Type Classification Poster Series

Page 1

TYPE CLASSIFICATION POSTER SERIES

JUSTIN MARK


RESEARCH

These are some rough preliminary sketches of what I thought I might want to do for this poster. It was basically my brainstorming process.


Selection

This was the sketch that I decided to use for my final forms. I felt like this sketch was the best because it would allow me to create a poster series that all had a very similar feel. I also felt like this design was the cleanest and still gave me room to create an aesthetically pleasing look.


Mockups

q d J

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h i j k l m n o p q r s t u v w x y 1 2 3 4 5 67 8 9 0

Didot Modern No. 20 Bodoni Bernhard Modern

Caslon Goudy Garamond Jansen Centaur

Old Style type came along during the late 1400’s. This was the begining of printed type. Up until this time books, and records were written by hand. This new technology met with heavy resitance from the scribal tradesman and the general public. This new style of type was cut from woodblocks and was less calligraphic than hand scribing. Some type characteristics of the old style typefaces are a moderatly left oblique stress, bracketed serif strokes, low contrast e.

Modern type characteristics include little to no bracketing on serif strokes, little or no vertical angle of stress, very high contrast between thick and thin strokes, and the width of characters are narrower than transitional and they are aesthetically precise and mechanical.

t i

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

Futura Helvetica Gill Sans Optima

Sans Serif

San serif typfaces have no serif strokes, little to nocontrast between thick and thin strokes and most have a slight vertical stress.

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h ij k l m n o p q r s t u v w x y 12 3 4 5 6 7 8 9 0

Bell Times Mrs. Eaves Cochin

The transitional style of type ocurred during the 1700’s and is understood as the period between old style and modern type. The distinguishing features of the transitional typefaces are slight oblique stress angles, characters that are narrower than old style and serifs that are lightly bracketed. Transitional typefaces have a medium x-height compared to the cap height and have a medium contrast between thick and think strokes.

abcdefghijklmnopqrstuvwxy 1234567890

Old Style

Modern

Transitional

ABCDEFGHIJKLMNOPQRSTUVWXYZ

Slab Serif

A Slab Serif is a type of serif font that evolved from the Modern style. The serifs are square and larger, bolder than serifs of previous typestyles.

Rockwell American Typewriter Clarendon

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

R

Circus Mix Titanica

Decorative Fonts with extreme features such as swashes or exaggerated serifs, and any fonts designed to be used at larger than body copy sizes can be described as decorative type.

I really liked the overall layout but I knew I had to make some changes to make a product that I really appreciated.


Mockups Round 2

I really liked the “t” letterform in my first mockup so I decided to keep all of my letters a “t.” I also lined up all of my classification names and limited my typefaces to three to keep it clean. I changed the background because I thought it was distracting and threw on a light shadow so it still had a nice feel. I also changed the highlighted typeface being used to a rounded rectangle.


Final ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

t

Didot Modern No. 20 Bodoni

Modern

t

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h i j k l m n o p q r s t u v w x y 1 2 3 4 5 67 8 9 0

Caslon Goudy Centaur

Old Style

Modern type characteristics include little to no bracketing on serif strokes, little or no vertical angle of stress, very high contrast between thick and thin strokes, and the width of characters are narrower than transitional and they are aesthetically precise and mechanical.

Old Style type was the begining of printed type. Some characteristics of the old style typefaces are a moderatly left oblique stress, bracketed serif strokes, low contrast e between thick and think strokes, a tall x-height, organic form and a horizontal crossbar on the lowercase e.

t

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

Sans Serif

San serif typfaces have no serif strokes, little to nocontrast between thick and thin strokes and most have a slight vertical stress.

t t t

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

ABCDEFGHIJKLMNOPQRSTUVWXYZ a b c d e f g h i j k l m n o p q r s t u v w x y 12 3 4 5 6 7 8 9 0

Bell Times Mrs. Eaves

Transitional

The distinguishing features of the transitional typefaces are slight oblique stress angles, characters that are narrower than old style and serifs that are lightly bracketed. Transitional typefaces have a medium x-height compared to the cap height and have a medium contrast between thick and think strokes.

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxy 1234567890

Rockwell American Typewriter Clarendon

Slab Serif

A Slab Serif is a type of serif font that evolved from the Modern style. The serifs are square and larger, bolder than serifs of previous typestyles.

Futura Helvetica Gill Sans

Circus Mix Titanica Polya

Decorative

Fonts with extreme features such as swashes or exaggerated serifs, and any fonts designed to be used at larger than body copy sizes can be described as decorative type.

I decided to take off the background because I felt it retracted from the content and informative side of this poster. I also decided to highlight the typeface being used even more by making it a different color than black. I decided to switch from my dark blue to a red because I felt it functioned better and looked more professional.


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