Architecture Portfolio 2017 (Selected Works) - Jessica Jolin Ho

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JESSICA JOLIN HO Architecture Portfolio 2018


Contents

I

II

The Nexus: mixed development

Techno Edge: university canteen

Integrated student housing and start-up spaces, plus retail and commerce

University canteen fo students and staff of Engineering and Sch Design and Environm

one-north, Singapore

National University o Singapore, Singapore

page 4

page 12


III

IV

V

VI

Procession: music pavilion

(Tent)segrity: temporary exhibition pavilion

Tension: Lim Mu Hue Gallery

Fine Art

hool of ment

Music pavilion for individuals and groups to perform, interact with, and experience music

Temporary tent exhibition space to be placed below public housing blocks

Woodblock print gallery and (private & public) workshop spaces

of e

Fort Canning Park, Singapore

Public housing estates, Singapore

Sturdee Road, Singapore

page 18

page 26

page 36

or

Drawings, photography, paintings

page 44


I: The Nexus

student housing & start-up space @ one-north, Singapore, 2017

4


5


shared facilities & spaces (library, recreational lounge, full kitchen, business centers, labs, etc.)

2

student housing units flanked on both sides

3

link bridges connecting student housing to start-up spaces, creating more shared spaces

4

hot desking spaces & circulation

5

discussion rooms / meeting rooms / small personal office space

6

lift cores

7

terracing towards park

8

commercial / retail / F&B / showroom

1

THE NEXUS

1

I:

2

3 student housing

start-up spaces

4

5

6

7

8

Sitting at the interface between a residential zone and the park, while being directly across from the industrial clusters, there saw a need to draw relations between to the two seemingly opposing uses, creating an opportunity to integrate the industry with the students in the vicinity.

6

By employing low cost PPVC modules, the design seeks to propose a new building typology for mixed-use development occurring in the one-north area in Singapore, allowing for both the physical and experiential integration of students of the university and members of the industry.

The proposed typology follows a set of urban rules that was developed prior, with the aim of connecting an existing town plaza in University Town (UTown), NUS, to a new urban plaza located at the end of the block, creating a lively street experience along this thoroughfare.


massing development

permeability through the block and towards the park: reduce one mass, raise the other

reduce height disparity: vertical extension

physical connectivity between masses: rotation of extended mass

increase daylight in the atrium: carving out a portion of the mass

creating shelter over the atrium: modules of the masses are staggered

horizontal (sky link bridges)

horizontal (for each floor)

THE NEXUS

connectivity between UTown and urban plaza: masses flank the sides to create a thoroughfare through the block

I:

circulation

pedestrian (ground level)

vehicular

vertical (cores)

vertical (stairs / fire escape)

block section: from UTown plaza to urban plaza

existing UTown town plaza

existing commercial establishments

continuation of commercial activity along the new thoroughfare

sheltered walkway created along thoroughfare

commercial activity also occurring at podium level

new urban plaza

7


I:

THE NEXUS

plan: atrium level

plan: podium / park level

8


I:

THE NEXUS

plan: 5th floor

plan: 10th floor

9


I:

THE NEXUS

types of units: student housing

single (3 x 6 m)

double (4.5 x 6 m)

triple (6 x 6 m)

quad / suite (12 x 6 m)

types of units: office / start-up

meeting room (8 x 8 m)

10

discussion room (8 x 4 m)

small office (4 x 4 m)

hot desking


I:

THE NEXUS

master plan of the one-north site

render: atrium

11


II: Techno Edge

student & staff canteen @ National University of Singapore, Singapore, 2016

seat

4

12


ting

main circulation

food stalls

study area

1

2

3

13


TECHNO EDGE II:

McDonald’s

Techno Edge is a canteen that sits between the Faculty of Engineering and the School of Design and Environment, serving as a mediator between the two, while often being seen as a transition zone between the faculties and transportation points.

14

This often gives rise to a variety of user groups (those who are transiting through; those who intend to ‘grab and go’; and those who want a sit-down meal), who seem to be in tension with one another as the movement of one often disrupts that of another.

seating

main circulation spine

The scheme adopts a filter-like system, separating the movement of the 3 user groups. The top floor acts as the main circulation axis where movement and speed are the most prominent, while providing visual connectivity with both the stalls and seating area below. In order to purchase food, users would move down into the deeper layers of the canteen to the stalls located on the mezzanine level, and seating available on the floors below it.

stalls

study area

By keeping main circulation and transient spaces separate from spaces of stasis and interaction, it not only allows for effective connectivity between different points on site, it also brings to light the duality between movement and stasis — the different types of users and their preferences, by allowing each to appear distinct, yet offering visual connectivity between the two which is further facilitated by the adoption of a porous three dimensional modular structural steel grid system.


detail 1 & 2 & 3 screens: aluminium slat / 50x50mm / wood grain finish beam: steel I-beam / 200x200mm / white paint finish

TECHNO EDGE

glass panel steel angle clip clamp operable panels: aluminium frame t=30mm / aluminium composite panel t=3mm

II:

column: steel I-beam / 200x200mm / white paint finish steel fin plate t=3mm floor: timber decking t=15mm / DPM / concrete slab with wire mesh t=60mm / steel deck 24mm ceiling hanger plasterboard t=13mm

detail 4: operable panel system

aluminium frame system / aluminium composite panels t=3mm / 3000x3000mm

steel fin plate t=3mm aluminium frame system / aluminium composite panels t=3mm / 1500x1500 mm

additional recessed aluminium plate t=3mm / adds to structural rigidity without making the panel look heavy pin joint pin joint hydraulic pump column: steel I-beam / 200x200mm / white paint finish pin joint

15


II:

TECHNO EDGE

connectivity (circulation)

Aimed at efficiency and increased connectivity, Techno Edge effectively connects all the nodes on the site, including entrances to the different faculties as well as bus stops.

connectivity (green)

Techno Edge as a negotiator between not only the different nodes on the site, but between man and nature as well, by having green spaces that bleed seamlessly into the terrain.

16


plan: lower levels sinks WC

Mc Donald’s

outdoor seating area

TECHNO EDGE

dish clearing area

stalls

II:

deck 2 deck 1

deck 3

dish clearing area

plan: upper levels

stalls

study area

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III: Procession

architectural folly: music pavilion @ Fort Canning Park, Singapore, 2015

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19


part 1: conceptual design development

III:

PROCESSION

To define spaces, forms, and structures in architecture through a comparative analysis of that in the musical piece Xochipilli, by Carlos Chávez (1940), serving as the basis for formally engaging with a cubic form where these same elements of the cube are redesigned based on the analysis of the musical piece.

1

Path generated based on certain key points in the piece of music (i.e. a change in the direction of the path corresponds to the a change in the trombone’s note, or the introduction of a new instrument into the piece)

2

Pattern created based on the music score is strung along the path, emulating that of the other instruments ‘wrapping around the trombone’ based on musical analysis done prior

20


PROCESSION III: 3&4

Selected planes were then extruded to create volumes of varying sizes corresponding to different spatial experiences and qualities, ultimately reflecting the changing dynamics of the piece of music as it progressed

21


III:

PROCESSION

part 2: detailed design development

Using Part 1 as a basis, the generic spaces and volumes are transformed into rooms spaces for visitors to engage with and experience music amidst this architectural folly (music pavilion), while relating to the larger site context.

22

Varying opacity and the subsequent usage of various architectural languages (i.e. skeletal, planar, volumetric) allow for different levels of privacy within the pavilion.

This provides a unique character to each space while allowing them to bleed seamlessly into one another, creating a unified experience as one enters the pavilion and journeys through the 3 main spaces while recalling the piece of music from Part 1, before finally exiting.


III:

PROCESSION

space 1: for > 10 people (skeletal)

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III:

PROCESSION

space 2: for 3-5 people (planar)

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III:

PROCESSION

space 3: for 1-2 people (volumetric)

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IV: (Tent)segrity

temporary exhibition space @ Public housing estates, Singapore, 2016

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(TENT)SEGRITY IV:

TENTsegrity explores the idea of having all elements acting as structural members as part of a cohesive system. These elements are dependent on one another for structural support, each contributing to the overall structural integrity of the system and the subsequent form i.e. the bending of the rods pulls the fabric apart, allowing it to be in tension which in turn maintains the rod’s curvature. Subsequently, the shape of a triangle was adopted as it was deemed as the most successful in achieving the initial idea.

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The final design consists of a system of rods arranged in a repeated triangular pattern, supporting a large piece of fabric that would encapsulate the volume of space beneath the rods. This fabric is prefabricated to contain pockets to accommodate the arrangement of the rods.

Both ends of the rod are thus bent in compression and slotted into adjacent pockets of the fabric, creating an arc which holds the fabrics in tension. In addition, this system allows the fabric to be folded up easily, and each individual rod to be removed and detached, allowing for easy storage and transportation.


29 IV:

(TENT)SEGRITY


30

IV:

(TENT)SEGRITY


31 IV:

(TENT)SEGRITY


(TENT)SEGRITY

plan

IV:

1

3

2

elevation

32


details 1 & 2: corner joinery (plan view)

(TENT)SEGRITY

10mm fibreglass rods

IV:

heavy duty polyester thread

detail 3: fabric and tension rods (elevation)

10mm fibreglass rods PVC polyester fabric PVC polyester fabric with eyelet galvanized steel cable tie galvanized steel with eyelet galvanized steel connector

33


section: outdoor performance

700

IV:

(TENT)SEGRITY

500

section: chinese banquet

900

400

34


section: night market

(TENT)SEGRITY

1050

IV:

300

section: malay wedding

770

35


V: Tension

woodblock print gallery & workshop space @ Sturdee Road, Jalan Besar, Singapore, 2016

3000

2500

6000

3500

36


1 3000

6900

2500

37


site analysis (contrasting programs)

V:

TENSION

The site sits in the middle of the historical district of Jalan Besar in Singapore. Unique to this area is the apparent programmatic tension between front and back -- one’s main door could open directly into the back alley of a row of restaurants and cafes or directly adjacent to a neighbor’s laundry line. is allows for the redefinition of what is public and what is private -- a loading bay is traditionally private and hidden away from plain sight. However, if the loading bay now opens up to the entrance of a cafe, would it then be considered a public activity?

residential

retail

office

Sturdee Road

site

Petain Road

38


V:

TENSION

hand-drawn perspective: entry

Conflicting programs apparent in and unique to the larger site of Jalan Besar, Singapore, give rise to a kind of programmatic tension (i.e. tension between the front entrance of a private home and the back alley of a shophouse).

This tension is further explored in the design for a gallery-workshop space, by incorporating the idea of conflicting programmatic spaces being placed adjacent to one another.

The section was developed such that the main spaces were kept in view of each other, while maintaining a level of privacy for the more private programs within these main spaces. This was done by placing the more private spaces above, allowing for visual connectivity yet providing physical distance.

Progressing from one space to another (i.e. from cafe to permanent gallery) forces the user to weave in and out of the two 1000mm thick slanted structural walls, allowing them to experience the thickness of the walls and the tension created by the slant as they appear to be falling, thus contributing to this idea of tension.

39


plan: Ground floor

art storage

plan: 2nd floor

WC

WC WC

V:

TENSION

public workshop

lecture theatre cafe

temporary gallery

gift shop loading bay

plan: 3rd floor

plan: 4th floor

private workshop

permanent gallery

administrative office

40


V:

TENSION

Circulation is designed such that users will have to weave in and out of the walls in order to get to the next space, allowing them to feel the thickness and bulk of the slanted wall, adding to the sense of tension.

structural wall circulation circulation path (public) circulation path (private)

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V:

TENSION

permanent gallery

main entry

42


V:

TENSION

sectional model

detail 1

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VI:

FINE ART

hand drawings

Old Town Square, Prague, Czech Republic Pen and coffee stains on paper Completed 2013

Houses of Parliament, London, UK Pen on paper Completed 2014

Tattoo parlor, Yogyakarta, Indonesia Pen on paper Completed 2015

Gillman Barracks, Singapore Marker on paper Completed 2016

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VI:

FINE ART

photography & paintings

Manhattan, New York Photograph - Smena Symbol (35mm) Taken 2016

London, UK Photograph - Nikon FM10 (35mm) Taken 2016

Cinque Terre, Italy Acrylic on canvas Completed 2013

Tokyo, Japan / Laos Acrylic on canvas Completed 2011

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Contact me: jessicajolinho@outlook.com


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