Interior Architecture Graduation Portfolio 2012 + Selected works 2010 2011

Kate lee Graduate Project Portfolio 2013 + Selected Works 2010 2011

Skill set

Education

Computer ArchiCAD AutoCAD Revit Sketchup Maxwell Render Photoshop InDesign Microsoft Office Microsoft Excel Digital Fabrication

Hello, my name is Kate Lee.

2009-2012 University OF NSW Bachelor of Interior Architecture with Honours 2

I

Physical Hand Drafting Model Making

Volunteer Work July 2011 Sydney Powerhouse Museum Ultimo Oikodome: Building Architects November 2010 Gateway Building 1 Macquarie St Sydney Sydney Open Architecture

Interests and Likes

2007-2008 ULTIMO TAFE (Technical and Further Education) Diploma of Architectural Technology

Korean Native

English Fluent

Contact

katelee1348@gmail.com www.linkedin.com/in/jhklee http;//issuu.com/jhk_lee/docs/portfolio_2014_web

an

aspiring

interior

designer who is ready to pour her energy and passion into

2006 Enmore Design School (TAFE) Certificate 4 in Design Fundamentals

creative work in the real world.

2003 Petersham TAFE Diploma of Interpreting Korean<-> English

than

Work Experience Aug 2014-Present Washingtonian Interiors Inc. VA, US Interior Design Intern Feb 2008- Jan 2014 Model-Tech 3D NSW Australia Model Maker August 2008 Mirvac Residential NSW Australia Architecture Intern

Reference Language

am

Sun Lee, Owner/Designer Washingtonian Interiors (703)207.0000/sales@washinteriors.com Russell Pearse, Director Model-Tech 3D info@modeltech3d.com.au

Sing d’Arcy, Lecturer University of NSW s.darcy@unsw.edu.au

“Imagination is more important knowledge”

by

Albert

Einstein is my motto and a personal reminder to be always

adventurous and curious. I am bilingual . I believe I will be an asset to your company because I love to learn new skills

and

am

confident

to

work as a team player. I am

dedicated and hard working.

I take my work very seriously and love to have fun also.

Technical Drawings for Cafeteria, Student Accommodation Project

Technical Drawings

Architectural Models @ Model-Tech 3D, Sydney Australia

Architectural Models

Burton St Tabernacle Educational Institute, Darlinghurst

Design School

Taylor Square Community Space, Darlinghurst

Bike Hub

Cultural Galleries

Graduation Project The Gallery of Indigenous History and Culture (GIHC), Goat Island

The Graduation Project The Gallery of Indigenous History and Culture (GIHC), Goat Island

Brief: It is proposed that Goat Island to undergo a major facilities upgrade to promote as a cultural space and tourism destination.

The Galleries are located in the Magazine Precinct, Goat Island, Sydney Harbour.

Despite the rich archaeological discoveries and histories, there is a scarcity of indigenous traces. The study of Indigenous history since the white settlement resonates with the painful experiences inflicted on the culture and the life of indigenous peoples and their sense of identity.

The design proposal is driven by the designer’s emotional response to the journey of continuous struggle to protect the aboriginal peoples’ indigeneity throughout Australian history. This project celebrates the perseverance and survival of the culture. The GIHC aims to increase native cultural awareness and encourage diversity and harmony.

Five major buildings of the Magazine Precinct are proposed to be dedicated as the places of storytelling. The stories are about the historical events as well as the cultural and spiritual aspects of the indigenous peoples. Each building tells the story of the lives of indigenous people in five stages to demonstrate the emotions and empathy with the events. The spaces are the manifestation of abstract and symbolic expressions offering the visitors to experience by “being in the moment”.

Site Analysis Contextual Relationship

Site Circulation

Views from/to the site

Potential affiliations with museums, galleries, private and public businesses in the surroundings.

Connecting route between destinations throughout the island.

Views from and to the Sydney CBD and neighbouring suburbs and the island.

Initial Ideas

The initial ideas were about creating an interesting way to display and view the original arts and crafts by inserting sculptural, theatrical and contemporary elements.

5. Colonial Magazine

Magazine Precinct Five storytelling media

4. Cooperage

Darling Harbour

3. Queenâ&#x20AC;&#x2122;s Magazine

2. Administration Building

Balmain East 1. Ship Repair Shop

The five buildings in the Magazine precinct follow the sequence of historical events since white settlement. They are a vital integration of the site usage and learning experience which would contribute to promoting Australian tourism and indigenous cultural awareness.

The study of the historic events having occurred between the time of white settlement and the present time, showcases multiple aspects of the cultural and social relationships we have with the indigenous people today.

Lack of understanding and respect for each other’s cultural values became the crucial point of conflict that created many painful experiences and deaths for all involved in later years. The way to live as one with nature that indigenous people believed was ignored and invaded.

Historical Observations & Interpretations

APPROX 30,700 YRS Age of fireplaces NSW. APPROX 40,000 YRS

APPROX 30,000 YRS

evidence that Aboriginal people have been living in south-eastern Australia APPROX 45,000 YRS Earliest rock engravings made in South Australia APPROX 56,000 YRS Suggested age of two north Australian sites

Kristina keneally, premier of NSW

Oldest evidence of bread making in the world at Cuddy Springs APPROX 22,000 YRS

APPROX 26,000 YRS Age of bones found in sediment at the Willandra Lakes Region of far western NSW

Aboriginal people living at Malangangarr in Arnhem Land, Northern Territory, use ground-edge grooved axes. Australian technology leads the APPROX world.

20,000 YRS

1770 Captain James Cook claims possession of the whole east coast of Australia for the British Crown

APPROX 120,000 YRS

Age of the endocast of a primitive hominidlike skull recovered in NSW 2005

APPROX 18,000 YRS Harvesting grass seed. The seeds were ground and baked to be eaten

Aboriginal people were dispersed across the entire continue

1600 Bone tool deposits at Otway Peninsula, Victoria suggest Aboriginal people were working with animal skins.

Displacement APPROX 16,000 YRS

APPROX 10,000 YRS

Hearths, stone and bone tools, Shaws Creek near Yarramundi

Aboriginal people use returning boomerangs to hunt waterfow

1778 Arabanoo is the first Aboriginal person captured

by Europeans.

1620

Eviction

APPROX 68,000 YRS Current estimates for the arrival of Aboriginal people in Australia

APPROX 7 MIL. YRS

APPROX 8,000 YRS

The oldest dated rock painting-first contact with a sailing boat with Dutchman Willen Jansz

APPROX 5,000 YRS Occupation site, Penrith Lakes NSW. Dingo arrives in Australia.

Earliest visible evidence of Aboriginal belief connected with the rainbow Serpent. This becomes the longest continuing belief in the world

Concept ModelsAs History Interpreted

This led to a prolonged battle for survival of the indigenous culture and became a significant influence on our perceived Australian cultural identity. This struggle continues today on a daily basis and is reflected in our contemporary society.

The diagrams and models show the historical events interpreted into emotional responses.

These were arranged in a sequence symbolising the past and the present relationship of Australia for this issue and the future direction the designer hopes the country will go. Then the sequence is then divided into five narrative segments and inserted into each building to tell the story of strength and perseverance in a story-telling format.

“We are enshrining today fundamental truths, the truth that aboriginal people are the first peoples of NSW, the truth of the spiritual, economic and cultural ties that bind aboriginal people to the land.”

Age of the endocast of a primitive hominid-like skull recovered in NSW 2005

Physical evidence of literature and permanent architecture were more valued and considered as the proof of civilization in the European countries. Therefore, lack thereof meant the land was available to be claimed which gave the white settlers sense of entitlement to the land.

In the last few decades, as a nation we have started to witness a positive and progressive cultural, social and political advancement focusing on reconciliation, acceptance and integration.

Historical Time line

Isolation Exclusion

Dispossession Displacement

Story Development Visitors’ Route Ship Repair Shop

The central structure is derived from the form of a message stick used as an important communication tool. The detail of the structure comes from the patterns of sound waves released from the verbal and musical processes bouncing back and forth within the boundary.

Admin .

Exclusion 1830

1789

1790 The Hawkesbury and Nepean Wars between Aboriginal people and white invaders start in NSW

1795 The Richmond Hill battle is considered to be the first recorded battle between Aboriginal people defending their country against the British

Massacre

6 year battle ‘Black War‘

1803 Black War in Tasmania until 1830

1801 Aboriginal people ordered “to be driven back from the settler’s habitation by firing at them”.

1822

Attack War

1804 Settlers are authorised to shoot unarmed Aboriginal people

Building

Assimilation

1840

Permission To Enter

1843 Battle of One Tree Hill 1845

About 50 remaining Aboriginal people from the Sydney and Botany Bay peoples are living at a camp on Botany Heads

1814

1883 The Aboriginal Protection Board is established in NSW

Board for the Protection of Aborigines leading to the “Stolen Generation“

1849

1810 Settlers try to control growth of the Aboriginal population with a policy of absorption.

widespread food shortages among Aboriginal people in the Murray District

1863 Missionary settlement follows, bringing disease and disruption to traditional lifestyles.

1915 The NSW Aborigines Protection Board is given powers to remove Aboriginal1934

1920

Protection against the aboriginal people

1868 First (all aboriginal) Australian Cricket Team to tour England

1943 An Exemption Certificate is introduced, exempting certain Aboriginal people from restrictive legislation and entitling them to vote, drink 1940 alcohol and move freely- “Dog Tag“ White Australia policy succeeds: 99% of Australia’s 7 million people are white.

1938 1937 Assimilation Policy- into White Society

White Australia Policy

children without a court hearing.

Resilience Strength Perseverance

Q ueen’s Magazine

Integration Policy

1909 NSW Aborigines Protection Act -Exclusion of Aboriginal children 1928 from public schools followed requests by the white community

1870 first Aboriginal children are enrolled in the public schools in NSW

Dispossession

1949 Selective right to enrol and vote at federal elections

Population Decline

The phrase ‘White Australia Policy’ appears. Aboriginal population reduced by 220,000 Australiawide to an estimated 80,000.

1849 massacre at Long Lagoon 1863

1901 Federation - The Commonwealth Constitution states “in reckoning the numbers of people...

Aboriginal natives shall not be counted.

1888

1869

Cultural loss over a long period of time Hollow

Spiritual and harmonious existence with nature expressed with pyrography on white painted Digeridoos

Policy of protection

‘Native Institution’ opened in Parramatta

1813 Bennelong dies.

Colonists, assisted

by Aboriginal people, cross the Blue Mountains and create new hostilities as they pass through Aboriginal lands.

a number of large scale killings as conflict over dispossession of land and erosion of hunting rights continues.

Aboriginal Protection and Restriction of the Sale of Opium Act (Qld).

People are effectively confined to reserves and banned from towns.

Cultural Loss

1838

1816 Passports or certificates are issued to Aboriginal people

1799

‘Battle of Pinjarra’ on the Swan Battle River of One 1836 Tree Hill The colony of 1845 South Australia is founded

1829 A colony is set up in Perth

1824 massacre at Bathurst.

1813

1897

1834

Aboriginal people in Tasmania are forcibly removed 1816 and settled on Flinders Island

A smallpox epidemic.

Capture of Bennelong

Aboriginal population is estimated to be at its lowest at 60,000 - 70,000.

1928

1934

Language

1936 Western Australia Aborigines ActPermit Required to enter towns

1938 150 years after European occupation the Aboriginal Progressive Association declares a Day of Mourning

Spirituality Mythology Dream Time

Terra nullius The land of nobody European concept of civilisation and ownership pushed the indigenous people away.

Aboriginal and Torres Strait Islander Commission (ATSIC) , Council 1972 for Aboriginal Reconciliation

Recognition

1996

1976-1983

Land Rights

International Day of the Worlds Indigenous People.

Commonwealth Aboriginal Land Rights Act in different states

Cathy Freeman-the first Aboriginal person to win a gold medal.

1975 1965

Integration Policy

Conniston Massacre in the Northern Territory

Under the Aborigines Act, Aboriginal people can apply to ‘cease being Aboriginal’ and have access to the same rights as ‘whites’.

1961 The South Australian Premier Sir Thomas Playford argues for integration rather than assimilation of Aboriginal people.

1994

1989-91

1953 Atomic tests are conducted on Maralinga lands at Emu Field, South Australia

Integration policy is introduced, supposedly to give Aboriginal people more control over their lives and society.

1966 The South Australian Prohibition of Discrimination Act is the first of its kind in Australia and bans all types of race and colour discrimination in employment, accommodation, legal contracts and public facilities.

1967 Commonwealth 1967 Referendumall Aboriginal people and open means for them to be counted in the census

Survival Acknowledgement

1997

Racial Discrimination Act is passed in the Federal Parliament.

Reconciliation

National policy Contribution 1972

1998

The Whitlam Government abolishes White Australia Policy and introduces a policy of self-determination.

The White Australia policy has ended.

The Sorry Books campaign in response to the federal government’s refusal to make a formal apology to the Stolen Generations.

1971 Evonne Cawley, an Aboriginal tennis player, receives the Australian of the Year award. NSW Aboriginal Legal Service is formed.

The Post-Colonials believed that the indigenous people should be helped from themselves. It was their spirituality and strong sense of who they are that kept the culture survive.

2011 Gamilaroi man Chris Bourk becomes the ACT’s first Aboriginal government minister

2010 Australia’s richest man, Andrew Forrest, launches GenerationOne. The National Gallery of Australia opens 11 new Indigenous galleries

Acceptance

2000 Cathy Freeman -2000 First stamp of Australia showing a living Aboriginal person

1968 Albert Namatjirafirst Aboriginal person honoured on an Australian stamp and a citizen 1957

2004 Shared Responsibility Agreements

Context Integration

For their Own Good

Cooperage

2012 Campaign Stand For Freedom presents 43,000 signatures 2010 to the Australian government supporting Aboriginal demands that the Stronger Futures legislation be withdrawn

Colonial Magazine

2008 The Australian Parliament apologises to the Stolen Generations.

2006 The first Stolen Generations compensation scheme

Celebration Harmony Diversity

The world is changing really fast.

We deal with more and more everyday.

Still, it is important to stop and look back every now and then.

Let’s learn from our mistakes. Lets focus on healing. Let’s focus on the future together.

Ship Repair Shop

The oral/aural literature -information has always been the most impor tant form of communication of Australian indigenous people for many years .

This has been playing a vital tool to connect between the groups and individuals of the past, present and future. Dance moves and singing during ceremonies and stor y telling is enriched with indigenous iconography illustrated on natural resources and as body paintings . The exchange of stories and messages are sophisticated and complex yet delivered ef for tlessly between the communicators of deep cultural understanding.

The Ship Repair Shop provides the first contact of arrival. It houses open gallery spaces, reception area, retail store and cafeteria area. The main structure is assembled with an Australian hardwood such as Spotted Gum, western red cedar and manna gum for construction and finished and the floor finish is black terrazzo with mirror pieces.

Open Cafe Area The patrons are encouraged to sit and enjoy refreshments and the indigenous art at the same time.

Seating assembled with organic shaped sliced western red cedar timber

Manna gum storage/ display unit Chiselled basalt slab cladding

Series of manna gum timber slat fixed at 90째 to form display area. Glass panels are placed at the bottom of each display spaces to provide an even surface Concealed cupboards

The symbol of water well appear prominently in many of the indigenous drawings as water is an essential part of life.

The indigenous people had an extensive ground water system which allowed them to survive on one of the worldâ&#x20AC;&#x2122;s driest continent for thousands of years. A lot of old Australian road system adapted the ground water.

This symbol is positioned as a central reference point connecting the lower, middle and the higher part of the building to provide a fluid path of travel.

Western red cedar balustrade with concealed led lighting

Concealed florescent lighting flush with the ground level

Western red cedar treads with embedded glass strips which align with the floor patterns of ground floor

Administration Building

According to the Dreamtime, the humans harmoniously coexisted with the spirits and the nature. White body paintings and pyrography on musical instruments are often seen during ceremonies. One of the most commonly found musical instrument â&#x20AC;&#x153;Digeridoosâ&#x20AC;&#x153; are painted in white to symbolise their spirituality and belief in the way of living.

Floor Plan

Reflective Ceiling Plan

Long Section

Spherical Aberration

Wood Carving

Is an optical effect observed in an optical device (e.g. lens, mirror , etc) that occurs due to the increased refraction of light rays when they strike a lens or a mirror near its edge, in comparison with those that strike nearer the centre. It results in an imperfection of the produced image.

It signifies an acknowledgement and acceptance of diversity.

Traditional method of marking a place of importance such as grave yard or ceremonial place. Ornaments are found on tools and equipments as well as on bodies of living people.

The digeridoos are stained in white timber varnish and decorated by burning techniques (Pyrography).

Queenâ&#x20AC;&#x2122;s Magazine

The columns are positioned to create an atmosphere where one is to feel the chaos of being invaded of their space and lacking in sense of control. This space represents the early stage of colonial period, the beginning of cultural clash.

The end of the columns are utilised as display unit with concealed light box.

Cooperage

Stolen of their land, children and mostly respect for their way of life resulted in fight to protect their way of life. The display units are arranged to simulate the uneasy paths that is full of obstacles to the survival of indigenous culture.

Colonial Magazine

This building represents the hope and opportunities that lie ahead with a positive outlook in the future. Amongst the various cultural and social issues, the Aboriginal culture plays a very important role of Australiaâ&#x20AC;&#x2122;s national identity and must be preserved and nurtured.

Taylor Square Bike Hub

The bike hub is centrally located at the main intersection of three major bicycle routes. The City of Sydney proposed the project to promote cycling and help reduce 10% of traffic congestion by 2016.

The central row of columns and two different floor levels allow the spaces to be naturally subdivided. Although the building is a significant heritage architecture with strong federation features, each spaces were deliberately treated as an individual as if to reflect on the wide range of bicycle designs. The idea comes from the dynamic and colourful culture of the suburb residents for their life style, backgrounds and atmosphere that changes significantly from day to night.

The building offers facilities for cyclers and social places for everyone.

Taylor Square, Darlinghurst

Bike Hub

Bike Hub

Coffee Hub

Coffee Hub

Meeting Hub

Meeting Hub

School of Design

Heritage Tabernacle

For â&#x20AC;&#x2DC;The Exceptionally Inventiveâ&#x20AC;&#x2122;

The Burton St Tabernacle is reborn as a home for the future designers. The school is the central point surrounded by all artistic and inspirational source of creativity.

3mmx7mm slip resistant strips embedded onto steel treads 50mm translucent marblo resin treads in cloudy designers

5mm assorted semi-translucent acrylic strips in red, blue, purple, green and yellow Aluminium side grip in matt black 2 pac fixed to steel rods and pin hold in acrylic strips

20mm hollow steel stairs with stringers in side in antique white 2 pac Steel bracket bolted to steel stair stringer 8mm round steel rod in black 2pac matt finish

10mm led strip underneath treads to be lit temporarily when the tread is stepped on

Central Void

Cafeteria

The cafeteria area is positioned near the back entrance on Palmer St to allow direct access to the students and the public to use the facility.

The overall furnishing and finishes are stained and/or brushed solid oak and/or veneer. The area consists of merchandise, eating area and chill out area.

Chill-out Room

The furnishings are organized in rectilinear manner in order to maximise the use of space and traffic flow. It is open and the consistent use of horizontally laid timber slats allow a sense of comfort and relaxation.

Chill out area is for casual hanging out which visually connects to the central void and the main spiral staircase. The patrons can witness the rhythmic play of light each time the treads are stepped on while they recharge their energy.

A B

A

B

Pin-up Wall Detail 1:2 15mm rubber panelling pin-up board attached to laminate operable door with Olympia yellow natural finish laminate opposite side Warm white LED strip lighting attached to white glossy MDF panelling

Magnestie bonded wood wool acoustic panel with fine pored surface in standard white

30mm plywood foldable table with Iceberg natural finish laminate for model display

5mm Laser cut translucent acrylic panels in heritage patterns in Victorian tile layout

Normal Studio Room

60mm Aluminium anodized silver skirting board

The Studio Doubles up as a normal class room as well as an exhibition room. The retractable shelving system provides convenience and allows maximum use of space. The room provides the back area as a storage room which can be concealed with a moveable wall.

Exhibition Room

Design Studio

Designer in Residence B

Designer in Residence

A

Guest designers are welcome to stay at this temporary accommodation. This studio welcomes the guest through the dark book display corridor with the latest design publications. Then immediately leads them into the bright and minimal yet efficiently organised spaces. The raised sleeping area is distinguishes yet the laser cut timber sliding doors keeps the spaces connected. The edge of the podium provides extra seating for guests.

B

D

A

B

C

D

C

1

2

3

4

Architectural Model Making These are some of the architectural models I was involved in during the employment at Model-Tech 3D. As shown, the models range from residential, commercial models for marketing, competitions and Development Application purposes. The building were made from a mixture of acrylic , polystyrene, balsa timber and card.

5

6

7

8

9

10

11

12

1. Wollongong The links

7. Ludhiana Competition

2. Kingsgrove

8. Venice Biennale

3. War Memorial Competition

9. Oâ&#x20AC;&#x2122;Dea

4. Willoughby

10. The Village Balgowlah

5. Viking

11. Hamilton Island

6. San Diego

12. North Parks Mine

Technical Drawings

A A

LEGEND

CIRCUIT CONNECTION INSTALLED UNDER PAVING

100X100 LED PAVER LIGHTING FROSTED GLASS COVER

RECLAIMED TIMBER SLAT SHADING SYSTEM

COURTYARD

AP

ACCESS PANEL

BSN

BASIN

RECLAIMED TIMBER SLAT SHADING SYSTEM ABOVE SHOWN AS DASH LINE LIME WASH AND RESIN SURFACE COAT

NOTES VENTILATION GRILL

WEATHER PROOF DBL GPO V

1. EXISTING BRICK/BLOCK WALL THICKNESS MAY VARY TO BE CHECKED ON SITE DOUBLE GPO

2. NOMINAL LOCATION ONLY FOR MECHANICAL DUCK

2 GANG LIGHT SWITCH

B

B

EXIT

DOUBLE GLAZING ALUMINIUM AWNING WINDOW

PADDED VELVET INLAY

450

2

3

3

AP SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE

CL

SM

RECYCLED CORK FLOORING RESIN COAT

2,900

F5

EQ

2

C9

1

D4

1,000

2,000

1,092

1 200

100

MECHANICAL DUCKS 150

D3 3,250 EQ

944

RENDERED BRICK WORK EXIT SIGN

EXIT

100

1,450

EMERGENCY LIGHT

Student Detail Name Kate LEE No. 3293595

772

FE

1,900

OAK

100

1,355

150X800 RECYCLED TIMBER PLANKS STAINED IN DARK

1,105

250

D 4.01

EXISTING BRICK WALL/BLOCKWALL

D 3.01

4 GANG LIGHT SWITCH

STUDENT ACCOMODATION WENTWORTH BRIDGE RD, WENTWORTH PARK NSW

W 1.01

2,900 15

100 980 100

15

PADDED TIMBER BOOTH WITH UNPOLSTERED INLAY FOR ACOUSTIC INSULATION

2,805 4,515

750

2,805

1,079 100

4,515

1,000

C1

480

580 220 360

490

750

490

390

1,200

280

FOR BOOTH SEATING 280

T3

1,000

2,900

255

2,800

610

1,000

100

3,065

255

500

100 1,603

C L

2,800

D9

D8

D7

1,255

D11

2,528

FRIDGE BELOW

305

SM

180 740

E1

AP

D

KITCHEN FW

1000X500 ALUMINIUM FRAMED LOUVRE WINDOW ABOVE STAFF ACCESS DOOR

AP

B3

B2

COOL ROOM

EXIT

W 3.01

2,800

COOL ROOM

WORKBENCH BELOW

B1

SHELVING ABOVE D 2.01

T3

1,100

2,500

WARM WHITE HELOGEN WALL MOUNTED DESK LIGHT

1,155

STAFF AREA

CASHER BELOW

B

VP

200

R C

130

BLACK CERAMIC TILE FLOOR AND SKIRTING DARK GROUT

300 1100

1,840

SINGLE DOOR FRIDGE

D 1.01

FW

DISHWASHER UNDER

SM

AP V

ALUMININUM TRIM

WARM WHITE FLURESCENT FLUSH CEILING

B6 MOUNT TASK LIGHT BAKED WHITE ENAMEL FINISH CC

WARM WHITE RECESSED BATHROOM DOWNLIGHT

11001100 ICE MAKER

B

E WARM WHITE SUSPENDED PENDANT LIGHT

B4 B5

CAFETERIA RCP

E

CAFETERIA FLOOR PLAN

150

SATINE CHROME FINISH

N

WORKBENCH BELOW

SHELVING ABOVE

COOKTOP OVEN UNDER

695

ISSUE FOR CONSTRUCTION

510

80

FE SINK

A

BB

WORKING BENCH BELOW

D1 685

685 1,950

2,100

1,965

150

LOCATIONS

80

2,900

KITCHEN 150

ANDALUMINIUM LACQUERED

2,295 3,409

STUDIO ROOM RCP 2,900

STUDIO ROOM FLOOR PLAN

FRIDGE DISPLAY BELOW

B

705 200

AA

785

C5

D RECESSED WARM WHITE LED PAVER LIGHT

140

C4

TIMBER STRUCTURE HOLDING ACOUSTIC HOUSING THAT IS ALSO SUPPORTED WITH SUSPENSION

SINK

DIFFUSED WHITE SPRAY PAINT TRIP

2,800

2,123

F3 F2

190 100

LIGHTING: RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING

500

STAFF AREA

GLASS FRIDGE DISPLAY

WARM STRIP OF LED LIGHT RECESS MOUNT IN VARIOUS

AA

FW

E C6

100

3,065

EDB

WARM WHITE DECORATIVE WALL MOUNTED LIGHT METHACRILATE

DD4 DD1 CC3

1,155

615 POINT OF SALE

CERAMIC TILE 150 X 150

AP

FW CC2

C3

SM

510

2,114

80

D2

50

SS COUNTER TOP 650

BSN

c

AA CL

80

1,306

EXIT

SCHEDULE3-GENERAL & ESSENTIAL FITTINGS

1,306

100

T3

535

SCHEDULE1-BATHROOM KITCHEN FITTING & EQUIMENTS SCHEDULE2-LIGHT FITTING

WD 503

100

CL

2,025

TEL FDP

WD 501 WD 502

COFFEE 1100 MACHINE

890

815

2,735

ACCESS PANEL AP

825

835

BULKHEAD ABOVE

1,570

2,005

CL

550

140 290

1,690

785

BULKHEAD

EQ

C L

W 1.05

PRIVATE AREA DETAILS

700

WD401

C

EPOXY FLOORING

140

1000X800 FIXED RECESSED GLAZING

500

PUBLICAREA DETAILS

1,000

1,635

WD 400

CONDENSATE DRAIN PENETRATION

W 2.01

1:20 PUBLIC AREA INTERNAL ELEVATION 1:20 PRIVATE AREA INTERNAL ELEVATION

2,000

HONED SOAPSTONE SLAB PAVEMENT 100X400 VP

WD 200 WD 201

100

F1

1,070

190

VENT PIPE

1,300

582 V

CC1

3,000

C

150 x 800 RECYCLED TIMBER PLANKS STAINED IN DARK OAK

1100

FW

D6

2,800

100

FW

E

1,000

EQ

100 500 50100 100 50

EQ 100

60

90

1:50 GROUND FLOOR PLAN 1:50 RCP

1,110

WD 100 WD 101

DD3

DD2

C7

W FE

700 X 1500 BRUSHED ALUMINIUM FRAME AWNING WINDOW

STUD WALL WITH 18MM PB AND TILE CLADDING

T4 T3

ACOUTICALLY INSULATED CONCRETE FLOOR EPOXY COAT

SMOKE DETECTOR

TITLE PAGE

C L

753

3,000

592

D

BED

BSN T1

1,605 1,000

W 1.04

EQ

C L

1,000

2,000

1,960

W 2.01

BOOTH BELOW

C L

1,735

C2

SM

WD 000

BB DESK BELOW C L

FW VANITY CEASAR STONE TOP

LIGHTING: RECESSEDWARM FLOOR LED STRIP LIGHTING

2,655

1,101

EQ

150

300

1100

1,000

BUILT IN BOOTH

50

SINK

STUD WALL

SEATING AREA RAISE

D5

500

SPRINKER HEAD

CONTENTS

C8

F4

30 THICK PLYWOOD SHELVING PANELS IN LIME GREEN SATIN SPAY PAINT FINISH BRICK WALL WITH TEXTURED LINEN WALLPAPER CLADDING IN OFF WHITE 700 X 1500 BRUSHED DOUBLE GLAZING IN BRUSHED ALUMINIUM FRAME FIXED GLAZING WINDOW

CL

100

755

580

1,064

300

EQ EQ

W 1.03

C L

1,000

2,000

W 2.01

24,115

8,760

1,355

EQ 100

150

1,200

BB

A

COOL ROOM PANELLING

C

390

300

1,100

REFRIDGERATION PENETRATION

R

490

BUILT IN DESK

D A

Project No. T0001 Date:13 May 2010 Client: UNSW Student Association, Board of directors

490

800

FIRE EXTINGUISHER FE

580 220 360

1,000

EQ

W 1.02

C L

1,795

1,000 EQ

150

205

CHISELLED SLATE TILE CLADDED WALL

595

SANDSTONE VENEER CLADDED WALL

1,100

100

W

480

AND INNER WALL

590

PLANK AND STUD WALL WASTE WATER PENETRATION TO HYD ENG'S DETAILS

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

W 2.01

1,950

PADDED LOOSE INSULATION BACKED WITH TIMBER

101

1,000

FLOOR WASTE TO HYD ENG'S DETAILS FW

WARDROBE

Student Accommodation Project

250

3. NOMINAL LOCATION ONLY FOR SPRINKLER HEAD

WARM WHITE RECESSED SINGLE DOWNLIGHT

1,690

METAL, PLASTIC, GOLD TRIM

1,570

205

2,000 SCALE 1:50

DD

SATIN BLACK INTERNAL 90

3,460

1,535

0

915

\CHROM FINISH OUTSIDE

C

1000

2000

3000

4000

SCALE 1:50 2,160

100

2,905

1,490

250

0

1

2

3

4

5M

MILLI EDGE BASIN MIXER TAP 6,905

WARM WHITE RECESSED DBL DOWN LIGHT D

T1

SATIN BLACK INTERNAL

NOTE \CHROM FINISH OUTSIDE

MILLI EDGE SHOWER MIXER TAP

NOTE T2

PROJECT DESIGNER

BUILDER

STRUCTURAL ENGINEER

T3

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

2 LIGHT FLUORESCENT CEILING TRACK LIGHT BRUSHED CHROME TRIM MILLI EDGE SINK MIXER TAP E

A

A

STRIP LED LIGHT RECESSED AND

RC INTERIOR.

RC INTERIOR

.

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

PROJECT NO JOB NO

__________________________________________ _ _____

DRAWN BY

KL

APPROVED BY

TUTOR 1:50

SCALE

__________________________________________

FLOOR

FLOOR PLANS

DRAWING NAME ___________________________________________ __ ___

HEAD

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

A

RC INTERIOR

.

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

PROJECT NO JOB NO

__________________________________________ _ _____ __________________________________________

T0001 16954

DRAWN BY

KL

APPROVED BY

TUTOR 1:50

SCALE

______

RCP

DRAWING NAME

______

___________________________________________ __ ___

T4 COVERING FLUSH TO THE TOP TO RAISED

N

___________________________________________ __ ___

NIKKI PURE OVERHEAD SHOWER

COVERVERED WITH ETCHED GLASS F

PROJECT DESIGNER T0001 16954

DWG 100

DRAWING NO.

___________________________________________ __ ___

DWG 101

DRAWING NO.

N

5000M

A

A

A 100X100 LED PAVER LIGHTING FROSTED GLASS COVER

CIRCUIT CONNECTION INSTALLED UNDER PAVING

COURTYARD RECLAIMED TIMBER SLAT SHADING SYSTEM

RECLAIMED TIMBER SLAT SHADING SYSTEM ABOVE SHOWN AS DASH LINE LIME WASH AND RESIN SURFACE COAT

CIRCUIT CONNECTION INSTALLED UNDER PAVING

250

RECLAIMED TIMBER SLAT SHADING SYSTEM

B

B

W 1.01

3 C9

SM

SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE

CL

1,092

RECYCLED CORK FLOORING RESIN COAT 2,900

EXIT

2,805

PADDED VELVET INLAY 15

100 980 100

4,515

750

PADDED TIMBER BOOTH WITH UNPOLSTERED INLAY FOR ACOUSTIC INSULATION

FOR BOOTH SEATING D3

1 1,000

2,005

100 100

1,306

80

1,306

80

510

1,155

255

500

100

FW

E

LIGHTING: RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING

2,114

140

785

2,295 3,409

80

510

1,155

80

1,255

1,000

582 592

100

3,065

255

500

2,800

D8

D7 BULKHEAD

D2 CL

C L

WORKING BENCH BELOW

D9

D1 EXIT

FRIDGE BELOW

2,528

D9

D11

CL D8

D7

STAFF AREA

SM

2,528

EXIT

KITCHEN SM WORKBENCH BELOW

E1

AP

AP

B3

B2

COOL ROOM

EXIT

FRIDGE BELOW

B1

1000X500 ALUMINIUM FRAMED LOUVRE WINDOW ABOVE STAFF ACCESS DOOR

D 2.01

AP

D

D11

VP

740

SHELVING ABOVE W 3.01

CASHER BELOW

E1 FRIDGE DISPLAY BELOW

DISHWASHER UNDER

SM

AP V

KITCHEN

CAFETERIA FLOOR PLAN Cafeteria Floor Plan 1:50

11001100 ICE MAKER

AP 1,535

SM

CAFETERIA RCP Cafeteria RCP 1:50

B4 WORKBENCH BELOW

B3

B2

COOL ROOM

2,000

3,460

WORKBENCH BELOW

B1

150

205

B6

EXIT

SHELVING ABOVE

COOKTOP OVEN UNDER

695

AA

C L

D6

2,900

STAFF AREA

CASHER BELOW

CL

B

FW

90

B5

E

AP V

915

SCALE 1:50 2,160

100

2,905

1,490

250

0

B6

1

2

3

4

5M

B4 WORKBENCH BELOW

6,905

B5

CAFETERIA RCP

E NOTE

A

RC INTERIOR

PROJECT DESIGNER

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

.

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

A

PROJECT NO PROJECT DESIGNER JOB NO ARC Interiors BY 40 John DRAWN St

RC INTERIOR

. __________________________________________ _ _____ __________________________________________

Pyrmont NSW APPROVED BY T 02 1234 5678 SCALE F 02 1234 5677

______

DRAWING NAME

___________________________________________ __ ___

PROJECT DESIGNER

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

100

8

RC INTERIOR

.

10

A

35

DOUBLE GLAZING AWNING WINDOW HEAD

MECHANICAL/ELECTRICAL ENGINEER

PCA ___________________________________________ __ ___

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

CLIENT

T0001 BUILDER 16954 PRIMO CONSTRUCTION KL 559 PACIFIC HWY, LANECOVE 2066 TUTOR T 02 9956 4565 1:50 F 02 4545 5155 FLOOR PLANS NOTE DWG 100

Scale 1:50

STRUCTURAL ENGINEER ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

DRAWING NO.

MECHANICAL/ELECTRICAL ENGINEER N SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625 PROJECT NO T0001 JOB NO

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW __________________________________________ _ _____ __________________________________________

16954

DRAWN BY

KL

APPROVED BY

TUTOR 1:50

SCALE

______

RCP

DRAWING NAME ___________________________________________ __ ___

DWG 101

200 X 500 CERAMIC TILE

___________________________________________ __ ___ 10MM LOW SAND CEMENT RENDER

8

8

8

BRICK WORK

3

2

1

460

10

26

225

220

MILLI EDGE BASIN MIXER TAP BRUSHED CHROME FINISH, SOLID BRASS CONSTRUCTION C L

VITREOUS CHINA ABOVE BENCH TOP BASIN DOUBLE GLAZING AWNING WINDOW HANDLE

475

20MM CEASAR STONE BENCH TOP

20 D WASTE WATER DRAIN PIPE

COCNCRETE SLAB REFER TO ENG'S DWG 50 X 90 TIMBER SUSPENSION CEILING FRAME 100 X100 RECESSED DIMMER DOWNLIGHT INSIDE:BLACK POWER COATE TRIM: CHROME FINISH

360

20

FCL 2750

DOUBLE GLAZING AWNING WINDOW SILL

210

VANITY PANEL: SOLID TIMBER IN BRINDLE OAK SATIN FINISH 950 110

400

980

20X 20MM TIMBER CORNICE

190

STUD WALL WATER PROOFED AND TILED FOR BATHROOM,FOR THE OTHER SIDE VENEERED WITH TECTILE WALL PAPER

395

185

WATERPROOF MEMBRANE

D01

DOUBLE GLAZING AWNING WINDOW SECTION DETAIL

CLEAR GLASS SLIDING DOOR COLOUR PIGMENTED GLASS NEAR TOILET

CL

5MM MORTAR FOR TILE CLADDING 570

435

2,760

1000

20

530

18MM PLASTER BOARD SUSPENED CEILING WHITE MATT FINISH PAINTD

35 680

265

155

140

SCALE 1:1

25

435

DW201

D03 DW401

85

70

10MM CERAMIC TILE WALL CLADDING

1,415

390

20

25

980

1,220

50 X50 GLASS TILE FLASH BACK

1,180

1,200

D01 WD401

410

MDF KITCHE CABINET FITTING WITH LAMINATE VENEER, BRUSHED CHROME HANDLE

12MM MDF PANEL WITH GLOSSY FINISH LANINATE VENEER 50

10MM CERAMIC TILE FLOORING

FFL

15 X 10 STRIP OF WARM LED LIGHT 200

10

20

10MM MORTAR BED 15 WATERPROOF MEMBRANE

CONCRETE SLAB REFER TO ENG'S DRW D02 DW401

20

15 X 10 STRIP OF WARM LED LIGHT SPICE RECESS RACK MDF PANEL WITH GLOSSY LAMINATE VENEER IN RED OAK

12 180

60

1,400

1,025

720

1,305

110

890

1,105

100

2,805

SS POLE HANGER WITH RECESS WITH A FROSTED PLASTIC COVERING FOR STRIP OF WARM LED LIGHTING

CL

40

750

2,902 15 7,408

80 19MM PLYWOOD WARDROBE PANELS WITH SATIN FINISH LAMINATE VENEER IN OFF WHITE 50 X 50MM GLASS MASH TILE FLASHBACK IN OCEAN

D02

BATHROOM WALL & VANITY DETAIL

DW201

SCALE 1:5 D03

WARDROBE AND KITCHENETTE RECESS

SCALE 1:20 0

200

400

600

800

1000M

DW401

NOTE

A

RC INTERIOR

.

PROJECT DESIGNER

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

PROJECT NO JOB NO

__________________________________________ _ _____ __________________________________________

16954

DRAWN BY

KL

APPROVED BY

TUTOR 1:20

SCALE

______

PRIVATE AREA- INTERNAL ELEVATION

DRAWING NAME ___________________________________________ __ ___

NOTE

T0001

___________________________________________ __ ___

SCALE 1:5

PROJECT DESIGNER

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

N

A

RC INTERIOR

.

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

PROJECT NO JOB NO

__________________________________________ _ _____ __________________________________________

KL

APPROVED BY

TUTOR

SCALE PRIVATE AREA- DETAILS

DRAWING NAME ___________________________________________ __ ___

PROJECT DESIGNER

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

16954

DRAWN BY

______

___________________________________________ __ ___

DWG 201

DRAWING NO.

NOTE

T0001

A

RC INTERIOR

.

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

PROJECT NO JOB NO

__________________________________________ _ _____ __________________________________________

T0001

KL

APPROVED BY

TUTOR

SCALE DRAWING NAME

___________________________________________ __ ___

16954

DRAWN BY

______

___________________________________________ __ ___

DWG 401

DRAWING NO.

DRAWING NO.

100

2,800

2,123

DD1 FW

190

101

753 1,300

V

753 D6

2,800

F2

DD4

FRIDGE DISPLAY BELOW

D1

305

300 1100

1,255

BLACK CERAMIC TILE FLOOR AND SKIRTING DARK GROUT

180

SINGLE DOOR FRIDGE

R C

200

FW

WORKING BENCH BELOW

BULKHEAD

D2 CL

685

AP

BSN

STUDIO ROOM RCP 2,900

1,840 130

D 1.01 1,100

E C6

100

C4

STAFF AREA

POINT OF SALE

1,570

DD3

c

2,900 STUDIO ROOM FLOOR PLAN

C5

KITCHEN

1,690

C L

1,735

615

D

E

280

C5

CL 825

SS COUNTER TOP 650

1,200

DESK BELOW C L DD2

C4

FE

705 200

150

W FE

2,800

LIGHTING: RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING

F1

550

500 50

BULKHEAD ABOVE

835

TIMBER STRUCTURE HOLDING ACOUSTIC HOUSING THAT IS ALSO SUPPORTED WITH SUSPENSION

390

D

C6 SM

D

2,500

100

F1

F2

W 1.05

C3

815 685 1,965

1,950 150

2,100

1,000

3,065

2,900

1000X800 FIXED RECESSED GLAZING

750

490

CL

890

1,603

100

785

490

BB

CC3

B

COOL ROOM

592

F3

1100

V

2,123

F3

3,000

1,070

140

580 220 360

FW

700 X 1500 BRUSHED ALUMINIUM FRAME AWNING WINDOW

D

SM 190

480

AA C3

1,000

EQ

100 500 50100 100 50

EQ

T3

4,515

1,000

CC2

700

1,110

C L

1,000

2,000

W 2.01

100

EQ

90 60 1,635 140 290 2,735

2,025

FW

2,805

1,079 100

150 x 800 RECYCLED TIMBER PLANKS STAINED IN DARK CC1 OAK

E

C

COFFEE 1100 MACHINE

3

610

CL 1,000

W 1.04

EQ

C L

1,000

W 2.01

2,000

1,960

T4 T3

2,900 15

2,114

FW SINK

ACOUTICALLY INSULATED CONCRETE FLOOR EPOXY COAT

GLASS FRIDGE DISPLAY

T3

D5

582

C STUD WALL WITH 18MM PB AND TILE CLADDING

3,000

WARDROBE

T1

SINK

SINK

3,000 300 CL

1100 100

2,800

2,655

BED

BSN

1,605

D5

BOOTH BELOW

C8 30 THICK PLYWOOD SHELVING PANELS IN LIME GREEN SATIN SPAY PAINT FINISH BRICK WALL WITH TEXTURED LINEN WALLPAPER CLADDING IN BOOTH OFF WHITE 700 X 1500 BRUSHED BELOW DOUBLE GLAZING IN BRUSHED ALUMINIUM FRAME FIXED GLAZING WINDOW C7 101

580

590

3,000

1,000

F4

VANITY CEASAR STONE TOP

AREA RAISE

T3

535

2

280

C2

LIGHTING: RECESSEDWARM FLOOR SEATING LED STRIP LIGHTING

1,101

EQ

150

100

W 1.03

EQ

C L

W 2.01

1,000 EQ

1,100

2,000

1,355 150

C8

C7

1,570

1,200

SEATING AREA RAISE

300

A

1,690

C1

F4

755

CL F5

1,064

300

EQ

100

EQ

1,100

205 150 595 24,115

500

C2

2,800

390

BB

PADDED TIMBER BOOTH WITH UNPOLSTERED INLAY FOR ACOUSTIC INSULATION

A

8,760

490

BUILT IN DESK

D

C

490

800

C1

50

580 220 360

SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE

D4

SM

CHISELLED SLATE TILE CLADDED WALL

BUILT IN BOOTH

480

AP 100

W 1.02

EQ

C L

1,000

W 2.01

1,950

1,795

1,000 C9

AND INNER WALL

1,603

EQ

1,450 100

2

AP

B

150

D3

1

C L

944

DOUBLE GLAZING ALUMINIUM AWNING WINDOW

450

D4

2,000

F5

200

EXIT

772 3,250 EQ

100

1,000

D 3.01

100 1,900

1,105

1,355

250

D 4.01 FE

DRAWING NO.

PCA

CLIENT

SCALE 1:50 0PUPAN

CERTIFICATION 1000 2000 LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

3000

4000 5000M OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

N

8

EXIT

10

DOUBLE GLAZING AWNING WINDOW HEAD

D3

1

2

1

3

2

3

C9

AP D4

SUSPENDED CEILING MADE OF RECYCLED CORK PANELS AS WELL AS ROOFING THE SEATING STAGE

CL

SM

F5

2,900

2,900

2,805 200 X 500 CERAMIC TILE

15

100 980 100 PADDED TIMBER BOOTH WITH UNPOLSTERED 4,515 INLAY FOR ACOUSTIC INSULATION 1,000 480 580 220 360 490 490 390 1,200

C1

15

750

2,805

1,079 100 1,000

280

4,515 480

580 220 360

490

750

490

390

1,200

280

10MM LOW SAND CEMENT RENDER

C2 V

100

WARDROBE

2,123

2,800

T1

STUD WALL WITH 18MM PB AND TILE CLADDING

1,605

3,000 2,655

F3

BSN

FW

101

1,300

DD3

CC1

T3

BSN

DOUBLE GLAZING AWNING WINDOW HANDLE

AP

20MM CEASAR STONE BENCH TOP

DD4

150 x 800 RECYCLED TIMBER PLANKS STAINED IN DARK OAK

1100

475

F2

DD1 FW

c CC3

20 D WASTE WATER DRAIN PIPE

CC2

AA

AA

FW

E C6 D6

E

FW

C L

1,735 DD2

W FE

700 X 1500 BRUSHED ALUMINIUM FRAME AWNING WINDOW

SINK

C3

D

VITREOUS CHINA ABOVE BENCH TOP BASIN

BED

T4 T3

C L

FW

C L

C7 VANITY CEASAR STONE TOP

DESK BELOW

C L

300

1100

D5 CL

D

300

BB

8

610

225

220

500

8

592

26

8

100

590

10

BOOTH BELOW

2,800

580

BUILT IN DESK

582

BRICK WORK GREEN 460

SEATING AREA RAISE

753

100

30 THICK PLYWOOD SHELVING PANELS IN LIME SATIN SPAY PAINT FINISH BRICK WALL WITH TEXTURED LINEN WALLPAPER CLADDING IN OFF WHITE 700 XMIXER 1500TAP BRUSHED MILLI EDGE BASIN BRUSHED DOUBLE GLAZING IN CHROME FINISH, SOLID BRASS CONSTRUCTION BRUSHED ALUMINIUM FRAME FIXED GLAZING WINDOW

BB 800

1,603

F4

755

3,000

C8

CL

SM

2,114

190

140

785

100

890

2,005

100

1,306

80

100

1,306

80

510

1,155

1,000

190

100

3,065

255

140

785

100

VANITY PANEL: SOLID TIMBER IN BRINDLE 500

2,295

80

3,409

510

1,155

80

1,000

100 DOUBLE GLAZING AWNING WINDOW SILL

3,065

255

500

OAK SATIN FINISH

2,900

2,800

C L

F1

LIGHTING: 2,900 2,800 RECESSED FLOOR STRIP LED LIGHTING FLUSH WITH TOP OF THE RAISED FLOOR COVERED WITH TOUGHENED ETCHEN GLASS STRIP COVERING

Studio Room Floor Plan 1:20

C5 C4

Studio Room RCP 1:20

WATERPROOF MEMBRANE

D01

DOUBLE GLAZING AWNING WINDOW SECTION DETAIL

STUDIO ROOM RCP

STUDIO ROOM FLOOR PLAN 5MM MORTAR FOR TILE CLADDING

D8

435

SCALE 1:1

10MM CERAMIC TILE WALL CLADDING

3

2

1

D9

D1

CL

DW201

WORKING BENCH BELOW

BULKHEAD

D2

D7

2,900

20

STAFF AREA

25

CL

CASHER BELOW

12MM MDF PANEL WITH GLOSSY FINISH LANINATE VENEER

20

WATERPROOF MEMBRANE 110

400

155

980

CONCRETE SLAB REFER TO ENG'S DRW 20X 20MM TIMBER CORNICE

190

STUD WALL WATER PROOFED AND TILED FOR BATHROOM,FOR THE OTHER SIDE VENEERED WITH TECTILE WALL PAPER

395

185

CL

CLEAR GLASS SLIDING DOOR COLOUR PIGMENTED GLASS NEAR TOILET

85 390 410

MDF KITCHE CABINET FITTING WITH LAMINATE VENEER, BRUSHED CHROME HANDLE

SS POLE HANGER WITH RECESS WITH A FROSTED PLASTIC COVERING FOR STRIP OF WARM LED LIGHTING

CL

40

20

EXIT

SM

60 180

980

1,200

1,180

B3

20X 20MM TIMBER CORNICE

P

50 X50 GLASS TILE FLASH BACK

WORKBENCH BELOW

B2

FFL

STUD WALL WATER PROOFED AND TILED FOR BATHROOM,FOR THE OTHER SIDE VENEERED WITH TECTILE WALL PAPER

12

1,415

D01 WD401

KITCHEN

100 X100 RECESSED DIMMER DOWNLIGHT INSIDE:BLACK POWER COATE TRIM: CHROME FINISH

1,220

50 X 90 TIMBER SUSPENSION CEILING FRAME

COOL ROOM

SPICE RECESS RACK MDF PANEL WITH GLOSSY LAMINATE VENEER IN RED OAK

70

D03 DW401

COCNCRETE SLAB REFER TO ENG'S DWG

18MM PLASTER BOARD SUSPENED CEILING WHITE MATT FINISH PAINTD

20

570

15 X 10 STRIP OF WARM LED LIGHT 25

AP

FRIDGE BELOW

1000

20

530

18MM PLASTER BOARD SUSPENED CEILING WHITE MATT FINISH PAINTD

35 680

265

10

15

950 140

435

2,760

E1

15 X 10 STRIP OF WARM LED LIGHT

100 X100 RECESSED DIMMER DOWNLIGHT INSIDE:BLACK POWER COATE TRIM: CHROME FINISH

360

EXIT

210

D11

50 X 90 TIMBER SUSPENSION CEILING

10MM MORTARFRAME BED

SM

B1

50

10MM CERAMICCOCNCRETE TILE FLOORING SLAB REFER TO ENG'S DWG

200

FRIDGE DISPLAY BELOW FCL 2750

15 CLEAR GLASS SLIDING DOOR COLOUR PIGMENTED GLASS NEAR TOILET

D02 DW401

AP

80

V

19MM PLYWOOD WARDROBE PANELS WITH SATIN FINISH LAMINATE VENEER IN OFF WHITE

B6

50 X 50MM GLASS MASH TILE FLASHBACK IN OCEAN

B4 750

50 X50 GLASS TILE FLASH BACK WORKBENCH BELOW

1,400

1,025

720

1,305

110

890

1,105

100

B5

CAFETERIA RCP BATHROOM WALL & VANITY DETAIL 2,805

D02

2,902

7,408 MDF KITCHE CABINET FITTING WITH LAMINATE VENEER, BRUSHED CHROME HANDLE

DW201

SCALE 1:5 D03

SCALE 1:50

Studio Room Internal Elevation 1:20 NOTE

100

A

RC INTERIOR

PROJECT DESIGNER PCA

BUILDER

STRUCTURAL ENGINEER

ARC Interiors 40 John St Pyrmont NSW T 02 1234 5678 F 02 1234 5677

PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE 2066 T 02 9956 4565 F 02 4545 5155

ADAM STIR LV 6 329 GEORGE ST SYDNEY 2000 T 02 9656 7235 F 02 4865 5855

PROJECT DESIGNER

BUILDER CLIENT

ARC Interiors 40 John St PRIMO CONSTRUCTION OBJECT GALLERY Pyrmont NSW T 02 1234 5678 559SHORT HWY, CORNER OF LANE AND . PACIFIC SCALE 1:20 F1000M 02 1234 5677 0 200 400 600 800 LANECOVE 2066

A

ARC Interiors CERTIFICATION 40 John St HIGH ST, Pyrmont HFIELD 2013 NSW 02 1234 5678 9852T8554 02 1234 PROJECT 5677 NO 6725F7625

.

PROJECT DESIGNER

INTERIOR ScaleRC 1:20 HILLS ST T0001

JOB NO

16954

DRAWN BY

KL

02 9956 4565 SURRYT HILLS, NSW F 02 4545 5155 N

MECHANICAL/ELECTRICAL ENGINEER SOLUTION BASE LV2 HARRIS ST, PYRMONT 2009 T 02 9852 8554 F 02 6725 7625

BUILDER

PCA

CLIENT

PUPAN CERTIFICATION LV2 HIGH ST, STRATHFIELD 2013 T 02 9852 8554 F 02 6725 7625

OBJECT GALLERY CORNER OF SHORT LANE AND HILLS ST SURRY HILLS, NSW

0

NOTE STRUCTURAL ENGINEER PRIMO CONSTRUCTION 559 PACIFIC HWY, LANECOVE ADAM STIR 2066 02 9956 4565 329TGEORGE ST F 02 4545 5155

400

0

600

11000M

800

PROJECT NO

__________________________________________

______

2009 T 02 9852 8554 SCALE F 02 6725 7625

3

4

5M

T0001

KL TUTOR 1:20

SCALE

N

16954

DRAWN BY APPROVED BY

1:50 FLOOR PLANS

SCALE 1:5

NOTE

STRUCTURAL ENGINEER PCA __________________________________________ MECHANICAL/ELECTRICAL ______ PRIVATE AREA- INTERNAL ELEVATION DRAWING NAME ___________________________________________ __ ___ ENGINEER DWG 201 ___________________________________________ __ ___ PROJECT NO T0001 DRAWING NO. MECHANICAL/ELECTRICAL PCA ADAM STIR PUPAN CERTIFICATION ENGINEER LV 6 329 GEORGE STJOB NO SOLUTION LV2 HIGH ST, 16954 BASE SYDNEY 2000 LV2 HARRIS ST, PYRMONTPUPAN CERTIFICATION STRATHFIELD 2013 T 02 9656SOLUTION 7235 DRAWN 2009 T 02 9852 8554 BY KL BASE LV2 HIGH ST, F 02 4865 5855 T 02 9852 8554 F 02 6725 7625 LV2 HARRISAPPROVED ST, PYRMONT STRATHFIELD 2013 BY F TUTOR 02 6725 7625

LV 6 SYDNEY 2000 T 02 9656 7235 __________________________________________ _ _____ F 02 4865 5855

2

DW401

JOB NO

__________________________________________ _ _____

200

WARDROBE AND KITCHENETTE RECESS

Wardrobe and Kichenette Recess Not to Scale

SCALE 1:20

T 02 9852 8554 F 02 6725 7625

PROJECT NO

CLIENT

NOTE CLIENT OBJECT GALLERY CORNER OF SHORT LANE N AND HILLS ST OBJECT GALLERY SURRY HILLS, NSW CORNER OF SHORT LANE AND

HILLS ST SURRY HILLS, NSW

T0001

JOB NO

PROJECT NO 16954

DRAWN BY

JOB NO

APPROVED BY

KL TUTOR

DRAWN BY __________________________________________ _ _____

T0001 16954 KL

SCALE

APPROVED

BY AREA- DETAILS TUTOR PRIVATE DRAWING NAME ___________________________________________ __ ___ 1:50 __________________________________________ _ _____ SCALE DWG 401 ___________________________________________ __ ___ DRAWING NO. __________________________________________ ______ RCP __________________________________________

______

SCALE 1:50 0

1000

2000

3000

4000

N

5000M

Fin.