REALISM THE ANALYSIS OF A PAINTING BY COURBET
“LANDSCAPE 1876” Truth & Accuracy
Around the 1850’s there was a
Landscapes were still a popular
revolt against all things valued by
subject matter for the Realist artists
the Romantic Artist due to the birth
but they were strictly of what the
of Realism. Realist rejected the
artists observed with no alterations
exaggeration of emotionalism and
to colors, setting or any addition or
the imagination, and valued truth
subtraction to the subject matter.
and accuracy. The artists of this era
Courbet’s 1876 “Landscape”
remained “true to life” and made
strongly demonstrates the values of
their
truth and
observations
accuracy of
directly from
the Realist
nature or their
artist. The
subject matter.
painting is
They did not
composed of
allow anything
a beach
to be put into a
setting, and
piece of
could be
artwork that
taking place
wasn’t directly
at either the
there. The embrace of the working
break of dawn or the setting of the
class and peasants became the
sun to another night. At the
figures in art along with everyday
foreground of the painting one can
situations, instead of gods and
see the white tips of calm waves
situations that did not accrue. The
caressing the sand. In the horizon
father of direct movement is
there is the faint image of a sail boat,
Gaustave Courbet (1819-1877). The
and the clouds gradually disperse as
French painter challenged the
the sky rises. At first admiration, the
conventional by using real life as his
eye is drawn to the center of the
subject matter along with the
painting where the sun is shining
combination of large scale paintings.
through and creating the sky to be
This simple style of popular imagery
highlighted with the rays or a deep
began a movement for artists.
yellow. It then glances over the [Pick the date] [Edition 1, Volume 1]
“Painting is the representation of visible forms. The essence of realism is its negation of the ideal.”
- Courbet