Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Jewellery

Thursday 18th April 2019

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:07 Page 1

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:51 Page 2

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike SALEROOM MANAGER David Jordan

424500

CASTLE GATE MANAGER Matt Hill CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

PAINTINGS Victor Fauvelle Madeleine White

446961 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 â&#x20AC;¢ www.woolleyandwallis.co.uk

424500

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:51 Page 3

FINE JEWELLERY

Thursday 18th April 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 13th April Monday 15th April Tuesday 16th April Wednesday 17th April Thursday 18th April

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk

LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 17th April.

ILLUSTRATIONS

BUYER’S PREMIUM

Front cover: Lot 1453 Back cover: Lot 1460

Each lot is subject to a Buyer’s Premium of 25% plus VAT

Catalogue £12.00 (£15.00 by post)

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 17th April.

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:51 Page 4

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley & Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Saturday collections by appointment. 10.00am to 1.00pm

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:51 Page 5

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1000

1001

1000. JOYAUX DE S.A.I. MADAME LA PRINCESSE MATHILDE (THE JEWELS, PEARL PARURE, ANTIQUE BRILLIANTS, COLOURED STONES AND CLOCKS, ONCE THE PROPERTY OF H.I.H. PRINCESS MATHILDE) The sale catalogue of Princess Mathilde’s jewels, sold at Gallerie Georges Petit 8, Paris, 26 May - 4 June 1904 With preface by Frédéric Masson and original exhibition invitation, outer hard-back re-covered in a late 20th century half morocco JOYAUX APPARTENANT A ME X (THE PEARL NECKLACES, PEARL PARURE, ANTIQUE BRILLIANTS, COLOURED STONES, ONCE THE PROPERTY OF MADAME X) The sale catalogue of Madame X’s jewels, sold at Gallerie Georges Petit 8, Paris, 23 - 25 January 1913 The outer hard-back re-covered in a late 20th century half morocco CATALOGUE D’UN IMPORTANT COLLIER DE PERLES ET DE BEAUX BIJOUX (THE PEARL NECKLACES AND THE BEAUTIFUL JEWELLERY, PEARLS, BRILLIANTS, EMERALDS) Sale catalogue of important jewels belonging to multiple private collectors, sold at Hotel Drouot, Room No. 1, 12 December 1913 £1,000-1,500 With original exhibition invitation

1002

With modern black slipcase

1001. STOPFORD, F., The Romance of the Jewel, (London: Printed for Private Circulation: 1920) With original dust jacket (damaged) and compliment slip from Mappin & Webb £200-300 1002. A pair of Victorian turquoise and diamond ear studs, a lady’s gold pocket watch, a cultured pearl necklace, an amber bead necklace, seven brooches, four pendants, two watch keys, a centaur wristwatch etc £400-600 1003. A gold miniature book locket, opening to reveal six glazed locket compartments, two propelling pencils, five assorted rings, and various other jewellery items £200-300

1003

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:52 Page 6

1005

1004

1004. A opal bead necklace, in fitted leather case, an opal and diamond ring, set in platinum and white gold, size R, case, a diamond three-stone ring, set in platinum and yellow gold, size S½, case and a turquoise and seed pearl open crescent brooch, 5.5cm long, case £600-800 1005. A Victorian diamond foliate brooch pendant, set in silver and gold, 4cm high, an agate mounted gold brooch, a cultured pearl necklace and earrings, a pair of cabochon amethyst earrings, and matching ring, an amethyst necklace, a gold fob watch and a ruby and pearl closed crescent gold brooch, together with a diamond half hoop ring, set in white gold, size L, a yellow gold ring set with a forgetme-not cameo, size J, a white stone solitaire ring, size M½, a V-shaped white-stone half hoop ring, size M½, a shell cameo ring, size N, a white and blue stone ring set in silver, size N £600-800

1006

1006. A mixed lot of jewellery, including a two-colour gold diamond cluster ring, set with four square-shaped diamonds and row of circular and baguette-shaped diamonds to each shoulder, size O, a sapphire and diamond cluster ring set in yellow gold, size G, a two-colour gold knot ring, size H approx., a yellow gold knot ring, a pair of seed pearl cluster earrings, a pair of 18ct two-colour gold drop earrings, each set with a circular-cut diamond, 3cm high, an 18ct gold fancy-link necklace, a 9ct white gold sapphire and diamond eternity ring, size L, a green-stone and sapphire cluster ring, size N½ and a hardstone swivel fob seal £400-600 1007. A Regency gold pendant set with amethysts on a gold chain, a gold ropetwist chain, a garnet and seed pearl ring, a pietra dura brooch, a Victorian turquoise and rock crystal pendant, six gold brooches a pair of silver cufflinks and a silver pendant £200-300 1008. A quantity of jewellery by Theodor Fahrner, including a silver and marcasite necklace by Theodor Fahrner, suspending a blue synthetic spinel, 39cm long, with a matching brooch, 7cm long, a silver and marcasite necklace by Theodor Fahrner, 40cm long, with a matching pendant, two brooches, ring and synthetic spinel pendant by Theodor Fahrner, together with an Arts and Crafts chrysoprase and silver bracelet, set with sugarloaf chrysoprase cabochons within silver collets, with a £200-300 matching negligé necklace, bracelet 17cm long, necklace 40cm long

1007

1008

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:52 Page 7

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1010

1011

1009. A collection of paste and silver items, including two pairs of 18th century faceted rock crystal-mounted silver cufflinks, another similar single cufflink, a pair of 18th century faceted orange paste-set silver cufflinks, a pair of oval faceted paste-set cufflinks, a pair of banded agate-mounted cufflinks, a paste-set silver necklace, 38cm long, a navette-shaped gilt metal hinged locket pendant, two late 18th century ruby set brooches (one pin missing), assorted paste-set jewellery and an agate crystal brooch, together with a fancy-link silver choker length necklace marked for Alexandra Coppen, Sheffield 1995 £200-300 1010. A collection of jewellery, including a pair of 19th century green and white pasteset drop earrings, reputed to have been owned by Joan Evans, two sections of 19th century green paste-set gilt metal necklace, an Indian gold Pertabghar brooch depicting animals with a tree, a hardstone compass pendant, various items of green paste and malachite-set jewellery, a gold South-African coin pendant, a 9ct gold bowling medallion pendant, a gold T-bar etc, together with a 14ct gold open-faced dress pocket watch with black enamel decoration, the dial signed Asprey and with subsidiary seconds dial, movement signed Tissot, and a gold-plated dress pocket watch £200-300 1011. A 9ct gold curb-link bracelet, with heart-shaped padlock clasp, with a gold propelling pencil, a sovereign pendant, a gold neck chain, a gold bar brooch and a Rotary gold wristwatch with broken links, 75g total £600-800 1012. Assorted jewellery and watches, including a nine-stone diamond-set 9ct gold halfhoop ring, a seven-stone emerald-set 9ct gold ring, a diamond-set yellow gold half-hoop ring, a 9ct gold wedding ring, a gold hunting brooch designed as a riding crop with a seedpearl set horseshoe and a realistically formed fox in case, and two 9ct gold wristwatches by Omega, both with 9ct integrated gold bands £600-800 1013. A collection of jewellery, including a 19th century blue enamel and seed pearl ring (one seed pearl missing), size L, an opal five stone ring (one opal loose from mount, size M½, an amethyst and seed pearl gold pendant, a gold kitten pendant, a gold spherical watch key, and a gilt metal pendant, together with an Arts and Crafts gem-set gold ring, of foliate design and set with peridots, a ruby and a garnet in silver and gold, size M, a rectangular gold ring set with a blister pearl, size M, a small regency gold brooch, a gold plaque ring, a lady’s gold wristwatch and a gold scarf ring set with a diamond £150-200

1012

1009

1013

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:52 Page 8

1015 1014

1014. A pair of diamond-set gold knot earrings, and a pair of cabochon amethyst stud earrings, with a cultured pearl gold bar brooch £200-300 1015. A lady’s 18ct gold fob watch, a pair of amethyst cabochon and gold ear studs, a gold thimble and an early 20th century demantoid garnet and opal pendant, on fine-link gold chain £200-300 1016. A gentleman’s gold wristwatch by Jaeger LeCoultre, two gold propelling pencils, a gold fob watch, a gold stock pin, a seed pearl and turquoise gold brooch, a wristwatch by Soux and a turquoise cross pendant on chain £500-700

1016

1017. A group of twenty stickpins, including a diamond-set bird stickpin (one leg broken), a diamond-set platinum and gold question mark stickpin, a garnet cabochon stickpin, a diamond solitaire gold stickpin, a diamond-set gold claw stickpin and fifteen other gem-set silver or gold stick pins £400-600 1018. A group of eleven stickpins, including a reverse carved crystal dog stickpin, a cabochon garnet set in yellow and gold spiral mount, two Stuart crystal stickpins, a navette-shaped paste stickpin, a Prince of Wales feathers gold stickpin, a pearl and diamond cluster stickpin converting to a stud in fitted case, a Regency hand clasping a pearl mounted as a stickpin, case, a gold fox stickpin, case, and a Willow pattern plate stickpin in case, together with a stick pin incorporating a gold lozenge-shaped glazed open locket, containing plaited hair and with diamond-set initials LC, engraved to the reverse ‘Leticia Clark ob 16 July 1784 Ae 69’, fitted case £400-600

1017 (20)

1018 (11)

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:52 Page 9

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1019. Two pairs of gold cufflinks, one pair with oval links engraved with the crest for Highland Light Infantry and initials CGR, with 9ct Birmingham hallmarks for 1921, the other pair with oval-shaped links engraved with initials SSP, 22g total £200-300

1019

1020. A pair of circular disc cufflinks, designed as buttons in yellow gold with platinum stiches, with another pair of gold spherical cufflinks, of fluted design with sapphire terminals, chain links, 28g total £200-300 1021. A pair of onyx and diamond cufflinks, of octagonal form, set in 18ct yellow gold and platinum, case, with a set of gilt metal mother of pearl buttons in fitted case £150-250

1020

1022. A Regency gold fob set with a spinning rock crytal seal, 4cm high on Regency split ring suspended from gold pin, with two other fob seals, one carved with a forget-me-not, the other with a romantic inscription £400-600 1023. A collection of fob seals, including a goldcased early 19th century fob seal mounted with an oval carnelian intaglio carved with a phoenix rising to the sun, ornately decorated with foliate scrolls, the matrix 2.5cm high, a lyre-shaped watch key, a gold fob seal mounted with a bloodstone matrix carved with arms and a motto and the body formed as a pike’s head issuing from a coronet, a miniature fob seal with bloodstone matrix engraved with the head of an ancient philosopher, a fob seal mounted with a plain banded agate and the body formed from a cupid, a stirrup-form fob seal mounted with a carnelian matrix engraved with similar arms and motto and with two gold split rings, and a circular gold fob seal mounted with a blank carnelian and surmounted with a £400-600 recumbent camel 1024. An unusual 19th-century lantern-form gold fob seal, with rectangular lapis lazuli matrix engraved ‘Evelyn’, the side panels chased with foliate scroll engraving and funnel form top section, one side panel is hinged and opens, the matrix opens to reveal a locket compartment, 3cm high, a plain gold stirrupform fob seal with a plain carnelian matrix, set with a compass, 4cm high, with a Regency gold stirrup-form fob seal set with a fossil stone engraved with a coat of arms, 4cm high £500-700

1023

1021

1022

1024

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:52 Page 10

1025

1026 1027 1025. A coral and gold bangle, each terminal mounted with a pear-shaped coral cabochon, set in yellow gold, hinged opening, 5.7cm inner diameter, 26g, with a gold ring mounted with a circular coral cabochon within oval-link gold border, size P½ £400-600 1026. A heart-shaped gold necklace, the expanding gold mesh necklace suspends a heart £400-600 set with rubies, joined with diamond-set white gold terminals, 42cm long, 44g 1027. An Austrian foliate brooch, set with carved rose quartz flower heads, nephrite leaves and decorated with graduated circular-cut diamonds in yellow gold, Austrian marks and maker’s mark G.B, 9cm high £600-800 1028. A rock crystal ruby and diamond brooch, the realistically carved rock crystal leaves are set with ruby cabochons, circular-cut diamonds (one missing) and with a baguette-shaped diamond stem in white gold, 11cm long £800-1,200 1029. A carved hardstone foliate brooch and earrings, set with diamonds and cultured pearls in yellow gold, brooch 5.3cm, earrings 2.6cm high £400-600 1030. A pair of ruby and diamond clips, designed as flowerheads set with rose-cut diamonds and circular-cut rubies (one missing) in yellow gold, 3cm diameter each, with a silver £200-300 and marcasite bird brooch (not illustrated)

1028

1031. A gold posy brooch by Alabaster & Wilson, the textured gold foliage tied with a bow and set with cultured pearls in yellow gold, 5.5cm high, fitted case £200-300

1030 part

1029

1031

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:52 Page 11

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1034

1032

1033

1032. A citrine and diamond pendant, the 18ct bi-colour gold pendant set with two triangularshaped citrines and a row of graduated circular-cut diamonds, on fancy-link yellow gold neck chain, with Birmingham hallmarks and maker’s mark D&S, pendant 4.1cm high £300-400 1033. An aquamarine fringe necklace, set with graduated oval-shaped aquamarines in yellow gold spectacle mounts on fine-link gold chain, fringe 7cm long, chain 47cm long £800-1,200

1035

1034. A tourmaline and diamond brooch, the cushion-shaped green tourmaline is set within scrolling mount set with graduated circular-cut diamonds in white gold, 6cm long £300-400 1035. An emerald and diamond flower brooch, set overall with graduated circular-cut diamonds and emeralds in white gold, 5.8cm long £1,200-1,500 1036. An emerald and diamond line bracelet, the oval-shaped emeralds are set within pairs of circular-cut diamonds in white gold, 17.8cm long £400-600 1037. A sapphire and diamond bracelet, the six clusters are each centred with an oval-shaped sapphire within a surround of circular-cut diamonds, joined with leaf-form links set with further circular-cut diamonds in white gold £1,500-2,000

1036

1038. A three-row cultured pearl necklace, the pearls graduate from 4.35 - 7.75mm with a diamond set gold bow clasp, together with an emerald and cultured pearl fringe necklace, set with circular-shaped emeralds and cultured pearls joined with fine-link chain to create a chequerboard fringe, suspending an emerald cabochon and a further baroque-shaped emerald, the fringe 9cm high, necklace 40cm long £200-300 1039. A silver and chalcedony flower head brooch by Georg Jensen, design no. 20, c19041908, the chalcedony cabochon set within an entwined pentafoil frame, stamped 826 S, G.I. and with maker’s mark, 4cm wide, Georg Jensen case £300-400 1040. A ruby mounted gold cruciform pendant, surmounted with a Royal coronet decorated with red enamel, 7.8cm high £600-800

1037

1039

1038 1040

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:07 Page 12

1043 1042 1041. A group of seven gold mourning rings, including a navette-shaped glazed locket ring, depicting an urn within seed pearl border, possibly on ivory, inscribed Mary Hamond and dated 1781, size P½, five other glazed locket mourning rings in gold, and a gold band ring dated 1774, size O½ £300-400

1041

1042. A George III gold mourning ring, decorated with black and white enamel with seed pearls and glazed locket compartment, engraving to interior for Elizabeth Holland, 1809, size P, with two other glazed locket mourning rings dated 1781, size N½ and 1773, size Q, possibly on ivory £300-400 1043. A group of three early 19th century mourning rings, including a seed pearl and black enamel mourning ring, with glazed locket compartment containing hair, with inscription for 1817, size M, with another similar ring with inscription for 1831, size U, and an oval locket ring containing plaited hair and seed pearl initials WG, size S £300-400

1044

1044. A 19th century coral and seed pearl gold ring, the row of square-shaped coral cabochons set within a surround of seed pearls, size O, a 19th century garnet-set gold ring with white enamel decoration to the pierced scroll shoulders, size M, A George III gold ring set with a rectangular-shaped garnet within a surround of seed pearls and further seed pearls and circular-cut black onyx to the shoulders, size M and a George III reverse-carved crystal brooch, depicting a dog within rectangular gold mount £200-300 1045. A group of five George III gold mourning brooches, including a lozenge-shaped locket brooch with blue and white enamel dated 1785, containing hair and gold initials WR on plaited hair, three other seed pearl and hair mourning brooches and a painted mourning scene on ivory in yellow gold frame, dated 1788 to reverse £400-600 1046. A diamond foliate pendant, set with rose-cut diamonds in closed-back silver and gold mount, 4.5cm long £400-600 1047. A diamond-set flowerhead brooch, set overall with graduated old cushion-shaped diamonds (two missing) in gold, 4cm wide £500-700 1048. Of masonic interest - A 19th century paste-mounted French Knights of the Pelican brooch, set overall with cushion-shaped and circular white and green pastes in closed-back silver mounts, decorated to the centre with a pelican in her piety on mother-of-pearl, 9.5cm high £400-600

1045

1046

1047

1048

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:53 Page 13

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1050

1049 1049. Three Victorian shell cameo brooches, the largest depicting Nyx and Hemera within gold ropetwist border, 5.7cm high, the other depicting Athena within ropetwist gold border, 5.5cm high, the third depicting Dionysus within plain gold border, 4.4cm high £300-400

1051

1050. A gold cameo bracelet c1970, each textured gold rectangular link set with a carved cameo of a female in profile in coral, mother of pearl, shell and green stone, 18.7cm long, 58g £1,000-1,500 Family tradition holds that the cameos were carved by Giovanni Apa. 1051. A Victorian carved lava cameo brooch, depicting a cherub with a dog, in gold frame, 6cm wide £300-400 1052. A late Victorian carved hardstone cameo brooch, depicting the profile of a woman with flowers to her tied-up hair, gold mount, 4.5cm high £600-800 1053. A Victorian carved hardstone cameo brooch, depicting Dionysos within pearl border, in yellow gold, folding pendant loop, 5.2cm high, £400-600 1054. A carved shell cameo, depicting a young man in profile in a gold frame with a closed back locket section to reverse, 4.2cm high £400-600

1052

1055. A carved shell cameo pendant, depicting putti playing with a goat, in gold collet on gold neck chain, 6.5cm wide, case £200-300

1053

1054

1055

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:53 Page 14

1056

1057

1058

1056. A 9ct gold box by Asprey, with engine-turned decoration and surmounted with a ‘J’ set with calibré-cut sapphires, interior stamped ASPREY LONDON, with maker’s mark and London hallmarks for 1936, 8cm wide, 102g, leather pouch £600-800

1059

1057. A 9ct gold pocket watch, the plain white dial with black Arabic numerals and subsidiary seconds dial, stem wind, on 9ct gold Albert £300-400 watch chain, 96g total 1058. An 18ct gold hunter pocket watch by Borel & Courvoisier Neuchatel, the signed white dial with Roman numerals and subsidiary seconds dial, stem wind, signed movement, numbered 61399, outer case engraved with cipher, with an 18ct gold watch chain, 31.5cm long, 37g, with watch key and wooden box £1,500-2,000 1059. A late Victorian gold key-form brooch, set with circular-cut £300-400 rubies and diamonds, 5cm long, fitted case 1060. A Victorian gold curb-link bracelet centred with a emerald and diamond star, centred with a cabochon emerald and graduated rose-cut diamonds, 19.5cm, 26g £600-800

1060

1061. An emerald and diamond closed crescent brooch, set with a line of graduated old circular-cut diamonds and graduated circular-cut emeralds in silver and gold, detachable brooch fitting to reverse, 3cm wide, case £400-600 1062. An Indian ruby and pearl brooch pendant, set with six circularcut rubies, set overall with seed pearls and suspending two seed pearls in yellow gold, with adjustable pendant loop, 7cm wide, together with a yellow gold tassel pendant set with turquoise and seed pearls, 46g total £600-800 1063. A pair of Edwardian chyrsoprase diamond and seed pearl drop earrings, the oval chrysoprase cabochons set within diamond and seed pearl laurels in silver and gold, 3cm high, with matching brooch (one diamond missing), 3cm high £150-250

1061

1062

1063

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:53 Page 15

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1066 1064

1065

1064. A Victorian dove pendant, pavé-set with turquoise cabochons and garnet eyes, suspending a turquoise heart locket containing a glazed locket compartment, in gilt metal, on gold chain, pendant 4cm wide, chain 54cm long £400-600 1065. A pair of silver engraved bell earrings, with inscription ‘TOI COM MAC IN’ £200-300 translating to ‘I am submitted to the eyes’, 4.8cm high Copied from a prototype found on Mount Esquiline in Rome the silver bells are similar to examples made by Castellani, see MUNN, G., Castellani and Giuliano, p.97. 1066. A reverse carved crystal intaglio brooch, depicting a boxer dog, backed on mother of pearl within scrolling gold mount, 3.5cm wide, with a hunting themed reverse carved crystal, depicting a hunting scene within a stylised horn surround, 3.5cm wide £500-700 1067. A micromosaic necklace, the three graduated panels depicting Roman scenes, on gold oval link neck chain, 40cm long £800-1,200

1067

1068. A large micromosaic cross pendant, the tesserae depicting Chi Rho amongst foliage and doves, in base metal, 21cm high £100-200 1069. A micromosaic and turquoise gold necklace, the plaques depicting rural scenes, the centre section decorated with gold wheatsheafs and suspending a heart shaped collet, 47cm long, fitted case, with a small loose micromosaic plaque depicting a dog £800-1,200

1069 1068

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:53 Page 16

1071 1070. A single-row amber bead necklace, the largest bead measures 24.7 x 35mm, 75cm long, 80g £200-300

1070

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1071. A single-row amber bead necklace, the beads graduate from 11 - 16mm wide, 90g £300-400 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

1072. A coral collar necklace, formed with lattice-strung coral beads and set with a Georgian gold clasp with glazed locket compartment containing hair and black enamel decoration, with mourning inscription to the reverse dated 1825, 46cm long £600-800

1072

1073. A coral bead necklace, the oval beads graduate from 5 - 10mm, 42cm long, with three matching coral bracelets, in fitted box £400-600 1074. A carved coral pendant depicting a stylised fish on a gold chain, decorated with seed pearls, 4.7cm wide, with a pair of carved coral earrings in gold mounts, 5cm high £200-300 1075. A group of jewellery items, including a yellow gold ‘Quadrifoglio’ pendant by Elsa Peretti for Tiffany & Co on black thread necklace, a diamond single-stone ring, the round brilliant-cut diamond set in an openwork platinum mount, size N, a cluster ring set with a marquise-shaped emerald, a pear-shaped sapphire and a circular-cut diamond, with further circular-cut diamonds to the shoulders in yellow gold, size N, an amber-set yellow gold bracelet, 42cm long, a mother-of-pearl set gold brooch and a pair of cultured pearl-set gold scroll brooches £400-600 1076. A carved amber dog’s head stick pin, with glass eyes, set in silver, 8.7cm long £100-200 1077. A carved obsidian rabbit, realistically formed, holding a carrot in its paws, (one ear has been broken off and glued back on) 6.7cm high £300-400

1073

1075 1076

1077

1074

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:54 Page 17

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1078 1079 1078. A pair of jade bangles, the two lavender, green and white jadeite jade bangles of dshape cross section, internal diameter 5.8 and 6cm approx., 137g total £600-800 Accompanied by report number 15426 dated 13 March 2018 from The Gem & Pearl Laboratory, London stating that the two solid d-shaped cross-sectioned bangles weigh 67.38 and 69.99 grams and are natural lavender/white/green jadeite jade, with no evidence of treatment. 1079. A pair of jade bangles, the two green, yellow and white jadeite jade bangles of round cross section, internal diameter 5.6cm approx. each, 63g total £200-300 Accompanied by report number 15521 dated 2 April 2018 from The Gem & Pearl Laboratory, London stating that the two solid round cross-sectioned bangles weigh 31.91 and 31.12 grams and are natural white/yellow and green/yellow jadeite jade, with no evidence of treatment. 1080. A jade and gold bracelet by WangHin, each link formed with a circular jade disc in yellow gold mounts and centred with a Chinese character, reading ‘To have a long life that you’ve always wished for, full of luck, success and happiness’, with maker’s mark to the clasp, 20cm long, together with a jade and seed pearl bar brooch £400-600 1081. A jade cabochon ring, set in yellow gold, size S½, with a pair of jade drop earrings mounted in yellow gold, 3cm long £200-300 Accompanied by report number 12102 dated 8 December 2015 from The Gem & Pearl Laboratory, London stating that the oval cabochon-cut jade weighs 4.60cts and is natural green jadeite jade with no evidence of treatment.

1080

Accompanied by report number 15411 dated 9 March 2018 from The Gem & Pearl Laboratory, London stating that the two oval cabochon-cut jades weigh 5.14 amd 5.32cts and are natural green jadeite jade with no evidence of treatment. 1082. A jade brooch, the carved oval jade plaque set within chevron border in white gold, 4.5cm wide, with a jade ring mounted in white gold, size M £400-600 Accompanied by report number 79199-32 dated 20 February 2019 from GCS, London stating that the carved green jade is natural jadeite jade with no indications of impregnation.

1081

1083. A suite of jade and diamond-set jewellery, including a jade and diamond ring, a pair of jade and diamond earrings, and a jade and diamond-set brooch, the ring set with a circular jade cabochon within a border of graduated circular-cut diamonds in white gold, size M, the earrings in yellow and white gold mounts and each set with an oval-shaped jade cabochon and graduated circular-cut diamonds, the brooch set with three oval jade cabochons and graduated diamonds in white gold, 8cm high £400-500

1084. A coral and jade bead necklace, set with seven graduated spherical jade beads between double rows of faceted coral beads, on a faceted coral bead neck chain with yellow gold foliate engraved clasp, 66cm long, 148g total £400-600 1085. Two diamond-set gold rings, including a diamond five-stone ring, the round brilliantcut diamonds set in yellow and white gold, size P, with a diamond cluster ring, the centre section set with two circular-cut diamonds within an openwork foliate surround set with singlecut diamonds in yellow and white gold, size M £400-600

1083

1084

1082

1085

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:57 Page 18

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1086. A diamond full-circle eternity ring, the circular-cut diamonds set in white metal, size K £1,200-1,500 1087. An emerald and diamond ring, the oval-shaped emerald set between trefoils of circular-shaped diamonds to each shoulder in platinum, size M½ £400-600 1088. A sapphire and diamond cluster ring, the oval-shaped sapphire set in a surround of circular and £2,500-3,500 marquise-shaped diamonds in yellow gold, size O 1089. A diamond five-stone ring, the graduated circular-cut diamonds are rubover-set in platinum, size N½ £1,200-1,500 1090. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of circularcut diamonds in platinum and yellow gold, size M £800-1,200

1091. A coral, onyx and diamond buckle ring, the brick pattern alternately set with coral and black onyx segments, the clasp set with graduated circular-cut diamonds in platinum and yellow gold, size P½ £400-600 1092. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.35cts set in with tapered baguette-shaped shoulder diamonds in 18ct yellow and white gold, with London hallmarks for £200-300 2002 and maker’s mark G.BROS, size N 1093. A diamond three-stone ring, the graduated circular-cut diamonds set in square-shaped mounts in yellow and white gold, size O½ £800-1,200 1094. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of diamonds with baguette-shaped diamond shoulders, size M £600-800 1095. A diamond and ruby cluster ring, the centre round brilliant-cut diamond set within a surround of circular-cut rubies and further border of circular-cut diamonds in white gold, size O £400-600 1096. A morganite and diamond cluster ring, the oval-shaped morganite set within a surround of circular-cut diamonds, with further circular-cut diamonds to the shoulders and gallery in pink gold, size O £600-800 1097. A tanzanite and diamond cluster ring, the emerald-cut tanzanite is rubover-set within a surround of circular-cut diamonds in white gold, size P £1,500-2,000 1098. A diamond crossover ring, invisibly-set with square-shaped diamonds and further baguette-shaped diamonds in white gold, maker’s initials BKJ, size N approx. £600-800 1099. A diamond half-hoop ring, channel-set with seven square-cut diamonds in a tapered yellow gold mount, size K £900-1,200 1100. A diamond solitaire ring, the cushion-shaped diamond is claw-set on a plain yellow gold band, with maker’s mark, size M½ £800-1,200 1101. An aquamarine and diamond cluster ring, the oval-shaped aquamarine is set within a surround of millegrain-set circular-cut diamonds in platinum, size O £1,000-1,500 1102. A diamond cluster ring, of quatrefoil form and set with round brilliant-cut diamonds in platinum, size O £600-800 1103. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within diamond-set shoulders and a diamond surround in white gold, French control marks, size M £600-800 1104. No Lot 1105. A diamond three-stone ring, the round brilliant-cut diamond weighs 1.30cts and is set with trefoils of circular-cut shoulder diamonds in white gold, size U½ £1,200-1,500

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:57 Page 19

1087 1092

1086

1093

1088 1089

1094

1090

1095

1091

1096

1097 1101

1102

1098

1103 1099

1100

1105

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:57 Page 20

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1106. A lady’s diamond-set yellow gold dress wristwatch, the circular dial pavé-set with round brilliantcut diamonds and within a plain gold border with five ‘floating’ circular-cut diamonds each in gold rubover mounts, within a circle of circular-cut diamonds with a yellow gold integrated band, 17cm £1,800-2,000 1107. A lady’s diamond-set gold dress wristwatch by Chopard, the oval gold dial signed L-U Chopard and set within a surround of graduated circular-cut diamonds, on a yellow gold integrated band, the case numbered 29981 5036, 17.5cm (max) £1,500-2,000 1108. A lady’s diamond-set yellow gold ‘Sapphire’ dress wristwatch by H Stern, the signed dial pavèset with brilliant-cut diamonds within a faceted dark blue bezel, signed reverse and numbered 091, Quartz movement, the yellow gold brick-link articulated bracelet set with three squares, each pavé-set with diamonds to each shoulder, deployant clasp, 102g total, with box, 2 spare gold links and papers £2,000-3,000 1109. An Art Deco Imperial Prince fob watch by Rolex, the signed dial with Roman numerals and subsidiary seconds dial, set in 9ct white gold, 5cm high £500-700 1110. An 18ct gold pocket watch by Patek Philippe, the signed white dial with black Arabic numerals and subsidiary seconds dial, stem wind, movement signed and numbered 190922, case 4.7cm wide £2,000-3,000 1111. A gold pocket watch by Breguet, the signed white dial with Arabic numerals, the movement signed Breguet Paris, key winding to dial, the case decorated with enamel depicting a musician, 4.5cm wide £1,200-1,500 1112. A gold Art Deco open-faced dress pocket watch, with subsidiary seconds dial and Arabic numerals, the back case with guilloche pattern and with blue enamel decoration including the letters M and W, and centred with a vacant cartouche, 4.5cm diameter £600-800 1113. A Cartier steel and gold Santos wristwatch, the signed cream dial with date aperture in steel and gold case on steel and gold bracelet with deployant clasp, quartz movement, 3.5cm wide including winder, with Cartier pouch £1,500-2,000 1114. An 18ct gold wristwatch by Tiffany & Co, the signed silver dial with baton numerals, manual movement, gold case with inscription to reverse ‘B.G.C. With grateful appreciation Jan 1946’, inventory number 7293, Universal movement, on leather band, case 2.2cm wide including winder £500-700

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:57 Page 21

1110 1106

1107

1109

1112

1108 1111

1113

1114

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:58 Page 22

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1115. A pair of cultured pearl and diamond drop earrings, the golden cultured pearls measure approximately 12mm and are set with yellow and white diamonds in yellow and white gold, 8cm high £1,500-2,000 1116. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in platinum, with Birmingham hallmarks, size L £1,000-1,500 1117. A tanzanite and diamond ring, the cushion-shaped tanzanite is set with emerald-cut shoulder £600-800 diamonds in yellow gold, size N½ 1118. A pair of cultured pearl and diamond earrings, each cultured pearl suspends from a circular-cut diamond rubover-set in yellow gold, post fittings, each 2.5cm high £1,000-1,500 1119. A single-row cultured pearl necklace, the grey pearls are approximately 11 - 12mm in diameter, £800-1,200 with two diamond-set rondels and a spherical diamond-set clasp, 40cm long 1120. A single-row graduated cultured pearl necklace, the pearls graduate from 10 - 14mm, with 14ct yellow gold clasp set with small round diamonds, 47cm long £1,000-1,500 1121. A diamond-set fancy-link gold necklace, set with graduated circular-cut diamonds, stamped SG 18k, 39cm long, 50g £1,500-2,000 1122. A diamond-set bi-colour gold bracelet, the yellow gold links alternately-set with circular-cut diamonds and diamond-set cross sections, 18cm long, 25g £1,200-1,500 1123. A matching yellow gold bombé ring and earrings by Damiani, all set with scrolls of white and brown circular-cut diamonds, ring approximately M½, 35g total, Damiani box £1,500-2,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:58 Page 23

1118

1117

1115

1116

1119

1120

1123 (2)

1121

1122

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:59 Page 24

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1124. An 18ct yellow gold circular brooch and earrings by Ben Rosenthal Ltd, designed as stylised pencil shavings and set with circular-cut diamonds and rubies, the brooch with London marks for 1964, brooch 4cm wide £600-800 1125. A sapphire, ruby and diamond cocktail ring by Hennell, set with an oval-shaped sapphire within a surround of calibré-cut sapphires, circular-cut diamonds and calibré-cut rubies in 18ct yellow gold, with maker’s mark HBS and London import marks for 1994, size M½ £1,200-1,500 1126. A pair of sapphire and diamond earrings by Adler, of stylised leaf design, set with baguetteshaped and circular-cut diamonds and calibré-cut sapphires in yellow gold, signed adler to reverse, clip fittings, 3cm high £1,200-1,500 1127. An aquamarine dress ring, the square-shaped aquamarine is bezel-set in white gold, with plain white gold shank and bifurcated yellow gold shoulder to one side, size N½ £300-400 1128. A cabochon ruby solitaire ring, set within yellow gold fluted shoulders, French control marks, size H½ £600-800 Accompanied by report number 5776-6935 dated 22 September 2016 from GCS, London stating that the cabochon-cut ruby weighs approximately 2.80cts and is a natural ruby with no indications of heat treatment and moderate amount of oil in fissures. Origin: Burma (Myanmar)

1129.

A gold Daschund brooch, realistically formed and set with ruby eyes in yellow gold, 4cm wide £600-800

1130. A two-row diamond-set yellow gold half-hoop ring, one row channel-set with graduated squareshaped diamonds, the other row with round brilliant-cut diamonds, size K £1,500-2,000 1131. A 9ct gold jarretière bracelet and earring set by Kutchinsky, the strap bracelet with integrated links and stylised foliate buckle, marked for London 1959 and with K Ltd marks, 25cm, 75g, the earrings of similar design, also marked for London 1959 and similar Kutchinsky mark, 10g, each cased by Kutchinsky Knightsbridge £1,000-1,500 Accompanied by original purchase receipt from Kutchinsky, Knightsbridge dated 27 January 1960.

1132. A French sapphire and diamond three-stone ring, the oval-shaped sapphire is rubover-set with circular-cut shoulder diamonds in yellow gold, with French control mark and maker’s lozenge ‘Ste O & D’, size X £600-800 1133. A cabochon sapphire-set gold ring, the marquise-shaped cabochon blue sapphire is set within yellow gold mount decorated with lion rampants, French control marks, approximately size J½ £1,000-1,500 Accompanied by report number 5777-7369 dated 26 October 2016 from GCS, London stating that the cabochon-cut sapphire weighs approximately 12.50cts and is a natural sapphire with no indications of heat treatment. Origin: Burma (Myanmar) 1134. A blue enamel and diamond abstract bracelet, of undulating design, set in white gold, 17.5cm long, fitted case by Collingwood £3,000-4,000 1135. A ruby and diamond flower head brooch, the abstract design formed from textured yellow gold, 6cm wide, 43g £1,100-1,500 1136. An abstract blue topaz and diamond pendant, the pear-shaped blue topaz set within gold pellet border and graduated baguette-shaped and circular-cut diamonds in yellow gold and platinum, 3.8cm high, with a matching blue topaz and diamond brooch, 4cm wide and a pair of aquamarine and diamond earrings, £2,000-3,000 clip fittings, 2.5cm high

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:10 Page 25

1126

1125

1124 1127 1131 (2)

1128

1129

1132

1130

1133

1136

1134

1135

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:59 Page 26

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1137. An Edwardian amethyst and seed pearl fringe necklace, set with graduated circular amethysts suspending oval-shaped amethysts with seed pearl decoration, on fine-link back chain in yellow gold, 40cm long, fitted case £600-800 1138. A sapphire and diamond three-stone ring, the circular-cut diamond is flanked with circular-cut sapphires in white gold, size R½ £200-300 1139. A diamond and emerald-set Belle Époque pendant, the navette-shaped centre pendant is millegrain-set in platinum with graduated circular-cut diamonds with a profile of calibré-cut emeralds, suspends from a circular laurel-form frame millegrain-set overall with circular-cut diamonds beneath a £2,000-3,000 diamond-set bow, on a fine-link platinum trace chain 1140. An early 20th century seed pearl and diamond fringe necklace, the circular links alternately-set with seed pearls suspending lozenge-shaped links set with diamonds in yellow gold, 38cm long £800-1,200 1141. A diamond cross-over ring, the two old cushion-shaped diamonds are set within diamond scroll borders in platinum, size M £1,500-2,000 1142. A sapphire and diamond crossover ring, set with a cushion-shaped sapphire and a cluster of £4,000-6,000 graduated circular-cut diamonds in white metal, size K½ Accompanied by report number 77111-62 dated 11 July 2017 from GCS, London stating that the cushioncut sapphire measures 11 x 9 x 5.4mm approximately and weighs approximately 4.90cts, and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1143. An opal and diamond cluster ring, the oval-shaped opal set within a surround of old circular-cut diamonds (one missing) in yellow gold, size P £600-800 1144. A diamond three-stone ring, the three graduated circular-cut and cushion-shaped diamonds weigh approximately 3.20cts in total, set in platinum and yellow gold, size M½ £2,000-3,000 1145. A diamond five-stone ring, the five graduated old circular-cut diamonds are set in platinum and yellow gold, size M £400-600 1146. An early 20th century amethyst and diamond brooch, the cushion-shaped amethyst set within foliate borders set with diamonds and seed pearls in platinum and yellow gold, folding pendant loop, 2.8cm wide, case £600-800 1147. An Edwardian diamond-set pendant with matching drop earrings, the pear-shaped pendant centred with three old circular-cut diamonds millegrain-set within a surround of twelve further graduated old circular-cut diamonds and suspending from an articulated line of three diamonds on a fine-link platinum neck chain, with a pair of matching diamond drop earrings, set in platinum with gold hooks £3,000-4,000 1148. An Edwardian garnet and seed pearl bangle, the cushion-shaped garnet is set within a surround of seed pearls in yellow gold, 5.5cm inner diameter £300-400 1149. A Victorian sapphire and diamond brooch, set with graduated cushion-shaped sapphires within diamond-set laurels in silver and gold, 3cm wide £400-600 1150. A pair of Belle Époque diamond earrings, designed as diamond-set laurels with graduated diamond terminals and an articulated diamond centre in platinum and white gold, later post fittings, 1.5cm high, case £400-600 1151. An early 20th century untested blister pearl and diamond brooch, set with three graduated blister £200-300 pearls and a line of graduated rose-cut diamonds in platinum and gold, 8.5cm wide 1152. An early 20th century rectangular dendritic agate-mounted pendant, the agate with natural stylised landscape with trees and a cloud within a calibré-cut ruby surround and white enamel border on a brick-form gold pediment, Austro-Hungarian control marks, 4cm high £800-1,200

WW102-566 Listing.qxp_Layout 1 08/03/2019 15:59 Page 27

1139

1147 (2)

1140

1145

1138 1137 1144

1141

1143

1142

1146

1149

1148 1150

1147 (2)

1151

1152

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:00 Page 28

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1153. An emerald solitaire ring, the emerald-cut emerald is set in 18ct yellow gold, size Q

£500-700

1154. A sapphire and diamond target ring, the central old circular-cut diamond is set within calibré-cut sapphire and circular-cut diamond surround, with diamond-set shoulders in white gold, size N £1,500-2,000 1155. An aquamarine solitaire ring, the oval-shaped aquamarine is claw-set in 9ct yellow gold, with £400-600 Birmingham marks for 1991, size O½ 1156. A sapphire and diamond pendant, rubover-set with an oval-shaped sapphire and pavé-set overall with circular-cut diamonds in yellow gold, 3cm high £1,500-2,000 1157. A large aquamarine and diamond ring, the emerald-cut aquamarine weighs approximately 57.00cts, terminating with scrolling gold shoulders set with a single-cut diamond in platinum and yellow gold, size O½, case £1,500-2,000 1158. A gold collar necklace, formed from conjoined gold spheres in concave form, applied with three gold ‘X’s in yellow gold, signed Damas to clasp, 46cm long, with a matching gold bracelet, 20.5cm long, 110g total £1,000-1,500 1159. A diamond solitaire pendant, the round brilliant-cut diamond weighs approximately 0.50cts, set £300-400 in yellow gold asymmetrical mount on fine-link gold chain, 19.5cm long 1160. An aquamarine and diamond cluster ring, the emerald-cut aquamarine weighs approximately 6.90cts and set with square-shaped shoulder diamonds in platinum, size P £600-800 1161. A garnet and diamond cluster ring, the cushion-shaped garnet weighs approximately 13.00cts and is set within a surround of circular-cut diamonds in white gold, with maker’s mark LJW and London hallmarks for 2007, size P £1,200-1,500 1162. A fancy-link gold necklace, formed from alternately textured and smooth asymmetrical links in yellow gold, 42cm long, with a matching gold bracelet, 19.5cm long, 68g total £700-900 1163. A sapphire and diamond shamrock brooch, the two outer leaves set with a trefoil of larger cushion-shaped diamonds, the centre leaf set with a large cushion-shaped diamond, centred with an oval sapphire cabochon and pavé-set overall with cushion-shaped diamonds in platinum and white gold, 4cm wide £800-1,200 1164. A pair of cultured pearl and diamond drop earrings, each cultured pearl set with rose-cut diamond caps, suspends from an articulated line of circular-cut diamonds and diamond trefoil upper sections in white metal, post fittings, 3.5cm high £1,200-1,500 1165. An aquamarine and diamond three-stone ring, the oval-shaped aquamarine set in yellow and white gold with round brilliant-cut shoulder diamonds, size P½ £500-700 1166. A pair of cultured pearl and diamond drop earrings, the white cultured pearls suspend from pavéset diamond palmettes in yellow gold, 3.2cm high £800-1,200 1167. A pair of ruby and diamond cluster earrings, each oval-shaped ruby set within a surround of circular-cut diamonds in yellow gold £800-1,200 1168. A pair of sapphire and diamond-set drop earrings, the principal half-cylindrical section pavé-set with circular-cut diamonds and sapphires and with seven smaller articulated sections set with similar stones in white gold, 6cm high £2,000-3,000 1169. A sapphire and diamond three-stone ring, the square-shaped sapphire is set with two round brilliant-cut diamonds in platinum, with London hallmarks for 2005 and maker’s mark G.BROS, size L £2,000-3,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:00 Page 29

1161

1155 1154 1153

1160

1159

1156

1158 (2)

1157

1162

1164 1166

1168 1167 1163

1165

1169

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:00 Page 30

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1170. A pair of sapphire and diamond-set platinum dress cufflinks, each link centred with two lines of square-shaped diamonds between two lines of square-shaped sapphires in platinum £800-1,200 1171. A pair of diamond and onyx cufflinks, each square-shaped onyx link is set with a cluster of four square-shaped diamonds and a small circular-cut diamond in white metal £1,200-1,500 1172. A pair of peridot and diamond cufflinks, each link set with a square-shaped peridot within a £1,200-1,500 surround ciruclar-cut diamonds in platinum and yellow gold, each link 1.2cm wide 1173. A pair of reverse-carved crystal cufflinks, depicting Jockeys riding horses in 18ct yellow gold circular mounts, London hallmarks for 1954 and marked AP £600-800 1174. A pair of hematite and gold cufflinks by Schlumberger, the terminals each set with a spherical hematite within yellow gold mount designed as overlapping lozenges, signed Shlumberger with French marks and maker’s lozenge £800-1,200 1175. A French silver and gold stickpin, modelled as two fighting knights in armour, the fallen knight with a star to his shield and with broken sword, the standing knight with a ruby cross to his shield, gold £200-300 shaft, French control mark, the group 2cm wide 1176. A gold and enamel spherical stick pin, set with diamonds in red guilloche enamel, 6.5cm high, with a turquoise and white enamel (damaged) stick pin, set with a diamond top in gold (not illustrated), 9cm high £200-300 1177. A reverse-carved crystal gold stick pin, depicting the Union Flag and French Tricolour within a £150-250 gold circular ropetwist border, 7cm high, case 1178. A pair of four vices cufflinks, the oval-links with enamel decoration in yellow gold

£800-1,200

1179. A pair of rock crystal and ruby cufflinks, each octagonal link set with four calibré-cut rubies in white gold £800-1,200 1180. A set of playing card cufflinks, depicting the four aces in enamel, with four matching studs in yellow gold £800-1,200 1181. A pair of citrine and gold cufflinks by Boucheron, of curved triangular form, the calibré-cut citrines are channel-set, the base with hinged opening is set with sugarloaf citrine terminals, signed and numbered 26754, 2cm high £2,500-3,000 1182. A pair of French early 19th century diamond and shell-form circular cufflinks, stamped SGDG, BREVETÉ, French control marks with obscure maker’s lozenge, 1cm diameter £800-1,200 1183. A pair of Art Deco onyx and diamond cufflinks, of geometric design, millegrain-set with diamonds in platinum on black onyx discs, gold fittings, Boucheron case, with a pair of matching studs, case £1,500-2,000 1184. A pair of pearl-set gold cufflinks, each circular-link centred with a seed pearl within a surround of onyx, set in yellow and white gold, each link 1.5cm wide £400-600 1185. A pair of ruby and gold cufflinks by Kutchinsky, each circular disc with spiral pattern and set with a circular-cut ruby in 18ct yellow gold, with maker’s mark and London hallmarks for 1965, 19g £600-800 1186. A pair of diamond and enamel cufflinks and studs, each oval cufflink centred with an old circularcut diamond and decorated with cream enamel in yellow gold, with three matching circular dress studs £600-800 1187. A pair of mother-of-pearl, diamond and enamel cufflinks, of circular form, set in yellow gold, £600-800 with four similar dress studs by Deacon & Francis, hallmarked for 18ct, Birmingham, 1994 1188. A diamond and onyx dress set, comprising cufflinks, buttons and studs, in 9ct white gold, fitted case £300-400

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:00 Page 31

1171 1170 1172 1173

1177 1178 1174

1179

1175

1180

1182

1176 part

1181

1184 1185

1183 part

1188 1186

1187

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:00 Page 32

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1189. A Victorian opal and diamond navette-shaped ring, the white opal cabochon is set within a surround of diamonds in yellow gold, London hallmarks for 18ct, 1986, size T, case £400-600 1190. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.55cts, in pierced £300-400 yellow gold mount, London hallmarks for 18ct, 1975, size R 1⁄2 1191. A diamond five-stone ring, the graduated old circular-cut diamonds are set in platinum and yellow £600-800 gold, size L 1192. An orange topaz and pearl cluster ring, the oval-shaped topaz is set within a surround of pearls and amethysts in yellow gold, size N £1,500-2,000 1193. A pair of Victorian gold drop earrings, suspending an articulated drop set with a seed pearl in yellow gold, 5.5cm high £200-300 1194. A Victorian garnet and diamond brooch, the concave garnet is set with a diamond cluster within circular-link yellow gold surround, glazed locket compartment to reverse, 3.8cm long £300-400 1195. A Victorian turquoise swag necklace, set with five bombé sections set with turquoise cabochons and a central diamond, within ropetwist border and separated with fine-link gold chain, with a matching £800-1,200 turquoise (one missing) and diamond clasp in yellow gold, 36cm long 1196. A late 19th century gold bangle by Robert Phillips, the inner band with pellet decoration and set with spherical terminals in yellow gold, maker’s lozenge to interior, 5.7cm inner diameter, 22g £1,000-2,000 1197. A pair of Regency gold bracelets, each of fancy-link design, with a rectangular cannetille clasp set with turquoise cabochons and a seed pearl in yellow gold, each 18cm long, can be joined together to be worn as a choker necklace £800-1,200

1198. A gold Revivalist pendant by John Brogden, c1870, of circular form with a half-pearl star-set circular coral cabochon within a pellet border on matted ground and twisted rope design surround, conforming pendant loop, signed JB, 2.3cm wide £200-300 1199. A late 19th century gold and enamel fob watch, the plain white dial with black Arabic numerals, stem wind, the case back decorated with green guilloche enamel and diamonds within scroll border in £300-400 yellow gold, 2.8cm wide 1200. An Edwardian seed pearl and turquoise bracelet, set in yellow gold, 18.5cm long

£400-600

1201. A gilt-metal and gem-set stomacher, by Cox Buckley & Co, c1881-1900, the large cartouche with ropetwist border and garland repoussé detail, with amethysts and garnets in foiled and closed-back settings, decorated with gold cannetille and repoussé borders taken from earlier 19th century jewels c1830£1,000-1,500 40, signed Cox Buckley & Co. London to reverse, 16.5cm long Cox Buckley & Co. operated in London between 1881 and 1900 following a merger between Cox and Sons (Est. 1837) and Buckley & Co. The firm produced church furnishings and metalwork and was strongly associated with the Gothic revival, Aesthetic and Art & Crafts movements of the second half of the 19th century. 1202. A Victorian gem-set serpent brooch, realistically formed and set with ruby cabochon eyes and emerald and diamonds to its head in yellow gold with engraved decoration, 3cm long, probably part of a necklace and converted to a brooch £400-600

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:00 Page 33

1191 1194 1190 1189

1195

1193 1192

1198

1196 1197

1201

1199

1202 1200

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:01 Page 34

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1203. A gold and diamond flowerhead pendant by Tiffany & Co, the stylised flower set with three circular-cut diamonds, with Tiffany & Co plaque to reverse, 2cm high, on fine-link gold chain, 40cm long, Tiffany & Co box £200-300 1204. An opal, emerald and diamond-set circular pendant, the circular opal is set within a surround of circular-cut emeralds and a further border of round brilliant-cut diamonds in yellow gold, with a diamondset bale and fine-link neck chain, pendant 2.7cm wide £2,000-3,000 1205. An emerald and diamond scroll brooch, set with two pear-shaped emeralds within silver and gold scroll borders set with graduated circular and rose-cut diamonds, pendant fittings, Austrian marks, 7.2cm high £1,500-2,000 1206. A ruby five-stone ring, set with three graduated oval-shaped rubies, with a pear-shaped ruby and a heart shaped ruby either side, in yellow gold, size N½ £600-800 1207. A diamond cluster ring, the centre round brilliant-cut diamond set within a surround of eight smaller round brilliant-cut diamonds, in platinum and yellow gold, size O £800-1,200 1208. A sapphire and diamond collar necklace, channel-set with sapphires and a diamond-set terminal £900-1,200 in yellow gold, with matching sapphire and diamond earrings, 50g total 1209. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular-cut diamonds in platinum and gold, maker’s mark GJ and Birmingham hallmarks for 1993, size L, with a pair of ruby and diamond cluster earrings, and a marquise-shaped ruby and diamond pendant in yellow gold on fine-link neck chain £1,500-2,000 1210. A gem-set bee necklace, the stylised insects set with emeralds, diamonds and cultured pearls in silver and gold, 38cm long, case £4,000-5,000 1211. A diamond-set gold and enamel butterfly brooch by Leo de Vroomen, decorated with blue guilloche enamel, the thorax set with three graduated circular-cut diamonds in 18ct yellow gold, signed de Vroomen and with maker’s mark, London hallmarks for 1996, 3.1cm wide £300-400 1212. A diamond seven-stone half-hoop ring, the seven round brilliant-cut diamonds are set in 18ct white gold, size K £400-600 1213. A sapphire and diamond three-stone ring, the oval-shaped sapphire set with two round brilliantcut shoulder diamonds in white gold, size N £1,000-1,500 1214. A yellow and blue sapphire-set ring, the slightly oval-shaped sapphire set with two rows of four graduated circular-cut diamonds to one side and two rows of tapered baguette-shaped blue sapphires to the other, yellow gold shank with fluted shoulders, size O½ £800-1,200 1215. A star sapphire gold ring, the circular star sapphire cabochon is rubover-set in yellow gold, size M £600-800 1216. A diamond cluster ring, centred with a round brilliant-cut diamond within a border of eight smaller £800-1,200 round brilliant-cut diamonds in 18ct white gold, size H½

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:01 Page 35

1209 (3)

1203 1204

1212

1205

1206

1213 1208 (2)

1207

1211 1210

1209 (3)

1214 1216 1215

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:01 Page 36

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1217. An Art Nouveau opal diamond and plique-à-jour enamel pendant, the solid white cabochon opal is set within blue enamel scrolling border set with circular-cut diamonds and plique-à-jour enamel foliate terminals, in yellow gold, 5.8cm high £5,000-7,000 1218. A Russian gold and silver enamel circular locket by Ivan Britzin, decorated in oyster and lilac guilloche enamel on sunburst ground, with centre five-pointed star-shaped rose-cut diamond inlay and surmounted with a diamond-set foliate pendant loop, the suspension loop marked with a 56 zolotnik, with 84 kokoshnik and maker’s mark ИБ to the interior, 3.7cm high including pendant loop £1,000-1,500 1219. A silver and enamel pendant attributed to Jessie M King, for Liberty, c1900, enamelled in blue and green (damaged) on an embossed frame, decorated with flowerheads and similarly enamelled quatrefoil finials, with a baroque pearl drop, green counter enamel, on fine-link silver chain, pendant 6.5cm wide, chain 43cm long £400-600 Literature: for a similar pendant, see ARWAS, V., Art Nouveau in Britain: From Mackintosh to Liberty, The Birth of a Style, p.22 A similar example is illustrated: KARLIN,E.Z., Jewelry & Metalwork in the Arts & Crafts Tradition(1993), p140 1220. A silver gilt and enamel butterfly brooch by Child & Child, c1905, the wings finely engraved with veins and decorated with shaded blue and purple enamel, maker’s mark to reverse, 3.7cm wide £200-300 1221. An Art Nouveau gold brooch by Comte Prosper d’Épinay de Briort, c1910, depicting a woman with flowing hair surrounded by mistletoe, set with small rose-cut diamonds, signed with initial B and stamped to the brooch pin with maker’s lozenge NM, French control marks, 2.6cm wide, fitted case £400-600 Comte Prosper d’Epinay de Briort (1836-1914) was a French sculptor, jeweller and engraver, who translated his sculptural themes into gold medal-jewels. He worked for Boucheron. 1222. An Art Nouveau locket pendant, depicting a maiden in profile with a diamond-set bandeau in scrolling mount, 3.7cm high £200-300 1223. A French Art Nouveau gold pendant by Louis Rault, the nymph wearing a diamond-set collar in yellow gold, with two other Art Nouveau gold plaque brooches and a gold floral brooch with enamal decoration £400-600 1224. A pair of early 20th century gold opera glasses, inlaid with rubies, emeralds and diamonds depicting a dragonfly and bullrushes, with a cabochon sapphire set to the terminal of the winder in yellow gold, 118g £800-1,200 1225. An Arts & Crafts silver and enamel belt buckle by Florence & Louisa Rimmington, of foliate design, maker’s mark F&LR and London hallmarks for 1904, 8cm wide £150-250 1226. An Art Nouveau tortoiseshell comb, in the style of Louis Aucoc, the pierced foliate upper section with seed pearl highlights, 11cm wide £2,000-3,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:02 Page 37

1218

1220

1217 1221

1219

1222

1223 (4)

1224

1225 1226

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:02 Page 38

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1227. An Art Deco emerald, sapphire and diamond brooch, converted from a bracelet, set with a central emerald-cut emerald within triangular shoulder diamonds and geometric border of sapphires and diamonds in white gold, 7.2cm wide £800-1,200 1228. An early 20th century gem-set gold horseshoe and nail brooch, set overall with rose-cut diamonds and emeralds, in platinum and gold, 6cm wide £200-300

1229. An early 20th century coral and diamond ring, set with a coral cabochon surmounted with a rose-cut diamond-set gold star, with graduated circular-cut diamonds to each shoulder in platinum, size M £200-300 1230. A fire opal solitaire ring, the oval-shaped fire opal weighs approximately 14.50cts, in platinum coronet setting, size K £800-1,200 1231. An Edwardian fire opal and diamond pendant, the graduated circular fire opals are joined with a lozenge-shaped section millegrain-set with diamonds, in platinum and gold, 5cm high, on fine-link silver neck chain 38cm long £800-1,200

1232. A coral bead necklace, suspending a pearl and diamond plaque (with brooch fittings) and pearl and diamond drops, two coral cabochons and a red glass cabochon in platinum and gold, necklace 60cm long, brooch 5.3cm wide £1,000-2,000 1233. A diamond-set ribbon brooch, 1950s, realistically formed as folded fabric and pavé-set overall £1,500-2,000 with circular-cut diamonds and a larger circular-cut diamond in platinum, 3.5cm high 1234. A ruby and diamond crossover ring, the cushion-shaped diamond and circular-cut ruby are set in gold, size N½, case £1,000-1,500 1235. A single-row lavender jade bead necklace, the beads graduate from approximately 9 to 10mm, with paste bead spacers, 138cm long £300-400 A verbal report stated that random testing shows the beads are wax impregnated but not dyed. 1236. An Art Deco sapphire and diamond bow brooch, set with asymmetric lines of calibré-cut £400-600 sapphires and circular-cut diamonds in platinum and gold, 5cm wide, case 1237. A blue spinel and diamond pendant, the octagonal-cut blue spinel is millegrain-set within a surround of old circular-cut diamonds in platinum and yellow gold, 1.7cm long (excluding bale) on yellow gold chain 50cm long £800-1,200

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:02 Page 39

1227

1228

1229

1230

1231

1232

1236

1235

1234 1233

1237

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 40

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1238. A gold zodiac pendant by Cartier, depicting Capricorn in profile with zodiac sign to reverse, French control marks, signed Cartier Paris to bale and inventory number 65581, 4.4cm high £1,000-1,500 1239. A gold zodiac pendant by Cartier, depicting Aries in profile with zodiac sign to reverse, French control marks, signed Cartier Paris to bale and inventory number 111847, 4.4cm high £1,000-1,500 1240. A pink sapphire and diamond cluster ring, the emerald-cut pink sapphire is set within a surround of circular-cut diamonds, with further smaller circular-cut diamonds to the bifurcated shoulders in platinum, size N £800-1,200 1241. A gold elephant necklace, each link designed as stylised larger and smaller elephants in textured and plain yellow gold with diamond-set eyes, 41cm long, 84.5g £2,000-3,000 1242. A pair of gem-set gold earrings, suspending an amethyst, citrine and blue topaz within diamond borders in bi-colour gold, 5cm long, post fittings £600-800 1243. A pair of South Sea cultured pearl and diamond earrings, each cultured pearl measures 12mm wide and suspends from a circular-cut diamond in white gold, post fittings £400-600 1244. A pair of diamond cluster earrings, set with seven graduated circular-cut diamonds in white gold, 8mm diameter £600-800 1245. A giardinetto ‘Persian shrub’ brooch by Cartier, set with cabochon sapphires, diamonds, carved chalcedony and carnelian leaves and an onyx base, in yellow gold, signed Cartier with inventory number 90254, dated 1989, 4.5cm high, Cartier box £1,500-2,000 1246. A gold and enamel fish brooch by Steven Webster, the fish carved from ametrine with an onyx eye and purple enamel decoration set in yellow gold, maker’s mark and London hallmarks for 1994, 5.2cm high £1,500-2,000 1247. A kunzite and diamond ring, the square kunzite weighs 44.45cts and is set in high profile white gold mount pavé-set with kunzites and diamonds, size N½ £1,000-1,500 1248. A blue topaz and diamond ring, the step-cut blue topaz is set in ornate diamond-set mount with fleur-de-lys claws, each corner suspending a spectacle mounted circular blue topaz in white gold (one £400-600 missing), French control marks and signed E Nahum to inner shank, size L½, case 1249. A ruby and diamond cluster ring, the central round brilliant-cut diamond weighs approximately 1.20cts, set within a surround of graduated circular-cut rubies and diamonds in white gold, with inner resizing balls, approximately size O½ £2,000-3,000 1250. A boulder opal and yellow gold necklace, the slightly pear-shaped boulder opal is rubover-set on a hinged detachable yellow gold pendant, on a yellow gold snake-link chain, with Italian maker’s marks 1210 VI for Vicenza, pendant 2.7cm high, chain 35cm long £600-800 1251. A gold Elephant pin by Cartier, of stylised design, set with an emerald and a ruby in yellow gold, signed Cartier to reverse with inventory number 808030, London hallmarks for 1993, 1.8cm wide, Cartier case £500-700 1252. A gold panther brooch by Cartier, of stylised form, set with an onyx nose and emerald eyes in yellow gold, signed Cartier to reverse with inventory number 608417 and maker’s lozenge, 5.2cm wide, Cartier case £1,500-2,000 1253. An aquamarine and diamond ring, the cushion-shaped aquamarine is set in white gold with small circular-cut diamonds to the gallery and shoulders, with a circular-cut diamond set to each claw, size K £1,500-2,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 41

1242

1243 1239 1238

1244 1240 1241

1245

1248

1246 1247 1249

1250

1253 1252 1251

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 42

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1254. A natural blister pearl and diamond pendant, the blister pearl suspends from a triangular-cut diamond and a graduated line of baguetteshaped diamonds, with marquise-shaped diamond-set cap in platinum, on a fine-link white gold chain, French control marks, 5.5cm high, chain 42cm long £4,000-6,000 Accompanied by report number 77112-26 dated 31 July 2017 from GCS, London stating that the blister pearl measures 22.8 x 12.2 x 10.9mm approx. and is a natural blister pearl with no indications of treatment. 1255. A French emerald and diamond cluster pendant, the pear-shaped emerald set within a surround of circular-shaped diamonds in yellow and white gold, with further circular-shaped diamonds set to the suspension loop, French control mark and obscured maker’s mark (possibly D A M) to the suspension loop, on fancy-link yellow gold neck chain, pendant 3.1cm high, chain 44cm long £2,000-3,000 Accompanied by report number 15992 dated 2 July 2018 from The Gem & Pearl Laboratory, London stating that the pear-shaped emerald measures approximately 13-14 x 9-10 x 6.2mm and is a natural emerald with evidence of moderate clarity enhancement. Origin: Colombia 1256. A pair of emerald and diamond drop earrings, the graduated emerald oval cabochons alternately-set with single-cut diamonds in yellow gold, post fittings, stamped to the post with the total emerald and diamond weighs 24.74cts D 0.095ct and 26.5cts D 0.095ct, each 7.5cm high £3,000-4,000 Accompanied by report number 79203-84 dated 6 March 2019 from GCS, London stating that the emeralds are natural emeralds with indications of moderate clarity enhancement. Origin: Colombia 1257. An emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 3.80cts, rubover-set within a surround of circularcut diamonds in platinum and yellow gold, size O £3,000-4,000 1258. A pair of emerald and diamond drop earrings, each pear-shaped emerald is set within a surround of single-cut diamonds, each cluster suspending from an articulated line of single-cut diamonds in white gold, screw-back fittings, with maker’s mark and initials CGH, 2.5cm high £2,000-3,000 1259. A natural pearl and diamond cluster ring, the natural pearl is set within a surround of rose-cut diamonds and a further surround of cushion-shaped diamonds in silver on gold, size P £1,500-2,000 Accompanied by report number 79184-44 dated 20 November 2018 from GCS, London stating that the white pearl weighs 1.71cts and is natural saltwater with no indications of treatment. 1260. A two-row natural pearl necklace, the pearls graduate from, 3.8 - 5.4mm approximately, with a pearl, emerald and diamond flower head cluster clasp in yellow gold, 49cm longest £2,000-3,000 Accompanied by report number 79195-24 dated 21 January 2019 from GCS, London stating that the 142 cream pearls graduate from 3.8 - 5.4mm approximately and are natural saltwater with no indications of treatment. 1261. A single-row natural pearl necklace, the pearls graduate from 2.3 - 5.3mm approximately, with a silver and gold white stone-set clasp, 47cm long £600-800 Accompanied by report number 79196-87 dated 23 January 2019 from GCS, London stating that the 100 cream pearls graduate from 2.3 - 5.3mm approximately and are natural saltwater with no indications of treatment. Comment: pearls under 3mm in size are ‘seed pearls’ and may be natural or cultured. 1262. A two-row natural pearl necklace, with an oval-shaped turquoise and diamond cluster clasp, 44cm longest

£8,000-12,000

Accompanied by report number 79199-29 dated 20 February 2019 from GCS, London stating that the 112 cream pearls measure 5.4 - 9.2mm approx. and are natural saltwater with no indications of treatment. Comment: seed pearls under 3mm may be either natural or cultured. Accompanied by report number 25879 dated 8 June 2018 from Instituo Gemmologico Nazionale, Rome stating that the pearls graduate from 5.30-9.00mm approximately and are natural saltwater 1263. A single-row natural pearl necklace, the pearls graduate from 4.2 - 5mm, set with a lozenge-shaped white gold diamond clasp (one missing), 40cm long £800-1,200 Accompanied by report number 79187-40 dated 20 November 2018 from GCS, London stating that the 70 cream pearls graduate from 4.2 5mm and are natural saltwater pearls with no indications of treatment. 1264. A single-row natural pearl necklace, the pearls graduate from 3.2 - 5.8mm, with a three-stone pearl and diamond clasp, 44cm long £400-600 Accompanied by report number 79189-05 dated 11 December 2018 from GCS, London stating that the 91 cream pearls graduate from 3.2 5.8mm and are natural saltwater with no indications of treatment. 1265. A single-row natural pearl necklace, with a pearl mounted clasp (two pearls missing) 42cm long

£400-600

Accompanied by report number 79189-06 from GCS, London stating that the 155 pearls graduate from 1.9 - 6.1mm approximately and are natural saltwater with no indications of heat treatment. Comment: Pearls under 3mm in size have not been tested and may be natural or cultured. 1266. A natural pearl-set gold ring, with foliate engraved shoulders in yellow gold, size P

£1,500-2,000

Accompanied by report number 78168-31 dated 10 July 2018 from GCS, London stating that the cream pearl weighs 11.98cts and is natural saltwater with no indications of treatment. 1267. A pair of natural pearl and diamond cluster earrings, each natural pearl is set within a cluster of circular-shaped diamonds in platinum and white gold, 1.2cm wide £1,500-2,000 Acompanied by report number 79191-34 dated 19 December 2018 from GCS, London stating that the cream pearls weigh 2.79 and 2.50cts and are natural saltwater with no indications of treatment.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 43

1256

1258

1259 1255

1254

1257

1260

1261

1262

1266 1263

1264

1265

1267

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 44

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1268. A sapphire and gold ring by Chaumet, of broad tapered hoop design and rubover-set with an oval-shaped sapphire cabochon, the hollowed shank signed Chaumet Paris no. 122902, with maker’s mark to the outer shank, size J½ £600-800 1269. A citrine Metropolis ring by Bulgari, the rectangular-shaped citrine is horizontally-set in yellow gold, the shoulders each engraved ‘Bulgari’, signed Bulgari, made it Italy and with Italian hallmark, size K £800-1,200 1270. A classical-style gold ring by Bulgari, centred with a rubover-set oval banded agate engraved with the initials JDP, indistinctly signed Bulgari, size P £600-800 1271. A sapphire and diamond ring, the oval-shaped sapphire is set within a star surround of graduated single-cut diamonds on a wirework yellow gold mount, size I½ approx. £1,500-2,000 1272. A sapphire and diamond ring by Chaumet, the fancy-cut yellow sapphire set with tapered blue sapphire shoulders and a surround of circular-cut diamonds in 18ct yellow gold, signed Chaumet London and with import marks for 1983, size L½, Chaumet case £2,000-3,000 1273. A diamond bombé ring by Bulgari, pavé-set with circular-cut diamonds in yellow and white gold, signed to inner shank, size N½ £1,500-2,000 1274. A pair of gold earrings by Gucci, of fluted twisted knot design, signed Gucci, clip fittings, 15.5g £800-1,200 1275. A gold leaf brooch by Hermes, realistically formed in yellow gold, signed Hermes Paris with French control marks, 5cm high, 24.5g £800-1,200 1276. A 9ct gold padlock by Graff, with engine-turned decoration, London hallmarks for 1974, signed to base, 3.2cm high, 10g £200-300 1277. A gold bird brooch by Boucheron, the stylised bird set with a ruby eye in yellow gold, signed Boucheron with French control marks and numbered 16400, 5.5cm high £800-1,200 1278. A black onyx and gold bangle by Van Cleef & Arpels, the fluted black onyx upper section set with a diamond-set yellow gold stylised leaf, signed Van Cleef & Arpels with maker’s lozenge and French control marks, 5.5cm inner diameter £1,000-1,500 1279. A ruby and diamond brooch by Boucheron, of spray form, alternately-set with ruby diamond and gold trefoils, signed Boucheron Paris to reverse, 6cm high £1,000-1,500 1280. A pair of diamond leaf earrings, of abstract design and set with graduated circular-cut diamonds in platinum and yellow gold, 4cm wide £800-1,200 1281. A French diamond-set rose brooch, the articulated gold mesh petals are each set with a line of graduated diamonds, opening to reveal diamond-set stamens, with textured gold petals set with a diamond, rubbed maker’s lozenge, French control marks, 6.5cm high £800-1,200 1282. A silver frame by Mario Buccellati, depicting the Madonna and child engraved on copper, in silver foliate frame with strut back, inscribed to copper reverse ‘Inciso Nella Bottega di Mario Buccellati’, with folding pendant loop so that the frame can be hung, 4.5cm high £200-300

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 45

1268

1269

1270

1272

1271

1274

1273

1276

1275

1277

1278 1279

1280

1281 1282

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 46

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1283. A gold rabbit ring by Kutchinsky, of sculptural form with ruby eyes and diamond ears, signed to interior and with London hallmarks for 1995, size U½ £600-800 1284. A cultured pearl and diamond-set gold brooch pendant, 1970s, the textured openwork gold mount is set with graduated round brilliant-cut diamonds and centred with a black baroque cultured pearl, 5cm long £1,100-1,500 1285. A large circular black onyx and gold ‘Gemini’ pendant by Kutchinsky, applied with the two figures on black onyx ground and with textured gold mount, signed ‘Kutchinsky’ on pendant loop, 5.8cm wide £1,400-1,800 1286. A diamond-set gold pendant by Kutchinsky, of three-dimensional circular form, pierced with a lozenge-shape to the centre, applied with abstract textured gold spirals set with diamonds, signed to reverse with London hallmarks for 18ct, 1971, 6.5cm wide, on black cord necklace, 48cm long £4,000-6,000 1287. A garnet and diamond brooch by G. Weil,1970s, the garnet crystal set within abstract yellow gold surround, signed plaque to reverse, 7.5cm long £1,000-1,500 1288. A gold marabou stork ring, of abstract design and set with a diamond eye, in yellow and white gold, approximately size M £1,000-1,500 1289. A pair of cultured pearl and gold earrings by John Donald, signed with maker’s mark and London hallmarks for 18ct, 1987, post and clip fittings, 1.8cm high, with matching gold bracelet, 19cm long and necklace, 60cm long £800-1,200 1290. A citrine-set gold ring, the large rectangular step-cut citrine is claw set in yellow gold, size K½ £600-800 1291. A cabochon sapphire and diamond cluster ring, the oval cabochon sapphire is set within £1,000-2,000 concentric borders of single-cut diamonds in white gold, size O½ Accompanied by report number 79196-96 dated 7 February 2019 from GCS, London stating that the cabochon-cut sapphire weighs approximately 22.60cts and is a natural star sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1292. A ruby and diamond full-circle eternity ring, alternately-set with two pear-shaped diamonds and a pear-shaped ruby in twisted yellow gold spiral surround, approximately size I (with four inner re-sizing balls) £800-1,200 1293. A pair of gold and diamond earrings by Andrew Grima, of triangular form, textured gold, pierced and set with diamonds, stamped with maker’s mark and London hallmarks for 1984, 2.5cm long £800-1,200

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 47

1285

1284

1283

1286

1289 (3) 1287

1288

1290

1291 1293 1292

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:03 Page 48

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1294. A black enamel mourning ring (damaged), with inscription for Agnes Soley, 23rd Feb 1800, with hallmarks for 1799-1800, size P½ £100-200 1295. A Victorian gold mourning ring, centred with black enamel and gold inscription within white enamel border and scrolling decoration £200-300 to both rims, the centre section with ‘Johannes et Sarah Prince’, London marks for 1859 and partly obscured maker’s mark, size J 1296. A mid 19th century gold and enamel mourning ring, decorated with black enamel panels and ‘In Memory Of’, the inner inscription reads ‘William Escombe died October 23 1847’, size M £400-600 1297. An early 19th century gold and enamel mourning ring, the central black and white enamel band spelling out ‘In memory of’ between £300-400 foliate scroll carved borders, the inner inscription reads ‘Charles Pieschell Esq Obt 6 April 1821 AE 70’, size P 1298. A Victorian 18ct gold and diamond mourning ring, decorated with black enamel and gold initials, with a diamond-set forget-me-not and inner inscription dated 1840, London hallmarks for 1840-41, size Q½ £200-300 1299. A George III gold mourning ring, the octagonal centre section set with an oval locket compartment containing fine plaited hair within a gold collet, with further white and black enamel borders, the enamel decoration repeated to the shank with the memorial inscription ‘Ann Knight ob 21 May 1805 Ae 18’, obscured maker’s mark (possibly IP), size T £400-600 1300. A mid 19th century gold mourning ring, the black enamel quatrefoil sections decorated with ‘In Memory Of’ within engraved gold borders, with inner inscription ‘Mr Edwd Henry Chantler Obt 17th April 1836 Ae 61’, with London hallmarks for 18ct, possibly 1843 but obscured, £300-400 size S 1301. A late 19th century plaited hair and gold mourning ring, the yellow gold band with engraved foliate decoration, entwined with openwork plaited hair sections, with inner inscription ‘Sarah Anne Robinson died Jan 9 1881 aged 51’, size M £100-200 1302. A 19th century gold mourning ring, set with a rectangular glazed centre section within seed pearl border, with a further trefoil of seed pearls set to each trifurcated shoulder, size O £150-200 1303. A George IV seed pearl and enamel gold mourning ring, the rectangular centre section set with seed pearls on black enamel ground, with openwork bifurcated scroll carved shoulders with further enamel decoration, with inner inscription ‘Anne Scholefield ob Sepr 1826 Ae 73’ London marks for 18ct 1826, size P½ £200-300 1304. A diamond-set gold mourning ring, the lozenge-shaped locket compartment contains plaited hair within rose-cut diamond border in closed-back yellow gold mount, size O½ £100-200 1305. A late 18th century seed pearl and gold mourning ring, set with a central circular locket containing plaited hair within circular seed pearl border, with inner inscription ‘Robert Wharrie ob 17 March 1793 Ae 48, size K approx. £200-300 1306. A Regency gold longuard chain, the fancy lozenge and rhombus-shaped links are pierced, with ropetwist decoration in gold, 15g, 108cm £800-1,200 Provenance: Elizabeth Williams (née Chellingworth). Pictured right wearing the longuard chain. Family tradition holds that it was found on the body of her husband, Richard Williams, who died in a shipwreck off the coast of Conway. 1307. A Regency fancy-link longuard gold chain, the entwined scroll links with fine granulated decoration alternate with long square-form openwork links with star decoration, the clasp formed as a hand with emerald ring and ornate cuff, 113cm, 69g £2,500-3,500 1308. A Regency gold longuard chain, each link formed as three conjoined circles and with fine granulated decoration, the gold barrel clasp set with turquoise cabochons (one missing) within fine cannetille decoration, with a two-colour gold barrel-form slide with foliate decoration and with three cabochon turquoise clusters each centred with a red stone, 92cm £1,000-1,500 1309. An early 19th century sentimental brooch, depicting white carnations in emeralds and diamonds for true love with a posy which reads ‘A smile from thee is a world to me’ in white enamel on silver and gold, 5.5cm high, case £1,200-1,500 1310. A Regency gold cruciform pendant, set with graduated oval-shaped orange topaz in gold cannetille surround, 6cm high, fitted case £600-800 Elizabeth Williams (née Chellingworth) wearing lot 1306.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:15 Page 49

1294 1296

1295 1297 1300

1301 1298 1302 1299 1303

1304

1305 1309

1307 1306

1310

1308

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:15 Page 50

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1311. A late George III flat garnet-set gold necklace with matching brooch and earrings, c1780, the necklace centred with three graduated stylised pansies and further groups of three graduated pear-shaped and circular garnet links, the cruciform pendant set with graduated, circular and pear-shaped garnets, a pair of garnet-set drop earrings each set with a marquise-shaped circular-cut and pear-shaped garnets, fitted case by Lavender, and with an additional late George III flat garnet-set gold foliate brooch, with textured gold stems, closed-back mounts, case by S.J. Phillips, the necklace 48cm, the pendant 4cm, the earrings 4cm and the additional brooch 3.5cm high £1,000-1,500 1312. A George II gold memorial ring, centred with a pear-shaped rose-cut diamond with stylised fleurde-lys shoulders and scroll shank, chased with the words ‘Eliz. Lane ob 4 Nov 45 Ae 23’, on black enamel ground, size I £200-300 1313. A 19th century diamond foliate scroll brooch, set overall with graduated cushion-shaped diamonds in silver and gold, 4.2cm wide £1,000-1,500 1314. A 19th century emerald solitaire ring, the emerald set in carved and pierced yellow gold surround, size O £300-400 1315. A George III diamond half-hoop ring, set with three rows of graduated rose-cut diamonds in silver and gold closed-back setting, size O, with a smaller George III diamond half-hoop ring, set with a line of rose-cut diamonds in silver and gold closed back setting, size N £200-300 1316. A diamond cluster ring, of oval form, set with graduated rose-cut diamonds in silver and gold closed-back mount, size N £400-600 1317. A George III gold signet ring, mounted with a bloodstone oval-shaped intaglio engraved with £200-300 initials HC and surmounted with a dolphin with coronet, size H 1318. A Regency gold guard chain, formed with pierced tapered box-form links joined with scrolling links, with fine pellet decoration, the barrel-shaped clasp with fine scroll decoration and set with three green stones, 51cm £800-1,200 1319. A 19th century garnet and emerald ring, set with seed pearls in scrolling 9ct gold mount, size J £100-200 1320. A George III gold memorial ring, centred with an amethyst in closed-back and gadrooned mount and with rose-cut diamond to each scroll openwork shoulder, with scrolling back section chased with the words ‘Friendship lasts after death’ and engraved to the interior ‘Edwd, Poole. ob 22. Sepr 1772. Ae 54.’. £200-300 size O 1321. A George III amethyst gold pendant, set with graduated oval-shaped amethysts in closed and open-backed yellow gold setting, 5cm high £600-800 1322. An early 19th century diamond brooch, set with graduated old cushion-shaped diamonds and suspending an articulated diamond drop in silver and gold closed and open-back setting, 4.8cm wide, case £1,000-1,500

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 51

1311 (3)

1312

1315 (2)

1314 1313

1316

1317

1318

1319 1322 1320 1321

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 52

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1323. A carved hardstone cameo, probably late 18th century, depicting the profile of a Roman Emperor, possibly Titus, wearing a laurel wreath, 3cm high £2,000-3,000 1324. An early 19th century seed pearl necklace and matching pairs of bracelets, the necklace with three diamond-set spacers in silver and gold and suspend and drop-shaped natural pearl from a circularcut diamond, the clasp with an oval gold clasp set with four diamonds on blue enamel ground with white enamel border, with a pair of conforming bracelets each with two diamond-set spacers and similar clasp, the three pieces join to form a sautoir, necklace 37cm, bracelets 20cm each, fitted case £6,000-8,000 Accompanied by report number 5777-7203 dated 31 October 2016 from GCS, London stating that the white pearl meaures 12.5 x 7.5 x 7.0mm approx. and is natural saltwater with no indications of treatment. 1325. A gold Stuart crystal romantic ring, late 17th century, the faceted crystal covers two winged putti, both clasping a heart with red enamel decoration and the putti in white, gold wire scrolling border on finely plaited hair ground, undulating decoration to the border and with blue enamel decoration to the carved border, lobed to the reverse and matching enamel decoration to the carved shoulders, size M £600-800 1326. A carnelian intaglio ring, probably 19th century, depicting a philosopher in profile in plain gold mount, size T £200-300 1327. A George IV diamond-set brooch, the centre cluster set with a cushion-shaped diamond within a surround of smaller diamonds and further graduated diamonds to the scrolls, set in silver and gold, £3,000-4,000 approximately 7.00cts total, 6cm wide, fitted case 1328. A carved hardstone cameo-mounted gold ring, probably 19th century, the oval-shaped cameo depicts the profile of a patrician wearing a toga in the classical manner, cameo 2.4cm high, ring size J, case £800-1,200 1329. A George III turquoise and seed pearl ring, the oval shaped turquoise cabochon is set within £150-250 scrolling gold border and seed pearls in yellow gold, size O½ 1330. A George I gold memorial ring, centred with a skull under a faceted crystal and with black enamel decoration, with the inscription ‘Grace Rich obt 30 Sep 1724 Aet 27’, size G½ £200-300 1331. A ruby solitaire ring, the oval shaped ruby weighs approximately 2.90cts, set within white enamel £1,500-2,000 border on blue enamel decorated shoulders in yellow gold, size L 1332. A George III natural pearl and diamond brooch, set overall with graduated rose-cut diamonds in closed-back silver and gold mount, suspending an articulated pearl beneath, 4.5cm wide £1,000-1,500 Accompanied by report number 79201-11 dated 20 February 2019 from GCS, London stating that the cream pearl measures 8.5 x 6.2 x 4.6mm and is natural saltwater with no indications of treatment. 1333. A gold ring mounted with a carved oval intaglio, depicting Mars with one hand in his hip, leaning on a pillar and holding a spear, 1.8cm long, ring size L, case £600-800 1334. A gold fedé and gimmel ring, the clasped hands opening to reveal a double heart, set with two diamonds in gold, size O £300-400 1335. A Stuart crystal-mounted gold brooch, the octagonal crystal with obscure initials beneath in closedback gold mount, with scrolling gold shoulders, engraved with initials S.K., with pendant loop, 2.3cm wide £300-400 1336. A carved hardstone cameo brooch, the cameo probably 19th century, depicting the profile of an Emperor wearing laurels, gold mount, 2.8cm high £800-1,500 1337. A Queen Anne gold memento mori ring, centred with an oval locket compartment containing a skull and cross bones between the gold wire letters EJ on hair ground, glazed with faceted crystal, with black enamel decoration exposing a gold skeleton with crossed bones above the skull and a crossed pick and shovel below the feet, engraved to the interior ‘ET : obt 29 Aug : 1712 aet 45’, maker’s initals WN, size P £600-800

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 53

1323

1324 (2)

1325

1329 1326

1327

1328

1330

1334 1331 1333

1332 1337

1335

1336

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 54

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1338. A coral and gold choker, c1960, the carved coral decorated with diamonds and set within yellow gold plaited borders, 11.5cm inner diameter, with a matching bangle, ring, size P½ and drop earrings, 4.8cm long with post and clip fittings £2,500-3,000 1339. A heavy 18ct yellow gold bracelet, curved and textured links, 20.5cm, 209g

£4,000-5,000

1340. A gold, coral bead and cultured pearl bracelet by Van Cleef & Arpels, c1965, in twisted form, signed with initials VCA and numbered 10.812, rubbed maker’s lozenge and French control marks, 20.5cm £4,000-6,000 For a similar necklace, see Van Cleef & Arpels: The Art of High Jewelry (Paris: Musée des Arts Décoratifs: 2012), p193

1341. A carved coral cameo brooch by E Wolfe & Co, depicting Zeus with serpent within twisted 18ct gold surround, maker’s mark to reverse and London hallmarks for 2005, 4.4cm long £600-800 1342. A rubelite and diamond ring, the oval-shaped tourmaline is set within a surround of circular-cut diamonds in platinum and yellow gold, maker KS and hallmarks for 18ct, 2001, size R £2,000-3,000 1343. A sapphire and diamond foliate brooch, the openwork design centred with a sapphire cabochon and set with graduated circular-cut and baguette-shaped diamonds in white gold, 4.5cm wide £800-1,200 1344. A citrine and diamond-set yellow gold ring, c1960, set with three circular-cut diamonds to each shoulder and the graduated shank with twisted rope decoration, size L £800-1,200 1345. A gold and diamond band ring, of openwork design, the centre yellow gold band between rows of graduated circular cut diamonds in 18ct yellow gold, obscured London hallmarks and maker’s mark PCC, size Q £300-400 1346. A yellow gold bombé ring, pavé-set with lines of yellow circular-cut diamonds, size N £3,000-4,000 1347. A tiger’s eye and diamond cluster ring by Charles de Temple, set in 18ct yellow gold with marquise-shaped tiger’s eye cabochons and circular-cut diamonds in a foliate spray design, signed CdeT and with London hallmarks for 1985, size O approx. £600-800

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 55

1338 (4)

1339

1340

1342

1341

1344

1345

1347 1343

1346

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 56

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1348. A Victorian sapphire and diamond pendant, set with a circular-cut sapphire within scrolling diamond surround and an articulated diamond drop, in silver and gold, brooch fitting to reverse and detachable pendant loop, 4.5cm high, on fine-link white gold neck chain, 40cm long, case £1,000-1,500 1349. A Victorian diamond star brooch, set overall with graduated cushion-shaped diamonds in silver and gold, detachable brooch fitting to reverse and pendant loop, 3cm high, fitted case by Wartski £600-800 Accompanied by the original purchase valuation dated 4 February from Wartski. 1350. A Victorian diamond star brooch pendant, set with a central old cushion-shaped diamond within a border of graduated old cushion-shaped and rose-cut diamonds in silver and gold, with detachable brooch fitting, 3cm wide £1,200-1,500 1351. A Victorian diamond star brooch pendant, set with a central old circular-cut diamond within a border of graduated old circular-shaped and rose-cut diamonds in silver and gold, detachable brooch fitting, 4.2cm diameter £500-700 1352. A Victorian diamond star brooch, set overall with graduated old cushion-shaped diamonds in silver and gold, 4cm wide £600-800 1353. A Victorian diamond swallow necklace, the stylised birds pavé-set with diamonds and ruby eyes, on knife-edge links between diamond flower head clusters, suspending diamond-set swags in silver and gold, the back-section of the necklace set with graduated old circular-cut diamonds, 39cm long, case £3,000-5,000 1354. An emerald and diamond ring, the oval-shaped emerald set within a surround of circular-cut diamonds in platinum, size Q £1,000-1,500 1355. A diamond half-hoop gold ring, set with three graduated cushion-shaped diamonds in a carved and pierced gold scroll mount, with rose-cut diamond pointers, size N½ £6,500-7,500 1356. An opal and diamond cluster ring, the rectangular-shaped opal set within a surround of fourteen circular-cut diamonds in yellow and white gold, size Q½ £800-1,200 1357. An Edwardian opal and diamond cluster ring, the solid white opal cabochon is millegrain-set within a surround of old cushion-shaped diamonds in platinum and gold, size O½ £800-1,200 1358. A late 19th century spinel and diamond cluster ring, the circular-cut spinel set within a surround of cushion-shaped diamonds in yellow gold, with a further cushion-shaped diamond set to each shoulder, size U½ £1,000-1,500 Accompanied by report number 79203-85 dated 6 March 2019 from GCS, London stating that the spinel weighs approximately 2.00cts and is a natural spinel with no indications of heat treatment. Origin: Sri Lanka 1359. A chrysoberyl catseye and diamond cluster ring, the oval-shaped chrysoberyl catseye cahochon set within a surround of old cushion-shaped diamonds in yellow gold, size N £400-600 1360. A ruby and diamond half-hoop ring, set with three graduated oval-shaped rubies and four cushion£400-600 shaped diamonds in carved yellow gold shank, size R½ Accompanied by report number 78177-03 dated 17 September 2018 from GCS, London stating that the three oval-shaped rubies measure 5.5 x 4.5 x 3.1mm, 6.3 x 5.1 x 4.0mm and 5.6 x 3.8 x 3.2mm, weigh approximately 2.30cts total and are natural rubies with no indications of heat treatment. Origin: Thailand (Siam) 1361. A Victorian blue enamel and gold memorial locket and chain, the circular locket surmounted with a diamond-set forget-me-not in silver and gold, hinged opening to reveal a glazed locket compartment containing hair and an inscription ‘The Hair of His Grace The Duke of Wellington July 1847’, 3cm high, on blue enamel lozenge and spherical-link chain with gold spherical links set with rose-cut diamonds, 56cm long £1,000-1,500 1362. A late 19th century blue enamel and diamond brooch, surmounted with a diamond-set forgetme-not within cushion-shaped diamond border in silver and yellow gold, inscription to reverse for 15th August 1871, 3.1cm diameter, fitted case £400-600 1363. A Victorian chalcedony and diamond shamrock brooch, set with heart-shaped green chalcedony £400-600 cabochons within rose-cut diamond borders in silver and gold, 2.7cm wide, case 1364. A Victorian opal and diamond brooch, set with a trefoil of opal cabochons within diamond scroll borders and opal and diamond terminals, suspending an articulated diamond swag in silver and gold, 5cm wide, fitted case £200-300

1365. A pair of sapphire and diamond cluster ear studs, the cabochon sapphires set within a surround of cushion-shaped diamonds in silver and gold, 1.3cm high £400-600

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 57

1351 1348 1349

1350

1352

1353 1354 1355 1365

1356 1357 1364

1358

1363

1359

1361 1360

1362

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 58

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1366. A late Victorian natural pearl and diamond pendant, on diamond necklace, the inverted scrolls set with graduated old circular-cut diamonds and centred with a natural pearl, suspending two articulated lines of graduated diamonds and with a detachable diamond-set necklace in silver and gold, necklace 40cm, fitted case by Hancocks containing a detachable brooch fitting in hidden compartment £7,000-9,000 Accompanied by report number 10976 dated 18 March 2015 from The Gem & Pearl Laboratory, London stating that the part-drilled button-shaped pearl weighs 4.20cts and is natural saltwater 1367. A late Victorian gem-set spider brooch, realistically formed, the abdomen formed from a cabochon star sapphire, the cephalothorax formed from a chrysoberyl catseye, with moonstone eyes and diamond-set legs in silver and gold, 4.2cm long, case £1,500-2,000 1368. A demantoid garnet and diamond bracelet, the flower links set with seed pearls in silver and gold, 18.5cm long £6,000-8,000 1369. An Edwardian diamond bracelet, the old cushion-shaped central diamond weighs approximately 2.75cts, with diamond laurel border and millegrain-set diamond surround, on plain oval-link band in platinum and gold, 17cm long £6,000-8,000 1370. A Victorian sapphire and diamond bangle, set with clusters of circular-cut diamonds within old cushion-shaped diamond surrounds, in silver and gold, 4.8cm internal diameter, case £1,500-2,000 1371. An Edwardian sapphire and diamond-set gold hinged bangle, the graduated oval-shaped sapphires are each separated with three circular-cut diamonds, 6cm internal diameter £3,000-4,000 1372. A Belle Époque rock crystal and diamond brooch, the carved oval rock crystal depicting a putti being pulled by two butterflies within laurel border, set within rose-cut diamond surround decorated with bows in platinum, 3.2cm wide, case £600-800 1373. A Victorian diamond-set Maltese cross brooch pendant, centred with a circular-cut diamond cluster-set with smaller diamonds, the four sections each separated with a stylised tulip and set overall with graduated circular-cut diamonds in silver and gold, detachable brooch and pendant fittings, 3cm wide £2,000-3,000 1374. An Edwardian opal and diamond brooch, the oval opal cabochon set within foliate diamond-set border millegrain-set in platinum, 4.7cm wide £2,000-3,000 1375. A diamond cluster ring, the graduated old-cushion-shaped diamonds are set in platinum, size P½ £1,500-2,000 1376. A Victorian diamond three-stone ring, the graduated old cushion-shaped diamonds weigh approximately 3.20cts in total in silver and gold scroll mount with diamond pointers, size N½ £2,000-3,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 59

1368

1369 1366

1367

1372

1371

1370

1376

1375 1373 1374

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 60

Each lot is subject to a Buyer’s Premium of 25% plus VAT

Wilhelm Schmidt "In reply to your wish to be informed when opal cameos were first cut in Europe, I may mention the date of 1874, when I invented the new process of cutting opal cameos in such a manner as to utilise the matrix of rough opal for the ground... Mr John Brogden exhibited the first one, which I cut, amongst his other exhibits at the Paris Exhibition, 1878..." - Wilhelm Schmidt, (1845-1938), to gem collector, Abraham Booth, who owned numerous fine examples carved by the talented Schmidt. Schmidt was born in Idar Oberstein. At the age of 15, he was sent to Paris as an apprentice to Arsène, who trained him in the neo-classical tradition. However, by the time he graduated in the 1860s, the French fashion for stone cameos was waning. Eventually, Schmidt settled in London, where he set up an engraving business in Hatton Garden, trading alongside his gem-dealing brother Louis, who imported numerous unusual and rare specimens with which he could work. Schmidt carved cameos for John Brogden, Guiliano and Child & Child, and attracted several prestigious patrons including the Museum of Practical Geology, to whom he sold cameos engraved from quartz, sardonyx, jasper, labradorite, moonstone and opal, which was to become his trademark. "Opal cameos, if rare, were not unknown (in the 19th century) but Schmidt had invented a novel technique: instead of carving the whole cameo from precious opal, he used blanks with a thin layer of precious opal overlaying the matrix, in the same way in which the contrasted layers of agates were traditionally used to set off the background." Gertrud Seidmann, a connoisseur of Schmidt's work. Schmidt never signed his work and the cameos he produced for jewellery shops and dealers were never credited to him. Examples, attributed by Seidmann, are in the collections of the Natural History Museum, London, the British Museum and the Fitzwilliam Museum, Cambridge. Literature: SEIDMANN, G., Wilhelm Schmidt: The Last Neo-Classical Gem-Engraver. (London: Source Title: Apollo CXXVIII No. 317; July 1988).

1377. A late 19th century carved opal cameo pendant, probably by Wilhelm Schmidt, depicting Arion and Delphinus with neoclassical scroll surround decorated with polychrome enamel, rose-cut diamonds and pearls, suspending from three pearl-set chains and an emeraldmounted scrolling upper section in yellow gold, 11cm long, fitted case £8,000-12,000 1378. A gold cross pendant by Giuliano, set with a demantoid garnet, a hessonite garnet, a yellow sapphire, an amethyst and a diamond in yellow gold, 5cm high, with maker’s plaque C.G to reverse, on circular-link gold chain, 38cm long, case £3,000-4,000 1379. A late 19th century carved opal cameo pendant, probably by Wilhelm Schmidt, depicting Perseus wearing the Helm of Hades in carved opal (cracked) within elaborate gold twisted rope surround with gold pellet decoration and set with demantoid garnets and diamonds, 7.5cm wide £3,000-4,000 1380. A 19th century micromosaic suite of jewellery, comprising a brooch pendant set with a circular micromosaic plaque depicting doves amongst foliage within red and blue quatrefoil tesserae with ropetwist decoration and further micromosaic bale in yellow gold, glazed locket compartment to reverse, 3.8cm high, with a matching pair of earrings, 6.4cm high, case £3,000-4,000 1381. A 19th century Renaissance revival gold pendant brooch, depicting Porphyrion, King of the Greek Gigantes, with the arrow of Apollo in his hand, wearing laurels of Delphi, the lower body formed from one pearl, the serpent legs decorated with enamel, within polychrome enamel gold scrolling surround, set with pearls, with a ruby sash and enamel armour, suspended from a fine-link gold chain, with brooch fitting to reverse, 10cm high £4,000-6,000 For a similar example see The Canning Jewel, V&A exhibit no. M.2697-1931 (pictured bottom right). Originally thought to be a Renaissance jewel, further research now dates it to being a 19th century pastiche, as with lot 1381. 1382. An emerald and diamond half-hoop ring, set with two old circular-cut diamonds and three graduated emerald-cut emeralds, with rose-cut diamond pointers set to the £2,000-3,000 yellow gold pierced and carved scroll mount, size L approx. 1383. A demantoid garnet and diamond cluster ring, the cushion-shaped garnet weighs approximately 2.30cts and is set within a surround of circular-cut diamonds in 18ct yellow gold mount, size K½ £800-1,200 1384. A Victorian sapphire and diamond ring, the oval sapphire cabochon is set with a trefoil of cushion-shaped diamonds to each shoulder, with rose-cut diamond pointers in a pierced and carved yellow gold scroll mount, size M £2,000-3,000

The Canning Jewel © Victoria and Albert Museum, London

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 61

1378

1377

1379 1380 (2)

1384 1381

1383

1382

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 62

1385

1386

1385. A diamond line bracelet, set with lines of ten emerald-cut diamonds separated with diamond clusters, in platinum, the diamonds weigh approximately 14.00cts in total, 17.3cm long £15,000-20,000 1386. A geometric diamond brooch, pierced and millegrain-set with graduated circular-cut diamonds in white gold, 5cm wide £1,000-2,000 1387. A French choker-length diamond necklace, formed with three lines of matched round brilliant-cut diamonds in white gold articulated mounts, total diamond weight approximately 28.00cts, French control marks, 38cm £21,000-25,000 1388. A diamond solitaire ring, the princess-cut diamond weighs 1.02cts and is set in platinum, size S½

£1,200-1,500

Accompanied by report number 79199-28 dated 21 February 2019 from GCS, London stating that the princess-cut diamond weighs 1.02cts and is a natural diamond with I colour, VS2 clarity and is type IaAB. Fluorescence: Strong. 1389. A pair of diamond cluster earrings, each centred with a circular-cut diamond within a surround of eight smaller circular-cut diamonds in white gold, each 1.3cm wide £2,000-3,000 1390. A sapphire and diamond line bracelet, alternately channel-set with calibré-cut sapphires and diamonds in platinum, 16.7cm long £3,000-4,000 1391. A ruby and diamond line bracelet, set with rectangular-cut rubies between rows of pairs of circular-cut diamonds in white gold, 19cm long £2,000-3,000 1392. A diamond three-row 18ct gold ring, set with graduated round brilliant-cut diamonds in 18ct white gold rubover-mounts, with maker’s mark REN and London hallmarks for 2011, size O approx. £600-800 1393. An aquamarine and diamond ring, the emerald-cut aquamarine weighs approximately 6.50cts and set with baguette-shaped shoulder diamonds in 18ct white gold, with London hallmarks for 2012 and maker’s mark G.BROS, size O £1,500-2,000 1394. A spinel solitaire ring, the cushion-shaped red spinel set with small circular-cut diamonds to the shoulders and gallery in white gold, size L½ £1,800-2,500 Accompanied by report number 77107-07 dated 15 June 2017 from GCS, London stating that the cushion-cut spinel weighs approximately 9.90cts and is a natural red spinel with no indications of heating. 1395. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.95cts and is claw set in yellow gold, on plain yellow gold band, size N½ £400-600

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:16 Page 63

1389 1387

1388

1395

1394

1390

1393

1392 1391

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 64

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1396. A fancy and white diamond three-stone ring, the emerald-cut fancy yellow diamond weighs 1.22cts and is flanked with circular-cut diamonds weighing approximately 1.40cts in total, set in platinum, size N £5,000-7,000 Accompanied by report number 79199-25 dated 21 February 2019 from GCS, London stating that the cushion-cut diamond weighs 1.22cts and is a natural diamond with fancy intense yellow colour, VS1 clarity and with medium fluorescence. 1397. A diamond bombé ring, c1940, set with a central circular-cut diamond which weighs approximately 1.25cts, rubover-set in platinum and decorated with diamond shoulders and borders of graduated old circular-cut diamonds in yellow gold, size M £4,000-6,000 1398. A sapphire and diamond-set cluster ring, the slightly cushion-shaped sapphire is pavé-set in £5,000-7,000 yellow gold and set with round brilliant-cut diamonds to the shoulders, size O 1399. A diamond three-stone ring, the oval-shaped diamond weighs 1.43cts and is set with two marquise-shaped shoulder diamonds in platinum, size I £4,000-6,000 Accompanied by report number 79203-77 dated 6 March 2019 from GCS, London stating that the ovalshaped diamond weighs 1.43cts and is a natural diamond with H colour and VS2 clarity. Type: IaAB. Fluorescence medium 1400. A turquoise lapis lazuli and diamond brooch by Fred, set in textured yellow gold, signed Fred Paris with French control marks and rubbed maker’s lozenge, 8cm high, with a pair of similar earrings, set with turquoise, diamonds and lapis lazuli in textured yellow gold, stamped Italy 18k, clip fittings, 4cm £2,000-3,000 1401. A pair of amethyst and turquoise double clips, c1950, set with graduated emerald-cut and circular£3,000-4,000 cut amethysts and turquoise cabochons in yellow gold, 4.5cm wide 1402. A Paraiba tourmaline and diamond ring, the oval-shaped tourmaline is set within a surround of graduated circular-cut diamonds in scrolling diamond-set white gold mount, size S £8,000-12,000 Accompanied by report number 79201-05 dated 20 February 2019 from GCS, London stating that the ovalcut tourmaline weighs approximately 9.00cts and is a natural Paraiba tourmaline. 1403. An amethyst and diamond gold ring, horizontally rubover-set with an amethyst cabochon and a circular-cut diamond in a tapered yellow gold mount, with inner resizing balls, size C approx. £400-600 1404. A pair of diamond cluster earrings by Van Cleef & Arpels, set with graduated round brilliant-cut diamonds in white gold, 11mm wide, signed to reverse and numbered NY65306, post and clip fittings, Van Cleef & Arpels pouch £1,500-2,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 65

1396 1400 (2)

1397

1398 1399

1402

1401

1403

1404

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 66

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1405. A pair of natural pearl and diamond earrings, the light and dark grey pearls suspend above rosecut diamonds in white gold, post fittings, 16mm high £2,500-3,000 Accompanied by report number 79203-83 dated 6 March 2019 from GCS, London stating that the grey and black pearls measure 10.7 x 8.8 x 8.8 and 10.9 x 9.1 x 8.0mm and are natural saltwater with no indications of treatment. 1406. A sapphire and diamond three-stone ring, the oval-shaped sapphire set with two round brilliantcut shoulder diamonds in platinum, with London hallmarks for 1991, size M½ £1,500-2,000 1407. A single-row graduated coloured natural pearl necklace, the clasp set with a circular-cut citrine, 45cm, in coil-fitted box by The Goldsmiths & Silversmiths Company £6,000-8,000 Accompanied by report number 16344 dated 16 October 2018 from The Gem & Pearl Laboratory, London stating that the 75 pearls (+ 74 seed pearls) graduate from 3.4 - 7.8mm and are natural saltwater with no indications of treatment. 1408. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 0.70cts in total, claw set in white gold, with post fittings £800-1,200 1409. A two-row natural pearl necklace, the pearls graduate from 1.9 - 8.2mm, with an Art Deco clasp set with circular and baguette-shaped diamonds, 43cm long approx. £2,000-3,000 Accompanied by report number 79186-44 dated 27 November 2018 from GCS, London stating that the cream pearls measure 1.9 - 8.2mm approximately and are natural saltwater, with the exception of 6 cultured saltwater pearls. 1410. A single-row natural pearl necklace, the pearls graduate from 4.1 - 5.7mm, alternately-set with seed pearls, with a paste-set silver clasp, 38.5cm long, fitted case £600-800 Accompanied by report number 79182-89 dated 22 October 2018 from GCS, London stating that the 59 pearls graduate from 4.1 - 5.7mm approximately and are natural saltwater with no indications of treatment. Comment: pearls under 3mm have not been tested and may be natural or cultured. 1411. A Belle Époque natural pearl and diamond pendant, the button-shaped pearl measures approximately 9.80mm in diameter, flanked with two old circular-cut diamonds and millegrain-set diamond laurels within outer border of diamonds and pearls in platinum, French control marks, 6cm wide, fitted case £10,000-20,000 Accompanied by report number 14249 dated 23 May 2017 from The Gem & Pearl Laboratory stating that the single chinese-drilled and part-drilled button-shaped pearl weighs 5.57cts, and the 40 round part-drilled pearls are all natural saltwater. 1412. A natural pearl and diamond ring, the pearl set with four circular-cut diamonds to each shoulder in platinum and white gold, size M½ £1,500-2,000 Accompanied by report number 79203-82 dated 6 March 2019 from GCS, London stating that the pearl measures 10.6 x 5.6 x 4.0mm and is natural saltwater with no indications of treatment. 1413. A pair of natural pearl, emerald and diamond drop earrings, each natural pearl is set within a circular surround of calibré-cut emeralds and circular-cut diamonds, each suspending from an articulated line of graduated old circular-cut diamonds in platinum, post fittings, 3.2cm high £5,000-6,000 Accompanied by report number 79203-88 dated 6 March 2019 from GCS, London stating that the pearls measure 8.1 - 8.2 x 4.6mm and 8.5 x 8.6 x 4.8mm and are natural saltwater with no indications of treatment. 1414. A diamond three-stone ring, the three graduated round brilliant-cut diamonds weigh approximately 1.90cts total, set in platinum, size N £2,000-3,000 1415. A natural pearl and diamond pendant, the light golden pearl suspends from a gold foliate cap set with rose-cut diamonds £5,000-10,000 Accompanied by report number 5777-8314 dated 31 Janaury 2017 from GCS, London stating that the golden coloured pearl weighs 13.96cts and is natural saltwater with no indications of treatment. 1416. A pink sapphire and diamond three-stone ring, the oval-shaped sapphire set with two round brilliant-cut shoulder diamonds in yellow and white gold, with obscured London hallmarks, size J½ £1,200-1,500 1417. A pair of natural pearl and diamond earrings, the pearls suspend graduated diamonds forming diamond sprays in white gold, 2.4cm high £4,000-5,000

Accompanied by report number 5777-8218 dated 15 December 2016 from GCS, London stating that the cream half-drilled and un-drilled pearls weigh 5.91 and 5.77cts and are natural saltwater with no indications of treatment.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 67

1405

1406

1407

1408

1411

1409

1412

1410 1413 1414

1416

1417

1415

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 68

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1418. A ruby and diamond cluster ring, the oval-shaped ruby set within a sunburst surround of graduated circularcut diamonds in white gold, with inner resizing balls, size H½ approx. £4,000-5,000 Accompanied by report number GRS2018-087328 dated 23 August 2018 from GRS, Switzerland stating that the ovalshaped ruby weighs 1.20cts and is vivid red GRS type ‘pigeon’s blood’ colour with no indications of thermal treatment. 1419. A diamond solitaire ring, the old European-cut diamond weighs 6.90cts and is claw-set in a platinum coronet mount, size M £25,000-30,000 Accompanied by report number 79194-55 dated 7 February 2019 from GCS, London stating that the old Europeancut diamond weighs 6.90cts and is a natural diamond with N-R colour, VS2 clarity and faint fluorescence. 1420. A large sapphire and diamond cluster ring, the cushion-shaped sapphire is set within two borders of round £15,000-20,000 brilliant-cut diamonds in yellow gold, size R½ Accompanied by report number 78132-91 dated 29 November 2019 from GCS, London stating that the cushion-cut sapphire weighs 17.05cts (as stated by the client) and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1421. A diamond and ruby bracelet, set overall with graduated circular and baguette-shaped diamonds weighing approximately 8.00cts in total, and with four square-shaped rubies, set in platinum, numbered T2881 and 33590, 17.7cm long £5,500-7,000 1422. A diamond line bracelet, the thirty circular-cut diamonds weigh approximately 16.00cts and are set in platinum, 17cm long £20,000-30,000 1423. A large French yellow sapphire and diamond ring, the sapphire is set with six round brilliant-cut diamonds to each shoulder in yellow gold, French control mark to the shank, size M½ £20,000-25,000 Accompanied by report number 79199-70 dated 11 February 2019 from GCS, London stating that the oval-shaped sapphire weighs 33.97cts (as stated by the client) and is a natural yellow sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1424. A ruby and diamond cluster ring, the circular-shaped ruby weighs approximately 3.76cts and is set within a surround of circular-shaped diamonds in white gold, size O £6,000-7,000 Accompanied by report number 78169-27 dated 11 July 2018 from GCS, London stating that the round-cut ruby weighs 3.76cts (as stated by the client) and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 1425. An emerald and diamond cluster ring, the cabochon emerald is set within a surround of circular-cut diamonds in platinum, size O £4,000-6,000 Accompanied by report number 79194-47 dated 21 January 2019 from GCS, London stating that the cabochon-cut emerald weighs approximately 12.20cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia. 1426. A pair of diamond cluster ear studs, set with fancy-cut diamonds in 18ct white gold, with London hallmarks for 1967, 9mm wide £1,000-1,500 1427. A ruby and diamond ring, the oval-shaped ruby is set between two circular-cut diamonds and a tapered baguette-shaped diamond to each shoulder in platinum, with makers mark EtJ and London hallmarks for 2009, size L½ £5,000-7,000 Accompanied by report number 5775-2284 dated 16 June 2015 from GCS, London stating that the oval-cut ruby weighs 2.63cts (as stated by the client) and is a natural ruby with no indications of heat treatment. Origin: Burma (Mynamar) 1428. An emerald and diamond three-stone ring, the cushion-shaped emerald set with two tapered baguetteshaped shoulder diamonds in yellow gold and platinum, size L £4,000-5,000 Accompanied by report number 1089143 dated 21 December 2017 from AGL, New York stating that the square cushion-shaped emerald weighs 0.98cts and is natural beryl with no clarity enhancement. Origin: Colombia. 1429. A pear-shaped yellow sapphire and diamond pendant, set with graduated baguette-shaped diamonds in white and yellow gold £5,000-7,000 Accompanied by report number 78149-50 dated 26 March 2018 from GCS, London stating that the pear-shaped sapphire weighs approximately 9.50cts and is a natural yellow sapphire with no indications of heat treatment. Origin: Madagascar 1430. A diamond solitaire ring, the round brilliant-cut diamond weighs 2.33cts and is claw-set in platinum, size I½ £10,000-20,000 Accompanied by report number 14482798 dated 27 July 2005 from GIA stating that the round brilliant-cut diamond weighs 2.33cts and is a natural diamond with G colour and SI1 clarity, faint fluorescence

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 69

1418

1419

1420

1421

1422

1423 1426

1424

1427

1425 1430

1428

1429

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 70

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1431. A jade and diamond ring, the green jade oval cabochon is claw set with four square-shaped shoulder diamonds in platinum, size K £2,000-3,000 Accompanied by report number 79197-82 dated 6 February 2019 from GCS, London stating that the cabochon-cut jade weighs 7.24cts (as stated by the client) and is natural green jadeite jade with no indications of impregnation. 1432. An Art Deco sapphire, diamond and ruby ring, centred with an old circular-cut diamond with five smaller circular-cut diamonds milegrain-set to each shoulder in platinum, to one side of the centre set with graduated fancy-shaped sapphires and rubies to the other, size O½ £1,000-1,500 1433. An Art Deco emerald and diamond ring, set with a square cushion-shaped diamond weighing approximately 1.20cts and an emerald-cut emerald weighing approximately 0.90cts within diamond-set £1,500-2,000 shank in platinum, size Q 1⁄2, case 1434. An Art Deco ring, mounted with five graduated sections of green chalcedony, each separated with circular-cut sapphires in platinum, scroll engraved shoulders, size O½ £200-300 1435. A ruby and diamond cluster ring, the oval-shaped ruby weighs 2.50cts and is set in a tapered £12,000-15,000 baguette-shaped diamond ballerina mount in white gold, size L½ Accompanied by report number 79196-81 dated 23 January 2019 from GCS, London stating that cushioncut ruby weighs 2.20cts approximately and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 1436. A pair of jade and diamond drop earrings, each circular jade disc suspends from an articulated line of old circular-cut diamonds in platinum and white gold, each 3.8cm high £800-1,200 1437. A pair of early 20th century tapered torpedo-shaped sapphire and diamond drop earrings, each earring mounted with rose-cut diamond rondels, each separated with a faceted sapphire rondel and suspend from four graduated circular-cut diamonds in platinum, 4.5cm, case £3,000-4,000 1438. A pair of diamond and jade drop earrings, the triangular pierced and carved jade pendants suspend from a round brilliant-cut diamond and further fittings set with sixteen smaller circular-cut £1,500-2,000 diamonds in white gold Accompanied by report number 11626 dated 5 August 2015 from The Gem & Pearl Laboratory stating that the mottled green carved and pierced flattened triangular-shaped jades are natural jadeite jade with no evidence of treatment. 1439. A single-row jade bead necklace, with a diamond-set barrel clasp, 60cm long

£600-800

Accompanied by report number 79202-45 dated 21 February 2019 from GCS, London stating that the polished green jade beads graduate from 4.0 - 8.2mm and are natural green jadeite jade with no indications of impregnation. 1440. A diamond double clip brooch, c1940, of scrolling openwork design and set overall with graduated circular, baguette and tapered-baguette shaped diamonds in platinum and white gold, detaches to be worn as two clips, 7cm wide £3,500-4,000 1441. A pair of early 20th century jade and diamond drop earrings, the drop-shaped jade pendants suspend from a row of graduated old circular-cut diamonds white metal, fish hook fittings, 4.5cm high £600-800 Accompanied by report number 79203-86 dated 6 March 2019 from GCS, London stating that the polished jade drops measure 7.6-7.7 x 22.3 and 7.6 - 7.8 x 22.8mm and are natural green jadeite jade with no indications of impregnation. 1442. An early 20th century diamond-set fob watch by Shreve & Co, the plain signed dial with Arabic numerals, the case pavé-set with graduated circular-cut diamonds in platinum and gold, the movement signed Patek Philippe, 4.2cm wide, with a diamond-set bar brooch to suspend the watch from, 4.4cm £3,000-4,000 wide, fitted case by Shreve & Co 1443. A diamond solitaire ring, the marquise-shaped diamond weighs 0.81cts and is set in white gold with circular-shaped diamonds to the shoulders and gallery, size L½ £800-1,200 1444. A diamond brooch formed as two conjoined circles, c1930, the old circular-cut diamonds are millegrain-set in white gold, the diamonds weigh approximately 7.00cts total, 4.8cm wide £2,500-3,500

1445. An Art Deco gem-set open foliate bar brooch, c1925, centred with a sugarloaf emerald and millegrain-set with small circular-cut diamonds, cabochon sapphires and further emeralds, in platinum, the rectangular frame with black enamel decoration and with two square-shaped diamonds to each terminal, white gold pin, stamped with multiple marks including French control marks and initials ST, 5.5cm wide £1,500-2,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 71

1431

1432

1433 1436 1434

1437 1435

1438

1439

1441

1440

1444 1445 1442 1443

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:17 Page 72

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1446. Fabergé - A silver and gem-set cigarette case, workmaster Henrik Wigström, the graduated reeded silver rectangular case with a sapphire cabochon thumbpiece set in gold, opening to reveal a gilt interior with presentation inscription dated 1909-1914 to Mr Colonel Vladimir Andreevich Geldt in cyrillic, stamped 88 zolotnik and maker's mark for Henrik Wigström, vesta compartment and striker to one end, missing tinder cord, applied with the initials JB set with rubies and sapphires in gold, 10cm wide £500-700 1447. A Russian gold rectangular cigarette case, decorated overall with plain broad stripes alternated with four narrow grooves, the hinged cover applied with a double-headed eagle set overall with rose-cut diamonds and cabochon sapphire thumbpiece, with maker’s initials L.K and St Petersburg Kokoshnik with 56 zolotnik, kokoshnik repeated twice to the cover, 9.5cm wide, leather slip case £2,000-3,000 1448. Fabergé - A rectangular gold box, workmaster Henrik Wigström, with engine-turned decoration and a diamond-set thumbpiece, signed Fabergé to interior, 56 zolotnik and maker’s mark for Henrik Wigström, 8cm wide, 111g, with outer leather pouch £1,000-1,500 Accompanied by the original purchase valuation dated 4 February 1975 from Wartski.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 73

1446

1447

1448

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 74

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1449. Fabergé - A rectangular gold and rock crystal box, workmaster Michael Perchin, with cut corners and faceted crystal to the hinged cover and base, the gold sides decorated with striped engine-turned bands with plain small circles within scrolling borders, stamped ФАБЕРЖЕ and with maker’s initials М.П, fitted Wartski box, 4.8cm wide £1,000-1,500 Provenance: purchased by the current owner from Wartski in 1975. Accompanied by the original purchase valuation dated 4 February 1975 from Wartski, signed by Kenneth Snowman.

1450. Fabergé - A silver-gilt and gold strawberry red enamel box, workmaster August Holmstrom, of rectangular form with guilloche enamel decoration overall, hinged cover and two gold laurel bands, thumbpiece set with rose-cut diamonds, 8.5cm wide, 1.0 cm deep, original fitted wood case with signed silk lining, signed ФАБЕРЖЕ, workmasters initials, 88 with kokoshnik, all repeated to the cover with scratched inventory number 9590 £10,000-15,000 Provenance: Purchased by the current owner from Wartski in 1975 With a copy of the purchase valuation signed by Kenneth Snowman.

1451. Fabergé - A lilac enamel and diamond gold lozenge brooch, set with a central diamond within guilloche enamel and a diamond surround, surmounted with a diamond-set bow, marked КΦ ,56 Zolotnik, St Petersburg mark and scratched inventory number 23893, 3.8cm wide £2,000-3,000

1452. Fabergé - A pink enamel and gold brooch, workmaster August Hollming, of elongated octagonal design decorated with pink guilloche enamel and a central diamond, maker’s mark for August Hollming, £1,500-2,000 St Petersburg mark and 72 zolotnik, 3.4cm wide, Wartski case Provenance: Purchased by the current owner from Wartski in 1968 Accompanied by the original purchase valuation dated 10 December 1968 from Wartski.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 75

1449

1450

1451

1452

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 76

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1453. Fabergé - A gold and enamel parasol handle in the Louis XVI manner, workmaster Michael Perchin, of tapered cylindrical form with three trellis panels set with rose-cut diamonds on oyster coloured enamel ground, each centred with cabochon rubies within green enamel laurels and futher rose-cut diamond borders, the panels separated with green and red enamel foliate lines and six pearls, centred at the top with a cabochon ruby within rose cut diamond border on a pink guilloche enamel ground, the base with a band of similar coloured enamel between rose-cut diamond bands, with a later added circular chalcedony mounted gold seal section, signed ФАБЕРЖЕ to base and 56 Zolotnik, obscured maker’s mark, scratched inventory number 6362, 8cm long in total, associated fitted box £10,000-15,000 Provenance: Purchased by the current owner from Wartski in 1968. With a copy of the purchase valuation dated 30 July 1968 from Wartski.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 77

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 78

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1454. A diamond solitaire ring, the old cushion-shaped diamond weighs approximately 2.70cts, flanked with tapered baguette-shaped diamond shoulders in platinum, size P £5,000-7,000 1455. A diamond three-stone ring, the central old circular-cut diamond weighs approximately 1.75cts, flanked with two pear-shaped diamonds weighing approximately 1.30cts in total, claw-set in platinum, size O £6,000-8,000 1456. An early 20th century French sapphire and diamond-set ring, the oval-shaped sapphire is set with a line of five baguette-shaped sapphires to each shoulder and pavé-set with circular-cut diamonds in platinum, French control marks, size R £4,000-6,000 1457. A diamond solitaire ring, the round brilliant-cut diamond weighs 5.30cts and is set with tapered £25,000-30,000 baguette-shaped shoulders in platinum, French control marks, size K Accompanied by report number 2131696082 dated 29 July 2011 from GIA stating that the round brilliantcut diamond weighs 5.30cts and is a natural diamond with L colour and VS2 clarity, no fluorescence 1458. A French diamond three-stone ring, the emerald-cut diamond is set with tapered baguette-cut shoulder diamonds in white gold, French control marks, size K½ £23,000-25,000 Accompanied by report number 194416 dated 4 May 2011 from Laboratoire Francois de Gemmologie, stating that the emerald-cut diamond weighs 3.01cts and is a natural diamond with H colour and VVS2 clarity. Fluorescence: faint. 1459. A French Belle Époque pearl, sapphire and diamond bracelet, set with alternating rows of silver and cream pearls divided by calibré-cut sapphires and diamond-set rectangular links with demi-lune edges, millegrain-set in platinum, French control marks and maker’s lozenge JD and remnants of a signature (possibly Cartier), 19.5cm long £10,000-15,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 79

1454

1455

1456

1457

1458

1459

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 80

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1460. An Art Nouveau natural pearl and diamond pendant by Tiffany & Co, designed as a stylised peacock’s feather with a central pearl within pierced millegrain-set diamond scrolls, set in platinum, signed Tiffany & Co with platinum marks, 9cm high £15,000-20,000 Accompanied by report number 14883 dated 6 October 2017 from The Gem & Pearl Laboratory stating that the part-drilled irregular button-shaped pearl weighs 14.60cts and is natural saltwater. Comment: the pearl has been worked on the base.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 81

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 82

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1461. A George III orange topaz and diamond pendant, the oval-shaped topaz weighs approximately 16.00cts, set within a surround of cushion-shaped diamonds in closed-back gold and silver mount, suspended from a diamond-set crucifix bale, on fine-link gold neck chain, pendant 4cm long, fitted case £6,000-8,000 1462. A Victorian pink topaz and diamond brooch, the cushion-shaped topaz weighs approximately 15.00cts, set within a surround of graduated old circular-cut diamonds in silver and gold, the diamonds weigh approximately 2.30cts in total, 2.6cm wide £5,000-10,000 1463. A French diamond rivière necklace, set with nineteen principal old circular-cut diamonds which are each set with a trefoil of smaller diamonds to the shoulders and joined to the next cluster with a circularcut diamond, set in silver and gold, French control marks the clasp tongue, 42cm, fitted case by Harvey & Gore £20,000-30,000 1464. A Victorian diamond cluster ring, the central cushion-shaped diamond weighs 3.01cts and is flanked with graduated cushion-shaped diamonds in pierced yellow gold mount, size O £4,000-6,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 83

1461

1462

1464 1463

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 84

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1465. A diamond, emerald and onyx panther ring, the crossover ring designed as twin panther heads with pear-shaped emerald eyes and onyx nose, pavé-set overall with circular-cut diamonds, size O½ £5,000-10,000

not life size

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 85

1466. A pair of ruby and diamond-set drop earrings, each earring centred with a ruby and round brilliant-cut diamond cluster mounted on baguette-shaped diamonds and suspending from a circle of round diamonds, graduated baguette-shaped diamonds and a further circular-cut ruby and round diamond cluster in white gold, 6.2cm high ÂŁ20,000-30,000 Accompanied by report number 79203-79 dated 6 March 2019 from GCS, London stating that two largest cushion-cut rubies weigh approximately 1.40 and 1.60cts and are natural rubies with no indications of heat treatment. Origin: Burma

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:25 Page 86

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1467. An Art Deco emerald and diamond-set bar brooch, the centre hexagonal-shaped emerald is set with a further emerald-cut emerald to each side and separated with square and baguette-shaped diamonds within a border of circular-cut diamonds and graduated baguette-shaped diamond terminals, set in platinum, applied with maker’s mark H, 5.5cm long £15,000-20,000 Accompanied by report number 79203-80 dated 6 March 2019 from GCS, London stating that the emeralds weigh approximately 1.10, 1.30 and 1.30cts and are natural emeralds, two with indications of minor clarity enhancement, the smallest octagonal-cut emerald is being held together with resin. Origin: Colombia 1468. A gem-set giardinetto brooch, the principal rose-cut diamond weighs 4.24cts, the flowers set with fancy coloured diamonds, rubies and a demantoid garnet in platinum and yellow gold, 3cm high, case £5,000-10,000 Accompanied by report number 79187-89 dated 22 November 2018 from GCS, London stating that the fancy-cut diamond weighs 4.24cts and is a natural diamond with fancy light yellowish-brown colour and SI1 clarity, and is type IIa. 1469. An early 20th century emerald and diamond cluster ring, set with a pear-shaped emerald and a pear-shaped diamond, in stylised foliate mount set with diamonds in platinum, size N £5,000-7,000 Accompanied by report number 79203-81 dated 6 March 2019 from GCS, London stating that the pearshaped emerald weighs approximately 1.20cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 1470. An impressive French emerald and diamond ring, the emerald-cut emerald is set in platinum with a circular-cut and two kite-shaped diamonds to each shoulder, exterior French control mark, size I½ £30,000-40,000 Accompanied by report number 100935 dated 26 June 2018 from SSEF, Switzerland stating that the octagonal step-cut emerald weighs 9.511cts and is a natural emerald with minor clarity enhancement. Origin: Colombia

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 87

1467

1468

1469

1470

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 88

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1471. A citrine and diamond leaf brooch by Cartier, c1930, set with a line of graduated circular-cut diamonds within tapered citrine borders and pierced yellow gold surround, signed Cartier Paris with inventory number 2743, French control marks, 8cm long £8,000-12,000 1472. A gold Grains de Blé bracelet watch by Boucheron, the stylised wheatsheaf links set in yellow gold, with hidden compartment opening to reveal a watch, signed gold dial with baton numerals, manual winding, the bracelet signed to reverse and numbered 908247, 18.5cm long, 110g £5,000-7,000 1473. A Boucheron Serpent Bohème Toi Moi gold and platinum hinged bangle, c1968, the pear-shaped ‘heads’ pavè-set with round brilliant-cut diamonds and heavily textured body, signed Boucheron to the body, French control marks to the clasp tongue, 5.5cm internal diameter, silk lining to the fitted case signed Boucheron 26 Place Vendôme Paris £10,000-20,000 1474. A pair of gold and diamond earring by Van Cleef & Arpels, of bombé form and set with circularcut diamonds in yellow gold, signed VCA and with maker’s lozenge, French control marks and numbered 3484, 2.3cm high £4,000-6,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 89

1471

1472

1473

1474

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 90

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1475. A diamond solitaire ring, the Asscher-cut diamond weighs 4.04cts, flanked with tapered baguetteshaped diamond shoulders in platinum, size L½ £40,000-60,000 Accompanied by report number 15037795001 dated 7 December 2015 from HRD, Antwerp stating that the emerald variation-cut diamond weighs 4.04cts and is a natural diamond with G colour and VS1 clarity. Fluorescence: nil.

1476. A sapphire and diamond ring, the oval-shaped sapphire is set in platinum with five rose-cut and two baguette-shaped diamonds to each shoulder, size J £30,000-40,000 Accompanied by report number 100883 dated 26 June 2018 from SSEF, Switzerland stating that the antique cushion-shaped, brilliant/step-cut sapphire weighs 2.388cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 91

1475

1476

not life size

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 92

1477

1478

1477. A single-row natural pearl necklace, the pearls graduate from 4.1 - 8.1mm with an Art Deco diamond-set platinum and white gold clasp, the clasp inscribed â&#x20AC;&#x2DC;pat. no. 210520, 63.5cm long ÂŁ10,000-20,000 Accompanied by report number 79187-76 dated 21 November 2018 from GCS, London stating that the 105 pearls graduate from 4.1 - 8.1mm and are natural saltwater with no indications of treatment.

1478. A single-row natural pearl necklace, the pearls graduate from 3.8 - 7.9mm with an Art Deco diamond-set platinum clasp, 82cm long Accompanied by report number 79187-77 dated 21 November 2018 from GCS, London stating that the 141 pearls graduate from 3.8 - 7.9mm and are natural saltwater with no indications of treatment. ÂŁ10,000-20,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 93

Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 25% plus VAT

1477

1478

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 94

Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 25% plus VAT

1479. A fine spinel and diamond ring, the cushion-shaped red spinel weighs 9.797cts and is set in platinum with a tapered baguette-shaped diamond to each shoulder, size M ÂŁ10,000-15,000 Accompanied by report number 104725 dated 6 Febraury 2019 from SSEF, Switzerland stating that the antique cushion, brilliant/step-cut spinel weighs 9.797cts and is a natural red spinel with no indications of treatment. Origin: Burma (Myanmar)

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 95

not life size

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:33 Page 96

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1480. A diamond rivière necklace, the forty-six graduated old circular-cut diamonds weigh approximately 29.40cts total, the six principal diamonds weigh approximately 1.44, 1.47, 1.94, 1.71, 1.47, and 1.44cts, set in silver closed-back cut-down collets, 40cm long £23,000-28,000 1481. A George III emerald and diamond cluster ring, the oval-shaped yellow diamond is set within a surround of cushion-shaped emeralds in closed-back yellow gold mount, size O, case £5,000-7,000 1482. A George III diamond cluster necklace, formed from flowerheads set with graduated old cushionshaped diamonds in silver and gold closed-back cut-down collets, 38cm long £8,000-12,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 97

1480

1481

1482

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 98

FINE SILVER & OBJECTS OF VERTU Tuesday 16th April 2019

A set of four George III cast silver candlesticks, by John Romer, London 1769. Estimate: £5,000 - £7,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 99

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 30th April 2019

A pair of Italian maiolica pharmaceutical jars and covers, Castel Durante or Pesaro, dated 1579, 42.5cm high. Estimate: £3,000 - £5,000

ENQUIRIES Clare Durham | +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:26 Page 100

MEDALS & COINS, ARMS & ARMOUR Wednesday 1st May 2019 Closing date for entries 22nd March

Part of a single vendor private collection of 112 sweetheart brooches to be offered in our May 1st auction of Medals, Arms and Militaria. Estimates from £50 to £300

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 101

FINE CHINESE PAINTINGS, CHINESE ART & JAPANESE WORKS OF ART

Tuesday 21st and Wednesday 22nd May 2019

A Japanese two-fold paper screen, 19th century. Provenance: from the collection of Holcombe House, Painswick, Cotswolds. Estimate: £3,000 - £5,000

ENQUIRIES Amber Lees | +44 (0) 1722 424571 | aml@woolleyandwallis.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 102

ARTS & CRAFTS

Wednesday 19th June 2019 Closing date for entries 26th April

St George & The Dragon a fine silver and gilt pendant by Omar Ramsden, dated 1921. Estimate: £3,000 - £5,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 103

TRIBAL ART & ANTIQUITIES

Wednesday 18th September 2019 Entries are now being accepted for this sale

A rare Tibetan tiger saddle cover, 125cm long. Exhibited – The Tiger Rugs of Tibet, Hayward Gallery, South Bank Centre, London, 1988. Illustrated – Mimi Lipton. The Tiger Rugs of Tibet, No. 52 pl. 108. Estimate: £3,000 - £5,000 ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 104

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 105

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 106

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 107

unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 108

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 109

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 110

CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 111

E LS

EET STR TLE CAS

D SR SE VI DE

LW AY W ES T

A3 60

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

T) C

A 3 6(

MR HA ND WY

WILTON & WARMINSTER

CENTRAL CAR PARK

T WIN S BED

N SCOTS L SALISBURY ST WE S OUT H

F IS

HER TO N

CHIPPER ST

A36(T) CH URC HIL L

WILTO NR DA

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

A36 C HUR CH ILL WA YN OR TH D

D OA

AMESBURY & MARLBOROUGH

R EY

HL AS

Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

L SALT

WINCH ESTER ST

N EW

LL R O AD

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

L CANA

NEW ST REET

ST ANN S

SOUTHAMPTON CATHEDRAL

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

A36(T) SO UTHA MPT ON R

A36

( T)

U CH

D 94

NEW H

ARN HAM A338 BOURNMOUTH & RINGWOOD D

NT O

A33 8

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

Woolley & Wallis valuations are accepted by all leading insurance companies. PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

RO A

A30

OA D

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence 01722 424509

tree

S gh

Oxford d Ciircus

ou bor

arl at M

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Ro w

go Vig t ree

ck Sa

Piccadilly Circus

St.

Sarum Business Park

WOOLLEY & WALLIS

le vil ee Str

gto rlin Bu

Castle Gate

illy

MARLBOROUGH & SWINDON

cad Pic

WOOLLEY & WALLIS

rca

Salisbury Salerooms

R rk &

ide

Pa ive

1st Self Access Storage

ree

r ve

ree St

dB Ol

rle ma

a rtw

A345 Castle Rd

WOOLLLEY & WAALLIS

SALISBURY

d Street, Mayfair Clifford

AMESBURY

tre

Old Sarum

Green Park

Old Sarum Park Westover Garage

Way

rk Co

et re St

E Kia Motors

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

ee Str

vil Sa

o liff

e Br

urchill

re St

tre

S er

A36 Ch

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

et tre tS

w Ne

Co nd ui t

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

A36

re St

ddo

Woolley & Wallis W 17 Clifford Street Second Floor S Mayfair M London W1S 3RQ

n ge Re

Gre

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride F follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd. 020 7424 7830 jammdesign.co.uk

WW102-566 Listing.qxp_Layout 1 08/03/2019 16:27 Page 112

WOO L LE Y & WA L LI S Each lot is subject to a Buyer’s Premium of 25% plus VAT

Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Fine Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 18th April 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

112

www.woolleyandwallis.co.uk

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 3rd April 2019 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk SILVER 16th April 2019 – Fine Silver & Objects of Vertu 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk PAINTINGS 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 18th September 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk