RealismFinal

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REALISM THE ANALYSIS OF A PAINTING BY COURBET

“LANDSCAPE 1876” Truth & Accuracy

Around the 1850’s there was a

Landscapes were still a popular

revolt against all things valued by

subject matter for the Realist artists

the Romantic Artist due to the birth

but they were strictly of what the

of Realism. Realist rejected the

artists observed with no alterations

exaggeration of emotionalism and

to colors, setting or any addition or

the imagination, and valued truth

subtraction to the subject matter.

and accuracy. The artists of this era

Courbet’s 1876 “Landscape”

remained “true to life” and made

strongly demonstrates the values of

their

truth and

observations

accuracy of

directly from

the Realist

nature or their

artist. The

subject matter.

painting is

They did not

composed of

allow anything

a beach

to be put into a

setting, and

piece of

could be

artwork that

taking place

wasn’t directly

at either the

there. The embrace of the working

break of dawn or the setting of the

class and peasants became the

sun to another night. At the

figures in art along with everyday

foreground of the painting one can

situations, instead of gods and

see the white tips of calm waves

situations that did not accrue. The

caressing the sand. In the horizon

father of direct movement is

there is the faint image of a sail boat,

Gaustave Courbet (1819-1877). The

and the clouds gradually disperse as

French painter challenged the

the sky rises. At first admiration, the

conventional by using real life as his

eye is drawn to the center of the

subject matter along with the

painting where the sun is shining

combination of large scale paintings.

through and creating the sky to be

This simple style of popular imagery

highlighted with the rays or a deep

began a movement for artists.

yellow. It then glances over the [Pick the date] [Edition 1, Volume 1]

“Painting is the representation of visible forms. The essence of realism is its negation of the ideal.”

- Courbet


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