Kate lee Graduate Project Portfolio 2013 + Selected Works 2010 2011
Skill set
Education
Computer ArchiCAD AutoCAD Revit Sketchup Maxwell Render Photoshop InDesign Microsoft Office Microsoft Excel Digital Fabrication
Hello, my name is Kate Lee.
2009-2012 University OF NSW Bachelor of Interior Architecture with Honours 2
I
Physical Hand Drafting Model Making
Volunteer Work July 2011 Sydney Powerhouse Museum Ultimo Oikodome: Building Architects November 2010 Gateway Building 1 Macquarie St Sydney Sydney Open Architecture
Interests and Likes
2007-2008 ULTIMO TAFE (Technical and Further Education) Diploma of Architectural Technology
Korean Native
English Fluent
Contact
katelee1348@gmail.com www.linkedin.com/in/jhklee http;//issuu.com/jhk_lee/docs/portfolio_2014_web
an
aspiring
interior
designer who is ready to pour her energy and passion into
2006 Enmore Design School (TAFE) Certificate 4 in Design Fundamentals
creative work in the real world.
2003 Petersham TAFE Diploma of Interpreting Korean<-> English
than
Work Experience Aug 2014-Present Washingtonian Interiors Inc. VA, US Interior Design Intern Feb 2008- Jan 2014 Model-Tech 3D NSW Australia Model Maker August 2008 Mirvac Residential NSW Australia Architecture Intern
Reference Language
am
Sun Lee, Owner/Designer Washingtonian Interiors (703)207.0000/sales@washinteriors.com Russell Pearse, Director Model-Tech 3D info@modeltech3d.com.au
Sing d’Arcy, Lecturer University of NSW s.darcy@unsw.edu.au
“Imagination is more important knowledge”
by
Albert
Einstein is my motto and a personal reminder to be always
adventurous and curious. I am bilingual . I believe I will be an asset to your company because I love to learn new skills
and
am
confident
to
work as a team player. I am
dedicated and hard working. I take my work very seriously and love to have fun also.
Technical Drawings for Cafeteria, Student Accommodation Project
Technical Drawings
Architectural Models @ Model-Tech 3D, Sydney Australia
Architectural Models
Burton St Tabernacle Educational Institute, Darlinghurst
Design School
Taylor Square Community Space, Darlinghurst
Bike Hub
Cultural Galleries
Graduation Project The Gallery of Indigenous History and Culture (GIHC), Goat Island
The Graduation Project The Gallery of Indigenous History and Culture (GIHC), Goat Island
Brief: It is proposed that Goat Island to undergo a major facilities upgrade to promote as a cultural space and tourism destination. The Galleries are located in the Magazine Precinct, Goat Island, Sydney Harbour. Despite the rich archaeological discoveries and histories, there is a scarcity of indigenous traces. The study of Indigenous history since the white settlement resonates with the painful experiences inflicted on the culture and the life of indigenous peoples and their sense of identity. The design proposal is driven by the designer’s emotional response to the journey of continuous struggle to protect the aboriginal peoples’ indigeneity throughout Australian history. This project celebrates the perseverance and survival of the culture. The GIHC aims to increase native cultural awareness and encourage diversity and harmony. Five major buildings of the Magazine Precinct are proposed to be dedicated as the places of storytelling. The stories are about the historical events as well as the cultural and spiritual aspects of the indigenous peoples. Each building tells the story of the lives of indigenous people in five stages to demonstrate the emotions and empathy with the events. The spaces are the manifestation of abstract and symbolic expressions offering the visitors to experience by “being in the moment”.
Site Analysis Contextual Relationship
Site Circulation
Views from/to the site
Potential affiliations with museums, galleries, private and public businesses in the surroundings.
Connecting route between destinations throughout the island.
Views from and to the Sydney CBD and neighbouring suburbs and the island.
Initial Ideas
The initial ideas were about creating an interesting way to display and view the original arts and crafts by inserting sculptural, theatrical and contemporary elements.
5. Colonial Magazine
Magazine Precinct Five storytelling media
4. Cooperage
Darling Harbour
3. Queenâ&#x20AC;&#x2122;s Magazine
2. Administration Building
Balmain East 1. Ship Repair Shop
The five buildings in the Magazine precinct follow the sequence of historical events since white settlement. They are a vital integration of the site usage and learning experience which would contribute to promoting Australian tourism and indigenous cultural awareness.
The study of the historic events having occurred between the time of white settlement and the present time, showcases multiple aspects of the cultural and social relationships we have with the indigenous people today. Lack of understanding and respect for each other’s cultural values became the crucial point of conflict that created many painful experiences and deaths for all involved in later years. The way to live as one with nature that indigenous people believed was ignored and invaded.
Historical Observations & Interpretations
APPROX 30,700 YRS Age of fireplaces NSW. APPROX 40,000 YRS
APPROX 30,000 YRS
evidence that Aboriginal people have been living in south-eastern Australia APPROX 45,000 YRS Earliest rock engravings made in South Australia APPROX 56,000 YRS Suggested age of two north Australian sites
Kristina keneally, premier of NSW
Oldest evidence of bread making in the world at Cuddy Springs APPROX 22,000 YRS
APPROX 26,000 YRS Age of bones found in sediment at the Willandra Lakes Region of far western NSW
Aboriginal people living at Malangangarr in Arnhem Land, Northern Territory, use ground-edge grooved axes. Australian technology leads the APPROX world. 20,000 YRS
1770 Captain James Cook claims possession of the whole east coast of Australia for the British Crown
APPROX 120,000 YRS
Age of the endocast of a primitive hominidlike skull recovered in NSW 2005
APPROX 18,000 YRS Harvesting grass seed. The seeds were ground and baked to be eaten
Aboriginal people were dispersed across the entire continue
1600 Bone tool deposits at Otway Peninsula, Victoria suggest Aboriginal people were working with animal skins.
Displacement APPROX 16,000 YRS
APPROX 10,000 YRS
Hearths, stone and bone tools, Shaws Creek near Yarramundi
Aboriginal people use returning boomerangs to hunt waterfow
1778 Arabanoo is the first Aboriginal person captured by Europeans. 1620
Eviction
APPROX 68,000 YRS Current estimates for the arrival of Aboriginal people in Australia
APPROX 7 MIL. YRS
APPROX 8,000 YRS
The oldest dated rock painting-first contact with a sailing boat with Dutchman Willen Jansz
APPROX 5,000 YRS Occupation site, Penrith Lakes NSW. Dingo arrives in Australia.
Earliest visible evidence of Aboriginal belief connected with the rainbow Serpent. This becomes the longest continuing belief in the world
Concept ModelsAs History Interpreted
This led to a prolonged battle for survival of the indigenous culture and became a significant influence on our perceived Australian cultural identity. This struggle continues today on a daily basis and is reflected in our contemporary society.
The diagrams and models show the historical events interpreted into emotional responses. These were arranged in a sequence symbolising the past and the present relationship of Australia for this issue and the future direction the designer hopes the country will go. Then the sequence is then divided into five narrative segments and inserted into each building to tell the story of strength and perseverance in a story-telling format.
“We are enshrining today fundamental truths, the truth that aboriginal people are the first peoples of NSW, the truth of the spiritual, economic and cultural ties that bind aboriginal people to the land.”
Age of the endocast of a primitive hominid-like skull recovered in NSW 2005
Physical evidence of literature and permanent architecture were more valued and considered as the proof of civilization in the European countries. Therefore, lack thereof meant the land was available to be claimed which gave the white settlers sense of entitlement to the land.
In the last few decades, as a nation we have started to witness a positive and progressive cultural, social and political advancement focusing on reconciliation, acceptance and integration.
Historical Time line
Isolation Exclusion
Dispossession Displacement
Story Development Visitors’ Route Ship Repair Shop
The central structure is derived from the form of a message stick used as an important communication tool. The detail of the structure comes from the patterns of sound waves released from the verbal and musical processes bouncing back and forth within the boundary.
Admin .
Exclusion 1830
1789
1790 The Hawkesbury and Nepean Wars between Aboriginal people and white invaders start in NSW
1795 The Richmond Hill battle is considered to be the first recorded battle between Aboriginal people defending their country against the British
Massacre
6 year battle ‘Black War‘
1803 Black War in Tasmania until 1830
1801 Aboriginal people ordered “to be driven back from the settler’s habitation by firing at them”.
1822
Attack War
1804 Settlers are authorised to shoot unarmed Aboriginal people
Building
Assimilation
1840
Permission To Enter
1843 Battle of One Tree Hill 1845
About 50 remaining Aboriginal people from the Sydney and Botany Bay peoples are living at a camp on Botany Heads
1814
1883 The Aboriginal Protection Board is established in NSW
Board for the Protection of Aborigines leading to the “Stolen Generation“
1849
1810 Settlers try to control growth of the Aboriginal population with a policy of absorption.
widespread food shortages among Aboriginal people in the Murray District
1863 Missionary settlement follows, bringing disease and disruption to traditional lifestyles.
1915 The NSW Aborigines Protection Board is given powers to remove Aboriginal1934
1920
Protection against the aboriginal people
1868 First (all aboriginal) Australian Cricket Team to tour England
1943 An Exemption Certificate is introduced, exempting certain Aboriginal people from restrictive legislation and entitling them to vote, drink 1940 alcohol and move freely- “Dog Tag“ White Australia policy succeeds: 99% of Australia’s 7 million people are white. 1938 1937 Assimilation Policy- into White Society
White Australia Policy
children without a court hearing.
Resilience Strength Perseverance
Q ueen’s Magazine
Integration Policy
1909 NSW Aborigines Protection Act -Exclusion of Aboriginal children 1928 from public schools followed requests by the white community
1870 first Aboriginal children are enrolled in the public schools in NSW
Dispossession
1949 Selective right to enrol and vote at federal elections
Population Decline
The phrase ‘White Australia Policy’ appears. Aboriginal population reduced by 220,000 Australiawide to an estimated 80,000.
1849 massacre at Long Lagoon 1863
1901 Federation - The Commonwealth Constitution states “in reckoning the numbers of people... Aboriginal natives shall not be counted.
1888
1869
Cultural loss over a long period of time Hollow
Spiritual and harmonious existence with nature expressed with pyrography on white painted Digeridoos
Policy of protection
‘Native Institution’ opened in Parramatta
1813 Bennelong dies. Colonists, assisted by Aboriginal people, cross the Blue Mountains and create new hostilities as they pass through Aboriginal lands.
a number of large scale killings as conflict over dispossession of land and erosion of hunting rights continues.
Aboriginal Protection and Restriction of the Sale of Opium Act (Qld). People are effectively confined to reserves and banned from towns.
Cultural Loss
1838
1816 Passports or certificates are issued to Aboriginal people
1799
‘Battle of Pinjarra’ on the Swan Battle River of One 1836 Tree Hill The colony of 1845 South Australia is founded
1829 A colony is set up in Perth
1824 massacre at Bathurst. 1813
1897
1834
Aboriginal people in Tasmania are forcibly removed 1816 and settled on Flinders Island
A smallpox epidemic. Capture of Bennelong
Aboriginal population is estimated to be at its lowest at 60,000 - 70,000. 1928
1934
Language
1936 Western Australia Aborigines ActPermit Required to enter towns
1938 150 years after European occupation the Aboriginal Progressive Association declares a Day of Mourning
Spirituality Mythology Dream Time
Terra nullius The land of nobody European concept of civilisation and ownership pushed the indigenous people away.
Aboriginal and Torres Strait Islander Commission (ATSIC) , Council 1972 for Aboriginal Reconciliation
Recognition
1996
1976-1983
Land Rights
International Day of the Worlds Indigenous People.
Commonwealth Aboriginal Land Rights Act in different states
Cathy Freeman-the first Aboriginal person to win a gold medal.
1975 1965
Integration Policy
Conniston Massacre in the Northern Territory
Under the Aborigines Act, Aboriginal people can apply to ‘cease being Aboriginal’ and have access to the same rights as ‘whites’.
1961 The South Australian Premier Sir Thomas Playford argues for integration rather than assimilation of Aboriginal people.
1994
1989-91
1953 Atomic tests are conducted on Maralinga lands at Emu Field, South Australia
Integration policy is introduced, supposedly to give Aboriginal people more control over their lives and society.
1966 The South Australian Prohibition of Discrimination Act is the first of its kind in Australia and bans all types of race and colour discrimination in employment, accommodation, legal contracts and public facilities. 1967 Commonwealth 1967 Referendumall Aboriginal people and open means for them to be counted in the census
Survival Acknowledgement
1997
Racial Discrimination Act is passed in the Federal Parliament.
Reconciliation
National policy Contribution 1972
1998
The Whitlam Government abolishes White Australia Policy and introduces a policy of self-determination. The White Australia policy has ended.
The Sorry Books campaign in response to the federal government’s refusal to make a formal apology to the Stolen Generations.
1971 Evonne Cawley, an Aboriginal tennis player, receives the Australian of the Year award. NSW Aboriginal Legal Service is formed.
The Post-Colonials believed that the indigenous people should be helped from themselves. It was their spirituality and strong sense of who they are that kept the culture survive.
2011 Gamilaroi man Chris Bourk becomes the ACT’s first Aboriginal government minister
2010 Australia’s richest man, Andrew Forrest, launches GenerationOne. The National Gallery of Australia opens 11 new Indigenous galleries
Acceptance
2000 Cathy Freeman -2000 First stamp of Australia showing a living Aboriginal person
1968 Albert Namatjirafirst Aboriginal person honoured on an Australian stamp and a citizen 1957
2004 Shared Responsibility Agreements
Context Integration
For their Own Good
Cooperage
2012 Campaign Stand For Freedom presents 43,000 signatures 2010 to the Australian government supporting Aboriginal demands that the Stronger Futures legislation be withdrawn
Colonial Magazine
2008 The Australian Parliament apologises to the Stolen Generations.
2006 The first Stolen Generations compensation scheme
Celebration Harmony Diversity
The world is changing really fast. We deal with more and more everyday. Still, it is important to stop and look back every now and then. Let’s learn from our mistakes. Lets focus on healing. Let’s focus on the future together.
Ship Repair Shop
The oral/aural literature -information has always been the most impor tant form of communication of Australian indigenous people for many years . This has been playing a vital tool to connect between the groups and individuals of the past, present and future. Dance moves and singing during ceremonies and stor y telling is enriched with indigenous iconography illustrated on natural resources and as body paintings . The exchange of stories and messages are sophisticated and complex yet delivered ef for tlessly between the communicators of deep cultural understanding.
The Ship Repair Shop provides the first contact of arrival. It houses open gallery spaces, reception area, retail store and cafeteria area. The main structure is assembled with an Australian hardwood such as Spotted Gum, western red cedar and manna gum for construction and finished and the floor finish is black terrazzo with mirror pieces.
Open Cafe Area The patrons are encouraged to sit and enjoy refreshments and the indigenous art at the same time.
Seating assembled with organic shaped sliced western red cedar timber
Manna gum storage/ display unit Chiselled basalt slab cladding
Series of manna gum timber slat fixed at 90째 to form display area. Glass panels are placed at the bottom of each display spaces to provide an even surface Concealed cupboards
The symbol of water well appear prominently in many of the indigenous drawings as water is an essential part of life. The indigenous people had an extensive ground water system which allowed them to survive on one of the worldâ&#x20AC;&#x2122;s driest continent for thousands of years. A lot of old Australian road system adapted the ground water. This symbol is positioned as a central reference point connecting the lower, middle and the higher part of the building to provide a fluid path of travel.
Western red cedar balustrade with concealed led lighting
Concealed florescent lighting flush with the ground level
Western red cedar treads with embedded glass strips which align with the floor patterns of ground floor
Administration Building
According to the Dreamtime, the humans harmoniously coexisted with the spirits and the nature. White body paintings and pyrography on musical instruments are often seen during ceremonies. One of the most commonly found musical instrument â&#x20AC;&#x153;Digeridoosâ&#x20AC;&#x153; are painted in white to symbolise their spirituality and belief in the way of living.
Floor Plan
Reflective Ceiling Plan
Long Section
Spherical Aberration
Wood Carving
Is an optical effect observed in an optical device (e.g. lens, mirror , etc) that occurs due to the increased refraction of light rays when they strike a lens or a mirror near its edge, in comparison with those that strike nearer the centre. It results in an imperfection of the produced image. It signifies an acknowledgement and acceptance of diversity.
Traditional method of marking a place of importance such as grave yard or ceremonial place. Ornaments are found on tools and equipments as well as on bodies of living people. The digeridoos are stained in white timber varnish and decorated by burning techniques (Pyrography).
Queenâ&#x20AC;&#x2122;s Magazine
The columns are positioned to create an atmosphere where one is to feel the chaos of being invaded of their space and lacking in sense of control. This space represents the early stage of colonial period, the beginning of cultural clash. The end of the columns are utilised as display unit with concealed light box.
Cooperage
Stolen of their land, children and mostly respect for their way of life resulted in fight to protect their way of life. The display units are arranged to simulate the uneasy paths that is full of obstacles to the survival of indigenous culture.
Colonial Magazine
This building represents the hope and opportunities that lie ahead with a positive outlook in the future. Amongst the various cultural and social issues, the Aboriginal culture plays a very important role of Australiaâ&#x20AC;&#x2122;s national identity and must be preserved and nurtured.
Taylor Square Bike Hub
The bike hub is centrally located at the main intersection of three major bicycle routes. The City of Sydney proposed the project to promote cycling and help reduce 10% of traffic congestion by 2016. The central row of columns and two different floor levels allow the spaces to be naturally subdivided. Although the building is a significant heritage architecture with strong federation features, each spaces were deliberately treated as an individual as if to reflect on the wide range of bicycle designs. The idea comes from the dynamic and colourful culture of the suburb residents for their life style, backgrounds and atmosphere that changes significantly from day to night. The building offers facilities for cyclers and social places for everyone.
Taylor Square, Darlinghurst
Bike Hub
Bike Hub
Coffee Hub
Coffee Hub
Meeting Hub
Meeting Hub
School of Design
Heritage Tabernacle
For â&#x20AC;&#x2DC;The Exceptionally Inventiveâ&#x20AC;&#x2122;
The Burton St Tabernacle is reborn as a home for the future designers. The school is the central point surrounded by all artistic and inspirational source of creativity.
3mmx7mm slip resistant strips embedded onto steel treads 50mm translucent marblo resin treads in cloudy designers
5mm assorted semi-translucent acrylic strips in red, blue, purple, green and yellow Aluminium side grip in matt black 2 pac fixed to steel rods and pin hold in acrylic strips
20mm hollow steel stairs with stringers in side in antique white 2 pac Steel bracket bolted to steel stair stringer 8mm round steel rod in black 2pac matt finish
10mm led strip underneath treads to be lit temporarily when the tread is stepped on
Central Void
Cafeteria
The cafeteria area is positioned near the back entrance on Palmer St to allow direct access to the students and the public to use the facility. The overall furnishing and finishes are stained and/or brushed solid oak and/or veneer. The area consists of merchandise, eating area and chill out area.
Chill-out Room
The furnishings are organized in rectilinear manner in order to maximise the use of space and traffic flow. It is open and the consistent use of horizontally laid timber slats allow a sense of comfort and relaxation. Chill out area is for casual hanging out which visually connects to the central void and the main spiral staircase. The patrons can witness the rhythmic play of light each time the treads are stepped on while they recharge their energy.
A B
A
B
Pin-up Wall Detail 1:2 15mm rubber panelling pin-up board attached to laminate operable door with Olympia yellow natural finish laminate opposite side Warm white LED strip lighting attached to white glossy MDF panelling
Magnestie bonded wood wool acoustic panel with fine pored surface in standard white
30mm plywood foldable table with Iceberg natural finish laminate for model display
5mm Laser cut translucent acrylic panels in heritage patterns in Victorian tile layout
Normal Studio Room
60mm Aluminium anodized silver skirting board
The Studio Doubles up as a normal class room as well as an exhibition room. The retractable shelving system provides convenience and allows maximum use of space. The room provides the back area as a storage room which can be concealed with a moveable wall.
Exhibition Room
Design Studio
Designer in Residence B
Designer in Residence
A
Guest designers are welcome to stay at this temporary accommodation. This studio welcomes the guest through the dark book display corridor with the latest design publications. Then immediately leads them into the bright and minimal yet efficiently organised spaces. The raised sleeping area is distinguishes yet the laser cut timber sliding doors keeps the spaces connected. The edge of the podium provides extra seating for guests.
B
D
A
B
C
D
C
1
2
3
4
Architectural Model Making These are some of the architectural models I was involved in during the employment at Model-Tech 3D. As shown, the models range from residential, commercial models for marketing, competitions and Development Application purposes. The building were made from a mixture of acrylic , polystyrene, balsa timber and card.
5
6
7
8
9
10
11
12
1. Wollongong The links
7. Ludhiana Competition
2. Kingsgrove
8. Venice Biennale
3. War Memorial Competition
9. Oâ&#x20AC;&#x2122;Dea
4. Willoughby
10. The Village Balgowlah
5. Viking
11. Hamilton Island
6. San Diego
12. North Parks Mine
Technical Drawings
A A
LEGEND
CIRCUIT CONNECTION INSTALLED UNDER PAVING
100X100 LED PAVER LIGHTING FROSTED GLASS COVER
RECLAIMED TIMBER SLAT SHADING SYSTEM
COURTYARD
AP
ACCESS PANEL
BSN
BASIN
RECLAIMED TIMBER SLAT SHADING SYSTEM ABOVE SHOWN AS DASH LINE LIME WASH AND RESIN SURFACE COAT
NOTES VENTILATION GRILL
WEATHER PROOF DBL GPO V
1. EXISTING BRICK/BLOCK WALL THICKNESS MAY VARY TO BE CHECKED ON SITE DOUBLE GPO
2. NOMINAL LOCATION ONLY FOR MECHANICAL DUCK
2 GANG LIGHT SWITCH
B
B
EXIT
DOUBLE GLAZING ALUMINIUM AWNING WINDOW
PADDED VELVET INLAY
450
2
3
3
AP SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE
CL
SM
RECYCLED CORK FLOORING RESIN COAT
2,900
F5
EQ
2
C9
1
D4
1,000
2,000
1,092
1 200
100
MECHANICAL DUCKS 150
D3 3,250 EQ
944
RENDERED BRICK WORK EXIT SIGN
EXIT
100
1,450
EMERGENCY LIGHT
Student Detail Name Kate LEE No. 3293595
772
FE
1,900
OAK
100
1,355
150X800 RECYCLED TIMBER PLANKS STAINED IN DARK
1,105
250
D 4.01
EXISTING BRICK WALL/BLOCKWALL
D 3.01
4 GANG LIGHT SWITCH
STUDENT ACCOMODATION WENTWORTH BRIDGE RD, WENTWORTH PARK NSW
W 1.01
2,900 15
100 980 100
15
PADDED TIMBER BOOTH WITH UNPOLSTERED INLAY FOR ACOUSTIC INSULATION
2,805 4,515
750
2,805
1,079 100
4,515
1,000
C1
480
580 220 360
490
750
490
390
1,200
280
FOR BOOTH SEATING 280
T3
1,000
2,900
255
2,800
610
1,000
100
3,065
255
500
100 1,603
C L
2,800
D9
D8
D7
1,255
D11
2,528
FRIDGE BELOW
305
SM
180 740
E1
AP
D
KITCHEN FW
1000X500 ALUMINIUM FRAMED LOUVRE WINDOW ABOVE STAFF ACCESS DOOR
AP
B3
B2
COOL ROOM
EXIT
W 3.01
2,800
COOL ROOM
WORKBENCH BELOW
B1
SHELVING ABOVE D 2.01
T3
1,100
2,500
WARM WHITE HELOGEN WALL MOUNTED DESK LIGHT
1,155
STAFF AREA
CASHER BELOW
B
VP
200
R C
130
BLACK CERAMIC TILE FLOOR AND SKIRTING DARK GROUT
300 1100
1,840
SINGLE DOOR FRIDGE
D 1.01
FW
DISHWASHER UNDER
SM
AP V
ALUMININUM TRIM
WARM WHITE FLURESCENT FLUSH CEILING
B6 MOUNT TASK LIGHT BAKED WHITE ENAMEL FINISH CC
WARM WHITE RECESSED BATHROOM DOWNLIGHT
11001100 ICE MAKER
B
E WARM WHITE SUSPENDED PENDANT LIGHT
B4 B5
CAFETERIA RCP
E
CAFETERIA FLOOR PLAN
150
SATINE CHROME FINISH
N
WORKBENCH BELOW
SHELVING ABOVE
COOKTOP OVEN UNDER
695
ISSUE FOR CONSTRUCTION
510
80
FE SINK
A
BB
WORKING BENCH BELOW
D1 685
685 1,950
2,100
1,965
150
LOCATIONS
80
2,900
KITCHEN 150
ANDALUMINIUM LACQUERED
2,295 3,409
STUDIO ROOM RCP 2,900
STUDIO ROOM FLOOR PLAN
FRIDGE DISPLAY BELOW
B
705 200
AA
785
C5
D RECESSED WARM WHITE LED PAVER LIGHT
140
C4
TIMBER STRUCTURE HOLDING ACOUSTIC HOUSING THAT IS ALSO SUPPORTED WITH SUSPENSION
SINK
DIFFUSED WHITE SPRAY PAINT TRIP
2,800
2,123
F3 F2
190 100
LIGHTING: RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING
500
STAFF AREA
GLASS FRIDGE DISPLAY
WARM STRIP OF LED LIGHT RECESS MOUNT IN VARIOUS
AA
FW
E C6
100
3,065
EDB
WARM WHITE DECORATIVE WALL MOUNTED LIGHT METHACRILATE
DD4 DD1 CC3
1,155
615 POINT OF SALE
CERAMIC TILE 150 X 150
AP
FW CC2
C3
SM
510
2,114
80
D2
50
SS COUNTER TOP 650
BSN
c
AA CL
80
1,306
EXIT
SCHEDULE3-GENERAL & ESSENTIAL FITTINGS
1,306
100
T3
535
SCHEDULE1-BATHROOM KITCHEN FITTING & EQUIMENTS SCHEDULE2-LIGHT FITTING
WD 503
100
CL
2,025
TEL FDP
WD 501 WD 502
COFFEE 1100 MACHINE
890
815
2,735
ACCESS PANEL AP
825
835
BULKHEAD ABOVE
1,570
2,005
CL
550
140 290
1,690
785
BULKHEAD
EQ
C L
W 1.05
PRIVATE AREA DETAILS
700
WD401
C
EPOXY FLOORING
140
1000X800 FIXED RECESSED GLAZING
500
PUBLICAREA DETAILS
1,000
1,635
WD 400
CONDENSATE DRAIN PENETRATION
W 2.01
1:20 PUBLIC AREA INTERNAL ELEVATION 1:20 PRIVATE AREA INTERNAL ELEVATION
2,000
HONED SOAPSTONE SLAB PAVEMENT 100X400 VP
WD 200 WD 201
100
F1
1,070
190
VENT PIPE
1,300
582 V
CC1
3,000
C
150 x 800 RECYCLED TIMBER PLANKS STAINED IN DARK OAK
1100
FW
D6
2,800
100
FW
E
1,000
EQ
100 500 50100 100 50
EQ 100
60
90
1:50 GROUND FLOOR PLAN 1:50 RCP
1,110
WD 100 WD 101
DD3
DD2
C7
W FE
700 X 1500 BRUSHED ALUMINIUM FRAME AWNING WINDOW
STUD WALL WITH 18MM PB AND TILE CLADDING
T4 T3
ACOUTICALLY INSULATED CONCRETE FLOOR EPOXY COAT
SMOKE DETECTOR
TITLE PAGE
C L
753
3,000
592
D
BED
BSN T1
1,605 1,000
W 1.04
EQ
C L
1,000
2,000
1,960
W 2.01
BOOTH BELOW
C L
1,735
C2
SM
WD 000
BB DESK BELOW C L
FW VANITY CEASAR STONE TOP
LIGHTING: RECESSEDWARM FLOOR LED STRIP LIGHTING
2,655
1,101
EQ
150
300
1100
1,000
BUILT IN BOOTH
50
SINK
STUD WALL
SEATING AREA RAISE
D5
500
SPRINKER HEAD
CONTENTS
C8
F4
30 THICK PLYWOOD SHELVING PANELS IN LIME GREEN SATIN SPAY PAINT FINISH BRICK WALL WITH TEXTURED LINEN WALLPAPER CLADDING IN OFF WHITE 700 X 1500 BRUSHED DOUBLE GLAZING IN BRUSHED ALUMINIUM FRAME FIXED GLAZING WINDOW
CL
100
755
580
1,064
300
EQ EQ
W 1.03
C L
1,000
2,000
W 2.01
24,115
8,760
1,355
EQ 100
150
1,200
BB
A
COOL ROOM PANELLING
C
390
300
1,100
REFRIDGERATION PENETRATION
R
490
BUILT IN DESK
D A
Project No. T0001 Date:13 May 2010 Client: UNSW Student Association, Board of directors
490
800
FIRE EXTINGUISHER FE
580 220 360
1,000
EQ
W 1.02
C L
1,795
1,000 EQ
150
205
CHISELLED SLATE TILE CLADDED WALL
595
SANDSTONE VENEER CLADDED WALL
1,100
100
W
480
AND INNER WALL
590
PLANK AND STUD WALL WASTE WATER PENETRATION TO HYD ENG'S DETAILS
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
W 2.01
1,950
PADDED LOOSE INSULATION BACKED WITH TIMBER
101
1,000
FLOOR WASTE TO HYD ENG'S DETAILS FW
WARDROBE
Student Accommodation Project
250
3. NOMINAL LOCATION ONLY FOR SPRINKLER HEAD
WARM WHITE RECESSED SINGLE DOWNLIGHT
1,690
METAL, PLASTIC, GOLD TRIM
1,570
205
2,000 SCALE 1:50
DD
SATIN BLACK INTERNAL 90
3,460
1,535
0
915
\CHROM FINISH OUTSIDE
C
1000
2000
3000
4000
SCALE 1:50 2,160
100
2,905
1,490
250
0
1
2
3
4
5M
MILLI EDGE BASIN MIXER TAP 6,905
WARM WHITE RECESSED DBL DOWN LIGHT D
T1
SATIN BLACK INTERNAL
NOTE \CHROM FINISH OUTSIDE
MILLI EDGE SHOWER MIXER TAP
NOTE T2
PROJECT DESIGNER
BUILDER
STRUCTURAL ENGINEER
T3
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
2 LIGHT FLUORESCENT CEILING TRACK LIGHT BRUSHED CHROME TRIM MILLI EDGE SINK MIXER TAP E
A
A
STRIP LED LIGHT RECESSED AND
RC INTERIOR.
RC INTERIOR
.
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
PROJECT NO JOB NO
__________________________________________ _ _____
DRAWN BY
KL
APPROVED BY
TUTOR 1:50
SCALE
__________________________________________
FLOOR
FLOOR PLANS
DRAWING NAME ___________________________________________ __ ___
HEAD
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
A
RC INTERIOR
.
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
PROJECT NO JOB NO
__________________________________________ _ _____ __________________________________________
T0001 16954
DRAWN BY
KL
APPROVED BY
TUTOR 1:50
SCALE
______
RCP
DRAWING NAME
______
___________________________________________ __ ___
T4 COVERING FLUSH TO THE TOP TO RAISED
N
___________________________________________ __ ___
NIKKI PURE OVERHEAD SHOWER
COVERVERED WITH ETCHED GLASS F
PROJECT DESIGNER T0001 16954
DWG 100
DRAWING NO.
___________________________________________ __ ___
DWG 101
DRAWING NO.
N
5000M
A
A
A 100X100 LED PAVER LIGHTING FROSTED GLASS COVER
CIRCUIT CONNECTION INSTALLED UNDER PAVING
COURTYARD RECLAIMED TIMBER SLAT SHADING SYSTEM
RECLAIMED TIMBER SLAT SHADING SYSTEM ABOVE SHOWN AS DASH LINE LIME WASH AND RESIN SURFACE COAT
CIRCUIT CONNECTION INSTALLED UNDER PAVING
250
RECLAIMED TIMBER SLAT SHADING SYSTEM
B
B
W 1.01
3 C9
SM
SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE
CL
1,092
RECYCLED CORK FLOORING RESIN COAT 2,900
EXIT
2,805
PADDED VELVET INLAY 15
100 980 100
4,515
750
PADDED TIMBER BOOTH WITH UNPOLSTERED INLAY FOR ACOUSTIC INSULATION
FOR BOOTH SEATING D3
1 1,000
2,005
100 100
1,306
80
1,306
80
510
1,155
255
500
100
FW
E
LIGHTING: RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING
2,114
140
785
2,295 3,409
80
510
1,155
80
1,255
1,000
582 592
100
3,065
255
500
2,800
D8
D7 BULKHEAD
D2 CL
C L
WORKING BENCH BELOW
D9
D1 EXIT
FRIDGE BELOW
2,528
D9
D11
CL D8
D7
STAFF AREA
SM
2,528
EXIT
KITCHEN SM WORKBENCH BELOW
E1
AP
AP
B3
B2
COOL ROOM
EXIT
FRIDGE BELOW
B1
1000X500 ALUMINIUM FRAMED LOUVRE WINDOW ABOVE STAFF ACCESS DOOR
D 2.01
AP
D
D11
VP
740
SHELVING ABOVE W 3.01
CASHER BELOW
E1 FRIDGE DISPLAY BELOW
DISHWASHER UNDER
SM
AP V
KITCHEN
CAFETERIA FLOOR PLAN Cafeteria Floor Plan 1:50
11001100 ICE MAKER
AP 1,535
SM
CAFETERIA RCP Cafeteria RCP 1:50
B4 WORKBENCH BELOW
B3
B2
COOL ROOM
2,000
3,460
WORKBENCH BELOW
B1
150
205
B6
EXIT
SHELVING ABOVE
COOKTOP OVEN UNDER
695
AA
C L
D6
2,900
STAFF AREA
CASHER BELOW
CL
B
FW
90
B5
E
AP V
915
SCALE 1:50 2,160
100
2,905
1,490
250
0
B6
1
2
3
4
5M
B4 WORKBENCH BELOW
6,905
B5
CAFETERIA RCP
E NOTE
A
RC INTERIOR
PROJECT DESIGNER
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
.
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
A
PROJECT NO PROJECT DESIGNER JOB NO ARC Interiors BY 40 John DRAWN St
RC INTERIOR
. __________________________________________ _ _____ __________________________________________
Pyrmont NSW APPROVED BY T 02 1234 5678 SCALE F 02 1234 5677
______
DRAWING NAME
___________________________________________ __ ___
PROJECT DESIGNER
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
100
8
RC INTERIOR
.
10
A
35
DOUBLE GLAZING AWNING WINDOW HEAD
MECHANICAL/ELECTRICAL ENGINEER
PCA ___________________________________________ __ ___
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
CLIENT
T0001 BUILDER 16954 PRIMO CONSTRUCTION KL 559 PACIFIC HWY, LANECOVE 2066 TUTOR T 02 9956 4565 1:50 F 02 4545 5155 FLOOR PLANS NOTE DWG 100
Scale 1:50
STRUCTURAL ENGINEER ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
DRAWING NO.
MECHANICAL/ELECTRICAL ENGINEER N SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625 PROJECT NO T0001 JOB NO
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW __________________________________________ _ _____ __________________________________________
16954
DRAWN BY
KL
APPROVED BY
TUTOR 1:50
SCALE
______
RCP
DRAWING NAME ___________________________________________ __ ___
DWG 101
200 X 500 CERAMIC TILE
___________________________________________ __ ___ 10MM LOW SAND CEMENT RENDER
8
8
8
BRICK WORK
3
2
1
460
10
26
225
220
MILLI EDGE BASIN MIXER TAP BRUSHED CHROME FINISH, SOLID BRASS CONSTRUCTION C L
VITREOUS CHINA ABOVE BENCH TOP BASIN DOUBLE GLAZING AWNING WINDOW HANDLE
475
20MM CEASAR STONE BENCH TOP
20 D WASTE WATER DRAIN PIPE
COCNCRETE SLAB REFER TO ENG'S DWG 50 X 90 TIMBER SUSPENSION CEILING FRAME 100 X100 RECESSED DIMMER DOWNLIGHT INSIDE:BLACK POWER COATE TRIM: CHROME FINISH
360
20
FCL 2750
DOUBLE GLAZING AWNING WINDOW SILL
210
VANITY PANEL: SOLID TIMBER IN BRINDLE OAK SATIN FINISH 950 110
400
980
20X 20MM TIMBER CORNICE
190
STUD WALL WATER PROOFED AND TILED FOR BATHROOM,FOR THE OTHER SIDE VENEERED WITH TECTILE WALL PAPER
395
185
WATERPROOF MEMBRANE
D01
DOUBLE GLAZING AWNING WINDOW SECTION DETAIL
CLEAR GLASS SLIDING DOOR COLOUR PIGMENTED GLASS NEAR TOILET
CL
5MM MORTAR FOR TILE CLADDING 570
435
2,760
1000
20
530
18MM PLASTER BOARD SUSPENED CEILING WHITE MATT FINISH PAINTD
35 680
265
155
140
SCALE 1:1
25
435
DW201
D03 DW401
85
70
10MM CERAMIC TILE WALL CLADDING
1,415
390
20
25
980
1,220
50 X50 GLASS TILE FLASH BACK
1,180
1,200
D01 WD401
410
MDF KITCHE CABINET FITTING WITH LAMINATE VENEER, BRUSHED CHROME HANDLE
12MM MDF PANEL WITH GLOSSY FINISH LANINATE VENEER 50
10MM CERAMIC TILE FLOORING
FFL
15 X 10 STRIP OF WARM LED LIGHT 200
10
20
10MM MORTAR BED 15 WATERPROOF MEMBRANE
CONCRETE SLAB REFER TO ENG'S DRW D02 DW401
20
15 X 10 STRIP OF WARM LED LIGHT SPICE RECESS RACK MDF PANEL WITH GLOSSY LAMINATE VENEER IN RED OAK
12 180
60
1,400
1,025
720
1,305
110
890
1,105
100
2,805
SS POLE HANGER WITH RECESS WITH A FROSTED PLASTIC COVERING FOR STRIP OF WARM LED LIGHTING
CL
40
750
2,902 15 7,408
80 19MM PLYWOOD WARDROBE PANELS WITH SATIN FINISH LAMINATE VENEER IN OFF WHITE 50 X 50MM GLASS MASH TILE FLASHBACK IN OCEAN
D02
BATHROOM WALL & VANITY DETAIL
DW201
SCALE 1:5 D03
WARDROBE AND KITCHENETTE RECESS
SCALE 1:20 0
200
400
600
800
1000M
DW401
NOTE
A
RC INTERIOR
.
PROJECT DESIGNER
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
PROJECT NO JOB NO
__________________________________________ _ _____ __________________________________________
16954
DRAWN BY
KL
APPROVED BY
TUTOR 1:20
SCALE
______
PRIVATE AREA- INTERNAL ELEVATION
DRAWING NAME ___________________________________________ __ ___
NOTE
T0001
___________________________________________ __ ___
SCALE 1:5
PROJECT DESIGNER
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
N
A
RC INTERIOR
.
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
PROJECT NO JOB NO
__________________________________________ _ _____ __________________________________________
KL
APPROVED BY
TUTOR
SCALE PRIVATE AREA- DETAILS
DRAWING NAME ___________________________________________ __ ___
PROJECT DESIGNER
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
16954
DRAWN BY
______
___________________________________________ __ ___
DWG 201
DRAWING NO.
NOTE
T0001
A
RC INTERIOR
.
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
PROJECT NO JOB NO
__________________________________________ _ _____ __________________________________________
T0001
KL
APPROVED BY
TUTOR
SCALE DRAWING NAME
___________________________________________ __ ___
16954
DRAWN BY
______
___________________________________________ __ ___
DWG 401
DRAWING NO.
DRAWING NO.
100
2,800
2,123
DD1 FW
190
101
753 1,300
V
753 D6
2,800
F2
DD4
FRIDGE DISPLAY BELOW
D1
305
300 1100
1,255
BLACK CERAMIC TILE FLOOR AND SKIRTING DARK GROUT
180
SINGLE DOOR FRIDGE
R C
200
FW
WORKING BENCH BELOW
BULKHEAD
D2 CL
685
AP
BSN
STUDIO ROOM RCP 2,900
1,840 130
D 1.01 1,100
E C6
100
C4
STAFF AREA
POINT OF SALE
1,570
DD3
c
2,900 STUDIO ROOM FLOOR PLAN
C5
KITCHEN
1,690
C L
1,735
615
D
E
280
C5
CL 825
SS COUNTER TOP 650
1,200
DESK BELOW C L DD2
C4
FE
705 200
150
W FE
2,800
LIGHTING: RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING
F1
550
500 50
BULKHEAD ABOVE
835
TIMBER STRUCTURE HOLDING ACOUSTIC HOUSING THAT IS ALSO SUPPORTED WITH SUSPENSION
390
D
C6 SM
D
2,500
100
F1
F2
W 1.05
C3
815 685 1,965
1,950 150
2,100
1,000
3,065
2,900
1000X800 FIXED RECESSED GLAZING
750
490
CL
890
1,603
100
785
490
BB
CC3
B
COOL ROOM
592
F3
1100
V
2,123
F3
3,000
1,070
140
580 220 360
FW
700 X 1500 BRUSHED ALUMINIUM FRAME AWNING WINDOW
D
SM 190
480
AA C3
1,000
EQ
100 500 50100 100 50
EQ
T3
4,515
1,000
CC2
700
1,110
C L
1,000
2,000
W 2.01
100
EQ
90 60 1,635 140 290 2,735
2,025
FW
2,805
1,079 100
150 x 800 RECYCLED TIMBER PLANKS STAINED IN DARK CC1 OAK
E
C
COFFEE 1100 MACHINE
3
610
CL 1,000
W 1.04
EQ
C L
1,000
W 2.01
2,000
1,960
T4 T3
2,900 15
2,114
FW SINK
ACOUTICALLY INSULATED CONCRETE FLOOR EPOXY COAT
GLASS FRIDGE DISPLAY
T3
D5
582
C STUD WALL WITH 18MM PB AND TILE CLADDING
3,000
WARDROBE
T1
SINK
SINK
3,000 300 CL
1100 100
2,800
2,655
BED
BSN
1,605
D5
BOOTH BELOW
C8 30 THICK PLYWOOD SHELVING PANELS IN LIME GREEN SATIN SPAY PAINT FINISH BRICK WALL WITH TEXTURED LINEN WALLPAPER CLADDING IN BOOTH OFF WHITE 700 X 1500 BRUSHED BELOW DOUBLE GLAZING IN BRUSHED ALUMINIUM FRAME FIXED GLAZING WINDOW C7 101
580
590
3,000
1,000
F4
VANITY CEASAR STONE TOP
AREA RAISE
T3
535
2
280
C2
LIGHTING: RECESSEDWARM FLOOR SEATING LED STRIP LIGHTING
1,101
EQ
150
100
W 1.03
EQ
C L
W 2.01
1,000 EQ
1,100
2,000
1,355 150
C8
C7
1,570
1,200
SEATING AREA RAISE
300
A
1,690
C1
F4
755
CL F5
1,064
300
EQ
100
EQ
1,100
205 150 595 24,115
500
C2
2,800
390
BB
PADDED TIMBER BOOTH WITH UNPOLSTERED INLAY FOR ACOUSTIC INSULATION
A
8,760
490
BUILT IN DESK
D
C
490
800
C1
50
580 220 360
SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE
D4
SM
CHISELLED SLATE TILE CLADDED WALL
BUILT IN BOOTH
480
AP 100
W 1.02
EQ
C L
1,000
W 2.01
1,950
1,795
1,000 C9
AND INNER WALL
1,603
EQ
1,450 100
2
AP
B
150
D3
1
C L
944
DOUBLE GLAZING ALUMINIUM AWNING WINDOW
450
D4
2,000
F5
200
EXIT
772 3,250 EQ
100
1,000
D 3.01
100 1,900
1,105
1,355
250
D 4.01 FE
DRAWING NO.
PCA
CLIENT
SCALE 1:50 0PUPAN
CERTIFICATION 1000 2000 LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
3000
4000 5000M OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
N
8
EXIT
10
DOUBLE GLAZING AWNING WINDOW HEAD
D3
1
2
1
3
2
3
C9
AP D4
SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE
CL
SM
F5
2,900
2,900
2,805 200 X 500 CERAMIC TILE
15
100 980 100 PADDED TIMBER BOOTH WITH UNPOLSTERED 4,515 INLAY FOR ACOUSTIC INSULATION 1,000 480 580 220 360 490 490 390 1,200
C1
15
750
2,805
1,079 100 1,000
280
4,515 480
580 220 360
490
750
490
390
1,200
280
10MM LOW SAND CEMENT RENDER
C2 V
100
WARDROBE
2,123
2,800
T1
STUD WALL WITH 18MM PB AND TILE CLADDING
1,605
3,000 2,655
F3
BSN
FW
101
1,300
DD3
CC1
T3
BSN
DOUBLE GLAZING AWNING WINDOW HANDLE
AP
20MM CEASAR STONE BENCH TOP
DD4
150 x 800 RECYCLED TIMBER PLANKS STAINED IN DARK OAK
1100
475
F2
DD1 FW
c CC3
20 D WASTE WATER DRAIN PIPE
CC2
AA
AA
FW
E C6 D6
E
FW
C L
1,735 DD2
W FE
700 X 1500 BRUSHED ALUMINIUM FRAME AWNING WINDOW
SINK
C3
D
VITREOUS CHINA ABOVE BENCH TOP BASIN
BED
T4 T3
C L
FW
C L
C7 VANITY CEASAR STONE TOP
DESK BELOW
C L
300
1100
D5 CL
D
300
BB
8
610
225
220
500
8
592
26
8
100
590
10
BOOTH BELOW
2,800
580
BUILT IN DESK
582
BRICK WORK GREEN 460
SEATING AREA RAISE
753
100
30 THICK PLYWOOD SHELVING PANELS IN LIME SATIN SPAY PAINT FINISH BRICK WALL WITH TEXTURED LINEN WALLPAPER CLADDING IN OFF WHITE 700 XMIXER 1500TAP BRUSHED MILLI EDGE BASIN BRUSHED DOUBLE GLAZING IN CHROME FINISH, SOLID BRASS CONSTRUCTION BRUSHED ALUMINIUM FRAME FIXED GLAZING WINDOW
BB 800
1,603
F4
755
3,000
C8
CL
SM
2,114
190
140
785
100
890
2,005
100
1,306
80
100
1,306
80
510
1,155
1,000
190
100
3,065
255
140
785
100
VANITY PANEL: SOLID TIMBER IN BRINDLE 500
2,295
80
3,409
510
1,155
80
1,000
100 DOUBLE GLAZING AWNING WINDOW SILL
3,065
255
500
OAK SATIN FINISH
2,900
2,800
C L
F1
LIGHTING: 2,900 2,800 RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING
Studio Room Floor Plan 1:20
C5 C4
Studio Room RCP 1:20
WATERPROOF MEMBRANE
D01
DOUBLE GLAZING AWNING WINDOW SECTION DETAIL
STUDIO ROOM RCP
STUDIO ROOM FLOOR PLAN 5MM MORTAR FOR TILE CLADDING
D8
435
SCALE 1:1
10MM CERAMIC TILE WALL CLADDING
3
2
1
D9
D1
CL
DW201
WORKING BENCH BELOW
BULKHEAD
D2
D7
2,900
20
STAFF AREA
25
CL
CASHER BELOW
12MM MDF PANEL WITH GLOSSY FINISH LANINATE VENEER
20
WATERPROOF MEMBRANE 110
400
155
980
CONCRETE SLAB REFER TO ENG'S DRW 20X 20MM TIMBER CORNICE
190
STUD WALL WATER PROOFED AND TILED FOR BATHROOM,FOR THE OTHER SIDE VENEERED WITH TECTILE WALL PAPER
395
185
CL
CLEAR GLASS SLIDING DOOR COLOUR PIGMENTED GLASS NEAR TOILET
85 390 410
MDF KITCHE CABINET FITTING WITH LAMINATE VENEER, BRUSHED CHROME HANDLE
SS POLE HANGER WITH RECESS WITH A FROSTED PLASTIC COVERING FOR STRIP OF WARM LED LIGHTING
CL
40
20
EXIT
SM
60 180
980
1,200
1,180
B3
20X 20MM TIMBER CORNICE
P
50 X50 GLASS TILE FLASH BACK
WORKBENCH BELOW
B2
FFL
STUD WALL WATER PROOFED AND TILED FOR BATHROOM,FOR THE OTHER SIDE VENEERED WITH TECTILE WALL PAPER
12
1,415
D01 WD401
KITCHEN
100 X100 RECESSED DIMMER DOWNLIGHT INSIDE:BLACK POWER COATE TRIM: CHROME FINISH
1,220
50 X 90 TIMBER SUSPENSION CEILING FRAME
COOL ROOM
SPICE RECESS RACK MDF PANEL WITH GLOSSY LAMINATE VENEER IN RED OAK
70
D03 DW401
COCNCRETE SLAB REFER TO ENG'S DWG
18MM PLASTER BOARD SUSPENED CEILING WHITE MATT FINISH PAINTD
20
570
15 X 10 STRIP OF WARM LED LIGHT 25
AP
FRIDGE BELOW
1000
20
530
18MM PLASTER BOARD SUSPENED CEILING WHITE MATT FINISH PAINTD
35 680
265
10
15
950 140
435
2,760
E1
15 X 10 STRIP OF WARM LED LIGHT
100 X100 RECESSED DIMMER DOWNLIGHT INSIDE:BLACK POWER COATE TRIM: CHROME FINISH
360
EXIT
210
D11
50 X 90 TIMBER SUSPENSION CEILING
10MM MORTARFRAME BED
SM
B1
50
10MM CERAMICCOCNCRETE TILE FLOORING SLAB REFER TO ENG'S DWG
200
FRIDGE DISPLAY BELOW FCL 2750
15 CLEAR GLASS SLIDING DOOR COLOUR PIGMENTED GLASS NEAR TOILET
D02 DW401
AP
80
V
19MM PLYWOOD WARDROBE PANELS WITH SATIN FINISH LAMINATE VENEER IN OFF WHITE
B6
50 X 50MM GLASS MASH TILE FLASHBACK IN OCEAN
B4 750
50 X50 GLASS TILE FLASH BACK WORKBENCH BELOW
1,400
1,025
720
1,305
110
890
1,105
100
B5
CAFETERIA RCP BATHROOM WALL & VANITY DETAIL 2,805
D02
2,902
7,408 MDF KITCHE CABINET FITTING WITH LAMINATE VENEER, BRUSHED CHROME HANDLE
DW201
SCALE 1:5 D03
SCALE 1:50
Studio Room Internal Elevation 1:20 NOTE
100
A
RC INTERIOR
PROJECT DESIGNER PCA
BUILDER
STRUCTURAL ENGINEER
ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677
PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155
ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855
PROJECT DESIGNER
BUILDER CLIENT
ARC Interiors 40 John St PRIMO CONSTRUCTION OBJECT GALLERY Pyrmont NSW T 02 1234 5678 559SHORT HWY, CORNER OF LANE AND . PACIFIC SCALE 1:20 F1000M 02 1234 5677 0 200 400 600 800 LANECOVE 2066
A
ARC Interiors CERTIFICATION 40 John St HIGH ST, Pyrmont HFIELD 2013 NSW 02 1234 5678 9852T8554 02 1234 PROJECT 5677 NO 6725F7625
.
PROJECT DESIGNER
INTERIOR ScaleRC 1:20 HILLS ST T0001
JOB NO
16954
DRAWN BY
KL
02 9956 4565 SURRYT HILLS, NSW F 02 4545 5155 N
MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625
BUILDER
PCA
CLIENT
PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625
OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW
0
NOTE STRUCTURAL ENGINEER PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE ADAM STIR 2066 02 9956 4565 329TGEORGE ST F 02 4545 5155
400
0
600
11000M
800
PROJECT NO
__________________________________________
______
2009 T 02 9852 8554 SCALE F 02 6725 7625
3
4
5M
T0001
KL TUTOR 1:20
SCALE
N
16954
DRAWN BY APPROVED BY
1:50 FLOOR PLANS
SCALE 1:5
NOTE
STRUCTURAL ENGINEER PCA __________________________________________ MECHANICAL/ELECTRICAL ______ PRIVATE AREA- INTERNAL ELEVATION DRAWING NAME ___________________________________________ __ ___ ENGINEER DWG 201 ___________________________________________ __ ___ PROJECT NO T0001 DRAWING NO. MECHANICAL/ELECTRICAL PCA ADAM STIR PUPAN CERTIFICATION ENGINEER LV 6 329 GEORGE STJOB NO SOLUTION LV2 HIGH ST, 16954 BASE SYDNEY 2000 LV2 HARRIS ST, PYRMONTPUPAN CERTIFICATION STRATHFIELD 2013 T 02 9656SOLUTION 7235 DRAWN 2009 T 02 9852 8554 BY KL BASE LV2 HIGH ST, F 02 4865 5855 T 02 9852 8554 F 02 6725 7625 LV2 HARRISAPPROVED ST, PYRMONT STRATHFIELD 2013 BY F TUTOR 02 6725 7625
LV 6 SYDNEY 2000 T 02 9656 7235 __________________________________________ _ _____ F 02 4865 5855
2
DW401
JOB NO
__________________________________________ _ _____
200
WARDROBE AND KITCHENETTE RECESS
Wardrobe and Kichenette Recess Not to Scale
SCALE 1:20
T 02 9852 8554 F 02 6725 7625
PROJECT NO
CLIENT
NOTE CLIENT OBJECT GALLERY CORNER OF SHORT LANE N AND HILLS ST OBJECT GALLERY SURRY HILLS, NSW CORNER OF SHORT LANE AND
HILLS ST SURRY HILLS, NSW
T0001
JOB NO
PROJECT NO 16954
DRAWN BY
JOB NO
APPROVED BY
KL TUTOR
DRAWN BY __________________________________________ _ _____
T0001 16954 KL
SCALE
APPROVED BY AREA- DETAILS TUTOR PRIVATE DRAWING NAME ___________________________________________ __ ___ 1:50 __________________________________________ _ _____ SCALE DWG 401 ___________________________________________ __ ___ DRAWING NO. __________________________________________ ______ RCP __________________________________________
______
SCALE 1:50 0
1000
2000
3000
4000
N
5000M
Fin.