Jenyea Tiffany Chang | Work Samples | Ed 2

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Jenyea Tiffany Chang M Arch’16 | RISD Work Samples | Resume


PROFESSIONAL EXPERIENCE

Jenyea Tiffany Chang PERSONAL INFO Nationality

USA

Date of Birth

Jan. 2, 1988

Place of Birth

Chicago, IL

Studio 19 Architects Seattle, WA, USA Jun. 2015 - Aug. 2015

Junior Architectural Designer 3D-modeling and drafting Graphic design & on-site data collection

Bioarchitecture Formosana Taipei, Taiwan Jun. 2012 - August 2013

Junior Architectural Designer, Model Shop Manager, and Art Editor Construction of architecture models Graphic design for competition documents, firm’s publications, and firm’s website Organization of student interns

LYA Architects & Planners Taipei, Taiwan Feb. 2011 - Jun. 2012

Designer Architectural model making AutoCAD drafting Competition document graphic design

William Fisher Architecture Santa Cruz, CA, USA 2008 - 2009

Design Intern AutoCAD drafting

EDUCATION SKILLS Graphic

Photoshop Illustrator InDesign After Effects

Rhode Island School of Design Master of Architecture Providence, RI, USA Sept. 2013 - Jun. 2016 University of Melbourne Melbourne, VIC, Australia

Exchange Abroad Program of UC. Architecture, Environmental Design Department. July 2010 - Nov. 2010

Draft

AutoCAD

3D Modeling

Rhinoceros SketchUp

University of California, Berkeley Berkeley, CA, USA

UC Summer Program Architecture Department Summer 2009

Shop

Woodshop Metal shop 3D printing Lasercut

University of California, Santa Cruz Santa Cruz, CA, USA

Bachelor of Fine Arts (with focus in Sculpture & Public Art) Sept. 2006 - Jun. 2010


Table of Contents Professional and Internship Work

4-5

Water: Absorb + Store + Reuse | Adv Studio: Climate Museum Launch

6-7

Of Sound and Boundary | Architectural Design

8

A Walk to Witness | Adv Studio: Climate Museum Launch

9

Folding Ground | The Making of Design Principle Negotiated City | Centre for Dialogue, Knowledge Exchange and Peace

10

11

Reopen and Rescale | Urban Design

12 - 13

Undergraduate Work | architecture models, sculpture, and public art

14 - 15


Professional and Internship Work |

TaiJiang National Park Visitor Center 2012 - 2016 | Bio Architecture Formosana

Responsibilities

pavilion cafe

Design of Pavilion Exterior (see colored photos below) Model-building (solo work)


Physical Model-building Various Residential and Public Projects (solo work )| LYA and BaF | 2011 - 2013

3D Model-building Mixed Use Project in Downtown Seattle | Studio 19 | 2015 Summer Internship


Water: Absorb + Store + Reuse |

Climate Museum Launch | SP2015 | Tate + Gerdts Location: Manhattan, NYC | In Collaboration with Sarah Hadianti

View from Underground Galleries

In triggering new frameworks for transforming cities into resilient urban environments, two main strategies are implemented in response to the catastrophic and wasteful issues of water: an underground structure as a flood prevention system and an aboveground architecture as a rainwater harvesting system. The museum exhibitions then highlight these climate-dependent elements through a series of openings and entry points for visitors to engage and witness.

View from Cistern Entrance Collection Plaza


Rain Exhibition

Residential Tower

Greenhouse Main Museum

Auditorium Roof Garden Rain Plaza

Underground Cistern Platform Galleries


Of Sound and Boundary | Arch Design | SP2014 | Clark | Providence Train Station

north entry

driveway

driveway south entry lobby platform

platform

9

3 13 16

driveway

1

8

platform

The design concept begins with recording the sound and vibration in and out of the train station. From observing the vibration waves, spots with larger vibration (vehicle activities) tend to swallow the smaller ones (human activities). To separate these two activities, a protective membrane is created with these define spaces ( that hold human activities) weaved onto it.


A Walk to Witness | SP2015 | Tate + Gerdts | Pier 26 Pop-up Installation | Climate Museum Launch

Visitors experience a scaled difference of flooded zones while walking down the riverbed (walkway). The slanted string wall builds a psychological space in experiencing the vastness of a flooded area. Visitors can find information of extreme climate events on the screens attached to the columns while they can also share inputs, stories, and other information on climate change on pieces of paper to tie onto the strings.


Folding Ground | The Making of Design Principle | FA2013 | Toledano

1- Front Entrance

7

2- Lobby 3- Ticketing

11

4- Performing Space 5- Audience 6- Intermission 7- Practice Space 8- Dressing Room 9- Bathroom 10- Storage 11- Back Entrance

4

6 9

5

1

8

5 6 9

10

3

The project site is located on a slope. The ground exfoliates as it descend and form shells around the programs. While a path penetrates a series of circulation and nodes, the then exposed ground now becomes interior space and the underside now becomes the exterior. Residual space becomes public space.

3 5 8 11

4

4

3 5

7


Negotiated City |

Centre for Dialogue, Knowledge Exchange and Peace | FA2015 | Hermann

4 5

3

1 2 India

On Social Significance | City Concepts

Colombo

Batticaloa

Sri Lanka

3 4

5

library [collect]

1 2

The region has diversity in religious beliefs, whereas some of the other surrounding regions in the city are occupied by specific religious or ethnic groups. Therefore, with this

N

environmental studies [retain]

1

scholar residence [mingle]

3

comparative religious studies [accomodate]

4 contribute

5

peace center [redistribute]

Distribution | Purification

exchange

Religious harmony | Social

2

crucial/ unique social ecology, we saw an opportunity to initiate pivotal steps of accomplishing harmony between different beliefs and to set an example for the rest of the city and the nation. It is a center for dialogue and exchange of knowledge and a gateway for people to acknowledge the pursuit of peace. The perimeter of the lake takes one onto a journey of acknowledgement.


Reopen + Rescale |

Urban Design | FA2014 | Tate

50 ft

100 ft

0

greenhouse and balcony pedestrian island

200 ft

private | greenhouses semi-private | residents’ gardens

greenhouse and backyard

public | landscape and plazas

courtyard

courtyard one-way car path

one-way car path

public greenery

UPPER DUPLEX

TYPICAL FLOOR PLANS + CIRCULATIONS UPPER UNITS UPPER CIRCULATION LOWER UNITS

LOWER CIRCULATION

LOWER DUPLEX

Boston West End is a place overshadowed by an inglorious urban gentrification in the 1950s when luxury housing replace an historical part of town. The concept of this project is to mend the value of community back into this neighborhood through the shifting of scales and public space.


#o fU

TS NI

34 UNITS

45 UNITS

24 %

32 %

30 UNITS

21 %

33 UNITS

UNITS + CAPACITIES

CA PA

23 %

ES ITI C

90 PER

15 % 210 PER

36 %

132 PER

23 % 150 PER

26 %

1B

unit

2B

unit

3B

unit

4B

unit

An avenue is open up in the center of the site to bridge North Station and the hospital. 4-storied-high to 8-storied high row houses resembling the neighboring Beacon Hill sit along the avenue while each apartment group embraces a shared courtyard for its resdients. Common space with large windows in each unit is facing the avenue. Each unit is given a greenhouse in the back facing the courtyard, thus creating a transitional experience for residents to move from private to shared leisure space.


Undergraduate Work | Bachelor of Fine Arts | University of California, Santa Cruz

first tier: Studio space and gallery | model | 2010 second tier: Found object sculpture | glass | 2008 third tier: Shingled residence | model | 2009

B 1 4 3

2

4

3 6

A 3

4

2

Section A

3

6

5

Section B

1. 2. 3. 4. 5. 6. 7.

Entrance Living room Bedroom Bathroom Kitchen Dining area Laundry

6 5 Plan


first tier: Headspace | digital fabrication & model | 2010 second tier left: Residence concept | model | 2009 second tier right: Residence concept | model 2009 third tier: City-commissioned public art project collaboration | responsibilities: drafting and fabrications | 2009


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