Woolley & Wallis by Jamm Design Ltd

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 15th October 2019

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

424509 424598 424509

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424506 +44 (0)7812 601098 424571 424591

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

Janice Clift (Office Manager) 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

424500

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER Matt Hill

CASTLE GATE MANAGER JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

David Jordan 424583 424591

CASTLE GATE RECEPTION Sally Litherland

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

339752 446980

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

424500

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 15th October 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 12th October Monday 14th October Tuesday 15th October

10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 10.00am

ENQUIRIES LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE

Clare Durham 01722 424507 cd@woolleyandwallis.co.uk

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Monday 14th October BUYER’S PREMIUM

Hollie Morrison 01722 446964 hm@woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 14th October CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street saleroom to our Castle Gate office on Tuesday 22nd October If you are collecting items on or after this date please contact the department on 01722 424507 All accounts to be settled prior to collection Payment is still made at Castle Street Our Castle Gate address details and map are at the back of this catalogue

ILLUSTRATIONS Front cover Lot 632 detail Back cover Lot 260 detail Catalogue £12.00 (£15.00 by post)

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1. Two small wine glasses, c.1760-70, one with a rounded funnel bowl moulded with ten vertical ribs, the other bowl cut in the ‘hidden Jacobite’ manner with a six petal rose at the base, both raised on facet cut stems, one above a folded foot, 14cm max. (2) £200-300

2. Five wine glasses, c.1750-70, four in different sizes with bell bowls raised on dense airtwist stems, one on a folded foot, the largest glass with a rounded funnel bowl above a double-knopped airtwist stem above a conical foot, the foot of one glass broken and restuck, 21cm max. (5) £150-250

3. Four Continental wine glasses, 18th century, one with a rounded funnel bowl raised on a six-sided Silesian stem on a folded foot, two with drawn trumpet bowls above an opaque twist stem and a knopped stem enclosing a tear, the last with a bell bowl on a plain stem, 19.2cm max. (4) £200-300

4. Two wine glasses, c.1760, the larger with a flared bell bowl raised on a thick dense airtwist stem above a conical foot, the other with a bell bowl above an airtwist stem and folded foot, 18.5cm max. (2) £250-350

5. A Sunderland Bridge glass mug, 19th century, the cylindrical form engraved with a ship sailing beneath Sunderland Bridge, titled beneath, with a wide strap handle, and a Masonic rummer, engraved with the initials GP between rose and thistle, the reverse with Masonic emblems, 14cm max. (2) £200-300

6. Two glass commemorative rummers, 19th century, one engraved with the Regalia of Scotland beneath a narrow continuous thistle band, the other to commemorate the coronation of George IV in 1821, raised on a plain stem above a conical foot, 19.6cm max. (2) £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

7. A glass beaker, c.1770-90, of flared cylindrical form, engraved with flower sprays beneath the name ‘Job Tams’, and a cut glass candlestick, the blown knop body cut with polished lappets and raised on a square lemon squeezer base, 17.8cm max. (2) £100-200

8. A large glass rummer of photographic interest, dated 1857, engraved with a panel containing a camera, inscribed ‘Presented to H H F Leithead by H H Bright, R Miller & J B Burden, Hartlepool 1857’, within fruiting grapevne, raised on a short plain stem, 17.2cm. £300-500 An H F Leithead is listed as being enrolled as a member of the Liverpool Photographic Society in 1858, suggesting that this was a farewell gift from fellow enthusiasts in Hartlepool the previous year.

9. A Masonic glass jug, c.1800-20, engraved with various Masonic and religious attributes, one side with ‘Bengamin [sic] & Ann’, the other side with ‘Kenworthy’, the jug’s wide rim with a blue border, 14cm high. £200-300

10. A glass punchbowl, c.1770, engraved with the initials ‘BMC’ within a starburst cartouche, raised on a low foot, 23.5cm dia. £200-300

A Benjamin Kenworthy is listed as marrying Ann Buckley in Saddleworth in 1834, and it is possible that the jug was engraved to celebrate their marriage. Kenworthy is listed on the 1841 census as working in the wool industry.

11. A large cut glass sweetmeat stand and a jug, 19th century, the pedestal bowl of navette shape, cut with varying bands of hobnail and diamond designs, 24cm high max. (2) £100-200

12. A glass decanter and stopper, c.1800, the mallet body engraved with the initials 'TMH', a jug engraved with barley and leaves, a flared beaker engraved with rose and thistle above the name 'Elizabeth Dugdale', and a footed glass vase engrved with fuchsia and a wreath, some damages, 27cm max. (5) £100-200

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13. A wine glass, c.1760, the rounded funnel bowl decorated with a hammered honeycomb design, raised on a multi opaque twist stem, 16.5cm. £250-350

14. A wine glass of Jacobite type, c.1760, the drawn trumpet bowl engraved with a six petal rose spray, on a dense airtwist stem above an unusual domed foot, 16cm. £600-800

15. A large wine glass, c.1760, the drawn trumpet bowl with a wide band of wrythen moulding above a collar ring and incised twist stem over a conical foot, 17.5cm. £400-600

16. A large ale glass, c.1765, with slender round funnel bowl raised on a double knopped airtwist stem above a conical foot, 19.8cm. £150-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

17. An ale flute, c.1760, the slender drawn trumpet bowl engraved to one side with crossed stems of barley, the other with a hop spray, raised on a double series opaque twist stem above a conical foot, 20.3cm. £200-300

18. An ale glass, c.1760, the slender rounded funnel bowl raised on a corkscrew mercury twist stem, 20.5cm. £250-350

19. A toasting glass or flute, c.1760-70, the slender drawn trumpet flute raised on a double series opaque twist stem above a conical foot, 18.8cm. £300-500

20. An ale glass, c.1760, the slender rounded funnel bowl raised on a shorter stem enclosing a cable airtwist, above a conical foot, 19.5cm. £200-300

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21. A pair of glass rummers, 19th century, the generous bowls engraved with a bands of stars and polished ovals, raised on square feet, a plain rummer raised on a square lemon squeezer foot, and a glass bell-shaped mug, c.1770, with a wide scroll handle, 13.5cm max. (4) £150-250

22. A pair of hexagonal jelly glasses, 2nd half 18th century, raised on short basal knops and conical feet, a Venetian type glass with wide bowl raised on a barley twist stem, and a Bohemian glass beaker flashed in amber and cut with three gentlemen playing golf, 17.8cm max. (4) £100-200

23. Three ale glasses, c.1760, two with drawn trumpet bowls engraved with a single barley ear and a spray of hops, the larger with a slender round funnel bowl engraved with crossed barley stems and a hop spray, raised on a plain stem above a folded foot, 18.8cm max. (3) £150-250

24. Two Dutch wine glasses, mid 18th century, the flared funnel bowls engraved with stylized flowers and leaves, one raised on a moulded pedestal stem, the other on a knopped stem enclosing a long air tear, both raised on folded feet, 14.7cm max. (2) £100-200

25. Eight glass decanters and stoppers, 19th century, most of Prussian form and applied with three neck rings, and a cut glass claret jug and stopper, 27cm max. (18) £200-300

26. A pair of cut glass candlesticks, late 18th/early 19th century, cut with small diamond facets and raised on tall domed bases, with a pair of small glass sweetmeat bowls and covers, the foot of one candlestick broken and restuck, 25cm max. (6) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

27. A large glass rummer, 19th century, the rounded funnel bowl engraved with a man aiming a gun at game birds in flight, raised on a short stem above a flat foot, 21cm. £100-150

28. Two wine glasses, c.1760, one with a slight ogee bowl with everted rim raised on a knopped opaque twist stem, the other with a rounded funnel bowl engraved with flower sprays and raised on a double series opaque twist stem, 15.8cm max. (2) £200-300

29. A glass beaker of possible Jacobite significance, 2nd half 18th century, the flared form engraved with a flowering rose spray, the reverse with three bees, 12.3cm. £150-250

30. An unusual wine glass, c.1750-60, a bell bowl raised on a short, thick stem above a conical folded foot, 12.8cm. £100-200

31. A wine glass, c.1740, the rounded funnel bowl raised on a six-sided Silesian stem above a folded conical foot, 15.7cm. £600-800

32. A small wine or gin glass, c.1760, the bell bowl rising from an airtwist stem, the twist extending to the base of the bowl, above a conical foot, 12.7cm. £100-200

33. An early dwarf ale glass, c.1720, the drawn trumpet bowl with wrythen moulding and a flammiform edge, raised on a conical foot, 12cm. £200-300

34. A glass commemorative stirrup cup, dated 1815, modelled as a boot and engraved ‘Wellington Victory at Waterloo 1815’, 9cm. £250-350

35. A rare firing glass, c.1760, with an unusual bell bowl raised on a thick airtwist stem above a heavy foot, 11cm. £250-350

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36. A wine glass, c.1760, the bell bowl raised on a dense airtwist stem above a domed foot, 15.8cm. £250-350 37. A cordial glass, c.1760, the small bucket bowl raised on a thick double series opaque twist stem above a tall conical foot, 16.4cm. £300-400 38. A large wine glass, c.1750, with generous drawn trumpet bowl rising from a thick plain stem enclosing a single tear, above a folded foot, 20.5cm. £200-300 39. A large ale glass, c.1760, with tall bell-shaped bowl raised on a double series opaque twist stem above a conical foot, 19.5cm. £100-200 40. Two Dutch toasting glasses (pijpensteelglazen), 17th/18th century, of typical tall shape with drawn trumpet bowls issuing from slender stems above conical feet, the delicate glass tinged peach and green, 20.3cm. (2) £300-500 Provenance: purchased from Frides Laméris, Netherlands.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

41. A glass jug, c.1780-1800, the bell shape with gadroon moulding around the base, the everted rim trailed with narrow bands of glass, raised on a circular foot, 19.6cm. £100-200 42. An ale glass or wine flute, c.1760-70, the elongated bell bowl engraved to one side with crossed stems of barley, to the other with a growing vine, raised on a plain stem above a conical foot, 18.5cm. £350-450 43. An unusual wine glass, c.1760, the ogee bowl hammered around the base and raised on a double series airtwist stem above a conical foot, 15.5cm. £150-250 44. A wine glass, c.1750-60, the rounded funnel bowl raised on a six-sided pedestal stem with basal ring above a folded conical foot, 15.3cm. £200-300 45. A pan-topped wine glass, c.1765, the narrow bowl rising to a broad rim, raised on a double series opaque twist stem above a conical foot, 15.3cm. £150-250

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46. A Dutch-engraved ‘VOC’ goblet, c.1750, the generous round funnel bowl engraved with a three-masted ship and the monogram ‘VOC’ beneath the inscription ‘Wel Vaaren Van De Ost Indishe Comp’ (The Welfare of the East India Company), raised on a baluster stem including a multi-teared knop, 18.1cm. £5,000-7,000

47. A large Dutch-engraved armorial goblet, c.1760, the bell bowl engraved with a crowned shield enclosing six castles around smaller shields, flanked by dragons holding flags, the base of the bowl cut with facets and raised on a baluster stem above a domed folded foot, 23.3cm. £600-800 Provenance: the Honeybourne Museum, no. 21.

48. A large wine glass or goblet, c.1760, the generous rounded funnel bowl engraved with a butterfly and a spray of passion flower, raised on a double series opaque twist stem, 19.4cm. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

49. A large commemorative glass goblet and cover, c.1760, the cup-shaped bowl engraved with a profile portrait of Britannia within a banner inscribed ‘O Fair Britannia Hail’ within an oak leaf garland and sprays of hops, barley and grapevine, raised on a facet cut stem, the foot engraved with a bee around rose, carnation and passion flower, the domed cover facet cut and engraved with continuous flowers, 36cm. (2) £1,200-1,500

50. A rare Hanoverian wine glass, c.1760, the bowl engraved with the White Horse of Hanover beneath a scroll bearing the inscription ‘Liberty’, a six petal rose to the reverse, all on a continuous line of grass, raised on a dense airtwist stem, 15.8cm. £1,200-1,500 Cf. Geoffrey B. Seddon, The Jacobites and their Drinking Glasses, p.183.

51. A rare cordial glass, c.1715, the small rounded funnel bowl raised on a heavy plain stem with central and basal knops above a conical foot, 15.7cm. £800-1,000

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52. An Irish cordial glass, c.1740, the small rounded funnel bowl raised on a thick plain stem above a characteristic domed foot, 17.5cm. £250-350

53. A wine glass, c.1770, the pan-topped bowl raised on a knopped facet cut stem above a thick foot, 15.2cm. £150-200

54. A cordial glass, c.1760, the small bucket bowl with a band of spiral moulding, raised on a thick double series opaque twist stem above a conical foot, 14.5cm. £200-300

55. A good wine glass, c.1760-70, the pan-topped bowl engraved around the rim with a continuous band of grapevine, the grapes as small polished circles, raised on a knopped dense airtwist stem, 16cm. £250-350

56. A small cruciform glass serving bottle or decanter, c.1740, the squat heavy body rising to a slender neck with applied neck ring, 18.2cm. £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

57. A glass candlestick, c.1760-70, the waisted nozzle moulded with vertical ribs, raised on a knopped facet cut stem above a domed foot moulded with eight ribs, fitted with a later cut glass drip pan, 25.5cm. (2) £300-400

58. A small wine glass, c.1750-60, the bucket bowl raised on a double-knopped balustroid stem enclosing a long tear and a folded conical foot, 14.8cm. £150-250

59. A large wine glass, c.1750, the ogee bowl raised on a double series opaque twist stem above a folded conical foot, 16.4cm. £250-350

60. A goblet, c.1770, the cup shaped bowl raised on a baluster stem with a triple cushion knop above a rounded basal knop and plain section enclosing a tear, 16.2cm. £400-600

61. A Jacobite wine glass, c.1750, the bell bowl engraved with a rose spray, oak leaf, star and ‘Fiat’ above a dense airtwist stem and conical foot, 18.5cm. £800-1,200

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62. A large wine glass, c.1760, the slight ogee bowl engraved with a chinoiserie scene of a figure carrying a parasol between huts or pagodas hung with small bells, raised on a double series opaque twist stem, 16.5cm. £300-400

63. A Beilby wine glass, c.1770, the ogee bowl enamelled in white with a continuous band of fruiting grapevine, raised on a double series opaque twist stem above a conical foot, 15cm. £300-500

64. An Irish cordial glass of Jacobite significance, c.1740-50, the small rounded funnel bowl engraved with a rose spray raised on a thick stem enclosing a long tear above a basal knop and domed, folded foot, 17cm. £1,000-1,500

65. A cordial glass, c.1760-70, the ogee bowl cut with petal facets around the base, raised on a double series opaque twist stem above a conical foot, 14cm. £200-300

66. Ten Bohemian glass goblets, late 19th/20th century, possibly Moser, the rounded bowls flashed and cut with rectangular panels of pale cranberry between delicate gilt tendrils, raised on faceted stems above basal knops and scalloped feet, 14.3cm. (10) £300-500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

67. An Irish Williamite small wine glass, c.1760-70, engraved with an equestrian portrait of William III beneath a banner inscribed ‘The Glorious Memory of King William III’, raised on a thick plain stem above a domed foot, 17.9cm. £800-1,200

68. A diamond point engraved Jacobite wine glass, c.1740-50, the drawn trumpet bowl engraved with a thistle spray beneath the inscription ‘Redeat’, the reverse with three stars, raised on a plain stem enclosing a single tear above a folded foot, 17cm. £800-1,200

69. A privateer wine glass, c.1760, the bucket bowl engraved with a two masted ship at sail beneath the inscription ‘Success to the HORNET Privateer’, raised on an opaque twist stem, 15.5cm. £5,000-7,000 The National Archives record letters of marque in August 1758 for a ship called The Hornet, owned by Richard Earnshaw and the Company of London; and also in October of the same year owned by the Company of Bristol.

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70. A large English roemer, c.1690, the cup shaped bowl open to a hollow cylindrical section applied with three raspberry prunts below an engrailed band, raised on a tall folded conical foot, 18.2cm. £1,200-1,500 71. A glass goblet, c.1760, the generous rounded funnel bowl raised on a thick stem with a corkscrew opaque twist above a conical foot, 18.5cm. £250-350 72. A small wine glass of possible Jacobite interest, c.1760, the rounded funnel bowl engraved with a large moth and a rosebud spray, raised on a knopped dense opaque twist stem above a conical foot, 14.3cm. £250-350 73.

A large wine glass, c.1760, the rounded funnel bowl with dimple moulding, raised on a plain stem above a conical foot, 16.8cm. £200-300

74. Nine glass eyebaths, 19th and 20th centuries, most clear glass and raised on pedestal stems, one pale blue and another amber glass of squat form, together with five pottery eyebaths, 8.6cm max. (14) £100-150 75. Fourteen coloured glass eyebaths, 19th and 20th centuries, of varying shades of blue and green glass, most of traditional form and raised on a pedestal stem, 7cm max. (14) £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

76. A part garniture of four Bohemian glass vases, 19th century, one with a cup-shaped bowl raised on a pedestal base, applied with four panels painted with flowers and one with a young girl with eyes downcast, wearing a floral diadem, the other three of tulip shape, flashed in white on ruby and painted with panels of flowers alternating with cut diamond panels, 33.2cm max. (4) £400-600

77. A pair of Bohemian glass vases, 2nd half 19th century, of elongated tulip shape, painted with poppies and other flowers on white enamel panels alternating with cut white diamonds flashed onto a green ground, the shaped rims with delicately gilded foliage, 33cm. £150-250

78. An early All Souls Common Room sealed wine bottle, c.1760, the long-necked cylinder body applied with a seal moulded ‘A . S / C . R’, and a 19th century cylinder wine bottle applied to the neck with a seal inscribed ‘SCOTCH WHISKY’, 28.3cm max. (2) £250-350 Cf. Fay Banks, ASCR, The Wine Bottles of All Souls Common Room, Oxford, pp.48-49.

79. Three small coloured glass decanters, c.1800, two blue and one green, variously gilded with labels titled ‘Rum’, ‘Brandy’ and ‘Hollands’, one with a glass stopper, an amethyst wine bottle with silver-coloured grapevine stopper, and an amethyst ship’s decanter with tall slender neck, three metal-mounted cork stoppers, 34cm max. (10) £150-250

80. A large Continental glass vase or beaker, 19th century, the flared form painted in coloured enamels with figures in a horse-drawn coach before a wide stone staircase, 20.4cm. £100-200

81. A St Louis miniature bouquet or nosegay paperweight, c.1850, set with three multi-coloured floral canes against a five leaf spray, 5cm. £150-250

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82. Six English wine bottles, c.1750 and later, two applied with seals for All Souls College Common Room, Oxford, one c.1755, the other c.1760, another cylinder bottle, c.1800, for Lincoln College, Oxford, a plain mallet bottle, a beer bottle moulded for John Groves & Son of Weymouth, a plain cylinder bottle, and a Scottish Alloa whisky bottle with stipple engraving for ‘Margrat Archibald’ and dated 1842, 27.5cm max. (7) £300-400 83. An English wine bottle, c.1660-70, of shaft and globe type, the tapering neck with a significant lean, topped with a wide string rim, with shallow kick-in base, the surface degraded, 20.5cm. £1,700-2,000 84. A large wine bottle, c.1740, of double magnum size, the mallet form of a deep green metal, rising to a tapering neck with string rim, 33cm. £200-300

85. A medieval armorial encaustic tile, 14th century, decorated in cream slip on a terracotta ground with the arms of the Beauchamp family, a shield with a fesse between six crosses crosslet, broken and restuck, 12.4cm. £100-200

86. A medieval encaustic tile, 14th century, decorated in cream slip with a radiating design of curved sections and small circles, 12cm. £100-150

Cf. The Metropolitan Museum, Accession No. 1983.236.1 for an identical example from the collection of Reginald W. Cooper of Nottingham. The arms shown here are those of Thomas de Beauchamp, 12th Earl of Warwick (1338-1401) who was a primary opponent of Richard II and was charged with high treason in 1387. On the deposition of Richard II by Henry IV, Beauchamp was restored to his title and estates.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

87. An early earthenware jug, probably 15th or 16th century, the reddish body decorated with a green lead glaze to the upper section and handle, 24cm. £100-200

88. A Yorkshire slipware moneybox, probably early to mid 19th century, Burton in Lonsdale, the ovoid body topped with five birds and a snake around a larger central bird, decoated in a thick cream slip with brown dots, some restoration, 20.5cm. £200-300

89. A large Whieldon type bird whistle, 19th century, modelled as a large bird atop a conical branch, flanked by four small birds perched on angular branches, washed in cream and manganese glazes, some damages, 22.5cm. £100-200

90. A small Hispano-Moresque dish, 18th century, painted in deep copper lustre with a bird amid dense foliage, the rim with a geometric border, some repairs to the rim, 18cm. £100-200

91. Four stoneware and earthenware money boxes, 19th century, one formed as a pig and decorated in striated cream, brown and blue glazes, one formed as a pinecone, a slipware model of a cradle and a lead-glazed large cup decorated in cream and treacle glazes, some damages and restoration, 13.2cm max. (6) £100-200

92. Nine pottery ointment pots, 17th century and later, including delftware, variously decorated in tin and lead glazes in white, cream, and treacle, some damages and degradation, 7.5cm max. (9) £100-200

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93. A Westerwald stoneware jug, c.1680, the globular body applied with continuous carnation sprays, decorated in blue on a rich manganese ground, 16cm. £300-400

94. A Westerwald stoneware jug, c.1700, the globular body decorated with a formal panelled design of oak leaves in blue and manganese, 16.5cm. £250-350

95. A large Westerwald jug, early 19th century, with sgraffito decoration of running stags and dogs amid large flower sprays reserved on a blue ground, 40cm. £100-200

96. A Westerwald stoneware jug, c.1700, the globular body applied with a heart containing entwined flower stems, flanked by further sprawling flower tendrils in grey and blue on a manganese ground, a crack to the handle, 17.6cm. £250-350

97. A Westerwald stoneware Royal jug, c.1720, applied with a roundel bearing the initials GR for George I beneath a crown, within incised and blue glazed foliate motifs and chequered panels, and a later Westerwald jug with similar decoration, 26.5cm max. (2) £300-500

98. Two Westerwald stoneware tankards, c.1690-1700, one applied with alternating panels of deer and unicorns on a deep blue ground, the other incised with a continuous band of flowers between applied flowerheads, with blue and manganese highlights, each with a hinged pewter lid, some faults, 20cm. (2) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

99. A Westerwald stoneware Royal jug, c.1690, applied with an octagonal portrait plaque of King William III, titled around the portrait with ‘WILHELMVS III. DG. MA BRI. FRA. ET HIB. REX’ (William III, by the Grace of God, King of Great Britain, France and Ireland), on a ground of incised and applied stylized flowers reserved on a manganese ground, 13.5cm. £1,500-2,000 Cf. David Gaimster, German Stoneware, pl.121.

100. A Westerwald stoneware Royal jug, c.1710, applied with a roundel bearing the crowned initials AR for Queen Anne within a laurel wreath, within incised foliate scrolls on a blue ground, the ridged neck decorated in manganese, broken and restuck, 18cm. £1,000-1,500

101. A small Westerwald stoneware Royal jug, c.1690, applied with an octagonal portrait plaque of King William III, titled around the portrait with ‘WILHELMVS III. DG. MA BRI. FRA. ET HIB. REX’ (William III, by the Grace of God, King of Great Britain, France and Ireland), on a ground of incised and applied stylized flowers reserved on a manganese ground, 10.8cm. £1,500-2,000 Cf. David Gaimster, German Stoneware, pl.121.

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102. A Delft charger, c.1720, painted in blue, yellow and manganese with a sailing boat at sea, the rim with stylized flower swags forming a six-pointed star, a greenish buff glaze to the underside, a small amount of restoration to the rim, 30.5cm. £100-150

103. A delftware charger, c.1760, painted in blue with huts beneath trees in a Chinese island landscape, the rim with vignettes of rocks between stylized foliate scrolls, 35cm. £100-200

104. A Delft lobed dish or buckelplatte, early 18th century, painted in blue, black, yellow and green with a dog standing between flowering plants, the rim with a continuous border of tulips and other flowers, a 13.5cm rim crack, 34cm. £100-200

105. A Delft posset pot and cover, 18th century, the cylindrical form painted in blue with panels of vases alternating with formal foliate designs, 21.5cm across. (2) £150-250

106. A London delftware bowl, c.1760-70, painted with a Chinese figure seated on a low bench in a garden setting and looking towards a further figure standing in a doorway, repeated three times to the exterior, the interior with a willow tree above huts and rockwork, a rim chip, 19.5cm dia. £150-250

107. A Delft broth bowl or milk tureen and cover, c.1690, the circular form painted in blue with birds perched among flowering plants, the loop handles with blue dashes, blue 6 mark, the internal strainer lacking, 28.5cm across. (2) £150-200

108. A delftware punch bowl, c.1770, painted in blue to the interior with a large peony spray, the rim with a hatched diaper border, the exterior with a powdered manganese ground, some rim chipping, 23cm dia. £80-120

109. An Irish delftware meat dish, c.176070, of elongated octagonal form, painted in blue with a low bridge before elaborate pagodas in an island landscape, the rim with four bold flowering branches, the underside of the rim with four stylized foliate sprays, 30.7cm. £150-250

110. A Delft vase, 1st half 18th century, painted in blue and yellow with winged putti and birds amidst flowers,and a faïence spice box of oval form, divided into three sections, the exterior painted with fruit and flower sprays, the Delft vase lacking the top of the neck, 28cm max. (2) £250-350

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

111. A German faïence tankard, dated 1764, the cylindrical form painted in polychrome enamels with a figure walking through a field with birds flying beside, with pewter mounts, the lid inscribed with the initials ‘AGK’ and 1764, 22.3cm. £150-200 Provenance: gifted to the vendor’s father by a German colleague on his retirement in the mid 1990s, and thence by descent.

112. A Delft vase or guglet, c.1700, the baluster form painted in red, blue and green with panels of flowering Oriental plants above stiff leaf borders in the Transitional Chinese manner, the slender neck rising to a bulbous knop and octagonal everted rim, blue monogram mark to the base, 22cm. £100-150

114. A garniture of three Delft vases, mid 18th century, of hexagonal form with two sleeve vases and a vase and cover, painted in blue with formal hedges leading to a castle on a hill, a pair of sleeve vases painted with peacock feathers, and a baluster vase painted with a panel of flowers, damages and repairs, 27cm max. (7) £150-250

113. A faïence jug, c.1750-70, perhaps Nevers, painted in blue, green, manganese and ochre with a musician playing the bagpipes, flanked by large flowering plants, the handle broken and restuck, 18.6cm. £80-120

115. A garniture of five small Delft vases, 2nd half 18th century, comprising three vases and covers and two sleeve vases, painted in blue with panels of flowering branches before low fences, damages and restoration, 25cm. (7) £200-300

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116. A garniture of five Delft vases, 19th century, two sleeve vases and three baluster vases and covers, of hexagonal form, painted in blue with panels of courting couples within moulded scroll borders, some damages, 38cm. (8) £200-300

117. Three delftware plates, c.1750-70, one Bristol and painted in blue with an official building beside a tall hayrick, another painted with a bold flowering plant, the last of small primitive shape and painted with a stylized flower spray, a crack to the latter, 22.3cm max. (3) £200-300

118. Two Delft plates, c.1750-70, one of shallow pancake form, painted in blue with an allover floral design, the other with flowering plants with feathered foliage within a panelled shaped rim, mark for De Klauw (The Claw) factory, and a Delft Biblical tile painted in blue with Matthew 3:13, the Baptism of Christ, 34.5cm max. (3) £150-250

119. A garniture of five Delft vases, c.1730-40, comprising three baluster vases and two sleeve vases, of hexagonal form, boldly painted in blue with large flowering chrysanthemum sprays beneath gnarled trees, damages and restorations, the covers lacking, 30.5cm. (5) £250-350

120. A delftware charger, c.1750, painted in blue with tall pine trees above a low hut, the cavetto with a diaper design, the rim with a cell border, 34cm. £100-200 Provenance: the Jean Lucas Collection.

121. Three delftware plates, c.1740-60, one London and painted in blue with a Chinese figure holding a long stick, the rim with flower sprays in faux bianco-soprabianco, another possibly Liverpool and painted in polychrome enamels with two swans before a low building and hayrick within a berried swag border, the last a soup plate painted in blue with a pagoda island landscape, one plate cracked, 23cm max. (3) £200-300

122. An Italian Faenza faïence plate, c.1780, Ferniani workshop, painted in famille verte enamels with flowering branches, the rim with further flower sprays, brown line rim, 23.6cm. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

123. An unrecorded woodblock printed Liverpool delftware tile, c.1750-60, printed in blue probably by John Sadler with a huntsman and his dog walking before a house with a smoking chimney, in an octagonal panel with formal scroll and diaper ground panels, broken and restored, 12.8cm. £300-400

124. A Liverpool delftware tile, c.1760, boldly painted in the Fazackerly palette with flowers issuing from a curious yellow and blue two-handled vase, some glaze chipping to the rim, 13cm. £100-150

125. A Delft bird tile, c.1640-60, painted in blue and yellow with a duck, depicted with beak agape, the corners with stylized flowerheads, 12.8cm. £120-180

126. A rare Bristol delftware plate, c.1765, painted in blue with an arrangement of flowers including a large rose, the shaped rim with flowerheads alternating with biancosopra-bianco trellis panels, 22.7cm. £150-250

127. A Wincanton delftware plate, c.1740, the well with an octagonal panel containing a red monochome landscape of flowering plants before an ornamental hedge, the rim with small floral panels reserved on a manganese ground, 22.3cm. £300-400

128. A Liverpool delftware large plate or charger, c.1760, painted in the Fazackerly palette with a bold flower spray, the rim with four further short sprays, 30.3cm. £200-300

129. Two delftware plates, mid 18th century, one London and painted in red, green, yellow and blue with a basket of flowers, the other painted in manganese with a figure standing beneath tall sponged trees beside a low hut, 22.7cm max. (2) £150-250

130. A delftware flower brick, c.1760, the rectangular form painted in a deep blue with flowering peony plants, the recessed top pierced with holes amid a trellis design, extensive chipping to the top, 15.8cm across. £200-300

131. Two London delftware tiles, c.1740, each decorated with an octagonal panel, in blue with a scene of recumbent cattle and with a man kneeling with a gun, reserved on a powdered manganese ground with thistle motifs to each corner, one broken and restuck, 13cm. (2) £100-150

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132. A pair of Frisian/Delft large plaques, 19th century, painted in blue with landscapes including a windmill beside a winding river, and a small sailing boat mooring beside bare trees and buildings, 49cm across. (2) £200-300

133. An early delftware pomegranate tile, c.1640, probably Rotherhithe, painted in blue, green, yellow and ochre with a split pomegranate within blue fleur de lys corners, 13.5cm. £200-300

134. A pair of delftware plates, c.1760, painted to the wells with flowering peony branches, echoed to the rims between formal diaper borders, one with a leaf mark, 23.1cm. (2) £100-200

Cf. Betts & Weinstein, Tinglazed Tiles from London, p.5. The presence of multiple nail holes in the corners suggest an English origin rather than Dutch.

135. A Bristol delftware plate, c.1730, of primitive shape, painted in blue, green, red and yellow, with a large flowering plant beneath a fringed tree, the rim with stylized flowerheads, 22.5cm. £150-250

136. A Delft vase, late 18th century, the ovoid body painted in blue and black with flowers and formal leaf designs, the tapering neck with an everted rim, some restoration, 20.3cm. £200-300

137. A Puebla (Mexico) tin-glazed pottery bowl, c.1720, the deep flared form painted to the exterior with a continuous foliate design in blue, the interior inscibed ‘StA TA’ and decorated with concentric blue bands, 18.8cm dia. £150-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

138. A Delft pike tureen and cover, mid 18th century, the small circular bowl moulded to the exterior with spiralling leaves on a blue ground, the cover formed as a coiled pike with a small fish clasped in its jaws, enamelled in shades of green, blue and manganese, some restoration to the cover, 12.5cm high. (2) £800-1,200

139. A Sicilian maiolica bombola, late 17th century, the rounded form painted with a panel containing a three-masted ship sailing into a harbour, reserved on a blue ground with flowerheads and leaf scrolls in green, yellow and manganese, 20cm. £300-500

140. A large Sicilian maiolica bombola, late 17th century, the rounded form painted with a crowned shield bearing a small bird perched on a diagonal line, reserved on a dark blue ground with green, ochre and manganese leaf scrolls and flowerheads, 25.5cm. £400-600

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141. A maiolica crespina, probably 18th century, moulded with petals and painted in the Deruta manner with a putto holding a staff in his left hand, a snake entwined around the top, his right hand pointing away, within a stylized border in blue, yellow and ochre, raised on a low circular foot, some chipping, 24.2cm. £150-250

142. An Italian maiolica dish, 19th century, the well painted with Neptune reclining on the back of a dolphin alongside Cupid, the wide rim with figures, masks and mythical beasts en grisaille on a black ground, 29.7cm. £150-250 Provenance: the collection of William George Mackay Thomas.

144. A Moustiers faience charger, c.1720-40, the well painted in blue in the manner of Jean Bérain with Classical figures, terms and putti within rococo scrolls, the rim with a continuous foliate scroll border, 41cm. £200-300 Cf. Victoria & Albert Museum, Accession No. C.40-1960 for a similar example.

146. An Italian maiolica istoriato charger, 19th century, painted in the Urbino manner with Venus standing on a chariot drawn by dolphins, escorted by Tritons and Nereids, with Cupid and another putto in flight above with bows and arrows, a townscape in the distance beneath blue mountains, raised on a low foot, 29cm dia. £200-300 Provenance: the collection of William George Mackay Thomas.

143. A Deruta maiolica tazza or crespina, early 17th century or later, the lobed form raised on a low flared foot, brightly enamelled with a winged putto holding a spear, the wide border with mythical creatures and grotesques, some chipping to the foot, 24cm. £300-500 Cf. Bernard Rackham, Catalogue of Italian Maiolica,p.353, no 1054, for a similar example in the Victoria and Albert Museum.

145. An unusual Porquier-Beau Quimper faïence jardinière, late 19th century, the flared, flattened form painted with botanical specimens within bright dense foliate borders, the jagged edge with a blue Greek key design, raised on four shaped feet, blue PB monogram mark, 31.7cm across. £200-300

147. A North Italian maiolica albarello, c.1740, of small dumbbell form, inscribed ‘Sper diatiagent’ in manganese between blue and yellow foliate scrolls on a white ground, raised on a circular foot, some chipping, 12.8cm. £150-250

148. A Castelli maiolica saucer, c.1725, painted with a large winged putto before Classical columns and a tall tree, the sun and ships in a harbour visible in the distance, two rim chips, 13.3cm. £150-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

149. A Sicilian maiolica jar, late 17th century, one of unusual squat form, painted with a small landscape panel in manganese within yellow and green foliate scrolls on a blue ground, and a maiolica albarello painted with an oval floral panel within similar foliate scrolls, some faults, 16.5cm max. (2) £300-500

151. A maiolica syrup or wet drug jar, mid 16th century, Delft or Antwerp, the ovoid body decorated in blue with a cartouche inscribed ‘S. De. Bethonica’ reserved on on a dense foliate round between gadrooned bands, the handle lacking, 23.3cm. £200-300

150. An Italian maiolica syrup or wet drug jar, 17th century, probably Venice, the ovoid body painted in blue with a crowned eagle with wings outstretched and holding a flower in his beak, inscribed ‘ SVR.DI.LAVRINO’ in a panel reserved on a ground of leaves, 20cm. £200-300

152. A large Italian maiolica albarello, early 18th century, of generous waisted form, painted in blue, manganese and ochre with a lion rampant within a foliate shield, some restoration to the rim, 24.5cm. £300-500

153. A maiolica coffee pot and cover, c.1780, Pesaro or Antonibon, of elaborate fluted form, painted in manganese, blue and yellow with small vignettes of Classical ruins within leaf sprays, some damages, 32.7cm. (2) £300-500

Cf. Rudolf E A Drey, Apothecary Jars, p.120 for a similar example attributed to Holland.

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154. An Italian maiolica albarello, mid 16th century, Castle Durante or Faenza, the small waisted form painted with the portrait of a bearded gentleman wearing a turban, inscribed ‘Iro de lalandal’ in blue on a white banner, reserved on a blue ground with musical instruments and foliate scrolls, some chipping to the rim, 15.5cm. £1,000-1,500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

155. A moulded maiolica dish of Palissy type, probably 19th century, moulded in relief with a figure emblematic of Earth, seated with a cornucopia of fruit, surrounded by creatures of the land and sea, titled ‘Terra’ to one side of the figure, within a scroll moulded border picked out in blue, green and yellow, raised on a low oval foot, 28cm. £250-350

156. A George Jones Majolica tazza or comport, c.1872, the lotus shaped dish moulded with leaf fronds to the underside and raised on a palm tree stem, a lion and lioness at its base, impressed registration diamond, good restoration to the dish, 26cm high. £200-300

157. A large pair of Continental glazed terracotta garden seats, 19th century, in the Majolica manner, each formed of a blackamoor child seated and supporting a tasselled cushion on its turbanned head, wearing a brocade cummerbund and yellow boots, small damages, 59cm. (2) £400-600

158. A Majolica part dessert service, 19th century, probably Adams & Bromley, comprising six plates moulded as water lilies with wide leaves around a central flower, two low tazzae raised on three feet, and two tall tazzae or comports supported on cranes above a shaped base, 23.5cm max. (10) £100-200

159. A George Jones Majolica sardine dish with cover and stand, 2nd half 19th century, the rectangular form moulded with bands of stiff leaves, the cover with three crossed sardines, and a Majolica fish tureen and cover, the cover formed as two fish laid end to end and tied with pink ribbon, the base formed as a boat, 32.5cm max. (5) £150-250

160. A Wedgwood Majolica small plate, c.1880-90, moulded with a monkey clambering among flowering branches reserved on a blue ground, and a Copeland Majolica vase moulded and enamelled with primroses and bulrushes, impressed marks, 21.5cm max. (2) £100-200

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161. Four French faïence plates and a German tankard, 18th/19th century, the tankard painted with a seated Chinese figure attacking a bearded gentleman with a fan, the plates with flowers, vases and birds, and a German milchglas tankard, painted with a courting couple, damages, 22.8cm max. (6) £100-200

162. Two creamware mugs and a bowl, late 18th/early 19th century, one mug Wedgwood and printed with a ship at sail beneath the name ‘Thomas Cook’, the bowl printed in Liverpool with a similar ship to the interior, the other mug printed and coloured with a sailor approaching a young girl, titled ‘Jack on a Cruise’, and a pearlware mug printed with ‘His Royal Highness Frederick Duke of York’ going into battle on horseback, some damages, 15.8cm max. (4) £100-200

163. Three large mocha ware mugs and two jugs, 19th century, and a large round cup or vomit pot, variously decorated with bands of seaweed tendrils on blue, cream and buff grounds between blue and black concentric stripes, 16.5cm max. (6) £300-500

164. Three Pratt ware jugs, c.1800-10, two moulded in relief with panels of children squabbling and playing quietly, another titled ‘Peace and Plenty’ and modelled with Classical maidens holding olive branches and a cornucopia, and a pearlware jug moulded with Lord Wellington and General Hill in military costume, damages, 19.2cm max. (4) £150-250

165. Fifteen pearlware mugs, 19th century, some for the nursery, variously decorated with coloured glazes, painted designs, printed scenes and verses, and a small green-glazed jug with horizontal ribbing, 9.6cm max. (16) £150-250

166. Two Spode transferware plates and a sauce tureen, 1st half 19th century, from the Indian Sporting Series, one printed with ‘Death of a Bear’, another with ‘The Hog Deer at Bay’, the sauce tureen with an oval base, and a Mason’s Ironstone sauce tureen printed with a Nankin willow landscape, damages, 25cm max. (5) £100-150

167. A small collection of English pearlware and creamware, c.1770 and later, including an octagonal Whieldon-type plate sponged in manganese, a David Dunderdale Castleford Pottery pearlware dish with pierced arcaded rim, a miniature pearlware teapot and cover printed with a geometric design, and a child's mug inscribed with a poem titled 'Innocence' beneath 'The Delights of Home', some faults, 26cm max. (5) £100-200

168. Three Llanelli cockerel small plates or dishes, early 20th century, each naively painted with a cockerel beside tulips within various sponged blue borders, and a pearlware plate painted with a Peahen design within a sponged blue rim, 22cm max. (4) £200-300 Llanelli plates in this design are traditionally attributed to Sarah Roberts, also known as Aunt Sal.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

169. Five spatterware pottery plates, 19th/20th century, printed with scenes of rabbits and frogs around gaudy-style flower motifs, a large circular dish decorated in the same manner, and a large tapering mug with bands of printed rabbits around bold floral decoration, 32.5cm max. (7) £150-250 Cf. Earl F. and Ada F. Robacker, Spatterware and Spongeware, p.114 for an identical mug, identified as ‘rabbit ware’.

170. Two large Llanelli pottery dishes, early 20th century, of shallow bowl form, each naively painted with a strutting cockerel beside flowers, within sponged blue foliate borders, 31.4cm max. (2). £250-350 Plates in this design are traditionally attributed to Sarah Roberts, also known as Aunt Sal

171. Nine creamware plates, early 19th century, two painted with botanical flower specimens, three Wedgwood and decorated with the Waterlily pattern, another with a formal Oriental design, and a similar Spode plate, the last two painted with puce flowers, 25cm max. (9) £150-250

172. Twelve pearlware nursery and toy plates, 1st half 19th century, variously decorated with scenes of animals, children playing, farming and instructional sayings, some within moulded rims, some faults, 20.8cm max. (12) £100-200

173. Two pearlware sugar bowls and covers, 19th century, one printed in black with figures in a landscape on a yellow ground, the other with panels on a dense foliate ground, a creamware candlestick of columnar form, a pearlware bowl transfer-printed in blue with a child and horses, and three stone china plates decorated with Oriental floral designs, 25.7cm max. (9) £100-200

174. Fourteen pearlware nursery mugs, 19th century, variously printed with scenes of children playing, farming scenes, instructional messages and alphabet rhymes, 7.5cm max. (14) £150-250

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175. A Leeds creamware plate, c.1770-75, boldly painted with a European gentleman walking with a cane across a purple and white chequered floor before a tall town house, the rim with flower sprigs within a feathered border, some good restoration, 25cm. £200-300

176. A salt-glazed stoneware plate, c.1750, brightly enamelled with a bearded beggar or fortune teller looking at the palm of a young shepherdess, the rim glazed green over moulded diaper panels, some restoration to the rim, 22.5cm. £300-500 Paper labels for The Kanter Collection and for Jonathan Horne Antiques.

177. A large Staffordshire drabware moneybox, 1st half 19th century, modelled as a Georgian building with windows, doors and edging bricks detailed in green, brown and red, titled ‘Savings Bank’ to the ridged thatched roof, a coin slot flanked by two chimneys on the removable cover, one chimney restored, 17.1cm high. (2) £300-400

178. A salt-glazed stoneware punch bowl, c.1750-60, brightly enamelled with parrots perched on flowering branches, the interior with a flower arrangement within a formal flowerhead swag border in yellow, puce and green, an 8cm rim crack, 23.2cm dia. £150-250

179. A pair of salt-glazed stoneware wall pockets, c.1760, of cornucopia shape, the spiral moulded bases rising to a wide rim moulded with fruiting grapevine, some damages and restoration, 20.5cm. (2) £300-400

180. A Pratt ware jug, dated 1808, the pineapple moulded body detailed in blue and ochre, the neck with a stiff leaf design in a typical Pratt palette, inscribed in ochre to the base with ‘J F 1808’, some restoration to the spout, 15cm. £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

181. A large pearlware charger and six plates, late 18th/early 19th century, variously decorated in blue with a Chinese figure holding a parasol, huts and fringed trees in a landscape, birds on flowering branches, and flower sprays, 36.3cm max. (7) £150-250

182. Four creamware plates, c.1780 and later, one printed by John Sadler with a lion and eagle flanking a shield, another with a lady watching a ship, titled ‘Returning Hopes’ above a four line stanza, two French and printed with a battle scene and with a shepherd watching a sleeping nymph, and a salt-glazed stoneware plate, heavily moulded with a pierced rim, some faults, 26cm max. (5) £120-180

183. A pair of small Pratt ware plates, c.1810-20, the wells printed and handcoloured with flower arrangements, the rims moulded with flower panels alternating with a bird with outstretched wings holding a branch in its beak, decorated in typical Pratt colours, 18cm. (2) £100-150

184. A Staffordshire glazed redware milk jug, c.1745, the pear-shaped body sprigged with a flower spray in cream slip on a treacle glaze ground, raised on three paw feet issuing from lion masks, 11cm. £100-200

185. A pair of Staffordshire boot flasks, 19th century, each modelled as an ankle boot with fastenings up one side, decorated in a running manganese glaze, 19.5cm across. (2) £60-100

186. A mocha ware teapot and cover, 1st half 19th century, the oval form decorated with a wide band of simulated agate between moulded bands, some chipping to the spout, 23.7cm. (2) £100-150

187. A miniature pearlware fish charger, 1st half 19th century, the oval form moulded with a large flat fish, the rim with a continuous moulded floral design, sponged in brown and blue, 10.6cm. £100-200

188. A pearlware spirit barrel, dated 1849, moulded with bands of concentric ribbing highlighted with green strips and flanking an iron red inscription of ‘JWG 1849’, 14.8cm. £100-200

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189. A Rogers blue and white transferware charger, 19th century, printed with a Chinaman riding a zebra beside other figures and trees, within a wide floral border, impressed Rogers mark, 53cm. £100-200

190. A pearlware tea canister and cover, c.1780, the cruciform shape painted with a Chinese hut between trees, a pearlware coffee pot in a similar design with a Liverpool porcelain cover, and a pearlware teabowl, 24cm max. (5) £80-120

191. A Pratt ware plate, c.1780, painted in a typical palette with the Peahen design, a single bird perched amid sponged foliage, within a feathered green-glazed rim, 22.7cm. £120-180

Provenance: the Jean Lucas Collection.

192

193

194

192. A brown stoneware two-handled tavern mug, c.1830-40, sprigged with topers and trees, impressed ‘Beavis, Jolly’ and ‘From a Friend’ to each side, and a brown stoneware mustard or preserve pot, applied with portraits of Queen Victoria and Prince Albert either side of the Royal coat of arms, some damages, 13.2cm high max. (2) £100-150

193. A large stoneware Bellarmine jug or Bartmannskrug, 18th century, the ovoid form applied with a roundel containing a heart and other geometric motifs, the neck with a stylized bearded face, 38cm. £200-300

194. Two brown stoneware silver-mounted jugs, c.1867 and later, the smaller sprigged with a toper, a windmill and trees with a silver mount and hinged lid, the larger Doulton and similarly applied with topers and a stag hunt scene, various hallmarks, 16cm max. (2) £100-200

195. A large Moroccan pottery vase and cover, 2nd half 19th century, decorated in blue, green, yellow and manganese with bands of geometric designs and flowerheads, damages and repairs, 55cm. (2) £300-500

195

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

196. A Moroccan pottery butter pot (jobbana) and cover, 2nd half 19th century, of deep U-shape, decorated in green, blue, yellow and manganese with geometric stripes and flowerheads, and a pair of Moroccan vases with similar decoration, 33cm max. (4) £150-250

198

197. Two Kutahya large plates or dishes, 19th century, painted in the Iznik manner, one with stylized flowers around a central formal panel, the other with a flowering branch reserved on a dark blue ground, the rims with stylized cloud scrolls, the second plate signed ‘Faegh’ in Arabic script to the underside, 30.5cm max. (2) £500-800

199

200

198. A pair of Canakkale (Turkey) pottery ewers, 19th century, the rounded bodies applied with a bird perched atop stylized flowerheads, the necks rising to covered spouts emulating mythical beasts, all glazed a rich green, one spout broken and restuck, 42.5cm. (2) £100-200

199. A Hispano-Moresque dish or charger, possibly late 15th century, painted in blue and dark red with radiating bands of stylized flowers around a sacred Gothic monogram ‘IHS’, the rim with a later chased metal mount, damages, 40cm overall. £200-300 Cf. The British Museum, Number G572 for a similar example attributed to Manises.

200. A Tophane (Turkey) hot water jug or small coffee pot and cover, late 19th century, of pear shape, the polished ground incised with crescents and other motifs, gilded and silvered, an Arabic inscription encircling much of the lower neck, 16.3cm. (2) £150-250

201. A Samson pottery Iznik-style vase, late 19th century, the tall slender form painted with patterned saz leaves and flowering branches reserved on a turquoise scale ground, applied with lion mask and ring handles, raised on a square reticulated base, damages and repairs, 49.8cm. £200-300

201

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202. An Iznik pottery dish, 17th century, painted in blue, green, red and black with tall flowering plants, the rim with a zig zag border of flowerheads, rim faults, 25.8cm. £400-600

203. An Iznik pottery tile, 2nd half 17th century, the square form brightly enamelled in blue, red and turquoise with saz leaves and chinoiserie flowers in the manner of those at the mosque of Eyüp, broken and restuck, the tile 25cm. Framed and glazed. £2,000-3,000 Cf. Venetia Porter, Islamic Tiles, p.107 for tiles of a similar arrangement.

204. A Cantagalli Iznik-style footed bowl, late 19th/early 20th century, painted in a traditional palette of blue, green, black, red and turquoise with a continuous design of carnations and other flowers between formal borders, blue cockerel mark, 12cm high. £300-400

205. A Boch Freres Iznik-style jug, late 19th/early 20th century, after an Islamic shape, decorated in a typical palette of red, blue and turquoise with stylized flowerheads and saz leaves, black factory mark, a filled rim chip, 25cm. £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

206. A rare pair of Napoleonic Bear jugs and covers, c.1815-20, probably Scottish, one modelled as a Russian bear holding Napoleon Bonaparte tight between its paws, his mouth open to form a spout, the other unusually decorated in sponged umber and Portobello red, gripping a figure possibly depicting Marshal Ney, the bears with open mouths and protruding tongues, some damages and repairs, 27cm. (4) £1,200-1,500 Jugs of this type were in production prior to Napoleon’s defeat at the hands of the Russians and his subsequent exile, but the replacement of a bear cub with Napoleon and his staff would have caused much merriment in British taverns of the time.

207. A pair of Portuguese Palissy-type models of cows, early 20th century, standing on chamfered rectangular grassy bases and grazing, their coats decorated in washed manganese stripes, impressed marks for M Mafra, Caldas da Rainha, some faults, 22.5cm across. (2) £250-350

208. A Staffordshire marbled figure of a dog, 1st half 19th century, seated in a relaxed pose with his head turned and mouth open, raised on a low oval base, the whole decorated with pale blue striations, 20.5cm high. £200-300 The modelling is similar to that of Jennings’ Dog, a Roman marble sculpture now in the British Museum.

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209. A Staffordshire figure of a peacock, c.1820, standing on a low grassy base and displaying his tail, brightly enamelled, some good restoration, 10.1cm high. £150-250 Cf. Myrna Schkolne, People, Passions, Pastimes and Pleasures, p.262 for similar examples.

210. A small Staffordshire porcelain group of cats, 1st half 19th century, modelled as a mother cat and her kitten, seated on their haunches on a rectangular green base, their coats decorated with patches of black and pale brown, 6cm high. £100-150

211. A Walton pearlware figure of a deer and a creamware figure of a sheep, c.1810-30, each recumbent on a grassy base with one front leg extended and head turned over one shoulder, the deer with a moulded mark to the reverse, some faults, 8.5cm max. (2) £80-120

212. A Brameld creamware figure of a deer, c.1800, recumbent on a grassy base, her head turned back over her right shoulder, her coat glazed a rich brown, 15.3cm across. £300-400

213. A pair of Staffordshire porcelain models of spaniels, c.1840, in the manner of Samuel Alcock, each seated with head turned over one shoulder, raised on a shaped rocky base glazed a pale yellow and edged in gilt, 13cm high. (2) £100-200

214. A small Staffordshire figure of an elephant, 19th century, standing four square and caparisoned, raised on an oval rocky base, 8.5cm high. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

215. A porcelain figure of an owl by Anne Gordon Marchioness of Aberdeen, dated 1993, of small size, perched on a low stump applied with leaves and an acorn, the feathers with incised detailing, black monogram mark to the underside, 11.8cm high. £100-150

216. A rare Derbyshire brown stoneware model of a cat, 1st half 19th century, seated on its haunches with its tail curled around its front paw, with head turned over one shoulder, raised on a rough rectangular base with applied prunts, a flat chip beneath the base, 19cm. £350-450

217. A Staffordshire pearlware figure of a pug dog, c.1820-40, seated on its haunches with its head turned to the right, wearing a green studded collar, raised on a green and red rectangular tasselled cushion, the tail restored, 8.3cm high. £150-200

218. A creamware figure of a lion, late 18th/early 19th century, modelled as a Medici Lion with his left forepaw resting on a ball and his tail flicked over his back, standing on a square base edged in brown and ochre, 11cm high. £300-400

219. A pottery figural money box, 19th century, modelled as a grey dove or pigeon, standing on an oval base, and two small Staffordshire cats, seated on their haunches with heads turned, some damages, 11.5cm max. (3) £100-200

220. An unusual pair of flat back models of dogs, 19th century, each recumbent with paws crossed and heads raised, on scroll bases, the backs unglazed, 14cm across. (2) £150-250

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221. A Pratt ware figure of Autumn, c.1815, modelled as Ceres holding a sheaf of corn and a sickle, wearing a spotted dress and raised on a grassy mound above a square sponged base titled ‘Autumn’ to the front, 21cm. £150-250

222. A Staffordshire spill vase, c.1820, modelled as a tall tree with the branches forming three vase sections, a young egg thief seated at its base with four disapproving birds perched above him, some good restoration, 22.2cm. £150-250

223. A Staffordshire figure group, c.1800, of three children squabbling over a hat full of fruit upturned on the ground before them, titled ‘Contest’ to the square base, small damages and restorations, 19.5cm. £100-200

The attributes of this figure are more commonly associated with Summer.

224. Three Staffordshire figures of gardeners, c.1810-20, a small pair of Walton figures with a spade, watering can and other attributes, atop tall bases with applied marks to the reverse, and a Salt figure of Earth, modelled as a gardener holding a pot plant, all standing before flowering bocage, some restoration, 17cm max. (3) £150-250

225. Two creamware figures of sheep or lambs, c.1800-10, recumbent on grassy bases with heads turned, one glazed yellow with sponged brown decoration, and a matched pair of Staffordshire figures of a hunter and an archeress, standing before flowering bocage, restorations, 17cm max. (4) £150-250

The smaller gardener with a label for the John and Griselda Lewis Collection.

226. Four Staffordshire figure groups, 19th century, one of Charity standing on a square base with three orphans, one emblematic of Spring or Summer with a long flower garland, one titled Old Age and of an elderly man resting on crutches, the last a Tithe Pig Group standing before a tree, some damages and restorations, 20.5cm max. (4) £150-200

227. A group of Staffordshire figures, 19th century, including two treacle-glazed busts of a wigged gentleman on a shaped socle, a figure of a boy playing the flageolet before bocage, a small figure of a girl holding a basket, another of a girl with a chicken and another of a boy, and a small model of a spaniel with a basket in its mouth, some damages, 16.5cm max. (7) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

228. A Niderviller faïence figure group of the Music Lesson, c.177080, after Boucher, the couple seated on a rocky outcrop, 21cm. £250-350 Provenance: Sotheby’s, 25th April 1978.

229. A Staffordshire bust of Minerva, c.1800-10, probably Ralph Wood, her head turned slightly to the right, wearing a plumed helmet and draped with a yellow robe over one shoulder, raised on a waisted socle, a few chips, 32.5cm. £300-400

230. Three Pratt ware figures, c.1800, one of Autumn, modelled as a young boy eating grapes, raised on a square titled base, another of a boy emblematic of Winter, huddled over a brazier, the last of a woman wearing a blue shawl, 18cm max. (3) £150-200

231. A pair of Staffordshire figures of a Gardener and his mate, c.1790, he standing beside a potted pineapple, resting on his spade, his companion holding a single flower and with the end of her apron draped over her right arm, raised on square titled bases, some good restoration to the stumps behind, 21cm. (2) £250-350

232. Five Staffordshire figures, 1st half 19th century, one of Faith, modelled as a woman wearing a flowered robe and standing beside a shield titled ‘Shield of Faith’, one of a theatrical figure smoking a pipe, one of Autumn, modelled as a boy with a glass and bunch of grapes, another of a sulky boy with arms folded, the last of a female archer, damages and restoration, 25cm max. (5) £150-200

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233. A rare terracotta bust by William John Coffee, dated 1814, of a gentleman wearing 18th century dress, with short hair and sideburns, his head slightly turned and looking to the right, signed ‘W J Coffee Fecit Derby 1814’, raised on a polished black hardstone base, 25cm. £600-1,000 William Coffee (1774-1846) was an English artist and sculptor of some renown who started his career working for William Duesbury at Derby. During this time he produced a series of busts like this one of local landowners and dignitaries. He emigrated to American in 1816, where he became famous as a sculptor of Thomas Jefferson, among others.

234. A Minton Parian bust of Jenny Lind, mid 19th century, modelled by Samuel Joseph, her head turned slightly to the right, raised on a titled socle base, signed ‘S Joseph’ to the reverse, 33cm. £200-300 Johanna Maria ‘Jenny’ Lind (1820-1887) was a Swedish opera singer who performed across Europe and America, settling in England in 1855. 235. A massive Minton Parian figure of a water carrier, c.1873, modelled as a Classical maiden loosely draped in a robe and emptying a jug of water onto a reeded base, 79cm. £300-400

236. A Minton Parian figure of Prince Alfred with a pony, c.1862, modelled by Baron Carlo Marochetti, the young prince dressed in Highland costume with one hand on his hip, the other stroking the mane of his horse, raised on a shaped oval base, titled to the front, 39.5cm high. £300-500 This model was exhibited by Minton at the 1862 International Exhibition. An example, alongside the original bronze, is in the collection at Osborne House.

235

237. A Copeland Parian group of dogs, 19th century, both in attentive poses and sniffing out a grouse or partridge that sits hidden among tall grass, on a rectangular base, 31cm across. £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

238. A large limited edition Wedgwood Queen’s Ware plaque, modern, moulded in high relief with the Death of a Roman Warrior after an 18th century black basalt original, the body of Meleager being carried by his compatriots while soldiers look on, mounted in a walnut and gilt frame, the plaque 52cm. Boxed and with a certificate confirming this is number 150 of 150. £200-300

239. A pair of Samuel Alcock Etruscan revival jugs, c.1856, printed with figures in battle on a black ground with orange palmette borders, marked to the underside with ‘A Facsimile of a Vase Found at Cumae’, 21cm. (2) £150-250

240. A Wedgwood Jasperware limited edition commemorative bowl, 1992, applied in white on a blue ground with two portraits of Queen Elizabeth II as a young girl and as of 1992, celebrating 40 years on the throne, with a gilt inscription to the inside rim, 20cm. Boxed and with a certificate confirming this is no. 100 of 100. £100-200

241. A Wedgwood Jasperware coffee can and saucer, 1st half 19th century, finely applied in white on black with small panels of Classical figures and motifs between flower garlands issuing from rams’ heads, impressed marks, 13.2cm. (2) £100-200

242. A Royal Worcester jardinière, late 19th century, of low oblong form, moulded in relief with faun terms holding floral and foliate scrolls, in pale blue and gilt on a deep blue ground, raised on four stylized dolphin feet, printed marks, 38.3cm. £150-250

243. A miniature Royal Crown Derby solitaire tea service, modern, richly decorated in a panelled Imari pattern. Comprising: an oval tray, a teapot and cover, a milk jug, a sugar bowl and a teacup and saucer. (7) £100-200

The vase, depicting a battle between the Greeks and the Amazons, was shown in the Illustrated London News in 1856 and copied by Alcock to meet public demand.

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244. A large Royal Worcester vase, dated 1863, of ovoid form, painted probably by Joseph Williams with a detailed Italian landscape titled ‘Pallanza, Laco Maggiore’, depicting the lakeside town before mountains, within a gilded laurel wreath border on a rich blue ground, the handles formed as confronting snakes issuing from bearded faun masks, printed marks, the cover lacking, 30cm. £400-600

245. A Royal Worcester Aesthetic Movement vase, late 19th century, the square form finely painted with English butterflies around leaf tendrils, the sides with lion masks holding rings, impressed mark, 26.5cm. £200-300

Provenance: the Robert and Celia Morris Collection.

246. A pair of Royal Worcester small vases, date codes for 1938, the spiralmoulded globular forms painted by James Stinton with pairs of pheasants in a moorland landscape, signed, printed marks and date codes, 7cm. (2) £150-250

247. A Grainger’s Worcester vase and cover, late 19th/early 20th century, painted by John Stinton with four sheep on a hillside, signed, and a Royal Worcester spill vase, painted by James Stinton with a cock pheasant, with a reticulated rim, printed marks, the cover probably associated, 22cm max. (3) £150-250

248. A Royal Worcester part tea service, date codes for 1937, comprising a tea cup and saucer, two small plates and a sugar bowl, painted by William Powell with English songbirds perched on small branches, signed, and a small Royal Worcester figure of a chaffinch, 15.6cm. (6) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

249. A pair of Minton cabinet plates, date codes for 1876, the wells painted outside the factory by James Rouse Junior, with Highland scenes, one of a ghillie smoking a pipe beside a stream with two dogs, the other of a girl carrying a fawn across a stream with other deer around, signed ‘J Rouse Jnr Derby’, within reticulated rims finely painted with panels of fruit and flowers reserved on a green ground, impressed marks, 23.6cm. (2) £200-300

250. A Royal Worcester double-walled teapot and cover, date code for 1883, probably by George Owen, around the spout and handle gilded possibly by Samuel Radford with delicate landscape scenes, the walls pierced with a honeycomb design and a band of shields, the neck and foot with a band of jewelling, printed marks, the cover restored, 21cm. (2) £400-600

251. A Barr, Flight and Barr Worcester coffee can and saucer, c.1805-10, the can painted with a figure before a small cottage, the saucer with a packhorse bridge with Glover’s Needle visible in the distance, reserved on a salmon ground with gilt dots, and a Barr, Flight and Barr saucer painted with a continuous landscape including the same views, script factory marks, incised B to the can, one saucer broken and restored, 13.2cm max. (3) £400-600

252. An English-decorated Paris porcelain flared bowl, 1st half 19th century, painted in the Pinxton manner with panels of mountainous landscapes reserved on a textured orange ground, and a Derby chamberstick painted in the Sèvres manner with polychrome flower sprays and edged in blue and gilt, the bowl’s lid lacking, some faults, 9.5cm. (2) £100-200

253. Twelve English porcelain dessert plates, 19th century, the hexafoil forms painted with views of Scotland, with figures and boats on and beside lochs in mountainous landscapes, within blue and gilt borders, titled in red to the undersides, 24.2cm. (12) £200-300

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254. A Spode part tea service, c.1815-25, brightly decorated in pattern 1930 with a dense formal foliate design in gilt and iron red between narrow yellow borders, pattern number to some pieces. Comprising: a sucrier and cover, a slop bowl, two cake plates, eleven teacups, ten coffee cups and twelve saucers. (38) £200-300

255. A Spode part tea service, c.1815, moulded with sprays of flowers and leaves, painted with bucolic landscape scenes, some pieces with factory marks and pattern number 1926. Comprising: a teapot with cover and stand, a sucrier and cover, a milk jug, a slop bowl, two cake plates, eleven teacups, ten coffee cups and eleven saucers. (41) £350-450

256. A Derby part dessert service, c.1815-20, brightly painted with flower arrangements and single scattered blooms within gilt line borders, iron red crowned crossed batons and D marks. Comprising: two oval dishes, two heart-shaped dishes and eight plates. (10) £200-300

257. Two Chelsea-Derby teabowls and saucers, c.1770-75, one painted with pink roses within a turquoise and gilt rim, the other with leaf swags in blue, green and pink enamel, another teabowl painted with unusual swags in cold blue, a two-handled Chelsea-Derby cup and cover with spiralling gilt stripes, and a teacup and saucer with gilt and cobalt blue borders, various marks, some damages, 13.3cm max. (9) £150-250

258. Three Sèvres-style English porcelain plates, 1st half 19th century, painted with a central floral roundel, the rims with a formal cornflower design, and a pair of soup plates painted with leaf garlands around pink rose sprays, both designs copying known Sèvres patterns, 25.2cm max. (5) £100-200

259. A Coalport sauce tureen and cover and three dessert dishes, c.1810-20, two of the dishes of shell shape, painted with panels of fruit and flowers reserved on deep orange grounds with gilded flowers and leaves, 22cm max. (5) £500-800

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

260. A Derby part botanical service, c.1795, painted in pattern 142 with named botanical flower specimens from William Curtis’s Botanical Magazine, within borders of pink roses over a narrow gilt band, titled in blue to the undersides. Comprising: two oval dishes and six plates. (8) £800-1,200 The oval dishes titled ‘Pelargonium Tetragonum’ and ‘Lavatera Trimestris’. The plates titled ‘Canterbury Bell’, ‘Madagasker Periwinkle’, ‘Golden Flower’d Henbane’, ‘Perewnnial Lupine’, ‘White Jessamine’ and ‘Pulmonaria’.

261. A Derby botanical dessert dish, c.1795, of scalloped quatrefoil form, painted by William ‘Quaker’ Pegg with a sprawling spray of nasturtium within a pink border edged in gilt, titled in blue to the underside with ‘Tropaeolum Majus, Greater Indian Cress, or Nasturtium’, blue crowned crossed batons and D mark above pattern number 212, 30.5cm. £250-350

262. Three Derby botanical dishes, c.1795-1815, a shaped dish painted with a sprig titled ‘Calaithian Violet’, a plate painted with Nasturtium, and another with a freesia titled ‘Babiana Stricta, Dark Blue Flowered Upright Babiana’, 22.8cm max. (3) £250-350

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263. A Nantgarw plate, c.1818-20, of Brace Service type, painted in the London Bradley workshop with a central flower arrangement including rose, tulip and auricula, the moulded rim with panels of a finch, fruits and further flowers, impressed NANTGARW-CW mark, 21.5cm. £400-600

264. A Derby botanical sauce tureen and cover, c.1795, of boat shape, painted in pattern 216 with specimens of Scilla Campanulata, Blitum Virgatum and Melissa Grandiflora, within rich yellow border, titled in blue with the Latin and common names, some restoration, 22.5cm across. (2) £200-300

Paper label for the Julian Robert Collection.

265. A near pair of Nantgarw plates, c.1818-20, painted with small arrangements of colourful British flowers reserved on a white ground within gilt dentil rims, impressed Nantgarw-CW, 24cm. (2) £500-700 Paper labels for the C R Stephens Collection.

267. A Derby milk jug, c.1800, painted by George Robertson with an octagonal panel of ships sailing in a calm sea, within brown line borders, titled ‘A Calm’ in blue to the underside, 10.8cm high. £150-250

266. A Swansea two-handled dessert dish, c.185-18, the rectangular form painted with sprays of flowers including convolvulus, rose and auricula on a white ground, the gilt twig handles issuing from stylized leaves, iron red factory mark, 28.8cm. £300-400

268. A good Derby cup and saucer, c.1815-20, well painted probably by Robert Brewer, the saucer with a scene of cattle and sheep by a stream, titled ‘Near Bakewell, Derbyshire’ to the underside, the cup with sheep being driven along a country lane, titled ‘Near Caernarvon’, reserved on a pale turquoise ground within gilt foliate borders, iron red crowned crossed batons marks, 14.2cm. (2) £150-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

269. A Coalport tray, c.1800-10, painted by Thomas Baxter with two maidens in Classical white dresses, one draped in a rich purple robe, the other leaning one hand on a tablet and holding a pen, the shaped rim with an interlaced white and orange band on a gold ground, 33.7cm. £500-800

270. A pair of Derby sauce tureens with covers and stands, c.1815, painted perhaps by Moses Webster with colourful flower arrangements, the stands with single flowerheads, the tureens raised on gilt paw feet issuing from lion masks, iron red crowned crossed batons marks, 21.8cm. (6) £450-550

271. A Swansea plate, c.1815-18, the rim with C-scroll moulding, finely painted with single sprays of primrose, heather, forget-me-not and strawberry, the well left white within a wide gilt and green enamel border of leaf tendrils issuing from a formal design, gilt ‘Swansea’ mark, 21.5cm. £150-250

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272. Three Derby dessert plates and a dish, c.1810-15, boldly painted with central arrangements of flowers including tulip, convolvulus and rose, the rims with four large single blooms within a gilt line border, iron red factory marks, 30.5cm max. (4) £250-350

273. Three Chelsea-Derby dessert dishes, c.1775-85, one painted with polychrome flower sprays within a blue and gilt border, another with leaf garlands, the last octagonal from the Acland Service, painted with a pink rose spray within bands of gilt and turquoise leaves, a teabowl and saucer from the same service, and a Chelsea-Derby mug painted with small flower sprigs, various marks, the mug cracked, 26cm max. (6) £200-300

274. A good pair of New Hall trios, c.1800, each trio comprising a teacup, coffee cup and saucer, brightly decorated in the Boy in the Window pattern, 13cm max. (6) £100-200

275. Four English porcelain spill vases, 1st half 19th century, printed in black with scenes of Salisbury Cathedral, Stonehenge and New Church, Bury St Edmunds, on a white ground between gilt borders, the Stonehenge vase marked for R Payne, Sarum, 10.5cm max. (4) £80-120

276. An English porcelain teapot and cover, c.1830, probably New Hall, printed and coloured with a lion before a pagoda, being chased by hunters, the rim with bears, leopards and other animals among flowering plants, a plate in the same design, and a milk jug printed with figures in a garden setting, 27cm max. (4) £100-150

277. Two English porcelain plates, late 18th/early 19th century, one Flight, Barr & Barr Worcester, painted in the Oriental manner with a lady holding a parasol before an arched bridge within an elaborate formal border, impressed and printed factory marks, the other Derby and painted with pink roses and other flower swags, blue crowned D mark, 24cm max. (2) £100-150

278. A Chamberlain Worcester sucrier and cover, c.1800, of oval form, painted with the Stag Hunt pattern within gilt panels, together with a hexagonal teapot stand and two teabowls and saucers in the same pattern, 14.5cm max. (7) £100-200

279. Two Chelsea-Derby dessert dishes, c.1775, one of quatrefoil form and painted with a central urn draped in small pink flowers within a flower garland border, the other of scalloped form, painted with flower swags suspended from green ribbons around a central pink rose, 23.5cm max. (2) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

280. A large pair of Chelsea-Derby dessert dishes, c.1775-80, finely painted with central arrangements of fruit within blue and gilt leaf panels, with scattered insects and butterflies within berried leaf garlands and bright blue borders with gilt flowerhead motifs, gilt anchor and D marks, 29.2cm. (2) £500-800 281. Five Derby dessert dishes, c.1790, painted with central flower arrangements and small scattered sprigs within berried leaf swags suspended from gilt roundels between panelled turquoise borders, blue crowned D and puce factory marks, 27.5cm max. (5) £500-700 282. A pair of Coalbrookdale spill vases, 1st half 19th century, the cylindrical forms painted with bands of pink roses beneath baskets of flowers suspended from blue borders, an oval basket painted in the Church Gresley pattern, and a pastille burner or salt raised on three dolphin tail supports, some damages, 20.7cm max. (4) £120-180

280

283. A Grainger & Co Worcester hunting jug, c.1820-30, painted with a scene of redcoated hunters on horseback in pursuit of their prey, between gilt foliate sprigs on a white ground, titled ‘ Going along a slapping pace’, red factory mark, 22cm. £200-300 284. Two Samuel Alcock porcelain jugs, c.1840, sprigged in lilac with bold flower sprays on a white ground, one inscribed beneath the spout with ‘1823 Mr William Barrow’, the other applied with a shield inscribed ‘75’ beneath the base, 22.5cm max. (2) £100-200

281

282

283

284

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285. A South Staffordshire enamel bonbonnière, c.1770, modelled as an apple with russet and cream striations, with a hinged metal mount, some faults, 4.8cm high. £300-400

286. A Kerr & Co Worcester Parian brooch, c.1852, moulded with a profile portrait of the Duke of Wellington by W B Kirk, RHA, set in a gilt metal mount, printed marks, 6.2cm. £40-60 Provenance: the Robert and Celia Morris Collection.

287. A Continental enamel snuff box, c.1750-60, probably German, the circular form painted with a courting couple being spied on by Cupid, the sides with a continuous scene of Classical figures, the underside with colourful foliate scrolls around a mask, 5.8cm dia. £100-200

288. A Staffordshire enamel scent flask and a thimble, c.1770, the flask of flattened rectangular form, painted to one side with a scene of children playing with a wheelbarrow, the reverse with a couple in a landscape, the thimble painted with a figure in a landscape within a raised enamel cartouche, each with gilt metal mounts, some faults and losses, 5.5cm max. (2) £150-250

289. An English enamel scent and snuff bottle combined, c.1760-70, the lower section painted with panels of figures, the upper section with flower panels, reserved on a pink ground, with gilt metal mounts, 10cm. £200-300

290. Two English enamel boxes, c.1760-70, one of unusual moulded form, decorated with polychrome flower sprays on a rich pink ground, the other a patch box of rectangular form, painted with pastoral landscape panels on a white ground, with an interior hinged gilt metal lid enclosing a hidden section, some damages, 5.8cm max. (2) £100-200

291. An enamel bonbonnière, c.1770-80, modelled as the head of a pug dog, the hinged cover painted with a dog running in a garden setting, some restoration, 3.2cm. £150-250

292. A Samson bonbonnière in the Chelsea style, late 19th century, modelled as a cockerel mounting a chicken, and a Continental porcelain circular snuff box painted en grisaille with a lady before a window, the sides with formal patterns in the Du Paquier manner, 7.2cm max. (2) £150-250

293. A Bilston enamel bonbonnière, c.1780, modelled as a cavalier spaniel recumbent on a cushion, its coat decorated with black patches, the hinged cover with raised decoration of a flower spray within a yellow and puce narrow border, 5.8cm. £300-500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

294. A Bilston enamel bonbonnière, c.1780, formed as a cavalier spaniel asleep on a rounded pink cushion, the base painted with flowers, and an enamel patch box inscribed ‘Friendship’s a name for ever blest In that I love and love to rest’, within a narrow pink and blue border, each with an internal degraded mirror, the patch box well restored, 4.3cm max. (2) £300-500

295. A Battersea enamel rectangular plaque or box lid, c.1770, printed and coloured with The Punch Party, probably engraved by Ravenet, of gentlemen drinking and smoking around a table, the other side with four putti, two embracing before a tree stump, another two stirring the contents of an oversize patterned bowl, some damages, 12.5cm. £100-200 The vignette of two of the putti, also engraved by Ravenet, is seen on enamel Battersea bottle tickets.

296. A Staffordshire needle case with thimble, c.1770-80, the cylindrical form painted with panels of figures and animals before Classical ruins within raised enamel cartouches on a white ground with raised detailing, the thimble unscrewing to reveal a scent bottle section with internal stopper, good restoration to the thimble, 13cm. £500-800

297. A South Staffordshire double-ended etui with thimble, c.1770, painted with panels of flowers within raised gilt borders on a pink ground, inscribed in black with ‘Fidele en Amour’, some damages, 13.2cm. £100-200

298. An English enamel posy holder, c.1770-80, formed as a half cone painted with flowers including rose, convolvulus and carnation, within a lilac dentil border, 11.2cm. £300-400

299. A pair of Staffordshire enamel candlesticks, c.1770, the knopped stems rising to cylindrical sconces fitted with removable star-shaped drip pans, all raised on domed hexafoil bases, painted with sprays of English flowers in polychrome enamels on a white ground, damages, 26.5cm. (4) £150-250

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300. A South Staffordshire snuff box, c.1760-65, finely decorated to the lid with Venus in a shell chariot drawn by two dolphins, with Cupid in flight above, reserved on a pink ground with white trellis design, the sides with small landscape vignettes, with gilt metal mounts, 7.6cm across. £300-400

301. An English enamel etui of theatrical interest, c.1760-65, the flattened form painted with a portrait of the actress, Mrs Mary Brooks, after Thomas Worlidge, the reverse with a scene of haymakers, reserved on a turquoise ground with raised gilt scrolls, with partial contents, some losses and faults, 10.6cm. £300-500

302. A Staffordshire enamel etui, c.1770, the shaped form painted with panels of figures and animals before Classical ruins, within raised foliate scroll borders on a pink ground with white enamel detailing, complete with contents, 11cm. £800-1,200

303. A Staffordshire enamel snuff box, c.1760-65, of unusual serpentine form, decorated to the lid with a bacchanalian scene of a couple cavorting with a carafe of wine, within raised enamel scrolls, the sides with panels of figures in landscapes, the underside with chaffinches above an upturned basket of fruit, with chased gilt metal mounts, 8.6cm across. £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

304. A pair of Bilston enamel tea canisters and covers, c.1770, the rectangular forms painted with panels of birds including doves, parrots and ducks reserved within white raised enamel scrolls on a pink ground, with gilt metal mounts, some restoration, 11cm. (4) £1,200-1,500

305. A Continental porcelain etui, late 18th/early 19th century, painted with panels of courting couples and of flower arrangements within gilt scroll borders on a pink ground, with chased silver mounts, 11.3cm. £150-250

306. A Mennecy etui, mid 18th century, the cylindrical form painted with posies of flowers including rose and heartsease, each end with a stylized flowerhead, with gilt metal mount and a tortoiseshell flange, 11.4cm. £150-250

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307

309

308 307. A Chelsea bonbonnière, c.1765, modelled as Cupid seated on a flowered grassy base with a lamb wearing a ribbon collar, the metalmounted hinged cover of coloured and printed enamel with a couple in a garden, some restoration, 5cm high. £500-800 308. A rare early Chelsea or St James’s (Charles Gouyn) combined scent bottle and needle case, c.1749-55, modelled as a female term holding a basket of fruit and wearing a yellow robe edged in blue and pink, the flared square lower section painted with small flower sprigs on a white ground, hinging at the waist for the needle case, her head forming the stopper of the scent bottle, with gilt metal mounts, 10.6cm. £1,500-2,000 309. A small English ceramic seal, c.1760, probably Chelsea, modelled as a putto, with inscription around the base, with gilt metal mounts and a hardstone seal, and another seal of a Chinaman playing the cello, probably Samson, 3cm. (2) £200-300

310

310. Two Chelsea porcelain seals, c.1755-60, one modelled as a goat with its front hooves on a tree stump, a carved hardstone seal to the underside, the other of two white doves kissing beneath flowers, small faults, 3cm max. (2) £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

311. A Mennecy silver-mounted snuff box, c.1750, the sides moulded with basket weave and painted with small flower sprays, the cover moulded with flowers, leaves and an acorn, delicately enamelled in a muted palette, the interior cover with further painted flowers, the silver mount with Paris discharge marks, 6.2cm across. £400-600

312. A small pair of Meissen hausmaler pots or vases, c.1725, the rounded shapes moulded with a continuous band of lappets, painted probably in Augsburg with scrollwork around colourful flowerheads, the rims with a continuous band of leaf scrolls, blue crossed swords marks, 7.6cm high. (2) £300-500

313. A St Cloud egg cup, c.1720-30, the rounded cup moulded with narrow reeding to the base of the bowl, the knop of the balustroid stem and the edge of the conical foot, 8cm. £600-800

314. Three St Cloud knife handles, c.1740, the hafts of grooved flattened form, painted in the Kakiemon palette with formal flowering plants, some damages, 19.8cm. (3) £100-200

315. A Chantilly porcelain sugar ladle, mid 18th century, the deep circular bowl pierced with seven flowerheads around a central motif, the handle with a shell terminal highlighted in blue, two filled chips to the bowl, 21cm. £300-400

316. A French porcelain sugar ladle, c.1750-70, the wide circular bowl pierced with rows of small holes around a central star motif, the handle moulded with a shell terminal, a short crack to the bowl, 21cm. £200-300

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317. A Mennecy miniature basket, c.1750, of oval form, moulded to the exterior and painted with polychrome flower sprays, incised DV mark, and a Doccia salt, after Meissen, the shaped form painted with flowers in the famille rose palette, 8.5cm max. (2) £100-200

318. A Mennecy sauce tureen and cover, c.1760, of quatrefoil form, painted with flower sprays in polychrome enamels, the cover with an entwined twig handle, incised DV mark, the cover possibly associated, 14.5cm across. (2) £100-200

319. Two Mennecy custard cups and covers, c.1760, the rounded bodies with spiral moulding, applied with a fruit sprig to each cover, 7.5cm. (4) £120-180

320. A Meissen saucer, c.1730-40, painted in underglaze blue with two Oriental figures seated before low trees and a multi-storeyed pagoda, blue crossed swords mark, 11.8cm. £100-200

321. A pair of Meissen miniature coffee pots and covers, mid 18th century, moulded with rococo panels on a hatched ground, painted with flowers and fruit on a ground of small stylized blue flowerheads, the domed covers with floral finials, blue crossed swords marks, some small chips, 11cm. (4) £200-300

322. A Vienna triangular custard cup and cover, c.1770, painted with small floral sprays above a purple stylized leaf border, blue shield mark, puce 42, 8cm. (2) £150-250

323. A Doccia cup and saucer, c.1760-70, painted with three panels of pink roses reserved within narrow gilt foliate borders on a deep blue ground, 13.3cm. (2) £100-150

324. A Meissen flared cup, mid 18th century, finely painted with Holzschnittblumen and insects with shadows on a white ground, the handle with a scrolled thumb piece picked out in brown enamel, blue crossed swords mark, 6.6cm high. £200-300

325. A St Cloud white-glazed beaker and saucer, c.1720-30, of deep U-shape, the saucer with a trembleuse gallery, each applied with three sprigs of flowering prunus, 12.8cm max. (2) £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

326. A Continental enamel saucer, dated 1790, painted with a shepherdess being presented with a bird in a cage by her suitor, inscribed to the back ‘NI Le Jo Lieb 1790’, a Buen Retiro porcelain saucer painted with a sailor smoking a pipe and crabbing from rocks, and a Vienna saucer decorated with formal motifs in gilt and sepia on a pale yellow ground, some damages, 14cm max. (3) £100-200

327. Three Continental porcelain cups and saucers, late 18th century, a Nymphenburg coffee cup and saucer painted with birds beneath flower garlands, an Amstel teacup and saucer painted with chickens and other game birds, and a Höchst teacup and saucer painted in puce monochrome with landscape scenes, 13.2cm max. (6) £300-500

328. Five Italian saucers and two teabowls, c.1760-80, a Cozzi saucer painted with blue and red flowers, another with a monochrome chinoiserie landscape, a Nove saucer with large flowering plants, a Venice teabowl and saucer with a red landscape, and a Cozzi teabowl and saucer with small gilt sprigs, some faults, 12.8cm max. (7) £250-350

329. A group of Continental porcelain tea wares, 2nd half 18th century, including a Furstenberg tea canister, a Furstenberg cup painted with a figure in a scroll border, a Copenhagen cup painted with a wild cat, a Rorstrand fluted cup, a Nyon teabowl and a Hague porcelain teabowl painted with flowers, together with a Nymphenburg knife handle, some faults, 22.1cm max. (7) £150-250

330. Two Doccia coffee cups and a can, c.1770-90, one cup painted in puce monochrome with a landscape scene between blue and gilt borders, the can with a similar landscape scene, the other cup with a fisherman by the river, with a Cozzi teabowl painted with portrait medallions suspended from swags, and a saucer painted with a posy of flowers, 12.1cm max. (5) £200-300

331. Two German porcelain cups and saucers, c.1760, one Höchst and painted with loose flower sprays, the other Berlin and painted with similar floral arrangements, and a Ludwigsburg teabowl and saucer with moulded panels to the rim, the teabowl painted with a landscape, the saucer with various fruits, 13.2cm max. (6) £150-250

332. A Doccia cup and saucer, c.1770-80, painted in puce monochrome with buildings beneath trees in a European landscape, the rim with gilt C scroll designs on a deep blue ground, and a small Continental porcelain plaque painted with a figure on horseback, framed and glazed, the plaque probably cut from a saucer, 14.5cm max. (3) £150-250

333. A Doccia coffee cup and two saucers, c.1770, and a Doccia coffee can or small mug, all painted in polychrome enamels with sprays of European flowers, restoration to the cup’s handle, 13cm max. (4) £100-200

Cf. Leonardo Ginori Lisci, La Porcellana di Doccia, pl.LIII, for a plate with similar landscape decoration.

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334. A large and impressive pair of Meissen vases, 19th century, of baluster form, painted with figures in garden settings, the sides applied with a profusion of flowers, and with putti beneath the scroll handles, the bases with further applied figures, blue crossed swords marks, some damages, the covers lacking, 47cm. (2) ÂŁ800-1,200

335. A part Herend dinner service, 20th century, decorated in the Rothschild Birds pattern with Meissenstyle birds perched on low branches draped with jewels, the osier-moulded rims with scattered moths and butterflies. Comprising: eight x 27.7cm plates, eight x 22.7cm plates and eight x 17.8cm plates. (24) ÂŁ700-1,000

336. A Meissen ornithological soup tureen and cover, c.1700, o squat spiral-moulded form, boldly painted with colourful birds including parrots and finches, the cover surmounted with a putto spilling a cornucopia of flowers, cancelled blue crossed swords mark, 34cm. (2) ÂŁ300-500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

337. A Meissen composite part tea service, c.1740, painted with scenes of figures in harbours and rural landscapes, within gilt scrollwork borders or narrow red lines. Comprising: a teapot and cover, a sucrier and cover, six teabowls and six saucers. (16) £1,000-1,500

338. A Meissen ornithological soup plate, c.1745, painted with a young bird perched on a low branch, the osier-moulded rim painted with moths and other flying insects, blue crossed swords mark, 22.5cm. £300-400

339. A Du Paquier bowl lid, c.1725-30, finely painted to the domed exterior with a kylin type dog beside flowering branches, and a pagoda beside an ornamental fence, the interior with a five-clawed scaly dragon in red and puce, 16.5cm. £200-300

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340. A Sèvres-style cabaret set, late 19th century, decorated in the Napoleonic manner with gilded crowned Ns, Imperial eagles and bees, on a white ground, red painted ‘M Imperiale Sèvres’ marks. Comprising: a tray, a coffee pot and cover, a sugar bowl and cover, a cream jug, two cups and two saucers. (10) £250-350

341. A Paris porcelain part coffee set, 19th century, painted with theatrical figures in colourful costume beneath tall trees, within wide gilt bands. Comprising: a coffee pot and cover, a milk jug, six cups and six saucers. (15) £300-500

342. A Russian porcelain part tea service, Imperial factory, St Petersburg, Nicholas I period, painted with small floral arrangements surrounded by a scroll diaper ground in gilt and blue enamel, printed marks. Comprising: twelve cups and four saucers. (16) £200-300

343. A Furstenberg serving plate, c.1755, painted with flower sprigs around a central posy, a Ludwigsburg footed jug painted with flowers on a scale moulded ground, and a square Ludwigsburg bowl painted with flowers, the exterior moulded with a basketweave band, blue factory marks, 32cm max. (3) £150-250

344. A pair of Samson vases, late 19th century, in the Chinese manner, the hexagonal forms painted in famille rose enamels with birds perched amid flowering peony branches above holey blue rockwork, the reverse with aquatic birds among lotus flowers, the covers lacking, 31cm. (2) £150-250

345. A Frankenthal leaf dish, dated 1777, painted with a putto seated and draped in an orange robe, his left arm extended, the leaf edged in blue and gilt, crowned CT monogram and 77 mark, a few small chips, 21.7cm. £150-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

346. A Doccia ecuelle and cover, c.1750-60, decorated in underglaze blue with flowering peony branches between scroll moulded handles, 16.3cm across. (2) £300-400

347. A Meissen saucer, c.1725, painted with a Chinaman bending over hot coals with a pair of tongs, with flowering plants behind, within a cartouche of scrollwork and Böttger lustre panels, the rim with a wide gilt laub und bandelwerk border, faint gilt mark to the base, 12.7cm. £250-350

348. A Naples (Real Fabbrica Ferdinandea) coffee cup and saucer, c.1790, painted with vignettes of Italian peasant women and children before mountain landscapes, the scene on the saucer titled ‘Della Torro dell’Annuziate’ in red, inside the cup titled ‘D’Ytri’, within gilt flower sprigs on a thick tin glaze, 12.8cm. £200-300

349. A rare Doccia armorial beaker, c.1745, decorated to two sides with a crowned armorial shield within purple rococo scrolls, broken and restuck, 7cm. £400-600

350. A Meissen butter tub and cover, c.1740, the circular form painted to the cover in underglaze blue with a Chinese couple beneath a fronded tree in a garden setting, the sides with further trees and ornamental fences, blue crossed swords and dot mark to the inside of the tub, 12.5cm dia. (2) £300-500

351. A Doccia sugar bowl and cover, c.1770-90, the quatrefoil form painted with a continuous landscape scene of buildings among trees, the view echoed to the cover, the cover surmounted with a fruit finial, 11.5cm across. (2) £200-300

Cf. Bonhams, 6th July 2010, lot 218 for a similar pair with the arms of the Gerini and Franceschi families.

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352. A Höchst coffee pot, c.1760, painted in puce monochrome with a figure and cattle in a stream before ruined buildings, and a Höchst mug, the slightly flared form painted with a panel en grisaille with putti cavorting within a laurel wreath suspended from blue ribbons, blue wheel marks, some restoration, the coffee pot’s cover lacking, 19cm max. (2) £100-200

353. A Doccia soup plate, c.1755, painted in polychrome enamels with the Tulipano pattern, the rim with four small floral sprigs, 23.5cm. £80-120

354. A Paris porcelain small vase and a tazza, c.1840, by Boyer Sr de Feuillet, the gourd shape vase painted with trailing bands of flowers and gilt foliate sprays across narrow blue bands, the Vincennes shape tazza with a shield suspended from a blue ribbon, gilt script marks, 22.5cm max. (2) £150-200

355. A Strasbourg porcelain bough pot and a pair of Niderviller coffee cans and saucers, late 18th/early 19th century, the bough pot of six-sided D-shape, glazed in a rich claret with gilt husks, the coffee cans gilded with leaf swags on a white ground, the saucers with blue factory marks and incised St, minor faults, 20cm max. (5) £100-200

356. Two Doccia plates, c.1760-70, painted with arrangements of European flowers within smaller scattered sprigs, within shaped moulded rims, 30.2cm max. (2) £100-200

357. A Sèvres-style dressing table suite, 19th century, comprising two scent bottles and stoppers, and a trinket box with a hinged cover, all decorated with panels of polychrome flowers reserved on a turquoise or bleu celeste ground, the box signed in red ‘M. Imp le de Sèvres’, 14.6cm max. (5) £100-200

358. A Vienna teabowl and saucer, c.1760, painted in puce monochrome with a village landscape scene, a Vienna coffee cup and saucer painted with polychrome flower sprays, and a Naples coffee cup and saucer painted with small flower sprigs, blue shield marks to the Vienna, 13.4cm max. (6) £150-250

359. A Doccia quatrefoil sucrier, c.1750, white-glazed and moulded in relief with scenes of Classical figures and putti, and an Italian white-glazed figure of a girl, holding the end of her apron across her right hand, standing barefoot on a small pad base, small damages, the sucrier’s cover lacking, 11.3cm max. (2) £100-200

360. A Meissen surtout de table or stand, 19th century, of rococo scrolling form, raised on three scroll feet and picked out in green, pink and gilt, blue crossed swords mark, 32cm across. £100-200

Cf. Bonhams, The E A Titgemeyer Collection, 7th December 2011, lot 201 for a similar example.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

361. A Dutch-decorated Meissen vase, c.1720-30, of square pear-shaped form, painted in famille rose enamels with birds perched on branches of flowering prunus and peony, some flaking, 19.8cm. £200-300

362. A Sèvres bottle vase, c.1870, of Persian shape with a long knopped neck, decorated with formal gilt borders on a pale celadon ground, printed and incised marks, 32cm. £200-300

364. A Sèvres saucer, dated 1775, painted with garlands of polychrome flowers reserved on a narrow blue stripe ground, painter’s mark for Noël, a Sèvres cup of gobelet a la Reine shape, painted with small flower arrangements between tied gilt foliate sprays and shaped diaper panels, interlaced blue LL marks, and a Boisette ice cup painted with floral sprays between narrow blue and gilt rims, 13.8cm max. (3) £250-350

363. A large Paris porcelain two-handled vase, 19th century, painted with a butterfly above wild flowers including dog rose and bindweed, in a woodland landscape, the angular handles surmounted with mythical beast masks in black and gilt, 39.4cm. £150-250

365. A Sèvres cruet stand (porte-huilier a carcasses), c.1770-80, the navette shaped stand painted with small polychrome flower sprays and feuille de choux borders in blue enamel, set with two baskets formed of interlocking ovals detailed in blue and gilt, puce interlaced LL mark, pp and jd marks either side, 27cm across. £300-400

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366. A Sèvres plate, c.1759, painted with a stag hunt with a rural landscape within a feuille de choux border with polychrome flower sprays, blue interlaced LL marks and date code F, painter’s mark of a caduceus, 25.1cm. £400-600

367. An unusual Saint Amand les Eaux dish, c.1840, painted in the Worcester manner with panels of exotic birds enclosed in gilt foliate panels and reserved on a blue scale ground, square seal mark after Worcester, 23.5cm. £150-200 It is possible that this dish was made as a replacement to a Worcester dessert service.

368. A Paris Jasperware type plaque, late 18th/19th century, the circular form applied in white polished glass effect with an embracing couple and putti reserved on a blue bisque ground, a chip to the underside, 15cm. £100-200

370. A Zurich hot water jug and cover, c.1770, painted beneath the spout with a scene of ruined arches and buildings before trees, with three figures relaxing at one side, the spout with moulded and enamelled decoration, blue Z mark, 12.8cm. (2) £200-300

369. A Doccia sugar bowl and cover, c.1770, of quatrefoil form, painted in purple monochrome with a continuous European landscape, the cover with a large yellow flower finial, a few small chips to the finial, 10.7cm. (2) £200-300

371. A pair of Alcora vases, c.1780, the baluster bodies painted with flower sprays and applied with further garlands of flowers and leaves, and an Alcora plate painted with flowers within a puce border, black A mark to the plate, some restoration, 20.2cm max. (3) £100-150

372. A Samson Chantilly-style vase, late 19th century, of bottle form, painted in the Kakiemon palette with the Squirrel and Vine pattern, red horn mark, mounted on an ormolu base, a small restored rim section, 17.2cm. £100-150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

373. A large Meissen tureen stand or dish, c.1760, painted with bold flower sprays and single scattered blooms, the rim with a band of osier-moulding, blue crossed swords and dot mark, 45.5cm. £150-250

374. A Vienna-style cabinet plate, 19th century, finely painted with a young maiden in Classical dress, playing the lyre and looking dreamily into the distance, the rim with raised gilt flower sprays on a gilt and green ground, blue shield mark, inscribed ‘Abendklänge’, 24.5cm. £200-300

375. A Continental porcelain rectangular plaque, dated 1880, painted in the Orientalist manner with a young girl in exotic costume holding a young owl aloft in her right hand, signed ‘Juliette Guillemans 1880’ to the bottom left corner, mounted in a gilt wood frame, the plaque 33cm. £100-200

376. A late Meissen charger from the Swan service, 20th century, moulded with swans swimming among reeds, a heron in flight above, the rim painted with indianischeBlumen, a modern Meissen teabowl painted with the crossed swords mark, and a modern Böttger stoneware saucer moulded with a band of ivy, 31.5cm max. (3) £100-200

377. Eight Meissen porcelain models of birds, 19th century and later, including a thrush, a canary and various finches, raised on low tree stumps, blue crossed swords marks, some faults, 20cm max. (8) £200-300

378. Six Continental porcelain figures of traders, late 19th/20th century, peddling various wares from trays and baskets about their persons, raised on low scrolled bases, some damages, 17.5cm. (6) £150-250

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379. Five Herend figures of birds, modern, comprising a pheasant, a cockerel, two owls and a group of two ducks, boldly decorated with bright colours and a scale design in red or blue, printed marks, 16.5cm high max. (5) £200-300

380. Seven Herend figure groups of rabbits, modern, five modelled as pairs of rabbits decorated in green, red or blue scale, a single rabbit with one ear erect, and another larger rabbit seated on its haunches, together with a Herend figure of a dog decorated in brown scale with gilt paws, the dog’s tail restored, 13.8cm high max. (8) £200-300

381. A Herend figure of a cobra, modern, its hooded head rising from its coiled body, decorated in green scales with gilt highlights, printed factory mark, 10.8cm. £100-200

382. A Meissen figure of a Bolognese spaniel, 19th century, after the model by J J Kändler, seated on his haunches with head turned to the left, wearing a turquoise ribbon collar and with mouth slightly agape, his coat detailed with patches of russet brown, blue crossed swords mark, minor damages, 19cm high. £300-500

383. Eleven Dresden figures from a monkey band (affenkapelle), 19th/20th century, modelled after Meissen with various instruments including a harp, violins, hurdy-gurdy and French horn, each elaborately dressed, blue factory marks, some faults, 17cm max. (11) £600-800

384. Eight Continental porcelain figures, 18th and 19th centuries, mostly Meissen, including a pair of figures of putti emblematic of Summer and Winter, seated on square plinths, a pair of sweetmeat figures modelled as children holding large hats, a figure of a gardener, a Classical maiden with a monkey, a Meissen-style figure of a young girl, and a Vienna figure of a Racegoer’s Companion, some damages and restoration, 20.8cm max. (8) £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

385. A Russian porcelain figure of an Inuit school girl, mid 20th century, Lomonosov factory, wearing a long white coat with a fur collar, holding a book under her left arm, holding a flower in her right hand, iron red factory mark, 19.5cm. £80-120

386. A large Meissen figure of a female gardener, 19th century, resting a basket of bright flowers on her right hip, holding a sickle in her left hand, a tall flower vase to her side, blue crossed swords mark, 35.5cm. £300-500

388. A matched pair of Meissen figures of a gallant shepherd and shepherdess, mid 18th century, he with right arm outstretched, his left elbow resting on a tree stump, his companion carrying a crook and holding flowers in her apron, each with a lamb recumbent beside them on tall rococo scroll bases applied with flowers and leaves, blue crossed swords marks, some damages and small losses, 26.5cm. (2) £400-600

387. A Meissen figure of a sleeping girl, 19th century, sometimes called Sleeping Louise, modelled by Acier after a painting by Jean-Baptiste Greuze, relaxed in a large chair with one arm on a tall wooden table, her shoes discarded and a love letter tucked into the top of her bodice, blue crossed swords mark, incised E58, 18.5cm. £200-300

389. A Meissen figure of a dancing cobbler, 19th century, after the model by J J Kändler from the Craftsmen series, a ribboned shoe resting on his raised left knee, a wooden last by his right foot, blue crossed swords mark, incised 1377, a Meissen figure of a lady playing cards at a table, and a Meissen figure of a girl carrying a basket of fruit, a lamb beside her, 21.5cm max. (3) £400-600 Cf. K. Butler, Meissener Porzellanplastik des 18 Jahrhunderts die Sammlung der Ermitage, no. 127 for the cobbler.

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390. A Meissen figure group of The Betrothal, 19th century, modelled by Acier, the gentleman seated on a marble plinth and looking up to his beloved who pulls petals off a flowerhead, raised on an oval base, blue crossed swords mark, incised E71, some restoration, 23.5cm. £200-300

391. A Meissen allegorical figure group, 19th century, depicting Liberty and Matrimony, with three children around a rocky base, one holding a bird on her left hand, a girl beside her with a bird cage and a boy standing beside a tall vase, cancelled blue crossed swords mark, incised F94, some damages, 21cm. £150-250

393. A Höchst white-glazed figure of a woodcutter, c.1775, modelled by Johann Peter Melchior, standing and leaning on the stump of a tree, holding the shaft of his axe in his right hand, blue wheel mark, incised SE, some good restoration, 16.5cm. £200-300

394. Two Continental porcelain ‘crinoline’ groups, 19th century, each of a courting couple in elaborate costume, one couple with a large gilded bird cage before them, gold anchor marks, small damages, 20cm. (2) £100-200

395. No lot

392. A Copenhagen figure group of lovers, c.1790, seated beneath a tree, his arm encircling her waist, a dog recumbent at their feet, blue dots mark, small damages, 20cm. £400-600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

396. A Volkstedt figure of Diana, c.1780-85, wearing a long flowing robe and holding her bow in her left hand, a quiver of arrows over one shoulder and her dog recumbent at her side, and a Mennecy whiteglazed figure of a putto, probably emblematic of Winter, standing beside a small flaming brazier, incised DV mark, some small losses, 19.5cm max. (2) £300-500

397. A Meissen figure of the Tailor’s Wife, 19th century, seated side-saddle on the back of a nanny goat at which a kid suckles, breastfeeding her own swaddled baby, blue crossed swords mark, restoration to the goat’s horns and ears, 18cm high. £100-200

398. A Continental porcelain figure group, 19th century, after Meissen, of two children and a lady, the boy standing beside a numbered spinner, the girl with an ice cream cone , raised on an oval base, blue crossed swords and star mark, small damages, 26cm. £200-300

399. A Meissen figure of a student, mid 18th century, modelled as a young girl clutching a large book under her left arm, and a Meissen Classical portrait bust, modelled as the head and shoulders of a bearded man raised on a shaped socle base, damages, 12cm max. (2) £150-250

400. A pair of Meissen chinoiserie figures, 19th century, modelled as a gentleman holding a furled parasol and looking at a bird perched on his right hand, his companion seated on a rocky stump, both wearing patterned coats over loose trousers, incised E30 and E34, blue crossed swords marks, small damages, 13.5cm. (2) £150-250

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401. A small Meissen figure of a shepherd, c.1750, standing beside a low wall and leaning on a tall wooden staff, his dog waiting patiently and looking up at his master, the low base applied with flowers, blue crossed swords mark to the back of the base, some good restoration, 10.5cm. £300-500

402. A good Meissen figure of a hound, mid 18th century, seated and scratching its ear with its left hind leg, its coat finely decorated in brown patches, 7cm high. £500-800

403. A Meissen figure of a young musician, mid 18th century, modelled as a boy standing barefoot on top of a half barrel and playing the flageolet, wearing a lilac hat and a green jacket, a ewer of grapevine behind him, raised on a local scrolled base applied with flowers and leaves, blue crossed swords mark to the reverse, the handle of the ewer lacking, 15cm. £400-600

404. A Höchst figure group, c.1760, of a lady seated before a tree and being attended by a gentleman wearing a green jacket and hat and carrying a basket of flowers, raised on a scrolled base picked out in puce and gilt, puce wheel mark, 14.5cm high. £400-600

The dog bears a marked similarity to that in Kändler’s figure of Johann Georg Wentzel with Princess Maria Anna’s favourite dog.

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THE JEAN LUCAS COLLECTION Jean Lucas was an enthusiastic collector of English porcelain for almost fifty years. Her interest was cultivated by that of her father-in-law, Victor John Lucas, an auctioneer and himself a keen collector. She purchased her first piece in 1969 and the last in 2018. Each purchase was described and catalogued in meticulous detail with references to the appropriate literature. Jean, with her warm and outgoing personality, was a member of the English Ceramic Circle and regularly attended the annual Antique Collector’s Club weekend seminars on English porcelain during the 1980s and ‘90s. There, she relished the convivial atmosphere and was one of the very few people who ventured to tease Bernard Watney, the doyen of porcelain collectors. The addictive appeal of porcelain collecting generated for Jean many years of enjoyment, as did the camaraderie of her fellow enthusiasts, encountered at seminars, ECC meetings and auctions. Jean assembled her varied yet representative collection both from dealers and from auctions, sometimes using her instinct to tease out the identity of some arcane rarity. As her knowledge and experience increased, Jean developed a particular interest in Worcester porcelain of the 1750s, being especially drawn to The Prunus Root pattern and, where possible, to the octagonal and hexagonal forms of the period. Her other interests and talents were wide-ranging. She was an accomplished painter, a wood turner, a member of the local choir and a magistrate. She also wrote and published a book on the Market Rasen racecourse which was owned by her family. Yet her chief passion was for her porcelain collection and during her final illness she arranged to have her favourite pieces displayed in her bedroom. Immensely proud of her own family and their achievements, I shall always remember her for her unfailing interest in my own family whenever we met. And also for her particular love of “pointy handled cups”.

Simon Spero

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405. A Derby plate and two small vases, c.1820-40, the plate decorated with three bold flower sprays, the vases with panels of similar flowers reserved on differing green grounds, and a Chamberlain’s Worcester square dish, decorated in the Dr Wall manner with a central flower spray reserved on a wet blue ground, 24.5cm max. (4) £150-250 Provenance: the Jean Lucas Collection.

407. A Derby sauce tureen with cover and stand, c.1790, painted in polychrome enamels with sprays of flowers, the rims with gilt fruiting grapevine on a narrow blue border, blue crowned D mark to the stand, 22.5cm. (3) £100-200 Provenance: the Jean Lucas Collection.

406. A Bloor Derby bough pot and cover, c.1825-30, painted perhaps by Thomas Steel with a panel of flowers including rose, passionflower, narcissus and pansy, raised on gilt scroll feet, the cover pierced with small circular holes, and two Derby inkwells and covers, painted with continuous flower bands on black and gold grounds, raised on claw feet on circular bases, some damages, 19cm max. (6) £150-250 Provenance: the Jean Lucas Collection.

408. A pair of Derby small baskets, c.1760, the circular forms with reticulated sides, applied with small flowerheads, painted to the interior with flower sprays, a rare Derby pounce pot painted with birds perched on branches, and a Chelsea-Derby saucer dish painted with garlands of green flowers within a gilt dentil rim, damages, 18.4cm max. (4) £100-200 Provenance: the Jean Lucas Collection.

409. A group of teawares, 18th and early 19th century, including two Chinese saucers probably London-decorated with flowers in green camaieu, a Giles-decorated Worcester saucer, a fluted saucer, a Worcester coffee cup and a Derby coffee cup with similar green flowers, and three Derby cups and saucers with various floral decoration, 14cm max. (12) £100-200 Provenance: the Jean Lucas Collection.

410. Two Worcester cups and saucers, c.1775, one a large coffee cup and saucer decorated in the Queen’s pattern with gilt compartments, the other a two-handled cup and saucer decorated in a turquoise glaze, a teabowl and saucer decorated in the Queen Charlotte pattern, and a fluted tea cup painted with fancy birds beneath turquoise husk swags, some faults, 14cm max. (7) £150-250 Provenance: the Jean Lucas Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

411. Two Worcester teabowls and two coffee cups, c.1756-62, one teabowl of octagonal form and pencilled in black with small flower sprays, the other teabowl and one coffee cup pencilled in the Boy on a Buffalo pattern, the remaining coffee cup with flowers and a cell diaper border, minor faults, 6.5cm max. (4) £150-250 Provenance: the Jean Lucas Collection.

412. Two Worcester milk jugs and a coffee cup, c.1765-75, one jug painted with polychrome flower stems, the other with flying insects and flower sprays in puce enamel, the coffee cup with similar decoration over reeded moulding, and an English porcelain scent flask, probably Derby, the flattened oval form painted with a repeated cornflower design, 10.7cm max. (4) £100-200 Provenance: the Jean Lucas Collection.

413. Two Worcester coffee cups and three saucers, c.1760-75, and two Liverpool coffee cups, variously decorated with polychrome flower sprays, some faults, 13cm max. (7) £150-250 Provenance: the Jean Lucas Collection.

415. A group of teawares with chinoiserie decoration, c.1756-65, two Worcester coffee cups and a milk jug decorated with Chinese figures in garden and interior settings, a Liverpool coffee cup painted with exotic birds beside peony, a Derby milk jug with a Chinese family and confronting cockerels, and a Chinese porcelain flared bowl decorated with Chinese figures and a bull, some damages, 8.5cm max. (6) £200-300

414. Two Worcester coffee cups and three saucers, c.1765-70, decorated in a Japan pattern with panels of Kakiemon plants alternating with chrysanthemum mons on a blue ground, one with Warmstry fluting, and a Chinese coffee cup and saucer copying the Worcester original, blue square seal marks, 13.3cm max. (7) £150-250 Provenance: the Jean Lucas Collection.

416. Two Lowestoft cream boats, c.1770, one of dolphin ewer shape, the other a low Chelsea ewer, painted with sprays of flowers, and another low Chelsea ewer with large flower sprays, together with a Chelsea-Derby style custard cup and cover, some damages, 9.5cm max. (5) £150-250 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

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417. A Worcester double leaf dish, c.1770, moulded with two overlapping vine leaves, painted with an arrangement of flowers including auricula, the leaves edged in green and the veining detailed in purple, with a brown twig handle, 20cm. £100-200

418. A pair of Worcester tea canisters and covers, c.1770, of ovoid form, painted with panels of colourful birds and with smaller panels of butterflies, reserved in gilt borders on a deep blue ground, some restoration, 17.3cm. (4) £250-350

Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection. 418A. A rare Worcester tea cup and saucer, c.1758-60, painted with the Two Quail pattern in an unusual Chinese famille verte colour palette, the squat cup with an everted rim, blue crossed swords and 9 marks, 13cm. (2) £300-400 Provenance: the Jean Lucas Collection. Formerly in the Ronald Melvin Collection, sold by Simon Spero in 2007. 419. A Worcester teacup and saucer and a saucer dish, c.1760-70, painted with panels of fancy birds within gilt borders on a wet blue ground, open crescent and square seal marks, the dish broken and restuck, 18.2cm. (3) £80-120 Provenance: the Jean Lucas Collection. 420. Two Worcester hot water jugs and covers, c.1765-75, of reeded form, one painted with a version of the Hop Trellis pattern, with berried swags among red and gilt trellis and turquoise scale borders, the other with the Two Quail pattern in Kakiemon colours, one handle restored, 12.5cm. (4) £200-300

418A

419

Provenance: the Jean Lucas Collection.

420

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

421. A Worcester teabowl and saucer, c.1756-60, printed and hand coloured with the Red Bull pattern, and three teabowls printed in black with Milkmaids, the Tea Party, and other pastoral scenes, some faults, 12cm. £200-300 Provenance: the Jean Lucas Collection.

422. Two Worcester saucer dishes, c.11765-70, painted with panels of exotic birds and butterflies within gilt-edged panels on a blue scale ground, square seal marks, a teacup and saucer with the same decoration, and a further teacup with fan-shaped panels of birds, some gilt wear, 18.8cm max. (5) £150-250 Provenance: the Jean Lucas Collection.

423. A Worcester trio, c.1765, comprising a coffee cup, teabowl and saucer, painted with panels of flowering plants in the Kakiemon palette, reserved on a blue scale ground, and a fluted bowl, probably Liverpool, painted in the Stag Hunt pattern, 13cm max. (4) £100-150

424. A Worcester trio, c.1760, comprising a coffee cup, teabowl and saucer, painted with the Hibiscus pattern, and a small two-handled dish and a milk jug painted in the Astley or Harvest Bug pattern, some faults, 15cm max. (5) £200-300

The trio has been unusually left without gilding.

Provenance: the Jean Lucas Collection.

425. A Derby teabowl and saucer and two coffee cups, c.1756-58, one cup of chamfered square shape, the other octagonal, both with wishbone handles, all painted in the Cotton Stem manner with fine flower arrangements, 12cm max. (4) £200-300 Provenance: the Jean Lucas Collection. The teabowl and saucer from the Bernard-Smith Collection.

426. A small Worcester tea canister and cover, c.1770, the ovoid form painted with panels of flower garlands within shaped panels on a blue scale ground, and a teabowl and saucer painted with a fanpanelled design of flowers on a wet blue ground, the canister’s cover associated, 15.5cm max. (4) £250-350 Provenance: the Jean Lucas Collection.

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427. Three Worcester dessert dishes, c.1775-80, painted with fancy birds beneath and in flight above leafy branches, within shaped apple green rims edged in gilt, the shaped dish moulded underneath the green with a band of basketweave and probably later decorated, some faults, 23.7cm max. (3) £250-350 Provenance: the Jean Lucas Collection.

428. Two Worcester dessert plates, c.1765-70, one with a scallopedged rim, the other of saucer shape, painted with shaped panels of flowers within gilt cartouches on a blue scale ground, and a Worcester oval basket painted with purple monochrome flower garlands around a central flower spray, the sides formed of interlocking circles and applied to the exterior with flowerheads, open crescent and square seal marks, the basket broken and repaired, 20.5cm max. (3) £100-200 Provenance: the Jean Lucas Collection.

429. A Chelsea coffee cup and a Chelsea saucer, c.1753-56, the cup painted with an arrangement of flowers, the saucer octagonal and painted in the Kakiemon palette with panels of auspicious objects, a Bow octagonal plate painted with the Two Quail pattern, and a Derby stand or saucer, painted with flying insects and a spray of cherries. damages, 21.5cm max. (4) £100-200

430. Two Worcester teapots and covers, c.1765-75, one of Warmstry fluted form, painted with Chinese figures beside a low table and tall plant stand, the smaller with two exotic birds beside rockwork and a triangular fence, decorated in famille rose enamels, some damages and repairs, 22cm max. (4) £250-350 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

431. Two Worcester fluted jugs and covers, c.1770, one painted with a fancy bird beneath a tree and gilt flower garlands, the other with sparse gilt sprigs beneath blue and gilt borders, open crescent marks, 13.5cm. (4) £150-250

432. Two early Worcester coffee cups, c.1753-55, the reeded forms painted in famille verte enamels with sprays of flowering plants beneath continuous floral borders, each applied with a scroll handle, some damages, 5.5cm. (2) £300-500

Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection. One formerly in the collection of Bernard Watney.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

433. A Derby butter tub or potted meat dish, c.1756, of elongated octagonal form, painted in the Chinese manner with flowering plants, the rim with a trellis border in iron red, a further flower spray to the interior, some faults, 10.8cm across. £100-200

434. Three Derby coffee cups, c.1756-60, of bell shape with wishbone handles, one painted with confronting cockerels and a Chinese family, another with a bird perched on flowering peony, the last with European flowers, some faults, 6.5cm. (3) £150-250

Provenance: the Jean Lucas Collection. Formerly in the collection of Dr Bernard Watney, sold by Phillips, 1st November 2000, lot 1195.

Provenance: the Jean Lucas Collection. The first with a paper label for the Watney Collection.

435. A Worcester octagonal saucer, c.1753-55, painted in the Chinese style with flowering plants and elaborate vases, and a Worcester octagonal coffee cup in the same pattern but printed in black and hand coloured, with a scroll handle, minor faults, 11.5cm max. (2). £300-400

436. A Bow teabowl and saucer, c.1753-55, painted in the Chinese manner with flowering peony and rockwork beneath willow, the teabowl with flared sides and a single peony sprig to the interior, a crack to the teabowl, 11.5cm. (2) £150-250 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection. The saucer formerly in the Bernard Watney collection, sold at Phillips, 1st November 2000, lot 957

437. A good Worcester coffee cup, c.1756, painted with flowers and a large moth, the interior with a puce monochrome border of scrolls and sunbursts, and a Worcester teabowl painted with a flowering prunus tree in bold enamels, 6cm max. (2) £100-150

438. An early Bow coffee cup and a small mug or can, c.1752, both painted in famille rose enamels with flowering peony and chrysanthemum before holey rockwork, 5.9cm max. (2) £100-200 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

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439. A Worcester high-footed moulded sauceboat, c.1753-54, each side moulded with a rococo panel containing a Long Eliza figure standing beside pine trees and holding an auspicious object in her left hand, the interior with flowers, tied scrolls and further objects, a small rim section lacking, 19cm. £200-300

440. Two Bow white-glazed coffee cups, c.1752-55, with a teabowl and shaped saucer, variously applied with sprigs of flowering prunus, small damages, 12.3cm max. (4) £120-180 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

441. Five Derby leaf-shaped butterboats, c.1760-80, three blue and white and painted with a two-storey pagoda on a rocky island, one with a rose spray to the interior, the last left in the white, with angular handles, some faults, one handle lacking, 7.5cm max. (5) £150-250 Provenance: the Jean Lucas Collection.

442. Four English porcelain blue and white creamers, c.1760, two Derby of dolphin ewer shape, one painted with a version of the Cannonball pattern, the other with moulding picked out in blue, a fluted creamboat painted with a pagoda landscape, and a similar Bow creamboat painted with the Desirable Residence pattern, some damages, 8.6cm high max. (4) £200-300 Provenance: the Jean Lucas Collection.

443. A group of Worcester blue and white teawares, c.1760-70, of varying fluted form, including a teabowl and saucer with coffee cup and saucer dish, all painted with the Gillyflower pattern, two teabowls in different sizes painted with the Rock Strata Island pattern, one with the Narcissus pattern, and two teabowls and coffee cup painted with the Hollow Rock Lily pattern, 21.2cm max. (10) £150-250 Provenance: the Jean Lucas Collection.

444. A group of Worcester blue and white teawares, c.1765-75, including two teabowls, a teacup, two saucers and a mustard pot printed with the Fence pattern, an egg drainer printed with the Fisherman and Cormorant pattern, a teabowl and coffee cup printed with the Mother and Child pattern, and a saucer in the same pattern with a wide border, a teabowl and saucer in the Argument pattern, and a gilded coffee cup in the Bandstand pattern, various marks, some faults, 12.5cm max. (13) £150-250 Provenance: the Jean Lucas Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

445. A large Worcester blue and white pickle dish, c.1756-60, of deep vine leaf form, painted with small sprays of flowering prunus and scattered flying insects, workman’s mark, 14.8cm. £100-200 Provenance: the Jean Lucas Collection.

446. A Worcester blue and white mug, c.1765, painted with the Walk in the Garden pattern, a Chinese boy with a bird on the end of a stick, walking with a Chinese lady carrying a ruyi sceptre, open crescent mark, 12cm. £100-200 Provenance: the Jean Lucas Collection.

447. A Worcester blue and white teabowl and saucer, c.1755-58, painted with the Prunus Fence pattern, workman’s marks, 11.7cm. (2) £100-200 Provenance: the Jean Lucas Collection.

448. A rare Bow blue and white tart or patty pan, c.1750, painted with the Dragon pattern, the scaly beast depicted to the bowl’s interior amidst cloud scrolls, his tail extending over the rim to encircle the exterior, 13.5cm. £300-500 Provenance: the Jean Lucas Collection. Paper labels for Rod Jellicoe and Juno Antiques Exhibition 2013.

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449. Two Worcester blue and white creamers, c.1756, the small fluted shapes with scroll moulding towards the rims, both painted in the Prunus Root pattern with flowering sprays, with elaborate C scroll handles, workman’s marks, one broken and restuck, the other cracked, 10.5cm. (2). £100-200 Provenance: the Jean Lucas Collection. Formerly in the Susi and Ian Sutherland Collection. One with a paper label for the J S Cook Collection

451. Two Worcester blue and white coffee cups, c.1753-55, one fluted with a flared and lobed rim painted with a continuous floral border, the other with feather moulding and with a narrow blue floral border to the interior rim, both with elaborate scroll handles, workman’s mark to the latter, 5.5cm max. (2) £150-250

450. A Worcester blue and white bowl, c.1758, painted with the Gazebo pattern, workman’s mark, and a fluted Worcester sauceboat painted with the Mission Church pattern, open crescent mark, some damages, 18.2cm max. (2) £150-250 Provenance: the Jean Lucas Collection. The sauceboat with a paper label for the Baines Collection.

452. A pair of Worcester blue and white pickle dishes, c.1756-58, of simple leaf shape, each painted with the Two Peony Rock Bird pattern, moulded with veining to the undersides, workman’s marks, 10.5cm. (2) £150-250 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

453. Three English porcelain blue and white milk jugs, c.1760-70, one Richard Chaffers (Liverpool) and painted with a bridge linking small islands beneath tall trees, one Worcester and painted with the Cannonball pattern, the last Liverpool and painted with a low fence behind bamboo and rockwork, damages and repairs, 8.5cm max. (3) £100-200

454. Three Worcester blue and white pickle dishes, c.1756-60, one of scallop shell form, another of leaf form, both painted with the Two Peony Rock Bird pattern, the last of deep leaf shape and painted with a rose spray, workman’s marks, 11cm max. (3) £250-350 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection. The Chaffers jug formerly in the Watney Collection and exhibited at Philips, the Liverpool Exhibition, 1997.

455. A Lowestoft blue and white teabowl and saucer, c.1770, painted with a Chinese musician crossing a small bridge between gnarled trees, the rim with flowerhead panels on a trellis border, and a Lowestoft coffee cup painted with panels of amusing figures reserved on a strap moulded ground beneath a cell diaper border, the teabowl chipped, 12.2cm max. (3) £250-350 Provenance: the Jean Lucas Collection.

456. A pair of Worcester cutlery handles, c.1758-60, of pistol grip form, painted with the Rose and Floral Spray pattern, with a scimitar knife blade and two-pronged fork, and two Worcester butterboats, of geranium leaf form painted with flower sprays and flying insects, some damages, 20.5cm max. (4) £150-200 Provenance: the Jean Lucas Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

457. A group of Worcester blue and white teawares, c.1760-70, including two teabowls, three saucers and a mustard pot and cover painted in the Mansfield pattern, two saucers, a teabowl and a coffee cup printed with the Three Flowers pattern, a teabowl and saucer painted with the Cannonball pattern, and a Liverpool saucer in the same pattern, various marks, some faults, 12.4cm max. (14) £150-250

458. Seven Worcester blue and white saucers, c.1755-65, variously decorated in the Mansfield, Plantation, Two Peony Rock Bird and Fruit Sprays patterns, two moulded with bands of narrow ribbing, workman’s and crescent marks, some damages, 12.4cm max. (7) £100-200 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

459. Seven Worcester blue and white coffee cups, c.1758-65, two bell shaped and painted with the Warbler and the Cannonball patterns, with wishbone and scroll moulded handles, one of Warmstry fluting and painted with the Prunus Root pattern, another with the Cormorant pattern, one with the Candle Fence pattern, one printed in the Plantation pattern, the last with the Man in the Pavilion pattern, some faults, 6.6cm max. (7) £200-300

460. Two Worcester blue and white teabowls and a saucer, c.175558, one of the teabowls of octagonal form, and a large saucer dish, all painted in the Prunus Root pattern, workman’s marks, the plate broken and restuck, 21.7cm max. (4) £200-300 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

461. Five Worcester blue and white coffee cups, c.1758-62, variously moulded with floral panels, vertical fluting and feather moulding, four painted with the Fisherman and Willow Pavilion pattern, one with the Feather Mould Floral pattern, with a Worcester saucer painted with flower sprays on a fluted ground, and a Liverpool coffee cup with similar decoration, minor faults, 11.6cm max. (7) £200-300

462. Two Liverpool blue and white teabowls and saucers, c.175660, one William Reid and painted with windswept trees beside a low hut, the other Richard Chaffers and decorated with bamboo before a trellis fence, and a further Chaffers saucer painted with a small hut beside rockwork, 12.2cm max. (5) £150-250 Provenance: the Jean Lucas Collection.

Provenance: the Jean Lucas Collection.

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463

464

463. A Worcester blue and white saucer dish, c.1757, and an octagonal teabowl and saucer, all printed with the Plantation pattern, the borders with flowerhead panels on a trellis border, workman’s mark to the saucer dish, 21cm max. (3) £400-600 Provenance: the Jean Lucas Collection. The saucer dish formerly in the Susi and Ian Sutherland Collection, sold at Bonham’s, 3rd October 2007, lot 169.

464. Three English blue and white patty pans, c.1760-70, two Worcester and respectively decorated in the Mansfield and the Bare Tree and Speared Bird patterns, the last Lowestoft and painted with a central moth within flowering branches, some faults, 12.3cm max. (3) £200-300 Provenance: the Jean Lucas Collection.

465

465. A Worcester blue and white trio, c.1755-58, comprising a teabowl, coffee cup and saucer, moulded and painted in the Feather Mould Floral pattern, together with a coffee cup and large saucer in the same pattern, the coffee cups with elaborate scroll handles, workman’s marks, the larger saucer with an open crescent mark, minor faults, 13.5cm max. (5) £150-250 Provenance: the Jean Lucas Collection.

466. A group of Liverpool blue and white teawares, c.1760-80, including a Pennington slop bowl, coffee cup, saucer and small mug, decorated with flower sprays and an arrangement of fruit, a Richard Chaffers coffee can or small mug printed with fruit, a Philip Christian saucer painted with bamboo and a low fence, and a teabowl painted with a fringed tree in a Chinese landscape, 12.5cm max. (7) £150-250

466

Provenance: the Jean Lucas Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

467. A Worcester blue and white trio, .1755-60, comprising a coffee cup, teabowl and saucer, painted with the Prunus Root pattern, a teabowl painted with the Landslip pattern, and another painted with the rare Weeping Willow pattern, most with workman’s marks, 12cm max. (5) £200-300 Provenance: the Jean Lucas Collection. The Weeping Willow teabowl with a paper label for the Thistle Collection.

468. Three Bow blue and white teabowls, c.1758-60, variously decorated with flowering plants and a pagoda landscape, a Bow coffee cup and a saucer painted with plantain and pine, some damages, 11.5cm max. (5) £150-250 Provenance: the Jean Lucas Collection.

467 469. A Worcester blue and white teapot and associated cover, c.1760, printed with the Plantation pattern, the cover with the Cannonball pattern, and a Liverpool teapot painted with simple flower sprays, the cover also associated, some faults, 18cm max. (4) £150-250 Provenance: the Jean Lucas Collection.

470. Two Worcester blue and white teabowls and saucers, c.175658, painted with the Landslip pattern, a tall fringed tree before a steeply sloped bank with a small hut, workman’s marks, 12cm. (4) £250-350 Provenance: the Jean Lucas Collection.

468

469

470

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OTHER PROPERTIES

471. A large Bow blue and white mug, c.1760, the generous bell shape painted with flying insects above peony sprays and rockwork, the rim with a formal floral border, 15cm high. £250-350

472. A tall Worcester blue and white mug, c.1780, the cylindrical form printed with Man Holding a Gun and Man Shooting a Gun, each hunter in a rural landscape and accompanied by a hound, fluted strap handle, hatched crescent mark, 14.3cm. £300-500 These shooting prints appear to be confined to cylindrical mugs of varying size, but the more common Man Shooting Gun print is usually seen alongside a print of a man aiming a gun, while the second print on this example is far less common.

474. Two Worcester blue and white sauceboats, c.1758-62, one strap moulded and painted with the Fisherman and Billboard Island pattern, workman’s mark, the other moulded with rococo panels and painted with the Sinking Boat Fisherman pattern, 17cm max. (2) £200-300

473. A large Richard Chaffers (Liverpool) blue and white mug, c.1760, the generous bell shape painted with flowering chrysanthemum and bamboo issuing from holey rockwork, the rim with a trellis border, 16cm. £300-500 Exhibited: Northern Ceramic Liverpool 1993, No. 91.

Society,

475. Two Liverpool (Shaw’s Brow) blue and white punch bowls, c.1760-70, probably Philip Christian, one painted with a figure fishing beside a low hut and a willow tree issuing from towering rocks, the other with low trees beside differing ornamental fences, the interiors with landscape vignettes and trellis borders, 22.5cm max. (2) £450-550

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

476. A small Worcester blue and white mug, c.1780, printed with a version of the Man Aiming a Gun print, the barrel pointing into bulrushes before him which his dog disturbs, a further hunter standing to his side, hatched crescent mark, 8.5cm. £400-600

477. A good Bow blue and white mug, c.1755, the bell shape finely painted with low Chinese huts beneath tall pine trees and towering rocks, the trellis border with small floral panels inset, painter’s numeral 21 inside the foot, 9cm. £300-400

This print is more usually seen on larger mugs with either of the accompanying prints of Man Holding a Gun or Man Shooting a Gun.

478. A Bow blue and white coffee can or small mug, c.1752-54, painted with plantains and a pine tree beside a low ornamental fence, 5.8cm. £150-250

479. A rare Worcester blue and white mug, c.1765, the small bell shape printed with the second version of the Cabbage Rose Sprays pattern, some restoration, 8.5cm. £200-300 Provenance: the Robert and Celia Morris Collection. Cf. Branyon, French and Sandon, Worcester Blue and White Porcelain, IIC.12A, which describes at the time of publication just one other recorded example of this version.

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480. Four Lowestoft blue and white coffee cups, c.1770, painted with flowering plants issuing from holey rockwork, the inside rims with a trellis border, and a Lowestoft teabowl indistinctly printed with the Fence pattern, open crescent mark to the latter, 6.2cm max. (5) £200-300

481. A Worcester blue and white pickle dish, c.1756-58, of scallop shell form, painted with the Two Peony Rock Bird pattern, workman’s mark, a coffee can painted with the Cannonball pattern, open crescent mark, and a milk jug painted with a single narcissus, 9.5cm max. (3) £150-250

482. A Worcester blue and white slop bowl, c.1770, printed with the Birds in Branches pattern, with three birds in flight to the reverse, and a Bow fluted creamer, painted with naive flower sprays, the footrim ground, 12.3cm max. (2) £100-200

483. A pair of Caughley blue and white custard cups and covers, c.1775-90, printed with the Willow Nankin pattern, blue S marks, 8cm. (4) £150-250

484. A Worcester blue and white slop bowl, c.1760, printed with the Plantation pattern, and a strap-moulded sauceboat painted with panels of fisherman in chinoiserie landscapes, workman’s mark to the latter, the sauceboat with a section broken and restuck, 20cm max. (2) £100-200

485. A Worcester blue and white teapot and cover, c.1756-58, of small size, painted with the Rock Warbler pattern, workman’s mark, a teabowl and saucer painted with the Landslip pattern, open crescent marks, and a hexagonal creamboat painted with figures beside water in moulded panels, 14.5cm max. (5) £300-500

486. Three Vauxhall saucers and a teabowl, c.1755-60, one painted in underglaze blue with a Chinese figure walking in an island landscape, another with a three-storeyed pagoda beneath a fringed tree, the last in the Imari palette with a figure crossing a low bridge beside holey rockwork, the teabowl with a bird perched on flowering peony branches, 12cm max. (4) £400-600

487. A small group of Caughley blue and white teawares, c.178090, painted in the Chantilly Sprig pattern and with similar small flower sprigs, including four saucers and seven coffee cups, 13cm max. (11) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

488. A Worcester blue and white leaf dish, c.1765, formed of overlapping vine leaves, painted with the Floral Sprays pattern, and a Worcester bowl decorated with the Late Rock Floral pattern, open crescent marks, 22.3cm max. (2) £200-300 Provenance: the Robert and Celia Morris Collection.

489. A Worcester blue and white double-ended sauceboat, c.175658, painted to the interior with the Two-Handled Sauceboat landscape pattern, workman’s mark, the moulded exterior with panels of chinoiserie landscapes, and a Worcester oval basket painted in the K’ang Hsi Lotus pattern, tied kite mark, 19.8cm max. (2) £200-300

490. A Worcester blue and white butter tub with cover and stand, c.1765, the circular form painted with the Candle Fence pattern, the low ornamental fence beneath a gnarled tree and large flowering peony, the cover surmounted with a large floral finial, open crescent marks, a chip to the finial, 16cm. (3) £300-400

491. A large Worcester blue and white sauceboat, c.1780, the fluted form painted in the Chinese manner with the Hundred Antiques pattern, pseudo script mark, and a kidney-shaped dish decorated with the K’ang Hsi Lotus pattern with petal-shaped panels of flowers, tied kite mark, 26.4cm max. (2) £500-700

Paper labels for the Swift Collection.

The Hundred Antiques pattern is more commonly seen on flatwares and its appearance on a sauceboat is unusual.

492. A pair of Worcester blue and white double-ended sauceboats, c.1758-60, the interiors painted with the Two-Handled Sauceboat Landscape Pattern, the moulded exteriors with small panels of further figures, birds and bamboo, painter’s marks, 19.3cm. (2) £300-500

493. A rare Worcester blue and white basket, c.1760, painted with the Anemone and Bellflower Spray to the well, the sides formed from interlocking circles, applied to the exterior with flowerheads, the interior painted with leaf and flower sprigs, workman’s mark to the base, 17.5cm dia. £600-800

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494. A Vauxhall blue and white teabowl and saucer, c.1755-60, painted with a low hut beside trees in an island landscape, the rim with trellis panels, 12cm. (2) £300-500

495. A rare Vauxhall blue and white câchepot or jardinière, c.175660, the flared form painted with a Chinese figure holding a large leaf fan and seated beside a triangular fence on a small rocky island, moulded with ring handles, a short crack beneath the base, 9.5cm high. £600-900 Exhibited: English Ceramics Circle, 1977, No. 181.

496. A Vauxhall small blue and white sauceboat, c.1755-58, the wide fluted form painted with a continuous island landscape scene with Chinese figures conversing beneath tall trees and beside small pagodas, the interior with a formal foliate scroll to the spout, moulded with an angular handle, 16cm across. £400-600

497. A Vauxhall blue and white slop bowl, c.1755-60, painted with a horse frolicking beneath a fringed tree, the reverse with a single flower sprig, 12.9cm dia. £300-400

Cf. Steven Goss, British Blue and White Porcelain Saucers, no.180, p.98 for a saucer in the same design from the Victoria and Albert Museum.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

498. A Pennington (Liverpool) blue and white bowl, c.1780, the interior printed with a three masted ship at sail above rococo scrollwork, the interior rim with a cell diaper border, the exterior printed with moths and butterflies in flight above flower sprays, 21.8cm dia. £400-600

499. A rare and early Bow blue and white salt or sweetmeat stand, c.1750, formed of three scallop shell dishes supported on a moulded base applied with further small shells and seaweed, topped by a large whelk shell, each dish painted in a bright blue with a fringed tree beside holey rockwork within a fleur de lys border, minor damages, 16cm across. £1,000-1,200 The painted design on this stand appears to be unrecorded on stands of this form, although it is known on single shell dishes of the same date.

500. A Lund’s Bristol blue and white shell pickle dish, c.1748, the scallop shell form painted with a Chinese vase containing tall feathers before an unfurled scroll, the rim with three motifs of further feathers loosely bound in ribbon, 9cm. £600-1,000 Cf. Ray Jones, The Origins of Worcester Porcleian, p.249 for a similar dish. These have previously been attributed to Limehouse.

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501. A small pair of Worcester blue and white plates, c.1770, painted with the Fan-Panelled Landscape pattern of a figure in a boat beneath a pagoda and weeping willow, reserved on a powder blue ground, pseudo Chinese script marks, 18cm. (2) £150-250

502. A Lowestoft blue and white coffee pot and cover, c.1765-70, painted with a two-storey house beneath a fringed tree, a Plymouth blue and white pickle leaf dish painted with flower sprays, and a Richard Chaffers (Liverpool) saucer printed in black with a courting couple in a garden, the coffee pot broken and restuck, 22.2cm max. (4) £200-300

503. A Worcester blue and white teabowl and saucer, c.1755-60, painted in the Prunus Root pattern, script W marks, and a tall Worcester mug printed with the Bouquets pattern, hatched crescent mark, the mug restored, 14.5cm max. (3) £200-300

504. A Lowestoft blue and white plate, c.1765-70, painted with flowering prunus and peony branches issuing from rockwork before an ornamental zigzag fence, the rim with further flower sprays, numeral 5 mark to the inside footrim, minor faults, 23.3cm. £200-300

Provenance: the Robert and Celia Morris Collection. Formerly in the Larry and Betty Douglas Collection (the teabowl and saucer).

505. A large Worcester blue and white two-handled sauceboat, c.1755, painted in the Two-Handled Sauceboat Landscape pattern with panels of birds, flowers and figures in landscapes, the handles with monkey head terminals, workman’s mark, 22cm across. £300-400

506. Two pairs of St Cloud dessert knives and forks, c.1720-40, the hafts of pistol grip form, painted in underglaze blue with a formal design of leaf scrolls and diaper bands, some faults, 21cm max overall. (4) £100-200

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507. Two Bow blue and white pickle dishes, c.1760, of vine leaf shape, the smaller painted with continuous grapevine, the larger with small vine and flower sprigs, moulded with veining to the undersides, minor faults, 8.5cm max. (2) £150-200

508. A Lowestoft blue and white mustard pot and cover, c.1765-70, the cylindrical body painted with a flowering prunus tree extending to the cover, some faults, 9.2cm. (2) £300-400

509. Two English porcelain blue and white milk jugs, c.1755-65, one Lowestoft and painted with tall pagodas in an island landscape, the interior rim with a trellis border, the other Bow and painted with undulating rocks and gnarled pine trees beside pagodas, 8.8cm max. (2) £300-500

510. A John Pennington (Liverpool) blue and white milk jug, c.1780, crisply moulded to two sides with a flowering rose spray, printed beneath the spout with further roses and other flowers, the handle formed as a snake biting the rim, the handle broken and cleanly restuck, 11cm. £100-150

511. An English porcelain trio, c.1800, comprising a tea cup, coffee can and saucer, painted in overglaze blue with sparse flower sprigs including cornflower and lily-of-thevalley, 14.2cm. (3) £80-120

512. A Worcester blue and white small bowl, c.1755-60, painted with the Fisherman and Willow pattern, reserved in rococo panels on a strap-moulded ground, workman’s mark, 10cm dia. £100-200

513. A Richard Chaffers (Liverpool) blue and white small mug or coffee can, c.1762, the slightly waisted cylindrical form painted with horizontal sprays of flowering prunus beneath a trellis border, 5.8cm. £200-300

514. Two Worcester blue and white pickle dishes, c.1758-65, one of scallop shell form and painted with the Two Peony Rock Bird pattern, workman’s mark, the other of deep vine leaf shape and painted with Fruit Sprays, open crescent mark, 11.5cm max. (2) £200-300

515. A Bow blue and white mug, c.1760, painted with bamboo and peony issuing from holey rockwork beside an ornamental fence, the interior rim with a border of flowerhead panels and trellis, numeral 8 to the base, 6.2cm high. £100-200

Provenance: the Robert and Celia Morris Collection.

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516. An early Bow blue and white plate, c.1755, painted to the well with two Chinese figures before buildings and trees, the rim with three sprays of flowering peony, numeral 23 mark to the base, 23cm. £200-300

517. A Worcester blue and white saucer dish, c.1770-75, painted with the Fisherman in a Fan-Panelled Landscape pattern, a Chinese figure fishing from a small boat in one panel, the others with small huts beneath willow, reserved on a powder blue ground, open crescent and square seal marks, 18.3cm. £150-250

518. A small Worcester blue and white two-handled sauceboat, c.1755-60, well painted with the Two-Handled Sauceboat Landscape Pattern, the moulded exterior with small panels of further figures, birds and bamboo, 16.5cm across. £100-200

519. A Worcester blue and white Dutch jug, c.1758, the rounded form formed of overlapping cabbage leaves, boldly painted with continuous sprays of flowering prunus in the Cabbage Leaf Jug Floral pattern, workman’s mark, 19.8cm. £250-350

520. A small Bow blue and white pudding bowl, c.1755-60, the well painted with flowering peony and prunus branches, the cavetto with auspicious objects in panels on a diaper ground, the rim with flower sprays, 17.2cm. £200-300

521. Two rare New Hall blue and white knife handles, c.1782-90, of pistol shape hafts, painted with formal foliate sprays and a band of stiff jagged leaves, the steel blades of scimitar form, 26cm max. (2) £250-350 Cf. P Brown. British Cutlery, p.136.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

522. A Longton Hall blue and white coffee can, c.1755, of small size, the cylindrical body painted with a large vase flanked by rocks and small buildings, with a plain loop handle, 5.4cm. £400-600

523. A rare Worcester blue and white ‘Wigornia’ creamboat, c.1752-55,, the hexagonal form moulded to the exterior with a line of trees along an ornamental wall before pagodas, with tall trees and mountains beyond, the interior rim with sprays of flowering prunus, workman’s mark, 11cm across. £500-800 Cf. Transactions of the English Ceramic Circle, Vol. 13, No. 3, Dr Paul Riley, A Review of ‘Wigornia’ Cream Jugs, in which Dr Riley explores and classifies nine differing mouldings of this series of jugs. The moulding here is classified as ‘E’.

524. A Vauxhall blue and white pickle leaf dish, c.1755-58, of small leaf shape with serrated edge, painted with a moth amidst heavy leaf veining, the veining moulded to the underside, raised on three peg feet, 6.3cm. £200-300

525. A Vauxhall blue and white milk jug, c.1758-60, painted with a tall pine tree beside a two-storeyed pagoda on a rocky outcrop, the jug’s interior rim with a trellis border, narrow grooved handle, 7.8cm. £200-300 Paper label for the Watney Collection.

526. A Richard Chaffers (Liverpool) blue and white small mug or coffee can, c.1760, painted with the Two Men on an Island pattern, the two figures standing on rockwork and looking out to a further island with a three-storey pagoda, the inside rim with a hatched border, 6.5cm. £300-400

527. A good miniature Worcester blue and white teapot and cover, c.1760-65, painted with the Prunus Root pattern, one side with the main pattern of prunus issuing from holey rockwork, the reverse with a single flowering spray, open crescent mark to the base, 10cm. (2) £600-800 Miniature Worcester wares painted with the Prunus Root pattern are believed to have been produced for the Dutch market.

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528. A rare Samuel Gilbody (Liverpool) blue and white teabowl and saucer, c.1755-60, painted with the Willow, Rock and Hut pattern, with two figures in a small boat before a low building on a rocky island, 12.7cm. (2) £800-1,200 Provenance: the saucer formerly in the Billie Pain collection; the teabowl exhibited at the Northern Ceramics Society Exhibition in Liverpool, 1993.

529. A Lowestoft blue and white bowl, c.1760-65, painted with a hut beneath a weeping tree and beside rockwork in an island landscape, a boat sailing among rocks to the reverse, the interior with a peony spray and a trellis border, painter’s numeral 5 to the inside footrim, 13.7cm dia. £250-350

530. A Bow blue and white cup and saucer, c.1765, painted with a fan-panelled pattern of Chinese landscape scenes and small flower sprigs reserved on a powder blue ground, a little staining to the cup, 13cm. (2) £150-250

531. A Worcester blue and white bowl and stand, c.1765, painted with a fan panelled design of small birds in flight and on branches reserved in small circular panels within larger panels of Oriental flowers, on a powder blue ground, 15cm. (2) £150-250

532. A Lowestoft blue and white teabowl and saucer, c.1760-62, of Hughes type, moulded and painted with small panels of huts beneath fringed trees, painter’s marks to the inside footrims, 12cm. (2) £100-200

533. A James Pennington (Liverpool) coffee pot and cover, c.176570, the baluster form decorated in red and gilt over underglaze blue with flying insects above dense flowering branches, within a trellis border, with a grooved strap handle and long spout painted with further flower sprays, 22.5cm. (2) £180-220

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

534. A Vauxhall blue and white sauceboat, c.1756-62, of fluted form, painted with small huts beneath fringed trees in a Chinese island landscape, the interior with a trellis border, 13.7cm. £250-350

535. A Bow blue and white sauceboat, c.1752-55, of wide flatbottomed form, painted with the Desirable Residence pattern of small huts and trees in an island landscape, the interior with tied scrolls and a trellis border, a small chip to the rim, 16cm. £100-200

536. A Richard Chaffers (Liverpool) sauceboat, c.1757-59, the generous form moulded with rococo scrolls and a shell motif to the spout, decorated in red and gilt over underglaze blue with bamboo and Oriental flowers beside an ornamental fence, the interior rim with flower panels reserved on a red trellis border, 18cm. £350-450

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537. A Longton Hall bell-shaped mug, 1758-60, crisply printed in black by John Sadler with a Masonic coat of arms, inscribed ‘Amor Honor et Justitia’ on a banner around the crest, with further Masonic symbols amidst rococo scrolls to the sides, 12cm. £800-1,200

538. A large Worcester cylindrical mug, c.1765, printed in black with the Whitton Anglers, two ladies fishing beside a small summerhouse, the reverse with The Fortune Teller, 15.1cm. £200-300 Provenance: the Robert and Celia Morris Collection. The Whitton Anglers is taken from a small detail of an engraving by William Woollett showing the garden of the Duke of Argyll’s home at Whitton in Middlesex. The Fortune Teller, also known as ‘La Diseuse d’Aventure’ is after a painting by Watteau.

539. A large Worcester mug, c.1765, the tall cylindrical form printed in black with chinoiserie scenes after Jean Pillement, one side with La Pêche, the other with La Promenade Chinoise, a crack to the base, 15.5cm. £150-250 This combination of prints is more commonly seen in underglaze blue.

540. A Worcester bowl, c.1770-75, the exterior printed in black with a continuous scene of the The Fox Hunt after a painting by James Seymour, the interior with a vignette of a hound with his spoils, the rim with flower sprays, 19cm. £600-800

541. A Worcester two-handled sauceboat, c.1755, the exterior printed in black with four vignettes of Man’o’ War ships within moulded leaf panels, the interior with a river scene of swans and other aquatic birds, a rim crack, 18.5cm across. £300-400

Provenance: the Robert and Celia Morris Collection. Formerly in the D V Pares Wilson Collection.

Provenance: the Robert and Celia Morris Collection.

Cf. Simon Spero, 18th Century English Transfer-Printed Porcelain and Enamels from the Joseph M. Handley Collection, p.104-105 for a similar example.

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542. A matched Worcester teabowl and saucer, c.1765, printed in black with the Tea Party pattern, a couple taking tea on a bench in a garden setting, the saucer signed in the print with ‘RH Worcester’ for Robert Hancock, and with an anchor rebus for Richard Holdship, a short crack to the saucer, 11.7cm. (2) £100-200

544. A Worcester Blind Earl dish, c.1760-65, moulded in relief with rosebud sprays and leaves extending from the crabstock handle, printed in black with figures before Classical Ruins and a tall fountain, 15.7cm. £200-300 Provenance: the Robert and Celia Morris Collection.

543. A rare Worcester jug, c.1765, printed in black with a figure of a bather beside Classical ruins, the reverse with two figures conversing beside a gushing fountain issuing from a columned folly, 11.4cm. £500-800 Cf. 18th Century English Transfer-Printed Porcelain and Enamels, The Joseph M Handley Collection, p.151 for an engraving by J S Müller after Pannini, which includes the figure of the bather.

545. A Worcester bell-shaped mug, dated 1757, printed in black with a half portrait of Frederick the Great, titled King of Prussia, the reverse with Fame blowing trumpets, flanking pennants and victory motifs, signed in the print ‘RH Worcester’ for Robert Hancock, and with an anchor rebus for Richard Holdship, 12cm. £200-300 Paper label for the Bailey Collection.

546. Two Worcester plates or dishes, c.1760-70, one of saucer dish form and printed in black with figures in a village landscape scene, the other a soup plate and printed with a figure seated before an obelisk and looking at Classical ruins, the rim with flower sprays, 22.6cm max. (2) £150-250

547. A Worcester bell-shaped mug, c.1760, printed in black with a Windmill and other buildings to one side, the reverse with a figure fishing before a water mill, and a Worcester hexagonal teapot stand, printed in purple with a figure fishing beneath a tree before a ruined Classical obelisk, restoration to the mug, 14.4cm max. (2) £250-350 Provenance: the Robert and Celia Morris Collection. The stand formerly in the Perry Collection and the Ridley-Day Collection.

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548. A matched Worcester coffee cup and saucer, c.1756-60, printed in black and hand coloured with the Red Bull pattern, with three Chinese figures beside the eponymous cattle in a landscape, 11.7cm. (2) £150-200 Provenance: the Robert and Celia Morris Collection.

549. A Worcester high-footed sauceboat, c.1754-55, printed in the Smoky Primitive manner with Chinoiserie scenes of figures reserved in moulded panels edged in puce scrolls, the interior with Bubbles, the foot and internal rim with flower sprays in the famille verte manner, 19cm. £400-500 Provenance: the Robert and Celia Morris Collection.

550. A rare Worcester teabowl, c.1756-60, printed in black then hand-coloured in famille rose enamels with two geese standing beside large flowering peony branches, 7.4cm dia. £150-250 Provenance: the Robert and Celia Morris Collection, and paper label for the Weiss Collection, no. 162. Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part III, 22 February 2006, lot 256 for a similar fluted example.

552. Two Worcester saucers, c.1755-65, one pencilled in black with the Boy on a Buffalo pattern, the other printed with figures beside Classical buildings and beneath a tall tree, 12.8cm max. (2) £100-200

551. A rare Worcester printed mug, c.1770-75, the generous bell shape printed in purple monochrome, one side with The Bird’s Nest after Boucher, a young gentleman proffering a nest of chicks to a maiden seated beneath a tree, the other side with a couple walking arm in arm, each holding a riding crop while their dog goes on before, enamelled 4 and 5 beneath the base, minor faults, 11.6cm. £400-600 Cf. 18th Century English Transfer-Printed Porcelain and Enamels, The Joseph M Handley Collection, p.93, no.2.39 for a milk jug printed in black with The Bird’s Nest.

553. A rare Worcester teabowl and saucer, c.1755-60, finely pencilled in black with a large butterfly in flight above flowering peony and chrysanthemum, the rim with a continuous floral design with gilt and iron red highlights, 12.3cm. (2) £250-350 Provenance: the Robert and Celia Morris Collection. Formerly in the Zorka Hodgson Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

554. A Worcester teapot and cover, c.1770-75, the globular body decorated with an unusual version of the Two Quail pattern, the two birds pencilled in black beneath flowering famille rose plants, some faults and restoration, 20.5cm. (2) £300-500

555. A good Chelsea-Derby teapot and cover, c.1775, painted with mixed sprays of polychrome flowers and single scattered sprigs on a white ground, the grooved handle with a formal puce foliate motif, 20cm. (2) £150-250

Provenance: the Robert and Celia Morris Collection.

556. A Worcester circular basket, c.1760, the interior well painted with an arrangement of polychrome flowers, the sides with further single blooms, the exterior applied with green flowerheads where the interlocking circles meet, 19.2cm. £700-900

557. A Worcester two-handled basket, c.1765-70, the oval form painted to the interior with fancy birds, further small colourful birds to the reticulated sides beneath a shaped green rim, the exterior applied with pink flowerheads, a firing crack, the green probably later added, 21.3cm across. £100-200

558. A Worcester two-handled sauceboat, c.1758-60, painted in polychrome enamels, the interior with a large spray of tulip and yellow primrose, the exterior moulded with panels containing further floral sprigs, 18.7cm. £200-300

559. A Worcester dessert plate from the Reagan service, c.1775, painted in the Sèvres manner with a central dry blue flower spray within overlapping garlands of gilt and turquoise flowers, the rim with swags suspended from shaped panels of gilt flowers on a purple ground, 21.5cm. £500-800 Provenance: the Robert and Celia Morris Collection. President and Mrs Ronald Reagan were presented with three dishes from this service during a State visit to London.

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560. A large Worcester leaf dish, c.1768, formed of two long overlapping leaves, decorated with a caterpillar on a carnation spray above pink roses and fruits, amid scattered flower sprigs and insects, 35.6cm. £200-300 Provenance: the Robert and Celia Morris Collection. Formerly in the Sir Jeremy Lever Collection.

561. A Worcester leaf dish, moulded with two overlapping vine leaves, painted with colourful butterflies and a ladybird over puce veining and green edging, 19cm. £600-800

562. A large Worcester leaf dish, c.1770-75, formed of two long overlapping leaves and brightly decorated in the Rich Kakiemon manner, with panels of exotic birds and flowering plants reserved on a blue scale ground with gilt caillouté overlay, blue square shield mark, 32cm. £250-350 Provenance: the Robert and Celia Morris Collection. Formerly in the Sir Jeremy Lever Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

563. A Worcester leaf dish, c.1770, formed of two overlapping cabbage leaves, painted in the Kempthorne manner with flowering prunus branches, chrysanthemum and peony, a few small rim chips, 25.8cm. £200-300 Provenance: the Robert and Celia Morris Collection. Formerly in the Zorensky Collection.

565. A rare Worcester leaf dish, c.1770, naturalistically moulded with undulating rim, the curved stalk forming the handle, painted in the atelier of James Giles with sprigs of dry blue flowers, the rim tinged yellow within a blue line, some restoration to the rim, 21.3cm. £350-450

564. A Worcester leaf dish, c.1755-58, pencilled in purple with the Two Storey House pattern, two Chinese figures in discussion beneath a spreading tree and a tall house surrounded by an ornamental fence, the rim with a formal foliate border, some restoration to the rim, 26.4cm. £400-600 Provenance: the Robert and Celia Morris Collection.

566. A Worcester leaf dish, c.1760, formed of two overlapping cabbage leaves painted in the ‘Old Worcester Parrot’ pattern, the orange bird perched amid flowering plants to the centre, the rim with a continuous dense floral design in polychrome enamels, 26.5cm. £300-500

Provenance: The Zorensky Collection. Illustrated in Worcester Porcelain, p.345, pl.435.

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567. A Worcester sucrier and cover, c.178085, the fluted form decorated in the Royal Wedding pattern with differing flower swags around a turquoise caillouté border, open crescent mark, 12.2cm. (2) £450-550 The pattern was so named when a service of this type was presented by the Borough of Cheltenham to HRH Queen Elizabeth and the Duke of Edinburgh on their wedding in 1948.

570. A small Worcester bowl, c.1770, decorated in the London atelier of James Giles with a floral version of the Gold Queen’s pattern, the shaped panels alternating with polychrome flower sprays and insects, the interior with a further flower spray and a crowsfoot border, 11.5cm. £100-200

568. A Worcester trio, c.1780, comprising a teacup, coffee cup and saucer, the fluted forms decorated in the Dalhousie manner with landscape panels amidst flower arrangements and scattered flying moths, open crescent marks, 13.8cm. (3) £350-450

569. A Worcester Blind Earl dish or small plate, c.1770, moulded in relief with two rosebuds and leaf sprays issuing from a crabstock handle, painted with small polychrome flower sprays, 15.9cm. £300-400

571. A Worcester saucer, c.1770, decorated in the Giles atelier in the Sheridan pattern, with floral sprays including rose and tulip, the border of sprawling leafy tendrils entwining a brown line, within a gilt dentil rim, blue crossed swords and 9 mark, 13.2cm £400-600

572. A Worcester cauliflower tureen base, c.1757-60, naturalistically modelled with white florets enclosed by leaves shaded in tones of green, the cover lacking, 13cm across. £150-250

574. A Worcester saucer dish, c.1768-72, painted with the Conjuror pattern, a diminutive figure producing a flower sprig for a couple seated at a table, within a formal underglaze blue border, 18.5cm. £200-300

575. A Chelsea-Derby sucrier and cover, c.1770, painted in green camaieu with small flower sprays detailed in black and gilt, within gilt dentil rims, gilt anchor and D mark, 12cm. (2) £100-150

Cf. John Sandon, Worcester Porcelain, the Ewers-Tyne Collection, fig. 34.

Provenance: the Robert and Celia Morris Collection.

573. A Derby chocolate cup with cover and stand, c.1790, moulded with garlands of flowers above a lappet border, left in the white with gilt borders and detailing to the shaped handles, puce crowned crossed batons and D marks, 15.6cm max. (3) £150-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

576. A Worcester coffee cup and saucer, c.1765-70, painted with fanshaped panels of colourful flowers within gilt foliate borders reserved on a powder blue ground, and a Worcester fluted coffee cup and tea cup, painted with dry blue flower sprays, the saucer and coffee cup broken and restuck, 12cm. (4) £150-200

577. A Worcester trio, c.1785, comprising a coffee cup, teacup and saucer, the fluted forms painted perhaps by George Davis with fancy birds before leafy branches, with further small birds in flight above, the rims edged with a narrow blue band and gilt dentil rim, open crescent mark, 14.2cm. (3) £400-600

Provenance: the Robert and Celia Morris Collection. The saucer from the McWilliams Collection, the fan-panelled cup from the Frank Wheeldon Collection.

578. Two Chelsea octagonal saucers, c.1756-58, painted with butterflies and other insects in flight above flower sprays and single scattered sprigs, brown line rims, brown and red anchor marks, 12cm. (2) £150-250

579. Two Worcester hexagonal teapot stands, c.1765, variously decorated with fancy birds and colourful moths with fan-shaped and other panels reserved on wet blue and blue-scale grounds, and a saucer dish with similar decoration, square seal marks, 18.8cm max. (3) £200-300

580. A Worcester sucrier and cover, c.1765-75, of deep U-shape form, painted with panels of polychrome flower swags within gilt foliate borders on a blue scale ground, open crescent mark, and a Worcester spoon tray painted with panels of Kakiemon flowers on a blue scale ground, 15cm max. (3) £500-700

581. Two Bristol sparrowbeak milk jugs, c.1775, painted with flower arrangements and small scattered sprigs, brown line rims, some restoration to the spouts, 9cm max. (2) £400-600

582. Two Richard Chaffers (Liverpool) coffee cans or small mugs, c.1760, the cylindrical forms painted with large pink rose sprays and other flowers, and a Liverpool blue and white pickle leaf dish decorated with a large fruit spray, 11cm max. (3) £150-250

583. A Chelsea cup and saucer, c.1754, the bell-shaped cup of a generous proportion and well painted with sprays of flowers, brown line rims, red anchor marks, 12.2cm. (2) £350-450

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584

585

586 584. A Worcester fluted ‘Fable’ dessert dish, c.1775-80, of square form, painted after Jefferyes Hammet O’Neale with an ox, a sheep and an elephant standing above a recumbent lion, the shaped rim with basketwork moulding and a gilt dentil rim, 27.7cm. £300-500 Provenance: the Robert and Celia Morris Collection. This type of animal decoration was previously attributed Fidelle Duvivier, but is now thought to be by a more amateur hand. The service mixes animal decoration with fables. 585. A Worcester dessert plate from the Mrs Arthur James service, c.1780, decorated in the Sèvres style with fancy birds beneath a windswept tree, within a circle of winged insects separated by gilt swags, the rim with an elaborate panelled design of gilt foliage, puce herringbone, turquoise diaper and purple cailouté, 21.7cm. £800-1,200

587

Provenance: the Robert and Celia Morris Collection. Formerly in the collection of Sir Peter Crossman of Tetworth Hall, Cambridgeshire, and sold at Christie’s on 5th November 2008. The plate is believed to have been part of a single dessert service that was formerly in the possession of Mrs Arthur James. An identical plate was sold as part of the R David Butti Collection at Bonhams on 10th May 2006, lot 79. 586. A Worcester octagonal soup plate, c.1780, after a Chinese famille verte original, painted with a bird perched upon a fencepost beneath a pine tree entwined with flowering wisteria, a jardinière upon a table beside and a further bird in flight above, the rim with phoenix in flight between peony sprays reserved on a green ground, the underside of the rim with further peony sprays, a rim section broken out and restuck, 25.5cm. £250-350 Provenance: the Robert and Celia Morris Collection. Formerly in the collection of Sir Anthony Tuke.

588

Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part I, 16th March 2004, lot 76. 587. A Worcester ‘Fable’ decorated plate, c.1775-80, painted to the well with three hounds attacking a stag in a woodland setting, the shaped rim with ozier moulding and a gilt dentil rim, 20.4cm. £200-300 Provenance: the Robert and Celia Morris Collection. Formerly in the collection of Sir Peter Crossman of Tetworth Hall, Cambridgeshire. 588. A Bow plate, c.1755, enamelled in the famille rose palette with peony and other flowering branches, the rim with small flower sprigs around applied sprays of prunus, 23.3cm. £150-250 589. A Worcester plate, c.1770, decorated in the James Giles atelier in the Sheridan pattern, with a spray of English flowers to the well within a brown band entwined with leafy tendrils, the rim with a gilt dentil border, 22.6cm. £450-650

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

590. A Worcester baluster mug, c.1755-60, finely painted in the Meissen manner with a large spray of flowers including pink rose, with moths and other insects in flight around single sprigs, some restoration, 13.6cm. £400-600 This more botanical style of painting derives from Meissen’s deutscheBlumen, although Worcester may well have drawn its inspiration from similar wares copied at the Chelsea factory.

592. A Worcester chestnut basket with cover and stand, c.177075, the basket moulded with hexagonal floral panels, with crabstock handles issuing from applied flowers and leaves, the stand painted with a bold flower arrangement, restoration, the cover associated, 25cm. (3) £400-600

591. A rare Worcester tureen and cover, c.1770-75, the rounded flared form decorated in the London atelier of James Giles with green monochrome flower and leaf sprays, the domed cover applied with a flower and twig finial that echoes the twin handles of the tureen, raised on a flared foot, 22cm high. (2) £200-300 Provenance: the Robert and Celia Morris Collection. Formerly in the Zorensky Collection.

593. A Chelsea dessert dish, c.1762, painted with panels of colourful birds in flight, reserved within elaborate gilt borders of spider web and flower swags on a puce ground, with a gilt dentil rim, 34.3cm. £300-500

Provenance: the Robert and Celia Morris Collection.

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594. Two large English porcelain dessert dishes, c.1770-75, one Worcester with deep fluted sides and painted in the London atelier of James Giles with green flowers detailed in black enamel within a gilt sawtooth border, the other Derby of heart shape, also painted in the Giles atelier with sprays of flowers and corn in dry blue, 30.5cm max. (2) £400-600

595. Two Chelsea dishes, c.1755, of scalloped form, well painted with flower sprays and scattered moths and other insects, brown line rims, one with a red anchor mark, and a Chelsea plate boldly painted with fancy birds within a feathered rim picked out in green and brown, brown anchor mark, 23.7cm max. (3) £400-600

596. A pair of Worcester dessert dishes and a comport, c.1770-75, the dishes of rectangular form, all decorated with flower arrangements in dry blue within gilt dentil rims, 29.5cm max. (3) £250-350

597. Two Worcester dessert plates, c.1770-80, of scallop-edged form, painted in the London atelier of James Giles, one with a bold flower arrangement beside a large convolvulus sprig and other blooms, the other in a more sparse palette with a similar arrangement and scattered sprigs, 21.5cm max. (2) £400-500

598. A pair of Bow octagonal plates, c.1753-55, left in the white and applied around the rims with sprigs of flowering prunus, 23.1cm. (2) £300-500

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599. A Worcester mask jug, c.1765-70, painted with panels of polychrome flowers reserved on a blue ground, square seal mark, and a Worcester blue and white junket dish, painted with flower sprays within a cell diaper border, open crescent mark, 24.5cm max. (2) £300-400

600. Literature: Robert Sayer, The Ladies Amusement; F Severne MacKenna, four volumes on Chelsea porcelain including volumes 1 and 3 of his collection, plus his book on Champion’s Bristol Porcelain; E Morton Nance, The Pottery and Porcelain of Swansea and Nantgarw; and Ceramics of Vauxhall. (8) £80-120

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

601. A Worcester sauce tureen and cover with stand, c.1770-75, the oval form painted with panels of polychrome flowers within gilt scroll cartouches on a wet blue ground, open crescent marks, 23.2cm. (3) £500-700

602. A pair of small Worcester two-handled vases, c.1770, brightly decorated in the Rich Kakiemon style with panels of long-tailed birds beside a dragon type creature and flowering plants, applied with two scroll handles detailed in gilt, blue square seal marks, the covers lacking, 13.2cm. (2) £650-800

603. A Worcester sauce tureen with cover and stand, c.1765-70, the quatrefoil form painted with panels of polychrome flower garlands reserved within gilt scroll cartouches on a blue scale ground, blue square seal marks, 21.2cm. (3) £300-500

604. A pair of Worcester plates, c.1770, richly decorated in the Old Mosaic pattern with panels of flowering plants and formal designs broken up by flowerhead mons around a central motif of gnarled prunus, pseudo Chinese script marks, 22.8cm. (2) £250-350

Provenance: the Robert and Celia Morris Collection.

605. A Worcester circular basket, c.1760-72, finely painted to the interior with an arrangement of flowers within a shaped blue scale panel, the interior sides with further flower sprigs below a panelled border, the exterior applied with flowerheads where the interlocking circles join, blue square seal mark, 20cm. £650-750

606. A Worcester sauce tureen with cover, stand and ladle, c.1768, the oval forms painted with panels of flowers in the Chinese famille rose manner, the stand with a European flower spray, reserved within gilt rims on a wet blue ground, open crescent marks, the ladle repaired, the stand associated, 18.8cm. (4) £300-500 Provenance: the Robert and Celia Morris Collection.

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607. A rare Worcester fluted bowl, c.1755-60, the flared form moulded with wide and narrow flutes, painted with the Red Crabs pattern in the Kakiemon palette, the two crustaceans looked over by a large scaly dragon, 11.8cm dia. £400-600 Provenance: The Ronald Melvin Collection, sold by Simon Spero in 2007. Then the Crane Collection, Bonhams, 31st March 2010, lot 64. Illustrated: John Sandon, Dictionary of Worcester Porcelain, p.275.

608. A Chelsea beaker, c.1748-50, the tall lobed shape gently flared and painted in the Chinese manner with flowering plants, a single flower sprig to the inside base, applied raised anchor mark, broken and cleanly restuck, 6.8cm. £300-500

609. A rare Derby silver-shape dish, c.1758-62, after Chelsea, naturalistically painted with a half lemon resting on a leafy spray beside two stems of asparagus, the moulded dish edged in brown, 24.7cm. £350-450

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610. A Worcester coffee cup, c.1755-60, of Warmstry-fluted form, brightly enamelled with the Red Crabs pattern in the Kakiemon palette, one side with two crabs scurrying among flowering plants, the other with a fierce dragon, the interior rim with a dense foliate border, 5.3cm. £350-450

611. A Worcester shell pickle dish, c.1753-54, formed as a scallop shell and painted with a small shell and seaweed motif to the centre, the fluted border with flowers and insects, 9.1cm. £200-300 Cf. Bonhams, The Billie Pain Collection, lot 105 for a similar pair of dishes.

Provenance: the Robert and Celia Morris Collection.

612. A Worcester pickle leaf dish, c.1753-54, of simple ivy leaf shape, decorated in polychrome enamels with sprays of flowering Oriental plants, the underside moulded with veining, minor chipping, 10.2cm. £300-400

613. A small Worcester vase, c.1753-55, of flattened hexagonal form, painted in the Kakiemon palette with bamboo and flowering peony branches issuing from banded hedges, the reverse with further flowering plants, restoration to the neck, 10.4cm. £200-300

Provenance: the Robert and Celia Morris Collection.

Provenance: the Robert and Celia Morris Collection. Formerly in the R C Yarborough Collection, California.

Cf. Bonhams, The Zorensky Collection Part III, lot 5 for a similar example.

614. A Worcester creamboat, c.1753-54, of flared oval shape, the body moulded with basketweave reserving panels of colourful Chinese figures, the interior painted with flower sprigs in red, yellow and green, with a double scroll handle, 11.2cm across. £300-500

615. A Bow shell-shaped pickle dish or salt, c.1752-54, the scallop shell form painted in famille rose enamels with bamboo and chrysanthemum issuing from holey rockwork, the rim with a continuous floral band, raised on two peg feet, 12.2cm. £600-800

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616. A Worcester mask jug, c.1775-80, painted in purple monochrome with a twohandled urn within an elaborate cartouche of gilt scrolls and polychrome flowers, the sides with further flower arrangements, the bearded mask picked out in enamels, open crescent mark, 18.8cm. £350-450

617. A Derby mask jug, c.1770-75, the sides painted with loose flower sprays in polychrome enamels, the spout moulded as the mask of a corpulent man wearing a tricorn hat, brown line rim, 19cm. £300-500

618. A Bristol mask jug, c.1773-75, the ovoid body painted with small flower arrangements and sprigs beneath a green ribbon and puce foliate border, the bearded mask spout picked out in polychrome enamels, a small chip to the spout, 18cm. £650-750

Provenance: the Zorensky Collection. Illustrated: Worcester Porcelain: The Zorensky Collection, p.285, pl.348.

619. A Worcester oval basket, c.1765-70, painted in the London atelier of James Giles, in green camaieu with a spray of gooseberries amidst scattered leaf sprigs, within a chain border, the sides formed of interlocking circles and applied to the exterior with green flowerheads, 20.5cm. £250-350

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620. A Liverpool punch bowl, c.1765-72, boldly painted with a spray of flowering peony issuing from blue rockwork beside a red ornamental fence, the interior with a peony spray and an iron red trellis border, 21cm dia. £150-250

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621. A rare Derby small tureen with cover and stand, c.1780, of quatrefoil form, moulded to the exterior with a hexagonal flowerhead design glazed a rich turquoise, painted with small flower sprigs, the tureen with twig handles and a reticulated cover, restoration to the tureen, 18.3cm. (3) £300-400

623. A Chelsea pot pourri frill vase and cover, c.1760, of baluster form, painted with exotic birds perched on leafy branches within applied foliate rococo scrolls and large flowers, the neck and cover pierced with arrangements of small circles disguised as yellow flowers, gold anchor mark, some damages and restorations, 30.8cm. (2) £400-600

622. A Chelsea-Derby sauce tureen with cover and stand, c.1770, the oval form painted with polychrome flower arrangements and single scattered blooms, within turquoise and brown feathered rims, 22.6cm. (3) £200-300

624. A Worcester vase, c.1765-70, decorated in a Rich Kakiemon design with a dragon and exotic long-tailed birds amidst flowering plants, reserved within gilt scroll cartouches on a blue scale ground, blue square seal mark, 17.5cm. £200-300

625. A small Derby coffee pot and cover, c.1760, painted with flowers including a large pink rose and a spray of forget-me-not, a band of leaves around the base of the spout, some chips to the cover, 20cm. (2) £200-300

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626. A Worcester scallop-edged plate, c.1770-75, painted in the London atelier of James Giles with a dishevelled fancy bird standing on rockwork and flanked by two smaller birds perched in leafy branches, some restoration to the rim, 19.2cm. £400-600

627. A Worcester dessert plate, c.1770-75, painted in the atelier of James Giles with a central stone urn draped in flowers, the rim with a continuous band of gilded grapevine on a rich blue ground, 22.6cm. £350-450 Paper label for The Antique Porcelain Gallery Pty Ltd., Australia.

628. An English-decorated Chinese porcelain plate, the porcelain 18th century, the well painted in green camaieu with two girls seated beneath a tree and looking out over a lake or river, the rim with panels of sparse gilt sprigs and pink diaper ground, the edge with a copper lustre, 22.7cm. £150-250

629. A Worcester dessert plate, c.1770, painted in the London atelier of James Giles with three brightly coloured dishevelled birds perched in leafy and berried branches around a central pear and plum arrangement, a small chip to the rim and footrim, 22.5cm. £300-400

630. A Bristol dessert dish, c.1773, of deep heart shape, painted with polychrome flower arrangements within further floral garlands suspended from a border of interwoven blue and purple ribbons around gilt flowerheads, blue X mark, 26.7cm. £400-600

631. A Longton Hall leaf dish, c.1755, the deep shape formed of overlapping leaves, painted with sprays of flowers and single scattered sprigs, with a gnarled twig handle glazed in green, 22.5cm. £600-800

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Provenance: the Robert and Celia Morris Collection. Formerly in the Sir Jeremy Lever Collection and the Zorensky Collection.

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632. A large Chelsea tureen with cover and stand, c.1753-55, the lobed oval form moulded with Gotzkowsky type flowers and painted with small flower arrangements, the interior of the tureen painted with vignettes of game, the stand with further flowers and detailed insects and a caterpillar, the cover surmounted with a recumbent stag resting on a rocky applied base, the tureen raised on four scroll feet, the stand broken and cleanly restored, some small restorations to the antlers, 39.7cm. (3) £4,000-6,000 Large tureens of this type are rare survivals from Chelsea and the few that do exist are recorded with a man and dog finial, see The Winterthur Museum for a similar but more heavily moulded example without its stand. It is likely that most services at this time relied on larger silver tureens, the design elements of which are echoed in this shape.

633. A Vauxhall sugar bowl, c.1755-58, of slight ogee form, painted in polychrome enamels with sprays of pink and yellow roses, a ladybird and a small moth, the interior with a sprig of heartsease, 12cm dia. £200-300

634. A boxed set of St Cloud knives and forks, c.1720, the handles of pistol grip form, moulded with a strung coin design, the cutlery set comprising twelve knives and twelve forks, the knives with English scimitar blades stamped ‘GIBBS’, the forks with three prongs, enclosed in a fitted wooden box lined with red velvet, some damages, 24.5cm overall. £600-1,000

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635. A Chelsea ecuelle base, c.1755, the circular form painted with European flowers and moths, applied with two twig handles issuing from flowers and leaves, red anchor mark, the cover lacking, 15.5cm dia. £200-300

636. A Lowestoft teapot and cover, c.1775, painted in the Chinese export style with naive flower arrangements of rose and other blooms, with an iron red crowsfoot border, 22.5cm across. (2) £400-600 Exhibited: The Bi-Centenary of Lowestoft Porcelain, 1957, Ipswich. Paper label for the same. 637. No lot

638. A Bow dessert plate, c.1755, of fluted form, unusually decorated with flower arrangements and small scattered sprigs within a gilt dentil rim, red anchor and dagger mark, 19.7cm. £400-600 Foil label for Winifred Williams, Eastbourne.

641. A Worcester plate and a beaker, c.1765-70, both richly decorated in the Kakiemon palette, the plate with the Phoenix pattern of a long-tailed bird in flight above flowering branches and other birds, the flared beaker with the Two Quail pattern, each with a dense red and gilt foliate rim, gold crescent mark to the beaker, 22.5cm max. (2) £250-350 Provenance: the Robert and Celia Morris Collection. The plate formerly in the Perry Collection.

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639. A Worcester coffee cup, c.1770, painted in the London atelier of James Giles with a Chinese family seated at a low table beside tea things, the reverse with green bamboo before an ornamental fence, around the handle with monochrome foliate sprigs, 6.5cm. £100-200

640. A Chelsea-Derby jug and a mug, c.1770-75, painted with flower sprays and scattered sprigs, the mug with a gold anchor and D mark, 17.2cm max. (2) £150-250

642. A Worcester milk jug, c.1770, decorated in the London atelier of James Giles with sprays of flowers including rose and auricula, the reverse with a single tulip and other flowers, the rim with a shaped green panel edged in gilt, blue crossed swords and 9 mark, some good restoration, 12cm. £600-800

643. An unusual Worcester junket dish, c.1772, moulded with three panels of bamboo alternating with painted vases garlanded in flowers, and a reeded teacup and saucer painted with garlands of fruit and berried leaves suspended from pink ribbons within a blue and gilt border, the junket dish broken and restuck, 23.3cm max. (3) £200-250

Paper labels including those for Anthony Wood and Albert Amor Ltd.

Provenance: the Robert and Celia Morris Collection. The junket dish formerly in the Zorensky Collection.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

644. A Derby coffee pot and cover, c.1760, of fluted form, painted with birds on low branches, the domed cover with butterflies and other flying insects, with a later replacement silver handle, hallmarked for Sheffield 1916, some damages, 22.8cm. (2) £100-200

645. A Philip Christian (Liverpool) vase, c.1768-75, of baluster form, painted with panels of polychrome flowers within shaped gilt borders on a blue wash ground, the neck with a band of flowers reserved on white, some good restoration to the rim, 17.5cm. £250-350

646. A Worcester coffee pot and cover, c.1770-75, of Warmstry fluted form, painted in dry blue with small scattered flowers and leaf sprigs, the neck and cover with a gilt dentil rim, blue square seal mark, the cover’s finial restored, 24.5cm. (2) £400-600

Paper label for the Rous Lench Collection.

647. A Derby pot pourri vase, c.1760, of baluster form, painted with varying panels of figures in a rural landscape, birds in branches and flowers, all within puce and turquoise scroll borders, the neck elaborately reticulated, the cover lacking, 18cm. £100-200

648. A Derby frill vase, c.1765, painted with butterflies and other insects around large applied flowering stems and mask head handles, the neck pierced with a series of holes and small green flowerheads, small damages and restorations, the cover lacking, 18.6cm. £100-200

649. A Worcester ‘Scratch Cross’ coffee pot, c.1753-55, the pear-shaped body painted in polychrome enamels, one side with a Chinese boy and his dog beside his mother seated at a tea table, the reverse with two Chinese figures beneath a long-tailed bird perched on a stand, the cover lacking, some good restoration, 14cm high. £300-500

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650. A rare Worcester bowl, c.1765, brightly enamelled with exotic long-tailed pheasants amidst flowering plants and rockwork and beside a small triangular fence, the interior rim with an iron red crowsfoot border, a small chip to the inside rim, 15.2cm. ÂŁ150-250 Provenance: the Robert and Celia Morris Collection. Formerly in the Crane Collection.

651. A European-decorated Chinese porcelain spoon tray, 18th century, of elongated hexagonal form, painted in a London atelier with fancy birds standing and in flight beside low branches, the fluted rim with a brown line, 13cm. ÂŁ400-600

652. A small European-decorated Chinese blanc de Chine chocolate pot, c.1690, the pear-shaped body painted in London with panels of Chinese figures at various pursuits in garden and interior settings, the rim with flower sprays, the grooved handle and short spout with a stylized floral motif, the cover lacking, a chip to the spout, 10.1cm. ÂŁ400-600 Large quantities of Chinese porcelain were imported into Europe from Dehua at the turn of the 18th century, but this shape is an unusual survival.

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653. A rare Derby figure from a monkey or bear orchestra, c.1815, seated on his haunches and wearing a wide neck ruff over a striped and patterned coat, playing the cymbals, raised on a flat shaped base, blue crossed swords mark, some restoration, 10cm. £450-550

654. A rare Derby figure from a monkey or bear orchestra, c.1815, seated on his haunches and wearing a wide neck ruff over a floral patterned coat, playing a brass instrument, raised on a flat shaped base, some restoration to his fore paws and instrument, 10cm. £600-800

Cf. Peter Bradshaw, Derby Porcelain Figures, p 431, fig G59 for examples in this and the larger size. While several factories made monkey bands following the popularity of that produced at Meissen, Derby was unusual in producing its own design.

655. A pair of miniature Chamberlain Worcester figures of deer, c.1820-30, modelled as a stag and doe recumbent on oval blue bases, their heads turned and slightly inclined, wearing gilt collars, iron red factory marks, a little good restoration, 4.3cm across. (2) £150-250

656. A rare pair of Derby busts of the Laughing and Crying Philosophers, c.1785-95, of Democritus and Helacritus after the models by Johann Christian Ludwig Lücke, each enamelled and raised on a waisted circular socle, one incised No. 169 to the base, the other No. 159 to the reverse, a repair to one socle, 15cm. (2) £300-400

657. A pair of Derby figures of the Welsh Tailor and his wife, c.1780, astride goats with baskets of children and kid goats on their backs, raised on grassy scrolling bases, incised ‘No. 62’, some restorations, 15cm. (2) £100-200

658. A pair of Derby figures, early 19th century, after Meissen, the boy playing with a dog dressed in a pale green coat, the girl feeding a cat from a spoon, each raised on pierced circular bases, the boy incised No 312, both with blue crossed swords marks, a small amount of good restoration, 14.5cm. (2) £100-200

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659. A Derby biscuit porcelain figure of Vulcan, c.1760-70, personified as Winter from the Antique Seasons, standing above a flaming brazier and clutching his robe about him, a snake entwined around one wrist, raised on a tall square base, damages to the snake, 21cm. £150-250 660. A large Derby figure of Diana, c.1765, the hunting goddess pulling an arrow from a quiver slung on her back, her hound recumbent at her feet, wearing an elaborately patterned robe, raised on a rocky base applied with flowers and leaves, a few small losses, 27.8cm. £500-700 661. A large Derby figure of Minerva, c.1760, her right hand held aloft to receive her spear, her left resting on her shield which bears the face of the Gorgon, raised on a scrolled base picked out in gilt and turquoise, some restoration to her right hand, her spear lacking, 32cm. £350-450 662. A Derby figure of Athena, c.1765, resting one hand on her shield bearing the face of the Gorgon, an owl perched on a pile of books beside her, standing on a scrolled base picked out in turquoise and gilt, some good restoration, 26.5cm. £100-200 663. A pair of Derby figures of musicians, c.1770-80, he playing the tabor and flageolet, his companion playing the triangle, and a Derby figure of a girl, possibly emblematic of Summer, carrying a sheaf of corn and standing before flowering bocage, damages and restoration, 20cm max. (3) £200-300 664. Three Derby figures, c.1765, one of the Dresden Shepherdess, another of a shepherdess with a lamb jumping up at her side, the last of a vendor with a small barrel slung over his right shoulder, before low flowering bocage, some damages and repairs, 21cm max. (3) £200-300

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665

666

665. A pair of Derby figures of the Sailor and his lass, c.1800, he wearing a tricorn hat and customary wide-legged trousers, holding the King’s shilling in his outstretched left hand, she beckoning him hither with her bare right hand, her glove held in her left, raised on pierced and scrolled bases, incised No. 316, small damages and restoration, 25.5cm. (2) £150-250 These models are believed to depict the actors Henry Woodward and Nancy Dawson, possibly as Black-Eyed Susan and Sweet William from John Gay’s ballad featuring a sailor’s farewell to his beloved. 666. A pair of Derby figures of the Welsh Tailor and his wife, c.1800, each seated astride a goat with a basket of children or kid goats on their back, raised on grassy bases with a gilt shell scroll, incised No. 62 to the undersides, some restoration, 15cm. (2) £150-250 667. A Bow white-glazed figure of Matrimony, c.1752-55, standing on a tall scrolled base beside a wall fountain, holding a bird cage resting on her right hip, a sheep recumbent at her feet, some restoration, 23.5cm. £500-700 668. A Derby blackamoor sweetmeat figure, c.1765-70, modelled as a young African boy, knelt on one knee and supporting a large shellshaped dish painted with butterflies and insects, some good restoration, 20.5cm. £250-350 669. A large Derby figure of Britannia, c.1760-65, resting one hand on her shield which in turn rests on the head of a lion, wearing a helmet and standing before flowering bocage, small losses, 35.5cm. £300-400 670. A large and rare Bow white-glazed figure of Flora, c.1756-60, emblematic of Smell from a set of the Five Senses, holding a small posy up to her nose, standing beside a pierced urn resting atop a square pillar garlanded with flowers, a small amount of good restoration, 25cm. £600-800 This figure derives from a similar one modelled for the Meissen factory by J F Eberlein.

667

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669

670

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671. A pair of Derby candlestick figures of Venus and Mars, c.1760, each standing before a stump applied with colourful flowers, raised on low circular bases with scrolled decoration highlighted in puce, green and gilt, some damages, 24.5cm. (2) £150-250 Provenance: the Cordwent Collection.

673. A pair of Derby figures of Liberty and Matrimony, c.1760-65, modelled as a gentleman and his companion, he holding a bird’s nest containing three chicks, she holding a bird cage, raised on low scroll bases picked out in green and gilt, some damages, 22.5cm. (2) £250-350

672. A pair of Derby sweetmeat figures, c.1765, each seated and resting an open rectangular basket on their knees, the edges of the baskets applied with small yellow flowers, he with a dog seated beside him, she with a lamb, raised on scroll bases picked out in gilt and turquoise, small losses, 20cm. (2) £450-550

674. An early pair of Derby sweetmeat figures, c.1753-55, attributed to Andrew Planché, modelled as a gallant and his companion, each seated on a rocky base applied with flowers, resting a large scallop shell in their laps, the shells’ interiors painted with further flowers, some small losses to the applied flowers and leaves, 16.5cm. (2) £1,200-1,500 Cf. John Twitchett, Derby Porcelain, p.41, pl.2 for the male figure.

675. Two small Chelsea figures, c.1758-65, one of Cupid in Disguise as a lady’s maid, carrying a pot of powder and a small round brush, gold anchor mark, the other of a female putto wearing a short robe and standing in an animated pose on a low base applied with flowers, some damages, 14.5cm max. (2) £150-250

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676. Two Derby figures of Classical gods, early 19th century, one of Neptune standing beside a large dolphin on top of a tall base applied with shells and seaweed, the other of Juno standing beside a displaying peacock, raised on a square base, small losses, 21cm max. (2) £150-250

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price.

677. A matched set of Derby figures of the Four Seasons, c.1765, after Meissen, Spring and Summer modelled as Classical maidens with flowers and corn, each with a putto by her side, Autumn as a bacchanalian figure draped in grapevine and with a faun seated on a barrel, Winter as an elderly man beside a brazier with a putto chopping wood beside him, raised on scroll bases, small losses and restorations, 28cm max. (4) £1,500-2,000

678. A rare Bow miniature figure of a putto, c.1765-68, seated amidst flowering bocage with one knee raised, wearing a garland of flowers and holding a single flower in his left hand, 10.1cm. £150-250 Cf. Peter Bradshaw, Bow Porcelain Figures, pp.194 and 195 for the same figure added to a larger figure of Spring.

679. A small Derby figure of a putto, c.1800, riding on the back of a mythical beast with a scaly tail, iron red crowned Derby mark, 7.5cm high. £100-150

680. A small Bow figure of a musician, c.1755-58, seated on a rocky stump and playing the flute, wearing a flowered jacket and black cloth cap, the pad base applied with a single flower and leaves, his right arm broken off and restuck, associated restoration to the flute, 9.2cm. £600-800

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681. A rare pair of Bow models of preening buntings, c.1755-60, one bird with its head tucked under one wing, the other cleaning the feathers on its back, detailed in bright yellow, blue and puce enamels, each raised on a low stump applied with leaves and flowers, some damages and restoration, 9.8cm. (2) £800-1,200 Cf. Bow Porcelain; The Collection Formed by Geoffrey Freeman, p.158, no.268 for a similar pair.

682. A pair of Derby figures of goldfinches, c.1780-90, each bird perched on a low stump with flowers and leaves, their plumage naturalistically detailed, incised N19 and N91 beneath the bases, 12.5cm. (2) £100-200

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683. A Bow figure group of birds in branches, c.1760, modelled with two finches, each atop a stump applied with flowers and leaves, a dog seated at the base of the tree and looking up at them, some restoration, 15cm. £150-250

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684. A rare St James’s (Charles Gouyn) model of a canary or finch, c.1753, naturalistically modelled and perched on a low branch with head slightly turned to the left, the plumage washed a pale yellow, the tree stump finely painted with flowers, possibly at the London atelier of James Giles, the tail restuck, 12.1cm. £4,000-6,000 Provenance: the Roy Hogarth Collection. Purchased from Bonhams, 21st May 2014, lot 52. Cf. Albert Amor Ltd., Birds in Branches Exhibition, October 2000, p.24, no.17 for a similar pair. The flowers on the stump are reminiscent of those described as Type A by Bernard Watney in ‘The King, the Nun and Other Figures’, ECC Transactions, Vol. 7, and were later described by Stephen Hanscombe as likely to have been the work of the Giles workshop.

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685. An unrecorded Chelsea figure group of the fish seller and his wife, c.1756-57, modelled by Joseph Willems, she holding their wares aloft while he sits at a low table covered in fish, an openwork basket with further fish beside, raised on a scrolled base applied with flowers and leaves, some good restoration, 16.4cm. £2,000-3,000 Cf. Arthur Lane, English Porcelain Figures of the Eighteenth Century, pl.24 for the fish seller on his own, currently in the collection of the Museum of Fine Arts, Boston.

686. A rare Caughley figure of a girl in Turkish dress, c.1790, standing with her right arm partially raised, holding the edge of her elaborate robes in her left hand, wearing a headdress and raised on a low scrolled base applied with flowers and leaves, detailed in blue, a little good restoration, 10.3cm. £4,000-6,000 Provenance: the Roy Hogarth Collection. Purchased from Bonhams, 1st December 2010, lot 169. This is one of only two Caughley figures to have been identified, after Geoffrey Godden drew attention to their existence in his book on Caughley and Worcester Porcelains in the 1960s. John Sandon identified a reference to these figures in the Worcester archives - a section titled ‘Goods Rec’d from Tho’s Turner Esq, Caughley’ includes the entry ‘Sept. 23 ‘89, 6 turks white @ 9d - 4/6’.

687. An unrecorded English porcelain figure of a girl, c.1760-80, standing and playing the hurdy-gurdy, wearing a dress patterned with pink flowers, raised on a hollow domed base applied with flowers and leaves, before low bocage, minor restorations, 14.5cm. £250-350

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688. A rare pair of Chelsea figure groups, c.1756-58, modelled by Joseph Willems, each of a peasant family, one with the husband proffering a cup to his wife who breast feeds her baby, the other with the mother seated with one child in her lap, another reaching up to her, while her partner rests a hand on her shoulder, raised on scrolled bases applied with flowers and leaves, damages and restorations, 13cm max. (2) ÂŁ1,000-2,000

689. A pair of Bow figures of Harlequin and Columbine, c.1760, modelled in typical extravagant poses and wearing bright chequered costumes, each holding a slapstick, raised on footed scroll bases detailed in puce and gilt, some damages, 20.3cm. (2) ÂŁ1,000-1,500

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690. A rare pair of Bow white-glazed figures of children, c.175255, of a boy seated before a tree stump, wearing a ruffled collar, holding small bird eggs aloft in his left hand, and a girl seated with a bird’s nest on her lap, holding the small bird in her left hand, some restoration, 11.7cm. (2) £1,200-1,500 Cf. Transactions of the English Ceramic Circle, Volume 13, p.193, pl.181 for the figure of the girl, then thought to be the only recorded example.

691. A rare pair of Derby figures of theatrical dancers, c.1765, he standing with one hand on his hip, the other outstretched and holding the end of his cloak, wearing a plumed hat, his companion holding her skirts wide and with her right arm raised above her head, each raised on a tall scrolled base, some restoration and small losses, 19.4cm. (2) £300-500 Cf. Peter Bradshaw, Derby Figures, pp.36-37, nos. B10 and B11.

692. A rare pair of West Pans figural nun candlesticks, c.1770, modelled as an Abbess and a Novice seated and reading from religious texts, each beneath a scrolled sconce and drip pan edged in puce and raised on scrolling supports picked out in puce and green, some restorations, 25cm. (2) £700-900 Cf. Victoria and Albert Museum, Accession No. C.9A-1997 for a candlestick figure attributed to William Littler at West Pans.

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693. A Bow figure of Water, c.1756-58, from the Elements series, modelled as Neptune standing before a large dolphin and holding an upturned urn of flowing water in his left hand, some restoration to the dolphin’s tail, 19.5cm. £450-550

694. A Derby Pale Family figure of a girl, c.1755-56, seated with her right foot raised and leaning over a large green hat resting in her lap, a small posy of flowers held in her left hand, the flat scroll base picked out in puce, minor faults, 14cm. £800-1,200

695. A rare and early Derby figure of a musician, c.1755-56, seated with a violin tucked under his chin, his left foot resting on a scroll of the base, wearing a pale pink jacket over flowered breeches, the base applied with large flowers, a small amount of restoration to the violin, 13.5cm. £1,000-1,500

696. An early Derby figure of a Scottish musician, c.1755-56, with some dry-edge characteristics, standing on a low pad base and playing the bagpipes, wearing a tartan jacket and pink beret, the base applied with large flowers, some restoration, 14.8cm. £600-800

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697. A set of Derby figures of the Four Seasons, c.1765-70, modelled as children in animated poses with varying attributes, Spring garlanded in flowers, Summer holding a large sheaf of corn, Autumn with a large basket of grapes strapped to his back, and Winter carrying a basket containing a goose and fastening a fur-lined cloak about her shoulders, raised on low scrolled bases, some good restoration, 21cm max. (4) £600-800

698. A pair of Derby figures of children, c.1756-59, emblematic of Spring and Summer, seated on low stumps, she wearing a floral diadem and holding further blooms in her hands, he surrounded by ears of corn, both raised on low scrolled bases picked out in gilt and turquoise, minor damages and losses, 11.3cm. (2) £650-800

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699. A rare pair of Bow white-glazed figures of Harlequin and Columbine, c.1753-55, after the Meissen models by J J Kändler, Harlequin seated and playing the bagpipes, his legs crossed at the ankles, Columbine playing the hurdy-gurdy, each seated on a low rocky stump, some good restoration, 12cm. (2) £1,200-1,500

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700. A rare Bow figure of a huntsman, c.1756-58, standing with his right arm outstretched, his left hand wrapped around the barrel of his gun, a dismal hound seated at his side, raised on a low pad base applied with flowers, his right arm restored at the shoulder, 17cm. £450-550

701. A Bow white-glazed figure of a nun or abbess, c.1755, seated and turning the pages of a religious book she holds in her left hand, her left foot extending from her long robes, a small amount of restoration, 14cm. £400-600

702. A Derby candlestick figure of Liberty, c.1765, modelled as a gentleman holding a dove in his right hand, his dog seated behind his left knee, leaning on a fence beneath a tall flowering arbour, some damages, the sconces lacking, 26cm. £100-200 Cf. Frank Stoner, Chelsea, Bow and Derby Porcelain Figures, pl. 62 for the pair of figures.

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DESIGN Wednesday 16th October 2019

Egyptian Dancer a large Goldscheider Pottery figure designed by Josef Lorenzl Estimate ÂŁ2,000 - 3,000* A large Goldscheider Pottery model of a dancer designed by Josef Lorenzl Estimate ÂŁ2,000 - 3,000* ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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FINE SILVER & OBJECTS OF VERTU TO INCLUDE THE JEREMY HEBBLETHWAITE COLLECTION OF WINE TASTERS

Tuesday 29th October 2019

A Worcester wine taster, c.1765, of peach form, 9.4cm across Estimate Â£800 - 1,200* THE COLLECTION COMPRISES OF OVER NINETY LOTS OF SILVER, CERAMIC, TREEN AND PEWTER WINE TASTERS

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

01635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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WILTON & WARMINSTER

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509

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FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500.

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Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd. +44 (0)20 7424 7830 jammdesign.co.uk

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ABSENTEE BID FORM ENGLISH & EUROPEAN CERAMICS & GLASS

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 15th October 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed Billing Name (please print) Address

Postcode Daytime telephone Email All accounts must be settled within 21 days ID is required for all first time bidders

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.wo o lleyan d wallis.co .u k 144

AUCtion CAlendAr FREE VALUATION MORNINGS SePtember 17th 18th & 19th

the Warner Collection of british delftware tribal Art & Antiquities

oCtober 2nd 15th 16th 29th 30th

First Friday of the month 10am-1pm. No appointment necessary.

NEXT VALUATION DATES 4th October, 1st November & 6th December (No valuation day in January)

Furniture, Works of Art & Clocks english & european Ceramics & Glass design Fine Silver & objects of Vertu Fine Jewellery

noVember 12th & 13th 20th 27th

Asian Art, Chinese Paintings & Japanese Works of Art medals & Coins, Arms & Armour british Art Pottery

deCember 11th

modern british & 20th Century Art

JAnUArY 8th 21st & 22nd 23rd

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

FebrUArY 4th & 5th 19th

the Judith Howard Collection of Sèvres Porcelain tribal Art & Antiquities

dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A light baluster cordial or small wine glass, c.1725 SOLD FOR £2,750*