Jed Salmon - Portfolio

POR TFO LIO Corona graduate edition:

(Jed salmon)

Interior archtecture & design

Interior archtecture & design Graduate Interior Architecture and Design graduate with experience and understanding in architectural design, interior spaces and surrounding fields such as energy assessment and property services. This culminating in the ability to produce interesting, appealing, yet functional designs. A strong individual worker and a thriving team player shown through work experience and awards.

Some key points: ∙ Diploma of professional practice attained from working as a Junior designer for Twelve studio, Clerkenwell, London ∙ Highly confident with Adobe Suite ∙ Confident ability in AutoCad ∙ Confident ability with 3-D modelling in Sketch Up, C4D and Revit ∙ Ability to read , interpret and produce a wide range of technical drawings by hand ∙ Ability to produce high quality scale models ∙ High ability in photography Thank you for taking the time to look through my portfolio, I hope you find the projects interesting.

get in touch Phone : 07584169279 E-mail : jedps@outlook.com

CONTENTS

About me

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Final project A gin distillery and bar in the heart of the national trust’s clumber park. This project focuses on customer experience and coneptual design.

Focus area An in depth analysis of my final projects tasting skyspace, designed to maximise the senses and amplify the curated experience.

Cafe project A small cafe renovation, focused on customer flow and efficiency of space.

creative venue Re-purposing an abandonned factory as a live music venue, using industrial site cast concrete forms to controll acoustics.

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Gig house project Award winning residential project, using shadows to influence forms and aesthetics.

Technical Studies A collection of technical drawings from my final project to display understanding and capability in technical design

Extras A collection of field sketching and photography work produced outside of university.

FINAL PROJECT MADE @ Clumber MADE @ CLUMBER offers visitors to the National Trust property an entirely new experience, with a function focused on re-instilling the history of the structures past and celebrating its unique connection to the park communicated visually with an aesthetic centred on the retention of the existing.

My proposal will bring the old gas house into the 21st century by re-instilling distilling into its function, swapping the coal gas of Victorian Britain for the most popular spirit of today, inspired by the ‘ginaissance’ of the UK’s booming alcohol industry.

This distilling function is not confined to the walls of my chosen structure, it will help to create a cohesive narrative throughout the park, tying in the functions of the walled kitchen gardens and glass house, citing them as the source of ingredients.

Ultimately MADE @ CLUMBER proposes a sustainable and economical visitor attraction that will both appeal to the National Trust’s ethos of conservation and heritage while simultaneously appealing to the millennial market by targeting their interests and habits, ensuring a proposal that is focused on experience.

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ORTHOGRAPHICS.

long section

short section

short elevation

This orthographic displays how my interventions respect the existing and work within it. The main body of my new structure sits below the existing site, with an extravagent access tunnel extending beneath the road to my skyspace. This displays my con-

This orthographic further re-enforces the display of circulating light and views between the floors, displaying how my

The external elevation displays how I have translated this respect for the existing to the outside, by builing new

sideration to light and circulation between floors, ensuring views between them.

internally suspended bridge allows the user to overlook the processing areas.

interventions that sit within the confines of the old crumbling walls in a material that contrasts without distracting.

It shows how the user is drawn into the structure through a Gormley like tunnel that extrudes through the existing appeture of the door.

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FOCUS AREA MADE @ Clumber

curated experience A study by Harris Group found that 72% of millennial’s favour experiences over material possessions. With respect to this, my proposal will function as more than just a distillery. It will offer visitors to the park the chance to not only progress through a functioning distillery and learn its links to the park but to also offer to them a curated tasting experience, focused on sensory design that will amplify gins impact on the senses and culminate in an increased understanding of the product.

The main attracti0n, accessed by a long dark tunnel that stretches beneath the road outside, the tasting sky-space offers customers a unique completely curated gin tasting experience. This space has been designed purely with its function in mind with great considerations made to help enhance the users sense of taste and smell.

The access tunnel works so well due to its complete contrast to the spaces at either end of it. Beginning in the sensory overwhelming processing space, filled with light sound and smells and ending in the tasting sky-space, a sensory controlled and considered space.

By extending the walls of the tunnel just over a meter into the space it creates a more interesting transition, leaving you suddenly in the middle of the space upon exiting it.

Once again I had chosen to use a polished concrete floor throughout the rooms to help with consistency and aid with the fluidity of movement through the spaces.

A recessed 150mm gravel filled channel runs the edge of the tunnel and into the sky-space, this is used to help dimly light the edges to

access tunnel By factoring for sensory design, light has been controlled upon approach to subdue the visual sense in order to heighten the users sense of taste and smell. his visual shows how I have explored the concepts of space and scale within this part of my design. Traveling from one light and open space to another would not feel so impressive without experiencing the opposite inbetween. Transitioning from open to tight and back to open will distort the users sense of scale and mimic the experience of gin moving through a still.

help with direction and create somewhere for water to drain.

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CAFE PROJECT Okende A small cafe renovation, focused on customer flow and efficiency of space.

The angular interior has been designed to mimic the direction and flow of the river this building sits on the banks of. By moving the entrance and exists to these areas, the customer journey through the building is not only paralell to the river but also as unintrusive as possible to the seating area .

The exterior of this building has been clad with a charred timber structure to create sun breaks for the newexternal seating and bike storage areas.

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East Elevation displaying bike storage and external branding, covered by sunbreak canopy

Long section displaying the relationship of internal spaces between seating queuing and serving.

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internal visual one

internal visual two

This displays the large bench communal seating on offer and looks towards the service area, broken up by an inter-

This shows the relationship between these slatted walls with bar height seating and the circulation space adjacent

nal slatted walls with bar height seating.

to the pivot doors.

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CREATIVE VENUE PROJECT 10 Short hill Re-purposing an abandonned factory as a live music venue, using industrial site cast concrete forms to controll acoustics within the varying spaces created.

These concrete forms were inspired by the denge sound mirrors used by the millatry in world war ii. The inclusion of these forms acting as an acknowledgement to the sites importance as producing military supplies during the war and furfilling the brief of designing a venue for creative arts.

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GIG HOUSE PROJECT *award winning* residential For this project I wastasked with renovating and extending upon a 16th century cottage and gig house , to create a family home and work space for thecli ent .

To the left are examples ofthe rendered CAD visual, plans and hand drawn sketch visuals that I produced for this project.

The client stressed the importance of not distracting from the existing structure with my new intervention. Therefore my design is based on the shadow cast by the existing structure from the rising sun; sitting at 45 degrees and clad in shou sugi ban, the structure itself resembles this shadow in both form and colour.

It is for this project that I won an award for innovative project design.

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PRODUCED BY AN AUTODESK STUDENT VERSION

The design is heavily focused on retaining the existing and creating interventions to increase the functionality of the space without detrement to it.

All of the drawings are my own work, the images to the right have been provided by Haworth Tompkins Architects.

PRODUCED BY AN AUTODESK STUDENT VERSION

Haworth Tompkins - Dovecote Studio

Full Section

Scale: 1:100 at A2

This project sets the precedence for my treatment of the existing brick structure here, with the new timber frame intervention sitting behind an air gap.

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Key: 3

Existing solid brick wall, laid in Flem-

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ish stretcher bond fixed with approx 10mm mor-

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tar,each brick being approx. 225 x 70 x 110mm

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m2K] fitted with 2mm aluminium window flashing 3 -

32 mm shou sugi ban treated pine, 25 x 50 mm

timber battens, 9 mm vapour diffusing asphalt panel, 150 x 50 mm timber studs, acoustic Mineral Wool insulation set between studs, finished with 12.5mm dry-lined plasterboard with matte stucco polished plaster skim [natural

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finish] 4 -

Existing oak roof construction, 280 x 50mm

ridge board and purlins set into existing brickwork, fixed to king post rafter by tongue and grove joint.

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Gravel soak-away

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High Performance Damp Proof Course 850mu,

75mm polyisocyanurate foil faced rigid insulation board, 250mm steel re-enforced site cast concrete wall 8

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Suspended steel frame walkway, hung from

rafters with 10mm diameter steel suspension ca9

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Key:

brackets at both ends, resting within existing masonry wall opening, clad with 3mm anodized aluminium sheeting 225 x 600mm steel re-enforced concrete strip

foundation with drainage gravel 9 -

Drainage gravel, high Performance Damp Proof

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0.55mm perforated steel sheet with 5mm

holes 3 -

2 x 4mm Low Emissivity coated glass

with a 20mm argon gas filled cavity 4 -

2mm aluminum window flashing

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32 mm shou sugi ban treated pine

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25 x 50 mm timber battens(wind barrier)

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9 mm vapour diffusing asphalt panel

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150 x 50 mm timber studs

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Acoustic Mineral Wool insulation set

between studs 10 - 12.5mm dry-lined plasterboard with

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matte stucco polished plaster skim, natural finish 11 - 10 mm polyester coated aluminium drip edge flashing 12 - 10mm high density polyethylene, coated with a bitumen/rubber protection board, extending 150mm below ground level 13 - Existing brick foundation 14 - High Performance Damp Proof Course 850mu 15 - 75mm polyisocyanurate foil faced rigid insulation board 16 - 250mm steel re-enforced site cast con-

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Highlighted details on next page

18 - 100mm perforated land drainage coil surrounded by drainage gravel, held firm by 2mm filter fabric 19 - 225 x 600mm steel re-enforced concrete strip foundation

Detail Technical Section Scale: 1:20 at A2

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20 - 100mm polished concrete slab, rein-

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forced with wire mesh

PRODUCED BY AN AUTODESK STUDENT VERSION

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crete wall

slab reinforced with wire mesh

PRODUCED BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

Foundation connection PRODUCED detail

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Scale: 1:10 at A3

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Model,drawings and annotations by me

Existing flemish stretcher bond block-

work wall

17 - 25mm cork isolation joint

rigid insulation board, 250mm polished concrete

Jed Salmon - N0672645 Technical Studies

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[U-value = 0.8 W/m2K]

Course 850mu, 75mm polyisocyanurate foil faced

Model,drawings and annotations by me

9 - New steel columns welded to base plates and concrete foundations secured by 20mm bolts, welded to plate and cast into foundation

BY AN AUTODESK STUDEN

Scale: 1:5 at A2

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8 - New angled I-beams connected to columns via 130mm x PRODUCED BY AN AUTODESK STUDENT VERSION 130mm x 10mm welded end plates

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Window Flashing Detail

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bles fixed with 90mm x 90mm x 15mm steel pivot

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7 - New pitched I-beams connected to ridge beam via 120mm x 65mm x 10mm steel angle brackets. Beams are notched to allow web to fit within the ridge I-beam

Jed Salmon - N0672645 Technical Studies

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Steel frame to existing wall connection Scale: 1:10 at A3

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Steel frame hanger detail Scale: 1:5 at A3

PRODUCED BY AN AUTODESK STUDENT VERSION

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2 x 4mm Low Emissivity coated glass with a

20mm argon gas filled cavity [U-value = 0.8 W/

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

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6 - New steel frame structure, suspended with steel cables (detail on next page) from new frame and rests within the existing structure (detail also on next page)

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PRODUCED BY AN AUTODESK STUDENT VERSION

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5 - New 203mm x 133mm pitched steel I-beam (universal) with 14mm web and flange.

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PRODUCED BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

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drawing.

PRODUCED BY AN AUTODESK STUDENT VERSION

boasting correct line wieghts, material hatches and clarity of

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4 - New 254mm x 254mm steel column (universal) with 14mm web and flange.

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PRODUCED BY AN AUTODESK STUDENT VERSION

drawings show an understanding of technical drawing capability,

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3 - New 254mm x 146mm steel I-beam (universal) with 14mm web and flange.

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PRODUCED BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

Scale: 1:75 at A3

PRODUCED BY AN AUTODESK STUDENT VERSION

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2 - Existing exterior masonry wall with sandstone cornice details

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

Jed Salmon - Gas House Re-design

Sectional Isometric

1 - Existing internal masonary wall

PRODUCED BY AN AUTODESK STUDENT VERSION

signs and how these details can be produced by contractors. These

Key:

Scale: 1:100 at A3

PRODUCED BY AN AUTODESK STUDENT VERSION

Technical drawings Technical drawings that document details of my final project de-

TASK 4: TECHNICAL SECTION

PRODUCED BY AN AUTODESK STUDENT VERSION

TECHNICAL STUDIES

Existing structure exploded isometric

PRODUCED BY AN AUTODESK STUDENT VERSION

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10 - Existing internal masonry wall with new opening created for passage and support of frame

15 - New 10mm steel band to help cable keep its form and prevent splitting

11 - New 1oomm x 1oomm x 8mm Steel T-section

16 - New 90mm x 90mm x 15mm steel top pivot bracket with 10mm diameter hole for pivoting pin

12 - New 100mm x 100mm x 10mm steel bracket, welded to steel frame and bolted into existing masonry

17 - New 90mm x 90mm x 15mm steel bottom pivot bracket with 10mm diameter hole for pivoting pin, welded to frame

13 - New 30mm x 30mm x 5mm steel angle, connected via spot welding to T-section

18 - New 10mm diameter pivot pin to hold brackets together and allow some movement

14 - New 10mm diameter Steel suspension cable with eye loop lined with eyelet thimble Model,drawings and annotations by me

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Jed Salmon - N0672645 Technical Studies

EXTRA BITS Other hobbies To the right is a collection of extracorricular work that I have produced recently.

This includes: •

field sketches completed while at sites scanned from the pages of my skechbook

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Photography portraits

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Photoshop dog portraits produced as gifts for friends and family

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