WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S
Jewellery
Thursday 22nd January 2015
Specialist Departments Please dial +44 (0)1722 followed by the number listed below
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ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan
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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 Amanda Lawrence — 329477 FURNITURE Mark Richards Jim Gale Anna Brown JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA PAINTINGS Victor Fauvelle Jo Butler SILVER Rupert Slingsby Lucy Chalmers
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424500 424599
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GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan
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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director
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TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs — Gemma Bush —
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Members of The Society
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598
FRICS FRSA
COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham
of Fine Art Auctioneers
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508
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JEWELLERY
Thursday 22nd January at 11.00am Viewing Times Saturday 17th January Monday 19th January Tuesday 20th January Wednesday 21st January Thursday 22nd January
10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am
ENQUIRIES
Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk
Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk
Front cover: Lot 1286 Back cover: Lot 1280 Above: Lot 1282 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk
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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S
2015 AUCTION CALENDAR JANUARY 8th 21st 22nd
Furniture & Works of Art Silver, Medals & Coins Jewellery
FEBRUARY 10th 11th 24th 25th
Tribal Art & Antiquities Clocks, Watches & Scientific Instruments Fine Porcelain & Pottery A Private Collection of British Art Pottery
MARCH 11th 25th 25th A natural pearl and diamond necklace. Sold for £195,000
Paintings Furniture & Works of Art Arms & Armour
APRIL 15th 21st 29th 30th
Clarice Cliff, Art Deco & 20th Century Design English & European Ceramics & Glass Fine Silver & Objects of Vertu Jewellery
M AY 20th & 21st
Asian Art
JUNE 3rd 17th
Paintings Arts & Crafts
J U LY 1st 14th & 15th 16th 17th
Furniture & Works of Art Silver Jewellery Clocks, Watches & Scientific Instruments
We offer a free auction valuation service, usually on the first Friday of every month 10am – 1pm. To confirm please visit our website or phone 01722 424509.
w w w. w o o l l e y a n d w a l l i s . c o . u k
Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.
âœŁ Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.
CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
1000. Auction catalogue, Christie’s, The collection of Elizabeth Taylor, The Legendary Jewels, Evening sale. 13 December 2011. £100-150
1000
1001. A leather-bound jewellery casket with fitted interior. Containing jewellery, costume jewellery etc and including an amethyst rivière necklace, carved shell cameo with gold frame, micro mosaic brooch in gold frame and fitted box by John Brogden, a diamond set gold snake brooch, a sapphire and diamond set gold brooch, a signet ring a graduated banded agate bead necklace and various items of jewellery, costume jewellery etc. £400-600
1001
1002. Various items of jewellery including a tooth-shaped faceted citrine-mounted gold pendant, set with small diamonds and a cabochon amethyst. An amethyst and diamond set gold ring, three Edwardian gem-set gold pendants, a gold snake stickpin with ruby eyes, a moonstone and garnet-set gold ring, assorted locket pendants and a two-row graduated pearl necklace with diamond-set white gold clasp. £200-300
1003. Various items of jewellery and costume jewellery etc. Including a gold half bangle, a gold gate-link bracelet, a half sovereign, two silver napkin rings and assorted jewellery etc. £400-600
λ 1004. Various items of jewellery, costume jewellery etc, including a 9ct gold curb-link bracelet, a 9ct gold oval-link necklace, a sapphire and diamond-set gold ring, a sapphire and pearl-set gold brooch, coral bead necklaces and various items of jewellery and costume jewellery etc. £700-900
1005. A wooden box containing assorted jewellery, costume jewellery etc, including a French gold folding lorgnette, a shakudo fan form covered box, a circular counter box, a gold long guard chain with topaz and seed pearl slide. £300-400
4
λ 1006. A large leather bound casket containing various items of jewellery, costume jewellery etc. Including a coral bracelet, a two row smoky quartz bracelet, a gold brooch mounted with opals, and assorted medals, coffee spoons, silver buttons etc. £300-400
λ 1007. A coral necklace, and assorted costume jewellery, wristwatches, etc. £600-800
1008. A jewellery box containing various items of jewellery, cigarette lighters etc. Including a sapphire and diamond set swivelling circular finishing post stickpin in platinum. A gold foliate abstract-shaped ring mounted with a turquoise matrix, a three stone ruby ring and a three stone emerald ring, a necklace mounted with agate oval sections, a quantity of garnets, a 22ct gold wedding ring four cigarette lighters, a pink stone bracelet and a square shaped watch movement etc. £200-300
1009. A jewellery box containing a three colour gold chick, a pearl bar brooch, a 9ct gold fish ring and various items including two miniature medals, a pair of folding scissors etc. A cased pearl and gold dress stud. £100-150
1010. Assorted gold jewellery and a large quantity of stone-set rings, earrings, bracelets etc. £300-400
1011. Various items of silver jewellery by Georg Jensen, an abstract silver brooch, signed and numbered 374. An abstract silver brooch, signed. A pair of silver earrings, signed and numbered 142. A pair of stylised leaf-form earrings, signed. A necklace with pendant, signed and indistinctly numbered. A bracelet, signed and indistinctly numbered. £400-600
5
λ 1012. A leather bound jewellery casket containing an 18th century gold-mounted ivory patch box, damaged. A scarabmounted gold stick pin, a gold pencil holder, a gold whistle pendant with Jaipur style enamel decoration and assorted studs etc. £200-300
1013. An Edwardian amethyst and seed pearl-set gold pendant, on a gold fine-link chain, fitted case. And an Edwardian seed pearl and turquoise set brooch pendant on a fine-link gold chain. £200-300
1015
λ 1014. A gold-framed vanity mirror, mounted to one side with a carved ivory plaque depicting seven figures and signed in relief lower left 7.5cm high, black silk cover. A square agate bell push, two pairs of cufflinks and various gilt metal chains etc, and an artificial pearl necklace. £100-150 1015. A silver foliate circular brooch, centred with a carved carnelian intaglio, depicting the profile of a bearded man wearing a laurel wreath and set with two smaller carved hardstone cameos and various coloured stones. 4.5cm wide. A late 18th century gold fob seal, with foliate shell decoration and carnelian matrix engraved with initials, with a small gold swivel clip. A 19th century well carved lava cameo depicting the profile of a bearded gentleman in the Renaissance manner, possibly Leonardo, gold frame, 5cm high. A filigree gilt metal vinaigrette suspending pearls and cabochon pink stones with a short gold link and cabochon pink stone mounted chain, the pink stones probably tourmalines, the vinaigrette 4cm wide. And a pair of gold slide-locking decorative tweezers. £400-600 1016. A square-form 17th century fob seal, the gilt matrix carved with Islamic writing within foliate decoration, suspended from a hinged stylised inverted heart with scroll decoration, 2.2cm wide. And an oval chrysoprase pendant, decorated with Islamic writing and framed within a gold mount. £200-300 1017. A ruby and pearl set gold foliate necklace, suspending five ruby-set gold pendants with adjoining gold chains. A cushion shaped yellow sapphire bar brooch. An amethyst set gold hinged bangle, and an amethyst and diamond gold bar brooch. £600-800
6
1016
1017
1018. A 19th century pink and white pasteset circular silver brooch, a marcasite a green paste set circular silver brooch, two other paste set silver brooches and a marcasite set horse and jockey brooch, in silver. £150-250
1018
1019. A bombé shaped pink stone set textured gold ring, an unusual amethyst mounted gold ring, a cultured pearl mounted gold ring, and a garnet mounted silver cluster ring. £150-200
1019
1022
1021 1020 1020. A green stone and diamond ring with matching earrings, the rectangular-cut green stone is set within a surround of twenty two round brilliant cut diamonds in white gold. The earrings formed with pear-shaped green stones within a surround of eighteen graduated round brilliant-cut diamonds and suspending from a long baguetteshaped diamond and two circular-cut diamonds in white gold. £200-300 1021. A quantity of assorted emeralds, approximately 73.00cts in total. £600-800 1022. A 19th century pearl and diamond flower head ring, a blue zircon solitaire ring, and three other diamond and gem-set gold rings. £200-300 1023. An opal and diamond-set half hoop ring, set with five graduated white opal cabochons, each separated with a rose-cut diamond in gold. And an opal-set platinum and gold bar brooch. Case. £300-400
1023 1024. An early 19th century gold foliate ‘REGARD’ brooch, set with the appropriate gem stones and an additional turquoise. 2cm. A pearl set 19th century gold folaite brooch, two locket pendants and a gold fine-link necklace (broken). £80-120 1025. A pair of turquoise mounted gold earrings, with wirework decoration, a pair of smaller oval shaped earrings pavé-set with turquoise cabochons and centred with a small diamond. And a pair of circular gold earrings pavé-set with graduated seed pearls. £200-300 1025
1024
7
1026. A gold snake-link long guard chain, with gold swivel clip. 152cm. 35g. A gold graduated twisted rope-link necklace, 19g. A 9ct gold hollow curb-link bracelet with 9ct gold padlock clasp. 18g. And three gilt-metal necklaces. £200-300
1028
1027. A gold horseshoe stickpin mounted with gem stones. A gold fox mask stick pin with ruby eyes. Four untested pearl mounted stick pins and six further gold stick pins. £200-300
1029
1028. An Art Nouveau silver oval-shaped scroll slide by Murrle Bennett & Co, London marks for 1900. An Arts and Crafts stone-set silver brooch, set with orange and green stones, an oval-shaped enamel plaque and a silver ring in the form of a serpent with enamel decoration. Size N. £200-300 1029. A Regency gold circular locket pendant, on a fine link gold neck chain mounted with seed pearls. An early 19th century carved chalcedony Maltese cross brooch, with gem-set two colour gold cannetille decoration and glazed locket compartment to the reverse. And a garnet-set pendant. £100-150 1030
λ 1030. A diamond set gold bar brooch, in fitted case, a ruby and diamond half hoop ring, a George III coral set mourning brooch and a seed pearl set gold bar brooch. £100-200 1031. A 9ct yellow gold propelling pencil by Samson Mordan & Co, ‘Centential’, striated and decorated with spots, London marks for 1924, signed, marked RD.683188. 11.5cm. Fitted box by Swan fountain pen. Mabie Todd and Bard. A gold cased propelling pencil cum dip pen by Mosley, London, engraved with foliate scroll decoration, bloodstone terminal. A gold propelling pencil cum dip pen by Mordan & Co. A gold cased propelling pencil by Samson Mordan & Co in the form of a pillar with amethysy terminal set to the capital. A gold cased fountain pen, the Swan pen Mabie Todd and Bard, New York. A gold cased propelling pencil by Samson Mordan & Co with engine turned decoration and chalcedony mounted terminal. And a small fluted gold-cased propelling pencil with engine turned decoration. 7.3cm (minimum). £300-400
8
1031
λ 1032. A two row graduated coral bead necklace, alternately set with smaller black stone beads. And another coral necklace. £100-150
1033. A single row jade bead necklace, the beads graduate from 6.6 to 9.8mm. £200-300
1034. A three row cultured pearl necklace, the pearls graduate from 5.0 to 8.5mm. The gold clasp set with four cultured pearls and a small diamond. 46cm. £300-400
1035. A three row graduated cultured pearl necklace, with citrine and seed pearl set gold clasp. A carved jade disc ring, a gold fancy link bracelet, a gold filigree brooch, a gold bangle and an amethyst and seed pearl set gold brooch. £200-300
1036. A two row cultured pearl necklace, with lozenge-shaped amethyst and cultured pearl gold clasp. 40cm (longest). £100-200
1037. A two row graduated cultured pearl necklace, the flower head clasp set with old cushion cut diamonds in silver and gold. And a graduated two row cultured pearl necklace with cabochon garnet and seed pearl clasp. And other loose cultured pearls. £200-300
9
1038. A single row amber bead necklace. 58g.
£300-400
1039. A long graduated amber disc necklace, a smaller amber bead necklace and an unusual shaped amber bead necklace. 184g in total. £500-700
1040. Three graduated amber bead necklaces, 169g in total. £500-700
1041. A cylindrical graduated amber bead necklace, 80g in total. 80cm. £500-700
1042. A large section of amber mounted as a pendant, on a gilt metal chain 7.5cm high. And a bracelet mounted with graduated sections of amber. Approximately 82g in total (not including chain). £300-400
1043. Two graduated amber bead necklaces (broken). 83g in total. £600-800
10
1044. A graduated carved amber bead necklace, 237g. 116cm. £1,000-1,500
1045. An amber necklace, 64cm. 34g.
£300-400
1046. An amber bead necklace, 48cm. 44g.
1047. An amber bead necklace, 112cm, 65g.
£600-800
1049. An amber bead necklace, 88cm. 54g.
£400-600
£400-600
1048. An amber bead necklace, 57cm and a shorter amber bead necklace 45cm. 36g in total. £200-300
11
1050. An amber mounted capstan-shaped continental silver inkwell, the body mounted with rectangular panels and a hemispherical section to the hinged cover. Marked to the base 800, HG within oval punch and 5 within triangular punch. 9.5cm high. And a wooden casket applied overall with rectangular and square sections of amber. 24cm wide. £400-600
1051. An amber bead necklace, 76cm. 50g.
1052. A three row amber bead necklace, and a flat amber bead necklace suspending a larger amber pendant. Metal mounts. 178g in total. £500-700
1053. A graduated amber bead necklace, 96g in total. 75cm. £500-700
12
£400-600
1054. A graduated amber necklace, applied with scrolling metal mounts. 40cm. 349g. £3,500-4,000
1055. An amber bead necklace, 66cm. 104g.
£400-600
1056. An oval shaped graduated amber bead necklace, 71g in total. 70cm. £500-700
1057. A large graduated oval amber bead necklace, 256g in total. 70cm. £1,000-1,500
13
Jewellery is now being accepted for the April 30th 2015 Sale
A 1950s diamond necklace. Estimate: ÂŁ20,000 - ÂŁ30,000 To be included in the April 30th sale.
ENQUIRIES Jonathan Edwards FGAA | Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA | Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk
A Belle Époque diamond necklace by Dreicer & Co, New York. Estimate: £75,000 - £100,000 To be included in the April 30th sale.
1058. A ruby and diamond pendant, the oval-shaped ruby is set within a surround of circular cut diamonds in white gold and suspends from a further circular cut diamond. Fine link white gold neck chain. £900-1,200 1059. A diamond set gold pendant, the circular brilliant cut diamond weighs approximately 0.35cts and is set in a yellow gold rub-over mount and suspends from a fine link gold neck chain. £200-300 1060. A pair of cultured pearl and diamond earrings, the pavé set bombé ear stud suspending a golden cultured pearl in yellow gold. 2cm high. £400-600 1061. A sapphire and diamond necklace, the snake link chain suspends eleven sapphire and diamond clusters within chevron shaped links in yellow gold. 36cm long. £300-400 1062. An amethyst and seed pearl fringe necklace, alternately set with graduated oval shaped amethysts and seed pearls in gold, 42cm long. With a matching amethyst and seed pearl bracelet. 17cm long. £600-800 1063. A 19th century citrine-mounted gold brooch, of scroll design and set with three oval shaped citrines, suspending a further citrine within yellow gold scroll border. 5.8cm high. £200-300 1064. A diamond and sapphire brooch, set with graduated circular cut diamonds and three oval shaped sapphires in silver and gold. Case. £500-700 1065. A zircon and diamond wreath brooch, the four zircons set within four foliate diamond sprays in white gold. 4.2cm wide.
£600-800
1066. A tourmaline and diamond foliate brooch, the flower heads centred with a circular cut pink tourmaline within diamond set petals in white gold. 4.2cm high. £600-800 1067. A diamond and gem set black gold bracelet, of geometric design the diamond set ovoids contain four oval shaped gem stones in black gold. 18cm long. £400-600 1068. A diamond line bracelet, the circular cut diamonds are set within yellow gold rubover mounts. 18.5cm long.
£400-600
1069. A gem set white gold bracelet, the links alternately set with calibré cut sapphires and rubies and circular cut diamonds. 19cm long. £600-800 1070. A Victorian circular gold locket pendant, set with a central old circular cut diamond. 3cm diameter.
£200-300
1071. A Victorian gold locket brooch, the circular brooch centred with a pearl-set star on domed blue enamel mount. Black and white stylised foliate enamel border. Glazed locket section to the reverse. 3.5cm wide. £200-300 1072. A garnet and diamond set gold bracelet, the nine cushion shaped and circular cut garnets are alternately set with circular cut diamonds in yellow gold. 17cm long. £600-800 1073. A gold fine-link long guard chain 405cm. 36g.
£300-400
1074. A late Victorian sapphire and diamond crescent brooch, with a central sapphire and diamond cluster within alternately mounted sapphire and diamond terminals, in yellow gold. 5cm wide. £200-300 1075. An aquamarine bead necklace, the faceted aquamarines alternately spaced with faceted rock crystal beads. With diamond set textured yellow gold flower head clasp. 41cm long. £800-1,200 1076. A yellow gold diamond set bracelet, with four articulated sections and set with five princess cut diamonds. 7cm internal diameter. £600-800 1077. A pair of garnet and diamond drop earrings, the pear-shaped cabochon garnets are set within a surround of circular-cut diamonds suspending from a further circular-cut cabochon garnet within a surround of diamonds in silver and gold. £450-550 1078. A Victorian gold brooch, the textured gold oval design applied with leaves and set with oval shaped garnets and aquamarines, suspending a conforming pendant and with a matching gem-set gold earrings. Case. £200-300 1079. A three stone diamond bar brooch, the three graduated cushion and circular cut diamonds on yellow gold bar brooch. 6.2cm wide. £300-400 1080. A Victorian foliate scroll locket brooch, set with graduated turquoise cabochons and a diamond with a glazed locket compartment to the reverse. 5.5cm wide. £200-300 1081. A Victorian gold scroll brooch, of carved twisted rope design and suspending two articulated tassels. 4cm wide.
16
£200-300
1060
1058 1061
1059
1062 (2) 1063 1064
1067
1068 1066 1065 1069
1072 1070 1071 1073 1062 (2) 1076
1075
1079
1074 1078 (2)
1077
1078 1080 Not actual size
1081
17
1082. A pair of cultured pearl and diamond earrings, the cultured mabé pearls are set with stylised textured yellow gold and diamond set surround. Clip fittings. London marks for 1971. Case by Garrard & Co. £400-600 1083. A sapphire bead necklace, suspending a sapphire and diamond cross pendant set in yellow gold. Applied with a plaque for Salvadori and 750 to the reverse. The pendant 3cm high. The necklace 46cm long. £600-800
λ 1084. An Egyptian-style gem set gold necklace, suspending three key of life pendants on stylised scarab design gold necklace set with turquoise, lapis lazuli and coral sections. 40cm long. 40g. £400-600 1085. A yellow and white gold necklace set with rubies and diamonds, the twisted yellow gold cablelinks are each set with six oval-shaped rubies and joined with white gold links, each set with seven circular-cut diamonds. 46cm. 90g. £3,500-4,000 1086. A single row lapis lazuli bead necklace, with cabochon sapphire and ruby set gold clasp. 45cm long. £200-300 1087. An amethyst and diamond brooch, the cabochon amethyst is set within circular cut diamond swags in platinum and yellow gold. 2.8cm wide. £400-600 1088. A pair of tanzanite and diamond drop earrings, each oval-shaped tanzanite suspends from a circular-cut diamond in white gold. £1,500-2,000 1089. A sapphire and diamond set gold turtle brooch, the central cabochon sapphire flanked with six circular cut diamonds to the stylized gold turtle. Ruby eyes. 3cm long. £600-800 1090. A pair of diamond set gold flower head earrings. Clip fittings. 2.2cm wide.
£200-300
1091. A pair of turquoise and diamond cluster earrings, set with a turquoise cabochon within diamond surround and ropetwist platinum mount. French control marks. £600-800 1092. A sapphire and diamond three stone ring. The emerald cut sapphire is set with two trapezeshaped shoulder diamonds in white gold. Size K. £2,000-3,000 1093. A pair of emerald and diamond cluster earrings, the oval shaped emeralds are set within a surround of circular cut diamonds in white gold. £2,500-3,000 1094. A pair of cultured pearl and diamond-mounted white gold ear studs.
£300-400
1095. A lapis lazuli gold bracelet, the textured circular links are set with five lapis lazuli cabochons in yellow gold. 18.5cm long. £300-400
18
1087
1086
1085
1084 1082
1083
1088
1090 1091 1089
1092
1093
1094
1095
19
1096. A French Art Nouveau gold brooch by Louis Rault, designed as the head of a woman wearing a diamond necklace, with initials LR. 2.5cm wide. £300-400 1097. A gold Arts and Crafts stick pin by Child and Child, heart-shaped enamel decoration depicting a peacock feather. Signed to the reverse with initials and flower. Case. £100-150 1098. A campana-form carved blue chalcedony pendant, set with two sapphires and suspending a seed pearl on fine link white gold neck chain. £200-300 1099. An Art Nouveau silver pendant containing a mirror, decorated with flowers to both sides with pink and yellow enamel petals. 6.8cm high. £400-600 Attributed to Pforzheim manufacture. For similar examples see Vivian Becker Art Nouveau Jewellery, plate 167. 1100. A gem-set silver choker necklace by Sah Oved circa 1935, comprising eight ball-shaped sections applied with stylised acorn shaped cabochon sapphires. Joined with curved and hollow tubular links with lines of cabochon rubies to the terminals. Unsigned. 39cm (internal circumference). In an oval wooden box with padded lining and label to the cover marked Mosheh Oved and Sah Oved to the interior. £1,000-1,500 Provenance: Sold Bonhams, 6th December 2007, lot 11. Sah Oved, born Gwendolyn Ethel Rendle, (1900 - 1983) served her apprenticeship with the Arts and Crafts jeweller John Paul Cooper until 1923 when she met her partner Mosheh Oved who owned the Bloomsbury antique shop Cameo Corner. 1101. A shamrock and ivy leaf design silver and malachite necklace, 40cm long, with a silver oval design malachite set bracelet. 16.5cm long. £80-120 1102. A set of six Art Nouveau silver buttons, each depicting a girl’s face with her hair circling round the whole circular disc. Maker WB&S and Birmingham 1902. 2.5cm wide. £100-150 1103. A silver bracelet by Georg Jensen, with alternating plain and stylised flower head panels. Marked Georg Jensen 56A. 19cm long. £200-300 1104. A gold Art Nouveau stickpin, depicting a girl’s head with her hair meeting under her chin and suspending a small diamond. Marked ES 14k. Case. A gold and enamel Art Nouveau stickpin. Depicting a girl’s head in profile, her face decorated with shaded enamel, wearing a diamond headband and surmounted with a pearl, marked 14k. Case. £200-300 1105. A silver stick pin by Georg Jensen, and two further stick pins by Georg Jensen.
20
£100-150
1096
1097
1099 1098
1100
1101
1103
1102 1104
1105
21
1106. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of circular-cut and baguette-shaped diamonds in white gold. Size P. £750-900 1107. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of diamonds with four small shoulder diamonds in platinum. Size O. £300-400 1108. A diamond cluster ring, the centre two old circular-cut diamonds are set within a surround of smaller circular-cut diamonds in white gold. Size N. £600-800 1109. A sapphire and diamond ring, the oval-shaped sapphire is set with four baguette-shaped shoulder diamonds in gold. Size L. £1,000-1,500 1110. A lozenge-shaped diamond ring, the centre emerald cut diamond is set within a surround of smaller circular cut diamonds in white gold. Size L 1/2. £1,000-1,200 1111. An aquamarine and diamond ring, the emerald cut aquamarine is set with two round brilliant cut diamonds in 18ct gold. Size N. £300-400 1112. A diamond cluster ring, the centre emerald cut diamond is set within a surround of circular-cut and baguette-shaped diamonds in white gold. Size O 1/2. £900-1,200 1113. A diamond solitaire ring, the round brilliant cut diamond weighs 0.93cts and is set in platinum. Size L. £3,000-4,000 Accompanied by report number 20036014211 dated 4th July 2003 from HRD, Antwerp stating that the diamond weighs 0.93ct with E colour VS1 clarity. 1114. A sapphire and diamond three stone ring, the square shaped sapphire is set with two old circular cut diamonds in platinum and gold. Size N. £400-600 1115. A diamond dress ring, the graduated marquise, baguette and circular cut diamonds of scrolling form in white gold. Size K 1/2. £400-600 1116. A sapphire and diamond set gypsy ring, the oval shaped sapphire is set with two old circular cut diamonds in platinum. Size P. £800-1,200 1117. A diamond solitaire ring, the old circular cut diamond weighs approximately 0.40cts and is set in platinum. Size I.
£400-600
1118. A sapphire and diamond three stone ring, the oval-shaped sapphire weighs 1.39ct and is set with two tapered baguette-shaped shoulder diamonds in platinum. Size J 1/2. £2,000-3,000 Accompanied by report number CS84099 dated 30th September 2014 from AGL, New York stating that the sapphire weighs 1.39ct, is a natural sapphire with no evidence of heat treatment or clarity enhancement. Origin: Cambodia. 1119. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 0.50cts and is set in platinum. Size N.
£300-400
1120. An aquamarine and diamond cluster ring, the oval shaped aquamarine is set within a surround of circular-cut and baguette-shaped diamonds in white gold. With six further shoulder diamonds. Size P. £650-750 1121. An amethyst and diamond dress ring, the cushion shaped amethyst is set within scrolling pavé-set diamond shoulders in platinum. Size Q. £400-600 1122. An aquamarine and diamond ring, the baguette-shaped aquamarine is set with six baguette-shaped shoulder diamonds in white gold. Size P. £450-550 1123. A diamond cluster ring, centred with a round brilliant-cut diamond and millegrain-set with smaller diamonds to the pierced star-form mount. Platinum and gold. Size N. £300-400 1124. A ruby and diamond five stone ring, alternately mounted with old cushion cut diamonds and two rubies, in yellow gold. Size K (approximately). £400-600 1125. A diamond five stone ring, the five graduated old circular cut diamonds weigh approximately 1.80cts in total. Set in white gold. Size O 1/2. £1,400-1,800 1126. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circular-cut diamonds in platinum. Size M. £200-300 1127. An opal single stone ring, the solid black opal cabochon is set in yellow gold. Size T.
£300-400
1128. A sapphire single stone ring, the oval shaped sapphire is set in plain yellow gold mount. Size M.
£200-300
1129. A diamond full circle eternity ring, set with twenty three old circular cut diamonds in platinum. Size L.
£400-600
1130. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of graduated circular cut diamonds in white gold. With six further shoulder diamonds. Size P 1/2. £450-550 1131. An amethyst and diamond cluster ring, the oval shaped amethyst is set within a surround of round brilliant cut diamonds in 18ct gold. Size M. £200-300 1132. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of graduated circular cut diamonds in white gold. Size O 1/2. £1,100-1,500 1133. A diamond cluster ring, the centre round brilliant-cut diamond is set within a surround of eight smaller diamonds in white gold. Size N. £1,500-2,000 1134. A diamond and sapphire cluster ring, the centre circular cut diamond is set with six fancy-shaped cabochon sapphires and graduated circular cut diamonds to the pierced millegrain platinum mount. Chevron engraved shoulders. Size N 1/2. £850-1,200 1135. A diamond cluster ring, centred with a circular cut diamond within a surround of graduated circular cut diamonds and four baguetteshaped diamonds in white gold. Size N. £1,200-1,600 1136. A foil and closed back circular-cut emerald-set gold ring, size K. And a larger foil and closed back circular-cut emerald-set silver ring. Size G 1/2. £200-300
22
1106
1107
1108
1111 1110
1113
1118
1119
1114 1115
1120
1109
1112
1116
1122 1121
1130
1127
1131
1133
1124 1123
1125 1126
1117
1128
1129
1132
1135 1134
1136
23
1137. An Art Nouveau gold pendant, of open foliate form, decorated with shaded enamel, set with three pearls and suspending an amethyst and with a fine-link gold neck chain. 3cm wide. £100-200 1138. An Arts and Crafts silver pendant by Liberty & Co, of open lyre-form applied with polychrome enamel. Stamped Silver and L&Co. Sketch number 8705. 4.5cm high. On fine link silver neck chain, 44cm long. £250-350 1139. An Art Nouveau French silver pendant, mounted with three cabochon amethysts and decorated with plique-a-jour enamel, silver finelink neck chain. French control marks and stamped DEPOSE. 6.5cm high. £250-350 1140. No Lot 1141. A silver and shell pansy brooch, maker MB and Birmingham marks for 1909. 4cm wide.
£80-120
1142. A 19th century gem set gold locket pendant, applied with a realistically formed gem set lizard, in yellow gold. Rubbed marks, possibly Russian. 4.7cm high. Giuliano Case. £400-600 1143. A Russian Art Nouveau emerald and diamond set navette shaped ring, centred with a cabochon emerald within graduated calibré cut emerald straps and diamond set border in gold. French control marks and 72 zolotnik mark. Size N. In damaged box from St Petersburg. £500-700 1144. An Art Nouveau gold brooch, depicting the head of a girl with rose-cut diamonds set to her hair and on a foliate background. French control marks. 2.3cm wide. £100-200 1145. An Art Nouveau gold pendant, mounted with an oval shaped amethyst and pearl. Suspended from an amethyst set gold bar brooch, with fine link chains. Both pieces marked for Birmingham 1906. Maker’s mark HM for Henry Matthews. 7cm high maximum. £200-300 1146. A Russian amethyst and demantoid garnet set bar brooch, Russian marks. 4.7cm wide.
£200-300
1147. A Russian amethyst and diamond stylised bow brooch, the sugarloaf shaped amethyst set with six old cut diamonds on carved and pierced bow design surround. Obscure Russian marks. 8cm wide. £400-500 1148. A collection of eight Arts and Crafts gold stick pins, all cased including a gold stick pin mounted with a circular cut sapphire within cannetille decoration, maker PV, Austrian. An opal mounted gold pierced stickpin by Murrle Bennett & Co, signed with initials in circle and 9ct. A silver-gilt stick pin mounted with a baroque-shaped pearl and small red stone, marked DEPOSE 900. A gold stickpin mounted with a pale jade oval-shaped cabochon, stamped L&A 14K. A pierced gold foliate stickpin mounted with an oval-shaped turquoise cabochon, with unknown maker’s mark and stamped 14K. A gold lozenge-shaped stickpin mounted with a turquoise cabochon, unknown maker’s mark and stamped 14K. A gold stickpin in the Jugenstil manner and mounted with an oval-shaped turquoise cabochon matrix. £300-400 1149. An Arts and Crafts silver pendant by Liberty, of circular stylised foliate form, centred with a circular pearl on and blue and green enamel ground. Stamped L&Co for Liberty, Cymric and Birmingham marks for 1901. 3cm wide. £200-300 1150. An Arts and Crafts silver and enamel pendant by William Hair Haseler, with glazed locket compartment to the front section and decorated with orange and green enamel to the foliate ground. Marks WHH and silver. 3.3cm wide. £300-400 1151. A French gold Art Nouveau pendant mirror, decorated with a girls head wearing a bonnet set with small diamonds, foliate decoration to the reverse and one flower set with small diamonds. Signed. With slide action revealing two mirrors (one cracked). French control mark. 2.8cm wide. £150-200 1152. An Arts and Crafts silver oval shaped brooch by Murrle Bennett & Co, centred with a circular blister pearl within blue and green enamel decoration. Signed with monogram to reverse. 2.5cm wide. £150-200 1153. A pair of diamond set flower head earrings, set with graduated circular cut diamonds in yellow gold.
£400-600
1154. An Arts and Crafts silver and enamel bracelet by James Fenton, formed with rectangular and circular links with enamel decoration, marked plain links and the clasp marked for James Fenton. Birmingham marks for 1910. 18cm. £200-300 1155. An Arts and Crafts silver shield-form brooch, with blue and green enamel decoration and graduated beaded strap work. James Fenton. Birmingham marks for 1908. 2.7cm wide. £100-150 1156. A silver-gilt stickpin mounted with a garnet cabochon and square blue stone, with scrolling wirework, signed to the reverse MST 800, case signed Max Strobl Munchen. A gold stickpin with pierced foliate decoration and centred with an oval-shaped fire opal. A gold stick pin with pierced foliate decoration and centred with a pear-shaped chrysoprase cabochon, broken shaft, with flowing scroll decoration and centred with a circular-cut peridot, marked IKO. A silver-gilt stickpin depicting a female figure wearing a low cut dress, suspending a baroqueshaped pearl, case by Tiffany & Co, New York, Paris, London. £200-300 1157. An Arts and Crafts silver Celtic knot brooch, with enamel decoration. Charles Horner, Chester 1908. 2.8cm wide.
24
£150-200
1141
1137
1138
1157 1139
1144 1143 1145 1142
1146 1149 1147 1148
1152 1156
1150 1151
1154 1155 1153
25
1158. A pair of amethyst set gold earrings, by Van Cleef and Arpels, the rectangular formed cabochon amethysts in rubover mounts. Each earring signed twice VCA, London import marks for 1996 and inventory number FA0301AMS. French control marks. £1,000-1,500 1159. An amethyst and diamond-set gold choker length necklace, centred with a large oval-shaped amethyst with flexible yellow gold necklace, the shoulders each set with graduated circular cut diamonds. 39cm. 102g. £2,000-3,000 1160. A peridot and diamond flower head pendant, the circular cut peridot is set within diamond cluster petals in yellow gold. 2.1cm diameter. £300-400 1161. A French gold brooch realistically formed as a rose, with textured gold petals set with circular cut diamonds. French marks. 4.5cm high. £400-600 1162. A pair of stylised rose-form earrings by Vacheron Constantine, the textured yellow gold petals are set with lines of circular cut diamonds in platinum. 3cm high. Signed Vacheron Constantine, with French marks and makers lozenge. £300-400 1163. A two row cultured pearl necklace, the matched cultured pearls measure approximately 9.5mm diameter. With a large amethyst and diamond set textured gold clasp. 74 and 78cm long. £1,000-1,500 1164. A yellow gold face mask brooch by Buccellati, the textured gold with pierced eyes. Signed Buccellati to reverse. 3.2cm tall. £400-600 1165. A diamond solitaire ring, the modern brilliant cut diamond weighs approximately 1.80cts and is set in platinum with circular cut shoulder diamonds. Size O. £2,200-2,800 1166. An amethyst mounted gold ring by Cartier, set with a cabochon amethyst in white gold. Signed Cartier F79395 1997. Size S. £300-400 1167. A ruby set gold cross pendant by Theo Fennell, carved and pierced to the reverse and signed Theo Fennell. 6.8cm high. £300-400 1168. A gold Alhambra necklace by Van Cleef & Arpels, with ten carnelian quarterfoil sections joined by fine-link gold chain. One section signed VCA and numbered JB396366. 43cm long. £1,000-1,500
λ 1169. A long gold necklace by Cartier, the fine-link yellow-gold chain spaced with seven ivory cylinders set with fluted ball terminals. Signed Cartier, with inventory number 64265. 88cm long. £1,000-2,000
26
1158
1160
1159
1166
1165
1161
1164
1162
1163
1167
1168
1169
27
1170. A silver cigarette case retailed by Henry E. Hoffmann, 630 Fifth Avenue, New York City, also with French import marks. Rectangular form, X frame opening, reeded decoration and set with sapphires in yellow gold mounts. Engraved Mildred. In a fitted suede case. 12cm long. 6oz. £200-300 1171. A 19th century gold-mounted malachite snuff box, of rectangular form with lozenge and foliate decoration to the borders. 8cm wide. £200-300 1172. A 19th century two colour gold snuff box, of rounded rectangular form. The pink body with engine turned decoration, foliate scroll and shell yellow gold borders, the large oval shaped cartouche to the hinged cover engraved with the initials. 7.4cm wide. £800-1,200 1173. A gold charm bracelet, the two row fancy-link gold bracelet mounted with assorted stone mounted 19th century gold fob seals and watch keys. £1,500-2,000 1174. A French gold propelling pencil with foliate green and yellow guilloche enamel decoration and slide set with two sapphire cabochons. French control marks and maker’s lozenge PF with swallow, probably for Paul Frey for Lacloche Frères. 6.5cm long. With a Lacloche leather box. £400-600 1175. A pair of French early 20th century platinum cufflinks, the square links each set with five circular cut diamonds. 1.3cm wide. £800-1,200 1176. A pair of gold circular disc cufflinks, with lattice-form decoration and each disc centred with a red stone. Engraved to the reverse 25-3-46. 1.3cm wide. £300-400 1177. A pair of crystal mounted silver cufflinks, of octagonal-form with pierced flat links.
£400-600
1178. A set of six early 19th century glazed buttons, each decorated with rural scenes and all including doves. Possibly French. Each button 3.5cm wide. Fitted case. £200-300 1179. A carved hardstone cameo mounted ring, possibly depicting Socrates. Mounted in a silver gilt ring with foliate carved shoulders. Size U. £300-400
28
1171
1170
1172 1173
1174 1175
1176
1177
1178 1179
29
1180. A sapphire ruby and diamond peacock brooch, the body pavé set with rose cut diamonds, the tail millegrain set with graduated lines of diamonds, rubies and sapphires in silver and gold. 2.5cm wide. £600-800 1181. An Edwardian gem-set gold brooch, centred with an oval-shaped pink topaz within a surround of demantoid garnets and seed pearl border. 2cm wide. £150-200 1182. A late Victorian pearl and diamond set gold pendant, set with concentric rings of pearls and rose-cut diamonds and suspended from a diamond set bow. 5.5cm high. £400-600 1183. A pair of mauve enamel and diamond set gold pansy brooches, set with a central white sapphire within enamel petals and rose cut diamond borders in yellow gold. 4.1 and 3.4cm high. £400-600 1184. A 19th century adjustable gold and silver calendar disc pendant, set with a diamond and a ruby (one stone missing) and marked for the perpetual calendar and sunrise. 2cm. £100-200 1185. A 19th century diamond and pearl set fan brooch, set with graduated rose cut diamonds and seven pearls in silver and gold. French control marks. 4cm high. £800-1,200 1186. A graduated opal bead necklace, each bead is separated with a crystal rondel.
£400-600
1187. An antique yellow gold foliate pendant, the carved and pierced thistle is set with three old circular cut diamonds and an oval shaped ruby in yellow gold. 2.5cm wide. £600-800 1188. A late Victorian diamond-set flower-head brooch, centred with a cushion-shaped diamond and further rose cut diamonds to the petals. Case. £300-400 1189. A jade bead necklace, the matched grey/lavender beads are each spaced with a crystal rondel. 59cm. £600-800 Accompanied by report number 10407 dated 2nd November 2014 from The Gem and Pearl Laboratory, London stating that two beads examined as a sample of the 35 lilac, greenish lilac, greyish lilac and greenish greyish lilac beads were jadeite jade with no evidence of treatment. 1190. An opal bead necklace, the graduated beads are each separated with a faceted crystal rondel, with an opal-set white gold clasp. 42cm. Case. £500-700 1191. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of old circular cut diamonds in platinum and gold. Size L 1/2. £600-800 1192. A Victorian diamond and untested pearl arrow brooch, set with old cushion cut diamonds and a central pearl and diamond cluster in silver and gold. 5.5cm wide. £600-800 1193. A French gold Art Nouveau square-form locket pendant, with foliate decoration. French control marks. 2.9cm wide. £150-250 1194. An early 20th century pearl and diamond bar brooch, the seven graduated pearls are millegrain set within old cut diamonds in platinum and yellow gold. 5.5cm wide. £200-300 1195. A sapphire and diamond brooch, the geometric design millegrain set with lines of calibré cut and circular cut diamonds with a central emerald cut sapphire in platinum. 5cm wide. £200-300 1196. A 19th century amethyst and seed pearl bracelet, the cushion shaped amethysts are set within a surround of seed pearls between small amethyst cannetille clusters in gold. French control marks. 16cm long. £800-1,200 1197. A Victorian sapphire and diamond triple cluster ring, the three circular cut sapphires are set within a surround of circular cut diamonds in 18ct gold. Birmingham marks for 1895. Size P. £300-400
30
1181 1183 part
1180
1182
1183 part
1185
1184
1186
1189 1187 1190 1188
1191
1192
1193
1197 1196
1194
1195 Not actual size
31
1198. A 19th century gold brooch, set with a large oval shaped amethyst within gold filigree surround. 6cm wide. Fitted case. £400-600 1199. A Victorian style garnet set gold target brooch, set with nine cabochon garnets within ropetwist design. London marks for 1968. 3.5cm diameter. £200-300 1200. An aquamarine and white stone cluster brooch, the cushion shaped aquamarine is set within a surround of old cut white stones in silver and gold. Austrian marks. 2.2cm widest. £200-300 1201. A 19th century gilt metal long guard chain, the circular links with stylised lattice decoration. 118cm. £200-300 1202. A 19th century French star-centred circular brooch, with a central half-pearl and decorated overall with turquoise cabochons and small diamonds in silver and gold. Detachable brooch fitting. French control marks. 3cm. £300-400 1203. An amethyst and pearl brooch, the large old circular cut amethyst is set within a border of alternating amethysts and pearls in yellow gold. 2.6cm wide. £400-600 1204. An Art Nouveau style gold eagle brooch, realistically formed and clasping an olive branch and suspending an old circular cut diamond from its beak. 6cm wide. £200-300 1205. A pair of gold Art Nouveau studs by Wiese, of pierced circular foliate scroll form. Signed to the reverse, twice. 1cm wide. £200-300 1206. A gold and enamel snake head, applied with green guilloche enamel and diamond set eyes in yellow gold. French control marks. 6cm long. £100-150 1207. A Victorian gold long guard chain mounted with oval turquoise cabochons, 144cm long, suspending a pendant pavé-set with smaller turquoise cabochons in silver gilt. £200-300 1208. A Victorian pearl and garnet cluster ring, the sugarloaf garnet is set within a surround of seed pearls in gold. Closed back with later engraving for 1927. Size K 1/2. £80-120 1209. A turquoise and diamond half hoop ring, the three graduated turquoise cabochons set between four old cushion cut diamonds in carved and pierced yellow gold mount. Size K. £300-400 1210. A gold double snake hinged bangle, realistically formed and set with rose-cut diamonds and with ruby eyes, 118g in total. £3,000-4,000 1211. A ruby and diamond bar brooch, the graduated oval shaped rubies millegrain set with old cut diamonds in platinum and yellow gold. 5cm wide. £400-600 1212. A Victorian diamond set cockerel brooch, set with old cut diamonds and a ruby eye in silver and gold on a yellow gold safety pin. 4.5cm wide. £80-120 1213. A pair of 19th century gold filigree and amethyst earrings, the pear shaped amethysts within scrolling filligree surround. 5.2cm long. Case. £300-400
32
1200
1199
1198
1203
1202 1204
1201 1206
1205
1208 1210 1209
1207
1211 1213
Not actual size
1212
33
1214. A pair of gem set enamel flower head earrings, each designed as three flower heads centred with ruby, emerald or sapphire clusters within white enamel petals in yellow gold. 2cm high. £800-1,200 1214A. A single row natural pearl necklace, the pearls graduate from 3.8 to 7.5mm. With plain gold barrel clasp. £6,000-8,000 Accompanied by report number 303281 dated 9th May 2015 from Laboratoire De Gemmologie Français stating that the pearls graduate from 3.8 - 7.5mm and are natural saltwater pearls. 1215. An early 20th century two pearl pendant, the untested baroque pearls with white gold mounts set with rose-cut diamonds, suspending from an oval-shaped section set with further rose-cut diamonds on a fine link white gold neck chain. £300-400 1216. An Edwardian pearl and diamond pendant, the natural saltwater baroque pearl suspends from an articulated line of slightly graduated rose-cut diamonds and a diamond-set bow. Fine link neck chain. Fitted case. £1,000-1,500 Accompanied by report number 10410 dated 2nd November 2013 stating that the irregular flattened dropshaped part-drilled pearl measures 8.5 - 12.2 x 16.6mm, weighs 11.98ct and is a natural saltwater pearl. 1217. A natural pearl and diamond bar brooch, of scroll form and set with old circular cut diamonds and a central pearl in yellow gold. 3cm wide. £100-150 1218. A pear-shaped black opal and diamond pendant, the opal is set within a surround of rose-cut diamonds in platinum and gold. £1,500-2,000 1219. A freshwater pearl and diamond ring, the freshwater pearl within carved millegrain set diamond mount. Size J. £600-800 Accompanied by report number 5286 from the Gem & Pearl Laboratory stating that the pearl weighs 7.74cts and is natural freshwater. 1220. A late Victorian natural pearl and diamond necklace, the centre flowerhead design set with a pearl within a surround of circular cut diamonds and suspending a pearl with two further diamonds and pearl drops and diamond scrolls between. In silver and gold. Fine link neck chain. £4,000-6,000 Accompanied by report number 10435 dated 11th November 2014 stating that six pearls are natural saltwater.
1214A
1: Three drop-shaped part-drilled pearls (the centre with a worked back) measuring 6.3 - 7.4 x 9 - 10mm, 6.6 - 7.6 x 8 - 9mm and 6.6 - 7.2 x 9 - 10mm. 2: A part drilled button-shaped pearl measuring 6.8 - 6.9 x 6.7mm. 3: Two drilled button pearls, both 4.6 x 4.1mm. 1221. A single row graduated jade bead necklace, the beads graduate from 6.8 to 12.5mm. 52cm long. 1222. A natural pearl and emerald bead necklace, with a jade and enamel flower head gold clasp. 48cm long.
£200-300 £1,500-2,000
Accompanied by report number 04971 dated 6th December from The Gem and Pearl Laboratory, London stating that the 56 pearls graduate from 5.0 to 7.1mm and are natural saltwater pearls. 1223. A diamond and yellow gold feather pendant, channel set with a central line of single cut diamonds in platinum and yellow gold. 8.2cm long. £300-400 1224. An Edwardian pearl and diamond bow brooch, the stylised bow set with half pearls and a central rose cut diamond, suspending a larger baroque pearl. 3.8cm wide. £600-800 1225. A pearl and diamond brooch, the central pearl and diamond cluster with alternately set pearls and diamond to either side. In yellow gold. 4.5cm wide. £600-800 1226. A gold fine-link necklace mounted with eight untested baroque-shaped pearls and suspending a gold pendant mounted with five larger baroque-shaped untested pearls. £600-800 1227. A natural pearl and diamond brooch, the oval-shaped pearl is set within a surround of diamonds and further graduated circular cut diamonds to the ribbon shoulders. Set in white gold and platinum. 5.8cm wide. £3,000-4,000 Accompanied by report number 10467 dated 14th November 2014 from The Gem and Pearl Laboratory, London stating that part-drilled pearl with several cracks on its worked base measures 15 - 16 x 13 - 14mm and is a natural saltwater blister pearl.
34
1217 1215 1214
1219
1218
1216
1220
1221
1222
1224 1223
1225
1227 1226
35
1228. A Victorian micro mosaic gold brooch pendant, the tesserae depicting two doves with roses within a geometric design border in yellow gold. 3cm high. £600-800 1229. An early 19th century emerald set foliate necklace, suspending granulated gold emerald set panels from the elaborate flower head and swirling gold necklace. 41cm long. £1,500-2,000 1230. An Edwardian diamond and ruby-set harem ring, the five bands are each set with rubies and diamonds in platinum and gold. Size I. £600-800 1231. A circular micro mosaic brooch, the tesserae depicting a scarab beetle within gold wirework border. 2.5cm diameter. £100-150 1232. A pair of 19th century micro mosaic ear clips, depicting flowers within quarterfoil border in yellow gold. 2.2cm wide. £400-600 1233. A small early 19th century micro mosaic brooch, depicting a spaniel and mounted in gold. The micro mosaic 1.2cm wide. £60-80
λ 1234. A gem-set gold hinged bangle, mounted with various stones including a cushion-shaped diamond, a ruby, a sapphire, a pearl, coral, a catseye and a turquoise cabochon, each separated with a small circular cut diamond. £1,000-2,000 1235. A Victorian garnet set gold festoon necklace, the snake link chain suspending a line of graduated cabochon garnets with interlinking gold chain. The three principle pendants set with an old cut diamond within gold star surround. 38cm long. £800-1,200 1236. A 19th century gold and rock crystal pendant, with carved coronet mounts and gold sphere terminals. 8.2cm long. £600-800
λ 1237. An antique tortoiseshell pearl and enamel hair comb, the tortoishell comb surmounted with a coronet style enamel and pearl mount. 10cm wide. Fitted case. £600-800 1238. A 19th century archeological revival gold cruciform pendant brooch, of Etruscan style and demonstrating fine wirework and granulation, with circular glazed locket compartment to the reverse, suspended from a detachable stylised flower-head pendant. 5.2cm wide. £600-800 1239. A gem-set coronet brooch, mounted with a cushion shaped sapphire, pear-shaped pink topaz, and a pear-shaped amethyst in silver and gold. Set with smaller rubies, diamonds sapphires and emeralds. Late 19th century. 6cm wide. £600-800 1240. A Victorian gold brooch, set with garnets, seed pearls and turquoise within gold scrolling surround. Glazed locket compartment to reverse. 4.8cm wide. £200-300 1241. A Victorian gold collar necklace, 44cm. 39g.
36
£400-600
1230 1228
1232
1234
1231
1233
1229
1235
1238 1236
1239 1237
1241
1240
37
λ 1242. A silver gilt necklace suspending seven 19th century ivory disc opera and theatre passes. £3,000-5,000 Throughout the 19th Century, Opera and Ballet subscribers were issued with admittance tokens. The famous Hollywood costume designer Edith Head made a silver gilt necklace with thirteen of these ivory discs, each engraved with the name of the subscriber, the valid year, theatre and seat allocation. It was bequeathed to Elizabeth Taylor and after her death in 2011 was sold by Christies at the famous sale of the Elizabeth Taylor Collection in New York for $300,000. This necklace is a similar silver gilt copy and suspends seven discs. These include the pass for the Earl of Bristol (1769 - 1859) for 1831 and interestingly to his Opera box 69 1/2. The other passes include the name Walter Trevelyn Esq., 1863, Lady Campbell 1841, C Filica Esq., E.H. Maltby Esq. 1243. A 19th century faceted hardstone bracelet, with gold mounts and a damaged stone-set gold padlock clasp. £100-200 1244. A George III gold long guard chain, the circular links chased with granular and star pattern. With later gem-set gold clasp. 84cm long. £600-800 1245. A George III topaz and diamond set ring, the oval-shaped topaz is set with two rose-cut shoulder diamonds in a scrolling closed back gold mount. Size I 1/2. £300-400 1246. An alexandrite and diamond cluster ring, the cushion-shaped alexandrite weighs approximately 3.20cts and is set within a surround of old cut diamonds in gold. Size K. £8,000-10,000 Accompanied by report number 10070 dated 24th June 2014 from The Gem and Pearl Laboratory, London stating that the natural alexandrite chrysoberyl measures 8-9 x 6-7 x 6.6mm and appears green in daylight and purplish red in incandescent light. 1247. A spinel and diamond three stone ring, the oval-shaped red spinel is set with two round brilliant cut shoulder diamonds in gold. Size N 1/2. £1,000-2,000 1248. An early 19th century diamond ring, the cushion-shaped diamond is set with smaller diamonds in a pierced foliate mount in silver and gold. Size L. £2,000-3,000 1249. An 18th century gem-set foliate brooch. The centre stem is set with graduated cushion-shaped sapphires. The leaves with cabochon emeralds, rubies and rose cut diamonds. Closed back silver mount. 11cm. £2,000-3,000
38
1247
1242 1245
1246 1244 1248
1249 1243
39
1250. An amethyst and diamond target brooch, the circular cut amethyst is set within a surround of diamonds and pearls in white gold. 3cm wide. £800-1,200 1251. A gold leopard brooch by Cartier, the realistically formed animal with black enamel spots and cabochon emerald eyes. Signed to the reverse Cartier, numbered 620616 with assorted French control marks. 4.5cm wide. Cartier Case. £1,000-2,000 1252. A pair of diamond spray earrings, the circular pierced discs within a graduated diamond surround and further diamond set scroll in platinum. 2.5cm widest. £600-800 1253. An Art Deco diamond set clip brooch, set overall with graduated circular-cut and baguetteshaped diamonds in platinum. £300-400 1254. An Art Deco diamond emerald and black onyx brooch pendant of Islamic influence, centred with a triangular diamond within black onyx border and millegrain set with graduated diamonds and calibré-cut emeralds to the scroll design. Suspending a further diamond and emerald section in platinum. 6cm high. £7,000-9,000 1255. A lattice form diamond-set bracelet, alternately mounted with pear-shaped and marquiseshaped diamonds within square borders of baguette-shaped and circular-cut diamonds in platinum. In distinct inventory number. 17.5cm long. £15,000-20,000 1256. A lady’s Art Deco small ‘baguette’ platinum wristwatch by Cartier, the cream rectangular dial with black Arabic numerals, measuring 1.0 x 0.5cm. Fluted double lugs. Signed Cartier France. Back winding. Engraved to the reverse F.D.M, France. Black leather double cord band with yellow gold deployant clasp numbered 03315 and with French control marks. With red leather Cartier case. £5,000-7,000 1257. A pair of early 20th century aquamarine and diamond set drop earrings, each circular cut aquamarine suspends from a foliate design, millegrain set with graduated circular cut diamonds in platinum and gold. Case. £2,500-3,000 1258. An emerald and diamond cluster ring, the emerald cut emerald weighs approximately 7.00cts and is set within a surround of circular cut diamonds in white gold. Size P 1/2. £3,000-5,000 1259. A 1940s diamond set gold fluted bombé-shaped ring, centred with a small, raised circular dome set with diamonds. Size H. £800-1,200 1260. A pair of diamond drop earrings, each pear shaped diamond suspends from an articulated line of seven old circular cut diamonds in platinum and white gold. 3.6cm long. £4,000-6,000 1261. A diamond cross-over ring, set with two round old brilliant-cut diamonds which weigh approximately 3.50cts in total, set in platinum. Size I 1/2. £5,000-7,000
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1250
1251 1252
1254
1253 1255
1256
1260
1258
1259
1261
1257
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1262. A gem set and enamel gold butterfly brooch, the butterfly with opal wings and a ruby and diamond set body, perched amongst foliage tied with a blue enamel bow. 5cm long. Fitted case. £600-800 1263. A mauve enamel and diamond set gold flower head brooch, the realistically formed sweet pea is set with an old cushion cut diamond in yellow gold. 5cm high. £600-800 1264. An early 20th century ruby, diamond and pearl-set bee brooch, set overall with rose-cut diamonds and the body centred with an oval-shaped ruby, ruby eyes and pearl head in platinum and gold. £800-1,200 1265. An Edwardian small gold pendant, formed with four hearts and set overall with seed pearls and suspending from a pearl-set gold fine-link neck chain. Fitted case. £100-150 1266. A Victorian gem-set bee brooch, the body alternately striped with lines of rose-cut diamonds and blue enamel. Rose-cut diamond set wings and the body formed with a tiger’s eye cabochon. Set in silver and gold. 3cm long. £800-1,200 1267. An Edwardian opal and diamond pendant, centred with a heart-shaped opal within a surround of graduated cushion-shaped diamonds in silver and gold. £1,800-2,500 1268. A late Victorian emerald and diamond four leaf clover brooch, each petal centred with an emerald within a surround of rose cut diamonds and two larger circular cut diamonds in silver and gold. 3cm high. £800-1,200 1269. An early 20th century opal and diamond-set brooch, the oval-shaped cabochon white opal is set within a surround of rose-cut diamonds and further diamonds to the silver and gold mount. £600-800 1270. An Edwardian ruby and diamond foliate brooch, the diamond set flowers are set within a calibré cut ruby surround and suspending a pearl in yellow gold and platinum. 5cm long. £600-800 1271. A late 19th century gem-set bee brooch, with diamond set wings, diamond and sapphires to the body and centred with an oval shaped opal cabochon. Ruby eyes, and further diamonds to the head and legs. Set in silver on gold. 4cm. £1,000-2,000 1272. An Edwardian moonstone double heart brooch, each carved moonstone heart is set within a surround alternately set with diamonds and rubies and with further rubies and diamonds set to the surmounting bow in gold. 2.5cm wide. £300-400
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1263
1262
1265 1264
1269 1266 1267 1268
1270
1271
1272
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1273. A diamond full circle eternity ring, channel-set with square-shaped diamond in platinum. Size J. £2,500-3,500 1274. A diamond full circle eternity ring, channel-set with baguette-shaped diamond in platinum. Size K 1/2. £1,500-2,000 1275. A diamond solitaire ring, the circular brilliant-cut diamond weighs 3.51ct and is set in platinum. Size L. £6,000-8,000 1276. A diamond-set full circle eternity ring, channel-set with baguette-shaped diamonds in platinum. Size K 1/2. £1,500-2,000 1277. A pair of pearl and diamond cluster earrings, the pearls each set within a surround of old circular cut diamonds in yellow gold. 1.8cm wide. £4,500-6,000 1278. A late Victorian topaz and diamond brooch, the oval shaped orange topaz weighs approximately 20.00ct, set within a surround of twenty old circular cut diamonds in silver and gold. 2.7cm wide. Case. £10,000-15,000 1279. A pair of French diamond-set open disc earrings, set with two rows of rose-cut diamonds in platinum. Clip mounts. Maker’s lozenge with initials PC and French control marks. 2.1cm wide. £1,200-1,500 1280. Sixteen assorted gem-set platinum and gold charms, including three dog charms, three cat charms, a windmill with triangular diamond sails and set with an emerald and two rubies, a sapphire and diamond bee charm, a diamond and cabochon sapphire Mr Punch charm, two accordion players, a lute player with sapphire hat and a see-saw charm with heart and couple with a fine link platinum bracelet. £2,000-3,000 1281. A French scroll brooch set with sapphires and diamonds, C1935. Set with circular, square and baguette-shaped diamonds in platinum with rubbed engraved lettering and numbers, H730 and French platinum control marks. 6cm. £4,000-6,000 1282. An emerald and diamond-set double heart and foliate design pendant, set overall with circular and marquise-shaped diamonds and calibré-cut emeralds in platinum and white gold. 5cm high. £4,000-6,000
✣1283. A pair of Burmese ruby and diamond drop earrings, the circular cut rubies weigh approximately 1.30 and 1.50ct and are set within a surround of circular and baguette-shaped diamonds and suspend from three further baguette-shaped diamonds. £13,000-15,000 Accompanied by report number 07783 dated 17th May 2013 from The Gem and Pearl Laboratory, London stating that the rubies measure 6.7 - 6.8 x 4.8mm and 6.6 - 6.8 x 4.0mm and are natural rubies with no evidence of heat treatment. Origin opinion: Burma.
44
1273
1275
1274
1276
1278 1277
1279
1280
1281
1282
1283
45
1284. An early 20th century lilac coloured star sapphire and diamond ring, the oval shaped cabochon sapphire set in a platinum mount with circular and baguette shaped diamonds. Size K 1/2. £4,000-6,000
λ 1285. An Art Deco coral, diamond, onyx and enamel bracelet, of geometric design. The stylised panels alternately millegrain set with three sections of coral within black enamel border, and old circular cut diamonds surrounding a black onyx cabochon, in platinum. 17.5cm long. Case. £6,500-8,000 1286. An Art Deco emerald and diamond plaque brooch by Cartier, of open rectangular form and pavé set with graduated cushion shaped diamonds in platinum and gold. Centred with two square shaped emeralds and with an internal border of black enamel. Signed Cartier Londres. 5cm wide. With Cartier box missing fitted interior. £10,000-15,000
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1284
1285
1286
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Tribal Art Tuesday 10th February 2015
An Austral Islands paddle, 2nd quarter 19th century, 124cm long. Provenance – William Raymond Browne (1819 – 1907) Collected in New Zealand before 1878 and thence by descent. Estimate: £2,000-3,000
ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk
Fine Silver Wednesday 29th April 2015 Closing date for entries 6th March 2015
ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424530 lucychalmers@woolleyandwallis.co.uk
A George III silver plate from Admiral Lord Nelson's Copenhagen service, by Timothy Renou, London 1801. Estimate: ÂŁ8,000 - ÂŁ12,000
Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.
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LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.
PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk
APS
0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info
Mailboxes
01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover
Pack & Send
0845 465 0564 sales@packsend.co.uk www.packsend.co.uk
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
21. English law applies to the interpretation of these Conditions.
Lots marked with a ‡ symbol are potentially subject to the levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500
Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
Woolley & Wallis valuations are accepted by all leading insurance companies.
DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM
DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM
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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU
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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.
Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.
SOUTHAMPTON CATHEDRAL
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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.
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WOOLLEY & WALLIS Salt Lane
Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE
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Registered in England No. 2998482
Salisbury Salerooms
CHIPPE
WOOLLEY & WALLIS
SCOTS LANE
Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU
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A338 BOURNMOUTH & RINGWOOD
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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU
ARN HAM
A354 DORCHESTER WEYMOUTH & BLANDFORD
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W OOLLEY & W ALLIS S ALEROOMS
Qudos CASTLE STREET
VAT No: 631 9832 29 TESCO
Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk
Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.
Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.
WOO L LE Y & WA L LI S Absentee Bid Form
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Jewellery
Brief Decription
Price Excluding buyer’s premium & VAT
Thursday 22nd January 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Address
Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.
Signature
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
www.woolleyandwallis.co.uk
AUCTION CALENDAR 2015 FURNITURE & WORKS OF ART 8th January 25th March 1st July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 21st January 29th April 14th & 15th July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 22nd January 30th April 16th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 10th February Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 11th February 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 24th February– Fine Porcelain & Pottery 21st April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 25th February – A Private Collection of British Art Pottery 15th April – Clarice Cliff, Art Deco & 20th Century Design 17th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 11th March 3rd June Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ARMS & ARMOUR 25th March Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk ASIAN ART 20th & 21st May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk
www.woolleyandwallis.co.uk