JENNY EUN-SEON CHO EDUCATION Bachelor of Fine Arts, Emphasis on Architecture, The School of the Art Institute of Chicago (SAIC), Chicago, IL, Graduated – May, 2014
EXPERIENCE Architectural Assistant, The Bureau of Architecture and Design, PC., Chicago, IL, USA – Feb. 2013 – May 2013 •
Designed materials pattern based on color algorithm for walls and floors located in public areas.
•
Performed site analysis and conceptualized design phase drawings comprised of site drawings, floor plans,
sections and exterior elevations.
Documenting and Advertising Assistant, The Information Technology Professionals Association of Korea (IPAK), South Korea – 2012 •
Prepared and executed translation of printed advertisement brochures from Korean to English language.
•
Assisted in the production of homepage for upcoming software design competition.
•
Formulated and organized advertising methods via the social networks.
SKILLS Computer:
Proficient in Microsoft Word, Excel, PowerPoint with Certification
CONTACT INFO
JENNY.E.M.CHO@GMAIL.COM +1 312 342 1415
AutoCAD, SketchUp, Maya, Rhinoceros, Revit, Maxwell Render Adobe PhotoShop, Illustration and InDesign
Technical:
Freehand Drawing-Drafting, Hand Model Making, Illustration Rendering, Laser Cutting
Language:
Korean – Fluent English – Fluent Japanese – Oral and Written
CONTENTS COLLAPSIBLE CLOUD GALLERY
04
PSYCHOANALYST’S RESIDENCE
12
ALBANY PARK THEATER
18
OZ PARK FIELD HOUSE
26
“And the cloud that passes over gives the room a feeling of association with the person that is in it, knowing that there is life outside of the room, and it reflects the life-giving that a painting does because I think a work of art is a giver of life. So light, this great maker of presences, can never be... brought forth by the single moment in light which the electric bulb has. And natural light has all the moods of the time of the day, the seasons of the year, [which] year for year and day for day are different from the day preceding.�
Louis I. Kahn
COLLAPSIBLE CLOUD GALLERY CLOUD FOR PROJECTION?
HOW ABOUT BRINGING CLOUD TO THE GROUND LEVEL AND ENJOYING IT WITH ART WORK?
PHOTO COLLAGE
04
CONCEPT CHANGE OF SCALE :
OBJECT TO ARCHITECTURE
OBJECT SCALE : CLOUD LAMP PILLOW
COLLAPSIBILITY
1. LEAVE THE FOUNDATION STILL AND MAKE THE TOP OPEN AND CLOSED
05
ARCHITECTURE SCALE : COLLAPSIBLE CLOUD GALLERY INITIAL SKETCH
2. LEAVE THE TOP STILL AND MAKE THE FOUNDATION OPEN AND CLOSE
PROCESS CLOUD MAKING EXPERIMENT
CONGELATION OF HOT STEAM INTO CLOUD UNDER COLD AIR
CONGELATION OF HOT STEAM WITH SMOKE IN THE CLOSED ROOM
MATERIAL AND SHAPE STUDY
: SEARCHING FOR FEASIBLE AND LIGHT BUT FIRM MATERIAL TO STAND BY ITSELF AS STRUCTURE
MATERIAL STUDY MODEL 1 : PLASTIC FILM PAPER
MATERIAL STUDY MODEL 2 : BEE WAX
MATERIAL STUDY MODEL 4 : STYROFOAM
MATERIAL STUDY MODEL 3 : GLUE GUN
MATERIAL STUDY MODEL 5 : PLASTIC FILM PAPER
06
DESIGN SOLUTION
DESIGN SOLUTION : GOLDEN RATION
MATERIAL SOLUTION : LIGHT PROJECTION 1
MATERIAL SOLUTION : LIGHT PROJECTION 2
SITE PLAN
LIGHT INSTALLATION
07
SITE SECTION
FLOOR PLAN
SECTION
DETAIL SECTION : JOINT
08
COLLAPSING PROCESS
09
10
“If documentary is to document our world that already is, fiction is to fantasize about how it could be. That since, architecture is the fiction of the real world, so turning dreams into concrete reality with bricks and mortar. Architecture is the canvas for the stories of our lives. The city is never completed. It has beginning but it has no end. It’s work in progress. Always waiting for new scenes to be added, new chracters moved in.”
Bjarke Ingels
PSYCHOANALYST’S RESIDENCE PSYCHOANALYST?
THEY ARE EXPERTS WHO STUDY ABOUT HUMAN’S MIND AND BEHAVIOR
MAX ERNST, UNTITLED, 1920
12
PROCESS ANALYSIS :
ANALYZING THE PAINTING TO BRING UP THE CHARACTER
PSYCHOANALYST DIFFERENT KINDS OF HUMAN MINDS
STRONG PERSONALITY (OR CHARACTERISTIC) VIVID COLORS : RED, YELLOW, BLUE
VARIOUS PATTERN
SECRETIVE BUT CONNECTED WITH THE WORLD SMALL HOLE IN THE BLACK BOXY STRUCTURE PPIPES CONNECTING GROUND TO SKY
WATER PENETRATING THE GROUND
Max Ernst, Untitled, 1920
UNDER GROUND STRUCTURE
13
STUDY MODEL 1_1
2D MONTAGE
STUDY MODEL 1_2
STUDY MODEL 2_2 : CROSS SECTION DRAWING
STUDY MODEL 2_1 : SECTION
STUDY MODEL 2_2 : CROSS SECTION
14
PROCESS
EARTH WATER STUDY MODEL 3
EARTH / WATER DIAGRAM
STUDY MODEL 3 DRAWING
OBSERVATION STUDY COUNSELING INTELLECTUAL NURTURING
CONNECTING TWO DIFFERENT SITUATION CONNECTING WATER AND UNDERGROUND EARTH
INTELLECTUAL NURTURING MIND NURTURING
UNDERGROUND
PHYSICAL NURTURING
WATER
EARTH WATER
DARK, DEEP ISOLATED, QUITE
WATER MOVEMENT, CUTTING THE EARTH
MIND NURTURING MEDITATION HEALING
15
PHYSICAL NURTURING
ACTIVITY WORKOUT EXERCISE
SOLUTION 6 5
3 4
1
2
7
PHOTO MONTAGE
1ST FLOOR PLAN
9
8
2ND FLOOR PLAN
1 2 3 4 5 6 7 8 9
: : : : : : : : :
KITCHEN OFFICE OBSERVATION ROOM INDOOR GARDEN RESIDENCE POOL LIGHT HOUSE PARTY / DINING HALL ROOF TOP
4
2
3
SITE MODEL
MODEL ELEVATION
OFFICE, OBSERVATION ROOM, AND KITCHEN
INDOOR GARDEN AND RESIDENCE
8 1
SECTION
16
“All religions, arts and sciences are branches of the same tree. All these aspirations are directed toward ennobling man’s life, lifting it from the sphere of mere physical existence and leading the individual toward freedom.”
Albert Einstein
ALBANY PARK THEATER ALBANY PARK THEATER?
IT IS A PLACE TO EMBRACE VARIOUS CULTURES AND TO CELEBRATE CHILDREN’S CREATIVITIES IN ART FORM
THE CHAPEL OF NOTRE DAME DU HAUT PLAN BY LE CORBUSIER
THE CHURCH AT FIRMINY BY LE CORBUSIER
MAPPING MONTAGE
18
SITE PLAN
RONAN PARK
W. LAWRENCE AVE.
19
DIAGRAM
PRIVATE SPACE PUBLIC SPACE
STAFF CIRCULATION VISITOR CIRCULATION
EDUCATION ZONE RELEASING ZONE CREATIVE ZONE
20
DRAWING
B’
B’
8
7
7 6
1
11 12
4 3
3 5
A
9 2
10
A’
A’
A
2
1ST FLOOR 1. Box Office 2. Theatre 3. Coat Check Room 4. Concession/ Gift Shop 5. Patrons Lounge 6. Costume Shop/ Storage / Laundry 7. Dressing Room 8. Food Service/ Kitchen Area 9. Production/ Prop Storage 10. Loading Dock 11. Stage Office/ Manager 12. Staff Lounge
1
2ND FLOOR
B
21
B
1. Rehearsal Space 2. Office Space 3. Creative Studio
SECTION A-A’
B’
B’
1
A’
A
A’
A
3 2
ROOF
3RD FLOOR 1. Choreography / Dance Studio 2. Education Center 3. Sound / Lighting Control Booth
B
B
SECTION B-B’
22
SOUTH - EAST VIEW
SOUTH ELEVATION
23
EAST ELEVATION
THEATER TO EXIT VIEW
NORTH ELEVATION
WEST ELEVATION
24
“If I ever go looking for my heart’s desire again, I won’t look any further than my own back yard. Because if it isn’t there, I never really lost it to begin with”
L. Frank Baum, The wonderful Wizard of Oz (Oz, #1)
OZ PARK FIELD HOUSE OZ PARK?
IT IS A PARK INSPIRED BY THE STORY OF THE WIZARD OF OZ WITH SCULPTURES OF FORU CHARACTERS
SITE LOCATION
26
SITE PLAN
29
PLAN A
C
B’ 1
3
2 3
4
B
5
A’
1ST FLOOR
C’ C A
1
1. 2. 3. 4. 5.
Baseball / Garden Storage Office Washroom Concession Store Multi-Purpose Room
A’ C’
2ND FLOOR
30
SECTION
SECTION A-A’
SOUTH EAST VIEW
31
NORTH VIEW
SECTION B-B’
SECTION C-C’
SOUTH VIEW
OFFICE VIEW
32
J E N N Y
E U N
S E O N
C H O
/
J E N N Y . E . M . C H O @ G M A I L . C O M
/
+ 1
3 1 2 . 3 4 2 . 1 4 1 5