Nu Greenpark
Medical
Office
Jasmina Girigan
Buiding
III
Project Statement
Research Articles
Furniture Space Typicals
Bubble/Block Diagrams
Preliminary Space Plan
PROJECT STATEMENT
My clients,the physicians of Nu Cosmetic Clinic, wanted a fuctional yet modern space. To create that I began researching what a Cosmetic or Aesthetic clinic needs, what new clinics look like, what colors make people look best, and what light makes people look better. I decided to have all my walls either straight or at a fourty five degree angle in order to match with the existing structure, but I added a curve in some walls and circles in my choices for furniture and floors. I picked circles because their direction in space is calming, and circles seen to go on forever. The cycle of life is a circle, you are born, you grow up into an adult, and eventually you get old and die. At Nu Cosmetic Clinic the cirlces tie in to making a person feel rejuvinated and young their whole lives, thus breaking the cycle. The colors I picked were based off an article which said that the apricot color flatters the complection and lavander/light purple can sooth a person. My color scheme is based on peach and apricot colors with hues of oranges and purples as well. I also picked wallpapers to show sunset or sunrise, to replicate the best light for a persons complection. For the design of the space, I decided to socialize the glass so that everyone can get the much needed natural sunlight. I created a simple floor plan in which one enters in the reception waiting area, and from there you are either directed to the left to see a administrator or to the right to see a physician. The doctors and staff members also have their own entrances which are for their use only or for exits in the case of an emergency. I created large open spaces for the staff to work in, but also for the patients coming into the clinic.I created an inviting space where clients will enjoy coming for their various needs.
RESEARCH ARTICLES
Article 1 Link: http://www.healthcaredesignmagazine.com/March2012InteriorDesignNotes Why Good Design is Good Business March 16, 2012 by Andreas Charalambous, AIA, IIDA
When George Verghese, MD, made the decision to open his new dermatology practice, the Mid-Atlantic Skin Surgery Institute in Waldorf, Maryland, he k physical space in which I practice is just as much a reflection of me as is the actual care I provide my patients,” Verghese says. In every profession, crea difference between success and failure. Designing an office that not only functions seamlessly, but also is a great environment to work in for the doctor investment in the future and a large factor in its long-term success. Seamless integration of the branding identity—as the two-dimensional extension of t and is best achieved concurrently with the space design, rather than as an afterthought (which is typically the case). Because potential patients are una provided by the doctor, they rely on other clues to assure them that they are in good hands. The quality and attention to detail in the built environment the space, the comfort the patient feels while waiting for treatment, as well as the comfort felt while being treated) are as important as the quality of the quality of the built environment and other sensory experiences—e.g., how the patients are greeted when they arrive, the kind of music they hear while th practice uses to introduce and represent itself to the public. These materials, starting with the practice logo, begin to create a strong visual brand for a value early on can make the difference between doing well and doing great. Everything that is sent out to, or being seen by, the public matters. These ite Identity brand ambassadors for the practice include: • Business cards; • Letterhead and envelopes that the practice uses for written communication; • Announcements sent to the public on various occasions (relocation announcement, holiday wishes, personal cards, advertising, banners or posters fo the practice builds, etc.); and • The practice website—as a general rule, the site should have a simple and clever design that allows a potential new or existing patient to easily navig
It is important that all these materials are well coordinated and send a consistent message to the public. The branding of the practice needs to be both patients’ demographic that it is hoping to attract. Another important element is introducing the personal factor of who the doctor is and his or her level doctor or dentist for routine care no longer applies. In this Internet age, patients do extensive research to find the best doctor with the most experience weak, potential patients may bypass your practice and go to another office that has done a better job identifying itself as capable of offering the services branded company, even if you are a better doctor than the competition. All these elements need to be incorporated in the mix while the branding of the
Case Studies: Bitar Cosmetic Surgery Institute
Bitar Cosmetic Surgery Institute is the flagship practice for an established and nationally recognized cosmetic surgeon. The project occupies a little mo in the Washington, D.C., suburb of Fairfax, Virginia. The doctor had four main goals for the space. First was to create a functional office that serves as a practice. Second was to make the most of his highly visible location and, third, to design the space to serve a variety of patient interactions: consultatio Finally, the fourth objective was to allow for seminar and event hosting in the space, rather than having to book an off-site conference room. The facility consultations, meetings, and presentations. The conference room wall is a moveable glass partition that opens to allow the entire entry area to serve as exam rooms, a procedure room, and utility spaces, as well as private offices for the doctor and support staff. Ultimately, it is a space about vision and b venetian plaster walls in the corporate colors, wool and silk area rugs, and sculptural and photographic wall panels all interact with the natural daylight layering of spaces both in the horizontal and vertical planes emphasizing the sense of openness to the space and providing for visual interplay between
"Offering patients exceptional results is not the only prerequisite to having a successful cosmetic practice. At the Bitar Cosmetic Surgery Institute, we focus on the moment the patient walks into our office to thoroughly following up with him or her after their procedure. Our office design has substantially contributed to our prac end. The open and uncluttered design makes patients feel relaxed and at ease, and allows our staff to mix and mingle with them as they wait to get their procedure
Bloō Dental
When interviewing the dentist during the schematic phase of the project, it became apparent that, apart from dentistry, his passion was scuba diving. H but blue, so blue water became the core inspiration for both the design of the space and branding of the practice. Drawing from the dictionary pronunci Brambleton, Virginia, specializes in the treatment of both adults and children. The challenges in designing the space were both logistical and aesthetic. within a single space sharing support functions. The interior design and architectural detailing focused on creating an environment interesting to the wid a trite literal interpretation. The office is organized into two wings separated by a central core containing sterilization and X-ray areas. The lobby forms a adults and children, both with access to the administrative areas. The underwater theme was expressed in the curved wave forms of the defining walls a glass partitions and accent wallcovering, and the carved sea-pod wall panels throughout the space. White floors of textured rubber and cool white walls reception area video wall of moving water sets the tone as one enters the suite. The concept and design vocabulary work together to create an exciting a
“I always wanted an office that is modern and atypical in design. Though I personally really enjoy coming to work every day, the space design itself helps our patien walking into a luxurious spa.” The design of the office has been a practice-builder for us in many ways: We've been featured in multiple publications, patients refer o the notion that we care about their comfort and are very meticulous on every level with the care we provide. Most people fear going to the dentist, and I really feel th to their visits here.” —Dr. Hares Rahim, DMD Capital Oral and Facial Surgery Center
The commission was to design a flagship surgery center in Washington, D.C., for a successful oral and maxillofacial practice that was relocating and exp practice identity, building on the past history of the office, and setting the stage for future growth; to create a space that serves both the core practice o conferences hosted by the doctor and management staff; and, finally, to capitalize on the opportunity presented by this expansion to examine work proc to the practice's work and patient flows. It was important that the space reflected the doctors Asian heritage without being trite or cartoonish. Themes e ranging from the circular reception area to the asymmetrical cloud-lift motif in the cantilevered reception desk, and the introduction of contrasting natu the elliptical conference room surrounded by an inset of pebbles evoking a Zen rock garden. The spaces are evocative of an Asian aesthetic while mainta spaces are arranged to provide a unidirectional flow for patients while allowing free movement of the staff along the secondary corridor that parallels the branding of the practice with a new logo and collateral materials as well as a signage, furniture, and artwork package, all designed around building a str
“My current space is amazing! The floor plan is spacious (I can see from one end to the other), functional, and has lots of natural light. The patient flow problem tha constantly tell me that they feel completely at ease when they come here. My staff love the space; there is space to have meetings and handle the day-to-day aspec dreamed of having. Since opening the new space, we have seen an increase in overall business as well as lots of visitors who have heard about the space and want
Obeid Dental
Occupying a coveted street level corner location in a high-rise office building on busy Connecticut Avenue in Chevy Chase, Maryland, gave this 1600-squ young, handsome, a sports car driver, cutting-edge all the way— wanted an office that reflected his progressive persona and practice, and that pushed t technology throughout, Obeid Dental caused a splash as soon as it opened, when CNN immediately approached the doctor for an interview. The office i the doctor dedicates to his patients. With an atmosphere of openness not often found in medical offices and an unexpected modern material pallette, th the space during the daytime, with the abundant daylight streaming in from all directions and highlighting the contrast of smooth polished surfaces and environment. Come nighttime, the space could be mistaken for a cool, clubby go-to spot that just happens to be a successful dental clinic.
“My designers helped me create a complete brand identity for my practice. They provided a single source for everything: from the planning and the architecture to website, the signage, and furnishings throughout, down to the accessories. They really understood what I wanted to achieve and worked with me to make it a realit
Mid-Atlantic Skin Surgery Institute
High ceilings, sculptural bulkheads, sandblasted glass walls, splashes of color that animate the all-white shell, and the soothing murmur of a waterfall in square-foot dermatology clinic. Located in an outer suburb of Washington, D.C., the practice intends to draw on the exurban crowd that normally travels
center. The practice provides MOHS surgery and dermatological care, as well as cosmetic procedures. As a new practice, the project provided an oppor office tailored to the needs of the medical staff and patients. Much of the layout was driven by the lab-intensive nature of the skin cancer surgery proces important functional requirement. The office is organized around the lab/staff core that traverses the space, connecting the front and rear perimeter co partitions. This transparency aids in explaining the process to patients as well as capitalizing on the office's second-story corner location by allowing da anywhere within the clinic, the views to the outside and the natural light throughout create an uplifting feeling as opposed to the usual sterile and clinica
“Our design professionals helped us create an open space filled with natural light and relaxing curves. The design meets all our functional requirements as a surgic get a sense of comfort. They appreciate the extra effort into detail that transforms their appointment into a five-star experience. We received multiple awards for the FACMS Andreas Charalambous, AIA, IIDA is the Principal of FORMA Design Inc. For more information, please visit www.FORMAonline.com.
Article 2 Link: http://wow.sg/#/projects/the-cosmetic-surgery-clinic
THE COSMETIC SURGERY CLINIC SINGAPORE PRIVATE MEDICAL CLINIC2,000 FT²INTERIOR DESIGN 2004
The machine precision and handcraftsmanship of a fine sports car inspired the design of the Cosmetic Surgery Clinic. These are qualities the client, a re conventional perceptions of physical perfection through technological innovation in handcraftsmanship. Likewise, the clinic’s design reflects the patients enhancement powered by technology with surgical precision. The clinic was commissioned to facilitate the performance of physical enhancements whils Transparency and reflection are juxtaposed against illusion and mystery, simultaneously revealing yet concealing the occupant of a given area. The spac materials selected for their technological, industrial and aesthetic properties such as glass, fibreglass, steel and lacquer. The walls incorporate lighting, create private waiting areas. All materials are developed with machine precision to a smooth and integrated form like an injection-moulded component. rendition of skin. The colour in the waiting and public areas is a platinum opalescent spray lacquer while the treatment rooms are lined in pale buff ribb
Article 3 Link: http://www.barberplasticsurgery.com/guilfordwoman.htm
After more than 20 years, Dr. W Byron Barber is finally practicing medicine the way he's always wanted to with time to treat each patient as if they were getting there required walking away from an established practice and going out on his own.By January 2004, Dr. Barber was ready."It was the next step, far exceeded his most optimistic projections. "I get to do what I've wanted to concentrate on cosmetic surgery," he said. "My goal was to transition to a c breast reduction and reconstruction he's still chief of plastic surgery at Moses Cone Hospital and is on-call for the Emergency Rooms several nights a m means few of the bills are paid by insurance. And that means running a medical practice with a much higher standard of service and comfort than most
For Dr. Barber, that means more than simply the procedures he performs. It means the interior design of his office, the mindset of his staff and a level o other medical offices. "When you have four doctors treating patients, it's all but impossible to keep patients from seeing each other in the waiting rooms expect a little bit more. They want to be treated with respect, be seen on time and they want confidentiality. "These are not huge things, but they are im practice." While Dr. Barber is among he best in his field he was selected as one of America's Top Surgeons for 2004-2005 by his colleagues in the Amer part, to his wife's expertise in running a business.
While Dr. Barber spent more than two decades practicing medicine. Henrietta Barber spent that time in the business world. So after 10 years of urging alone. As she walked around the plushly appointed office on a recent Friday afternoon, the pride Henrietta Barber takes in the practice, and her involvem rooms, the side entrance "if we think a patient might know someone in the waiting area, we'll suggest they use the side entrance and have someone brin standards.
"It had never been done right; this is not a regular doctor's office," she said. "There is a feeling today of we want our money's worth, and we want to give consult with and educate their clients."When they leave, they feel good about what's been done," she said. And that means hiring the right people to crea in the business end, from finding office space, to ordering equipment and hiring staff. And while she takes pains to stay away from the medical side she continues to handle the payroll; pay vendors and weigh in on where and how to advertise.
Like most old-school doctors and lawyers, Dr. Barber is not a fan of advertising. Reluctantly though, he admits that starting a private practice requires s procedures. "I think any doctor would like to think his work speaks for itself," he said. "In point of fact, times have changed. We live in a society that puts determined to avoid the used-car sales type of ads. "We're trying to remain sophisticated and focused on education in our advertising," he said.
One type of marketing Dr. Barber particularly enjoys is the free seminars he holds. Usually discussing "the little things that you can do." The small, not v Henrietta Barber said. And while her work is behind the scenes, from marketing the practice, hiring staff, negotiating leases and buying equipment, Dr. handles a lot of the things that would take time away from the practice of medicine," Dr. Barber said. "The Web Site alone took months of effort." In addi supplies and picking vendors and perhaps most importantly, hiring.
Her first hire was within weeks of opening their doors when she brought 25 year-old Alicia Cline on board as the receptionist. Cline, who had previous ex the phone and the first person they meet when they come to the office. Despite her background working in dental offices, Cline said the new job took a l already nervous when they're making their first call or first visit, but we take a lot more time with the patients coming in. This is a lot quieter, more conf we opened the new office, it exploded," Cline said.
That's when the Barber's went looking for a full-time nurse. Enter Wendy McNeely, registered nurse and operating room first assistant. A former trauma former practice shortly before he went out on his own. Arid apparently made an impression. "When he called me for the position, I was honored," she sai practices, the Barbers hired Marsha Duffy as their patient care coordinator: "It is likely the most important position from a customer service standpoint, most critical part of the office." After consulting with Dr. Barber about their treatment, patients meet with Duffy, who discusses the cost, helps arrange p Most of all, Duffy is the one person each patient will have constant contact with throughout their treatment. "We treat them as the most important patien spent with them you have never seen this type of medicine practiced before." Already the Barber's are trying to expand the business by hiring a medical prescription-only treatments. And while they don't expect to bring another doctor into the practice, they have another office and treatment room availab
Article 4 Link: http://articles.chicagotribune.com/1991-05-26/news/9102170228_1_cosmetic-surgery-sterile-interior-design Temple Of The Body: An Architectural Face Lift By Mario Villa Transforms A Dreary Plastic-surgery Wing May 26, 1991|By Mimi Read, New York Times News Service.
For better or worse, it`s a designer world. Now it is possible to get a newly sculpted, wrinkle-free postmodern body in a postmodern setting: the Ochsner Ochsner`s gray-bearded chief plastic surgeon, believes that cosmetic surgery patients are more sensitive to interior design than other kinds of patients. treated in sterile gray hospital rooms bathed in unflattering fluorescent light and furnished with disquieting high-tech appurtenances? So about a year ag cosmetic surgery wing of the sprawling medical center.
Villa, a New Orleanian, is a furniture designer whose urbane creations are suffused with a spirited, nutty neo-classicism. That a staid, stalwart institution surprising. It is as if the Marx Brothers were to be hired as investment counselors at Morgan Guaranty Trust. The renovated wing, freshly outfitted with e bases to smart steel drawer pulls, looks more like a slightly stagey hotel lobby than it does any sort of medical center. It is a warm, soothing oasis of ne grandeur that was Rome and the vanity that is America.
``It`s a very upbeat environment,`` said Finley, sitting at his new round conference table, with cut-out verdigris figures of Matisse-style women dancing ar much for sterility! The idea of making clinical environments warm and attractive has been growing in popularity since the late 1970s, when many hospit with an eye toward eliminating sterility. ``The idea is that having a baby is normal,`` said Dr. William Bethea, director of obstetrics and gynecology at So need a disease-oriented room.`` Although the revisionistic birthing rooms at Southern Baptist seem cozy in a suburban bedroom sort of way, they still h that is roughly half airport and half flight deck of the Starship Enterprise.
But no other New Orleans hospital has gone nearly as far as Ochsner did with the wing by Villa. This is not to say that Ochsner is the only place where th design are being explored. From 1981 to 1988, there was a 63 percent rise in cosmetic surgery in this country, according to the American Society of Pla been spawned. Some hospitals and clinics and many private offices and post-operative centers have settings that rival the most luxurious spas in their a the country, people with puffy faces and sore thighs can heal and hide out in homey rooms decorated in the Santa Fe or English manor house styles. Ma communications director for the American Society of Plastic and Reconstructive Surgeons in Arlington Heights.
``What makes cosmetic surgery different from any other specialty is that it is consumer-driven. People who get plastic surgery really do a lot of shopping exuberant fellow who with a few dollars and some gold swags probably could transform a 7-Eleven into a nightclub, relished the Ochsner project.``It was the Nicaragua-born designer. He scraped the wing clean of all institutional residue, added silky birch archways and columns and filled the place with his
Recalling the old look with a shiver, he said:``The place couldn`t have been more ugly. The poor nurses had their desks in a hallway. In every room it loo work at a black marbleized station, in fashionable contrast with their white uniforms. The sheets, bandages and suture-removal equipment are stowed in
Villa marbleized everything that was not moving, sponge-painted certain walls in butterscotch yellow and placed Attic urns in strategic niches.He had all stained-glass window screens to cover views of flat, gravel-strewn rooftops. He dressed up all the $50 plywood doors on the long corridor with architectu chart box with brass swags.
When the budget of about $300,000 ran out, Villa raided Finley`s private art collection, borrowing a series of Kuba textiles from Central Africa, a few sle has no plans to check into the new wing. He said he would never have cosmetic surgery unless he had an accident and was disfigured. ``I`m in the minor I`m looking forward to my wrinkles.``
Article 5 Link: Â http://www.decoist.com/2011-06-03/relaxing-mixture-of-colours-skin-aesthetic-clinic-interior-design/ Relaxing mixture of colours: Skin Aesthetic Clinic interior design
How many times have you had to visit a clinic and see all that plain “design” that only offered a feeling of a cold, sad place? I think that when you need t yourself, the clinic that helps you change must be a combination of great doctors and great atmosphere. If you search for a great clinic that also respec visit this next clinic in Italy. Skin Aesthetic Clinic is a cosmetic surgery in Florence, Italy, where great modern interior design meets the classy charm of an old revamped building. Y Florence. Designed by Michael Young and Katrin Olina, the astounding interiors of the Skin Aesthetic Clinic have a positive vibe that can be felt in all dec decorated walls in Corian and used art work by Katrin Olina which they printed with SGX high tech printing onto Dupont glass. The reception area meets clients with an exceptional and artistic design. The waiting room extends the feeling of comfort and trust to the patients and o relaxing mixes of colours. The Arno River can be seen from the Dr. Foukis’ office, creating a strong connection between the doctor, patient and the surro suction or a thigh liposuction, you can enjoy a few other aesthetic treatments to make you feel extraordinary and look fabulous.
Article 6 Link: http://www.thisoldhouse.com/toh/photos/0,,20386447_20787379,00.html Choose Paint Colors to Lift Your Mood Dreary white and drab beige are never going to make you happy. Try out these mood-boosting colors in every room in your house Flatter Your Complexion with Apricot Here's a color that's sweet, but not cloying. Benjamin Moore's August Morning, a shade of orange, is stimulating, like red, but less intensely so. Instead also flatters almost every skin tone and lifts the mood. What more could you want? Liven Up with Bright Yellow Nothing beats sunny joyful rays in the kitchen or breakfast room, here in Benjamin Moore's St. Elmo's Fire. We're drawn to yellow because it represents congregate. One caution: if you're prone to anxiety avoid its more intense iterations.
Find a Happy Medium with Green Green is nature's neutral. In a garden, it sets off all sorts of different colored flowers. Green is also right in the middle of the color spectrum, forming a b Nature and mix this fresh color, here in Benjamin Moore's Cedar Green, with any other hue for an uplifting alternative to beige.
Chill Out with a Blue Accent If the effect of painting a whole room a vibrant blue hue leaves you reaching for the Xanex, try just a small dose (of color, that is). Finishing one wall in a as Behr's Deep Blue Sea, can actually create a soothing focal point.
Unwind with Lavender Try soft violet for an au courant alternative to blue in the bedroom. It has the same soothing effect, but with a regal twist. Here, Benjamin Moore's Violet Caponata on the ceiling.
Article 7 Link: http://www.xovain.com/makeup/the-principles-of-spectral-radiance-101 How Different Light Colors Affect The Way Your Skin And Makeup Look
Once, as I sat before a makeup artist’s lighted mirror, he switched the light setting to “winter.” I gasped in horror as my under-eye circles and blemishe flick of a switch, he turned on “sunset” light. I was bathed in the soothing glow of sweet orange light, which lit and plumped my skin into a healthful rad our faces look very different. The hour of the day, the season of the year, or the distance from the equator can affect the colors we see in light. Some lig perceived flaws while detracting from others. Makeup can be a useful tool for correcting these flaws. Makeup can also work together with the light to dra makeup artist’s tips for dos and don’ts for particular light, and it is another to understand why. What is it about that winter light that makes my yellow-g turn coral when I walk into a candlelit room? Let's delve beyond the aesthetics into a more scientific explanation: Spectral Radiance 101, a special introd my parents for an introduction on the colors of light. Then, I conducted an experiment in which I photographed the same makeup under four colored filt spectroscopists specific questions about the visual effects the colored lighting has on the makeup look. THE COLORS OF LIGHT
Fundamentally, everything gives off electromagnetic waves. Heat up an electric stove, and it will start to look red. As it got hotter, it would look more yel really hot, it would become bluish as the higher-energy lightwaves predominated. Different colors are associated with temperatures. The sun is hot enou atmosphere, it hits gas molecules and small particles and reflects in all directions. The higher energies of light scatter better. Blue light scatters best. If else, you will see that scattered blue light. That's why the sky is blue! But if light has to travel through a lot of atmosphere, all of the blue light scatters a You can see this during a sunset when the light is coming into the atmosphere at the horizon and travels much further to reach our eyes. Sunlight is pre have a shorter color spectrum, which does not include blue light. Candlelight is an example of a cooler light source that appears orange because it simp BLUE LIGHT
The “winter” light that wreaked such havoc upon my complexion was blue light. The atmospheric cloud cover associated with wintertime blocks the eart light, rather than that directly from the sun. Most colors on your face can reflect blue light, except for red tones. So any reddish spot--like acne or under Orange will also absorb the blue light and darken significantly, which is why orange-toned makeup like blush and bronzer will appear brown. Blue light m
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Light-reflective foundations and highlighters help camouflage dullness and disguise red areas and under-eye circles. Cool to neutral-toned colors stay truer to color than warmer colors. Red and pink lipsticks look deeper and darker. Blue eye makeup stands out dramatically. Orange tones reflect as brown. WHITE LIGHT
The light given off by the sun is white light all year long and for most of the day. It comes from a part of the sun that is about 5500° Kelvin. It is compos is by far the most versatile color of light because of it can be reflected by any color. This means colored makeup looks truest under this light.White light
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Wear whatever you would like! The colors will look true. This is the favorite light of makeup artists.
YELLOW LIGHT
There are two causes for yellow light: It can be the hot sunlight with most of the blue filtered out of it by the atmosphere, such as in the morning and ev a cooler light like incandescent light (2870° Kelvin at 100 watts) that never had many blue wavelengths to begin with. Yellow light is a flattering one for warm because of the lack of blue wavelengths. Yellow light makeup conclusions:
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Gold tones, such as a golden highlighter or gold eye makeup, are significantly accentuated. Blue tones in lipstick or eye makeup are diminished. The skin looks warmer and more even, camouflaging blemishes and reducing the need for foundation and concealer. ORANGE LIGHT
Orange light can also be sunlight thoroughly filtered of its high energy wavelengths by the atmosphere during a sunrise or sunset. It can also be a cool li dramatic light that can have a remarkable effect on makeup. Reds and oranges in the skin tone are reflected back strongly. This can have a flattering, w tone. On the other hand, it can highlight redness in the skin, such as rosacea. My pink lipstick looks coral as it reflects back mostly orange light with ver
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The reddish light reflects red tones strongly, which can highlight acne and rosacea. Small blemishes and under-eye circles disappear in the orange glow. Red makeup stands out strongly. Blush can quickly overwhelm a face. Red lipstick looks strong and bright. Bluish and green tones do not show up at all. Bronze, brown, and orange makeup are showcased.
FURNITURE SPACE TYPICALS
STAFF WORKSTATION
Calico Wallpaper Aurora-Ray
Dunn Edwards Paint Grey Pearl DEC795
Steelcase Laminated Glass White Laminate 6541
Floor Plan
Steelcase Veneer Almond Cherry 3576
Steelcase Chair Base Polished Aluminum 8046
Steelcase Chair Upholstery Cogent Connect- Nickel 5S24 For Bookkeepers
Steelcase Gesture Task Chair Platinum Metallic Frame with Seagull Accents Used for Insurance Clerks, Bookkeepers
Steelcase: Freestanding Private Office Shaw Contract Group Carpet Dawn 60764-89530
Steelcase Chair Upholstery Cogent Connect- Tangerine 5S17 For Insurance Clerk
Shaw Contract Group Wood Floor Costal Oak blanc- 18212
Floor Plan
OFFICE MANAGER Coalesse Wrapp Guest Chair
Steelcase Upholstery HOOP13 Osage
Shaw Contract Group Carpet Dawn 60764-89530 Steelcase Veneer Almond Cherry 3576-
Dunn Edwards Paint Cottage White DEW318
Steelcase Upholstery Mica L114 Steelcase Chair Base Polished Aluminum 8046 Steelcase Gesture Task Chair Platinum Metallic Frame with Seagull Accents
Steelcase Elective Elements Brochure PG 24-25
Steelcase: Flex Frame Private Office
PHYSICIAN PRIVATE OFFICE
Floor Plan
Steelcase Veneer 3578-Cognac Cherry
Coalesse Bindu Side Chair
Coalesse Upholstery Maize L714 Coalesse Bindu Executive High Back Chair
Coalesse Upholstery White L151
Calico Wallpaper Heaven- Amaranth Coalesse Tempered Glass Clear Frosted
Shaw Contract Group Carpet Pause Tile Ivory 83105
Shaw Contract Group Carpet Step Tile Ivory Heather 84105
BUBBLE/BLOCK DIAGRAM
PRELIMINARY SPACE PLAN
OPTION A
OPTION B
PAINT SAMPLES:
BUILDING STANDARDS
Dunn Edwards Paint Cottage White DEW318
Dunn Edwards Paint Whisper DEW340
FLOOR SAMPLES:
Shaw Contract Group Carpet Pause Tile Ivory 83105
Shaw Contract Group Carpet Step Tile Ivory Heather 84105
Shaw Contract Group Wood Floor Shaw Contract Group Wood Floor Authentic Hickory CA270 CA224 Antiqued Maple Natural 39212 00130
Tech Lighting Light Fixture Boxie Flushmount
Tech Lighting Light Fixture Cirque Flushmount
Daltile Dinamite Porcelain Tile Grigio (2) P021
Daltile Dinamite Porcelain Tile Parma (1) P020