Carl Carter Collection Part II by JeffSEvans

The Carl Carter Collection of Paperweights and Studio Art Glass Part II Thursday, October 14, 2021 at 9:00 a.m. ET Important Single-Owner Auction – Part two of the exceptional collection of Carl Carter of Austin, TX comprising over 400 paperweights featuring roughly 100 antique French weights by Clichy and St. Louis, contemporary and vintage paperweights including multiple examples by David Graeber, Paul Stankard, Rick and Melissa Ayotte, Ken Rosenfeld, Gordon Smith, Cathy and Colin Richardson, Delmo and Debbie Tarsitano, Paul Ysart, St. Louis, Parabelle, plus others. Also studio glass by artists such as the Lotton family, Lundberg Studios, Orient & Flume, &c.

Note: This catalogue is also posted at jeffreysevans.com where it includes high resolution photos as well as additional detail photos. Absentee bidding is available on our website and live bidding in real time is available through Jeffrey S. Evans Live, Live Auctioneers, and Invaluable.

Public Previews Wednesday, October 13, 10:00 a.m. to 6:00 p.m. Thursday, October 14, 8:00 a.m. until end of auction Early preview is available by appointment

2177 Green Valley Lane | Mt. Crawford, VA 22841 | VAF #782 540.434.3939 | jeffreysevans.com | info@jeffreysevans.com

Introduction

Jeffrey S. Evans & Associates is honored to present the Carl Carter Collection of paperweights and art glass at unreserved public auction. Comprising nearly 1,300 individual paperweights and 200 related vases, the Carter Collection is one of the most significant and thorough paperweight assemblages to be offered at auction in recent history. The collection will be sold in three sessions, the present session on April 22, 2021; the second session, which will include his antique weights on October 14, 2021; and the final session to take place in April of 2022.

A magnificent assemblage, the Carl Carter Collection includes some of the finest examples of paperweight art produced over a broad time span, from Classical French examples to contemporary work by living artists. The collection overall represents a veritable mosaic of the paperweight form, and its many examples highlight the technical and artistic evolution that has taken place in the field over the last two centuries.

The collection focuses on vintage and contemporary examples, with a foundational subcollection of Paul Ysart paperweights, representing one of the most comprehensive collections of Ysart’s work ever assembled. Carl also placed a heavy focus on Gary and Doris Scrutton’s Parabelle Glass paperweights and has acquired an outstanding representation of the Oregon couple’s work. Also featured are many of the most influential and respected artists of the studio movement, including David Graeber, Paul Stankard, Rick and Melissa Ayotte, Gordon Smith, Ken Rosenfeld, Cathy and Colin Richardson, and Mike Hunter, along with a large selection of Saint-Louis weights. Carl diligently collected these works of art through various means including directly from the artists themselves and through many of the most renowned galleries and dealers in the country, including L. H. Selman Ltd., Leo Kaplan Ltd., William Pitt Paperweights, G. W. McClanahan, and Alan and Helen Thorton, among others. Carl was very meticulous about which examples to choose, as his selections include many of the finest and rarest specimens from each artist, including many unique or artist proof weights from artists such as Mike Hunter, Cathy Richardson, Chris Buzzini, Steven Lundberg, and Parabelle Glass. Additionally, Carl collected many of the most sought after forms in paperweights such as orbs, pedestalled, piedouche, triple-weights, sculptural forms, and cut and cameo examples. There are also many collaborative efforts within the collection including Rick and Melissa Ayotte and Cathy and Colin Richardson. Several examples are cut by the late Ed Poore, including works from David Graeber and Bob Banford.

The Collection of Carl Carter, Austin, Texas – Part II

Carl Carter: A Collector’s Odyssey

I have been collecting glass since I was a little kid and collecting paperweights in particular since 1985. I started learning about paperweights when I was shopping for art glass vases from a dealer who often set up at an Austin antiques show. The dealer had a nice selection of vases and paperweights, so I regularly attended these shows in hopes of finding a new treasure. During these visits, the dealer started talking to me about paperweights and showing me nice examples. I have always loved detail in all types of art forms, so to examine paperweights closely for the first time was very intriguing and exciting. Never before had I been able to hold so much beautiful detail in the palm of my hand and walk around with it. What collector does not love the feel of a paperweight in their hand? I was hooked on the paperweight art form. In large part because of this dealer, in 1986 a few like-minded collectors met together and decided to form The Paperweight Collectors Association of Texas. That dealer had a mailing list, thus making it possible to contact other people who might be interested in learning more about this art form and becoming part of a collecting group. Through these meetings, we learned from each other and shared with each other. Our meetings included getting to know various artists and learning about the different styles of paperweights. But most of all, we learned how difficult it is to make a paperweight, requiring a very high standard of skill and artistic creativity. Paperweights have enriched my life in many positive ways, the greatest of which has been getting to know the strong community of collectors, artists, and dealers associated with the art form. Forming “forever” friendships has been the best part of my collecting journey. I think some of the highest quality paperweights are being created right now, giving us the opportunity to communicate, even collaborate, directly with the artist. Sadly, we don’t really know the artists who made antique weights. They worked for “the factory”, and that is often the only name we know. Now more focus can be directed on the individual artists, allowing them to share their journey. We can talk to them one-to-one and learn about their specific skills and inspirations. One of my personal thrills has been the opportunity to make a few paperweights directly with an artist. Through this hands-on experience, I learned how difficult paperweights are to make.

Jeffrey S. Evans

If someone were to ask me to describe one very fun part about collecting paperweights, I would say it is the “hunt”. Finding a wonderful weight in a dusty little antique shop or at the bottom shelf of a glass case, or exploring a wonderful internet sale or auction, is thrilling, and that sense of excitement is part of what drives the collecting. Now the hunt seems predominantly done at home on the computer, but it is still very much a hunt. For collectors, the internet allows us to shop the world and better communicate with fellow collectors. Overall, I have learned that when there is a common interest, it will bring people together in a positive way. I sincerely hope you enjoy looking at my collection of paperweights and art glass. While it has been bittersweet to let the collection go, I am excited to know that these treasures will now become a part of other people’s lives. My hope is that these pieces will bring as much joy to their new owners as they have to me. Happy collecting! Carl

multi-colored canes including many types of Clichy roses, two complex canes holding a signature “C” cane, and Stardust-type canes, all supported by an alternating white and green stave basket, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D. Undamaged. $2,000 - $3,000

being comprised of pink and white floral cogs, and the other green and white tubes holding an inner cog, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D. Undamaged. Literature: Parallels Hollister - The Encyclopedia of Glass Paperweights, p. 133, fig. 143. $1,000 - $2,000

1. ANTIQUE SAINT-LOUIS PANELLED CLOSE-PACK MILLEFIORI PAPERWEIGHT, large central white and red Stardust-type cane with six green and red opaque twists extending to the edge creating six pie-shaped wedges featuring a variety of multi-colored canes including cogs, tubes, and complex canes, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Circa 1848. 2 5/8” D. Very good condition overall with scattered surface wear/scratches. Provenance: Marion Antiques Auction, 6/9/2018, lot 123. $2,000 - $3,000

3. ANTIQUE CLICHY GARLAND MILLEFIORI PAPERWEIGHT, large central green and white cog with a Stardust-type central tube, encircled by two rings of cogs with one being cranberry and white and the other blue to white, five large Clichy roses with deep ruby and white cogs creating an outer five-point garland, exterior green to red to white cogs, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” H. Excellent condition overall with a few scattered minute surface bruises and scratches, with the longest scratch being 5/8” long. Provenance: Marion Antique Auctions, 6/9/2018, lot 122. $2,000 - $3,000

5. ANTIQUE SAINT-LOUIS MUSHROOM MILLEFIORI PAPERWEIGHT, central complex cane with a blue six-point star center tube, encircled by five concentric garlands of millefiori canes including the third row consisting of Stardust-type canes, the fourth featuring green, cranberry, and white complex canes, and the outer band made-up of white and blue tubes, base having a pink and white torsade, rayed to the pontil mark. Compagnie des Cristalleries de Saint Louis. Circa 1850. 2 7/8” D. Undamaged with minute surface wear. $1,000 - $2,000

2. ANTIQUE DOUBLE SIGNED CLICHY CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition consisting of a variety of

4. ANTIQUE CLICHY INTERLACED GARLANDS MILLEFIORI PAPERWEIGHT, central cranberry, green, and white tube, encircled by two interior rings with one consisting of green cogs and the other amethyst cogs, all surrounded by two four-point garlands withThe oneCollection of Carl Carter, Austin, Texas – Part II

6. ANTIQUE CLICHY TREFOIL MILLEFIORI PAPERWEIGHT, large central green, white, and cranberry cog, flanked by three large Clichy roses, all encircled with a trefoil consisting of blue and cranberry tubes, with three large maroon and green cogs with star motif center tubes, all above upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D. Virtually undamaged with a single minute faint bruise just above the base edge. $1,000 - $2,000

8. ANTIQUE BACCARAT “B/1848” CLOSEPACK SILHOUETTE MILLEFIORI PAPERWEIGHT, close-pack composition with a central four-petal rose cane, six silhouette canes featuring a goat, monkey, horse, dog, deer, and rooster, signature “B/1848” cane, a wide variety of multi-colored canes including shamrocks, arrowheads, honeycombs, and trefoils, polished pontil mark. The Compagnie des Verreries et Cristalleries de Baccarat. Dated 1848. 2 7/8” D. Undamaged. Literature: Parallels Dunlop - Baccarat Paperweights, p. 31, figs. 21, 22. $1,000 - $1,500

10. ANTIQUE SAINT-LOUIS “SL/1848” CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, central complex cane with a blue and white florette center, encircled by four exterior garlands with the first having blue and green tubes, second consisting of white and blue complex canes, third row with green, white, and red complex tubes and also holding the signature cane reading “SL/1848”, final band alternating between white cogs and pink and white complex canes, white and blue torsade to the base, rayed to the underside. Compagnie des Cristalleries de Saint Louis. Dated 1848. 2 1/2” D. Undamaged.

7. ANTIQUE CLICHY FIVE-RONDEL MILLEFIORI PAPERWEIGHT, large central pink, green, ruby, and white cog encircled by five rondels with each ring consisting of dual or multi-colored cogs/tubes with each housing a Clichy Rose, with five exterior amethyst cogs, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3” D. Virtually undamaged except for a small bruise near the base edge. Having a few scattered minute instances of undissolved particulate at the surface, as made. Literature: Parallels Hollister - The Encyclopedia of Glass Paperweights, p. 133, fig. 145. Provenance: G. W. McClanahan, 1/11/2005. $1,000 - $2,000

Jeffrey S. Evans

Literature: Parallels Hollister - Glass Paperweights, p. 38, pl. 20. Provenance: L. H. Selman Ltd. 9. ANTIQUE CLICHY CONCENTRIC MILLEFIORI MAGNUM PAPERWEIGHT, central pink and green cane, encircled by three exterior garlands with each being comprised of a variety of multi-colored tubes, cogs, and complex canes, all above an opaque green ground with an opaque white underside, polished base. Cristallerie de Clichy. 1837-1885. 3 1/4” D. Undamaged. Literature: Parallels Dunlop - Clichy Paperweights, p. 116, fig. 549. $1,000 - $1,500

$1,000 - $1,500

12. ANTIQUE BACCARAT “B/1848” SPACED SILHOUETTE MILLEFIORI PAPERWEIGHT, central butterfly silhouette complex cane, signature “B/1848” cane, 11 total silhouette canes including a dog, deer, horse, monkey, rooster, goat on a teal ground, and a pheasant and shamrock cane, additional canes include a 4-petal rose and shamrocks, all above an upset muslin ground with scattered red and blue twists, polished pontil mark. The Compagnie des Verreries et Cristalleries de Baccarat. Dated 1848. 2 3/4” D. Undamaged. 11. ANTIQUE CLICHY CONCENTRIC MILLEFIORI PAPERWEIGHT, central cranberry and green complex cane, encircled by five outer garlands, interior ring consisting of green cogs, second row having alternating white and pink Clichy roses, followed by a band of cobalt blue cogs, fourth ring comprised by alternating lavender, green, pink, and white cogs/tubes, outer ring having green tubes, all supported by an alternating white and azure blue stave basket, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 1/2” D.

Literature: Parallels Dunlop - Baccarat Paperweights, p. 38, fig. 110. $1,000 - $1,500

Undamaged.

14. ANTIQUE BACCARAT CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, large central mushroom with a concentric composition, central shamrocks cane, encircled by four garlands of a variety of canes with the interior ring comprised of arrowhead canes, second having white and red complex star canes, third band featuring large red, white, and green tubes, all supported by an outer ring of white and pink complex canes, base having a white and blue torsade, rayed to the underside. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 3/4” D. Undamaged.

Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 69.

Literature: Parallels Dunlop - Baccarat Paperweights, p. 51, figs. 159 and 162. Provenance: Leo Kaplan Ltd., 5/15/2014.

$1,000 - $1,500

Catalogue Note: According to Dunlop, “Concentric mushrooms are uncommon from this maker...” 13. ANTIQUE CLICHY INTERLACED TREFOILS MILLEFIORI PAPERWEIGHT, faceted with flute and punty cuts, central Clichy rose encircled by two trefoils with one consisting of chained azure cogs, and the other ruby and green cogs, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 1/2” DOA.

$1,000 - $1,500

Undamaged. Literature: Parallels Hollister - The Encyclopedia of Glass Paperweights, p. 135, fig. 149. Provenance: Bonhams Auctions, 7/11/2018, lot 433. $1,000 - $1,500

The Collection of Carl Carter, Austin, Texas – Part II

15. ANTIQUE CLICHY INTERLACED GARLAND MILLEFIORI PAPERWEIGHT, central white and yellow floral cane, encircled by two interior rings with one being white and cranberry floral canes and the other fuchsia and white floral canes, two outer garlands with one consisting of chained pink and white cogs, and the other white, green, and red tubes, all above a transparent emerald green ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3” D. Nearly undamaged with some scattered light wear/minor scratching; having a single minute surface nick. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 79. $1,000 - $1,500

18. ANTIQUE CLICHY CLOSE-PACK MILLEFIORI MINIATURE PAPERWEIGHT, close-pack composition having a central Clichy rose, remainder a variety of multi-colored canes including a variety of roses, Stardust-type, and complex canes, all supported on an alternating white and pink stave basket, polished pontil mark. Cristallerie de Clichy. 1837-1885. 1 7/8” D. Undamaged. $800 - $1,200 17. ANTIQUE SAINT-LOUIS CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, cut-faceted, short mushroom with a central blue and white floral tube, encircled by five exterior garlands with the interior band consisting of green tubes, second having peach/rose tubes, third comprised of blue and white complex canes, fourth with white complex canes, all supported by a final ring of peach/rose complex canes, base ringed with a white and blue torsade, rayed to the underside. Compagnie des Cristalleries de Saint Louis. Circa 1848. 2 3/4” D. Undamaged. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 174. Provenance: James D. Julia, 11/13/2014, lot 2198. $800 - $1,200

16. ANTIQUE CLICHY CHEQUER / BARBER POLE MILLEFIORI PAPERWEIGHT, large central multi-colored complex cane, encircled by two outer garlands with each consisting of a variety of multi-colored cogs and complex canes, including Stardust-type canes, each cane separated by white and azure blue twists, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 5/8” D. Undamaged. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 84. $800 - $1,200 8 Jeffrey S. Evans

19. ANTIQUE CLICHY TREFOIL GARLAND MILLEFIORI PAPERWEIGHT, central fuchsia, white, and green cog, with three flanking white and green cogs, all encircled by a trefoil garland comprised of white and pink complex canes, three large white and red stardust canes to the exterior, all above an opaque deep blue ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3 1/16” D. Undamaged. $800 - $1,200

20. ANTIQUE CLICHY CHEQUER MILLEFIORI PAPERWEIGHT, large central ruby, white, and green cog with interior tube featuring florets, encircled by two spaced rings of dual or multi-colored tubes, cogs, or complex canes with the inner garland consisting of six canes, and the outer band comprised of ten canes, all separated by white filigree twists, all above a bed of filigree twists, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D.

22. ANTIQUE SIGNED CLICHY CLOSEPACK MILLEFIORI PAPERWEIGHT, central white and red cog cane with a wide variety of multi-colored canes including a signature “C” cane, Stardust-type canes with an amethyst interior, arrow canes, and many tubes and cogs, all above an alternating white and cobalt blue stave basket, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 1/2” D.

Undamaged. Having a minute check in association with the pontil mark, as made. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 88.

Very good condition overall with the top having a post-production polish, sides having a few minor crescent-form bruises, pontil mark having a cluster of bruises reaching from the center toward the table ring.

Provenance: Douglass Auctioneers, 11/16/2007, lot 211.

Provenance: Marion Antique Auctions, 6/9/2018, lot 123c.

$800 - $1,200

24. ANTIQUE BACCARAT CLOSE-PACK MUSHROOM MILLEFIORI PAPERWEIGHT, close-pack composition with a variety of multi-colored canes including arrowhead, honeycomb, and shamrocks, all supported by an exterior garland of white Stardust canes, having a white and blue torsade around the base, rayed to the underside. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 5/8” D. Undamaged with some isolated light surface wear. Literature: Parallels Dunlop - Baccarat Paperweights, p. 51, figs. 159, 160. Provenance: L. H. Selman Ltd., Auction 67. Catalogue Note: According to Dunlop, “A rare variation has an outside row of stardust canes which is pulled down to form the stem.” $500 - $1,000

21. ANTIQUE CLICHY INTERLACED TREFOILS MILLEFIORI PAPERWEIGHT, large central blue, white, and cranberry cog, encircled by two trefoils with each trefoil being created with three different canes, including white and pink complex canes, blue Stardust-type, and lavender cogs, trefoils housing five larger canes with several having similarities to the previously described examples, all above a sodden snow ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3 1/8” D.

23. ANTIQUE CLICHY CLOSE-PACK MILLEFIORI PAPERWEIGHT, large central white and green Clichy Rose, surrounded by a wide variety of large multi-colored canes including three additional roses in differing color combinations, all above an opaque blue ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3” D.

Virtually undamaged with some isolated light wear and a single surface nick, nick likely as made.

Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 49.

$800 - $1,200

Undamaged with some minute wear around the base edge.

$500 - $1,000

The Collection of Carl Carter, Austin, Texas – Part II

25. ANTIQUE CLICHY INTERLACED GARLANDS MILLEFIORI PAPERWEIGHT, large central white and blue cog cane, with an intricate pattern of interlaced garlands comprised on pink floral canes and green and white floral cogs, all above and transparent red ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/4” D. Undamaged. Provenance: L. H. Selman Ltd., Auction 71. $500 - $1,000

27. ANTIQUE CLICHY CONCENTRIC MILLEFIORI PIEDOUCHE PAPERWEIGHT, central medallion consisting of seven green and red Stardust-type canes with a white center, encircled by six outer garlands with the interior being amethyst and white tubes, second comprised of green, white, and cranberry complex canes, third row being made of blue and white canes having a star motif followed by a band of white and red Stardust-type examples, two exterior rings featuring floral canes, all supported by an alternating deep blue/violet blue and white stave basket, applied foot, polished base. Cristallerie de Clichy. 1837-1885. 2 1/2” H, 2 3/8” D. 26. ANTIQUE SIGNED CLICHY RONDELS MILLEFIORI PAPERWEIGHT, large central white, green, and cranberry cog, encircled by five exterior rondels with each being comprised on a matching cog or tube, with a matching cane to the interior except one holding a signature “C” cane, all above an azure blue ground being opaque white to the underside, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/8” D. Nearly undamaged with some scattered light wear; having a single minute crescent form bruise to the side. $500 - $1,000

Jeffrey S. Evans

Presents excellently when looking down with only some scattered wear; having two annealing checks/cracks to the stave basket, probably as made. Literature: Parallels Hollister - The Encyclopedia of Glass Paperweights, p. 137, fig. 152. Provenance: L. H. Selman Ltd., Auction 67. Catalogue Note: Cracks are likely a result from annealing as they do not extend to the surface of the glass and no impact points could be located. $500 - $1,000

27A. ANTIQUE CLICHY CONCENTRIC MILLEFIORI PIEDOUCHE PAPERWEIGHT, central green and white complex cane encircled by five exterior garlands with the interior consisting of white and red cogs, second having alternating white and purple floral canes, third comprised of white and blue Stardust canes, fourth with fuchsia and white floral canes, exterior featuring green and white complex canes, all resting on an alternation white and pink stave basket, applied colorless foot, factory-polished base. Cristallerie de Clichy. 1837-1885. 2 1/8” H, 2 1/4” D. Nearly undamaged with a small area of post-production polishing to the edge of the foot. $2,000 - $3,000

28. ANTIQUE CLICHY HANGING INTERLACED GARLANDS MILLEFIORI PAPERWEIGHT, cut-faceted, central Clichy rose, encircled in an interlaced outer garland with five interior hanging garlands composed of a variety of canes including white and green Clichy roses, moss canes with white centers and amethyst or pink tubes, five individual canes separating each garland, cut 12-petal flower to the underside. Cristallerie de Clichy. 1837-1885. 2 7/8” DOA.

30. ANTIQUE CLICHY GARLANDS MILLEFIORI PAPERWEIGHT, central maroon and white cog, encircled by two interior garlands with one consisting of white and cranberry floral canes and the other deep ruby tubes, with eight exterior garlands with two comprised of Clichy roses, five featuring multi-colored chained cogs, and one having lavender and white tubes, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 5/8” D.

32. ANTIQUE CLICHY UNUSUAL GARLAND MILLEFIORI PAPERWEIGHT, central azure blue and white cog, unusual form with an outer garland featuring three white and blue star canes alternating with a white and green Clichy rose, interior forming a four-point star with Clichy roses to the exterior and two larger white and green roses to the interior, large white complex star canes to the interior, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/8” D.

Undamaged.

$500 - $800

29. ANTIQUE CLICHY CONCENTRIC MILLEFIORI PAPERWEIGHT, central white, pink, and green, complex cane, encircled by four outer garlands, interior ring being spaced and consisting of mostly white canes with the exception of a burnt orange tube, remaining band featuring a variety of multi-colored tubes, cogs, and complex canes, including three having a star motif, all above a sodden snow ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 5/8” D.

31. ANTIQUE CLICHY UNUSUAL GARLAND MILLEFIORI PAPERWEIGHT, central 3 x 3 block of a variety of multi-colored canes including a large Clichy rose at one corner, four compressed garlands to the flanks with each being composed of dual colored tubes or cogs, stacked pairs of tubes or cogs separating each garland, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/4” D.

33. ANTIQUE BACCARAT SILHOUETTE CONCENTRIC MILLEFIORI PAPERWEIGHT, cut-faceted with a circular top window, central Clichy-style rose, encircled by two spaced exterior garlands, with the inner ring holding a rooster and goat silhouette cane, outer band having a deer silhouette cane, remainder being a variety of multi-colored cogs and complex canes, all above an upset muslin ground, polished pontil mark. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 1/4” DOA.

Undamaged. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 49. $500 - $800

Undamaged. $500 - $800

Nearly undamaged with three minute flakes to the table ring. Literature: Parallels Dunlop - Baccarat Paperweights, p. 38, fig. 109. $500 - $800

The Collection of Carl Carter, Austin, Texas – Part II

34. ANTIQUE CLICHY CONCENTRIC MILLEFIORI PAPERWEIGHT, large white and green Clichy rose, encircled by three outer garlands with each consisting of a wide variety of multi-colored tubes, cogs, and complex canes including a Stardust-type, all above a deep cobalt blue ground, being opaque white to the underside, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/4” D.

37. ANTIQUE CLICHY SWIRLING GARLANDS MILLEFIORI PAPERWEIGHT, large central green, cranberry, and white cog, encircled by a single garland of cranberry and white cogs, six exterior paired swirling garlands featuring dual-colored floral canes, all above and opaque cobalt blue ground, being opaque white to the underside, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D.

Nearly undamaged with a couple minute flakes to the base edge, having some minute surface wear.

Very good to excellent condition with some scattered small bruising and crescent-form imperfections to the side.

$500 - $800 36. ANTIQUE SAINT-LOUIS CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, large central blue, white, and red central cane, encircled by four outer garlands, with the interior having green and red tubes, second featuring pink and white tubes, third consisting of white and blue star complex canes, all supported by an outer band of butterscotch complex canes with blue florets in the center, white and red torsade at the base, rayed to the underside. Compagnie des Cristalleries de Saint Louis. Circa 1848. 2 5/8” D.

$500 - $800

Excellent condition overall with the surface likely having been lightly and professionally polished, weight still maintains an excellent profile.

35. ANTIQUE CLICHY CHEQUER MILLEFIORI PAPERWEIGHT, central trefoil of canes including a cranberry and white tube with a cross and stars motif, a blue and white tube with a cross and flowers design, and a green and cranberry floral cog cane, encircled by two spaced rings with the interior ring consisting of eight multi-colored canes including one having adjacent tubes, and the outer garland featuring 14 multi-colored canes with a variety of cogs, tubes, and complex canes, all separated by white filigree twists with one having an opaque blue interior, all above a spaced white stave basket, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D. Excellent condition overall with scattered surface wear and short scratching. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 88. Provenance: L. H. Selman Ltd. $500 - $800 12 Jeffrey S. Evans

Literature: Parallels Hollister - Glass Paperweights, p. 38, pl. 20. Provenance: G. W. McClanahan, 9/18/2009. $500 - $800

38. ANTIQUE SOUTH JERSEY UMBRELLA PEDESTAL PAPERWEIGHT, large eight-lobe umbrella with multi-colored mottled decoration, raised on a stepped and waisted stem, applied circular foot, pontil mark having a file mark. Late 19th/first quarter 20th century. 5 3/4” HOA, 2 7/8” D. Undamaged with some isolated light wear. Literature: Parallels Newell - Old Glass Paperweights of Southern New Jersey, p. xii, fig. XX. $400 - $600

center, encircled by three exterior garlands, first comprised of red and white swirling cogs within a tube, second featuring blue and white cogs with a florette center, all supported by blue and white complex canes, white and transparent ruby torsade to the base, rayed to the underside. Compagnie des Cristalleries de Saint Louis. Circa 1848. 2 5/8” D. Excellent condition overall with likely light and professional post-production polishing, still maintaining an excellent profile. A couple of isolated small potstones to the body, as made. Literature: Parallels Hollister - Glass Paperweights, p. 38, pl. 20. Provenance: James D. Julia, 11/13/2014, lot 2198. 39. ANTIQUE CLICHY HANGING GARLANDS MILLEFIORI PAPERWEIGHT, central moss cane with an interior cranberry florette, encircled by five rings of white and red cogs, all hanging from an outer garland of moss canes, spaced pink and white tubes between each hanging garland, all above a deep amethyst/violet blue ground with an opaque white underside, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D.

$400 - $600 42. ANTIQUE CLICHY TREFOIL MILLEFIORI PAPERWEIGHT, large central pink and white cog with three flanking and matching cogs, all encircled in a trefoil composed of alternating matching pink and white cogs and green and pink tubes, with three white, green, and cranberry complex canes, all above a deep cobalt blue ground being opaque white to the underside, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D.

Excellent condition overall with just some light wear/minor scratching to the surface; pontil mark having a cluster of crescent-form bruises.

Excellent condition overall with some post-production polishing above the base edge. $400 - $600

$400 - $600

41. ANTIQUE CLICHY DOUBLE-OVERLAY CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, deep cobalt blue to opaque white to colorless, concentric composition, central deep purple tube, encircled by six garlands with the interior ring featuring pink floral canes, second having green and white tubes, third composed of amethyst floral canes, fourth band alternating between Clichy roses and white floral canes, fifth with green and cranberry tubes, all supported by an exterior garland of white tubes, cut-waffled base. Cristallerie de Clichy. 18371885. 2 7/8” DOA.

40. ANTIQUE SAINT-LOUIS CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, large central blue and white cog with a florette

Excellent visual condition; two interior air imperfections reaching toward the base resulting in two small cracks to the underside, probably as made. Provenance: Bonhams Auctions, 7/11/2018, lot 391. $400 - $600

The Collection of Carl Carter, Austin, Texas – Part II

44. ANTIQUE SANDWICH POINSETTIA LAMPWORK MAGNUM PAPERWEIGHT, white 12-petal blossom with a central red and white complex tube with encircling blue dots, attached to a short green stem with two leaves, factory-polished base. Boston & Sandwich Glass Co., probably by Nicholas Lutz. 1870-1887. 3 1/4” D. Undamaged. Literature: Parallels Hawley - The Art of The Paperweight: The Boston and Sandwich and New England Glass Companies, p. 76, fig. 5.2. 43. ANTIQUE BACCARAT CLOSE-PACK SILHOUETTE MUSHROOM MILLEFIORI PAPERWEIGHT, close-pack composition with a variety of multi-colored canes including a monkey silhouette cane on a blue ground, additional canes including a 4-petal rose, arrowheads, trefoils, and fortress, having a white and blue torsade to the base, rayed to the underside. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 7/8” D.

$300 - $500

46. ANTIQUE CLICHY SPACED MILLEFIORI PAPERWEIGHT, setup comprising a medial line of seven canes with each line moving toward the poles subtracting a cane until you reach four, 37 total canes, featuring a variety of dual or multi-colored cogs and tubes, including two pink and green Clichy roses and a white and green Clichy rose, all above and upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3” D. Very good condition overall with three surface bruises with the largest being 1/4” in diameter, scattered surface wear/short scratching. Provenance: L. H. Selman Ltd., Auction 71. $300 - $500

Very good condition overall with the surface having post-production polishing and some isolated minute wear. Literature: Parallels Dunlop - Baccarat Paperweights, p. 50, figs. 156, 157. Catalogue Note: According to Dunlop, “Baccarat made mostly closepack mushrooms. These are sometimes (uncommonly) seen with one, two, or three silhouette canes.” $400 - $600 45. ANTIQUE SAINT-LOUIS CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, cut-faceted with an octagonal top window, central green, blue, and white tube, encircled by three outer garlands, first comprising of white and red Stardust-type canes, second having red and blue complex canes, all supported by an outer band of blue tubes, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Circa 1850. 2 1/8” D. Virtually undamaged with some minute nicking/ roughness to the table ring. Literature: Parallels Hollister - Glass Paperweights, p. 38, pl. 20. Provenance: William Pitt Art Glass and Paperweights.

$300 - $500

Jeffrey S. Evans

47. ANTIQUE CLICHY INTERLACED GARLANDS MILLEFIORI PAPERWEIGHT, large central brown, cranberry, and white cog encircled by five garlands with each consisting of a different cane including one garland comprising Clichy roses and the others in a variety of cogs/tubes, with quatrefoils of matching colored cogs/tubes in between each garland, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 7/8” D. Very good condition overall with scattered crescent-form bruises/imperfections to the surface, especially the sides. Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 78. $300 - $500

49. ANTIQUE EUROPEAN CONCENTRIC MILLEFIORI PAPERWEIGHT, central red, white, and blue central cane, encircled by an adjacent garland of blue and white tubes, outer ring spaced from the interior and comprised by a wide variety a multi-colored canes including cogs and tubes, exterior blue and pink torsade, all above a snow white ground, factory-polished base. Possibly Cristallerie de Pantin. Second half 19th century. 3 1/8” D. Undamaged. 48. ANTIQUE SAINT-LOUIS CONCENTRIC MUSHROOM MILLEFIORI PAPERWEIGHT, cut-faceted with a concave hexagonal top window, central white and pink complex cane with white stars encompassing an inner cluster of tubes, encircled by four exterior garlands, first comprising of butterscotch tubes, second having white, pistachio green, and blue complex canes, third featuring pink complex canes, and the exterior band consisting of red, white, and blue complex canes, white and pink torsade to the base, rayed to the underside. Compagnie des Cristalleries de Saint Louis. Circa 1848. 2 3/4” DOA.

51. ANTIQUE CLICHY CONCENTRIC MILLEFIORI MINIATURE PAPERWEIGHT, large central pink and white Clichy rose, encircled by two outer garlands composed of a variety of multi-colored canes including tubes, cogs, and complex canes, all above an upset muslin ground, polished pontil mark. Cristallerie de Clichy. 1837-1885. 1 7/8” D. Undamaged. $200 - $400

$200 - $400

Good condition overall with overall post-production polishing. Literature: Parallels Hollister - Glass Paperweights, p. 38, pl. 20. $300 - $500

50. ANTIQUE VAL ST. LAMBERT RONDELS MILLEFIORI PAPERWEIGHT, central green and white cane surrounded by a single garland of pink and white canes, five exterior rondels comprised of a variety of multi-colored canes, all holding a single central cane including a pink and white Clichy-style rose to one rondel, single exterior garland encircling the decoration and consisting of white florette canes, all above an opaque fuchsia ground being opaque white to the underside, factory-polished base. Belgium. 19th century. 3” D.

52. ANTIQUE CLICHY GARLAND MILLEFIORI PAPERWEIGHT, large central green, white, and red cog cane, encircled by chains of pink, white, and blue tubes with spaced light blue, white, and red cogs between the garland petals, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3” D. Undamaged with some isolated minute instances of surface wear. $200 - $400

Undamaged. $200 - $400

The Collection of Carl Carter, Austin, Texas – Part II

53. ANTIQUE CLICHY SCRAMBLED MILLEFIORI PAPERWEIGHT, close-pack composition with a wide variety of multi-colored canes including tubes, cogs, and complex canes, including one Clichy Rose, polished pontil mark. Cristallerie de Clichy. 1837-1885. 3” D. Undamaged with some isolated instances of minute surface wear. Provenance: L. H. Selman Ltd., 6/17/2002. $200 - $400

55. ANTIQUE CLICHY CONCENTRIC MILLEFIORI MINIATURE PAPERWEIGHT, large central red, white, green, and blue cog, encircled by two outer garlands, interior band comprised of blue and white star complex canes, outer ring having white and yellow Stardust-type canes, polished pontil mark. Cristallerie de Clichy. 1837-1885. 1 3/8” D. Undamaged. $200 - $300

57. ANTIQUE VAL ST. LAMBERT CONCENTRIC MILLEFIORI MAGNUM PAPERWEIGHT, large central white cane, encircled by two exterior garlands with the inner-most consisting of fuchsia and white tubes with crosses to the interior, exterior band comprised of green and white tubes with interior crosses, large white torsade surrounding the pattern, all above an opaque red ground, factory-polished base. Belgium. 19th century. 3 1/2” D. Undamaged. $200 - $300

Undamaged.

56. ANTIQUE VAL ST. LAMBERT FILIGREE QUATREFOIL MAGNUM PAPERWEIGHT, large central green and white cross cane, with four multi-colored filigree twists creating an interior quatrefoil with white filigree to the interior of each lobe, all encircled by an outer white torsade, factory-polished base. Belgium. 19th century. 3 3/4” D.

Provenance: L. H. Selman Ltd.

Undamaged.

$200 - $300

54. ANTIQUE ENGLISH CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition featuring a variety of multi-colored cogs and tubes, all resting in a fuchsia stave basket, rough pontil mark. H. G. Richardson & Sons. 1900-1915. 3” D.

58. ANTIQUE EUROPEAN CANINE SILHOUETTE CONCENTRIC MILLEFIORI PAPERWEIGHT, central blue and white dog silhouette cane, encircled by three exterior garlands with the first having translucent green tubes, middle ring comprised of white and pink tubes, exterior band consisting of pink and blue quatrefoils, all over translucent green mottled ground, factory-polished base. Probably Val St. Lambert, Belgium. Second half 19th century. 3” D. Undamaged. $200 - $300

Jeffrey S. Evans

59. ANTIQUE CLICHY CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition, having a variety of multi-colored complex canes including star and floral motifs, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/4” D. Undamaged with some isolated instances of minute wear. $200 - $300

61. ANTIQUE VAL ST. LAMBERT MONOGRAM AND TORSADE MAGNUM PAPERWEIGHT, large central cobalt blue and white medallion with monogram and floral spray, encircled by an inner white and ruby torsade, a second ring comprised of multi-colored millefiori canes, followed by another white and red torsade, all above an opaque fuchsia ground with an opaque white underside, factory-polished base. Belgium. 19th century. 3 1/2” D. Very good condition overall with some scattered surface scratching and minor bruising.

64. ANTIQUE ENGLISH CLOSE-PACK MILLEFIORI PAPERWEIGHT INKWELL, colorless, base having a close-pack composition comprised of a variety of multi-colored cogs and tubes, having “1848” canes near the exterior, matching stopper with a close-pack composition, underside having a rough pontil mark. H. G. Richardson & Sons. First quarter 20th century. 5 3/4” HOA, 3 7/8” D base. Undamaged. $100 - $200

$200 - $300

60. ANTIQUE VAL ST. LAMBERT RONDELS MILLEFIORI MAGNUM PAPERWEIGHT, large central purple and white complex cane with four white torsade’s forming rondels holding a single yellow and cranberry millefiori cane, four matching canes to the exterior, white torsade to the edge, all above an opaque fuchsia ground with an opaque white underside, factory-polished base. Belgium. 19th century. 3 1/4” D. Undamaged. Some scattered undissolved particulate, with a pair being at the surface, as made. $200 - $300

62. ANTIQUE SAINT-LOUIS DANCING GIRL PANELLED MILLEFIORI PAPERWEIGHT, large central dancing girl silhouette cane, encircled by a single garland of large alternating blue and pale rose tubes, eight white spokes extending from the center to the exterior creating eight pie-shaped wedges of green and red jasper ground, rose and white torsade at the edge, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Circa 1850. 2 3/4” D. Good condition overall with two bruises to the side with one being moderate to sizeable.

65. ANTIQUE BACCARAT PANSY LAMPWORK PAPERWEIGHT, colorless, type III, the blossom having two amethyst petals over three yellow petals with amethyst tips, stardust central cane, four green leaves issuing from behind the blossom, on green stem with seven leaves and a bud, rayed base. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 5/8” D. Undamaged with some minute surface wear. Literature: Parallels Dunlop - Baccarat Paperweights, p. 88, fig. 285. $100 - $200

Literature: Parallels FIA - Paperweights: Highlights from the Flint Institute of Arts Collection, p. 185. $200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

66. ANTIQUE BACCARAT MACEDOINE / SCRAMBLED MILLEFIORI PAPERWEIGHT, interior having a variety of filigree and opaque twists as well as whorls, many aligned in a perpendicular fashion, polished pontil mark. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 3/4” D. Virtually undamaged with some minute surface wear and a couple of minute flakes to the base edge. Literature: Parallels Dunlop - Baccarat Paperweights, p. 48, fig. 151.

68. ANTIQUE VAL ST. LAMBERT SULPHIDE AND TORSADE MAGNUM PAPERWEIGHT, large central sulphide insert depicting the side-profile of a bearded man, sitting on a central yellow medallion, encircled by a multi-colored torsade, all above an opaque white ground, polished pontil mark. Belgium. 19th century. 3 1/2” D. Very good condition overall with some scattered surface scratching and a few isolated small bruises. $100 - $200

$100 - $200

67. ANTIQUE VAL ST. LAMBERT QUATREFOIL MAGNUM PAPERWEIGHT, large central teal and white millefiori tube, with white, cobalt blue, lime green, and cranberry opaque twists creating a quatrefoil holding a single controlled-bubble in the center of each lobe, all above an opaque lime green ground with an opaque fuchsia underside, polished pontil mark. Belgium. 19th century. 3 3/8” D. Excellent condition overall with some scattered surface scratching. $100 - $200

70. ANTIQUE BACCARAT PANSY LAMPWORK MINIATURE PAPERWEIGHT, colorless, type III, the blossom having two amethyst petals over three yellow petals with amethyst tips, stardust central cane, three green leaves issuing from behind the blossom, on green stem with two leaves, rayed base. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 1 3/4” D. Undamaged. Literature: Parallels Dunlop - Baccarat Paperweights, p. 88, fig. 285. $80 - $120

69. ANTIQUE CLICHY CONCENTRIC MILLEFIORI PAPERWEIGHT, central green, white, and cranberry cog, encircled by three garlands with the outer band being spaced apart and consisting of alternating pairs of pink cogs followed by a larger white and green cog, middle ring being white six-petal flowers, interior featuring pink floral canes with green centers, all above a cobalt blue ground with a cobalt blue underside, polished pontil mark. Cristallerie de Clichy. 1837-1885. 2 3/8” D. Having three bruises to the side nearly adjacent to each other with one being a moderate example. $100 - $200

71. ANTIQUE BACCARAT “B/1848” SILHOUETTE CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition featuring six silhouette canes including an elephant, horse, dog, rooster, deer, and pheasant, signature “B/1848” cane, additional canes including arrowhead, shamrocks, trefoils, and 7-petal flowers, polished pontil mark. The Compagnie des Verreries et Cristalleries de Baccarat. Circa 1850. 2 3/8” D. Very good condition having two bruises to the sides. Literature: Parallels Dunlop - Baccarat Paperweights, p. 34, fig. 32. $500 - $800

Jeffrey S. Evans

72. VINTAGE PAIRPOINT CRIMP ROSE ENGRAVED PEDESTAL PAPERWEIGHT, containing a large fuchsia crimp rose with green leaves and blades protruding from the underside, applied circular foot with engraved Grapevine decoration to the underside, polished pontil mark. Pairpoint Glass Co. Second half 20th century. 4 1/4” H, 2 7/8” D. Undamaged. Literature: Parallels Padgett - Pairpoint Glass, p. 160, bottom right. $100 - $200

74. VINTAGE SAINT-LOUIS SPACED CONCENTRIC MILLEFIORI - CARPET GROUND PIEDOUCHE PAPERWEIGHT, central red and white complex cane, encircled by an inner garland comprised of four silhouette canes including a dog and giraffe and also holding the signature cane stating “SL/1992”, exterior garland comprised by a variety of multi-colored canes, all above a white stardust carpet ground, raised on a white latticinio base, with applied blue and white torsade’s to the base’s top and bottom edge, numbered to the underside “4/50”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1992. 3 1/4” H, 3” D.

76. VINTAGE SAINT-LOUIS CLOSE-PACK MILLEFIORI PIEDOUCHE PAPERWEIGHT, close-pack composition featuring a variety of multi-colored millefiori canes including tubes, cogs, and complex examples, signature cane located within decoration stating “SL/1953”, raised on a piedouche base with interweaving white filigree twists, with white and pink torsade’s applied to the top and bottom edge of the base, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1953. 2 7/8” H, 2 5/8” D.

Undamaged.

$500 - $1,000

Undamaged.

$500 - $1,000

73. VINTAGE SAINT-LOUIS CONCENTRIC MILLEFIORI SUPER MAGNUM PAPERWEIGHT BASKET, large central red and white star canes encircled by 14 exterior garlands, each garland comprised of matching canes including stardust-type, star canes, and complex canes, 11th garland containing the signature cane stating “SL/1991” and number “5” cane, raised on a large white latticinio base with applied white and blue torsade’s to the base edge, applied white and blue handle, polished base numbered “5/5” in gilt. Compagnie des Cristalleries de Saint Louis. Dated 1991. 7 3/4” HOA, 9” DOA. Undamaged. $3,000 - $5,000

75. VINTAGE BACCARAT CLOSE-PACK ZODIAC / CHURCH MILLEFIORI PAPERWEIGHT, complex millefiori canes and zodiac silhouette canes including a Leo, Taurus, Cancer, and Pisces, no signature cane located, number “8” cane present, acid-stamped signature to the underside. The Compagnie des Verreries et Cristalleries de Baccarat. 1958-1970. 2 7/8” D. Undamaged. Literature: Parallels Dunlop - Baccarat Paperweights, p. 170, figs. 548, 549. Catalogue Note: According to Dunlop, “Another small series was made with an ‘8’ cane. That figure 8 cane was used to identify their church weights until they started to make regular numbered editions of them in 1970.” $500 - $1,000

77. VINTAGE SAINT-LOUIS ANTHEMIS THREE-DIMENSION ENCASED LAMPWORK MAGNUM PAPERWEIGHT, orb form with a large interior moss ground mushroom supporting a classical 20-flower bouquet, the blossoms configured in a concentric manner, petals in varying shades of blue, all encased within an open blue and white framework with top and side windows, signature cane present at the center of the decoration, dated “1996”, numbered to the underside “5/125”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1996. 4” D. Undamaged. $500 - $800

The Collection of Carl Carter, Austin, Texas – Part II

78. VINTAGE SAINT-LOUIS LATTICINIO FRUITS BASKET LAMPWORK PAPERWEIGHT SCULPTURE, featuring a variety of fruits comprised of pears, apples, blueberries, and cherries, with green foliage presenting from the underside, all inside a swirled latticinio basket, applied white filigree twists handle, signature cane to the underside of the decoration, dated “1985”, factory-polished base. Compagnie des Cristalleries de Saint Louis. Dated 1985. 2 3/4” HOA, 3 3/8” DOA.

80. VINTAGE SAINT-LOUIS HONEYCOMB PAPERWEIGHT, green blue and opal honeycomb canes, central signature cane stating “SL 1988”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1988. 2 3/4” D. Undamaged. $500 - $800

82. VINTAGE SAINT-LOUIS TWO-COLOR CROWN PAPERWEIGHT VASE, cylindrical vase with a flaring mouth comprised of alternating green and cobalt blue opaque twists and white filigree twists, colorless connector, raised on a matching paperweight base, signature cane located at the top of the paperweight, dated “1992”, acid-stamped signature to the underside of the base, numbered “4/15”. Compagnie des Cristalleries de Saint Louis. Dated 1992. 6 1/2” H, 2 1/4” D.

Undamaged.

Provenance: James D. Julia, 11/13/2014, lot 2211.

$400 - $600

$500 - $800

79. VINTAGE SAINT-LOUIS KING CROWN PEDESTAL PAPERWEIGHT, central signature cane stating “SL/1991”, with alternating white filigree twists and green and white or pink and cobalt blue opaque twists extending from the signature cane to a central point in the base, applied large foot, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1991. 5 1/8” H, 3 3/4” D. Undamaged. $500 - $800

81. VINTAGE SAINT-LOUIS LES LUPINS MILLEFIORI PAPERWEIGHT, cut-faceted with a circular top window, 12 spires comprised of multi-colored millefiori canes, held with green lampworked leaves, all above an opaque lime green ground, signature cane to the underside of the decoration and stating “SL/1997”, numbered “36/150”. Compagnie des Cristalleries de Saint Louis. Dated 1997. 3” DOA. Undamaged. $500 - $800

83. VINTAGE BACCARAT OURANOS CONCENTRIC MILLEFIORI PAPERWEIGHT, central purple, red, and white central florette cane, encircled by two interior garlands with the first comprised of multi-colored complex canes, second having alternating red and white whorls and red, white, and blue complex canes, remaining pattern creating a 16-point star with a variety of multi-colored canes, wedges having blue canes with one, two, or three yellow stars, signature cane located to the exterior ring and stating “B/1996”, signed to the side “Baccarat”, dated to the underside “1996”, factory-polished base. The Compagnie des Verreries et Cristalleries de Baccarat. Dated 1996. 3 3/8” D. Undamaged. Literature: Dunlop - Baccarat Paperweights, p. 229, fig. 764. $400 - $600

Jeffrey S. Evans

84. VINTAGE WHITEFRIARS BUTTERFLY MILLEFIORI PAPERWEIGHT, cut-faceted with a circular top window, central butterfly with a blue tube body and yellow and white complex canes creating the outline for the wings, interior of the wings comprised of blue and white clusters of tubes, pink Clichy-style rose above the butterfly’s head, surrounded by a blue millefiori garland with the signature cane being at the base, all above a deep cobalt blue ground, dated “1978”, retains manufacturing label, polished pontil mark. Whitefriars Glass Ltd., United Kingdom. Dated 1978. 2 7/8” DOA. Undamaged. $400 - $600

86. VINTAGE SAINT-LOUIS COMETE MILLEFIORI PAPERWEIGHT, double-compound example, two four-point stars comprised of blue and white and pink and white complex canes creating a border, with the interior being a variety of multi-colored canes including Stardust-type canes, all above a central medallion of multi-colored canes and green and white star ground, signature cane near the edge stating “SL/1997, all above an opaque blue ground, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1997. 3” D.

88. VINTAGE SAINT-LOUIS THREE-COLOR KING CROWN MAGNUM PAPERWEIGHT, central signature cane stating “SL/1992”, white filigree twists alternating with either a green and red or blue and red opaque twist, each starting from the central cane and reaching to the base, numbered to the underside “126/150”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1992. 3 5/8” D. Undamaged. $400 - $600

Undamaged. $400 - $600

85. VINTAGE WHITEFRIARS BUTTERFLY MILLEFIORI PAPERWEIGHT, cut-faceted with a circular top window, central butterfly with a blue tube body and white, pink, and blue millefiori wings, a medallion of six yellow and white complex canes above the butterfly’s head, surrounded by a pink millefiori garland with the signature cane being at the base, all above a deep cobalt blue ground, dated “1970”, retains manufacturing label, polished pontil mark. Whitefriars Glass Ltd., United Kingdom. Dated 1970. 3” DOA.

87. VINTAGE SAINT-LOUIS OVERLAY MUSHROOM CONCENTRIC MILLEFIORI PAPERWEIGHT, opaque white to colorless, cut-faceted with a circular top window, central signature cane stating “SL/1970”, encircled by six exterior garlands with the interior being green and white tubes, second having multi-colored complex canes, third featuring red and white star tubes, fourth consisting of white and green stardust canes, remaining two comprised of blue and white or white and red tubes, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1970. 2 7/8” DOA.

Undamaged.

$400 - $600

89. VINTAGE SAINT-LOUIS OVERLAY UPRIGHT BOUQUET LAMPWORK PAPERWEIGHT, ruby to colorless, cut-faceted with a circular top window, upright bouquet with seven red blooms and one lower bud, held by green foliage, raised on a spiraling filigree basket, signature cane as one flower’s stamen, dated “1995”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1995. 2 3/4” H, 3 1/8” DOA. Undamaged with a single minor cluster of surface wear. $400 - $600

The Collection of Carl Carter, Austin, Texas – Part II

90. VINTAGE SAINT-LOUIS GILDED SALAMANDER CUT OVERLAY PAPERWEIGHT, rose to opaque white to colorless, gilt coiled salamander resting on the top, cut flowering vine band with gilt scrolling decoration above, cut 16-ray base, signed with a cursive “SL 1980 230/300”. Compagnie des Cristalleries de Saint Louis. Dated 1980. 3” DOA. Virtually undamaged with a single minute flake to the edge of one vine cut, probably as made.

92. VINTAGE SAINT-LOUIS KALEIDOSCOPE MILLIEFIORI PAPERWEIGHT, blue hexagons separated by alternating green and yellow complex canes, signature cane to the underside of the decoration and stating “SL/1984”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1984. 2 3/4” D. Undamaged. $300 - $500

94. VINTAGE SAINT-LOUIS PANIER FLAMBOYANT LAMPWORK MAGNUM PAPERWEIGHT, large central upright bouquet featuring 11 fuchsia blooms and buds, all resting on a frame of green foliage, all within a yellow latticinio basket with yellow and pink swirled handle, signature cane as a prunt to one side of the handle stating “SL/1997”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1997. 3 1/2” D. Excellent condition overall with two small surface bruises to the surface.

Literature: Parallels Hollister/Lanmon - Paperweights: “Flowers with clothe the meadow”, p. 106, figs. 233-235.

$300 - $500

$400 - $600

91. VINTAGE SAINT-LOUIS DAHLIA LAMPWORK PAPERWEIGHT, large red dahlia with a central white and pink star millefiori cane, five green leaves presenting from the underside, signature cane located to the underside of the decoration and stating “SL/1996”, numbered “20/50”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1996. 2 7/8” D. Undamaged. $300 - $500

93. VINTAGE SAINT-LOUIS CROSS MILLEFIORI PAPERWEIGHT, central pink, white, and blue complex cane with four pillars of white and green Stardust-type canes reaching from the center to the edge of the decoration with adjacent white and pink twists creating a border for four pie-shaped wedges comprised of a variety of multi-colored canes including the signature cane stating “SL/1980”, all above and opaque pink ground, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1980. 2 5/8” D. Undamaged. $300 - $500

95. VINTAGE SAINT-LOUIS TOURNE SOLEIL LAMPWORK AND MILLEFIORI PAPERWEIGHT, large central sunflower with brown millefiori canes with many yellow petals, all above a central medallion of green ground encircled by three exterior garlands comprised of blue and white complex canes, signature cane to the underside of the decoration and stating “SL/1990”, numbered to the underside “71/150”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1999. 2 7/8” D. Very good condition overall with a single surface bruise and a few isolated instances of minor wear. $300 - $500

Jeffrey S. Evans

96. VINTAGE SAINT-LOUIS DOUBLE-OVERLAY CONCENTRIC MUSHROOM MILLEFIORI MINIATURE PAPERWEIGHT, red to opaque white to colorless, cut-faceted with a circular top window, central white Stardust-type cane, encircled by five exterior garlands with the inner garland be comprised of red and white star tubes, second being white and blue Stardust-type, third consisting of blue, white, and gold complex star canes, fourth with gold and white complex star canes and containing the signature cane stating “SL/1990”, exterior ring comprised of green and white star tubes, numbered to the side in gilt “28/50”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1990. 2” DOA.

98. VINTAGE SAINT-LOUIS ARLEQUIN CONCENTRIC MILLEFIORI PAPERWEIGHT, central signature cane stating “SL/1989”, encircled by a single garland of white and gold Stardust-type canes, surrounded by alternating diamonds of red, green, and white tubes, exterior garland comprised of white, red, and blue tubes, all separated by swirled white and red filigree twists, all above an opaque white ground, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1989. 2 3/4” D. Undamaged. $200 - $300

Undamaged. Literature: Parallels Dunlop - Baccarat Paperweights, p. 176, figs. 572, 573.

Undamaged. $200 - $400

97. VINTAGE WHITEFRIARS RONDELS MILLEFIORI PAPERWEIGHT, cut-faceted with a circular top window, with seven matching central complex canes creating a medallion resting on a blue carpet ground, signature cane to the edge of the ground and dated “1979”, all encircled by a single exterior garland of pink and white complex canes, retains manufacturing label, polished pontil mark. Whitefriars Glass Ltd., United Kingdom. Dated 1979. 2 3/4” DOA. Undamaged. $200 - $300

100. VINTAGE BACCARAT CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, red to opaque white to colorless, six U-form cuts to the side creating a concave hexagonal top window, interior mushroom with a central green complex cane encircled by eight exterior garlands made of various colored complex canes creating a concentric pattern of color and form, signature cane located in the second to last garland, dated “1970”, double acid-stamped signature, dated to the underside “1970”, numbered “95”, rayed base. The Compagnie des Verreries et Cristalleries de Baccarat. Dated 1970. 2 7/8” DOA.

$200 - $300

99. VINTAGE BACCARAT CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, yellow to opaque white to colorless, six U-form cuts with interrupting flute cuts to the side creating a concave hexagonal top window, interior mushroom with a central pink complex cane encircled by eight exterior garlands made of various colored complex canes creating a concentric pattern of color and form, signature cane located in the second to last garland and being illegible, double acid-stamped signature, dated to the underside “1970”, numbered “59”, rayed base. The Compagnie des Verreries et Cristalleries de Baccarat. Dated 1970. 2 7/8” DOA.

101. VINTAGE WHITEFRIARS LOOPED GARLAND MILLEFIORI PAPERWEIGHT, central white, blue, yellow, and pink complex cane, encircled by six looped garlands comprised of multi-colored complex canes, all above a transparent teal ground, signature cane located at the edge of one garland, dated “1977”, polished pontil mark. Whitefriars Glass Ltd., United Kingdom. Dated 1977. 2 7/8” D.

Undamaged.

Literature: Parallels Dunlop - Baccarat Paperweights, p. 176, figs. 572, 573.

$200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

102. VINTAGE SAINT-LOUIS SPIRAL MILLEFIORI PAPERWEIGHT, repeating chain of three millefiori canes comprised of a blue and white star tube, a white Stardust-type, and a pink, white, and blue complex cane, spiraling from the exterior into the center where it terminates in the central signature cane stating “SL/1988”, many green lampworked leaves to the edges of the chain, all above an opaque red ground, opaque white to the underside, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1988. 2 3/4” D.

104. VINTAGE BACCARAT SEVEN RONDELS MILLEFIORI PAPERWEIGHT, central rondel and six exterior rondels each featuring multi-colored complex canes, all resting on an upset muslin bed and deep cobalt blue ground, two acid-stamped signatures to the underside, dated “1970”. The Compagnie des Verreries et Cristalleries de Baccarat. Dated 1970. 2 7/8” D.

Undamaged.

$200 - $300

Undamaged. Literature: Parallels Dunlop - Baccarat Paperweights, p. 176, fig. 571.

Provenance: Gem Antiques.

106. VINTAGE WHITEFRIARS THREE KINGS MILLEFIORI PAPERWEIGHT, three central canes depicting the three wise men delivering gifts with the Star of Bethlehem to the right, encircled by a blue and white carpet ground with the signature cane being in the ground, dated “1976”, encircled by a single exterior garland of lime green complex canes, polished pontil mark. Whitefriars Glass Ltd., United Kingdom. Dated 1976, 3” DOA. Virtually undamaged with a few minor short scratches to the surface. $200 - $300

$200 - $300

103. VINTAGE SAINT-LOUIS SWIRLING GARLAND MILLEFIORI PAPERWEIGHT, large central pink, white, and green complex cane with six swirling garlands attached, three bands comprised of blue and white floral cogs, remaining three consisting of white and red complex star canes, signature cane located at the edge and stating “SL/1973”, all above an opaque red ground, opaque white to the underside, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1973. 3” D. Undamaged. $200 - $300

Jeffrey S. Evans

105. VINTAGE SAINT-LOUIS CARPET GROUND CONCENTRIC SPACED MILLEFIORI PAPERWEIGHT, central green and red complex cane, encircled by two spaced garlands comprising of a variety of multi-colored complex canes, all above a white stardust carpet ground, signature cane to the underside of the decoration stating “SL/1982”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1982. 2 7/8” D. Undamaged. $200 - $300

107. VINTAGE WHITEFRIARS SWIRLING CONCENTRIC MILLEFIORI PAPERWEIGHT, cut-faceted with a circular top window, central yellow complex cane surrounded by a single garland of pink and white complex canes, exterior featuring many matching spokes reaching to the edge and comprised of multi-colored complex canes, signature cane located within one spoke, dated “1980”, all above a deep cobalt blue ground, polished pontil mark. Whitefriars Glass Ltd., United Kingdom. Dated 1980. 2 7/8” DOA. Undamaged. $100 - $200

108. VINTAGE PERTHSHIRE COMPLEX MILLEFIORI PAPERWEIGHT, central green and white cog cane, with four white and red filigree twists creating a cross in the center, four pairs of matching filigree twists set parallel to each other and at an angle relative to the cross, variety of multi-colored complex canes and cogs set in a concentric pattern, all above a transparent cranberry ground, signature cane to the underside, dated “1996”, polished pontil mark. Perthshire Paperweights, Crieff, Scotland. Dated 1996. 2 3/4” D. Undamaged. $100 - $200

109. VINTAGE SAINT-LOUIS SPACED MILLEFIORI PAPERWEIGHT, central white and red complex cane, remaining decoration comprised by spaced multi-colored complex canes, all separated by green and red opaque twists, signature cane to the edge stating “SL/1972”, all above an opaque cobalt blue ground with an opaque white underside, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1972. 3” D. Very good condition overall with a moderate and minor bruise to the surface. $100 - $200

110. VINTAGE SAINT-LOUIS OFF-SET CONCENTRIC MILLEFIORI PAPERWEIGHT, off-set central pink and white complex cane, encircled by alternating garlands of white and blue Stardust-type canes, and red, white, and green tubes, with the rings becoming paired to the far end, consolidating to a single ring as they approach the central cane, second garland holding the signature cane stating “SL/1988”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 1988. 2 7/8” D. Very good condition overall with two surface bruises with one being minor, and a couple of short scratches.

112. VINTAGE SELKIRK CROWN PAPERWEIGHT, central green and white complex cane, with white filigree twists alternating with green and red opaque twists all starting from the central cane and reaching toward the base, all above a transparent green ground, signed to the underside “Selkirk Glass Scotland”, dated “1983”, retains manufacturing label. Selkirk Glass, Scotland. Dated 1983. 2 7/8” D. Undamaged. $80 - $120

$100 - $200

111. VINTAGE PERTHSHIRE MALTESE CROSS MILLEFIORI PAPERWEIGHT, central fuchsia, green, and white complex cane, remainder comprised of a variety of multi-colored canes creating a maltese cross pattern, white and yellow filigree twists near the exterior, all above a mottled green ground, signature cane located to the underside, dated “1993”, polished pontil mark. Perthshire Paperweights, Crieff, Scotland. Dated 1993. 2 3/8” D.

113. VINTAGE PERTHSHIRE ALTERNATING CROWN PAPERWEIGHT, central blue six-petal blossom containing a central millefiori complex cane, three pairs of white filigree twists and three pairs of blue and red opaque twists connecting at the flower and reaching to the base, all above a lime green ground, signature cane located to the underside, polished pontil mark. Perthshire Paperweights, Crieff, Scotland. 1968-2002. 2 5/8” D. Undamaged. $80 - $120

Undamaged. $80 - $120

The Collection of Carl Carter, Austin, Texas – Part II

Undamaged. Provenance: Leo Kaplan Ltd. Catalogue Note: There are only two known collaborative pieces known from these two artists, with this example representing one of two. $4,000 - $6,000

114. VINTAGE PERTHSHIRE ATTRIBUTED MILLEFIORI PAPERWEIGHT DISH, central multi-colored medallion with four spaced large complex canes above and below, in between comprised of green canes forming a cross pattern, pairs of green and white filigree twists to the exterior, two separated exterior garlands with one having pink tubes, other consisting of white and green cogs, all above a transparent ground, polished pontil mark. Probably Perthshire Paperweights, Crieff, Scotland. Second half 20th century. 3 3/4” D. Excellent condition with some scattered light scratching. $50 - $100

116. PAUL STANKARD (AMERICAN, B. 1943) HONEYCOMB AND BOUQUET BOTANICAL LAMPWORK PAPERWEIGHT CUBE, single central honeycomb with a single bee to one side, encircled by variegated green foliage with two white blossoms one to the top and one to the bottom, each having red stamens, a single yellow bud to the lower corner, signed to the base edge “Paul J. Stankard”. Stankard Studios, Mantua, NJ. Late 20th/21st century. 3 1/8” H, 2 1/2” SQ. Undamaged. Provenance: Tad McKeon, 10/31/2014. $2,000 - $3,000

Kressley/Stankard Studio/2007”, signature cane located to the underside of the decoration, polished pontil mark. Stankard Studios, Mantua, NJ. Dated 2007. 3” D. Undamaged. $500 - $800

118. DAVID GRAEBER (AMERICAN, B. 1967) SILKWORM TRIBUTE LAMPWORK PAPERWEIGHT, a single silkworm climbing on a mulberry branch with six clusters of ripening mulberry’s with three being a tan color and the others a red/orange, three pink blossoms with spreading yellow stamens, four variegated and veined green leaves with one having a hole eaten away, all connected to a variegated brown branch, single white silkworm cocoon near one mulberry, all above a transparent cobalt blue ground, signed “David Graeber ‘SILK WORM TRIBUTE’ 9.28.12”, signature cane to the underside, dated 2012, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2012. 3” D. Undamaged. Provenance: L. H. Selman Ltd, 10/01/2012. Catalogue Note: This example is a tribute to the original Pantin silkworm paperweight, and represents a bridge between Classic and modern paperweights. It shows the similarities and difference in technique from then to now. $1,000 - $2,000

115. PAUL STANKARD (AMERICAN, B. 1943) AND BARRY SAUTNER (AMERICAN, 1952-2009) ENGRAVED BOTANICAL LAMPWORK PAPERWEIGHT SCULPTURE, tall rectangular form with exterior engraving by Barry Sautner featuring a branching tree which is starting at one corner and reaching into the other faces of the piece, interior having an upright mixed bouquet with pink and white blossoms and purple clusters of berries, all connected by variegated green and brown foliage and roots, with the roots seeming to form two root spirits, above a mixed jasper ground with matching buds and berries, signed to the side “Paul J. Stankard B29”, dated “1987”, also signed “Barry Sautner”, polished pontil mark. Stankard Studios, Mantua, NJ. Dated 1987. 5 1/4” H, 2 3/8” SQ. 26 Jeffrey S. Evans

117. CHRISTINE STANKARD KRESSLEY (AMERICAN, B. 1965) BACHELOR BUTTONS BOUQUET LAMPWORK PAPERWEIGHT, purple and white Bachelor Button blooms with the center featuring multi-colored blooms and buds, all connected by variegated green stems and foliage, all above a deep green ground, signed to the side “Christine Stankard

119. DAVID GRAEBER (AMERICAN, B. 1967) MIXED BOUQUET LAMPWORK MAGNUM PAPERWEIGHT SPHERE / ORB, compound example, featuring a wide variety of blossoms including purple and pink Camellia, a single lotus pod, and deep red blossoms, held together by a bed of variegated green foliage including fern branches and veined leaves, one leaf reading “10-14/6 -4-17” leaf also appears to have a three-leaf clover, signature cane present within the bouquet, dated for 2017. David Graeber Art Glass, Westmont, NJ. Dated 2017. 3 1/2” D. Undamaged. $1,000 - $2,000

120. DAVID GRAEBER (AMERICAN, B. 1967) FANCY-CUT SERIES FLORAL GARLAND LAMPWORK MAGNUM PAPERWEIGHT, cylindrical tapered form, interior wreath with a variety of yellow or burnt orange blossoms with a few scattered purple blooms, all connected by variegated green foliage, base having fine diamond cutting with the top edge being zipper cut, signature cane to the underside of the decoration, dated “2014”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Cutting by Ed Poore, Sagamore, MA. Dated 2014. 3 3/4” D. Undamaged. Provenance: Purchased from the artist, 1/14/2014.

121. DAVID GRAEBER (AMERICAN, B. 1967) BOUQUET BEES LAMPWORK MAGNUM PAPERWEIGHT SPHERE / ORB, compound example, featuring a wide variety of blossoms including blue trumpet-form, buttercream chrysanthemums, and yellow sunflowers, with scattered mottled blue berries and variegated green foliage, ten total bees perched or hovering over the bouquet, signature cane within bouquet, dated for 2017. David Graeber Art Glass, Westmont, NJ. Dated 2017. 3 1/2” D. Undamaged.

122. DAVID GRAEBER (AMERICAN, B. 1967) MIXED BOUQUET LAMPWORK MAGNUM PAPERWEIGHT SPHERE / ORB, compound example, featuring a wide variety of blossoms including peach chrysanthemums, yellow lilies, and pink floral spikes, held together by a bed of variegated green foliage including fern branches and veined leaves, signature cane present within the bouquet, dated for “2014”. David Graeber Art Glass, Westmont, NJ. Dated 2014. 3 1/2” D. Provenance: Purchased from the artist, 9/11/2014.

Undamaged. $500 - $800

$1,000 - $2,000

Undamaged.

123. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED FLORAL BOUQUET AND MILLEFIORI PAPERWEIGHT INKWELL, four-flower bouquet with two additional buds, all connected with variegated green foliage, encircled by an exterior ring of millefiori tubes, all above a tan jasper ground, original matching stopper with a cobalt blue, pale blue, and pink blossom, polished base. Scotland. Circa 1960. 5 3/8” HOA, 3 7/8” DOA.

124. EARLY PAUL YSART (SCOTTISH, 19041979) THREE BUTTERFLY MILLEFIORI PAPERWEIGHT, central white star tube, encircled by three multi-colored butterflies with millefiori wings, each separated by an isolated white and butterscotch complex cane, encircled by a single exterior garland of alternating white and orange and white complex canes, signature cane located in exterior garland, rough pontil mark. Scotland. Circa 1950. 3 1/8” D. Excellent condition overall with a single bruise adjacent to the pontil mark, some light surface wear. $500 - $800

$1,000 - $2,000

The Collection of Carl Carter, Austin, Texas – Part II

125. PAUL YSART (SCOTTISH, 1904-1979) MULTI-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, large central pink blossom encircled by a variety of smaller colored blossoms, all connected by green foliage, signature cane located at the base of the stems, all above a swirling filigree twist ground alternating between lime green and white examples with the white having an interior gold aventurine tube, raised button to pontil mark. Scotland. Circa 1960. 3 1/4” D. Undamaged.

127. PAUL YSART (SCOTTISH, 1904-1979) SINGLE-FLOWER LAMPWORK PAPERWEIGHT, central fuchsia and gold aventurine ten-petal blossom, with four green leaves and a short green stem, signature cane at the base of the stem, resting on an alternating bed of white and white and aventurine green filigree twists, all above an opaque yellow ground, faint rough pontil mark. Scotland. Circa 1960. 2 3/4” D. Undamaged. $300 - $500

$400 - $600

129. DAVID GRAEBER (AMERICAN, B. 1967) FLORAL BOUQUET AND BEES LAMPWORK PAPERWEIGHT, three central white rose blossoms with three adjacent blooms, green vines reaching to each side and supporting three additional blooms and two buds, all connected by variegated green foliage, three honey bees flying above, all above an opaque red ground, signed to the side “David Graeber”, signature cane to the underside of the decoration, dated “2010”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2010. 3” D. Undamaged. Provenance: Purchased from the artist. $800 - $1,200

126. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED C-SCROLL MILLEFIORI PAPERWEIGHT INKWELL, mottled green stopper and inkwell, central white and red star tube, encircled by a single adjacent garland of alternating amber and yellow complex canes and blue and amber tubes, exterior featuring three C-scrolls with a variety of millefiori canes, four scattered matching star tubes to the exterior, all above a red and white jasper ground, matching original stopper, polished pontil mark. Scotland. Circa 1960. 4 7/8” HOA, 3 7/8” DOA. Undamaged. $400 - $600

128. DAVID GRAEBER (AMERICAN, B. 1967) MACBRIDE BOUQUET ARTIST PROOF LAMPWORK MAGNUM PAPERWEIGHT, many pink rose blossoms and buds with several yellow and mottled brown buds with interconnecting variegated green foliage, all attached to a white wooden trellis in a V-form with two horizontal supports, signed to the side “David Graeber ‘MacBride Bouquet’ 2015 AP”, signature cane as the stamen of one rose, dated “2015”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2015. 3 1/2” D. Undamaged. Provenance: Purchased from the artist. Catalogue Note: According to the artist, the white trellis in this particular weight is one of the more technically difficult elements he has ever created. $1,000 - $1,500

Jeffrey S. Evans

130. DAVID GRAEBER (AMERICAN, B. 1967) LOTUS AND BEES LAMPWORK PAPERWEIGHT, three large central pink lotus blossoms with yellow stamen settled on three large variegated and veined green leaves with three smaller leaves presenting to the exterior, three flanking lotus pods, three bees hovering above the blossoms, all above a blue jasper/frit ground, signature cane to the underside, dated “18”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2018. 3 1/8” D. Undamaged. A thin horizontal area of light pitting to the side, as made. $800 - $1,200

131. DAVID GRAEBER (AMERICAN, B. 1967) AUTUMN IN CHICAGO LAMPWORK PAPERWEIGHT, two pale peach and one burnt orange chrysanthemum fitted into a white over green vase with some green mottling, autumn toned foliage presenting in the background, all above a deep transparent emerald green ground, signed “AUTUMN IN CHICAGO/ 1/20 / David Graeber”, signature cane present to the underside, dated for 2010, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2010. 3” D.

133. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CLOSE-PACK MILLEFIORI PAPERWEIGHT INKWELL, close-pack composition featuring a variety of multi-colored millefiori canes, all above a white ground, matching original close-pack stopper, polished base. Scotland. Circa 1960. 5 1/2” HOA, 3 3/4” D base. Undamaged. $300 - $500

135. PAUL YSART (SCOTTISH, 1904-1979) DRAGONFLY LAMPWORK AND MILLEFIORI PAPERWEIGHT, central butterfly having a red aventurine body with yellow spots, gold aventurine wings, flanked by two matching and isolated pink and green complex canes, encircled by a single exterior spaced garland of alternating green and white cogs and pink and white complex canes, signature cane located in the garland, all above a tan jasper ground, polished base. Scotland. Circa 1960. 2 3/4” D. Undamaged.

Undamaged.

$300 - $500

Provenance: Purchased from the artist, 1/25/2014. $500 - $1,000

132. DAVID GRAEBER (AMERICAN, B. 1967) MIXED BOUQUET LAMPWORK PAPERWEIGHT, three central large yellow and brown sunflowers with two buds to the underside, encircled by many orange blossoms with yellow stamens, all held by variegated green foliage with four curls reaching from the bouquet, all above a white/cream ground, signed “David Graeber VBQ67”, signature cane to the underside reading “DG/Stankard Studios/2008”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2008. 3” D.

134. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI MAGNUM PAPERWEIGHT, encasement having a grey tint, central medallion of three cogs, encircled by three exterior garlands with the interior alternating between blue cogs and horizontally placed fuchsia and white tubes, second having multi-colored complex canes followed by yellow and green open tubes, exterior comprised of horizontally placed green cogs, fuchsia and white cogs, and purple and red tubes, all above a mottled amethyst ground, rough pontil mark. Scotland. Circa 1950. 3 1/4” D. Undamaged.

136. PAUL YSART (SCOTTISH, 1904-1979) SINGLE-FLOWER LAMPWORK PAPERWEIGHT, central fuchsia and purple six-petal flower with six green leaves protruding from the underside, having a short green stem with four additional leaves, signature cane located at the base of the stem, all resting on a bed of white and green filigree twists, faint rough pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged. $300 - $500

$300 - $500

Undamaged. Provenance: Purchased from the artist. $500 - $1,000

The Collection of Carl Carter, Austin, Texas – Part II

137. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SIX-POINT STAR MILLEFIORI PAPERWEIGHT, central fuchsia and white complex cane, encircled by an adjacent and spaced garland comprised of pink and white complex canes, framed by a exterior of paired blue and white cogs followed by a larger green and white cog, topped by small pink tubes, six blue and white complex canes to the exterior, all above a snow ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Undamaged. $300 - $500

139. DAVID GRAEBER (AMERICAN, B. 1967) MIXED BOUQUET LAMPWORK PAPERWEIGHT, three central pink roses with many flanking pink blossoms and buds, all held by variegated green foliage, all above a transparent cobalt blue ground, signed to the side “David Graeber ABQ67”, signature cane to the underside reading “DG/Stankard Studios/2008”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2008. 2 7/8” D. Undamaged. $500 - $800

141. GORDON SMITH (AMERICAN, B. 1959) RATTLESNAKE AND BLOSSOMS LAMPWORK PAPERWEIGHT, left side featuring a green, black, and yellow coiling rattlesnake with a black rattle tail having controlled-bubble decoration, right side with three large yellow blossoms with brown stamen, and two lavender blossoms to the top with yellow stamens, eight scattered mottled stones, all resting on a green mossy floor, all above a brown and white jasper ground with a white underside, signed to the side “GS 03-31”, polished pontil mark. Gordon Smith Studios, New River, AZ. Dated 2003. 3 1/4” D. Undamaged. Provenance: L. H. Selman Ltd., 4/11/2013. $1,000 - $2,000

138. DAVID GRAEBER (AMERICAN, B. 1967) MIXED BOUQUET LAMPWORK PAPERWEIGHT, three peach chrysanthemum blossoms to the center being flanked by pale lavender spires, pink blooms below with some scattered mottled blueberries, all on a bed of variegated foliage, all above a cobalt blue ground, signature cane to the underside, dated for 2010, signed to the side, “David Graeber, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2010. 2 7/8” D. Undamaged. Provenance: L. H. Selman Ltd, 10/01/2010. $500 - $1,000

Jeffrey S. Evans

140. DAVID GRAEBER (AMERICAN, B. 1967) BEES AND HONEYCOMB LAMPWORK PAPERWEIGHT, 61 individual hexagons creating a honeycomb with three bees hovering above, signature cane located to the side, dated “2015”, polished pontil mark. David Graeber Art Glass, Westmont, NJ. Dated 2015. 2 1/4” D. Undamaged. $400 - $600

142. GORDON SMITH (AMERICAN, B. 1959) SNAKE AND SUCCULENTS LAMPWORK PAPERWEIGHT, central orange and brown spotted snake coiled between two blue and a green succulent, with eight scattered mottled stones, all above a mossy white ground, signature cane to the side, numbered “201810”, polished pontil mark. Gordon Smith Studios, New River, AZ. 21st century. 3 1/4” D. Undamaged. $1,000 - $2,000

143. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT INKWELL, mottled multi-colored stopper and well, large central white and transparent green tube, encircled by three exterior garlands with the interior featuring fuchsia and white complex canes and white and amber floral tubes, second having blue cogs, yellow and amber tubes, and fuchsia and white cogs, exterior band consisting of alternating green and white complex canes and pink cogs, matching original stopper, polished pontil mark. Scotland. Circa 1960. 4 1/4” HOA, 3 5/8” DOA. Undamaged with some scattered light wear. Having a minute bruise to the edge of the pontil mark, as made.

145. PAUL YSART (SCOTTISH, 1904-1979) FIVE-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, central bouquet featuring blue, yellow, purple, pink, and deep blue blossoms with an upper pink bud, all connected by green leaves and stems, all held together by a gold aventurine ribbon, encircled by a single spaced garland of green and white complex canes, all above a blue and white jasper ground, signature cane to the underside of the decoration, polished base. Scotland. Circa 1960. 2 3/4” D. Undamaged.

147. PAUL YSART (SCOTTISH, 1904-1979) TWO-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, featuring a orange and yellow striped and a white blossom, each having a matching lower bud and green leaves and stems, signature cane at the base of the stems, all above a mottled blue ground, retains manufacturing label, polished pontil mark. Scotland. Circa 1960. 2 5/8” D. Undamaged. $200 - $400

$200 - $400

$300 - $500

144. EARLY PAUL YSART (SCOTTISH, 19041979) MULTI-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, central purple and yellow striped blossom, six smaller blooms to the background in a variety of colors, one purple bud to the top, all connected by green leaves and stems, signature cane as a stamen to one of the smaller blooms, all above a white and cranberry filigree twist stave basket, rough pontil mark. Scotland. Circa 1950. 2 3/4” D.

146. PAUL YSART (SCOTTISH, 1904-1979) FISH LAMPWORK AND MILLEFIORI PAPERWEIGHT, central lampworked blue and green fish, encircled by a single garland of butterscotch and white complex canes, red and white tubes, and pink and white complex canes, signature cane located within the garland, all above a deep blue ground, polished base. Scotland. Circa 1960. 3” D. Undamaged. $200 - $400

148. GORDON SMITH (AMERICAN, B. 1959) KOI POND LAMPWORK PAPERWEIGHT, compound example, top level featuring three pink and two white water lilies with each resting on a green lily pad, scattered transparent blue frit creating the surface of the water, two orange koi fish swimming under the lilies, signature cane to the side, stating “98-29”, polished pontil mark. Gordon Smith Studios, New River, AZ. Dated 1998. 3 1/4” D. Undamaged. Provenance: Kathy Robbins, 4/08/2012. $1,000 - $1,500

Undamaged. Having a minute instance of pitting to the surface, as made. $300 - $500

The Collection of Carl Carter, Austin, Texas – Part II

149. GORDON SMITH (AMERICAN, B. 1959) DRAGONFLY AND SUCCULENTS LAMPWORK PAPERWEIGHT, compound example, deep ruby and black dragonfly with four dichroic and black spiraled wings, above a medallion comprised of six multi-colored succulents with a variety of smooth stones to the edge, all on a brown and white jasper ground, signature cane to the side, polished pontil mark. Gordon Smith Studios, New River, AZ. 21st century. 3 1/8” D.

151. MELISSA AYOTTE (AMERICAN, B. 1971) ATTRIBUTED GREEN CIRCULUS LAMPWORK PAPERWEIGHT SCULPTURE, black to pale green double overlay edges, disk form with triangular/geometric pattern cut to the edge, interior featuring a floral bouquet with a central red blossom surrounded by a variety of white, blue, and yellow flowers, all connected by variegated green foliage, raised on a black metal stand. Ayotte Glass Studio, New Boston, NH. 21st century. 9” HOA, 4 1/8” DOA glass object.

153. PAUL YSART (SCOTTISH, 1904-1979) SINGLE-FLOWER LAMPWORK AND MILLEFIORI PAPERWEIGHT, central blue seven-petal flower with a fuchsia and white complex cane as a stamen, three leaves and a short stem, encircled by a single exterior garland comprised of pairs of orange and white cogs followed by a blue and white complex cane, signature cane just to the interior of the garland, all above an opaque lavender ground, polished base. Scotland. Circa 1960. 2 7/8” D.

Undamaged.

$800 - $1,200

Undamaged. Some minute roughness around the base edge, as made.

150. RICK AYOTTE (AMERICAN, B. 1944) AND MELISSA AYOTTE (AMERICAN, B. 1971) COLLABORATIVE MILLEFIORIE BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, comprising many blossoms, blooms, and buds in orange, yellow, white, pink, and purple, all connected with variegated green foliage, signed to the side “R&M Ayotte”, dated “2014”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2014. 4 1/2” D.

152. MELISSA AYOTTE (AMERICAN, B. 1971) FLORAL BOUQUET LAMPWORK PAPERWEIGHT, central blue blossom encircled by a wreath of mixed blossoms including pink roses and yellow spires, all held by variegated green foliage, all above a blue woven ground with an opaque white underside, signed “M. Ayotte 2014 LE/10”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2014. 3 1/4” D.

Undamaged. $1,000 - $2,000

Undamaged. Provenance: Leo Kaplan Ltd., 7/15/2014. $500 - $800

$200 - $400

154. PAUL YSART (SCOTTISH, 1904-1979) DRAGONFLY LAMPWORK AND MILLEFIORI PAPERWEIGHT, central dragonfly with red aventurine body with yellow spots, green millefiori wings, flanked by two matching butterscotch and white complex canes, encircled by a single spaced garland comprised of green and white complex canes and orange and white cogs, signature cane located within garland, all above an opaque mottled lavender ground, polished base. Scotland. Circa 1960. 2 3/4” D. Undamaged. Having some minute roughness to the base edge, as made. $200 - $400

Jeffrey S. Evans

155. PAUL YSART (SCOTTISH, 1904-1979) SINGLE-FLOWER LAMPWORK PAPERWEIGHT, single tan ten-petal flower with a fuchsia and white central complex cane, three green leaves and a short green stem, all above a fuchsia stave basket, rough pontil mark. Scotland. Circa 1960. 2 5/8” D. Undamaged with a couple of short surface scratches. $200 - $400

157. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central white and fuchsia complex cane, encircled by three exterior garlands with the inner example being spaced and comprised of compressed white and red tubes, second band having pairs of white and yellow tubes followed by a white and fuchsia floral cane, exterior ring having multi-colored complex canes separated by a gold aventurine tubes within a white filigree twist, all above a green and white jasper ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D.

159. MELISSA AYOTTE (AMERICAN, B. 1971) FLORAL BOUQUET LAMPWORK PAPERWEIGHT, central yellow/orange blossom with a matching bud and blossom above and below, two purple blossoms to the flanks with a bud to the bottom right, three clusters of red berries, all resting on a bed of variegated green foliage, signed “M. Ayotte 2011 LE15”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2011. 2 7/8” D. Undamaged. $400 - $600

Undamaged. $200 - $300

156. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SIX-POINT STAR MILLEFIORI PAPERWEIGHT, central multi-colored complex cane with six butterscotch spokes separating green and white cogs, exterior featuring six stacked triangles of pink cogs, encircled by an exterior spaced garland of multi-colored complex canes, all above a mottled blue ground, rough pontil mark. Scotland. Circa 1950. 3” D. Undamaged with a couple of short surface scratches. $200 - $300

158. MELISSA AYOTTE (AMERICAN, B. 1971) MIXED BOUQUET LAMPWORK PAPERWEIGHT, having three central blossoms with one being plum, one red, and the other red/ yellow, a single bud rising in the center, having a variety of fruits and berries including mottled red and mottled yellow examples, all held by variegated green foliage, signed to the side “M. Ayotte 2010 LE15”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2010. 3” D.

160. MELISSA AYOTTE (AMERICAN, B. 1971) FLORASPHERE LAMPWORK PAPERWEIGHT, domed top terminating in a conical base with a mottled pink surface, form creating a medial shoulder, 16 white daisy-like blossoms to the interior with pink stamens, all raised on green stems and some scattered opal frit, signed “M. Ayotte 2006”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2006. 3 1/4” HOA, 3 3/8” DOA. Undamaged. $200 - $300

Undamaged. $400 - $600

The Collection of Carl Carter, Austin, Texas – Part II

161. RICK AYOTTE (AMERICAN, B. 1944) ARTIST PROOF DUCKS ON A POND LAMPWORK MAGNUM PAPERWEIGHT, depicting two Mallard ducks with one having a green aventurine head swimming on the surface of a pond creating white ripples to the surface, approaching the bank featuring three pale lavender blossoms and a brown and green jasper shore, pond having a single pink water lily resting on a pair of yellow and green lily pads, cobalt blue ground, signed “Ayotte artist proof 1 - 1991”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1991. 3 3/4” D.

163. UNIQUE RICK AYOTTE (AMERICAN, B. 1944) ARTIST PROOF CABBAGE ROSE LAMPWORK MAGNUM PAPERWEIGHT, large central pink cabbage rose blossom, with a single pink bud to the left, all connected with large variegated green leaves and stems, signed to the side “Rick Ayotte AP/1 1989”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1989. 4 1/4” D. Undamaged. $500 - $1,000

165. RICK AYOTTE (AMERICAN, B. 1944) MIXED BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, featuring three medial blossoms of either blue, white, or pink, with each having a yellow stamen, surrounded by deep mottled blueberries with two berries being a mottled rose, all resting on three large variegated green leaves and brown branches, signed “Rick Ayotte LE/35 ‘99”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1999. 3 1/2” D. Undamaged. $500 - $1,000

Undamaged. $800 - $1,200

162. RICK AYOTTE (AMERICAN, B. 1944) TRANQUILITY BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, compound example, three large central white and/or pink roses with many scattered buds and blooms, underside with a near matching composition, all held by variegated green foliage, signed “Rick Ayotte LE/10 2001”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2001. 3 5/8” D. Undamaged. $800 - $1,200

Jeffrey S. Evans

164. RICK AYOTTE (AMERICAN, B. 1944) ROSE BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, large bouquet of pink, red, yellow, and blue blossoms and blooms, all connected with variegated green and yellow foliage, all above a multi-colored ground with an opaque white underside, signed to the side “Rick Ayotte 2014”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2014. 3 1/2” D. Undamaged. Provenance: Ayotte Glass Studio, 12/5/2014. $500 - $1,000

166. RICK AYOTTE (AMERICAN, B. 1944) FLORAL BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, two large blue blossoms flanked by two blue buds, scattered white blooms and an assortment of buds, all connected by variegated green foliage, signed to the side “Rick Ayotte LE/10”, dated “2004, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2004. 3 7/8” D. Undamaged. $500 - $1,000

167. RICK AYOTTE (AMERICAN, B. 1944) FLORAL BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, two medial yellow sunflowers with brown interior, topped by a red rose and having three shaded orange blooms below, edges featuring a wide variety of colored blossoms and blooms, all held with red, green, and amethyst variegated foliage, signed “Rick Ayotte LE/25 2002”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2002. 3 1/2” D.

169. RICK AYOTTE (AMERICAN, B. 1944) RED BEAUTY LAMPWORK MAGNUM PAPERWEIGHT, two large central deep red roses with two red blooms above and below, many white blooms below the larger blossoms, all held by variegated green foliage, signed “Rick Ayotte LE/25 ‘98”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1998. 3 1/2” D.

Undamaged.

$500 - $800

Undamaged. Provenance: JDB Decorative Arts, 4/29/2015.

171. RICK AYOTTE (AMERICAN, B. 1944) HUMMINGBIRD AND BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, featuring an aventurine green, white, pink, blue, and brown hummingbird on each side hovering adjacent to a vertical bouquet of pink blossoms and buds, held by pink and green foliage, signed “Rick Ayotte LE/35 ‘97”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1997. 3 1/2” D. Undamaged. $500 - $800

Provenance: Bonhams Auctions, 2/16/2012, lot 112. $500 - $1,000

168. RICK AYOTTE (AMERICAN, B. 1944) PLUM BLOSSOMS LAMPWORK MAGNUM PAPERWEIGHT, featuring three large purple plums with three white blossoms with yellow and red stamens, all connected by variegated green foliage and brown branches, signed “Ayotte Ed/50 ‘89”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1989. 3 1/2” D. Undamaged. $500 - $800

170. RICK AYOTTE (AMERICAN, B. 1944) ARTIST PROOF TUFTED TITMOUSE LAMPWORK PAPERWEIGHT, featuring two grey, orange, and white Tufted Titmouse birds, standing near brown branches of holly with clusters of red berries and variegated green leaves, white frit snow and ground, signed “Ayotte AP/2 ‘89”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1989. 3 1/4” D. Undamaged. $500 - $800

172. RICK AYOTTE (AMERICAN, B. 1944) FLORAL AND FRUITS BOUQUET LAMPWORK PAPERWEIGHT, featuring a red, purple, and red/orange blossom, with a smaller purple blossom to the edge, purple buds to the opposite edge, many yellow, orange, and red berries, all connected with variegated green and yellow foliage, signed to the side “Rick Ayotte LE/25 ABB”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Late 20th/21st century. 3 3/8” D. Undamaged. $500 - $800

The Collection of Carl Carter, Austin, Texas – Part II

173. RICK AYOTTE (AMERICAN, B. 1944) APPLE BLOSSOM LAMPWORK UPRIGHT PAPERWEIGHT, three medial pink blossoms with red and yellow stamens with four protruding buds, five concentrically placed apples of differing colors including red, green, and shaded red and green, all resting on a bed of variegated green foliage and brown branches, all within an optically created green frame, backside having prism and oval cuts, signed “Ayotte ‘91”, polished base. Ayotte Glass Studio, New Boston, NH. Dated 1991. 4” D.

175. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED MILLEFIORI BUTTERFLY PAPERWEIGHT, single butterfly with aventurine green body, wings comprised of pink and white complex canes and fuchsia and white tubes, all above a sandy jasper ground, signature “H” cane to the underside of the decoration, polished base. Harland / Highland Works, Scotland. Circa 1960. 2 1/2” D. Undamaged with some minute surface wear. $200 - $300

177. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED MILLEFIORI BUTTERFLY PAPERWEIGHT, encasement having a grey tint, central butterfly with gold aventurine body, wings comprised of a variety of millefiori canes in many colors, all above a black ground, rough pontil mark. Scotland. Circa 1950. 2 5/8” D. Undamaged. $200 - $300

Undamaged. Having some swirling green particulate and bubbles to the backside, as made. Provenance: Bonhams Auctions, 2/16/2012, lot 112. $500 - $800

174. RICK AYOTTE (AMERICAN, B. 1944) BUTTERFLY AND FLOWERING BRANCH LAMPWORK PAPERWEIGHT, compound example, large blue and black butterfly above a variegated brown branch with scattered yellow blooms and blossoms, many teal leaves, signed to the side “Ayotte 1985”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1985. 3 1/8” D. Undamaged. $500 - $800

Jeffrey S. Evans

176. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED SIX-SPOKE MILLEFIORI PAPERWEIGHT, large central white and fuchsia florette tube, encircled by six spokes comprised of green and white complex canes followed by a trefoil of tubes with each topped by a single pink and white tube, six butterscotch and white complex canes to the exterior, all above a cranberry and white jasper ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Undamaged. $200 - $300

178. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SIX-POINT STAR MILLEFIORI PAPERWEIGHT, multi-colored central cane, encircled by an off-set garland of large brown and yellow complex canes and purple and blue cogs, star points comprised on two basal butterscotch and white cogs, white complex canes, and topped by blue and white cogs, six pink and brown tubes to the exterior, all above a mottled green ground, polished base. Scotland. Circa 1960. 3 1/8” D. Virtually undamaged with a few minor short surface scratches. $200 - $300

179. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED THREE-COLOR CROWN PAPERWEIGHT, central controlled-bubble hovering over alternating bands of filigree twists containing tubes of transparent red, yellow, and blue, each being separated by an opaque turquoise spacer, rough pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged. $200 - $300

181. RICK AYOTTE (AMERICAN, B. 1944) BOUQUET AND BEE LAMPWORK PAPERWEIGHT, four white and cranberry blossoms with three matching color exterior blooms, black and yellow bumblebee resting on one of many variegated green and white leaves, signed “Rick Ayotte LE/25 2004”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2004. 3 1/4” D.

183. RICK AYOTTE (AMERICAN, B. 1944) DECEMBER MORNING LAMPWORK PAPERWEIGHT, having four central roses with two being a deep red, one being white, and one being a shaded orange, four white-tipped pinecones, with many rose buds to the edges, all held by variegated green foliage, signed “Rick Ayotte LE/35 ‘98”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1998. 3 1/4” D.

Undamaged except for a single scratch to the table ring.

Undamaged.

$400 - $600

180. RICK AYOTTE (AMERICAN, B. 1944) FLORAL BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, a mix of similar blossoms in different colors with each having a yellow stamen, petal colors include yellow, red, purple, and maroon, with scattered additional blossoms and buds, all resting on a bed of variegated green foliage, signed “Rick Ayotte LE/25 2003”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2003. 3 1/2” D.

182. RICK AYOTTE (AMERICAN, B. 1944) POINSETTIA LAMPWORK MAGNUM PAPERWEIGHT, a single large red poinsettia blossom with yellow and red stamen, five ruby and green variegated leaves presenting from the underside, signed “Rick Ayotte LE/35 ‘97”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1997. 3 1/2” D.

184. RICK AYOTTE (AMERICAN, B. 1944) BUTTERFLY AND BOUQUET LAMPWORK PAPERWEIGHT, compound example, featuring a green, yellow, and black butterfly above a bouquet of eight white blossoms with yellow stamens, all connected by variegated green stems and foliage, signed “Ayotte Ed/50 ‘92”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1992. 3 3/8” D.

Undamaged.

$400 - $600

Provenance: Jayne Gilbert, 1/15/2016.

$400 - $600

The Collection of Carl Carter, Austin, Texas – Part II

185. RICK AYOTTE (AMERICAN, B. 1944) SPARROW HAWK LAMPWORK MINIATURE PAPERWEIGHT, central blue, white, brown, and black sparrow hawk perched on a bed of variegated green leaves, signed “Rick Ayotte M-94 2004”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 2004. 2” D.

187. RICK AYOTTE (AMERICAN, B. 1944) PEONY LAMPWORK MINIATURE PAPERWEIGHT, central white and fuchsia peony with scattered purple and white blooms to the edges, variegated green and fuchsia foliage, signed to the side “Ayotte M-54 ‘95’, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1995. 1 7/8” D.

Undamaged.

$300 - $500

Provenance: L. H. Selman Ltd., Auction 69, lot 105. $200 - $300

186. RICK AYOTTE (AMERICAN, B. 1944) WREN AND NEST LAMPWORK PAPERWEIGHT, brown and white perched wren with its head held up, perched on variegated green grass blades with the wren’s nest settled within the blades, small red clay base, resting on a small red ground, all above a transparent green ground, signed to the side “Ayotte 4/50 ‘81”, polished pontil mark. Ayotte Glass Studio, New Boston, NH. Dated 1981. 2 1/2” D. Undamaged. $200 - $400

188. STEFAN BRACHT (GERMAN, B. 1964) AUTUMNAL BOUQUET LAMPWORK PAPERWEIGHT, having an assortment of blossoms with a large cranberry and a large yellow and fuchsia blossom, upper edge having blue and purple petals, all connected by variegated green and yellow leaves/foliage, signature cane located at the edge of the decoration, signed to the side “S. Bracht 2018”, polished pontil mark. Germany. Date 2018. 3 1/8” D. Undamaged. $800 - $1,200

189. STEFAN BRACHT (GERMAN, B. 1964) EVERYTHING ARISES LAMPWORK PAPERWEIGHT, an assortment of mixed blossoms including a large red and large orange and red blossom, a variety of buds/spires below the blossoms, with white dandelion-type bloom to the right, all connected by variegated green foliage, signature cane located at the edge of the decoration, all above a deep amethyst ground, signed to the side “S. Bracht 2020”, polished pontil mark. Germany. Dated 2014. 3 1/8” D. Undamaged. $800 - $1,200

190. UNIQUE PARABELLE CONCENTRIC MILLEFIORI MOSS GROUND PIEDOUCHE PAPERWEIGHT, central pink and green Clichy-style rose, encircled by three exterior garlands with the inner consisting of purple and white floral canes, second having pairs of smaller white and green Clichy-style roses alternating with single larger pink and green Clichy-style roses, third band having alternating Clichy-style roses and purple and white floral canes, all on a green moss ground with small white blooms, all resting on a white stave basket, applied white and green torsade to the top and bottom edge, signed to the underside “Parabelle Glass Artist Proof 1997”, numbered “one of one”, retains manufacturing label, polished base. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1997. 1 3/4” H, 2 1/2” D. Undamaged. $800 - $1,200

Jeffrey S. Evans

191. UNIQUE PARABELLE CONCENTRIC MILLEFIORI MOSS GROUND PIEDOUCHE PAPERWEIGHT, central yellow and amethyst pansy cane, encircled by two exterior garlands with the inner being comprised by pink and green Clichy-style rose canes, outer band consisting of spaced large amethyst and yellow pansy canes, all on a green moss ground with small white blooms, all resting in a white and pink stave basket, applied red and gold aventurine torsade to the top and bottom edge, signed to the underside “Parabelle Glass 1996 Artist Proof ”, numbered “one of one”, polished base. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1996. 1 3/4” H, 2 1/2” D. Undamaged.

193. PARABELLE ARTIST PROOF CLOSEPACK ROSES MILLEFIORI PAPERWEIGHT, close-pack composition featuring Clichy-style roses in many color combinations, all resting on an upset muslin ground, signed to the underside “Parabelle Artist Proof ”, dated “1998”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1998. 3 1/8” D. Undamaged. Provenance: Ex-collection of Gary Scrutton. $500 - $1,000

$500 - $1,000

$800 - $1,200

Undamaged. Having some minor imperfections just above the torsade, as made.

Undamaged. Provenance: Margaret Laganke.

Provenance: L. H. Selman Ltd., 9/10/2014.

192. PARABELLE CONCENTRIC RONDELS MILLEFIORI MOSS GROUND PIEDOUCHE PAPERWEIGHT, central pink and green Clichy-style rose, encircled by two interior garlands with the adjacent example comprised of white and green cogs, outer band consisting of matching rose canes, exterior having eight rondels made of a variety of multi-colored canes with central arrowhead canes, all above a green moss ground with scattered white blossoms, all resting on a white and maroon stave basket, signature cane located to the underside of the decoration, dated “1991”, white torsade applied to the base edge, polished base. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1991. 2 1/2” H, 2 5/8” D.

195. PARABELLE CHECKERBOARD / CHEQUER MILLEFIORI PAPERWEIGHT, five-by-five board with red grid encasing 25 millefiori canes including Clichy-style roses and arrowhead canes, all above an opaque pink ground being opaque white to the underside, signed to the underside “PB 93”, numbered “610”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Circa 1993. 2 3/4” D.

194. UNIQUE PARABELLE ARTIST PROOF HEART MILLEFIORI PAPERWEIGHT, large cut concave circular top window, central heart framed with pink and white complex canes with the interior comprised of green moss canes with small pansy blooms, encircled by a single exterior garland consisting of alternating white and pink Clichy-style roses with aventurine green sides, all above an aventurine green ground, signed to the underside “Parabelle Glass 1997 Artist Proof ”, numbered “one of one”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1997. 3 1/8” D. Undamaged.

196. PARABELLE ATTRIBUTED CHECKERBOARD / CHEQUER MILLEFIORI PAPERWEIGHT, five-by-five board with aventurine green grid encasing 25 millefiori canes including pansy and arrowhead canes in a variety of color combinations, all above an opaque white ground, no signature or signature cane located, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Circa 1995. 2 5/8” D. Undamaged. $500 - $1,000

$500 - $1,000

$800 - $1,200

The Collection of Carl Carter, Austin, Texas – Part II

197. PARABELLE ARTIST PROOF CONCENTRIC MILLEFIORI PAPERWEIGHT, large central pink and aventurine green Clichy-style rose with an adjacent interior garland of matching roses, encircled by two exterior garlands with the middle example being comprised of spaced and large pansy canes, exterior having alternating matching roses and yellow and pink pansy canes, all above an opaque blue ground, signed to the underside “Parabelle Glass Artist Proof ”, dated “1998”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1998. 3” D. Undamaged. Provenance: Purchased from the artist, 10/20/2002. $500 - $1,000

199. UNIQUE PARABELLE ARTIST PROOF FOUR-COLOR CROWN PEDESTAL PAPERWEIGHT, central purple pansy cane surrounded by moss ground canes with small white blooms, white filigree twists alternating with red and green or pink and purple opaque twists, each starting at the central cane and reaching to the base, applied white torsade to the exterior of the base, signed to the underside “Parabelle Glass Artist Proof ”, numbered “one of one”, polished base. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Circa 1995. 2 7/8” H, 2 1/2” D.

201. PAUL YSART (SCOTTISH, 1904-1979) TWO-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, having two central blossoms with one being white with red stripes, and the other being yellow with red stripes, each having a lower bud, all connected by green leaves and short stems, signature cane located at the base of the stems, all above a white filigree twist stave basket, polished pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged. $200 - $300

Undamaged. Having some scratch-like imperfections around the weight just above the torsade, having some light roughness around the base edge, all as made. $500 - $1,000

198. PARABELLE PANSY AND ROSES CONCENTRIC MILLEFIORI PAPERWEIGHT, large central fuchsia and purple pansy cane, encircled by three exterior garlands with the inner example having alternating pink and aventurine green Clichy-style roses and pink and red hearts complex canes, second band featuring matching roses in pairs separated by a purple pansy cane, exterior comprised of single heart and hearts complex canes, all above a sodden snow ground, signed to the underside “Parabelle Glass 1998”, numbered “three of five”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1997. 3” D. Undamaged. $500 - $1,000 40 Jeffrey S. Evans

200. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SPACED MILLEFIORI RONDELS PAPERWEIGHT, central fuchsia and white complex cane, encircled by five varying rondels comprised of different millefiori canes including central tube, cog, or complex examples, spaced fuchsia and white cog canes to the exterior, all above a mottled orange ground, rough pontil mark. Scotland. Circa 1960. 2 3/4” D. Undamaged except for a single minute surface scratch. $200 - $300

202. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central multi-colored complex cane, encircled by three exterior garlands with the interior alternating between blue tubes and orange and yellow open tubes, second having alternating yellow and amber horizontal tubes and pink and red upright tubes, third comprised of pink and amber star canes and multi-colored complex canes, all above an opaque blue ground, rough pontil mark. Scotland. Circa 1950. 3” D. Undamaged with some scattered light surface wear. $200 - $300

203. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SCRAMBLED MILLEFIORI PAPERWEIGHT, encasement having a grey tint, scrambled interior including filigree twists and a wide variety of millefiori canes in many colors, all encircled by an exterior garland of alternating yellow horizontally placed filigree twists and vertically placed green and white filigree twists, all above a mottled amethyst ground, rough pontil mark. Scotland. Circa 1950. 3 1/4” D. Undamaged with some minor surface wear. $200 - $300

204. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central green and white complex cane, encircled by three exterior garlands with the interior alternating between white and butterscotch star tubes and cogs, second band consisting of paired white tubes separated by green and white complex canes, exterior ring featuring stacked orange complex canes and white tubes, all above a mottled cobalt blue ground, rough pontil mark. Scotland. Circa 1950. 3” D. Undamaged with a couple of isolated minute surface scratches. $200 - $300

205. PARABELLE CONCENTRIC MILLEFIORI MOSS GROUND PAPERWEIGHT, central red and white heart cane with a diminutive garland of white and green Clichy-style roses adjacent, encircled by three exterior garlands all comprised of pink and white Clichy-style roses with the exterior garland having interrupting heart canes with rose garland matching the central cane, all above a green moss ground with scattered white blooms, signed to the underside “Parabelle Glass 1997”, numbered “eight of ten”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1997. 2 7/8” D.

207. PARABELLE HEART MILLEFIORI PAPERWEIGHT, central heart outlined by fuchsia and white cog canes with the interior being comprised of pink and green Clichy-style roses, single exterior garland consisting of alternating white and pink Clichy-style roses, all above a bed of white filigree tubes, signed to the underside “Parabelle Glass 1997”, numbered “four of ten”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1997. 3” D.

Undamaged.

Provenance: L. H. Selman Ltd., 12/6/2005.

$500 - $800

206. PARABELLE CONCENTRIC RONDELS MILLEFIORI MOSS GROUND PAPERWEIGHT, central purple and white pansy canes with an adjacent garland of white tubes, second garland slightly spaced from the interior and consisting of aventurine green and white tubes, seven exterior rondels featuring a variety of multi-colored canes with each having a central pansy cane, all above a green moss ground with scattered white blooms, signature cane located to the underside of the decoration, dated “1992”, polished pontil mark. Gary Scrutton (19372014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1992. 2 5/8” D.

208. PARABELLE GARLANDS MILLEFIORI MOSS GROUND PAPERWEIGHT, central pink and green Clichy-style rose, encircled by a single inner garland of pink and white cogs, two quatrefoil garlands comprised of pink and white and also purple and white cog canes, all on a green moss ground with scattered white blooms, signature cane to the underside of the decoration, dated “1991”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1991. 2 5/8” D.

Undamaged.

$500 - $800

Undamaged.

Provenance: The Dunlop Collection, 4/29/2015. $500 - $800

The Collection of Carl Carter, Austin, Texas – Part II

209. PARABELLE ARTIST PROOF CONCENTRIC MILLEFIORI PAPERWEIGHT, large central pink and green Clichy-style rose, encircled by two exterior garlands with the inner alternating between pink pansy canes and deep red and white cog canes, second band comprised of spaced large pink and green Clichy-style roses and lavender pansy canes, all above an opaque deep blue ground, signed to the underside “G. Stuart Scrutton 1998 Artist Proof ”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1998. 2 7/8” D. Undamaged. $500 - $800

210. PARABELLE ARTIST PROOF DOUBLE-OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, opaque pink to opaque white to colorless, cut-faceted with a large circular top window, central large pink and green Clichy-style rose, encircled by four exterior garlands being comprised of a variety of multi-colored cog canes, all resting on a white and fuchsia stave basket, white and fuchsia interior torsade around the stem of the mushroom, signed to the underside “Parabelle Glass A/P”, dated “1994”, polished pontil mark. Gary Scrutton (19372014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1994. 2 7/8” DOA. Undamaged. Provenance: L. H. Selman Ltd., 10/17/2014. $500 Jeffrey - $800 S. Evans 42

211. PARABELLE SPACED CONCENTRIC MILLEFIORI MOSS GROUND PAPERWEIGHT, central yellow and purple pansy cane, encircled by three exterior garlands with each comprised of alternating pansy and Clichy-style rose canes in a variety of color combinations, all above a green moss ground with scattered white blooms, signed to the underside “Parabelle Glass 1995”, numbered “eight of ten”, polished base. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1995. 2 3/4” D.

213. PARABELLE ARTIST PROOF THREE-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, central pink, blue, and yellow six-petal blossoms on a bed of green leaves with aventurine decoration, all resting on a latticinio basket with a white and pink filigree twist handle with cranberry millefiori prunts, signed to the underside “Parabelle Glass Artist Proof 1995”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1995. 2 3/4” D.

Undamaged.

$500 - $800

212. PARABELLE PANSY CONCENTRIC MILLEFIORI PAPERWEIGHT, large central fuchsia and purple pansy cane, encircled by three exterior garlands with the inner example comprised of purple and red hearts complex canes, second consisting of spaced large pansy canes, exterior having pairs of red and white tubes separated by purple, red, and white single heart canes, all above an upset muslin ground, signed to the underside “Parabelle Glass 1998”, numbered “seven of ten”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1998. 2 3/4” D.

214. PARABELLE SWIRLING GARLAND MILLEFIORI PAPERWEIGHT, large central pink and green Clichy-style rose cane, six exterior swirling garlands with three being comprised of white and green Clichy-style roses, remaining three consisting of white and red floral canes, spaced blue and white pansy canes to the exterior, signature cane located in one garland, dated “1990”, all above an opaque azure blue ground, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1990. 2 5/8” D.

Undamaged. $500 - $800

Undamaged. $400 - $600

215. PARABELLE CLOSE-PACK HEARTS MILLEFIORI PAPERWEIGHT, close-pack composition being comprised of red and white cogs and heart canes, signature cane located in the decoration, dated “1996”, encircled by a tightly swirled white and red torsade, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1996. 3” D.

217. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED FISH LAMPWORK PAPERWEIGHT, cut-faceted with a circular top window, central peach, yellow, and red fish, encircled by a single exterior garland comprised of alternating green and white stardust canes and teal and white cogs, all above a transparent smoky ground, polished base. Scotland. Circa 1960. 2 5/8” DOA.

Undamaged.

Undamaged with some minor wear.

$300 - $500

$200 - $300

219. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central yellow and orange spaced tube, encircled by three exterior garlands with the interior alternating between blue tubes and multi-colored complex canes, middle ring having blue and white cogs, pink and butterscotch cogs, and burnt orange and yellow cogs placed horizontally, exterior band comprised of green and white cogs, pink and red complex canes, and gold cogs, all above a mottled green ground, rough pontil mark. Scotland. Circa 1950. 3” D. Undamaged. $200 - $300

216. PARABELLE ARTIST PROOF CONCENTRIC MILLEFIORI PAPERWEIGHT, large central white and green Clichy-style rose, encircled by four exterior garlands with the inner example comprised of cobalt blue bellflower canes, second alternating between blue and white cogs and white complex canes, third ring consisting of teal and white cogs and matching blue bellflower canes, exterior featuring alternating white and blue cogs, all above an upset muslin ground, signed to the underside “Parabelle Glass Artist Proof ”, dated “1995”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1995. 2 3/4” D. Undamaged. $300 - $500

218. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, large central tan and red tube, encircled by three exterior garlands with the interior comprised of blue and brown cogs alternating with horizontally placed amber and yellow cogs, second alternating between purple and orange tubes and multi-colored complex canes, exterior ring comprised of matching form cogs of blue or fuchsia and white, all above a mottled blue ground, rough pontil mark. Scotland. Circa 1950. 3 1/8” D. Undamaged with a couple of minute surface scratches. $200 - $300

220. PAUL YSART (SCOTTISH, 1904-1979) MILLEFIORI BUTTERFLY PAPERWEIGHT, central butterfly with a gold aventurine body with pink or butterscotch millefiori wings, encircled by a single exterior garland of red and white complex canes with a few spaced white complex canes to the interior, signature cane located within the garland, all above a black ground, rough pontil mark. Scotland. Circa 1960. 2 3/8” D. Undamaged. $200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

221. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED FLORAL LAMPWORK AND MILLEFIORI PAPERWEIGHT, central rose five-petal blossom with five green leaves protruding from the underside, encircled by two exterior garlands, interior example comprised of multi-colored complex canes, exterior featuring an orange tube and white and gold aventurine filigree twist, all above a mottled blue ground, rough pontil mark. Scotland. Circa 1950. 2 3/4” D.

223. PARABELLE ARTIST PROOF CROWN PAPERWEIGHT, large central pink and aventurine green Clichy-style rose, with alternating white filigree twists and blue and fuchsia opaque twists, each starting at the central cane and reaching for the base, signed to the underside “Parabelle Glass Artist Proof ”, dated “1994”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1994. 2 1/2” D.

Excellent condition overall with a single small surface bruise and some minute wear.

Undamaged.

$200 - $300

$300 - $500

225. PARABELLE SINGLE FLOWER LAMPWORK AND MILLEFIORI PAPERWEIGHT, cut circular top window, single pink ten-petal blossom with a central green cane as the stamen, aventurine green short stems and ten green leaves, signature cane at the base of the stem, dated “1992”, encircled by a single exterior garland comprised of alternating pink and white tubes and white and purple pansy canes, all above a white latticinio ground, all resting on a pink and maroon stave basket, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1992. 2 3/4” D. Undamaged. $300 - $500

222. PARABELLE CONCENTRIC MILLEFIORI CARPET GROUND PAPERWEIGHT, central green and white complex cane, encircled by three exterior garlands with the interior example having alternating pink and white complex canes and tubes, second consisting of paired emerald green and white cogs separated by pink and white complex canes, exterior ring patterned with four red and white tubes followed by a pink and white complex cane, red and pink torsade at the edge, all above a lavender carpet ground, signature cane to the underside of the decoration, dated “1992”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1992. 2 5/8” D. Undamaged. $300 - $500

Jeffrey S. Evans

224. PARABELLE CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition featuring a variety of multi-colored millefiori canes including pansy, shamrocks, Clichy-style roses, cogs, and complex canes, signature cane located in decoration, dated “1991”, all above a deep cobalt blue ground, retains manufacturing label, polished pontil mark. Gary Scrutton (19372014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1991. 2 5/8” D. Undamaged. $300 - $500

226. PARABELLE ROSES OPEN CONCENTRIC MILLEFIORI CARPET GROUND PAPERWEIGHT, central pink and green Clichy-style rose, encircled by two exterior garlands with the inner example comprised of alternating pink and white and purple and white tubes, exterior ring having a pattern of three pink and white tubes separated by matching roses, having a pink and purple torsade at the edge, all above a pink carpet ground, signature cane to the underside of the decoration, dated “1992”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1992. 2 1/2” D. Undamaged. $300 - $500

227. PARABELLE SWIRLING GARLAND MILLEFIORI PAPERWEIGHT, central green and fuchsia bellflower central cane, six exterior swirling garlands with three being comprised of pink and white cogs, remainder consisting of white floral canes, one garland holding the signature cane, dated “1990”, all above and aventurine green ground, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1990. 2 1/2” D. Undamaged. $200 - $300

228. PARABELLE SIX-LOBE GARLAND MILLEFIORI PAPERWEIGHT, central green and white cog with five matching canes concentrically placed to the interior of a six-lobe garland comprised of alternating white floral canes and red and white cogs, all above an opaque blue ground, signature cane located in the garland, dated “1990”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1990. 2 3/4” D. Undamaged. $200 - $300

229. PARABELLE STARS CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition comprised of white and blue star canes, signature cane located within the decoration, dated “1990”, surrounded by a white torsade to the exterior, all above a cobalt blue ground, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1990. 2 1/4” D.

231. PARABELLE BELLFLOWER CONCENTRIC MILLEFIORI CARPET GROUND PAPERWEIGHT, large central blue and white bellflower cane, encircled by a single exterior garland of blue and white floral canes, all above a white stardust carpet ground, signed to the underside “Parabelle Glass 1995”, numbered “three of ten”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1995. 2 1/8” D.

Undamaged.

$200 - $300

230. PARABELLE FLORAL LAMPWORK PAPERWEIGHT, single complex central blossom with striped amethyst petals in the background with interior pink and aventurine green petals, three aventurine green protruding leaves, one purple bud, small swirling green stem, resting on an upset muslin ground, all sitting in a fuchsia and aventurine green stave basket, signature cane within the ground, dated “1997”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1997. 2 3/8” D.

232. EARLY PAUL YSART (SCOTTISH, 1904-1979) CONCENTRIC MILLEFIORI PAPERWEIGHT, central multi-colored complex cane, encircled by three exterior garlands with the interior alternating between blue tubes and pink and white complex canes, second band consisting of yellow and orange canes and green and white cogs, exterior featuring pink and aventurine green tubes and orange openwork tubes, all above a deep mottled blue ground, rough pontil mark. Scotland. Circa 1950. 3” D.

Undamaged. $200 - $300

Undamaged with some light surface wear. $200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

233. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central multi-colored complex cane surrounded by three exterior millefiori rings, interior ring comprised of spaced complex canes with an adjacent ring consisting of white and yellow cogs, exterior ring comprised by white filigree twists and alternating green or fuchsia complex canes, all above a mottled orange ground, rough pontil mark. Scotland. Circa 1960. 2 3/4” D. Undamaged except for a single surface scratch. $200 - $300

234. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED SCRAMBLED MILLEFIORI PAPERWEIGHT, encasement having a grey tint, scrambled interior including filigree twists and a wide variety of millefiori canes in many colors, all encircled by an exterior garland of alternating orange and blue filigree twists and orange canes, all above a mottled amethyst ground, rough pontil mark. Scotland. Circa 1950. 3 1/8” D. Undamaged. $200 - $300

235. PAUL YSART (SCOTTISH, 1904-1979) DRAGONFLY LAMPWORK PAPERWEIGHT, central dragonfly with a green body, red head with gold aventurine eyes, and four red wings with white filigree twists encompassing them, encircled by an exterior garland of multi-colored complex canes, signature cane located in the garland, all above a deep blue/black ground, polished base. Scotland. Circa 1960. 2 7/8” D. Undamaged. A couple of minute spots of pitting to the surface, as made. $200 - $300

237. PARABELLE CONCENTRIC MILLEFIORI PAPERWEIGHT, central green and white complex cane with an adjacent garland of pink and white tubes, two exterior garlands spaced from the interior, with the middle band featuring pairs of pink and white tubes separated by white and green shamrock canes, exterior having alternating aventurine green and white cog/floral canes, signature cane located in the exterior garland, dated “1997”, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (19372013), Portland, OR. Dated 1997. 2 1/2” D. Virtually undamaged with a few scattered short surface scratches. $200 - $300

236. PAUL YSART (SCOTTISH, 1904-1979) MILLEFIORI BUTTERFLY PAPERWEIGHT, central butterfly with gold aventurine body, with butterscotch and blue millefiori wings, encircled by two exterior garlands with the interior example being comprised of pink and white complex canes, outer consisting of green and white complex canes, exterior holds the signature cane, all above a black ground, rough pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged with some scattered light surface wear/short scratching. Having a minor spall in association with the pontil mark, as made. $200 - $300

238. PARABELLE ARTIST PROOF CONCENTRIC RONDELS MILLEFIORI PAPERWEIGHT, central white Clichy-style rose encircled with red and white floral canes, six exterior rondels comprised of either red and white or white complex canes, each having a central arrowhead cane, concentrically positioned and spaced white floral canes in the negative space, signature cane located near the edge, dated “1991”, all above an opaque green ground, signed to the underside “Parabelle Glass Artist Proof ”, retains manufacturing label, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1991. 2 1/2” D. Undamaged. $100 - $200

Jeffrey S. Evans

239. PARABELLE OPEN CONCENTRIC MILLEFIORI PAPERWEIGHT, central yellow and green Clichy-style rose, encircled by three exterior garlands with the interior being comprised of white and red complex canes, second having paired matching complex canes interrupted by matching yellow roses, exterior band having matching complex canes alternating with aventurine green and white cogs, signature cane located to the exterior garland, dated “1990”, all above a translucent cranberry ground, polished pontil mark. Gary Scrutton (1937-2014) and Doris Scrutton (1937-2013), Portland, OR. Dated 1990. 2 5/8” D. Undamaged except for a single surface scratch.

241. DEBBIE TARSITANO (AMERICAN, B. 1955) DAHLIA AND PODS BOUQUET LAMPWORK PAPERWEIGHT, featuring a central red dahlia with a blue and white flower to the bottom right, variegated yellow bloom to the left, and a pink and variegated orange bud above, four seed pods holding a variety of millefiori canes, all above a mottled jasper ground being green to the underside, signature cane located to the underside, polished pontil mark. Debbie Tarsitano Studio, Westford, MA. Fourth quarter 20th/early 21st century. 3” D. Undamaged.

Undamaged.

$800 - $1,200

$500 - $800

$100 - $200

240. DEBBIE TARSITANO (AMERICAN, B. 1955) MULTI-FLORAL BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, compound example, having a single upper garland of multi-colored blossoms with each having protruding green leaves, below having a variety of multi-colored blossoms with each having protruding green leaves, having a diamond cutting to the base and large zipper cutting around the edge, signature cane located to the underside, polished pontil mark. Debbie Tarsitano Studio, Westford, MA. Fourth quarter 20th/early 21st century. 3 3/4” D.

243. DEBBIE TARSITANO (AMERICAN, B. 1955) FIVE-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, featuring a large upper blue and white dahlia with a white and red primrose below, and a yellow with blue dots wheat flower/clematis to the left of the primrose, having a pink or white Clichy-style rose to the sides, many green leaves presenting from the underside of each blossom, short green stems, signature cane to the underside of the decoration, polished pontil mark. Debbie Tarsitano Studio, Westford, MA. Fourth quarter 20th/early 21st century. 2 7/8” D.

242. DEBBIE TARSITANO (AMERICAN, B. 1955) DAHLIA LAMPWORK PAPERWEIGHT, large purple dahlia with a central yellow and pink stamen, green leaves presenting from the underside, encircled by a delicate vine wreath with pink buds, signed to the underside “DEB T. 88”, polished pontil mark. Debbie Tarsitano Studio, Westford, MA. Dated 1988. 3 1/4” D.

244. DEBBIE TARSITANO (AMERICAN, B. 1955) BERRY BOUQUET LAMPWORK PAPERWEIGHT, featuring a flowering branch with two white and yellow blossoms and nine red berries, eight veined green leaves, signature cane to the underside of the decoration. Debbie Tarsitano Studio, Westford, MA. Fourth quarter 20th/early 21st century. 3 1/8” D.

Undamaged.

Provenance: Hess Fine Auctions, 4/28/2014.

Provenance: L. H. Selman Ltd., 2/18/2015.

$800 - $1,200

$400 - $600

Undamaged. $800 - $1,200

The Collection of Carl Carter, Austin, Texas – Part II

245. DEBBIE TARSITANO (AMERICAN, B. 1955) BLOSSOMS AND LADYBUGS LAMPWORK PAPERWEIGHT, three blossoms including a multi-colored filigree twists, a blue and purple, and a pink bloom with five green leaves, with three orange and black lady bugs crawling on a bed of multi-colored threads, all above a cobalt blue ground, signature cane located to the underside of the decoration, polished pontil mark. Debbie Tarsitano Studio, Westford, MA. Fourth quarter 20th/early 21st century. 2 3/8” D.

247. PAUL YSART (SCOTTISH, 1904-1979) MILLEFIORI BUTTERFLY PAPERWEIGHT, central butterfly with red aventurine body, wings comprised of a variety of millefiori canes in many colors, signature cane located in each wing, all above an opaque mottled powder blue ground, rough pontil mark. Scotland. Circa 1960. 2 3/8” D. Undamaged. $200 - $300

Undamaged.

Undamaged. $500 - $1,000

Jeffrey S. Evans

Undamaged except for a single minute surface scratch. $200 - $300

$200 - $300

246. DELMO TARSITANO (AMERICAN 1921-1991) STRAWBERRY AND BOUQUET LAMPWORK PAPERWEIGHT, single red strawberry connected to a single-branch garland of two white blossoms and two white buds with green foliage, all resting on a bed of short white filigree tubes, millefiori garland to the exterior featuring a variety of multi-colored star-motif canes, emerald green underground, signed to the underside “DEL T-90”, polished pontil mark. Debbie Tarsitano Studio, Westford, MA. Dated 1990. 3” D.

249. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SPACED MILLEFIORI RONDELS PAPERWEIGHT, central red, white, and blue complex medallion, encircled by five varying rondels comprised of different millefiori canes including central cogs or complex examples, spaced amber complex cog canes to the exterior, all above an opaque yellow ground, rough pontil mark. Scotland. Circa 1960. 2 3/4” D.

248. PAUL YSART (SCOTTISH, 1904-1979) MILLEFIORI BUTTERFLY PAPERWEIGHT, central butterfly with a butterscotch body and pink millefiori wings, encircled by a single exterior garland of alternating fuchsia and white and blue and white complex canes, signature cane located in the garland, polished base. Scotland. Circa 1960. 2 5/8” D. Undamaged. Having some minute nicking/roughness to the base edge, as made. $200 - $300

250. PAUL YSART (SCOTTISH, 1904-1979) MULTI-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, central pink five-petal flower with nine additional smaller blooms in differing colors, two buds, all connected by green leaves and stems, signature cane as a stamen of one smaller bloom, all above a mottled blue ground, polished pontil mark. Scotland. Circa 1960. 2 5/8” D. Undamaged. $200 - $300

251. PAUL YSART (SCOTTISH, 1904-1979) FLORAL LAMPWORK AND MILLEFIORI PAPERWEIGHT, central ten-petal flower with burnt orange petals, connected by a green short stem with four leaves, encircled by a single ring of alternating fuchsia and white cogs and pink, white, and green complex canes, signature cane located at the base of the stem, all above an opaque powder blue ground, polished base. Scotland. Circa 1960. 2 3/4” D. Undamaged.

253. CATHY RICHARDSON (AMERICAN, B. 1949) MUSHROOMS CAMEO PAPERWEIGHT, ruby to frosted colorless to white, spherical form featuring many mushrooms and a variety of flowers, all above a frosted white ground, signed to the side “Cathy Richardson 2017”, polished base. Touchstone Glass Studio, Winona, MN. Dated 2017. 3 3/8” D. Undamaged. $800 - $1,200

Undamaged.

$200 - $300

252. ANDREW BYERS (NEW ZEALANDER, XX/XXI) MIXED FLORAL BOUQUET LAMPWORK PAPERWEIGHT, compound example, featuring three large yellow blossoms with scattered white and yellow blooms, white tipped buds, having a few cluster of berries, all connected with variegated green foliage, signed to the side “A. S. Byers”, dated “2008”, polished pontil mark. South Island, New Zealand. Dated 2008. 2 7/8” D. Undamaged. Provenance: L. H. Selman Ltd., 2/28/2009. $800 - $1,200

255. UNIQUE CATHY RICHARDSON (AMERICAN, B. 1949) MIXED BOUQUET LAMPWORK PAPERWEIGHT, featuring a variety of blossoms including yellow, orange, and spotted examples, including clusters of red and purple berries, all connected with variegated green and purple foliage, all above a shaded purple and white ground, signed to the side “Cathy Richardson 2019”, numbered “1 of 1”, polished pontil mark. Touchstone Glass Studio, Winona, MN. Dated 2019. 3 1/4” D. $500 - $800

254. UNIQUE CATHY RICHARDSON (AMERICAN, B. 1949) MIXED BOUQUET LAMPWORK PAPERWEIGHT, central small pink blossom with a wide variety of blossoms surrounding in many colors, scattered clusters of purple and green berries, all connected by variegated green foliage, all above a multi-colored powder ground, signed to the side “Cathy Richardson, dated “2020”, numbered “1 of 1”, polished pontil mark. Touchstone Glass Studio, Winona, MN. Dated 2020. 3” D. Undamaged. $500 - $800

256. CATHY RICHARDSON (AMERICAN, B. 1949) SEASCAPE LAMPWORK PAPERWEIGHT, featuring three blue and white fish with mottled amethyst bellies, swimming over a coral bed of yellow and purple tubes and blooms, white vines to the sides, all above a mottled green jasper ground, signed to the side “Cathy Richardson 2011”, numbered “JA-005”, polished pontil mark. Touchstone Glass Studio, Winona, MN. Dated 2011. 3” D. Undamaged. Provenance: L. H. Selman Ltd., 7/08/2011. $400 - $600

The Collection of Carl Carter, Austin, Texas – Part II

257. UNIQUE CATHY RICHARDSON (AMERICAN, B. 1949) SCOTCH THISTLE AND BUTTERFLY LAMPWORK PAPERWEIGHT, three pink thistle blooms with two interior buds, connected by green and brown foliage, orange/yellow and black Monarch butterfly above, all above a white and green jasper ground, signed to the side “Cathy Richardson 2018”, numbered “1 of 1”, polished pontil mark. Touchstone Glass Studio, Winona, MN. Dated 2018. 2” D. Undamaged. $300 - $500

258. UNIQUE CATHY RICHARDSON (AMERICAN, B. 1949) PEONY BOUQUET LAMPWORK PAPERWEIGHT, three large white and fuchsia peony blooms with two matching interior buds, all connected by variegated green foliage, all above a multi-colored powder ground, signed to the side “Cathy Richardson 2020”, numbered “1 of 1”, polished pontil mark. Touchstone Glass Studio, Winona, MN. Dated 2020. 2 7/8” D. Undamaged. $300 - $500

259. UNIQUE COLIN RICHARDSON (AMERICAN, B. 1979) ORCHID BOUQUET LAMPWORK PAPERWEIGHT, brown and mottled branch holding a vine carrying many pink blossoms and buds, other side holding many variegated green leaves, brown intertwined vines, signed to the side “Colin Richardson 2011”, numbered “ 1 of 1”, polished pontil mark. Touchstone Glass Studio, Winona, MN. Dated 2011. 3 3/8” D.

261. PAUL YSART (SCOTTISH, 1904-1979) CLEMATIS AND TWIST LAMPWORK PAPERWEIGHT, central red and gold aventurine clematis with five protruding green leaves, encircled by an exterior garland of lime green and pink tubes with each tube contained within a white filigree twist, all above a blue and white jasper ground, signature cane to the underside of the decoration, polished base. Scotland. Circa 1960. 2 3/4” D.

Undamaged.

Provenance: Leo Kaplan Ltd., 8/08/2011.

$200 - $300

$300 - $500

260. PAUL YSART (SCOTTISH, 1904-1979) FLORAL LAMPWORK AND FILIGREE TWISTS PAPERWEIGHT, central butterscotch and red clematis blossom, encircled by a single exterior garland of alternating red aventurine tubes and blue and white filigree twists, all above a red and white jasper ground, signature cane to the underside of decoration, polished base. Scotland. Circa 1960. 2 3/4” D. Undamaged. $200 - $300

262. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central fuchsia and butterscotch complex cane, encircled by three exterior spaced garlands, inner example having alternating teal and fuchsia complex canes, second having alternating white florette tubes and fuchsia and white cogs, exterior consisting of red aventurine tubes alternating between blue and white florette tubes, all above a blue and white jasper ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Undamaged with a few scattered short surface scratches. $200 - $300

Jeffrey S. Evans

263. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED FISH LAMPWORK AND MILLEFIORI PAPERWEIGHT, central red fish with gold aventurine fins, encircled by a single exterior garland following a pattern of paired plum and white cogs and purple, yellow, and orange tubes, all above a transparent cobalt blue ground, polished base. Scotland. Circa 1960. 2 7/8” D. Excellent condition overall with some light post-production polishing around the base edge. Some light roughness around the base edge, as made. $200 - $300

265. CONTEMPORARY SAINT-LOUIS AURORE CONCENTRIC MILLEFIORI PAPERWEIGHT, compound example with a concentric medallion comprised by a complex tube cane and encircled by five exterior garlands featuring multi-colored cogs and complex canes, hovering above a lower five concentric garlands of a variety of canes, all above a white and blue stardust floor, lower garlands resting on a green stave basket, signature cane located within the lower garlands and stating “SL/2000”, numbered “69/75”, polished pontil mark. Compagnie des Cristalleries de Saint Louis. Dated 2000. 3 1/8” D.

267. KEN ROSENFELD (AMERICAN, B. 1950) MIXED WREATH BOUQUET LAMPWORK PAPERWEIGHT, crescent form garland featuring a variety of blossoms including a large purple and yellow, four white, and a fuchsia example, all held by variegated green foliage, signature cane to the side, signed to the side “Ken Rosenfeld 2011”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 2011. 3 1/4” D.

Undamaged.

$500 - $800

Undamaged. Provenance: Purchased from the artist, 1/29/2011.

Provenance: G. W. McClanahan, 5/18/2005. $800 - $1,200

264. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED THREE BUTTERFLY MILLEFIORI PAPERWEIGHT, central green and white cog cane encircled by three multi-colored butterflies with millefiori wings, separated by an isolated blue star cog, all above a black ground, rough pontil mark. Scotland. Circa 1950. 2 1/2” D. Good condition overall with some scattered crescent-form surface bruising. $200 - $300

266. KEN ROSENFELD (AMERICAN, B. 1950) MIXED BOUQUET LAMPWORK PAPERWEIGHT, large mixed bouquet featuring two yellow with amethyst spots clematis blossoms, three red blossoms, and two pink and blue blossoms, center having a cluster of red buds, all connected by variegated green foliage, signature cane to the side, signed to the side “Ken Rosenfeld ‘92”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 1992. 3 1/8” D. Undamaged.

268. KEN ROSENFELD (AMERICAN, B. 1950) BLUE BONNET BOUQUET LAMPWORK PAPERWEIGHT, having two spires of purple and yellow blue bonnet bouquets with a small bud in between, all connected by a network of variegated green foliage, above a brown and tan jasper ground, signed to the side “PCA Texas”, signature cane to the side, signed to the side “Ken Rosenfeld ‘88”, numbered “6/50”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 1988. 3 1/4” D. Undamaged. $400 - $600

Provenance: Jeffrey S. Evans & Associates, 12/6/2014, lot 71. $500 - $800

The Collection of Carl Carter, Austin, Texas – Part II

269. KEN ROSENFELD (AMERICAN, B. 1950) AUTUMN BOUQUET LAMPWORK PAPERWEIGHT, bouquet comprised of three red blossoms, a yellow blossom, and two orange blooms, having scattered buds, all connected by green and brown foliage, millefiori cane stamens, signature cane to the side, signed to the side “Ken Rosenfeld ‘90”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 1990. 3 1/8” D. Undamaged. Provenance: L. H. Selman Ltd., 4/11/2013. $400 - $600

270. KEN ROSENFELD (AMERICAN, B. 1950) MIXED BOUQUET AND BEE LAMPWORK PEDESTAL PAPERWEIGHT, mixed bouquet featuring purple, pink, blue, and white blossoms, a single pink bud, single honey bee pollenating a flower, all connected by variegated green foliage, raised on an opaque powder blue foot, signature cane to the side, signed to the side “KR 2009”. Ken Rosenfeld Glass, Portland, OR. Dated 2009. 2 3/4” H, 2 1/4” D.

271. PAUL YSART (SCOTTISH, 1904-1979) CONCENTRIC MILLEFIORI PAPERWEIGHT, central amethyst and white florette cane, encircled by two exterior garlands with the interior being spaced and having white and red complex canes, second band following a pattern of a pair of pink and white complex canes followed by a butterscotch and white complex cane, all above a stave basket of alternating white filigree twists and fuchsia cogs, signed in script to the underside “P. Ysart”, rough pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged.

273. PAUL YSART (SCOTTISH, 1904-1979) SPACED CONCENTRIC MILLEFIORI PAPERWEIGHT, central multi-colored millefiori medallion, encircled by two spaced garlands featuring a variety of multi-colored medallions and complex canes, all above and white and green upset muslin ground, signature “H” cane between two medallions in the inner garland, factory-polished base. Harland / Highland Works, Scotland. Circa 1960. 2 1/2” D. Undamaged. $100 - $200

$100 - $200

274. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SIX-POINT STAR MILLEFIORI PAPERWEIGHT, central multi-colored complex cane, encircled by an interior garland of green, white, and red cogs, three star points comprised of yellow and red complex canes, remaining three points having fuchsia and white complex canes, separated by blue and red complex canes, six exterior blue and white complex canes, all above a mottled blue ground, rough pontil mark. Scotland. Circa 1950. 2 3/4” D.

Undamaged.

272. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED SIX-SPOKE CONCENTRIC MILLEFIORI PAPERWEIGHT, central fuchsia and white complex cane, six orange, yellow, and gold aventurine spokes connected to the central cane and reaching into the body, separating six blue and white complex canes, encircled by an exterior garland of alternating amber cogs with orange or green interiors, all above a blue and white jasper ground, rough pontil mark. Scotland. Circa 1960. 2 3/4” D.

Provenance: L. H. Selman Ltd., 2/01/2010.

Undamaged.

Undamaged with a couple of minute short surface scratches.

$400 - $600

$100 - $200

Jeffrey S. Evans

275. PAUL YSART (SCOTTISH, 1904-1979) SPACED CONCENTRIC MILLEFIORI PAPERWEIGHT, central multi-colored complex cane, encircled by three spaced exterior garlands, inner alternating between pink and white complex canes and butterscotch and white cogs, middle ring consisting of blue and white star tubes with off-set green and white cogs, holds signature cane, exterior band featuring a variety of multi-colored canes including complex examples, all above an opaque mauve ground, polished base. Scotland. Circa 1960. 2 3/4” D. Undamaged. Having some minute roughness around the base edge, as made.

277. PETER MCDOUGALL (SCOTTISH, B. 1952) TRIPLE-OVERLAY CLOSE-PACK MUSHROOM MILLEFIORI PAPERWEIGHT, opaque deep red to opaque white to opaque blue to colorless, cut-faceted with a circular top window, interior mushroom with a close-pack composition featuring a variety of multi-colored complex canes, all resting on an alternating white and yellow stave basket, signature cane located within the decoration. PMcD Glass Studio Ltd., Crieff, Scotland. 21st century. 3 1/4” DOA.

279. PETER MCDOUGALL (SCOTTISH, B. 1952) SPACED MILLEFIORI PAPERWEIGHT, featuring an assortment of multi-colored complex canes, signature cane included in the decoration, dated “2014”, all above a multi-colored upset muslin ground, retains manufacturing label, polished pontil mark. PMcD Glass Studio Ltd., Crieff, Scotland. Dated 2014. 3 1/4” D. Undamaged. $200 - $300

Undamaged. $400 - $600

$100 - $200

276. PETER MCDOUGALL (SCOTTISH, B. 1952) CHECKERBOARD / CHEQUER MILLEFIORI MAGNUM PAPERWEIGHT, cut-faceted with a circular top window, large 10x10 checkerboard with each edge terminating in a column of eight canes, board comprised by a variety of multi-colored millefiori canes, all separated by an opaque pink grid, signature cane located to the edge of the board, all above an upset muslin ground, polished pontil mark. PMcD Glass Studio Ltd., Crieff, Scotland. 21st century. 4” D. Undamaged. $500 - $800

278. PETER MCDOUGALL (SCOTTISH, B. 1952) CHECKERBOARD / CHEQUER MILLEFIORI PAPERWEIGHT, tiered composition with five complex canes to the middle row with each row above and below subtracting two canes until you reach the top and bottom of the board, 13 center canes total, all separated by pink tubes, encircled by an exterior garland comprised of a variety of multi-colored complex canes separated by short white and red filigree twists, all above a white filigree ground, signature cane located to the underside, retains manufacturing label, polished pontil mark. PMcD Glass Studio Ltd., Crieff, Scotland. 21st century. 2 3/4” D.

280. PETER MCDOUGALL (SCOTTISH, B. 1952) CLOSE-PACK MILLEFIORI PAPERWEIGHT, featuring a wide variety of multi-colored complex canes, signature cane located within the decoration, all encircled by a single rainbow stave basket, retains manufacturing label, polished pontil mark. PMcD Glass Studio Ltd., Crieff, Scotland. 21st century. 3” D. Undamaged. $200 - $300

Undamaged. $200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

281. PETER MCDOUGALL (SCOTTISH, B. 1952) MILLEFIORI FLORAL BOUQUET PAPERWEIGHT, six pink and white blossoms made of millefiori canes, six pink lampworked buds, all connected by variegated green stems and leaves, signature cane located at the base of the stem, retains manufacturing label, polished pontil mark. PMcD Glass Studio Ltd., Crieff, Scotland. Late 20th/21st century. 2 3/4” D.

283. STEVEN LUNDBERG (AMERICAN, 1953-2008) AQUARIUM LAMPWORK MAGNUM PAPERWEIGHT SCULPTURE, circular form, four pink and purple angel fish swimming among green, orange, and purple seaweed, multi-colored jasper ground, signed to the side “Steven Lundberg/Lundberg Studios”, dated “’94”, polished base. Lundberg Studios, Davenport, CA. Dated 1994. 4 1/8” D.

Undamaged.

$200 - $300

$500 - $800

282. PETER MCDOUGALL (SCOTTISH, B. 1952) FOUR-COLOR CROWN PAPERWEIGHT, central large complex cane with a Maltese Cross, alternating between white filigree twist, and three opaque twists featuring blue, green, yellow, and orange, all starting at the central cane and reaching toward the base, all above an opaque red ground, signature cane located to the underside, polished pontil mark. PMcD Glass Studio Ltd., Crieff, Scotland. 21st century. 2 1/2” D.

284. STEVEN LUNDBERG (AMERICAN, 1953-2008) AQUARIUM LAMPWORK PAPERWEIGHT SCULPTURE, four white, blue, and pink angel fish swimming among green, orange, and purple seaweed, multi-colored jasper ground, signed to the side “Steven Lundberg/ Lundberg Studios”, dated “1994”, polished front window and base. Lundberg Studios, Davenport, CA. Dated 1994. 3 1/4” H, 2 7/8” x 4 1/4”.

Undamaged. $100 - $200

Undamaged. $400 - $600

285. STEVEN LUNDBERG (AMERICAN, 1953-2008) BUTTERFLY WITH BAMBOO LAMPWORK PAPERWEIGHT, double-compound example, large yellow, red, blue, and black butterfly flying above three green bamboo poles with hanging green leaves, signed to the underside “Steven Lundberg/S. Lundberg Art Glass”, dated “2002”, polished pontil mark. Steven & Justin Lundberg Glass Art, Santa Cruz, CA. Dated 2002. 3 1/4” D. Undamaged. $400 - $600

286. EARLY PAUL YSART (SCOTTISH, 19041979) CONCENTRIC MILLEFIORI PAPERWEIGHT, central fuchsia and white central cane, encircled by four exterior garlands with the interior comprised of white star canes, second having matching green and fuchsia complex canes, third alternating between fuchsia and white florette tubes and yellow complex canes, exterior having horizontally placed white filigree twists with transparent teal spacers, rough pontil mark. Scotland. Circa 1950. 2 3/4” D. Undamaged with some scattered light surface wear. $100 - $200

Jeffrey S. Evans

287. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, encasement having a purple tint, central white and fuchsia florette tube, encircled by an interior garland of alternating green and white cogs and white tubes, exterior featuring vertically placed gold aventurine tubes with white and blue filigree twists encapsulating, followed by brown cogs with pink or orange interior, all above a green and white jasper ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D.

289. PAUL YSART (SCOTTISH, 1904-1979) MILLEFIORI MEDALLION MINIATURE PAPERWEIGHT, central close-pack millefiori medallion, encircled by a mixed exterior garland of white and also white and aventurine green filigree twists separating green and white cogs with interior close-pack medallions, and green, white, and red complex canes, all above an opaque mauve ground with some white frit showing, signature “H” cane to the underside of the decoration, polished base. Harland / Highland Works, Scotland. Circa 1960. 1 3/4” D.

Undamaged with scattered surface wear.

Undamaged.

$100 - $200

288. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED FILIGREE FOUNTAIN PAPERWEIGHT, central controlled bubble supported by three white and yellow, and three orange filigree twists with controlled-bubbles to each, all above a brown ground, retains part of the original manufacturing label, polished base. Scotland. Circa 1960. 2 7/8” H, 2 1/8” D. Undamaged. Having some minute roughness to the base edge, as made. $100 - $200

290. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED THREE-COLOR CROWN PAPERWEIGHT, central controlled-bubble hovering over alternating bands of filigree twists containing tubes of transparent amber and cobalt blue, having a green and pink opaque twist, each being separated by an opaque yellow spacer, polished pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged with a single minute surface scratch. $100 - $200

291. KEN ROSENFELD (AMERICAN, B. 1950) MORNING GLORY BOUQUET LAMPWORK PAPERWEIGHT, two large purple, red, and white morning glory blossoms with three flanking buds, all connected by variegated green leaves and foliage, all above a near black ground, signature cane located to the side, dated “2012”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 2012. 2 3/4” D. Undamaged. $300 - $500

292. KEN ROSENFELD (AMERICAN, B. 1950) MIXED BOUQUET AND BUTTERFLY LAMPWORK PAPERWEIGHT, mixed bouquet comprised of a pink, two amethyst, and a white blossom, with two pink and a white bud, all connected by variegated green leaves, orange, white, and black Monarch butterfly perched on the side of one leaf, signature cane located to the side, signed “Ken Rosenfeld”, dated “2001”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 2001. 3” D. Undamaged. Provenance: Purchased from the artist, 8/25/2001. $300 - $500

The Collection of Carl Carter, Austin, Texas – Part II

293. KEN ROSENFELD (AMERICAN, B. 1950) KOI LAMPWORK PAPERWEIGHT, featuring two swimming koi fish with one being pink and the other purple, swimming above green seaweed with a single bud to one end, a variegated pod to the edge, all above a transparent blue ground, signature cane to the side, dated “2011”, rayed base. Ken Rosenfeld Glass, Portland, OR. Dated 2011. 3” D.

295. KEN ROSENFELD (AMERICAN, B. 1950) FLORAL BOUQUET LAMPWORK PAPERWEIGHT, featuring two orange and yellow blossoms and a matching bloom, with each being connected by variegated green stems and leaves, signature cane to the underside of the decoration, dated “2013”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 2013. 2 5/8” D.

Undamaged.

Provenance: Purchased from the artist, 1/28/2012.

$200 - $300

297. VICTOR TRABUCCO (AMERICAN, B. 1949) PEARS BOUQUET LAMPWORK PAPERWEIGHT, two yellow and orange mottled pears attached to variegated green and orange foliage with a single white blossom and adjacent white bud, all above a maroon, black, and white jasper ground, signed to the underside “Trabucco/2001”, signature cane to the underside of the decoration, polished base. Trabucco Studio, Clarence, NY. Dated 2001. 3” D. Undamaged. $200 - $400

$300 - $500

294. KEN ROSENFELD (AMERICAN, B. 1950) MIXED BOUQUET LAMPWORK PAPERWEIGHT, three purple and white morning glory blossoms and two central blue and pink blossoms, two morning glory buds, all connected by variegated green foliage, signature cane to the side, signed to the side “Ken Rosenfeld”, dated “2008”, polished pontil mark. Ken Rosenfeld Glass, Portland, OR. Dated 2008. 3” D. Undamaged. Provenance: G. W. McClanahan, 12/28/2010. $200 - $400

Jeffrey S. Evans

296. VICTOR TRABUCCO (AMERICAN, B. 1949) EIGHT-FLOWER BOUQUET LAMPWORK MAGNUM PAPERWEIGHT, two central yellow and white and pink blossoms, encircled by four purple blossoms and five matching buds, all connected by variegated green foliage, signed to the side “Trabucco/1985”, polished pontil mark. Trabucco Studio, Clarence, NY. Dated 1985. 4 3/8” D. Undamaged. $500 - $800

298. RAY BANFORD (AMERICAN, 19182003) CUT DOUBLE-OVERLAY BASKET IRIS LAMPWORK PAPERWEIGHT, opaque yellow to opaque white to colorless, strawberry diamond cut basket form, five blue iris blossoms with four additional blue buds, all connected by variegated green stems and leaves, signature cane located within the decoration, fine-diamond cut base. R. Banford, Inc., Hammonton, NJ. Late 20th/early 21st century. 2 3/4” D. Undamaged. Provenance: Leo Kaplan Ltd., 5/15/2014. $500 - $800

299. BOB BANFORD (AMERICAN, B. 1951) AND RAY BANFORD (1913-2003) COLLABORATIVE FOUR-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, cut-faceted with a circular top window, central fuchsia rose topped by an amethyst and yellow pansy, flanked on each side by a fuchsia or yellow with amethyst spots clematis, a fuchsia and yellow bud near the base, all connected by green leaves and stems, two signature canes at the base of the stems, cut-diamond base. R. Banford, Inc., Hammonton, NJ. Fourth quarter 20th century. 3” DOA.

301. PAUL YSART (SCOTTISH, 1904-1979) HEART MILLEFIORI PAPERWEIGHT, central heart outlined by pink and white tubes, interior comprised of red and white cogs, signature cane located within decoration, all above a white filigree twist basket, polished base. Scotland. Circa 1960. 2 5/8” D. Undamaged. $100 - $200

303. EARLY PAUL YSART (SCOTTISH, 1904-1979) SIX-POINT STAR MILLEFIORI PAPERWEIGHT, encasement having a purple tint, central blue, white, and butterscotch complex cane, two exterior garlands with the inner comprised of white Stardust-type canes, second consisting of pink complex canes, exterior garland creating a six-point star and having green and pink complex canes, six spaced fuchsia and white whorls to the edge, signature cane located within the decoration, all above a black ground, rough pontil mark. Scotland. Circa 1950. 2 1/2” D.

Undamaged.

$300 - $500

$100 - $200

300. BOB BANFORD (AMERICAN, B. 1951) SIX-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, central amethyst and yellow pansy with a central floral millefiori cane, encircled by a variety of blossoms including blue, white, rose, and white with blue stripes example, all resting on a bed of large green leaves, connected by short stems and leaves, signature cane to the underside of the decoration, cut-diamond base. R. Banford, Inc., Hammonton, NJ. Fourth quarter 20th century. 3” D.

302. PAUL YSART (SCOTTISH, 1904-1979) FISH LAMPWORK PAPERWEIGHT, central red fish with red aventurine fins and yellow spots, all above a white filigree basket, signature cane located under fish, polished pontil mark. Scotland. Circa 1960. 2 5/8” D. Undamaged. $100 - $200

304. EARLY PAUL YSART (SCOTTISH, 19041979) CONCENTRIC MILLEFIORI PAPERWEIGHT, central yellow and orange complex cane, encircled by three exterior garlands with the inner example having alternating blue tubes and pink complex canes, second alternating between green and white cogs and pink tubes, exterior consisting of alternating blue and white cogs and green aventurine cogs, all above a mottled amethyst ground, rough pontil mark. Scotland. Circa 1950. 3” D.

Undamaged.

$300 - $500

$100 - $200

The Collection of Carl Carter, Austin, Texas – Part II

305. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED MILLEFIORI BUTTERFLY PAPERWEIGHT, central butterfly with red aventurine body and red and orange and butterscotch and white wings, above a blue and white jasper ground, polished base. Scotland. Circa 1960. 2 5/8” D. Undamaged except for a few minor surface scratches. $100 - $200

307. RICHARD LOESEL (FRENCH, XX/XXI) BUTTERFLY AND DAHLIA LAMPWORK PAPERWEIGHT, compound example, single white, red, and black butterfly above a large blue and white dahlia with a central white Clichy-style rose, 12 green leaves presenting from the underside, peach jasper ground, signature cane to the underside of the decoration, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3” D. Undamaged. $400 - $600

306. RICHARD LOESEL (FRENCH, XX/XXI) BUTTERFLY AND DAHLIA LAMPWORK PAPERWEIGHT, compound example, single white, blue, and black butterfly above a large yellow and orange dahlia with a central pink Clichy-style rose, 13 green and brown leaves presenting from the underside, peach jasper ground, signature cane to the underside of the decoration, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3 1/8” D. Undamaged. $400 - $600

308. RICHARD LOESEL (FRENCH, XX/XXI) STACKED DAHLIAS LAMPWORK PAPERWEIGHT, double-compound example, upper blue dahlia raised above a larger white dahlia which is raised above an even larger yellow dahlia, each having green leaves and a few buds presenting from the underside, signature cane located to the underside, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3 1/8” D. Undamaged. $400 - $600

309. RICHARD LOESEL (FRENCH, XX/XXI) BUTTERFLIES AND BOUQUET LAMPWORK PAPERWEIGHT, compound example, featuring two white and black butterflies flying toward each other with iridescent blue spots, above a central white blossom with green stems extending toward the edges holding many white blossoms with yellow stamens and a few scattered buds, signature cane located at the edge, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3 1/8” D. Undamaged. $400 - $600

310. RICHARD LOESEL ATTRIBUTED (FRENCH, XX/XXI) BUTTERFLY AND SCRAMBLED LAMPWORK PAPERWEIGHT, compound example, single blue, white, and black butterfly with blue iridescent spots above a floral scrambled ground featuring a large pink rose, a single red and black ladybug, all resting on an assorted floral ground with scattered green foliage, no signature cane located, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3” D. Undamaged. $400 - $600

Jeffrey S. Evans

311. RICHARD LOESEL (FRENCH, XX/XXI) 11-DAHLIA LAMPWORK PAPERWEIGHT, cut-faceted with a circular top window, featuring a central white dahlia with ten dahlias layed in a concentric manner around the center, colors including blue, purple, pink, and white, many buds in different colors, all above a transparent cobalt blue ground, signature cane located as the stamen of one blue dahlia, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3” DOA. Undamaged.

313. RICHARD LOESEL (FRENCH, XX/XXI) CYCLAMEN ROSE LAMPWORK PAPERWEIGHT, six pink cyclamen rose blossoms around at the top with thin green stems leading to draped green leaves with six spiraling rose buds, all above an opaque green ground, signature cane at the base of the stems, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3 1/4” D. Undamaged. $300 - $500

Undamaged.

$400 - $600

312. RICHARD LOESEL (FRENCH, XX/XXI) BUTTERFLY AND BOUQUET LAMPWORK PAPERWEIGHT, compound example, single orange, white, and black butterfly with aventurine spots, above a wreath of yellow blooms and clusters, all connected with variegated green foliage, all above an opaque green ground, signature cane to the base of the foliage, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3 1/8” D. Nearly undamaged with a small cluster of scratches to the top.

315. JIM D’ONOFRIO (AMERICAN, B. 1951) INDIAN POTS AND SUCCULENTS LAMPWORK PAPERWEIGHT, comprising two multi-colored pots holding green succulents with one having three orange blooms, and the other a single lavender bloom, three shards of a similar broken pot scattered on the tan jasper ground, a single brown branch on the ground, signed to the side “Jim D’onofrio ‘91”, numbered “0079”, polished pontil mark. New Jersey. Dated 1991. 3 1/8” D. $400 - $600

314. RICHARD LOESEL (FRENCH, XX/XXI) FLORAL BOUQUET LAMPWORK PAPERWEIGHT, three central pink blossoms with black-tipped stamens, concentric yellow and purple flowers with alternating black and yellow stamens, all held by green leaves and foliage, all above an opaque green ground, signature cane as a stamen of one purple flower, polished pontil mark. Studio Loesel, Lorainne, France. 21st century. 3 1/8” D. Undamaged. $300 - $500

316. PAUL YSART (SCOTTISH, 1904-1979) MILLEFIORI BUTTERFLY PAPERWEIGHT, central butterfly with red aventurine body supporting pink and butterscotch millefiori wings, encircled by an exterior garland of pink, green, and white complex canes, holding the signature cane, all above an opaque light blue ground, polished base. Scotland. Circa 1960. 2 3/4” D. Nearly undamaged with a couple of minute flakes to the base edge. $100 - $200

$400 - $600

The Collection of Carl Carter, Austin, Texas – Part II

317. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED SEVEN-SPOKE CONCENTRIC MILLEFIORI PAPERWEIGHT, large central multi-colored complex cane, with seven white filigree spokes alternating with fuchsia and white tubes, encircled by two exterior garlands with the inner having alternating white tubes and green and white complex canes, exterior consisting of alternating blue and white cogs and fuchsia and white tubes, all above a mottled amethyst/black ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Undamaged with scattered surface wear. $100 - $200

319. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, cut-faceted lacking a top window, central pink and white complex cane, encircled by three exterior garlands with the interior having alternating green and white cogs and multi-colored complex canes, second having off-set fuchsia and white star tubes and peach cogs, exterior band comprised of fuchsia and white cogs, gold and white open tubes, and green and white cogs, all above a mottled amethyst ground, rough pontil mark. Scotland. Circa 1950. 2 3/4” D. Nearly undamaged with a couple of minute areas of roughness to the edge of some cuts. $100 - $200

318. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED MEDALLION MILLEFIORI PAPERWEIGHT, central close-pack millefiori medallion with a variety of multi-colored canes, encircled by an exterior garland of orange complex canes, lavender and orange tubes, and horizontally placed white filigree twists, all above a tan jasper ground, rough pontil mark. Scotland. Circa 1950. 3” D. Undamaged with some scattered surface wear. Having some annealing imperfections to the underside of the base to the ground, as made. $100 - $200

320. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central red and white whorl, encircled by three exterior garlands with two being adjacent and one being spaced, interior example comprised of red and white cogs, second having large multi-colored complex canes and off-set blue and white cogs, exterior consisting of short white filigree twists, white and fuchsia florette tubes and green and white complex canes, all above a mottled amber ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Undamaged with some minute surface wear. $100 - $200

Jeffrey S. Evans

321. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) CONCENTRIC MILLEFIORI PAPERWEIGHT, central purple Clichy-style rose, encircled by five exterior garlands with the majority of canes being multi-colored complex canes, third band containing six silhouette canes featuring a dancing man or woman, all above a cobalt blue ground, all resting on a white stave basket, signed to the underside “M. Hunter Twists ‘’18”, numbered “1of1”, signature cane located to the underside of the decoration, retains “Twists” manufacturing label, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2018. 2 3/4” D. Undamaged. $400 - $600

322. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) MILLEFIORI COLUMNS PAPERWEIGHT, comprising eight columns of millefiori canes including pillars of yellow, red, and purple Clichy-style rose canes, one comprised of flying bird silhouette canes, remainder consisting of multi-colored complex canes, all above a cobalt blue ground, all resting on a white stave basket, signed to the underside “M. Hunter Twists ‘15”, numbered “1of1”, signature cane located to the underside of the decoration, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2015. 2 1/2” D. Undamaged. Provenance: William Pitt Paperweights and Art Glass, 4/30/2015. $300 - $500

323. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) OFF-SET CONCENTRIC MILLEFIORI PAPERWEIGHT, off-set central white and black dragonfly silhouette cane, encircled by six exterior garlands with the most interior comprised of pink Clichy-style roses, next two rings comprised of multi-colored complex canes, fourth band being amethyst Clichy-style roses, with the fifth and the six also featuring multi-colored complex canes, all above a cobalt blue ground, signed to the underside “M. Hunter Twists ‘18”, numbered “1of1”, signature cane to the underside of the decoration, retains “Twists” manufacturing label, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2018. 2 5/8” D. Undamaged. $300 - $500

325. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) “GERMATTI” LATTICINIO AND MILLEFIORI PAPERWEIGHT, central Evil Snowman central cane, encircled by white, blue, yellow, and red latticinio twists, all surrounded by two exterior garlands featuring a variety of multi-colored complex canes, all above a cobalt blue ground, all resting on a white stave basket, signed to the underside “Germatti”, “M. Hunter Twists ‘11”, numbered “1of1”, signature cane located to the underside of the decoration, retains “Twists” manufacturing label, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2011. 2 5/8” D. Undamaged. Provenance: Weights-and-Things, 6/23/2011. $200 - $400

327. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) CONCENTRIC MILLEFIORI PAPERWEIGHT, central white eight-petal rosette cane, encircled by two interior garlands being composed of three wedges featuring complex canes in pink, amethyst, and yellow/butterscotch, surrounded by an inner multi-colored torsade, outer edge having another garland which matches the interior examples, all above a mottled blue ground, all resting on a white stave basket, signed to the underside “M. Hunter Twists ‘14”, numbered “1of1”, signature cane to the underside of the decoration, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2014. 2 1/2” D. Undamaged. Provenance: L. H. Selman Ltd., 5/23/2014. $200 - $300

324. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) CONCENTRIC SILHOUETTE AND MILLEFIORI PAPERWEIGHT, central large complex cane, encircled by four exterior garlands with the interior consisting of white eight-petal floral canes, second having alternating red Clichy-style roses and butterfly silhouette canes, remaining bands comprised of multi-colored complex canes, all above a mottled blue ground, all resting on a white stave basket, signed to the underside “M. Hunter Twists ‘11”, numbered “1of1”, signature cane located to the underside, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2011. 2 1/2” D. Undamaged. Provenance: L. H. Selman Ltd., 2/06/2012. $300 - $500

326. UNIQUE MIKE HUNTER (SCOTTISH, B. 1958) CONCENTRIC MILLEFIORI PAPERWEIGHT, central large white Clichy-style rose, encircled by four outer garlands with each being comprised of alternating green moss complex canes and then Clichy-style roses with purple, white, and red examples, all on a white stave basket, signed to the underside “M. Hunter Twists ‘11”, numbered “1of1”, signature cane located to the underside of decoration, retains “Twists” manufacturing label, polished base. Twists Glass Studio, Selkirk, Scotland. Dated 2011. 2 3/8” D.

328. UNIQUE CHRIS BUZZINI (AMERICAN, B. 1949) MIXED BOUQUET LAMPWORK PAPERWEIGHT, crescent form bouquet featuring yellow, blue, red, and purple blossoms, scattered buds, all connected with variegated green foliage, signed to the side “Buzzini ‘95”, numbered “7/10”, polished pontil mark. California. Dated 1995. 3 1/4” D. Undamaged.

Undamaged.

Provenance: Jeffrey S. Evans & Associates, 12/06/2014, lot 7.

Provenance: L. H. Selman Ltd.. 3/07/2011. -

$400 - $600

$200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

329. MAYAUEL WARD (AMERICAN, B. 1956) FRUITS AND FLORAL BOUQUET LAMPWORK PAPERWEIGHT, having three blossoms with color combinations including white and purple, orange and red, and yellow and orange, with pink blooms and buds to the top and bottom, six red berries with white tops, all connected by variegated green foliage, signed to the side “Mayauel Ward 2009”, polished pontil mark. Mayauel Ward Fine Art Glass, Manhattan Beach, CA. Dated 2009. 3” D.

331. MAYAUEL WARD (AMERICAN, B. 1956) SINGLE-FLOWER AND IRIDESCENT LAMPWORK PAPERWEIGHT, cut oval side window showing a single yellow five-petal blossom with amethyst stamen, held by a swirling green stem and leaves, exterior having a blue iridescent mottled surface with platinum vine decoration, signed to the underside “Mayauel Ward 2010”, polished pontil mark. Mayauel Ward Fine Art Glass, Manhattan Beach, CA. Dated 2010. 2 5/8” D.

Undamaged.

$300 - $500

$100 - $200

330. MAYAUEL WARD (AMERICAN, B. 1956) BUTTERFLY AND FLOWERS LAMPWORK PAPERWEIGHT, compound example, orange and brown butterfly flying toward a large pink blossom with yellow stamen, above a matching blossom, three textured green leaves, blossoms connected by thin brown branches, all above a blue and white jasper ground, signed to the underside “Mayauel Ward 2008”, polished pontil mark. Mayauel Ward Fine Art Glass, Manhattan Beach, CA. Dated 2008. 3 1/8” D.

332. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central green, white, and fuchsia complex cane, encircled by two interior garlands with the inner example being comprised of white and blue cogs, second having alternating fuchsia and white complex canes and blue and white cogs, exterior featuring gold aventurine tubes with white filigree twists alternating with stacked white and green tubes and cogs, all above blue and white jasper ground, rough pontil mark. Scotland. Circa 1960. 2 3/4” D.

Undamaged. Provenance: L. H. Selman Ltd., 2/01/2010. $200 - $400

Jeffrey S. Evans

Undamaged. $100 - $200

333. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED CONCENTRIC RONDELS MILLEFIORI PAPERWEIGHT, central blue and white complex medallion, encircled by five exterior rondels comprised of a variety of multi-colored millefiori canes, with cogs or complex canes to the center, five spaced red and white cogs to the edge, all above a cobalt blue ground, rough pontil mark. Scotland. Circa 1950. 2 5/8” D. Undamaged. $100 - $200

334. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CONCENTRIC RONDELS MILLEFIORI PAPERWEIGHT, central white and red cog, encircled by five rondels comprised of a variety of multi-colored canes with a red, white, and blue tubes to the center, five spaced multi-colored tubes to the exterior, all above a blue and white jasper ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Undamaged with some minute instances of isolated wear. $100 - $200

335. EARLY PAUL YSART (SCOTTISH, 19041979) CLOSE-PACK MEDALLION MILLEFIORI PAPERWEIGHT, central close-pack medallion featuring a variety of multi-colored millefiori canes, encircled by an interior garland of green and white tubes, exterior comprised of vertically placed white filigree twists followed by either pink and white or pink and gold complex canes, all above an opaque blue ground, rough pontil mark. Scotland. Circa 1950. 2 5/8” D. Undamaged.

337. DAMON MACNAUGHT (AMERICAN, B. 1975) CLICHY-STYLE ROSE CLOSE-PACK MILLEFIORI PAPERWEIGHT, a close-pack assemblage of pink and yellow Clichy-style roses, signed to the side “D. MacNaught 2016”, signature cane to the underside of the decoration, polished base. Bare Glass, Silver Point, TN. Dated 2016. 3” D. Undamaged. $300 - $500

$100 - $200

339. DAMON MACNAUGHT (AMERICAN, B. 1975) CONCENTRIC PANELLED MILLEFIORI PAPERWEIGHT, central teal and white tubular complex cane, encircled by an inner garland of green and white complex canes, eight teal and white opaque twist spokes creating eight pie-shaped wedges of concentrically positioned cogs and complex canes, all resting on an alternating white and pink stave basket, signed to the side “D. MacNaught 2019”, signature cane located to the underside, polished base. Bare Glass, Silver Point, TN. Dated 2019. 3 3/8” D. Undamaged. $200 - $400

336. PAUL YSART (SCOTTISH, 1904-1979) FLORAL LAMPWORK AND MILLEFIORI MINIATURE PAPERWEIGHT, central blue five-petal flower with five ribbed green leaves protruding from the underside, encircled by a single exterior garland following a pattern of paired pink and green complex canes and then a blue and white florette tube, signature cane to the interior of the garland, all above a cobalt blue ground, polished base. Scotland. Circa 1960. 1 7/8” D. Undamaged. $100 - $200

338. DAMON MACNAUGHT (AMERICAN, B. 1975) TEXAS PCA CONCENTRIC MILLEFIORI PAPERWEIGHT, central Texas silhouette cane with a star in the middle, encircled by five exterior garlands with the interior consisting of yellow Clichy-style roses, second being white florette canes, remaining three bands comprised of a variety of multi-colored canes including complex canes and tubes, signed to the side, “D. MacNaught 2016”, signature cane to the underside of the decoration, signed to the underside “Texas PCA/30th Anniversary”, polished base. Bare Glass, Silver Point, TN. Dated 2016. 3 1/8” D. Undamaged. $300 - $500

340. DAMON MACNAUGHT (AMERICAN, B. 1975) CONCENTRIC MILLEFIORI MAGNUM PAPERWEIGHT, central red and white complex cane, encircled by five exterior garlands with the inner most being blue and white star complex canes, second and fourth band having alternating cogs and/or complex canes, third consisting of red, white, and blue cogs, all resting on a butterscotch stave basket, signed to the side “D. MacNaught ‘12”, signature cane located to the underside of the decoration, polished base. Bare Glass, Silver Point, TN. Dated 2012. 3 1/2” D. Undamaged. $200 - $400

The Collection of Carl Carter, Austin, Texas – Part II

341. DAMON MACNAUGHT (AMERICAN, B. 1975) CONCENTRIC MILLEFIORI PAPERWEIGHT, central white floral cane, encircled by five exterior garlands with the inner example featuring green and white complex canes, second having pink and white floral canes, third with alternating blue and white tubes and red and white complex canes, fourth band comprised of alternating cogs and complex canes, all resting on an alternating white and pink stave basket, signed to the side “D. MacNaught 2019”, signature cane located to the underside of the decoration, polished base. Bare Glass, Silver Point, TN. Dated 2019. 3 1/4” D.

343. DAMON MACNAUGHT (AMERICAN, B. 1975) CONCENTRIC MILLEFIORI PAPERWEIGHT, faceted with a glue-chipped exterior and circular top window, central red, white, and green central cane, encircled by five exterior garlands with the interior two consisting of peach complex canes, third being white floral canes, fourth comprising of butterscotch and white rods, all resting on an alternating white and teal stave basket, signed to the side “D. MacNaught 2014”, signature cane located to the underside, polished base. Bare Glass, Silver Point, TN. Dated 2014. 3 1/8” DOA. Provenance: Purchased from the artist, 8/04/2014.

$200 - $400

$200 - $300

Undamaged. Provenance: L. H. Selman Ltd., 10/01/2012. $200 - $300

344. DAMON MACNAUGHT (AMERICAN, B. 1975) DOUBLE-OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, opaque yellow to opaque white to colorless, cut-faceted with polychrome-enamel decoration depicting flower blossoms and having a circular top window, central pink, white, and blue floral cane, encircled by four exterior garlands with the inner band consisting of white, green, and pink complex canes, second alternating between floral complex canes, third featuring white tubes alternating with yellow and pale lavender complex canes, all resting on a blue and butterscotch stave basket, signed to the side “D. MacNaught 2017”, signature cane to the underside of the decoration, polished base. Bare Glass, Silver Point, TN. Dated 2014. 2 5/8” DOA. Undamaged.

Jeffrey S. Evans

Undamaged. $300 - $500

Undamaged.

342. DAMON MACNAUGHT (AMERICAN, B. 1975) CLOSE-PACK MILLEFIORI PAPERWEIGHT, cut-faceted with gilt decoration over the cuts and having two side windows, interior being a close-pack configuration and comprised by a variety of multi-colored canes including a single silhouette cane, signed to the underside “D. MacNaught 2012”, polished base. Bare Glass, Silver Point, TN. Dated 2012. 3” DOA.

345. SCOTT BEYERS (AMERICAN, XX/XXI) RED BETA FISH TORCHWORK PAPERWEIGHT VASE, design depicting four red beta fish swimming around flowing green seaweed and millefiori coral canes, signed, “Beyers/Orient & Flume”, dated “1985”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1985. 9 3/8” H.

$200 - $300

346. SCOTT BEYERS (AMERICAN, XX/XXI) BETA FISH LAMPWORK PAPERWEIGHT, central red beta fish with a white filigree body, to large green blades to the top holding the signature cane stating “OF/84”, all above a mottled orange and white jasper ground, signed to the underside “Beyers-Hudin/Orient & Flume”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1984. 2 3/4” D. Virtually undamaged with a couple of isolated nicks with one being to the surface and the other to the base edge; a single short scratch. $200 - $300

347. SCOTT BEYERS (AMERICAN, XX/XXI) FLOWER AND VINE VASE, golden iridescent ground, footed urn form with three pink flowers with extending green vines, applied foot, signed to the underside “S. Beyers/Orient & Flume”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Fourth quarter 20th century. 7 7/8” H. Undamaged. $50 - $100

349. PAUL YSART (SCOTTISH, 1904-1979) HEART MILLEFIORI PAPERWEIGHT, central heart with a large pale blue and white complex cane connecting the border comprised of blue and brown complex canes forming the outline of a heart, six spaced blue and white complex canes to the exterior, signature cane just below the low-point of the heart, all above a cobalt blue ground, retains manufacturing label, polished base. Scotland. Circa 1960. 2 1/2” D. Undamaged.

Undamaged with some minor surface wear.

$100 - $200

348. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CLOSE-PACK MILLEFIORI PAPERWEIGHT, encasement having a grey tint, close-pack composition comprised of a variety of multi-colored millefiori canes, all above a purple and white jasper ground, rough pontil mark. Scotland. Circa 1950. 2 3/4” D. Undamaged with some scattered light surface wear. $100 - $200

$100 - $200

350. PAUL YSART (SCOTTISH, 1904-1979) CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition featuring a variety of multi-colored canes, encircled by a single exterior garland of alternating short white filigree twists and blue and white tubes, all above a mottled orange ground, retains original manufacturing label stating “Monart Glass/Moncreiff Scotland”. Scotland. Circa 1960. 2 5/8” D. Undamaged with the manufacturing label having a small loss. $100 - $200

351. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED MEDALLION MILLEFIORI PAPERWEIGHT, close-pack medallion to the center featuring a variety of millefiori canes, framed by a garland of blue and white cogs, exterior having a single garland of pink and white or green and white complex canes, separated by horizontally placed white filigree twists, all above an opaque lavender purple ground, rough pontil mark. Scotland. Circa 1950. 2 5/8” D.

352. PAUL YSART (SCOTTISH, 1904-1979) CONCENTRIC MILLEFIORI PAPERWEIGHT, central green, pink, and white complex cane, encircled by four exterior garlands, interior having matching purple complex canes with the signature cane being to the side, second consisting of alternating yellow and black and brown and blue complex canes, third comprised of fuchsia and white star tubes, exterior following a pattern of three green and white complex canes followed by a single pink and white complex cane, rough pontil mark. Scotland. Circa 1960. 2 3/4” D. Excellent condition with some scattered surface wear and short scratching. $100 - $200

The Collection of Carl Carter, Austin, Texas – Part II

353. LUNDBERG STUDIOS DAFFODIL BOUQUET LAMPWORK PAPERWEIGHT, central white and pink striped blossom with two white and a yellow blossom to the background, a single white and pink bud to the left, all connected with green stems and leaves, all above a cobalt blue ground, signed to the side “Lundberg Studios”, dated “1994”, polished pontil mark. Lundberg Studios, Davenport, CA. Dated 1994. 3” D. Undamaged. $300 - $500

355. ALEJANDRO AGUIRRE (AMERICAN, XX/XXI) / LUNDBERG STUDIOS EIGHT-COLOR CROWN PAPERWEIGHT, central white and green Clichy-style rose with four flanking blossoms of yellow, red, green, and pink, having four combinations of opaque twists repeating, colors comprised by blue and fuchsia, red and green, pink and orange, and yellow and green, every other twist having white filigree twists around them, signed to the side “Alejandro Aguirre/Lundberg Studios”, dated “1996”, polished pontil mark. Lundberg Studios, Davenport, CA. Dated 1996. 2 7/8” D. Undamaged. Having a single potstone to the body, as made. Provenance: L. H. Selman Ltd., Auction 74, lot 260. $80 - $120

354. STEVEN LUNDBERG (AMERICAN, 1953-2008) ANGEL FISH LAMPWORK PAPERWEIGHT, compound example, two cobalt blue, yellow, and red angel fish swimming among green seaweed with pink and red blooms, some controlled-bubble decoration, all above a cobalt blue ground, signed to the side “Steven Lundberg/Lundberg Studios, dated “1995”, signature cane located to the underside of the decoration, polished pontil mark. Lundberg Studios, Davenport, CA. Dated 1995. 3 1/8” D. Undamaged. $200 - $300

356. JOHN DEACONS (SCOTTISH, B. 1950) GINGHAM CUT DOUBLE-OVERLAY SIX-FLOWER BOUQUET LAMPWORK PAPERWEIGHT, opaque yellow and white to cranberry to colorless, cut circular top window, with diamond pattern to the body, interior depicting a six-flower bouquet with pink, yellow, blue, and white blossoms, with green leaves and stems all tied together by a pink ribbon, resting on a mushroomed upset muslin ground, signature cane to the underside, dated “2007”, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2018. 3 1/8” D. Undamaged.

Jeffrey S. Evans

$200 - $400

357. JOHN DEACONS (SCOTTISH, B. 1950) DRAGONFLIES, BUTTERFLIES, AND EXTERIOR MILLEFIORI MAGNUM PAPERWEIGHT, multi-colored millefiori exterior and colorless interior, cut concave circular top window, complex millefiori and silhouette canes to the exterior including thistles, roosters, and a ram, interior having four lampworked blue dragonflies and pink butterflies with millefiori wings around a central concentric millefiori composition, interior resting on a mushroomed upset muslin ground, signature cane present to the underside, dated “2004”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2004. 3 1/2” D. Undamaged. $200 - $300

358. JOHN DEACONS (SCOTTISH, B. 1950) CLOSE-PACK MILLEFIORI PAPERWEIGHT, cut concave circular top window, close-pack composition featuring a variety of multi-colored complex canes including silhouette canes such as a bird, squirrel, dog, and ram, all above a transparent red ground, all resting on a white and fuchsia stave basket, exterior having alternating white, blue, and pink filigree twists, signature cane to the underside stating “JHD/2013”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2013. 3” D. Undamaged. $200 - $300

359. JOHN DEACONS (SCOTTISH, B. 1950) CLOSE-PACK MILLEFIORI PIEDOUCHE PAPERWEIGHT, cut-faceted with a circular top window, close-pack compilation featuring a variety of multi-colored complex canes, featuring silhouette canes including a central bird, rooster, elk, ram, and dog, signature cane within the decoration, raised on a alternating white and powder blue piedouche base, retains manufacturing label. Deacons Glass, Crieff, Scotland. Late 20th/ early 21st century. 2 5/8” H, 2 1/4” DOA. Undamaged. $200 - $300

361. JOHN DEACONS (SCOTTISH, B. 1950) GARLAND MILLEFIORI CARPET GROUND PAPERWEIGHT, central white and plum Clichy-style rose, encircled by two trefoil garlands with one being comprised of fuchsia complex canes, other with blue complex canes, garlands surrounding silhouette canes including elk, ram, rooster, and squirrel, all above a white and orange star cane carpet ground, signature cane to the underside stating “JHD/2008”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2008. 2 7/8” D. Undamaged.

363. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED CONCENTRIC MILLEFIORI PAPERWEIGHT, central green and white cog, encircled by three exterior garlands with the interior alternating between brown and white cogs and yellow complex canes, second having white open tubes and butterscotch and white complex canes, exterior comprised of horizontally placed white and gold aventurine filigree twists followed by either a brown and white cog or fuchsia and blue cog, all above a mottled amethyst ground, rough pontil mark. Scotland. Circa 1950. 3” D. Excellent condition with scattered surface wear/ scratching.

$200 - $300

$100 - $200

360. JOHN DEACONS (SCOTTISH, B. 1950) CLOSE-PACK MILLEFIORI MAGNUM PAPERWEIGHT, close-pack millefiori featuring a wide variety of multi-colored canes, including Clichy-style roses and many unique Deacons glass canes, including shamrocks and hearts, a few scattered silhouette canes, signature cane located within the decoration, dated “2008”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2008. 3 3/4” D.

362. JOHN DEACONS (SCOTTISH, B. 1950) CLOSE-PACK MILLEFIORI PAPERWEIGHT, cut-faceted with a small circular top window and four rows of punty cuts, close-pack composition with a variety of multi-colored millefiori canes including cogs, whorls, silhouette, pansy, and complex canes, signature cane located within the decoration, dated “2009”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2009. 3 1/8” DOA.

Undamaged.

$200 - $300

$100 - $200

364. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED MEDALLION MILLEFIORI PAPERWEIGHT, encasement having a grey tint, close-pack central medallion featuring a variety of multi-colored canes, encircled by a garland of orange complex canes, exterior garland comprised of blue and white, and orange and white tubes, all above an opaque blue ground, rough pontil mark. Scotland. Circa 1950. 2 7/8” D. Virtually undamaged with a few minor surface scratches. $100 - $200

The Collection of Carl Carter, Austin, Texas – Part II

365. PAUL YSART (SCOTTISH, 1904-1979) FILIGREE FOUNTAIN PAPERWEIGHT, central controlled bubble supported by six filigree arches with three being white and yellow and three being white and brown, each having a controlled-bubble to the arch, all above an opaque orange ground, signature cane to the underside of the decoration, polished base. Scotland. Circa 1960. 2 7/8” H, 2 1/8” D. Excellent condition with a few isolated surface scratches. $100 - $200

367. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED BUTTERFLY LAMPWORK AND MILLEFIORI PAPERWEIGHT, encasement having a purple tint, central butterfly with a plum body and red aventurine wings with blue, yellow, and green millefiori canes as spots on the wings, encircled by a single exterior garland of alternating blue and red complex canes, all above an opaque powder blue ground, rough pontil mark. Scotland. Circa 1950. 2 3/4” D. Very good condition overall with some scattered surface wear and scratching, a small sliver chip to the edge.

369. JOHN DEACONS (SCOTTISH, B. 1950) TWO-COLOR CROWN PAPERWEIGHT, large central stardust-type cane with blue and fuchsia edge, alternating pairs of red and blue opaque twists separated by white filigree twists, all starting at the central cane and reaching for the base edge, signature cane located to the underside, dated “2014”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2014. 3 1/8” D. Undamaged. $100 - $200

$100 - $200

366. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED BUTTERFLY LAMPWORK AND MILLEFIORI PAPERWEIGHT, encasement having a grey tint, central butterfly with a plum body, butterscotch and green wings with two red aventurine spots to the green wings and butterscotch wings having millefiori canes, encircled by two exterior garlands with the interior being spaced and comprised of blue and yellow tubes, exterior following a pattern of paired orange and yellow complex canes followed by blue and yellow tubes, all above a mottled blue ground, rough pontil mark. Scotland. Circa 1950. 2 5/8” D. Very good condition overall with a single surface bruise and scattered wear/surface scratching. $100 - $200

Jeffrey S. Evans

368. JOHN DEACONS (SCOTTISH, B. 1950) TRIPLE-OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, yellow to opaque white to pink to clear, cut-faceted with a circular top window, close-pack interior mushroom featuring a variety of multi-colored millefiori canes including complex and silhouette canes such as a rooster, thistle, and dog, signature cane located within the decoration, all above an opaque pink ground, rayed to the underside. Deacons Glass, Crieff, Scotland. 21st century. 3” DOA. Undamaged. Provenance: L. H. Selman, Auction 74, lot 260. $100 - $200

370. JOHN DEACONS (SCOTTISH, B. 1950) EIGHT-COLOR SWIRL AND RIBBED CROWN PAPERWEIGHT, large central green Clichy-style rose with blue, butterscotch, red, green, powder blue, peach, white, and teal swirls with an embossed Reverse Swirl pattern, signature cane to the underside, dated “2013”, retains manufacturing label, polished pontil mark. Deacons Glass, Crieff, Scotland. Dated 2013. 2 3/4” D. Undamaged. $100 - $200

371. JIM BROWN (AMERICAN, B. 1949) CROSS MILLEFIORI PAPERWEIGHT, central pink and white central cane with four cranberry tubes connecting at the central cane and extending to the edge, each pole having a white filigree twist surrounding it, creating four pie-shaped wedges comprised of white and pink complex canes, signature cane located in one wedge, all resting on a white stave basket, signed to the underside “Jim Brown/2003”, polished base. Lebanon, TN. Dated 2003. 3 1/8” D. Undamaged. $200 - $400

373. JIM BROWN (AMERICAN, B. 1949) CONCENTRIC MILLEFIORI CARPET GROUND PAPERWEIGHT, large central emerald green complex cane, encircled by an interior garland of multi-colored complex canes with each having white stars to the exterior, remaining bands comprised of green and white tubes which form a carpet ground, third band having isolated multi-colored complex canes, signed to the underside “Jim Brown/2014”, signature cane to the underside of the decoration, polished base. Lebanon, TN. Dated 2014. 3” D. Undamaged.

375. JIM BROWN (AMERICAN, B. 1949) SPACED MILLEFIORI CARPET GROUND PAPERWEIGHT, central white and green complex canes with scattered multi-colored complex canes, all separated by a white and pink tubular carpet ground, signed to the underside “Jim Brown/2010”, signature cane to the underside of the decoration, polished base. Lebanon, TN. Dated 2010. 2 7/8” D. Undamaged. Provenance: Purchased from the artist, 5/04/2011. $200 - $300

Provenance: Purchased from the artist, 8/29/2014. $200 - $300

372. JIM BROWN (AMERICAN, B. 1949) CONCENTRIC MILLEFIORI PAPERWEIGHT, central purple and green cog, encircled by four exterior garlands of larger and smaller tubes and cogs with many being white and/or purple, all resting on a white and pink stave basket, all above a cranberry ground, signed to the underside “Jim Brown/2001”, polished base. Lebanon, TN. Dated 2001. 2 3/4” D. Undamaged. Provenance: Purchased from the artist, 10/12/2002. $200 - $300

374. JIM BROWN (AMERICAN, B. 1949) CLOSE-PACK MILLEFIORI PAPERWEIGHT, close-pack composition featuring a variety of complex canes with each having white star canes to the exterior, all resting in a white stave basket with tubes having blue to the interior, signed to the underside “Jim Brown 2014, polished base. Lebanon, TN. Dated 2014. 3 3/8” D. Undamaged. Provenance: Purchased from the artist, 8/29/2014.

376. JIM BROWN (AMERICAN, B. 1949) CLOSE-PACK MILLEFIORI PAPERWEIGHT, central large purple, white, and green complex cane, encircled by a close-pack composition featuring a variety of multi-colored complex canes, all above a white stave basket, signed to the underside “Jim Brown 2014”, signature cane located to the underside of the decoration, polished base. Lebanon, TN. Dated 2014. 3 1/8” D. Undamaged. Provenance: Purchased from the artist, 8/29/2014. $200 - $300

$200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

377. EARLY PAUL YSART (SCOTTISH, 19041979) ATTRIBUTED BUTTERFLY LAMPWORK AND MILLEFIORI PAPERWEIGHT, encasement having a purple tint, central butterfly with a yellow body, cranberry and blue wings with cobalt blue and red aventurine spots, encircled by a single exterior garland of alternating purple and yellow floral canes and a white and pink complex canes, all above a mottled cobalt blue ground. Scotland. Circa 1950. 2 3/4” D. Good condition overall with a few scattered bruises and moderate overall wear/scratching. $100 - $200

379. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED MEDALLION MILLEFIORI PAPERWEIGHT, central closepack millefiori medallion featuring a variety of multi-colored canes, six white filigree spokes reaching to the edge with interior gold aventurine tubes, exterior having three bunches of two blue and white cogs and an interior white and cranberry tube, alternating with a controlled-bubble which deeply dimples the ground, rough pontil mark. Scotland. Circa 1950. 3” D. Very good condition overall with two small bruises to the surface. Pontil mark resulting in a couple of short checks and a moderate bruise, all as made.

381. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED THREE-COLOR CROWN PAPERWEIGHT, central controlled-bubble hovering over alternating bands of opaque white with aventurine green filigree twists, a transparent tube with white filigree twist, and aventurine green with white filigree twist, all above an orange ground, rough pontil mark. Scotland. Circa 1960. 2 1/2” D. Undamaged. $80 - $120

$100 - $200

378. PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED RONDELS MILLEFIORI PAPERWEIGHT, central powder blue and white florette tube, encircled by five millefiori rondels comprised of a variety of millefiori canes with a complex cane to the center of each, with spaced fuchsia, orange, and yellow complex canes to the exterior, polished base. Scotland. Circa 1960. 2 3/4” D. Excellent condition overall with a small surface bruise and some scattered light surface wear, having some light roughness around the base edge. $100 - $200

380. EARLY PAUL YSART (SCOTTISH, 1904-1979) ATTRIBUTED THREE-SPOKE MILLEFIORI PAPERWEIGHT, central white and green complex cane, with three white filigree twist spokes extending from the center, separating three matching compositions of millefiori canes, encircled by a single exterior garland comprised of blue and white cogs, green and white complex canes, and white tubes, all above a mottled blue ground, rough pontil mark. Scotland. Circa 1950. 3” D. Very good condition overall with a couple small surface bruises and some scattered surface wear. $100 - $200

Jeffrey S. Evans

382. CLINTON SMITH (AMERICAN, B. 1979) FLORAL BOUQUET LAMPWORK PAPERWEIGHT, three pink blossoms with green stamen positioned in a triangular manner, with three adjacent blooms, surrounding seven pink buds, all connected by green foliage, signed to the side, signature cane located to the underside of the decoration, polished pontil mark. Clinton Smith Glass Artisan, Ashley Falls, MA. 21st century. 2 3/4” D. Undamaged. $200 - $300

383. MICHAEL HINGANT (FRENCH, B. 1981) FLORAL BOUQUET LAMPWORK PLAQUE PAPERWEIGHT, rectangular form featuring a five-flower bouquet with a variety of multi-colored blossoms and buds, some having millefiori cane stamens, all connected by variegated green and teal stems and leaves, and bound together by a green and pink band, all over a cobalt blue ground with a colorless lower section, signature cane located at the base of the decoration, polished edges. Island of Reunion, France. 21st century. 4 1/4” x 3”. Undamaged. Having some scratch-like imperfections that are a result of polishing, as made.

385. DREW EBELHARE (AMERICAN, B. 1950) / SUE FOX (AMERICAN, XX-2020) LAMPWORK AND MILLEFIORI PAPERWEIGHT, comprising a central mixed bouquet of one white and two pink blossoms, with clusters of red berries and additional pink buds to the flanks, all connected by variegated green leaves with aventurine decoration, encircled by a single exterior garland of multi-colored floral canes, all above an opaque purple ground, signed to the underside “Fox/Ebelhare 4-11”, polished base. Ebelhare Art Glass, Canon City, CO. Dated 2011. 2 5/8” D.

$200 - $300

Undamaged.

387. DREW EBELHARE (AMERICAN, B. 1950) SPACED FLORAL MILLEFIORI PAPERWEIGHT, 17 spaced floral canes including roses and pansies, each having three green leaf canes below, signature cane located as the stamen of one floral cane, signed to the side “Ebelhare 9-03”, polished pontil mark. Ebelhare Art Glass, Canon City, CO. Dated 2003. 2 5/8” D. Undamaged. $100 - $200

$200 - $300

384. MICHAEL HINGANT (FRENCH, B. 1981) FLORAL BOUQUET LAMPWORK PLAQUE PAPERWEIGHT, rectangular form featuring a five-flower bouquet with a variety of multi-colored blossoms and scattered buds to the background, some having millefiori cane stamens, all connected by variegated green stems and leaves, and bound together by a green and purple ribbon, all over an opaque white ground with a colorless lower section, signature cane located at the base of the decoration, polished edges. Island of Reunion, France. 21st century. 4 1/4” x 3”. Undamaged. Having a couple minor separations at the corners, at the joints of the plaques, as made.

386. DREW EBELHARE (AMERICAN, B. 1950) / SUE FOX (AMERICAN, XX-2020) LAMPWORK AND MILLEFIORI PAPERWEIGHT, central lampwork purple and yellow pansy, encircled by a garland of multi-colored millefiori pansies and white and red blossoms with green leaf canes, exterior spaced garland comprised of purple and blue pansy canes, all above and opaque red ground, signed to the underside “Fox/Ebelhare”, dated “12-10”, polished base. Ebelhare Art Glass, Canon City, CO. Dated 2010. 2 5/8” D.

388. DREW EBELHARE (AMERICAN, B. 1950) CONCENTRIC MILLEFIORI PAPERWEIGHT, central white chamomile cane, encircled by five exterior garlands comprised by a variety of multi-colored floral canes including pansy canes, signature cane located in the fourth band, signed to the underside “Ebelhare 8-02”, polished pontil mark. Ebelhare Art Glass, Canon City, CO. Dated 2002. 2 1/2” D. Undamaged. $100 - $200

Undamaged. $100 - $200

$200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

389. DANIEL SALAZAR (AMERICAN, B. 1956) POPPIES LAMPWORK PAPERWEIGHT, two textured pink poppy blossoms with curving green vines leading to two textured green leaves, one bud to the left, all above a deep green/black ground, signed to the side “Daniel Salazar/Lundberg Studios”, dated “2013”, signature cane located to the underside of the decoration, polished pontil mark. Lundberg Studios, Davenport, CA. Dated 2013. 2 5/8” D. Undamaged. $100 - $200

391. WILLIAM MANSON (SCOTTISH, XX/ XXI) “FIELD STUDY BUTTERFLY” LAMPWORK PAPERWEIGHT, double-compound example, single pink blossom supported by blades of green and brown grass, above a blue and gold aventurine butterfly, over five floral spires of lavender, pink, and purple flowers with lower green and brown blades of grass, signed to the underside “William Manson” and “Caithness/FIELD STUDY/BUTTERFLY/SCOTLAND”, numbered “55/250”, polished base. Caithness Glass, Crieff, Scotland. Fourth quarter 20th century. 2 3/4” D.

393. CHARLES KAZIUN JR. (AMERICAN, 1919-1992) CRIMP ROSE LAMPWORK PEDESTAL PAPERWEIGHT, pink crimp rose with four protruding green leaves, signature cane to the underside, raised on a short stem and circular foot, polished pontil mark. Massachusetts. Fourth quarter 20th century. 3 1/8” H, 1 7/8” D. Undamaged. $200 - $300

Undamaged. $80 - $120

390. WILLIAM MANSON (SCOTTISH, XX/ XXI) BUTTERFLIES AND BLOSSOMS LAMPWORK AND MILLEFIORI PAPERWEIGHT, double-compound example, three butterflies with two having millefiori wings and the other having gold and green aventurine wings, all above a pink and white ten-petal blossom with five protruding green leaves, all encircled by a single outer garland of pink, white, and green complex canes, signature cane to the underside of the decoration stating “WM/81”, numbered “35/250”, polished base. Scotland. Dated 1981. 2 3/4” D. Undamaged with a single short surface scratch. $200 - $300

Jeffrey S. Evans

392. CHARLES KAZIUN JR. (AMERICAN, 1919-1992) CRIMP ROSE LAMPWORK PEDESTAL PAPERWEIGHT, pink and amber crimp rose with four protruding green leaves, signature cane to the underside, raised on a short stem and circular foot, polished pontil mark. Massachusetts. Fourth quarter 20th century. 2 7/8” H, 1 7/8” D. Undamaged. $200 - $300

394. JAMES NOWAK (AMERICAN, B. 1956) DICHROIC GLASS AND MILLEFIORI PAPERWEIGHT SCULPTURE, figural shell form having an abstract interior including large millefiori canes, polychrome twists, and dichroic elements, base having a multi-colored pinwheel, signed to the underside “Nowak/546G7”. James Nowak Signature Glass, Seattle, WA. 21st century. 3” HOA, 7 3/4” x 4 1/2”. Undamaged. $200 - $300

395. HERON GLASS CLOSE-PACK MILLEFIORI MAGNUM PAPERWEIGHT, central “2013” date cane, remaining featuring many polychrome complex millefiori canes and scattered silhouette canes including dogs, cats, rabbits, and dolphins, underside signed “HERON/2013”, polished base. Mary Mullaney and Ralph Mossman, Driggs, ID. Dated 2013. 3 3/4” D. Undamaged. Provenance: Heron Glass, 5/23/2014. $100 - $200

397. PAUL YSART (SCOTTISH, 1904-1979) CONCENTRIC MILLEFIORI MINIATURE PAPERWEIGHT, central pink, white, and green complex cane, encircled by three exterior garlands with the inner being matching fuchsia and white tubes, second comprised of stacked blue and white complex canes and fuchsia and white cogs, exterior band featuring alternating pairs of white and green complex canes separated by green and white cogs, signature cane located within the decoration, all above a transparent green ground, polished base. Scotland. Circa 1960. 1 5/8” D. Undamaged. Base edge having an area of minor roughness, as made.

399. PAUL YSART (SCOTTISH, 1904-1979) BUTTERFLY LAMPWORK AND MILLEFIORI PAPERWEIGHT, central butterfly with a red aventurine body and yellow wings with aventurine green and orange spots, encircled by a single exterior garland of a variety of multi-colored tubes and complex canes, signature cane located within the garland, all above a mottled cobalt blue ground, rough pontil mark. Scotland. Circa 1960. 2 3/4” D. Very good condition with scattered surface wear/ scratching. Pontil marks having a couple of checks extending from it, as made. $80 - $120

$80 - $120

396. PAUL YSART (SCOTTISH, 1904-1979) CONCENTRIC MILLEFIORI MINIATURE PAPERWEIGHT, central multi-colored complex cane, encircled by two exterior garlands with the inner having matching pink and white complex canes, exterior band comprised of matching green and white complex canes, signature cane located at the edge, all above an opaque pink ground, polished base. Scotland. Circa 1960. 1 1/2” D. Undamaged. $80 - $120

398. PAUL YSART (SCOTTISH, 1904-1979) CONCENTRIC MILLEFIORI MINIATURE PAPERWEIGHT, central green and white complex cane, encircled by two exterior garlands with the interior example being spaced and comprised of blue and white or red and white complex canes, exterior consisting of plum and white cogs, signature cane to the interior of the plum ring, all above an opaque pale blue ground, polished base. Scotland. Circa 1960. 1 3/4” D.

400. ARCULUS ATTRIBUTED CONCENTRIC MILLEFIORI LOW-DOME PAPERWEIGHT, large central pink, white, and blue cog, encircled by five exterior garlands, not all bands are consistently placed, comprised of a variety of multi-colored tubes and cogs with the third band containing a figural rabbit cane, and two canes possibly being a silhouette cane for a long-horned bull, rough pontil mark. Alfred Arculus, Birmingham, England. Late 19th/first quarter 20th. 3” D.

Undamaged.

Nearly undamaged with three minute flakes to the base edge.

$80 - $120

Provenance: L. H. Selman Ltd. $200 - $300

The Collection of Carl Carter, Austin, Texas – Part II

401. WILLIAM “BILL” BURCHFIELD ATTRIBUTED (AMERICAN, 1942-2012) THREE-COLOR SWIRL PAPERWEIGHT, central Clichy-style rose encircled with a garland of blue and white complex canes, body having alternating white, cobalt blue, and red swirls, numbered to the underside “#15”, polished pontil mark. Cape Cod Glass Works, Sagamore, MA. Late 20th/21st century. 2 3/4” D. Undamaged. $100 - $200

402. ORIENT & FLUME CONCENTRIC SPOKE MILLEFIORI PAPERWEIGHT, large central millefiori medallion featuring star canes and tubes, with 11 blue, white, and red opaque twists creating 11wedges of multi-colored millefiori canes, exterior garland of blue and white star canes, all above an opaque red ground, signed to the underside, “Orient & Flume/Bealey/4-1991”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1991. 2 3/4” D. Undamaged. $100 - $200

Jeffrey S. Evans

403. ORIENT & FLUME IRIDESCENT APPLIED SNAKE PAPERWEIGHT, blue iridescent applied snake over a floral and vine pattern with white blossoms, all above a blue iridescent ground with platinum Pulled Feather decoration, signed to the underside “Orient & Flume”, dated “1978”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1978. 3” D. Undamaged. $100 - $200

404. ORIENT & FLUME BUTTERFLY AND FLORAL LAMPWORK PAPERWEIGHT, featuring a blue, white, and yellow butterfly flying toward green and amethyst vines holding eight white blossoms, vines becoming a Pulled Feather pattern toward the base, all above an iridescent ground, signed to the underside “Orient & Flume”, dated “1979”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1979. 2 3/4” D. Undamaged. $100 - $200

405. ORIENT & FLUME UPRIGHT FLOWER LAMPWORK PAPERWEIGHT, large red eight-petal blossom, raised on a variegated green stem with six flaring blades of grass, signed to the underside “Orient & Flume/Quinn”, dated “1991”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1991. 3” D. Undamaged. $100 - $200

406. ORIENT & FLUME IRIDESCENT FLOWER AND PULLED FEATHER PAPERWEIGHT, three white blossoms with multi-colored mottled interior, flowing green stems, all above a golden iridescent ground with blue iridescent Pulled Feather decoration, signed to the underside “Orient & Flume”, dated “1978”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1978. 2 7/8” D. Undamaged. $80 - $120

407. ORIENT & FLUME IRIDESCENT BUTTERFLY AND FLOWER PAPERWEIGHT, purple and orange butterfly flying toward a white blossom with multi-colored mottled interior raised on flaring green leaves, all above a blue iridescent ground with green Pulled Feather pattern, signed to the underside “Orient & Flume/ Greg Held, Scott Beyers, Les Hudin”, dated “1979”, retains manufacturing label, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1979. 2 3/4” D. Undamaged. $80 - $120

408. ORIENT & FLUME IRIDESCENT FLOWER AND BUTTERFLY PAPERWEIGHT, iridescent gold and yellow butterfly flying toward a white iridescent blossom with green leaves, above a blue iridescent ground with a platinum iridescent Pulled Feather pattern, signed to the underside “Orient & Flume/May 1977”, retains manufacturing label, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1977. 2 3/4” D. Undamaged. $80 - $120

409. GREG HELD (AMERICAN, 1951-1999) FLORAL BOUQUET LAMPWORK PAPERWEIGHT, central white and purple blossom with a yellow and orange stamen, with three protruding green leaves, two red and yellow and two orange blossoms to the edge, three purple buds, all connected by short green stems, all above a striped green mushroom ground, signed to the underside “Orient & Flume/Held”, dated “1986”, retains manufacturing label, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1986. 2 5/8” D.

411. ERIC HANSEN (AMERICAN, XX/ XXI) SEASCAPE BOUQUET LAMPWORK PAPERWEIGHT, three pink blossoms to the side with two large purple blooms above many purple tubes, all connected with variegated green foliage, all above a multi-colored jasper ground, signed to the underside “E. W. Hansen”, dated “2012”, polished pontil mark. Eric Hansen Art Glass, Weatherford, TX. Dated 2012. 2 7/8” D.

Undamaged.

$100 - $200

Undamaged. Provenance: Hansen Paperweights, 6/02/2012.

$80 - $120

410. JEREMIAH LOTTON (AMERICAN, B. 1982) IRIDESCENT SURFACE DECORATED PAPERWEIGHT, iridescent surface, with seven pink blossoms all connected with variegated vines, all above a cased white ground, signed to the underside “Jeremiah Lotton 2006”, polished base. David Lotton Glass Designs, IL. Dated 2006. 3 1/8” D. Undamaged. $80 - $120

412. SCOTT BAYLESS (AMERICAN, XX/ XXI) HIBISCUS LAMPWORK PAPERWEIGHT, three large yellow and orange Hibiscus blossoms with protruding stamens, with nine variegated green/teal leaves to the backside, signed to the side “Scott Bayless 2019/Lotton Studios”, polished pontil mark. Lotton Art Glass Gallery and Studios, Crete, IL. Dated 2019. 3 3/8” D. Undamaged. $100 - $200

The Collection of Carl Carter, Austin, Texas – Part II

413. ERIC HANSEN (AMERICAN, XX/XXI) CRIMP ROSE LAMPWORK PEDESTAL PAPERWEIGHT, large central deep fuchsia crimp rose with three protruding light green leaves, all encircled by a green, pink, cranberry, and teal torsade, applied colorless foot, signed to the underside “E. W. Hansen”, dated “2016”. Eric Hansen Art Glass, Weatherford, TX. Dated 2016. 3 1/4” H, 3 1/8” DOA. Undamaged. Provenance: L. H. Selman Ltd., 5/04/2016.

415. ELENA HERNBURG (RUSSIAN, B. 1960) ATTRIBUTED MIXED BOUQUET LAMPWORK MINIATURE PAPERWEIGHT, having scattered blue and white blossoms to the surface above a mixed bouquet of pink, orange, and white blooms, connected with variegated foliage, all above a transparent teal ground. Moscow, Russia. 21st century. 1 5/8” D. Undamaged. $100 - $200

417. VANDERMARK IRIDESCENT BUTTERFLY PAPERWEIGHT, iridescent butterfly at the top with blue outlined wings, scattered millefiori canes to the interior of the wings, blue iridescent threading to the base, signed to the underside “Vandermark/0550”, polished base. Fourth quarter 20th/early 21st century. 2 5/8” D. Undamaged. $50 - $100

$100 - $200

414. JULIE SCRUTTON LEWIS (AMERICAN, XX/XXI) CONCENTRIC MILLEFIORI PAPERWEIGHT, central white and green Clichy-style rose, encircled by two exterior garlands with the inner comprised of blue and white tubes, other consisting of a variety of multi-colored canes including pink and white Clichy-style roses, all surrounded by a cobalt blue and white torsade, all above an opaque white ground, signed to the underside “Julie Scrutton-Lewis”, dated “1999”, numbered “five of ten”, polished pontil mark. Portland, OR. Dated 1999. 2” D. Undamaged. $80 - $120

Jeffrey S. Evans

416. CONTEMPORARY CAITHNESS “FRAGRANCE” LAMPWORK PAPERWEIGHT, large central white and peach crimp rose with translucent green leaves protruding from the underside, all above a deep green ground, signed to the underside “CAITHNESS/FRAGRANCE/ SCOTLAND”, numbered “119/250”, factory-polished base. Caithness Glass, Crieff, Scotland. Fourth quarter 20th/early 21st century. 2 3/4” D. Undamaged. $50 - $100

418. ASSORTED SULPHIDE GLASS PAPERWEIGHTS, LOT OF TWO, comprising a magnum example featuring a large insert depicting a frontal view of a woman’s face, with flanking millefiori canes and an exterior garland of multi-colored millefiori canes, white frit ground; and a Vintage Baccarat Robert E. Lee example which is cut-faceted and having a deep ruby ground, signed to the side “BACCARAT 1955”. Various makers. Late 19th and 20th century. Large: 3 3/8” D. Baccarat: 2 1/2” DOA. Baccarat undamaged; large example having moderate overall wear/scratching. $50 - $100

419. MARK MATTHEWS (AMERICAN, B. 1954) RAINBOW SWIRL ORB, cased polychrome, cased and featuring the colors of the rainbow in tiered swirls, signed to one end “Matthews/2008”. Mark Matthews Glass, Saunder Village, OH. Dated 2008. 3” D. Undamaged. $200 - $300

420. KEVIN O’GRADY (AMERICAN, XX/ XXI) INTERIOR FLORAL BOUQUET LAMPWORK PAPERWEIGHT SPHERE / ORB, interior depicting a mixed floral bouquet featuring a variety of blossoms in many colors including millefiori stamens, exterior having an extravagant pulled feather decoration to the base with highly mottled colors and a millefiori cane at the tip of each feather, signature cane located at the base stating “Kevin/O’Grady/2009”. Scottsdale, AZ. Circa 2015. 2 1/2” D. Undamaged. $200 - $300

421. CAPE COD GLASS SCRAMBLED MILLEFIORI PAPERWEIGHT SPHERE / ORB, featuring a variety of filigree and opaque twists, scattered millefiori canes including Clichy-style roses, signature cane located within the decoration stating “CCGW”, dated “96”, all above an opaque green ground. Cape Cod Glass Works, Sagamore, MA. Dated 1996. 2 3/8” D.

423. CHARLES LOTTON (AMERICAN, B. 1935) COLUMNS / ZIPPER IRIDESCENT VASE, opaque ruby ground, globular form with nine gold columns, signed to the base edge “Charles Lotton 1982”, polished pontil mark. Lotton Art Glass Gallery and Studios, Crete, IL. Dated 1982. 5 1/2” H.

Undamaged.

Undamaged except for a single short scratch to the surface.

$100 - $200

$200 - $400

422. JONATHAN HARRIS (ENGLISH, B. 1945) MAJESTIC CARP SILVER-FOIL GRAAL VASE, spherical form, sterling-silver foil creating a design of four carp swimming amongst seaweed with variegated swirls and overall mica decoration behind, all above an amethyst ground, signed to the underside “Jonathan Harris Ironbridge England 2014”, polished base. Jonathan Harris Art Glass, Ironbridge, England. Dated 2014. 6 7/8” H.

424. CHARLES LOTTON (AMERICAN, B. 1935) PULLED FEATHER IRIDESCENT VASE, white ground, four blue and yellow feathers, signed to the base edge “Charles Lotton 1987”, factory-polished base. Lotton Art Glass Gallery and Studios, Crete, IL. Dated 1987. 7 1/2” H. Undamaged. $200 - $300

Undamaged. $300 - $500

The Collection of Carl Carter, Austin, Texas – Part II

425. DAN SCHURA (AMERICAN, XX/XXI) ETCHED IRIDESCENT VASE, black ground, floral pattern, signed “Schura”, signed to the underside “Orient & Flume 1984”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1984. 9” H. Undamaged. $200 - $300

426. DAN SCHURA (AMERICAN, XX/XXI) ETCHED IRIDESCENT VASE, floral pattern, signed “Schura”, signed to the base edge “Orient & Flume/1981”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1981. 4” H. Undamaged. $100 - $200

Jeffrey S. Evans

427. STUART ABELMAN (AMERICAN, XX/ XXI) PULLED FEATHER IRIDESCENT VASE, colorless ground, squat form with opal, blue, and gold decoration, signed to the underside “Abelman”, dated “1991”, polished base. Abelman Art Glass, Van Nuys, CA. Dated 1991. 6 1/4” H, 9” DOA.

429. STUART ABELMAN (AMERICAN, XX/ XXI) PULLED FEATHER IRIDESCENT VASE, shaded surface, large tapered form with opal and gold iridescent Pulled Feather decoration, signed “Abelman”, dated “1985”, polished base. Abelman Art Glass, Van Nuys, CA. Dated 1985. 6 1/4” H, 9 1/2” DOA.

Undamaged.

$200 - $300

$80 - $120

428. STUART ABELMAN (AMERICAN, XX/ XXI) PULLED FEATHER IRIDESCENT JACK-IN-THE-PULPIT VASE, colorless ground, having opal and blue decoration with a large plume, signed to the underside “Abelman”, dated “1987”, polished base. Abelman Art Glass, Van Nuys, CA. Dated 1987. 15” HOA, 9” DOA plume.

430. LUNDBERG STUDIOS SEASCAPE IRIDESCENT VASE, blue ground, baluster form with a conical mouth, depicting three swimming fish with deep blue seaweed in the foreground, scattered millefiori canes, signed to the underside “Lundberg Studios”, dated “1976”, polished base. Lundberg Studios, Davenport, CA. Dated 1976. 7” H.

Undamaged.

$100 - $200

$200 - $300

431. LUNDBERG STUDIOS COLUMNS / ZIPPER IRIDESCENT CYLINDER VASE, pink ground, gold iridescent decoration, signed to the underside “Lundberg Studios 1992”. Lundberg Studios, Davenport, CA. Dated 1992. 9 1/4” H. Undamaged. $100 - $200

432. LUNDBERG STUDIOS DAMASCENE IRIDESCENT VASE, pink exterior, golden interior, tall urn form with gold iridescent decoration, signed to the underside “Lundberg Studios 1990”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1990. 10 3/8” H. Undamaged. $100 - $200

433. LUNDBERG STUDIOS PULLED FEATHER IRIDESCENT VASE, teal ground, gourd form with opal and gold decoration, signed to the underside “Lundberg Studios 1976”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1976. 4 1/2” H. Undamaged.

Undamaged.

$100 - $200

434. LUNDBERG STUDIOS PULLED FEATHER IRIDESCENT LARGE VASE, translucent golden ground and interior, tall bell form with green and opal decoration, signed to the underside “Lundberg Studios 1988”. Lundberg Studios, Davenport, CA. Dated 1988. 10 1/2” H, 7 1/2” D rim. Undamaged. $100 - $200

435. LUNDBERG STUDIOS ATTRIBUTED SEACREST IRIDESCENT VASE, ruby ground, tall form with blue iridescent seacrest vines running from the mouth and to the base, polished base and pontil mark. Lundberg Studios, Davenport, CA. Fourth quarter 20th century. 11 5/8” H.

436. LUNDBERG STUDIOS PULLED FEATHER IRIDESCENT VASE, opaque white ground, tall urn form with vertical ribs and amethyst and platinum decoration, golden iridescent interior, signed to the underside “Lundberg Studios 1993”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1993. 11” H. Undamaged. $100 - $200

The Collection of Carl Carter, Austin, Texas – Part II

437. LUNDBERG STUDIOS RIBBED IRIDESCENT LARGE VASE, blue ground, large urn form with vertical ribs, signed to the underside “Lundberg Studios 1990”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1990. 10 1/4” H. Undamaged. $80 - $120

439. LUNDBERG STUDIOS RIBBED AND PULLED DECORATION IRIDESCENT VASE, blue and golden ground, urn form with vertical ribs with blue, gold, and green pulled decoration, applied foot, signed to the underside “Lundberg Studios 1992”, ground base. Lundberg Studios, Davenport, CA. Dated 1992. 9 1/4” H. Undamaged. Having a burst bubble to the underside of the foot, as made.

441. LUNDBERG STUDIOS BEADED IRIDESCENT VASE, golden ground, tall trumpet form with bands of beads, signed to the underside “Lundberg Studios 1994”. Together with a “Wheaton Arts” cased white iridescent craquelled vase with brown decoration. Two pieces total. Lundberg Studios, Davenport, CA. Dated 1994. 7 1/4” and 14 1/2” H. Undamaged.

$80 - $120

$50 - $100

438. LUNDBERG STUDIOS PULLED FEATHER IRIDESCENT LARGE VASE, opaque white ground, large urn form having seven green and gold pulled feathers with a golden iridescent interior, signed to the underside “L. S.”. Together with a mottled white and blue iridescent “Skookum” pulled feather vase with blue decoration and signed to the base edge. Two pieces total. Lundberg Studios, Davenport, CA. Fourth quarter 20th century. 11” H.

440. LUNDBERG STUDIOS PULLED FEATHER IRIDESCENT VASE, blue ground, compressed globular form with a formed mouth, platinum decoration, signed to the underside “Lundberg Studios 1976”, also “Merry Christmas 1978/Love/Timothy & Julia, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1976. 5” H.

442. LUNDBERG STUDIOS INDIAN BASKET IRIDESCENT VASES, LOT OF TWO, golden ground, each signed to the underside, dated “1993” and “1994”. Together with a “Zweiffel” golden iridescent vase with an engraved dragon on each face, signed “HOWKE”. Three pieces total. Lundberg Studios, Davenport, CA. Dated 1993 and 1994. 2 3/4” to 10” H.

Undamaged.

$80 - $120

$50 - $100

Jeffrey S. Evans

443. LUNDBERG STUDIOS PULLED DECORATION IRIDESCENT CABINET VASE, blue ground, bottle form with yellow and gold decoration, signed to the underside “Lundberg Studios ‘74/M. Cantor”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1974. 2 1/4” H. Undamaged. $100 - $200

444. LUNDBERG STUDIOS HEART AND VINE IRIDESCENT CABINET VASE, ruby ground, bulbous form with a conical mouth, blue and white decoration, signed to the underside “Lundberg Studios ‘74/M. Cantor”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1974. 2 3/4” H. Undamaged. $100 - $200

445. LUNDBERG STUDIOS BUTTERFLIES IRIDESCENT CABINET VASE, yellow ground, bulbous form with two white and orange butterflies above and blue iridescent pulled decoration, signed to the underside, “Lundberg/ Studios/1975/M. Ganter”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1975. 3” H. Undamaged.

447. LUNDBERG STUDIOS KING TUT IRIDESCENT CABINET VASE, blue ground, urn form with maroon decoration, signed to the underside “Lundberg Studios”, factory-polished table ring. Lundberg Studios, Davenport, CA. Fourth quarter 20th century. 3 3/4” H. Undamaged. $80 - $120

$100 - $200

446. LUNDBERG STUDIOS PEACOCK FEATHER IRIDESCENT CABINET VASE, blue ground, gourd form with opal and purple decoration, signed to the underside, “Lundberg Studios 1975/M. Cantor”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1975. 3” H. Undamaged. Having a couple of isolated minute open bubbles to the surface, as made.

448. STEVEN LUNDBERG (AMERICAN, 1953-2008) / LUNDBERG STUDIOS IRIDESCENT CABINET VASE, blue ground, baluster form, applied spider-webbing and an a lily-pad base with extending pads, signed to the underside “LUNDBERG STUDIOS/SL 1975”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1975. 3 5/8” H. Undamaged. $80 - $120

$80 - $120

The Collection of Carl Carter, Austin, Texas – Part II

449. LUNDBERG STUDIOS LEAF AND VINE IRIDESCENT CABINET VASE, green ground with a gold interior, ovoid form with a flaring mouth, with gold iridescent decoration, applied green iridescent lily-pad arms and base, signed “Lundberg Studios 1975 Cantor”, polished base. Lundberg Studios, Davenport, CA. Dated 1975. 2 5/8” H.

451. LUNDBERG STUDIOS LEAF AND VINE IRIDESCENT CABINET VASE, blue ground, bottle form with deep blue and maroon decoration, platinum spider-web decoration, signed to the underside “Lundberg Studios/M. Cantor/1975”, factory-polished table ring. Lundberg Studios, Davenport, CA. Dated 1975. 4” H.

453. STEVEN LUNDBERG (AMERICAN, 1953-2008) / LUNDBERG STUDIOS IRIDESCENT CABINET VASE, opaque ruby ground, urn form with applied threading to the neck, signed to the underside “Lundberg Studios 1975/ SL”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1975. 3 7/8” H.

Undamaged.

Excellent condition overall with some spider-webbing having some minor losses.

Undamaged.

$80 - $120

450. LUNDBERG STUDIOS FLORAL AND VINE IRIDESCENT CABINET VASE, blue ground, cylinder form with blue and red decoration, signed to the underside “Lundberg Studios 1976”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1976. 3 7/8” H.

452. STEVEN LUNDBERG (AMERICAN, 1953-2008) CHAIN IRIDESCENT CABINET VASE, white ground, squat form with a trumpet-form neck, gold and blue chain pattern, gold iridescent interior, signed to the underside “S. LUNDBERG 1998”, factory-polished base, retains manufacturing label. Steven & Justin Lundberg Glass Art, Santa Cruz, CA. Dated 1998. 4 1/8” H.

Undamaged. Bruise-like imperfection to the base, as made. $80 - $120

Undamaged. $80 - $120

Jeffrey S. Evans

$50 - $100

454. LUNDBERG STUDIOS PEACOCK EYE IRIDESCENT CABINET VASE, blue ground, ovoid form with a stepped neck, amethyst decoration, signed “Lundberg Studios 1975”, polished base. Lundberg Studios, Davenport, CA. Dated 1975. 3 1/4” H. Undamaged with some instances of surface wear. $50 - $100

455. STEVEN LUNDBERG (AMERICAN, 1953-2008) / LUNDBERG STUDIOS IRIDESCENT CABINET VASES, LOT OF TWO, comprising a white and blue example with black and yellow Herringbone decoration, and a blue example with white Herringbone pattern, each signed to the underside “SL/Lundberg Studios”, one dated for “1975” and other “1976”, factory-polished base. Lundberg Studios, Davenport, CA. Dated 1975 and 1976. 2 3/4” and 3” H.

457. LUNDBERG STUDIOS SWIRLED IRIDESCENT CABINET VASES, LOT OF TWO, comprising a golden urn form with an applied foot, and a blue bottle form, golden example with a faux “L.C.T.” signature to the underside. Lundberg Studios, Davenport, CA. Fourth quarter 20th century. 4” to 4 3/8” H. Undamaged.

459. ORIENT & FLUME FLORAL TORCHWORK IRIDESCENT VASE, blue iridescent ground, large gourd form featuring a medial band of red and white flowers connected by waving green vines, signed to the pontil mark, “O&F”, dated “1985”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1985. 9” H.

Undamaged.

Undamaged. Having a couple of flakes to the edge of the button pontil, having a single open bubble to the surface, all as made.

$100 - $200

$200 - $300

456. LUNDBERG STUDIOS IRIDESCENT CABINET VASES, LOT OF TWO, golden ground, comprising a clover and vine with maroon decoration, and a beaded example with applied swirling to the neck, clover signed to the underside. Lundberg Studios, Davenport, CA. Fourth quarter 20th century. 4” and 5” H.

$50 - $100

458. LUNDBERG STUDIOS THREADED IRIDESCENT CABINET VASES, LOT OF TWO, comprising a golden bulbous form with applied spider-webbing, and a blue urn form with applied beads and threads, each signed to the underside, blue dated “1975”, gold dated “1977”, each having a factory-polished base. Lundberg Studios, Davenport, CA. Dated 1975 and 1977. 2 1/4” and 2 5/8” H.

Undamaged.

Blue undamaged; gold nearly undamaged with a couple of minute losses to the threading.

$80 - $120

$50 - $100

460. GREG HELD (AMERICAN, 1951-1999) PULLED FEATHER IRIDESCENT VASE, opal iridescent and golden iridescent ground, ovoid form with maroon and gold iridescent decoration, applied mouth, signed to the underside “Greg Held/Orient & Flume”, dated “1981”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1987. 8 3/8” H. Undamaged. $150 - $250

The Collection of Carl Carter, Austin, Texas – Part II

461. ORIENT & FLUME HAWTHORN MILLEFIORI AND IRIDESCENT VASE, golden iridescent ground, variegated trees and branches with many white millefiori floral cane blossoms in the trees, signed to the underside “Orient & Flume”, dated “1980”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1980. 7” H. Undamaged. $100 - $200

463. BRUCE SILLARS (AMERICAN, XX/ XXI) BAMBOO IRIDESCENT VASE, golden with green decoration, tall urn form with many green bamboo stalks and some leaves, signed to the underside “B. Sillars/Orient & Flume/1983”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1983. 10” H. Undamaged. $100 - $200

465. ED ALEXANDER (AMERICAN, XX/ XXI) AND DAVID SMALLHOUSE (AMERICAN, XX/XXI) OAK LEAF AND ACORN IRIDESCENT VASE, ovoid form with an oak leaf and acorn medial band with branching brown limbs, all above a mottled iridescent ground, green interior, applied iridescent mouth and circular foot, signed to the pontil mark, “Alexander/Smallhouse”, and “Orient & Flume”, numbered “644/1000”, retains manufacturing label, polished pontil mark. Orient & Flume Art Glass, Chico, CA. Late 20th/early 21st century. 9” H. Undamaged. $100 - $200

462. ORIENT & FLUME HAWTHORN MILLEFIORI AND IRIDESCENT VASE, blue ground, variegated tan/brown trees and branches with many white millefiori floral cane blossoms in the trees, signed to the underside “Orient & Flume”, dated “1985”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1985. 6” H. Undamaged. $100 - $200

464. GREG HELD (AMERICAN, 1951-1999) AND BRUCE SILLARS (AMERICAN, XX/ XXI) ORCHID FLOWERS IRIDESCENT VASE, golden ground, urn form with many lavender orchid blossoms, all connected by flowing green vines, signed to the underside “Held-Sillars/Orient & Flume”, dated “1984”, signature cane located in one vertical vine, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1984. 9” H. Undamaged. $100 - $200

466. DAVID SMALLHOUSE (AMERICAN, XX/XXI) PULLED DECORATION rIRIDESCENT VASE, blue ground, urn form with opal pulled decoration, applied mouth, button pontil mark, signed to the pontil mark “Smallhouse/ Orient & Flume”. Orient & Flume Art Glass, Chico, CA. Fourth quarter 20th century. 9” H. Undamaged. Having some flaking/sliver chipping to the edge of the button pontil, as made. $100 - $200

Jeffrey S. Evans

467. ORIENT & FLUME PULLED DECORATED IRIDESCENT VASE, green ground, gourd form with black and clear decoration, signed to the underside “Orient & Flume 1976”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1976. 6 7/8” H. Undamaged. $100 - $200

468. ORIENT & FLUME PULLED FEATHER IRIDESCENT VASE, deep green ground, gourd form with opal and blue iridescent decoration, signed to the underside “Orient & Flume 1980”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1980. 6 1/4” H. Undamaged. $100 - $200

469. ORIENT & FLUME PULLED FEATHER IRIDESCENT VASE, green ground, inverted baluster form with opal and blue iridescent decoration, applied mouth, signed to the underside “Orient & Flume 1979”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1979. 9 1/8” H. Undamaged. Having a couple of minor open bubbles to the surface, as made.

471. ORIENT & FLUME PULLED FEATHER IRIDESCENT VASE, blue ground, spherical form with a flaring mouth, five feathers with white, blue, and green decoration, applied blue iridescent spider-webbing, signed “Orient & Flume” to the underside. Orient & Flume Art Glass, Chico, CA. Fourth quarter 20th century. 6 7/8” H. Undamaged.

$100 - $200

470. ORIENT & FLUME PULLED DECORATION IRIDESCENT VASE, golden ground, urn form with green pulled decoration, signed to the underside “Orient & Flume 1981”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1981. 7 7/8” H.

472. ORIENT & FLUME FLORAL BAND IRIDESCENT VASE, amethyst ground, urn form with alternating white and purple blossoms with scattered small white blooms, all connected by green vines, signed to the underside “Orient & Flume”, dated “1985”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1985. 7 3/4” H.

Undamaged. $100 - $200

The Collection of Carl Carter, Austin, Texas – Part II

473. ORIENT & FLUME PULLED IRIS IRIDESCENT VASE, green ground, ovoid form with a flaring mouth, opal and blue iridescent decoration, signed to the underside “Orient & Flume”, dated “1984”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1984. 5 3/4” H.

475. ORIENT & FLUME FLORAL BAND IRIDESCENT VASE, blue ground, three lavender flowers with scattered white small blooms, all connected by green and blue vines, signed to the underside “Orient & Flume”, dated “1984”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1984. 4 3/4” H.

Undamaged.

$100 - $200

$80 - $120

477. ORIENT & FLUME FLORAL BAND IRIDESCENT VASE, golden ground, short urn form with a medial band of green and white flowers with the green examples having red and white stardust-type millefiori canes as stamens, all connected by green and maroon vines, signed to the underside “Orient & Flume”, dated “1982”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1982. 5 3/4” H. Undamaged. $80 - $120

474. ORIENT & FLUME PULLED FEATHER IRIDESCENT VASE, lavender ground, compressed form with gold decoration, rolled-over rim, signed to the underside “Orient and Flume”, dated “1976”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1976. 4 1/8” H.

476. GREG HELD (AMERICAN, 1951-1999) SWIRLED IRIDESCENT VASE, blue ground, urn form with five groups of swirling loopings with blue and opal decoration, signed to the underside “G. Held/Orient & Flume”, dated “1991”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1991. 7” H.

Virtually undamaged with some roughness to the edge of the button pontil, probably as made.

Undamaged.

$80 - $120

Jeffrey S. Evans

$80 - $120

478. ORIENT & FLUME PULLED DECORATION IRIDESCENT VASE, golden ground, tall urn form, overall green and amethyst pulled decoration, signed to the underside “Orient & Flume”, dated “1983”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1983. 11 5/8” H. Undamaged. $80 - $120

479. ORIENT & FLUME PULLED DECORATION IRIDESCENT VASE, golden ground, tall ovoid form with brown and lime green decoration, signed to the underside “Orient & Flume”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Fourth quarter 20th century. 13” H.

481. ORIENT & FLUME PULLED DECORATION IRIDESCENT VASE, golden ground, tall urn form with blue and opal decoration, signed to the underside “Orient & Flume”, dated “1984”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1984. 12” H.

Undamaged.

Virtually undamaged with some roughness to the edge of the button pontil, probably as made.

$80 - $120

480. ORIENT & FLUME PULLED DECORATION IRIDESCENT VASE, blue ground, gourd form with overall amethyst pulled decoration, signed to the underside “Orient & Flume”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Fourth quarter 20th century. 7 1/2” H. Undamaged. $80 - $120

$80 - $120

483. BRUCE SILLARS (AMERICAN, XX/XXI) FLOWER AND VINE IRIDESCENT VASE, blue ground, tall urn form with many white flowers, all connected by lavender vines, signed to the pontil mark “D. Sillars/Orient & Flume”, dated “1983”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1983. 11 1/8” H. Undamaged. $80 - $120

482. ORIENT & FLUME FLORAL VINE IRIDESCENT VASE, blue ground, having three vertical thin green vines supporting a white flower and scattered blue millefiori blooms, folded-over rim, signed to the underside “Orient & Flume”, dated “1984”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Dated 1984. 4 3/4” H.

484. ORIENT & FLUME PULLED FEATHER IRIDESCENT VASE, opal ground, having green and gold iridescent Pulled Feather decoration, signed to the pontil mark “Orient & Flume”, polished base and pontil mark. Orient & Flume Art Glass, Chico, CA. Fourth quarter 20th century. 8 3/4” H.

Undamaged.

$80 - $120

The Collection of Carl Carter, Austin, Texas – Part II

485. GREG HELD (AMERICAN, 1951-1999) PULLED FEATHER IRIDESCENT VASE, opal ground, ovoid form with brown and gold iridescent decoration, signed to the base edge “Greg Held”, numbered “15-1981”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1981. 6 1/2” H.

487. ORIENT & FLUME PULLED DECORATION IRIDESCENT VASE, goldeground, urn form with latticed columns of pulled decoration, rolled-over rim, signed to the underside “Orient and Flume/1980”, factory-polished base. Orient & Flume Art Glass, Chico, CA. Dated 1980. 7” H.

Undamaged.

$80 - $120

$50 - $100

486. ORIENT & FLUME FLOWER AND VINE IRIDESCENT VASE, golden ground, three red flowers and scattered smaller white blooms, all connected by green vines, signed to the underside “O97/1985”, polished base. Orient & Flume Art Glass, Chico, CA. Dated 1985. 5” H.

488. CORREIA PULLED FEATHER IRIDESCENT VASE, blue gound, large ovoid form with platinum pulled feather decoration, applied mouth, signed to the underside “Correia”, polished base. Correia Art Glass, Santa Monica, CA. Dated 2010. 8 1/4” H, 8 1/2” D.

Undamaged.

$50 - $100

$80 - $120

489. CORREIA KING TUT IRIDESCENT VASE, green ground, spherical form with golden iridescent decoration, signed to the underside “Correia”, maintaining manufacturing label, factory-polished base. Correia Art Glass, Santa Monica, CA. Fourth quarter 20th century. 6” H. Undamaged. $50 - $100

490. VANDERMARK PULLED FEATHER IRIDESCENT VASE, colorless ground, spherical form with a flaring mouth, red decoration, applied foot, signed to the underside “Vandermark 2003”. Together with a multi-colored pulled feather vase with an illegible signature to the base edge. Two pieces total. Vandermark Merritt Glass Studio, Branchburg, NJ. Dated 2003. 5 3/4” and 6 3/4” H. Undamaged. $80 - $120

Jeffrey S. Evans

491. VANDERMARK KING TUT IRIDESCENT VASE, opaque white ground, jug form with platinum, yellow, and rose decoration, signed to the underside “Vandermark/1976”. Vandermark Merritt Glass Studio, Branchburg, NJ. Fourth quarter 20th century. 6 7/8” H. Undamaged. $50 - $100

493. VANDERMARK FLOWER AND VINE IRIDESCENT VASE, blue ground, ovoid form with three pink six-petal flowers all connected by deep blue vines, signed to the underside “Vandermark”, dated “Sept. ‘78”, rough pontil mark. Vandermark-Merritt Glass Studios, Branchburg, NJ. Dated 1978. 7 3/4” H. Undamaged. Minor spall in association with the pontil mark, as made. $50 - $100

492. VANDERMARK PULLED DECORATION IRIDESCENT VASES, LOT OF TWO, cased pale blue ground, comprising an ovoid form with blue and yellow iridescent decoration, applied tapered foot, signed to the underside “Vandermark 1977”; and a cased colorless cylindrical form with orange and blue decoration, signed to the underside “Vandermark 1977”. Vandermark Merritt Glass Studio, Branchburg, NJ. Each dated 1977. 9 7/8” and 11 1/8” H.

494. VANDERMARK PULLED FEATHER IRIDESCENT FAN VASE, colorless ground, trumpet form with a large fanned rim, blue, opal, and red pulled decoration, applied colorless foot, signed to the underside “Vandermark”. Vandermark Merritt Glass Studio, Branchburg, NJ. Fourth quarter 20th century. 14 1/8” HOA, 8 3/4” DOA rim.

Undamaged.

$50 - $100

495. JOSE LUIS HERNANDEZ (AMERICAN, XX/XXI) PULLED DECORATION VASE, opal iridescent ground, urn form with green and yellow decoration, signed to the underside “Jose Luiz Hernandez”, dated “89”, factory-polished table ring. California. Dated 1989. 8 1/4” H. Undamaged. Having some scattered undissolved particulate to the interior, as made. $50 - $100

496. ASSORTED SEACREST IRIDESCENT VASES, LOT OF TWO, comprising a black Correia with swirled platinum decoration, and a “Lundberg” example with a colorless ground and gold and cranberry decoration. California. Fourth quarter 20th century. 6 1/2” H. Undamaged. $50 - $100

The Collection of Carl Carter, Austin, Texas – Part II

497. ASSORTED CALIFORNIA IRIDESCENT VASES, LOT OF TWO, blue ground, comprising an “Orient & Flume” with an embossed key band, and a “Lundberg/SL” chain-decorated example, each signed to the underside, each dated “1975”. California. Dated 1975. 3 1/8” and 3 1/2” H.

499. ASSORTED BLUE IRIDESCENT VASES, LOT OF TWO, comprising an Orient and Flume craquelled example with golden decoration, and a Carl Byron ribbed example with brown and white mottling to the top, each signed. Various makers. Fourth quarter 20th century. 5 1/4” and 5 7/8” H.

Undamaged.

$50 - $100

501. MOSER ATTRIBUTED ENAMEL-DECORATED VASE, cranberry with polychrome-enamel decoration, ovoid form with a tapered foot, having columns of blue, white, and yellow scrolls, with floral decoration in-between, factory-polished rim, underside signed “GR 803”. Bohemia, now Czech Republic. Fourth quarter 19th century. 11” H. Undamaged with some minor wear. Having some minute roughness to the rim, as made. Provenance: Cordier Auctions & Appraisals, 9/26/2020, lot 121. $100 - $200

500. ASSORTED ART GLASS VASES, LOT OF THREE, comprising an amethyst and gold “Moiel-Poeppel” wave-decorated example, an amethyst and opal “David Russell” wave-decorated, and a Heaney Glass iridescent embossed swirls example. Various makers. 20th and 21st century. 6 1/2” to 8” H. 498. ASSORTED IRIDESCENT VASES, LOT OF TWO, golden ground, comprising a Brian Maytum multi-colored mottled example, and a Nuance mottled glass example, each signed. Various makers. Fourth quarter 20th century. 7 7/8” to 8 3/8” H. Undamaged. $50 - $100

Jeffrey S. Evans

Undamaged. $50 - $100

Carter Catalogue Credits Cataloguing: Chase Lanford Photography: William H. McGuffin Catalogue editing: Jeffrey S. Evans, William Pitt Photo editing: William H. McGuffin Design and layout: Joel West

To follow the Carter Collection auction

Fine & Decorative Arts Auction - Day One Friday, October 15, 2021 at 9:0 0 am ET Featuring part one of the collection of Larry Spradley, Beaumont, TX comprising over 250 glass, ceramic, and metal miniature lamps of all types. To be followed by American and European art glass including Lalique, Schneider, Steuben, Mt. Washington, &c.; Charles Lotton and other studio glass; a collection of cologne/perfume bottles including antique Lalique examples; 20th/21st century fine china and glass from the Joseph and June Hennage Collection, to benefit the Colonial Williamsburg Foundation including Tiffany retailed, Herend, Royal Crown Derby, Wedgwood, Minton, Limoges, Steuben, Baccarat, Waterford, Blenko for CW, &c.; plus more.

Fine & Decorative Arts Auction - Day Two Saturday, October 16, 2021 at 9:00 am ET Featuring material from the collection of the late Theodore “Ted” and Alvina Breckel, Oley, PA and Winnetka, IL; a prominent Princeton, New Jersey family collection; the Joseph and June Hennage Collection, to benefit the Colonial Williamsburg Foundation; property deaccessioned by the Colonial Williamsburg Foundation, proceeds to benefit the Collections Acquisition Fund; plus others. The day’s offerings include a fine Tiffany Dogwood table lamp and other lighting; a wide selection of paintings, prints, and statuary; Asian material of all types; a fine selection of jewelry and silver; furniture from Georgian to American Classical, Gothic, and Victorian; large group of antique Persian and Caucasian carpets; 18th & 19th century ceramics including KPM, Royal Vienna, and Meissen; plus more.