Jennie Stolz | Interior Design Portfolio by jenniestolz

jennie Stolz.

INTERIOR DESIGN PORTFOLIO

jennie Stolz. EDUCATION Bachelor of Science in Interior Design Accredited by CIDA Mississippi State University, Starkville, MS Graduation | August 2022 3.77/4.0 GPA

WORK EXPERIENCE Intern | Interior Elements

Ridgeland, MS | 2021 Created project presentations Measured existing conditions, & created in Revit Planned business events

Sales | Worth Repeating Homegoods Bay St. Louis, MS | 2020 Arranged furniture and items Managed social media Refurbished furniture

Intern | Coastal Tile

Gulfport, MS | 2019 Assisted designer with tasks Re-stocked samples Organized showroom Handled social media

Gardener | Pine Hills Nursery

CONTACT Bay St. Louis, MS

Pass Christian, MS | 2018 & 2019 Presented greenhouses Unloaded shipments Served customers Gained knowledge of plants

Sales Associate | American Eagle Outfitters jenniestolz@gmail.com (228)-304-7390 www.linkedin.com/in/jennie-stolz

Spanish Fort, AL | 2019 Helped customers finding clothing Re-stocked warehouse Shipped and handled shipments

HONORS & AWARDS

COLLEGE INVOLVEMENT

Scholarships

Phi Theta Kappa Scholarship | 2019-2021 Phi Theta Kappa Excellence Scholarship | | 2019-2021 Compass Scholarship | 2019

Accomplishments

Third Place Curtis Stout Lamp Competition | 2020 President’s list | Spring 2019, Spring 2020, Spring 2021, Fall 2021

RELATED COURSES Design

Furniture Design Color & Lighting Design Theater Lighting Professional Practice Lean-Led Healthcare Principles of LEED Textiles for Interiors Materials for Interiors Drawing 1 Design 1 | 2 Hand Rendering

SKILLS AutoCAD Revit Enscape Sketchup Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Lightroom Microsoft Offices Working

Phi Mu Fraternity | 2019-2022 Pinelake Church | 2019-2022 American Society of Interior Designers | 2019-2022 Young Women in Architecture | 2021-2022

Coastal Alabama Community College

NJCAA Volleyball Manager | 2018-2019 Phi Theta Kappa Honor Society | 2018-2019

COMMUNITY INVOLVEMENT

Technical Hand Drafting Detailing & Construction AutoCAD Revit Sketchup Adobe Photoshop Adobe Illustrator Adobe InDesign Microsoft Offices

... . .. .. Proficient

Mississippi State University

Advanced

CONTENTS

HOSPITALITY

HEALTHCARE

CORPORATE

ADA TRANSACTION

5 LATERAL FILE STORAGE

2' - 6"

A101

RUBBER TOE KICK

1 A101

PLAN VIEW 1/4" = 1'-0"

2 A101

A101

FRONT ELEVATION 3/8" = 1'-0"

QUARTZ TOP

3 A101

SIDE ELEVATION INTERDISCIPLINARY 3/8" = 1'-0"

4 SECTION TECHNICAL A101 3/8" = 1'-0"

DETAILS

1' - 0 17/32"

PLAN VIEW 0' - 0"

2' - 4 9/32"

3' - 6"

2' - 0 3/4"

1' - 8 21/32"

2' - 3 31/32"

2' - 10 7/16"

MOBLE PEDESTAL FILE

0' - 1"

LAMINATE WORK SURFACE

2' - 5 3/32"

A101

06 5

CREATIVE

A101

No.

BACK ELEVA 3/8" = 1'-0"

Description

HOSPITALITY

Boutique Hotel

New Orleans, LA

4 Levels ABOUT: Software Used: AutoCAD, Revit, Enscape, Photoshop, Adobe Illustrator

Team Project

Scan Barcode

Promotional video of The Golden Door Hotel

The design of The Golden Door Hotel is inspired by the historical and architectural doors lining the tree-lined and cobblestone streets of New Orleans, Louisiana. Doors serve as the passageway into vibrant and storied structures. The door details and varied colors echo the eclectic style of the city’s architecture and its people and serve as inspiration for a similarly styled hotel. The French and Spanish influences can be seen on these doors, which serve as portal into interior spaces that are both unique and storied. The Golden Door Hotel reflects not only the stylization of the doors themselves, but also the collective objects that form the charismatic spaces within.

Botanical Garden

Patterns & Color Eclectic Design

St. Louis Cathedral

GOLDEN DOOR

Molding

Antique Features

Features of Doors Lock & Key

New Orleans Architecture 10 | Concept & Inspiration

South Louisiana Culture

Jazz & Aesthetic

Wood Features

Golden | Ornate

14 | Entrance

LEVEL 1

1 Restaurant 1,070 Sq. Ft.

2 Reception

260 Sq. Ft.

3 Lobby

750 Sq. Ft.

4 Bar 1,089 Sq. Ft.

5 4

5 Spa 1,224 Sq. Ft.

Level 1 Rendered Plan | 15

Entering The Golden Door Hotel, the guests are welcomed by the receptionist and are offered an area to lounge. New Orleans is in the top ten service and hospitality cities in America, famous for Mardi Gras and being the birthplace of jazz. The design elements inspired by the New Orleans eclectic culture will be incorporated throughout the space.

Reception Desk

Lobby Seating 16 | Reception & Lobby

The design of the Lock and Key bar is inspired by a key and lock hole from a door, which determined the shape of the bar. The purpose of the center piece is to resemble the key and create surfaces for bottles and glasses. Key holes contain a lot of detail and this gives the motivation for the different patterns.

18 | Restaurant & Bar

The design of the Bonne Voisine Café is influenced by the people in the city’s oldest neighborhood, Treme. Treme is famous for its jazz music venues, soul food spots and cultural centers celebrating the neighborhood's AfricanAmerican and Creole heritage. This design embodies the culture & heritage of New Orleans in a less tradition way.

20 | Coffee Shop & Cafe

The design of the Botanical Spa was inspired by the Conservatory of the Two Sisters and its accessibility to all. This design reflects the calm and tranquil environment of the botanical gardens in New Orleans which welcomes guests year-round to enjoy the nature around them. The same is true for the Botanical Spa, which invites guests to relax and enjoy the hospitality of New Orleans in an intimate space.

22 | Wellness & Spa

Spa Reception & Locker Room | 23

ROOM BREAKDOWN 1 Double Bed 2 Queen Bed 3 King Bed 4 Junior Suite 5 Standard Suite

Guest Room Furniture Plan

24 | Level 3 Rendered Floor Plan

LEVEL 3

Axonometric View | Guest Room

Axonometric | 25

The design of the Golden Door Guest Rooms & Suites is promted by the French Quarter. From its doors & balconies to its color and energy, the French quarter has something for everyone. Details found in this historic area can be seen in each room & suite. The headboard represents the overall concept of doors.

Guest Room Front Wall Elevation

26 | Guest Room & Suites Concept

ROOM BREAKDOWN 1 One Bedroom 2 Studio 3 Two Bedroom

Apartment Furniture Plan

28 | Level 4 Rendered Floor Plan

The Golden Door Apartment design was derived from the St. Louis Cathedral in New Orleans. The interior is rich in detailing and warm colors. The apartments have a strong French influence and focus on the idea of always being open. Inside the Cathedral, it is inviting and always open to anyone.

Key Plan | Apartment

30 | Apartment Concept

HEALTHCARE

SPECTRUM wellness center

Pediatric Care Facility

San Diego, CA

Team Project

ABOUT:

4,900 SF 1 Level Software: Revit, Enscape, Photoshop, Illustrator

Spectrum Wellness Center is a clinic that exists to serve children on the autism spectrum ranging from ages 4-18. Due to the difficulty of grasping abstract thoughts and ideas, the main inspiration for the clinic is centered upon the concrete object of a hot air balloon. To alleviate potential anxiety and put the patients at ease, travel throughout the clinic emulates the journey on a hot air balloon and encourages feelings of tranquility and quiet. Additionally, the design implements physical attributes of the balloon such as the curvilinear contour, contour fabric envelope, and wooden basket. basket Specifically, there is a subtle undulating walls along the corridors to replicate movement, fabric-like ceiling details in the waiting area, and light woods and woven finishes to represent the basket and utilize texture.

The split complementary color palette is inspired by the typical colors of hot air balloons and the surrounding landscape landscape, however more subdued because of the associated sensitivity to highly saturated colors with autistic children.

CLIENT GOALS INCLUSION The Spectrum Wellness Center accommodates the differences in the needs of children with Autism Spectrum Disorder (ASD). 34 | Spectrum Concept & Inspiration

INTEGRATION

SUPPORT

The space combines a therapy center and a clinic into this space to accommodate for both physical and behavioral health needs.

The Spectrum Wellness Center aims in providing aid and assistance to both patient and caregiver through individual and family therapy sessions.

COLOR

WAYFINDING

Due to chemical imbalances and neural deficiencies in their eye structure, 85% of children with ASD perceive colors more intensely than do other children.

Children with ASD typically have a more difficult time communicating with others, so implementing signage that is easily identifiable and recognizable to children with autism not only promotes independence, but allows children to navigate the facility with ease.

The optimal colors to use in an autistic-friendly design are light, unsaturated earth tones. If bright colors are used, they should be contained in small areas or limited to the color of the toys. • •

Red is perceived as fluorescent and yellow can be too stimulating- both colors should never be used. Greens, blues, pinks, soft oranges, and neutrals are best.

LIGHTING With autism, physical differences in the structure of the central nervous system paired with abnormal pupillary light reflexes are attributed to hyper-sensitivity with lights. Individuals with ASD are more perceptive to the “subvisible flicker” and humming of lights that is associated with causing headaches, confusion, eye strain, and increased repetitive behaviors. Therefore, The use of fluorescent lighting should be altogether avoided and replaced with incandescent, halogen, LED, or natural daylighting. Implement layers of lighting to provide softer, ambient lighting overall with target-focused task lighting for areas where higher luminance is needed.

36 | Research

Often, children with ASD have a difficult time adjusting to and navigating new places, thus having a permanent landmark will help to establish orientation cues. •

This includes utilizing architectural structures as an advantage (i.e. columns, arched openings)

SENSORY INTEGRATION Autism sensory issues include either hypo- or hyperstimuli Such sensitivities can sensitivity to environmental stimuli. include: • Visual: Individuals with autism are often overwhelmed by too many varying visual inputs. This sensitivity can be reduced by limiting the use of high contrast and busy patterns. • Auditory: Everyday background and noise that typically goes unnoticed can be triggering for children with ASD. The most efficient ways of attenuating sound is through acoustical finishes/ materials. • Body awareness (proprioception): Some children with autism crave physical sensations in order to regulate emotional and behavioral responses to surrounding stimuli.

Color Coded Plan | 37

38 | Rendered Floor Plan

LIGHTING LEGEND

Reflected Ceiling Plan

Ceiling Heights Type I: 8’-0” A.F.F.

Type II: 10’-0” A.F.F.

Type III: 10’-0” A.F.F.

Type IV: 9’-0” A.F.F.

CEILING TYPE LEGEND T YP E

SYMBOL

DE SC RI PT IO N

2' x 2' ACT system

Armstrong FELTWORKS Blades Ebbs and Flows acoustical ceiling

II I

Gypsum board, painted

Custom gypsum board drop ceiling

2 3

Reflected Ceiling Plan | 39

1 Custom designed reception desk reflects the basketweave texture of hot air balloons.

2 Clerestory windows are placed along the interior rooms to allow for ample daylight throughout the entire facility.

3 Wayfinding signage provided at a height that can be read by both children and adults.

40 | Reception Area

3 1

1 The “Nest” chair offers a lower seat height to accommodate young children.

2 The acoustical ceiling design resembles hot air balloon fabric and also creates movement.

3 The waiting room provides a variety of seating options including a sofa for a bariatric option.

Seating Nook in Hallway 42 | Waiting Area

1 Staff workroom and drug storage rooms are safely secured behind the nurse’s station as an increased measure of safety for patients.

2 Patient chairs located against the back wall for privacy while getting weighed and vitals taken.

3 The cloud-like custom ceiling reflects the contours along the floor and emulates the floating journey of a hot air balloon.

Conceptual Drawing

44 | Nurse’s Station

1 The therapy rooms have lounge seating and a play area for patients to enjoy.

2 The shelves are anchored to the wall to ensure patient safety.

3 The clerestory windows allow for natural light and create a more open space.

46 | Therapy Room

1 Wayfinding is implemented by the color-coded stripes along the wall that correlate with the exam and therapy doors.

2 To differentiate the exam and therapy spaces, exam doors are shades of rose and therapy doors are shades of blue.

2 Exam and Therapy Hallway Elevation

48 | Wayfinding

Hallway Perspective | 49

CORPORATE

Office Building

New York City, NY

Individual Project

15,000 SF ABOUT: 7th & 8th Levels Software: Revit, Enscape, Photoshop, Illustrator

NEXT based on marble and the natural features it possesses, as it relates to the products. NEXT make-up is clean, organic organic, vegan, and cruelty free. As a natural stone, marble is both incredibly strong and very delicate. Marble is a metamorphic rock, which places it into a family of stones created by undergoing change, or metamorphosis. NEXT is known for the quality and strength, yet gentle properties. In the make up process, one’s face and body go through change similar as marble. The veins in marble resemble the different skin tones and diversity in make up. Some elements used are balance, rhythm, and movement through ceiling panel designs, flow of the work stations, and way finding in the flooring material. COLOR SCHEME

ENERGY

LIGHTING

COMFORT

NEXT is a space that promotes energy and clean work spaces. Within the space there will be inclusive, open work areas, lounge style breakrooms, acoustical enclaves, wellness and relaxation spaces, and meditation spaces.

Using adequate windows, there is natural lighting for efficiency in the work place. There are photo and video studios spread throughout for teams to better understand and market the products.

Using inclusive spaces with consistent access for all people with an intentional diversity of spaces. Spaces that allow users to control their surroundings, creating acoustical, visual or territorial privacy as desired.

52 | Next Concept & Inspiration

54 | Next Branding

PRODUCT BRANDING

BELONGING Welcome people back to the office with inspiring spaces that offer psychological comfort and create a sense of belonging and purpose. Vibe, aesthetic, and biophilia create a welcoming ambiance that people connect with and flourish in.

SAFETY Spaces that promote physical and psychological safety with appropriate distancing and division through boundaries, shielding.

PRODUCTIVITY Support workflow with proximity and connectedness between personal, collaboration, social and learning spaces.

COLLABORATION Neighborhoods that are owned by teams, providing a home-base and sense of connection for the individuals. A range of individual spaces for people to focus free of distractions.

Workplace Values | 55

LEVEL 7

1 The offices face the

exterior wall and have curtain walls, which allows for natural daylight.

56 | Level 7 Color Coded Plan

2 The workstations are

strategically placed by the offices for collaboration and convenience.

3 The department offices

and work stations are located in close proximity to the meeting rooms to alleviate traffic.

4 Studios and project rooms are placed close to each department’s workstation area.

LEVEL 8

4 3 4 1

2 2

1 The reception area

is located in front of the stairs to help with wayfindng.

2 The enclaves do not share

a south wall for acoustical purposes.

3 The work cafe connects

to the outdoor terrace for breaks.

4 There are various lounge

styled areas for breaks or casual meetings.

Level 8 Color Coded Plan | 57

1 This reception area is directly off of the elevators and stairs on the 8th floor. This location allows a full time receptionist to provide a welcoming space. There is seating for 6 people and it is close to a collaboration area for extra seating.

2 The outdoor terrace is an extension of the offices and allows the employees to work, eat/drink, or socialize on this terrace. The terrace could also be used to host small events.

Reception Elevation

58 | Reception Desk

1 In the offices, there is direct/indirect lighting, and is supplemented by individual lamps providing task lighting.

The workstations are strategically placed by the offices and stairs for collaboration and traffic flow.

Work Station Elevation 60 | Stairs and Work Station

1 The conference room is available for presentations for formal vendor presentations, large staff meetings, project team meetings, and pitch space for potential investors and retailers.

2 The ceiling has acoustical panels that support the conceptual design through shape and color.

Conference Elevation

62 | Conference Room

1 The work cafe environment is multi-faceted and multi-purpose. There are a range of settings to support individual focus work and peer to peer collaboration.

2 This space is a place where employees can relax and enjoy a meal together at any time during the day. There is lounge furniture and tables for area to work.

Work Cafe Elevation

64 | Work Cafe

INTERDISCIPLINARY

Educational

Mississippi State, MS

Team Project

7,400 SF ABOUT: 2 Levels Software: Revit, Enscape, Photoshop, InDesign

The renovation and addition to Hand Chemical Lab is a contemporary take on Mississippi State University’s campus building style. Covered in MSU’s classic maroon brick, the project makes use of a brick screen system taking inspiration from the Chapel of Memories which resides on North campus. This screen concept is articulated through voids, extrusions, and enlarged window patterns. The composition of the renovation and addition is simple in shape and size. It is comprised of three rectangular masses of differing sizes; sizes while the size and shape of the masses suggest a hierarchy, this quality is further implemented through façade design details. One mass acts an entry vestibule, another holds one large lecture hall, while the third houses a classroom, collection of offices, and study rooms. These

COLOR SCHEME

Departments in Team Project Architecture Building Construction Science Interior Design Graphic Design 68 | Concept & Inspiration

LIGHT | windows, fluorescents, natural light, colonnade, brick screening

MIND | adaptable spaces, MSU P.O.D. Market

AIR | HVAC, indoor & outdoor smoking ban, VOC reduction

FINISHES COMFORT | ergonomics, accessible design, thermal, sound masking

WATER | water bottle refill stations & recycle bins

NOURISHMENT | cowbell well signage

FITNESS | height adjustable desks, wellness awareness, stair accessibility

Building Values | 69

LEVEL 1 The renovated Hand Lab features modern design that includes various elements and principles of design including sleek lines, repeating patterns, and textured materials.

The floor plan’s flexibility is achieved by providing various environments such as lounge seating for private and study rooms.

AUDITORIUM

ENTRANCE

The classroom and auditorium will have multiple exit doors to expedite circulation.

The first floor features a lobby, a large-scale auditorium, a multipurpose lounge area, and classroom that can occupy up to 40 students.

70 | Level 1 Rendered Plan

WAITING AREA

CLASSROOM

LEVEL 2 The intention of the design is to allow occupants to be present in a space that inspires learnings and sparks creativity and ingenuity.

The auditorium ceiling extends up to level 2. This creates space and allows sound to disperse.

BREAKROOM 1 BREAKROOM 2

The various seating arrangements on the first and second level help decrease congestion in the hallway and lobby areas.

WAITING AREA OFFICE 4 OFFICE 3

CONFERENCE

OFFICE 2

The offices, conference room, and study areas are strategically placed for a quiet environment.

OFFICE 1

Level 2 Rendered Plan | 71

1 Signs are wooden and placed on top of a metal frame. Typography on door and directional signage is cut of the wood with the exception of braille, which are wood cut outs placed on top of the wood sign.

The design encourages community and sociability by including multiple seating arrangements and collaborative spaces.

Lobby Elevation

Entrance and Lobby | 73

1 The classroom offers ample seating for lecture style classes and meetings. The chairs are mobile, allowing for ADA persons to sit at the tables.

2 The acoustical ceiling tiles assist with the noise dampening and echo one may experience with a room so big. The floor also assists with sound suppressive carpet tile provites unwanted reverb in the room.

Classroom | 75

Conference Table Elevation

Conference Room Perspective 76 | Conference Room

1 The space features a neutral color scheme with a combination of contemporary and traditional aesthetics that will enhance the space, but also blend with Mississippi State’s design styles.

2 The ceiling tiles assist with the noise dampening and echo one may experience with a room so big. The floor also provides sound suppressing qualities through the carpet tiles.

78 | Private Office

TECHNICAL

DETAILED DRAWINGS.

A101 ADA TRANSACTION

TRANSACTION COUNTER

14' - 4 3/32" LATERAL FILE STORAGE

WOOD PANELS

2' - 6"

3' - 6"

A101

3 RUBBER TOE KICK

1 A101

PLAN VIEW 1/4" = 1'-0"

2 A101

A101

FRONT ELEVATION 3/8" = 1'-0" 4 A101

QUARTZ TOP

3 A101

SIDE ELEVATION 3/8" = 1'-0"

jennie stolz

82 | Detailed Drawings

4 A101

WORK SURFACE

1' - 1"

PLAN VIEW 0' - 0"

SECTION 3/8" = 1'-0"

DETAILS CONTSTRUCTION

1' - 3 5/32"

2' - 4 9/32"

2' - 5 3/32"

1' - 8 21/32"

8' - 1 5/16" 1' - 0 17/32"

3' - 6"

2' - 0 3/4"

0' - 1"

2' - 10 7/16"

MOBLE PEDESTAL FILE

2' - 3 31/32"

LAMINATE WORK SURFACE

A101

No.

BACK ELEVATION 3/8" = 1'-0"

Description

Date

UNIT E Project number Date Drawn by Checked by

Project Number 4/1/2021 Jennie Stolz A. Hughes

A112

Scale As indicated

MIN. WALLBOARD PENETRATION OF 1/2" FOR FIRE-RATED ASSMEBLIES

BACKBEND RETURN FOR GYPSUM WALLBOARD PARTITIONS

BACKBEND 3/8" BACKBEND 3/8"

RABBET 1 3/4" FOR DOORS

BACKBEND 3/8"

BACKBEND RETURN FOR GYPSUM WALLBOARD PARTITIONS

BACKBEND 3/8"

MIN. WALLBOARD PENETRATION OF 1/2" FOR FIRE-RATED ASSMEBLIES

THROAT OPENING VARIES WITH WALL SIZE

BACKBEND RETURN FOR GYPSUM WALLBOARD PARTITIONS

JAMB ANCHOR CLIP

THROAT OPENING VARIES WITH WALL SIZE

SOFFIT, DIMENSION VARIES

JAMB ANCHOR CLIP

1/2"

THROAT OPENING VARIES WITH WALL SIZE

BACKBEND RETURN FOR GYPSUM WALLBOARD PARTITIONS

1/2"

DOUBLE STUDS

JAMB ANCHOR CLIP

DOUBLE STUDS

JAMB ANCHOR CLIP

RABBET, VARIES

FACE, 2"

STOP 5/8"

STOP 5/8" FACE, 2"

DOUBLE STUDS

1/2" FACE, 2"

DOUBLE STUDS MIN. WALLBOARD PENETRATION OF 1/2" FOR FIRE-RATED ASSMEBLIES

1/2"

1 A107

STEEL DOOR JAMB 1 HOUR 3" = 1'-0"

A107

STEEL DOOR JAMB 2 HOUR 3" = 1'-0"

A107

RABBET 1 3/4" FOR DOORS

SOFFIT, DIMENSION VARIES

MIN. WALLBOARD PENETRATION OF 1/2" FOR FIRE-RATED ASSMEBLIES

STOP 5/8"

RABBET, VARIES

RABBET 1 3/4" FOR DOORS

STEEL DOOR HEAD 1 HOUR 3" = 1'-0"

A107

SOFFIT, DIMENSION VARIES

STOP 5/8"

RABBET, VARIES

STEEL DOOR HEAD 2 HOUR 3" = 1'-0"

FIRE-RATED SEALANT FIRE-RATED SEALANT

FIRE-RATED SEALANT

No.

ETHEREDGE HALL

2 LAYER OF 5/8" TYPE X FIRE RATED GYPSUM WALLBOARD

Description

Date

2 LAYER OF 5/8" TYPE X FIRE RATED GYPSUM WALLBOARD

DOOR FRAME & HEADER Project number 101 SECTION Date Drawn by Checked by

1/14/2021 Jennie Stolz A. Hughes

A107

Scale 3" = 1'-0"

5" METAL STUD 5" METAL STUD

ELECTRICAL OPENINGS

SEALS ALL PENETRATIONS OF DUCTS, PIPES, ETC.

BASE AS SCHEDULED

SEALS ALL PENETRATIONS OF DUCTS, PIPES, ETC. BASE AS SCHEDULED ACOUSTICAL SEALANT BASE AS SCHEDULED

ACOUSTICAL SEALANT BASE AS SCHEDULED ACOUSTICAL SEALANT

ACOUSTICAL SEALANT

1 A106

PARTITION TYPE A 1 HOUR RATED ASSEMBLY 3/4" = 1'-0"

2 A106

PARTITION TYPE B 2 HOUR RATED ASSEMBLY 3/4" = 1'-0"

3 A106

PARTITION TYPE C 1 HOUR ACOUSTICAL 3/4" = 1'-0"

No.

Description

4 A106

Date

PARTITION TYPE D NON- RATED 3/4" = 1'-0"

4/23/2021 3:35:36 PM

jennie stolz

5" METAL STUD

FIRE-RATED SEALANT

5/8" TYPE X FIRE RATED GYPSUM WALLBOARD

SLIP JOINT

CREATIVE

The Selah chair’s inspiration comes from the Methuselah tree. This tree is a 4,853 year old Great Basin bristlecone pine tree. The curvature of the tree inspired the organic shapes within the design of the chair. With the aspects of wood and longevity, this inspiration represents the celebration of wood. The Selah chair is resistant, similar to the tree itself. The lifespan of the chair mimics the long lifespan of the tree. With the several woodgrains chosen from Formica’s line of laminates, The Selah is designed for durability and ergonomics. The woodgrains give variety and work for any design.

OBJECTIVE: 3D Model a chair that is multipurpose and uses woodgrains.

Methuselah Tree I

Team Project Revit & Rhino 3D

SKETCHES

Concept Sketches PRODUCT DESCRIPTION

Formica woodgrain laminates are designed to resemble natural woods. These laminates have several benets on The Selah. The woodgrains are easy to clean and environmentally friendly. The Selah chair’s inspiration 86 | Furniture Design Chair Concept comes from the Methuselah tree. This tree is a 4,853 year old Great Basin

Hand Rendering

Inspiration

Shop Drawings

NAVIGATION

Lighthouses were created to emit light from a system of lamps and lenses to serve as navigation. A porthole creates an opening for light on ships. As the light is shining through the porthole, it acts as a guide. Navigation is inspired by design elements, such as line and shape that creates sturdiness and structure. OBJECTIVE: Create a functionable lamp with an LED bulb.

3rd Place | Student Competition | 2020 Individual Project Hand Built & Wired AutoCAD

88 | Lighting Design Lamp

Concept Sketches Product Image 30”

16” 35”

Shop Drawings

34”

Elsie de Wolfe Box De Wolfe was a successful interior designer that replaced dark and ornate Victorian decor with lighter, simpler styles and uncluttered room layout. The designer incorporated neutral tones with leaves and natural elements, as shown on the box. OBJECTIVE: Research a famous interior designer and design a wooden box based on their designs with wood joints. Individual Project Hand Built & Painted

90 | Furniture Design Box

Product Photos | 91

Digital Photography.

92 | Photos

jennie Stolz.

Thank You! jenniestolz@gmail.com (228)-304-7390 www.linkedin.com/in/jennie-stolz