Ignis Fatuus a pale night sometimes seen at night over marshy ground
Daftar Isi Pengantar .......................................................................3 Paintings .........................................................................4 Sculptures .......................................................................8 Big Thanks .......................................................................11
Pengantar
Sekarang ini kita sedang menghadapi dunia yang terus berkembang setiap harinya. Dunia yang sedang kita jalani ini bisa saja menjadi sebuah fantasi yang ada di
Seni
rupa
merupakan
dunia lain di dalam benak kita. Fantasi setiap orang
salah satu bentuk cabang
jelaslah
seni
menjadi
yang
bisa
dibuat
dengan
media
Dengan
dilaksanakannya
pameran kami
seni
apapun.
rupa
berharap
ini,
karya-
maupun
berbeda,
namun
kenyataan. dunia
menemukan
Hal
fantasi inilah
untuk
ide-ide
terus
yang
tersebut
yang
bisa
membantu
saja kita
berkembang
dan
menakjubkan/unik.
Oleh
karena itu, kami mengambil sebuah tema Fantasi untuk
dibuat
mengajak para pengunjung melihat berbagai macam
dapat
dunia fantasi melalui karya - karya yang ditumpahkan
diapresiasi dan dinikmati
oleh berbagai seniman di pameran kami. Ignis Fatuus
karya dan
yang
telah
ditampilkan
oleh banyaj orang. Maka dari itu, kami mengangkat tema fantasi.
sendiri memiliki arti sebuah ilusi atau bayangan yang merupakan cerminan dari diri kita sebenarnya. Hal ini terkait
dengan
sebenarnya
fantasi
yang
mencerminkan
sebenarnya kita inginkan.
diri
ada kita
di dan
benak apa
kita yang
Paintings
Gollum from J. R. R. Tolkien's novel The Hobbit, and its sequel The Lord of the Rings. Frazetta's amazing moody depiction of the corrupted Hobbit once known as Smeagol uses browns and dark greens to suggest the eerie ill-lit subterranean cave pool in which readers first meet him.
Gollum
by Frank Frazetta 30.5 x 41.9 cm
Beyond the Tangle
by Julie Bell
18 x 24 inches
“When I’m painting animals with all their beauty and wild nature, I experience the kind of at-onewith-the-universe feeling described by people who meditate. It’s both soothing and exciting, the way nature itself is. I know without a doubt that this is what I was meant to do.”
Monthman by Frank Frazetta 17 x 23 inches
Mothman by Frank Frazetta. This first appeared as a High Times magazine cover, Beware The Mothman, 1980. It was later used as a paperback cover for The Mothman Prophesies by John A. Keel
Of Grief & Ghosts & brief Goodbyes 11" by 15", graphite, watercolor and colored pencil on watercolor paper. Haunted
by Caitlin Hackett
Nibiinaabe
by Julie Bell
The Nibiinaabe are a race of water sprites from Anishinabe folklore. Nibinabe are usually described as being shaped like mermaids, with human torsos and fish tails. Mermaids and mermen are also used as a clan symbol in the Ojibwe tribe (whose Mermaid Clan and its totem are called Nibiinaabe or Nibanaba.)
The Huntress
by Caitlin Hackett
inspired by the Orchid Mantis
“The Huntress, a masked orchid mantis piece painted in watercolor and ballpoint pen”
In world mythology, the Tree of Life connects heaven and earth.The Tree aids man in aspiring to spiritual heights, reminds us of the cycles of life, death, and revival. It also embodies the universal journey of perpetual renewal.The Tree as metaphor reflects the phenomena of human life. Tree of Life
by Vladimir Kush
The Tower on the Edge of Infinity
by James McCarthy 18 x 24 inches
oil on canvas
As quoted by McCarthy, "My work is often season-themed. It deals with creation, the passing of time and mortality"
Trespass
by Raffaello Ossola Ossola uses acrylic and has a distinctive style that incorporates elements such as architecture, pools, clouds, rocks, shrubs, and obelisks in surreal landscapes. His style uses characteristic light reflections and projections.
The sun is drawn directly in the middle of the painting. The sky is not drawn with much color, appearing to by a shade of gray, showing the early hours of dawn before the sun has illuminated the sky. There are a few clouds in the sky directly over the sun. These clouds are dark gray in color and very thin. The rays of light that shine out from the sun cut through these clouds. The sun is at a point in its ascent that it barely sits on the water. by Vladimir Kush Sunrise by the Ocean
Leaping Lizard
by Frank Frazetta The Lizard-Men leap to the attack in this spectacular color preliminary painting by master fantasy painter Frank Frazetta. The finished oil painting version appeared as the cover to Writers of the Future (Bridge Publications, 1987). In Testament: The Life and Art of Frank Frazetta, the artist commented, " I was never much of a fan of nuts-and-bolts science fiction. There always had to be at least a hint of fantasy to keep me interested." This sensitively drawn mixed-media vision is nothing short of a gem-like masterwork by Frazetta.
The Forgotten Garden
by James McCarthy Surrealism and the Landscape is James McCarthy's theme. He likes to paint spontaneous organic imagery ('biomorphism') but he also consider himself a landscape painter. His work is influenced by the seasons.
Sculptures
Why animals? I have always had a bewitching attraction to the otherness of animals. Knowing them is to know other nations and ways of being in and experiencing this world. I want the psychological impact of my work to express some of the expansive gulf between the human and non-human animal experience of being and connecting in this world. by Ellen Jewett The Dreaming of Winter
Amaterasu by Linda Escaron Lundqvist
She has stepped down from the heavens to once again repel evil with her solar disk and the power to paint the world. Sun goddess Amaterasu is here
Understanding more about Ellen’s broad array of experiences and personal insights is not only a pleasure to help us see her otherworldly sculptures in a new light. They allow us to better see into the heart and mind of this elusive artist who chooses, often, to keep behind the scenes and let her art just speak for itself. by Ellen Jewett White Dragon
The Ghost by Linda Escaron Lundqvist
The creature is wise and powerful, able to keep the many parallel worlds apart when they blend, and it is not the only one of its kind, they are many. It is not known just how many but they exist in hundreds all over the world. They may look scary but they are not harmful
Big Thanks Kami
mengucapkan
terima
kasih
yang
sebesar-besarnya
kepada Caitin Hackett, Ellen Jewett, Frank Frazetta, James McCarthy, Ossala,
Julie
dan
dipamerkan
Bell
Linda
Vladimir dalam
Kush
Escaron atas
pameran
Lundqvist,
karya-karya ini.
Kami
Rafaello
yang juga
telah ingin
mengcupkan terima kasih kepada Bapak Nuriko Dwiyandra karena
telah
memberi
kami
kesempatan
dan
dukungan
atas berjalannya pameran virtual seni rupa ini. Semoga buku
panduan
ini
pameran virtual ini.
bermanfaat
dan
selamat
menikmati
Ignis Fatuus a pale night sometimes seen at night over marshy ground