Woolley & Wallis Auctioneers

ENGLISH & EUROPEAN CERAMICS & GLASS THURSDAY 7TH OCTOBER 2021

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Sarah Stone

VALUATIONS FOR INSURANCE & PROBATE 424507 446964

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV (Consultant) Amanda Lawrence

424505 446955

GENERAL OFFICE

424598 424509 424509

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

339752

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alana Ker Mercer Michelle Yu

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

CASTLE GATE RECEPTION 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards

Sally Litherland

MARKETING Sally Trench

ACCOUNTS 424589

Sharon Ringwood Anna Gentleman

411854 339161 446974

BOARD OF DIRECTORS

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

JAPANESE ART Alexandra Aguilar

424583

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424500

424501 424594

Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

446959

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ENGLISH & EUROPEAN CERAMICS & GLASS THURSDAY 7TH OCTOBER 2021 10.00AM at our Castle Street Salerooms, SP1 3SU Clare Durham 01722 424507 cd@woolleyandwallis.co.uk VIEWING Saturday 2nd October Monday 4th October Tuesday 5th October Wednesday 6th October Thursday 7th October

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

Sarah Stone 01722 446964 hm@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

BUYER’S PREMIUM

LIVE ONLINE BIDDING – FREE OF CHARGE

Each lot is subject to a Buyer’s Premium of 25% plus VAT

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TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Wednesday 6th October

bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 6th October

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTION OF LOTS BY APPOINTMENT

Instagram: @woolleyandwallisceramics @woolleyandwallissalerooms

No collection available on Tuesday 12th October due to the sale items being in transit

Facebook: @woolleyandwallis

From Wednesday 13th October collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

Twitter: @woolleywallis Pinterest: Woolley and Wallis

All accounts to be settled prior to collection EXPORT AND CITES LICENCES Some lots may require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS Front cover: Lot 1267 Back cover: Lot 1136 Catalogue £12.00 (£15.00 by post) 1

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THE COLLECTION OF THE LATE PAUL GREGORY

1001 Three wine glasses, c.1750­60, with bell bowls, raised on dense airtwist stems, one with a shoulder knop, another raised on a domed foot, 16.6cm max. (3) £150­250

1002 Three ale glasses, c.1750­60, with elongated round funnel bowls, two moulded with vertical flutes, raised on double series opaque twist or plain stems, 19.5cm max. (3) £150­250

1003 Three wine glasses, c.1750­60, with drawn trumpet bowls over plain stems, two enclosing long tears, the last over a domed foot, 17.1cm max. (3) £150­250

1004 Three wine glasses, c.1750­60, with bell bowls, one raised on a dense airtwist stem with vermicular collar, another on a slender mixed twist stem with opaque strands enclosing an air core, the last with a shoulder knop over a folded foot, 18cm max. (3) £250­350

1005 Three ale glasses, c.1740­60, one engraved with crossed barley stems over a double series opaque twist stem, another with wrythen moulding to the bowl, on an opaque twist stem, the last with slender round funnel bowl over a plain stem and folded foot, 18.3cm max. (3) £150­250

1006 Three wine glasses, c.1740­50, the bell bowls with solid bases, raised on thick plain stems, one enclosing a single tear, over folded feet, 16.3cm max. (3) £200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1007 Five small wine glasses, c.1760­70, a near pair with ogee bowls engraved with polished swags, two engraved with flower sprays, the last engraved with a polished bunch of grapes, all raised on facet cut stems, 14.8cm max. (5) £150­250

1008 Six wine glasses, c.1750­60, two moulded with vertical ribs, three with small ogee bowls moulded with shallow flutes, the last with a band of honeycomb moulding, all raised on varying opaque twist stems, a few footrim faults, 15.7cm max. (6) £250­350

1009 Five small wine glasses, c.1730­50, a pair engraved with birds and flower sprays over plain stems, another with a sunflower type bloom, one with grapevine and a bird over a double knopped stem, the last with a flower spray on an ogee bowl over an opaque twist stem, most on folded feet, 14.5cm max. (5) £200­300

1010 Five wine glasses, c.1750­60, two with round funnel bowls and one with an ogee bowl, all raised on plain stems over folded feet, another with an ogee bowl engraved with a foliate band over a knopped plain stem, the last soda glass with a round funnel bowl over a knopped airtwist stem and conical foot, a footrim chip to one, 16.6cm max. (5) £200­300

1011 Five Continental wine glasses, mid 18th century, with bell bowls, two raised on plain stems, one on an incised twist stem, one with a ball knop enclosing a large tear over an opaque twist stem, the other with a solid base to the bowl enclosing a row of air beads over a double series opaque twist stem, three on folded feet, 16cm max. (5) £150­250

1012 Six wine glasses, c.1760­90, the bowls cut with varying designs, facets and polished ovals, raised on straight and knopped facet cut stems, 14.3cm max. (6) £150­250 One glass with a paper label for the Parkington Collection.

3

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1013 A baluster wine glass, c.1725, with a generous bell bowl raised on a stem including a ball knop and inverted baluster enclosing a single tear, raised on a folded foot, 16.6cm. £300­500

1014 A balustroid wine glass of ‘Kit Kat’ type, c.1740, the drawn trumpet bowl rising from a plain stem above a ball knop and a conical foot, 18cm. £200­300

1015 An unusual baluster goblet, c.1700, possibly Continental, the generous bowl with a solid base enclosing a single air bead, raised on a hollow baluster stem with central blade and basal knops, over a domed folded foot, 18cm. £200­300

1016 A composite stem glass goblet, c.1750, the rounded bowl raised on a dense airtwist stem above an inverted baluster plain section over a thick foot, the foot slightly trimmed, 18.2cm. £100­200

4

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1017 Two toasting glasses, late 17th/18th century, the earlier of a pale green hue, the drawn trumpet bowl with everted rim, both raised on slender plain stems above conical feet, 19.1cm max. (2) £100­200

1018 Two balustroid wine glasses, c.1740­50, one with a bucket bowl over a hollow balustroid stem with a shoulder knop and central blade knop, the other with a round funnel bowl over a stem with a shoulder ball knop and central knop, over folded conical feet, 15cm max. (2) £200­300

1019 A Dutch gin glass of Jacobite interest, c.1750, the slender bowl engraved with a rose and bud spray, raised on a multi­knopped stem, and a small soda gin glass with drawn trumpet bowl over a knopped stem, 14.7cm max. (2) £150­250

1020 Two wine glasses, c.1760, one with a moulded bell bowl engraved with chinoiserie decoration of a pagoda, on an opaque twist stem, the other with a plain bowl raised on a mixed twist stem of an air cable entwining an opaque stripe, 15cm max. (2) £150­250

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1021 Four Dutch colour­twist wine glasses, c.1760, two with bell bowls and two with round funnel bowls, all raised on stems with red and white strands enclosing a white gauze core, 17cm max. (4) £150­250

1022 Five Dutch or Bohemian wine glasses, c.1750­60, a pair engraved with inscriptions over hollow baluster stems and domed folded feet, a goblet with cut and engraved bowl over a hollow knopped stem, another engraved with a basket of flowers over a pedestal stem, the last with a formal foliate band over an inverted baluster stem, all with folded feet, 20.5cm max. (5) £300­500

1023 Four small English and Dutch wine glasses, c.1760­70, with round funnel bowls, two engraved, raised on short double series opaque twist stems, and a Continental colour twist glass with a bell bowl over a red and white twist stem, 14.6cm max. (5) £100­200

1024 Five wine glasses, c.1750­60, with drawn trumpet bowls, one a toasting glass raised on a slender plain stem, one soda glass raised on a long hollow stem, another with a long tear to the plain stem over a folded foot, the other two on plain stems, 17.2cm max. (5) £120­180

1025 Five soda wine glasses, c.1750­60, four with drawn trumpet bowls over plain stems, two enclosing long tears, the last with a funnel bowl over a short inverted baluster stem, the metal with faint coloured hues, 17.2cm max. (5) £150­250

1026 Seven small English and Continental wine glasses, 18th century, with drawn trumpet bowls over plain stems and conical or folded feet, and an English jelly glass with everted rim, raised on a ball knop and plain foot, 11.8cm max. (8) £100­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1027 A ratafia glass, c.1760, the narrow round funnel bowl moulded with vertical flutes, raised on a double series opaque twist stem, and an unusual gin or small wine glass, with trumpet bowl raised on a slender opaque twist stem with shoulder and basal collars, 16.2cm max. (2) £200­300

1028 Two wine glasses or flutes, c.1760, with slender drawn trumpet bowls, one with an annulated collar above a mixed twist stem, the other raised on a double series opaque twist stem above a conical foot, 19.8cm max. (2) £150­250

1029 Two wine glasses, c.1760, one with a drawn trumpet bowl, the other with a bucket bowl, both over double series opaque twist stems, 16.5cm max. (2) £100­200

1030 A ratafia glass, c.1760, with slender bowl raised on a double series opaque twist stem, and an ale glass with wrythen moulded bowl raised on a double series opaque twist stem, 18.2cm max. (2) £300­500

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1031

1032

1033

1034

1031

A composite stem wine glass, c.1750, the bell bowl with a solid base including a dense airtwist section above an inverted baluster knop enclosing two rows of tears, over a basal knop and conical foot, 16.7cm. £150­250

1032

A composite stem wine glass, c.1760, the bell bowl with a solid base enclosing two rows of air beads, raised on a double series opaque twist stem and conical foot, 17.1cm. £150­250

1033

A small wine or cordial glass, c.1740­50, the pan­topped bowl raised on a mixed twist stem of an air cable entwined with an opaque strand, raised on a domed folded foot, 14.5cm. £200­300

1034

A small wine glass of Jacobite significance, c.1760, the drawn trumpet bowl engraved with a rose and bud spray, an oak leaf, star and ‘Fiat’, raised on an incised twist stem over a conical foot, 15.6cm. £250­350

1035

Eleven various drinking glasses, late 18th and 19th centuries, three with trumpet bowls on knopped stems, three with engraved drawn trumpet bowls, three with bucket bowls over knopped and plain stems, the last a small wine glass with round funnel bowl on a facet cut stem, 17cm max.

(11) £80­120

1035 8

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1036 A gin glass and two small wine glasses, c.1730­40, the gin with a bell bowl over a folded foot, the wines with round funnel and bucket bowls, all raised on plain stems, 14.8cm max. (3) £100­200

1037 Three small wine glasses, c.1730­40, one with a plain round funnel bowl on a balustroid stem with collar and basal knop, another with a moulded ogee bowl on a plain stem with inverted baluster shoulder knop, the last with a rounded cup bowl moulded with flutes over a plain stem, all on folded conical feet, 15cm max. (3) £200­300

1038 Two small gin glasses, c.1730, one soda, with bell bowls over balustroid stems and folded feet, and a larger gin glass with bell bowl over a triple­knopped balustroid stem and folded foot, 14.7cm max. (3) £150­250

1039 Three small wine glasses, c.1760, with round funnel, bell and hammered bowls, all raised on cable airtwist stems above conical feet, the hammered bowl glass with the name ‘Dorothea Sayer’ lightly inscribed beneath the foot at a later date, 15cm max. (3) £150­250

1040 Three firing glasses, c.1750­60, one with a moulded ogee bowl, another with a round funnel bowl, both raised on double series opaque twist stems over stepped feet, the last with a drawn trumpet over an opaque twist stem and heavy foot, 11.5cm max. (3) £100­200

1041 Three small drinking glasses, c.1760­70, one with a bell bowl over a plain stem and folded foot, two with small drawn trumpet bowls over thick airtwist stems, 12.8cm max. (3) £150­250

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1042 Eleven small wine or liqueur glasses, late 18th and 19th centuries, three with cup bowls and plain stems on folded feet, one with an ogee bowl on a stem with blade knop, three variously engraved with flowers, one with moulded flutes, two cut and raised on short faceted stems, 10.8cm max.

(11) £50­150

1043 Nine small wine and liqueur gilded glasses, late 18th/early 19th century, including a pair of wines with gilt formal borders, on square bases, another on a square base, a small faceted glass with a figure beneath a tree, three with round funnel bowls on facet cut stems, one with a gilt dentil rim, on a knopped airtwist stem, the last engraved and gilded with a flower spray, 12.5cm max. (9) £100­200

1044 Three small glass tumblers, c.1760­80, one of Lynn type with horizontal moulding, two others with honeycomb moulding, a small dram glass engraved with a rose spray and bird, another with a flared bucket bowl over a flat circular foot, and a punch cup applied with a handle and raised on a circular foot, 7.2cm max. (6) £100­200

1045 Nine jelly, dwarf ale or water glasses, 2nd half 18th century, two with wrythen moulding, one with moulded ribs, another engraved with hops and barley, a water glass with triple ogee bowl over a beaded knop, a pan­ topped bowl with blade knop, one hexagonal, another with a lemon squeezer base, and two stirrup cups formed as riding boots,15cm max. (11) £100­200

1046 Two deceptive glasses, c.1820, with funnel bowls raised on knopped stems, and four other wine glasses with round funnel and bucket bowls on plain and facet cut stems, 12.7cm max. (6) £100­200

1047 Seven dram or firing glasses, 18th and 19th centuries, one with a bell bowl over a teared knop, a small dram on a domed foot, two others on short plain stems, a waisted firing glass, one with round funnel bowl moulded with ribs, the last with a facet cut stem, 10cm max. (7) £120­180

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1048 An English green glass roemer, c.1790, with round bowl over a hollow stem applied with raspberry prunts, and two Continental roemers, one engraved with grapevine, on tall trailed stems applied with prunts, 18.5cm max. (3) £150­250

1049 Three export green wine glasses, c.1760, the cup bowls of a pale tone, raised on hollow blown stems over domed feet, 14.8cm max. (3) £150­250

1050 Three balustroid wine glasses, c.1740­50, two with round funnel bowls over stems with shoulder and central blade knops, the third with a generous bell bowl over a stem with shoulder and basal knops, all on folded feet, 15.8cm max. (3) £200­300

1051 Two wine flutes, c.1760, the slender drawn trumpet bowls with everted rims, raised on double series opaque twist stems, and a wine glass with drawn trumpet bowl engraved with fruiting grapevine, raised on a tall plain stem above a conical foot, 19.1cm max. (3) £200­300

1052 A rare moulded wine glass, c.1750, the generous drawn trumpet bowl with honeycomb moulding above a plain stem, and two other drawn trumpet glasses raised on dense airtwist stems above conical feet, 18.5cm max. (3) £150­250

1053 A pair of tall ale flutes, c.1780, the slender drawn trumpet bowls rising from plain stems above conical feet, and a large late 18th century rummer, with generous round funnel bowl on a short plain stem beneath a merese, 22.6cm max. (3) £100­200

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1054 A Jacobite wine glass, c.1760, the bucket bowl engraved with a rose and thistle, raised on an opaque twist stem over a conical foot, 15.1cm. £250­350 Provenance: formerly the Hartshorne Collection.

1055 A glass goblet of possible Jacobite significance, c.1750­60, the generous bell bowl engraved with the Great Bell of Lincoln, the reverse with a bee and sunflower spray, raised on a plain stem, the foot trimmed, 18.9cm. £150­250 The presence of the sunflower as a known Jacobite symbol may indicate that the glass is a reference to Jacobite prisoners, who were held in Lincoln Castle in 1746.

Provenance: formerly the Crabtree Collection. Sold at Bonhams, 15th June 2011, lot 130.

1056 A balustroid wine glass, c.1720­30, the bell bowl with diamond point engraved initials ‘J L P’, raised on a balustroid stem enclosing tears, on a folded foot, 14.3cm. £100­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1057 A ’Newcastle’ light baluster goblet, c.1740, the round funnel bowl engraved with a continuous border of birds among formal foliage, raised on a slender plain stem with basal ball knop over a domed foot, a tiny chip to the foot, 19.5cm. £150­250

1058 A Dutch colour­twist glass, c.1760, the bell bowl engraved with a band of fruiting grapevine, raised on a stem with alternating red, green yellow and blue strands enclosing a white gauze core, 16.8cm. £300­500

1059 A composite stem wine glass, c.1755, the bell bowl with a solid base, beginning an airtwist stem over an inverted baluster knop enclosing two rows of tears, 17.2cm. £100­200

1060 A Saxon Dutch­engraved glass goblet, c.1740, the bowl engraved with the arms of George II of England, cut to the base of the bowl and the inverted baluster stem, raised on a folded conical foot, 22.8cm. £200­300

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1061 A pair of English green wine glasses, c.1760, the cup bowls engraved with grapevine and raised on hollow stems, two English roemers, c.1800, raised on stems applied with raspberry prunts over trailed feet, a paler lead glass roemer of similar type, and a double­ended wine glass with round cup and ogee bowls either side of a narrow stem with prunts, 15.7cm max. (6) £250­350

1062 A façon de Venise wine glass, mid 18th century, of a pale lilac hue, the tall funnel bowl raised on a short stem with a spiral knop, and two Continental wine glasses of green and brown hue, with funnel bowls over plain stems, 15.8cm max. (3) £150­250

1063 Six green wine glasses, c.1760­80, of varying shades, with cup bowls over plain, hollow and teardrop stems, one with vertical fluted moulding, 14.8cm max. (6) £100­200

1064 Nine coloured glass wine and dram glasses, late 18th/early 19th century, including an amber cup bowl, four green trumpet and funnel bowl glasses, a pair of small amethyst dram glasses, a cobalt blue glass, and an amethyst dram or glass or egg cup with folded rim, 12.2cm max. (9) £80­120

1065 Three glass rummers and a tumbler, late 18th/19th century, the tumbler engraved ‘JMB’ over ‘White Horse’, two of the rummers with round funnel bowls over short plain stems, the last engraved with stylized flower stems and a band of polished ovals, raised on a stepped square foot, 15cm max. (4) £50­80

1066 Seven small wine glasses, c.1770­80, one engraved with a rose spray, another with flowerheads and a band of polished ovals, one bowl cut with vertical flutes, another faceted, all raised on facet cut stems, 14.6cm max. (7) £200­300

14

The glass with the faceted bowl bearing a paper label for the Honeybourne Museum.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1067 Five Continental wine glasses, c.1760, with bell bowls raised on knopped opaque twist stems, 17cm max. (5) £150­250

1068 Three ale and two wine glasses, c.1770, with round funnel, bell and drawn trumpet bowls, all raised on faceted stems above flat or conical feet, 20.2cm max. (5) £150­250

1069 Five English and Continental wine glasses, mid 18th century, three with bell bowls over plain stems and folded feet, another with a bell bowl over a double knopped airtwist stem, the last with a drawn trumpet bowl over a thick airtwist stem and conical foot, 18.5cm max. (5) £200­300

1070 Five wine glasses, c.1765, with various ogee, round funnel and bucket bowls moulded with flutes and a stipple effect, all raised on opaque twist stems, some faults, 17.5cm max. (5) £300­400

1071 Five small wine glasses, c.1760, with round funnel, ogee and cup bowls, raised on varying opaque twist stems, 15cm max. (5) £100­200

1072 Four wine glasses, c.1770, the largest with a cut everted bowl raised on a knopped faceted stem and petal cut foot, two pan­topped glasses on faceted stems, the last with a rounded funnel bowl over a knopped faceted stem, 17cm max. (4) £150­250

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1073 Three small balustroid wine glasses, c.1730­50, one with a bell bowl over a blade knop and plain section enclosing a tear above a domed folded foot, another with a bell bowl over a balustroid stem with shoulder and basal knops, the last with a small round bowl on a multi­knopped baluster stem, over a folded foot, a small chip to the rim of the latter, 14.8cm max. (3) £250­350

1074 Two balustroid wine glasses, c.1740­60, one with rounded funnel bowl above an inverted baluster stem with basal knop, the other with a ribbed bowl above a balustroid stem with two knops, and a soda gin glass with bell bowl over a knopped balustroid stem, all over folded feet, 14.5cm max. (3) £200­300

1075 Three small wine glasses, c.1760, one with an ogee bowl over a knopped opaque twist stem, two with thistle bowls over double series opaque twist stems, one with a shoulder knop, 15.4cm max. (3) £200­300

1076 Three wine glasses, c.1750­60, with pan­topped bowls, one raised on a plain stem enclosing a long tear over a folded foot, another over a knopped airtwist stem, the last drawing out of a double series opaque twist stem, 16cm max. (3) £250­350

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1077 Two large wine glasses, c.1760, with generous round funnel bowls lightly moulded with fluting, raised on incised twist stems, and a Dutch wine glass with a bell bowl over an incised twist stem and folded foot, 16.4cm max. (3) £150­250

1078 Three French façon de Venise wine glasses, c.1740, the fine glass with a pale lilac tint, with trumpet or round funnel bowls, two on pedestal stems, one on a plain stem enclosing a tear, on folded and conical feet, 16.3 max. (3) £100­200

1079 Three Continental glass goblets, c.1750, the generous round funnel bowls raised on ‘Silesian’ pedestal stems over folded conical feet, one bowl engraved with a foliate band, 18.5cm max. (3) £200­300

1080 Three wine glasses, c.1740­50, one with a round funnel bowl on a plain stem with basal ball knop over a domed and folded foot, the other two with drawn trumpet bowls over short plain stems and folded feet, 14.7cm max. (3) £100­200

1081 Three Continental balustroid wine glasses, c.1750­60, one with a dimple moulded bowl, another with honeycomb moulding over flutes, the last with an incised bowl, over varying balustroid stems and folded feet, 14.4cm max. (3) £100­200

1082 Three wine glasses, c.1750­60, the largest with a generous pan­ topped bowl raised on an airtwist stem with swollen knop, one with a bell bowl enclosing a row of tears over an airtwist stem with shoulder knop, the last with an ogee bowl over an airtwist stem, 19.2cm max. (3) £300­400

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1083 An ale or wine flute, c.1760, with slender drawn trumpet bowl raised on a mixed twist stem with a mercury air cable around a central opaque gauze, 18.8cm. £100­200

1084 A balustroid wine glass, c.1730, with a pale green tint, the round funnel bowl raised on a balustroid stem with central and basal knops, over a domed and folded foot, 14.2cm. £100­200

1085 A small colour twist wine glass, c.1760, the round funnel bowl raised on a triple series opaque twist stem enclosing a dark grey core, over a conical foot, small chips to the foot, 12cm. £500­800

1086 Six wine or ale glasses, c.1760­80, a pair of flutes with vertical cut bands, a drawn trumpet over a double series opaque twist stem, another over a plain stem and folded foot, one engraved with a band of polished ovals and raised on a hollow stem, the last glass engraved with vases and roundels over a narrow cut stem, 16.2cm max. (6) £100­200

1086

1087 Five firing glasses, 18th century, one engraved with a rose spray, another with a polished oval band above a faceted stem, another with a bell bowl over a short knop, all raised on heavy firing feet, 11.3cm max. (5) £200­300

18

1087

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1088 Two small balustroid glasses, c.1730, one with an ogee bowl raised above a stem with two blade knops, the other a gin glass with a small bell bowl, both raised on folded feet, 13.6cm max. (2) £150­250

1089 A soda light baluster wine glass, c.1740, with a bell bowl raised on an inverted baluster stem with a teared knop, and a wine glass with funnel bowl raised on a double knopped stem above a conical foot, 17.6cm max. (2) £200­300

1090 Two firing glasses, c.1765, the larger with a drawn trumpet bowl, the smaller with an ogee bowl, both raised on short opaque twist stems, the latter on a domed foot, 12.2cm max. (2) £100­200

1091 Two wine glasses, .1760, one with a pan­topped bowl with moulded ribs, raised on a double series opaque twist stem with a greyish hue, the other with a deep round funnel bowl with moulded flutes, on an opaque twist stem with a double knop to the shoulder, 14.3cm max. (2) £100­200

The drawn trumpet glass with paper collection labels for the Bate and Churchill collections.

1092 Two wine glasses, c.1760, one with a small round funnel bowl raised on a mixed twist stem, with an opaque thread around a fine air cable, the other with a large rounded bowl raised on an incised stem, 15.3cm max.

(2) £150­250

1093 Two large wine goblets, c.1750, one with a round funnel bowl raised on a thick mercury twist stem, the other with an ogee bowl moulded with flutes above a double series opaque twist stem, 20cm. (2) £120­180

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1094 Four small wine glasses, c.1750­60, with ogee bowls, one moulded with vertical flutes, all on varying double series opaque twist stems and conical feet, 15cm max. (4) £100­200

1095 Three glass goblets, c.1760­80, one with a cup bowl on a double series opaque twist stem, another with a round funnel bowl engraved with a trellis border over a plain stem, the last with petal cutting to the base of the bowl, raised on a knopped facet cut stem, 18cm max. (3) £100­200

1096 Three small wine glasses, c.1750­60, with round funnel bowls raised on varying double series opaque twist stems, 16cm max. (3) £100­200

1097 Four wine glasses, c.1750­60, three with moulded round funnel bowls, engraved with grapevine or floral bands, the last an ogee bowl with moulded flutes, the rim engraved with trellis panels, all raised on double series opaque twist stems, 14.8cm max. (4) £200­300

1098 Three ale glasses or flutes, c.1760­70, one with drawn trumpet bowl engraved with hops and barley over a plain stem, another Continental and raised on a double series opaque twist stem, the last raised on a facet cut stem, 20.7cm max. (3) £100­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1099 Three wine glasses, c.1760, with round funnel or bell bowls, two raised on airtwist stems with shoulder and central knops, the last with a solid base enclosing a row of beads, the airtwist stem with a shoulder knop, 16.7cm max. (3) £250­350

1100 Two wine glasses, c.1750­60, one with a pan­topped bell bowl over a mercury twist stem, the other with a pan­topped bucket bowl over a dense airtwist stem, 16.8cm max. (2) £150­250

1101 Three large wine glasses, c.1750­80, the largest with a trumpet bowl engraved in diamond point with ‘J M Pilling’, over a swollen plain stem enclosing a tear, another with a bell bowl over a plain stem, the last with a drawn trumpet bowl over a plain stem with large tear and a folded conical foot, 19cm max. (3) £200­300

END OF COLLECTION

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1102 A large wine glass or goblet, c.1760, the generous ogee bowl engraved with a continuous band of grapevine, raised on an opaque twist stem, and an ale glass with slender round funnel bowl engraved with hops and barley above a double series opaque twist stem, 18cm max. (2) £200­300

1103 Two large wine glasses, c.1760, with bucket bowl, the larger with a dense airtwist stem, the other on an opaque twist stem, 18.8cm max. (2) £150­250

1104 Two sweetmeat glasses, c.1760, one with scalloped rim raised on a pedestal stem and moulded domed foot, the other with everted scalloped rim to the ogee bowl, raised on a knopped and faceted stem above a petal cut domed foot, small rim chips, 16.2cm max. (2) £100­200

1105 Two sweetmeat glasses, c.1750­60, with ogee and shallow bell bowls raised on pedestal stems above folded feet, the larger with a small chip to the rim, 19.5cm max. (2) £100­200

1106 Two pedestal stem sweetmeats or goblets, c.1750­60, the rounded bowls with everted rims, one cut with a band of lappets, the other engraved with a band of ribbon, raised on pedestal stems above annulated knops, one on a domed folded foot, 16.7cm max. (2) £200­300

1107 Two large wine glasses or goblets, c.1760, with generous bucket bowls raised on varying double series airtwist stems, 19.8cm max. (2) £200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1108

1109

1110

1111

1108

A large wine glass, c.1760, with a slender pan­topped bowl raised on a stem enclosing a cable airtwist, 18.9cm.

1109

A large wine glass, c.1750­60, the bell bowl raised on a thick airtwist stem with double collar, above a slight domed foot, the foot possibly reduced, 18.2cm. £100­200

1110

A balustroid ale glass, c.1740, with a slender round funnel bowl, raised on a balustroid stem with shoulder collar knop, central and basal knops, above a folded conical foot, 18.3cm. £150­250

1111

A large wine or ale glass, c.1750­60, with a generous bell bowl raised on a plain stem and conical foot, 19.8cm.

1112

Four wine or ale flutes, c.1760, the slender drawn trumpet bowls with everted rims, raised on double series opaque twist stems above conical feet, 19.4cm. (4) £300­500

1112

£150­250

£100­200

23

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1113 A Dutch engraved goblet, mid 18th century, the tall bowl well engraved with a figure tilling the earth with horses, and with a ship at sail, the rim inscribed ‘Het Lans wel Vaaren an de Caap’, raised on an inverted baluster stem with basal knop above a folded conical foot, 20cm. £150­250

1114 A German goblet, mid 18th century, engraved with an armorial above initials, the reverse with a semi­erotic scene of a reclining lady showing her legs, an inscription above roughly translating to “Isn’t that a beautiful figure; about it my nature stirs”, raised on a faceted baluster stem above a folded foot, 19.7cm. £200­300

1115 A Dutch­engraved baluster goblet, c.1740­50, the rounded funnel bowl engraved with the Royal coat of arms flanked by crowned lions and bearing the motto of the Order of the Garter ‘Honi Soit Qui Mal Y Pense’, raised on a baluster stem enclosing two tears above a wide conical foot, 18.8cm. £400­600 Green collector’s number for the Walter F Smith Collection.

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1116 A Dutch wine glass or goblet, mid 18th century, engraved with a ship at sail, inscribed ‘Het Lands wel Vaaren aan de Caap’, the reverse with a flower spray, raised on an inverted baluster stem and folded foot, 18.5cm. £150­250

1117 A champagne or mead glass, c.1750­60, the ogee bowl moulded with ribs and well engraved with a fine foliate band, raised on a pedestal stem above an annulated knop and moulded foot, 14.7cm. £400­600

1118 A large armorial goblet, late 18th century, the cup bowl engraved with a coat of arms surmounted by a lion crest, raised on a plain stem, the pontil mark over­engraved with a sunflower, 20.5cm. £150­250

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1119 Three Dutch wine glasses, 2nd half 18th century, one with a bell bowl engraved with swags and raised on a double knopped colour twist stem with red and white canes, another with a rounded funnel bowl engraved with the crowned initials ‘LY’ and date ‘1779’, raised on an opaque twist stem, the last elaborately engraved with decorative panels and raised on a faceted stem, 16cm max. (3) £200­300

1120 Three small wine glasses, c.1760, with ogee bowls, raised on varying double series opaque twist stems, 14.8cm max. (3) £150­250

1121 Three toasting glasses or flutes, mid 18th century, the drawn trumpet bowls raised on slender plain stems above conical feet, one with a crack to the foot, 20.3cm max. (3) £300­500

1122 Two wine glasses, c.1780­1800, one with a long round funnel bowl engraved with the Prince of Wales feathers and the motto ‘Ich Dien’, another with Masonic emblems and the initials ‘JA’, and a small liqueur glass, all raised on faceted stems, 18cm max. (3) £100­200

1123 Three small glasses, c.1750­70, one a two­handled jelly glass, the funnel bowl applied with scroll handles, raised on a folded foot, a small dram glass engraved with a ship and powder horn, and a dram or firing glass with round funnel bowl, 12.2cm max. (3) £100­200

1124 Two firing glasses, c.1760, with ogee bowls, one moulded with flutes to the base, both raised on short opaque twist stems above stepped firing feet, 10.2cm max. (2) £150­250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1125

1126

1127

1128

1125

A Bohemian cut glass goblet and cover, 19th century, gilded with a continuous scene of a bear hunt, with dogs, huntsmen and figures on horseback among trees, raised on a faceted stem, a repair to the rim, 24.3cm. (2) £150­250

1126

A façon de Venise multi­knopped large goblet, 17th century, Netherlands, the round funnel bowl raised on a triple­knopped hollow stem, with replacement metal foot, 23.2cm. £250­350

1127

A tall toasting or ale flute, 18th century, the slender flared form raised on a short baluster and wide foot, 27cm.

1128

A rare ratafia glass or toasting flute, c.1760­80, the slender bowl engraved with a banner inscribed ‘Honi Soit Qui Mal Y Pense’ encircling the glass, raised on a double knopped airtwist stem, 18.7cm. £250­350

1129

Seven drinking glasses, c.1750­1820, including a rare Jacobite drawn trumpet glass engraved with a carnation and moth and raised on a double knopped airtwist stem, a large glass with a bell bowl raised on a plain stem and folded foot, a small wine engraved with a bird and flower, another with a band of polished circles, a spiral­moulded mead glass, a pair of small glasses on facet stems, a pair of small salts raised on lemon squeezer bases, and a small moulded two­handled glass, and a cut glass jug, 18.8cm max. (13) £500­800

£200­300

1129 27

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1130 A privateer wine glass, c.1780, the drawn trumpet bowl engraved ‘J Barton / Success to the Unity’, raised on a plain stem with a long teardrop above a folded conical foot, 17.8cm. £500­800 More than one ship called The Unity was involved in the American Wars of Independence, and it is likely that this glass relates to one of them.

1131 A documentary wine glass, dated 1756, the drawn trumpet bowl inscribed ‘Joseph Cockerill Scarbro 1756’, raised on a plain stem enclosing a long tear above a conical folded foot, 18cm. £400­600

1132 A probable privateer glass, c.1750­60, the drawn trumpet bowl engraved with a ship and the inscription ‘Ye London Rob Yong of Pool’, raised on a plain stem enclosing a large tear above a folded conical foot, 16.8cm. £400­600 A Robert Young is recorded as having been granted letters of marque in 1756 for a ship called Somerset, and again in 1757 for a ship called St Kitts Planter.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1133 A large Beilby goblet, c.1765, the generous bucket bowl enamelled with a growing grapevine, the reverse with an insect in flight, raised on an opaque twist stem above a domed and folded foot, 20.2cm. £800­1,200

1134 A Jacobite goblet, c.1770, the round funnel bowl engraved with a rose and bud spray, an oak leaf, star and ‘Fiat’, raised on a faceted stem above a rose cut foot, 17cm. £250­350

1135 A rare Jacobite wine glass, c.1745­55, engraved with the motto ‘Turno Tempus Erit’ above a rose spray, raised on an inverted baluster airtwist stem and a folded foot, 17cm. £600­1,000

1136 A rare Jacobite wine glass, c.1760­80, the round funnel bowl enamelled with a polychrome portrait of Prince Charles Edward Stuart, raised on a double series opaque twist stem, 15.3cm. £800­1,200

The phrase Turno Tempus Erit is probably borrowed from Virgil, and roughly translates to mean ‘The time will come’; perhaps an insinuation that the Hanoverian victory at the Battle of Culloden could be short­lived.

This glass bears marked similarities to a set of six commissioned c.1775 by Thomas Erskine, later 9th Earl of Kellie, who was a member of a group of aristocratic Jacobites who continued to celebrate Bonnie Prince Charlie’s birthday until his death in 1788.

29

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1137 A Jacobite wine glass, c.1750, the drawn trumpet bowl engraved with a rose and bud spray, a star and ‘Redeat’, above a dense airtwist stem and conical foot, 16.8cm. £600­800

1138 A wine glass of possible Jacobite significance, c.1760­70, the rounded bowl engraved with a bee alighting on a large sunflower, raised on a plain stem and conical foot, 16.3cm. £150­250 The sunflower was considered a symbol of Jacobite loyalty, as the flower follows the path of the sun just as Jacobites followed the path of their perceived true king.

1139 A wine glass of possible Jacobite significance, c.1760, the round funnel bowl well engraved with a carnation spray and the initials ‘J S’ separated by a flying insect, raised on a plain knopped stem, 15.1cm. £150­250

1140 A wine glass, c.1765, the ogee bowl engraved with a head and shoulders portrait of a sultan wearing a turban, flanked by foliate sprays, the reverse with fruiting grapevine, raised on a double series opaque twist stem and conical foot, 15.7cm. £300­500 Provenance: The A C Hubbard Collection, Bonhams, 30th November 2011, lot 127.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1141 A near pair of small wine glasses, c.1760, with pan­topped bowls raised on airtwist stems with a swollen central knop, 15cm max. (2) £100­200

1142 Two large wine goblets, .1750, with rounded bowls raised on plain stems above domed feet, 19cm max. (2) £150­250

1143 Two large wine glasses, c.1730­40, with generous bell bowls raised on heavy plain stems, one on a domed foot, the other on a folded conical foot, 17.5cm max. (2) £150­250

1144 Two wine glasses, c.1750­60, one with an ogee bowl raised on a double series airtwist stem, the other with a round funnel bowl over a dense airtwist stem, 15.8cm max. (2) £100­200

1145 Two large wine glasses, c.1760, with ogee bowls, one moulded with flutes to the base, both raised on double series opaque twist stems above conical feet, 17.2m max. (2) £150­250

1146 Two wine glasses, c.1740­50, one with a round funnel bowl over a plain stem enclosing a single tear over a helmet foot, the other with a drawn trumpet bowl over a plain stem with swollen knop enclosing a tear, on a folded conical foot, 17cm max. (2) £250­350 The first glass with a paper label for the Paul Kettle Collection.

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1147

1148

1149

1150

1147

An ale glass, c.1760, with slender round funnel bowl raised on a mercurial airtwist stem above a conical foot, 19.7cm.

1148

A wine glass, c.1760, with an elongated round funnel bowl raised on a dense airtwist stem beneath two collars, on a conical foot, 19.2cm. £100­200

1149

A small wine glass, c.1760, with a slender flared bucket bowl engraved with a band of fruiting grapevine, raised on a plain stem and conical foot, 14.5cm. £100­200

1150

A wine glass, mid 18th century, the round funnel bowl lightly engraved ‘EP Sept. 27th 1760’, raised on a plain stem with shoulder knop above a folded conical foot, the engraving probably a little later than the glass, 15.4cm. £100­200

1151

Six wine flutes, c.1760, the slender drawn trumpet bowls with slightly everted rims, rising from double series opaque twist stems above conical feet, 19.5cm max. (6) £500­800

32

1151

£150­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1152 Two wine glasses, c.1750­60, one with a drawn trumpet bowl raised on a dense opaque twist stem, the other with a round funnel bowl raised on a short double series opaque twist stem on a thick foot, 17.8cm max. (2) £100­200

1153 Two wine glasses, c.1760, one with a large bell bowl, the other with a smaller round funnel bowl, both raised on double­knopped airtwist stems above conical feet, 18.2cm max. (2) £200­300

1154 Two wine glasses, c.1760, with round funnel bowls, one raised on a double­knopped airtwist stem, the other on an airtwist stem with inverted baluster shoulder knop, 17.1cm max. (2) £150­250

1155 Two balustroid wine glasses, c.1740, with deep round funnel bowls, raised on knopped stems above conical folded feet, one glass of a pale green hue, 13.1cm max. (2) £150­250

1156 A rare champagne or mead glass, c.1750, the generous ogee bowl raised from a short baluster stem enclosing a tear, above a domed folded foot, 12.5cm. £300­500

1157 A pair of commemorative glass goblets, dated 1805, the funnel bowls engraved ‘Admiral Lord Nelson Victory at Trafalgar 1805’, raised on short stems with blade knops, 19.2cm. (2) £100­200

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1158

1159

1160

1158

A goblet or sweetmeat glass, c.1750, the deep rounded bowl moulded with vertical ribs, raised on a knopped baluster stem above a moulded domed foot, 16.3cm. £100­200

1159

A large wine goblet, c.1760, the generous cup bowl raised on a double series opaque twist stem above a conical foot, 17.8cm.

1160

An English roemer, c.1750, the rounded bowl with vertical moulded flutes, raised on a hollow stem applied with raspberry prunts above a conical trailed foot, 12cm. £250­350

1161

A large wine glass or goblet, c.1760, the generous pan­topped bowl raised on an airtwist stem with swollen knop, 20.5cm.

1162

A large wine glass, c.1740, with a generous round funnel bowl, the stem with a short plain section above an inverted baluster knop enclosing a large tear, above a folded conical foot, 17.1cm. £150­250

1163

A large wine glass or goblet, c.1750, with a generous bucket bowl raised on a thick plain stem above a folded foot, 18.4cm.

Paper label for the Paul Kettle Collection.

1161 34

1162

1163

£150­250

£150­250

£150­250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1164 Three ‘Liege à Traforato’ openwork baskets and two stands, late 18th/19th century, one basket applied with two handles, the stands with recessed wells, 23.5cm max. (5) £100­200

1165 Two glass tazzae, c.1730­40, the larger with a wide circular top raised on an annulated inverted baluster stem above a domed and folded foot, the smaller with a galleried rim, on a hollow stem with a domed and folded foot, 33.5cm max dia. (2) £150­250

1166 Two small tazzae or stands, c.1730­50, with flat circular tops with galleried rims, one raised on a baluster stem with shoulder and basal knops above a domed folded foot, the other on a spreading folded foot, 14cm max dia. (2) £150­200

1167 Three glass tazzae, c.1740­60, the flat circular tops with galleried rims, raised on pedestal stems above domed folded feet, some faults, 26.5cm max dia. (3) £100­200

1168 Two pairs of decanters, 19th century, one pair of ship form with wide shallow bodies, the tall necks cut with four neck rings, fitted with flattened circular stoppers, the other pair of globular form and etched with a portrait of Robert Burns, the stoppers lacking from the latter pair, 23cm max. (6) £100­200 35

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1169 A tall glass tazza, c.1740, the flat circular top with a galleried rim, raised on a bobbin stem of six hollow knops above a folded conical foot, 17cm high x 18.7cm dia. £100­200

1170 A small baluster tazza, c.1725, the slightly recessed circular top with an everted gallery rim, raised on a baluster stem with annulated and basal knops above a domed and folded foot, 20.4cm dia. £150­250

1171 A large glass tazza, c.1740, the wide circular top with a galleried rim, raised on a bobbin stem with seven shallow knops, above a domed folded foot, 36.8cm dia. £200­300

1172 An opaline glass tazza, c.1800, the circular top with a lipped rim, jewelled and gilded with a semi flowerhead border, raised on a spreading folded foot, 26.2cm dia. £250­350 Provenance: Christie’s, 14th June 1986, lot 218.

1173 A glass baluster tazza, c.1725­30, the flat circular top with star­ shaped moulding to the underside, supported on an annulated inverted baluster stem with basal knop above a domed and folded foot, 24.3cm dia. £150­250

36

1174 A glass baluster stem tazza, c.1725, the flat circular top with a slightly flared rim, raised on a baluster stem with annulated knop above a plain section enclosing a tear above a basal knop, over a domed folded foot, 22.5cm. £150­250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1175 A glass punch bowl, c.1760­70, moulded with a honeycomb design, with folded everted rim, 26cm dia. £150­250

1176 Three glass flasks, late 18th/19th century, of flattened form, one Scottish and engraved to ‘Ebenezer Allan Esq’ above ‘Wae a wee drop o the Cratur’, another with honeycomb moulding, the last finely blown and moulded with foliate swirls, 22.8cm max. (3) £200­300

1177 A glass two­handled porringer, early 18th century, the shallow bowl with moulded gadrooning beneath an engraved band of grapevine, 18cm across. £300­500

1178 A large glass tumbler or beaker, late 18th century, the flared sides engraved with a large lily spray, the reverse with the initials ‘JL’ within laurel branches, 12.8cm. £100­200

1179 A dram glass of possible Jacobite significance, c.1760­70, the straight­sided bowl engraved with a continuous band of roses, raised on a short knop stem and domed foot, 10.2cm. £100­200 Paper label for the Paul Kettle Collection.

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1180

1181

1182

1183

1180

A wine glass, c.1760, with a round funnel bowl raised on a multi­knopped airtwist stem above a conical foot, 17.2cm.

1181

An unusual wine glass, c.1760, the ogee bowl engraved with a growing vine branch issuing from the ground, raised on a double series opaque twist stem on a conical foot, 14.8cm. £100­200

1182

A small deceptive glass, late 18th century, the thick round funnel bowl engraved with ‘TEMPERANCE’, raised on a plain stem and thick conical foot, 12.8cm. £200­300

1183

A composite stem wine glass, c.1750­60, with a bell bowl raised on a stem with a shoulder knop enclosing a row of tears above a plain section with a long tear above a conical foot, 17cm. £200­300

1184

£150­250

1185

1184

A baluster sweetmeat glass, c.1740, the flared bowl moulded with wide flutes, raised on a baluster stem with annulated knop above a domed and stepped foot, 15.1cm. £200­300

1185

A glass mug, late 18th century, the slightly waisted form trailed with ovals and concentric bands in blue, with a wide ridged handle, 10.3cm. £200­300

38

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1186

1187

1188

1186

A baluster glass or goblet, c.1725­30, the bell bowl raised on a baluster stem with annulated knop over a short plain section enclosing a tear above a basal knop, over a domed and folded foot, 19.2cm. £500­800

1187

A façon de Venise goblet or wine glass, 18th century, probably Netherlands, the generous round funnel bowl raised on a ‘Silesian’ pedestal stem above a folded conical foot, 18cm. £200­300

1188

A light baluster glass, c.1740, the bell bowl raised on a hollow baluster stem above a basal knop and conical folded foot, 14.5cm.

1189

1190

£250­350

1191

1189

A large wine glass or goblet, c.1750­60, the ogee bowl with moulded flutes to the base, raised on a double series opaque twist stem, 19.4cm. £150­250

1190

A baluster wine glass, c.1725­35, with a bell bowl raised on a baluster stem with a swollen plain section between mereses above a basal knop, raised on a folded conical foot, 16.7cm. £500­800

1191

A green wine glass or goblet, c.1760, of an emerald hue, the rounded bowl raised on a knopped stem above a folded foot, 10.8cm. £100­200 39

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1192 A rare pair of massive Cork (Irish) bottle decanters, dated 1761, of double magnum size, the straight­sided octagonal forms each engraved ‘ABm Devonsher 1761’, the necks with string rims, with concave bases, 34.5cm. (2) £1,200­1,800 Abraham Devonsher was a banker and MP for Rathcormac. He commissioned the building of Kilshannig House in Rathcormac in the 1760s, where these bottles of exceptional size would no doubt have been used. He died without issue in 1783.

1193 A massive pair of Irish cut glass decanters and stoppers, c.1800, of double magnum size, the chamfered square forms engraved with the lion crest of the Devonsher family, the reverse with the monogram ‘AD’, the shoulders lightly cut, with faceted stoppers and starcut bases, some chipping to the rims, 33cm. (4) £800­1,200 These decanters are likely to have been made for Abraham Newenham Devonsher of Kilshallig. When Abraham Devonsher MP died without issue in 1783 (see previous lot) his estate was left to John Newenham, who changed his name to Devonsher and passed it in turn to his own son, Abraham.

Abraham ran into financial difficulties and the estate was sold some time before 1837. He was married to Louisa Charlotte Cooke, the only child of Captain John Cooke who captained HMS Bellerophon at Trafalgar.

1194 A pair of cut glass sweetmeat jars and covers, early 19th century, the deep U­shaped bodies cut with horizontal bands, raised on square bases, the domed covers with cut ball finials, 34.5cm. (4) £150­250

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1195 A glass tea canister and stopper, late 18th century, of chamfered rectangular form, engraved with flowers around the word ‘Green’, the reverse with birds and the initials ‘EC’, and a small decanter and stopper, engraved and polished with a flower spray beneath a facet cut neck, the canister’s stopper associated, 24cm max.

(4) £100­200

1196 A magnum beer decanter and stopper, c.1770, the tapered shape engraved with a bottle ticket inscribed ‘BEER’ with hops and barley suspended, with a flattened faceted stopper, 33.8cm. (2) £800­1,200

1195

1196

1197

1198

1199

1200

1197 A cruciform carafe or stopperless decanter, c.1740, the heavy body issuing a long tapering neck, string rim to the neck, 21.3cm. £100­200

1198 A small cruciform carafe or stopperless decanter, c.1740, the long tapering neck applied with an annulated neck ring, 22.8cm. £100­200

1199 An Elkington & Co cut glass carafe, 19th century, the ovoid body cut with crosses and polished ovals, rising to a slender faceted neck, with plate metal mounted hinged stopper, 32.5cm. £80­120

1200 A silver­mounted novelty claret jug, 19th/20th century, modelled as an aquatic bird with green glass body and silver head with a long beak, 18.2cm high. £100­200

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1201 A Nailsea decanter or carafe, mid 19th century, of bottle form with white striations, and three small vases, two with coloured filigree decoration, the last striated to imitate hardstone, 22.5cm max. (4) £100­200

1202 A latticino glass beaker, late 18th century, the waisted form with filigree bands of white, 12.6cm. £150­250

1203 Two small Nailsea or Wrockwardine flasks, c.1800, the flattened forms combed in white on a dark brown ground, a small surface chip to one rim, 12.2cm max. (2) £100­150

1204 Eight coloured glass bulb vases, late 18th century and later, including four hyacinth vases in amethyst, amber and cobalt blue, a Tye amethyst glass crocus vase and two other crocus vases, and a small pale lilac acorn vase, one crocus vase repaired to the rim, 17.8cm max. (8) £100­200

1204

1205 Six coloured glass hyacinth bulb vases, 19th/early 20th century, with squat gloublar bodies rising to narrower necks and swollen rims, four in amethyst glass, one emerald green, the last cobalt blue, 15.2cm max. (6) £100­200

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1206 Eight coloured glass hyacinth bulb vases, 19th century, of varying tall tapered form with swollen rims, four in amethyst glass, two green, one amber and one blue, 21.7cm max. (8) £100­200

1206

1207 Six coloured glass hyacinth bulb vases, 19th century, four of tapering form with swollen necks, two of baluster form, raised on circular feet, the glass different shades of blue, green, amber and amethyst, and a late 18th century clear glass bulb vase, 23.5cm max. (7) £100­200

1207

1208 A pair of Bohemian glass lustres, 19th century, the green glass flashed in white and painted with polychrome flowers, set with removable candle sconces and hung with eight lustres, and a larger opaline green lustre with gilt vine motifs, hung with eight long lustres, 27.8cm max. (3) £300­400

1209 A large pair of pink flashed glass lustres, late 19th century, decorated with jewelled and gilt flower sprays, each hung with two rows of eight lustres, and a similar glass vase, enamelled with white foliate motifs, 32.2cm max. (3) £150­250

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1210 A tall Thomas Webb (Stourbridge) cameo glass vase, c.1880­90, finely enamelled with butterflies around a large spray of blossoming branches, reserved on a blue ground, 30cm. £600­800

1211 A Steven & Williams (Stourbridge) cameo glass vase, late 19th century, decorated in white with a branch of flowering magnolia on a blue ground, etched mark to the base, some chipping to the rim, probably previously silver­mounted, 10.3cm. £100­200

1212 A Lithyalin glass vase, c.1840, attributed to the workshop of Friedrich Egermann (Blottendorf), the twelve­sided form with striations in shades of orange and green, with flared neck and circular foot, 24cm. £300­500

1213 A Bohemian Lithyalin glass vase, c.1840, of double­gourd shape, marbled in shades of brown and green, 21cm. £100­200

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1214 James Tassie (Scottish 1735­99) A matched pair of glass paste profile portrait plaques of Margaret Mair and Christian Alexander, dated 1797 and 1791, each impressed to the shoulder with the sitter’s name and date, both signed ‘Tassie F’, mounted in later brown velvet oval frames, one broken and restuck, 22cm overall. (2) £400­600

1214

1215 James Tassie (Scottish 1735­99) A pair of glass paste portraits, depicting George III and Queen Charlotte in profile, marked with an Imperial crown to each shoulder, each mounted in an oval wood frame, 9.2cm overall. (2) £400­600

1215

1216 A Wedgwood & Bentley black basalt plaque of Louis XVI, c.1772­ 80, modelled in high relief with a profile portrait of Louis XVI, impressed title, impressed mark to the underside, mounted in a gilt metal and ebonised wood frame, the plaque 7.5cm. £400­600

1217 A Wedgwood tricolour Jasperware plaque, 19th century, finely decorated in white with two Classical maidens approaching a reclining Cupid, on a sage green ground within a palmette border on blue, impressed mark, mounted in a gilt metal frame, 13.4cm overall. £100­200

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1218 A large Wedgwood black basalt pot pourri vase with inner and outer covers, 19th century, the ovoid body enamelled with exotic birds perched on rockwork amid flowering branches, the outer cover pierced with small holes, impressed mark, the inner cover broken and riveted, 27cm. (3) £100­200

1219 A Spode black basalt and redware chamberstick, 19th/20th century, modelled as a dolphin being embraced by a mermaid, its tail supporting the sconce, impressed mark, 16.2cm high. £100­150

1220 A James Dudson (Staffordshire) drabware teapot and cover, late 19th century, finely applied in white with fruiting grapevine garlands issuing from mythical masks, the cover with a band of oak, impressed mark inside the cover, 19.2cm. (2) £100­200

1221 Two Dutch redware teapots, 18th century, the squat bodies applied with flowerheads, the larger with an impressed mark, and a silver­ mounted brown stoneware mustard pot, sprigged with topers, a windmill and trees, the teapots’ covers lacking, a hole to the larger, 15cm max. (3) £100­200

1222 A large pair of Wedgwood pearlware shell dishes, 19th century, naturalistically decorated with bands of a lustrous pink with yellow decoration to the wells, impressed marks, some wear, 30.4cm. (2) £80­120

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1223 A Staffordshire slipware dish, 18th century, with combed decoration in treacle and cream slip, some wear, 38cm. £600­800

1224 Two post medieval earthenware jugs, one c.16th century and decorated to the interior and rim with a Tudor green glaze, the other late 18th/19th century and decorated with stylized flower sprays in cream slip on a treacle lead glaze ground, some faults, 15cm max. (2) £200­300

1225 A small North Devon slipware jug, dated 1874, probably Bideford, with incised decoration into cream slip of sailing boats between tall stylized flower and leaf stems, and with a coin with a hole inscribed ‘Penny’, a rim crack, 13.3cm. £400­600

1226 A rare Buckley Pottery desk stand, 1st half 19th century, the marbled rectangular form surmounted with two pineapple moulded barrel vases, the sides with looped decoration in treacle and cream slip, 21.3cm. £250­350 Cf. Buckley Pottery, the Craft and History of the Buckley Potters, Mostyn Art Gallery, p4, top right for a similar stand.

1227 Two medieval encaustic tiles, c.14th century, each decorated with a rhombus containing broad stripes in cream and treacle slip, with circular motifs to the corners, some chipping, 12cm. (2) £200­300

1228 A slipware jar and cover, dated 1873, the cylindrical form inscribed ‘Edward Daniels 1873’, a creamware teapot painted with blue tits and other birds, a Pratt ware jug moulded with scenes of children, and a brown stoneware moonflask moulded with foliate bands, damages and losses, 19cm max. (5) £100­150 47

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1229 A James & Ralph Clews blue and white transferware meat dish, c.1818­34, from the Indian Sporting Series after Spode, decorated with figures leashing hounds in preparation for the hunt, the rim with vignettes of exotic animals, impressed mark, 47.5cm. £300­400

1230 A John Rogers blue and white transferware tureen with cover, ladle and stand, 1st half 19th century, printed with English views, and a circular creamware tureen and cover with matching serving dish, the lobed form with a gourd finial, some repairs and restoration, 39cm max. (7) £100­200

1231 Four Porquier­Beau Quimper plates, late 19th century, one painted with a bird perched on a vine branch, one with butterflies and other insects, one with a butterfly in flight above blossom, the last with botanical sprays, blue PB monograms, rim crack to one, 23.3cm. (4) £200­300

1232 A large Paris Palissy type dish, late 19th century, by François Maurice, applied with a small figure seated with the bagpipes among ferns and beside a large snail, applied elsewhere with a snake, a lizard, a frog and a butterfly, signed ‘F Maurice’, some losses, 53.5cm. £150­250

1233 A Majolica tureen stand and a narrow basket, 2nd half 19th century, the rectangular stand applied with a band of leaves, the Minton basket formed as a nailed fence applied with leaves, a Continental Majolica vase applied with bulrushes and raised on the back of a swan, and a small stand printed and coloured with a spray of rose, 31cm max. (4) £100­200

1234 Six Wedgwood Majolica octagonal plates, c.1867, the wells moulded in relief with scenes of putti dancing and among clouds, one with figures in a rowing boat, the rims with oak leaf garlands on a brown ground, impressed marks, 24.5cm. (6) £250­350

Provenance: property of a lady of title.

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1235 A Minton Majolica jardinière base, c.1875, set with two satyrs and two nymphs holding various attributes, each seated above a scroll foot with stylized flowerhead design, around a central pillar support (lacking), impressed marks, some losses, 33.5cm high. £100­200

1236 A Minton Majolica teapot and cover, c.1860, the body modelled as a yellow gourd applied with leafy stems, the cover’s finial formed as two small mushrooms, faint impressed mark, minor chipping, 18.2cm across. (2) £400­600

1237 Two Minton Majolica fish dishes, c.1869­71, each modelled as an open­mouthed fish, detailed in green, yellow and brown glazes, printed marks and date codes, and a Majolica jug modelled with a ropetwist handle, 25cm max. (3) £100­200

1238 A Minton Majolica game tureen with liner and cover, date code for 1877, the oval basketweave dish with entwined branches of oak leaves, the cover surmounted with dead game including a hare, duck and rook lain on a ground of fern and oak leaves, impressed mark to the base, 36cm. (3) £150­250

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1239 A Castelli maiolica plate, mid 18th century, painted in a muted palette with fauns and putti frolicking beneath trees with a village scene in the distance, 24.3cm. £100­200

1240 An Italian maiolica mask jar, late 18th century, Caltagirone, modelled as the face of a Moor with elaborate moustache and goatee beard, his ears with blue disc earrings, highlighted in blue, yellow and manganese, 21.5cm. £200­300

1241 An early Italian maiolica tile, c.1550­80, painted in blue, green, yellow and ochre with a putto mask above spread angel wings, beneath an ovolu border, some surface cracking, 13.4cm. £200­300

1242 A massive pair of Delft blue and white plaques, 19th century, painted in blue with farming scenes, above large mythical masks and foliate scrolls, with galleried rims, 59cm. (2) £300­400

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1243 Two Dutch Delft tiles, 17th century, one painted in shades of blue, green and ochre with a camel in a rhomboid panel, the other with a split pomegranate within fleur de lys borders, the first tile restored, 13.3cm max.

(2) £200­300

1244 A pair of London delftware tiles, c.1740, painted in blue, one with a seated fox, another with a sheep or other cloven­hoofed animal, each beside a low tree, some chipping, 13.2cm max. (2) £300­500

1245 A rare Liverpool delftware tile, c.1760, painted in manganese with a bear standing with head slightly turned, a chip to one corner, 12.7cm. £300­500

1246 Three delftware tiles, mid 18th century, two with octagonal panels containing figures in a horsedrawn cart and a hut below a tree, the last with a flower­shaped panel containing a figure and dog, reserved on powdered manganese grounds with blue floral motif corners, 12.8cm. (3) £150­250

1247 Three Liverpool delftware tiles, c.1760­70, printed in black by John Sadler, one with ‘The baby’s toilet’ from an engraving by Jan Both of the Five Senses, a baby being changed on the lap of a peasant woman, another with a street scene of a girl dancing to a fiddler, signed ‘J Sadler Liverpool’, the last with a couple courting beneath a tree after Boucher’s Les Amours Pastorales, minor chipping, 12.8cm. (3) £150­250 51

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1248 A Portuguese maiolica albarello, c.1675, the waisted form painted with panels of flowering branches in blue with ochre highlights, the neck and foot with a wide striped band, a small rim chip, 23.5cm. £400­600

1249 An Italian maiolica drug jar, c.1740, the ovoid body inscribed ‘Trigonella’ on a scroll panel among fruiting branches on a pale blue ground, raised on three claw feet and applied with elaborate scroll handles, 22cm. £200­300 The best known member of the Trigonella genus is the herb fenugreek, which has been used as a culinary ingredient since ancient times and had a traditional medicinal use to aid nursing mothers.

1250 A Delft dry drug jar, 2nd half 18th century, the cylindrical form painted in blue with a narrow blank cartouche topped by two peacocks flanking a basket of fruit, a cherub beneath, some good restoration to the rim, 14.3cm. £100­200

1251 A Continental faïence drug jar, mid 18th century, probably Ludwigsburg, the slight dumbbell form painted in blue with the inscription ‘Rob. Moror.’ within leaf swags, interlaced Cs mark to the base, 17.6cm. £150­250 Among other ailments, mulberries are used to treat high cholesterol, high blood pressure, joint pain and tinnitus.

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1252 Two Delft drug jars, c.1740, Low Countries, the larger inscribed ‘U Rosatum’, the smaller ‘Et Fumariæ’, both within elaborate cartouches surmounted by peacocks flanking baskets of fruit, the smaller raised on a wide conical foot, some chipping, 19.8cm max. (2) £300­400

1253 Two Delft tobacco jars, 18th century, one painted in blue with a native American sitting on a plinth beside a jar inscribed ‘Pompadoer’, the other with figures beside barrels and with a ship’s mast beyond, inscribed ‘St Domingo’, each marked beneath for the Three Bells (Drie Klokken) factory, with brass covers, 31.3cm overall. (4) £500­800

1254 A pair of Lambeth delftware drug jars, c.1730­40, the baluster forms inscribed in blue for ‘Ung: Basil:FL’ and ‘Ung: Alb’, within narrow cartouches surmounted by angels holding flower stems, some cracking, 19.5cm. (2) £2,000­3,000 The ingredients of Unguentum Album included rose water, camphor and white wax; the ointment was used in the treatment of burns and skin ulcers. Basil has anti­ inflammatory properties and would also have been used as an ointment against skin inflammation.

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1255 An early delftware dry drug or pill jar, c.1680, painted in blue with an angel with outstretched wings above a banner inscribed ‘LENTIV: E’, a 13cm rim crack, chipping to the neck and foot, 18.3cm. £600­800 Lenitivum was an electuary made from prunes, liquorice, senna and tamarind pulp. Unsurprisingly, given the ingredients, it had a purgative effect.

1256 A delftware wet drug or syrup jar, mid 18th century, the globular body painted in blue with the inscription ‘S: CROCI:’ within a shaped cartouche surmounted by birds in branches, with a wide strap handle and short knopped spout, all raised on a flared foot, 18.5cm. £400­600 Syrup of saffron was used as a colouring and flavouring agent in medicinal preparations but sparingly; it being an abortifacient and a fatal poison in larger quantities. It was also used to treat nervous disorders.

Paper label for Jonathan Horne Antiques.

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1257 A large pair of Delft wall pockets, 18th century, the cornucopia forms with deep moulding, painted in polychrome enamels with insects in flight above flower sprays, the shaped rims with foliate scrolls over a trellis ground, red APK marks for Adriaen Pieter Kocks, 35.5cm. (2) £500­800

1258 A Liverpool delftware puzzle jug, c.1740­60, the squat body inscribed with a four line wager inviting the drinker to ‘come try your Skill’, beneath a tall neck pierced with a geometric design, the rounded rim with three short spouts, a glaze crack to the handle, 17.6cm. £500­700

1259 A Delft cistern and cover, probably 18th century, after Adriaen Kocks, moulded with swags and two mask handles, painted with spouting dolphins, fountains and formal foliate borders, AK monogram, with metal fitting issuing from a mask, some repairs to the cover, a long body crack, 29.5cm. (2) £150­250

1260 A Frankfurt faïence ewer, late 17th/early 18th century, the ovoid moulded body painted in blue with Chinese figures in a continuous landscape, the narrow flared neck with a formal foliate design, the pewter mount lacking, 27.5cm. £100­200

Old paper collection label.

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1261 A London delftware Royal blue dash charger, c.1690­95, painted with a full length standing portrait of William III, crowned and holding an orb and sceptre, wearing a long ermine robe, flanked by trees, inscribed ‘WR’, within a blue dash and yellow border rim, the underside with a bluish­buff lead glaze, 34cm. £2,000­3,000

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1262 A delftware Royal charger, c.1690­1700, probably London, painted with a full length standing portrait of King William III in armour, holding an upright sword in his right hand and with his left on his hip, inscribed ‘KW’ above, within a double manganese line border, the underside with a greenish lead glaze, restored, 34.5cm. £1,500­2,000

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1263 A London delftware plate of William and Mary, c.1690, the shallow form painted in blue with head and shoulder portraits of the Royal couple, inscribed ‘W M R’, within narrow blue line borders, 21.3cm. £2,000­3,000 Paper label for Alistair Sampson Antiques.

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1264 A Delft commemorative charger, c.1690, the lobed form painted in blue, green and yellow with a portrait of King William flanked by tulips beneath the letters ‘K W’, the wide rim with a band of further tulips, raised on a low circular foot, a large chip to the foot, 34.5cm. £300­500 Provenance: property of a lady of title.

1265 A rare English delftware King of Prussia plate, c.1757­60, painted in blue with a head and shoulders portrait of Frederick II of Prussia between the letters KP, 22.2cm. £600­1,000 Cf. Leslie B Grigsby, The Longridge Collection, Vol. II, D56 for a similar King of Prussia plate. Also this saleroom, 17th June 2020, lot 124 for a near identical example.

1266 A large Delft charger, c.1680, painted in the Kraak manner with two Chinese figures standing in a garden landscape, the rim with alternating panels of seated figures and stylized flowers, some rim chipping, 39.5cm. £250­350 Provenance: from a private collection in the West Country.

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1267 A rare Lambeth delftware Royal plate, c.1704­10, painted with a central portrait roundel of Queen Anne within a ‘Star and Garter’ border in red, green and blue, a few filled rim chips, 22.5cm. £2,500­3,000 Paper label for Alistair Sampson Antiques.

Cf. F H Garner and Michael Archer, English Delft,ware, pl.66C for the same ‘Star and Garter’ design on a plate from 1712.

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1268 A Brislington delftware blue dash Adam and Eve charger, c.1700, painted with a scene of the Temptation, the couple standing either side of the Tree of Knowledge while a smiling serpent with a forked tail coils around the trunk, the tree hanging with large striped yellow fruits, within a blue dash border, restored, 35cm. £600­800 Cf. Victoria & Albert Museum, Accession No. C.146­1991 for a similar example.

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1269 A delftware plate, dated 1705, painted in blue with the letter T over G D within a scroll cartouche flanked by winged griffins, surmounted by a crown and with a tasselled border, a 5.5cm rim crack, 25.5cm. £400­600

1270 A Delft plate, dated 1690, painted in blue with a cartouche flanked by mythical creatures and surmounted by a crown, inscribed ‘E RC 1690’, two small rim chips, 22cm. £600­800

1271 A Delft plate, dated 1692, painted in blue with the initials ‘AC’ above the date 1692, within a shaped cartouche formed of griffins and a mask beneath a crown, a 4cm rim crack, 22.4cm. £800­1,200

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1272 A Delft charger, c.1680­90, painted in blue with a strutting peacock flanked by tall sponged trees, the rim with a formal panelled border, a buff lead glaze to the underside, a riveted rim crack, 31cm. £400­600

1273 A Bristol delftware shallow dish, c.1740, painted in blue with a Chinese lady in a garden being approached by a figure in a hat, standing before an ornamental fence and feathered foliage, the rim with panels of tied objects on a diaper ground, some filled rim chips, 35.5cm. £200­300 Provenance: from a private collection in the West Country.

1274 A large Delft dish, late 17th/early 18th century, of deep circular form, painted in the Kraak manner with a crane perched on top of flowers issuing from a Chinese censer, the wide rim with panels containing flowers and auspicious objects, some chipping, 34cm. £100­200

1275 A Delft charger, 2nd half 18th century, painted in blue with a figure on foot behind a pack of five hounds racing through a village landscape beneath sponged trees, 38.8cm. £500­700

Provenance: from a private collection in the West Country.

1276 A London delftware dish, c.1640­60, painted in blue with a stylized vase of flowers, the rim with a simple panelled design, the reverse decorated in a pale blue lead glaze, a short rim crack, 32.4cm. £300­500

1277 A delftware plate, c.1720­30, of pancake profile, painted in blue with a roundel containing two low buildings with smoking chimneys, within three vignettes of Oriental flowering branches, some rim chipping, 19cm. £150­250 63

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1278 A pair of delftware shallow bowls, c.1760­70, each painted in blue with a bird in flight above flowering branches, some rim faults, 22.3cm. (2) £150­200

1279 A large pair of Bristol delftware chargers, c.1730­40, probably Limekiln Lane, each painted in red, green, yellow and blue with a Chinese figure seated in a garden setting beside an ornamental fence, the rims with a wide formal panelled border, one repaired to the rim, 32.5cm. (2) £600­800

1280 Three Delft chargers, 18th century, one with a shaped rim and boldly decorated with feathery foliage and a panelled border, mark for The Hatchet (Het Bijltje) factory, one painted with flowering plants, the last with a vase of flowers on a low table, minor damages, 34.5cm max. (3) £200­300

1281 Three Delft chargers, 2nd half 18th century, painted in blue with vases of peacock feathers and flowers, reserved within wide scroll borders and yellow rims, marks for the Claw (de Klaauw) factory, 34.7cm. (3) £250­350

1282 A delftware plate, c.1760, painted in blue with three figures in a boat before long buildings on the shore, a heavily potted shaped Delft dish painted with a bird, between flowering plants, and a charger decorated with a landscape panel within a wide striped border, some damages, 31.3cm max.

(3) £150­250

1283 Four delftware plates, c.1730­60, one Lambeth and painted with a parrot perched among Oriental branches, one painted in blue with a vase upon a stand among flowering branches, one with a flower spray in the Fazackerly manner, the last with a bird swooping onto a branch, some damages and repairs, 22.8cm max. (4) £150­250

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1284 A pair of London delftware saucer dishes, c.1765, painted in blue, green, yellow and manganese with a lady beckoning to a gentleman holding a tricorn hat as she sits beneath tall trees flanking a bar gate, restored rim chips, 22.7cm. (2) £600­1,000 Paper labels for Jonathan Horne Antiques.

1285 A Bristol delftware ‘Farmyard’ plate, c.1720­30, painted with a bold cockerel in yellow, blue and red, standing between sponged manganese trees, with a flock of birds in flight above, broken and restuck, 22.5cm. £200­300

1286 A delftware ‘Farmyard’ plate, c.1730, probably Bristol, painted in blue with a church flanked by tall trees with sponged manganese foliage, 19.7cm. £600­800 Paper label for the Gautier collection.

Provenance: property of a lady of title.

Paper label for Alistair Sampson Antiques.

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1287 A documentary delftware plate, dated 1754, painted in blue with a mother tending a child in a large cot on a paved terrace before an archway and tall window, with sponged trees in the distance, the rim with a formal scroll and trellis border, inscribed ‘Sally Taylor 1754’, 22.4cm. £1,500­2,000 Illustrated: Lipski and Archer, Dated English Delftware, no.

585.

Provenance: Sotheby’s, 21st May 1948; bought by T M Ragg and sold at Sotheby’s, 23rd March 1954.

1288 A rare delftware teapot stand or salver, dated 1713, the circular form with a recessed well, painted in blue with a bird perched on leafy branches within a trellis border, raised on three bun feet, inscribed to the underside ‘Anno 1713 Maria Davids’, some glaze chipping, 11cm across. £1,200­1,500

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1289 A delftware plate, dated 1740, painted in blue with the initials ‘SB’ above the date 1740, within a central roundel surrounded by flowering plants and surmounted by a pagoda representing the Heavenly Pavilion in the Taoist Pavilion, 22.5cm. £500­800 Illustrated: Lipski and Archer, Dated Delftware, no. 463.

Provenance: A S Marden­Smedley, sold at Sotheby’s on 18th June 1943; T M Ragg, sold at Sotheby’s on 23rd March 1954.

1290 A rare Liverpool delftware inkstand, dated 1755, the square form painted in blue to three sides with buildings, inscribed to the fourth for ‘Edward Herbat 1755’, the top pierced with four small holes around a larger circular opening, some glaze chipping, 4.2cm high. £3,000­5,000 Cf. John C. Austin, British Delft at Williamsburg, no.655 for an identical example.

Suggestion has been made that this is in fact a miniature flower brick. The fact that more than one exists with the same inscription may support the fact that it was part of a larger garniture.

1291 A Liverpool delftware punchbowl, c.1750, inscribed in blue to the interior with ‘Trade and Navigation’, the exterior with large flower sprays, 27.5cm. £500­700

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1292 An unusual Brislington delftware shallow bowl, late 17th century, the squat form painted in blue and manganese with sprays of flowers, the chipped rim with a later wooden mount, some chipping to the foot, 13cm dia. £500­700

1293 A London delftware broth bowl and cover, c.1690, the sides and cover painted with seated figures in a Chinese landscape, the shoulder with a formal stiff leaf band, applied with two scroll handles, number marks to the interior and cover, a repair to the cover, 20.5cm across. (2) £600­800

1294 A rare London delftware teapot stand, c.1720, painted in blue with a Chinese figure seated between ornamental fences beneath trailing wisteria, the rim within a continuous foliate border, raised on three shaped feet, 12.6cm dia. £800­1,200

1295 A small delftware mug, c.1740, the cylindrical form decorated in blue with a chequered design including dots and crosses, the wide strap handle with blue dash bands, the base broken out and repaired, 7.8cm high. £200­300

Cf. John C. Austin, British Delft at Williamsburg, p.115 for similar examples.

Paper label for the Louis L Lipski Collection, No. 870.

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1296 A delftware flowerbrick, c.1740, the rectangular form well painted in blue with a windmill and other buildings, the short sides with figures in a boat, the recessed top pierced with three lines of small holes around a central shaped aperture, some chipping, 15.3cm across. £500­700

1297 A Delft duck tureen or box and cover, c.1750, modelled as a mallard duck with head slightly turned, its plumage naturalistically painted in shades of green and manganese, numbered in blue to the interior, a little glaze chipping, 11cm across. (2) £1,500­2,000

1298 A rare delftware shoe, c.1740, probably London, painted in blue with flower sprays flanking central brocade work linked by a moulded buckle, the shaped heel painted blue, chipping to the upper section, 16.5cm across. £500­800

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1299

1300

1299 A delftware basket, c.1750, probably London, finely painted in blue with a figure carrying a gun, walking through a field with a dog at his heels, the sides formed of interlocking circles, 17.4cm dia. £2,000­3,000 Paper label for the Gautier collection.

1301 1300 An English delftware clock dial, late 18th century, the slightly convex form glazed white and painted in manganese with arabic numerals depicting the hours and the quarters, fitted with a central hole, two later drilled holes, 24.5cm. £400­600 Provenance: the Birkett Collection.

1301 A delftware bowl, c.1720, the deep sides painted in a bright blue with a repeated design of birds perched on flowering branches above stylized flower stems, the interior with a circle and star band around a tied scroll motif, painter’s mark to the base, some chipping, 21.7cm dia. £200­300

1302 A George III table with delftware top, set with a London delftware circular plaque or tray painted in blue with a lotus design, with a crimped rim, c.1750, the tripod table later in the 18th century, 55cm dia overall. £400­600 The lotus design seen here is commonly used on baskets and it is possible that the table top started life as an exceptionally large example. The pierced sides are unlikely to have survived firing at this scale, which may account for the fact that an alternative use was found for the base.

1302

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1303 Six Italian pottery food or butter moulds, 18th century, the shallow forms variously recessed with a putto, the nativity, a crowned monogram and floral designs, decorated in a buff glaze, some faults, 15.2cm max. (6) £100­150

1304 Four small Moroccan pottery tiles, late 19th century, painted in blue, yellow, red, turquoise and black with geometric Islamic designs, each tile 10.2cm. (4) £200­300

1305 A large Hispano­Moresque charger, late 17th/early 18th century, decorated in copper lustre with a large bird amidst feathery foliate motifs, broken and repaired, 40cm. £100­200

1306 A massive Multan (Sindh, Pakistan) pottery charger, 19th century, decorated in shades of blue with a large flower spray within a continuous floral border reserved on a turquoise ground, 47cm. £300­500

1307 Two Kutahya pottery wall pockets, 19th/20th century, the tapering forms painted in the Iznik manner with scrolling flower stems, stiff leaves and foliate motifs, minor damages, 16cm max. (2) £100­200

1308 Two Moroccan pottery butter pots (jobbana) and covers, late 19th century, the deep forms brightly decorated with geometric designs in blue, green, yellow and manganese, the tall ogee covers with flattened knops, some cracking and chips, 29cm. (4) £150­250

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1309

1310

1309 A Safavid cuerda seca tile, 18th century, decorated in blue, green, turquoise and pink with a bird in flight beside large flowers and leaf scrolls, 19.7cm. £200­300

1310 A Safavid underglaze blue painted tile, late 17th century Persia, decorated with a design of interlocking floral and foliate motifs, some chipping to the edges, 18.7cm. £200­300 Cf. Christie’s, Islamic Art and Manuscripts, London, 27th April 2004, lot 232 for a panel of similar tiles.

1311

1311 A large Armenian pottery bowl, 20th century, by the Karakashian family (Jerusalem), painted to the interior with a ship at sail within a wide band of jumbled fish, the exterior with formal flower sprays in the Iznik manner, marked to the base, a repair to the rim, 34.5cm dia. £200­300

1312 A Canakkale (Turkey) pottery tobacco box and cover, 19th century, the circular form supported on the backs of three tethered horses, the cover surmounted with a cat­like creature, decorated with splashes of green, yellow and manganese, minor faults, 25.5cm. (2) £100­200

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1313 A large Samson Iznik­style bottle vase or flask (surahi), 2nd half 19th century, well painted with various animals, birds and mythical creatures among red and blue foliage reserved on a deep green ground, the slender neck with a blue ball knop, black mark, drilled to the base, 42.5cm. £800­1,200 Cf. Victoria and Albert Museum, Accession No. 1992­1910 for an example of the original Iznik design.

1314 A Qajar vase mounted as a table lamp, 19th/20th century, well painted with figures including a seated lady plucking a stringed instrument and another feeding a young deer by hand, the neck reduced and interior fitted as a lamp, 34cm overall. £150­200

1315 A Wilhelm Schiller and Sons earthenware vase, 19th century, of ‘Alhambra’ form, incised and enamelled with a dense Islamic design of formal motifs and foliate scrolls, reserved on a gold ground, some surface wear and flaking, 33cm. £120­150

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1316 A Staffordshire salt­glazed buttertub and cover, c.1750­60, moulded with basketweave and trellis panels, a large square dish with similar decoration and a chestnut basket and stand with pierced sides, some faults, 30.5cm max. (5) £100­200

1317 Four Staffordshire salt­glazed stoneware plates, c.1745­55, in three sizes, variously moulded with basketweave and trellis panels within reticulated rims, some rim cracks, one small plate restored, 27cm max. (4) £200­300

1318 A Staffordshire salt­glazed stoneware wall pocket, c.1750­60, the cornucopia shape moulded with cattle and deer before trees and a building with a cupola, some restoration, 19.5cm. £100­150

1319 A Staffordshire salt­glazed cream jug, c.1750, painted in bright enamels with sprays of Oriental flowering plants, with shaped rim and grooved strap handle, some restoration to the rim, 9.1cm. £100­150

1320 Two Whieldon type creamware plates, c.1760, one octagonal and decorated with green and yellow splashes on a dark manganese ground, the other with shaped rim and decorated with green on a sponged manganese ground, one restored, 23.7cm. (2) £150­250

1321 A William Greatbatch creamware teapot and cover, painted with large flower sprays, and a small engine­turned cover decorated in Whieldon type splashes of yellow, manganese, some damages, 18.8cm max. (4)

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1322 A Staffordshire salt­glazed stoneware bust of the Empress Maria Theresa, c.1745, modelled as the head and shoulders of the Empress, with blue detailing, the eyes painted in manganese, raised on a shaped socle, 19.2cm . £400­600 Cf. Victoria and Albert Museum, Accession No. 414:860­1885 for a similar example in the Lady Charlotte Schreiber Collection.

1323 A Staffordshire salt­glazed bear jar or jug and cover, c.1740, modelled on all fours with a small dog leaping up between its forepaws, with detachable head forming a cup, a loose ring attached to the end of its nose, the coat applied in pale crumbed clay, the collar decorated in brown slip with small dotted designs, some good restoration to the rim and dog, 25cm long. (2) £400­600

1324 A Staffordshire creamware figure of a musician, mid 18th century, of Astbury­Whieldon type, seated and playing the bagpipes, decorated in green and treacle slip, 12.5cm. £300­500

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1325 Three large Halifax slipware bird whistles, c.1800­20, each with a large central bird mounted on a perch flanked by smaller birds above conical bases, decorated in striated cream and manganese slip, two initialled ‘WB’, small losses, 23.5cm max. (3) £150­250

1326 A large pottery model of a bear, probably 19th century, modelled seated on its haunches and facing forward, wearing a head collar and muzzle, raised on a tall grassy base, a repair to one ear, 26cm high. £200­300

1327 Five Staffordshire figures, 19th century, two of young girls holding chickens, a pair of huntsmen on horseback with dogs alongside, a figure of Nelson, and a figural jug of Nelson raised on a grassy base, 29cm max. (6) £100­200 Provenance: property of a lady of title.

1328 A large Pratt ware candlestick figure of Ceres, c.1800­10, standing beside a large corn stook and holding a cornucopia forming the candle sconce, raised on a moulded circular base, and a smaller figure of Charity with three children, raised on a square base, some restoration, 30cm max.

(2) £200­300 Provenance: property of a lady of title.

1329 Six Staffordshire figures, c.1780­1820, including a Pratt ware figure of Charity, a pair of figures of Venus and Neptune, a yellow glazed figure emblematic of Summer, a similar smaller figure, and a creamware figure emblematic of Autumn, some repairs to Venus and Neptune, 23cm max. (6) £100­200 76

1330 Three small Pratt ware figures, c.1800­10, one of Sir Francis Burdett on horseback, titled and impressed ‘Britain’s Friend’, another of a young girl emblematic of Summer and holding a basket of flowers, the last of a couple standing beneath a flowering tree, some damages, 12.8cm max.

(3) £200­300 Sir Francis Burdett was a keen reformer and opponent of William Pitt the Younger.

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1331 Two Staffordshire pearlware busts of the poet Matthew Prior, c.1810­20, wearing his characteristic turban in one, each raised on a marbled socle, one restored through the neck, 24cm max. (2) £150­250 Matthew Prior (1664­1721) of Wimborne, was one of ‘Lord Dorset’s Boys’ and a sometime member of the notorious Kit­Kat club. He was a politician and poet and is buried at Westminster Abbey.

1332 A pair of pearlware busts of Fire and Earth, c.1780­90, probably Leeds Pottery, modelled as Classical figures, Fire with red hair and beard, Earth wearing a corn diadem with castle surmount and draped in a lion skin, each brightly enamelled in turquoise robes, raised on a square socle, some good restoration to Fire’s hair, 18.2cm. (2) £300­500 Cf. Victoria and Albert Museum, Accession Nos. 414:1160­1885 and 414:1160/A­1885 for Air and Water from the Schreiber Collection. Those two examples with impressed marks.

Paper labels for Sampson & Horne Antiques.

1333 A pearlware bust of Shakespeare, c.1800­15, raised on a low shaped socle and colourfully decorated, some restoration to the socle, 24.5cm. £100­200 Provenance: property of a lady of title.

1335 A Pratt ware pocket watch stand, c.1800, the watch support surmounted on the tails of two dolphins above a plinth moulded with Ceres or Plenty, flanked by two figures, one a Classical maiden with a dolphin, perhaps Venus, the other of a stonemason holding a chisel and with one hand raised, with a Pratt model of a longcase clock, small damages and restorations, 22.5cm. (2) £200­300

1334 A large Scottish pearlware model of a goat, late 18th/early 19th century, standing four square on a rocky base decorated in green, yellow and manganese, with large horns and a long beard, restoration to his ears and one corner of the base, 21.2cm high. £500­700

1336 A small Staffordshire spill vase figure of an elephant, 19th century, standing four square and caparisoned, raised on an oval rocky base, the vase issuing as a tree behind, 14.6cm. £100­200

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1337 A Pratt ware punch bowl, c.1790­1800, the interior painted with a large fish above the inscription ‘Keep me Swimming’, the rim with husk garlands, the exterior with a continuous foliate band, a short rim crack and a chip to the footrim, 29cm dia. £600­800

1338 A rare commemorative creamware mug, dated 1821, celebrating the coronation of King George IV, printed in black with a portrait of the King within the inscription ‘George the fourth, Born Aug 12 1762, Succeeded to the Throne Jan 29th 1819, Crowned July 19th 1821, 7.7cm high. £1,000­1,500

1339 Two creamware jugs, c.1790, one printed by Thomas Fletcher of Shelton with a lottery winner inscribed ‘Twenty Thousand I’ve got ­ How Lucky’s my lot’, the reverse with a hunting scene, the other with scenes of Courtship depicting young couples in the countryside, one spout restored, 20cm max. (2) £100­200

1340 A creamware jug, dated 1783, painted with two idiotic masks above the inscription ‘We 3 Logerheads be 1783’, the reverse with a naive flower spray, 16.8cm. £100­200 Provenance: property of a lady of title.

Purchased from Alistair Sampson Antiques, 13th April 1999.

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1341 Three large Sunderland lustre jugs, 19th century, the smallest printed and coloured with a three­masted ship between the initials RH and the date 1834, the largest printed with a view of Sunderland Bridge, a ship and a four line stanza, the last printed and coloured with the Mason’s Arms and two short rhymes, some damages, 24cm max. (3) £150­250

1342 Four Sunderland lustre jugs, 19th century, variously printed with shipping scenes including ‘Agamemnon in a Storm’ and ‘Northumberland 74’, and with various poems and stanzas, two with hand colouring, all with pink lustre decoration, some damages and repairs, 19.3cm max. (4) £150­250 HMS Agamemnon was a naval battleship which, in 1858, helped to lay sections of the first transatlantic telegraph cable.

1343 A large Pratt ware charger, c.1800­10, painted in a typical palette of green, blue, yellow and ochre, with a wide stylized foliate border, 42cm. £100­200 Provenance: property of a lady of title.

1344 A graduated set of commemorative three lustre jugs, c.1840, each moulded with standing portraits of Queen Victoria and Prince Albert in coloured enamels on a blue ground within copper lustre bands, and a milk jug and small bowl with similar decoration of a shepherdess, 16cm max. (5) £100­200

1345 Six small Pratt ware jugs, c.1790­1820, variously moulded with scenes of drinkers and snuff­takers, one with Classical figures, one with exotic birds, the last with Sailor’s Return and The Archery Lesson, a later pearlware tea canister and a Delft tea canister, moulded with squat figures, damages and restorations, 15.2cm max. (8) £150­250 Provenance: property of a lady of title.

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1346 Two Pratt ware commemorative jugs, c.1810­20, one depicting the Battle of Waterloo with a Hussar brandishing a scimitar, the other with the Duke of York on horseback, the reverse with Hercules slaying the Hydra, some restoration, 19.8cm max. (2) £200­300

1347 Two Pratt ware jugs, c.1800­10, moulded and decorated with scenes including a marriage at Gretna Green and the Sailor’s Farewell, decorated in a typical palette, some damages, 19cm max. (2) £120­180 Provenance: property of a lady of title.

Provenance: property of a lady of title.

1348 Three Pratt ware jugs, c.1800­20, one moulded with the American eagle carrying an olive branch, another with Classical figures, the last painted with simple flower sprays, a tall Pratt mug painted with the number 3 within husk garlands, a creamware mug with a four line stanza, and another inscribed ‘Love & live happy’, some damages and restoration, 16.5cm max. (6) £100­200 Provenance: property of a lady of title.

1349 Five Pratt ware jugs, c.1800­20, one moulded with portraits of Queen Caroline, another with cavalry officers, one with a Classical maiden representing Peace and Plenty, with a yellow frog applied to the interior, one with figures shooting woodcock, the last with a continuous landscape including gardeners and a shooting scene, some faults, 18cm max. (5) £400­600 Provenance: property of a lady of title.

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1350 Three small Pratt ware commemorative jugs, c.1795­1812, one moulded with the Duke of Cumberland on horseback, the reverse with Hercules slaying the Hydra, another with a portrait of Admiral Duncan, the last with Nelson, some faults, 15.2cm max. (3) £150­250 Provenance: property of a lady of title.

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1351 A large Pratt ware model of a cradle, c.1800, moulded with vertical fluting and a basketweave top, picked out in blue, green, yellow and ochre enamels, raised on two rockers, 21.5cm. £100­200 Provenance: property of a lady of title.

1352 A large Pratt ware jug, dated 1808, painted with two scenes of a lone traveller in a village landscape, beneath the spout inscribed ‘ECB 1808’, the neck with a wide band of fruiting grapevine, a repair to the rim, 26.8cm. £100­200 Provenance: property of a lady of title.

Purchased from Antony Belton on 23rd December 1987.

1353 A Pratt ware plaque of Charles I, c.1800, standing with one hand resting on a square pillar, wearing ceremonial robes and holding a sceptre in his right hand, moulded with an integral frame of laurel leaves and reticulated foliate scrolls, picked out in yellow and blue, cracked, a little restoration, 22.4cm. £100­200 Provenance: property of a lady of title.

1354 A large Pratt ware plaque, c.1800, moulded with a scene of the Crucifixion, with Christ on the cross flanked by angel wings and beneath a winged angel mask, the border moulded with narrow floral bands, 34.2cm. £300­500 Provenance: property of a lady of title.

Paper label for the Frank Falkner Collection.

Plaques such as these were probably made to commemorate the bicentenary of the monarch’s birth.

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1355 A Pratt ware rectangular plaque, c.1790­1800, moulded with a scene of huntsmen resting, with four figures, a horse and a dog outside a tavern flanked by trees, decorated in yellow, ochre, manganese and green, some chipping to the underside, 23.2cm. £200­350

1356 A Pratt ware ‘Gretna Green’ plaque, c.1800­10, moulded and decorated with a blacksmith marrying a young couple at a forge, surrounded with putti at various pursuits, within a shaped integral frame, a little chipping to the underside, 20.8cm. £250­350

Provenance: property of a lady of title.

Provenance: property of a lady of title.

Paper label for the D M Wood Collection.

1357 Two miniature commemorative Pratt ware plaques, c.1810­15, one moulded with a titled portrait of Nelson standing before flags, the other with Britannia grieving over Nelson’s tomb as an angel inscribes the tablet, the integral frames picked out in yellow and ochre, some chipping to the underside edges, 10.3cm max. (2) £100­200

1358 Three Pratt ware portrait plaques, c.1790­1810, one of Nelson, half­length and wearing his uniform, another of Josiah Wedgwood, facing left and within an elaborate foliate frame, the last of a lady with head turned, holding the end of her long hair, within a moulded twist border edged in yellow, 17.4cm max. (3) £300­400

Provenance: property of a lady of title.

Provenance: property of a lady of title.

1359 A Pratt ware oval plaque, c.1790­1800, modelled with a young cowherd attending two cattle, picked out in yellow, ochre and umber, restored crack, 18cm. £150­250

1360 A Pratt ware rectangular plaque, c.1790­1800, moulded with a scene of huntsmen resting, with four figures, a horse and a dog depicted outside a tavern flanked by trees, highlighted in yellow, ochre and green enamels, some chipping, 23cm. £250­350

Provenance: property of a lady of title.

Paper label for Jonathan Horne.

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Provenance: property of a lady of title.

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1361 A Pratt ware plaque, c.1790­1800, moulded with a seated Paris passing the golden apple to Venus while Cupid clutches at her robes, within a moulded laurel leaf border enclosing in reticulated leaf scrolls picked out in blue and green, cracked, 22.4cm. £100­200

1362 A pair of Pratt ware plaques, c.1800­10, each moulded and decorated with a cavalryman riding his horse between leafy trees, blue L marks to the undersides, some repairs to the rims, 19.6cm. (2) £300­500 Provenance: property of a lady of title.

Provenance: property of a lady of title.

1363 A matched pair of large Pratt ware plaques, c.1790­1800, moulded in high relief with profile portraits of a Classical man and woman, within integral beaded framed, surmounted with a tied ribbon, decorated in a muted palette of blue, green, black, yellow and ochre, a chip to one, 27.2cm.

(2) £200­300

1364 Two Pratt ware oval plaques, c.1790­1800, each moulded with a Classical portrait of a gentleman in profile, facing right, above berried laurel stems, within an integral beaded frame with foliate scrolls, a little good restoration to one, 20.1cm max. (2) £150­250 Provenance: property of a lady of title.

Provenance: property of a lady of title.

Paper label for Alistair Sampson Antiques.

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1365 A large Pratt ware plaque of Ceres, c.1800, possibly emblematic of Summer or Autumn, holding a sickle in her left hand and a stook of corn in her right, standing before a further stook and a basket of fruit, painted in a typical palette of blue, green, ochre and yellow, 31.5cm. £300­500

1366 A pearlware plaque, c.1800­10, modelled with a Classical maiden, probably the muse Erato, carrying a lyre and draped in a flowing red robe, 20.7cm. £100­200 Provenance: property of a lady of title.

Provenance: property of a lady of title.

Cf. John and Griselda Lewis, Pratt Ware 1780­1840, p.212.

1367 A Pratt ware plaque, c.1800­10, moulded with a setter type dog running over a mottled ground, its coat decorated in ochre dots, above painted with stylized flower sprays in a typical palette, 19.5cm across. £100­200 Provenance: property of a lady of title.

1368 A Pratt ware plaque, c.1800­10, probably emblematic of Plenty, crisply moulded with a wide basket of fruit above large leaves, within a stiff leaf border picked out in blue and ochre, 21cm. £150­250 Provenance: property of a lady of title.

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1369 A large Pratt ware plaque of Ceres, c.1800, possibly emblematic of Summer or Autumn, standing and holding a sickle in her raised left hand, holding a corn stook in her right, a basket of fruit to one side, 30cm. £250­350 Provenance: property of a lady of title.

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1370 Two Pratt ware plaques, c.1800­20, depicting the Sailor’s Farewell and the Sailor’s Return, the Jack Tar and his lass with boats beyond and flanked by trees, 21.2cm max. (2) £200­300 Provenance: property of a lady of title.

1372 A pair of miniature Pratt ware moulded dishes, 1st half 19th century, the oval forms each moulded with a large fruit spray, edged in ochre, 9.1cm. (2) £300­400

1371 A pearlware ‘Gretna Green’ plaque, c.1800­10, the oval form moulded in shallow relief with a couple being married by a blacksmith, with two witnesses in attendance, delicately coloured and within an integral frame decorated in bands of yellow, blue and brown, restored, 23cm. £100­200 Provenance: property of a lady of title.

1373 Two Pratt ware plaques, c.1800­10, one of the Vicar and Moses, carrying a bottle and lantern, the other with a putto on the back of a mythical dolphin, and two nursery plates with moulded floral borders, the circular plaque broken and restuck, 17.8cm max. (4) £150­200 Provenance: property of a lady of title.

1374 A pearlware ‘Jug of the Nations’, c.1862, heavily moulded with multiple coats of arms beneath banners inscribed with the name of each country, interspersed with gold crowns, impressed ‘LB’ to the base, 27.2cm. £150­250 This jug was produced for the International Exhibition on Industry and Art, held in London in 1862.

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1375 A Coalport cabaret part tea service, mid 19th century, finely painted in the Sèvres manner with a basket of flowers to the tray, the other pieces with small basket vignettes and small flower sprays on a pink ground band with gilt scroll detailing, blue CBD monograms. Comprising: a two­ handled tray, a teapot and cover, a sucrier and cover and a milk jug. (6) £800­1,200

1376 A Royal Worcester cased coffee set, date codes for 1928, of six coffee cups and saucers, painted in the 18th century manner with panels of butterflies and other insects within gilt cartouches on a blue scale ground, printed marks, contained in a fitted black leather case. £200­300

1377 A New Hall tea service, c.1800­10, decorated in pattern 1053 with landscape panels, within varying gilt borders, the interior of the slop bowl with a girl and dog seated beneath a tree. Comprising: a teapot with cover and stand, a milk jug, a sucrier and cover, a slop bowl, six tea cups and six saucers. (19) £100­200

1378 A Derby part tea service, c.1820, richly decorated in a panelled pattern of stylized flower stripes between formal gilt designs, iron red crowned crossed batons marks. Comprising: a teapot with cover and stand, a milk jug, a sugar basin and cover, a slop bowl, two cake plates, four teacups, four coffee cans and four saucers. (21) £250­350

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1379 A Chamberlain’s Worcester part botanical dessert service, c.1830­ 40, variously painted with specimens of Major Convolvulus, Broad Leav’d Kalmia, Madagascar Periwinkle, Three Coloured Cranes Bill, Three Ribbed Blakea and Sweet Pea, reserved within dark blue borders and moulded gilt rims, titled in red to the undersides. Comprising: two shell dishes and four plates. (6) £200­300

1380 Five English porcelain plates, 19th century, including a pair of Wedgwood plates decorated with kingfishers perched on branches of lotus, a pair of small Coalport plates with flowers and gilt seaweed tendrils, a Flight, Barr and Barr plate painted with scattered pink roses, and a Mason’s Ironstone plate painted with Chinese figures in a garden setting, 23.6cm max. (6) £100­200

1381 A pair of Derby plates, c.1790­1800, finely painted with sprays of flowers within elaborate gilt borders of aquatic birds, mythical creatures and obelisks, a Wedgwood botanical dessert dish painted with a poppy specimen in pattern 724, and a Coalport plate painted with a rose and stock within a cobalt blue border, 23.5cm max. (4) £100­200

1382 Two pairs of Wedgwood porcelain botanical plates, early 19th century, printed and coloured with different floral specimens, one pair with pattern number 492, the other pair within wide gilt geometric borders, printed red factory marks, 21.8cm. (4) £100­200

The Wedgwood dish with a paper label for the collection of J D and Louise Trabue.

1383 Three Herculaneum porcelain plates, c.1820, two finely painted with arrangements of English flowers, the third with a basket of flowers beneath a tree and a low pedestal with a basket of fruit, all within elaborate gilt borders of convolvulus, 22cm. (3) £150­250

1384 Two Coalport pot pourri vases and covers, early 19th century, and a teacup and saucer possibly decorated in the workshop of Thomas Baxter, all with continuous bands of flowers reserved on a gold ground, 16.2cm max. (6) £400­600

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1385 A small Flight Barr and Barr vase (Worcester), c.1825­30, of drum shape, painted with a figure in a rural landscape reserved on a gilt seaweed ground between two bands of white beading, reserved on a faux marble ground, raised on three gilt paw feet on a shaped base, impressed and painted marks, restored sections to the rim, 9cm. £100­200

1385

1386

1386 A small Herculaneum porcelain câchepot and stand, c.1810, the flared form painted with figures in rural landscapes, gilt mask handles, 12.7cm. (2) £100­200

1387 A small Herculaneum vase, c.1810, painted with a gentleman and a child in a rural landscape, reserved on a pink ground, the rim with a beaded border, 9cm high. £100­200

1388 An English porcelain miniature ewer and stand, 19th century, in the Coalbrookdale manner, the ewer with a squat waisted body applied with flowers, the octagonal stand with three concentric bands of turquoise flowerheads, 9.8cm. (2) £100­200 1387

1388

1389 A Grainger’s Worcester mug, dated 1814, the cylindrical form finely painted in sepia with a titled view of Worcester within a gilt border, with gilt foliate sprays to the reverse, the inside base with marbled effect, titled in red to the base ‘North West View of the City of Worcester August 2nd 1814’, a little staining, 10cm. £150­250

1390 A large Herculaneum porcelain câchepot and stand, c.1810, the flared form painted with figures in rural landscapes, gilt mask handles, cracked to the base, 17cm. (2) £150­250

1389 88

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1391 A pair of Coalport dessert plates, c.1820, decorated in the manner of Nantgarw, each with a tall basket of flowers including rose, narcissus and passion flower, within moulded borders containing small bird vignettes reserved on a green ground, 23.6cm. (2) £100­200

1392 An English porcelain moulded hexagonal jug, c.1830­40, painted with two figures stoking a fire with kiln chimneys beyond, beneath the spout inscribed ‘Thomas Banks’ in gilt, 20.1cm. £100­150

1393 A Rockingham basket, c.1830­37, the rectangular form painted with small panels of flowers reserved on an apple green ground with stylized gilt foliate scrolls, printed puce griffin mark, 21.8cm. £150­250

1394 A watercolour design for a commemorative plate, c.1862, believed to commemorate the marriage of Edward, Prince of Wales and Alexandra of Denmark on 10th March 1863, in a later giltwood frame, 23 x 32cm overall. £80­120

1395 A rare New Hall teapot and cover, c.1782­85, the silver­shaped form applied with four rosette feet to the underside, painted with simplistic flower sprays within bright puce and blue borders, 22.7cm. (2) £700­900

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1396 A pair of Derby wine coolers and covers, c.1820­30, finely gilded by William Watson with detailed chinoiserie scenes of figures in garden and other landscape settings, reserved on a rich blue ground, with strawberry leaf handles and strawberry finials, red printed crowned ‘Derby’ marks, the liners lacking, small damages, 32.5cm. (4) £1,000­1,500 The gilder, William ‘Georgie’ Watson, had an eccentric reputation at the factory. He acquired his nickname through his tendency to eat his lunch while perched in a tree, periodically shouting out “Georgie”.

1397 A Minton pâte­sur­pâte vase and cover, date code for 1884, finely decorated with pâte­sur­pâte on grey panels of Venus in a chariot pulled by putti, and of three putti in flight around a bird’s nest, beneath the handles with bird motifs and foliate scrolls, between gilt formal borders, all reserved on a rich turquoise ground, one panel with an indistinct artist’s monogram, gilded and impressed marks, the finial cleanly broken and invisibly restored, 39.5cm. (2) £1,000­1,500

1398 A rare pair of Spode vases, c.1815­20, the pear­shaped forms painted in pattern 1166 with colourful flower arrangements on a blue and gilt scale ground, raising to pierced necks formed of stiff leaves with scroll handles issuing from rams’ head masks, raised on circular feet moulded with formal foliate motifs, iron red factory mark and pattern numbers, some cracking, one neck restored, 27cm. (2) £500­800 Cf. Leonard Whirter, Spode, pl.214 for a vase of the same shape.

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1399 A Chamberlain’s Worcester charger, c.1840, the well finely painted with an arrangement of flowers including lilac, passionflower, rose and tulip, the shaped border with four panels of flowers within raised gilt designs reserved on a blue ground, faint impressed mark, a rim crack, 36cm. £300­400 Cf. Geoffrey Godden, Chamberlain­Worcester Porcelain 1788­1852, pl.195 for a near identical dish. That dish, and this, reputedly from a service presented to the Grand Duchess of Hesse by Queen Victoria.

1401 A large Davenport dish from the William IV service, c.1830, the centre painted with a patriotic spray of roses, thistles, leek and shamrock tied with a Union ribbon, the interior rim with floral reserves on a green ground hatched in gilt, printed factory mark, gilt pseudo Sèvres mark, broken and and riveted, 32.5cm across. £300­400

1400 A Barr Flight and Barr (Worcester) fruit cooler with liner and cover, c.1807­13, the bowl shape painted with panels of flowers within gilt scroll borders on a mazarin blue ground, the shoulders applied with horned satyr masks, with a shallow bowl liner and waisted cover, impressed crowned BFB mark to the foot, printed mark inside the cover, a repair to one handle and the finial, 28.5cm. (3) £1,600­2,000

1402 A Swansea soup plate from the Lysaght Service, c.1818­20, painted in the manner of Henry Morris with an open basket of flowers including convolvulus, narcissus, rose and forget­me­not, the rim with a formal gilt foliate border on a deep blue ground, 25cm. Contained in a fitted wooden box. (2) £500­800

This service was commissioned by the King for his Coronation Banquet; the incorporation of the symbolic flowers was a specific request of William IV and proved a worrying task for John Davenport. The service earned the factory their Royal commission.

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1403 A Nantgarw taperstick, c.1818­20, finely painted with a spray of flowers including a tulip and a pink rose, modelled with a narrow central sconce and small ring handle, a chip to the footrim, 7.6cm across. £600­800

1404 A Nantgarw taperstick, c.1818­20, finely painted with a spray of flowers including red and pink roses, beside a single tulip stem, modelled with a narrow central sconce and small ring handle, the handle broken and restuck, 7.6cm across. £500­800

Cf. W D John, Nantgarw Porcelain Album, ill. 59.

Cf. W D John, Nantgarw Porcelain Album, ill. 59.

1405 A pair of Nantgarw egg cups, c.1818­20, of Duke of Cambridge type, painted in London with small panels of polychrome flowers reserved on a green ground with gilt and blue oeil de perdrix, 5.2cm. (2) £400­600 Cf. W D John, Nantgarw Porcelain Album, pl.69 where other pieces in this pattern are described as being from the Duke of Cambridge service. See also, E Morton Nance, The Pottery and Porcelain of Swansea and Nantgarw, p.370 where Nance asserts that the service had been ordered by George III on the wedding of the Duke of Gloucester. Since the latter Duke died in 1805, the connection with the Duke of Cambridge seems more likely.

1406 A rare pair of Nantgarw miniature cabinet cups, c.1818­20, each finely painted with a display of flowers including rose, tulip, poppy, narcissus and convolvulus, on a white ground beneath a delicate beaded border, the twin handles modelled with mythical bird masks, each raised on a low circular foot, 7.5cm. (2) £1,000­1,500 Paper label for the Sir David John KCMG Collection.

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1407 A Nantgarw miniature cabinet cup and stand, c.1818­20, painted with countryside views of churches and ruined buildings before distant mountains, reserved on a gilt seaweed frond ground, faint impressed mark, restoration, 11.8cm. (2) £600­800

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1408 A Sèvres egg cup (coquetier), date code for 1772, the U­shaped form painted with small flower sprays on a white ground beneath a gilt dentil rim, blue interlaced Ls mark enclosing date letter T, ‘FB’ painter’s mark probably for François­Marie Barrat, 4.2cm. £100­200

1409 A Sèvres ice cup (tasse à glace), date code for 1788, painted in the ‘pois bleu’ design with bands of gilt dots reserved on white and blue borders, blue interlaced Ls mark, date letters LL and painter’s mark for Fontaine, 6.4cm. £300­500 The ice cup may belong to one of two services completed in 1788, both a variation of the ‘pois bleu’ pattern and listed in the Sèvres Sales Registers. One was the service for a M. Halles, started in October 1787 and completed at the beginning of 1788. The other was made for the Spanish Ambassador to France, the Conde de Fernán Núñez. For full details of the two services, see David Peters, Sèvres Plates and Services of the 18th Century Vol. IV, p.823 and 871.

1410 A Sèvres sucrier and cover with stand, date code for 1758, painted in blue monochrome with scenes of putti amidst clouds, gilt dentil rims, interlaced blue Ls marks and painter’s mark, a chip to the cover’s rim, 9.6cm.

(3) £150­250

1411 A Chantilly egg cup, c.1770, the narrow bowl with shaped rim, painted with small blue sprigs above a gadrooned band, raised on a quatrefoil foot below a leaf­moulded stem with blue detailing, blue horn mark, impressed ‘MO’ beneath the foot, 8.2cm. £200­300

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1412 A near pair of Italian porcelain miniature vases, c.1750­60, probably Buen Retiro, the inverted baluster forms applied with dolphin handles and painted with flower sprays over a basketweave ground, 10.8cm. (2) £350­450

1413 A pair of Vienna miniature vases, c.1750­60, of rococo baluster form, moulded with foliate scrolls and raised on square bases, blue shield marks, a footrim chip, covers possibly lacking, 7.2cm. (2) £450­550

1414 A pair of miniature Italian porcelain vases, c.1750­70, probably Capodimonte or Buen Retiro, after a Meissen model, the moulded forms applied with dolphin handles and painted with single floral stems, 7cm. (2) £250­350

1415 A miniature Meissen vase and cover, 19th century, painted in the 18th century manner with panels of figures in harbour settings within scrollwork designs, blue crossed swords mark, 7.8cm. (2) £100­200

1416 A Sèvres saucer, date code for 1768, painted with small roundels of pink roses within gilt foliate borders on a bleu lapis ground, interlaced blue Ls mark, and a Nymphenburg saucer, c.1765, painted with a spray of fruit and flowers on a white ground, impressed shield mark and blue hexagram mark, 14cm max. (2) £100­150

1417 A Frankenthal faux­bois saucer, dated 1776, painted in trompe l’oeil with a black etching of figures on a bridge, against a naturalistic wood ground, blue crowned CT monogram, and a Vienna style saucer with a border of vases and foliate scrolls around a puce ground, blue shield mark, 14.1cm. (2) £200­300

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1418 A Sèvres helmet­shaped milk jug (pot à lait aiguière), c.1780­90, painted with a landscape scene including figures by a river with a distant waterfall and mountains, reserved on a mazarin blue ground, the rim with a formal gilt foliate border, blue interlaced Ls mark and painter’s marks including the letter Y for Bouilliat, 14.5cm. £800­1,200

1419 A large Sèvres flared cup (gobelet à la Reine), date code for 1770, one side painted with a panel of three figures struggling to haul in a boat, the reverse with figures leaning on barrels in a harbour setting, reserved on a mazarin blue ground, puce interlaced Ls mark, a long rim crack, 8.8cm. £100­200

1420 A Meissen coffee cup, c.1725­30, painted in the manner of J G Höroldt with Chinese figures, birds and flying insects in a garden setting, the rim with a formal gilt border, blue crossed swords mark and gilt letter K, the handle lacking, 7cm. £100­200

1421 A rare French footed saucer dish, mid 18th century, the shallow bowl painted with a butterfly after Meissen’s Schmetterling pattern, within an elaborate floral border, raised on three paw feet, one foot broken and restuck, 13.8cm dia. £100­200 Paper label for E & H Manners.

1422 A large Vienna custard cup and cover, dated 1822, the generous form painted with sprays of flowers beneath a shaped trellis border of apple green, the cover with a floral finial, blue shield mark, impressed ‘822’ date code, 12cm high. (2) £200­300

1423 A Sèvres helmet­shaped jug (pot à lait aiguière), c.1780­90, possibly later decorated with a panel of birds reserved on a blue ground with gilt dot and scroll decoration, 14cm. £350­450

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1424 A Meissen part dinner service, 19th century, decorated in the Zwiebelmuster or Onion pattern with gilding to the rims. Comprising: a soup tureen and cover, two circular tureens and covers, two sauce tureens and covers, two sauceboats, two ladles, four small dishes, 32 dinner plates and 14 small plates. (64) £500­800

1425 A Paris porcelain cased desk set, 19th century, decorated in the Sèvres style with panels of putti and birds reserved on a bleu celeste ground, with ormolu mounts of putti at various pursuits. Comprising: an inkstand, a pair of candlesticks, a letter opener and a seal, all within a velvet and silk lined box for Howell & James of Regent Street, 35cm overall. £800­1,200 By repute, a gift from Queen Victoria.

1426 A Sèvres cabaret tea service, date code for 1789, the tray and saucer with small floral panels, decorated in dark brown with swag and foliate scrolls on a yellow ground, blue interlaced Ls marks. Comprising: a two­handled tray, an associated teapot and cover, a sucrier and cover, two coffee cans and two saucers. (9) £800­1,200

96

1427 A Meissen part dinner service, 19th century, painted in underglaze blue in the Zwiebelmuster or Onion pattern, gilding to the rims, blue crossed swords marks. Comprising: six serving dishes in three sizes, three square dishes, three square bowls in two sizes, two large fish platters, six oval dishes in three sizes, a fluted dish, a pepper grinder, three hors d'oeuvres dishes, nine large saucers, 15 soup plates, four bowls in three sizes, a shaped dish, two leaf dishes, eight small shell dishes, and a mustard pot with cover and spoon. (71) £600­1,000

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1428 A garniture of three Sèvres­style ormolu­mounted tazzae, 19th century, each formed of a reticulated bowl or basket, the rim painted with panels of birds reserved within gilt cartouches on a pink and green ground, raised on pedestal feet with a band of beading, on heavy ormolu square bases, probably lacking covers, 27.5cm high max. (3) £300­500

1429 A pair of Sèvres­style câchepots, 19th century, painted with scenes of courting couples in the manner of Watteau, the reverses with panels of flowers, reserved within jewelled borders on a turquoise ground, blue interlaced Ls marks, 12.3cm high. (2) £400­600

Provenance: formerly Edmund de Rothschild (1916­2009), at Exbury House, Hampshire.

1430 A large Ansbach circular dish, c.1770, painted in the Hague with a large flower spray, the moulded rim with garlands of further flowers, blue stork mark, and a large Meissen dish with flowers including narcissus and convolvulus within scattered sprigs and flying insects, blue crossed swords mark, 39cm max. (2) £150­250

1431 A pair of Vienna plates and a Meissen bowl, c.1750­70, painted with sprays of DeutscheBlumen within osier moulded borders, gilt rim to the bowl, blue shield marks and crossed swords mark respectively, 24.7cm max.

(3) £100­200

1432 Two large Meissen dishes, c.1740­50, painted with sprays of DeutscheBlumen and scattered single blooms, the lobed rims with osier moulding, blue crossed swords marks, 29.7cm. (2) £150­250

1433 Six Ansbach soup plates, c.1770, decorated in the Hague with central vignettes of farmyard, game and song birds, the moulded rims with flower sprays linked by leaf vines entwining a puce ribbon band, blue stork marks, incised J marks, 24cm. (6) £250­350 Provenance: property of a lady of title.

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1434 A Sèvres ice cup stand (plateau de tasse à glaces) and six ice cups, c.1760­70, the stand of twelve­lobed form, painted with small flower sprays on a white ground within narrow blue borders with gilt intersections, 22.5cm. (7) £2,500­3,000

1435 A large Sèvres bottle cooler (seau à demi­bouteille), c.1787­89. painted with a border containing vases of flowers, cornflower sprays and small bouquets suspended from tied ribbons and a small pink husk border, flanked by narrow bleu celeste bands, blue interlaced Ls mark, gilder’s mark for Vincent, a repair to the foot, 17cm high. £250­350 This seau relates to a service produced in 1787­89 and held in stock until 1794.

98

1436 A Paris porcelain ice pail or cooler with cover and associated liner, 19th century, decorated with bands of pink roses and scattered blooms, the liner English, pseudo blue crossed swords mark probably for Samson, 23.5cm. (3) £150­250

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1437 A Paris porcelain (Dihl et Guérhard) plate, c.1800, painted with two boys flying a kite in a landscape with a winding river beyond, signed ‘Duchesne’, within a wide formal border of gilt palmettes, printed red mark, 23.8cm. £100­200

1438 A Meissen cabinet plate, 2nd half 18th century, finely painted with a central spray of roses in pink, white and yellow, the rim with a formal border of gilt flowerheads and green foliate designs, blue crossed swords mark, 23.9cm. £200­300

1439 A pair of Meissen teabowls and saucers, c.1720­25, painted en grisaille with scenes of figures in harbour settings, reserved within elaborate panels of Böttger lustre and puce and gilt scrollwork, the rims with wide laub und bandelwerk borders, the interior of the teabowls with purpurmalerei IndianischeBlumen,, blue crossed swords and gilt J marks, a large repair to one teabowl, 12.6cm. (4) £400­600

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1440 A large Meissen saucer, c.1720­30, painted with a chinoiserie scene of a cat perched behind two figures taking tea and a third standing before large plants, reserved in a scrollwork border including Böttger lustre panels, within a wide gilt laub und bandelwerk border, a short rim crack, 15.7cm. £150­200

1441 A St Cloud coffee cup and trembleuse saucer, c.1730, left in the white and applied with sprigs of flowering prunus, the cup applied with a fine angular wishbone handle, 13.3cm. (2) £400­600

1442 A Paris porcelain (Cligancourt) inkwell and cover, late 18th/early 19th century, the drum shape painted with two young chinoiserie figures and a dog in an exotic landscape with palm trees, set with a removable inkwell and cover, printed red M mark, 13.3cm across. (3) £250­350

1443 A Doccia cup and saucer, c.1760­70, painted with three panels of pink roses reserved within narrow gilt foliate borders on a deep blue ground, 13.4cm. (2) £150­200

1444 A Sèvres coffee can and saucer (gobelet litron et soucoupe), c.1760­70, decorated with berried and floral garlands between ribboned and gilt swags, blue interlaced Ls marks, a Vienna cup and saucer and a small bowl, all painted with scenes of village men drinking, playing cards and conversing, blue shield marks, some damages and repairs, 14.2cm max. (5) £150­200

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1445 A pair of Meissen figural candlesticks, 19th century, modelled with a parent and child beneath a tree, one with a boy collecting eggs from a bird’s nest and handing them to his mother, the other with a man holding a nest and passing eggs to a young girl who collects them in her dress, each surmounted with two sconces painted with flowers, blue crossed swords marks, incised 1160, some chipping to the leaves, 22.5cm high. (2) £300­500

1446 A Meissen figure of a sleeping girl, 19th century, sometimes called Sleeping Louise, modelled by Acier after a painting by Jean­Baptiste Greuze, and a figure of the Racegoer’s Companion, blue crossed swords marks, 21.7cm max. (2) £200­300

1447 A pair of double sweetmeat figures, c.1800, Minton or Derby, each modelled after Meissen with a boy and a girl seated between two large baskets, and a Derby figure of a child wearing a red cap and holding a basket before him, some restorations, 19.5cm max. (3) £100­200

1448 Two Continental porcelain figures, c.1750­70, one a Meissen gardener carrying a basket of fruit with a watering can beside, blue crossed swords mark, the other a Ludwigsburg peasant holding a cudgel and seated on a stump beside a satchel, blue interlaced Cs monogram, incised letters and puce painter’s mark, some damages and repairs, 18.2cm max. (2) £150­250

1449 Two Meissen figures from a monkey band (affankapelle), 19th century, each depicting a female singer with a musical score open on her lap, raised on low scroll bases with gilt details, blue crossed swords marks, some restoration, 12.6cm max. (2) £150­250

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1450 A Meissen ‘Cris de Paris’ figure of an oyster or shellfish seller, mid 18th century, modelled by Peter Reinicke, carrying a basket of shellfish and seaweed over his left arm, a further basket strapped to his back, wearing an apron over a purple jacket and yellow breeches, raised on a low scroll base applied with flowers and leaves, blue crossed swords mark, some good restoration to his hat and left hand, 14.5cm. £2,000­2,500 After a 1753 drawing by Christophe Huet. Cf. M. Eberle, Cris de Paris­Meissener Porzellanfiguren des 18.Jahrhunderts, no. 51.

1451 A Meissen figure of a lady at repose, 19th century, after the model

by J. J. Kändler with a lady reclining in a chair beside a tabletop spinning wheel, a closed bible held in her right hand, raised on a low scrolled base, cancelled blue crossed swords mark, incised 2685, 16.5cm high. £300­400 The model is after the engraving ‘Les amusements de la vie privée’ by Louis Surugue of 1747, after the painting by Chardin of 1746. The engraving was dedicated to Madame La Comtesse de Tessin.

1452 A small Meissen figure of a young fish seller, mid 18th century, modelled as a young boy upending a large basket of fish, blue crossed swords mark, small chips, 10.5cm. £300­500 This figure was copied at Bow.

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1454 1453

1453 A Meissen figure of an otter, 20th century, modelled by Max Esser, sitting atop a rocky outcrop with head turned and forepaws raised, unusually enamelled with a dark grey coat, impressed marks and blue crossed swords mark, 24.3cm. £400­600

1454 A Fulda figure of a gardener, c.1770­75, wearing a flowered coat and holding a large flowerpot beside a further pot resting on a waisted plinth, raised on a rocky base, blue cross mark, some chipping and losses, 18.8cm. £250­350 Cf. The Metropolitan Museum, New York, Accession No. 40.169.6 for a similar example.

1455

1455 A Meissen figure of a billy goat, modern, after the model by J J Kändler, standing on a low oval base with head slightly turned, left in the white, blue crossed swords mark, impressed Weiss, 22.5cm across. £60­100

1456 Two Chelsea figures of Cupid in Disguise, c.1760, one in disguise as a musician, playing the hurdy­gurdy, the other as a mother carrying a baby in a cradle, each raised on a low scroll base applied with flowers and leaves, gold anchor marks, restoration, 12.2cm max. (2) £250­350

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1457 A pair of Bow figures of a Shepherd Piper and Dancing Shepherdess, c.1756, his pipes tucked under his left elbow, a dog recumbent at his feet, she holding her skirt up to dance, a lamb resting by her side, both raised on low pad bases applied with flowers, a small amount of restoration, 14.5cm.

(2) £400­600 The likely source for these Bow figures is probably the similar figures produced at Derby, although they in turn were probably borrowed from Meissen.

1458 A Derby theatrical figure Richard III, early 19th century, modelled in dramatic pose with colourful costume, his plumed hat at his feet, incised No. 21, 28.5cm. £400­600 Originally depicting David Garrick in the role, the model was reissued with a new head when John Philip Kemble took over the role. This figure possibly depicts him or even Edmund Kean who took over the role c.1815­16.

1459 A set of four Derby figures of the Rustic Seasons, c.1770­75, modelled as children with varying attributes, Spring holding a hat filled with flowers, Summer a sheaf of corn, Autumn a basket of grapes, Winter wearing ice skates, incised numbers to the bases, some restorations, 16cm.

(4) £200­300

1460 A pair of Chelsea Derby candlestick figures, c.1770, modelled as children with aprons filled with flowers, standing on scroll bases before flowering bocage, each with a pierced sconce, some restoration to the sconces, 18cm. (2) £300­400

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1461 A Derby figure of a milkmaid, c.1765­70, carrying a corked flask in her right hand, wearing a tied hat and standing on a grassy base applied with flowers, good restoration, 15.8cm. £100­150

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1462 A rare Derby figure group of Isabella with a Gallant and Jester, c.1765, after a Meissen group of The Hypochondriac by J J Kändler, the young lovers canoodling before flowering bocage, attended by a subservient Harlequin proffering chocolate cups on a small tray, minor faults, 31.2cm. £1,500­2,000 Cf. Len and Yvonne Adams, Meissen Portrait Figures, p 190, for the original group, which includes a fourth figure behind the couple.

1463 An unusual pair of Chelsea candlestick figure groups in the ‘Fable’ manner, c.1760­65, one modelled with a fox in animated pose, looking up to a crow perched among flowering bocage, the other with a fox being attacked by a dog, raised on pierced scroll bases and surmounted with foliate scroll sconces, gold anchor marks, restored, 22.8cm max. (2) £500­800 These two groups are based on the fable of the Fox and the Crow, and on either The Fox and the Cat or The Fox, the Cock and the Dog, with deliberate omissions. In the first instance the crow is lacking the cheese, in the second either the cock or the cat is missing from the branches of the bocage.

1464 A pair of Chelsea arbour figures, c.1760­65, one modelled as a Russian masquerader, holding a black and white theatrical mask and wearing a fur­lined hat and robe, his companion wearing a richly patterned skirt, each seated in a pierced arbour applied with a profusion of white flowers, gold anchor marks, some restorations, 19cm. (2) £500­800

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1465 A rare pair of Chelsea­Derby dishes, c.1770­75, the fluted circular forms probably painted by Richard Askew, each with a scene of a putto on clouds in puce monochrome, the rims decorated with leaf swags in turquoise and gilt, tied with puce ribbons, gold anchor and D marks, some gilt wear, 22cm. (2) £500­800

1466 A Worcester teapot and cover, c.1770­80, the globular body painted with bright flower sprays and flying insects in a palette including a rich turquoise, with a red crowsfoot border, 16.5cm. (2) £100­200

1467 A Worcester ‘Blind Earl’ sweetmeat dish, c.1758­60, finely painted with a large floral arrangement and single scattered sprigs, the handle formed as a rosebud spray, a small star crack, 16.3cm. £200­300

1468 A pair of Chelsea Derby plates, c.1780, painted with sprays of flowers within berried swag borders issuing from a turquoise band, puce crowned crossed batons mark to one, 21.8cm. (2) £100­200

1469 A pair of Chelsea chocolate cups and saucers, c.1755­58, the fluted forms painted with arrangements of flowers and single scattered sprigs, the generous cups applied with two moulded scroll handles, red anchor marks, one handle of each cup broken and restuck, chips to the saucers, 15.2cm max. (4) £150­200

1470 A Worcester teapot and cover, c.1756­58, the plain baluster form finely painted with butterflies, moths and other insects in flight around sprays of flowers, a further moth and ladybird to the cover beside the floral knop, the faceted spout with small leaf sprigs, a little good restoration to the spout, 18.5cm across. (2) £500­800

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The palette used is akin to that seen in the ‘Harvest Bug’ pattern.

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1471 A Chelsea silver shaped dish, c.1756­60, painted with loose sprays of European flowers and small scattered sprigs, the moulded rim edged in black, black anchor mark, a little restoration to the rim, 25.3cm. £200­300

1472 A Chelsea basket dish, c.1755, painted with small scattered flower sprigs, the sides with four large moulded basketweave panels, all reserved on a pale yellow ground, some peppering, rim cracks, 26cm. £150­250

1473 A pair of Chelsea silver­shape dishes of unusually small size, c.1756, painted with small flower sprays in the Meissen manner, one with a caterpillar, the other a flying insect, the rims edged in brown, 18.2cm. (2) £300­500

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1474 A rare Derby square­section vase, c.1755, two sides painted with figures in landscapes, two with polychrome flower sprays, the shoulder and neck with single flower sprigs, 26.7cm. £300­500

1475 A rare Derby harvest jug, c.1758­60, painted with summer flowers and ripe ears of corn, the reverse with a single narcissus and a spray of blue flowers, 18.4cm. £200­300

Exhibited: Simon Spero.

Exhibited: Klaber & Klaber, 75 Jugs Exhibition, 1993. Paper exhibition label.

1476 A Longton Hall vase and cover, c.1758­60, of asymmetrical rococo form, painted with flower sprays within moulded panels applied with further flowers, the cover made up of a variety of different blooms, some restoration, 19.7cm. (2) £500­700

1477 A Derby frill vase, c.1760, the flared form applied with masks surrounded by flowers and frill leaves picked out in yellow and green, the reticulated rim applied with bands of small flowerheads, a few small chips, 14.7cm. £300­400

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1478 A Derby wash basin and ewer, c.1780­85, finely painted with polychrome flower sprays within a border of puce and turquoise leaf garlands, crowned blue D marks, and a Chelsea­Derby chamberstick painted with similar flower sprays, some damages, 25.3cm max. (3) £80­120

1479 A large Derby jug and cover, c.1790, with horizontal moulding to the neck, painted with simple blue and gilt borders, puce crowned crossed batons mark, number 2 to the foot for Joseph Stables, and a Chelsea­Derby trio of a teabowl, coffee cup and saucer, the ogee forms painted with flowers, gilt D and anchor monograms, 25.2cm. (5) £250­350

1480 A Derby sauce tureen with cover and stand, c.1820, painted with panels of flowers reserved on a cobalt blue ground with gilt foliate motifs, iron red crowned crossed batons and D mark, and a Chelsea­Derby saucer dish, the fluted form painted in green camaieu with flower swags, gilt anchor and D mark, 21.3cm max. (4) £100­200

1481 A Chelsea leaf dish and a plate, c.1758­62, the leaf dish finely painted with a pink rose spray over veining picked out in puce enamel, puce anchor mark, the plate painted with fruiting branches within a feather moulded rim, minor faults, 28cm max. (2) £350­450

1482 A pair of large Worcester leaf dishes, c.1768­72, each formed of two overlapping cos leaves, brightly enamelled with butterflies around a vignette of exotic birds, the central leaf veins picked out in puce, 35cm max.

(2) £400­600

1483 Two Worcester teapots and covers, c.1770­80, well painted with colourful flower sprays, one with a gilt spearhead border, the covers with simple floral knops, 19cm max. (4) £450­550

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1484 Three Worcester milk jugs, c.1760­70, one painted with a Chinese figure seated at a table, another with a bold spray of Oriental flowers, the last with flower sprays in puce monochrome, and a coffee cup painted with three Chinese figures in a garden setting, some damages, 9cm max. (4) £100­200

1485 A Bristol teabowl and saucer, c.1775, the generous ogee forms painted in green camaieu with flower garlands within a wide gilt egg and dart border, 14cm. (2) £150­250

1486 Two Worcester teapots and a vase and cover, c.1756­70, one teapot printed and coloured with the Red Bull pattern, the other with Warmstry fluting and painted with a panelled design in Kakiemon enamels, the vase painted with panels of birds reserved on a later apple green ground, the teapots’ covers lacking, the vase’s cover broken and repaired, 18.7cm max. (4) £200­300

1487 A rare Worcester basket dish, c.1772­75, the shallow form moulded with trellis and basketweave panels, each side with a spray of vine, painted in dry blue with a gillyflower and other small sprigs, 29.7cm. £300­400

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1488 A rare Derby teapot and cover, c.1757­59, the baluster body with a moulded spout, painted with colourful moths in flight above Oriental flowering plants, the domed cover with a floral finial, and a large Derby sauceboat, moulded with scrolls and painted with flowers, some damages, 21cm max. (3) £200­300 The teapot formerly with Bob Williams.

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1489 A London­decorated Chinese porcelain milk jug, mid 18th century, decorated in the Giles atelier in green and black with a traveller seated beneath a tree and surveying a landscape before him, 8cm high. £150­250 Paper label for R & G McPherson Antiques.

1490 A rare Worcester slop bowl, c.1756, finely pencilled in black with two figures bowing before enclosed buildings in a mountainous Oriental landscape, the further with pine trees on a rocky mountain, the interior rim with a spearhead border, incised line mark, 13.6cm dia. £500­800

1491 A London­decorated Chinese porcelain teabowl and saucer, c.1757, printed and coloured with the Tea Party pattern of a couple seated at a bench in a garden setting, damages, 11.6cm. (2) £150­250

1492 A large Chelsea octagonal coffee cup, c.1755, finely painted in the Meissen manner with figures in a harbour setting, the reverse with scattered flower sprays, applied with a flattened scroll handle, a long firing crack, 7cm high. £100­200

Paper labels for the Ray Y Mottahedeh Collection and the Leo and Doris Hodroff Collection.

This design is based on an original Chinese pattern in encre de Chine. Cf. Woolley and Wallis, Fine Porcelain and Pottery, 15th September 2015, lot 321 for a coffee cup in the same pattern.

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1493 A Bristol (Richard Champion) teapot, c.1772­75, printed in black with La Terre to one side, a lady standing in a garden setting beside potted plants with a man kneeling at her side, the reverse with flowering plants and small scattered sprigs, the cover lacking, 21.2cm across. £500­800 Cf. Norman Stretton Collection, Phillips, 21st February 2001, lot 146 for a similar teapot with cover. The print is taken from a set of the Elements after Boucher, engraved by P Aveline, and can also be found on Bow and Worcester porcelain. It may relate to Richard Holdship.

1494 A rare Limehouse coffee cup, c.1746­48, the generous quatrefoil form moulded with sprays of flowering prunus issuing from the twig handle, 6.3cm high. £1,500­2,000 Cf. English Ceramic Circle, Limehouse Ware Revealed, p.65 for related sherds and a comparison to Pomona creamware.

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1495 A Worcester blue and white slop bowl, c.1755­58, painted with the Prunus Fence pattern, of flowering branches before holey rockwork and a zigzag fence, workman’s mark, 13.4cm dia. £150­250 Traces of a green enamel GB mark for the Gilbert Bradley collection.

1496 A Worcester blue and white ‘Wigornia’ creamboat, c.1753­55, the shaped hexagonal form moulded in relief with a Chinese landscape including pavilions and terraced fenced gardens below birds in flight, the interior rim painted in blue with floral sprays, workman’s mark to the interior, 11cm. £400­600 The moulding on this creamer corresponds to Moulding D according to Paul Riley, A review of ‘Wigornia’ cream jugs, ECC Trans., Vol.13, pt.3, pp.166­169.

1497 A Worcester blue and white mug, c.1770, the tall cylindrical body printed with La Pêche and La Promenade Chinoise, with chinoiserie figures at various pursuits in rococo garden settings, two chips to the footrim, 14cm. £100­200

1498 A pair of Worcester blue and white wall pockets, c.1755­60, the cornucopia forms painted in the Cornucopia Prunus pattern with flowering branches extending over the spiral­moulded bodies, workman’s marks of blue crossed swords, 30cm. (2) £500­800

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1499 Two Caughley blue and white plates, c.1770­80, printed with the Fisherman and Cormorant pattern within scalloped cell diaper borders, 20.2cm max. (2) £100­200

1500 A Derby blue and white leaf dish, c.1765­70, painted with a Chinese landscape scene with a hut among flowering plants, and a Derby plate painted with stylized floral sprays around a chrysanthemum head, some restoration to the leaf dish, 22cm max. (2) £400­600 Cf. Bernard Watney, English Blue and White Porcelain of the 18th Century, col. pl. G for a similar leaf dish.

1501 Two Derby blue and white plates, c.1760­70, one painted with a censer of flowers including chrysanthemum and peony, the other with stylized Oriental flower sprays around a central chrysanthemum mon, brown line rim, 28.8cm max. (2) £400­600

1502 Two rare Worcester blue and white leaf dishes, c.1758­60, the larger painted with the Blown Tulip pattern, the smaller with the Blown Peony pattern, workman’s marks, a riveted repair to the smaller dish, 35.2cm max. (2) £500­700

1503 Two Worcester blue and white teapots and covers and a coffee pot and cover, c.1760­75, the coffee pot painted with the Mansfield pattern, one teapot printed with the Three Flowers pattern, the other with the Fence pattern, and three Worcester teabowls and saucers printed with the Fruit Sprays pattern, hatched crescent marks to most, the teapots’ covers associated, some faults, 19cm max. (12) £250­350

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1504 A Bow blue and white teapot and cover, c.1760, printed with the Three Flowers pattern, restoration to the cover and spout, 19.5cm across. (2) £150­200

1505 A rare Bow blue and white egg cup, c.1762, painted with shaped panels of flowers and leaves and small floret roundels, reserved on a powder blue ground, raised on a spreading foot, pseudo Chinese script mark, 6.5cm. £300­400 Cf. Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, pl 103, p 74.

1506 Two Worcester blue and white bowls, c.1765­75, the smaller printed with the Fisherman and Cormorant pattern, the larger painted with the Precipice pattern, crescent marks, 21.5cm max. (2) £100­200

1507 An early Coalport dessert plate, c.1795, the well painted in the manner of Caughley’s ‘Bright Landscape’ pattern, with a figure before a church, the moulded rim with gilt garlands and scattered stars, 22.3cm. £250­350

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1508 A St James’s (Charles Gouyn) scent bottle, c.1753­55, modelled with Venus and Cupid standing beside a clock face among flowers and leaves, a small spotted dog between them, the base inscribed ‘L’heure du berger fidelle’, with gilt metal mount and floral stopper, 7.5cm. £2,000­2,500 Cf. The British Museum, No. 1887,0307,II.121, for a similar example.

1509 A Chelsea scent bottle, c.1755, modelled as a bottle contained in a yellow wicker basket, the neck painted with sprays of flowers, moulded with a bottle ticket inscribed ‘Eau de Senteur’, with a gilt metal mount and a stopper formed as a small colourful bird, 8.3cm. £1,500­2,000

1510 A porcelain bonbonnière or vinaigrette, late 18th/19th century, modelled as the head of a dog with tongue slightly protruding, his eyes picked out in marcasite, the ears applied in enamel, with gilt metal mounted hardstone cover and suspension ring, 4cm. £250­350

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1511 A Samson porcelain spectacles case, late 19th century, painted with a Aesop’s fable of the Cock and the Fox, within a raised gilt trellis border on a deep blue ground, the reverse with a landscape scene, 15.5cm. £100­150

1512 A biscuit porcelain etui or scent bottle, 19th century, probably Continental, modelled as a swaddled baby, 8cm. £100­150

1513 A Turner black basalt seal, c.1800, moulded with a lion attacking a horse, impressed mark, and a caneware seal depicting a bearded man, possibly Jesus, 2.2cm max. (2) £100­200

1514 A rare Wedgwood black basalt seal, c.1777, depicting a rattlesnake coiled beneath a banner inscribed ‘Don’t Tread On Me’, impressed ‘Wedgwood’, 2.1cm. £150­250 This medallion was made for Wedgwood to distribute among his pro­American friends and was based on a motif designed by Benjamin Franklin for colonial propaganda. In a letter to Thomas Bentley, dated 8th August 1777, Wedgwood wrote, “I think it will be best to keep such unchristian articles for private trade”; no doubt acutely aware of the potential issues production of such an article by a potter beloved of the Royal family.

1515 A pair of small oval English enamel plaques, c.1760, finely painted with arrangements of fruit and vegetables on a marble shelf, mounted in later giltwood and velvet frames, each plaque 5.2cm. (2) £100­200 Paper labels to the reverse stating them to be two of eight presented by Mrs F C Henriques, believed to be an American heiress.

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1516 Six English enamel geographical patch boxes, c.1760­1800, the oval forms variously inscribed ‘A Trifle from Brighton’, ‘A Trifle from Upton’, ‘A Trifle from Hull’, and with views of Carlton House in London, Prior Park in Bath, and the Abbey Church of St Albans, raised on blue, green and pink bases, some damages, 5.4cm max. (6) £150­250

1517 Six English enamel patch boxes, c.1760­90, five oval and decorated with inscriptions for love and friendship, on pink, green and blue bases, the last rectangular and printed with a scene of a couple, inscribed ‘This and the giver are thine forever’, restoration to two, 4.3cm max. (6) £100­200

1518 Five English enamel patch boxes, c.1760­90, the oval forms variously decorated with inscriptions and motifs relating to friendship, virtue and love, the bases coloured pink, green and yellow, damages, 5cm max. (5) £100­200

1519 Five English enamel patch boxes relating to the county of Kent, c.1770­1800, the oval forms variously inscribed as souvenirs from Tenterden, Canterbury, Sandwich and Sittingbourne, on pink and blue bases, all with internal mirrors, some damages, 4.6cm max. (5) £150­250

1520 Six English enamel patch boxes, c.1760­90, variously painted and printed with inscriptions for virtue and love, one inscribed ‘The Loaves and Fishes are the Royal game, for which the Outs against the Ins exclaim’, raised on pink, white, green and blue bases, some faults, 5.2cm max. (6) £200­300

1521 Six English enamel patch boxes and three pill boxes, c.1760­80, variously painted with a dog watching a rabbit, with birds in nests and by vases, and with inscriptions including ‘Remember the Giver’, ‘Love the Giver’ and ‘A Friend’s Gift’, on base colours including blue, yellow, pink and white, some damages, 4.7cm max. (9) £150­250

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1522 Three Battersea enamel snuff boxes, c.1755, of circular form, the two larger painted, possibly in Chelsea, with figures in Eastern and European costume in harbour scenes beside Classical ruins, the sides and bases with flowers, the smaller with two figures beside Classical ornaments, cracking and chipping, 7.5cm max. (3) £150­250

1523 Three South Staffordshire enamel patch or snuff boxes, c.1760­90, one decorated with a Classical maiden seated beside a bird in a case, another painted with two girls with ringlets and inscribed ‘We three Loggerheads be’, the last with an optical illusion portrait inscribed ‘A Fortune Hunter’ and ‘A Bucksome Widow’, some cracking, 5.5cm max. (3) £150­250

1524 Two English enamel snuff boxes, c.1760­80, one Birmingham and of circular form, painted with flowers, the other South Staffordshire and painted with a panel depicting the ‘Sailor’s Return’, and a Bilston enamel scent bottle case painted with flowers on a turquoise gingham ground, 8.2cm max. (3) £350­500

1525 Four English enamel patch boxes, c.1780­1800, the largest painted with a sheep and inscribed ‘A Trifle from Dover’, one with a dove of peace inscribed for Friendship, another with doves by a fountain and titled ‘Remember the Giver’, the last with a grotto within a beaded border, on blue and green ground, some faults, 5.5cm max. (4) £250­350

1526 Eight English enamel patch boxes, c.1760­80, of oval and circular form, variously painted and printed with inscriptions including ‘Sacred to Friendship’, ‘A Trifle from Bungay’, ‘Love Constitutes the Value’ and ‘A Small Token of Friendship’, one bases coloured pink, green and blue, five with internal mirrors, damages, 4.7cm max. (8) £100­200

1527 Four English enamel patch boxes, c.1760­90, one of navette shape and painted with lovebirds surmounted a heart within flowers, another oval with an inscription flanked by birds, one circular and printed with a landscape panel, the last with a silver­coloured metal base, and an enamel model of a hat painted with flowers, some faults, 5.8cm max. (5) £100­200 119

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1528 A South Staffordshire enamel bonbonnière, c.1770­80, modelled as a peach with pale russet striations on a cream ground, 4.2cm. £400­600

1529 A small South Staffordshire enamel bonbonnière, c.1770, modelled as an apple, decorated in a green ground with pale russet striations, 3.4cm. £150­250

1530 A rare enamel bonbonnière, late 18th century, modelled as a lemon, the pale yellow ground with a sugared texture, 4.2cm. £200­300

1531 A rare and large South Staffordshire enamel bonbonnière, c.1770­ 80, modelled as a gherkin pickle or small cucumber, with raised dark dots on a green ground, grading to a paler green as it tapers to the end, some good restoration, 7.5cm. £800­1,200

1532 A large South Staffordshire enamel bonbonnière, c.1770, modelled as an apple with russet and yellow colouring, some good restoration, 5.4cm across. £200­300

1533 An English enamel bonbonnière, c.1770­80, modelled as a large walnut with moulded ridges and black striations on a pale brown ground, minor restoration, 4.5cm across. £300­500

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1534 Two enamel egg bonbonnières, c.1780­1800, the larger moulded and painted with a continuous band of birds, butterflies and flowers on a deep blue ground, a turquoise roundel to one end, the other moulded and painted with flower sprays on a green ground, a poorly repaired chip to the former, 6.5cm max. (2) £150­200

1535 Two South Staffordshire enamel nutmeg graters, c.1770, the egg shape forms painted with panels of flowers, one with gilt scroll borders on a pale green green, the other with raised white enamel foliate sprigs on a pink ground, with screw fittings, each containing an internal metal grater, 5cm max. (2) £300­500

1536 Two Bilston or South Staffordshire enamel bonbonnières, c.1760­80, of egg shape, one South Staffordshire and inscribed 'Peace and Plenty' to the rounded end, decorated with a pink vermicelli ground, the other painted with landscape panels in white cartouches on a pale blue ground, 4.6cm max. (2) £150­250

1537 Two Bilston enamel bird bonbonnières, c.1760­70, modelled a bullfinch and a yellow canary, one hinged lid painted with flower sprays, the other with a vermicelli ground, some faults, 4.6cm high max. (2) £200­300

1538 A Bilston enamel egg­shaped bonbonnière, c.1770, unusually left in the white, with metal mounted hinged cover, 4.4cm. £200­300 Paper label for D M & P Manheim, New York.

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1539 A large Birmingham or South Staffordshire bonbonnière, c.1760­ 70, modelled as two billing doves or love birds with beaks and wings entwined, raised on a grassy base, the hinged cover decorated with a bird perched on fruiting vine above further fruits, restoration, 6.2cm high. £800­1,200

1540 A Birmingham or South Staffordshire bird bonbonnière, c.1760, modelled as a thrush, its head slightly turned and plumage naturalistically decorated, the hinged gilt metal mounted cover painted with birds above a fountain, restoration to the beak, 7.5cm. £500­800

1541 A Bilston enamel animal bonbonniere, c.1770, modelled as a doe or fawn, recumbent with head turned back across the body on a grassy base among oak branches, the hinged cover printed and coloured with a stag hunt scene, a little cracking to the cover, 8.5cm. £800­1,200

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1542 A small enamel bonbonnière, c.1770­80, modelled as the head of a pug dog, the hinged cover painted with a dog running in a garden setting, some restoration, 3.3cm. £250­300

1543 A small South Staffordshire enamel bonbonnière, c.1770, modelled as a recumbent spaniel on a pale pink cushion, the hinged metal cover inscribed in black with ‘I am and always wish to be your Friend and you a Friend to me’, a mirror to the interior, some restoration, 4.1cm across. £200­300

1544 A Bilston enamel bonbonnière, c.1780, modelled as a spaniel recumbent on a dark pink cushion, its coat decorated with black patches, the hinged cover with raised decoration of a flower spray within a yellow and puce narrow border, 5.7cm. £400­600

1545 A large Continental enamel bonbonniere, late 18th century, modelled as the head of a pug dog with bulging eyes and protruding tongue, the flat hinged cover painted with a huntsman and dog in a landscape, the interior with a woman wearing a black shawl, some cracking, 7.3cm. £450­650

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1546 A large English enamel bonbonnière, c.1780, modelled as the head of a leopard, decorated with black spots on a pale yellow ground, the hinged cover painted with a bold spray of polychrome flowers, some restoration, 5.4cm. £600­1,000

1547 A South Staffordshire enamel bonbonnière, c.1770­80, modelled as the head of a leopard or cheetah, its coat decorated with brown spots on a pale orange ground, the flat cover painted with a flower spray within puce scrolls, some restoration, 4cm. £400­600

1548 A Bilston or South Staffordshire bonbonnière of a leopard, c.1770­ 80, the large spotted cat curled up on a pale blue mound, the hinged cover painted with a simplistic flower spray, some chipping to the blue, 4.3cm across. £300­500

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inner lid

1549 A Bilston enamel double­lidded bonbonniere, c.1770, modelled as the head of a boar, naturalistically painted with tusks, the outer cover painted with a figure on horseback and a boar, the hidden inner cover with a semi erotic scene of a gentleman removing the shoes of a lady in a bedchamber, the inner lid loose, 7.8cm. £2,000­3,000

1550 A Bilston enamel bonbonniere, c.1760, modelled as the head of a horse or donkey, with dappled coat, the hinged cover painted with horses in a stream and driving a cart across a bridge, some good restoration, 7.3cm. £700­1,000

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1551 A Battersea and Birmingham enamel snuff box, c.1755, a Battersea cover on a Birmingham box base, the top of the lid printed in puce with Britannia presenting a medal and surrounded by figures emblematic of the Arts and Sciences, the interior with a portrait of Prince George (later George III) after Simon Ravenet, the sides in purple with flowers and insects, some damages, 8.3cm. £2,500­3,000 Provenance: ex Halcyon Days Collection.

Illustrated: Susan Benjamin, English Enamel Boxes, p.47.

1553 A Battersea enamel wine label, c.1760, the escutcheon form printed and coloured with Cupid wrestling a satyr before a rectangular landscape scene titled ‘CHAMPAIN’, some restoration to the reverse, a chip to one corner, 7.1cm. £800­1,200 Cf. J Salter, Wine Labels A Worldwide History 1730­2003, p.14.

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1552 A Battersea enamel snuff box, c.1750, printed in puce after Simon Ravenet, the top with Britannia presenting a medal in a scene emblematic of the Arts and Sciences, the interior cover with a portrait of Frederick, Prince of Wales, the sides and base with scenes of putti representing the Arts, Science and Commerce, restored, 8.7cm. £2,500­3,000 Provenance: ex Halcyon Days Collection.

Illustrated: Susan Benjamin, English Enamel Boxes, p.38 and back cover of the dust jacket.

1554 A Battersea enamel wine label, c.1760, the escutcheon form printed and coloured with three putti on and around a barrel inscribed ‘PORT’, a goat on a rocky outcrop beyond, some restoration, 7.3cm. £800­1,200 Cf. J Salter, Wine Labels: A Worldwide History 1730­2003, front cover.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1555 A South Staffordshire enamel double snuff box, c.1770, modelled as a ship and painted with a figurehead, mounted with two hinged agate covers with gilt metal mounts, a few small filled chips, 10.8cm. £1,200­1,500

1556 A near pair of South Staffordshire enamel bonbonnières, c.1765­75, the tops moulded in high relief, one with hunting trophies including a horn, flask, pistol and hare, inscribed ‘a la chasse amoureuse’, the other with an artist’s palette, set square, dividers, brushes and a scroll inscribed ‘Je Peindrai vos Bautes’ [sic], the bases decorated with panels of flowers and white trellis on a blue ground, some restoration, 5.8cm.

(2) £800­1,200 Cf. Susan Benjamin, English Enamel Boxes, p.82.

1557 A Continental enamel snuff box, c.1760­70, probably German, the rectangular form finely painted to the cover with a bacchanalian scene of putti carousing with a goat, the interior with two putti fishing before ruins, the sides and base with further scenes of putti with birds and animals, with a chased gilt metal mount, a small amount of cracking, 8.3cm across. £1,000­1,500

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1558 A rare English enamel patch box, c.1805, the navette form painted with Hardy supporting Nelson aboard the deck of HMS Victory with the fleet in the background, inscribed ‘Off Trafalgar the battle was Fought, Nelson’s Life the Victory Bought’, within a beaded border, the base enamelled a dark blue, with interior mirror, a little cracking to the base, 5.3cm across. £1,500­2,000

1559 A rare South Staffordshire patch box, dated 1798, the navette shape painted with a scene from the Battle of the Nile, inscribed ‘L’Orient on fire in the Glorious Victory by Adm. Nelson, 1st August 1798’, within a beaded border on a dark blue ground, a little cracking, 5.4cm. £600­1,000

1560 A South Staffordshire enamel patch box, early 19th century, printed in manganese and coloured in blue and puce with a half­length portrait of Nelson standing before rigging, titled ‘Ad’l Nelson’, the oval base a rich lilac colour, minor cracking, 5.5cm across. £1,000­1,200

1561 A South Staffordshire enamel commemorative patch box, c.1802, painted with Britannia standing on the shore and pointing at a ship out to see, titled ‘Peace with France’, raised on a moulded blue base, a little chipping and cracking, 4.4cm. £500­800 This box was probably made to celebrate the 1802 Treaty of Amiens which marked the end of the French Revolutionary Wars. Sadly, peace was short­lived and the actions of Napoleon caused the British to declare war on France in May 1803.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1562 A South Staffordshire commemorative patch box, c.1790­1800, the navette shape printed with Britannia and a lion seated and holding a scroll bearing the name of ‘Nelson’, inscribed ‘Britannia rules the Waves’, raised on a pink base and fitted with an internal mirror, some chipping, 4.6cm. £150­200

1563 An English enamel patch box, early 19th century, the navette shape inscribed ‘Britons Gratitude and Nelson’s Valor’ on a panel flanked by flags and cannon, raised on a pink base, a crack to the top, 5.1cm across. £1,000­1,200

1564 An English enamel patch box, early 19th century, decorated with a toper sitting on a barrel and holding a tankard in each hand, inscribed ‘May all Nations be free and happy as me’, the base coloured a pale blue, a mirror to the interior, 5.5cm. £250­350

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1565 A rare South Staffordshire enamel commemorative patch box, c.1815, painted with a large bull chained to a post titled ‘Loans’ and ‘Subsidies’, beside two armed soldiers beneath fingerposts inscribed ‘Amsterdam’ and ‘Berlin’, above the bull titled ‘John Bull’, raised on a moulded lilac base, restored, 4.2cm across. £300­500

1566 A small South Staffordshire patch box, late 18th century, the oval form decorated in shallow relief with a head and shoulders portrait of Queen Charlotte reserved on a pink gingham ground, the base with flower sprays on the same ground, a mirror to the interior, some cracking, 3.7cm across. £200­400

1567 An English enamel double snuff box, c.1770­80, the rectangular form painted with flower sprays and puce scrollwork, with two compartments under separate hinged covers, a little cracking, 5.7cm. £150­250

1568 An English enamel etui, late 18th century, the flattened form finely inscribed ‘A Friend’s Gift’ and ‘Esteem the Giver’, the reverse with ‘Remember her who gives this Trifle’ ‘To the most Amiable’, within narrow blue dot borders on a pink ground, a little retouching to the upper section, 9.6cm. £100­200 130

1569 A Bilston enamel box in the form of a faux montre, c.1780, the toy pocket watch painted with a clock face showing the time of eight minutes past five, the sides and reverse with a raised design of polychrome flowers on a pink ground, with metal mount and suspension loop, 5.8cm overall. £300­400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1570 A rare set of eleven English enamel plaques, late 18th/early 19th century, possibly made as furniture mounts, brightly painted with scenes from John Bunyan’s ‘Pilgrim’s Progress’ after the 1786 engravings by George Burder, including Christian fleeing from the City of Destruction, being rescued from the Slough of Despond, with the Matyrdom of Faithful and with Goodwill showing Christian the way, each in an oval metal frame and previously mounted all together on a velvet ground sometime in the 19th century, each plaque 6.3cm excluding mount. (11) £5,000­8,000 The reverse with an old paper label for Albany Art Gallery, New York. Inscribed ‘From family of James Terry Gardiner, property of Elizabeth G Gardiner, his daughter’.

James Terry Gardiner (1842­1912) was an American engineer and surveyor. His youngest daughter, Elizabeth, died in 1987.

1571 A South Staffordshire enamel snuff box, c.1760­70, the rectangular form painted with an embracing couple being watched by a figure behind a tree, within a white enamel cartouche, reserved on a dark pink ground, the sides with floral panels, 7.4cm. £200­300

1572 An Austrian enamel vinaigrette, late 19th century, modelled as a violin, painted with a landscape and with two figures, and a Samson snuff box in the Staffordshire manner, painted with a fruit seller and titled ‘Scarlet strawberries’, 7.5cm max. (2) £100­200

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1573 A Bilston enamel etui, c.1770, of chamfered rectangular form, painted with panels of figures and livestock in landscapes, the narrower sides with flowers, reserved on a pale blue ground, the contents including two scent bottles, a pencil and small writing card, a small amount of restoration, 7cm high. £900­1,100

1574 A rare English enamel wine funnel, c.1770, painted in a bright blue with a bird perched on a fruiting grapevine, and with further sprays of flower and fruit, the gilt metal mounted circular base detachable, minor damages and restoration, 11.5cm. £1,500­2,000 Cf. The Catalogue of the Schreiber Collection, Volume III, pl.13 no.292 for a similar example.

1575 A rare Bilston enamel heart­shaped etui, c.1760­70, moulded in relief with panels of putti firing arrows at a target, pierced hearts and love birds, the hinged cover with a bird on fruit, reserved within gilt scroll borders on a white ground, the contents including a scent bottle, a pair of scissors, a pencil, a pair of tweezers and a file, some good restoration, 10cm. £1,500­2,000

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1576 A Battersea enamel snuff box, c.1755, the flattened shaped form decorated with Les Amusements Champetres after Watteau, with figures in a garden setting, the sides with harbour vignettes, the base with figures stooking corn at the water’s edge, the interior with a target practice scene in monochrome, some cracking, 9.9cm across. £300­400

1577 A South Staffordshire enamel snuff box, c.1765­75, the rectangular form painted in purple monochrome with panels of figures, the cover with a young girl playing the harp, reserved on a turquoise ground with raised white enamel scrolls, the interior with two putti seated amongst leafy trees, minor cracking, 7.5cm across. £150­200

Cf. Clare le Corbeiller, European and American Snuff Boxes 1730­1830, no. 591 for a box of the same shape bearing a scene after Boucher.

1578 A South Staffordshire enamel bonbonnière, c.1760­70, moulded and painted with an artist’s palette, set square, dividers, brushes and a scroll inscribed ‘Je Peindrai vos Rautes’ [sic], reserved on a dark grey ground delicately painted with a band of flowers, a little cracking, 5.8cm. £500­800 Cf. Susan Benjamin, English Enamel Boxes, p.82.

1579 An English enamel rectangular snuff box, c.1760­70, the top painted with a figure fishing beside Classical ruins, the sides with figures in garden settings, with a chased gilt metal mount, a little chipping to the base, 7cm across. £150­250

END OF SALE 133

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SILVER & OBJECTS OF VERTU TUESDAY 5TH & WEDNESDAY 6TH OCTOBER 2021

A Victorian silver presentation racing trophy, The Warwick Cup, by the Barnards, London 1874 Estimate £20,000 ­ 25,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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UPPER SLAUGHTER MANOR, THE COLLECTION OF MICHEÁL & ELIZABETH FELLER TUESDAY 9TH & WEDNESDAY 10TH NOVEMBER 2021 Two London delftware blue dash chargers, early 18th century From a selection of early English pottery included in the sale

ENQUIRIES Mark Yuan­Richards | +44 (0) 1722 411854 myr@woolleyandwallis.co.uk

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

ENGLISH & EUROPEAN CERAMICS & GLASS

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

THURSDAY 7TH OCTOBER 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR SEPTEMBER 22nd

Furniture, Works of Art & Clocks

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

OCTOBER 5th & 6th 7th 20th

Silver & Objects of Vertu English & European Ceramics & Glass British Art Pottery & Design

NOVEMBER 9th & 10th 17th & 18th 23rd & 24th

Upper Slaughter Manor, The Collection of Micheál & Elizabeth Feller Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

DECEMBER 7th & 8th 14th 15th

Modern British & 20th Century Art Medals & Coins, Arms & Armour African & Oceanic Art | Antiquities

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A Staffordshire slipware owl jar and cover, c.1690­1710 SOLD FOR £28,750*

www.woolleyandwallis.co.uk