Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Jewellery

Thursday 1st November 2018

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

424506 424506 424571

CHINESE PAINTINGS Freya Yuan-Richards

424589

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler

446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Megan Corbett

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER David Jordan

JAPANESE ART Alex Aguilar Doméracki

424583

CASTLE GATE MANAGER Matt Hill

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Morrison

424503 424592 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE RECEPTION Madeleine White BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FINE JEWELLERY

Thursday 1st November at 10.00am

At our Castle Street Salerooms, SP1 3SU VIEWING TIMES Friday 26th October Saturday 27th October Monday 29th October Tuesday 30th October Wednesday 31st October Thursday 1st November

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 31st October. LIVE BIDDING ILLUSTRATIONS Front cover: Inside front: Page 1: Back cover:

Lot 2010 Lot 1995 Lots 1999 & 2000 Lot 2008

Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 31st October. Please note there is a 3% +VAT surcharge for using this service.

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Saturday collections by appointment. 10.00am to 1.00pm

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1501 1500

1500. A red leather jewellery box, with two pull-out drawers containing assorted jewellery. £300-400 1501. A green leather box, with two pull-out drawers, retailed by Edwards & Sons, Regent Street and with Bramah lock, containing assorted jewellery. £200-300 1502. A crocodile leather jewellery box, with four hinged swing trays and containing assorted jewellery. £200-300 1503. Various items of jewellery, including seven brooches, a glazed gold locket pendant with seed pearl border, a quizzing glass, a pendant with enamel decoration and rose diamond border, six cocktail watches with diamond bezels, a miniature painting of the Taj Mahal in gold mount with rose-cut diamond border, a pair of 18ct gold cufflinks, an Etruscan Revival gold drop earring with lapis lazuli amphora pendant, a stone-set bracelet. £800-1,200

1502

1504. A late 19th century diamond wreath brooch, set with rosecut diamonds in silver and gold, Russian marks, 3cm wide, two matching gold mourning lockets, inscribed for 1908 and 1904, both cased, with a selection of gold and enamel mourning brooches, a cheroot holder, a lorgnette and a cased set of buttons with a bar brooch £800-1,200

1505. An amethyst and diamond-set platinum and gold bar brooch, set with seven octagonal-shaped amethysts within an undulating border of rose-cut diamonds, 4.5cm wide, a gold Scottish pebble bracelet with heart-shaped locket clasp, a small gold ‘Russian’ three-colour ring, size K, a coral-bead necklace, a carnelian and crystal rondel bead necklace, a small open-faced fob watch and a neck chain £400-600

1504

1503

1505

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1506

1507 Illustrated in part, see website for full images 1506. Four jewellery boxes for Giuliano, two for stick pins, one for a heart-shaped pendant and one for a bangle, all marked for Giuliano 115 Piccadilly £100-200 1507. Thirty assorted cased stick pins, including a reverse-carved intaglio depicting a trotting horse and jockey in trap, a stick pin mounted with a diamond, sapphire and seed pearl-set gold bee, a stick pin mounted with a finely-textured gold hand, a gold stick pin mounted with a circular-cut diamond, a gold stick pin mounted with a pear-shaped sapphire, a stick pin mounted with a cushion-shaped garnet, a gold stick pin mounted with a closed crescent design pavé-set with rose-cut diamonds, a gold stick pin mounted with an aubergine-coloured drop-shaped pearl suspended from a circular-cut diamond, a gold stick pin mounted with a three-colour gold dragonfly with textured wings and ruby eyes, together with twenty-one further stick pins £400-600

1508 Illustrated in part, see website for full images

1508. One hundred assorted stick pins, including an early 19th century pin designed as floral arrangement in a cornucopia-style carved coral vase with two hard stone flowers and gold foliage, an oval-shaped solid opal-mounted gold stick pin, a banded agate-mounted gold stick pin, a gold stick pin mounted with two sapphires and three diamonds, a carved quatrefoil gold stick pin, a stick pin mounted with a button-shaped pearl and two diamond clusters, a pin mounted with an amethyst and seed pearl insect, a pin mounted with a sprig of holly with green enamel leaves and pearl berry, and an Etruscan Revival-style circular gold stick pin centred with a coral and white enamel pellet border, together with ninety-one further stick pins £400-600 1509. A quantity of jewellery, the diamond-set double clip platinum brooch, set with baguetteshaped and circular-cut diamonds overall, 37g total, a gold and platinum pendant mounted with a carved shell angel with a stylised glass window frame millegrain-set with small diamonds to the open-work mount, 4cm high, a souvenir brooch set with rose-cut diamonds (one missing and without pin), three Victorian gold brooches, the gold memorial locket brooch with half-pearl border, a gold hair pin centred with a line of seed pearls within blue enamel border, a gold and blue enamel pendant, a diamond-set Art Deco wristwatch (incomplete), a silver brooch and the remnants of a turquoise and seed-pearl set gold necklace £600-800 1510. Various items of jewellery, including a diamond-set white gold wristwatch, eleven assorted brooches, a gold slide, a blue enamel bangle and a black enamel pendant frame, a gold ring set with diamonds and with black enamel bands, an open-faced gold dress pocket watch by Tudor, a dress pen knife, a cigar cutter, six assorted studs, eight stick pins, a cufflink and a hat pin £600-800 1511. Various items of jewellery, including a 19th century plaited hair bracelet with gold clasp applied with gold initials, a 19th century plaited hair bracelet with pearl-set gold clasp centred with a pearl and diamond star and blue enamel decoration (damaged), a diamond-set cocktail watch, a stone-set gold signet ring, six assorted pendants, a Regency gold quizzing glass frame, and various other items of jewellery £400-600

1509

1510

1511

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1513

1512 1512. A six-row amethyst cabochon bead necklace with magnetic clasp, a sevenrow cultured pearl necklace, a diamond-set gold bow clasp and a twelve-row grey and white cultured pearl necklace £400-600 1513. A Renaissance Revival necklace, formed as gilt metal clusters mounted with garnets and pearls with enamel decoration to both sides, 45cm, fitted case £400-600 1514. A gilt lined silver rectangular minaudière, 1930s, striated rectangular form with two gold bands with engine-turned hob-nail centres within plain polished borders, the hinged cover opening to reveal various compartments, including a hinge-covered vanity engraved with initial G, the clasp set with four square-shapes sapphires, 14.5cm wide, 457g total £1,000-1,500

1514

1515. A 9ct gold two-colour mesh evening bag, the frame with tied fluted decoration, £1,200-1,500 with 9ct gold oval-link handle, 13.5cm wide, 200g 1516. An early 19th century gold and micromosaic bracelet, c1830, the seven rectangular plaques depicting various young ladies in regional costume from the different Swiss canton, in scrolled borders and joined with two links decorated with blue enamel, which is repeated to the main clasp (with some damage), 17.5cm long, in fitted case by Turner of Bond Street with Royal Appointment, with matching Swiss micromosaic brooch depicting two musicians and conforming blue enamel gold frame, 5.7cm wide, in fitted case by Turner, together with a Regency-mounted micromosaic brooch depicting Roman ruins, the gold frame chased with foliate scroll and shell decoration, 5.8cm high, fitted case by Turner £800-1,200 1517. A yellow gold municipal pendant with enamel decoration for Southwark, presentation inscription to the reverse dated 1933, 8cm high, 36g, fitted case with ribbon, and another yellow gold municipal pendant with enamel decoration for Southwark, with presentation inscription to the reverse dated 1933, with yellow gold £600-800 neck chain, 5cm high, 21g, fitted case 1515

1516

1517

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1518

1518. A nine-row choker-length graduated emerald bead necklace, the gold clasp centred with a cabochon ruby and diamond petal flower head on a carved beryl mount, 46cm, with a pair of matching ruby-centred carved beryl earrings £1,000-1,500 1519

1519. A quantity of jewellery items, including an early 19th century miniature desk seal, with faceted and tapered citrine handle, the carnelian matrix engraved with the initials EA beneath a Baron’s coronet and with fine decoration to the joint, 4.6cm high, a French Empire-style miniature ivory and gold picture frame, the tapered ivory mount with hexagonal gold frame to the glazed compartment over a scrolling bow design, further gold work to the foot and with amethyst back to the reverse access port, French control marks, a carved agate blackamoor pendant, with diamond-set eyes and gold suspension ring, 2cm high, an oval-shaped gold locket pendant, the hinged cover painted in enamel with a seated woman on a pearl-set chair with a child reading at her knees, glazed locket compartment to the reverse, 4cm high, and a cased set of six shell and gold dress studs, the circular shell sections within black enamel borders and diamond-set cross to the simulated button holes £800-1,200 1520. Various items of jewellery, including a 19th century gold framed miniature portrait of a girl, the gold mounts with fine-link chains (damaged), a bombé-shaped gold brooch pavé-set with graduated turquoise cabochons and centred with a rose-cut diamond, the foliate clasp set with small diamonds and centred with an emerald in silver and gold, a set of three carved coral rose studs, a clasp centred with an oval-shaped ruby cabochon, four emerald cabochons and pearls, a gold wristwatch on gold bangle, a small silk bracelet with diamond-set slide, a small gold-mounted carved shall box £400-600

1520

1521. A fine mesh silver short scarf by Tiffany, signed T&Co, 90cm, a yellow gold abstract pendant by Tiffany on a fine-link yellow gold neck chain and a yellow gold swirl abstract pendant by Tiffany on a fine-link yellow gold chain, and a stone-set abstract yellow gold pendant set with four stones £200-300 1522. An assorted collection of cut-down stone-set collets, including a moss agate on guilloche ground-mounted gold clasp, within a rose-cut diamond surround and spiral fluting engraved decoration, the others mounted with pink topaz, opals, green stones, a cat’s-eye and a small carved shell cameo depicting a seated Cupid playing pan pipes with a butterfly, 1cm wide £400-600

1521

1522

1523. A small collection of jewellery, including a cushion-shaped blue topaz-mounted 9ct white gold ring, set within a surround of circular-cut sapphires and small diamonds to the shoulders and a pair of matching topaz and sapphire-mounted white gold earrings, a pair of diamond-set white gold bee brooches with diamond-set wings and enamel body and head with screw action attachments, a platinum ring pavé-set with small circular-cut diamonds, size K, a pair of mabé pearl-mounted gold earrings, each swirl set with a small diamond, a pair of gilt metal bee brooches, a pair of cultured pearl stud earrings and a pair of red and white-stone cluster earrings £500-700

1523

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1524

1525

1524. A suite of 19th century hair jewellery, c1880, the bracelet formed with plaited hair with an oval-shaped and engraved gold centrepiece, mounted with a Maltese cross design applied with hair, a pair of finely plaited hair drop earrings with gold leaf-form mounts, 8cm high, a plaited hair watch chain with gold mounts and with an oval gold locket mounted with a cross to each side with sections of plaited hair, 40cm, and a £600-800 gold watch key formed with a knot design mounted with plaited hair 1525. A realistically-formed gold spider brooch with red-stone eye, 3.5cm wide, a silver bee brooch with tiger’s eye body, seed pearl wings and red-stone eyes, 5.5cm wide, and a gold and silver bee brooch with citrine body, 2.5cm high £400-600

1526

1526. An 18ct gold signet ring, mounted with a bloodstone engraved with arms, an 18ct gold ring mounted with a blue paste intaglio, two 18ct gold wedding rings, a 9ct gold wedding ring and a gold signet ring, 42g total £200-300 1527. Four gem-set rings, including a Victorian pear-shaped emerald and diamondset gold ring with pierced scroll shoulders, size N, a diamond-set gold cluster ring, size M½, a gold half hoop ring set with three pearls and two diamonds, size O, and a £400-600 diamond three-stone gold ring, size L½ 1528. A collection of stick pins and a gem-set brooch, one gold stick pin mounted with a silver and gold partridge pavé-set with diamonds and with ruby eye, cased, a gold stick pin mounted with a silver salmon with realistic enamel decoration, a gold stick pin mounted with a blue and white enamel heart centred with a diamond within a seed £100-150 pearl border, cased and a ruby and diamond-set brooch with initials LS

1527

1529. A small quantity of jewellery, including a pair of 9ct two-colour gold cufflinks with engine-turned decoration, a pair of gold swirl earrings, a pair of three-colour gold half-hoop earrings and a white gold ring set with a triangular-shaped topaz, size T £200-300 1530. A late George III enamel and diamond-set mourning ring, the rectangular enamelled plaque containing plaited hair and set with rose-cut diamonds in gold, with an inscription to the reverse reading ‘John Knill Esq, ob 29 March 1811 AE. 77’, size M, together with a gold brooch mounted with a circular portrait miniature of a spaniel, 4.3cm wide £350-450

1528

1529 1530

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1531

1532

1531. An amphora design miniature fob seal, decorated with blue and white enamel on gold and mounted with an agate intaglio engraved with a dog beneath the word ‘fidel’, 2cm high, and a carved shell cameomounted brooch, depicting Cupid embracing a seated psyche, gold frame and with plaited hair to the glazed reverse locket, 3.5cm high £150-200

1532. Four carved shell cameo profiles £150-250 1534

1533

1533. A carved shell cameo brooch, depicting Nyx and Hemera (Night and Day) within yellow gold border, 6cm high, together with two smaller carved shell cameos £100-150

1534. A carved shell cameo-mounted square carved jade plaque, the cameo depicting Nyx and Hemera with, the jade plaque carved with fluted design to one side and with flower head to the reverse, the cameo 6cm wide £150-250

1535. A quantity of loose stones, including amethysts, sapphires, seed pearls, a zircon, opals, garnets, turquoise, ruby beads, emerald beads and pink sapphires £800-1,200

1535

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1536

1537

1538 1536. A graduated amber bead necklace, the forty-nine beads graduate from 10.6-21mm, 135g £400-600 1537. A two-row cultured pearl necklace, the pearls graduated from 8.5 - 9.0mm, with a diamondset white gold open floral clasp, 50cm long £600-800

1539

1538. A single-row jade bead necklace, the graduated green jade beads measure 7 - 11mm and are set with a jade bead and diamond cluster clasp, 47cm long £400-600 1539. A yellow gold ‘Elephant Hair’ bangle by Gucci, the adjustable bracelet formed with multiple polished gold wires to resemble iconic ‘elephant hair’ bracelets, signed Gucci Italy and stamped 18k, 68g £1,000-2,000

1540

1540. A French wirework folaite necklace and bracelet, with intertwining polished gold wires and gold leaves, with French control marks, necklace 12.5cm inner diameter, bracelet 6cm £600-800 inner diameter 1541. A late 19th century gold Albertina, comprising two twisted rope design chains and three fancy box-link chains, with two decorative slides, with swivel clip and t-bar, 31cm, 28g £600-800 1542. An antique Egyptian twisted yellow gold bangle, with Pharaoh head terminals, 63g £1,000-2,000

1541

1543. A yellow gold fancy-link necklace, designed as two smooth links separated with an oval-shaped twisted rope link, the clasp with cabochon blue stones to the t-bar terminals, 46cm, 44g £400-600

1543

1542

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1546 1544 1545

1544. An 18ct half hunting-cased pocket watch, stem wind, the white enamel dial with black Roman numerals and signed John Kellie of Liverpool, 3/4 plate movement signed and numbered 88 87352, engraved with initials to the reverse, the case marked for Chester 1898 £600-800 1545. A yellow gold small half hunting-cased fob watch, stem winding, the outer pink guilloche chapter ring with blue Roman numerals, white enamel dial with black £400-600 Roman numerals, 3.3cm diameter, fitted case

1547

1546. MUST DE CARTIER- a lady’s gold-plated silver Must de Cartier Tank wrist watch reference 2415, white dial with black Roman numerals, blue-stone winder . Serial 226639CD. Fitted to a brown crocodile leather strap with signed gold-plated deployant buckle. 20mm. Cartier box £150-250 1548

1549

1547. A pair of matching diamond-set scroll brooches, each scrolling spray brooch set with an old-cut circularshaped diamond and further graduated single-cut diamonds in white gold, 3.5cm wide £600-800 1548. A sapphire and diamond bow brooch, set with lines of calibré-cut sapphires and circular-cut diamonds in platinum, 4.2cm wide, fitted case £600-800 1549. A diamond and sapphire-set gold and platinum giardinetto brooch, the basket of flowers millegrain-set with rose-cut diamonds within a border alternatelymounted with oval-shaped sapphires and circular £600-800 diamonds, 3.5cm

1550

1551

1550. A gem-set giardinetto brooch, the flowers set with circular-cut emeralds, rubies and diamonds in silver and gold, 4.5cm wide £400-600 1551. A Victorian turquoise and gold bracelet, the fancy-link bracelet set with a turquoise clasp and suspending a heart-shaped locket set with a turquoise £400-600 forget-me-not, in yellow gold, 20.5cm long

1552. A 19th century carved coral brooch, of foliate form and with a parrot, gold mounts, 6.5cm high £200-300 1552

1553

1553. An unusual charm bracelet, the bar-link platinum bracelet mounted with a Van Cleef & Arpels cartoon charm with enamel decoration depicting two characters riding a horse, a platinum bear pavé-set with diamonds and with a ruby eye, a lizard set with rose-cut diamonds, an ovalshaped rose-cut diamond pendant, a diamond-set key and two coloured-stone-mounted pendants and two gold keys, 16cm long £600-800

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1556 1554

1555

1554. A diamond-set white gold cruciform pendant, on a fine-link yellow gold neck chain, the cross 3.5cm high £200-300 1557

1555. A white gold and diamond earring and pendant suite, the pendant vertically set with three graduated round brilliant-cut diamonds, maker’s mark BJB, on fine-link white gold neck chain, with a pair of diamond stud earrings, the diamonds weighing approximately 0.46 and 0.48cts, Sheffield hallmarks for 2010, post fittings £500-700 1556. A pair of early 20th century dress cufflinks and studs, comprising two larger cufflinks, two smaller cufflinks and four dress studs of circular form and set with a circular-cut diamond within a surround of onyx and mother-of-pearl in yellow and white gold, 1.4 & 0.8cm high £200-300 1557. An Art Deco white gold watch ring, the black dial with gold numerals and signed Marvin, the hinged cover mounted with circular-cut diamonds and L-shaped sections of black onyx (one section missing), with a pair of conforming diamond and onyx set white gold earrings and matching stick pin, the watching ring size J £800-1,200

1558

1558. A gold floral brooch with matching earrings, all designed as abstract flower heads in yellow and white gold, set with diamonds and with green enamel border decoration, 39g total £800-1,200 1559. A pair of yellow gold stylised leaf-form earrings, set with diamonds and a similar foliate yellow gold brooch, with textured leaves and a central section of diamond-set white gold leaves £800-1,200 1560. A 17.01ct oval-shaped sapphire

£2,000-3,000

Accompanied by report number 78175-59 dated 29 August 2018 from GCS, London stating that the oval-cut sapphire weighs 17.01cts and is a natural sapphire with no indications of heat treatment. Origin: Madagascar 1559 1561. A square-shaped unset emerald, an oval-shaped unset emerald and a mounted sugarloaf emerald, 0.81 and 0.98cts £400-600 1562. Seven oval-shaped sapphires, weighing 2.98, 2.11, 1.96, 0.87, 0.66 and 0.34cts £1,500-2,000 1563. A 0.98ct fancy-dark brownish-yellow round brilliant-cut diamond £1,500-2,000

1561

1560

Accompanied by report number 78173-90 dated 29 August 2018 from GCS, London stating that the round brilliant-cut diamond weighs 0.98cts and is a natural diamond of fancy-dark brownish-yellow colour and VS2 clarity 1564. Two oval-shaped unset pink topaz, weighing 1.73 and 2.84cts

£200-300

1565. An early 19th century Berlin ironwork bracelet, of revivalist influence and £600-800 alternating with pierced panels of different styles, 20cm

1565

1562

1563

1564

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1566. A diamond cluster ring, the three centre graduated round brilliant-cut diamonds are millegrain-set within a surround of small circular-cut diamonds in yellow and white gold, size M £1,200-1,500 1567. A diamond solitaire ring, the baguette-shaped diamond is set within concentric border, in yellow gold, size K £400-600 1568. An emerald and diamond ring, the square-shaped emerald set within a surround of small circularcut diamonds, with further circular-cut diamonds to the shoulders in white gold, size O £500-800 1569. An aquamarine and diamond three-stone ring, the oval-shaped aquamarine is claw-set in gold with two round brilliant-cut shoulder diamonds, size O £300-500 1570. A yellow sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of round brilliant-cut diamonds in white gold, with further round brilliant-cut diamonds set to the bifurcated shoulders, size M £600-800 1571. A diamond four-stone ring, set with graduated old circular-cut diamonds in platinum, size O £500-700 1572. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of round brilliant-cut diamonds in white gold, with trefoils of diamonds set to the shoulders, with maker's mark and London hallmarks for 2015, size M½ £500-700 1573. A garnet and diamond cluster ring, the circular-cut garnet set within a surround of round brilliantcut diamonds in white gold, with maker's mark and London hallmarks for 2017, size M £400-600 1574. An aquamarine dress ring, the pear-shaped aquamarine is claw-set in yellow gold, size J £600-800 1575. A 18ct white gold, pink tourmaline and diamond cluster ring, 1950s, the oval-shaped rubelite is claw-set within a surround of single-cut diamonds in an intertwined yellow mount, with further circular-cut diamonds set to the shoulders, size I½ £400-600 1576. A sapphire and pearl three stone ring, the square-shaped sapphire is flanked with pearls (one missing) claw-set in yellow gold, size L £400-600 1577. A ruby and diamond cluster ring, the oval-shaped ruby set within a surround of round brilliant-cut diamonds with baguette-cut shoulder diamonds in white gold, with maker’s mark and London hallmarks for 2015, size N £500-700 1578. A ruby and diamond cluster ring, the three graduated oval-shaped rubies set within a surround of pavé-set round brilliant-cut diamonds in yellow gold, with obscured maker’s mark and Italian hallmarks for 18ct, with London import marks for 1983, size O½ £500-700 1579. An aquamarine and diamond cluster ring, the oval-shaped aquamarine set within a surround of circular-cut diamonds in yellow and white gold scroll mount, size M £300-400 1580. A diamond solitaire ring and wedding band, the round brilliant-cut diamond weighs approximately 0.60cts and is rubover-set in yellow gold, on plain 18ct yellow gold band, with London hallmarks for 1995, size G½, together with an 18ct yellow gold wedding band, inscribed ‘SAF 16.11.96 LJM’, with maker’s mark B&N and London hallmarks for 1996, size L £1,000-1,500 1581. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.60cts, with two small circular-cut diamonds to each shoulder in platinum, size K½ £400-600 1582. A two-stone diamond crossover ring, the two emerald-cut diamonds claw-set in platinum with further circular-cut diamonds to the shoulders, size M £800-1,200 1583. A diamond cluster ring, set with graduated circular-cut diamonds in white gold, size L½, in silver ring box by Birks £200-300 1584. An emerald and diamond cluster ring, the centre oval-shaped emerald weighs approximately 0.50cts and is rub-over set within a surround of four baguette-cut shoulder diamonds and further round brilliant-cut diamonds in white gold, size N½ £800-1,200 1585. A fancy diamond three-stone ring, the central fancy marquise-shaped diamond flanked with princess-cut diamonds on a channel-set diamond band, set in white gold, size M½ £1,500-2,000

Accompanied by report number 5777-8395 dated 23 Janaury 2017 from GCS, London stating that the marquise-shaped diamond weighs 1.00cts and is a natural diamond with fancy-light greenish-yellow and VS1 clarity

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1568

1567

1570

1566

1571

1569

1572

1576

1573 1575

1574 1577

1578

1580

1581

1580

1585

1579 1582 1583 1584

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1586. An emerald, sapphire and diamond-set double swivel ring, the platinum ring half-set with calibré-cut emeralds and calibré-cut sapphires with two hinged half sections of graduated circular-cut diamonds, size L £400-600 1587. A pair of amethyst and diamond cluster earrings, the oval-shaped amethysts set within a surround of round £800-1,200 brilliant-cut diamonds in white gold, post and clip fittings, 2cm high 1588. A pair of diamond-set foliate earrings, the open-work scrolling leaf-form earrings set with clusters of round brilliant-cut diamonds in white gold, post and clip fittings, 2.3cm high £800-1,200 1589. A yellow gold and diamond pendant by Tiffany & Co, the centre round brilliant-cut diamond is rubover-set within an openwork foliate frame, signed T&Co Italy, on an oval-link yellow gold Tiffany chain, pendant 4.7cm high, chain 76cm long, Tiffany box £400-600 1590. An amethyst and diamond cluster ring, the emerald-cut amethyst set within a surround of round brilliant-cut diamonds in white gold, with maker’s mark and London hallmarks for 2017, size M £600-800 1591. A fancy light yellow diamond cluster ring, the rectangular-shaped fancy-light yellow diamond weighs approximately 1.00cts is claw-set within a surround of baguette-shaped and tapered baguette-shaped white diamonds in white gold, size H½ £1,000-1,500 Accompanied by report number 78174-99 dated 28 August 2018 from GCS, London stating that the rectangular-shaped diamond weighs approximately 1.00cts and is a natural diamond of fancy-light yellow colour and SI1-2 clarity 1592. A diamond-set yellow gold pendant, the abstract plaque-form pendant is rubover-set with a round brilliant-cut diamond, 3.2cm high £600-800 1593. A diamond cluster ring, the seven round brilliant-cut diamonds weigh approximately 1.65cts total and are set in yellow and white gold, size O½ £1,200-1,500 1594. A pair of French two-colour gold and diamond drop earrings, the upper sections set with rows of circular-cut diamonds and each suspending an articulated drop section, the quatrefoil and vertical links pavé-set with round brilliantcut diamonds, post fittings, with French control marks and maker’s mark SB within lozenge, 4.5cm long £800-1,200 1595. A pair of 18ct gold and diamond dragon earrings, the yellow gold hoop upper sections suspend dragon-form lower sections pavé-set with small round brilliant-cut diamonds, with maker’s mark and London import marks for 1996, 4.2cm high £500-700 1596. An emerald and diamond cluster ring, the oval-shaped emerald weighs approximately 1.10cts and is set within a surround of eight round brilliant-cut diamonds in yellow and white gold, with two further smaller round brilliant-cut diamonds to each shoulder, size O £1,200-1,500 1597. A French multi-gem-set gold brooch, set with three principal stones consisting of a blue sapphire, a pink sapphire and yellow paste, within chequerboard diamond setting in platinum and white gold, French control marks and rubbed maker’s mark, 6cm wide £800-1,200 1598. A sapphire and diamond cluster ring, the cushion-shaped sapphire weighs approximately 2.70cts and is set within a surround of round brilliant-cut diamonds in a white gold intertwined mount, a further trefoil of diamonds set to each shoulder and with fluted shank, size L½ £1,200-1,500 Accompanied by report number 78172-53 dated 7 August 2018 from GCS, London stating that the cushion-cut sapphire weighs approximately 2.70cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka 1599. A sapphire and diamond ring and earring suite, the open-work ring set with oval-shaped pink sapphires, pear-shaped blue sapphires and round brilliant-cut diamonds, with further circular-cut diamonds to the shoulders in white gold, the open-work earrings set with oval-shaped pink and blue sapphires and rubover-set circular cut diamonds in white gold, with post and clip fittings, all with maker’s mark IF and with London hallmarks for 2004, ring size N, earrings 2cm high £600-800 1600. A pair of cultured pearl and diamond drop earrings, the scroll and spray-form upper sections set with singlecut diamonds in white gold, each suspending an articulated foliate line set with single-cut diamonds and a drop-shaped white cultured with diamond-set caps, clip fittings, 4.9cm high £800-1,200 1601. A pair of diamond scroll-form drop earrings, each open-work top section set with a marquise-shaped and larger round brilliant-cut diamond with a circular diamond-set frame, suspending a scrolling drop section rubover-set with three larger round brilliant-cut diamonds and further smaller graduated round brilliant-cut diamonds to the scroll frame, all in white gold, post fittings, 4.8cm high £800-1,200 1602. A tourmaline and diamond-set bracelet, the oval-shaped vari-coloured tourmalines rubover-set in brushed white-gold mounts and alternately-set with pairs of square-shaped collets set with round brilliant-cut diamonds and £2,000-3,000 further smaller circular-cut diamonds to the sides, 18.5cm long

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1587

1588

1590

1592 1591

1586

1589

1593

1595 1594

1597

1596

1598

1599

1600

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1603. An Arts & Crafts stone-mounted silver Pectoral Cross, chased with foliate decoration and centred with an oval-shaped garnet cabochon and four moonstones to the raised centre section each terminal mounted with a square-shaped garnet to the raised square mount, engraved to the reverse A.D. IV NON. FEB, Georgio Halford D.D. Episcopo Secundo, Qui Cum EO Apud Rockhamptonenses Collaboraverunt Sacerdotes Hang Crucem Signo Amoris Dono Dederunt, maker’s mark ETWW above A.D.MCMIX, 11cm high, on a fancy-link silver chain, 33cm, with damaged case marked for The Artificers’ Guild Ltd, 9 Maddox Street, London £800-1,200 Previously the property of Bishop G. D. Halford, (1865-1948) then gifted to the Rev. Percy Demuth on his death, and thence by family descent. The current owner purchased it directly from the family. George Douglas Halford was educated at Felstead School and at Keble College, Oxford. Ordained on the 16 February 1890, he went on to be vicar of St. Peter’s Church, Jarrow-on-Tyne. He went to Australia in 1897 to form the first Bush Brotherhood of St. Andrew in Longreach, Queensland. The essence of the Bush Brotherhood was for several preferably young unmarried priests to live under the rules of obedience for five years in a community house in a far-flung town bringing Christian nurture to country dwellers who seldom, if ever, had the opportunity to participate in church life. He died in Brisbane in 1948. Both lots are illustrated in Halford: The Friar Bishop (Church Archivist’s Press: 1998), and in which it mentions that he visited Ramsden and Carr on recommendations, page 44. 1604. A late 19th century German silver singing bird automata music box, maker’s mark for J D Schleissner and Sohne, in the manner of Karl Griesbaum, of shaped rectangular form, the top with oval hinged cover decorated with a figural scene, opening to reveal a feathered automated bird and pierced grille, the box repousee decorated with birds amongst scrolling foliage, with applied opening catch in the form of a bird, stamped 930, 10.2cm wide £1,500-2,000 1605. An early 19th century rectangular hardstone snuffbox, gold mounts and of convex form, obscure marks but possibly Austrian, 8.5cm long £1,500-2,000 1606. A 9ct gold music casket, of rectangular form with domed hinged cover and applied with a partridge in a pear tree and playing the appropriate tune, 6.5cm wide, with fitted case £2,000-3,000 1607. A circular waisted gold box with hinged cover, the cover with hammered and engraved decoration and set with three rubies and rose-cut diamond-set leaves, 3cm wide £400-600 1608. A Swiss gold musical fob seal, c1820, the pendant loop rotates to wind the mechanism which plays a tune, the mount decorated with a standing putti to both sides holding an arrow and bow, within scrolling surround, 4cm high £400-600 1609. A small circular gold box, the hinged cover applied with rose-cut diamond-set initials JC within a border of rose-cut diamonds, 3cm wide £600-800

1610. An impressive gold, enamel and synthetic sapphire-mounted ring, previously the property of Bishop Halford, of tapered square form and set with an oval-shaped cabochon synthetic sapphire on green enamel ground and quartered with a cruciform motif, the sides applied with a Lion, Eagle, Angel and Bull for the Evangelists, Mark, John, Matthew and Luke, each on red enamel ground and separated with a column, plain shank and decorated with fine wire work, 3cm wide, size S £2,000-3,000 For provenance see lot 1603

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1603

1604

1605

1610 1608

1607

1606 1609

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1611

1611. An 18ct gold hunter pocket watch by Longines, with lever escapement, the gold case with the crest and monogram of King Farouk, the initials set with calibré-cut sapphires and circular-cut diamonds in platinum, the signed circular dial with black Roman numerals, subsidiary seconds dial, the movement £5,000-8,000 signed and numbered 2529803, 5cm wide, leather pouch Provenance:Reputed to have been presented by King Ferdinand to King Faud of Egypt, on his death it was passed to King Farouk. Sold: Sotheby's 'The Palace Collection of Egypt', Koubbeh Palace, Sotheby's, 20 March 1954, lot 1183, p203 Purchased by Ashley Hall, Lancashire in 1954 and remained in their collection until it was purchased privately in 2018 1612. A diamond-set white gold wrist watch, the circular face pavé-set with small circular-cut diamonds with a white gold bezel and back, and graduated white gold bar-link bracelet, 18.5cm, 106g total £1,500-2,000 1613. JAEGER LECOULTRE - A yellow gold rectangular lady's wristwatch, manual winding, signed dial with black Roman numerals and black fluted bezel, case numbered 6123.21 1496390, leather band £800-1,200 with gold plated Jaeger LeCoultre buckle, 2.5cm high (maximum) 1614. PATEK PHILIPPE - An 18ct gold Calatrava wrist watch, signed white dial with baton numerals and subsidiary seconds dial, manual winding, unusual scroll lugs to the plain curved bezel, associated leather band £3,000-5,000 1615. CARTIER - A round Panthere lady’s yellow gold wrist watch, the round signed dial with black Roman numerals, sapphire winder and quartz movement, numbered 669201424, yellow gold gate-link £2,000-3,000 bracelet with yellow gold Cartier deployant clasp, 24cm long 1616. GIRARD PERREGAUX - a lady’s bi-metal bracelet watch reference 8039, black dial with gold baton hour markers and Arabic numeral quarters, date aperture to three. Signed automatic calibré 2501, £200-400 Serial BJ No.35. Fitted to a signed bi-metal bracelet with double deployant clasp. 29mm 1617. JAEGER LECOULTRE - A yellow gold rectangular wristwatch, manual winding, signed dial with black Roman numerals and black fluted bezel, case numbered 9125.21 1.409.927, leather band with gold £1,500-2,000 plated Jaeger LeCoultre buckle, 4cm high (maximum) 1618. ROLEX - a steel Rolex Submariner wrist watch, signed black dial with ‘Mercedes’-style luminous hands, plexi-glass, unidirectional rotatable bezel, 40mm case, trip lock winding crown, mechanical selfwinding, oyster-style bracelet with Rolex folding clasp, serial number 5133575, model 5513, date 1978, £4,500-6,000 green velvet Rolex pouch With invoice from Rolex for full service and with service guide. 1619. JAEGER LECOULTRE - A gold wristwatch, signed round face with alternate baton and Arabic numerals, sweep seconds hand and numbered to the reverse 0111, associated band, 3.3cm diameter £600-800 (maximum)

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1613

1612 1614

1615

1616

1617

1619

1618

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1620. A 19th century heart-shaped citrine pendant, set beneath and yellow gold coronet, 5cm long, fitted case £100-200 1621. A diamond scroll ring, set with an old cushion-shaped diamond within a border of diamonds in silver and gold closed back setting, decorated with a fleur-de-lys, diamond scrolls (one diamond missing) and a pear-shaped diamond terminal, diamonds set to the shoulders, size F½ with two small loose diamonds £600-800 1622. A chrysoberyl catseye and diamond cluster ring, the chrysoberyl cabochon is set within a surround of circular-cut diamonds in yellow gold, size R½ £1,000-2,000 1623. A sapphire and diamond cluster ring, the circular-shaped sapphire is set within a surround of rose-cut diamonds in gold, size L £300-400 1624. An oval-shaped sphene and diamond cluster ring, set with fourteen round brilliant-cut diamonds in yellow and white gold, size O £2,000-2,500 1625. An Edwardian enamel, pearl and diamond brooch pendant, the lozenge-shaped centre section decorated with a central pearl within red guilloche enamel and white enamel border, alternately decorated with a border of diamonds and pearls in silver and gold, 3cm long £300-400 1626. Of fishing interest - An early 20th century reverse-carved crystal intaglio brooch, depicting a trout in the process of taking a fly on shell ground, marked EWS, 2.3cm wide £400-600 1627. Two Scottish agate-set gold bracelets, one formed from barrel-shaped agate links with gold terminals and a gilded locket clasp set with plaited hair, 18cm long, the other set with a central oval-shaped citrine within an agate border, on a gold bracelet set with agates within gold scroll border, 18cm long £200-300 1628. A fancy-link longuard chain, the gold striated fine circular-links are spaced with figure-of-eight links with red enamel decoration, 156cm, with a shaped gold locket pendant centred with a circular-cut diamond on red guilloche and gold fleur-de-lys enamel ground opening to reveal a glazed locket compartment, 2cm wide £600-800 1629. A gem-set gold bracelet, alternately-set with graduated oval-shaped sapphires and garnets, and a pink stone, 7cm high £400-600 1630. An unusual Art Nouveau gold floral brooch, incorporating children’s teeth, each mounted with a circular-cut red stones and suspending a further tooth, 3.7cm wide £150-200 1631. A late 19th century multi-gem-set gold bracelet, set with graduated gemstones including garnets, zircons and a sapphire, 16.5cm long £400-600 1632. A late Victorian gem-set harem ring, the five rows alternately-set with rose-cut diamonds (one missing), sapphires, rubies, demantoid garnets and seed pearls in silver and gold, size R £400-600 1633. A Victorian gold bracelet, the twisted knot links engraved with foliate decoration in yellow gold, Austrian marks, 19cm long, 29g £800-1,200 1634. A 19th century Scottish bracelet set with a portrait miniature of a Scottish Fusilier, on a bracelet set with rectangular and square panels of agate in gold, inscribed to the reverse Mary Field, Edinburgh, 6th August 1833, 18.5cm long £600-800

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1622 1621 1626 1624 1623

1620

1625

1631

1632

1627 (2)

1630

1628

1629

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1635. A French diamond-set platinum abstract scroll brooch, c1960, millegrain-set with circular-cut diamonds, 4.5cm high £300-400 1636. A pair of geode and diamond drop earrings, comprised of two graduated geodes divided with a circular-cut diamonds in yellow gold setting, 7cm long £1,500-2,000 1637. A silver ring stack by Wendy Ramshaw, the three rings set with two torpedo shapes and a circular decoration, maker’s mark and London hallmarks for 1994, size N, with a cylindrical perspex stand £200-300 1638. An aquamarine dress ring, the square-shaped aquamarine is bezel-set in white gold, with plain white gold shank and bifurcated yellow gold shoulder to one side, size N½ £500-700 1639. An aquamarine-mounted gold ring, the square-shaped aquamarine is set in gold with stylised fleur-de-lys shoulders, size Q½ £400-600 1640. An 18ct yellow gold fish brooch by Cartier, with striated scales and turquoise cabochon eye to the textured head, signed Cartier and numbered 7010, with London import marks, 3.5cm £400-600 1641. A gem-set abstract silver and gold ring, the abstract silver and gold ring set with a circular-cut garnet and rose-cut fancy diamond in rubover gold mounts, size N £400-600 1642. A turquoise and lapis lazuli-set necklace, mounted with baroque-shaped turquoise beads and groups of five lapis lazuli beads and spaced with finely pierced yellow gold spherical beads, 94cm £300-500 1643. A multi gem-set giardinetto brooch, set with various gemstones including peridot, aquamarines, ruby beads and jade leaves, the frosted rock crystal vase mounted with a line of graduated black onyx £1,000-1,500 sections and small diamonds, yellow and white gold mounts, 7cm high 1644. An amusing nodding duck brooch pendant, the textured yellow gold body mounted with an ovalshaped turquoise cabochon, sapphire eye and wearing a white-gold scarf pavé-set with circular-cut diamonds, one foot activates the nodding head, 5.5cm high (total) £600-800 1645. A cushion-shaped green glass-mounted gold ring by Baccarat, 2.5cm wide, size S

£400-600

1646. A pair of ruby and diamond leaf earrings by Faraone, of stylised form, each half set with either diamonds on white gold or rubies on yellow gold, stamped Faraone and 750, 3cm long £600-800 1647. A pair of turquoise, diamond and lapis lazuli-mounted yellow gold earrings, 1970s, the baroqueshaped turquoise is mounted in a textured stylised tendril mount, with five round brilliant-cut diamonds and five lapis lazuli cabochons, clip fittings, 3cm high £1,500-2,000 1648. A gem-set yellow gold clip brooch, set with two cabochon sapphires, four oval-shaped emeralds, five square-shaped rubies and pavé-set with diamonds £2,000-3,000

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1635

1636

1638 1639 1640

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1642

1641

1647

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1649. An opal and diamond half-hoop ring, set with three graduated oval-shaped opals each separated with two small old circular-cut diamonds in yellow gold, size Q £200-300 1650. An Edwardian pearl and diamond cluster ring by Tiffany & Co, centred with a pearl within a border of old cushion-shaped diamonds in platinum and gold, size L½, case £200-300 1651. A Victorian garnet and gold bracelet, with polished and foliate-engraved gold links, the heartshaped clasp set with an oval-shaped garnet cabochon in yellow gold, bracelet 19cm long, case £800-1,200 1652. A 19th century turquoise and diamond bracelet, converting to be worn as a necklace, set with a central turquoise cabochon and diamond cluster, on a line of smaller turquoise cabochons in gold filigree surround, the gold barrel clasps each set with a turquoise cabochon in yellow gold, bracelet 18cm long, necklace 33.5cm long £800-1,200 1653. An Edwardian ruby and diamond-set pendant, of open floral design and set overall with graduated circular-cut diamonds, centred with an oval-shaped ruby and suspending a small drop-shaped pearl, 4cm high £800-1,200 Accompanied by report number 14922 dated 31 October 2017 from The Gem & Pearl Laboratory stating that the oval-shaped ruby measures 9.4 x 6.0 x 4.4mm and is a natural ruby with no indications of heat treatment. Origin: East Africa 1654. An Art Nouveau French gold dragon brooch, of stylised form with a pearl in it’s mouth, in yellow gold, 3.5cm wide £200-300 1655. A late George III gold serpent necklace, the foliate engraved head set with a line of turquoise £800-1,200 cabochons and garnet eyes, 37.5cm long 1656. A 19th century gold fancy-link neck chain, the long fancy links are separated with a section of textured and plain intertwined links, with screw opening bolt ring, 86cm £600-800 1657. A turquoise and diamond cluster ring, the turquoise cabochon set within a surround of old circularcut diamonds in gold, size K £800-1,200 1658. A 19th century gold plain oval-link longuard chain, with a textured gold clenched hand clasp wearing a ruby ring and set with four turquoise cabochons, 145cm, 55g £800-1,200 1659. An emerald, ruby and diamond-set scorpian brooch, set with five emeralds, ruby cabochons and rose-cut diamonds in silver and gold, detachable brooch mount, 4.5cm wide £3,500-4,000 1660. A late 19th century turquoise and diamond cluster ring, the oval turquoise cabochon is set within £600-800 a surround of cushion-shaped diamonds in yellow gold, maker’s mark WCM, size Q½ 1661. A sapphire and diamond cluster ring, the oval-shaped cabochon sapphire set within a surround of fourteen diamonds in yellow gold, size N £400-500 1662. A George III diamond, enamel and gold amphora ring, the urn set with rose-cut diamonds on £600-800 blue enamel ground and twisted wire decoration to the broad shoulders, size P½ 1663. A diamond three-stone ring, the graduated old circular-cut diamonds set in carved and pierced yellow gold mount, size P ½ £800-1,200 1664. A late 19th century diamond five-stone ring, the graduated old circular-cut diamonds with diamond pointers set in carved and pierced yellow gold mount, size M½ £1,500-2,000

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1650

1649

1651

1652

1653 1655 1662

1661 1654 1656 1660

1664

1658

1663

1657 1659

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1665. An Edwardian seed pearl and diamond heart pendant, pavé-set with graduated seed pearls and a central cluster of circular-cut diamonds in closed back yellow gold mount, 3cm long £400-600 1666. An Art Nouveau continental stick pin, designed as a woman’s head with finely enamelled decoration and with a small ruby-centred flower to her flowing hair, pin shaft stamped 585, the head 2.3cm high, fitted case £400-600 1667. A late 19th century opal and diamond pendant, set with two opal cabochons (one chipped) within border of circular and rose-cut diamonds, set in silver and gold, 4.7cm long £400-600 1668. An Edwardian seed pearl-set gold necklace, of triple flower head form on a twisted rope neck chain, and a seed pearl-set gold foliate brooch pendant £400-600 1669. A Royal Navy gold and enamel brooch for HMS Grasshopper, mounted with a realistic gold grasshopper with green enamel decoration and diamond eye, dated below 1915, 3.5cm wide £200-300 HMS Grasshopper was one of sixteen 'Beagle-class' destroyers launched at Fairfield in 1909 that served in the Gallipoli Campaign. 1670. An Edwardian seed pearl and diamond gold necklace, the five graduated flower heads each centred with a circular-cut diamond and seed pearls set to the petals on plain oval-link neck chain, 38cm, with matching £800-1,200 1671. An early 20th century French natural pearl and diamond-set lozenge-shaped foliate brooch, set with nine graduated pearls and rose-cut diamonds to the four flower heads, French control marks, 4cm wide £700-1,000 Accompanied by report number 5775-1670 from GCS London stating that the pearls are natural saltwater. 1672. An Edwardian diamond-set brooch, pierced and millegrain-set with graduated circular-cut diamonds and a detachable diamond bale in silver and gold, 4cm long, fitted case £200-300 1673. A diamond cluster clasp, the centre old circular-cut diamond weighs approximately 0.95cts and is set in silver and gold within a surround of smaller circular-cut diamonds £1,500-2,000 1674. An opal and yellow gold ring, the solid opal is claw-set in yellow gold, size M½

£600-800

1675. A diamond two-stone crossover ring, the old circular-cut diamonds weigh 1.00 and 0.90cts are set in an 18ct yellow gold and platinum mount, size N½ £2,800-3,500 1676. A 19th century opal, emerald and diamond cluster ring, set with an oval opal cabochon within a £1,000-1,500 border of emeralds and diamonds in closed back yellow gold mount, size N 1677. A diamond crossover ring, the two round brilliant-cut diamonds are rubover-set, with four further circular-cut diamonds to the shoulders in gold, size M £800-1,200 1678. A diamond three-stone ring, the three old circular-cut diamonds are set in yellow gold and platinum, size N½ £1,200-1,500 1679. An early 20th century seed pearl and diamond bracelet, the woven seed pearls with a diamondset clasp millegrain-set in platinum, 17.5cm long £200-300 1680. A French diamond quatrefoil line bracelet, each link set with a cluster of four circular-cut diamonds in white gold, maker’s lozenge and French control mark, 17.5cm long £800-1,200 1681. A diamond-set heart-shaped brooch, set with an oval-shaped diamond within a border of £2,000-3,000 graduated old circular-cut diamonds in gold, on white gold bar brooch, 7.5cm wide

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1666

1665

1667

1670 1669 1671 1668

1673 1678

1677 1672 1676 1675

1674

1679

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1681

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1682. A pair of garnet-mounted gold cufflinks, each oval-shaped garnet cabochon set in yellow gold with tied rope-design borders, each link 2cm long £400-600 1683. A pair of French platinum and sapphire sleeve links by Espezel, the A-form sleeve links are set with a line of calibré-cut sapphires, French control marks and maker’s lozenge for Espezel, Paris, scratched inventory number 712 £500-700 1684. A pair of triangular cabochon amethyst cufflinks, within gold mounts and gold chains, French control marks £300-400 1685. A pair of enamel monkey head gold cufflinks by Webb, realistically formed with red eyes, signed WEBB £400-600 1686. A Regimental brooch for the The Royal Engineers, set with diamonds above a blue enamel swag in platinum and gold, 2.6cm high £200-300 1687. A pair of three-colour gold cufflinks by Cartier, the lobed body with matching hinged back £500-700 sections, signed Cartier 1989 1688. A pair of 18ct yellow gold cross-form cufflinks by Tiffany & Co, each cufflink formed as a fluted and domed cross, signed T&Co and with London import marks for 1998, 1.5cm high, case by Tiffany £400-600 1689. A pair of 9ct gold golf ball cufflinks, each circular gold link with granulated dot decoration, with circular link connections, each link 1.5cm wide £200-300 1690. A pair of yellow gold revivalist cufflinks by Wiese, c1880, each circular link applied with a figure in various pursuits, and includes a centaur firing a bow and arrow, each joined with double-ended swivel clips, signed in full and with maker’s lozenge £1,500-2,000 1691. A pair of 18ct yellow gold cufflinks, with foliate scroll engraved decoration, maker’s initials WGJL and London marks for 1957, 17g £400-600 1692. A pair of fox mask cufflinks, the four realistically formed silver and gold fox masks are pavé-set with rose-cut diamonds and with ruby eyes, case £600-800 1693. A pair of French sapphire-set circular platinum dress cufflinks, centred with a cabochon sapphire within two circular surrounds, French control marks £300-400 1694. A pair of sapphire cufflinks by Cartier, c1930, of wedge form, the shorter side channel-set with calibré-cut sapphires, in platinum, signed with inventory number 6889 and 6894 £3,000-4,000 1695. A pair of frosted crystal and diamond-set dress cufflinks, the cushion-shaped links each centred with a circular-cut diamond within a red surround, platinum S-shaped links, with unidentified marks, fitted £300-500 case by Harvey & Gore 1696. A circular disc dress set by Alabaster & Wilson, comprising cufflinks, buttons and studs, each yellow gold disc decorated with brick-pattern platinum centre section, maker's mark to reverse, fitted case £800-1,200 1697. A set of dress cufflinks and dress studs, the square-form textured 9ct gold links and studs all with guilloche pattern to the bevel edges and each centred with a square-shaped sapphire, fitted case £400-600

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1682

1683

1689 1684 1687 1688

1686 1685

1691 1692

1693

1690

1694

1695

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1696

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1698. A French diamond flower head brooch, c1950, of stylised design and set overall with graduated circular and baguette-shaped diamonds in white gold, French control marks, 5.5cm long £2,000-3,000 Previously sold Sotheby’s London, 19th June 1997, lot 310 1699. A spinel and diamond ring, the oval-shaped spinel flanked with graduated tapered baguetteshaped diamonds in yellow gold, size Q½ £600-800 1700. A diamond half-hoop ring by Boucheron, set with a centre oval-shaped diamond and two rows of diamonds pavé-set to each shoulder, with French control mark, signed and with maker’s mark, size K £2,000-3,000 1701. A diamond solitaire ring by Boucheron, set with an oval-shaped diamond within fluted yellow gold plain polished shank, signed with inventory number B352 23536, French control marks, size L½ £2,000-3,000 1702. An Odeonesque diamond scroll ring, set with a principal diamond weighing approximately 0.60cts within scroll border set with graduated circular-cut diamonds in platinum, size I½ £1,500-2,000 1703. A yellow gold emerald-set dress ring, the pear-shaped emerald weighs approximately 7.40cts and is rubover-set in yellow gold, with two rows of graduated calibré-cut emeralds set to each shoulder, size O½ £3,000-5,000 Accompanied by report number 78175-01 dated 28 August 2018 from GCS, London stating that the pearshaped emerald weighs approximately 7.40cts and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia 1704. A French emerald and diamond ring, pavé-set with circular-cut diamonds with two central lines of baguette-shaped diamonds, each set with emerald terminals, in yellow gold, maker’s mark, French £2,000-3,000 control marks, size N½ 1705. A topaz and diamond cluster ring, the pear-shaped topaz weighs approximately 21.00cts and is set within a surround of thirty-one round brilliant-cut diamonds in platinum and yellow gold, maker’s mark CFTM and with London hallmarks for 2016, size O (approx.) £5,000-7,000 1706. A pair of amethyst and diamond earrings, rubover-set with an emerald-cut amethyst and quartered with rows of round brilliant-cut diamonds pavé-set in yellow gold, with fluted gold decoration to the corners, with post and clip fittings, each stamped 18k and with maker’s mark RdeV for Royal de Versailles, 1.9cm high £800-1,200 1707. A multi-gem-set gold scroll brooch, c1940, the two-colour gold spray mount set with nine cushionshaped gemstones including two purple spinels, three blue spinels, a hessonite garnet, a yellow zircon, an orange zircon and a rhodolite garnet, 6cm high, 27g £1,500-2,000 Accompanied by report number 78175-00 dated 28 August 2018 from GCS, London stating that the nine varicoloured gemstones include approximately total 5.80cts of purple spinels, 8.40cts of blue spinels, a 2.80ct hessonite garnet, a 4.00ct yellow zircon, a 4.80ct orange zircon, and a 3.20ct rhodolite garnet (please note that all weights are approximate and have been weighed in their mounts) 1708. A pair of diamond earrings by Cartier, centred with a circular bombé panel pavé-set in platinum with diamonds within textured and fluted gold scroll surround, signed, clip fittings, 2.5cm diameter £1,800-2,500 1709. A flexible gold bracelet, the snake-link formed in yellow gold, inner diameter 6cm, 54g £800-1,200 1710. A gold bombé ring by Lalaounis, with hammered decoration and spherical gold shoulders, signed and with maker’s mark, size O½, Lalaounis case £600-800 1711. A pair of gold ram's head earrings by Zolotas, the stylised head on a yellow gold hammeredeffect spiral, stamped 750 and with maker's mark, 2.5cm long £400-600

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1701 1698 1702 1704

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1706 1705

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1712. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of ten round brilliant-cut diamonds in yellow and white 18ct gold, with maker’s initials FEU and London hallmarks for 1987, size O½ £1,000-1,500 1713. An aquamarine and diamond cluster ring, the cushion-shaped aquamarine weighs approximately 11.00cts and is set within a surround of circular-cut diamonds in yellow and white gold, size M £500-700 1714. A diamond solitaire ring, the princess-cut diamond weighs 1.00cts and set in white gold, size N½ £1,000-2,000 Accompanied by report number 922175 dated 8 February 2010 from AGI stating that the princess-cut diamond weighs 1.00cts and is a natural diamond with I colour and VVS2 clarity 1715. An emerald and diamond cluster ring by Hammerman Bros., the emerald-cut emerald weighs approximately 6.90cts and is set within a foliate surround of circular-cut, marquise and tapered baguetteshaped diamonds in white gold, size M £5,000-7,000 Accompanied by report number 78173-86 dated 29 August 2018 from GCS, London stating that the octagonal-cut emerald weighs approximately 6.90cts and is a natural emerald with indications of moderate clarity and colour enhancement. Origin: Colombia 1716. A white gold and diamond bracelet, each link formed as a lover’s knot and set with circular-cut diamonds, box clasp with safety catch, 17cm long £1,200-1,500 1717. An emerald and diamond bracelet, the centre link set with a square-shaped diamond between alternating links set with four baguette-cut emeralds and square-shaped links set with round brilliant-cut diamond clusters, all set within two outer rows of round brilliant-cut diamonds in white gold, box clasp with safety catch, maker’s mark IDJC, London hallmarks for 2014, 19cm long £7,000-9,000 1718. A diamond buckle bracelet, the woven white gold strap decorated with diamond chevrons and a diamond buckle, 22.5cm long £1,000-1,500 1719. A sapphire and diamond necklace, the circular-shaped sapphire set within a surround of ten round brilliant-cut diamonds, suspending from a link of round brilliant-cut diamonds on a white-gold neck chain part£2,000-3,000 set with graduated round brilliant-cut diamonds, 44cm long, fitted case by Mappin & Webb 1720. An emerald and diamond cluster ring, the oval-shaped emerald weighs approximately 1.45cts and is set within a surround of twelve round brilliant-cut diamonds, with a further three smaller round £2,000-3,000 brilliant-cut diamonds to each shoulder, in yellow and white gold, size O 1721. A diamond cluster ring, the centre round brilliant-cut diamond weighs approximately 0.30ts and is pavé-set within a surround of eight smaller round brilliant-cut diamonds in white gold, with yellow gold band, size O £1,000-1,200 1722. A pair of sapphire and diamond earrings, each set with five oval-shaped sapphires and trefoils of round brilliant-cut diamonds in white gold, 3.5cm high £2,000-3,000 1723. A sapphire and diamond three-stone ring, the oval shaped sapphire is set with two half-moonshaped shoulder diamonds, set in white gold and platinum, size K, with a matching pair of oval-shaped sapphire and half-moon-shaped diamond earrings set in platinum, each 1cm high £3,000-4,000 1724. A pair of cultured pearl and diamond drop earrings, the upper sections rubover-set with pearshaped diamonds in gold and suspending a grey and white drop-shaped pearl, 3cm high £2,000-2,500 1725. A pair of yellow and white diamond-set scroll earrings, each earring set with three cushionshaped yellow diamonds and further graduated round brilliant-cut diamonds in yellow and white gold, post and clip fittings, 2.5cm high £1,500-2,000 1726. A sapphire and diamond five-stone ring, set with three old circular-cut diamonds and two ovalshaped sapphires in white gold, size P½ £800-1,200 1727. An amethyst and diamond cluster ring, the oval-shaped amethyst set within a surround of round brilliant-cut diamonds in yellow and white gold, size L £600-800 1728. An aquamarine and diamond cluster ring, the three oval-shaped aquamarines weigh approximately 1.30cts total and are millegrain set within a surround circular-cut diamonds in yellow and white gold, size M½ £600-800

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1721

1717

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1716 1719

1712 1722

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1723 1714

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1729. A pair of late 19th century diamond drop earrings, the articulated earrings set with graduated cushion-shaped, square and circular-cut diamonds in silver and gold cut-down collets, 7.2cm long £2,000-3,000 1730. An emerald and diamond pendant, the oval-shaped cabochon emerald is millegrain-set within a surround of graduated circular-cut diamonds and suspends from six graduated knife-edge-set circular-cut diamonds and from a diamond-set bow, on a fine-link white gold neck chain, the pendant 5cm high £3,000-4,000 1731. An Edwardian gem-set pendant necklace, formed with alternate gem-set drops set with peridots, pearls, diamonds and pink tourmalines, fine-link platinum and gold chain, 41cm, fitted case £1,000-1,500 1732. An early 20th century fire opal and diamond pendant, the pear-shaped fire opal suspends from a diamond-set white gold pendant surmounted with a smaller circular-cut opal and a fine-link neck chain, the pendant 5cm high, chain 30cm long, fitted case by Liberty £1,500-2,000 1733. A star sapphire and diamond pendant, the purple star sapphire is set within a surround of circularcut diamonds in white gold on a fine-link white gold neck chain, 1.2cm high, chain 41cm long £1,000-1,500 1734. A late 19th century French axe brooch, set with graduated old cushion-shaped fancy and white gold diamonds in gold, French control marks, stamped 1890 and maker's lozenge PM, 5.8cm long £1,000-1,500 1735. A pair of sapphire and diamond drop earrings, the circular-cut sapphires are set within borders of circular-cut diamonds millegrain-set in white gold and suspended from a further line of diamonds, post fittings, 3.8cm long £3,000-4,000 1736. A Victorian pearl and diamond bracelet, alternately-set with pairs of old cushion-shaped diamonds and pearls in silver and gold, 17.5cm long £500-700 The pearls have been assessed by GCS, London, and the cultured pearls are marked with black ink. 1737. An early 20th century emerald and diamond scroll ring, set with nine graduated oval-shaped £1,500-2,000 diamonds and two emerald-cut emeralds, millegrain-set in platinum, size O½ 1738. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of twelve round brilliant-cut diamonds in yellow and white gold, size N½, case by Mappin & Webb £1,000-1,500 Accompanied by report number 15645 dated 27 April 2018 from The Gem & Pearl Laboratory stating that the oval-shaped sapphire is a natural corundum with no indications of heat treatment 1739. A diamond line bracelet, set alternately with rectangular-shaped links millegrain set with circularcut diamonds forming an oriental inspired pattern in white gold, 18.2cm long £2,000-3,000

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1731 1732

1734 1733 1735

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A COLLECTION OF JEWELLERY BY ARTHUR KING (LOTS 1740, 1742, 1744, 1745, 1751 & 1752) Arthur King was a goldsmith working in the 1960s-70s. He had shops in New York, Miami, Paris, Havana and London, yet his jewellery does not commonly come to the open market.

1740. A pair of diamond-set open-work circular yellow gold earrings by Arthur King, set with round brilliant-cut white and coloured diamonds to both sides, signed ‘KING’ and with monogram, 3.2cm wide, 35g £3,000-4,000 1741. An abstract gold ring, depicting intertwined figures emerging from a twisted yellow gold mount, 31g, size U½ £800-1,200 1742. A yellow gold stylised lattice-work ring by Arthur King, set with two white and one yellow round brilliant-cut diamonds, signed ‘KING’ and with monogram, size R £1,000-1,500 1743. An abstract topaz and diamond ring, the pear-shaped orange topaz set within twisted yellow gold mount, the outer mount hinged and opens so that the inner topaz and diamond three-stone ring mounted in white gold, can be worn separately, size N½ £1,000-2,000 1744. A fossilized shark’s tooth-mounted gold pendant and neck chain by Arthur King, the tooth mounted with stylised tendrils, 6cm high, on a textured oval-link yellow gold neck chain, 60cm, both signed £2,000-3,000 ‘KING’ and with monogram, 73g total 1745. A yellow gold stylised tendril ring by Arthur King, mounted with four amethyst cabochons and a baroque pearl, signed ‘KING’, size Q £800-1,200 1746. A French amethyst and turquoise-set gold ring, the circular-cut amethyst set with turquoise cabochons to the textured open-work mount, French control marks and maker’s lozenge, size L, cased £500-700 1747. An abstract diamond brooch, c1970, set with diamond-set L-shaped sections intertwined with pierced abstract yellow gold battons, terminating with three baguette-shaped diamonds in platinum and gold, 7.1cm long £800-1,200 1748. An opal, diamond and cultured pearl-set floral brooch, 1970s, the oval-shaped opal is mounted in diamond-set petals with further graduated diamonds to the foliate brooch and with two drop-shaped cultured pearls, 8cm wide, 35g £350-500 1749. An aquamarine and gold abstract brooch by Deakin & Francis, set with graduated marquiseshaped amethysts and circular-cut diamonds within interwoven branches, maker’s mark and Birmingham marks for 18ct gold, probably 1970, 5.5cm long £1,100-1,500 1750. An abstract diamond-set gold brooch pendant, c1970, the textured gold set with four circularcut diamonds, 7.2cm long £800-1,200 1751. A yellow gold stylised tendril ring by Arthur King, set with a boulder opal within a surround of give round brilliant-cut diamonds, signed with monogram, size M £800-1,200 1752. A pair of yellow gold stylised lattice-work earrings by Arthur King, each mounted with an ovalshaped boulder opal, signed with monogram, 2cm wide £400-600

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1745 1740

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1750 1751

1749 1752

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1753. A fire opal and diamond cluster ring, the cushion-shaped opal set within a surround of cushionshaped diamonds in platinum, size K½ £800-1,200 1754. A double-hinged emerald and diamond-set swivel ring, alternately-set with rows of circular-cut diamonds and square-shaped emeralds in platinum, size M½, case £200-300

1755. An Art Deco coral and diamond ring, the two button-shaped coral cabochons are set in a mount pavé-set with rose-cut diamonds in platinum, size L½ £2,000-2,500 1756. An Art Deco diamond-set ring, the two circular-cut diamonds are millegrain-set in platinum with three graduated baguette-shaped diamonds to each shoulder, size H½ £4,000-5,000 1757. A pair of onyx, jade and diamond earrings, the lozenge-shape onyx set with a round brilliant-cut diamond and each suspending an articulated line of three round brilliant-cut diamonds and a further diamond-set carved jade plaque, all in white gold, post and clip fittings, 4cm high £400-600 1758. A pair of jade and diamond drop earrings, the carved jade panels suspend from an articulated line of diamonds and a circular jade cabochon in white gold, 7cm long £2,500-3,000 1759. A carved and pierced jade pendant, suspended from a silk cord with green paste bead, 3.5cm high £150-250 1760. A pair of Art Deco jade and gem-set drop earrings, the drop-shaped jade pendants suspend from long articulated links millegrain-set with circular-cut diamonds and sections of black onyx and jade in platinum, French control marks to the screw fittings (probably later), 7.5cm high, fitted case, with a carved and pierced jade pendant set with diamonds and on a fine-link chain £400-600 1761. A jade and diamond pendant, the jade drop suspends from an articulated line of diamonds set in platinum and gold, 4cm long. £150-250 The jade has been assessed by GCS London, as natural green jadeite jade, with no evidence of impregnation, a verbal report was obtained 1762. A jade and diamond cluster ring, the oval-shaped jade is set within a surround of fifteen round brilliant-cut diamonds in white gold, size M £4,000-5,000 Accompanied by report number 5776-5828 dated 17 June 2016 from GCS, London stating that the cabochon-cut jade measures 13.9 x 9.0 x 2.5mm and is natural green jadeite jade with no indications of impregnation (A-Jade) 1763. An Art Deco diamond and black onyx circle brooch by Georges Fouquet, c1925, formed as an inner circle of graduated rectangular sections of black onyx within a border of rose-cut diamonds in platinum, signed G Fouquet, with French control mark and inventory number 16733, 2.7cm wide £1,000-1,500 1764. A jade and diamond pendant, the circular jade disc mounted to each side with a diamond-set semi sphere, set within a circular 18ct white gold frame set with round brilliant-cut diamonds, with further circular-cut diamonds pavé-set to the suspension loop, maker’s mark CS and with Sheffield hallmarks for 2014, 4.3cm high, on white gold fetter-link neck chain £800-1,200 1765. A pair of jade and diamond clips, the circular jade discs decorated with diamond scrolls in white gold, 2.7cm wide £2,000-3,000 Accompanied by report number 78175-69 dated 29 August 2018 from GCS, London stating that the jade discs are natural green jadeite jade with no indications of impregnation (A-jade) 1766. A diamond line bracelet, the round brilliant-cut diamonds millegrain-set in octagonal-shaped white gold mounts, 19.5cm long, approx. 6.75cts total £3,000-5,000 1767. An early 20th century diamond bar brooch, the graduated old circular-cut diamonds millegrainset in stepped square-shaped platinum mount, 5.5cm long £400-600

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1754 1753

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1758

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1760 1764

1761

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1765 1762 1763

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1768. A citrine and diamond bee brooch, the body invisibly-set with citrines, the wings and head pavéset with round brilliant-cut diamonds in yellow gold and with citrine eyes, with Italian hallmark for Milan 963, 3cm high £600-800 1769. An Italian boulder opal and yellow gold necklace, the slightly pear-shaped boulder opal is ruboverset on a hinged detachable yellow gold pendant, on a yellow gold snake-link chain, with Italian maker’s 1210 VI for Vincenza, pendant 2.7cm high, chain 35cm long £1,000-2,000 1770. A yellow sapphire and diamond ring, the emerald-cut yellow sapphire weighs approximately 1.10cts and is rubover-set within a surround of ten round brilliant and four baguette-shaped diamonds in white gold, with three further smaller round brilliant-cut diamonds to each shoulder, size P £800-1,200 1771. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of round brilliant-cut diamonds in yellow and white gold, size N £1,500-2,000 1772. A pair of amethyst and diamond drop earrings by Boucheron, the two fluted cabochon amethysts are set with small circular-cut diamonds in yellow gold, signed and with maker’s mark, numbered 766-1374, 2cm high £600-800 1773. A pair of yellow sapphire and diamond earrings, the oval-shaped yellow sapphire set within a surround of round brilliant-cut diamonds, below a tapered-baguette-shaped diamond and suspending from a line of round brilliant-cut diamonds in white gold, with maker’s mark and London hallmarks for 2017, 4cm high £1,000-1,500 1774. A diamond cluster ring, the centre round brilliant-cut diamond weighs approximately 0.50cts and is millegrain-set within a surround of eight round brilliant-cut diamonds in white gold, on yellow gold band, size N £1,800-2,000 1775. A sapphire and diamond bee brooch, the body invisibly-set with sapphires, the wings and head pavé-set with round brilliant-cut diamonds in yellow gold and with sapphire eyes, 3cm high £600-800 1776. A sapphire and diamond bow brooch, designed as an asymmetrical fabric bow and invisibly-set with calibré-cut sapphires within a border of pavé-set round brilliant-cut diamonds in yellow gold, London import marks for 1988, 5cm wide £1,000-2,000 1777. An 18ct yellow gold and iolite dress ring by Chaumet, the oval-shaped iolite is bezel-set in yellow gold on a plain yellow gold band, signed to the bridge and shank, inventory number 322670, French control £300-400 mark and with maker’s mark MM within lozenge, size J, Chaumet box 1778. An anethyst and diamond-set gold brooch pendant, of fluted hexagonal form and set with a central line of square-shaped diamonds, rubover-set with two fancy-cut amethysts in yellow and white gold, retractable pendant fitting, 4.8cm wide £700-900 1779. A sprung gold mesh bangle, one terminal mounted with a carved emerald lion mask, 44g £800-1,200 1780. A diamond-set yellow gold and platinum square-link collar necklace by Paloma Picasso for Tiffany & Co, 1980s, the centre platinum link set with round brilliant-cut diamonds, the rest of the necklace formed with interlocking square-shaped yellow gold links, the clasp signed Paloma Picasso and Tiffany & Co, ©1982, stamped 18k, 82g, fitted Tiffany case £1,500-2,000 1781. A diamond-set ‘Happy Elephant’ yellow gold bracelet by Chopard, the curb-link bracelet is mounted with three stylised elephants., each set with a sapphire eye and containing a centre crystal circular panel containing a free-moving circular-cut diamond, the centre elephant with pavé-set diamonds to the ear, signed Chopard, Swiss and numbered 9288497 85/2354-20, 21cm long, 31g £1,200-1,500 1782. An 18ct three-piece fusion ring by Georg Jensen, the two yellow gold end rings of puzzle-piece design, each slotting into the centre white gold section, each ring with London hallmarks for 2010 and with maker’s mark, size V, with Georg Jensen box and outer case £600-800 1783. An 18ct yellow gold strap bracelet, the buckle set with round brilliant-cut diamonds white gold, £600-800 with maker’s mark PDLd and London import marks for 1979, 16cm long, 26g

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1769 1770

1774 1768

1777 1775 1776

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1784. A French gold, silver-gilt and gem-set minaudière by Boucheron, pierced with engraved silvergilt rectangular section depicting birds amongst foliage and mounted with twelve rubies, striated and chequered silver and gold thumbpiece containing a sprung-loaded compartment with lipstick holders, comb and powder, signed Boucheron Paris, numbered 875012, 13cm wide, with outer green fabric carry case £1,200-1,500 1785. A ruby and diamond compact by Mauboussin, engraved with engine-turned decoration and set with ruby cabochons and square diamonds, opening to reveal a mirror and hinged compartment, ruby thumbpiece, signed Mauboussin Paris and with French control marks, 7cm long, 172g £3,000-4,000 1786. A gold compact by Cartier, fluted decoration and emerald cabochon thumbpiece, signed Cartier £5,000-7,000 Paris, inventory number, French control marks, 8.1cm long, 159g 1787. A French Art Deco gold box, of rectangular form, the sides invisibly-set with a line of squareshaped sapphires within black enamel borders, black enamel thumbpiece (abraded) and geometric pattern engraved overall, French control marks, maker’s lozenge CDH, numbered 60897, 1930s, 8.4cm wide, 128g £3,000-3,500 1788. A French gold, silver-gilt and gem-set compact by Boucheron, pierced with engraved silver-gilt rectangular section depicting birds amongst foliage and mounted with five red stones, striated and chequered silver and gold thumbpiece containing a sprung-loaded hinged mirror and compact, signed Boucheron Paris, numbered 875012, 7cm wide £600-800

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1789. An early 20th century natural pearl and diamond spray brooch, set with a black pearl within diamond-set border and diamond-set sprays terminating in pear-shaped rose-cut diamonds millegrain-set in platinum, 6cm long £3,000-4,000 1790. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh 0.74 and 0.78cts and are claw-set in white gold £1,500-2,000 Accompanied by report number NA502030054 dated 3 March 1982 from E.G.L, Antwerp stating that the round brilliant-cut diamond weighs 0.78cts and is natural diamond with J colour and VS2 clarity Accompanied by report number NA411180053 dated 3 December 1982 from E.G.L, Antwerp stating that the round brilliant-cut diamond weighs 0.74cts and is natural diamond with J colour and VS2 clarity 1791. A sapphire and diamond-mounted yellow gold necklace by Boucheron, the centre section comprising two rows of round brilliant-cut diamonds in flexible yellow gold mounts, with trapeze-shaped sapphire terminals within diamond surrounds and extending to the striated flexible oval-link necklace, French control mark and signed Boucheron, 39cm £3,000-4,000 1792. A pair of 18ct yellow gold and diamond screw earrings by Cartier, each stud earring of screwhead form and pavé-set wit round brilliant-cut diamonds in yellow gold, signed and with maker’s mark JC, with London hallamarks for 1981, 1cm high £400-600 1793. A diamond line bracelet, the graduated round brilliant-cut diamonds are rubover-set in circular white gold mounts, 21.5cm long £1,500-2,000 1794. A diamond bombé ring, of openwork geometric design and pavé-set with small round brilliant-cut diamonds in white gold, with London marks for 1954-55, size N £400-600 1795. A pair of diamond drop earrings, the upper bombé sections suspend acentric hoops pavé-set with circular-cut diamonds in platinum, 4.2cm long £4,500-5,500 1796. A hessonite garnet and diamond ring, the sugarloaf garnet cabochon set within concentric surround of diamonds, with diamond bifurcated shoulders in white gold, inner re-sizing balls, approximately size I½ £1,000-2,000 1797. A diamond-set three-row platinum ring, set with graduated round brilliant-cut diamonds in platinum rubover-mounts, size M £400-600 1798. A diamond full-circle eternity ring, the round brilliant-cut diamonds are channel-set in yellow gold, size O £300-500 1799. A diamond line bracelet, each openwork square-shaped link centred with a rubover-set round brilliant-cut diamond, each link quartered with four smaller pavé-set circular-shaped diamonds in white gold, box clasp with safety catch, maker’s mark HC, 18.5cm long £2,500-3,500

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1792 1791

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1800. A watermelon tourmaline and gold necklace by Gillian Packard, alternately-set with watermelon tourmalines, and matching textured gold triangular links, London hallmarks for 14ct, 1970, maker’s mark GEP, fitted case. With similar gold brooch set with watermelon tourmalines, London hallmarks for 18ct, 1969, maker HG, 4.5cm wide £2,000-3,000

1801. An early 19th century malachite cameo-mounted two-colour gold suite of jewellery, all mounted in fine cannetille gold settings, comprising a necklace, head ornament (also wearable as a corsage), pendant, earrings and a ring, all mounted with graduated carved malachite oval cameos depicting various classical scenes including a woman selling Cupids as love tokens, the scene based on a Pompeian wall painting from Stabiae, which now hangs in the Naples Museum, the kokoshnik-style hair ornamemt 15cm wide, in fitted case by Harvey & Gore £12,000-15,000

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1801

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1802. A pair of Regency amethyst and gold cannetille drop earrings, the two-section earrings each centred with a pear-shaped amethyst and set with smaller amethysts, 7cm high £1,200-1,500 1803. An 18th century mabé pearl necklace, set with a line of conforming mabé pearls in gold collets, terminating in ropetwist gold links to be tied at the back with silk, suspending a detachable mabé pearl pendant with matching earrings, 28.5cm long, in leather case with compartments for the necklace and earrings £800-1,200 1804. A 19th century diamond feather brooch, set overall with graduated rose-cut diamonds in closedback silver setting, gold brooch pin, 9cm long £600-800 1805. A George III diamond five stone ring, the graduated rose-cut diamonds are set in silver and gold closed-back settings, size M £400-600 1806. A diamond five-stone ring, the five graduated cushion-shaped diamonds are set in platinum and gold, size P½ £1,000-1,500 1807. A George III diamond cluster ring, centred with an old oval-shaped diamond within a surround of smaller cushion-shaped diamonds and borders of blue and white enamel in a wide yellow gold mount, size N £600-800 1808. A George III giardinetto ring, set with rose-cut diamonds in silver and gold closed-back setting, size K £300-400 1809. A George III diamond comet brooch, each terminal set with a rose-cut diamonds in silver and gold closed back setting, 2.5cm wide £400-600 1810. A Regency gold necklace, the repoussé belcher-link chain suspends seven heart-shaped locket pendants, set with turquoise, moonstone, malachite, diamond, jasper, lapis lazuli, emerald and topaz, £2,000-3,000 hinged with glazed locket compartments containing hair, 36cm long 1811. A Regency gold cross pendant, set with graduated oval-shaped pink topaz within cannetille surround, 5cm high, with a similar Regency gold citrine-mounted brooch, the lozenge-shaped brooch set with five citrines within gold wirework surround, 4.2cm wide £600-800 1812. A George III pearl and turquoise cluster ring, with trifurcated shoulders in closed-back gold mount and carved shank, size M½, with a Regency yellow paste and garnet two row ring, maker’s mark CR and Chester hallmarks for 15ct, 1818, size P £400-600 1813. A 19th century citrine and diamond target brooch, set with a central circular-cut citrine within concentric borders of old cushion-shaped diamonds in silver and gold, 2.5cm wide £600-800 1814. A late George III gold acrostic brooch pendant, set with a central line of four stones, lapis lazuli, opal, vermeil garnet and emerald spelling ‘love’, on a matted and foliate chased ground within a border of fine cannetille work, glazed locket compartment to the reverse, with double fine-link gold chain pendant, 3cm wide, case £400-600 1815. A pair of 19th century diamond cluster ear studs, each stud set with seven cushion-shaped £400-600 diamonds in silver and gold

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1803

1808

1807

1806 1804 1805

1809

1810

1811

1802 1814

1812

1813

1815

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1816. A yellow sapphire solitaire ring, the oval-shaped yellow sapphire weighs approximately 7.50cts and is claw set in yellow gold, size M £800-1,200 Accompanied by report number 78175-57 dated 29 August 2018 from GCS, London stating that the cushioncut sapphire is a natural yellow corundum with no indications of heating. Origin: Sri Lanka (Ceylon) 1817. A circular gold brooch set with two pearls and two sapphires, unmarked but probably Russian, engraved with square-shaped pattern and cone-shaped pin catch, partly obscure scratched inventory numbers, possibly 36184 and 8081 and an illegible name, 2.2cm wide, in fitted brown leather box marked for K. Fabergé £1,800-2,500 1818. An Edwardian diamond bar brooch, set with graduated old circular-cut diamond in platinum and gold, 6.7cm long, case £300-400 1819. A late 19th century French gold lute brooch, realistically formed and set with rose-cut diamonds and polychrome enamel in yellow gold, French control mark and rubbed maker's lozenge, 7.2cm long £2,000-3,000 1820. A 19th century gold and rock crystal cruciform pendant, the semi-cylindrical rock crystal sections conjoined with a yellow gold centre and yellow gold terminals with ropetwist decoration, 12cm high, fitted case £600-800 1821. A Victorian gold portrait bangle, set with five oval-shaped locket compartments, each engraved with letters, hinged and opening to reveal a portrait in each, on three row fluted gold bracelet, 6cm inner diameter £2,000-3,000 1822. A Russian 19th century diamond-set gold bangle, decorated with a hexagonal waisted locket, hinged to reveal a vacant compartment within scrolling border in yellow gold, marked 56, maker IG and St Petersburg marks, 5.7cm inner diameter £2,000-3,000 1823. A Russian gold bangle, set with an emerald cut emerald flanked by old circular-cut diamonds within scrolling rose-cut diamond border in yellow gold, marked AH possibly for August Holmstrom, 56 zolotnik and St Petersburg mark for pre 1899, 5.7cm inner diameter £2,000-3,000 1824. A Russian late 19th century diamond closed crescent brooch pendant, set overall with graduated cushion-shaped diamonds in silver and gold, with detachable brooch fitting and diamond-set pendant loop, £3,000-4,000 stamped 56 zolotnik, St Petersburg mark and rubbed initials T.A in cyrillic, 3.8cm wide 1825. A silver pierced panel bracelet by Wiese, each rectangular panel is pierced with a cross-centred scroll design, signed Wiese to one panel and both clasps, with two French control marks, 18cm £800-1,200 1826. A miniature porpurine egg pendant by Fabergé, surmounted with a coiled snake and with a small rose-cut diamond set to its head, slightly obscure mark for КФ, 1.7cm high £2,000-2500 1827. A Russian miniature egg pendant by Fabergé, work master Michael Perchin, the oyster-coloured guilloche enamel decoration surmounted by a scroll pierced gold cap, the suspension ring marked with a Kokoshnik and the loose suspension ring marked with initials М.П and 56 Zolotnik, 2cm high £1,000-1,500 1828. A miniature egg-form gold pendant, of open cage-work construction and formed with red guilloche enamel shamrocks and some leaves set with rose-cut diamonds, probably Russian c1905 but no £400-600 apparent marks, 1.5cm high 1829. A Russian miniature egg pendant, centred with a gold clover set with three oval-shaped sapphires on blue guilloche ground, obscure marks (but one probably 56), 1.2cm high £500-700

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1826

1827

1828

1820 1829

1821

1825

1816

1822

1817

1823 1818

1819 1824

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1830. A single-row natural pearl necklace, with an Art Deco diamond cluster clasp, 37cm long £5,000-10,000 Accompanied by report number 78175-03 dated 29 August 2018 from GCS, London stating that the natural pearls measure 4.1-7.1mm and are natural saltwater with no indications of treatment 1831. A natural pearl-mounted stick pin, the baroque-shaped pearl is mounted in a diamond-set cap with a gold shaft, cased by Mappin & Webb £500-700 Accompanied by report number 78174-63 dated 23 August 2018 from GCS, London, stating that the cream pearl weighs 9.56cts and is natural saltwater with no indications of treatment 1832. A two-row natural and cultured pearl necklace, the pearls graduated from 2.1 - 6.1cm, with a 19th century flowerhead diamond cluster clasp, 39cm long £400-600 Accompanied by report number 78173-79 from GCS, London stating that the necklace contains both natural saltwater and cultured pearls

1839. A natural pearl and diamond jabot pin, the circular and lozenge-shaped terminals set with diamonds, suspending a grey pearl in platinum and white gold, 6cm wide £5,000-7,000 Accompanied by report number 78144-28 dated 22 February 2018 from GCS, London, stating that the grey pearl measures 17.0 x 13.1 x 9.4mm and is natural saltwater with no indications of treatment 1840.

Three natural pearls, weighing 2.88, 5.50 & 3.30cts £200-300

Accompanied by report number 78173-88 dated 29 August 2018 from GCS, London stating that the three half-drilled cream pearls weigh 2.88. 5.50 & 3.30cts and are natural saltwater with no indications of treatment. 1841. A three row pearl necklace, the pearls graduate from 4.4 5.2mm, with a rectangular diamond-set clasp set in silver and gold, 44cm long £800-1,200 Accompanied by report number 5776-4514 dated 14 March 2016 from GCS, London stating that the 219 cream pearls measure 4.4-5.2mm and are natural saltwater, with the exception of 20 imitation pearls and 46 cultured pearls

1833. A two-row natural pearl necklace, the pearls graduate from 4.5 – 6.1 mm and set with a circular-cut diamond clasp in silver collet, 44cm long £2,500-3,000

1842. A single-row natural pearl necklace, with a lozenge-shaped white gold clasp set with a brown diamond, 42cm long £1,500-2,000

Accompanied by report number 78166-12 from GCS, London stating that the 138 cream pearls are natural saltwater, with the exception of one cultured pearl.

Accompanied by report number 5777-9977 dated 27 April 2018 from GCS, London stating that the cream pearls measure 2.8 - 5.2mm and are natural saltwater with no indications of treatment.

1834. A natural pearl and diamond pendant, the baroque-shaped pearl suspends below a trefoil of circular-cut diamonds in white gold, with a further circular-cut diamond to the suspension loop, on a finelink white hold neck chain, 3.2cm high £600-800

1843. A single-row natural pearl necklace, with a marquise-shaped yellow gold clasp set with an untested pearl, 46.5cm long £300-500

Accompanied by report number 78175-04 dated 29 August 2018 from GCS, London stating that the cream pearl measures 15.1 x 10.9 x 9.1mm and is natural saltwater with no indications of treatment 1835. A two-row natural and cultured pearl necklace, the graduated pearls are set with a diamond-set cluster clasp and five opalescent glass beads £600-800 The pearls have been assessed by GCS, London, and the cultured pearls marked with black ink. 1836. A pair of natural pearl and diamond pendants, the cream pearls are set in diamond-set white gold caps, each 2cm high £1,500-2,000 Accompanied by report number 78175-61 dated 29 August 2018 from GCS, London stating that the two cream pearls measure 13.5 x 11.2 x 9.9mm and 13.1 x 11.7 x 11.3mm and are natural saltwater with no indications of treatment 1837. A pair of natural pearl and diamond drop earrings, the dropshaped pearls suspend from old cushion-shaped diamonds in silver and gold, 2.2cm long £2,000-3,000 Accompanied by report number 78172-54 dated 7 August 2018 from GCS, London stating that the cream pearls measure 8.2 - 8.4 x 9.7 and 8.4 - 8.5 x 9.3mm and are natural saltwater with no indications of treatment 1838. A pair of natural pearl and diamond drop earrings, the pearls suspend from diamond-set caps and larger cushion-shaped diamonds in silver and gold cut-down collets, 4.2cm long £5,500-6,000 Accompanied by report number 5777-9037 dated 2 March 2017 from GCS, London stating that the cream pearls measure 13.2 x 9.9 x 8.5 and 13.5 x 9.4 x 8.3mm and are natural saltwater with no indications of treatment

Accompanied by report number 15644 dated 27 April 2018 from The Gem & Pearl Lab, London stating that the one-hundred and fifty-five pearls measure 2.4-5.5mm and are natural saltwater 1844. A natural pearl-mounted gold and platinum ring, set with six graduated shoulder diamonds, size Q½ £800-1,200 Accompanied by report number 08536 dated 10 September 2013 from The Gem & Pearl Laboratory stating that the part-drilled buttonshaped pearl measures 9.1 - 10.1mm wide and 8-9mm deep, and is natural saltwater 1845. A natural pearl and diamond ring, the button-shaped white pearl set with circular and baguette-shaped diamond spray shoulders in white gold, size Q½ £1,500-2,000 Accompanied by report number 08888 dated 8 November 2013 stating that the part-drilled pearl weighs 5.40cts and is natural saltwater 1846. A natural pearl pendant, the drop shaped pearl weighs 12.83cts, suspended from a diamond-set cap, on fine-link neck chain, pendant 2.3cm long, chain 40cm long £8,000-10,000 Accompanied by report number 10698 dated 16 January 2018 from The Gem & Pearl Laboratory, London, stating that the part-drilled cream/white flattened drop-shaped weighs 12.83cts and is natural saltwater with no evidence of treatment 1847. A natural pearl and diamond pendant, the cap set with rosecut diamonds, on white gold fine-link chain, 2cm high £8,000-12,000 Accompanied by report number 78152-70 dated 30 April 2018 from GCS, London, stating that the grey pearl measures 17.3 x 12.5 x 10.8mm and is a natural saltwater with no indications of treatment 1848. A pair of natural pearl and diamond earrings, each set with a circular diamond suspending a pearl in white gold, 1.4cm high £1,000-1,500 Accompanied by report number 15995 dated 20 July 2018 from the Gem & Pearl Laboratory stating that the part-drilled button-shaped pearls weigh 4.22 and 4.00cts and are natural saltwater

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1835

1830

1831

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1839 1834

1841

1833 1838

1832

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1842 1836

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1845

1843 1844

1847

1848

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1849. A George III diamond solitaire ring, set with an oval/marquise-shaped diamond within a border of rose-cut diamonds in silver and gold, size L½ £2,000-3,000 Accompanied by report number 78173-78 dated 29 August 2018 from GCS, London stating that the old marquise-cut diamond weighs approximately 0.70cts and is a natural diamond with F-G colour and VS2-SI1 clarity 1850. A late 17th century yellow gold friendship posy ring, the plain yellow gold shank engraved to the inside with “A freind at neede doth gould exceede”, late 17th Century, English, size L, with a late 17th century gold posy ring, engraved to the inside with initials MD and later engraved with a heart, English, size Q £600-800 1851. A gilt lined silver ring, engraved with black Lombardic script, size W, and a silver iconographic ring depicting Christian figures and swirling decoration to the shoulders, probably 14th century, size P £100-150 1852. A Renaissance Revival gold cruciform pendant and chain, probably Austro Hungarian, late 19th century, the cross with polychrome enamel decoration and suspending two small pearls and suspended from a fine-link gold chain set with seed pearls and with conforming gold beads, 45cm £400-600 1853. A late 17th Century yellow gold posy ring, the plain yellow gold shank engraved to the inside with “Let Vertue rule affection”, late 17th Century, English, maker’s mark TS, size L £600-800 1854. A Romantic late 17th century yellow gold posy ring, the plain yellow gold shank engraved to the inside with “In Love abyde till death divide”, late 17th Century, English, maker’s mark S, size O½ £600-800 1855. A Religious late 17th century yellow gold posy ring, the smooth yellow gold rounded shank engraved to the inside with “Feare God’, Late 17th Century, English, size R £600-800 Literature: Cf: Joan Evans, English Posies and Posy Rings, 1931, P.35 1856. A Religious late 17th century yellow gold posy ring, the yellow gold plain shank engraved to the inside with “Let our accord bee blest O Lord”, late 17th Century, English, maker’s mark GS, size S £600-800 1857. A late 17th century yellow gold posy ring, the plain yellow gold shank engraved to the inside with “Love for ever”, late 17th Century, English, maker’s mark RB, Size L £600-800 1858. A 19th century Renaissance Revival gem-set gold swan pendant in the late 16th century style, the swan with white enamel body and gold flecks with further black enamel decoration to the head, mounted with two diamonds and a further rosecut diamond below three white stones, with pearl pendant and suspended from two chains to the ruby-set upper section, two small pearls suspended from beak, 8.5cm high £1,500-2,000 1859. A Regency two-colour gold fob seal, set with turquoise cabochons and mounted with a carved bloodstone oval intaglio £300-400 depicting a mythological creature with birds heads, birfurcated dolphin tails and holding a whip, 2.3cm high 1860. A 19th century diamond brooch pendant, of square curved form and set with a cluster of cushion-shaped diamonds within a further border of cushion-shaped diamonds in silver and gold, suspending a circular-cut and pear-shaped diamond pendant within a border of small cushion-shaped diamonds, 4cm high £800-1,200 1861. A Roman intaglio-mounted gold ring, the slightly domed oval intaglio engraved with a butterfly on a horizontal feather representing Psyche, the gold mount possibly Roman, with lover’s wreath knot to the upper section and with gold wire-tied shoulders, shank slightly graduated to the widest section below, with cast impression £4,000-5,000 1862. A small oval carved red jasper intaglio-mounted gold ring, possibly Romano-British, 2nd - 3rd century AD and from a Roman legion in Wales, possibly Anglesey, depicting a gryllus carved with a ram’s head, and two heads, probably Heracles and Solanus, the intaglio 0.8cm high, 18th century mount, size J, case £400-600 1863. An early 18th century gold scroll brooch set with various gems, with polychrome enamel decoration overall and set with an emerald, sapphire, ruby and two diamonds, suspending an earlier gold cruciform pendant set with four rubies, centred with an emerald and suspending three pearls, with black enamel decoration, later brooch pin, 6.5cm long £600-800 1864. A carved three-colour banded agate scarab-mounted gold stick pin, the swivel-mounted scarab engraved to the reverse with a mythological beast, the scarab 1.3cm high £150-200 1865. A mid 18th century gold brooch and pendant, the brooch of scroll form, centred with an oval-shaped ruby and with four seed pearls and remnants of blue enamel decoration, suspending a pendant formed with two doves seated on foliage and suspending a small pearl, the doves with white and green enamel to both sides, 5cm high £800-1,200 1866. A miniature gold fob seal, possibly 16th century, of stylised cornucopia form and scrolling mid-section, the seal with carved heart within laurel border, small traces of light blue enamel, 2cm high £800-1,200 1867. An antique gold signet ring, probably 18th century, engraved with full arms and surmounted with a dove crest, the reverse with unidentified double-struck mark, 1.7cm high, size K £800-1,200

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1852

1853

1849 1854

1850 (2) 1855

1856

1858

1851 (2) 1857

1866 1859 1860 1865

1867 1861

1862 1863

1864

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1868. A chalcedony intaglio ring, depicting the profile of a woman in the classical manner in white chalcedony, in plain gold rub-over mount, size M½ £600-800 1869. A late 18th/early 19th century carved two-colour hardstone cameo-mounted ring, the cameo depicting Omphale in profile wearing the Nemean lion skin, gold mount, 2.7cm high, size T £1,500-2,000 The subject is based on the story of Hercules being submitted, by the oracle, to three years of servitude for having killed Iphitos. He was bought as a slave by the Queen of Lydie, Omphale. During this time they became lovers and many amorous paintings were executed by Boucher, Lemoyne and Rubens. Omphale was recorded as mocking her servant to the extent of extreme indignation by wearing his Nemean lion skin and even made Hercules wear women's clothes. The subject of this cameo has been heavily influenced from an original 1st-2nd century AD glass cameo which is housed in the British Museum as exhibit no. 1923,0401.1056. Literature: For a similar cameo, see WALTERS, H. B., Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, (London: BMP: 1926), gem 3805. 1870. A carved hardstone cameo ring, the cameo depicting the head of a satire, in gold mount with foliate and shell engraved shank, engraved to the inside ‘a Token of Gratitude’, size R £600-800 1871. A carved agate cameo-mounted brooch, probably early 19th century, depicting the profile of Hercules wearing the Nemean lion cloak and displaying two colours, 3.1cm high, mounted in a pierced scroll silver and gold brooch set with four diamond pieces £2,000-3,000 1872. A small carved carnelian intaglio ring, probably 18th century, depicting the profile of a Roman Emperor, later gold mount, size M £400-600 1873. A hardstone cameo brooch, the carved agate depicting a woman in the Classical manner, with flowing ivy vines flowing from her hair, set within ropetwist and pellet yellow gold border, 5cm high £400-600 1874. A gem-set gold clasped hand, double-ended desk seal, possibly late 19th century, Italian, one hand mounted with a snake design with ruby head to the wrist, the engraved oval matrix mounted with a carnelian engraved with the letters HE, the other hand with an elaborate cuff, set with an emerald, the matrix mounted £600-800 with an octagonal carved bloodstone engraved with the same initials HE, 7.3cm high, fitted case 1875. A carved hardstone cameo, depicting Menaelaos, King of Sparta or Pericles, c1800, in gold brooch £600-800 pendant mount, wearing laurels to his helmet and with beard and flowing hair, 4cm high Literature: For a similar cameo see ROWAN, M., Nineteenth Century Cameos (2004), p.98, pl. 88

1876. A carved coral cameo depicting Bacchus, c1800, bearded and wearing fruiting vines, and with a soporific expression, 3.3cm high £400-600 1877. A late 17th century miniature portrait of a Nobleman by Pierre II Huaud, with full bottomed wig, white lace cravat and armour, painted in enamel on copper and white counter enamel, marked for ‘P. Huaud primo-natus pinkit, Geneuae 1689’, 4.6cm high, gold frame and detachable gold pendant mount £800-1,200 Pierre II Huaud was an exceptional miniaturist and shortly after painting this particular Nobleman, he went to Germany and was appointed enameler to Friedrich III, Elector of Brandenburg. 1878. A Renaissance carved hardstone cameo fragment, depicting Cleopatra wearing two strings of pearls and holding asps in each hand to her breast, 16th century, damaged border, 4.5cm high £300-400

1879. A 19th century coral cameo brooch, the carved coral depicting a woman with fruiting vines to her hair, within yellow gold foliate border, 5cm high £400-600 1880. A 17th/18th century carved coral cameo, depicting the full face of a bearded man, probably a philosopher, 5cm high £1,500-2,000 1881. A pair of late 19th century cameo earrings, depicting Neptune and Zeus in circular mounts with fine wirework borders, the circular cameos 1.7cm wide £800-1,200

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1868

1869

1870 1871

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1873

1872

1875

1877

1876

1878

1881

1879

1880

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1882

1882. A gem-set gold Renaissance gimmel ring, late 16th century and possibly German, the two collets elaborately engraved and with black and white enamel decoration with traces of green and continuing down the shanks, each set with a ruby or emerald (possibly later replacements), opening to reveal foliate scroll white enamel decoration to the collets and engraved with the words, which are highlighted with niello to the upper shanks, * Quod * Deus * Homo * Non *, which continues to the lower shank Conjunxit Separet *, which translates to ‘What God has joined, let no one separate’, approximate size F-G, case by S J Phillips £4,000-6,000 For a similar ring set with a ruby and aquamarine, and with identical inscription, see British Museum exhibit 1097. Also in the Victoria & Albert Museum, the betrothal ring of Sir Thomas Gresham, of similar design and with the same legend. 1883. A carved carnelian intaglio-mounted gold fob seal, the slightly domed intaglio depicting the profile of a man with flowing hair, long beard and wearing a skull cap, the border engraved with an unidentified monogram, 2cm high, mounted in gold with an inverted heart-shaped pendant loop £600-800 1884. A navette-shaped carved carnelian intaglio, probably 18th century, depicting the profile of a youthful man, later mounted as a gold ring, the intaglio 2.7cm high, size K½ £800-1,200 1885. A carved dark agate oval intaglio, possibly Babylonian, depicting an infant sitting on a pillar next to a fire and being attending by two bestowing figures, later mounted as a gold ring, the intaglio 2cm wide, size E½ £600-800 1886. A circular carved carnelian intaglio, possibly Classical, depicting a merman with bifurcated tail, later mounted as a gold ring, size M £400-600 1887. A finely carved 18th century hardstone intaglio depicting Neptune, with flowing hair and beard holding his trident in his left arm and pressed to his chest, 3.4cm high, mounted in gold Adam-style fob seal £4,000-6,000 1888. A carved mottled hardstone intaglio, probably Classical, the circular intaglio depicting a rampant griffin, 1.3cm wide, mounted later as a gold ring, size M £400-600 1889. An early 18th century gold double-sided erotic spinning fob seal, the oval carved carnelian intaglios probably late 18th/early 19th century, depicting a couple in amorous poses to both sides, the intaglios 3cm wide £1,000-1,500

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1883

1886

1885

1884

1888 1887

1889

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PRINCE STANISLAS PONIATOWSKI Prince Stanislas Poniatowski (1754-1833) was a Polish nobleman and nephew to the last King of Poland. Amongst other important appointments, he was official commander of the Royal Foot Guards regiment and Grand Treasurer of the Duchy of Lithuania. Poniatowski went into exile in Italy in 1791 which combined with his great interest in art and extreme wealth led him to Rome to commission around 2500 intaglios by a group of gem-engravers. He published a catalogue of the intaglios, Catalogue des pierres gravées antiques des S.A. le Prince Stanislas Poniatowski encouraging the belief that the gems were ancient. After his death in 1833 the collection was offered for auction by Christie’s in 1839 during which time the gems were discovered as fakes and the sale was unsuccessful. John Tyrrell subsequently purchased around 1,700 Poniatowski Gems, believing them to be ancient. He had casts made from them which he published with an 'Explanatory Catalogue' in 1841. More recently there has been growing demand for intaglios from the Poniatowski collection and they having gained desirability as examples neo-classical engraving. The Beazley Archive in Oxford now houses many Poniatowski gems.

1890 1890. A Neoclassical amethyst intaglio, the oval-shaped amethyst plaque engraved with a scene depicting a sea nymph Nereid riding a hippocampus possibly on the way to the wedding of Poseidon and Amphitrite, with a pseudo signature for the ancient engraver Gnaois (active 40-20bc) quartered with seed pearls beneath a hinged seed pearl pendant loop in yellow gold, 4.6cm wide £1,500-2,000 Believed to have been from the collection of Prince Stanislas Poniatowski 1891. A Neoclassical carnelian intaglio, the oval-shaped carnelian plaque engraved with a scene depicting Acastus stealing the arrows of Peleus while asleep, bearing a pseudo signature in ornate gold frame, 5.8cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie’s London 29 April - 21st May 1839, lot 1241, withdrawn from the sale, purchased by John Tyrrell (35 Craven Street, London); part of the group of gems pawned for £17,000 to Frederick John, 5th Baron Monson (1809-1841), inherited by his estate; offered at auction by Sotheby’s London 16th-19th November 1852, lot 155, went unsold. Offered at auction by Christie’s London 27th June 1854, lot 28 Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.659 Catalogue des Pierres Gravées antiques de S. A. le Prince Stanislas Poniatowski, Florence 1830-1832, class IV, no.256 1892. A Neoclassical carnelian intaglio, the oval-shaped carnelian plaque engraved with a scene depicting ‘Minerva seizing the monster Alcyneus by the hair, after he had been wounded by Hercules with an arrow’, bearing the pseudo signature for the ancient engraver Kromos, set within a simple yellow gold brooch mount, c1800, 5.5cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie’s London 29 April - 21st May 1839, lot 1359, withdrawn from he sale, purchased by john Tyrrell (35 Craven Street, London) Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.413 Catalogue des Pierres Gravées antiques de S. A. le Prince Stanislas Poniatowski, Florence 1830-1832, class II, no. 303

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1893 1894

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See next page for corresponding intaglios.

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1893. A Neoclassical sard intaglio brooch, the oval-shaped sard intaglio depicting ‘Hercules rescuing Hesione from the monster’, with a pseudo-signature (pretending to be the work of the ancient engraver Apollonides), in ornate gold frame, 6.7cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754-1833); supposedly offered for auction at Christie’s (london), 29 April - 21 May 1839, lot 489, withdrawn from the sale, purchased by John Tyrrell (35 Craven Street - London). Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell Esq, London 1841 no. 386. Catalogue des Pierres Gravées antiques de S.A. le Prince Stanislas Poniatowski, Florence 1830-1832, class II, nr.489 1894. A Neoclassical white chalcedony intaglio, the oval-shaped agate plaque depicting ‘Polyphemus the Cyclop, enamoured of Galatea, arranging his hair and looking at himself in the sea, which serves him as a mirror’ also engraved with a pseudo signature for Kromos the ancient engraver, set within a metal frame, 4.5cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833) ; offered at auction at Christie’s London 29 April - 21 May 1839, withdrawn from the sale, purchased by John Tyrrell (35 Craven Street, London) Later in the collection of Charles Scarisbrick; offered at auction by Christie’s London 16May 1861 Lot 181 Published: James Predeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.250 Catalogue des Pierres Gravées Antiques de S.A. le Prince Stanislas Poniatowski, Florence 1830-1832, class II no. 12 1895. A Neoclassical chalcedony intaglio, the oval pale chalcedony plaque engraved with a scene depicting ‘Ulysses pouring out wine to Polyphemus’, engraved with a pseudo signature for the ancient engraver Kromos, mounted within a simple yellow gold frame, 4.5cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie’s London 29 April - 21st May 1839, lot 245, withdrawn from the sale, purchased by John Tyrrell (35 Craven Street, London); part of the group of gems pawned for 17,000 pounds to Frederick John, 5th Baron Monson (1809-1841), inherited by his estate; offered at auction by Christie’s London 9th June 1851, lot 86. Then again later; Tiffany & Co., Catalogue of A Rare Collection of Antique and Medieval Gems for the charity Organisation Society of New York, March 1902, lot 964 Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.1013 Catalogue des Pierres Gravées antiques de S. A. le Prince Stanislas Poniatowski, Florence 1830-1832, class VI, no.29 1896. A Neoclassical carnelian intaglio, the oval agate plaque engraved with a scene depicting ‘The Trojan women burning the fleet of Aeneas (instigated by Iris)’, with a pseudo signature for the ancient engraver Polyklet, within a yellow gold frame embellished with blue enamel, 4.5cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie’s London 29 April - 21st May 1839, lot 395, withdrawn from he sale, purchased by john Tyrrell (35 Craven Street, London). Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.1112 Catalogue des Pierres Gravées antiques de S. A. le Prince Stanislas Poniatowski, Florence 1830-1832, class VII, nr 34 1897. A Neoclassical carnelian intaglio, the oval-shaped agate plaque depicting the ‘Aurora and Orion’, engraved with a pseudo signature for the ancient engraver Gnaios, mounted within a yellow gold frame embellished at regular intervals with scrolling engraved accents, c1800, 5.5cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie’s London 29 April - 21st May 1839, lot 1359, withdrawn from he sale, purchased by john Tyrrell (35 Craven Street, London) Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.186 Catalogue des Pierres Gravées antiques de S. A. le Prince Stanislas Poniatowski, Florence 1830-1832, class I, no.287 1898. A Neoclassical sard intaglio, the oval-shaped sard plaque engraved with a scene depicting ‘Telemachus interceding for Phemius’, with a pseudo-signature (pretending to be the work of the ancient engraver Apollonides), set within a simple yellow gold brooch mount, 3.5cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754-1833); supposedly offered for auction at Christie’s (London), 29 April - 21 May 1839, withdrawn from the sale, purchased by John Tyrrell (35 Craven Street - London). Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell Esq, London 1841 no.1067. Catalogue des Pierres Gravées antiques de S.A. le Prince Stanislas Poniatowski, Florence 1830-1832, class VI, nr.99 1899. A Neoclassical carnelian intaglio, the oval-shaped carnelian plaque engraved with a scene depicting ‘Tydeus gnawing the head of Melanippus (a Theban warrior is turning away with horror from the scene)’ with a pseudo signature for the ancient engraver Apollonides, mounted within yellow gold, 4.2cm wide £1,000-1,500 Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833); offered at auction by Christie’s London 29 April - 21st May 1839, lot 217 (as sard), withdrawn from the sale, purchased by john Tyrrell (35 Craven Street, London). Part of the gems pawned for 17,000 GBP to Frederick John, 5th Baron Monson Published: James Prendeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.712 Catalogue des Pierres Gravées antiques de S. A. le Prince Stanislas Poniatowski, Florence 1830-1832, class I, no. 317

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1900. A large spinel and diamond cluster ring, the cushion-shaped pink spinel set within concentric border of marquise-shaped diamonds in platinum and gold, size O £5,000-7,000 Accompanied by report number 94931 dated 28 August 2017 from SSEF stating that the oval-shaped pink spinel weighs 23.16cts and is a natural spinel with no indications of heating and minor amount of oil in fissures at the time of testing 1901. An early 20th century flower brooch, in the manner of Ernst Paltscho, the oval border decorated with black enamel and diamonds surrounding carved hardstone flowerheads with fancy yellow diamond centres, set in platinum, Austrian marks, 3.6cm wide £3,000-4,000 1902. A diamond-set collar necklace, the collar necklace comprising six white gold links, two set with rows square-shaped diamonds, suspending a round brilliant-cut diamond weighing approximately 2.40cts, £6,000-8,000 with further square-shaped diamonds set to the pendant mount, 12.2cm inner diameter 1903. A diamond line braclet, the thirty-one round brilliant-cut diamonds are set in 18ct white gold and weigh approximately 14.50cts total, 18.5cm long £12,000-15,000 1904. A diamond solitaire ring, the cushion-shaped diamond weighs approximately 1.90cts and is claw set in white gold, with eighteen small circular-cut diamonds to the shoulders, size I½ £2,000-3,000 1905. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.95cts and is claw set in yellow gold, on plain yellow gold band, size N½ £600-800 1906. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.90cts and is £2,000-3,000 claw-set in white gold, size I 1907. A fancy yellow and white diamond ring, the centre fancy yellow round brilliant-cut diamond weighs approximately 0.95cts and set with two graduated round brilliant-cut fancy yellow diamonds to each shoulder, between two rows pavé-set with small circular-cut white diamonds, all in yellow gold, size M½ £4,000-5,000 1908. A large sapphire and diamond cluster ring, the oval sapphire is set within a border of stylised leaves and circular-cut diamonds in platinum and gold, size L £8,000-12,000 Accompanied by report number 15759 dated 22 May 2018 from The Gem & Pearl Laboratory stating that the oval-shaped sapphire is a natural corundum with no indications of heat treatment. Origin: Sri Lanka 1909. A yellow sapphire and diamond three-stone ring, the circular-cut yellow sapphire weighs 8.97cts and is set in platinum with a kite-shaped diamond millegrain-set to each shoulder, with Sheffield platinum hallmarks, size L £5,500-6,000 Accompanied by report number 78169-49 dated 12 July 2018 from GCS, London stating that the round-cut yellow sapphire weighs 8.97cts and is a natural yellow corundum with no indications of heat treatment. Origin: Sri Lanka 1910. An emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 6.20cts and set within a surround of sixteen round brilliant-cut diamonds in white gold, size M½ £3,000-5,000 Accompanied by report number 78175-58 dated 29 August 2018 from GCS, London stating that the octagonal-cut emerald weighs approximately 6.20cts and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia 1911. A sapphire and diamond three stone ring, the cushion-shaped sapphire flanked with triangularshaped diamonds in white gold, size M½ £2,000-3,000

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1912. A pair of aquamarine and diamond drop earrings, the circular-cut diamonds suspend two articulated lines of smaller circular-cut diamonds, a diamond scroll and three graduated pear-shaped aquamarines in platinum, 6.2cm long £3,000-4,000 1913. An Edwardian ruby and diamond brooch, of circular form and quatrefoil design, pierced and set £3,000-4,000 with graduated oval-shaped rubies and diamonds in platinum and gold Accompanied by report number 78176-95 from GCS London stating that the three principal rubies are natural, with no indications of heat treatment. Origin: Burma 1914. An early 20th century pearl and diamond bracelet, the central line of matched pearls set within border of millegrain-set diamonds in platinum, 18cm long £4,000-5,000 Accompanied by report number 78173-80 dated 29 August 2018 from GCS, London stating that the eight cream pearls measure 5.5 - 5.7mm and are natural saltwater with no indications of treatment 1915. A pair of pearl and diamond drop earrings, the stylised diamond-set bows millegrain-set with diamonds, each suspending a pearl in platinum, 3cm long £3,000-5,000 Accompanied by report number 78173-81 dated 29 August 2018 from GCS, London stating that the cream pearls measure 8.4 x 8.5 x 10.4 and 8.3 x 8.7 x 9.mm and are natural saltwater with no indications of treatment 1916. A late 19th century insect brooch by Giuliano, realistically formed with cabochon amethysts body and eyes, and seed pearl and enamel wings, in closed back yellow gold setting, applied with maker's mark to reverse, 4cm long £3,000-4,000 1917. An Art Nouveau gold, enamel and diamond grasshopper brooch, realistically formed with a solid white opal abdomen, gold and diamond thorax, iridescent enamel and diamond wings in silver and gold, 5.5cm wide £2,000-3,000 1918. An Edwardian diamond brooch pendant, set with a diamond-set trefoil suspending articulated diamond drops, with a larger circular-cut diamond suspended within and decorated with graduated circularcut diamonds above, millegrain-set in platinum, detachable brooch fitting to reverse, 5cm long £3,500-4,500 1919. A diamond bar brooch, the centre old circular-cut diamond weigh approximately 1.50cts and is set with three smaller circular-cut diamonds to each shoulder, platinum on gold, case by Tessiers £1,500-2,000 1920. An early 20th century ruby and diamond ring, set with three graduated oval-shaped rubies within £800-1,200 a border of circular-cut diamonds in yellow gold oval surround, size N½ 1921. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.75cts and is set in platinum, size P £5,000-6,000 1922. A ruby and diamond cluster ring, the slightly oval-shaped ruby set within a surround of ten round brilliant-cut diamonds in yellow and white gold, size O £1,000-1,500

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1923. A sapphire and diamond ring, the circular sapphire cabochon flanked within baguette-shaped diamond scroll shoulders in platinum, size M½ £2,000-3,000 Accompanied by report number 78169-01 dated 13 July 2018 from GCS, London stating that the cabochon sapphire weighs 15.48cts (as stated by the client) and is a natural corundum with no indications of heat treatment and a significant amount of oil in fissures. Origin: Burma 1924. A sapphire and diamond ring, the cushion-shaped sapphire weighs approximately 8.50cts is millegrain-set with two rows of five small circular-cut diamonds and a baguette-shaped diamond to each shoulder in platinum, size P½ £8,000-12,000 1925. A sapphire and diamond cluster ring, the oval-shaped sapphire is millegrain-set within two £1,000-1,500 surrounds of circular-cut diamonds in platinum, size O 1926. A silver pendant by Jean Després, c1930, depicting a stylised bull’s head on hammered rectangular silver plaque, maker’s mark and signature to reverse, 6cm long £200-300 1927. A matching silver ring and pendant by Jean Després, the plain ring with stylised fleur-de-lys on oval ground and similar but larger pendant on a fine-link chain, the pendant 6.5cm high, with maker’s mark, French control mark and signed J Després, the ring with French control mark, rubbed maker’s lozenge and rubbed signature, size S £600-800 1928. A jabot pin mounted with two stylised bird terminals, each bird pavé-set with graduated diamonds in white gold, black onyx beaks and feet, the tail formed with a single carved sapphire, 9cm wide £1,500-2,000 1929. A French Art Deco natural pearl and diamond-set flexible posy-holder bar brooch, set with ten pearls, four baguette-shaped diamonds and circular-cut diamond cluster terminals in platinum, French control marks, 5cm long £1,000-1,500 Accompanied by report number 78160-27 dated 15 June 2018 from GCS, London stating that the cream pearls measure 4.3 - 4.7mm and are natural saltwater with no indications of treatment 1930. An Art Deco lady's diamond miniature Baguette wristwatch by Cartier, c1930, the signed rectangular dial with Arabic numerals and backwind movement, with fluted gold lugs and a black cordette strap and 18ct yellow gold deployant clasp, French assay marks, inner diameter 5.0cm, case 6mm wide, movement signed European Watch Co £2,000-3,000 The term 'Baguette watch' was used by Cartier for miniature watches produced during the 1920s and 1930s. It refers to the small baguette-cut diamonds which were used to adorn the watches and is mirrored in the shape of the dial. 1931. A diamond and sapphire cluster ring, centred with a circular-cut diamond weighing approximately 0.70cts within a surround of long tapered-baguette-shaped sapphires and further border of millegrain-set £800-1,200 circular-cut diamonds, with six further shoulder diamonds in white gold, size N 1932. An Art Deco diamond wristwatch, the rectangular dial with black Arabic numerals within rectangular surround, pierced and millegrain-set with diamonds in platinum, on black silk band, 1.4cm wide £150-250 1933. A yellow and blue sapphire nail head stick pin by Cartier, of stylised form, set in platinum and £1,500-2,000 gold, signed and with maker’s mark, 7.5cm high, Cartier box

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1934. A sapphire and diamond half-hoop ring, the oval-shaped sapphire weighs approximately 1.80cts and set with twelve graduated baguette-shaped shoulder diamonds, within two outer rows of round brilliant-cut diamonds pavé-set in yellow gold, size M £1,500-2,000 1935. A sapphire and diamond-set ring, the four oval-shaped sapphires set with ten small shoulder diamonds in yellow gold, size N½ £200-300 1936. A yellow gold and diamond bombé ring by Hammerman Brothers, the high-domed diamondset platinum sections are separated with twisted and knotted gold rope, combined to form the shank, maker’s mark, size K £2,500-3,500 1937. A diamond and gold ring by Kutchinsky, set with three diamond clusters within gold spray border, maker’s mark and London hallmarks for 18ct, 1969, size Q½ £1,500-2,000 1938. A yellow sapphire-set gold brooch, the rectangular cushion-shaped yellow sapphire weighs 41.23cts (known weight) and is set within an abstract yellow gold mount with stylised wood decoration loosely spelling `LOVE` in yellow gold, 6cm wide £3,000-4,000 Accompanied by report number 78161-48 dated 12 June 2018 from GCS London stating the rectangularshaped sapphire is a natural yellow sapphire with no indications of heat treatment Accompanied by report number E15875 dated 6 December 2013 from Nederlands Edelsteen Laboratorium stating that the rectangular sapphire measures 20 x 13.6 x 11.9mm and is a natural yellow sapphire with no indications of heat treatment 1939. A citrine solitaire ring by Rudolf Heltzel, the circular-shaped citrine is rubover-set in yellow gold, on a plain polished gold mount, with maker's mark and Dublin hallmarks for 1975, size N £200-300 1940. A diamond and ruby three-stone ring, set with an oval-shaped and two shoulder circular-cut diamonds in yellow gold, with conjoining borders of calibré-cut rubies, size T £600-800 1941. A gold and diamond abstract brooch, designed as two undulating lozenges of graduated circularcut diamonds within a border of gold pellet decoration in platinum and yellow gold, 7cm long £2,000-3,000 1942. A diamond half hoop ring by Boucheron, of chequerboard design, set with graduated circularcut diamonds in yellow gold, signed Boucheron Paris, rubbed maker’s lozenge, inner re-sizing balls, approximately size L½ £2,000-3,000 1943. A lapis lazuli and diamond ring by David Webb, of architectural form, the high-domed lapis lazuli cabochon with surrounded with textured and diamond-set pear-shaped sections, joining to create a plaited £2,000-3,000 back section in yellow gold, size M 1944. A French diamond and sapphire-set platinum scroll brooch, 1960s, of stylised foliate form with baguette-shaped diamond stems and graduated round brilliant-cut diamond and marquise-shaped sapphire-set leaves, marked ‘déposée SSM’, 4.5cm wide, Kutchinsky box £1,000-2,000 1945. A pair of ruby and diamond earrings by Kutchinsky, of quatrefoil design set with a cluster of four rubies within diamond border in platinum and yellow gold, with maker’s mark and London hallmarks for 18ct, 1979, 2cm high, Kutchinsky case £800-1,200 1946. A French textured gold and diamond bracelet by Georland, each link set with three graduated circular-cut diamonds with textured leaf-form border, rubbed maker’s lozenge and French control marks, 17.5cm long £1,200-1,500

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1934 1936

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1947. A diamond-set gold Red Admiral butterfly brooch, realistically painted in polychrome enamel and graduated diamonds set to the body with cabochon ruby eyes, 5.3cm wide, fitted case by Benson £1,000-1,500 1948. A Victorian diamond-set closed crescent brooch, set with graduated old circular-cut diamonds in silver and gold, 3cm wide £1,000-2,000 1949. An Edwardian tourmaline and enamel necklace, the cushion-shaped green tourmalines set within scrolling enamel decoration and pearl and diamond links, suspending a scrolling link decorated with iridescent shaded enamel and a pearl and diamond, suspending two pear-shaped green tourmalines in £2,000-2,500 platinum and gold, 40cm long, fitted case 1950. A late Victorian gem-set spider brooch, realistically designed, the abdomen formed from a cabochon star sapphire, the cephalothorax formed from a chrysoberyl catseye, with moonstone eyes and diamond-set legs in silver and gold, 4.2cm long, case £2,000-3,000 1951. A late Victorian sapphire and diamond bangle, set with a central line of graduated cushion-shaped sapphires within border of old cushion-shaped diamonds in silver and gold, 5.8cm inner diameter, case £4,000-5,000 Accompanied by report number 78173-80 dated 29 August 2018 from GCS, London stating that the fifteen cushion-cut sapphires weigh approximately 6.00cts and are natural sapphires with no indications of heat treatment. Origin: Basaltic 1952. A late 19th century opal and enamel necklace, the pendant set with a graduated cluster of oval opal cabochons, green enamel and red and white enamel fleur-de-lys, suspended on a chain alternatelyset with opals and figure of eight links decorated with polychrome enamel and diamonds, 37cm long, the pendant 4cm long, original fitted case £3,000-4,000 1953. A pair of early 20th century tiger’s eye cameo earrings, carved with two faces in profile within eliptical border, within gold collets with pellet decoration, 2.2cm diameter £400-600 1954. A late 19th century emerald and diamond cluster ring, the pear-shaped emerald is set within a surround of old cushion-shaped diamonds, pierced yellow gold shoulders, London hallmarks for 1888, size Q £600-800 1955. A late Victorian five-stone ruby ring, the half-hoop ring set with five graduated cushion-shaped rubies each separated with a pair of circular-cut diamonds in yellow gold, size N½ £1,000-1,500 Accompanied by report number 15477 dated 27 March 2018 from The Gem & Pearl Laboratory stating that the five rectangular cushion-shaped rubies are natural rubies with no evidence of heat treatmemt. Origin: Burma 1956. A late 19th century diamond three stone ring, set with graduated old circular-cut diamonds weighing approximately 2.65cts in total, in carved and pierced yellow gold mount, size J½, case £2,000-3,000 1957. A Victorian pearl and diamond heart-shaped pendant, centred with two pearl drops within borders of cushion-shaped diamonds and pearls, beneath diamond-set bow and pearl bale in yellow gold, 5.5cm long, fitted case £800-1,200 1958. A late Victorian diamond heart pendant, pavé-set with graduated circular-cut diamonds beneath a diamond bow and bale, in silver and gold, glazed locket compartment to reverse, 3cm high £1,000-1,500

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1953 1954

1955 1958

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1959. A late 19th century diamond three stone ring, the three graduated old circular-cut diamonds weigh approximately 1.80cts in total, set in scroll pierced yellow gold mount, maker’s mark A&W for Alabaster & Wilson, size P, case £1,500-2,000 1960. A diamond and enamel pendant by Giuliano, the rose-cut diamond claw-set in yellow gold within blue and white enamel border, suspending cabochon sapphire and suspending from a diamond with blue and white enamel pendant loop, maker’s plaque C&AG to reverse, 3.6cm long £1,200-1,500 1961. A Victorian gold, enamel and pearl-set stylised Fibula brooch by Giuliano, c1880, with blue, gold and cream coloured enamel decoration, mounted with five light brown pearls, stamped CG, 5.8cm long £2,000-3,000 Accompanied by report number 78172-50 dated 7 August 2018 from GCS, London stating that the brown pearls measure 4.9 - 6.9mm approx. and are natural saltwater with no indications of treatment 1962. A 19th century gold hinged bangle with micro mosaic centre panel, the centre circular micromosaic section decorated with the early Christian Chi-Rho monogram between doves on a foliate decorated blue ground, fine gold revivalist pellet and wire decoration overall, 6cm internal diameter £2,000-3,000 1963. A gem-set gold hinged bangle by Giuliano, c1870, set with an oval-shaped chrysoprase cabochon with an oval-shaped ruby cabochon and three diamonds to each shoulder with white and black dot enamel decoration, applied with initials CG, fitted case for Giuliano 115 Piccadilly £5,000-6,000 1964. A late 19th century gold Amphorae fringe necklace, the circular gold beads suspend a line of £6,000-8,000 stylised amphora with filigree and pellet decoration, 36cm long 1965. A gem-set gold Medieval Revival pendant by Ernesto Pierret, the four terminals each set with a sapphire within three small rubies and pellet decoration, centred with an octagonal-cut sapphire with a small diamond and pearl to each quarter, applied with the words ‘ABI NIN KAI (repeated)’, with two folding £1,000-1,500 pendant loops and a brooch clasp, signed to the reverse, 4.5cm 1966. An early 20th century yellow gold serpent bangle and matching bar brooch, the hinged bangle with crossover centred section and ball terminals with a coiled serpent, engraved with initials EWS 18ct, 5.5cm internal diameter, with a matching gold bar brooch, 4cm wide £800-1,200 1967. A Renaissance Revival gem-set gold brooch with enamel decoration by Giuliano, centred with a circular cabochon moonstone with three cabochon rubies within an inverted triangle and with three further moonstones above and suspending ten graduated oval-shaped moonstones, with black white enamel decoration overall, signed C&AG, 4.4cm wide £5,000-7,000

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1968. A Louis XV gold, hardstone, shell and silver gilt-mounted snuff box, by Antoine Daroux, Paris 1747, the rectangular box with hinged cover decorated with girl offering a drink from a nearby barrel to a soldier with gun and sword, gold highlights to the ground and tree trunks and all on a carved shell ground, depicting tents, with conforming scenes and decoration to the four sides and base, 8cm wide, the cover and internal base with the mark of Antoine Daroux, the silver borders with wavy decoration ÂŁ10,000-15,000 A box with similar military camp iconography was sold by the late Baron Maximilien de GoldschmidtRothschild, Sotheby's Monaco, 29th November 1975, ex lot 136.

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1969. An Art Deco diamond-set platinum plaque bracelet, millegrain-set overall with graduated circularcut diamonds to the geometric design, 19.5cm long, marked 950 and with obscured initials £6,000-8,000 1970. An Art Deco ruby and diamond ring, alternately-set with stepped lines of calibré-cut rubies and circular-cut diamonds in platinum, size O½ £3,000-4,000 1971. A pair of late 1930s ruby and diamond scroll earrings, set with a line of graduated calibré-cut rubies and seven circular-cut diamonds in platinum, clip fittings, 1.6cm wide £3,000-4,000 1972. An early 20th century ruby and diamond brooch, the central section set with calibré-cut diamonds within concentric border of rose-cut diamonds, rock crystal and an outer border of seed pearls in platinum, 3.7cm wide, in Asprey box £1,000-2,000 1973. A French gem-set Egyptian Revival platinum brooch, millegrain-set overall with circular-cut diamonds and depicting a seated female figure set with emeralds, rubies and sapphires, the figure playing a ladle-shaped harp on a pedestal and to the left, a pierced table with flasks and loaves, to the right, a pierced amalgam of motifs and possibly a hyroglyph, the two motifs above and either side of the musician read as T & M, possibly the initials of the recipient, (one diamond and one coloured-stone missing), French platinum control marks, Austrian import mark, 4.5cm wide £4,000-6,000 1974. An early 20th century diamond bow brooch, realistically formed and pavé-set with graduated circular-cut diamonds in platinum, 5.5cm wide £2,000-3,000 1975. An Art Deco diamond-set double clip brooch, of scroll design and set overall with graduated single-cuts, circular-cuts and baguette-shaped diamonds in platinum and yellow gold, 9cm long £3,000-4,000 1976. A pink spinel and diamond ring, the emerald-cut pink spinel weighs 10.10cts (known weight) and flanked with tapered baguette white-stone shoulders in iridium and platinum, size L, case £7,000-10,000 Accompanied by report number 78141-63 dated 22 February 2018 from GCS, London stating that the octagonal-cut pink spinel is a natural pink spinel with no indications of heating 1977. A ruby and diamond cluster ring, the ruby cabochon set within a surround of circular-cut diamonds and baguette-shaped shoulder diamonds in white gold, size N £1,000-2,000

1978. An Art Deco coral and diamond ring, the central cushion-shaped coral panel surmounted with a circular-cut diamond with alternately mounted coral and diamond shoulders in platinum, size O £3,000-4,000 1979. An Edwardian ruby and diamond cluster ring, the centre old circular-cut diamond is millegrainset within a surround of eight smaller circular-cut diamonds within a shaped border of calibré-cut rubies in platinum, size L £1,500-2,000

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1977

1976

1975

1974

1973

1979

1969 1972 1978

1971

1970

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1980. An Edwardian sapphire and diamond pendant, of foliate scroll form and set overall with graduated circular-cut diamonds and six slightly oval-shaped sapphires in platinum, on a fine-link white gold neckchain, with detachable brooch fitting and with screwdriver £5,000-7,000 1981. A diamond ring, the cushion-shaped diamond weighs 3.68cts (known weight) and is set between three baguette-shaped and three small circular-cut diamonds to each shoulder in white gold, size N½ £5,000-7,000 1982. A diamond solitaire ring, the old circular-cut diamond weighs 2.32cts (known weight) and is set in platinum, size Q £3,000-4,000 1983. A diamond three-stone ring, the transitional-cut diamond weighs 1.20cts (known weight), flanked with baguette-shaped diamonds in platinum, size L £2,000-3,000 1984. An Edwardian sapphire and diamond brooch, set with a central cushion-shaped sapphire within twisted diamond laurel surround, quartered with oval-shaped sapphires with diamond terminals in platinum, 4.5cm wide, fitted case £12,000-15,000 Accompanied by report number 12028 dated 20 November 2015 from The Gem & Pearl Laboratory stating that the five sapphires are natural corundum with no indications of heat treatment. Origin: Sri Lanka 1985. A diamond solitaire ring, the cushion-shaped diamond weighs 1.70cts (known weight) and is set in platinum, size N £1,500-2,000 1986. A black opal and diamond brooch, the solid black opal cabochon is set within a graduated border of alternately-set baguette-shaped and circular-cut diamonds in white gold, 3.8cm wide £2,000-3,000 Accompanied by report number E15880 dated 6 December 2013 from Nederlands Edelsteen Laboratorium stating that the half moon-shape cabochon opal measures 23 x 11.3 x 5.5mm and is a natural black opal 1987. A large emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 15.00cts, set within a surround of circular-cut diamonds and diamond-set bifurcated shoulders in platinum, size L approx. case £12,000-15,000 Accompanied by report number 14962 dated 10 November 2017 from The Gem & Pearl Laboratory stating that the emerald-cut emerald is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia

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1980

1982

1981

1983

1985 1984

1986

1987

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1989

1988

1988. A pair of Victorian diamond-set drop earrings in gold and silver, c1870, each designed with a central oval section set with graduated rose-cut and cushion-shaped diamonds with scroll design below, supporting a pear-shaped diamond suspended from a larger square-shaped diamond, which in turn suspends an articulated pearl-shaped diamond, all suspended from a cluster of seven circular-cut £5,000-10,000 diamonds, later screw fittings, 5cm high, later fitted case by Collingwood 1989. A George III diamond necklace, c1800, the graduated flower heads are set with cushion-shaped diamonds in silver and gold cut-down collets, the gold and silver clasp set with a cluster of cushion-shaped diamonds, with fitted box £5,000-10,000 x

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1990. A French diamond hinged bangle, the assymetric raised upper section decorated with scrolling baguette-shaped and graduated circular-cut diamonds pavĂŠ-set in platinum, with outer scrolls of circularcut diamonds in platinum, dividing and separating to be worn as double clips, French control marks and rubbed maker's lozenge, 5.4cm inner diameter, the clips 5cm long ÂŁ10,000-15,000

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1991. A Belle Époque diamond bracelet by Boucheron, the hinged panels centred with laurel leaves within straight line borders and with three foliate sections repeated to the clasp, millegrain-set overall with graduated circular-cut diamonds, also wearable as a bandeau, signed Boucheron Paris, 19cm £8,000-12,000 Provenance: Originally purchased by Ernest George Raphael (1869-1945) for his wife Flora Cecilia, née Sassoon. Famous for his Raphael's Bank, he lived at 38 Hill Street, Mayfair, which is now the Naval Club. They were great socialites and Flora had her portrait painted by John Singer Sargent. The bracelet is currently the property of the Granddaughter of Ernest Raphael. Illustrated left: Flora Cecilia Raphael. Image credit: Sotheby’s

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1992. An early 20th century Egyptian Revival gold tiara, which can also be worn as a choker necklace, designed as scrolling lotus flowers of textured gold with red and green enamel decoration, with graduated circular-cut peridots and centred with an oval-shaped ruby, 36cm circumference, case ÂŁ5,000-7,000

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1993. An impressive French diamond-set floral corsage, 1950s, separating to form two brooches, each piece set with graduated circular diamonds to the leaves and with a central stem and upper tendrils of baguette-shaped and further circular-cut diamonds in white gold and platinum, French control mark and unidentified maker's lozenge mark, initials SC and further unidentified marks, the separated brooches 8.0 and 9.5cm long ÂŁ15,000-20,000

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lifesize

1994. A sapphire and diamond ring by Cartier, the octagonal step-cut yellow sapphire weighs 13.34cts and is set in yellow gold and platinum, signed Cartier, six round brilliant-cut diamonds to each shoulder, size L, Cartier box ÂŁ10,000-15,000 Accompanied by report number 101589 dated 14 August 2018 from SSEF stating that the yellow sapphire is natural and with no indications of heat treatment. Origin: Ceylon (Sri Lanka)

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1995. A French early 20th century diamond bracelet by Maurice Wagenheim, set with a central line of millegrain-set old circular-cut diamonds, the principal thirteen diamonds weigh approximately 8.40cts in total, within pierced quatrefoil panel links pavĂŠ-set with circular-cut diamonds in white gold, maker's lozenge MW and French control marks, 17.2xm long, case by Rood & Co Ltd, total approximate diamond weight 18cts ÂŁ20,000-30,000

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1996

1997

1998

1996. A diamond three-stone ring, the centre cushion-shaped diamond weighs 3.38cts (known weight) and is set with two old circular-cut diamonds which weigh approximately 1.50cts total and set in yellow gold with stylised fleur-de-lys shoulders, size M £8,000-12,000 1997. A diamond solitaire ring, the round brilliant-cut diamond weighs 1.90cts (known weight) and is set in a white gold coronet mount, with maker's mark and Birmingham marks for 1994, size M £4,000-6,000 1998. A pair of old circular-cut diamond-mounted ear studs, the diamonds weigh 4.78 and 4.87cts (known weights) and are set in silver and gold cut-down collets £35,000-40,000

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1999

2000

1999. A late 19th century wild rose brooch, realistically formed with a flower, leaves and a rose hip, set overall with graduated old-cut diamonds in silver and gold, 7cm long ÂŁ3,000-5,000 2000. A late Victorian diamond-set corsage brooch, of floral design and set overall with graduated old circular-cut diamonds in sliver and gold, the two flower heads detach to be worn as hair ornaments, 12cm long, fitted box containing two aigrette prongs (one en tremblant) ÂŁ6,000-8,000

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2003 2001

2002

2001. A marquise-shaped fancy-coloured diamond ring, the diamond weighs 6.14cts (known weight), and is set in white gold with diamond trefoils and small diamonds set to the quarters and shoulders, size M½ £25,000-30,000 Accompanied by report number 78172-61 dated 8 August 2018 stating that the marquise-cut diamond weighs appproximately 5.40cts (estimated from measurements, not the known weight) and is a natural diamond with fancy-intense yellow-brown colour and I1-I2 clarity 2002. A diamond ring, set with a circular brilliant-cut diamond weighing 5.50cts (known weight), flanked with graduated baguette-shaped diamonds in platinum, size M £10,000-20,000 2003. A diamond solitaire ring, the emerald-cut diamond weighs 7.04cts (known weight), claw-set in platinum, London hallmarks for 2004, with inner re-sizing balls, approximately size P½ £12,000-15,000

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2004

2005

2004. A pair of pearl and diamond scroll earrings, each pearl set within a surround of graduated circularcut diamonds and concentric baguette-shaped diamonds in platinum, 2.5cm wide ÂŁ10,000-20,000 Accompanied by report number 78175-64 dated 29 August 2018 from GCS, London stating that the cream pearls measure 8.5 - 8.7 x 7.3 and 8.7 - 8.9 x 7.1 mm and are natural saltwater with no indications of treatment 2005. A pair of sapphire and diamond spray earrings by Boucheron, each set with a central oval-shaped sapphire within assymetrical border of graduated baguette-shaped diamonds in white gold, signed, 2.5cm long ÂŁ12,000-15,000

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2006. A four-row natural pearl necklace, the pearls graduate from 1.80 to 8.00mm, with a gold clasp set with seed pearls, 68.5cm (longest) ÂŁ30,000-40,000 Accompanied by report number 5777-8646 from GCS, London dated 6th February 2017 from GCS, London stating that the cream pearls are natural saltwater with the exception of 10 cultured pearls. Accompanied by report number 90382 from SSEF, Switzerland dated 28th February 2017 stating that the pearls are natural saltwater, with the exception of 10 cultured pearls. Diameters: A: 2.35 - 4.30 - 8.00 - 4.15 - 2.55mm (68.5cm long) B: 2.35 - 3.00 - 6.95 - 3.15 - 2.40mm (65cm long) C: 2.50 - 3.90 - 7.60 - 3.85 - 2.20mm (62.5cm long) D: 1.80 - 3.50 - 6.40 - 3.45 - 2.10mm (61cm long)

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2007. A Victorian diamond tiara, the centre section is set with a pear-shaped diamond within a foliate scroll design set overall with graduated cushion and pear-shaped diamonds and supported by two cushionshaped diamond clusters, on each side a conforming section set overall with graduated cushion-shaped diamonds, mounted in silver and gold cut-down collets, the centre section detaches into the pair of diamond clusters, the section above and the two side sections also detach to be worn as assorted brooches, a pendant and two hair ornaments, 15.5cm wide and mounted on a fabric-bound frame, fitted case by Dobson, with inner compartment containing a diamond-set pendant loop, two brooch and two aigrette fittings ÂŁ20,000-30,000 From the estate of a titled Lady.

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100

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2008. An Edwardian emerald and diamond necklace, converting to a tiara, the five rectangular-shaped emeralds are each millegrain-set within a surround of small circular-cut diamonds in platinum and yellow gold, within open-work Art Nouveau-inspired mounts set with graduated circular-cut diamonds and separated with smaller emerald and diamond drops, the detachable necklace mounted with groups of three graduated circular-cut diamonds and each joined with a diamond-set scroll, with two additional scroll links for the necklace, the centre section detaches which allows it to be worn as a tiara (frame missing), necklace 42.5cm (not including spare links), fitted case by Collingwood ÂŁ40,000-60,000 Accompanied by report number 78176-97 from GCS, London stating that the three principal emeralds are natural with minor clarity enhancement. Origin: Colombia From the estate of a titled Lady.

101

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2009. A late 19th century diamond suite of jewellery, comprising an elaborate diamond necklace, pierced and millegrain-set with graduated old circular-cut diamonds in silver and gold, the central scallopedged section suspending graduated articulated diamonds, the five principal diamonds weigh approximately 2.15cts, 1.50cts, 1.10cts, 1.50cts and 1.45cts, on tapered diamond panels and a diamondset back chain set on knife-edge links, 40cm long, with a matching pair of diamond drop earrings, the upper diamond cluster suspends two articulated diamonds and a diamond quatrefoil in pierced silver and gold setting, 4.3cm long, case ÂŁ40,000-60,000

102

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103

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2010. A late Victorian diamond rivière necklace, the graduated cushion-shaped diamonds are set in silver and gold cut-down collets, the nine principal diamonds weigh approximately 19.40cts total, the seven centre principal diamonds detach individually and have separate fittings, 52cm long, fitted case by Collingwood £40,000-60,000 From the estate of a titled Lady.

104

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105

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FINE SILVER & OBJECTS OF VERTU Tuesday 30th October 2018

A Victorian cast silver hound head stirrup cup, by Robert Hennell, London 1874. Estimate: £6,000 - £8,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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JEWELLERY BY DESIGN THE COLLECTION OF DR. ANNE SHANNON Wednesday 31st October 2018

A gold 'Helios'-inspired Revivalist brooch by Melillo, c.1870 Estimate: £2,000 - £3,000 A pair of gold Etruscan Revival earrings attributed to Melillo, c1870 Estimate: £2,000 - £3,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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FINE CHINESE PAINTINGS & CALLIGRAPHY Tuesday 13th November 2018

YANG FEI YUN (1954-) THE NORTHERN GIRL Chinese painting, oil on canvas 88cm x 70cm Provenance: Purchased by Dame Anita Roddick (1942-2007) c.1990 from Hefner Galleries Inc., New York. Exhibited in 1987 at the inaugural 'National Oil Painting Exhibition' in Shanghai, winning the first prize. Exhibited in 1988 at the Hefner Galleries Inc. New York. Estimate refer department ENQUIRIES Freya Yuan-Richards | Tel: +44 (0)1722 424589 | fyr@woolleyandwallis.co.uk

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JAPANESE WORKS OF ART

Wednesday 14th November 2018

A rare pair of Japanese articulated menuki sword ornaments, Edo period (1603-1868), 4,7cm. Provenance: Christie’s London, the Hartman Collection of Japanese Metalwork, 30th June & 1st July 1976, lot 559. Estimate: £3,000 - £5,000

ENQUIRIES Alexandra Aguilar Doméracki | Tel: +44 (0)1722 424583 | aad@woolleyandwallis.co.uk

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ARMS & ARMOUR, MEDALS & COINS Wednesday 21st November 2018

The Great War ‘Hundred Days Offensive’ Military Cross group to Captain J. A. Cheston, Royal Fusiliers. Estimate: £700 - £1,000

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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BRITISH ART POTTERY

Wednesday 12th December 2018 Closing date for entries, 19th October

Kate Malone, Baby Heart Pods I and III, two earthenware vessels. Estimates: £250 - £350 each

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Valuations

LONDON, ANDOVER & WINCHESTER

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Amanda Lawrence 01722 424509

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Sarum Business Park

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

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Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Fine Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 1st November 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar JEWELLERY 31st October 2018 – The Jewellery Collection of Dr. Anne Shannon 1st November 2018 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 3rd October 2018 9th January 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk SILVER 30th October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th February 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk