAIR OF TEAK GARDEN BENCHES BY CHARLES VEREY AFTER A DESIGN BY SIR EDWIN LUTYENS LATE 20TH CENTURY each with a metal trade label (2) 104.3cm high, 199cm wide, 54.3cm deep

£500­800

642 A WHITE PAINTED CAST IRON GARDEN BENCH AFTER A DESIGN BY THE CARRON FOUNDRY, LATE 19TH / EARLY 20TH CENTURY the serpentine top rail decorated with scrolling foliage, a bove a pierced hoop back, a pierced seat and on scroll legs 88.7cm high, 110.5cm wide, 47cm deep

£300­500

261

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643 A VICTORIAN PAINTED CAST IRON UMBRELLA / STICKSTAND IN THE MANNER OF COALBROOKDALE, C.1850­60 with five divisions, decorated with scrolling foliage and shells, with twin shell shape lift­out trays, stamped three times with a registration lozenge 59.8cm high, 66cm wide, 30.5cm deep

£200­300 644 A VICTORIAN STONEWARE TREE TRUNK STICKSTAND

BY J. H. SANKEY & SON

643

naturalistically moulded, the rim with impressed marks ‘J. H. Sankey & Son, Canning Town, E.’ 62.6cm high, 27.5cm wide

£150­250 645 A PAIR OF PAINTED CANVAS ARTILLARY SHELL STICKSTANDS LATE 19TH / EARLY 20TH CENTURY each shell emblazoned with the Royal Coat of Arms and the letter ‘N’ (2) 50.7cm high, 31cm wide

£200­300 646 A RED CANVAS ARTILLERY CASE LATE 19TH CENTURY decorated with the Royal Coat of Arms, the hinged lid with a worn garter and leather straps, the vacant interior with a paper label, inscribed ‘B. B. Brooke’ 34.1cm high, 89cm wide, 28cm deep

£100­200

644

646 645 262

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648

647

647 A VICTORIAN CAST IRON HARE DOORSTOP SECOND HALF 19TH CENTURY black painted, with a leaf handle and a registration lozenge 39.3cm high

£100­150 648 A MATCHED PAIR OF BRASS LION’S PAW DOORSTOPS 19TH CENTURY each with a foliate handle and stem, the paw with hairy ankles and a weighted base, stamped ‘6630’ and ‘J...Co’ (2) 37.5cm high

£200­300 649 A BRASS FOX’S HEAD DOORSTOP

BY PEERAGE, EARLY 20TH CENTURY the handle in the form of a riding whip, with a cast iron weighted base, stamped ‘Peerage England 19476’ 45.3cm high

649

£200­300 650 A PAINTED CAST IRON FOX HEAD DOORSTOP 19TH CENTURY 14.3cm high, 16cm deep

£100­200

650

263

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651

652

651 A VICTORIAN BRASS BASKET DOORSTOP SECOND HALF 19TH CENTURY the handle and stem wrapped with wheat sheaves, the basket full of fruit and flowers, lead weighted (part missing) 37cm high

£100­150 652 A BRASS DOORSTOP IN REGENCY STYLE EARLY 20TH CENTURY with a lappet and scroll handle and stem above a pair of griffins, the base lead weighted and stamped ‘Beardmore London’ 44.5cm high

£100­200 653 A PAIR OF VICTORIAN CARVED OAK MODELS OF HERALDIC GREYHOUNDS LATE 19TH CENTURY each seated holding a stylised coat of arms (2) 43.7cm high, 15.8cm wide

£300­500 653

264

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654 A CARVED WOOD MUSHROOM DIORAMA the naturalistic setting with fallen branches, applied with various varieties of fungi, in a glazed ebonised wood display case 50cm high, 45.7cm wide, 25cm deep

£400­600

655 A TAXIDERMY BEE HONEYCOMB DIORAMA LATE 19TH / EARLY 20TH CENTURY in an ebonised glazed box frame, the reverse with the remains of a printed trade label for ‘Robert Dunthorne, The Rembrandt Head Gallery, 5 Vigo Street, London, W. & Castle Street, Liverpool’ 25 x 25cm

£200­300

656 TWO CORAL AND SHELL SPECIMEN GROUPS each on a gilt brass circular base with tripod feet (2) 40.3cm high (max)

£300­500

265

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657 658

657 A LARGE HALF CLAM SHELL (TRIDACNA), PROBABLY LATE 19TH / EARLY 20TH CENTURY 52.5cm wide

£300­500 658 A SPANISH GLASS BALL SEASHELL DIORAMA MODERN the globular jar containing various shells and corals, the lid encrusted with shells 32.3cm high

659

£200­400 659 A LARGE MELO SEASNAIL SHELL relief carved with dragons 39.3cm

£200­400 660 SIX SEA SPONGE SPECIMENS PHLUM PORIFERA 26cm (max) (6)

£100­200

660 266

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661 AN ITALIAN GILTWOOD SEASHELL AND CORAL DIORAMA POSSIBLY NEAPOLITAN OR SICILIAN, LATE 19TH CENTURY the naturalistic seabed interior arranged with various coral specimens and applied with carved bone fish, the case decorated with mirror panels and moulded bands, the front with an arrangement of various shells, later fitted with lighting 59cm high, 40.5cm wide

£800­1,200

662 A PART COCO DE MER LODOICEA MALDIVICA mounted on an ebonised circular board with a reeded edge, titled ‘Lodoiccea Maldivica’, the reverse with an engraving after de Seve of a Coco de mer tree ‘Famille des Palmiers’. with a brass suspension ring 30.7cm high overall, the coco de mer: 19.5 x 21.5cm

£100­150

663 AN ITALIAN GILTWOOD SEASHELL AND CORAL DIORAMA POSSIBLY NEAPOLITAN OR SICILIAN, LATE 19TH CENTURY the naturalistic seabed interior arranged with various coral specimens and applied with carved bone fish, the case decorated with mirror panels and moulded bands, the front with an arrangement of various shells, later fitted with lighting 54.5cm high, 34cm wide

£800­1,200

267

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664 TAXIDERMY. A LATE VICTORIAN PRESERVED ROACH

BY J. COOPER & SONS in a naturalistic setting, with a printed trade label, inscribed ‘Preserved by J. Cooper & Sons 28, Radnor Street, S Luke’s London, E. C’, in an ebonised and gilt glazed bowfront case, inscribed ‘Taken at Richmond, by C A Martin, March 2nd 1899’ and ‘Wgt 1lb 7ozs’ 29.3cm high, 46.2cm wide, 13cm deep

£300­500

665

666

19TH CENTURY

A CASE OF MEDICAL MICROSCOPE SLIDES LATE 19TH / EARLY 20TH CENTURY

A WROUGHT IRON EEL SPEAR with three serrated prongs 55.2cm long

£100­150

the hinged lid and front revealing six trays, each containing six slides, the majority with handwritten labels, together with two cardboard boxes of slides, one are blank (3) 20.5cm (max)

£100­200 268

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667 A VICTORIAN MINERAL COLLECTION ARRANGED BY MR TENNANT, C.1860­70 comprising: approximately one hundred and eighty specimens, including: minerals such as quartz, jasper and garnet; metals, including antimony, zinc and copper, rocks and fossils, each numbered specimen contained in a card tray (some double) and contained in five mahogany lift­out trays within a mahogany case, the underside of the lid with a printed label, inscribed ‘Mr. Tennant, Mineralogist by Appointment to her Majesty, 149, Strand, London’ with a price list for various sizes of cabinets, with list of approximate contents 18.5cm high, 36.7cm wide, 25.5cm deep Catalogue Note James Tennant (1808-1881)

£300­500

668

669

TWO MOROCCAN POLISHED FOSSIL STONE / MARBLE PLATTERS 20TH CENTURY

A NATIVE AMERICAN WHALE VERTEBRAE DESK STAND LATE 19TH CENTURY

one octagonal, the other circular (2) 32.5cm (max)

with a hook to hand a watch and two bone quill holders, inset with two plaques, one decorated with a bone star flanked by two ‘stars and stripes flags’, within a laurel wreath, the other of stylised heart shape, scrimshaw decorated with an urn of flowers, a barrel and leaves 14.7cm high, 31.5cm wide

£100­150

£200­300 269

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670 671

670

673

C.1870­80

A MAHOGANY APOTHECARY’S CABINET EARLY 19TH CENTURY

A VICTORIAN MAHOGANY COLLECTOR’S CABINET of thirty numbered drawers with glazed lids, with turned wood knob handles and an arched glazed door 129.8cm high, 69cm wide, 47cm deep

£300­400 671

the top with a military style brass sunken handle, above a pair of hinged doors, containing glass bottles, the interior with further bottles, above a drawer fitted with scales and jars 22.7cm high, 20cm wide, 16.5cm deep

£100­150

A MAHOGANY COLLECTOR’S CABINET 19TH CENTURY AND LATER of twelve drawers, with glazed lids and turned wood knob handles, the side with a locking pilaster 104.8cm high, 66cm wide, 45.6cm deep

£200­300 672 A CONTINENTAL WALNUT AND BRASS HANGING DISPLAY CABINET LATE 19TH / EARLY 20TH CENTURY inlaid with paterae and with bead mouldings, the shaped top above a hinged glazed door enclosing three fabric lined shelves 152cm high, 41.4cm wide, 12.5cm deep

£300­500

673 270

672

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674 A TUNBRIDGE WARE MARQUETRY SHIP PICTURE C.1870 inlaid with various woods, depicting the battleship H.M.S. Northumberland accompanied by other vessels before a lighthouse, titled, in an ebonised moulded frame 38.2 x 64cm Catalogue Note H.M.S. Northumberland was a Minotaur class armoured frigate, launched in 1866.

£300­500

675 A WHITE STAR LINE TARTAN DECK BLANKET C.1920­40 embroidered with the ‘White Star Line’ logo to one corner 154cm square

£100­150

675 676 A MARITIME SHIP MODEL IN A LIGHTHOUSE BULB FIRST HALF 20TH CENTURY the bulb marked ‘Mazda, Gas Filled, B.T.H. Patent, 58 Made in England’, with a three masted ship, mounted on a wooden base, inscribed ‘Pendeen’ 19.8cm high, 14.5cm wide

£150­250

676 271

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678

677

677 A WOODEN MODEL OF A SAILING BOAT 20TH CENTURY with a pinned hull and a cotton sail, on a white painted stand 69.5cm high, 54.5cm long

£100­150 678 A WOOLWORK PICTURE OF A BI-PLANE C.1922 worked by driver, W. Waite, at Woodlands Hospital, Southport, 1922, depicting a World War I fighter plane, possibly and Sopwith Camel, in an ebonised glazed frame, together with a silkwork postcard of World War I interest, depicting a French fighter plane with two figures dropping flowers over Paris, dated 9th October 1917, the card printed by Paul Heckscher, Paris (2) 18.6 x 24.5cm

679

£100­150 679 A VICTORIAN STEVENGRAPH SILK PICTURE 19TH CENTURY depicting ‘The death of Nelson’, with printed maker’s mark and information to verso, mounted and in a gilt and ebonised glazed frame, together with a copper statuette of Admiral Lord Nelson after Edward Hodges Baily (2) 6 x 17.5cm (max)

£80­120 680 A PAINTED WOOD LETTING / ADVERTISING SIGN LATE 19TH CENTURY inscribed ‘This House & Premises To Let. Enquire at Mr Wm Pannell’s. 35, Round Hill Crescent, The Key at 90 Next Door’ 58 x 94.2cm

£150­250 680 272

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681 A CROQUET SET ON STAND FIRST HALF 20TH CENTURY with four mallets, three by Spalding and an associated one by Jaques, with hoops, balls and marker posts, the stand with a brass handle and pole supports

£400­600

681

682 A VICTORIAN TABLE CROQUET SET LATE 19TH CENTURY with a mahogany stand supporting mallets, balls, a marker post and hoops, in a pine open box 33cm high

£200­300 682

683 A BONE BARLEYCORN PATTERN CHESS SET 19TH CENTURY natural and stained red (32) the king: 9.8cm high, the pawn: 3.7cm high

£100­150

273

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684

open 684 A BROWN LEATHER CASED ‘EN ROUTE’ PICNIC SET

BY DREW & SONS, PICCADILLY LONDON with a hinged lid and front containing four enamel plates, a copper kettle and burner, four Royal Worcester china tea cups and saucers, glass jars and bottles, a wicker covered flask, sandwich cases and cutlery, marked ‘Drew & Sons ‘En Route’ Piccadilly Circus W. London’ 25.4cm high, 38.5cm wide, 27.3cm deep

£800­1,200

685 A LARGE MERRYTHOUGHT TEDDY BEAR C.1969 with a velvet orange muzzle and smiling black stitched mouth, with label under left foot, inscribed 'Merrythought Ironbridge, Shrops, Made in England' 131cm high Provenance Purchased by a relative of the current vendor from Fortnum & Mason as a special commission for his granddaughter.

£300­500 686 A FRENCH BRASS AUTOMATON SINGING BIRD IN CAGE LATE 19TH / EARLY 20TH CENTURY with a clockwork mechanism and a suspension ring for hanging 23.7cm high

£100­150

685

274

686

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687 A VICTORIAN WALNUT BUREAU PLAT IN LOUIS XV STYLE C.1860 with gilt bronze mounts and inlaid with strapwork marquetry, the serpentine top inset with a gilt tooled writing surface, above a pair of frieze drawers 74.5cm high, 120.3cm wide, 66.3cm deep Provenance: By repute, the Earl of Yarborough, Arlington St., London W1.

£500­800

688 A VICTORIAN GILTWOOD AND COMPOSITION OVERMANTEL MIRROR C.1860­70 the arched mercury plate in a naturalistic frame decorated with ferns and trailing ivy 177 x 154.3cm

£500­700

275

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689 A WILLIAM IV MAHOGANY OPEN BOOKCASE C.1830­40 the galleried raised back with turned columns, above a rondel decorated frieze and four adjustable shelves 123.3cm high, 200.2cm wide, 40.5cm deep

£500­700

λ 690 A QUARTETTO NEST OF VICTORIAN SATINWOOD OCCASIONAL TABLES LATE 19TH CENTURY inlaid with stringing and with rosewood banding, the rectangular tops with canted corners, on turned legs united by curved stretchers, one stamped ‘L 46827’ (4) 70.2cm high, 58cm wide, 37.8cm deep

£300­400

691 AN EARLY VICTORIAN OAK BERGÈRE ARMCHAIR C.1840 of tub form, with a cane back and seat, on turned front legs and brass castors

£200­300

276

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692 A WILLIAM IV MAHOGANY BREAKFRONT BOOKCASE C.1835 with adjustable shelves, with leather dust guards, flanked by lappet carved pilasters 111.4cm high, 187cm wide, 27cm deep

£500­700

λ 693 A QUARTETTO NEST OF GEORGE IV ROSEWOOD OCCASIONAL TABLES C.1820­25 each with a beaded top, on turned legs united by baluster and ring turned stretchers (4) 72.4cm high, 48cm wide, 23.4cm deep

£400­600

694 A MAHOGANY DESK CHAIR IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY with brass studded leather upholstery, the scroll arms with flowerhead paterae, on ‘Chinese Chippendale’ fret carved front legs united by pierced stretchers

£300­500

277

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695 A MAHOGANY WING ARMCHAIR IN GEORGE II STYLE 19TH CENTURY on cartouche and leaf carved cabriole front legs Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£400­600

696 A MAHOGANY TRIPOD OCCASIONAL TABLE with a square tilt­top, on a vase turned stem, together with an Edwardian mahogany card table with a hinged swivel top (2) 73cm high, 48cm wide (max)

£200­300

697 A WALNUT STOOL IN GEORGE II STYLE LATE 19TH CENTURY with a drop­in seat, on scroll carved cabriole legs and claw and ball feet 49.cm high, 58.2cm wide, 49cm deep

£150­250

278

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

698 A WALNUT WING ARMCHAIR IN WILLIAM AND MARY STYLE LATE 19TH / EARLY 20TH CENTURY with scroll arms, on faceted inverted baluster supports united by a ribbed shaped stretcher Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£400­600

699 AN EBONISED AND GILT OCCASIONAL TABLE IN REGENCY STYLE FIRST HALF 20TH CENTURY with pierced brass galleries, the top decorated with bell flowers and on faux bamboo supports 72.8cm high, 76.5cm wide, 51.2cm deep

£150­250

λ 700 AN EARLY VICTORIAN ROSEWOOD WINDOW SEAT C.1840 covered in watered silk, with scroll ends, on lappet carved legs and sunken brass castors 70.7cm high, 138.8cm wide, 38cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£400­600

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701

702

701 A MAHOGANY OPEN ARMCHAIR IN GEORGE III STYLE LATE 19TH CENTURY the cartouche shape back carved with husks and lappets, above a red leather seat, together with a Victorian nursing chair (2)

£100­200 702 A PAIR OF MAHOGANY SIDE CHAIRS IN GEORGE III STYLE 19TH CENTURY each with a shield back with an urn splat and carved with anthemion motifs, with a stuffed over seat, with leaf capped cabriole front legs and claw and ball feet (2)

703

Provenance By repute, Moundsmere Manor, Preston Candover, Hampshire.

£200­300 703 A MAHOGANY BUTLER’S TRAY ON STAND IN GEORGE III STYLE 20TH CENTURY 54.7cm high, 47.2cm wide, 47.3cm deep

£150­200 λ 704 A ROSEWOOD CHEST OF DRAWERS 19TH CENTURY with a Siena marble moulded edge top, probably associated, above five graduated drawers, on wooden castors 78cm high, 51.8cm wide, 32.7cm deep

£150­250

280

704

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705 A LATE VICTORIAN WALNUT OPEN BOOKCASE AESTHETIC MOVEMENT, C.1880 with ebonised decoration, the moulded edge top with a raised back above a rondel decorated frieze, above adjustable shelves flanked by fluted pilasters 116cm high, 244cm wide, 36cm deep

£500­700

706

707

A GILT COMPOSITION WALL MIRROR SECOND HALF 19TH CENTURY

A VICTORIAN GILTWOOD AND GESSO WALL MIRROR C.1860

the oval plate within a Rococo frame, carved with scrolling leaves and flowers, with marginal plates 103.6 x 80.5cm

the oval plate within a beaded inner frame, with a leaf and flower border and applied with scrolling leaves and floral sprays, with a shell cresting and a cabochon pendant 155.2 x 29cm

Provenance Daphne Fielding, 6th Marchioness of Bath (1904­1997) and by descent.

£300­500

£300­500 281

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708 709 708

710

A GILT COMPOSITION OVAL WALL MIRROR IN ADAM STYLE LATE 19TH / EARLY 20TH CENTURY

A VICTORIAN GILT COMPOSITION GIRANDOLE C.1860

the bevelled plate within a bead decorated frame flanked by torches, with a ribbon surmount, the base hung with husk swags 72 x 89cm

the bevelled oval plate within a Régence style frame, decorated with cabochons, with a pierced cartouche surmount, the base with three sconces 94 x 50cm

£100­150

£100­150

709

711

A WALNUT MIRROR IN GEORGE II STYLE 20TH CENTURY

A GILT MIRROR IN ROCOCO STYLE 20TH CENTURY

the rectangular plate within a Kentian frame, the pediment centred with an urn, together with a walnut fret frame wall mirror with a hoho­bird surmount (2) 91.5 x 51cm (max)

the rectangular plate in a scroll, rocaille and flower decorated frame 100 x 63.5cm

£100­150

£150­250

282

710

711

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712 A VICTORIAN GILT COMPOSITION GIRANDOLE

BY C. NOSOTTI, C.1860­70 the oval plate within a leaf and flower decorated frame, with a ribbon tied surmount and with three candle sconces, the back with a gilt brass oval plaque inscribed 'C. Nosotti, Carver & Gilder, Upholsterer & Cabinet Maker 398 & 399 Oxford St.' and stamped '01786' 111.5 x 76cm Provenance The Collection of the late Frederick 'Freddie' Stockdale (1947­2018) and Adele Stockdale, Eastwood Farm, East Sussex.

Catalogue Note Charles Nosotti originally came from Milan and settled in London in 1831.

£200­300

713

712

713

714

715

A POTTERY EGG BOX AND COVER 19TH CENTURY

A MATCHED PAIR OF FRENCH SILVER PLATED FROG BOOKENDS

BY SUZANNE BIZARD (1873­1963)

A LEATHER COVERED WASTE PAPER BASKET 20TH CENTURY

each with an inscribed signature plaque ‘S Bizard’ and mounted on a black marble base, slight differences to sizes (2) 9.2cm high, 16cm wide (max)

with gilt tooled bands and decorated with a lion and a crown and three fleur­de­lis 37.5cm high, 32.5cm square

in the form of a hen with her chicks 16.6cm high, 18cm long

£80­120

£100­150

£300­500

714

715 283

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717 718 716

716 A VICTORIAN BURR WALNUT STATIONERY CABINET

BY ASPREY, C.1860 with a pair of hinged doors, revealing divisions for letters, calendar apertures, with cards for months, days of the week and days, with a leather cased travelling inkwell and a travelling lighter, a pen compartment and a base drawer, the brass lock stamped ‘Asprey & Son 166 New Bond St.’ 36.3cm high, 40.2cm wide, 30.3cm deep

a folio atlas, one volume of fourteen engraved maps and fifty­seven plans, charts and views, with California shown as an island, some drawn and engraved by R. W. Seale, others by Emmanuel Bowen and J. Basire, with calf spine inscribed 'Maps & Plans to Rapin'

£300­500 719

717

A REVERSE GLASS PAINTING ‘DUCK SHOOTING’ AFTER GEORGE MORLAND (1763­1804), C.1800

A VICTORIAN BURR WALNUT HUMIDOR C.1860­70

in an ebonised moulded frame 32 x 42.3cm

with ebonised edging, the front with a pair of hinged doors revealing two drawers, each with a sunken brass handle, the top drawer divided, with two cigar / cheroot cases and two cigar cutters, with a brass Bramah lock 25.6cm high, 29.7cm wide, 23.2cm deep

£200­300

£150­200

Provenance The Chute Family, The Vyne, Sherborne St. John, Basingstoke.

718

'CONTINUATION OF MR RAPIN'S HISTORY'

BY NICOLAS TINDAL, C.1740­50

£200­300

720 LITERATURE. A COLLECTION OF BOOKS AND CATALOGUES ON SCULPTURE AND BRONZES including: The French Bronze 1500­1800, Giambologna, Sculptor of the Medici, The Keir Collection of Medieval Works of Art, Renaissance Bronzes in American Collections, The Cyril Humphries Collection of European Sculpture and Works of Art, Parts I&II (39) A full listing is available on our website.

£100­200

719 720 284

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721 SHAKESPEARE INTEREST. A VICTORIAN MULBERRY GOBLET IN THE MANNER OF JOHN MARSHALL, DATED ‘1880’ with turned and carved decoration, the base inscribed ‘Mulberry Wood From Shakespeare’s Tree At New­Place 1880’, the underside also stamped ‘Stratford on Avon 1880’ and with a handwritten paper label, inscribed ‘Made from Mulberry Tree, Shakespeare’s Garden at Stratford on Avon’ 20.5cm high Catalogue Note During the 18th century there was an informal tourist industry in Stratford with people visiting Shakespeare's tomb and the mulberry tree he supposedly planted at New Place. However the then owner Rev. Francis Gastrell became annoyed by the growing number of visitors and sometime in the 1750s felled the tree and later demolished New Place. Objects carved from the mulberry tree first started to appear around 1760/1770 after Gastrell sold the wood to local carvers and turners for example: Thomas Sharp and George Cooper, eager to make souvenirs. At this period of 'bardolatry' drinking vessels, tea caddies, tobacco stoppers, goblets and small boxes or caskets, and similar objects carved from the wood were highly prized.

£200­300

722 TWO VICTORIAN CARVED OAK PICTURE FRAMES LATE 19TH CENTURY each carved with scrolling leaves and lozenges and centred with a coat of arms, with an eagle supporting a shield and the motto ‘nec me meminisse pigebit’ (2) 96.8 x 88.7cm (external) 52 x 60.5cm (internal) and 92.5 x 82cm (external) 48 x 53.8cm (internal)

£1,000­1,500

723 A WATERCOLOUR DESIGN FOR AN AXMINSTER CARPET ATTRIBUTED TO J.G. CRACE (1809­1889), MID­19TH CENTURY in a glazed wood frame 54.6 x 28.5cm

£200­300

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724 A LATE VICTORIAN WALNUT COUNTRY HOUSE GONG C.1880 the frame carved with swags, leaves and with a spindle gallery, with a bronze gong and a beater 104.6cm high, 62.8cm wide, 36cm deep

£300­500

724

725 A VICTORIAN BRASS TABLE GONG LATE 19TH CENTURY with a Maltese cross finial, together with a beater (2) 28.7cm high

£100­150

726 A VICTORIAN OAK STOOL IN GOTHIC REVIVAL STYLE IN THE MANNER OF PUGIN, SECOND HALF 19TH CENTURY button upholstered with green plush fabric, with turned arm supports, above a chamfered ‘X’ frame base 78.3cm high, 70cm wide, 51.2cm deep

£200­300 726 286

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

727 A VICTORIAN OAK EASY ARMCHAIR BY HOLLAND & SONS C.1850­60 upholstered in distressed green leather, on Gothic style faceted front legs and brass caps and castors, the back legs stamped ‘Holland & Sons’

£500­700

728 A PAINTED TÔLE CHANDELIER IN GOTHIC STYLE IN THE MANNER OF WILLIAM BURGES, 19TH CENTURY painted with bands of flowers, with four lights emanating from torches, hung with chains from a central a corona with a cross finial 34cm high, 44cm wide

£150­250

729 AN ARTS AND CRAFTS OAK TAVERN TABLE LATE 19TH CENTURY the rectangular top on chamfered Gothic style ‘X’ frame supports united by a stretcher 76.2cm high, 94.8cm wide, 41.5cm deep Provenance From the Estate of the late Barbara Humble, Bradford-on-Avon.

£300­500

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730 A VICTORIAN LIMED OAK TWIN PEDESTAL DESK LATE 19TH CENTURY the top inset with a tooled leather writing surface, above an arrangement of nine drawers 74cm high, 121.3cm wide, 74.7cm deep Provenance From the Estate of the late Barbara Humble, Bradfordon-Avon.

£300­500 731 A PAIR OF MOORISH WALNUT AND PARQUETRY TUB ARMCHAIRS SYRIA, LATE 19TH / EARLY 20TH CENTURY 730

inlaid with mother of pearl and fruitwood with panels of geometric designs, each with a silk covered cushion (2)

£500­800 732 TWO SIMILAR LUGGAGE RACKS LATE 19TH CENTURY one in ash, one in possibly alder, with slatted tops, on ring turned stretchered legs (2) 46cm high, 68cm wide, 40.2cm deep (max)

£200­300 733 A MAHOGANY LUGGAGE STAND LATE 19TH CENTURY the slatted top on turned legs 45.8cm high, 60.8cm wide, 40.2cm deep

£100­200 731

732 288

733

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734 A PAIR OF TÔLE AND COMPOSITION TORTOISE COFFEE TABLES

BY ANTHONY REDMILE, C.1970­80 each with a smoked glass top, with a circular mount, stamped ‘redmile London’, with a malachite boss and green agate cabochons (2) 45.2cm high, 83.5cm wide, 61cm deep Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.

£3,000­5,000

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735 A PAIR OF TWO SEATER SOFAS IN HOWARD STYLE EARLY 20TH CENTURY each with a serpentine top above scroll arms, on beechwood supports and brass castors (2) 90.4cm high, 153cm wide, 75cm deep

£500­800

290

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736 A LATE VICTORIAN SATINWOOD BIJOUTERIE TABLE IN SHERATON REVIVAL STYLE, C.1890­1900 painted with floral sprays, with a serpentine hinged and glazed top revealing a silk lined interior 71.5cm high, 52.8cm wide, 38.3cm deep Provenance Daphne Fielding, 6th Marchioness of Bath (1904-1997) and by descent.

£300­400

λ 737 TWO SIMILAR LATE VICTORIAN ROSEWOOD OVAL TRAY TABLES C.1890­1900 inlaid with boxwood stringing and marquetry husks and fan spandrels, each with a lift­off drinks tray, with a pair of brass handles and a glass base, on swept supports united by an ‘X’ stretcher (2) 83cm high, 89.7cm wide, 55.5cm deep (max)

£400­600

λ 738 A PAINTED SATINWOOD BONHEUR DU JOUR IN SHERATON REVIVAL STYLE 19TH CENTURY decorated with floral swags, leaves and an oval patera of a cherub with a swan, with rosewood banding and inlaid with stringing, the galleried top fitted with three drawers, above a hinged baize lined writing surface, with a frieze drawer, on square tapering legs united by an undertier 94cm high, 62.5cm wide, 40cm deep Provenance Daphne Fielding, 6th Marchioness of Bath (1904-1997) and by descent.

£600­800

END OF SALE 291

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FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 22ND SEPTEMBER 2021

A pair of George III mahogany open armchairs attributed to Thomas Chippendale (detail) Provenance A Private Collection purchased from Partridge Fine Arts, 6th November 1984 Estimate £8,000 ­ 12,000* ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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UPPER SLAUGHTER MANOR, THE COLLECTION OF MICHEÁL & ELIZABETH FELLER TUESDAY 9TH & WEDNESDAY 10TH NOVEMBER 2021

ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk

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SILVER & OBJECTS OF VERTU TUESDAY 13TH & WEDNESDAY 14TH JULY 2021

A fine George III silver two­handled tea urn, by Paul Storr, London 1814 Estimate £10,000 ­ 15,000*

ENQUIRIES Rupert Slingsby | +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 11TH & THURSDAY 12TH AUGUST 2021

Attributed to The Pseudo­Granacci, Possibly Identifiable as Poggio Poggini (Italian active by 1493 ­ died 1532) Angel in adoration Tempera on panel 32.1 x 17.7cm; 12¾ x 7in Estimate £2,000 ­ 3,000*

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk

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Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500.

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PROBATE VALUATIONS

A345 Castle Rd

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

WW102-680 DayTwo.qxp_Layout 1 08/06/2021 16:18 Page 304

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS TUESDAY 6TH & WEDNESDAY 7TH JULY 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR JULY 6th & 7th 13th & 14th 15th 27th & 28th

Furniture, Works of Art & Clocks Silver & Objects of Vertu Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR SEPTEMBER AUCTION

AUGUST 11th & 12th 24th 25th

Old Masters, British & European Paintings Arts & Crafts Design

SEPTEMBER 8th 22nd

The Robin Simpson Collection of Commemorative Ceramics Furniture, Works of Art & Clocks

OCTOBER 5th & 6th 7th 20th

Silver & Objects of Vertu English & European Ceramics & Glass British Art Pottery & Design

NOVEMBER 9th & 10th 17th & 18th 23rd & 24th

Upper Slaughter Manor, The Collection of Micheàl & Elizabeth Feller Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A William and Mary oyster veneered and marquetry chest c.1690 SOLD FOR £20,000*

www.woolleyandwallis.co.uk