2014 portfolio Jenny ES Cho

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JENNY EUN-SEON CHO EDUCATION Bachelor of Fine Arts, Emphasis on Architecture, The School of the Art Institute of Chicago (SAIC), Chicago, IL, Graduated – May, 2014

EXPERIENCE Architectural Assistant, The Bureau of Architecture and Design, PC., Chicago, IL, USA – Feb. 2013 – May 2013 •

Designed materials pattern based on color algorithm for walls and floors located in public areas.

Performed site analysis and conceptualized design phase drawings comprised of site drawings, floor plans,

sections and exterior elevations.

Documenting and Advertising Assistant, The Information Technology Professionals Association of Korea (IPAK), South Korea – 2012 •

Prepared and executed translation of printed advertisement brochures from Korean to English language.

Assisted in the production of homepage for upcoming software design competition.

Formulated and organized advertising methods via the social networks.

SKILLS Computer:

Proficient in Microsoft Word, Excel, PowerPoint with Certification

CONTACT INFO

JENNY.E.M.CHO@GMAIL.COM +1 312 342 1415

AutoCAD, SketchUp, Maya, Rhinoceros, Revit, Maxwell Render Adobe PhotoShop, Illustration and InDesign

Technical:

Freehand Drawing-Drafting, Hand Model Making, Illustration Rendering, Laser Cutting

Language:

Korean – Fluent English – Fluent Japanese – Oral and Written


CONTENTS COLLAPSIBLE CLOUD GALLERY

04

PSYCHOANALYST’S RESIDENCE

12

ALBANY PARK THEATER

18

OZ PARK FIELD HOUSE

26


“And the cloud that passes over gives the room a feeling of association with the person that is in it, knowing that there is life outside of the room, and it reflects the life-giving that a painting does because I think a work of art is a giver of life. So light, this great maker of presences, can never be... brought forth by the single moment in light which the electric bulb has. And natural light has all the moods of the time of the day, the seasons of the year, [which] year for year and day for day are different from the day preceding.�

Louis I. Kahn


COLLAPSIBLE CLOUD GALLERY CLOUD FOR PROJECTION?

HOW ABOUT BRINGING CLOUD TO THE GROUND LEVEL AND ENJOYING IT WITH ART WORK?

PHOTO COLLAGE

04


CONCEPT CHANGE OF SCALE :

OBJECT TO ARCHITECTURE

OBJECT SCALE : CLOUD LAMP PILLOW

COLLAPSIBILITY

1. LEAVE THE FOUNDATION STILL AND MAKE THE TOP OPEN AND CLOSED

05

ARCHITECTURE SCALE : COLLAPSIBLE CLOUD GALLERY INITIAL SKETCH

2. LEAVE THE TOP STILL AND MAKE THE FOUNDATION OPEN AND CLOSE


PROCESS CLOUD MAKING EXPERIMENT

CONGELATION OF HOT STEAM INTO CLOUD UNDER COLD AIR

CONGELATION OF HOT STEAM WITH SMOKE IN THE CLOSED ROOM

MATERIAL AND SHAPE STUDY

: SEARCHING FOR FEASIBLE AND LIGHT BUT FIRM MATERIAL TO STAND BY ITSELF AS STRUCTURE

MATERIAL STUDY MODEL 1 : PLASTIC FILM PAPER

MATERIAL STUDY MODEL 2 : BEE WAX

MATERIAL STUDY MODEL 4 : STYROFOAM

MATERIAL STUDY MODEL 3 : GLUE GUN

MATERIAL STUDY MODEL 5 : PLASTIC FILM PAPER

06


DESIGN SOLUTION

DESIGN SOLUTION : GOLDEN RATION

MATERIAL SOLUTION : LIGHT PROJECTION 1

MATERIAL SOLUTION : LIGHT PROJECTION 2

SITE PLAN

LIGHT INSTALLATION

07

SITE SECTION


FLOOR PLAN

SECTION

DETAIL SECTION : JOINT

08


COLLAPSING PROCESS

09


10


“If documentary is to document our world that already is, fiction is to fantasize about how it could be. That since, architecture is the fiction of the real world, so turning dreams into concrete reality with bricks and mortar. Architecture is the canvas for the stories of our lives. The city is never completed. It has beginning but it has no end. It’s work in progress. Always waiting for new scenes to be added, new chracters moved in.”

Bjarke Ingels


PSYCHOANALYST’S RESIDENCE PSYCHOANALYST?

THEY ARE EXPERTS WHO STUDY ABOUT HUMAN’S MIND AND BEHAVIOR

MAX ERNST, UNTITLED, 1920

12


PROCESS

ANALYZATION :

ANALYZING THE PAINTING TO BRING UP THE CHARACTER

PSYCHOANALYST DIFFERENT KINDS OF HUMAN MINDS

STRONG PERSONALITY (OR CHARACTERISTIC) VIVID COLORS : RED, YELLOW, BLUE

VARIOUS PATTERN

SECRETIVE BUT CONNECTED WITH THE WORLD SMALL HOLE IN THE BLACK BOXY STRUCTURE PPIPES CONNECTING GROUND TO SKY

WATER PENETRATING THE GROUND

Max Ernst, Untitled, 1920

UNDER GROUND STRUCTURE

13


STUDY MODEL 1_1

2D MONTAGE

STUDY MODEL 1_2

STUDY MODEL 2_2 : CROSS SECTION DRAWING

STUDY MODEL 2_1 : SECTION

STUDY MODEL 2_2 : CROSS SECTION

14


PROCESS

EARTH WATER STUDY MODEL 3

EARTH / WATER DIAGRAM

STUDY MODEL 3 DRAWING

OBSERVATION STUDY COUNSELING INTELLECTUAL NURTURING

CONNECTING TWO DIFFERENT SITUATION CONNECTING WATER AND UNDERGROUND EARTH

INTELLECTUAL NURTURING MIND NURTURING

UNDERGROUND

PHYSICAL NURTURING

WATER

EARTH WATER

DARK, DEEP ISOLATED, QUITE

WATER MOVEMENT, CUTTING THE EARTH

MIND NURTURING MEDITATION HEALING

15

PHYSICAL NURTURING

ACTIVITY WORKOUT EXERCISE


SOLUTION 6 5

3 4

1

2

7

PHOTO MONTAGE

1ST FLOOR PLAN

9

8

2ND FLOOR PLAN

1 2 3 4 5 6 7 8 9

: : : : : : : : :

KITCHEN OFFICE OBSERVATION ROOM INDOOR GARDEN RESIDENCE POOL LIGHT HOUSE PARTY / DINING HALL ROOF TOP

4

2

3

SITE MODEL

MODEL ELEVATION

OFFICE, OBSERVATION ROOM, AND KITCHEN

INDOOR GARDEN AND RESIDENCE

8 1

SECTION

16


“All religions, arts and sciences are branches of the same tree. All these aspirations are directed toward ennobling man’s life, lifting it from the sphere of mere physical existence and leading the individual toward freedom.”

Albert Einstein


ALBANY PARK THEATER ALBANY PARK THEATER?

IT IS A PLACE TO EMBRACE VARIOUS CULTURES AND TO CELEBRATE CHILDREN’S CREATIVITIES IN ART FORM

THE CHAPEL OF NOTRE DAME DU HAUT PLAN BY LE CORBUSIER

THE CHURCH AT FIRMINY BY LE CORBUSIER

MAPPING MONTAGE

18


SITE PLAN

RONAN PARK

W. LAWRENCE AVE.

19


DIAGRAM

PRIVATE SPACE PUBLIC SPACE

STAFF CIRCULATION VISITOR CIRCULATION

EDUCATION ZONE RELEASING ZONE CREATIVE ZONE

20


DRAWING

B’

B’

8

7

7 6

1

11 12

4 3

3 5

A

9 2

10

A’

A’

A

2

1ST FLOOR 1. Box Office 2. Theatre 3. Coat Check Room 4. Concession/ Gift Shop 5. Patrons Lounge 6. Costume Shop/ Storage / Laundry 7. Dressing Room 8. Food Service/ Kitchen Area 9. Production/ Prop Storage 10. Loading Dock 11. Stage Office/ Manager 12. Staff Lounge

1

2ND FLOOR

B

21

B

1. Rehearsal Space 2. Office Space 3. Creative Studio

SECTION A-A’


B’

B’

1

A’

A

A’

A

3 2

ROOF

3RD FLOOR 1. Choreography / Dance Studio 2. Education Center 3. Sound / Lighting Control Booth

B

B

SECTION B-B’

22


SOUTH - EAST VIEW

SOUTH ELEVATION

23

EAST ELEVATION


THEATER TO EXIT VIEW

NORTH ELEVATION

WEST ELEVATION

24


“If I ever go looking for my heart’s desire again, I won’t look any further than my own back yard. Because if it isn’t there, I never really lost it to begin with”

L. Frank Baum, The wonderful Wizard of Oz (Oz, #1)


OZ PARK FIELD HOUSE OZ PARK?

IT IS A PARK INSPIRED BY THE STORY OF THE WIZARD OF OZ WITH SCULPTURES OF FORU CHARACTERS

SITE LOCATION

26


SITE PLAN

29


PLAN A

C

B’ 1

3

2 3

4

B

5

A’

1ST FLOOR

C’ C A

1

1. 2. 3. 4. 5.

Baseball / Garden Storage Office Washroom Concession Store Multi-Purpose Room

A’ C’

2ND FLOOR

30


SECTION

SECTION A-A’

SOUTH EAST VIEW

31

NORTH VIEW


SECTION B-B’

SECTION C-C’

SOUTH VIEW

OFFICE VIEW

32


J E N N Y

E U N

S E O N

C H O

/

J E N N Y . E . M . C H O @ G M A I L . C O M

/

3 1 2 . 3 4 2 . 1 4 1 5


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