Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

British Art Pottery

Wednesday 30th November 2016

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 2

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

424500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 3

BRITISH ART POTTERY

INCLUDING THE STUDIO POTTERY COLLECTION OF DR JOHN SHAKESHAFT

DESIGN

Wednesday 30th November 2016 at 10.30am VIEWING TIMES Saturday 26th November Monday 28th November Tuesday 29th November Wednesday 30th November

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.30am

ENQUIRIES

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

Zoe Smith 01722 424505 zs@woolleyandwallis.co.uk COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street Saleroom on Friday 2nd December. Furniture will be removed to our Old Sarum warehouse on Friday 2nd December for collection. All remainder lots will be cleared to our Salt Lane office on Friday 2nd December. If you are collecting items on or after this date please contact the department to arrange in advance. Our Old Sarum Warehouse address details and map are at the back of this catalogue. All accounts to be settled prior to collection. TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 29th November. LIVE BIDDING ILLUSTRATIONS Front cover: Lots 367, 368 & 369 Back cover: Lot 383 detail Inside cover: Lots 131,130, 125, 124, 139 Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 29th November. Please note there is a 3% +VAT surcharge for using this service.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 4

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 5

DOULTON

1. A Doulton Lambeth stoneware vase by Ethel Beard, flaring cylindrical form, cast in low relief with flag iris, glazed in shades of blue, green and white impressed marks, incised EB monogram, 37cm. high £200-300 2. A Doulton Lambeth Majolica stoneware garden seat, modelled in low relief with mask and scroll design with foliate and shell terminals, in shades of green, mustard and ochre, unmarked, professional £200-300 restoration to base, 45cm. high Literature Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 255 for a jardiniere and stand in this range illustrated.

3. A Doulton Lambeth stoneware vase by Eliza Simmance, dated 1883, shouldered form, painted in impasto with panels of wild flowers, in white and blue on an olive green ground impressed mark, incised artist monogram, 24cm. high £200-300

4. A Doulton Lambeth stoneware vase by Louisa Davis, dated 1881, tall, shouldered cylindrical form with everted rim, incised and modelled with Japoniste flower sprays, in shades of brown, blue and green on a buff ground, impressed and incised factory marks, 43cm. high £250-300 5. A Doulton Lambeth stoneware tazza by Francis Lee, dated 1886, incised with a radiating flower-head design with slip painted flowers and applied beadwork borders, in shades of ochre, green and blue on a buff ground, the exterior radiating foliage, impressed and incised artist monogram, 21.5cm. diam. £150-200

5 side 5

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 6

6. A Doulton Lambeth stoneware vase designed by Frank Butler, dated 1877, baluster form with applied lion mask handles, incised and applied with a band of stylised foliage in shades of purple, green, blue and brown impressed factory marks, 30cm. high £300-400 7. A Doulton Lambeth stoneware jug by George HugoTabor, tapering cylindrical form, incised and painted with a frieze of foliage between geometric flower borders, in blue and green on a buff ground, impressed factory mark, incised artist monogram, 23.5cm. high £200-300

8. A Royal Doulton stoneware baluster vase by Francis Pope, incised with a frieze of Art Nouveau flowers in shades of green and purple on a purple ground, a Doulton stoneware vase and a jug, impressed and incised marks, damages, 28.5cm. high. (3) £150-200 9. A Doulton Lambeth stoneware vase by Hannah Barlow, with associated cover, incised with a lion confronting two young ibex, in black on a tan ground, with applied silver rim, impressed marks, incised artist monogram, London 1901, frits to cover, 15.5cm. high £200-300

10. A pair of Royal Doulton stoneware vases by Hannah Barlow, ovoid incised with a frieze of resting and grazing cattle, above a border of stylised flowers and foliage, in green, blue and ochre on a buff ground, impressed factory mark, incised monogram, 13.5cm. high, (2). £200-300 Provenance 20th Century Design, Woolley and Wallis Auctioneers, 7th March 2012 lot 1000. Private collection. 11. A Doulton Lambeth stoneware beaker by Hannah and Lucy Barlow, dated 1883, incised with a frieze of dogs, between foliate borders, glazed brown, blue and mushroom, impressed marks, incised artist monograms, £150-200 small glaze chip to top rim, 13.5cm. high

12. A Doulton Lambeth stoneware plate by Hannah Barlow, dated 1882, incised to the well with two ponies grazing, the rim with a border of scale motif in shades of blue impressed and incised marks, professional restoration to fluted rim, 16.5cm. diam. £200-300 13. A Doulton Lambeth stoneware plate by Hannah Barlow and Frank Butler, dated 1883, incised to the well with two resting donkeys, the rim with stylised foliate border glazed in shades of blue and ochre, impressed and incised marks, minor professional restoration to rim, 18.5cm. diam. £200-300

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 7

14 14. A large Doulton Lambeth stoneware vase by Hannah Barlow, twinhandled form, incised with a broad band of stallions, between borders of scrolling foliage, glazed in shades of brown and green on a buff ground impressed mark, £300-500 minor professional restoration to base rim, 40cm. high

15. A pair of Royal Doulton stoneware vases by Hannah Barlow, slender, shouldered form, incised with a frieze of grazing and resting horses, impressed £500-800 and incised marks, 35.5cm. high 16. A Doulton Lambeth stoneware vase by Hannah Barlow, baluster form, incised with a stag amongst a herd of deer between stylised foliate bands, glazed green, blue and brown, impressed marks, incised artist monogram, restored, 20cm. £150-200 high 17. An early Doulton Lambeth stoneware vase by Hannah Barlow, dated 1873, incised a duck flying past large bulrush, in blue on a brown ground £300-500 impressed mark, incised monogram 40cm. high

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 8

20 18 18. A Doulton Lambeth stoneware model of a bear the design attributed to Mark V Marshall, modelled seated peering into a honey pot, glazed in shades of brown, impressed marks, 10cm. high. £150-200

Literature Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 259 for an example illustrated. 19. The Reaper a Doulton Lambeth stoneware figure by Leslie Harradine, glazed in colours impressed marks, 19.5cm. high £200-300 Literature Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 216 for an example illustrated. 20. A pair of Royal Doulton stoneware elephant book ends, in the manner of Gilbert Bayes, covered in a green glaze impressed mark, 13cm. high £200-300

21. A pair of Doulton Lambeth stoneware book ends probably designed by Harry Simeon, each modelled as a pair of owls perched amongst berried foliage, glazed in colours impressed factory marks, minor professional restoration, 17cm. high £300-500 22. Pomona a Doulton Lambeth stoneware figure designed by John Broad, modelled standing holding fruit, matt buff glaze impressed factory marks, 35cm. high £400-600 23. Mr Pecksniff and Sairey Gamp two Doulton Lambeth stoneware figures designed by Leslie Harradine, models H21 and H18, covered in a pale oatmeal glaze, title to base, impressed Doulton Lambeth mark, 23.5cm. high. (2) £200-300 Literature Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 216 for an example of Mr Pecksniff illustrated. These early stoneware figures, circa 1912 were part of a set of six figures made to commemorate the centenary of Charles Dicken’s birth.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 9

24. A rare Doulton Lambeth stoneware Borogove grotesque figure by Mark V Marshall, the creature with incised decoration glazed green, blue and ochre on a mushroom ground, impressed factory mark, incised monogram, professional restoration to front foot, small chip to rim, 21.5cm. high £700-1,000 Provenance Doulton Stoneware 1870-1925 Part 1, 1971, Richard Dennis, exhibition number 389. Literature Desmond Eyles & Louise Irvine, The Doulton Lambeth Wares, Richard Dennis, page 120 for an example of the Borogove illustrated. The Borogove creature was inspired by Lewis Carroll’s Alice Through the Looking Glass published in 1871. This creature bears a stronger resemblance to the Mome raths described by Humpty Dumpty as ‘a sort of green pig’.

25. A Doulton Lambeth Carrara Ware jug by Mark V Marshall, dated 1889 the reticulated body incised with birds resting and eating berries from flowering foliage, in shades of pink and blue, highlighted in gilt on a cream ground printed factory mark, incised artist monogram and date Mar/89, minor professional restoration to top rim, 14.5cm. high £300-500 Literature Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 184 for comparable pieces.

26. A Doulton stoneware tazza the design attributed to Mark V Marshall, made for the Art Union of London, modelled as three seated mythical dragons, on circular base and shallow circular bowl, glazed in shades of brown, green and blue impressed marks, minor restoration, 15cm. high £600-800

27. A Royal Doulton stoneware model of a grotesque duck designed by Mark V Marshall, covered in a brown glaze, impressed factory mark, 8.5cm. wide. £300-400

28. A Royal Doulton stoneware grotesque figure designed by Mark V Marshall, covered in a blue-green glaze, impressed factory mark, 6cm. high £300-400

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 10

30 29. ‘Windsor’ a rare large Doulton Lambeth porcelain plaque by Edith Lupton, painted with a scene of Windsor Castle viewed from the river Thames, with a man punting on a boat, in colours signed with monogram lower right, titled lower left, printed mark to reverse, professional restoration, 45 x 30cm. £800-1,200

30. A pair of Royal Doulton Blue Children’s Ware plaques, oval, decorated with Edwardian children in a landscape, printed factory mark, 24.5cm. high, (2) £150-200

31. A Royal Doulton porcelain plaque by Leslie Johnson, oval, painted with a woman playing a lute, a young child holding roses, in a formal garden, framed, signed Leslie Johnson, entitled to the reverse Memories of The Past 1919, 43 x 32.5cm. (frame) plaque 22.5cm. long £300-500 Literature Gregg Whittecar & Arron Rimpley Royal Doulton A Legacy of Excellence 1871-1945, Schiffer, page 154 for a comparable plaque.

32. A Royal Doulton porcelain vase painted by Edward Raby, compressed form, with everted neck, the body painted with rose flowers in shades of pink, white and green on a salmon pink ground, printed factory mark signed A Raby to side of vase, 15.5cm. high £200-300

33. A Royal Doulton porcelain vase by A. Dix, ovoid form with loop handles, painted with an Edwardian child standing on a beach, a seagull flying behind her, in colours, impressed factory mark, painted signature to side, 15cm. high £150-250 Literature Gregg Whittecar & Arron Rimpley, Royal Doulton A Legacy of Excellance 1871-1945, Schiffer, page 162 for a comparable vase illustrated.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 11

34. The Tailor a rare Doulton Lambeth stoneware washing post finial designed by Gilbert Bayes, glazed in colours, cast signature and date, minor glaze loss 51cm. high ÂŁ8,000-12,000 Literature Louise Irvine & Paul Atterbury Gilbert Bayes Sculptor 1872-1953, 1998, Richard Dennis/Fine Art Society, page 171. Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 231 for the smaller version from St Pancras illustrated.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 12

35. An Aesthetic Movement Doulton Burslem pottery wash basin and ewer, printed with cranes and swallows flying past bamboo and prunus, the flowering prunus with paper lanterns, in coral red and green on a white ground, highlighted in gilt, impressed mark, 39cm. diam. (basin). £150-200

36. A Royal Doulton dinner service designed by Frank Brangwyn RA, D.5221, comprising three graduated platters, two tureens and covers, sauce boat, six dinner, entree, side and bread plates, decorated with a simple blue flowerhead frieze, glazed in green and blue, printed factory mark, facsimile Brangwyn signature, largest platter 41cm. wide. £800-1,200

37. ‘Witches’ a Royal Doulton Series Ware stick stand the design attributed to Charles Noke, model no.D.2765, printed with a frieze of witches beside a boiling cauldron, inside laurel leaf and Greek key borders, in brown on a mustard ground printed factory marks, 58cm. high £300-500

38. A Royal Doulton Sung vase designed by Charles Noke, double gourd form, covered in a veined experimental blue, yellow and lavender glaze over flambe red ground printed factory mark, glaze crack to base 14.5cm. high £200-400

39. A Royal Doulton Sung pottery floating bowl designed by Charles Noke, internally decorated with a simple cloud motif in red flambe on speckled dark blue and green ground, the exterior running and mottled dark blue printed factory mark, professional spray to interior, 28cm. diam. £200-300

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 13

40 two views

MARTIN WARE 40. A Martin Brothers stoneware grotesque rodent creature by Robert Wallace Martin, possibly an inkwell, modelled with head tilted backwards, gaping mouth, its tail curled to form a handle, glazed ochre and brown with white highlights, incised Martin, minor professional restoration to one ear and lip of mouth, 8.5cm. high £1,500-2,000 Provenance The Martin Brothers Potters, Woolley and Wallis Auctioneers, 24th October 2007 lot 22 Private collection. The creature is modelled so that it sits on its haunches, but also with a flattened chin it can rest so that a pen can possibly dip ink from its mouth. 41. A large Martin Brothers stoneware vase, ovoid with collar rim, incised and painted with flag iris in shades of blue and green on a speckled buff ground, incised Martin Bros London & Southall, 36cm. high £500-800 Provenance Private collection.

42. A large Martin Brothers stoneware bowl by Robert Wallace Martin, low, flaring form on three ball feet, the bowl incised with a frieze of fruiting vine, glazed green, blue, purple and brown incised 22/12./79 to base, R W Martin London & Southall to the inside of the ball feet, 47cm. diam. £400-600 Provenance British Art Pottery Woolley and Wallis Auctioneers, 30th November 2005 lot 851. Private collection.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 14

43 both sides

43. A Martin Brothers stoneware Judge face jug by Robert Wallace Martin, modelled to one side with a sideways glance, the reverse a knowing look, glazed in grey, ochre and brown incised R W Martin & Bros Southall, Martinware, and applied paper label, glaze faults, 17cm. high ÂŁ500-800

44. A Martin Brothers stoneware jardiniere, dated 1896, ovoid with collar rim, incised with a broad band of scrolling foliage in shades of brown and green highlighted with white on a buff ground, incised 1-1896, Martin Bros London & Southall, damages, 24cm. high ÂŁ150-250

45. A Martin Brothers stoneware Aquatic vase by Edwin & Walter Martin, dated 1906, flaring square section, incised with scaly fish amidst waterweed, glazed in rich blue incised 5-1906 Martin Bros London & Southall, 27cm. high ÂŁ800-1,200 Provenance William Chaplin thence by descent.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 15

46. A large Martin Brothers stoneware face jug, modelled to one side with a merry smiling face, the reverse a debaunched expression, glazed in shades of brown, highlighted in white, and a letter describing the jug incised to base R W Martin & Bros London & Southall, 23cm. high £5,000-8,000 The handwritten letter describes the jug and the two distinct faces quoting ‘If Sinners Entice Thee Consent Thou Not’.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 16

47. A Martin Brothers stoneware bird jar and cover designed by Robert Wallace Martin, the bird with piercing staring eyes, his wings tucked back, his clawed feet on domed ceramic base, glazed in shades of green and ochre on later carved wooden base incised R W Martin & Bros Southall to collar and base, firing cracks and faults 23cm. high ÂŁ5,000-8,000 Provenance Private collection, formed in the 1970s.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 17

48. A Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, dated 1905, modelled with open stare, small hooked beak and claw feet, glazed in shades of green, cream and tan highlighted in blue, on ebonised wood base, R W Martin & Bros London & Southall, incised 28.3.1905 to neck and base, 28.5cm. high ÂŁ15,000-20,000 Provenance Private collection.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 18

TILES 49. A Minton’s four encaustic tile panel the design attributed to A.W.N. Pugin, decorated with boughs of acorn and oak leaf foliage inside scroll and foliate border and stylised leaf panels, in cream-yellow on a terracotta ground, mounted on wood, and another St George’s tile works Worcester encaustic four tile panel decorated with pomegranate fruit, 30cm. square. (2) £150-250 50. A large Wedgwood Pottery tile, printed and painted in enamels with a pair of pheasants, and an Art Nouveau five tile panel modelled in low relief with a flower stem, impressed marks to reverse, frits to edges, (2) £150-200

51. An Art Nouveau wooden jardiniere stand mounted with a Flaxman J & W Wade tile, pressed design of an Art Nouveau maiden, glazed ochre, and a lead lined jardiniere set with four tiles, two medieval portraits in low relief the design attributed to Isaac Broome, the others ivy glazed brown 15cm square (tile), 105cm. high (stand), (2).£200-300 Literature Fired Earth 1000 Years of Tiles in Europe, TACS/Richard Dennis this tile design illustrated on the back cover (signed MH), 52. Nursery Rhymes three Minton’s tiles designed by John Moyr Smith, comprising See Saw Margery Daw, Little Jack Horner and The Queen of Hearts, printed in brown on a cream ground, and five Medieval Sports tiles printed in brown on a cream ground, impressed marks, printed facsimile signature to front, 15.5cm. square (8) £200-300

Literature Annamarie Stapleton John Moyr Smith 1839-1912 A Victorian Designer, Richard Dennis Publications, page 68 for the Nursery Rhymes series illustrated. 53. A set of twelve Minton’s Early English History tiles designed by John Moyr Smith, printed in blue on a white ground, impressed marks, signed Moyr Smith in the print, 15.5cm. square (12) £150-200 Literature Annamarie Stapleton John Moyr Smith 1839-1912 A Victorian Designer, page 61 for this series illustrated. 54. A set of twelve Minton’s Shakespeare Series tiles designed by John Moyr Smith, set in wooden overmantle frame, printed in blue on a white ground with scenes from Shakespeare’s plays, 102 x 41.5cm. £150-250

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 19

55. A Minton’s Secessionist tile panel designed by Leon Solon and John Wadsworth, tubeline decorated in colours and highlighted in gilt, in oak frame 114cm. high £1,000-1,500 Provenance Design 1860-1945, Bonhams, 5th November 2003, lot 15

56. A William De Morgan Cavendish two tile panel, painted in shades of blue and green on a white ground, set inside turquoise border tiles, framed 16cm square (tiles) panel 53 x 38cm. Literature Martin Greenwood The Designs of William De Morgan Richard Dennis Publications, page 135 catalogue number 679 for the original drawing illustrated. £300-500

57. A William De Morgan pottery charger, painted to the well with a bird fighting a serpent, in ruby on a cream ground, the reverse with radiating leaves, unmarked, restored 36cm. diam. £500-1,000 Provenance Arts and Crafts, Woolley and Wallis Auctioneer’s, 20th June 2012 lot 71. Private collection.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 20

58. A William De Morgan Pottery charger, on John Heath Davis blank, painted to the well with a lioness alert, her front paw raised, inside radiating foliate border, in ruby lustre impressed J H Davis mark, 30.5cm. diam. £300-500

59. A William De Morgan Pottery charger, on John Heath Davis blank, painted to the well with an otter holding a huge fish in its mouth, the rim with radiating foliate design, in golden lustre, impressed J H Davis mark 30.5cm. diam. £400-600

60. A William De Morgan Sunset and Moonlight Suite vase by Fred Passenger, shouldered form, the octagonal faceted body painted with columns of alternating grape vine and berried foliate panels, in shades of silver and ruby lustre on a midnight blue lustre ground, the neck with simple flower stem and bud motif, painted FP monogram, £3,000-5,000 25.5cm. high

61. A William De Morgan Pottery vase, ovoid with knopped cylindrical neck, painted with flower and foliage, the knop with a frieze of birds, in ruby and sand lustre on a white ground, unmarked, restoration to top rim, 34cm. high £1,000-1,500 Provenance Arts and Crafts, Woolley and Wallis Auctioneer’s, 20th June 2012 lot 73. Private collection.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 21

PILKINGTON’S LANCASTRIAN POTTERY

62. A fine Pilkington’s Lancastrian charger designed by Walter Crane painted by William S Mycock, dated 1918, the well painted with St George mounted on a rearing horse, holding a lance, piercing the head of a ferocious dragon which encircles the border, the inner rim inscribed Un Chevalier Sans Peur et Sans Reproche, (The Knight without fear and Beyond Reproach), in ruby and copper lustre on a blue ground, impressed marks date mark 1917, painted mark and artists ciphers, dated 1918, 48.5cm. diam. £10,000-20,000 Provenance Given as a wedding present in 1920 to the aunt of the present owner. Private collection. Literature The Studio 1908 for an example painted by Richard Joyce. Greg Smith Walter Crane, Artist Designer and Socialist, Lund Humphries, page 145 plate K12 for a smaller example, painted by Richard Joyce, from the Whitworth Gallery, Manchester. British Art Pottery Woolley and Wallis Auctioneer’s 30th November 2005, lot 964, painted by Richard Joyce in a red and cream colour way, dated 1912, sold for £18,000. The inscription refers to Pierre Terrail, the Chevalier de Bayard (1473-1524).

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 22

63A 63. A Pilkington’s Lancastrian tile designed by Lewis F Day, tubeline decorated with a flower inside scrolling foliage, in mustard yellow on a cream ground, and another Pilkington’s tile designed by Lewis F Day decorated with a flower in green and ochre, impressed P mark, 15.5cm. square (2) £200-300

Literature Joan Maria Hansen Lewis Foreman Day (1845-1910) Unity in Design & Industry ACC, page 188 figure 6.34 a and b this design illustrated. This tile was also exhibited at the Wolverhampton Exhibition of 1902.

63A. A Pilkington’s Lancastrian scarab advertising paperweight, the base inscribed Pilkingtons’ Tile & Pottery Clifton Junction, covered in a curdled blue gloss glaze factory impressed inscription 9.5cm. wide. £50-100

64. A Pilkington’s Royal Lancastrian footed bowl by Gladys Rodgers, painted to the well with a Tudor rose motif in side Celtic knot border, glazed in ruby and golden lustre on an orange ground, the exterior with a rose and trellis frieze, a Pilkington’s vase and bowl covered in a streaked pale blue glaze, impressed and painted marks, artist cipher and applied paper labels, 12cm. diam. (3). £150-250

65. A Pilkington’s Royal Lancastrian vase by Gladys Rodgers modelled by E.T. Radford, compressed ovoid form, decorated with a simple frieze of foliage in colours, and two other Pilkington’s vases by Gladys Rogers impressed and painted marks, 15cm. high, (3) £150-200

66. A Pilkington’s Royal Lancastrian vase by and E.T. Radford, ovoid with collar rim, painted with simple foliate design in grey and turquoise, and two Pilkington’s Royal Lancastrian plates by Gladys Rodgers, impressed and incised £150-200 marks, painted artist cipher, 22cm. high, (3)

67. A Pilkington’s Royal Lancastrian Pottery footed bowl, probably by Gladys Rodgers, painted to the well and rim with radiating stylised leaves in dark blue on an electric blue ground, a Pilkington’s Royal Lancastrian waisted cylindrical vase covered in a curdled orange glaze and a pair smaller, impressed factory marks, 21.5cm. diam. (4) £150-200

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 23

68 68. A Pilkington’s Royal Lancastrian Pottery vase, shouldered form, covered in a mottled green glaze over sang de boeuf glaze, another covered in a matt green glaze, three other Pilkington’s green glaze vases and two orange glazed vases, impressed marks, 27.5cm. high, (7). £150-250

69. A large Pilkington’s Royal Lancastrian vase, shape no.2380, covered in a mottled matt orange glaze, impressed factory marks, £150-250 28cm. high

69 70. A Pilkington’s Royal Lancastrian vase, shape no.2822, swollen, fluted form, covered in a curdled matt green glaze, another Pilkington’s twin-handled vase shape no.2805 glazed green and two other vases, impressed factory marks, 23.5cm. high, (4) £200-250

71. A Pilkington’s Royal Lancastrian vase, shouldered form, covered in a matt mottled green vellum glaze, another smaller, three Pilkington’s vases glazed pale blue and two bowls, impressed marks, 27cm. high, (7). £150-250

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:13 Page 24

72. An Aesthetic Movement moonflask, flattened dish form on four prong feet with cylindrical neck, printed with Japanese circular lanterns amidst flowering boughs, in blue highlighted in gilt on a white ground unmarked, 31cm. high £150-250

73. ‘Essex Birds’ a Minton’s Aesthetic Movement part service, comprising, two soup bowls, six dinner plates and three entree plates, octagonal form printed and painted with native birds amongst flowers and fruiting foliage impressed and printed marks and title, minor damages 25cm. diam. (11). £150-200

74. A pair of Aesthetic Movement Royal Worcester tea cups and saucers, fluted form, the cup modelled in low relief with frogs holding spears and looking up at a tree, the saucer a snake catching and swallowing a frog, whilst other frogs escape, the well modelled as a pond, in gold and bronze glazes on an ivory ground, printed marks, one cup smashed and re-stuck, 16.5cm. diam. (saucers) (4) £300-500

Literature Charlotte Gere & Michael Whiteway 19th Century Design from Pugin to Mackintosh, page 174 plate 217 for three vases with similar decoration. Royal Worcester won a gold medal for its ceramic display at the 1878 Paris Exposition, with particular praise lavished on its Japanese style raised decoration in gold and bronze. 75. A pair of Minton’s Pottery wall plaques the design attributed to W S Coleman, painted with cherubs and butterflies before an expanse of water, in colours on a pale blue ground, impressed marks, painted Mrs Harry to the reverse, repaired chip to rim of one 36cm. diam. (2) £150-200

76. Three Aesthetic Movement Minton’s Pottery Zodiac plates designed by Henry Stacey Marks, printed and painted with medieval figures, comprising Gemini (two watchmen), Pisces (a fisherman holding two large fish) and Aquarius (gardener watering), in colours inside foliate border impressed marks 23cm. diam. (3) £300-500 Literature Victoria & Albert Museum collection no.472-1970 for a comparable Gemini plate, dated circa 1872.

77. A Minton’s Pottery plate designed by Walter Crane, printed and painted in enamels with a woman tending her flower garden, in colours another depicting a woman reading to children and another similar impressed marks, 21cm. diam. (3) £300-500

78. An Aesthetic Movement pottery charger in the manner of William S Coleman, painted with a child holding a sickle and sheaf of corn, in colours, indistinct impressed mark to back, hairlines to rim, 42cm. diam. £150-250

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 25

79. A novelty black basalt porcupine flower brick, naturalistically modelled, unmarked 26cm. long £100-200

80. A Ewenny Pottery model of a pig, modelled seated, resting, glazed mottled green, incised Y Mochyn Bach Tew etched Ewenny Pottery to base, 16cm. wide. £200-300

81. A stoneware teapot and cover, modelled as an oriental man holding a mask, the pot spout issuing from the mask mouth aperture, incised 7 B to base, 13cm. high £150-250

82. A Ruskin Pottery vase, dated 1923, ovoid with cylindrical neck, covered in a pale blue lustre, another Ruskin vase covered in a purple and cream lustre glaze, a Ruskin Pottery pot and three other vases, impressed marks, 18.5cm. high (6). £150-200

83. A Ruskin Pottery stoneware stand, square section on four feet, covered in a matt £120-180 blue glaze, impressed Ruskin England 20.5cm. wide.

84. A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1907, compressed body with tall cylindrical neck with knopped rim, covered in a mottled mint green glaze, impressed Ruskin roundel mark and date 33cm. high £400-600

84A. A pair of Arts and Crafts pottery flower troughs, rounded rectangular form, cast in £100-150 low relief with simple foliate design, unsigned, 33cm. wide, 10cm. deep, (2)

85. A George Jones Majolica sardine dish, cover and stand, the stand and dish modelled in low relief with stiff leaf frieze, the cover modelled as three fish, glazed in colours on a turquoise ground, painted 1831 to base, stand 21.5 x 19cm. (3) £150-200

Literature Robert Cluett George Jones Ceramics, page 63 for three comparable dishes.

84A 85

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 26

86. A pair of Lauder Barum pottery vases, shouldered form with flaring, fluted rim, applied with three scroll handles, incised and painted with a bird perched amongst fruiting and flowering hop, in green, brown and blue on a pale yellow ground, incised Lauder Barum, 32cm. high, (2). £150-250 87. A C.H.Brannam pottery vase by James Dewdney, dated 1900, probably retailed at Liberty & Co, shouldered ovoid form with cylindrical neck, applied with two modelled grotesque creature handles, incised and painted with a scaly fish amongst waterweed, in green blue and ochre incised marks, 1900, JD monogram, regd mark, minor glaze frits to handles, 23cm. high £200-300

87 88. A C.H. Brannam Pottery jug made for Liberty & Co, tapering cylindrical form, slip decorated with roundels, in green and brown on a mustard ground, impressed marks, £120-150 restored base rim, 16cm. high 89. A Sunflower Pottery vase by Sir Edmund Elton, ovoid with knopped neck and swollen top rim, slip decorated with flower sprays in green and blue on a streaked blue and mustard yellow ground, and another Sunflower Pottery vase decorated in slip with a simple flower stem, painted Elton marks, 14.5cm. high, (2). £150-200

90. A pair of Compton Pottery Somnus book ends, each modelled with a child seated before a large flowerhead, painted red, green and purple, unsigned, chips, £350-450 12cm. high (2)

Literature Hilary Calvert Compton Pottery, Watts Gallery, page 30 for this design illustrated. 91. A Compton Pottery model of a Pelican, partially glazed with silver lustre unmarked, 16cm. high £150-200

92. A Minton’s Secessionist vase designed by John Wadsworth and Leon Solon, model no.30, ovoid with collar neck, tubeline decorated with flower stems in cream and green on a red ground, another similar and a Minton Hollins & Co Astra vase printed factory marks, 13cm. high. (3). £150-250 93. Harvest Putti with Pigeons a pair of Ashtead Pottery figural book ends designed by Percy Metcalfe, model M.73, painted in colours, printed and painted marks, moulded signature, 19cm. high, (2). £200-300

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 27

93A

93A. A Bernard Moore miniature vase, tapering cylindrical form, covered in a sky blue lustre glaze, a Royal Doulton Flambe vase decorated in gilt with three carp and a collection of twelve lustre and experimental glaze vases by E R Wilkes and others, printed Bernard Moore, damages 4.5cm. high (14). £150-200 94. A Bernard Moore lustre solifleur vase, decorated with ferocious Chinese dragons in £150-200 deep red lustre painted BM and SS monogram to base, 14.5cm. high 95. A Bernard Moore Pottery vase, waisted, shouldered form covered in a crystalline celadon glaze over flambe ground, printed Bernard Moore mark, 15cm. high £150-200 96. A Bernard Moore flambe vase and cover, slender baluster form with flat-domed cover, decorated with a scaly fish leaping above turbulent waves in red flambe glaze, painted Bernard Moore to base, BM to cover, restored base and cover, 28cm. high £200-300 97. A Bernard Moore flambe vase, shouldered form, painted with a peacock feather, in colours with turquoise enamel on a flambe ground, a Crown Ducal flambe ginger jar and cover, painted with panels of flowers in flambe red, two E R Wilkes flambe vases and three other £150-200 vases, indistinct mark, printed factory mark, damages, 12.5cm. high (7)

98. A Bernard Moore model of a seated monkey, with applied glass eyes, covered in a flambe glaze, and another smaller painted BM mark, 9cm. high, (2) £200-300 99. A Bernard Moore model of an owl, modelled perched on a rocky outcrop, with applied glass eyes, covered in a flambe glaze, and another Bernard Moore model of an eagle glazed blue, eagle with printed Bernard Moore mark, repaired damages to both, 12.5cm. high, (2) £200-300

97 99

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 28

THE MORRIS WARE & TILE COLLECTION OF TONY JOHNSON 100 part 100. A Carter’s Poole Pottery portrait tile stand, probably designed by William Unwin, decorated to the well with a portrait of Lloyd George in sepia and mushroom, with green glazed border, Three Sherwin & Cotton Aesthetic Movement tiles printed and painted with birds amongst foliage, a J C Edwards portrait tile of Edward VII, two other portrait tiles and a collection of tiles, various marks, 15.5cm. £200-300 square. (a lot) Provenance Tony Johnson Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 23 for an example of this stand illustrated.

101

101. A Limoges pate sur pate plaque designed by A Barriese, rectangular, slip decorated with a dancing maiden with diaphanous scarf, in white on a blue ground, framed, and two other plaques with similar decoration of maidens, impressed marks to the front, 20 x 14.5cm. (3) £150-250 Provenance Jupiter Antiques, 1997 Tony Johnson.

102. A George Jones pate sur pate wall plaque designed by Frederick Schenk, slip decorated with two young maidens raised above a large pond, with flowering Calla and water lillies, in white on a dark green ground, with gilt rim impressed factory marks, impressed Schenk signature to front rim, 30cm. diam. £400-600 Provenance Scottow Antiques, 1997 Tony Johnson. Literature Robert Cluet George Jones Ceramics 1861-1951, Schiffer, page 163, figure 432 this plaque design illustrated.

102

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:01 Page 29

103

104

GEORGE CARTLIDGE (1868-1961) Born in 1868 he trained at Hanley School of Art, staying and painting at the school until 1897 when he was apprenticed to Sherwin & Cotton Tile Works. Here he helped to develop a series of portrait tiles from photographs - subjects included international politicians, military leaders, artists and religious figures. He experimented with the technique of Emaux Ombrants - a technique of flooding glaze onto a shallow relief design which created a smooth graduated tone giving a realistic ‘photographic’ quality to the design. In 1916 he moved to Sampson Hancocks designing a range of tubelined pottery proudly titled Morris Ware to the base. The range was released at the British Industries Fair in 1918 and competed commercially with the tubelined designs of Frederick Rhead, and William Moorcroft who had recently set up his own factory in Burslem.

105

George Cartlidge was Tony Johnson’s great uncle - who Tony unfortunately never met.

103. George Cartlidge (1868-1961) An August Foreground, Wetley Moor, 1900 pastel on paper, framed, and a watercolour of a young girl returning to her cottage by George Cartlidge, framed, signed with GC monogram and date 1900 lower right, signed and titled to reverse and marked Rudyard, 55 x 32cm. (image) (2). £200-400

105. A pair of Sherwin & Cotton portrait tiles designed by George Cartlidge, modelled in low relief with cattle portraits, glazed in shades of sepia, framed GC monogram to front 15cm. square. (2). £150-200

Provenance Tony Johnson

Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 122 catalogue number 321 this pastel illustrated.

Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 55 catalogue number 126 (brown). These tiles are portraits of George Cartlidge’s own cattle.

This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

104. A pair of Sherwin & Cotton tiles designed by George Cartlidge, modelled in low relief with terrier portraits, glazed in shades of red, framed impressed marks, 15cm. square. £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 55 catalogue number 126 (brown). These actual tiles illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

106

This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 106. Christ a Sherwin & Cotton portrait tile designed by George Cartlidge, glazed in shades of sepia, a Pope Pius X Sherwin & Cotton portrait tile by George Cartlidge and an Adams & Cartlidge portrait tile of Pope Pius X and impressed marks, 23 x 15.5cm. (3) £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 52 catalogue number 113 for this actual tile of Pope Pius X and catalogue number 183 for an Adams & Cartlidge tile of Pope Pius X. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 29

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:15 Page 30

107 107. The Spanish Dancers two Sherwin & Cotton portrait tiles designed by George Cartlidge, covered in a green glaze, and two Sherwin & Cotton The Grecian Water Carriers tiles covered in a brown glaze impressed marks, Grecian tiles with GC monogram 23 x 15cm. (4) £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 51 catalogue number 107 and 109 for the Spanish Dancers, page 47 for examples of The Grecian Water Carriers. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 108. The Musicians a pair of Sherwin & Cotton tiles designed by George Cartlidge, glazed in sepia tones, Spring a tile panel designed by George Cartlidge and six Dickens Characters tiles by Cartlidge, impressed factory marks, 30.5 x 15.5cm. (9). £150-200 Provenance Tony Johnson

108 109. James Sherwin a Sherwin & Cotton portrait tile by George Cartlidge, dated 1910, covered in a sepia glaze, framed, and A J Sherwin a J Barratt and Co portrait tile, dated 1925, framed impressed marks, 23.5 x 15.5cm. (2) £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 53 catalogue number 117 this actual tile illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 110. Mr William Hughes Prime Minister of Australia a portrait tile designed by George Cartlidge, dated 1916, glazed in shades of grey, framed impressed marks, GC monogram to front 22.5 x 15.5cm. £150-200 Provenance Tony Johnson

Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 48 catalogue number 89 and 92 for the Musician tiles illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 80 catalogue number 216. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 111. General William Booth a Sherwin & Cotton portrait tile designed by George Cartlidge, dated 1904, General William Booth was the founder of the Salvation Army in 1865, glazed in shades of sepia, and Port Erin (Fisherman) an Adams & Cartlidge portrait tile by George Cartlidge, framed, impressed factory marks, GC monogram to front 23 x 15cm. (2) £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 52 catalogue number 112, (Erin page 69 catalogue 184).

109

110

This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 112. Mr Thomas Hardy a J H Barratt & Co portrait tile designed by George Cartlidge, dated 1924, glazed sepia, impressed marks, 23 x 15.5cm. £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, front cover and page 82 catalogue number 222 this actual tile of the Dorset novelist illustrated.

111

112

This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 31

114

113 115 113. 1st World War Military Leaders and Prime Minister seven J Barrett & Co portrait tiles designed by George Cartlidge, comprising; Field Marshall Sir Douglas Haig, Admiral Sir John Jellicoe, Admiral Sir David Beatty, General Smutts, General Foch, General John J Pershing and Rt Hon David Lloyd George, all framed , impressed marks, 23 x 15.5cm. (7) £300-500 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 79 catalogue number 207-212. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 114. Ex President Theodore Roosevelt a J H Barratt & Co portrait tile designed by George Cartlidge, dated 1916, in shades of green, A F Fielding and G W Dick two Barratt & Co portrait tiles, impressed marks, GC monogram 23 x 15.5cm. (4) £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 80 catalogue number 217 this actual President Roosevelt tile illustrated. A F Fielding was Director of Blythe Colour Works, and G W Dick was Managing Director of J H Barratt’s. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

116. The Hon David Lloyd George a J H Barratt & Co portrait tile designed by George Cartlidge, glazed in sepia tones, Prime Minister W.E. Gladstone, The Rt. Hon. H.H Asquith, and Austen Chamberlain, impressed marks and hand written paper label to reverse, 23 x 15.5cm. (4) £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 80 catalogue number 216. Terence A Lockett Collecting Victorian Tiles, Antique Collector’s Club, page 178 catalogue number 276 for an example of the Gladstone portrait tile illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 117. Queen Victoria Commemorating Her Diamond Jubilee in 1897 a Sherwin & Cotton portrait tile designed by George Cartlidge, glazed in sepia tones, framed, impressed factory marks to reverse, 23 x 15.5cm. £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 52 catalogue number 110. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

115. President Abraham Lincoln a Sherwin & Cotton portrait tile designed by George Cartlidge, produced to celebrate the hundredth anniversary of the birth of Abraham Lincoln, framed, Woodrow Wilson and Theodore Roosevelt, two portrait tiles designed by George Cartlidge impressed marks, 23 x 15.5cm. (3). £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 53 catalogue number 114 this actual tile illustrated, retailed by Robinson & Randle Inc New York City. Terence A Lockett Collecting Victorian Tiles, Antique Collector’s Club, page 182 catalogue number 279 for an example of the Lincoln portrait tile illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

116

117

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:16 Page 32

118. A pair of Hancock & Sons Morris Ware candlesticks designed by George Cartlidge, C647, slip decorated with berried foliage sprays, in shades of purple, blue and green on a mottled blue ground printed and painted marks, facsimile signature 21.5cm. high, (2). £300-400 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 109 catalogue number 288. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

118

119. A Hancock & Sons Morris Ware inkwell and cover designed by George Cartlidge, model no.C53-4, rectangular base with tapering well, slip decorated with berried foliage in shades of purple, blue and green on a mottled green ground printed and painted factory marks, painted facsimile signature, cover professionally restored, 13cm. wide. £150-250 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 106 catalogue number 283 this actual inkwell illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 120. A Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no.C16-2, painted with bell flowers in shades of purple and green on a mottled blue ground, printed factory mark, painted facsimile signature, 25cm. diam. £150-200 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 96 catalogue number 262 for two comparable bowls. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

119

120

121

121. A Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no.C77-1, painted with bell flowers and foliage to the inside, in green blue and purple on a green ground, the exterior mottled blue-green printed and painted factory marks, painted facsimile signature, 31.5cm. diam. £200-300 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 113 catalogue number 295 this actual bowl illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 122. A Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no.C71-1, painted with abstract flowers and foliage in shades of blue, purple, green and amber yellow, printed and painted marks, painted facsimile signature, 27cm. diam. £150-250 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 110 catalogue number 291 this actual bowl illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

122

123

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 33

123. A rare Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no. C83-25, the octagonal bowl slip decorated with an exotic long-tailed bird, glazed in colours on a blue ground printed factory mark, painted number 22.5cm. diam. £200-400 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 115 catalogue number 297 for another example illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 124. A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no. C1725, cylindrical form with knopped neck, slip decorated with cornflowers in purple, yellow and green on a pale lavender ground printed and painted marks, facsimile signature, 29.5cm. high £500-1,000 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 97 catalogue number 263 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 125. A pair of Hancock & Sons Morris Ware vases designed by George Cartlidge, model no. C30-18, tapering cylindrical form with everted rims, slip decorated with slender flower stems in purple and dark green on a pale mottled green ground printed and painted factory marks, facsimile signature 26.5cm. high, (2). £500-1,000

124

Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 103 catalogue number 271 one of these actual vases illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 126. Three Hancock & Sons Morris Ware bowls designed by George Cartlidge, model no.C6, tubeline decorated with a frieze of flowers and foliage, in colours on green and cream grounds, printed factory marks, impressed C6, painted marks and facsimile signature, white ground bowl with restored rim, 13cm. diam. (3). £200-400 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 91 catalogue number 250. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 127. A pair of Hancock & Sons Morris Ware vases designed by George Cartlidge, model no. C1-8, cylindrical form, tubeline decorated with clover flowers and foliage, in shades of blue and purple on a mottled green ground, printed factory marks, painted facsimile signature, 24cm. £300-500 high, (2).

125

Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 89 catalogue number 245 these actual vases illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

126

127

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 34

128. A rare Hancock & Sons Morris Ware vase designed by George Cartlidge, model no. C18-5, compressed body with tapering cylindrical neck, slip decorated with cornflowers in shades of purple and green on a black ground printed and painted factory marks, painted facsimile signature, 22.5cm. high £300-500 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 97 catalogue number 264 this vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 129. A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C23-1, ovoid with flaring cylindrical neck, covered in an experimental mottled red and purple glaze, three candle holders covered in a similar glaze, two twin-handled vases covered in mottled red glazes, another vase covered in a mottled purple glaze and a jug, printed factory mark, painted facsimile signature, repaired rim to main, repaired handle to jug, 32cm. high (8). £150-200

128

Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 99 catalogue number 237 this vase illustrated, page 108 for one of the candle holders illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 130. A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C3-9, shouldered form, slip decorated with clover flowers in red and green on a mottled green ground printed and painted factory marks, painted facsimile signature 18cm. high. £200-300

129

Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 89 catalogue number 247 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 131. A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C9-27, tubeline decorated with thistle flowers in green and red on a blue ground printed and painted marks, facsimile signature 16cm. high £150-200 Provenance Tony Johnson

130

131

Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 92 catalogue number 253 for three examples of this design illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 132. A Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no.C45-1, slip decorated with flower sprays in pink blue and green on a streaked green ground printed and painted marks, facsimile signature, hairline crack to rim, 16cm. diam. £150-250 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 104 catalogue number 275.

132

This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 35

133. A Hancock & Sons Morris Ware pomander vase designed by George Cartlidge, model C56-2, shouldered form, tubeline decorated with flowers and foliage, with pierced holes, inscribed Essence of Past Summers, in shades of green and purple on a mottled blue ground, printed factory mark, painted facsimile signature, missing cover, 19cm. high £300-500 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 107 for a comparable example of a pot pourri with cover.

133

This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 134. A Hancock & Sons Morris Ware drum vase designed by George Cartlidge, model C15-3, cylindrical form tubeline decorated with a frieze of sweet-peas, in purple and blue on a mottled green ground printed factory marks, painted facsimile signature, star-crack to base, 23cm. high. £300-500 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 96 catalogue number 261 for this example illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 135. A large Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C14-3, swollen cylindrical form, slip decorated with a frieze of cornflowers, in shades of red, blue and green on a dark brown ground printed and painted marks, painted facsimile signature 33cm. high £700-1,000

134

Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 95 catalogue number 260 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson. 136. A large Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C14-9, swollen cylindrical form, slip decorated with a frieze of cornflowers, in shades of purple, blue and green on a dark green-blue ground printed and painted marks, painted facsimile signature 33cm. high £700-1,000 Provenance British Decorative Arts Christie’s South Kensington 11th December 1997 lot 39. Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 95 catalogue number 260 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

135

136

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 36

137. A rare Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C74-1, carafe form with loop handles, painted with abstract flowers and foliage in shades of blue, purple and yellow ochre, printed factory mark, painted facsimile signature and number, 25cm. high £200-400 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 116 catalogue number 299 for an example of this vase without a painted model number. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

137

138

138. A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C43-1, tapering cylindrical form with everted rim, tubeline decorated with an owl amidst scrolling flowering foliage in blue and purple on a mottled green ground, printed and painted marks, painted facsimile signature, underglaze chip, 26.5cm. high £300-500 Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 112 catalogue number 293 for an identical vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

139. A rare Hancock & Sons Morris Ware vase designed by George Cartlidge, C78-1, slip decorated with fish swimming below water-lily flowers, in shades of purple, blue and green on a buff ground printed and painted marks, facsimile signature, 25cm. high £500-1,000 Provenance Tony Johnson

139

Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 114 catalogue number 296 This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

140. A rare Hancock & Sons Morris Ware vase designed by George Cartlidge, model no. C87-1, swollen form on cylindrical stem and flaring foot, tubeline decorated with two birds perched amongst stylised flowers and foliage in colours on a mottled green ground, printed factory marks and facsimile signature, painted C number, minor professional restoration to a small glaze chip on foot rim, £500-1,000 26.5cm. high. Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 112 catalogue number 293 for a vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.

140

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 37

141

142

MOORCROFT POTTERY 141. ‘Du Barry’ a James Macintyre dish designed by William Moorcroft, modelled in low relief and tubeline decorated with blue flower stems, in blue and green on a white ground, printed Macintyre mark, professional restoration to rim, 30cm. wide. £150-250 Provenance Moorcroft Pottery Christie’s South Kensington, 10th October 2002 lot 63. 142. ‘Tulip’ a James Macintyre & Co Florian Ware bowl designed by William Moorcroft, with fluted top rim, tubeline decorated with panels of flowers, in blue and green on a pale blue ground printed factory mark, painted green signature, 17.5cm. diam. £200-400 143. A James Macintyre & Co Florian Ware tobacco jar and cover designed by William Moorcroft, tubeline decorated with flowers and foliage in yellow, green and blue on a cream ground, printed factory mark, painted green signature, professional restoration to top rim, 14.5cm. high £200-400

143

144. A James Macintyre & Co Florian Ware twin-handled bowl designed by William Moorcroft, tubeline decorated to the interior with radiating forget-me-not and tulip flowers, with forget-me-not panels to the exterior, in yellow, green and blue on a pale blue ground printed factory mark, painted green signature, 19.5cm. wide. £300-400 145. ‘Anemone’ a pair of James Macintyre & Co Florian Ware vases designed by William Moorcroft, tubeline decorated in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rims, 25cm. high. (2) £500-1,000

145 144

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 38

147 146

148

146. ‘Gesso Faience’ an early James Macintyre & Co plate designed by William Moorcroft, tubeline decorated with floral motif to rim in white and green on a celadon ground, two jugs and a chamberstick similar printed factory mark, 16.5cm. diam. (4) £150-250 147. A Pair of James Macintyre & Co Aurelian Ware vestas, ovoid, printed with simple flower stems in blue on a white ground, two pink glazed jugs and two mustard pots and a pair of Moorcroft studio bowls glazed blue, impressed marks, 6cm. high (8). £150-250 148. A Moorcroft Pottery vase designed by William Moorcroft, footed ovoid form, tubeline decorated with floral panel in colours on a powder blue ground, and a Moorcroft Springflowers bowl impressed marks painted green signature, 8.5cm. high, (2). £150-200

149

150 149. A James Macintyre vase designed by William Moorcroft, compressed form with flaring cylindrical neck and pinched rim, tubeline decorated with panels of flowers and foliage in pink, blue and green on a white ground printed factory mark, painted green signature, 16cm. high £300-500 150. A James Macintyre vase designed by William Moorcroft, M.2862, flaring cylindrical form with pinched rim, tubeline decorated with roses and forget me not flowers in shades of pink, yellow, blue and green on a white ground, highlighted with gilt rim, printed factory mark, painted green signature, minor wear to gilt bands, 12.5cm. high £200-300 Provenance Moorcroft Pottery Christie’s South Kensington, 10th October 2002 lot 49. 151. A James Macintyre & Co Florian Ware bottle vase designed by William Moorcroft, incised and tubeline decorated in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rim, 20cm. high. £200-300 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 56 plate 2 for comparable vases illustrated. 152. ‘Anemone’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, tapering cylindrical form with loop handles, tubeline decorated with flowers in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rim, 19.5cm. high. £300-400

151

152

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 39

154

155

153

153. ‘Late Florian’ a Moorcroft Pottery plate designed by William Moorcroft, tubeline decorated in shades of green and blue on a celadon ground impressed marks, painted green signature, hairline to rim, 22cm. diam. £200-300

154. ‘Blue Anemone’ a James Macintyre Florian Ware vase designed by William Moorcroft, shouldered tapering, cylindrical form, tubeline decorated in shades of blue and green on a white ground, printed factory mark, painted green signature, 10cm. high £200-300

155. ‘Blue Anemone’ a James Macintyre vase designed by William Moorcroft, swollen form with everted top rim, tubelined with blue and green anemone flowers on a white ground, printed factory mark, painted green signature, fine hairline to rim, 19cm. high £250-300

156

156. ‘Cornflower’ a James Macintyre & Co Florian Ware solifleur vase designed by William Moorcroft, with knopped neck, painted in shades of blue on a pale blue ground, printed factory mark, painted green signature, professional restoration to neck, 28cm. high £300-500

157. ‘Peacock Feathers’ a James Macintyre & Co Florian Ware ewer designed by William Moorcroft, slender form, tubelined in shades of green, yellow and blue on a pale blue ground, printed factory mark, painted green signature, professionally restored spout and rim, 22.5cm. high £300-500

157

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 40

158

160

159

158. ‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, ovoid with waisted neck and everted rim, painted in shades of pink, red, purple and ochre on a mottled green-blue ground, impressed marks, painted blue signature, 14cm. high £150-200 159. ‘Frilled and Slipper Orchids’ a Moorcroft Pottery bowl designed by William Moorcroft, painted in colours on a blue ground, impressed marks, painted blue signature 26cm. diam. £200-300 160. ‘Pomegranate’ a Moorcroft Pottery plate designed by William Moorcroft, painted in colours on a mottled green ground, impressed marks, painted green signature, small glaze frit to rim 22cm. diam. £200-300

161

162

161. ‘Pomegranate’ a pair of Moorcroft Pottery vases designed by William Moorcroft, bottle form, painted in shades of pink, red, purple and ochre on a mottled green-blue ground impressed marks, painted blue signature, 14.5cm. high, (2) £200-300 162. ‘Anemone’ a large Moorcroft Pottery vase designed by Walter Moorcroft, tubeline decorated with flowers in shades of pink, purple and green on a graduated green to blue ground impressed marks, painted blue signature, 28cm. high £200-300 163. ‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, cylindrical with everted rim, painted in colours on a mottled green ground impressed marks, painted green signature, small glaze frit to foot rim, 31cm. high £500-600 164. ‘Florian Ware’ a modern limited edition Moorcroft Pottery ginger jar and cover, dated 2003, tubeline decorated in blue and white on a pale blue ground, in blue presentation box, impressed and painted marks, numbered 3/25, 21cm. high £150-200

164

163

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 41

165. ‘Spanish’ a fine Moorcroft Pottery ginger jar and cover designed by William Moorcroft, painted in shades of red, blue and ochre on a mottled green ground, impressed marks, painted green signature, two fine stress hairlines to inside of cover, 28cm. high £4,000-5,000

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 42

166

167

168 166. ‘Wisteria’ a Moorcroft Pottery vase, small baluster form, tubeline decorated in shades of purple and green on a blue ground, and a Moorcroft Wisteria dish with electroplated rim and handle, impressed factory marks, 8.5cm. high, (2). £150-200 167. ‘Pansy’ a Moorcroft Pottery plate designed by William Moorcroft, tubeline decorated with flowerheads in shades of pink, green and purple on a blue ground, impressed £150-200 marks, painted green signature, 21cm. diam.

170 169

168. ‘Flambe Leaf and Berry’ a Moorcroft Pottery bowl designed by William Moorcroft, painted in colours under a rich flambe glaze, impressed marks, painted blue signature, 16.5cm. diam. £150-200 169. ‘Amazon Twilight’ a Moorcroft Pottery vase designed by Nicola Slaney, dated 1998, swollen form, tubeline decorated with flowers in green and brown on a graduated green ground impressed and painted marks, 21.5cm. high £150-250 170. ‘Moorcroft’ a Moorcroft Pottery advertising vase designed by Sally Tuffin, designed in 1987, ovoid, tubeline decorated with Moorcroft inscription, in purple on a blue ground, painted green monogram, 17cm. high £250-350 Literature Paul Atterbury Moorcroft Richard Dennis Publications, page173 plate 2 this design illustrated. 171. ‘Prairie Summer’ a modern Moorcroft wall charger designed by Rachel Bishop, dated 2001, painted in colours, in original card box, impressed and painted marks, 35.5cm. diam. £100-200

171 172

172. A limited edition Moorcroft Pottery vase designed by Emma Bossons, dated 2002, made for Liberty & Co, bottle form, tubeline decorated with Art Nouveau whiplash design in purple, pink and blue on a dark blue ground, printed and painted marks, limited £250-350 number 37/100, 29cm. high 173. ‘Phoenix’ a Moorcroft Pottery vase designed by Rachel Bishop, dated 1996, compressed body with tall cylindrical neck and everted rim, painted in colours, and a Dennis Chinaworks Angel vase designed by Sally Tuffin, after William Morris, printed and painted marks, 20.5cm. high (2) £150-250

173

174

174. A limited edition Dennis Chinaworks vase designed by Sally Tuffin, made for the Art Fund, 2008, painted with convulvulus flowers in purple, blue and green on a cream ground, and another Dennis Chinaworks vase, impressed and painted marks, limited edition 14/20 17.5cm. high (2). £150-250

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 43

176

175

175. ‘Anemone’ a large Moorcroft Pottery baluster vase designed by Walter Moorcroft, painted in shades of pink, green and ochre on a blue matt ‘salt-glaze’ impressed marks, painted blue signature, 33cm. high £500-800

177 176. ‘Cornflower’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated in blue on a powder blue ground impressed marks, painted blue marks, 23.5cm. high. £700-1,000

177. ‘Big Poppy’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, painted in shades of pink, purple and green on a white ground, impressed marks, painted blue signature 23.5cm. high £300-500 Literature Paul Atterbury, Moorcroft, Dennis & Edwards, page 98 plate 1 for comparable example illustrated.

178. ‘Big Poppy’ a large Moorcroft Pottery bowl designed by William Moorcroft, painted in shades of purple, pink and green on a green ground impressed marks, painted blue signature, 31cm. diam. £200-400

178

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:17 Page 44

A PRIVATE COLLECTION OF WEDGWOOD POTTERY

180

179

179. Wedgwood Designs by Keith Murray, a contemporary illustrated catalogue published by Wedgwood, Wedgwood Ceramics 1846-1959, Richard Dennis Gallery, The Swedish Exhibition- Dorland House an Architectural Review, 1931, two Bullers catalogues, 1977, The Martin Brothers Potters, Richard Dennis Gallery, 1978 catalogue with price list and three other Richard Dennis Gallery catalogues, (9) £150-200 180. A Wedgwood Pottery bowl by Louise Lessore, pattern no.471, painted with sprays of forget me not flowers, in colours on a white ground, the interior with central flower spray printed factory mark, painted artist cipher, 10cm. diam. £150-200 Provenance Private collection of Wedgwood Pottery. 181. A rare Wedgwood vase by M Hindshaw, the shape designed by Alfred Powell, painted with small red flowerheads on a foliate ground, impressed marks, painted monogram, exhibition paper label, 16.5cm. high £150-250 Provenance Private collection of Wedgwood Pottery.

182

Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 153 plate 371 this actual vase.

181

Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.11B 182. A Wedgwood Pottery twin-handled vase by Cecily Stella (Star) Wedgwood, dated February 1927, painted with acorn and oak leaf sprays in shades of brown and black on a cream ground, impressed mark, painted star mark, Feb 1927, 12.5cm. high £150-200 183. A Wedgwood Pottery lustre jug designed by Alfred Powell, slender form, decorated with flowers and foliage inside fruiting vine panels, in silver lustre red and yellow, three lustre vases a jug and a plate designed by Alfred Powell, impressed marks, stress hairline to handle, 15cm. high (6). £150-250

183

184. A Wedgwood plate painted by Emile Lessore titled Buns Buns Buns, fluted rim, painted with a child speaking to two adults, one holding a basket of buns, in colours, and three dishes by Emile Lessore, impressed marks, painted inscriptions, hairline to main plate, 23.5cm. diam. (4). £150-250 Provenance Private collection of Wedgwood Pottery. 185. An unusual Wedgwood Fairyland lustre plate designed by Daisy Makeig-Jones, possibly made as a trial, decorated to the well in resist with a frieze of animals, on a mottled blue and red glaze on a pearl white ground, the border with printed geometric design, Fairlyland Wedgwood Ware, a promotional booklet dated 1921, and a small catalogue, printed Wedgwood mark, 22.5cm. diam. (3) £150-200

184

185

Provenance Private collection of Wedgwood Pottery.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 45

186

187

186. A Wedgwood Pottery bowl by Norman Wilson, footed form, the fluted bowl glazed grey and tan to the exterior, the interior blue, and another Wedgwood bowl by Norman Wilson glazed gloss black, impressed marks, NW, paper exhibition label, chips, 27.5cm. diam. (2) £150-200

188

Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual bowl illustrated. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.183. 187. A Wedgwood Pottery bowl by Norman Wilson, footed, fluted form, externally decorated with matt tan and grey exterior, the interior purple hare’s fur glaze, and another Wedgwood bowl by Norman Wilson, covered in a matt white glaze impressed and printed mark, printed NW, 27cm. diam. (2). £150-200 Provenance Private collection of Wedgwood Pottery.

189

Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI for similar bowls illustrated. 188. A Wedgwood Pottery vase by Norman Wilson, footed form, the slightly flaring, fluted cylindrical body glazed matt tan and grey to the exterior, the interior glazed green celadon and another Wedgwood vase by Norman Wilson glazed matt black and Moonstone white, the interior sea green, both £150-200 unmarked, minor chips, 22cm. high, (2). Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI for a similar vase.

190

189. A Wedgwood Pottery vase and cover by Norman Wilson, octagonal section, glazed in tan over a grey ground, impressed and printed marks and £150-250 NW mark, 16cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual vase and cover illustrated. The piece is also included on the front cover illustration. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.176. 190. A Wedgwood Pottery vase by Norman Wilson, shouldered form with shallow stepped neck, covered in a Moonstone white glaze, impressed factory marks, NW, 21cm. high £150-200 191. A Wedgwood Moonflask by Norman Wilson, footed form with twinlooped handles, cast in low relief to both sides with a flowerhead motif, glazed green, on a grey and tan matt ground impressed factory marks, NW monogram, 22.5cm. high £150-250 Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual vase illustrated.

191

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 46

192. A Wedgwood Pottery bowl by Norman Wilson, footed, the flaring bowl glazed with brown aventurine to the interior, the exterior gloss black, and a Wedgwood tray by Norman Wilson brown with tan and grey exterior impressed marks, impressed NW 16cm. diam. (2) £150-200 Provenance Private collection of Wedgwood Pottery.

192

Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual bowl illustrated. 193. A Wedgwood Pottery fluted bowl by Norman Wilson, on shallow foot, glazed blue on a blue body, and another similar glazed blue to interior and gloss black, impressed marks, applied exhibition label, 18cm. diam. (2) £150-200 Provenance Private collection of Wedgwood Pottery.

193

Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI the second bowl illustrated. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.181 194. A Wedgwood Pottery powder-bowl and cover by Norman Wilson, covered to the exterior with a speckled green glaze, the interior glazed green, and a rare Wedgwood agate bowl by Norman Wilson decorated with black and white swirls, impressed marks, impressed NW monogram and paper exhibition label to main item, 13cm. high (2) £150-250

194 195

Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI the main bowl illustrated and also illustrated on the front cover. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.180. 195. Nefertiti a Wedgwood Pottery bust by Norman Wilson, on £150-200 ebonised wood base, unsigned 16cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 200 catalogue number 499 for another example illustrated. Catalogue notes Norman Wilson designed this bust in the 1930s with some being made as late as 1947, they were available in Black Basalt, Moonstone and also two were made in gold. 196. A tall and impressive Wedgwood vase by Norman Wilson, slender, shouldered form covered in a matt white glaze, impressed marks and NW monogram, printed mark, exhibition paper label, 42cm. high £200-300 Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual vase illustrated.

196

Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.185.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 47

198

197 197. Sylvia a rare Wedgwood Pottery figure modelled by Arnold Machin, covered in a Moonstone glaze, impressed marks, 35cm. high £200-300 Provenance Private collection of Wedgwood Pottery. Literature A photograph of this figure model number 4492 is held at The Wedgwood Factory archive, and it was also included in an article on Wedgwood in Pottery & Glass, 1947.

199

198. Eleven Wedgwood Pottery chess pieces modelled by Arnold Machin, glazed black basalt, blue Jasper and white Jasper, comprising, two castles, two queens, a king, a bishop, two Knights and three pawns, impressed marks, tallest 13.5cm. high £150-250 199. A Wedgwood Pottery Zodiac box and cover modelled by Arnold Machin, the cover modelled in low relief, covered in a pale blue glaze, a Veronese bowl and tazza, two plates, a bowl and a teapot and cover, impressed and printed marks, minor chips to cover, 13cm. wide (7) £150-200 Provenance Private collection of Wedgwood Pottery.

200

200. A Buller’s porcelain miniature vase, shouldered form, covered in a celadon glaze, two others similar, two Buller’s vases by William Ruscoe, shouldered form with incised decoration covered in celadon glazes, two other large vases and a collection of Buller’s including unomi tea bowls incised marks, miniature vase 5.5cm. high (a lot) £150-200 201. Harold J Thomas 1944 a Buller’s commemorative porcelain ginger jar and cover, incised to the shoulder and cover, covered in a pale yellow glaze, a Buller’s porcelain bowl by James Rushton, painted in blue with figures stacking hay, another painted Buller’s bowl and a collection £150-200 of Buller’s porcelain, incised marks, 20cm. high, (a lot) Exhibited Art Among The Insulator’s The Buller’s Studio 1932-1952, this bowl by James Rushton exhibited as part of a group catalogue number F13.

201

Catalogue notes Harold Thomas was a thrower at Buller’s having learnt his skills at Stoke School of Art and initially working at Pilkington’s Lancastrian Pottery. He worked at the Buller’s factory circa 1939-1949 before becoming a teacher. 202. A rare Bullers porcelain figure of Grecian lady, modelled resting on a bird bath a dove perched next to her, painted in shades of brown on a buff ground, a Buller’s pale celadon glazed camel, a shallow ‘Chinese’ celadon bowl and two crackle glazed porcelain vases by Buller’s unsigned, 31.5cm. high (5) £150-200 Exhibited Art Among The Insulator’s The Buller’s Studio 1932-1952, the camel exhibited catalogue number E1 and the larger crackled glaze vase exhibited catalogue number D1.

202

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:18 Page 48

203. Baby Bunting HN.2108 a Royal Doulton figure, painted in colours, ‘In Bed’ HN1805 two Royal Doulton figures, ‘Do You Wander where Fairies are..’ HN1844 and forty five other figures by Royal Worcester, Royal Doulton and Paragon, and a Royal Doulton dog printed and painted marks, minor damages, (50). £200-300 Provenance Biddy Aitken.

203

204. The Titbit a pottery figure by G Wallers, painted in colours, another pottery figure of two country ladies by H F Rock dated 1925, a miniature portrait of a child by C M Dick, in copper frame, a Royal Copenhagen model of a faun on a goat,and a collection of seven other figures etched title and signature, old restoration and repairs, 17.5cm. high (11) £150-200 Provenance British Art Pottery, Woolley and Wallis Auctioneer’s, 26th November 2008 lot 147 for the main figure. Biddy Aitken.

204 205. A Compton Pottery book end, cast in low relief with a faun in a woodland setting, glazed in colours, two Compton pottery mugs and three other items book end unmarked, impressed marks to mugs, damages, 13cm. high. (6) £200-300 Provenance Biddy Aitken. 206. Mother and Child a pottery figure group by Helen Wickham, painted in naturalistic colours, Mischief by Helen Wickham a pottery figure of a young boy with a teddy bear by Mary Hibberd and two Royal Doulton figures, painted title and signed to base, 17cm. high (5) £150-200 Provenance Biddy Aitken.

205

Helen Wickham was an artist potter working in West Hampstead, London in the 1920s. Her work was exhibited at the Walker Gallery and also the Royal Miniature Society. A version of Mischief is held in the Victoria & Albert Museum collection (C487-1934). 207. Benjamin Franklin an Ashtead Pottery toby jug designed by Percy Metcalfe, limited edition, painted in colours, a bronze model of the Wembley Lion designed by Percy Metcalfe, and a collection of pottery including Ashtead, Poole Pottery and a Wedgwood tankard designed by Keith Murray painted factory marks, 25cm. high, (a lot). £150-200

206

Provenance Biddy Aitken. 208. Young Girl with a Doll a pottery figure by Eileen A Soper, painted in colours, and another model of a young girl by Eileen Soper, and a Paragon Nursery Ware cup and saucer made as a gift from Queen Mary, 1933, incised marks, professional restoration to girl with a doll, hairline to cup, 17cm. high (3). £150-250 Eileen Soper (1905-1990) produced a range of pottery figures, designs for domestic nursery ware and also illustrations for books including Enid Blyton’s Famous Five.

207

Provenance Biddy Aitken. 209. The Morning Ride a pottery figure designed by Charles Vyse, painted in colours, on ebonised wood base, incised C Vyse Chelsea, one antennae missing, 26cm. high £200-300 Provenance British Art Pottery Woolley and Wallis Auctioneer’s, 25th November 2003 lot 782. Biddy Aitken.

208

209

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:19 Page 49

210. A patinated bronze figure of a young woman cast from a model by Phoebe Stabler, modelled kneeling with a towel resting on her knees, signed in the cast Phoebe Stabler, 9cm. high £150-200 Literature The Studio, this figure illustrated page 74 in a review of an exhibition of Phoebe Stabler’s wax figures at The Women’s International Art Club at the Grafton Gallery. Provenance Biddy Aitken. 211. A patinated bronze bust of a woman cast from a model by Phoebe Stabler, modelled with cast down gaze, her hair up in a ring, and two pottery figures in the manner of Phoebe Stabler, cast Phoebe Stabler in bronze, green glaze figure with remains of Heal’s label, white figure restored 10cm. high, (3) £150-250

211 210

Phoebe Stabler exhibited a bust entitled Draped Head in 1916 at the Arts and Crafts Exhibition Society, Eleventh Exhibition. Provenance Biddy Aitken. 212. Dreaming a silvered metal sculpture cast from a model by Phoebe Stabler, and another silvered metal model of young girl with a fan unsigned, 12.5cm. high £150-200 Literature Annette Carruthers & Mary Greensted Simplicity or Splendour, Cheltenham Museum & Art Gallery, figure 87, page 137 catalogue number 157 for an example in bronze.

212

Provenance Biddy Aitken. 213. A patinated plaster model of a woman by Phoebe Stabler, modelled seated, her legs crossed, covered in a green patination, and another with white highlighting on ebonised wood base, paper label to base, 16cm. high, (2). £150-200 The stylised profile and hair of this figure is comparable to the figured modelled by Phoebe Stabler for The Wakefield Gold Trophy (The Spirit of Speed) presented to Major Seagrave by Sir Charles Wakefield in 1929. Provenance Biddy Aitken. 214. Buster Boy a Hammersmith Bridge stoneware figure by Phoebe Stabler, dated 1913, modelled, glazed in colours on a buff ground incised Phoebe Stabler 1913 to side and Hammersmith Bridge impressed mark to base, 18cm. high £150-200

213

Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 41 for an example of this design made at Carter, Stabler & Adams, Poole Pottery. Provenance Biddy Aitken. 215. Dreaming two Royal Worcester figures designed by Phoebe Stabler, one glazed pale blue the other yellow, on blue bases, Coquette and Little Dancer two Royal Worcester figures, painted in colours, and two pottery plaques, printed and painted marks, Coquette restored neck, 10cm. high (6) £150-250 Literature The Studio volume 77, 1919, page 74 for the wax version of this figure illustrated from the Grafton Galleries exhibition. Provenance Biddy Aitken.

214

215

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 50

216. A Wedgwood Pottery Hummingbird lustre bowl designed by Daisy Makeig-Jones, Z5294, printed and painted in colours and gilt on a mottled blue lustre glaze, the interior orange lustre decorated to the well with a hummingbird printed and painted marks, 24cm. diam. £150-200 Provenance 20th Century Design, Woolley and Wallis Auctioneer’s 7th March 2012 lot 698. Private collection.

216

217. A rare Shelley Pottery lustre bowl designed by Walter Slater, printed and painted with three galleons sailing on a rough sea, in colours, highlighted in gilt, printed factory mark and facsimile signature, 31cm. diam. £250-350 218. A Denby Danesby Ware vase designed by Donald Gilbert, shouldered form, modelled in low relief with a frieze of flamingos, glazed pale green and sand printed factory marks, artists monogram to side, cracks, 24cm. high £120-180 219. A Denby Pottery Studio Cheviot bowl designed by Glyn Colledge, elliptical form, painted with geometric foliate panels, in colours on a black ground painted signature 27.5cm. wide. £150-250

217

220. ‘Our Pets’ a large Shelley porcelain figure group designed by Mabel Lucie Attwell, model no.LA.19, painted in colours, printed factory marks and facsimile £800-1,200 signature to base, 21.5cm. high Literature Chris Watkins, William Harvey and Robert Senft, Shelley Potteries, Barrie & Hawkins, page 105 colour plate IX for an example of this figure illustrated. 221. Three Little Piggies a Wadeheath novelty musical jug, model no.3733, modelled in relief, the handle the big bad wolf, painted in colours on a cream ground, printed and painted factory marks, professionally restored ears to handle, 25.5cm. high £150-200

218

219

222. An Art Deco Carlton Ware Moderne tea for two, pattern no.8810, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate, glazed matt turquoise with gilt handles and detailing printed and painted marks, professional restoration to inside of sugar basin, 14.5cm. high (teapot), (9). £150-200

222

220

221

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 51

223. Stanley Nicholson Babb FRBS (1874-1957) Psyche, 1933 a stoneware figure, glazed white on wooden stand signed and dated in the cast, 41cm. high £700-900 Provenance Private collection.

224. Charles Vyse (1882-1971) a rare miniature stoneware vase, ovoid, covered in a deep celadon glaze with splashes of rust, painted Vyse LC, 4cm. high £150-200

225. A rare Omega Workshops tin-glaze earthenware bowl probably thrown by Roger Fry at Poole Pottery, covered in a speckled and crazed oatmeal glaze impressed Omega symbol, £150-250 handwritten label, chips to rim, 22cm. diam. Exhibited The handwritten label states this bowl was exhibited at the Victoria & Albert Omega Workshops exhibition in 1960. It is similar to several examples held in the V&A collection also attributed to Roger Fry (circ 248-1958), and thrown at Poole circa 1916.

226. A Fulham Pottery mug by Quentin Bell, with applied scroll handle, painted with flower roundels, on a sgraffito grey ground, and another mug by Quentin Bell, incised marks, chips, 9cm. high (2). £200-300

223

224

225 226

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 52

229 227

228 227. A Honiton Pottery charger probably by Frederick Braddon, painted with a running deer inside stylised flowers in red, yellow and turquoise on a cream ground, the rim with a frieze of flowers and stags, painted monogram, 37cm. diam. £200-300 228. Captain Jean-Luc Picard a Kevin Francis prototype toby jug, painted in colours, and a Charlie Chaplin continental pottery character jug painted Prototype, 23cm. £50-100 high (2) 229. A Troika Pottery vase by Avril Bennet, rectangular form, incised decoration glazed blue and black, the shoulder glazed black, a large Carn pottery vase and two other pottery items painted Troika and artist cipher 31.5cm. high (4) £150-250 230. Maria Guerten a six tile panel painted with a female portrait in blue and green lustre, in oak frame paper label to reverse, Barbican Gallery Penzance paper retail label, 50 x 34.5cm. £150-250

231

230

‡ 231. Waistel Cooper (1921-2003) a stoneware vase, the tapering cylindrical body with incised columns, waisted neck and flaring rim, glazed dry white and dark manganese brown painted Waistel, repaired neck, 22.5cm. high £150-250 232. A Poole Pottery Aegean wall charger by Diana Davis, designed by Carole Holden, resist decorated with a galleon at full sail, in shades of orange on a brown ground, two Poole Delphis plates shape no.3, a dish and a modern Poole Studio vase by Alan White, printed and painted marks, 35cm. diam. (5). £150-200 233. A Poole Pottery plate designed by Ruth Pavely, painted with four leaves, in shades of green, grey and mushroom, a Poole Pottery bowl, a John Dunn Raku bowl and a collection of pottery printed factory marks, 23cm. £150-200 diam., (a lot)

233

232

‡ 234. Anita Harris The Jester a shouldered cylindrical vase, painted and enamelled in colours, highlighted in gilt on a black ground printed and painted marks, certificate 36cm. high £200-300

‡ 235. Anita Harris The Theodora vase, a tall, swollen cylindrical vase, painted and enamelled in colours on a midnight blue ground, highlighted in gilt, printed and painted marks, certificate, £300-500 50cm. high

‡ 236. Anita Harris

The Jester a tall, swollen cylindrical vase, painted and enamelled in colours on a sang de boeuf ground, highlighted in gilt, printed and painted marks, certificate, 50cm. high £300-500

234

235

236

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 53

237 237. A Poole Pottery Studio bowl, covered in a sprayed turquoise and tan glaze, a Poole Studio vase, two dishes and a Poole Contemporary carafe covered in a Black Panther glaze, printed factory marks, 20.5cm. diam. (bowl), (5). £150-200

238

239

238. A Poole Pottery Delphis charger by Jean Millership, shape no.5, painted with three abstract roundels in blue black and turquoise on a vivid red ground printed and painted factory marks, 36.5cm. diam. £150-200 Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 123 this actual charger illustrated.

240 239. A Poole Pottery Delphis charger, shape no.5, painted with a geometric abstract design in shades of orange, yellow and black highlighted with textured white glaze, printed and painted marks, 36.5cm. diam. £150-200 Provenance Poole Pottery, Christie’s South Kensington, 25th August 2000, lot 278

240. Arizona Blue a Poole Pottery Studio limited edition charger designed by Sir Terry Frost, painted with a spiralling blue design, printed and painted marks, facsimile signature, numbered 41/100 41cm. diam. £150-200 This design was produced for sale at the Royal Academy of Arts.

241. A rare Poole Pottery Atlantis vase by Guy Sydenham, tapering pear shaped body, modelled with a stylised face, glazed in green, her exotic hair carved and matt glazed black, impressed Poole mark Guy Sydenham monogram, 32cm. high £1,500-2,000 Literature British Art Pottery Woolley and Wallis Auctioneers, 30th November 2006, lot 971 for a comparable Poole Atlantis figural vase by Guy Sydenham which sold for £2500. It is believed to be one of six such vases produced.

241

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 54

242. A Cobridge Stoneware vase, compressed body with waisted cylindrical neck, painted with water-lily flowers, in colours, another smaller and two other Cobridge stoneware vases impressed and painted marks, 32cm. high, (4). £150-250

242

243. A Cobridge Stoneware vase, slender baluster form, painted with a seahorse in colours on a mottled blue ground, another Cobridge vase painted with mallards and swans and another smaller Cobridge vase painted with sea eagles, impressed and £150-250 painted marks, 30cm. high, (3).

243

244. A pair of Cobridge Stoneware vases, baluster form, painted with a school of dolphins, in colours on a mottled green, and three others similar, impressed and painted marks, 26cm. high, (5) £150-250

244 245. A large Cobridge Stoneware vase and cover, ovoid, painted with a distant landscape and sunset, the foreground with tracery, in colours impressed and painted £150-200 marks, 2/50 30cm. high

246. An Andrew Hull Pottery stoneware vase, ovoid with cylindrical neck, the neck incised with grotesque birds amongst grasses, the body with grotesque scaly fish, in colours on a buff ground, impressed factory marks, facsimile signature, dated 2010, 46cm. high £150-200

245

246

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 55

248 249

247 247. The Major Owl a large Andrew Hull Pottery stoneware bird jar and cover, dated 2005, painted in colours impressed marks, painted signature 41cm. high £150-200

248. Albert an Andrew Hull Pottery stoneware model of a bird, painted in colours, a model of a fish, Herman a model of a Hermit crab and Gerald an Andrew Hull pottery model of a reptile jar and cover, impressed marks, painted signature 16.5cm. high (4) £150-200

250

249. Owl Watch, an Andrew Hull Pottery stoneware limited edition model of two owls, modelled perched, the larger wrapping its wing around the other, glazed in colours, and The Judge bird jar and cover, and a small bird jar and cover by Andrew Hull, impressed marks, painted signature, numbered 20/30 13cm. high, (3) £150-200

250. The Prosecutor an Andrew Hull Pottery stoneware bird jar and cover, dated 2005, glazed in colours, and Archie an Andrew Hull Pottery bird jar and cover impressed marks, painted signature 26.5cm. high (2). £150-200

251

251. An Andrew Hull Pottery limited edition stoneware double bird group, each modelled with knowing sideways glance, painted in colours, and Clement another Andrew Hull Pottery bird jar and cover, impressed marks, 13/30, 34cm. high, (2) £150-200

252. Vincent an Andrew Hull Pottery stoneware jar and cover, painted in colours, Boris and Perez, two other Andrew Hull pottery birds, impressed marks, painted signature, dated 2005, 29cm. high, (3) £150-200

252

253. Oswald the Owl, an Andrew Hull Pottery stoneware limited edition owl jar and cover, glazed in colours, and Rosy and Octavia two other Andrew Hull owl bird jar and covers, impressed marks, AW monogram, 4/65, 26cm. high, (3) £150-200

253

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 56

THE DR JOHN SHAKESHAFT COLLECTION

Image courtesy of St. Catherine’s College, Cambridge / Rev’d David Neaum.

John Shakeshaft was an eminent Cambridge Don, a fellow of St Catharine’s, an astrophysicist who began buying studio pottery in the late 1960’s and during 40 years of ardent, almost obsessive collecting built one of the largest, most comprehensive collections of British and Japanese 20th-century pottery of the highest quality ever assembled. John was a student of the genre and developed a very discerning eye and was often first in the queue at exhibition openings and fairs so as to have the first choice of what he considered the very best pieces. John had his favourite potters…. amongst those living and currently working Nic Collins, Svend Bayer, Lisa Hammond, Mike Dodd, Richard Batterham and myself were all represented in large numbers but the collection was all encompassing and included pieces by a good many of the potters working in the UK between 1968 and 2012. John was a kind, generous and thoughtful man and he often bought pots from potters whom he wanted to support and not necessarily because he wanted or needed their pot. He wanted very much to be supportive. John admired potters as much as their pots and felt that potters are not rewarded sufficiently for the immense amount of hard work required to make a living by making pots. John had a great deal of empathy for those potters who built their own kilns, made their own clay and glaze, fired the kiln for sometimes days at a time together with all the other, often laborious tasks that result in that sometimes glorious and sometimes crushing moment when the kiln is opened and the pots taken out. John will be remembered for a very long time by the potters he so readily and happily supported and I will remember him as a good friend and someone who certainly made a difference to my life at a time when I really needed a helping hand. Above all John was simply a very good and gentle man who really knew a good pot when he saw one. PHIL ROGERS

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 57

254. Richard Batterham (born 1936) a stoneware jar and cover, covered to the foot with a running ash and tenmoku glaze, a covered jug, two covered bowls and five bowls unsigned, 25cm. high (9) £150-200 255. Richard Batterham (born 1936) a cut-sided stoneware teapot and cover, covered in an ash glaze, a pedestal bowl and a collection of studio pottery including Svend Bayer and Richard Batterham, unmarked, £150-200 12cm. high (a lot)

254

256. Richard Batterham (born 1936) a stoneware service, comprising, twelve dinner and side plates, covered in ash glaze unsigned,dinner plates 26.5cm. diam, side plates 18.5cm. diam. £150-200

255

257. David Lloyd Jones (1928-1994) a large stoneware vase, ovoid with everted top rim, covered in a speckled ash glaze to the foot, and a David Lloyd Jones stoneware charger covered in a tenmoku glaze impressed factory marks, 31cm. high, (2). £150-200

‡ 258. Svend Bayer (born 1946) a stoneware bowl, painted with three fish to the well in blue on an oatmeal ground, 35.5cm. diam. £150-200 259. Svend Bayer (born 1946) a stoneware twin-handled vase, rounded square section, applied with two lug handles, covered in a smoked and lustred wood glaze, three bottle vases, a covered pot and two bowls, unsigned, 21cm. high, (7) £150-200

256

260. Jim Malone (born 1946) a stoneware flaring bowl, incised with a fish swimming in turbulent water, covered to the foot in an ash glaze, another smaller, two bowls by Ursula Mommens and another bowl, impressed JM seal marks, 28cm. diam. (5) £150-200 261. Jim Malone (born 1946) a large stoneware jug, covered to the foot with a running ash glaze, a David Leach Lowerdown Pottery stoneware flagon commemorating the Silver Jubilee of Queen Elizabeth II, John Leach stoneware jug, a Nic Collins bellied jug and two other jugs impressed seal mark, 35cm. high (6). £150-200

260

257

258

259

261

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 58

262

263

262. Micki Schloessingk (born 1949) a salt-glazed stoneware tea caddy and cover, cut sided form, a footed bowl, another smaller, a plate and a jar and cover by the same artist, and a small collection of studio pottery by various artists unsigned, 16.5cm. high (a lot) £150-200

264 263. Geoffrey Whiting (1919-1988) a stoneware tea canister and cover, with simple incised comb design, glazed to the foot in tenmoku, a small stoneware tea canister by Robert Sanderson and £150-200 another, unsigned, 17cm. high, (3)

264. Mike Dodd (born 1943) a stoneware bottle vase, with fluted sides, glazed to the foot with a running ash and blue glaze, a Mike Dodd footed bowl and another shallow bowl, impressed seal marks, 19cm. high, (3). £150-200

265 265. David Leach (1911-2005) a Lowerdown Pottery stoneware vase, ovoid with incised groves, flaring rim, covered to the foot with a speckled buff glaze, another Lowerdown vase decorated with fern motif, and a collection of studio pottery including Ray Finch, Robert Barron and Colin Kellam, impressed seal marks, hairline to Lowerdown fern vase, 29cm. high, (a lot) £150-200

‡ 266. David Leach (1911-2005) a tall stoneware vase, shouldered form covered in a running olive and tenmoku glaze, unmarked, paper £150-200 label, 45cm. high.

‡ 267. David Leach (1911-2005) a Lowerdown Pottery vase, shouldered form, painted with simple brush design in blue on a pale blue ground, over oatmeal, the neck with tenmoku band, impressed seal mark, 23.5cm. high £150-200

266

267

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 59

268. Gwyn Hanssen Pigott (1935-2013) a porcelain bowl, covered to the exterior with a mushroom glaze, the interior mottled sage brown, another Gwyn Hanssen Pigott stoneware bowl, a Sheila Fournier flaring bowl with bronze glaze and two other bowls, applied exhibition labels, SF impressed seal to Fournier bowl, 20.5cm. diam. (5). £150-250

268

‡ 269. Gwyn Hanssen Pigott (1935-2013) a large earthenware flaring bowl, covered in a speckled ash and tan glaze, with tenmoku band to rim and swirl to well, impressed seal mark, 42.5cm. diam. £150-200 270. Gwyn Hanssen Pigott (1935-2013) a stoneware teapot and cover, with overslung bamboo handle, covered in a salt-glaze, another larger teapot and cover by Gwyn Hanssen Pigott covered in a celadon glaze, another by Ruth Ann Tudball, a teapot by Mick Casson and eight other teapots impressed seal mark, 16cm. high (12) £150-200 271. Phil Rogers (born 1951) a stoneware unomi, waisted cylindrical form, painted in tenmoku with simple grass motif, on an ash ground, another two similar, two bowls, a jug and a covered pot impressed marks, 9.5cm. high (7) £150-200 272. Phil Rogers (born 1951) a cut-sided salt-glazed stoneware vase, shouldered form with four loop handles, each side with diagonal textured finish, and another Phil Rogers bottle base with fluted design, covered in an ash glaze, impressed seal mark, 29cm. high £150-200

269

270

273. Phil Rogers (born 1951) a slab built stoneware vase, impressed shell motif, covered in a salt-glaze impressed seal mark, 17.5cm. high £150-200

271

274. Phil Rogers (born 1951) a stoneware unomi, covered to the exterior with a tenmoku glaze, the interior glazed celadon, another by Phil Rogers covered in a celadon glaze, a cut-sided unomi by Mike Dodd, a unomi by Aki Moriuchi, and thirteen others similar, impressed marks, 9.5cm. high, (17). £150-200 275. Pascal Geoffrey (born 1951) a stoneware unomi, covered in a volcanic rust glaze, four others by Pascal Geoffrey, a unomi by Chuck Schwartz, one by Herve Rousseau and eight others similar, impressed marks, 9cm. high (15). £150-250

274

272

273

275

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 60

276. Bernard Leach (1887-1979) a Leach Pottery stoneware tea canister, covered in a matt green glaze, with later wooden cover, and a fluted bowl covered in a rich tenmoku glaze, and a collection of four Chinese celadon glazed bowls, two blue and white bowls possibly Vietnamese, and a celadon deep-rimmed plate, impressed seal marks, to canister, 14.5cm. high, (9). £150-200 Provenance Decorative Arts, Christie’s, 4th May 1998 lot 50 (both items).

276

277. Janet Leach (1918-1997) a Leach Pottery stoneware unomi, cylindrical form with simple brushed ash glaze decoration, a footed unomi by Jim Malone, a unomi by Helen Pincombe, Nic Collins and six others, impressed seal mark, 7.5cm. high, (10). £150-200

277

278. David Leach (1911-2005) a Lowerdown Potttery cut-sided porcelain tea service, covered in a celadon glaze, comprising; milk-jug and sugar basin, six cups and saucers, a larger David Leach tinglazed tea cup and saucer, a Crowan Pottery celadon tea set and a collection of domestic ware bowls, impressed seal marks, 9cm. high (jug), (a lot). £150-200

278 279

Literature Emmanuel Cooper & Kathy Niblett David Leach Richard Dennis Publications, page 91 catalogue number 58 for a comparable tea set. 279. Seth Cardew (1934-2016) a Wenford Bridge Pottery plate, painted to the well with a tree motif, in tenmoku and blue on an ash ground, impressed seal marks, 27cm. diam. £150-200 280. Ruth Ann Tudball (born 1945) a salt-glazed stoneware charger, with brushed glaze decoration, another larger charger, a beaker vase, five smaller dishes and four unomi by Ruth Ann Tudball, impressed marks, 31cm. diam. (12) £150-200

280

281. Lisa Hammond (born 1956) a stoneware cylindrical vase, covered in a shino glaze, another smaller, a handled vase with pitted surface, a unomi and eight various bowls by the same artist impressed seal mark, collection label, 24cm. high, (12) £150-250

281

282. Sarah Walton (born 1945) a large salt-glazed stoneware bowl, flaring conical form, another smaller, a Unomi by Sarah Walton a Lisa Hammond charger, beaker and pouring vessel and four other items, impressed mark to cut-sided bowl £150-200 17cm. high (10)

282

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 61

283

284

283. Pascal Geoffrey (born 1951) a stoneware vase, waisted cylindrical form, covered in a rust and white glaze, a jar and cover by Pascal Geoffrey, a unomi by Chuck Schwartz and eleven other pots impressed seal mark, 15cm. high (14) £150-200

284. Charles Bound (born 1939) a large hand-built split stoneware charger, with applied clay decoration, glazed in metallic brown, with white, terracotta and blue enamels, and a slab built vase by Charles Bound applied exhibition label, unsigned, 56cm. diam. (2) £150-200

285

‡ 285. Ruth Duckworth (1919-2009) an early stoneware charger, resist decorated to the well in black brown and turquoise glazes, impressed potters seal mark, 39.5cm. diam. £150-250

‡ 286. Claude Champy (born 1944) a stoneware Crater vase, abstract form, covered in a running and pitted glaze incised signature, small glaze frit to top rim, 21cm. high £150-200

286

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 62

288 289 287 287. Shigeyoshi Ichino (1942-2011) a Leach Pottery stoneware bottle vase, covered in a rich tenmoku glaze, resist decorated with simple line motif, impressed seal marks, 32.5cm. high £150-200 288. Shigeyoshi Ichino (1942-2011) a stoneware vase with looped handles, resist decorated in tenmoku with simple line design, the shoulder with pale blue ash glaze, and a Shigeyoshi Ichino bottle vase, impressed seal mark, 21cm. high, (2) £150-200 289. Takeshi Yasuda (born 1943) an early stoneware platter with pinched rim, glazed in ash with poured decoration, impressed seal mark, exhibition label, 32cm. diam. £150-200

290

290. Shigeyoshi Ichino (1942-2011) a large stoneware vase, ovoid with collar neck, covered in a brushed translucent ash glaze, paper label to base, 30cm. high £200-300 291. Shigeyoshi Ichino (1942-2011) an earthenware jug, decorated with a simple grass stem in green on a mustard yellow ground glazed to the foot, a pouring bowl by Oki Taketoshi and a rice bowl by Motoko Wakana impressed seal mark, 21cm. high, (3) £150-200

291

292. Shigeyoshi Ichino (1942-2011) a bellied stoneware jug, glazed with brushed bamboo stem in pale blue over celadon to the foot, a pierced stoneware bowl by Hitoshi Alee and a vase by Izumihara Masanobu impressed seal marks, 20cm. £150-200 high. (3) 293. Shigeyoshi Ichino (1942-2011) a cut-sided stoneware vase, square section, decorated in resist with geometric design in tenmoku and ash glazes, another cut-sided vase by Shigeyoshi Ichino covered in a rich tenmoku glaze impressed seal marks, 22cm. high, (2) £150-200

292

293

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 63

295

294

294. Akiko Hirai (born 1970) a stoneware platter with rolled ends, the textured surface with incised wheel decoration, glazed ash with applied gold, a circular platter by Futamura Yoshimi (born 1959), and a plate by Kido Akihiko, unmarked 38cm. wide, (3). £150-200 295. Kitaoji Rosanjin (1883-1959) a square Iga style dish, stoneware with light green ash glaze pooling in the carved surface, incised £500-600 seal mark, 24cm. square

296

Provenance 20th Century Japanese Ceramics and Works of Art, Bonhams London 11th November 2003, lot 78 Literature Uncommon Clay The Life and Pottery of Rosanjin, 1998 page 40 for a comparable form. 296. Phil Rogers (born 1951) a stoneware charger, resist decorated with a radiating design to the well, in tenmoku over ash glaze, a stoneware ash glaze vase and a saltglazed jug by Phil Rogers impressed seal marks, £150-200 30cm. diam. (3) 297. Itsuko Shida a stoneware bottle, shouldered form, covered in a crackled and pitted thick silver white glaze, another bottle vase by Abe Hitoshi, a covered vase by Akiko Sato impressed seal mark, 18.5cm. high (3) £150-200 298. Deishi Shibuya a large earthenware unomi or charwan, covered in a thick running white glaze with pitting, in original presentation box another boxed charwan by Deishi Shibuya, two teabowls by Terhi Juurinen, in fitted box and a unomi by Shibata Takuro in fitted box, box signed 15.5cm. diam, (5) £150-200

297

298

299. Rizu Takahashi (born 1941) a stoneware unomi, with simple brush design over pitted glaze to the foot, two unomi by Masanobu Izumihasa and another by Hishamoto Konichi, two in wooden boxes, incised mark, 10.5cm. high (4). £150-200

299

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 64

300. Nic Collins (born 1958) a tall wood-fired stoneware vase with cylindrical neck, covered in a streaked pink and ochre glaze with ash drips, another similar and twin-handled tray incised marks, 36cm. high, (3) ÂŁ150-200

301. Nic Collins (born 1958) a stoneware vase with surface texture, covered in an ash glaze, another smaller and two other vases by Nic Collins incised signature, 31cm. high (4) ÂŁ150-200

302. Nic Collins (born 1958) a salt-glazed stoneware charger, decorated with speckled and pitted ash glaze, a saltglazed vase by Nic Collins and three others smaller plates incised signature, 43cm. diam. (5) ÂŁ150-200

300

301

302

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 65

303. Nic Collins (born 1958) a tall, flat sided stoneware vase, incised and covered with a metallic black glaze, another Nic Collins vase with textured black glaze and a small dish incised signature, 43cm. high (3) ÂŁ150-200

304. Nic Collins (born 1958) a stoneware charger with resist decoration, impressed with leaves, glazed in a white ash glaze, a large slab-built vase, two other vases and seven other pots incised signature, ÂŁ150-200 38cm. diam. (11)

305. Nic Collins (born 1958) a bellied stoneware vase, the body with splits and resist decoration, covered in an ash glaze, and another lug-handled vase by Nic Collins, two square platters and two other pieces, incised signature, 28cm. high, (6) ÂŁ150-200

303

304

305

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 66

306

307

306. Ian Godfrey (1942-1992) a flaring pottery bowl with pierced rim, incised decoration, splashed with ash glaze, a small Derek Davis beaker vase, a bowl by Pascal Geoffrey and a bowl by N Champy-Scheft, unsigned, 26.5cm. diam, (4) £150-200

309 308

307. Elspeth Owen (born 1938) a hand-built ceramic orb, covered in a burnished glaze, another raku orb by Elspeth Owen, a stoneware unomi by Yo Thom and a collection of studio pottery including Chris Keenan, Sheila Fournier, Daniel Smith and Tessa Fuchs various marks, 9cm. high (16). £150-200

‡ 308. Robin Welch (born 1936) a raku pottery vase, footed cylindrical form with everted rim, glazed white between matt black bands, with black veined crazing and blue splashes, unsigned 30.5cm. high. £150-200

‡ 309. Robin Welch (born 1936) a raku pottery bowl, burnished black with resist decorated crackled and speckled white glaze, impressed Robin Welch mark, 25.5cm. diam. £150-200

310

310. Robin Welch (born 1936) a raku pottery charger, glazed white with painted red and pale blue abstract design, and another smaller, impressed Robin Welch mark, 42cm. diam. (2) £150-250 311. John MacKenzie a salt-glaze stoneware bottle vase, slender form with poured ash glaze, glaze imperfections and kiln kisses in the finish, another solifleur vase by John MacKenzie, a stoneware vase by Herve Rousseau, a square dish by Pascal Geoffrey, a bowl by Jean-Francois Foullhoux and a collection of studio pottery impressed seal marks, 35cm. high £150-250 312. Joanna Constantinidis (1927-2000) a stoneware vase, sack form with uneven rim, the exterior glazed to the foot with a matt buff speckled glaze, and a collection of studio pottery including Michael Casson, Yo Thom, Clive Bowen and Natasha Daintry impressed seal mark, 11cm. high (a lot) £150-200

311 part

313. John Maltby (born 1936) an early stoneware vase with hanging rope, glazed ash with red and brown enamelled brush strokes, and a unomi by John Maltby, vase unsigned, unomi with impressed seal to side, 21cm. high, (2) £150-200

312

313

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 67

‡ 314. Walter Keeler (born 1942) a salt-glazed stoneware teapot and cover, with gun-barrel spout and over-slung handle, covered i n a pale blue speckled glaze impressed seal mark, small nick to spout 21.5cm. high £150-200

314 both sides

‡ 315. Edmund de Waal (born 1964) a porcelain cylinder vase with applied lug, covered in a pale celadon crackled glaze, impressed seal marks, 21cm. high. £200-300

‡ 316. Edmund de Waal (born 1964) a small porcelain pouring vessel, covered in a pale blue crackled glaze, impressed seal mark, 8.5cm. high £150-200

‡ 317. Nicholas Homoky (born 1950) a porcelain vase, elliptical form black and white inlaid spiral design, impressed seal mark, 16cm. high £150-200

318. Julian Stair (born 1955) a porcelain vase, shouldered form incised with horizontal bands, glazed black hare’s fur, and a stoneware bowl glazed to the foot by Julian Stair, impressed seal mark on rim, 17.5cm. high, (2). £150-200

316

315

318 317

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 68

STUDIO POTTERY 319. Reginald Fairfax Wells (1877-1951) a Soon stoneware twin-handled vase, dated 1915, low compressed form on three feet, with two lug handles, covered in a thick running blue and green glaze over purple flambe, and another Soon vase by Reginald Wells, incised Soon 15, minor chips, 18cm. wide, (2) £150-250

319 320

‡ 320. Michael Cardew CBE (1901-1983) a Winchcombe Pottery earthenware flagon, simple painted decoration in tan and brown, glazed to the foot, impressed marks, 27cm. high £200-300

321 322

321. Janet Leach (1918-1997) a Leach Pottery stoneware dish, on feet, glazed with simple brush stroke motif, two Leach Pottery tiles by Trevor Corser and a vase impressed seal marks, 13.5cm. wide (4) £150-200 322. Bernard Leach (1887-1979) a Leach Pottery tile, painted with three fish in tenmoku on a celadon ground, and another tile painted with a willow tree impressed St Ives seal marks, 10cm. square. (2) £300-500

324

323

323. Richard Batterham (born 1936) a stoneware jar and cover, cut-sided form with simple decorative band, covered to the foot with a celadon ash glaze, and a similar jar and cover by Mike Dodd, Dodd seal mark flooded with glaze, 21cm. high (2). £100-200 Provenance 20th Century Design, Woolley and Wallis Auctioneers, 5th March 2014, lot 453

325

324. Richard Batterham (born 1936) a stoneware serving plate, covered in an ash celadon glaze to the interior, and another similar glazed celadon to the well with brown glazed rim, unsigned, etched W to second 31cm. diam. (2) £150-200

325. Leach Pottery a tureen and cover, six soup bowls and saucers, with celadon glaze, and a collection of studio pottery impressed marks, 23cm. diam. (a lot) £200-300

326. Bernard Leach (1887-1979) attributed a Leach Pottery slipware dish, with combed brown and cream decoration, impressed Leach Pottery seal mark, hairline and firing crack, chips to rim, 34.5cm. diam. £200-300

326

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:21 Page 69

‡ 327. Bernard Leach (1887-1979) a Leach Pottery pottery plate, painted to the well with a hare, the rim with simple landscape motif, in blue and brown on a celadon ground, impressed mark, painted BL monogram, hairline and restoration to rim, 19cm. diam. £300-500 ‡ 328. Bernard Leach (1887-1979) Beggar and Songbird etching on paper, framed signed in the print, paper gallery label, 5/25 in pencil 119.5 x 14.5cm.

£150-250

Provenance Sheila Harrison Fine Art. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 61 catalogue number 34 for an example of this print illustrated.

‡ 329. Bernard Leach (1887-1979) Tilling, 1912 etching on paper, framed signed and dated in the print, paper gallery label, 5/25 in pencil 13.5 x 12cm. £150-250 Provenance Sheila Harrison Fine Art.

‡ 329A. Bernard Leach (1887-1979) Seashore with Boats and Tree, etching on paper, framed printed facsimile signature, paper gallery label, 7/25 20 x 15cm.

£150-250

327

Provenance Sheila Harrison Fine Art.

‡ 330. Bernard Leach (1887-1979) Little Stack, etching on paper, framed printed facsimile signature, paper gallery label, 5/25 in pencil 10 x 13cm. £150-200 Provenance Sheila Harrison Fine Art. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 43 catalogue number 11 for an example of this print illustrated.

‡ 331. Bernard Leach (1887-1979) Harbour with Schooner, etching on paper, framed printed facsimile signature, paper gallery label, 5/25 in pencil 15 x 16cm. £150-250 Provenance Sheila Harrison Fine Art.

328

329

Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, page 34 catalogue number 7 for an example of this print entitled ‘West India Docks’ illustrated.

329A

330

331

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 70

‡ 332. William ‘Bill’ Marshall (1923-2007) a slab built stoneware vase, shouldered form, covered to the foot with a translucent celadon glaze with simple olive green brush motif, impressed seal mark to base, 21.5cm. high £300-500

332 two views

333. Shoji Hamada (1894-1978) a slab built stoneware bottle, with tapering neck, covered with a rich tenmoku glaze and simple green brush design unsigned 20cm. high £2,000-3,000

333 two views

334

334. Tatsuzo Shimaoka (1919-2007) a stoneware teapot and four unomi, painted in rust, green and yellow with foliate roundel, tenmoku on ash ground, and a Derek Davis flambe solifleur vase Shimaoka unsigned, vase painted signature, chips to spout of teapot, 10.5cm. high, vase 28cm. high (6) £150-250

335. Ursula Mommens (1908-2010) a stoneware vase, shouldered form, decorated with simple brush motif in green on a grey ground, a stoneware vase by Katharine Pleydell-Bouverie, a miniature vase on three feet probably by Reginald Wells, two Bretby wall plaques and a collection of pottery impressed seal marks 18cm. high (a lot) £150-200

335

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 71

ALDERMASTON POTTERY

‡ 336. Alan Caiger-Smith MBE (born 1930) an early Aldermaston Pottery tin-glazed wood-fired charger, circa 1966, painted with geometric bands in brown and black on a pale grey ground painted monogram and date code, 45cm. high £300-500 Literature Alan Caiger Smith and Aldermaston 19551993, page 13 for a large wood-fired dish similar, 1969.

‡ 337. Geoffrey Eastop (1921-2014) a pottery albarello vase, painted in shades of blue, green and ochre on a tin-glaze, painted monogram 27cm. high £150-200

336

‡ 338. Alan Caiger-Smith MBE (born 1930) an Aldermaston Pottery albarello vase, painted with stylised foliage in shades of red and ruby lustre on a tin-glaze, painted artist monogram, 26cm. high £300-400

337

338

‡ 339. Alan Caiger-Smith MBE (born 1930) An Aldermaston Pottery model of a bird, the feathers painted in shades of red, blue and green painted monogram, repaired £300-400 damages, 21.5cm. high

339

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 72

‡ 340. Alan Caiger-Smith MBE (born 1930) an Aldermaston Pottery low oven dish and cover, circular section, painted with swirls in brown and blue on a tin glaze ground, painted monogram, 31cm. diam. £400-500 Provenance Past, Present & Future Catalogue of an Exhibition, 23rd September - 3rd October 1998, Richard Dennis Gallery, catalogue number 7.

‡ 341. Alan Caiger-Smith MBE (born 1930) 341

340

An Aldermaston Pottery vapoured lustre vase and cover, cylindrical form, painted in sand and lustre feint painted monogram, 12cm. £150-200 high

‡ 342. Alan Caiger-Smith MBE (born 1930) a pair of Aldermaston Pottery candlesticks, painted in shades of blue and ruby on a tinglaze painted marks, repair to drip tray of one, 36.5cm. high (2) £300-400 343. Laurence McGowan (born 1942) a tapering cylindrical jug, painted with lily flowers in red, green and grey on an off white ground, and a bowl painted with stylised birds painted marks, 21.5cm. high £150-200

343 ‡ 344. Edgar Campden an Aldermaston Pottery charger, painted with abstract design to well and rim in red, black and yellow on a tin-glaze, painted monogram, hairline to rim, 46cm. diam. £550-650

342

345. A Troika Pottery square dish by Sylvia Vallence, the well glazed metallic black on a white ground, An Aldermaston Pottery bowl and two goblets by Alan Caiger-Smith and a Janice Tchalenko Dart Pottery beaker vase painted marks, SV monogram, 12cm. square, (5) £150-200 346. Janice Tchalenko (born 1942) an early Dart Pottery stoneware vase, shouldered form with everted rim, glazed with abstract brushstrokes in yellow and white on a red ground, and a smaller vase similar, and a stoneware vase and cover unsigned, (3) £150-200

344

345

346

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 73

348

349

347

347. Joanna Constanitinidis (1927-2000) a tall porcelain vase, swollen form with inverted rim, covered in a pale celadon glaze with stripes, and another Joanna Constanitinidis porcelain vase impressed seal marks, faint hairline to top rim, 31.5cm. high £200-300

‡ 348. Joanna Constanitinidis (1927-2000) a tall porcelain vase, swollen form with inverted rim, covered in a pale celadon glaze impressed seal mark 30cm. high £300-500

‡ 349. Joanna Constanitinidis (1927-2000) a porcelain vase, ovoid with short neck and flaring rim, covered to the exterior with a celadon glazed speckled with rust, the rim with matt rust glaze impressed seal mark, 29cm. high £300-500

350 both sides

‡ 350. Joanna Constanitinidis (1927-2000) a stoneware vase, slender elliptical form with rough top rim, covered in a textured rust and bronzed glaze to the foot impressed seal £300-500 mark to foot rim, 28.5cm. high 351. John Bedding (born 1947) a raku pottery jar and cover, covered in a burnished pink and buff glaze, and another John Bedding jar and cover covered in a crackled blue glaze blue vase stamped JB, 33cm. high, (2) £150-250

351

352. John Bedding (born 1947) a small Raku pottery vase with pierced hole, glazed in shades of cream and rust, and a Raku pottery vase by Helene van Dongen (born 1948), impressed HD monogram to second vase, Bedding vase 15cm. high, van Dongen vase 29cm. high. (2) £150-200 353. Robin Welch (born 1936) a collection of early stoneware, comprising two cylindrical vases, four goblets, two canisters with cork tops, four bowls and three egg cups, all partially glazed in white with a silver band, vases 18.5cm. high (15) £100-150

352

353

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 74

‡ 354. Catrina McLeod a swollen ovoid vase with everted rim, painted in shades of green and blue with splashed yellow, red, pink and blue enamels, painted signature to base 30cm. high £100-200

354

‡ 355. Emmanuel Cooper (1938-2012) a porcelain jug, flattened elliptical form with applied handle, covered in a crackled turquoise glaze, with applied gold spots impressed seal mark, 16cm. high £300-400 Provenance Emmanuel Cooper Stoneware and Porcelain Crafts Study Centre, Farnham, 5th April-3rd June 2005

355 both sides

356. Sotis Filippides (born 1963) a tall stoneware cylinder vase, textured finish with matt black glaze incised mark 47.5cm. high £350-400

357. Sotis Filippides (born 1963) a raindrop bowl and cover with 24ct gold decoration over matt black textured finish incised mark 29cm. diam. £350-400

356

357

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 75

359

358A

358 ‡ 358. Paul Young (born 1961) a large earthenware Wassail pot and cover, the flaring pot applied with eight handles, the conical cover with two graduated rows of loop handles, each with a bird perched on top, glazed in shades of pink, blue and brown on a pale yellow ground unsigned 55cm. high £600-1,000 Provenance private collection.

‡ 358A. Alan Wallwork (born 1931)

360

a tall stoneware vase, the textured surface glazed tan, grey and white incised AW £200-300 42.5cm. high

‡ 359. Alan Wallwork (born 1931) a stoneware pottery split form pebble vase, the textured surface with glaze pools, in tan, grey and pale celadon, incised AW monogram, 12cm. high £100-200 360. Alan Wallwork (born 1931) a stoneware split-form disc vase, decorated with circles of incised dots, glaze pale celadon, grey and tan, another split-form vase and spherical egg form sculpture by Alan Wallwork, incised AW 25.5cm. high, (3) £150-250 361. Alan Wallwork (born 1931) a stoneware split form disc vase, the textured surface glazed in pale celadon, grey and tan, a smaller split form ovoid vase and a seedhead vase by Alan Wallwork, incised AW 33.5cm. high (3) £150-250

361

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 76

‡ 362. Dame Lucie Rie DBE (1902-1995) a set of three graduated stoneware pourers, glazed to the foot in manganese, the interior a clear glaze, impressed seal marks, 6cm, 8cm, and 9.5cm. high. (3) £1,500-2,000 Literature Tony Birks Lucie Rie, Marston House, page 89 for a comparable graduated set illustrated.

362

363

‡ 363. Lucie Rie DBE (1902-1995) and Hans Coper (1921-1981) a set of four tea cups and saucers, the cups with incised sgraffito lines in manganese on a grey ground, impressed seal marks to cups and saucers, small chip to top rim of one saucer, cups 7cm. high £2,000-3,000

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 77

â&#x20AC;Ą 364. Dame Lucie Rie DBE (1902-1995) a stoneware coffee pot and cover, sgraffito lines in manganese to the cover and side on a grey ground impressed seal mark ÂŁ3,000-5,000 Literature Dame Lucie Rie Sale of a Lifetime Bonhams, 17th April 1997, page 59 lot 97 for a comparable Coffee pot covered in a black gloss glaze.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 78

â&#x20AC;Ą 365. Dame Lucie Rie DBE (1902-1995) a stoneware vase, swollen form with flaring neck, covered to the foot with a streaked matt mushroom and ochre glaze, impressed seal mark, 17cm. high ÂŁ2,000-3,000

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 79

â&#x20AC;Ą 366. Hans Coper (1920-1981) ovoid volume with flattened cylinder, 1972 stoneware layered with white porcelain slips and engobes, in wooden box made by Jane Coper, impressed seal mark, 14.5cm. high ÂŁ10,000-20,000 Provenance Given to the present owner by Jane Coper in 1991. Literature Tony Birks Hans Coper, Marston House, page 178 for a comparable example covered in a burnished manganese glaze, and page 179 for a larger example covered in white porcelain slips.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 80

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 81

‡ 367. Elizabeth Fritsch CBE (born 1940) Tlön, a handbuilt stoneware vase, (minor professional restoration), 33.5cm. high £2,500-3,500 Provenance Professor John Ball (1931-2010), The Hargreaves & Ball Trust. Literature Keith Vaughan, Prunella Clough and Elizabeth Fritsch (a selection of works from the Hargreaves and Ball Trust) Anthony Hepworth Fine Arts, 2010, page 36

367

‡ 368. Elizabeth Fritsch CBE (born 1940) Dark Windows, a hand-built stoneware Spout Pot, 42cm. high £4,000-5,000 Provenance Professor John Ball (1931-2010), The Hargreaves & Ball Trust. Literature Keith Vaughan, Prunella Clough and Elizabeth Fritsch (a selection of works from the Hargreaves and Ball Trust) Anthony Hepworth Fine Arts, 2010, page 37.

368

‡ 369. Elizabeth Fritsch CBE (born 1940) Corner Vase, a stoneware vase, 34cm. high

£2,500-3,000

Provenance Professor John Ball (1931-2010), The Hargreaves & Ball Trust. Exhibited Keith Vaughan, Prunella Clough and Elizabeth Fritsch (a selection of works from the Hargreaves and Ball Trust) Anthony Hepworth Fine Arts, 2010.

369

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 82

‡ 370. Ewen Henderson (1934-2000) untitled, buttressed form, a stoneware sculpture with applied porcelain slips, unsigned, repair to one flange 48cm. high £400-600

370

‡ 371. Gordon Baldwin (born 1932) untitled, bowl form dated 1981, a large earthenware bowl, incised GB and 81 date, hairline crack to rim, 43.5cm. wide £300-500

371

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 83

DESIGN

DODO BURGNER

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 84

‡ 372. Dorte Clara Dodo Burgner (1907-1998) The Conversation watercolour on paper, the reverse with a pencil drawing of a woman, mounted signed Dodo and indistinctly titled, 28 x 26cm. (image) £150-200

‡ 373. Dorte Clara Dodo Burgner (1907-1998) Seated nude with red hair, watercolour on paper, the reverse painted with a woman in a yellow dress signed and dated 5 VI 25 in pencil 55.5 x 32.5cm. (sheet) £150-200

372 ‡ 374. Dorte Clara Dodo Burgner (1907-1998) Woman standing by an armchair, watercolour on paper, mounted unsigned 49 x 20.5cm.

£150-200

‡ 375. Dorte Clara Dodo Burgner (1907-1998) Study for Woman in a Brown coat, two watercolours on paper, and another of the same model annotated in pencil, 9.V.25 55 x 32.5cm. (3) £150-200 373

374

375

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 85

‡ 376. Dorte Clara Dodo Burgner (1907-1998) Rendezvous in the Theatre box watercolour on paper with silver highlighter, mounted signed Dodo 33.5 x 25.5cm. (image) £150-200

376 ‡ 377. Dorte Clara Dodo Burgner (1907-1998) Hexe Am Abend, der Grosse UFA film, watercolour on paper poster design, and a pencil drawing for the design, mounted unsigned, 35 x 27.5cm, (2) £150-200

377 ‡ 378. Dorte Clara Dodo Burgner (1907-1998) Bad News pen and ink and watercolour on paper, mounted signed Dorte Wolff in pencil 26 x 22.5cm. (image) £150-200

‡ 379. Dorte Clara Dodo Burgner (1907-1998) Dancing couple and trees pen and ink and watercolour on paper, mounted unsigned 26.5 x 22.5cm. £150-200

378

379

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 86

â&#x20AC;Ą 380. Dorte Clara Dodo Burgner (1907-1998) Two Women in Tweed a pen and ink fashion study with white highlighter, annotated in pencil, the reverse with a pencil drawing, unsigned 36 x 23.5cm (image)

ÂŁ300-500

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 87

â&#x20AC;Ą 381. Dorte Clara Dodo Burgner (1907-1998) Two women in hats a fashion study in pen and ink with white highlighter, annotated in pencil signed Dodo 36 x 24cm (image)

ÂŁ300-500

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 88

382. Specimens of Indian Enamelling Selected from the Arms Displayed at the Great Exhibition by Sir Matthew Digby Wyatt, lithograph in colours, printed January 1853 by F Cherval Litho, framed, printed marks to base, 42 x 29cm (image) £150-200 Sir Matthew Digby Wyatt (1822-1877) was secretary for the Great Exhibition of the Works of Industry of all Nations, Crystal Palace, 1851

383 382

383. Six hand published books designed and illustrated by Rena Gardiner, comprising; Dorset: and The East Winterborne Valley, 1968, Dorset: The Isle of Purbeck, 1969, Dorset: Tarrant to Blandford, 1970, Cotehele, (second revised edition), 1979, History of Salisbury Cathedral, 1967, Look at Montacute, 1981, (6). £200-300 384. Modern English Furniture by J C Rogers ARIBA, published by Country Life, 1930, and a collection of books, catalogues and photocopies on Arts and Crafts, Aesthetic Movement and design, including C.F.A. Voysey by Duncan Simpson, Edward Barnsley, Dr £150-200 Christopher Dresser and William Burges, (a lot).

384

385

385. A collection of books on design, mainly ceramics and glass design, including The Creative Craftsman by John Farleigh, and books on Hans Coper, Lucie Rie and British Sculpture in the 20th Century (a lot) £150-200 386. Leslie Gooday OBE (1921-2013) Concept 19 acrylic on board and collage, framed signed lower right, paper label to reverse 59 x 33cm (image)

£150-200

Provenance The estate of the artist. This vase depicts a large Janet Leach pottery vase and a photograph of a potters hands possibly Lucie Rie’s.

386 387. Leslie Gooday OBE (1921-2013) Concept 16 acrylic on board and collage, framed signed lower right, paper label to reverse 52.5 x 27.5cm (image)

£150-200

Provenance The estate of the artist. This picture includes a Janet Leach vase.

387 388. Leslie Gooday OBE (1921-2013) Ceramics and Landscape acrylic on board, framed signed lower right, gallery number 132, paper label to reverse 52 x 28cm (image) £150-200 Provenance The estate of the artist. This image depicts Hans Coper vases.

388 389. Leslie Gooday OBE (1921-2013) Concept 10 acrylic on board, framed signed lower right, paper label to reverse 52 x 27cm (image)

£150-200

Provenance The estate of the artist.

This picture includes an image of a vase by Betty Blandino similar to examples Leslie had in his collection.

389

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:02 Page 89

392

390

GLASS

391

390. An Arts and Crafts stained glass window, rectangular, the main panel with coat of arms and owl roundels, inscribed Dominus Providebit (the Lord will provide), inside painted quarry tiles, the top section with small four quarry square panel inside painted floral quarry tiles, in wrought iron frame, 122 x 49.5cm. £300-500 391. A tall Daum Nancy camel glass vase, slender, shouldered form on stepped foot, cameo decorated in red over amber glass with tall trees beside a lake, cameo Daum Nancy signature, 32cm. high £3,000-5,000 Provenance Private collection. 392. An Art Nouveau Gallé cameo glass vase designed by Emile Gallé, shouldered form, pale green glass cased in green, cameo decorated with fern fronds, cameo Gallé signature, 9.5cm. high £500-800 Provenance Private collection.

393

393. An Art Nouveau Galle cameo glass vase by Emile Gallé, disk form, pale pink glass cased in lilac and green, cameo decorated with flower sprays, cameo Gallé signature, 12cm. high £500-800 Provenance Private collection. 394. A Loetz glass vase, flaring cylindrical form with pinched rim, covered in a swirling green iridescent finish unsigned 12.5cm. high £150-250 395. An Andre Thuret glass bowl, the thick clear glass vase, with optical blue tint, with air bubble inclusions, etched Andre Thuret to £200-300 base 18cm. diam.

394

395

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:23 Page 90

398

CERAMICS 397 396. An Art Nouveau Purmerend Faience vase, baluster form, painted with stylised flower stems, in colours painted marks to base, 26.6cm. high £250-350

396

397. A Rozenburg Den Haag pottery charger, pattern 1939, painted with three birds perched on a bough of acorns, the sun setting in the distant landscape, painted in colours printed and painted marks, small fault to rim, 44cm. diam. £500-800 398. ‘Le Ruisseau Normandie’ a Theodore Deck plaque by A Jullien , painted with a young couple on either side of a wooden bridge over a river, in a country landscape, painted in colours, with original wooden frame, signed lower right, impressed and painted marks to reverse, 33.5 x 23.5cm. high £500-600 399. A Joseph Mougin stoneware vase, shouldered form, covered in a tea glaze, incised Mougin, Nancy, painted 0702, 31cm. high £120-180 400. The Potter a Royal Copenhagen stoneware vase designed by Jais Nielsen, modelled in low relief with a potter holding a large vase, covered in a mottled green and brown glaze impressed mark, painted Jais signature, 23cm. high £250-350

400 399

401. A Modernist Schramberg majolika pottery vase designed by Eva Zeisel, model no.2847, waisted cylindrical form, painted with geometric block design in blue, yellow and brown on a yellow ground, impressed and printed factory marks, professional restoration to top rim, 19.5cm. high £150-200 402. A Keto Keramik pottery vase probably by Gertrude Hahner, shouldered form, incised and enamelled in colours with a sailor talking to a young lady under the light of a street lamp on the banks of the Seine, Paris, the Eiffel tower in the distance etched Keto Keramic 45cm.high £150-200 403. A small Berndt Friberg pottery bowl designed by Stig Lindberg, on shallow foot, the bowl covered with an olive green hare’s fur glaze, a Rorstrand bowl designed by Gunnar Nyland and seven pieces of studio pottery by Ben Owen, Phil Morgan, Kayo O’Young and others impressed and incised marks, 12cm. diam. (9). £150-200 Provenance A private collection of pottery.

401

402

403

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 91

404 ‡ 404. Pablo Picasso (1881-1973) Oiseau sur La Branche, (Ramie 175) a Vallauris earthenware glazed black on a white ground, designed in 1952 in an edition of 500, impressed Edition Picasso and Madoura marks, painted Edition Picasso, 15.5cm. diam. £1,000-2,000 Literature Picasso Ceramics The Attenborough Collection, New Walk Museum & Art Gallery, page 8 for a comparable example, the first piece bought by the Attenborough’s.

‡ 405. Pablo Picasso (1881-1973) Danseurs, (Ramie 387) a Vallauris earthenware wall plaque, glazed black on a white ground, designed 1956 and produced in a limited edition of 500, stamped Empreinte Originale de Picasso, Madoura Plein Feu to the reverse, 19cm. diam. £2,000-3,000 Provenance Private collection. Literature Picasso Ceramics, Christie’s South Kensington, 26th June 2014 lot 131 for a comparable plaque.

405

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 92

406

407

TEXTILES 406. An Arts and Crafts silk embroidery panel, decorated with a vase of fruiting and flowering pomegranate, with Art Nouveau tendrils, in colours on a mushroom ground, in oak frame, unsigned, 79 x 71.5cm. £200-300 407. Tulip and Rose a Morris & Co jacquard woven wool textile, originally designed in 1896, floral ground in green and red, and another textile fragment 160 x 84cm. (2) £500-700 408. Wisdom an Arts and Crafts silk embroidery, in the manner of Selwyn image, decorated on sage green silk with an allegorical maiden holding an open book in one hand, the other offering up a snake, in coral red silks, inside red velvet border, framed unsigned, 91 x 44,5cm. (frame) £200-300 409. Kite Strings a screen-printed cotton textile designed by David Parsons, retailed by Heals, designed in 1956, Nautilus by Mary Warren, Top Brass by Zandra Rhodes and a Festival of Britain printed silk scarf signed to selvedges, Kite Strings 192 x 126cm. (4) £150-200

408

409

410. Meistersingers a Sanderson screen-printed silk the design attributed to Zandra Rhodes, printed in colours on a black ground, title and makers details to the selvedge, 201 x 126cm. £150-200 411. Mezzanine a printed textile designed by Lucienne Day, retailed by Heal’s, printed in colours on a duck-egg blue ground, remains of bolt, signed to selvedge, 117cm. wide. £150-200

411

412. Legend an Edinburgh Weavers screen-printed cotton textile designed by Alan Reynolds, designed 1965, printed with geometric design in pale yellow, white and brown on a dark brown-black ground, remains of a bolt on card roll, three other printed cotton panels, a pair of Secessionist chenille curtains, and another textile fragment, signed EW to selvedge, 125cm. wide.(7) £150-200 Literature Design Journal 1966, 10 Years of Design Centre Awards, page 61 catalogue number 33 this design illustrated.

410

412

Francesca Galloway Twentieth Century Textiles, Antique Collectors’ Club, page 167-169 catalogue number 95 this design illustrated.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 93

FURNITURE

413. A large and impressive walnut breakfront display cabinet designed by Edward Barnsley, made by Charles Bray, dated 1932, three shaped cupboards flanked with fitted end cabinets, below three glazed doors with adjustable shelves, slender concealed cupboards with adjustable shelves and shelves to the sides, inlaid with ebony banding and chequer banding, turned ebony handles 221cm. wide, 194cm. high ÂŁ8,000-12,000 Provenance Mrs D.E. Neale, commissioned in 1932. Aspects of Victorian and Edwardian Decorative Arts,Fischer Fine Art, catalogue number 6 illustrated page 13, description page 15. Private collection.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 94

415 marks 414 414. A pair of Arts and Crafts carved oak fire bellows, carved to one panel with a galleon at full sail on a rough sea, with brass nozzle and studs, unsigned, 61cm. long £150-250 415. An Arts and Crafts oak door stop, dated 1936, tall slender form carved with stylised flag iris stems, the weighted base a textured river, carved SFH 36 monogram, 70.5cm. high £150-250

415

416. An Arts and Crafts carved oak fire screen, the central panel carved with a rising sun panel, the hinged wing panels with a galleon at full sail on a rough sea unsigned, 85cm. high £200-300 417. An Arts and Crafts rush seated chair probably by William Birch, turned legs and back, with seven curved splats, rush seat unsigned, 99cm. high £150-200 418. A Secessionist oak hall chair, probably German, tapering carved legs with angle support, the back with simple £150-200 carved foliate motif, 97cm. high 419. An Arts and Crafts stool, probably American, square section over pierced frieze, on four turned legs with carved trellis design, padded seat 35cm. square, 51cm. high £100-150 420. A Gustav Stickley oak side table, with square top and square section legs, pegged joints, and another similar with galleried top in the manner of Gustav Stickley stamped red £150-200 mark, 70cm. high, 36cm square top (2)

416

421. An Indian brass tray topped occasional table, possibly retailed by Liberty & Co, the circular brass tray top with stamped decoration, on folding turned leg base 60cm. diam. £100-150 421A. An Anglo Moorish wall shelf unit, possibly retailed by Liberty & Co, pierced and carved with foliate and Arabic panels, inset with panels of Mushrabeyeh and mother of £200-300 pearl, 102cm. high

417

Literature Liberty Xmas Giftes catalogue, circa 1890, a similar Kordofan wall bracket illustrated, reproduced in Daryl Bennett Liberty Furniture, page 103.

418

419

420

421

421A

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 95

423

422

422. An English mahogany arm chair, inlaid with mother of pearl and marquetry flower panels, with padded seat and back,107cm. high £300-500

424 425

Provenance Antiques department, Liberty & Co 1993. 423. A Liberty & Co oak planter, square section on flaring column feet, each side inlaid with geometric diamond marquetry panel, stamped L & Co London mark to base, 31cm. high £200-300 424. An Anglo Moorish table probably retailed by Liberty & Co, decagonal section, pierced and carved panels inlaid with mother of pearl and bone, and another smaller with hinged top, second with paper label, losses and damages, 59.5cm. high and 50cm. high, (2). £200-400 425. A Liberty & Co mahogany corner display cabinet, triangular section, glazed twin door cabinet over shelf with turned columns, applied ivorine label to back, 161cm. high, 84cm. wide, 59cm. £500-800 deep. 426. An Arts and Crafts oak sideboard in the style of Liberty & Co, the shaped rectangular top supporting cabinet with hinged, panelled door, flanked by shelves, the base with two deep central drawers flanked by cupboards, raised on eight legs, unsigned, 168cm. wide, 55cm. deep, 175cm. high £300-400

426

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 96

427

427. A pair of Heal’s style oak bookcase cupboards, each with two door compartment and fixed shelf, unsigned, (one darker stained), 107cm. long, 33cm deep, 83cm. high, (2) £500-800 428. A walnut oval library table by Edward Barnsley, two drawers with patinated brass handles, the sycamore strung top over a narrow inlaid band of green leather and gilt embossed stringing by Roger Powell, raised on a turned, tapering column and four downplayed legs, stamped Barnsley, 122 x £1,500-2,500 84cm, 74cm. high 429. A brass and leather PK91 Propellor stool originally designed by Poul Kjaerholm, the cast brass X frame with brown leather slung seat, unsigned, 52cm. wide , 45cm. high £500-800 430. A Ligne Roset Havana chair, with green alcantara upholstery and cushion applied label, 76cm. high £150-200

428

429

430

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 97

â&#x20AC;Ą 431. Richard La Trobe-Bateman (born 1938) an English oak dining table and eight chairs, the chairs commissioned in 1977, the table commissioned in 1985, the table with circular top on sleigh foot with square section cluster legs, the high-back chairs of slender slat construction with cane seats, signed and dated, table 142cm. diam, 71cm. high, chairs 135cm. high ÂŁ2,000-3,000 Literature Crafts, no.20 May/June 1976 page 26-27 for comparable chairs illustrated.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 98

433

432

METALWARE 432. An Arts and Crafts patinated copper wall mirror in the style of Liberty & Co, oval with stamped roundel and stud decoration, unsigned, 93cm. wide x 68cm. high £200-300

434

435

433. A Scottish brass wall mirror probably Iona workshops, rectangular form, stamped in low relief with simple rope twist borders, the corners with simple geometric panels, with bevelled glass, unsigned, 84 x 56cm. £150-200

434. An Aesthetic Movement metal mounted bamboo covered pot and tankard, possibly American, the bamboo body lacquered with foliage and butterflies, the angular handle with bird, moth and foliate panels, unmarked, 25cm. high, (2). £150-250

435. An Aesthetic Movement electroplated metal teapot and sugar basin, with ivory insulators, cast bamboo handle and spout, with hinged cover, incised with a figure holding a fan and parasol, on foliate ground, stamped marks, W & L S, 11.5cm. high, (2). £150-200

436. A pair of cast iron firedogs, in the manner of Richard Norman Shaw, based on a thirteenth century design, spherical ball on flaring tripod foot, the square column with cast decoration, flaring arms and stylised mask terminal, with signs of gilding, unmarked, 26.5cm. high £150-200

Literature Charlotte Gere & Michael Whiteway, Nineteenth Century Design from Pugin to Mackintosh, Weidenfeld & Nicolson, page 93 plate 99 for a more elaborate example illustrated.

436

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 99

437. A rare Reformed Gothic brass and lapis mantel clock designed by Bruce Talbert, probably made by Cox & Co or Hart, Son, Peard & Co, the triangular body, floral roundels set with red glass cabochons, the pointed finial with lapis knop, circular dial with Roman Numerals, 31cm. high ÂŁ2,000-3,000 Literature Charlotte Gere & Michael Whiteway 19th Century Design from Pugin to Mackintosh, page 118 for a comparable example illustrated. The John Scott Collection, Modern English Design From the 1860s and 1870s, Fine Art Society, 11th June-3rd July 2014, catalogue number 68 for a comparable example. Bruce Talbert (1838-1881) trained as an architect before becoming one of the leading exponents of the Reformed Gothic style. This clock, designed circa 1871, was illustrated in The Illustrated Catalogue of Gothic & other Artistic Domestic Furniture, Fittings, Decorations, Upholstery & Metal work, published by Cox & Sons in 1872.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 100

438

438. ‘Woman with a Lyre’ a patinated metal plaque cast from a model by Victor Hugenin, circular, mounted on wood, and three smaller bronze plaques Syndicat General DEs Fondeurs de France, signed in the cast plaque 26cm. diam. (4) £100-200

439. An Ateliers Tananarive carved wood bust of a young woman, with exotic bunched hair, on circular base, incised Salomon, paper labels 29cm. high £120-180

440. A pair of Arts and Crafts oak book ends in the manner of Arthur Simpson of Kendal, the shaped ends carved with acorn and stylised leaf panel, unsigned 18cm. high (2). £150-250

441. Robert Mouseman Thompson oak bowl, with adzed decoration, carved mouse signature 22.5cm. wide. £100-150

439

440

100

441

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 101

442

442 detail 442. A cast brass coal shovel and poker designed by C.F.A. Voysey, probably manufactured by Thomas Elsley Ltd, with heart shaped shovel, the handle with ball finial, unsigned 62.5cm. long (2) £500-800 Literature Karen Livingstone C.F.A Voysey Arts and Crafts Designer, V&A Publications page 260 catalogue number 338 for comparable fire tools illustrated.

443. A W.A.S Benson brass and copper table lamp, the arched tripod foot cast with foliate stems and ball counterweight, supporting knopped stem, copper oil reservoir, stamped WAS Benson to cover, 56cm. high £300-500

444. A pair of patinated cast iron panels cast from a model by Benjamin Creswick, cast in relief with a farrier re-shoeing a horse and blacksmiths forging a horse shoe unsigned, 38 x 24cm. £500-700 Benjamin Creswick (1853-1946) produced three similar panels mounted in Arthur Heygate Mackmurdo’s bronze mantlepiece, 1880, illustrated in Aymer Vallance’s Mr Arthur Heygate Mackmurdo and the Century Guild, The Studio volume 1899, pages 183-192. He was also a founder member of the Century Guild in 1882.

443

444

101

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 102

445 446

447

445. A Keswick School of Industrial Arts twin-handled copper bowl, hammered in low relief with a frieze of laurel berried foliage, with applied strap handles, stamped KSIA diamond mark, 45cm. wide £100-200

448

Provenance Classic Arts and Crafts Christie’s South Kensington, 21st November 2001 lot 136 (part) 446. A continental Secessionist copper and brass mantel clock, angular form with cast strap decoration and stylised foliate panel on coloured enamel ground, circular dial with £200-300 Arabic numerals, unsigned 16cm. high 447. An Art Nouveau pewter candlestick, modelled as a maiden holding up the sconce, the base cast in low relief with iris flowers unmarked, 24cm. high. £150-200

449

448. A Bruno Wiskemann stainless steel four piece tea service, comprising teapot with hinged cover, hot-water pot and hinged cover, sugar basin and hinged cover, milk-jug and sugar tongs stamped marks, 16cm. high (hot-water), (5). £150-200 449. An Art Nouveau Levi & Salaman silver three piece cruet, each with green glass liner, cast and pierced with whiplash foliage, comprising mustard pot with hinged cover, salt and pepper pot, stamped marks, Birmingham 1903, 9cm. high (3) £150-250

450

450. An Art Nouveau Liberty & Co English Pewter sugar basin and milk-jug designed by Archibald Knox, model no.0231, streamlined form, cast in low relief with whiplash foliage, stamped marks, 14cm. wide, (2) £100-200 451. A Liberty & Co Tudric pewter cruet set designed by Archibald Knox, model no.0349, cast in low relief with stylised honesty on Art Nouveau whiplash stems, comprising salt with glass liner, pepper pot, mustard pot and matched spoon, £200-300 stamped marks, 4.5cm. high (pepper). (3)

102

Provenance The Liberty Style The Millinery Works, June 2000.

451

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 103

452

452. A Charles Horner silver and enamel brooch, pierced and cast in low relief with a foliate design, with two green and blue enamel panels, and another silver and enamel brooch by William H. Haseler, stamped marks, 3.5cm. wide. (2). ÂŁ200-400

453

453. A Continental silver necklace, cast panels decorated with stylised foliate roundels alternating with chrysoprase panels, unsigned 43cm. long. ÂŁ150-200 454. A pair of carved amber erotic ashtrays, retailed by Kaldenberg & Son New York, shaped rectangular form, carved with a naked maiden lying in the bowl, the figure with bronze patination applied paper retailers label, 8.5cm. long, (2). ÂŁ800-1,200

454 454 label

END OF SALE

103

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 104

20TH CENTURY DESIGN 2017 Calendar

WEDNESDAY 29TH MARCH Clarice Cliff, Art Deco & Design Closing date for entries Friday 3rd February

WEDNESDAY 21ST JUNE Arts & Crafts Closing date for entries Wednesday 26th April

THURSDAY 22ND JUNE A Private Collection of Burmantoftâ&#x20AC;&#x2122;s Pottery

TUESDAY 17TH OCTOBER Design Closing date for entries Tuesday 22nd August

WEDNESDAY 13TH DECEMBER British Art Pottery Closing date for entries Friday 20th October

ENQUIRIES Michael Jeffery | mj@woolleyandwallis.co.uk Zoe Smith | zs@woolleyandwallis.co.uk Tel: +44 (0) 1722 424505

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 105

MODERN BRITISH & 20TH CENTURY ART Tuesday 13th December 2016

John Northcote Nash RA (1893-1977) Sheep hurdles in winter Signed Watercolour over pencil 40.25 x 55.5cm Estimate: £3,000 - £5,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 106

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 107

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 108

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 109

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 110

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:03 Page 111

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

F IS

HER TO N

CHIPPER

T WIN S BED

WOOLLEY & WALLIS

L SALT

WINCH ESTER ST

NEW

LL R O AD

Salisbury Salerooms e

ark eP hiv

id &R

A36 Ch

WILTON & WARMINSTER

Sarum Business Park

A36(T) CH URC HIL L

S OUT H

Westover Garage

T) C

Old Sarum Park

A 3 6(

ND WY

O MR HA

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

urchill W ay

LW AY W ES T IL

D SR SE VI DE WILTO NR DA

EET STR TLE CAS

A3 60

Old Sarum Kia Motors

D OA

AMESBURY & MARLBOROUGH

E LS

H AS

YR LE

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

r Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D PAY AN Y DISPLA RK CAR PA

A30

94 NEW H

NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

LANE

IN S

RO A

( T)

SALT

UT SO

Y A36

A36(T) SO UTHA MPT ON R

W BED

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

SOUTHAMPTON CATHEDRAL

TRE

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WW102-405 Listing.qxp_Layout 1 31/10/2016 15:27 Page 112

WOO L LE Y & WA L LI S Absentee Bid Form British Art Pottery Design

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 30th November 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

112

www.w o o lleyan d w allis.co .u k

Auction Calendar ASIAN ART 15th November 2016 16 & 17th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk PAINTINGS 13th December 2016 – Modern British & 20th Century Art 15th March 2017 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 11th January 2017 12th April 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 24th & 25th January 2017 – Silver & Objects of Vertu Including The Arthur Holder Collection Part II 25th & 26th April 2017 – Fine Silver & Vertu Including The Arthur Holder Collection Part III Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 26th January 2017 – Jewellery & Watches 27th April 2017 – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 – Fine Porcelain & Pottery 23rd May 2017 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 1st March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20TH CENTURY DESIGN 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 28th April 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk