Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture & Works of Art

Wednesday 1st July 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price (Consultant) — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Mark Richards Jim Gale Anna Brown

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411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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424504 424595

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

Members of The Society

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424501 424594

339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

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FURNITURE & WORKS OF ART Wednesday 1st July 2015 at 10.00am Viewing Times Saturday 27th June Monday 29th June Tuesday 30th June Wednesday 1st July

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES Mark Richards 01722 411854 Head of Department - Furniture markrichards@woolleyandwallis.co.uk

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

COLLECTION

Jim Gale 01722 339161 Furniture jimgale@woolleyandwallis.co.uk

Lots can be collected from Thursday 2nd until Saturday 4th July from the Salerooms in Castle Street. Collections on these days must be by prior arrangement, please call 01722 424500. Then all uncollected items will be moved from the Salerooms to the warehouse at Old Sarum on Monday 6th and Tuesday 7th July. From Wednesday 8th July collections are to be from Unit 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB, please call 01722 411854.

Anna Brown 01722 411854 Administrator annabrown@woolleyandwallis.co.uk

Front cover: Lot 105 detail Back cover: Lot 258 detail This page: Lot 398 detail Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm Tuesday 30th June. Please note there is a 3% + VAT surcharge for this service.

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OAK & COUNTRY INCLUDING A PRIVATE COLLECTION FROM THE COTSWOLDS

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1. A George II Welsh oak coffor bach, the planked top above a front with three fielded panels above a single drawer, 49.7cm high, 63.8cm wide, 30cm deep. £300-400 Provenance: A private collection in the Cotswolds.

2. A late 17th century joined oak chest, the twin planked top with thumb nail carved edges revealing a lidded till, the triple panel front with foliate carving, 70.4cm high, 126.4cm wide, 55cm deep. £200-300

3. An early 18th century joined oak triple panelled chest, with a later adapted interior, 61.7m high, 118.7cm wide, 49.1cm deep. £150-250

Provenance: A private collection in the Cotswolds.

4. A Charles I oak boarded chest, the interior previously with a till, on cut-out ends, 55.3cm high, 104.2cm wide, 35cm deep. £200-300 Provenance: Leslie Gooday OBE.

5. A Charles II oak boarded chest, the moulded edge top revealing a fruitwood till, the front with incised zig-zag bands on cutout ends, 59.6cm high, 96.3cm wide, 34.7cm deep. £300-400 Provenance: A private collection in the Cotswolds.

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6. An early George III oak dresser, inlaid with stringing, the raised plate rack with an arrangement of shelves and a pair of cupboard doors decorated with marquetry urns enclosing further shelves, the base with three frieze drawers above a wavy edge apron, on cabriole front legs, probably West Midlands, 188.3cm high, 193.5cm wide, 64.7cm deep. £800-1,200

7. A 19th century ash and elm Windsor armchair, with a hooped back and scroll arms, the turned legs united by an ‘H’ stretcher. £80-120 Provenance: A private collection in the Cotswolds. 8. A 19th century ash and elm Windsor armchair, the fruitwood wheelback splat back with hooped arms on ribbed supports and baluster turned legs united by an ‘H’ stretcher. £300-500 9. A mid 18th century oak settle, the fielded panel back with split pilasters and with a central arched panel, above a twin hinged box seat, with scroll arms, 129.8cm high, 206.5cm wide, 53cm deep £300-500 7

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10. A George II Welsh oak press cupboard, the frieze with two panels carved with initials 'IEO' and with the date '1747', above a pair of ogee fielded panel doors enclosing a later shelf and hooks, the base with five panels above three drawers, 186.5cm high, 14cm wide, 56.3cm deep. £500-700 Provenance: A private collection in the Cotswolds. 10

11. An oak occasional table, with a frieze drawer on turned supports, 17th century elements but adapted, 70.8cm high, 52.5cm wide, 68.5cm deep. £100-200

12. An oak hanging wall cupboard, the panelled door carved with leaves and flowers with fruitwood and ebonized parquetry bands, the interior with a shelf, 53.2cm high, 54cm wide, 24.4cm deep. £150-250

13. A George II Welsh oak press cupboard, with a pair of fielded panel doors enclosing three shelves, the base with three false front drawers and two short and one long drawers, 180.5cm high, 133.2cm wide, 52cm deep. £400-600 Provenance: A private collection in the Cotswolds.

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14. A harlequin set of eight Lancashire ash and beech spindle back dining chairs, each with a turned spindle back above a rush seat, comprising: a pair of open armchairs and six side chairs, 19th century and later. (8) £600-800

15. A 17th century continental chestnut and iron bound chest, 46.8cm high, 96cm wide, 52.3cm deep. £200-300

16. A late 17th century oak food cupboard, the cornice with incised decoration above a fielded panel door with an open lattice ventilation panel, enclosing a shelf, on a later stand, 132.5cm high, 87.8cm wide, 42cm deep. £400-600 Provenance: Leslie Gooday OBE.

17. An early 19th century pine and ash cradle, of boarded construction, 39.7cm high, 55.5cm wide, 29.7cm deep. £100-150 Provenance: A private collection in the Cotswolds.

18. A late 18th century painted pine trunk, with a domed lid, enclosing a blue paper lined interior with a lidded till, with brass side carrying handles on bracket feet, 66.8cm high, 113.4cm wide, 56.4cm deep. £300-500

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19. A George II Welsh oak dresser, the canopied plate rack with a pair of turned pendants and two shelves, the base fitted with three fielded panel drawers, above a pair of cupboard doors, with later brass knob handles, probably Caernarfonshire/Merioneth, 181.3cm high, 135.3cm wide, 50.9cm deep. £800-1,200 Provenance: A private collection in the Cotswolds.

20. A small early 17th century boarded oak box, with leather hinges and crimped carved edges, 14cm high, 30.2cm wide, 28cm deep. £100-150 Provenance: A private collection in the Cotswolds. 21. A Charles II boarded oak bible box, the hinged lid above a flower and lunette carved front and sides, 23.2cm high, 59.5cm wide, 38cm deep. £150-200 Provenance: A private collection in the Cotswolds.

22. A boarded oak box, the moulded edge later hinged top, above a carved front decorated with scrolling flowers and fleur-de-lys motifs, the sides with scrolling stylized dragons, Charles II and later, probably Welsh, 25cm high, 78.8cm wide, 59.4cm deep. £200-400 Provenance: Leslie Gooday OBE.

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23. A mid 17th century boarded oak chest, the planked top with later hinges, above a foliate carved front and on cut-out ends, 52.8cm high, 100.7cm wide, 36cm deep. £300-400 Provenance: A private collection in the Cotswolds.

24. A James I boarded oak chest, the top with branded initials ‘HS’, the interior with an open till and on pierced cut-out ends, 50.5cm high, 110.8cm wide, 38.4cm deep. £200-300

25. A James I boarded oak chest, the moulded edge lid to a vacant interior, with an incised diamond frieze above an arcaded carved band, 56.7cm high, 122.5cm wide, 38.5cm deep. £150-250

Provenance: A private collection in the Cotswolds.

26. A boarded oak chest, the moulded hinged lid above a lozenge carved front and sides, on metal castors, late 16th century elements and later, 48.5cm high, 114.5cm wide, 48.5cm deep. £200-300

27. A late 17th century joined oak triple panelled chest, the interior with a till, 61.5cm high, 103cm wide, 54.4cm deep. £200-300 Provenance: A private collection in the Cotswolds.

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28. A large mid 17th century oak six leg refectory table, the thick single plank top above a moulded frieze with scroll brackets, on turned baluster and disc supports united by peripheral stretchers, 79.5cm high, 392cm long, 83.5cm deep. £8,000-12,000 Provenance: Leslie Gooday OBE. This refectory table was purchased by the architect Leslie Gooday OBE, in the early 1950s for ‘Long Wall', the modernist home he designed for his family, where the table has remained until the present day. The photograph below shows the table at ‘Long Wall’ soon after it was built.

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29. A Charles II oak backstool, with a foliate diamond lozenge carved panel, on turned legs united by peripheral stretchers. £100-150

Provenance: A private collection in the Cotswolds. 30. An Arts & Crafts oak side table in Gothic style, with four drawers, each with carved polychrome decorated panels and iron loop handles, late 19th century, 79cm high, 106.4cm wide, 49.7cm deep. £300-400 Provenance: A private collection in the Cotswolds. 31. A country oak and fruitwood low armchair, with a turned spindle back on chamfered legs, late 18th / early 19th century. £100-150 32. A joined oak trestle table, the detachable triple plank top with cleated ends, late 17th century and later, 78.4cm high, 242.2cm long, 70cm deep. £400-600 Provenance: Rookley Manor, Hampshire. A carved oak standard lamp, with shade, 177cm high, 51cm wide. £100-150 Provenance: A private collection in the Cotswolds. 33.

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34. A mid 17th century elm turner’s chair, with a plain top rail above a triangular seat, with a later squab cushion, with a single spindle to the front stretcher. £600-800 35. A George II Welsh oak dresser, the raised plate rack with two shelves, the base with a moulded edge above three fielded panel drawers and a pair of cupboard doors, probably Caernarfonshire/Merioneth, 185.3cm high, 134.5cm wide, 50.5cm deep. £800-1,200 36. A George III oak hanging spoon rack, with two shelves pierced with twelve apertures, above a hinged sloping box base, 58cm high, 31.7cm wide, 12cm deep. £200-300 Provenance: A private collection in the Cotswolds.

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37. An 18th century Dutch brass oval tobacco box, finely engraved with figures including two dwarves and with bands of scrolling foliage, the interior with a twin star mark, 12.5cm long. £200-250 38. A 19th century brass combination lock snuff box, with three dials (locked), with a previous owner’s name and address faintly engraved to the base, ‘W. Barrett, Woodward Farm, Minety, nr. Malmesbury, Wiltshire’, £150-200 8.1cm long.

39. A graduated set of brass standard weights, by Parnall & Sons Ltd, 7lbs-1/4oz, stamped ‘PARNALL & SONS LTD, NARROW WINE ST. BRISTOL’. (10) £300-500 40. Two pairs of George II brass candlesticks, each with turned inverted baluster stems, 20.7cm high, 11.2cm wide max. (4) £150-250 41. A pair of mid 18th century brass candlesticks, each with a petal base, 16.5cm high, 11.7cm wide. (2) £100-150

42. An 18th century bronze tazza, 11.7cm high, 30.6cm diameter, together with a copper bucket with a wrought iron swing handle. (2) £100-150 43. A George II brass and steel footman, the top with a pierced handgrip above a lattice frieze decorated with shells on cabriole legs, 36.8cm high, 43.5cm wide, 27.5cm deep. £150-250 44. A pair of early 19th century brass jardiniéres, each with pierced decoration and lion’s mask ring handles, on paw feet, 22.2cm high, 26.2cm wide. (2) £80-120

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45. A large 18th century sycamore dairy bowl, the exterior with an adzed finish, and with iron loops for hanging, 63.8cm diameter. £400-600 46. A 19th century turned sycamore dairy bowl, 43cm diameter. £200-300 Provenance: A private collection in the Cotswolds. 47. A turned treen mortar, 17th / 18th century, 19.5 x 20.7cm diameter. £100-200 Provenance: A private collection in the Cotswolds. 48. A turned treen bowl, 13.1cm high, 40.2cm diameter. £30-50 Provenance: Leslie Gooday OBE.

49. Two carved and turned root wood bowls, with incised bands, the smaller with a burnt finish, both marked ‘Chai’, 24cm high, 44.5cm diameter max. (2) £100-200

Provenance: Leslie Gooday OBE.

48 49

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50. Treen. A sailmaker’s liner, 18th century, 15cm long, a combination sewing needle, spool and thimble case and a tool with a split end. (3) £100-150 Provenance: A private collection in the Cotswolds. 51.

A treen sailor’s tool, the body incised with letters, 19th century, 12cm long. £100-150

52. A 19th century Swiss carved walnut nutcracker in the form a crouching hunchback figure, 13.8cm high. £50-70 Provenance: A private collection in the Cotswolds 53. A small turned lignum vitae globular snuff flask, with a bone spout with a screw-off cover, on a turned screw-off base, late 18th / early 19th century, 8cm high. £100-150 54.

A treen chip carved pipe bowl, with bone dot inlay, late 18th / early 19th century, 7.5cm high. £100-150

55. Literature. Treen and other Wooden Bygones by Edward H. Pinto, Bell & Hyman, London, 1979. £30-50 Provenance: A private collection in the Cotswolds.

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56. A George I treen chip carved knitting sheath, inscribed with initials and date ‘EP 1726 GP’, 20cm long. £100-150 Provenance: A private collection in the Cotswolds. 57.

A George III treen chip carved stay busk love token, dated ‘1774’, 34cm long. £100-150

Provenance: A private collection in the Cotswolds. 58. A Dutch treen gingerbread mould, depicting a man on horseback with a dog, late 18th / early 19th century, 24.3 x 21cm. £100-150 59. A 19th century sailor’s carved wood shoe dominoes box, carved and inlaid with bone, the sliding cover inset with a fish revealing twenty-nine bone dominoes, 20.5cm long. £100-150 60. An early 18th century pressed horn snuff box, the lid decorated with the Judgement of Solomon, 9.5cm diameter. £80-120 Provenance: A private collection in the Cotswolds. 58

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JOINED STOOLS FROM

TWO PRIVATE COLLECTIONS

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61. A James I oak joined stool, the moulded edge top above bicuspid carved friezes, on turned baluster legs united by peripheral stretchers, 49.3cm high, 48.4cm wide, 32cm deep. £200-300 Provenance: A private collection in the Cotswolds.

62. A Charles I oak joined stool, the moulded edge top above stylized ‘S’ carved frieze on gun barrel turned legs united by peripheral stretchers, possibly Salisbury, 54.7cm high, 45.5cm wide, 28.7cm deep. £300-500 Provenance: A private collection in the Cotswolds.

63. A Charles I oak joined stool, the moulded edge top above bicuspid carved friezes, on turned supports and peripheral stretchers, 51.5cm high, 46cm wide, 32.3cm deep. £200-300

64. A James I oak joined stool, the moulded edge top above a channelled frieze on ring turned gun barrel legs united by peripheral stretchers, 53cm high, 45.3cm wide, 28.2cm deep. £200-300

Provenance: A private collection in the Cotswolds.

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65. A late 17th century oak and elm joined stool, the moulded edge well figured top, above ring turned legs united by peripheral stretchers, 57.8cm high, 50.5cm wide, 32.cm deep. £300-500 Provenance: A private collection in the Cotswolds.

66. A Charles II oak joined stool, the moulded edged top above channelled friezes on turned baluster legs, united by peripheral stretchers, 56.9cm high, 45.2cm wide, 28.2cm deep. £200-300 Provenance: A private collection in the Cotswolds. 67. A mid 17th century oak joined stool, the moulded edge top above a channelled frieze, on baluster supports united by peripheral stretchers, 59.2cm high, 47.8cm wide, 28.5cm deep. £150-250

68. A Charles II oak joined bench, the moulded edged top above a lunette carved frieze with incised decoration to the ends, on ring turned legs, united by moulded peripheral stretchers, 54.2cm high, 124.4cm wide, 27.7cm deep. £400-600 Provenance: A private collection in the Cotswolds.

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69. A Charles II oak joined stool, the moulded edge top above a frieze carved with foliate lunettes on ring turned baluster legs, united by peripheral stretchers, with owners’ brand mark ‘IK’, 55.2cm high, 44.5cm wide, 25.8cm deep. £300-500

70. A Charles I oak joined box stool, the moulded edge hinged top to a compartmented interior, above a stylized ‘S’ carved frieze and turned supports united by moulded peripheral stretchers, the underside with a carved foliate panel, 35.3cm high, 34cm wide, 35cm deep. £400-600 Provenance: A private collection in the Cotswolds.

71. An oak joined box stool, the hinged lid above a parquetry band on turned legs united by peripheral stretchers, 17th century and later, 42cm high, 34.2cm wide, 34cm deep. £400-600

72. A Charles II oak joined stool, the moulded edged top above a plain frieze with owners branded mark ‘WIS’, on baluster turned legs and unusual tapering feet, 55.9cm high, 45.8cm wide, 26.2cm deep. £300-400 Provenance: A private collection in the Cotswolds.

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73. A mid 17th century oak joined low stool, the planked top with a moulded edge on ring turned inverted baluster and block legs, united by peripheral stretchers, 36cm high, 40cm wide, 40.8cm deep. £300-400 74. A Charles II oak upholstered stool, the later needlework seat above turned and block supports united by moulded peripheral stretchers, 40.5cm high, 44.5cm wide, 46.5cm deep. £300-500 Provenance: A private collection in the Cotswolds. 75. A 19th century sycamore and ash dairy stool, with a dished seat, 28.5cm high, 38.7cm wide, together with an oak country stool on rustic legs, 39.7cm high, 60cm wide. £100-200 76. An early 18th century close stool, of cylindrical shape, with a brass button clasp and side carrying handles, 36.9cm high, 41cm diameter. £100-150 Provenance: A private collection in the Cotswolds.

77. A harlequin set of seven Lancashire ash and fruitwood spindle back dining chairs, each with a rush seat, comprising: two open armchairs and five side, 19th century. (7) £200-300 Provenance: A private collection in the Cotswolds.

76 77

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78. A William IV walnut Gothic style throne armchair in the manner of Lewis Nockalls Cottingham, the arched lancet back carved with leaves and a central shield, flanked by a pair of caryatid figures, the arms with male mask finials, above a solid seat and faceted front legs. £500-800 Provenance: A private collection in the Cotswolds.

79 79. An early 18th century oak bureau, the hinged fall revealing pigeon holes and drawers above a well with a sliding cover, above two short and two long drawers, originally on bun feet, 96.8cm high, 93.7cm wide, 50.7cm deep. £200-300 Provenance: A private collection in the Cotswolds. 80. A George III oak hanging cupboard, the broken swan neck cornice with applied brass rondels above a pair of astragal glazed and panelled doors enclosing four shaped shelves, 125.2cm high, 89.7cm wide, 22.3cm deep. £200-300 Provenance: A private collection in the Cotswolds. 80

81. A Queen Anne oak side table, the planked top above a later frieze drawer on baluster turned legs united by peripheral stretchers, 63.3cm high, 64cm wide, 48.5cm deep. £200-300 Provenance: A private collection in the Cotswolds.

82. A George II oak kneehole desk, the top with re-entrant front corners above an arrangement of seven drawers, the recess with shelves, 78cm high, 83cm wide, 51.8cm deep. £200-300 Provenance: A private collection in the Cotswolds.

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83. An Italian carved walnut foot warmer, with a bronze loop handle above carved panels with scrolling foliate and angels, the hinged door with a gargoyle mask, 18th / 19th century, 18cm high, 23.8cm wide, 20cm deep. £80-120

84. A 19th century carved fruitwood figural spill / vesta holder, signed ‘J. MARTIN RENNES’, 24.5cm high. £40-60

Provenance: A private collection in the Cotswolds. 85. A George II quart dome lidded pewter tankard, with a scroll thumbrest, the interior with a touchmark for ‘George Saddler II, Newcastle upon Tyne, circa 1740’, 18.2cm high, 175cm wide. £200-300 86. A bronze altar pricket candlestick, with a circular drip pan above a leaf and scroll stem and triform base, 18th / 19th century, 41.5cm high, 14cm wide. £100-150 87. A pair early 18th century French bell metal candlesticks, each with an octagonal base, £100-150 24.7cm high, 14cm wide. (2) 88. A carved elm dogs-head finial, the base with a hole for mounting, 18.7cm long. £50-80

Provenance: A private collection in the Cotswolds. 89. A George III toasting fork, with an ebonized shaft and plated mounts, 100.8cm long. £100-150 86

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93 91 90. An 18th century wrought iron rushnip and candle holder, on an ebonized treen base with an associated snuffer, 20cm high, 13.6cm diameter. £100-150 91. A 17th century leaded bronze cauldron, with a spiral twist iron swing handle on tripod supports, 20.7cm high, 28cm wide. £150-250 90 92. An 18th century wrought iron spiral or ‘coil’ candlestick, with an adjustable disc above a drip-tray and tripod supports, £80-120 20.2cm high, 11.5cm wide. 93. A rare early 18th century crucible spoon, with a turned bone handle and an iron shaft and bowl, 67.7cm long. £150-250 94. Four German brass alms dishes, each with a punch decorated outer rim and with a central whorl, 18th century and later, 50cm diameter. (4) £50-100 95. A late 17th century brass warming pan, with a wrought iron handle, 101.5cm high. £100-150 Provenance: A private collection in the Cotswolds.

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96. A small Queen Anne oak gateleg table, the oval drop-leaf top on baluster turned supports, 66cm high, 59.5 x 69.6 (open). £100-150 Provenance: A private collection in the Cotswolds. 97 96 97. A Queen Anne oak gateleg table, the oval top on ring turned baluster legs, united by peripheral stretchers, 74.9cm high, 128.4 x 128.5cm (open). £200-300 Provenance: A private collection in the Cotswolds.

98. A George III oak hanging corner cupboard, with a dentil cornice above an astral glazed door enclosing three shaped shelves, 109.5cm high, 80.4cm wide, 37cm deep. £80-120 Provenance: A private collection in the Cotswolds.

99. A George III oak hanging corner cupboard, with an astragal glazed door enclosing three shaped shelves, 107.4cm high, 77cm wide, 43cm deep. £80-120 Provenance: A private collection in the Cotswolds.

100. A George III ‘country Chippendale’ fruitwood open armchair, with a pierced Gothic splat, carved with leaves above a drop-in seat. £50-100

Provenance: A private collection in the Cotswolds.

101. A George II oak corner armchair, the shaped ladder back above a drop-in seat, with baluster turned supports, united by stretchers, and a central cabriole leg with a pointed pad foot. £100-150 Provenance: A private collection in the Cotswolds

100

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102. A late 19th century German painted wood Noah’s Ark, the Ark with a previously hinged lid containing ninety-seven figures and animals, 25.5cm high, 60cm wide. £800-1,200 103. A sailor’s whalebone walking cane, inlaid with leather, baleen and wood, 19th century, 90.1cm long. £200-300 Provenance: A private collection in the Cotswolds. 104. A naive painting on plaster, depicting a shepherd in a landscape setting, late 18th century 117 x 110cm. £300-500

103

105. A pair of Dutch bronze andirons, modelled with a putto riding a dolphin, on scroll wrought iron bases, 18th century, 40.5cm high, 46cm wide, 43cm deep. (2) £300-400

104

105

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107 106. A George II oak lowboy, the frieze drawer above cabriole legs and pointed pad feet, 71.4cm high, 73.8cm wide, 50cm deep. £100-150 Provenance: A private collection in the Cotswolds 107. A panelled oak cupboard, the frieze with applied mouldings and incised line decoration above a pair of panelled doors enclosing later shelves, 17th century elements and later, 158.1cm high, 124.3cm wide, 52cm deep. £200-300 Provenance: A private collection in the Cotswolds. 108. A George III oak hanging corner cupboard, with a glazed door enclosing three shelves, 102.7cm high, 74.2cm wide, 40.6cm deep. £50-100

108

Provenance: A private collection in the Cotswolds. 109. A Queen Anne oak gateleg table, with an oval top above a frieze drawer and ring turned baluster legs united by peripheral stretchers, 70cm high, 89.5 x 105.7cm (open). £150-250 Provenance: A private collection in the Cotswolds. 110. A panelled oak headboard, the frieze carved with stiff leaves and scrolls and centred with a bearded male mask, 75.7cm high, 143cm wide, 12cm deep. £100-150 Provenance: A private collection in the Cotswolds.

109

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111

111. A needlework picture, worked in wool with some raised work, depicting a shepherd and shepherdess in a pastoral landscape, naively decorated with exotic birds, a squirrel, a stag, a greyhound, sheep, an owl, a unicorn, trees and a central sunburst, late 17th / early 18th century, 41.8 x 103cm, in a later glazed ebonized frame. £1,000-1,500

112

112. A stumpwork casket, decorated with satin flowers with metal thread scrolls, with a paper lined interior on gilt ball feet, late 17th / early 18th century, 7cm high, 10.3cm wide, 7.5cm deep. £300-500 Provenance: A private collection in the Cotswolds.

113. A late 17th century Flemish verdure tapestry fragment, with a manor house in a woodland setting, 198.5 x 200.5cm. £500-700

113

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114

115

114. An early Victorian wool and needlework picture, of a lady seated in a garden sewing, 40 x 39.4cm, in a glazed simulated rosewood frame. £100-150 115. An early 19th century woolwork picture of a rainbow trout, 40.5 x 48.5, in a glazed giltwood frame. £100-200 116. A George III silkwork map of England and Wales after the map by Laurie & Whittle, in a later glazed frame, 53.9 x 42.5cm. £100-150 116 117. An 18th century embroidered needlework panel/sampler, comprising of three strips of silk, decorated with flowers and foliage, with initials to the top corners, and with a three masted ship and anchor within a wreath and two figures, 51.5 x 15.7cm, in a later glazed frame. £100-150 Provenance: A private collection in the Cotswolds 118. A fine Italian embroidered silk hanging, in the Arts & Crafts style reviving the 17th century Venetian silkworks, on a linen ground, decorated with scrolling flowers and foliage, some flowerheads worked with French knots, late 19th / early 20th century, 305 x 176cm. £800-1,200 Provenance: Sir Russell Hornby of Barraclough, Clitheroe, Lancashire who inherited it from his maternal uncle, ‘Count’ Redmond Toler Clayton-Browne Clayton of the Villa La Punta, Cervara, Santa Margherita, Ligure, Italy. 119. A late 19th century Italian needlework picture, depicting an urn of vine leaves and grapes with a pair of peacocks flanking the Christian symbol Chi-Rho, 48.5 x 67.5, in a glazed Florentine carved giltwood frame. £80-120 Provenance: Sir Russell Hornby of Barraclough, Clitheroe, Lancashire who inherited it from his maternal uncle, ‘Count’ Redmond Toler Clayton-Browne Clayton of the Villa La Punta, Cervara, Santa Margherita, Ligure, Italy.

117

119 118

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120. A pair of silk and nué work ecclesiastical panels, each worked with appliqué on a golden ground with scrolling foliage around a central religious panel of the Virgin and of a hermit possibly St. Anthony of Padua, Italian or Spanish, late 16th / early 17th century, 58.5 x 83.5cm, each in a later glazed gilt frame. (2) £1,200-1,800 For a similar set of four panels see Sotheby’s, European Sculpture & Works of Art 900-1900, Wednesday 9th April 2003, lot 13.

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121. A pair of 17th century carved oak corner brackets, each decorated with a female figure, one with a bird the other with billowing drapery, 55.5cm high. (2) £200-300 Provenance: A private collection in the Cotswolds.

122. A pair of carved oak terms, each with a stylized capital above a bust of a man, possibly 15th / 16th century, 28cm high. (2) £200-300 Provenance: A private collection in the Cotswolds.

122

121

123

123. A 16th century carved oak panel depicting the Nativity, 43.5 x 26.2cm, together with a carved oak panel of a saint holding a chalice. (2) £200-300 Provenance: A private collection in the Cotswolds.

124. Two 17th century carved oak terms, each of a bearded male figure, one with a lion’s mask, 53.2cm high max. (2) £150-250 Provenance: A private collection in the Cotswolds.

124

125. A pair of carved oak corbels, each with a lion holding a shield decorated with a Tudor rose, 31.9cm high, 8.5cm wide. (2) £100-150 Provenance: A private collection in the Cotswolds.

125

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126. A set of four 16th century carved oak ‘Romayne’ panels, each with a portrait bust within a wreath or a cartouche above mythical beasts, and surmounted by an angel’s mask, a bull’s head, a pair of horse’s heads and a pair of stylized human heads, 55.3 x 21.3 each panel, later mounted into oak door frames. (2) £800-1,200 Provenance: A private collection in the Cotswolds.

127. A Flemish oak chest, the boarded top above two short and two long drawers with a central narrow drawer, carved with ribbon tied swags and scrolling mythical beast masks with satyr figures, with bronze loop handles, the sides with panels of stylized foliage, crossed halberds and angel masks, the panels probably 16th / 17th century but incorporated later, 85.5cm high, 93.5cm wide, 60.7cm deep. £400-600 Provenance: Leslie Gooday OBE.

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129 128 128. A carved oak wall bracket, the base carved as a bust of a bearded man, 17th century, the top modern, 19.3cm high, 28cm wide, together with a Black Forest carved cresting. (2) £40-60 Provenance: A private collection in the Cotswolds. 129. A pair of mid 19th century carved walnut plaques, depicting scenes of chivalric romance, each in a moulded frame, 29.7 x 38cm. (2) £200-300 130. A 17th century oak panel, carved with a Tudor rose, 40.3 x 23cm together with another oak panel. (2) £80-120 Provenance: A private collection in the Cotswolds. 131. A carved limewood bracket, decorated with scrolls, swags and an angel mask, 16th / 17th century, 22cm high, 20cm wide, together with a composition stone wall bracket, decorated with a bearded gnome type figure. (2) £100-200 Provenance: Leslie Gooday OBE. 132. A mid 16th century German gilt bronze plaque, engraved with the standing figure of Pride (Hoffar) flanked by a horse and a peacock, from a series of the seven deadly sins, perhaps a side of a casket or box, 8.5 x 12.5cm, in a ripple moulded wood frame. £400-600

130

Similar images of ‘Hoffar’ can be found on 16th century engravings by George Pencz and Hans Burgkmair the Elder.

131

132

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133. A 17th century carved wood and polychrome decorated figure of a female saint, with traces of gilded decoration, possibly Spanish or Italian, 51.5cm high, 29.5cm wide. £400-600

134. A 17th century Italian carved pine and polychrome decorated figure of a Franciscan monk, possibly St. Francis, with traces of gilding, 48.4cm high. £1,000-1,500

Provenance: Leslie Gooday OBE.

135. A 17th century carved wood and polychrome decorated figure of a Franciscan monk, with traces of gilding, he carries a book in his left hand and a remains of a lamp in his right, possibly Italian or Spanish, 97cm high, 45cm wide. £500-700 Provenance: Leslie Gooday OBE.

136. A 17th century Utrecht polychrome decorated terre de pipe figure of the Madonna and child, 18cm high. £200-300

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137

138 137. A German silver Corpus Christi in 12th century style, probably Cologne, 17th / 18th century, 22.5cm high, 20.9cm wide. £300-500 Provenance: A private collection, New York City. 138. A South German carved boxwood Corpus Christi, late 17th / early 18th century, 35.5cm high, 19.5cm wide. £800-1,200 139. A carved ivory Corpus Christi, 18th / 19th century, later mounted on a perspex plaque, 21.2cm high. £100-150 Provenance: Leslie Gooday OBE. 140. A carved bone Corpus Christi, probably Medieval, 10.5cm high, 5.8cm wide. £100-150 141. A medieval carved sandstone bust of a man, English, 13th century, 20.5cm high. £200-300

139

141

140

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143 142. Four 19th century Arundel Society plaster casts of Roman ivory plaques by Franchi & Son, with paper labels and stencil marks 'FRANCHI & SONS, 15 Myddleton St. LONDON', 38cm high, 32.2cm wide, max. (4) £80-120 143. A 19th century Italian carved ivory model of Bishop Gotofredo's situla, with a swing handle above an inscribed and acanthus carved frieze, with niches with figures of the four Evangelists and the Virgin and child, flanked by two angels, 19.5cm high, 12.3cm wide. £400-600

142

Provenance: Sotheby's New York , 30th May 1980, Lot 196. Sotheby's Amsterdam, 23rd May 2000, Lot 193. The original situla was commissioned by Bishop Gotofredo, Archbishop of Milan, for the coronation of Otto II in 979. It now resides in the treasury of the Basilica Santa Maria Nascente, Milan. 144. A Byzantine bronze pricket candlestick, with a turned stem and a tripod base, 4th / 5th century AD, 27.4cm high. £400-600 145. A bronze Samson and the lion pricket candlestick in 13th century style, £300-500 with a foliate drip-pan, 24.2cm high, 13.5cm wide. Provenance:Bonhams Knightsbridge, 6th July 2010, Lot 5. CF example in Hamburg Falke and Meyer no. 253 ill. 217. West Country Collection, previously Pitt Rivers Collection and previous to that Czasky Collection sold at auction by Christies London, Lot 56, 11th December 1990. This bronze candlestick refers to a scene from the biblical book of Judges (14:5-7), which tells how Samson killed a lion with his bare hands.

144 145

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147

146. Three Italian gilt metal reliefs, of two figures beside a well, of Hercules and Lichas and of a young girl, two mounted, together with a gilt bronze bust of a lady and a gilt metal pendant of a bishop, 9.8cm high, max. (5) £100-150 147. An Italian gilt bronze figure of Leda and the swan, 17th century, mounted on a later ebonized plinth, 14.3cm high, together with a gilt bronze model of a boy holding a torch and supporting a cartouche and a gilt bronze figure of Mercury. (3) £200-300 148. A 17th century Italian bronze inkwell cover, with foliate decoration, possibly Venetian, 5.8cm high, together with a 16th / 17th century turned bronze finial decorated with four female masks, a gilt bronze finial with three busts of maidens and a gilt bronze corona. (4) £100-200

146

149. An Indian marble linga, with a faint inscription, 10.4cm wide, a Chinese moss agate box cover, with a label inscribed 'COLLECTION N. E. LANDAU, PARIS, ANTIQUAIRE, 3, R. DE DURAS', an 18th century gilt metal oval box, a green painted bronze finial, an 18th century gilt bronze wall sconce, a silver paper knife with a term finial, possibly 16th / 17th century, a Roman terracotta fragment, two ancient copper plaques, a bronze bust of an old man, a silver model of a 13th century style lion, a relief carving of a fertility figure, a Bactrian turquoise bead necklace, a bone fid and a stone pendant. (15) £80-120 Provenance: Nicolas Landau collection. 148

150. A bronze figure of the grim reaper, carrying a scythe and standing on a skull and crossbones, possibly late 17th century, mounted on a later ebonized plinth, 14cm high, together with an Etruscan style bronze figure of a warrior, on an ebonized plinth. (2) £100-150

149

150

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151. An Italian bronze model of an eagle’s head in the manner of Giambologna, possibly 17th century, 7.4cm high, 14.3cm long. £400-600

152. An Italian bronze inkwell and cover, decorated with masks and swags, the base with three mermaid type figures, probably Venetian, late 16th / early 17th century, 12cm high, 8cm diameter. £300-400

153. An Italian bronze model of a frog, 17th century, 8.5cm long, together with an Italian bronze serpent, with a ring in its mouth. (2) £100-150

154. An Indo-Portuguese ivory carving of the Good Shepherd, with his head resting on his right hand sitting on a heart, the base with a fountain of life, above sheep and Mary Magdalene, 18th century, 21cm high. £600-800 155. A French bronze figure of a gentleman, late 17th / early 18th century 7,7cm high, together with a bronze finial in the form of a monkey eating and a bronze model of an ox head, with a suspension ring. (3) £80-120

Provenance: A private collection in the Cotswolds. For similar carvings see Margarita Mercedes Estella Marcos, Ivories, pp. 252 and 253.

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156. A bronzed lead erotic rondel, cast in relief with a satyr making love to a maiden, with an excited term and onlookers, 13.4cm diameter, together with a bronze relief rondel of classical figures. (2) £150-200

157. An Italian carved marble bust of a monk, with an inscription to his chest ‘RELIC FROM MESSINA EARTHQUAKE 28TH DECR 1908’, 17th / 18th century, 54cm high, 49cm wide. £500-700 Provenance: Leslie Gooday OBE.

158. A Chinese Tang Dynasty bronze figure of an actor, 8.7cm high. £50-100

159. An Italian relief carved marble plaque, depicting the enthroned Virgin and child, above laurel swags, possibly 17th century, 37.6 x 24.5cm, in a later pine and parcel gilt frame. £400-600 160. An 18th century bronze relief rondel, depicting the Massacre of the Innocents, 13.3cm diameter, in an ebonized moulded frame. £100-150

Provenance: A private collection in the Cotswolds.

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161. Francesco Bertos (Italian, 1678-1741). A pair of carved marble figures of Polyphemus and Galatea, Venice, c. 1700, Polyphemus: 63.3cm high, 27.5cm wide, Galatea: 60.5cm high, 28cm wide. (2) £15,000-20,000 Provenance: Bonham’s London, 29th October 2002, lot 70. From an English private collection. See C. Avery, The Triumph of Motion, Francesco Bertos (1678-1741) and the Art of Sculpture, Catalogue Raisonné, Torino, 2008, p.173, nos. 31-32.

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FURNITURE & WORKS OF ART

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162

162. An Anglo-Dutch walnut and seaweed marquetry cushion frame wall mirror, early 18th century, 80.2 x 97.5cm. £1,000-1,500 Provenance: Rookley Manor, Hampshire. 163

163. A walnut high back side chair in Queen Anne style, the arched scroll top rail above a panelled back with turned column supports, the solid seat on baluster and block supports. £80-120 164. A William and Mary walnut cushion frame wall mirror, with a later rectangular bevelled plate, 62.2 x 57cm. £600-800

165

165. An early 18th century walnut table cabinet, with cross and feather banding, with a pair of doors enclosing an arrangement of eight drawers, 44.4cm high, 55.3cm wide, 31.5cm deep. £400-600 166. A Queen Anne oak and pollarded oak lowboy, the walnut crossbanded moulded edged top above a pair of frieze drawers inlaid with fruitwood banding, above a shaped frieze and on ring turned baluster legs united by an ‘X’ stretcher, 74.3cm high, 78cm wide, 49.5cm deep. £800-1,200

165 open

164

166

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167. An early 18th century walnut dressing table mirror, the shaped arched plate within a moulded frame above a stepped box base with four serpentine front drawers, on disc feet, 66.7cm high, 38.5cm wide, 18.5cm deep. £100-150 Provenance: A private collection in the Cotswolds. 168. An early 18th century walnut toilet mirror, the later shaped plate within a moulded frame and a fret crest, the box base with a hinged fall, revealing pigeon holes and two drawers above a serpentine front drawer, on disc feet, 82.6cm high, 40cm wide, 24cm deep. £100-150 169. A George II walnut side chair, the leaf carved top rail above a solid splat, a drop-in seat, the frieze carved with scrolling leaves and centred a shell, on leaf capped cabriole legs and pad feet, united by a stretcher. £200-300

167

168

170. A walnut fret-frame wall mirror, 48.3 £80-120 x 26.4cm. Provenance: A private collection in the Cotswolds. 171. A George II walnut toilet mirror, the arched plate within a moulded frame, above a box base, with three curved front drawers, 49cm high, 35.8cm wide, 18.8cm deep. £80-120 Provenance: A private collection in the Cotswolds. 172. An early 18th century oak and walnut chest, of two short and three long drawers, on bun feet, 85cm high, 96cm wide, 49.5cm deep. £200-300 Provenance: A private collection in the Cotswolds.

169

173. A George II walnut dressing table mirror, the later arched plate within a moulded frame and above an inverted breakfront box base, inlaid with feather stringing and fitted with three drawers, 61.5cm high, 39.8cm wide, 21.5cm deep. £80-120

170

Provenance: A private collection in the Cotswolds.

171 173

172

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174

174. A pair of George II walnut stools, on cabriole legs with scroll ears and pointed pad feet, 40cm high, 45.5cm square. (2) £800-1,200

MISS ELSIE ROBINSON

The following eight lots were made by Miss Elsie Robinson in the 1930s. Elsie was a self-taught cabinet maker who was inspired to make furniture after studying woodwork at Bagshot Technical School. She would visit the Victoria & Albert museum in her spare time and would study and sketch early 18th century furniture and would then recreate her favourite pieces. She exhibited at the Royal Amateur Art Society and won various prizes for her work. Queen Mary was the president and declared a real interest in lot 175 but Elsie wouldn’t be parted from it. The following lots have passed from Elsie by descent to the present owner. 175. A burr walnut bureau bookcase in early 18th century style by Elsie Robinson, crossbanded and inlaid feather stringing with a pair of astragal glazed doors enclosing three shelves above a pair of candle slides, the hinged fall enclosing a stepped interior with drawers and pigeon holes, with a central panelled door flanked by columns and a chequer step secret drawer, above a long drawer fitted with four lidded compartments, and an arrangement of nine drawers around a central cupboard, 221.5cm high, £1,000-1,500 76.4cm wide, 51.1cm deep. 176. A burr walnut fret-frame wall mirror in George I style by Elsie Robinson, the rectangular plate within a moulded slip and the frame decorated with a gilt shell, early 20th century, 86.2 x 52cm. £80-120 177. A burr walnut fret-frame wall mirror in George I style by Elsie Robinson, the rectangular plate within a moulded slip and the frame £80-120 decorated with a fan patera, early 20th century, 79 x 47.5cm.

175

175 detail 176

177

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178

179 178. A walnut toilet mirror in early 18th century style by Elsie Robinson, the arched plate within a moulded frame above a box base with three curved front drawers on bracket feet, 66.1cm high, 41,cm wide, 24.7cm deep. £100-150

180

179. A burr walnut corner lady’s bureau bookcase in early 18th century style by Elsie Robinson, inlaid with feather stringing, the arched top above an astragal glazed door enclosing shaped shelves, above a hinged fall revealing a curved interior of part ebony drawers and pigeon holes, with a central cupboard door and a secret step compartment, above an arrangement of eleven drawers on carved cabriole legs on ball and claw feet, 191.7cm high, 78cm wide, 47cm deep. £800-1,200 180. A burr walnut fret-frame wall mirror in George I style by Elsie Robinson, the rectangular plate within a moulded slip and the frame decorated with a gilt shell, £80-120 early 20th century, 57.8 x 78.2cm. 181. A walnut standing corner cupboard on stand in early 18th century style by Elsie Robinson, the panelled door enclosing two shelves, the open base fitted with a frieze drawer on turned legs, 161.4cm high, 73cm wide, 43.3cm deep. £200-300 182. A walnut and burr walnut lowboy in early 18th century style by Elsie Robinson, cross and feather banded the quarter veneered top with re-entrant corners above, three drawers and shell capped cabriole legs, 76.7cm high, 84cm wide, 55cm deep. £200-300

181

182

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183. A George II mahogany side table, the moulded edge top above a wavy edge frieze and on shell and husk capped cabriole legs with ring £800-1,200 ankles and claw and ball feet, 84cm high. Provenance: Bought by the vendor from a house sale held at Denbury Manor, Newton Abbott, Devon, in the 1950s. 184. A George I walnut side chair, the vase shaped splat back above a drop-in seat, with cabriole legs, with ripple carved edges, united by a turned and shaped stretcher. £100-150 185. A George II mahogany drop-leaf dining table, the oval top on leaf capped cabriole legs and pointed pad feet, 72.7cm high, 119.1 x 130.2cm (open). £200-300 186. A mid 18th century mahogany oval drop-leaf table, with replaced frieze drawers, on cabriole legs and hoof feet, 74.3cm high, 128cm wide, 107.4cm deep (open). £300-500

185

187. An Irish mahogany wake table, the oval drop-leaf top on later moulded supports, 18th century and later, 73.6cm high, 244.1 x 139.2cm (open). £500-700 184

186

187

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188. A George II fruitwood lowboy, the moulded edge top above two short and one long drawers, on moulded and chamfered legs and roller castors, 73cm high, 80.3cm wide, 51.8cm deep. £300-500

189. An early George III mahogany Pembroke table, with a frieze drawer above channelled square tapering legs, united by an ‘X’ stretcher on guttae feet and leather roller castors, 71cm high, 51.5cm wide, 76cm deep. £300-400

190. A mahogany and satinwood card table, the ‘D’ shape kingwood crossbanded top, on a single gate support, the base inlaid with boxwood stringing, George III, top and base probably associated, 74.6cm high, 90.6cm wide, 44.9cm deep. £150-250

191. A George III mahogany Pembroke table, inlaid with ebonized stringing, the serpentine edge drop-leaf top above a mahogany lined drawer, with a false front to the reverse, inlaid with fan paterae, on reeded tapering legs with stiff leaf capitals and on brass castors, 71.9cm high, 71.3 x 91.4cm (open). £300-500

Provenance: Rookley Manor, Hampshire.

192. A George III mahogany and fruitwood chest, of four long graduated drawers, 98cm high, 91.5cm wide, 46cm deep. £200-300 Provenance: Rookley Manor, Hampshire.

193. A satinwood oval occasional table, with harewood banding, with a frieze drawer on square tapering legs and spade feet, George III but adapted, 45.7cm high, 70.3cm wide, 51.5cm deep. £100-150

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194. A George III mahogany serpentine serving table, inlaid with stringing, on moulded tapering legs, 82.2cm high, 152.2cm wide, 65.5cm deep. £400-600 195. A George III mahogany and marquetry tray-top bedside commode, the galleried top pierced with two handgrips and quatrefoils, the top inlaid with an urn, the door with a foliate patera, 70.3 high, 40.4cm wide, 36.5cm deep. £100-150 196. A pair of George II mahogany sgabello hall chairs, each with a curved back and a dished seat. (2) £600-800 Provenance: Rookley Manor, Hampshire. 197. A George III mahogany and marquetry oval wine cooler on stand, brass bound and inlaid with ribbon tied leaves and flowers, with a lead-lined interior, on square tapering legs, brass caps and castors, 60.9cm high, 81.2cm wide, 60cm deep. £800-1,200 195

Provenance: Normanby Park, Lincolnshire. Rookley Manor, Hampshire.

197

196

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198. A mahogany tripod table, with a circular tilt-top with a pie crust moulded edge, on a vase turned stem, George III and later, 68.6cm high, 67.5cm wide. £150-250

199. A mahogany tripod table, the circular dished tilt-top on a stop fluted stem and spiral bowl, George III and later, 69.2cm high, 49.5cm diameter. £300-500

198

199 200. A George III mahogany tray-top bedside commode, the gallery pierced with three handgrips above a tambour shutter and a converted pull-out base, 81.7cm high, 52.8cm wide, 47.4cm deep. £200-300

201. An early 19th century mahogany Lancashire commode, with a converted base, 75.7cm high, 51cm wide, 50cm deep. £200-300

200

202. A George III mahogany bowfront hanging corner cupboard, inlaid with stringing and kingwood banding, the interior with three shelves, 108.2cm high, 70.1cm wide, 49.5cm deep. £50-150

201

Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

203. An early George II mahogany bowfront hanging corner cupboard, the interior with two shelves and three spice drawers, 113.6cm high, 86.4cm wide, 53cm deep. £50-150 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

202

203

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204. A Regency mahogany bedside step commode, inlaid with stringing and with reeded edges, with a hinged top and a pull-out chamber compartment, on turned tapering legs, 68.5cm high, 71.5cm wide, 46.2cm deep. £100-200

205. A George III mahogany open armchair, with moulded arms with carved florets, on square front legs united by an ‘H’ stretcher, on leather roller castors and later ceramic castors to the back legs. £300-500

206. A George III mahogany secrétaire bookcase, the cornice inlaid with a fan flanked by urn panels above dog tooth banding, above a pair of boxwood strung astragal glazed doors enclosing three adjustable shelves, flanked by stop fluted pilasters, the secrétaire with an arrangement of satinwood veneered drawers, and pigeon holes above a later leather surface, and three long drawers all with ivory urn escutcheons, on French bracket feet, 244cm high, 116cm wide, 52.5cm deep. £2,000-3,000 207. A Regency mahogany bowfront sideboard, with a brass rail with urn finials, the base inlaid with boxwood and ebonized stringing and fitted with a central drawer flanked by two deep drawers, one with divisions for bottles, the other with divisions, with a further drawer and cupboard, 141.6cm high, 184cm wide, 84.4cm deep. £300-500

Provenance: Bought from Mark Collier Antiques and Works of Art, Downton, Wiltshire, 23rd August 1976.

Provenance: Bought from Edward A Nowell & Daughter, Wells, Somerset, 24th April 2003.

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208. A George III mahogany bowfront standing corner cupboard, with a pair of astragal glazed doors enclosing two shelves, the base with sold doors enclosing two further shelves, flanked by reeded pilasters, on bracket feet, 183.3cm high, 67.5cm wide, 47cm deep. £600-800 209. A walnut armchair in George II Irish style, the fan back above leaf carved scroll arms,with a rocaille carved front rail, on shell capped cabriole legs and paw feet, late 19th century. £300-500

209

Provenance: A private collection in the Cotswolds.

208

210. A mahogany open armchair in George III style, the oval back carved with the Prince of Wales’ plumes, with fan paterae, the stuffed-over seat upholstered with John Boyd fabric on fluted tapering legs. £250-300 211. A wing armchair, on moulded and chamfered oak front legs, united by an ‘H’ stretcher. £300-500 212. A set of seven mahogany dining chairs, each with a pierced ladder back above a drop-in seat, on chamfered supports united by carved Gothic ‘H’ stretchers, possibly George III. (7) £300-500 211

210

212

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213. A pair of George III giltwood bergères in the manner of François Hervé, each with a beaded moulded frame, the top rail with a tablet carved with scrolling ribbons and leaves, with floret velvet upholstery, with spiral fluted baluster arms on fluted tapering legs, re-gilt. (2) £15,000-20,000 Provenance: Purchased in the early 1970s from Frank Partridge Ltd. This fine pair of giltwood bergères reflect the fashion for French furniture in the 1780s championed by George, Prince of Wales and the 5th Duke and Duchess of Devonshire. Imitating the Louis XVI style they relate to chairs produced by the Parisian trained cabinet and ‘cabriolet chairframe maker’ François Hervé who worked for the Prince of Wales at Carlton House and for the Duke and Duchess of Devonshire at Chatsworth.

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214

215 214. An early 19th century mahogany cellaret, the interior with six divisions, with brass side carrying handles on turned legs and brass feet, 55.7cm high, 43.5cm wide, 33.6cm deep. £200-300 215. A George III mahogany linen press, with a detachable cornice above a pair of panelled doors enclosing a later brass hanging rail, above two short and two long drawers, 202.2cm high, 126.3cm wide, 61cm deep. £400-600 Provenance: Rookley Manor, Hampshire. 216. A George III mahogany kettle stand, inlaid with stringing, the octagonal tilt-top with segmented veneers and with a central fan patera, on a tapering column stem and a quatreform base, 69cm wide, 37.9cm wide. £100-150 Provenance: Bought from Mark Collier Antiques and Works of Art, Downton, Wiltshire, 23rd August 1976. 216 217. A mahogany stool in George II style, the floral needlework seat on carved cabriole legs and claw and ball feet, late 19th century, 47cm high, 67.3cm wide, 51.1cm deep. £100-150 218. A George III Sheraton mahogany breakfront sideboard, inlaid with boxwood stringing with a frieze drawer flanked by cupboards, on square tapering legs, 91.6cm high, 198cm wide, 55.5cm deep. £800-1,200 Provenance: Rookley Manor, Hampshire.

217

218

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219. A George III satinwood and harewood demi-lune card table, inlaid with feather stringing, the hinged top crossbanded with kingwood and purpleheart, on square tapering legs and spade legs, 74.8cm high, 97.8cm wide, 48.4cm deep. £500-800

220. A 19th century satinwood demi-lune card table, crossbanded with kingwood, the fan inlaid top with purpleheart panels, above a baize lined writing surface on square tapering legs and spade feet, £1,000-1,500 78.6cm high, 91.3cm wide, 45.7cm deep.

221

221. A George III Scottish Sheraton mahogany lady’s work/writing table by Biggar of Edinburgh, inlaid with stringing, the plumb pudding crossbanded top with a pleated silk lift-up screen, above a frieze drawer with a leather lined writing surface and a pen and ink drawer, with a paper trade label inscribed ‘Biggar’s CABINET WARE-HOUSE Opposite the College, EDINBURGH’, above a pull-out bag, on square tapering legs and brass castors, 75cm high, 60.2cm wide. 50.3cm deep. £200-400 Provenance: Bought from Antique Sales, Kelvedon, Essex, November 1979. 223

222. A George III mahogany bed side step commode, inlaid with stringing and with later gilt tooled green leather treads, with a hinged top and a converted pull-out compartment, on turned legs, 68.4cm high, 71.5cm wide, 47.5cm deep. £150-250 Provenance: Bought from David Pettifer Ltd. Antiques, London, 10th March 1977. 223. A George III mahogany single four poster bed attributed to Gillows of Lancaster, with reeded and turned front posts with brass bands and turned urn finials, with blue painted top rails and with satinwood bands and marquetry inlaid covers, on iron and wood castors, £600-800 245cm high, 107cm wide, 212cm long. 222

Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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225

224

224. A wing armchair, with button upholstered dralon on mahogany supports united by an ‘H’ stretcher and on ceramic castors. £300-500 225. A pair of George III painted side chairs in the manner of William and John Linnell, each with an oval back with palmette and flower splats, radiating from a central rondel decorated with a classical female figure, above a serpentine stuffed-over seat, on fluted £150-200 tapering legs, headed by cupid panels. (2) 226. A Regency mahogany open armchair, the lattice back carved with a patera and husks, with a silk squab cushion and a cane seat. £100-150 227. A pair of carved wood and painted rondels, decorated with a foliate lion’s mask, above war trophies, 75.8cm diameter. (2) £800-1,200 228. A set of four mahogany cockpen dining chairs in Chinese Chippendale style, each with a lattice back and arms, above a cane seat, late 19th / early 20th century. (4) £200-300 226

228

227

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229. A large early Victorian giltwood overmantel mirror in mid-18th century style, the shaped central plate flanked by marginal plates within a leaf and fruit scroll frame, with a boldly carved leaf surmount within ‘C’ scrolls, with a cartouche shape base, 226 x 172cm. £4,000-6,000 Provenance: Compton Castle, Compton Pauncefoot, Somerset. Bought at the house sale held on the 10th and the 11th April 1961. The Property of a Deceased Estate. Compton Castle and its gardens were constructed in the Gothic style by John Hubert Hunt in 1820-1825. It is thought that Hunt’s architect was John Finden (1782-1849) who exhibited drawings for the house at the Royal Academy in 1821. Hunt died in 1830 and the house was let to various tenants. In 1911, Compton Castle and its landscaped garden were sold to William Peake Mason, later Lord Blackford.

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230

231

230. A 19th century mahogany brass bound cutlery tray, with a pierced handle and twin divisions, the base stamped ‘L 36976’, 17.5cm high, 40.2cm wide, 24.9cm deep. £100-150 231. A late 19th century mahogany lazy susan, inlaid with a fan patera, 49.8cm diameter, together with a two-tier lazy susan, 46.4cm high. (2) £200-300 232. A George III mahogany knife box, inlaid with stringing, the interior with a matrix and twenty-seven ivory handled knives, 36.3cm high, 22.7cm wide, 27.3cm deep. £150-250 233. A George III mahogany box, crossbanded and inlaid with stringing, the hinged top with an oval panel above a divided interior, with brass side carrying handles, and castors, 34.8cm high, 49cm wide, 37.4cm deep. £100-150 232 234. An 18th century shagreen decanter box, with engraved brass handles and lock plate, the plush lined interior fitted with nine octagonal cut glass decanters and stoppers, with two extra stoppers, with a base drawer, 29cm high, 38cm wide, 27.3cm deep. £300-400 235. A carved oak lazy susan, the centre dated ‘1914’, to a scroll carved edge, the base with scrolling ivy leaves, 61.2cm diameter. £100-150

233

234

235

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236. A Regency penwork and silver mounted tea chest, decorated with classical scenes of chariots within palmette borders, the hinged lid with a navette shape handle, the interior with three divisions with a pair of cut glass canisters each with an engraved silver hinged lid with Greek key and flower and foliage borders, the centres with a monogram, flanking a cut glass sugar bowl, the hinges, handle and lids hallmarked for Thomas Phipps and Edward Robinson, London 1807, 15cm high, 31cm wide, 14.7cm deep, together with a Dutch silver repoussé decorated tea strainer by Bernard Muller. £300-500

237. A George III mahogany tea caddy, the hinged lid with a brass handle, revealing a triple lidded divided interior, 13.8cm high, 24cm wide, 14cm deep. £100-150 Provenance: A private collection in the Cotswolds.

238. A Regency penwork tea chest, of canted form and decorated with panels of leaves, the interior with a pair of part hinged lidded pullout canisters, decorated with Chinese figures flanking an aperture for a sugar bowl, 15.4cm high, 31.2cm wide, 15.5cm deep. £100-200

239. A George III blond tortoiseshell tea caddy, inlaid with pewter and ivory stringing, with a navette shape handle, the interior with twin lidded divisions, 12.7cm high, 19.7cm wide, 12.5cm deep. £200-300

240. A William IV goncalo alves sarcophagus shape tea chest, the interior with a pair of pull-out hinged lidded compartments, flanking a sugar bowl aperture, 20cm high, 32.6cm wide, 18.7cm deep. £80-120

Provenance: A private collection in the Cotswolds.

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242

241

241. A George IV mahogany sarcophagus shape tea chest, with egg and dart mouldings, the interior with a pair of lift-out canisters with hinged lids, flanking a sugar bowl aperture, on flattened bun feet, 21.4cm high, 34cm wide, 18.3cm deep. £100-150 242. A mid 18th century gilt metal travelling inkwell and sander, with rococo decoration 5.5cm wide. £100-150 Provenance: June & Tony Stone Fine Antique Boxes, 75, Portobello Road, London. 243. A George IV rosewood and brass marquetry tea caddy, with nulled mouldings, the interior with twin lidded divisions, 16cm high, 21cm wide, 13.2cm deep. £100-150

243

244. A 19th century satinwood box, with ebonized banding, the interior with two lift-out trays and with two secret drawers, 10.8cm high, 39cm wide, 23cm deep. £100-150 Provenance: A private collection in the Cotswolds. 245. A 19th century continental ebonized scent bottle box, the hinged lid inlaid a brass garter to a stepped divided and plush lined interior with a glass box and cover and a scent bottle and stopper, 15.3cm high, 20.7cm wide, 15.4cm deep. £80-120 246. Equestrian interest. A Victorian electroplated tea caddy, cast with panels of racehorses with figures within naturalistic borders, the interior with twin divisions, 12.5cm high, 16.6cm £300-400 wide, 10.8cm deep.

244

246 245

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247. Attributed to William Hayes (1729-1799). A pair of George III oval embossed bird pictures, with bead eyes, 20.5 x 15.3cm, each in a glazed carved giltwood frame. (2) £300-400

248. A Victorian tortoiseshell and piqué work card case, 10 cm high, together with a Regency silhouette of a gentleman, in a gilt brass oval frame, 12.5cm high. (2) £80-120

249. An early Victorian watercolour full length portrait of a gentleman, in a top hat and tails, with a blindstamp to bottom left corner, 26.1 x 16.3cm in a glazed bird’s eye maple frame, together with a portrait of a Bishop in an ornate gilt frame and a pair of George III silhouettes of a lady and a gentleman, in oval brass frames. (4) £150-250

250. A George III silhouette of George Baillie Esq. by S Houghton, in a later frame, the back with remnants of the original paper label, 12.3 x 9.5cm, together with a silhouette portrait of a man in an ebonized frame and an 18th century wax bust of a lady. (3) £40-60

251. A coloured engraving of ‘HER MOST GRACIOUS MAJESTY Victoria’, after G. Hayter Esq., and engraved by J. Cochran, published by ‘FISHER SON & CO PARIS 1837’, 19.7 x 13.8 in a glazed bird’s eye maple frame, together with a watercolour portrait of a gentleman, in a bird’s eye maple frame, and a Baxter print of Admiral Lord Nelson in a carved giltwood frame. (3) £80-120

Provenance: A private collection in the Cotswolds.

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252. A late Victorian brass and cast iron four division stickstand, with a lift-out tray, 63.3.cm high, 23.5cm wide. £150-250

253. A brass and cast iron four division stickstand, with a lift-out tray, 64.8cm high, 25cm square. £100-150

253

252

254. A Victorian cast iron stickstand, the back decorated with bust of an Elizabethan gentleman, the lift-out tray with a registration lozenge, 83.3cm high, 48.4cm wide, 22cm deep. £100-150

255. A Victorian Falkirk cast iron stickstand, of arched form with pierced foliate and geometric decoration, the reverse stamped ‘FALKIRK NO.33. PL. 256E’, with a registration lozenge dated for 1st October 1873 , the lift-out base also stamped, 74.8cm high, 38.9cm wide, 22cm deep. £100-150

254

256. A late Victorian brass and cast iron corner six division stickstand, with a painted lift-out liner, 60cm high, 42.5cm £100-150 wide, 29.5cm deep. 255

257. A brass five division stickstand, with a painted metal base, 62.2cm high, 40.1.cm wide, 21cm deep. £100-150

256

257

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258. A large pair of bronze models of cranes, each signed ‘LATRECK’, mid 20th century, 207cm high, 71cm wide. (2)

£2,000-3,000

Provenance: Leslie Gooday OBE.

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261 259

260 259. A Victorian brass fox hunting doorstop, the handle in the form of a riding crop, above a fox head mask, 40.7cm high, 12.5cm wide. £100-150 260. A Victorian cast iron doorstop, modelled with a mermaid supporting a leaf scroll handle, 40.9cm high, 27.8cm wide. £80-120 261. A pair of Victorian cast iron and gilt brass andirons, each in the form of a rampant lion, each holding a bar in its forepaws, 36cm high, 22.5cm wide. (2) £250-350 262. A Dutch tôle peinte log bin, the front decorated with galleon battle scene, and inscribed ‘Elke tyd heeft seyn stryd’, on cast paw feet, late 19th / early 20th century, 51cm, high, 65.7cm wide, 42cm deep £200-300

262

263. A pair of basket of fruit stone finials, 48.5cm high, 50cm wide. (2) £300-500 264. A stone garden trough, 19.2cm high, 86cm wide, 31.5cm deep. £100-150 264A. Four staddle stones, with mushroom tops. (4) £400-600

263

264

264A

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ORIENTAL FURNITURE & WORKS OF ART

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266. An Ottoman style brass mosque lantern, with pierced decoration. £100-150

265. A Persian gilt damascened steel pen box qalamdan, decorated with scrolling foliage, 19th century possibly Qajar, 22.5cm long. £300-400

268. Five Kashmiri lacquer table lamps, three baluster shape, decorated with flowers and two with spiral twist stems, 69.8cm high, max. (5) £250-350

267. A Kashmiri lacquer three-fold frame, decorated with gilt scrolling foliage, the graduated panels with spindle galleries above apertures for pictures or photographs, 49.8cm high, 27.3cm wide, each panel. £250-350

269. A Kashmiri lacquer occasional table, the octagonal detachable top decorated with scrolling foliage on a conforming folding base, late 19th / early 20th century, 50.9cm high, 54cm wide. £100-150

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270

271

270. A Kashmiri lacquered standard lamp, painted with blue flowers with gilt highlights, 118cm high, 35.5cm diameter. £100-150 271. A late 19th century Moorish mother of pearl and ivory occasional table, the octagonal top with a later mirrored panel, the base decorated with mihrab arches and parquetry decoration, 75.3cm high, 41.2cm wide. £100-200 272. An Ottoman style brass mosque lantern, with pierced decoration and stained glass panels, 54cm high, 23.5cm wide. £100-200 273. An Indian carved hardwood occasional table, the circular top inlaid with bone camels and elephants, with scrolling foliage, on elephant head legs, early 20th century, 59.8cm high, 55.5cm wide. £150-200 274. An Indian Bidri ware box, the hinged lid with two oval portrait miniatures of Shah Jahan and Mumtaz Mahal, 5.2cm high, 29.2cm wide, 19.8cm deep. £400-600

272

273

274

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275. A late 19th century Ceylonese ebony and ivory inlaid book stand, with a porcupine quill gallery and dot decoration, 12.5cm high, 41.7cm wide, 14.7cm deep. £150-250 276. A Ceylonese satinwood and tortoiseshell sewing box, with parquetry banding, the interior with seven lidded compartments, two lids in ebony with bone panels, 2nd half 19th century, 10.6cm high, 29.8cm wide, 19.5cm deep. £100-200

275

276

277. A 19th century Indian hardwood sarcophagus shape box, the hinged lid carved with a multitude of fish, above a vacant interior, the front with a cartouche and with relief panels of scrolling foliage, on paw feet, 16.9cm high, 43.7cm wide, 27.5cm deep. £300-400 278

277 278. An Anglo-Indian tortoiseshell and ivory box, Vizagapatam, with pierced and lac decorated panels, one with a lion, the interior with a metal plaque inscribed ‘TO SQUADRON LEADER T.E. PAVITT FROM THE PROFESSOR AND STUDENTS OF TELECOMMUNICATION ENGINEERING COLLEGE OF ENGINEERING GUINDY, MADRAS, WITH APPRECIATION AND GRATITUDE’, the base inscribed with students’ signatures, early 20th century, together with a typed letter from Professor Sreenivasan expressing his gratitude for the Squadron Leader Parvitt’s help, 7.6cm high, 26.8cm wide, 12cm deep. £200-300

279

279. A late 19th century Anglo-Indian carved ivory and horn back scratcher, 43.5cm long, in an associated leather case. (2) £200-400 280. A pair of carved bone stylized figures of Japanese fishermen, possibly chess pieces, 10.5cm high. (2) £200-300

280

281. A Japanese bronze model of an elephant, with ivory tusks, the underside with signature, ‘Meiji 1862-1922’, 12cm high, 20.7cm long. £200-300 282. A pair of Japanese Imari porcelain baluster table lamps, each with a pleated silk shade, 34.8cm high, (excluding fittings). (4) £400-600

281

282

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283

283. A Japanese black lacquer side cabinet, painted in gilt with figures in landscape scenes, with an arrangement of six drawers, 78.2cm high, 97.9cm wide, 40.5cm deep. £200-300 284. A Japanese black lacquer cabinet on stand, decorated in gilt with landscape scenes and birds amidst trees, with engraved foliate brass strapwork hinges and lock plates, with a vacant interior, the stand with £600-800 five drawers, 158.5cm high, 103.7cm wide, 48.8cm deep.

284

285. A Chinese lacquered chest, with a rattan effect top above thirtytwo drawers, the small drawers with divisions, modern, 123.5cm high, 81.9cm wide, 48.5cm deep. £200-300 286. A late 19th century Chinese padouk altar table, with burr panels above a fret frieze carved with dragons’ heads on open panel supports, 83.4cm high, 115.3cm wide, 39.3cm deep. £600-800 Provenance: Acquired by Chief Inspector John Shaw, Shanghai Municipal Police (1903-1928) and by descent.

285

286

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287

288 287. A Chinese porcelain sang de boeuf table lamp, 47cm high, together with a Kashmiri lacquer table lamp. (2) £150-200 288. A Chinese lacquered wood cabinet, with a bronze lock plate and pair of doors enclosing two shelves, 179.7cm high, 132.3cm wide, 57cm deep. £300-400 289. A 19th century Chinese carved giltwood and lacquered model of a seated Emperor, 22cm high, in a later perspex display case. £100-150 Provenance: Leslie Gooday OBE. 290. A late 19th century Chinese walking cane, the silver handle engraved with a monogram above figures in a landscape with buildings, with a malacca shaft, 89.7cm long, together with an ebonized walking cane, the engraved handle with initials. (2) £100-150

289

Provenance: A private collection in the Cotswolds. 291. Two Chinese soapstone carvings, of a stag’s head, signed and a buffalo head, a model of a human skull and a trilobite fossil 8cm, wide, max. (4) £50-70 Provenance: Leslie Gooday OBE. 292. A Chinese hardwood table, with a pair of panelled frieze drawers, 84.5cm high, 75.2cm wide, 75cm deep, together with two similar Chinese side chairs, each with a railed back. (3) £200-300

290

291

292

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294. Two Chinese porcelain blue and white ginger jars, one decorated with figures the other with flowers and foliage, Kangxi 1662-1722, each with a hardwood lid and stand, 34.8cm high, 20cm wide, max. (2) £100-200

293. A Chinese cinnabar lacquer model of Buddah, a carved giltwood model of Buddah, another model of Buddah on a hardwood stand and a south east Asia bronze bust of Bodhisattva, 23.3cm high. (4) £100-200

296. A pair of Chinese porcelain famille rose ginger jars and covers, with a yellow ground decorated with scrolling leaves and £100-200 flowers, 15cm high. (2)

295. A 19th century Chinese export lacquer workbox, all over decorated in gilt with panels of figures in various pursuits, the interior with a divided lift-out tray with a pair of lidded compartments, with a base drawer fitted with a hinged slope with pen and ink compartments, on carved giltwood bat feet, 16.4cm high, 36.5cm wide. £200-300

297. A 19th century Chinese ivory carving of a young boy, sitting and holding a basket of fruit, with traces of polychrome decoration, 7.9cm high, 6cm wide, together with three other Chinese ivory carvings of figures, on wood stands and a carved snuff bottle. (5) £100-200

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298. Two pairs of Chinese soapstone seals, carved with Buddhas and dragons, together with a copy of a Qin terracotta warrior, 26cm high max. (5) £100-200 Provenance: Leslie Gooday OBE.

299. A carved and giltwood figure of a Qin warrior, wearing chainmail, 155cm high, 38cm wide. £300-400 Provenance: Leslie Gooday OBE.

300. A collection of Chinese and Japanese hardwood stands. (A lot) £50-100

298

301. A pair of Chinese hardstone tree jardinières, 27cm high, together with two similar jardinières one with a cloisonné base, £100-200 20th century. (4)

302. A Chinese camphorwood trunk, with brass mounts and side carrying handles, the brass locks with faux English marks, late 19th / early 20th century, 55.4cm high, 109.7cm wide, 55.4cm deep. £400-600

303. A Chinese ebonized and polychome decorated altar table, with a frieze drawer and decorated with carved panels of figures amidst trees and buildings, early 20th century, 78.8cm high, 101.1cm wide, 42cm deep. £80-120 300

299 301

302

303

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A PRIVATE COLLECTION OF TRUNCHEONS & TIPSTAVES PART T WO

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306

305

304

304. A Victorian black leather truncheon holder, with belt loop, 39.5cm long.

£80-100

305. ‘Truncheons Their Romance and Reality’, by Erland Fenn Clark, Herbert Jenkins Limited, London, 1935.

£100-120

306. A Victorian short truncheon, decorated with a crown, ‘VR’ and a vacant red cartouche, with a ribbed handle, 32cm long.

£120-150

307. A Victorian baluster truncheon, on a black ground, decorated with ‘VR’, above a crown, ‘1’, ‘Thornton’, with a partially ribbed handle, 37.5cm long. £120-150 308. A Victorian torpedo shaped truncheon, with ‘V I R’ above an elaborate Royal Coat of Arms, dated ‘1838’, with a red band and a ribbed handle, 27cm long. £120-150 309. A Victorian truncheon, decorated in gilt on a black with red and green bands, with a crown, ‘V.R’, ‘L’, ‘“1854”‘, with a ribbed handle, 34cm long. £120-150 310. A Victorian brass tipstaff, with an open screw-off crown, 20cm long.

£120-150

311. A George IV truncheon, with a blue ground, painted with a crown, ‘IV’, ‘G:R’ and ‘B.S.M’ in a gilt cartouche, 46cm long.

£150-200

310 308

307

309 311

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314

312

315

313

316

317

318

312. A Victorian Special Constable’s truncheon, on a blue ground, gilt decorated with ‘V+R’, a crown, and ‘S+C’, 40.5cm long. £150-200 313. A Victorian Special Constable’s truncheon, on a blue ground dated 1847 with gilt decoration of ‘V 1 R’, a crown, ‘SC’ and ‘JS’, 45.5cm long. £150-200 314. A Victorian truncheon, painted with two red bands on a blue ground, decorated with ‘V R’ and a crown, 43cm long. £150-200 315. A Victorian truncheon, with an unusual tip, with ‘VR’ and decorated in red, yellow and black, with an elm handle, 34cm long. £150-200 316. A Victorian truncheon, with a black ground and decorated with a crown and the date ‘10th April 1848’, with a ribbed handle, and the base stamped ‘PARKER 233 HOLBORN’, 46cm long. £150-200

319

The date relates to the first Chartist meeting on Kennington Common. 317. A George IV truncheon, painted with a crown, ‘G 4 R’ and ‘WEST CAMEY’, 45cm long.

£200-250

318. A George III weighted truncheon, painted with a black ground, with ‘G R’, a crown and the pre-1801 Coat of Arms, 43cm long. £200-250 319. A rare Victorian long staff stave of Edinburgh, painted with a black ground, decorated with a crown, ‘VR’, ‘2 Rest. Com.’ (Resident Commissioner), ‘25 Ward’, 61cm long. £200-250

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320. A very rare Victorian truncheon, decorated with a crown, the Royal Coat of Arms, ‘W & F’ (Woods and Forests), ‘REGENTS. PARK’, with a ribbed handle stamped ‘PARKER 233 HOLBORN’, 37cm long. £250-300

320

Not previously recorded.

321

321. A Victorian long brown leather truncheon holder, with a spring-loaded base, for mounted police, 69cm, containing its original truncheon with original leather strap, 61.5cm long. (2) £200-300

322

322. A William IV truncheon, with a black ground, painted with ‘IV, WR’ a crown ‘No 2’, ‘COSSALL:’, with a ribbed handle, 46cm high. £250-300 Cossall is a village in Nottinghamshire.

323

324

323. A George IV short staff/tipstaff of Edinburgh, cylinder shape with flat ends with two navy bands with a central white band, decorated with a crown, ‘G III R’, ‘K’ ‘17’, 23cm long. £250-300

324. A Victorian truncheon, painted with a black ground with a crown, ‘VR, E.R.C’ (East Riding Constabulary) with a ribbed handle, stamped ‘PARKER 233 HOLBORN’, 42cm. £250-300 Yorkshire was divided into East, North and West Riding.

325

325. A George IV short truncheon, painted with a crown, ‘G IV R’ on reverse with three vertical crowns, for Boston Coat of Arms and dated ‘1825’, 29.5cm long. £250-300

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330 331 333 326

327

328

329

332

334

335

326. A Regency truncheon, with a carved crown tip, painted with the Royal Coat of Arms and Sussex on a green ground, with a ribbed handle, 56.5cm long. £250-300 327. A George III ball-end truncheon, painted on a black ground, with ‘G III R, a crown, LYNG, 1808, R+B*J+M’ with four red bands, 49cm high. £300-400 The ball-end is characteristic of Norfolk. 328. A Victorian London truncheon, on a black ground decorated with a crown, ‘VR, 1868, ST GEORGE’, 49cm long.

£300-400

Illustrated in and ex. Mitton. 329. A George III truncheon, decorated with a crown, above a pre-1801 Royal Coat of Arms and a Westminster Coat of Arms, the Portcullis and doves, 60.5cm long. £300-400 330. A George IV short staff, painted with ‘G IV. R.’, a crown, Cinque Port Arms and three gold lions and three hulks of ships, ‘G. Y’. ‘1825’, 25cm. £300-500 331. A very rare George III four-sided baluster truncheon, with ‘G.R’ / crown / ‘1797’ on one side, ‘B.C.’ on another, ‘BOROUGH OF HELSTON’ £300-500 on a third, Arms of Cornwall - 15 rondels in five rows on the fourth, 33cm long. 332. A Victorian Isle of Man Special Constable’s truncheon, on a black ground, decorated with a crown, ‘VR’, an Isle of Man triskelion symbol, £300-500 three legs conjoined at the thigh and ‘S.C.’ ‘C’, with a ribbed handle, 41cm long. A similar example is illustrated in Fenn Clarke and described as ‘earliest issue, Manx Arms’. 333. A William IV truncheon, gilt painted with a carved Crown, Royal Coat of Arms, ‘DIEU ET MON DROIT’ with a ribbon, ‘J. H. LEECHE. ESQr CARDEN’ on reverse, ‘W R IV’ in red, nipple tip, 32 cm. £300-500 334. A very rare William IV truncheon, painted on a green ground with ‘I.V, a crown, W.R’ and a band with ‘BOW’ on the reverse, 56cm long. £300-500 335. A William IV Special Constable’s truncheon, painted with ‘IV, W.R. SPECIAL CONSTABLE, 38’, on reverse ‘P.O.H.G’, with a ribbed handle, stamped ‘PARKER / HOLBORN’, 46cm long. £400-600 An extremely rare public office truncheon and believed to be the only recorded example combined with ‘SPECIAL CONSTABLE’. A similar example from the same period, also bearing the initials ‘P.O.H.G’ and stamped ‘PARKER / HOLBORN’, but lacking all the remaining painted inscription is described in Cook, but the claim therein that the truncheon “probably dates from the time of George IV would appear to be inaccurate”.

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337 338 336

339

336. A rare Victorian weighted truncheon, decorated with a crown, ‘V, R.’ ‘BRIDGEWATER’ ‘CANAL’ ‘POLICEMAN’, 49cm long. £400-600 337. A rare George III brass tipstaff, with an acorn finial and a crown, ‘GR’, ‘3’, ‘BRISTOL / 1 / DOCK WATCH’, 29 cm long. £500-700 338. A rare Victorian railway truncheon, painted a black ground with a crown, ‘S.E.R’, (South East Railway) with a ribbed handle, 44cm long. £500-700 339. A rare Victorian Taff Vale Railway truncheon, decorated with a mountain goat, ‘T.V.R’, a crown, ‘No 9’, with a ribbed handle, 46cm long. £600-800 340. An extremely rare George III Special Constable’s long truncheon, painted with a crown and ‘BERMONDSEY SPECIAL CONSTABLE’ within a spiral £800-1,000 ribbon, 79.5cm long.

340

One of the longest British truncheons in existence. A similar example is illustrated in Mitton.

341

341. An extremely rare Victorian long overseer’s truncheon from Tasmania, with crown, ‘VR’, ‘VDL’ (Van Dieman’s Land), ‘16’, ‘PORT ARTHUR PENAL SETTLEMENT’, turned grip, 88.5cm long. £1,200-1,500 Provenance: Wallis & Wallis, 22nd July 2014. Ex. Mitton. Tasmania was known as Van Dieman’s Land until 1855 and this truncheon dates from c.1837-1855. The Port Arthur settlement existed from 1830-1877 and convicts experienced a system of administration based on corporal punishment. Overseers and constables relied upon the threat of cat-o-nine-tails, irons or sensory deprivation in solitary confinement. This colonial truncheon is one of the longest in existence. 342. ‘The History of Truncheons’, by E. R. H. Dicken, Arthur H. Stockwell, Limited. £100-120

342

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OTHER PROPERTIES 343. A William IV painted wood truncheon, decorated with a Royal Coat of Arms, above ‘WR IV’ in a red ground cartouche, with a ribbed handle, 46.1cm long. £150-200 344. A rare Victorian ivory truncheon, the turned handle with grips, 18.3cm long. £200-300

344

345. A George IV painted wood truncheon, decorated with the Royal Coat of Arms, above ‘GR IV’, with a ribbed handle, 51.5cm long. £150-200 346. An Edwardian Welsh mine colliery lignum vitae truncheon, inscribed in gilt lettering ‘GLAMORGAN COLLIERY, 7, & 8 NOVR., 1910. L.L. TOR. E.’ with a ribbed handle, the base stamped ‘HIATT & CO. LTD. BIRMINGHAM’, 27cm long. £80-120 347. A William IV painted wood staff of office, decorated with ‘W.R.IV’, above a crown and ‘O.U. NO 3’, 179.5cm long. £200-300 343 348. An early 19th century rosewood and satinwood sewing box, with a divided lift-out tray, 9.5cm high, 20.2cm wide, a French rosewood and brass mounted tea caddy, a German papiermâché circular snuff box and a Victorian painted wood truncheon decorated with the Royal Cypher and Arms, the reverse inscribed ‘COURAGE NOT CRAFT’. (4) £100-200

345 347 detail

346

348

347

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CONTINENTAL FURNITURE & WORKS OF ART

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349

349. A pair of Louis XV style carved giltwood console tables, each with a rouge royal serpentine marble top, above a rocaille and scroll carved base, 19th century, 83cm high, 96cm wide, 42.5cm deep. (2) £1,000-1,500 Provenance: Royal Netherlands Embassy, London. Rookley Manor, Hampshire. 350. A Louis XVI style mahogany brass inlaid three tier étagère, the top inset with violette brocatelle marble, late 19th century, 77.5cm high, 39cm diameter. £200-300 351. A 19th century French mahogany and brass vide poche, on column supports, 71.9cm high, 52cm wide, 28cm deep. £200-300 352. A pair of Louis XV style painted bergères, each with a moulded frame with scroll arms and cabriole legs, 19th century. (2) £500-800

350

353. A pair of Louis XVI style painted fauteuil, each with a moulded frame and a padded back, seat and armrests, on fluted legs, late 19th century. (2) £400-600

351

353 352

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354. A Louis XVI style mahogany and brass bureau de dame, the rouge marble top above three drawers and a Vernis Martin panel with figures in a landscape setting, above three drawers and leather lined writing surface, above a long drawer on fluted legs, late 19th century / early 20th century, 108.5cm high, 78cm wide, 51cm deep. £500-700

355. A French ebonized and parcel gilt dining table, on square tapering legs, 75cm high, 243.5cm long, 106cm deep. £300-500 356. A French kingwood serpentine open bookcase, the red Breccia moulded edge marble top, above three adjustable shelves, with gilt brass mounts, 100.5cm high, 87.5cm wide, 32.5cm deep. £500-700

356

357. A Louis XI style beechwood single bed, with double caned head and foot boards, with applied carved swags of flowers, the front with a ribbon tied cartouche, late 19th century, £200-300 122.8cm high, 220cm long, 120.2cm deep.

358

358. A Louis XVI style mahogany and brass bureau de dame, the rouge marble top above three drawers and a Vernis Martin panel of two lovers in a landscape setting, signed ‘H. Lebrun’, revealing a pen and inkwell compartment above a baize lined writing surface and three drawers, above a long drawer on fluted legs, late 19th century, 108cm high, 80cm wide. 51.8cm deep. £500-700

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THOMAS COMPIGNÉ LOTS 359-360

Thomas Compigné was a peintre and tabletier who worked under the patronage of Louis XV. He was based in the Rue Grenetta at the 'Roi David'. His speciality were exquisite pictures of country houses, townscapes and landscapes. Executed in gouache, silver and gold on a pewter or tortoiseshell ground they were much admired and sought after by the French cognoscenti.

359. A pair of late 18th century gilt and polychrome decorated silver foil views of London attributed to Compigné, depicting Ranelagh and Vauxhall pleasure gardens, 13.5 x 19.2cm, each in a glazed giltwood frame, with inscriptions to verso ‘Ranelagh Gardens on Silver’, and ‘Vue du Vauxal de Londrea’, both inscribed ‘M. E. Vere. Booth. Powell’. (2) £1,000-1,500

359

360. A rare Louis XVI gilt impressed tortoiseshell and polychrome decorated medallion by Compigné, depicting a view of Marseilles harbour, inscribed ‘Premiere Vue de Marseille executée sur le tour par Compignie Tourneur du Roi a Paris d’apres le Tableau Original de M. Vernet de sa Majeste’, 7.8cm diameter, in an ebonised moulded frame. £400-600

360

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361

362 361. A pair of Louis XVI style mahogany bergères, each with a moulded frame and scroll arms, with applied ormolu leaves and paterae, on fluted tapering legs, late 19th century. (2) £400-600 362. A Louis XV style kingwood bureau plat, the serpentine top inset with a tooled leather writing surface, with brass mounts, with three frieze drawers, early 20th century, 75.9cm high, 121.3cm wide, 62cm deep. £400-600 Provenance: Rookley Manor, Hampshire. 363. A 19th century French walnut serpentine bedside table, carved with foliage with a pair of end frieze drawers above two short drawers on cabriole legs, 70.7cm high, 42.cm wide, 25.5cm deep, together with a French cherrywood bedside table, 73.2cm high, 45.5cm wide 29.5cm deep. (2) £200-300

363

364 364. A 19th century carved giltwood picture frame in rococo style, the frame decorated with rocaille, scrolls and flowers, 151.7 x 108.5cm. £600-800 Provenance: Rookley Manor, Hampshire. 365

365. A 19th century continental fruitwood curule style armchair, the pierced splat back to a later leather covered drop-in seat, on ‘X’ frame supports. £100-150

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366

366. A pair of Louis XV ormolu chenets in the manner of Jacques Caffiéri, each with leaf scrolls supporting a seated dog, a spaniel and a bulldog, 24/6cm high, 22.6cm wide. (2) £1,500-2,000 Provenance: Purchased from Frank Partridge Ltd. in the 1970s, by repute the Dodge family, USA. 367. A Louis XVI painted bergère, the arched back to a fluted frame and a bowfront seat. £500-700 368. A French mixed media table fountain centrepiece, decorated with material flowers, imitation pearls, the three tier fountain with mirrors and etched triangular glass panels simulating cascading water, with steel ‘cobwebs’ imitating the spray, with a pair of Nevers travaille de la lampe spun glass candelabra, above a bead and cut steel and gilt four column base with a central plinth, decorated with lyres and a putto, on gilt metal and silk ball feet, possibly from the workshop of René Lambourg, early to mid 19th century, 46.8cm high, 17.6cm wide, 13.3cm deep. £800-1,200 See the Musée des Arts Decoratifs, Paris, inv. 22282 for an earlier surtout de table with similar flowers.

367

368

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369 369. A late 19th century Italian giltwood and composition four-fold screen, the arched panels with ribbed sides and with scrolling leaf and floral swag decoration and with cut velvet damask panels, 205.3cm high, 63.8cm wide, each panel. £200-300 Provenance: The Property of a Nobleman. 370. A Venetian glass wall mirror, the rectangular central plate flanked by etched marginal plates, decorated with scrolling leaves and flowers, with applied flower heads and leaves, early to mid 20th century, 120 x 102.5cm. £800-1,200

370

371. A late 19th century tortoiseshell wall mirror, with ebonized ripple mouldings and a bevelled rectangular plate, the reverse with an ivorine plaque inscribed ‘A. ERCOLANI & SON, 27, CLAREMONT ROAD, WALTHAMSTOW, LONDON E.17’, 38 x 30.5cm. £200-300

371

372. A pair of Italian painted and gilt wall mirrors in 18th century style, each with a shaped plate and a chinoiserie decorated rococo style frame, mid 20th century, 78.4 x 50.2. (2) £300-400 373. A late 19th century continental gilt metal wine cistern in Renaissance revival style, decorated with bands of scrolling vine leaves, above scenes of Bacchanalian revelry, on paw feet, 36.5cm high, 58.5cm wide. £100-150

372 pair

373

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374 374. An 18th century Italian carved giltwood wall mirror, the later rectangular bevelled plate within a scrolling leaf frame, 132 x 116cm. £2,000-3,000

375

Provenance: Count Redmond Toler Clayton-Browne Clayton (1863-1937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 375. A pair of Venetian style carved and gilt Blackamoor torchères, each with a tasselled top above a figural stem and tripod supports, 93cm high, 45.5cm wide, 42.5cm deep. (2) £500-700 376. A late 19th Italian carved and painted wood Venetian blackamoor table waiter, with glass eyes and Murano glass earrings, holding a tôle tray, on a rectangular base, 60.7cm high, £1,000-1,500 40.6cm wide, 19.5cm deep. 377. A late 19th century Italian marquetry photograph frame, with bands of micromosaic and inlaid with burr yew, bird’s eye maple and various fruitwoods, panels of flowers, and two angels, 44cm x 30.7cm. £300-500

376

377

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378

379 378. A pair of 19th century brass door locks, each with a crown handle, the lock decorated with a pair of angels holding a crowned cartouche, 27 x 11.2cm. (2) £100-150 379. A late 19th century Viennese ormolu and enamel boudoir clock and thermometer, in the rococo style, painted with figures and cherubs, with an easel back, the thermometer missing, 15cm high, 10cm wide. £100-150 380. No lot 381. A large collection of brass and ormolu door furniture, including: door plates, handles, decorative mounts and curtain ties, together with some ceramic door plates and handles. (A lot) £300-500 382. A small collection of door furniture, including: eight ormolu and metal finger plates in Louis XVI style, a pair of glass finger plates with Chinese silk panels, a pair of leaf cast door handles and a length of ormolu chain, 19th century and later, £100-200 46.7cm high, max. (13)

381

Provenance: Rookley Manor, Hampshire. 383. A French crystal ball, on a gilt metal stand with eagle monopodia supports and hung with lustres, on a hardstone triform base, late 19th / early 20th century, the ball: 9cm diameter, including the stand: 21.3cm high, 10.5cm wide. £100-150

382

383

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384. A pair of 19th century kingwood and marquetry side cabinets, each with a red and green griotte breakfront marble top, above a carved giltwood frieze and a panelled door with ebonized mouldings and 17th century Dutch marquetry, of an urn of flowers inlaid with various fruitwoods, surrounded by further floral panels, enclosing two shelves, 107.3cm high, 92.4cm wide, 43.9cm deep. (2) £4,000-6,000

385. A 19th century Dutch mahogany bombe commode, with a serpentine edge top above four long graduated drawers on claw and ball front feet, 80.7cm high, 94.5cm wide, 55cm deep. £200-300

385

386. A late 19th century Russian lacquer box, the lid decorated a troika scene, 12.3cm wide, together with a Russian paper knife and an octagonal lacquer box, the lid painted a horse. (3) £80-120

386

387. A late 18th century South German fruitwood and walnut miniature bureau cabinet, with a pair of glazed doors enclosing six drawers and a mirror, above three long drawers, 36m high, 24.2cm wide, 15.5cm deep. £400-600 388. A Black Forest carved wood box in the form of a Swiss chalet, with a hinged top above mirrored windows, late 19th / early 20th century, 22.5cm high, 32cm wide, 17cm deep. £100-150 Provenance: Rookley Manor, Hampshire.

387

388

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390

391

389

394 393 392

389. A Samson porcelain vase, decorated with panels of flowers on a fish scale ground, 20.8cm high, 20.2cm diameter.

£80-120

390. A late 19th century French leather box, with a gilt and silver tooled decoration of scrolling leaves, with a silk lined interior, 12.8cm high, 25.3cm wide, 12cm deep. £100-150 391. An early 20th century French leather bound book decanter box, the hinged lid revealing a gilt decorated decanter and four liqueur £150-250 glasses, 12.2cm high, 17cm wide. 392. A French silk and metal thread lady’s jewellery box, the hinged mirrored lid inset with a coloured stipple engraving, the interior also with a mirror, late 18th / early 19th century, 16.5cm wide, together with a leather covered box and cover, and a pair of beech and ebonized urns with lids. (4) £80-120 393. A French walnut card box, the hinged lid with silver mounts, the interior with a score card holder, a pencil, two pairs of playing cards and counters, mid 20th century, 25.8cm wide. £50-100 394. A pair of 18th century velvet and metal thread lady’s slipper shoes, one with a label inscribed ‘COLLEZIONE G. FONGOLI 637, Foligno’, either Italian or French, 25cm long. (2) £200-300 395. An 18th century Portuguese colonial hand painted fan, decorated with a pastoral scene of a shepherd and shepherdess shearing sheep and with other figures in a landscape setting with carved bone and mother of pearl guards, 29cm long, together with a 19th century Italian Grand Tour fan painted with grotesques and views of the Temple of Vesta, the Tomb of Caecilia Metella and of the Forum, with £100-200 tortoiseshell sticks and guards, an ivory and lace fan and two cased fans, one in blond tortoiseshell. (5) 396. An early 20th century French chromolithograph fan ‘A lady in a flying machine’, advertising Café de la Paix, Paris, after Pierre Mourgue, published by Francolin, Gilet et Cie Eventailistes, signed ‘MOURGUE FR.’, 39cm wide, mounted in a glazed case. £300-500 397. A George III palmwood and tortoiseshell snuff box, an 18th century hardstone oval snuff box, two lignum vitae seal boxes, a Dutch engraved tobacco box, a 17th century engraved copper snuff box with the arms of Samuel Greggeurgeas, the verso with a perpetual almanack and dated ‘1662’, a tortoiseshell and silver mounted scent bottle container, a late 19th century Indian carved ivory parasol handle, a tortoiseshell oval box and two mother of pearl fans with printed scenes, 28.7cm long, max. (11) £200-300

396 395

397

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398. A rare and fine Italian bird feather picture, depicting the resurrected Christ surrounded by the Doctors of the Church, St. Augustine and St. Jerome above St. Peter, with the emblem of the Papal Holy See of crossed keys with a tiara, above a figure grappling with a snake, possibly Arius beside books and scrolls, one inscribed ‘ARIUS’, worked with highly coloured exotic bird feathers, possibly Hummingbird and Parrot, with printed silkwork details, late 18th / early 19th century, possibly by a Mexican emigré working in Italy, 18.1 x 11cm, in a rosewood, parquetry and cypress glazed frame and cypress carrying box with sliding cover. £800-1,200 The art of creating pictures from bird feathers or 'plumeria' found its apogee in the pre-Hispanic and colonial periods in what is now called Mexico. During the 16th century when the Spanish arrived in Mexico they were amazed by the feather creations and a creative exchange began which lasted until the end of the 18th century. The above feather picture symbolizes the battle between heresy and orthodoxy and follows a long tradition of feather work pictures and objects which found their way into the collections of the Papacy, kings, emperors and clergy.

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LIGHTING

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399. A Regency gilt and patinated brass hexagonal hall lantern, decorated with bands of Gothic tracery, the tapering body on paw feet, 37.2cm high, 38cm wide, with later chains. £150-250

399 400. A Victorian cast brass hexagonal hall lantern, with etched stained glass panels, with a leaf and scroll decorated frame, 70.5cm high, 38.3cm wide. £300-400

400

401. A Victorian gilt brass table lamp, with a blue opaque glass baluster stem, on a triform base, 63.4cm high, together with a gilt brass and black marble Empire style table lamp with a tôle shade and a William IV ormolu candlestick with a lappet decorated £100-200 stem. (3)

401 402. A George III giltwood wall light, the tasseled back plate to leaf decorated scroll arms terminating in female bust terminals supporting urn nozzles, 102.5cm high, 42.5cm wide. £100-150

403. An early Victorian bronze oil lamp, with a green glass reservoir above a baluster and petal base, 62.3cm high, 15.2cm wide. £150-250

403

402

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404

405

404. A pair of Italian carved wood twin light wall appliques, decorated with musical trophies hanging on drapes, modern, 44.5cm high, 34cm wide. (2) £80-120 405. A pair of 18th century Italian painted and carved wood altar candlesticks, each with a lappet and foliate decorated stem, on tripod paw feet, later converted into standard lamps with three light fittings and on plush stepped triform bases, 172.8cm high (including fittings), 45cm wide. (2) £500-700 406. A pair of 18th century Italian silvered wood altar candlesticks, each with a fluted lappet carved stem and triform base, 82.2cm high, together with a 19th century Italian giltwood lamp base, 71.7cm high. (3) £150-200 407. A pair of glass and brass twin light flower wall appliques, mid 20th century, 34.5cm high, 25.3cm wide. (2) £50-80 408. A pair of painted carved pine lions mask wall lights, 35.7cm high, 29cm wide, 24cm deep. (2) £200-300

406

407 408

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409. A pair of Victorian cut glass wall lights, in the manner of Osler, each with scroll moulded and cut arms and three lights, with petal drip pans and hung with faceted drops, with a cast ormolu backplate, 38.5cm high, 48.6cm wide. (2) £200-300

409

410. A pair of Victorian cut glass wall lights in the manner of Osler, with spiral moulded arms and with twin lights with petal drip pans hung with cut glass drops, each with a moulded gilt brass backplate and mounted on a later board, 37cm high, 40.9cm wide. (2) £200-300

410

411. A pair of Regency gilt brass and cut glass candelabra, with three lights, with differing drip pans, hung with drops and lustres, with scroll arms, and a foliate baluster stem on leaf scroll feet, 40cm high, 30cm wide. (2) £800-1,200 Provenance: Dreweatt Neate, The Remaining Contents of Donnington Grove, The Collection formed by Hon. Mrs Daisy Fellowes, 1st May 1991, Lot 201. Rookley Manor, Hampshire.

411

412. A pair of late 19th century ormolu girandoles, with an oval mirror and a rocaille frame, each with a pair of branches,43cm high, 46.5cm wide. (2) £100-150 Provenance: Rookley Manor, Hampshire.

412

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413 414 413. A pair of 19th century ormolu candelabra, with four leaf scroll branches issuing from a cornucopia held by a putto, on a vine leaf and grape base, 35.7cm high, 25.8cm wide. (2) £250-350 414. A pair of late 19th century French gilt and patinated bronze candlesticks in Empire style, later converted into table lamps with pleated shades, the candlesticks, 29.3cm high, (excluding fittings). (4) £500-700 415. A 19th century bronze lamp base, in the form of a column, the fluted base hung with swags of flowers, 60.7cm high, 19cm wide. £200-300 416. A William IV gilt brass Gothic style table lamp, with a cluster column stem, the base with a female robed figure within an arch door, 67.3cm high, 15.5cm wide. £300-400 417. A bronze and cast iron standard lamp in Regency style, with a reeded stem on tripod supports, £200-300 late 19th / early 20th century, 136.8cm high, 31.4cm wide. 418. A pair of giltwood standard lamps in early 18th century style, each with a ribbed baluster stem on hairy paw feet, each with a shade 187.7cm high (including shade), 47.7cm wide. (4) £200-300 415

416

418

417

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419. A pair of George III ormolu and Adams jasperware twin light table lustres, each with cut glass drip pans hung with drops, above leaf scroll arms above a blue and white plinth base decorated with classical figures, stamped ‘ADAMS’, 31.7cm high, 29.2cm wide, 10.1cm deep. (2) £2,000-3,000

part

420. A set of six Louis XVI style ormolu twin light wall appliques, each with a flower and leaf backplate to a pair of scroll arms and fluted and leaf cast nozzles, late 19th century, 41cm high, 37.5cm wide. (6) £1,000-1,500

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421. A pair of late 19th century French ormolu and porcelain four light candelabra, with leaf and flower scroll branches supported by cherubs, the bases with panels of flowers, 44.2cm high, 19.5cm wide. (2) £200-300 422. A pair of gilt brass candlesticks, in the form of a lily, with detachable nozzles and urn bases, late 19th century, 31.4cm high, 21.5cm wide. (2) £200-300 422

421

423. A pair of late 19th century French gilt and patinated bronze candlesticks in Empire style, each with a ribbed stem on a foliate decorated circular base, later adapted into table lamps with pleated shades, the candlesticks: 26.7cm high (excluding fittings). (4) £500-700 424. A pair of Louis Philippe ormolu and patinated candlesticks, with a lappet and ribbed stem on tripod scroll feet, later converted into table lamps, 25.5cm high £100-200 (excluding fitting). (2) 425. A pair of late 19th century gilt brass girandoles, each with an oval bevelled plate, with a cherub decorated frame and three sconces, 33.8cm high, 22.2cm wide. (2) £150-250

423

426. A pair of Louis XV style ormolu twin light wall appliques, each with leaf scroll branches, the back plate stamped ‘LG 35’, late 19th century, 51.2cm high, 39.5cm wide. (2) £300-500

424

425 426

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427 part

427. A set of six ormolu wall lights in Louis XVI style, each with a ribbon tied flaming urn back plate and three scroll arms with fluted nozzles, late 19th / early 20th century, 44cm high, 30.5cm wide. (6) £400-600 428. A Victorian ormolu wall mirror, the oval plate to a leaf and flower frame, with a ribbon tied leaf surmount, 115.2 x 67.4cm. £300-400

428

429

429. A gilt triptych dressing table mirror, with ram’s head finials and a leaf wrapped frame, with a tilting central plate, 75 x 114.2cm. £80-120 430. An 18th century giltwood wall bracket, decorated with scrolls, rocaille and flowers, 33cm high, 38.7cm wide. £300-500 Provenance: Normanby Park, Lincolnshire. Rookley Manor, Hampshire. 431. A Victorian giltwood overmantel mirror, with an arched plate and a berry and ribbon moulded frame, 104 x 107cm. £200-300

431

430

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432. A George IV mahogany side table, inlaid with boxwood stringing, the crossbanded top above four short drawers, 72.6cm high, 84.5cm wide, 47.2cm deep. £200-300

433. An early 19th century mahogany butler’s tray, pierced with three handgrips, on a folding stand, 97.7cm high, 81.5cm wide, 52cm deep. £200-300

434. An early 19th century mahogany ‘X’ frame stool, 45cm high, 52.3cm wide, 50.8cm deep. £80-120

435. A mahogany drum table, the rosewood crossbanded fixed top with flame segmented veneers, above four frieze drawers interspersed with false fronts, on reeded supports, 78cm high, 91cm diameter. £200-300

436. A Regency mahogany side cabinet, with a frieze drawer above a pair of panelled doors enclosing an adjustable shelf, 137cm high, 72.7cm wide, 46cm deep. £200-300

437. A set of four George IV simulated rosewood side chairs, each with a gadrooned and foliate carved back above a cane seat and bobbin turned stretchered legs. (4) £200-300

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438. A mahogany triple pillar dining table in Regency style, inlaid with stringing, the crossbanded and reeded edge top with two additional leaves, on a vase turned stem and downswept legs terminating in brass paw sabots and castors, early to mid 20th century, 74.4cm high, 314cm long, 114cm deep. £800-1,200 Provenance: Rookley Manor, Hampshire. 439. A George IV mahogany drum table, the circular top inset with tooled black leather, above two cedar lined frieze drawers, and two false fronts, the turned stem on reeded supports terminating in foliate brass sabots and castors, 76.3cm high, 65cm diameter. £800-1,200 440. A William IV oak music stand, with an adjustable stem, on tripod supports and brass ball feet, 135.8cm high, 53.7cm wide. £300-400 441. A set of eight mahogany dining chairs in Chippendale style, each with a pierced splat back above a drop-in seat, on chamfered legs, united by an ‘H’ stretcher, stamped ‘V3256’, comprising: a pair of open armchairs and six side chairs, late 19th century. (8) £500-700 439

Provenance: Rookley Manor, Hampshire. 440

441

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442

442. A set of six Regency mahogany dining chairs, each with a rope twist top rail, above a rondel and leaf splat, with a drop-in seat on sabre legs, comprising: a pair of open armchairs and four side chairs. (6) £600-800 443. An early 19th century goncalo alves bobbin turned armchair in the manner of Gillows, on brass caps and castors. £200-300

444

443 444. A Regency mahogany gout stool, with a studded leather seat, on ring turned leg splay legs, 36cm high, 56.5cm wide, £150-200 29.3cm deep. 445. A William IV rosewood jardinère table, the circular detachable top revealing a lift-out zinc liner, 73.7cm high, 38cm diameter. £200-300 446. An early 19th century mahogany pedestal cupboard, with a three quarter gallery above two panelled doors, one enclosing a shelf, on brass castors, 96.7cm high, 44cm wide, 44cm deep. £250-350 447. An early Victorian mahogany inverted breakfront collector’s cabinet, with a pair of frieze drawers, above a pair of turned columns flanking panelled doors enclosing twenty short drawers, 113.2cm high, 116.8cm wide, 54.3cm deep. £800-1,200

445

447 open

100

447

446

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448. An Edwardian painted and giltwood breakfront wardrobe in Louis XVI style, the central arched cornice flanked by flaming urn finials with a central arched mirror door enclosing mahogany slides and two short and two long drawers, with sunken brass handles, flanked by a pair of doors enclosing brass rails for hanging, the base with a Greek key moulding, 253cm high, 248cm wide, 66cm deep. ÂŁ2,000-3,000 Provenance: Normanby Park, Lincolnshire. Rookley Manor, Hampshire.

449. A set of eight Regency painted dining chairs, each with a lyre and lappet carved back, above a stuffed-over seat on front sabre legs, comprising: a pair of open armchairs and six side chairs. (8) ÂŁ1,500-2,000

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450. A 19th century Irish painted and carved oak console table, the later pine top above a foliate and strapwork frieze, on shell capped husk and scroll legs, 85cm high, 179.8cm wide, 67.8cm deep. £400-600

451. A set of early Victorian mahogany graduated hanging shelves, 80.3cm high, 61.5cm wide, 17.2cm deep. £100-150

Provenance: Rookley Manor, Hampshire.

453 452. A William IV rosewood library table, with a pair of frieze drawers flanked by leaf scroll brackets, on turned and lappet carved supports and flattened bun feet with sunken brass castors, 77.1cm high, 137.4cm wide, 6.5cm deep. £300-400

452

453. A Victorian mahogany beside cupboard by Gillows, with a panelled door enclosing a shelf, stamped ‘GILLOWS LANCASTER’, 80.5cm high, 40cm wide, 37cm deep, together with another mahogany bedside cupboard stamped ‘J. COATES’ and numbered ‘1454’, 80.8cm high, 43.5cm wide, 41.2cm deep. £200-300 454. A William IV mahogany twin pedestal sideboard, inlaid boxwood stringing and kingwood crossbanding, each pedestal with a hinged top revealing baize lined cutlery divisions with a cellaret drawer to the right side and a cupboard to the left, each with a foliate brass handles above cupboards and with a central bowfront drawer, 113.9cm high, 170.4cm wide, £150-250 57.3cm deep. 454

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Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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455. A William IV rosewood breakfast table by Gillows, the circular tilt-top on a faceted stem and a triform base, on sunken brass castors, 71.8cm high, 137cm diameter. £1,000-1,500 Provenance: William Henry Hornby (18051884) of Brookhouse Lodge, Blackburn, Sir William Henry Hornby, (1841-1928) 1st Baronet of Brookhouse, born at Raikes Hall, Blackpool, Sir Henry Russell Hornby, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. William Henry Hornby commissioned Gillows to furnish his home Brookhouse Lodge on the 3rd May 1831. This table features on the original invoice ‘To a handsome circular Rosewood Loo table…on an octagonal turned pillar, ball feet and concealed castors’ and cost £20. 455

456. A George IV rosewood jardinière table in the manner of Gillows, the scroll and palmette carved gallery above a lift-off cover revealing a liner on a lappet carved stem and moulded supports terminating in brass foliate sabots and castors, 77.8cm high, 49cm wide, 39cm deep. £600-800 457. A Regency partridge wood occasional table in the manner of Gillows, inlaid with stringing, the fixed top crossbanded in bird’s eye maple, with a faceted stem and four downswept supports, terminating in turned feet, 72.7cm high, £1,500-2,000 56.3cm wide, 45cm deep.

456

458. A Regency mahogany bowfront serving table, with a reeded edge top on ribbed tapering legs, 83.1cm high, 132.4cm wide, 49.6cm deep. £300-500

457

458

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459

459. A Regency rosewood and brass inlaid card table, the hinged swivel top revealing divisions on a tapering leaf and lobed stem, on scroll legs terminating in paw sabots and castors, 74.9cm high, 91.7cm wide, 45.4cm deep. £800-1,200 460. A George IV mahogany Pembroke table in the manner of Gillows, the crossbanded top above a single frieze drawer, on a ring turned stem and moulded hipped supports and brass castors, 73.7cm high, 40cm wide, 63.5cm deep. £200-300 Provenance: A private collection in the Cotswolds.

461

461. A Regency mahogany breakfast table by Gillows, the rectangular reeded edge tilttop on a lobed baluster stem and reeded supports, terminating in foliate cast brass sabots and castors, the block stamped ‘GILLOWS LANCASTER’, 73.2cm high, 114 x 90.7cm. £400-600

460

462. A William IV mahogany sarcophagus shape wine cooler in the manner of Gillows, the gadrooned rim above a lift-out liner on ring turned and ribbed legs, 50.7cm high, 70.5cm wide, 54.2cm deep. £600-800 463. A Regency mahogany toilet mirror, with ring turned supports on a bowfront base fitted with three drawers, 69.9cm high, 63.9cm wide, 25.2cm deep. £100-150 462

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Provenance: Normanby Park, Lincolnshire. Rookley Manor, Hampshire.

463

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464 stamp

464

464. Royal interest. A Victorian rosewood library table attributed to Holland & Sons, the circular tilt-top inset with blue gilt tooled leather on a baluster stem and lappet carved supports, and brass castors, the base stamped ‘V crown R, 1866, WINDSOR CASTLE, ROOM 219’, the underside of the top stamped ‘V crown R’, 74cm high, 128.8cm diameter. £800-1,200 466 465. A Victorian oak tub armchair, covered with brown leather, one scroll arm with a brass lamp stand. £150-250 466. A George IV mahogany and parcel gilt wall bracket, of ribbed design, stamped ‘Vokins, Makers, London’, early 19th century, 17.5cm high, 27cm deep. £150-250

465

John Vokins, carver and gilder recorded working 1820-37. 467. A Victorian carved walnut corner armchair in the manner of Gillows, with scroll arms, the fluted front legs decorated with leaves, on later brass castors. £150-200 468. A large George IV rosewood toilet mirror in the manner of Gillows, inlaid with boxwood stringing, the rectangular bevelled plate above ring turned supports, the barrel front box base with three cedar lined drawers, flanked by ribbed panels with bone edging on ball feet, 86.2cm high, 85.5cm wide, 30.7cm deep. £200-300

468

467

105

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469. A late Victorian mahogany luggage rack, on ring turned supports, the underside stamped ‘R1402 104’, 48cm high, 62.5cm wide, 42.5cm deep. £100-150

470. An early Victorian mahogany luggage rack, with a raised back on turned tapering legs, 71.3cm high, 60.6cm wide, 45.6cm deep. £150-250

471. A mahogany coaching games table, with a drawer having divisions, a white metal handle and a baize lined surface, replaced brasswork, early 20th century, 73.7cm high, 86 x 77.6cm (open). £200-300

472. A set of 19th century mahogany Campaign wall shelves, with detachable turned brass supports, 52cm high, 88.9cm wide, 18.8cm deep. £200-300

473. A Victorian mahogany stool, possibly Campaign, 39.7cm high, 63cm wide, 42cm deep. £80-120

474. A brown leather cased Campaign toilet set, fitted with a hone, steel scissors, a button hook, a razor, a shaving brush in a bone case, and two other brushes and with a metal soap container, the lid with initials ‘J.H.B.’, 21cm wide. £100-150

106

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475. An early 19th century teak ship’s cabin bed, a detachable top section, with leaf carved ball finials, above reeded edges and double caned back and sides, with a conforming hinged front, the base with six drawers with sunken brass handles, the sides with iron loop ties, 103cm high, 190cm wide, 72cm deep. £800-1,200 Provenance: Leslie Gooday OBE.

476. A 19th century walnut Campaign secrétaire chest, with brass corners and carrying handles, the secrétaire fitted with six drawers and pigeon holes above three long drawers, all fitted with sunken brass handles, 94.5cm high, 84.4cm wide, 51cm deep. £500-800

478. An early 19th century French prisoner of war straw work casket, the liftoff top inset a mirror revealing two coloured engravings above a lift-out tray fitted with a heart shape box and cover, two other boxes, above four further compartments and a cylindrical case, 11.3cm high, 12.2cm wide, together with a straw work box in the form of a book, the interior with lidded compartments, a straw work needle case with a pierced outer slip, and a straw work panel of a river scene. (4) £300-400 Provenance: A private collection in the Cotswolds.

477. An early 19th century French Prisoner of War bone calvary model, with polychrome decoration, depicting Christ on the cross with attendant figures of the the Virgin Mary and Mary Magdalene and with various symbols including a cockerel, dice, urns of flowers, a chalice, a ladder, stone mason’s tools, pricket candlesticks and a lamp, within a glazed straw work case, 26.4cm high, 18.5cm wide, 11cm deep. £1,000-1,500 Provenance: Leslie Gooday OBE. For very similar models see Clive Lloyd, The Arts and Crafts of Napoleonic and American Prisoners of War, 1756-1816,, pp. 62-63.

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479

480 479. An Edwardian Prisoner of War carved wood fountain pen, inscribed ‘BERMUDA P.O.W. 1903’, 22cm long. £50-80 During the Anglo-Boer war (1899-1902) Bermuda received and housed over four thousand Boer Prisoners of War. 480. A collection of bone miniature furniture, including: dressers, chest of drawers, a table with bowls and candlesticks, a settle, stools, a bookcase and an armchair, contained within an ebonized wood case with a base drawer with a rusticated door and windows, possibly Prisoner of War, or for a dolls house, 19th century, the case 21.5cm high. £300-400 481. A painted wood model of a three masted man of war, with twentysix brass cannon and a planked deck with a carved figurehead, 85cm high, 97cm wide. £200-300

481

Provenance: Leslie Gooday OBE. 482. A painted wood model of the Cutty Sark, on an ebonized wood £40-60 stand, 38.5cm high, 53.5cm wide. 483. A carved and painted wood model of ‘Mary Ann’, a three masted sailing ship, 43.3cm high, together with a similar model of a four masted ship. (2) £100-200 Provenance: Leslie Gooday OBE. 484. Nelson interest. Three portraits of Admiral Lord Nelson in profile, one a coloured pencil drawing, one a plaster relief the other an engraving and inscribed ‘Nelson Bronte’, each in a glazed ebonized moulded frame, £100-150 19th century, 25 x 21.4cm, max. (3) 482

483

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484

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485. A Victorian coromandel and brass mounted games compendium, the lid inset with an ivory and kingwood inlaid folding chequer and backgammon board, with a folding leather steeple chase board, above a lift-out tray fitted with draughts, a cribbage board, dominoes and playing cards, above a further tray with Bezique markers, bone spellicans, above a divided interior with a pair of ivory shakers, dice, agate and Chinese mother of pearl counters, with cold painted metal race horses and jockeys, with a twin hinged front fitted with a turned and carved ivory chess set, with a plaque inscribed ‘THE ROYAL CABINET OF GAMES’, with original guide pamphlet and with an associated steeple chase board, 20cm high, 36.8cm wide, 28.4cm deep. £400-600 486. A Victorian Tunbridge ware and rosewood rectangular box, with a cedar lined interior, together with a desk blotter inlaid with a view of Eridge Castle, with a plush lined interior, and with a small rectangular box and cover, 29cm wide. (3) £150-250 Provenance: A private collection in the Cotswolds. 487. A Regency mahogany sarcophagus shape tea caddy, with a converted interior, 25.2cm wide, a French satinwood and cut steel tea chest, a bird’s eye maple and ebonized box, a maple decanter box, the interior with three divisions and a rosewood and mother of pearl work box. (5) £100-150

486

487

488. A late Victorian oak stationery cabinet by Chapman Son & Co. London, with a hinged lid and front, revealing a letter rack, three drawers, a spring loaded pen and ink compartment and a hinged writing surface, with an ivorine trade label, with a Bramah lock and side carrying handles, 26.6cm high, 42.2cm wide, 23.6cm deep. £200-300

488

489. A Victorian gilt brass and pietra dura mounted casket in the manner of Sampson Mordan, decorated with fruit and leaf swags, the hinged lid with turquoise enamel bead initials ‘I.L.U.P.’ and monograms to the corners, above a plush lined interior, 14.8cm high, 19.5cm wide, 13cm deep. £400-600

489

490. A Victorian burr walnut and brass mounted work box by E. Baxter, the green silk lined interior containing an array of sewing utensils, including: an ivory glove stretcher, an ivory tooth pick box, a turned ivory pin cushion, bone and mother of pearl sewing shuttles, a vegetable ivory tape measure and mother of pearl handled implements with a brass makers plaque inscribed ‘E. BAXTER, Maker, 16, Cockspur St. S.W’, 8.7cm high, 26,8cm wide, 12.3cm deep. £150-250 E. Baxter at 16 Cockspur Street between 1859-1877.

490

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491. A late 19th century French papiermâché tray, decorated with a Japanese scene of figures and pagodas, 47.9 x 62.2cm. £100-150

492. A rare early Victorian papier-mâché cheese coaster, inlaid with mother of pearl leaf scrolls and a stylized Greek key motif, 15.5cm high, 41.6cm wide, 22.9cm deep. £250-350

493. A Victorian papier-mâché fan, painted with a floral spray within gilt borders, £50-80 39.7cm high, 28.5cm wide. 495. A Victorian papier-mâché tray, painted with a Caroleon interior scene, with a man seated with his dogs beside a fire, 62.5 x 81.4cm. £100-150

494. A 19th century papier-mâché rectangular snuff box, the hinged lid painted with tall ships in battle, 13.8cm wide. £100-150 Provenance: Leslie Gooday OBE.

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496. A Victorian papier-mâché tray, with gilt diaper borders, the reverse marked ‘HODGES & SONS IRONMONGERS DUBLIN’, 58.8 x 70.9cm. £100-200

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497. An early Victorian Gothic revival gilt and patinated brass Day’s Patent face screen, the screw-off cover revealing a pleated silk fan, the base with a printed trade label, 49.5cm high, 26cm wide. £80-120 498. Two similar Victorian turned ivory table thermometers, in the form of spires on column supports and circular plinth bases, 30.7cm high, 7.2cm diameter, max. (2) £300-400 499. An early Victorian rosewood gallery glass, with a moulded frame and a turned handle, 48.8cm long, 24.8cm diameter. £400-600 500. An early 19th century gilt metal and agate letter opener, with an eagle’s head blade, 20.5cm long, together with two serpentine and hardstone rulers. (3) £100-150 501. An early Victorian rosewood gallery glass, with a moulded frame and turned handle, 33.2cm high, 16.4cm diameter. £250-350 502. A 19th century gilt brass cast inkstand of scroll outline, with a central shell above a cherub seated on books flanked by a pair of glass inkwells with later stoppers, 14cm high, 28cm wide, 17.5cm deep. £80-120 498

497

500 499

501

502

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503 504

503. A late 19th century Jerusalem mother of pearl diorama of the Last Supper, with engraved decoration and inscribed ‘JERUSALEM’, with an easel back, 23.5 x 21cm. £200-300 504. A small collection of Victorian mother of pearl items, comprising: an ink stand with cut glass bottles, a jewellery box with a mirrored interior, a purse, a hinged box and six card cases, 24cm wide, max. (10) £100-200 505

Provenance: Rookley Manor, Hampshire. 505. A cast iron novelty nutcracker in the form of a dog, stamped ‘PATENT NO. 273480’, late 19th / early 20th century, 12.3cm high, 30cm long. £50-70 506. A Moroccan pottery and metal mounted twin handled vase, with leather tassels, late 19th / early 20th century, Fez, 13.5cm high, 13.3cm wide. £40-60 507. A late 19th century Chinese Canton carved ivory aide-mémoire, 9.5cm long, together with a Victorian ivory card case, with abalone stringing and an engraved silver plaque with monogram, 10.5cm long, in a leather box. (3) £40-60 508. An early Victorian rosewood and mother of pearl jewellery box, 22.8cm wide, together with two Tunbridge ware stamp boxes and a similar box by Edmund Nye, stamped. (4) £80-120

506

507 508

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510

509

509. Four French leather photograph frames, each with an easel back, 35.5cm x 29.6cm. (4) £80-120

510. A vellum photograph frame, decorated in gilt with scrolling foliage, early 20th century, 50 x 40cm. £100-150

511. Two postcard albums, one inscribed 'Alice Maud Sosbe, March 30 1913, 1 Blythe Court, King Street, Blue Town, Sheerness', containing assorted postcards and photographs, including: £150-200 topographical views of Ireland, Japan and China and some erotic examples. (2) 511 512. A mid 19th century pot lid, printed with a view of the International Exhibition building in South Kensington, London designed by Captain Frances Fowke, in an ebonized frame, 11.6 x 18.3cm together with a 19th century papier-mâché spectacle case. (2) £100-150

513. A 19th century turned bone chess set, natural and stained red, possibly Indian, king: 9.6cm high, pawn, 2.8cm high. together with a similar bone part chess set. (64) £100-150 Provenance: Leslie Gooday OBE.

512

513

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514. Five early 19th century engravings after David Wilkie R.A., 'THE READING OF A WILL', 'CHELSEA PENSIONERS READING THE GAZETTE OF THE BATTLE OF WATERLOO', 'DISTRAINING FOR RENT', 'THE BLIND FIDDLER THE RENT DAY', engraved by J. Burnett and Abraham Rainbach, differing dates of publication, 1817- 1825, together with an engraving entitled, 'The Saints Day' after J. P. Knight A.R.A. each in a glazed £300-500 gilt composition frame, 72.8 x 95.4cm. (6) Provenance: Lilburn Tower, Northumberland. Rookley Manor, Hampshire. 515. ‘Carte du Comté de Kent et du Pas de Calais’ by S. Bellin, a hand coloured engraved map, dated ‘1749’, 60 x 88.7cm, in a later glazed moulded frame, together with ‘A New Map of the County of Cornwall’ by Jones & Smith, Pentonville, a handcoloured engraved map, ‘2nd Edition Corrected to 1808’. (2) £100-200

515

516. Johannes Blaeu (Dutch, 1598-1673). ‘Scotia Regnum’, a handcoloured engraved map of Scotland, c.1654, 47 x 57.2cm, in a £50-100 later glazed Hogarth type frame. 517. Johannes Blaeu (Dutch, 1598-1673). ‘COMITATUS NORTH UMBRIA, Vernacule, NORTHUMBERLAND’, a hand coloured engraved map, circa 1645, 42 x 50.3cm, in a later glazed frame. £80-120

516

Provenance: Rookley Manor, Hampshire. 518. Literature: a small collection of books relating to antique furniture, interior design and architecture, including: Pattern, A Study of Ornament in Western Europe, 1180-1900, in two volumes, by Joan Evans; Mobili Antichi nella Casa di Oggi by Adriana Grippiolo; English Furniture, Woodwork, Decoration, Etc. During the 18th century by T. A. Strange, English Country Houses, in three volumes, by Christopher Hussey. (14) £50-100

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517

518

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519. A Steiff mohair teddy bear, with a pewter button to his left ear, with articulated head and limbs, the humped back with growler, early 20th century, 44cm high. £400-600 Provenance: By family repute given as a present to a relative of the vendor in 1916.

521 detail 520 520. Five Victorian copper jelly moulds, two by Benham and Froud, one of which has a retailer’s mark ‘BARRON & WILSON 436 STRAND’ and numbered ‘481’ the other numbered ‘269’, one marked with initials ‘R H B’ and numbered ‘15’, one numbered ‘295’ and one ‘21/2 3’, 13.3cm high, max. (5) £200-300 Provenance: Leslie Gooday OBE.

521

521. A 19th century painted wood and wrought iron model of a horse drawn farm cart, inscribed ‘DICK WILCOX, Contractor No.1’, together with some leather tack, 38cm high, 73.3cm long. £300-500 522. Five Victorian copper jelly moulds, four by Benham and Froud, one numbered ‘20’, one ‘1A’, one ‘439’ with retailer’s stamp ‘EVANS & MATTHEWS, 79 & 80 BULL…, BIRMINGHAM’ na one numbered ‘409’, the other mould marked ‘M404’, 11.1cm high, max. (5) £200-300 Provenance: Leslie Gooday OBE.

522

523. Five Victorian copper jelly moulds, three by Benham & Froud, numbered ‘390’, ‘431’ and ‘180’, together with a plain mould and one decorated with palmettes marked ‘1091/2’, 13.4cm high, max. (5) £200-300 Provenance: Leslie Gooday OBE.

523

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523A

524

523A. A William IV ebonized scroll end sofa, on lappet carved gilt legs and brass roller castors, 90.7cm high, 215cm wide, 67cm deep. £300-500 Provenance: The Property of a Nobleman. 524. An early Victorian rosewood armchair, the moulded frame carved with leaves and flowers, the serpentine seat centred a shell with ‘C’ scrolls, on cabriole legs and brass castors. £600-800 525. A Victorian rosewood stool, the detachable upholstered seat on leaf carved cabriole legs, 44.4cm high, 91.7cm wide, 54cm deep. £400-600 525 526. A Victorian walnut nursing chair, with needle and beadwork upholstery depicting Gothic buildings and flowers on carved cabriole legs and ceramic castors. £100-150 Provenance: Rookley Manor, Hampshire. 527. A Victorian walnut settee, the moulded frame carved with leaves and flowers, on cabriole legs and scroll feet and ceramic castors, 92.7cm high, 197cm wide, 69cm deep. £300-500

526

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527

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528. A late Victorian Chesterfield by Howard & Sons, with button upholstered damask fabric, with scroll arms on turned ebonized front legs and brass caps and castors stamped ‘HOWARD & SONS, LONDON’, the back left leg stamped ‘8837, 225’, 67cm high, 231cm wide, 97cm deep. £800-1,200 529. A Victorian oak and parcel gilt Sutherland table by Howard & Sons, on double gate fluted leaf carved supports and on Collinson patent brass castors, stamped ‘HOWARD & SONS BERNERS ST.’, 72.7cm high, 91.5 x 20.2 (open). £200-300 530. An easy armchair by Howard & Sons Ltd, the button back above scroll arms on walnut legs and brass caps and castors, the back left leg stamped ‘7728, 2802, HOWARD £200-300 & SONS LTD. BERNERS ST.’

529

531. A Victorian satin birch gentleman’s wardrobe by Holland & Sons, with a pair of panelled doors enclosing four slides, flanked by four ash lined drawers to either side, stamped ‘HOLLAND & SONS’, with ‘CLARKE & TIMMINS’ patent locks, 121.8cm high, 213.3cm wide, 559cm deep. £500-700 Provenance: Leslie Gooday OBE.

531

530

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532

532 open

532. A Victorian walnut games / sewing table, the hinged swivel top inlaid with backgammon, cribbage and chequer boards, above a frieze drawer with divisions and a pull-out bag, on carved supports and ceramic castors, 72.3cm high, 61cm wide, 49.9c, deep. £400-600 533. A Victorian walnut and floral marquetry pier cabinet, with ormolu mounts, the arched glazed door enclosing a plush lined interior with two shelves, 106cm £400-600 high, 80.5cm wide, 32.5cm deep. 534. A Victorian burr walnut bedside cupboard, with a panelled door enclosing a shelf, 74.5cm high, 38.4cm wide, 37cm deep. £100-150 535. A late Victorian oak desk chair, with a swivel seat and with button upholstered green leather. £200-300 536. A Victorian walnut and marquetry ottoman by Marvin, with a floral needlework hinged seat, above a dogs tooth parquetry band and a bird's eye maple interior on associated pottery feet, the base with a printed makers mark inscribed 'MARVIN CABINET MANUFACTURER AND UPHOLSTERER, 17 FINSBURY PAVEMENT, NEAR MOORGATE STREET', 44.cm high, 83.5cm wide, 56.5cm deep. £200-300

533

536

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535

534

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537. A four poster single bed by Cecil Beaton, with remnants of the original leatherette upholstery now with chintz drapes, headboard and covers, with a pair of curtains, 247cm high, 107.8cm wide, 192cm deep. £800-1,200 Provenance: Christie’s, Reddish House, Broadchalke, Wiltshire, 9-10th June 1980, lot 172. Rookley Manor, Hampshire. By repute this bed was made by Cecil Beaton for Greta Garbo.

538. A large painted and parcel gilt stool in Adam style, the button upholstered seat on fluted tapering legs, 19th century elements, 42.5cm high, 163.5cm wide, 73.5cm deep. £400-600 537

539. A gilt brass occasional table, the two tiers inset with gilt tooled leather, on naturalistic supports with cone finials, mid 20th century, 56cm high, 65.8cm wide, 40cm deep. £100-200

540. A three seater sofa, upholstered in ivory damask, on shepherd castors, 80cm high, 211.8cm wide, 100cm deep. £500-800 Provenance: The Earl of Chichester, Little Durnford Manor, Salisbury.

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541. An late Victorian satinwood and marquetry console table in Sheraton revival style by Edwards & Roberts, inlaid with urns, husks and ribbon-tied swags, the frieze drawer stamped ‘EDWARDS & ROBERTS’, 74cm high, 56.8cm wide, 30cm deep. £800-1,200

541 542. An Edwardian mahogany lady’s writing desk in Sheraton revival style, painted with ribbon tied musical instruments, floral swags and an oval medallion with two putti, the interior fitted with compartments for pen and ink and with four letter racks, 117.4cm high, 45.9cm wide, 54cm deep. £300-400 543. A Victorian occasional table, with a specimen marble top on an ebonized base with turned columns and ceramic castors, 71cm high, 56cm diameter. £300-400 542

544. A late Victorian satinwood and painted Pembroke table, with kingwood and tulipwood crossbanding, decorated a vase and baskets of flowers, ribbons, trophies, vines and peacock feathers, above a frieze drawer and false reverse with replaced handles, the legs with applied ankles with brass castors, 72.5cm high, 99cm wide open, 78.6cm deep. £300-500 545. A late Victorian walnut child’s armchair by Hampton & Sons, the shell shape seat on turned front legs, with ceramic castors, stamped ‘HAMPTON & SONS, PALLMALL’. £150-200

543

546. An Edwardian satinwood tray table, with a brass gallery and cast leaf handles, with hinged legs, the underside with an ivorine trade label inscribed ‘EDWARDS & SONS, 161 & 159, REGENT ST., LONDON’, 63.2cm high, 78cm wide, 44cm deep. £100-150

544 detail

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548

547 547. A pair of ebonized open bookcases, each with ten fixed shelves and an integral metal ladder rail, with one ladder, modern, 240.4cm high, 120cm wide, 43cm deep. (3) £500-700 548. A pair of satinwood side tables in George III style, each with a rosewood crossbanded cubed parquetry top, above a frieze drawer fitted with embossed urn silvered handles, of recent manufacture, 75cm high, 55cm wide, 40cm deep. (2) £1,200-1,500 549. A pair of late 19th century bamboo and lacquer jardinière stands, each with two tiers decorated with birds, 141.4cm high, 40.3cm deep. (2) £100-200 Provenance: Christie’s, Elveden Hall, Thetford, Norfolk, May 1984.

549

550

550. A ‘Normandie’ limed oak centre table designed by Paolo Moschino for Nicholas Haslam, 74.5cm high, 140cm wide, 89.3cm deep. £300-500 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 551. A late 19th century American oak and walnut Amberg’s patent cabinet letter file, the frieze with gilt lettering above a pull-down tambour shutter revealing twelve lettered and titled short drawers, with metal handles, 86.7cm high, 77cm wide, 41cm deep. £400-600 551

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THE GRAND TOUR & 19TH & 20TH CENTURY SCULPTURE

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552. A pair of Louis Philippe bronze and Siena marble candelabra, each with three lights with bearded male mask arms, above acanthus decorated stem and triform base, with a later twin lights fitting for electricity and with black pleated silk shades, 64.5cm high, 24cm wide (without fittings). (4) £1,500-2,000 553. A 19th century simulated Siena marble columm, 112.4cm high. £300-500

555

554. A pair of Louis Philippe bronze and Siena marble tazza, each with serpent handles on a stepped plinth, 24.4cm high, 16.8cm wide. (2) £500-800

555. A 19th century Italian micromosaic and black marble paperweight, the serpentine moulded edge with five topographical panels depicting the Pantheon, the Temple of Vesta, the Colosseum, St Peter’s Square and the Temple of Vespasian, 10.5 x 14.5cm. £200-300

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557

556. After the antique. A late 19th century bronze bust of Lucius Verus, inscribed ‘F. BARBEDIENNE. FONDEUR.’ and with a pastille inscribed ‘REDUCTION MECANIQUE A. COLLAS, BREVETE’, 26cm high, 12cm wide. £300-400 557. A late 19th century Italian gilt and patinated bronze tazza, decorated with a classical scene with Mercury and various other figures, 11cm high, 31cm diameter, together with a £150-250 smaller tazza cast with the same scene. (2)

556

558. After the antique. A late 19th century bronze figure of the Venus de Milo, on a black marble plinth, 38cm high, together with a Grand Tour bronze model of the Temple of Vesta, 9cm high and with a bronze model of Mercury after Giambologna. (3) £100-200 559. After the antique. A late 19th century Italian bronze model of Mercury, resting on a £250-350 marble base, 19.8cm high, 19cm wide. 560. A 19th century bronze plaque depicting the Battle of the Amazons, 28.2 x 31.7cm. £300-500

558

559

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560

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561

561. A collection of 19th century Italian Grand Tour plaster intaglios, in a plane wood box with five titled trays ‘Museo Capitolino’, ‘Museo Vaticano’, ‘Villa Albani’, ‘Museo Di Parigi’, ‘Opere de Canova’, ‘Thorwaldsen’, 13.2cm high, 32.5cm wide, 20.8cm deep. £400-600 Provenance: Rookley Manor, Hampshire.

562. After John Henning (1771-1851). Six 19th century plaster relief panels of the Parthenon Frieze, one signed ‘HENNING. F. 1819’, 6.5 x 24.5cm, contained in a deal tray. (7) £80-120

563

562 563. A plaster bust of a Roman, 48.7cm high, 23cm wide. £100-150

564. A late 19th century French bronze urn, with bearded male mask handles above a band of classical figures, on a fluted part ebonized wood plinth, 40.7cm high, 17.5cm wide. £100-150

565. After the antique. A 19th bronze figure of the Dancing Faun, 17.4cm high. £100-150

564

565

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567 566

566. A 19th century Italian bronze group of Europa and the Bull, Napoli, 38.4cm high, £800-1,200 31.2cm wide, 29.7cm deep.

568

567. Adrien Etienner Gaudez (French, 1845-1902). A bronze figure of Mozart playing the violin, the plinth signed ‘A GAUDEZ’, 37.5cm high, together with an Italian bronze figure after the antique of The Venus Callipyge or ‘of the beautiful buttocks’, the base with a foundry pastille ‘CHIURAZZI NAPLES’, and a bronze group of the dancing satyr with Bacchus on a marble plinth, £150-250 indistinctly stamped with foundry mark. (3) 568. A pair of 19th century French relief plaster rondels of Bacchantes, with a moulded gilt metal slip and an ebonized circular frame, 15.8cm diameter. (2) £100-200 Provenance: Bought from Grosvenor Antiques Ltd. Antique Works of Art, Chelsea, London, 14th March 1977. 569. A cast plaque of the great seal of Charles II, the King depicted on horseback bestriding London, inscribed ‘CAROLVS II DEI GRATIA MAG BRITANNIAE FRANCIAE ET HIBERNIAE REX FIDEI DEFENSOR’, in a brass moulded frame, 18th century, 15.7cm diameter. £80-120

569

570

126

570. A pair of 19th century relief portrait busts of Wellington, and one of his generals, possibly Lt. Colonel Dashwood, one in wax, each mounted in a glazed moulded walnut frame, 16.2cm square. (2) £100-200 571. A collection of portrait relief medallions of composers, comprising: four bronze rondels of ‘JOS HAYDN’, ‘JOHANN STRAUSS’ ‘FRANZ SCHUBERT’ and ‘RICHARD WAGNER’ after A. Hartig, 7.5cm diameter, a bronze rondel of Richard Wagner, two pewter examples of Richard Wagner and Beethoven and a small bronze medallion of Schubert. (8) £150-200

571

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572 572. A pair of Regency bronze models of recumbent greyhounds, each with a gilt collar, on a Siena marble base, 10.9cm high, 17.2cm long. (2) £600-800 573. Pierre Jules Mêne (French, 18101879). A bronze group of a cow and calf, on a naturalistic base, signed ‘P. J. Mene’, 9.5cm high, 18.4cm wide. £100-200 574. A bronze spill vase, modelled with a cockerel perched on a basket, signed ‘H. CAIN’, late 19th / early 20th century, 18cm £100-150 high. 573

575. Alfred Dubucand (French, 18281894). A gilt bronze group of an Arab boy with his donkey, on a naturalistic base, signed ‘A.E. DUBUCAND’, 20.4cm high, 15.7cm wide. £250-350 576. A French bronze model of a racing pigeon, one leg with a tag inscribed ‘84 FERVEUR, NANCY’, late 19th century / early 20th century, 26.5cm high, 24cm wide. £300-500

574

577. After Antoine-Louis Barye (French, 1796-1875). A bronze group of two hounds, on a naturalistic base, signed ‘BARYE’, on a rouge marble base, 10.7cm high, 19.3cm wide. £300-400

575

576 577

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578. Cesar Costantino R. Ceribelli (Italian, 1841-1918). A bronze portrait bust of a lady, signed ‘C. Ceribelli’, 41.4cm high, 24cm wide. £400-600

579. Auguste Joseph Peiffer (French, 1832-1886). A bronze bust of a young lady, with a bird resting on her shoulder, signed ‘A. PEIFFER’ also with founders signature ‘BOYER’, 24.7cm high, 17.3cm wide. £300-500

579

578

580. A 19th century French bronze figure representing Summer, modelled with a classical lady holding a scythe and with sheaves of wheat, 24.5cm high, 26.5cm £150-250 wide.

581

580

581. A pair of 19th century French bronze models of cherubs, each seated on a rocky outcrop, on rectangular black marble plinths, 19.3cm high, 15.5cm wide. (2) £250-350

582. Louis Gossin (French, 1846-1928). A gilt bronze figure of Apollo, carrying his harp, standing astride a panther, signed ‘Gossin’, the underside stamped ‘MX’, £400-600 37.5cm high, 18cm wide.

583. Vincenzo Aurisicchio (Italian, 18551926). ‘La Fortuna’, a bronze bust of a blindfolded boy, signed ‘V. Aurisicchio’, on a marble plinth, 24cm high, 9.5cm wide. £100-150 583

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584. A painted plaster bust of the Pharoah Tutankhamun, on a stepped plinth, 51.8cm high, 22.9cm wide. £80-120 Provenance: Leslie Gooday OBE.

585. A late 19th century French bronze model of Isis, the Egyptian goddess is seated on a throne, on a moulded edge black marble base, 33.5cm hgih, 12.8cm wide, 15.3cm deep. £500-700

586. A 19th century French bronze group of Joan of Arc with her horse, the heroine dressed as a knight, on a naturalistic base and a black marble plinth, 37.5cm high, £600-800 36.5cm wide, 17.2cm deep. 584

585

587. Salvatore Marchi (19th century). A bronze group of the Virgin and child, signed ‘S. MARCHI’, 21cm high. £100-200

586

587

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590

589

588

588. A 19th century French carved marble relief plaque portrait of a lady, 49.5 x 31.5cm. £80-120 589. Zavatone (Italian, 19th century). A carved marble bust of a street urchin, signed ‘ZAVATONE Milano’, on a turned socle, 41.2cm high, 25.5cm wide. £200-300 590. After Carlo Marochetti (French, 1805-1867). A bronze bust of the Duke of Wellington, the reverse signed ‘Marochetti, Pub’d, Novbr 4th 1852’, on a turned treen socle stamped ‘H. RAINEY, W.L’, 19.3cm high. £200-300 591. A Danish biscuit porcelain plate by Bing & Grondahl after Thorwaldsen, decorated with angels putti, with impressed marks, late 19th / early 20th century, 31.7cm diameter. £100-200 592. A bronze model of a female torso in the manner of Derwent Wood, mounted on a black marble plinth, 18.2cm high, 6cm wide. £300-500 591

593. Ferdinand Levillain (French, 1837-1905). A bronze shallow dish, decorated with a classical scene, signed and with the foundry signature of ‘F.BARBEDIENNE’, 9.4cm diameter. £100-150

593

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592

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595

596

594 594. After Edwin Roscoe Mullins (1848-1907). A terracotta figure of Aphrodite, the reverse signed and dated ‘E. R. MULLINS. Sc. 1875’, 75.5cm high, 19cm wide. £400-600 595. A Victorian terracotta group by J. Huskisson, of a father and daughter, signed and dated ‘1881’, 27cm high, 24cm wide. £150-250 Provenance: A private collection in the Cotswolds. 596. A French terracotta model of a French bulldog, the based signed ‘MARQUET’ probably for René Paul Marquet (1875-1939), late 19th / early 20th century, 24.4cm high, 15.1cm square. £150-250 597. A pair of 19th century German carved ivory figures, of a boy and a girl, each standing on a naturalistic base, and on an octagonal ebonized plinth, 15.1cm high, 7cm wide. (2) £400-600 598. A Russian bronze and enamel folding travelling icon, depicting Christ Pantocrator, the Virgin and child and various saints, with inscriptions, 18th / 19th century with adapatations, 8 x 9.7cm (closed). £200-300 599. An ivory carving of a recumbent leopard, late 19th century, 14.5cm long. £250-350 597

599

598

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detail 600. A pair of Austrian cold painted bronze Bacchanalian moveable erotic groups by Bergman, of a satyr and a nymph, one offering a bouquet to a maiden and then embracing her, the other of a nymph feeding a satyr grapes, each signed ‘NAMGREB’, early 20th century, 9.2cm high, 11.5cm wide max. (4) £700-900 See Antique Vienna bronzes by Joseph Zobel, pp. 210 and 212 for the same models.

601. An Austrian cold painted bronze of an African boy holding a snake, indistinctly stamped, late 19th century, 16cm long. £300-500

602. An Austrian cold painted bronze model of an eagle, late 19th / early 20th century, 4.4cm high, 6.2cm long. £100-150

603. An Austrian cold painted bronze model of a rhinoceros, stamped ‘AUSTRIA’ and with the mark for Bergman, ‘B’ in a vase, 6cm high, 15cm long. £150-200

604. A small collection of Austrian cold painted bronzes, comprising: five models of dogs, a polar bear and a brown bear, late 19th / early 20th century, 8cm long, max. (7) £200-300

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605. Aimé-Jules Dalou (French, 1838-1902). ‘Le Grande Paysan’, bronze, signed ‘DALOU’ and inscribed ‘cire perdue’ and ‘Susse Freres Edts Paris’, with Susse Frere pastille, 42.5cm high, 14.8cm wide. £800-1,200

605

606. Sylvestre Clerc (French, 1892-?). A bronze figure of a standing nude female, signed ‘S. Clerc’ and inscribed ‘cire perdue’ and ‘Susse Freres Edts Paris’, with Susse Frere pastille, 57.3cm high, 12.8cm wide. £800-1,200 606

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607. Arturo Martini (Italian, 1889-1947). A bronze figure of an attenuated lady carrying a vase on her head, signed with initials ‘AM’ and with edition number ‘1/3’, on a rouge marble base, 22.9cm high. £800-1,200

608. Arturo Martini (Italian, 1889-1947). A bronze figure of Samson and the vase, signed with initials 'AM' and with edition number '1/3', on a rouge marble base, 19.5cm high. £800-1,200

609. Giacinto Bardetti (Italian, late 19th / early 20th century). A bronze figure of a monk standing on a hillock, signed ‘G. Bardetti’, 30.7cm high, 28cm wide. £200-300 Provenance: Leslie Gooday OBE.

607 608

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611

610

610. A crocodile leather suitcase by Drew & Sons, with gilt brass mounts, the interior silk lined, with makers mark inscribed ‘Drew & Sons, Makers Piccadilly Circus London’, with a canvas outer cover, early 20th century, 18cm high, 51cm wide, 34.5cm deep. £200-300 Provenance: Leslie Gooday OBE. 611. A Louis Vuitton leather and canvas vanity case, with brass corners, locks and clasp, the front with gilt initials ‘M.R.D’, the interior with a paper label inscribed ‘LOUIS VUITTON AVe MARCEAU 78 PARIS, 848027’, mid 20th century, 21cm high, 40.5cm wide, 23cm deep. £400-600 Provenance: Leslie Gooday OBE. 612. A crocodile leather jewellery case by Asprey, the lid with initials ‘F.L.H.’, above a plush lined interior with a pair of hinged compartmented trays, with further divisions, stamped ‘ASPREY, LONDON’, early 20th century, 6.1cm high, 33.2cm wide, 16cm deep. £150-250 Provenance: Leslie Gooday OBE.

612

613. A small collection of crocodile leather items, comprising: a Dunhill travel clock by Jaeger Le Coultre, the eight day movement with Arabic numerals, a blotter by Asprey, an address book, a comb case with a horn comb, a writing pouch, a rectangular box, a small jewellery box and a vesta case, early to mid 20th century. (8) £200-300 Provenance: Leslie Gooday OBE.

613

614

615

614. A shagreen Gladstone type bag by Lotus, with brass locks, the base with a zipped compartment, 39.5cm high, 67.5cm wide. £2,500-3,000 615. Three shagreen items, comprising: a cigarette case, a compact and a lighter by Ronson, early to mid 20th century, 11cm wide, max. (3) £80-120

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616. A crocodile leather suitcase, applied with various hotel labels, the interior originally fitted, early to mid 20th century, 17.7cm high, 57cm wide, 44.5cm deep. £150-250 Provenance: Leslie Gooday OBE.

618. A crocodile leather attaché case, with gilt brass locks, stamped ‘ENGLISH LEVER’, early 20th century, 10.2cm high, 40.5cm wide, 28.5cm deep. £80-120 Provenance: Leslie Gooday OBE.

620. A wicker tea for two picnic basket, the interior fitted with a kettle and burner, a metal box, cups, plates and other utensils, 26.7cm £300-400 high, 30.3cm wide, 19cm deep.

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617. A Canadian cowhide Gladstone bag by T. Eaton Co., applied with paper hotel labels, the interior with a gilt metal makers plaque inscribed ‘MANUFACTURED BY THE T. EATON CO LIMITED TORONTO AND WINNIPEG’, 32.4cm high, 56.5cm wide. £100-150

619. A leather suitcase by Army & Navy, stamped ‘50, ARMY & NAVY, C.S.L. MAKERS LONDON’, with a brass four lever lock, 69cm wide, 44.5cm deep, together with a similar brown leather suitcase. (2) £150-250

621. A wicker picnic basket by Drew & Sons, the hinged lid with applied paper labels above a fitted interior with a cocktail shaker, burner, crockery and cutlery for two, with side carrying handles, some items marked ‘DREW & SONS patent PICCADILLY CIRCUS W. LONDON’, early 20th century, 25.8cm high, 46.5cm wide, 37cm deep. £300-400

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622. A wicker tea for four picnic basket, fitted with enamel plates and cups, cutlery, a ceramic butter pot and cover, glass jars, a copper kettle, metal containers, with side carrying handles, 20cm high, 58cm wide, 32.5cm deep. £300-400

623. Four vintage leather lady’s bags, comprising: a crocodile skin clutch bag, two lizard skin handbags and a crocodile example, mid 20th century, 31.5cm wide, max. (4) £100-200 Provenance: Leslie Gooday OBE.

624. A green lizard skin lady’s handbag by Salvatore Ferragamo, signed ‘Ferragamo’, 33.3cm wide, together with a snake skin handbag by Maclaren, Norwich and two other vintage handbags, mid 20th century. (4) £100-200 Provenance: Leslie Gooday OBE.

625. Four vintage leather lady’s handbags, comprising: a crocodile example, two reptile skin handbags one styled by Gold Crest and a black lizard skin example, early to mid 20th century, 26.3cm wide, max. (4) £100-200 Provenance: Leslie Gooday OBE.

625

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626

627

626. A collection of French carved wood milliner’s hat blocks, 25cm wide max. (13) £300-500 627. A milliner’s stained beechwood hat stretcher, with an ivorine head circumference scale, 33.3cm high, 33.5cm wide, together with a hat block. (2) £200-300 628. A set of twenty-four Victorian gilt metal Royal Loo Hawking Club buttons by Jennens & Co., each decorated with a hooded falcon, and inscribed ‘MON ESPOIR EN PENNES’, the reverse stamped ‘JENNENS & CO. LONDON’, 2.5cm diameter. (24) £150-250 The short lived Royal Loo Hawking Club (1839-1855) was based at the palace of Het Loo in the Netherlands, the summer palace of the King of the Netherlands. The club had an international membership and specialized in the 'haut vol'. 629. A Scottish seal skin and white metal mounted sporran, 24.5 x 18cm.

£100-150

630. A small carved and painted wood rocking horse, with a leather saddle, 61.4cm high, 81.4cm long. £200-300

628

629

630

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631 detail

631

631. A William IV rosewood country house bagatelle table, the lift-off top revealing a baize lined playing surface with brass poles and mother of pearl counter holders, the base with four frieze drawers on ribbed tapering legs, in need of restoration, 96cm high, 185.7cm long, 80.2cm deep. £200-300 Provenance: The Property of a Nobleman. 632. Seventeen ivory billiard balls, ten natural, six stained red and one black, 19th century, 3.7cm diameter max. (17) £600-800 633. A pair of Scottish granite and brass and ebony handled curling stones, in a painted pine case, the handles with owner’s initials, the stones: 28cm diameter. (3) £300-500 634. A croquet set by Jaques, the pine box with paper and stencil labels. £200-300 635. A graduated set of eight campanology brass hand bells, each with a lettered tooled leather strap, together with a beater, 11.3cm diameter. (9) £100-150

632

633

635 634

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636

637

636. A Thornton Pickard ‘Tribune’ plate camera, with a brass lens and mounts on an adjustable folding tripod stand, 114.5cm high, 61cm wide. £200-300 637. A pair of Victorian brass and black painted coaching lamps, 43.8cm high. (2) £200-300

638

638. An Irish horse measuring stick / walking cane by Kennan & Sons, with a screw-off horn handle revealing a pull-out sycamore stick with a hinged brass arm, stamped ‘KENNAN & SONS DUBLIN’, with a malacca shaft, 93.3cm long. £200-300 639. A Victorian cast iron horse tether, in the form of a horse’s head, 26.5cm high. £200-300 640. A pair of Victorian cast iron horse tethers, each with a lions mask ring handle, 15cm diameter. (2) £100-150 641. An electroplated mounted horse’s hoof by Peter Spicer, stamped ‘PETER SPICER & SONS LEAMINGTON’, 15cm wide, together with another plated and mounted horse’s hoof inscribed ‘Bessie. AGED 34’. (2) £200-300

639

640 641

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642 642. Five pairs of leather riding boots, each with wooden trees, one pair marked for ‘Capt. C.C. MAUD, PEAL & Co, London’, another pair with a brass plaque inscribed ‘A. Serena Esq’, a further pair by ‘MOORE BROS. SALISBURY’. (10) £400-600 643. A wrought iron game hanger, possibly 18th century, 94cm high, 76.5cm wide. £400-600 644. A Black Forest carved wood and painted Roe deer head mount, with real antlers mounted on a carved shield, inscribed and dated 1938, 67cm high, 21.7cm wide. £300-400 645. A pair of Ankole-Watusi horns, on upper skull, 150.8cm wide, two pairs of Cape buffalo horns, a pair of Defassa waterbuck horns and a pair of Greater Kudu horns, with skull, mounted on a shield. (5) £300-500 Provenance: The Property of a Nobleman. 646. No lot

643

644

645

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648

647

650

647. A Tartaruga 'blond' turtle shell (Podocnemis expansa), the interior with a green finish, late 18th / early 19th century, 65.3 x 49cm. £1,200-1,500 648. A collection of insects assembled by Major H. L. Bennett, including: two elephant beetles (Megasomaelephas) from Leticia, Columbia, an Indian stick insect (Carausius Morosus), from Botswana, a gliding lizard (Draco Sumatranus) from Bogor, Indonisia, all mounted in a glazed wood case, 33.4 x 43.5cm. £80-120 Provenance: Leslie Gooday OBE. 649. Two unpolished Coco de Mer (Lodoicea Maldivica), 34 x 29cm max. (2) £200-300 650. A cast resin model of a skull, with an articulated jaw, the underside inscribed ‘ESP’, 14.9cm high. £40-60 649

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Provenance: Leslie Gooday OBE.

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651. A carved wood and painted half block salmon, with an ivorine plaque inscribed ‘HEATHER POOL, R. KIRKAIG, SUTHERLANDSHIRE, N.B. 27TH AUGUST 1919 Wgt 20 1/2 LBS.’, mounted on an oak plaque, 35.3 x 105.8cm. £2,500-3,500

652. A taxidermied bream preserved by W.F. Homer, mounted in a naturalistic setting with a trade label inscribed ‘PRESERVED BY W.E. HOMER 105 Woodgrange Rd., Forest Gate, LONDON, E.’, in a glazed bowfront case with gilt lettering inscribed ‘ Bream Caught at Rye House by W. Owen 12th Dec. 1915. Wgt. 4lb1oz’, 36.6cm high, 60.6cm wide, 18.3cm deep. £300-400

653. A taxidermied pike in the manner of Cooper & Sons, mounted in a naturalistic setting, within an ebonized bowfront case, with gilt lettering inscribed ‘Caught in Frensham Pond. Jan., 26th 1923. Wgt., 171/2lbs.’, 41.5cm high, 118.3cm wide, 23.2cm deep. £400-600 Provenance: Leslie Gooday OBE.

Provenance: Leslie Gooday OBE.

654. A taxidermied tench, mounted in a naturalistic setting, within an ebonized glazed case, the reverse with a paper label inscribed ‘NAVAL, SHIPPING AND FISHERIES EXHIBITION, LONDON, 1905. HISTORICAL AND RELIC SECTION. BACK LABEL. Case of 1 Tench 43/4lbs from New River. Francis Howse, 4 Clapton Common N.E.’. 36.3cm high, 62.4cm wide, 12.7cm deep. £150-250 Provenance: Leslie Gooday OBE.

655. A taxidermied roach, mounted in a naturalistic setting with a Trade Mark label within an ebonized glazed case, 29cm high, 44.5cm wide, 12cm deep. £100-150 Provenance: Leslie Gooday OBE.

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656

656. A taxidermied chub, mounted in a naturalistic setting, in an ebonized glazed bowfront case, with gilt lettering inscribed ‘CHUB, Taken by C. Westrup, from the Avon. July 13th 1905. Wgt 51/4 lbs’, 39.3cm high, 74.9cm wide, 18.8cm deep. £300-400 Provenance: Leslie Gooday OBE. 657. A taxidermied bittern, in a naturalistic setting with a painted river landscape backdrop, £150-200 in an ebonized and glazed case, 61cm high, 53.5cm wide, 19.5cm deep. 658. A fishing rod by Berkley, together with two landing nets. (3) 659. A large late 19th century white coral specimen, 65cm wide.

657

659 658

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£40-60 £100-200

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660. A very large mir Saraband carpet, north west Persia, early 20th century, 940 x 562cm.

£2,000-3,000

Provenance: Crichel House, Dorset.

661. A Tekke ensi, Turkmenistan, early 20th century, 140 x 124.5cm. £100-150

662. A pair of Turkmen beshir chuval faces, Turkmenistan, late 19th century, 105.6 x 158.5cm. (2) £150-250

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663 663. A Tekke Turkmen carpet, early 20th century, 351 x 229cm. £400-600 664. A Tekke dipkhali, Turkmenistan, early 20th century, 116.3 x 118.5cm. £100-200 664

665. A Turkmen kizilayak chuval face, Turkmenistan, late 19th / early 20th century, 85.5 x 135.5cm. £300-400 666. No lot. 667. A north west Persia prayer rug, possibly Tabriz, early 20th century, 187 x 132cm. £40-60

665

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667

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668. A Malayer kelleh, north west Persia, early 20th century, 407 x 165cm. £250-350

669. A Kurdish kelleh, north west Persia, early 20th century, 391 x 127.5cm. £150-250

670. A Jaf Kurd long rug, north west Persia, early 20th century, 305.5 x 133cm. £150-200

671. A Shirvan white ground prayer rug, east Caucasus, 2nd half 19th century, 187.5 x 92.5cm. £400-600

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672. A Kashan ‘Mohtasham’ carpet, central Persia, late 19th century, 313.5 x 228cm. £500-700

673. A Doroksh carpet, Khorosan area, east Persia, early 20th century, 329 x 240cm. £300-500

674. A Qashqai rug, with unusual cotton brocade end, Fars region, early 20th century, 245 x 167cm. £100-150

675. An Afshar rug, with long kelim banded ends, Kerman province, late 19th century, 162 x 96.5cm. £200-300

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676. A Suzani embroidered hanging, worked with coloured silks, decorated with a tree with two rams with scrolling foliage borders, early 20th century, 223.5 x 136.5cm. £300-400

677. A Saruk rug, central Persia, c.1920, 212.5 x 130cm. £150-250

678. A Konya prayer kelim, central Anatolia, early 20th century, 110.5 x 75.5cm. £100-150

679. A Kayamata Egyptian hanging, early 20th century, 187 x 66.5cm. £150-200

677

676

680. A Marasali long rug, Caucasion, early to mid 20th £500-700 century, 268 x 153cm.

678

679

680

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Clocks, Watches & Scientific Instruments Friday 17th July 2015

A very rare red Japanned striking tavern clock, signed Jos. Morton, Aberford, the four pillar movement also signed and dated 1764. Estimate: ÂŁ10,000 - ÂŁ15,000

ENQUIRIES

Richard Price (consultant) Tel: +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

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Tribal Art Wednesday 2nd September 2015 Entries are now being accepted for this sale

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

A pair of mask side ornaments, New Ireland, Melanesia, 68.5cm high. Provenance: Josef Mueller collection. Estimate: ÂŁ2,000 - ÂŁ3,000

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Furniture & Works of Art Wednesday 7th October 2015 Entries are now being accepted for this sale

An important George III giltwood and rosewood side cabinet, after a design by Thomas Sheraton. Provenance: Violet Lady Leconfield (1892-1956), Petworth House, Sussex. Estimate: ÂŁ20,000 - ÂŁ30,000

ENQUIRIES Mark Richards Tel: +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

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Arms & Armour Wednesday 7th October 2015 Entries are now being accepted for this sale

From a private collection. Sold for ÂŁ15,500

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

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WOOLLEY & WALLIS

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Salisbury Salerooms ark eP hiv

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A36 Ch

WILTON & WARMINSTER

Sarum Business Park

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Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

E LS

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YR LE

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

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A345 Castle Rd

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SALISBURY A36

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Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

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WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

SALT LANE

LANE

SALT

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A36(T) SO UTHA MPT ON R

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W OOLLEY & W ALLIS S ALEROOMS

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SOUTHAMPTON CATHEDRAL

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ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture & Works of Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 1st July 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR SILVER 14th & 15th July 28th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 16th July 29th October Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 2nd September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FINE PORCELAIN & POTTERY 15th September Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk PAINTINGS 23rd September – Paintings, Prints Miniatures & Sculpture 9th December – Fine Old Masters & 19th Century Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ARMS & ARMOUR 7th October Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 7th October Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st October – 20th Century Design 25th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ASIAN ART 11th & 12th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk