Volume 69 | Issue 3 | October 22, 2021
BANNER
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Sports Construction—
Cold Water Immersion—
Revamping Marketing —
N e w s , Pg . 3
L i f e s t y l e , Pg. 6
B & T , Pg. 11
New CBU soccer facility set to be completed by Fall 2022.
New science on ice baths and cold showers shows unexpected results.
CBU marketing program adapts to industry standards.
Three teams, three victories BY AIDEN HOBSON SPORTS EDITOR
California Baptist University athletics had a stellar weekend on Sept. 25. As the fall season has continued, CBU sports teams have competed boldly against conference opponents in their last year of the transition towards NCAA Division-I status. The CBU volleyball team opened conference competition against Chicago State University, starting the first of many matches against Western Athletic Conference foes. They were able to win the match dominantly, winning each of the first three sets to take the match. “It was a really good win,” said Bran-
den Higa, head coach of the CBU volleyball team. “Chicago State has become a really good team. They have a couple of the best players in the conference right now. To get a win against an opponent like that was huge.” The CBU women’s soccer team also played their first conference game on Sept. 25. The team played Seattle University in Norco, winning the game 1-0. The game was dominated by underclassmen, with freshman Lauryn White getting one assist and Madison Sonerholm, sophomore biology major, scoring the game-winning goal. “It was a very exciting win for us being
SEE WAC SWEEP | PAGE 14
Photos courtesy of Athletics Photo Illustration by Sofia Eneqvist
Theater puts on first in-person show since start of pandemic BY ROWEN ZAMORA ASST. A&E EDITOR
NATIONAL HISPANIC HERITAGE MONTH
Vision Pages 4-5 Emily McGinn | Banner
“Silent Sky,” the theater program’s first in-person production since the pandemic shutdown, is a beautiful epic of scientific and relational discovery. Written in 2015 by Lauren Gunderson, a San Francisco playwright, the story follows Henrietta Leavitt and the women who work at the Harvard Observatory at the turn of the century. As these women chart the known universe of the early 20th century, they deal with harsh realities such as longterm relationships and love. “The play was written because it brings light to real events that happened,” said Jolene Automo, senior theater major and lead actress. “She was a really smart astronomer, but at the time that she existed, women did not have much power and were being used for their (academic) work. This was understood as truth to the real Henrietta Leavitt.” This story applies to college students as they struggle to find love and achieve academic success. The characters aptly show the emotional roller coaster that accompanies exploring academia and not having enough time for social lives and sleep but staying focused on undiscovered frontiers. Despite these harsh realities, Automo cites Henrietta’s line “wonder will get us there,” making the point that an ever-growing curiosity will carry people through the mundanity. However, she states this under
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She was a really smart astonomer, but at the time that she existed, women did not have much power and were being used for their (academic) work. Jolene Automo, Senior theater major
the stipulation that one is being supported by a community. Automo mentions community for the reason that if we do not have community, then we lack adequate perspective. Thus, one should search out diverse perspectives to tackle life’s most difficult themes like love, God and growth. “Silent Sky” is a love story defined almost entirely through a female perspective, passing the Bechdel test with flying colors. Additionally, the cast delicately pulls the audience’s heartstrings, playing an emotional symphony in the mind of every audience member. “(The play has) a lot of different emotional moments and there are a lot of moments that are spiritual and show different dynamics of relationships with coworkers, family and oneself,” said Faith Elizabeth Ann, senior theater major, assistant director and prop master. The play assesses the sci-
entific contributions of Henrietta Leavitt. However, the playwright Lauren Gunderson misrepresented the historical figures’ religious views, suggesting agnosticism with atheistic tendencies while, in reality, she was a Puritan woman devoted to her family and the church. Through an esoteric personal understanding of Gunderson’s work, Elizabeth Ann finds the gospel in a work that is seemingly engineered to separate the worlds of science and religion. She does this through a metaphysical comparison of truth in the play and real life. She first notes Henrietta’s pursuit of truth by touching on the vast, overwhelming absurdity of the universe. “It doesn’t matter what you think or what you choose because it is going to be what it is whether you try to minimize it or not,” Elizabeth Ann said. Elizabeth Ann is tapping into the basis of the scientific method in saying this, dispelling any false notions of relative existence. She then correlates this expansive universe to the reality of God’s existence. “We believe that (God and) the Bible are true and you can choose not to believe that, but it is still going to be truth, (which is why) we are telling this story to share the gospel,” Elizabeth Ann said. Automo adds to this thought by exploring its functionality after it is accepted as truth. “If “If we are trying to control
SEE SILENT SKY | PAGE 13