Jemima Onugha Sample Portfolio

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Jemima Onugha Sample Portfolio 2024

A selection of works infusing narrative, storytelling. history and materiality into the built environment. I am deeply fascinated by the interplay of narrative and materiality in architecture, crafting spaces that serve their purpose and tell a story.

https://jemimaonugha.wixsite.com/mysite

https://www.linkedin.com/in/jemima-onugha

Jemima Onugha

Part 2 Architectural Assistant

Experience

Part 1 Architectural Assistant

2020- 2020

MEDIOMUNDO ARQUITECTOS (Sevilla, Spain)

Assisted in RIBA Stages 0–3, producing client plans with Photoshop and AutoCAD.

Created 3D renders to visualize concepts for a sound exhibition, enhancing project communication.

Compiled project booklets for presentations and submissions, ensuring accuracy.

Project Assistant (Construction/ Design)

2022- 2022

Mace

Conducted daily site walks on an active construction site, ensuring safety standards.

Assisted with site operations, enforcing PPE compliance and signage placement.

Managed project documentation and created reports

Creative Team Member

2022– Ongoing

One room

Designed and planned community music events using 3D software.

Managed logistics in high-pressure environments while maintaining professionalism.

Videographer/ Video Editor/ Graphic

Designer

2021- Ongoing

Doceo

Produced engaging video content for teens, using Adobe After Effects and Premiere Pro.

Managed multiple projects, ensuring smooth coordination and timely execution.

Personal Statement

Detail-oriented and solutions-driven, I excel in dynamic studio environments. My background in design, technical visualization, and project coordination provides strong organizational skills and a keen eye for efficiency. I’ve successfully streamlined workflows, coordinated teams, and implemented asset management systems, ensuring projects remain on track. I understand the fast-paced nature of studio operations and proactively resolve challenges, delivering seamless experiences. I thrive in finding order within complex productions.

Software Skills

Fairy Knots

Fifth Year Project

Education

Profecient in AutoCAD, InDesign, Revit, Blender, Rhino, Modo, Unreal Engine, Figma, Illustrator, Photoshop, Premier Pro, MicroStation and VectorWorks. 2016 – 2019

of Brighton BA Architecture 2:1 2021 – 2024

Thesis: Exploring Black British identity through the Afro hair salon and Hair shop Design project: FairyKnots- A Black British Hair Archive University of Greenwich MArch Architecture 2:1

Experience

Fairy Knots

Fairyknots critically explores British colonialism’s impact on Black identity through the lens of Afro hair culture in London.

Eager to join her father in the UK, Jemima gets a chance to visit her new home early.

In the middle of getting her hair braided, she goes on a quest to find the missing catfish and ends up in a new place called Transdean.

Guided by her ancestral guardian, “The Straw Bear,” she navigates Black and Black British Afro hair spaces, uncovering intertwined histories and shared experiences.s

The Winifred Atwell Salon
The Winifred Atwell Salon burned down at The Brixton Riots (1981)
The Winifred Atwell Salon Analysis (Onugha,2024)
The Winifred Atwell Salon Analysis (Onugha,2024)
The Winifred Atwell Salon Speculative Model (Onugha,2024)
The Winifred Atwell Salon Speculative Facade Model (Onugha,2024)

Upton Park Salon Analysis

Client facing the mirror, able to watch herself and the braider

Braider who has just finished a young client rests

Client can see the style as it progresses through the mirror. Mirror reflects what is behind the client.

Shelf objects reflected and nail salon display in the far corner of the room

Braider with bag still on, showing she is on the move, looking for client within the market

Lounging chair, padded, for waiting

Tool storage holding hair pieces ready for braiding

sprays and other hair products

Storage table between braider and nail tech space, contents unknown

Gels,
Towels on the top shelf
Styling head and products
Tool Storage Shelves
Another worker rests, using a chair as a foot stool
Chair holding braiding hair that hasn’t been cut to smaller pieces yet
Chairs and people Mirrors
Reflection of other mirrors and braider resting

The Winifred Atwell Salon: Braiding Throne

Braiding chair V1
Braiding chair V2
Braiding chair Initial Sketches
Braiding chair and Salon Plan Sketches
Dyke and Dryden Door
Dyke and Dryden V1
Dyke and Dryen: The first Afro hair product distributors in theUK

New Yam Festival Market

Fourth Year Project

“Barking was one of the first places my mother and I visited to buy African food when we moved to the UK.

It’s where I learned to choose the right peppers, ask butchers for the freshest cuts of meat, and pinch the bottom of a yam to check for rot.”

A successful yam harvest symbolizes prosperity, blessings, and status in African culture, reflecting family unity and societal roles. Its importance was so profound that yams were often honored with dedicated buildings.

The New Yam Festival celebrates this legacy in Barking with a yam milling factory for fresh yam powder and public spaces, like the Food Market, showcasing staples of African cuisine.”

Jemima

Smell of african shop (butchers/ spices/ fish and vegetables)

Smell of fumes from the road

Market spaces (striped canopy tents)

YAM FARMING PROCESS

5-10 KG

NORMAL YAM PLANTING METHOD

STEP 1

Land preparation: Land is cleared and mound is formed befor heavy raining season

STEP 2

Seed yam is planted and mulched (covered with materials to prevent from weeds, to retain soil moisture and maintain soil nutrients)

STEP 3

Staking is the hardest part of the process. The creeping vines are elevated to above ground level

STEP 4

Small hand hoes are used to weed frequently before harvesting. Small hoes are used to ensure tuber is protected

Room Key 1. Outer Katamba 2. Inner Katamba/ Masquerade room 3. Food stalls
Core circulation
Seating
Bike/ Walk Path
Yam Farm
Yam Storage Entrance
Office
Yam tools storage
Curing room
Toilet
Yam farm sorting space
Room Key
1. Mill
2. Mill sorting area
3. Flour packing space
4. Flour shop
5. Curing room
6. Yam storage
7. Yam Farm
8. Rainwater tank
9. Rain gutter

To Wall Detail

DETAIL DRAWINGS

Curing Room- Wall to Floor Detail

Net for debry

200mm RHS
Sprinkler
1. 150mm Concrete Blockwork (made with rice husk waste as filler product)
Breather Membrane
Cladding rail
3d Printed Clay bricks

Project name: Audiosfera

Project Input: Renders and diagramatic work

Project Outcome: Completed

Created diagrams and initial renders for the Audio Contemporary Social Art exhibition at the Reina Sofía Museum (April–September 2020). The project, curated by Francisco López and designed by Marta Pelegrín & MEDIOMUNDO arquitectos, explored sound as a central artistic medium, challenging traditional exhibition paradigms.

Project name: Pedro G House

Project Input: Design iterations and Final renders

Project Outcome: Completed

This modern apartment project in Seville required balancing space, materiality, and modernity within a culturally rich context. I contributed approximately 20% of the project scope, including final renderings, design iterations, and drafting final plans. My input addressed challenges like optimizing spatial layouts and refining material selections to align with the design vision.

Project name: 1 Mayfair, Audley Square

Project Input: Design iterations and Final renders Project Outcome: Under Construction

As part of the design management team, I supported the resolution of key design issues by developing the key design issues document, liaising with contractors such as pool specialists and BASWA ceiling consultants, and conducting preliminary line load calculations for cast glass concerns.

I also conducted regular site walks, identifying on-site issues and relaying them to the design and construction team, streamlining workflows and enhanced team efficiency by approximately 5-10%.

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