Jeremy Pearce Portfolio by Jeremy Pearce

portfolio selected works JEREMY PEARCE

CONTACT

m. +447493912881 e. jeremy-pearce@hotmail.com w. www.jeremypearce.com ig. jp.arch

Contents

PROJECT EXPERIENCE professional work

STUDIO 10 fifth year amalgamation

STUDIO 9 fifth year amalgamation

STUDIO 8 fourth year documentation

RESEARCH PRACTICES fourth year curatorial proposition

RESEARCH PRACTICES fourth year diagrammatic maquette

STUDIO 7 fourth year environment

STUDIO 6 third year integration

STUDIO 5 third year urban infill

COMPETITION third year superstudio

STUDIO 4 second year north adelaide trade mission

NAME Jeremy Pearce AGE 25 y.o NATIONALITY Australian

EDUCATION University of South Australia B.Arch.St.- BACHELOR OF ARCHITECTURAL STUDIES M.Arch. - MASTER OF ARCHITECTURE (GPA 6.75)

AWARDS 2017 - Hodgkison Prize in Architecture 2016 - Lysaght Award for Outstanding Achievement 2016 - Woods Bagot Prize in Architecture (Shortlist)

WORK EXPERIENCE WALTER BROOKE & ASSOCIATES Graduate of Architecture (2017-2019) Student of Architecture (2015-2018)

E. PROFICIENCY Sketchup, Rhinoceros, Revit, Enscape, Vray, Illustrator, Photoshop, Indesign, Lightroom, Autocad, Hand drawing, Word, Excel, Powerpoint 5

PROJECT EXPERIENCE professional work

ECH Smart ROAD APARTMENTS 2017-current $47,300,000- IN CONSTRUCTION

Mixed-use retirement living apartments, montessori, allied health, community cafe and urban farm [new build] Role. Involved from initial client engagement, concept design through to completion of construction documentation. ..................................... .....................................

ii) ADELAIDE CASINO EXPANSION 2010-CURRENT $330,000,000- IN CONSTRUCTION Luxury Hotel Interiors [new build and fitout] Role. Construction documentation of typical hotel rooms and gaming suites. Attended client meetings and services coordination.

i) ITALIAN RESTAURANT 2018-CURRENT $2,800,000- IN CONSTRUCTION Restaurant Interior Fitout [fitout in new build] Role. Construction documentation of fitout, joinery and finishes selections. Created intial 3D renders and concept package. ..................................... ..................................... ii) ROOFTOP RESTAURANT 2018-CURRENT $4,700,000 IN CONSTRUCTION Restaurant & Bar Interior Fitout [fitout in new build]

Role. Construction documentation, joinery documentation. Coordination of services and with Kitchen specialist consultant. ..................................... ..................................... iii) LEVEL 02 Offices 2017-CURRENT $700,000 IN CONSTRUCTION Commercial Office Fitout [refurbishment] Concept design, 3D renders through to construction documentation, value management and re-documentation.

PROJECT EXPERIENCE professional work

iii

ALPHA GAMING 2017-CURRENT $800,000- IN CONSTRUCTION

Casino Gaming Room Fitout [refurbishment] Role. Concept design, 3D renders, finishes selection through to construction documentation. ..................................... ..................................... ii) LHI COmmunity centre 2016-2018 $4,600,000- complete Community Centre [extension to existing]

Role. Concept design, 3D renders, finishes selection through to construction documentation. ..................................... ..................................... iii) OAK & IRON/ THRILLER 2016-2017 $80,000 complete Restaurant Interior Fitout [refurbishment] Role. Concept design through to construction documentation. Coordination with graphic designer for branding.

PROJECT EXPERIENCE professional work

iii

i) WBA OFFICE FITOUT 2016 $1,000,000 complete Commercial Office Fitout [refurbishment] Role. Concept design and 3D renders. ..................................... ..................................... ii) WEST BEACH MASTERPLAN 2016 $50,300,000 STAGED Precinct Masterplan Document

Role. Master plan document, diagramming, copy writing and editing. Local government consultation. ..................................... ..................................... iii) DARWIN ESPLANADE HOTEL 2016-CURRENT $TBC ON HOLD Luxury Apartment Tower [new build] Role. Concept design, 3D renders through to successful development application.

PROJECT EXPERIENCE professional work

STUDIO 10

fifth year amalgamation

studio focus: amalgamation â&#x20AC;&#x2DC;Collideâ&#x20AC;&#x2122; aims to liberate the urban village by making them more sustainable, self-sufficient and integral to the city. Considering place making, renewable energy production, and social utility promotion as strategies to address the current perceptions of their place and value within the city. Located on the perimeter of the Gangxia urban village, south-east of the Futian District CBD, Shenzhen, China - the proposal combines programs that conflict in their practical use, but are complimentary in their fundamental concern with the process of purification, forming a harmonious hybrid. A waste to energy plant that uses the process of anaerobic digestion to process the food waste of the Gangxia urban village and local residents to produce biogas which is used for power and heating within the facility and provided to Gangxia residents through a waste for battery energy scheme. The experience of this component goes beyond its perceived industrial quality by making the waste to energy process a theatrical experience that serves as an educational tool, teaching about renewable energy production and environmental sustainable design. Additionally, the energy produced powers the facilities other function, a bath house that is open to the village residents and general public. A place for leisure, social engagement and private relaxation. i) external perspective render ii) site location diagrams 10

SITE CONTEXT PLAN NTS

AXONOMETRIC SITE PLAN NTS

EXISTING BUILDINGS URBAN V

ILLAGE LA

STRUCTURAL GRID

NEWAY IN

TERFACE

GRID B

PROPOSED FACILITY ENVELOPE

GRID A

Ex ist in g bu ildin g e nve lopes to be demol i shed and used to i nform t h e ex te r n a l envel ope of the new faci l i ty.

SPINE & VOID

Gri d l ayout i nfl uenced by envel ope of exi sting buildings and their al i gnment rel ati ve to the two streetscape interfaces

SYSTEM

bath House core

GRID B

collision void atrium

generic square column and beam layout

applied force geometry column and beam layout

ADP core

i) diagrams as titled

GRID A

STUDIO 10

fifth year amalgamation

St r u c t u ra l spin e u se d to al i gn cores, streaml i ni ng the reti cul ati on of sh a re d se r vice s a n d fi re separati on between the programs.

Col l i si on concept i nfl uences col umn and beam design relative to the gri d l ayout i nformed by the exi sti ng building envelope, creati ng rounded rhombus shape.

i) external perspective ii) urban village gateway perspective

STUDIO 10

fifth year amalgamation 12

HYDRAULIC SERVICES UP

HYDRAULIC SERVICES

TER BOOS

BATH HOUSE ENTRY

FIRE PUMP/ TANK ROOM UP

MEETING ROOM

ADMIN

ELEC DB

BATH HOUSE FOYER

ELEC DB

FHR

HORIZON POOL

FHR

COMMS COMMS

LAUNDRY STORE

BALCONY

STORE

COMMS

PLAY FOUNTAIN

STEAM

DEHYDRATORS

CONTROL ROOM

VENTILATION STACK

BALCONY

PLANT

SAUNA

VS SLURRY STORE

M CHANGE

STORE

CONTROL ROOM

MAIN POOL

COLD BATH

SAUNA

DIGESTOR MONITORING UP

F CHANGE

DIGESTORS ABOVE

LIQUID WASTE PLAY PUMPS

STEAM UP

LAB 1

RECEPTION LIQUID WASTE STORE

DIGESTOR

SPA

SLURRY TREADMILLS

DIGESTOR ADP FOYER

DIGESTOR

A/L MIXER

CHOPPER

DIGESTOR

WASTE WALL

SPA

PLAY FOUNTAIN

LAB 2

WASTE CRANE ATRIUM UP

DIGESTOR FEEDER

A/L CHOPPER

TRASH CHUTE

WASTE WALL

TRASH CHUTE

MIXER

RAMP TO BASEMENT AT 1:10 MSB

RECYCLED OBJECTS GALLERY

TRANSFORMER ROOM

BATTERY VIEWING WALK

CHARGE STATION

CRANE THEATRE

ST C/W ST

NETWORK RE-ENTRY FACILITY TEACHING SPACE

i) floor plans

BATTERY STORE

FUNCTION / MULTIPURPOSE SPACE

FUHUA ROAD

STUDIO 10

fifth year amalgamation 13

i) bath house internal perspective ii) anaerobic digestion plant internal perspective

STUDIO 10

fifth year amalgamation 14

REFLECT Building enveloped echoes the existing buildings that will be demolished on the site, occupying the same footprint to make the building reflective of its context.

LIFT Building envelope opens at pedestrian side of ground plane to create open public space to create a gateway into Gangxia.

INVITE Building edge is raised at corner ends to invite pedestrians from both contextual environments. This path is encouraged through an organic landscape promenade, specifically towards the publically accessible undercroft.

TRANSITION Building height to transition from high point at streetscape to integrate with high rise typology and fall towards the urban village where the roof level is significantly lower.

i) anaerobic digestion plant sectional perspective - waste theatre ii) anaerobic digestion plant sectional perspetive - entry BLEND

iii) form development diagrams

Roofs are pitched and merged to create sloping fall toward the urban village, making stormwater catchment more efficient, while complimenting the sloping geometry of the undercroft.

STUDIO 10

fifth year amalgamation

iii

BATH HOUSE FACILITIES

fifth year amalgamation

section a

STUDIO 9

COGENERATION ENGINES DIGESTOR UTILISES EXISTING ‘HANDSHAKE’ BUILDING SAUNAS & STEAM ROOMS

CITY TYPICAL BUILDING HEIGHT: 100+ metres

BATTERY BANK CEILING FEATURE

sectio

URBAN VILLAGE TYPICAL BUILDING HEIGHT: 24-30 metres

WASTE DEPOSIT ENTRY

trian

corrid

cut

pedes

RESIDENTS BATTERY CHARGING FACILITY

WASTE DEPOSIT STATION

WASTE DEPOSIT

section

ANAEROBIC DIGESTION FACILITY OFFICES

ENTRY

SHENZHEN CITY

BATH HOUSE ENTRY

URBAN VILLAGE

Studio 9 was centred around the ‘boundary excess’ relationship, that is excesses of economics, energy, education, and transport. As well as boundaries that are physical, political, economic or social. We were tasked to choose between one of 4 sites around the world; Canberra Australia, Athens Greece, Tijuana Mexico and Shenzhen China. What began with some preliminary mapping exercises to understand where excesses were impacting upon boundaries or creating boundaries, we then proceeded to Architecturalise these moments relative to our cities through an architectonic study of these excess boundary relationships. From these physical model studies we chose a site and carried across the appropriate tectonic devices that would inform our scheme. My proposal was located in the Gangxia Urban Village in Shenzhen China. Its function is an anaerobic digestion plant that uses food waste collected from local residents and restaurants to produce energy that is redistributed to the community, as well as powering the facilities other function, a bath house. The aim of this intervention was to re-establish a connection between the two urban environments; of the city and the urban village. Providing a meeting place that is responsive environmentally, economically and socially.

studio focus: amalgamation

SILAGE

CHOPPER

GAS TANK

PURIFICATION

SLURRY

MIXER

DIGESTOR (40 days)

DEHYDRATION OF DIGESTED PRODUCT

OTHER ORGANIC WASTE

SLURRY PUMP

HEATER

LIQUID FRACTION

BATTERY STORAGE FOR RESIDE NTS

GASOMETER

USED ON-SITE, ON-SOLD AND DISTRIBUTED

GAS FLARE

COGENERATION ENGINES

ELECTRICAL ENERGY

BIOGAS PREPARATION

HEAT EXCHANGER

THERMAL ENERGY

ENERGY STORE

POWER & HEATING FOR FACILITY & BATH HOUSE

Gangxia Urban Village Futian CBD

i) external perspective render ii) site location diagrams 16

Gangxia Urban Village ii

Shenzhen, China

2.2m2 per person

68,000 - 100,000

151,600m

solid

vector/light

solid

solid external screen

glazing/ horizontal blades

solid external screen

energy storage

cogeneration engines

outdoor bath

gas tank + gas flare

outdoor relaxation space

waste pulley collector + waste chute

slurry store

digestor

primary male + female baths

cold bath

sauna + steam rooms

food waste deposit pit

offices battery charging facility

light voids

outdoor infinity pool

digestate dehydration (70Â°C)

material transition

gasometer

circultation stair + lift including plant

circultation stair + lift tinted glazing

circulation paths + clear glazing

waste delivery ramp to basement

waste process viewing theatre change rooms reception / admin

fertiliser store and distribution

Inbetween Public corridor aims to increase experience and sense of arrival to Gangxia through a clearly articulated

connection between the two spatial environments.

Interweave

Anaerobic Digestion Plant Program

Bath House Program

Circulation & Void

Connection of two external facade

Waste to energy program allows

A place for urban village residents and

Emphasising visibility throughout the

screens, screens aperture increases

residents and food industry groups

local community to gather, socialise or

facility aims to highlight the buildings

toward centre.

to bring their food waste, watch the

reconnect with a sense of self in a city

processes, using void space to enhance

procces and receive credit for battery

where the individual can be forgotten.

vertical connectivity and light entry.

stored energy.

i) Axonometric planning/ spatial study

STUDIO 9

fifth year amalgamation 17

people

Handshake Concept

Form Generation

Architectural Tectonic

biogas (energy) + fertiliser

referencing the concept of the urban village building typology

eway

solid mass

force direction

vector light

input output

input

food waste

urban village lan

r public corrido

Anaerobic Digestion Plant (waste to energy)

solid mass

social interaction + hygeine

output

Bath House

Forces colliding, fragmenting and solids that result from a collision

From the Handshake considering anatomy, skeletal, vascular, epidermis

city highway

Connection

The two primary functions of the scheme are

The â&#x20AC;&#x2DC;Handshakeâ&#x20AC;&#x2122; building typology common throughout urban villages

The intervention is located on the perimeter of Gangxia

concerned with treating a subject to a purification

looks at the idea of the handshake in relation to forces colliding and how

urban village, providing a public space and corridor that

process, through which the subject is given new value.

that might be interpreted architecturally.

connects the two urban environments.

Departure The bath house offers a departure from the intensity and congestion of the city. Available to the urban village residents and the general public, this social space encourages interaction in a relaxing environment.

fifth year amalgamation ii

connection through to Gangxia

Collision

ii) bath house internal render

STUDIO 9

integrating existing buildings

Purification

i) conceptual diagrams of generative design ideas

iii) waste theatre internal render

connection through to city

Theatre A space for people to engage with the waste to energy process through a theatrical experience. Outside of the facilities operating hours the space can be used as a cinema or presentation space.

iii

i) Generative idea exploration assignment poster ii) Composite render iii) Group model presentation layout iv) Illuminated group models

STUDIO 9

fifth year amalgamation

STUDIO 8

fourth year documentation

studio focus: documentation To our group, Tonsley aims to embody two principles; sustainability and collaboration. We want Tonsley to become a catalyst for growth, to achieve this we wanted to focus on community collaboration through interaction, connection and openness to the building itself. Additionally, we wanted to foster a focus on sustainable practices, for this we turned to traditional Japanese carpentry construction for inspiration. Their hyper-local use of timber, and sustainable practices inspired the materiality of the building and the spatial and tectonic qualities of the building. Japanese carpenters have long held traditions of sustainable log felling practices and have a strong focus on reducing the amount of waste created by a project, ensuring the least amount of timber is used. The level of precision and the detail of craftsmanship that the Japanese carpenters devote to their craft is intended to be a principle that is made manifest both in the building and by the products and innovations that are intended to come out of the newly redeveloped building.

Our design aims to embody these principles surrounding sustainable craftsmanship, driven by community engagement and collaboration through organic human interaction.

i) external perspective render ii) sectional perspective through manufacturing space 20

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SET T ING O U T O F W O RK IS THE R ESP O N S IBIL IT Y OF T HE C O N T R ACT O R . AL L D IM EN S IO N S T O B E TAK EN FR O M T HE J O B . AL L D IMEN S IO N S T O B E CHEC K ED O N S IT E B EF OR E C O M M ENC IN G W O R K OR M AK IN G S HOP D R AW IN G S . DIS C R EP AN C IES TO B E R EP O R TED IMM ED IATEL Y TO T HE AR C HIT EC T . T HIS D R AWIN G S HAL L B E R EAD IN CO N J U NC T IO N W IT H THE S P EC IF IC AT IO N . IF IN DO U B T , P L EASE AS K . T HIS D R AW IN G AN D DES IG N © S TU D IO T HET A P T Y L T D .

issue

revision description

amd

date

CSMIC Renewal SA 1284 South Rd, Clovelly Park SA 5042 FIRST FLOOR DIMENSIONS

Preliminary

date: scale: drawn:

07-11-2016 1 : 200 @A1 JD

sheet no:

AD03.06

revis ion: project no:

16-0725

printed: 7/11/2016 12:09:02 PM

file:

C:\Users\Jeremy\Documents\ADS8-REVIT-MASTER_jpearce13.rvt

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i) ground floor ffe floor plan ii) conceptual diagrams of generative design ideas

STUDIO 8

fourth year documentation

CONNECTION

INTERNAL OPENNESS

INVITATION

2 AD05.02

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Structural Frame Level A RL. 67.64 Structural Frame Level B RL. 66.44

TC.01 TC.01

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BUILDING A

West Elevation Building A - Canopy

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STUDIO 8

fourth year documentation

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level 5 kaurna building, fenn place adelaide sa 5000 telephone 8 8269 1555 email hello@studiotheta.com.au www.studiotheta.com.au ABN 43 525 056 982

East Elevation Building B - Canopy

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issue

revision description

amd

date

CSMIC Renewal SA 1284 South Rd, Clovelly Park SA 5042 ELEVATIONS SHEET 5

Preliminary

date: scale: drawn:

07-11

1: 2 JP

i) atrium entrance perspective ii)manufacturing space perspective

STUDIO 8

fourth year documentation 23

RESEARCH PRACTICES fourth year curatorial proposition

‘Timber.’ presents the work of academics, architects and artists who employ, critique and experiment with the material of timber. The exhibitions thematic and title focusses attention on the treatment of the material across various disciplines, cultural and historical contexts. ‘Timber’ aims to ask how the use of timber in its diverse applications can present a multitude of interpretations that extend beyond the discipline from which a physical object or experience is generated. The exhibition in the University of South Australia’s SASA Gallery is an extension of the research undertaken by Jeremy Pearce. His quest for understanding the complex relationship between craft, construction and architecture in the use of timber involves negotiating the language through which these disciplines operate, and the language of the material itself. Overall the exhibition is intended to evoke the same pleasure and feelings associated with making, handling and experiencing timber in its many forms. To provoke questions that encourage alternate uses and treatments of the material across all disciplines and reaffirm the value of working with natural materials.

i) SASA gallery proposed timber fitout for TIMBER exhibition, looking toward exhibition pieces ii) section through exhibition 24

TYPICAL LIGHTING.

EMPHASIS STRUCTURE LIGHTING

i) SASA Gallery exhibition entrance ii) typical light detail

TIMBER CEILING

RESEARCH PRACTICES

Positioning the light above the timber feature ceiling creates dynamic lighting and shadows within the gallery. Furthermore, it emphasises the character and grain of each batten within the undulating array of timber.

fourth year curatorial proposition

location was also mapped to provide an understanding of where the practice of timber architecture is prominant and suggest that climatic conditions should be considered when relating these projects to the Tonsley site.

Dovre, Norway

Hordaland, Norway Metz, France

MEDIUM LARGE

Hanover, Germany Mechernich, Germany Zurich, Switzerland

Seville, Spain Kumamoto, Japan

Tokyo, Japan Shizuoka, Japan

SWISS PAVILION ‘SOUNDBOX’ by Peter Zumthor (Switzerland) Hanover, Germany 2000

METROPOL PARASOL by Jurgen Mayer-Hermann (Germany) Seville, Spain 2011

FINAL WOODEN HOUSE by Sou Fujimoto Architects (Japan) Kumamoto, Japan 2006

REINDEER PAVILION by Snøhetta (Norway) Kjerkinn, Dovre Municipality, Norway 2011

BRUDER KLAUS FIELD CHAPEL by Peter Zumthor (Switzerland) Mechernich, Germany 2007

TAMEDIA OFFICE BUILDING by Shigeru Ban Architects (Japan) Zurich, Switzerland 2013

CHURCH SUN-PU by Taira Nishizawa (Japan) Shizuoka, Japan 2008

SUNNYHILLS AT MINAMI-AOYAMA by Kengo Kuma & Associates (Japan) Tokyo, Japan 2013

0 5 . CAR PE N T R Y TOOL COLL ECTION

0 1 . C O MMISSIO N ED IN STA L L ATIO N

EX . PAV I L I O N

0 7 . T Y P OLOGY R E VIE W + M ODE LS

‘To o ls around the Wor l d ’ Collect ion,

Ti m b er i nstal l ati on and ex hi b i ti on d i s p l ay

‘ G e n e s i s’ Pa v i li o n

‘ To M a ke’ - C ra ft a nd Tim ber A rchitect ure

by Ta kenak a Car p entr y Tools Museum

b y Davi d A d j a ye & A ss oc i a tes

b y D a v i d Ad j a ye & Ass o ci a te s

b y J e re m y Pea rce

2015

2016

2011

2016

CENTRE POMPIDOU-METZ by Shigeru Ban Architects Europe (France) Metz, France 2010

COMMUNITY CHURCH OF KNARVIK by Reiulf Ramstad (Norway) Hordaland, Norway 2014

jeremy pearce 110094890

CORRIDOR 0 6 . I NT E R ACT I V E A R T PI ECE

0 8 . ART P IE C E / SC U LP TU R E

‘Wo o den Mir ror ’,

S e le cte d Work s from ‘ C it y Series’

by Da niel R ozin

b y J a m e s M cNa bb

1999

2014

05.

08.

06. SASA GALLERY

07.

FOYER

09.

0 4 . I NSTA LLAT I ON

0 9 . I NS TA LLATION

04.

‘S e n s ing Sp aces’ instal l ation

C o m m i ssioned Insta l l a t ion

ENTRY

by K e ng o Kuma

By As i m Wa qif

03.

2014

2015

0 3 . H I STOR I CA L T E X T

0 2 . I NT E R ACTIVE INSTA LLATION

‘Yi n gz ao Fashi’

C o m m i ssioned pixel wa l l a rt insta l l a t ion

B y L i Jie

b y M a ke A rchitect s

1 0 6 5 - 1110 ( ed . 1925)

2014

i) floor plan of gallery layout with reference to exhibition pieces and their location

RESEARCH PRACTICES fourth year curatorial proposition 26

ins ide

CONTENTS t i m ber. exhibit ion 2016 1 5 . 1 1 - 22.12 S A S A G a lle r y U n i S A C i t y We st C a m p u s L eve l 2 , K a u r n a Bu i ld i n g , Fe n n P l , A d e la i d e S A 5 0 0 0

historical texts

M o n - Fr i 1 1 a m - 5 p m Yingzao Fashi

Thematic Overview

16. Takenaka Museum

Words by Jeremy Pearce

David Adjaye & Associates

Carpentry Tool Collection

19. Daniel Rozin

Commissioned Installation

11. Make Architects

Interactive Art Piece

20. Jeremy Pearce

Interactive Installation

To Make; Craft & Architecture

12. Li Je

Typology Review

23. James McNabb

Historical Text

shigeru ban

15. Kengo Kuma

Art Piece / Sculpture

24. Asim Waqif

Installation

work title Lorem ipsum dolor sit

work title Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nam vel accumsan massa, in eleifend sapien. Curabitur vitae ligula

kengo kuma

amet, consectetur adipiscing elit.

tim ber

THEMATIC OVERVIEW a ma terial exp lo ratio n thro ug h a r t , craft and architecture

timber.

‘Timber.’ presents the work of academics, architects and artists who employ, critique and experiment with the material of timber. The exhibitions thematic and title focusses attention on the treatment of the material across various disciplines, cultural and historical contexts. ‘Timber’ aims to ask how the use of timber in its diverse applications can present a multitude of interpretations that extend beyond the discipline from which a physical object or experience is generated. The exhibition in the University of South Australia’s SASA Gallery is an extension of the research undertaken by Jeremy Pearce. His field of research began investigating the role of timber in traditional craft process, coming from an interest in the social and cultural value of craft and the hand-made. Due to technological advancements and economic forces,

SASA GALLERY

the production of artificial replications of timber have resulted, lacking the aesthetic truth that is embodied within the raw material. Consequently, the application of these imitations has reduced the quality and honesty of objects and the built environment. This predicament inspired a quest of understanding the complex relationship between craft, construction and architecture in the use of timber. Specifically, negotiating the language through which these disciplines operate, and the language of the material itself. With its seemingly endless varieties, species, aesthetic quality and textural nuances. The exhibition aims to further this investigation by providing a testing ground that’s allows timber explorations of academics, architects, and artists to be experienced by engaging different senses and challenging the distinction between

their respective disciplines through a material constant. More generally, this material exploration is based in the interest of raising the social value of craft and making, specifically through the sustainable material of timber. The works exhibited from David Adjaye, Make Architects, Li Jie, Kengo Kuma, Takenaka Museum, Daniel Rozin, Jeremy Pearce, James McNabb and Asim Waqif have been selected through their individual engagement with a discipline and material treatment. Procession through the exhibition develops an engagement with the senses as well as the subject matter, moving between tactile, visual and olfactory experiences. This sequencing attempts to continually provoke the viewer’s engagement with each piece as a subject, as well as the materiality of the subject. Furthermore, considering the pieces as curated

series presents questions or interpretations that may not have previously been considered. As a space designed and constructed from the material that is the subject of the exhibitions investigation, the viewer’s engagement with overall spatial quality is equally as valuable as the experience of the individual curated pieces. In the spaces between the viewer’s desire to touch and engage with the timber environment is heightened, providing an experience untainted by a defined subject matter. Overall the exhibition is intended to evoke the same pleasure and feelings associated with making, handling and experiencing timber in its many forms. To provoke questions that encourage alternate uses and treatments of the material across all disciplines and reaffirm the value of working with natural materials.

catalog u e

i)typical wayfinding & signage

The batten system uses timber from around the world, each with its own individual character and history. Each type of timber is accompanied with a card and barcode that visitors can collect and use interactive displays to learn about where the timber is from, its characteristics and for what purposes it is used.

a material explorat ion t hrough art , craft and architect ure

david adjaye

INSTALLATION ‘FEELD’ - 2016

T im b e r ( Species Various) 2 2 3 2 5 mm x 10125mm Co m m issioned for t he SASA Gal lery and UniSA AAD Facul t y

David Ajaye & Associates noteworthy experience with timber pavilions and installations make him and his arhitecture the ideal choice for govening the exhibitions spatial and circulatory experience by commissioning them to create a bespoke timber installation for the SASA Gallery. Mr Adjaye’s practice has had considerable experience with timber through projects like the

‘Genesis Pavilion’ (2011) and the ‘Sclera Pavilion’ (2008, pictured right) which use timber to express an aesthetic and spatial quality that this exhibition wishes to emphasise to visitors. The installation was designed and constructed in conjunction with the Universities AAD school, giving students the opportunity to engage in the design and build process.

david adjaye

iii

ii) axonometric of exhibtion ii) accompanying catalogue explaining piecies within the exhibition

RESEARCH PRACTICES fourth year curatorial proposition

RESEARCH PRACTICES fourth year diagrammatic maquette

to the diagrammatic maquette project provided an opportunity to explore how timber behaves when subject to different craft processes, the durational quality of timber in its various stages and the variation between different species. On a personal level, I was interested in developing my knowledge and skills with timber and carpentry. In this sense, the diagrammatic maquette was a process of learning about craft as well as the material qualities of timber. As a series, the seven maquettes explore the craft practices of stacking, connecting, moulding, tiling and carving, exploring them individually and as hybrids. Beyond this exploration of practice, each model explores the notion of contrast through type, treatment, texture and form. These contrasts, both subtle and dramatic have revealed the capacity of the material to create variations which are harmonious and dissonant. This idea is represented in the series as a whole, the contrast between each maquette provides a snapshot of the materials diversity, generated through its aesthetic quality and formal language. Most notably the material has the capacity to embody the â&#x20AC;&#x2DC;tracesâ&#x20AC;&#x2122; of the craft process, each mark representing a different phase of development and discovery throughout the learning process.

i) diagrammatic maquette series on display for presentation ii) plan view of each maquette 28

i i

diagrammatic maquette RESEARCH PRAC

TICE S

jeremy pearce 110094890

techniques & practices

ST A CKING

“to arrange (a number of things) in a pile, typically a neat one”

M OULDING

“form (an object) out of malleable material.”

FO LDIN G

CONNE CT IN G

“make (a complex pattern) from a number of interconnected elements.”

WE AV IN G

“bend (something flexible and flat) over on itself so that one part of it covers another.”

“bring together or into contact so that a real or notional link is established.”

TILING

CARV IN G

“a way of arranging identical plane shapes so that they completely cover an area without overlapping.”

“an object or design carved from a hard material as an artistic work.”

WRAPPING

“the use of a material to cover or enclose something” traditional operation

i) explanation of craft processes

ii) graphically presented for portfolio

RESEARCH PRACTICES fourth year diagrammatic maquette

STUDIO 7

fourth year ecological urbanism & homelessness

studio focus: environment The project brief requires the consolidation of community services for those people experiencing homelessness, and it will address all of these themes and issues in some capacity. The proposal involves the production of medium-rise (up to 4-storeys) building at the existing Hutt St Centre site as a part of the Daughters of Charity [258 Hutt Street Adelaide]. Currently the site is occupied by the not-forprofit organisation â&#x20AC;&#x153;Hutt St. Centreâ&#x20AC;? which consists of a number of existing buildings and requires the retention of the existing heritage-listed single storey terrace building. The consolidation of services involves increasing the capacity of this site, over multiple levels of a new building, to have permanent rather than visiting community services housed on site, as well as increased areas for different groups to be temporarily housed, fed, clothed and permitted safety from their circumstances for a short period of time.

i +13700 AFL ROOF LEVEL

+10800 AFL THIRD FLOOR

+7200 AFL SECOND FLOOR

+3600 AFL FIRST FLOOR

+0 AFL GROUND FLOOR

i) external street perspective render ii) long section 30

CORRYTON STREET

SOUTH TERRACE UROLOGY UNDERGROUND PA R K I N G AC C E SS

V E H I C U L A R AC C E SS

LO C K E R S

AC C E SS WC

F E M A L E WC

ART ROOM

STO R E

M U LT I - P U R P O SE / E V E N T SPAC E M A L E WC

FEMALE

MALE

K I TC H E N

DINING HALL

STO R E

HYDROPONICS ROOM

PUBLIC A R CA D E

KENJI MODERN JAPANESE

RECEPTION READING ROOM

COOL ROOM

PA N T R Y

S T. A N D R E W HOSPITAL

LAUNDRY

L E A SA B L E OFFICE 1

L E A SA B L E OFFICE 2

LO U N G E

R E C R E AT I O N

PRODUCE R E TA I L

O P SH O P

HUTT STREET

PODIATRIST EM PLOYM ENT ASSIST

CONSULT CONSULT

COM PUTER ROOM

EDUCATION

BREAK OUT ZONE

VOID

M ETTING ROOM

M EETING ADM IN

STORE

STORE OUTDOOR C OURTYARD

ALLIED HEALTH OUTDOOR GAR DEN

OPEN PLAN OFFIC E

STORE

OUTDOOR COURTYARD

PRESENTATION/ TRAINING SPACE

FEM ALE

FEMALE VOID

VOID STAFF LOUNGE

+5400mm

WAITING R OOM

MALE SHOWER

FEMALE SHOWER

M ALE

DRUG + ALC TREATM ENT

CONSULT

VOID

STAFF KITC HEN

M ALE

VOID

dn up

i) ground floor plan

MALE

SKYLIGHT

+3600mm

STOR E

STORE

CONSULT VOID

MEETING ROOM

LINK LIN K

DOCTOR

LOUNGE

NURSE

EXCERCISE AREA

LINK

GROUP THERAPY

REHAB RECEPTION

STAFF KITCHEN

SOCIAL WORK

WAITING ROOM

ROOFTOP GARDEN

BOARD ROOM OUTDOOR DINING

WAITING ROOM QUIET ROOM

CASE M ANAGEM ENT

SHARED OFFIC E

INFORMAL MEETING

OPEN PLAN OFFIC E

LAWYER

VOID

ii) first, second, third floor plan

STUDIO 7

fourth year ecological urbanism & homelessness ii

3 . SP O RT & RE C RE AT IO N

4 . RIVE RSID E L AN DSCAP E

1 . B I O D I V E R S I T Y C O N S E R VAT I O N 5 . T RAIL S & PAT HS

6 2

2 . FO R M A L L A N D S CA P I N G 6 . N AT U RAL L AN DSCAP E

i) mapping adelaide cbd homeless services and usage of parklands

LEGEND health services

government services

drug + alcohol services

homeless day services

STUDIO 7

formal landscape areas sports and recreation grounds

parkland division n.s.e.w parklands trail

ii) exploring uses of native planting

fourth year ecological urbanism & homelessness

night shelter services biodiversity conservation zones

Ruby Saltbush Enchylaena tomentosa

Yam-Daisy Microseris lanceolata

Hop Bush Dodonaea viscosa

tiny red flattened fruits can be shaken off and eaten, as well as the black stone within them.

small plant with a radish shaped tuber cooked in an earth-oven creating a dark sweet juice

tough and durable wood used to treat toothaches and smoke for pain relief hops used to make beer

Blackwood Acacia melanoxylon

Quandong Santalum acuminatum

hard close-grained wood bark used with water to bathe rheumatic joints inner bark used to make string

eaten raw or dried and preserved for later nut or seed used for medicinal purposes wood used to make bowls

landscaped gateways

LEGEND green space existing tree retained tree agricultural land parklands proposed building

GILLES STREET

CORRYTON STREEET

GILLES STREET

ST JOHN LANE

HUTT STREET

BLACKBURN STREEET

LOUISA STREEET

VINCENT PLACE

DAVAAR PLACE

providing greater access to the site and preferencing pedestrians and cyclists over cars. removing majority of carparking to create more green spaces

rear access to site through carpark and corryton street, providing more discrete entry for clients and other services

CHARLOTTE PLACE

definitive boundary between city and parklands. extending circulation from the parklands into Hutt street through green corridors

SOUTH TERRACE

community centre provides information about urban agriculture and environmental issues as well as courses and training about growing produce

proposed facilities for the parklands to cultivate, process and distribute the produce

market space encourages interaction with the parklands and raise awareness about urban agriculture

MARKET SPACE

significant large trees retained and group to create formal landscape settings

COMMUNITY CENTRE PRODUCTION FACILITY

WITA WIRRA (PARK 18)

TUTTANGGA (PARK 17)

space indicates potential lot for the growing of produce to be used by the community and the hutt street centre

soccer pitch

i) mapping adelaide parklands for urban agriculture initiatives

STUDIO 7

fourth year ecological urbanism & homelessness 33

i) sectional perspective through new facility highlighting core throughout ii)eastern elevation

STUDIO 7

fourth year ecological urbanism & homelessness ii

i) section, place to feel ii)section, place to heal iii) section, place to relax

STUDIO 7

fourth year ecological urbanism & homelessness iii

STUDIO 6

fourth year integration

studio focus: integration This studio require a consideration of two programs on one site, a factor that had to be respected. This tension between the two different programs was heightened by the fact that children were part of this facility, which brings with it concerns about privacy and safety in the context of hindley street, which has a stigma attached to it. Another challenge associated with designing for children is acknowledging their size and ability which affects spaces, sizes, heights and circulation among other things. Embracing this tension created by the two programs has resulted in a variety of different concepts and considerations for both. The architecture produced is more considered and creates spaces with qualities appropriate for their respective environments. Designing for productivity and community differs from designing spaces that encourage learning through play. Approaching this studio with the driving force being â&#x20AC;&#x2DC;integrationâ&#x20AC;&#x2122; encouraged a consideration for the past three years of study, and how that catalogue of knowledge could influence the outcome. In this sense, the final product is an amalgam of studio design, construction, sustainability and theory, coming together to produce a proposal that reflects the development of an architectural style or approach.

i) external perspective render ii) eastern elevation 36

1 . F LO O R P L AT E S A R E S TA G G E R E D T O M A X I M I S E D AY L I G H T E N T R Y I N T O P L AY S PA C E S A N D AT R I U M

2 . AT R I U M P R O V I D E S L I G H T THROUGHOUT THE BUILDING AND C R E AT E S S TA C K V E N T I L AT I O N

3. SHADING DEVICE ON E A S T E R N FA C A D E , C R E AT E DYNAMIC INTERIOR LIGHTING

4. SHADOWING FROM NEIGHBOURING BUILDING PROVIDES SHADING D U R I N G H O T T E S T T I M E O F D AY

i) first, second, third floor plan ii) evironmentally sustainable design principles explored through project

SUMMER 11am

b . E V E R Y P L AY S PA C E S R E C E I V E S N AT U R A L L I G H T W H I L E R E M A I N I N G IN CLOSE PROXIMITY TO CLASS ROOMS

STUDIO 6

b. REDUCED NEED FOR ARTIFICIAL L I G H T I N G D U R I N G T H E D AY W H E N T H E F A C I L I T Y I S M A I N LY U S E D

b. PROVIDES A SCULPTURAL F E AT U R E T H AT I M P R O V E S T H E URBAN AESTHETIC

SUMMER 3pm

b. REDUCED NEED FOR MECHANICAL COOLING DURING SUMMER

third year integration ii

HINDLEY STREET WEST END

CONSIDERATION

Hindley street was established as an extension of the road from the port into the CBD to rundle street. Naturally the concentration of buisness and retail formed around these thoroughfares. Looking forward UniSA is currently trying to get the west end of hindley street renamed, to break away from the reputation the street has developed

CONTEXT + INTERFACE

Hindley St, looking west. From a sketch by F. R. Nixon, 1845. Image: UK National Archives

West end development

The development of the west end has created a diverse range of businesses in the precinct as well as attracting new residents with the large building projects around it. Forecasting increased density in the west end due to the development of:

UniSA buildings temporary accomodation club | bar services “we need more services, businesses that operate 12 months a year so there is constant foot traﬃc given the university is only busy 6 months of the year.”

food | cafes arts enteratinment SAHMRI

south australian medical research institute

NRAH

HBP

the new royal adelaide hospital

health and biomedical precinct

- John, Campus Color - west end printing business

childcare N

Opportunities

CONSIDERATION

North Facade Open to outdoor space, engage with existing trees, location for outdoor play area and internal/external thresholds

Open on all sides Using the sites openness to engage with the context in four diﬀerent ways which then begins to inform the programming of the built form

East Facade Drop oﬀ and pick up area for children, main entrance wrapping around corner to hindley street

CHARACTER + MATERIALS

South Facade Frontage to hindley street, visual presence on the street, large apertures south facing to engage with street West Facade Permeable edge, use vegetation, engage with path through program

Character NORTH TERRACE

CIRCULATION + OCCUPATION

The was end is a precinct for business & learning as well as a popular entertainment hub in adelaide with its emerging bar and music scene. This environment means a constant ﬂow of people moving through and around the campus at diﬀerent time and in varying frequencies throughout the year

Circulation

bike storage

new path

cycling intended path FENN PLACE

GEORGE STREET

LIVERPOOL STREET

People come from every direction and via diﬀerent modes of transport to access the facilities. The direction and path they take is often due to the visual articulation of the path from the main access paths of hindley street and north terrace

path to storage

deviation | alternate

MORPHETT STREET

CONSIDERATION

low use outdoor spaces

HINDLEY STREET

Opportunities

Kaurna Building

3. Large mass of concrete punctuated with glazing, typical quality of several John Wardle buildings on the UniSA campus

THE OLD

Activation of space the existing outdoor spaces are used infrequently, with the renewal of the catherine helen spence building, there is a great opportunity to create an active laneway like leigh or peel street.

manera building royal oak hotel UniSA law building newmarket hotel

THE NEW

Jeﬀrey Smart kaurna building hawke building SAHMRI

THE ?

princes centre jive bar Barbara Hanrahan retail shops

Manera building

Worlds end

Opportunities

Prevailing winds

Having an open site is a great opportunity to utilise the prevailing winds in adelaide, as their direction is ideal for cross ventilation and passive cooling. This can also inﬂuence the shape and programming arrangement. N

Solar analysis

summer 3pm 90% of site receives sun, minimal shadowing from Hans Heysen buidling

Choosing vegetation that shed annually is an eﬀective passive design solution that also teaches children about nature and can also protect them from the harsh summer sun

W S

WINTER

9am 3pm

Opportunities Existing conditions Currently the outdoor space are pleasant in Summer but due to overshadowing from nearby buildings, they are dark and wet in winter

overshadow maximum

third year integration 38

sun path incoming sunlight reﬂective material reﬂected into interior space

Direct the light having light shelves that can direct the northern sun and illuminate interior spaces is one solution for areas that don’t receive direct sunlight. They could also have louvres to control when the light is let in

Go up maximising the space available for the outdoor play area also allows for solar entry into the upper levels if the program is stack vertically. By choosing light and reﬂective materials on the northern facade, the space below could receive more light outdoor play area

i) site considerations and opportunities through analysis

STUDIO 6

windows and stone masonry Creating a more dynamic facade using the geometry of the traditional window, pushing and pulling the stone masonry to create a tactile surface that could be engaged with internally and externally

SUMMER

Princes Centre

Jive Bar

Deciduous trees

winter 3pm southern portion of site receives minimal direct sunlight, spaces are quite dark and unwelcoming

4. External skin wraps around built form still receiving natural light

concrete & glazing Using a concrete panel and ﬂoating glazing would create a visual connection with the other buidling on the campus. Concrete and glazing can also serve as a visual relief to more detailed and textured materials.

Reinterpreting the material How can the materials and features of the surrounding context be reimagined to acknowledge the sites location and history as well as providing an appropriate aesthetic

To achieve a comfortable living environment the built form needs to be designed to access natural light from the north in winter and provide shade in summer. The building must also perform thermally, with appropriate size openings and correct material choice. The climatic conditions determine the variables that dictate these choices

CLIMATIC CONDITIONS

SAHMRI

6. Classical features expressed as ornament rather than structure, tries to ‘ﬁt in’ with surroundings

The New

- Manual for Streets (2007) Dept for transport, UK.

PHILIP STREET Break down the edge what is currently quite a hard corner of the site could be softened to make circulation more inviting and also provide a shelter and articulated entrance to the building

CONSIDERATION

5. A unique patterned facade system that has a repeated geometry, a block or brick material

2. Stone masonry wall that shows age and character

A ‘green’ place to meet by opening up areas for people to sit and meet eachother while being surrounded by vegetation creates a ‘place’ rather just being a transitory zone. Using vegetation breaks down the bland palette of concrete and paving.

Creating a ‘primary path’ Making the path next to the site a main entrance to the site through diﬀerent tactics to activate the space. Note: this area will become more active with new entry to hub indicated

The ?

1. Sash window with articulated expression contrasting wall material

“streets should no longer be designed by assuming ‘place’ to be automatically subservient to ‘movement’... Both should be considered in combination, with their relative importance depending on street’s function within a network.”

high use outdoor spaces

CYCLIST

storage and lock up facilities provided throughout campus

The Old

pedestrian intended path night time foot traﬃc

PEDESTRIAN

students, staﬀ, workers and general public move through the UniSA

Given the long history of hindley street, the buildings in the west end have a variety of diﬀerent styles and aesthetic qualities. The classical character of the old buildings collide directly with the forms and materials of new buildings of the UniSA campus

note: built form will ultimately depend on programming requirements

Optimize shape the ideal building aspect ratio in Adelaide’s arid climate is 2:1 which required a long and narrow ﬂoorplate. Allowing this to inﬂuence the design can reduce the requirement for active heating and cooling as well as making the building more sustainable

geometric patterns Adopting the princes centre use of repeated geometry is abstracted by using varying sized shapes to create more movement. This could be interesting in a childcare setting for letting in light and something that a child could climb and inhabit.

i) internal perspective of recreational stair within childcare centre ii)sectional perspective through childcare centre atrium

STUDIO 6

third year integration ii

STUDIO 5

third year urban infill

studio focus: construction This studio project engaged with the dynamic nature of household structure and how the density targets of the desired compact city could be met in an existing suburb of adelaide. As well as how dwelling flexibility could assist these neighbourhoods in adapting with social change over time. The response involved the adaptation of an existing cottage in Rose Park and the creation of a new dwelling on the same site. My scheme explored the flexibility of using modular systems, how they can host a variety of different program for a multitude of different families and communities.

i LEGEND R1 R2 R3

existing roof sheeting painted colorbond 'monument' [colorbond flashing and capping to match] Lysaght custom orb 0.42BMT in colorbond 'monument' with sarking and R3.0 insulation [colorbond flashing and capping to match] Lysaght longline 305 0.7BMT in colorbond 'monument' with sarking and R3.0 insulation [colorbond flashing and capping to match]

eaves gutter

Lysaght half round flat back gutter in colorbond 'monument'

gutter guard

Fielders watergate gutter leaf guard to all eaves gutters

ceiling lining

downpipe

Lysaght round 100mm downpipes in colorbond 'monument', - on galvanised stand-off brackets ED

downpipes

skylight

existing downpipe

Lysaght bushranger medium 350mm with 100x30mm overflow parapet internal lining

700 x 150mm deep folded zincalume box gutter on plywood substrate full length and width

downpipe to spreader on roof below

SH3

parapet capping

700x300 box gutter

fall

Project No.

Project

DOWN 30 DOWN 30

fl fl

fall

Client

Damian Madigan Date

09.06.2015

Notes

fall

parapet capping

fl RWT

lysaght longline 305 roof sheeting in colorbond 'monument', typ. parapet capping in colorbond 'nightsky'

new rwt pump to ground floor bathrooms (WC cisterns)

THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH ALL RELEVANT CONTRACT, SPECIFICATIONS AND DRAWINGS COPYRIGHT OF THIS DRAWING IS VESTED IN JEREMY PEARCE ARCHITECTS

300x150 box gutter

ne fan w co be wl low

parapet capping in colorbond 'monument'

RWT

WD 07

ridge capping in colorbond 'monument', typ.

1:100

0003

fall

colorbond flashing with over flashing into parapet, typ.

4 DOWN

DWELLING A ROOF PLAN

Rose Park Project

merbou hardwood timber fence fl 300x150 box gutter

fall

for

deck [no roof]

2 down

1:100

Drawn By

courtyard [no roof]

fall

27 DOWN

DWELLING B ROOF PLAN

Pearce Architects

re-direct existing stormwater to new rainwater tank underground [avoid roots of existing tree]

gutter sump to roof below through wall penetration, typ.

WD 08

ight skyl

divert existing downpipe to new downpipe to feed RWT

Architect

fall

Jeremy Pearce

4 DOWN

300x150 box gutter

fall

fl 2 down

re-direct existing stormwater to new rainwater tank underground [avoid deck framing]

DOWN 30

fall

iii) dwelling b rear perspective. rendered in revit, edited in illustrator and photoshop

4 DOWN

WD 08

wl w co belo w ne r fan fo

ii) 1:100 roof plans of dwelling a,b

nt ve

i) dwelling a entry perspective. rendered in revit, edited in illustrator and photoshop

read

ight skyl

27 DOWN

Sp + DP

DOWN 30

parapet capping

WD 07

wl w co belo w ne r fan fo

300x150 box gutter

fall

wl w co belo w ne r fan fo

27 DOWN

wl w co belo w ne r fan fo

DOWN

parapet capping

fl fl

shading device: Kawneer Versoleil louvre outrigger shade - steel outrigger and louvres painted colorbond 'night sky' 6mm BCG durasheet 1200x2100mm panels fixed to parapet timber studs - provide all necessary accessories and joining strips to manufacturer's details

300x150 box gutter

SH1

ridge capping to match roof finish, typ.

10mm gyprock csr plasterboard cd, square set, no cornices - direct fix to underside of 450crs floor joists - suspended ceiling system where specificied, refer to section - wet areas: provide 10mm Gyprock Aquachek to inside - paint finish: Dulux wash & wear plus low sheen in 'whisper white'

3800

eaves gutter

flashing: over and under flashings for parapet roof - metal flashing in colorbond 'monument'

colorbond parapet overflashing, typ.

200 700 SH2

300x150 box gutter

DP to eaves gutter below

gutter sumps: 300x300mm lysaght gutter sump to box gutter outlet 1400x800mm MO8 Velux fixed skylight - high performance double glazing - timber frame to match internal linings finish, refer to plan

Title

Roof Plan Scale

1 : 100 @ A3

WD 04 iii

iii

i) 1:10 section detail of parapet wall ii) 1:10 plan detail second storey wall iii) 1:100 physical model using white card and balsa wood view toward dwelling a iv) 1:100 physical model using white card and balsa wood view toward dwelling b

STUDIO 5

third year urban infill 41

roofline of proposed dwelling b

shiplap cladding to treated pine fixing battens [95mm total projection from studs] lysaght longline 305 roof cladding in colorbond steel [monument] +5500 AFL

shiplap v-joint timber wall cladding [silvertop ash] with colorbond steel parapet capping

TOP OF ROOF HEIGHT

+2970 AFL

fielders ned kelly rainhead colorbond [white on white]

FIRST FLOOR LEVEL

+2700 AFL

+2400 AFL

TOP OF WALL HEIGHT

GROUND FLOOR CEILING HEIGHT h lig

timber fence omitted for clarity

J1 external projection between openings, refer to WD11

h lig

W24

D4 RWT

W23

boral concrete block with flush mortar painted [white on white]

+0 AFL

GROUND FLOOR LEVEL

footing to engineer's specifications

NORTH ELEVATION

EAST ELEVATION

1:100

hardwood merbou fence battens stained twice with Cutek extreme oil, battens spaced at 75mm

30deg roof pitch [no eaves overhang] +6950 AFL TOP OF ROOF HEIGHT

colorbond steel parapet capping [night sky] typ.

aluminium window frames [colorbond night sky] typ.

+3750 AFL TOP OF WALL PARAPET

steel parallel flange channel around perimeter, mitred corners [colorbond night sky]

2400 AFL

+2400 AFL

GROUND FLOOR CEILING HEIGHT (VARIES)

W3 D1

Trend sliding door aluminium frame [night sky]

W14

Viridian Thermotech LowE 6+12+8.63mm Double Glazing typ.

TYPICAL WINDOW HEAD HEIGHT

W12

0 AFL GROUND FLOOR LEVEL

SOUTH ELEVATION

WEST ELEVATION

1:100

Architect

0003

Drawn By

Project

Jeremy Pearce

i) 1:100 floor plan, dwelling a ii) 1:100 elevations, dwelling a

STUDIO 5

third year urban infill 42

Project No.

Pearce Architects

Rose Park Project

Client

Damian Madigan Date

09.06.2015

THIS DRAWING SHOULD BE READ IN CONJUNCTION WITH ALL RELEVANT CONTRACT, SPECIFICATIONS AND DRAWINGS COPYRIGHT OF THIS DRAWING IS VESTED IN JEREMY PEARCE ARCHITECTS

Notes

Title

Dwelling A Elevations Scale

1 : 100 @ A3

WD 05

COMPETITION

third year superstudio design competition

Superstudio is a design competition where teams of 3 are given a brief which they have to respond to in 24 hours. The brief required teams to explore the relationship between objects and their context, the interrelationship between sets of values and how new meaning can be formed. The objects in this instance were 6 items from the national museum of australia and we were required to create a new way to display them outside of the traditional museum context where the viewer is often presented with the image rather than the meaning behind it. We determined that these objects were representational of cultural constants and cultural value for individuals is found through exploration, not a linear knowledge of history. The results was a physical manifestation of these ideas positioned within the reading room of the Victoria state library. The built form is an interactive labyrinth where the walls can be pushed and pulled internally and externally allowing the viewer to find out information about each object and more importantly reflect on what it means to be Australian.

Moving Through Culture Intensify this exploration through physical & experiential architecture

i Open culture of static nodes

i) internal perspective highlighting the viewers ability to push and pull wall elements

Enclosed space which occupants can explore

Moveable Fluctuating Walls

Intensify this exploration through physical & experiential architecture

Moving to the center or heart of Australian culture & understanding it personally

Snapshots of Australia Culture Within

ii) varied diagrams of concept, showing how plan was developed and how the space can be interacted with iii) axonometric of building components

SUPER STUDIO 2015 | MIND THE GAP Ben Andary | Hugh Michelmore | Jeremy Pearce

iii

STUDIO 4

second year north adelaide trade mission

studio focus: communications Central to this project was the paradigm of the â&#x20AC;&#x153;hollow squareâ&#x20AC;? and defining the boundary between that which is within and that which is not. The precedent for this was Fez in Morocco, where the hollow square is morphed within the organic pattern of the cities built form. With this in mind the response to the brief aimed to create a community within a community, where the residents, workers and broader community could gather. Inspired by the markets of Fez, a large central space within a below ground site created a communal space that served as the hollow square. Separating the built forms and positioning them at the perimeter of the site provided this opportunity, making the external space far more inviting and interactive.

i) jerningham street perspective showing access and facade treatment ii) western elevation using various layers of vectors, texture and images iii) section showing access into site and internal interaction upon entry 44

iii

BAKERY UP

GALLERY

ENTRY

ACC. WC UP

KITCHEN / CATERING

12 16

RECEPTION/ADMIN

2 10

11 13

19 11 18

i) floor plans using revit and illustrator ii) perspective render using revit render engine and photoshop iii) perspective render from alternative view using revit render engine and photoshop

STUDIO 4

second year north adelaide trade mission ii

iii

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