Jenny ordonez | Work Samples

Page 1

JENNY ORDONEZ WORK SAMPLES

Full Portfolio: http://issuu.com/jennyordonez/docs/portfolio_6_-_personal_-_winter2014/1


THE LIVING LIBRARY RECONCILING WITH NATURE

SENSE OF COMMUNITY

UNIVERSITÉ OMAR BONGO | LIBREVILLE, GABON THE NEW ACADEMIC LIBRARY WILL SERVE AS AN INFORMATION COMMONS FOR UOB WHERE LEARNING, SOCIAL INTERACTION AND EXCHANGE OF INFORMATION OCCUR. SPACES CONDUCIVE TO STUDY AND RESEARCH WILL FOSTER ENVIRONMENTAL EDUCATION AND AWARENESS WITH BEAUTIFUL GREEN SPACES AND GARDENS FOR CONCENTRATION, CONTEMPLATION AND RELAXATION.

ACCESS TO INFORMATION

PROJECT AREA: 2886 m2 MAIN PROGRAM COMPONENTS: • READING/SEATING AREAS • COMPUTER LAB • AUDITORIUM • EXHIBITION SPACE • CAFE • CONFERENCE ROOMS • CLASSROOMS • GREENSPACE


EBEY’S LANDING VISITOR’S CENTER COUPEVILLE, WASHINGTON

NEW DESIGN IN A HISTORICAL CONTEXT

MULTI-PURPOSE SPACE

HISTORICAL SOCIETY MUSEUM

EBEY’S LANDING IS LOCATED ABOUT 50 MILES NORTH OF SEATTLE ON WHIDBEY ISLAND, WHERE A UNIQUE AND VARIED LANDSCAPE OF PRAIRIES, HISTORIC FARMSTEADS, WOODLANDS, SALTWATER BEACHES AND MOUNTAIN VIEWS CAPTIVATE AND INSPIRE BOTH RESIDENTS AND VISITORS ALIKE.

CAFE

LOBBY / EXHIBITION

EBEY’S LANDING NATIONAL HISTORIC RESERVE WAS ESTABLISHED IN 1978 TO PRESERVE THIS CULTURAL LANDSCAPE, WITH THE HISTORIC TOWN OF COUPEVILLE AT THE HEART OF THE RESERVE. MAIN CHALLENGES: • NEW DESIGN IN A HISTORICAL CONTEXT • DESIGN OF A VISITOR’S CENTER THAT CAN SERVE THE NEEDS OF BOTH VISITORS AND RESIDENTS OF THIS CLOSE-KNIT COMMUNITY • SITE SELECTION TO ACHIEVE CLEARLY-STATED INTENTIONS

COURTYARD

EXHIBITION

ALEXANDER HOUSE

GROUND FLOOR PLAN GRAPHIC SCALE 5 ft

10 ft

20 ft

SITE


DORMITORIES

COURTYARD

GEOLOGY FIELD STATION PAISLEY CAVES, OREGON

THIS PROJECT EXPLORES THE POTENTIAL TO UNDERSTAND THE SITE AS A SERIES OF SPLITS OR CRACKS AND HOW ARCHITECTURE CAN APPROPRIATE THESE NATURAL CONDITIONS FOR HUMAN BENEFIT. THE BUILDING IS CONCEIVED AS A SERIES OF PROGRAMMATIC ELEMENTS COMPRESSED AND RELEASED IN RESPONSE TO THE SURROUNDING NATURAL LANDSCAPE PUSHING IN AND OUT. THESE CONCEPTS OF CRACKING AND COMPRESSING ARE OPPORTUNITIES FOR NATURAL LIGHT TO SEEP THROUGH THE SHELL OF THE BUILDING, CREATING LIGHT WELLS THAT BRING IN DAYLIGHT AND PUT THE NATURAL LANDSCAPE ON DISPLAY. THE PUSHING AND PULLING OF THE SITE BEGINS TO ORGANIZE THE PROGRAM, DIVIDING IT INTO ZONES THAT CAN WORK INDEPENDENTLY AS WELL AS TOGETHER WHILE CREATING A DIALOGUE BETWEEN POSITIVE AND NEGATIVE SPACE.

COMPUTER LAB

LAB 1

GROUP WORKSTATIONS

LAB 2


THANK YOU FOR VIEWING

Jenny Ordonez Nieto

jen_ordonez@hotmail.com www.linkedin.com/in/jennyordonezn


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