Year Without Summer (Daumenkino) for ensemble
Jacob Gotlib
Š 2011
INSTRUMENTATION Flute (doubling Alto Flute) Clarinet in Bb (doubling Bass Clarinet in Bb) Piano Violin Violoncello
Transposed Score
Approximate duration: 9:30
Program notes: Akin to a flip book’s slow progression, but encompassing a radical change of a scene’s perspective along with the development of action, Year Without Summer (Daumenkino) develops several recent ideas in my work: the structure of music as a series of successive cells or frames (in the visual or cinematic sense), and combinations of multiple, rapidly changing sonorities. In this piece, a five-note phrase is reiterated persistently while very gradually transforming rhythmically and registrally. !In contrast, each phrase contains jarring, rapid, and abrupt changes in orchestration and sound combinations. The piece’s dichotomy of repetition and slow, continuous changes versus a lively and active surface creates an at-times uncomfortable middle ground between a traditional, linear listening experience and a more meditative, moment-to-moment experience. In a further thematic continuation of some of my recent music, the title is a playful allusion to the infamous climate of my current home: Buffalo, NY.
General notes: With the exception of mm. 94-113, all measures are divided into two parts by a dotted line. The portion of the measure to the left of this line contains a musical phrase, while the portion to the right of this line contains a brief rest that separates one phrase from the next. This division is reflected in the additive time signatures of each measure: the meter to the left (usually 5/4) describes the meter of the musical phrase, while the meter to the right describes the silent portion. Occasionally, as in section C, these silent intervals are filled in with sustained sounds to smoothly connect adjacent phrases. Accidentals apply only to the measure in which they are found. Long slurs in section D indicate groups of notes to be played continuously in one breath or bow if possible. In sections A-C, articulate each attack clearly so that the phrases will have a clear rhythmic identity.
Notes and notation for wind instruments: Aeolian sound on indicated note. Mostly breath, very little pitch. Make key sounds as quiet as possible. Key slap on indicated note. Sing indicated note into instrument, articulating attack on “ta” or “da.” Notated at concert pitch for C flute and transposed for alto flute and clarinets. While these pitches are notated precisely in the score, they are largely idealized. It is more important in performance to achieve overall contour than precise pitch. Depending on the vocal range of performer, these may be sung 8va or 8vb than written.
Aeolian sound + key slap combination
Singing + key slap combination
Normal playing + singing combination. See above notes on sung pitches.
Notes and notation for string instruments: All strings play senza vibrato throughout. Mute indicated string on a non-harmonic node. Should result in a noisy, largely pitchless sound. norm. -- Normal bowing c.l.t. -- col legno tratto. Use as much wood as possible, but some hair may be necessary for dynamics louder than mf. c.l.b. -- col legno battuto. Wood only. ord. -- ordinary vertical bowing position (equidistant between fingerboard and bridge) ST -- sul tasto, somewhat near the fingerboard molto ST -- molto sul tasto, very near the fingerboard SP -- sul ponticello, somewhat near the bridge molto SP -- molto sul ponticello, very near the bridge l.v. -- let vibrate indefinitely, usually after c.l.b. Roman numerals (I-IV) indicate particular strings There are frequent passages that contain fast alternations between c.l.b. and c.l.t. In these instances, it is permissible to let the bow bounce (ricochet) slightly when switching techniques.
Year Without Summer (Daumenkino)
Transposed Score
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