Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery & Watches

Thursday 20th July 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Charlotte Glyde

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Natalie Milsted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

424500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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JEWELLERY & WATCHES

Thursday 20th July at 11.00am VIEWING TIMES Saturday 15th July Monday 17th July Tuesday 18th July Wednesday 19th July Thursday 20th July

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% incl VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 19th July. LIVE BIDDING ILLUSTRATIONS Front cover: Lot 1894 Back cover: Lot 1895 Inside cover: Lot 1885 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 19th July. Please note there is a 3% +VAT surcharge for using this service.

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Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 26.4% inclusive of VAT @ 20%

1499. Thirty-one original jewellery designs, gouache on tracing paper. One stamped 'Henri Cottenot, Paris'. ÂŁ200-300

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1500

1500. BOARDMAN, J., Greek Gems and Finger Rings: Early Bronze Age to Late Classical. London: Thames and Hudson: 1970. £100-150

1501

1501. A collection of thirteen jewellery books, comprising: AKIBA, T., Victorian Jewellery. 1980. (Japanese text) BAARSEN, R.J. & VAN BERGE, G., Juwelen/Jewellery 1820-1920. Amsterdam: Gary Schwartz/SDU's-Gravenhage: 1990 BECKER, V., Antique and Twentieth-Century Jewellery: A guide for collectors. London: N.A.G. Press: 1987 CONTENT, D.J., Glyptic Arts - Ancient Jewellery: an annotated bibliography. Maine: Crow Hill: 1985 FIELD, L., The Queen's Jewels: The Personal Collection of Elizabeth II. London: Guild Publishing: 1987 GERE, C. & MUNN, G. C., Pre-Raphaelite to Art & Crafts Jewellery. Suffolk: Antique Collectors Club: 1996 HAWKINS, J.B., Thomas Cole: Victorian Clockmaking. Sydney: By the author: 1975 (Signed) JACQUET, E. & CHAPUIS, A., Technique and History of the Swiss Watch. London: Hamlyn Publishing Group Ltd: 1970 MILLER, J., Costume Jewellery. London: Dorling Kindersley Ltd: 2003 Poinçons d'OR et de Platine. TARDY: 1942 SOMERS COCKS, A., An introduction to Courtly Jewellery. London: The Compton Press & Pitman House Ltd: 1980 £60-80

1502. Fifty-three assorted jewellery and watch books.

£80-120

1503. A seven graduated drawer wooden cabinet, W 59cm x H 43cm x D 41cm, front opening and containing various items of jewellery, costume jewellery, loose stones etc. £600-800 1502

1503

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1504. A leather jewellery casket with Bramah lock containing various items of jewellery, including a pair of heart-shaped peridot earrings suspended from gold leaf-form mounts, fitted case. A George III textured gold link bracelet with turquoise-set barrel clasp and an early 20th century oval gold locket pendant applied with a gold floral group set with seed pearls with a fine multiple-link gold chain necklace. A 15ct gold curb-link bracelet with 15ct gold padlock clasp. A coral bead single-row necklace with a coral bead mounted gold ring, a two-row cultured pearl necklace, a pair of gold clasps, a cultured pearl-mounted gold wishbone brooch, assorted bead necklaces and loose beads etc. £500-700 1505. A leather jewellery box by Fischer with two removable sectioned trays and Bramah lock and containing various items of jewellery, including a plaited hair bracelet with turquoise and rubyset gold mounts, circa 1820. A gold circular locket pendant with seed pearl border. A smaller oval gold locket pendant containing hair and with enamel decoration. A crescent and shamrock brooch set with diamonds, a sapphire and a ruby. A flaming bomb design bar brooch mounted with a small pearl and rose-cut diamonds. A pentagonal silver gilt locket pendant. An opal cameo depicting a Roman soldier, of female slavery interest. A clear glass intaglio depicting a kneeling black woman in chains within the motto ‘Am I not a woman and a sister’,1.5cm high. A George III silver vinaigrette with pierced grill, marked for Birmingham 1775, 2.8cm wide. A gold brooch mounted with three oval moss agates, plaques etc. £300-500

1504

1506. A wooden jewellery casket with two lift-out fitted trays, the jewellery includes a gold fine-link longuard chain, 200cm long. An unusual propelling pencil by S. Mordan & Co, housed in a carved tiger’s eye acorn. Schloss’s English Bejois miniature almanac, 1.4 x 2.0cm, 62 pages, the covers with green, red and gold decoration with conforming slipcase and green leather fitted box (broken), 3.5 x 4.5cm and containing a miniature tortoiseshell magnifying glass. A pair of carved jade-mounted gold earrings. A ring mounted with three green paste stones and various items of jewellery, costume jewellery, etc £300-500 1507. A green leather jewellery box with Bramah lock and hinged opening trays (broken), including a 19th century diamond-set flower head gold brooch, a Regency gold mourning ring with engraving to Michael Castle, dated 1821. A bloodstone mounted gold signet ring. A silver mounted fire opal. A double Stuart crystal mounted silver cufflink and various other items of jewellery, costume jewellery etc. £200-300 1505

1506

1507

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1508

1509 1508. Seventy-nine assorted jewellery boxes, including two Cartier ring boxes. £100-150 1509. A large quantity of jewellery boxes, including ring and necklace boxes. £100-150 1510. A collection of fifteen miniature portraits, including a gentleman wearing a short wig, brown jacket, white laced cravat and orange sash with two orders, probably French, 3.5cm high. An officer in blue tunic with silver epaulettes, 4.2cm high, gold frame. Painted on porcelain, a gentleman wearing a red velvet hat, open white shirt and black robe, 4.5cm high. A lady with pearls to her hair in the manner of Cosway, 4cm high. An oval enamel plaque depicting Hebe and Zeus as an eagle drinking from her chalice on brown ground, 2.5cm high. A similar enamel plaque painted with the head of a gentleman with hair tied with a bow. A gentleman painted on porcelain in the manner of Charles II, 3.3cm, £300-500 framed. Eight further portraits and a filigree metal frame. 1511. A collection of 18th and 19th century enamel painted plaques, including a pair of gold shaped square-form discs each painted with a child to both sides and pierced with six holes, 2cm wide. An oval plaque painted with Britannia holding a shield illustrating King George III, 5.5cm wide. A plaque depicting La Cruche Cassee by Grenze Jean Baptiste. Another similar plaque on pink ground with a young gentleman presenting a seated girl with flowers amongst a classical scene, 4.0cm high. A navette-shaped gold plaque (damaged border) depicting a girl with lion in white pellet border, 3.5cm high. A convex rectangular gold plaque painted with a couple in the classical manner, damaged, 3.5cm wide. Eight further enamel plaques, a portrait miniature of a lady with parrot, a portrait miniature of a £300-500 ship in coastal scene and four gold frame mounts.

1510

1511

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1512 1512. A collection of ten Wedgewood and Bentley intaglios, depicting the heads of various classical figures, signed to the reverse. Various other intaglios, cameos and hardstone plaques. Two cased sets of 9ct gold studs, a 9ct gold fountain pen by Cross with leather pouch. £100-200 1513. A George III seed pearl-set tremblant foliate brooch, 8cm high. A George III seed pearl-set butterfly brooch. A George III seed pearl-set floral brooch and a George III seed pearl-set stylised giardinetto brooch. £200-300 1514. A pair of floral engraved emerald bead-mounted gold earrings, a pair of gold cufflinks, engraved with initials and a three row amethyst bead necklace. £200-300 1515. A turquoise and seed pearl half hoop ring, alternately set with turquoise and seed pearls in yellow gold. Size R½. A 9ct gold doormouse brooch. An Edwardian seed pearl-set gold closed crescent brooch. A gold fox mask brooch. A gold stock pin. A pair of cultured pearl-set earrings and four other brooches. £150-200

1513

1514 1515

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1516 1518

1517 1516. A diamond five-stone ring, set with graduated old circular-cut diamonds in platinum. Size P. A diamond half hoop ring, set in yellow gold, size P½. A pair of silver earrings by Georg Jensen, design number 371A. A silver pendant. A white stone ring. A cultured pearl bar brooch in fitted case. And a lady’s white gold wristwatch £400-600

1519

1517. A gold locket pendant, on a fine-link gold neck chain, with eight other gold pendants, a silver chain, and twelve pairs of gem-set gold earrings. £400-600 1518. An Art Nouveau gold stick pin, of foliate design and set with a pearl. A ruby and diamond horseshoe brooch. An agate stickpin carved in the form of a shell and set with a cultured pearl, and a seed pearl and turquoise mounted stickpin. £200-300 1519. Thirteen gem-set gold pendants, including: two diamond cluster pendants, two ruby and diamond pendants, a fire opal pendant, an amethyst and diamond pendant, an emerald and diamond cluster pendant, and six blue stone pendants. £400-600 1520. A Regency swivel gold mourning ring, of rectangular form and centred with a glazed locket of hair in gold and border of the words, “died 22 Sep 1817 aged 64”, glazed locket compartment to the reverse and gold initials within foliate scroll border. Carved foliate scroll shoulders. A Regency gold mourning ring with black enamel decoration and spelling the words, “in memory of”. A George III gold mourning ring with damaged enamel decoration. A small gold mourning brooch and an oval locket pendant. With a ring box. £200-300

1520

1521. A diamond solitaire ring, the oval-shaped diamond (chipped) is set in platinum. A cushionshaped diamond-set 18ct white gold solitaire ring. A gold ring set with an emerald and two diamonds. A pair of gold earrings mounted with mabe pearls and a pierced white gold brooch set with small diamonds, cased. £400-600 1522. A diamond bracelet, set with navette-shaped sections set with circular-cut diamonds in white gold. 19cm long. A diamond line bracelet. A pair of diamond earrings. A tourmaline and diamond ring, size N. A tourmaline and diamond pendant and a sapphire and diamond cluster ring, £600-800 size N. 1523. Two small gold pendants set with diamonds, eight assorted stone set pendants set in gold on fine-link gold chains. £300-400

1521

1522

1523

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1524 1526

1524. A citrine mounted ring, set in platinum and white gold, size L. An Edwardian ruby and seed pearl heart brooch. An opal solitaire ring. Size J. A pair of white opal earrings. A seed pearl and diamond wreath brooch. A pair of blue enamel and gold forget-me-not earrings. A heartshaped moonstone and seed pearl gold brooch suspending a 19th century seed pearl mounted £200-300 circular-locket with purple enamel depicting a dog and doves amongst foliage. 1525. A diamond five-stone ring, size L. A cultured pearl, ruby and diamond stickpin. A George III gold brooch, set with amethysts and seed pearls (pin missing). A gold brooch set with a diamond and seed pearls. An Edwardian silver and gold chain set with blue stones, and an oval-shaped brooch set with paste. £200-300 1526. Assorted jewellery including an approximately 0.98ct round brilliant-cut diamondset yellow and white gold solitaire ring. A diamond three-stone diamond ring set in gold. A diamond solitaire ring set in gold. A diamond five-stone ring set in white gold. A white gold bar brooch set with three round brilliant-cut diamonds. Six further gem-set rings. A pair of cultured pearl-set earrings. Three pendants. A cultured pearl necklace with a cultured pearl and diamond white gold clasp and a cultured pearl necklace with a barrel-shaped clasp. £800-1,200

1525

1527. A diamond three-stone ring, a George III garnet-set mourning brooch, with glazed locket compartment containing hair, a sapphire and seed pearl-set gold oval brooch, a pair of sapphire drop earrings, and an aquamarine-set gold bar brooch. £200-300 1528. An Edwardian circular gold brooch set with seed pearls and centred with a circular-cut peridot, 3.5cm wide. A yellow and white gold bar brooch set with diamonds and red stones, cased. And a heart-shaped amethyst and seed pearl-set gold heart brooch with a small 9ct gold key pendant. £300-400

1527

1529. A group of paste-set jewellery including a bracelet, three pairs of earrings, two cruciform pendants and a brooch converted from a shoe buckle. £60-80 1530. An Edwardian ruby and diamond coronet bar brooch, 5cm wide. And a gem-set gold bar brooch, set with trefoils of rubies, emeralds and diamonds, and seed pearls in yellow gold. 4.5cm wide. £400-600 1531. A Victorian silver and gold butterfly bar brooch, the butterfly set with diamond wings and a ruby and sapphire body, with a blue stone to the bar brooch. With a cultured pearl mounted gold ring, size N. And a ruby and diamond half hoop ring. Size O½. £300-400 1528

1529 1530

1531

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1535 1532 1533

1532. A pearl and enamel gold star brooch, four pairs of cultured pearl earrings, a white opal mounted gold ring, size N. And a paste starburst brooch. £200-300 1533. A small pendant mounted with a miniature painting, probably on porcelain depicting King Charles II with Queen Catherine of Braganza, 2.2cm wide. A George III gold mourning ring centred with a glazed locket containing plaited hair within two rows of seed pearls, size M. An early 19th century mourning ring with black and white enamel decoration, cased. A snake clasp and four further gold mourning brooches. £200-300 1534. A 19th century large shell cameo brooch, depicting cherubs with the flaming sword guarding the way to the tree of life at the east of Eden, in a gold frame. 8cm high. With a shell cameo mounted gold ring and earrings and a glass cameo mounted gold brooch. £300-400

1534

1535. A 19th century gold mourning ring, set with an old cushion-shaped diamond within black enamel border and the words ‘IN MEMORY OF’ on black enamel around the yellow gold shank. With description to the interior dated 1854 and London marks for 18ct and 1854. Size M. A yellow gold ring set with turquoise cabochons, size N½. A 19th century gold ring, set with four turquoise cabochons. Birmingham marks for 9ct and 1866. Size M. A gold bar brooch, set with an enamel parrot and a pearl in yellow gold. A gold brooch for the Lancashire Fusiliers. An aventurine quartz necklace on fine-link gold chain, and a turquoise cabochon necklace on fine-link gold neck chain. £200-300 1536. A Victorian pearl mounted gold bangle, an oval-shaped brooch designed with concentric circles of white pastes surrounding an oval-shaped purple paste stone. A gold stickpin set with a diamond. A gold stickpin set with a ruby and a diamond. A gold horseshoe stickpin and silver brooch designed as a swallow set with red stones. £80-120

1536

1537. An Edwardian gold pendant, set with two garnets and seed pearls, on a twisted rope design gold chain. Two gold watch chains. Two seed-pearl mounted gold brooches. A gold shield pendant for the Morcom cup. A gold locket. A gold wristwatch on a metal band. A fob seal. A cased set of studs (damaged and missing) and three other brooches and a coin pendant. £200-300 1538. A 19th century 15ct gold bangle, with ropetwist and pellet decoration. An Edwardian seed pearl and turquoise gold brooch-pendant. A 19th century gold snake bangle, the body (damaged) formed from coils of ropetwist decoration. And a shell cameo in gilt metal frame. £100-200

1538

1537

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1540

1539

1539. A gem-set yellow gold giardinetto brooch. A sapphire ruby and diamond-set gold brooch designed as a wheatsheaf. A gold penknife. Four shell cameo brooches, a shell cameo pendant and a shell cameo ring. A gold fob seal mounted with a carnelian intaglio carved with the profile of Edmond Halley. And a gold cased fob seal set with a carnelian intaglio carved with the portrait of a lady in the classical manner. £400-600 1540. A garnet-set gold brooch with three pear-shaped garnet pendants, a George III gold cruciform pendant set with nine oval-shaped garnets, a pair of garnet-set base metal drop earrings and a gold-plated pendant with enamel sailing motif, 2.5cm high. Fitted case by Garrard. £100-150

1541

1541. A diamond five-stone ring, the graduated old circular-cut diamonds are set in carved and pierced yellow gold shank. With London marks for 1978. Size L. £200-300 1542. A diamond three-stone ring, (broken) the graduated old circular-cut diamonds are millegrain-set in platinum and yellow gold. With a small section of a broken ring mounted with three graduated old circular-cut diamonds. £100-150

1542

1543. A turquoise and diamond half hoop ring, set with three graduated oval-shaped turquoise cabochons and four circular-cut diamonds in carved and pierced yellow gold shank. Size L½. With a synthetic sapphire and diamond cluster ring, the circular-cut synthetic sapphire is set within a surround of circular-cut diamonds in silver and gold. Size M. £200-300 1544. A sapphire full circle eternity ring (one stone missing), set in yellow gold, size P. A matching ruby full circle eternity ring. Size O½. And an opal five-stone ring, set in yellow gold, size N½. £200-300

1545. Twelve assorted gold rings, including: a 19th century mourning ring, a pearl and emerald half hoop ring, an opal seven-stone ring, an opal three-stone ring, a bolder opal mounted gold ring, a shell cameo mounted gold ring, a coral and seed pearl ring, a diamond ring (damaged) a garnet gypsy ring, a pink and green-stone ring. A twisted rope design gold ring. A plain gold band. £500-700

1544

1545

1543

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1547

1546. Three gem-set gold pendants and eight gem-set gold and silver rings, including: an amethyst mounted gold ring, size S. A smoky quartz mounted silver ring, size Q. An amethyst mounted gold cluster ring, size O. A smoky quartz mounted gold ring, size M. A shell cameo gold ring, size Q. A garnet-set gold cluster ring, size M½. A sapphire and opal gold cluster ring, size P½. A nephrite intaglio ring, size Q. An opal-set gold pendant on a fine-link gold chain. A smoky quartz mounted gold pendant on a metal chain. And an aquamarine mounted gold pendant on a fine-link gold chain. £300-400

1546

1547. Nine gem-set gold rings, including: a diamond solitaire ring, set in yellow gold size L½. A sapphire and diamond three-stone ring, set in white gold, size M. A diamond three-stone ring, size K. A sapphire and diamond cluster ring, size P. A ruby and diamond half hoop ring, size P½. A sapphire and diamond three-stone ring, size O½. An emerald and diamond half hoop ring, size N½. An emerald and diamond seven-stone ring, size N. And a sapphire and diamond half hoop ring, size O½. £300-400 1548

1548. Five diamond rings, including: a diamond solitaire ring, the old circular-cut diamond is set in platinum and gold. Size L½. A diamond half hoop ring, the central panel set with two lines of circularcut diamonds with gold borders. Size O½. A diamond five-stone ring set in yellow gold. Size O½. A diamond seven-stone ring, set in white gold. Size M½. A diamond half hoop ring, set with two lines of circularcut diamonds in white gold. Size U. £400-600

1549

1549. Seven antique rings, three gold rings set with a topaz, rock crystal and citrines, a gold glazed ring mounted with plaited hair, a gold ring set with pyrite, a gold ring set with white paste stones and a repair gold ring set with an opal. £300-400 1550. An opal and diamond half hoop ring, set with four old cushionshaped diamonds and three graduated opal cabochons. Size T. An opal triplet ring mounted in yellow gold. Size S. £200-300

1550

1551. Twenty-six gem set gold rings, including an emerald and diamond half hoop ring, three diamond half hoop rings, four gold rings, five sapphire and diamond rings, a garnet three-stone ring, an opal doublet mounted gold ring, a smoky quartz mounted gold ring, two ruby and diamond half hoop rings, two opal and diamond rings, a purple and white stone cluster ring, a white stone full circle eternity ring, an amethyst and opal half hoop ring, a seed pearl and peridot £600-800 cluster ring and two aquamarine and diamond rings. 1552. Ten gem-set gold rings, including two diamond solitaire rings, two sapphire and diamond cluster rings, an emerald and diamond cluster ring, two ruby and diamond cluster rings, a sapphire and diamond three-stone ring, a diamond five-stone ring, and an emerald and white stone cluster ring. £400-600

1552 1551

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1554 1553

1557

1553. A 9ct gold military style brooch designed as a sun in splendour, centred with a crown containing a partly drawn sword with blue and red enamel decoration. 3cm wide. £100-200 1554. An emerald-set gold bracelet, designed as five articulated lines of textured and plain gold links, set with twelve emeralds. Stamped 750. 20cm long. 40g. £400-600 1555. An early 19th century gold fancy link necklace, 56cm long and a gold-plated fancy-link necklace, 37cm long. £300-400 1556. An 18ct gold curb-link bracelet, with a gold heart-shaped clasp. A gold twisted rope design neck chain. And a 19th century gold cased fob seal mounted with a bloodstone matrix carved with an anchor and the motto ‘The favourable time will come’. £400-600

1555

1557. A 19th century gold fine curb-link longuard chain, £250-350 mounted with turquoise cabochons, 140cm long. 1558. An Art Nouveau gold fob brooch, a gold fob brooch designed as a stylised bow and a silver and gold coronet fob brooch set with diamonds and pearls. £400-600 1559. An 18ct gold curb-link bracelet, 58g. 18.5 cm. £800-1,200 1560. A pair of gold filigree hoop earrings, a naturalistically formed gold leaf brooch, and a pair of figurative gold earrings. £200-300

1556

1558 1559 1560

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1562 1561 1561. A 9ct gold pendant mounted with an 1893 sovereign, on a fine-link gold chain. An 1895 sovereign mounted in a 9ct gold ring. A 9ct gold gate link bracelet mounted with a 1914 half sovereign. A 1958 sovereign mounted gold pendant. A 9ct gold gate link bracelet approximately 87g in total. Three gold bracelets mounted with assorted stones and a silver charm bracelet. £700-900 1562. A gold charm bracelet mounted with assorted gold charms including a twisted fob seal, a watch key, a propelling pencil and a half sovereign. With six loose charms. 145g (total). £600-800

1563

1563. A 9ct gold cigarette case, of rectangular form with rounded corners and engine turned decoration. Birmingham marks for 1922. With another 9ct gold cigarette case, engraved with the arms of Cambridge University. Birmingham marks for 1919. 158g in total. £1,000-1,500

1564. A lady’s gold mounted toilet set, incorporating two brushes, a tortoiseshell comb, a nail buffer, a tongue scraper, and a mirror, and perfume bottle. All mounted in 9ct gold with engineturned decoration. £200-300 1565. A pair of oval-shaped 18ct yellow gold cufflinks, the solid gold discs are alternately engraved with the intials T and E. Maker’s mark G & S. Co. Ltd. London marks for 1918. 19g. Case by Sharman D. Neill Ltd. £200-300 1566. A pair of yellow gold cufflinks, engraved with a helm crest, approximately 12g, case. A pair of 9ct gold cufflinks with engine turn decoration, approximately 6g. £200-300

1564

1565 1566

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1567

1568

1567. A pair of 18ct gold cufflinks, each oval-shaped disc is engraved with a crest or initials, Garrard box. A set of five gold dress studs, three set with a diamond, fitted case. £200-300 1568. A collection of single and pairs of dress links, including a pair of French ruby-set gold studs with black enamel surrounds, a pair of diamond and lapis lazuli mounted platinum studs and a pair of gold dog’s head-mounted bloodstone gold studs, a pair of French five-sided garnet and rose-cut diamond-set small studs, a pair of French faceted crystal studs each applied with a ruby-set gold cross, a pair of seed pearl and lapis lazuli mounted gold and platinum links, a pair of cabochon sapphire-mounted frosted circular crystal disc studs with gold mounts and various others. £600-800

1569

1569. A pair of 9ct gold cufflinks, of rectangular design, set with textured gold. London marks for 1969. With another pair of cufflinks. £100-200 1570. A paste set floral bracelet, comprising three tremblant flower heads with green enamel decoration to the leaves. 20cm. £200-300

1570

1571. A silver necklace and matching bracelet, the circular disc form links are each centred with a green banded agate cabochon. Signed with initials to the reverse ‘DGH’ for ‘Danske Guldsmedes Haandvaerk’. The bracelet 20.5cm, the necklace 41cm. £200-300 1572. A 19th century gilt metal, hardstone and paste bracelet. designed as two lines of eleven octagonal glass or hardstone panels. (one loose and mount broken). 18cm long. £100-200 1573. A gold mounted amethyst pendant with a gold fine-link neck chain, the neck chain 52cm. £200-300

1572

1574. A gold necklace suspending five graduated oval-shaped citrines, and a pair of circular citrine-mounted gold earrings suspended from gold flies. £400-600

1574 1571

1573

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1575 1578 1576 1575. An 18ct gold hunting-cased stem-wind pocket watch by Victor Kullberg, the signed white enamel dial numbered ‘6914’, black Roman numerals, subsidiary seconds dial and power reserve dial to 24 hours. The three-quarter plate movement signed and addressed for ‘105 Liverpool Road, London, maker to the Admiralty’ and numbered ‘6914’. The 18ct gold case initialed for ‘F.T.’ and marked for London 1819. The front case with enamel initials ‘S.A.O.’. 4.2cm wide. Fitted leather case and silk liner listing various appointments and awards. £2,000-3,000 1577

1576. A gold hunting-cased pocket watch, the white enamel dial signed ‘Tiffany Geneva’ and repeated to the movement numbered 59680. £800-1,200 1577. An 18ct gold open-faced pocket watch with chronograph, the white enamel dial with black Roman numerals and signed ‘Samuel Quilliam & Sons’. The movement signed ‘Saml Quilliam & Sons Liverpool’ and numbered 24820. Cased marked for Chester 1888, engraved with initials to the reverse. 5.4cm diameter. £600-800 1578. A hunting-cased pocket watch with chronograph, the white enamel dial signed ‘Chas W. Webster’.5.5cm long. £400-600 1580 1579. An 18ct gold hunting-cased key-wind pocket watch by J.J. Durrant, signed white enamel dial with subsidiary seconds dial. Three-quarter plate movement signed, addressed '40 Cheapside, London' and numbered '3117'. Missing pendant stem. 4.8cm wide. Fitted case. £400-600

1579

1580. A 9ct gold open-faced dress pocket watch, subsidiary seconds dial. 4.5 cm wide. £600-800 1581. An early 20th century lady’s enamel fob watch by LeCoultre & Cie, decorated with blue enamel (damaged) and a gem-set coronet above two shields bearing the initials E and H. The reverse decorated with blue enamel and realistically carved lilies. Signed movement. 5cm high. Case. £400-600

1581

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1582

1582. An 18ct gold open-faced key-wind fob watch, the gold dial centred with an engraved foliate section, black Roman numerals within a three colour gold foliate scroll border. The movement signed ‘W. Manning, Worcester’ and numbered ‘3225’. Chester marks for 1851. An 18ct gold openfaced key-wind fob watch, centred with an engraved foliate design with gold Roman numerals and scroll border. The movement signed ‘Richd Hornby’. 41 Poole Lane, Liverpool’ and numbered ‘27394’. Chester marks for 1855. 4cm wide. £300-400

1583

1583. A pair-cased silver pocket watch, the white enamel dial with black Roman numerals. The movement signed ‘Henry Bonson’ and numbered 25818. The case marked for London, 1806. An open-faced silver pocket watch, the white enamel dial with subsidiary seconds dial, the dial signed ‘Braund of Dartford’ and numbered 3068, the cased marked for London, 1841. An open-faced silver pocket watch, the white enamel dial with subsidiary seconds dial signed ‘Henry Band Jr, London’ and numbered 5948. The movement signed ‘Henry Band Junr. Chronometer Maker, London 5948. The case marked for London, 1876. An open-faced silver pocket watch, white enamel dial with subsidiary seconds dial signed ‘John Forrest, London’. The movement signed ‘John Forrest, Maker to the Admiralty’ and numbered 71838. Case marked for London, 1887. And a silver fob watch, marked for London, 1885. £200-300

1584

1584. A Rococo style gold and gold-cased watch key pendant mounted, with an amethyst and suspended from a fine-link gold chain, 2.5cm long. A gold and gold-cased double-sided stone-set swivel fob watch key, two further gold-cased stone-set watch keys and a Regency gold-cased watch key with open oval stem. £400-600 1585. An 18ct gold open faced stem wind pocket watch, with chronograph, the white enamel dial with black Roman numerals and swing recording. ¾ plate movement. Numbered 125178. London marks for 1886. Engraved with initials to reverse. 4.8cm wide. With a lady’s 9ct gold wristwatch, the plain white dial with Arabic numerals on mesh band. £400-600

1585

1586. A sterling silver purse watch by Movado, the square dial with luminous Arabic numerals, signed ‘Movado, Chronometer Ermeto’. Manual winding and the cased numbered ‘193485’. London import marks for 1927. The case with engraved with wicca wear style decoration. 4.5cm (closed). £200-300 1587. A lady’s 18ct gold wristwtch by Omega, the rectangular black dial signed ‘Omega’ and with Arabic numerals. The case signed ‘Omega’ and numbered £200-300 ‘9400056’. 2.3cm high.

1586

1587

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1589

1590

1588

1588. A lady’s 9ct gold wristwatch by Longines, the signed plain oval dial with baton numerals. Integrated 9ct gold band. Longines case. £300-400 1589. A lady’s Art Deco diamond-set platinum dress wristwatch, engraved to the reverse with initials. Chord band. £400-600

1591

1590. A lady’s cocktail wristwatch by Longines, the signed circular dial with baton numerals. Set within a surround of circular-cut diamonds and eight diamonds set to the textured white gold band. 16cm long. £300-400 1591. A lady’s 9ct gold wristwatch by Rotary, on brick-link gold band. Manual movement. A gold foliate brooch set with cultured pearls. A gold wristwatch on a leather band. A silver wedding band. And a silver necklace suspending a line of graduated citrines. £300-400 1592. A steel Rolex Oyster Precision wristwatch, the signed dial with alternate baton and Roman numerals. Swing seconds hand, luminous hands and numerals and expanding steel band. A steel wristwatch by Tudor with signed dial, sweep seconds hand and luminous minute and hour hands and expanding steel band. £300-400

1592

1593. Six assorted wristwatches, by Cartier, Benson, Omega, Baume & Mercier and Wempe. £200-300 1594. A Longines Evidenza steel wristwatch, the guilloche decorated tonneau dial with black Arabic numerals, swing seconds hand, date aperture and power reserve indication, automatic movement, leather band, Longines case. A Raymond Weil rectangular faced steel wristwatch, quartz movement, leather band, Raymond Weil case. An Omega Seamaster steel wristwatch, quartz movement and date aperture, Omega case. £200-300

1593

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1595

1594 1595. A three row cultured pearl necklace by Garrard & Co, the well-matched pink cultured pearls graduate. With a diamond-set platinum and gold clasp signed with G & Co, with London import marks for 1995. 43cm longest. £200-300

1596

1596. A two row cultured pearl necklace, the pearls measure approximately 9.5mm. 47cm long. The gold clasp set with an ovalshaped amethyst within a surround of rose-cut diamonds and a £100-150 further border of emeralds. 1597. A collection of untested pearls and seed pearls, with eight short strands attached to a gold tongue clasp and two graduated pearl necklaces without clasps. £200-300 These pearls have not been tested and are not guaranteed to be natural saltwater. 1598. Three graduated single row cultured pearl necklaces, 45, 50 and 54cm long. Two gold bar brooches set with sapphires and seed pearls. £200-300

1597 1598

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1600 1599

1601

1599. A 19th century well detailed carved coral lion mask, damaged tongue. 2.2cm wide. £200-300 1600. A carved coral and diamond ring with matching earrings, the oval-shaped pink corals have carved swirl decoration and set within a surround of small brilliant-cut diamonds in gold. Ring size O. £400-600 1601. A pierced and carved jade plaque pendant, gold mount. 4.2cm high. 1602. A single row jade bead necklace, the jade beads graduate from 5.07 to 9.42mm, 78cm long. With a pair of jade earrings, mounted in gold. And a jade-mounted gold foliate brooch. 5cm long. £100-150 1603. A single-row jade bead necklace, the pale green jade beads graduate from 7.11 to 9.77mm, with a metal clasp. 56cm long. £80-150 1604. A single row oval graduated amber bead necklace, 77cm, 58g. £200-300 1602

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1605. A single row graduated amber bead necklace, the spherical beads graduate from 6.2mm to 16.4mm. 27.2g, 44cm. And two further amber bead necklaces, 60.5g. £200-400 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1606. A very large hinged bangle set overall with citrines and small rubies, silver coloured metal. Internal diameter 6cm. £200-300

1603

1606

1604

1605

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1609

1608 1607 1607. An Edwardian seed pearl-set floral gold necklace, suspending a conforming and detachable pedant. On a fine-link twisted rope design gold neck chain. 41cm. £400-600

1610

1608. A tourmaline pendant, the oval-shaped deep orange tourmaline is set in gold, on a fine-link yellow gold chain. 42cm long. £100-150 1609. A diamond-set bar brooch, the three graduated centre circular-cut diamonds are set with smaller diamonds to the shoulders. Platinum on gold. Cased. £200-300

1611

1610. A gem-set floral brooch, set with rubies, diamonds and sapphires with yellow and white gold leaves. 5cm. £600-800 1611. An Art Nouveau gold and enamel bracelet, each oval-shaped panel is mounted with a flower head with enamel decoration and a small diamond. 19cm. £300-400 1612. A pair of ruby and diamond cluster earrings, the oval-shaped rubies are set within surrounds of twelve small diamonds in white gold. £200-300

1612

1613. A gold pendant by Murrle Bennett & Co, the circular pendant centred with a sapphire within a surround of seed pearls and further sapphire drop. 2.2cm diameter. £100-150 1614. An early 20th century articulated gold pendant, set with graduated circular-cut and rose-cut diamonds, on a fine-link gold neck chain. £200-300 1615. A diamond-set pendant on a fine-link gold chain, the round brilliant-cut diamond is set in yellow gold. £400-600 1616. A pair of sapphire and diamond clip earrings, of scroll design and set with lines of circular-cut diamonds and a line of oval-shaped sapphires in platinum and white gold. 1.7cm long. £400-600 1617. A diamond-set gold floral brooch, the centre old brilliant-cut diamond weighs approximately 1.90cts and is set with further smaller diamonds to the yellow gold mount. 4cm wide. Garrard box. £2,000-3,000

1613 1614

1618. A cultured pearl and diamond pendant, the pearl suspends from a cushion-shaped diamond and smaller diamonds in white gold. fine-link white gold neck chain. £400-500

1616 1615

1617 1618

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FINE JEWELLERY

Thursday 26th October 2017 Entries are now being accepted

TO BE INCLUDED IN THE OCTOBER SALE An Art Deco diamond set giardinetto brooch. Estimate: £6,000 - £8,000

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TO BE INCLUDED IN THE OCTOBER SALE An Art Deco diamond and emerald pendant, the triangular diamond weighs 3.14cts. Estimate: £12,000 - £15,000

ENQUIRIES Charlotte Glyde | Tel: +44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1619. An early 20th century aquamarine brooch, the oval-shaped aquamarine set within a surround of pearls and foliate engraving to the reverse of the gold mount. £400-600 1620. A graduated opal bead necklace, the solid white opals are set either side with rock crystal rondels. The clasp set with three rose-cut diamonds. 44cm long. £400-600 1621. A gold half-hoop ring set with four pearls, each separated with two rose-cut diamonds. Scroll carved shoulders. Size Q. £300-400 1622. A diamond cluster ring, the graduated round brilliant-cut diamonds set in 18ct gold. Size U. £600-800 1623. A diamond and sapphire cluster ring, the foliate white gold mount set with circular-cut diamonds and sapphires. Signed ‘Birks’. Size L½. £400-600 1624. A late Victorian gem-set butterfly brooch, set overall with rose-cut diamonds, rubies and sapphires. The body set with graduated seed pearls and ruby eyes in gold. Detachable brooch fitting. 3.5cm wide. £400-600 1625. A late 19th century diamond pendant, set with graduated circular-cut diamonds in silver and gold. 5cm high. Fitted case. £300-400 1626. An oval-shaped diamond plaque ring, set with a central circular-cut diamond in carved and £400-600 pierced white gold mount. Size N½. 1627. A pearl diamond and garnet set cluster ring, the saltwater natural pearl is set within a surround of alternately-set small round brilliant-cut diamonds and demantoid garnets in gold and six small shoulder diamonds. Size M½. £300-400 Accompanied by report number 5777-8870 from GCS, London dated 8th March 2017 stating that the pearl is a natural saltwater half-pearl. 1628. A sapphire and diamond cluster ring, set with a central circular-cut diamond within a surround of cushion-shaped diamonds in platinum and gold. Size N. Case by J.B. Yabsley. £300-400 1629. A diamond solitaire ring, the old circular-cut diamond weighs approximately 0.90cts and set in platinum and yellow gold. Size F½. With another diamond solitaire ring, the old circular-cut diamond £300-400 weighs approximately 0.50cts and is set in platinum and yellow gold. Size G½. Case. 1630. A late 19th century lily of the valley brooch, the posy is set with diamonds and pearls in silver and gold. 5cm. £400-600 1631. A jade bracelet, the five oval pierced and carved jade plaques are joined with yellow and white gold links. 18cm long. £400-600 1632. An early 20th century diamond bow brooch, millegrain-set with graduated circular-cut diamonds in white gold. 5.5cm wide. £400-600 1633. A diamond-set bee brooch, pavé-set overall with graduated mixed circular-cut diamonds in silver and gold. Set with a cultured pearl and ruby eyes. 3.2cm wide. £400-600 1634. A late Victorian double heart brooch, set with chalcedony hearts within seed pearl and turquoise £200-300 borders beneath a gold ropetwist lover’s knot. Set in yellow gold. 2.5cm wide. 1635. A sapphire and diamond five-stone ring, the three oval-shaped sapphires are set with two circular-cut diamonds in 18ct gold. Size L. £150-250

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1620 1619

1621 1625

1622 1628

1623

1624

1627

1626

1631 1629

1630

1632

1633 1634

1635

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1636.

A ruby-set full circle eternity ring, the platinum ring set with calibré-cut rubies. Size L½. £100-200

1637. A topaz and diamond-set gold ring, the oval-shaped topaz scroll set with circular-cut diamonds. Size O. £400-600 1638. A diamond-set half hoop ring, set with nine circular-cut diamonds in platinum and gold. Size L. £300-400 1639. A diamond cluster ring, the graduated round brilliant-cut diamonds set in white gold. Size O. £1,000-1,500 1640. A ruby and diamond cluster ring, the oval-shaped ruby set with fourteen round brilliant-cut diamonds in white gold. Size M½. £400-600 1641.

A gold ring mounted with a carved green tourmaline with four small shoulder diamonds. Size M. £200-300

1642. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of eight circular-cut diamonds in yellow and white gold. Size O½. £1,100-1,500 1643. A ruby and diamond cluster ring, the slightly oval-shaped ruby is set within a surround of old circular-cut diamonds in platinum and gold. Size N½. £400-600 1644. An emerald and diamond three-stone ring, the emerald-cut emerald is set between two circularcut diamonds in platinum and yellow gold. Size M. £600-800 1645. A two row diamond ring, the 18ct gold ring is set with graduated old circular-cut diamonds. Chester marks for 1903. Size P½. £200-300 1646. An emerald and diamond-set navette-shaped cluster ring, the square shaped emerald set within a surround of round brilliant-cut diamonds in gold. Size N½. £1,000-1,500 1647. A diamond three-stone ring, the three old circular-cut diamonds set in platinum and white gold. Size P. £600-800 1648. A diamond five-stone ring, the graduated cushion-shaped diamonds set in gold. Size Q. £200-300 1649. A ruby, sapphire and diamond-set double swivel ring, the platinum ring half-set with calibré-cut rubies and calibré-cut sapphires with two hinged half sections of circular-cut diamonds. Size M. £200-300 1650. A sapphire and diamond-set seven-stone ring, three oval-shaped sapphires are set with four circular-cut diamonds in gold. Size P½. £600-800 1651. A star sapphire and diamond-set cluster ring, the sugarloaf sapphire set within a surround of fourteen round brilliant-cut diamonds in platinum and gold. Size N. £600-800 1652. A sapphire and diamond three-stone ring, the oval-shaped sapphire is set with two cushionshaped shoulder diamonds in platinum and gold. Size O. £600-800 1653. A sapphire and diamond-set five-stone ring, set with three oval-shaped sapphires and two old circular-cut diamonds in white gold. Size R½. £600-800 1654. A diamond three-stone ring, the three graduated circular-cut diamonds set in platinum and gold. Size S. £200-300 1655. An early 19th century synthetic ruby and rose-cut diamond cluster ring, the cushion-shaped synthetic ruby is set within a surround of rose-cut diamonds in silver and gold. Size I. £800-1,200 1656. A French platinum ring mounted with two natural saltwater pearls and divided with four diamonds, size L. £400-600 1657. A diamond solitaire ring, the cushion-shaped diamond set with twelve graduated diamonds in 9ct gold. Size Q. £400-600 1658. A sapphire and diamond gypsy ring, set with a sugarloaf blue sapphire and circular-cut diamonds in yellow gold. Size N. £600-800

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1636

1638 1637

1639

1640

1642

1643

1647

1648

1641

1644

1645 1646

1649

1650

1654

1651

1655

1652

1653

1656

1657

1658

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1659. A pair of aquamarine and diamond earrings, the oval-shaped aquamarines each suspend from a round brilliant-cut diamond in white gold. £850-1,000 1660. A diamond cluster ring, the seven round brilliant-cut diamonds weigh approximately 2.30cts in total and are set in white gold. Size P. £1,500-2,000 1661. An opal and diamond ring, the oval-shaped opal is set with six shoulder diamonds in white gold. Size M½. £2,200-3,000 1662. A pair of of ruby and diamond square form cluster earrings, each earring set with four baguetteshaped rubies and five circular-cut diamonds in white gold. £800-1,200 1663. A pair of diamond-set scroll earrings, the graduated circular-cut diamonds are set in white gold. £400-600 1664. A gold hinge bangle, mounted with a round brilliant-cut diamond and two treated blue round brilliant-cut diamonds. £1,000-1,500 1665. A pair of diamond stud earrings, the princess-cut diamonds weigh approximately 0.90cts in total. Set in white gold. £800-1,200 1666. A ruby and diamond cluster ring, set with three oval-shaped rubies and with circular-cut and tapered baguette-shaped diamonds in white gold. Size N. £400-600 1667. A pair of opal and diamond drop earrings, the pear-shaped opals have a strong pink hue and suspend from two articulated small circular-cut diamonds in white gold. £600-800 1668. A yellow and white diamond pendant by David Morris, the pear-shaped fancy yellow diamond weighs approximately 0.83cts and set within a surround of small circular-cut diamonds in white gold. On a fine-link white gold neck chain. 50cm. £2,000-3,000 Accompanied by report number 20031883 from Anchorcert, Birmingham dated 31st January 2017 stating that the pear-shaped diamond weighs 0.83cts, with fancy yellow colour, SI2 clarity. Faint fluorescence. 1669. An opal and diamond pendant, the solid white opal suspends from a circular-cut diamond on a gold neck chain. 40cm long. £800-1,200 1670. An emerald and diamond cluster ring, the oval-shaped emerald set within a surround of ten £3,000-4,000 round brilliant-cut diamonds in gold. Size O½. 1671. A ruby and diamond five-stone ring, the two round brilliant-cut diamonds are set with three ovalshaped rubies in platinum. Size S½. £1,000-1,500 1672. A diamond cluster ring, the circular-cut diamonds weigh approximately 1.25cts in total and are £1,000-1,500 millegrain set in white gold. Size P. 1673. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of ten circular-cut diamond and four baguette-shaped diamonds in white gold. Size O½. £800-1,200 1674. A pair of diamond and cultured pearl earrings, the button-shaped pearls each suspend from a round brilliant-cut diamond in gold. £600-800 1675. A diamond cluster ring, set with graduated round brilliant-cut diamonds and four baguette-shaped diamonds in white gold. Size N. £1,100-1,500

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1662

1659

1663

1660 1665

1661

1667

1664

1666

1670

1673

1672 1668

1669

1671

1674

1675

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1676. A gold early 19th century stirrup-form fob seal, mounted with an amethyst matrix engraved with arms and ducal crest. The matrix 2.3cm high. A decorative 19th century gold and gold-cased fob seal mounted with a chalcedony matrix engraved with a crest and motto. The matrix 2.2cm high. £200-300 1677. A 19th century gold fob seal mounted with a carnelian intaglio, well carved and depicting the three graces. 3.5cm high. £300-400 1678. An early 19th century fob seal, the plain lapis lazuli matrix set with writhing snakes above and suspended from a snake design gold split ring. 2.6cm high (excluding split ring). £200-300 1679. A gold and gold-cased early 19th century bloodstone mounted fob seal, the seal chased with foliate shell and scroll decoration. Bloodstone well carved with the profile of a man in the classical manner. With gold split ring. The seal 3.5cm high. £200-300 1680. A 19th century gold and agate mounted fob seal, the blank seal surmounted with a well detailed dog standing on a rectangular plaque. 2.8cm high. £200-300 1681. A 19th century propelling pencil pendant, designed as a crucifix with a blank matrix to the £200-300 bottom. Suspended from a split ring on a fine-link gold neck chain. 43cm long. 1682. An unusual 19th century lantern form gold fob seal, with rectangular lapis lazuli matrix engraved ‘Evelyn’. The side panels chased with foliate scroll engraving and funnel form top section. One side panel is hinged and opens, the matrix opens to reveal a locket compartment. 3cm high. £200-300 1683. A 19th century miniature portrait ring, depicting Lord Byron. The reverse written with the words ‘Byron by J. W. Bailey’. The portrait 1.8cm high. Size P. £1,000-1,500 1684. A 19th century gold and carnelian fob seal, engraved with the arms and crest of Kinloch and surmounted with the motto ‘Altius Tendo’. The intaglio 2.6cm high. A gold and gold-cased early 19th century stirrup-form fob seal, the smoky quartz matrix engraved with initials and a tiger crest. £200-300 1685. A 19th century stickpin mounted with a miniature portrait of Robbie Burns in gilt metal and gold mount, the porcelain plaque signed to the reverse ‘W. B. Ford 1886 & Burns’. The painting 2cm high. £800-1,200 1686. A late 19th century fox mask stick pin, realistically formed and pavé-set with old cushion-shaped diamonds in silver and gold. £200-300

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1677

1678

1680

1679

1681

1676

1682

1683

1684

1685

1686

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1687. A lady’s steel and gold Jaeger LeCoultre Reverso Duetto wristwatch, manual winding. The gold watch with one side a plain signed dial centred with guilloche decoration and black Arabic numerals. The other side with small circular shell dial signed with initials and full signature below, with two lines of round brilliant-cut diamonds to the upper and lower bezel. Red leather band and steel Jaeger LeCoultre deployant clasp. With box and papers. £2,000-3,000 1688. A lady’s 18ct yellow gold Rolex Oyster Perpetual wristwatch, the signed gold dial with baton numerals and swing seconds hand. And diamond-set bezel. 18ct yellow gold Rolex integrated band with deployant clasp. Rolex box. £2,000-3,000 1689. A steel and gold octagonal faced wristwatch by Cartier, the signed white enamel dial with sweep seconds hand, secret signature at VII and date aperture. Automatic movement, case number 296653646. Steel panel bracelet with gold stylised screw decoration. Cartier pouch and three spare links. £500-700 1690. A gold wristwatch by Omega, automatic movement. The signed dial with sweep seconds hand and date aperture. Leather band. £400-600 1691. A gold wristwatch with chronograph, with two subsidiary dials for 60 and 30 seconds recording. Black leather band. £400-600 1692. A gentleman’s gold wristwatch by Rolex, the plain signed dial with baton numerals. In gold case with inscription to reverse: ‘Link House D. G. Johnson 1923 - 1963. Manual movement. Steel clasp. Replacement leather band. The case 3.3cm wide including winder. £600-800 1693. A lady’s diamond and emerald-set platinum dress wristwatch, the octagonal dial with black Arabic numerals and set with diamonds to the corners. The shoulders are each set with a kite-shaped emerald within a surround of diamonds. Platinum expanding band. £800-1,200 1694. A lady's steel and diamond wristwatch by Le Marquand, quartz movement, the purple dial with chronograph, date aperture and sweep seconds hand. The bezel set with diamonds. Steel case. Leather band with deployment clasp. With Andre Le Marquand case. £1,000-1,500 1695. A George III gold repoussé pair-cased pocket watch, the dial with black Roman numerals and subsidiary seconds dial. The movement numbered 1762 and with diamond end stone. The case chased with classical scene (damaged). The watch 3.7cm wide. £600-800 1696. An early 18th-century gilt metal pair-cased pocket watch, the movement by Tompion and Banger. The later white enamel dial signed T. Tompion with black Roman hour numerals and Arabic minute numerals. The movement signed T Tompion and E Banger, London, numbered 3634. Ornately pierced and £1,000-1,500 engraved balance cock. Leather covered outer case. Dial 4.5cm.

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1692 1687

1693

1689

1688

1694

1690

1696

1691

1695

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1697. A 19th century suite of vari-coloured lava cameo jewellery, depicting the heads of girls in the classical manner with fruiting vines. The necklace formed with graduated oval-shaped cameos suspending three drop-shaped cameos. The brooch measures 5cm high. A pair of oval and drop-shaped cameo earrings and a six cameo-mounted bracelet. Gilt metal mounts and with fitted case. £1,500-2,000 1698. A late 19th century hardstone cameo ring, depicting a warrior wearing armour and laurels. Gold mount. 2.6cm high. £600-800 1699. A pair of Victorian intaglio earrings, the oval-shaped hardstone intaglios depicting the bust of a woman and a gentleman, within a diamond border and suspending a diamond drop in silver and gold. 4cm long. £400-600 1700. A Victorian suite of jewellery, comprising a hardstone cameo brooch depicting a woman in the classical manner, within gold laurel borders and scrolls set with seed pearls. With a conforming pair of earrings. Case. £600-800 1701. A banded agate intaglio mounted gold swivel ring, the intaglio probably depicting Aurorora’s procession and set with a gold mount in fluted border and swivel shank. The intaglio 3cm wide. Size P½. £200-300 1702. A 19th century harstone intaglio ring, depicting cupid displaying his strength by £200-300 riding a lion, the king of beasts, set in gold. Size N½. 1703. A late 19th century pearl, ruby and enamel gold pendant, set with a button shaped pearl (untested) within quarterfoil white enamel borders decorated with fleur-de-lys and four vacant sections, suspended from a fine-link yellow gold neck chain set with a ruby. £200-300 1704. A 19th century Etruscan revival gold cameo brooch, set with a hardstone cameo depicting a woman in the classical manner within gold ropetwist and pellet border with blue enamel decoration. Pendant loop to reverse. 4.2cm wide. £600-800 1705. A late 19th century topaz and gold necklace, mounted with square and rectangular-shaped topaz in gold scroll mounts and suspending a conforming gold girandole pendant mounted with three further topaz. 34cm. £2,000-3,000 1706.

A 19th century cameo mounted gold bracelet, the centre section mounted with a carved shell cameo depicting the profile of a lady wearing flowers in her hair. Twisted rope design border. The bracelet formed with graduated integrated links. 18cm. £400-600 1707. A 19th century harstone cameo brooch, the carnelian cameo depicting a woman in the classical manner, within black enamel border and seed pearl surround in yellow gold. With pendant £600-800 fitting. 4cm wide. Fitted case. 1708. A nineteenth-century gold ring mounted with a blue glass pressed intaglio, depicting the profile of a woman with swept back hair in the classical manner. Signed ‘Marchant’. 3cm high with wide gold shank. Approximate size N. £800-1,200

1697

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1698 1699

1700 1701

1702

1703

1704

1708 1705

1707

1706

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1709. An Art Nouveau opal and seed pearl-set gold pendant by Barnet Henry Joseph, of stylised foliate form and suspended from a fine-link gold chain with marker’s mark to reverse. 40cm long. £200-300 1710. An Art Nouveau amethyst and pearl-set gold pendant, of open scroll design and suspending from a fine-link gold neck chain. 42cm long. £200-300 1711. An enamel and diamond butterfly brooch by Child & Child, with graduated blue enamel (damaged) and rose-cut diamonds to the body, in silver and gold. Fitted case by Child & Child. £200-300 1712. An early 20th century gold and plique-à-jour enamel pendant, the circular pendant depicting Our Lady’s Tears and in seed pearl surround. 2.3cm wide. On a fine-link white gold neck chain. £400-600 1713. A mabé pearl and enamel gold wings brooch by Giuliano, set with a large mabé pearl within ropetwist deigns stylised wings, decorated with white and blue enamel. With detachable brooch fitting. Stamped C&AG to reverse. £1,500-2,000 1714. An early 20th century aquamarine pendant, the briolette shaped aquamarine suspends from a foliate decorated gold mount, set with three rose-cut diamonds and two further seed pearls. On a finelink gold neck chain. 50cm. £600-800 1715. An early 20th century diamond and pearl set platinum pendant, of foliate form and set overall with graduated diamonds suspending a small untested pearl. 4cm wide. Fitted case. £1,200-1,500 1716. A 19th century gold bracelet, the fancy links alternately-set with pink and green pastes, in yellow gold. 20cm long. Case by Gibson & Co Ltd, Belfast. £100-150 1717. An Art Nouveau gold suffragette brooch, set with a central circular-cut amethyst within a millegrain pierced quarterfoil border set with pearls and shaded green enamel leaves. 3.5cm high. £300-400 1718. A green enamel witches heart brooch, (enamel damaged) in silver and gold. In fitted heart-shaped box by Child & Child. £200-300 1719. An unusual owl ring, set with an oval-shaped opal, small diamonds and emerald eyes, in silver and gold. Size R. Case. £650-850 1720. An Arts and Crafts brooch attributed to Dorrie Nossiter, set with zircons and sapphires in silver and gold. 6cm long. £300-400 1721. A gold lizard brooch, realistically formed and alternately set with diamonds and emeralds to its back. 4.5cm. £400-600 1722. An Art Nouveau diamond-set gold brooch, set with a rose-cut diamond within foliate scroll mount suspending a pearl. 4cm wide. £400-600 1723. An Art Nouveau diamond hair clip, of abstract scroll design and millegrain-set with rose-cut diamonds in platinum. 6.5cm wide. £500-700 1724. A pair of Art Nouveau gold and plique-à-jour enamel drop earrings, designed as a girl with flowing hair and with foliate surround and plique-à-jour enamel decoration. Suspended from two diamonds £1,000-1,500 and with a small pearl. 3cm high.

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1710

1709

1712

1711

1713

1714

1717 1715

1723

1716 1718

1722

1719

1724

1720 1721

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1725. An Edwardian seed pearl bangle, set with graduated seed pearls in scroll formation. 5.5cm inner diameter. £150-250 1726. A late Victorian seed pearl set gold bangle, set with quarterfoils of seed pearls in yellow gold. Scroll engraved gallery. 5.5cm inner diameter. £400-600 1727. An opal and diamond pendant, the solid white opal cabochon is set within a white gold scroll mount and suspended from a diamond-set bale. 3.5cm long. £200-300 1728. An Indian gem-set gold fringe necklace, mounted with seed pearls, small diamonds, pear-shaped red-stone cabochons, a further border of seed pearls and suspending faceted pear-shaped ruby drops. With a conforming pendant. 13.5cm wide. £800-1,200 1729. A Indian gold parrot bangle, decorated overall with Jaipur enamel and set with small diamonds. 6.2cm inside diameter. 70g in total. Probably shellac filled. £600-800 1730. An opal and diamond brooch, designed as a series of opal and diamond clusters, the solid white opal cabochons set within a surround of circular-cut diamonds in yellow gold, with a larger opal and diamond cluster at each terminal. 7.5cm long. With a matching opal and diamond cluster ring, set in yellow £600-800 gold. 15mm diameter. Size N½. 1731. A Victorian gold locket pendant, the cushion-shaped pendant engraved with foliate decoration and realistically designed buckles. Opening to reveal vacant locket sections. With pendant loop. 3.5cm long. £300-400 1732. A ruby and diamond cluster ring, centred with a circular-cut ruby set within a surround of rosecut diamonds and further border of graduated cushion-shaped diamonds in a horseshoe design. Silver and gold. Size M½. £200-300 1733. An opal and diamond cluster ring, the solid white opal cabochon is set within a surround of cushion-shaped diamonds in platinum. Size N. Case. £400-600 1734. An emerald and diamond cluster ring, the baguette-shaped emerald set with graduated circularcut diamonds in white gold. Size K. £600-800

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1725

1726

1727

1728

1729

1731 1734

1730

1733

1732

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1735. A sapphire and diamond five-stone ring, three sapphires are set with two cushion-shaped diamonds in yellow gold. Scroll carved shoulders. Size P. £800-1,200 1736. A late Victorian diamond five-stone ring, the five graduated circular-cut diamonds set in 18ct gold. Birmingham marks for 1898. Size Q. Hancocks box. £200-300

1737. A 19th century carved coral cruciform pendant, gold mount and suspending from a fine-link gold chain mounted with eleven carved coral beads. The pendant 8.2cm high, the chain 40cm, with a pair of carved coral drop earrings suspended from circular carved coral mounts. £600-800 1738. A Victorian seed pearl quarterfoil brooch, set with five seed pearl flowerheads in yellow gold. 2.6cm wide. £200-300 1739. A gold ropetwist chain, set with six nephrite eggs, their centre sections set with rock crystal rondels. 32cm long. 18g. £400-600 1740. A Victorian gold fancy curb-link bracelet. 17.5cm long. 38g. Fitted case.

£1,000-1,200

1741. An emerald and diamond plaque ring, set with a line of gradated emerald-cut emeralds within a scalloped border of circular-cut diamonds in platinum and gold. Size N½. £600-800 1742. An opal and diamond half hoop ring, set with three graduated oval-shaped opals within six old circular-cut diamonds in carved and pierced yellow gold mount. Size O½. £600-800 1743. A 19th century garnet and diamond-set gold pendant by John Brogden, the cabochon garnet applied with a diamond-set cross within a ropetwist border. Applied with the plaque for JB to the reverse. On a snake-link gold neck chain. 41cm long. £600-800 1744. A 19th century amethyst and seed pearl mounted gold pendant, the large oval-shaped amethyst is set within a border of seed pearls in yellow gold. 4.5cm high. With a detachable gold bale set with seed pearls. £200-300 1745. A Victorian opal, diamond and enamel gold brooch, set with seven solid white opals and four diamonds within green and red enamel decoration and suspending another opal in yellow gold. 3.1cm wide. £300-400 1746. An early 20th century moonstone and diamond bar brooch, the central detachable circular plaque is set with a moonstone cabochon and a surround of circular-cut diamonds in yellow gold. On a yellow gold bar brooch. Case. £100-200 1747. A pair of 19th century diamond enamel and pearl drop earrings, set with a central cluster of seed pearls, enamel and a diamond within pierced scroll border, suspended from laurels and another £800-1,200 diamond and with a seed pearl cluster beneath, in yellow gold.

1748. An early 20th century diamond-set tortoiseshell comb, the upper lattice section mounted with quatrefoils of rose-cut diamonds. 16cm long. Fitted case. £600-800

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1735

1736 1738

1737

1743 1741

1742

1740

1746

1744

1739

1745

1747

1748

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1749. A tourmaline and diamond ring, the rectangular-shaped tourmaline set with four baguette-shaped shoulder diamonds in platinum. Size Q. £600-800 1750. A diamond-set abstract 18ct polished and textured yellow gold brooch by Kutchinsky, signed to the reverse with initial and marked for London, 1967. 5.5cm wide. 34g. £3,000-4,000 1751. A diamond pendant, the round brilliant-cut diamond is pavé-set in a yellow gold sliding mount on a yellow gold fine snake link neck chain. 40cm. £300-400 1752. A twisted rope design yellow gold necklace by Kutchinsky, signed to the clasp and with London marks for 1963. 38.5cm long. 105g. Kutchinsky case. £2,500-3,000 1753. A diamond-set gold scroll ring by Kutchinsky, set with five graduated circular-cut diamonds. Signed with initial. Size J. £800-1,200 1754. A pair of 18ct yellow gold scroll earrings by Kutchinsky, fully signed. Kutchinsky box. £1,000-1,500 1755. A lady’s diamond and gold Kutchinsky wristwatch, the plain signed black dial within gold bezel and a border of circular-cut diamonds. Manual movement. On matted gold band. 15.2cm long. £800-1,200 1756. A diamond-set 18ct gold floral brooch with matching earrings by Kutchinsky, the 18ct yellow gold petals centred with a cluster of round brilliant-cut diamonds and further diamonds set to the 18ct white gold stem. 5.5cm high. With conforming diamond-set 18ct yellow gold earrings. The earrings signed in full to the reverse. Kutchinsky box. £1,200-1,500 1757. A pair of 18ct textured yellow gold rings by Kutchinsky, signed to the inner shank, with London marks for 1967. Size O½. £300-400

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1749

1750

1753

1752 1751

1754 1755

1756

1757

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1758. An early 20th century cultured pearl and diamond-set ring, millegrain-set with small diamonds (one missing) to each shoulder. Scroll engraved sides. Size O½. £400-600 1759. A diamond-set platinum ball pendant, millegrain-set with lines of graduated circular-cut diamonds with small bail set with diamonds to both sides. 17.5mm diameter. £3,000-4000 1760. An Art Deco jade and diamond brooch, set with a rectangular panel of green jadeite set either side with circular-cut scroll diamond terminals and calibré-cut sapphires. 4.8cm wide. £800-1,200 1761. A carved and pierced jade pendant, depicting two gourds with gold suspension loop. 4.4cm long. £800-1,200 1762. An Art Deco sapphire and diamond ring, the baguette-shaped sapphire is set with old circularcut shoulder diamonds in platinum. Size L½. £400-600 1763. An Art Deco emerald and diamond cluster ring, the emerald-cut emerald set with two baguetteshaped diamonds to each shoulder and further circular-cut diamonds in platinum. Signed 'Hardy Brothers'. Size N. £600-800 1764. A 19th century Egyptian-influenced scarab brooch pendant, the brooch mounted with a scarab to the mythical creature with deer’s head and clutching two feathers, the wings with enamel decoration. Suspending three articulated graduated scarabs, the largest and lowest scarab with enamel decoration. All scarabs engraved to the reverse with hieroglyphs. £2,500-3,500 1765. A diamond-set platinum double clip foliate brooch, set overall with graduated circular-cut diamonds. The two clips detach from the frame. 5.2cm wide. £800-1,200 1766. An Art Deco diamond brooch, pavé-set with circular-cut diamonds in platinum. 3.2cm long. £800-1,200 1767. An Art Deco diamond brooch, set with three graduated circular-cut diamonds and two baguetteshaped diamonds within a surround pavé-set with circular-cut diamonds in platinum and white gold. 6.5cm long. £600-800 1768. An Art Deco fob watch, the circular dial signed ‘R. Linzeler’. The square case with French maker’s mark ‘V.F.’ with tree within a lozenge. With enamel decoration, rose-cut diamond shoulders and suspending from gold brooch with similar decoration and numbered 1168. Case 2.7cm wide. £400-600 1769. A pair of Art Deco diamond and sapphire stylised cornucopia ear clips, set overall with graduated circular-cut diamonds and square-shaped sapphires in platinum. 3.3cm high. £2,000-3,000 1770. A gold and silver turtle brooch, the body formed with an oval-shaped lapis lazuli cabochon with rose-cut diamonds set to the legs and head and ruby eyes. 3cm long. £150-200 1771. An Art Deco sapphire and brooch, set with a central emerald-cut sapphire within a border of calibré-cut sapphires and circular-cut diamonds millegrain-set in platinum. Fitted case by Carrington & Co. £600-800 1772. An early 20th century opal and diamond brooch, the solid white oval opal cabochon is set within a surround of circular-cut diamonds in platinum. 3cm. £800-1,200 1773. A ruby and diamond eternity ring, alternately set with three circular-cut diamonds and three rectangular-cut rubies in platinum. Size M. £200-300 1774. A diamond full circle eternity ring, round brilliant-cut diamonds are set in platinum. Size M. Case by Wartski. £400-600 1775. A diamond full circle eternity ring, set with baguette-shaped diamonds in platinum. Size P. £1,000-1,500

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1764

1763

1762

1775

1761

1774

1773 1760

1759

1772 1765

1766

1771

1758

1767

1770

1769

1768

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1776. A late 17th century Stuart crystal memento mori slide, (later converted to a brooch) the faceted rock crystal covering a white enamel skull and crossbones between the initials F and B, on plaited hair and gold wire frame, mounted in gold. 2cm wide. With another late 17th century Stuart crystal memorial slide (converted to a brooch) the faceted rock crystal covering the initials FB on plaited hair ground, in gold frame. 1.8cm wide. £200-300 1777. A 19th century emerald and diamond flower brooch, the petals are pavé-set with rose-cut diamonds in silver and gold. The leaves set overall with graduated emerald-cut emeralds. With safety chain. 2.5cm high. £100-200 1778. A 19th century port and starboard gold brooch, set with halfmoon shaped pink and green pastes £300-400 with the initials JE between. In closed back pink gold setting. 2.5cm long. 1779. A late 17th-century Stuart crystal heart pendant with angels and crown, centred with fine wire initials and the angels with white enamel decoration. Faceted crystal and mounted in gold closed-back setting. 1.8cm wide. With modern fine-link gold chain. £400-600 1780. A George III amethyst and diamond brooch pendant, the oval-shaped amethyst is set within diamond trefoils and suspending diamond pendant in silver and gold closed back setting. 3.5cm long. £600-800 1781. An 18th century gold cruciform pendant brooch, each circular disc set with a pearl and further graduated circular-cut garnets. 7.5 cm high. £300-400 1782. An early 19th century enamel and diamond mourning brooch, set with a glazed locket compartment within foliate diamond border on black and white enamel ground. Closed back yellow gold setting with inscription Anne Orde Ponlett died 25th Oct 1804 aged 20. £200-300 1783. An early 19th century paste riviere, the graduated circular-cut white stones are set in closedback silver cut-down collets. 40cm long. £100-200 1784. A George III gold key brooch, set overall with pearls and an oval-shaped white topaz in closed back yellow gold settings. 4.3cm. £300-400 1785. A diamond-set oval open work brooch, the rose-cut diamonds set in silver and gold. 4.5cm wide. £400-600 1786. A 19th century diamond enamel and pearl mourning pendant, the diamond-set forget-me-not is set on black enamel ground within a surround of pearls in yellow gold. Suspended from a seed pearl £200-300 flowerhead bale. With glazed locket compartment to reverse and brooch fitting. 4cm high. 1787. A late 18th century rock crystal memorial pendant, set with a pear-shaped locket section beneath a garnet and white enamel pendant applied with the words Digned Memoire. £100-200 1788. An early 19th century garnet set mourning pendant, the central locket section with hair within a border of garnets, and a bow surmount. Closed back settings in gold. £100-200

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1777

1776

1778 1779

1781

1784 1780

1782

1783

1785

1787

1786

1788

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1789. A Victorian gold locket, bearing the intials JL in blue enamel. Glazed locket compartment to interior containing hair and a portait. 4.2cm high. £400-600 1790. A 19th century gold oval-shaped locket, set with a cluster of cushion-shaped diamonds mounted on a blue enamel ribbon and suspending a drop-shaped section of graduated diamonds in gold. On a gold bale and fine-link gold chain. Brooch fitting to reverse. Opening to reveal a glazed locket section to the interior. 7.2cm high. £400-600 1791. A Victorian pietra dura gold butterfly brooch, set within cannetille surround. 2.5cm high. £100-150 1792. A pietra dura necklace, each rectangular plaque depicting a foliate design within a gold mount, £200-300 conjoined with knife-edge links on fine-link gold chain. Case. 1793. A 19th century pietra dura clasp, of foliate design and set within a repoussé and filigree gold border. 4.3cm wide. £300-400 1794. A late Victorian circular target brooch, set with a blue enamel sphere applied with diamonds and a pearl in star formation, within scrolling pellet and ropetwist border in yellow gold. 4.8cm diameter. Fitted case. £400-600 1795. A pair of guilloche enamel earrings, the navette-shaped closed back gold panels are set with a pearl on blue enamel ground amongst diamond laurels and enamel and gold laurel borders. Suspended from a pearl in yellow gold. 3.7cm high. £600-800 1796. A pair of late 19th century pietra dura drop earrings, the lozenge-shaped earrings inlaid with a foliate design. Gold mount. 5cm high. £100-200 1797. A 19th century gold locket pendant, of oval form with a lobed bale. Applied with the initials of ‘A.E.I.’ for Amity, Eternity and Infinity, and ‘Forever’ in Greek. 5.2cm high (without bale) £600-800 1798. A pair of 19th century gold putti earrings, the oval plaques depicting putti amongst foliage within pierced gold border set with pellet decoration and suspending three pearls beneath. 5.5cm long. £400-600 1799. A 19th century garnet enamel and gold brooch, designed as a bow with black, white and gold foliate enamel decoration and suspending a pear-shaped garnet cabochon within a similarly decorated gold scroll mount. Set with two further garnet cabochons. 7cm high. £400-600

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1791

1789 1790

1794

1792

1793

1797

1799

1796

1798

1795

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1800. A George III garnet and diamond brooch, the rectangular cabochon garnet is set within a scroll surround of circular-cut diamonds in silver and gold closed back settings. With inscription to the reverse Fs Wortson, Forest Hull. 3.2cm wide. Fitted case. £600-800 1801. A George III garnet necklace, alternately set with oval-shaped and pairs of pear-shaped flat £800-1,200 garnets in gold closed-back mounts. 43cm. 1802. A George III chrysolite and garnet brooch, the fancy-cut crysolite is set within a surround of circular-cut garnets in closed back gold setting. 3.6cm wide. £200-300 1803. A Regency gold dove brooch, naturalistically designed and set with turquoise cabochons. Carrying a forget-me-not. With glazed locket compartment to reverse containing hair. 4cm wide. £400-600 1804. An early 19th century ruby, pearl and diamond-set foliate ring, the central stylised flower head set with a diamond and pearls. The shoulders formed from naturalistically designed tulips, each set with a ruby. Vacant locket compartment to reverse. Size O½. £100-200 1805. A Regency pearl and diamond mourning ring, set with an old cushion-shaped diamond within a surround of pearls in foliate carved yellow gold shank. With inscription to the interior dated 1835. Inner re-sizing shank. Size M½. £100-200 1806. An early 19th century diamond and seed pearl-set gold ring, with bifurcated shoulders. Size K. £200-300 1807.

A Regency gold bow brooch, set with turquoise and diamonds within gold cannetille border. 3cm wide. £300-400

1808. A Victorian diamond half hoop ring, set with five graduated old circular-cut diamonds with diamond pointers in carved and pierced yellow gold mount. Size O. £1,500-2,000 1809. A 19th century diamond half hoop ring, the two lines of old cushion-shaped diamonds are set in silver and gold. Size L. £300-400 1810. A Regency gold topaz brooch, the oval-shaped topaz is set within cannetille and pellet border and four smaller topaz in closed back mount. 2.5cm long. £150-250 1811. A Regency gold amethyst and topaz brooch, suspending a pear-shaped orange topaz in cannetille surround. The upper section set with a cushion-shaped pink topaz and three amethysts in cannetille and foliate gold surround. 5cm long. £400-600 1812. A Regency gold brooch, set with a rectangular topaz within cannetille border and four circular£400-600 cut topaz in closed back setting. 3.2cm wide. 1813. An early 19th century foliate ring, the flowerhead set with pearls and a ruby to the centre, with textured gold emerald-set foliate shoulders. Glazed compartment to the reverse containing hair. Size J. £150-250 1814. A George III garnet cross pendant, in closed back gold setting. 4cm long.

£200-300

1815. A George III gold garnet brooch, the stylised flower set with a pear-shaped and cushion-shaped garnets in gold closed back setting. 3.5cm long. £200-300 1816. A 19th century turquoise and diamond cluster ring, the turquoise cabochon is set within a diamond border and pear-shaped diamond shoulders in yellow gold. With locket compartment to inside shank (the glass broken). Size M½. £450-550 1817. A turquoise and diamond cluster ring, the stylised forget-me-not set in yellow gold scroll shank. Size J½. £100-200

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1802 1800

1803

1813 1804

1801 1805

1807 1812

1814

1806

1816

1808 1810 1811 1809

1815

1817

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1818. An opal half hoop ring, the graduated white opals are set in carved and pierced yellow gold mount. Size K½. £200-300 1819. A ruby and diamond cluster ring, the centre oval-shaped ruby is set with graduated round brilliantcut diamonds to the filigree platinum mount. Signed Birks. Size K. £1,000-1,500 1820. A 19th century ruby and diamond half hoop ring, alternately-set with rubies and diamonds in carved and pierced yellow gold mount. Size K. £400-600 1821. An Edwardian amethyst, blue zircon and seed pearl pendant, set with an emerald-cut amethyst within four zircons in scrolling seed pearl surround and suspending three amethyst drops in yellow gold. On fine-link yellow gold chain. In case by Boodle and Dunthorne. £300-400 1822. A 19th century sapphire and diamond three-stone ring, set with a central old cushion-shaped diamond and two cushion-shaped shoulder diamonds with diamond pointers, in carved and pierced yellow gold mount. Size N. £2,000-3,000 1823. A Victorian sapphire and diamond plaque ring, set with a line of oval-shaped sapphires within a border of circular-cut diamonds in yellow gold. Size O. £1,200-1,500 1824. A sapphire and diamond three-stone ring, the circular-cut sapphire set with two circular-cut £800-1,200 diamonds in platinum and white gold. Inner sizing sleeve. Size R. 1825. A late Victorian diamond brooch, the stylised bee is set within a closed crescent moon, set with ruby eyes and diamonds, the crescent set with a line of graduated diamonds in silver and gold. 2.2cm diameter. Fitted case. £100-200 1826. An early 20th century enamel and diamond target pendant, the circular plaque applied with a diamond and pearl-set flowerhead on red guilloche enamel ground and a white enamel border set with seed pearls. With a conforming red and white enamel bale. Glazed locket compartment to reverse. 3.5cm long. £500-700 1827. An early 20th century closed crescent brooch, set with a line of graduated opals in yellow gold. 2.5cm wide. £200-300 1828. A Victorian gold lover’s knot brooch, the four gold lover’s knots each set with a pearl and suspending a seed pearl and diamond heart within. 2.7cm high. £150-250 1829. An amethyst and pearl brooch, the circular-cut amethyst is set within a surround of seed pearls in yellow gold. With pendant fitting. 2.2cm wide. £300-400 1830. A late 19th century pearl and diamond bangle, set with graduated old circular-cut diamonds and a pearl to the centre, in yellow gold. 5.8mm internal diameter. £400-600 1831. A diamond, enamel and seed pearl Belle Époque brooch, the central circular plaque set with a diamond-set spray on blue enamel ground and diamond border. In millegrain pierced diamond and pearl borders with stylised bows, in platinum and gold. 4cm wide. £200-300 1832. An Edwardian seed pearl and diamond-set gold hinged bangle. Of scroll form and centred with £300-400 three small graduated circular-cut diamonds. 1833. A French ruby and diamond bracelet, designed as a line of O’s and X’s. The X’s set with rose-cut diamonds, within circular ruby cabochons, on fine-link gold chain. 18.5cm long. £2,000-3,000 1834. An early 20th century pearl and diamond bracelet, alternately-set with graduated old circular-cut diamonds and pearls on plain articulated band, set in platinum and gold. 17.5cm long. The pearl and diamond £1,000-1,500 section detaches from the bracelet to be worn as a brooch. The brooch 7cm wide. 1835. A diamond line bracelet, millegrain set with a line of fifteen graduated old cushion-shaped diamonds in platinum and white gold. With expanding bracelet section. 17cm long. £1,000-2,000 1836. A diamond bar brooch, the centre circular rose-cut diamond set with smaller rose-cut diamonds to the shoulders in platinum and gold. 6cm wide. £300-400 1837. An early 20th century ruby and diamond open crescent brooch, alternately-set with oval-shaped rubies and smaller old cushion-shaped diamonds in yellow gold. 5cm long. £600-800 1838. An Edwardian forget-me-not brooch, set with a turquoise and diamond flower head with seed pearl leaves and bud, in yellow gold. 4cm wide. Fitted case. £150-250 1839. A pair of diamond and cultured pearl cluster ear studs, each pearl is set with a surround of eight round brilliant-cut diamonds and millegrain-set in white gold. £1,000-1,500

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1818

1822

1823 1819 1831 1829

1824

1820 1821

1825

1830

1828 1827

1826

1832 1833

1837

1834

1835 1839

1836

1838

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1840. A late Victorian diamond starburst brooch, set with graduated old cushion-shaped diamonds in silver and gold. 3cm diameter. £400-600 1841. A Victorian gold heart-shaped pendant, the turquoise trefoil set within a white enamel border and turquoise and seed pearl surround. On a fine-link yellow gold neck chain, conjoined with a white £600-800 enamel lover’s knot. 48cm long. 1842. A late Victorian ruby and diamond pendant, set with a central ruby and diamond cluster within scolling diamond surround. Suspending from a diamond-set bale and fine-link chain. 4cm high. £600-800 1843. A late Victorian pearl and diamond-set open crescent brooch, the half pearls set with a line of graduated rose-cut diamonds in silver and gold. 7.5cm. £400-600 1844. A Victorian opal and diamond brooch, the twisted gold border is alternately-set with opals and diamonds. Fitted case. £80-120 1845. A moonstone and diamond flower head ring, set with a central old cushion-shaped diamond. The petals set with heart-shaped moonstones and rose-cut diamonds in silver and gold. On a yellow gold shank. Size P. Case. £150-250 1846. A late 19th century opal and diamond bangle, the five graduated solid white opals are set within interlocking lines of graduated antique cushion-shaped diamonds in silver and gold. 6cm inner diameter. In original bangle box by Wartski, 33 Mostyn Street, Llandudno. £800-1,200 1847. A late 19th century ruby and diamond crescent brooch, set with a line of graduated circular-cut diamonds and three rubies, with a scallop-edged border of rubies, in silver and gold. 4.5cm wide. £300-400 1848. A diamond five-stone ring, the graduated cushion-shaped diamonds set in gold. Scroll carved shoulders. Size Q. £1,000-2,000 1849. An early 20th century moonstone brooch, designed as the face of a man within a crescent moon set with rose-cut diamonds in silver and gold, on yellow gold bar brooch. 6.5cm wide. £400-600 1850. A late Victorian opal and diamond butterfly brooch, realistically formed and pavé-set with diamonds and four solid white opal cabochons in silver and gold. With detachable brooch fitting and safety chain. 4.6cm wide. £800-1,200 1851. A late 19th century ruby and diamond scroll brooch, set with seven graduated circular-cut rubies within twisted diamond scrolls in silver and gold. 5.5cm wide. £200-300 1852. An early 20th century opal and diamond-set bracelet, centred with a heart-shaped opal with two smaller circular-cut opals to the foliate design which is set with graduated diamonds. Gold curb-link bracelet. 17.5cm wide. Fitted case. £800-1,200

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1840

1841

1842

1843

1844 1847

1846

1848

1845

1849

1851 1850

1852

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1853. A gold necklace mounted with fire opals and citrines, the partly textured circular links are centred with an oval-shaped fire opal cabochon and then alternately mounted with circular-cut citrines and trefoils of fire opals. 37cm. With a pair of gold earrings each mounted with a trefoil of fire opals. 227g in total. £4,000-6,000 1854. A pair of ruby and diamond crescent-shaped earrings, set with a centre line of oval-shaped rubies within borders of circular-shaped diamonds and a further border of square-shaped diamonds in white gold. Signed ‘Larry’. £2,000-3,000 1855. A French gem-set cluster ring, centred with an octagonal-cut sapphire with a line of calibré-cut rubies between calibré-cut sapphire borders to each shoulder. The shoulders set with graduated round brilliant-cut diamonds in platinum. Rubbed French control marks. Size M½. £1,500-2,000 1856. A pink sapphire and diamond-set three-stone ring, the oval-shaped pink sapphire is set with two triangular-cut shoulder diamonds in 18ct white gold. Size M. £2,000-3,000

1857. A pair of pink coral mounted gold earrings, the coral cabochons are set within plaited gold circular surround. Clip fittings. 2cm diameter. £300-400

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1853

1855

1854

1857 1856

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1858. A white gold ring, pavé-set with calibré-cut rubies. Bifurcated shoulders. Size O.

£600-800

1859. A diamond three-stone ring, the three brilliant-cut diamonds weigh approximately 1.10cts and are set in white gold. Size M½. £900-1,200 1860. A diamond solitaire ring, the marquise-shaped diamond is rubover-set in a platinum shank decorated with a central line of yellow gold. Size O. £200-300 1861. A pink sapphire and diamond cluster ring, the octagonal-cut sapphire is set within a surround of ten circularcut and four baguette-shaped diamonds in white gold. Size P. £700-900 1862. An aquamarine, diamond and sapphire-set white gold cluster ring by Mauboussin, centred with an ovalshaped aquamarine and set within borders of small round brilliant-cut diamonds. The shoulders pavé-set with further diamonds and blue stones (probably sapphires). Signed and numbered BB5984. Size L. Mauboussin box and £400-600 warranty card. 1863. A tanzanite and diamond cluster ring, the emerald-cut tanzanite weighs approximately 1.25cts and is set within a surround of fourteen round brilliant-cut diamonds in white gold. Size P½. £1,700-1,900 1864. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of small circularcut diamonds in platinum and yellow gold. Size 1/2. £1,000-1,500 1865. An amethyst and diamond-set cluster ring, the circular-cut amethyst is pavé-set within a surround of round brilliant-cut diamonds in gold. Size M. £800-1,200 1866. An Art Deco style ring, set with a line of three circular-cut diamonds within a border of smaller circular-cut diamonds and diamond-set shoulders in white gold. Size P. £850-950 1867. A diamond cluster ring, set with circular and baguette-shaped diamonds in white gold. Size M. £1,200-1,500 1868. A French gold mesh-link necklace, dividing into two sections. French control marks. 45cm total. £800-1,200 1869. A pair of diamond cluster earrings, each earring set with nine round brilliant-cut diamonds and set in white gold. Approximately 2.65cts in total. £1,700-1,900 1870. A pair of sapphire and diamond cluster earrings, each oval-shaped sapphire set within a surround of sixteen round brilliant-cut diamonds in yellow gold. £900-1,200 1871. A tanzanite and diamond cluster ring, the oval-shaped tanzanite weighs approximately 1.35cts and is set £2,200-2,400 with fourteen round brilliant-cut diamonds in white gold. Size O½. 1872. A pair of diamond cluster earrings, the centre round brilliant-cut diamond is set within a surround of nine smaller round brilliant-cut diamonds in white gold and suspends from a smaller circular-cut diamond. £1,200-1,500 1873. A pair of diamond cluster earrings, each earring centred with a round brilliant-cut diamond within a surround £4,000-6,000 of marquise-shaped and smaller round brilliant-cut diamonds in white gold. 1874. A diamond cross pendant, set with four emerald-cut diamonds in white gold.

£600-800

1875. A pair of giardinetto emerald, diamond and cultured pearl earrings, the diamond-set foliate top sections suspend two articulated lines of diamonds. The lower section set with emeralds, diamonds and a cultured pearl forming the head of the flower. In white gold. 4.6cm long. £1,000-1,500 1876. A square-shaped aquamarine and diamond-set pendant, the aquamarine is millegrain-set within a surround of round brilliant-cut diamonds and suspends from a square-shaped diamond in white gold. Fine-link white gold neck chain. £1,000-1,500 1877. An opal and diamond pendant, the solid black opal is set beneath a circular-cut diamond in yellow gold. On yellow gold neck chain. 42cm long. £800-1,200 1878. An emerald and diamond cluster ring, the octagonal-shaped emerald is set within a surround of ten round brilliant-cut diamonds and two baguette-shaped diamonds in white gold. Size Q. £1,500-2,000

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1858

1859

1864

1863 1860

1865 1867

1861

1866 1862 1868

1869

1870

1873

1876

1871

1875

1872

1877

1878

1874

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1879. A natural pearl necklace, the graduated pearls are each separated with a small seed pearl. The gold clasp is set with a ruby within a surround of small cushion-shaped diamonds. 43cm long. £1,000-1,500 Accompanied by report number 5777-9097 from GCS, London dated 3th March 2017 stating that the pearls graduate from 2.6 to 5.7mm and are natural saltwater pearls. 1880. A single-row natural pearl necklace, set with alternating smaller and larger pearls which graduate to 5.6mm. 40cm long. The lozenge-shaped clasp is set with old cushion-shaped diamonds and an emerald£2,000-3,000 cut Kashmir sapphire. Accompanied by report number 5777-8705 dated 6th February 2017 from GCS, London stating that the pearls graduate from 1.7 to 5.6mm and are natural saltwater pearls with the exception of three cultured pearls. Accompanied by a second report from GCS stating that the sapphire in the clasp is of Kashmir origin. 1881. A graduated freshwater pearl necklace, the pearls graduate from approximately 3.0 - 9.3 x 11.8mm barrel pearl. The gold and platinum clasp in centred with an oval-shaped pink sapphire centred within a surround of old circular-cut diamonds and further border of small diamonds. 63cm long. £2,000-3,000

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1880

1879

1881

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1882. An early 20th century diamond-set bar brooch, centred with a quatrefoil of circular-cut diamonds, millegrain-set with small diamonds to the shoulders in platinum and white gold. 7.6cm wide. £1,000-2,000 1883. A mixed natural and cultured graduated pearl necklace, the platinum clasp set with three graduated old circular-cut diamonds. 74cm. £1,000-1,500 Accompanied by report number 5777-9432 from GCS, London dated 21st March 2017 stating that the pearls graduate from 3.7 to 7.7mm and are natural saltwater pearls, with the exception of six cultured pearls. 1884. A single row natural saltwater pearl necklace, 49cm long. Set with a diamond and pearl-set ovalshaped clasp. £1,500-2,000 Accompanied by report number 5777-9929 from GCS, London dated 8th May 2017 stating that the pearls graduate from 3.6 to 8.0mm and are natural saltwater pearls, with the exception of one cultured pearl. 1885. An early 20th century leaping pig brooch, the pig’s body formed with a natural baroque pearl and with rose-cut diamonds set to the silver and gold mounted hind legs, head and front legs. Ruby eyes. Leaping through a silver and gold hoop, partly set with graduated cushion-shaped diamonds and rubies. 2.2cm high. £4,000-6,000 1886. A late Victorian kitten brooch, the realistically formed kitten is pavé-set with rose-cut diamonds and playing with a pearl, set in silver and gold. 2cm high. £200-300 1887. A diamond solitaire ring, the antique cushion-shaped diamond weighs approximately 1.90cts and is set in yellow gold. Size N½. £1,500-2,000 1888. A diamond three-stone ring, the graduated old circular-cut diamonds weigh approximately 0.60, 1.20 and 0.60cts, set in platinum and gold. Size Q½. £4,000-6,000

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1882

1888

1887

1886

1885

1883

1884

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1889. A diamond five-stone ring, the five graduated old circular-cut diamonds set with eight small rosecut diamonds in gold with scroll carved shoulders. Size I. £1,500-2,000 1890. A diamond cluster ring, the cushion-shaped diamond set within a surround of old circular-cut diamonds with slightly larger diamonds to the quarters. Platinum. Size M. £5,000-7,000 1891. A bombe-shaped diamond cluster ring, the two principal diamonds weigh approximately 3.00cts in total. Set within carved and pierced foliate diamond surround in platinum and gold. Size K. £8,000-12,000 1892. A realistically formed diamond-set feather brooch, set overall with circular-cut diamonds in platinum. 5.5cm. £800-1,200 1893. A Meiji shakudo circular plaque necklace, the graduated circular panels depicting birds amongst foliage and suspending the largest circular shakudo plaque depicting a crane soaring above two standing cranes at the base of a tree. Set in rub-over silver mounts with a silver barrel clasp. 42cm long. £1,000-2,000 1894. A late Victorian salamander brooch, pavé-set overall with graduated circular opal cabochons in silver and gold. Centred with a line of graduated cushion-shaped diamonds and the head set with a circular£2,000-3,000 cut demantoid garnet and with ruby eyes. Detachable brooch fitting. 10cm long.

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1889

1890

1891

1893

1894

1892

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1895

1895. A French early 20th century lattice work pendant and seed-pearl necklace, the open work honeycomb design pendant centred with a foliate cluster of diamonds and millegrain-set with a scrolling border of rose-cut diamonds. A choice of three interchangeable guilloche enamel discs in green, pink and blue. The enamel discs marked 'Prob Pat' and maker's mark 'T. & S' for Turner & Simpson. With a seed pearl and fine platinum link necklace. The pendant 3cm diameter, the necklace 52cm long. ÂŁ1,500-2,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1896. A Victorian emerald and diamond cluster brooch, the emerald-set within a surround of graduated cushionshaped diamonds in silver and gold. The gold collet holding the emerald is probably later. £8,000-12,000

1896

1897

1898 1899

1897. A four-row cultured pearl necklace, the well-matched pearls are set with a late 19th century emerald and diamond clasp, of sunburst design, and set with a central circular-cut emerald within a surround of old cushion-shaped diamonds in silver and gold. £6,000-8,000 Accompanied by report number 5777-7635 dated 14th November 2016 stating that the round-cut emerald weighs approximately 5.30cts and measures approximately 10.80-11.00 x 8.50mm, and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia 1898. An early 20th century diamond-set open-hinged bangle, set with two cushion-shaped diamonds with further smaller graduated diamonds in platinum and gold. Engraved with presentation, dated 1907. Fitted case by Koch. £6,000-8,000 1899. A pair of amethyst and diamond cluster earrings, each circular-cut amethyst set with eleven old circular-cut diamonds in silver and gold. £1,700-2,000

Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1900. A pair of triple graduated South Sea cultured pearl and diamond drop earrings, the pearls graduate from approximately 12.8-15.2mm. Set with graduated circular and marquise-shaped diamonds in platinum. Each earring 6cm high. £2,000-3,000 1901. A French diamond-set scroll necklace, 1950s. The pendant set with a round brilliant-cut diamond with graduated baguette-shaped and round brilliant-cut diamond fringe. Suspending from scrolls of graduated circular and baguette-shaped diamonds in platinum. French control marks to clasp. 37cm. £5,000-7,000 1902. A diamond line bracelet, the forty-seven Asscher-cut diamonds weigh approximately 12.00cts in total. Set in platinum. 18cm long. £10,000-15,000 1903. A pair of diamond scroll drop earrings, 1950s. Set overall with graduated circular and baguetteshaped diamonds in platinum. The lower triple row drops interchange with similar detachable drops set with baguette-shaped rubies and circular-cut diamonds. 4.5cm. £3,000-4,000

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1900

1901

1902

1903

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SILVER & OBJECTS OF VERTU

Tuesday 18th & Wednesday 19th July 2017

A modern silver model of a heron, by Garrard and Co, London 1979, 27.5cm. Estimate: £600 - £800 ENQUIRIES Rupert Slingsby | Tel: +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES

Wednesday 20th September 2017 Entries are now being accepted for this sale

A Maori greenstone hei-tiki pendant, early 19th century, 13cm high. Estimate: £20,000 - £30,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (††) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (††) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery & Watches

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 20th July 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

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Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 18th & 19th July 2017 – Silver & Vertu 24th & 25th October – Fine Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 20th July 2017 – Jewellery & Watches 28th October – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk PAINTINGS 12th September 2017 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October – Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 18th October 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk ASIAN ART 14th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

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